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Have A Cigar The Machine Song Shine On You Crazy Diamond intro Shine On You Crazy Diamond Dogs part 1 Dogs part 2 Sheep Pigs (Three Different Ones)

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Disc 1 1967-05-14 - Pow R Toc H [Look Of The Week, BBC-TV, Lime Grove Studios, London] 1967-05-14 - Hans Keller [Look Of The Week, BBC-TV, Lime Grove Studios, London] 1967-05-14 - Astronomy Domine [Look Of The Week, BBC-TV, Lime Grove Studios, London] 1967-05-14 - Syd Barrett & Roger Waters interview with Hans Keller [Look Of The Week, BBC-TV, Lime Grove Studios, London] 1967-09-25 - The Gnome [Top Gear, Playhouse Theatre, London] 1967-09-25 - Matilda Mother [Top Gear, Playhouse Theatre, London] 1967-09-25 - The Scarecrow [Top Gear, Playhouse Theatre, London] 1967-09-25 - Flaming [Top Gear, Playhouse Theatre, London] 1967-09-25 - Set The Controls For The Heart Of The Sun [Top Gear, Playhouse Theatre, London] 1967-09-25 - Reaction In G [Top Gear, Playhouse Theatre, London] 1967-12-12 - Green Onions [Tomorrow's World, BBC-TV, Stanhope Gardens, London] 1967-12-12 - Instrumental [Tomorrow's World, BBC-TV, Stanhope Gardens, London] 1967-12-20 - John Peel [Top Gear, Maida Vale Studios, London] 1967-12-20 - Vegetable Man [Top Gear, Maida Vale Studios, London] 1967-12-20 - Tommy Vance and John Peel [Top Gear, Maida Vale Studios, London] 1967-12-20 - Scream Thy Last Scream [Top Gear, Maida Vale Studios, London] 1967-12-20 - Jugband Blues [Top Gear, Maida Vale Studios, London] 1967-12-20 - Pow R Toc H [Top Gear, Maida Vale Studios, London] 1967-12-20 - John Peel [Top Gear, Maida Vale Studios, London] 1968-03-26 - Untitled [Late Night Lineup - Sound of Change, BBC-TV, Lime Grove Studios, London] 1968-03-28 - Set The Controls For The Heart Of The Sun [All My Loving, BBC-TV, Abbey Mills Pumping Station, London] 1968-05-25 - Roger Waters interview ['The Story Of Pop' No. 26, BBC Radio] 1968-06-25 - John Peel [Top Gear, Piccadilly Studios, London] 1968-06-25 - Careful With That Axe, Eugene [Top Gear, Piccadilly Studios, London] 1968-06-25 - John Peel [Top Gear, Piccadilly Studios, London] 1968-06-25 - A Saucerful Of Secrets [Top Gear, Piccadilly Studios, London] 1968-06-25 - John Peel [Top Gear, Piccadilly Studios, London] 1968-06-25 - Let There Be More Light [Top Gear, Piccadilly Studios, London] 1968-06-25 - John Peel [Top Gear, Piccadilly Studios, London] 1968-06-25 - Julia Dream [Top Gear, Piccadilly Studios, London] 1968-06-25 - John Peel [Top Gear, Piccadilly Studios, London] 1968-06-25 - John Peel [Top Gear, Piccadilly Studios, London] 1967-07-27 - See Emily Play [Top Of The Pops, BBC-TV, Lime Grove Studios, London] Disc 2 1968-12-02 - John Peel [Top Gear, Maida Vale Studios, London] 1968-12-02 - Point Me At The Sky [Top Gear, Maida Vale Studios, London] 1968-12-02 - John Peel [Top Gear, Maida Vale Studios, London] 1968-12-02 - The Narrow Way Part 1 [Top Gear, Maida Vale Studios, London] 1968-12-02 - John Peel [Top Gear, Maida Vale Studios, London] 1968-12-02 - The Embryo [Top Gear, Maida Vale Studios, London] 1968-12-02 - John Peel [Top Gear, Maida Vale Studios, London] 1968-12-02 - Interstellar Overdrive [Top Gear, Maida Vale Studios, London] 1968-12-02 - John Peel [Top Gear, Maida Vale Studios, London] 1969-05-12 - Grantchester Meadows [Nite Ride, Paris Cinema, London] 1969-05-12 - Cymbaline [Nite Ride, Paris Cinema, London] 1969-05-12 - Green Is The Colour [Nite Ride, Paris Cinema, London] 1969-05-12 - Careful With That Axe, Eugene [Nite Ride, Paris Cinema, London] 1969-05-12 - Narrow Way Part 3 [Nite Ride, Paris Cinema, London] 1969-07-20 - Moonhead [Omnibus - So What If It's Just Green Cheese, BBC-TV, TV Centre, London] 1970-02-24 - Syd Barrett - Terrapin [Peel Sessions, BBC Radio, London] 1970-02-24 - Syd Barrett - Gigolo Aunt [Peel Sessions, BBC Radio, London] 1970-02-24 - Syd Barrett - Baby Lemonade [Peel Sessions, BBC Radio, London] 1970-02-24 - Syd Barrett - Effervescing Elephant [Peel Sessions, BBC Radio, London] 1970-02-24 - Syd Barrett - Two Of A Kind [Peel Sessions, BBC Radio, London] 1968-12-17 - Cirrus Minor (Laying Down The Tracks) [Science Session - Let's Make Pop, BBC-TV, EMI Studios, London] Disc 3 1970-07-16 - John Peel [Peel Sessions, Paris Theatre, London] 1970-07-16 - The Embryo [Peel Sessions, Paris Theatre, London] 1970-07-16 - John Peel [Peel Sessions, Paris Theatre, London] 1970-07-16 - Fat Old Sun [Peel Sessions, Paris Theatre, London] 1970-07-16 - John Peel [Peel Sessions, Paris Theatre, London] 1970-07-16 - Green Is The Colour + Careful With That Axe, Eugene [Peel Sessions, Paris Theatre, London] 1970-07-16 - John Peel [Peel Sessions, Paris Theatre, London] 1970-07-16 - If [Peel Sessions, Paris Theatre, London] 1970-07-16 - John Peel [Peel Sessions, Paris Theatre, London] 1970-07-16 - Atom Heart Mother [Peel Sessions, Paris Theatre, London] Disc 4 1971-03-01 - Bob Harris [Sounds Of The 70s, BBC Radio, London] 1971-03-01 - Syd Barrett - Baby Lemonade [Sounds Of The 70s, BBC Radio, London] 1971-03-01 - Bob Harris [Sounds Of The 70s, BBC Radio, London] 1971-03-01 - Syd Barrett - Dominoes [Sounds Of The 70s, BBC Radio, London] 1971-03-01 - Bob Harris [Sounds Of The 70s, BBC Radio, London] 1971-03-01 - Syd Barrett - Love Song [Sounds Of The 70s, BBC Radio, London] 1971-09-30 - John Peel [Peel Sessions, Paris Theatre, London] 1971-09-30 - Fat Old Sun [Peel Sessions, Paris Theatre, London] 1971-09-30 - John Peel [Peel Sessions, Paris Theatre, London] 1971-09-30 - One Of These Days [Peel Sessions, Paris Theatre, London] 1971-09-30 - John Peel [Peel Sessions, Paris Theatre, London] 1971-09-30 - The Embryo [Peel Sessions, Paris Theatre, London] 1971-09-30 - John Peel [Peel Sessions, Paris Theatre, London] 1971-09-30 - Echoes [Peel Sessions, Paris Theatre, London] 1971-09-30 - Blues [Peel Sessions, Paris Theatre, London]

Maxwell Edison Records bootleg Let There Beeb More Light The BBC Recordings of Syd Barrett & The Pink Floyd, 1967-74 Collected And Incomplete

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Track list: 1 - Side A (Librest Spacement Monitor & The Embryo) 2 - Side B (Fat Old Sun, Pink Blues*, Atom Heart Mother Reprise*) 3 - Side C (Green is The Colour & A Saucerful of Secrets) 4 - Side D (Atom Heart Mother)

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Vegetable Man Pow R. Toc H. Scream Your Last Scream Jugband Blues Julia Dream Let There Be More Light Cymbaline Saucerful Of Secrets Careful With That Axe, Eugene Cymbaline Embryo Set The Controls For The Heart Of The Sun Saucerful Of Secrets

A1 to A4 were recorded in 1967 with Syd Barrett & A5 and A6 were recorded in 1969 with Dave Gilmour. Side B was recorded live in Amsterdam in 1969. Side C and D are the best parts of Floyds continental tours in 1970 & 1971.

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Point Me At The Sky Crumbling Land Rain In The Country Interstellar Overdrive Astronomy Domine The Embryo Fingals Cave

'POINT ME AT THE SKY' IS THE OFFICIAL RELEASE. OTHER STUDIO TRACKS ARE ZABRISKIE POINT OUTTAKES. 'INTERSTELLAR OVERDRIVE' IS FROM 'ROME GOES POP' TV SHOW 05-05-1968. OTHERS UNKNOWN (SAID TO BE CHICAGO '71).

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Massed Gadgets Of Hercules Point Me To The Sky Let There Be More Light Grantchester Meadows Green Is The Colour Careful With That Axe, Eugene Baby Blue Shuffle In D Major Interstellar Overdrive The Narrow Way Apple And Oranges Pow R Toc H

https://www.discogs.com/Pink-Floyd-The-Great-Lost-Pink-Floyd-Album/release/4931666 A1, A3: Top Gear 25.06.1968 A2, B2-B4: Top Gear 14.01.1969 A4-B1: Top Gear 12.05.1969 B6: Top Gear 31.12.1967

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1972-09-22 - Hollywood Bowl, Los Angeles, California, US: Breathe Money Us & Them Eclipse One Of These Days Careful With That Axe, Eugene Echoes A Saucerful Of Secrets 1975-04-27 - Sports Arena, Los Angeles, California, US Have A Cigar Shine On You Crazy Diamond Breathe On The Run Money Echoes 1977-02-01 - Stadthalle, Vienna, Austria Sheep Dogs Pigs (Three Different Ones) Shine On You Crazy Diamond Have A Cigar Shine On You Crazy Diamond Money Us And Them 1977-05-07 - Stadium, Anaheim, California, US Sheep Pigs (Three Different Ones) 1977-03-01 - Olympiahalle, Munich, Germany Sheep Pigs On The Wing 1 Dogs Pigs (Three Different Ones) Shine On You Crazy Diamond Welcome To The Machine Have A Cigar Shine On You Crazy Diamond Money

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UFO Club London Jan. 27 1967 BBC TV "Special Scene" Interstellar Overdrive Matilda Mother BBC Television Centre London May 14 1967 "Look Of The Week" Pow R Toc H Astronomy Domine CBC Radio London July 1967 Intersellar Overdrive W/ Interview Cosmopolitan Ball Room Carlisle U.K. July 23 1967 Reaction In G Set The Controls For The Heart Of The Sun Playhouse Theatre London Sept. 25 1967 "Top Gear" Flaming Apples And Oranges Scarecrow The Gnome Matilda Mother Maida Vale Studios London Dec. 20 1967 "Top Gear" Vegetable Man Scream Thy Last Scream Pow R Toc H Jugband Blues Piccadilly Studio 1 London June 25 1968 "Top Gear" Murderistic Women (aka Careful With That Axe Eugene) The Massed Gadgets Of Hercules (aka A Saucerful Of Secrets)

