Sources

(960) View Source
afternoon and evening sets; FOB Neumann U89 (omni Setting) Split 12' > Apogee AD1000; Conversion: E. Pearson: DAT (44.1k master) >Montego II Plus >HD via Soundforge >CDWav >Plextor 820; d5t1 ~2:30 crackles apparently fireworks; left channel louder than right; see Rattie's archiving tips for Neumann 12/30,31

(961) View Source
afternoon set; B&K 4011, 6-7 foot split aimed at each stack> Lunatec V2> Apogee A/D 500, position just to the left of the Earthworks; Conversion: DA302> ZA2> CD; taped? (or by Ron?) and mastered by S. Fry; note Poor Heart is in Bouncin track d1t6; some fades between songs, but only dead spaces removed

(962) View Source
afternoon set; Earthworks SR-77> Lunatec V2> ADC-20> DA-P1 & M1 (concurrent); from front row, stage left corner of tapers; DAT > CD > SHN: PCM-R500 > Audiomedia III/Powermac G3/233 > Pro Tools 4.3.2 Panasonic 7502 (burn/extract); via M. Vernal

(964) View Source
evening set, aka "ph2000-01-01"; Earthworks SR-77 > Lunatec V2 > ADC-20 > DA-P1 & M1 (concurrent); Location: Front row, stage left corner of tapers; DAT > CD > SHN: PCM-R500 > Audiomedia III/Powermac G3/233 > Pro Tools 4.3.2; Panasonic 7502 (burn/extract); taped and mastered by M. Vernal; no music missing; d4t1 ~:23 noise is fireworks; alternate tracking using 6 discs, with 2x80 and an overburn

(966) View Source
AKG480 (Omni), 12' split -> Lunatec V2 -> ADC-20 -> DA-P1 -> digi patch DA-P1, stage left TS; DAT -> SHN: DA-P1 -> 128bit Yamaha Sound Card -> Cool Edit Pro 1.2; via D. McDowell; notes: track breaks not on sectors, but at 0dB spots, ~5 min missing of the start of the tick-tocking, very beginning of Albuquerque spliced in from another source; circulated with 12/30 (d1-5 of the shn set)

(21760) View Source
"From the Archives #4, Part II;" FM/pre-FM > DAT; DAT > CDR > EAC (secure) > SHNv3; DAT>CDR transfer by Kevin Shapiro; SHN Conversion by Jim Raras

(74677) View Source
Schoeps mk21H + mk8 > KCY 250/5 > vmso2ib > SBM-1

(76533) View Source
(FOB) Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Apogee AD-1000 > Sony D100 (@ 44.1 kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, splices) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel

(98248) View Source
Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Sony TCD-D100 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > Samplitude SE v9.1.1 (fades, level adjustments, track splits, splices, resample to 44.1 kHz) > FLAC v1.2.1 (Level 8); Taped by Eliot Byron; Transferred by Jason Sobel (NOTE: both 44.1 kHz and 48 kHz versions are available)

(106552) View Source
[midnight set only] - (FOB) Schoeps MK4V > KC5 actives > CMC6 > Lunatec V2 > Apogee AD1000 @ 48khz; Sony D8 > Firewire Audiophile > Samplitude 24/96 (downsampled on highest setting) > CD Wave > FLAC; Transferred by Jeff Patton

(123836) View Source
flac16; (FOB) AKG 460b/ck8 > Lunatec V2 > Sony SBM-1 > Sony TCD-D8; Sony PCM-R500 > Marantz PMD-661 > cd wave > tlh (16b/48khz); Taped by JK; Transferred by John M.

(131440) View Source
flac16, 44kHz; (FOB/omni/split 12') Neumann u89's > Apogee AD-1000 > DAT(c); DAT(c) > Sony PCM-R500 > SPDIF > Tascam HD-P2 > CDWave > FLAC; Source by Eric Pearson; DAT(c) provided by Gordon Wilson; Transfer by Terry Watts

(132492) View Source
flac16, 44kHz; ProShot VHS Soundboard > "Restoration and Remastering" > FLAC; Transfer by BigCypressNYE

(138124) View Source
flac16 44.1kHz Neumann U89(FOB/Omni/Split 12’) > Apogee AD1000; Sony 59ES > Optical > Audacity 44.1 (MacMini)

