Phish - 07/10/16
Lakeview Amphitheater, Syracuse, NY
Lakeview Amphitheater, Syracuse, NY
Edit Details| Media Type: | CDR |
Media Count: | 3 |
| Notes: |
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| Trades Allowed: | Yes | Traded From: | |
| Show Rating: | Sound Rating: | A |
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| Reference #: | Generation: | 0 |
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| Lists: | cds | | ||
Owned by bob · Last Updated May 23, 2023
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Set I
The Landlady, Blaze On, Ha Ha Ha, Friends, Tube, Destiny Unbound > My Friend, My Friend > The Mango Song > Timber > Timber (Jerry) > Timber, The Ballad of Curtis Loew, Stealing Time From the Faulty Plan > Mound, Winterqueen, Bold As Love
Set II
Drowned > Twist > Waste > Piper > Simple > Breath and Burning, Rocky Top > Martian Monster > Golgi Apparatus > Frankenstein
Encore: Character Zero
Encore: Character Zero
Set III
Comment
Martian Monster featured Trey on Marimba Lumina, Mike on guitar, and Page on bass.
Last Changed By
SailorSaint
Sources
(136418) View Source
flac24 96kHz mics were DIN setup in the OTS left of center; Schoeps mk41v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Macbook Pro>Audacity(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
(136419) View Source
flac16 44.1kHz mics were DIN setup in the OTS left of center; Schoeps mk41v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Macbook Pro>Audacity(tracking,fades)>Sony Soundforge Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
(136435) View Source
flac16 44.1kHz Schoeps MK41[DINa/OTS/DFC@SBD Rail/Rycote INV6-HG Shock/Movo WS80 Screens] -> NBob KCY -> Naiant PFAs -> DarkTrain Rt Angle Stubby XLRs -> Tascam DR-70D[BWF@24/96-LOW Gain] -> 64gb SanDisk Extreme Pro SD Card; [BWF@24/96] > WaveLab v6.11[Fades/Gain/Crystal Resampler(Ultra)/MBIT+ Dither(Ultra/High)] > [WAV@16/44.1] > CD Wave v1.98[Tracking/Cue Sheets] > CKRename v1.08 > Traders Little Helper v2.7.0[FLAC/Level 8/Align On Sector Boundaries(Fix)/Verify/FFP/MD5/ST5] > [FLAC@16/44.1] > MP3Tag v2.78 > .FLAC16; Taped/Transferred/Mastered/Uploaded by Bean
(136436) View Source
flac24 96kHz Schoeps MK41[DINa/OTS/DFC@SBD Rail/Rycote INV6-HG Shock/Movo WS80 Screens] -> NBob KCY -> Naiant PFAs -> DarkTrain Rt Angle Stubby XLRs -> Tascam DR-70D[BWF@24/96-LOW Gain] -> 64gb SanDisk Extreme Pro SD Card; [BWF@24/96] > WaveLab v6.11[Fades/Gain] > [WAV@24/96] > CD Wave v1.98[Tracking/Cue Sheets] > CKRename v1.08 > Traders Little Helper v2.7.0[FLAC/Level 8/Verify/FFP/MD5/ST5] > [FLAC@24/96] > MP3Tag v2.78 > .FLAC24; Taped/Transferred/Mastered/Uploaded by Bean
(136437) View Source
flac16 44.1kHz sec 200, row N, seat 4, "tapers section" behind Mixer enclosure, dead center; DINA Kwonbar, Schoeps A20S shock, Windtech MPC-10 clamp, DPA UA0896 screens, clamped on stand at 9 ft; Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz; Sound Devices 722 master file @24bit/48kHz>firewire>Sound Forge Pro 11.0>44.1/16-CD Wave v1.98(tracking)>FLAC16 via TLH v2.7.0(level 8), tag w/Tag Scanner6.0.12, ffp & md5-TLH
(136438) View Source
flac24 48kHz sec 200, row N, seat 4, "tapers section" behind Mixer enclosure, dead center; DINA Kwonbar, Schoeps A20S shock, Windtech MPC-10 clamp, DPA UA0896 screens, clamped on stand at 9 ft; Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz; Sound Devices 722 master file @24bit/48kHz>firewire>Sound Forge Pro 11.0>CD Wave v1.98(tracking)>FLAC24 via TLH v2.7.0(level 8), tag w/Tag Scanner6.0.12, ffp & md5-TLH
(136453) View Source
flac16 44.1kHz mics were NOS setup in the OTS left of center; Schoeps mk4v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Macbook Pro>Audacity(tracking,fades)>Sony Soundforge Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
(136454) View Source
flac24 96kHz mics were NOS setup in the OTS left of center; Schoeps mk4v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Macbook Pro>Audacity(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
(136455) View Source
flac16 44.1kHz mics were NOS setup in the OTS left of center; Schoeps mk22>nbob actives>Naiant PFAs>Sonosax SX-M2>Sonosax SX-R4 (24bit/96khz); WAV>USB>Macbook Pro>Audacity(tracking,fades)>Sony Soundforge Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
(136456) View Source
flac24 96kHz mics were NOS setup in the OTS left of center; Schoeps mk22>nbob actives>Naiant PFAs>Sonosax SX-M2>Sonosax SX-R4 (24bit/96khz); WAV>USB>Macbook Pro>Audacity(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
(136515) View Source
flac16 44.1kHz DPA 4023>Sonosax SX-M2>Sound Devices 722 (24/96); DIN/OTS/LOC 6’ clamp to stand back left corner seat last row of section directly behind the soundboard; 722>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler/MBIT+ Dither)>xACT 2.38(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped and Transferred by: Lenny Stubbe
(136516) View Source
