Grateful Dead - 03/27/88
Hampton Coliseum, Hampton, VA
Source:

firewalkwithme41@gmail.com / justinmsmith19@hotmail.com outlook account one drive
GD official download series
Outlook account one drive
Grateful Dead master folder

Media Type:

FLAC

Media Count:

3

Notes:

firewalkwithme41@gmail.com / justinmsmith19@hotmail.com outlook account one drive

Tech Notes:

From the Spring Tour of 1988, Download Series Vol. 5 is a 3 disc performance featuring the
middle night of a 3-night run at the famed Hampton Coliseum in Virginia in its entirety.

Every year in the Grateful Dead�s touring history contained shows that were justifiably
considered to be the best of the year. Cornell comes to mind for 1977, Harpur or 2/13 at
the Fillmore East in 1970, Augusta, ME, in 1984, and for 1988, the show most widely
remembered as the best of the year is the middle night in Hampton, VA, on the Spring Tour:
March 27, 1988. Those who were present agree that there was magic in the air that night.
We are pleased to announce that Grateful Dead Download Series Vol. 5 is this incredibly
dynamic concert, in its entirety. For those who have heard the �Ultra-Matrix� tape of this
concert, Download Vol. 5 will be a revelation: an impeccably clean, crispy pure soundboard
recording, which reveals every nuance of this amazing concert.*

Highlights are many, with some rarities mixed in the fold on this special night alongside
stellar versions of several Grateful Dead classics. Early in the first set, we are treated
to the first and one of only two performances of Bob Dylan�s �Ballad Of A Thin Man,�
followed by the country one-two punch of �Cumberland Blues� and �Me and My Uncle.� Next up
is the return to the rotation of �To Lay Me Down,� its first appearance in almost five years,
although you wouldn�t know it by this performance. The second set features the most
powerful version of the trio of �Sugar Magnolia>Scarlet Begonias>Fire On The Mountain� since
the Closing Of Winterland, preceded by the only version ever played of Miles Davis� �So
What.� Later, the second set includes terrific renditions of �Goin� Down The Road Feeling
Bad� and �Dear Mr. Fantasy,� all capped by the expected �Sunshine Daydream.� Finally, 1988
is represented with an official release, and what a show it is!

*please note that due to technical issues on the master soundboard digital tapes, the first
two songs of Download Series Vol. 5 are from the �Ultra-Matrix� soundboard/audience tape
hybrid. The rest of the concert, however, is from the soundboard master.

Grateful Dead
3/27/1988
Hampton Coliseum - Hampton, VA

Disc One
1 Iko Iko 5:06
2 Little Red Rooster 8:33
3 Stagger Lee 5:33
4 Ballad Of A Thin Man > 7:05
5 Cumberland Blues > 5:02
6 Me and My Uncle > 3:11
7 To Lay Me Down > 8:03
8 Let It Grow 11:22

Disc Two
1 Space > 2:19
2 So What > 0:57
3 Sugar Magnolia > 5:13
4 Scarlet Begonias > 10:55
5 Fire On The Mountain 10:40
6 Estimated Prophet > 10:30
7 Eyes Of The World > 8:31
8 Rhythm Devils 7:33

Disc Three
1 Space > 7:32
2 Goin' Down The Road Feeling Bad > 5:52
3 I Need A Miracle > 3:20
4 Dear Mr. Fantasy > 4:54
5 Sunshine Daydream 4:46
6 U.S. Blues 5:43

Grateful Dead
Jerry Garcia: Lead Guitar, Vocals
Mickey Hart: Drums
Bill Kreutzmann: Drums
Phil Lesh: Electric Bass, Vocals
Brent Mydland: Keyboards, Vocals
Bob Weir: Rhythm Guitar, Vocals

Recording by Dan Healy
Mastering by Jeffrey Norman

Trades Allowed: Yes Traded From:

Show Rating:

Sound Rating:

SBD

Reference #:

Firewalkwithme41@gma

Generation:

0

Lists:
Owned by Xavier Birtwich · Last Updated May 23, 2023


Grateful Dead 03/27/88
Hampton Coliseum, Hampton, VA
Set I
Iko Iko
Little Red Rooster
Stagger Lee
Ballad Of A Thin Man
Cumberland Blues >
Me & My Uncle
To Lay Me Down
Let It Grow
Set II
So What
Sugar Magnolia >
Scarlet Begonias >
Fire On The Mountain >
Estimated Prophet >
Eyes Of The World >
Drums >
Space >
Goin' Down The Road Feeling Bad >
I Need A Miracle >
Dear Mr. Fantasy >
Sunshine Daydream

U.S. Blues
Set III
 
Comment
"We want Phil" chant at beginning of Set 2

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By OBIE
Sources
(406) View Source    View Archive
SBD (Matrix)> DAT> CD> EAC> [retracking of d1 w/ SF, no other alteration]> SHN; known flaws: end of Let it Grow is missing - the last minute, but the jam does not get cut; via Adam Jerugim; listener reports additional skip or splice in Scarlet Begonias d2t3; note patched version now in circulation
(3383) View Source    View Archive
patched version of previous SBD seed, with AUD patches applied by Peter Braverman (see info file)
(17262) View Source    View Archive
Updated Source info: In-House FM > Ultramatrix (SBD/AUD mix). Lineage: DAT (Panasonic 3800)> CD (HHBCDR800)> EAC> SHN via Peter Braverman
(34202) View Source    View Archive
flac16; Source: in house FM > unknown 'boom box' > Sony TCD5M > Sony WM-D6C TDK MA-X master cassettes Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 recorded and transferred by Dean Grabski
(88250) View Source    View Archive
flac16; Source: FOB > Schoeps Cmc3 + omni #3 > Dat @ 44.1k Transfer: Fostex D5 > Vx Pocket 440 > Toshiba 3480ct > Wavelab 5.0 > Cd Wave > FLAC
(106174) View Source    View Archive
flac16; Recorded by Dave Cohen 2 Nakamichi CM100/CP1 X-Y@90degrees 1 Nakamichi CM300/CP2 Nakamichi 550 w/Dolby B in OTS. Sony UX Pro 90 cassettes. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
(107907) View Source    View Archive
flac16; Master: OTS Nakamichi CM100/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
(140806) View Source    View Archive
flac16; Set 2 Source; unknown taper: Schoeps Cmc3 + omni #3 > Dat @ 44.1k (FOB); Charlie Miller Transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered by Joe Noel in Audacity > flac 16/44; Checksum & tags created in xACT
(141213) View Source    View Archive
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90/TDK SA-90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(141312) View Source    View Archive
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90/TDK SA-90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(144487) View Source    View Archive
flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - Taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick January 2019
(144488) View Source    View Archive
flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019
(147998) View Source    View Archive
flac16/48kHz; Source Info: Michael Hessberg's Master In-House FM Cassettes; Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
(147999) View Source    View Archive
flac24; Source Info: Michael Hessberg's Master In-House FM Cassettes; Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
(152856) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid = 141213) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90/TDK SA-90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 144488) Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019 - matrix mixing by Kevin Tobin
(152857) View Source    View Archive
DTS-Audio-CD 5.1 Mix; - SBD (shnid = 141213) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90/TDK SA-90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 144488) Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019 - dts mixing by Kevin Tobin
(152858) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) -SBD (shnid = 141213) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90/TDK SA-90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 144488) Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019 - surround mixing by Kevin Tobin
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