|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/18/97
|
Trax
Charlottesville, VA |
2 flac |
|
|
DSBD |
Conversion by Allan Chen / Sony f300 > sek'd prodif plus > Samplitude (48 > 44.1) > CDWAV > CD > EAC > FLAC |
|
|
04/01/00
|
The Garage
Washington, DC |
2 cdr |
|
|
Nakamichi 3000's>Denecke power supply>SBD matrix Tascam DA-P1>DB (active digital cable) by Craig Willoughby / Devon Cavanagh |
|
|
|
09/06/03
|
Jammin' Java
Vienna, VA |
1 shn |
|
|
Earthworks SR77s (AB) >Metric Halo Mobile I/O ULN-2 >Firewire >Powerbook G3 400 Pismo running OS 10.2.6 >Metric Halo Recording Console 1.4.06 (24/48) by Matt DeNardo |
Location: 10 feet from right stack, 8 feet up / Conversion: FTP transfer from Mac > PC using local ethernet, converted from SDII to WAV using SD2WAV, dual mono files merged, resampled to 44.1 kHz, and dithered to 16-bit using Waves L2 IDR in Steinberg Wavelab 4.0g, tracks split in CD Wave 1.9b, compressed to SHN with SHNtool |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/11/70
|
Fillmore East (Early Show)
New York, NY |
1 shn |
|
|
Master Soundboard Reel > Cassette > DAT > CDR* > Remastered** > SHN |
*EAC'ed / SHN'ed by Scott Clugston 7/4/01 / **Digitally remastered by Garrett Van Cleef / Note: This is the second revision of the remaster. Fixed several pops and other minor problems. |
|
|
04/16/72
|
Academy of Music
New York, NY |
1 shn |
|
|
rtr >CDr >skip remaster >CDr >eac >wav >shn Capt Skip Remaster |
Notes from Ray Hutchison:
The tape was given to me by a friend who worked as soundboard technician for sound crew
that accompanied ABB on 1972 and 1973 concerts. I am not certain if the recording comes
from the original reel-to-reel tape (if so, it was recorded over another concert) or if
it is a first generation copy of that tape; included on the tape are bits and pieces of
at least one other concert (not ABB).
the original rtr recording had substantial buzz most likely from one of the guitar amps
(and generally unlistenable!) and so several iterations of noise reduction were done
(by Skip and others) to remove the buzz while retaining as much ambiance of the recording
as possible (complete reduction of the humm resulted in a flat sound).
This final version is from Skip.
This is a very nice performance. On many of the 1972 shows Berry really
carries the band. The bass figures strongly throughout the performance.
Dickey is playing slide and is doing some very interesting things that are
not present in other versions of these songs.
This is on just one disc although it does appear to be the entire
performance (Academy of Music usually booked bands for early and late shows,
and perhaps this accounts for the relatively short performance). |
|
|
08/03/96
|
Red Rocks Amphitheatre
Morrison, CO |
2 shn |
|
|
TOA KY's >DA-P1 |
Location: row 1, center of taper's section / Conversion: DAT>MIT s/pdif>Delta DiO 24/96>CoolEdit2000>CD Wav>MKW v.97 by Jered Haddad / Conversion Note: when I converted this from dat to wav, disc one had 7 songs, and disc two had 8 songs. There were still two songs remaining, and I am not familiar with Allman's enough to accurately track. Perhaps someone can fix. I believe I tracked a song or two in the middle of an instrumental jam. |
|
|
06/14/03
|
Bonnaroo Music Festival
Manchester, TN |
1 shn |
|
|
(FOB, DFC, XY) Neumann AK50>LC3>KM100>V3>D8 @48k by Howard Friedman |
Transfer: Tascam DA-40>Dio 2448>Soundforge 4.5>CDWave>SHN by Howard Friedman |
|
|
07/05/03
|
Soo Pass Ranch
Detroit Lakes, MN |
2 shn |
|
|
AKG 481 > Oade m248 > mod-sbm-1 > D-100 @ 48 kHz by Hampton West |
Transfer: Sony 59ES>Monster s/pdif>Audiophile 2496>Wave Lab 4.0>CDWave>mkwACT>shn (seek) by Wade Cooper |
|
|
07/13/03
|
Tweeter Center
Mansfield, MA |
2 cdr |
|
|
Neumann KM184mics >Lunatec V3 Pre-amp/A to D >Jukebox 3 hard disk recorder by Jim Rehill |
Cdwav was used to break it up, and Samplitude 2496 was used to burn it on a Plextor burner / CD>EAC>WAV>FLAC by Keith Reed |
|
|
07/30/03
|
Chicago Theatre
Chicago, IL |
2 shn |
|
|
AT3035 >PS2 >AD20 >D8 >AudioPhile2496 >CDWave >MKW >SHN by Scott Sterchele |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/15/93
|
Oak Mountain Amphitheater
Pelham, AL |
1 flac |
|
|
DSBD |
Transfer: DAT(2) > cd(1) > eac > cdwave > flac |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/30/02
|
Benedict Music Tent
Aspen, CO |
1 flac |
|
|
SBD >DAT >CDR >EAC >FLAC |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/14/99
|
Rave Ballroom
Milwaukee, WI |
2 shn |
|
|
Schoeps CCM4V >Lunatec V2 >Sony SBM-1 >Sony TCD-D8 @ 44.1kHz / Patch Master (from D8) used in Transfer |
DAUD / FOB / Conversion: Sony PCM-R500 > AM Presto II Coax > Delta Di0 2496 > Samplitude v5.5 > CDwav > mkwACT v0.97 (shn files have seek tables appended) / No DAE at all / Detailed Info: This recording was done on a stand just in front of the soundboard, mics at 8'. / Minor Edits: Fades in/out beg/end of sets--3 sec fade-in's and 5 sec fade-out's. / Taper: Kevin Hughes / Transferred, Encoded, and Seeded by Matt Edlhuber. / Notes: brief PA problems during Bela's intro. |
|
|
02/12/03
|
House of Blues
Orlando, FL |
3 cdr |
|
|
AT853's>Sound Pro's SP-SPSB-1 Battery Module>Edirol UA5>Fujitsu Lifebook C6581 (via USB)>Soundforge by Elana Gershuny |
Conversion: Soundforge>CDWav |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/11/02
|
Bimbo's 365 Club (Youth Speaks Benefit)
San Francisco, CA |
2 cdr |
|
|
|
|
|
|
06/20/03
|
Newbury Comics (Alewife Store)
Cambridge, MA |
1 shn |
|
|
PreFM SBD; WBOS-FM broadcast |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/20/94
|
The Turning Point
Piermont, NY |
1 shn |
|
|
Unknown Sonic Studios mics |
Unknown Sonic Studios mics > Unknown DAT recorder > 1 analog tape gen > DAT > Cool Edit digital editing > CDR > EAC > SHN / Simple 4 track mix with a bit of noise. Crisp and well recorded. |
|
|
02/03/96
|
The Fox Theatre
Boulder, CO |
2 cdr |
|
|
|
a few small pops & ticks in Don't Take That Attitude... & Superstition |
|
|
10/04/99
|
Sessions @ West 54th
New York, NY |
1 DVD |
|
|
|
Shares disc with Austin City Limits DVD on 09.22.03 |
|
|
06/11/00
|
Festival Hall
Melbourne, Australia |
1 cdr |
|
|
FM Broadcast |
|
|
|
09/13/00
|
Red Rocks Ampitheatre
Morrison, CO |
2 shn |
|
|
DSBD |
CD > SHN: EAC v0.9 beta 4 > CDWave v1.71 > MKW 0.97 beta 1 > .shn / Notes: This is a DAE rip. |
|
|
09/22/03
|
Austin City Limits (KLRU Communications Building)
Austin, TX |
1 DVD |
|
|
|
Shares disc with Sessions at West 54th DVD on 10.04.99 |
|
|
10/01/04
|
Bryce Jordan Center (Vote For Change Tour)
University Park, PA |
1 shn |
|
|
Sennheiser MKH-800s @ ~ 15' (cards) >Lunatec V3 @ 16/48 >Sony PCM-M1 by Ian White |
Location: Section N1, Row 7, Seat 1 (7th row/right stack) / Conversion: Sony PCM-M1 > Audiophile 2496 > Goldwave 5.08 > CD Wave 1.93 > shntool 1.2.3 |
|
|
10/02/04
|
Ervin J. Nutter Center (Vote For Change Tour)
Dayton, OH |
1 shn |
|
|
Sennheiser MKH-800s @ ~11' (hypers/DIN) >Lunatec V3 @ 16/48 >Sony PCM-M1 by Ian White |
Location: Section B, Row 22, Seat 4 (~ 10 rows FOB/DFC) / Conversion: Sony PCM-M1 > Audiophile 2496 > Goldwave 5.08 > CD Wave 1.93 > shntool 1.2.3 |
|
|
10/05/04
|
Kohl Center (Vote For Change Tour)
Madison, WI |
1 flac |
|
|
AKG480/ck63 (A-B, ~13') >wmod UA-5 @ 44.1kHz (SVU-1) >optical >JB3 by Crumbo |
Location: Section 003, Row 13, Seat 12 / Conversion: JB3 > firewire > Wavelab 5.0 > CD Wav 1.93.3 > FLAC Frontend 1.71 (Level 5) |
|
|
10/06/04
|
Hilton Coliseum (Vote For Change Tour)
Ames, IA |
1 shn |
|
|
AKG480/ck63 (A-B, 15') >wmod UA-5 @ 44.1kHz (SVU-1) >optical >JB3 by Crumbo |
Location: Section FC, Row 6, Seat 10 / Conversion: JB3 > firewire > Wavelab 5.0 > CD Wav 1.93.3 > FLAC Frontend 1.71 (Level 5) |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/17/03
|
Xcel Energy Center
St. Paul, MN |
2 DVD |
|
|
Canon ZR45 DV |
Taper: Eitsirhc / Location: Section 105, Row 26 / Conversion: JTRfromGreySt / *DVD w/menu & chapter markers. |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/26/06
|
Rafters
St. Simons Island, GA |
1 flac |
|
|
SBD >JB3 @ 44.1k by Jenny Lawrence |
Transfer: JB3 > Audacity > CDWave |
|
|
09/25/08
|
Smith's Olde Bar
Atlanta, GA |
1 flac |
|
|
Schoeps CCM4V'S(din)>Lunatec V2>Sound Devices 722 (24/48) |
Recorded and Seeded By: The Z-Man / Location: FOB/DFC/KFC/ZFC/AARP 18' From Stage, 6' High / DSP: Sound Devices 722>Sound Forge 7.0>CD Wave>flac(16) |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
01/13/62
|
Folksingers Choice; Radio-Show
New York, NY |
1 shn |
|
|
Cynthia Gooding Radio Show |
Review:
This is a true not-to-be-missed gem. It belongs in every Bob Dylan fan's collection. The date shown is from the back cover, though this is most likely a re-broadcast date. The actual radio show could have been as early as February. History is a bit fuzzy here. This long lost radio show is in perfect quality. It is complete with wonderful live-on-the-spot renditions of the above traditional and Dylan songs, as well as fascinating conversation with a young, as yet undiscovered talent. Bob relates, hilariously, the eponymous title of his soon to be released first LP, and so much more. There is conversation in-between each song that is priceless. All in all, one of the best boots ever to emerge. |
|
|
05/03/63
|
Studs Terkel's Wax Museum
Chicago, IL |
1 shn |
|
|
1963 Radio Interview |
Review:
The 1963 Terkel performance and interview is a must have for any serious collector. Bob has come into his own as a performer even at this early date. The songs are well done, and Bob's wit shines through on the interview. This CD is the one to own. Yellow Dog has removed most of the tape hiss of what was already a very nice sounding? line recording, and it now sounds better than ever. The colorized cover is gorgeous. The original black and white BBC photos are from the set of of the 1962 UK TV play Madhouse On Castle Street. The package photos and aesthetics alone would make this one worth the price.? |
|
|
09/23/95
|
The Edge
Fort Lauderdale, FL |
1 shn |
|
|
Mics Unknown, DAT Audience x 2 |
Conversion: Sony M-1>Midiman Optical>SPDIF SB Plantinum>CoolEdit WAV>CDWav>SHN (mkw) / Notes: This show is Bob Dylan's first after the death of Jerry Garcia and is a very emotional exploration/tribute to a lost friend. |
|
|
07/03/96
|
Zeltfestival
Konstanz, Germany |
2 cdr |
|
|
DAUD>Cass(0) |
|
|
|
11/18/99
|
Mullins Center, University of Massachusetts
Amherst, MA |
1 shn |
|
|
Schoeps MK4 |
CD>WAV>SHN / with Phil Lesh, Jorma Kaukonen, & Warren Haynes |
|
|
04/03/04
|
Bender Arena, American University
Washington, DC |
2 shn |
|
|
|
Taper: 'jersey jon' / show captured with DAT equipment |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/22/74
|
Nakano Sun Plaza
Tokyo, Japan |
1 cdr |
|
|
|
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/16/03
|
Carpenter Center
Richmond, VA |
1 shn |
|
|
AKG 480/ck61 (90 degree XY, 3rd row balcony)>DMIC-20>D8@48kHz Justin Trinkes (stoner_free@taping.org) |
Conversion: D8 (master)>Waveterminal 2496>SF 4.5>CDWav 1.52>mkw .97>shn / Editing: SoundForge used for fade in/out and to resample 48>44.1kHz (4of4 w/anti-alias) / From: 1:08.00-1:23.75 on track 1 was spliced w: AT853>MZ-R55>Waveterminal 2496 (analog)>SF 4.5 |
|
|
04/29/03
|
Mermaid Lounge
New Orleans, LA |
2 shn |
|
|
fob stage lip x/y Neumann AK40's >LC3KA >KM100 >Lunatec v2 >Apogee AD-1000 @ 16/44.1 >D8 by Andrew Rakow & Michel Pacifici |
Transfer: Seagate DDS(master dat-coax)>VDAT>Soundforge 6>CD Wave>MKW 0.97b w/ seek tables appended - Transfer by Michel Pacifici |
|
|
09/15/04
|
Waterfront Park
Old Sacramento, CA |
1 flac |
|
|
(onstage,omni) ADK A51STPRO's >canare star quad cables >digimod UA5 @48khz >JB3 via optical |
Lineage: JB3 > usb > soundforge 6.0 (resampled,tracked)> wav > flac16 |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
03/27/04
|
Warfield
San Francisco, CA |
1 shn |
|
|
MBHO KA200N/603A >M-Audio 410 >ASIO >n-track 3.3 >WAV @24bit/96kHz |
Taper: johngromley@yahoo.com / Editing/Tracking/Resample/BitReduction: Sound Forge 6.0e / Conversion: WAV > shntool 1.2.3 > shorten 3.5.1 > SHN @ 16bit/44.1kHz / Notes: There was some static and distortion coming from the PA in a few places |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/23/03
|
Bowery Ballroom
New York, NY |
1 shn |
|
|
DPA (B&K) 4022s>Sound Devices MP-2>Sony D100 by Scott Brown |
Location: Dead Center, 15-20 feet back from stage / Conversion: Tascam DA-20mkii>Emagic EMI 2|6>Apple PowerBookG4>Sound Studio 2.0.7>shntool 1.2.3>shorten 3.5.1 |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
11/07/03
|
Hammerstein Ballroom
New York, NY |
1 mpg |
|
|
|
CMT Crossroads |
|
|
12/12/03
|
Bryce Jordan Center
State College, PA |
2 shn |
|
|
Taper: Eric Naylor |
Source: AKG 480/ck61 > Lunatec V3 > Tascam DA-P1 / Setup: 6th row aisle seat, right stack, 15' stand, A-B mics / Conversion: Tascam DA-20MKII > Audiophile 2496 |
|
|
12/13/03
|
Dunkin' Donuts Center
Providence, RI |
3 shn |
|
|
Taper: Chris Jones |
Source: DPA 4011 > DPA AO0182 XLR > Apogee Trak2 Integrated Pre | 24/96 A/D (@ 44.1kHz) > Canare/Neutrik Custom AES-S/PDIF Interconnect > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (locked to Apogee Trak2 @ 44.1 kHz via WC) > Apple Titanium Powerbook G4 1gHz/768MB > MOTU Digital Performer 4 (@ 24/44.1 kHz) / Location: Section 1, Row K, Seat 1; ~ 20' from stageleft stack. Mics A-B; stand ~ 15'. / HD > .shn: Apple Powerbook G4/1ghz/768MB > Apple Power Mac G4 MP800/512 > MOTU Digital Performer 3.11 > T.C. Works Spark XL 2.8 > shntool 1.2.0-rc1 / Dithered to 16-bit via MegaBitMax Ultra-Noiseshaping. |
|
|
12/13/03
|
Dunkin' Donuts Center
Providence, RI |
2 DVD |
|
|
Canon MiniDV |
Taper: debob / Conversion: Fateman |
|
|
12/15/03
|
Wachovia Center
Philadelphia, PA |
2 shn |
|
|
Taper: Brian Furbush |
Source: Oktava MC012 (13', Mics A-B) > Edirol UA-5 (mod) > Dell Latitude D600 / Location: Section 3, row 7, seats 9-10 / Conversion: CDWave > SHN |
|
|
12/16/03
|
FleetCenter
Boston, MA |
2 shn |
|
|
Taper: Chris Jones |
Source: DPA 4011 > DPA AO0182 XLR > Apogee Trak2 Integrated Pre | 24/96 A/D (@ 44.1kHz) > Canare/Neutrik Custom AES-EBU Interconnect > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (locked to Apogee Trak2 @ 44.1 kHz via WC) > Apple Titanium Powerbook G4 1gHz/768MB > MOTU Digital Performer 4 (@ 24/44.1 kHz) / Location: Floor C, Row 14, Seat 1; ~ 25' from stageleft stack. Mics A-B; stand ~ 17'. / HD > .shn: Apple Powerbook G4/1ghz/768MB > Apple Power Mac G4 MP800/512 > MOTU Digital Performer 3.11 > T.C. Works Spark XL 2.8 > shntool 1.2.0-rc1 / Dithered to 16-bit via MegaBitMax Ultra-Noiseshaping. |
|
|
12/17/03
|
Madison Square Garden
New York, NY |
2 shn |
|
|
Taper: Dave Thoma |
Source: Earthworks SR-77s (ORTF, 13') > Sound Devices MP-2 > mod SBM-1 > TCD-D8 / Location: 11th row, stage left stack / DAT > SHN Conversion: Dave Thoma / Lineage: TCD-D8 > Active 7-pin > Audiowerk2 > cdwav > Sound Forge Pro 6 > cdwav > shntool / ** No DAE - DAT > .WAV > .SHN |
|
|
12/17/03
|
Madison Square Garden
New York, NY |
2 shn |
|
|
Taper: Scott Brown |
Source: DPA (B&K) 4022s > Lunatec V3 @ 24/96 > Metric Halo ULN-2 (AES in, clocked to V3) > Apple PowerBookG4 > Metric Halo 1.4.32 + DSP Beta 12 Recording Console > Spark XL 2.8 * > xACT 1.12 / *Resampled to 44.1khz using the highest setting. Dithered to 16 bit using MegaBitMax Ultra Noise Shaping. 2db gain added using the TC Works MaxIt Master plugin before dither to bring some extra resolution from the 24 bit realm into this 16 bit source. / Location: Section 4, row F / Notes: During d2t01 I dropped the V3 levels by 2 clicks (10db) and you can hear this change at one point. The original 24/96 files are available in .flac format. |
|
|
12/19/03
|
Hartford Civic Centre
Hartford, CT |
2 shn |
|
|
Taper: Mike Vernal |
Source: Neumann KM140s > Lunatec V2 > Apogee MiniMe > iBook G3/700 > shntool Location: Section 3, Row J, Seats 1 + 2 / |
|
|
12/20/03
|
Blue Cross Arena
Rochester, NY |
2 shn |
|
|
Taper: Scott Berner |
Source: Schoeps MK4Vs > KCY actives > Schoeps VMS5U > Sony SBM-1 > Sony PCM-M1 / Location: 3rd row aisle, left stack, 17+' high / Conversion: Sony M1 > SGI Octane coax > SGI Sound Editor > NFS mount (linux) > shn |
|
|
12/22/03
|
Allstate Arena
Rosemont, IL |
2 shn |
|
|
Taper: Jon Ice |
Source: AKG ck61 > Active Cables > JK Labs DVC > Canare Starquad Interconnects > Apogee Mini-Me (line in) > M1 @ 48k / Location: Sec. 1, Row 5, Seat 1 - Stand approximately 13 ft. high / Conversion: M1 > Emagic EMI 2|6 > Adobe Audition > CD Wav > Shntool - Resampled at highest setting in Adobe Audition - Shntool to check SBE's and create shns - Seek tables appended / Notes: Had a few difficulties with the laptop, so I converted the dat. Patched in the 30 seconds I missed during the tape flip after Three Little Birds from the laptop source. |
|
|
12/22/03
|
Allstate Arena
Rosemont, IL |
2 shn |
|
|
Taper: Eric Naylor |
Source: AKG 480/ck61 > Lunatec V3 > Tascam DA-P1 / Location: 2nd Row, inside left stack, 15' stand, A-B mics / Conversion: Tascam DA-20MKII > Audiophile 2496 |
|
|
01/12/04
|
Key Arena
Seattle, WA |
2 shn |
|
|
Taper: Jason Green |
Source: SP-CMC-2 (AT831) > SP-SPSB-1 Battery Module w/ Bass Roll off @ 160Hz > Nomad Jukebox 3 > 16/44.1 / Location: FLR BB Row 2 Seat 31 & 32 (DFC Second Row) /Conversion: CEP 2.0 > CD Wave > mkwAct 0.97 beta 1 > SHN by Jason Green / 8dB Boost
160Hz @ -1.0dB
1290Hz @ 3.2dB
7000Hz @ 5.1dB |
|
|
01/14/04
|
Cox Arena
San Diego, CA |
2 shn |
|
|
Taper: Craig Willoughby |
Source: Neumann KM40> Neumann LC-3 Active Cables> Neumann 100> Sound Devices MP2 > Apogee Mini Me (16/44.1) > Apple iBook / Conversion: Apple iBook > Sound Studio > xACT / Location: section AAA, row 5, seat 42 (stage right stack); Mics 17' high. |
|
|
01/15/04
|
Staples Center
Los Angeles, CA |
2 shn |
|
|
Taper: Ian Stone |
Source: Mbho603a/ka200n > mp2 > ad2k+ > vxpocket/lifebookp2120 @24/48 / Resampled and dithered to 16/44.1 using wavlab 4.0; Location: Section 3, Row 3, Seat 14 - 6' DIN 90 deg |
|
|
01/16/04
|
Oakland Arena
Oakland, CA |
2 shn |
|
|
Taper: Rick Bendes |
Source: MBHO KA200N > JK Labs DVC V-12 > Sony SBM-1 (Oade Mod) > Sony D100 / Location: Section 1, Row 13, Seats 3,4, ~11 Feet Up / Notes: Minor level adjustments during "Trouble". There wasn't much room to operate, so the stand and mic cables were bumped frequently. |
|
|
10/29/05
|
Sam Boyd Stadium (UNLV)
Las Vegas, NV |
2 flac |
|
|
AT853s (hypers/DINA) @ ~ 12' >Sound Devices 722 @ 24/96 by Ian White |
Location: FOB/DFC (~ 30' from stage) / Conversion: Sound Devices 722 > Compaq Presario 7120US > CD Wave 1.94 > Goldwave 5.10 > Wavelab 5.01 > flac 1.1.2 |
|
|
10/29/05
|
Sam Boyd Stadium (UNLV)
Las Vegas, NV |
2 flac |
|
|
Schoeps MK4's >Active Cables >NBox >VxPocket v2 >Sony VAIO PCG-TR3A >WaveLab 5.0 (@ 16/44.1) >CDWave 1.71 >Flac Frontend 1.7.1 Etree Edition by blguillen |
Location: VIP Section; ~30 feet back from Stage Left Stack; Stand @ ~ 10 feet |
|
|
02/04/06
|
Atlantis, Paradise Islands
Nassau, Bahamas |
1 flac |
|
|
Schoeps MK5 set to cardioid> Sound Devices 744T 24/96> CDWAV (down sampled to 16 bit ñ 44.1 Hz from my original 24/96 source) by Matt McCauley |
Location: 30' back @ 9' / Notes: During Stay or Leave the rain began - Mics were lowered and covered - the pops you hear from that song forward are from the torrential rain that ensued until the band could no longer play after Oh. |
|
|
02/05/06
|
Follies Theatre, Sovereign of the Seas Cruise
Nassau, Bahamas |
1 shn |
|
|
AKGc1000 >SBM-1 >PCM-1 DAT >UA-1D >WAV >MKW shn by Rob Stahman |
Location: Center of Front Balcony, aprox. 50' back from stage |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/22/93
|
Prism Coffee House
Charlottesville, VA |
2 cdr |
|
|
SBD |
a few small pops and minor skips |
|
|
02/21/94
|
The Birchmere
Arlington, VA |
2 cdr |
|
|
|
|
|
|
02/10/96
|
West Gym (Binghamton University)
Binghamton, NY |
2 shn |
|
|
DAUD |
Conversion: Tascam DA20MKII > HHB 850 > Samplitude 2496 > CDWav (no DAE) by Matt Horwitz |
|
|
02/19/96
|
Whittemore Center Arena, U. of New Hampshire
Durham, NH |
2 shn |
|
|
AKG C460B/CK61-ULS cardioids >Beyer MV-100 >Tascam DA-P1 |
Conversion by Paul Chrostowski / DAT > SHN: PCM-R500 > Sek'd Prodif+ > Samplitude 2496 > CDWav (resampled from 48KHz with Prodif+, no DAE) |
|
|
01/24/97
|
Landmark Theatre
Syracuse, NY |
2 shn |
|
|
Schoeps mk4 >SBM-1 >DAP1 |
Conversion: Archive Python DDS/dat2wav > .wav; no soundcard. Soundforge for resampling & CDWAV used for tracking. Conversion by Louie Rendek |
|
|
01/25/97
|
Stanley Performing Arts Center
Utica, NY |
2 cdr |
|
|
|
|
|
|
02/02/97
|
Scranton Cultural Center (Marywood College)
Scranton, PA |
2 shn |
|
|
Schoeps MK4 >SBM-1 >DAP-1 |
Conversion: DAT > standalone / CD > SHN: Plextor 8/20 and EAC 0.85b4 secure mode: all tracks 100%. CDWAV used for retracking by Louie Rendek / Notes: There was a fade placed at the end of disc one by the person converting show. Sounded like there was a PA problem during Two Step. There was a split second dropout at the end of Crash during crowd noise. There was a fade placed at the end of disc two by the person converting the show. |
|
|
02/06/97
|
Burruss Auditorium, Virginia Tech
Blacksburg, VA |
2 shn |
|
|
schoeps mk4 >cmbi >hhb (FOB) |
Conversion: sony r300 > sek'd prodif+ > samplitude > cdwav / no DAE. dat > wav > shn / Conversion by Allen Chen |
|
|
02/17/97
|
Paramount Theatre
Denver, CO |
2 flac |
|
|
Microtech Gefell SMS2000(cardioid cap) >Audio Magic Cable >Sonosax SX-M2 Pre >Sony D8 by Tim Settle |
Location: First Row, Center Section in front of Left PA / Transfer: SV-3700(Master) > Digi Coax > Soundforge 6 > .wav > flac frontend 8 by Tim Settle |
|
|
02/23/97
|
Centennial Hall (U of Arizona)
Tucson, AZ |
2 shn |
|
|
DAUD |
Conversion: Tascam da20 > Emagic Audiowerk2 Sound Forge 4.5a (record/resample) > CDWav > MKWact by Louie Rendek / Notes: There were a couple of very slight diginoise spots in LIOG which were fixed with channel swapping. There was a 0.060 second dropout in the right channel at 4:23 in LIOG. I fixed this spot by pasting audio from left channel. There were a couple of very slight diginoise spots in Let You Down that were fixed with channel swapping. There were a couple of very slight diginoise spots in #41 that were fixed with channel swapping. After Two Step, Dave announces that there is something wrong with his microphone and that they have to rewire it. Him and Tim go off stage for a few minutes, there was a cut in the DAT here so I fixed it up with crossfades. There is a spot of diginoise at 5:20 during Dave speak end of Angel From Montgomery that I did nothing to. There were a couple of very slight diginoise spots in XMAS Song that were fixed with channel swapping. There was a cut after Christmas Song during crowd noise, I fixed this spot as well with a cross fade. There is a spot of diginoise at 4:53 during Dave speak after Is Chicago Is Not Chicago that I did nothing to. There was a cut during Dave speak after Jimi Thing. No audio was missing from this spot since it appeared as if the person making the DAT paused and then started recording again. I was able to match up audio exactly. There are dropouts at 1:16 in Weight Of The World, 0:27 in Typical, and at 3:14/6:05 in Seek Up that I can't do a damn thing for. These were on the DAT. There was a DAT flip after the Dylan Watchtower mock and a crossfade was implemented to smooth this out. There was a cut after BOWA during the rainforest story. No audio was lost as the tape started back up at the beginning of the rainforest story and I was able to splice the two parts together seamlessly. There were a couple spots of diginoise during the rainforest story which were corrected with channel swapping....and a couple which I couldn't fix. The encore break between Ants and Warehouse was cut so a fade out/in was inserted to fix this spot. (compiled by Louie Rendek <ljr7@yahoo.com> on February 17, 2003.) |
|
|
02/02/99
|
The Beacon Theatre
New York, NY |
3 cdr |
|
|
Schoeps MK4S>SBM>HHb Portadat by Jeff Travitz |
1 small skip in Crash |
|
|
03/12/99
|
Sacramento Memorial Auditorium
Sacramento, CA |
2 shn |
|
|
Schoeps cmc6/mk4 >Sonosax sx-m2 >Sony PCM-M1 by Bonnie Harris |
DAT>CD: Unknown / Equip: Unknown / CD>SHN: Andrew Knowles / Equip: Matshita CR-5850 and EAC 0.85b4 secure mode: all tracks 100% / CDWAV used for retracking |
|
|
03/14/99
|
Marin Civic Auditorium
San Rafael, CA |
3 cdr |
|
|
|
|
|
|
03/24/99
|
Angel Orensanz Foundation
New York, NY |
1 DVD |
|
|
VHS Master >Canon Optura Xi DV Pass-Thru (Composite A/V) >PC DV/AVI via IEEE1394 >Vegas Video 5>DVD WorkShop 2 |
DVD Contents: Video1: CBR 8Mbps(NTSC) / Audio1: 5CH AC3 448Kbps / Audio2: 2CH AC3 448kbps / Recorded & Authored by: Nate / dmb2much |
|
|
03/19/03
|
Oakdale Theatre
Wallingford, CT |
3 cdr |
|
|
AKG 480/ck61 > Sound Devices MP2 > ADC-20 > D8 @44.1 by Hayden Berard |
|
|
|
03/19/03
|
Oakdale Theatre
Wallingford, CT |
2 shn |
|
|
DPA 4011 >DPA AO0182 XLR >Grace Designs Lunatec V3 (@ 44.1/ANSR) >Pro Digital/Sony 7-pin S/PDIF Cable >Sony TCD-D7 (@ 44.1) by Chris Jones |
Location: Lower Orchestra Section B Row O Seat 8; mics A-B aligned with stageleft stack; stand at 16' / DAT > .shn: Sony TCD-D7 > Pro Digital/Sony 7-pin S/PDIF Cable > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (locked to TCD-D7 @ 44.1) > Apple Power Mac G4/MP800/512 > MOTU DP 3.11 > shntool 1.2.0-rc1 |
|
|
03/20/03
|
Ryan Center - University of Rhode Island
Kingston, RI |
3 cdr |
|
|
DPA 4011>DPA AO0182 XLR>Grace Designs Lunatec V3(@ 44.1/ANSR)>Canare DA-206 AES/EBU Interconnect>Metric Halo Mobile I/O 2882 +DSP FireWire Interface (locked to V3 clock @ 44.1)>Apple iBookG3/600/640>MOTU DP 3.11(@16/44.1) by Chris Jones |
|
|
|
03/20/03
|
Ryan Center - University of Rhode Island
Kingston, RI |
2 shn |
|
|
Schoeps cmc6/mk4 >Lunatec V2 >RME/Nuendo Multiset >Wavelab (24 bit/44.1 kHz) by Eric Dahlgren |
Location: Section 211, Row B, Seat 19, Stage left stack, Stand @ 17' / Dithering: Apogee UV22HR |
|
|
03/22/03
|
Radio City Music Hall
New York, NY |
3 cdr |
|
|
AT853s > Batt Box > Canare XLRs > Zefiro Inbox @ 44.1 > Sony D100 by Ryan Hoyt |
|
|
|
03/25/03
|
John M. Belk Arena, Davidson College
Davidson, NC |
2 shn |
|
|
DPA 4022 >Lunatec V3 >Audio Magic Excalibur II XLRs >Apogee Mini-Me @16/44.1 by George Wang & Jeff Fulton |
Location: Sec. 002, Row B, Seat 18, 2nd row left stage stack / DAT > SHN: Tascam DA-P1 > Emagic Audiowerk2 > Dell Dimesion 8200 > Soundforge v4.5 > mkwACT 0.97 Beta 1 / Notes: The original version of this source was sourced from the master dat and the laptop recording. The laptop recording included clicks. Therefore, this source has been reconverted entirely from the master dats except for d3t07 05:26.533-10:12.000 which is spliced in from the laptop recording which was not on the master dats due to a tape switch. |
|
|
03/26/03
|
Constant Convocation Center
Norfolk, VA |
2 shn |
|
|
Neumann SKM140 (ab) >Grace Designs V3 (16 bit ANSI, 44.1 mhz) >Sony M1 by Craig Willoughby |
Location: Floor 2 Row A, just left of center, 8 feet from stage/monitors / DAT > SHN: Sony M-1 > Emagic EMI 2|6 > Apple iBook > Sound Studio 2.0.7 > shn |
|
|
03/29/03
|
Holmes Center
Boone, NC |
2 DVD |
|
|
Mini DV by Cory |
Location: Stage Right / Conversion: JVC510u>iMac>DVD by Will Clark / Notes: Shaky with obstructions at times. Due to battery/tape issues not all songs are complete & not all songs include Dave Speak. Unkown audio dubbed over. Menu w/ chapter marks are between songs. |
|
|
03/31/03
|
Millet Hall (Miami University)
Oxford, OH |
3 cdr |
|
|
Akg 460b/ck61 (cards) > Sound Devices MP-2 > Graham Patten ADC-20 > Sony D7 by Brandon Weaver |
|
|
|
04/01/03
|
Rose Arena (CMU)
Mount Pleasant, MI |
2 shn |
|
|
Schoeps MK4's >kc-y active >VMS-5u >SBM-1 >D8 by Jeff Hanna |
Locataion: Row 8, stand at ~15 feet, mics A-B / DAT > SHN: Sony R500 > Digigram VXPocket > Spark ME 2.7 > Peak 3.21 > shntool 1.2.3 > shorten by Sam Lincoln |
|
|
04/03/03
|
Elliott Hall of Music (Purdue)
West Lafayette, IN |
3 cdr |
|
|
Oktava MC012a (Matched Cardiod) > Edirol UA-5 (Oade Modified) > Sony M1 by Tim Maus |
|
|
|
04/03/03
|
Elliott Hall of Music (Purdue)
West Lafayette, IN |
2 shn |
|
|
AKG 460's (JW Mods) CK61's >MP2 >SBM-1 >D8 by Bob Haag |
Location: Floor Aisle 3 Row LL Seats 207, 209 / Conversion: Sony D8 > Delta DiO 2496 > Soundforge 6.0 > Cool Edit Pro > CD WaV > MKW |
|
|
05/05/03
|
Mullins Center, University of Massachusetts
Amherst, MA |
3 cdr |
|
|
Schoeps cmc6/mk4 > Lunatec V2 > RME/Nuendo Multiset > n-track (24 bit/44.1 kHz) by Eric Dahlgren |
Tiger Kloof School Benefit |
|
|
05/05/03
|
Mullins Center, University of Massachusetts
Amherst, MA |
3 DVD |
|
|
Mini DV (LP) |
Video Tapers: Kris & Austin Jahner / Location: Stage Left Lower Bowl, Row 14 / Audio Source: AKG 480/ck63 > Lunatec V3 > Tascam DA-P1 / Audio Taper: The tapingwizard / Conversion: JVC510u > iMac > DVD by W. Clark / Notes: Includes Menu w/ Chapter markers. A few cut spots were patched w/ a black screen. Shakey 'Ants Marching' is when the crowd was standing. |
|
|
10/28/05
|
The Theatre for the Performing Arts, Aladdin Casin
Las Vegas, NV |
2 flac |
|
|
Neumann ak40s >LC-3-KA >km100s >Sound Devices MP-2 >(line-in) Creative Nomad Jukebox 3 by Jon Koch |
Location: Sec 106 Row Y Seats 7 & 8, DIN ~ 12' / Transfer: Creative Nomad Jukebox 3 > SB1394 (Firewire) > PC > wav / Edit: wav > Sony Soundforge 7.0b > wav > CD Wave > wav / Conversion: wav > FLAC frontend 1.7.1 > .flac |
|
|
10/28/05
|
The Theatre for the Performing Arts, Aladdin Casin
Las Vegas, NV |
2 flac |
|
|
Schoeps MK4's >Active Cables >NBox > VxPocket v2 >Sony VAIO PCG-TR3A >WaveLab 5.0 (@ 16/44.1) >CDWave 1.71 >Flac Frontend 1.7.1 Etree Edition by blguillen |
Location: Section 208, Row C, Seat 1; Stand @ ~ 8 feet / Notes: During d1t01, I raised the stand to ~ 8 feet. |
|
|
10/28/05
|
The Theatre for the Performing Arts, Aladdin Casin
Las Vegas, NV |
2 flac |
|
|
DPA 4011 Cardioid by Christopher Jones |
Location: Section 105, Row D, Seats 3 and 4. DFC orchestra, stand at various heights throughout the evening. Mics ORTF. / Source: DPA 4011 Cardioid > Luminous Audio Technology Synchestra 4/9's Ag XLR Interconnect > Rupert Neve Designs Portico 5012 Microphone Preamplifier > Luminous Audio Technology Synchestra Signature 6/9's Cu XLR Interconnect > Mytek Digital Stereo192 Analog-to-Digital Converter (@ 24-bit / 96 kHz) > Luminous Audio Technology Allegro Signature 4/9's Ag AES / EBU Digital Interconnect > Sound Devices 722 Hard Disk Recorder (locked to Stereo192 clock @ 96 kHz; 24-bit / 96 kHz) / HD > .flac: Sound Devices 722 Hard Disk Recorder > Apple Power Mac G4 MP800 / 512MB > T.C. Works' Spark XL 2.8 > xACT 1.4b28 / Resampled and dithered using T.C. Works' respective highest quality resampling and Ultra-Noiseshaping functions. A 24-bit / 96 kHz version of this recording exists in .flac24. |
|
|
10/30/05
|
Shoreline Amphitheater
Mountain View, CA |
1 flac |
|
|
Schoeps MK4s > Rmod2k2 box > PCM-M1 |
Conversion: Fostex D5 > DIO2448 > Soundforge > Waves L3 > flac 1.1.2 / Notes: Some distortion during first verse of Bartender. Dave and Tim appearing as part of the 19th annual Bridge School Benefit concert. |
|
|
10/27/06
|
MGM Grand Garden Arena
Las Vegas, NV |
2 flac |
|
|
Schoeps MK41 (DINa, ~15') >KC5 active cables >Schoeps CMC6xt >V3 (analog out) >SD 722 (24/96) by Crumbo |
Location: Section A, Row L, Seats 5 & 6 / Conversion: SD 722 > Wavelab 5.01b (resample, dither w/MegaBitMax) > CDWav 1.94.4 > xACT 0.5.7 > foobar2000 |
|
|
10/28/06
|
Santa Barbara Bowl
Santa Barbara, CA |
2 flac |
|
|
Schoeps MK41 (DINa, 4'-10') >KC5 active cables >Schoeps CMC6xt >V3 (analog out) >SD 722 (24/48) by Crumbo |
Location: 5th row, right stack / Conversion: WAV > Soundforge 7.0b > shntool 2.0.3 > flac 1.2 / Notes: Security made me start the stand at head height, eventually raised to 10 feet. |
|
|
10/29/06
|
Santa Barbara Bowl
Santa Barbara, CA |
2 flac |
|
|
Schoeps MK41 (DINa, ~10') >KC5 active cables >Schoeps CMC6xt >V3 (analog out) >SD 722 (24/96) by Crumbo |
Location: 10th row, left stack / Conversion: SD 722 > Wavelab 5.01b (resample, dither w/MegaBitMax) > CDWav 1.94.4 > xACT 0.5.7 > foobar2000 / Notes: Channel levels are off a bit, did my best to correct them. |
|
|
03/10/07
|
Paradiso
Amsterdam, Netherlands |
2 shn |
|
|
at831 - SP-SPSB-8 (Bass Roll-off at 107 HZ) - Edirol R09 at 44.1 Khz by BNZ |
Transfer: SD card > SDslot > PC > Soundforge 8.0 > Cdwave > Shorten > SHN |
|
|
03/13/07
|
E-Werk
Cologne, Germany |
2 flac |
|
|
AKG 460 JW Mods ck61's >SD 722 @ 24/96 by Bob Haag |
Location: Center Balcony ñ directly above SBD / Conversion: WAV > Soundforge 7.0b > shntool 2.0.3 > flac 1.1.2 / Notes: Levels are on the low side. You'll need to crank this up! |
|
|
04/20/07
|
Wang Theatre
Boston, MA |
2 flac |
|
|
Source: Schoeps MK4 (DIN, ~13') >KC5 active cables >Schoeps CMC6xt >SD 722 (24/96) by Crumbo |
Conversion: SD 722 > Wavelab 5.01b (resample, dither w/MegaBitMax) > CDWav 1.94.4 > xACT 0.5.7 > foobar2000 |
|
|
04/21/07
|
Mullins Center, University of Massachusetts
Amherst, MA |
2 flac |
|
|
SP-CMC-2A (DIN @ 13 feet) >SP-SPSB-1 w/bass rolloff @ 95 Hz >Nomad JB3 by Kazmo Kramer |
Location: Section 1 Row 11 Seats 15 and 16 / Conversion: Nomad JB3 > firewire > WaveLab 5.0a > CDWav 1.71 > Flac Frontend 1.7.1 (Level 8) |
|
|
04/22/07
|
Radio City Music Hall
New York, NY |
2 flac |
|
|
SP-CMC-2A (A-B @ 4 feet) >SP-SPSB-1 w/bass rolloff @ 95 Hz >Nomad JB3 by Kazmo Kramer |
Location: Stage Lip left side of the stage / Conversion: Nomad JB3 > firewire > WaveLab 5.0a > CDWav 1.71 > Flac Frontend 1.7.1 (Level 8) |
|
|
07/28/07
|
Ross School
East Hampton, NY |
2 flac |
|
|
DPA (B&K) 4023s >Lunatec V3 >Audio Magic Illusion QL XLRs >Mytek Stereo 192 ADC @24 bit, 88.2khz >Audio Magic Illusion QL Digital XLR >Sound Devices 722 |
Location: Center at the soundboard / 722 > Apple MacBook Pro > Spark XL 2.8.2 (tracking, resample to 44.1, dither to 16 bit) > xACT 1.62 > flac / Recorded by Scott Brown / The original 24 bit, 88.2khz copy exists in flac format. |
|
|
04/06/08
|
Indiana University Assembly Hall
Bloomington, IN |
2 flac |
|
|
AT853 Cardiods > BRBox > Sharp SR60 MD |
Taper: Chris Beth / Location: Floor Left, 16th Row, 6 Seats From Center, 6'7" High / MD>SHN: Sony MDS-JE510 MD (optical out) > DiO 2448 (optical in) > Cool Edit Pro (WAV recording) > CD Wave (tracking) > FLAC / Notes: I couldn't tape w/ a stand at my floor seat so I borrowed a pair of women's designer sunglasses from a friend's sister-in-law and clamped to those bad boys. |
|
|
04/06/08
|
Indiana University Assembly Hall
Bloomington, IN |
2 flac |
|
|
Sound Professionals CMC-2A's -> GSA Battery Box w/ bass rolloff -> iRiver iHP-120 @ 44.1 wav |
Taper: Mike Peters / Location: Floor Left, Row 15, Mics @ 6ft / Conversion: iRiver iHP-120 > Sound Forge 9.0 (Slight EQ, Fades) > FLAC (Level 8) / Notes: No stands allowed on floor or in the seats, mics were clipped to sunglasses on my head |
|
|
04/11/08
|
Key Arena
Seattle, WA |
1 flac |
|
|
Giant Squid Audio Lab Cardoid mic > battery box > line in input on iAudio X5L @ 44.1 |
Taper: Spencer / Remastering/Uploaded: Jeff / Location: Section 113 (Left of stage) / Conversion: Levelator > small adjustments in Audacity > (FLAC Level 8)|(MP3 cbr 128kbps) |
|
|
04/11/08
|
Key Arena
Seattle, WA |
1 flac |
|
|
Studio Projects C3 mic pair > Tascam HD-P2 (all in one) > stereo input @ 44.1 |
Taper: Ryan and Krystl / Location: Mics DIN ~ 12', FOH / Conversion: Tascam HD-P2 > WavePad 3.05 > flac conversion (level 8) |
|
|
04/20/08
|
Waikiki Shell - Kokua Festival
Honolulu, HI |
1 flac |
|
|
Audio Reality binaural mics > Sony RH1 (HiSP 256kbps) > Sonic Stage to PC/WAV > Cool Edit Pro (tracking) > flac |
Location: Section CC2 - equivalent to row 28 - few seats right of dead center. Our seats were the first row of section CC2. The walkway separating CC1 and CC2 was directly in front of us. This meant that all the folks sneaking up to get closer congregated directly in front of us and to the side. Unfortunately, some of these folks chose to scream out conversations. As a result, there are two places where these conversations are distracting. |
|
|
09/20/08
|
Comcast Center
Mansfield, MA |
1 flac |
|
|
satellite receiver > edirol r-09 > 24/44.1 wav > sound studio 3.5.2 (volume, tracking & fades) MBIT+ dither > 16/44.1 wav > xACT 1.62 > flac |
|
|
|
10/02/10
|
Miller Park
Milwaukee, WI |
0 flac |
|
|
at853s (clipped to hat, ~6') > SP-SPSB-6 > IRiver iHP-120 (Rockbox) |
Location: Section A5, Row 8, Seats 3+4 (8th Row Left Stack) / Conversion: IRiver iHP-120 > USB > MacBook > Sound Studio 3.5.7 > xACT 1.64 > FLAC / Notes: Minor level adjustments during All Along the Watchtower. Farm Aid has a no recording policy.
|
|
|
12/06/10
|
Marion Oliver McCaw Hall
Seattle, WA |
0 flac |
|
|
Core Sound Stealthy Cardioid microphones with Core Sound Batt Box & Built in H4n X/Y mics > |
Lineage: SD Card > Laptop > wav > Sony Soundforge 8.0 > 4 channel Mix > wav > Trader's Little Helper 2.4.1 > .flac / Taper: Eric Morgensen / Location: Front of Soundboard, Mic Stand up about 12' |
|
|
12/07/10
|
Marion Oliver McCaw Hall
Seattle, WA |
0 flac |
|
|
Core Sound Stealthy Cardioid microphones with Core Sound Batt Box & Built in H4n X/Y mics |
Lineage: SD Card > Laptop > wav > Sony Soundforge 8.0 > 4 channel Mix > wav > Trader's Little Helper 2.4.1 > .flac / Taper: Eric Morgensen / Location: Front of Soundboard, Mic Stand up about 12' |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
01/05/92
|
Rutabega Studio
Arlington, VA |
1 cdr |
|
|
SBD |
|
|
|
01/05/92
|
Rutabega Studio
Arlington, VA |
1 shn |
|
|
DSBD |
CD > AAE > SHN by Justin Stiegert / Notes: Tracks 1-12 are straight from the DAT from the studio. Includes filler from 3/23/93, 11/17/93, and 11/02/93. |
|
|
05/02/92
|
Trax
Charlottesville, VA |
1 cdr |
|
|
SBD |
|
|
|
09/11/92
|
Delta Kappa Epsilon House, U. of Virginia
Charlottesville, VA |
1 shn |
|
|
SBD >Cass(0) >DAT >CD-r |
Taper: Unknown / EAC and SHN done by Andrew Knowles / Notes: There is slight clicking at the begining of I'll Back You Up, before
the song starts. This show was liberated from the bootleg "Big Man On
Campus" and is believed to be straight from the DAT converted from
the analog master. |
|
|
04/09/93
|
Roseland Ballroom
New York, NY |
1 cdr |
|
|
SBD |
w/ Carter on 2 songs |
|
|
04/09/93
|
Roseland Ballroom
New York, NY |
1 shn |
|
|
SBD |
Conversion: Sony M1 > Sony r300 > sek'd prodif plus > samplitude > cdwav by Allen Chen / no DAE / Notes: This was a setbreak during the Blues Traveler show. |
|
|
05/04/93
|
The Flood Zone
Richmond, VA |
1 flac |
|
|
SBD >Cassette (unknown generation) >CD |
Conversion: Adam Nelson (nelso222@msu.edu) & Henry Hart / CD > flac > wav > flac (see notes below): EAC (secure mode, all tracks 100%) > WAV > flac frontend (level 6) / Tracks split using CD Wave v1.93.3 > wav > AddaWav > Adobe Audition v2.0 > CDWav > flac frontend / Notes: This was a special early show at the Floodzone. It should not be confused with the full band 05/04/93 Trax show from later that day. The full band one is already in
circulation, but this solo show is not and was very difficult to track down.
