User Show Reviews

Grateful Dead 10/03/87
Shoreline Amphitheatre, Mountain View, CA

Add Source Reviews

List Collectors

Add to Collection

I Was There

Add to Want List

Wanted By

History

Edit Show

Set I

Hey Pocky Way
New Minglewood Blues
Candyman
The Addam's Family
When I Paint My Masterpiece
West L.A. Fadeaway
My Brother Esau *
Bird Song
The Music Never Stopped

Set II

Maggie's Farm >
Cumberland Blues >
Looks Like Rain >
Terrapin Station >
Drums >
Space >
The Other One >
Stella Blue >
Throwing Stones >
Turn On Your Lovelight

Encore:
The Mighty Quinn (Quinn The Eskimo)

Set III

Comment

Last performance *

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums

Display Setlist > >

Last Changed By J

Sources

(399) View Source View Archive
SBD> MCass> DAT> DAL CardDeluxe> WAV> shn;? transfer by Michael Owen; stemming from Pavman tree; some between-song tunings cut (cass flips?); via Steve B. to etree offer

(7368) View Source View Archive
Jay Ashley remaster of master cassette source; SBD> MC> DAT> WAV> CDR> SHN> DAW(Bertha)> CDA/SHN

(8829) View Source View Archive
SBD> CM> DAT> CD> EAC> SHN (mkwACT); DAT>CD Transfer By David Hollister; see notes in info file; this version circulated by Keith Bode, but is distinct from previous Hollister/Bode seeds of this date; d2 tracked for 80 min

(79380) View Source View Archive
flac16; Source: Healy Matrix SBD > PCM > DAT (48KHz)> DAT. Transfer: DAT playback on Sony PCM-R500 > XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded as 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > rendered to 16/44.1 using Waves IDR (type I dither/ultra shaping) > tracking (CDWAV 1.9) > FLAC (level 8)

(83906) View Source View Archive
flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation

(86637) View Source View Archive
DVD-VA: (Video Audio) Bertha Remaster of the Master Cassette Source (shn id 83906) SBD>>MC>>WAV>>DAW(Bertha)>>Audio DVD (audio only, no video)

(116344) View Source View Archive
flac16; Source: (OTS/Lawn/Center) Superscope EC-7's (ortf/cardioids) > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster

(121961) View Source View Archive
flac16; Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; the original seed for this source had a flaw in d1t08 which has been fixed

(139804) View Source View Archive
flac16; Recording Info: UltraMatrix SBD -> PCM; Transfer: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; admon note: the original source had dropouts in tracks 13 and 14; please do not circulate the original source

(142689) View Source View Archive
flac24; Recording Info: UltraMatrix SBD -> Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller

(142709) View Source View Archive
flac16; Recording Info: UltraMatrix SBD -> Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller

(143833) View Source View Archive
flac16; Matrix 2 Source Mix - SBD (shnid = 121961) Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 116344) Source: (OTS/Lawn/Center) Superscope EC-7's (ortf/cardioids) > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster - matrix mixing by Kevin Tobin

(143835) View Source View Archive
DTS-Audio-CD 5.1 Mix; SBD (shnid = 121961) Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 116344) Source: (OTS/Lawn/Center) Superscope EC-7's (ortf/cardioids) > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster - dts mixing by Kevin Tobin

(143836) View Source View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 121961) Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 116344) Source: (OTS/Lawn/Center) Superscope EC-7's (ortf/cardioids) > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster - surround mixing by Kevin Tobin

(163793) View Source View Archive
flac2496 Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell MX90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24

(165069) View Source View Archive
flac1644 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/Maxell MX90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24 - This is 163793 2496 > 1644

Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.

Reviewing User	Review	Rate Review Poor\|Neutral\|Good
OneGratefulDad		\| \|
OldNeumanntapr	1987 was the first Grateful Dead Shoreline shows. They were scheduled to play there in '86, right after Ventura, but that entire tour was cancelled when Jerry went into the hospital. I still have the advertisement from the pink section of the SF Chronicle from the aborted Shoreline '86 shows, as well as the GDTS information sheet from Ventura '86. (I had to send in my mail order tix for a refund.) A lot of people dislike Shoreline, but I always thought that the sound there was amazing. Being a taper, that was alway my first concern. I have way too many boomy audience masters from the Oakland Coliseum. I remember hearing stories of people who dropped their cigarettes on the grass in the general admission area of Shoreline that started small methane fires from all the decomposing garbage underneath. I think I still have my bootleg 'Dead At The Dump' T shirt. I remember that these shows were pretty good. This was the show that I met my friend Ron, who would forever be 'Taper Ron'. He patched into my Sony TC-153SD up on the lawn. Those first Shoreline audience masters still sound pretty good even today, but I'm missing the last part of the saturday second set after I loaned out the master and never got it back. Big mistake!	\| \|
Dave Hunter		\| \|