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Grateful Dead 02/26/77
Swing Auditorium, San Bernardino, CA

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Set I

Terrapin Station *
New Minglewood Blues
They Love Each Other
Estimated Prophet *
Sugaree
Mama Tried
Deal
Playing In The Band >
The Wheel >
Playing In The Band (Reprise)

Set II

Samson And Delilah
Tennessee Jed
The Music Never Stopped
Help On The Way >
Slipknot! >
Franklin's Tower
Promised Land
Eyes Of The World >
Dancin' In The Street >
Around And Around

Encore:
U.S. Blues

Set III

Comment

First time performed *

Jerry Garcia - Guitar
Bob Weir - Guitar
Keith Godchaux - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Donna Jean Godchaux - Vocals

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Last Changed By Shawnee

Sources

(253) View Source View Archive
Betty Board; d1 overtime- see G. Hamilton's alternate tracking suggestions; no md5s originally- checksums here are generated from the alt tracking; a few dropouts and reel changes; via Datsit, Other1, Steve; listener Jason Palmer asserts that there may be NR applied to this version?; Dropouts noted: Samson and Delilah @ 1:54; Music Never Stopped @ 2:04; note d1 tracks are in correct order unlike later reshn of this version; upgrade in circulation

(2519) View Source View Archive
EAC> seeking SHN by anonymous of previous set, with "alternate" tracking, but also with additional error- this shn set has been circulated with d1t2,t3 switched- correctly listed in info file, but with incorrect tracknames as in d1error.md5 here; d1ok.md5 here shows correct track ordering; Dropouts noted: Samson and Delilah @ 1:54; Music Never Stopped @ 2:04; upgrade in circulation

(9752) View Source View Archive
SBD > Master Reel > PCM > DAT > CD-R; via DaveTree; Seeded to etree by AlphaDog

(23808) View Source View Archive
From the Owen Brothers Vault. Main source: SBD>MR>DATs>CDR>EAC>CDR>EAC>CDWAV>SHN. With AUD patches from: Sony ECM-280>Sony TC-153SD>MC>RR>DAT>CDR and between song tuning patches from: SBD>MR>C>C>CD.

(32009) View Source View Archive
SBD>MR>DAT>CD; Editing and mastering by The Wizard

(83283) View Source View Archive
flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk (Tim Deibert) WBOTB

(110037) View Source View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)

(110231) View Source View Archive
Sony ECM-22P's > 153SD cassette (Maxell UDXLII Dolby) > Technics 1506 reel 3.75 ips Dolby > Tascam CDR > dbPoweramp > wav > FLAC. Recording and transfer by Rob Bertrando. Pitch adjustments, tracking and FLACing by Hunter Seamons.

(151834) View Source View Archive
flac16 This is a remaster & partial upgrade to shnid 83283 - Source #1: 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk Transferred by Tim Deibert 2-17-2002. Remastered by Joe Noel February 17, 2020 - Source #2: Betty Board > Reel Master > PCM (original) > pcm clone > sony 601esd > spdif digital clone to dat > vx pocket > laptop Playback & dbx decode; laptop > vx pocket spdif out > mytek stereo 96 dac > balanced analog out > dbx150X type I dbx decoder > balanced analog out to mr2000 balanced in, 1 bit recorded > Audiogate WAV 24/48 DAT transferred & provided by anonymous Edited & Mastered using Adobe Audition by Joe Noel February 16, 2020

(152023) View Source View Archive
Fix Of i.d. 151834. Channels reversed on 151834. This is a remaster & partial upgrade to shnid 83283. Source #1: 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk Transferred by Tim Deibert 2-17-2002. Remastered by Joe Noel February 17, 2020 Source #2: Betty Board > Reel Master > PCM (original) > pcm clone > sony 601esd > spdif digital clone to dat > vx pocket > laptop Playback & dbx decode; laptop > vx pocket spdif out > mytek stereo 96 dac > balanced analog out > dbx150X type I dbx decoder > balanced analog out to mr2000 balanced in, 1 bit recorded > Audiogate WAV 24-48 DAT transferred & provided by anonymous. Edited & Mastered using Adobe Audition by Joe Noel. February 16, 2020.

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Reviewing User	Review	Rate Review Poor\|Neutral\|Good
Ray Augustine	My 3rd show. What is most memorable about this one besides the weird shape of that building, (instead of being long and narrow, it was short and very wide, so side balconies were very far from the stage which made for a strange audience tape which I initially got shortly there after, made up on the left side. So, thanks to Betty for this and most '77 shows, but unfortunately, not all '77, (who out there has got a 1st gen. copy of Bob Menky's master of The Forum 6-4-77 ?), which apparently burned down after a plane crashed into it some time after ELP played there, is givern the still relatively primitive state of "synthesizers" then only one note at a time ! Thus when they played Estimated Prophet for the 1st time, Garcia's envelope filter effect was not yet a totally independent device. So when you hear Weir mention equipment delays, what Steve Parish etc. is doing is hooking Garcia into a Moog synthesizer which Keith was using briefly. As you know probably, Keith was primarily an acoustic piano player, and rarely played electric, (later some electric piano like in Santa Barbara for example in '78. Also when they were playing The beginning of Slipknot!, Garcia and Weir were closely facig each other and Lesh closely adjacent !	\| \|