Garcia - 07/22/79
Civic Auditorium, Santa Monica, CA
Civic Auditorium, Santa Monica, CA
Edit Details| Source: | MS?> ? > CD > EAC > SHN |
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| Media Type: | shn |
Media Count: | 1 |
| Source Info: | Reconstruction: hodgepodge of 6/16 and 6/22 material; MS?> ? > CD > EAC > SHN | ||
| Notes: | d1t01 Welcome to the Basement fades in @ very start |
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| Trades Allowed: | Yes | Traded From: | |
| Reference #: | Generation: | 0 |
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| Lists: | |||
Owned by barney rubble · Last Updated Aug 12, 2004
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Edit Show
Set I
Getting Better
Someday Baby
Fast Tone
What I Would Not Do (title is uncertain)
The Jealous Kind
I'll Take a Melody
Someday Baby
Fast Tone
What I Would Not Do (title is uncertain)
The Jealous Kind
I'll Take a Melody
Set II
Tellin' My Friends About You
That's What Love Will Make You Do
Mohican And The Great Spirit
Lovely Night For Dancing
So Far From Time ->
Dear Prudence
That's What Love Will Make You Do
Mohican And The Great Spirit
Lovely Night For Dancing
So Far From Time ->
Dear Prudence
Set III
Comment
Reconstruction
It was reported in 08/2022 that "I can add a couple things for the notes. This was a two set show. The first set started with Getting Better, followed by Someday Baby, Fast Tone, What I Would Not Do (not sure about that song title), The Jealous Kind and I'll Take a Melody. Second set started with Tellin' My Friends.
Also, it was one of rowdiest crowds I ever experienced in a Dead-related setting. There is a complete audience recording of the show, but it's a bit rough."
It was reported in 08/2022 that "I can add a couple things for the notes. This was a two set show. The first set started with Getting Better, followed by Someday Baby, Fast Tone, What I Would Not Do (not sure about that song title), The Jealous Kind and I'll Take a Melody. Second set started with Tellin' My Friends.
Also, it was one of rowdiest crowds I ever experienced in a Dead-related setting. There is a complete audience recording of the show, but it's a bit rough."
Last Changed By
x poordevil
Sources
(11048) View Source
Reconstruction: hodgepodge of 6/16 and 6/22 material; MS?> ? > CD > EAC > SHN
(17257) View Source
Reconstruction: hodgepodge of 6/16 and 6/22 material; MSC > PCM > DAT > CDR > EAC > WAV > MKW > SHNv3, by Dan Carr. Note: textfile incorrectly suggests that this is less complete than the previously circulating .shn set. This looks to be the same material, but without the actual song names, tracked differently, and with a clearer lineage.
(157456) View Source
Reconstruction; flac2496; SBD Master Cass ? > ? > MZ cassette dubbed 9/25/79 > Nakamichi Dragon playback > Tascam DA-3000 (WAV (24/96) > Adobe Audition 2022. Transfer, mastering and editing by David Minches, June 2022. Pitch diagnosis by AF.
(158053) View Source
Reconstruction; flac16; Recorded by The Los Angeles tape eXchange (LAX); Source: 2 Sennheiser MKH-404 tu mics (handheld, about 4 ft. separation) > Teac PC-10 w Dolby B using (2) TDK SA-90 cassettes and sitting in the center section, 7th row near the isle on the left; Transfer (August 24, 2022): Nakamichi CR7A (w Dolby B, azimuth alignment and 70usec Bias) > Korg MR2000s @ 5.6 MHz DSDIFF AudioGate (24-96) > iZotope RX8 advanced & Har-Bal 3.7 (clean-up & prep) > Adobe Audition 3.0 (pitch bender) > CD Wave > TLH
(158054) View Source
Reconstruction; flac24; Recorded by The Los Angeles tape eXchange (LAX); Source: 2 Sennheiser MKH-404 tu mics (handheld, about 4 ft. separation) > Teac PC-10 w Dolby B using (2) TDK SA-90 cassettes and sitting in the center section, 7th row near the isle on the left; Transfer (August 24, 2022): Nakamichi CR7A (w Dolby B, azimuth alignment and 70usec Bias) > Korg MR2000s @ 5.6 MHz DSDIFF AudioGate (24-96) > iZotope RX8 advanced & Har-Bal 3.7 (clean-up & prep) > Adobe Audition 3.0 (pitch bender) > CD Wave > TLH
(11048) View Source
Reconstruction: hodgepodge of 6/16 and 6/22 material; MS?> ? > CD > EAC > SHN
(17257) View Source
Reconstruction: hodgepodge of 6/16 and 6/22 material; MSC > PCM > DAT > CDR > EAC > WAV > MKW > SHNv3, by Dan Carr. Note: textfile incorrectly suggests that this is less complete than the previously circulating .shn set. This looks to be the same material, but without the actual song names, tracked differently, and with a clearer lineage.
(157456) View Source
Reconstruction; flac2496; SBD Master Cass ? > ? > MZ cassette dubbed 9/25/79 > Nakamichi Dragon playback > Tascam DA-3000 (WAV (24/96) > Adobe Audition 2022. Transfer, mastering and editing by David Minches, June 2022. Pitch diagnosis by AF.
(158053) View Source
Reconstruction; flac16; Recorded by The Los Angeles tape eXchange (LAX); Source: 2 Sennheiser MKH-404 tu mics (handheld, about 4 ft. separation) > Teac PC-10 w Dolby B using (2) TDK SA-90 cassettes and sitting in the center section, 7th row near the isle on the left; Transfer (August 24, 2022): Nakamichi CR7A (w Dolby B, azimuth alignment and 70usec Bias) > Korg MR2000s @ 5.6 MHz DSDIFF AudioGate (24-96) > iZotope RX8 advanced & Har-Bal 3.7 (clean-up & prep) > Adobe Audition 3.0 (pitch bender) > CD Wave > TLH
(158054) View Source
Reconstruction; flac24; Recorded by The Los Angeles tape eXchange (LAX); Source: 2 Sennheiser MKH-404 tu mics (handheld, about 4 ft. separation) > Teac PC-10 w Dolby B using (2) TDK SA-90 cassettes and sitting in the center section, 7th row near the isle on the left; Transfer (August 24, 2022): Nakamichi CR7A (w Dolby B, azimuth alignment and 70usec Bias) > Korg MR2000s @ 5.6 MHz DSDIFF AudioGate (24-96) > iZotope RX8 advanced & Har-Bal 3.7 (clean-up & prep) > Adobe Audition 3.0 (pitch bender) > CD Wave > TLH
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Cached: Sat, 27 Apr 2024 11:40:38 EDT