flac24 96kHz DPA 4023>Sonosax SX-M2>Sound Devices 722 (24/96); DIN/OTS/LOC 6’ clamp to stand back left corner seat last row of section directly behind the soundboard; 722>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.38(encode, tag, fingerprint)>flac24 (level 8 ); Taped and Transferred by: Lenny Stubbe
(138751) View Source
flac16 48khz Left of the sbd ( tapers sec) mic stand 10 ft; Ccm4s-702 16 bit > Goldwave split>TLH8. A Duncan Oldham Master. Audio slice and dice, upload Dolphinsmile
(136418) View Source
flac24 96kHz mics were DIN setup in the OTS left of center; Schoeps mk41v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Macbook Pro>Audacity(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
(136419) View Source
flac16 44.1kHz mics were DIN setup in the OTS left of center; Schoeps mk41v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Macbook Pro>Audacity(tracking,fades)>Sony Soundforge Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
(136435) View Source
flac16 44.1kHz Schoeps MK41[DINa/OTS/DFC@SBD Rail/Rycote INV6-HG Shock/Movo WS80 Screens] -> NBob KCY -> Naiant PFAs -> DarkTrain Rt Angle Stubby XLRs -> Tascam DR-70D[BWF@24/96-LOW Gain] -> 64gb SanDisk Extreme Pro SD Card; [BWF@24/96] > WaveLab v6.11[Fades/Gain/Crystal Resampler(Ultra)/MBIT+ Dither(Ultra/High)] > [WAV@16/44.1] > CD Wave v1.98[Tracking/Cue Sheets] > CKRename v1.08 > Traders Little Helper v2.7.0[FLAC/Level 8/Align On Sector Boundaries(Fix)/Verify/FFP/MD5/ST5] > [FLAC@16/44.1] > MP3Tag v2.78 > .FLAC16; Taped/Transferred/Mastered/Uploaded by Bean
(136436) View Source
flac24 96kHz Schoeps MK41[DINa/OTS/DFC@SBD Rail/Rycote INV6-HG Shock/Movo WS80 Screens] -> NBob KCY -> Naiant PFAs -> DarkTrain Rt Angle Stubby XLRs -> Tascam DR-70D[BWF@24/96-LOW Gain] -> 64gb SanDisk Extreme Pro SD Card; [BWF@24/96] > WaveLab v6.11[Fades/Gain] > [WAV@24/96] > CD Wave v1.98[Tracking/Cue Sheets] > CKRename v1.08 > Traders Little Helper v2.7.0[FLAC/Level 8/Verify/FFP/MD5/ST5] > [FLAC@24/96] > MP3Tag v2.78 > .FLAC24; Taped/Transferred/Mastered/Uploaded by Bean
(136437) View Source
flac16 44.1kHz sec 200, row N, seat 4, "tapers section" behind Mixer enclosure, dead center; DINA Kwonbar, Schoeps A20S shock, Windtech MPC-10 clamp, DPA UA0896 screens, clamped on stand at 9 ft; Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz; Sound Devices 722 master file @24bit/48kHz>firewire>Sound Forge Pro 11.0>44.1/16-CD Wave v1.98(tracking)>FLAC16 via TLH v2.7.0(level 8), tag w/Tag Scanner6.0.12, ffp & md5-TLH
(136438) View Source
flac24 48kHz sec 200, row N, seat 4, "tapers section" behind Mixer enclosure, dead center; DINA Kwonbar, Schoeps A20S shock, Windtech MPC-10 clamp, DPA UA0896 screens, clamped on stand at 9 ft; Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz; Sound Devices 722 master file @24bit/48kHz>firewire>Sound Forge Pro 11.0>CD Wave v1.98(tracking)>FLAC24 via TLH v2.7.0(level 8), tag w/Tag Scanner6.0.12, ffp & md5-TLH
(136453) View Source
flac16 44.1kHz mics were NOS setup in the OTS left of center; Schoeps mk4v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Macbook Pro>Audacity(tracking,fades)>Sony Soundforge Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
(136454) View Source
flac24 96kHz mics were NOS setup in the OTS left of center; Schoeps mk4v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Macbook Pro>Audacity(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
(136455) View Source
flac16 44.1kHz mics were NOS setup in the OTS left of center; Schoeps mk22>nbob actives>Naiant PFAs>Sonosax SX-M2>Sonosax SX-R4 (24bit/96khz); WAV>USB>Macbook Pro>Audacity(tracking,fades)>Sony Soundforge Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging); Recorded and transferred by Andy Murray
(136456) View Source
flac24 96kHz mics were NOS setup in the OTS left of center; Schoeps mk22>nbob actives>Naiant PFAs>Sonosax SX-M2>Sonosax SX-R4 (24bit/96khz); WAV>USB>Macbook Pro>Audacity(tracking,fades)>XAct(FLAC 8,ffp); Recorded and transferred by Andy Murray
(136515) View Source
flac16 44.1kHz DPA 4023>Sonosax SX-M2>Sound Devices 722 (24/96); DIN/OTS/LOC 6’ clamp to stand back left corner seat last row of section directly behind the soundboard; 722>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler/MBIT+ Dither)>xACT 2.38(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped and Transferred by: Lenny Stubbe
(136516) View Source
flac24 96kHz DPA 4023>Sonosax SX-M2>Sound Devices 722 (24/96); DIN/OTS/LOC 6’ clamp to stand back left corner seat last row of section directly behind the soundboard; 722>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.38(encode, tag, fingerprint)>flac24 (level 8 ); Taped and Transferred by: Lenny Stubbe
(138751) View Source
flac16 48khz Left of the sbd ( tapers sec) mic stand 10 ft; Ccm4s-702 16 bit > Goldwave split>TLH8. A Duncan Oldham Master. Audio slice and dice, upload Dolphinsmile
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Cached: Wed, 1 May 2024 16:53:20 EDT