Dave mentions the next night's upcoming Floodzone show 05/05/93, which is not even listed in setlist archives. A 0.042 second gap was removed from the middle of Christmas Song. |
|
|
12/10/93
|
Irving Plaza
New York, NY |
1 flac |
|
|
FM >Analog (unknown generation) >CD |
Conversion: Adam Nelson (nelso222@msu.edu) & Henry Hart / CD > flac > .wav > .flac (see notes below): EAC (secure mode, all tracks 100%) > WAV > flac frontend (level 6) / Tracks split using CD Wave v1.93.3 > .wav > Adobe Audition v2.0 >
CD Wave > flac frontend (level 8) |
|
|
12/28/93
|
Record Exchange Music Store
Charlotte, NC |
1 flac |
|
|
DSBD, VHS camera audio patched in |
Original DAT Conversion: Allen Chen / Original Transfer: DAT > WAV > SHN / Processing: Original SBD source channels evened out in Sound Forge 8.0 / New Conversion: Patching done in Sony Vegas 5.0; CDWav 1.93.3 for track splitting; FLAC frontend 1.7.1 for Flac16 Conversion @ level 5 / Notes: The orignal SBD DAT transfer had about 1:30 cut from the beginning (just intro/audience noise) and some digi-noise present in LIOG. Portions of audio from a VHS camera source were patched in to those to spots to make this a complete recording. Thanks to Allan Chen and the original taper (if it wasn't Allan himself) for their hard work in introducing this gem to the community. I simply added in the missing pieces to offer a more "complete" recording for the archives.
|
|
|
03/12/95
|
KSHE 95 Studios
St. Louis, MO |
1 shn |
|
|
FM -> C[Master] |
Cass-> DAT: Nakamichi CR 7[AES/EBU] > Lucid AD9624 > Fostex D5[48KHZ] by Mark Lynn / Conversion: Archive Python DDS \ dat2wav[1.2] > .wav; no soundcard. Soundforge 5 used for resampling. CDWAV used for tracking. MKW Audio Compression Tool. / Notes: I edited out 2 commercial breaks. I inserted a fade in/out at these spots after track #1 and #7. There is an annoying feedback problem throughout the whole show. Dave mentions it several times. DAT provided by Mark Lynn. |
|
|
04/14/95
|
Blockbuster Music
Greenville, SC |
1 shn |
|
|
Unknown aud >cass (?) >CDR |
CDR >SHN: Lite-On LTR321123S > EAC0.9 beta 4 (secure mode/all tracks 100%) > MKWact 0.97 beta 1 / Notes: Sounds like it came from the master cassette-not a lot of hiss present. I decided to rip this and encode to SHN because it was hardly circulating at all in the comunity. Ripping was done at 2.0x in secure mode. the EAC log is included to verify track quality. |
|
|
05/04/98
|
Much Music Studios
Toronto, ON |
1 flac |
|
|
FM >Analog (unknown generation) >CD |
Conversion: Adam Nelson (nelso222@msu.edu) & Henry Hart / CD > flac > wav > flac (see notes below): EAC (secure mode, all tracks 100%) > WAV > flac frontend (level 6) Tracks split using CD Wave v1.93.3 > wav > AddaWav > Adobe Audition v2.0 > CDWav > flac frontend
|
|
|
05/19/98
|
KROQ 106.7 FM Studios
Los Angeles, CA |
1 flac |
|
|
FM >Cassette (unknown generation) >CD |
Conversion by Adam Nelson & Henry Hart / CD > flac > .wav > flac: EAC (secure mode, all tracks 100%) > WAV > flac frontend (level 6). Tracks split using CD Wave v1.93.3 > .wav > Adobe Audition v2.0 > CD Wave > flac frontend (level 8) / Notes: This was recorded backstage at the Tonight Show. It aired 05/20/98. / UPDATE by Henry Hart on 1.14.07: I cut out a piece of a commercial break before the Spoon perfomance, cut everything above 14kHz, normalized to 100%, made a small fade out and retracked in CD Wave.
|
|
|
12/01/98
|
Y100 Sonic Sessions
Philadelphia, PA |
1 shn |
|
|
most likely FM |
CD>WAV>SHN by Ryan Darmofalski / Equipment: 4x4x24x Mitsumi 4804TE > EAC v0.9pb5 (all tracks 100%) > mkw Audio Compression Tool v0.96f |
|
|
12/08/98
|
WBMX-FM Studios
Boston, MA |
1 flac |
|
|
FM >Cassette (unknown generation) >CD |
Conversion by Adam Nelson & Henry Hart / CD > flac > .wav > .flac: EAC (secure mode, all tracks 100%) -> WAV -> flac frontend (level 6). Tracks split using CD Wave v1.93.3 > .wav > Adobe Audition v2.0 > CD Wave > flac frontend (level 8) / Notes: This is a recording of the re-air from about a week later. / UPDATE by Henry Hart on 1.14.07: I cut everything above 14kHz, made a small fade out, normalized to 100% and retracked in CD Wave. |
|
|
12/10/98
|
Edge Sesions 105.1FM
Detroit, MI |
1 flac |
|
|
FM -> Analog (unknown generation) -> CD |
Taper: Unknown / Conversion: Adam Nelson / CD > flac > wav > flac: EAC (secure mode, all tracks 100%) -> WAV -> flac frontend (level 6) Tracks split using CD Wave v1.93.3 > wav > AddaWav > Cool Edit Pro v2.1 > CDWav > flac frontend / UPDATE by Henry Hart on 12.3.06: I normalized this show to 100% in Cool Edit Pro v2.1 and retracked. |
|
|
03/24/99
|
The Bar Bat
New York, NY |
1 shn |
|
|
FM >Cass(1) >Tascam Portastudio 424mkIII >CDwave >SHN |
Taper: Unknown / Conversion by David Carlston |
|
|
06/11/99
|
101 FM Studios
St. Louis, MO |
1 flac |
|
|
FM >?? >CD |
Conversion by Adam Nelson / CD > flac: EAC (secure mode, all tracks 100%) > WAV > flac frontend (level 6). Tracks split using CD Wave v1.93.3 |
|
|
06/15/99
|
WKQX 101.1 FM "Q101"
Chicago, IL |
1 shn |
|
|
DSBD >Dat >CD-r ? |
Note: Includes soundcheck. |
|
|
07/10/99
|
The Alice KLLC 97.3 FM
San Francisco, CA |
1 flac |
|
|
FM >?? >CD |
Conversion by Adam Nelson & Henry Hart / CD > flac > .wav > .flac: EAC (secure mode, all tracks 100%) -> WAV -> flac frontend (level 6). Tracks split using CD Wave v1.93.3 > .wav > Adobe Audition v2.0 > CD Wave > flac frontend (level 8) / UPDATE by Henry Hart on 1.17.07: I made a small fade out, cut everything above 10kHz, normalized to 100% and retracked in CD Wave. |
|
|
07/15/99
|
Dead Aunt Thelma Studios
Portland, OR |
1 cdr |
|
|
FM Broadcast |
|
|
|
07/15/99
|
Dead Aunt Thelma Studios
Portland, OR |
1 shn |
|
|
FM Broadcast |
Conversion: cd > EAC > .shn by Barney Lynch |
|
|
09/10/99
|
The Charlie Rose Show
New York, NY |
1 flac |
|
|
cable TV >Philips 870 CDR >FreeRIP >Cool Edit Pro v2.0 >flac |
Tracks 1-9 are the interview, track 10 is The Stone recorded just before the show. |
|
|
02/23/01
|
Z100 Studios
New York, NY |
1 shn |
|
|
FM >Cass >SHN by David Carlston |
|
|
|
02/23/01
|
WLIR Radio Station
New York, NY |
1 flac |
|
|
FM >?? >CD |
Conversion by Adam Nelson / CD > flac: EAC (secure mode, all tracks 100%) > WAV > flac frontend (level 6). Tracks split using CD Wave v1.93.3 |
|
|
03/13/01
|
DC 101 Studios
Washington, DC |
1 flac |
|
|
FM >?? >CD |
Conversion by Adam Nelson / CD > flac: EAC (secure mode, all tracks 100%) -> WAV -> flac frontend. Tracks split using CD Wave v1.93.3 |
|
|
03/15/01
|
WXKS-FM Studios
Medford, MA |
1 shn |
|
|
FM >Dell XPS B933 >Total Recorder 3.0.1 by Jason Tang |
Equipment: mkwACT 0.97 BETA 1 (Track splitting and fades done in Cool Edit 2000) by Jason Tang |
|
|
03/19/01
|
KNDD 107.7 The End (End Session #53)
Seattle, WA |
1 flac |
|
|
FM >?? >CD |
Conversion by Adam Nelson / CD > flac: EAC (secure mode, all tracks 100%) > WAV > flac frontend (level 6). Tracks split using CD Wave v1.93.3 / Notes: This is End Session #53. |
|
|
03/21/01
|
The Tribudore
Los Angeles, CA |
1 shn |
|
|
SBD >FM >DAT >CD-r |
Taper: unknown |
|
|
09/29/01
|
Verizon Wireless Music Center
Noblesville, IN |
1 shn |
|
|
AT853's >Sound Pro's Battery Box >24 bit Oade Modified Sony SBM-1 w/Digi Out >Sony PCM-M1 by Henry Hart |
Location: 12th row, 4 seats from left aisle, section B / DAT>CD: Jon Ice / Equip: Tascam DA-30 > Digital Coax > Sek'd Prodif32 > Samplitude > Cool Edit Pro > MKW Audio Compression Tool / No DAE - DAT > .WAV > .SHN / Notes: There is some wind noise present in the recording, but the show itself sounds fine. |
|
|
10/02/01
|
Radio City Music Hall
New York, NY |
1 shn |
|
|
unknown |
filler on DM 11.13.01 shn disc |
|
|
10/14/01
|
Paramount Theatre
Seattle, WA |
1 cdr |
|
|
|
Groundwork Benefit |
|
|
10/20/01
|
Shoreline Amphitheatre
Mountain View, CA |
1 cdr |
|
|
|
Bridge School Benefit |
|
|
10/21/01
|
Shoreline Amphitheatre
Mountain View, CA |
1 cdr |
|
|
|
Bridge School Benefit |
|
|
10/25/01
|
Union Chapel
London, England |
2 cdr |
|
|
|
|
|
|
10/31/01
|
OuïFM
Paris, France |
1 flac |
|
|
FM >?? >CD |
Conversion by Adam Nelson / CD > flac: EAC (secure mode, all tracks 100%) > WAV > flac frontend (level 6). Tracks split using CD Wave v1.93.3 / Notes: This is a french language interview, with the DJ translating Dave's responses into French. This should not be confused with the Irish radio show from the same day that is already in circulation. |
|
|
11/13/01
|
BBC Radio2 Studio Interview
London, England |
1 shn |
|
|
bbc.co.uk webcast >Stream Box VCR |
Conversion: ra > wav > mkwACT 0.97 BETA 1 |
|
|
05/28/02
|
WPLJ 95.5
New York, NY |
1 shn |
|
|
Tuner 95.5 >Performance Digital Optical Cable >Sony Minidisc >MZ-R700 >CDWAV >Soundforge 5.0 >MKW |
Stereo Conversion: Ryan Darmofalski (Goldwave v4.21) |
|
|
07/18/02
|
Four Seasons Hotel
Philadelphia, PA |
1 flac |
|
|
Pre-FM >?? >CD |
Conversion by Adam Nelson / CD > flac: EAC (secure mode, all tracks 100%) > WAV > flac frontend (level 6). Tracks split using CD Wave v1.93.3 / Notes: Y-100 interviewed Dave from his Hotel room while in Philadelphia. This was aired after the 07/18/02 Philly show. This is a pre-FM. The first 4 tracks are Dave fiddling with the guitar while they get set up (like a pseudo-soundcheck), and also an interview.
|
|
|
07/23/02
|
WBOS-FM Studios
Boston, MA |
1 flac |
|
|
FM >?? >CD |
Conversion by Adam Nelson / CD > flac: EAC (secure mode, all tracks 100%) > WAV > flac frontend (level 6). Tracks split using CD Wave v1.93.3 |
|
|
07/24/02
|
WBCN-FM Studios
Boston, MA |
1 shn |
|
|
Digital Pre-FM |
Conversion by Eric Naylor |
|
|
07/26/02
|
104 WMRQ-FM
Hartford, CT |
1 flac |
|
|
FM >?? >CD |
CD > flac: EAC (secure mode, all tracks 100%) -> WAV -> flac frontend (level 6) / Tracks split using CD Wave v1.93.3 / Conversion: Adam Nelson / Notes: There are a number of spots of static during the interview. The song itself does not have any static, but the very end of it is cut off. I cut this end off because it had extremely high levels, distortion and was barely discernable. It probably would have damaged your speakers if I had left it on there and you had the song turned up. |
|
|
07/31/02
|
DC101 WWDC-FM
Washington, DC |
1 flac |
|
|
FM >?? >CD |
CD > flac: EAC (secure mode, all tracks 100%) -> WAV -> flac frontend (level 6) / Tracks split using CD Wave v1.93.3 / Conversion: Adam Nelson / Notes: During the song the radio call letters are broadcast. |
|
|
09/29/02
|
Victor Steinbrueck Park
Seattle, WA |
1 cdr |
|
|
Neumann KM140s > Apogee AD-1000 > eMagic 2|6 > iBook G3/700 > shntool by Mike Vernal |
|
|
|
09/29/02
|
Victor Steinbrueck Park
Seattle, WA |
1 shn |
|
|
Neumann KM140s >Apogee AD-1000 >eMagic 2|6 >iBook G3/700 by Mike Vernal |
Location: Front Rail, Stage Left |
|
|
10/24/02
|
Benaroya Hall
Seattle, WA |
2 DVD |
|
|
Video: E. Sinclair Source: MiniDV Audio: D. Heber Source: Schoeps MK4/CMC6 (ORTF on stand)>V3 (48K)>DA-P1 |
Audio Re-mastered: In SoundForge by some Puerto Rican Guy Conversion: Mr. T *DVD w/menu & chapter markers between songs |
|
|
10/24/02
|
Benaroya Hall
Seattle, WA |
2 shn |
|
|
Schoeps CCM4s (in hat, 90 degree spread) >Sonosax SX-M2 (bass rolloff ON) >Oade Mod SBM-1 (44.1 khz) >M1 by Alex Coluzzi SBM-1 (44.1khz) > M1 |
Location: Right Orchestra Row B Seat 2 / Conversion: Archive Python SCSI DAT drive > HD > Soundforge 6.0 > CDWav > SHNtool > MKW |
|
|
08/06/03
|
Fox Theatre
Boulder, CO |
1 shn |
|
|
unknown mic > minidisc by Jonathan Grant |
Location: stealthed under shirt*, ~10 feet from right stack / Conversion: unknown / Remastered by Adam W., Cool Edit Pro 2.0 to reduce bass > Shorten (SHN) / Notes: The Fox Theatre was very strict on the no taping policy...possibly because Yahoo bought the rights to record it. Security used metal detectors at the door to keep recording equipment and weapons out of the venue (if you recall, the last time DMB played in CO a knife was thrown on stage). Fortunately for us, a great man snuck in a mic and a minidisc player, taped the mic to his chest, and recorded the whole show from under his shirt. Throughout the tracks, you may notice the sound of cloth rubbing on the mic, which is exactly what it is. On another note, the venue's sound was very loud and caused the recording's volume to max out quite a bit. You will notice it more toward the end of the show, but fortunately, the Some Devil songs turned out well. Dave sings, "Driving through the desert I met a man, who told me of his crazy plan. He'd been walking there for twenty days he was gunna walk on Wait I gotta tell you something though..." He then talks about the inspiration for the song, and restarts it. Big Thanks to Jon and Alex for sneaking in the equipment, and especially Jon, for taping a mic to his chest for our sake. This show has some of the best Davespeak we've had in a while, most likely because he was extremely unsober. |
|
|
09/07/03
|
Germain Amphitheater
Columbus, OH |
1 shn |
|
|
Oakleys >AKG ck61 >actives >JK Labs DVC II >Sony SBM-1 |
Conversion: dell I8200 (wavelab) / CDWAV used for tracking / Notes: this was stealthed, no mic stand used, the crowd is not
bad considering. |
|
|
05/08/04
|
Yengoulene
Dakar, Senegal |
1 DVD |
|
|
|
|
|
|
09/18/04
|
White River Amphitheatre
Auburn, WA |
1 shn |
|
|
webcast >Dio2448 >Tascam DAP1 |
Conversion: Tascam DAP1 > S/PDIF > Dio2448 > Sound Forge v5.0 > CDWave > MKWAct |
|
|
09/18/05
|
Tweeter Center
Tinley Park, IL |
1 flac |
|
|
AT853s >SP-SPSB-6 >Creative Nomad Jukebox 3 by Reid Eickhorst |
Location: Section 103, Row W, Seat 39, Mics clipped to hat @ 6' / Conversion: Creative Nomad Jukebox 3 > Cool Edit Pro 2.0 > CD Wave > FLAC frontend / Notes: Levels were bumped up at the beginning of So Damn Lucky. Farm Aid does not allow taping, so this is a stealth tape. |
|
|
09/20/05
|
Radio City Music Hall
New York, NY |
1 shn |
|
|
AT831s >SP Dual Channel Mic PreAmp >Nomad Jukebox 3 |
Conversion: Nomad Jukebox 3 > USB > XNJB |
|
|
05/11/06
|
Maida Vale Studios
London, England |
1 flac |
|
|
BBC Digital >DVR >Wav >flac |
Notes: Sister was aired separately from the rest of the show. To allow the show to be played as smoothly as possible in it's original order, the endings of Everyday and Sister have been edited. |
|
|
05/12/06
|
Manchester Academy 1 (University of Manchester)
Manchester, England |
1 flac |
|
|
Recorded using Sony PCM-M1 DAT with AT 800 Series Microphones through a Low-Z to Hi-Z Input Transformer |
Mastered from DAT to Pioneer PDR-609 Stand alone CDR > CD Wave >
FLACfrontend > flac / This is an excellent audience recording but with occassional overly exuberent septics doing their usual hollering for no other reason than to hear their own voices. Why!!! |
|
|
05/13/06
|
Carling Academy Birmingham
Birmingham, England |
1 flac |
|
|
MBHO ka200n >JKLabs DVC >M1 |
Location: Left stack, roughly 2-3 meters out / Notes: Mics in hat due to venues non taping policy. |
|
|
09/30/06
|
Tweeter Center At The Waterfront
Camden, NJ |
1 flac |
|
|
WMV Webcast |
Conversion: CoolMp3Tool Audio Converter @ 44.1kHz > Nero Wave Editor > Flac Frontend 1.7.1 / Notes: The first seconds of Willy's introduction were spliced in from a circulating copy (thanks Chris Howell). |
|
|
09/30/06
|
Tweeter Center At The Waterfront
Camden, NJ |
1 flac |
|
|
AT831's (In Hat, ~6') >SP Battery Box >MT2496 @ 16bit/44.1khz by Chris Howell |
Location: 101 row Q, seat 8 / Transfer: MT2496 > USB > Powerbook G4 / Conversion: Sound Studio 3 (tracking) > xACT 1.57 (level 8)
|
|
|
12/16/06
|
Asheville Civic Center
Asheville, NC |
2 flac |
|
|
Schoeps MK4 (ORTF) >KC5 >CMC6 >Lunatec V3 >Marantz PMD-671 @ 24/48 by Robbie Dunnn |
Location: Unofficial FOB taping section, approximately 30 feet in front of soundboard.. in the sweet spot / Conversion: 24 bit 48 k wav files resampled to 44.1 with Sound Forge 6.0 at highest quality settings and dithered to 16 bit, split into tracks with CD Wave, fades at beginning & end of show with Sound Forge 6.0, FLAC files generated with FLAC front end / Notes: **This recording includes the Gov't Mule set |
|
|
12/16/06
|
Asheville Civic Center
Asheville, NC |
1 flac |
|
|
2-Sennheiser ME66/K6 >Lunatec V3 (24/96) >Sound Devices 722 (24/96) by Lee Ramsey |
Location: OTS behind soundboard, mic stand at 12' / Transfer: Sound Devices 722 (firewire) >Apple Powerbook G4 / Editing: Peak 5.0 LE (resample, dither (16/44.1), Audacity 1.2.3 (track, fades) / Burning: Dragon Burn V4.1.20 / Flac: xACT Level 6 compression and fix SBE |
|
|
11/18/10
|
Bellevue Square Mall
Bellevue, WA |
0 flac |
|
|
Built in H4n X/Y mics > Zoom H4n > SD Card |
Lineage: SD Card > Laptop > wav > Sony Soundforge 8.0 > 4 channel Mix > wav > Trader's Little Helper 2.4.1 > .flac / Taper: Eric Morgensen / Location: Behind Soundboard Left about 11 ft up |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/22/91
|
Trax
Charlottesville, VA |
1 shn |
|
|
SBD >Anlg (Unknown Gen.) >CD |
Conversion: Optimus SCT-86 > AudioSrouce EQ 100 > Pioneer PDR-555RW by Eric Naylor / SHN: EAC v0.9pb7 > MKW Audio Compression Tool by Chris Manichanh / Notes: Dancing Nancies is missing from the set. |
|
|
11/27/91
|
Trax
Charlottesville, VA |
0 flac |
|
|
ASBD >CD? |
CD>WAV>FLAC: Mike Belkin / All songs encoded using EAC Secure Mode, All tracks ripped had 100% quality. |
|
|
04/05/92
|
Van Ryper's Music Festival
Charlottesville, VA |
1 shn |
|
|
Unknown (more than likely is SBD >DAT) |
|
|
|
06/??/92
|
Ardent Studios
Nashville, TN |
1 flac |
|
|
Studio Multitrack Master >Cass(?) >CD >WAV >Magix Audio 2004 Remastering >Soundforge 7.0 >FLAC |
Remastered by Joe Murdocca / Notes: This was an analog conversion done by Eric Naylor back in 2000. Because of the analog generation,
there was a noticeable amount of hiss. I got rid of that and boosted up some of the frequencies. I also
applied a slight amount of reverb on it to give it some presence. I hope some of you will enjoy this, it's
a real gem to have. They recorded this back in 1992 and it was supposedly an album that was due out, but
never finished. |
|
|
09/01/92
|
Trax
Charlottesville, VA |
2 shn |
|
|
Unknown (Jeff Travitz?) |
Conversion: Uknown (Jeff Travitz?) / CD->wav->shn: Avi Sareen / Plextor 8x20 burner with EAC / Comments: There are two tiny pops at 5:27 and 2:45 during Typical Situation. One tiny pop at 2:05 in Lover Lay Down |
|
|
09/30/92
|
Flood Zone
Richmond, VA |
2 shn |
|
|
SBD >Master HiFi Cassette >Cass(2) >DAT by Steve Jones |
HiFi > DAT by Mark Lynn / Equip: Master Soundboard HiFi Cass (0) > Cass(1) > Cass(2) > Lucid AD9624 > DAT @ 48 kHz / Cassette playback on Nakamichi CR7.AES/EBU out of AD into Fostex D5 / DAT > SHN by Mike Vernal / Equip: PCM-R500 > Audiomedia III/Powermac G3/233 > Pro Tools 4.3.2 > Plextor 12x/4x/32x (burn/extract) |
|
|
10/14/92
|
Flood Zone
Richmond, VA |
2 shn |
|
|
DSBD >Master Soundboard Cassette (Nak BX 100 w/Dolby B) by Steve Jones |
Analog > DAT: Nakamichi CR 7 > Lucid AD9624 (AES/EBU out) > Fostex D5 (48kHz) by Mark Lynn / DAT > CD: Fostex D5 > Tascam CDRW700 by Mark Lynn / CD > SHN: Plextor 8x20 and EAC 0.85b4 secure mode: all tracks 100% by Louie Rendek / Notes: The sound cuts out for 21 seconds in d1t04. It sounds like a board problem since there is a spot where the sound comes back on at lower volume. There is a split second spot of diginoise in d2t04. Remember, this came from an analog master, so there are tape flip spots that have
fadeouts. These come after d1t07 and d2t03. |
|
|
10/31/92
|
Trax
Charlottesville, VA |
1 shn |
|
|
DSBD |
Taper: Unknown / DAT > CD: Mike Vernal / Extraction: done with EAC 0.81 @ 1-2x, Peter Denton / SHN by Peter Denton |
|
|
11/03/92
|
Trax
Charlottesville, VA |
2 shn |
|
|
Sbd-> C[0] |
Conversion: EAC V0.9 Beta 4[secure mode]. All Tracks 100%. SoundForge 5.0 used for editing. CDWAV used for tracking. MKW Audio Compression Tool. / Notes: Drop out after Two Step - a fade in/out was inserted. Drop out after True Relections - a fade in/out was inserted. |
|
|
11/11/92
|
Trax
Charlottesville, VA |
1 shn |
|
|
DMIX |
Equipment: Sony R500 > Audiomedia III > Pro Tools 4.3.2 > Panasonic 7502 (burn/extract) / DAT > CD by Mike Vernal / Notes: The show is most likely a DMIX of SBD and mics, because the audience is more vocal
and more easily heard than a typical SBD show. I am assuming that the show is a DMIX. There is a slight click in d1t02 around 3:24, there is a 2 second dropout between d1t07 and d1t08 and there is a small click in d1t08 around 7:32, all of which were on the DAT
and are barely noticeable. |
|
|
11/17/92
|
Trax
Charlottesville, VA |
2 flac |
|
|
SBD >Anlg (Unknown Gen.) >CD (fixed) |
Conversion: Optimus SCT-86 > AudioSrouce EQ 100 > Pioneer PDR-555RW
by Eric Naylor / SHN: Chris Manichanh [chris_83_01@yahoo.com] EAC v0.9pb7 > MKW / Note: Fixed speed and pitch (04/22/2003 JWolf - jwolfpash@yahoo.com). This conversion was done as a request. It is a fairly rare show with no know
digital copies in existance, which is why I put the work into converting it. The sound isn't fantastic, but the hiss is definitely tolerable. To put this onto two 80 minute CDs, put tracks 1-3 from D2 onto the end of D1
and but D3 after D2 T4-9. But note, that D2 will be a little over 80 minutes so you will need to over burn to get D2 to fit. |
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11/18/92
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Flood Zone
Richmond, VA |
1 shn |
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SBD >VHS HiFi Cassette by Mark Lynn |
HiFi>DAT:Mark Lynn / Equip: Master Soundboard VHS HI FI > Lucid AD9624 > Fostex D5 DAT / HiFI playback on MitsubishiU53.AES/EBU out of AD into Fostex D5 / Notes: Set 2 is missing, taper went home. |
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11/18/92
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Flood Zone
Richmond, VA |
1 shn |
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SBD->VHS HiFi Cassette |
Taper: Mark Lynn / HiFi>DAT: Mark Lynn / Equip: Master Soundboard VHS HI-FI->Lucid AD9624->Fostex D5 DAT / HiFI playback on MitsubishiU53.AES/EBU out of AD into Fostex D5 / DAT>SHN:Chris Jonus / Equip: Unknown / Notes: The Tangerine->IBYU from this show remains one of my all time fav Dave moments. There were not many people at this show. Maybe about 25-30
people at the begining. The source that is out here on etree sort of cuts or begins abruptly into Tangerine. At the begining of my master you can here Dave say "Hello and Welcome" before he goes into Tangerine. I started recording literaly at the very begining of the HIFI tape(bonehead!) and have not been able to make a Digital version
with the pre song comment because I cannot get the tape to rewind to the begining. The Peter jam at the end of 2 Step is also pretty sweet and one of my first favorite DMB jams. Set 2 is missing, the taper went home :( / **Updated by Andrew Knowles on 03-21-01 |
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12/09/92
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Flood Zone
Richmond, VA |
2 shn |
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DSBD (fixed) |
DAT > CD: DAT > Standalone CD by Jeff Travitz / CD > SHN: Plextor manager 2000 > mkwact by Allen Chen / Notes: The original CD source was DAT > CD by Jeff Travitz and he sent the audio discs to Allan to convert to SHN. The original DAT came from Mark Lynn. Somehow, PFWYG and LIOG were not included on the audioCDs Jeff sent to Allan. For years, this show has spread without these two songs. I took a DAT I had of this show that included PFWYG and LIOG and joined this splice together with the rest of the original second set. So, the SHNs from the first set are the same as the old set, but the whole second set is new (due to do the shift I had to apply to fix SBE issues). **My DAT conversion was done direct to the SHN as follows: Conversion: Tascam da20 > M-audio Firewire Audiophile spdif in Sound Forge 7.0 (record/resample) > CDWav > MKWact by Louie Rendek (ljr7@yahoo.com). Originally compiled by Allan Chen on August 24, 2000. Update compiled by Louie Rendek on December 3, 2005. |
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12/11/92
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Joker's Pub (W&L University)
Lexington, VA |
1 shn |
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SBD >Anlg (Unknown Gen.) >CD |
Conversion: Optimus SCT-86 (Dolby NR) > Pioneer PDR-555RW by Eric Naylor / SHN: EAC v0.9pb7 > MKW Audio Compression Tool by Chris Manichanh |
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12/15/92
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Trax
Charlottesville, VA |
1 shn |
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SBD > c(0) by Jon Weber |
analog > DAT: Sony 3-head deck > Tascam DA20 DAT by Jon Weber / DAT > CD: Sony TCD-D7 > Marantz CDR630 by Jon Weber / CD > SHN: EAC v0.9pb7 @ 1x > CEP 1.1 (normalized) > CDWAV > mkwACT by David Baty |
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12/22/92
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Trax
Charlottesville, VA |
2 shn |
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SBD >DAT |
Conversion: Fostex d5 > hhb 850 by David Eisenberg / DAE: Mike Heath on a Sony CRX100E using Exact Audio Copy version .9 pre-beta 3 / SHN: Mike Heath using batch files / Notes: Soundcheck is added to the beginning of disc 1. There are level changes and diginoise during the Soundcheck; not the best sounding, but still cool to have as a filler. Diginoise during Intermission. Not a big deal, but it's there. |
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12/23/92
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Flood Zone
Richmond, VA |
2 shn |
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Master Soundboard HIFI >Lucid AD9624 >DAT@48KHZ |
HiFI playback on Mitsubishi U53.AES/EBU out of AD into Fostex D5 / CD > SHN: plextor manager 2000 > mkwact by Allen Chen / NOTES MADE BY THE TAPER, MARK LYNN, ON 10/30/01: I taped this show. The source is the same as 12/9 ("I taped this show on my Sony SLV 575UC HIFI. The correct source info for this and all the shows I taped on this deck should be Master Soundboard HIFI->Lucid AD9624->DAT@48KHZ.(HiFI playback on Mitsubishi U53.AES/EBU out of AD into Fostex D5)."). The cuts that you hear are most likely a result of a deck chain. I tried to explain to the cassette boneheads that I could record for 6 hours straight and that if I went first that there would be no cuts but I don't think I was successful. I think Chris Sabec recorded this on DAT on his 75ES but I never got a clone of that. This show was killer and perhaps the biggest crowd I had yet seen at The Floodzone for DMB. Everyone was home from school and in for break. This is one of my favorites. The minarets->Blue Water is reference early DMB plus the Christmas Song was a real treat at the time you know being pretty much Christmas Eve when this show let out. I remember staying up pretty much all night after this show. The notes on my setlist I made after the show just says 3 HOURS!Man they played 3 HOURS! |
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12/29/92
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Trax
Charlottesville, VA |
2 shn |
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SBD & Schoeps MK-4V onstage mics (Digital Mix) >DAT >CD >EAC (all tracks 100%) >Adobe Premire 6.0 >shn |
Notes: This show previously existed, but only in parts. 12.29.92 existed minus the beginning of set 2, and Billies. Those songs existed on a show claiming to be 1.12.93 (with filler from 6.3.96). Dave was on vacation in South Africa from 1.1.93 - 1.18.93, rendering the 1.12.93 date erroneous. This is an accurate retracking of the show in its original order. F.V.I., D1 did not change at all from the previous 12.29.92 version, but D2 and D3 both were edited to match the tracks together properly. And for the record, this show contains probably the best Billies ever. Complete version compiled by Jake Vigliotti (jake@antsmarching.org). Compiled on 5/31/02. |
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02/04/93
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Flood Zone
Richmond, VA |
2 shn |
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DSBD >DAT |
Conversion: Tascam da20 > RME Digi96/PAD Sound Forge 4.5a (record/resample) > CDWav > MKWact by Louie Rendek / Notes: * A band called The Authority opened for DMB tonight. From NYC. * Halloween clips in a couple of spots. * This show supposedly was two sets, but after Warehouse (where the set break supposedly took place) there isn't any indication that they are taking a set break. This could have been missing from the DAT, I had two separate DAT sources for this show and neither had any suggestion of a set break. Now, IBYU R&R and BOWA were done Dave solo, which usually happens at the beginning of a new set. Just an FYI. * There was a feedback burst at 0:19 in Satellite that I smoothed. * The encore break is missing, the taper cut the tape right after Ants, so you don't even get to hear Dave say "good night". * AATW fades in during the intro lyrics to the song. * The DAT this show was on (both copies I had) were 60m, two hour DATs. I think that explains all the cuts, probably after this show was mastered, in trading, it was easier to put the show on a two hour DAT, but in order to fit it on a two hour DAT, the person spreading it had to cut out little pieces of the end of sets, etc. |
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02/17/93
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Flood Zone
Richmond, VA |
2 shn |
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DSBD>Master Soundboard Cassette (Onkyo TA 2600 w/Dolby C HX Pro) by Mark Lynn |
Analog>DAT: Nakamichi CR 7>Lucid AD9624 (AES/EBU out)>Fostex D5 (48kHz) by Mark Lynn / DAT>CD: Fostex D5>Tascam CDRW700 by Mark Lynn / CD>SHN: Plextor 8x20 and EAC 0.85b4 secure mode: all tracks 100% by Louie Rendek |
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03/07/93
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Trax
Charlottesville, VA |
1 shn |
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DSBD >DAT |
Conversion: Tascam da20 > RME Digi96/PAD Sound Forge 4.5a (record/resample) > CDWav > MKWact by Louie Rendek / Notes: Fixed a burst at 8:25 in R&R with some smoothing. Fixed a slight burst at 3:53 in OSW with smoothing and didn't fix another that was at 1:11. These are all from the board as I have them on multiple DATs currently in my possession for this same show. Boyd's channel was a bit hot during True, some distortion. Also some distortion in #34 in his channel. Weird distortion at 5:29 in #34 in Roi's channel. There is a very slight burst at 1:27 in Watchtower that was present on several DATs I had. I didn't fix this spot. Tim's levels were really high in the mix for Watchtower. There are a couple huge feedback problems in Jimi Thing. I removed a dropout between Jimi Thing and Granny. It was during crowd chatter so it shouldn't be noticable. |
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03/12/93
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Chi Phi Frat House
Athens, GA |
3 cdr |
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SBD |
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03/23/93
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Trax
Charlottesville, VA |
3 cdr |
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SBD |
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04/02/93
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Corrin Refectory, Salem College
Winston-Salem, NC |
2 flac |
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Soundboard + Audio Technica 813 >Yamaha MM10 Mixer >Sony D-10 Pro by Rick Stern |
Transfer: D-10 Pro (original mastering deck) > ODL312 > NJB3 > Firewire > SoundForge6
(resample to 44.1) > CDArchitect5 (burn & rip) > Flac by Rick Stern |
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07/27/93
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Flood Zone
Richmond, VA |
2 shn |
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DSBD [Master; 48kHz] by Mark Lynn |
Conversion: Fostex D5 > Tascam CDRW700 by Mark Lynn / CD >SHN: Plextor 8/20 and EAC 0.85b4 secure mode: all tracks 100%, CDWAV used for tracking by Louie Rendek / Notes: Rhyme & Reason is missing the beginning. The track fades into the song., most of it is there however. There is a 2-3 second long diginoise zap ~3:00 into Two Step |
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08/13/93
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Paladium Amp @ Paramount's Carowinds
Charlotte, NC |
1 shn |
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DSBD |
CD > SHN: CD > EAC (all tracks 100%) > SHN > WAV > Adobe Premire 6.0 > SHN |
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09/19/93
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Red Rocks Ampitheatre
Morrison, CO |
1 svcd |
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unknown camera>vhs>vhs (? gen.) |
vhs>mpeg: RCA Dual Deck 4 Head Hi Fi VCR>Dazze Digital Video Creator II *the video shows an incorrect date of 8.19.93 .720 seconds of audio was cut from the svcd to resync the audio w/the video |
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12/07/93
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Trax
Charlottesville, VA |
2 cdr |
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SBD |
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01/03/94
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Varsity Playhouse
Atlanta, GA |
2 shn |
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ASBD by Kelly Darnel |
DAT > SHN: Tascam DA-20 > Audiowerk2 > Cool Edit Pro 2.0 > CDWAV > mkw Audio Compression Tool / Conversion by Sarah Baucco |
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02/25/94
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Sweetbriar College
Sweetbriar, VA |
2 shn |
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DSBD >Cassette master by Wayland Pond |
Conversion: Teac v-1030 3 head cassette (RCA out, azimuth adjust) > Apogee MiniMe (XLR in) > RME Digi96/PAD (coax in) Sound Forge 4.5a (record, resample) > CDWav > MKWact by Louie Rendek / Notes: There was another source spreading from this show with unknown cassette generations. This should spread in its place, since this was taken from the cassette master. All splices were done seamlessly w/ cross fades. There was some static between PFWYG & SMTS that I fixed w/ some creative splicing. There is some distortion starting around 2:30 into Recently & it lasts for 20 seconds or so. There was no encore because they ran right up until the time where they had to be off stage. |
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04/06/94
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Georgia Theatre
Athens, GA |
2 cdr |
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SBD |
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04/08/94
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The Armory
Clemson, SC |
1 shn |
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ASBD by Kelly Darnell |
Analog > DAT: Nakamichi DR-1 > Tascam DA-20 / DAT > SHN: Tascam DA-20 > Audiowerk2 > Cool Edit Pro 2.0 > CDWAV > mkw Audio Compression Tool / Conversion by Sarah Baucco |
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07/28/94
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Irving Plaza
New York, NY |
2 cdr |
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SBD |
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08/12/94
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Ziggy's
Winston-Salem, NC |
2 flac |
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SBD |
Liberated Boot |
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08/24/94
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Classic Amphitheatre
Richmond, VA |
1 shn |
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DSBD >Casio DA7 DAT [master | 48kHz] by Mark Lynn |
Conversion: Fostex D5 > Tascam CDRW700 by Mark Lynn / CD > SHN: Plextor 8/20 and EAC 0.85b4 secure mode: all tracks 100%, CDWAV used for retracking by Louie Rendek / NOTES: There are a couple quick spots of diginoise in Warehouse around 5:30 to 6:00. There is a dropout in between songs after Satellite. |
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09/28/94
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Flood Zone
Richmond, VA |
2 cdr |
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SBD |
one drop out in OSW |
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10/20/94
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328 Performance Hall
Nashville, TN |
1 shn |
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Soundboard >Analog (?) |
Conversion: Technics M16 > Philips cdr-765 by T Riemensnyder / Tracking & Editing: EAC v0.0 beta 4 > Cool Edit Pro v1.2a > CD WAV v1.71 > mkw v0.97 beta 1 / Notes: Taper started recording right at the beginning of Seek Up, fades in at that point. Encore break edited out on source, fade out/in added. |
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02/24/95
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Roseland Ballroom
New York, NY |
1 flac |
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Soundboard DAT |
DAT > CD Transfer: Sony PCM-R500 > Digigram VX Pocket 440 > Sony Vaio PCG-K13
1. Resulting wav files split into tracks with CDWave
3. Fades at beginning & end of sets with Sound Forge 6.0
4. FLAC files generated with FLAC frontend
Transfer by R Dub |
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05/10/95
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Yoshi's
Oakland, CA |
1 cdr |
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05/10/95
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Yoshi's
Oakland, CA |
1 shn |
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SBD >FM >DAT >SHN |
KFOG Broadcast |
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08/13/95
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Modern Rock Live
San Francisco, CA |
1 shn |
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FM >Cass (0) >SBM-1 >Sony PCM-R300 |
Conversion: Tascam DA-30 > Digi Coax > Midiman DIO2448 / SHN: MKW Audio Compression Tool / Notes: Band is entirely acoustic. |
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12/30/95
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Hampton Coliseum
Hampton, VA |
2 shn |
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Digital Pre-FM >DAT |
DAT > CD > SHN: Tascam DA-P1 > Audiomedia III/Powermac G3/233 > Pro Tools 4.3.2 > Panasonic 7502 (burn/extract) |
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06/09/96
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Jones Beach Amphitheatre
Wantagh, NY |
2 shn |
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Neumann KMi84 >MV100 >Tascam DA-P1 |
Taper: Unknown / DAT > CD by Scott Brown / Equipment: Tascam DA-20mkii > Audiowerk2 > PowerMacG4/733; burn/extract via plextor 12x4x32 |
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06/21/96
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World Music Theater
Tinley Park, IL |
2 shn |
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DAUD |
Conversion: DAT > M Audio Delta H-W > CD WAV Editor > mkw > shn / Conversion by: D. Delaney / no DAE |
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07/28/96
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Shoreline Amphitheatre
Mountain View, CA |
1 shn |
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Nak CM300's w/CP4's >D5 >D8 @48k by Kevin Cogan |
Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (normalize/downsample) > WAV > SHN (no extraction) by Jon Seff |
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11/07/96
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Key Arena
Seattle, WA |
2 flac |
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Sony 909 >MiniDisc >D8 >DAT (master) >Audiophile2496 >CDWAVE 48k >Cool Edit Pro resample to 44.1k >CDWAVE to track >FLAC |
Recorded at the back of the SBD with microphone hung in rigging 15 feet in the air / Taped and Transfered by EEE / Notes: DAT tape change (cut) at the end of Minarets (90min DAT tape). Mini-disc change (cut) at the end of Typical Situation. This is the same microphone source that is listed in db.etree: http://db.etree.org/shninfo_detail.php?shnid=22260 / This source is from my original DAT master that was patched out of the mini-disc that recorded the show. The etree source came from the mini-disc (note that it does NOT have the cut after MINARETS where I put in a new DAT tape, but I have the TYPICAL SITUATION cut where he changed discs). This should be an upgrade in that it at least is a known lineage. I have not listened to the circulating copy to compare quality. |
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06/08/97
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Meadows Music Theatre
Hartford, CT |
3 cdr |
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06/11/97
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Jones Beach Amphitheatre
Wantagh, NY |
2 shn |
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DAUD (Nak 300 >D3) |
DAT > CD: Sony r300 > datport > cool edit pro 1.0 > CDWav by Allen Chen / CD > SHN: EAC (correct offset, 100% Accuracy) > mkwACT by Bill Lakenan |
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06/18/97
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Blockbuster Pavillion
Charlotte, NC |
3 cdr |
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06/19/97
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Lakewood Amphitheatre
Atlanta, GA |
2 shn |
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DAUD (probably AKG C414B-TLII Cardioids (1st Row) >Oade M248 >SBM1) |
CD >SHN: Plextor 8x4x32 > EAC > MKW Audio Compression Tool / Notes: No source info except for DUAD, but the sound quality is truly amazing. If I had to complain about something on this show, it would be the transitiion from Too Much into Leave Me Praying...the encore break was edited and if you listen closely you'll notice. Certainly shouldn't detract from the overall appeal of the show. |
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07/10/97
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Portland Meadows
Portland, OR |
2 shn |
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Microtech Gefell m296 omnis >EAA PSP-2 |
DAT > CD by Paul Cho / Equipment: Sony D8 > Turtle Beach Fiji Digi io > Soundforge resampling |
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10/18/97
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Shoreline Amphitheatre
Mountain View, CA |
1 cdr |
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Bridge School Benefit |
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10/18/97
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Shoreline Amphitheatre
Mountain View, CA |
1 shn |
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Schoeps MK41 hypercards >Schoeps KC5 active cables >Schoeps CMC6s >Sonosax SX-M2 >Sony D100 |
DAT > SHN: PCM-R500 > Sek'd Prodif+ > Samplitude 2496 > CDWAV (no DAE) by Paul Chrostowski |
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10/19/97
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Shoreline Amphitheatre
Mountain View, CA |
1 cdr |
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Bridge School Benefit |
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10/19/97
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Shoreline Amphitheatre
Mountain View, CA |
1 shn |
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Schoeps MK41 hypercards >Schoeps KC5 active cables >Schoeps CMC6s >Sonosax SX-M2 >Sony D100 |
DAT > SHN: PCM-R500 > Sek'd Prodif+ > Samplitude 2496 > CDWAV (no DAE) by Paul Chrostowski |
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05/05/98
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Arrow Hall
Toronto, ON |
2 cdr |
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05/24/98
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Red Rocks Ampitheatre
Morrison, CO |
2 shn |
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DAud (Schoeps CMC6/MK4 >SX-M2 >SBM-1 >D8) |
Conversion: Archive Python DDS/vdat > .wav (Direct DAT extraction, no soundcard) by Bill Lakenan |
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05/25/98
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Red Rocks Ampitheatre
Morrison, CO |
2 shn |
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Schoeps MKI4 >Sonosax >DA-P1 >D8 |
Equipment: Sony TCD-D8 > Opcode DATPort > Pentium II 450 > Samplitude (48khz > 44.1khz > CDWAV > SHN by Ken Kieffer |
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05/30/98
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Alpine Valley Music Theatre
East Troy, WI |
2 cdr |
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06/05/98
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Foxboro Stadium
Foxboro, MA |
2 shn |
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Unknown |
Taper/Source: Unknown / CDr Extraction, Seek tables appended / Notes: This show unfortunately has some pretty serious wind noises throughout.
Notwithstanding, this was a very difficult show to locate - so it's good to see it finally available in some form. |
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08/22/98
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Nissan Pavillion at Stone Ridge
Bristow, VA |
3 cdr |
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10/29/98
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San Jose Arena
San Jose, CA |
2 shn |
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DAUD (no mic info) |
2nd gen cdr > EAC v0.9 beta 4 (all tracks 100%) > mkwACT (seekable) / Notes: Encore break has been cut for some reason and replaced w/ fades. A retracked and edited version of this source also circulates. |
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05/26/99
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Giants Stadium
East Rutherford, NJ |
2 cdr |
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06/15/99
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New World Music Theater
Tinley Park, IL |
3 cdr |
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07/06/99
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Desert Sky Pavilion
Phoenix, AZ |
2 shn |
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Earthworks SR-77 >Lunatec V2 >ADC-20 >Sony PCM-M1 by Craig Willoughby |
DAT > SHN by Mike
Vernal / Equip: DA-P1 > Audiomedia III on PowerMac G3/233 |
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07/17/99
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The Gorge Ampitheatre
George, WA |
3 cdr |
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DSBD |
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07/28/99
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Lakewood Amphitheatre
Atlanta, GA |
3 cdr |
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08/06/99
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Meadows Music Theatre
Hartford, CT |
3 cdr |
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09/12/99
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Nissan Pavillion
Manassas, VA |
1 cdr |
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Farm Aid |
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09/12/99
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Nissan Pavillion
Manassas, VA |
1 DVD |
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VHS (0) >Mini DV >DVD |
Taper: Jeff Jones / Conversion: djmartin315, video - pushkar, menus |
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06/20/00
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Polaris Amphitheatre
Columbus, OH |
2 cdr |
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neumann ak40s > neumann lc-3 active cables > neumann km100s > Lunatec V2 > Audio Magic Excalibur-II XLRs > Apogee AD-1000 by Mike Vernal |
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06/23/00
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Deer Creek Music Center
Noblesville, IN |
2 cdr |
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Audio Technica AT853 Cardiods -> BRBox @ 195Hz -> Zefiro InBox -> Sony POC-DA12P -> Sony TCD-D7 by Mike Sarnovsky |
