Grateful Dead - 07/19/89
Alpine Valley Music Theatre, East Troy, WI
Source:

Pro shot video with 4 separate channels of audio upgrades

Media Type:

BD

Media Count:

1

Source Info: flac16; Matrix 4 Source Mix - SBD (shnid=437) DSBD> DAT> CD> eac> SHN; via N. Georges + AUD1 (shn id 92447) Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 + AUD2 (shnid=106492) TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion + VID (no shn id) low generation video supplied in dvd format by weem4me for video project - matrix mixing by Kevin Tobin
Notes:

Brokedown House Production - Seeded at LL 10/10/2013 LL Seeding Seeded at TTD 10/11/2013 TTD Seed

Tech Notes:

Grateful Dead
7/19/89
Alpine Valley Music Theatre
East Troy, Wi

Set 1
Hell in a Bucket
Sugaree
Mama Tried
Mexicali Blues
Althea
Victim or the Crime
West LA Fadeaway
Desolation Row
Deal

Set 2
Box of Rain
Foolish Heart
Looks Like Rain
Terrapin Station
Drums
Space
The Other One
The Wheel
Morning Dew

Encore
Lovelight

Video Source:
Proshot in-house feed>1st or 2nd gen vhs>stand alone>ripped with dvd decrypter>TMGEnc dvd author 1.6>vegas 6.0>dvd architect 3.0> dvd > TMPGEnc MPEG Editor 2.0 > DVD Architect Pro 6.0

I got this video from a guy who is a major filmer / seller in the Chicago area back in 1990 or so. After talking to him he told me he got this video a few days after the gig. He claimed he had the master tapes. When DVD came out he transferred his video to DVD with a standalone and I grabbed DVD copy from him. So this DVD is either off the master tapes or a 1st or 2nd gen. copy. I then took the DVD’s and created menus and chapters. They are some annoying voice overdubs between a few songs which makes me believe that this is either a 1st or 2nd gen. copy. No music was affected by the overdub voice. Enjoy.

Audio Source Information
Audio Track 1: SBD
shnid = 437 (upgraded shnid = 125855)
Recording Info:
DSBD -> DAT -> CD -> eac -> SHN
Seeded by Walstib
download from tol with much appreciation

Audio Track 2: Matrix
shnid = 125861
SBD + AUD Matrix 2 Source Mix (52%-AUD/48%-SBD)
Mix of Sbd and Audience tracks listed here
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -0.5
AUD 0

SET TWO

Stereo Matrix
SBD -0.5
AUD 0
---------------------------------------------------------
Audio Track 3: Audience
shnid = 92447 (updated shnid = 125856)
Recording Information:
Source: Sennheiser 441 > Marantz PDM 340 w/ dbx
Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack
Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz]
Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 >
r8brain to [16/44.1] > CD Wave > TLH > Flac
Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008

Notes: Crossfades applied at tape flip after Althea and before Lovlight.
Most of the Drums were cut and the Space was cut into. For this reason no
crossfade was applied and drums were faded out and Space faded in.
Audio problems at beginning of Hell In A Bucket from PA.
Beer Barrel Polka Tuning after Althea

Audience (alt) - used to patch Drums
shnid = 106492
TAPER: GREG HOLTZ "Third night we were in the pavilion...we were in THE FIRST ROW in front of the SBD.
SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C.
TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename

Audio Track 4: DTS 5.1
shnid = 125861
DTS-Audio-48khz 5.1 Mix
Please refer to notes below for playing this track - you need a 5.1 complient system with digital connection to your
dvd player.
-------------------------------------------------------
Front
Left Channel SBD -0db
Right Channel SBD -0db

Center
Mixed to mono -0db MTX

Surround
Left Channel -0db AUD
Right Channel -0db AUD

Sub/LFE
Mixed to mono -0db MTX
--------------------------------------------------------------
Audio Patches:
1) Before the start of Hell In A Bucket, 2 minutes and 46.987 seconds were missing from the soundboard and was filled in with audio from the video.

2) Between Sugaree and Mama Tried, 1 minute and 55.227 seconds were missing from the soundboard and was filled in with audio from the video (note - there was some "talking" between the cameramen on the video - when this occured, there was a large amount of feedback or hum on the video audio track. I toned this done to keep within the same sound level as the soundboard). First notes of Mama Tried were missing.

3) Between Mexicali Blues and Althea, 55.227 seconds were missing from the soundboard and was filled in with audio from the video.

4) Between Althea and Victim Or The Crime, 1 minute and 25.596 seconds were missing from the soundboard and was filled in with audio from the video.

5) Between Althea and Victim Or The Crime, 47.722 seconds were missing from the audience and was filled in with audio from the video.

6) Before the start of Box Of Rain, 3 minutes and 31.754 seconds were missing from the soundboard and was filled in with audio from the video.

7) Before the start of Box Of Rain, 1 minutes and 47.132 seconds were missing from the audience and was filled in with audio from the video.

About 2 minutes into Drums, 9 minutes and 57.53 seconds were missing from the audience and was filled in with audio from the alternate audience. This included most of Drums and a good portion of Space.

