Source Summary
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 149509) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 117023) Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Recorded By JB,Transfer By Keo,Tapes From Heaton; Tapes:Maxell Metal Capsule 100,Maxell MX 110; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz - surround mixing by Kevin Tobin.
Grateful Dead
September 10, 1991
Madison Square Garden
New York, NY
5.1 LPCM Surround Sound Mix (48k)
Set 1:
01 - Shakedown Street >
02 - C.C. Rider >
03 - It Takes A Lot To Laugh, It Takes A Train To Cry
04 - Black Throated Wind
05 - High Time
06 - Cassidy
07 - Deal
Set 2:
08 - Help On The Way >
09 - Slipknot! >
10 - Franklin's Tower
11 - Estimated Prophet >
12 - Dark Star >
13 - Drums >
14 - Space >
15 - Dark Star >
16 - I Need A Miracle >
17 - Standing On The Moon >
18 - Turn On Your Lovelight
Encore:
19 - It's All Over Now, Baby Blue
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Branford Marsalis - Saxophone
5.1 LPCM Surround Sound (48k) mixed in Adobe Audition CC 2014 using the following sources:
Audio Source Information
SBD (shnid=149509)
SBD > Cassette Master (TDK SA-X100)
Transfer Info:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) >
dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
All Transfers and Mastering By Charlie Miller
April 11, 2020
Notes:
-- With Brandford Marsalis
-- Recorded by Don Pearson and Dan Healy
Original AUD (shnid=117023)
Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5
Recorded By JB,Transfer By Keo,Tapes From Heaton
Tapes:Maxell Metal Capsule 100,Maxell MX 110
Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz
Tracking/Sample Rate Conversion/Flacked/Metadata Tagging
With AudioGate Software To 24 Bit/96 kHz
No Dithering With These Files
AUD was patched with the following source:
AUD (shnid = 96422)
The James Young & Clay Brennecke FOB Vault
Lineage: Master DAT
Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro
Recording Location: FOB
Set 1 Hand Held, Section 2, Row S, Seat 2
Set 2 On Stand, Section 2, Row V, Seat 2
Recorded By: James Young and Clay Brennecke
Transfer: 16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->
LynxTWO-B Audio Reference Interface (SPDIF in) ->
Wavelab 6.0 by Todd Evans (todd@bluedakota.com) October 30, 2008
Editing and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station.
Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither
Encoding by Dazed64. Tracked in CDwave, FLACd Flac Frontend level 8
Tag & Rename for FLAC Meta-Tagging.
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- Mixed by kevtobin@yahoo.com
- FLAC conversion 13-APR-2024 - Trader Little Helper
- Tagged 13-APR-2024 - Tag&Rename
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Brokedown House Production