Kevin Tobin Videos - Grateful Dead 07/02/88<b>flac16</b>; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller

Grateful Dead - 07/02/88
Oxford Plains Speedway, Oxford, ME

Source:	Single Camera Audience shot with multiple audio upgrade - Set 2 Only on YouTube
Media Type:	BD	Media Count:	1
Source Info:	flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
Notes:	Brokedown House Production with video provided by Ian - 2nd set only - Seeded at LL 7/4/17 LL Seed Seeded at TTD 7/4/17 TTD Seed
Tech Notes:	Grateful Dead July 2, 1988 Oxford Plains Speedway Oxford, ME Brokedown House Production Tape Provided by Ian Capture & Edit by P.Togos Synch & Author by Kevin Tobin Set 2 Crazy Fingers Playing In The Band Uncle John's Band Terrapin Station Drums Space The Wheel Gimme Some Lovin' All Along The Watchtower Morning Dew Sugar Magnolia Sunshine Daydream Quinn The Eskimo (The Mighty Quinn) Jerry Garcia - Guitar Bob Weir - Guitar Brent Mydland - Keyboards Phil Lesh - Bass Bill Kreutzmann - Drums Mickey Hart - Drums Video: AUD (Tripod) > 2nd Gen Beta (Maxell Epilaxial L500 B20) Transfer: Beta 2nd Gen > Sony SL-HF900 Super Beta HiFi > Canopus ADVC-300 > Firewire > HD > Sony Vegas 9 (.avi) > MPEG2 > TMPGEnc MPEG Editor 2.0 > TMPGEnc Authoring Works 5 > BD [NTSC, 4:3, 25.0 Mbs, 720x480, 29.97 fps] Audio Source Information Audio Track 1: SBD (shnid = 86817) Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net August 8, 2007 Patch Info: SBD -> Cassette Master -> Dat (44.1k) supplies: Start of show through Row Jimmy Notes: -- Set 2 is seamless -- "We Want Phil" chant after West L.A. Fadeaway -- Thanks to Steve Rolfe for the patch source Audio Track 2: Matrix shnid = 138737 SBD + AUD Matrix 2 Source Mix [LPCM, 2.3 Mbs, 24 Bit, 48 kHz] Audio Track 3: DTS 5.1 shnid = 13852338 DTS-Audio-48khz 5.1 Mix You need a 5.1 dts complient system with digital connection to your blu-ray/dvd player. [LPCM, 1.5 Mbs, 16 Bit, 48 kHz] NOTE: Track 2 & 3 are a combination of the sounboard listed above and this audience: AUD (shnid = 124844) Master Audience Recorded By Fitzy, Transfer By Keo! Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz Metadata Tagging With Tag&Rename Brokedown House Production
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Owned by Kevin Tobin Videos · Last Updated Feb 3, 2019

Grateful Dead 07/02/88
Oxford Plains Speedway, Oxford, ME

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Set I

Iko Iko
Jack Straw
West L.A. Fadeaway
Stuck Inside Of Mobile With The Memphis Blues Again
Row Jimmy
Blow Away
Victim Or The Crime
Foolish Heart

Set II

Crazy Fingers
Playing In The Band
Uncle John's Band
Terrapin Station
Drums
Space
The Wheel
Gimme Some Lovin'
All Along The Watchtower
Morning Dew
Sugar Magnolia
Sunshine Daydream

Quinn The Eskimo (The Mighty Quinn)

Set III

Comment

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums

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Last Changed By OBIE

Sources

(2328) View Source View Archive
SBD> Master Cassette> DAT> CDR> EAC> SHN; via Jeff M.

(21211) View Source View Archive
Source: SBD + AUD 'Matrix Mix' Source 1) FOB Schoeps CMC42s (8ft. spaced omni) > PCM F1/SL2000, then PCM 601ES > DAT > CDR Source 2) SBD > Dat > Sonic Solutions > CDR Both sources were extracted using EAC and time aligned/mixed/shn'ed by dan@am-dig.com using Cool Edit 2k (see additional notes in text file)

(21434) View Source View Archive
Source: SBD + AUD '5.1 DTS'; FOB Schoeps CMC42s (8ft. spaced omni) > PCM F1/SL2000, then PCM 601ES > DAT > CDR; SBD > Dat > Sonic Solutions > CDR

(32636) View Source View Archive
Nakamichi 100's > Marantz 430-PDM [Maxell metals w/ dbx] Sony 59 ES > wavelab > cd wave > flac

(74652) View Source View Archive
flac16 Fix of shn id 2328 - SBD>Master Cassette>DAT>CDR>EAC>SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details