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06/24/00
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Deer Creek Music Center
Noblesville, IN |
2 shn |
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AKG C1000s (card) >Mixer >D8 by Jason Woods |
Location: 4th Row, Center, 12' stand, mics XY 90 degrees / Conversion: D8 > DiO 2448 > Soundforge 6 > Wavelab > CDWav > Flac Frontend by Jason Woods / Notes: It was a stormy, windy, and wet night in June. You can hear some wind "pressure" from about Granny through the end of the show. A soft limiter was applied in Soundforge, along with Normalization and fades into and out of the show. Slight EQ was applied to the high end in Wavelab. |
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06/29/00
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Soldier Field
Chicago, IL |
3 cdr |
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some static in the end of #36 - rest of show sounds great |
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06/30/00
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Soldier Field
Chicago, IL |
3 cdr |
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07/08/00
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Foxboro Stadium
Foxboro, MA |
3 cdr |
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07/19/00
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RFK Stadium
Washington, DC |
3 cdr |
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Earthworks SR-77 > Sound Devices MP-2 > Excalibur II's > apogee ad1000 > d8 by Scott Brown |
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08/04/00
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The Gorge Ampitheatre
George, WA |
3 cdr |
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Schoeps mk4->rmod box preamp->Sony SBM-1->Sony TCD-D8 by Alex Colluzi |
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08/19/00
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Alpine Valley Music Theatre
East Troy, WI |
2 cdr |
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Neumann KM-184s->SD's MP-2->Sony SBM-1->Sony PCM-M1 (Star Quad cables) by Scott McPherrin |
|
|
|
08/20/00
|
Alpine Valley Music Theatre
East Troy, WI |
3 cdr |
|
|
Neumann KM-184s-> SD's MP-2-> SBM-1-> M1 (Star Quad cables) by Scott McPherrin |
|
|
|
09/04/00
|
AmSouth Amphitheatre
Antioch, TN |
3 cdr |
|
|
|
|
|
|
09/10/00
|
Lakewood Ampitheatre
Atlanta, GA |
3 cdr |
|
|
|
|
|
|
09/15/00
|
Starplex Amphitheatre
Dallas, TX |
2 shn |
|
|
Neumann ak40s >Neumann lc-3 active cables >Neumann km100s >Lunatec V2 >Audio Magic Presto II XLRs >Apogee AD-1000 >DAT by Craig Willoughby |
Location: Stage Left Stack, Appoximately 3 rows back / Conversion: Tascam DA-20 MKII > sek'd prodif plus > samplitude > cdwav > shn. No DAE by Craig Willoughby |
|
|
09/20/00
|
Sandstone Amphitheatre
Bonner Springs, KS |
2 cdr |
|
|
Schoeps MK4v (ortf)->Schoeps kcy Actives->Schoeps vms021b-> Sony SMB-1->Sony D-10 by Jeff Travitz |
|
|
|
10/28/00
|
Shoreline Amphitheatre
Mountain View, CA |
1 shn |
|
|
Schoeps mk4v > Schoeps kcy active cables > Schoeps vms 021b > Sony sbm-1 > Sony D10 Pro |
Taper: Unknown / DAT > CD: DAT > Standalone CDR recorder / CD > SHN: Plextor 8x20 > EAC 0.85 > SHN (all tracks 100%) |
|
|
12/03/00
|
Target Center
Minneapolis, MN |
2 cdr |
|
|
|
|
|
|
12/04/00
|
Allstate Arena
Rosemont, IL |
2 cdr |
|
|
Schoeps CMC6/Mk4 > Lunatec V2 > HHb PDR-1000 by Team Dmbtaper420 |
|
|
|
12/05/00
|
Allstate Arena
Rosemont, IL |
2 cdr |
|
|
Schoeps CMC6/Mk4 > Lunatec V2 > HHb PDR-1000 by Team Dmbtaper420
|
|
|
|
12/07/00
|
Gund Arena
Cleveland, OH |
2 cdr |
|
|
neumann ak40s > neumann lc-3 active cables > neumann km100s > Lunatec V2 > Graham Patton ADC-20 by Craig Willoughby |
|
|
|
12/08/00
|
Bryce Jordan Center
University Park, PA |
2 cdr |
|
|
neumann ak40s > neumann lc-3 active cables > neumann km100s > Lunatec V2 > Audio Magic Excalibur-II XLRs > Apogee AD-1000 by Mike Vernal |
|
|
|
12/09/00
|
Pepsi Arena
Albany, NY |
3 cdr |
|
|
Neumann KM184s > mp2 > da-p1 *All Audio Magic Cables by Joe Polastre |
3 small 1/2 sec drop outs |
|
|
12/11/00
|
FleetCenter
Boston, MA |
2 cdr |
|
|
neumann ak40s > neumann lc-3 active cables > neumann km100s > Lunatec V2 > Audio Magic Excalibur-II XLRs > Apogee AD-1000 by Mike Vernal |
|
|
|
12/12/00
|
Madison Square Garden
New York, NY |
2 cdr |
|
|
|
a few skips in Watchtower |
|
|
12/13/00
|
Madison Square Garden
New York, NY |
2 cdr |
|
|
DAud [Microtech Geffell SMS2000/200 (cards) -> Oade M148 -> Sony SBM1 -> Sony D7) by Bill Lakenan |
|
|
|
12/16/00
|
Providence Civic Center
Providence, RI |
2 cdr |
|
|
|
|
|
|
12/17/00
|
First Union Center
Philadelphia, PA |
2 cdr |
|
|
nakamichi cm100 mics with shotgun attachments > sony d-5 (for balance purposes only) > sony d-8 DAT>CD (single track) by Michael Keough |
Conversion: CD>Phillips CDR-765 (+3dB Recording Level)>CD by T. Riemensnyder / 1 small skip in Seek Up |
|
|
04/21/01
|
Scott Stadium
Charlottesville, VA |
2 cdr |
|
|
Neumann ak40s->Neumann lc-3 active cables->Neumann km100s-> lunatec V2->audio magic excalibur-II XLRs->Apogee AD-1000 by Mike Vernal |
|
|
|
04/29/01
|
Alltel Pavilion at Walnut Creek
Raleigh, NC |
2 cdr |
|
|
DAud (Microtech Geffell SMS2000/200 (cards) > Oade M148 > Sony SBM1 > Sony D7) by Bill Lakenan |
|
|
|
05/01/01
|
Verizon Wireless Amphitheater
Charlotte, NC |
2 cdr |
|
|
|
|
|
|
05/02/01
|
Bi-Lo Center
Greenville, SC |
2 cdr |
|
|
|
|
|
|
05/08/01
|
Thompson-Boling Arena
Knoxville, TN |
2 cdr |
|
|
|
|
|
|
05/09/01
|
Oak Mountain Amphitheatre
Pelham, AL |
2 DVD |
|
|
Video: Sony Digital 8 by Sinclair / Audio:Matrix by Fateman |
Location: Lower Amp / Conversion: Ellis Dee / Includes Menu w/Chapter Markers / *1 small skip in Grey Street |
|
|
05/15/01
|
Desert Sky Pavilion
Phoenix, AZ |
3 cdr |
|
|
Neumann ak40s > Neumann lc-3 active cables > Neumann km100s > Lunatec V2 > Audio Magic Presto II XLRs > Sonic AD2K+ (16NS2) by Craig Willloughby
|
|
|
|
05/18/01
|
Pac Bell Park
San Francisco, CA |
3 cdr |
|
|
|
|
|
|
05/19/01
|
Pac Bell Park
San Francisco, CA |
2 cdr |
|
|
oktava mk012>v2>m1 by Allan Chen |
|
|
|
05/26/01
|
Sam Boyd Stadium (UNLV)
Las Vegas, NV |
2 cdr |
|
|
|
|
|
|
06/03/01
|
Comerica Park
Detroit, MI |
3 cdr |
|
|
MBHO KA-500HN>active cables>MBHO 603a>mp2>adc-20>Sony d8 |
|
|
|
06/11/01
|
Giants Stadium
East Rutherford, NJ |
3 cdr |
|
|
Earthworks SR-77>Sound Devices MP-2>Graham Patten ADC-20>Sony TCD-D8 by Scott Brown |
|
|
|
06/12/01
|
Giants Stadium
East Rutherford, NJ |
3 cdr |
|
|
|
|
|
|
06/17/01
|
Foxboro Stadium
Foxboro, MA |
2 shn |
|
|
Earthworks SR-71 >Sound Devices MP2 >Sony D8 @48khz by James Tierney |
Location: Tapers Section / Conversion: D8 -> Sony DA-POC12P Optical Cable -> Dio 2448 -> Samplitude 2496 -> CDWave -> shn v3 (all audio magic cables) / No editing, normalizing, or extraction. 48kHz>44.1kHz resampling in Samplitude. / Notes: It was pouring rain and *VERY* windy this night. Foxboro security
was not allowing any stands FOB, even though i was the only taper--the
other usual suspects chickened out and didn't bring their gear in. Sound
quality is mediocre at best, but this is the only--and necessarily the
best--audience tape that was made that night. Microphones were front row
of tapers section on 15' stand, guarded with a small umbrella that appears
to have done the trick :) |
|
|
06/22/01
|
Tweeter Center
Camden, NJ |
3 cdr |
|
|
Earthworks SR77>Sound Devices MP-2>Sonic AD2k+ @16ns3, +24>D8 by Scott Brown |
|
|
|
06/24/01
|
Tweeter Center
Camden, NJ |
3 cdr |
|
|
|
has a few pops |
|
|
07/06/01
|
Soldier Field
Chicago, IL |
3 cdr |
|
|
Schoeps mk4v>kcy active cables>Schoeps VMS 02 IB>Audiomagic Excalibur-II RCAs>SBM-1>PCM-M1 @ 48khz by Don Becker |
|
|
|
07/07/01
|
Soldier Field
Chicago, IL |
3 cdr |
|
|
Schoeps mk4v>kcy active cables>Schoeps VMS 02 IB>Audiomagic Excalibur-II RCAs>SBM-1>PCM-M1 @ 48khz by Don Becker |
|
|
|
07/21/01
|
Mars Music Amphitheatre
West Palm Beach, FL |
2 shn |
|
|
Schoeps CCM4V cardioids >Schoeps K5LU XLR >Lunatec V2 >Audio Magic Presto II RCA >Tascam DA-P1 by Paul Chrostowski |
Location: 75? ORTF width 13' high, ~13th row right stack / DAT > SHN: PCM-R500 > Sek'd Prodif+ > Samplitude 2496 > CDWAV (resampled by Prodif+ from 48kHz, no DAE) by Paul Chrostowski |
|
|
07/25/01
|
AmSouth Amphitheatre
Antioch, TN |
3 cdr |
|
|
Neumann ak40s>Neumann 1c-3 active cables>Neumann km100s>Lunatec V2>Audio Magic Presto II XLRs>Sonic AD2K+ (16NS2) by Craig Willoughby |
|
|
|
07/27/01
|
Verizon Wireless Amphitheatre
Virginia Beach, VA |
3 cdr |
|
|
Neumann ak40s>Neumann 1c-3 active cables>Neumann k100s>Lunatec V2>Audio Magic Presto II XLRs>Sonic AD2k+>DAT by Craig Willoughby |
|
|
|
07/29/01
|
Saratoga Performing Arts Center
Saratoga Springs, NY |
3 cdr |
|
|
Earthworks SR77>Sound Devices MP-2>Graham Patten ADC-20>Sony D8 by Scott Brown |
**small skip in #41 & True Reflections |
|
|
08/07/01
|
Corel Centre
Kanata, ON |
2 shn |
|
|
Schoeps mk4v(ortf) >Schoeps VMS 02ib >Sony SBM1 >Sony M1 |
Location: Right Stack, Row 12, 15' high / Conversion: Sony M1 > SGI Octane(coax) > SGI sound editor > Linux mount > SHN |
|
|
04/04/02
|
MCI Center
Washington, DC |
2 cdr |
|
|
|
|
|
|
04/05/02
|
Bryce Jordan Center
State College, PA |
2 cdr |
|
|
|
|
|
|
04/07/02
|
FleetCenter
Boston, MA |
2 cdr |
|
|
|
|
|
|
04/08/02
|
FleetCenter
Boston, MA |
2 cdr |
|
|
|
|
|
|
04/12/02
|
Dunkin Donuts Center
Providence, RI |
3 cdr |
|
|
|
|
|
|
04/12/02
|
Dunkin Donuts Center
Providence, RI |
2 shn |
|
|
Neumann KM140s >Lunatec V2 >Apogee AD-1000 by Mike Vernal |
Location: Floor 1, Row E, Seats 1 & 2 / DAT > SHN: Sony PCM-R500 > Pro Tools 4.3.2 > SoundEdit 16 > shntool |
|
|
04/20/02
|
Corel Centre
Kanata, ON |
2 cdr |
|
|
|
|
|
|
04/26/02
|
Allstate Arena
Rosemont, IL |
3 cdr |
|
|
|
|
|
|
04/27/02
|
Allstate Arena
Rosemont, IL |
3 cdr |
|
|
|
|
|
|
04/29/02
|
Target Center
Minneapolis, MN |
2 cdr |
|
|
|
|
|
|
04/30/02
|
Hilton Coliseum (ISU)
Ames, IA |
2 cdr |
|
|
|
|
|
|
05/13/02
|
Coors Amphitheatre
Chula Vista, CA |
3 cdr |
|
|
|
|
|
|
05/15/02
|
Staples Center
Los Angeles, CA |
1 DVD |
|
|
Unknown Media > DVD |
Conversion: DVD > Clad DVD XP > TMPGEnc / SHNs > Cool Edit Pro (Synced wih camera audio) |
|
|
05/16/02
|
Verizon Wireless Amphitheater
Irvine, CA |
2 cdr |
|
|
|
|
|
|
05/16/02
|
Verizon Wireless Amphitheater
Irvine, CA |
1 DVD |
|
|
Unknown Media > DVD |
Conversion: DVD > Clad DVD XP > TMPGEnc / SHNs > Cool Edit Pro (Synced with camera audio) |
|
|
05/19/02
|
Shoreline Amphitheatre
Mountain View, CA |
2 cdr |
|
|
|
|
|
|
05/28/02
|
Madison Square Garden
New York, NY |
2 cdr |
|
|
|
|
|
|
05/29/02
|
Madison Square Garden
New York, NY |
2 cdr |
|
|
|
|
|
|
05/30/02
|
NBC Studios
New York, NY |
1 DVD |
|
|
Dish Network PVR501 >MiniDV Cam >PC DV AVI |
Encoded: Vegas Video / Authored: DVD Workshop 2 / Audio: DD2.0 + DD5.1 (FL, FR, RL, RR, & LFE) / All Commercials edited out. Chapter points at beginning of each song. / Extra's: CNN's People in the News (Dec. 13, 2003), NBC's Today Show (Jan. 9, 2004), and NAACP 35th Image Awards (March 6, 2004) |
|
|
09/01/02
|
Alpine Valley Music Theatre
East Troy, WI |
2 DVD |
|
|
Video: Ethan Sinclair (Source: Master) / Audio: Jon Ice (Source: See Notes) |
Audio: Jon Ice / Source: AKG ck63 (hypercardiod caps) > Active Cables > JK LABS DVC > 24 bit mod. SBM-1 > M1 @48k / Location: Sec. 101, Row G, Seats 29,31 Stand at 15' / DAT > CD Conversion: Jon Ice / Equipment: Tascam DA-30 > Digital Coax > Audiowerk2 > Samplitude > Cool Edit Pro > MKW |
|
|
09/07/02
|
The Gorge Ampitheatre
George, WA |
2 DVD |
|
|
Video: Canon DV by Sinclair, Audio: AKG ck61 (cardiod caps)>Active Cables>JK LABS DVC>24 bit mod. SBM-1>M1 @48k by Jon Ice |
Conversion by JustDMB
Tape Switch during Loving Wings, video cuts but audio is still present. *DVD w/ menu & chapter markers |
|
|
12/13/02
|
United Center
Chicago, IL |
2 cdr |
|
|
AKG ck63 (hypercardioid caps)>Active Cables>JK LABS DVC>Apogee Minime>M1 @ 16 bit/48k by Jon Ice |
|
|
|
12/20/02
|
Madison Square Garden
New York, NY |
2 cdr |
|
|
|
|
|
|
12/21/02
|
Madison Square Garden
New York, NY |
2 cdr |
|
|
|
|
|
|
06/17/03
|
Germain Amphitheatre
Columbus, OH |
2 shn |
|
|
Akg 460b/ck61 >MP-2 >ADC-20 >Sony M1 by Brandon Weaver |
Location: Sec B, row C, Seats 1 and 2 @ 14 Feet (3rd row end aisle approx 10 feet from stage right stack) / Conversion: Sony M1>sony 7pin>Pioneer Pdr-509>eac>mkw (tracking with cdwav) |
|
|
06/18/03
|
Germain Amphitheatre
Columbus, OH |
2 shn |
|
|
Akg 460b/ck61>MP-2>ADC-20>Sony M1 by Brandon Weaver |
Location: Sec A, row K, seats 4 & 5 @ 14feet (6th row dead on stage right speaker stack) / Conversion: Sony M1>sony 7pin>Pioneer Pdr-509>eac>mkw (tracking with cdwav) |
|
|
06/20/03
|
Darien Lake Performing Arts Center
Darien, NY |
2 shn |
|
|
AT853, XY-90 @ 17ft.>BattBox (SP-SPSB-3L)>Oade Mod. Edirol UA-5 (A/D + pre-amp)>Sony TCD-D8 by Garrett Bastable |
Location: Row 1 (far left isle seat), ~12ft. from left stack / DAT > CD Conversion: Seagate CTD8000R-S (DAT2WAV v1.2)>Dell Dimension B1000r>.wav>CD Wave v1.71>.shn (mkwAct 0.97 BETA 1) by Garrett Bastable |
|
|
06/21/03
|
Blossom Music Center
Cuyahoga Falls, OH |
2 shn |
|
|
First Half: DPA (B&K) 4022s>Lunatec V3 (analog out)>Sony D100 / Second Half: DPA (B&K) 4022s>Lunatec V3 @16/44.1>Metric Halo Mobile I/O ULN-2>Apple PowerBookG4>Spark LE Plus 2.8>Bias 3.2 by Scott Brown |
Section 14, Row G, Seats 5,6 / DAT>SHN (second half): Sony D8>Metric Halo Mobile I/O ULN-2>Apple PowerBookG4>Peak 3.2>shntool 1.2.3>shorten 3.5.1 / Taper's Note: I ran analog out from the V3 to the d100, and 24/96 from the V3 into the PowerBook. The 24/96 signal died for some reason, so I switched the V3 to send the PowerBook dithered 16/44.1 for the second half and used the D100 copy for the first half of the show. |
|
|
06/23/03
|
Riverbend Music Center
Cincinnati, OH |
2 shn |
|
|
AKG ck61 >actives >JK Labs DVC II >Sony SBM-1 >U2A (optical) >dell I8200 (wavelab) / Sony PCM-M1 by Eric Phipps |
Conversion: dell I8200 (wavelab) CDWAV used for tracking / Notes *stands at head height most of the night, this was taped from the first row so it isn't bad because of front stage monitors *there are minor level adjustments in the intro |
|
|
06/24/03
|
Riverbend Music Center
Cincinnati, OH |
2 shn |
|
|
AKG ck61>actives>JK Labs DVC II>Sony SBM-1>U2A (optical)>dell I8200 (wavelab)/Sony PCM-M1 by Eric Phipps |
Conversion: dell I8200 (wavelab) / CDWAV used for tracking / Taper Note's: There are minor level adjustments in the intro. |
|
|
06/26/03
|
Post-Gazette Pavilion at Star Lake
Burgettstown, PA |
2 shn |
|
|
AKG 480/ck61>Lunatec V3>Tascam DA-P1 by Eric Naylor |
4th row, right stack, A-B mics, 13' stand / Conversion: Tascam DA-20mkII>Audiophile 2496 |
|
|
06/29/03
|
Verizon Wireless Music Center
Noblesville, IN |
2 shn |
|
|
AKG 460's JWmods CK61's>MP-2>SBM-1>D8 by Bob Haag |
Location: Sec A, Row J, Seats 1,2 / Conversion: Sony D8>Delta DiO 2496>Soundforge 6.0>Cool Edit Pro>CD WaV>MKW / *Taper's Note: During Pig I started off w/o any Bass roll-off, you can definately tell. There is a bit of clipping during the song and quite a bit of bass. Between Pig and Too Much I flipped the switch and made the adjustment. The rest of the show sounds great. |
|
|
06/30/03
|
Verizon Wireless Music Center
Noblesville, IN |
2 shn |
|
|
AKG 480/ck61 >b18 >D100 by Bill Formwalt/Linda Stockdale |
Location: Section A, Row M / Conversion: Tascam DA-20>Audiowerk2>Cool Edit Pro>CDWAV>mkw Audio Compression Tool by Sarah Baucco |
|
|
07/03/03
|
Tweeter Center
Tinley Park, IL |
2 shn |
|
|
AT853 >SP Pre-Amp >D100 by Chuck Lesiak |
Location: Section 101, Row H @ 14' / Conversion: D100>Dio 2448>Soundforge 5.5>cdwav 1.71>mkwACT 0.97b1 |
|
|
07/05/03
|
Alpine Valley Music Theatre
East Troy, WI |
2 shn |
|
|
at853's (cards)>Cable>Battery Box (@69hz)>Sony MZ-R500 by Chris Drews |
Location: Section 102, Row H, Seats 100, 101 @16' / Conversion: Sony MZ-R500>PC Soundcard>Cool Edit>CDWav>SHN / *Taper's Note: There is a fade in/out at the end of Disc 1 and during the encore break because of disc flips. None of the show, nor Dave speak is missing. |
|
|
07/18/03
|
American Airlines Arena
Dallas, TX |
2 shn |
|
|
Oktava MC012's (Hypers) >MP-2 >Sony TCD-D8 by Mark Phillips & Matt Casey |
Location: Sec 10, Row H, seats 11&12 / Conversion: Tascam DA-302>Frontier Design Group Wavecenter/PCI>Cdwav>Soundforge 5.0 (normalizing)>Cdwav (tracking)>MKW (SHN) / Taper's note: There is a spot of diginoise in this tape... Gotta love dat. |
|
|
07/19/03
|
Verizon Wireless Center
Selma, TX |
2 shn |
|
|
Oktava MC012's (Hypers) >MP-2 >Sony TCD-D8 by Mark Phillips & Matt Casey |
Location: Orch 3, Row G, seats 11&12 / Conversion: Tascam DA-302>Frontier Design Group Wavecenter/PCI>Cdwav>Soundforge 5.0 (normalizing)>Cdwav (tracking)>MKW (SHN) |
|
|
08/04/03
|
Rose Garden
Portland, OR |
2 shn |
|
|
Neumann KM140s >Lunatec V2 >Apogee MiniMe by Mike Vernal |
Location: Floor, Row 1, Seats 37&37 (@7') |
|
|
08/07/03
|
The Gorge Ampitheatre
George, WA |
2 shn |
|
|
Neumann KM140s >Lunatec V2 >Apogee MiniMe by Mike Vernal |
Location: Floor, Row 2, Seats 5 & 6 (@ 10') |
|
|
08/25/03
|
Continental Airlines Arena
East Rutherford, NJ |
2 shn |
|
|
DPA (B&K) 4022s >Lunatec V3 @ 16/44.1 >Metric Halo ULN-2 >Apple PowerbookG4 >Spark XL 2.8 >shntool 1.2.3 >shorten 3.5.1 by Scott Brown |
Location: Section 9, Row J, Seat 13 |
|
|
08/27/03
|
Saratoga Performing Arts Center
Saratoga Springs, NY |
2 shn |
|
|
AKG 480/ck61 >Lunatec V3 >Tascam DA-P1 by Eric Naylor |
Location: 1st row behing pit, left stack, 15' stand, A-B mics / Conversion: Tascam DA-20MKII>Audiophile 2496 |
|
|
08/30/03
|
ctnow.com Meadows Music Centre
Hartford, CT |
2 shn |
|
|
AKG 480/ck63 >Lunatec V3 >Tascam DA-P1 by Eric Naylor |
Location: 4th row, left stack, 15' stand, XY-90 mics / Conversion: Tascam DA-20MKII>Audiophile 2496 |
|
|
09/05/03
|
Tweeter Center
Camden, NJ |
2 shn |
|
|
Neumann KM40s >Neumann LC-3 Active Cables >Neumann 100 >Sound Devices MP2 >Apogee Mini Me (16/44.1) >Apple iBook by Craig Willoughby |
Location: Pit row 3, seats 1,2>Mics 17' high / Conversion: Apple iBook>Sound Studio>Shntool |
|
|
09/09/03
|
Tweeter Center for the Performing Arts
Mansfield, MA |
2 shn |
|
|
Oktava mk012 (section 4, row J) >Edirol UA5 >Nomad Jukebox 3 |
Transfered by Adam McCullough |
|
|
09/24/03
|
Great Lawn, Central Park
New York, NY |
2 shn |
|
|
Neumann TLM 170's (cards) >Lunatec V3 @16/44.1 >Sony D8 by Matt Casey |
Location: VIP approx 4th row standing and 40 ft from the right stack / DAT>SHN: Sony D8>Edirol UA-1D>Soundforge 6>CDWAV>SHN / Notes: The encore was cut due to a tapeflip and therefore removed, no music was missed. A big thanks to Scott Bernstein for the TLM170's and Scott Brown for the V3. |
|
|
06/17/04
|
UMB Bank Pavilion
Maryland Heights, MO |
2 shn |
|
|
mbho 603/ka200n >mp-2 >mod sbm-1 @44.1 >d100 by Ryan Hoyt |
Location: Left, Row A / DAT > SHN: d100 > AOpen aw-850 > CDWave > SHNtool / Notes:
- Thanks to Ashley Burns for starting the tape and setting the initial
levels while I ran back to my seat
- First 10 seconds of track two were edited down because the levels were
very loud
- Compiled by Ryan Hoyt, June 19th |
|
|
06/17/04
|
UMB Bank Pavilion
Maryland Heights, MO |
2 shn |
|
|
AKG 460 JW Mods (ck61 caps) >"Ice" Cables >Sound Devices MP2 >SBM-1 >D8 @44.1 by Bob Haag |
Location: Sec Right, Row F, Seats 26,28 /Conversion: Sony D8 > Delta DiO 2496 > Soundforge 7.0 > CD WaV > MKW |
|
|
06/18/04
|
Tweeter Center
Tinley Park, IL |
2 shn |
|
|
Neumann km184s >Sound Devices MP-2 >Oade Modified Sony SBM-1 >Oade Active Cable >Sony TCD-D100 by Mike Sarnovsky |
Conversion: Mike Sarnovsky / Equipment: Sony DTC-A7 -> Monster Coax ->
Soundblaster Audigy Platinum EX -> CD |
|
|
06/20/04
|
Verizon Wireless Music Center
Noblesville, IN |
2 shn |
|
|
ck61 >Active Cables >JK Labs DVC >Apogee Mini-Me >G4 Powerbook @24/48 via Spark XL v2.8 by Jon Ice |
Conversion: Spark XL v2.8 to track, resample, and dither. xACT v1.3 to create shn file set and check SBE's. / Notes: Messed around with the levels a little during Warehouse and Granny. |
|
|
06/21/04
|
Verizon Wireless Music Center
Noblesville, IN |
2 shn |
|
|
ck63 >Active Cables >JK Labs DVC >Apogee Mini-Me >G4 Powerbook @24/48 via Spark XL v2.8 by Jon Ice |
Location: Sec A, row M, Seats 9,10 / Conversion: Spark XL v2.8 to track, resample, and dither. xACT v1.3 to
create shn file set and check SBE's. / Notes: You can make this a two disc show if you split the discs between Drive In Drive Out and Crush. However, you would be putting the bass intro to Crush on Disc One and the rest
of Crush on
Disc Two since I didn't track the intro. |
|
|
06/21/04
|
Verizon Wireless Music Center
Noblesville, IN |
2 flac |
|
|
at853s >Battery Box >AD-20 >D8 by Chris Drews |
Location: Section C, Row G, Seats 9+10, Mics @ 15' / Conversion: D8 > 7pin Coax > Edirol UA-1D > CdWav > FLAC / Notes: Stefan's Crush "Intro" is on the end of Disc 1, I decided to keep it there so the show would fit on 2 discs. |
|
|
06/26/04
|
Post-Gazette Pavilion at Star Lake
Burgettstown, PA |
2 shn |
|
|
M210s (10cm/90*, 13', -10dB pad) >Oade M184 >mod SBM-1@44.1 kHz >TCD-D8 by Dave Thoma |
Location: 3rd row stage right stack / DAT > SHN Conversion: Dave Thoma / Lineage: TCD-D8 > Active 7-pin > Audiowerk2 > cdwav >
Sound Forge Pro 6 > cdwav > shntool |
|
|
06/27/04
|
Post-Gazette Pavilion at Star Lake
Burgettstown, PA |
2 shn |
|
|
Sennheiser MKH-800s @ ~13' (cards) > Lunatec V3 @16/48 >Sony PCM-M1 by Ian White |
Location: Section 2, Row H, Seat 1 (8th row/inside right stack) / Conversion: Sony PCM-M1 > Audiophile 2496 > Goldwave 5.06 > CD Wave 1.93 > shntool 1.2.3 > md5sum |
|
|
06/29/04
|
Blossom Music Center
Cuyahoga Falls, OH |
2 shn |
|
|
AKG 480/ck61 >UA5 (wmod) >JB3 by George Sisak |
Location: 7th row, right stack, ~13', Mics A-B /Conversion: JB3->CDWAV->MKW |
|
|
06/30/04
|
Molson Amphitheatre
Toronto, ON |
2 shn |
|
|
Schoeps MK4v >KCY actives >Schoeps VMS5U >Sony SMB1 >Sony PCM-M1 |
Location: Sec 101, Row G, Seats 9 & 10 - 17' high, Right Stack / Conversion: Sony M1->SGI Octane coax->SGI Sound Editor->SHN |
|
|
07/02/04
|
Saratoga Performing Arts Center
Saratoga Springs, NY |
2 shn |
|
|
Sennheiser MKH-800 @ ~14' (subcards) >Lunatec V3 >Benchmark AD2402-96 @ 24/96 >RME Multiface >Sony Vaio PCG-V505EX >Wavelab 5.0 by Ian White |
Location: Section 40 (ORCH PIT), ~6' from right stack / Conversion: Goldwave 5.08 > CD Wave 1.93 > Wavelab 5.0 > shntool 1.2.3 |
|
|
07/03/04
|
Saratoga Performing Arts Center
Saratoga Springs, NY |
2 shn |
|
|
Schoeps CMC5 (modified) / MK21 >Lunatec V2 >Apogee Mini-Me (@16/44.1, Soft Limit On) >Sony D8 by Ned Ryerson |
mods on CMC5 bodies: capacitors, transistors, and jfet changed. caps=Wima MKP2, transistors=2SA1085, jfet=j305. / Location: left stack at the edge of the pit / Conversion: Fostex D5 > Audiophile 2496 > Sound Forge 7.0 > CD Wave > SHNTool |
|
|
07/06/04
|
Tweeter Center for the Performing Arts
Mansfield, MA |
2 shn |
|
|
Audio Technica AT853 (cards) >SP-SPSB-1 >Edirol UA-5 >Dell Latitude D600 by Brian Furbush |
Location: Section 3, Row K, Seat 9 (mics A-B a little less than 10 feet from stack) / Conversion: CDWAV 1.93.3 > mkwACT v0.97 (WAV > SHN) / Notes: Dave managed to break 4 strings tonight, which can be heard in a few songs. Some bass distortion can be heard in a few loud parts, which is due to the close proximity of the bass stacks to the mics. |
|
|
07/10/04
|
Hershey Park Stadium
Hershey, PA |
2 shn |
|
|
Schoeps CMC(modified)/MK21 >Lunatec V2 >Apogee Mini-Me (@16/44.1, Soft Limit On) >Sony D8 by Marcus Halberstam |
mods on CMC5 bodies: capacitors, tansistors, and jfet changed. caps=Wima MKP2, transistors=2SA1085, jfet=305. / Location: 4th row directly in front of left stack / Conversion: Fostex D5 > Audiophile 2496 > Sound Forge 7.0 (Normalized 100%) > CD Wave > MKWAct |
|
|
07/13/04
|
Six Flags Darien Lake, Performing Arts Center
Darien, NY |
2 flac |
|
|
AKGc1000s >NJB3 by Sanjay Suchak |
Location: Left Stack / Conversion: NJB3 > Firewire > Adobe Audition 1.5 > CDWave > Flac Frontend > Flac |
|
|
07/14/04
|
Merriweather Post Pavilion
Columbia, MD |
2 shn |
|
|
Sennheiser MKH-800s @ ~ 14' (cards) >Lunatec V3 @ 16/48 >Sony PCM-M1 by Ian White |
Location: Section L:C, Row E, Seat 11 (8th row/left stack) / Conversion: Sony PCM-M1 > Audiophile 2496 > Goldwave 5.06 > CD Wave 1.93 > shntool 1.2.3 > md5sum |
|
|
07/16/04
|
Meadows Music Theatre
Hartford, CT |
2 shn |
|
|
DPA (B&K) 4022s >Lunatec V3 @ 16/44.1 >Sony D8 by Scott Brown |
Location: Section 100, Row B, Seat 104 / DAT > SHN: Sony D8 > Metric Halo ULN-2 > Apple PowerBookG4 > Spark XL 2.8.2 > xACT 1.4d8 > shn |
|
|
07/17/04
|
Meadows Music Theatre
Hartford, CT |
2 shn |
|
|
DPA (B&K) 4022s >Lunatec V3 @ 16/44.1 >Sony D8 by Scott Brown |
Loacation: Section 100, Row B, Seat 104 / DAT > SHN: Tascam DA-20mkii > Metric Halo ULN-2 > Apple PowerBookG4 > Spark XL 2.8.2 > xACT 1.4d8 > shn / Notes: I switched the V3 up 5db during the beginning of Good Good Time. A small click may be audible. |
|
|
07/20/04
|
Tweeter Center at the Waterfront
Camden, NJ |
2 shn |
|
|
Schoeps CMC5 (modified)/MK21 >Lunatec V2 >Apogee Mini-Me (@16/44.1, Soft Limit On) >Sony D8 by Raoul Duke |
mods on CMC5 bodies: capacitors, transistors, and jfet changed. caps=Wima MKP2, transistors=2SA1085, jfet=j305 / Location: 4th row in front of right stack / Conversion: Sony D8 > Audiophile 2496 > Sound Forge 7.0 > CD Wave > MKWAct |
|
|
07/20/04
|
Tweeter Center at the Waterfront
Camden, NJ |
2 shn |
|
|
AKG 480/ck61 >Lunatec V3 >Tascam DA-P1 by Eric Naylor |
Location: 4th row pit, right stack, 15' stand, A-B mics / Conversion: Tascam DA-20MKII > Audiophile 2496 |
|
|
07/21/04
|
Tweeter Center at the Waterfront
Camden, NJ |
2 shn |
|
|
M200s (X-Y, 13', -10dB pad) >Oade M148 >mod SBM-1 @44.1 kHz >TCD-D8 by Dave Thoma |
Location: Sec. 104 Row G / DAT > SHN Conversion: TCD-D8 > Active 7-pin > Audiowerk2 > cdwav > Sound Forge Pro 6 > cdwav > shntool by Dave Thoma / No DAE - DAT > .WAV > .SHN / Notes: Crowd noise cut during the encore break. |
|
|
07/24/04
|
Verizon Wireless Amphitheatre
Charlotte, NC |
2 shn |
|
|
DPA 4022 >Lunatec V3 @ 24/48 >Digigram VXPocket V2 >Steinberg WaveLab v4.0c >Sony Vaio PCG-SRX87 by George Wang |
Location: Sec 1, Row D, Seat 10 & 11, 4th row stage left stack / WAV > SHN: .wav @ 24/48 > Steinberg WaveLab v4.0c (resample to 24/44.1, dither with Apogee UV22HR to 16/44.1) > CD-WAV/mkwACT > .shn |
|
|
07/26/04
|
Alltel Pavilion at Walnut Creek
Raleigh, NC |
2 shn |
|
|
DPA 4022 >Lunatec V3 @ 24/28 >Digigram VXPocket V2 >Steinberg WaveLab v4.0c >Sony Vaio PCG-SRX87 by George Wang |
Location: Sec 3, Row G, Seat 4 & 5, 4th row stage right stack / WAV > SHN: .wav @ 24/48 > Steinberg WaveLab v4.0c (resample to 24/44.1, dither with Apogee UV22HR to 16/44.1) > CD-Wavv/mkwACT > .shn |
|
|
07/26/04
|
Alltel Pavilion at Walnut Creek
Raleigh, NC |
2 flac |
|
|
at853s >Battery Box >AD-20 >D8 by Chris Drews |
Location: Section 2, Row J, Seats 1 & 2, Mics @ 15' / Conversion: D8 > 7pin Coax > Edirol UA-1D > CdWav > FLAC / Notes: There are two slight little pops that were on the master DAT at the end of When The World Ends, it's hardly noticable, other than that the tape sounds fine. |
|
|
08/05/04
|
Riverbend Music Center
Cincinnati, OH |
2 shn |
|
|
ck61 >Active Cables >JK Labs DVC >Apogee Mini-Me >Apple G4 Powerbook @ 24/48 via Spark XL v2.8 by Jon Ice |
Location: Sec 100, Row D, Seats 5/6 / Conversion: Tracked, resampled, and dithered via Spark XL v2.8. Shn file set created with xACT v1.4 |
|
|
08/07/04
|
Alpine Valley Music Theatre
East Troy, WI |
2 shn |
|
|
mbho 603/ka500ha >mp-2 >mod-sbm-1 @ 44.1 >d100 by Ryan Hoyt |
Location: Section 103, Row K, left isle, stand at 16 feet, AB / DAT > SHN: d8 > Aopen aw-850 > CDWave >SHNtool |
|
|
08/08/04
|
Alpine Valley Music Theatre
East Troy, WI |
2 shn |
|
|
mbho 603/ka500hn >mp-2 >mod sbm-1 @ 44.1 >d100 by Ryan Hoyt |
Location: Section 103, Row K, well right, stand at 14 feet, AB / DAT > SHN: d8 > Aopen aw-850 > CDWave > SHNtool |
|
|
08/23/04
|
Journal Pavilion
Albuquerque, NM |
2 shn |
|
|
AT853 >SP-Pre-Amp >D100 @ 48kHz by Chuck Lesiak |
Location: Section 2, Row B, Seat 1 @ 8' / Conversion: Archive Python 01931-XXX DDS/DAT2WAV > Adobe Audition 1.0 (resample) > cdwav v1.73 > mkwACT 0.97b1 (Direct DAT extraction, no soundcard) |
|
|
09/05/04
|
The Gorge Ampitheatre
George, WA |
2 shn |
|
|
ck63 >Active Cables >JK Labs DVC >Apogee Mini-Me >Apple Powerbook @ 24/48 via Spark XL v2.82 by Jon Ice |
Location: Sec C, Row 2, Seats 3,4 @ 9' / Conversion: Spark XL v2.82 to track, resample, and dither. xACT v1.49 to create shn file set and check sector boundaries. |
|
|
09/08/04
|
USANA Amphitheatre
West Valley City, UT |
2 shn |
|
|
Schoeps mk4s >kc5 actives >nbox >PCM-M1 by Ken Mininger |
Location: Section 101A, Row H, seat 1, 10'stand (right stack) / Transfer: DAT master > CTD8000 DDS-2 > DAT2WAV > wav (Direct DAT extraction, no soundcard) / Editing/Tracking: Sound Forge v6.0d (48.1kHz)/CDWav 1.93.1 / Conversion: wav > SHNTool > SHN (seek tables appended) / Notes: A few windy spots. Nothing too bad to take away from the recording. Thanks to Twister for letting me borrow the mics & the nbox. |
|
|
09/12/04
|
Golden Gate Park - Polo Fields
San Francisco, CA |
2 shn |
|
|
AKG 391s >Edirol UA5 (warm mod) >(optical-in) Creative Nomad Jukebox 3 by Jon Koch |
Location: Warehouse Preferred Viewing Section ~12 standing room rows back, A-B 11' / Transfer: Creative Nomad Jukebox 3 > USB / Edit: wav > Soundforge 7.0 > wav > CD Wave > wav / Conversion: wav > mkw 0.97 > shn / Notes: Stand started out at 8' due to security but was up to 11' by the end of "One Sweet World" and stayed there for the remainder of the show. Small fade in/out during encore break due to having to start a new file on the JB3. |
|
|
10/01/04
|
Bryce Jordan Center, Penn State Univ.
University Park, PA |
2 shn |
|
|
AT853 >SP-SPSB-1 >Edirol UA-5 >Dell Latitude D600 by Brian Furbush |
Location: Section N1, Row 7, Seat 3 / WAV > SHN Conversion: Soundforge 7.0 > CDWav v. 1.71 > mkwACT v. 0.97 |
|
|
10/02/04
|
Ervin J. Nutter Center (Wright State University)
Dayton, OH |
2 shn |
|
|
ck63 >Active Cables >JK Labs DVC >Apogee Mini-Me (soft limit on) >Apple G4 Powerbook @24/48 via Spark XL by Jon Ice |
Location: Section A, Row 8, Seat 3,4 / Conversion: Tracked, resampled and dithered in Spark XL v2.8. xAct v1.4 to create shn file set. |
|
|
10/02/04
|
Ervin J. Nutter Center (Wright State University)
Dayton, OH |
2 flac |
|
|
DPA 4022 (ORTF) >Grace Design Lunatec V3 (ANSR on) >Sony TCD-D100 (16/44.1) by Francisco d'Anconia |
Location: Section A, Row 11, Seats 3 & 4, Stand @ 10 ft / Conversion: Tascam DA-20 MII > Emagic EMI 2|6 > Sony Soundforge 7.0 > CD Wave Editor > FLAC Front End 1.7.1 / Notes: This is a reconverted source, please use it to replace the original. There is a major level change following 'Rapunzel' (approximately 3db). |
|
|
10/03/04
|
The Palace at Auburn Hills
Auburn Hills, MI |
2 flac |
|
|
SP-CMC-4 (cardioids) >SP-SPSB-1 (w/bass roll off set at 95Hz) >JB3 by Joe DiDia |
Location: Section 113, Row A, Seats 3-4 - Mics 8' high, DIN / Conversion: JB3 > USB > Adobe Audition 1.0 > CDWave > FLAC / Notes: Throughout the show there are audible thuds from the stand picking up vibrations. These are apparent in between tracks, but during the songs it's not noticable. |
|
|
10/05/04
|
Kohl Center (University of Wisconsin)
Madison, WI |
2 flac |
|
|
Neumann RSM-191 >MTX-191A >Tascam DA-P1 by modmike |
Location: Section 3, Row 13, Seat 11 - Mic @ 16' / Conversion: DA-P1 > S/PDIF > Dio2448 > CDWave > FLAC Frontend |
|
|
10/05/04
|
Kohl Center (University of Wisconsin)
Madison, WI |
2 flac |
|
|
AKG480/ck63(A-B, ~13') >wmod UA-5 @44.1kHz (SVU-1) >optical >JB3 by Crumbo |
Location: Section 003, Row 13, Seat 12 / Conversion: JB3 > firewire > Wavelab5.0 > CD Wav 1.93.3 > FLAC Frontend 1.71 (Level 5) |
|
|
10/06/04
|
James H. Hilton Coliseum - Iowa State University
Ames, IA |
2 flac |
|
|
AKG480/ck63(A-B, 15') >wmod UA-5 @44.1kHz (SVU-1) >optical >JB3 by Crumbo |
Location:; Section FC, Row 6, Seat 10 / Conversion: JB3 > firewire > Wavelab 5.0 > CD Wav 1.93.3 > FLAC Frontend 1.71 (Level 5) |
|
|
10/11/04
|
MCI Center
Washington, DC |
1 DVD |
|
|
DISH Network Sat Feed Direct MPEG-TS Capture 640x480->TMPEGEnc 3.0 Xpress |
Video Source: Pro-Shot / Audio Source: Soundboard / Format: (NTSC Max VBR/720x480) / Notes: A VA_TAPER (OCD) Capture |
|
|
10/11/04
|
MCI Center
Washington, DC |
1 flac |
|
|
DSBD (Digital Broadcast Matrix) by Joe Shambro |
Conversion: S/PDIF > Digidesign Digi002-R > iMac G4 -- Mastered in Protools 6.1 > Peak 3.2 (track splits) > FLAC frontend. / Notes: Digital S/PDIF out of cable system; I lucked out having a digital feed from Sundance in our system, so it sounds fantastic. Great stereo seperation. A few digital hiccups that are probably due to the length of cable I ran. |
|
|
03/21/05
|
Palais Theatre
Melbourne, Australia |
2 flac |
|
|
Giant Squid Audio omnis w/ bass roll off >(optical-in) iRiver H140 digital audio player by whatboutbob |
Location: Row A, Seat 39: 8' stand, 18 inches in front of the left speaker stack (Security made me position it so close) / Conversion: iRiver H140 > USB > Wave Lab 5.0 > CDWav 1.94.3 > FLAC Frontend 1.7.1 (Level 8) / Notes: Fade in/out applied to the beginning/end of discs 1 and 2. |
|
|
03/23/05
|
Brisbane Convention & Exhibition Centre Great Hall
Brisbane, Australia |
2 flac |
|
|
Giant Squid Omnis >Battery Box >Creative Nomad Jukebox 3 by Connor Cronk |
Location: Section 17, Row EE, Seat 26, stand at about 12' / Conversion: Creative Nomad Jukebox 3 > Adobe Audition 1.5 (Normalized to 100%) > CD Wave > FLAC |
|
|
03/24/05
|
East Coast Blues and Roots Festival
Byron Bay, Australia |
2 flac |
|
|
Giant Squid Audio omnis w/ bass roll off >(optical-in) iRiver H140 digital audio player by whatboutbob |
Location: About 15 feet in front of the right speaker stack, stealthed in my cap (so about 5'8") / Transfer: iRiver H140 > USB > Edit: wav > Soundforge 7.0 > wav > CD Wave > wav / Conversion: wav > flac / Notes: Added fade in/out at beginning/end of show. There is a 10 second recording gap after Hello Again and another after Ants Marching, to restart the iRiver (it has a 75 minute recording limit). |
|
|
04/30/05
|
Fair Grounds Race Course
New Orleans, LA |
1 flac |
|
|
NAK 701s(10 Feet In Front Of Left Repeater) >Luminous Power Supply >M1 @48kHz by Matt Hiles |
Conversion: Master DAT Played Back On A Sony R500 > M Audio Audiophile 2496 > Soundforge (record/resample) > CDWAV (track) > FLAC by Mark Lynn
|
|
|
05/09/05
|
Roseland Ballroom
New York, NY |
2 flac |
|
|
Radio@AOL Webcast from "Stand Up" release party by Mike Peters |
Conversion: Radio@AOL > Sound Forge 8.0 > Cd Wave > FLAC |
|
|
06/01/05
|
UMB Bank Pavilion
Maryland Heights, MO |
2 flac |
|
|
AKG 480/ck63 (A-B, ~16') >Opti-Mod V3 >JB3 by Crumbo |
Location: Left Section Row B Seats 1 and 2 / Conversion: JB3 > Firewire > WaveLab 5.0 > CDWav 1.94.3 > FLAC Frontend 1.7.1 (Level 6) |
|
|
06/01/05
|
UMB Bank Pavilion
Maryland Heights, MO |
2 flac |
|
|
Schoeps MK4V >Schoeps VMS5U >SBM-1 by Jeff Travitz |
Location: Sec Lower Pavilion Left, Row C, Seat 5, 5th row stage right stack /DAT > FLAC: D100 > Emagic Audiowerk2 > Dell Dimension 8200 > Steinberg WaveLab v5.00a > CD-WAV > FLAC frontend v1.7.1 > .flac / Notes: Cut in the master fixed by splicing in Crumbo's source in d3t02 between 18:35-18:50. |
|
|
06/02/05
|
Tweeter Center
Tinley Park, IL |
2 flac |
|
|
at853s >SP-SPSB-6 >AD-20 >Nomad Jukebox 3 (optical in) by Chris Drews |
Location: Section 103, Row H, Seats 1+2 @ 14' / Conversion: JB3 > USB > CDWav > FLAC / Notes: Slight wind noise noticeable between some tracks. A balloon popped about 3 seconds before Time Of The Season. |
|
|
06/02/05
|
Tweeter Center
Tinley Park, IL |
2 flac |
|
|
AKG 480/ck63 (DINa, ~16') >Opti-Mod V3 >JB3 by Crumbo |
Location: Section 102, Row X, Seats 19 & 20 / Conversion: JB3 > Firewire > WaveLab 5.0 > CDWav 1.94.3 > FLAC Frontend 1.7.1 (Level 8) / Notes: Level adjustments throughout OSW. |
|
|
06/04/05
|
Post-Gazette Pavilion at Star Lake
Burgettstown, PA |
2 flac |
|
|
ck63 >Active Cables >JK Labs DVC >Apogee Mini-Me >Apple Powerbook G4 via Spark XL v2.8 @24/48 by Jon Ice |
Location: Sec 1, Row F, stage right stack, stand @ approx. 12' / Conversion: Spark XL v2.8 to track, resample, and dither. xACT to generate flac file set. / Notes: d2t07-d2t10 were taken from the dat backup since the laptop version dropped out towards the end of watchtower. The splice is seamless. |
|
|
06/04/05
|
Post-Gazette Pavilion at Star Lake
Burgettstown, PA |
2 flac |
|
|
Neumann km-184s >Sound Devices MP-2 >Oade Modified Sony SBM-1 >Oade Active Cable >Sony TCD-D100 by Mike Sarnovsky |
Equipment: Sony TCD-D100 -> Monster Coax ->
Digigram 440 -> CD |
|
|
06/05/05
|
Post-Gazette Pavilion at Star Lake
Burgettstown, PA |
2 shn |
|
|
DAK ECM-2001's (~11', right stack) >MXB1002 >JB3 by Timothy Brown |
Location: Sec 5, Row E, Seats 11 & 12 / Transfer: JB3->Firewire->Sony VAIO / Conversion: CDWav 1.93.3 for track splitting; mkwACT 0.97 for SHN conversion |
|
|
06/05/05
|
Post-Gazette Pavilion at Star Lake
Burgettstown, PA |
2 shn |
|
|
AKG 480/ck61 >Lunatec V3 >Tascam DA-P1 by Eric Naylor |
Location: 13th row, house left, 12' stand, A-B mics (angled 45* apart) / Conversion: Tascam DA-20MKII > Audiophile 2496 |
|
|
06/07/05
|
Germain Amphitheatre
Columbus, OH |
2 flac |
|
|
Neumann km-184s >Sound Devices MP-2 >Oade Modified Sony SBM-1 >Oade Active Cable >Sony TCD-D100 by Mike Sarnovsky |
Equipment: Sony TCD-D100 > Monster Coax > Digigram 440 > CD by Mike Sarnovsky / |
|
|
06/07/05
|
Germain Amphitheatre
Columbus, OH |
2 shn |
|
|
AKG 480/ck61 >MP2 >D100 by Bill Formwalt & Linda Stockdale |
Location: Section B, Row G / Conversion: Tascam DA-20 > Audiowerk2 > Sony Sound Forge 7.0 > CDWAV > mkw Audio Compression Tool |
|
|
06/10/05
|
Bonnaroo Music Festival, What Stage
Manchester, TN |
2 flac |
|
|
Schoeps cmc6xt+mk2 >v3 (digital out) >722 (24/96 kHz.)(at board, dfc, split 15') by Joe Waldron |
DSP: 722 > CD Wave > WaveLab 5.0 (fades) > flac frontend (level 6) / Notes: Fades added at beginning and end of set with WaveLab 5.0. A 24 bit version is available. Sector Boundaries verified with shntool v1.2.3
Dither/Resample done with UV22HR in WaveLab 5.0 |
|
|
06/12/05
|
Verizon Wireless Music Center
Noblesville, IN |
2 flac |
|
|
ck63 >Active Cables >JK Labs DVC >Apogee Mini-Me >Apple Powerbook G4 via Spark XL v2.8 @24/48 by Jon Ice |
Location: Sec A, Row G, seats 7-8, stand @ approx. 13' / Conversion: Spark XL v2.8 to track, resample, and dither. xACT to generate flac file set. / Notes: The laptop stopped recording with about 5 seconds left in Tripping Billies so I spliced in the remainder from Crumbo's tape. |
|
|
06/12/05
|
Verizon Wireless Music Center
Noblesville, IN |
2 flac |
|
|
AKG 480/ck63 (A-B, ~16') >Opti-Mod V3 >JB3 by Crumbo |
Location: Section A, Row E, Seats 7 and 8 / Conversion: JB3 > Firewire > WaveLab 5.0 > CDWav 1.94.3 > FLAC Frontend 1.7.1 (Level 6) |
|
|
06/13/05
|
Verizon Wireless Music Center
Noblesville, IN |
2 flac |
|
|
AKG 480/ck63 (A-B, ~7.5') >Opti-Mod V3 >JB3 by Crumbo |
Location: Section C, Row R, Seats 20 and 21 / Conversion: JB3 > Firewire > WaveLab 5.0 > CDWav 1.94.3 > FLAC Frontend 1.7.1 (Level 6) / Notes: Level adjustments throught the show. I had to run the stand low because of the video screens. |
|
|
06/13/05
|
Verizon Wireless Music Center
Noblesville, IN |
2 flac |
|
|
ck63 >Active Cables >JK Labs DVC >Apogee Mini-Me >Apple Powerbook G4 via Spark XL v2.8 @24/48 by Jon Ice |
Location: Sec C, Row L, seats 15-16, stand @ approx. 13' / Conversion: Spark XL v2.8 to track, resample, and dither. xACT to generate flac file set. |
|
|
06/18/05
|
Meadows Music Theatre
Hartford, CT |
2 shn |
|
|
DPA (B&K) 4022s >Lunatec V3 (analog out) >Nordost Red Dawn XLRs >Mytek Stereo 192 @24/96 >Sound Devices 722 by Scott Brown |
Transfer: 722 > PowerbookG4 > Spark XL 2.8.2 (tracking, resample to 44.1, dither to 16 bit) > xACT 1.5b1 > shn / Notes: the full 24/96 copy exists in flac format |
|
|
06/18/05
|
Meadows Music Theatre
Hartford, CT |
2 flac |
|
|
SP-CMC-2A(`12 feet at right stack) >batt box(bass roll off @95Hz) >JB3 by Kazmo Kramer |
Location: 7th row, Right House Stack / Equipment: JB3 > USB > WaveLab 5.0 > CDWav 1.94.3 > FLAC Frontend 1.7.1 (Level 6) |
|
|
06/19/05
|
ctnow.com Meadows Music Theatre
Hartford, CT |
2 shn |
|
|
mk012 >UA5 >Nomad Jukebox 3 >xact >Audacity >Shorten by Adam McCullough |
Location: FOB (Section 200, Row K) |
|
|
06/19/05
|
ctnow.com Meadows Music Theatre
Hartford, CT |
2 flac |
|
|
SP-CMC-2A (`12 feet at left stack) >batt box (bass roll off @95Hz) >JB3 by Kazmo Kramer |
Equipment: > USB > WaveLab 5.0 > CDWav 1.94.3 > FLAC Frontend 1.7.1 (Level 6) |
|
|
06/19/05
|
ctnow.com Meadows Music Theatre
Hartford, CT |
2 flac |
|
|
MK4 >KCy I >VMS 02b IB >SBM1 >DAP1 by Izaak Micah |
Location: Section 200, Row S, Seat 243 /Conversion: Archive Python DDS > dat2wav > WAV File > CDWav 1.6 > FLAC 1.7.1 |
|
|
06/22/05
|
Ford Pavilion at Montage Mountain
Scranton, PA |
2 shn |
|
|
AKG 480/ck61 >Lunatec V3 >Tascam DA-P1 by Eric Naylor |
Location: 5th row, house right, 15' stand, A-B mics / Conversion: Tascam DA-20MKII > Audiophile 2496 |
|
|
06/22/05
|
Ford Pavilion at Montage Mountain
Scranton, PA |
2 flac |
|
|
DAK ECM-2001's (~11', right stack) >MXB1002 >JB3 (WAV @44.1) by Timothy Brown |
Location: Sec. 103, Row GG, Seats 7 & 8 / Transfer: JB3 > Firewire > Sony VAIO / Conversion: CDWav 1.93.3 for track splitting; FLAC frontend 1.7.1 for Flac16 Conversion @ level 5 |
|
|
06/22/05
|
Ford Pavilion at Montage Mountain
Scranton, PA |
2 flac |
|
|
MG M200s (DINA, 11') >Oade M148 >Oade modSBM-1 >TCD-D8 @16/44.1 by Dave Thoma |
Location: 103 Row E Seat 2 (5th row, 30' from stage right stack) / Conversion: D8 > Audiowerk2 > Soundforge 6.0 > Waves L2 > CDWav > Flac Front End / Notes: My D8 lost it's signal (inexplicably) near the end of Two Step. I spliced in another source and the transition is fairly smooth. The rest of the show is error-free. (Final 5:13 from AKG 461 > V3 > JB3 source) |
|
|
06/23/05
|
Verizon Wireless Virginia Beach Amphitheater
Virginia Beach, VA |
2 flac |
|
|
AKG C 414 B-XLS/ST (cards) @ ~ 14' >Lunatec V3 >Sony PCM-M1 by Ian White |
Location: Section ORCH 2, Row E, Seat 3 (5th row/right stack) / Conversion: Sony PCM-R300 > Audiophile 2496 > Goldwave 5.10 > CD Wave 1.94 |
|
|
06/25/05
|
Hersheypark Stadium
Hershey, PA |
2 flac |
|
|
MG M200s (DINA, 11') >Oade M148 >Oade modSBM-1 >Nomad JB3 @ 16/44.1 by Dave Thoma |
Location: Sec. B Row 3 Seat 1 (3rd row, 30' from stage left stack) / Conversion: JB3 > Soundforge 6.0 > Waves L2 > CDWav > Flac Front End |
|
|
06/26/05
|
Nissan Pavilion At Stone Ridge
Bristow, VA |
2 shn |
|
|
Earthworks SR-77 >Sound Devices MP-2 >Graham Patten ADC-20 >Sony M1 by Avi Sareen |
Mics 13 feet up / Equipment: Tascam DA-30 MKII > Monster Coax > Sek'd Prodif Plus > Samplitude v6.0 > CDWave > MKW Audio Compression Tool / DAT > CD Conversion by Avi Sareen / No DAE - DAT > .WAV > .SHN |
|
|
06/28/05
|
Verizon Wireless Amphitheatre
Charlotte, NC |
2 flac |
|
|
MG 200s >Sound Devices 722 by Nick Gregory |
Location: 8 feet high, 15 feet back, DIN, Section 3 Row D, Seats 1 & 2 - LOC / Conversion: SD722 > CD Wave (tracking) > Wavelab 5 (resampling, dithering, adding fades) > FLAC / Notes: A 24/96 copy exists in FLAC format |
|
|
06/29/05
|
Alltel Pavilion at Walnut Creek
Raleigh, NC |
2 flac |
|
|
DPA(B&K) 4011s >V2 >AD2K >M1 by Mark Lynn |
Location: Front Row, Left Side, Mics around 8ft / Conversion: Sony R500 > M Audio Audiophile 2496 > Soundforge (record/resample) > CDWAV (track) > FLAC by Mark Lynn |
|
|
07/01/05
|
Saratoga Performing Arts Center
Saratoga Springs, NY |
2 shn |
|
|
AKG 480/ck61 >Lunatec V3 >Tascam DA-P1 by Eric Naylor |
Location: 1st row behind pit, house left, 16' stand, A-B mics / Conversion: Tascam DA-20MKII > Audiophile 2496 |
|
|
07/02/05
|
Saratoga Performing Arts Center
Saratoga Springs, NY |
2 shn |
|
|
AKG 480/ck61 >Lunatec V3 >Tascam DA-P1 by Eric Naylor |
Location: 1st row behind pit, house right, 16' stand, A-B mics / Conversion: Tascam DA-20MKII > Audiophile 2496 |
|
|
07/05/05
|
Tweeter Center at the Waterfront
Camden, NJ |
2 flac |
|
|
MG M200s (DINA, 13') >Oade M148 >Oade modSBM-1 >Nomad JB3 @ 16/44.1 by Dave Thoma |
Location: P3 Seat 1 (3rd row, 20' from stage right stack) / Conversion: JB3 > Soundforge 6.0 > CDWav > Flac Front End |
|
|
07/06/05
|
Tweeter Center at the Waterfront
Camden, NJ |
2 flac |
|
|
MG M200s (DINA, 13') >Oade M148 >Oade modSBM-1 >Nomad JB3 @ 16/44.1 by Dave Thoma |
Location: P3 Seat 1 (4th row, 20' from stage left stack) / Conversion: JB3 > Soundforge 6.0 > CDWav > Flac Front End |
|
|
07/09/05
|
Tweeter Center for the Performing Arts
Mansfield, MA |
2 flac |
|
|
SP-CMC-2A (`12 feet at right stack) >batt box (bass roll off @ 95Hz) >JB3 by Kazmo Kramer |
Location: Sec 3, Row Q, Seats 3 and 4 / Equipment: JB3 > USB > WaveLab 5.0 > CDWav 1.94.3 > FLAC Frontend 1.7.1 (Level 6) |
|
|
07/10/05
|
Tweeter Center for the Performing Arts
Mansfield, MA |
2 flac |
|
|
SP-CMC-2A (`12 feet at right stack) >batt box (bass roll off @ 95Hz) >JB3 by Kazmo Kramer |
Location: Sec 1, Row K, Seats 10 & 11 / Equipment: JB3 > USB > WaveLab 5.0 > CDWav 1.94.3 > FLAC Frontend 1.7.1 (Level 6) / Notes: Stand gets kicked a few times during the show. |
|
|
07/17/05
|
Sound Advice Amphitheatre
West Palm Beach, FL |
2 flac |
|
|
Schoeps CCM4V cardioids >Schoeps K5LU XLR >Lunatec V3 (HPF 6dB/octave @ 100Hz, 24b/96KHz) >Nuendo Audiolink 96 Multiset >Fujitsu P2120 >WaveLab 4.01b by Paul |
Location: 30? ORTF width pointed at left stack 11' high, sec 3, row Q, seats 11-12, about 10th row / WAV > FLAC: WaveLab 5.01a > CDWAV v1.91 > flac 1.1.2a -8v (no DAE) / Conversion by Paul / Processing: normalize with WaveLab Leveler. Resample to 44.1kHz with Voxengo r8brain v1.8 @ very high quality. Dither to 16 bit with Apogee UV22 HR algorithm |
|
|
07/21/05
|
Riverbend Music Center
Cincinnati, OH |
2 flac |
|
|
ck63 >Active Cables >JK Labs DVC >Apogee Mini-Me >Sony M1 @ 16/48 by Jon Ice |
Location: Section 300, Row B, Seats 303 & 304 @ 11' / Conversion: M1 > Audiowerk2 > Adobe Audition (recording) > Spark XL v2.8 (tracking/resampling) > xACT |
|
|
07/23/05
|
Alpine Valley Music Theatre
East Troy, WI |
2 flac |
|
|
AKG 480/ck63 (A-B, ~16') >Opti-Mod V3 >JB3 by Crumbo |
Location: Section 102, Row F, Seats 100 & 101 / Conversion: JB3 > Firewire > WaveLab 5.0 > CDWav 1.94.3 > FLAC Frontend 1.7.1 (Level 6) |
|
|
07/23/05
|
Alpine Valley Music Theatre
East Troy, WI |
2 shn |
|
|
Neumann km-184s >Sound Devices MP-2 >Oade Modified Sony SBM-1 >Oade Active Cable >Sony TCD-D100 by Mike Sarnovsky |
Location: Second Row, Left Stack / Equipment: Sony TCD-D100 > Monster Coax >
Digigram 440 > CD by Mike Sarnovsky |
|
|
07/24/05
|
Alpine Valley Music Theatre
East Troy, WI |
2 flac |
|
|
AKG 480/ck63 (A-B, ~16') >Opti-Mod V3 >JB3 by Crumbo |
Location: Section 102, Row F, Seats 100 & 101 / Conversion: JB3 > Firewire > WaveLab 5.0 > CDWav 1.94.3 > FLAC Frontend 1.7.1 (Level 6) |
|
|
07/24/05
|
Alpine Valley Music Theatre
East Troy, WI |
2 DVD |
|
|
Sony DVD203 & Cannon ZR70-MC |
Video Tapers: Adam & Walter / Location: Center/Left / Audio Sources: Matrix AUD / Conversion & Author: John II / Notes: Only partial video but audio mix turned out good. |
|
|
07/27/05
|
Darien Lake Performing Arts Center
Darien, NY |
2 shn |
|
|
Schoeps Mk4v >KCY actives >Schoeps VMS5U >Sound Devices 722 @ 24/48 |
Location: Sec 101, 17' high ~10' from Right Stack / Conversion: 722 > Soundforge 8 > CDWAV > SHN |
|
|
07/30/05
|
Randall's Island Park
New York, NY |
2 flac |
|
|
Neumann ak40s (ORTF) @ ~ 10' >Neumann KM100s >Lunatec V3 @ 24/96 >Sound Devices 722 by Ian White |
Location: Section 102, Row Q, Seat 10 (15th row/~ DFC) / Conversion: Sound Devices 722 > Compaq Presario 7120US > CD Wave 1.94 > Goldwave 5.10 > Wavelab 5.01 > flac 1.1.2 |
|
|
07/31/05
|
Randall's Island Park
New York, NY |
2 flac |
|
|
Neumann SKM-140s @ ~ 13' >Lunatec V3 @ 24/96 >Sound Devices 722 by Ian White |
