Xavier Birtwich - Grateful Dead 10/31/91<b>flac16</b>; SBD+AUD Matrix Mix (60% SBD & 40% AUD); Multitrack Mixdown: SBD -3db, Aud -8db; Matrix by Amdig

Grateful Dead - 10/31/91
Oakland-Alameda County Coliseum, Oakland, CA

Source:	SBD-AUD matrix golgol004 data dvd file dates 08/22/2010
Media Type:	FLAC	Media Count:	2
Source Info:	flac16; SBD+AUD Matrix Mix (60% SBD & 40% AUD); Multitrack Mixdown: SBD -3db, Aud -8db; Matrix by Amdig
Tech Notes:	Grateful Dead October 31, 1991 Oakland-Alameda County Coliseum Oakland, CA http://db.etree.org/shn/102252 ------------------------------- A GEMS 16-Bit Matrix SBD is ShnID 32241 Aud is ShnID 102211 SBD+AUD Matrix Mix (60% SBD & 40% AUD) Multitrack Mixdown SBD -3db Aud -8db Matrix by Amdig - First 01 min 20 sec is SBD only and then crossfades to matrix before the first song. - SBD Help thru Rooster was EQ'ed to bring in a bit more dynamic range - SBD Loser thru Let It Grow Waves L3 compression was used to match the compression on the first part of the set. - Both SBD and AUD were missing some crowd cheer btwn last song and encore, this was crossfaded Mastering By __ on GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither BlueDakota for Transfers and Meta-Data Tagging Gyro for Art ------------------------------- A GEMS Production www.shnflac.net Set 1: d1t01 \| 2:27 \| Tuning d1t02 \| 3:14 \| Help On The Way d1t03 \| 6:33 \| Slipknot! d1t04 \| 9:08 \| Franklin's Tower d1t05 \| 7:50 \| Little Red Rooster d1t06 \| 1:10 \| Crowd d1t07 \| 7:16 \| Loser d1t08 \| 1:34 \| Crowd d1t09 \| 5:38 \| Just Like Tom Thumb's Blues d1t10 \| 14:29 \| Let It Grow Set 2: d2t01 \| 1:28 \| Crowd and Tuning d2t02 \| 9:02 \| Scarlet Begonias > d2t03 \| 11:10 \| Fire On The Mountain d2t04 \| 1:04 \| Crowd d2t05 \| 7:18 \| Truckin'> d2t06 \| 6:38 \| Spoonful> d2t07 \| 6:52 \| Dark Star d2t08 \| 4:03 \| Ken Kesey Rap d2t09 \| 13:50 \| Drums d3t01 \| 14:02 \| Space d3t02 \| 3:29 \| Dark Star Reprise* d3t03 \| 5:49 \| The Last Time* d3t04 \| 8:24 \| Standing On The Moon d3t05 \| 9:47 \| Throwin' Stones d3t06 \| 8:46 \| Not Fade Away Encore d3t07 \| 6:08 \| Werewolves Of London* * with Gary Duncan, guitar with Ken Kesey rap ------------------------------- Source Info: AUD ShnId = 102211 FOB Digital Audience Recording The James Young & Clay Brennecke FOB Vault claybrennecke@gmail.com Lineage: Master DAT Recording Equipment: Schoeps CMC34 > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by Marcus Buick and James Young (Clay did not attend these shows) Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans (todd@bluedakota.com) September 2, 2009 Editing and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoded FLAC Level 8 with Traders Little Helper SBE Free Todd Evans - Tag & Rename for FLAC Meta-Data Tagging. Art: Gyro ------------------------------- Source Info: SBD ShnId = 32241 Grateful Dead 10/31/91 (Thu) Oakland Coliseum Oakland, CA Source: DSBD > DAT > CD > EAC > FLAC EAC/FLAC by Darryl Hinko (flyerfanatic) Any questions contact me at: flyerfanatic2817@yahoo.com EAC in secure mode with proper offsets used to extract SHNtool to join and confirm sector boundries CDwav used to split tracks Cool Edit Pro used for all editing FLAC frontend for encoding to FLAC ------------------------------- The James Young & Clay Brennecke FOB Vault - a GEMS Production May 2008 ... we are in progress with The James Young and Clay Brennecke FOB Vault Transfer Project. We have all the Master DATs and are hard at work transferring, editing and soon to be releasing the shows Clay & James recorded from 1991 through 1994. James and Clay began recording with B&K 4011 microphones and a Sony Pro DAT in the Spring of 1991. Summer 1991 mainly saw recordings from the Front Row Dead Center of the Official Taper Section (OTS). June 28, 1991 was their first FOB Recording. And starting with Fall 1991, all of their recordings were All FOB All The Time! Early they recorded with the B&K 4011 Cardiod Mics in the ORTF pattern into a Modified Sony Pro DAT Deck. In 1993, James traded in the B&K's for the AMS ST-250 Soundfield Mic and recorded in the Blumlein pattern into the modified Sony Pro DAT Deck. We are starting at the beginning and working our way to the end of this vault. Spring 1991 through 1994. We have added artwork for CD's and included an m3u playlist for import into your choice of PC/MAC media player ... and if your player supports FLAC, all you have to do is place the folder where you plan to store the files and import the playlist - tracks, tagged and with art are ready for you. We hope you enjoy their body of recording work. ------- Todd & Jamie - Project GEMS. If you have questions or comments, Clay would love to hear from you - claybrennecke@gmail.com - and of course Jamie (__) and I (bluedakota) welcome any input you may have - shnflac@gmail.com - todd@bluedakota.com --------------------------------------------------------------------------------------------------------- All files have been meta-data tagged appropriately. Please do not manipulate this recording in any way. Please do not dub to analog tape or convert to MP3 (or any other lossy format) and circulate. If you would like to re-seed this torrent in the future, please use the exact files contained in the torrent with no file or ID tag manipulation. This will insure that the FLAC fingerprints, ST5 and MD5 hashes verify, keeping the integrity of the torrent intact. The ffp was generated to verify and maintain the integrity of the music. The ST5 was generated to verify and maintain the integrity of the meta data. The MD5 was generated to verify and maintain the integrity of all the files included with the torrent folder. --------------------------------------------------------------------------------------------------------- A GEMS** Production www.shnflac.net shntool 3.0.4 Copyright (C) 2000-2007 Jason Jordan length expanded size cdr WAVE problems fmt ratio filename 2:27.09 25952012 B --- -- ---xx flac 0.4542 gd1991.10.31.GEMS.Amdig.MTX.flac16(01).flac 3:14.23 34275740 B --- -- ---xx flac 0.6151 gd1991.10.31.GEMS.Amdig.MTX.flac16(02).flac 6:32.39 69240572 B --- -- ---xx flac 0.6060 gd1991.10.31.GEMS.Amdig.MTX.flac16(03).flac 9:08.31 96740156 B --- -- ---xx flac 0.6090 gd1991.10.31.GEMS.Amdig.MTX.flac16(04).flac 7:49.53 82856300 B --- -- ---xx flac 0.5767 gd1991.10.31.GEMS.Amdig.MTX.flac16(05).flac 1:09.73 12343340 B --- -- ---xx flac 0.3968 gd1991.10.31.GEMS.Amdig.MTX.flac16(06).flac 7:15.65 76886924 B --- -- ---xx flac 0.5671 gd1991.10.31.GEMS.Amdig.MTX.flac16(07).flac 1:33.69 16567532 B --- 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Trades Allowed:	Yes	Traded From:
Show Rating:		Sound Rating:	SBD
Reference #:	golgol004 data dvd	Generation:	0
Lists:

Owned by Xavier Birtwich · Last Updated May 6, 2021

Grateful Dead 10/31/91
Oakland-Alameda County Coliseum, Oakland, CA

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History

Edit Show

Set I

Help On The Way >
Slipknot! >
Franklin's Tower
Little Red Rooster
Loser
Just Like Tom Thumb's Blues
Let It Grow

Set II

Scarlet Begonias >
Fire On The Mountain >
Truckin' >
Spoonful > *
Dark Star > *
Drums >
Space > $
Dark Star > *
The Last Time *
Standing On The Moon >
Throwing Stones >
Not Fade Away

Encore:
Werewolves Of London *

Set III

Comment

Last performance of Werewolves Of London

Jerry Garcia - Guitar
Bob Weir - Guitar
Vince Welnick - Keyboards
Bruce Hornsby - Piano, Accordion
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Gary Duncan - Guitar *
Ken Kesey - Rap $

Display Setlist > >

Last Changed By J

Sources

(540) View Source View Archive
SBD; set 1 and set II seeded separately, but merged together here; seeded by Ghost and Andrew Elborgen; Update 11/18/08 I found discs of these so I added the md5s I have with mine. Darryl Hinko

(2897) View Source View Archive
sbd> ?> shn; via Tony Gardner

(28612) View Source View Archive
Recording Info: (FOB) Schoeps CMC3/MK4 -> 'Tao Research" Oade -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Recorded By Marcus Buick (mics in a giant costume hat) Transferred By Charlie Miller

(30699) View Source View Archive
Matrix by RJ Hythloday of sbd > (?) > shn(id=2897)& FOB recorded by Marcus Buick Transferred By Charlie Miller

(32241) View Source View Archive
flac16; DSBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko

(102211) View Source View Archive
flac16; Lineage: Clone of Master DAT Recording Equipment: Schoeps CMC34 > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by Marcus Buick and James Young Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Todd Evans - Tag & Rename for FLAC Meta-Data Tagging

(102251) View Source View Archive
flac24; SBD+AUD Matrix Mix (60% SBD & 40% AUD) Multitrack Mixdown: SBD -3db, Aud -8db; Matrix by Amdig

(102252) View Source View Archive
flac16; SBD+AUD Matrix Mix (60% SBD & 40% AUD); Multitrack Mixdown: SBD -3db, Aud -8db; Matrix by Amdig

(103307) View Source View Archive
DTS-Audio-CD 5.1 Mix; Source Info: SBD (shnID = 32241) DSBD > DAT > CD > EAC > FLAC and AUD (shnID = 101443) Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2 > Modified Sony TCD D-10 Pro Recording Location: FOB Section BB Row 18 Seat 15 Recorded by James Young and Clay Brennecke

(120040) View Source View Archive
flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo

(120041) View Source View Archive
flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename; The original source for this seed has an encoding error on track 20

(139276) View Source View Archive
flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller

(139305) View Source View Archive
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139276 24 bit -> 16 bit

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