Bedrock Records

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CD1 1 - Lucy Leave (uncredited) 2 - I'm a King Bee (written by Moore recorded by Slim Harpo) Recorded : London, Thompson Recording Studios, May 15, 1965 Primary source : EMIdisc acetate Source for the tree : "A Fish out of Water" RoIO CD & "Outtakes from Outer Space" RoIO CD These two (unreleased) songs appear on a two-sided 7" acetate discovered early 1988. Whilst some experts consider this as a fake, Miles reproduces in his book a setlist including "Lucy Leave" for the gig the band played on October 14, 1966. 3 - Let's Roll Another One (Barrett) Recorded : London, Thompson Recording Studios, October 31, 1966 Primary source : ? Source for the tree : unkown gen copy from outtake Instrumental rehearsals for this song that later became "Candy and a Current Bun". This obscure outtake probably comes from the October 1966 session at Thompson Recording Studios (where the first studio version of "Interstellar Overdrive" was also recorded, and later used in the "San Francisco" movie). 4 - Arnold Layne (Barrett) - acetate Recorded : London, Sound Techniques Studios, January 23-25, 1967 Primary source : EMIdisc acetate Source for the tree : "Anthology II" RoIO CD Fades in 2 seconds after the actual start, strange edit skipping organ solo. 5 - Arnold Layne (Barrett) - mono Recorded : London, Sound Techniques Studios, January 23-25, 1967 Primary source : "Arnold Layne" single (1st single), released March 11, 1967 Source for the tree : "The Pink Floyd Early Singles" CD 6 - Arnold Layne (Barrett) - fake stereo Recorded : London, Sound Techniques Studios, January 23-25, 1967 Primary source : "The Best of the Pink Floyd" compilation, released 1970 & "Masters of Rock" compilation, released 1973 Source for the tree : "Works" CD 7 - Candy and a Current Bun (Barrett) - acetate Recorded : London, Sound Techniques Studios, January 23-25, 1967 Primary source : EMIdisc acetate Source for the tree : "Anthology II" RoIO CD Alternate lyrics ("please just walk with me" while on the regular single version it's "please just f*** with me"), different verse structure, no organ and guitar solos. Some people refer to this version as being "Let's Roll Another One" from October 1966 sessions at Thompson Recording Studios, but since the instrumental tracks are the same as the regular single version, this probably comes from the same January 1967 sessions at Sound Techniques Studios. 8 - Candy and a Current Bun (Barrett) - mono Recorded : London, Sound Techniques Studios, January 23-25, 1967 Primary source : "Arnold Layne" single (1st single), released March 11, 1967 Source for the tree : "The Pink Floyd Early Singles" CD 9 - Interstellar Overdrive (Barrett, Waters, Wright, Mason) - demo Recorded : ? Primary source : ? Source for the tree : unknown gen copy This obscure demo is probably a fake. However, it has acquired a certain fame in the trading circle of Pink Floyd fans. We included it here, in order to let you make your own opinion. Some say it was recorded on a cheap cassette recorder, by two guys playing guitar simultaneously, sometime during the 80s. Note that the first riff after the intro is identical to the bass riff that can be heard on the "Piper at the Gates of Dawn" version, and that earlier versions of the song (on "San Francisco" soundtrack or "Tonite Let's All Make Love in London" soundtrack) don't contain this particular riff. This leads to the conclusion that this "demo" was probably recorded after the release of "The Piper At The Gates Of Dawn" album. 10 - Interstellar Overdrive (Barrett, Waters, Wright, Mason) - Sound Techniques outtake Recorded : London, Sound Techniques Studios, January 31 - February 1, 1967 Primary source : CBC Canadian Radio broadcast, early 1967 Source for the tree : "Stone Rust" RoIO CD & "Dark Globe" RoIO CD & "The Sights And Sounds Of Syd Barrett's Pink Floyd" RoIO CD Extracts from the 3rd studio version of "Interstellar Overdrive" can be heard in the background, during an interview broadcast in early 1967 by CBC Canadian Radio. Pink Floyd recorded 4 different studio versions of "Interstellar Overdrive". The first version was recorded in October 1966 at Thompson Recording Studios, and was later used in the 1968 "San Francisco" movie. The second version was recorded on January 11, 1967, at Sound Techniques Studios, and was used in the "Tonite Let's All Make Love in London" movie. The third version was recorded during the "Arnold Layne" / "Candy and a Current Bun" sessions at Sound Techniques Studios. Only extracts from this version have surfaced, they can be heard in the background during the CBC broadcast from early 1967. The fourth version was recorded at Abbey Road in March 1967, and is the regular version that can be found on "The Piper at the Gates of Dawn" album. 11 - Interstellar Overdrive (Barrett, Waters, Wright, Mason) - Abbey Road outtake Recorded : London, Abbey Road Studios, March 14-15, 1967 Primary source : BBC broadcast, 1967 Source for the tree : unknown gen copy from BBC broadcast Outtake from "The Piper at the Gates of Dawn" sessions, broadcast by the BBC in 1967. 12 - Interstellar Overdrive (Barrett, Waters, Wright, Mason) - mono single version Recorded : London, Abbey Road Studios, March 14-15, 1967 Primary source : "Arnold Layne" French EP, released 1967 Source for the tree : "Anthology II" RoIO CD This version is unique, because it only contains the basic track, without overdubs. It fades out before the actual end of the song. 13 - Scarecrow (Barrett) - Abbey Road outtake Recorded : London, Abbey Road Studios, March 19-20, 1967 Primary source : BBC broadcast, 1967 Source for the tree : unknown gen copy from BBC broadcast Outtake from "The Piper at the Gates of Dawn" sessions, broadcast by the BBC in 1967. All the instruments are heavily undermixed. This is nearly an unplugged version ?. 14 - Scarecrow (Barrett) - mono Recorded : London, Abbey Road Studios, March 19-20, 1967 Primary source : "See Emily Play" single (2nd single), released June 16, 1967 Source for the tree : "The Pink Floyd Early Singles" CD 15 - Astronomy DominÈ (Barrett) - Abbey Road outtake Recorded : London, Abbey Road Studios, April 11-12, 1967 Primary source : BBC broadcast, 1967 Source for the tree : unknown gen copy from BBC broadcast Outtake from "The Piper at the Gates of Dawn" sessions, broadcast by the BBC in 1967, including an interview with Floyd's manager Peter Jenner. 16 - See Emily Play (Barrett) - actetate Recorded : London, Sound Techniques Studios, May 18 & 21, 1967 Primary source : EMI disc acetate Source for the tree : "Dawn Of The Piper" RoIO CD This version is very close to the regular one, there are only slight changes in the mix (vocals are undermixed, organ is more in the front...). Note that the very end is uncut. 17 - See Emily Play (Barrett) - mono Recorded : London, Sound Techniques Studios, May 18 & 21, 1967 Primary source : "See Emily Play" single (2nd single), released June 16, 1967 Source for the tree : "The Pink Floyd Early Singles" CD 18 - See Emily Play (Barrett) - fake stereo Recorded : London, Sound Techniques Studios, May 18 & 21, 1967 Primary source : "The Best of the Pink Floyd" compilation, released 1970 & "Masters of Rock" compilation, released 1973 Source for the tree : "A CD Full of Secrets" CD 19 - Flaming (Barrett) - mono Recorded : London, Abbey Road Studios, June 7 & 27, 1967 Primary source : "Flaming" US single (3rd US single), released November 2, 1967. Source for the tree : "A CD Full of Secrets" CD "Flaming" was not on the first US release of "The Piper at the Gates of Dawn" album, and was then released as a single. This version is different from the regular (stereo) mix: background noises are mixed much louder. In fact, this version is identical to the version on the mono edition of "The Piper at the Gates of Dawn" album. Curiously, on the 30th Anniversary Mono Edition CD released in 1997, one chord of the final chords sequence was edited out. 20 - Sunshine (uncredited) Recorded : London, Abbey Road Studios, June 29, 1967 Primary source : ? Source for the tree : "Dawn Of The Piper" RoIO CD This track was probably recorded during the "Piper at the Gates of Dawn" sessions. Malcom Jones, in his book "The Making of the Madcap Laughs", suggests this is an early version of "Remember a Day". Some think it's in fact a part of "Matilda Mother", that was recorded the same day ... 21 - Silas Lane (uncredited) Recorded : London, Abbey Road Studios, June 1967 Primary source : ? Source for the tree : "Vegetable Man, Where Are You" RoIO LP This outtake was probably recorded during the "Piper at the Gates of Dawn" sessions. These are the early chords of Barrett's song "Swan Lee (Silas Lang)". Note that the piano and jazz tunes may be due to a technical error while dubbing the original multitrack master tape onto cassette. The definitive version of "Swan Lee" was recorded by Barrett one year later and released on "Opel" in 1988. Some think this outtake comes from a Barrett solo session. 22 - Scream Thy Last Scream (Barrett) - mono Recorded : London, Abbey Road Studios, August 7-8, 1967 Primary source : EMIdisc acetate Source for the tree : unknown gen copy This was intended to be the A-side of Pink Floyd's fourth single (after "Apples and Oranges" single). But due to Syd's departure from the band, it remained unreleased.

CD2 1 - Scream Thy Last Scream (Barrett) - stereo Recorded : London, Abbey Road Studios, August 7-8, 1967 Primary source : EMIdisc acetate Source for the tree : "Dawn Of The Piper" RoIO CD On this version, the instruments and vocals are mainly mono. However, some stereo effects can be heard, especially on the background noises (high pitched voices). 2 - Vegetable Man (Barrett) - mono Recorded : London, Sound Techniques Studios, September 5-6, 1967 Primary source : EMIdisc acetate Source for the tree : "Magnesium Proverbs" RoIO CD This was intended to be the B-side of "Scream Thy Last Scream" single. 3 - Vegetable Man (Barrett) - alternate mono Recorded : London, Sound Techniques Studios, September 5-6, 1967 Primary source : ? Source for the tree : unknown gen copy Alternate mono version, with more laughter at the end, without echo and delay. 4 - Vegetable Man (Barrett) - stereo Recorded : London, Sound Techniques Studios, September 5-6, 1967 Primary source : EMIdisc acetate Source for the tree : "Dawn Of The Piper" RoIO CD Stereo version, with background vocals and delays effects mixed louder. 5 - Remember A Day (Wright) - mono short version Recorded : London, Sound Techniques Studios, October 5-6, 1967 Primary source : "Remember A Day" US promo single, released August 19, 1968 Source for the tree : 1st gen copy from "Remember A Day" promo single This version fades out before the last verse. 6 - Apples and Oranges (Barrett) - mono Recorded : London, Abbey Road Studios, October 30 - November 1, 1967 Primary source : "Apples and Oranges" UK single (3rd UK single), released November 18, 1967 Source for the tree : "The Pink Floyd Early Singles" CD 7 - Apples and Oranges (Barrett) - stereo Recorded : London, Abbey Road Studios, October 30 - November 1, 1967 Primary source : "The Best of the Pink Floyd" compilation, released 1970 & "Masters of Rock" compilation, released 1973 Source for the tree : "A CD Full of Secrets" CD Curiously, on "A CD Full of Secrets", the right and left channels were inverted, comparing to the original stereo version on "The Best of the Pink Floyd" and "Masters of Rock". 8 - Paint Box (Wright) - mono Recorded : London, Abbey Road Studios, October 30 - November 1, 1967 Primary source : "Apples and Oranges" UK single (3rd UK single), released November 18, 1967 Source for the tree : "The Pink Floyd Early Singles" CD 9 - Paint Box (Wright) - stereo Recorded : London, Abbey Road Studios, October 30 - November 1, 1967 Primary source : "The Best of the Pink Floyd" compilation, released 1970 & "Masters of Rock" compilation, released 1973 Source for the tree : "Relics" CD Faster ending fade out. 10 - Let There Be More Light (Waters) - mono edit Recorded : London, Abbey Road Studios, January 17-18, 1968 Primary source : "Remember A Day" US promo single, released August 19, 1968 Source for the tree : 1st gen copy from "Remember A Day" promo single There's an edit during the intro, the 2nd verse ("Now is the time to be aware...") is missing, the beginning of the instrumental part after the last verse was cut, and there's an early fade out. 11 - Corporal Clegg (Waters) - video version Recorded : London, Abbey Road Studios, January 31, 1968 Primary source : Belgian promo video Source for the tree : unknown gen copy from Belgian promo video This mono version has an alternate ending: the last chorus (just after "His boots were very clean") and the following instrumental part are alternate takes from the regular version. 12 - It Would Be So Nice (Wright) - mono Recorded : London, Abbey Road Studios, February 12-13 & March 5-12-21, 1968 Primary source : "It Would Be So Nice" single (4th single), released April 12, 1968 Source for the tree : "The Pink Floyd Early Singles" CD Due to the "Evening Standard" mention in the original lyrics, the Floyd was forced to return in the studio to change it into "Daily Standard". The original "Evening Standard" version doesn't seem to have surfaced. 13 - It Would Be So Nice (Wright) - promo edit Recorded : London, Abbey Road Studios, February 12-13 & March 5-12-21, 1968 Primary source : "It Would Be So Nice" UK promo single, released April 12, 1968 Source for the tree : ? The central "It would be so nice" chorus is only sung once, and the first lines of the second verse ("Everybody cares about the weather ... what a waste of time") are edited. 14 - It Would Be So Nice (Wright) - fake stereo Recorded : London, Abbey Road Studios, February 12-13 & March 5-12-21, 1968 Primary source : "The Best of the Pink Floyd" compilation, released 1970 & "Masters of Rock" compilation, released 1973 Source for the tree : "A CD Full of Secrets" CD Curiously, on "A CD Full of Secrets", the right and left channels were inverted, comparing to the original fake stereo version on "The Best of the Pink Floyd" and "Masters of Rock". 15 - Julia Dream (Waters) - demo Recorded : ? Primary source : ? Source for the tree : unknown gen copy This obscure demo is probably a fake. However, it has acquired a certain fame in the trading circle of Pink Floyd fans. We included it here, in order to let you make your own opinion. It has surfaced on the same tape that contains the (fake) demo of "Interstellar Overdrive" (one can hear the beginning of "Interstellar Overdrive" right after the end of "Julia Dream"). So, this was probably recorded by the same guys. 16 - Julia Dream (Waters) - mono Recorded : London, Abbey Road Studios, February 12-13 & March 23, 1968 Primary source : "It Would Be So Nice" single (4th single), released April 12, 1968 Source for the tree : "The Pink Floyd Early Singles" CD 17 - Julia Dream (Waters) - stereo Recorded : London, Abbey Road Studios, February 12-13 & March 23, 1968 Primary source : "Relics" compilation, released May 14, 1971 Source for the tree : "Relics" CD 18 - Point Me at the Sky (Waters, Gilmour) - mono Recorded : London, Abbey Road Studios, November 3-4, 1968 Primary source : "Point Me at the Sky" UK single (5th UK single), released December 17, 1968 Source for the tree : "The Pink Floyd Early Singles" CD 19 - Point Me at the Sky (Waters, Gilmour) - fake stereo Recorded : London, Abbey Road Studios, November 3-4, 1968 Primary source : "A CD Full of Secrets" promo sampler CD, released 1992 Source for the tree : "A CD Full of Secrets" CD 20 - Careful with that Axe, Eugene (Waters, Wright, Gilmour, Mason) - mono Recorded : London, Abbey Road Studios, November 3-4, 1968 Primary source : "Point Me at the Sky" UK single (5th UK single), released December 17, 1968 Source for the tree : "The Pink Floyd Early Singles" CD 21 - Careful with that Axe, Eugene (Waters, Wright, Gilmour, Mason) - stereo Recorded : London, Abbey Road Studios, November 3-4, 1968 Primary source : "Relics" compilation, released May 14, 1971 Source for the tree : "Relics" CD

The Definitive Pink Floyd Rarities Compilation (studio). 17 Discs. (Volume 1 (CD1 - CD2): Pink Floyd Rarities 1965 - 1968)

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CD3 1 - Astronomy Domine (Barrett) - live short version Recorded : live, Bromley, Technical College, April 26, 1969 & Birmingham, Mother's Club, April 27, 1969 & Manchester, College of Commerce, May 2, 1969 Primary source : "The New Spirit of Capitol" sampler, released 1969? Source for the tree : "The New Spirit of Capitol" sampler "Ummagumma" live version with early fade out. 2 - Embryo (Waters) Recorded : London, Abbey Road Studios, April - June 1969 Primary source : "Picnic - A Breath of Fresh Air" Harvest sampler, released June 1970 Source for the tree : "Works" CD This version is often considered as a demo. In fact, it was recorded during the "Ummagumma" studio sessions at Abbey Road, but it was not included on the album, because the band later decided to organise the studio disc in four parts (one part for each member). This song first appeared in June 1970 on "Picnic - A Breath of Fresh Air" Harvest sampler, without the band's agreement. In 1983, this version was included on "Works" Canadian compilation, this time with the band's agreement. 3 - Biding My Time (Waters) Recorded : London, Abbey Road Studios, April - June 1969 Primary source : "Relics" compilation, released May 14, 1971 Source for the tree : "Relics" CD This is the other song that was recorded during the "Ummagumma" studio sessions, but was not included on the album. This track was part of "The Man & the Journey" concept suite that the Floyd used to perform in 1969. Several Species of Small Furry Animals Gathered together in a Cave and Grooving with a Pict (Waters) Recorded : London, Abbey Road Studios, April - June 1969 Primary source : "Ummagumma" album, released October 25, 1969 Source for the tree : "Ummagumma" 1994 remaster CD Length : 4 - "this is pretty avant-garde isn't it" During Roger Waters' speech at 04:32, this sentence can be heard on the right channel (you have to play the song at half speed to hear it properly). 5 - "and the wind cried ... " There was a strong debate about what Roger says at the very end of the track: "And the wind cried Mary ? Marion ? Back ? ". Make your own opinion before Dave thanks you ;-) Note : it is also said that at some point Roger says "Bring Back My Guitar", but we haven't been able to find this sentence during the song (or nothing that could be clearly identified as this). 6 - Moonhead (uncredited) Recorded : July 10, 1969 Primary source : BBC TV broadcast, July 20, 1969 Source for the tree : unknown gen copy This unreleased track was recorded by the band for the BBC TV broadcast during the night of the first moon landing (July 20, 1969). The show was subtitled "What if it's just green cheese". Note that the bass line later developed into the central part of "Money". Atom Heart Mother (Mason, Gilmour, Waters, Wright, Geesin) - announcements Recorded : London, Abbey Road Studios, 1970 Primary source : "Atom Heart Mother" album, released October 10, 1970 Source for the tree : "Atom Heart Mother" remaster CD 7 - "here's a loud announcement" This sentence was probably said by Ron Geesin (co-composer of the track) and can be heard at 17:28. 8 - "silence in the studio" Another sentence by Ron Geesin. Can be heard at 19:08 9 - Green is the Colour (Waters) - live 10 - Careful with that Axe, Eugene (Waters, Wright, Gilmour, Mason) - live short version 11 - Embryo (Waters) - live short version 12 - Set the Controls for the Heart of the Sun (Waters) - live short version Recorded : live, Hamburg, Muzikhalle, Grosser Saal, February 25, 1971 Primary source : "Hamburger" RoIO LP Source for the tree : "Pink Floyd In Concerto" Italian single These 4 tracks come from an Italian single entitled "Pink Floyd In Concerto" that was released as a bonus with the "Gong" magazine, sometimes in the 70's. This one plays extracts from a bootleg LP ("Hamburger"). When the powers that be found it was bootlegged music, they tried to stop the magazine selling, but some copies went through. The single was later re-released as a bonus with another bootleg LP ("A Special Treat"). Here's what the front cover of the single says: "Supplemento al No 1 anno 4o di 'GONG' mensile di musica e cultura progressiva. 'PINK FLOYD IN CONCERTO' 16 minuti di musica live da monaco di baviera". 13 - "Relics" radio advert #1 14 - "Relics" radio advert #2 Recorded : ? Primary source : radio broadcast Source for the tree : unknown gen copy from radio broadcast 15 - "Meddle" radio advert Recorded : ? Primary source : radio broadcast Source for the tree : unknown gen copy from radio broadcast 16 - One of These Days (Waters, Wright, Mason, Gilmour) - demo #1 Recorded : 1971? Primary source : ? Source for the tree : "Granny Takes A Trip" RoIO CD Nick Mason's words "One of these days I'm going to cut you into little pieces" are repeated all through the song. The voice in the background all along the track is the one of Jimmy Young, an English DJ who was disliked by the band and is the inspiration for the song. This Jimmy Young speech was also used during live performances in late 1974, when the band played a tape of this speech (in loop mode, with increasing tempo) before the song "Raving and Drooling" (early version of "Sheep"). 17 - One of These Days (Waters, Wright, Mason, Gilmour) - demo #2 Recorded : 1971? Primary source : ? Source for the tree : "Granny Takes A Trip" RoIO CD This second demo is more structured, and Jimmy Young is not talking in the background. Note that some Floyd experts think these 2 demos could be a fake. 18 - One of These Days (Waters, Wright, Mason, Gilmour) - mono edit Recorded : London, Morgan Studios, 1971 Primary source : "One Of These Days" US promo single, released 1971 Source for the tree : "One Of These Days" US promo single Various short edits all along the song. 19 - Fearless (Gilmour, Waters) - mono edit Recorded : London, 1971 Primary source : "One Of These Days" US promo single, released 1971 Source for the tree : "One Of These Days" US promo single There's only one verse, which is mainly the first verse of the original version (until "just wait a while for the right day"), where the last lines were replaced by those of the second verse ("and as you rise ... faces in the crowd"). This version also fades out early. 20 - Roger the Hat interview Recorded : 1972 Primary source : Capital Radio broadcast ("Pink Floyd Story"), December 1976 - January 1977 Source for the tree : unknown gen from Capital Radio broadcast All though "The Dark Side of the Moon" album, you can hear the voices of people interviewed by the band. Here, Roger the Hat (who was a roadie for various rock bands) is interviewed by Roger Waters. On the album, you can hear his voice during "On the Run" ("Live for today, gone tomorrow, that's me, hahaha") and during "Us And Them" ("Short, sharp shock").