(82762) View Source View Archive
flac16; Source: Nakamichi CM304's>BeyerM101>Sony Mixer>Sony D5M Location: At SBD*, Stand at 8 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci

(86817) View Source View Archive
flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller

(92582) View Source View Archive
DTS Audio 5.1; DTS-Audio-CD 5.1 Mix, see info file for details

(92583) View Source View Archive
flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD)

(98645) View Source View Archive
DVD-VA: (Video Audio) DVD-Audio 5.1 Surround Sound (MLP Encoded 6ch x 16/44) SBD (ShnID = 86817) Transfer Info: SBD > DAT (48k) DAT (Sony R500) > Samplitude Professional v9.11 > FLAC and AUD (ShnID = 1031) Source: FOB Schoeps CMC42s, Spaced Omni > Sony PCM F1/SL2000 > PCM 601ES > DAT; Taper: Rich Gastwirt

(106588) View Source View Archive
flac16; (FOB) Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/TDK MA 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded FOB by Bob Morris

(124766) View Source View Archive
flac16; Taper: M. Laurentus; FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac

(124844) View Source View Archive
flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

(124845) View Source View Archive
flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

(132393) View Source View Archive
flac16; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD8 100's; Recorded By The Soundboard; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

(132394) View Source View Archive
flac24; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD8 100's; Recorded By The Soundboard; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename

(138736) View Source View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) Set 2 Only - SBD (shnid = 86817) SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 12844) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin

(138737) View Source View Archive
flac16; Matrix 2 Source Mix Set 2 Only - SBD (shnid = 86817) SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 12844) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin

(138738) View Source View Archive
DTS-Audio-CD 5.1 Mix; Set 2 Only SBD (shnid = 86817) SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 12844) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin

(140673) View Source View Archive
flac16; Set 1 from Robert Bryant (from an Oade Bros. patch) FOB; Recording: Schoeps MK2 spaced omni's > Sony F1 > PCM > DAT; Charlie Miller Transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity 2.0.6 by Joe Noel: wav > Flac 16/44; Checksum & tags created in xACT

(140674) View Source View Archive
flac16; Jeff Silberman Master FOB Recording: Neumann U89 spaced omnis -> Technics SV-100 -> PCM; John Ammons Transfer: Tascam DA20 Mark II -> Roland SRC-2 -> Mac Mini > Audacity 3.0 @ 44K -> WAV; Edited & Mastered in Audacity 2.0.6 by Joe Noel: wav > Flac 16/44; Checksum & tags created in xACT

(141757) View Source View Archive
flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)

(142977) View Source View Archive
flac16/48kHz; Recording by Stephen Porter: Sennheiser Me80 > Sony D5 > Master Cassette (Maxell XLII-S 90); Transfer by Kris Wescott: Master Cassette > Nakamichi CR7a (dolby on) > Korg mr1000 1 bit @ 5.6 mhz > WAV 1648

(145666) View Source View Archive
flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1

(147158) View Source View Archive
flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited asnd mastered SIRMick July 2019

(150323) View Source View Archive
flac16; FOB Schoeps CMC42s (8ft. spaced omni) > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11

(150683) View Source View Archive
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller

(150701) View Source View Archive
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1

(156917) View Source View Archive
flac1644 Nakamichi CM-700's w/-15db attenuation > Sony TC-D5M (Mark) > Sony TC-D5M (me, dolby B ?) FOB, about 25-30 feet from stage, just left of center, slightly in the Phil zone. Mics on stand, about 6 feet high. Transfer: Nakamichi CR-7A > Edirol R-09HR or Sony PCM-M10. 24bit@44.1kHz Edited it Audacity. Tracked in CDWave. Recorded, Mastered & Edited by Joel Werner

(158161) View Source View Archive
flac2448 Lineage: Nak 300s -> Sony TCD5M ( no dolby )-> Maxell MX 90s-> Nakamichi CR3a -> M-Audio 192-6-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> TLH -> analysis, SBE, flac, checksums. Taped and Transferred by Ted Carpenter

(159376) View Source View Archive
flac1648 OTS Nakamichi CM300/CP-4/Marantz PMD 420/Maxell XLII 90 Transfer: Nak DR3/SD 722/24/48 Taped By Jon Pasternak

(159377) View Source View Archive
flac2448 OTS Nakamichi CM300/CP-4/Marantz PMD 420/Maxell XLII 90 Transfer: Nak DR3/SD 722/24/48 Taped By Jon Pasternak

(163569) View Source View Archive
flac1648 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496

(163570) View Source View Archive
flac2496 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496

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