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History| Source # | 98701 |
| Entered by | dr.unclear |
| Checksums | flac-md5 , ffp |
| Disc Counts | 3 / 0 |
| Media Size | |
| Date Circulated
Date Added |
04/25/2009 04/26/2009 |
Download Text | Download Zip
Other Sources
Other Sources
- (511) complete; DSBD> DATs> CDRs> EAC> SHN; via...
- (30755) Source: SBD: DAT(M) > DAT(1) > DAT(2)...
- (34678) flac16 ; DSBD>DATs>CDRs>EAC>SHN>WAV>FLAC -...
- (89085) flac16 ; SBD DAT(?) > TASCAM DA-20 (spdif out)...
- (96422) flac16 ; Lineage: Master DAT Recording...
- (98132) flac16 ; Matrix synch completed by Amdig SBD +...
- (98655) DTS-Audio-CD 5.1 Mix ; Source Info - SBD...
- (117023) flac24 ; Master Audience Nakamichi CM300/CP4...
- (117024) flac16 ; Master Audience Nakamichi CM300/CP4...
- (122424) flac24 ; OTS AUD: 2x Nakamichi CM300 w/CP4...
- (138917) flac16/48kHz ; source: Schoeps cmc34 (FOB) ->...
- (149509) flac24 ; Recording Info: SBD > Cassette Master...
- (149650) flac ; Recording Info: SBD > Cassette Master...
- (150558) flac16/48kHz ; Source: Sennheiser ME88's >...
- (151921) flac16/48 Source: Schoeps CMC34 (ORTF) >...
- (153418) fkac16/44 A Photoleon Matrix Source: Schoeps...
- (157119) Recording Info: SBD > DAT (44.1k) Transfer...
- (167376) flac24 ; Patched & Pitch Corrected Audience...
- (167377) flac16 ; Patched & Pitch Corrected Audience...
- (167379) flac24 ; Matrix 2 Source Mix - SBD (shnid =...
- (167381) flac16 ; Matrix 2 Source Mix - SBD (shnid =...
- (167382) DTS-Audio-CD 5.1 Mix; - SBD (shnid = 149509)...
- (167383) flac16/48kHz ; 5.1 LPCM Surround Sound (48k)...
- (167442) FLAC 1644 Source: 2x Senn ME88s (stand,...
- (167443) FLAC 2496 Source: 2x Senn ME88s (stand,...
Source Summary
flac24; SBD+AUD Matrix Mix (65%-SBD/35%-AUD) SBD (shnID = 89085) and AUD (shnID = 96422)
flac24; SBD+AUD Matrix Mix (65%-SBD/35%-AUD) SBD (shnID = 89085) and AUD (shnID = 96422)
Grateful Dead
Madison Square Garden
New York City, NY
September 10, 1991
DVD-Audio 24/48
SBD+AUD Matrix Mix (65%-SBD/35%-AUD)
Set 1
01 [03.01] Crowd & Tuning
02 [13.47] Shakedown Street >
03 [05.45] C.C. Rider >
04 [06.33] Lot To Laugh/Train To Cry
05 [07.09] Black Throated Wind
06 [09.09] High Time
07 [08.26] Cassidy
08 [09.25] Deal
TT [63.19]
Set 2
01 [01.47] Crowd & Tuning
02 [04.10] Help On The Way >
03 [07.01] Slipknot >
04 [10.18] Franklin's Tower
05 [12.41] Estimated Prophet >
06 [12.43] Dark Star >
07 [10.39] Drums >
08 [01.59] Jam >
09 [02.30] Dark Star >
10 [09.21] Space >
11 [05.04] I Need A Miracle >
12 [09.04] Standing On the Moon >
13 [09.20] Lovelight
Encore:
14 [07.05] Baby Blue
TT [01:43.52]
Branford Marsalis on saxophone throughout
---------------------------------------------------------
Source Info
SBD (shnID = 89085)
SBD Dat(2) stored on Ampex 467 DAT Tape
Transfer: DAT from the collection of Todd Evans
DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif
innterconnect ->Lynx Two Soundcard (spdif in) -> Wavelab 6.0
Transferred 12/09/07
Editing: All editing and mastering by Jamie Waddell
A **GEMS** Production www.shnflac.net
AUD (shnID = 96422)
Recorded By: James Young and Clay Brennecke - clayb@fobdfc.com
Lineage: Master DAT > B&K 4011 110 degrees ORTF > Neumann BS 48i-2 >
Modified Sony TCD D-10 Pro
Transfer: 16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->
LynxTWO-B Audio Reference Interface (SPDIF in) ->
Wavelab 6.0 by Todd Evans (todd@bluedakota.com) October 30, 2008
Editing: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station.
Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither
Encoding by Dazed64. Tracked in CDwave, FLACd Flac Frontend level 8
Tag & Rename for FLAC Meta-Tagging.
A **GEMS** Production www.shnflac.net
---------------------------------------------------------
Special Thanks
Many thanks to James Young and Clay Brennecke for their wonderful
recording. And HUGE thanks to both Jamie Waddell and Todd Evens for
making this project possible with their amazing work on their pristine
transfers and excellent editing/mastering. I am simply a cog in the
wheel and lucky has hell to work with such incredible source material.
It is the guys listed above that deserve the bulk of the credit. So
a big THANK YOU!
---------------------------------------------------------
Notes on the Source Material
SBD
This is another strange 1991 SBD. Let me explain. Quite
a few digital SBD's for the 1991 year are in circulation.
I am sure some of you have noticed a sorta strange sound
quality to them. What makes them sound they way they do
is unknown to me. I'd call them too digital. They tip-
toe along the edge of blurry. If I had to guess I would
think a portable DAT deck was being fed an analog signal
into the line in. And although the levels were set
appropriately the deck was overloaded by 'too hot' a feed
from the SBD.
AUD
Nice and well balanced FOB. This upfront FOB grabs quite a bit
of the sound but not as much atmosphere as you'd like for making
a matrix mix. However, this does help the sterile, straight SBD
out quite a bit. While it doesn't completely fix the strange
"digitally" sound of the SBD it does help quite a bit.
---------------------------------------------------------
Tech Notes
Jamie Waddell sent me the 16/48 waves files as one long track
for both the SBD and the AUD. CEP2.0 was used to align & synch
both sources (time compress and expand). CEP2.0 was used to
perform the multitrack mixdown at 24/48. Wave L3 was used for
minor limiting (-0.7 threshold), and no EQ was used on the two
primary sources. This is a 60% SBD, 40% AUD mix.
- Mixed by dan@am-dig.com
- FLAC conversion 18-MAR-2000
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear, slim 7mm double DVD case.
---------------------------------------------------------
Multitrack Mixdown Settings
Stereo Matrix
SET ONE
SBD -2
AUD -2
SET TWO
SBD -2
AUD -2.5
---------------------------------------------------------
Notes
d1t06 "High Time" - 2 small digi snits have been fixed
---------------------------------------------------------
About the 24/48
This represents the 24 bit files that are the result of all the
editing, mastering, digital sound processing and the multitrack
mixdown preserved in 24 bit. It is unclear exactly what we have
in the way of high resolution. However what we have here
would not be represented accurately in 16/44. What you are getting
is the full result of the matrix mix process. How much different
does this sound? is this better? A little and yes. This is more
accurate and has more dynamic range. 24/48 resolution versus a
16/44 of the same material will usually result in very subtle but
important differences. Most of it relying on the quality of
the DVD-A player and the D to A conversion. With that in mind,
this 24 bit copy is no different. Small but important gains over
the same material in 16/44. This is just one man's take. Take
it or leave it.
