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Grateful Dead - 12/31/81
Oakland Auditorium Arena, Oakland, CA
Edit Details
Source:

3 camera pro shot with multiple audio upgrades
Media Type:

BD

 Media Count:

1
Source Info: flac16; Matrix 3 Source Mix - SBD (shnid=96107) flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shn id 96611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. + VID (no shn id) low generation video found on the internet for a video project - matrix mixing by Kevin Tobin
Notes:

Brokedown House Production using video from WV and sbd audio upgrade. Not seeded at LL or TTD
Tech Notes:

Grateful Dead
December 31, 1981
Oakland Auditorium, Oakland, CA

SBD + AUD Matrix 3 Source Mix(48%-SBD/52%-AUD)

Joan Baez Acoustic Set:
d1t01 - Land Of A Thousand Dances
d1t02 - Do Right Woman
d1t03 - The Boxer
d1t04 - Tunisian New Year Song
d1t05 - Me & Bobby McGee
d1t06 - Bye Bye Love
d1t07 - Lucifer's Eyes
d1t08 - Children Of The 80's
d1t09 - Banks Of The Ohio

Set 1:
d2t01 - Tuning
d2t02 - Shakedown Street
d2t03 - Me And My Uncle ->
d2t04 - Mexicali Blues
d2t05 - Cold Rain And Snow
d2t06 - C C Rider
d2t07 - It Must Have Been The Roses ->
d2t08 - Beat It On Down The Line
d2t09 - Big Boss Man ->
d2t10 - New Minglewood Blues
d2t11 - Don't Ease Me In

Set 2:
d3t01 - Ken Kesey Banter/Midnight Countdown
d3t02 - Iko Iko
d3t03 - Playing In The Band ->
d3t04 - Terrapin Station ->
d3t05 - Playing In The Band ->
d3t06 - Drums ->
d3t07 - Space ->
d4t01 - The Other One ->
d4t02 - Not Fade Away ->
d4t03 - Goin' Down The Road Feeling Bad ->
d4t04 - Morning Dew

Set 3:
d4t05 - Dark Star ->
d4t06 - Bertha ->
d4t07 - Good Lovin'

Encore:
d4t08 - It's All Over Now, Baby Blue
d4t05 - The Chinese Joke

Audio Source Information:
SBD (shnid = 96107)
**THIS IS A 24BIT SOURCE**
Recording Info:
SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90)

Transfer Info:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->
Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24
(2 DVDs FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
November 28, 2008

Patch Info:
(FOB) Nakamichi 100 -> Cassette Master -> Cassette (shnid=85628) supplies:
Terrapin Station (12:47 - 13:03)
Goin' Down The Road Feeling Bad (6:54 - 7:01)

Notes:
-- This has fixed levels on d3t02, d3t03 and d3t04
-- Joan Baez is backed by The Grateful Dead during her acoustic set
-- C C Rider, Big Boss Man, Minglewood and Iko with Matthew Kelly
-- Roses, BIODTL, Don't Ease Me In and Baby Blue with Joan Baez
-- The Other One, Not Fade Away and GDTRFB with John Cippolina
-- This is an upgrade to all previous circulating copies
-- Patch source was EQ'd and pitch corrected
-- Thanks to Joani Walker and Paul Scotton for the tapes
-- Thanks to Joe B. Jones for his help with the pitch correction

AUD (shnid = 96611)
Source: Audience Recording
Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) >
Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station.
Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither. As always, Eternal gratitude for Bluedakota.
Notes:

- there is a considerable sonic change from D3T02 to D3T05. I've tried to polish this up a little, but it's still very prominent.
Seeing how this is the only aud circulating right now, I've opted not to patch with the soundboard.
- This is a great, full sounding pull of a historic show. Many thanks to Mark for capturing it and lending his masters to LMPP to get them out.

Tapers Notes
- Jaime built the mic mixer and we all taped from the free throw line on the floor at the Oakland Auditorium. The mic's went from the mixer into my Sony TC-D5M. There was also a patch bay, but I don't remember how many decks were plugged in. I went to 10 New Years runs / shows from 1977 to 1990 and the 1981 run was my favorite.
---------------------------------------------------------
- Taped by Mark Severson, he who wishes to remain anonymous, and Jamie Poris
- Transferred by Bgreen. ( AKA "The Boss" )
- Editing and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station.
Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither. As always, Eternal gratitude for Bluedakota.
- First seeded to www.shnflac.net December 2008 (New Years Eve)
- A cooporative effort of Live Music preservation Project, The Gems Team, and great group of Tapers
- contact lmpp.productions@gmail.com with questions/concerns
www.livemusicpreservationproject.com

VID (no shnid)
used for patching and timing standard
---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 03-JAN-2014 - Trader Little Helper
- Tagged 03-JAN-2014 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -0.5
AUD 0

SET TWO

Stereo Matrix
SBD -0.5
AUD 0
---------------------------------------------------------
BHP note: Both audio sources were very close to the video and only minor patching was needed mostly between songs in the first set. I also trimmed a little "Dead Air" between some of the songs so that the show could fit properly on a DVD.

