Grateful Dead - 12/28/84
San Francisco Civic Auditorium, San Francisco, CA
Source:

Single Camera Audience shot with multiple audio upgrade
Second Set only YouTube

Media Type:

BD

Media Count:

1

Source Info: flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
Notes:

Brokedown House Production with a video provided by Ian and Jeff - Seeded at LL 02/06/19 LL Seed Seeded at TTD 02/06/19 TTD Seed

Tech Notes:

Grateful Dead
December 28, 1984

San Francisco Civic Auditorium
San Francisco, CA

Brokedown House Production

Taped by Jeff & Ian
Tape Provided by Ian
Capture & Edit by P.Togos
Synch & Author by Kevin Tobin


Set 2
China Cat Sunflower
I Know You Rider
Looks Like Rain
He's Gone
Spoonful
Drums
Space
The Other One
Wharf Rat
Sugar Magnolia
Sunshine Daydream
Day Tripper

Notes:
Occasional white flash
00:00:00-00:00:36 - Filled With Graphics
00:51:48-00:52:48 - Filled With Graphics

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums


Video: AUD (Tripod) > 1st Gen VHS (Fuji T-120)
Transfer: VHS 1st Gen > Panasonic AG-7150 > Canopus ADVC-300 > Firewire > HD > Sony Vegas 9 (.avi) > MPEG2 > TMPGEnc MPEG Editor 2.0 > TTMPGEnc Authoring Works 6 > Bluray
[NTSC, 4:3, 25.0 Mbs, 720x480, 29.97 fps]

Audio Information:
Audio Track 1
: SBD
(shnid = 142611)

Recording Info:
SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k)

Transfer Info:
Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 >
Samplitude Pro X3 Suite > FLAC/48k

All Transfers and Mastering by Charlie Miller
July 11, 2018

Notes:
-- Thanks to Rob Eaton for the Dats
-- Thanks to Robert Bryant and Scott Clugston for the patch source
-- Thanks to Joe B. Jones for the pitch correction settings
-- The patch source was remastered to better match the soundboard
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

Audio Track 2: Matrix
shnid = no shnid
SBD + AUD Matrix 2 Source Mix
[LPCM, 2.3 Mbs, 16 Bit, 48 kHz]

Audio Track 3: 5.1 LPCM Surround Sound
shnid = no shnid
[LPCM, 4.6Mbs, 16 Bit, 48 kHz]

Audio Track 4 : DTS 5.1
shnid = no shnid
DTS-Audio-48khz 5.1 Mix
You need a 5.1 dts complient system with digital connection to your blu-ray/dvd player.
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

NOTE: Track 2/3/4 for Set 3 are a combination of the Audio Track 1 (SBD) listed above and this audience:
AUD (shnid = 140169)

Recording Info:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90)

Transfer Info:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >
KORG AudioGate 4 > Adobe Audition 3.0 > flac2496

Notes:
- Thanks to Robert Bryant for the master cassette source (patched out of the Oade brothers)
- Thanks to Charlie Miller for the transfer
- Thanks to the folks responsible for the shnid132495 Schoeps PCM source which supplies the crowd and noodle into "Down In The Bottom (I Ain't Superstitious)"(0:33 total), as well as a 0:18 patch in "Drums"
- Other One space included in "The Other One"
- Between song transitions smoothed

Mastered by Scott Clugston
December 8, 2017

J-Card Comment:

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Trades Allowed: Yes Traded From:

Reference #:

Generation:

0

Lists:
Owned by Kevin Tobin Videos · Last Updated Feb 8, 2019


Grateful Dead 12/28/84
San Francisco Civic Auditorium, San Francisco, CA
Set I
Touch Of Grey
Greatest Story Ever Told
Dire Wolf
Tons Of Steel
Down In The Bottom >
I Ain't Superstitious
Dupree's Diamond Blues
Me & My Uncle >
Mexicali Blues
West L.A. Fadeaway >
Might As Well
Set II
China Cat Sunflower >
I Know You Rider
Looks Like Rain
He's Gone >
Spoonful >
Drums >
Space >
The Other One >
Wharf Rat >
Sugar Magnolia

Encore:
Day Tripper
Set III
 
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(16584) View Source    View Archive
Audience cassette > ? > DAT > CDR > SHN
(80953) View Source    View Archive
flac16; Source: MAC: Sennheiser 421s > Sony D5 > Sony D5 > Maxell MX 90s Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Location: 1st row balcony lip, DEAD Center Taper: Adam Transfer: MAC: Nakamichi CD2(played back on type IV setting, azimuth adjusted) > rca/xlr > Luntec V3 > coax > Audiophile 2496 > CEP 2.0 > Trader's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, conversion and upload to bt.etree.org by Alex Ford.
(105002) View Source    View Archive
flac16; TAPER: Greg Holtz & Tony Bolton SOURCE: Front Row OTS, Nakamichi CM-100s w/CP-4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell Metalxial MX 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename
(106103) View Source    View Archive
flac16; Sennheiser 441 > Sony TCD5-M > Maxell MX CM>Nakamichi CR7A > Edirol R4Pro (Oade Preamp Mod ) > WaveBurner > xACT > FLAC
(118249) View Source    View Archive
flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
(118250) View Source    View Archive
flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
(132495) View Source    View Archive
flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dan McDonald
(140168) View Source    View Archive
flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496; This is a 16/44 fileset. 24 bit to 16 bit via dBpoweramp
(140169) View Source    View Archive
flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496
(142611) View Source    View Archive
flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
(148397) View Source    View Archive
flac16/48kHz; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
(148398) View Source    View Archive
flac24; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
(151175) View Source    View Archive
flac16/44.1khz Source: Master AUDCA: Beyer M88's XY > 3rd Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck run by TP. Location: 140 feet from stage 5 ft LOC (front corner of OTS, left of SBD) Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
(151176) View Source    View Archive
flac24/48khz Source: Master AUDCA: Beyer M88's XY > 3rd Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck run by TP. Location: 140 feet from stage 5 ft LOC (front corner of OTS, left of SBD) Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
(151177) View Source    View Archive
flac16/44.1khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head, 4' pressure plates behind ears > lead Sony TCD5M > Maxell MX 90s No Dolby -lead deck run by CK. Location: 10th row balcony 125 feet from stage DFC on axis with top stack of speakers Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
(151178) View Source    View Archive
flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head, 4' pressure plates behind ears > lead Sony TCD5M > Maxell MX 90s No Dolby -lead deck run by CK. Location: 10th row balcony 125 feet from stage DFC on axis with top stack of speakers Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
(152227) View Source    View Archive
flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
(152228) View Source    View Archive
flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
(167387) View Source    View Archive
flac1644 analog audience recording gen: master tapes taper: mossa -: NAK shotgun mics (CM 300??) -> Sony TCD5-M -> TDK MA-R 90 tapes (thanks to Bob Alongi) transfer: master tapes -> Sony TDC5-M -> Fostex DAT (standalone) -> CD -> EAC -> Adobe Audition -> CDWave -> TLH (flac) digital transfer/edit by mossa 2024-04 (16-44)
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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