Etree - Tulum - 1635 shows
Last Update: Sunday Jul 30, 2017

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!!!  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 11/06/10 Le Rocher De Palmer - Bordeaux, France AUD > Sony ECM-719 > TASCAM DR1 (Wav 16 bit - 44,1 k) > HD > Audacity (no effect added) > Trader's Little Helper > Flac level 8     1 CDR  

13th Floor Elevators  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 05/10/15 Levitation Festival - Carson Creek, TX Audience->Schoeps MK4-Tinybox-Sony PCM-M10-cdwav->Traders Little Helper->mp3tag for tagging     1 CDR notes

16 Horsepower  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 07/22/00 Les Vieilles Charrues - Carhaix, France FM Ana     1 CDR  

1990's  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 12/10/07 Maison De Radio France - Paris, France FM Stereo Receiver (Technics st-gt350) -> Ampli (Technics su-v500) -> M-Audio Revolution 5.1 -> Wav -> Wavs -> FLAC OS : 64Studio 2.0 (kernel multimedia 2.6.22.1) Taped : Ardour 2.0.5 + Jack 0.2.22 Edited : audacity 1.3.3beta (Splitted, Removed DJ's intervention) fixed : shntool 2.0.1 FLAC : FLAC 1.2.0 level 8   1 FLAC / CDR  

Admiral Radley  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 07/08/10 Hammer Museum - Weswood, CA AT853 > AT8531 > Edirol R-09     1 CDR notes
2. 02/23/11 Bottom Of The Hill - San Francisco, CA Sonic Studio mics -> Edirol R-09HR (24 bit / 48 kHz) -> Nero (level boost & downsample to 16 bit / 44.1k) -> cd wav -> flac level 8     1 CDR  

Akron/Family  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 04/06/11 Echo - Los Angeles, CA Oade Bros. Micro-mics>Sony TCD-D100>CD-Spin Doctor>CD-R>FLAC     2 CDR notes

Alain Bashung  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 07/23/04 Les Vieilles Charrues 2004 - Carhaix, France --> FM Ana --> Ampli Technics --> SoundBlaster mp3+ --> Hard drive (Soundforge 7.0a) --> Wav (Soundforge 7.0a) --> CDr (Nero Burning Rom 6.3.1.17, Memorex)     1 CDR  
2. 07/11/08 Les Francofolies - La Rochelle, France FM Ana -> Wav -> Wavs -> FLAC Tuner : Technics st-gt350 Soundcard : M-Audio Revolution 5.1 OS : UbuntuStudio 8.10 (kernel 2.6.27.3 rt) Taped : Ardour 2.5 (revision 3525) Edited (remove DJ's intervention) : Rezound 0.12.3beta Happe & To Bill : Fm Broadcast--- MD Sony MZ-R700--- Total Recorder 44.100 khz 16 bits stéréo--- Music cleaning studio--- DB power amp Flac high level -> wav (adjusted the volume with my source) -> FLAC Flac (level 8) : 1.2.1   2 CDR  
3. 09/13/08 Fête de L'Humanité - La Courneuve, France SP-CMC-8 + SP-SPSB10 + Edirol R-09 (44khz-16 bits) transfert : R-09 -> USB software = Adobe Audition 1.5 - liste des repères : Ajustement des cues, conversion en markers de type Audio CD track compatible, introduction des titres des morceaux - piste 16 fondu de sortie software = Trader's Little Helper v2.2.2 - encodage flac (Compression Level=8 --> 16bits stéréo, 44.1kHz) - MD5   1 CDR notes

Alice In Chains  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 05/18/06 The Roxy Theater - West Hollywood, CA Danish Pro Audio 4061s > Danish Pro Audio MPS6020 > Sony SBM-1 (Todd Mod, SPDIF Out) > M-Audio Microtrack 2496 (SPIDF In @ 16/48) Transfer: M-Audio MicroTrack 2496 > USB 2.0 > Sound Forge 5.0 (fades) > .WAV > CD Wave (Tracking) > .FLAC (Level 8) Generation: 0   1 CDR notes

The Animals  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. ??/??/39 L'Olympia 1964 - 1965 - 1966 - Paris, France RADIO BROADCASTS UNKNOWN LINEAGE > REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC     1 CDR  

Animals  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 12/15/64 Olympia Theatre - Paris, France RADIO BROADCASTS UNKNOWN LINEAGE > REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC     1 CDR  
2. 03/16/65 Olympia Theatre - Paris, France RADIO BROADCASTS UNKNOWN LINEAGE > REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC     1 CDR  
3. 03/15/66 The Olympia - Paris, France RADIO BROADCASTS UNKNOWN LINEAGE > REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC     1 CDR  

Anna Calvi  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 01/17/11 Maison De La Radio, Black Session - Paris, France FM Ana -> tuner -> soundcard -> Hard Drive Tuner : technics St-GT350 Soundcard : M-Audio Revolution 5.1 Taped : audacity 1.3.12beta (32bits float, 96000 Hz) Splitted and mixed : audacity 1.3.12beta downsampling to 16/44.1 : audacity 1.3.12beta OS : fedora ccrma (kernel 2.6.33.7-149.rt30.1.fc14.ccrma.x86_64.rt)   1 CDR  

Antemasque http://antemasque.com/
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 10/03/14 Melkweg - Amsterdam, Nederlands Core Sound Binaurals > battery box (bass roll-off ON/OFF) > Edirol R-09HR @ 24 bit/96.0 kHz --> SDHC card Transfer: Card > PC > Wavelab Elements 7 (tracking, EQ, fades) > R8Brain (resampling, dithering) > WAV Conversion: WAV > TLH (Flac @ level 8, aligned on sector boundaries, verified) > FLAC > YOU!   1 CDR notes
2. 11/06/14 Union Transfer - Philadelphia, PA Schoeps mk41 -> nbox -> pcm-m10 (24/48) - There is a spot of clipping in Providence caused by one of Cedric's vocal effects   1 CDR  

Arcade Fire  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 03/09/05 Studio 105 Radio France - Paris, France FM ana -> Wav -> CDr     1 CDR / FLAC  
2. 08/01/14 The Forum - Inglewood, CA AT853 (UL Shotgun capsules) > Naiant Tinybox > Sony PCM-M10     2 CDR notes

The Arcs  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 09/15/15 MBE KCRW FM - Santa Monica, CA FM > Onkyo HT-R520 > Analog Out (RCA Plugs) > Phone Jacks In > Zoom H4n @ 16bit - 44.1 KHz > USB-2 > CD WAVE Tracking > TLH Checksums Flac.8)     1 CDr  

Arctic Monkeys  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 05/06/14 Qantas Credit Union Arena - Sydney, Australia FM > Sharp Reciever > Sony PCM-M10 Line In (WAV,16Bit,44kHz) > Adobe Audition CS6 (Edit/Cut) > Foobar2000 (FLAC 8) Broadcast Live on Triple J   1 CDR 90  

Armstrong, Nic  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 01/14/05 Unknown - Paris, France Source : FM ana -> Ampli Technics -> SoundBlaster mp3+ -> Wav Taped and Edited : Soundforge 7.0b   1 CDR / FLAC  

Arno  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 11/18/02 Maison De La Radio, Studio 104 - Paris, France FM Ana     2 CDR, FLAC  

Atoms For Peace  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 04/05/10 Roseland Ballroom - New York, NY Zoom H2>shn     1 CDR 90 notes
2. 04/08/10 Wang Theatre - Boston, MA (15th row, right center in hat)Schoeps mk41>kc5>cmc6>Fostex Fr-2le (with Oade Hd Concert mod)@48-24>CF Transfer : CF>Vegas 9>SRC 44-16>CD Wave>FLAC   1 CDR 90 notes
3. 04/10/10 Aragon Ballroom - Chicago, IL H2-Zoom set @ 48 khz 24-bit Wav --> Soundforge 8 (Tracking, EQ, Tape Sim, Compression)     1 CDR 90 notes
4. 04/10/10 Aragon Ballroom - Chicago, IL Edirol R9 (24bit/48kHz) (Line In) > Core Sound HEB (4060) (Bass Rolloff=ON) > Adobe Audition > CDWAVE >FLAC (level 8) additional info : Recorded From The Left Side of The Stage, Very Front   1 CDR 90 notes
5. 04/10/10 Aragon Ballroom - Chicago, IL Schoeps MK4s > Nbox > Edirol R-09 @ 24-bit / 44.1kHz Location: FOB, ~4' ROC Transfer: SD Card > USB > Audacity (dEQ/dither) > CDWave > TLH Performance from Thom Yorke and friends. +5.5dB boost in Audacity (32-bit float) to raise levels. Otherwise this is a raw transfer with no fades or EQ.   1 CDR 90 notes
6. 04/14/10 Fox Theatre - Oakland, CA PCM(D50)>DPA(4061)>Soundforge(normalize and resample>FLAC Frontend Recorded at 24 Bit 48KHZ   2 CDR  
7. 04/14/10 Fox Theatre - Oakland, CA PCM(D50)>DPA(4061)>Soundforge(normalize and resample>FLAC Frontend / Dust of the Pixies -> Zoom H4n Wave editing + time alignment done in Adobe Audition 3.0. Mixing done in Nuendo 3. Used Waves plugins + Ozone 4 for effects. Post-processing done in Harbal 2.3. Tracked in CD Wave. Flac'ed using Trader's Little Helper Mixed and produced by hoserama   2 CDR notes
8. 04/15/10 Fox Theatre - Oakland, CA Neumann KM140s > Sound Devices MP2 > Edirol R09 (24/48) > WAV > CD WAVE > FLAC24     2 CDR  
9. 04/17/10 Santa Barbara County Bowl - Santa Barbara, CA AT831 > SP-SPSB-11 (rolloff @ 107 Hz) > Edirol R-09 HR @ 44.1 / 16-bit location: Back of GA Pit area ( approx 50ft from stage ) Center transfer: Card Reader > Soundforge 7.0 > Cdwave > TLH > shn   1 CDR 90 notes
10. 04/18/10 Coachella Festival - Indio, CA Church Audio CA-11 mics + Sound Professionals SP-SPSB-8 battery box (69hz roll-off) > iRiver H320 44.1khz WAV I cut 10 mn of the intro to put in one CDR 90   1 CDR 90  
11. 07/06/13 Zenith - Paris, France sp-cmc-4u(U863)4.7k->SP-SPSB-11->M10 (24/44.1) sound forge (eq/16bit/track split)   2 CDR  
12. 07/07/13 Heineken Music Hall - Amsterdam, The Netherlands Edirol R-09 Lineage: CA-14 -> CA Stealth Battery Box Edirol R-09 -> USB2 -> Har-Bal v2.3 -> Wavelab v6.11 Build 353 -> CD Wave Editor v1.98 ->   2 CDR  
13. 07/09/13 Lotto Arena - Antwerp, Belgium built-in > Zoom Q3HD TRANSFER: Zoom Q3HD > PC > wav > Adobe Audition > wav > CD Wave Editor > Trader's Little Helper 2.6.9 (Build 168) > flac > foobar2000 > flac > you! GENERATION: WAV(M) [16bit/48kHz] > [16bit/44.1kHz] > FLAC [Level 8]   2 CDR notes
14. 07/09/13 Lotto Arena - Antwerp, Belgium Zoom2 > Soundman OKM     2 CDR  
15. 07/12/13 Bazant Pohoda - Trenčín, Slovakia Zoom H1 16bit-48kHz > flac > edit > you Editing: BLG -- EQ, clap removal, balanced channels, raised overall volume in Adobe Audition   2 CDR notes
16. 07/16/13 Ippodromo Capannelle - Rome, Italy Tascam DR-100 (?) 24-48 > .flac > 16 bit, light editing > you Editing: BLG -- Smoothed out some volume fluctuations with Adobe Audition, no EQ or any other editing.   2 CDR  
17. 07/17/13 Ippodromo Del Galoppo - Milan, Italy sp-cmc-4u(U853)4.7k->SP-SPSB-11->M10 (24/44.1) sound forge (eq/16bit/track split) ReaFir plugin for noise removal.   2 CDR  
18. 09/24/13 Liacouras Center - Philadelphia, PA AT831 (SP-CMC-2)>SPSB-1>sony PCM-M10>usb>pc>adobe audition 3.0 (level adjust+cuts+fades) + (downsample to 16bit) > tlh (flac level 8) > you location: section 107, row r, seat 5   2 CDR notes
19. 10/02/13 UIC Pavilion - Chicago, IL Core Sound HEB 4060 (Base Rolloff On) > Sony PCM-M10 (Line In) LOCATION : Main Floor-Center-2/3 of the way back   2 CDR notes
20. 10/03/13 War Memorial Auditorium - Nashville, TN Schoeps mk4v (DINa/FOB) > kcy > Sonosax SX-M2-LS2 > Sony M10 (24/96) transfer: microSD > Sound Studio > xACT > .flac (16/44)   2 CDR  
21. 10/16/13 Hollywood Bowl - Los Angeles, CA CA-14 (cardioids) > CA-9200 > GAKables mini starquad > Edirol R-09HR (@ 24bit/96kHz) > Audacity (fades, amplify, export as 16bit/44.1kHz) > CD Wave (track splits) > TLH (flac level 8)     2 CDR  

Audioslave  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 08/16/03 Verizon Wireless Ampitheater - Irvine, CA DAB > DA-120S BB > Sharp MT-180 Transfer: Sharp MT-877 > SoundForge > CD > SHN   1 CDR notes

Autour De Lucie  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 02/15/98 KCRW Studios - Santa Monica, CA FM     1 CDR  
2. 02/17/98 Virgin Megastore - Hollywood, CA marcsounds > sony tcd-d3     1 CDR  
3. 02/17/00 Black Sessions - Paris, France FM ana     1 CDR  
4. 03/22/04 Black Session - Paris, France   Source : Digital FM -> Ampli -> Soundbaster PCI 128 -> HD -> Wav Taped, edited with : Soundforge 7.0a   1 CDR  

Band Of Horses  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 04/23/10 Walnut Creek - Raleigh, NC Schoeps mk41v( AB ) > kc5 > m222 > nt222 + mk21(nos) > kcy > vms5u > Sound Devices 744t (24/48) location: fob/dfc/Row L dsp: 744t > wavelab5 > cdwave > wavelab5 > flac 8   1 CDR notes
2. 08/30/10 Studio 105 - Paris, France FM ana -> HD -> wav -> flac Lineage : Technics FM receiver -> M-audio revolution 5.1 line in -> HD OS : UbuntuStudio 10.04, kernel 2.6.31.11 rt Taped : ardour 2.8.6 (based on revision 6550) via JACK Audio Kit 0.3.4 Edited : Audacity 1.3.12-beta Flac : flac 1.2.1 (level 8)   1 CDR / FLAC  

The Beatles  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 05/01/68 Kinfauns - London, England       1 CDR  
2. 05/??/68 George Harrison's House - Esher, Surrey, England ???     1 CDR  

Beck  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 02/24/05 Henry Fonda Theatre - Los Angeles, CA ECM717>MZ-R700>Video Vegas 4>WAV>FLAC     1 CDR  
2. 03/23/05 Canal+ Studios - Paris, France Digital TV -> Amplis Technics -> Soundblaster mp3+ -> Wav -> CDr Taped and edited : SOundforge 7.0b Splitted : CDwave 1.94.5beta   1 CDR  
3. 03/24/05 Le Nouveau Casino - Paris, France Digital FM -> Ampli Technics -> Soundblaster mp3+ -> Wav -> CDr Taped and Edited : Soundforge 7.0b Splitted : CDwave 1.94.5beta   1 CDR  

The Bellrays  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 11/09/03 La Cigale - Paris, France FM ana Technics --> Ampli Technics --> SoundBlaster PCI 128 --> HD Taped, splitted and Faded with : Soundforge 7.0a   1 CDR  
2. 04/10/08 Harmonie - Bonn, Germany       1 DVD  

Belly  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 04/17/92 Club Babyhead - Providence, RI Sony PC-62 > Sony WM-D3 (Dolby Off) Lineage: Master Cassette (Maxell XL-II 100) > Yamaha KX-500U (Dolby Off, Play Trim Adjustment) > Audacity (16 bit/44.1 kHz) > WAV > xACT (fix SBE) > FLAC (Level 8)   1 CDR notes
2. 03/19/93 Club Babyhead - Providence, RI Sony PC-62 > Sony WM-D3 (Dolby Off)     1 CDR notes
3. 07/04/93 Grant Park - Chicago, IL WXRT FM->Cassette Master (XL-IIS (no dolby))->DAT->FLAC WXRT FM->Cassette Master (XL-IIS (no dolby))->DAT (32kHz)-> PC (Sony PCM R500 into LynxONE digital I/O card) -> FLAC Cassette master recorded by NT; CM transfer to DAT by TN, 1993. DAT->FLAC conversion by TN, July, 2005. Resampled from 32kHz to 44.1 kHz via Sound Forge Studio 6.0d. Fade in/outs, removal of analog cuts between songs via Sound Forge Studio. cdwave used for track splits.   1 CDR  
4. 12/11/93 Universal Ampitheatre - Universal City, CA silver CD > CDR > EAC (secure mode) > FLAC Frontend     1 CDR  
5. 12/12/93 Universal Amphitheatre - Universal City, CA silver CD > CDR > EAC (secure mode) > FLAC Frontend     1 CDR  
6. 01/20/95 The Garage - London, England VHS 3rd Gen PAL > SONY SLV T2000 VHS+Hi8 videorecorder > S-VHS cable > SONY DVD RDR HXD970 standalone recorder > DVD+R, non-seekable playback > CloneDVD2 > HD (burn tested as seekable) Capture: Back far right (facing stage)/elevated/good closeups. Tom is excluded from closeups (probably because he's mostly in the dark after asking the lightperson to switch off the white light on him in the begining). Very good camera work and performance throughout.   1 DVD  
7. 03/07/95 Inter Radio L'inrockuptible Black Sessions - Paris, France TDK SA90 (FM0) > HDD via creative soundblaster > adobe audition (editing) > CD wave > flac 6     1 CDR  
8. 06/29/95 Roskilde Festival - Roskilde, Denmark   Shot from back of hall. Long to long close (i.e. full length figure)   1 DVD  

Ben Ottewell  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 02/27/11 Academy 2 - Dublin, Ireland CA14(Cards)>CA-Ugly>Tascam DR1>Adobe Audition (tweak levels etc)>cdwav>tlh     1 CDR notes
2. 07/13/13 The Brass Monkey - Sydney, Australia Roland R-05 Internal mics>24bit/48hz>sdcard>harddisk>audacity to declick & raise levels>cdwave editor track split &-->16bit/44.1hz>tlh flac level8     1 CDR 90  

Benjamin Biolay  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 02/09/04 LaCigale - Paris, France Digital FM -> Ampli Technics -> Soundblaster mp3+ -> Wav -> CDr     1 CDR  

The Beta Band  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 06/10/04 Black Session, Studio 105 FM - Paris, France FM Ana -> Ampli -> SoundBLaster PCI 128 -> Hard Drive -> Wav Taped and edited with : Soundforge 7.0a   1 CDR  

Big Brother & The Holding Company https://etreedb.org/db/artists/update?qu=New+Riders+of+the+Purple+Sage&artist_key=250&submit=Edit
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 05/18/68 Santa Clara County Fairgrounds - San Jose, CA R2R > Cass > CD > FLAC     1 CDR  
2. 04/04/70 Fillmore West - San Francisco, CA Audience     2 CDR  

Bill Ryder-Jones http://www.billryderjones.co.uk
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 03/09/16 BBC Pacific Quay - Glasgow, Scotland FM>Tascam-DR-07 MkII>PC(usb)>CD Wave Editor>FLAC 8     1 CDr  

Billy Corgan  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 04/03/00 Mancow's Morning Madhouse - Chicago, IL 101.1 WKQX FM radio broadcast > computator     1 CDr  
2. 03/23/02 Metro - Chicago, IL CSBmod>M1 Location : where Jayson stood Conversion : DDC1>PCM-R300>CEP SHN conversion : CDWave>MKWact (no DAE) Editor : Fares Halteh Editing : first two songs taped in 32k, second two in 44.1k. Upsample via CEP   1 CDr notes
3. 09/17/03 Rubloff Auditorium - Chicago, IL Sony ECM-MS907 > Sharp MD-MS702mk > sound card > Steinberg Wavelab > WAV > SHN Position: On the ground, 5 feet from right stack.   1 CDr  
4. 04/19/04 Metro - Chicago, IL Dynamic Audio Binaurals > Dynamic Audio Custom Battery Box (120hz Bass Rolloff/-11db Attenuation) [Fixed] > Sony PCM-M1 @48kHz Location : Two feet from left stack Conversion : Sony PCM-M1 > Coresounds Cable (7-pin > Coaxial) > Midiman Audiophile 2496 Resampling : 48kHz downsampled in Sound Forge 6.0 to 44.1kHz Editing : Added fade in's and out's in Sound Forge 6.0 and split the tracks in CD Wave Editor FLAC : DAT Master > Sound Forge 6.0 > CD Wave Editor> FLAC Frontend (level 8)   1 CDr  
5. 09/19/04 Metro - Chicago, IL Ludwicki Binaurals > Sony PCM-M1 @ 44.1 khZ Transfer: Sony PCM-M1 > RK-DA10P Coax (Pro Digital Mod) > Steinberg WaveLab > FLAC Level 8   1 CDr notes
6. 10/19/04 Church Of The Redeemer - Toronto, ON Oktava>iPaq (likely MC012>UA-5[p-mod]>PDAudio>iPaq 3835, assuming this is Quinto's recording) Editing: 24/48 .FLAC (posted to Netphoria 2009/07/22)>tracked in CDWave>r8brain>TLH>FLAC   2 CDR notes
7. 07/02/05 The Carlu - Toronto, ON Built In -> Sony TCS-35V Transfer: ANA-1 (Maxell UD-90)>Playback on Sony TC630ES>1/4" headphone out>1/4" to 1/8" gold plated adapter>1/8" to 1/8" cable>PC Editing: Audacity (recording, fades, various crossfades and other audio tomfoolery), CDWave (track splits), FLAC Frontend (level 8)   1 CDR 90 notes
8. 07/08/05 Gypsy Tea Room - Dallas, TX Stereo binaural mics > sony d8 > mackie 1402 > final cut pro (48khz aiff) > adobe audition 1.5 (normalize, pop removal & downsample to 44.1khz) > wav > flac     2 CDR  
9. 09/13/12 Madame Zuzu's Tea House - Highland Park, IL Set 1 & 2 : DPA 4061s > CSbox > Edirol R-09 @ 16-bit / 44.1kHz Set 3 : iPhone4>BlueFire>Audacity>AIFF>FLAC set 1 & 2 : Transfer: SD Card > Audacity (amplify) > CDWave > TLH   2 CDR notes
10. 08/30/14 Ravinia Pavilion - Highland Park, IL ? Transfer: Zoom H2>WAV   2 CDR  
11. 08/30/14 Ravinia Pavilion - Highland Park, IL Church Audio 14’s > PA-6LC3B (roll off @ 65Khz) > Mic In > Sony PCM-M10 > .wav @ 96 kHz / 24 bit Location: mics taped to my shoulders sitting in center section seat DD 5 Lineage: .wav > USB > Amadeus Pro 2.1.6 (1571) > FLAC 8   2 CDR notes
12. 08/30/14 Ravinia Pavilion - Highland Park, IL Schoeps MK4s > Tinybox > Sony PCM-M10 @ 24-bit / 44.1kHz Location: 2nd row, right stack Transfer: SD Card > Audacity (edit/dither) > CDWave > TLH Archive: Master WAV was archived @ 24-bit/44.1kHz and FLAC'd with cue sheet.   2 CDR notes

The Black Keys  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 06/10/10 The Pageant - Saint Louis, MO Tascam DR-08 (WAV) -> Audacity (clean up sound & split tracks) -> Exact Audio Copy (FLAC conversion) 1) Noise and EQ levels of original recording were modified for better clarity 2) Tracks were then re-split to fix track overlap problem in original torrent 3) Any track and torrent naming errors fixed   2 CDR  
2. 01/28/12 Arena Treptow - Berlin, Germany OKM IIR > A3 > Sony PCM-M10     1 CDR 90 notes
3. 03/04/12 Schottenstein Arena - Columbus, OH MCSM-4 > Zoom H2 @ 48/24 > SD Card > PC > Soundforge 10 (normalized, converted to 16/44) > CD Wave > Traders Little Helper > FLAC 8     1 CDR 90 notes
4. 03/16/12 Bankers Life Fieldhouse - Indianapolis, IN Sound Professionals CMC-08s (AT943)->SP-SB11(no bass roll-off)->Edirol R09HR-> CoolEditPro->CD Wave->TLH     1 CDR 90 notes
5. 05/02/12 The Maverick Center - West Valley City, UT CA-14 Cards>PCM M-10>Sound Forge>CD Wave>TLH M-10 settings: 48/24, mic in, Low sens, LCF on, LIMITER on No post-processing except convert to 16bit, raised 2 db and split tracks   1 CDR 90 notes
6. 05/08/12 Key Arena - Seattle, WA AT853 SC-ELE > AT ES943 > SP-SPSB-8 > Sony PCM-M10 Lineage: Sony PCM-M10 > USB 2.0 > HDD > Audition > CD Wave > TLH > FLAC   1 CDR 90  
7. 05/04/14 Postbahnhof - Berlin, Germany OKMIIr > A3 > Edirol R-09HR (24/48) USB > Adobe Audition CC (16/44.1) > CDwave > TLH > flac   1 CDR notes
8. 05/04/14 Postbahnhof - Berlin, Germany Onkyo T-9900 > Edirol HR09 (44.1/16)     1 CDR  
9. 10/24/14 Target Center - Minneapolis, MN Schoeps MK5's (c) > Nbox active cables > Naiant Tinybox v1.5 > Edirol R-05 @ 24/48. Recorded FOB/DFC Transfer: Emtec 16GB SDHC card > Dell PC > 24bit WAV > Sony Sound Forge 9.0e > CDWave Editor > Trader's Little Helper > FLAC16.   2 CDR notes
10. 06/06/15 Mountain Jam - Hunter, NY Neumann km184> V2> Sony PCM-M10 transfer: microSD> USB> Samplitutde 11 (16/44.1)> cdWave> FLAC   1 CDR 90 notes