CD4 1 - Breathe (Waters, Gilmour, Wright) - mono Recorded : London, Abbey Road Studios, June 1972 - January 1973 Primary source : "The Dark Side Of The Moon" US promo EP, released 1973 Source for the tree : 1st gen copy from "Breathe" promo single 2 - On the Run (Gilmour, Waters) - outtake Recorded : London, Abbey Road Studios, November 1972 Primary source : "Live At Pompeii" film Source for the tree : "Live At Pompeii" LaserDisc Studio outtake with interview segments. You can hear a keyboard jam in the first part and then a nearly finished mix in the second part. 3 - Time (Mason, Waters, Wright, Gilmour) - demo Recorded : London, Abbey Road Studios, June 1972 Primary source : ? Source for the tree : "From the Other Side" RoIO CD Rough mix from "The Dark Side of the Moon" recording sessions. Longer rototom intro. The instrumental part after "you missed the starting gun" has no guitar solo. It fades out at the beginning of "Breathe - reprise" (just before the words "Home, home again"). 4 - Time (Mason, Waters, Wright, Gilmour) - stereo edit Recorded : London, Abbey Road Studios, June 1972 - January 1973 Primary source : "Us And Them" single, released 1973 Source for the tree : 1st gen copy from "Us And Them" single Shorter rototom intro, most of the central guitar solo is missing, rototom outro in place of "Breathe - reprise". 5 - Time (Mason, Waters, Wright, Gilmour) - mono edit Recorded : London, Abbey Road Studios, June 1972 - January 1973 Primary source : "The Dark Side Of The Moon" US promo EP, released 1973 Source for the tree : "The Dark Side Of The Moon" US promo EP Same as previous edit: shorter rototom intro, most of the central guitar solo is missing, rototom outro in place of "Breathe - reprise". 6 - Money (Waters) - demo Recorded : 1971 Primary source : BBC Radio One interview with David Gilmour, broadcast July 28, 1992 Source for the tree : "Pinkie Milkie" RoIO CD Extract of Roger's early demo of the song. He plays a double tracked acoustic guitar while singing over the top. 7 - Money (Waters) - stereo edit Recorded : London, Abbey Road Studios, June 1972 - January 1973 Primary source : "Money" single, released May 5, 1973 Source for the tree : "Money" 1993 UK Promo CD The intro is shorter, the central part of the sax solo is edited, as well as parts 2 & 3 of the guitar solo (quiet part and theme reprise). 8 - Money (Waters) - "soft" stereo edit Recorded : London, Abbey Road Studios, June 1972 - January 1973 Primary source : "Money" US promo single, released May 1973 Source for the tree : "Money" US promo single Same as previous edit, plus "shit" edit during the sentence "Don't give me that do goody good bullshit". 9 - Money (Waters) - "soft" mono edit Recorded : London, Abbey Road Studios, June 1972 - January 1973 Primary source : "Money" US promo single, released May 1973 Source for the tree : "Money" US promo single Same as previous edit: the intro is shorter, the central part of the sax solo is edited, as well as parts 2 & 3 of the guitar solo and the word "shit" during the sentence "Don't give me that do goody good bullshit". 10 - Money (Waters) - alternate "soft" mono edit Recorded : London, Abbey Road Studios, June 1972 - January 1973 Primary source : "The Dark Side Of The Moon" US promo EP, released 1973 Source for the tree : "The Dark Side Of The Moon" US promo EP Shorter intro, no sax solo, edited guitar solo, plus "shit edit" during the sentence "Don't give me that do goody good bullshit". 11 - Us And Them (Waters, Wright) - demo Recorded : London, Abbey Road Studios, June 1972 Primary source : ? Source for the tree : "From the Other Side" RoIO CD Sax solo is not mixed on and off, no echo on vocals, different piano part at the end. 12 - Us And Them (Waters, Wright) - outtake Recorded : London, Abbey Road Studios, November 1972 Primary source : "Live At Pompeii" film Source for the tree : "Live At Pompeii" LaserDisc Studio outtake with interview segments. The work in progressÖ Note that in the film (at 04:05), an extract of "Eclipse" is inserted before David Gilmour says "It's an imagery we'd like to dispelÖ". We have reported this extract at the end of this disc. 13 - Us And Them (Waters, Wright) - stereo edit Recorded : London, Abbey Road Studios, June 1972 - January 1973 Primary source : "Us And Them" US promo single, released February 4, 1974 Source for the tree : "Us And Them" US promo single Various short edits during sax solos, no third verse, fade out during piano solo. 14 - Us And Them (Waters, Wright) - mono edit Recorded : London, Abbey Road Studios, June 1972 - January 1973 Primary source : "The Dark Side Of The Moon" US promo EP, released 1973 Source for the tree : "Us And Them" US promo single Same as previous edit: various short edits during sax solos, no third verse, fade out during piano solo. 15 - Brain Damage / Eclipse (Waters) - demo Recorded : London, Abbey Road Studios, June 1972 Primary source : ? Source for the tree : "From the Other Side" RoIO CD Fades in the middle of the song. No laughter after the first sentence. Guitar solo all along the track. No voice during the bridge between "Brain Damage" and "Eclipse". 16 - Brain Damage (Waters) - outtake Recorded : London, Abbey Road Studios, November 1972 Primary source : "Live At Pompeii" film Source for the tree : "Live At Pompeii" LaserDisc Studio outtake with interview segments. This version has guitar parts similar to the demo version. 17 - Brain Damage (Waters) - outtake Recorded : London, Abbey Road Studios, November 1972 Primary source : "Live At Pompeii" film Source for the tree : "Live At Pompeii" LaserDisc Length : 01:16 Studio outtake with interview segments. Slightly different bass line. Note that in the film this track is inserted between the two "Us And Them" parts. 18 - Eclipse - "mysterious ending tiny music" Recorded : London, Abbey Road Studios, June 1972 - January 1973 Primary source : "The Dark Side of the Moon" album, released March 24, 1973 Source for the tree : "The Dark Side of the Moon" MFSL CD At the very end of "The Dark Side of the Moon", you can hear at very low level (below the tape hiss level) some notes of music. Some think it's a Beatles tune, some don't ;-). Even if it's easier to remove it than keep it, all the remastered editions of the album have this "default".

The Definitive Pink Floyd Rarities Compilation (studio). 17 Discs. Volume 2 (CD3 - CD4): Pink Floyd Rarities 1969 - 1973

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CD5 1 - Merry Xmas Song (uncredited) Recorded : ? Primary source : ? Source for the tree : "All Movement is Accomplished" RoIO CD Impromptu song, probably sung by Nick Mason, with John Peel and Alan Stiles (Floyd roadie to whom the song "Alan's Psychedelic Breakfast" on "Atom Heart Mother" album is dedicated). Some say it was recorded during the Zabriskie Point sessions in Rome, December 1969. Other think it's from 1974 or 1975. One thing is almost certain though: it must have been recorded in December... ;-) 2 - Shine on you Crazy Diamond (Gilmour, Waters, Wright) - part 1 Recorded : London, Abbey Road Studios, January - July 1975 Primary source : "Have A Cigar" French single, released 1975 Source for the tree : "Have A Cigar" French single It fades out just before "Syd's theme" (the "four notes" guitar riff). 3 - Shine on you Crazy Diamond (Gilmour, Waters, Wright) - promo edit Recorded : London, Abbey Road Studios, January - July 1975 Primary source : "Shine On You Crazy Diamond" promo single, released 1975 Source for the tree : "Anthology I" RoIO CD This version fades in during Part 3 (last guitar solo before vocals), continues with the first verse of Part 4 ("Remember when you were young ... you legend, you martyr, and shine"), then jumps to Part 7 (third verse: "Nobody knows where you are ... for truth and delusion, and shine"), and fades out during the end of Part 8. 4 - Shine on you Crazy Diamond (Gilmour, Waters, Wright) - 1981 edit Recorded : London, Abbey Road Studios, January - July 1975 Primary source : "A Collection of Great Dance Songs" compilation, released November 23, 1981 Source for the tree : "A Collection of Great Dance Songs" CD Part 3 (last guitar solo before vocals) is skipped, Part 4 and Part 7 are linked (so that the three verses are continuous), and there's a fade out after the last verse (just before Part 8). 5 - Shine on you Crazy Diamond (Gilmour, Waters, Wright) - UK short version Recorded : London, Abbey Road Studios, January - July 1975 Primary source : "Selected Tracks from Shine On" UK promo CD, released 1992 Source for the tree : "Selected Tracks from Shine On" UK promo CD On the promo sampler, this version is called "radio edit", but it's in fact a short version of the song (there is no "edit"): it fades in at the beginning of Part 4 ("Remember when you were young ...") and fades out at the end of Part 5 (sax solo). 6 - Shine on you Crazy Diamond (Gilmour, Waters, Wright) - US short version Recorded : London, Abbey Road Studios, January - July 1975 Primary source : "Shine On - Selections from the Box" US promo CD, released 1992 Source for the tree : "Shine On - Selections from the Box" US promo CD This version is also called "radio edit" on the US promo sampler, although it's slightly different from the "radio edit" on the UK promo sampler. Again, there's no "edit" and it's in fact a short version: it fades in during the end of Part 3 (last guitar solo before vocals) and fades out early during Part 5 (sax solo). 7 - Shine on you Crazy Diamond (Gilmour, Waters, Wright) - "storm" mix Recorded : London, Abbey Road Studios, January - July 1975 Primary source : ? Source for the tree : unknown gen copy Parts 1 to 9 linked together, remixed with storm noises in the background. It is said that this track was remixed by or for the BBC, but it is probably a fake. However, it has acquired a certain fame in the trading circle of Pink Floyd fans. We included it here, in order to let you make your own opinion. 8 - Shine on you Crazy Diamond (Gilmour, Waters, Wright) - "to the galaxy" Recorded : London, Abbey Road Studios, January - July 1975 Primary source : "Hitchhiker's Guide to the Galaxy" radio show Source for the tree : unkown gen copy During one of the scenes in the "Hitchhiker's Guide to the Galaxy" radio series (an adaptation of Douglas Adams' novel), the opening of "Shine on you Crazy Diamond" can be heard in the background and one of the characters (Arthur) says "Ford, do you realize that robot can hum like Pink Floyd ?". 9 - Have A Cigar (Waters) - short version Recorded : London, Abbey Road Studios, January - July 1975 Primary source : "Have A Cigar" Italian single, released 1975. Source for the tree : "Have A Cigar" Italian single Note that the various European releases of this single have shorter or longer versions: the French promo juke-box single is 04:50 long (it's nearly the complete version), the Belgian single is 04:24 long and the Italian single is 04:13 long. All these European versions fade out during the final guitar solo. 10 - Have A Cigar (Waters) - stereo edit Recorded : London, Abbey Road Studios, January - July 1975 Primary source : "Have A Cigar" US single, released November 15, 1975 Source for the tree : "Have A Cigar" US single Four bars intro instead of eight bars (two small edits in the guitar and keyboards first themes), plus an early fade out during the final guitar solo. 11 - Have A Cigar (Waters) - mono edit Recorded : London, Abbey Road Studios, January - July 1975 Primary source : "Have A Cigar" US promo single, released November 15, 1975 Source for the tree : "Have A Cigar" US promo single Same edit as above: four bars intro instead of eight bars, plus an early fade out during the final guitar solo.

