Kevin Tobin Videos - Grateful Dead 06/17/91SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller; [Note: This is the only circulating source without an analog gen in it.]

Grateful Dead - 06/17/91
Giants Stadium, East Rutherford, NJ

Source:	(Master) Single Camera Audience shot with multiple audio upgrade Complete show on YouTube
Media Type:	BD	Media Count:	2
Source Info:	SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller; [Note: This is the only circulating source without an analog gen in it.]
Notes:	Brokedown House Production with video provided by Ian - Seeded on LL 06/26/16 LL Seeding Seeded at TTD 06/26/16 TTD Seeding
Tech Notes:	Grateful Dead June 17, 1991 Giants Stadium East Rutherford, NJ Brokedown House Production Taped by Anon Tapes Provided by Ian Production Consultant: Markiki Capture & Edit by P.Togos Synch & Author by Kevin Tobin Set 1 Eyes Of The World Walkin' Blues Brown Eyed Women When I Paint My Masterpiece Loose Lucy Cassidy Might As Well Set 2 Saint Of Circumstance Ship Of Fools Truckin' New Speedway Boogie Uncle John's Band Drums Space China Doll Playing In The Band Sugar Magnolia Sunshine Daydream The Weight Jerry Garcia - Guitar Bob Weir - Guitar Vince Welnick - Keyboards Bruce Hornsby - Piano, Accordion Phil Lesh - Bass Bill Kreutzmann - Drums Mickey Hart - Drums Video: AUD (Tripod) > Master Master: JVC GX-N8U > ? Decks > JVC HR-S20U > VHS Master (Sony ESX HiFi Dynamicron 120) Transfer: VHS Master > Panasonic AG-7150 > Canopus ADVC-300 > Firewire > HD > Sony Vegas 9 (.avi) > MPEG2 > TMPGEnc MPEG Editor 2.0 > TMPGEnc Authoring Works 5 > Bluray [NTSC, 4:3, 25.0 Mbs, 720x480, 29.97 fps] Audio Source Information Audio Track 1: SBD shnid = 25608 Recording Info: SBD -> Master Dat (44.1k) -> Dat Clone Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net 9/1/04 Notes: -- Thanks to David Gans for lending me his Dats. -- There is an Other One tease before and after the Dark Star Jam before drums. -- Hornsby is teasing Dark Star in almost every song...listen closely. -- There are other Dark Star Teases that I didn't track due to being too short. -- Seamless transition between discs 2 and 3. -- All Flaws in Eyes Of The world have been fixed. Audio Track 2: Matrix shnid = 135942 SBD + AUD Matrix 2 Source Mix [LPCM, 2.3 Mbs, 24 Bit, 48 kHz] Audio Track 3 (Set 1 ONLY): 5.1 LPCM Surround Sound shnid = 135941 [LPCM, 4.6Mbs, 16 Bit, 48 kHz] Audio Track 3 (Set 2 ONLY) & Audio Track 4: DTS 5.1 shnid = 125943 DTS-Audio-48khz 5.1 Mix You need a 5.1 dts complient system with digital connection to your blu-ray/dvd player. [LPCM, 1.5 Mbs, 16 Bit, 48 kHz] NOTE: Track 2/3/4 are a combination of the sounboard listed above and this audience: shnid = 86659 AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. Notes: - Several untracked Dark Star hints thru-out the concert. - Soundforge used to make fades. Neither SBD or AUD needed any patches. Brokedown House Production
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Trades Allowed:	Yes	Traded From:
Reference #:		Generation:	0
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Owned by Kevin Tobin Videos · Last Updated May 27, 2017

Grateful Dead 06/17/91
Giants Stadium, East Rutherford, NJ

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History

Edit Show

Set I

Eyes Of The World
Walkin' Blues
Brown Eyed Women
When I Paint My Masterpiece
Loose Lucy
Cassidy
Might As Well

Set II

Saint Of Circumstance >
Ship Of Fools >
Truckin' >
New Speedway Boogie >
Uncle John's Band >
Drums >
Space >
Jam >
China Doll >
Playing In The Band >
Sugar Magnolia
The Weight

Set III

Comment

Jerry Garcia - Guitar
Bob Weir - Guitar
Vince Welnick - Keyboards
Bruce Hornsby - Piano, Accordion
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums

Display Setlist > >

Last Changed By OBIE

Sources

(484) View Source View Archive
DSBD> DAT> CDR> SHN; new version d1, 5/18/99; first 1-2 sec of Eyes is missing; note md5s were lacking- ones shown here generated by G.S. Hamilton, for OK shns with the newer d1

(3591) View Source View Archive
sbd> ?> cdr> eac> shn; via Tony Gardner, with thanks to Peter Braverman

(25608) View Source View Archive
SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller; [Note: This is the only circulating source without an analog gen in it.]

(31606) View Source View Archive
flac16; SBD + AUD Matrix Mix

(33670) View Source View Archive
DTS-Audio-CD 5.1 Mix

(86659) View Source View Archive
flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F.

(86660) View Source View Archive
flac16; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped & transferred (7/2007) by Andrew F.

(95644) View Source View Archive
flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.

(122790) View Source View Archive
flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

(122791) View Source View Archive
flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

(128692) View Source View Archive
flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:025608) Recording Info: SBD -> Master Dat (44.1k) -> Dat Clone; Audience (shnid:095644) Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro by James Young & Clay Brennecke; and Audience (shnid:122791) AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's

(134054) View Source View Archive
flac16; Source: AKG 414-BTL (hypercard X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper

(135941) View Source View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - mixing by Kevin Tobin

(135942) View Source View Archive
flac16; Matrix 2 Source Mix - SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - matrix mixing by Kevin Tobin

(135943) View Source View Archive
DTS-Audio-CD 5.1 Mix; SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - DTS mixing by Kevin Tobin

(137545) View Source View Archive
flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller

(137547) View Source View Archive
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, 24bit > 16bit with r8brain

(150371) View Source View Archive
flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: FOB, Section B, Row 30, Seat 20 (hand held); Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 04, 2020

(150633) View Source View Archive
flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller

(150677) View Source View Archive
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1

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