Black Rebel Motorcycle Club  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. ??/??/99 1999 Studio Demos - Unknown, Unknown ?     1 CDR  
2. 05/27/01 Emo's - Houston, TX DAT Master (SS DSM-6S > Sony PCM-M1 @44.1khz) > DAT Clone > Sony PCM-R500 > Coaxial Digital Output > Tascam DR-100mkII (Coaxial Digital Input) > WAV (16 bit, 44.1khz) > CDWAVE 1.97 (track splits) > TLH > FLAC (6)     1 CDR  
3. 12/19/01 Silverlake Lounge - Los Angeles, CA DAT(M) -> FLAC Source: CSB(mod) -> Sony TCD-D8 Transfer: DA-20 -> coax -> DiO 2496 -> SF 6.0 -> CDWave -> FLAC   1 CDR notes
4. 12/20/01 Silverlake Lounge - Los Angeles, CA CSB(mod) -> Sony TCD-D8 Lineage: DAT(M) 44khz -> FLAC Transfer: DA-20 -> coax -> DiO 2496 -> SF 6.0 -> CDWave -> FLAC   1 CDR notes
5. 02/21/02 Boule Noire - Paris, France FM Ana     1 CDR  
6. 04/05/02 The Warfield - San Francisco, CA [Schoeps->pre-amp->DAT-M->CDR->.wav] + [DPA 4061s->M1->DAT-M->CDR1->.wav->dEQ]     1 CDR  
7. 06/14/02 Hultsfredfestivalen - Hultsfred, Sweden TV broadcast-based DVD. Exact source not known     1 DVD  
8. 07/06/02 Finsbury Park - London, England silvercd - flac     1 CDR  
9. 08/11/02 Fort Ste. Pere - St. Malo, France Unknown (prabably digital TV)     1 CDR  
10. 11/29/02 Barrowlands Ballroom - Glasgow, Scotland SP-CMC-2 > SP-SPSB-1 > Sony MZN 707 (LP) Transfer: MD Master->MDS-JE770 [hi-fi MD player]->optical output->iRiver H120 [rockboxed]->USB->Adobe Audition 2 [to join files]->TLH FLAC Level 8 Editing: FLAC>Wav>Audacity (fade in, volume boost +7.3/7.3dB, fade out)>CD Wave>FLAC Transferred by jamroom Edited by Humbug   1 CDR 90 notes
11. 09/15/03 Cotton Club - Atlanta, GA SP-CMC-8s -> bbox (roll-off @ 95hz) -> M1 (~15' left stack) Lineage: DAT(M) 48khz -> FLAC Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC   2 CDR notes
12. 09/20/03 Avalon - Boston, MA Sonic Studios -> Sony TCD-D100 Lineage: DAT(M) -> CDR(1) -> EAC -> FLAC   2 CDR  
13. 10/11/03 Livid Festival,Moore Park - Sydney, Australia FM     1 CDR  
14. 11/06/03 Princes Street Gardens - Edimburgh, Scotland TV broadcast(Cable)->VHS->Hauppauge WINtv PVRII     1 DVD  
15. 11/24/03 Black Session - Paris, France Digital FM Source : --> Radio via Sat --> Ampli Technics --> Soundblaster PCI 128 --> Hard Drive Taped, splitted and faded with Soundforge 7.0   1 CDR  
16. 06/24/04 Hammersmith Apollo - London, England SPCMC2>SPSPSB1(95Hz)>NomadJB3 >USB>DellHD>Cooledit>CD Wave>FLAC     1 CDR notes
17. 07/03/04 St.Gallen Open Air Festival - St.Gallen, Switzerland TV broadcast(Cable)->Hauppauge WINtv PVRII     1 DVD  
18. 06/16/05 Scala club - London, England Sharp MD-R420H--CSB's with battery box (bass roll off) set @ 195Hz Lineage: Lineage: Sharp MD-R420H>Line In>FLAC Frontend Taped from raised area behind sound desk, 20ft from stage.   2 CDR  
19. 08/23/05 Virgin Megastore - London, United Kingdom SPCMC2>SPSPSB1(95Hz)>NomadJB3 >USB>DellHD>Cooledit>CD Wave>FLAC     1 CDR notes
20. 08/25/05 The Barfly, Camden - London, United Kingdom SPCMC2>SPSPSB1(16Hz)>NomadJB3 @44.1kHz Transfer: NomadJB3>USB>DellHD>Audacity (normalized, fade in, fade out)>CD Wave>FLAC Location: slightly loc, 5m from stage.   2 CDR notes
21. 09/28/05 9:30 Club - Washington, DC mics>dat>cd>eac>sf6>flac     2 CDR  
22. 03/20/06 The Showbox - Seattle, WA Sound Professionals SP-BMC-12 Audio Technica (AT350) Binaural Microphones -> SP-SPSB-6 (bass roll off @ 160Hz) -> NOMAD Jukebox ( Gain set at +2 | WAV Recording) TRANSFER: NOMAD Jubox -> Macintosh G5 USB -> BIAS Peak -> VST Filters {WAVE ARTS Trackplug} -> Normalize, Split Tracks & Export to AIFF -> xACT to cut on CD sectors and convert to FLAC   2 CDR notes
23. 02/26/07 The Village - Dublin, Ireland AT831B's (PAIRED) > Sony PCM-M1 > Sound Forge 6.0 > CD-R / DAT Master > FLAC Frontend @ 6 > FLAC     2 CDR  
24. 03/01/07 King Tut's Wah Wah Hut - Glasgow, UK ???     2 CDR notes
25. 03/06/07 Bloomsbury Ballroom - London, UK AT933>3wbb>iRiver H120 rockboxed Transfer: H120>USB>DellHD>Audacity (fade in, balance, volume boost, fade out)>CD Wave>FLAC   2 CDR notes
26. 04/18/07 Astoria - London, United Kingdom Edirol R-09 recorder - Sound Pro CMC-8 binaurals with mini battery box SD Card--Wav--edited with CD wave--Flac Frontend Taped from front of balcony, right hand side   2 CDR  
27. 04/20/07 Fopp Records - London, England AT933>3wbb>iRiver H120 rockboxed +18dB gain Transfer: H120>USB>DellHD>Soundforge 7.0 (fade in, balance, clap reduction, volume boost +15dB, fade out)>CD Wave>FLAC Location: DFC, 2-3m from band   1 CDR notes
28. 06/01/07 Theater Of Living Arts - Philadelphia, PA Schoeps MK4V's>Sonosax SX-M2>Edirol R-09(@24Bit/48khz)>Wavelab 5(Fades & UV22HR Dithering to 16bit/44.1khz)>CDWAV>FLAC     2 CDR notes
29. 07/21/07 Rock City - Nottingham, UK Edirol R-09 recorder - Sound Pro CMC-8 binaurals with mini battery box SD Card--Wav--edited with CD wave--Flac Frontend Recorded from balcony above the mixing desk   2 CDR  
30. 07/22/07 Bennicassim - FIB, Spain       1 DVD  
31. 10/01/07 The Koolhaus - Toronto, ON Edirol R-09 w/Internal Omni's (Shirt Pocket/12' FOB/DFC)>2GB SD Card>USB>HD>WAV>Adobe Audition Amplify + 4.5 db/10 Band dEQ>CD Wav dED>TLH>FLAC (8)>CDR     2 CDR notes
32. 10/11/07 The Orange Peel - Asheville, NC ony ECM909>Sony MZR50>BSR EQ3000>BBE 1002>CDR>WAV>FLAC     2 CDR  
33. 11/11/07 Bristol University Anson Rooms - Bristol, England SP-CMC-16 > SPSB-11 > Edirol R-09 (48kHz 24 bit wav) Mastered in Adobe Audition 3.0, Har-Bal 2.0 and Izotope Ozone 3.0 Additional info: Recorded From Main Floor on the front barrier. Enjoy!   2 CDR notes
34. 11/16/07 Bristol University Anson Rooms - Bristol, United Kingdom SP-CMC-16 > SPSB-11 > Edirol R-09 (48kHz 24 bit wav) Mastered in Adobe Audition 3.0, Har-Bal 2.0 and Izotope Ozone 3.0 Additional info: Recorded From Main Floor on the front barrier. Enjoy!   2 CDR  
35. 11/20/07 Elysee Montmartre - Paris, France Audience->Sony Microphone ECM-719 (Music mode)->Sony Hi-MD MZ-NH1 (PCM Mode)->Sonic Stage (Hi-MD->OMA->WAV)->Adobe Audition->Separated WAV files->FLAC     2 CDR  
36. 11/21/07 Den Atelier - Luxembourg City, Luxembourg SP-BMC-3 > SP-SPSB-1 (@107Hz) > Sony MZ-N10 Transfer: Sony MZ-N10 > Realtec ACŽ97 > SoundForge 7.0 Generation: MD(M) > .wav (Sound Forge 7.0) > (CD Wave Editor 1.94.5) > .flac (FLAC FrontEnd, level 8)   2 CDR notes
37. 11/27/07 Postbahnhof - Berlin, Germany SonyRX100AV->SC->audiograbber/LineIN->WAV transfer: WinOnCD->EAC->flac   2 CDR  
38. 12/05/07 La Laiterie - Strasbourg, France SP-BMC-3 > SP-SPSB-1 (@107Hz) > Sony MZ-N10 Transfer: Sony MZ-N10 > Realtec ACŽ97 > SoundForge 7.0 Generation: MD(M) > .wav (Sound Forge 7.0) > (CD Wave Editor 1.94.5) > .flac (FLAC FrontEnd, level 6)   2 CDR notes
39. 12/13/07 The Ambassador Theatre - Dublin, Ireland AT831B > Sony PCM-M1 > Sound Forge 6.0 > 2CD-R / DAT Master > FLAC Frontend @ 6 > FLAC     2 CDR notes
40. 03/04/10 Record Exchange - Boise, ID Sony DCR-SR62 HDD Camcorder (camera stabilized on monopod) Video stabilized out much better after the first minute or when I was setting the levels on the recorders, etc. AUDIO SOURCE: AUD mic Matrix Mix (details below) SOURCE 1: Sonic Studios DSM6s > PA-6LC > iRiver H120 SOURCE 2: Audio Techinica 831b > iRiver H320 Video: NTSC DVD (MPEG2) 720x480, 29.97fps, 4953 kbps, 16:9 Audio: MPEG-1 Layer 2/224 kbps Audio mixed/EQ in CEP2, video sync & DVD author in Womble   1 DVD notes
41. 03/09/10 Slim's - San Francisco, CA Schoeps CCM4 > Aerco > Sony PCM-M1 Transfer (BLG): DA-20 > digital coax > Marantz PMD-670 > usb reader > Adobe Audition > iZotope Ozone 5 > WavePad > xACT > FLAC   2 CDR  
42. 03/14/10 Echoplex - Los Angeles, CA gs omni's -> custom bb with bass roll-off -> edirol r09 (44.1/16) -> sandisk 16gb ultraII 15mb/s -> reader -> audition 3.0 -> slight level adjust 3db left / 4db right (no normalization) -> har-bal 2.3 (expansion, slight equalizatio     2 CDR notes
43. 03/19/10 Gibson Showroom - Austin, TX FM --> RX-V1300 --> Analog Line-Out --> LS-10 --> USB --> CD Wave --> FLAC Frontend     1 CDR  
44. 04/03/10 Knitting Factory - Boise, ID Sonic Studios DSM6s > PA-6LC > iRiver H120     2 CDR notes
45. 04/15/10 Electric Ballroom - Londres, UK AT933(853C)>CA9100>H140 Rockboxed Transfer: H140>USB>DellHD>Audacity (fade in, volume +2/0dB, fade out)>CD Wave>FLAC Location: Dead centre, ~10m from stage.   2 CDR notes
46. 04/23/10 The Forum - Londres, England AT898 > SP-SPSB-10 > Edirol R-09HR (41kHz 24 bit)     2 CDR  
47. 04/29/10 Concorde 2 - Brighton, UK Sharp Minidisc, Sony Microphone, Audacity, FLACer     2 CDR  
48. 05/07/10 Magazzini Generali - Milan, Italy Tascam DR1 > Audio normalize with Peak     2 CDR notes
49. 05/17/10 Arena Open Air - Wien, Austria Sony micro ECM-719 --> Edirol R-09HR --> HD Mixed in Audacity, tracked in CD Wave.   2 CDR notes
50. 05/23/10 Paradiso - Amsterdam, Netherlands SP-CMC-2 (AT831) >> SP-SPSB-1 (160Hz.) >> IM-DR420H (LP2) Transfer: DMX X-Fire 1024 (line-in) >> Adobe Audition (-16dB 60Hz slope roll off, -4dB 100-110Hz, -13dB 225-275Hz, normalize to -.2dB) >> CD Wave >> FLAC   2 CDR  
51. 09/15/10 Glass House - Pomona, CA slave sound ultra stealth omni's -> custom bb with no bass roll-off -> edirol r09 (44.1/16) -> pny 4gb class 4 sd -> reader -> audition 3.0 -> slight level adjust + 3dB left / -1 db right (slight normalization) -> moderate parametr     2 CDR notes
52. 11/18/10 Muziekodroom - Hasselt, Belgium SP-CMC-10 MICS > battery SP-SPSB- 1 (107 hz) > Edirol R-09HR > PC > EAC > wav > Trader's Little Helper > flac     2 CDR notes
53. 11/29/10 Hirshima mon Amour - Turino, Italy sony ecm-717 > edirol r-09 > magix (editing) > hd > cdr > flac level 7     2 CDR notes
54. 12/14/10 The Mandela Hall - Belfast, Ireland Core Sound Cardioid Stealth Mic > Sony NH900 > Sound Forge 8.0 > 2CDR     2 CDR notes
55. 12/21/12 Troubadour - West Hollywood, CA CA-14(cards) > CA-Ugly > Sony PCM-M10 @ 24/48 Transfer: M10 > usb > MacBook Pro > Adobe Audition > WavePad > xACT > FLAC   2 CDR notes
56. 03/19/13 Hiroshima mon Amour - Torino, Italy sp-cmc-8 > battery SP-SPSB 11 (107 hz) > edirol r-09 > wave > soundforge > cdr > flac level 8     2 CDR notes
57. 04/01/13 Ancienne Belgique - Brussels, Belgium AT933(853C)>3 wire battery box>iRiver H140 (rockboxed) Transfer: H140>USB>DellHD>Audacity (fade in, volume 1.7/3.0dB, fade out)>CD Wave>FLAC Location: Approx 50ft from stage   2 CDR notes
58. 05/09/13 Kool Haus - Toronto, ON   SP-CMC-2>SP-SPSB-8>Tascam DR-03 (24/48)>Cool Edit Pro (clap removal, dEdit, amplify L+0.74, R+0.31, Fade in / out, resample to 16/44.1)>cdwave (tracking)>tlh>flac 8   2 CDR  
59. 05/17/13 Vic Theatre - Chicago, IL Edirol R9 (24bit/48kHz) >Core Sound HEB (4060) (Bass Rolloff=ON) >CDWAVE 1.98 >FLAC (level 8) Recorded From The First Rail, Dead Center   2 CDR notes
60. 06/01/13 The Wiltern - Los Angeles, CA Schoeps MK41s > Nbob actives > Tinybox > Sony PCM-M10 24/44.1 Location: GA Pit Transfer: M10 > usb > MacBook Pro > Adobe Audition > WavePad > xACT > FLAC   2 CDR notes
61. 06/02/13 The Observatory - Santa Ana, CA Schoeps MK41s > Nbob actives > Tinybox > Sony PCM-M10 24/44.1 Transfer: M10 > usb > MacBook Pro > Adobe Audition > WavePad > xACT > FLAC dithered to 16/44 via Adobe Audition   2 CDR notes
62. 08/27/13 O2 Academy - Bristol, UK AT898 > SP-SPSB-10 > Edirol R-09HR (41kHz 24 bit) Mastered in Adobe Audition CS5, Izotope Ozone 5 and Har-Bal 2.3   2 CDR  
63. 10/05/13 Cat's Cradle - Carrboro, NC Sony ECM DS70P > Tascam DR-2d > GoldWave > CDWave >FLAC(3 Location: Front row, left stack   2 CDR notes
64. 10/17/13 Glass House - Pomona, CA Schoeps MK41s > Nbob actives > Tinybox (OT) > Sony PCM-M10 24/44 Transfer: M10 > usb > MacBook Pro > Adobe Audition > WavePad > xACT > FLAC   2 CDR notes
65. 02/05/14 Krakatoa - Bordeaux, France TASCAM DR-07 (SD Card) + Microphones CHURCH AUDIO CA-11 (+ Batterybox Lineage : SD Card > PC (Wav) > Audacity (Normalisation) > DB Poweramp (Compression Level 8) > Flac   2 CDR notes
66. 02/18/14 La Coopérative de Mai - Clermont-Ferrand, France Zoom H1 with Internal Mics > SD Card > PC > magic audio cleanic > Wave > Flac     2 CDR  
67. 08/05/14 The Observatory - Santa Ana, CA Church Audio CA-11(cards) > CA-Ugly battery box > Edirol R-09 24/48 Transfer (BLG): SD Card > usb > MacBook Pro > Adobe Audition > iZotope Ozone 5 > WavePad > xACT > FLAC   2 CDR notes
68. 08/05/14 The Observatory - Santa Ana, CA Schoeps MK41s > Nbob actives > Tinybox (OT) > Sony PCM-M10 24/44.1 Transfer: M10 > usb > MacBook Pro > Adobe Audition > iZotope Ozone 5 > WavePad > xACT > FLAC   2 CDR notes

Black Sabbath http://www.blacksabbath.com/
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 08/05/75 Convention Hall - Asbury Park, NJ Reel To Reel (Master) > CDR(2) > EAC > WAV > FLAC(8)     2 CDR  

Blitzen Trapper  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 11/03/11 Cabaret Metro - Chicago, IL Edirol R-09 > 24/48 wav> Soundforge 9> 16/44 wav> CD wave splitter> Trader's Little Helper     1 CDR 90 notes

Bloc Party  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 02/07/05 Maison de Radio France - Black Session - Paris, France FM Ana -> Soundblaster mp3+ -> Wav Taped and edited : Soundforge 7.0b   1 CDR  
2. 05/18/05 La Cigale - Paris, France FM Tuner -> Archos Gmini 220 (WAV) -> USB -> Audition 1.5 (noise reduction, normalizing, cutting) -> Flac Frontend (level 8)     1 CDR  
3. 01/22/07 Maison De Radio France - Paris, France FM Stereo Receiver (Technics st-gt350) -> Ampli (Technics su-v500) -> M-Audio Revolution 5.1 -> Wav -> Wavs Taped : Rezound 0.12b2 Edited : Rezound 0.12b3 (Splitted, DC Component removed) fix : shntool 3.0.1   1 CDR  

Blonde Redhead  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 09/27/10 Maison de La Radio -- Black Session - Paris, France FM ana -> HD -> wav -> flac Lineage : Technics FM receiver -> M-audio revolution 5.1 line in -> HD OS : UbuntuStudio 10.04, kernel 2.6.31.11 rt Taped : ardour 2.8.6 (based on revision 6550) via JACK Audio Kit 0.3.4 Edited : Rezound   1 CDR / FLAC  

Blues Explosion  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 08/15/04 Fort St Père - Saint Malo, France digital TV > MD [Sharp MD-MT190] > Audigy 2 > WAV > APE (dBpowerAmp) Q'd>S1'd>BBE'd>L3'd>Flac'd   1 CDR  

blur  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 05/19/03 Le Bataclan - Paris, France TV Satellite --> Ampli Technics --> SoundBlaster PCI 128 --> HD Record with : SoundForge 6.0e Split Track with : SoundForge 6.0e   2 CDR  

Bonnie "Prince" Billy  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 06/30/05 La Cité De La Musique - Paris, France ECM-719 mic -> Sony MZ-N710 MD -> SoundForge -> FLAC v1.1.2a with FLAC Frontend v1.7.1     1 CDR notes

The Boo Radleys  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 11/17/98 Black Session - Paris, France FM ana -> HD -> wav No more info about the lineage Didn't note it   1 CDR  

Bosnian Rainbows http://bosnianrainbows.tumblr.com/
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 09/03/12 Szene - Vienna, Austria Sanken COS-11sPT Red Marks > Sound Professionals SP-SPSB-6 > Sony MZ-RH Conversion: Sony MZ-RH1 > USB > WAV > Audacity (dED) > FLAC-8 TECHNICAL NOTES: Recorded FOB (DFC, 3m from stage). Normalized, no EQ.   1 CDR notes
2. 09/06/12 Luxor - Cologne, Germany SP-CMC-08 (AT943 cardioid) > PCM-M10 (LPCM / 44.1 kHz / 16 bit) Lineage: PCM recorder > WAV > Audacity (adjust volume, EQ [bass boost], fade out) > AIFF > xACT > FLAC (level 8) Format: CDR/FLAC Location: FOB, slightly LOC (about 6 m from stage)   1 CDR notes
3. 09/09/12 FZW (Freizeitzentrum West) - Dortmund, Germany CAFS (omnidirectional) > PCM-M10 (LPCM / 44.1 kHz / 16 bit) Lineage: PCM recorder > WAV > Audacity (adjust volume, fade out) > AIFF > xACT > FLAC (level 8) Format: CDR/FLAC Location: AB, DFC (about 8 m from stage)   1 CDR notes
4. 09/12/12 Tavastia Klubi - Helsink, Finland SP-CMC-2 > SP-SPSB-6 > Edirol R09 > wav (24 bit) > Audacity (edits, track splits) > wav (16 bit) > TLH (fix SBEs, Flac level 5)     1 CDR notes
5. 09/30/12 Stereo - Glasgow, Scotland Church Audio CA11v2 Cardoids -> CA9100 Pre-amp -> Edirol R05 Transfer info: Audition (fades->+5db->24/48->16/44) -> CDWave (track splitting) -> TLH (flac level 8)   1 CDR notes
6. 11/25/12 CherryFest - Melbourne, Australia CA-14 > iRiver iHP-120 w/Rockbox installed Transfer: iRiver iHP-120 > Sony Sound Forge 8 (Normalised Volume, Fade In/Out, Splits) > Trader's Little Helper > FLAC (Level 8)   1 CDR notes
7. 07/10/13 Terminal West - Atlanta, GA Neumann KM184's (fob, center, 6.5 ft. high) > Tascam DR-100 @ 96 kHZ/24 bit     1 CDR  
8. 07/12/13 U St Music Hall - Washington, DC CA-14's (Cards) > Church Audio ST-9100 > Edirol R09-HR @ 24/96 Location: *STEALTH* Editing: Tracking and fades were done while the show was laid in Sony Soundforge 9.0a (Build 297) as a wav file. Periodic loud points were gently enveloped to allow for more headroom in normalization. Normalization performed on each channel independently to -0.10dB. Conversion: Trader's Little Helper v.2.7.0 (Build 172)   1 CDR  
9. 09/17/13 The Crocodile - Seattle, WA Zoom H2-->WAV-->Audacity to raise volume and try to reduce bass-->CD Wave for track splitting-->you guys     1 CDR  
10. 10/05/13 Eagle Rock Music Festival - Eagle Rock, CA Nakamichi cm100 (cp1) Busman Audio Mod > Hi Ho Silver Cables > Naiant Tinybox > Sony PCM-M10     0 notes

The Breeders  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 11/20/05 Blackheath Halls - London, England Custom stereo mics > minidisc recorder > audacity > WAV > FLAC     1 CDR  

Brian Wilson  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 02/24/04 Royal Festival Hall - London, England Sonic Studios DSM-65 microphone 9th row dead centre -> Sony D7 portable DAT recorder; Yamaha DTR2 DAT deck -> Philips CDR-870 CD recorder; EAC -> mkwACT -> SHN     2 CDR  

Bridge School Benefit  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 10/26/13 Shoreline Amphitheater - Mountain View, CA Schoeps MK4> Tinybox> Edirol R-09 (16bit/44.1 Khz) Transfer: SD/USB > Soundforge 7.0 for slight editing > CD wave 1.93 split > Traders Little Helper 2.4.1 > flac Location: Section 102   5 CDR  

Bright Eyes  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 03/07/05 Maison De La France - Black Session - Paris, France Fm ana -> Soundblaster mp3+ -> Wav -> CDr Taped : Soundforge 7.0b Edited : Soundforge 8.0 Splitted : CDwave 1.94.5   1 CDR  

Built To Spill http://www.builttospill.com/
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 09/15/06 Metro - Chicago, IL Sonic Studios DSM-6S/EL mics (mounted on my own head on eyeglasses at sideburns; front of balcony dead center) > Sonic Studios PA-24NJ preamp (90hz roll-off, +14dB gain) > Edirol R-09 (24-bit 44.1khz, set to "8" input volume) Transfer: Edirol R-09 > computer via direct cable connection Editing: Gain raised by +17.9dB and recording limited to -1dB using Waves Diamond Bundle L2 Ultra Maximizer plugin in Adobe Audition 1.5 (ARC on, 24-bit setting, Type 1 dither, Ultra shaping). Converted to 16-bit using Adobe Audition 1.5 (0.7 dither depth, 44.1khz noise shaping preset, 999 quality). Tracks split using CD Wave 1.95. Level 8 FLAC's and fingerprints created using FLAC Frontend 1.7.1.   2 CDR  

Le Butcherettes  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 10/03/14 Melkweg - Amsterdam, Nederlands Core Sound Binaurals > battery box (bass roll-off ON/OFF) > Edirol R-09HR @ 24 bit/96.0 kHz --> SDHC card Transfer: Card > PC > Wavelab Elements 7 (tracking, EQ, fades) > R8Brain (resampling, dithering) > WAV Conversion: WAV > TLH (Flac @ level 8, aligned on sector boundaries, verified) > FLAC > YOU!   1 CDR notes

Buzzcocks  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 09/07/79 Music Hall - Toronto, ON ??? CDwave>WAVE>FlacFrontend Level 8>FLAC>TORRENT   1 CDR  

The Byrds http://thebyrds.com
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 02/28/67 Radiohuset, Studio 4 - Stockholm, Sweden ???     1 CDR  
2. 04/15/70 Loyola College - Baltimore, MD sbd > ? > cdr/? > EAC > flac     1 CDR  

Cali  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 07/23/04 Les Vieilles Charrues - Carhaix, France FM Ana --> Ampli Technics --> SoundBlaster mp3+ --> Hard drive (Soundforge 7.0a) --> Wav (Soundforge 7.0a)     1 CDR  
2. 01/10/06 El Castell Embraixat - Perpignan, France FM receiver (stereo) -> HD -> CDWAVe -> Soundforge -> wav. -> FLAC -> you     1 CDR  
3. 04/17/07 la Cigale - Paris, France ECM 719 MZRH-10(Hi-MD) - Manual mode 17/30 Sonicstage(4,3) Audacity(normalisation) CD-Wave(Track Spit) DB Power Amp (flac 8)     1 CDR  

Captain Beefheart  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 02/24/73 Town Hall - New York, NY SONY TC126 -> FCM99S mic -> cassette master -> HD -> cdr -> shn     1 CDR  

