Grateful Dead 05/21/74
Edmundson Pavilion, University Of Washington, Seattle, WA
Source Summary
DVD-VA; (Video Audio) 2 audio tracks; 1) SBD + AUD Matrix 2 Source Mix (shn id 87114) & 2) DTS Audio 5.1 (shn id 87124); SBD: MSR> C> Dats> CD> EAC> SHN> WAV and AUD: AudMC > WAV > SHN Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee; audio only - no video
Grateful Dead
Edmundson Pavilion, U of W.
Seattle, WA
5/21/74
DVD-VA (Video Audio)

DTS-Audio-CD 5.1 Mix (shnid=87114)
SBD + AUD Matrix 2 Source Mix (shnid=87124)  (65%-SBD/35%-AUD)

Set 1:
Me & My Uncle
Brown Eyed Women
Beat It On Down The Line
Deal
Mexicali Blues
It Must Have Been The Roses
The Race is On
Scarlet Begonias
El Paso
Row Jimmy
Money Money
Ship of Fools
Weather Report Suite Prelude->
WRS Part 1->
Let It Grow->
China Doll

Set 2:
Playin' In The Band
U.S. Blues
Big River
Stella Blue
Around & Around
Eyes Of The World->
Wharf Rat->
Sugar Magnolia

Encore:
Johnny B. Goode

Original Source Information

SBD (shnid=2597)
MSR>C>Dats>CD>EAC>SHN>.WAV>
Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD.
Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip.

AUD(shnid=10150)
from Audience Devotional Tree
Round 10 - June, 2002
AudMC > WAV > SHN

Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony

note: most songs have the first few notes cut on the master tape.
A>D conversion by David Minches (dminches@comcast.net) playback
on Nakamichi Dragon through ART DI/O sound card.  Final track
breaks and editing by Noah Weiner (noahbw@attbi.com) May, 2002

Audio Patching:
1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Brown Eyed Women on the Audience.

2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and 06.239 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Beat It On Down The Line on the Audience.

3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Deal on the Audience.

4) Between Deal and Mexicali Blues, 20.096 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and 17.410 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of It Must've Been The Roses on the Audience.

6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of The Race Is On on the Audience.

7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of El Paso on the Audience.

9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Row Jimmy on the Audience.

10) Between Row Jimmy and Money Money, 28.081 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Money Money on the Audience.

11) After the splice at the start of Money Money, 28.183 seconds of the Audience left channel was fixed using a mono copy of soundboard recording (SBD) which was normalized to blend in better.

12) Between Money Money and Ship Of Fools, 19.314 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

13) At the start of Ship Of Fools, 14.631 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of Ship Of Fools were missing on both sources.

14) At the end of Ship Of Fools, 06.597 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This is at the end of disk 1.

15) At the start of WRS Prelude, 13.685 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of WRS Prelude were missing on both sources.

16) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Big River on the Audience.

17) Between Big River and Eyes of the World, 13 minutes and 32.455 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. This includes all of Stella Blue and Around and Around.

18) Between Around and Around and Eyes Of The World, 02.989 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

18) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

19) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes some of the first notes of Johnny B. Goode on the Audience. The first notes are missing from both sources.
----------------------------------------------------------------
The Audience recording was used as the timing reference and for the most part the soundboard recording ran slightly fast (.5 seconds per minute). However, Playin In The Band which "has no Cassette gen" more closely matched the audience recording and is unfortunate that more of it doesn't circulate. A patched version of the sbd already circulates (shnid=22801) but as there were multiple fixes to the audience recording, a fixed version of it will be available soon along with a dts and dvd-va.
---------------------------------------------------------------------------
DTS-Audio-CD Info

Front  
Left Channel SBD  -0db
Right Channel SBD -0db

Center
Mixed to mono -2db SBD

Surround
Left Channel -2db AUD
Right Channel -2db AUD

Sub/LFE
Mixed to mono -2db SBD Reel
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.
------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD -3

SET TWO

Stereo Matrix
SBD -1
AUD -3
---------------------------------------------------------
Brokedown House Productions

Do Not Buy Or Sell This DVD-VA
541e6210e47204038d89f9ff7c047572 *VIDEO_TS\VIDEO_TS.BUP
541e6210e47204038d89f9ff7c047572 *VIDEO_TS\VIDEO_TS.IFO
5f7973ff9e4152827994d4149c8af39d *VIDEO_TS\VIDEO_TS.VOB
204a2cbd7bab34f6d9b1a5fb5a697a29 *VIDEO_TS\VTS_01_0.BUP
204a2cbd7bab34f6d9b1a5fb5a697a29 *VIDEO_TS\VTS_01_0.IFO
410ed0a08574e64289c0d62fa8190406 *VIDEO_TS\VTS_01_0.VOB
74900990a1ade3ad3e0ac01a88b05310 *VIDEO_TS\VTS_01_1.VOB
2721691608ea9109af34ad6abcff39ff *VIDEO_TS\VTS_01_2.VOB
28187443519fce9d796ca2f60adc8a17 *VIDEO_TS\VTS_02_0.BUP
28187443519fce9d796ca2f60adc8a17 *VIDEO_TS\VTS_02_0.IFO
5f7973ff9e4152827994d4149c8af39d *VIDEO_TS\VTS_02_0.VOB
88966d69656277ba2d64d2e2715a97f3 *VIDEO_TS\VTS_02_1.VOB
61ddae6bfc707ace0d25060b59511456 *VIDEO_TS\VTS_02_2.VOB
fac5a90b5d679c8d2de28a69f51e69d4 *VIDEO_TS\VTS_02_3.VOB

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