Sources

(476) View Source View Archive
SBD > ? > SHN; via M. Ferguson, neo_levo

(2022) View Source View Archive
SBD> D-> cdr-> EAC->shn; Ripped by John Zei

(31953) View Source View Archive
SBD DAT master > DAT > CD-R my discs (made from DAT) > EAC (secure) > SHN w/mkw-act seekable

(33337) View Source View Archive
flac16/48; Sennheiser ME-80's/KU-3's > Casio DA-7; Wavelab > CD Wave > flac

(115109) View Source View Archive
flac16; Source: Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-5 (Maxell MX-S analog cassette tapes) - Front Row OTS; Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Recorded by Greg Holtz; Transfers, edits, track/FLAC by Greg Holtz

(137080) View Source View Archive
flac24; Set 1 Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller

(137081) View Source View Archive
flac16; Recording Info: Set 1: SBD -> Cassette Master (TDK SA-X100); Set 2: SBD -> Dat (44.1k); Set 1 Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/16; Set 2 Transfer Info: Dat (Sony R500) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller

(138128) View Source View Archive
flac16/48kHz; Dan (?) running Bob Melomed's rig (Set I) FOB Schoeps CMC34 110 degrees ORTF on Scheops t-bar > M1000 Cable > Tao Research Power Supply > SV255; 5 Rows FOB; Chuck Vasseur recording (Set II) Neumann KM54 tube mics > Technics SVMD1; 14th Row center; John Ammons Transfer: from his DAT clones of the masters. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Patched, Track'd, Flac'd & Pack'd: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT

(143388) View Source View Archive
flac16/48kHz; Source: Neuman KM86 Custom 60° X-Y * > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick

(149563) View Source View Archive
flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller

(149622) View Source View Archive
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1

(149826) View Source View Archive
flac16/48kHz; Recording: Schoeps CMC3 MK4â€™s (ortf) > Panasonic SV-255 (16/48); Location: FOB mics hand held, section F5, row B, seat 5; Transfer: DAT (Tascam DA-40) > Tascam DA-3000 > Flac 16/48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick; Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel

(150455) View Source View Archive
flac16; Set 2 Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 137081 & 138128.

(150456) View Source View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 137081, 31953 & 138128.

Reviewing User	Review	Rate Review Poor\|Neutral\|Good
Steve Larson	Itraveled fron Dallas to Jacksonville and hooked up with my good friend Jon. We traveled down the east Fla. coast looking for the good surf. I had never surfed so it was all good for me. We hit Daytona, for what we thought would be ful of spring breakers. Well, it was, but it happened to be th weekend that most afro-american colleges have their spring break. So here we are the only white guys in Daytona. , I realy didn't give a shit about the situation but some of our entouage were pretty uptight about it. I tried to get them to hang out in one of the biker bars, but even that scared them. it was a crappy dilemma. So we were walking down the main strip, the palest people to be seen, when a VW bus comes cruising by. A redhead, fair skinned, deadhead girl leaning out the window of the microbus points and hollers at us "Finally ... white people". It was very odd, the entire street seemed to stop at the absurdity of the moment. I laughed, turned to the person next to me and asked "Where?" Well, we traveled on down to Orlando and enjoyed the show. It was the last time I got to see Jerry with the band, Bruce Hornsby was manning the 88s. I still have the shirt. ;D	\| \|
Rob Maurice	Seems to me there was one of these Orlando shows that Mickeys Grandmother died and they postponed. I was at one of the three shows , I think this one.	\| \|
Mydland Years		\| \|
J Hudson		\| \|
aikorob		\| \|