Cat Power  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 11/04/05 La Cigale - Paris, France FM ana -> soundblaster mp3+ -> Wav -> wavs -> FLAC Edited, Normalize (to -3db), Splitted : Audacity 1.2.3 fixed sector-boundary problems with CD-quality PCM WAVE data : shntool FLAC : flac 1.1.2 (level 8)   1 CDR  
2. 01/23/08 Black Session - Paris, France FM Stereo Receiver (Technics st-gt350) -> Ampli (Technics su-v500) -> M-Audio Revolution 5.1 -> Wav -> Wavs -> FLAC OS : 64Studio 2.0 (kernel multimedia 2.6.22.1) Taped : Ardour 2.0.5 + Jack 0.2.22 Edited : rezound (Splitted, Removed DJ's intervention) fixed : shntool 2.0.1 FLAC : FLAC 1.2.1 level 8   1 CDR  

Charlatans UK  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 06/13/04 Isle of Wight Festival - Isle of Wight, England DAB Digital Radio Broadcast > wav > shn     1 CDR  

Cheap Trick  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 06/28/08 Hollywood Bowl - Los Angeles, CA assistive listening device     1 CDR notes

Clap Your Hands Say Yeah  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 01/31/06 Black Session, Studio 106 - Paris, France FM ana -> Intel 82801 (AC' 97 Audio Controller) -> Wav -> Wavs -> FLAC Taped, edited : Audacity 1.2.3 fixed sextor boudaries : shntool FLAC : flac 1.1.2 (level 8)   1 CDR  

The Coral  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 08/09/02 La Route Du Rock - St Malo, France FM Ana or FM digital -> wav -> Cdr -> FLAC     1 CDr  
2. 07/23/04 Vieilles Charrues - Carhaix, France FM ana -> ??     1 CDr  
3. 12/17/05 Columbiahalle - Berlin, Germany Denon TU-235 Reciever > Tascam CD-RW700 > MaCD > EAC >CDwave > FLAC (level 7, verify, with align on sector boundaries)   1 CDr  
4. 06/16/07 Malahide Castle - Dublin, Ireland AT831Bs (PAIRED) > Sony PCM-M1 > Sound Forge 6.0 > CD-R / DAT Master > FLAC Frontend @ 6 > FLAC Mic Att : 0db   1 CDr notes
5. 10/13/07 The Refectory - Leeds, UK Edirol R-09 > USB > Audacity (eq*, fades, occasional clap volume reduction, downsample to 44kHx, 16 bit) > wav > flac (level 8, verified, flac 1.1.4) *Using Steve Harris' multiband eq 50Hz -40 100Hz -20 156Hz -10 220Hz -5   1 CDr  
6. 07/28/08 The Coliseum - London, UK unknown Sony Mic>TCD-D7>Edirol UA-1X>Soundforge 7>CDr>EAC> FLAC 6     1 CDR  
7. 10/29/10 Szene Wien - Vienna, Austria Olympus LS-5 with Sony ecm-cs 10     1 CDR  
8. 11/01/10 Tunnel - Milan, Italy ITT HiFi4060 Tuner > Audacity 1.3.5 Beta via C-Media CMI8738/C3DX soundcard > 44100hz/16bit flac's (level 8) > web torrenting     1 CDR notes
9. 11/17/10 O2 Academy - Oxford, United Kingdom Church Audio CA-11C Cardioids -> Church Audio ST-9000 Preamp -> Sony PCM-M10 (48khz, 24 bit) -> Adobe Audition 3.0 (Volume adjustments) -> Audacity (track splits, resampling) -> FLAC (level 8, 44.1khz, 16bit)     1 CDR 90 notes
10. 06/23/11 Bristol Academy - Bristol, United Kingdom AT898 > SP-SPSB-10 > Edirol R-09HR (41kHz 16 bit) Mastered in Adobe Audition CS5, Izotope Ozone 4 and Har-Bal 2.3   1 CDR  
11. 08/12/11 Fairport's Cropredy Convention 2011 - Cropredy, United Kingdom Zoom H1 (WAV 16 bit/44.1 kHz) Lo Cut On, Auto Level Off Position: Stage Right, about 30 yards behind the sound tower As the concert was recorded from the middle of the field, there is inevitably an amount of 'ambience' recorded - however, this is how it sounded to me on the day, so take it for what it is. Transfer Info : Zoom H1 > USB > PC > Nero Wave Editor (split tracks) > dBpoweramp (convert to flac) > TLH (Fix SBEs) > dBpoweramp (add ID tags) No manipulation carried out on the audio signal at any stage   1 CDR  

David Bowie http://www.davidbowie.com/
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 05/06/72 Kingston Polytechnic - London, UK Original CDR>EAC>Flac Recording from very lo-gen cassette   1 CDR  
2. 10/20/72 Santa Monica Civic Center - Santa Monica, CA ???     1 CDR  
3. 04/10/73 Koseinenkin Kaikan - Tokyo, Japan ???     1 CDR  
4. 09/05/74 Universal Amphitheatre - Universal City, CA Silver Discs > EAC > Flac     2 CDR  
5. 01/09/97 Madison Square Garden - New York, NY proshot video     2 DVD  

David Gilmour  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 03/11/06 Congress Centrum - Hamburg, Germany ??? recorded from row 29   2 CDR  

The Decemberists http://www.decemberists.com/
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 08/06/11 Ryman Auditorium - Nashville, TN Edirol R-09 with Church Cardoid Mics with STC-9000 Preamp     2 CDR  

Deerhoof  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 11/05/12 Walter's - Houston, TX Zoom Q3HD (Recording (24/96 stereo .wav)) > Audacity (Amplify, normalize, split tracks & convert to 16/44.1 wav) > Trader's Little Helper (Convert to flac8) > Mp3tag (flac tags)     1 CDR notes

Dinosaur Jr.  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 04/03/85 The Rathskeller - Boston, MA 2nd generation audio cassette > dB PowerAmp Aux Input > WAV > NERO > CDR > WAV > FLAC -5     1 CDR  
2. 02/12/13 Batschkapp - Frankfurt, Germany MBHO KA 200 N > Naiant Tinybox > Sony PCM-M10 Mic Config: DIN (20cm, 90°) Location: ~15m from the stage, center Transfer: Master WAVs > dEdit > FLAC V1.2.1 Editing: Volume boost and EQ in Apple Logic Pro V9.1.8 , Fades in Audiofile Engineering Wave Editor V1.5.4 Resampling: 48.0 kHz > 44.1 kHz resampling using iZotope 64-bit SRC Dithering: MBIT+ Format: 16 bit / 44.1 kHz   1 CDR 90  

Django Django http://http://www.djangodjango.co.uk/
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 06/06/15 Maison de la Radio - Paris, France FM ana -> Hard drive -> Wav -> Flac Taped with arecord 1.0.28 splitted with Audacity 2.0.6 flac 1.3.1 level 8 flac tagged with kid3-qt 3.2.1   1 CDR, FLAC  

Dr. Dog  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 07/18/10 XPoNential Music Festival - Camden, NJ FM Source: Aiwa CX-NAJ50U > Line In > Audio Hijack Pro 2.9.1 (Capture) Editing and Conversion: Audacity 1.3.7 (Editing and track splitting) > xACT 1.6.4 (FLAC conversion and fingerprint creation)   1 CDR  

Dum Dum Girls  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 04/25/11 Black Session - Paris, France 25/04/11, Black Session #326, Studio 105, Maison de la Radio, Paris, FR Tuner : technics St-GT350 Soundcard : M-Audio Revolution 5.1 Taped : ardour 2.8.11 (compilé à partir de la révision 7387) with JACK Audio Connection Kit - Qt GUI Interface : Version: 0.3.6 at 16bits/88.2 khz Splitted, mixed and downsampling to 16/44.1 : Audacity ® 1.3.12-beta (Unicode) flac : flac 1.2.1 (level 8, sector align) OS : debian squeeze with rt kernel (kernel 2.6.33.7.2-rt30-1-amd64)   1 CDR  

Echo & the Bunnymen  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 10/27/81 La Bambas - Portland, OR SBD Master>Onkyo TA-RW w\ azimuth correction>Goldwave>.wav>flac (level 8)     1 CDR  
2. 10/23/99 House of Blues - Las Vegas, NV House of Blues in-house mixing desk > Sony standalone DAT recorder (part of the HOB house system) > digital transfer to PC via egosys2496     2 CDR  
3. 10/15/09 The Roundhouse - London, UK Church Audio CA-11 microphones - Church Audio ST-20A Mic Preamp Gain-27 - Edirol R09 - wav16-bit 44.1khz. Sandisk 8Gb sd card to pc - Separation of songs with Audacity - flac level 8 with TLH - Dime   1 CDR 90  
4. 12/06/10 O2 Academy - Oxford, United Kingdom Church AUdio CA-11C Cardioids -> Church Audio ST-9000 Preamp -> Sony PCM-M10 (48khz, 24 bit) -> Adobe Audion 3.0 (VOlume adjustments) -> Audacity (track splits, resampling) -> FLAC (level 8, 44.1khz, 16bit)     2 CDR notes
5. 05/19/11 Warfield - San Francisco, CA Zoom H1 @ 24/44 Sony ECM 719>edits at ends and vol balance>CD Wave (tracks and splits and flac encoding level 5) balcony slightly stage left   2 CDR notes
6. 01/17/12 The Assembly - Leamington Spa, United Kingdom Sony ECM-719>Sound Pros Battery Box>Edirol R-09-HR>WAv>CDR>EAC>WAV>FLAC     2 CDR notes
7. 05/02/14 The Assembly - Leamington Spa, United Kingdom Master recording by omsaps (Sony ECM-719>Sound Pros battery Box>Edirol recorder)>wav (16 bit, 44.1kHz)>Soundforge 9 (soften a few loud peaks, slight compression, normalise, afed-in/fade-out> wav >CDwave (track splits)>flac>mp3tag v2.55 (tag flacs)     2 CDR  
8. 05/07/14 Trix - Antwerpen, Belgium Church Audio CA-11 (Cardioid) > MM-CBM-Mini Battery Box >Edirol R-05 processing: SD Card> r8Brain (96kHZ/24bit > 44,1 kHz/16bit) >Cool Edit Pro (some edits) >CD Wave Editor 1.98 (track splitting) >TLH 2.4.1 (flac - level 8 / torrent creation)   2 CDR  
9. 07/30/14 The Observatory - Santa Ana, CA Schoeps MK41s > Nbob actives > Tinybox (OT) > Sony PCM-M10 24/44.1 Transfer: M10 > usb > MacBook Pro > Adobe Audition > WavePad > xACT > FLAC   1 CDR 90 notes
10. 02/18/15 Olympia Theatre - Dublin, Ireland CA14s(cards)>CA9100>R09HR>Wavepad(levels etc)>cdwav>tlh>you Circle, Row E   2 CDR notes

Elliott Smith  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 04/17/98 Black Cat - Washington, DC CDR-? > EAC V0.95 prebeta 3 > MKW Audio Compression Tool 0.97 beta 1     1 CDR  
2. 05/08/00 Variety Playhouse - Atlanta, GA 2 AKG 414 TL-2 mics > Oade M248 Preamp> Sony SBM-1 A/D converter > Sony D-8 DAT : DAT(M) > CDR(1) > EAC > FLAC (level 5     1 CDR notes

Elysian Fields  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 05/16/11 Black Session - Paris, France FM Ana -> tuner -> soundcard -> Hard Drive Tuner : technics St-GT350 Soundcard : M-Audio Revolution 5.1 Taped : ardour 2.8.11 (compilé à partir de la révision 7387) with JACK Audio Connection Kit - Qt GUI Interface : Version: 0.3.6 at 32bits/88.2 khz Splitted, mixed and downsampling to 16/44.1 : Audacity ® 1.3.12-beta (Unicode) flac : flac 1.2.1 (level 8, sector align) OS : debian squeeze with rt kernel (kernel 2.6.33.7.2-rt30-1-amd64)   1 CDR  
2. 05/15/16 Maison de la Radio - Paris, France FM Ana (Technics ST-GT350) -> ALC887-VD Analog -> HD -> FLAC Taped : arecord 1.1.0 Edited : Audacity 2.1.2 Flac : flac 1.3.1 (q 8 + sector-align)   1 CDR  

Emiliana Torrini  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 10/29/08 Maison de la Radio - Paris, France FM ana (Technics st-gt350) -> Soundcard (M-Audio Revolution 5.1) -> Hard Drive OS : Ubuntu Studio 8.10 Kernel : 2.6.27.3rt Taped : Ardour 2.5 (rev2535) + qjackcontrol 0.3.2 Edited : rezound   1 CDR  

Fleet Foxes  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 05/03/11 The Moore Theatre - Seattle, WA Core Sounds Binaural mics into a Zoom H1@44.1/16 bit Transfer: .WAV -> USB -> Audacity (Track splits, Fades) -> FLAC   2 CDR  

florent marchet  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 11/15/10 Studio 105, Maison De La Radio - Paris, France Digital FM (freebox HD, mp2) -> HD -> wav     1 CDR / FLAC  

Fountains of Wayne  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 08/13/11 Brighton Music Hall - Allston, MA Sony ECM-717(self powered)>Edirol R-09HR(line in) @ 24/48 Transfer : R-09HR>USB>pc>Sound Forge 7(Track, dither and resample to 16/44.1)> Flac Frontend 1.7.1   1 CDR notes

Fred Sonic Smith  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 06/20/73 unknown - Detroit, TX FLAC     1 CDR  

Gary Clark, Jr. Band  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 11/13/13 930 Club - Washington, DC CA-14's (Omnis) > Church Audio ST-9100 > Edirol R09-HR @ 24/96 Location: *STEALTH* Editing: Tracking, fades, and EQ were done while the show was laid in Sony Soundforge 9.0a (Build 297) as a wav file. Audience applause between songs was mitigated using the "Click and Crackle" removal tools. Periodic loud points were gently enveloped to allow for more headroom in normalization. Normalization performed on each channel independently to -0.10dB. Conversion: Trader's Little Helper v.2.7.0 (Build 172)   2 CDR  

Gomez http://www.gomeztheband.com/
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 02/06/02 BBC Radio 1, Jo Whiley Session - London, England BBC Radio 1 FM -> Roof Aerial -> Marantz ST151L Tuner -> Creative Soundblaster Extigy sound card -> CoolEdit Pro -> WAV -> CD-R     1 CDR  
2. 02/06/02 XFM Studio 68 - London, England BBC Radio 1 FM -> Roof Aerial -> Marantz ST151L Tuner -> Creative Soundblaster Extigy sound card -> CoolEdit Pro -> WAV -> CD-R     1 CDR  
3. 03/18/02 Malda Vale Studios - London, England BBC Radio 1 FM -> Roof Aerial -> Marantz ST151L Tuner -> Creative Soundblaster Extigy sound card -> CoolEdit Pro -> WAV -> CD-R     1 CDR  
4. 04/29/02 Brixton Academy - London, England BBC Radio 1 FM -> Roof Aerial -> Marantz ST151L Tuner -> Creative Soundblaster Extigy sound card -> CoolEdit Pro -> WAV -> CD-R     1 CDR  
5. 12/29/02 Bill Graham Civic Auditorium - San Fancisco, CA mbho 603a/ka200n (cardioid) > dmic-20 > tascam DAP1 (16/48)     1 CDR notes
6. 08/03/10 Ogden Theater - Denver, CO (fob)dpa4023>v3+dpa4061>744(24/96)     2 CDR notes
7. 06/18/11 Spring & AirBrake - Belfast, Ireland CA14s(cards)>CA9200>Tascam DR1>Adobe Audtion>cdwave>tlh(flac 8)>you     1 CDR 90 notes
8. 06/19/11 Olympia Theatre - Dublin, Ireland CA14s(cards)>CA9200>Tascam DR1>Adobe Audtion>cdwave>tlh(flac 8)>you     1 CDR 90 notes
9. 07/10/11 South Works Stage - Chicago, IL CA14-omni (windcutters-wide ORTF) > ST9100 > Edirol R09 @24bit/48hz FOB 10 yards ROC 8 ft in the air SDHC > Sound Forge 10 > CD wave > TLH Taper: soling Tagged in Foobar 2000   1 CDR notes
10. 02/17/12 The Crown Room @ The Crytal Bay Club - Crystal Bay, NV Schoeps MK41 > CMR > Naiant TB > Sony m10 Transfer: USB > Audition 3.0 > CD Wave > Traders Little Helper   2 CDR  
11. 03/06/12 The Fine Line Music Cafe - Minneapolis, MN Busman BSC1's (K3, Hyper Cards)>Busman Mod HD-P2, 24/48 Format: 16-bit, 44.1 kHz, Soundforge (dither, resample) Samsung 16gb CF>Soundforge>WAV   2 CDR notes
12. 03/17/12 Orange Peel - Asheville, NC Scheops MK4(DIN)>KCY>VMS02IB>M10>(24/48) Lineage: M10>USB>PC>Wavelab6>CDwave>TLH Location: FOB Slightly LOC 10' up   2 CDR notes
13. 03/19/12 Brooklyn Bowl - Brooklyn, NY Busman BSC1's (K3, Hyper Cards)>Busman Mod HD-P2, 24/48 Format: 16-bit, 44.1 kHz, Soundforge (dither, resample) Samsung 16gb CF>Soundforge>WAV   2 CDR notes
14. 04/30/12 The Visulite Theatre - Charlotte, NC CK1C>UA5>R05>Audacity>WAV>FLAC8     2 CDR notes

Grandaddy  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 08/29/12 HMV Ritz - Manchester, United Kingdom SP-CMC-25 mics > SP-SPSB-11 battery box (no bass roll-off) > Sony PCM-M10 > 8GB MicroSDHC Lineage: WAV (24-bit, 48 kHz) > Audacity v2.0.0 (edit; amplify left channel +2.0 dB; normalise; dynamic range compression; hard limit; fade in/out; tracking; resample to 16-bit, 44.1 kHz) > xACT v2.20 (fix SBEs) > FLAC level 8 (add tags, create checksums)   2 CDR notes

Grateful Dead http://www.dead.net
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 03/16/68 Carousel Ballroom - San Francisco, CA SBD -> (4 Track) Master Reels -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC (2 Discs Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net June 20, 2010 Patch Info: SBD -> Master Reel -> Cassette -> Dat -> CD (shnid=9388) supplies: Feedback (1:13 - 1:15) (1:23 - 1:42) And We Bid You Good Night (0:20 - 0:22) Notes: -- Some minor diginoise in Caution -- Patches needed due to unfixable Dat errors -- Thanks to Rob Eaton for the Dat -- Thanks to Joe B. Jones for his help with the pitch correction flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller 1 CDR 90  
2. 02/22/69 Dream Bowl - Vallejo, CA SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC (2 Discs Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net April 1, 2011 Patch Info: SBD -> Bear's Cassette -> PCM Supplies: Dupree's Diamond Blues (complete track) That's It For The Other One (16:09 - 19:23) Turn On Your Lovelight (8:10 - 8:42) Notes: -- Thanks To David Gans and Dick Latvala for the Dat -- Thanks to Bob Menke for the patch source -- Tape flip in Death Don't Have No Mercy cleaned up with crossfade -- Thanks to Joe B. Jones for his help pitch correcting the patch source flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC 2 CDR  

Hanni El Khatib http://www.myspace.com/hannielkhatib
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 02/05/15 The Casbah - San Diego, CA AUD: SP-CMC-8 > SP-SBSB-10 > Sony PCM M-10 (24 bit/48Hz) > Audacity > CDWav     1 CDR  

Happy Mondays  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 05/15/12 Olympia - Dublin, Ireland CA11s(cards)>CA9200>Edirol R09HR>Adobe Audtion>cdwave>tlh(flac 8)>you     1 CDR 90 notes

Hawksley Workman  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 11/27/03 Le nouveau casino - Paris, France Digital FM     1 CDR 90  

The Hives  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 06/03/04 Electric Ballroom - London, UK Digital FM -> Ampli Technics -> SoundBlaster mp3+ -> Hard drive (Soundforge 7.0a) -> Wav (Soundforge 7.0a)     1 CDR  

The House of Love  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 09/07/88 Logo - Hambourg, Germany unknown     1 CDR  
2. 11/27/89 Queens Hall - Widnes, UK panasonic rqj6-see pic     1 CDR notes
3. 03/15/90 Octagon Centre - Sheffield, UK Analogue Cassette Unknown Generation/WAV/FLAC     1 CDR  
4. 05/02/90 Gamelport - Gothenburg, Sweden FM -> ANA(X) -> CDR(X) -> EAC -> CD Wave -> FLAC     1 CDR  
5. 06/02/90 Cabaret Metro - Chicago, IL FM     1 CDR notes
6. 01/24/91 L'Olympia - Paris, France FM Ana -> Tape -> Wav     1 CDR / FLAC  
7. 04/22/91 Marquée Club - London, UK FM -> ANA(X) -> CDR(X) -> EAC -> CD Wave -> FLAC     1 CDR  
8. 05/24/92 Krazy House - Liverpool, UK M1>pc>small edits>normalised     1 CDR  
9. 07/05/05 Astoria - London, UK ecm-ds70p>juicebox ps1>mz-r900>goldwave>wav>flac     1 CDR notes
10. 04/08/13 Sound Control - Manchester, England Alesis Palmtrack, Sony ecm-cs10 mic@48000/24bit>SD card>PC>Adobe Audition>Voxengo Elephant limiting (loud clapping only/music untouched)>R8BrainPro dithered to 44000/16bit>Flac>thee     1 CDR 90  
11. 04/11/13 Scala - London, United Kingdom SP-CMC-1 > Reactive Sounds Juicebox > Edirol R-09 (16bit, 44.1KHz) > USB > PC > Audacity (track splits & fades) > WAV > Flac (level 6) Position: front of balcony   0 notes

The Housemartins  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 09/30/87 Royal Centre - Nottingham, England SATRADIO>VHS>CDR     1 CDR  

Hubert Felix Thiefaine & Paul Personne  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 08/23/08 La Ferme du Rock - Les Agneux, France SP-SPSB10(rocker on are 2-3-4, for right and left) Edirol R-09, 44khz-16 bit -> CD Wave(tracksplit) -> Db Power Amp(flac8)     2 CDR  

Hubert Félix Thiéfaine  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 07/09/05 Festival Pause Guitare - Monestiès, France MD(M) > Audacity > Wave > Flac (Level 8, SBE fixed) Matériel utilisé : Aiwa CM-DS6 (Mic) + Sony NetMD MZ-NF810 Logiciels utilisés : Audacity (Rip + normalisation + indexation + export Wave), Little Traders Helper (Encodage)   2 CDR notes
2. 07/13/06 Francofolies - La Rochelle, France FM receiver (stereo) -> CDWAVe -> SoundForge -> wav. -> FLAC -> you     1 CDR  
3. 08/23/15 Le Cabaret Vert - Charleville Mézières, France ZOOM H2 > WAV > Some Editions (EQ, etc) > Little Trader's Helper (Flac Conversion Level 8, ffp) > you my friends     2 CDR notes

Hüsker Dü  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 02/28/85 Keystone - Palo Alto, CA   Master Multi Track Reel > Analogue Cassette run through a Fostex X-34 > CD-R > CD-R > EAC v0.95 prebeta 5 > WAV > shntool version 1.2.3 (to join wavs) > CD Wave Audio Editor Version 1.75 (for track splits) > FLAC Frontend version 1.7.1 Etree edition (level 8) > FLAC   1 CDR  
2. 05/03/85 The Church - Montreal, QC       1 CDR  

Ian Ball  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 03/10/09 Hotel Café - Hollywood, CA AT853 > AT8531 > Edirol R-09     1 CDR notes

Ian Brown  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 12/06/05 Ambassador Theatre - Dublin, Ireland At831b > Sony PCM-M1 > Sound Forge 8.0 > DAT MASTER > 2CDR > FLAC @ 6 > Dime     2 CDR  
2. 04/30/06 Dublin Castle - Dublin, Ireland At831b [PARIED] > Sony PCM-M1 > Sound Forge 8.0 > DAT MASTER     2 CDR notes
3. 10/25/07 Carling Academy - Bristol, UK Sony Hi-Md MZ-NH700 using Sony ECM-719 mic     1 CDR 90  
4. 11/24/09 Olympia Theatre - Dublin, Ireland At831b > Edirol R09-HR > SD CARD > Sound Forge 8.0 > CDR > FLAC > Dime     1 CDR  

Ian McCulloch  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 04/16/11 Union Chapel - Londres, United Kingdom Aiwa Mini disc 707 - Audacity - Flac8     2 CDR  
2. 05/18/13 Depot - Leuven, Belgium Core Sound Binaurals >Battery Box >Edirol R-05 processing: Audobe Audition (some edits) > r8Brain (96kHZ/24bit > 44,1 kHz/16bit) > (CD Wave Editor 1.98 (track splitting) >TLH 2.4.1 (flac - level 8 / torrent creation)   1 CDR  

Interpol  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 09/21/04 La Boule Noire - Paris, France Digital TV     1 CDR  

Iron & Wine  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 01/31/11 Black Session - Paris, France FM Ana -> tuner -> soundcard -> Hard Drive Tuner : technics St-GT350 Soundcard : M-Audio Revolution 5.1 Taped : ardour 2.8.6 (compilé à partir de la révision 6550) with JACK Audio Connection Kit - Qt GUI Interface : Version: 0.3.4 Splitted and mixed : Audacity ® 1.3.12-beta (Unicode) flac : flac 1.2.1 (level 8, sector align) OS : Ubuntustudio (kernel 2.6.32-28-preempt)   1 CDR  

J Mascis  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 04/08/11 The Melting Point - Athens, GA Neumann KM-184(XY)> Lunatec V2> Sony PCM-D50(24/44)> HDD> Wavelab(DSP/L3)> CDWave     1 CDR notes

Jacques Higelin  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 04/12/05 Le Cabaret Sauvage - Paris, France ??? Enregtistrement audience Minidisc sony   2 CDR  
2. 11/13/08 Le Phare - Tournefeuille, France MD(M) > Audacity > Wave > Flac (Level 8, SBE fixed) Matériel utilisé : Aiwa CM-DS6 (Mic) + Sony NetMD MZ-NF810 Logiciels utilisés : Audacity (Rip + normalisation + indexation + export Wave), Little Traders Helper v2.3.1 (Encodage)   3 CDR  

