Smashing Pumpkins
|
http://www.smashingpumpkinsnexus.com/
|
|
Date |
Venue - City, State |
Source | Tech Note | Source Notes | Media |
|
1. |
02/08/91 |
Maxwell's - Hoboken,
NJ |
??? | | |
1 CDR
|
|
2. |
02/12/91 |
CBGB - New York,
NY |
AUD>ANA>CD>CDR-2>EAC>SHN | | |
1 CDR
|
|
3. |
07/21/91 |
Moon - New Haven,
CT |
Sony TC-WE625S > Turtle Beach Montego II > Cool Edit Pro 1.2a > CDWave > shn | Generation : ANA-5
Source: soundboard
Resampling : none; show A/D converted at 44.1k
Editor : Henry Bent
Editing : none
SHN : Master WAV > shortn32 commandline prog.
| |
1 CDR
|
|
4. |
07/21/91 |
Moon - New Haven,
CT |
ANA-2 > Sony TC-WE825S > Tascam DA-20MKii(A>D @ 44.1kHz) > Monster coax > Delta Dio 2496 > Cool Edit Pro 2.1 | Source : SBD
Editor : Andrew Fogelsong
Editing : shortened tape flip gap to 1 sec
FLAC : master wav's > CD Wave Editor 1.97 > FLAC (level 8)
Notes : Thanks goes to Thom Jones for letting me borrow the tape he purchased from Asselin. There are a few dropouts on the actual tape (I transferred multiple times) | |
0
|
|
5. |
10/22/91 |
Central Park Ballroom - Milwaukee,
WI |
1st gen tape from dat | | |
1 CDR
|
notes
|
6. |
10/23/91 |
MSU Auditorium - East Lansing,
MI |
AUD>ANA-3>DAT-M>CDR (unknown gen from S.M.) >EAC>WAV>CD Wave (track splits)>FLAC
| | |
1 CDR
|
|
7. |
11/03/91 |
Springfield Civic Center - Springfield,
MA |
AUD>DAT[AKG 451>SVM-D11]>DDC-?>CDR-3>EAC (secure)>FLAC (level 8) | | |
1 CDR
|
|
8. |
11/08/91 |
Tower Theatre - Upper Darby,
PA |
?? | Conversion : Sony TC-WE625S > Turtle Beach Montego II > Cool Edit Pro 1.2a > CDWave > shn
Resampling : none; show A/D converted at 44.1k
Editor : Henry Bent
Editing : none
SHN : Master WAV > shortn32 commandline prog | |
1 CDR
|
|
9. |
11/11/91 |
Roseland Ballroom - New York,
NY |
?? | flaws : none as far as I know
Conversion : Sony TC-WE625S > Turtle Beach Montego II > Cool Edit Pro 1.2a > CDWave > shn
Resampling : none; show A/D converted at 44.1k
Editor : Henry Bent
Editing : none
SHN : Master WAV > shortn32 commandline prog. | |
1 CDR
|
|
10. |
11/22/91 |
State Theatre - Detroit,
MI |
DAT-1>ANA-1>CDR (AiwaCM-30>ToshibaWM) | Conversion: CDR>EAC>WAV>FLAC
Errors (on original recording): most of rocket is cut, 2 second drop out in siva, some diginoise | |
1 CDR
|
|
11. |
11/22/91 |
State Theatre - Detroit,
MI |
AUD>ANA-?>CDR(unknown gen)>FLAC | There is a lot of tape hiss and some tape warble throughout. I have yet to see a known gen for this show on anyone's list so enjoy this for what it is and if you have a known gen of this by all means share it :) | |
1 CDR
|
|
12. |
12/04/91 |
Memorial Hall - Kansas City,
KS |
?? | Taper : ?
Generation : ANA-?
Source : ?
Location : ?
flaws : Silverfuck is cut; show is overdriven
Conversion: Sony TC-WE625S > Turtle Beach Montego II > Cool Edit Pro 1.2a > CDWave > shn
Resampling: none; show A/D converted at 44.1k
Editor: Henry Bent
Editing: none
SHN: Master WAV > shortn32 commandline prog. | |
1 CDR
|
|
13. |
12/07/91 |
Unicorn - Houston,
TX |
AUD>ANA>ANA-2>DDC-1>CDR | | |
1 CDR
|
|
14. |
12/12/91 |
Hollywood Theater - Norman,
OK |
Unknown Gen. VHS -> imovie ->extracted audio --> FLAC | The audio is OK, about what you would expect from a 1991 audience shot show. Interesting show, classic technical difficulties, Billy telling someone in the crowd "fuck you", and other good banter. Nice view of the pumpkins before they were big. I made track 6 because it proves this show is in Norman OK. Enjoy!! | |
1 CDR
|
|
15. |
12/17/91 |
Whiskey a Go-Go - Los Angeles,
CA |
??? > CD (silver) > EAC > WAV > mkwact > SHN | | |
1 CDR
|
|
16. |
12/22/91 |
Portland Underground - Portland,
OR |
?? | Taper : ?
Generation : VID-2
Source : ?
Location : ?
flaws : what's _not_ flawed about this show? Every song is cut in some way and the whole show is overdriven.
Conversion : Sony TC-WE625S > Turtle Beach Montego II > Cool Edit Pro 1.2a > CDWave > shn
Resampling : none; show A/D converted at 44.1k
Editor : Henry Bent
Editing : none
SHN : Master WAV > shortn32 commandline prog. | |
1 CDR
|
|
17. |
12/31/91 |
Cabaret Metro - Chicago,
IL |
ANA(ECM-909>D6)>CDR | Conversion: CDR>EAC>WAV>FLAC | |
1 CDR
|
|
18. |
??/??/91 |
Westwood One Studios Session - Los Angeles,
CA |
| | |
1 CDR
|
|
19. |
01/15/92 |
VPRO Radio - Hilversum,
Netherlands |
FM broadcast | flaws: FM reception not great, especially noticeable during Crush; possible track movement - see notes after setlist
Conversion : Sony TC-WE625S > Turtle Beach Montego II > Cool Edit Pro 1.2a > CDWave > shn
Resampling : none; show A/D converted at 44.1k
Editor : Henry Bent
Editing : none
SHN : Master WAV > shortn32 commandline prog. | |
1 CDR
|
|
20. |
01/17/92 |
BxL - Brussels,
Belgium |
AUD>ANA>???>CDR>EAC>FLAC | | |
1 CDR
|
|
21. |
01/17/92 |
BxL - Brussels,
Belgium |
ana aud (maybe a WMD6) | Generation : ana Low > dat master > cdr Master (sounds a lot better than what was previously out)
Location : ?
flaws : tape flip after drown
Conversion : Nakamichi DR10 tape deck > Tascam DA20II > dat master > PCM-R300 > Coax Cable>midiman 2496 audiophile>cool edit pro>cdwave editor>mkw audio compression tool(shn)
Resampling : none; show converted at 44.1k
Editor : Fares Halteh
Editing : none
SHN : master wav's > cdwave editor > MKW Audio Compression Tool | |
1 CDR
|
|
22. |
01/18/92 |
Effenaar - Eindhoven,
Nederlands |
aud/ana?>cdr | | |
1 CDR
|
|
23. |
01/18/92 |
Effenaar - Eindhoven,
Nederlands |
AUD>ANA-L>CDR (spfc.org says: Either a Sony TCD-D7 or a Sony pro-analog deck used to record.) | Transfer: Dan Elsen's ANA-L>Tascam 102 tape deck>Gold RCA cables>Soundforge 4.5 for recording and normalizing>CD Wave (track splits)>my CDR-0 from Dan>EAC (secure)>WAV>FLAC (Level 8) ...your copy will be a CDR-1. | |
1 CDR 90
|
|
24. |
01/19/92 |
Paard - Den Haag,
Netherlands |
SBD > WM-D6 > ANA-1 > DAT @ 32kHz | Conversion : Tascam DA-20mkii(DCC-?) > coax cable > Delta Dio 2496 > Cool Edit Pro
Resampling : converted to 44.1kHz in Cool Edit Pro
Editor : Andrew Fogelsong
SHN : master wav's > CD Wave Editor > MKW Audio Compression Tool
notes : not from bootleg cd "Rawk" | |
2 CDR
|
|
25. |
01/20/92 |
Melkweg - Amsterdam,
Netherlands |
ANA-M > DAT > DDC-4 > CDR-0 > EAC (100%Q, CRC OK) > SHN | Flaws:
* Because this rip comes from 2 discs, split before track 12,
it is possible that the transition there will not be seamless.
* There is a tiny instant of diginoise in track 12, at 3:55.
This is also present on the DDC-4 DAT tape.
| |
1 CDR
|
|
26. |
01/24/92 |
Pumpehuset - Copenhagen,
Denmark |
unknown stereo mic>ANA> CDR(1)> EAC >SHN | Small skip in Drown is present on the master. | |
1 CDR 90
|
|
27. |
01/26/92 |
Loft - Berlin,
Germany |
AUD>DAT>CDR(?)>EAC(w/secure mode)>FLAC | | |
1 CDR
|
|
28. |
01/28/92 |
Luxor - Koln,
Germany |
AUD>VID-L>Turtle Beach sound card>CDR>FLAC | Flaws:Tiny dropout @ 1:46 track 12. Most likely from VID gens. | |
1 CDR
|
|
29. |
01/29/92 |
Batschkapp - Frankfurt,
Germany |
Aiwa CM-30 > WM-D6C | transfer: ANA-M > DDC-1 > PCM-R300 > HHB 800 > CDR-1 > EAC [secure] > FLAC | |
1 CDR
|
|
30. |
02/05/92 |
Elysée Montmartre - Paris,
France |
40/SBD/promo anaM>stand alone cdr>SHN | Flaws: tape hiss | |
1 CDR
|
|
31. |
02/11/92 |
Edward's No. 8 - Birmingham,
England |
VID-L>TurtleBeach>CDR | Conversion: CDR>EAC>WAV>FLAC | |
1 CDR
|
|
32. |
02/14/92 |
Astoria Theater - London,
England |
ana/aud | Generation : ana Low > cdr Master
Location : ?
flaws : none that i know of
Conversion : Technics RS-TR373 > R300 (A/D) > Coax > Midiman Audiophil 2496 > cool edit pro > cdwave editor > mkw audio compression tool(shn)
Resampling : none; show converted at 44.1k
Editor : Fares Halteh
Editing : none
SHN : master wav's > cdwave editor > MKW Audio Compression Tool | |
1 CDR
|
|
33. |
03/28/92 |
Metro - Chicago,
IL |
ANA-2>DAT-M>CDR | Conversion: CDR>EAC>WAV>FLAC | |
1 CDR
|
|
34. |
06/09/92 |
The Unicorn - Milwaukee,
WI |
AUD/ANA-? --> Yamaha MT120S --> WAV (SONAR 2.2) --> FLAC | | |
1 CDR
|
|
35. |
06/09/92 |
The Unicorn - Milwaukee,
WI |
VID-? -> Sony TC-WE625S > Turtle Beach Montego II > Cool Edit Pro 1.2a > CDWave > shn | Taper: ?
Source: ?
Location: ?
flaws: Tape flip between KYPII and Siva; Show is overdriven; Silverfuck is cut; dropout right before Bury Me starts
Resampling: none; show A/D converted at 44.1k
Editor: Henry Bent
Editing: none
SHN: Master WAV > shortn32 commandline prog.
I am 100% positive that better gen copies of this show exist. Fares, are you hearing this? Show me up and find a nicer quality tape of this show :-) | |
1 CDR
|
|
36. |
07/05/92 |
Rock Werchter Festival - Werchter,
Belgium |
PC-62 > Sony WM-D3 (Mastered on TDK SA-90 Tape) | Transfer : TDK SA-90 Tape > Yamaha KX-W900 Tape Deck > LG ADR-620 Standalone CD Recorder > CDR > Steinberg Wavelab 4.0 (Editing/Tracking) > FLAC | |
1 CDR
|
|
37. |
07/05/92 |
Rock Werchter Festival - Werchter,
Belgium |
AUD>ANA-2>DDC-0>CDR-?>EAC>WAV>FLAC | Flaws: End of Silverfuck (7/5/92) cut due to a tape flip. | |
1 CDR
|
|
38. |
07/11/92 |
Blackout Records - Chicago,
IL |
Sony TC-WE625S > Turtle Beach Montego II > Cool Edit Pro 1.2a > CDWave > shn | Generation : ANA-?
Location : ?
flaws : Hummer is cut
Resampling : none; show A/D converted at 44.1k
Editor : Henry Bent
Editing : none
SHN : Master WAV > shortn32 commandline prog.
| |
1 CDR
|
|
39. |
07/23/92 |
Metro - Chicago,
IL |
VID-1(VHS)-->Toshiba 4-head Hi-Fi VCR out --> Midiman Flying Calf 20bit A/D converter analog in --> Midiman digital coax out --> Soundblaster Live Platinum digital coax in--> Cool Edit-->WAV-->SHN | | |
1 CDR
|
|
40. |
07/24/92 |
Metro - Chicago,
IL |
VID-1(VHS)-->Toshiba 4-head Hi-Fi VCR out --> Midiman Flying Calf 20bit A/D converter analog in --> Midiman digital coax out --> Soundblaster Live Platinum digital coax in--> Cool Edit-->WAV-->SHN | | |
2 CDR
|
|
41. |
08/05/92 |
Washington Square - Miami,
FL |
VID-L>CDR-0>EAC>FLAC | | |
2 CDR
|
|
42. |
08/05/92 |
Washington Square - Miami,
FL |
ANA(?)>WAV>FLAC | | |
1 CDR
|
|
43. |
08/10/92 |
328 Performance Hall - Nashville,
TN |
Radio Shack Walkman | Conversion : ANA-2 > Sony TC-WE825S > Tascam DA-20MKii(A>D @ 44.1kHz)> Monster coax > Delta Dio 2496 > Adobe Audition 2.0
Editor : Andrew Fogelsong
Editing :shortened tape flip to 1 second.
FLAC : master wav's > CD Wave Editor 1.95 > FLAC (level 8)
Notes : 1 second dropout in Siva. There is a fade out/in between the main set and the encore. | |
1 CDR 90
|
|
44. |
08/10/92 |
328 Performance Hall - Nashville,
TN |
Radio Shack Walkman | Conversion : ANA-2 > Sony TC-WE825S > Tascam DA-20MKii(A>D @ 44.1kHz)> Monster coax > Delta Dio 2496 > Adobe Audition 2.0
Editor : Andrew Fogelsong
Editing : shortened tape flip to 1 second.
FLAC : master wav's > CD Wave Editor 1.95 > FLAC (level 8)
Notes : 1 second dropout in Siva. There is a fade out/in between the main
set and the encore.
| |
1 CDR 90
|
|
45. |
08/23/92 |
Greater London Radio - London,
England |
FM?>CDR | Conversion: CDR>EAC>WAV>FLAC | |
1 CDR
|
|
46. |
08/29/92 |
Reading Festival - Berkshire,
England |
ana/aud
| Generation : ana Low > cdr Master
Location : ?
flaws : tape flip after hello kitty kat
Conversion : Technics RS-TR373 > R300 (A/D) > Coax > Midiman Audiophile 2496 > cool edit pro > cdwave editor > mkw audio compression tool(shn)
Resampling : none; show converted at 44.1k
Editor : Fares Halteh
Editing : none
SHN : master wav's > cdwave editor > MKW Audio Compression Tool
| |
1 CDR
|
|
47. |
08/31/92 |
Kleine Markthalle - Hamburg,
Germany |
AUD/VID-?>CDR>FLAC | | |
1 CDR
|
|
48. |
09/01/92 |
Loft - Berlin,
Germany |
AUD DAT [Soundman OKM > Sony TCD-D3]
| Lineage: DAT master > standalone CD recorder > CD-R > EAC > retracking > FLAC
| |
2 CDR
|
|
49. |
09/01/92 |
Loft - Berlin,
Germany |
AUD->DAT->SSmic->D3->ana?->??->cdr?->EAC->Flac | | |
2 CDR
|
|
50. |
09/03/92 |
Batschkapp - Frankfurt,
Germany |
DAT>CDR
| Conversion: CDR>EAC>WAV>FLAC | |
2 CDR
|
|
51. |
09/04/92 |
Tor 3 - Duesseldorf,
Germany |
VHS?>DAT?>CDR
| Conversion: CDR>EAC>WAV>FLAC | |
1 CDR
|
|
52. |
09/06/92 |
Metropolis Festival - Rotterdam,
Netherlands |
Sony WM-D3 & PC62 mic | Lineage; Sony WM-D3 & PC62 mic Yamaha stand alone cdr burner FLAC you | |
1 CDR
|
notes
|
53. |
09/06/92 |
Metropolis Festival - Rotterdam,
Netherlands |
aud>dat>cdr
| | |
1 CDR
|
|
54. |
09/08/92 |
Espace Orano - Paris,
France |
| | |
1 CDR 90
|
|
55. |
09/12/92 |
Town & Country Club - London,
England |
ana aud/handheld | Generation : ana Low > cdr Master
Location : ?
flaws : Tape flip after Siva
Conversion : Technics RS-TR373 > R300 (A/D) > Coax > Midiman Audiophile 2496 > cool edit pro > cdwave editor > mkw audio compression tool(shn)
Resampling : none; show converted at 44.1k
Editor : Fares Halteh
Editing : none
SHN : master wav's > cdwave editor > MKW Audio Compression Tool | |
1 CDR
|
|
56. |
12/01/92 |
Point - Atlanta,
GA |
?? | Conversion : ANA-2 > Sony TC-WE825S > Tascam DA-20MKii(A>D @ 44.1kHz) > Monster coax > Delta Dio 2496 > Adobe Audition 2.0
Editor : Andrew Fogelsong
Editing : shortened tape flip gap to 1 sec
FLAC : master wav's > CD Wave Editor 1.95 > FLAC (level 8)
Notes : Thanks to Ben Golomb for letting me borrow the tape! Soma cuts out and Geek USA cuts in over tape flip | |
1 CDR 90
|
|
57. |
12/01/92 |
Point - Atlanta,
GA |
ANA(unknown gen)>CDR
| Conversion: CDR>EAC>WAV>FLAC
Flaws (in original recording): Soma and Geek USA cut (tape flip?) | |
2 CDR
|
|
58. |
12/11/92 |
Roxy - Atlanta,
GA |
AUD > Hi8 > ??? > CD > SHN | | |
1 CDR
|
|
59. |
03/15/93 |
Center Stage - Atlanta,
GA |
unknown gen cassette>WAV>FLAC | | |
1 CDR 90
|
|
60. |
03/15/93 |
Center Stage - Atlanta,
GA |
VHS>MOTU Traveler @24-96>Vegas(16-44)>FLAC | | |
2 CDR
|
|
61. |
06/01/93 |
NOB Studios - Hilversum,
Netherlands |
Cassette (Maxell XL II 60) > Audacity > FLAC(8) | Pre FM
Taken from 1st gen cassette, straight out of the recording desk. | |
1 CDR
|
|
62. |
06/29/93 |
Studio 105 (Black Session) - Paris,
France |
FM (ana)
| Flaws: Minor static during some songs
SHN: CDR-? > EAC v0.9 beta 3 > MKW Audio Compression Tool
| |
1 CDR
|
|
63. |
06/30/93 |
VPRO Radio Session - Hilversum,
Netherlands |
Cassette (Maxell XL II 60) > Audacity > FLAC(8) | Smashing Pumpkins recording an acoustic sessions for VPRO radio programme "Villa 65"
Taken from 1st gen cassette, straight out of the recording desk. | |
1 CDR
|
|
64. |
06/30/93 |
VPRO Radio Session - Hilversum,
Netherlands |
FM>DAT>DDC-2>CDR-3>EAC>WAV>FLAC... your copy will be CDR-4
| | |
1 CDR
|
|
65. |
07/04/93 |
Raymond Revue Bar - London,
England |
SBD>??multitrack or DAT??>Virgin Promo | Source: SBD>??multitrack or DAT??>Virgin Promo ("Monitor Mixes", duplicated 7/19/93)
Transfer: Virgin Promo Tape>Sony TC-K630ES>R-09(unity gain, 24/48)
Editing: Audacity (amplified, spliced tape sides together), CDWave (split), r8brain (downsample/dither), TLH (FLAC)
16/44.1 version | |
1 CDR 90
|
|
66. |
07/23/93 |
Unicorn - Milwaukee,
WI |
ANA(?)>WAV>FLAC | | |
1 CDR
|
|
67. |
07/26/93 |
Tower Records - Chicago,
IL |
FM > DAT > CD-DA ("Drown" bootleg) | Lineage : Silver Disc > EAC > FLAC (level 8)
Seeded By : Tobin Stewart (zerozwan@hotmail.com)
| |
1 CDR
|
|
68. |
07/26/93 |
Tower Records - Chicago,
IL |
SBD/FM>ANA1>CDR4 | Conversion: CDR>EAC>WAV>FLAC | |
1 CDR
|
|
69. |
07/30/93 |
Gabe's Oasis - Iowa City,
IA |
ANA1->CDR(2) | Encoded to SHN via EAC by Slurpee
| |
2 CDR
|
|
70. |
08/07/93 |
Phoenix Center - Pontiac,
MI |
unknown mic>unknown deck(ANA)>ANA-M>DA20>DCC-2>CDR>FLAC | Flaws : none apart from a tiny tape problem on track 3 CD2 at 13'07'' | |
1 CDR 90
|
|
71. |
08/07/93 |
Phoenix Center - Pontiac,
MI |
cassette(gen?) ANA(AUD)>WAV>MP3
| | |
1 CDR 90
|
|
72. |
08/12/93 |
Metro - Chicago,
IL |
Audience - DAT | | |
2 CDR
|
|
73. |
08/13/93 |
Metro - Chicago,
IL |
Sony D-3 DAT recorder (16bit-48kHz) >ECM-S220 Mic > CDWAVE 1.98 > FLAC (level 8) | This is a 16bit / 48KHZ recording. It cannot be burned to a cd, unless you convert it to 44.1KHZ.