Section: Section 103, Row D, Seat 12 (4th row/left stack) / Conversion: Sound Devices 722 > Compaq Presario 7120US > CD Wave 1.94 > Goldwave 5.10 > Wavelab 5.01 > flac 1.1.2 |
|
|
08/12/05
|
SBC Park
San Francisco, CA |
2 shn |
|
|
Neumann KM140s >Lunatec V2 >Apogee MiniMe >iBook G4 by Mike Vernal |
Section 4, Row 1, Seats 19 & 20 |
|
|
08/13/05
|
SBC Park
San Francisco, CA |
2 shn |
|
|
Neumann KM140s >Lunatec V2 >Apogee MiniMe >iBook G4 by Mike Vernal |
Section 3, Row 15, Seats 18 & 19 |
|
|
08/16/05
|
Sleep Train Amphitheatre
Marysville, CA |
2 flac |
|
|
Schoeps MK4s on DINa bar > KC5 > CMC6XT > SD722 @ 24bit/96khz |
Location: Section 1 row 4 seats 25/26 (15 feet directly in front or Leroi), stand at 7' / Conversion: wav > Soundforge 7.0b (+2dB Waves L2/tracking/resample) > WaveLab 5.0 (UV22-HR dither to 16 bit) / Notes: There were no speakers directly in front of me and with these seats I was not about to move to get in front of any. What you hear in the right channel is one of 2 Meyer MSL-2A used as front fills located about 20 feet off to my right. The left channel is a bit of the right Meyer UM-1c, that is part of the pair they place at the stage lip in front of Dave to cover the first few rows. Most of what is heard in the left channel is coming directly off the stage. The bass is right off Stefan's amps and a lot of drum and cymbal sounds are coming right off Carter's kit. In my opinion this sounds a lot more interesting than the sterile "stack" tapes people are so fond of. Stand was low and there is crowd between and during some of the quieter parts, deal with it. |
|
|
08/19/05
|
The Gorge Ampitheatre
George, WA |
2 flac |
|
|
AKG 480/ck63 (A-B, 12') >Opti-Mod V3 >JB3 by Crumbo |
Location: Section C, Row 6, Seats 1 & 2 / Conversion: JB3 > Firewire > WaveLab 5.0 > CDWav 1.94.3 > FLAC Frontend 1.7.1 (Level 6) |
|
|
08/19/05
|
The Gorge Ampitheatre
George, WA |
2 flac |
|
|
at853s > SP-SPSB-6 > AD-20 > Nomad Jukebox 3 (optical in) by Chris Drews |
Location: Section A, Row 4, Seats 10+11, Mics @ 13' / Conversion: JB3 > Firewire > Coold Edit Pro > CDWav > FLAC / Notes: Fade out/in applied in the encore break. |
|
|
08/20/05
|
The Gorge Amphitheatre
George, WA |
2 flac |
|
|
AKG 480/ck63 (A-B, 12') >Opti-Mod V3 >JB3 by Crumbo |
Location: Section C, Row 2, Seats 1 & 2 / Conversion: JB3 > Firewire > WaveLab 5.0 > CDWav 1.94.3 > FLAC Frontend 1.7.1 (Level 6) / Notes: Part of the encore break cut out so the show could fit on 2 discs and crossfade applied. |
|
|
08/21/05
|
The Gorge Ampitheatre
George, WA |
2 flac |
|
|
AKG 480/ck63 (A-B, 12') >Opti-Mod V3 >JB3 by Crumbo |
Location: Section C, Row 1, Seats 1 & 2 / Conversion: JB3 > Firewire > WaveLab 5.0 > CDWav 1.94.3 > FLAC Frontend 1.7.1 (Level 8) |
|
|
08/25/05
|
Coors Amphitheatre
Chula Vista, CA |
2 flac |
|
|
Neumann KM100 >LC3 active cable > KM40 >Sound Devices 722 (24/96k) by Craig Willoughby |
Location: Section: ORCHR Row A Seats 1,2. Stage Left Stack. Mics at variable height / Conversion: cdwave > wavelab 5.0.1 (dither to 16/44.1 apogee uv22 hf) > flac front end |
|
|
08/27/05
|
Home Depot Center
Carson, CA |
2 flac |
|
|
Neumann KM100 >LC3 active cable > KM40 >Sound Devices 722 (24/96k) by Craig Willoughby |
Location: Section: C Row: 2 Seat 28. Stage right Stack. Mics at 8 feet. / Conversion: cdwave > wavelab 5.0.1 (dither to 16/44.1 apogee uv22 hf) > flac front end / Notes: The mics were low because of the band's video, there is some crowd noise. |
|
|
08/28/05
|
Home Depot Center
Carson, CA |
2 flac |
|
|
Schoeps MK4's >Active Cables >NBox >VxPocket v2 >Sony VAIO PCG-TR3A >Sony Soundforge 7.0a (@ 16/44.1) >CDWave 1.71 >Flac Frontend 1.7.1 Etree Edition by blguillen |
Location: D1, Row 5, Seats 1 & 2; Stand @ ~ 12 Feet |
|
|
08/28/05
|
Home Depot Center
Carson, CA |
1 flac24 |
|
|
Neumann KM100 >LC3 active cable >KM40 >Sound Devices 722 (24/96k) by Craig Willoughby |
Location: Section: D Row: 6 Seat 19. Stage right Stack. Mics at 17 feet. / Conversion: cdwave> flac front end |
|
|
08/30/05
|
Cricket Pavilion
Phoenix, AZ |
2 flac |
|
|
Neumann KM100 >LC3 active cable >KM40 >Sound Devices 722 (24/96k) by Craig Willoughby |
Location: Section: 100 Row: fff Seat 1. Stage left Stack. Mics at 17 feet. / Conversion: cdwave > wavelab 5.0.1 (dither to 16/44.1 apogee uv22 hf) > flac front end |
|
|
09/02/05
|
Verizon Wireless Amphitheater
Selma, TX |
2 flac |
|
|
DPA 4022 >Sound Devices 722 (24/96) by Rick Bendes |
Mic Info: ORTF about 9' feet up, Orch 3, Row N, Seats 23,24 / Lineage: Sound Devices 722 > FireWire > WaveLab 5.0 (24/96 to 16/44 using UV22HR Dither) > CDWave > FLAC / Notes: There are a few audible spots of clipping in the recording, almost exclusively during Too Much. I did my best to remove or minimize these but you might notice a FEW pops. Some I couldn?t do anything about, but most
are gone. I only saw one other taper at the show and he was running at head height. |
|
|
09/02/05
|
Verizon Wireless Amphitheater
Selma, TX |
2 flac |
|
|
(vintage, modified) Gefell MV692Ãs + M94 >Stewart BPS-1Ãs >Nakamichi MX100 >Sony M1 DAT (16/48) by Matt Hiles |
Location: Orchestra 3, Row C, Seat 13, 8? stand / Transfer: Fostex D5-> HHb CDR830 (16/44.1)-> EAC-> CDWave-> FLAC |
|
|
09/03/05
|
Smirnoff Music Centre
Dallas, TX |
2 flac |
|
|
Nakamichi 701Ãs (x-y) >Luminous Monarch >Luminous P/S >Nakamichi MX100 >Sony M1 DAT (16/48) by Matt Hiles |
Location: Center Section 101, Row D, Seats 7+8, 7? stand / Transfer: Fostex D5-> Tascam DV-RA1000 (DSD upsampled)-> Mackie 1202-VLZPro (low cut 75 Hz)-> HHb CDR830 (16/44.1)-> EAC-> CDWave-> FLAC |
|
|
09/05/05
|
Cynthia Woods Mitchell Pavilion
The Woodlands, TX |
2 flac |
|
|
(vintage, 48V modified) Gefell MV692 + M94 >Lunatec V2 >Sony M1 DAT (16/48) |
Location: Center Pit, Row 6, Seats 34+35, 8? stand / Transfer: Fostex D5-> HHb CDR830 (16/44.1)-> EAC-> CDWave-> FLAC |
|
|
09/07/05
|
Verizon Wireless Amphitheatre
Bonner Springs, KS |
2 flac |
|
|
mbho 603/ka200n >mp-2 >mod sbm-1 @ 44.1 >d100 by Ryan Hoyt |
Location: Section 3, Row A, Stand at 9 feet, mics AB / DAT > SHN: d8 > Aopen aw-850 > CDWave > flac |
|
|
09/09/05
|
Red Rocks Ampitheatre
Morrison, CO |
2 flac |
|
|
DAK ECM-2001's (~11'/NOS, Center) >MXB1002 >JB3 (16/44.1) by Timothy Brown |
Location: Row 38, Seats 81 & 82 / Transfer: JB3-> Firewire-> Sony VAIO / Conversion: CDWav 1.93.3 for track splitting; FLAC frontend 1.7.1 for Flac16 Conversion @ level 5 / Notes: About half way through the set the wind picked up a little bit causing some audible shifting. Nothing bad, just wanted to make note of it:-) |
|
|
09/10/05
|
Red Rocks Ampitheatre
Morrison, CO |
2 flac |
|
|
SP-CMC-2A >batt box(bass roll off @ 95Hz) >JB3 by Kazmo Kramer |
Location: Row 14, Seats 85 & 86 / Equipment: JB3 > USB > WaveLab 5.0 > CDWav 1.94.3 > FLAC Frontend 1.7.1 (Level 6) |
|
|
09/11/05
|
Red Rocks Ampitheatre
Morrison, CO |
2 flac |
|
|
DAK ECM-2001's (~9'/NOS/Center) >MXB1002 >JB3 (16/44.1) by Timothy Brown |
Location: Unofficial Tapers Section - Row 16, Behind sound board / Transfer: JB3-> Firewire-> Sony VAIO / Conversion: CDWav 1.93.3 for track splitting; FLAC frontend 1.7.1 for Flac16 Conversion @ level 5 / Notes: This show was quite windy at times. Nothing too bad though. |
|
|
09/11/05
|
Red Rocks Ampitheatre
Morrison, CO |
2 shn |
|
|
DPA (B&K) 4022s >Oade m148 >Nordost Red Dawn XLRs >Mytek Stereo192 @ 24bit/96khz >Sound Devices 722 by Scott Brown |
Location: row 16, dead center behind the board / Transfer: 722 > Apple Powerbook G4 > Spark XL 2.8.2 (normalize, resample to 44.1khz, dither to 16 bit) > xACT 1.5b3 > shn |
|
|
09/12/05
|
Red Rocks Ampitheatre
Morrison, CO |
2 flac |
|
|
SP-CMC-2A >batt box(bass roll off @ 95Hz) >JB3 by Kazmo Kramer |
Location: Row 16, Directly behind soundboard, Center / Equipment: JB3 > USB > WaveLab 5.0 > CDWav 1.94.3>FLAC Frontend 1.7.1 (Level 6)
|
|
|
09/12/05
|
Red Rocks Ampitheatre
Morrison, CO |
1 flac24 |
|
|
Neumann KM100 >LC3 active cable >KM40 >Sound Devices 722 (24/96k) by Craig Willoughby |
Location: Row: 6 Seat 24. Stage left Stack. Mics at 9 feet. / Conversion: cdwave> flac front end / Notes: (enocre/crowd) is cut due to a battery swap on the 722 |
|
|
11/26/05
|
Target Center
Minneapolis, MN |
2 flac |
|
|
AKG 480/ck63 (A-B, ~16') >Opti-Mod V3 >JB3 by Crumbo |
Location: Section 1, Row 4, Seats 1 & 2 / Conversion: JB3 > Firewire > WaveLab 5.0 > CDWav 1.94.3 > FLAC Frontend 1.7.1 (Level 8) |
|
|
11/26/05
|
Target Center
Minneapolis, MN |
2 flac |
|
|
Studio Project C4 >UA-5 (digimod/busman mod) >JB3 by BJ Owens |
Location: Section 113, Row D, Seats 3-4. Stage Right Stack. Mics at 15 feet / Conversion: JB3 > USB > Apple Powerbook G4 > XNJB > Audacity > xACT > .flac |
|
|
11/27/05
|
Qwest Center
Omaha, NE |
2 flac |
|
|
Schoeps MK4V'S >VMS5U >Edriol R1 |
Location: 7th row, left section in front of stack |
|
|
11/29/05
|
Kohl Center (University of Wisconsin)
Madison, WI |
2 flac |
|
|
AKG 480/ck63 (A-B, ~16') >Opti-Mod V3 >JB3 by Crumbo |
Location: Section 001 , Row 4 , Seats 9 & 10 / Conversion: JB3 > Firewire > WaveLab 5.0 > CDWav 1.94.3 > FLAC Frontend 1.7.1 (Level 8) |
|
|
11/29/05
|
Kohl Center (University of Wisconsin)
Madison, WI |
2 flac |
|
|
at853s (cards) >SP-SPSB-6 >AD-20 >Nomad Jukebox 3 by Chris Drews |
Location: Section 001, Row 4, Seats 9+10, Mics @ 16' / Conversion: JB3 > Firewire > Coold Edit Pro > CDWav > FLAC / Notes: There were a few clicks on the original recording, I spliced in Crumbo's source
during those parts. |
|
|
11/30/05
|
Assembly Hall (University of Illinois)
Champaign, IL |
2 flac |
|
|
AKG 460 Ck61 JW Mods >722 @ 24/96 (converted to 16/44.1) by Bob Haag |
Location: Section FL1, Row 3, Seats 1&2 |
|
|
11/30/05
|
Assembly Hall (University of Illinois)
Champaign, IL |
2 flac |
|
|
AKG 480/ck63 (A-B, ~16') >Opti-Mod V3 >JB3 by Crumbo |
Location: Section FL1, Row 8, Seats 5 & 6 / Conversion: JB3 > Firewire > WaveLab 5.0 > CDWav 1.94.3 > FLAC Frontend 1.7.1 (Level 8) / Notes: Cut out 5 minutes of the encore break (crossfade applied) so the show could fit on 2 discs. |
|
|
11/30/05
|
Assembly Hall (University of Illinois)
Champaign, IL |
2 flac |
|
|
Studio Project C4 >UA-5 (digimod/busman mod) >JB3 by BJ Owens |
Location: Section FL 2, Row 6, Seats 12-13. Stage Left Stack. Mics at ~17 feet, 90 degrees, DIN / Conversion: JB3 > USB > Apple Powerbook G4 > XNJB > Audacity > xACT > .flac (Level 6) |
|
|
12/03/05
|
Joe Louis Arena
Detroit, MI |
2 flac |
|
|
DPA 4015 Wide Cardioid by Christopher Jones |
Source: DPA 4015 Wide Cardioid > Luminous Audio Technology Synchestra 4/9's Ag XLR Interconnect > Rupert Neve Designs Portico 5012 Microphone Preamplifier > Luminous Audio Technology Synchestra Signature 6/9's Cu XLR Interconnect > Mytek Digital Stereo192 Analog-to-Digital Converter (@ 24-bit / 96 kHz) > Luminous Audio Technology Allegro Signature 4/9's Ag AES / EBU Digital Interconnect > Sound Devices 722 Hard Disk Recorder (locked to Stereo192 clock @ 96 kHz; 24-bit / 96 kHz) / Location: Section F1, Row 5, Seat 14. Mics A-B at 15', directly in front of stageright stack / HD > .flac: Sound Devices 722 Hard Disk Recorder > Apple Power Mac G4 MP800 mHz / 512MB > T.C. Works' Spark XL 2.8 > xACT 1.4b28 / Resampled and dithered using T.C. Works' respective highest quality resampling and Ultra-Noiseshaping functions. A 24-bit / 96 kHz version of this recording exists in .flac24. |
|
|
12/03/05
|
Joe Louis Arena
Detroit, MI |
2 flac |
|
|
Schoeps Mk41s >kc-y >Sonosax sx-m2/ls2 >Sound Devices 722@24/96 by Sam Lincoln |
Location: Sec F3, Row 21, Seats 1&2. ~12 ft. DIN / Transfer: 722 > Powerbook G4 > Spark XL 2.82 (resample/dither) > xACT > flac |
|
|
12/04/05
|
Air Canada Centre
Toronto, ON |
2 flac |
|
|
Schoeps MK4V's >Schoeps VMS5U >Edriol R1 |
Location: 9th Row, Left Stack |
|
|
12/04/05
|
Air Canada Centre
Toronto, ON |
2 shn |
|
|
Schoeps Mk4v >KCY actives >Schoeps VMS5U >Sound Devices 722 @ 24/48 |
Location: LFLR, Row 9, Seats 1/2 ~16' high / Conversion: 722 > Soundforge 8 > CDWAV > SHN |
|
|
12/06/05
|
Bryce Jordan Center (Penn State University)
University Park, PA |
2 shn |
|
|
AKG 480 / CK61 > Lunatec V3 > Tascam DA-P1 by Eric Naylor |
Location: 8th row, house right, 16' stand, A-B mics / Conversion: Tascam DA-20MKII > Audiophile 2496 |
|
|
12/07/05
|
Blue Cross Arena at the War Memorial
Rochester, NY |
2 shn |
|
|
AKG c391b> UA-5 (bm2)> JB3 by W Clark |
Location: Sec 31, Row G, Seat 1 / Conversion: JB3 > iMac via USB > XNJB > iTunes/xact by W Clark |
|
|
12/07/05
|
Blue Cross Arena at the War Memorial
Rochester, NY |
2 shn |
|
|
AKG 480 / CK61 >Lunatec V3 >Tascam DA-P1 by Eric Naylor |
Location: 7th row, house left, 15' stand, A-B mics / Conversion: Tascam DA-20MKII > Audiophile 2496 |
|
|
12/07/05
|
Blue Cross Arena at the War Memorial
Rochester, NY |
2 shn |
|
|
Schoeps Mk4v >KCY actives >Schoeps VMS5U >Sound Devices 722 @ 24/48 |
Location: Sec 33, Row G, Ailse Seats, Left Stack ~15' high / Conversion: 722 > Soundforge 8 >CDWAV > SHN |
|
|
12/09/05
|
Madison Square Garden
New York, NY |
2 shn |
|
|
DPA (B&K) 4026s (wide cardioid) by Scott Brown |
Source: DPA (B&K) 4026s (wide cardioid) > Lunatec V3 (Analog out) > Nordost Red Dawn XLRs > Mytek Stereo192 > Sound Devices 722 @ 24/96 > Apple PowerBookG4 > Spark XL 2.8.2(tracking, resample to 44.1khz, dither to 16 bit) > xACT 1.55 > shn / Location: Row T, center / Notes: The original 24/96 copy exists in flac format. |
|
|
12/10/05
|
Madison Square Garden
New York, NY |
2 flac |
|
|
AKG 480/ck63 (DIN, ~12') >Opti-Mod V3 >JB3 by Crumbo |
Location: Section 2, Row U, Seats 1 & 2 / Conversion: JB3 > Firewire>WaveLab 5.0 > CDWav 1.94.3 > FLAC Frontend 1.7.1 (Level 6) |
|
|
12/10/05
|
Madison Square Garden
New York, NY |
2 shn |
|
|
DPA (B&K) 4022s >Lunatec V3 (Analog out) >Nordost Red Dawn XLRs >Mytek Stereo192 >Sound Devices 722 @ 24/96 >Apple PowerBookG4 >Spark XL 2.8.2 (tracking, resample to 44.1khz, dither to 16 bit)> xACT 1.55 >shn by Scott Brown |
Location: Row U, center / Notes: The original 24/96 copy exists in flac format. |
|
|
12/12/05
|
Verizon Wireless Arena
Manchester, NH |
2 flac |
|
|
SP-CMC-2A (A-B, ~11') >SP-SPSB-1 w/bass rolloff @ 95 Hz >NJB3 by Jason Johnson |
Location: Sec 1, Row AA, Seats 3+4 / Conversion: NJB3 > USB > WaveLab 5.0a > CDWav 1.71 > Flac Frontend 1.7.1 (Level 8) |
|
|
12/13/05
|
Wachovia Center
Philadelphia, PA |
2 flac |
|
|
DPA(B&K)4011s >Luminous Monarchs >V2 >Luminous Synchestra Signature XLRs >AD2K@ 24/96 >722. SD722 >CD Wave (tracking) >Wavelab 5>FLAC by Mark Lynn |
Location: FOB, 8th Row Right Stack |
|
|
12/13/05
|
Wachovia Center
Philadelphia, PA |
2 shn |
|
|
AKG 480 / CK61 >Lunatec V3 >Tascam DA-P1 by Eric Naylor |
Location: 8th row, house left, 15' stand, A-B mics / Conversion: Tascam DA-20MKII > Audiophile 2496 |
|
|
12/15/05
|
TD Banknorth Garden
Boston, MA |
2 flac |
|
|
AKG 480b/ck61 (DIN) >Oade W/+ mod UA-5 >Nomad JB3 by PGrow (PG) |
Location: Floor A, Row 3, Seats 11 & 12, Stand @ ~12 / Conversion: NJB3 > USB > Cooledit > CDWave > FLAC Frontend (Level 6). Fades (Intro, Encore break) done in Cooledit Pro 2.0 |
|
|
12/15/05
|
TD Banknorth Garden
Boston, MA |
2 flac |
|
|
SP-CMC-2A >batt box(bass roll off @ 97Hz) >JB3 by Kazmo Kramer |
Location: Floor A, Row 3, Seats 11 & 12, Stand @ ~12 / Equipment: JB3 > USB > WaveLab 5.0 > CDWav 1.94.3 > FLAC Frontend 1.7.1 (Level 6) by Kazmo Kramer |
|
|
05/30/06
|
UMB Bank Pavilion
Maryland Heights, MO |
2 flac |
|
|
AKG 480/ck61 (DINa, ~16') >V3 (analog out) >SD 722 (24/96) by Crumbo |
Location: Right Section, Row B, Seat 1 & 2 / Conversion: SD 722 > CD Wav 1.94.4 > Wavelab 5.01b (resample, dither w/MegaBitMax) > xACT 0.5.7 (Level 6) > foobar2000 / Notes: This is the 16/44.1 fixed version. Click and pops removed with the audio error detection and correction tool in Wavelab 5.01b. The 24/96 version exists in flac format. |
|
|
05/31/06
|
Verizon Wireless Amphitheatre
Bonner Springs, KS |
2 flac |
|
|
Studio Projects C4 >Edirol R-4 @ 24bit 96khz >Tracking & Dither to 16/44.1 in CDWav |
|
|
|
06/02/06
|
Verizon Wireless Music Center
Noblesville, IN |
2 flac |
|
|
AKG ck63 >Active Cables >JK Labs DVC >Sound Devices 722 @ 24/96 by Jon Ice |
Location: Sec A, Row J, Seats 3 & 4 @ 14' / Conversion: Firewire > Hard Drive. Tracked, resampled, and dithered in Spark XL v2.82. Sector boundary fixes and flac encoding by xACT. / Notes: Stand almost fell over during the encore break. |
|
|
06/02/06
|
Verizon Wireless Music Center
Noblesville, IN |
2 flac |
|
|
Schoeps mk4s >kc-5 >cmc-6xt >Sound Devices 722@24/96 by Sam Lincoln |
Location: Sec C, Row L ~12ft A/B / Transfer: 722 > Powerbook G4 > Spark XL 2.82 (resample/dither) > xACT > flac by Sam Lincoln / Notes: A 24/96 copy also exists. |
|
|
06/03/06
|
Verizon Wireless Music Center
Noblesville, IN |
2 flac |
|
|
at853s >SP-SPSB-6 >UA-5 (w-mod) >JB3 by Chris Drews |
Location: Section A, Row P, Seats 4 & 5, Mics @ 15' / Conversion: JB3 > Firewire > Cool Edit Pro > CDWav > FLAC |
|
|
06/06/06
|
DTE Energy Music Theatre
Clarkston, MI |
2 flac |
|
|
Schoeps mk4s >kc-5 >cmc-6xt >Sound Devices 722@24/96 by Sam Lincoln |
Location: Sec RT2, Row I, Seats 27 & 28 ~12ft A/B / Transfer: 722 > Powerbook G4 > Spark XL 2.82 (resample/dither) > xACT > flac by Sam Lincoln |
|
|
06/14/06
|
Darien Lake Performing Arts Center
Darien, NY |
2 flac |
|
|
AKG 480/ck61 >Lunatec V3 >Tascam DA-P1 >MicroTrack 24/96 by Eric Naylor |
Location: Row 5, house right, 15' stand, A-B mics / Conversion: MicroTrack 24/96 > PC |
|
|
06/16/06
|
Saratoga Performing Arts Center
Saratoga Springs, NY |
2 flac |
|
|
AKG 480/ck63 (A-B, ~13') >V3 (analog out) >SD 722 (24/96) by Crumbo |
Location: Section 2, Row R, Seats 126 & 128 / Conversion: SD 722 > CDWav 1.94.4 > Wavelab 5.01b (resample, dither w/ MegaBitMax) >xACT 0.5.7 (level 6) foobar2000 / Notes: The 24/96 version exists in flac format. |
|
|
06/17/06
|
Saratoga Performing Arts Center
Saratoga Springs, NY |
2 flac |
|
|
AKG 480/ck63 (A-B, ~13') >V3 (analog out) >SD 722 (24/96) by Crumbo |
Location: Section 5, Row G, Seats 21 & 23 / Conversion: SD 722 > CDWav 1.94.4 > Wavelab 5.01b (resample, dither w/ MegaBitMax) > xACT 0.5.7 (level 8) > foobar2000 / Notes: The 24/96 version exists in flac format. |
|
|
06/21/06
|
Alltel Pavilion at Walnut Creek
Raleigh, NC |
2 flac |
|
|
SP-C4's (Cardioids, X/Y, ~13') >PS2-AD20 >JB3(Optical In) by Timothy Brown |
Location: 5th Row, Right Stack / Transfer: JB3 > Firewire > Sony VAIO / Processing: Fade in and fade out applied using SoundForge 8.0 / Conversion: CDWav 1.93.3 for track splitting; FLAC frontend 1.7.1 for Flac16 Conversion @ level 5 |
|
|
06/23/06
|
Hershey Park Stadium
Hershey, PA |
2 flac |
|
|
SP-C4's (Cardioids,-10db pad,A/B,~11') >PS2-AD20 >JB3(Optical In) by Timothy Brown |
Location: 9th Row, Right Stack / Transfer: JB3 > Firewire > PC / Processing: Normalized to -1.0db (SF8.0), fade in and fade out applied (SF8.0) / Conversion: CDWav 1.93.3 for track splitting; FLAC frontend 1.7.1 for Flac16 Conversion @ level 5 |
|
|
06/24/06
|
Nissan Pavilion at Stone Ridge
Bristow, VA |
2 flac |
|
|
SP-C4's (Cardioids,-10db pad,A/B,~13') >PS2-AD20 >JB3(Optical In) by Timothy Brown |
Location: 9th Row, Right Stack / Transfer: JB3 > Firewire > PC / Processing: Normalized to -1.0db (SF8.0), fade in and fade out applied (SF8.0) / Conversion: CDWav 1.93.3 for track splitting; FLAC frontend 1.7.1 for Flac16 Conversion @ level 5 |
|
|
06/27/06
|
Tweeter Center at the Waterfront
Camden, NJ |
2 flac |
|
|
SP-C4's (Cardioids,-10db pad,A/B,~13') >PS2-AD20 >JB3(Optical In) by Timothy Brown |
Location: 5th Row, Just inside the Right Stack / Transfer: JB3 > Firewire > Sony Vaio / Processing: Normalized to -1.0db (SF8.0), fade in and fade out applied (SF8.0) / Conversion: CDWav 1.93.3 for track splitting; FLAC frontend 1.7.1 for Flac16 Conversion @ level 5 |
|
|
06/28/06
|
Tweeter Center on the Waterfront
Camden, NJ |
2 flac |
|
|
SP-C4's (Cardioids,-10db pad,~30 degree split,~13') >PS2-AD20 >JB3(Optical In) by Timothy Brown |
Location: 20th Row, Right Stack / Transfer: JB3 > Firewire > Sony Vaio / Processing: Normalized to -1.0db (SF8.0), fade in and fade out applied (SF8.0) / Conversion: CDWav 1.93.3 for track splitting; FLAC frontend 1.7.1 for Flac16 Conversion @ level 5 |
|
|
07/01/06
|
Alpine Valley Music Theatre
East Troy, WI |
2 flac |
|
|
AKG 480/ck63 (A-B, ~16') >V3 (analog out) >SD 722 (24/96) by Crumbo |
Location: Section 102, Row F, Seats 100 & 101 / Conversion: SD 722 > Wavelab 5.01b (resample, dither w/MegaBitMax) > CDWav 1.94.4 > foobar2000 / Notes: 24/96 version exists in flac format |
|
|
07/02/06
|
Alpine Valley Music Theatre
East Troy, WI |
2 flac |
|
|
AKG 480/ck63 (A-B, ~16') >V3 (analog out) >SD 722 (24/96) by Crumbo |
Location: Section 102, Row F, Seats 100 & 101 / Conversion: SD 722 > Wavelab 5.01b (resample, dither w/MegaBitMax) > CDWav 1.94.4 > foobar2000 / Notes: 24/96 version exists in flac format |
|
|
07/04/06
|
Virginia Beach Amphitheater
Virginia Beach, VA |
2 flac |
|
|
Sennheiser MKH-800s (cards) @ ~ 15' >Apogee Mini-MP >Sound Devices 722 @ 24/96 by Ian White |
Section ORCH 3, Row D, Seats 3 & 4 / Conversion: Sound Devices 722 > HP Pavilion > Goldwave 5.14 > CD Wave 1.94 > Wavelab 5.01 > flac 1.1.0 / Note: You can hear the fireworks in the background that started towards the end of Stay. The band remained on stage gathered with family and friends until the end of the display. |
|
|
07/05/06
|
Toyota Pavillion At Montage Mountain
Scranton, PA |
2 shn |
|
|
AKG 480/ck61 >Lunatec V3 >MicroTrack 24/96 by Eric Naylor |
Location: 7th row, house left, 15' stand, A-B mics / Conversoin: MicroTrack 24/96 > PC |
|
|
07/07/06
|
Fenway Park
Boston, MA |
2 flac |
|
|
AKG 480/ck61 >Lunatec V3 >Sony PCM-M1 by Kazmo Kramer |
Location: Secton A3 Row 4 Seat 6 / Transfer: Tascam DA-20 MKII > M-Audiophile USB > CDWave version 1.94.5 > FLAC Frontend / Edits: Encore break shortened and intro/outro fades done in Cooledit Pro 2.1 / Transfer/Edits/Tracking by: Peter Grow |
|
|
07/08/06
|
Fenway Park
Boston, MA |
2 flac |
|
|
SP-CMC-2A(A-B @ `15) >SP-SPSB-1 w/bassrolloff @ 95Hz >Nomad JB3 by Kazmo Kramer |
Location: Section A3 Seat 6 / Conversion: Nomad JB3 > USB > WaveLab 5.0a > CDWav 1.71 > Flac Frontend 1.7.1 (Level 8) |
|
|
07/28/06
|
New England Dodge Music Center
Hartford, CT |
2 flac |
|
|
SP-CMC-2A(A-B @ `12) >SP-SPSB-1 w/bassrolloff @ 95Hz >Nomad JB3 by Kazmo Kramer |
Location: Section 100 Row F seats 101 and 102 / Conversion: Nomad JB3 > Fire Wire > WaveLab 5.0a > CDWav 1.71 > Flac Frontend 1.7.1 (Level 8) |
|
|
07/29/06
|
New England Dodge Music Center
Hartford, CT |
2 shn |
|
|
DPA (B&K) 4026s (wide cardioid) >Sound Devices 722 @ 24bit/88.2khz by Scott Brown |
Location: Section 100, row E, seat 1 / Transfer: 722 > Apple MacBook Pro > Spark XL 2.8.2 (tracking, dither & resample to 16bit/44.1khz) > xACT 1.58 > shn / Notes: This is a 16/44.1 copy for CD. The original 24/96 copy exists in flac format. I cut out 10 minutes of crowd during the encore break to make the show fit onto 2 cds. The 24/96 copy contains the full encore break. |
|
|
08/25/06
|
Verizon Wireless Amphitheater
Irvine, CA |
2 flac |
|
|
Schoeps MK4 >active cables >Nbox+ >IRiver iHP-120 (Rockbox) by Jon Koch |
Location: Orch Pit Row 4, Seat 103, Mics DIN ~16' / Transfer: IRiver iHP-120 > USB > PC / Edit: wav > Sony Soundforge 7.0b > wav > CD Wave > wav / Conversion: wav > FLAC frontend 1.7.1 > .flac / Notes: Notes: Random retards that didn't even belong in the pit grabbed the stand at various times
(total of 3 I'm aware of) during the night. There may be a minor "pop" at these points. |
|
|
08/26/06
|
Coors Amphitheatre
Chula Vista, CA |
2 flac |
|
|
Neumann KM40 caps >LC3 Active Cables >Neumann KM100 Bodies >Lunatec V3 (pre only) >Sound Devices 722 (24/29) >CD Wav >WavLab 5 (dither/resample) |
Location: COrch Row 2, Seat 1, stand 15' |
|
|
08/28/06
|
Hollywood Bowl
Hollywood, CA |
2 flac |
|
|
Schoeps MK4v >KC5 active cables >Schoeps CMC6 >Sound Devices 722 by Jon Koch |
Location: Garden Box 71 Seats 1 &2, Mics ORTF ~ 4' / Transfer: 722 > PC / Edit: wav > Sony Soundforge 7.0b > wav > CD Wave > wav / Conversion: wav > FLAC frontend 1.7.1 > .flac / Notes: Notes: Stand was forced to run at 4 1/2' due to power tripping Bowl security. Their reasoning was a drunk could come and grab it and run off and hurt someone. |
|
|
09/01/06
|
The Gorge Amphitheatre
George, WA |
2 shn |
|
|
Neumann KM140s >Lunatec V2 >Sound Devices 722 (24/44.1) by Mike Vernal |
Location: Section A, Row 9, Seats 23 & 24 |
|
|
09/02/06
|
Gorge Amphitheatre
George, WA |
2 shn |
|
|
Neumann KM140s >Lunatec V2 >Sound Devices 722 (24/44.1) by Mike Vernal |
Location: Section C, Row 21, Seats 13 & 14 |
|
|
09/03/06
|
Gorge Amphitheatre
George, WA |
2 shn |
|
|
Neumann KM140s >Lunatec V2 >Sound Devices 722 (24/44.1) by Mike Vernal |
Location: Section A, Row 9, Seats 23 & 24 |
|
|
09/22/06
|
John Paul Jones Arena, University of Virginia
Charlottesville, VA |
2 flac |
|
|
MBHO-KA200Ns(DINa,~11'on stand) >MBHO-603As >PS2 >AD20 >JB3(Optical In) by Timothy Brown |
Location: 12th row, right stack / Transfer: JB3 > Firewire > PC / Processing: Fade in and fade out applied using SoundForge 8.0 / Conversion: CDWav 1.93.3 for track splitting; FLAC frontend 1.7.1 for Flac16 Conversion @ level 5 |
|
|
09/23/06
|
John Paul Jones Arena, University of Virginia
Charlottesville, VA |
2 flac |
|
|
MBHO-KA200Ns(DINa,~10'on stand) >MBHO-603As >Denecke PS2 >Denecke AD20 >Creative JB3(Optical In) by Timothy Brown |
Location: 20th row, left stack / Transfer: JB3 > Firewire > PC / Processing: Fade in and fade out applied using SoundForge 8.0 / Conversion: CDWav 1.93.3 for track splitting; FLAC frontend 1.7.1 for Flac16 Conversion @ level 5 |
|
|
10/21/06
|
Shoreline Amphitheatre
Mountain View, CA |
1 flac |
|
|
Audience Schoeps CCM4 >Aerco >SBM1 >D8 |
Transfer: DAT > R500 > MBox > ProTools > xACT1.5b3 > flac(8) |
|
|
10/22/06
|
Shoreline Amphitheatre
Mountain View, CA |
1 flac |
|
|
Audience Schoeps CCM4 >Aerco >SBM1 >D8 |
Transfer: DAT > R500 > MBox > ProTools > xACT1.5b3 > flac(8) |
|
|
05/01/07
|
Vodafone Arena
Melbourne, Australia |
2 flac |
|
|
Audix m1290 cards (A-B) >UA-5 (bm2p+) >iriver H140 (rockbox digi-in) by Adam |
Location: 12ft from the right fill / Conversion: iriver > USB > Adobe Audition > CDWav 1.94.3 > FLAC Frontend 1.7.1 (Level 8) |
|
|
05/02/07
|
Festival Theatre
Adelaide, Australia |
2 flac |
|
|
Audix m1290 cards (DIN) >UA-5 (bm2p+) >iriver H140 (rockbox digi-in) by Adam |
Location: stage lip, 2ft from the left fill / Conversion: iriver > USB > Adobe Audition > CDWav 1.94.3 > FLAC Frontend 1.7.1 (Level 8) |
|
|
05/04/07
|
Brisbane Convention Center
Brisbane, Australia |
2 flac |
|
|
Audix m1290 cards (DIN) >UA-5 (bm2p+) >iriver H140 (rockbox digi-in) by Adam |
Location: 20ft from the right stack @ 10ft / Conversion: iriver > USB > Adobe Audition > CDWav 1.94.3 > FLAC Frontend 1.7.1 (Level 8) |
|
|
05/23/07
|
The Point
Dublin, Ireland |
2 flac |
|
|
AKG c1000 >Sony SBM-1 >Sony PCM-M1 >Edirol UA-1D >Wave >Encoded by FLAC v1.1.2a with FLAC Frontend v1.7.1 |
Recorded by Rob Stahman / Location: Block B, 1st row center behind soundboard. Mics taped to rail about 12' above floor (no stands allowed) / Notes: Solid show for the opening night of the Euro tour. Band sounds great, audience was receptive. Excellent recording (IMHO), with a nice mix of band and audience (no audible screamers). |
|
|
05/27/07
|
Forest National
Brussels, Belgium |
2 flac |
|
|
at853s >SP-SPSB-6 >UA-5 (w-mod) >IRiver iHP-120 (Rockbox) by Chris Drews |
GA Floor, 50' Back From Right Stack, Mics @ 14' / Conversion: IRiver iHP-120 > USB > Coold Edit Pro > CDWav > FLAC / Notes: The crowd was a bit rowdy at times and the stand was on the elevated portion of the floor which caused it to shake at some points throughout the show. It's hardly
noticeable for the most part. |
|
|
07/07/07
|
Giants Stadium
East Rutherford, NJ |
1 shn |
|
|
Sirius Radio (Sportster Replay) >MT 24/48 |
|
|
|
07/08/07
|
Toyota Park
Bridgeview, IL |
2 flac |
|
|
Schoeps MK4 (DIN, ~15') >KC5 active cables >Schoeps CMC6xt >SD 722 (24/96) by Crumbo |
Location: Section A2, Row 7, Seats 3 & 4 / Conversion: SD 722 > Wavelab 5.01b (resample, dither w/MegaBitMax) > CDWav 1.95.1 > xACT 0.5.9 > foobar2000 / Notes: 24/96 version exists in flac format |
|
|
08/01/07
|
Tweeter Center For The Performing Arts
Mansfield, MA |
2 flac |
|
|
CA STC-11's >ST-9100 >H120 |
Setup: DIN, ~60' from secondary stacks, 10' high / Transfer: H120 > shntool split > flac / Taped, Transferred, Seeded by SmokinJoe / Notes: Crash has a 13 sec patch from my AT853 > R09 |
|
|
08/04/07
|
New England Dodge Music Center
Hartford, CT |
2 flac |
|
|
AKG 483 >UA-5 (BM2p+) >MT (24/48) |
Location - Section 100, Row K, Seat 107 / Taper: W Clark |
|
|
08/04/07
|
New England Dodge Music Center
Hartford, CT |
2 flac |
|
|
CA-STC-11 (DIN @ 7 feet) >CA ST-9100 Preamp >iRiver H-120(Rockbox) |
Location: Section 200 Row G / Conversion: iRiver > USB > WaveLab 5.0a > CDWav 1.71 > Flac Frontend 1.7.1 (Level 8) / Taper: Kazmo Kramer / Notes: Stand was just over head height due to video cameras |
|
|
08/05/07
|
New England Dodge Music Center
Hartford, CT |
2 flac |
|
|
CA-STC-11 (A-B @ 13 feet) >CA ST-9100 Preamp >iRiver H-120(Rockbox |
Location: Section 300 Row D / Conversion: iRiver > USB > WaveLab 5.0a > CDWav 1.71 > Flac Frontend 1.7.1 (Level 8) / Taper: Kazmo Kramer / Notes: Levels adjusted durning d1t02 |
|
|
08/07/07
|
Tweeter Center At The WaterfrontÂÂ
Camden, NJ |
2 flac |
|
|
Schoeps MK4V's |
Schoeps VMS5U >
Edriol R1 |
|
|
08/08/07
|
Tweeter Center At The WaterfrontÂÂ
Camden, NJ |
2 flac |
|
|
Sennheiser MKH-800s (12',ORTF) >Edirol R4 (@ 24/96) |
Location: Sec 202, SBD area / Transfer: R4->USB->PC / Processing: Dither, resample, fade in and fade out applied using SoundForge 8.0 / Conversion: CDWav 1.93.3 for track splitting and Flac16 Conversion @ level 5 / Taper: Timothy Brown
|
|
|
08/11/07
|
Nissan Pavilion @ Stone Ridge
Bristow, VA |
2 flac |
|
|
Oktava MC012 (XY) >Digi-mod UA5 >Microtrack (16/44.1) |
Location: Sec. 101, Row R, Seats 50-51 / Transfer: Microtrack > Sound Forge 6 > CD Wave > Flac / Taper: Ron Powell |
|
|
08/14/07
|
Saratoga Performing Arts Center
Saratoga Springs, NY |
2 flac |
|
|
AKG 483 >UA-5 (BM2p+) >MT (24/48) |
Location - Section 7, Row P, Seat 3 |
|
|
08/15/07
|
Verizon Wireless Amphitheater
Virginia Beach, VA |
2 flac |
|
|
SP-CMC-8 (A-B config. @ approx 12 ft.) >CA ST-9100 >JB3 @ 44.1 wav |
Location: Section 101, Row Y, Seats 9 & 10 [To the right of the right stacks] / Transfer: JB3 > USB 2.0 > (xnjb) > Mac Pro / Processing: Audacity used to repair random spikes, amplify, fade in / out, and split tracks (in that order) / FLAC 16 Conversion: xACT @ Level 8 / Taper: Danny Taylor / Notes: Venue security hassled the crap out of me while setting up. Finally had to move back to the back of Section 101 and fix my stand to the back rail. |
|
|
08/17/07
|
Verizon Wireless Music Center
Noblesville, IN |
2 flac |
|
|
Schoeps MK4 >Active Cables >CMC6U Bodies >Oade ACM Mod Lunatec V3 @ 24/96 >Sound Devices 702 |
Location: Din ~ 14', Sec A, Row M / Conversion: Adobe Audition to normalize, resample, and dither > CD Wav > xACT / Taper: Jon Ice
|
|
|
08/17/07
|
Verizon Wireless Music Center
Noblesville, IN |
2 flac |
|
|
Schoeps MK4 (DIN, ~15') >KC5 active cables >Schoeps CMC6xt >SD 722 (24/96) |
Location: Section A, Row M, Seats 4 & 5 / Conversion: SD 722 > Wavelab 5.01b (resample, dither w/MegaBitMax) > CDWav 1.95.1 > xACT 0.5.9 > foobar2000 / Taper: Crumbo |
|
|
08/17/07
|
Verizon Wireless Music Center
Noblesville, IN |
2 flac |
|
|
Schoeps MK4 >active cables >Nbox+ >IRiver iHP-120 (Rockbox) |
Location: Mics DIN ~14' Sec A Row M, Seats 11 & 12 / Transfer: IRiver iHP-120 > USB > PC / Edit: wav > Sony Soundforge 7.0b > wav > CD Wave > wav / Conversion: wav > FLAC frontend 1.7.1 > .flac / Taper: Jon Koch / Notes: Intro has been cut in order to make the show fit on 2 discs. You're not missing anything. |
|
|
08/17/07
|
Verizon Wireless Music Center
Noblesville, IN |
2 flac |
|
|
Sound Professionals CMC-2A's >GSA Battery Box w/ bass rolloff >iRiver iHP-120 @ 44.1 wav |
Location: Section C Row P Seats 12 and 13 / Conversion: iRiver iHP-120 > Audacity (Slight EQ, Fades) > FLAC (Level 8) / Taper: Mike Peters / Notes: There was a pretty stiff wind down in the low corner of Sec C, there is some wind noise late in the show, the most offensive noise is on Sister. |
|
|
08/17/07
|
Verizon Wireless Music Center
Noblesville, IN |
2 flac |
|
|
Studio Projects C4's >Edirol UA5 >Creative Nomad Jukebox @48k/16bit |
Location: Section C, Row Y, Seat 1 (Aisle) / Conversion: JB3 (Firewire) -> Soundforge 8.0 (Dither, Fades) -> CDWave -> FLAC (Level7) / Taper: Drew McIntosh / Notes: There is some wind presence; mainly on the second disc during Sister and Still Water. |
|
|
08/18/07
|
Verizon Wireless Music Center
Noblesville, IN |
2 flac |
|
|
Schoeps mk41s >kc-5 >cmc-6xt >Sound Devices 722@24/96 |
Location: Sec G, Row G, Seats 6&7 ~15 ft. DIN / Transfer: 722 > MacBook > Peak Pro 5.21 (edits) > Spark XL 2.82 (tracking) > xACT > flac / Taped/Transfer: Sam Lincoln |
|
|
08/18/07
|
Verizon Wireless Music Center
Noblesville, IN |
2 flac |
|
|
at853s >SP-SPSB-6 >UA-5 (w-mod) >IRiver iHP-120 (Rockbox) |
Location: Section A, Row L, Seats 17+18, Mics @ 16' / Conversion: IRiver iHP-120 > USB > Coold Edit Pro > CDWav > FLAC / Taper: Chris Drews |
|
|
08/18/07
|
Verizon Wireless Music Center
Noblesville, IN |
2 flac |
|
|
Source: Schoeps MK4 (DIN, ~15') >KC5 active cables >Schoeps CMC6xt >SD 722 (24/96) |
Location: Section A, Row J, Seats 3 & 4 / Conversion: SD 722 > Wavelab 5.01b (resample, dither w/MegaBitMax) > CDWav 1.95.1 > xACT 0.5.9 > foobar2000 / Taper: Crumbo |
|
|
08/18/07
|
Verizon Wireless Music Center
Noblesville, IN |
2 flac |
|
|
Schoeps MK4 >active cables >Nbox+ >IRiver iHP-120 (Rockbox) |
Location: Mics DIN ~13' Sec C Row L, Seat 15 / Transfer: IRiver iHP-120 > USB > PC / Edit: wav > Sony Soundforge 7.0b > wav > CD Wave > wav / Conversion: wav > FLAC frontend 1.7.1 > .flac / Taper: Jon Koch |
|
|
08/18/07
|
Verizon Wireless Music Center
Noblesville, IN |
2 flac |
|
|
Sound Professionals CMC-2A's >GSA Battery Box w/ bass rolloff >iRiver iHP-120 @ 44.1 wav |
Location: Section C Row L Seats 15 and 16 (Mics at ~15ft) / Conversion: iRiver iHP-120 > Sound Forge 9.0 (Slight EQ, Fades) > FLAC (Level 8) / Taper: Mike Peters |
|
|
08/20/07
|
Blossom Music Center
Cuyahoga Falls, OH |
2 flac |
|
|
Schoeps MK4 (DIN, ~15') >KC5 active cables >Schoeps CMC6xt >SD 722 (24/96) |
Location: Section 14, Row O, Seats 1 & 2 / Conversion: SD 722 > Wavelab 5.01b (resample, dither w/MegaBitMax) > CDWav 1.95.1 > xACT 0.5.9 > foobar2000 / Taper: Crumbo |
|
|
08/22/07
|
Riverbend Music Center
Cincinnati, OH |
2 flac |
|
|
Schoeps MK4 >Active Cables >CMC6U Bodies >Oade ACM Mod Lunatec V3 @ 24/96 >Sound Devices 702 |
Location: Din ~ 14', Sec 300, row D / Conversion: Adobe Audition to normalize, resample, and dither > CD Wav > xACT / Taper: Jon Ice |
|
|
08/23/07
|
DTE Energy Music Theatre
Clarkston, MI |
2 flac |
|
|
Schoeps Mk4 >kc-5 >cmc-6xt >722 @ 24/96 |
Location: Sec RT2, Row I, Seats 15&16, ~ 12 ft A/B / Transfer: 722 > MacBook > Peak Pro 5.21 (normalize, resample, dither) > xACT > Flac / Taped/Transfer: Sam Lincoln |
|
|
08/25/07
|
Alpine Valley Music Theatre
East Troy, WI |
2 flac |
|
|
Schoeps MK4 (DIN, ~15') >KC5 active cables >Schoeps CMC6xt >SD 722 (24/96) |
Location: Section 102, Row F, Seats 100 & 101 / Conversion: SD 722 > Wavelab 5.01b (resample, dither w/MegaBitMax) > CDWav 1.95.1 > xACT 0.5.9 > foobar2000 / Taper: Crumbo |
|
|
08/25/07
|
Alpine Valley Music Theatre
East Troy, WI |
2 flac |
|
|
Neumann AK40 >LC3 >km100(AB, ~15') >BMP2+UA-5 >MT2496 @ 16bit/44.1khz |
Location: Sec 102 Row F Seat 100 / Transfer: MT2496 > USB > Powerbook G4 / Processing: Sound Studio 3 (normalized to -1 db,EQ) / Conversion: Sound Studio 3 (tracking) > xACT 1.61(level 8) / Taper: Chris Howell |
|
|
08/26/07
|
Alpine Valley Music Theatre
East Troy, WI |
2 flac |
|
|
Schoeps MK4 (DIN, ~15') >KC5 active cables >Schoeps CMC6xt >SD 722 (24/96) |
Location: Section 102, Row F, Seats 100 & 101 / Conversion: SD 722 > Wavelab 5.01b (resample, dither w/MegaBitMax) > CDWav 1.95.1 > xACT 0.5.9 > foobar2000 / Taper: Crumbo |
|
|
08/28/07
|
Verizon Wireless Amphitheatre
Bonner Springs, KS |
2 flac |
|
|
Schoeps MK4V's >Schoeps VMS5U >Edriol R1 |
Location: 10th row, left stack |
|
|
08/31/07
|
Gorge Amphitheatre
George, WA |
2 flac |
|
|
Neumann KM140s >Lunatec V2 >Sound Devices 722 (24/96) |
Location: Section C, Row 6, Seats 1 & 2 / Taper: Mike Vernal |
|
|
09/01/07
|
Gorge Amphitheatre
George, WA |
2 flac |
|
|
Neumann KM140s >Lunatec V2 >Sound Devices 722 (24/96) |
Location: Section B, Row 26, Seats 1 & 2 / Taper: Mike Vernal |
|
|
09/02/07
|
Gorge Amphitheatre
George, WA |
2 flac |
|
|
Schoeps MK4 >active cables >Nbox+ >IRiver iHP-120 (Rockbox) |
Location: Mics DIN ~13' Sec A Row 9, Seats 11 & 12 / Transfer: IRiver iHP-120 > USB > PC / Edit: wav > Sony Soundforge 7.0b > wav > CD Wave > wav / Conversion: wav > FLAC frontend 1.7.1 > .flac / Taper: Jon Koch |
|
|
09/06/07
|
Lane Stadium, Virginia Tech
Blacksburg, VA |
2 flac |
|
|
Sennheiser MKH-800s (subcards) @ ~ 13' >Sound Devices Mix Pre >Edirol R09 @ 16/44.1 |
Location: Section A2, Row 5, Seats 11 & 12 / Conversion: Edirol R09 > Dell Latitude > Goldwave 5.20 > flac 1.2.0 / Taper: Ian White |
|
|
09/08/07
|
Piedmont Park
Atlanta, GA |
2 flac |
|
|
Schoeps MK4 (DIN, ~15') >KC5 active cables >Schoeps CMC6 >PMD 671 (24/48) |
Location: VIP Section on the hill / Conversion: PMD 671 > Audacity > CDwave > Wavmerge > Flac Frontend / Taper: Jeff Brock |
|
|
09/11/07
|
Stephen O'Connell Center, Univ. of Florida
Gainesville, FL |
2 flac |
|
|
Schoeps MCM6 MK4 (AB, ~15') >V3 >PMD 671 (24/96) |
Location: Floor Row G Seats 1&2 15' from left stack / Conversion: PMD 671 > Audacity > CDwave > Wavmerge > Flac Frontend / Taper: Jeff Brock |
|
|
09/12/07
|
Ford Amphitheater
Tampa, FL |
2 flac |
|
|
Schoeps MK4 (DIN, ~16') >KC5 >CMC6 >V3 >PMD 671 (24/48) |
Location: Orch 3 Row P Seat 18 / Conversion: PMD 671 > Audacity > CDwave > Flac Frontend / Taper: Jeff Brock |
|
|
09/14/07
|
Sound Advice Amphitheatre
West Palm Beach, FL |
2 flac |
|
|
Source: Schoeps MK4 (DIN, ~11') >KC5 >CMC6 >V3 >PMD 671 (24/48) |
Location: Sec 2 Row X seat 39 / Conversion: PMD 671 > Audacity > CDwave > Flac Frontend / Taper: Jeff Brock / Notes: 24/48 version exists in flac format |
|
|
09/15/07
|
Sound Advice Amphitheatre
West Palm Beach, FL |
2 flac |
|
|
Source: Schoeps MK4 (AB, ~12') >KC5 >CMC6 >V3 >PMD 671 (24/48) |
Location: Sec 3 Row X seat 5 / Conversion: PMD 671 > Audacity > CDwave > Flac Frontend / Taper: Jeff Brock / Notes: 24/48 version exists in flac format |
|
|
09/18/07
|
Alltel Pavilion at Walnut Creek
Raleigh, NC |
2 flac |
|
|
Schoeps MK4 >KC5 >CMC6 >Lunatec V3 >Marantz PMD-671 @ 24/48 |
Location: 9 ft high, ORTF, Section 2, Row N, Seat 10 (just right of center) / Conversion: 24 bit 48 k wav files resampled to 44.1 with Sound Forge 6.0 at highest quality settings and dithered to 16 bit, split into tracks with CD Wave, fades at beginning & end of show with Sound Forge 6.0, FLAC files generated with FLAC front end / Taper: Robbie Dunn |
|
|
09/19/07
|
Verizon Wireless Amphitheatre Charlotte
Charlotte, NC |
2 flac |
|
|
Shure SM81s (X/Y) >Marantz PMD660 |
Location: Section 1 row Q seats 24 & 25 @ ~10ft / Transfer: Marantz PMD660 > USB > .WAV > GoldWave > FLAC (dbpoweramp); Sector Boundary Errors fixed using Trader's Little Helper / Taped and transferred by Gary Burdick / Notes: Some level adjustments during A Dream So Real |
|
|
09/25/07
|
Cricket Pavilion
Phoenix, AZ |
2 flac |
|
|
Schoeps MK4 >active cables >Nbox+ >IRiver iHP-120 (Rockbox) |
Location: Mics DIN ~13' Sec 104 Row B, Seats 3 & 4 / Transfer: IRiver iHP-120 > USB > PC / Edit: wav > Sony Soundforge 7.0b > wav > CD Wave > wav / Conversion: wav > FLAC frontend 1.7.1 > .flac / Taper: Jon Koch |
|
|
09/26/07
|
Verizon Wireless Amphitheater
Irvine, CA |
2 flac |
|
|
Schoeps MK4 >active cables >Nbox+ >IRiver iHP-120 (Rockbox) |
Location: Mics DIN, Back of soundbooth / Transfer: IRiver iHP-120 > USB > PC / Edit: wav > Sony Soundforge 7.0b > wav > CD Wave > wav / Conversion: wav > FLAC frontend 1.7.1 > .flac / Taper: Jon Koch |
|
|
10/01/07
|
Hollywood Bowl
Hollywood, CA |
2 flac |
|
|
Schoeps MK4 >active cables >Nbox+ >IRiver iHP-120 (Rockbox) |
Location: Mics DIN ~11', FOH / Transfer: IRiver iHP-120 > USB > PC / Edit: wav > Sony Soundforge 7.0b > wav > CD Wave > wav / Conversion: wav > FLAC frontend 1.7.1 > .flac / Taper: Jon Koch |
|
|
10/02/07
|
Hollywood Bowl
Hollywood, CA |
2 flac |
|
|
Schoeps MK4 >active cables >Nbox+ > IRiver iHP-120 (Rockbox) |
Location: Mics DIN ~12', FOH / Transfer: IRiver iHP-120 > USB > PC / Edit: wav > Sony Soundforge 7.0b > wav > CD Wave > wav / Conversion: wav > FLAC frontend 1.7.1 > .flac / Taper: Jon Koch |
|
|
11/13/07
|
IZOD Center
East Rutherford, NJ |
2 flac |
|
|
DPA (B&K) 4023s > Lunatec V3 (HPF2) >Audio Magic Illusion QL XLRs > Mytek Stereo 192 ADC @24bit, 48khz >Audio Magic Illusion QL Digital XLR >Sound Devices 722 |
Location: Section 7, row K, seat 7 / Transfer: 722 > Apple MacBook Pro > Spark Xl 2.8.2 (tracking, resample to 44.1khz, dither to 16 bit) > xACT 1.63 > flac / Recorded by Scott Brown |
|
|
11/14/07
|
Eisenhower Hall, U.S. Military Academy
West Point, NY |
2 flac |
|
|
DPA (B&K) 4023s >Lunatec V3 (HPF2) >Audio Magic Illusion QL XLRs >Mytek Stereo 192 ADC @24bit, 48khz >Audio Magic Illusion QL Digital XLR >Sound Devices 722 |
Location: At the Soundboard, ~15 feet up, XY / Transfer: 722 > Apple MacBook Pro > Spark Xl 2.8.2 (tracking, resample to 44.1khz, dither to 16 bit) > xACT 1.63 > flac / Recorded by Scott Brown |
|
|
11/15/07
|
Eisenhower Hall, U.S. Military Academy
West Point, NY |
2 flac |
|
|
DPA (B&K) 4023s >Lunatec V3 (HPF2) >Audio Magic Illusion QL XLRs >Mytek Stereo 192 ADC @24bit, 48khz >Audio Magic Illusion QL Digital XLR >Sound Devices 722 |
Location: At the Soundboard, ~15 feet up, XY / Transfer: 722 > Apple MacBook Pro > Spark Xl 2.8.2 (tracking, resample to 44.1khz, dither to 16 bit) > xACT 1.63 > flac / Recorded by Scott Brown |
|
|
05/30/08
|
Post-Gazette Pavilion At Star Lake
Burgettstown, PA |
2 flac |
|
|
AKG483 (DIN @ 15 Feet) > Edirol UA-5 (Busman2P+mod) > iRiver H120 (Optical) |
Taper: Kazmo Kramer / Conversion: NJB3 > Firewire > WaveLab 5.0a > CDWav 1.71 >Flac Frontend 1.7.1 (Level 8) |
|
|
05/31/08
|
Post-Gazette Pavilion At Star Lake
Burgettstown, PA |
2 flac |
|
|
Sennheiser MKH 8040 (A-B, ~17') > SD 722 (24/96) |
Taper: Crumbo / Location: Section 1, Row H, Seat 17 & 18 / Conversion: SD 722 > Wavelab 5.01b (resample, dither w/MegaBitMax) > CDWav 1.97 > xACT 0.5.9 > foobar2000 |
|
|
06/03/08
|
Susquehanna Bank Center
Camden, NJ |
2 flac |
|
|
Akg460mods/ck63 hyper caps (bass rolloff) > UA5 preamp > Nomad JB3 (Optical In) |
Taper: Rockinman / Location: Behind Soundboard, DFC, Stand at 9 feet / Transfer: JB3 > Firewire > PC / Processing: No normalization, Waves L3 Volume Maximizer applied using SoundForge 8.0., fade in & fade out applied / Conversion: CD Wave Editor for track splitting and Flac16. Conversion @ level 5 / Notes: Had security issues with stand height. Gradually raised stand to 9 feet during first 2 minutes of The Dreaming Tree. No problems after that point. I noticed occasional wind noise despite using windscreens,but nothing too noticeable. |
|
|
06/04/08
|
Susquehanna Bank Center
Camden, NJ |
2 flac |
|
|
Akg460mods/ck63 hyper caps(bass rolloff) >UA5 preamp >Nomad JB3 (Optical In) |
Taper: Rockinman / Location: Behind Soundboard,DFC,Stand at 11 feet / Transfer: JB3 > Firewire > PC / Processing: No normalization, Waves L3 Volume Maximizer applied using SoundForge 8.0., fade in & fade out applied / Conversion: CD Wave Editor for track splitting and Flac16. Conversion @ level 5 / Notes: Once again had security issues with stand height. Gradually raised stand to 9 feet then warned twice to lower stand then finally convinced the head of security that higher was better after fans complained that lower was NOT better. Finally raised stand to 11 feet just after Two Step. |
|
|
06/06/08
|
Toyota Park
Bridgeview, IL |
2 |
|
|
Studio Projects C4's (Cardioid Caps/Bass Rolloff) > Edirol UA-5 (Digimod) > iRiver iHP-120 (Optical In) |
Taper: Mike Peters / Location: FOH, right rail, Mics @ ~10ft (AB) / Transfer: iRiver iHP-120 > Sound Blaster X-Fi Xtreme 7.1ch (Optical) > Sound Forge 9.0 > FLAC Frontend (Level 8) / Notes: Slight "bump" during the beginning of Dreaming Tree from something hitting the stand. Some phasing from the heavy winds in Chicago. Slight "pops" during Thank You from someone trying to shake the railing and thus shaking my cables - I did my best to smooth them. iRiver issues forced me to transfer this back to PC via Sound Blaster X-Fi Xtreme optical rather than in solid state. |
|
|
06/07/08
|
Busch Stadium
St. Louis, MO |
2 flac |
|
|
Schoeps MK4V's > Schoeps VM5U > Edirol R 4 |
Taper: Jeff Travitz |
|
|
06/07/08
|
Busch Stadium
St. Louis, MO |
2 flac |
|
|
Neumann km-184s > Lunatec V3 > Sound Devices 722 |
Taper: Mike Sarnovsky / Location: Front Row Roi Side / Conversion: Mike Sarnovsky / Equipment: 722 -> FLAC |
|
|
06/09/08
|
DTE Energy Music Theatre
Clarkston, MI |
2 flac |
|
|
Oktava MK219 (X/Y @ 17') > Battery Box > iRiver h320 (Rockbox) @ 44.1khz |
Taper: Matt Hucul / Location: Section RT2, Row G, Seat 25 / Conversion: iRiver 320 > Adobe Audition (editing) > CDwave v1.95 > Flac Frontend (at level 6) / Notes: Small split-second pop of noise from the input cable on d1t04 at 06:19. |
|
|
06/10/08
|
Toyota Pavilion At Montage Mountain
Scranton, PA |
2 flac |
|
|
Akg460mods/ck61 cardioid caps(bass rolloff) > UA5 preamp > Nomad JB3 (Optical In) |
Taper: Rockinman / Location: Behind Soundboard,DFC,Stand at 11 feet / Transfer: JB3 > Firewire > PC / Processing: No normalization, Waves L3 Volume Maximizer applied using SoundForge 8.0., fade in & fade out applied / Conversion: CD Wave Editor for track splitting and Flac16. Conversion @ level 5 |
|
|
06/13/08
|
New England Dodge Music Center
Hartford, CT |
2 flac |
|
|
AKG 480s/ck61 (A-B, 15') > HiHo Custom Cables > Marantz ACM-671 (Kingston Elite Pro 45X 8 GB Compact Flash) |
Taper: Jason Johnson / Location: 100 K / Conversion: Dynex Card Reader > WaveLab 5.01b > CDWav 1.96.1 > xACT 0.5.9 > Foobar2000
|
|
|
06/14/08
|
New England Dodge Music Center
Hartford, CT |
2 flac |
|
|
Source: AKG481 (ORTF @ 14 Feet) > Edirol UA-5 (Busman2P+mod) > iRiver H120 (Optical) |
Taper: Kazmo Kramer / Location: Center / Conversion: NJB3 > Firewire > WaveLab 5.0a > CDWav 1.71 > Flac Frontend 1.7.1 (Level 8) |
|
|
06/17/08
|
Darien Lake Performing Arts Center
Darien, NY |
2 flac |
|
|
AKG483 > FR2-le (24/48) |
Taper: W Clark / Location: 101, Row 8, Seat 7 |
|
|
06/18/08
|
Molson Amphitheatre
Toronto, ON |
2 flac |
|
|
Akg460mods/ck63 hyper caps (bass rolloff) > UA5 preamp > Nomad JB3 (Optical In) |
Taper: Rockinman / Location: Behind Soundboard,DFC,Stand at 11 feet / Transfer: JB3 > Firewire > PC / Processing: No normalization, Waves L3 Volume Maximizer applied using SoundForge 8.0., fade in & fade out applied / Conversion: CD Wave Editor for track splitting and Flac16. Conversion @ level 5 / Notes: A Canadian wind was present during the quiet/slow parts prior to Cornbread. I had to lower the stand to attach the windscreens I forgot to put on at first. Wind noise is present during the beginning of Everyday. The crowd in the VIP boxes close to the mic stand were a little exuberent but they were great Canadian dudes and they enjoyed the show immensely so you'll have to beg their pardon, eh? |
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06/20/08
|
Saratoga Performing Arts Center
Saratoga Springs, NY |
2 flac |
|
|
AKG 480s/ck61 (A-B, 15') > HiHo Custom Cables > Marantz ACM-671 (Kingston Elite Pro 45X 8 GB Compact Flash) |
Taper: Jason Johnson / Location: PIT right / Conversion: Dynex Card Reader > WaveLab 5.01b > CDWav 1.96.1 > xACT 0.5.9 > Foobar2000 |
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|
06/21/08
|
Saratoga Performing Arts Center
Saratoga Springs, NY |
2 flac |
|
|
Schoeps MK41's > Schoeps VST62ui > Sound Devices 744t (@24/48) |