The Jam  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 02/16/79 Reading University - London, England Silver>EAC Wav>Flac 6     1 CDR  
2. 03/06/80 Park West - Chicago, IL       1 CDR  
3. 03/07/80 Old Chicago - Bolingbrook, IL       1 CDR  
4. 03/15/80 Warfield Theatre - San Francisco, CA FM broadcast     1 CDR  
5. 07/10/80 Sun Plaza Hall - Tokyo, Japan       1 CDR  
6. 10/30/80 Apollo - Glasgow, UK       1 CDR  
7. 11/30/80 Westfalenhalle - Dortmund, Germany Soundboard Silver > EAC (Secure) > WAV > FLAC (Level 5)   1 CDR  
8. 02/26/81 Pavillon Baltard - Nogent Sur Marne, France       1 CDR  
9. 05/23/81 Concert Hall - Toronto, ON       1 CDR  
10. 04/07/82 Apollo - Glasgow, UK       2 CDR  
11. 05/20/82 Orpheum Theater - Boston, MA Reel>CDR>WAV>CDWAV>mastercdr>wav>FLAC     1 CDR  
12. 11/25/82 Apollo - Glasgow, Scotland PC Tape (PlusDeck 2) -> recorded to HD with Audacity as WAVE file -> speed corrected (slowed down slightly) with Audacity -> tracks split with Audicty ->dbPowerAmp -> Flac level 8     1 CDR 90  
13. 12/02/82 Wembley Arena - London, England soundboard     2 CDR 90  
14. 12/09/82 Civic Hall - Guildford, UK audience     1 CDR  

Jana Hunter  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 02/02/06 Maison de la Radio (White Session) - Paris, France FM ana -> Intel 82801 (AC' 97 Audio Controller) -> Wav Taped, edited : Audacity 1.2.3 fixed sextor boudaries : shntool FLAC : flac 1.1.2 (level 8)   1 CDR / FLAC  

Jane's Addiction  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 09/30/03 Carling Brixton Academy - London, England Digital TV     1 CDR  

Janis Joplin http://www.officialjanis.com/
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 12/11/69 Boston Tea Party - Boston, MA 1st gen tape > cd-r > Bias Peak Pro 5 (song indexing) > XACT > flac > WAV > Soundforge 7 > FLAC     1 CDR  

Janis Joplin & Full Tilt Boogie  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 08/08/70 Capitol Theatre - Port Chester, NY Cassette Master> Soundforge 6.0> cd> EAC> SHN>mkw>WAV>TLH>FLAC Level 8> Qualitybootz> You -Recorded by Ken & Judy Lee on a Sony 124 cassette deck with Sony dynamic mics on a TDK normal bias tape. Microphones were set up in the balcony with a 10-20 foot spread. -Original tape was baked in "Susie Q", shell replaced and transferred on a Tascam 122mk3 via a Lucid ADA1000 Analog to Digital Converter directly to disc on a Tascam CDRW700 by John Jay Hance (johnjayhance@optonline.net). -Cleanup performed by Peter G with Soundforge 6.0. -EAC performed with correct offsets. SHN conversion with MKW & extra tracking of soundcheck (track1) & retracking of beginning of "Piece of My Heart" (track 12) CD Wave and EAC by Evan Bellaff (theelevan@yahoo.com). This is Janis' last performance in New York and third to last performance, ever. Recording is rare but rough.   1 CDR notes

Jason Lytle  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 04/16/11 Dan's Silverleaf - Denton, TX SP-CMC-4(AT853s) > SP-SPSB-1 > JB3 > USB > PC > Audacity > .flac     1 CDR 90  

Jason Lytle & Rusty Miller  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 10/19/12 Swedish American Hall - San Francisco, CA Schoeps CCM4>Naiant Tinybox>Edirol R-09 Mastered and tracked in Audacity   1 CDR  

Jay Jay Johanson  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 05/26/11 Maison de la Radio - Paris, France FM Ana -> tuner -> soundcard -> Hard Drive Tuner : technics St-GT350 Soundcard : M-Audio Revolution 5.1 Taped : ardour 2.8.11 (compilé à partir de la révision 7387) with JACK Audio Connection Kit - Qt GUI Interface : Version: 0.3.6 at 32bits/88.2 khz Splitted, mixed and downsampling to 16/44.1 : Audacity ® 1.3.12-beta (Unicode) flac : flac 1.2.1 (level 8, sector align) OS : debian squeeze with rt kernel (kernel 2.6.33.7.2-rt30-1-amd64)   1 CDR  

Jefferson Airplane http://www.jeffersonairplane.com/
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 10/16/66 Fillmore Auditorium - San Francisco, CA audience     1 CDR  
2. 03/04/67 Cafe au Go-Go - New York, NY SBD>WAV>FLAC     1 CDR  
3. 08/04/67 O'Keefe Center - Toronto, ON Stereo SBD MR>R>DAT(3)>CDR(unknown number of CD gens)>EAC> Cool Edit 2000>CD Wave>SHN     1 CDR  
4. 08/05/67 O'Keefe Centre - Toronto, ON Soundboard     1 CDR  
5. 09/15/67 Hollywood Bowl - Hollywood, CA       1 CDR 90  
6. 01/30/68 The Matrix - San Francisco, CA       1 CDR 90  
7. 01/30/68 The Matrix - San Francisco, CA       2 CDR  
8. 08/28/68 Falkoner Centret - Copenhagen, Denmark low generation audience tape> Digital>CDR(x?)>WAV>FLAC8     1 CDR  
9. 08/10/69 Central Park, Sheep Meadow - New York, NY CASSETTE AUDIENCE MASTER > REEL > AUDIO CD > SONY SCREENBLAST EXTRACTION > COOL EDIT > CD WAVE EDITOR > FLAC     1 CDR  
10. 10/25/69 Winterland Ballroom - San Francisco, CA SBD > MR > MASTER-CASSETTE > C > DIGITAL-TRANSFER > EAC-DAE > WAV > FLAC-8     2 CDR  
11. 10/26/69 Winterland Ballroom - San Francisco, CA SDB > MR > MSTR-CASS > DIGITAL-TRANSFER > CD > WAV > FLAC     1 CDR  
12. 04/15/70 Winterland Ballroom - San Francisco, CA Soundboard     2 CDR  
13. 05/07/70 Fillmore East - New York, NY soundboard     1 CDR  
14. 09/14/70 Fillmore West - San Francisco, CA       2 CDR  
15. 09/22/72 Winterland Arena - San Francisco, CA FM     2 CDR  

Jesus and Mary Chain  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 12/22/85 The Roxy - Los Angeles, CA silver     1 CDR  
2. ??/??/85 Vengeance - various, various   silver --> wav --> flac   0  
3. 12/18/89 Elysée Montmartre - Paris, France AUD1 (1st gen analog) > Sony TC-KE400S (low hours on head) > Egosys2496     1 CDR  
4. 03/03/90 Chapel - New Haven, CT Master cassette recorded through Sony WM-D3 cassette deck>recording studio mixing board>EQ>compressor>Audiomedia II card>Mac IIci>Soundesigner 2>output to CD-R>ripped in iTunes>FLAC conversion in xAct     1 CDR notes
5. ??/??/92 'Vengeance' - NY 1985 and 1992 - New York, NY silver     1 CDR  
6. 09/06/94 The Black Sessions - Paris, France master TAPE->WAVELAB->FLAC     1 CDR  

Jethro Tull http://www.j-tull.com
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 08/16/70 Aragon Ballroom - Chicago, IL WXRT FM un-concert broadcast jms reel to reel master A WXRT FM 93.1 Chicago Un-concert Broadcast From August 1977 Reel to Reel Master From The Krw_co Collection Transfered on a teac a-4010s r2r with monster cable to creative soundblasterx-fi hd model #sb1240 to wav 24/48 to audio cleaning lab for track marks and edits to wav 24/48 to tlh flac level 8 no eq or tampering   1 CDr  
2. 11/04/70 Carnegie Hall - New York, NY ?     2 CDR  
3. 03/16/72 Victoria Hall - Stoke, England aud(?)>cdr(1)>eac(secure)>wav>flac     2 CDR  
4. 07/19/72 Koseinenkin - Tokyo, Japan       2 SILVER CD  
5. 09/15/73 Milwaukee Arena - Milwaukee, WI ?     2 CDR  
6. 01/16/77 Dorothy Chandler Pavilion - Los Angeles, CA ?     2 CDR  

Jimmy Chamberlin Complex  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 01/18/05 Paradise Rock Club - Boston, MA Panasonic RR-US360 > .wav > Audacity > .wav > Flac Frontend > FLAC Editing / Whatevering: Ben Parsons (cyben5150) Location: Behind the floor monitor, (slightly stage left of center.)   1 CDR notes
2. 01/24/05 Knitting Factory - Hollywood, CA DPA 4061 > M1 (48 khz) transfer (BLG): DAT-M > DA-20 > coax > Marantz PMD-670 > usb reader > Adobe Audition > .WAV editing: CDWave (split) > Audacity (amplified to -0.1db), TLH (flac8)   1 CDR notes
3. 03/17/05 Cream Vintage - Austin, TX DSM-6S>PA-6LC3>M1 (show) Source: Denon DRA-395 > waveterminal 2496 > cep > flac (interview) Transfer: M1 > waveterminal 2496 > cool edit pro > flac   1 CDR notes
4. 05/05/05 DC9 - Washington, DC Source: CSB>MZ-R30>MD(M)>MDS-JE510>POC-15AB>MD Transfer: MZ-R55>1/8th inch stereo analog cable>Turtle Beach Santa Cruz Soundcard>CEP 2.0 (to record)>CdWave (to split)>Flac Transferred by: Matt Krueger (Punkishlyevil) Encoded at with Flac Frontend Level 5   1 CDR notes
5. 05/14/05 The Bottleneck - Lawrence, KS MD Sony MZ-R700>wav analog transfer>shn     1 CDR  
6. 08/19/05 Pukkelpop - Hasselt, Belgium DAT Audience [Soundman OKM-IIr > Sony SBM-1 > Sony PCM-M1] - LOCATION - 5 meters from right stacks, first row. - TRANSFER - DAT master > Sony DTC-ZE700 DAT > Terratec EWX 24/96 > WaveLab V5.0a > Digital Editing > FLAC V1.1.2 - EDITING - EQ in Sony Sound Forge V7.0 via Steinberg FreeFilter V1.1 Volume boost and slight compression in T-RackS V2.0 Fades in Steinberg WaveLab V5.0a Track splits in CD Wave Editor V1.71 Resampling: 48.0 kHz > 44.1 kHz in Adobe Audition V1.5 (setting 999)   1 CDR  

John Lee Hooker  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 07/11/90 Montreux Jazz Festival - Montreux, Switzerland soundboard or FM Lineage: original silvers>eac>wav>flac level 8 Taped by: ?? Transfered by: Miogi   1 CDR  

Johnny Marr  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 04/25/13 Metro - Chicago, IL Edirol R9 (24bit/48kHz) >Core Sound HEB (4060) (Bass Rolloff=ON) >CDWAVE 1.98 >FLAC (level 8) Recorded From The Balcony, Center This is a 24bit / 48KHZ recording. It cannot be burned to a cd, unless you convert it to 16bit / 44.1k first. The FLAC files were created using CD Wave 1.98, and they were tested using Media Monkey 4.0.6.1501.   1 CDR 90 notes
2. 08/07/14 Leopardstown Racecourse - Dublin, Eire CA14(cards)>CA9100>Edirol RO9HR>Adobe audtion(levels etc)>cdwave>tlh>flac8>you FOB, DFC - about 10 meters from the stage in line with Johnny.   1 CDR 90 notes

Johnny Winter http://www.johnnywinter.net/
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 02/01/71 Konserthuset - Stockholm, Sweden sbd lineage: downloaded shn>mkw>wav>cooleditpro>flacf speed correction: hasnamus original transfer: ??   1 CDR  
2. 09/16/10 Centennial Theatre - Vancouver, CA Church-Audio STC-11 stereo cardioid mics (in collar) > Church-Audio STC-9000 pre-amp > Edirol R-09 > Transcend SD Memory Card @ 24 bit/48 kHz Transfer: SD Memory Card > USB > Hard Drive > Sound Forge Pro 10.0a (normalize) > CDWav (tracking) > Trader's Little Helper (level 5) > FLAC > .WAV > Cool Edit Pro 2.1 (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC Location: Row F, 2 seats to the right of DFC   1 CDR 90 notes

Joseph Arthur  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 06/??/02 Maison De La Radio - Paris, France FM Ana     1 CDR, FLAC  
2. 11/20/02 Le Grand Logis - Bruz, France Master sbd -> CDR0 -> HD -> FLAC     1 CDR, FLAC  

Josh Rouse  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 02/09/05 White Session - Paris, France FM ana -> Ampli Technics -> Soundblaster mp3+ -> Wav Taped and edited : Soundforge 7.0b   1 CDR  

The Joy Formidable  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 03/10/11 Black Session - Paris, France FM Ana -> tuner -> soundcard -> Hard Drive Tuner : technics St-GT350 Soundcard : M-Audio Revolution 5.1 Taped : ardour 2.8.11 (compilé à partir de la révision 7387) with JACK Audio Connection Kit - Qt GUI Interface : Version: 0.3.6 at 32bits/88.2 khz Splitted, mixed and downsampling to 16/44.1 : Audacity ® 1.3.12-beta (Unicode) flac : flac 1.2.1 (level 8, sector align) OS : debian squeeze with rt kernel (kernel 2.6.33.7.2-rt30-1-amd64)   1 CDR  

Jude  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 10/27/05 Maison de la Radio (White Session) - Paris, France FM ana -> soundblaster mp3+ Taped : Cdwave 1.94.5 Edited, Normalize (to -3db), Splitted : Audacity 1.2.3 fixed sector-boundary problems with CD-quality PCM WAVE data : shntool   1 CDR  

Kaiser Chiefs  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 05/11/05 Maison de la Radio, Studio 106 (Black Session) - Paris, France FM ana -> SoundBlaster mp3+ Taped : CDwave 1.94.5 Edited, Fade in and out, Normalised : Soudforge 8.0 Splitted : Cdwave 1.94.5   1 CDR  
2. 02/21/07 Apollo - Manchester, England reenMachine GM-Pro Mics -> GM Battery Box -> iRiver H120 (Rockbox v061206) -> SoundForge -> CDWave -> TLH (v1.0.0.72) -> FLAC (level 8, Sector boundary alignments,file testing) Source: Audience Recording - centre of stage, just in front of the soundboard   1 CDR notes
3. 03/03/07 Sheperds Bush Empire - London, England Live Stereo FM broadcast on XFM 2007-03-03 Lineage: FM (analogue) > Internal Amplified Antenna > Hauppauge WinTV Radio (1.53.22033) > Cool Edit Pro (2.1) > WAV > Track splits - CD Wave (1.95.1) > FLAC frontend (1.7) > FLAC (level 8) Sample Rate: 44100 Hz Channels: Stereo Resolution: 16-bit   1 CDR notes

Kasabian  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 12/04/04 Transmusicales - Rennes, France Digital FM     1 CDR  

Katerine  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 08/13/06 Fort De Saint Père - Saint Malo, France FM stereo --> MZ RH10 --> USB --> Trader's Little Helper --> flac7     1 CDR  

Kid Loco  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 08/10/02 Fort Saint-Père - Saint-Malo, France FM     1 CDR  

The Kills  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 03/27/03 Studio 105 - Paris, France Digital FM -> AMPLI TECHNICS --> SOUNDBLASTER PCI 128 --> DD Recorder : Soundforge 6.0d Split : Soundforge 6.0d   1 CDR  

King Crimson  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 03/21/72 Winterland - San Francisco, CA original silver CD>wave(eac)>flacf(8)     1 CDR  

King Tuff http://www.kingtuffworld.com/
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 01/08/15 The Flycatcher - Tucson, AZ Sound Professionals SP-CMC-25 external mics (croakies mounted on eyeglasses) > Sound Professionals SP-SPSB-10 (microphone power supply) > Tascam DR-05 Recorder (wav) > PC > Cool Edit Pro 2.0 (editing\track splitting\amplifying) > TLH flac level 8 Settings: Medium mic sensitivity (Medium Gain)   1 CDR notes

Kings Of Leon  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 06/25/04 Glastonbury Festival - Pilton, England Soundboard     1 CDR  
2. 02/26/05 9:30 Club - Washington, DC scheops     1 CDR  
3. 07/01/07 Columbiahalle - Berlin, Germany FM Ana cable FM > Technics ST-GT650 receiver > Microtrack M-Audio   1 CDR  
4. 09/23/08 Webster Hall - New York, NY unknown     1 CDR  
5. 02/23/09 Columbiahalle - Berlin, Germany OKM IIr > A3 > EDIROL R-09 > USB > WAV > Adobe Audition (EQing) > CDwave (tracking) > FLAC frontend (level 6, verify)     1 CDR  

The Kinks  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. ??/??/64 Another Great Lost Kinks Album - Various, Various CD-Rx>EAC>SHN     1 CDR  

The Kooks  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 04/16/08 Le Phénix - Le Printemps de Bourges, France FM > ANALOG AUDIO CABLE > SOUND CARD > WAV > FLAC 8     1 CDR  

The La's  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 04/23/91 The Marquee - London, UK unknown     1 CDR  
2. 06/15/05 Shepherds Bush Empire - London, England Sharp MD-R420H--CSB's with battery box (bass roll off) set @ 195Hz     1 CDR  

Lambchop  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 02/26/04 Studio 105 (Black Session) - Paris, France FM ana Source : -> FM ana -> Ampli -> Soundblaster PCI 128 -> HD Taped and edited with : Soundforge 7.0a   1 CDR  

Led Zeppelin http://www.ledzeppelin.com/
  Date Venue - City, State Source Tech Note Source Notes Media  
1. ??/??/39 Tribute to Johnny Kidd and the Pirates - n/a, n/a       1 CDR  
2. 01/11/69 Fillmore West - San Francisco, CA Soundboard     1 CDR  
3. 04/27/69 Fillmore West - San Francisco, CA Master>DAT>CDr(2)>EAC(secure m./read offset corr.)>WAV(Adobe Aud.1.5 rem.)>FLAC(level7/verify/test)     2 CDR  
4. 09/04/70 The Forum - Inglewood, CA unknown     2 CDR  
5. 09/19/70 Madison Square Garden (evening show) - New York, NY unknown     2 CDR  
6. 06/24/80 Messehalle - Hanover, Germany Analog soundboard first generation to DAT Clone 2 to CDR to EAC to TLH FLAC Level 8 no eq or any other tampering   2 CDR  
7. 12/10/07 O2 Arena - London, England       2 CDR notes
8. 12/10/07 O2 Arena - London, England SP-CMC-20 Sound Professionals Deluxe Cardioid microphones > Sound Professionals Slimline Battery Module With Bass Roll Off > IRiver iHP-340 (Rockbox) Location: Left of soundboard Transfer: IRiver iHP-340 > USB > PC Edit: wav > Steinberg Wavelab > wav > CD   2 CDR notes
9. 12/10/07 O2 Arena - London, England Sony ECM-719 > Belkin TuneTalk Stereo > wav > edited with Audacity > wav > converted with Trader's Little Helper > flac (level8)     2 CDR notes
10. 12/10/07 O2 Arena - London, England Sony D7 DAT recorder & Sony ECM-717 stereo microphone. Maxell DM180 DAT tape. Location: Standing 30 yards dead centre of Jason Bonham, and about 10 yards in front of the sound crew. I use the term �sound crew� loosely, there were numerous minor problems throughout the show. Transfer: Playback on a Fostex D-5 DAT recorder using an AES/EBU digital coaxial lead into a Fostex CR200 CD recorder. Extracted with EAC on a Plextor 48/24/48A writer to my PC. Mastering: Fade ins and outs using Adobe Audition 3. Que stops created in CD Wave Editor 1.91. No other mastering done. This is a pure DAT to CDR upload, identical to my Master DAT.   2 CDR notes
11. 12/10/07 O2 Arena - London, England Schoeps MK41s > NBOX > Edirol R-9 (24/48) Position: FOB (approx. 15 meters ahead of sbd). Dead center. Conversion: WAV > Soundforge 7.0b > shntool 2.0.3 > flac 1.1.2 Eq: Nothing. Some clapping is attenuated.   2 CDR notes
12. 12/10/07 O2 Arena - London, England DPA 4061 -> Microtracker 24/48 Recorded from section 407, row J   2 CDR notes

Lou Barlow  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 05/02/05 Studio 105 - Paris, France Digital FM -> Ampli Technics -> SOumndblaster mp3+ -> Wav -> FLAC Taped and splitted : cdwave 1.94.5 FLAC : Flac frontend 1.1.2a level 8   1 CDR  
2. 07/22/06 FIB 2006, Vodafone Fib Club Stage - Castellon, Spain TVVi DVB-S broadcast, Pro Shot, PAL, 4/3 Recorded with Topfield 5400, Authored w/iMovie + iDVD Bit Rate: 7.68 Mbps Data Size: 2.88 GB Video Tracks: MPEG-2, 720X576, 4:3, 25 fps, 8.00 Mbps, lower field first Audio Tracks: PCM Stereo, 1,54 Mbps   1 DVD  
3. 02/18/10 Spaceland - Los Angeles, CA AT853 > CA-9100 > Edirol R-09     1 CDR notes

Lou Reed  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 01/27/73 Alice Tully Hall, Lincoln Center - New York, NY MASTER SBD SOURCE? >"The Phantom of Rock" bootleg silver disc > WAV > FLAC with no compression     1 CDR  
2. 09/01/73 Music Inn - Lenox, MA FLAC (level 8/Verify/align on sector boundaries)     1 CDR 90  
3. 10/27/74 Palace Theatre - Dayton, OH soundboard FLAC     1 CDR 90  
4. 04/16/77 Palais Des Sports - St. Etienne, France CDR - EAC - FLAC using Trader's Little Helper     2 CDr  

Le Loup  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 02/22/10 Black Session - Paris, France FM Ana -> tuner -> soundcard -> Hard Drive Tuner : technics St-GT350 Soundcard : M-Audio Revolution 5.1 Taped : ardour 2.8.11 (compilé à partir de la révision 7387) with JACK Audio Connection Kit - Qt GUI Interface : Version: 0.3.6 at 32bits/88.2 khz Splitted, mixed and downsampling to 16/44.1 : Audacity ® 1.3.12-beta (Unicode) flac : flac 1.2.1 (level 8, sector align) OS : debian squeeze with rt kernel (kernel 2.6.33.7.2-rt30-1-amd64)   1 CDR  

Manu Chao  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 09/29/07 Studio 104, Maison de Radio France - Paris, France FM Stereo Receiver (Technics st-gt350) -> Ampli (Technics su-v500) -> M-Audio Revolution 5.1 -> Wav OS : 64Studio 2.0 (kernel multimedia 2.6.22.1) Taped : Ardour 2.0.5 + Jack 0.2.22 Edited : audacity 1.3.3beta (Splitted, Removed DJ's intervention) fixed : shntool 3.0.4 rename : krename   1 CDR  

Maps and Atlases  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 09/23/09 Granada Theater - Dallas, TX DSM-6S > PA-6LC3 > R-09HR @ 24/48 Transfer: R-09HR > USB > CEP 2.1 > flac   1 CDR  

Mark Lanegan  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 02/07/12 Bowery Ballroom - New York, NY ?     1 CDR 90  
2. 08/22/12 Wulfrun Hall - Wolverhampton, UK Sound Professionals SP-CMC-8 Microphones Sound Professionals SP-SPSB-11 Mini Battery Module with Bass Roll-Off (16Hz) Edirol R-09HR 44.1kHz / 16 bit USB>PC>CD Wave Editor>Trader's Little Helper>FLAC level 8>Dime     1 CDR 90  
3. 07/03/14 The Showbox - Seattle, WA Zoom H1, recorded in 24bit/96kHz WAV Mastered, converted to FLAC and split with Audacity   1 CDR notes