CD6 1 - "Animals" radio advert Recorded : ? Primary source : radio broadcast, 1977 Source for the tree : unknown gen copy from radio broadcast 2 - Pigs on the Wing (Waters) - parts 1 & 2 Recorded : London, Britannia Row Studios, 1976 Primary source : "Animals" 8-tracks cartridge, released January 1977 Source for the tree : "Gold Top" Snowy White's compilation CD On the US 8-tracks cartridge release of the "Animals" album, both parts of "Pigs on the Wing" were linked by a guitar solo played by Snowy White. This enhanced track was only released on CD in 1995, on Snowy White's compilation "Gold Top". 3 - Pigs (Three Different Ones) (Waters) - short version Recorded : London, Britannia Row Studios, 1976 Primary source : "Pigs (Three Different Ones")" Brazilian promo single, released 1977 Source for the tree : "Pigs (Three Different Ones)" Brazilian promo single This version fades out after the 2nd verse. 4 - The Wall - "loop message" Recorded : April - November 1979 Primary source : "The Wall" album, released November 30, 1979 Source for the tree : "The Wall" MFSL CD Roger says two bits of sentence at the very end and the very beginning of "The Wall". Some understand: "Isn't this where Ö we came in ?", others understand: "Somebody spoke Ö we came in". 5 - Another Brick In The Wall part 2 (Waters) - single version Recorded : April - November 1979 Primary source : "Another Brick in the Wall part 2" single, released November 16, 1979 Source for the tree : "Anthology I" RoIO CD This version has four extra bars at the beginning (rhythm guitar intro that doesn't appear on the album because of the abrupt transition between "The Happiest Days of our Lives" and "Another Brick in the Wall part 2") and fades out during the guitar solo. 6 - Another Brick In The Wall part 2 (Waters) - 1981 single version Recorded : April - November 1979 Primary source : "A Collection of Great Dance Songs" compilation, released November 23, 1981 Source for the tree : "A Collection of Great Dance Songs" CD Same four bars intro as the original single version, but it fades out later, after the end of the guitar solo (during the teacher's shouts). 7 - Empty Spaces - "backwards message" Recorded : April - November 1979 Primary source : "The Wall" album, released November 30, 1979 Source for the tree : "The Wall" MFSL CD There's a backwards message at the start of "Empty Spaces": "Congratulations, you have just discovered the secret message. Please send your answer at the Funny Farm, care of Old Pink, Chalfont". Then David shouts "Roger, Carolyne on the phone". 8 - Young Lust (Waters, Gilmour) - single version Recorded : April - November 1979 Primary source : "Another Brick in the Wall part 2" Italian single, released 1979 Source for the tree : "Another Brick in the Wall part 2" Italian single + "Off The Wall" US radio promo EP This version has some unreleased intro bars (on the album the track starts with the lyrics) and doesn't fade out with the phone call. Note that there's a special US promo mix (on "Off The Wall" radio promo EP) that doesn't have the intro bars, but has the same ending. 9 - One of my Turns (Waters) - single version Recorded : April - November 1979 Primary source : "Another Brick in the Wall part 2" single, released November 16, 1979 Source for the tree : "Another Brick in the Wall part 2" single No intro crossfade with "Young Lust" (no phone tone at the beginning) nor outro crossfade with "Don't Leave Me Now". 10 - Comfortably Numb (Gilmour, Waters) - demo Recorded : 1978 Primary source : BBC Radio One interview with David Gilmour, broadcast July 28, 1992 Source for the tree : "Total Eclipse" RoIO CD David Gilmour's demo tape. 11 - Comfortably Numb (Gilmour, Waters) - edit Recorded : April - November 1979 Primary source : "Run Like Hell" US single, released June 1980 Source for the tree : "Run Like Hell" US single Final guitar solo is stuck to the end of the first verse (no first guitar solo, no second verse). 12 - Run Like Hell (Gilmour, Waters) - single version Recorded : April - November 1979 Primary source : "Run Like Hell" US single, released June 1980 Source for the tree : "Run Like Hell" US single No croud noise during intro and outro. Only one guitar theme before the first "Run, run, run, runÖ" instead of two, but it is repeated twice at the end (after the scream) instead of once. The "hunt" part is edited. 13 - Run Like Hell (Gilmour, Waters) - promo mix Recorded : April - November 1979 Primary source : "Off The Wall" radio promo, released 1979 Source for the tree : "Off The Wall" radio promo No crowd noise during intro and outro. Intro theme (before the guitar theme) is twice as long as on the album. Guitar theme is repeated twice after the final scream, instead of once. 14 - Money (Waters) - 1981 version Recorded : London, New Roydonia Studios, 1981 Primary source : "A Collection of Great Dance Songs" compilation, released November 23, 1981 Source for the tree : "A Collection of Great Dance Songs" CD This is a new version, re-recorded by David Gilmour due to contractual reason. 15 - Money (Waters) - 1981 edit Recorded : London, New Roydonia Studios, 1981 Primary source : "Money" UK single, released 1982 Source for the tree : "Anthology I" RoIO CD No sax solo. 16 - When the Tigers Broke Free (Waters) - single version Recorded : 1982 Primary source : "When the Tigers Broke Free" single, released July 26, 1982 Source for the tree : "Roger Waters - The Wall Berlin '90" promo CD This song is the only soundtrack extract from "The Wall" movie that was eventually officially released. In the film, it was split into two parts (with more choir intro and outro). The orchestra is mixed louder on this version, which also has more drum rolls. 17 - Bring the Boys Back Home (Waters) - single version Recorded : 1982 Primary source : "When the Tigers Broke Free" single, released July 26, 1982 Source for the tree : "Total Eclipse" RoIO CD This song was re-recorded for the film, without Roger's voice (there's only the choir). On this single version, the orchestral bridge is longer than on the album version (also note that the flute theme is not in the film version) and with three reprises of "Bring the boys back home", when there's only one on the album. 18 - "The Final Cut" radio avert Recorded : ? Primary source : WKLS radio broadcast, Atlanta, March 17, 1983 Source for the tree : unknown gen copy from radio broadcast 19 - Not Now John (Waters) - obscured version Recorded : 1982 Primary source : "Not Now John" single, released April 30, 1983 Source for the tree : "A CD Full of Secrets" CD Since the original version has lyrics that say "F*** all that", David Gilmour came back in the studio to make a radio-friendly version ("Stuff all that") for the single release. Note that they just recorded "Stuff all that" loud enough to drown the original, which is still there. The intro is slightly different from the album version (no laugh), and this version fades out before the lyrics "Where's the fucking bar John?". 20 - Not Now John (Waters) - promo edit Recorded : 1982 Primary source : "Not Now John" Argentinian promo single, released 1983 Source for the tree : "Not Now John" Argentinian promo single This version is not obscured (it has the F*** word). It begins directly with the vocals (no intro), and the lines "Hold on John, I think there's something good on Ö it could be reusable shows" were skipped. 21 - The Hero's Return (Waters) - parts 1 & 2 Recorded : 1982 Primary source : "Not Now John" single, released April 30, 1983 Source for the tree : "Total Eclipse" RoIO CD The second part, with additional lyrics, is only available on the single.

The Definitive Pink Floyd Rarities Compilation (studio). 17 Discs. Volume 3 (CD5 - CD6): Pink Floyd Rarities 1974 - 1983

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CD7 1 - Learning to Fly (Gilmour, Ezrin, Carin, Moore) - demo Recorded : 1986 Primary source : BBC Radio One interview with David Gilmour, broadcast July 28, 1992 Source for the tree : 3rd gen copy from BBC Radio One broadcast This is Jon Carin's demo. Jon Carin met David Gilmour in 1985, during "Live Aid". He played keyboards with the Floyd (in studio and on tour) from 1986 to 1994. He also played keyboards, guitars and did some vocals on Roger Waters' "In The Flesh" Tour, in 1999 and 2000. 2 - Learning to Fly (Gilmour, Ezrin, Carin, Moore) - edit Recorded : 1987 Primary source : "Learning to Fly" US single, released September 15, 1987 Source for the tree : "Learning to Fly" UK CD single The instrumental part before the last verse ("Above the planet on a wing and a prayer ...") is edited (6 bars instead of 10 during the "checklist"). This version also fades out slightly earlier than the regular one. 3 - The Dogs of War (Gilmour, Moore) - edit Recorded : 1987 Primary source : "A Momentary Lapse of Reason Official Tour CD" US promo, released 1988 Source for the tree : "A Momentary Lapse of Reason Official Tour CD" Shorter intro (2 themes instead of 8). Note that the end is not mixed with the beginning of "One Slip" as on the album. 4 - One Slip (Gilmour, Manzanera) - edit Recorded : 1987 Primary source : "Learning to Fly" UK single, released October 3, 1987 Source for the tree : "Learning to Fly" UK CD single This version begins with the first drum hit (the "clocks noises" part of the album version is skipped). The rototom intro is edited (4 themes instead of 8) and doesn't have the background keyboards. The central part with bass solo is edited (2 themes instead of 4). The last chorus is repeated and the fade out happens during the second one (on the album version, after the last chorus, there's a reprise of the bass solo and then the song fades out). 5 - On the Turning Away (Gilmour, Moore) - edit Recorded : 1987 Primary source : "On the Turning Away" UK promo single, released December 7, 1987 Source for the tree : ? The quiet fretless bass lines, just before the last verse, are edited out. The first part of the final guitar solo is edited. Early fade out. 6 - The Dogs of War (Gilmour, Moore) - live Recorded : live, Atlanta, the Omni, November 5, 1987 Primary source : "One Slip" single, released 1988 Source for the tree : "A Momentary Lapse of Reason Official Tour CD" 7 - On the Turning Away (Gilmour, Moore) - live Recorded : live, Atlanta, the Omni, November 5, 1987 Primary source : "On the Turning Away" 12" single, released November 24, 1987 Source for the tree : "On the Turning Away" CD single It was filmed and used for "On the Turning Away" video. 8 - One Slip (Gilmour, Manzanera) - live 05:24 Recorded : live, Atlanta, the Omni, November 5, 1987 Primary source : "One Slip" video Source for the tree : "One Slip" video Note that this live version was never officially released. It's only available from TV broadcasts. 9 - Run Like Hell (Waters, Gilmour) - live Recorded : live, Atlanta, the Omni, November 5, 1987 Primary source : "On the Turning Away" single, released November 24, 1987 Source for the tree : "On the Turning Away" CD single 10 - Wearing the Inside Out (Wright, Moore) - LP version Recorded : 1994 Primary source : "The Division Bell" LP, released March 30, 1994 Source for the tree : "The Division Bell" LP This LP version is different from the CD version, with a slight change in the lyrics: the first lines of the second verse ("I murmured a vow ... when I think aloud") were added to the first verse, and the rest of the second verse ("Extinguished by the light ... with an empty smile") was left out, so that the LP version has a longer first verse, and no second verse between "This bleeding heart's not beating much" and "I'm creeping back to life...". 11 - Take it Back (Gilmour, Ezrin, Samson, Laird-Clowes) - edit Recorded : 1994 Primary source : "Take it Back" single, released May 16, 1994 Source for the tree : "Take it Back" CD single Edits during the intro (5 chords instead of 9), the central part (8 chords instead of 16) and the outro (4 chords instead of 8). 12 - Take it Back (Gilmour, Ezrin, Samson, Laird-Clowes) - extended Recorded : 1994 Primary source : "Take it Back" French promo single, released 1994 Source for the tree : "Take it Back" French promo single, released 1994 Extended ending. 13 - Keep Talking (Gilmour, Wright, Samson) - radio edit Recorded : 1994 Primary source : "High Hopes / Keep Talking" UK single, released October 17, 1994 Source for the tree : "High Hopes / Keep Talking" UK CD single Late fade in (the first 24 seconds from the original version are missing). The guitar and keyboards solos in the middle of the song are both shortened. Early fade out.

CD8 1 - Lost for Words (Gilmour, Samson) - clean version Recorded : 1994 Primary source : "Lost for Words" US promo single, released 1994 Source for the tree : "Lost for Words" US promo CD The "f***" word in "please gonna f*** myself" is censored by a "beep". Early fade out. 2 - High Hopes (Gilmour, Samson) - radio edit Recorded : 1994 Primary source : "High Hopes / Keep Talking" UK single, released October 17, 1994 Source for the tree : "High Hopes / Keep Talking" UK CD single Edits during the piano/bells intro (2 themes instead of 4), during the central instrumental part with acoustic guitar (2 themes instead of 4) and during the ending guitar solo. Note that the "radio edit" on the French single is 5 seconds shorter (2 more bells ringings were cut). 3 - High Hopes - "phone call" Recorded : 1994 Primary source : "The Division Bell" album, released March 30, 1994 Source for the tree : "The Division Bell" CD At the very end of "The Division Bell" album, there's a phone conversation between Steve O'Rourke (Floyd's manager) and Charlie (Polly Samson's son; Polly married David Gilmour in 1994). This conversation was probably incidentally recorded by the answering machine at Gilmour's house. 4 - David Gilmour interview Recorded : March 26, 1994 Primary source : "Take it Back" Australian promo single, released 1994 Source for the tree : "Take it Back" Australian promo CD This is an "answers only" interview, where David Gilmour is supposed to answer 8 different questions. The questions are available on a separate sheet provided with the promo CD: Question 1: Where was your new album, The Division Bell, recorded ? Question 2: How was the recording of this album different from the previous Pink Floyd album ? Question 3: How did you arrive at the title The Division Bell ? Question 4: Do you enjoy putting on such enormous concert events ? Question 5: Let's talk about the songs on the album. On "What Do You Want From Me" the music was written by you and Richard and the lyrics were written by you and Polly Samson. Could you tell us how this wame about ? Question 6: There's an incredible instrumental on the album. Could you explain how you came up with the music and the title to "Marooned" ? Question 7: How did you come up with "Wearing The Inside Out". I see that Dick Parry plays saxophone on this song ? Question 8: "Keep Talking" is an amazing song. It's being played on the radio almost constantly. Are you happy with the response that song is getting ? 5 - Soundscape (uncredited) Recorded : 1994 Primary source : "P*U*L*S*E" cassette, released 1995 Source for the tree : "P*U*L*S*E" cassette This track consists of various ambient noises and is probably an extract of the (longer) tape that was played before the Floyd shows during the Division Bell Tour. Somewhere in the middle, an extract from "Cluster One" can be heard. It is not available on "P*U*L*S*E" CD and LP releases. 6 - Astronomy DominÈ (Barrett) - live Recorded : live, Miami, Joe Robbie Stadium, April 30, 1994 Primary source : "Take it Back" single, released May 16, 1994 Source for the tree : "Take it Back" CD single First song from the first night of the Division Bell Tour. 7 - One of These Days (Waters, Wright, Mason, Gilmour) - live Recorded : live, Hannover, Niedersachsenstadion, August 17, 1994 Primary source : "High Hopes / Keep Talking" UK single, released 1994 Source for the tree : "High Hopes / Keep Talking" UK CD single 8 - Wish You Were Here (Waters, Gilmour) - live edit Recorded : live, Rome, Cinecitta, September 20, 1994 Primary source : "Wish You Were Here" French promo single, released 1995 Source for the tree : "Wish You Were Here" French promo CD This is an edit of the "P*U*L*S*E" version: it fades in at the beginning of the acoustic guitar solo (at 01:42 on "P*U*L*S*E" CD), and there's a short edit during the last guitar/voice duo, after the last verse (the segment 04:29-04:43 on the "P*U*L*S*E" CD version was cut). 9 - Coming Back to Life (Gilmour) - live edit Recorded : live, London, Earls Court, October 13, 1994 Primary source : "Coming Back to Life" US promo single, released 1995 Source for the tree : "Coming Back to Life" US promo CD This is an edit of the "P*U*L*S*E" version: the instrumental guitar intro is missing (the song begins with the first lines "Where were you ..."), and it ends just after the last verse (skipping the final guitar solo). 10 - One of These Days (Waters, Wright, Mason, Gilmour) - live Recorded : live, London, Earls Court, October 16 & 20, 1994 Primary source : "P*U*L*S*E" cassette, released 1995 Source for the tree : "P*U*L*S*E" cassette This is not the same live version as the one available on "High Hopes / Keep Talking" single. It's available on "P*U*L*S*E" cassette and LP releases only.

The Definitive Pink Floyd Rarities Compilation Volume 4 (CD7 - CD8): Pink Floyd Rarities 1987 - 1994

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CD9 "San Francisco" 1 - Interstellar Overdrive (Barrett, Waters, Wright, Mason) Recorded : London, Thompson Recording Studios, October 31, 1966 Primary source : "San Francisco" film, released 1968 Source for the tree : 1st gen copy from the film This version is also rumoured as to have been recorded in Syd Barrett's garage. "Tonite Let's All Make Love in London" 2 - Interstellar Overdrive (Barrett, Waters, Wright, Mason) 3 - Nick's Boogie (Barrett, Mason, Wright, Waters) 11:43 Recorded : London, Sound Techniques Studios, January 11-12, 1967 Primary source : "Tonite Let's All Make Love In London... Plus" CD, released 1990 Source for the tree : "In London 1966*1967" CD The original soundtrack album was released July 19, 1968, and contained a 3 minutes extract from "Interstellar Overdrive". The full length version of "Interstellar Overdrive" was released for the first time in 1990, on "Tonite Let's All Make Love In London... Plus" CD, along with the unreleased "Nick's Boogie". "The Committee" (Parts 1`-8) Recorded : London, Sound Techniques Studios, April 1968 Primary source : "The Committee" film, released 1968 Source for the tree : 1st gen copy from the film The first track of the film was in fact recorded backwards. We inverted this track, so that you can hear the song as it was recorded (track 4). Track 5 is the track as it appears in the film. Note that part 7 is an early version of "Careful With That Axe, Eugene". "More" 13 - Main Theme (Waters, Wright, Gilmour) - film version Recorded : London, Sound Techniques Studios, March 1969 Primary source : "More" film, released 1969 Source for the tree : "More" video On the film, the slide guitar that can be heard on the regular version was edited out. 14 - Seabirds (Waters) Recorded : London, Sound Techniques Studios, March 1969 Primary source : "More" film, released 1969 Source for the tree : "More" video This song doesn't appear on the album. 15 - Cymbaline (Waters) - film version Recorded : London, Sound Techniques Studios, March 1969 Primary source : "More" film, released 1969 Source for the tree : "More" video This version has alternate lyrics, and the vocals are sung in a very different way than on the album ("head voice"). 16 - Hollywood (Gilmour) Recorded : London, Sound Techniques Studios, March 1969 Primary source : "More" film, released 1969 Source for the tree : "More" video Short instrumental track, not included on the album.