The FLAC files were created using CD Wave 1.98, and they were tested using Media Monkey 3.1.1.1261.
*Part of SilverF*ck is missing. I had to change batteries. | |
2 CDR
|
notes
|
74. |
08/13/93 |
Metro - Chicago,
IL |
[AUD/DAT] ECM-S220>D3>DAT-M>CDR-1
| There's a dropout during Silverfuck, from the master. | |
2 CDR
|
|
75. |
08/14/93 |
Metro - Chicago,
IL |
sbd>sony d7>cdr>eac>shn | | |
2 CDR
|
|
76. |
08/24/93 |
Melody - Stockholm,
Sweden |
FM > ANA | (unknown if from bootleg)
Conversion: ANAM > CDR2 > SHN
| |
1 CDR
|
|
77. |
08/24/93 |
Melody - Stockholm,
Sweden |
FM> ANA(M)> CDR(1)> EAC> FLAC | | |
1 CDR
|
|
78. |
08/25/93 |
Loppen - Copenhagen,
Denmark |
AUD>DAT[ECM-155>D3]>DDC-1>CDR (unknown gen)>EAC>FLAC | his is an upgrade to most circulating copies of this show.
No ANA gens and best of all no dropout in Geek USA! :) | |
1 CDR 90
|
|
79. |
08/27/93 |
Lowlands Festival - Dronten,
Netherlands |
SBD > DAT > CD-DA ("Drown" bootleg) | Lineage : Silver Disc > EAC > FLAC (level 8)
| |
1 CDR
|
|
80. |
08/28/93 |
Pukkelpop Festival - Hasselt,
Belgium |
ANA/CDR-3 | ?>d3>ana1>DC?>CDR | |
1 CDR
|
|
81. |
09/01/93 |
Huxley's Neue Welt - Berlin,
Germany |
Most probably: OKM >SONY D6 MaC >DAT >wav >flac* >wav >Adobe Audition >CDwave >Flac (6) | tape flip around 40:25 mins, no music was lost there the sound varies a bit.
looks like the source tape is not in perfect condition anymore supporting band was 'The Verve'. | |
1 CDR 90
|
|
82. |
09/03/93 |
Alabamahalle - Munich,
Germany |
CD -> Audio CD Ripper -> MKW Audio Compression Tool 0.97 | | |
1 CDR
|
|
83. |
09/05/93 |
Festa Dell 'Unita - Modena,
Italy |
| | |
1 CDR
|
|
84. |
09/08/93 |
Bataclan - Paris,
France |
| | |
2 CDR
|
|
85. |
09/09/93 |
Vredenburg - Utrecht,
Netherlands |
ANAL > CDR0 > CDWave > SHN
| | |
1 CDR 90
|
|
86. |
09/12/93 |
BBC Session - London,
England |
BBC Transcription Services CD (Unknown Show Number/Broadcast Date)
| | |
1 CDR
|
|
87. |
09/14/93 |
Town & Country Club - Leeds,
England |
ANAL > CDR0 > CDWave > SHN | | |
1 CDR 90
|
|
88. |
09/15/93 |
Manchester Academy - Manchester,
England |
PREFM>CD>CDR | | |
1 CDR
|
|
89. |
09/18/93 |
Barrowland - Glasgow,
Scotland |
ana aud/handheld | generation : ana master > dat master > cdr master
Location : ?
flaws : incomplete as per master, tape flip midway through siva & silverfuck
Conversion : Nakamichi DR10 tape deck > Tascam DA20II > dat master > PCM-R300 > Coax Cable>midiman 2496 audiophile>cool edit pro>cdwave editor>mkw audio compression tool(shn)
Resampling : none; show converted at 44.1k
Editor : Fares Halteh
Editing : none
SHN : master wav's > cdwave editor > MKW Audio Compression Tool
| |
2 CDR
|
notes
|
90. |
09/23/93 |
Guild Hall - Southampton,
England |
AUD>VID | Lineage:VID-2>MZR70>M30>CDR-2>EAC>SHN... your copy will be a CDR-3
Flaws: A few tiny dropouts here and there. Most likely from the VID gens.
| |
2 CDR
|
|
91. |
09/25/93 |
Brixton Academy - London,
England |
ana aud/handheld | generation : ana (low gen) > dat master > cdr master
Location : ?
flaws :l evel drop at the beginning of Geek USA
Conversion : Nakamichi DR10 tape deck > Tascam DA20II > dat master > PCM-R300 > Coax Cable>midiman 2496 audiophile>cool edit pro>cdwave editor>mkw audio compression tool(shn)
Resampling : none; show converted at 44.1k
Editor : Fares Halteh
Editing : none
SHN : master wav's > cdwave editor > MKW Audio Compression Tool
| |
1 CDR
|
|
92. |
10/05/93 |
First Avenue - Minneapolis,
MN |
AUD > DAT [SSmic>??] > DDC(?) > CDR > EAC > WAV > FLAC (complete) | | |
2 CDR
|
|
93. |
10/06/93 |
IMU Ballroom - Iowa City,
IA |
AUD(walkman>builtinmic)>ANA-M>CDR-1
| | |
2 CDR
|
|
94. |
10/10/93 |
Odgen Theatre - Denver,
CO |
aud>ana1>dat | | |
1 CDR
|
|
95. |
10/18/93 |
Warfield Theatre - San Francisco,
CA |
AIWA HS-J470 + AIWA Clip Mic | Transfer: Cassette Master --> Nakamichi Cassette Deck 1.5 (3 head) --> Pioneer PDR-509 --> CDR --> Audacity (tracking only) --> FLAC Frontend --> FLAC Files (level 8)
No EQ, processing or adjustments in the transfer. And despite an inopportune tape change at the end (why there is a Silverfuck Pt. 2), consider this a complete recording.
I would grade this a notch below "ok", keeping in mind it was done with an AIWA, recorded from the balcony. But, despite some tape hiss, recording is listenable and certainly better than nothing - I figured it couldn't hurt to share. But, FYI, I know a DAT recording exists of this show.
Original band line-up with a great setlist. They play Drown! Billy is in full form with the audience banter throughout the evening. And James, BTW, is completely frying on acid (I spoke with him after the show and can confirm).
Thanks always to CynM. Please enjoy and always support the artists. | |
1 CDR 90
|
|
96. |
04/08/94 |
Gulfcoast Coliseum - Biloxi,
MS |
AUD > DAT(?) > CDR | Conversion: CDR(?) > WAV via EAC > FLAC | |
1 CDR 90
|
|
97. |
07/22/94 |
Deer Creek Music Center - Noblesville,
IN |
DSM-6 > WM-D6 > ANA-M > DDC-1 | Conversion : DDC-1 > PCM-R500 > HHB 800 > CDR-0(raw transfer) > dEdit > CDR-1
Ripper : Andrew Fogelsong
FLAC : CDR-1 > EAC V0.95 beta 4(proper offset) > WAV > FLAC (level 8) | |
1 CDR
|
|
98. |
07/25/95 |
MCIS Rough Mix - Chicago,
IL |
SBD>??multitrack or DAT??>Virgin Promo ("Master Mixes 7/25/95", duplicated 8/4/95) | Transfer: Virgin Promo Tape>Sony TC-K630ES>R-09(unity gain, 24/48)
Editing: Audacity (amplified, spliced tape sides together), CDWave (split), r8brain (downsample/dither), TLH (FLAC) | |
1 CDR 90
|
|
99. |
10/20/95 |
Duke Ellington Ballroom - DeKalb,
IL |
built in mic > (walkman) | Lineage: anaM > datM > cdr1
Length: 78 minutes
Transfer and Rip: anaM > dat-M >
cdr0 (transferred digitally [Sony PCM-M1 >
Coresounds 7pin to coax > Audiophile 24/96]
and edited [Cool Edit Pro 2.0 > CDWave
Editor] by me) > cdr1 [EAC (secure) > Flac
Frontend (level 8)] | |
1 CDR
|
|
100. |
01/13/96 |
Academy - New York,
NY |
unknown analog recorder | Conversion : ANA-3 > Sony TC-WE825S > Tascam DA-20MKii(A>D @ 44.1kHz) > Monster coax > Delta Dio 2496 > Adobe Audition 2.0
Editor : Andrew Fogelsong
Editing : shortened gap between sets one and two to 1 sec, shortened gap between set two and encore one to 1 sec, shortened tape flip gaps to 1 sec
FLAC : master wav's > CD Wave Editor 1.95 > FLAC (level 8) | |
2 CDR
|
|
101. |
03/04/96 |
Entertainment Centre - Perth,
Australia |
Sony Ecm-909a Condensor Microphone > Sony Recording Walkman
| Analog Audience MASTER > FLAC
Transfer = Nakamichi DR10 > Marantz DR700 CD Recorder > EAC > Adobe Audition > CDWave > FLAC | |
2 CDR
|
notes
|
102. |
04/10/96 |
Hovet - Stockholm,
Sweden |
Audience (right-side of stage) > ANA(M) [Aiwa HS-JS215] | JVC TD-W444 > Sony PCM M10 > WAV [48kHz, 24-bit] > FLAC [Level 8] | |
2 CDR
|
notes
|
103. |
04/19/96 |
Messe B - Stuttgart,
Germany |
AIWA HD-S 200 DAT with SONY ECM 939-LT Microphone | Processing: AUD DAT Master -> wav files -> transfer to PC -> Magix Audio & Music Lab (edit/remaster) -> flac 44,1/16 -> DIME
Vg+/Ex- sound after some EQ. Sound level adjusted.
| |
2 DVDr
|
notes
|
104. |
05/20/96 |
Hordern Pavilion - Sydney,
NSW |
ANA-L>L.M.'s CDR-0>EAC>FLAC (DE transfer) | | |
2 CDR
|
|
105. |
07/06/96 |
Corestates Spectrum - Philadelphia,
PA |
SS-DSM6/D8>CDR | | |
2 CDR
|
|
106. |
09/06/96 |
Civic Arena - Pittsburgh,
PA |
AUD (possibly from unknown DAT?) > ANA-L > CDR-1 (from DE) > EAC > WAV > dEdit(remove micro gaps from original transfer) > FLAC | * originally came as two large flac files with cue sheets, I split this with CDWave and fixed some weird tracking during the first encore
* this is traveller03's dEdit (gap removal) | |
2 CDR
|
|
107. |
09/07/96 |
War Memorial - Syracuse,
NY |
Built-in>HSJS215 | Transfer: ANA-1>Sony TC-WE825S>Tascam DA-20MKii(A>D @ 44.1kHz)>Monster coax>Delta Dio 2496
Editing: Cool Edit Pro 2.1 (recording), CDWave (splits), TLH (FLAC level 8) | |
2 CDR
|
|
108. |
10/04/96 |
Rosemont Horizon - Rosemont,
IL |
SS DSM-6S > PA-6LC3 > D7 | | |
2 CDR
|
|
109. |
11/23/96 |
Myriad Arena - Oklahoma City,
OK |
unknown analog recorder
| Conversion : ANA-1 > Sony TC-WE825S > Tascam DA-20MKii(A>D @ 44.1kHz) > Monster coax
> Delta Dio 2496 > Adobe Audition 2.0
Editor : Andrew Fogelsong
Editing : shortened tape flip gaps to 1 sec
FLAC : master wav's > CD Wave Editor 1.95 > FLAC (level 8) | |
2 CDR
|
|
110. |
11/30/96 |
Frank Erwin Center - Austin,
TX |
shorten | | |
2 CDR
|
|
111. |
01/08/97 |
GM Place - Vancouver,
BC |
all tracks taken from "1997" silver 2CD bootleg [Moonraker 245/46] with the exception of 10 seconds of the dead air between "Thru The Eyes Of Ruby" and "X.Y.U." which are taken from the silver 2CD bootleg "The GM Place" [Optimum 06/07].
| I used a few seconds of "The GM Place" bootleg source because it was impossible to reverse completely the fade out / fade in between CD1 and CD2 on the "1997" bootleg (despite no sound was cut). The sound of the "1997" radiobroadcast source si getting worse just before the song "X.Y.U." starts.
| |
2 CDR
|
|
112. |
01/08/97 |
GM Place - Vancouver,
BC |
FM > DAT > ? > CD | CD Commercial Bootleg (GM Place) > EAC > WAV > FLAC | FM > DAT > ? > CD
CD Commercial Bootleg (GM Place) > EAC > WAV > FLAC |
2 CDR
|
|
113. |
06/23/97 |
The Double Door - Chicago,
IL |
AUD>DAT[unknown mic>D8]>ANA-1>DE's transfer>CDR-0>my CDR-1 from Dan>EAC>WAV>FLAC
| | |
1 CDR 90
|
|
114. |
07/08/97 |
Spodek Arena - Katowice,
Poland |
Audience recording > Panasonic dictaphone with built-in mic
| | |
1 CDR
|
notes
|
115. |
06/23/98 |
Nihon Budokan - Tokyo,
Japan |
CSB>D100>DAT-2(48k)>Fostex D5 (Optical)>m-audio DiO 2496>CDWave (recording/tracking)>FLAC
| d1t01 - level adjustment (2:35) | |
2 CDR
|
|
116. |
06/30/98 |
Bill Graham Civic Auditorium - San Francisco,
CA |
Schoeps CCM4 > Aerco > SBM-1 > D100
| transfer: DDC-1 > standalone burner > CDR-1 > WAV > FLAC
editing: CDWave (split), TLH (flac8)
[1979 and Blank Page patched from supposed Schoeps MK4 source DDC-? > CDR > EAC > FLAC] | |
2 CDR
|
|
117. |
12/20/99 |
the Metro - Chicago,
IL |
Coresound Binaural Mics>MZR-55 | Location: Near SoundBoard
Transfer: MD>CDWave>Flac | |
2 CDR
|
notes
|
118. |
01/18/00 |
Elysee Montmarte - Paris,
France |
Marantz EM8 > TCD-D8 @ 32k | Transfer: DDC-3 > IBM CTD-8000 > DAT2WAV > WAV (16/32)
Editing: r8brain (16/32 > 16/44.1), CDWave (split), TLH (flac level 8) | |
1 CDR 90
|
|
119. |
02/05/00 |
Berbati's Pan - Portland,
OR |
ANA?>?>CDR > FLAC | | |
1 CDR
|
|
120. |
02/10/00 |
Bostone's - Tempe,
AZ |
CSBMod > Att(-20dB) > M1 | Conversion : DDC-2 > Sony PCM-M1 > 7-pin to coax > Delta Dio 2496 > Adobe Audition 2.0
Editor : Andrew Fogelsong
Editing(1st set) : downsampled(48k to 44.1k)
Editing(2nd set) : downsampled(48k to 44.1k), hard limiting(+8dB)
FLAC : master wav's > CD Wave Editor 1.95.1 > FLAC (level 8) | |
2 CDR
|
notes
|
121. |
02/19/00 |
Cat's Cradle - Carrboro,
NC |
unknown DAT audience (possibly CSB > D7) > DDC-? > CDR-? > EAC [secure] > FLAC | * improv song (8:45 onward), 1979, Happy Birthday patched from Audio Technica > Sharp MT-15 > MD > CDR-3 > EAC [secure] > FLAC
* this show came as two CDRs simply labeled "2000-02-19 (Weeks)", which I took as indicating that this was taped by D. Weeks, a taper who also recorded the 2000-05-03 in Columbia, SC
* thus, I am inclined to call this CSB > D7 due to the clarity of the recording, spectral up to 20khz, and the presumed taper running this rig at the Columbia show on 5/3, while unlikely, it could also be the CSB > MZ-R55 source with an analog transfer step or something else entirely | |
2 CDR
|
notes
|
122. |
03/02/00 |
Lupo's Heartbreak Hotel - Providence,
RI |
Coresound Binaural Mics>MZR-55 | Location: Near SoundBoard
Transfer: MD>CDWave>Flac | |
2 CDR
|
notes
|
123. |
03/02/00 |
Lupo's Heartbreak Hotel - Providence,
RI |
DSM6S > PA6LC3(175) > M1 | Source : DSM6S > PA6LC3(175) > M1
Location : 20 ft. from the right stacks
Conversion : PCM-R300>Coax 7-pin Cable>Midiman Audiophile 2496
Resampling : 44.1k
Editor : Fares Halteh
Editing : cd wave editor
SHN : master DAT > Cool Edit Pro 2.0 >cd wave editor > plextor 12/10/32A > EAC rip with proper offset via 12/10/32A Plextwriter | |
2 CDR
|
notes
|
124. |
04/28/00 |
Patriot Center - Fairfax,
VA |
Csb>MZR55 | Location:Recorded On The Floor Near The Soundboard
Transfer:MD>CDWave>Flac | |
2 CDr
|
notes
|
125. |
04/29/00 |
Tsongas Arena - Lowell,
MA |
DSM-6S > PA-6LC3 > PCM-M1 @ 48 kHz | Transfer : Zach Payne (pzane@hotmail.com)
Location : 5' to 10' FoB
Mic Config : Binaural
Conversion : DDC-2 > PCM-R300 > S/PDIF Coax > Egosys WT2496 > WaveLab V5.01b
Edit : WaveLab V5.01b (fades)
Resampling : r8brain v1.9 (r8: 44.1 kHz, Output bit depth: 16 bit, Quality: Very High)
Final Format : 16-bit, 44.1 kHz
Tracking : CD-Wave v1.97
Encoding : FLAC v1.2.1 (Level 8) with TLH v2.4.1 (Build 160) | |
2 CDr
|
notes
|
126. |
05/05/00 |
Ruth Eckerd Hall - Clearwater,
FL |
coresounds(cardioid) > D8 44.1 (FOB) > CD-R > EAC (wav) > dbPowerAmp (flac) | location: 12th row center, 3 empty seats on each side | |
2 CDR
|
notes
|
127. |
05/13/00 |
Aerial Theater - Houston,
TX |
Source : DSM-6S > PA-6LC3(175Hz) > M1 | Conversion : DAT-M(48k) > CDR-0(my transfer)
Ripper : Andrew Fogelsong
FLAC : CDR-0 > EAC V0.95 beta 4(proper offset) > WAV > FLAC (level 8)
Notes : 5-20ft behind SBD (moved a couple times) | |
2 CDr
|
notes
|
128. |
05/16/00 |
Balch Fieldhouse - Boulder,
CO |
Core Sound Binaurals > TCD-D100 @ 48 kHz | Location : Unknown
Mic Config : Binaural
Conversion DDC-1 > PCM-R300 > S/PDIF Coax> Egosys WT2496 > WaveLab V5.01b
Edit : WaveLab V5.01b (fades)
Resampling : r8brain v1.9 (r8: 44.1 kHz, Output bit depth: 16 bit, Quality: Very High)
Tracking : CD-Wave v1.97
Encoding : FLAC v1.2.1 (Level 8) with TLH v2.2.2 (Build 152) | |
2 CDr
|
|
129. |
05/23/00 |
Universal Ampitheatre - Los Angeles,
CA |
DPA 4061's > CSBox > Sony PCM-M1 | Lineage: DAT Master 16/48
Transfer (BLG): DA-20 > coax > Marantz PMD-670 > usb reader > Adobe Audition
Taper: Ed Davis
additional editing (rhinowing): WAV file > CDWave (split) > TLH (flac8) | |
2 CDR
|
notes
|
130. |
05/24/00 |
Berkeley Community Theatre - Berkeley,
CA |
CSB > TCD-D7 @ 48 kHz | Transfer : Zach Payne (pzane@hotmail.com)
Location : Center, ~30 feet FoB
Mic Config : Binaural
Conversion : DDC-1 > PCM-R300 > S/PDIF Coax > Egosys WT2496 > WaveLab V5.01b
Edit : WaveLab V5.01b (fades)
Resampling : r8brain v1.9 (r8: 44.1 kHz, Output bit depth: 16 bit, Quality: Very High)
Final Format : 16-bit, 44.1 kHz
Tracking : CD-Wave v1.97
Encoding : FLAC v1.2.1 (Level 8) with TLH v2.4.1 (Build 160) | |
2 CDr
|
notes
|
131. |
05/29/00 |
Paramount Ballroom - Seattle,
WA |
CSB > PCM-M1 @ 48 kHz | Transfer : Zach Payne (pzane@hotmail.com)
Location : right stack, ~5 ft.
