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Set I
Music Of Kazakhstan (central and eastern)
Festival de l'Imaginaire
Maison des Cultures du Monde
Paris, France
March 11th 2004
kobyz (2-string viol) & dombra (2-string lute) players
source : FM
Lineage : FM > HD > CDR > EAC > Flac
1h29mn (with french comments)
recorded by museum64
cd 1
01 [talking]
02 > 07 : Smagul umbetaev (Kobyz, singing)
08 [talking]
09 > 12 : Nugzhan Zhanpe?sov (Dombra, singing)
13 [talking]
14 > 18 : Talasbek Asemkulov (Dombra)
19 [talking]
cd 2
01 [talking]
02 > 06 : Sa?an Aqmolda (Kobyz)
07 [talking]
08 > 12 : Ardak Isataeva (Dombra, singing)
13 [talking]
14 : Nugzhan Zhanpe?sov
15 : Talasbek Asemkulov
16 : Ardak Isataeva
17 [talking]
"THE KOBYZ
The ancient viol of the shamans
The viol Kobyz is considered by the Kazakhs to be their primary instrument, the one that preceded all the others. Originally used by the Shamans as an instrument of divination, the kobyz became part of the classical repertory in the 19th century. Smagul Umbetbaev, reputed to be the greatest kobyzist of our times, and Saian Aqmolda, his disciple, perform the most famous instrumental pieces (kui) and songs from the traditional Kazakh repertoire. A music of sensual tones and enchanting melodies."
http://www.mcm.asso.fr/site02/inedit/cd260115.htm
Festival de l'Imaginaire
Maison des Cultures du Monde
Paris, France
March 11th 2004
kobyz (2-string viol) & dombra (2-string lute) players
source : FM
Lineage : FM > HD > CDR > EAC > Flac
1h29mn (with french comments)
recorded by museum64
cd 1
01 [talking]
02 > 07 : Smagul umbetaev (Kobyz, singing)
08 [talking]
09 > 12 : Nugzhan Zhanpe?sov (Dombra, singing)
13 [talking]
14 > 18 : Talasbek Asemkulov (Dombra)
19 [talking]
cd 2
01 [talking]
02 > 06 : Sa?an Aqmolda (Kobyz)
07 [talking]
08 > 12 : Ardak Isataeva (Dombra, singing)
13 [talking]
14 : Nugzhan Zhanpe?sov
15 : Talasbek Asemkulov
16 : Ardak Isataeva
17 [talking]
"THE KOBYZ
The ancient viol of the shamans
The viol Kobyz is considered by the Kazakhs to be their primary instrument, the one that preceded all the others. Originally used by the Shamans as an instrument of divination, the kobyz became part of the classical repertory in the 19th century. Smagul Umbetbaev, reputed to be the greatest kobyzist of our times, and Saian Aqmolda, his disciple, perform the most famous instrumental pieces (kui) and songs from the traditional Kazakh repertoire. A music of sensual tones and enchanting melodies."
http://www.mcm.asso.fr/site02/inedit/cd260115.htm
Set II
Set III
Comment
Last Changed By
Jordan Wolfson
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Cached: Wed, 1 May 2024 18:27:15 EDT