Grateful Dead - 04/12/78
Cameron Indoor Stadium, Duke University, Durham, NC
Source:

Black & White Proshot with sbd audio upgrade

Media Type:

DVD

Media Count:

2

Source Info: Bertha Remaster of Master Reel source. SBD>>MR>>PCM>>DAT>>CDA(Toast)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+
Notes:

Complete show. Taperguy27 production of Lonestardead low gen VHS captured by Dan Sisler. Seeded at LL 10/09/06 LL Seeding and Seeded at TTD 11/29/05 TTD Seeding

Tech Notes:

first off thanks to lonestardead & dan sisler for thinking of me when they unearthed what i believe to be the best footage of this show to surface to date. believe me i've looked at all existing versions and have looked over several vhs copies hoping for something worthy of conversion. none of them came close to this footage.

this show is great. i'd like to get on some of what they took at setbreak cause the 2nd set is crazyyyy. imo - the u.s. blues is one of the best versions ever.

Grateful Dead 4-12-78
Cameron Indoor Stadium (Duke University)
Durham North Carolina

AUDIO ATTRIBUTES: Bertha Remaster of Master Reel source.
SBD>>MR>>PCM>>DAT>>CDA(Toast)>>SHN>>DAW(Bertha)
DVD_LPCM_AUDIO @48KBS

VIDEO ATTRIBUTES: LOW GEN VHS PROVIDED BY LONESTARDEAD (ERIC SWARTZ)
CAPTURED BY: DAN SISLER
VHS>STANDALONE>DVD
Stream type: MPEG-2 MP@ML VBR
Resolution: 704*480
Aspect ratio: 4:3
Average Bitrate: 4140
Peak Bitrate: 7931

PROCESS: DEMULTIPLEXED>MPEG2>MULTIPLEXED W/ NEW AUDIO
(ORIGINAL PROSHOT AUDIO FILLED IN BETWEEN SONGS TO HEAR
THE FULL STAGE BANTER)
ALL AUDIO SYNCHING DONE IN VEGAS 6.0
DVD AUTHORING DONE IN ARCHITECT 3.0
AUTHORED & SYNCHED BY TAPERGUY27


Set1

Jack Straw
Dire Wolf
Beat It On Down The Line
Peggy-O
Mama Tried >>
Mexicali Blues
Funiculi Funicula
Row Jimmy
New Minglewood Blues
Loser
Lazy Lightning > Supplication


Set2

Bertha >>
Good Lovin'
It Must Have Been The Roses
Estimated Prophet >>
Eyes Of The World >>
Drums >>
Truckin' >>
Wharf Rat>>
Around & Around

Encore
U.S. Blues


KNOWN AUDIO Flaws:
No/Low Jerry vocals on Jack Straw and Dire Wolf
Reduced sound "burst" at 0:45 Dire Wolf
Patched the dropout at 8:32 Eyes Of The World
Reel flip/dropout between Wharf Rat and Around & Around

**All drop outs filled with video sbd audio









no you're not seeing things.......that's jerry sitting in on drumz....

J-Card Comment:

a28925d214f04670e0877c660cc3b370 *DEAD41278.txt
2a21c8e6cce0419db1c219cb2cfb7031 *set1VIDEO_TSVIDEO_TS.BUP
2a21c8e6cce0419db1c219cb2cfb7031 *set1VIDEO_TSVIDEO_TS.IFO
42572d0bb252ae05c0dbdecc52d1bebd *set1VIDEO_TSVIDEO_TS.VOB
7c4a1f03d557f5cfdcebb867f1f6a8fb *set1VIDEO_TSVTS_01_0.BUP
7c4a1f03d557f5cfdcebb867f1f6a8fb *set1VIDEO_TSVTS_01_0.IFO
edbb92213a2c5c83f6bc7d1c0d334ea5 *set1VIDEO_TSVTS_01_0.VOB
bf4999d060d4f0b90b6d32cb5c5880ac *set1VIDEO_TSVTS_01_1.VOB
7745413383a707fa7001e718554364c1 *set1VIDEO_TSVTS_01_2.VOB
01b2abf6871a4e3aef18c099c1f24c05 *set1VIDEO_TSVTS_01_3.VOB
9ad332f02d7fd400a95931c21d8013d0 *set1VIDEO_TSVTS_01_4.VOB
e09417a3c77a4821767251ac514eb520 *set2VIDEO_TSVIDEO_TS.BUP
e09417a3c77a4821767251ac514eb520 *set2VIDEO_TSVIDEO_TS.IFO
42572d0bb252ae05c0dbdecc52d1bebd *set2VIDEO_TSVIDEO_TS.VOB
720f60ad1717e68bdf1bd58d024bde54 *set2VIDEO_TSVTS_01_0.BUP
720f60ad1717e68bdf1bd58d024bde54 *set2VIDEO_TSVTS_01_0.IFO
c524dc05077a7597934a8c65a583069a *set2VIDEO_TSVTS_01_0.VOB
c3c9f70518c21f7903365808dc6131d5 *set2VIDEO_TSVTS_01_1.VOB
20c251b8a82e4465afc7cec66d0faa19 *set2VIDEO_TSVTS_01_2.VOB
93c831703dd07f7e99d05fee93b6ecf6 *set2VIDEO_TSVTS_01_3.VOB
3838567851b7296007f9c3a710aa1d40 *set2VIDEO_TSVTS_01_4.VOB
257ccbb7a6dd6361dafc7a135103445b *set2VIDEO_TSVTS_01_5.VOB

Trades Allowed: Yes Traded From:

Show Rating:

Yes

Sound Rating:

Reference #:

Generation:

0

Lists:
Owned by Kevin Tobin Videos · Last Updated Dec 4, 2019


Grateful Dead 04/12/78
Cameron Indoor Stadium, Duke University, Durham, NC
Set I
Jack Straw
Dire Wolf
Beat It On Down The Line
Peggy-O
Mama Tried >
Mexicali Blues
Finiculi Finicula
Row Jimmy
New Minglewood Blues
Loser
Lazy Lightning >
Supplication
Set II
Bertha >
Good Lovin'
It Must Have Been The Roses
Estimated Prophet >
Eyes Of The World >
Drums >
Space >
Truckin' >
Wharf Rat >
Around & Around

U.S. Blues
Set III

Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Keith Godchaux - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Donna Jean Godchaux - Vocals
Last Changed By OBIE
Sources
(11476) View Source    View Archive
SBD>MR>PCM>D>CD; via Jeff Cotsman; Seeded to etree by J. Henry
(14085) View Source    View Archive
Bertha Remaster of Master Reel source. SBD>>MR>>PCM>>DAT>>CDA(Toast)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+
(18805) View Source    View Archive
SBD > GD Master 2" 8 Track RTR 15 i.p.s. (2 decks) > GD Vault 1" Mixdown Safety RTR @ 15 i.p.s. > MCS 24 bit/96 kHz ADAT > SSSB (SHNTOOL used and verified)
(95673) View Source    View Archive
SBD>MR>PCM>D>CD>Toast Audio Extractor>Peak>SHN
(105875) View Source    View Archive
flac16; Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller
(106985) View Source    View Archive
flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(107156) View Source    View Archive
flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; fix of shind 106985
(134566) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin
(134567) View Source    View Archive
DTS-Audio-CD 5.1 Mix; SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin
(134820) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - mixing by Kevin Tobin
(141776) View Source    View Archive
flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz - Provided by Tim Dalton; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick April 2018
(148070) View Source    View Archive
flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
(148071) View Source    View Archive
flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
(149339) View Source    View Archive
flac16; Source: Betty Cantor’s SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel
(149531) View Source    View Archive
flac16; Source: Betty Cantor’s Master SBD Reel > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; this is a corrected version of source ID 149339
(155360) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin
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Cached: Mon, 29 Apr 2024 17:53:27 EDT