(134385) View Source    View Archive
flac24; MAC; Sennheiser e835s > Sony D5 > 2 x Maxell XLII S 100
Front left corner of TS, mics @ 7 feet, PAS
Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (24/88.2)> Lynx AES16> WaveLab 7.2.1> .wav @24/88.2> UAD-2(edit/mastering)> .wav @24/88.2> xAct> flac24(tags).
Taper: Mark McCue
Transfer, editing, mastering: Alex Ford

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(134386) View Source    View Archive
flac16; MAC; Sennheiser e835s > Sony D5 > 2 x Maxell XLII S 100
Front left corner of TS, mics @ 7 feet, PAS
Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon>
Lunatec V3 (24/88.2)> Lynx AES16> WaveLab 7.2.1> .wav @24/88.2>
UAD-2(edit/mastering)> .wav @24/88.2> Crystal Resampler/UV22HR>
.wav @16/44.1> xAct> flac16(tags).
Taper: Mark McCue
Transfer, editing, mastering: Alex Ford

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(134463) View Source    View Archive
Source:Audio Technica AT897's>AT8202(-10DB) >Roland R26
Transfer:SD Card>PC>CD Wave>Trader's Little Helper>FLAC
Taped and Transfered by M.Laurentus
Official Taper Section Right of Soundboard on Stand 13' High.
Caveat : The files and checksums for this source are the same as for 134464 which cites a different Microphone set.
Until M Laurentus can decipher which is correct, I suggest that we keep both sets as is.

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(134464) View Source    View Archive
Source:Nakamichi CM300's CP1 Cardoid >Roland R26
Transfer:SD Card>PC>CD Wave>Trader's Little Helper>FLAC
Taped and Transfered by M.Laurentus
Official Taper Section Right of Soundboard on Stand 13' High.
Caveat : The files and checksums for this source are the same as for 134463 which cites a different Microphone set.
Until M Laurentus can decipher which is correct, I suggest that we keep both sets as is.

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(134465) View Source    View Archive
Neumann KM-150's > Oade M-248 > Edirol RA-09 > WAV 2448. Mics on 7-foot stand, FOB, recording by Jon Pasternak. WAV 2448 > Wavelab > CD-Wave (24bit) > R8Brain > TLH > FLAC 1644 tagged.

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(134466) View Source    View Archive
24bit/48kHz file-set Neumann KM-150's > Oade M-248 > Edirol RA-09 > WAV 2448. Mics on 7-foot stand, FOB, recording by Jon Pasternak. WAV 2448 > Wavelab > CD-Wave (24bit) > TLH > FLAC 2448 tagged.

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(134467) View Source    View Archive
Neumann TLM170 (cardoids, FOB, center, about 40 feet from the stage) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge 11 (clap/whistle/pop/yell hand scrubbing; volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings); Tracked in CDWav. IDv3 tagged in Tag&Rename 3.9.1

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(134468) View Source    View Archive
24 bit Neumann TLM170 (cardoids, FOB, center, about 40 feet from the stage) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge 11 (clap/whistle/pop/yell hand scrubbing; volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings); Tracked in CDWav. IDv3 tagged in Tag&Rename 3.9.1

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(134469) View Source    View Archive
Location: FOB/DFC/~7' Lineage: Schoeps mk22 (mounted on Schoeps STC 22g Bar)> Vark KCY> Naiant PFA> Tascam Dr70d @ 24bit / 48kHz Transfer> SDHC Card> Sound Studio (Fades, Tracking, and Normilization)> iZotope (Sample conversion & Dither)> xact Recorded and transferred by Noah Bickart

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(134489) View Source    View Archive
24 bit 96khz FOB Sweetspot DPA 4021-Luni V2-Sd702-24/96 Recorded by Stankiewicz