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Grateful Dead - 12/28/84
San Francisco Civic Auditorium, San Francisco, CA
Edit Details
Source:

Audience with Aud audio upgrade - 2nd set only
Media Type:

DVD5

 Media Count:

2
Source Info: flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
Notes:

Brokedown House Production using a David Minor video and audio upgrade. Originally seeded at LL on 7/3/12 (2 torrents have been consolidated below) Old Set2a and Old Set2b Seeded at TTD 7/3/12 TTD seeding Consolidated at LL on 7/21/18 New LL Seed

Tech Notes:

The Grateful Dead
San Francisco Civic Center
San Francisco, California
December 28, 1984
Single Camera Audience Shot

DVD 1
Set 2 (start)

China Cat Sunflower>
I Know You Rider
Looks Like Rain
He's Gone>
Spoonful>
Drums>

DVD2
Set 2 (end)
Drums >
Space>
The Other One>
Wharf Rat>
Sugar Magnolia
Sunshine Daydream/Encore Break

Encore:
Day Tripper

Video Source Information:
From Dave Minor Archieve > DVD Recorder

Audio Source Information:
Shnid = 118250
Master Audience Recorded By Mr. Darby
SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic
Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48
HDD>Amadeus Pro (Tracking/Fades/FLAC8)
Tracks Renamed/Metadata Tagging With AudioGate Software By Keo

Comments:A Huge thanks out to Mr. Darby for recording
and sharing his source for this show!
As always ENJOY!
Notes
-Video assets courtesy of David Minor via Greyful Dave and have not been altered.
-AUD audio courtesy of the Archive.Org
-Audio synchronization by Kevin Tobin using Adobe Audition to
compress/expand the audio in multitrack mode to match the original audio.
-Video patches created with Ulead VideoStudio 11 by Kevin Tobin.
-Multiplexing via TMPGEnc MPEG Editor by Kevin Tobin.
-DVD authoring via DVD Architect 5.2 by Kevin Tobin.

Video\Audio Patches:
None that I'm going to mention

Video Attribute :
Video compression mode : MPEG-2
TV system : 525/60 (NTSC)
Aspect Ratio : 4:3
Display Mode : reserved
Source picture resolution : 720x480
Frame Rate : 29.99
Source picture letterboxed : Not letterboxed
Bitrate : 9.600 Mbps
Menu : Yes (song list on separate menu)

Audio Attribute :
Number of Audio channels : 2
Number of Audio streams : 1
Audio Coding mode: Linear PCM audio
Sampling Rate : 48kHz 1536Kbps

Brokedown House Production

Do NOT buy or sell this video
J-Card Comment:

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Trades Allowed: Yes Traded From:

Reference #:

Generation:

0
Lists:
Owned by Kevin Tobin Videos · Last Updated Jul 23, 2018


Grateful Dead 12/28/84
San Francisco Civic Auditorium, San Francisco, CA
Add Source    List Collectors    Add to Collection    I Was There    Add to Want List    Wanted By    History    Edit Show
Set I
Touch Of Grey
Greatest Story Ever Told
Dire Wolf
Tons Of Steel
Down In The Bottom >
I Ain't Superstitious
Dupree's Diamond Blues
Me & My Uncle >
Mexicali Blues
West L.A. Fadeaway >
Might As Well
Set II
China Cat Sunflower >
I Know You Rider
Looks Like Rain
He's Gone >
Spoonful >
Drums >
Space >
The Other One >
Wharf Rat >
Sugar Magnolia

Encore:
Day Tripper
Set III
 
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(16584) View Source    View Archive
Audience cassette > ? > DAT > CDR > SHN
(80953) View Source    View Archive
flac16; Source: MAC: Sennheiser 421s > Sony D5 > Sony D5 > Maxell MX 90s Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Location: 1st row balcony lip, DEAD Center Taper: Adam Transfer: MAC: Nakamichi CD2(played back on type IV setting, azimuth adjusted) > rca/xlr > Luntec V3 > coax > Audiophile 2496 > CEP 2.0 > Trader's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, conversion and upload to bt.etree.org by Alex Ford.
(105002) View Source    View Archive
flac16; TAPER: Greg Holtz & Tony Bolton SOURCE: Front Row OTS, Nakamichi CM-100s w/CP-4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell Metalxial MX 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename
(106103) View Source    View Archive
flac16; Sennheiser 441 > Sony TCD5-M > Maxell MX CM>Nakamichi CR7A > Edirol R4Pro (Oade Preamp Mod ) > WaveBurner > xACT > FLAC
(118249) View Source    View Archive
flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
(118250) View Source    View Archive
flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
(132495) View Source    View Archive
flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dan McDonald
(140168) View Source    View Archive
flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496; This is a 16/44 fileset. 24 bit to 16 bit via dBpoweramp
(140169) View Source    View Archive
flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496
(142611) View Source    View Archive
flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
(148397) View Source    View Archive
flac16/48kHz; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
(148398) View Source    View Archive
flac24; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
(151175) View Source    View Archive
flac16/44.1khz Source: Master AUDCA: Beyer M88's XY > 3rd Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck run by TP. Location: 140 feet from stage 5 ft LOC (front corner of OTS, left of SBD) Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
(151176) View Source    View Archive
flac24/48khz Source: Master AUDCA: Beyer M88's XY > 3rd Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck run by TP. Location: 140 feet from stage 5 ft LOC (front corner of OTS, left of SBD) Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
(151177) View Source    View Archive
flac16/44.1khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head, 4' pressure plates behind ears > lead Sony TCD5M > Maxell MX 90s No Dolby -lead deck run by CK. Location: 10th row balcony 125 feet from stage DFC on axis with top stack of speakers Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
(151178) View Source    View Archive
flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head, 4' pressure plates behind ears > lead Sony TCD5M > Maxell MX 90s No Dolby -lead deck run by CK. Location: 10th row balcony 125 feet from stage DFC on axis with top stack of speakers Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
(152227) View Source    View Archive
flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
(152228) View Source    View Archive
flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
(167387) View Source    View Archive
flac1644 analog audience recording gen: master tapes taper: mossa -: NAK shotgun mics (CM 300??) -> Sony TCD5-M -> TDK MA-R 90 tapes (thanks to Bob Alongi) transfer: master tapes -> Sony TDC5-M -> Fostex DAT (standalone) -> CD -> EAC -> Adobe Audition -> CDWave -> TLH (flac) digital transfer/edit by mossa 2024-04 (16-44)
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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