CD10 1 - "More" outtakes Recorded : London, Sound Techniques Studios, March 1969 Primary source : BBC broadcast ("Laying Down Tracks"), June 1969 Source for the tree : unknown gen from BBC broadcast This is in fact a documentary about the multi-track recording technique, broadcast by the BBC in June 1969, under the title "Laying Down Tracks". One can hear outtakes from the "More" recording sessions: first, some unreleased instrumental music, then "Cirrus Minor" and at last the keyboards intro to "Main Theme". On some RoIOs, this BBC docmumentary is wrongly referred as being "The Committee" soundtrack. "Zabriskie Point" 2 - Heart Beat, Pig Meat (Waters, Gilmour, Mason, Wright) Recorded : Rome, November - December 1969 Primary source : "Zabriskie Point" soundtrack, released 1970 Source for the tree : "Zabriskie Point - Extended Soundtrack" CD 3 - Heart Beat, Pig Meat (Waters, Gilmour, Mason, Wright) - film version Recorded : Rome, November - December 1969 Primary source : "Zabriskie Point" film, released 1970 Source for the tree : "Zabriskie Point" LaserDisc Alternate mono mix. Extended intro (before the first organ notes). Sounds and background noises are differently mixed (especially the orchestra snippets). The last part is edited. 4 - Crumbling Land (Waters, Gilmour, Mason, Wright) Recorded : Rome, November - December 1969 Primary source : "Zabriskie Point" soundtrack, released 1970 Source for the tree : "Zabriskie Point - Extended Soundtrack" CD This song was described by David Gilmour as "a kind of country and western number which he [Michelangelo Antonioni, the film's director] could have gotten done better by any number of American bands. But he chose ours... Very strange". 5 - Crumbling Land (Waters, Gilmour, Mason, Wright) - extended Recorded : Rome, November - December 1969 Primary source : ? Source for the tree : "Omay Yad" RoIO CD This version is basically the same as the regular version from the soundtrack album, but the ending with cars and street noises is uncut. 6 - Crumbling Land (Waters, Gilmour, Mason, Wright) - film version Recorded : Rome, November - December 1969 Primary source : "Zabriskie Point" film, released 1970 Source for the tree : "Zabriskie Point" LaserDisc Alternate mono mix, with different vocal tracks. 7 - Come in Number 51, Your Time is Up (Waters, Gilmour, Mason, Wright) Recorded : Rome, November - December 1969 Primary source : "Zabriskie Point" soundtrack, released 1970 Source for the tree : "Zabriskie Point - Extended Soundtrack" CD "Careful With That Axe, Eugene" revisited. 8 - Come in Number 51, Your Time is Up (Waters, Gilmour, Mason, Wright) - film version Recorded : Rome, November - December 1969 Primary source : "Zabriskie Point" film, released 1970 Source for the tree : "Zabriskie Point" LaserDisc Alternate mono mix, organ mixed louder, one guitar track edited out. Note that the "reprise", after the abrupt cut, only appears on the LaserDisc version. 9 - Love Scene - Version 4 (Waters, Gilmour, Mason, Wright) Recorded : Rome, November 16, 1969 Primary source : "Zabriskie Point - Extended Soundtrack" CD, released 1997 Source for the tree : "Zabriskie Point - Extended Soundtrack" CD Pink Floyd made at least 6 attempts to compose music that could fit in the desert sex sequence of the film. Finally, none of the Floyd's versions was chosen (the music accompanying the love scene in the film was composed and played by Grateful Dead's guitarist Jerry Garcia). Version 4 is a quiet instrumental piano piece, played by Rick Wright. 10 - Love Scene - Version 6 (Waters, Gilmour, Mason, Wright) Recorded : Rome, November 16, 1969 Primary source : "Zabriskie Point - Extended Soundtrack" CD, released 1997 Source for the tree : "Zabriskie Point - Extended Soundtrack" CD Version 6 is a totally different approach than version 4. This is a blues jam, played by the whole band, not very far from the blues number they used to play during their live performances in 1970 and 1971. 11 - Unknown Song (Waters, Gilmour, Mason, Wright) Recorded : Rome, December 6, 1969 Primary source : "Zabriskie Point - Extended Soundtrack" CD, released 1997 Source for the tree : "Zabriskie Point - Extended Soundtrack" CD The acoustic guitar duo has some themes from "The Narrow Way Part 1". The bass lines appearing in this outtake were later developed in "Atom Heart Mother" ("Funky Dung"). 12 - Rain in the Country (Waters, Gilmour, Mason, Wright) Recorded : Rome, December 6, 1969 Primary source : ? Source for the tree : "Omay Yad" RoIO CD Alternate take from "Unknown Song" (same basic track, but different lead and overdubs, different edits). The title "Rain In The Country" was probably given by the "Omay Yad" RoIO LP manufacturers, where this outtake first surfaced. 13 - Country Song (Waters, Gilmour, Mason, Wright) Recorded : Rome, December 12, 1969 Primary source : "Zabriskie Point - Extended Soundtrack" CD, released 1997 Source for the tree : "Zabriskie Point - Extended Soundtrack" CD 14 - Oenone (uncredited) Recorded : Rome, November - December, 1969 Primary source : ? Source for the tree : "Omay Yad" RoIO CD "Oenone", from Greek mythology, is the name of a nymph deserted by her husband, Paris, for Helen of troy. Some prefer to spell this outtake "Oneone", because it would be pronounced "oh-nee-oh-nee", the same way as the end of Zabriskie Point's director name, Michelangelo AntONIONI. This title was probably given by the "Omay Yad" RoIO LP manufacturers, where this outtake first surfaced. 15 - Fingal's Cave (uncredited) Recorded : Rome, November - December, 1969 Primary source : ? Source for the tree : "Omay Yad" RoIO CD "Fingal's Cave" is the name of a large cavern on Staffa islet in the Hebrides, West Scotland. This title was probably given by the "Omay Yad" RoIO LP manufacturers, where this outtake first surfaced.

The Definitive Pink Floyd Rarities Compilation Volume 5 (CD9 - CD10): Soundtracks 1966 - 1969

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CD11 "The Body" 1 - Roger Waters & Ron Geesin - Our Song (Waters, Geesin) Recorded : 1970 Primary source : "Music from The Body" soundtrack, released November 28, 1970 Source for the tree : "Music from The Body" soundtrack CD 2 - Roger Waters & Ron Geesin - Sea Shell and Stone (Waters) Recorded : 1970 Primary source : "Music from The Body" soundtrack, released November 28, 1970 Source for the tree : "Music from The Body" soundtrack CD This is in fact the main theme of the soundtrack, that appears on several other tracks, in different forms. This version is an acoustic song: acoustic guitar, bass and Roger Waters' vocals. 3 - Roger Waters & Ron Geesin - Sea Shell and Soft Stone (Waters, Geesin) Recorded : 1970 Primary source : "Music from The Body" soundtrack, released November 28, 1970 Source for the tree : "Music from The Body" soundtrack CD Instrumental version of the main theme, with violins arranged by Ron Geesin. 4 - Roger Waters & Ron Geesin - Breathe (Waters) Recorded : 1970 Primary source : "Music from The Body" soundtrack, released November 28, 1970 Source for the tree : "Music from The Body" soundtrack CD This is not the song from "The Dark Side of the Moon" album, but curiously it also begins with "Breathe in the air...". This is in fact "Sea Shell And Stone" part 2. 5 - Roger Waters & Ron Geesin - Sea Shell and Stone (Waters) - film version Recorded : 1970 Primary source : "The Body" film, released 1970 Source for the tree : "Roger Waters - Rarities Volume Three" RoIO CD Alternate take, directly from the film. Note that there are sometimes two vocal lines instead of one on the regular version. If you listen carefully, you can hear some birds in the background, in fact this is exactly the same tape that was used at the beginning of "More" (probably an Abbey Road standard tape, since the same birds can be heard on songs from other artists, like the Beatles, the Kinks, Kate Bush...). 6 - Roger Waters & Ron Geesin - Sea Shell and Soft Stone (Waters, Geesin) - film version Recorded : 1970 Primary source : "The Body" film, released 1970 Source for the tree : "Roger Waters - Rarities Volume Three" RoIO CD Alternate take, directly from the film. 7 - Roger Waters & Ron Geesin - Breathe (Waters) - film version Recorded : 1970 Primary source : "The Body" film, released 1970 Source for the tree : "Roger Waters - Rarities Volume Three" RoIO CD Alternate take, directly from the film. Note that there are sometimes two vocal lines instead of one on the regular version. The birds from "More" can be heard again in the background. 8 - Roger Waters & Ron Geesin - Chain of Life (Waters) Recorded : 1970 Primary source : "Music from The Body" soundtrack, released November 28, 1970 Source for the tree : "Music from The Body" soundtrack CD 9 - Roger Waters & Ron Geesin - The Womb Bit (Waters, Geesin) Recorded : 1970 Primary source : "Music from The Body" soundtrack, released November 28, 1970 Source for the tree : "Music from The Body" soundtrack CD 10 - Roger Waters & Ron Geesin - Body Transport (Waters, Geesin) Recorded : 1970 Primary source : "Music from The Body" soundtrack, released November 28, 1970 Source for the tree : "Music from The Body" soundtrack CD 11 - Roger Waters & Ron Geesin - Give Birth to a Smile (Waters) Recorded : 1970 Primary source : "Music from The Body" soundtrack, released November 28, 1970 Source for the tree : "Music from The Body" soundtrack CD Another variation on the main theme. But this time, this is a song performed by all the four Pink Floyd members. 12 - Roger Waters & Ron Geesin - Give Birth to a Smile (Waters) - film version Recorded : 1970 Primary source : "The Body" film, released 1970 Source for the tree : "Roger Waters - Rarities Volume Three" RoIO CD Alternate take, directly from the film. No female backing vocals. "Live At Pompeii" 13 - "Live At Pompeii" radio advert #1 14 - "Live At Pompeii" radio advert #2 15 - "Live At Pompeii" radio advert #3 16 - "Live At Pompeii" radio advert #4 17 - "Live At Pompeii" radio advert #5 18 - "Live At Pompeii" radio advert #6 19 - "Live At Pompeii" radio advert #7 20 - "Live At Pompeii" goofy ad #1 21 - "Live At Pompeii" goofy ad #2 22 - "Live At Pompeii" goofy ad #3 23 - "Live At Pompeii" goofy ad #4 Recorded : ? Primary source : "Radio Ads For Pompeii Movie" US promo EP, released 1974 Source for the tree : unknown gen copy from "Radio Ads For Pompeii Movie" US promo EP "La Vallee" 24 - Obscured by Clouds (Waters, Gilmour) Recorded : France, Ch‚teau d'HÈrouville, 1972 Primary source : French radio broadcast, February 27, 1972 Source for the tree : unknown gen copy from French radio broadcast Outtake from "Obscured By Clouds" recording sessions. One can hear some keyboard parts not appearing on the regular version. 25 - Free Four (Waters) - short version Recorded : France, Ch‚teau d'HÈrouville, 1972 Primary source : "Free Four" US promo single, released July 10, 1972 Source for the tree : "Free Four" US promo single Early fade out. 26 - Free Four (Waters) - film version Recorded : France, Ch‚teau d'HÈrouville, 1972 Primary source : "La Vallee" film, released 1972 Source for the tree : 1st gen copy from "La Vallee" video Directly from the film. This version has an extra verse. 27 - Instrumental (uncredited) Recorded : France, Ch‚teau d'HÈrouville, 1972 Primary source : "La Vallee" film, released 1972 Source for the tree : 1st gen copy from "La Vallee" video Directly from the film. This short instrumental track was not included on the album. "Magritte" 28 - Roger Waters - Magritte Pt.1 (Waters) 29 - Roger Waters - Magritte Pt.2 (Waters) 30 - Roger Waters - Magritte Pt.3 (Waters) 31 - Roger Waters - Magritte Pt.4 (Waters) 32 - Roger Waters - Magritte Pt.5 (Waters) 33 - Roger Waters - Magritte Pt.6 (Waters) 34 - Roger Waters - Magritte Pt.7 (Waters) 35 - Roger Waters - Magritte Pt.8 (Waters, Gilmour) Recorded : ? Primary source : "Magritte" documentary film, 1978 Source for the tree : "Magritte" video From a biography of Belgian surrealist painter RenÈ Magritte. Although this documentary was first released in 1978, it is possible that the music has been recorded several years before. For instance, during Part 2, Part 3 and Part 4, the strange keyboards sounds are very similar to those one can hear during "On The Run" sequence of "Live At Pompeii", where Roger Waters is trying to get different sounds from the synthesizer (this could make sense, since both "Magritte" and "Live At Pompeii" were directed by Adrian Maben). Some attribute these low-pitched pulses to Adrian Maben himself, although he's not credited as music composer for this documentary. The song that can be heard during Part 5 and Part 6 seems to be an unreleased song performed by Pink Floyd. Part 8 contains an extract from "Obscured By Clouds". Note that we didn't include the whole documentary soundtrack here, we just took the snippets containing music by Roger Waters (most probably). So, parts of the documentary are missing, but the music is uncut. "The Hit" 36 - Roger Waters - The Hit (Waters, Clapton) Recorded : ? Primary source : "The Hit" film, released 1985 Source for the tree : "Roger Waters - Rarities Volume Three" RoIO CD The title track of this film was written and performed by Roger Waters and Eric Clapton.

CD12 "When the Wind Blows" 1 - Roger Waters - The Russian Missile (Waters) 2 - Roger Waters - Towers of Faith (Waters) 3 - Roger Waters - Hilda's Dream (Waters) 4 - Roger Waters - The American Bomber (Waters) 5 - Roger Waters - The Anderson Shelter (Waters) 6 - Roger Waters - The British Submarine (Waters) 7 - Roger Waters - The Attack (Waters) 8 - Roger Waters - The Fallout (Waters) 9 - Roger Waters - Hilda's Hair (Waters) 10 - Roger Waters - Folded Flags (Waters) Recorded : 1986 Primary source : "When the Wind Blows" soundtrack, released October 30, 1986 Source for the tree : "When The Wind Blows" soundtrack CD "White Of The Eye" Nick Mason & Rick Fenn - White Of The Eye Pts.1- 34 Recorded : ? Primary source : "White Of The Eye", released 1988 Source for the tree : "White Of The Eye" video Part 5 is a song called ìSlim Jenkinsí Jointî, written by Booker T. & the MGs, and performed by Nick Mason and Rick Fenn. During Part 13, one can hear a short extract from a song by Hank Williams Jr., entitled "A Country Boy Can Survive". Note that we didn't include the whole soundtrack here, we just took the snippets containing music performed by Nick Mason and Rick Fenn. So, parts of the film are missing, but the music is uncut.

