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Phish - 12/31/99
Big Cypress Seminole Reservation, Big Cypress, FL
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Source:

FOB Neumann U89(omni Setting) Split 12' -> Apogee AD1000>44.1k master
Media Type:

SHN

 Media Count:

5
Source Info: afternoon and evening sets; FOB Neumann U89 (omni Setting) Split 12' > Apogee AD1000; Conversion: E. Pearson: DAT (44.1k master) >Montego II Plus >HD via Soundforge >CDWav >Plextor 820; d5t1 ~2:30 crackles apparently fireworks; left channel louder than right; see Rattie's archiving tips for Neumann 12/30,31
Notes:

12-31-99
Big Cypress Reservation

Source: Neumann U89(omni Setting) Split 12' -> Apogee AD1000
FOB

44.1k master

Coversion: Eric Pearson
Lineage: DAT->Montego II Plus->HD via Soundforge->CDWav->Plextor 820

Afternoon Set:
Disc 1:
1. Runaway Jim
2. Funky Bitch
3. Tube
4. I Didn't Know*
5. Punch You in the Eye
6. Bouncing Around the Room
7. Poor Heart
8. Roggae

Disc 2:
1. Split Open & Melt** ->
2. Catapult
3. Get Back on the Train
4. Horn
5. Guyute
6. After Midnight***

Midnight->Sunrise Set****:
Disc 3:
1. Meatstick^ ->
2. Auld Lang Syne
3. Down with Disease ->
4. Llama
5. Bathtub Gin^^

Disc 4:
1. Trey Rap
2. Heavy Things^^^
3. Twist Around ->
4. Prince Caspian ->
5. Rock & Roll

Disc 5:
1. You Enjoy Myself%
2. Crosseyed & Painless
3. Minestrone%%

Disc 6:
1. Sand ->
2. Quadrophonic Topplings%%%
3. Slave to the Traffic Light
4. Albuquerque

Disc 7:
1. Reba
2. Axilla
3. Uncle Pen
4. David Bowie
5. My Soul

Disc 8:
1. Page/Mike Intro to Drowned
2. Drowned ->
3. After Midnight reprise
4. The Horse >
5. Silent in the Morning
6. Bittersweet Motel
7. Piper** ->
8. Free

Disc 9:
1. Lawn Boy
2. HYHU -> Love You%%%% -> HYHU
3. Roses are Free

Disc 10:
1. Bug
2. Harry Hood intro tease -> Also Sprach Zarathustra ->
3. Wading in the Velvet Sea
4. Meatstick$


* - with Jon (coming from sunny Florida to sunny Florida, "Soda Jerk")
on vacuum
** - unfinished
*** - J.J. Cale cover from the album "Naturally" best known for the
Eric Clapton version; first time played
**** - (11:35pm) Set began with Father Time on stage pedalling away at
a stationary bike, powering a large clock, the sound of the
gears are heard over the PA. At approximately 11:50pm Father
Time collapsed from exhaustion and the clock stops. At this
time a fan boat was heard from a set of speakers in the back
corner of the concert field and a large fan boat entered the
field from halfway back, stage right. After crossing 1/4th of
the field the sides and top of the fan boat were blown off to
reveal the band riding in the hot dog from the 1994 NYE show.
The hotdog crossed the concert field and the approached the
stage as the band threw lei's and other goodies into the crowd.
As the hot dog neared the stage, an instrumental version of
"Meatstick" came over the PA. Once the hotdog reached the stage,
the band disembarked carrying several meatsticks which were fed
to Father Time, reviving him so that the clock could continue
moving towards midnight.
^ - instrumental version with the band picking up the song from a
pre-recorded version played over the PA for the last 45 seconds of
the year
^^ - with vocal/instrumental jam as Trey, Mike and Page sang the notes
as they played them
^^^ - recorded live for ABC TV's Millennium coverage (aired between
3:15 and 3:30am EST); Trey instructed the crowd to chant the word
"Cheesecake" rather than clap and cheer at the close of the song
in an attempt to confuse the TV viewers (similar to the "secret
language" additions for the 1992 NYE show); Trey introduced the
band for the recorded footage and offered a message of peace and
love for the world about the importance of the
left lane of the highway being the passing lane
% - with "Cheesecake" vocal jam
%% - Trey solo acoustic
%%% - from "The Siket Disc" with Mike holding up a voice box repeating
the phrase "Quadrophonic Toppling"
%%%% - with Jon on vacuum; Jon introduced Page before the song and Mike
and Trey afterwards, and the band as being Phish 2000
$ - no encore; post-show music over the PA was the Beatles "Here Comes
the Sun"
Trades Allowed: Yes Traded From:

Reference #:

Generation:

0
Lists:
Owned by Thomas Frank · Last Updated May 19, 2006


Phish 12/31/99
Big Cypress Seminole Reservation, Big Cypress, FL
Add Source    Reviews    List Collectors    Add to Collection    I Was There    Add to Want List    Wanted By    History    Edit Show
Set I
Runaway Jim
Funky Bitch
Tube
I Didn't Know
Punch You In The Eye
Bouncing Around The Room
Poor Heart
Roggae
Split Open & Melt >
Catapult
Back On The Train
Horn
Guyute
After Midnight*
Set II
Meatstick >
Auld Lang Syne
Down With Disease >
Llama
Bathtub Gin
Heavy Things
Twist Around >
Prince Caspian >
Rock & Roll
You Enjoy Myself
Crosseyed & Painless
The In-Law Josie Wales
Sand ->
Quadrophonic Topplings
Slave To The Traffic Light
Albuquerque
Reba
Axilla
Uncle Pen
David Bowie
My Soul
Drowned >
After Midnight Reprise
The Horse >
Silent In The Morning
Bittersweet Motel
Piper >
Free
Lawn Boy
HYHU >
Love You >
HYHU
Roses Are Free
Bug
Also Sprach Zarathustra >
Wading In The Velvet Sea
Meatstick
Set III
 
