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Set I
Casey Jones, Me & My Uncle, Hard To Handle, Bertha, Playin' In The Band, Bird Song, Big Boss Man, Cryptical Envelopement-> Drums-> The Other One-> Wharf Rat, Sugar Magnolia
Set II
Truckin', Loser, Next Time You See Me, Greatest Story Ever Told-> Johnny B. Goode, Ripple, Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Turn On Your Love Light
Set III
Comment
E.S.P. show - Other artist(s): NRPS
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(111) View Source
View Archive
7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs
(6188) View Source
View Archive
likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01)
(85912) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(116617) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
(111) View Source
View Archive 7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs
(6188) View Source
View Archive likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01)
(85912) View Source
View Archive flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(116617) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
1 - 30 | 31 - 60 | 61 - 90 | 91 - 120 | 121 - 150 | 151 - 180 | 181 - 210 | 211 - 240 | 241 - 270 | 271 - 300 | 301 - 330 | 331 - 360 | 361 - 390 | 391 - 420 | 421 - 450 | 451 - 480 | 481 - 510 | 781 - 810 Next >>
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| OldNeumanntapr (5/5) | FLAC / 2 | A+ | View | Soundboard; 7" Two-Track Betty Board Reel w/Dolby A @ 7 & 1/2 ips->PCM 501ES (Beta)->PCM... | ||
| Notes: | Transfer And Mastering: 48 khz DAT Playback On Sony PCM-R500, AES Digital Output->Benchmark DAC1, XLR Analog Output->Grace Lunatec V3 (96 khz) AES Digital Output->AES Digital Input. Professional Mode / Sync->LynxTwo Soundcard (24 Bit / 96 khz WAV->Ozone 3.0->MBIT+ Dithering To 16/44.1 khz WAV->CD WAV 1.9 (Tracking)->FLAC (Level 8) Comments: Reel Flips And Short Segments Of Missing Music (Casey Jones, Bird Song, Lovelight) Were Cross Faded To Stealthy Seamlessness By Sampling The 2-3 Missing Beat(s) From The Same Measure In a Preceding / Following Verse / Chorus. All Audio Editing Was Done On 24 Bit Files (Trade CDs >FLAC (Level 8) Via xACT 2.35) | |||||
| Joe (5/5) | FLAC / 0 | View | 85912 | |||
| Joe (5/5) | FLAC / 0 | View | 116617 | |||
| John H (5/5) | flac / 2 | A+ | A+ | View | soundboard | |
| Notes: | Grateful Dead 02/20/1971 Capitol Theater Port Chester, NY Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. Seeded by the Green Mountain Bros. at bt.etree.org, June 2007. (Trade CDs >FLAC(Level 8) Via xACT 2.35) Comments: Reel flips and short segments of missing music (Casey Jones, Bird Song, Lovelight) were crossfaded to stealthy seamlessness by sampling the 2-3 missing beat(s) from the same measure in a preceding/following verse/chorus. All audio editing was done on 24 bit files. FFT of waveform showed 2 distinct peaks resulting in an annoying whine. First peak broadly centered around 8100 and a second at roughly 15700 Hz. These were attenuated using the SuperNotch notch filter preset of Waves Q10 32 bit paragraphic equalizer performed on the 24/96 WAV files prior to Ozone mastering and MBIT 16 bit rendering. | |||||
| michael kass (5/5) | cdr / 2 | View | ||||
| CJ (5/4.7) | FLAC / 2 | View | 116617 | |||
| MyLibbyDog (5/4.8) | CDR / 2 | A+ | A++ | View | ||
| Notes: | Incredible Stereo Multiple Track Soundboard, as good as any live album can be of a "Pigpen" era Dead concert, my only GD band version I like. Ron McKernan is on top of his game here, with "Lovelight", but the rest of the CD has a great set list, too including "Goin Down the Road Feeling Bad" and "Not Fade Away." | |||||
| Rick Martin (5/5) | Flac / 3 | A | View | 116617 | Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional... | |
| Notes: | Complete SBD>MR(5-30-08) | |||||
| Charles Bandrofcheck (5/5) | FLAC / 2 | View | 85912 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out >... | ||
| Notes: | See my other show notes for info on trading for this show. | |||||
| Charles Bandrofcheck (5/5) | SHN / 2 | View | 111 | 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz PCM501ES analog out >... | ||
| Notes: | See my other show notes for info on trading for this show. | |||||
| Charles Bandrofcheck (5/5) | FLAC / 2 | View | 116617 | SBD -> Master Reel -> CD | ||
| Notes: | See my other show notes for info on trading for this show. | |||||
| Marc Dreilinger (5/2.3) | FLAC / 2 | View | 85912 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out >... | ||
| Notes: | Archived Box 1 disc 240 | |||||
| Marc Dreilinger (5/2.3) | FLAC / 2 | View | 111 | 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz | ||
| Notes: | Archived Box 1 disc 240 | |||||
| Marty (5/4.9) | CDR / 3 | View | ||||
| Notes: | shn | |||||
| Marty (5/4.9) | CDR / 3 | View | 111 | |||
| Notes: | shn | |||||
| Brian Donohue (5/5) | / 0 | View | 116617 | SBD -> Master Reel -> CD | ||
| Notes: | CMiller | |||||
| sean hite (5/0) | SHN / 0 | View | 111 | |||
| Notes: | (111) Grateful Dead: WBOTB 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs | |||||
| sean hite (5/0) | FLAC / 0 | View | 85912 | |||
| Notes: | (85912) Grateful Dead: flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. | |||||
| sean hite (5/0) | SHN / 0 | View | 6188 | |||
| Notes: | 6188 likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01) | |||||
| sean hite (5/0) | / 0 | View | 116617 | |||
| Notes: | 116617 flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| sean hite (5/0) | / 0 | View | 116617 | |||
| Notes: | 116617 flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| SpacedDeadhead (5/4.8) | CDR / 3 | View | Bettyboard | |||
| Notes: | E.S.P. show | |||||
| Thomas Lee (5/0) | shn / 3 | A | View | 111 | ||
| Notes: | The boyz were hung over... | |||||
| Gary (5/4.3) | CDR / 3 | View | 111 | |||
| Notes: | SBD>MR>PCM>DAT [Orf] | |||||
| Gary (5/4.3) | CDR / 2 | View | 116617 | |||
| Notes: | SBD>MR>CD [116617 Miller] | |||||
| Keith Deshane (5/0) | / 0 | View | 85912 | |||
| tpace (5/0) | FLAC / 0 | View | SBD -> Master Reel -> CD | |||
| Larry (5/4) | / 0 | View | ||||
| Douglas Tunstall (5/5) | / 2 | View | 85912 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out >... | ||
| Notes: | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. | |||||
| Born Cross Eyed (5/5) | FLAC / 1 | View | 116617 | |||
| Notes: | SBD | |||||
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For administrative requests email contact@etreedb.org
This website written by Tom H Anderson and maintained by the etreedb.org community.
Cached: Mon, 29 Apr 2024 09:19:41 EDT