9) Before the start of Lovelight, 2 minutes and 41.658 seconds were missing from the soundboard and was filled in with audio from the video.

10) Before the start of Lovelight, 2 minutes and 58.722 seconds were missing from the audience and was filled in with audio from the video.

11) Speedwise the soundboard was slightly slower than the video at about .300 seconds per minute while the audience was extremely faster at about 2 seconds per minute.

12) Choice of the audience sources - considering that hansokolow has already done a matrix of this show, it was a tough choice as the Holtz audience (which I used as the alternate for the drums) is a wonderful recording but the GMB version's vocals were stellar and it is a clean recording so after much thought, I used it for most of the show.

Video Patches:
None

Notes
- Video assets courtesy of the ween4me - thank you very much
-SBD downloaded from tol many many years ago
-Both audiences were downloaded from LMA with many thanks.
-Audio synchronization by BHP using Adobe Audition to
compress/expand the audio in multitrack mode to match the original audio.
-Video patches (if needed) created with Ulead VideoStudio 11 by BHP.
-Multiplexing via TMPGEnc MPEG Editor by BHP.
-DVD authoring via DVD Architect 6.0 by BHP

Video Attribute :
Video compression mode : MPEG-2
TV system : 525/60 (NTSC)
Aspect Ratio : 4:3
Display Mode : reserved
Source picture resolution : 720x480
Frame Rate : 29.99
Source picture letterboxed : Not letterboxed
Bitrate : BD: 6,000 Mbps
Menu : Yes (song list on separate menu)

Audio Attribute :
Number of Audio channels : 8
Number of Audio streams : 4
Audio Coding mode: Linear PCM audio
Sampling Rate : 48kHz 1536Kbps

More On DTS

Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the DVD (or BD) LCPM hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular DVD (or BD). To play a DTS-DVD (or BD) you must connect your DVD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-DVD (or BD), so the first time you're trying to playback a DTS-DVD (or BD) you
must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-DVD through the analog audio outputs of your DVD player. If you have problems playing the DTS track - try the matrix.

Brokedown House Production

Do NOT buy or sell this video

J-Card Comment:

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Trades Allowed: Yes Traded From:

Reference #:

Generation:

0

Lists:
Owned by Kevin Tobin Videos · Last Updated May 11, 2017


Grateful Dead 07/19/89
Alpine Valley Music Theatre, East Troy, WI
Set I
Hell In A Bucket >
Sugaree
Mama Tried >
Mexicali Blues
Althea
Victim Or The Crime >
West L.A. Fadeaway
Desolation Row >
Deal
Set II
Box Of Rain
Foolish Heart >
Looks Like Rain >
Terrapin Station >
Drums >
Space >
The Other One >
The Wheel >
Morning Dew >

Encore:
Turn On Your Lovelight
Set III
 
Comment
Material from this show is featured in the video Downhill from Here

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(437) View Source    View Archive
DSBD> DAT> CD> eac> SHN; via N. Georges
(92447) View Source    View Archive
flac16; Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008
(96232) View Source    View Archive
flac16; matrix of DSBD: shnid=437 and AUD: shnid=92447 by hansokolow using ProTools
(106492) View Source    View Archive
flac16; TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename
(125505) View Source    View Archive
flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(125506) View Source    View Archive
flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(125854) View Source    View Archive
flac16; DSBD -> DAT -> CD -> eac -> SHN (original shn 437) - pitch correction and patches by Kevin Tobin
(125855) View Source    View Archive
flac16; (original shnid = 92447) Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 - pitch correction and patches by Kevin Tobin
(125861) View Source    View Archive
flac16; Matrix 4 Source Mix - SBD (shnid=437) DSBD> DAT> CD> eac> SHN; via N. Georges + AUD1 (shn id 92447) Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 + AUD2 (shnid=106492) TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion + VID (no shn id) low generation video supplied in dvd format by weem4me for video project - matrix mixing by Kevin Tobin
(125862) View Source    View Archive
DTS-Audio-CD 5.1 Mix; SBD (shnid=437) DSBD> DAT> CD> eac> SHN; via N. Georges + AUD1 (shn id 92447) Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 + AUD2 (shnid=106492) TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion + VID (no shn id) low generation video supplied in dvd format by weem4me for video project - dts mixing by Kevin Tobin
(130697) View Source    View Archive
flac16; Set 2 FOB MC>A>A(XL-II)>CD>flac
(138808) View Source    View Archive
flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; the original files had PA static during t03, Sugaree
(138818) View Source    View Archive
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; the original files had PA static during t03, Sugaree, This is fixed 138808 24 bit -> 16 bit
(141076) View Source    View Archive
flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's) Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96) Transfers by Pete Ebel
(142299) View Source    View Archive
flac16/48kHz; Ted Mattes Master DAT Recording: Schoeps CMC4 MK4 > DAT; Recorded off the delay stacks from the lawn; Charlie Miller Transfer: DAT > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Cached: Mon, 29 Apr 2024 18:03:27 EDT