Mic Config : Binaural
Conversion : DDC-1 > PCM-R300 > S/PDIF Coax > Egosys WT2496 > WaveLab V5.01b
Edit : WaveLab V5.01b (fades)
Resampling : r8brain v1.9 (r8: 44.1 kHz, Output bit depth: 16 bit, Quality: Very High)
Final Format : 16-bit, 44.1 kHz
Tracking : CD-Wave v1.97
Encoding : FLAC v1.2.1 (Level 8) with TLH v2.4.1 (Build 160) | |
2 CDr
|
notes
|
132. |
09/20/00 |
Ahoy - Rotterdam,
Netherlands |
SBD > Sony PCM-M1 > ? > WAV > SHN | | |
2 CDR
|
|
133. |
09/24/00 |
Olympiahalle - Munich,
Germany |
AUD->DAT->OKM-II(ROCK)->SBMI->M1 --> ?? -> CDR -> FLAC | | |
2 CDR
|
|
134. |
09/24/00 |
Olympiahalle - Munich,
Germany |
SBD > PCM-M1 > DAT-M > CDR > EAC [secure] > FLAC | some EQing was done before this came to me
discs from the collection of Andrew Fogelsong | |
2 CDr
|
notes
|
135. |
10/05/00 |
Coliseum - Porto,
Portugal |
Source 01 tracks 01 to 25: DAT>Schoeps MK41/CMC6>SX-M2>D8
Source 02 Tracks 26 to 30: AUD > ECM-DS70P > MZ-R30 > MDM > DATM
| | |
2 CDR
|
|
136. |
10/20/00 |
Flanders EXPO - Gent,
Belgium |
Source : DSM-6S > PA-6LC3 > M1 | Conversion : DAT-M > Sony PCM-M1 > 7-pin to coax > Delta Dio 2496 > Adobe Audition 2.0
Editor : Andrew Fogelsong
Editing : downsampled from 48kHz to 44.1kHz, hard limiting(+9dB)
FLAC : master wav's > CD Wave Editor 1.95.1 > FLAC (level 8) | |
1 CDR 90
|
notes
|
137. |
10/27/00 |
Valby Hallen - Copenhagen,
Denmark |
FM>SBLive>HDD>WAV>SHN | Recorded from Danmarks Radio P3 Live.
No EAC!!! So you will have the master ;-)
There is a tiny cut in both GatGC & SK, it's from the broadcast and NOT from the recording.
| |
2 CDR
|
|
138. |
10/31/00 |
Apollo - Manchester,
UK |
AUD>MD[CSBmod>MZ-R55]>MD-M>CDR-1>SHN | | |
2 CDR
|
|
139. |
11/01/00 |
NEC - Birmingham,
England |
Sony MZ-R91 > CSB/mod(BRObox) > Att[-20khz] | Conversion: MD-M > Sony MDZ-401 > Monster Digi-cable > WAV > Soundforge 7.0
Resampling: None
Editor: Simon Mifsud
Editing: Digital Equalisation, Fade In/Out
SHN: Master WAV's > SHN (Shorten/Lossless)
| |
2 CDR
|
notes
|
140. |
11/03/00 |
Wembley Arena - London,
England |
Sony MZ-R91 > CSB/mod(BRObox) > Att[-20khz] | Conversion : MD-M > Sony MDZ-401 > Monster Digi-cable > WAV > Soundforge 7.0
Resampling : None
Editor : Simon Mifsud
Editing : Digital Equalisation, Fade In/Out
SHN : Master WAV's > SHN (Shorten/Lossless) | |
2 CDR
|
notes
|
141. |
11/03/00 |
Wembley Arena - London,
England |
AUD > DAT [CSBmod>M1] > CDR > WAV > SHN | | |
2 CDR
|
|
142. |
11/04/00 |
Wembley Arena - London,
England |
Sony MZ-R91 > CSB/mod > Att[-20khz] | Transfer : Master MD's > Sony MDZ-401 (Standalone Deck/Optical out) > Monster Digital-cable > SB Audigy NX 2 (Optical in) > Soundforge 7.0 (Capture) WAV(44.1k > CDWave(track splitting) > CDR
Conversion : CDR-0 > Masters WAV's (EAC) > Frontend [Level 8/Align on Sector Boundaries] > FLAC (If burned your copy CDR-1) | |
2 CDR
|
notes
|
143. |
11/06/00 |
The Olympia - Dublin,
Ireland |
AUD - MD | | |
2 CDR
|
|
144. |
11/29/00 |
United Center - Chicago,
IL |
FM > Soundblaster Live > HDD > WAV > CDR1 | | |
2 CDR
|
|
145. |
11/29/00 |
United Center - Chicago,
IL |
WKQX Q101 CHICAGO FM BROADCAST KAO 90 DAT MASTER'S AT(16/48KHZ)TO SONY PCM R-500 DAT>FIBER OPTIC>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 | WAV (16/48KHZ)>MAGIX AUDIO CLEANING LAB FOR TRACK MARKS AND EDITS>WAV 16/48>TLH FLAC 8 | |
3 CDr
|
|
146. |
??/??/00 |
Sacred & Profane Tour Soundboard Compilation - Various,
Various |
SBD>DAT>CDR | | |
1 CDR
|
|
147. |
05/22/07 |
Le Grand Rex - Paris,
France |
Sony ECM-717 > SP-SPSB-8 (bass roll-off @ 95 Hz) > H120 > SoundForge 8.0 (Balance > Smooth compression on crowd noise > Normalize > Fade in/out) > flac -8
| | |
2 CDR 90
|
notes
|
148. |
05/22/07 |
Le Grand Rex - Paris,
France |
MBHO MBP 603 A / KA 200 N > Sound Devices MP-2 > Edirol R-09 | Mic Config : in hat, DINA (17cm, 90�)
Location : Mezzanine (lower balcony), 1st row, center
Transfer : Master WAVs > Digital Editing > CD Wave Editor V1.95.1
> FLAC V1.1.4
Editing : EQ, volume boost and fades in Steinberg WaveLab V5.01b
Dithering : UV22 HR dithering in Steinberg WaveLab V5.01b
Resampling : 48.0 kHz > 44.1 kHz resampling in Steinberg WaveLab V5.01b | |
2 CDR 90
|
|
149. |
05/24/07 |
Den Atelier - Luxembourg City,
Luxembourg |
Sony MD Walkman MZ-R30
Sony Microphone ECM-717
Recorded on HD with Cubase SX, sent through T-Racks Compressor | | |
1 CDR 90
|
|
150. |
05/26/07 |
AB - Brussels,
Belgium |
ecm 719 (sony)>md-mt 190 (sharp)>LP2>.wav>flac (master) | | |
2 CDR 90
|
|
151. |
05/28/07 |
Pinkpop Festival - Landgraaf,
Netherlands |
OKMII → MZ-RH10 Hi MD → Sonicstage 4,3(Wav) → A3(-20dB, bass frequence cut) →
MZ-RH10 Hi MD → Sonicstage 4,3(Wav) → MZ-RH10 Hi MD → Sonicstage 4,3(Wav) →
Audacity(normalisation) → CD Wave(tracksplit) → Db Power Amp(flac8)
| | |
2 CD
|
|
152. |
05/31/07 |
Estrella Damm Stage, Parc Del Forum - Barcelona,
Spain |
Core Sound Binaurals > Sony PCM-M1 @ 44.1k | Lineage: Sony DTC-ZE700 > Terratec DMX6Fire Lite (optical in) > Mastering/Editing > WAV > Flac (level 8)
| |
2 CDR
|
|
153. |
05/31/07 |
Estrella Damm Stage, Parc Del Forum - Barcelona,
Spain |
DAUD > At943 > SD MP-2 > Iriver120 (16 bits, 44.1kHz) | Config: 90� - 10cm Location: In front of stage, 20 meters away
transfer : R1 > USB > pc > Wavelab 5.0 > CDWave > Flac Frontend 1.12 (Level 6)
- Fades in & out, edited clapping
- Waves Q10 Paragraphic EQ + Waves LinMB (Adaptative Multi Electro Mastering) | |
2 CDR
|
notes
|
154. |
06/02/07 |
Eifel - Rock Am Ring Festival - Nuerburgring,
Germany |
TV (Pre-Broadcast) | Editor: obertu (aka sakul)
Editing: Tracksplitting and Fades in WaveLab 4.0
FLAC: Level 6 | |
2 CDR
|
|
155. |
06/05/07 |
Spandau Zitadelle - Berlin,
Germany |
MBHO MBP 603 A / KA 200 N > Sound Devices MP-2 > Edirol R-09 | Mic Config : in hat, DINA (17cm, 90�)
Location : Right of the stage, 3rd row
Transfer : Master WAVs > Digital Editing > CD Wave Editor V1.95.1
> FLAC V1.1.4
Editing: Channel mix (see notes), EQ, volume boost and fades in
Steinberg WaveLab V5.01b
Dithering : UV22 HR dithering in Steinberg WaveLab V5.01b
Resampling : 48.0 kHz > 44.1 kHz resampling in Steinberg WaveLab V5.01b | |
2 CDR
|
|
156. |
06/05/07 |
Spandau Zitadelle - Berlin,
Germany |
Recording Info disc 1, tracks 1-8:
OKM IIr > A3 > M-AUDIO Microtrack 24/96 (44.1/16) >
Recording Info disc 1, tracks 9-12 / entire disc 2:
OKM IIc > A3 > M-AUDIO Microtrack 24/96 (44.1/16) > | USB > WAV > Adobe Audition (EQing) > CDwave (tracking )
> FLAC frontend (level 8, verify, with align on sector boundaries)
> Tracker | |
2 CDR
|
|
157. |
06/06/07 |
Columbiahalle - Berlin,
Germany |
OKM IIr > A3 > SONY D 100 | MDAT > CD > EAC > Adobe Audition (EQing) > CDwave (tracking)
> FLAC frontend (level 8, verify, with align on sector boundaries)
> Tracker | |
3 CDR
|
|
158. |
06/06/07 |
Columbiahalle - Berlin,
Germany |
MBHO MBP 603 A / KA 200 N > Sound Devices MP-2 > Edirol R-09 | Mic Config : in hat, DINA (17cm, 90�)
Location : left side, ~10m from the stage
Transfer : Master WAVs > Digital Editing > CD Wave Editor V1.95.1
> FLAC V1.1.4
Editing: EQ, volume boost and fades in Steinberg WaveLab V5.01b
Dithering: UV22 HR dithering in Steinberg WaveLab V5.01b
Resampling: 48.0 kHz > 44.1 kHz resampling in Steinberg WaveLab V5.01b | |
3 CDR
|
|
159. |
06/09/07 |
Oeiras - Lisbon,
Portugal |
AUD > SP-CMC-1 > SP-SPSB-1 @ 16Hz (no bass roll-off) > Nomad Jukebox 3 (44Hz/16bit; line-in gain @ +12dB) | Location: ~40m front of right stacks
Transfer: NJ3 > HD (firewire) > CD Wave Editor > TLH (FLAC level 8)
Editing: Cool Edit Pro 2.1 (fade in/out tracks) | |
2 CDR
|
|
160. |
06/11/07 |
Teatro Calderón - Madrid,
Spain |
ZOOM H-4 Digitaler 4-Spur Multitracker (16 bit/44.1 kHz)
| Location : 1st row, left (bass possition)
Transfer : Master WAVs > Digital Editing > CD Wave Editor V1.95.1
> FLAC V1.1.4
Editing : EQ, volume boost and fades in Cubase SX
Dithering : UV22 HR dithering in Cubase SX
Resampling: 48.0 kHz > 44.1 kHz resampling in Cubase SX | |
2 CDR
|
|
161. |
06/15/07 |
Nova Rock Open Air Festival - Nickelsdorf,
Austria |
Audience | Transfer: AT U853c > 3wire BB > Church Audio ST-9100 preamp v2.0 > R09 16bit 44.1kHz, line in > mastering (EQ, compressor, limiter) > Adobe Audition 2.0 fades, track edits > flac 1.1.3 (level 8) > you
Sound Quality: A- (for audience), a tiny bit of wind noise
Position: 35m from stage, FOB, center
This show has equalizing, limiting and compression applied to it. In my ears and for my enjoyment it is a definite improvement of my recordings. If you do not crave those techniques on live audience recordings this show may not be for you. | |
2 CDR
|
notes
|
162. |
06/17/07 |
Areal Militärflugplatz - Greenfield Festival - Interlaken,
Switzerland |
Archos 404 > USB > Audacity > WAV > dBpoweramp > FLAC | | |
2 CDR
|
notes
|
163. |
06/19/07 |
Shepherds Bush Empire - London,
England |
MBHO MBP 603 A / KA 200 N > Sound Devices MP-2 > Edirol R-09 | Mic Config : in hat, DINA (17cm, 90�)
Location : Level 1 (lowest balcony), 1st row, center
Transfer : Master WAVs > Digital Editing > CD Wave Editor V1.95.1 > FLAC V1.1.4
Editing : EQ, volume boost and fades in Steinberg WaveLab V5.01b
Dithering : UV22 HR dithering in Steinberg WaveLab V5.01b
Resampling : 48.0 kHz > 44.1 kHz resampling in Steinberg WaveLab V5.01b
This is the 16 bit version of this recording. | |
2 CDR 90, CDR
|
|
164. |
06/23/07 |
The Orange Peel - Asheville,
NC |
Neumann KM140s (DIN) -> SD 744T | Location : ~ 40 feet back, DFC, Clamped to SBD Rail (~4' high)
Conversion : SD744T -> CD Wave (tracking) -> Wavelab 5 (dither, resample, joining split tracks) -> FLAC | |
2 CDR 90, CDR
|
notes
|
165. |
06/23/07 |
The Orange Peel - Asheville,
NC |
Schoeps MK4 (DINA) > Nbox+ > Edirol R-09 @ 24bit/48kHz | Editing : .wav @ 24/48 > WaveLab V5.01b (48kHz > 44.1kHz, UV22 HR 16bit/Normal)
> CD Wave v1.95.1 > FLAC v1.1.4a (Level 8)
- Clamped to pole (~7ft), in line w/ right stack. No Eq | |
2 CDR, CDR 90
|
notes
|
166. |
06/23/07 |
The Orange Peel - Asheville,
NC |
Panasonic WM-61A > Sound Pro SP-SPSB-2 (195Hz bass roll-off) > Edirol R-09 | TRANSFER : Edirol R-09 > USB > Adobe Audition 2.0 > CD Wave 1.95.1 > FLAC frontend 1.7.1
GENERATION : WAV(M) [24bit/48kHz] > remaster > WAV [16bit/44.1kHz] > FLAC [Level 8] | |
2 CDR, CDR 90
|
notes
|
167. |
06/24/07 |
The Orange Peel - Asheville,
NC |
Schoeps MK4 (DINA) > Nbox+ > Edirol R-09 @ 24bit/48kHz | Editing : .wav @ 24/48 > WaveLab V5.01b (48kHz > 44.1kHz, UV22 HR 16bit/Normal)
> CD Wave v1.95.1/FLAC v1.1.4a (Level 8) | |
2 CDR 90, CDR
|
notes
|
168. |
06/24/07 |
The Orange Peel - Asheville,
NC |
Panasonic WM-61A > Sound Pro SP-SPSB-2 (195Hz bass roll-off) > Edirol R-09 | TRANSFER : Edirol R-09 > USB > Adobe Audition 2.0 > CD Wave 1.95.1 > FLAC frontend 1.7.1
GENERATION : WAV(M) [24bit/48kHz] > remaster > WAV [16bit/44.1kHz] > FLAC [Level 8] | |
2 CDR 90
|
notes
|
169. |
06/26/07 |
Orange Peel - Asheville,
NC |
MG300> dmod ua5> jb3 (6' High, 2' Left of center) | Transfer: jb3> nomad explorer> cdwave> flac frontend (level 6)
Taped and Transferred by: (halleyscomet8@gmail.com) | |
3 CDR
|
notes
|
170. |
06/26/07 |
Orange Peel - Asheville,
NC |
Schoeps MK4 (DINA) > Nbox+ > Edirol R-09 @ 24bit/48kHz | Editing : .wav @ 24/48 > WaveLab V5.01b (48kHz > 44.1kHz, UV22 HR 16bit/Normal)
> CD Wave v1.95.1/FLAC v1.1.4a (Level 8) | |
3 CDR
|
notes
|
171. |
06/27/07 |
The Orange Peel - Asheville,
NC |
MG300> dmod ua5> jb3 (6' High, 2' Left of center) | Transfer: jb3> nomad explorer> cdwave> flac frontend (level 6) | |
2 CDR90
|
notes
|
172. |
06/27/07 |
The Orange Peel - Asheville,
NC |
Schoeps MK4 (DINA) > Nbox+ > Edirol R-09 @ 24bit/48kHz | Editing : .wav @ 24/48 > WaveLab V5.01b (48kHz > 44.1kHz, UV22 HR 16bit/Normal)
> CD Wave v1.95.1/FLAC v1.1.4a (Level 8) | |
2 CDR 90
|
notes
|
173. |
06/29/07 |
The Orange Peel - Asheville,
NC |
Schoeps MK4 (ORTF) > Nbox+ > Edirol R-09 @ 24bit/48kHz | Editing : .wav @ 24/48 > WaveLab V5.01b (48kHz > 44.1kHz, UV22 HR 16bit/Normal)
> CD Wave v1.95.1 > FLAC v1.1.4a (Level 8)
Taped from stand (~8ft), in line w/ right stack. No Eq | |
2 CDR90, CDR
|
notes
|
174. |
06/29/07 |
The Orange Peel - Asheville,
NC |
AKG ck93 hyper-cardioid capsules (mod) > RM 3-wire battery box > iRiver H120 > .wav @ 44.1Khz / 16 bit | location: Clamped on Frank Quinto's mic stand in the soundboard area pointed at the right stack
lineage: .wav > USB > Amadeus Pro 1.0.3 > FLAC | |
2 CDR90, CDR
|
notes
|
175. |
06/30/07 |
The Orange Peel - Asheville,
NC |
Schoeps MK4 (DIN) > Nbox+ > Edirol R-09 @ 24bit/48kHz | Editing : .wav @ 24/48 > WaveLab V5.01b (48kHz > 44.1kHz, UV22 HR 16bit/Normal)
> CD Wave v1.95.1 > FLAC v1.1.4a (Level 8)
Taped from stand (~9ft), in line w/ right stack. No Eq | |
3 CDR
|
notes
|
176. |
06/30/07 |
The Orange Peel - Asheville,
NC |
AKG ck93 hyper-cardioid capsules (mod) > RM 3-wire battery box > iRiver H120 > .wav @ 44.1Khz / 16 bit | location: Clamped on Frank Quinto's mic stand in the soundboard area pointed at the right stack | |
2 CDR90
|
notes
|
177. |
06/30/07 |
The Orange Peel - Asheville,
NC |
Panasonic WM-61A > Sound Pro SP-SPSB-2 (195Hz bass roll-off) > Edirol R-09 | TRANSFER : Edirol R-09 > USB > Adobe Audition 2.0 > CD Wave 1.95.1 > FLAC frontend 1.7.1
GENERATION : WAV(M) [24bit/48kHz] > remaster > WAV [16bit/44.1kHz] > FLAC [Level 8]
LENGTH : 195:51
NOTES : - The PA system repeatedly failed throughout the show. | |
3 CDR
|
notes
|
178. |
07/02/07 |
The Orange Peel - Asheville,
NC |
Schoeps mk41's(DINa)>kcy>Sonosax>744t | Location: 8ft. Stand @ Right Corner of SBD Cage
Transfer: 744t>CD Wave>Wavelab 5>Flac
| |
2 CDR90
|
notes
|
179. |
07/02/07 |
The Orange Peel - Asheville,
NC |
AKG ck93 hyper-cardioid capsules (mod) > RM 3-wire battery box > iRiver H120 > .wav @ 44.1Khz / 16 bit | location: Clamped on Frank Quinto's mic stand in the soundboard area pointed at the right stack
lineage: .wav > USB > Amadeus Pro 1.0.3 > FLAC | |
2 CDR, CDR90
|
notes
|
180. |
07/03/07 |
The Orange Peel - Asheville,
NC |
AKG ck93 hyper-cardioid capsules (mod) > RM 3-wire battery box > iRiver H120 > .wav @ 44.1Khz / 16 bit | location: Clamped on Frank Quinto's mic stand in the soundboard area pointed at the right stack
lineage: .wav > USB > Amadeus Pro 1.0.3 > FLAC | |
2 CDR90
|
notes
|
181. |
07/03/07 |
The Orange Peel - Asheville,
NC |
cmc64(nos)>v3>hdp2 | 24/44.1
Audacity resample to 16/44.1
flac level 6 aligned and verified. | |
2 CDR90, CDR
|
notes
|
182. |
07/03/07 |
The Orange Peel - Asheville,
NC |
edirol r-09 (internal mics, 16-bit/44.1khz wav, mic gain low, low cut on, agc off, manual rec level 22) - adobe audition (tracksplit) - dbpoweramp music converter (flac, low compression)
| location: approximately 8 feet from the stage, dead center
quality: excellent
| |
2 CDR90
|
notes
|
183. |
07/05/07 |
The Orange Peel - Asheville,
NC |
MG300> oade dmod ua5> jb3(6' High, 2' Left of center) | Transfer: jb3> nomad explorer> cdwave> flac frontend (level 6) | |
3 CDR
|
notes
|
184. |
07/10/07 |
XM Performance Theatre - Washington,
DC |
Delphi SA10085 Roady2 XM Satellite Radio Reciever > Edirol UA-5 > Coax Cable > PDAudio Interface > Compaq iPAQ 3835 > .wav @ 44.1Khz/16-bit | Lineage: .wav > Flac Frontend 1.71 Level 6 > FLAC | |
1 CDR
|
notes
|
185. |
07/10/07 |
NIGHTCLUB 9:30 - Washington,
DC |
AKG 460/ck63 (XY) handheld->Sound Devices 722 @ 24/96 | Location: SBD Area,FOB DFC
Transfer: 722->Firewire->PC
Processing: volume increase in SoundForge 9.0
Conversion: CDWav for track splitting and Flac Conversion @ level 5
| |
3 CDR
|
notes
|
186. |
07/15/07 |
the Fillmore - San Francisco,
CA |
Church Audio Cardioid Mics > Church Audio STC-9000 > Iriver H120 | Transfer: Iriver H120 > Audacity (levels) > CDWave (tracking) > Flac | |
3 CDR
|
notes
|
187. |
07/16/07 |
The Fillmore - San Francisco,
CA |
DPA 4061s > SP-MicroTrack Dongle > M-Audio MicroTrack via Line-In | TRANSFER:M-Audio MicroTrack > USB 2.0 > Sound Forge 9.0 (EQing, Normalizing) > CD WAVE 1.95.2 (Tracking) > FLAC frontend 1.7.1 (Align on Sector Boundaries)
GENERATION:MT(M) > WAV[16bit/44.1Khz] > FLAC[Level 8]
GENERATION IF BURNED: MT(M) > CDR(1) | |
2 CDR 90
|
notes
|
188. |
07/18/07 |
The Fillmore - San Francisco,
CA |
Sony ECM-959DT -> Sony MZ-R3 | Transfer: Sony MDS-JE520 -> Optical Cable -> Harmon Kardon CDR2 -> CDR(1) -> EAC -> Data Disc (-> dEdit -> FLAC)
Flaws:
d2t01 - Blue Skies Bring Tears - cuts in due to MD swap
the mic got partially unplugged during the first encore break, so That's the Way had one blank channel. I pasted the good channel into it.