(138529) View Source
flac16 44.1khz Neumann U89i(FOB/Omni/Split 12’/65-70’Back/65”Up/PAS approx. 30degrees) > Apogee AD1000 @ 44.1k > Tascam DA-P1 Transfer: DAT/c > Tascam DA-20 MKII > SPDIF > MacMini(Audacity) > xACT(FLAC/TAG) 16/441 Transfer/Seed: DiGiHoArDeRs: 6/6/17 DATs Provided by: Matt Lazor & funk_lin

(151747) View Source
flac16, 48kHz; B&K 4011 > Lunatec V-2 > Apogee A/D500e > Tascam DA-P1 @48K; Tascam DA-20 MK II > Fostex FR-2LE (Oade Mod); wav > Audacity > xACT(FLAC/TAG); Taped by Ron Dalton and Transferred by DiGiHoArDeRs (1/30/2021)

Reviewing User	Review	Rate Review Poor\|Neutral\|Good
Phalls420	WOW! I made it through this one and feel like it may have been the climax of all lifes experiences.	\| \|
John Peters	Awesome show...great jams...Especially Crosseyed, Rock and Roll and a huge Roses. Lots of fun at this festival	\| \|
brent owens	Sweet! Had to be there, nothing much more to say.	\| \|
Peterphan	My 26th show!!! Jammed on the ice pyramid for hours on end, slipping and sliding, grooving and gliding. Saw many people eat it on this pyramid. We were told that the lights surrounding it were for when they played Glide or It's Ice but they never busted out either, wonder why!!!!!!!!!	\| \|
Paul		\| \|
Alex Tamargo	The greatest concert experience of my life. If you weren't there, then unfortunatley the magic that happened that night can never ever be translated to disc. However, the endless string of incredible jams does. The Crosseyed, Sand, and Roses are just some of the many many incredible highlights of this show.	\| \|
Oregonzo	holy mother&%#$in' s*%t! what a show	\| \|
Dan Niggemann	One of those "had to be there experiencing it" deals. Dont think it was the best music at all. Just being there was enough though. Best time of my life that New Years! Thats enough for me.	\| \|
James Benton		\| \|
Ryan Grice	One of the top 3 sets I've ever seen and I'm not talking about the long one - SOOOO much energy and the After Midnight closer was the smokin'est, hottest set closer I've ever seen, bar none... as for the rest of the night... well... the highlight was these 2 chodes sitting behind us, DUDES, singing the lyrics to Bittersweet Motel like they were the friggin' boys choir... it was annoying at first and then just got to be downright hilarious... that was about the only thing that kept us awake... a great idea, playing all night, but there was NOTHING notable except for long jams... a real disappointment (but the 1st set was INSAAAAAANNNE!!!)	\| \|
Dragonfly	Yep, I was there. Yep, I smoked and drank a little too much and kept nodding out during the all night marathon. I tried staying on my feet but every once in a while I'd wake up and find myself on the ground. Where's the coffee? What I managed to stay awake through was great. Reba was spectacular.	\| \|
goodwin	What can you say about this show that hasn't been said before. The craziest time I've ever had. The traffic was miserable, but negligble due to the ammount of fun that was had that weekend. I was so paranoid about y2k I thought some guy rushing through the crowd to the stage with a box was some loony hippie with a bomb. I might have smoked too much that night. I wish I could get some more of that Seminole bread, that's all I know. Best shit on the planet. The sound from this source is incredible.	\| \|
JJ Grosser	Words can't do this justice!!!! Best show of ALL TIME...NO QUESTION	\| \|
bood	superman	\| \|
BoonRogers		\| \|
Stuart Gerber		\| \|
artaphishul		\| \|
iowataper		\| \|
dubiyus		\| \|
Jonny B.		\| \|
Nate		\| \|
Kent Blodgett		\| \|
Elliott		\| \|
Miha the Phee	THE SHOW	\| \|
shawn		\| \|
Miha The Fee	THE SHOW! 'nuff said!!!	\| \|
Dan		\| \|
David		\| \|
Dave		\| \|
Time Traveler		\| \|
Harry Hood		\| \|
Greg		\| \|
mike toda		\| \|