The Mars Volta  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 11/23/01 Bottom of the Hill - San Francisco, CA SBD > Sharp MS-722 (missing transfer/generation info...was not included in trade)     1 CDR  
2. 05/13/03 Air Canada Centre - Toronto, ON CSB>MT-90>MD-M>CDR-2 (from TS)>EAC>FLAC     1 CDR  
3. 11/09/03 Queen Mary Events Park Stage - Long Beach, CA [FOB] DPA 4060 (HEB) > Core-Sound batt. box with bass roll-off filter ON > SBM-1 (line-in) @ 48 KHz > TCD-100 Transfer: D8 > Oade 7pin (passive) > Monster Interlink IDL100 (1m) > maudio ap2496 > WAV processed (48 > 44.1 KHz and 20 > 16 bit conversions)   1 CDR notes
4. 01/10/04 Club Quattro - Tokyo, Japan Unknown DAT > SPREAD EAGLE WIDE Sylph S040120 SY-0547 > CD-R(X) > EAC > WAV > FLAC (level 8)     2 CDR  
5. 05/12/04 The Wiltern - Los Angeles, CA DPA 4061�s > CSBox > Sony PCM-M1 Lineage: DAT Master 16/48 > FLAC Transfer (BLG): DA-20 > coax > Marantz PMD-670 > usb reader > Adobe Audition > Audacity > CDWave > TLH (flac8) * used Audacity's pencil tool to tame a couple of left channel peaks caused by a nearby clapper * the right channel was roughly 1db lower than the left throughout the tape, I amplified it to match the left, and then the whole file was amplified to -0.1db   2 CDR notes
6. 06/07/05 Dodge Theater - Phoenix, AZ Sanken COS 11s-pt RM > bass filter> Sony PCM-M1 (oade) Transfer: M1 > Core Sound 7-pin > Creative Labs Platinum Audigy > Adobe Audition (44Khz/EQ) > CDWAVE > WAV   2 CDR notes
7. 09/30/05 Allstate Arena - Rosemont, IL MM-MCSM-4>MZ-RH910 Transfer: MD-M>CDR-2 (from JA)>EAC>FLAC   1 CDR notes
8. 10/17/06 Continental Airlines Arena - East Rutherford, NJ Audio-Technica 853(h) > SP-SPSB-3 > iRiver H120 (16-bit/44.1k).     1 CDR notes
9. 12/29/07 The Echoplex - Los Angeles, CA DPA 4061's > CSBox > Sony PCM-M1 Lineage: DAT Master 16/48 > FLAC Transfer (BLG): DA-20 > coax > Marantz PMD-670 > usb reader > Adobe Audition > WAV > Audacity (amplified to -0.1db) > CDWave (split) > TLH (flac8)   2 CDR notes
10. 01/30/08 Bren Events Center - Irvine, CA FM> Harman Kardon AVR30 > Analog Out > Sony RCD-W500C >Audio CDR.WAV > Pioneer DVR-RW DVD-108 > EAC > CD WAVE(Tracking-Flac.8)> (remaster) WAV via DB PowerAmp->SoundForge 9->CD Wave Editor->FLAC Frontend level 8, sectors     2 CDR  
11. 03/06/08 013 - Tilburg, Netherlands at943 - SP-SPSB-6 (Bass Roll-off at 107 HZ) - Edirol R09 at 16 bit 44.1 Khz Transfer : SD card > SDslot > PC > Audition 1.5 > Normalized > Cdwave > TLH > FLAC (8)   3 CDR notes
12. 04/17/08 The Pageant - St. Louis, MO SP-CMC-8 Audio Technica mics (cardioid, mounted on hat, 6" separation)>SP-R09 12 volt mic power supply>Edirol R09 via line-in (16/44.1 WAV on SanDisk Ultra2 4 gig card)>USB to PC>CoolEditPro2>CDWave>Traders Little Helper(flac level 8)>bit torrent. Recorded just left of mixing desk, elevated from floor area.   2 CDR 90 notes
13. 06/19/08 Hordern Pavilion - Sydney, Australia Church Audio STC-11 > Church Audio ST-9100> iRiver iHP-120 w/Rockbox installed Transfer: iRiver iHP-120 > Sony Sound Forge 8 (Raised Volume +13dB, Fade In/Out, Splits) > FLAC Frontend (Level 8) > FLAC   2 CDR 90,CDR notes
14. 06/21/09 Flugplatz - Neuhausen ob Eck, Germany Soundprofessionals CMC-4U > SPSB10 > Sony PCM-D50 @ 24/96 mic config :on my glasses location : last row inside the first wavebraker transfer : Sony PCM-D50 > USB2.0 > PC > Adobe Audition3 > Flac Frontend 1.7.1 Etree Edition (Level8) editing :Audition3 � volumeboost on the left channel (+0.7dB) � tracking � fadeIn/Out � dithering/downsampling to 16/44.1   1 CDR notes
15. 06/21/09 Flugplatz - Neuhausen ob Eck, Germany Soundprofessionals CMC-4U > SPSB10 > Sony PCM-D50 @ 24/96 mic config :on my glasses location : last row inside the first wavebraker transfer : Sony PCM-D50 > USB2.0 > PC > Adobe Audition3 > Flac Frontend 1.7.1 Etree Edition (Level8) editing :Audition3 � volumeboost on the left channel (+0.7dB) � tracking � fadeIn/Out � dithering/downsampling to 16/44.1   1 CDR notes
16. 06/21/09 Flugplatz - Neuhausen ob Eck, Germany Soundprofessionals CMC-4U > SPSB10 > Sony PCM-D50 @ 24/96 mic config :on my glasses location : last row inside the first wavebraker transfer : Sony PCM-D50 > USB2.0 > PC > Adobe Audition3 > Flac Frontend 1.7.1 Etree Edition (Level8) editing :Audition3 � volumeboost on the left channel (+0.7dB) � tracking � fadeIn/Out � dithering/downsampling to 16/44.1   1 CDR notes
17. 07/08/09 Paradiso - Amsterdam, Netherlands at943 - SP-SPSB-11 (Bass Roll-off at 107 HZ) - Edirol R09 at 16 bit 44.1 Khz Transfer : SD card > SDslot > PC > Audition CC 2015 > 10db up > Cdwave > FLAC (8)   2 CDR notes
18. 10/20/09 War Memorial Auditorium - Nashville, TN sp-bmc-3 mics>bass rolloff 195hrzsp-bm6 batt box>sony mzrh-10minidiscHIMD hi-sp     2 CDR  
19. 12/07/09 013 - Tilburg, Netherlands at943 - SP-SPSB-6 (Bass Roll-off at 107 HZ) - Edirol R09 at 16 bit 44.1 Khz Transfer : SD card > SDslot > PC > Audition 1.5 > Normalized > Cdwave > WAV > FLAC (8)   2 CDR notes
20. 01/25/10 Festival Hall - Melbourne, Australia CA-14 > CA ST-9100 w/Bass Rolloff at 80hz > iRiver iHP-120 w/Rockbox installed iRiver iHP-120 > Sony Sound Forge 8 (Raised Volume +12dB, Fade In/Out, Splits) > FLAC Frontend (Level 8) > FLAC   2 CDR notes
21. 07/03/11 The Circus - Helsinki, Finland SP-CMC-2 > SP-SPSB-6 > Edirol R-09HR > wav 24bit > Audacity > wav 16bit > TLH (fix SBEs, Flac level 5)     1 CDR 90 notes
22. 07/09/11 Sonisphere Festival - Knebworth, United Kingdom CA-11>CA-9100>Edirol R-09HR>WAV 24bit>Audacity (tracked & split/reduced bass, increased volume)>WAV 16bit>FLAC     1 CDR  
23. 07/13/11 Penn's Landing Festival Pier - Philadelphia, PA Giant Squid Omni's>Edirol R-09>16 bit WAV>Audacity>xACT>FLAC     1 CDR  
24. 07/14/11 Borgata Event Center - Atlantic City, NJ SP-CMC-2 (AT831's with low sensitivity mod) > SP-SPSB-8 (95 Hz bass roll off) > Edirol R-09 > WAV 24/48 > CDWave > Trader's Little Helper > FLAC(level 8) Location: General admission, ~ 30 feet from and directly in line with left speaker stack   1 CDR notes
25. 07/16/11 UIC Pavillion - Chicago, IL AT933/Hypers> Naiant Tinybox> Sony PCM-M10 Location: FOB(70ish ft from stage) DFC   1 CDR notes
26. 07/21/11 Bill Graham Civic Auditorium - San Francisco, CA Sony ECM-719 cardiods->Tascam DR-07(16-bit)->Audacity->Flac(level 8)->you     1 CDR  
27. 07/23/11 The Joint - Las Vegas, NV AT853's > Deneke ps-2 (1/8" plug mod) > Microtrack24/96 (@24/48 via line in using two 1/4" mono phono jacks converted from 1/8" ps-2 stereo plug) > USB > WAV > You 16 BIT / 44.1KHZ Dithered version Location: FOS - Perfectly parallel to the soundboard ***No EQ used on this show***   1 CDR notes
28. 08/03/11 Enmore Theatre - Sydney, Australia CA-14 > Church Audio ST-9100 > iRiver iHP-120 w/Rockbox installed Transfer : iRiver iHP-120 > Sony Sound Forge 8 (Raised Volume +3dB, Fade In/Out, Splits) > Trader's Little Helper > FLAC (Level 8)   1 CDR 90 notes
29. 08/05/11 Thebarton Theatre - Adelaide, Australia CA-14 > Church Audio ST-9100 > iRiver iHP-120 w/Rockbox installed Transfer : iRiver iHP-120 > Sony Sound Forge 8 (Raised Volume +3.4dB, Fade In/Out, Splits) > Trader's Little Helper > FLAC (Level 8)   1 CDR 90 notes
30. 08/07/11 The Palace Theatre - Melbourne, Australia CA-14 > Church Audio ST-9100 > iRiver iHP-120 w/Rockbox installed Transfer : iRiver iHP-120 > Sony Sound Forge 8 (Raised Volume +11.5dB, Fade In/Out, Splits) > Trader's Little Helper > FLAC (Level 8)   1 CDR 90 notes
31. 06/24/12 E-Werk - Cologne, Germany SP-CMC-08 (cardioid) > PCM-M10 (LPCM / 44.1 kHz / 16 bit) Lineage: PCM recorder > WAV > Amadeus II (adjust left and right channel, normalize, fade out) > AIFF > xACT > FLAC (level 8) Format: CDR/FLAC   2 CDR notes
32. 06/26/12 Ancienne Belgique - Brussels, Belgium SP-CMC-8 Cardioid low sensitivity > SP-SPSB-11 (roll-off@ 16Hz) > Sony PCM-M 10 Transfer : memory card > Wave 24bit/96.00kHz > Adobe Audition CS 5.5 > (Normalization) > flac(8)   2 CDR notes
33. 06/27/12 Paradiso - Amsterdam, Netherlands SP-CMC-08 (AT943 cardioid) > CA-9100 > PCM-M10 (LPCM / 44.1 kHz / 16 bit) Lineage: PCM recorder > WAV > Audacity (adjust volume, EQ, fade in/out) > AIFF > xACT > FLAC (level 8)   2 CDR notes

MC5  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 07/18/70 Soldier Field - Chicago, IL Reel-to-Reel(M) > Stand alone CD burner > CDR(M) > CDR(1) > CDR(2) > EAC (secure) > FLAC     1 CDR  

Midlake  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 04/15/10 Le Grand Mix - Tourcoing, France At853's (Church Mod 4.7k) > Edirol r09 (24/44.1) > Sd > Soundforge 6.0 > Wav > Trader Little Helper Processing w/ Soundforge: > Gentle High Frequency Boost > Wave Hammer > Smooth Compression > Dither to 16bits (Triangular Bypass) Total Time: 91:35   2 CDR  
2. 06/04/10 Antone's - Austin, TX AKG 483 > Oade ACM Mod Marantz PMD-671 Location: DFC, DINa clamped at 8' Transfer: PMD-671 > Soundforge 10.0 (fades, resample, MBIT+ dither) > CDWave (tracking) > flac level 6 > Foobar (Tagging)   1 CDR 90 notes

Miossec  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 10/25/09 La Cigale - Paris, France WSMA-889 > Icom IC-R5 > Edirol R-09 Transfert : Kingston SD-HC SD6 8Go > USB 2.0 > WAV > Soundforge 6.0 (normalisation) > CD Wave Editor (tracking) > Trader's Little Helper > FLAC (8)   2 CDR  

Miossec - Thiersen  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 02/03/09 Maison de la Culture - Amiens, France micros internes + Edirol R-09 (48kHz-24bits) transfert : R-09 -> USB software = Adobe Audition 1.5 - conversion en 16 bits (dithering) - 44.1KHz (350 - filtre pre/post) software = Trader's Little Helper v2.2.2 - encodage flac (Compression Level=8 --> 16bits stéréo, 44.1kHz)   1 CDR90  

Morrissey  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 04/29/91 Elysee - Paris, France FM -> k7 gen0 -> k7 gen1 -> hd -> flac tape and transfert k7 gen0 -> k7 gen1 : unknown equipment transfert k7 gen1 -> hd : Technics RS TR-232, Intel, arecord 1.1.1 Split : audacity 2.1.2 flac : flac 1.3.1 (level 8, --sector-align)   1 CDr  

Muddy Waters https://muddywatersofficial.com/
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 11/04/68 La Salle Pleyel - Paris, France Sb recording Cdr > Wav (Cdex) > Flac (Level 5)     1 CDR  

My Morning Jacket www.mymorningjacket.com
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 06/20/08 Radio City Music Hall - New York, NY DPA (B&K) 4023s > Lunatec V3Ê > Audio Magic Illusion QL XLRs >Ê Mytek Stereo 192 ADC > Audio Magic Illusion QL Digital XLR > Sound Devices 722 > Apple MacBook Pro > Spark Xl 2.8.2 (tracking, resample to 44.1khz) > Sample Manager Source: DPA (B&K) 4023s > Lunatec V3Ê > Audio Magic Illusion QL XLRs >Ê Mytek Stereo 192 ADC > Audio Magic Illusion QL Digital XLR > Sound Devices 722 722 > Apple MacBook Pro > Spark Xl 2.8.2 (tracking, resample to 44.1khz) > Sample Manager 3.1.2 (dither to 16 bit using MBIT+) > xACT 1.65 > flac Location: Section 400, row ZZ, seat 405. 11 feet high, ORTF   2 CDR90/CDR notes
2. 05/20/11 Hangout Beach - Gulf Shores, AL CA-11 > R-09 (16/44.1) FOB/Left of Center; mics at ~4' high; ~100 feet from stage SD > HDD > Wavelab 6 > CD WAVE > FLAC > Traders' Little Helper   2 CDR notes
3. 06/10/11 Bonnaroo Music & Arts Festival - Manchester, TN Avantone CK-1 (cardoid) > Fostex FR-2LE (24/48) FOB/DFC; mics at ~ 9' high CF > HDD > DropBox > HDD > Wavelab 6 > CD WAVE > FLAC > Traders' Little Helper   2 CDR notes
4. 06/16/11 Riverside Theater - Miwaukee, WI Schoeps MK41(DINa) > KC5 > CMC6 > Grace Lunatec V3 > Sound Devices 744t @ 24bit/48hz INHDD> Sound Forge 10 > Samplitude 11 > CD Wave > TLH DFC FOB clamped to second balcony rail extended three feet. Taper soling(sdolan@wi.rr.com) Tagged in Foobar 2000   2 CDR  
5. 06/22/11 The Pantages Theater - Hollywood, CA Sennheiser MKH 8050's-V3-Dr-680     2 CDR notes

Neil Young http://www.neilyoung.com
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 02/25/70 Music Hall - Cincinnati, OH CDRs from trade > EAC > wav > flac     2 CDR  
2. 02/28/70 Electric Factory - Philadelphia, PA 1st gen aud > stand-alone cdr > cdr macintosh > xACT 1.5b3 > wav > xACT 1.5b3 > flac from the fz collection     1 CDR  
3. 01/26/73 The Spectrum - Philadelphia, PA A3 > D > CDR > EAC > flac(8)     1 CDR  
4. 01/26/73 The Spectrum - Philadelphia, PA A3 > D > CDR > EAC > flac(8)     1 CDR  
5. 09/21/73 Roxy Theater (Late) - Los Angeles, CA Master Audience Recording > ? > "Roxy Night" Silver Bootleg CD #NY012, Gamberetto > EAC Secure > FLAC Frontend (8)   1 CDR  
6. 11/06/76 Balch Fieldhouse - Boulder, CO cdr trade> eac rip> flac     1 CDR 90  
7. 11/22/76 Music Hall - Boston, MA Screamer Bootleg CD > WAV > FLAC     4 CDR  
8. 09/27/78 Madison Square Garden - New York, NY ud cassette master lineage: aud>cassette maxell udxl-II90's, dolby b nak dragon>hd-p2 24/96>pc> cd wave>adobe audition 2.0 16/44.1>flac   2 CDR notes
9. 10/18/07 Velma Morrison Center - Boise, ID Schoeps > Nbox > Edirol R-09 at 16bit/44.1k transfer: Soundforge> flac DFC close to stage   2 CDR  
10. 12/13/07 United Palace Theatre - New York, NY schoeps mk-4 > actives > nbox+ > korg mr-1 dsd recorder (dff 1 bit/2.8mhz) macintosh > audiogate 1.0.1 > 16/44 wav > dsp-quattro x (volume,tracking & fades) > xACT 1.59 > flac     2 CDR notes
11. ??/??/07 2007 Chrome Dreams Continental Tour Compilation - Various, Various Various     4 CDR  
12. 07/12/13 Lanxess-Arena - Köln, Germany Zoom H4N - Sound professional microphones SP-CMC-8 - SP-SPSB-8 Sound Professionals Mini Battery Module     2 CDR  

Noir Désir  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 07/21/89 Fête le mur - Blaye-les-Mines, France CD R > Exact Audio Copy > PC (Wav) > Audacity > Normalisation > DB Poweramp (Level 8) > Flac     1 CDr  

Omar Rodriguez Lopez Group  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 07/28/07 Fuji Rock Festival - Naeba Ski Resort, Japan SS DSM 6S/L > PA-6CL3 > Sony TCD-D8 Transfer: DAT(M) > CDR(?) > EAC > WAV > CD WAVE > FLAC   1 CDR  
2. 03/17/09 Gebaeude 9 - Cologne, Germany Sony ECM-719 > Sony MZ-RH 1 Lineage: Sony MZ-RH 1 (PCM) > WAV > Amadeus II (editing) > AIFF > xACT > FLAC (level 8)   2 CDR notes
3. 03/18/09 Melkweg - Amsterdam, The Netherlands Core Sound Binaurals > battery box (bass roll-off ON) > Iriver H120 with Rockbox 3.0 Transfer: Iriver H120 > USB > PC > Soundforge 8.0 (tracking, fades, EQ, Normalizing) > WAV Conversion: WAV > FLac Frontend @ level 8 (verified, aligned on sector boundaries) > FLAC > YOU! Location: FOB   2 CDR notes
4. 09/04/10 Metamorphose Festival - Izu, Shizuoka, Japan Audio Hijack Pro (44.1k/16bit recording) > Steinberg Nuendo (clear off the CMs, fade-in/out, split, and export) > FLAC (level 8)     1 CDR 90  
5. 09/14/10 The Troubadour - Los Angeles, CA ???     2 CDR  
6. 09/17/10 Highline Ballroom - New York, NY SP-CMC-8 > CA-9100 > TEAC VR-10 (@16bit / 44.1) location : 25' from stage / DFC process: (PC) Goldwave to boost level to 200% / fade in /out - CD wave for track splits   2 CDR notes
7. 09/18/10 Congress Theatre - Chicago, IL CS HEB > Sony SBM1 > Sony PCM-M1 (@48khz) Transfer: Sony PCM-M1 > CS 7-pin to coax > SB Audigy 2 Platinum (Wavlab 4.0) Editing: Dither and downsample to 44.1 with Wavlab. Encode to FLAC.   2 CDR  
8. 03/29/11 Highline Ballroom - New York, NY SP-CMC-08 > CA-9100 > VR-10 (@24bit) LOC : dead center ~25 feet from stage lip process : Goldwave / fade in/out, remove crowd roar, increase overall volume 200% & match L/R levels (increase R. 25%), convert to 16bit. CDwave / cut up tracks   1 CDR 90 notes
9. 03/30/11 Middle East Downstairs - Boston, MA CA-11 > CA-9100 > Tascam DR-07 >WAV>Logic Pro [EQ, Limiter]> WAV>FLAC     1 CDR 90 notes
10. 04/02/11 The Southgate House - Newport, KY Sony ECM-MS908C stereo mic > Canon Vixia HF21 Video Camera > .wav (normalized in Cool Edit Pro and tracked in CDWave) > flac     1 CDR 90  
11. 04/15/11 Gobi - Coachella, IN Audio Hijack Pro (44.1k/16bit recording) > Steinberg Nuendo (leveling*, fade-in/out, split, and export) > FLAC (level 8) Recorded from the Coachella Live Webcast on YouTube * The live sound mixing had the badly reducing volume in the middle of Jacob jam. So, I drew increasing volume at the couple of points instead of normalizing.   1 CDR  

Otis Redding  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 06/04/67 Konserthuset - Stockholm, Sweden CDR>EAC(secure/offset correct)>WAV>Flac Frontend v1.1.1a(level 7)align on sector boundaries>Flac     1 CDR  

Otis Taylor  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 10/11/05 The State Theatre - Falls Church, VA Superlux SMK-H8K/C's > Coresound Mic2496 (16/48) > Coresound Pdaudio SPIDIF > HP IPAQ 5555 > HD > WAV Transfer: HD > Kingston USB 2.0 ATA Card Reader > SoundForge 6.0 (16/48 > 16/44.1) > CD WAV > FLAC   1 CDR notes
2. 10/27/06 Deutsches Jazzfestival - Frankfurt, Germany astra sat > nexus-s > hdd > nero wave editor > flac (astra sat uses MPEG1 Layer 2/320 kbps)     1 CDR  

Page & Plant  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 03/30/98 La Cigale - Paris, France FM Ana     2 CDR  

The Pains Of Being Pure At Heart  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 07/25/15 Midland Railway Centre - Swanwick, England Church Audio CA14 cardiods>Church Ugly Battery Box>>Sony PCM-M10 (line-in, 24 bit, 44.1kHz) Transfer: Sony PCM-M10> usb > wav > Soundforge 9.0 (Hard limit a few very loud peaks, Normalise, Fade-in/fade-out, 16 bit 44.1kHz)>CD Wave (Track splits)>FLAC>mp3tagv2.55a (Tag Flacs) Recorded 20 feet back left hand side.   1 CDR  

Parkay Quarts http://parkayquarts.com/
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 11/08/14 PhilaMOCA - Philadelphia, PA AUD->Neumann KM-150s->Sound Devices Mixpre-> Edirol R-44 (24bit@44.1kHz)-> WAV Transfer: Adobe Audition CC-> CD Wave Editor v1.98-> Trader's Little Helper v2.70-> FLAC   1 CDR notes

Parquet Courts http://parquetcourts.wordpress.com/
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 01/16/14 Great American Music Hall - San Francisco, CA SP-CMC-25 mics-→ battery box-→Sony PCM-M10-→ Audacity (amplify, normalize, track splits, FLAC level 8)-→ TLH-→ battery box-→ Sony PCM-M10-→ Audacity (amplify, normalize, track splits, FLAC level 8)-→ TLH-→ you     1 CDR  
2. 05/27/14 the Independent - San Francisco, CA SP-CMC-25-->battery box-->Sony PCM-M10-->Audacity (amplify, track splits, FLAC level 8)-->TLH-->you     1 CDR  
3. 05/28/14 The Roxy - West Hollywood, CA Schoeps MK5(card) > Nbob actives > Tinybox (OT) > Sony PCM-M10 24/44.1 Transfer : M10 > usb > MacBook Pro > Adobe Audition > WavePad > xACT > FLAC   1 CDR notes

Patrick Watson  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 09/11/07 Maison de la Radio (Studio 105) - Paris, France FM Stereo Receiver (Technics st-gt350) -> Ampli (Technics su-v500) -> M-Audio Revolution 5.1 -> Wav -> Wavs -> FLAC OS : 64Studio 2.1 (kernel multimedia 2.6.22.1) Taped : Ardour 2.0.5 + Jack 0.2.22 Edited : Rezound 0.12.2beta (Splitted, Gain volume) fix : shntool 3.0.4 FLAC : FLAC 1.2.0 level 8   1 CDR  

Patti Smith  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 04/17/75 CBGB's - New York, NY Aud. Unknown lineage > Cassette > M-Audio Transit > Cool Edit > CD Wave Editor > FLAC     3 CDR  
2. 05/28/75 WBAI-FM Studios - New York, NY FM Broadcast > ??? > CDR > SHN     1 CDR  
3. 10/22/04 White Session, Studio 105 - Paris, France Digital FM -> Ampli Technics -> Soundblaster mp3+ -> Hard Drive -> Wav -> CDr Taped : Soundforge 7.0b Edited :Soundforge 7.0b Burned : Nero Burning ROm Reloaded 6.6.0.1 (TDK CD-R80)   1 CDR  
4. 01/22/11 Salle Pleyel - Paris, France Roland R-05 Location: Main Floor, 17th row, left center Mics: Sony ECM-MS 907 SDHC Card: 32GB Transcend Class 10 Wav file transferred to PC via USB. Tracks splits and fades in and out with Goldwave 5.55 Converted to FLAC (level 8) with dBPowerAMP 13   2 CDR  

A Perfect Circle  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 10/31/03 Freeman Coliseum - San Antonio, TX CMC-4>Battery Box @ 160Hz>Nomad Jukebox 3     1 CDR 90  

Perry Blake  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 03/02/06 Maison de la Radio (White Session) - Paris, France FM Ana -> AC' 97 -> Wav -> Wavs -> FLAC Taped and edited : Audacity 1.2.3 fixed sector-boundary problems with CD-quality PCM WAVE data : Shntool 2.0.3 FLAC : Flac 1.1.2 (level 8)   1 CDR  

Peter Buck  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 01/10/10 Hotel California - Todos Santos, Mexico Sound Professionals SP-CMC-2 cardioid mics > SP-SPSB-6 Battery Box > Sony PCM-M10 (WAV 24 bit / 44.1 KHz mode) > Adobe Audition 4.0 (remastering and downmix to 16 bit mode) > CDWAV     1 CDR notes

Peter Gabriel  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 03/22/10 Palais Omnisports De Paris Bercy - Paris, France Aiwa CM-DS6 > Edirol R-09 > HD via USB > SoundForge 7.0 > CD Wave > FLAC Frontend (level 6)     2 CDR notes

Pixies http://www.pixiesmusic.com
  Date Venue - City, State Source Tech Note Source Notes Media  
1. ??/??/39 Unknown - unknown, unknown Liberated bootleg "Give Me Ecstacy" CDR->cdparanoia->shn     0 CDR  
2. ??/??/39 Rough Diamonds - Various, Various       1 CDR  
3. 12/15/86 WJUL - Lowell, MA FM/ANA     1 CDR  
4. 06/06/89 Le Truck - Lyon, France ANA Master -> Ana 2 -> Ana (possibly gen 3) -> CDr     1 CDR  
5. 08/10/89 Cabaret Metro - Chicago, IL unknown     1 CDR  
6. 06/26/91 Brixton Academy - London, England Master video off Satellite >1st gen Hifi Video Dub>wt2496>wavelab>shn Sondboard Hifi Stereo Feed off of Japanese Television Broadcast   1 CDR 90  
7. 12/22/91 Palladium - Los Angeles, CA unknown     1 CDR  
8. 04/16/92 The Warfield - San Francisco, CA cdr->cdparanoia->shn     1 CDR 90  
9. 04/13/04 The Fine Line Music Cafe - Minneapolis, MN SBD > CD-R > EAC > FLAC     2 CDR  
10. 04/14/04 Burton Cummings Theatre - Winnipeg, MB SBD -> (LiveDisc production black box) -> EAC -> FLAC     1 CDR  
11. 04/15/04 Doris Knight Hall - Regina, SK flac     2 CDR  
12. 04/18/04 Red's - Edmonton, AB SBD > DiscLive CD-R > cdparanoia > FLAC     2 CDR  
13. 04/28/04 McDonald Theatre - Eugene, OR SBD + AUD -> CDR [LiveDisc MASTER CLONE] -> EAC -> FLAC     2 CDR  
14. 07/03/04 Eurockéennes De Belfort - Belfort, France Digital TV → Ampli (Technics) → Soundblaster mp3+ → Wav Taped and edited : Soundforge 7.0b FLAC : flac 1.1.0m level 8 Note : There are 2 tracks #16 and #17, Ones are for burn on 2 CDs and others for 1 CD or play with PC. Little freeze during Gigantic   2 CDR  
15. 08/06/05 Newport Folk Festival - Newport, RI Original CD -> EAC -> WAV -> FLAC (Level 8)     1 CDR  

PJ Harvey  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 02/27/11 Troxy - London, United Kingdom CHURCH-AUDIO CA-11C -> Battery Box ->Edirol R-09HR     2 CDR  
2. 04/14/11 Warfield Theatre - San Francisco, CA Church Audio CA-14 (cards) > CA-9100 > Sony M-10 (24/44.1) Location: Balcony, BB (2nd row, center) Transfer: M-10 -> MacBook -> Garageband (light EQ and level adjustment) -> Conversion to AIF (16BIT) -> Fission (track split) -> FLAC via xACT   1 CDR 90 notes