The Definitive Pink Floyd Rarities Compilation Volume 6 (CD11 - CD12): Soundtracks 1970 - 1988

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CD13 "La Carrera Panamericana" 1 - Run Like Hell (Gilmour, Waters) Recorded : New York, Nassau Coliseum, August 19-23, 1988 Primary source : "La Carrera Panamericana" film, released 1992 Source for the tree : "La Carrera Panamericana" LaserDisc This version of "Run Like Hell" is in fact a short extract from the "Delicate Sound of Thunder" version, with a new recorded ending. 2 - Country Theme (Gilmour) Recorded : ? Primary source : "La Carrera Panamericana" film, released 1992 Source for the tree : "La Carrera Panamericana" LaserDisc 3 - Small Theme (Gilmour) Recorded : ? Primary source : "La Carrera Panamericana" film, released 1992 Source for the tree : "La Carrera Panamericana" LaserDisc 4 - Big Theme (Gilmour) Recorded : ? Primary source : "La Carrera Panamericana" film, released 1992 Source for the tree : "La Carrera Panamericana" LaserDisc 5 - Carrera Slow Blues (Gilmour, Mason, Wright) Recorded : ? Primary source : "La Carrera Panamericana" TV broadcast Source for the tree : 2nd gen copy from "La Carrera Panamericana" TV broadcast This song was taken from the BBC TV broadcast of the film (it's not on the LaserDisc or video release, although it's listed at the end of the tracklist). Since the music was slightly re-organised on the broadcast version of the film, the talking that can be heard during "Carrera Slow Blues" is in fact a part of the talking that's placed somewhere during "Big Theme" on the LaserDisc version. 6 - Mexico '78 (Gilmour) Recorded : ? Primary source : "La Carrera Panamericana" film, released 1992 Source for the tree : "La Carrera Panamericana" LaserDisc 7 - Pan Am Shuffle (Gilmour, Mason, Wright) - full length version 08:09 Recorded : ? Primary source : "La Carrera Panamericana" film, released 1992 Source for the tree : "La Carrera Panamericana" LaserDisc and 2nd gen copy from "La Carrera Panamericana" TV broadcast The song "Pan Am Shuffle" appears at different places during the film: first at the beginning of the film, then during the ending credits. Besides that, the length of the credits varies on the different versions of the film (LaserDisc, video or TV broadcast): since the song fades out on both LaserDisc and video releases, only the broadcast version of the film contains the very end of the song. So we combined several parts of the LaserDisc and the TV broadcast, to have the full length version. "Ruby Takes a Trip" 8-20 - David Gilmour - Ruby Takes A Trip Pts.1-13 Recorded : ? Primary source : "Ruby Takes a Trip" TV broadcast, 1992 Source for the tree : "Take a Trip to the X-Files" RoIO CD Part 9 and Part 10 contain a monotonal piece of music, with a slide guitar theme that's not very far from "One Of These Days". Part 11 is "On The Run" revisited. Note that we didn't include the whole soundtrack here, we just took the snippets containing music by David Gilmour. So, parts of the film are missing, but the music is uncut. "The Art of Tripping" 2-25 - David Gilmour - The Art of Tripping Pts.1-5 (Gilmour) 00:15 Recorded : ? Primary source : "The Art of Tripping" TV broadcast, 1993 Source for the tree : unknown gen copy from "The Art of Tripping" TV broadcast The musical score by David Gilmour only consists of short snippets. Note that Part 4 contains the same piece of music as Part 7 and Part 8 of "Ruby Takes A Trip". "The Colors of Infinity" 26 - 45 David Gilmour - The Colors of Infinity Pt.1-20 (Gilmour) Recorded : ? Primary source : "The Colors of Infinity" video, released 1997 Source for the tree : 1St gen copy from "The Colors of Infinity" video Length : This film is a documentary about fractals and The Mandelbrot set. For this soundtrack, David Gilmour re-used some pieces from his previous soundtracks. Part 2 and Part 20 contain the same piece of music as Part 9 and Part 10 of "Ruby Takes A Trip" (slide guitar theme, a la "One Of These Days"). Part 6 is basically the same as Part 2 and Part 3 of "Ruby Takes A Trip" (slow theme). Part 9 and Part 10 contain the same piece of music as Part 3 of "The Art Of Tripping" (keyboards with high pitched guitar on the top, a la "Marooned"). Part 15 is the same as Part 11 of "Ruby Takes A Trip" ("On The Run" revisited). Note that the theme that can be heard during Part 12 is very similar to the central part of "High Hopes". Note that we didn't include the whole documentary soundtrack here, we just took the snippets containing music by David Gilmour. So, parts of the documentary are missing, but the music is uncut.

CD14 "The Dybbuk of the Holy Apple Field" 1 - Roger Waters - Knocking on Heaven's Door (Dylan) Recorded : ? Primary source : "The Dybbuk from the Holy Apple Field" film, released 1998 Source for the tree : "The Dybbuk of the Holy Apple Field" film "La Leggenda del Pianista Sull Oceano" 2 - Roger Waters - Lost Boys Calling (Morricone, Waters) Recorded : ? Primary source : "La Leggenda del Pianista Sull Oceano" Italian soundtrack, released 1998 Source for the tree : "La Leggenda del Pianista Sull Oceano" Italian soundtrack CD This song contains the theme used throughout the rest of the film, composed by Ennio Morricone. For "Lost Boys Calling", Roger Waters wrote the lyrics and probably did the arrangement. 3 - Roger Waters - Lost Boys Calling (Morricone, Waters) - new version Recorded : ? Primary source : "Legend Of 1900" soundtrack, released 1999 Source for the tree : "Legend Of 1900" soundtrack CD The Italian film was released worldwide in 1999, with the English title "Legend Of 1900". A new soundtrack album ("Legend Of 1900") was released, and the version of "Lost Boys Calling" is slightly different from the version on the Italian soundtrack. The vocals were re-recorded, and a guitar solo by Edward Van Halen was added. Curiously, there's also a slight change in the lyrics: during the last verse, Roger sings "when I hear those seabirds cry", while on the Italian soundtrack version, it's "when she hears those seabirds cry".

The Definitive Pink Floyd Rarities Compilation Volume 7 (CD13 - CD14): Soundtracks 1992 - 1999

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CD15 1 - Jokers Wild - Why Do Fools Fall in Love (uncredited) 2 - Jokers Wild - Walk like a Man (uncredited) 3 - Jokers Wild - Don't Ask Me (What I Say) (uncredited) 4 - Jokers Wild - Big Girls Don't Cry (uncredited) 5 - Jokers Wild - Beautiful Delilah (uncredited) Recorded : 1965 Primary source : "Jokers Wild" mini LP, released 1965 Source for the tree : "Jokers Wild" RoIO CDR Jokers Wild was a band formed during the mid-60s, featuring David Gilmour. The other musicians were John Gordon (guitar), Clive Welham (drums), Tony Sainty (bass) and David Altham (vocals). In 1965, they recorded a one-sided mini LP with these 5 songs. Note that David Gilmour played in other bands before joining Jokers Wild: The Newcomers (early 60s) and then The Ramblers (in 1962-1963). 6 - David Gilmour - There's No Way Out of Here (Baker) - stereo edit Recorded : France, Superbear Studios, 1978 Primary source : "There's No Way Out of Here" UK single, released May 25, 1978 Source for the tree : "There's No Way Out of Here" US promo single The second verse ("There are no answers here ...") and the second chorus ("There never was there an answer ... without seeing") were deleted. 7 - David Gilmour - There's No Way Out of Here (Baker) - mono edit Recorded : France, Superbear Studios, 1978 Primary source : "There's No Way Out of Here" US promo single, released August 19, 1978 Source for the tree : "There's No Way Out of Here" US promo single Same edit as above: the second verse ("There are no answers here ...") and the second chorus ("There never was there an answer ... without seeing") were deleted. 8 - David Gilmour - Like a Rolling Stone (Dylan) Recorded : David Gilmour home studio, 1983 Primary source : BBC Radio One interview with David Gilmour, broadcast July 28, 1992 Source for the tree : "Solo Works Vol.2" RoIO 9 - David Gilmour - Blue Light (Gilmour) - edit Recorded : Paris, Pathe-Marconi Studios, 1984 Primary source : "Blue Light" UK single, released February 13, 1984 Source for the tree : "Blue Light" US promo single The instrumental part with percussion, just after the first chorus, is edited (4 bars instead of 8). The organ solo (by Deep Purple's keyboardist Jon Lord) is edited (4 bars instead of 8). 10 - David Gilmour - Blue Light (Gilmour) - vocal version Recorded : Paris, Pathe-Marconi Studios, 1984 Primary source : "Blue Light" 12" promo single, released 1984 Source for the tree : "Blue Light" 12" promo single This is an extended and remixed version. The new mix is obvious, especially on percussion, vocal lines and guitar effects. There are 8 guitar themes added just before the first verse. After the organ solo, there's a new instrumental part with bass and percussion. The final guitar solo is extended. 11 - David Gilmour - Blue Light (Gilmour) - instrumental version Recorded : Paris, Pathe-Marconi Studios, 1984 Primary source : "Blue Light" 12" promo single, released 1984 Source for the tree : "Blue Light" 12" promo single This is another extended version, almost totally instrumental (one can hear "she's a blue light" somewhere though). The structure is completely different from the previous extended version. 12 - Roger Waters - For the First Time Today (Waters) - parts 1 & 2 Recorded : Olympic, Eel Pie & the Billiard Room, February - December 1983 Primary source : "5.06 am (Every Strangers Eyes)" single, released June 1984 Source for the tree : "Selections from the Pros and Cons of Hitch Hiking" promo sampler Part 1 and Part 2 are linked on this version, while there are in different places on the album (with Part 2 on side one and Part 1 on side two!). The end of Part 2 fades early (just at the beginning of the "stay with me" sequence). 13 - Roger Waters - 5.01 am (The Pros and Cons of Hitch Hiking) (Waters) - extended 05:22 Recorded : Olympic, Eel Pie & the Billiard Room, February - December 1983 Primary source : "5.01 am (The Pros and Cons of Hitch Hiking)" 12" single, released 1984 Source for the tree : "5.01 am (The Pros and Cons of Hitch Hiking)" 12" single There's an alternate guitar solo in the middle of the song, followed by a sax solo that isn't on the album version. The last part with the repeated female vocal lines "these are the pros and cons of hitchhiking" has 2 added lines (just after "oh babe, I must be dreaming again"): the first one with a saxophone bit, the second one with a guitar bit. The following lines are the same as on the album. 14 - Roger Waters - 5.06 am (Every Strangers Eyes) (Waters) - edit Recorded : Olympic, Eel Pie & the Billiard Room, February - December 1983 Primary source : "5.06 am (Every Strangers Eyes)" single, released June 1984 Source for the tree : "Selections from the Pros and Cons of Hitch Hiking" promo sampler On the album version, right at the beginning of the song, there are two guys that can be heard in the background, asking to turn the Juke Box down. One of the two guys says "hey, turn that f*** Juke Box down". This sentence was edited out on the single version. 15 - Roger Waters - Across the Universe (Lennon) Recorded : London, BBC TV, December 5, 1985 Primary source : "Tribute to John Lennon" BBC TV show Source for the tree : "Roger Waters - Rarities Volume One" RoIO CD This version features Andy Fairweather-Low on guitar. 16 - Roger Waters - Radio K.A.O.S. - "loop message" Recorded : the Billiard Room, October - December 1986 Primary source : "Radio K.A.O.S." album, released 1987 Source for the tree : "Radio K.A.O.S." CD The very end and the very start of "Radio K.A.O.S." have a sentence by Jim Ladd: "That's ... back to the beginning". 17 - Roger Waters - Radio Waves (Waters) - edit Recorded : the Billiard Room, October - December 1986 Primary source : "Radio Waves" single, released May 11, 1987 Source for the tree : "Radio KAOS off the Air" RoIO CDR Shorter intro, without the words of Jim Ladd. Early fade out. 18- Roger Waters - Radio Waves (Waters) - extended Recorded : the Billiard Room, October - December 1986 Primary source : "Radio Waves" 12" single, released May 11, 1987 Source for the tree : "Radio KAOS off the Air" RoIO CDR Jim Ladd's words at the very beginning were edited out. The intro has 4 more bars. An instrumental part was added between the intro and the first verse (one instrumental chorus, one instrumental verse and one chorus with female vocals, singing "radio"). Another instrumental part was added between the second chorus and the guitar solo (with some voices, including a loud sentence "The Fish Report with a Beat, in stereo!"). The ending is different from the regular version: there's no fade out, it ends abruptly with the words "in stereo". 19 - Roger Waters - Me or Him (Waters) - demo Recorded : the Billiard Room, 1986 Primary source : Rockline interview, broadcast September 21, 1987 Source for the tree : "Roger Waters - Rarities Volume One" RoIO CD This demo is close to the final version.

