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Grateful Dead - 12/31/81
Oakland Auditorium Arena, Oakland, CA
Edit Details
Source:

3 camera pro shot with multiple audio upgrades
Media Type:

MKV

 Media Count:

5
Source Info: flac16; Matrix 3 Source Mix - SBD (shnid=96107) flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shn id 96611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. + VID (no shn id) low generation video found on the internet for a video project - matrix mixing by Kevin Tobin
Notes:

Brokedown House Production using video from WV and sbd audio upgrade. Not seeded at LL or TTD
Tech Notes:

Grateful Dead and Friends
December 31, 1981
Oakland Auditorium
Oakland, CA

Brokedown House Production

Video: PRO > from Sgt. Schultz's private collection
[NTSC, 4:3, 8.0 Mbs, 720x480, 29.97 fps]

Set 1a Flying Karamozov Brother Opening Act

Audio Information:
Audio Track 1: SBD
From video .... mono with slight hum throughout

Set 1b New Riders Of The Purple Sage
Henry
Night For Making Love
The Way She Dances
Dirty Business
Full Moon At Midnight
Up Against The Wall Redneck
Minglewood Blues
Panama Red
Last Lonely Eagle

John Dawson - guitar
David Nelson - guitars
Buddy Cage - pedal steel
Allen Kemp - bass
Patrick Shanahan - drums

Audio Source Information
Original SBD (shnid = 89215)

source: sbd cassette master

lineage: sbd cassette master>cdrs>eac>flac
seeded to Lossless Legs by Rob Berger
notes: opened for Grateful Dead
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

Audio Track 2: Matrix
shnid = 143780
SBD + AUD Matrix 2 Source Mix
[LPCM, 2.3 Mbs, 16 Bit, 48 kHz]

Audio Track 3: 5.1 LPCM Surround Sound
shnid = 143782
[LPCM, 4.6Mbs, 16 Bit, 48 kHz]

Audio Track 4: DTS 5.1
shnid = 143781
DTS-Audio-48khz 5.1 Mix
You need a 5.1 dts complient system with digital connection to your blu-ray/dvd player.
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

NOTE: Track 2/3/4 are a combination of the Audio Track 1 (SBD) listed above and this audience:
AUD (shnid = 139777)

AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX.
Recording by Brian Schley.

Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 >
R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by
Andrew F. 11/2017

Set 2 (Joan BaezGrateful Dead Acoustic Set):
Land Of A Thousand Dances
Do Right Woman
The Boxer
Tunisian New Year Song
Me & Bobby McGee
Bye Bye Love
Lucifer's Eyes
Children Of The 80's
Banks Of The Ohio

Set 3 (1st Electric Dead Set)
Tuning
Shakedown Street
Me & My Uncle ->
Mexicali Blues
Cold Rain & Snow
C. C. Rider #
It Must Have Been The Roses -> *
Beat It On Down The Line *
Big Boss Man -> #
New Minglewood Blues #
Don't Ease Me In *

Set 4 (2nd Electric Dead Set)
Ken Kesey Banter/Midnight Countdown
Iko Iko #
Playin' In The Band ->
Terrapin Station ->
Playin' In The Band Reprise->
Drums ->
Space -> $
The Other One -> $
Not Fade Away -> $
Goin' Down The Road Feeling Bad -> $
Morning Dew

Set 5 (3rd Electric Dead Set)
Dark Star ->
Bertha ->
Good Lovin'

Encore:
It's All Over Now, Baby Blue *
The Chinese Joke (Ken Kesey)

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Joan Baez *
Matthew Kelly #
John Cippolina $

Audio Source Information
Original SBD (shnid = 143571)

Source Info:
Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B)(TDK MA-R C90)

Transfer Info:
Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496

Notes:
- Thanks to Joani Walker and Paul Scotton for the master soundboard cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Joan Baez acoustic set with The Grateful Dead
- Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid96106 soundboard source which supplies a 0:12 patch in "Terrapin Station"
- Thanks to Mark Severson for the shnid96611 Nakamichi 700 source which supplies a 0:08 patch in "Goin' Down The Road Feeling Bad"
- "CC Rider", "Big Boss Man", "New Minglewood Blues" and "Iko Iko" with Matthew Kelly
- "It Must Have Been The Roses", "Beat It On Down The Line", "Don't Ease Me In" and "It's All Over Now,Baby Blue" with Joan Baez
- "The Other One > Not Fade Away > Going Down The Road Feeling Bad" with John Cippolina
- Other One space included in "The Other One"
- Thanks to Joe B. Jones for verifying the pitch