Placebo  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. ??/??/39 Demos, 1995-1996 - Compilation, Compilation flac     1 CDR  
2. 11/06/96 Eurospotting Festival - Copenhagen, Denmark FM broadcast, no mp3     1 CDR  
3. 02/15/97 Rock City - Nottingham, England Sony PC62 > Sony WMD3 > ANA-M > CDR-M > EAC > FLAC     1 CDR  
4. 02/20/97 Astoria - London, UK unknown     1 CDR  
5. 11/11/98 La Botanique - Brussels, Belgium T01-05 & 07-20 : Original Silver Bootleg > CDR2 > Mix > CDR-3 T06 : FM > ANA-M > CDR-M > SHN > Mix     1 CDR  
6. 11/05/00 Olympia - Paris, France Digital TV → Ampli Technics → SoundBlaster PCI 128 → HD     1 CDR90  
7. 04/17/01 Le Printemps de Bourges - Bourges, France FM     1 CDR  
8. 03/29/03 Man-Ray - Paris, France Digital FM     1 CDR 90  
9. 02/14/04 Bercy - Paris, France Digital TV     1 CDR  
10. 06/30/04 l'Olympia - Paris, France Digital FM → Ampli → SoundBlaster PCI 128 → Hard Drive (SoundForge 7.0a) → Wavs (SoundForge 7.0a)     1 CDR  
11. 07/02/04 Eurockéennes De Belfort - Main Stage - Belfort, France Digital TV → Ampli Technics → SoundBlaster mp3+ → Hard drive Taped and Edited : Soundforge 7.0b   1 CDR  
12. 07/03/04 Grand' Place - Arras, France Soundprofessionals SP-CMC-2 (AT831) >> SB-SPSB-3 (bass roll off @107hz) >> Creative Nomad Jukebox3 (line-in, settings : WAV 44.1hz/16 bits/+7db gain) Conversion : CREATIVE NJB3 > USB2.0 > WAV > Soundforge 6.0 > CD Wave Editor > mkwACT V0.97 BETA 1 > shn   2 CDR notes
13. 04/02/05 Centro Cultural Estación Mapocho - Santiago, Chile FM > Realtek AC'97 Audio > WAV 44KHz,16bit,Stereo (CoolEdit2000) > Flac     1 CDR  
14. 04/14/06 Radiokulturhaus - Vienna, Austria Radio Recording>Wav>Flac8     1 CDR  
15. 09/30/06 Zénith Arena - Lille, France SP-CMC-2 + SP-SPSB-3 (bass filter @107Hz) + Nomad JuKebox 3 (line in, WAV @ 44.1KHZ, +6db) Transfer: NJB3 > USB > 1 WAV file > Soundforge 6.0a (+1,5 db Left Channel) > CD WAVE Editor > 20 WAV files Conversion: WAV files > Traders' Little Helper > FLAC files   2 CDR  
16. 05/09/09 O2 Academy - Sheffield, England SP-CMC-22 > Sony MZ-R55 > Cooledit Pro > .wav > .flac > Dime     2 CDR  
17. 05/10/09 Opera House - Bournemouth, UK Sony ECM-717>Yamaha Pocketrak 2G>USB>Soundforge>dB Music Converter. No eq applied.   2 CDR  
18. 06/03/09 Gloria - Cologne, Germany Grundig FineArts T-IR / AS-IR > SB X-Fi > HDD > WAV > splitting > FLAC, level 8     2 CDR  
19. 07/21/09 Paléo Festival - Nyon, Switzerland sony ecm-717 -> microtrack 24/96 (16bit/48khz) -> music cleaning lab (track splitting) -> flac8 (traders little helper) -> dime     1 CDR 90 notes
20. 10/22/09 Le Zénith - Strasbourg, France Sony ECM-719 + Sony MZ-NH700 MD ( Hi-SP mode ) Transfer : MD master > USB to PC (WAV via Sonicstage) > edit and equalizing with Nero wave editor > dbpoweramp > flac   2 CDR  
21. 07/27/10 Piazza Napoleone - Lucca, Italy FM > Hard Disc > web ITT HiFi4060 Tuner > Audacity 1.3.5 Beta via C-Media CMI8738/C3DX soundcard > 44100hz/16bit wav > 44100hz/16bit flac's (level 8) > dimeadozen.org   1 CDR90  
22. 08/09/11 Huxley's Neue Welt - Berlin, Germany OKM IIr > A3 > EDIROL R-09HR (48/24) > USB > WAV > Adobe Audition 3 (EQing, 44.1/16) > CDwave (tracking) > FLAC frontend (level 6, verify, with align on sector boundaries) > Tracker     1 CDR notes
23. 04/25/12 HMV Picturehouse - Edinburgh, Scotland MCSM-4 Mics, M-Audio Microtrack II @ 24/96 Lineage: M-Audio>PC(USB)>Sampled to 16/44 (Sound Forge)>CD Wave Editor>FLAC(8)   2 CDR  

Primal Scream  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 03/16/04 Shibuya-Ax - Shibuya, Japan bootleg cd > wav > flac lvl8     2 CDR  

Pulp  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 08/10/01 Route du Rock Festival - Saint Malo, France FM ana     1 CDR  

Queens of the Stone Age http://www.qotsa.com/
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 09/12/99 Palookaville - Santa Cruz, CA akgSE300B+CK91[ORTF] > LunatecV2 > SonyD8 > SGI Indy(digi-in) > SoundForge4.5[CDarchitect] > .wav > mkwACT > .shn     1 CDR notes
2. 11/18/02 Dachstock Reithalle - Bern, Switzerland SBD>?>Cassette>Cassette Player>Mini Stereo-Jack Cable>HD Editor : Sakul (aka Obertu) Editing : Tracksplitting and Fixing in WaveLab v4.0 SHN : WAV>MKWAct 0.97>SHN There are some major skips in Track 8 (Gonna Leave You) i couldn't fix. Some minor skips in Track 15 (On Jesus` Program) i fixed are still audible, but not disturbing...Track 12 is an unknown song with Mark Lanegan on vocals. Overall, the sound of this recording is just incredible (though it's Cassette sourced).   1 CDR  
3. 03/31/03 Braden Auditorium - Normal, IL minidisc audience recording Position: taper stood in the middle, about 10 rows back from the stage. Lineage: MD-M > standalone burner > CDR1 > WAV [EAC secure] > FLAC [8] Taper + Transferer: the same guy who taped SP 3/23/94 and 10/19/95   1 CDR  
4. 03/27/05 9:30 Club - Washington, DC FOB recording     2 CDR  
5. 04/16/05 The Fillmore - San Francisco, CA AKG C414B-XLS/ST > Edirol UA-5 (Oade TMOD+) @ 24bit/48kHz > Samsung P30 / WaveLab v5.00 (left of soundboard, hypercardioid setting) -conversion- WaveLab v5.00 (fades) > CDWave v1.93b > FLAC frontend v1.7.1 Source: AKG C414B-XLS/ST > Edirol UA-5 (Oade TMOD+) @ 24bit/48kHz > Samsung P30 / WaveLab v5.00 (left of soundboard, hypercardioid setting)
Conversion: WaveLab v5.00 (fades, resampling, dithering using UV22 HR) > CDWave v1.93b > FLAC frontend v1.7.1
2 CDR  
6. 10/06/05 Belmont Army Surplus Store - Chicago, IL Schoeps MK4s > Nbox > Sony TCD-D100 @ 48kHz Lineage: DAT master > FLAC Transfer: Tascam DA-20 > Sony PCM-R300 > ZNP6 > CEPv2.1 (fades/resample) > CDWave > FLAC   1 CDR notes
7. 11/09/05 Newbury Comics - Boston, MA MD + External Mic Lineage: CDR(M) > xACT extract to .wav > Audacity (Tracking) to .wav > xACT (Align Sector Boundaries) to FLAC (Level 8) Taper: ? Tracked and Seeded: PunkRockster, special thanks to elscorcho1   1 CDR  
8. 12/19/05 The Wiltern - Los Angeles, CA AT831's -> SP-SPSB-1s -> Creative Nomad Jukebox III ( line-in ) Location: Front row of loge Transfer: Creative Nomad Jukebox III > USB > Wav Edit: Wav > Adobe Audition 1.5 > Wav > CD Wave > Wav Conversion: Wav > FLAC Frontend > FLAC   2 CDR notes
9. 05/02/07 XFM radio - London, UK sky digibox --> Sharp MDMT170 --> minidisc --> wav via pc --> flac --> you Tracksplits in PolderbitS   1 CDR notes
10. 05/03/07 100 Club - London, England Sharp MDMT170 --> Vivanco EM 216 --> minidisc --> wav via pc --> flac --> you Tracksplits in PolderbitS No eqing involved - tiny bit of bass distortion in places, overall pretty good sound i think   1 CDR notes
11. 05/06/07 Columbia Club - Berlin, Germany MBHO MBP 603A / KA200N > Sound Devices MP-2 > Edirol R-09 location: inside soundboard cage, 2m stand mic config: DIN (20cm, 90�) record format: 24bit/48.0kHz conversion: SD card reader > USB 2.0 > PC final format: 16bit/44.1kHz editing: WaveLab v5.00 (fades, resample, dither using UV22 HR) tracking: CDWave v1.93   1 CDR  
12. 05/09/07 Elysée Montmartre - Paris, France Sony ECM-719 > Sony Hi-MD RH10 (PCM mode) > USB / Sonic Stage > WAV > Adobe Audition 2.0 (hard limiting on loud hand-clapping, track splitting and normalizing) > shntool (fix SBE) > FLAC Location: 3 meters in front of soundboard cage (~20 meters in front of stage)   1 CDR notes
13. 03/26/11 House Of Blues - Boston, MA DPA 4022 > Oade Warm Mod Marantz PMD-661 [24-bit/48kHz] Lineage : Marantz PMD-661 > USB 2.0 > Amadeus Pro v1.5.4 > .flac [level 8] Location : BOB/DFC, elevated 9' on stand Mics : spaced 19cm pointed at stacks   1 CDR 90 notes
14. 07/31/11 The Showbox - Seattle, WA Microtech Gefells SMS-2000 M20 Caps > Apogee Mini Me > Microtrack II @ 44.1khz 16bit >FLAC     2 CDR  
15. 05/23/13 The Wiltern - Los Angeles, CA CA-14(cards) > CA-Ugly > Sony PCM-M10 @24/44.1 Location: GA Floor, 20' Right Stack Transfer: M10 > usb > MacBook Pro > Adobe Audition > WavePad > xACT > FLAC Raised overall volume and dithered to 16/44, no EQ.   2 CDR notes

R.E.M.  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 05/30/80 40 Watt Club - Athens, GA unknown     1 CDR  
2. 06/06/80 Wuxtry Records - Athens, GA unknown     1 CDR  
3. 10/04/80 Tyrone's O.C. - Athens, GA unknown     1 CDR  
4. ??/??/80 Chronic Murmurings - Athens, GA Bootleg LP "Chronic Murmurings" > WAV > SHN     1 CDR 90  
5. 05/12/81 Tyrone's O.C. - Athens, GA SBD > ? > DAT Transfer: DAT > DA-P1 > Mod. UA-5 > Sound Studio Transferred by DeMatt Harkins   1 CDR  
6. 01/22/82 Friday's - Greensboro, NC SBD Silver > Wav > Flac     1 CDR  
7. 04/24/82 Merlin's - Madison, WI ???>CD>EAC>wave>Flac Frontend level 7>Flac     1 CDR  
8. 05/14/82 Piedmont Park - Atlanta, GA FM Broadcast - WRFG (89.3 FM) Lineage: Silver CD -> EAC -> mkw audio compression toolkit -> SHN > WAV > FLAC-8 Converted by: tom   1 CDR  
9. 07/02/82 The Strand Cabaret - Marietta, GA Silver CD ("Do The Strand" bootleg CD, "Red Robin Records") Lineage: AUD --> ??? --> CD --> CDex to FLAC external encoder   1 CDR  
10. 08/24/82 The Old Waldorf - San Francisco, CA FM (cassette master) -> cassette -> Nakamichi 682ZX -> Sony PCM R-300 DAT (d/a conversion only) -> e-mu 0404 -> Sonar LE 8.5 -> Nero (level boost) -> cd wav -> flac level 8     1 CDR  
11. 09/22/82 First Avenue - Minnneapolis, MN Analog Master>TascamCDRW700>EAC>CDwave>FLAC8     1 CDR  
12. 09/24/82 Huff Gym, University of Illinois - Champaign, IL SBD>>??>>TDK AD90>>SONY TC-WE435 cassetyte deck (sligt speed adjustment to bring it back to correct pitch)>>Cool Edit 2000 (no tweaking except cleaning up start and finish)>>CD-WAV saved to FLAC 6 >> you     1 CDR  
13. 11/06/82 Tupelo's Tavern - New Orleans, LA Aud Analog Master >>> 4th Gen Maxell XLII > BBE 462 Sonic Maximizer > JVC XL R2010 CD Recorder > WAV > FLAC Level 8     1 CDR  
14. 11/16/82 Lawrence Opera House - Lawrence, KS SBD recording -> ? -> Listen Harder (silver disc bootleg CD) -> secure EAC rip -> FLAC -> Dime     1 CDr  
15. 11/25/82 Peppermint Lounge - New York, NY unknown recording gear > low generation cassette (Maxell XL-II) Transfer: Sony Deck TC-WE 475 > gold tipped rca cables > JVC XL-R2010 CD-RW Editing: Soundforge 9.0 > Wav > TLH [SB's aligned] Flac Level 6 Traders Den 6/28/15 Transferred, channels balanced and tracked by kingrue Upload 525   1 CDR  
16. 04/30/83 The Ritz - New York, NY Audience recording >> ??? >> TDK SA C90 >>> Sony TC-WE435 cassette deck >> Cool Edit 2000 >> normalised to -1db >>> CD wave >>> everything else TLH     1 CDR  
17. 05/20/83 The Keystone - Berkeley, CA unknown mics > unknown recorder > low gen cassette. Possible 1st gen, no higher than a 2nd gen. (TDK-SA) Transfer: Sony Deck TC-WE 475 > gold tipped rca cables > JVC XL-R2010 CD-RW Editing: Soundforge 9.0 > Wav > TLH [SB's aligned] Flac Level 6 Track 12 cuts in after the tape flip, A little music missing. There is a tape stop / start between tracks 15 and 16. No music missing. There is a tape stop / start between tracks 17 and 18. No music missing.   1 CDR  
18. 07/08/83 St. Andrew's Hall - Detroit, MI ANA(M)>WAV [96kHz/24bit]>WAV [44.1kHz/16bit]>FLAC [Level 8] Transfer : Nakamichi CR-7A>PreSonus FireStudio Project>Adobe Audition 3.0>Cdwave editor>FLAC frontend 1.7.1 Taping Gear : Sony ECM-939 mic>Sony WM-D6C Cassette Deck Taped By : JEMS Transferred By : Mike Zeigler   1 CDR 90 notes
19. 07/09/83 Larry's Hideaway - Toronto, ON Pressed CD > EAC > SHN     1 CDR  
20. 07/13/83 Paradise Theater - Boston, MA       1 CDR  
21. 07/17/83 Toad's Place - New Haven, CT SONY TC-WE435 cassette deck >> Cool Edit 2000 (almost no tweaking apart from cleaning up the beginnings and ends of each side) >> CD WAV >> Flac 6 >> TLH 2.4.1 >> you     2 CDR  
22. 07/20/83 Ripley's - Philadelphia, PA LP -> K7 -> Flac     1 CDR 90  
23. 09/30/83 Stitchcraft - Athens, GA soundboard     1 CDR 90  
24. 10/31/83 Peppermint Lounge - New York, NY Ana     1 CDR  
25. 11/09/83 Rhythmic Studios - San Francisco, CA Studio Soundboard Lineage: Sbd>cassette(n)>adobe Audition>wav>flac   1 CDR 90  
26. 11/10/83 Kabuki Theater - San Francisco, CA aiwa cm30 > aiwa hs-f1 transfer from master cassettes transfer : markp   1 CDR 90 notes
27. 04/17/84 Exo-7 - Rouen, France FM Broadcast >> low gen >> TDK AD90 (the recording was encoded with Dolby C so I applied this during playback too) >> SONY TC-WE435 >> Cool Edit 2000 (cleaned beginnings/endings and A/B split - no other tweaking) >> CD WAV >> Flac 6     1 CDR  
28. 04/20/84 Theatre Eldorado - Paris, France Master Reels (Recorded by french radio company but NOT broadcast) - I.R.S. DAT - 100 min. Chrome cass. (M) - 1st gen. Chrome cass. Safety copy(THIS COPY) - CDR - Flac - world     1 CDR  
29. 04/25/84 The Gallery - Manchester, England master Ana -> ?? -> FLAC     1 CDR 90  
30. 06/17/84 The Catalyst - Santa Cruz, CA Nak 300>Sony TCD-5m Transfer: Nak Dragon>Apple G4/RME soundcard>Peak Editing>Jam Burning Dolby B NR decoded on playback The master from this show was stolen, so this is from a 1st gen copy. master>ana(1)>cdr(1)>flac   2 CDR notes
31. 06/24/84 Warfield Theatre - San Francisco, CA Trade tape > Computer WAV > Cool Edit (track separation) > CD-R > EAC v0.99 > Computer WAV > TLH v2.4.1 > FLAC 8 > DIME > you     1 CDR 90  
32. 06/27/84 The Music Hall - Seattle, WA Original silver CD > EAC > Shorten v3.5.1 > SHN     1 CDR  
33. 07/16/84 The Playpen - Wildwood, NJ Audience master > ? > Cassette > CDR > dBpowerAMP > WAV > FLAC Frontend > Flac files     1 CDR  
34. 07/28/84 Fox Theater - Atlanta, GA silver bootleg CD>EAC>WAV>FLAC     1 CDR  
35. 09/15/84 The Bowery - Oklahoma City, OK ECM939T > Sony D6 > Maxell XLII Lineage: Audience Master > MacBook Pro > Peak Pro XT (Indexing/Edits) > CDR > xACT 1.59 > Flac   1 CDR 90  
36. 09/23/84 Park Center - Charlotte, NC Unknown mics > DAT > 1st generation analog TRANSFER: Pioneer CT-W103 > Audiophile 2496 > Cool Edit Pro > CD Wave > FLAC   2 CDR  
37. 09/26/84 Page Auditorium, Duke University - Durham, NC Soundboard Bootleg vinyl > CDR > dBpowerAMP > WAV > FLAC Frontend > Flac files     1 CDR 90  
38. 09/29/84 Florida Atlantic University - Boca Raton, FL SBD(?) > ? > CDR > AudioCrusher > WAV > FLAC Frontend > FLAC     1 CDR  
39. 10/02/84 McAllister Auditorium, Tulane University - New Orleans, LA Sony TC-D5M, Sony ECM-??? mic -> Denon DXM cassette masters-> Sony TC-WE625 -> -> Cool Edit Pro (edits, fades, EQ on "Carnival of Sorts" -> CD Wave (splits) -> FLAC (sector boundaries aligned)     2 CDR  
40. 11/21/84 Rock City - Nottingham, England SBD tape supplied by Tim > Adobe Audition 1.5 > wav > Feurio!-CDAudio > EAC > wac > flac     2 CDR  
41. 11/21/84 Rock City - Nottingham, England FM>Cassette Deck>Nero Wave Edit>FLAC     1 CDR  
42. 12/02/84 Lyceum Ballroom - London, England Audience master > ? > Cassette > CDR > dBpowerAMP > WAV > FLAC Frontend > Flac files     1 CDR 90  
43. 05/10/85 Stock Pavillion - Madison, WI boot "Welcome to the Hoedown" (CD)     1 CDR  
44. 05/10/85 Stock Pavillion - Madison, WI Soundboard > ? > Cassette > CDR > dBpowerAMP > WAV > FLAC Frontend > Flac files     1 CDR 90  
45. 06/27/85 Workroom, Warwick University - Coventry, England low gen tape (thanks Tim)>Audition 1.5>wav>flacfrontend 1.7.1     1 CDR 90  
46. 07/12/85 Paramount Northwest Theater - Seattle, WA Sony ECM-939 mic > Sony Walkman D6C (Dolby C on, Sony UCX-S90 CrO2 tape) Seat: Main Floor row JJ, seats 9/10 (see below) Transfer: Master cassette > Nakamichi CR-7A azimuth adjusted > Peak 5.2 > FLAC   2 CDR  
47. 07/20/85 Greek Theatre - Berkeley, CA 1st gen. cassette ---> WAV capture M-Audio ---> Adobe Audition ---> FLAC 1st generation copy Recording hardware unknown   0  
48. 07/23/85 Civic Auditorium - Santa Cruz, CA Lineage: Audio CD-R->EAC->WAV->Trader's Little Helper->SHN     2 CDR 90  
49. 08/16/85 Concert Hall - Toronto, ON unknown gear > low generation cassette (TDK-SA) (2 channel mono audience recording) Transfer: Sony Deck TC-WE 475 > gold tipped rca cables > JVC XL-R2010 CD-RW Editing: Soundforge 9.0 > Wav > TLH [SB's aligned] Flac Level 6   2 CDR  
50. 08/28/85 The Tower Theatre - Upper Darby, PA Audience cassette master > Cassette > dak's wave editor>wav>flac Equipment: Sony TCD-6M/Nacamichi CM-300   2 CDR notes
51. 08/29/85 DAR Constitution Hall - Washington, DC audience master cassette > my cassette > Nakamichi BX-2 with azimuth adjustment done > digitize via Audacity > FLAC 8 via xAct A RAW TRANSFER : What you hear is what I have No noise reduction or eq was applied. Tape player (Nakamichi BX-2) azimuth adjustment was done.   2 CDR  
52. 08/31/85 Radio City Music Hall - New York, NY Sony TCD-6M/Nacamichi CM-300 > Audience cassette master > Cassette > Cassette > CDR > dBpowerAMP > WAV > FLAC Frontend > Flac files     2 CDR  
53. 10/15/85 Salle Molière - Lyon, France master K7 tape > SB Live > Adobe Audition > Wav > Adobe Audition (denoising & editing) > Wav > Flac Frontend (level 8/sector boundaries aligned)     1 CDR  
54. 10/29/85 Hammersmith Palais - London, England silver commercial boot CD>EAC>FLAC     1 CDR  
55. 12/06/85 Washington And Lee University - Lexington, VA Audience cassette master > Cassette > Cassette > CDR > dBpowerAMP > WAV > FLAC Frontend > Flac files     1 CDR 90  
56. 09/06/86 Assembly Hall, Indiana U - Bloomington, IN sony recordable walkman with a stereo radio shake mic     2 CDR  
57. 09/20/86 Dallas Fair Park Bandshell - Dallas, TX 2 x Sony Mic ECM33F > Marantz PMD430 > Maxell XLII Location: General Admission (15 Feet from stage, dead center) Transfer: Mater cassette > AKAI GX-R60EX > Sound Forge > Cool Edit Pro (volume smoothing) > CDR   1 CDR 90  
58. 09/30/86 Universal Amphitheatre - Universal City, CA Glen's low gen tape>Audition 1.5>wav>flacfrontend 1.7.1 So. Central Rain - Pageantry LP>Rega Planar 3>Gram Amp 2>Sony PCM-M1>Audition 1.5>wav>flac flacfrontend 1.7.1     2 CDR  
59. 10/01/86 Coliseum Arena - Oakland, CA ANA(M)>WAV [96kHz/24bit]>WAV [44.1kHz/16bit]>FLAC [Level 8] Transfer: Nakamichi CR-7A>PreSonus FireStudio Project>Adobe Audition 3.0>Cdwave editor>FLAC frontend 1.7.1 Taping Gear: Sony ECM-939>Sony WM-D6C Transferred By: Mike Ziegler   2 CDR notes
60. 10/04/86 Paramount Northwest Theater - Seattle, WA Sony ECM-939 stereo mic > Walkman D6-C master cassette > Nakamichi CR-7A > M-Audio Transit/Peak > TC Finalizer > Master CD-R > FLAC   2 CDR notes
61. 10/05/86 UBC Gym - Vancouver, BC Sony ECM-939 mic > Sony Walkman D6C (Dolby C on, Sony UCX-S90 CrO2 tape) Transfer: Master cassette > Nakamichi CR-7A azimuth adjusted transfer (1/07) > Peak 5.2 (index and normalize) > FLAC   2 CDR notes
62. 10/19/86 UIC Pavilion - Chicago, IL Lapel stereo mic (model unknown)/Sony Pro Walkman cassette recorder => Analog cassette master => Magix Audio Cleaning Lab => WAV > FLAC Frontend (Level 8) (Align on sector boundaries & Verify) Audio Cleaning Lab was used to split tracks only. No further processing has been done.   2 CDR  
63. 10/27/86 Massey Hall - Toronto, ON Sony D-6/Nacamichi CM-300 > Audience cassette master > Cassette > CDR > dBpowerAMP > WAV > FLAC Frontend > Flac files     2 CDR  
64. 11/04/86 Cumberland County Civic Center - Portland, ME mics unknown > cassette Transfer: 1st gen. cassette > Tascam CD-A700 > Behringer UB1240FX-Pro > Phonic Digitrack > Cool Edit Pro > .wav > .flac   2 CDR  
65. 11/06/86 Felt Forum - New York, NY ???     2 CDR notes
66. 11/07/86 Felt Forum - New York, NY AUD > Sony 909 mics > Sony D6 > cassette (master) > Tascam 424 Mk II > Sony PCM-M10 (Line In, 24/48) > WAV > SoundStudio > FLAC (16/44) transferred and digitally mastered by neil d   2 CDR notes
67. ??/??/86 John Keane's Studio - Athens, GA Silver CD ("Lifes Rich Pageant And More" bootleg CD, WHO AM I WAI022) Lineage: CD --> CDex --> WAVs --> FLAC   1 CDR  
68. 01/??/87 Document Demos - Athens, GA Studio --> ??? --> Silver CD ("Sleeping Songs" bootleg CD, Dynamite Studio DS94J105) Lineage: CD --> CDex --> WAVs --> FLAC   1 CDR  
69. 09/12/87 Hammersmith Palais - London, England ??? "Camden Market" style tape purchased days after the gig in 1987. Thanks to DABS. Conversion: TDK D90>Pioneer CT-W830R>M Audio Audiophile 192@48khz>Adobe Audition>Wav>Flacfrontend 1.7.1   2 CDR  
70. 09/14/87 Muziekcentrum - Utrecht, Holland SBD Silvers > Wav > Flac     1 CDR 90  
71. 11/13/87 Oakland-Alameda County Coliseum - Oakland, CA D5 deck and Nak 300 mics Conversion by Butterking for JEMS: Master cassette > DAT 32 bit for storage > Oct 2007 transfer to Wav at Peak 5.2 Prep for DIME by Clumsiloe: Wav > Audition 1.5 > Wav > Flac   2 CDR notes
72. ??/??/88 The Complete Green Demos - Athens, GA Studio --> ??? --> Unknown-gen cassette Lineage: cassette --> SBLive --> CD-Wave --> CDR --> CDex --> FLAC   1 CDR  
73. 03/18/89 A.S.U. Activities Center - Tempe, AZ Master Cassette Transfer: Nak CR-7A > Gentle JEMS remaster via TC Finalizer > Marantz CDR-610 Remastered CD-R > FLAC   2 CDR  
74. 04/10/89 Madison Square Garden - New York, NY AUD > Sony 929 > Sony D6 > cassette (master) > Tascam 424 Mk II > Sony PCM-M10 (Line In, 24/48) > WAV > SoundStudio > FLAC (16/44) Transferred and digitally mastered by neil d   2 CDr notes
75. 04/??/89 Miami Arena & Orlando Arena - Miami & Orlando, FL "It's The End Of The World" Bootleg CD (Kiss The Stone Records Italy KTS005) -> WAV -> FLAC ( -> WAV -> SHN ·cbx·)     1 CDR  
76. 05/15/89 Megaland - Landgraaf, Holland Liberated Bootleg: "The Dream"     1 CDR  
77. 05/26/89 Newcastle City Hall - Newcastle, England ??     2 CDR  
78. 06/15/89 Palatrussardi - Milan, Italy Radio broadcast > n generation tape > TEAC Tape Deck AD-RW900 > Creative Sound Blaster Recon 3D > HD > SoundForge Pro 10.0 > CD Wave > FLAC Frontend (level 6)     2 CDR  
79. 09/30/89 Alpine Valley Music Theatre - East Troy, WI Unknown analog master => cassette => cassette => Stand-alone Pioneer CD burner => CDR => EAC => Magix Audio Cleaning Lab => Export to WAV => FLAC (level 8)     2 CDR  
80. 10/20/89 Concord Pavilion - Concord, CA Nakamichi cm300 > sony tcd5m     2 CDR notes
81. 11/13/89 Fox Theater - Atlanta, GA CDR >> EAC >> TLH >> FLAC 6 >> You     2 CDR  
82. 03/15/91 The Borderline - London, England Original Silver cds (Red Phantom RPCD 2038/2039) > EAC (secure) > FLAC Frontend (Level 8 with verify) > FLAC     2 CDR  
83. 03/22/91 Shocking Club - Milan, Italy Silver CD > EAC > Flac     1 CDR  
84. 04/03/91 KCRW Studios - Santa Monica, CA KCRW-FM broadcast > 1st generation cassette (Maxell-XL-II) Transfer: Sony TC-WE 475 > gold tipped cables > JVC XL-R2010 CD-RW (44.1 Hz) Editing: Soundforge (tracking) > WAV > TLH [SB's aligned] Flac level 8 Traders Den 5/12/16 Transferred and Tracked by kingrue upload 796   2 CDr  
85. 04/24/91 MTV Unplugged - New York, NY ???     1 CDR  
86. 04/28/91 Mountain Stage, Cultural Center Auditorium - Charleston, WV Pre FM SB>?>Cassette>CDR>EAC>SHN     2 CDR  
87. ??/??/91 Out-Takes Of Time - Studio, Demos       1 CDR  
88. 11/19/92 40 Watt Club - Athens, GA mp3 (128/44)     1 CDR  
89. 02/25/95 Forum di Assago - Milan, Italy 2-CD bootleg "Revolution", discs labeled "B.I.G. 102/103" Lineage: original silvers -> grip/cdparanoia -> flac 1.1.2 level 8 -> WAV Quality: not excellent, but a good audience recording   2 CDR  
90. 05/16/95 Shoreline Amphitheatre - Mountain View, CA Schoeps Mk4 > RMOD > D7 DAT Master @ 16bit/48kHz processing: DAT Master > tascam da45-hr > sd usbpre2 > adobe audition > cdwav > tlh flac 8 these are 16bit/48kHz flac files   2 CDR  
91. 07/30/95 Milton Keynes Bowl - Milton Keynes, England FM (WBCN Boston) > DAT > DAT Transfer: DAT 60ES > M-Audio Audiophile USB > WAV > Flac Problems: d1t13 0.5 sec dropout d1t14 0.2 sec do d1t16 0.05 sec do d2t04 0.5 sec do d2t07 0.5 sec do d2t08 0.1 sec do d2t02 2 sec diginoise All dropouts removed. Diginoise remains.   2 CDR  
92. 11/18/95 The Omni - Atlanta, GA Soundboard Lineage: 2 x first generation Sony UX Pro 90s IEC II/Type II High Bias. Transferred to CD by JEMS. CD>EAC>Flac   2 CDR  
93. 07/19/99 Stirling Castle - Stirling, Scotland Sony MS-907 Electret condenser mic >>> Sony MZ-R35 MD recorder (recorded in mono. Stereo is just a short lived gimmick. Stop whining >>> Cool Edit 2000 (normalised) >>> Flac Front End (6)     2 CDr  
94. 08/09/99 Greek Theater - Los Angeles, CA Schoeps MK4s > Rmod box > D100 DAT Conversion: Fostex D5 > DIO2448 > Soundforge 7.0a > shntool 2.0.3   2 CDR  
95. 08/11/99 Irvine Meadows - Irvine, CA Schoeps MK4s > rmod > D-100 (no sbm) > CDR This show has been mistakenly labeled as a soundboard on many lists. It is actually a VERY high-end audience recording. This exact source was used for a CD-R bootleg titled "Stand Up".   2 CDR  
96. 09/04/99 Jones Beach Amphitheater - Wantagh, NY Sony ECM-929 mic > Sony TCD-D8 > Sony DG90P Master Transfer Playback: Sony DAT Deck DTC-ZE700 > Optical Cable > JVC XL-R2010 CD-RW Transferred, Channels Balanced and Tracked by kingrue upload 458.   2 CDR  
97. 09/05/99 Blockbuster-Sony Music Center - Camden, NJ Sbd > ? > flac     2 CDR  
98. 08/29/03 Thunderbird Stadium - Vancouver, BC Core Sound Binaurals > Sound Professionals Pre-Amp w/ Bass-Roll Off @ 107hz > Sony MZR70 > Kenwood MD-203 > S/PDIF > Cool Edit 2 > CDWAV LOCATION: Mics clipped to front-row security fence about 2' from right stacks.   2 CDR notes
99. 10/29/03 The Avalon - Los Angeles, CA FM Broadcast > Panasonic E80 DVD Recorder > DVD > Extracted 48/16 .WAV > Downconverted to 44/16 (CE2K with Quality at 700 and Pre/Post Filter) Recorded live on WBOS 92.9 in Boston using Denon 3803 Receiver. Analog output fed directly into Panasonic E80 DVD Recorder and recorded to HDD in LPCM (48/16) with no video (don't moan... it's either A to D in the receiver or in the DVD recorder and since the DVD recorder doesn't have a digital input, that's what I chose.). Recording burned to DVD and audio extracted digitally. Converted to 44/16 using CoolEdit 2000.   2 CDR  
100. 09/15/04 St. James Church - London, England Sony ECM-717 > Sony MZ-N707 MD (stereo setting) -> Cool Edit Pro 2.0 -> FLAC     1 CDR 90 notes
101. 10/02/04 Gund Arena - Cleveland, OH Sonic Studios DSM-6 => Sony M-1 DAT => CDR => EAC => Magic Audio Cleaning Lab (for splitting tracks) => WAV => FLAC (level 8)     1 CDR notes
102. 10/19/04 Fox Theater - St. Louis, MO Schoeps MK4Vs > VMS-5U > SBM-1 > D100 Conversion: Fostex D5 > SP/DIF > DIO2448 > Soundforge 7.0b > shntool 2.0.3 > flac 1.1.0   2 CDR  
103. 10/25/04 Auditorium Theater - Chicago, IL SP-BMC-6 in croakie>SP-SPSB-6 (bass roll-of set at 195Hz)>MZ-R700>download through MovieStar to Vaio laptop>CD Wave Editor 1.93.3>FLAC Location: Row M, Center Orchestra   2 CDR notes
104. 01/07/05 Pavilhão Atlântico - Lisbon, Portugal Sony MD MZR-70 > Core Binaurals edited: WAV > cd wav > flac frontend   1 CDR notes
105. 01/17/05 Hala Tivoli - Ljubljana, Slovenia Sound Professionals SP-CMC-2A cardioid mics > SP-SPSB-6 Battery Box >Sony Hi-MD MZ-NH900 in PCM (uncompressed) stereo mode >Sony Sonic Stage -> digital transfer to PC via USB cable -> WAV > Cool Edit Pro 2.0 > CD Wave > Flac Frontend 1.7.1     2 CDR notes
106. 01/19/05 Dom Sportova - Zagreb, Croatia Sound Professionals SP-CMC-2A cardioid mics -> SP-SPSB-6 Battery Box -> Sony Hi-MD MZ-NH900 in PCM (uncompressed) stereo mode -> Sony Sonic Stage -> digital transfer to PC via USB cable -> WAV -> Cool Edit Pro 2.0 -> CD Wave -> Flac Frontend 1.7.1     2 CDR notes
107. 03/18/05 Grand Cube Osaka - Osaka, Japan AUD Recording (Mic&Battery Box Not Disclosed Here) > TCD-D100 >Santa Cruz Turtle Beach > Sound Stream(Spin Doctor)>WAV> Flac Frontend > FLAC (level 6)     2 CDR notes
108. 06/10/05 Stadio Olimpico - Rome, Italy flac     2 CDR  
109. 06/30/07 The Olympia Theatre - Dublin, Ireland Sony ECM MS907 electret condenser mic >Sony MZ-R35 Minidisc recorder > Cool Edit 2000 CD Wave > Flac Level 6     1 CDR 90  
110. 07/01/07 The Olympia Theatre - Dublin, Ireland Sony ecm-ds70p > Sony mz-n1 (uncompressed PCM wav) Taped from the front row (Mike side). Sound levels were a little too high for my mic so some clipping occurs. Still quite listenable recording. Transfer: usb > Sonic Stage > wav > Audacity (fades, track splits) > Flac Fronted (level 5)   1 CDR 90 notes
111. 07/03/07 The Olympia Theatre - Dublin, Ireland - Sound Professionals SP-CMC-2 cardioid mics > SP-SPSB-6 Battery Box > Edirol R09 (WAV 24 bit / 44.1 KHz mode) > Adobe Audition 2.0 (remastering and downmix to 16 bit mode) > CDWAV     1 CDR 90 notes
112. 07/04/07 The Olympia Theatre - Dublin, Ireland - Sound Professionals SP-CMC-2 cardioid mics - SP-SPSB-6 Battery Box - Edirol R09 (WAV 24 bit / 44.1 KHz mode) - Adobe Audition 2.0 (remastering and downmix to 16 bit mode) - CDWAV     2 CDR notes
113. 07/05/07 The Olympia Theatre - Dublin, Ireland SP-CMC-2>SP-SPSB6>Sony Minidisc Recorder MZ-R37 mono mode 1. Recording level was set way too low on Track One, this was boosted offline, but this track sounds muddier than the others as result of my original error. 2. Recorded from rear of middle floor. Treble has been boosted a tad to counteract the muddiness of sound back there, it's best I can do. It sounded a touch harsh on my ipod, but fine on other systems. 3. Sample of Welcome To The Occupation attached below. 4. I didn't split into disc 1 and disc 2, but before On The Fly is a decent place to split it (approx 52 mins). 5. Thanks to Mr Matthijs without whose last minute technical wisdom there would be no recording of this set. Thanks.   2 CDR notes
114. 03/08/08 Langerado - Big Cypress, FL Milab VM-44 Link -> Lunatec V2 -> Korg MR-1000 (1bit/2.8MHz DSD) Location: fob, 10 right of center, 8 stand Transfer: Korg MR-1000 -> AudioGate (16/44) -> CD Wave -> FLAC   1 CDR 90  
115. 03/12/08 Stubb's Bar-B-Q - Austin, TX unknown - FLAC     1 CDR 90  
116. 03/24/08 Royal Albert Hall - London, England Edirol R09 (WAV; 16 bit; 44,1 kHz), internal mics > Audacity > flac taper location: Circle V; not the best place for perfect sound   1 CDR notes
117. 03/24/08 Royal Albert Hall - London, England Roof mounted Aerial > Pioneer F-204RDS > Edirol R-09 > Adobe Audition 2.0 Wav 44.1 khz 16 bit > flac level 8     1 CDR  
118. 05/29/08 Hollywood Bowl - Los Angeles, CA Sonics>Sony D7 DAT>ProTools (for level adjustment, compression, eq, and song separation)>flac A bit distant, but a good sounding show. Good even mix with clear vocals. Check the samples. Band came out and went into first song with lights barely dimmed. Beginning of Pretty Persuasion missing and there are a few glitches in the song. Sorry.   2 CDR notes
119. 06/01/08 Greek Theater - Berkeley, CA Core Sound Binaurals > Edirol R-09 - Sound Forge > FLAC Recorded from the 4th row, 20' left of center.   2 CDR  