Brokedown House Production
Trades Allowed: Yes Traded From:

Show Rating:

Yes

 Sound Rating:

Reference #:

Generation:

0
Lists:
Owned by Kevin Tobin Videos · Last Updated Jan 6, 2020


Grateful Dead 12/31/81
Oakland Auditorium Arena, Oakland, CA
Add Source    Reviews    List Collectors    Add to Collection    I Was There    Add to Want List    Wanted By    History    Edit Show
Set I
Acoustic Set: *

Land Of A Thousand Dances
Do Right Woman, Do Right Man
The Boxer
Tunisian New Year Song
Me & Bobby McGee
Bye Bye Love
Lucifer's Eyes
Children Of The Eighties
Banks Of The Ohio
Set II
Electric Set 1:

Shakedown Street
Me & My Uncle >
Mexicali Blues
Cold Rain & Snow
C.C. Rider #
It Must Have Been The Roses > *
Beat It On Down The Line *
Big Boss Man > #
New Minglewood Blues #
Don't Ease Me In *
Set III
Electric Set 2:

Ken Kesey Banter / New Years Countdown
Iko Iko #
Playing In The Band >
Terrapin Station >
Playing In The Band Reprise >
Drums >
Space >
The Other One > $
Not Fade Away > $
Goin' Down The Road Feeling Bad > $
Morning Dew

Electric Set 3
Dark Star >
Bertha >
Good Lovin'

Encore:
It's All Over Now Baby Blue *
The Chinese Joke
Comment
Bill Graham flew in on a joint at midnight

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Joan Baez - Vocals *
Matthew Kelly - Harmonica #
John Cipollina - Guitar $
Last Changed By System
Sources
(331) View Source    View Archive
Reels > Cass > Dat > CDR; via G. Lanum; 8/00: note tracklist now apparently corrected here from what had been listed originally; see pub comments for flaw notes.; upgrade in circulation
(7041) View Source    View Archive
electric sets; Monitor Mixer SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB; via Jay Serafin to gdlive; see extensive notes in txt files
(12784) View Source    View Archive
Jay Ashley (Bertha) remaster of Jay Serafin's 4 TRACK RTR source; SBD> MR> PCM> DAT> CDR> SHN> DAW(Bertha)> CDA; Note- Joan Baez set missing
(14040) View Source    View Archive
Acoustic set only (w/ Joan Baez); SBD > MR > CASS > DAT > CDR > EAC > SHN via Chris Warren; upgrade in circulation
(14686) View Source    View Archive
Master reels->cass->DAT->CD-R->EAC(x2 w/wav compare)->shn. ; upgrade in circulation
(33660) View Source    View Archive
flac16; SBD> Cassette Master (Dolby B)> Sonic 24bit> SBM2> CD> EAC> FLAC; Transferred and Mastered By David Gans; FLAC By Charlie Miller
(85628) View Source    View Archive
flac16; Recording by Matt Field. Source: FOB Nak 100's > D-5 > D-5 > Maxell UDXL I cassettes. Transfer and Mastering: Cassette (1st Gen) playback on Nakamichi CR-7A, azimuth adjusted, no Dolby > Grace Lunatec V3, sample rate at 96 KHz > AES digital connection > LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. Transfer and mastering by Chris L.
(96082) View Source    View Archive
flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(96090) View Source    View Archive
flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(96106) View Source    View Archive
flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller (This has fixed levels on d3t02, d3t03 and d3t04 of the previous source.)
(96107) View Source    View Archive
flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller (This has fixed levels on d3t02, d3t03 and d3t04 of the previous source.)
(96611) View Source    View Archive
flac16; Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither.
(126611) View Source    View Archive
flac16; Matrix 3 Source Mix - SBD (shnid=96107) flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shn id 96611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. + VID (no shn id) low generation video found on the internet for a video project - matrix mixing by Kevin Tobin
(143570) View Source    View Archive
flac16/48kHz; Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B) (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
(143571) View Source    View Archive
flac24; Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
(143773) View Source    View Archive
flac16; Patched & Pitch Corrected Audience - AUD (original shnid = 96611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. - pitch correction and patches by Kevin Tobin
(143774) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid = 143571) Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 + AUD (shnid = 096611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. - matrix mixing by Kevin Tobin
(143775) View Source    View Archive
DTS-Audio-CD 5.1 Mix; - SBD (shnid = 143571) Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 + AUD (shnid = 096611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. - dts mixing by Kevin Tobin
(143777) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 143571) Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 + AUD (shnid = 096611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. - surround mixing by Kevin Tobin
(156058) View Source    View Archive
flac1648 Source Info: Jim Voss's Master FOB Audience Cassettes: Sennheiser 421 mics (14th row)> Sony D5 Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
(156059) View Source    View Archive
flac2496 Source Info: Jim Voss's Master FOB Audience Cassettes: Sennheiser 421 mics (14th row)> Sony D5 Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
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Cached: Mon, 29 Apr 2024 19:56:45 EDT