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Grateful Dead 06/22/86
Greek Theatre, University Of California, Berkeley, CA
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Set I
Jack Straw
It Must Have Been The Roses
Cassidy
Row Jimmy
New Minglewood Blues
Big Railroad Blues
Mama Tried >
Big River
Stagger Lee
Hell In A Bucket >
Might As Well
Set II
Fire On The Mountain >
Samson & Delilah
Ship Of Fools >
Man Smart (Woman Smarter) >
Drums >
Space >
Truckin' >
Goin' Down The Road Feeling Bad >
Stella Blue >
Turn On Your Lovelight
U.S. Blues
Box Of Rain
Set III

Comment
FM Broadcast KPFA Berkeley

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By OBIE
Sources
(388) View Source    View Archive
DSDB> DAT> CDr; via Mike Lai
(7281) View Source    View Archive
Neumann kmi-84-> Neumann bs48i-2> pcmf1, at sbd; ; Taper Randy Fleck; PCM-> DAT: Sony pcm-601esd-> panasonic 3500; DAT->CD: fostex d5->marantz cdr615-> eac-> cdwav-> mkwact
(30865) View Source    View Archive
Primary Source: Recording Info: FOB(DFC)>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's) Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Secondary Source: Neumann kmi-84->neumann bs48i-2>pcmf1,(at sbd)PCM->DAT shn id 7281 The secondary source covers patches in the last 26 seconds of d2t05(drums); the first 12 seconds of d3to1 (space) Recorded, digitally mastered and patched by Charlie Connor
(81646) View Source    View Archive
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(100204) View Source    View Archive
flac16; Recorded by Mike Grace and Annie Szvetecz; Lineage: Mike Grace Master PCM Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1 Recording Location: Official Tapers Section PCM to DAW Transfer by Mike Grace Sony SL-HF900 Betamax > Sony PCM-601ESD SPDIF out > RME DIGI9652 sound card SPDF in > Wavelab 4 wav
(117830) View Source    View Archive
flac24; Master Audience Recorded By Mr. Darby; AKGC460B/A60/CK1's (PAS/DFC/First Row OTS/6 Feet High)> Uher340>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
(117831) View Source    View Archive
flac16; Master Audience Recorded By Mr. Darby; AKGC460B/A60/CK1's (PAS/DFC/First Row OTS/6 Feet High)> Uher340>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
(138856) View Source    View Archive
flac16 44.1khz Source: AKG 460 w/CK61 Caps > Uher 240. Transfer: Master Tapes > Nak Dragon > Korg Mr 1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper . Taper : Danny Thompson. Editing : Joe D'Amico ''AKA'' Joebeacon
(138857) View Source    View Archive
flac24 96khz Source: AKG 460 w/CK61 Caps > Uher 240. Transfer: Master Tapes > Nak Dragon > Korg Mr 1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper . Taper : Danny Thompson. Editing : Joe D'Amico ''AKA'' Joebeacon
(139290) View Source    View Archive
flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
(139291) View Source    View Archive
flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
(140671) View Source    View Archive
flac16; Source Info: (FOB) Schoeps CMC4/MK2 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
(148480) View Source    View Archive
flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
(148481) View Source    View Archive
flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
(156954) View Source    View Archive
flac1644 2GEN AUDCA Microphones: Sennheiser 421's > Sony PCMF1 > Recorder: Sony SL-2000 Betarecorder Location: OTS Original transfer: 1] Sony SL-2000 Betarecorder> Sony TC-D5M Maxell MX90 no nr 2] Sony TC-D5M > Sony TC-D5M Maxell XLII 90 no nr Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661 Recorded by: Executive Crew, Mike Davis, Kenny Davis, Tom Pinney, John Hance, Aaron Transferred & Processed by Kyle Holbrook
(156955) View Source    View Archive
flac2448 2GEN AUDCA Microphones: Sennheiser 421's > Sony PCMF1 > Recorder: Sony SL-2000 Betarecorder Location: OTS Original transfer: 1] Sony SL-2000 Betarecorder> Sony TC-D5M Maxell MX90 no nr 2] Sony TC-D5M > Sony TC-D5M Maxell XLII 90 no nr Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661 Recorded by: Executive Crew, Mike Davis, Kenny Davis, Tom Pinney, John Hance, Aaron Transferred & Processed by Kyle Holbrook
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OldNeumanntapr I drove all the way up to Henry Coe State Park in the mountains outside of Morgan Hill (South of San Jose) to record this show off of KPFA. David Gans had a Grateful Dead marathon on KPFA that day and he played snippets of vintage Dead recordings all day up to the start of the show. I recorded all of the 6/22/86 broadcast on my boom box sitting upon the mountain. It was quite a day. I remember that camping at Coe was three dollars a night! Wow, to have those days again. I also remember that Bobby was rapping 'sweet sweet summertime, all all all the time' in the middle of Lovelight. I'd never heard him do that before or since. I never got to see the Dead at the Greek, but this was nice hearing the show live on the air. I also recorded the 12/31/86 NYE show from the same state park off the radio, but it was a Lot warmer in June than December!
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Cached: Sat, 27 Apr 2024 05:38:49 EDT