Radiohead http://www.radiohead.com
  Date Venue - City, State Source Tech Note Source Notes Media  
1. ??/??/91 Three On A Friday Demos - London, England       1 CDR  
2. 11/14/92 Student's Union, University of Essex - Colchester, UK Master Cassette->Digi001/Logic Pro->AIFF->FLAC(5) sbd Radiohead Nov. 14, 1992 Colchester, UK---sbd/flac 1 CDR  
3. 02/18/93 Joiner's Arms - Southampton, England Unknown Analog > Unknown Transfer > CDR > EAC > Flac     1 CDR  
4. 02/23/93 Black Sessions - Paris, France ?     1 CDR  
5. 05/04/93 King Tut's Wah Wah Hut - Glasgow, UK ?>Maxell UR90 C90>Sansui D-99MW>GoldWave 5.10>FLAC frontend 1.7.1 Etree edition     1 CDR  
6. 05/05/93 Haarlemhout - Haarlem, Holland FM > ?Gens > SHN     1 CDR  
7. 06/20/93 Passage Du Nord West - Paris, France ?     1 CDR  
8. 06/30/93 Cabaret Metro - Chicago, IL Sony D-3 DAT recorder (16bit-48kHz) > ECM-S220 Mic > S/PDIF opical IN (PC) >CoolEdit Pro/Adobe Audition 3.0 additional info : Recorded From Balcony, First Row Center The Sony DAT D-3 can only record at 48khz, so all of my early DAT recordings are at 48khz.   1 CDR notes
9. 09/02/93 Signal Radio Session - Cheshire, England FM > ANA > CDR     1 CDR  
10. 10/15/93 Riviera Theatre - Chicago, IL ECM-S220>D3>DAT-M>CDR3>SHN CD>WAV>SHN: Toshiba SD-M1502>EAC v09>MKW   Source: ECM-S220>D3>DAT-M>CDR3>SHN CD>WAV>SHN: Toshiba SD-M1502>EAC v09>MKW 1 CDR  
11. 02/21/94 Royal Berks Social Club - Reading, England       1 CDR  
12. 05/27/94 Astoria Theatre - London, England Digital transfer from VHS, this one has been transfered with love and care     1 CDR  
13. 06/26/94 Worthy Farm - Pilton, England In Concert---Show 601" TCD-0793 CD(M) > CDR > SHN > WAV > FLAC   BBC Transcription Services CD "In Concert---Show 601" TCD-0793 CD(M) > CDR 1 CDR  
14. 10/06/94 Exeter University - Exeter, UK > Sony WM-F2097 > Sony ECM 909 Mic > Master tape > Line In (PC) > Cool Edit Pro 2.0     1 CDR notes
15. 12/02/94 Melkweg - Amsterdam, Netherlands CD-R > EAC > WAV > Soundforge 6.0 > FLAC Frontend > FLAC > Md5Summer   Taper: Unknown Source: Analog Transfer: CD-R > EAC > WAV > Soundforge 6.0 > FLAC Frontend > FLAC > Md5Summer Filesize: 739 MB WAV, 383 MB FLAC Compiled + Mastered + Transfered By: Joe Cooper (Thierry Henry) Seeded: 2004-09-08 1 CDR  
16. 12/13/94 Beacon Theatre - New York, NY CD-R > EAC > WAV > Soundforge 6.0 > FLAC Frontend > FLAC > Md5Summer     1 CDR  
17. 02/21/95 Black Session - Paris, France ?     1 CDR  
18. 02/27/95 2 Meter Session - Nederhorst den Berg, Netherlands Unknown Source (probably FM Broadcast) --> Tested with Anal Freq --> Confirmed by GDub --> Converted to shn using mkw.     1 CDR  
19. 03/24/95 The Forum - London, England ?     1 CDR  
20. 06/06/95 RPM Club - Toronto, ON CD-R(1) -> EAC -> CD WAV Editor* -> SHN   SBD -> CD-R(1) -> EAC -> CD WAV Editor* -> SHN 1 CDR  
21. 06/13/95 Mercury Cafe - Denver, CO FOB:MarcSounds>D7 DATmaster>CD>FLAC   Source: FOB:MarcSounds>D7 DATmaster>CD 1 CDR  
22. 06/13/95 Mercury Cafe - Denver, CO FOB:MarcSounds>D7 DATmaster>CD   Source: FOB:MarcSounds>D7 DATmaster>CD 1 CDR  
23. 07/10/95 Sailors Union of The Pacific - Seattle, WA SONY ECM909 > SONY WM-D3 (Master)   Source: SONY ECM909 > SONY WM-D3 (Master); Nakamichi DR-3 (Master) > SONY PCM-R300(SBM) > M-Audio AP2496>SF XP4.5> CDWave1.6 > mkwACT0.97b; Note: No DAT gens, Nakamichi DR-3 playback of Master (TDK SA-X100) > SONY PCM-R300 SBM @ 44.1kHz. 1 foot interconnects. 1 CDR  
24. 08/04/95 Cat's Paw Studios - Atlanta, GA FM > DAT > Wav > Flac     1 CDR  
25. 11/06/95 Corn Exchange - Cambridge, UK BBC Transcription Services "In Concert" CD(M) > CDR     1 CDR  
26. 12/01/95 Gino - Stockholm, Sweden fm>Cassette master>MD>CDR>EAC>flac   fm>Cassette master>MD>CDR>EAC>flac 1 CDR  
27. 12/04/95 Paradiso - Amsterdam, Holland Silver Disc Rip: Planet Paradiso     1 CDR  
28. 12/12/95 The Warehouse - Toronto, ON Linage My Silver CD (Moonraker label) > EAC >Flac 8 >Dime     1 CDR  
29. 03/29/96 The Wiltern - Los Angeles, CA unknown mics > DATc > CDR1 > SHN     2 CDR  
30. 04/13/96 Avalon - Boston, MA SBD CD > EAC > SHN   Show recorded for the bootleg "The Best Thing That You Ever Had" 1 CDR  
31. 05/27/96 Pinkpop Festival - Landgraaf, Netherlands FM Braodcast > ? > cdr > EAC > MKW > SHN   source: FM Broadcast > ? > cdr > EAC > MKW > SHN 1 CDR  
32. 07/14/96 T In The Park - Glasgow, Scotland Silver CD : Live From Planet Earth     1 CDR  
33. 08/26/96 Hershey Park - Hershey, PA Unknown mic->unknown DAT->M1->egosys 2496->soundforge 5.0->cdwav->shn     1 CDR  
34. 06/24/97 Vredenburg - Ultrecht, Netherlands FM Radio Broadcast   FM Radio Broadcast CD>WAV>SHN : Solomon Berger (supahman@home.com) EAC(all tracks 100%) > mkw compression tool *requires an 80 min cd-r* 1 CDR  
35. 06/28/97 Glastonbury - Glastonbury, England CDR>EAC>WAV>FLAC FRONTEND>FLAC     2 CDR  
36. 08/16/97 Lakewood Civic Center - Cleveland, OH CSB > DAT-M > ANA1 > DAT3 > CDR1 > dEdit > SHN     2 CDR  
37. 08/24/97 Electric Factory - Philadelphia, PA Sony ECM-737 > Sony WM-D6 > ANA-M > DAT1 @48k Transfer: Tascam DA-30 MKII > coaxial cable > Marantz CDR 630 standalone SHN: CDR1 > EAC v09 > CD Wave > MKW   2 CDR  
38. 09/03/97 Astoria Theatre - London, England unknown mic -> D6 -> ANA-M -> DAT -> CDR -> Cool Edit Pro -> Flac Frontend     1 CDR  
39. 09/04/97 Bridlington Spa - Bridlington, England unknown     2 CDR  
40. 10/22/97 Palais des Sports - Toulouse, France ?     2 CDR  
41. 01/24/98 Akasaka Blitz - Tokyo, Japan Sonic Studios (DSM-6S) > Sony TCD-D100 > DAT1 @48k Transfer: Tascam DA-30 MKII > coaxial cable > Marantz CDR 630 standalone SHN > FLAC: CDR1 > EAC v09 > CD Wave > SHN > WAV > FLAC   1 CDr  
42. 04/01/98 Universal Amphitheatre - Los Angeles, CA Core Sound Binaurals > Sony TCD-D8 Lineage: DAT Master 16/48 > FLAC Transfer (BLG): DA-20 > coax > Marantz PMD-670 > usb reader > Adobe Audition > iZotope Ozone 5 > WavePad > xACT > FLAC   2 CDR notes
43. 09/20/00 Esplanade François Mitterand - St Denis, France ECM 717>D8 DATM>?>CDR*>EAC(incl. logs)>CDR(data)>FLAC Frontend(l.8, verify) Tags with foobar2000   2 CDR notes
44. 09/29/00 Glasgow Green - Glasgow, Scotland Unknown DAUD > DAT > CDR > ? > EAC > SHN     2 CDR  
45. 10/20/00 Greek Theater - Los Angeles, CA Core Sound Binaurals -> Sony TCD-D100 Lineage: DAT(1) 48khz -> FLAC Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC   2 CDR  
46. ??/??/00 Unplugged Again - Compilation, Compilation shorten     1 CDR  
47. 06/20/01 Red Rocks Ampitheatre - Morrison, CO Unknown DAT > Flac > Wav > Cd-r   Unknown DAT > Flac > Wav > Cd-r 2 CDR  
48. 06/30/01 Santa Barbara Bowl - Santa Barbara, CA DPA 4061’s > CSBox > Sony PCM-M1 Lineage: DAT Master 16/48 > FLAC Transfer (BLG): DA-20 > coax > Marantz PMD-670 > usb reader > Adobe Audition > iZotope Ozone 5 > WavePad > xACT > FLAC   2 CDR notes
49. 09/14/01 Odyssey Arena - Belfast, Ireland Sony Mini disc with Mz-R30 MD recorder and Sony ECM 909 mic     2 CDR notes
50. 07/24/02 Coliseu dos Recreios de Lisboa - Lisbon, Portugal       2 CDR  
51. 03/30/03 Hail To The Thief Sessions - Unknown, Unknown       1 CDR  
52. 06/24/06 Greek Theater - Berkeley, CA Sony PCM-M1 + Sony ECM-77b (x2) Transfer: DAT Master (48/16) --> Tascam DA-20 --> Sony PCM-D100 --> Audacity (44.1/16) --> Trader's Little Helper --> FLAC 8   2 CDr  
53. 08/28/06 Heineken Music Hall - Amsterdam, Netherlands at943 - SP-SPSB-6 (Bass Roll-off at 107 HZ) - Sony PCM-M1 at 44.1 Khz Transfer : Sony PCM-M1 > Oade 7-pin active cable > Phonic Digitrack (S/PIDIF in) > USB > PC > Soundforge 8.0 > Cdwave > Flac (8)   2 CDR notes
54. 05/18/08 Superpages.com Center - Dallas, TX Neumann KM140s > Sound Devices MP2 > Edirol R09 (24/48) wav > Adobe Audition (24/48 -> 16/44) > CDwave > FLAC   flac16: Neumann KM140s > Sound Devices MP2 > Edirol R09 (24/48) wav > Adobe Audition (24/48 -> 16/44) > CDwave > FLAC 2 CDR  
55. 05/18/08 Superpages.com Center - Dallas, TX >Edirol R9 (24bit/48kHz) (Line In) > Core Sound HEB (4060) > Adobe Audition > CDWAVE > FLAC (level 6) Recorded from the pit (right side of the pit, directly in front of the PA)   2 CDR notes
56. 05/18/08 Superpages.com Center - Dallas, TX >IRIVER H320 >Audiotechnica Omnidirectional Mics >Wave>Sony Soundforge 8.0 >FLAC Recorded Lawn Middle section right by the walkway.   2 CDR notes
57. 06/09/08 Palais Omnisports Paris Bercy - Paris, France at943c > SPSB-2 (rolloff @ 107hz) > Edirol R-09 (16 bit/44.1 khz) Location: FOB, dead center WAV > FLAC: Edirol R-09 > PC > Soundforge v8.0a > CD Wave v1.6 > FLAC Frontend v1.7.1 (level 8)   2 CDR notes
58. 06/09/08 Palais Omnisports Paris Bercy - Paris, France EDIROL R09-HR > wav 24/48 > Audition3 > wav 24/48 > flac24 Location: in the exact middle of the scene, facing the boys in the sitted area(a bit far away but...) Edit: Adobe Audition 3   2 CDR notes
59. 06/10/08 Palais Omnisports Paris Bercy - Paris, France at943c > SPSB-2 (rolloff @ 16hz) > Edirol R-09 (16 bit/44.1 khz) Location: FOB, center WAV > FLAC: Edirol R-09 > PC > Soundforge v8.0a > CD Wave v1.6 > FLAC Frontend v1.7.1 (level 8) Recorded and Transferred by: funkymunkey   2 CDR notes
60. 06/10/08 Palais Omnisports Paris Bercy - Paris, France at943 - SP-SPSB-8 (Bass Roll-off at 107 HZ) - Edirol R09 at 16 bit 44.1 Khz Transfer : SD card > SDslot > PC > Audition 1.5 > Normalized > Cdwave > TLH > FLAC (8)   2 CDR notes
61. 06/12/08 Parc del Forum -- Daydream festival - Barcelona, Spain Sony MiniDisc MZ NHF 800,micro Aiwa stereo     2 CDR notes
62. 06/14/08 Arènes - Nîmes, France SP-CMC-8(cardioid-low sensitivity) -> SP-SPSB10(rocker on are 1-4, for right and left) -> Editol R-09, 48khz-24 bit -> Audition(normalisation) -> Audition 44khz-16 bit -> CD Wave(tracksplit) -> Db Power Amp(flac8)     2 CDR notes
63. 06/14/08 Arènes - Nîmes, France at943 - SP-SPSB-8 (Bass Roll-off at 107 HZ) - Edirol R09 at 16 bit 44.1 Khz Transfer : SD card > SDslot > PC > Audition 1.5 > 10 bd boost > Cdwave > TLH > FLAC (8)   2 CDR notes
64. 06/15/08 Arènes - Nîmes, France SP-CMC-8(cardioid-low sensitivity) -> SP-SPSB10(rocker on are 1-4, for right and left) -> Editol R-09, 48khz-24 bit -> Audition(normalisation) -> Audition 44khz-16 bit -> CD Wave(tracksplit) -> Db Power Amp(flac8)     2 CDR notes
65. 06/15/08 Arènes - Nîmes, France at831 - SP-SPSB-8 (Bass Roll-off at 69 HZ) - Edirol R09 at 16 bit 44.1 Khz Transfer : SD card > SDslot > PC > Audition 1.5 > - bass down with EQ - 15 db boost > Cdwave > TLH > FLAC (8)   1 CDR notes
66. 06/15/08 Arènes - Nîmes, France Mono Scanner > Edirol R-09 GENERATION .WAV[16bits/48kHz/Mono] > .FLAC Lvl.8[16bits/48kHz/Mono] NOTES Ed's earpiece. Slight EQ on the recording, and normalization.   2 CDR notes
67. 06/17/08 Civica Arena - Milano, Italy AUD (see location below) > Sony ECM-719 > > Edirol R-09 (24-bit/48.0 kHz) > SDHC Panasonic RP-SDM04G location :15 m from right stack, 25 m from stage hat-mounted mic 1.70 m above the floor transfer :SDHC Panasonic RP-SDM04G > HD (via USB) > Audacity 1.2.6 (cut + occasionally amplified + faded-out) > CD Wave 1.96.1 (track splitting) > > r8brain 1.9 (44.1 kHz resampling + very high quality 16-bit dithering) > TLH 2.2.2.152 (sector boundaries alignment + level 8 compression) > FLAC generation : master (no CD extraction) - The total running time of the recording was 2:00:52; I have cut first/last useless seconds reducing the master to 1:59:04 - I have occasionally reduced people clapping and screaming (-1.5/-3.0 dB, when possible) for your listening pleasure and faded-out the last 10-15 secs - A possible microgap could have been generated by the recorder since Edirol R-09 do not support track longer than 2 GB So I have manually split the recording between Reckoner and Everything In Its Right Place (I have used the very same point to split tracks 15 and 16) I recommend also to use this point to split CD1 and CD2   2 CDR notes
68. 06/17/08 Civica Arena - Milano, Italy Neumann KM140's > AETA PSP3 > R09     2 CDR  
69. 06/18/08 Arena Civica - Milan, Italy ?? Quality: Audience (taped from the tribunes), the volume is a bit low, but it's the best I could do (or better, the best my father could do). sometimes you may hear cellphones interferences or people speaking and singing, but all in all it's pretty good. the songs are in FLAC format.   2 CDR notes
70. 06/20/08 Flugplatz Gewerbepark - Neuhausen Ob Eck, Germany Core Sound Cardioids > Battery Box > Olympus LS-10 TRANSFER: SD Card > Flash Memory Card Reader > USB > PC > Adobe Audition 1.5 > CD Wave 1.96.1 > Trader's Little Helper 2.4.1 > foobar2000 v0.9.5.4 GENERATION: WAV(M) [48kHz/24bit] > dEdit > WAV [44.1kHz/16bit] > FLAC [Level 8]   2 CDR notes
71. 06/20/08 Flugplatz Gewerbepark - Neuhausen Ob Eck, Germany ??     2 CDR  
72. 06/25/08 Victoria Park - London, UK Sony ECM TS-125 mic > MD [JVC XMR-700SL] > 3.5mm OFC > Genius 5.1 PCI > Audacity > WAV > FLAC     2 CDR notes
73. 06/29/08 Manchester LCCC - Manchester, England Core sound Binaural microphones onto Sony MZ-N707, CDwave, Traders Little helper     2 CDR notes
74. 06/29/08 Manchester LCCC - Manchester, England Recorded with an Aiwa MD recorder AM-F75 with a powered Vivanco EM216 MIC > Sound Forge 6.0 to normalise and split > Flac Frontend > Flac     2 CDR notes
75. 07/01/08 Westerpark - Amsterdam, Netherlands at943 - SP-SPSB-6 (Bass Roll-off at 107 HZ) - Edirol R09 at 16 bit 44.1 Khz Transfer : SD card > SDslot > PC > Audition 1.5 > 20 db boost > Cdwave > TLH > FLAC (8) Position : FOB, mics on hat   2 CDR notes
76. 07/01/08 Westerpark - Amsterdam, Netherlands at831 (SP-CMC-2) -> SP-SPSB-6 (Bass Roll-off at 95 HZ) -> iRiver H120 (Rockbox) @ 44.1 Khz (+3dB) Transfer : iRiver H120 (Rockbox) -> USB 2.0 -> Cool Edit Pro (+5dB) -> FLAC (sector boundaries aligned, level 6) Position : FOB, Dead Center   2 CDR notes
77. 07/05/08 Main Stage - Werchter, Belgium at943 - SP-SPSB-6 (Bass Roll-off at 107 HZ) - Edirol R09 at 16 bit 44.1 Khz Transfer : SD card > SDslot > PC > Audition CC 2015 > 10db up > Cdwave > FLAC (8) Edited and compiled by bnz, 2015-06-28.   2 CDR notes
78. 07/06/08 Grand' Place - Arras, France at943 - SP-SPSB-11 (Bass Roll-off at 107 HZ) - Edirol R09 at 16 bit 44.1 Khz Transfer : SD card > SDslot > PC > Audition 1.5 > 16 db boost > Cdwave > TLH > FLAC (8) Total Time : 125:37 min Position : FOB, 2 meters right of center, mics on hat Conditions : windy, not very disturbing on the recording for me, but its there during some points ...   2 CDR notes
79. 07/06/08 Grand' Place - Arras, France SP-CMC-8(cardioid-low sensitivity) SP-SPSB10(rocker on are 1-4, for right and left) Editol R-09, 44khz-16 bit → Audition(normalisation) → CD Wave(tracksplit) → Db Power Amp(flac8)     2 CDR notes
80. 08/01/08 Lollapalooza, Grant Park - Chicago, IL XM2GO > Creative Soundblaster 24-bit external sound card > Wav (using Goldwave) Normalized using Goldwave > CD Wave for track splitting > FLAC (Foobar)   2 CDR notes
81. 08/01/08 Lollapalooza, Grant Park - Chicago, IL MM-HLSC-1(mounted on hat, 200 feet from stage loc in line with main stage speakers) > MM-MBM (roll off @ 96hz) > R09 @ 24/48 transfer: R09 > USB > wavelab (editing and dither to 16bit) > Cdwav (tracking) > Trader's Little Helper (flac)   2 CDR notes