Mastered by Scott Clugston
October 2018
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

Audio Track 2: Matrix
shnid = 143774
SBD + AUD Matrix 2 Source Mix
[LPCM, 2.3 Mbs, 16 Bit, 48 kHz]

Audio Track 3: 5.1 LPCM Surround Sound
shnid = 143777
[LPCM, 4.6Mbs, 16 Bit, 48 kHz]

Audio Track 4: DTS 5.1
shnid = 143775
DTS-Audio-48khz 5.1 Mix
You need a 5.1 dts complient system with digital connection to your blu-ray/dvd player.
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

NOTE: Track 2/3/4 are a combination of the Audio Track 1 (SBD) listed above and this audience:
AUD (shnid=96611)

Source: Audience Recording

Lineage:
Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer
> Sony TC-D5 > MAC (Maxell MX 90's) >Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave

Editing and Mastering:
Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station.
Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither.
As always, Eternal gratitude for Bluedakota.

Notes:
- there is a considerable sonic change from D3T02 to D3T05. I've tried to polish this
up a little, but it's still very prominent. Seeing how this is the only aud
circulating right now, I've opted not to patch with the soundboard.
- This is a great, full sounding pull of a historic show. Many thanks to Mark for
capturing it and lending his masters to LMPP to get them out.

Tapers Notes
- Jaime built the mic mixer and we all taped from the free throw line on the floor at
the Oakland Auditorium. The mic's went from the mixer into my Sony TC-D5M. There was
also a patch bay, but I don't remember how many decks were plugged in. I went to 10
New Years runs / shows from 1977 to 1990 and the 1981 run was my favorite.

- Taped by Mark Severson, he who wishes to remain anonymous, and Jamie Poris
- Transferred by Bgreen. ( AKA "The Boss" )
- Editing and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station.
Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither.
As always, Eternal gratitude for Bluedakota.
- First seeded to www.shnflac.net December 2008 (New Years Eve)
- A cooporative effort of Live Music preservation Project, The Gems Team, and great
group of Tapers
- contact lmpp.productions@gmail.com with questions/concerns

www.livemusicpreservationproject.com

AUD was patched with the following source:
AUD (shnid = 85628)

Source: FOB Nak 100's > D-5 > D-5 > Maxell UDXL I cassettes.
Taped by Matt Field. Tape archived and provided for transfer by B.Koucky.
Transfer and Mastering:
Cassette (1st Gen) playback on Nakamichi CR-7A, azimuth adjusted, no Dolby > Grace Lunatec V3, sample rate at 96 KHz > AES digital connection > LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. Transfer and mastering by Chris L.
Seeded by the Green Mountain Bros. at bt.etree.org, June 2007.
J-Card Comment:

f76eb61067ae1b2bfe6161a175d74b44 *fkb1981-12-31.mkv
8986b45e69828c35ff27f512f22234eb *gd1981-12-31.1st electric set-2.mkv
27c41d67efa64c1a16596be57b52c8c2 *gd1981-12-31.2nd electric set-3.mkv
9ad9b30f8ba77df8244c20236f351f09 *gd1981-12-31.3rd electric set-4.mkv
e5a1f7d4f1cad866c529749856f21c01 *gd1981-12-31.bhp.mkv.md5
906b16e35aa21c7c52fc1102f69622f2 *gd1981-12-31.Joan Baez set-1.mkv
deb8ceb722217c3a3442a561f6f9923b *gd1981-12-31.mkv.txt
f82f3cb6e89906b9e17d85fdc2fd577c *nrps1981-12-31.mkv
Trades Allowed: Yes Traded From:

Show Rating:

Yes

 Sound Rating:

Reference #:

Generation:

0
Lists:
Owned by Kevin Tobin Videos · Last Updated Jan 6, 2020


Grateful Dead 12/31/81
Oakland Auditorium Arena, Oakland, CA
Add Source    Reviews    List Collectors    Add to Collection    I Was There    Add to Want List    Wanted By    History    Edit Show
Set I
Acoustic Set: *

Land Of A Thousand Dances
Do Right Woman, Do Right Man
The Boxer
Tunisian New Year Song
Me & Bobby McGee
Bye Bye Love
Lucifer's Eyes
Children Of The Eighties
Banks Of The Ohio
Set II
Electric Set 1:

Shakedown Street
Me & My Uncle >
Mexicali Blues
Cold Rain & Snow
C.C. Rider #
It Must Have Been The Roses > *
Beat It On Down The Line *
Big Boss Man > #
New Minglewood Blues #
Don't Ease Me In *
Set III
Electric Set 2:

Ken Kesey Banter / New Years Countdown
Iko Iko #
Playing In The Band >
Terrapin Station >
Playing In The Band Reprise >
Drums >
Space >
The Other One > $
Not Fade Away > $
Goin' Down The Road Feeling Bad > $
Morning Dew

Electric Set 3
Dark Star >
Bertha >
Good Lovin'

Encore:
It's All Over Now Baby Blue *
The Chinese Joke
Comment
Bill Graham flew in on a joint at midnight

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Joan Baez - Vocals *
Matthew Kelly - Harmonica #
John Cipollina - Guitar $
Last Changed By System
Sources
(331) View Source    View Archive
Reels > Cass > Dat > CDR; via G. Lanum; 8/00: note tracklist now apparently corrected here from what had been listed originally; see pub comments for flaw notes.; upgrade in circulation
(7041) View Source    View Archive
electric sets; Monitor Mixer SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB; via Jay Serafin to gdlive; see extensive notes in txt files
(12784) View Source    View Archive
Jay Ashley (Bertha) remaster of Jay Serafin's 4 TRACK RTR source; SBD> MR> PCM> DAT> CDR> SHN> DAW(Bertha)> CDA; Note- Joan Baez set missing
(14040) View Source    View Archive
Acoustic set only (w/ Joan Baez); SBD > MR > CASS > DAT > CDR > EAC > SHN via Chris Warren; upgrade in circulation
(14686) View Source    View Archive
Master reels->cass->DAT->CD-R->EAC(x2 w/wav compare)->shn. ; upgrade in circulation
(33660) View Source    View Archive
flac16; SBD> Cassette Master (Dolby B)> Sonic 24bit> SBM2> CD> EAC> FLAC; Transferred and Mastered By David Gans; FLAC By Charlie Miller
(85628) View Source    View Archive
flac16; Recording by Matt Field. Source: FOB Nak 100's > D-5 > D-5 > Maxell UDXL I cassettes. Transfer and Mastering: Cassette (1st Gen) playback on Nakamichi CR-7A, azimuth adjusted, no Dolby > Grace Lunatec V3, sample rate at 96 KHz > AES digital connection > LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. Transfer and mastering by Chris L.
(96082) View Source    View Archive
flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(96090) View Source    View Archive
flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(96106) View Source    View Archive
flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller (This has fixed levels on d3t02, d3t03 and d3t04 of the previous source.)
(96107) View Source    View Archive
flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller (This has fixed levels on d3t02, d3t03 and d3t04 of the previous source.)
(96611) View Source    View Archive
flac16; Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither.
(126611) View Source    View Archive
flac16; Matrix 3 Source Mix - SBD (shnid=96107) flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shn id 96611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. + VID (no shn id) low generation video found on the internet for a video project - matrix mixing by Kevin Tobin
(143570) View Source    View Archive
flac16/48kHz; Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B) (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
(143571) View Source    View Archive
flac24; Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
(143773) View Source    View Archive
flac16; Patched & Pitch Corrected Audience - AUD (original shnid = 96611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. - pitch correction and patches by Kevin Tobin
(143774) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid = 143571) Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 + AUD (shnid = 096611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. - matrix mixing by Kevin Tobin
(143775) View Source    View Archive
DTS-Audio-CD 5.1 Mix; - SBD (shnid = 143571) Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 + AUD (shnid = 096611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. - dts mixing by Kevin Tobin
(143777) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 143571) Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 + AUD (shnid = 096611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. - surround mixing by Kevin Tobin
(156058) View Source    View Archive
flac1648 Source Info: Jim Voss's Master FOB Audience Cassettes: Sennheiser 421 mics (14th row)> Sony D5 Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
(156059) View Source    View Archive
flac2496 Source Info: Jim Voss's Master FOB Audience Cassettes: Sennheiser 421 mics (14th row)> Sony D5 Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
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Cached: Mon, 29 Apr 2024 17:07:46 EDT