Tapped & Transferred by Keith Litzenberger / Location: Section 6, Row S / Conversion: 744t > Soundforge 9 (Fades, Sample Rate and Bit Rate Conversion) > CDWAV > FLAC |
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|
06/24/08
|
Comcast Center for the Performing Arts
Mansfield, MA |
2 flac |
|
|
Akg460mods/ck63 hyper caps (bass rolloff) > UA5 preamp > Nomad JB3 (Optical In) |
Taper: Rockinman / Location: Behind Soundboard,DFC,Stand at 12 feet / Transfer: JB3 > Firewire > PC / Processing: No normalization, Waves L3 Volume Maximizer applied using SoundForge 8.0., fade in & fade out applied / Conversion: CD Wave Editor for track splitting and Flac16. Conversion @ level 5 |
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|
06/25/08
|
Comcast Center for the Performing Arts
Mansfield, MA |
2 flac |
|
|
Akg460mods/ck61 cardioid caps (bass rolloff) > UA5 preamp > Nomad JB3 (Optical In) |
Taper: Rockinman / Location: Behind Soundboard,DFC,Stand at 12 feet / Transfer: JB3 > Firewire > PC / Processing: No normalization, Waves L3 Volume Maximizer applied using SoundForge 8.0., fade in & fade out applied / Conversion: CD Wave Editor for track splitting and Flac16. Conversion @ level 5 |
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|
06/27/08
|
Hersheypark Stadium
Hershey, PA |
2 flac |
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|
AKG C460Bs/CK 61-ULS (ORTF, ~12ft on stand) > Kind Kables > PS2 > AD20 > JB3 (Optical In) |
Taper: Timothy Brown / Location: FOH, SBD area, just LOC / Transfer: JB3 > Firewire > PC / Processing: Fade-in and fade-out applied using Sound Forge 8.0 / Conversion: CDWav 1.93.3 for track splitting and Flac16 Conversion @ level 5 / Tagging: Band name, Venue and Song Title in Foobar2000 |
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|
06/28/08
|
Nissan Pavilion At Stone Ridge
Bristow, VA |
2 flac |
|
|
AKG C460Bs/CK 61-ULS (ORTF, ~12ft on stand) >Kind Kables >PS2 >AD20 >JB3(Optical In) |
Taper: Timothy Brown / Location: FOH, SBD area / Transfer: JB3 > Firewire > PC / Processing: Fade-in and fade-out applied using Sound Forge 8.0 / Conversion: CDWav 1.93.3 for track splitting and Flac16 Conversion @ level 5 / Tagging: Band name, Venue and Song Title in Foobar2000 |
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06/28/08
|
Nissan Pavilion At Stone Ridge
Bristow, VA |
2 flac |
|
|
Akg460mods/ck63 hypercaps(bass rolloff)>UA5 preamp>Nomad JB3(Optical In) |
Taper: Rockinman / Location: Behind Soundboard, DFC, Stand at 10 feet / Transfer: JB3-> Firewire-> PC / Processing: No normalization, Waves L3 Volume Maximizer applied using SoundForge 8.0., fade in & fade out applied / Conversion: CD Wave Editor for track splitting and Flac16 Conversion @ level 5 |
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07/01/08
|
Verizon Wireless Amphitheatre
Charlotte, NC |
2 flac |
|
|
Sennheiser MKH 8040 (DINa, ~15') > SD 722 (24/48) |
Taper: Crumbo / Location: Section 1 Row M Seats 28 & 29 / Conversion: SD 722 > Wavelab 5.01b (resample, dither w/MegaBitMax) > CDWav 1.97 > xACT 0.5.9 > foobar2000 / Notes: 24/48 Version exists in flac format |
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07/02/08
|
Time Warner Cable Music Pavilion At Walnut Creek
Raleigh, NC |
2 flac |
|
|
Sennheiser MKH 8040 (DINa, ~15') > SD 722 (24/48) |
Taper: Crumbo / Location: Section 1 Row K Seats 20 & 21 / Conversion: SD 722 > Wavelab 5.01b (resample, dither w/MegaBitMax) > CDWav 1.97 > xACT 0.5.9 > foobar2000 / Notes: 24/48 Version exists in flac format |
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07/04/08
|
Joseph P. Riley, Jr. Park
Charleston, SC |
2 flac |
|
|
DPA4023 > AETA PSP 2 > 744t at 24/48 |
Taper: Jeff Brock / Location: FOB slightly right of center @ 12' ORTF / Transfer: 744t > USB > PC / Edit: wav > samplitude > wav > CD Wave > wav / Conversion: wav > FLAC frontend 1.7.1 > .flac / Notes: Flac files exist in 24/48 |
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07/05/08
|
Double JJ Ranch
Rothbury, MI |
2 flac |
|
|
Schoeps MK41s > kc-5 > cmc-6xt > 722 @24/96 |
Recorded/Transfered: Sam Lincoln / Location: sbd, DIN ~12ft / Transfer: 722 > MacBook > Wave Editor 1.3.3 (resample, dither) > xACT > FLAC |
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07/07/08
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Lakewood Amphitheatre
Atlanta, GA |
2 flac |
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|
Schoeps mk21 > kc5 > cmc6 > Aeta PSP2 > 744t at 24/48 |
Taper: Jeff Brock / Location: Section 101 Row G seats 15 & 16 17' high about 20' in front of right stack / Transfer: 744t > USB > PC / Edit: wav > samplitude > wav > CD Wave > wav / Conversion: wav > FLAC frontend 1.7.1 > .flac / Notes: Flac files exist in 24/48 |
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07/09/08
|
Ford Amphitheater At The Florida State Fairgrounds
Tampa, FL |
2 flac |
|
|
Source: Mk4V > kc5 > cmc6 > AETA PSP 2 > 744t at 24/48 |
Taper: Jeff Brock / Location: Orch 3 row N seats 7 and 8 30' from right stack @ 14' / Transfer: 744t > USB > PC / Edit: wav > samplitude > wav > CD Wave > wav / Notes: Flac files exist in 24/48 |
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07/11/08
|
Cruzan Amphitheatre
West Palm Beach, FL |
2 flac |
|
|
dpa4023 > v3 > 744t at 24/48 |
Taper: Jeff Brock / Location: sec 3 row F seats 3 and 4 20' from right stack @ 15' / Transfer: 744t > USB > PC / Edit: wav > samplitude > wav > CD Wave > wav / Conversion: wav > traders little helper > .flac / Notes: Flac files exist in 24/48 |
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07/12/08
|
Cruzan Amphitheatre
West Palm Beach, FL |
2 flac |
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|
dpa4023 > v3 > 744t at 24/48 |
Taper: Jeff Brock / Location: against rail 5' from right stack at 14' / Transfer: 744t > USB > PC / Edit: wav > samplitude > wav > CD Wave > wav / Conversion: wav > traders little helper > .flac / Notes: Flac files exist in 24/48 |
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07/20/08
|
Dick's Sporting Goods Park
Commerce City, CO |
2 flac |
|
|
Mile High Music Festival Webcast |
Taper: Chris Cameron / Transfer: Freecorder > PC / Conversion: Nero for track splitting. WAV>FLAC (Level 8) / Notes: slight volume change about half way through the show. I guess i adjusted the volume in the middle of the show without thinking, so sorry about that :) but other than that
the webcast sounds great! |
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07/22/08
|
Qwest Center
Omaha, NE |
2 flac |
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|
dpa 4028 > v2* > 722 |
Taper: Ryan Hoyt / Location: Floor, Row 10, mics DINa, stand at 14' |
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07/25/08
|
Verizon Wireless Music Center
Noblesville, IN |
2 flac |
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|
Studio Projects C4's (Cardioid Caps/Bass Rolloff) -> Edirol UA-5 (Digimod) -> iRiver iHP-120 (Optical In) |
Taper: Mike Peters / Location: Soundboard / Transfer: iRiver iHP-120 -> Sound Forge 9.0 -> CDWav -> FLAC Frontend (Level 8) |
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07/25/08
|
Verizon Wireless Music Center
Noblesville, IN |
2 flac |
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|
Schoeps CCM4 (DINa, ~17') > SD 722 (24/48) |
Taper: Crumbo / Location: Section C, Row L, Seats 1 & 2 / Conversion: SD 722 > Wavelab 5.01b (resample, dither w/MegaBitMax) > CDWav 1.97 > xACT 0.5.9 > foobar2000 / Notes: 24/48 Version exists in flac format |
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07/26/08
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Verizon Wireless Music Center
Noblesville, IN |
2 flac |
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|
Studio Projects C4's (Cardioid Caps/Bass Rolloff) -> Edirol UA-5 (Digimod) -> iRiver iHP-120 (Optical In) |
Taper: Mike Peters / Location: Soundboard / Transfer: iRiver iHP-120 -> Sound Forge 9.0 -> CDWav -> FLAC Frontend (Level 8) |
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07/26/08
|
Verizon Wireless Music Center
Noblesville, IN |
2 flac |
|
|
Schoeps CCM4 (DINa, ~17') > SD 722 (24/48) |
Taper: Crumbo / Location: Section C, Row N, Seats 1 & 2 / Conversion: SD 722 > Wavelab 5.01b (resample, dither w/MegaBitMax) > CDWav 1.97 > xACT 0.5.9 > foobar2000 / Notes: 24/48 Version exists in flac format |
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07/29/08
|
Crew Stadium
Columbus, OH |
2 flac |
|
|
Schoeps CCM4 (DINa, ~12') > SD 722 (24/48) |
Taper: Crumbo / Location: Section A2, Row 11, Seats 21 & 22 / Conversion: SD 722 > Wavelab 5.01b (resample, dither w/MegaBitMax) > CDWav 1.97 > xACT 0.5.9 > foobar2000 / Notes: 24/48 Version exists in flac format |
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07/30/08
|
Blossom Music Center
Cuyahoga Falls, OH |
2 flac |
|
|
Schoeps CCM4 (DINa, ~12') > SD 722 (24/48) |
Taper: Crumbo / Location: Section 12, Row H, Seats 1 & 2 / Conversion: SD 722 > Wavelab 5.01b (resample, dither w/MegaBitMax) > CDWav 1.97 > xACT 0.5.9 > foobar2000 / Notes: 24/48 Version exists in flac format |
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08/01/08
|
Louisville Slugger Field
Louisville, KY |
2 flac |
|
|
AKG460mods/ck63 hypercaps(bass rolloff) > Edirol UA-5 (Digimod) > iRiver iHP-120 |
Taper: Mike Peters / Location: Right of Soundboard / Transfer: iRiver iHP-120 -> Sound Forge 9.0 -> CDWav -> FLAC Frontend (Level 8) |
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08/05/08
|
Riverbend Music Center
Cincinnati, OH |
2 flac |
|
|
Studio Projects C4's (Cardioid Caps/Bass Rolloff) -> Edirol UA-5 (Digimod) -> iRiver iHP-120 (Optical In) |
Taper: Mike Peters / Location: Pit Row E Seat 1 mics AB @ ~13ft / Transfer: iRiver iHP-120 > Sound Forge 9.0 > FLAC Frontend (Level 8) |
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08/07/08
|
Verizon Wireless Amphitheater
Virginia Beach, VA |
2 flac |
|
|
Sennheiser MKH-800s > Sound Devices 722 @ 24/96 |
Taper: Ian White / Location: Directly behind SBD/DFC / Conversion: Sound Devices 722 > Gateway GT5412 > Goldwave 5.25 > CD Wave 1.95 > flac 1.1.3 |
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08/09/08
|
Alpine Valley Music Theatre
East Troy, WI |
2 flac |
|
|
dpa4023 > v3 > 744t at 24/48 |
Taper: Jeff Brock / Location: sec 103 row J seat 18 and 20 front of right stack / Transfer: 744t > USB > PC / Edit: wav > samplitude > wav > CD Wave > wav / Conversion: wav > traders little helper > .flac / Notes: Flac files exist in 24/48 |
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08/10/08
|
Alpine Valley Music Theatre
East Troy, WI |
2 flac |
|
|
dpa4023 > v3 > 744t at 24/48 |
Taper: Jeff Brock / Location: sec 102 row L seats 137 and 138 front of left stack / Transfer: 744t > USB > PC / Edit: wav > samplitude > wav > CD Wave > wav / Conversion: wav > traders little helper > .flac / Notes: Flac files exist in 24/48 |
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08/13/08
|
AT&T Bricktown Ballpark
Oklahoma City, OK |
2 flac |
|
|
Milab VM-44 Link -> Lunatec V2 -> Korg MR-1000 (1bit/2.8MHz DSD) |
Taper: Matt Hiles / Location: front row, right stack, 10àstand / Transfer: Korg MR-1000 -> AudioGate (16/44) -> CD Wave-> FLAC |
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08/15/08
|
Cynthia Woods Mitchell Pavilion
The Woodlands, TX |
2 flac |
|
|
Nakamichi 702ÃÂs (omni) -> Luminous Audio P/S -> Korg MR-1 (1bit/2.8MHz DSD) |
Taper: Matt Hiles / Location: front row, right stack, 8àhigh / Transfer: Korg MR-1 -> AudioGate (16/44) -> CD Wave -> FLAC |
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08/16/08
|
Superpages.com Center
Dallas, TX |
2 flac |
|
|
DPA 4021 > ACM V3 > 744 |
Taped and Transferred by OFOTD / Location: FOH, ORTF, 12' / Transfer: 744 (24/48) > SoundForge 9.0e (MBIT+) > CDWave > FLAC (6) / Notes: 24 bit copy of this source available |
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08/19/08
|
Staples Center
Los Angeles, CA |
2 flac |
|
|
Schoeps MK4 > active cables > Nbox+ > IRiver iHP-120 (Rockbox) |
Taper: Jon Koch / Location: Mics DIN ~12', RFC in corner of soundbooth / Transfer: IRiver iHP-120 > USB > PC / Edit: wav > Sony Soundforge 7.0b > wav > CD Wave > wav / Conversion: wav > FLAC frontend 1.7.1 > .flac / Notes: And so ends a very sad day. I'll leave it to the DMB crew to say it best (see below). Rest in peace, Roi. We all love and will miss you. -- As we sat this afternoon contemplating the loss of our brother, we wondered how we could possibly do a show today. Dave put it into perspective stating, "There's no place I'd rather be than here with you guys right now." We cherish special memories of our lost friend. Tonight, Dave told a story about LeRoi at a bar in Virginia where the cash register was near the stage and LeRoi leaned on the register because "standing had become a chore". Roi proceeded to play the most beautiful version of Somewhere Over The Rainbow. Dave said, "that was the day I fell in love with him. And I'm still in love with him." It's safe to say we all were in love with him. "It's always easier to leave, than to be left." -DM |
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|
08/20/08
|
Staples Center
Los Angeles, CA |
2 flac |
|
|
Schoeps MK4 > active cables > Nbox+ > IRiver iHP-120 (Rockbox) |
Taper: Jon Koch / Location: Mics DIN ~14', RFC in corner of soundbooth / Transfer: IRiver iHP-120 > USB > PC / Edit: wav > Sony Soundforge 7.0b > wav > CD Wave > wav / Conversion: wav > FLAC frontend 1.7.1 > .flac |
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|
08/22/08
|
Cricket Wireless Amphitheatre
Chula Vista, CA |
2 flac |
|
|
Schoeps MK4 > active cables > Nbox+ > IRiver iHP-120 (Rockbox) |
Taper: Jon Koch / Location: Mics DIN ~13' DFC, front left of soundbooth / Transfer: IRiver iHP-120 > USB > PC / Edit: wav > Sony Soundforge 7.0b > wav > CD Wave > wav / Conversion: wav > FLAC frontend 1.7.1 > .flac |
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|
08/23/08
|
Cricket Wireless Pavilion
Phoenix, AZ |
2 flac |
|
|
Zoom H2, 120 degree (rear) mics (wav, 44.1 kB), low gain, recording level 115, with windsock > SanDisc > PC > CD Wave Editor (split tracks) > TLH (Align on Sector Boundaries checked, Encoding Level 6) |
Recorded by Eric and Sarah Gardner, Section 303 Seats 13 & 14 / Notes: A very hot night and the passing of founding member and saxophonist LeRoi Moore on August 19, 2008 brought on a strong performance by the band. It rained a little and then the wind kicked up. I haven't noticed that either affected the recording too much (I heard one good thud that I suspect was a raindrop hitting the windsock, but I haven't listened to every second of it yet either). Clapping is minimal, but there were two women in the row right in front of me that talked constantly (it is apparent at times during the recording, but not terrible). They obviously were not big DMB fans; obvious by comments about ìLet's hear some, like, good tunes like ????î and ìHe's from Australia, dude, I'm telling ya...î. Oh well, I don't think it ruins the recording by any means. Kinda funny. |
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|
08/29/08
|
The Gorge Amphitheatre
George, WA |
2 flac |
|
|
Schoeps MK4 > active cables > Nbox+ > IRiver iHP-120 (Rockbox) |
Taper: Jon Koch / Location: Mics DIN ~13' Sec C Row 10, Seats 7 & 8 / Transfer: IRiver iHP-120 > USB > PC / Edit: wav > Sony Soundforge 7.0b > wav > CD Wave > wav / Conversion: wav > FLAC frontend 1.7.1 > .flac / Notes: This was a VERY windy night. |
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|
08/30/08
|
The Gorge Amphitheatre
George, WA |
2 flac |
|
|
Neumann KM140s > Lunatec V2 > Sound Devices 722 (24/96) |
Taper: Mike Vernal / Location: Section A, Row 17, Seats 13 & 14
|
|
|
08/31/08
|
The Gorge Amphitheatre
George, WA |
2 flac |
|
|
Schoeps MK4 > active cables > Nbox+ > IRiver iHP-120 (Rockbox) |
Taper: Jon Koch / Location: Mics DIN ~13' Sec A Row 5 / Transfer: IRiver iHP-120 > USB > PC / Edit: wav > Sony Soundforge 7.0b > wav > CD Wave > wav / Conversion: wav > FLAC frontend 1.7.1 > .flac |
|
|
09/05/08
|
Greek Theatre, Univ. of California
Berkeley, CA |
2 flac |
|
|
Schoeps CCM4 (DINa, ~12') > SD 722 (24/48) |
Taper: Crumbo / Location: Behind the Soundboard, DFC / Conversion: SD 722 > Wavelab 5.01b (resample, dither w/MegaBitMax) > CDWav 1.97 > xACT 0.5.9 > foobar2000 / Notes: 24/48 Version exists in flac format |
|
|
09/06/08
|
Greek Theatre, Univ. of California
Berkeley, CA |
2 flac |
|
|
AKG 480s/ck63s (DIN, 13') > HiHo Custom Cables > Marantz ACM-671 (24/48) |
Taper: Jason Johnson / Location: Behind SBD, Center / Conversion: Dynex Card Reader > WaveLab 5.01b > CDWav 1.97 > xACT 0.5.9 > Foobar2000 / Notes: 24/48 version also exists |
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|
09/07/08
|
Greek Theatre, Univ. of California
Berkeley, CA |
2 flac |
|
|
Schoeps CCM4 (DINa, ~12') > SD 722 (24/48) |
Taper: Crumbo / Location: Behind the Soundboard, DFC / Conversion: SD 722 > Wavelab 5.01b (resample, dither w/MegaBitMax) > CDWav 1.97 > xACT 0.5.9 > foobar2000 / Notes: 24/48 Version exists in flac format
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|
|
09/10/08
|
Madison Square Garden
New York, NY |
2 flac |
|
|
Akg460mods/ck63 hyper caps(bass rolloff)>UA5preamp>Nomad JB3(Optical In) |
Taper: Rockinman / Location: Right stack, Sec 1, Row O, seats 1 & 2, mics A-B,Stand height @ 7 feet / Transfer: JB3-> Firewire-> PC / Processing: No normalization, Waves L3 Volume Maximizer applied using SoundForge 8.0., fade in & fade out applied / Conversion: CD Wave Editor for track splitting and Flac16 Conversion @ level 5 / Notes: Notes: Due to setup location, the stand had to be lowered to be out of the video camera's sight. As a result, audience chatter can be heard particularly early on and later in show. Had some drunk patrons constantly talking and several times had to prevent one patron from falling backwards into the stand. During encore break a patron can be heard talking to me about the recording. |
|
|
09/10/08
|
Madison Square Garden
New York, NY |
2 flac |
|
|
DPA (B&K) 4023s > Grace Design Lunatec V3 > Audio Magic Illusion QL XLRs > Mytek Stereo 192 ADC @ 24 bit, 96khz > Audio Magic Illusion QL Digital XLR > Sound Devices 722 |
Recorded by: Scott Brown / Location: Section 4, row K, seat 1 / Transfer: 722 > Apple MacBook Pro > Spark Xl 2.8.2 (tracking, resample to 44.1khz) > Sample Manager 3.1.2 (dither to 16 bit using MBIT+) > xACT 1.65 > flac / Notes: This is a 16 bit, 44.1khz recording for CD. The original 24 bit, 96khz recording exists in flac format. |
|
|
04/14/09
|
Madison Square Garden
New York, NY |
2 flac |
|
|
DPA 4026s (wide cardioid) > Grace Design Lunatec V3 (HPF 1) > Audio Magic Illusion QL XLRs > Mytek Stereo 192 ADC @ 24 bit, 96khz > Audio Magic Illusion QL Digital XLR > Sound Devices 722 |
Taper: Scott Brown / Location: Section 1, Row H, Seat 6 / Conversion: 722 > Apple MacBook Pro > Wave Editor 1.3.2 > Sample Manager 3.1.2 (dither/resample) > xACT 1.67 > flac / Notes:This is a 16 bit, 44.1khz copy for CD. The original 24 bit, 96khz recording exists in flac format |
|
|
04/15/09
|
Izod Center
East Rutherford, NJ |
2 flac |
|
|
Neumann KM140s > Lunatec V2 > Sound Devices 722 (24/96) |
Taper: Mike Vernal / Location: Section 7, Row G, Seats 1 & 2 |
|
|
06/01/09
|
Beacon Theatre
New York, NY |
0 DVD |
|
|
Pro-Shot (HD 16:9) |
Pro-Shot (HD 16:9) > Fuse HD > Scientific Atlanta Explorer 8300HD HD-DVR > Component Video Cables (YPbPr) & Optical Cable (s/pdif) > Hauppauge HD PVR 1212 > USB 2.0 Cable > PC > ArcSoft TotalMedia Extreme (.ts) |
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|
05/28/10
|
Comcast Theatre
Hartford, CT |
0 flac |
|
|
Microtech Gefell M200's>(DIN@ 12`)Sound Devices MP-2>Edirol R-44(24/96) Conversion: Edirol R-44 > USB > WaveLab 5.0a > CDWav 1.71 >Flac Frontend 1.7.1 (Level 8) |
Taper:Kazmo Kramer / Location: Section 100 Row L |
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|
05/29/10
|
Comcast Theatre
Hartford, CT |
0 flac |
|
|
Microtech Gefell M200's>(DIN@ 12`)Sound Devices MP-2>Edirol R-44(24/96) Conversion: Edirol R44 > USB > WaveLab 5.0a > CDWav 1.71 >Flac Frontend 1.7.1 (Level 8) |
Taper: Keith / Location: Center Row R |
|
|
06/02/10
|
Darien Lake Performing Arts Center
Darien Lake, NY |
0 flac |
|
|
DPA 4023>Sonosax SX-M2>Sound Devices 722 (24/96) |
Config/Location: PAS 17cm/FOH/LOC (left stack) 12' stand / Transfer: 722>Firewire>Macbook>xACT 1.71 (join wav files)>Sound Studio 3(fades, normalize peak, track, bit depth conversion, resample)>xACT(align on sector boundaries, encode, tag, fingerprint)>flac16 / Taped & transferred by: Lenny Stubbe |
|
|
06/04/10
|
Saratoga Performing Arts Center
Saratoga Springs, NY |
0 flac |
|
|
DPA (B&K) 4021s (ORTF) > Oade Concert Mod Edirol R-44 (24/48) |
Location: Back of the GA Pit, front row reserved, stand secured to rail on the second vertical bar from left (stage right)
Conversion: R-44 > Audacity (Normalize, Fade In/Out, Tracking, Dither to 16/44.1) > xACT > Flac > Your ears / Taped by: Justin Kacz |
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|
06/13/10
|
Great Stage Park
Manchester, TN |
0 flac |
|
|
Bonnaroo Webcast |
Transfer: Online>Freecorder>WAV>FLAC16 / Conversion: WAV>FLAC16 conversion @ level 8 / Taper: Chris Cameron / Notes: levels were up and down throughout the webcast, but other than that it sounds ok. |
|
|
06/18/10
|
Verizon Wireless Music Center
Noblesville, IN |
0 flac |
|
|
Schoeps CCM4 (DINa, ~17') > Aerco MP-2 > Edirol R-09HR (24/48) |
Conversion: Edirol R-09HR > Wavelab 5.01b (resample, dither w/MegaBitMax) > CDWav 1.98 > xACT 0.5.9 > foobar2000 / Taper: Crumbo |
|
|
06/18/10
|
Verizon Wireless Music Center
Noblesville, IN |
0 |
|
|
Shure KSM109's (Bass Rolloff) -> Edirol UA-5 (BMP2+ Mod) -> iRiver iHP-120 (Optical In) |
Taper: Mike Peters / Location: Section F (behind FOH) ~ 9ft / Transfer: iRiver iHP-120 > Sound Forge 9.0 > FLAC Frontend (Level 5) |
|
|
06/19/10
|
Verizon Wireless Music Center
Noblesville, IN |
0 flac |
|
|
Shure KSM109's (Bass Rolloff) -> Edirol UA-5 (BMP2+ Mod) -> iRiver iHP-120 (Optical In) |
Taper: Mike Peters / Location: Section F (behind FOH) ~ 9ft / Transfer: iRiver iHP-120 > Sound Forge 9.0 > FLAC Frontend (Level 5) |
|
|
07/17/10
|
Citi Field
Flushing, NY |
0 flac |
|
|
Source: DPA 4015-TL Transformerless Handmatched Wide Cardioid |
Source: DPA 4015-TL Transformerless Handmatched Wide Cardioid > Cardas Audio Golden Reference Cu XLR Interconnect > Gordon Audio Model 5 Microphone Preamplifier System w/ GC32 2-Channel Gain Control Unit (GCU connected w/ Cardas Audio Neutral Reference Cu XLR Interconnect) > Cardas Audio Golden Reference Cu XLR Interconnect > Daniel Weiss Digital Audio ADC2 Analog-to-Digital Converter (@ 24-bit / 176.4 kHz) > Cardas Audio Neutral Reference Cu AES / EBU Digital Interconnect > Sound Devices 722 Hard Disk Recorder (slaved to Weiss ADC2 @ 176.4 kHz; @ 24-bit / 176.4 kHz) / Recorded by: Christopher Jones / Location: General admission floor, approximately 20 meters from the stage. Microphones elevated 4.5 meters, in front of stageleft stack, ORTF / HD > .flac: Sound Devices 722 Hard Disk Recorder > Apple Mac Pro (2 x 2.66 GHz Dual-Core Intel Xeon / 9GB 667 MHz DDR2 FB-DIMM) > Audiofile Engineering Wave Editor v1.4.5 > xACT v1.62 / Resampled with iZotope Resampler at highest quality setting and a filter steepness of "150"; dithered using iZotope MBIT+ with a "Normal" amount of "Ultra" noise shaping applied. 24-bit / 176.4 kHz version of this recording available in .flac24 / Notes: Light-to-moderate wind throughout most of the evening. Wind-related phasing audible during certain passages. |
|
|
08/14/10
|
InTrust Bank Arena
Wichita, KS |
0 flac |
|
|
4-Microphone Matrix |
Primary Coincident Stereo Pair: DPA 4015-TL Transformerless Handmatched Wide Cardioid > DPA AO0182 XLR Interconnect > Sound Devices 722 Hard Disk Recorder (@ 24-bit / 96 kHz) / Secondary Spaced Stereo Pair: DPA 4022 Handmatched Compact Cardioid > Audio Technica XLR Interconnect > Sound Devices 722 Hard Disk Recorder (@ 24-bit / 96 kHz) / All tracks mixed in post by Christopher Jones / Recorded by: Christopher Jones / Location: General admission floor, directly in front of FOH console. 4015-TL pair elevated 3.5 meters, ORTF, approximately 10 meters from stageleft line array. 4022 pair spaced approximately 20 meters across floor, elevated approximately 3 meters on separate microphone stands, A-B, each approximately 10 meters from stageleft or stageright line array. Stageright-assigned 4022 run through 60 meters of Audio Technica XLR routed to primary location at FOH / HD > .flac: Sound Devices 722 Hard Disk Recorder (x 2) > Apple Mac Pro (2 x 2.66 GHz Dual-Core Intel Xeon / 9GB 667 MHz DDR2 FB-DIMM) > Audiofile Engineering Wave Editor v1.4.5 > xACT v1.62 / Resampled with iZotope Resampler at highest quality setting and a filter steepness of "150"; dithered using iZotope MBIT+ with a "Normal" amount of "Ultra" noise shaping applied. 24-bit / 96 kHz version of this recording available in .flac24 / Notes: Stageright-assigned DPA 4022 channel left unattended throughout the set. Microphone stand was affixed to barricade running parallel to side of arena. Patrons grabbing barricade throughout the evening created periodic swaying of the microphone stand that is slightly audible during certain passages |
|
|
09/17/10
|
Wrigley Field
Chicago, IL |
0 flac |
|
|
Schoeps CCM4 (DINa, ~14') > Aerco MP-2 > Sony PCM-M10 (24/48) |
Taper: Crumbo / Location: FOB, ROC / Conversion: Sony PCM-M10 > Wavelab 6.11 (resample, dither w/MegaBitMax) > CDWav 1.98 > xACT 0.5.9 > foobar2000
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|
|
11/12/10
|
Madison Square Garden
New York, NY |
0 flac |
|
|
DPA 4023 > Grace Design Lunatec V3 > Audio Magic Illusion QL XLR > Mytek Stereo 192 ADC @ 24 bit, 96khz > Audio Magic Illusion QL Digital XLR > Sound Devices 744T |
Recorded by: Scott Brown / 744T > Apple MacBook Pro > Wave Editor 1.5.0b3 (tracking, resample to 44.1khz, dither to 16 bit) > xACT 2.06 (3806) > flac / Location: Dead Center, FOB, back of the GA pit |
|
|
11/13/10
|
Madison Square Garden
New York, NY |
0 flac |
|
|
DPA 4026 > Grace Design Lunatec V3 > Audio Magic Illusion QL XLR > Mytek Stereo 192 ADC @ 24 bit, 96khz > Audio Magic Illusion QL Digital XLR > Sound Devices 744T |
Recorded by: Scott Brown / 744T > Apple MacBook Pro > Wave Editor 1.5.0b3 (tracking, resample to 44.1khz, dither to 16 bit) > xACT 2.06 (3806) > flac / Location: Dead Center, FOB, back of the GA pit, mics ORTF |
|
|
11/19/10
|
John Paul Jones Arena
Charlottesville, VA |
0 flac |
|
|
Neumann KM140s > Lunatec V2 > Sound Devices 722 (24/96) |
Taper: Mike Vernal / Location: Floor, Stage Left Stack, 45' Back |
|
|
11/20/10
|
John Paul Jones Arena
Charlottesville, VA |
0 flac |
|
|
Schoeps CCM4 (DINa, ~17') > Sound Devices 722 (24/48) |
Taper: Crumbo / Location: Earth / Conversion: Sound Devices 722 > Wavelab 6.11 (resample, dither w/MegaBitMax) > CDWav 1.98 > xACT 0.5.9 > foobar2000 |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
??/??/04
|
Summer 2004 compilation
Various, Various |
6 shn |
|
|
original shn/flac files |
Best of Summer 2004 / Assorted Dates & Venues / Conversion: SHN > CD: shorten 1.1a4 > Roxio Jam 5.0.1 / CD > SHN: Pioneer DVD-RW DVR-104 & x Act 1.3 by Brian Matuszewski |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/05/84
|
Memorial Stadium
Bonifay, FL |
1 flac |
|
|
sbd ~ FM broadcast; CD >EAC >FLAC |
Quality: sbd ~ FM broadcast, seems to be transferred from LP due to a few crackling noises / Lineage: CD > EAC > FLAC (> etree ~ YOU Mule junkies) / Taped by: unknown / Notes: This one features brother Warren Haynes for the whole show. David Allen Coe plays pretty funny music, good music. Folks, please be aware this is different than Warren Haynes ~ Gov¥t Mule. This is Warren for must have collectors. |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
09/24/00
|
Avalon
Boston, MA |
2 cdr |
|
|
Eathworks SR77>Sound Devices MP-2>Excalibur II's>Graham Patten ADC20>D8 by Scott Brown |
**has some pops |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/05/02
|
The Green Room
Iowa City, IA |
1 shn |
|
|
SBD >CDR |
taped by: Josh & Jake Larson / cd release party for "The Big Night" |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/04/08
|
Warfield Theater
San Francisco, CA |
2 flac |
|
|
Schoeps mk41 > kc5 > cmc6 > lunatec v2 > sound devices 722 @24/48 |
Taped & Seeded by: Ian Stone / Location: Taper's section, right of center / Notes: set 2 beginning missing 5-6 seconds, as someone was in my way when i was trying to get to my gear as they took the stage, and the 722 takes a second to boot up. I wasn't sure what to label this as, since it's more than Phil&Friends, not quite "the dead" so i came up with DFO "Deadheads for Obama". ENJOY!
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/22/03
|
Jackson's
Nashville, TN |
1 shn |
|
|
MBHO 603a/ka200s (XY/FOB) >MP2 >SBM1 >D8 by Nick Graham |
Transfer: DAT>Archive Python 01931-XXX5.AC>DAT 2 WAV v1.1>WAV>CD WAV v1.72 (for track splits)>MKW ACT 0.97>SHN / Taped, transferred, and seeded by Nick Graham (nickg@mindspring.com) |
|
|
11/08/03
|
Lincoln Theatre
Raleigh, NC |
2 flac |
|
|
Shure SM 94 >Tascam DAP-1 >DAT >Cool Edit >cdr |
Recorded in front of soundboard at about 9 feet by Kirby Woodard |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/09/03
|
Waterloo Concert Field
Stanhope, NJ |
1 shn |
|
|
Neumann KM184 >PS-2 >AD-20 (44.1kHz) >PCM-M1 (ORTF 110* 1st row t.S. 7' ROC) by Rob Clarke |
Transfer: PCM-R300>DIO 2448>Cool Edit 2000>cdWave>mkw>SHN by Rob Clarke |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/08/75
|
Mid-South Coliseum
Memphis, TN |
1 shn |
|
|
Unknown |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/05/02
|
Orpheum Theater
Minneapolis, MN |
2 cdr |
|
|
|
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/01/76
|
Hampton Coliseum
Hampton Roads, VA |
1 shn |
|
|
SBD |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/05/82
|
Oregon State Prison
Salem, OR |
1 cdr |
|
|
|
|
|
|
11/26/84
|
Bushnell Auditorium
Hartford, CT |
1 shn |
|
|
MSC >C >DAT >WAV >SHN |
DAE (EAC) > Tracking (cdwav editor) > Sector Boundries confirmed (shntool) > SHN (mkwact) / Comments: Very clean SBD. Third fo only 4 non-GD Garcia Peggy-Os. 18 minute plus acoustic "Bird Song". |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/05/73
|
The Lion's Share
San Anselmo, CA |
2 flac |
|
|
MSR >DAT4x >Delta DIO 2496 >Soundforge >WAV >CD Wave Editor >FLAC |
Jerry Garcia & Merl Saunders w/John Kahn and Bill Vitt / Notes: Set #2 includes an unknown trumpet player. There are a couple of digital "snits" in there including a small one near the beginning of the first song. |
|
|
09/06/73
|
Capitol Theater
Passaic, NJ |
3 shn |
|
|
MAC (single AKG D-1000E)>Sony TC-110 (TDK C-120SD)>Tascam 112MK-II playback>Sony R500 (SBM)>Delta Dio 24/96>wav>shn (mkwACT)>wav (mkwACT)>tracking (CD Wave v1.6)>miniscule editing (SF Studio 6.0)>sector boundary verification |
Taped by Jerry Moore (hand held from left mezzanine, Row N, Seat 10A for first song, then on ledge from first row of mezzanine) A>SHN by John Steinthal Tracking and minor editing by Joe Jupille |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/09/95
|
Lake Boone Country Club
Raleigh, NC |
1 flac |
|
|
Soundboard DAT |
DAT > CD Transfer: Sony PCM-R500 > Digigram VX Pocket 440 > Sony Vaio PCG-K13 -- Resulting wav files resampled to 44.1 with Sound Forge 6.0 at highest quality setting. Wav files split into tracks with CDWave. Fades at beginning & end of show with Sound Forge 6.0. FLAC files generated with FLAC frontend. |
|
|
09/05/97
|
The Ormsby House
Carson City, NV |
2 flac |
|
|
SBD > DAT @48kHz by Jon Whitman |
Conversion: D8 > Oade 7 pin > Audiophile 2496 > Sound Forge > CD Wave > flac16 / Converted by Aaron Johnson / DAT provided by Kevin Robbins / Notes: Used Sound Forge to normalize to peak, add fades and convert 48kHz to 44.1kHz. The best place to split discs is between 'St. Stephen Jam > I Shall Be Released' since it is more of a held note than it is a true segue. If you disagree, then feel free to make it a 3 CD show. Many thanks to The Reverend Kevin Robbins for letting me borrow hsi DAT. |
|
|
02/28/98
|
Ziggy's
Winston Salem, NC |
2 flac |
|
|
Sennheiser ME-40 >Sony D10 Pro II (recorded FOB) |
DAT > CD Transfer: Sony PCM-R500 > Digigram VX Pocket 440 > Sony Vaio / Resulting wav files resampled to 44.1 w/ Sound Forge 6.0 at highest quality setting. Wav files split into tracks w/ CDWave. Fades at beginning and end of sets w/ Sound Forge 6.0. FLAC files generated w/ FLAC frontend. |
|
|
04/18/98
|
40 Watt Club
Athens, GA |
2 shn |
|
|
FOB Schoeps MK4/CMC6>HHb Portadat @ 48khz (x,y 110 degrees @ 8') by Ethan Lee |
Transfer: DAT/clone>Sony 59ES>Monster s/pdif>Audiophile2496>SoundForge 4.5>CDWave>mkwACT by Wade Cooper / SoundForge Notes: resampled from 48khz>44.1khz / Notes: sector boundry errors corrected on 6/5/03 by JJ Clifton (d2t03) |
|
|
04/23/98
|
War Eagle Supper Club
Auburn, AL |
2 shn |
|
|
Microtech Gefell M210 >Oade preamp >Sony SBM-1 >DAT @48kHz |
Transfer: DAT > Panasonic Sv-3700 > coax > Audiophile 2496 USB > Sound Forge 6.0 (record, resample, fades) > CD Wave (tracks) > MKWact > SHN (seekable) / Soundforge Notes: resampling done w/ anti-alias filter on and interpolation accuracy 4/4, fades applied to the beginning and end of show and at encore (tape change) / Quality Notes: This show is by no means perfect. Its definitely listenable, its just not the best quality. There is a fair amount of crowd noise and its a bit bass heavy. But for all you big Woody fans out there, you'll love it. Woody is out front and heavy in this recording and it doesn't hurt that he was absolutely kicking ass at this show. There are also a number of small glitches here and there throughout the recording. Due to the quality of the recording I did not take the time to fix them. If it were a higher quality tape in the first place I would, but not for this one. If you're a hardcore, download and enjoy. This is an excellent performance and highly uncirculated to the best of my knowledge. -Shane Miller <local317@yahoo.com> 8/22/04 |
|
|
05/23/98
|
Downtown Amphitheatre
Charlottesville, VA |
1 shn |
|
|
FOB: Schoeps mk4 >cmc6 >HHb Portadat @ 48kHz by Ethan Lee |
Transfer: Sony 59ES>Monster s/pdif>Audiophile2496>SoundForge 4.5>CDWave>mkwACT>shn (seek) / Notes: WWWV Radio Festival Free Show; later that night was the all-acoustic show at the Outback Lodge - Charlottesville, VA |
|
|
05/23/98
|
Outback Lodge
Charlottesville, VA |
1 shn |
|
|
Schoeps mk4 >cmc6 >HHb Portadat @ 48 kHz |
Conversion: Sony 59ES>Monster s/pdif>Audiophile2496>SoundForge 4.5>CDWave>mkwACT>shn / Tim Reynolds guests / Acoustic Show |
|
|
07/19/98
|
Pine Knob Music Theater (Workshop Tent)
Clarkston, MI |
1 shn |
|
|
SBD >DAT @ 48kHz |
Transfer: DAT > Panasonic Sv-3700 > coax > Audiophile 2496 USB > Sound Forge 6.0 (record, sample, fades) > CDWave (tracks) > MKWact > SHN (seekable) / Sound Forge Notes: resampling done w/ anti-alias filter on and interpolation accuracy on 4/4, fades applied to the beginning and end of performance |
|
|
03/15/99
|
Odeon
Cleveland, OH |
2 shn |
|
|
AKG 480 + ck61 caps >DAT @ 48kHz |
Transfer: DAT > Pansonic Sv-3700 > coax > Audiophile 2496 USB > Sound Forge 6.0 (record, sample, fades) > CD Wave (tracks) > MKWact > SHN (seekable) / Sound Forge Notes: resampling done w/ anti-alias filter on and interpolation accuracy on 4/4, fades applied to the beginning and end of show and at encore. Edited out 4 min of crowd noise at encore in order to fit show on two discs. |
|
|
03/21/00
|
Elbow Room
Columbia, SC |
2 shn |
|
|
(FOB) Microtech Geffell m210 >Oade m248 >Tascam DA-P1 @48kHz |
Transfer: Sony 59ES>Monster s/pdif>Audiophile 2496>Wave Lab 4.0>CDWave>mkwACT>shn (seek) / Taped and Transfer by BobbyHurley / Notes: A few small (<.5 second) dropouts edited out in Wave Lab; these are transfers from the Masters |
|
|
06/21/02
|
Bonnaroo Music Festival
Manchester, TN |
1 shn |
|
|
B&K 4022 (XY) >Sonosax SX-M2 >Apogee AD1000 by Craig Davis |
Location: FOB-DFC / Transfer: Sony D8 > Delta Dio 24/96 via coax > Soundforge 5.0 (resampled to 44.1kHz) > CDWave for track splits > mkwACT for shnning / Transferred by Jim Pollock |
|
|
04/29/03
|
Moby Arena, Colorado State University
Fort Collins, CO |
1 shn |
|
|
Schoeps cmc6/mk4's (ortf) >v2 >dap1 |
Transfer: dap1 > digi coax > terratec ews88mt > samplitude > cdwav > cdr/shn |
|
|
07/05/03
|
Soo Pass Ranch
Detroit Lakes, MN |
1 shn |
|
|
Neumann AK40>Mme>D8 (master-FOB/DFC) |
Transfer: D8>Zoltrix>SF5.0>CDwav>SHN |
|
|
10/11/03
|
Ulster Performing Arts Center
Kingston, NY |
2 shn |
|
|
Neumann KM184 >PS-2 >AD-20 (44.1 kHz) >PCM-M1 [DIN 11th row DFC] by Rob Clarke |
Transfer: PCM-R300>DIO 2448>Cool Edit Pro 2.0>cdWave>mkw>shn by Rob Clarke |
|
|
10/21/03
|
The Byham Theatre
Pittsburgh, PA |
2 flac |
|
|
AKGc451b's (sterio pair) left side of sbd >MP2 >ADC-20 >PCM-M1 @48 kHz >cool edit pro >tracks >resampled to 44.1 kHz at highest setting |
Taped and Transferred by Bill Weed / Note: To get all of cd 2 on 1 cd, it will have to be overburned. |
|
|
11/13/03
|
The Fox Theatre
Boulder, CO |
2 shn |
|
|
FOB Neumann u89i (card/din) >Oade m148 >Mod-SBM-1 >D8 by Tim Markham |
Transfer: R500>AP2496>CoolEdit (SRC,HP filter @80hz)>CDWave (tracking)>CoolEdit (fades)>mkwACT>SHN / Transfer and Editing by Ethan Alpert / Patch by Adam Groskin / Notes: First set was cover of entire self titled album from 1995. Second set featured Jimmy Herring, Rob Barraco, Chris Robinson, Paul Stacey and George Leiff. |
|
|
11/14/03
|
The Fillmore Auditorum
Denver, CO |
1 shn |
|
|
MK-4 3.5" ? ORTF @90* >VMS2 1B >kind kable >Oade Mod. SBM 1 >DAT @ 44/1 Khz |
Conversion: DAT @ 41.1Khz>S/PDIFF input on Creative Live! sound card>Sound Forge 5.0b @44.1Khz>mkw Audio Compression (no extraction involved) / Recorded by: "Kind Kables" Ed Boardman (human mic stand), "Taper Tom" McMinn, Rob Carney, Mike Juday, Roma and several others / Conversion and seed by: "Taper Tom" McMinn / Recording Notes: FOB/ DFC, Recorded from in (F)ront (o)f (B)oard about 15-20 ft from stage (D)ead (F)ront (C)enter. Mics were in a hat at height of 6'3". Mics were "buffered" from the crowd by a group of taper friendly people so the recording is clear of close-in crowd noise. A Security Guard is lightly heard on tape disrupting our "recreational activities" during the second track. He wasn't to concerned about the recording equipment apparently. |
|
|
11/15/03
|
The Fillmore Auditorum
Denver, CO |
1 shn |
|
|
MK-21 3.5" ? ORTF @110* > KC5 g > CMC 6 > V3 bass roll off > Coax > DAT @ 41.1Khz |
Conversion: DAT @ 41.1Khz> S/PDIFF input on Creative Live! sound card > Sound Forge 5.0b @44.1Khz > mkw Audio Compression (no extraction involved) / Recorded by: "Kind Kables" Ed Boardman (human mic stand), "Taper Tom" McMinn, Rob Carney, Mike Juday, Roma and several others / Conversion and seed by: "Taper" Tom McMinn / Recording Notes: FOB/ DFC, Recorded from in (F)ront (o)f (B)oard about 15-20 ft from stage (D)ead (F)ront (C)enter. / Setlist Comment: Danny on trumpet; Rob Barraco on piano; Jimmy Herring on guitar and Rob Barraco on piano; Paul Stacey on guitar and George Laks on piano. |
|
|
02/20/04
|
Hippodrome
Springfield, MA |
2 shn |
|
|
Neumann KM184 >Oade w-mod UA-5 (44.1 kHz) >PCM-M1 |
FOB DIN 90* 5' ROC / Transfer: PCM-R300 > DIO 2448 > Sound Forge 6.0 > cdWave > mkwAct > shn / Taped and Transfered by Rob Clarke |
|
|
09/12/04
|
Electric Factory
Philadelphia, PA |
2 flac |
|
|
MBHO603a / ka500 >mp2 >ad500 >dap1 by wairsmymule |
Transfer: m1 > audiophile2496 > sf 6.0 (fades and resample 48>44.1) > cdwav > flacfrontend |
|
|
09/13/04
|
Roseland Ballroom
New York, NY |
2 flac |
|
|
Neumann KM140 >V2 >SBM1 >DAP1 >analog cable >DA-P1 by Yossi Pollak |
Location: DFC behind SBD / Transferred to WAV: DAP1 > M-Audio Audiophile2496 USB > CDWAV / Converted to FLAC using FLAC frontend / WAVs checked with shntool-no errors reported / Rig provided by Frank D'Auria / Notes: Analog cable was used because Frank's digital out is screwed up. Still sounds damn good. |
|
|
09/13/04
|
Roseland Ballroom
New York, NY |
2 shn |
|
|
2 >SENNHEISER >MD421's >d7 by Muletaper |
Transfer: Sony > ES75 > via Coaxial out > SBA2 > Soundforge 5.0 (fades / resample 16@44.1) > cdwav > mkwact > shn |
|
|
10/15/04
|
Orpheum Theater
Boston, MA |
2 flac |
|
|
Matched Oktava MC012 (Cards DIN) >Audio Magic Hyper-Conductors >Edirol UA-5 (Oade T-mod plus) >Nomad JB3 .wav @44.1 by Jason Adler |
Transfer: JB3 > firewire > pc > CD Wave > FLAC Frontend 1.7.1 by Jason Adler |
|
|
10/21/04
|
The Pageant
St. Louis, MO |
3 flac |
|
|
ak43 >1c3ka >km100 >V3 >VX440 >WL4 2448 |
Location: ortf @ 8', 40' back, dfc / SF6 (fades) |
|
|
10/22/04
|
Riviera Theater
Chicago, IL |
2 flac |
|
|
Microtech Gefell m210 >V2 >SBM-1 >d8 @ 38kHz by Scott Ratzmann |
Transfer: Tascam DA-20 MKII > EgoSys Waveterminal U2A > Samplitude (48 > 44.1) > cdwav > FLAC frontend by Scott Ratzmann |
|
|
10/31/04
|
Landmark Theatre
Richmond, VA |
2 flac |
|
|
AKG mics >Tascam DA-P1 (recoreded in taper section) |
Source Note: Supposedly the mics are "modified 465's", but I'm not sure that's correct since I wasn't at the show to get the info from the taper. / Conversion: Resulting wav files resampled to 44.1 with Sound Forge 6.0 using anti-alias filtering & highest quality interpolation accuracy. Wav files split into tracks with CDWave. Fades added at beginning & end of show with Sound Forge 6.0. FLAC files generated with FLAC frontend. |
|
|
11/03/04
|
Classic Center
Athens, GA |
2 flac |
|
|
Schoeps mk21 >kc5 >cmc6xt >V3 >D8 @ 48kHz |
Location/Configuration: Row P, SLOC, NOS, (30cm, 90) / Transfer: Tascam DA-30mkII > Delta Dio 24/96 > Wavelab 5 (record/resample) > CD Wave (Track) > shn tool (SBE check) > FLAC Frontend / Taped and converted by wboswell@taperssection.com under the watchful eye and careful scrutiny of The Z-Man. |
|
|
11/19/04
|
The Showbox
Seattle, WA |
2 flac |
|
|
AKG 483's >w-mod UA-5 >Digigram VX Pocket 440 (s/pdif) >Samplitude 7.02 24bit 48kHz |
8ft @ 85? in front of soundboard left of stage / Transfer: Wavelab 4 (fades, resample, dither) > CD Wave 1.94.2 > flac via CD Wave / Notes: Patch provided by Jeff Betts. I unplugged early on accident and missed the second encore. Jeff's rig: AKG 483's>V3 right of stage behind sbd. |
|
|
06/11/05
|
Bonnaroo Music Festival
Manchester, TN |
1 flac |
|
|
AKG 483(fob, dina) >oade w-mod+ UA5 >Sony D8 |
Transferred: Sony D7 > edirol UAD-1 > CDwave (16/44.1) |
|
|
05/03/06
|
Ram's Head Live
Baltimore, MD |
2 flac |
|
|
Neumann KM184 >Canare StarQuad Cable >Edirol UA-5 >PDAudio (Dell Axim x50v) >Live2496 by Yossi Pollak |
Location: Mics hanging on gooseneck (approx. 10 inches down from railing), left center of balconyaimed at stacks / Normalized to 100% using WavePad / Track splits and converted to FLAC with CDWAV |
|
|
07/29/06
|
New England Dodge Music Center
Hartford, CT |
1 shn |
|
|
DPA (B&K) 4026s (wide cardioid) >Sound Devices 722 @ 24bit/88.2khz by Scott Brown |
Location: Section 100, row E, seat 101 / Transfer: 722 > Apple MacBook Pro > Sprark XL 2.8.2 (tracking, dither & resample to 16bit/44.1khz) > xACT 1.58 > shn / Notes: Opened for the Dave Matthews Band. This is the 16/44.1 copy, the original 24/88.2 copy exists in flac format. |
|
|
12/16/06
|
Asheville Civic Center
Asheville, NC |
2 flac |
|
|
Schoeps MK4 (ORTF) >KC5 >CMC6 >Lunatec V3 >Marantz PMD-671 @ 24/48 by Robbie Dunn |
Location: Unofficial FOB taping section, approximately 30 feet in front of soundboard.. in the sweet spot / Conversion: 24 bit 48 k wav files resampled to 44.1 with Sound Forge 6.0 at highest quality settings and dithered to 16 bit, split into tracks with CD Wave, fades at beginning & end of show with Sound Forge 6.0, FLAC files generated with FLAC front end / Note: Disc 1 includes the Dave Matthews (solo) set. |
|
|
04/20/07
|
Soul Kitchen
Mobile, AL |
2 flac |
|
|
AKG c460b/ck63(DIN) >D mod UA-5 >H120 |
Location: DFC, FOB / Transfer: H120 > USB > CdWave > FLAC / Taper: jkbyram |
|
|
04/21/07
|
Jupiter Bar & Grill
Tuscaloosa, AL |
2 flac |
|
|
JW mod AKG 460/ck61s > Portico 5012 (Silk) > R-4 Pro w/ T Mod + AKG 414s (Hyper) > R-4 Pro w/ T Mod |
Location: FOB, 2' right of center, 20' from stage @ 10' high / Editing: SoundForge 8.0: 24bit/48kHz > 16bit/44.1kHz Source Mix 1: JW Mod 460s at 100%; Source Mix 2: AKG 414s at 85% / Resampled to 44.1kHz w/ Anti Alias, Interpol accuracy 4 / Dither to 16bit: Triangular w/ Noise Shaping: Equal Loudness Contour / Tracked using Traders Little Helper: FLAC Conversions (Level 6) / Taped, transfered and seeded by Jeff Hatcher / Notes: Minor level adjustment at beginning of track 2. The 414s fill out the 460s nicely in my opinion. |
|
|
04/26/07
|
Fillmore Auditorium
Denver, CO |
2 flac |
|
|
NOS*75: Milab VM44-link > Lunatec V3(16/44.1) > H120 > pc > CoolEdit> CDWav > FLAC Frontend |
Taped and transferred by Todd R |
|
|
05/05/07
|
Contemporary Arts Center
New Orleans, LA |
2 flac |
|
|
Akg c460b/ck63(DIN) >D Mod UA-5 >H120 |
Location: DFC, Directly FOB @ 9' high / Transfer: H120 > USB > Wavelab > cdwave > FLAC / Taper: jkbyram / Notes: wavelab used to add fades. some crowd edited before encore to allow burning on 2 cd's (requires overburn) |
|
|
06/16/07
|
Bonnaroo Music Festival
Manchester, TN |
2 flac |
|
|
Schoeps mk4 (ortf) > kc5 > cmc6xt > Edirol R4 (24/44.1) |
Taped and Transferred Patrick Moore / Location: FOB, DFC, 7' high, 40' from stage / Transfer: r4 > usb > Peak 4.13 > xACT (fixed SBE's and converted to flac) |
|
|
10/14/07
|
Toad's Place
Richmond, VA |
2 flac |
|
|
Schoeps MK4> KC5> CMC6> Lunatec V3> Marantz PMD-671 @ 24/48 |
Recording by Dan Dunn / Conversion by Robbie Dunn / Location: Front left corner of soundboard / Conversion: 24 bit 48 k wav files resampled to 44.1 with Sound Forge 6.0 at highest quality settings and dithered to 16 bit, split into tracks with CD Wave, fades at beginning & end of sets with Sound Forge 6.0, FLAC files generated with FLAC front end |
|
|
10/25/07
|
The Vogue
Indianapolis, IN |
2 flac |
|
|
2-Schoeps CMC64ST >Sound Devices 722 (24/96) |
Taper: Lee Ramsey / Location: FOH DFC 30' from stage, Mic stand at 12' / Transfer: Sound Devices 722(firewire) > Apple Powerbook G4 / Editing: Audacity 1.2.4 (resample, dither, track & fades) / Flac: xACT Level 6 compression & fix SBE |
|
|
10/27/07
|
Madison Theater
Covington, KY |
2 flac |
|
|
ORTF Neumann ak40> lc3> km100> Lunatec V3> SD 722 (@ 24/96) |
Location: DFC, FOB, stand @ 8' / Transfer: SD 722 > firewire > Wavelab (fades, dither, resample) > CD Wav > Flac Frontend > .flac |
|
|
11/01/07
|
Voodoo Lounge, (Harrah's Casino)
Kansas City, MO |
2 flac |
|
|
JW Mod AKG 461 >Warm Mod+ UA-5 >D8 |
Location: FOB / slightly LOC / DIN 80∞ @ 10 ft / Lineage: DA-20 mkII > Dio 2448 > Cool Edit Pro > .Wav > .Flac / Taped & Transferred by: KCMoeJoe |
|
|
10/01/10
|
The Pentacrest
Iowa City, IA |
0 flac |
|
|
JW MOD AKG c460's/ck61 > Mogami Gold XLR > Oade ACM Marantz PMD660 > CF |
Transfer: CF > PC > WAV > Sony Sound Forge 10 (fades) > CDWAV (tracks & flac) > FLAC / Location: FOB: JROC (next to lightpole) - ~75' From Stage - XY @ 90∞ - Stand @ ~9' / Taped & Transfered By: Brad Shears |
|
|
10/30/10
|
Fox Theater
Oakland, CA |
0 flac |
|
|
Neumann (2) KMF 4i > Lunatec V2 > Tascam DR-07 |
Transfer: DR-07 > Soundforge 6.0 (fades & Normalization) > CD wave (tracks) > TLH Flac(8) / Fades only at beginning & ends of sets, 2nd set is seamless / Location: 8ft stand, 2nd drink rail, center |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
03/09/73
|
Max's Kansas City
New York, NY |
1 shn |
|
|
|
"Yours Truly, Anonymous" Bootleg / also included are songs from: Trubador, Los Angeles - 1970 (with The Flying Burrrito Brothers); Piper Club, Rome - 1968 (with The Byrds); Austin, TX - ? date (with Neil Young & Linda Ronstadt) |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
01/24/69
|
Avalon Ballroom
San Francisco, CA |
1 shn |
|
|
SBD |
Lineage: SBD > MSR > C > DAT > CD > SHN / Notes: The length of all these sets supports the short set restriction by the Avalon. Lovelight fades in. |
|
|
05/01/70
|
Alfred College
Alfred, NY |
2 cdr |
|
|
Master SBD Reel |
|
|
|
10/23/70
|
McDonough Arena, Georgetown U.