d2t11 - That's the Way (My Love Is) - cuts due to mic coming unplugged (Heavy Metal Machine missed totally)
d2t24 - Silverfuck - cuts due to dead batteries
tracks 11-21 clip slightly, tracks 22-24 are totally brickwalled
| |
2 CDR
|
notes
|
189. |
07/20/07 |
Santa Cruz Civic Auditorium - Santa Cruz,
CA |
Nuemann KM140s (fob/ortf) > Sound Devices MP2 > Sony SBM1 > Sony D7 | DAT master > HHb CDR830 > EAC/wavlab > FLAC | |
90 CDR
|
|
190. |
07/27/07 |
The Fillmore - San Francisco,
CA |
Coresound Binaurals > Battery Box (??? Hz low cut) > Edirol R-09 | Editing : .wav @ 24/48 > WaveLab V5.01b (48kHz > 44.1kHz, UV22 HR 16bit/Normal)
> CD Wave v1.95.1 > FLAC v1.1.4a (Level 8) | |
3 CDR
|
|
191. |
07/27/07 |
The Fillmore - San Francisco,
CA |
CSB > Battery Box (120Hz LC) > R-09 @ 24bit/48kHz | Editor : Zach Payne
Location : ~ 8ft, stage right stacks
Mic Config : Binaural
Edit : WaveLab V5.01b (fades)
Tracking : CD-Wave v1.97
Encoding : FLAC v1.1.4 (Level 8) w/ FLAC Frontend v1.7.1 | |
3 CDR
|
notes
|
192. |
07/27/07 |
The Fillmore - San Francisco,
CA |
SP-CMC4 Hypers > SP-SPSB-6 w/ Bass Roll-off @ 160kHz > nomad jukebox 3 | Transfer > Nomad Jukebox 3 > USB > CoolEditPro (normalizing) > CDwav > Flac lv.8
Recorded from the front row in front of Ginger | |
3 CDR
|
|
193. |
07/27/07 |
The Fillmore - San Francisco,
CA |
Schoeps CMC34->PSP3 (80hz cut) -> Edirol R-09 (44.1@24bit) 15feet right/center
->USB SDHC card reader->cool edit pro->amp/splice->flac frontend (lvl8)->
CMC34 source amplified about 4db | CSB source bit depth increased to 24bit and lightly EQ'ed to better match the sound of the main source.
| |
2 CDR90
|
|
194. |
07/28/07 |
Fillmore - San Francisco,
CA |
original WAV - sbd | | |
2 CDR 90
|
|
195. |
07/28/07 |
Fillmore - San Francisco,
CA |
CSB > Battery Box (120Hz LC) > R-09 @ 24bit/48kHz | Editor : Zach Payne
Location : ~ 8ft, stage right stacks
Mic Config : Binaural
Edit : WaveLab V5.01b (fades)
Tracking : CD-Wave v1.97
Encoding : FLAC v1.1.4 (Level 8) w/ FLAC Frontend v1.7.1
Two minor cuts in audience noise (R-09 filesplit performed manually):
- Track 12 (03:08)
- Track 31 (03:31)
| |
2 CDR 90
|
|
196. |
07/28/07 |
Fillmore - San Francisco,
CA |
SP-CMC4 Hypers>SP-SPSB-6 w/ Bass Roll-off @ 160kHz > nomad jukebox 3
Xfer: NJ3 > USB > CoolEditPro > cdWAV > Flac.lv8. > dime | | |
2 CDR 90
|
notes
|
197. |
07/28/07 |
Fillmore - San Francisco,
CA |
Coresound Binaurals > Battery Box (??? Hz low cut) > Edirol R-09 | Editing: .wav @ 24/48 > WaveLab V5.01b (48kHz > 44.1kHz, UV22 HR 16bit/Normal)
> CD Wave v1.95.1 > FLAC v1.1.4a (Level 8)
Two very small cuts:
- d1t11 at 07:24 - Occurs during audience noise
- d3t05 at 13:14 - Occurs during break between Encores 1 & 2 | |
2 CDR90
|
|
198. |
07/30/07 |
The Fillmore - San Francisco,
CA |
Source: Church Audio ST-11 > ST-9100 > iRiver H-120 (RockBoxed + REP + AGC Safety) | Location: 16 Feets From Stage, between Billy and Jeff.
Transfer: H-120 (PCM 16bit @ 44.1Khz) > USB 2.0 > PC
Editing: Adobe Audition 3.0 > Some EQing > Normalize 99% > CD Wave v1.95.1 (track split) > Flac v1.2.1b (Level 8) | |
3 CDR
|
notes
|
199. |
07/30/07 |
The Fillmore - San Francisco,
CA |
KM140s > Sound Devices MP-2 > Sony SBM1 > Sony D7 | master > HHb CDR830 > EAC/wavlab > FLAC | |
3 CDR
|
|
200. |
07/31/07 |
Fillmore Auditorium - San Francisco,
CA |
Church Audio ST-11 > ST-9100 > iRiver H-120 (RockBoxed + REP + AGC Safety) | Location: 8 Feets From Stage, between Billy and Ginger.
Transfer: H-120 (PCM 16bit @ 44.1Khz) > USB 2.0 > PC
Editing: Adobe Audition 2.0 > Hard Limiting (remove clap clipping) > Some EQing > Normalize 99% > CD Wave v1.95.1 (track split) > Flac v1.1.0 (Level 8) | |
3 CDR
|
notes
|
201. |
08/05/07 |
Pimilico Racetrack (VFest 2007) - Baltimore,
MD |
AKG ck93 hyper-cardioid capsules (mod) > RM 3-wire battery box > iRiver H120 > .wav @ 44.1Khz / 16 bit | Location: 50' back about 10' from center align with Ginger. Mounted in my hat about 6' 3" high.
Lineage: .wav > Amadeus Pro 1.0.3 > FLAC
Flaws: I got nailed by a crowd server in the middle of Zero and several other times later in the show | |
1 CDR 90
|
notes
|
202. |
08/05/07 |
Pimilico Racetrack (VFest 2007) - Baltimore,
MD |
Dynamic Audio Binarial -> Dynamic Audio 120hz low cut batt box (Filter) -> Sharp MS-722 (Mic In) | Location : ~30' from left stack Mics mounted to my glasses about 6' high
Transfer : MD-M -> Sharp MD MS-722 -> Sound Blaster Live -> Adobe Audition 2.0 -> CDWave -> flac16 | |
1 CDR 90
|
notes
|
203. |
08/12/07 |
Cirkus - Stockholm,
Sweden |
DPA 4061's > SP-SPSB-3 With Bass Roll Off @ 95 Hz > Edirol R-09 (@ 24/48k) (Line In) | Location : ~3 meteres LOB, ~15 meters from stage
Transfer : Master WAV > Digital Editing > CD Wave Editor V1.96.1 > FLAC v1.2.0a
Editing : Volume boost and fades in Steinberg WaveLab V5.01b
Resampling : .wav @ 24/48 > Steinberg WaveLab v5.01b (dither with Apogee UV22HR to 16/44.1) | |
2 CDR
|
notes
|
204. |
08/14/07 |
Vega - Copenhagen,
Denmark |
DPA 4061>Edirol-R09(24/48) | Conversion : Edirol-R09>USB>Cool Edit Pro 2.0>CD Wave>xACT 0.5.9
Editing : Fades (CEP) Track Splits (CDwave)
Dithering : UV22 HR dithering in Steinberg WaveLab V5.01b
Resampling : 48.0 kHz > 44.1 kHz resampling in Steinberg WaveLab V5.01b
FLAC : Master wav's > TLH | |
2 CDR
|
notes
|
205. |
08/14/07 |
Vega - Copenhagen,
Denmark |
Sennheiser MKE40 (MM-HLSC-1)>20db att cable>Edirol-R09(24/48, mic in) | Editing: Fades, Track Splits, Waves C4+L2
Dithering: UV22 HR dithering in Steinberg WaveLab V5.01b
Resampling: 48.0 kHz > 44.1 kHz resampling in Steinberg WaveLab V5.01b
FLAC: Master wav's > Foobar2000 | |
2 CDR
|
|
206. |
08/16/07 |
Fort de St Père -- La Route du Rock festival - St Malo,
France |
SP-CMC-8(cardioid-low sensitivity) → SP-SPSB10(rocker on are 1-3-4, for right and left) → MZ-RH10 Hi MD → Sonicstage 4,3(Wav) → Audacity(normalisation) → CD Wave(tracksplit) → Db Power Amp(flac8) | | |
2 CDR
|
|
207. |
08/19/07 |
Parc De Exposition - Colmar,
France |
SP-CMC-8(cardioid-low sensitivity) - SP-SPSB10(rocker on are 1-3-4, for right and left) | MZ-RH10 Hi MD → Sonicstage 4,3(Wav) → Audacity(normalisation) → CD Wave(tracksplit) → Db Power Amp(flac8)
| |
2 CDR
|
|
208. |
08/19/07 |
Parc De Exposition - Colmar,
France |
aiwa DS6-->edirol 09 | transfer: edirol-SD-card-->HD-->wav-split cdwave-->flac | |
2 CDR
|
notes
|
209. |
08/19/07 |
Parc De Exposition - Colmar,
France |
MBHO MBP 603 A / KA 200 N > Sound Devices MP-2 > Edirol R-09 | Mic Config : in hat, DINA (17cm, 90�)
Location : ~15m from stage, just left of the soundboard cage
Transfer : Master WAVs > Digital Editing > CD Wave Editor V1.95.1 > FLAC V1.2.0
Editing : EQ, volume boost and fades in Steinberg WaveLab V5.01b
Dithering : UV22 HR dithering in Steinberg WaveLab V5.01b
Resampling : 48.0 kHz > 44.1 kHz resampling in Steinberg WaveLab V5.01b | |
2 CDR
|
notes
|
210. |
08/26/07 |
Reading Festival - Reading,
UK |
Danish Pro Audio 4061s > Sound Professionals SPSB-6 > Sony MZ-NH900 (Hi-SP) | Location: Front of repeater stacks, left of centre, a long way back
Transfer: MZ-NH900 > USB > wave (Sonic Stage 4.3)
Editing: fades, volume adjustment & normalising (Goldwave) > track indexes (CD Wave) > splits, Level 8 FLAC Compression & tagging (foobar2000) | |
1 CDR
|
notes
|
211. |
09/08/07 |
Parc Jean-Drapeau - Montreal,
QC |
r09 internal mics > CD Wave > FLAC > you | | |
2 CDR
|
notes
|
212. |
09/09/07 |
Island Park - Toronto,
ON |
SONY MZ-N707 -> Dual Channel Power SUpply Bass Rolloff -> MM-HLSC-1 HighLine "Sennheiser Driven" Cardioid Stereo Mics | Location: Right side from soundboard about 20 feet back
Conversion to Wave: Cool Edit Pro 2 > .Wav
Edit notes: split with Goldwave | |
2 CDR
|
notes
|
213. |
09/09/07 |
Island Park - Toronto,
ON |
AKG ck93 hyper-cardioid capsules (mod) > RM 3-wire battery box > iRiver H120 > .wav @ 44.1Khz / 16 bit | Location: ~ 50' back about 10' on the right from center aligned with Jeff and the front of the soundboard. Mounted in my hat about 6' 3" high.
Lineage: .wav > Amadeus Pro 1.1.1 > FLAC | |
2 CDR
|
notes
|
214. |
09/09/07 |
Island Park - Toronto,
ON |
source: built-in > Sony TCS-35V | location: 15 feet from right stack
transfer: ANA-1 (Maxell UD-90) > playback on Sony TC630ES > 1/4 out> 1/4 to 1/8 cable > laptop
editing: Audacity (recording, fades, channel fixes), CDWave (splits), FLAC Frontend (level 8) | |
2 CDR
|
notes
|
215. |
09/13/07 |
Pearl Theater - Las Vegas,
NV |
Coresound Binaurals > Battery Box (low cut) > Edirol R-09 | Editing : .wav @ 24/48 > WaveLab V5.01b (48kHz > 44.1kHz, UV22 HR 16bit/Normal)
> CD Wave v1.95.1 > FLAC v1.1.4a (Level 8)
- PA drops out at 1:23 of track 4 | |
2 CDR
|
|
216. |
09/18/07 |
Dodge Theater - Phoenix,
AZ |
DPA 4061's (hat mounted) > MMA6000 pre (+10db gain) > Korg MR-1 (recorded @ 1-bit/2.8Mhz DSD) | 16-bit/44.1KHz version
Lineage: MR-1 > USB > AudioGate 1.0.1 (exported to 24bit/96Khz PCM) > Adobe Audition 2.0 (normalized, downsampled) > 16/44.1 PCM > CDWave > FLAC Front End (Level 7)
Location: dead center, Section 4, Row 15 (5th seated row behind pit) | |
2 CDR
|
notes
|
217. |
09/21/07 |
The Amphitheater at Clark County - Ridgefield,
WA |
Nakamichi CM-300's w/CP-1's>Sony D8 | Secton 203, Row-E Seats 14 & 15
Transfer: Tascam DA-20 MKII>Philips CDR 775>EAc>FLAC
| |
2 CDR
|
notes
|
218. |
09/21/07 |
The Amphitheater at Clark County - Ridgefield,
WA |
| (section 204, row N, seat 14; dead center, 3/4 back)
Source: CSB (bass filter on) > MZ-RH1 & MZ-NHF800 (line in, AGC)
Transfer/Lineage/Conversion: PCM data (1.4Mbps 44kHz) > WAV > FLAC level 8 (no replay gain)
Editing: Audacity 1.2.6 (Fade in, Fade out, Normalization & Amplification to -0.5dB)
CD Wave (track splits)
Winamp (EQ to remove some bass and write new WAV files)
| |
2 CDR
|
notes
|
219. |
09/22/07 |
Qwest Field North Parking Lot - Seattle,
WA |
CSB (bass filter on) > MZ-NHF800 (line in, AGC) | (center, ~15ft FOB)
Transfer/Lineage/Conversion : atrac3plus data (Hi-SP) > USB > WAV > FLAC level 8 (no replay gain)
Editing : Audacity 1.2.6 (Fade in, Fade out, Normalization & Amplification to -0.2dB)
Winamp (EQ to remove some bass, light volume boost w/ Enhancer, write new WAV files) CD Wave (track splits)
| |
1 CDR
|
notes
|
220. |
09/24/07 |
PNE Forum - Vancouver,
BC |
Sharp MD-MT15 > MM-CBM-Mini > Ecm 719 (in hat) | | |
2 CDR
|
notes
|
221. |
09/28/07 |
McKay Events Center - Orem,
UT |
generic binaural mics > Edirol R-09 (mic gain off, input level at 15) > Lexar 4GB SDHC Platinum II SD card | Lineage: Edirol R-09 > USB > PC > Adobe Audition (to split and join tracks) > FLAC
Location: dead center by soundboard
File Type: 48000Hz, 32-bit, Stereo
File Format : Windows PCM, 24-bit Packed Int (type 1 (24-bit) | |
2 CDR
|
notes
|
222. |
09/30/07 |
Red Rocks Amphitheater - Morrison,
CO |
DSM-6S > PA-6LC3 > M1 > 7pin>optical > NJB3 | Transfer: NJB3 > USB > CEP 2.1 > flac
| |
2 CDR
|
notes
|
223. |
09/30/07 |
Red Rocks Amphitheater - Morrison,
CO |
Peluso CEMC-6 (ck-4)>silvers>Oade W+mod UA-5>S/pdif>Microtrack | Location: Tapers Section behind soundboard (Row 15) Dead Center
Recorded In: ORTF 24/48 6' high
Transfer: AUD>Microtrack 24/96>PC>bump in Cool Edit Pro 2.1>CD Wave Editor>24 bit Flac | |
2 CDR
|
notes
|
224. |
09/30/07 |
Red Rocks Amphitheater - Morrison,
CO |
Core Sound LC Binaurals w/ Low Sensitivity > iRiver H120 (Rockboxed) | Transfer: H120 > USB > CD Wave (splitting) > Trader's Little Helper v.1.1.1 > .flac, .ffp, .torrent
Location: Row 29 Seat 131 | |
2 CDR
|
notes
|
225. |
10/02/07 |
Roy Wilkens Auditorium - St. Paul,
MN |
Studio Projects C4's > Mil Spec Silver Quad customs > UA-5 (BM2p+) > iRiver h120 (Optical @ 16bit 44.1kHz WAV) | Location: AB ~20cm (clamp disabled DIN) ROB, ~40' back, ~6' ^ stand
Source: Studio Projects C4's > Mil Spec Silver Quad customs > UA-5 (BM2p+) > iRiver h120 (Optical @ 16bit 44.1kHz WAV)
Conversion: h120 > USB 2.0 > PC [WAV > FLAC Frontend 1.7.1 lvl 6 + Verify]
Edit: CD Wave (tracking) Sound Forge 9.0 (d1t1 & d2t15 fades) | |
2 CDR
|
notes
|
226. |
10/02/07 |
Roy Wilkens Auditorium - St. Paul,
MN |
Coresound High-end Binaurals > Bass Roll-off Box > Sony D100 > Master 48 khz DAT |
Location: 15 ft above the soundboard desk DFC on the 1st row of the balcony taped to railing
Transfer: Master DAT > Standalone burner > Master CDRs > EAC > Cooledit Pro (normalized levels) > CDWave (tracking) > FLAC Level 8
| |
2 CDR
|
notes
|
227. |
10/02/07 |
Roy Wilkens Auditorium - St. Paul,
MN |
Schoeps MK4 > Nbox > Edirol R4 | Location: On stand, 7 feet high, Right of SBD
Transfer: R4 > USB
Editing: fade-in/out, removed small click in Hummer | |
2 CDR
|
notes
|
228. |
10/04/07 |
Braden Auditorium - Illinois State University - Normal,
IL |
SP-BMC-12>batterybox@95>sony MZ-M10(line in)>audio city>cd wav>tlh.flac(8)>you | the volume was amplified via audiocity, and the tracks
were cut with cd wave | |
2 CDR
|
|
229. |
10/04/07 |
Braden Auditorium - Illinois State University - Normal,
IL |
SP-BMC-12 > Edirol R-09 > SanDisk 2 GB SD Memory Card @ 16 bit/44.1kHz | Transferred, Tracked, and Edited By: Matt Krueger
Transfer: Edirol R-09 > USB Cable > WAV > CD Wave 1.94.5 > FLAC Level 8 (Trader's Little Helper 1.1.1)
Fade In and Fade Out done in Cool Edit Pro 2.0.
| |
2 CDR
|
notes
|
230. |
10/04/07 |
Braden Auditorium - Illinois State University - Normal,
IL |
CSB -> preamp -> Microtrack24/96 (24bit/48kHz WAV) -> CEP (eq, convert to 16bit/44.1kHz, tracking) -> FLAC 8 | | |
2 CDr
|
|
231. |
10/04/07 |
Braden Auditorium - Illinois State University - Normal,
IL |
Schoeps MK41's > Active Cables > Nbox > Tascam HDP2 > Wav @ 24/48 | Conversion: Tascam HDP2 > Firewire > Goldwave (merging) > CEP 2.1 (fades, resampling and dithering) > CD Wave > TLH > Flac | |
2 CDR
|
notes
|
232. |
10/06/07 |
Verizon Wireless Music Center - Noblesville,
IN |
Oktava MC012 -> Edirol UA-5 (P-Mod) -> Core-Sound PDAudio -> Compaq iPAQ 3835. Recorded at 24-bit/48khz. | Conversion: 24bit wav file > dithered to 16bit/44.1khz w/ Adobe Audition 1.5 > FLAC Frontend .flac files.
