Sources

(540) View Source View Archive
SBD; set 1 and set II seeded separately, but merged together here; seeded by Ghost and Andrew Elborgen; Update 11/18/08 I found discs of these so I added the md5s I have with mine. Darryl Hinko

(2897) View Source View Archive
sbd> ?> shn; via Tony Gardner

(28612) View Source View Archive
Recording Info: (FOB) Schoeps CMC3/MK4 -> 'Tao Research" Oade -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Recorded By Marcus Buick (mics in a giant costume hat) Transferred By Charlie Miller

(30699) View Source View Archive
Matrix by RJ Hythloday of sbd > (?) > shn(id=2897)& FOB recorded by Marcus Buick Transferred By Charlie Miller

(32241) View Source View Archive
flac16; DSBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko

(102211) View Source View Archive
flac16; Lineage: Clone of Master DAT Recording Equipment: Schoeps CMC34 > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by Marcus Buick and James Young Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Todd Evans - Tag & Rename for FLAC Meta-Data Tagging

(102251) View Source View Archive
flac24; SBD+AUD Matrix Mix (60% SBD & 40% AUD) Multitrack Mixdown: SBD -3db, Aud -8db; Matrix by Amdig

(102252) View Source View Archive
flac16; SBD+AUD Matrix Mix (60% SBD & 40% AUD); Multitrack Mixdown: SBD -3db, Aud -8db; Matrix by Amdig

(103307) View Source View Archive
DTS-Audio-CD 5.1 Mix; Source Info: SBD (shnID = 32241) DSBD > DAT > CD > EAC > FLAC and AUD (shnID = 101443) Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2 > Modified Sony TCD D-10 Pro Recording Location: FOB Section BB Row 18 Seat 15 Recorded by James Young and Clay Brennecke

(120040) View Source View Archive
flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo

(120041) View Source View Archive
flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename; The original source for this seed has an encoding error on track 20

(139276) View Source View Archive
flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller

(139305) View Source View Archive
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139276 24 bit -> 16 bit

Reviewing User	Review	Rate Review Poor\|Neutral\|Good
ZionLionHead	My first Grateful Dead Show. I don't remember much except the scarlet>fire was beautifully sad as was the mood that evening and weekend due to Bill Graham's recent passing. Later that night my buddy and I left a candle burning after returning home from the show and it caught the television on fire while we passed out. We eventually woke up and put out the fire that almost got out of control. I woke up the next morning with fire still playing in my head.	\| \|
tom	Awoow, Werewolves of London!	\| \|
U-Turn Mike	I was at this show - right after the tragic death of Bill Graham. During the furious, smokin' jam in the Dark Star (right before or after Kesey gave his rap) I had the distinct experience of witnessing one of the unrestrained jams of the late 60s early 70s - it was like a freight train speeding along... And oh yeah, "Werewolves"!	\| \|
Mydland Years		\| \|
OldNeumanntapr	This HAS to qualify for the best all time Dead show that I've ever seen! I still get chills thinking about this show. I'm sorry that it was so bittersweet, as Bill Graham had just recently died. The Scarlet->Fire was incredible! The Dark Star was unbelievable and Ken Kesey's monologue during Drums / Space was by far one of the most moving experiences of my life. "Buffalo Bill is Defunct! ...And what I want to know is, How do you like your blue-eyed boy NOW Mr Death?!" Everyone was still so stunned because of the accident. My hat is off to the band members for delivering such a moving show. What a tribute to Bill. I taped this show and 10/27 of this series and also taped the Bill Graham Memorial in Golden Gate Park that weekend but I thought the Dead's set at the memorial, while very good with the addition of John Fogerty, was kind of anticlimactic after this show. They really pulled out all the stops! I was so glad to get a DAT copy of the soundboard of this show. It makes my tapers section D6 master pale in comparison.	\| \|
OneGratefulDad		\| \|
Jeffrey Flaws		\| \|