CD16 1 - Roger Waters - The Fish Report With A Beat Recorded : the Billiard Room, October - December 1986 Primary source : "Radio K.A.O.S." Video EP, released 1987 Source for the tree : "KAOS On The Road" RoIO CDR 2 - Roger Waters - 4 Minutes (Waters) - video edit Recorded : the Billiard Room, October - December 1986 Primary source : "Radio K.A.O.S." Video EP, released 1987 Source for the tree : "KAOS On The Road" RoIO CDR The intro is different from the regular version: the noises are different, and the vocals begin with the female vocals ("Sometimes I feel like going home"), while the first verse sung by Waters alone was deleted ("After a near miss on the plane ..."). Applause was included at the end. 3 - Roger Waters - The Tide Is Turning (After Live Aid) (Waters) - video edit Recorded : the Billiard Room, October - December 1986 Primary source : "Radio K.A.O.S." Video EP, released 1987 Source for the tree : "KAOS On The Road" RoIO CDR The ending of the song is different (the choir section ends very early, without fading out with the morse code as on the album). 4 - Roger Waters - Going to Live in L.A. (Waters) Recorded : the Billiard Room, October - December 1986 Primary source : "Radio Waves" single, released May 11, 1987 Source for the tree : "Radio KAOS off the Air" RoIO CDR 5 - Roger Waters - Back to Radio (Waters) Recorded : the Billiard Room, October - December 1986 Primary source : "The Tide is Turning (After Live Aid)" 12" UK single, released November 16, 1987 Source for the tree : "Radio KAOS off the Air" RoIO CDR 6 - Roger Waters - Money (Waters) - 1987 version Recorded : the Billiard Room, July 14, 1987 Primary source : "The Tide is Turning (After Live Aid)" UK single, released November 16, 1987 & "Sunset Strip" single, released 1987 Source for the tree : "Radio KAOS off the Air" RoIO CDR This is a "live in the studio" version, sung by Paul Carrack. Applauses were added in the mix. 7 - Roger Waters - Molly's Song (Waters) - live Recorded : live, Inglewood, The Forum, September 20, 1987 Primary source : "Who Needs Information" US single, released 1987 Source for the tree : "KAOS On The Road" RoIO CDR This song was sung by backing vocalist Doreen Chanter, during the "Radio KA.O.S. Tour". No studio version has surfaced, although it is said that Roger Waters and the Bleeding Heart Band recorded it for the follow up to "Radio K.A.O.S." (that was never released). However, a short extract from this song can be heard in the background during "Four Minutes", on the "Radio K.A.O.S." album. 8 - Roger Waters - Another Brick in the Wall part 2 (Waters) - 1990 version Recorded : June 1990 Primary source : "The Wall Berlin '90" US promo, released 1990 Source for the tree : "The Wall Berlin '90" US promo CD Studio version, re-recorded by Roger Waters & the Bleeding Heart Band some weeks before the Berlin concert. Note that some background noises and guitar effects were directly taken from the song "Is There Anybody Out There?" (on "The Wall" album). 9 - Roger Waters - Another Brick in The Wall part 2 (Waters) - live edit Recorded : live, Berlin, Potsdamer Platz, June 18-21, 1990 Primary source : "Another Brick in the Wall part 2" UK single, released September 10, 1990 Source for the tree : "Another Brick in the Wall part 2" CD single Lead vocals by Cyndi Lauper. The 2nd guitar solo and the following keyboards solos were edited out. The song ends differently: the two lines "All in all it's just another brick in the wall" and "All and all you're just another brick in the wall" were added right after the guitar solo, to end the song abruptly (instead of the music fade-out and teacher's screams on the live album). 10 - Roger Waters - Young Lust (Waters, Gilmour) - live edit Recorded : live, Berlin, Potsdamer Platz, June 18-21, 1990 Primary source : "Pieces from The Wall" UK promo, released 1990 Source for the tree : "Pieces from the Wall" UK promo CD Lead vocals by Bryan Adams. The intro is shorter (the guitar/drums part has 2 bars instead of 4). The keyboard solo (between the guitar solo and the last chorus) was edited out. 11 - Roger Waters - Run Like Hell (Gilmour, Waters) - potsdamer mix Recorded : 1990 Primary source : "Another Brick in the Wall part 2" UK single, released September 10, 1990 Source for the tree : "Another Brick in the Wall part 2" CD single This is a completely new version, with new vocals by Roger Waters and a lot of dance and beatbox rhythms. Some samples from the original guitar riffs and the "hunt" part were used. The rest is almost keyboards only. 12 - Roger Waters - The Tide is Turning (Waters) - live edit Recorded : live, Berlin, Potsdamer Platz, June 18-21, 1990 Primary source : "The Tide is Turning" UK single, released November 19, 1990 Source for the tree : "The Tide is Turning" US promo CD On this version, all the instrumental tracks were re-recorded (there's no orchestra or piano, and the guitar lines are different from those on the live album). Only the vocals from the guests were kept (Roger re-recorded his own vocals). The chorus after the second verse was edited, and the following instrumental part was edited out. The last chorus (with "oh, oh, oh, the tide is turning" without drums) has 2 lines instead of 8. This version fades out early. 13 - Roger Waters - What God Wants part 1 (Waters) - video edit Recorded : 1992 Primary source : "What God Wants part 1" single, released August 24, 1992 Source for the tree : "What God Wants part 1" CD single The intro is shorter: the first part with female vocals ("What God wants, Got gets, God'll help us all") was edited out, and the lines "What God wants, God gets" (during the first guitar solo) are sung only twice (instead of 3 times on the album version). 14 - Roger Waters - Perfect Sense - "backwards message" Recorded : 1992 Primary source : "Amused to Death" album, released 1992 Source for the tree : "Amused to Death" CD Roger Waters wanted to use some lines and "breathing effects" from Stanley Kubrick's "2001 : A Space Odyssey", but Kubrick refused. This explains the backward message at the beginning on "Perfect Sense": "Julia, however, in the light and visions of the issues of Stanley, we changed our minds. We have decided to include a backward message. Stanley, for you, and for all the other book partners... (screamed sentence)". 15 - Roger Waters - Three Wishes (Waters) - radio edit Recorded : 1992 Primary source : "Three Wishes" UK single, released 1992 Source for the tree : "Three Wishes" UK CD single The instrumental intro before the first verse was edited out. The long instrumental part, between the last vocal lines and the ending guitar solo, was edited out. 16 - Marianne Maithfull - Incarceration of a Flower Child (Waters) Recorded : Oxnard, the Teatro, July 1998 Primary source : "Vagabond Ways" Marianne Faithfull album, released June 14, 1999 Source for the tree : "Vagabond Ways" Marianne Faithfull CD This is the song Roger Waters "offered" to Marianne Faithfull. It was composed during the early Floyd days, in 1968. It begins with the words "Do you remember me, how we used to be...", exactly the same words than those used by Waters in "Your Possible Pasts", on "The Final Cut" album. Note that this song features Roger on bass synth.

The Definitive Pink Floyd Rarities Compilation Volume 8 (CD15 - CD16): David Gilmour and Roger Waters Rarities

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CD17 1 - Zee - Confusion (Wright, Harris) - single version Recorded : Cambridge, Rectory Studio, 1984 Primary source : "Confusion" UK single, released March 12, 1984 Source for the tree : "Confusion" UK single This version is slightly remixed (some keyboard lines are added during the verses) and edited (shorter intro, early fade out). 2 - Zee - Confusion (Wright, Harris) - extended Recorded : Cambridge, Rectory Studio, 1984 Primary source : "Confusion" 12" UK single, released March 12, 1984 Source for the tree : "Confusion" 12" UK single Longer intro and new extended ending. 3 - Zee - Eyes of a Gypsy (Harris) Recorded : Cambridge, Rectory Studio, 1984 Primary source : "Confusion" UK single, released March 12, 1984 Source for the tree : "Confusion" UK single Also available on the cassette release of "Identity" album. 4 - Zee - Eyes of a Gypsy (Harris) - dub Recorded : Cambridge, Rectory Studio, 1984 Primary source : "Confusion" 12" UK single, released March 12, 1984 Source for the tree : "Confusion" 12" UK single This version is completely remixed, with most of the vocal lines edited out. 5 - Rick Wright - Night of a Thousand Furry Toys (Wright, Moore) - inverted gravy mix Recorded : France, Studio Harmonie, 1996 Primary source : "Broken China" UK promo CD, released 1996 Source for the tree : "Broken China" UK promo CD Instrumental remix, by William Orbit with Matt Ducasse. 6 - Rick Wright - Runaway (Moore) - r. wright's lemonade mix Recorded : France, Studio Harmonie, 1996 Primary source : "Broken China" UK promo CD, released 1996 Source for the tree : "Broken China" UK promo CD Instrumental remix, by the Orb. 7 - Rick Wright - Runaway (Moore) - leggit dub Recorded : France, Studio Harmonie, 1996 Primary source : "Broken China" UK promo CD, released 1996 Source for the tree : "Broken China" UK promo CD Another instrumental remix, by the Orb. 8 - Nick Mason & Rick Fenn - Lie for a Lie (Fenn, Mason, Peyronel) - extended Recorded : London, Britannia Row Studios N1 & Basement Studios SW14, 1985 Primary source : "Lie for a Lie" 12" single, released 1985 Source for the tree : "Lie for a Lie" 12" single The intro has four bars instead of two. During the verses, soft keyboards (strings sound) are added in the background. The second chorus is extended, with a new part during which David Gilmour and the female choir are answering to each other. After the third chorus, there's a new acoustic guitar solo.

The Definitive Pink Floyd Rarities Compilation Volume 9 (CD17): Rick Wright and Nick Mason Rarities

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Like A Rolling Stone (David Gilmour demo 1983) Like A Rolling Stone (David Gilmour demo 1983 - FM source) Learning To Fly (Jon Carin demo 1986) Learning To Fly (Jon Carin demo 1986 - FM source) The Dogs Of War (demo 1986) Signs Of Life (outtake 1986) Untitled #1 (demo 1993) Untitled #2 (demo 1993) Untitled #3 (demo 1993) Untitled #4 (demo 1993) (incl. What Do You Want From Me) Untitled #1 (outtake 1993) Wearing The Inside Out (outtake 1993) The Instrumental Suite (outtake 1993) Cluster One Marooned Untitled (incl. High Hopes)

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Flaming Scarecrow The Gnome Matilda Mother Vegetable Man Scream Thy Last Scream Pow R. Toc. H. Jugband Blues Murderistic Woman Massed Gadgets Of Hercules Let There Be More Light Julia Dream Point Me At The Sky Baby Blue Embryo Interstellar Overdrive Daybreak Cymbaline The Beginning Beset By Creatures Of The Deep Narrow Way

Original FM Broadcasts t1-4: Recorded at the Playhouse Theatre, London, Sept. 25, 1967 "Top Gear" t5-8: Recorded at Maida Vale Studios, London, Dec. 20, 1967 "Top Gear" t9-12: Recorded at 201 Piccadilly, Studio 1, London, June 25, 1968 "Top Gear" t13-16: Recorded at Maida Vale Studios, London, Dec. 2, 1968 "Top Gear" t17-21: Recorded at the Paris Cinema, London, May 12, 1969 "Top Gear"

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Flaming Apples and Oranges Scarecrow The Gnome Mathilda Mother Vegetable Man Pow R. Toc H. Scream Thy Last Scream Jugband Blues Julia Dream Let There Be More Light Murderistic Women The Massed Gadgets of Hercules Point Me at the Sky Baby Blue Shuffle in D Major Embryo Interstellar Overdrive Daybreak Cymbaline Green is the Colour Careful with that Axe, Eugene The Narrow Way/Part Three

Pink Floyd The Complete Top Gear Sessions 1967-1969 This 2 CD set represents Pink Floyd's Top Gear sessions on the BBC between 30 Sep 1967 and 12 May 1969. Quality is generally very good, although there is some hiss on some tracks.

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Jan 1967- Sept 71 Disc 1 Interstellar Overdrive Mathilda Mother Pow R Toc H Astronomy Domine Interstellar Overdrive w/interview Reaction in G Set the Controls for the Heart of the Sun Flaming Apples and Oranges Scarecrow The Gnome Mathilda Mother Vegetable Man Scream Thy Last Scream Pow R Toc H Jugband Blues Disc 2 Murderistic Women (aka Careful...) The Massed Gadgets of Hercules (aka Saucerful) Let there be More Light Julia Dream Set the Controls for the Heart of the Sun Point Me at the Sky Baby Blue shuffle in D Minor (aka the Narrow Way Part 1) The Embryo Interstellar Overdrive Daybreak (aka Grantchester Meadows) Cymbaline The Beginning (aka Green is the Colour) Beset By Creatures of the Deep (aka Careful...) The Narrow Way Part 3 Disc 3 Interstellar Overdrive Moonhead The Embryo Green is the Colour Careful With That Axe Eugene If Atom Heart Mother Disc 4 The Embryo Blues Fat Old Sun One of These Days Echoes

Disc 1 Tracks 1,2: UFO Club London Jan 27, 1967 BBC TV "Scene Special" Disc 1 Tracks 3,4: BBC Television Centre London May 14 1967 "Look of the Week" Disc 1 Track 5: BBC Radio London July 1967 Disc 1 Tracks 6,7: Cosmopolitan Ballroom Carlisle UK July 23, 1967 Disc 1 Tracks 8-12: Playhouse Theatre London, Sep 25, 1967 "Top Gear" Disc 1 Tracks 12-16: Maida Vale Studios London Dec 20, 1967 "Top Gear" Disc 2 Tracks 1-4: 201 Piccadilly Studio 1 London June 25 1968 "Top Gear" Disc 2 Track 5: London Nov 3, 1968 BBC TV "All My Loving" Disc 2 Tracks 6-9: Maida Vale Studios London Dec 2, 1968 "Top Gear" Disc 2 Tracks: 10-14: Paris Cinema London May 12, 1969 "Top Gear" Disc 3 Tracks 1,2: BBC Television Centre London Jul 10, 1969 "Omnibus" Disc 3 Tracks 3-7: Paris Cinema London Jul 16, 1970 "Peel Sunday Concert" Disc 4: Paris Cinema London Sep 30, 1971 "In Concert"

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Vegetable Man Where Are You? Silas Land Sunshine In The Beechwoods

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Atom Heart Mother The Direct Discreet 4 Channel Tape Mixes / All Tracks Newly Remastered Atom Heart Mother (Rear Channel) (23:40) If (4 Channel) (4:29) If (Front Channel) (4:28) If (Rear Channel) (4:30) Summer'68 (Front Channel) (5:32) Fat Old Sun (Front Channel) (5:30) Alan's Psychedelic Breakfast (Front Channel) (12:02) Atom Heart Mother High Resolution Remaster & Bonus Material / All Tracks Newly Remastered Atom Heart Mother (23:43) If (4:31) Summer'68 (5:32) Fat Old Sun (5:26) Alan's Psychadelic Breakfast (13:05) The Amazing Pudding (Live In Santa Barbara Monica 01/05/1970) (21:52) Atom Heart Mother In Concert Part One Atom Heart Mother (Live In Montreux 21/11/1970) (17:19) If (Live At The Playhouse Theater 16/09/1970) (4:27) Fat Old Sun (Live In Montreux 21/11/1970) (13:20) Atom Heart Mother (Live In Santa Monica 23/10/1970) (29:13) Fat Old Sun (Live In Santa Monica 23/10/1970) (13:00) Atom Heart Mother In Concert Part Two Atom Heart Mother (Live In Sheffield 22/12/1970) (33:19) Atom Heart Mother (Encore) (Live In Shefield 22/12/1970) (2:56) Fat Old Sun (Live In Shefield 22/12/1970) (15:18) Alan's Psychedelic Breakfast (Live In Shefield 22/12/1970) (25:14)

Lim. Edition of 300 numbered copies Incl. a 12 page booklet with the complete tracklistings and information

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Meddle - Outtakes & Rarities: Meddle (Radio Advertisment) One Of These Days (Demo - Longer Version) One Of These Days (Demo - Shorter Version) One Of These Days (Mono Edit Version) One Of These Days (Roland Petit Version 1) One Of These Days (Roland Petit Version 2) Fearless (Mono Edit Version) Echoes (Quad Mix 2016 Echoes (Edited Version 2001) Echoes (Interviews & Recording Session) Meddle - High Resolution Remaster & Bonus Material: One Of These Days A Pillow Of Winds Fearless San Tropez Echoes One Of These Days / Echoes (Roland Petit TV) Meddle - In Concert Part One: One Of These Days (Cleveland 1971) One Of These Days (Hollywood Bowl 1972) One Of These Days (Earls Court) Return of The Son Of Nothing (Berlin 1971) Echoes (Boston 1975) Meddle - In Concert Part Two: Echoes (Cleveland 1971) Echoes (Hollywood Bowl 1972) Echoes (Earls Court 1973)

Lim. Edition of 300 numbered copies Incl. a 12 page booklet with the complete tracklistings and information

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Oenone (Studio) Fingal's Cave (Studio) Interstellar Overdrive (Live) Crumbeling Land (Original Long Studio Version) Rain In The Country (Studio) The Embryo (Live)

Studio outtakes from the film Zabriskie Point recording sessions, December 1969. Live tracks from the Santa Monica Civic Auditorium, California, 1970-05-01. Live tracks have long been attributed to the Chicago 1971-10-27 show until a complete recording of that performance became available (Echoes in the Auditorium, Hip Cat Records).

