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Set I
Offertoire sur les Grands Jeux from Messe des paroisses
François Couperin (1668–1733): Offertoire sur les Grands Jeux from Messe des paroisses (1690)
Menuet
Giovanni Battista Lulli AKA Jean-Baptiste Lully (1632–1687): Menuet (transcribed by Jean-Nicolas
Geoffroy 1633–1694)
Ouverture d'Isis
Giovanni Battista Lulli AKA Jean-Baptiste Lully (1632–1687): Ouverture d'Isis, LWV 54 (1676)
(transcribed by Jean-Nicolas Geoffroy 1633–1694)
Marche from Thésée
Giovanni Battista Lulli AKA Jean-Baptiste Lully (1632–1687): Marche from Thésée, LWV 51
(transcribed by Jean-Nicolas Geoffroy 1633–1694)
Chorale Prelude, Schmücke dich, o liebe Seele
Johann Sebastian Bach (1685–1750): Chorale Prelude, Schmücke dich, o liebe Seele, BWV 654
(1649)
Fantasy in G minor
Johann Sebastian Bach (1685–1750): Fantasy in G minor, BWV 542 (ca. 1720, based on the 1868
version for piano by Franz Liszt)
Fugue in G minor
Johann Sebastian Bach (1685–1750): Fugue in G minor, BWV 542 (ca. 1720, based on the 1868
version for piano by Franz Liszt)
François Couperin (1668–1733): Offertoire sur les Grands Jeux from Messe des paroisses (1690)
Menuet
Giovanni Battista Lulli AKA Jean-Baptiste Lully (1632–1687): Menuet (transcribed by Jean-Nicolas
Geoffroy 1633–1694)
Ouverture d'Isis
Giovanni Battista Lulli AKA Jean-Baptiste Lully (1632–1687): Ouverture d'Isis, LWV 54 (1676)
(transcribed by Jean-Nicolas Geoffroy 1633–1694)
Marche from Thésée
Giovanni Battista Lulli AKA Jean-Baptiste Lully (1632–1687): Marche from Thésée, LWV 51
(transcribed by Jean-Nicolas Geoffroy 1633–1694)
Chorale Prelude, Schmücke dich, o liebe Seele
Johann Sebastian Bach (1685–1750): Chorale Prelude, Schmücke dich, o liebe Seele, BWV 654
(1649)
Fantasy in G minor
Johann Sebastian Bach (1685–1750): Fantasy in G minor, BWV 542 (ca. 1720, based on the 1868
version for piano by Franz Liszt)
Fugue in G minor
Johann Sebastian Bach (1685–1750): Fugue in G minor, BWV 542 (ca. 1720, based on the 1868
version for piano by Franz Liszt)
Set II
Chorale No. 3 in A minor
César-Auguste-Jean-Guillaume-Hubert Franck (1822–1890): Chorale No. 3 in A minor from Three
Chorales for Organ (1890)
Chorale Prelude, Es ist ein’ Ros' entsprungen
Johannes Brahms (1833–1897): Chorale Prelude, Es ist ein’ Ros' entsprungen, Opus 122, no.8, from
Eleven Chorale Preludes (1896)
Fugue No. 5 in F major
Robert Schumann (1810–1856): Fugue No. 5 in F major from Six Fugues on the Name B.A.C.H. for
organ or pedal-piano, Opus 60 (1845)
Prelude and Fugue on the Theme B-A-C-H
Franz Liszt (1811–1886): Prelude and Fugue on the Theme B-A-C-H (1855, rev. 1870)
Improvisation on Submitted Themes
I: George Gershwin: Summertime
II: Jean-Jacques Rousseau: Pantomime from Le Devin du Village AKA Rousseau's Dream AKA
Greenville Hymn AKA Go Tell Aunt Rhody
III: John Williams: Theme from Close Encounters of the Third Kind
Encore
César-Auguste-Jean-Guillaume-Hubert Franck (1822–1890): Chorale No. 3 in A minor from Three
Chorales for Organ (1890)
Chorale Prelude, Es ist ein’ Ros' entsprungen
Johannes Brahms (1833–1897): Chorale Prelude, Es ist ein’ Ros' entsprungen, Opus 122, no.8, from
Eleven Chorale Preludes (1896)
Fugue No. 5 in F major
Robert Schumann (1810–1856): Fugue No. 5 in F major from Six Fugues on the Name B.A.C.H. for
organ or pedal-piano, Opus 60 (1845)
Prelude and Fugue on the Theme B-A-C-H
Franz Liszt (1811–1886): Prelude and Fugue on the Theme B-A-C-H (1855, rev. 1870)
Improvisation on Submitted Themes
I: George Gershwin: Summertime
II: Jean-Jacques Rousseau: Pantomime from Le Devin du Village AKA Rousseau's Dream AKA
Greenville Hymn AKA Go Tell Aunt Rhody
III: John Williams: Theme from Close Encounters of the Third Kind
Encore
Set III
Comment
Oliver Latry organ
Last Changed By
Jack Warner
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Cached: Fri, 3 May 2024 00:01:58 EDT