---------------------------------------------------------
Lineup
Jerry Garcia (guitar, vocals)
Bob Weir (guitar, vocals)
Phil Lesh (bass)
Vince Welnick (keyboards, vocals)
Bruce Hornsby (grand piano, according, vocals)
Mickey Hart (drums, percussions)
Bill Kreutzmann (drums, percussions)
---------------------------------------------------------
Additional Formats
This show is available in the following formats:
1. The SBD and AUD sources listed above at 16/44
2. The AUD sources listed above at 16/48
3. CD-Audio Stereo SBD+AUD Matrix Mix at 16/44
4. CD-Audio 5.1 Surround Sound DTS-Audio-CD at 16/44
5. DVD-Audio Stereo SBD+AUD Matrix Mix at 24/48
6. DVD-Audio 5.1 Surround Sound at 24/48 (6 channel x 24/48)
Madison Square Garden
New York City, NY
September 10, 1991
DVD-Audio 24/48
SBD+AUD Matrix Mix (65%-SBD/35%-AUD)
Set 1
01 [03.01] Crowd & Tuning
02 [13.47] Shakedown Street >
03 [05.45] C.C. Rider >
04 [06.33] Lot To Laugh/Train To Cry
05 [07.09] Black Throated Wind
06 [09.09] High Time
07 [08.26] Cassidy
08 [09.25] Deal
TT [63.19]
Set 2
01 [01.47] Crowd & Tuning
02 [04.10] Help On The Way >
03 [07.01] Slipknot >
04 [10.18] Franklin's Tower
05 [12.41] Estimated Prophet >
06 [12.43] Dark Star >
07 [10.39] Drums >
08 [01.59] Jam >
09 [02.30] Dark Star >
10 [09.21] Space >
11 [05.04] I Need A Miracle >
12 [09.04] Standing On the Moon >
13 [09.20] Lovelight
Encore:
14 [07.05] Baby Blue
TT [01:43.52]
Branford Marsalis on saxophone throughout
---------------------------------------------------------
Source Info
SBD (shnID = 89085)
SBD Dat(2) stored on Ampex 467 DAT Tape
Transfer: DAT from the collection of Todd Evans
DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif
innterconnect ->Lynx Two Soundcard (spdif in) -> Wavelab 6.0
Transferred 12/09/07
Editing: All editing and mastering by Jamie Waddell
A **GEMS** Production www.shnflac.net
AUD (shnID = 96422)
Recorded By: James Young and Clay Brennecke - clayb@fobdfc.com
Lineage: Master DAT > B&K 4011 110 degrees ORTF > Neumann BS 48i-2 >
Modified Sony TCD D-10 Pro
Transfer: 16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->
LynxTWO-B Audio Reference Interface (SPDIF in) ->
Wavelab 6.0 by Todd Evans (todd@bluedakota.com) October 30, 2008
Editing: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station.
Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither
Encoding by Dazed64. Tracked in CDwave, FLACd Flac Frontend level 8
Tag & Rename for FLAC Meta-Tagging.
A **GEMS** Production www.shnflac.net
---------------------------------------------------------
Special Thanks
Many thanks to James Young and Clay Brennecke for their wonderful
recording. And HUGE thanks to both Jamie Waddell and Todd Evens for
making this project possible with their amazing work on their pristine
transfers and excellent editing/mastering. I am simply a cog in the
wheel and lucky has hell to work with such incredible source material.
It is the guys listed above that deserve the bulk of the credit. So
a big THANK YOU!
---------------------------------------------------------
Notes on the Source Material
SBD
This is another strange 1991 SBD. Let me explain. Quite
a few digital SBD's for the 1991 year are in circulation.
I am sure some of you have noticed a sorta strange sound
quality to them. What makes them sound they way they do
is unknown to me. I'd call them too digital. They tip-
toe along the edge of blurry. If I had to guess I would
think a portable DAT deck was being fed an analog signal
into the line in. And although the levels were set
appropriately the deck was overloaded by 'too hot' a feed
from the SBD.
AUD
Nice and well balanced FOB. This upfront FOB grabs quite a bit
of the sound but not as much atmosphere as you'd like for making
a matrix mix. However, this does help the sterile, straight SBD
out quite a bit. While it doesn't completely fix the strange
"digitally" sound of the SBD it does help quite a bit.
---------------------------------------------------------
Tech Notes
Jamie Waddell sent me the 16/48 waves files as one long track
for both the SBD and the AUD. CEP2.0 was used to align & synch
both sources (time compress and expand). CEP2.0 was used to
perform the multitrack mixdown at 24/48. Wave L3 was used for
minor limiting (-0.7 threshold), and no EQ was used on the two
primary sources. This is a 60% SBD, 40% AUD mix.
- Mixed by dan@am-dig.com
- FLAC conversion 18-MAR-2000
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear, slim 7mm double DVD case.