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~~~UMMA~~~ Studio Sysyphus Part 1 Sysyphus Part 2 / The Violent Sequence (aka The Riot Scene, early Us & Them - from The Ultimate Zabriskie Point) Sysyphus Part 3 (pitched down half a step) Several Species of Small Furry Animals Gathered Together In A Cave (backwards) Sysyphus Part 4 (1st half) / Grooving With A Pict (vocals only) Sysyphus Part 4 (2nd half = part 1 reprise) Oenone (from The Ultimate Zabriskie Point) / Selene (aka Moonhead aka Corrosion - BBC TV 7/69 documentary on the moonlanding) Dythyramb from Grantchester Meadows (ripped from KQED DVD soundtrack 71_04_28) Careful with that sickle, Cronus (aka Come In #51, Your Turn Is Up - film version for intro and end + soundtrack version for middle section - from The Ultimate Zabriskie Point) The Narrow Way, Part 1 (unknown song - soundtrack version - from The Ultimate Zabriskie Point) The Narrow Way, Part 2 The Narrow Way, Part 3 (69-05-12 Paris Cinema London - from BBC archives) The Embryo (from Works) The Grand Vizier's Garden Party: Entrance Heart Beat, Pig Meat (from The Ultimate Zabriskie Point) Nick's Boogie (London 66-67) / The Grand Vizier's Garden Party: Entertainment The Grand Vizier's Garden Party: Exit Biding My Time (from Relics) ~~~GUMMA~~~ Live Grantchester Meadows Recorded live at the Fillmore West, San Francisco, USA on 70-04-29 Astronomy Dominé Recorded live at the Fillmore West, San Francisco, USA on 70-04-29 Impro on Interstellar Overdrive and Moonhead Recorded live at Ernst-Merck Halle, Hamburg, West-Germany on 70-11-14 Grooving With A Pict Recorded live at Ernst-Merck Halle, Hamburg, West-Germany on 70-11-14 The Embryo + Roger Introducing The Massed Gadgets of Auximenes Recorded live at Ernst-Merck Halle, Hamburg, West-Germany on 70-11-14 Careful With That Axe, Eugene Recorded live at the Hallenstadion, Zurich, Switserland on 72-12-09 Sysyphus Recorded live at the Town Hall, Birmingham, England on 70-02-11 The Narrow Way Part 1 aka Baby Blue Shuffle In D Major Recorded in the BBC Maida Vale Studios on 68-12-02 The Narrow Way Part 3 Recorded live at the Royal Festival Hall, London, England on 69-04-14 The Pink Jungle / intro of The Labyrinth of Auximenes Recorded live at the Royal Festival Hall, London, England on 69-04-14 Heart Beat, Pig Meat Recorded live at the Town Hall, Birmingham, England on 70-02-11 Piano Impro Recorded live at te Fairfield Hall, Croydon, England on 70-01-18 The Violent Sequence Recorded live at the Theâtre des Champs-Elysées, Paris, France on 70-01-23 Biding My Time Recorded live at the Concertgebouw, Amsterdam, The Netherlands on 69-09-21 Doing It Recorded live at the Concertgebouw, Amsterdam, The Netherlands on 69-09-21 Recorded live at the Royal Festival Hall, London, England on 69-04-14 Encores: Green Is The Colour Recorded live at the University of Southampton, Southampton, UK on 69-05-09 Beset By Creatures of The Deep Recorded live at the University of Southampton, Southampton, UK on 69-05-09 Biding My Time (reprise) aka Just another 12-bar Recorded live at the Altes Casino, Montreux, Switserland on 70-11-22

1. WHAT IS IT? Revisiting UMMAGUMMA as if it was a band-album, including left-overs and alternate versions, plus some home-made edits. Giving it a brandnew concept. (So this could have been PF's first concept album!) 2. WHY? The idea for this project came in mind when I considered it was a pity that "The Embryo" and "Biding my Time" were recorded for Ummagumma but left out in spite of the concept of making it a 'four-men-solo album'. My first thought was then to burn a copy of Ummagumma for myself, just including those songs at the end of the album. But then I thought: "Why not making it an extended alternate version?" Inspiration also came from Muabdib's studio remix of "The Man & The Journey" (which I recommand!) and the enhanced Wall version "Every Brick In The Wall". It's obvious that the original concept of Ummagumma didn't work out like the band wished it to. Quotes from the band members are clear on this subject: "We all believed it was going to be one of the best things we'd ever put onto record, which I think it was at that time, but the stuff on the album isn't half as good as we can play." -Rick "For me, it was just an experiment. I think it was badly recorded, the studio side could have been done better. We're thinking of doing it again." -David "This was absolutely not a band album. The live stuff sounds incredibly antiquated now [...]. We were looking for new ways of constructing an album, although I think what this demonstrates is that our sum is always better than the parts." -Nick 3. WHAT HAS BEEN DONE? Well, I took the liberty to get rid of that solo-concept, and tried to mix what Ummagumma might have been if it was a real teamwork, giving it a different concept. I don't pretend I improved it, but I wished to include left-outs, unreleased material (principally from ZP, but which fits perfectly in the spirit of Ummagumma) and alternate versions. I had plenty of material (of different quality) to choose from, for 1969 was probably their most prolific year. Therefore I used as far as possible the best sources for those alternate versions, but except for the Zabriskie Point outtakes, quality failed in most of the cases. It's a pity even the audio rip of Grantchester Meadows from the Harvested's KQED DVD is only 19OKbps, hissy and had an annoying hum in the beginning. Other sources had less hiss but much more microphone noise! I tried the best I could to erase this hum and de-hiss it a bit withoput denaturating the audio spectrum with Noise Reduction. Another thing I permitted myself is to rename some tracks in order to give it the mythological concept I conceived for the occasion. I took inspiration by the example of Sysyphus and Oenone and gave Greek mythological references to the whole album, hence Cronus instead of Eugene, Selene (goddess of the moon) for Moonhead, and a Grand Vizier's Garden party which became an authentic Roman orgie! I recommend you to read the liner notes while listening, for I tried to make it more or less conceptual with a storyline. In contrary, I left the original titles for the live set. The choice of including 'Careful...' is less obvious, since this is a 68 song. But, I found it a shame that only the single version was available on official sources, and no version of this tune appears on the regular albums. This december 69 take of Careful for the ZP soundtrack is radically different and much closer to what we use to hear on live roio's. The sound effects aer from the film itself, only the stereo effects for the footsteps and the riding car are mine. Other things that could be considered as 'sins' to some purists: I messed a lot with Sysyphus, integrating 'The Riot Scene' from ZP (aka The Violent Sequence, early Us & Them), 'Several Species...' backwards and the Pict rant without animal noises in it. Hence 'Several Species..' has disappeared from the tracklist! But figure out in case of teamwork, Roger would maybe have done the same. Moreover you can clearly hear Roger rant more or less in the same part on the live version of Sysyphus (a fact I discovered AFTER mixing the studio album!!!) The same 'dammages' occured to Nick's piece. Figure out Syd came to help him get this piece a little more attractive! 4. WHAT ABOUT THE LIVE SET? The live set isn't a gathering of alternate takes of what was originally on the live set of Ummagumma, but more what it would have sounded like if the band had once played (my) Ummagumma live. So here is a REAL live Ummagumma album, assembled from the most "mythic" shows from 69-70 where the Floyd performed their strangest bits with an incredible energy. Especially on that night in Hamburg 70-11-14, Roger was in an incredibly talkative/rantic mood! Notice that powerful 'Embryo' including some jungle noises à la 'Several Species...' and 'Pow R. Toc H.' Alas and again, the shows featuring the rarest tracks like 'Moonhead' or 'Sysyphus' were badly recorded, and most sources are hissy, muffed, etc. The huge quality difference between the different sources I used, forced me to use fades between some tracks, which I don't like but was the only way to make it sound acceptable. The SQ skips are more particulary noticeable in the 'meddley' I made. A special note about 'The Narrow Way Part 3' though. The best recording is the one from the Amsterdam venue of 'The Man & The Journey' . Musically, however, Dave's vocals are probably the worst he ever did in his whole life! His voice fails on all live performance of 'The Narrow Way'. That's why I choose this recording from the London premiere of 'The Man & The Journey': it's not the best source, but at least the vocals are barely audible, which is not a real loss in this case! :-) CONCLUSION I still hope you'll enjoy listening as I enjoyed mixing and compiling this.

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Green is the Colour Careful With That Pipe Wrench, Larry Main Theme from 'More' Moonhead The Pict Rant Home Again Mortality Have a Cigar Pigs on the Wing pt.2 The Last Few Bricks pt.2 The Last Few Bricks pt.2 Celestial Voices Brain Damage/Lunar Eclipse A Bonus Mystery Track...

1) Green is the Colour [3:20] 2) Careful With That Pipe Wrench, Larry [3:19] from BBC Night Ride, May, 12, 1969 Ok, now what the hell is this doing on a "rareties" disc? Well, these tracks are often missing and/or replaced with the 1970 versions on many a RoIO, even some of the 'definitive' BBC collections These tracks are almost as rare as the 1970 'Fat Old Sun' broadcast found on Harvested's 'Mooed Music'. These have the bird sounds, and 'careful' isn't quite a normal version (ergo, my not-so-normal title). I would be interested to know if anyone has these tracks in pristine quality, as these are not ideal. [VG] source: 'In Memoriam 1967-1981' Vinyl LP Box Set, colored vinyl. 3) Main Theme from 'More' [10:25] Town Hall, Birmingham, Feb. 11, 1970 It's a cryin' shame this wasn't played "more" often. some digital tinkering happened here to squeeze what could be squeezed out of this. I think it sounds better than the ususal versions, but it's still not great. The performance, however, is incredible. This infact may be nick mason's finest moment. flamboyant, yet always tasteful. [VG] source: 'In Memoriam 1967-1981' Vinyl LP Box Set, colored vinyl. 4) Moonhead [7:39] 5) The Pict Rant [3:50] Ernst-Merke Halle, Hamburg, Nov. 14, 1970 A rare complete performance of Moonhead (aka 'Corrosion'), followed by one of Roger's best and most, um, vigorous, 'Pict Rants'. This comes from a clone of the master tape, and sounds better than the 'Grooving With a Pict' RoIO of this show. [EX-] source: Hamburg 1970 (DFA-013) CD-R 6) Home Again [1:45] 7) Mortality [3:30] The Dome, Brighton, Jan. 20, 1972 The only instrumental performance of 'Home Again' (aka 'Breathe reprise') along with the 'preacher tape' organ noodling. Dave shows off with the voxbox guitar thing. I like this version quite a bit. Mortality ends about a minute earlier than on the source tape, because a loud and noise kicks in, as their PA system started to fail. An editorial decision was made to remove this unpleasantness from this release. It's just a bit more of the same organ fluff and sound effects, so it's not like there is anything 'important' compromised. [EX] source: The Darkside Rehearsals CD 8) Have a Cigar [5:07] Knebworth Festival, UK, July 5, 1975 The last show of the 1975 tour, and the only live version with Roy Harper. After hearing this, you'll be grateful there's only one. Sound quality is not so hot, and the performance, is, well, tired. I'm sorry this turkey is in here, but hey. [VG-] source: Knebworth Park (Digital Floyd Project) CD-R 9) Pigs on the Wing pt.2 [3:39] Olympic Stadium, Montreal, July 6, 1977 Roger shares some love with the audience. Later in the show he had more to share. This comes from a better source than 'Azimuth Coordinator', and one might be inclined to speculate that this is but a taste of things to come. Indeed. Nice solo from Snowy White. [EX+] source: Fireworks Show in the Canadian Walls CD-R 10) The Last Few Bricks pt.2 [8:16] LA Arena, Los Angeles, Feb. 7, 1980 I could write a book on this 'song', but i won't. This is the last piece of new music from the 4-man lineup, the extra jam played on the first night of the Wall tour. It's a variation on an instrumental version of breathe (hmm, sound familiar?), was probably 'written' by dave gilmour, as he was the 'music director' for the shows, and i'll bet it was rehearsed once or twice. Often assumed to be a one-time improv jam to cover a lag in the stage show, it was infact played TWICE... [EX] source: Azimuth Coordinator vol3 CD 11) The Last Few Bricks pt.2 [3:16] LA Arena, Los Angeles, Feb. 8, 1980 ...and this is the other performance. It's a different arrangement, and about half as long as the night before. A true gem; performance-wise, I like this one better. but the sound quality is not as nice as the other. I didn't do the vinyl 'remastering' on this one, and there is too much noise reduction for my taste. [VG] source: A Little Black Book With my Poems In CD-R remastered from LP 12) Celestial Voices [9:13] Royal Albert Hall, June 26, 1969 The only live performance of this with a choir and orchestra. 9 minutes long, this whopper originates from a better source than what usually circulates of this show. [VG] source: Pink Floyd in Concert with the Azimuth Co-Ordinator CD-R 13) Brain Damage/Lunar Eclipse (RoIO Remix 2000) [5:30] Studio and Guild Hall, Portsmouth Jan 21, 1972 How's THAT for a tacky title? This is a combination of three oddities: The quadraphonic mixdown of Brain Damage from "Works", the guitar solos shown in the studio excepts of the Live at Pompeii movie, and the first performance of "Eclipse" (the song) at Portsmouth. Except, that it ain't quite a song yet, as you will hear. My edits are basically passable, but this is in NO WAY to be considered a rare studio outtake. I (ME) made this, for your amusement only. [Studio/EX-] sources: Works Vinyl LP Pompeii Soundtrack Vinyl LP (Edgar Rubabande) Eclipse of the Dark Side a Piece for Assorted Lunatics CD 14) A Bonus Mystery Track... [EX+]

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Paris Theatre, Lower Regent St, London, England 16 July 1970 Embryo Fat Old Sun Green is the Colour- Careful with that Axe Eugene If Atom Heart Mother Paris Theatre, Lower Regent St, London, England 30 September 1971 Fat Old Sun One of These Days Embryo Echoes BBC Studios, Picadilly, London, England 25 June 1968 The Murderotic Woman or Careful with that Axe Eugene The Massed Gadgets of Hercules Let there be more Light Julia Dream

In 1998 a recording of Hendrix at Clark University in 1968 was found in the BBC archives after research by an employee at the National Sound Archives in London. This recording was subsequently released by Experience Hendrix on their dagger label. Shortly after the Hendrix had surfaced I asked the contact at the NSA if he had access to any Pink Floyd recordings. He was able to book out and copy the 1970 and 1971 shows to DAT. He later found the complete broadcast of the 1968 Top Gear show which was also transferred to DAT. At that time CDR was still a relatively new format and I sent the two concert DATs to a friend in the States to copy to CDR. The CDRS made it safely back across the Atlantic but the DATs, which had been sent separately, went missing somewhere in transit. There is nothing new here, all that is new is a fresh transfer from the original CDRs and in the case of the 1968 broadcast, the DAT. This package brings these three mono masters together for the first time. Artwork included.

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Interstellar Overdrive - BBC 12/68 One Of These Days version 1 - unknown One Of These Days version 2 - unknown

Pink Floyd German Trading Tape at 24/96

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Astronomy Domine (20Feb68) Flaming (20Feb68) Let There Be More Light (20Feb68) Set The Controls For The Heart Of The Sun (20Feb68) Let There Be More Light (07Sep68) Flaming (31Oct68) Let There Be More Light (31Oct68) Corrosion (04-05Dec70) Cymbaline (15Jun71) Set The Controls For The Heart Of The Sun (15Jun71)

All tracks sourced from French TV archives (pre-broadcast), except track 5 sourced from Jan10 rebroadcast on Melody TV. Tracks 1 to 4: recorded in Paris, Buttes Chaumont, ORTF studios, 20Feb68 broadcast on "Bouton Rouge" TV show, 24Feb68 Track 5: recorded in Paris, Le Bilboquet, 07Sep68 broadcast on "Surprise Partie" TV show, 31Dec68 Tracks 6 and 7: recorded in Paris, Chapiteau du Kremlin-Bicetre, 31Oct68 broadcast on "Tous En Scene" TV show, 26Nov68 Track 8: recorded in Paris, Buttes Chaumont, ORTF studios, 04-05Dec70 broadcast on "Speciale Roland Petit" TV show, 02Jan71 Tracks 9 and 10: recorded in Royaumont, Abbaye de Royaumont, 15Jun71 broadcast on "Cinq Grand Sur La Deux" TV show, 12Jul71 Also released as "This Place Records TPR CD 007"

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