Location: Soundboard area, On stand 15' high. | |
1 CDR90
|
notes
|
233. |
10/07/07 |
Fox Theater - Detroit,
MI |
Sony Mz-n707 -> Dual Channel Power Supply Bass Rolloff -> Mm-hlsc-1 Highline "sennheiser Driven" Cardioid Stereo Mics | Location: Row 7, Aligned With Left Stack
Conversion To Wave: Cool Edit Pro 2 > .wav
Edit Notes: Split With Goldwave | |
2 CDR
|
notes
|
234. |
10/09/07 |
AJ Palumbo Center - Pittsburgh,
PA |
AUD > Audio Technica AT853 > SP-SPSB-3 (190 Hz) > M-Audio MicroTrack 24/96 > WAV (16-bit/44.1kHz) | LOCATION : Section B8, Row F, Seat 11 Upper bleachers stage left, ~30 meters from upper stacks
EDITING : Cool Edit Pro 2.1 for Fades | CD Wave Editor 1.96.1 Shareware to split into tracks
FLAWS: Crackling during "United States," "Neverlost," "1979," "Set the Ray to Jerry," "Heavy Metal Machine," and "Pomp and Circumstances." | |
2 CDR
|
notes
|
235. |
10/09/07 |
AJ Palumbo Center - Pittsburgh,
PA |
DPA4023 > Oade M148 > Mogami interconnect > Edirol R-09 @ 24/48 | Location : ~ 40 feet, stage left stack
WAV > FLAC: .wav @ 24/48 > Steinberg WaveLab v5.00a (dither with Apogee UV22HR to 16/44.1) > CD-WAV/FLAC frontend v1.7.1 > .flac | |
2 CDR90, CDR
|
notes
|
236. |
10/13/07 |
Orpheum Theater - Boston,
MA |
CSB> CSB BB NO ROLLOFF > SONY MZ-RH910 (PCM) > Sony SoundForge EQ > Flac 8 | Location = Orch Row R Right Center
| |
2 CDR
|
notes
|
237. |
10/13/07 |
Orpheum Theater - Boston,
MA |
CSB (bass filter on) > MZ-RH1 & MZ-NHF800 (line in, AGC) | (center left balcony, 2nd row)
Transfer/Lineage/Conversion : PCM data > USB > WAV > FLAC level 8 (files tagged, no replay gain)
Editing : Audacity 1.2.6 (Fade ins, Fade outs, & Amplification to -0.2dB)
CD Wave (track splits)
| |
2 CDR
|
notes
|
238. |
10/13/07 |
Orpheum Theater - Boston,
MA |
Schoeps MK4 > Nbox+ > TCD-D100 @ 44.1 kHz | Location : ORCH LEFT, row KK, seat 11
Mic Config : in hat, DINA (17cm, 90�)
Conversion : DDC-M > PCM-M1 > Hosa ODL-276A > iRiver iHP-120 (rockbox)
Edit : WaveLab V5.01b (fades)
Resampling : N/A
Final Format : 16-bit, 44.1 kHz
Tracking : CD-Wave v1.97
Encoding : FLAC v1.2.1 (Level 8) with TLH v2.2.2 (Build 152) | |
2 CDR
|
notes
|
239. |
10/15/07 |
Orpheum Theater - Boston,
MA |
CSB>CSB BB NO ROLLOFF > SONY MZ-RH910 (PCM) > Sony SoundForge EQ > Flac 8 | Location = Orch Row R Right Center
| |
0
|
notes
|
240. |
10/15/07 |
Orpheum Theater - Boston,
MA |
Neumann AK40 > LC3 > KM100 > Oade m148 > modSBM-1 > PCM-M1 | Location: Mezzanine left center, Row A, clamped to the rail
Conversion: TCD-D100 > M-Audio USB > CDWave > FLAC 1.7.1 (Level 6)
Recording Notes:
*Mics in a DIN configuraton
*Recorded at 44.1
*Fades done with Adobe Audition | Neumann AK40 > LC3 > KM100 > Oade m148 > modSBM-1 > PCM-M1
Conversion: TCD-D100 > M-Audio USB > CDWave > FLAC 1.7.1 (Level 6) |
2 CDR
|
notes
|
241. |
10/16/07 |
Orpheum Theater - Boston,
MA |
Rode NT4 (X/Y) > M-Audio Microtrack (16/44.1) | Lineage: SanDisk Extreme III Compact Flash > Fission > xACT> Flac
Recorded by: Jesse Clark (wjesseclark@gmail.com)
Location: orchestra left center, row J; mic (with shock mount) taped to backpack which was taped on top of the side wall of orchestra entrance ramp (security would not allow stands). | |
2 CDR
|
notes
|
242. |
10/19/07 |
Tower Theatre - Upper Darby,
PA |
Schoeps MK4 (DINA) > Nbox+ > Edirol R-09 @ 24bit/48kHz | Editing : .wav @ 24/48 > WaveLab V5.01b (48kHz > 44.1kHz, UV22 HR 16bit/Normal)
> CD Wave v1.95.1 > FLAC v1.1.4a (Level 8)
Taped in hat in line w/ left stack, ~ 25y back. No Eq | |
2 CDR
|
notes
|
243. |
10/19/07 |
Tower Theatre - Upper Darby,
PA |
Schoeps MK4's>NBOX>Edirol R-09 (@24Bit/48Khz)>Wavelab 5 (UV22HR Dither to 16bit/44.1khz)>CDWAV>FLAC
| Recorded From Orchestra L/C Row GG | |
2 Cdr
|
notes
|
244. |
10/19/07 |
Tower Theatre - Upper Darby,
PA |
SP-BMC-1>SP-SPSB-2>iriver h120 (rockboxed)
| Conversion: iriver(16-bit wav)>CD WAVE(spliting tracks)>Flac
Location: Lower Balcony row B Seat 119 (center of the stage area) | |
2 Cdr
|
notes
|
245. |
10/21/07 |
Tower Theater - Upper Darby,
PA |
Schoeps MK4 (DIN) > Nbox+ > Edirol R-09 @ 24bit/48kHz | Editing : .wav @ 24/48 > WaveLab V5.01b (48kHz > 44.1kHz, UV22 HR 16bit/Normal)
> CD Wave v1.95.1 > FLAC v1.1.4a (Level 8)
| |
2 CDr
|
notes
|
246. |
10/23/07 |
Tower Theater - Upper Darby,
PA |
AKG ck93 hyper-cardioid capsules (mod) > RM 3-wire battery box > iRiver H120 > .wav @ 44.1Khz / 16 bit | lineage: .wav > USB > Amadeus Pro 1.1.1 > FLAC
| |
2 CDR
|
notes
|
247. |
10/27/07 |
City Park - Voodoo Music Experience - New Orleans,
LA |
AKG ck93 hyper-cardioid capsules (mod) > RM 3-wire battery box > iRiver H120 > .wav @ 44.1Khz / 16 bit | location : Mics mounted in my hat 6'3" high. Started 10' in front of the soundboard and moved up to 30' in front of the soundboard by the end of the show.
lineage : .wav > USB > Amadeus Pro 1.1.1 > FLAC level 8
editing : Normalized. Removed encore break, crossfaded audience between songs
flaws: Some wind in various places | |
2 CDR
|
notes
|
248. |
11/08/07 |
War Memorial Auditorium - Greensboro,
NC |
Schoeps MK4 > KC5 > CMC6 > Lunatec V3 > Marantz PMD-671 @ 24/48 | Location: Center Orchestra Row P DFC, microphones 6 feet high
Conversion: 24 bit 48 k wav files resampled to 44.1 with Sound Forge 6.0 at highest quality settings and dithered to 16 bit, split into tracks with CD Wave, fades at beginning & end of sets with Sound Forge 6.0, FLAC files generated with FLAC front end. | |
2 CDR
|
notes
|
249. |
11/11/07 |
Ryman Auditorium - Nashville,
TN |
SP-CMC-8>JB3 | Transfer:JB3>Cubase>flac | |
2 CDR
|
notes
|
250. |
11/11/07 |
Ryman Auditorium - Nashville,
TN |
sp-bmc-3 mics>bass rolloff 195hrzsp-bm6 batt box>sony mzrh-10minidiscHIMD hi-sp>sonicstage(transfer)>goldwave fade ins/outs mastering>cdwave>flac
| | |
2 CDR
|
notes
|
251. |
11/13/07 |
The Backyard - Austin,
TX |
DSM-6S > PA-6LC3 > M1 > 7pin>optical > NJB3 | Transfer: NJB3 > USB > CEP 2.1 > flac
| |
2 CDR
|
notes
|
252. |
11/15/07 |
Fox Theatre - Atlanta,
GA |
Dynamic Audio Binaurals > DA-120F > TCD-D100 @ 48kHz (line in) | Location : Orchestra LC, row F in front of left stack
Mic Config : Binaural
Conversion : DDC-M > TCD-D100 > 7-pin to coax > Waveterminal 2496 > WaveLab V5.01b
Edit : WaveLab V5.01b (fades)
Resampling : r8brain v1.9 (r8: 44.1 kHz, Output bit depth: 16 bit, Quality: Very High)
Final Format : 16-bit, 44.1 kHz
Tracking : CD-Wave v1.96.1
Encoding : FLAC v1.2.1 (Level 8) with TLH v2.2.2 (Build 152) | |
2 CDR
|
notes
|
253. |
11/16/07 |
Fox Theatre - Atlanta,
GA |
Dynamic Audio Binaurals > DA-120F > TCD-D100 @ 48kHz (line in) | Location : Pit Row DDD, in front of Ginger
Mic Config : Binaural
Conversion : DDC-M > TCD-D100 > 7-pin to coax > Waveterminal 2496 > WaveLab V5.01b
Edit : WaveLab V5.01b (fades)
Resampling : r8brain v1.9 (r8: 44.1 kHz, Output bit depth: 16 bit, Quality: Very High)
Final Format : 16-bit, 44.1 kHz
Tracking : CD-Wave v1.96.1
Encoding : FLAC v1.2.1 (Level 8) with TLH v2.2.2 (Build 152)
| |
2 CDR
|
notes
|
254. |
11/18/07 |
Nokia Theater - Grand Prairie,
TX |
Sound Professionals Premium AT Slimline Cardioids (3-Wire Hyperplane mod) > Hyperplane 3-Wire Mini Battery Box > M-Audio MicroTrack 24/96(@24/48)
| Hyperplane 3-Wire Mini Battery Box > M-Audio MicroTrack 24/96(@24/48)
location: section 309, row CCC, seat 7 (way back there)
transfer: M-Audio MicroTrack 24/96 > USB > WAV > Wavelab (mastering) > CD Wave (splitting) > FLAC | |
2 CDR
|
notes
|
255. |
11/18/07 |
Nokia Theater - Grand Prairie,
TX |
DSM-6S > PA-6LC3 > M1 > 7pin>optical > NJB3 | Loaction: Section 103, Row O, Seat 13
Transfer: NJB3 > USB > CEP 2.1 > flac | |
2 CDR
|
notes
|
256. |
11/18/07 |
Nokia Theater - Grand Prairie,
TX |
Sony ECM-717 > Edirol R-09 (24/48) > Adobe Audition 1.5 (10dB Boost, Hard Limiting, Dither to 16bit) > CDWave 1.96.1 > TLH (flac8) | | |
2 CDR
|
|
257. |
01/31/08 |
Stadthalle - Vienna,
Austria |
aud/file> flac [dac> da-120f> -20db attentuator > iriver ihp-120 (rockbox) @ 44.1khz/16bit wav]
| taped from : 20 m of right stack
conversion : ihp-120> hd (via usb)> soundforge> wavrepair (for splitting)> flac 1.7.1 etree edition
editing : added some bass, made it louder, added fades
your copy : cdr-0
length : 145 min | |
2 CDR
|
|
258. |
02/03/08 |
PalaMalaguti - Bologna,
Italy |
AUD (see location below) > Sony ECM-719 > Edirol R-09 (24 bit/44.1 kHz) > SDHC Panasonic RP-SDM04G | location : 2-3 m right of center
| 30 m from stage, 10 m in front of the soundboard
| hat-mounted mic 1.70 m above the floor
transfer: SDHC Panasonic RP-SDM04G > HD (via USB) > Audacity 1.2.6 (amplified +12 dB + faded-in/out) >
CD Wave 1.96.1 (track splitting + 16-bit dithering) >
TLH 1.00.72 (sector boundaries alignment + level 8 compression) > FLAC
generation : master (no CD extraction) | |
2 CDR
|
notes
|
259. |
02/03/08 |
PalaMalaguti - Bologna,
Italy |
AT853 (H) > 3-Wire Battery Box > Edirol R-09 [16/48]
| Audio Transfer: R-09 > USB cable > PC HDD > Soundforge 9 (Normalization and Resampling)
> CD Wave Editor 1.94.8 (Track Splitting) > FLAC Frontend > FLAC Level 8
Total Running Time: 2h34m52s | |
2 CDR
|
notes
|
260. |
02/05/08 |
Hallenstadion - Zurich,
Switzerland |
MBHO MBP 603 A / KA 200 N > Sound Devices MP-2 > Edirol R-09 | Mic Config : in hat, DINA (17cm, 90�)
Location : ~10m from the stage, right side
Transfer : Master WAV > dEdit > CD Wave Editor V1.95.1 > FLAC V1.1.4
Editing : EQ, volume boost and fades in Steinberg WaveLab V5.01b
Dithering : UV22 HR dithering in Steinberg WaveLab V5.01b
Resampling : 48.0 kHz > 44.1 kHz resampling in Steinberg WaveLab V5.01b | |
2 CDR
|
|
261. |
02/06/08 |
Bercy - Paris,
France |
SP-CMC-8(cardioid-low sensitivity)
SP-SPSB10(rocker on are 1-3, for right and left)
Editol R-09, 44khz-16 bit → Audition(normalisation) → CD Wave(tracksplit) → Db Power Amp(flac8)
| | |
2 CDR
|
|
262. |
02/06/08 |
Bercy - Paris,
France |
Roland Edirol R-09 | Location: 1st Row seats right side of the stage
Mics: Sony ECM-MS 907
SD Card: 4GB Transcend Class 6
Wav file transferred to PC via USB.
Track splits with Goldwave 5.20
Converted to FLAC with dBpowerAMP | |
2 CDR, CDR 90
|
|
263. |
02/12/08 |
SECC - Glasgow,
Scotland |
SP-CMC-4U (AT U853's) > SP-SPSB-1 Battery Box > Nomad Jukebox 3 > .wav @ 44.1Khz / 16 bit
| Location : ~10 metres infront of soundboard. Dead centre infront of Billy
Lineage : .wav > USB > Sound Forge 8.0 > FLAC | |
2 CDR, CDR 90
|
notes
|
264. |
02/14/08 |
Nottingham Arena - Nottingham,
England |
Danish Pro Audio 4061s > Sound Professionals SPSB-6 > Sony MZ-NH900 (Hi-SP) | Location: Centre, ~25' back
Transfer: Sony MZ-RH1 > USB > wave (Sonic Stage 4.3)
Editing: fades, EQ & normalising (Goldwave) > track indexes (CD Wave) > splits, Level 8 FLAC Compression & tagging (foobar2000) | |
2 CDR
|
notes
|
265. |
02/15/08 |
MEN Arena - Manchester,
UK |
Sony TS-125 - MD (JVC XM-R700) - 3.5mm OFC - Audacity - WAV - CDR | Recording equipment: Sony ECM-TS125 CE7 Stereo Mic
L/R channel improved/balanced out, volume increased, equalised, etc. | |
2 CDR
|
notes
|
266. |
02/15/08 |
MEN Arena - Manchester,
UK |
SP-CMC-4U (AT U853's) > SP-SPSB-1 Battery Box > Nomad Jukebox 3 > .wav @Khz / 16 bit
| Location : 20 metres from stage. Dead centre infront of Billy
Lineage : .wav > USB > Sound Forge(track splits and fade in/out) > TLH > FLAC | |
2 CDR
|
notes
|
267. |
02/16/08 |
O2 Arena - London,
UK |
Audience (Hi-MD Master) | Lineage: Sony MZ-NH600 w/Sony ECM - 719 (Mic) > SonicStage 4.3 > WAV > Audacity 1.2.6 > WAV > TLH > FLAC
Notes: Recorded in Hi-SP mode due to the length of the show. Some unwanted crowd noise/talking during quieter songs, but nothing too bad.Recording, Editing and Artwork by Zenith023 | |
2 CDR
|
notes
|
268. |
02/18/08 |
Brabanthallen - Hertogenbosch,
The Netherlands |
Source: Edirol R-09 with internal mics (24 bit/48 kHz)
| 16 Bit / 44.1 KHz recording.
