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Set I
Plasma, Evolve, Ghost, Divided Sky, Shade[1], hey stranger, Character Zero
Set II
Oblivion > Down with Disease, Beneath a Sea of Stars Part 1 -> Also Sprach Zarathustra > Light > Ether Edge > Piper, First Tube
ENCORE: More > Slave to the Traffic Light
ENCORE: More > Slave to the Traffic Light
Set III
Comment
[1] Began with Trey on acoustic guitar.
The band took the stage while pre-recorded music similar to Plasma played, before beginning the song. During Ghost, the neon-colored outlines of three giant robots appeared to tower over the band, with their facial expressions varying and their arms and bodies swaying slowly. The three robots were then replaced by one massive robot, with spotlights utilized to make it appear as if beams of light were coming from the robot's eyes, before the original three robots returned for the remainder of the jam. During Divided Sky, the dome became a view of a sea of clouds, with patches of blue sky above. As the clouds moved, their appearance varied from purple sunset hues to dark and stormy, with the movement stopping and all of the color fading during the pause before returning for the rest of the song. Page teased Linus and Lucy at the end of Divided Sky. Trey began Shade on acoustic guitar. During Shade, an eclipsed star was shown behind the band, with its corona of changing colors visible and a silhouette of the band in the center. During Sea of Stars, the dome became filled with a curtain of gold-colored four-point stars, which twinkled and waved in front of roiling clouds. During 2001, the dome became a starfield before being illuminated by replicated images of the stage lights. Mike teased Plasma during Light. During Ether Edge, a string of umbrellas with colored drops trailing beneath were raised to either side of the stage. The umbrellas were lowered again during Piper. During First Tube, the dome again became a starfield, this time with a ring of stars centered above the stage slowly swirling. As the second "verse" of First Tube began, a white vortex appeared in this area. As the stars in its orbit began to become multicolored, the vortex pulled in their light and created flowing, rainbow-hued ribbons that grew as the jam progressed. Prior to More, Trey thanked the production team behind the Sphere shows, and said that he thinks the band will return to the venue. After Slave, the band gathered at the front of the stage to take bows and have a picture taken in front of the crowd.
The band took the stage while pre-recorded music similar to Plasma played, before beginning the song. During Ghost, the neon-colored outlines of three giant robots appeared to tower over the band, with their facial expressions varying and their arms and bodies swaying slowly. The three robots were then replaced by one massive robot, with spotlights utilized to make it appear as if beams of light were coming from the robot's eyes, before the original three robots returned for the remainder of the jam. During Divided Sky, the dome became a view of a sea of clouds, with patches of blue sky above. As the clouds moved, their appearance varied from purple sunset hues to dark and stormy, with the movement stopping and all of the color fading during the pause before returning for the rest of the song. Page teased Linus and Lucy at the end of Divided Sky. Trey began Shade on acoustic guitar. During Shade, an eclipsed star was shown behind the band, with its corona of changing colors visible and a silhouette of the band in the center. During Sea of Stars, the dome became filled with a curtain of gold-colored four-point stars, which twinkled and waved in front of roiling clouds. During 2001, the dome became a starfield before being illuminated by replicated images of the stage lights. Mike teased Plasma during Light. During Ether Edge, a string of umbrellas with colored drops trailing beneath were raised to either side of the stage. The umbrellas were lowered again during Piper. During First Tube, the dome again became a starfield, this time with a ring of stars centered above the stage slowly swirling. As the second "verse" of First Tube began, a white vortex appeared in this area. As the stars in its orbit began to become multicolored, the vortex pulled in their light and created flowing, rainbow-hued ribbons that grew as the jam progressed. Prior to More, Trey thanked the production team behind the Sphere shows, and said that he thinks the band will return to the venue. After Slave, the band gathered at the front of the stage to take bows and have a picture taken in front of the crowd.
