Audience recording

CDR

2

lineage: Source: Sonic Studios DSM-6P w/3-way lo-cut filter, position unknown (most likely @ 80hz, middle setting) > Sony WM-D6 ; Transfer: Master cassettes (Maxell XL-IIS 100m) > Denon 790R > Kenwood A-522 amplifier > Kenwood GE-622 Equalizer > .WAV @ 16 bit/44.1 kHz; Mastering: .WAV > Sound Forge Pro 11.0 (Build 299) [iZotope Mastering Suite (declick); Sony Wave Hammer plugin (lower the loudest screams); splices, other minor edits, normalize, & fades] > CDWav (tracking) > Trader's Little Helper (level 5) > FLAC > TagScanner 5.1 (tagging) Location: DFC, behind the board, under the balcony, GA; Recorded & transferred by: Steve "ballsdeep" Hagar; Mastered by: Dennis Orr

R.I.P. Ed Harsch: May 27, 1957 ñ November 4, 2016

Steve's Show Notes (edited from his Crowesbase post):
- BR549 opened
- worst venue of the 1st 7 shows, rowdy crowd, only fair vs. stellar acoustics...
- Well, "Under A Mountain" and "Sometimes Salvation" were about the only things that went right with this show (okay, and a RARE "Waitin'
Guilty"), but this show had a weird vibe from the get-go...rent-a-cops outside preventing 'enjoying nature' to the rowdy crowd on the verge of a
rumble, it's my humble opinion that the band recognized this with the encore, which SCREAMS early-mid '98 in it's song selection. Fortunately,
the next night was the exact opposite
Rating: 8/10

Chris'ism (during "Encore Break"):
- "Don't know if you knew this, but we're hap -- we were really lucky to have BR549 play with us because Chuck, uh the singer and guitar player
on this side, he was uh almost going to be one of the Harlem Globetrotters. And that's a true story, guaranteed."

Mastering Notes:
- Tape flip during the first few seconds of "Bad Luck Blue Eyes Goodbye" - seamlessly spliced, but a few seconds of music lost.
- Tape flip during the applause after "Good Friday" - seamlessly spliced, no music lost.

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