Washington, DC |
1 flac |
|
|
AUD >Sony TC-124 >MAC |
Source: Audience / Media: Mallory Duratape C-60 / Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > Marantz PMD671 > WAV / Taped by: Cary Wolfson / Transfer by: D. McCabe / Mastering by: D. McCabe / Mastering Info: Bias Peak Pro 5.2 / Audiofile Engineering Wave Editor 2.2 / Izotope Ozone 3.0 / xACT 1.59 / Notes: Set 1 is NRPS with Garcia on pedal steel. There is no SBD of this show in the vault. |
|
|
02/18/71
|
Capitol Theater
Port Chester, NY |
2 flac |
|
|
7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) >PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) |
Source Note: Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer. / Transfer and Mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. / Seeded by the Green Mountain Bros. at bt.etree.org, May 2007. / Comments: First public performance.
- d2t08: Reel flip at 04:48 of "Saint Stephen" crossfaded.
- Approximately 1:39 were removed from the lengthy dead space/tuning preceding "Loser" allowing the entire first set to fit on a single 80 minute disc, while keeping in Bob's "Second oldest ritual" comment...that's a fact....
- Intermittent faint audible artifacts/pops were attenuated using manual pencil redraw under high magnification. These were retrospectively found on all other circulating recordings from this performance. They were most abundant at the beginning of "Dark Star" and also at the start of "Wharf Rat". There are a few spots still remaining in "Wharf Rat" that are just too embedded to get out - sounds like minor transient peak distortion.
- The notorious broad-peaked high pitched whine centered 8000-8100 KHz range was removed using a digital paragraphic equalizer (Waves Q6) with 2 narrow/notch bands (Q set maximal @ 100, -12 dB) set at just under and over 8000K for the first reel and just under and over 8100KHz for the last 3 reels. Previously circulating sources either used a wider band filter or a noise reduction approach performed on low bit/sample rate files which yields suboptimal results. All processing on this transcription was performed at 24/96 resulting in a much smoother transparent sound. |
|
|
09/08/73
|
Nassau Veterans Memorial Coliseum
Uniondale, NY |
2 shn |
|
|
Master Reel >DAT >HD >CDR (shn) |
|
|
|
08/06/74
|
Roosevelt Stadium
Jersey City, NJ |
2 shn |
|
|
MR>DAT>CD>Sonic Solutions>CD Circulation |
fully complete, w/ Scarlet AUD patch. "the ultimate copy" |
|
|
09/02/80
|
Community War Memorial Auditorium
Rochester, NY |
2 flac |
|
|
Discs 1 & 2: SBD >Cassette Master >? >Cool Edit Pro >FLAC; Disc 3: SBD >Cassette Master >Dat >Sonic Solutions >CD / Encore: (FOB) Nakamichi 300/CP1 >Cassette Master >Dat >CD |
Transfer: WAV -> Samplitude v7.02 Professional -> FLAC / Transferred and Edited By Charlie Miller / Notes: I fixed the levels, cleaned up the tape cuts and re-tracked the show. Discs 1 & 2 possibly from 4th Gen Cassettes. This sbd source is a slight upgrade to what currently circulates. |
|
|
12/27/80
|
Oakland Auditorium Arena
Oakland, CA |
2 shn |
|
|
MSR >C >DAT >WAV >SHN |
C > SHN Conversion by Cousinit |
|
|
08/03/82
|
Starlight Theater
Kansas City, MO |
2 flac |
|
|
Matrix: SBD: SBD >MC >PCM >DAT >CDR; AUD: MC (FOB, 27th Row, by Paul Hogan, Senn 441's >Sony TC-D5) >DAT >CD |
General Notes: As requested, this show (which came in a close second place in the voting from
Sick Tidbits #1) is a matrix of two sources that are not great on their own,
but together they work very nicely, even a better combo (IMO) than the show from 3 nights earlier at Manor Downs (Sick Bits Vol. 11), which has both a
better SBD and AUD, but for some reason the combination doesn't sound as
sweet as this one. Don't get me wrong, both shows are amazing. The FOB AUD is a vast improvement over a widely circulated AUD, which is used
as the patch on the SBD source; however, the FOB suffers from previously employed NR to the point where some phasiness is noticeable even when coupled
with the SBD. It also has some harsh mids around 2k which needed cutting.
The SBD is balanced with everyone in the mix, but like most boards from this
era, it's heavy in the mids. Aside from the fact that the SBD is lightly compressed with SBEs on every track, plus the AUD has some harsh mids
and heavy NR, amazingly the two sources work well. The only bummer is that there is no SBD after the cut in Stella for the rest of the show, so no matrix. Also, there is only about 2.5 minutes of Cassidy in SBD (multiple cuts). This show is a true classic, featuring an incredible Half-Step-> Franklin's
(one of the best transitions into Franklin's out of any song), a cool
Shakedown with some awesome Brent piano, a rare first set Womer R and a rare second set TLMD (only 3 in '82), and an inspired Let It Grow. Pretty much every Jerry tune shines, including the Space-> He's Gone which is the beginning
of at least 35 minutes of music in the key of E. The encore, Casey Jones, is one of only two played in '82, and it's also stashed for almost 2 years.
|
|
|
12/30/83
|
San Francisco Civic Auditorium
San Francisco, CA |
2 flac |
|
|
SBD >Cassette Master (Nakamichi 550/Maxell XLIIS-90) |
Transferred and Edited By Charlie Miller / Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) >
SEK'D Prodif Plus > Samplitude Professional v8.01 > FLAC
(2 Discs Audio / 2 Discs FLAC) |
|
|
04/01/84
|
Marin County Veterans Auditorium
San Rafael, CA |
2 flac |
|
|
Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck |
Recording: Taped onto TDK AD-X normal bias tape, with Dolby on Set up in center seat, two rows behind the soundboard. Mics raised aprx seven and a half feet on a tent pole. / Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC; Soundforge used as noted below. CD-Wave for Track-ID's, Trader's Little Helper to verify SBE-OK and make checksums, and Flac Frontend for lossless compression. / Notes: The split between D2 & D3 is where the cassette tape was flipped.
Soundforge was used for fades, and minor edits, and to attenuate loud claps and noises that interfered with the music in a few spots. There were small left-channel drop-outs due to a faulty mic cord. I used Soundforge to patch the right channel over the drop-outs at:
- Mexicali Blues 03:59
- Drums (d2) 04:22 -> 05:02
- Drums (d3) 01:12, 03:22, 03:37 -> 03:38
- Space 02:59
- Good Lovin' 04:26 -> 04:28, 06:39, 07:47 -> 08:12
Taped & Transferred by Andrew F. August 2005, ENJOY ! |
|
|
07/13/84
|
Greek Theatre, U. Of California
Berkeley, CA |
2 flac |
|
|
FOB: 2Beyer M160s >D5 >MC >CDR >EAC >FLAC |
Conversion Notes: I recieved this show from the taper, Jim Quirk. This is an excellent FOB of a classic 1984 show. The sound is clear and upfront, with the vocals clearly defined and an excellent bottom end. This is a great complement to the crispy SBD already in circulation. Many thanks to Jim Quirk for the seed discs and for taping. / Flaws: There is a level decrease in Bucket at 3:48 levels return to normal at 4:11. / EAC and FLAC Conversion by David Perez |
|
|
10/11/84
|
Augusta Civic Center
Augusta, ME |
2 cdr |
|
|
FOB Schoeps MK41/CMC4 >Oade M118 >Sony TC D-5 Cassette Master >PCM >DAT @44.1kHz by Doug Oade |
Transfer: Sony PCM-M1>Coax 7 Pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0>CD Wave>mkwAct by Darrin / sector boundry errors corrected & retracted for 2 discs on 5/19/03 by JJ Clifton |
|
|
06/11/92
|
Knickerbocker Arena
Albany, NY |
2 flac |
|
|
SBD > DAT > Cassette Master (TDK SA-X100) |
Transfer Info: Cassette Master (Nakamichi DR-1) > Sound Devices 744T (24bit/96k) >
Samplitude Professional v10.02 > FLAC/16, (3 Discs Audio / 2 Discs FLAC) / All Transfers and Mastering by Charlie Miller - February 21, 2008
|
|
|
03/17/93
|
Capital Centre
Landover, MD |
2 flac |
|
|
AKG 460/CK8's >Panasonic SV-255 >(clone) TEAC DA-P20 |
FR-DC OTS / Transfer: Tascam DA-30 (48k) --[coaxial S/PDIF]--> Diamond xTreme Sound Card (48k) / 48k->44.1 in Cool Edit Pro, tracked with CDWave, FLAC level 8 encoded / Taper(s): Scott Swayne, Roger Jones, and Joe / Notes: Though this is similar to shnid# 4681, this new source is not missing anything. The only flaw is a split-second saturation of the signal @ 00:05 d2t06 (the drummers decided to pound hard-enough to redefine the nights level setting). |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
12/20/03
|
Asheville Civic Center
Asheville, NC |
1 flac |
|
|
mk41 >kc5 >cmc6 >m148 >v3 >da-p1 |
Warren Haynes Xmas Jam / Location: FOB(~40')/DFC/DIN(17cm/90degrees) / Conversion: da-p1> delta dio 24/96 > Sound Forge 6.0 (record/resample) > CD Wave (Tracking) > Sound Forge 6.0 (fades/edit) > Flac Frontend / Taped, Converted, and Seeded by wboswell@taperssection.com / Greg Allman & Friends is: Greg Allman - organ, Warren Haynes - guitar, Paul Riddle - drums, Danny Louis - keys, Andy Hess - bass / ---Shares disc w/ Warrens Haynes set from same date --- |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
09/02/06
|
Red Rocks Amplitheatre
Morrison, CO |
1 flac |
|
|
Studio Project B3ÃÂs >ìphatcablesî >Beyer MV-100 >Jb3 |
Location: Section, DFC, 6.5' / Transfer: JB3> Firewire > Wavelab 5 > FLAC (6) / Taped, Transferred, Mastered by momule |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/20/99
|
CB's 313 Gallery
New York, NY |
1 cdr |
|
|
SBD |
|
|
|
10/23/99
|
Memorial Union Building
Durham, NH |
1 cdr |
|
|
AT853a |
|
|
|
02/09/00
|
Paradise Rock Club
Boston, MA |
1 cdr |
|
|
SBD |
|
|
|
04/12/00
|
Lyric Theatre
Blacksburg, VA |
1 cdr |
|
|
SBD |
has some pops |
|
|
04/14/00
|
The State Theatre
Falls Church, VA |
1 cdr |
|
|
SBD |
small skip in Kristina |
|
|
04/15/00
|
Mulligans
Richmond, VA |
1 cdr |
|
|
|
early show |
|
|
04/15/00
|
Mulligans
Richmond, VA |
1 cdr |
|
|
|
late show |
|
|
04/18/00
|
State Street Music Hall
Ithaca, NY |
1 cdr |
|
|
HHb PDR1000 |
|
|
|
04/29/00
|
College Union Ballroom
Gettysburg, PA |
1 cdr |
|
|
Earthworks SR77 |
|
|
|
04/29/00
|
College Union Ballroom
Gettysburg, PA |
1 shn |
|
|
Earthworks SR77 >Sound Devices MP-2 >Graham Patten ADC-20 >Sony D8 |
Taper: Scott Brown / Conversion: Tascam DA-20mkii > Audiowerk2 > PowerMac G3 / burn/extract via Plextor 12x4x32 / Notes: This is the *real* 4-29-00. Another show has been mislabled 4-29-00, but this is the real night show from this date. |
|
|
05/01/00
|
Club Laga
Pittsburgh, PA |
1 shn |
|
|
SBD >pdr1000 >d7 |
Taper: Tim Cochrane / Converson: Tascam DA-20mkii > Audiowerk2 > PowerMac G3 by Scott Brown / burn/extract via plextor 12x4x32 |
|
|
05/04/00
|
Lupo's Heartbreak Hotel
Providence, RI |
1 shn |
|
|
AT853a >AT p/s >AD-20 >D7 by Chris Mathews |
Conversion: D7 > Midiman Delta DiO 2448 > CoolEdit Pro > CDWAV > WAV > SHN |
|
|
07/08/00
|
The Point
Bryn Mawr, PA |
1 cdr |
|
|
SBD |
|
|
|
09/07/00
|
The Point
Bryn Mawr, PA |
2 cdr |
|
|
SBD |
|
|
|
09/09/00
|
Carthage College
Kenosha, WI |
2 cdr |
|
|
SBD |
|
|
|
10/11/00
|
The Pub
Ithaca, NY |
2 cdr |
|
|
Neumann KM184 |
|
|
|
11/03/00
|
Concord City Auditorium
Concord, NH |
1 cdr |
|
|
Earthworks SR77 |
|
|
|
11/24/00
|
Wetlands Preserve
New York, NY |
1 cdr |
|
|
Earthworks SR77 |
|
|
|
12/03/00
|
Schuba's Tavern
Chicago, IL |
1 cdr |
|
|
Schoeps CMC6/Mk4>Lunatec V2>HHb PDR-1000 |
|
|
|
12/14/00
|
The Point
Bryn Mawr, PA |
2 cdr |
|
|
Audix UEM-81 |
|
|
|
12/28/00
|
Paradise Rock Club
Boston, MA |
1 cdr |
|
|
Earthworks SR77 |
|
|
|
12/29/00
|
Zig's
Alexandria, VA |
1 cdr |
|
|
SBD |
|
|
|
01/21/01
|
House of Blues
Cambridge, MA |
1 cdr |
|
|
DPA 4061 |
|
|
|
01/25/01
|
Planet 505
Syracuse, NY |
1 cdr |
|
|
Neumann km184s |
|
|
|
01/26/01
|
Hartwick College
Oneonta, NY |
2 cdr |
|
|
Neumann km184s |
|
|
|
02/02/01
|
The Rat @ UWM
Madison, WI |
3 mpeg |
|
|
|
|
|
|
02/03/01
|
Schuba's Tavern
Chicago, IL |
1 cdr |
|
|
Schoeps MK4s |
|
|
|
02/05/01
|
Wentworth Institute of Technology
Boston, MA |
2 cdr |
|
|
SBD |
|
|
|
02/06/01
|
Becker College
Leicester, MA |
2 cdr |
|
|
Sony ECM-717 |
|
|
|
02/08/01
|
St. Anselm's College
Manchester, NH |
2 cdr |
|
|
Earthworks SR71s |
|
|
|
02/11/01
|
The Pickle Barrel Night Club
Killington, VT |
1 cdr |
|
|
Earthworks SR77 |
|
|
|
02/18/01
|
The Nines
Ithaca, NY |
2 cdr |
|
|
Neumann km184s |
|
|
|
03/11/01
|
Crocodile Cafe
Seattle, WA |
1 mpeg |
|
|
|
|
|
|
03/13/01
|
Fireplace Lounge
Framingham, MA |
2 cdr |
|
|
Earthworks SR71s |
|
|
|
03/18/01
|
Zig's Bar
Alexandria, VA |
2 cdr |
|
|
SBD |
|
|
|
03/31/01
|
House Of Blues Chicago
Chicago, IL |
1 cdr |
|
|
Neumann KM184 |
|
|
|
04/06/01
|
Electric Factory
Philadelphia, PA |
1 cdr |
|
|
Earthworks SR71s |
|
|
|
04/10/01
|
The Underground
Salem, MA |
2 cdr |
|
|
Earthworks SR71s |
|
|
|
04/18/01
|
Bryant College South Dining Hall
Smithfield, RI |
2 cdr |
|
|
|
|
|
|
04/21/01
|
The Paradise Rock Club
Boston, MA |
2 cdr |
|
|
Earthworks SR77 |
|
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|
05/01/01
|
Schuba's Tavern
Chicago, IL |
2 cdr |
|
|
Schoeps MK4s>Lunatec V2>HHB portadat (A to D supplied on deck) |
|
|
|
05/27/01
|
Zig's Bar
Alexandria, VA |
2 cdr |
|
|
SBD |
|
|
|
06/11/01
|
Genghis Cohen
Los Angeles, CA |
1 cdr |
|
|
SBD |
|
|
|
06/18/01
|
The Paradise
Boston, MA |
1 cdr |
|
|
Neumann KM185>(AETA) PSP2>D8 |
|
|
|
06/22/01
|
House of Blues
Chicago, IL |
1 cdr |
|
|
Oktava MC012 |
|
|
|
06/23/01
|
Agora Ballroom
Cleveland, OH |
1 cdr |
|
|
|
|
|
|
06/24/01
|
The Shelter
Detroit, MI |
1 cdr |
|
|
SBD>XLR>Sony MZ-R90 MD>Sony Premium Gold 80min MD |
|
|
|
06/27/01
|
Mississippi Nights
St. Louis, MO |
1 cdr |
|
|
Oktava MC012 |
|
|
|
07/21/01
|
Mars Music Amphitheater
West Palm Beach, FL |
1 cdr |
|
|
AT853>SP P/S @ 0hz>m1 |
|
|
|
07/23/01
|
Metro Cafe
Washington, DC |
2 cdr |
|
|
SBD |
|
|
|
07/26/01
|
Highland Grounds
Los Angeles, CA |
1 cdr |
|
|
SBD |
|
|
|
07/26/01
|
Highland Grounds
Los Angeles, CA |
1 mpeg |
|
|
|
|
|
|
09/09/01
|
Schuba's Tavern
Chicago, IL |
2 cdr |
|
|
Oktava MC012 (card) / SBD |
|
|
|
09/29/01
|
Iron Horse Music Hall
Northampton, MA |
1 cdr |
|
|
Earthworks SR77 |
|
|
|
11/01/01
|
Aromas Coffee House -- University of San Diego
San Diego, CA |
2 cdr |
|
|
Neumann km184s |
|
|
|
11/12/01
|
Crowbar
State College, PA |
1 cdr |
|
|
SR77s + SBD |
|
|
|
11/13/01
|
Nick's Fat City
Pittsburgh, PA |
1 cdr |
|
|
SBD |
|
|
|
11/16/01
|
House of Blues
Chicago, IL |
1 cdr |
|
|
|
|
|
|
11/29/01
|
Boston College
Chestnut Hill, MA |
2 cdr |
|
|
AKG 481>Sound Devices USBPre 1.5>Dell Inspiron (24 bit/48 kHz) |
|
|
|
12/02/01
|
Edwards Auditorium (URI)
Providence, RI |
2 cdr |
|
|
|
|
|
|
12/03/01
|
The Union Ballroom
East Lansing, MI |
2 cdr |
|
|
SBD |
|
|
|
12/05/01
|
Lower Cafe, Bentley College
Waltham, MA |
1 cdr |
|
|
|
|
|
|
05/07/02
|
The Reverb
Toronto, ON |
1 shn |
|
|
CSB's >D8 >HD >Cool Edit Pro >SHN |
Taped, Transferred, and Seeded by Jason Taylor / Notes: Venue sometimes labelled as 'Holy Joe's', which is in the same building. |
|
|
05/08/02
|
Nick's Fat City
Pittsburgh, PA |
1 shn |
|
|
DSBD |
Taper: Cameron Lister / Conversion: Sony D8>eMagic EMI 2|6>Apple PowerBook>Coaster>Peak DV3.0>SHN / Notes: As Howie left the stage after Sorry So Sorry, Bruce (his sound guy) let the loop run for a bit and then just abruptly shut it off. He also dropped all the vocal channel while the crowd was cheering so there was complete silence on the tape for about 2 minutes. I made the loop fade out and cut the silence down to a few seconds. |
|
|
11/25/02
|
The Rathskeller
Indianapolis, IN |
1 shn |
|
|
Oktava MC012 + SBD >UA-5 (mod) >D8 |
Taper: Kevin Main / Conversion: D8 > UA-5 > Cool Edit Pro > Wave > SHN |
|
|
12/02/02
|
Varsity Theatre, Marquette University
Milwaukee, WI |
1 shn |
|
|
Soundboard |
Taper: Daniel J. Murry |
|
|
04/04/03
|
"Loyolapalooza" - Loyola University
Chicago, IL |
1 shn |
|
|
SBD |
SBD>USB-Pre v1.5>ibook>Coaster by Dan Glaser |
|
|
10/04/03
|
Theatre of Living Arts
Philadelphia, PA |
1 shn |
|
|
Oktava MK012 (matched carioid) >Edirol UA-5 >Fijitsu Lifebook C6581 >Soundforge >CDWav |
Tapers: Team-Brace-Yourself (Elana Gershuny, Blaine Rolfs, and Laura Ayd) |
|
|
02/11/04
|
Orpheum Theatre
Boston, MA |
1 shn |
|
|
DPA 4015 Wide Cardioid |
Source: DPA 4015 Wide Cardioid > DPA AO0182 XLR > Grace Design Lunatec V3 Integrated Pre | 24/96 A/D (@96kHz) > Canare DA-206 Custom AES/EBU Interconnect > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (slaved to V3 clock @ 96kHz via AES) > Apple PowerBook G4/1gHz/768MB > Metric Halo MIO Beta Recording Console (@ 24-bit / 96kHz) / Taper: Chris Jones / Location: Stageright rear orchestra; row RR, seat 125, ~25' from stageright stack. Stand at 9', wide cardioids A-B, as part of a Corey-Martin surround configuration (see below). Conversion: Apple PowerBook G4/1gHz/768MB > Apple PowerMac G4 MP800/512 > MOTU Digital Performer 4.11 (@24/96kHz) > Spark XL 2.8 >xACT / Dithered to 16-bit and resampled via T.C. Works' MegaBitMax Ultra-Noiseshapping. / Notes: Mics were arrayed in a Corey-Martin surround configuration, with 4015 subcardioids (the source of this recording) A-B, spaced about 12", and pair of DPA 4011's oriented vertically, aimed at the ceiling, spaced about 14", and placed behind the forward-facing subcardioids. All channels were tracked to disk simultaneously, and should result in a multichannel, 24/96 surround DVD-Audio disc in the near future. The source for the surround channels was the following: DPA 4011 > DPA AO0182 XLR > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (slaved to V3 clock @ 96kHz via AES) > Apple PowerBook G4/1gHz/768MB > Metric Halo MIO Beta Recording Console (@ 24-bit / 96kHz) |
|
|
07/11/04
|
Schubas
Chicago, IL |
1 flac |
|
|
Multitrack DSBD matrix by Joe Shambro |
Matrix: [Multitrack SBD (vocal + guitar direct out of Yamaha FOH console via passive splitter snake)] + [Earthworks SR77 > Lunatec V2] > Digidesign Digi002-r > Powerbook G4 (Protools 6.1) / Conversion: Mixed in Protools 6.1 > Peak 3.2 (track splits) > FLAC Frontend / Notes: There's a weird delay that got turned onto Howie's voice on the last half of the show. It's on the actual vocal track and not a product of weird room delay. I tried to fix it the best I could but it's the way it is. During the jam of "After You', I lost signal on the direct outs of the board, leaving just the audience track to fill in the gap. The signal came back not long after and I resumed the mix right where it left off. |
|
|
08/27/04
|
Les Schwab Amphitheater
Bend, OR |
1 flac |
|
|
Superlux SMK-H8K/O >Canare Starquad >digimod UA-5 >Nomad Jukebox 3 by Chris Vincent |
Location: Slight left of center, 50' from stage, mics omni (split 3') @ 9' / Conversion: JB3 > IEEE1394 > FLAC Frontend 1.7.1 > .flac / Editing: Wavelab 4.0c / Tracking: CD Wave 1.93.3 |
|
|
10/02/04
|
Clairmont Field, Emory University
Atlanta, GA |
1 shn |
|
|
AT831 >SP battery box >Nomad Jukebox 3 by Rich Vining |
Conversion: Nomad Jukebox 3 > Cool Edit Pro 2.0 > CD Wave > mkwACT > .shn by Rich Vining |
|
|
11/02/04
|
The Pageant
St. Louis, MO |
1 flac |
|
|
SBD >D100 by Joe Shambro |
Conversion: D100 > S/PDIF > Digidesign Digi002-R > iMac G4 (ProTools 6.2) > WAV / Tracking: CDWave (track splits) > FLAC Frontend by Brian Emerick |
|
|
12/07/04
|
Barracuda
Portland, OR |
1 flac |
|
|
Schoeps MK4s >Nbox >Oade line mod SBM-1@44.1 >Sony PCM-M1 by Chris Vincent |
Location: Stage right, next to pole, 10' from right stack, mics AB @ 9' / Conversion: Tascam DA-20 MkII > Emagic Audiowerk2 > FLAC Frontend 1.7.1 > .flac / Editing: Wavelab 4.0c / Tracking: CD Wave 1.93.3 / Notes: Howie performed solo at 105.1 The Buzz's "Nelson & Terry's ,000 in 105 minutes Shopping Spree" party. Yes, pulling a "stack tape" at a dance club isn't ideal so we lost a little low end. But this was pretty much the only decent spot to setup otherwise the recording would have been killed by crowd and bar noise. |
|
|
06/22/05
|
Ford Pavilion at Montage Mountain
Scranton, PA |
1 flac |
|
|
DAK ECM-2001's (~11', right stack) >MXB1002 >JB3 (WAV @44.1) by Timothy Brown |
Location: Sec. 103, Row GG, Seats 7&8 / Transfer: JB3 > Firewire > Sony VAIO / Conversion: CDWav 1.93.3 for track splitting; FLAC frontend 1.7.1 for Flac16 Conversion @ level 5 |
|
|
07/13/05
|
Leach Amphitheater
Oshkosh, WI |
1 flac |
|
|
at853s >SP-SPSB-6 >AD-20 >Nomad Jukebox 3 (optical in) by Chris Drews |
Location: Left Stack, 30' back, Mics @ 15' / Conversion: JB3 > Firewire > Cool Edit Pro > CDWav > FLAC / Notes: Slight wind noise during some quiet parts of the show. |
|
|
09/25/05
|
Towson University
Towson, MD |
1 shn |
|
|
Oktava MK012 (Matched Pair) >Edirol UA-5 >Creative NOmad Jukebox 3 >soudforge (via firewire) >CDWav by Elana Gershuny |
Notes: This set actually ended with an encore of Madrigals, but my UA-5 decided to die on me part way through it. There may be a slight bit of distortion at places in the last 2 tracks due to my UA-5 getting ready to kick the bucket. |
|
|
09/29/05
|
Clark Gymnasium
Hamilton, ON |
1 flac |
|
|
MK4 >KCy I >VMS 02b IB >Tascam DAP1 by Izaak Micah |
Location: ~6' from house left PA; stand ~8' tall / Conversion Soundforge 8.0.53 (normalize and some minor fixes of volume) > CDWav 1.94.5 > FLAC 1.7.1 / Notes: lots of soundboard messing during the 1st 3 songs, and you can hear it! |
|
|
10/01/05
|
Vincent Lombardi Memorial Fieldhouse - Fordham Unv
Bronx, NY |
1 flac |
|
|
DPA 4011 Cardioid by Christopher Jones |
Source: DPA 4011 Cardioid > Luminous Audio Technology Synchestra 4/9's Silver XLR Interconnect > Rupert Neve Designs Portico 5012 Microphone Preamplifier > Luminous Audio Technology Synchestra Signature 6/9's Copper XLR Interconnect > Mytek Digital Stereo192 Analog-to-Digital Converter (@ 24-bit / 96 kHz) > Luminous Audio Technology Allegro Signature 4/9's Silver AES / EBU Digital Interconnect > Sound Devices 722 Hard Disk Recorder (locked to Stereo192 clock @ 96 kHz; 24-bit / 96 kHz) / Location: Behind barrier stageleft, directly in front of PA, ~ 8' from house mains. Mics ORTF; stand at 8' / HD > .flac: Sound Devices 722 Hard Disk Recorder > Apple Power Mac G4 MP800 / 512MB > T.C. Works' Spark XL 2.8 > xACT 1.4b28 / Resampled and dithered using T.C. Works' respective highest quality resampling and Ultra-Noiseshaping functions. A 24-bit / 96 kHz version of this recording exists in .flac24 / Notes: Howie's vocal mic was silent for the first second of "Sorry, So Sorry." The pop at the beginning of the song is the mic punching in. Any odd anomolies in the audio originate onstage and / or at the console, not in the recording chain. Howie had applied to his voice a chorus-like effect at various parts of the show, most noticeably during "Been There." Howie's guitar was coming only through the stage monitors during "Madrigals" for the first few seconds, but then was put through the PA shortly thereafter. This is _not_ a soundboard recording. |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/07/01
|
Palace Theater
Louisville, KY |
1 cdr |
|
|
|
|
|
|
05/26/01
|
Greek Theatre: University of California
Berkeley, CA |
1 cdr |
|
|
|
|
|
|
12/12/01
|
Arlington Theatre
Santa Barbara, CA |
1 cdr |
|
|
|
|
|
|
05/30/03
|
Spreckles Theater
San Diego, CA |
1 shn |
|
|
AT831 >SP-SPSC-1 batt. box (w/ bass rolloff set @107 Hz) >(line-in) Sharp MD-MT15 by Tyler Huff |
Transfer: Sony MDS-JE510 (optical OUT)>M-Audio DiO 2448 (optical IN)>Sound Forge 6.0>WAV / Edit: WAV>Sound Forge 6.0>WAV>CD Wave>WAV / Conversion: WAV>mkw 0.97>SHN (no DAE, seek tables appended) |
|
|
06/13/03
|
Bonnaroo Music Festival
Manchester, TN |
1 shn |
|
|
AKG 480/ck63's >Audio Magic active cables >Graham-Patten DMIC-20 >Sony D8 (FOB 2 feet ROC) by Zac Williams |
Conversion: D8>coax>Waveterminal U2A>CDwav>mkwACT>shn by Zac Williams |
|
|
08/11/03
|
Dodge Theatre
Phoenix, AZ |
1 DVD |
|
|
MiniDV by Sinclair |
Audio Taper: Edgar / Audio Source: At831s > SP-SPSB-3 BattBox (Bass Roll Off @ 107khz) > Sony PCM-M1 / Conversion: Audio and Video converted digitally from the Master sources. Compiled using TMPGEnc and Adobe Premiere > DVD(1). / Notes: A couple of mintues of Posters and Middle Man transitioned with fan base digital pics due to making adjustments when crowd moved from sitting down to standing up. |
|
|
05/15/05
|
La Cigale
Paris, France |
1 flac |
|
|
MD NZ-NH900, Mic : ECM-719 by Kanter-mush |
Lineage : Sony wav conversion tool > Sound forge 8.0 > flacfrontend |
|
|
??/??/05
|
Television Tour 2005
Various, Various |
1 DVD |
|
|
Cable >TiVo >Sony Digital8 Camcorder >Firewire eMac |
Jack Johnson Television Tour 2005 - Various Television Performances / Editied in iMovie & Authored in iDVD / Average Video Bitrate: 7.36 mbps / Created by gEEKdORK / Contents: SNL (July 23, 2005); Last Call with Carson Daly (July 14, 2005); Jimmy Kimmel Live (July 28, 2005); Tonight Show with Jay Leno (July 27, 2005); The Late Show with David Letterman (Sept. 13, 2005) |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/15/03
|
Bonnaroo Music Festival (What Stage)
Manchester, TN |
1 shn |
|
|
FOB Neumann KM150>V3>D8 @48k |
Transfer: Tascam DA-40>Dio 2448>Soundforge 4.5>CDWave>SHN / Taped and Transfered by Howard Friedman |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
03/11/00
|
Vierling LRC
Lake Elsinore, CA |
1 shn |
|
|
Sdbd >Line in Kenwood DMC-G7R MD by Joe Hui |
Transfer: Sony MZR55 Line Out>Philips CDR 775 Audio CD Recorder>.wav via Exact Audio Copy>.shn via mkw Audio Compression Tool |
|
|
01/01/01
|
Java Joes
Ocean Beach, CA |
1 shn |
|
|
Unknown (Possibly SBD) |
Transfer: Unknown / Notes: The conversion has a few pops and it sounds like there may be some cutting here and there but it doesn't disrupt the show too much. |
|
|
01/16/01
|
Kass Bah
West Hollywood, CA |
1 shn |
|
|
Sounboard >(line-in) Sony MZ-R70 |
Taper: Aaron J. Adler / Transfer: Sony MZ-R70 (line-out) > BehringerMX602A (line-in) > SoundBlaster Live! (line-in) > Acid 3.0 > WAV / Edit: WAV > Acid 3.0 > WAV / Conversion: WAV > mkw 0.97 Beta1 > SHN |
|
|
01/30/01
|
Kass Bah
Los Angeles, CA |
1 shn |
|
|
SBD >Sony MZ-R70 |
Taper: Aaron Adler / Transfer: Sony MZ-R70 > Behringer MX602A > Soundblaster Live! card > Acid Pro > WAV > CD Wave > WAV > Master CD / Conversion: Master CD > EAC > CD > EZCD creator 3.5 > WAV > mkw act 0.97 > SHN (seek tables appended, YES DAO) / Notes: This is Jason, Toca, and Gregg (flute). The recording is SBD, and since the flute wasn't miced, it sounds distant. The taper did not make .shn files when he first transfered his recording to CD, so these .shn files were made from .wav's ripped from EAC master CD burn from the taper himself. These extracted wav's were then .shn'd and md5's created. They are the closest thing to the original recording existing besides the original audio CD that the taper created back when the recording was made. |
|
|
06/05/01
|
The Coffee House
Los Angeles, CA |
1 shn |
|
|
SBD >Sony MZ-R70 |
Taper: Aaron Adler / Transfer: Sony MZ-R70 > Behringer MX602A mixer > Soundblaster Live! card > Acid Pro / Edit: WAV > CD Wave > WAV / Conversion: WAV > mkw 0.97 BETA 1 > SHN (seek tables appended, YES DAO) / Notes: The taper did not make .shn files when he first transfered his recording to CD, so these .shn files were made from .wav's ripped from an EAC master CD burn from the taper himself. These extracted wav's were then .shn'd and md5's created. They are the closest thing to the original recording besides the original audio CD that the taper created back when the recording was made. |
|
|
11/23/01
|
Java Joe's
Ocean Beach, CA |
1 shn |
|
|
Unknown |
Lineage: Unknown>CD>EAC>WAV>mkw ACT 0.97>SHN (seek tables appended) |
|
|
09/18/02
|
Luther Burbank Center for the Arts
Santa Rosa, CA |
1 cdr |
|
|
|
|
|
|
06/13/03
|
Bonnaroo Music Festival (That Tent)
Manchester, TN |
1 shn |
|
|
(DFC/FOB) Josephson C-42mp (XY)>MP-2>D100 @44.1khz Taper: Chris Berryman |
Transfer: A6>Datport>P3-550mhz>CDWav>mkwAct |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/14/95
|
McCabe's Guitar Shop
Santa Monica*, CA |
1 shn |
|
|
aud/??/trade cdr/eac/mkw |
|
|
|
12/17/00
|
Abbey Pub
Chicago, IL |
1 flac |
|
|
Unknown Audience source |
CDr > EAC (secure mode) > WAV > FLAC Frontend (version 1.7.1) > FLAC / EAC logs and ffp included |
|
|
02/20/06
|
Otto's
Dekalb, IL |
2 flac |
|
|
Schoeps MK41/KC5/CMC6 >Lunatec V3 >MicroTrack 2496 by Brian Skalinder |
Location: ~ 5', ROC, ~ 30' back, ~ 7' up / Mic Config: DINA (17cm, 90∫) / Record Format: 24-bit, 48 kHz / Conversion: MicroTrack 2496 > USB > PC / Edit: Adobe Audition 1.5 (compression, fades) / Dither: MegaBitMax, Medium Shaping / Final Format: 16-bit, 44.1 kHz / Track: CD-Wave |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
01/13/95
|
Warfield Theater
San Francisco, CA |
2 shn |
|
|
MAD ("vintage Neumann"/KM54s >DAT) >DAT >CDR >WAV >SHN |
Taper: Chuck and Janet Vasseur |
|
|
01/13/95
|
Warfield Theater
San Francisco, CA |
1 flac |
|
|
DAT: ScheoppsMK4 >Sony D7 >CDWAV >FLAC |
From Dan Sisler: schoepsMK4 > reutelhuber power supply > denonDTR80p > Sony D7 / Notes: Only Set II |
|
|
01/14/95
|
Warfield Theater
San Francisco, CA |
2 shn |
|
|
MAD (vintage Neumann/KM54 >DAT) >DAT >CDR >WAV >SHN |
Taper: Chuck and Janet Vasseur / DAE (EAC0.9b4,offset corrected,secure mode, track quality >99.9%) > removal of silence at set boundaries (SF6.0) > tracking (cdwav) > sector boundaries confirmed (shntool) > SHN (shorten3.4) via C.Ladner. |
|
|
01/14/95
|
Warfield Theater
San Francisco, CA |
1 flac |
|
|
Schoeps MK4 >Reutelhuber power supply >Denon DTR80p >Sony D7 |
Dan Sisler's MAD (Schoeps MK4 [1st row balcony, aisle seats left of the SBD] > Reutelhuber power supply > Denon DTR80p > Sony D7) > Sony PCM R300 playback > S/PDIF I/O > Fuji sound card > HD w/CoolEdit Pro v2.1 at 48kHz > CDWAVE v1.95.1 (direct FLAC encoding) > FLAC (48khz) / Notes: Only set II |
|
|
01/14/95
|
Warfield Theater
San Francisco, CA |
2 shn |
|
|
AUD (mic's unknown) >DAT >CDR >WAV >SHNv3 |
Taper: unknown / Notes: DAE (EAC 0.9 beta 4) > +2.0 dB gain applied to each set (soundforge 5) > tracking (cdwave) > SHN (shorten 3.4) > FTP via C.Ladner/candyman FTP |
|
|
01/14/95
|
Warfield Theater
San Francisco, CA |
1 flac |
|
|
schoepsMK4 >reutelhuber power supply >denon DTR80p >Sony D7 |
Location: 1st row balcony, aisle seats left of the SBD / Notes: Only set II |
|
|
01/15/95
|
Warfield Theater
San Francisco, CA |
1 shn |
|
|
MAD ("vintage Neumann"/KM54s >DAT) >DAT >CDR >WAV >SHN |
Taper: Chuck and Janet Vasseur / DAE(QPS QUE 2410 with EAC0.9b4, offset corrected, secure mode, track quality >99.9%) > tracking (cdwav) > sector boundaries confirmed (shntool) > SHN (shorten3.4) via C.Ladner |
|
|
01/15/95
|
Warfield Theater
San Francisco, CA |
1 flac |
|
|
DAT: ScheoppsMK4 >Sony D7 >CDWAV >FLAC |
From Dan Sisler: "schoepsMK4 > reutelhuber power supply > denonDTR80p > Sony D7." / Notes: Only set II |
|
|
03/04/95
|
Warfield Theater
San Francicso, CA |
2 shn |
|
|
MAD (Neumann KM54) >DAT >CDR >WAV >SHN |
Taper: C.&J.Vasseur / DAE (EAC 0.9 beta 4, offset corrected, secure mode) > +2dB gain (SF5) > tracking (cdwave) > SHN (shorten 3.4) > FTP via C.Ladner/candyman FTP / Notes: Digital static during Deal. A +2.0 dB gain was applied to both sets independently prior to tracking using soundforge 5 |
|
|
03/04/95
|
Warfield Theater
San Francicso, CA |
2 flac |
|
|
DAT: ScheoppsMK4 >Sony D7 >WAV >Cool Edit Pro >CDWAV >FLAC |
Lineage: From Dan Sisler and his Taper buddy, so this would be: AUD (DAT: ScheoppsMK4 > Sony D7 > WAV > Cool Edit Pro > CDWAV > FLAC) ~ From Dan Sisler: "floor, center right under the drink rail, schoepsMK4 > reutelbuher > DTR80P, taped by my buddy Russ B." |
|
|
03/04/95
|
Warfield Theater
San Francicso, CA |
1 flac |
|
|
Uncertain, see notes |
Lineage: Uncertain, but more then likely from Taper Dan Sisler, so this would be: AUD (DAT: ScheoppsMK4 > Sony D7 > CD? or C1? > EAC > FLAC) ~ From Dan Sisler: schoepsMK4 > reutelhuber power supply > denonDTR80p > Sony D7 / Notes: Only set II |
|
|
03/05/95
|
Warfield Theater
San Francicso, CA |
2 flac |
|
|
AUD (DAT: Sonics >DTR80P >WAV >Cool Edit Pro >CDWAV >FLAC) |
Lineage: From Taper Dan Sisler and his taper buddy / From Dan Sisler: "floor, center, taped by Michael B." / Teddy Notes: Slight entire left channel amplify reduction -1db. Slight entire overall eq to reduce booming bass and to increase the mid to high frequencies. Downsample entire from 48 kHz to 44.1 kHz. |
|
|
03/05/95
|
Warfield Theater
San Francicso, CA |
1 shn |
|
|
MAD (Neumann KM54s >unk. deck) >D >CDR >WAV >SHN |
Taper: C. & J. Vasseur / DAE (EAC 0.9b4, offset corrected, secure mode, QPS QUE 2410) > tracking (cdwav editor) > sector boundaries confirmed (shntool) > SHN (mkwact) via C.Ladner. / Comments: Outstanding audience recording featuring the one and only Shining Star > Johnny Too Bad > Shining Star sandwich. Jerry would try the segue from Shining Star into J2B again on 4/21/95 with a smoother transition, but without the SS reprise. Hopefully the first set will turn up... |
|
|
04/14/95
|
Warfield Theater
San Francisco, CA |
2 shn |
|
|
MAD (Vintage Neumanns >unk. deck >D) >D >CDR >WAV >SHN |
Taper: C. & J. Vasseur / DAE (EAC 0.9b4, offset corrected, secure mode, QPS QUE 2410) > tracking (cdwav editor) > sector boundaries confirmed (shntool) > SHN (mkwact) via C.Ladner / Comments: Outstanding audience recoridng with intermittent close up clapping. Pauses between some songs have been removed on the masters. One of only five performances of "Johnny Too Bad" from the Harder The Come film soundtrack (which was also played). Different source than the previously unlineaged circulating source (i think this one's better). |
|
|
04/14/95
|
Warfield Theater
San Francisco, CA |
2 shn |
|
|
MAD (Taped by the Vasseurs, Neumann Km54s >unidentified deck) >D >CDR >WAV >SHNv3 |
source information updated 1/15/2003 / Previously Listed as AUD (mic unknown) > DAT > CDR > WAV > SHNv3, Taper unknown / DAE (EAC0.9b4, offset corrected, secure mode) > dropout removal (vice principal gilroy wankleswurth 4.20) > sector boundaries confirmed (shntool) > SHN (shorten 3.4) > FTP via C.Ladner/candyman FTP / Comments: Jerry's almost hits the "Harder They Come" soundtrack trifecta with a second set "Harder They Come" and "Johnny Too Bad" coming up short on the "Sitting in Limbo". / Notes: Tape paused between several tracks with omission of crowd noise. d1t03 - Subsecond dropout removed from @ 01:13. d2t02 - Balloon pop @ 01:42. d2t06 - Mic gets bumped in the left channel at 00:09. |
|
|
04/15/95
|
Warfield Theater
San Francisco, CA |
2 shn |
|
|
Vintage Neumann KM54s >D >D >CDR >WAV >SHN |
Tapers: Chuck & Janet Vasseur / DAE (QPS QUE 2410 EAC0.9b4, offset corrected, secure mode) > tracking (cdwav) > sector boundaries confirmed (shntool) > SHN (shorten 3.4) via C.Ladner / Comments: Outstanding audience recording with occasional close by clapping. |
|
|
04/21/95
|
Warfield Theater
San Francisco, CA |
1 shn |
|
|
Vintage Neumann (KM54s?) >DAT >DAT >CDR >WAV >SHN |
Tapers: Chuck and Janet Vasseur / DAE (QPS QUE 2410 EAC0.9 offset corrected secure mode) > editing as above (SF6) > tracking (cdwav editor) > sector boundaries confirmed (shntool) > SHN (mkwact) via Chris Ladner / Comments: Highly listenable audience recording with relatively minimal close up chatting. Rates a 2.4 on the "Hey Dude" index. Charged first set with beautiful Forever Young with Jerry wailing it out, hard drivin' Money Honey (this is not your teleprompter Jerry). Second set kicks off with a stellar Shining Star that instead of dying off into a lagging audience chant Jerry keeps Shining Star going with a reggae beat and drops perfectly into "Johnny Too Bad" which drifts right into the self-explanatory Don't Let Go - over 43 minutes of continuous jamming. Not what you'd expect for the 3rd to last JGB show. |
|
|
04/22/95
|
Warfield Theater
San Francisco, CA |
1 shn |
|
|
FOB - Neumann KM 150's >??P/S >TEAC DA-P20 |
|
|
|
04/23/95
|
Warfield Theater
San Francisco, CA |
1 shn |
|
|
AUD (mic's unknown) >DAT >CDR >WAV >SHN |
Taper: unknown / DAE (EAC0.9b4, offset corrected, secure mode) > digifuzz attenuation and dropout removal (soundforge 5) > tracking (cdwav editor) > shn (shorten 3.4) > sector boundaries confirmed (shntool) > FTP via C.Ladner/candyman FTP / Comments: Last JGB show. / Technical issues: There are flaws with the CDR source I have for this show that I initially didn't want to SHN it up, but because of its place in the chronological order of shows and the apparent lack of other circulating sources, people seem to be interested in checking it out, so Cie La Vie. Despite the flaws the show is highly listenable. There were fades and pauses between most songs on the masters with the intervening "crowd noise" removed. Several tracks begin with a fade in on the first note of the song so that it is clipped - darn. d1t01 - minor digifuzz @ 05:10. d1t03 - First note of Simple Twist of Fate clipped, noise @ 00:22. d1t07 - minor digifuzz at 00:20. d2t01 - level changes during the 30 seconds of the recording were evened out using SF5. d2t02 - small subsecond dropout @ 7:09 removed with SF5. |
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|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/15/99
|
Snake And Weasel
Portland, OR |
1 shn |
|
|
SBD >Cdr >EAC >SHN |
Known Flaws: Pearl had a spot where the sound went dead so the dead air was removed. |
|
|
07/16/99
|
Snake & Weasel
Portland, OR |
1 shn |
|
|
SBD >Cdr >EAC >SHN |
Known Flaws: Splice between Look out and CTS (minimal). |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/02/73
|
Harper College
Palatine, IL |
1 shn |
|
|
|
no source info available |
|
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|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/12/68
|
Jimi's room - Drake Hotel
New York, NY |
1 shn |
|
|
Hendrix's Rig>EAC>SHN |
Jimi solo practicing in his apt. Can hear Jimi turning pages of music and at one point can hear the phone ring. / Originally released as an acetate, this is reportedly recorded at Jimi's New York apartment sometime in late 1968. |
|
|
05/16/68
|
Gulf Stream Race Track
Miami, FL |
1 shn |
|
|
Stereo Soundboard....sadly, incomplete / Master Clone>DAT>CD-r |
A great set, well recorded straight off the soundboard, but incomplete.
Nicely balanced sound, very clear and there were obviously one or two
problems with the sound system. This is a RAW version, warts and all, it
has not been cleaned up - the "drop-out's" in the Intro are not in fact
"drop-out's", but where the line feed appears to have "shorted", or dropped
for a millisecond, or 50 (!!) |
|
|
08/18/69
|
Woodstock Festival
Bethel, NY |
2 shn |
|
|
sbd>reels>pcm>cd |
This isn't a copy of the official release.
There are two sbd sources for this show. This one is missing Message To The Universe, which was the first song played.
The second source is missing Master Mind, Gypsy Woman, Hey Joe, and the Intro.
|
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|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
??/??/84
|
Abbot's
Athens, GA |
1 flac |
|
|
SBD >Analog >CD |
Transfer: Analog > CD-R > EAC > Cool Edit Pro > CDWave > CD-R > EAC > Flac(level 6) / Notes: Exact date unknown (sometime in 1984) and location unsure. JB solo. |
|
|
08/16/03
|
Gerald R. Ford Amphitheatre
Vail, CO |
1 flac |
|
|
FOB/ORTF Schoeps mk4 >kc5 >cmc6 >Lunatec V3 @16/48 by Nate Fisher |
Tascam DA-P1 >VX Pocket V2 >Wavelab (resampled) >CDWAV >FLAC by Tim Markham |
|
|
12/20/03
|
Asheville Civic Center
Asheville, NC |
1 flac |
|
|
mk41 >kc5 >cmc6 >m148 >ad1000 >da-p1 |
Warren Haynes Xmas Jam / Location: fob(~40')/dfc/din(17cm/90degrees) / Conversion: da-p1 > delta dio 24/96 > Sound Forge 6.0 (record) > CD Wave > Sound Forge 6.0 (fades) > Flac Frontend / Taped, Converted, & Seeded by wboswell@taperssection.com / ---Shares disc w/ Stained Souls set from same date --- |
|
|
04/09/05
|
Wrigley Field
Chicago, IL |
1 flac |
|
|
Schoeps mk4v >kc5 >cmc6 >Lunatec V3 >Sony D8 by John Hubert |
Location: Front of Bleachers near 1st base / DSP: WaveLab 5.0 > Dithered w/UV HR22 > flac frontend (level 6) by Nate Fisher / Notes: Fades were applied to the beginning and end of sets with WaveLab 5.0. Resample done with WaveLab 5.0 UVHR22. |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/08/05
|
Yak-zies
Chicago, IL |
1 flac |
|
|
|
Recoreded and transferred by Jeff Frank. / Pre-Cubs game. |
|
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|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
03/07/03
|
One Love Music and Dance Hall
Athens, GA |
1 cdr |
|
|
DSBD@48khz |
Transfer: Conner CTD8000H/R-S DDS>VDAT>Wavelab 4.0>CD Wave>FLAC by JJ Clifton / Notes/Comments: BreastFest 2003, Billed as 'The Bell and Keane Show', JB on acoustic & John Keane on electric, AquaLove and Sara O'Brien & Friends opened / Wavelab Notes: fades added at beginning & end of sets, resampled from 48khz>44.1khz |
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|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
??/??/92
|
Practice Session
Athens, GA |
1 flac |
|
|
? > DAT> CDR> EAC> flac |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
03/05/02
|
Starr Hill Brewing Company
Charlottesville, VA |
2 shn |
|
|
SBD >D7 |
Transfer: D7>Digital Coax Out>POCAB Spdif-In>CDWAVE>SHN (mkw 0.97b) / Recording and Transfer by Joel |
|
|
09/19/02
|
Pearl Street Night Club
Northampton, MA |
1 shn |
|
|
Scheops CCM4's>Aerco>SBM-1>M1 Taper: Carl Daniel |
Location: FOB ORTF
Conversion: Sony PCM2600>HHB850>WAV>SHN Carl Daniel |
|
|
02/23/04
|
The Corner Hotel
Melbourne, Australia |
1 shn |
|
|
AT-822 >Sony SBM-1 >Sony TCD-D8 by Andrew Brown and David Landsberger |
Transfer: D8 > Oade Active S/PDIF > Audiophile 2496 > CoolEdit Pro > WAV > SHN |
|
|
03/15/05
|
Mercury Lounge
New York, NY |
1 flac |
|
|
AKG 414's >MP-2 >Marantz PMD-670 by Matt Casey |
Location: 8' high FOB about 30 feet from stage / Conversion: PMD-670 > USB > Audacity (normalizing) > CDWAV (tracking) > FLAC |
|
|
09/10/05
|
Red Rocks Amphitheatre
Morrison, CO |
1 flac |
|
|
Neumann KM-140s @ ~ 10' (ORTF) >Lunatec V3 @ 24/96 >Sound Devices 722 by Ian White |
Location: Section RES, Row 5, Seats 69 & 70 (5th row/left stack) / Conversion: Sound Devices 722 > IBM ThinkPad A30 > CD Wave 1.94 > Goldwave 5.10 > Wavelab 5.01 > flac 1.1.2 |
|
|
09/11/05
|
Red Rocks Amphitheatre
Morrison, CO |
1 flac |
|
|
DAK ECM-2001's (~9'/NOS, Center) >MXB1002 >JB3 (16/44.1) by Timothy Brown |
Location: Row 16, directly behind the sound board / Transfer: JB3 > Firewire > Sony VAIO / Conversion: CDWav 1.93.3 for track splitting; FLAC frontend 1.7.1 for Flac16; Conversion @ level 5 / Notes: Fades applied at the beginning and end. |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
11/01/61
|
Village Vanguard
New York, NY |
1 cdr |
|
|
|
|
|
|
11/23/61
|
Konserthuset
Stockholm, Sweden |
1 cdr |
|
|
|
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/25/00
|
Eddie's Attic
Decatur, GA |
1 cdr |
|
|
|
|
|
|
01/25/01
|
Sweet Briar College
Sweet Briar, VA |
1 cdr |
|
|
|
|
|
|
01/27/01
|
Trax
Charlottesville, VA |
1 cdr |
|
|
|
|
|
|
03/21/01
|
Fox Theatre
Boulder, CO |
1 cdr |
|
|
|
|
|
|
04/25/01
|
Ziggys
Winston-Salem, NC |
1 cdr |
|
|
|
|
|
|
06/18/01
|
The Paradise Rock Club
Boston, MA |
1 shn |
|
|
Neumann KM185 >(AETA) PSP2 >D8 by Jeff Mahoney |
Location: XY mic pattern from balcony (right side of soundboard) / Conversion: D8 > Roland UA30 > Cool Edit Pro > CDWAV > WAV > mkwACT > SHN v3.0 |
|
|
06/22/01
|
House of Blues
Chicago, IL |
2 cdr |
|
|
|
|
|
|
06/24/01
|
The Shelter
Detroit, MI |
1 cdr |
|
|
|
|
|
|
07/18/01
|
40 Watt
Athens, GA |
2 cdr |
|
|
|
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
09/06/05
|
The Fillmore
San Francisco, CA |
1 flac |
|
|
Schoeps MK4s >Rmod2k2 box >Edirol R-4 @ 24 bit/96 khz resolution |
Conversion: WAV > Soundforge 7.0b (editing) > Wavelab 5.0 (UV22HR dither) > flac / Notes: Mics at head height in the sweet spot 25' from John Mayer. |
|
|
09/07/05
|
The Fillmore
San Francisco, CA |
1 flac |
|
|
Schoeps CCM4's > Edirol R-4 @ 24bit/96kHz |
Editing, Tracking, Bit Depth Reduction, Resampling: Sound Forge 8.0 / Conversion: WAV > shntool 2.0.3 > flac 1.1.2 > FLAC |
|
|
09/13/05
|
House of Blues
Anaheim, CA |
1 flac |
|
|
Neumann ak40s >LC-3-KA >km100s >Sound Devices MP-2 >(line-in) Creative Nomad Jukebox 3 by Jon Koch |
Location: DIN, clamped to railing FOB, left side / Transfer: Creative Nomad Jukebox 3 > USB > PC > wav / Edit: wav > Sony Soundforge 7.0b > wav > CD Wave > wav / Conversion: wav > FLAC frontend 1.7.1 > .flac |
|
|
09/14/05
|
House of Blues
West Hollywood, CA |
1 flac |
|
|
AT831's -> SP-SPSB-1s -> Creative Nomad Jukebox III ( line-in ) by CAtapergirl |
Location: Behind the soundboard, slightly ROC ( Mics mounted on t-bar, held in hand ) / Transfer: Creative Nomad Jukebox III > USB > Wav / Edit: Wav > Adobe Audition 1.5 > Wav > CD Wave > Wav / Conversion: Wav > FLAC Frontend > FLAC / Notes: Slight level adjustment at the beginning of "Everyday I Have The Blues". |
|
|
09/19/05
|
Uptown Theater
Kansas City, MO |
1 shn |
|
|
SP-CMC-4 Cardiods >SP-SPSB-1 >Creative Nomad Jukebox 3 by Ed Paff |
Setup: XY 90 degrees 10' High / Location: FOB ROC / Equipment: Creative Nomad Jukebox 3 -> USB -> Cool Edit 2000 -> CD Wave |
|
|
09/24/05
|
Eagles Ballroom
Milwaukee, WI |
1 flac |
|
|
AT853s >AD-20 >Creative Nomad Jukebox 3 by Connor Cronk |
Conversion: Creative Nomad Jukebox 3 > Cool Edit Pro (Normalize) > Cd Wave > FLAC / Notes: First time with the AD-20, so there are level adjustments at random times. |
|
|
10/04/05
|
House of Blues
Cleveland, OH |
1 shn |
|
|
AT9841 Stereo Condenser Mic >Sony MZ-R70 Minidisc Recorder by Sue J |
Location: 3rd row balcony, left side / Sound Forge 7.0 > WAV > mkw Audio Compression Tool > shn |
|
|
10/06/05
|
The Beacon
New York, NY |
2 shn |
|
|
Sony ECM-MX907 >Sony Recording MD Walkman MZ-R700 by Alex Anderson |
Location: FOB ROC / Setup: 120 degree setting on front row balcony shelf / Equipment: Sony Recording MD Walkman MZ-R700 -> PreSonus DigiMAX 96k -> Cubase SX 3 -> Waves Mastering Plugins -> DVDR Wave |
|
|
10/11/05
|
Avalon
Boston, MA |
1 flac |
|
|
SP-CMC-2A >batt box(bass roll off @ 97Hz) >JB3 by Kazmo Kramer |
Location: ~30 feet from stage.FOB Center / Equipment: JB3 > US B> WaveLab 5.0 > CDWav 1.94.3 > FLAC Frontend 1.7.1 (Level 6) |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/16/04
|
Suite 16
New York, NY |
2 shn |
|
|
Neumann TLM 170 >Sonosax SX-M2-M2 >Sonic AD2K+ >DA-P1 @48khz |
Taper: Scott Bernstein & Yossi Pollack / Transfer: DA-P1>M-Audio Audiophile 2496 USB>CDWAV / Converted to 44.1 khz with Goldwave / Converted to SHN with mkWACT / Checked with Shntool - No errors |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/13/78
|
My Father's Place
Old Roslyn, NY |
1 shn |
|
|
pre-fm sbd >cassette master >cdr |
Conversion: CD >EAC(secure)>WAV>SHN
*wav files checked with shntool (no fix needed) and encoded with mkwACT. / notes: Pre-FM feed from WLIR-FM recording truck
All stage mics wired to air mix soundboard in recording truck to
Maxell XLII cassette (no dolby) on a (then brand spankin' new)
Nakamichi 550 cassette machine. To computer (23 years later)
via:
cr7a Nakamichi cassette (with azmuth adjust) to SBM1 Sony Super
Bit Mapper A>D converter to digi in on Linx-one studio card (spdif).