Last Changed By
jeff mitchell
Sources
(167474) View Source
flac2496 3xDPA 4006c w/30mm APE spheres(ROC/OTS@7', Decca[0.5m spacing])->Sonosax M2D2(analog) + B9Audio CSM88->SD788T(24bit/96kHz)->FLAC; Recorded and transferred by Scott Schneider
(167475) View Source
flac1648 Schoeps CMC6/MK4 > Sound Devices 744T (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16; Recorded by Charlie Miller
(167476) View Source
flac2496 Schoeps CMC6/MK4 > Sound Devices 744T (24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24; Recorded by Charlie Miller
(167479) View Source
flac2448 location: fob: rear of ga pit; slightly right of center; mics in hat source: neumann kk185 -> nbobs -> baby nbox -> zoom f3; recorded @ 48 kHz 32 bit (float), seeded @ 48 kHz 24 bit transfer: sd card -> cpu edits: channels summed & balanced, faded, normalized, flac'd & track split in sound forge 16.1.1; flac files tagged using foobar2000 (photos courtesy of charlie miller & christi starling) taped by: team no drama
(167482) View Source
flac2496 Audience recording by jerryfreak DPA 4011>MMP-C>Zoom F6 at 24/96 .wav>Sound Forge (edit and normalize only)>CD Wave > FLAC level 8 with tags
(167483) View Source
flac2496 Audience recording by jerryfreak DPA 4015>MMP-ES>Zoom F6 at 24/96 .wav>Sound Forge (edit and normalize only)>CD Wave > FLAC level 8 with tags
(167484) View Source
flac2496 Audience recording by jerryfreak DPA 4018VL>MMP-GS>DAD6001>Zoom F6 at 24/96 .wav>Sound Forge (edit and normalize only)>CD Wave > FLAC level 8 with tag
(167497) View Source
flac1648 Schoeps CCM-1/MK41V > Sound Devices 744T (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16; Recorded by Duncan Oldham; Mastered by Charlie Miller
(167498) View Source
flac2448 Schoeps CCM-1/MK41V > Sound Devices 744T (24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24; Recorded by Duncan Oldham; Mastered by Charlie Miller
(167474) View Source
flac2496 3xDPA 4006c w/30mm APE spheres(ROC/OTS@7', Decca[0.5m spacing])->Sonosax M2D2(analog) + B9Audio CSM88->SD788T(24bit/96kHz)->FLAC; Recorded and transferred by Scott Schneider
(167475) View Source
flac1648 Schoeps CMC6/MK4 > Sound Devices 744T (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16; Recorded by Charlie Miller
(167476) View Source
flac2496 Schoeps CMC6/MK4 > Sound Devices 744T (24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24; Recorded by Charlie Miller
(167479) View Source
flac2448 location: fob: rear of ga pit; slightly right of center; mics in hat source: neumann kk185 -> nbobs -> baby nbox -> zoom f3; recorded @ 48 kHz 32 bit (float), seeded @ 48 kHz 24 bit transfer: sd card -> cpu edits: channels summed & balanced, faded, normalized, flac'd & track split in sound forge 16.1.1; flac files tagged using foobar2000 (photos courtesy of charlie miller & christi starling) taped by: team no drama
(167482) View Source
flac2496 Audience recording by jerryfreak DPA 4011>MMP-C>Zoom F6 at 24/96 .wav>Sound Forge (edit and normalize only)>CD Wave > FLAC level 8 with tags
(167483) View Source
flac2496 Audience recording by jerryfreak DPA 4015>MMP-ES>Zoom F6 at 24/96 .wav>Sound Forge (edit and normalize only)>CD Wave > FLAC level 8 with tags
(167484) View Source
flac2496 Audience recording by jerryfreak DPA 4018VL>MMP-GS>DAD6001>Zoom F6 at 24/96 .wav>Sound Forge (edit and normalize only)>CD Wave > FLAC level 8 with tag
(167497) View Source
flac1648 Schoeps CCM-1/MK41V > Sound Devices 744T (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16; Recorded by Duncan Oldham; Mastered by Charlie Miller
(167498) View Source
flac2448 Schoeps CCM-1/MK41V > Sound Devices 744T (24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24; Recorded by Duncan Oldham; Mastered by Charlie Miller
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Cached: Sat, 27 Apr 2024 19:37:39 EDT