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Set I
Mississippi Half Step Uptown Toodleloo >
Feel Like A Stranger >
Franklin's Tower
Walkin' Blues
When Push Comes To Shove
Queen Jane Approximately
Blow Away >
Promised Land
Feel Like A Stranger >
Franklin's Tower
Walkin' Blues
When Push Comes To Shove
Queen Jane Approximately
Blow Away >
Promised Land
Set II
China Cat Sunflower >
I Know You Rider >
Playing In The Band >
Terrapin Station >
Drums >
Space >
I Will Take You Home >
All Along The Watchtower >
Morning Dew
One More Saturday Night
I Know You Rider >
Playing In The Band >
Terrapin Station >
Drums >
Space >
I Will Take You Home >
All Along The Watchtower >
Morning Dew
One More Saturday Night
Set III
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By
OBIE
Sources
(430) View Source
View Archive
Matrix DSBD (Panasonic 3800)> CD (HHB CDR800)> EAC> SHN; Known Flaws - 1 sec. d/o @1:52 & 5 sec. d/o @2:46-2:51 during Space (d2t6) - some clipping on the left channel due to drums and bass being too high in the SBD mix. The master has this flaw as well; via A. Jerugim
(80277) View Source
View Archive
flac16; Source: Dan Healy's Matrix Mix -> MSC -> PCM -> DAT(x2) Transfer: Panasonic SV-3800 -> Optical out -> M-Audio CO2 -> Apogee S/PDIF -> M-Audio 1010LT. Recorded in Samplitude v.8.01 (24/48) Re-Mastered: Wavelab v.5. -> CD Wave -> FlacFrontend Level 8
(82405) View Source
View Archive
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(102457) View Source
View Archive
flac16; TAPER: Greg Holtz SOURCE: Nakamichi CM-100 mics with CP-1 caps -> Sony WM-D6 TRANSFER: By JAZ, Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8
(106308) View Source
View Archive
flac16: Recorded by Justin Lee & Dave Cohen OTS Sec. PP Row 5 Seat 3. 2 Nakamichi CM300 CP4 & 1 Nakamichi CM300 CP1. Nakamichi 550>Sony TCD5M Oade Erase head removal Modification w/Dolby B. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen November 2009.
(118400) View Source
View Archive
flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 17 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 > HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
(118401) View Source
View Archive
flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 17 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 > HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
(128700) View Source
View Archive
flac16; Set One 2 source Matrix 80% sbd/20% soundtrack; Audio edited with iZotope Ozone 5 advanced; Matrix created with Adobe Audition 1.5; Audio editing and matrix by SIRMick
(140992) View Source
View Archive
flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
(141013) View Source
View Archive
flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
(147300) View Source
View Archive
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
(147385) View Source
View Archive
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; This file set is 16 bit @ 44.1
(156416) View Source
View Archive
Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 11, 2021
(430) View Source
View Archive Matrix DSBD (Panasonic 3800)> CD (HHB CDR800)> EAC> SHN; Known Flaws - 1 sec. d/o @1:52 & 5 sec. d/o @2:46-2:51 during Space (d2t6) - some clipping on the left channel due to drums and bass being too high in the SBD mix. The master has this flaw as well; via A. Jerugim
(80277) View Source
View Archive flac16; Source: Dan Healy's Matrix Mix -> MSC -> PCM -> DAT(x2) Transfer: Panasonic SV-3800 -> Optical out -> M-Audio CO2 -> Apogee S/PDIF -> M-Audio 1010LT. Recorded in Samplitude v.8.01 (24/48) Re-Mastered: Wavelab v.5. -> CD Wave -> FlacFrontend Level 8
(82405) View Source
View Archive flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(102457) View Source
View Archive flac16; TAPER: Greg Holtz SOURCE: Nakamichi CM-100 mics with CP-1 caps -> Sony WM-D6 TRANSFER: By JAZ, Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8
(106308) View Source
View Archive flac16: Recorded by Justin Lee & Dave Cohen OTS Sec. PP Row 5 Seat 3. 2 Nakamichi CM300 CP4 & 1 Nakamichi CM300 CP1. Nakamichi 550>Sony TCD5M Oade Erase head removal Modification w/Dolby B. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen November 2009.