Recorded in Soundforge and mastered with CD architect to CD to SHN. Note...My cassettes have held up over the years better than the
master reels of these shows.
The master 1/4" reels (recorded on Ampex 456 grand master tape)
would need to be literally "baked" in order to squeeze out one
final play as the oxide flakes off the tape! |
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|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
09/07/96
|
Irving Plaza
New York, NY |
2 shn |
|
|
SBD >DAT >CDR |
all songs individually normalized to -.05 db and then crossfaded into each other slightly levels were really low. |
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|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
11/30/05
|
Proud Larry's
Oxford, MS |
2 flac |
|
|
Schoeps mk5(card) >kc5 >cmc6xt (+ SBD) >Nagra V @24/96 by John Callery |
Location: Mics on-stage, ORTF / Conversion: Nagra HD > Wavelab 5 (resample & dither w/UV22HR) > CDWAV > Flac Frontend lvl 6 by John Callery |
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|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
01/17/03
|
The Crocodile Cafe
Seattle, WA |
2 shn |
|
|
Audio Technica 853s >SP-SPSB-7 (w/ Bass Rolloff @ 95Hz) >Sharp MD-SR60 by Kevin Davis |
Location: Dead Center 20' from Stage / Conversion: MD Masters>Sony MDS-E10>M-Audio Dio 2496>ASIO>n-track 3.1.9>WAV @ 44.1kHz (No resample)>CD-WAV/mkwACT>.shn (Editing: Soundforge 6.0) |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/19/03
|
Live on Penn
Washington, DC |
1 shn |
|
|
Audio Technica 4051a (~9', DIN, ~25' stage) >Kiwi XLR's >Denecke ps/2 >Deneck AD-20 (0 gain) >sony tcd-d100 (44.1-60m DDS) by Chris Clark |
Transfer: sony tcd-d100>Edirol UA5>toshiba satellite 1135>SoundForge 6>Cdwave (splits)>mkwact>shn by Chris Clark / Notes: digi pop in t09 |
|
|
12/26/05
|
Fraternal Order of Eagles
Stafford, VA |
2 flac |
|
|
AKG 481 @ rear of sbd >Edirol UA5 (w/ Oade Warm Mod) >JB3 |
Transfer/tracking: JB3 to PC via firewire > WavLab5 (fades) > CDWave (tracking) > Flac / Notes: Fades at beginning and end of Set One, beginning of Set Two and after Encore. Disc breaks are not faded and can be rejoined seamlessly. |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/24/75
|
Earl's Court
London, England |
3 shn |
|
|
SBD |
There are a couple of slight shifts in the first track or two, while the mixing board crew adjusts the band's sound to the venue. These are very minor, and afterwards the sound is near perfect. Only "Going to California" and the first thirty seconds or so of "That's the Way" are missing from the soundboard. These have been filled in with an excellent audience source. |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/09/01
|
The Cajun House
Scottsdale, AZ |
2 flac |
|
|
Soundboard > Sony D8 |
Transfer: Sony A7> Sound Forge 4.5 16-bit > TLH8 Convert to Flac / Taped, converted and seeded by Gary H. |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/08/75
|
El Camino Park
Palo Alto, CA |
1 flac |
|
|
MOTB Release: 0061 16/44.1 |
Analog Audience Source: FOB Master Cassettes (MAC) / Medium Stock Brands: MAC = Maxell UD C90 / Analog Lineage: 1 x Sony ECM-270 + 1 x Sony ECM-250 => Sony TC-152 >> MAC / Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] / Taped By: Bob Menke and Louis Falanga / Transfer By: B. Menke / Mastering By: J. Wadell / Mastering Notes: Edited, mastered and downsampled to 16/44.1 on the GEMS Edit Station. Heavy bass frequency attenuated. Channels balanced. Tape pauses between songs were smoothed where harsh. / Notes: d1t01 - "The Harder They Come" abruptly cuts in, with the first few notes of the opening missing. The Sony ECM microphones were mounted on a broomstick. We at MOTB, and the community at large, are forever indebted to Bob Menke and Louis Falanga for having the wherewithal and initiative to tape these Legion Of Mary performances in 1975; and, of course, for the kind sharing thereof. / Legion Of Mary:
* Jerry Garcia - guitar, vocals
* Merl Saunders - keyboards, vocals
* John Kahn - bass
* Martin Fierro - saxophone, flute
* Ron Tutt - drums
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| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/16/88
|
El Dorado Cafe
Crested Butte, CO |
2 shn |
|
|
Unknown |
With Steve Kimock / Note: Bit-Torrent converted by gmonster2003@hotmail.com, however someone else converted the show to digital -- sorry, no details given to me on the source |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/08/54
|
Memorial Hall, University Of North Carolina
Chapel Hill, NC |
2 shn |
|
|
unknown (Professional, probably SBD >Reel) |
Transfer: DAT>ABD Multi!Wav Pro>Cool Edit 2000 (resample 48>44.1)>SHN via CD-WAV (No EAC.) |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
01/18/04
|
House of Blues
Chicago, IL |
1 shn |
|
|
Oktava MC012 (hypercard)>USB-Pre>Apple iBook |
Taper: Dan Glaser |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
12/06/96
|
Be Here Now
Asheville, NC |
2 shn |
|
|
Radio Shack PZM 33-1090B >DAT @ 48kHz by Unknown (patch by Chaffe McIIhenny |
Transfer: Sony 59ES>Monster s/pdif>Audiophile2496>Wave Lab 4.0>CDWave>mkwACT v.97b>shn (seek) by Wade Cooper / Tracking/Setlist by Pete Rocco |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/09/60
|
Kurhaus
Scheveningen, Holland |
1 cdr |
|
|
|
w/ John Coltrane |
|
|
10/08/64
|
Stadthalle
Sindelfingen, West Germany |
1 cdr |
|
|
Liberated Bootleg of an FM Broadcast |
Milestones, All of You, Joshua, Autumn Leaves, Oleo |
|
|
11/06/67
|
Salle Pleyel
Paris, France |
1 cdr |
|
|
ORTF Radio Broadcast |
'Round Midnight, Masqualero, I Fall In Love Too Easy, Riot, Walkin', On Green Dolphin Street, The Theme |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
09/27/06
|
Hotel Cafe
Hollywood, CA |
1 flac |
|
|
Schoeps MK4 >active cables >Nbox+ >IRiver iHP-120 (Rockbox) by Tom Riddle |
Location: Mics 90*, ~6' from hanging speaker / Transfer: IRiver iHP-120 > USB > PC / Edit: wav > Sony Soundforge 7.0b > wav > CD Wave > wav / Conversion: wav > FLAC frontend 1.7.1 > .flac |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/30/73
|
Ebbets Field
Denver, CO |
1 shn |
|
|
PFMDAT @ 48 kHz |
Transfer: D8Oade Digi I/O-PHosa CoaxM Audio Delta Dio 2496
Soundforge 5.0b (build 162)CD Wave v1.6mkwACT .97 Beta 1SHN
Notes:
-Resampled to 44.1kHz at Level 4 with Anti Alias Filtering
-Fades Added at Beginning and end of Set
-Reel Flip ~ 3:45 Track 12 (Crossfaded on Source DAT)
-Some Pops and Clicks Throughout removed with Pencil Tool.
-Tracks 01 and 02 Cut on Source DAT (Fades added)
****Found this track list & info on the web- its not an EXACT match
but damn close--some times within seconds--- Strmmyweathr@hotmail.com*****
B.B. King guests |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/23/70
|
McDonough Arena - Georgetown University
Washington, DC |
1 flac |
|
|
AUD >Sony TC-124 >MAC |
Source: Audience / Media: Mallory Duratape C-60 / Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > Marantz PMD671 > WAV / Taped by: Cary Wolfson / Transfer by: D. McCabe / Mastering by: D. McCabe / Mastering Info: Bias Peak Pro 5.2 / Audiofile Engineering Wave Editor 2.2 / Izotope Ozone 3.0 / xACT 1.59 / Notes: with Garcia on pedal steel. |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/20/03
|
Taste Of Randolph Street
Chicago, IL |
2 shn |
|
|
Earthworks SR77's (ORTF, FOB, DFC, ~25' from stage) >Graham-Patten DMIC-20 (44.1kHz) >Sony TCD-D10proII |
Transfer: Tascam DA20mkII>Delta DiO 2496>HD>CD Wave (tracking)>Sound Forge 6.0 (fades and 2 sec. silence in d1t01 and d2t11)>mkw ACT (.shn) |
|
|
07/06/03
|
Grandstand Stage, High Sierra Music Festival
Quincy, CA |
1 shn |
|
|
Earthworks sr77's (FOB, DFC, ORTF) >Lunatec V3 (48kHz) >Sony TCD-D10proII |
Transfer: Tascam DA-20mkII>Delta DiO 2496>HD>Sound Forge 6.0 (resampled to 44.1 kHz)>CD Wave (tracking)>Sound Forge 6.0 (fades and 2 sec. silence added to d1t01 and d2t06)>mkw ACT (.shn) |
|
|
10/07/04
|
Good Music & Other Stuff (acoustic set)
Asheville, NC |
1 flac |
|
|
AKG 481 >v3 >dap-1 @44.1 by Gordon Wilson |
Location: XY 90 degrees, 3 feet in front of Cody, DFC / Transfer: dap-1 > audiophile 24/96 > wavelab 4.0 > cd wave > flac frontend (level 8) / Notes: fades added at beginning and end of disc with wavelab 4.0. Sector Boundries verified with shntool v2.0.3. free in-store acoustic show. no mics (except mine), no amps. |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
11/04/00
|
Swindlefish
Athens, OH |
2 cdr |
|
|
|
|
|
|
01/05/01
|
Newport Music Hall
Columbus, OH |
2 cdr |
|
|
|
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/16/00
|
The House Of Blues
Los Angeles, CA |
1 shn |
|
|
SBD / Aud mix >webcast (format unknown) >CDR >EAC >SHN |
EAC > SHN by Ryan Baker / Notes: this recording is from a webcast, and has lossy formats in its lineage. Still sounds amazing, and I doubt there is a lossless version of this show that we're ever gonna see. |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
11/01/78
|
Howard Theater
Washington, DC |
2 cdr |
|
|
SBD |
out of print limited AEM C.D. > EAC > MKW |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/31/96
|
Floodzone
Richmond, VA |
2 cdr |
|
|
|
|
|
|
02/12/99
|
Psi Upsilon Fraternity
Hanover, NH |
2 cdr |
|
|
|
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
09/26/02
|
University College Dublin
Dublin, Ireland |
1 shn |
|
|
DSBD by Scott McBurney |
Conversion: Sony D8>Apple Powerbook>ProTools>SHNtool>SHN / Taper's Note: The guy who was running the sound was pretty poor. There is some awful stuff going on in parts which ruins the music. It's not a bad recording, just a bad sound guy. |
|
|
01/28/03
|
Southpaw (Songwriters' Night)
Brooklyn, NY |
1 shn |
|
|
DSBD>Sony D8 Taper: Scott McBurney |
Conversion: Sony TCD-D8>DIO 2448>SoundForge 5>CDWav>SHN Conversion by Matt Casey |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
03/16/92
|
Kaufman Astoria Studios [Soundcheck]
Queens, NY |
1 shn |
|
|
dSBD >DAT >dEDIT (level adjustment only) >mkwACT >.shn |
shares disc with show of same date |
|
|
03/16/92
|
Kaufman Astoria Studios
Queens, NY |
1 shn |
|
|
dSBD >DAT >dEDIT (level adjustment only) >mkwACT >.shn |
MTV Unplugged / shares disc w/ soundcheck |
|
|
06/14/08
|
Great Stage Park
Manchester, TN |
2 flac |
|
|
FOB Schoeps mk4 (ORTF) > kc5 > cmc6 > Lunatec V2 > Sound Devices 702 @ 24/48 |
Taped and transfered : Brent Stober / Transfer: 702 > firewire > PC > Wavelab5.0 > CDwave > xACT > Flac |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
11/02/07
|
Nokia Theater
New York, NY |
2 flac |
|
|
nak 100 mics >sony sbm1 >sony pcm1 |
Taper: Steve T |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/31/03
|
Webster Theatre
Hartford, CT |
2 shn |
|
|
MS Matrix (SBD-AUD**) |
**Sum mono; 2 AKG480/ck63 (onstage split 15ft; facing toward audience) Recorded on a digi001/protools (4 tracks, post mixing) original recording at 24bit/44.1k>24bit/16k protools dither (best setting) Soundforge/CDWave>SHN Recording by Matt Vallo |
|
|
Ratdog
Approximate hours: 27.5
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/24/03
|
Beacon Theater
New York, NY |
2 shn |
|
|
1st row Loge, dead center, AKG c568BE shots >Peavey PS-2 phantom power supply >SBM-1 >DAT >Creative Platinum Live (digital sound card by way of SPDIF out and in) >SoundForge 4.5 >WAV >mkwAct >SHN by Ira Stein |
Notes: The initial sampling frequency on the A/D processor was 44.1 kHz. Except as indicated, no other digital enhancements took place. The recording is identical to the original recording in every way except for being tracked. The only differences from the posted setlists on the internet were my combining some Jams as part of one track when I thought they were too short to be definable as individual tracks. On disc 2, "October Queen > The Deep End" is one track. |
|
|
11/03/03
|
Vic Theatre
Chicago, IL |
2 shn |
|
|
mg300 (DFC, first balcony) >v2 >minime >vxpocket >picturebook |
Taped by Steve Szaks (steve@phatdats.com / www.phatdats.com) / seeded to etree via www.phatdats.com on 11.05.2003 |
|
|
03/06/07
|
Paramount Center for the Arts
Peekskill, NY |
2 flac |
|
|
Microtech Gefell M210's >Oade M248 >Sony SBM-1 >Sony TC-D8 Dat |
Location: Row G center orchestra (FOB), mics on stand aprx 7-feet high / Transfer: MAD > Tascam DA20 > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC / Taped and transferred thru CDR by Jon Pasternak. EAC thru FLAC by Andrew F / Soundforge was used to make fades, and to create the seamless disc breaks |
|
|
03/08/07
|
Beacon Theater
New York, NY |
2 flac |
|
|
Nakamichi CP701's (modded 700's) >722@24/96 by Tony Suraci |
Location: Front CenterLower Balcony Row A(clamped to rail) / Transfer: 722>Adobe Aud.>16 bit>CDwav>flac16 by Tony Suraci/nak 700 / Notes: This is the 16 bit version. 24 bit is archived on DVDa. |
|
|
07/05/07
|
Summerfest
Milwaukee, WI |
2 flac |
|
|
AKG 391 >Denecke AD20 >M1 |
Transfer: DAT > Standalone Burner > CD > Disc Image (Toast) > Flac(6) / Taped by Jim O'Malley |
|
|
07/13/07
|
Marvin's Mountaintop
Masontown, WV |
2 flac |
|
|
AKG ck63/480(DINa/DFC/OTS) >MiAGi II Silver XLR's >Sound Devices 722@24/48 |
Lineage: 722 INHDD > Wavelab 5.01b(Gain Added/48>44.1k/UV22HR Dither) > CD Wave 1.95.1 > FLAC Frontend 1.1.4b(Verify/Align On Sector Boundaries/Level 6) / Taped/Transferred/Uploaded by Bean / Notes: There are level adjustments the first minute of the show, and slightly lower levels overall until about 3 minutes into the show/recording. After that initial first 3 minutes, the levels are fine and there are no flaws or music missing......This happened because I was trying to tape Lotus at the second stage before Ratdog, and I was late getting back and turning my mics towards the mainstage. Stupid stoner mistake getting back a few minutes into Ratdog's set :) Luckily, the levels are low just during the opening jam into Casey Jones, so its not like there is anything special going on while the mics were pointed at the second stage and Casey Jones hasnt even started yet.........No music is missing, just some level adjustments. From the opening of Casey Jones>end of the show, everything is fine and the levels are perfect! This doesnt take away from the show AT ALL in my opinion, thats why I'm seeding it :) If I thought it did, I would get a patch for that spot. So Enjoy! |
|
|
07/14/07
|
Charlottesville Pavilion
Charlottesville, VA |
2 flac |
|
|
AK20/40 >LC3 >KM100 >M/S SD 744t @ 24/48 by Mark Zaiser |
Location: Section 102, Row 11, Seat 8 8' FOB DFC / Transfer: 744t > HDD > Wave Editor 1.2.10 (normalize, resample w/ iZotope, dither w/ MBIT+, split) > FLAC (8) / Taped and Transferred by Mark Zaiser |
|
|
07/17/07
|
LC Pavilion
Columbus, OH |
2 flac |
|
|
AKG c451b's >MP2 >Edirol R-09 @ 48 KHz |
Location: FOB along rail on lawn, center of stage, stand 11' high / Transfer: R-09 > usb > hard drive > cool edit pro > tracks > resampled to 44.1 KHz at highest setting / Taped, transferred & seeded by Bill Weed |
|
|
07/19/07
|
Aragon Ballroom
Chicago, IL |
2 flac |
|
|
NakCM300/CP4 (shotguns) >Denecke AD-20 >Sony PCM-M1 Master DAT |
Transfer: Sony PCM-M1 Master DAT > HHb 830 CDR > Sony DVD RW DRU-800A > EAC > CDwave > CDR / Recorded & transferred by Novy |
|
|
07/20/07
|
Harrah's Stir Cove
Council Bluffs, IA |
2 flac |
|
|
dpa4011 >744t, akg451eb >ck2 >v-2 >744t |
Location: right side of board / Transfer: 744t (24/48) > wavelab5 (mix/diter) > cdwave > flac8 / Taped & Transfer by Steven Propp |
|
|
04/01/08
|
Sherman Theatre
Stroudsburg, PA |
2 flac |
|
|
AKG 391 > Wendt X2 > Fostex FR-2le @24bit/48khz |
Recorded by Chris LaPorte / 75ft from stage lip, 7 1/2 ft high, DFC, DIN(a) / Adobe Audition: click/pop removal, fade ins/outs, dithered/resampled to 16bit/44.1Khz. / CD wave: Tracking / Trader's little Helper: ffp, md5, Flac |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/14/03
|
Great Stage Park
Manchester, TN |
1 flac |
|
|
MBHO 603a / KA200N's >w-modified UA-5 @44.1kHz >D-8 (FOB, DIN, 17cm, DFC) by Joe Waldron |
Transfer: D-8 > Waveterminal 24/96 > WaveLab 4.0 > CD Wave > flac frontend (level 6) > .flac / Notes: Fades added to the beginning and end of sets with WaveLab 4.0 |
|
|
07/19/03
|
Penn's Landing
Philadelphia, PA |
1 shn |
|
|
at853 (ortf in hat) >sound pro p/s >nomad3 (16bit/44.1KHz) |
Location: ~20 feet from left stack / notes: mic cable came loose during track 6, and the right channel went out. From 1:00.757 - 8:55.825 the left channel was pasted in. A very slight volume change can be detected at this point, since the left channel was running just a bit hotter. |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
03/03/72
|
Exile On Main Street outtakes
Studio, Studio |
2 shn |
|
|
Studio |
Main Street Revisited |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
??/??/39
|
Compilation
Various, Various |
1 shn |
|
|
Unknown |
Studio Demos / Pre-Whiskeytown |
|
|
10/05/00
|
Paradise Rock Club
Boston, MA |
2 cdr |
|
|
|
|
|
|
03/21/02
|
Roseland Ballroom
New York, NY |
2 cdr |
|
|
MD>battery module no bass roll off>mini stereo cardiod mics |
80 ft back from center stage, a little left |
|
|
06/16/05
|
Stubb's BBQ (Outdoors)
Austin, TX |
1 flac |
|
|
DPA 4022s >Sound Devices 722 (24/96) by Rick Bendes |
Mic Info: ORTF @ the Soundboard about 9' up / Lineage: Sound Devices 722 > FireWire > WaveLab 5.0 (24/96 to 16/44 using UV22HR Dither) > FLAC / Notes: They were having some amp/monitor problems during the 1st set. |
|
|
07/22/06
|
The Norva
Norfolk, VA |
2 flac |
|
|
DFC: DPA (B&K) 4011s >Luminous Monarchs >722 @ 24/96 by Mark Lynn |
Location: Mics at Soundboard / Transfer: SD722 > CD Wave (tracking) > Wavelab 5 (edit/dither/resample) > FLAC by Mark Lynn |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/10/02
|
Rhythm & Brews
Chattanooga, TN |
2 flac |
|
|
akg460b/ck61 >v2 >sbm1 >D8 |
Taper: John M / Location: fob, dfc, about 8ft from the stage / Transfer: DATmaster > cd(1) > eac > cdwave > flac by John M / Notes: I only had one working portable DAT for this show, so I opted to tape with mics instead of the board (the board patch) |
|
|
03/25/06
|
The Glenn @ The Backyard
Bee Cave, TX |
2 flac |
|
|
AKG 481 (DINa) >Oade ACM Marantz PMD-671 (24/96) by Lee Hart |
Location: DFC @ 6' / Transfer: PMD-671 > Soundforge 7.0 (fades, resample, dither) > CDWave (tracking) > flac level 6 by Lee Hart |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
01/20/05
|
The Orange Peel
Asheville, NC |
2 flac |
|
|
Soundboard >Lunatec V3 >Digigram Vx-Pocket >Sony Vaio >24bit/48k WAV |
source files resampled, dithered, edited and converted to 16bit/44.1k FLAC |
|
|
07/12/08
|
Mishawaka Amphitheater
Mishawaka, CO |
2 flac |
|
|
MBHO 603 Cardioid ORTF UA5 JB3 44.1 |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/11/62
|
Boar's Head Coffee House
San Carlos, CA |
1 shn |
|
|
Master Audience (?) Reel (Scotch 150) |
Master Audience (?) Reel (Scotch 150) > playback on Technics RS 1520 @ 7-1/ 2 ips no dolby > Barry Glassberg's first gen reel (Scotch 207 recorded via Otari MX5050 @ 7-1/2 ips no dolby) > playback on Technics RS1506 > Tascam DA-40 DAT > Tascam CD-RW700 master CD > CDs > HP 9350i extraction using EAC > .shn encoding using mkwACT / Source discs from Jay Jurina, extraction and .shn encoding by Joe Jupille. Sector boundary alignment confirmed using shntool. / Notes: According to Deadlists, the band consists of Jerry Garcia (guitar and banjo), Marshall Leicester (banjo and guitar), and Dick Arnold (fiddle). The performance took place at the 'new' Boar's Head Coffeehouse, relocated in the San Carlos Jewish Community Center. Deadlists also hypothesizes that this is an audience recording, possibly with onstage mics. |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
12/15/01
|
The Temple Bar
Santa Monica, CA |
2 shn |
|
|
onstage Neumann KM 140 (x-y front of Neal, chest high)>Lunatec V2>Apogee AD-1000>DAT by Andrew Rakow |
Transfer: DAT (m)>s/pdif coax>Egosys Waveterminal 2496>PC/Soundforge 4.5>CD Wave>mkwACT (seek tables appended) by Andrew Rakow |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
12/20/03
|
Warren Haynes Xmas Jam - Asheville Civic Center
Asheville, NC |
1 flac |
|
|
mk41 >kc5 >cmc6 >m148 >ad1000 >da-p1 |
Warren Haynes Xmas Jam / Location: fob(~40')/dfc/din(17cm/90degrees) / Conversion: da-p1 > delta dio 24/96 > Sound Forge 6.0 (record) > CD Wave > Sound Forge 6.0 (fades )> Flac Frontend / Taped, Converted, & Seeded by wboswell@taperssection.com / ---Shares disc w/ John Bell set from same date --- |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/15/05
|
Bowery Ballroom
New York, NY |
1 shn |
|
|
DMIX by Chris Jones |
Audience: DPA 4011 > DPA AO0182 XLR Interconnect > Apogee Trak2 Integrated Pre | 24/96 A/D (@ 96kHz) > Luminous Audio Technology Allegro Signature 4/9's Silver AES/EBU Interconnect > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (slaved to Trak2 clock @ 96kHz via AES/EBU) > Apple Titanium Powerbook G4 1gHz/768MB > Metric Halo Mobile I/O Beta Recording Console dspBeta26 (@ 24-bit/96khz) // SBD: House Console Matrix Outs > DPA AO0182 XLR Interconnect > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (slaved to Trak2 clock @ 96kHz via AES/EBU) > Apple Titanium Powerbook G4 1gHz/768MB > Metric Halo Mobile I/O Beta Recording Console dspBeta26 (@ 24-bit/96khz) // All tracks recorded to disk simultaneously and mixed in post by Chris Jones <jones.chris@gmail.com> // Location: Mics clamped DFC to balcony, ORTF; 50' from stage;
HD > .shn: Apple Powerbook G4/1ghz/768MB > Apple Power Mac G4 MP800/512 > MOTU Digital Performer 4.12 > T.C. Works Spark XL 2.8 > xACT v1.12 // Dithered to 16-bit and resampled via MegaBitMax and its Ultra-Noiseshaping function. |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/01/03
|
Jenner Playhouse
Jenner, CA |
2 shn |
|
|
(Stage) Schoeps CMC6/MK4 >Lunatc V2 >Swissonic AD96 >RME Hammerfall Digiface >Sharp MV10 >Samplitude v7.02 Professional >SHN |
Recorded by Charlie Miller and Arielle Phares / Notes: The show was mastered in 24bit/48k. All Recording, Tracking, Dithering, Resampling and Editing was done with Samplitude v7.02 Professional |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
11/24/02
|
The Boulevard Cafe
Chicago, IL |
2 shn |
|
|
SBD + (Stage) Schoeps CMC6/MK4 >Sound Devices MP-2 >Behringer MX 1604A >Apogee Mini-Me >Sharp MV10 >Samplitude v6.0 >SHN |
Mixed and Recorded by Charlie Miller and Arielle Phares / Notes: This is a corrected seed; the original seed shorten files were created without seek tables appended, also d2t04 needed to be split. The original shorten files were decoded, d2t04 was split into d2t04-d2t06 as needed using CD-WAVE, the subsequent d2 files were renamed accordingly, and then all files were re-encoded with seek tables appended. |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/20/04
|
Red Rocks Ampitheatre
Morrison, CO |
2 flac |
|
|
TS, DIN, 16/44.1: AKG 480/ck63 >Lunatec V3 >DC2 (coax>optical) >Nomad JB3 by Todd Ramsden |
Transfer: Nomad JB3 > firewire > pc > Cool Edit > CDWav > FLAC |
|
|
07/23/04
|
UMB Bank Amphitheater(Riverport)
Maryland Heights, MO |
2 shn |
|
|
AKG 481 >Lunatec V3 >D8 by Jeff Frank |
Transfer: Tascam DA20 > Edirol UA-1D > CD Wave > Adobe Audition 1.0 (48>44.1) > CD Wave > SHN by Jeff Frank / Notes: Sporadic wind noise mostly in the 2nd set |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/09/80
|
Phoenix Theater
Petaluma, CA |
2 shn |
|
|
Soundboard >Cass/? >DAT @ 48 kHz |
Taper: Unknown / seed by Mike Phelps / Transfer: Sony 59ES>Monster s/pdif>Audiophile2496>Wave Lab 4.0>CDWave>mkwACTv.96b>shn (seek) / Transfer by: Wade Cooper |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/28/80
|
City Hall
Newcastle, UK |
1 flac |
|
|
FM, BBC Radio 1 "In Concert" broadcast |
Origin: Trev Moore UK / Taper: Trev Moore UK / Lineage: First 12 tracks: FM > Cassette master, Last 4 tracks: FM > Cassette master > Cassette(1) / Conversion: Cass > Nakamichi Dragon > CDRW700 > EAC (secure) > coolpro > cdwav > FLAC (Level 8) / Conversion by: Carlo Bolchini 3/Apr/2004 / *Notes: Under Christmas 1989. BBC Radio One re-broadcasted a short series of old "In Concert" shows, this being one of them. My old tapemate Trev throw a tape into his deck and recorded this for me, sending me the master tape.
But as often happens with re-broadcast, the BBC cut part of the show (the Encores) to fit in 60'. So my friend Trev added at the end the encores
that were originally broadcasted on 5/May/80 (and on subsequent broadcasts) that he recorded at the time. This is the reason of the change in the lineage before the encores. I believe you won't notice the difference. As last technicality, during the tape flip were lost the first few bars of 'Message in a bottle'. I added the missing part from another 1st generation copy I've found in a drawer. I think you won't notice this too. The most common bootleg CD of this show, "Crimewatch", was taken from the 1989 broadcast, so it is missing the encores. |
|
|
06/15/86
|
Giants Stadium
East Rutherford, NJ |
1 shn |
|
|
CD Silver >EAC >SHN |
Amnesty International Benefit Show / This CD was originally taken from the Pay-Per-View video source that aired the show, live, back in 1986. I taped that show and have it on VHS; if someone wants to rip it, email me: gregsaracino@aol.com; but note that this audio source is from a silver CD - which is of slightly higher quality than my VHS source. |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/14/03
|
Bonnaroo Music Festival (Which Stage)
Manchester, TN |
1 shn |
|
|
AKG C1000S's (FOB ~30 ft from stage, DFC)>Samson Mixpad 4>TCD-D8 by Mike Train |
Transfer: D8>Extigy>N-Track (via USB)>CD WAV>MKW ACT by Mike Train |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/24/05
|
Martini's
Orange, CT |
2 flac |
|
|
Soundboard Matrix: SBD + Oktava MK-012s (X-Y; in front of stage, facing crowd) >Edirol UA-5 (W-MOD) >Nomad Jukebox 3 @44.1 kHz WAV by Chris FitzPatrick |
Editing: Mastered in Pro Tools 6.4; Tracks split in CD Wave / FLAC: Master WAVs > FLAC v1.2.0a |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/31/92
|
Unknown
Unknown, Unknown |
1 shn |
|
|
DSBD |
This show has an unknown origin. It was originaly circulated as Filler on the Dave Matthews Band show of the same date (10/31/92), but it is unknown if it is in fact part of that show in any way. The explination that came with the show for a while was that this was a soundcheck jam performed by Tim, although it doesnt seem that likely considering the continuity and length of the performance. Furthermore, the sudden fade out after Big Blast of Hot Air is an indication that this could just be an incomplete full performance. Until any information about the show is cleared up though, the current date will be kept in tact for referance. |
|
|
07/15/97
|
Fox Theatre
Boulder, CO |
1 shn |
|
|
DSBD >DAT |
Transfer: DAT > Digigram VX Pocket V2 > NTrack > Soundforge (normalization and resampling to 4.1 kHz) > CDWave for track splits > mkwACT > .shn by Will Foy |
|
|
09/11/98
|
Kent State Folk Festival
Kent, OH |
1 flac |
|
|
at822 >D8D8 >datport |
Liniage: CD > wav > flac16 / Notes: This recording spread with many incorrect dates, including 9/9/98, 9/12/98, and 9/25/98. The correct date for this festival is September 11, 1998, as per the taper and the Kent State Folk Festival. The original seed had sector boundery errors fixed with CD Wave. The original seed also had an unknown Filler from an obvious different source. I've removed that from the fileset as it wasn't part of the show, or hasn't been identified yet as such. |
|
|
06/17/00
|
Legend's Lounge
Las Vegas, NV |
1 shn |
|
|
DSBD (20% AUD Mix) by Doug Stejskal |
|
|
|
12/04/04
|
Bluebird Theater
Denver, CO |
1 flac |
|
|
Josephson C42mp (FOB DIN) >Denecke PS-2 >Denecke AD-20 >Creative Nomad JB3 by Bob Fager |
Transfer: JB3 > PC via firewire > CD Wave (tracking) > SoundForge 7.0 (fade at end) > flac / Notes: There was static in the PA at the beginning of the show. Tim asked to have one of the mics turned off at one point and the static disappeared after that. |
|
|
02/16/06
|
Hilton Garden Inn
Des Moines, IA |
1 flac |
|
|
DSBD |
DSBD > Wav > EAC > Tracked in Audacity v1.2.3 > FLAC16 by JM |
|
|
03/04/06
|
The Chamelon Club
Lancaster, PA |
1 flac |
|
|
Matrix: SBD Source: SDB->JB3 (WAV 16/44.1); AUD Source: AKG C1000s(Hyper-cardioids, ~30? split, ~9'on stand)->PS2->AD20->JB3(Optical In) by Timothy Brown |
SBD Info: Source: SBD > JB3 (WAV 16/44.1) / Transfer: JB3 > Firewire > Wavelab 5.0 / AUD Info: AKG C1000s (Hyper-cardioids, ~30? split, ~9'on stand) > PS2 > AD20 > JB3(Optical In) / Location: Balcony, behind light board / Transfer: JB3 > Firewire > PC / Taper: Timothy Brown / MIX Info: MIX INFO
Both sources were mixed together in Sony Vegas 5.0. The AUD source was mixed at -14.0 dB and the SBD source was mixed at -2.4 dB / Conversion: CDWav 1.93.3 for track splitting; FLAC frontend 1.7.1 for Flac16 Conversion @ level 5; Fade-in and Fade-out applied using Sound Forge 8.0 / Notes: SBD mix-in starts at "Come Together" |
|
|
TR3
Approximate hours: 2.5
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/03/08
|
The Pour House
James Island, SC |
2 flac |
|
|
Akg460mods/ck63 hyper caps(bass rolloff)>UA5preamp>Nomad JB3(Optical In) |
Taper: Rockinman / Location: Left side of soundboard,Stand at 7 feet, XY config / Transfer: JB3-> Firewire-> PC / Processing: No Normalization, Waves L3 Volume Maximizer applied using SoundForge 8.0., fadein & fade out applied / Conversion: CD Wave Editor for track splitting and Flac16 Conversion @ level 5 |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
12/07/82
|
Taft School
Watertown, CT |
1 shn |
|
|
|
Space Antelope was Trey's high school band. This show doesn't sound
too bad considering its age and rarity. Trey sings on "All along the
Watchtower" but it is unclear if he sings anything else other than
backing vocals on other songs. You can pick him out during the banter
between the band and the crowd though. Highlights include "All Along
the Watchtower", "Franklin's Tower", Rush's "Hemispheres" and a trippy
"Fluff's Travels". This is a rare piece of Phishtory and all you
diehards ought to love it. Enjoy this treat!!!! - Weaselfee ;^)
The Space Antelope lineup:
Steve Pollack (The Dude of Life) - vocals
Trey Anastasio - guitar and vocals
Rob "Flash" Gordon - guitar and vocals
Dud Taft - bass
Doug Parsons - drums
Seeded by Ben Mohr (bmohr@udel.edu) carini.etree.org
Updated date and Text information by weaselfee ;^)
|
|
|
08/06/05
|
Tommy Hilfiger at Jones Beach Theater
Wantagh, NY |
2 flac |
|
|
Neumann KM184 >Lunatec V3 >Marantz PMD671 (24bit/44.1Mhz) by Derek McCabe |
Location: XY @ 15', left of SBD (Section ORCH F, Row UU, Seat 4) / Transfer: Compact Flash via USB to Apple G5 > Bias Peak > Waves L3 > (transfer from Mac to PC) CDWave > flac |
|
|
04/27/06
|
The Tabernacle
Atlanta, GA |
2 flac |
|
|
Schoeps CMC6/mk4 >Oade Advanced Concert Mod Marantz PMD660 by Dennis Tyler |
Location: 4th row, 1st balcony, left side of SBD, stand at ~8ft, DIN90
CF > HD > CDWAV > FLAC |
|
|
U2
Approximate hours: 16.25
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/27/93
|
R.D.S. Arena
Dublin, Ireland |
2 cdr |
|
|
|
|
|
|
03/28/05
|
San Diego Sports Arena
San Diego, CA |
2 flac |
|
|
Sound Professional AT933 Hyper Cardioids >Sound Pro Battery Box (Roll off @ 107Hz) >Sony PCM-M1 (@ 44.1khz) |
Taper: chrisedge@yahoo.com / Location: GA (20 feet from Elipse) / Transfer: Sony PCM-M1 > Core-Sounds 7 Pin to Coax > Zoltrix Nightingale Pro 6 > Cool Edit (Normalized and fades) > CDWav (for track splitting) > mkw Audio Compression (SHN) / Notes: Opening Night of U2's 'Vertigo' Tour. |
|
|
03/30/05
|
San Diego Sports Arena
San Diego, CA |
1 flac |
|
|
AT831 >SP-SPSC-1 batt. box (w/bass rolloff set @ 107 Hz) >Nomad Jukebox 3 (wav @ 44.1k) |
Taper: B.A. Baracus / Transfer: NJ3 > USB > Sound Forge 6.0 > WAV > FLAC (flac frontend, compression level 6) / Notes: Night 2 of U2's 'Vertigo' tour. This was also the second san diego show. This recording was made from the L15 sitting area. I'm sure closer / more clear recordings were made, but this is what I came up with. I hope you like it. San Diego Sports Arena is notorious for it's muffled / poor sound acoustics. |
|
|
03/30/05
|
San Diego Sports Arena
San Diego, CA |
2 shn |
|
|
AT831 >SP-SPSB-2 >M1 by edgar |
Location: 15-20 feet in front of / outside elipse tip DFC / Transfer: M1>oade active cable>monster coax>emagic emi 2/6>soundforge 6.0>cdwave>mkw / Notes: Light 2 sec fluctuation during New Year's Day. |
|
|
03/30/05
|
San Diego Sports Arena
San Diego, CA |
1 DVD |
|
|
5-Cam Mix with AT831 >JB3 Audio |
U2vertivideo Project / Video Bitrate: Avg 4900/Max 9500 (NTSC) / Audio Bitrate: 224kbit AC3 Stereo / Sources: Angle 1: source not specified > miniDV > AVI; Angle 2: Canon ZR70 40x > Digital 8 Clone > AVI (Kevin); Angle 3: source not speicified > Digital 8 Clone > AVI (Ricardo); Angle 4: Sony DSC-M1 > MP4; Angle 5: Olympus DSC > MP4; Audio: AT831 > SP-SPSC-1 > JB3 > FLAC (B.A. Baracus) / Editing: Video: Vegas 6 > DebugMode Frameserver > CCE 2.70 (5-Pass VBR) > MPV > DVD Maestro > VOB; Audio: Audition 1.5 >dEQ > Soft Encode 1.0 > AC3 > DVD Maestro > VOB / Notes: This DVD has been created digitally from 3 DV sources and 2 digital camera sources. Don't confuse it with the DVD labeled "3-cam mix" that surfaced shortly after the show. That was actually a 2-cam mix, done in real time. This is a big improvement. PC Encoded and Authored. |
|
|
03/30/05
|
San Diego Sports Arena
San Diego, CA |
1 DVD |
|
|
5-Cam Mix with AT831 >JB3 Audio |
Video Bitrate: Avg 4900/Max 9500 (NTSC) / Audio Bitrate: 224kbit AC3 Stereo / Sources: Angle 1: source not specified > miniDV > AVI; Angle 2: Canon ZR70 40x > Digital8 Clone > AVI (Kevin); Angle 3: source not specified > Digital8 Clone > AVI (Ricardo); Angle 4: Sony DSC-M1 > MP4; Angle 5: Olympus DSC > MP4 ; Audio: AT831 > SP-SPSC-1 > JB3 > FLAC (B.A. Baracus) / Editing/Encoding: Video: Vegas 6 > DebugMode Frameserver > CCE 2.70 (5-Pass VBR) > MPV > DVD Maestro > VOB; Audio: Audition 1.5 > dEQ > Soft Encode 1.0 > AC3 > DVD Maestro > VOB / Notes: This DVD has been created digitally from 3 DV sources and 2 digital camera sources. Don't confuse it with the DVD labeled "3-cam mix" that surfaced shortly after the show. That was actually a 2-cam mix, done in real time. This is a big improvement. PC Encoded and Authored. |
|
|
04/09/05
|
HP Pavilion
San Jose, CA |
2 shn |
|
|
Sound Professionals Binaurals (Croakie mount) >Sound Pro Battery Box (Roll off @ 95Hz) >Sony D8 (@ 44.1khz) by guidissimo |
Location: Genearal Admission, 5-10 feet in front of sound desk / Transfer: Optical > SB Live > Soundforge XP > CDWav > mkw Audio Compression (SHN) / Notes: Recording is raw. No mastering, no fades. |
|
|
04/10/05
|
HP Pavillion
San Jose, CA |
2 shn |
|
|
Sound Professionals Binaurals (Croakie mount) >Sound Pro Battery Box (Roll off @95Hz) >Sony D8 (@ 44.1khz) by guidissimo |
Location: General Admission, 5-10 feet in front of sound desk / Transfer: D8 > SPDIF > SB Live > Soundforge XP > CDWav > mkw Audio Compression (SHN) / Notes: Recording is raw. No mastering, no fades. |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/17/03
|
Cowboy Monkey
Champaign, IL |
1 shn |
|
|
SBD>Sony MD>Pioneer Standalone>EAC by Willipie |
Conversion: CDR>EAC>SHN by Jamie Syrek (jamieson22@yahoo.com) |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/15/03
|
Bonnaroo Music Festival (That Tent)
Manchester, TN |
1 shn |
|
|
SBD |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
??/??/85
|
Spontanes Club
Charlotte, NC |
1 shn |
|
|
Soundboard Recording |
Warren's house in Ashville, NC / There is no info on who the Rich Hippies are or were. |
|
|
04/27/93
|
The Flood Zone
Richmond, VA |
1 flac |
|
|
Soundboard DAT |
DAT > CD transfer by Robbie Dunn / Sony PCM-R500 > Ipaq 3835 / Resampling in Soundforge 6.0, tracking in CD Wave, FLAC Frontend |
|
|
06/26/97
|
Atomic Studio (Late Show)
Clinton, NJ |
1 shn |
|
|
Matrix (soundboard / audience mix) |
Soundboard: DAT Soundboard master transferred to computer via a Digidesigns Audio Media III card (Macintosh). Audience: Microtech Gefell 210>Sonosax>Sony TC8-8 (master) transferred to computer via a Digidesigns Audio Media III Card (Macintosh). Both sources mixed on computer with Protools and then transferred to DAT. DAT to computer via Digidesign Audio Media III card, CD mastering with SoundForge. |
|
|
06/26/97
|
Atomic Studio (Early Show)
Clinton, NJ |
1 shn |
|
|
Matrix (Soundboard / Audience Mix) |
Source: Soundboard/audience mix. Soundboard: DAT Soundboard master
transfered to computer via a Digidesigns Audio Media III card
(Macintosh). Audience: Microtech Gefell 210->Sonosax->Sony TC8-8
(master) transfered to computer via a Digidesigns Audio Media III card
(Macintosh). Both sources mixed on computer with Protools and then
transfered to DAT. DAT to computer via Digidesign Audio Media III
card, CD mastering with SoundForge. CDs burned with CDRwin and a
Plextor SCSI 12x CD-R drive. / (Note - Atomic Studios is a small
recording studio, there were 50 people in the audience for this show.
It was an extremely intimate affair. |
|
|
01/24/99
|
House Of Blues
Cambridge, MA |
1 flac |
|
|
Schoeps CMC6/MK41 >Lunatech V2 >Apogee AD 1000 |
Transfer: Tascam DA-20mkII > Monster coax > Audiophile 24/96 > Wavelab 5.0 > CD Wave > FLAC (6) by Chris Davis (8/14/07) / DAT provided by Brian Watson, via Todd Trego |
|
|
03/20/02
|
Looney Tunes
West Babylon, NY |
1 shn |
|
|
DSBD >WAV >CDR >EAC >SHN |
Notes: I had to edit 'Beautifully Broken' due to the fact that the DSBD master is incomplete. The edit has the first min and 13 seconds from the complete audience source pasted to the beginnig of the DSBD source. I also retracked the disc to 6 tracks because for some reason the master was divided into 17 tracks. |
|
|
07/05/02
|
GOTV, Indian Lookout Country Club
Mariaville, NY |
1 flac |
|
|
SBD internet webcast > downloaded real video with Streambox ripper |
Converted real video to wav using winamp > edited with Cool Edit 2000 > used shntool to fix sector boundaries > converted to flac |
|
|
08/03/02
|
Alpine Valley Music Theatre
East Troy, WI |
1 shn |
|
|
Schoeps MK21 >KC5 >CMC6 >V2 >AD1000 >DAP1 by John Hubert |
Terrapin Station Side Stage / Transfer: DAP1 > Motu2408 > Peak > Barbatch > SHN / Seek tables appended and sector boundries verified good. / Transfer by Mike Wagner |
|
|
06/12/03
|
Pier 60- Chelsea Piers at West 23rd st
New York, NY |
1 shn |
|
|
Gefell M210>Oade 248 P/S>SBM1>D-8 |
Transfer: Sony 2000es:Echo Gina:SF 4.5:CDWav |
|
|
06/15/03
|
Bonnaroo Music Festival
Manchester, TN |
1 shn |
|
|
FOB/DFC AT3035>PS2>AD20>D8>audiophile 2496>CDWav>MKW>SHN by Scott & Cathie Sterchele |
FIXED VERSION / Taper's Note: During the first few songs The New Deal can be heard playing on the 2nd stage, especially between Warrens songs. I taped as close to the stage as I cared to in hopes of drowning them out. |
|
|
07/12/03
|
Indian Lookout Country Club
Mariaville, NY |
1 flac |
|
|
AKG 460's (ck-8 Shotguns) >Edirol UA-5 (digi-MOD) >Sony PCG-GRS700k (p4/1.8/1024) >CD WAVE Editor (16/48) by Mike Deary & Kyle Holbrook |
Transfer: Sony PCG-GRS700k (p4/1.8/1024) > Sound Forge 6.oe (16/44.1) > CD Wave Editor > FLAC by Mike Deary |
|
|
08/16/03
|
Sunshine Daydream Campground
Terra Alta, WV |
1 flac |
|
|
Sure ksm 137 >MP2 >Adc-20 >Sony M1 (48kbps) >SPDIF >Sound Blaster >Cool Edit Pro >44.1 kbps >Flac >Flac Verified |
Taped and Converted by Jim Duncan |
|
|
12/20/03
|
Asheville Civic Center
Asheville, NC |
1 flac |
|
|
mk41 >kc5 >cmc6 >m148 >v3 >da-p1 |
Warren Haynes Xmas Jam / 1. Intro 2. Glory Road 3. One / Location: FOB (~40'), DFC, DIN (17cm/90degrees) / Conversion; da-p1 > delta dio 24/96 > Sound Forge 6.0 (record/resample) > CD Wave (Tracking) > Sound Forge 6.0 (fades/edit) > Flac Frontend / Taped, Converted, and Seeded by wboswell@taperssection.com / ---Shares disc w/ Greg Allman & Friends set from same date --- |
|
|
06/08/04
|
Bowery Ballroom
New York, NY |
1 shn |
|
|
Neumann KM140 >V2 >SBM1 >DAP1 by Yossi Pollak |
Transferred to WAV: DAP1 > M-Audiophile2496 USB > CDWAV > / Converted to SHN using mkwACT, Checked with shntool - no errors reported / Rig provided by Frank D'Auria / Seeded by Yossi Pollak |
|
|
06/09/04
|
Town Hall
New York, NY |
2 flac |
|
|
mbho 603a/ka500 >mp2 >ad500 >m1 by Frank Dawid |
Transfer: m1 > soundforge5.0 fades and resample 48>44.1 > cdwav tracking > flac frontend by Frank Dawid/ Mic Location: left of center in the taping area / Notes: there are 3 spots on the dat where there is a real loud clap that almost sounds like a pop |
|
|
06/15/04
|
Red Rocks Ampitheatre
Morrison, CO |
1 shn |
|
|
3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern |
|
|
|
06/24/04
|
Verizon Wireless Amphitheater
Irvine, CA |
1 shn |
|
|
3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 (Super Omni) arranged in an X-Y pattern by Rob R |
Opened for the Dead |
|
|
06/25/04
|
The Fillmore
San Francisco, CA |
2 shn |
|
|
3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 (Super Omni) arranged in an X-Y pattern by Rob R |
SBE's were corrected wiht shntool. set 2 and encores are seamless and can be split/combined. Slight static during encore. |
|
|
07/28/04
|
Blossom Music Center
Cuyahoga Falls, OH |
1 flac |
|
|
AKGc451b's (factory matched sterio pair) >MP2 >ADC-20 >7pin >PCM-M1 @ 48kHz by Bill Weed |
Location: Stand 10' high, DFC taper section - lawn, second row back / Transfer: PCM-M1 > 7 pin > SPDIF > audiophile 24/96 > cool edit pro > tracks > resampled to 44.1 kHz at highest setting > flac fronted v171 level 8 |
|
|
07/30/04
|
Tweeter Center for the Performing Arts
Mansfield, MA |
1 flac |
|
|
matched Oktava MC012 (Omni's split 35ft, OTS) >Edirol UA-5 (T-mod Plus) >Nomad JB3 (optical in) .wav @44.1 |
Original .wav > firewire > pc > CD Wave > FLAC frontend 1.7.1 > flac / Taped and Transfered by Jason Adler |
|
|
08/04/04
|
Ford Pavilion at Montage Mountain
Scranton, PA |
1 flac |
|
|
Nak CM 100 >Sony SBM1 >Sony PCM-M1 by Steve Traietta |
Location: FOB - 15th Row/DWC / Transfer: Fostex D5 > Audiophile2496 > SoundForge6.0 > CDWave > FLAC / Conversion by: Barbara Doughty / Seeded by : JBGoode |
|
|
08/06/04
|
Darien Lake Performing Arts Center
Darien, NY |
1 flac |
|
|
Taper Section, in front of lawn stacks, omni's (8 inches apart), A-B, ADK51TL >V3 >DA-P1 @44.1kHz by Kris Booth |
Transfer: DA-P1 > m-aduio firewire audiophile > Gateway 350 laptop > goldwave > .wav > cdwav > FLAC by Kris Booth |
|
|
08/07/04
|
Tweeter Center
Camden, NJ |
1 flac |
|
|
MBHO 648/KA200 >Mini Me >M1 by John Kistler |
Notes: very windy that day. |
|
|
08/08/04
|
Mule Van @ Tweeter Center
Camden, NJ |
1 flac |
|
|
Core Sound Binurals >Sony PCM-M1 by Scott Vid |
Transfer: Fostex D5 > Audiophile2496 > SoundForge6.0 > CDWave > FLAC by Barbara Doughty / Seeded by: JBGoode |
|
|
08/09/04
|
Zellerbach Theatre - UPenn
Philadelphia, PA |
1 flac |
|
|
FOB Schoeps mk4v >kcy actives >Sony D100 pro >HP standalone burner >EAC >FLAC by Jeff Travitz |
Location: Row F, Seat 110, DFC |
|
|
08/09/04
|
Zellerbach Theatre - UPenn
Philadelphia, PA |
1 flac |
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Schoeps MK4V> Schoeps VMS5U> SBM-1 by Jeff Travitz |
Location: Section Orch, Row F, Seat 109, 11th row center / DAT > FLAC: D100 > Digigram VXPocket V2 > Steinberg WaveLab v5.00a > CD-WAV > FLAC frontend v1.7.1 > .flac |
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08/14/04
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Jones Beach Theater
Wantagh, NY |
1 flac |
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Nak CM 100 W/CP4 Shotguns >Sony SBM1 >Sony PCM-M1 by Steve Triaetta |
Location: Tapers Section / Transfer: Fostex D5 > Audiophile2496 > Soundforge 6.0 > CDWave > FLAC / Conversion by: Barbara Doughty / Seeded by JBGoode |
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08/17/04
|
Alltel Pavilion
Raleigh, NC |
1 flac |
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Schoeps >Lunatec V3 >Ipaq 3835 (PDAudio, Live 2496) by Robbie D |
Location: front row of taping section on lawn / Resulting wav files resampled to 44.1 with Sound Forge 6.0 using anti-alias filtering & highest quality interpolation accuracy. Wav files split into tracks with CDWave. Fades at beginning & end of sets with Sound Forge 6.0. FLAC files generated with FLAC frontend. |
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08/19/04
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HiFi Buys Amphitheater
Atlanta, GA |
1 flac |
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Neumann SKM-184 >V3 >Sony PCM-M1 by "DUDE" |
Location: FOB-DFC/25th Row / Transfer: DAT > CD > EAC CDWave > FLAC / Conversion by: Barbara Doughty / Seeded by: JBGoode |
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09/05/04
|
Post-Gazette Pavilion
Burgettstown, PA |
1 flac |
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AKGc451b's (factory matched sterio pair) >MP2 >ADC-20 >7 pin >PCM-M1 @48 KHz by Bill Weed |
Location: Stand 9' high DFC front of lawn / Transfer: PCM-M1 > 7 pin > SPDIF > audiophile 24/96 > cool edit pro > tracks > resampled to 44.1 KHz at highest setting > flac frontend v171 level 8 / Notes: There is light wind noise but only noticable between songs. |
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09/06/04
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Darien Lake PAC
Darien Lake, NY |
1 flac |
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AT835b’s ( X pattern ) >HHB Professional MD MDP500 by Adam Hudson |
Location: Section 100 Row 15 Seats 9-12 / Transfer: HHB Professional MD MDP500 > USB > Laptop > Sony Sound Forge 7.0 > CDWAV > Flac / Notes: Even 15 row center still got wind sorry other wise it is a great recording first time I tried crossing shotgun microphones.