---------------------------------------------------------
Multitrack Mixdown Settings
Stereo Matrix
SET ONE
SBD -2
AUD -2
SET TWO
SBD -2
AUD -2.5
---------------------------------------------------------
Notes
d1t06 "High Time" - 2 small digi snits have been fixed
---------------------------------------------------------
About the 24/48
This represents the 24 bit files that are the result of all the
editing, mastering, digital sound processing and the multitrack
mixdown preserved in 24 bit. It is unclear exactly what we have
in the way of high resolution. However what we have here
would not be represented accurately in 16/44. What you are getting
is the full result of the matrix mix process. How much different
does this sound? is this better? A little and yes. This is more
accurate and has more dynamic range. 24/48 resolution versus a
16/44 of the same material will usually result in very subtle but
important differences. Most of it relying on the quality of
the DVD-A player and the D to A conversion. With that in mind,
this 24 bit copy is no different. Small but important gains over
the same material in 16/44. This is just one man's take. Take
it or leave it.
---------------------------------------------------------
Lineup
Jerry Garcia (guitar, vocals)
Bob Weir (guitar, vocals)
Phil Lesh (bass)
Vince Welnick (keyboards, vocals)
Bruce Hornsby (grand piano, according, vocals)
Mickey Hart (drums, percussions)
Bill Kreutzmann (drums, percussions)
---------------------------------------------------------
Additional Formats
This show is available in the following formats:
1. The SBD and AUD sources listed above at 16/44
2. The AUD sources listed above at 16/48
3. CD-Audio Stereo SBD+AUD Matrix Mix at 16/44
4. CD-Audio 5.1 Surround Sound DTS-Audio-CD at 16/44
5. DVD-Audio Stereo SBD+AUD Matrix Mix at 24/48
6. DVD-Audio 5.1 Surround Sound at 24/48 (6 channel x 24/48)
63493b5eb9e3a5d5c4dc47902f97d5f0 *gd1991-09-10_haugh_mtx24_set1_t01.flac
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3d055981a813f80c766e90a4ad2c3f39 *gd1991-09-10_haugh_mtx24_set2_t07.flac
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3a49fe91cfe198cc0cd55c3bc25ee5df *gd1991-09-10_haugh_mtx24_set2_t13.flac
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gd1991-09-10_haugh_mtx24_set1_t01.flac:34cee586c4bf4c37e425bffa9f38e23b
gd1991-09-10_haugh_mtx24_set1_t02.flac:add057d956cf4b2760e480bd9d726d33
gd1991-09-10_haugh_mtx24_set1_t03.flac:bcec4f92ff69c4851741250f3e0ea050
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gd1991-09-10_haugh_mtx24_set2_t10.flac:63f40106eee616f3e25a2cdc66501090
gd1991-09-10_haugh_mtx24_set2_t11.flac:212ef2b28ec4b9eabfff56b937035f26
gd1991-09-10_haugh_mtx24_set2_t12.flac:e7859c54ebc037a25ed9a43d8fc45ded
gd1991-09-10_haugh_mtx24_set2_t13.flac:60349f701827c2717225ff793b7dc782
gd1991-09-10_haugh_mtx24_set2_t14.flac:fb6776474d7f82077ffb27e2ad346fc4
Comments
Other Sources (comments) complete; DSBD> DATs> CDRs>... (1)
Source: SBD: DAT(M) >... (1)
flac16 ;... (1)
flac16 ; SBD DAT(?) >... (1)
flac16 ; Lineage: Master... (0)
flac16 ; Matrix synch... (0)
DTS-Audio-CD 5.1 Mix ;... (0)
flac24 ; Master Audience... (0)
flac16 ; Master Audience... (0)
flac24 ; OTS AUD: 2x... (0)
flac16/48kHz ; source:... (0)
flac24 ; Recording Info:... (0)
flac ; Recording Info: SBD... (0)
flac16/48kHz ; Source:... (0)
flac16/48 Source:... (0)
fkac16/44 A Photoleon... (0)
Recording Info:
SBD > DAT... (0)
flac24 ; Patched & Pitch... (0)
flac16 ; Patched & Pitch... (0)
flac24 ; Matrix 2 Source... (0)
flac16 ; Matrix 2 Source... (0)
DTS-Audio-CD 5.1 Mix; -... (0)
flac16/48kHz ; 5.1 LPCM... (0)
FLAC 1644 Source: 2x... (0)
FLAC 2496 Source: 2x... (0)
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