Comment
* First Time Played
Last Changed By Shawnee
Sources
(960) View Source   
afternoon and evening sets; FOB Neumann U89 (omni Setting) Split 12' > Apogee AD1000; Conversion: E. Pearson: DAT (44.1k master) >Montego II Plus >HD via Soundforge >CDWav >Plextor 820; d5t1 ~2:30 crackles apparently fireworks; left channel louder than right; see Rattie's archiving tips for Neumann 12/30,31
(961) View Source   
afternoon set; B&K 4011, 6-7 foot split aimed at each stack> Lunatec V2> Apogee A/D 500, position just to the left of the Earthworks; Conversion: DA302> ZA2> CD; taped? (or by Ron?) and mastered by S. Fry; note Poor Heart is in Bouncin track d1t6; some fades between songs, but only dead spaces removed
(962) View Source   
afternoon set; Earthworks SR-77> Lunatec V2> ADC-20> DA-P1 & M1 (concurrent); from front row, stage left corner of tapers; DAT > CD > SHN: PCM-R500 > Audiomedia III/Powermac G3/233 > Pro Tools 4.3.2 Panasonic 7502 (burn/extract); via M. Vernal
(964) View Source   
evening set, aka "ph2000-01-01"; Earthworks SR-77 > Lunatec V2 > ADC-20 > DA-P1 & M1 (concurrent); Location: Front row, stage left corner of tapers; DAT > CD > SHN: PCM-R500 > Audiomedia III/Powermac G3/233 > Pro Tools 4.3.2; Panasonic 7502 (burn/extract); taped and mastered by M. Vernal; no music missing; d4t1 ~:23 noise is fireworks; alternate tracking using 6 discs, with 2x80 and an overburn
(966) View Source   
AKG480 (Omni), 12' split -> Lunatec V2 -> ADC-20 -> DA-P1 -> digi patch DA-P1, stage left TS; DAT -> SHN: DA-P1 -> 128bit Yamaha Sound Card -> Cool Edit Pro 1.2; via D. McDowell; notes: track breaks not on sectors, but at 0dB spots, ~5 min missing of the start of the tick-tocking, very beginning of Albuquerque spliced in from another source; circulated with 12/30 (d1-5 of the shn set)
(21760) View Source   
"From the Archives #4, Part II;" FM/pre-FM > DAT; DAT > CDR > EAC (secure) > SHNv3; DAT>CDR transfer by Kevin Shapiro; SHN Conversion by Jim Raras
(74677) View Source   
Schoeps mk21H + mk8 > KCY 250/5 > vmso2ib > SBM-1
(76533) View Source   
(FOB) Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Apogee AD-1000 > Sony D100 (@ 44.1 kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, splices) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel
(98248) View Source   
Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Sony TCD-D100 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > Samplitude SE v9.1.1 (fades, level adjustments, track splits, splices, resample to 44.1 kHz) > FLAC v1.2.1 (Level 8); Taped by Eliot Byron; Transferred by Jason Sobel (NOTE: both 44.1 kHz and 48 kHz versions are available)
(106552) View Source   
[midnight set only] - (FOB) Schoeps MK4V > KC5 actives > CMC6 > Lunatec V2 > Apogee AD1000 @ 48khz; Sony D8 > Firewire Audiophile > Samplitude 24/96 (downsampled on highest setting) > CD Wave > FLAC; Transferred by Jeff Patton
(123836) View Source   
flac16; (FOB) AKG 460b/ck8 > Lunatec V2 > Sony SBM-1 > Sony TCD-D8; Sony PCM-R500 > Marantz PMD-661 > cd wave > tlh (16b/48khz); Taped by JK; Transferred by John M.
(131440) View Source   
flac16, 44kHz; (FOB/omni/split 12') Neumann u89's > Apogee AD-1000 > DAT(c); DAT(c) > Sony PCM-R500 > SPDIF > Tascam HD-P2 > CDWave > FLAC; Source by Eric Pearson; DAT(c) provided by Gordon Wilson; Transfer by Terry Watts
(132492) View Source   
flac16, 44kHz; ProShot VHS Soundboard > "Restoration and Remastering" > FLAC; Transfer by BigCypressNYE
(138124) View Source   
flac16 44.1kHz Neumann U89(FOB/Omni/Split 12’) > Apogee AD1000; Sony 59ES > Optical > Audacity 44.1 (MacMini)
(138529) View Source   
flac16 44.1khz Neumann U89i(FOB/Omni/Split 12’/65-70’Back/65”Up/PAS approx. 30degrees) > Apogee AD1000 @ 44.1k > Tascam DA-P1 Transfer: DAT/c > Tascam DA-20 MKII > SPDIF > MacMini(Audacity) > xACT(FLAC/TAG) 16/441 Transfer/Seed: DiGiHoArDeRs: 6/6/17 DATs Provided by: Matt Lazor & funk_lin
(151747) View Source   
flac16, 48kHz; B&K 4011 > Lunatec V-2 > Apogee A/D500e > Tascam DA-P1 @48K; Tascam DA-20 MK II > Fostex FR-2LE (Oade Mod); wav > Audacity > xACT(FLAC/TAG); Taped by Ron Dalton and Transferred by DiGiHoArDeRs (1/30/2021)
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Cached: Fri, 26 Apr 2024 12:31:01 EDT