Location: 25 meters center of the stage, seated place
Transfer: Master WAV's > Sony Sound Forge 9.0e > Trader's Little Helper 2.1.0 > Flac [Level 8]
Editing: Track splits, Volume boost and fade in/out with Sony Sound Forge 9.0e
Resampling: 48.0 kHz > 44.1 kHz resampling with Sony Sound Forge 9.0e (with highest interpolation accuracy setting)
Dithering: Highpass Triangular with Sony Sound Forge 9.0e
Noise shaping: High-pass contour
Total Running Time: 2h36m46s
Transfered and edited by: JellyBelly. | |
2 CDR
|
notes
|
269. |
02/19/08 |
Forest National - Brussels,
Belgium |
SP-CMC-4U > SP-SPSB-8 (roll-off@ 195Hz) > Edirol R-09 | Transfer : memory card > Wave 24/48 > Adobe Audition 1.5 > ( Normalization) > flac(8) | |
2 CDR, CDR 90
|
notes
|
270. |
02/21/08 |
Olympiahalle - Munich,
Germany |
MBHO MBP 603 A / KA 200 N > Sound Devices MP-2 > Edirol R-09 | Mic Config : in hat, DINA (17cm, 90�)
Location : ~25m from the stage, FOB, center
Transfer : Master WAVs > dEdit > CD Wave Editor V1.95.1 > FLAC V1.2.1
Editing : EQ, volume boost and fades in Steinberg WaveLab V5.01b
Dithering : MBIT+ dithering in iZotope Ozone 3
Resampling : 48.0 kHz > 44.1 kHz resampling in Steinberg WaveLab V5.01b | |
2 CDR
|
|
271. |
02/22/08 |
Jahrhunderthalle - Frankfurt am Main,
Germany |
MBHO MBP 603 A / KA 200 N > Sound Devices MP-2 > Edirol R-09 | Mic Config : in hat, DINA (17cm, 90�)
Location : ~20m from the stage, center
Transfer : Master WAVs > dEdit > CD Wave Editor V1.95.1 > FLAC V1.2.1
Editing : EQ and volume boost in Apple Logic Pro V8.0.1 | Fades in Sound Studio V3.5.5
Resampling : 48.0 kHz > 44.1 kHz resampling in Apple Logic Pro V8.0.1
Dithering : MBIT+ dithering in iZotope RX | |
2 CDR
|
|
272. |
02/23/08 |
Arena Treptow - Berlin,
Germany |
OKM IIr > A3 > M-AUDIO Microtrack 24/96 (44.1/16) > USB > WAV > Adobe Audition (EQing) > CDwave (tracking) > FLAC frontend (level 8, verify, with align on sector boundaries) > Tracker | | |
2 CDR, CDR 90
|
|
273. |
02/29/08 |
Spektrum - Oslo,
Norway |
Core Sound Binaurals -> Sony MZ-RH1 MD (In Hi-MD mode) | Transfer: To .wav with Sonic Stage -> SoundForge (Normalizing, fade in/out,
track splitting) -> To .flac using FLAC Frontend (level 8) -> You
| |
2 CDR, CDR 90
|
|
274. |
03/20/08 |
TSB Bank Arena - Wellington,
New Zealand |
Sony ECM-717 > Iriver H320 Rockbox @ 44.1 WAV | Location Centre Of Floor, Just To Tight Of Soundboard | |
2 CDR
|
|
275. |
03/22/08 |
Vector Arena - Auckland,
New Zealand |
Sony ECM-717 > Iriver H320 Rockbox @ 44.1 WAV | Location : Left Side ~10m From Stacks | |
2 CDR
|
|
276. |
03/24/08 |
Westpac Arena - Christchurch,
New Zealand |
Sony ECM-717 > Iriver H320 Rockbox @ 44.1 WAV
| Location Centre Of Floor, Just To Tight Of Soundboard | |
2 CDR
|
|
277. |
04/05/08 |
Melbourne Showgrounds - V Festival - Melbourne,
Australia |
Schoeps MK4 > Nbox+ > Edirol R-09 @ 24bit/48kHz | ic Config: DINA
Location: FOB
Master WAV > CDWave (split) > TLH (flac) | |
2 CDR
|
notes
|
278. |
04/06/08 |
V Festival - Perth,
Australia |
Recorded with: SP-SMC-8 SOUND PROFESSIONALS PREMIUM AUDIO TECHNICA SLIMLINE STEREO MICROPHONES Cardiod (with low sensitivity modification) plus SP-SPSB-8 and bass roll-off 16 Hz)-> Edirol R09-> wav -> Sony SoundForge 9.0a (volume boost, mild compression)-> CD Wave (track splitting) and to .flac using FLAC(level 8) -> You
| Position: Standing in front of right speaker stack 80 feet from stage central
Notes - A great show, great sound for outdoors, some crowd noise/chatter | |
1 CDR 90
|
notes
|
279. |
08/07/08 |
Adler Theater - Davenport,
IA |
SBD->CDR->my mailbox->EAC->FLAC | | |
2 CDR
|
|
280. |
08/08/08 |
Adler Theater - Davenport,
IA |
Church-Audio STC-11 cards > Church-Audio STC-9100 preamp > Edirol R-09 (24 bit 48 khz) | Location: Balcony ledge, ORTF
Transfer: Edirol R-09 (24 bit 48 khz)>USB cable>Adobe Audition 2.0 (amplification/cross fades/dither/resample to 16/44.1)>CD Wave Editor>Wav>Flac Frontend level 8>Flac | |
2 CDR
|
notes
|
281. |
08/08/08 |
Adler Theater - Davenport,
IA |
Core-Sound Cardioids -> Core-Sound Battery Box -> MZ-RH91 | Location: Second Row Pit Center
Conversion to Wave: Cool Edit Pro 2 > .Wav
Edit and Transfer Notes: USB -> Adobe Audition Split and Normalize -> Wav -> FLAC | |
2 CDR
|
notes
|
282. |
08/09/08 |
Horseshoe Casino - Hammond,
IN |
Core-Sound Cardioids -> Core-Sound Battery Box -> MZ-RH910 | Location: Approx. 30 Feet from Stage, Center
Conversion to Wave: Cool Edit Pro 2 > .Wav
Edit and Transfer Notes: USB -> Adobe Audition Split and Normalize -> Wav -> FLAC
| |
2 CDR
|
notes
|
283. |
08/09/08 |
Horseshoe Casino - Hammond,
IN |
Edirol R9 (24bit/48kHz) (Line In) > Core Sound HEB (4060) (Bass Rolloff On) > Adobe Audition (6DB Amplify) > CDWAVE > FLAC (level 8)
| additional info : Recorded from the left side of the main floor, three rows from the stage. | |
2 CDR
|
notes
|
284. |
08/12/08 |
Palace Theatre - Louisville,
KY |
Schoeps mk4v > kc5 > cmc6 > Lunatec V2 > Sound Devices 702 @ 24/48 | Orch 3 Row R Seat 9
Transfer: Sound Device 702 > firewire > PC > Wavelab5.0 > CDWave > xACT > Flac | |
2 CDR
|
notes
|
285. |
08/13/08 |
Tennessee Theater - Knoxville,
TN |
Sony ECM-717 > M-Audio 10db pad > ZOOM H2 > SDHC card > PC > WavePad > TLH > Flac
| | |
2 CDR
|
notes
|
286. |
08/15/08 |
Ovens Auditorium - Charlotte,
NC |
Zoom H4 > WAV > Audacity > FLAC | | |
2 CDR
|
notes
|
287. |
08/16/08 |
Charlottesville Pavilion - Charlottesville,
VA |
DSM-6S > PA-6LC3 > R-09HR
| Transfer: R-09HR > USB > CEP 2.1 > flac | |
2 CDR
|
notes
|
288. |
08/16/08 |
Charlottesville Pavilion - Charlottesville,
VA |
BSCS-L (M/S; C/8) > FR2-LE (24/44.1) | location: 5' FOB (last seated GA row FOB), 6' ROC, "stand" 5'
transfer: FR2-LE; WAV > Audacity 1.3.5d (M/S decode, processing, tracking, dither) > WAV (16/44.1) > FLAC (v1.1.4 --best --sector-align -V) | |
2 CDR
|
notes
|
289. |
08/16/08 |
Charlottesville Pavilion - Charlottesville,
VA |
AKG ck93 hyper-cardioid capsules (mod) > RM 3-wire battery box > iRiver H120 > .wav @ 44.1 kHhz / 16 bit | location: Gaffe taped inside my baseball cap 6' 3" high first row in front of the right stack
lineage: .wav > USB > Amadeus Pro 1.3.2 > FLAC (8) | |
2 CDR
|
notes
|
290. |
08/20/08 |
Ruth Eckerd Hall - Clearwater,
FL |
Dynamic Audio Condensers (Pzanes) > Battery Box w/ roll-off > R-09HR @ 24bit/96kHz | Editor : David Reid
Location : Row AA Center (about 2/3 way to the back of venue), mics mounted forward on glasses
Edit : Mastered using Adobe Audition (32-bit processing, dithered to 24-bit and resampled to 48kHz max quality)
Tracking: CD-Wave
Encoding: FLAC v1.2.1b (Level 8) w/ FLAC Frontend v1.7.1 | |
2 CDR
|
notes
|
291. |
10/26/08 |
Shoreline Amphitheater - Mountain View,
CA |
Schoeps>Nbox>Edirol R-09>Soundforge for slight editing | Recorded 102 Center
| |
1 CDR
|
|
292. |
10/31/08 |
Newport Music Hall - Columbus,
OH |
Edirol R-09 at 16-bit 44kHz wav using Church Audio STC9000 stereo preamp with Church Audio stereo mics. | Location: Balcony center. No obstructions.
Transferred and left all levels alone using Adobe Audition | |
2 CDR, CDR 90
|
notes
|
293. |
11/03/08 |
Massey Hall - Toronto,
ON |
CA-11 > BAT-2B > Edirol R-09 | Row A Left Center Floor - between Ginger and Billy | |
2 CDR
|
notes
|
294. |
11/03/08 |
Massey Hall - Toronto,
ON |
Edirol r09 (internal mics) ->FLAC | Location: left-centre floor, row M
Cut up in CD Wave Editor | |
2 CDR
|
notes
|
295. |
11/04/08 |
Massey Hall - Toronto,
ON |
CA-11 > BAT-2B > Edirol R-09 | Row H Seat 30 Complete center | |
2 CDR
|
notes
|
296. |
11/04/08 |
Massey Hall - Toronto,
ON |
Edirol r09 (internal mics) ->FLAC | Location: left-centre floor, row M
Cut up in CD Wave Editor | |
2 CDR, CDR 90
|
notes
|
297. |
11/06/08 |
United Palace - New York,
NY |
DAB > DA-120F > TCD-D100 @ 48 kHz | Location : ORCH Row JJ, Seat 18
Mic Config : Binaural
Conversion : DAT-M > PCM-R300 > S/PDIF Coax > Egosys WT2496 > WaveLab V5.01b
Edit : WaveLab V5.01b (fades)
Resampling : r8brain v1.9 (r8: 44.1 kHz, Output bit depth: 16 bit, Quality: Very High)
Final Format : 16 bit, 44.1 kHz
Tracking : CD-Wave v1.97
Encoding : FLAC v1.2.1 (Level 8) with TLH v2.4.1 (Build 160) | |
2 CDR
|
notes
|
298. |
11/07/08 |
United Palace - New York,
NY |
Schoeps MK4 > Nbox+ > TCD-D100 @ 48kHz | Location : Right Lower Loge - row A, seat 20
Mic Config : In hat, ~ DINA (17cm, 90°)
Conversion : DAT-M > PCM-R300 > S/PDIF Coax > Egosys WT2496 > WaveLab V5.01b
Edit : WaveLab V5.01b (fades)
Resampling : r8brain v1.9 (r8: 44.1 kHz, Output bit depth: 16 bit, Quality: Very High)
Final Format : 16 bit, 44.1 kHz
Tracking : CD-Wave v1.97
Encoding : FLAC v1.2.1 (Level 8) with TLH v2.4.1 (Build 160) | |
2 CDR
|
notes
|
299. |
11/11/08 |
Constitution Hall - Washington,
DC |
Dynamic Audio Binarial -> Dynamic Audio 120hz low cut batt box (Filter) -> Sharp MS-722 (Mic In) | Location : Box Seat 19 ~30' from left stack Mics mounted to my glasses
Transfer : MD-M -> Sharp MD MS-722 -> Sound Blaster Live -> Adobe Audition 2.0 -> CDWave -> flac16
Editing :Normalized | |
2 CDR
|
notes
|
300. |
11/12/08 |
Constitution Hall - Washington,
DC |
AKG ck93 hyper-cardioid capsules (mod) > RM 3-wire battery box > iRiver H120 > .wav @ 44.1 kHhz / 16 bit | Location: Gaffe taped ledge in Box 18 point at the right stack
Lineage: .wav > USB > Amadeus Pro 1.3.4 > FLAC (8)
Flaws: This is a dual mono | |
2 CDR
|
notes
|
301. |
11/15/08 |
Wang Theatre - Boston,
MA |
MT II > 24/96 @ 24/96 > Sampled to 16/48 With Soundforge | Mic's = CSB
Location = Mezz Row B RighT Center | |
2 CDR, CDR 90
|
notes
|
302. |
11/15/08 |
Wang Theatre - Boston,
MA |
MT II > 24/96 @ 24/96 > Sampled to 16/48 With Soundforge | Mic's = CSB
Recorder = MT II > 24/96 @ 24/96 > Sampled to 16/48 With Soundforge
Location = Row P RT ORCHESTRA
Taper = BennyBlanco | |
2 CDR
|
notes
|
303. |
11/19/08 |
Chicago Theater - Chicago,
IL |
DSM-6S > PA-6LC3 > R-09HR @ 24/48 | Transfer: R-09HR > USB > CEP 2.1 > flac
tracks 01-06: built in mic > R-09HR (mics were plugged into headphone jack)
soma thru i of the mourning: not recorded (flash memory error)
tracks 07-19: DSM-6S > PA-6LC3 > R-09HR | |
2 CDR
|
notes
|
304. |
11/21/08 |
Auditorium Theater - Chicago,
IL |
Edirol R9 (24bit/48kHz) (Line In) > Core Sound HEB (4060) (Bass Rolloff=ON) >Adobe Audition > CDWAVE > FLAC (level 8) | Recorded from the main floor, Slighly to the left. Row GG | |
2 CDR
|
notes
|
305. |
11/24/08 |
Midland Theatre - Kansas City,
MO |
Sony MZ-RH1 Hi-MD | | |
2 CDR
|
notes
|
306. |
11/25/08 |
Midland Theatre - Kansas City,
MO |
Sony MZ-RH1 Hi-MD | Lineage: Stereo Mic > PCM > Wav | |
2 CDR 90
|
notes
|
307. |
11/29/08 |
Pearl Theater - Palms Casino Resort - Las Vegas,
NV |
Edirol R09 built in mics | Transfer:Edirol R09>HDD>Wav>Flac(8) | |
2 CDR
|
notes
|
308. |
11/30/08 |
RIMAC Arena - La Jolla,
CA |
Edirol R09 built in mics | Transfer:Edirol R09>HDD>Wav>Flac(8) | |
2 CDR
|
notes
|
309. |
12/02/08 |
Gibson Amphitheatre - Universal City,
CA |
Edirol R09 built in mics | Transfer:Edirol R09>HDD>Wav>Flac(8) | |
2 CDR
|
notes
|
310. |
12/03/08 |
Gibson Amphitheatre - Universal City,
CA |
Edirol R09 built in mics | Transfer:Edirol R09>HDD>Wav>Flac(8) | |
2 CDR
|
notes
|
311. |
12/05/08 |
Ogden Theatre - Denver,
CO |
AKG CK63>AKG 480>van den Hul's>Sound Devices 702
| Specifics: Clamped to Balcony, PAS
Transfer:Microtrack>PC>Cool Edit Pro 2>CD Wave>Flac
| |
2 CDR 90
|
notes
|
312. |
12/07/08 |
Aragon Ballroom - Chicago,
IL |
AUD > CSB (flat) > MZ-RH1 (Hi-SP, Line In) | Auto Gain Control
Transfer/Lineage/Conversion :
ATRAC3plus data > USB > PC > WAV > FLAC (level 8)
Editing:
SonicStage 4.3.01.14050 (transfer, save as WAV)
Audacity 1.2.6 (Normalize, Fade In, Fade Out)
Winamp 5.541 (EQ, hard limiting w/ Enhancer 0.17 plug-in)
CD Wave 1.97 (track splits)
EasyTAG 2.1 (files tagged)
Trader's Little Helper (flac fingerprint and MD5 files) | |
2 CDR
|
|
313. |
12/07/08 |
Aragon Ballroom - Chicago,
IL |
SP-CMC-2(AT831's 4.7k mod)> SP 9v BB> H320 | | |
2 CDR
|
notes
|
314. |
12/08/08 |
Auditorium Theatre - Chicago,
IL |
Edirol R09 built in mics | Transfer:Edirol R09>HDD>Wav>Flac(8) | |
2 CDR, CDR 90
|
notes
|
315. |
06/30/10 |
Viper Room - Los Angeles,
CA |
Edirol R09 Built in mics > WAV> Flac | Recorded in the bar downstairs off a live feed | |
1 CDR
|
|
316. |
07/09/10 |
Newport Music Hall - Columbus,
OH |
CSB -> preamp -> Microtrack24/96 (24bit/48kHz WAV) -> CEP (eq, convert to 16bit/44.1kHz, tracking) -> FLAC 8 | | |
2 CDR
|
|
317. |
07/10/10 |
Waterfront Park - Louisville,
KY |
(FOB)(ORTF) Neumann km184 > Lunatec V2 > Sound Devices 702 @ 24/48 | Transfer: CF > PC > Wavelab > CDWave > Traders Little Helper > Flac (6) 16/44.1 | |
2 CDR
|
notes
|
318. |
07/12/10 |
Ram's Head Live - Baltimore,
MD |
AKG ck93 hyper-cardioid capsules (mod) > RM 3-wire battery box > iRiver H120 > .wav @ 44.1 kHz / 16 bit | Location: First few songs balcony in front of right stack. Pee break during As Rome Burns. Rest of the show in the soundboard booth.
Lineage: .wav > Amadeus Pro 1.5.1 > FLAC 8
Flaws: this is a dual mono | |
2 CDR
|
notes
|
319. |
07/12/10 |
Ram's Head Live - Baltimore,
MD |
DAB > DA-120F > Edirol R-09 @ 24bit/44.1kHz | Location : ~ 20 feet, stage left stack
Mic Config : In hat
Edit : WaveLab V5.01b (fades/dither)
Dither : UV22 HR (16 bit, Normal)
Final Format : 16 bit, 44.1 kHz
Tracking : CD-Wave v1.98
Encoding : FLAC v1.2.1 (Level 8) with TLH v2.6.0 (Build 168) | |
2 CDR
|
notes
|
320. |
07/13/10 |
The National - Richmond,
VA |
Sennheiser ? > battery box > internal memory on Sony PCM-M10 > .wav @ 48 kHz / 24 bit | Location: On the floor in front of the left tip of the soundboard area directly in front of Jeff. Mics taped to my hat 6' 3" high
Lineage: .wav > Amadeus Pro 1.5.1 > FLAC 8 | |
2 CDR
|
notes
|
321. |
07/13/10 |
The National - Richmond,
VA |
DAB > DA-120F > Edirol R-09 @ 24bit/44.1kHz | Location : ~ 40 feet, stage left
Mic Config : On shirt
Edit/Tracking : GoldWave v5.06
Final Format : 24 bit, 44.1 kHz
Encoding : FLAC v1.7.1 (Level 6) | |
2 CDR
|
notes
|
322. |
07/15/10 |
The Norva - Norfolk,
VA |
Sennheiser Micro Madness MMHLSC.II > battery box > internal memory on Sony PCM-M10 > .wav @ 48 kHz / 24 bit | Location: On the floor a few rows in front of the soundboard area directly in front of Billy. Mics taped to my hat 6' 3" high.
Lineage: .wav > Amadeus Pro 1.5.1 > FLAC 8 | |
2 CDR
|
notes
|
323. |
07/21/10 |
Ritz Ybor - Tampa,
FL |
Core-Sound Binaurals>battery box bass roll off on>R09 24bit 48KHz>USB>PC>SoundForge 10>16bit 44.1KHz>TLH>FLAC 8 sbeok | | |
2 CDR
|
notes
|
324. |
07/26/10 |
Terminal 5 - New York,
NY |
Schoeps MK4 > Nbox+ > PCM-M10 @ 24bit/44.1kHz | Location : ~ 40 feet, center floor
Mic Config : In hat
Edit : WaveLab V5.01b (fades/dither/+7dB gain)
Dither : UV22 HR (16 bit, Normal)
Final Format : 16 bit, 44.1 kHz
Tracking : CD-Wave v1.98
Encoding : FLAC v1.2.1 (Level 8) with TLH v2.6.0 (Build 168) | |
2 CDR
|
notes
|
325. |
07/26/10 |
Terminal 5 - New York,
NY |
Sennheiser Micro Madness MMHLSC.II > battery box > internal memory on Sony PCM-M10 > .wav @ 48 kHz / 24 bit | Location: On the floor a few rows in front of the soundboard area in front of Billy and few people over towards Nicoles. Mics taped to my hat 6' 3" high.
