(84361) View Source
(FOB) Nakamichi CM100/CP1 > Cm > Behringer Ultra-DI Pro DI800 > Behringer Ultramizer Pro DSP-1424P > (2) Presonus EQ3B Parametric EQ's > Behringer Composer Pro-XL: side chain loop Behringer Ultragraph Pro FBQ1502: > Behringer Ultraflex Pro EX3200 > Presonus Blue Tube Pre-amp > BBE 882i > dbx 231 EQ > Behringer Ultramatch Pro SRC2496 > Apogee SPDIF > M-Audio 1010LT > Wavelab > TLH > Flac
Taped by Greg Holtz
(92471) View Source
Tascam PE-120 mics (uni-directional) > Cm > Transfered w/ a Parasound D/HX-600 > AudiophileUSB @ 44/16 > Cool Edit Pro 2000 > CDWav > Flac
(99059) View Source
Taper: Greg Holtz
Source: Nak CM-100s with CP-1 cardiod caps -> Sony WMD-6C
Transfer: By JAZ, Master Cassettes (Maxell MX90) Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Mastered in Wave Lab 5.0 using UAD Technology -> R8brainPro for SRC 16/44.1KHz -> Traders Little Helper flac8
(117638) View Source
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flac24;Master Audience Recorded By Mr. Darby; AKGC451E/ck1s(PAS/DFC/Handheld Halfway Up Lawn)> AKG9v Phantoms>sony TC-D5M; Transfer Information:Tascam 112 MKII (XLR out)> Tascam HD-P2@24/48>HDD>Amadeus Pro (Tracking/Fades/Flac8); Renamed Tracks/Metadata Tagging Done With AudioGate Software By Keo
(117639) View Source
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flac16;Master Audience Recorded By Mr. Darby
AKGC451E/ck1s(PAS/DFC/Handheld Halfway Up Lawn)>
AKG9v Phantoms>sony TC-D5M; Transfer Information:Tascam 112 MKII (XLR out)>
Tascam HD-P2@24/48>HDD>Amadeus Pro (Tracking/Fades/Flac8)
Renamed Tracks/Dithered/Flacked With AudioGate Software And
Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper
Metadata Tagging With AudioGate Software
(118340) View Source
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Master audience recording by SJ
Audio Technika 2-ATR-35 mikes>Sony PC-39>Sony WM-D6C>
Maxell MX-90 minute tapes.
Transfer: Master tapes>Harmon Kardon TD-302, heads aligned to tape>
Zoom H2 wav recorder @16/44.1>SDHD>tracking and editing w/wavepad>
flac and checksums w/traderslittlehelper