I would have done setlist but I already flac?ed. Sorry for the lazyness but limited on time haven?t payed my cable might not have internet on Monday 9.13.04
One Other great thing about this show is that I sat on stage to watch the ABB first Set Took a few pictures also included in torrent thank you to john roadies friend for the all access backstage pass
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12/06/04
|
Acoustic Cafe - Internet Radio
Ann Arbor, MI |
1 flac |
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Internet Real Audio broadcast |
Captured Stream with Streambox Ripper. Converted Real Audio file to wav with Winamp (write to disk output), used wavbreaker (linux program to cut on sector boundries) to seperate into tracks. Converted wav to flac with flac 1.1.0 (level 8). / All songs performed by Warren solo acoustic (pre-recorded in studio). |
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06/14/07
|
Canal Room
New York, NY |
1 flac |
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AKG CK1x >JWmod AKG 460's >722@24/96 by Tony Suraci |
Location: FOB DFC, Stand at 7~8 Feet / Transfer: 722 > Adobe Aud. > 16 bit > CDwav > flac16 / Taped, Transfered, and uploaded by Tony Suraci / nak 700 |
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05/28/10
|
Arlington Park
Arlington Heights, IL |
0 flac |
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WXRT 93.1 FM > Korg MR-1 (16/44.1) |
Transfer: MR-1 HD > Spark XL (tracking) > xACT (flac 8 w/ SBA & tags) / Recorded & transferred by taperjoe |
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12/11/10
|
Asheville Civic Center
Asheville, NC |
0 |
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|
Soundfield SPS200 > Sound Devices 788t (24/48) |
Location Section FOB, DFC, 6.5 ft / DSP: Sound Devices 788t > Wave Agent > Neundo 3 (sps200 szone vst, mixdown) > Wavelab 6 (fades, tracks, dither w/UV22HR, resample) > FLAC v1.2.1 (L8) as build in TLH v2.6.0.(Build 168) / Taped, Tracked, & Transferred by Daniel Kopp |
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01/29/11
|
Island Exodus 2 Breezes Resort
Negril, Jamaica |
0 flac |
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2-MG-210's>FOB>DFC>DarkTrain Silver Clad Cables>Sound Devices 722 @24/96 |
Transfer: 722>PC>Passport HD / Recorded and transferred By BISH / Transfer#2:HD>.24/96 Wav files>R8Brain>(highest quality) to 16.44.1 / WaveLab 5.0(boost 2.0db gain)>.wav>CDWav>TLH>flac16 / disc 2 tracks 7-8 ENCORES supplied by: DPA 4021 source from same stand / Wavleab 5.0>(join and Raised gain 5.6db to DPA source to Match MG210's source evenly) / No Digital Audio Editing performed.(ON EITHER SOURCE) / Transferred and Mastered/uploaded by Muletaper / Notes: PA problems noted thru-out the 5 shows you will hear it at times crackle and pop but does not effect sound quality.(not to often) |
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| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
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02/05/93
|
The Ritz Power Jam, The Ritz
New York, NY |
2 flac |
|
|
DSBD >DAT >CDR |
Silver cdr > EAC(secure > WAV > FLACFRONTEND > FLAC16, re-edited by muletaper |
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02/02/05
|
Bowery Ballroom
New York, NY |
2 flac |
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|
Neumann KM184 (approx. 20 ft apart, spaced on either side of the soundboard) >Lunatec V3 >DA-P1 @ 44.1kHz |
Transfer: DA-P1 > Midiman Audiophile 2496 USB > CD WAV. Normalized to 99.99% with Goldwave. Traced using CDWAV. Converted to FLAC using FLAC Frontend. Checked for SBE's using Shntool. / Recoeded by Yossi Pollak with set-up (and V3) from Alex Chiesi (I couldn't get there til late so Alex took the gear and set it up for me) / Transfered and seeded by Yossi Pollak |
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|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/08/92
|
Wetlands
New York, NY |
2 shn |
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|
SBD+AUD (Nak 300 Cardoid capsules) Mix >DAT (Panasonic SV-255) (Master) |
Warren Haynes - guitar and vocals, Jeff Young - keyboards, Lincoln Schleifer - bass, Steve Holly - drums
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08/08/92
|
Wetlands
New York, NY |
2 shn |
|
|
SBD+AUD (Nak 300 Cardoid capsules) Mix >DAT (Panasonic SV-255) (Master) |
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04/15/11
|
Spirit of the Suwannee Music Park
Live Oak, FL |
0 flac |
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|
Milab VM-44 Link > Naiant Littlebox > Edirol R-09 (24/44.1) |
Location: FOB, DFC / Transfer: R-09 > iMac. Tracked and dithered via Sound Studio, FLAC via xACT / Recorded by Alex Leary |
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|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/15/97
|
The Bottom Line (Early Show)
New York, NY |
2 flac |
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|
DSBD |
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02/15/97
|
The Bottom Line (Late Show)
New York, NY |
2 flac |
|
|
Mastered from the original Dat >CD Wav (Plextor/PX-W1210A) >Flac Frontend (level 8) |
Notes: All 3 on stage for the entire show - backup vocals shared & Warren on guitar throughout |
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|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
03/25/98
|
The Metro
Chicago, IL |
1 shn |
|
|
FM >?? >CDR >EAC (secure) >SHN |
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|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
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07/28/86
|
Uptown Lounge
Athens, GA |
2 shn |
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SBD |
Analog Cassette>Cool Edit Pro>WAV>CDR>EAC>WAV>SHN / Notes: Everyday Companion lists this show as '[Setlist Incomplete]', but following Low Rider, the MC makes comment about that being 'the end of the show', and the club is closed. Not sure what's missing, but this is another nice SBD from Steve Bohannon and the ATL crew. |
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02/21/92
|
Lamda Chi Alpha House
Auburn, AL |
2 flac |
|
|
SBD |
Transfer: DAT> CD-R> EAC> WAV> Wavelab> CDWave> Flac8 / Remaster by Michael Wilker / EDITS: Fixed more than 700 d/o's in disc 1 t06-t10 and about 150 d/o's in d2t08 & remastered audio in wavelab / Notes: notes: 1) d1t07 was previuosly reported to have a few d/o's. The d/o's were milliseconds in length and occured 2/3 times per second. A few background ticks still exist in 'Mercy'. 2) d2t8 is cut @ 4:15 |
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02/27/92
|
The Masquerade
Atlanta, GA |
2 flac |
|
|
SBD |
DAT> CD-R> EAC> WAV> Wavelab> CDWave> Flac8 / Remaster by Michael Wilker / EDITS: Assembled using Wavmerge; rejoined between 'Rock' & 'Entering A Black Hole Backwards' and removed gap. Show is now seamless through the 'Impossible' cut where I added a nice fade to remove the static clip at the cut. Fade & remastered audio done in Wavelab. |
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04/12/92
|
WOW Hall
Eugene, OR |
2 shn |
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DSBD |
Transfer: DAT Clone>Sony 59ES>Monster s/pdif>Audiophile2496>SoundForge 4.5>CDWave>mkwACT>shn / Notes: The show was on 2x60m DAT tapes, and the tape flip came at the end of Drums, beginning of Driving Song, so there is a slight dropout in between Disc Two, tracks 5 and 6 |
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05/30/92
|
Fairgrounds
Athens, GA |
2 flac |
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|
akg460b/ck8 >oade preamp >casio dat, by rick |
Super Jam at the Athens Fairgrounds / Transfer: DAT master > my DAT(1) > cd(1) > eac > flac by john m |
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09/03/92
|
Keystone Conference Center
Keystone, CO |
1 flac |
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AKG522 >Casio DAT by Hardy |
Transfer: DAT(2) > cd(1) > EAC > CDwave > flac, by John M 2007-05-17 / Notes: I'm almost certain that this is the only set taped from this show. Hardy did not get set 1 on tape set 1 as far as I know, and I don't know of any other source. It sounds quite nice, (aside from the PA fireworks at the start of weight!) Enjoy! John M |
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02/23/93
|
Newport Music Hall
Columbus, OH |
2 cdr |
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|
NAK 300'sw/cp-1 (cardiod)>Casio DA-2 |
Transfer: DAP1>VX-Pocket>Cool Edit>CDWave>flac / Taped and Transfered by: Russell Hergesell / Tracked and Seeded by: Eric Gerstner |
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07/05/93
|
Sandstone Amphitheater
Bonner Springs, KS |
1 flac |
|
|
DSBD >CD >CD >EAC (secure mode, correct offsets) >Cool Edit Pro (to render as one track) >CD WAVE (retracking) >FLAC |
HORDE Festival show |
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04/03/95
|
Pearl Street Night Club
Northampton, MA |
2 flac |
|
|
SBD >DAT @ 48.0 kHz |
Transfer: Tascam DA-45HR >Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC (level 6) / Resampled (48 > 44.1) and fades added in Cool Edit. Tracked in CDWave. Converted and edited by D.P. Swint. Seeded by Patrick Wood |
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04/22/95
|
Randolph Macon College
Ashland, VA |
2 flac |
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|
AKG's > ??? |
Recorded by: Sam Holt / Transfer: Tascam DA-20mkII > Audio Magic X-stream Digi-Coax > DiO2448 > Cool Edit Pro v2.0 > CDWav > FLAC (level 8) by Ty Chambers / Notes: Clones courtesy of Dean Rich. Cool Edit Pro was used to resample from 48kHz to 44.1kHz. Tapes cut abrubptly...only crowd noise affected...fades applied in Cool Edit Pro. No other info known/given for source rig |
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05/14/95
|
Jackson Zoo
Jackson, MS |
2 flac |
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|
FOB Schoeps (specific rig not specified) |
Transfer: Sony R500 > Dataport > WaveLab (SRC) > SF 4.5 (trk) > WAV > SHNtool > FLAC by Todd Edgerton |
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07/22/95
|
Tower Records
Beaverton, OR |
1 flac |
|
|
Unknown Audience (dat clone) |
transfer: Tascam DA-20mkII -> Monster coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC (6) / transfer: Chris Davis (07/18/07) |
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04/03/96
|
Von Braun Civic Center
Huntsville, AL |
2 shn |
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|
(FOB) Microtech Gefell 300fs >Tascam DA302 >Yamaha 01V >Antex SC2000 >Samplitude 6.0 >CD Wave >MKW |
Transferred by Steve Porcari, Seeded by Jason Grant / Thanks to JJ Clifton for the DAT |
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06/18/96
|
Zoo Theater
Cincinnati, OH |
2 shn |
|
|
AKG 461 |
Taper: unknown Transfer: Fostex D5>Opcode Dataport>CDWav>SoundForge 4.5C>CDWav (Tracking)>mkwAct 0.97B By: J. Kollath |
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06/19/96
|
State Theater
Detroit, MI |
2 shn |
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|
Neumann RSM191>DAT |
Transfer: DA-20mkII>HHB800>EAC (Secure)>CDWave>MKWAct SHN v.3 Conversion: Ivan Kotch (ik1013@yahoo.com) |
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10/24/96
|
Michigan Theater
Ann Arbor, MI |
2 shn |
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|
FOB Schoeps CMC6/MK4 >Sonosax >ADk |
Transfer: DA-20mkII>SonicPort>Cool Edit Pro (48/44.1)>CDWave>MKWAct SHN v.3 by Ivan Kotch |
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03/26/97
|
Civic Center
Santa Cruz, CA |
2 shn |
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|
AKG391 >DAT >CD >EAC >MKW SHN |
No other source info is available other than AKG391>DAT |
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06/26/97
|
Red Rocks Amphitheatre
Morrison, CO |
2 flac |
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|
AKG 483 >v2 >ad1000 |
Transfer source: Tascam da20mkii > m-audio 24/96 > cool-edit > wav > Cd wave > flac by Trey Woodruff on 06-02-03 / Taper: unknown / Tapes provided by: Ben Morrison |
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|
06/27/97
|
Red Rocks Amphitheatre
Morrison, CO |
2 flac |
|
|
Schoeps Mk8+mk21>kcy>vms021b>AD1K FOB/DFC/M-S |
Taper: unkown / Tapes provided by Ben Morrison / Transfered by Trey Woodruff on 06-03-03 / Transfer source: Tascam da20mkii>m-audio 24/96>cool-edit>wav>Cd wave>flac |
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|
10/24/97
|
Minges Coliseum, East Carolina University
Greenville, NC |
2 shn |
|
|
AT4053 >DA-P1 by Bobby Moore |
Transfer: Fostex D5>Opcode DATPort>CDWav>Soundforge 4.5c>CDWav (tracking)>MKWAct 0.97b (STA) by J. Kollath on 1-15-03 |
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|
10/23/98
|
Stephens Auditorium
Ames, IA |
2 shn |
|
|
AKG 483 >Lunatec V2 >GP ADC-20 >DA-P1 @48kHz by Jamie Syrek |
Transfer: Fostex D5 (MASTER)>Opcode DATPort>CDWav>Soundforge 4.5c>CDWav (tracking)>MKWAct 0.97b (STA) by J. Kollath on 2-6-03 |
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|
07/07/99
|
Spokane Opera House
Spokane, WA |
2 shn |
|
|
MG 210 >ADC-20 >DAT @ 48kHz |
Transfer: Sony 59ES>Monster s/pdif>Audiophile 2496>Wave Lab 4.0>CDWave>mkwACT>shn (seek) |
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|
09/26/99
|
Littlejohn Coliseum, Clemson University
Clemson, SC |
2 flac |
|
|
AKG 391 >Aerco pre >SMB-1 >M1 @44.1 |
Taper: unknown / Transfer: da-20mkII > audiophile 24/96 > WaveLab 4.0 > cd wave > flac (level 8) by Gordon Wilson / Notes: Fades added at beginning and end of discs with WaveLab 4.0. Sector Boundaries verified with shntool v2.0.3. Levels drop a bit at 8:36 of Wrangler. |
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10/19/99
|
E Center
West Valley, UT |
2 flac |
|
|
AKG 483 (1st set) Schoeps cmc6 mk41 (set 2) >oade m148 >sbm-1 by Billy Mixon |
Conversion: sony d-10 proII > aes > m-audio 24/96 > wavelab 4.0 (resample) > cd wave > flac |
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|
06/28/00
|
House of Blues
Las Vegas, NV |
2 shn |
|
|
Scoeps CMC6, MK4 >Oade M148 >HHB >Zefiro ZA2 by Justin Reese |
Location: Balcony, DFC / CD Mastering by Alan Schwartz |
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|
10/30/01
|
Park West
Chicago, IL |
1 shn |
|
|
FOB Schoeps MK4V >KC5 >CMC6 >Apogee AD1000 >D8 by Jeff Kempka |
Transfer: DA-20mkII>RME DIGI96/8 PST>Samplitude>CDWAV>SHN by Jeff Kempka |
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11/17/01
|
Independence Arena
Charlotte, NC |
2 shn |
|
|
4011 >V2 >2K(NS3) >DA-P1 (ORTF) TS by Brian Watson |
Conversion: D-100 > WT 2496 > HD via SF 5.0 > CDWAV > SHN by David Laundre |
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11/20/01
|
Freedom Hall
Johnson City, TN |
2 flac |
|
|
Schoeps mk4 >kc5 >cmc6 >m148 >ad500e (fob/dfc/nos) |
Transfer: Seagate ctd8000e-s > vdat > Sound Forge 6.0 > CDWave > flac frontend (level 6) > .flac by Joe Walderon / Notes: 48 > 44.1k done with Sound Forge 6.0. Fades added at beginning and end of sets and before encore. Sector Boundaries verified with shntool v1.2.3 |
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04/20/02
|
Walnut Creek Ampitheater
Raleigh, NC |
2 flac |
|
|
Schoeps mk4 >mstc6 >Oade m148 >mod. Sbm-1 @48.0kHz by Nick Stiritz, patch D.P. Swint |
Location: 1st row Tapers Section-ROC / Transfer: DAT(m) > Tascam DA-45HR > Audiophile 25/96 USB > Cool Edit 2000 > CDWave > FLAC (level 6). Resampled (48 > 44.1) and fades added in Cool Edit. Tracked in CDWave / Converted, Edited, & Seeded by D.P. Swint |
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06/22/02
|
Great Stage Park
Manchester, TN |
2 shn |
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|
Mk4v >kc5 >cmc6 >v2 >ad1000 >Dap1 |
fob/dfc/ortf |
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04/29/03
|
Civic Center
Savannah, GA |
3 cdr |
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|
Schoeps mk4>kc5> cmc6>V3>DA-P1 @48kHz. (ortf, fob, dfc) by Kevin Straker |
Transfer: D8>Waveterminal 24/96>Wavelab 4.0>CDWave>flac frontend (level 6)>.flac by Joe Waldron |
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|
04/29/03
|
Civic Center
Savannah, GA |
2 flac |
|
|
Schoeps mk4 >kc5 >cmc6 >V3 >DA-P1 @48kHz (ortf, fob, dfc) by Kevin Straker |
Transfer: D8 > Waveterminal 24/96 > Wavelab 4.0 > CDWave > flac frontend (level 6) > .flac by Joe Waldron / Notes: Fades added to beginning and end of sets in Wavelab. Transfer done with DAT master. |
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05/14/03
|
The Palace Theatre
Louisville, KY |
2 flac |
|
|
(Balc, DFC) AKG 483 (DIN) >Oade M148 >V3 by John Callery |
Conversion: Fostex D5 > Terratec EW24/96 > Cool Edit > CD Wav > Flac / Slight EQ applied in Cool Edit Pro for Set II / Converted and EQ'd by Mike Falcon |
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|
05/16/03
|
Murat Theater
Indianapolis, IN |
2 flac |
|
|
Schoeps mk+kc5+cmc6>m118>sv-255 by Nate Fischer |
Tapes provided by Nate Fischer / Transferred by Trey Woodruff on 2003-06-07 / Transfer Source: Tascam da20mkii>coax>m-audio 24/96>cool-edit (resample)>wav>Cd wave>flac |
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|
06/14/03
|
Great Stage Park
Manchester, TN |
2 shn |
|
|
(FOB, DFC, XY) Neumann AK50>LC3>KM100>V3>D8 @48K by Howard Friedman |
Transfer: Tascam DA-40>Dio 2448>Soundforge 4.5>CDWave>SHN / Tapers Note: Tape change after Henry Parsons. No Music was missed. |
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|
07/01/03
|
Amphitheater at Mizzou
Columbia, MO |
2 shn |
|
|
AKG 483 (x,y)>Oade m248>mod-sbm-1>Sony D7 @48kHz by Hampton West |
Transfer: Sony 59ES>Monster s/pdif>Audiophile2496>Wave Lab 4.0>CDWave v.1.71>mkwACT v.97>shn (seek) by Wade Cooper |
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|
07/02/03
|
West Fair
Council Bluffs, IA |
2 shn |
|
|
AKG 483 (x,y)> Oade m248>mod-sbm-1>Sony D7 @48kHz by Hampton West |
Transfer: Sony 59ES>Monster s/pdif>Audiophile2496>Wave Lab 4.0>CDWave v.1.71>mkwACT v.97>shn (seek) by Wade Cooper |
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|
07/08/03
|
PromoWest Pavilion
Columbus, OH |
2 flac |
|
|
Neumann KM140's (at 10', FOB, slightly left of center) >Lunatec V3 (ANSR 16/48) >Tascam DA-P1 by Jef Fugh |
Conversion: Tascam DA-P1>SoundForge 5.0 (resampled to 44.1k)>CD Wave>SHN / Taped, Converted, & Seeded by Jef Fugh |
|
|
07/09/03
|
Meadow Brook Music Theater
Rochester Hills, MI |
2 flac |
|
|
MG 210 >MiniMe >2.4 GHz P4 Laptop >Wavelab 4.0 @24/48 by Rob Robar & Scott Cervin |
File down sampled and dithered to 16/44.1 kHz using Wavelab 4.0 UV22 / HR>CDWave>Flac by Rob Robar & Scott Cervin / Taper's Note: I forgot windscreens and there is some occassional wind gusts heard. Nothing major just letting you all know. |
|
|
07/16/03
|
Harbor Center
Portsmouth, VA |
2 shn |
|
|
AKG 481 (DIN) >Oade m248 >mod-sbm-1 >Sony D7 @ 48 kHz by Hampton West |
Transfer: Sony 59ES >Monster s/pdif >Audiophile 2496 >Wave Lab 4.0 >CDWave >mkwACT >shn (seek) by Wade Cooper |
|
|
07/20/03
|
NextStage at Grand Prairie
Grand Prairie, TX |
2 shn |
|
|
(fob/dfc/stage lip) Nak 701 >Apogee MiniMMe (16/44) >Sony M1 by Matt Hiles |
Transfer: Sony 59ES>Monster s/pdif>Audiophile 2496>wave Lab 4.0>CDWave>mkwACT>shn (seek) by Wade Cooper |
|
|
08/06/03
|
Ex'pression Center for New Media
Emeryville, CA |
1 flac |
|
|
"Pre-FM CDR" >EAC Secure >FLAC |
source details: This show was performed at an excellent college for audio engineering (www.expression.edu)...it was recorded for future broadcast on SF radio station KFOG 104.5 FM. The live performance space, called Meyer Hall, is where the band set up, and the stage directly feeds the many recording consoles & studios throughout the school. The show was multi-tracked to digital Hi-8 tapes via a Neve VR recording console (juicy pre's!), as opposed to flowing through the front-of-house soundboard. The Hi-8's were later transferred to ProTools where the final mix for the radio broadcast was done. All multi-tracks and protools files were subsequently destroyed so the CD for radio broadcast was the best I could get my hands on, thus the necessary EAC step. The quality is simply amazing. Thanks to all involved.
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|
|
08/09/03
|
Warfield Theater
San Francisco, CA |
2 flac |
|
|
ts (right side, below 2nd drink rail) din AKG 483 >Oade m148 >Apogee AD500e >D8 |
Taped by Mitch Hibbs, patch by Graham Munda / Conversion: Tascam DA20MKII>Audiophile 2496>CDWave>Samplitude (48>44.1)>FLAC Frontend (level 6)>flac / Sound Forge 5.0 used to put fades at the beginning and end of sets. Converted and seeded by Graham Munda |
|
|
08/10/03
|
Warfield Theater
San Francisco, CA |
2 flac |
|
|
(TS)Neumann ak50+1c3+km100(DIN) >Oade M148 >mod SBM1 by Mike Falcon |
Conversion: Fostex D5 > Terratec EW24/96 > Cool Edit > CD Wav > Flac by Mike Falcon |
|
|
08/13/03
|
Town Park
Telluride, CO |
1 flac |
|
|
FOB/ORTF Schoeps mk4 >kc5 >cmc >Lunatec V3 @ 16/48 by Nate Fischer |
DA-P1 > VX Pocket V2 > Wavelab (resampled to 44.1) > CDWAV > Flac 16 by Tim Markham / ---Shares disc w/ Neumann u89i source from same date --- |
|
|
08/13/03
|
Town Park
Telluride, CO |
1 flac |
|
|
Neumann u89i (Subcard/NOS) >Lunatec V2 >Apogee MiniME @16/48 |
DA-P1 > VX Pocket V2 > Wavelab (resampled to 44.1) > CDWAV > Flac 16 / ---Shares disc w/ Schoeps mk4 source from same date --- |
|
|
10/31/03
|
Madison Square Garden
New York, NY |
2 flac |
|
|
Neumann KM150's >V3 >D8 @48k by Howard Friedman |
Transfer: Tascam DA-20 > Dio 2448 > Soundforge 4.5 > CDWave > FLAC |
|
|
01/01/05
|
BIO studios
studio, studio |
1 DVD |
|
|
|
Widespread Panic on Biography Channel's "Bio Arts", Jan. 15, 2004 (originally aired as "Breakfast with the Arts", July 13, 2003 |
|
|
03/26/05
|
Fox Theatre
Atlanta, GA |
2 flac |
|
|
DPA 4023 >M148 >(MOD)SBM-1 >D-8 |
Location: DFC, Row S, Seat 108 / Conversion: D-8 > Tascam CDRW 700 > CD WAVE > FLAC |
|
|
03/30/05
|
Taft Theatre
Cincinnati, OH |
2 flac |
|
|
Schoeps mk4 >kc5 >cmc6 >Lunatec V3 >Nomad JB3 (16/44.1 kHz.) by Nate Fisher |
Location: Row H, seat 8, din/fob/zfc (z-man front & center / Transfer: JB3> WaveLab 4.0 > flac frontend (level 8). / Notes: Fades were applied to the beginning and end of sets with WaveLab 4.0 |
|
|
04/09/05
|
Chicago Theatre
Chicago, IL |
2 flac |
|
|
MBHO 603a/KA200 >V3 >M1 by Eric Foelske |
Location: 6' high, SLOC, 8' from stage / Transfer: Conner CTD8000 > DAT2WAV > SoundForge (Norm/Fades) > Samplitude (Ultra High 1) > CDWave > FLAC16 (level 8) by Eric Foelske |
|
|
04/14/05
|
Radio City Music Hall
New York, NY |
2 flac |
|
|
Neumann KM184 >Oade w-mod UA-5 (44.1 kHz) >optical >JB3 by Rob Clarke |
Location: DIN 90* FOB 8' LOC -orch 4 row NN seat 412 / Transfer: JB3 > firewire > Sound Forge 6.0 > cdWave > FLAC Frontend by Rob Clarke |
|
|
04/15/05
|
Radio City Music Hall
New York, NY |
2 flac |
|
|
mk4 >kc5 >cmc6 >m248(HF+) >ad1000 >jb3 by Mitchell Hibbs |
Location: 1st Mezz, Row G, Seat 405 / Transfer: jb3 > IEEE1394 > CDWav > Wavelab 4 > flac (level 8) by Mitchell Hibb |
|
|
04/15/05
|
Radio City Music Hall
New York, NY |
2 flac |
|
|
Schoeps mk4 >kc5 >cmc6 >Lunatec V3 >Optical >JB3 by Bennett Schwartz |
Location: Row XX Orch 4 Center / Transfer: JB3 > Firewire > Creative Playcenter > CDWave > FLAC (level 7) |
|
|
04/20/05
|
Salem Civic Center
Salem, VA |
2 flac |
|
|
mk4 >kc5 >cmc6 >m248 >mme >jb3 (44.1k) by Todd & Innis |
Location: FOB/DFC/DINa, 7' Stand / Transfer: jb3 (firewire) > wavelab 5 > SHNTool > FLAC (lvl 6) |
|
|
04/22/05
|
Walnut Creek Amphitheatre
Raleigh, NC |
2 flac |
|
|
Schoeps MK21 >kc5 >cmc6 >OadeM248 >Apogee Minime >Hosa(Aes) >Jb3 (optical 48k) by Innis Nelson |
Location: FOB, DFC, row H(8th row), NOS(90deg-30cm) / Transfer: Nomad Jukebox 3 > Firewire > Wavelab 4.0(src and fades) > shntool(sector boundaries) > FLAC(level 6) by Innis Nelson |
|
|
04/23/05
|
Walnut Creek Amphitheatre
Raleigh, NC |
2 flac |
|
|
mk4 >kc5 >cmc6 >V2 >722 (24/96) by Carrington Crawford & Tim Fraley |
Location: fob/row k/din / Transfer: Sound Devices 722 > CD Wave > WaveLab > FLAC by Carrington Crawford & Tim Fraley |
|
|
05/03/05
|
Starlight Amphitheater
Kansas City, MO |
2 flac |
|
|
|
|
|
|
05/03/05
|
Starlight Amphitheater
Kansas City, MO |
2 flac |
|
|
AKG 480(ck63) >Dmod UA-5 >Jb3 @48k by KcMule / MoMule |
Location: LOC,Plaza 5,Row I,Seat 9 (XY 70?), Mics @ 8 ft / Mastered and seeded by: MoMule / Transfer: JB3 (firewire) > PC > SF7 > Flac
|
|
|
05/05/05
|
The Fabulous Fox Theatre
St. Louis, MO |
2 flac |
|
|
Schoeps mk5(cardioid) >kc5 >cmc6xt >Nagra V @24/48 by John Callery |
location: FOB, ZFC, Row N, Rt side of center aisle, DINa / conversion: Nagra HD > Wavelab 5 (24/48 >16/44 w/UV22HR dither) > CDWAV > Flac Frontend(level 6) |
|
|
06/11/05
|
Bonnaroo Music Festival (What Stage)
Manchester, TN |
2 flac |
|
|
AKG 483 (dina, fob) >oade w-mod+ UA-5 >Sony D8 |
Transferred: Sony D7 > edirol UAD-1 . CDwave (16/44.1) |
|
|
06/12/05
|
Great Stage Park
Manchester, TN |
2 flac |
|
|
AKG 483's (din, fob, dfc) >oade w-mod + UA-5 >Sony D8 |
Transfer: Sony D7 > edirol UAD-1 > CDwave (16/44.1) / Note: There was no set break, so I had to "hot swap" dats at the begining of the "drums" fades in and out to help smooth the transition. |
|
|
07/22/05
|
Soo Pass Ranch
Detroit Lakes, MN |
2 flac |
|
|
MBHO 603a/KA200 >V3(48k) >M1 (FOB) by Brett Foelske |
Transfer: ARCHIVE Python 01931-XXX5AC > DAT2WAV > SoundForge(Norm/Fades) > Samplitude(48>44 Ultra High 1) > CDWave > FLAC16(Level 8) by Eric Foelske |
|
|
04/21/06
|
Alltel Pavilion at Walnut Creek
Raleigh, NC |
2 flac |
|
|
Neumann u89i (Hypercards, DINish, FOB, DFC) |
Neumann u89i (Hypercards, DINish, FOB, DFC) > Audiomagic Hyperconductor > EAA-PSP2 > Audiomagic Hyperconductor > Sound Devices 744t (24/96) > CDWav 1.93.3 > Wavelab 5.00a (Fades/Dither/Re-Sample w/ UV22 HR) > FLAC 1.7.1 (Level 6) |
|
|
06/29/06
|
Wiltern Theatre
Los Angeles, CA |
2 flac |
|
|
mk41v (dina) >kc5 >m222 >nt222 + mk2s (din) >kc5 >m222 >nt222 >744t (24/96) by Charles Fox |
Location: FOB/DFC / Transfer: 744t > wavelab5 > cdwave > wavelab5 > flac level 6 by Charles Fox |
|
|
07/08/06
|
Greek Theatre
Berkeley, CA |
2 flac |
|
|
Neumann km140s >ACM Marantz PMD660 |
Location: DFC, ~6ft, ORTF / Transfer: WAV > CD Wave Editor > FLAC |
|
|
07/11/06
|
Cuthbert Amphitheater
Eugene, OR |
2 flac |
|
|
Rode NT4 >M Audio USB Mobile Pre >GatewayMMX6425 >Steinberg WaveLab5 >CD Wave Editor >Flac5 by Jon Lund |
|
|
|
03/24/07
|
Nokia Theatre
Grand Prairie, TX |
2 flac |
|
|
AKG 483 > Oade ACM Marantz PMD-671 (24/48) by Lee Hart |
Location: DFC @ 6'(Section 204, Row GG, Seat 8), DINa / Transfer: PMD-671 > Soundforge 7.0 (fades, resample, dither) > CDWave (tracking) > flac level 6 |
|
|
03/28/07
|
Uptown Theater
Kansas City, MO |
2 flac |
|
|
Schoeps mk41v(dina) >kc5 >m222 >nt222 + mk2s/mk8(mid-side) >kcy >vms5u >744t (24/96) |
Location: balcony rail, dfc / Transfer: 744t > wavelab5 > cdwave > wavelab5 > flac(6) / Recorded & seeded: Charles Fox |
|
|
03/28/07
|
Uptown Theater
Kansas City, MO |
2 flac |
|
|
Schoeps mk41v(dina) >kc5 >m222 >nt222 + mk21(nos) >kcy >vms5u >744t (24/96) |
Location: fob/dfc/Row L / Transfer: 744t > wavelab5 > cdwave > wavelab5 > flac(6) / Recorded & seeded: Charles Fox |
|
|
03/30/07
|
SIU Arena, Southern Illinois Univ.
Carbondale, IL |
2 flac |
|
|
dpa4023's(DIN) > V3 > 722 (24/96) |
Location: Taper Section stand 10' / Conversion: 722 > firewire > wavelab5.0(dither,resample) > cdwave > flac(6) / Taped and Converted by Shane Sheffield |
|
|
04/14/07
|
Von Braun Civic Center
Huntsville, AL |
2 flac |
|
|
Schoeps mk41v(dina) >kc5 >m222 >nt222 + mk21(nos) >kcy >vms5u >744t (24/96) |
Recored and Seeded by Charles Fox / Location: fob/dfc / Transfer: 744t > wavelab5 > cdwave > wavelab5 > flac(6) |
|
|
04/17/07
|
Tennessee Theatre
Knoxville, TN |
2 flac |
|
|
Schoeps mk4v(dina) >kc5 >m222 >nt222 + mk21(nos) >kcy >vms5u >744t (24/96) |
Taped and seeded by Charles Fox / Location: fob/dfc/row E / Transfer: 744t > wavelab5 > cdwave > wavelab5 > flac(6) |
|
|
04/21/07
|
Walnut Creek Amphitheatre
Raleigh, NC |
2 flac |
|
|
Schoeps MK4 > KC5 > CMC6 > Lunatec V3 > Marantz PMD-671 @ 24/48 |
Recording and conversion by Robbie Dunn / Location: FOB Section 2, Row H, Seat 11 / Conversion: 24 bit 48 k wav files resampled to 44.1 with Sound Forge 6.0 at highest quality settings and dithered to 16 bit, split into tracks with CD Wave, fades at beginning & end of show with Sound Forge 6.0, FLAC files generated with FLAC front end. |
|
|
04/23/07
|
The Classic Center
Athens, GA |
2 flac |
|
|
[Neumann ak20(Blumlein) > lc3 > km100(mic in)] + [Neumann ak40(DIN) > lc3 > km100 > Lunatec V3(analog out)] > Sound Devices 744t @ 24/48 |
Taped, Transferred, and Seeded by D.P. Swint / Location: dfc, Parterre Row FF, Seat 113, 7' stand / Transfer: 744t > Firewire > Wavelab 5.01a > CDWave > FLAC(level 6) / Dithered/Resampled (16/44.1), Mixed (4channels), and fades added in Wavelab. Tracked in CDWave. |
|
|
04/24/07
|
The Classic Center
Athens, GA |
2 flac |
|
|
[Neumann ak40(DIN) > lc3 > km100(mic in)] + [Neumann ak50(mid) + ak20(side) > lc3 > km100 > Lunatec V3(analog out)] > Sound Devices 744t @ 24/48 |
Taped, Transferred, & Seeded by D.P. Swint / Location: dfc, Parterre Row CC, Seat 111, 7' stand / Transfer: 744t > Firewire > WaveLab 5.01a > CDWave > FLAC(level 6) / Dithered/Resampled(16/44.1), Mixed(4 channels), & Fades Added in WaveLab. Tracked in CDWave. |
|
|
04/25/07
|
The Classic Center
Athens, GA |
2 flac |
|
|
[Neumann ak40(DIN) > lc3 > km100(mic in)] + [Neumann ak50(mid) + ak20(side) > lc3 > km100 > Lunatec V3(analog out)] > Sound Devices 744t @ 24/48 |
Taped, Transferred, & Seeded by D.P. Swint / Location: dfc, Parterre Row AA, Seat 110, 7' stand / Transfer: 744t > Firewire > WaveLab 5.01a > CDWave > FLAC(level 6) / Dithered/Resampled(16/44.1), Mixed(4 channels), & Fades Added in WaveLab. Tracked in CDWave. |
|
|
04/27/07
|
Amphitheatre at the Wharf
Orange Beach, AL |
2 flac |
|
|
Schoeps mk41v(dina) >kc5 >m222 >nt222 + mk21(nos) >kcy >vms5u >744t (24/96) |
Recorded & Seeded by Charles Fox / Location: fob/ots/dfc / Transfer: 744t > wavelab5 > cdwave > wavelab5 > flac(6) |
|
|
04/28/07
|
The Wharf
Orange Beach, AL |
2 flac |
|
|
Schoeps mk4 > kc5 > cmc6 > v3 > hd-p2 (24/96) |
Taped & seeded by JMC / Location: fob/ortf / Transfer: hd-p2 > ieee1394 > Inspiron 6000 > Sound Forge 8.0 (resample/bit-depth) > CD WAVE > FLAC Frontend |
|
|
06/09/07
|
Clinton Lake State Park
Lawrence, KS |
2 flac |
|
|
AKG 483 >V3 >MT2496 (16/44.1) by Jeff Frank |
Taped and transferred by Jeff Frank |
|
|
06/17/07
|
Bonnaroo Music Festival
Manchester, TN |
2 flac |
|
|
Beyerdynamic mc930 > mini me > mt(16/44.1) |
Recorded by Jon Buffington / Mic config./location: ortf, 7',FOB,DFC / Transfer: mt > wavelab5 > cdwave > flac / Editing: Fades added beginning/end |
|
|
06/22/07
|
Red Rocks Amphitheatre
Morrison, CO |
2 flac |
|
|
JW mod AKG462 (split 5') > Oade ACM Tascam HD-P2 |
Taped and transferred by Harrison Keijzer / Transfer: flashcard > PC > Audacity (24/48->16/44) > CDWave > .flac (8) |
|
|
06/23/07
|
Red Rocks Ampitheatre
Morrison, CO |
2 flac |
|
|
[DFC/OTS/NOS] DPA 4022s > V3 > MT2496 @ 24/48 |
Taped & Transferred by Phil Lucks / Transfer: Wav > WaveLab > Dither & Resample (UV22HR/44.1) > CDWave > FLAC |
|
|
06/24/07
|
Red Rocks Amphitheater
Morrison, CO |
2 flac |
|
|
JW mod AKG461 (DIN/6') > Oade ACM Tascam HD-P2 |
Taped and transferred by Harrison Keijzer / Transfer: flashcard > PC > Audacity (24/48->16/44) > CDWave > .flac (8) |
|
|
07/01/07
|
Viejas Outlet Center
San Diego, CA |
2 flac |
|
|
ADK TL-51mp(cards) > UA5 T+mod > JB3 > CD |
Recorded by RIPJJG |
|
|
07/07/07
|
The Backyard
Bee Cave, TX |
2 flac |
|
|
ADK TL51 (hyper) >SD MP-2 >R-09 (24/41) by Drew Falconieri |
Location: OTS LOC, DIN / Transfer: R-09 > Wavelab 5.0 (fades and dither) > CDWave (track splits) > flac level 8 |
|
|
07/08/07
|
The Backyard
Bee Cave, TX |
2 flac |
|
|
AKG 483 >Oade ACM Marantz PMD-671 (24/48) by Lee Hart |
Location: 12' LOC, DINa @ 9' / Transfer: PMD-671 > Soundforge 7.0 (fades, resample, dither) > CDWave (tracking) > flac level 6 / Taped and transferred by Lee Hart |
|
|
07/10/07
|
Riverfest Amphitheater
Little Rock, AR |
2 flac |
|
|
AKG ck61 > JKLabs ECMS-22 > Oade ACM Marantz PMD-671 (16/44.1) |
Location: 10' ROC, OTS, 7' stand / Transfer: PMD-671 > Toshiba A45-S120 / Conversion: split into tracks with CD Wave, fades at beginning & end of set with Sound Forge 6.0, FLAC files generated with FLAC front end / Taped and transferred by Tommy Whatley |
|
|
07/13/07
|
Chicago Theatre
Chicago, IL |
2 flac |
|
|
MK4 > ORTF > KC5 > CMC6 > KindKables > V3 > SPDIF > HDP2 (HPF 0) 24/96 |
Location: FOB/DFC Row C, Stand at 6' / Transfer: HDP2 > Firewire > CDWave > Fades with Wavelab 5.0 > FLAC (level 7)/ Resampled and Dithered with Wavelab 5.0 / Taped and Transfered by: Bennett Schwartz (coloartist) |
|
|
07/14/07
|
Chicago Theatre
Chicago, IL |
2 flac |
|
|
MK4 > ORTF > KC5 > CMC6 > KindKables > V3 > SPDIF > HDP2 (HPF 0) 24/96 |
Location: FOB/DFC Row NN maybe?, Stand at 6' / Transfer: HDP2 > Firewire > CDWave > Fades with Wavelab 5.0>FLAC (level 7) / Resampled and Dithered with Wavelab 5.0 / Taped and Transfered by: Bennett Schwartz (coloartist) |
|
|
07/15/07
|
Chicago Theatre
Chicago, IL |
2 flac |
|
|
MK4 > ORTF > KC5 > CMC6 > KindKables > V3 > SPDIF > HDP2 (HPF 0) 24/96 |
Location: FOB/DFC Row LL, Stand at 6' / Transfer: HDP2 > Firewire > CDWave > Fades with Wavelab 5.0 > FLAC (level 7) / Resampled and Dithered with Wavelab 5.0 / Taped and Transfered by: Bennett Schwartz (coloartist) |
|
|
07/17/07
|
Tower Theater
Upper Darby, PA |
2 flac |
|
|
Neumann AK40 > LC3 > KM100 > ACM V3 > R4 Pro |
Location: FOB, DFC, DIN, 7' / Transfer: R4 Pro (24/96) > Wavelab 5 > CDWave > FLAC (6) / Taped and Transferred by OFOTD |
|
|
07/18/07
|
Bank of America Pavilion
Boston, MA |
2 flac |
|
|
Schoeps CMC-6 / MK-41 > Lunatec V-3 > Tascam HD-P2 (2496) > Sony Soundforge 8.0 (Dither/Resample 1644) > CD Wave > Flac |
Location: XY, FOB, Right of Center / Taped and converted by Patrick Price |
|
|
07/20/07
|
Radio City Music Hall
New York, NY |
2 flac |
|
|
[Neumann ak40(DIN) > lc3 >km100(mic in)] + [Neumann ak50(mid) + ak20(side) >lc3 >km100 >Lunatec V3(analog out)] >Sound Devices 744t @ 24/48 |
Location: fob, dfc, Row UU / Transfer: 744t > Firewire > WaveLab 5.01a > CDWave > FLAC(level 6) / Mixed(4 channels) & Fades Added in WaveLab. Tracked in CDWave. / Taped, Transferred, & Seeded by D.P. Swint |
|
|
07/21/07
|
Radio City Music Hall
New York, NY |
2 flac |
|
|
[Neumann ak40(DIN) >lc3 > km100(mic in)] + [Neumann ak50(mid) + ak20(side) >lc3 >km100 >Lunatec V3(analog out)] >Sound Devices 744t @ 24/48 |
Location: fob, dfc, Row OO / Transfer: 744t > Firewire > WaveLab 5.01a > CDWave > FLAC(level 6) / Mixed(4 channels) & Fades Added in WaveLab. Tracked in CDWave. / Taped, Transferred, & Seeded by D.P. Swint |
|
|
07/22/07
|
Bethel Woods Center For The Arts
Bethel, NY |
2 flac |
|
|
Schoeps mk4v(dina) >kc5 >m222 >nt222 + mk21(nos) >kcy >vms5u >744t (24/96) |
Locaton: fob/dfc/row L / Transfer: 744t > wavelab5 > cdwave > wavelab5 > flac(6) / Recorded & seeded: Charles Fox |
|
|
07/26/07
|
Harbor Center
Portsmouth, VA |
2 flac |
|
|
Schoeps mk41v(dina) >kc5 >m222 >nt222 + mk21(nos) >kcy >vms5u >744t (24/96) |
Locaton: fob/dfc / Transfer: 744t > wavelab5 > cdwave > wavelab5 > flac(6) / Recoreded & seeded by Charles Fox |
|
|
07/27/07
|
Verizon Wireless Amphitheatre
Charlotte, NC |
2 flac |
|
|
Schoeps mk41v(dina) >kc5 >m222 >nt222 + mk21(nos) >kcy >vms5u >744t (24/96) |
Location: fob/dfc/Row L / Transfer: 744t > wavelab5 > cdwave > wavelab5 > flac(6) / Recorded & seeded: Charles Fox |
|
|
09/21/07
|
FedEx Forum
Memphis, TN |
2 flac |
|
|
Schoeps mk41v(dina) >kc5 >m222 >nt222 + mk4v/mk8(mid-side) >kcy >vms5u >744t (24/96) |
Location: fob/dfc / dsp: 744t > wavelab5 > cdwave > wavelab5 > flac(6) / Recorded & Seeded by Charles Fox |
|
|
09/22/07
|
FedEx Forum
Memphis, TN |
2 flac |
|
|
Schoeps mk41v(dina) >kc5 >m222 >nt222 + mk4v/mk8(mid-side) >kcy >vms5u >744t (24/96) |
Location: fob/dfc / dsp: 744t > wavelab5 > cdwave > wavelab5 > flac(6) / Recorded & seeded by Charles Fox |
|
|
09/27/07
|
Paramount Theatre
Oakland, CA |
2 flac |
|
|
Schoeps mk41v(dina) >kc5 >m222 >nt222 + mk21(nos) >kcy >vms5u >744t (24/96) |
Location: fob/dfc / dsp: 744t > wavelab5 > cdwave > wavelab5 > flac(8)/ Recorded & seeded by Charles Fox |
|
|
09/29/07
|
Paramount Theater
Oakland, CA |
2 flac |
|
|
Schoeps mk41v(dina) >kc5 >m222 >nt222 + mk21(nos) >kcy >vms5u >744t (24/96) |
Location: fob/dfc / dsp: 744t > wavelab5 > cdwave > wavelab5 > flac(8) / Recorded & seeded by Charles Fox |
|
|
10/02/07
|
Memorial Coliseum
Portland, OR |
2 flac |
|
|
Schoeps mk41v(dina) >kc5 >m222 >nt222 + mk4v/mk8(mid-side) >kcy >vms5u >744t (24/96) |
Location: fob/dfc / dsp: 744t > wavelab5 > cdwave > wavelab5 > flac(8) / Recorded & seeded by Charles Fox |
|
|
10/03/07
|
Hult Center
Eugene, OR |
2 flac |
|
|
Schoeps mk4v(dina) >kcy >vms5u >744t (24/96) |
Location: fob/dfc / dsp: 744t > cdwave > wavelab5 > flac(8) / Recorded & seeded by Charles Fox |
|
|
10/05/07
|
Paramount Theatre
Seattle, WA |
2 |
|
|
Schoeps mk41v(dina) >kc5 >m222 >nt222 + mk4v/mk8(mid-side) >kcy >vms5u~>744t (24/96) |
Location: ots/dfc / dsp: 744t > wavelab5 > cdwave > wavelab5 > flac(8) / Recorded & seeded by Charles Fox |
|
|
10/06/07
|
The Paramount Theater
Seattle, WA |
2 flac |
|
|
Schoeps mk41v(dina) >kc5 >m222 >nt222 + mk4v/mk8(mid-side) >kcy >vms5u >744t (24/96) |
Location: ots/dfc / dsp: 744t > wavelab5 > cdwave > wavelab5 > flac(8) / Recorded & seeded by Charles Fox |
|
|
10/12/07
|
Budweiser Events Center
Loveland, CO |
2 flac |
|
|
MK4 >ORTF >KC5 >CMC6 >KindKables >V3 >SPDIF >HD-P2 (24/96) (HPF 0) |
Location: FOB/DFC 30' back, Stand at 6' / Transfer: HD-P2 (24/96) > usb > CDWave > Fades with Wavelab 5.0 > FLAC (level 7) / Dithered and Resampled in Wavelab 5 / Taped and Transferred by Bennett Schwartz (coloartist) |
|
|
10/13/07
|
Budweiser Events Center
Loveland, CO |
2 flac |
|
|
MK4 >ORTF >KC5 >CMC6 >KindKables >V3 >SPDIF >HD-P2 (24/96) (HPF 0) |
Location: FOB/DFC 30' back, Stand at 6' / Transfer: HD-P2 (24/96) > usb > CDWave > Fades with Wavelab 5.0 > FLAC (level 7) / Dithered and Resampled in Wavelab 5 / Taped and Transferred by Bennett Schwartz (coloartist) |
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|
10/16/07
|
The Fabulous Fox Theatre
St. Louis, MO |
2 flac |
|
|
B&K 4021s (ORTF) >EAA-PSP2 >Sound Devices 722t @ 24/96 |
Location: FOB/DFC, row J, seat 101 (1st seat left of center isle) / Lineage: 722t > computer hard drive > Wavelab (resample, dither, fades, normalize) > CDWave (track) > Flac level 6 / Taped & transferred by Steve Brothers |
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|
11/03/07
|
North Charleston Coliseum
North Charleston, SC |
2 flac |
|
|
B&K 40202 (ortf) >Sonosax >744t (24/48) |
Location: fob/dfc / Transfer: 744t > wavelab (fades/resample/bit depth) > cd > wav > flac / Recorded & seeded by Craig Davis |
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|
06/15/08
|
Bonnaroo Music Festival
Manchester, TN |
2 flac |
|
|
Milab VM44-Link > Mini-Me > R-44 |
Recorded and Transferred by Jon Buffington / Location: ORTF/FOB/DFC / Transfer: SDHC > PC > Wavelab > CDWave > TLH |
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|
07/10/08
|
Bank Of America Pavilion
Boston, MA |
2 flac |
|
|
Schoeps MK4>KC5>CMC6>Sonosax SX-M2>Apogee Mini-me(24 Bit/96 khz, aes out)>COAX>Edirol R4 |
Recorded and transferred by Andy Murray / DFC 15th or 16th row ORTF(row m seats 15&16) / Edirol R4(WAV)>USB>Soundforge 8.0(Tracking, Resample/Dither to 16 Bit/44.1 khz)>FLAC |
|
|
10/06/10
|
Ryman Auditorium
Nashville, TN |
2 flac |
|
|
Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K>Sound Devices 722 (24/48) |
FOB/DFC/KFC/ZFC/AARP Section 12, Row L, Seat 11, 7' High / DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16) / Recorded By: Z-Man / Seeded By: Z-Man |
|
|
10/08/10
|
Midland Theatre
Kansas City, MO |
2 flac |
|
|
AKG 463's (DFC FOB DIN @12') > Phatcables > Mackie Onyx > MT II (@24/48) |
Lineage : Samplitude 11 Pro > Flac / Recorded, Tracked, Mastered by momule |
|
|
10/10/10
|
The Riverside
Milwaukee, WI |
2 flac |
|
|
AKG 481 (fob) > V3 > MT2496 (16/44.1) |
Tracking in CD Wave / Recorded and seeded by Jeff Frank |
|
|
10/15/10
|
Fox Theater
Oakland, CA |
2 flac |
|
|
Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K>Sound Devices 722 (24/48) |
FOB/DFC/KFC/ZFC/AARP At 2nd Rail, 45' From Stage, 7' High / DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16) / Recorded By: Z-Man / Seeded By: Z-Man |
|
|
10/16/10
|
Fox Theater
Oakland, CA |
2 flac |
|
|
Schoeps MK22>kwon-NOS>KC5>CMC6>V3>KindKables XLR-mini XLR>744T (HPF 0) 24/48 |
Location: FOB/DFC Third drink rail, Stand at 8' / dsp: 744t > wavelab5 > cdwave > wavelab5 > flac(7) / tagging: Flacs tagged with Foobar2000 Live Show Tagger / Recorded by Bennett Schwartz |
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|
10/17/10
|
Fox Theater
Oakland, CA |
2 flac |
|
|
Schoeps MK22>kwon-NOS>KC5>CMC6>V3>KindKables XLR-mini XLR>744T (HPF 0) 24/48 |
Location: FOB/DFC Third drink rail, Stand at 8' / dsp: 744t > wavelab5 > cdwave > wavelab5 > flac(7) / tagging: Flacs tagged with Foobar2000 Live Show Tagger / Recorded by Bennett Schwartz |
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|
10/20/10
|
Grand Sierra Theatre
Reno, NV |
2 flac |
|
|
Source:Schoeps MK22>kwon-NOS>KC5>CMC6>V3>KindKables XLR-mini XLR>744T (HPF 0) 24/48 |
Location: FOB/DFC In soundboard area, Stand at 8' / dsp: 744t > wavelab5 > cdwave > wavelab5 > flac(7) / tagging: Flacs tagged with Foobar2000 Live / Show Tagger / Recorded by Bennett Schwartz |
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|
10/22/10
|
Greek Theatre
Los Angeles, CA |
2 flac |
|
|
Schoeps MK22>kwon-NOS>KC5>CMC6>V3>KindKables XLR-mini XLR>744T (HPF 0) 24/48 |
Location: Section B Row A behind soundboard area seat 110, Stand at 8' / dsp: 744t > wavelab5 > cdwave > wavelab5 > flac(7) / tagging: Flacs tagged with Foobar2000 Live Show Tagger / Recorded by Bennett Schwartz |
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|
10/23/10
|
The Joint at The Hard Rock Hotel & Casino
Las Vegas, NV |
2 flac |
|
|
Schoeps MK22>kwon-NOS>KC5>CMC6>V3>KindKables XLR-mini XLR>744T (HPF 0) 24/48 |
Location: Directly behind soundboard area on the floor, Stand at 8' / dsp: 744t > wavelab5 > cdwave > wavelab5 > flac(7) / tagging: Flacs tagged with Foobar2000 Live Show Tagger / Recorded by Bennett Schwartz |
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|
10/24/10
|
Open Sky Theater
Valley Center, CA |
0 |
|
|
|
|
|
|
10/27/10
|
Verizon Theatre at Grand Prairie
Grand Prairie, TX |
2 flac |
|
|
AKG 483 > Oade ACM PMD-671 |
Location: Section 204, Row FF, Seat 8 / Formation: FOB, DFC, DINa @ 7' / Transfer: PMD-671 > Soundforge 10.0 (fades, resample, MBIT+ dither) > CDWave (tracking) > flac level 6 / Taped and transferred by Lee Hart |
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|
10/29/10
|
UNO Lakefront Arena
New Orleans, LA |
2 flac |
|
|
Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K>Sound Devices 722 (24/48) |
BOB/DFC/KFC/ZFC/AARP, Section T, Row 3, Seat 10, 7' High / DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16) / Recorded By: Z-Man / Seeded By: Z-Man |
|
|
10/30/10
|
UNO Lakefront Arena
New Orleans, LA |
2 flac |
|
|
Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K>Sound Devices 722 (24/48) |
BOB/DFC/KFC/ZFC/AARP, Section T, Row 3, Seat 10, 7' High / DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16) / Recorded By: Z-Man / Seeded By: Z-Man |
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|
10/31/10
|
UNO Lakefront Arena
New Orleans, LA |
2 flac |
|
|
Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K>Sound Devices 722 (24/48) |
BOB/DFC/KFC/ZFC/AARP, Section T, Row 3, Seat 10, 7' High / DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16) / Recorded By: Z-Man / Seeded By: Z-Man |
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|
12/30/10
|
Pepsi Center
Denver, CO |
2 flac |
|
|
Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K>Sound Devices 722 (24/48) |
FOB/DFC/KFC/ZFC/AARP 45' From Stage, 6 1/2' High / DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16) / Recorded By: Z-Man / Seeded By: Z-Man |
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|
12/31/10
|
Pepsi Center
Denver, CO |
2 flac |
|
|
Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K>Sound Devices 722 (24/48) |
FOB/DFC/KFC/ZFC/AARP 45' From Stage, 6 1/2' High / DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16) / Recorded By: Z-Man / Seeded By: Z-Man |
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|
04/01/11
|
Palace Theater
Louisville, KY |
2 flac |
|
|
Schoeps mk41 (DINa) > kcy > Sonosax SX-M2/LS2 > Sony D50 (24/48) |
Location: FOB, Row P, Seat 1, Orch 2 / Transfer: Memory Stick > Sound Studio > xACT > .flac (16/44) |
|
|
Wilco
Approximate hours: 5
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
11/02/02
|
Tampa Theatre
Tampa, FL |
2 shn |
|
|
SBD>Sony SBM-1 (44.1 kHz)>Sony TCD-D8 |
Taped by Jim T. and Aaron B. Thanks to Brian C. for the SBM. Transfer: Sony TCD-D8>Zoltrix Nightingale Pro 6 (S/PDIF on Coax) Software: CoolEdit 2000 (record to HD), CD-Wave (split into tracks), mkw Audio Compression Toolkit (shn) |
|
|
09/15/04
|
Fox Theatre
St. Louis, MO |
1 flac |
|
|
Earthworks SR77 >Lunatec V2 >D100 by Joe Shambro |
Location: Orchestra pit, front row very hard left, mics a/b at stack. / Conversion: D100 > S/PDIF > Digidesign Digi002-r > Protools 6.0 > Peak 3.2 (trackbreaks) > FLAC frontend / Notes: Notes:
- The option was at my seats, 6th row dead center in the pit, with no just monitors and some small Bose front-fills, or further back at FOH in the boomiest room on earth, so I did some negotiation with security and they allowed me to set up immediately in front of a small repeater stack on the hard left side of the pit. Anyone who's been to the Fox knows why this was a good choice, although I'm sure the couple of centered tapes I saw rolling won't be too bad, as there's a pretty nice sweet spot (that's still a little boomy) halfway back. As such, I was very close to the stack, and had the gain on the V2 as low as it could go with the HPF active. There's some distortion that was present in the actual mix (not sure if it was intentional, or just overdriving of the sidefill to try to make up for the boomy room).
- During the last half of the show the V2 low battery light was flashing, so out of paranoia for losing battery power, I switched the V2 off during the encore breaks. Since it didn't really save you any disc space, I left the drop-outs in place. There's also a dropout in crowd noise about an hour and a half into the show as I replaced the D100 batteries. No song material lost, just crowd noise, if this is a problem, I don't know what to say to you. :)
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|
|
04/23/06
|
Charlottesville Pavillion
Charlottesville, VA |
1 flac |
|
|
B&K 4026(ortf) >V3 >744T (fob/dfc) by Craig Davis |
Transfer: 744T > soundforge 7.0 (resample/bit depth) > cdwave > flac by Craig Davis |
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|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/01/08
|
Louisville Slugger Field
Louisville, KY |
1 flac |
|
|
Akg460mods/ck63 hyper caps(bass rolloff)>UA5 preamp>Nomad JB3(Optical In) |
Taper: Rockinman / Location: FOB,Right of Center.Stand at 10 feet / Transfer: JB3-> Firewire-> PC / Processing: No normalization, Waves L3 Volume Maximizer applied using SoundForge 8.0., fade in & fade out applied / Conversion: CD Wave Editor for track splitting and Flac16 Conversion @ level 5 |
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|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/20/02
|
Jammin' Java
Vienna, VA |
2 shn |
|
|
SP-SPSM-4b (2-AT831) >MD-MT90 |
Taper: Chris Webb / Conversion: MDS-JE520 > SB Audigy Platinum (S/PDIF) > CDWav |
|
|
09/12/03
|
Planet Bluegrass
Lyons, CO |
1 shn |
|
|
Neumann KM-254's >Zefiro A/D >D-8 >DA-P1 >Sony ES-700 optical > Soundforge 4.5 >CDR |
Recorded by: Leigh MacKenzie / Tracked by: Chip Russell |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/08/07
|
Wakarusa Music Festival
Lawrence, KS |
1 flac |
|
|
(B+K Matched) ADK TL's (cards) >Segue Dogstar XLR's >bm2p+mod UA-5 >(optical in) JB3 |
Location: FOB, DFC, Mics DIN @ 80 degrees 9 feet up / Transfer: JB3 > firewire > PC > Cool Edit Pro 2.0 (fades, normalize, small bass cut (3-4 db's) > CDWave Editor > Wav > Flac Frontend > Flac / Taped & transferred by Sam Stratton |
|
|
02/11/11
|
The Orange Peel
Asheville, NC |
2 flac |
|
|
Schoeps mk4v's(DINa)>kc5>m222>nt222>744t |
Location: @ SBD/DFC / Transfer: 744t>CD Wave>Wavelab 5>Flac / Taped and Transferred By: Derek Davis |
|
Blues for Etree by Josh Simpson
|
Music
List for
Troy H