Lineage: .wav > Amadeus Pro 1.5.1 > FLAC 8 | |
2 CDR
|
notes
|
326. |
08/07/10 |
Summer Sonic Festival - Tokyo,
Japan |
(~20' from right stacks) Sound Professionals Premium Binaurals > SP Pro battery box > Edirol R-09 (24/48) | Transfer: CF > PC > Audacity > Wav > Flac 24/48
Taped By: Eric Agnew | |
2 CDR
|
notes
|
327. |
08/10/10 |
Studio Coast - Tokyo,
Japan |
(right of board) Sound Professionals Premium Binaurals > SP Pro battery box > Edirol R-09 (24/48) | Transfer: CF > PC > Audacity > Wav > Flac 24/48
Taped By: Eric Agnew
Transferred By: Eric Agnew | |
2 CDR
|
notes
|
328. |
08/11/10 |
Studio Coast - Tokyo,
Japan |
(right of board) Sound Professionals Premium Binaurals > SP Pro battery box > Edirol R-09 (24/48) | Transfer: CF > PC > Audacity > Wav > Flac 24/48
Taped By: Eric Agnew
Transferred By: Eric Agnew | |
2 CDR
|
notes
|
329. |
08/11/10 |
Studio Coast - Tokyo,
Japan |
ECM-719 > Zoom H2 (48/24) | SD > Audacity (44.1/16) > TLH (Flac Level8) | |
2 CDR
|
|
330. |
08/28/10 |
Sunset Strip Music Festival - Los Angeles,
CA |
DAB > DA-120F > Edirol R-09 @ 24 bit / 44.1 kHz | Location : ~20 ft, right stack
Mic Config : Binaural
Edit : WaveLab V5.01b (fades/dither/+11dB gain)
Dither : UV22 HR (16 bit, Normal)
Final Format : 16 bit, 44.1 kHz
Tracking : CD-Wave v1.98
Encoding : FLAC v1.2.1 (Level 8) with TLH v2.6.0 (Build 168) | |
2 CDR
|
notes
|
331. |
08/28/10 |
Sunset Strip Music Festival - Los Angeles,
CA |
built-in mics > Edirol-R09 | Transfer: Edirol-R09 > WAV > FLAC(level 8) | |
2 CDR
|
notes
|
332. |
09/04/10 |
Lobero Theatre - Santa Barbara,
CA |
DAB > DA-120F > Edirol R-09 @ 24 bit / 44.1 kHz | Location : < 10 ft., Left Stacks
Mic Config : Binaural
Edit : WaveLab V5.01b (fades/dither/+11dB gain)
Dither : UV22 HR (16 bit, Normal)
Final Format : 16 bit, 44.1 kHz
Tracking : CD-Wave v1.98
Encoding : FLAC v1.2.1 (Level 8) with TLH v2.6.0 (Build 168) | |
2 CDR
|
notes
|
333. |
09/06/10 |
The Crest Theatre - Sacramento,
CA |
Church Audio Cardioid Mics > Church Audio STC-9000 > Iriver H120 | Transfer: Iriver H120 > Audacity (levels) > CDWave (tracking) > TLH Flac > Mp3tag (tags) | |
2 CDR
|
notes
|
334. |
09/06/10 |
The Crest Theatre - Sacramento,
CA |
DAB > DA-120F > Edirol R-09 @ 24 bit / 44.1 kHz | Location : < 10 ft., Right Stacks
Mic Config : Binaural
Edit : WaveLab V5.01b (fades/dither/+11dB gain)
Dither : UV22 HR (16 bit, Normal)
Final Format : 16 bit, 44.1 kHz
Tracking : CD-Wave v1.98
Encoding : FLAC v1.2.1 (Level 8) with TLH v2.6.0 (Build 168) | |
2 CDR
|
notes
|
335. |
09/06/10 |
The Crest Theatre - Sacramento,
CA |
Church Audio Cardioid Mics > Church Audio STC-9000 > Iriver H120 | Transfer: Iriver H120 > Audacity (levels) > CDWave (tracking) > TLH Flac > Mp3tag (tags) | |
2 CDR
|
notes
|
336. |
09/08/10 |
Phoenix Theater - Petaluma,
CA |
DAB > DA-120F > Edirol R-09 @ 24 bit / 44.1 kHz | Location : ~ 5 ft from right stacks
Mic Config : Binaural
Edit/Tracking : Audacity 1.2.6 (fades/dither/+11dB gain)
Final Format : 16 bit, 44.1 kHz
Encoding : FLAC (Level 8) with xACT v2.05 (Build 3795) | |
2 CDR
|
notes
|
337. |
09/10/10 |
Showbox SoDo - Seattle,
WA |
Panasonic WM-61A > Sound Pro SP-SPSB-2 (195Hz bass roll-off) > Edirol R-09 | TRANSFER : Edirol R-09 > USB > Adobe Audition 3.0 > CD Wave 1.98 > FLAC frontend 1.7.1
GENERATION : WAV(M) [24bit/48kHz] > remaster > WAV [16bit/44.1kHz] > FLAC [Level 8]
LENGTH : 106:38 | |
2 CDR
|
notes
|
338. |
09/10/10 |
Showbox SoDo - Seattle,
WA |
CA-11 > BAT-2B > R-09 (show) / Built-in>R-09 (soundcheck) | Location : 10 feet from right stacks (show) / outside, near front doors (soundcheck)
Editing : Audacity (fade in/out, amplified by 2db) | |
2 CDR
|
notes
|
339. |
09/16/10 |
Knitting Factory - Boise,
ID |
Sonic Studios DSM6s > PA-6LC > iRiver H120 44.1khz WAV | | |
2 CDR
|
notes
|
340. |
09/17/10 |
In the Venue - Salt Lake City,
UT |
H4n Zoom | Recorded in 48kHz/24bit under the right main speakers. cut up in Final Cut and exported into .wav with 44.1kHz/ 16bit. then .wav to .flac with MacFlac | |
2 CDR
|
|
341. |
09/24/10 |
Cain's Ballroom - Tulsa,
OK |
Sony MZ-N707 MiniDisc walkman with a Sennheiser E835 mic | Transferred into Apple Logic at 48k/24bit. Converted to 48k/24bit FLAC | |
2 CDR
|
notes
|
342. |
09/24/10 |
Cain's Ballroom - Tulsa,
OK |
Sony MZ-N707 MiniDisc walkman with a Sennheiser E835 mic / Zoom H1 48KHZ/24Bit with sony sony ecm-ds30p | Standing stage right at the front. Transferred into Apple Logic at 48k/24bit.
---
Standing in center of crowd, noise included occasional clapping from nearby fans.
---
Mix Info : Mixed by Ian Roegels at BlueTune Studios, Oklahoma City OK. Mixed to 48k/24bit WAV Files. Converted to 48k/24bit FLAC files using xACT. | |
2 CDR
|
notes
|
343. |
10/12/10 |
Perth Convention Centre Theatre - Perth,
Australia |
SP-SMC-8 SOUND PROFESSIONALS PREMIUM AUDIO TECHNICA SLIMLINE STEREO MICROPHONES Cardiod (with low sensitivity modification) plus SP-SPSB-11 and bass roll-off at 69Hz) -> Edirol HR09 -> wav (24BIT) -> Sony SoundForge 10 (volume boost, mild compre | Seated - upper gallery left of stage
Recording - fair audience recording, minor crowd noise/chatting/coughing. | |
2 CDR
|
notes
|
344. |
10/15/10 |
Festival Hall - Melbourne,
Australia |
Schoeps MK4 > Nbox+ > Edirol R-09 @ 24bit/48kHz | Mic Config : DINA
Location : FOB
Transfer : Master WAV > dEdit > CD Wave Editor V1.97.0 > FLAC v1.2.1 (Level 8) with TLH v2.4.1 (build 160)
Editing : Fades, gain boost in Wavelab 5.0.1b
Resampling : r8brain v1.9 48.0kHz > 44.1kHz
Dithering : r8brain v1.9 24bit > 16bit | |
2 CDR
|
|
345. |
10/16/10 |
Big Top Auditorium - Sydney,
Australia |
DAB > DA-120F > Edirol R-09 @ 24 bit / 44.1 kHz | Location : Center, 15-20 ft in front of soundboard
Mic Config : Binaural
Edit/Tracking : Audacity 1.2.6 (fades/dither/+12dB gain)
Final Format : 16 bit, 44.1 kHz
Encoding : FLAC (Level 8) with xACT v2.05 (Build 3795) | |
2 CDR
|
notes
|
346. |
10/17/10 |
The Tivoli - Fortitude Valley,
Australia |
DAB > DA-120F > Edirol R-09 @ 24 bit / 44.1 kHz | Location : < 5 ft from soundboard, center of the room
Mic Config : Binaural
Edit/Tracking : Audacity 1.2.6 (fades/dither/+12dB gain)
Final Format : 16 bit, 44.1 kHz
Encoding : FLAC (Level 8) with xACT v2.05 (Build 3795) | |
2 CDR
|
notes
|
347. |
11/18/10 |
Luna Park - Buenos Aires,
Argentine |
Church Audio ST-11 > ST-9100 > iRiver H-120 (RockBoxed + REP + AGC Slow) | Location: 65 Feets From Stage, Frontal.
Transfer: H-120 (PCM 16bit @ 44.1Khz) > USB 2.0 > PC
Editing: Adobe Audition 3.0 > Some EQing > Hard Limit -0.1dB (Cut Clap Clipping) > CD Wave v1.98 (track split) > Flac v1.2.1 (Level 8) | |
2 CDR
|
notes
|
348. |
11/23/10 |
Movistar Arena - Santiago,
Chile |
CA-11 cardioids -> CA Battery Box -> Edirol R-09HR | Transfer: WAV -> Audacity -> dbPowerAmp -> FLAC (compression level 5) | |
2 CDR
|
notes
|
349. |
12/05/10 |
Verizon Wireless Theater - Houston,
TX |
DPA4021 (ortf) -> Oade CM R-44 (16/48) | Location: Balcony, right stack, mics clamped to the rail
Transfer: USB -> Audacity (EQ, amplify to -0.1db, tracking) -> xACT (flac+tagging) | |
1 CDR 90
|
notes
|
350. |
12/11/10 |
Gibson Amphitheatre - Los Angeles,
CA |
binaural mics w\bass roll off > Edirol R09 | Transfer: Edirol R09 > Wav > Flac | |
1 CDR
|
notes
|
351. |
12/12/10 |
Viejas Arena - San Diego,
CA |
DAB > DA-120F > Sony PCM-M10 @ 24 bit / 44.1 kHz | Editor : Lapis
Location : far upper right bench (~100 ft)
Mic Config : Binaural
Edit/Tracking : Audacity 1.2.6 (fades/dither/+15dB gain)
Final Format : 16 bit, 44.1 kHz
Encoding : FLAC (Level 8) with xACT v2.05 (Build 3795) | |
1 CDR
|
notes
|
352. |
10/05/11 |
The Wiltern Theatre - Los Angeles,
CA |
built-in mics > Edirol R09 | Transfer: Edirol R09 > Wav > Flac
Audience Master Recording | |
2 CDR
|
notes
|
353. |
10/05/11 |
The Wiltern Theatre - Los Angeles,
CA |
DAB > DA-120F > Edirol R-09 @ 24 bit / 44.1 kHz | Editor : pzane@hipstersunited.com
Location : Where it sounded good!
Mic Config : Binaural
Edit : WaveLab V6 (EQ/Fades/Dither)
Dither : UV22 HR (16 bit, Normal)
Final Format : 16 bit, 44.1 kHz
Tracking : CD-Wave v1.98
Encoding : FLAC v1.2.1 (Level 8) with TLH v2.6.0 (Build 168) | |
2 CDR
|
notes
|
354. |
10/07/11 |
Fox Theater - Oakland,
CA |
DAB > DA-120F > Edirol R-09 @ 24 bit / 44.1 kHz | Editor : pzane@hipstersunited.com
Location : Where it sounded good!
Mic Config : Binaural
Edit : WaveLab V6 (EQ/Fades/Dither)
Dither : UV22 HR (16 bit, Normal)
Final Format : 16 bit, 44.1 kHz
Tracking : CD-Wave v1.98
Encoding : FLAC v1.2.1 (Level 8) with TLH v2.6.0 (Build 168) | |
2 CDR
|
notes
|
355. |
10/08/11 |
Cosmopolitan - Las Vegas,
NV |
DAB > DA-120F > Edirol R-09 @ 24 bit / 44.1 kHz | Location: directly in front of left stack (Nicole's side)
Mic Config: binau^H^H^H^H^Hbad!
Edit: SoX v14.4.0 (reverb, EQ, gain, fades, dither),
LADSPA TAP scaling limiter (TAP plugins 0.7.2)
Dither: SoX (dither with noise-shaping)
Final Format: 16 bit, 44.1 kHz
Tracking: SoX + sh + awk (trim with CDDA sector alignment)
Encoding: FLAC (level 8) with flac 1.2.1 at 16-bit | |
2 CDR
|
notes
|
356. |
10/11/11 |
The Slowdown - Omaha,
NE |
CSB mics->Bass Roll-Off Filter->M Audio Microtrack II 16/44 | | |
2 CDR
|
notes
|
357. |
10/14/11 |
Riviera Theater - Chicago,
IL |
CA-14 Cards > CA-9100 Pre-amp > Edirol R-09HR 24-bit 48K > SDHC | Location: Second Level, at front of rail, left middle
Conversion: SDHC > Audacity (10% right pan, 6db bass boost) > 16-bit 44.1K > xACT > FLAC (8)
add tenhical notes :
the files are 48/16 so i had to convert them to 44.1/16 with sox | |
2 CDR90/CDR
|
notes
|
358. |
10/14/11 |
Riviera Theater - Chicago,
IL |
Schoeps MK41's> CMR's> Naiant Tinybox> Sony PCM-M10 | | |
2 CDR
|
notes
|
359. |
10/17/11 |
9:30 Club - Washington,
DC |
Sennheiser Micro Madness MMHLSC.II > battery box > internal memory on Sony PCM-M10 > .wav @ 96 kHz / 24 bit | Location: gaffe taped to my shoulders, first row center balcony
Lineage: .wav > Amadeus Pro 2.0.4 (1367) > FLAC 8 | |
2 CDR90/CDR
|
notes
|
360. |
10/17/11 |
9:30 Club - Washington,
DC |
Busman BSC1-K1 (Cards) in NOS > Naiant Littlebox 1.5 > Edirol R09-HR @ 24/96 | | |
2 CDR90/CDR
|
notes
|
361. |
10/18/11 |
Terminal 5 - New York,
NY |
Schoeps MK41/CMR > Naiant PFA > EAA PSP-2 > Tascam DR-680 @ 24 bit / 48 kHz | Location : first balcony rail, DFC
Edit : WaveLab V6 (EQ/Fades/Resampling/Dither)
Final Format : 16 bit, 44.1 kHz
Tracking : CD-Wave v1.98
Encoding : FLAC v1.2.1 (Level 8) with TLH v2.6.0 (Build 168) | |
2 CDR90/CDR
|
notes
|
362. |
10/18/11 |
Terminal 5 - New York,
NY |
Schoeps MK41>CMC6 (DFC, PAS)>Oade M248>PCM-M10>24bit/44.1kHz WAV>Audition (amplify)>Audacity (set fades, tracking)>FLAC ( level 8 ) | Recorded and produced by acidjack for nyctaper.com | |
2 CDR90/CDR
|
notes
|
363. |
10/21/11 |
Orpheum Theater - Boston,
MA |
Sony ECM-907 (in PCM) > Sony Hi-MD > Sonic Stage > WAV > xACT > FLAC | | |
2 CDR
|
notes
|
364. |
11/09/11 |
Le Zenith - Paris,
France |
Audio Technica mics > Battery Module > Edirol R09-HR (WAV 44.1 kHz/24 bits) | | |
2 CDR
|
notes
|
365. |
11/11/11 |
Apollo - Manchester,
UK |
Sony TS-125 > MD > 3.5mm OFC > Genius 5.1 PCI > Nero Editor > CDR > FLAC | Recorded via: Sony TS-125 condenser mic | |
2 CDR
|
notes
|
366. |
11/13/11 |
O2 Academy - Glasgow,
Scotland |
MCSM-4 Mics, M-Audio Microtrack II via 10bd Pad | Lineage: M-Audio>PC(USB)>CD Wave Editor>FLAC(8) | |
2 CDR
|
|
367. |
11/13/11 |
O2 Academy - Glasgow,
Scotland |
TASCAM>PC(USB)>CD Wave Editor>FLAC(8) | Source: TASCAM DR-07 - Fixed Mics in A<>B Configuration | |
2 CDR
|
|
368. |
11/14/11 |
O2 Academy - Newcastle,
UK |
oom H1 (Wave 44.1 khz/16 Bit) > Micro SD Card > USB > Flac Level 8 (44.1 khz/16 Bit) | | |
2 CDR
|
|
369. |
11/18/11 |
O2 Academy - Sheffield,
England |
SP-CMC-22 > Zoom H1 > Cooledit Pro > .wav > .flac > Dime | | |
2 CDR
|
|
370. |
11/21/11 |
Orpheum Theater - Boston,
MA |
Sony ECM-907 (in PCM) > Sony Hi-MD > Sonic Stage > WAV > xACT > FLAC | | |
2 CDR
|
notes
|
371. |
12/06/11 |
Razzmatazz - Barcelona,
Spain |
Edirol RH09 > ECM-CS10 Sony mic > | Location : art row/right
Transfer : SD Card > Adobe Audition 3.0 > WAV > FLAC > | |
2 CDR
|
notes
|
372. |
05/26/12 |
Rock In Rio-Lisboa - Lisboa,
Portugal |
FM RFM> Tuner Denon TU-460> Amplifier Technics SU-V500> Zoom H2 line in> WAV 16bits> FLAC | | |
2 CDR
|
|
373. |
07/31/12 |
Entertainment Centre - Sydney,
Austrailia |
SP-CMC-8 > R-09 > Sound Forge 8 | Mastered with (the mighty) Izotope Ozone
Recorded from 2nd row in the first section right of stage | |
2 CDR
|
notes
|
374. |
08/02/12 |
Hisense Arena - Melbourne,
Australia |
AUD>LPCM>WAV>FLAC [CA-14s > Sony PCM-M10] | Sound Comments/Faults?: Very good quality, audience noise is negligible (some detectable chair squeaking is about the worst of it).
Show Comments: First full band performance of Luna since 1994-04-27 in San Francisco. | |
2 CDR
|
notes
|
375. |
08/02/12 |
Hisense Arena - Melbourne,
Australia |
Sony ECM-717 > iRiver H320 (rockboxed) | TRANSFER : iRiver > USB > Sound Forge 9.0 (trim, volume adjust) > Traders Little Helper 2.6.0
GENERATION : WAV[44.1khz] > FLAC [Level 8] | |
2 CDR
|
|
376. |
08/04/12 |
Vector Arena - Auckland,
New Zealand |
Church Audio CA-14 (Cards) > Sony PCM-M10 @ 24/96 | Location: Soundboard Front Rail Centre | |
2 CDR
|
|
377. |
08/08/12 |
Smart Araneta Coliseum - Quezon City,
Philippines |
Zoom H1 -> Audacity (track split) -> xACT -> FLAC | | |
2 CDR 90, CDR
|
|
378. |
09/22/12 |
Arena Ciudad De Mexico - Mexico City,
Mexico |
TASCAM DR-07 MkII > WAV | | |
2 CDR
|
notes
|
379. |
09/27/12 |
Stubb's Waller Creek Amphitheater - Austin,
TX |
CA-14's-Sony M10 | CDWave>Flac | |
2 CDR
|
notes
|
380. |
09/28/12 |
Cains Ballroom - Tulsa,
OK |
Zoom H2 (2 Onboard Mics) | lineage: 24 bit/96 kHz WAV > archive.org > downsampled with Sox (v14.4.0) to 16 bit/44.1 kHz > FLAC (with dBpowerAmp)
The high pitch noises during Oceania were from Jeff's guitar rig acting up. Also a balloon popped during pale horse and at one other point, but not during music. | |
2 CDR
|
notes
|
381. |
10/13/12 |
Viejas Arena - San Diego,
CA |
Church Audio Cardioid Mics > Church Audio STC-9000 > Iriver H120 | Iriver H120 > Audacity (levels) > CDWave (tracking) > Flac Front End (FLAC) > mp3tag (tags) | |
2 CDR
|
notes
|
382. |
10/18/12 |
Chaititz Center - St LouisM\,
MO |
Zoom H2 > 2 Onboard Mics > Wav (24bit-96kHz) > Normalize | | |
2 CDR
|
notes
|
383. |
10/20/12 |
Wilkins Auditorium - St Paul,
MN |
Schoeps MK4 > Nbox cables > Tinybox w/ Output Xformers > Edirol R-09hr | Location: SBD rail, ~10 left of center
Transfer: USB>PC
Editing: fade-in/out, 4db amplify, resample to 16/44.1 (Adobe Audition) | |
2 CDR
|
notes
|
384. |
10/25/12 |
Air Canada Centre - Toronto,
ON |
SONY MZ-N707 -> SP-SPSB-6 Bass Rolloff (160Hz) -> MM-HLSC-1 HighLine "Sennheiser Driven" Cardioid Stereo Mics | Location: Section 102
Conversion to Wave: Cool Edit Pro 2 > .Wav
Edit notes: split with Goldwave, encoded with Trader's Little Helper | |
2 CDR
|
notes
|
385. |
10/28/12 |
Bell Centre - Montreal,
QC |
Roland R-05 (built-in stereo mic) | Lineage : WAV (24-bit/96 kHz) > Audacity 2.0.2 > FLAC 1.2.1 (level 8)
Location : Row J Seat 12 Right side
Edit : Split, High Pass Filter 6 dB/160 Hz, Normalize | |
2 CDR
|
notes
|
386. |
12/04/12 |
Newport Music Hall - Columbus,
OH |
HEB DPA4060 > CA-9200 > Edirol R-09 (24 bit @48kHz) > Adobe Audition 3.0 (dithered to 16 bit @44.1kHz) > Cd Wave > FLAC | Location: 10ft back from right stack; mics mounted on shoulder.