(118400) View Source
View Archive flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 17 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 > HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
(118401) View Source
View Archive flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 17 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 > HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
(128700) View Source
View Archive flac16; Set One 2 source Matrix 80% sbd/20% soundtrack; Audio edited with iZotope Ozone 5 advanced; Matrix created with Adobe Audition 1.5; Audio editing and matrix by SIRMick
(140992) View Source
View Archive flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
(141013) View Source
View Archive flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
(147300) View Source
View Archive flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
(147385) View Source
View Archive flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; This file set is 16 bit @ 44.1
(156416) View Source
View Archive Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 11, 2021
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Collectors With This Show
1 - 30 | 31 - 60 | 61 - 90 | 91 - 120 | 121 - 150 | 151 - 180 | 181 - 210 | 211 - 240 | 241 - 270 | 271 - 300 | 301 - 330 | 331 - 360 | 361 - 390 | 391 - 420 | 421 - 450 | 451 - 480 | 481 - 510 | 511 - 540 | 541 - 570 | 571 - 600 | 601 - 627 Next >>
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| michael kass (5/5) | / 2 | View | ||||
| OldNeumanntapr (5/5) | FLAC / 2 | A | View | Soundboard >Master Cassette >DAT >CDR >FLAC | ||
| Notes: | (Set II Only) Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o, Tayio-Uden CD Masters >FLAC (Level 8) Via xACT 2.35 Trade DAT Transferred By OldNeumanntapr | |||||
| OldNeumanntapr (5/5) | FLAC / | A | View | 147300 | Soundboard; UltraMatrix SBD > Cassette Master (TDK MA-XG90) | |
| Notes: | Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24 (1 DVD FLAC) Patch Info: Schoeps CMC4/MK4 > PCM Master (shnid=141013) supplies: Space (2:59 - 3:09) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net July 31, 2019 Notes: -- Recorded by Don Pearson -- Thanks to Ted Mattes for the patch source ******************************************************************************************** FLAC >WAV >Audacity (Downsample To 16bit/44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr ******************************************************************************************** | |||||
| David Perry (5/4.9) | CDR / 2 | A | View | 82405 | SBD -> Cassette Master (TDK MA-XG90) | |
| Michael D. (5/0) | FLAC / | View | ||||
| Rick Martin (5/5) | Flac / 2 | A | View | 82405 | Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam... | |
| Notes: | Complete SBD(New SBD source 12-17-06) | |||||
| Charles Bandrofcheck (5/5) | FLAC / 2 | View | 82405 | SBD -> Cassette Master (TDK MA-XG90) | ||
| Notes: | See my other show notes for info on trading for this show. | |||||
| Charles Bandrofcheck (5/5) | / 0 | View | 80277 | Source: Dan Healy's Matrix Mix -> MSC -> PCM -> DAT(x2) Transfer: Panasonic SV-3800 -> Optical... | ||
| Brian Donohue (5/5) | / 0 | View | 140992 | Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck) | ||
| Brian Donohue (5/5) | / 0 | View | 141013 | Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS) | ||
| Rob Garretson (5/5) | shn / 2 | A | View | 430 | ||
| sean hite (5/0) | FLAC / 0 | View | 82405 | |||
| Notes: | 82405 flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | |||||
| sean hite (5/0) | / 0 | View | 430 | |||
| Notes: | 430 Matrix DSBD (Panasonic 3800)> CD (HHB CDR800)> EAC> SHN; Known Flaws - 1 sec. d/o @1:52 & 5 sec. d/o @2:46-2:51 during Space (d2t6) - some clipping on the left channel due to drums and bass being too high in the SBD mix. The master has this flaw as well; via A. Jerugim | |||||
| sean hite (5/0) | / 0 | View | 80277 | |||
| Notes: | 80277 flac16; Source: Dan Healy's Matrix Mix -> MSC -> PCM -> DAT(x2) Transfer: Panasonic SV-3800 -> Optical out -> M-Audio CO2 -> Apogee S/PDIF -> M-Audio 1010LT. Recorded in Samplitude v.8.01 (24/48) Re-Mastered: Wavelab v.5. -> CD Wave -> FlacFrontend Level 8 | |||||
| sean hite (5/0) | / 0 | View | 102457 | |||
| Notes: | 102457 flac16; TAPER: Greg Holtz SOURCE: Nakamichi CM-100 mics with CP-1 caps -> Sony WM-D6 TRANSFER: By JAZ, Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 | |||||
| sean hite (5/0) | / 0 | View | 106308 | |||
| Notes: | 106308 flac16: Recorded by Justin Lee & Dave Cohen OTS Sec. PP Row 5 Seat 3. 2 Nakamichi CM300 CP4 & 1 Nakamichi CM300 CP1. Nakamichi 550>Sony TCD5M Oade Erase head removal Modification w/Dolby B. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen November 2009. | |||||
| SpacedDeadhead (5/4.8) | CDR / 2 | View | DSBD | |||
| Gary (5/4.3) | CDR / 2 | View | 430 | |||
| Gary (5/4.3) | CDR / 2 | View | 82405 | |||
| Notes: | SBD>MC>Flac [Miller] | |||||
| Steve (5/5) | CDR / 2 | A | View | 430 | ||
| Douglas Tunstall (5/5) | / 2 | View | 430 | Matrix DSBD (Panasonic 3800)> CD (HHB CDR800)> EAC> SHN; Known Flaws - 1 sec. d/o @1:52... | ||
| Notes: | Matrix DSBD (Panasonic 3800)> CD (HHB CDR800)> EAC> SHN; Known Flaws - 1 sec. d/o @1:52 & 5 sec. d/o @2:46-2:51 during Space (d2t6) - some clipping on the left channel due to drums and bass being too high in the SBD mix. The master has this flaw as well; via A. Jerugim | |||||
| Born Cross Eyed (5/5) | FLAC / 1 | View | 82405 | |||
| Notes: | SBD - Miller | |||||
| Born Cross Eyed (5/5) | FLAC / 1 | View | 102457 | |||
| Notes: | Aud - Holtz | |||||
| Born Cross Eyed (5/5) | FLAC / 1 | View | 118401 | |||
| Notes: | Aud - Darby | |||||
| Blair Waldron (5/0) | / 0 | View | 430 | |||
| joebeacon (5/5) | cdr / 2 | View | ||||
| Notes: | * | |||||
| Darryl Hinko (5/5) | FLAC / 2 | View | 82405 | |||
| Notes: | SBD -> Cassette Master (TDK MA-XG90)
I also have: SHNid=430 |
|||||
| Michael Mersand (5/0) | / 0 | View | 80277 | |||
| Michael Mersand (5/0) | / 0 | View | 82405 | |||
| Jeff Mitchell (5/0) | / 0 | View | 82405 | |||
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For administrative requests email contact@etreedb.org
This website written by Tom H Anderson and maintained by the etreedb.org community.
Cached: Sat, 27 Apr 2024 16:28:07 EDT