Conversion: Charles Dewey Cole, IV
Equipment: SanDisk 16GB SDHC Card > (USB) 24 bit @48kHz > Cd Wave | |
2 CDR
|
notes
|
387. |
12/08/12 |
Susquehanna Bank Center - Camden,
NJ |
CSB-Sony M10 | Location: Mics pinned onto Soundboard
Transfer:>Audacity>CDWave>Flac | |
2 CDR
|
notes
|
388. |
12/08/12 |
Susquehanna Bank Center - Camden,
NJ |
Church Audio 14’s > PA-6LC3B (roll off @ 65Khz) > Sony PCM-M10 > .wav @ 96 kHz / 24 bit | Location: Section 103, Row G, Seat 8. Sitting down with mics on my shoulders. In front of the left stack.
Lineage: .wav > USB > Amadeus Pro 2.1 (1523) > FLAC 8 | |
2 CDR
|
notes
|
389. |
12/09/12 |
Patriot Center - Fairfax,
VA |
CA-14 (omnis)>CA-9200>Sony M10(24/48) | Transfer: Sony M10>PC>WAV>CQ Mastering>FLAC(16/44.1)
Location: Approx. 50' from stage, DFC, leaning on VIP cage in front of board
Taping Environment: Quiet neighbors. No issues. | |
2 CDR
|
notes
|
390. |
12/10/12 |
Barclays Center - Brooklyn,
NY |
DAB > DA-120F > Sony PCM-M10 @ 24 bit / 48 kHz | Edit : WaveLab V6 (EQ/Fades/Resampling/Dither)
Final Format : 16 bit, 44.1 kHz
Tracking : CD-Wave v1.98
Encoding : FLAC v1.2.1 (Level 8) with TLH v2.6.0 (Build 168) | |
2 CDR
|
notes
|
391. |
04/29/13 |
Maxwell C. King Center For The Performing Arts - Melbourne,
FL |
Zoom H2 Handy Recorder | Lineage: Zoom H2 Handy Recorder > Audacity > CD Wave > FLAC | |
2 CDR
|
notes
|
392. |
05/08/13 |
Charlotte Uptown Outdoor Amphitheater - Charlotte,
NC |
ICOM Rx7 to Microtrack II | 96/24 wave to eventual 44/16 with Adobe Audition CS 6 | |
2 CDR
|
notes
|
393. |
06/20/13 |
Live Music Hall - Koln,
Germany |
Church Audio ST-11 > ST-9100 > iRiver H-120 (RockBoxed + REP + AGC Slow) | Location: 50 Feets From Stage, Left.
Transfer: H-120 (PCM 16bit @ 44.1Khz) > USB 2.0 > PC
Editing: Adobe Audition CS6 > Right Mic Click Remove > Some EQing > Hard Limit -0.1dB
Tracking & Conversion: CD Wave v1.98 (Flac v1.2.1 Level 8) | |
2 CDR
|
notes
|
394. |
06/21/13 |
Southside Festival - Neuhausen Ob Eck,
Germany |
MBHO KA 200 N > Naiant Tinybox > Sony PCM-M10 | Mic Config : A-B
Location : ~5m from the stage, left side
Transfer : Master WAVs > dEdit > FLAC V1.2.1
Editing : Volume boost, dynamics processing and EQ in Apple Logic Pro V9.1.8
Fades in Audiofile Engineering Wave Editor V1.5.4
Resampling : 48.0 kHz > 44.1 kHz resampling using iZotope 64-bit SRC
Dithering : MBIT+
Format : 16 bit / 44.1 kHz | |
1 CDR
|
|
395. |
06/24/13 |
Le Zenith - Paris,
France |
MS-TFB-2 > SPSB11 (Bass Rolloff @ 195Hz) > PCM-M10 (24/48, Line-in) > USB2 > Audition (Split, Downsample to 16/44.1) > dBpowerAMP > FLAC | Location : Standing, 10 meters from stage | |
2 CDR
|
notes
|
396. |
07/01/13 |
Manchester Academy - Manchester,
England |
Sony TS-125 > MD (JVC XM-R700) > 3.5mm > Genius 5.1 PCI | Quasar cut in | |
2 CDR
|
|
397. |
07/05/13 |
Les Eurockéennes - Belfort,
France |
Tascam DR-07MKII built-in mic 16bits/44,1 -> Mastering -> wav -> flac | | |
2 CDR
|
notes
|
398. |
07/05/13 |
Les Eurockéennes - Belfort,
France |
tascam dr-07 mk2 > WAV 24 bit / 48 kHz | Tracking : WAV > Cool Edit Pro > WAV > dBpowerAmp > FLAC 24 bit / 48 kHz
Tracked by : Deadmarsh | |
2 CDR
|
notes
|
399. |
07/06/13 |
Beauregard Festival - Hérouville Saint-Clair,
France |
Sony ECM-707 -> Sony MZ-NH700 | GENERATION : HiMD(M) -> WAV [44.1kHz] -> FLAC [Level 5]
TRANSFER : Unknown -> SonicStage4.3.01.14050 -> CD Wave 1.94.5 -> Trader's Little Helper -> FLAC
| |
1 CDR
|
notes
|
400. |
07/16/13 |
Théâtre Antique - Vienne,
France |
DPA 4061 > CA-9100 > Roland R-05 | GENERATION
.WAV[16bit/44.1kHz] > .FLAC [16bit/44.1kHz]
TRANSFER
USB > Adobe Audition CC > CDWave Audio Editor 1.98 > Trader's Little Helper 2.5.0 | |
2 CDR
|
notes
|
401. |
07/26/13 |
Paradiso - Amsterdam,
Netherlands |
CHURCH Audio CA-14 Cardioid Microphones → Sony PCM D-50 Linear PCM Recorder Wav24-bit 48KHZ. → Sony Memory Stick PRO-HG Duo 8GB To pc via USB with Hama card reader → Wav to Flac level 8 with CD Wave Editor → via ftp to Grigio → Har-Bal v2.3 → Wavelab v6.10 Build 340 (Effects: Magneto 1-5, D82 Sonic Maximizer, Waves L3 Ultramaximizer) via WeTransfer back to me → Separation of songs with CD Wave Editor → Torrent created with TLH → Dime → You | | |
2 CDR
|
|
402. |
07/29/13 |
Cirkus - Stockholm,
Sweden |
| AUDIO MASTER / 96-24 Bit version
AT 943 External Stereo Microphones >> Batterybox >> Olympus LS-10 ” 96 / 24 Bit >> WavePad Editor >> Fade In / Fade Out >> Songsplit >>>> You | |
2 CDR
|
notes
|
403. |
08/05/13 |
A2 Club - St Petersburg,
Russia |
Sony Hi-MD MZ-RH10 @Hi-SP + Sony ECM 717 > Audacity (fade in, fade out) > you
| Location: floor, dead center, in front of soundboard
| |
2 CDR
|
notes
|
404. |
08/11/13 |
Summer Sonic - Chiba,
Japan |
Source : DAB > DA-120F > Edirol R-09 @ 24 bit / 48 kHz | Location : ~50' left stacks
Mic Config : Binaural
Edit : Audacity (normalize, click/clap management, light compression, track splitting) | |
1 CDR
|
notes
|
405. |
08/13/13 |
Asia World Expo - Hong Kong,
China |
DAB > DA-120F > Edirol R-09 @ 24 bit / 48 kHz | Location : ~30' center
Mic Config : Binaural
Edit : Audacity (normalize, click/clap management, light compression, track splitting) | |
2 CDR
|
notes
|
406. |
11/26/14 |
Thalia Hall - Chicago,
IL |
Sony PCM M-10, SP-CMC-8 Cardiod | 96khz, 24 bit > FLAC | |
2 CDR
|
notes
|
407. |
11/26/14 |
Thalia Hall - Chicago,
IL |
Tascam iM2>iPhone 4>RODE Rec>Audacity>Xact | | |
2 CDR
|
notes
|
408. |
11/30/14 |
Kesselhaus - Berlin,
Germany |
Soundman OKM II Rock Studio > Soundman A3 > Sony PCM-M10 (96/24) > Adobe Audition CS6 (EQ, 44.1/16) > CD Wave Editor 1.98 > Trader's Little Helper 1.3.2
| | |
2 CDR
|
notes
|
409. |
12/05/14 |
Koko - London,
England |
Sony MD MZR55 > Phillips CD Recorder > CD-R > EAC > Audacity > FLAC | Track splitting and audio normalisation performed in Audacity. Unfortunately some of the latter tracks clip.
CD rip with EAC produced a 100% log, any glitches in the audio were present in the CD I received. | |
2 CDR
|
notes
|
410. |
12/06/14 |
Le Trabendo - Paris,
France |
Sony ECM-MS 907 | Location: Left Side Above Mainfloor 6~7 meters from the stage
Recorder: Roland R-05
SDHC Card: 32GB Transcend Class 10
Wav file transferred to PC via USB.
Conversion to FLAC with Goldwave 5.70
Tracks splits Goldwave 5.70
Some Minor Levels Boosts On smoother parts | |
2 CDR
|
|
411. |
12/08/14 |
Webster Hall - New York,
NY |
Church Audio 14’s > PA-6LC3B (roll off @ 65Khz) > Mic In > Sony PCM-M10 > .wav @ 96 kHz / 24 bit | Location: Mics taped to my shoulders standing a few rows in front of the back bar on the floor
Lineage: .wav > USB > Amadeus Pro 2.1.7 (1576) > FLAC 8 | |
2 CDR
|
notes
|
412. |
12/08/14 |
Webster Hall - New York,
NY |
Soundboard [Engineer Kevin] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (level adjustments, mixdown, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)
| | |
2 CDR
|
notes
|
413. |
12/11/14 |
The Warfield - San Francisco,
CA |
Schoeps CCM4’s > Tinybox > Sony PCM-M10 16/44.1 | Mastering (BLG): Adobe Audition > iZotope Ozone 5 > WavePad > xACT > FLAC | |
2 CDR
|
|
414. |
12/16/14 |
The Fonda - Hollywood,
CA |
Schoeps MK41’s > Nbob actives rev 2 > Naiant Tinybox v2.5 (OT) > Sony PCM-M10 24/44.1 | Mastering: Adobe Audition (edits) > iZotope Ozone 5 (EQ,Exciter,Imaging,Dynamics) > MBIT+ (dither to 16 bit) > WavePad (tracking) > xACT (tags) > FLAC | |
2 CDR
|
notes
|
415. |
02/21/15 |
Royal Melbourne Showgrounds - Melbourne,
Australia |
AUD>LPCM>WAV>FLAC [2xCountryman B3s > Tinybox > Sony PCM-10] | Mastering: Adobe Audition /w Izotope Rx3 (Declick audience clapping, �Rock Master EQ�, Tracksplit, 24/48 > 16/44), TLH (Fix SBEs > FLAC)
| |
2 CDR
|
notes
|
416. |
02/23/15 |
Festival Hall - Melbourne,
Australia |
AUD>LPCM>WAV>FLAC [CA-14s (Cards) > Edirol R-09] | Mastering: Adobe Audition /w Izotope Rx3 (Declick audience clapping, Maximiser, Tracksplit, 24/48 > 16/44), TLH (Fix SBEs > FLAC)
20m from stage centre
Sound Comments/Faults?: Good quality. Only minor audience noise but Billys vocal sounds a little weak. Static glitch at about 59:40, (near start of United States). | |
2 CDR
|
notes
|
417. |
03/14/15 |
Parque O'Higgins - Santiago,
Chile |
Earthworks P30 + Multitrack > HD > CD > USB > Macbook Pro > Adobe Audition > Flac > xACT | I received show in a box with some other recordings, to master. Return address name was marked Stu and the last name looks like Helson.
I searched for any other copies and the only thing i founds was a Youtube video but this sounds was different
Check me out on Youtube and please Subscribe
https://www.youtube.com/channel/UCbLDkrWkBjNDP6-qzikPN5g
Please check out my recording page on Facebook and give it a like !
https://www.facebook.com/pages/MuzikWize-Live-Recordings/681543778579073?ref=hl
Here's a link to everything you may have missed
https://archive.org/details/@scottmedeiros | |
1 CDr
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notes
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418. |
03/22/15 |
Lollapalooza AR -- Hipodromo de San Isidro - Buenos Aires,
Argentina |
Church Audio ST-11 > ST-9100 > Sony PCM-M10 | Location: 90 Feets From Stage, Left.
Transfer: PCM-M10 (PCM 24bit @ 96Khz) > USB 2.0 > PC
Editing: Adobe Audition CC 2014 > Gain Mod > Some EQing > Hard Limit -0.1dB
Tracking, Downsampling, Bit Depth & Encoding: Adobe Audition CC 2014 (libsndfile 1.0.25.0)
Tags: foobar2000 v1.2.9 | |
2 CDR
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notes
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419. |
06/15/15 |
Riviera Theater - North Tonawanda,
NY |
Audio Technica AT831s > Tascam DR-08
| Transferred and mastered by }{eywood
Lineage: DR-08 > USB > Adobe Audition 1.5 (EQ, peak limiting to attenuate loud audience between tracks, splits & fades) > Xrecode II (flac 8) | |
2 CDR
|
notes
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420. |
06/16/15 |
Carnegie Music Hall Of Homestead - Munhall,
PA |
Church Audio 14’s > PA-6LC3B (roll off @ 65Khz) > Mic In > Sony PCM-M10 > .wav @ 96 kHz / 24 bit | Location: Center Section, Row A, Seat 1 (2nd row) mics taped to my seats left arm rest. One mic pointed at the left stack the other center stage
Lineage: .wav > USB > Amadeus Pro 2.1.7 (1576) > FLAC 8 | |
2 CDR
|
notes
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421. |
06/16/15 |
The Bar Room @ Carnegie Music Hall Of Homestead - Munhall,
PA |
Church Audio 14’s > PA-6LC3B (roll off @ 65Khz) > Mic In > Sony PCM-M10 > .wav @ 96 kHz / 24 bit | Location: First row on the left end. Mics clipped to my backpack sitting on the floor. One mic pointed to left stack, one at Billy.
Lineage: .wav > USB > Amadeus Pro 2.1.7 (1576) > FLAC 8 | |
1 CDR
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notes
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422. |
07/07/15 |
Concord Pavilion - Concord,
CA |
Equipment dpa 461s-battery box-sony pcm-m10 | Transfer m10-usb-audacity-cdwav editor-flac | |
1 CDR 90
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423. |
07/09/15 |
Irvine Meadows Amphitheatre - Irvine,
CA |
R09-HR | Internal Mics, 24bit/48k, aprox 20ft, left stack | |
2 CDR
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|
424. |
07/15/15 |
Gexa Energy Pavilion - Dallas,
TX |
DSM-6S > PA-6LC3 > R-09HR @ 24/48
| Location: Section 101, Row N, Seat 3
Transfer: R-09HR > CEP 2.1 > flac | |
2 CDR
|
notes
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425. |
07/20/15 |
Champion Square - New Oleans,
LA |
Sony ECM-DS70P > SPSB-11 Batt Box > RecForge2/Galaxy S5 > Goldwave 5.23 > CDWAV > WAV | | |
2 CDR
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notes
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426. |
07/25/15 |
Aaron’s Amphitheater - Atlanta,
GA |
CA-11 mk2’s > CA-9200 > Roland R-05 @ 48 kHZ/24 bit | Mic position: 30 ft. f/ stage, center, 6 ft. high
All post production with Macbook Pro and Logic Pro X | |
1 CDR 90
|
notes
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427. |
07/31/15 |
Nikon at Jones Beach Theater - Wantagh,
NY |
Edirol R-09 internals @ 44/16 (Sec B 10th row, left, 5 ft high) | > SD card > HD > Audacity 1.3.12 (amplify +4 dB, tracking)
> xAct 1.71 (sbe fix, convert flac level 6) > VUZE 5.6.1.2 (create torrent, seed) | |
2 CDR
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428. |
08/02/15 |
Susquehanna Bank Center - Camden,
NJ |
AUD > Audio-Technica AT943 > Sony PCM-M10
| Transfer: Sony PCM-M10 > USB > WAV[@ 24bit/48kHz]
Lineage: WAV[@ 24bit/48kHz] > CD Wave > WAV[Tracked @ 24bit/48kHz] > Trader's Little Helper > FLAC | |
2 CDR
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notes
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429. |
08/05/15 |
DTE Energy Music Theatre - Clarkston,
MI |
SONY ICD-UX533 > SP-SPSB-6 > MM-HLSC-1
| Lineage SONY ICD-UX533 > NCH WavePad > Flac
Taped from right side, row V.
Something happened to Jeff's equipment about halfway through Bullet With Butterfly Wings so his guitar is not present from there until near the end of Ava Adore. | |
2 CDR
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notes
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430. |
03/22/16 |
Arlene Schnitzer Concert Hall - Portland,
OR |
Zoom Q3HD | Audio Settings: 24-bit, 48 kHz stereo PCM lossless
Storage Media: Kingston 32 GB ultimateX 100X SDHC
Batteries: Energizer Ultimate Lithium AA (two)
Recorded By: Meddle Earth
Transfer: SDHC (.mov file) > SDHC reader > HDD
Audacity (.mov > .wav) > CD Wave (splits) > dBpoweramp (.flac, tags)
Original recording, volume increase, no EQ, some fades | flac24; Zoom Q3HD |
2 CDr
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|
431. |
03/23/16 |
Paramount Theatre - Seattle,
WA |
CA-11 > BAT-2B > Edirol R-09 | | CA-11 > BAT-2B > Edirol R-09 |
2 CDr
|
notes
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432. |
04/02/16 |
Palace Theatre - Columbus,
OH |
AT853 Cardioids (4.7k mod) > SP-SPSB-11 (@69Hz) > Sony PCM-M10 (24 bit @48kHz) > Adobe Audition 3.0 (dithered to 16 bit @44.1kHz) | Lineage SanDisk 16GB MicroSD Card > (USB) 24 bit @48kHz > Cd Wave
Taped by Charles Dewey Cole, IV (live2cd@hotmail.com)
Transferred by Charles Dewey Cole, IV (live2cd@hotmail.com) | |
2 CDr
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notes
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433. |
04/02/16 |
Palace Theatre - Columbus,
OH |
SP-CMC-08 (AT-943) > Battery Box > Zoom H2N 16/44.1 > PC > GoldWave > Flac | | |
2 CDr
|
notes
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434. |
04/05/16 |
Beacon Theatre - New York,
NY |
Schoeps MK4V (DINa) > Naiant Z-PFA > Sound Devices 744T @ 24 bit / 48 kHz | Edit : WaveLab V6 (mixdown/eq/gain/fades/dither/resampling)
Encoding : FLAC v1.2.1 (Level 8) with TLH v2.6.0 (Build 168) | |
2 CDr
|
notes
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435. |
04/10/16 |
The Lincoln Theatre - Washington,
DC |
DPA 4023 > Zoom F8 (24/48) | Transfer: F8 > iMac. Tracked and resampled to 16-bit via Sound Studio, FLAC via xACT | |
2 CDr
|
notes
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436. |
04/18/16 |
Majestic Theater - Dallas,
TX |
DSM-6S > PA-6LC3 > R-09HR @ 24/48 | Location: Section B-Mezz, Row F, Seat 3
Transfer: R-09HR > CEP 2.1 > flac
| |
2 CDr
|
notes
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437. |
04/19/16 |
Bass Concert Hall - Austin,
TX |
Tascam DR-40 (on-board mics) > SD card > Audacity (track splitting, click removal [for reducing clapping], amplification, fades) > flac | My recording is fairly good, except for a couple issues:
1. Light digital noise at the very beginning and end of "Cardinal Rule".
2. Light digital noise at about 3:58 in "Soma".
3. A loud scream right behind me in the beginning of "Stand Inside Your Love".
4. Annoying chatter behind me during the start of "Pinwheels". | |
2 CDr
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438. |
04/27/16 |
Oven Auditorium - Charlotte,
NC |
Receivers>Recorder>Hard Drive | Files recorded in 48/24 for transfer
Editing: Adobe Audition CC 2017/izotope Ozone 7
Completion files were cut in 48/24 and then converted to 44/16 wav
Torrent: FLAC files conversion by Traders Little Secret and uploaded by utorrent | |
2 CDr
|
notes
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439. |
04/29/16 |
Goodyear Theater - Akron,
OH |
Tascam DR-05 onboard mics | Tracks split and converted with Audacity
Flacs encoded with xACT
Location: Front row center balcony | |
2 CDr
|
notes
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