82. 08/01/08 Lollapalooza, Grant Park - Chicago, IL SP-CMC-8 cardioid mics > spsb-10 battery box (w/bass roll-off @ 16Hz, mics attached to shoulders of Oasis concert t-shirt) > Edirol r-09 (line-in, 44.1 wav / 16 bit, 4gb san disk sdhc card) Transfer: Edirol r-09 > 2.0 usb cable > my hard drive > cdwave audio editor v1.93.3 > Audacity 1.2.4 (adjust volume levels, add fade ins/outs) > Flac frontend 1.7.1, level 6, verify, asb.   2 CDR notes
83. 08/01/08 Lollapalooza, Grant Park - Chicago, IL Edirol R9 (24bit/48kHz) (Line In) >Core Sound HEB (4060) >Adobe Audition >CDWAVE >FLAC (level 8) additional info : Recorded four rows from the stage, left side (Right in line with the PA) This is a 24bit / 48KHZ recording. During tracks 16 & 17, you can hear fireworks. They we're going off south of Grant Park.   2 CDR notes
84. 08/03/08 Verizon Wireless Music Center - Noblesville, IN Schoeps mk4 > kc5 > cmc6xt > Sound Devices 702 (24/96) location: Sec A, Row Z (Left of center) transfer: 702 > firewire > Spark XL 2.82 > xACT > .flac (16/44) source: Schoeps mk4 > kc5 > cmc6xt > Sound Devices 702 (24/96) location: Sec A, Row Z (Left of center) transfer: 702 > firewire > Spark XL 2.82 > xACT > .flac (16/44) 2 CDR  
85. 08/03/08 Verizon Wireless Music Center - Noblesville, IN AT853s > CA ST-9100 > iRiver h120 with Rockbox Transer: iRiver h120 > Computer via USB 2.0 Processing: Adobe Audition 1.5 > Increase volume > CD Wave Editor 1.94.5 > FLAC FrontEnd (Level 8, Align SB) Tagging: Foobar2000 v0.9.5.3 with TradersFriend Component   2 CDR notes
86. 08/03/08 Verizon Wireless Music Center - Noblesville, IN >Edirol R9 (24bit/48kHz) (Line In) > Core Sound HEB (4060) > Adobe Audition > CDWAVE > FLAC (level 8)     2 CDR notes
87. 08/03/08 Verizon Wireless Music Center - Noblesville, IN H2-Zoom set @ 44.1 khz 16-bit wav --> Soundforge 8 (Tracking, EQ, Compression) An utterly amazing set by one of my favorite bands at my favorite venue in my home town area. I grew up seeing shows at this place and feel very fortunate as such. This is without a doubt the best show that I have personally seen at Deer Creek, and possibly ONE of the best that has ever came through there. Enjoy! Set-up stage left; about 1/5 the way up the lawn Set-up stage left; about 1/5 the way up the lawn Recorded with H2-Zoom set @ 44.1 khz 16-bit wav --> Soundforge 8 (Tracking, EQ, Compression) Recorded and uploaded by drewmanchu - andrewarrenedits@gmail.com 2 CDR notes
88. 08/04/08 Blossom Music Center - Cleveland, OH Dynamic Audio Binaurals > M-Audio Microtrack II Split with CD WAV, Encoded with Flac 16 Location: Section 37 Row P Dynamic Audio Binaurals > M-Audio Microtrack II, Split with CD WAV, Encoded with Flac 16, Location: Section 37 Row P, Recorded by Nikres 2 CDR notes
89. 08/04/08 Blossom Music Center - Cleveland, OH SPS8>Edirol 09>Adobe Audition Recorded Row N left/center   2 CDR  
90. 08/04/08 Blossom Music Center - Cleveland, OH Sony TCD-D8 + Sony ECM-717 (back of pavillion behind soundboard) Transfer: M1->7-Pin->M-audio 2496->CDWAV->Audacity (Amplify to 0db)->FLAC   2 CDR notes
91. 08/06/08 Parc Jean Drapeau - Montréal, QC CA-11 mics > CA ST-9100 Preamp > SONY MZ-NH700 @ Hi-SP > FLAC Lineage: CA-11 mics > CA ST-9100 Preamp > SONY MZ-NH700 > USB > WAV > Steinberg Nuendo 3.1 + Q6 Paragraphic equalizer + Waves L3 Ultramaximizer + Track split (CDWAVE) > FLAC (level 8)   2 CDR notes
92. 08/06/08 Parc Jean Drapeau - Montréal, QC AT853rx (cardioid)> Fostex FR-2LE (Busman T-Mod) @ 24/44.1 Location: Just left of soundboard. Transfer: CF Card> Adobe Audition 2.0 (resample, fades, edits)> CD Wave> FLAC Source: AT853rx (cardioid)> Fostex FR-2LE (Busman T-Mod) @ 24/44.1
Location: Just left of soundboard.
Transfer: CF Card> Adobe Audition 2.0 (resample, fades, edits)> CD Wave> FLAC
2 CDR notes
93. 08/08/08 Liberty State Park - Jersey City, NJ Audio-Technica 853(h) > SP-SPSB-3 > iRiver iHP120 (16-bit/44.1k) Location: Right stack. Transfer: iRiver iHP120 > Sony Sound Forge 9.0 (Waves L2 & fades) > CDWave > FLAC16.   2 CDR notes
94. 08/09/08 Liberty State Park - Jersey City, NJ AUD > SP-CMC-2 > R-09 (WAV @ 24-bit/48kHz) Location: 50' from front of stage, 25' right of center (Jonny Greenwood's side) Lineage: R-09 > USB > PC > WAV > Adobe Audition > WAV (16-bit/44.1kHz) > FLAC Frontend > FLAC (level 8)   2 CDR notes
95. 08/09/08 Liberty State Park - Jersey City, NJ Belkin TuneTalk Stereo > Ipod Classic (16-bit/44.1k) Location: Right Field Transfer: Ipod > Wav > Sound Studio 3 > Flacer > FLAC16   2 CDR notes
96. 08/13/08 Comcast Center for the Performing Arts - Mansfield, MA Audio-Technica 853(h) > SP-SPSB-3 > iRiver iHP120 (16-bit/44.1k) Location: SEC 100; ROW AA. Transfer: iRiver iHP120 > Sony Sound Forge 9.0 (Waves L2 & fades) > CDWave > FLAC16   2 CDR notes
97. 08/19/08 Thunderbird Stadium - Vancouver, BC DPA 4061>diybb>IHP-H140 lineage: WAV-M>FLAC   2 CDR  
98. 08/19/08 Thunderbird Stadium - Vancouver, BC Tracks: 1-21 by smashing0 CA-11 > BAT-2B > Edirol r-09 Tracks: 22-26 by firmdragon DPA 4061>diybb>IHP-H140 This recording was incomplete due to some problems with my r-09 in the rain. Tracks 22-26 were lost in a corrupt file. firmdragon has kindly supplied me with those tracks from his recording. CA-11 > BAT-2B > Edirol r-09 (Tracks: 1-21 by smashing0); DPA 4061>diybb>IHP-H140 (Tracks: 22-26 by firmdragon) 2 CDR notes
99. 08/20/08 White River Amphitheater - Auburn, WA Countryman Isomax II (Cardiods) -> Zoom H2 @44.1/16 Location: somewhere close to the right stacks Conversion: WAV ->Cool Edit Pro (fades, amplify right channel +6db) -> CD Wave (track split)->FLAC Source #1 - Countryman Isomax II (Cardiods) -> Zoom H2 @44.1/16; Source #2 - SP-CMC4 Hypers > SP-SPSB-6 w/ Bass Roll off > nomad jukebox 3; Sources were synced/mixed together in Nuendo and all Mastering was done in Wavelab by Rich Steele. 2 CDR  
100. 08/20/08 White River Amphitheater - Auburn, WA SP-CMC4 Hypers > SP-SPSB-6 w/ Bass Roll-off @ 195kHz > nomad jukebox 3 Transfer: NJ3 master > USB > CoolEditPro(normalized) > CDwav > Flac LV`8 Location: on the floor, slightly to the right of the left stacks, and occasionally in outer space   2 CDR notes
101. 08/20/08 White River Amphitheater - Auburn, WA SP-CMC4 Hypers > SP-SPSB-6 w/ Bass Roll-off @ 195kHz > nomad jukebox 3 Transfer: NJ3 master > USB > CoolEditPro(normalized) > CDwav > Flac LV`8 Location: on the floor, slightly to the right of the left stacks, and occasionally in outer space   2 CDR notes
102. 08/22/08 Polo Fields, Golden Gate Park - San Francisco, CA B&K 4022 > 722 Location: FOB 45'from Stage ~ 15' LOC Transfer: 722 > Firewire > Samplitude SE v8 > CD Wave 1.94.8 Lineage: 24bit/48kHz > 16bit/44.1kHz > FLAC (Level 8) Editing: Samplitude: Waves Q10 40hz -12db left channel Resampled to 44.1kHz (Ultra High 2) Waves L2: Threshold: -5.6; Dither to 16bit (IDR Type 1 Normal) CDWave: Tracking FLAC Frontend: FLAC Conversions (Level 8) Foobar2000: Live Show Tagger: Tagging   2 CDR notes
103. 08/22/08 Polo Fields, Golden Gate Park - San Francisco, CA AT831 (SPCMC-2)>SPSB-1 (rolloff 69kHz)>Iriver H120 (rockbox)>usb>pc>CD Wave Editor>Trader's Little Helper (FLAC level 7)>you location: DFC FOB 40' from the stage AT831 (SPCMC-2)>SPSB-1 (rolloff 69kHz)>Iriver H120 (rockbox)>usb>pc>CD Wave Editor>Trader's Little Helper (FLAC level 7)>you; DFC FOB 40' from the stage; taped by newtlady (mrs. formengr) 2 CDR notes
104. 08/24/08 Hollywood Bowl - Los Angeles, CA AT831 > SP-SPSB-11 (rolloff @ 95 Hz) > Edirol R-09 @ 44.1 / 16-bit location: Center, above/behind soundboard - Terrace Box # 1243 transfer: Edirol R-09 > Soundforge 7.0 > Cdwave > mkw > shn   2 CDR notes
105. 08/24/08 Hollywood Bowl - Los Angeles, CA CA-11 -> Batterybox -> Edirol R-09 24/48 wav Transfer: 24/48 wav -> SoundStudio (raised volume/cut songs) 16/44.1 wav -> xAct (flac) -> you!   2 CDR notes
106. 08/24/08 Hollywood Bowl - Los Angeles, CA Edirol R9 (24bit/48kHz) (Line In) >Core Sound HEB (4060) >Adobe Audition >CDWAVE >FLAC (level 8) Recorded from Garden Box 871, Right Side.   2 CDR notes
107. 08/25/08 Hollywood Bowl - Los Angeles, CA CPC8>Edirol R-09>CDWave>AdobeAudition     2 CDR notes
108. 08/25/08 Hollywood Bowl - Los Angeles, CA AT853 > AT8531 > Edirol R-09     2 CDR notes
109. 08/25/08 Hollywood Bowl - Los Angeles, CA >Edirol R9 (24bit/48kHz) (Line In) > Core Sound HEB (4060) (Bass Rolloff=ON) > Adobe Audition (3DB Amplify) > CDWAVE > FLAC (level 8) Recorded from Pool Circle, Right Side. This is a 24bit / 48KHZ recording. My actual seat for this show was 4th row center, but the sound wasn't great there. After Watching the opening band, I decided to try and move for Radiohead. I moved to the back of Pool Circle, on the right side. I was right in line with the main pa, about 9 rows from the stage. Bass rolloff was on (on the battery box).   2 CDR notes
110. 08/27/08 Cricket Wireless Amphitheater - Chula Vista, CA Neumann KM140s > Sound Devices MP2 > Edirol R09 (24/28) > WAV Adobe Audition (24/48 > 16/44) > CD Wave > FLAC   2 CDR  
111. 08/27/08 Cricket Wireless Amphitheater - Chula Vista, CA SP-CMC-19 > SP-SPSB-1 [no roll-off], Edirol R-09 (48/24), Adobe Audition 1.5 (normal and fades ONLY) Stage left, second row, terrace   2 CDR  
112. 08/27/08 Cricket Wireless Amphitheater - Chula Vista, CA AT943>SP-SPSB-8(roll-off @ 69hz)>Sony PCM-M1 @ 32 khz>44.1 khz (w/ Amadeus II)>FLAC (w/ Max)     2 CDR  
113. 10/01/08 Municapal Central Gymnasium - Osaka, Japan unknown DAT or WAV audience audio Generation: Sylph Recs SY-0944 Silver CDs > FLAC   2 CDR  
114. 10/02/08 Municipal Central Gymnasium - Osaka, Japan DPA 4061s > SP-SPSB-2 > Sony PCM D-50 Digital Recorder > 24bit 48kHz wav > 16bit 44.1kHz wav >Sound Forge (EQ&Wavehammer) > Flac     2 CDR notes
115. 10/04/08 Saitama Super Arena - Saitama, Japan ECM-717 (on my baseball cap) > TCD-D100 (48kHz) Lineage: DAT master > SBMDMX (USB) > .wav > Remaster (SoundStudio & Peak) > .wav > Track Split (CDWave) > .flac (Level8)   2 CDR notes
116. 10/05/08 Saitama Super Arena - Saitama, Japan DPA 4061s > SP-SPSB-2 > Sony PCM D-50 Digital Recorder > 24bit 48kHz wav > 16bit 44.1kHz wav >Sound Forge (EQ&Wavehammer) > Flac     2 CDR notes
117. 10/07/08 International Forum - Tokyo, Japan DPA 4061s > SP-SPSB-2 > Sony PCM D-50 Digital Recorder > 24bit 48kHz wav > 16bit 44.1kHz wav >Sound Forge (EQ&Wavehammer) > Flac     2 CDR notes
118. 10/08/08 International Forum - Tokyo, Japan DPA 4061s > SP-SPSB-2 > Sony PCM D-50 Digital Recorder > 24bit 48kHz wav > 16bit 44.1kHz wav >Sound Forge (EQ&Wavehammer) > Flac     2 CDR notes
119. 03/27/09 Pista Atlética Del Estadio Nacional - Santiago, Chile FM -> WAV [44.1khz] -> AUDACITY 1.2.6 -> FLAC Fronted 1.7.1 -> FLAC [Level 8] Sony FH- 616R > unknown cable > Audacity 1.2.6 > Flac Fronted 1.7.1   2 CDR notes
120. 08/23/09 Výstavište - Prague, Czech Republic SP-CMC-4U -> Church Audio Stereo Mic Preamp CA-9100 -> iRiver iHP-140 16bit-44khz wav -> Sony Sound Forge 6.0 -> CD Wave Editor -> Fair Stars Audio Converter (level8, verify, align on sector boundaries) -> FLAC     2 CDR notes
121. 08/23/09 Výstavište - Prague, Czech Republic Sony ECM-719 > Edirol R-09HR Location: Zone 1 Standing, approx 10m from stage, between Thom & Jonny Transfer: SanDisk 8 GB SDHC Card @ 24bit/96khz > Harddrive > Audition 3.0 (16bit/44,1khz) > CDwave (tracks splitting) > Trader Little Helper (FLAC Level 8)   2 CDR notes
122. 01/24/10 The Music Box @ Fonda - Hollywood, CA AT831 > SP-SPSB-11 (rolloff @ 107 Hz) > Edirol R-09 HR @ 44.1 / 16-bit location: Front row balcony, center transfer: Card reader > PC > Soundforge 7.0 (normalization and fades only) > Cdwave > TLH > shn   2 CDR notes
123. 01/24/10 The Music Box @ Fonda - Hollywood, CA Schoeps mk4>NBox+>Edirol R9hr (24/48)>Wavelab (resample and uv22hr dither)>CDWave Editor>FLAC (8)     2 CDR notes
124. 01/24/10 The Music Box @ Fonda - Hollywood, CA at943c > SPSB-2 (rolloff @ 107hz) > Edirol R-09 (16 bit/44.1 khz) > .wav LOCATION: center floor, FOB WAV > FLAC: .wav > PC > Soundforge v8.0a > CD Wave v1.6 > FLAC Frontend v1.7.1 (level 8)   2 CDR notes
125. 06/24/11 Glastonbury Festival - Glastonbry, United Kingdom CHURCH-AUDIO CA-11C -> Battery Box ->Edirol R-09HR     1 CDR 90  
126. 09/28/11 Roseland Ballroom - New York, NY Edirol .wav > HD > Edited with Audacity >.AIFF >(xACT)FLAC > You Recorded with: Edirol R-09 (24 bit 48k wav) DPA 4061's mics   2 CDR notes
127. 02/27/12 American Airlines Arena - Miami, FL Church Audio Cards CA-11 > CA-9100 > Edirol R-09HR (16/44.1) Location: Section 106 Lineage: Kingston 16G > CD Wave Editor > FLAC 8 > Traders Little Helper   2 CDR notes
128. 02/29/12 St. Pete Times Forum - Tampa, FL Source: Unknown mic > Cory's phone > Ustream >Audacity     2 CDR notes
129. 02/29/12 St. Pete Times Forum - Tampa, FL Samson Zoom H4n (internal mics) > 48/24 WAV > SD card > Macbook Pro > xACT > FLAC level 8 Lineage: WAV 24/48 > WAV 16/44 > resample/dEdit/dEQ via Adobe Audition > WavePad (tracking) > xACT > FLAC Location: recorded from the floor/pit level EQ'ed and Tracked by: BLG   2 CDR notes
130. 02/29/12 St. Pete Times Forum - Tampa, FL Zoom H4n (internal mics) > 24/96 WAV (auto level off, low cut on) > FLAC level 8 Lineage: WAV 24/96 > edits > WAV 16/44 > flac Location: 20 feet behind the soundboard, in the first set of risers Edit: BLG   2 CDR notes
131. 03/01/12 Philips Arena - Atlanta, GA Neumann KM184 > Tascam DR-100 @ 96kHZ/24bit (Mono)     2 CDR  
132. 03/01/12 Philips Arena - Atlanta, GA Edirol R-09 with Church Cardoid Mics with Church Audio 9200 Preamp     2 CDR  
133. 03/01/12 Philips Arena - Atlanta, GA Sony PCM-M10>PC>Cool Edit Pro 2.0>TLH (FLAC16)     2 CDR notes
134. 03/03/12 Toyota Center - Houston, TX 2 Source Mix Source 1: DPA 4061 (matched pair) > 9v batt box > Edirol R-09 (WAV @ 24 bit, 48 kHz) Source 2: Church Audio AT831 > 9v batt box > Edirol R-09 (WAV @ 24 bit, 48 kHz) Location: Section 113, Row 27 Transfer: SD card > card reader (USB) > WAV Mastering: Wavlab 6.10 (soft dynamic compression and normalizing, matrixing, dithering and resampling to 16 bit, 44.1 kHz) > CD Wave Editor (track splits) > FLAC   2 CDR notes
135. 03/06/12 Moody Theater - Austin, TX CSC > Batt box > M-Audio Microtrack II (recorded from balcony sec 2, row I) Lineage: WAV @ 44.1kHz > USB > PC (remastering in Adobe Audition 2.0) > WAV @ 44.1kHz > FLAC   1 CDR 90 notes
136. 03/07/12 Frank Erwin Center - Austin, TX DPA4023 -> Aerco MP2 -> R-09HR Location: near center, middle of the floor Transfer: USB -> Wavelab 5 edits (dither with UV22HR) -> CDWAVE -> FLAC   2 CDR notes
137. 03/07/12 Frank Erwin Center - Austin, TX CSC > Batt box > M-Audio Microtrack II (recorded from sec 35, row 18) Lineage: WAV @ 44.1kHz > USB > PC (remastering in Adobe Audition 2.0) > WAV @ 44.1kHz > FLAC   1 CDR notes
138. 03/09/12 Scottrade Center - St. Louis, MO Schoeps mk4v (DINa/FOB) > kcy > Sonosax SX-M2-LS2 > Sony D50 (24/96) transfer: Memory Stick > Sound Studio > xACT > .flac (16/44)   2 CDR  
139. 03/11/12 Sprint Center - Kansas City, MO Edirol R9 (24bit/48kHz) >Core Sound HEB (4060) (Bass Rolloff=ON) >CDWAVE 1.98 >FLAC (level 8)     2 CDR notes
140. 03/13/12 1st Bank Center - Broomfield, CO Schoeps MK4 > Nbox > Sony M10 @ 24/48 (FOB/DFC/PAS) transfer: Sony M10 > Macbook Pro > Sound Studio 4.1 > xACT > FLAC   2 CDR  
141. 03/13/12 1st Bank Center - Broomfield, CO DPA 4022(DFC/FOB)->Naiant Littlebox->R09HR(24/96)->UV22HR(16/44.1)->CDWave->FLAC     2 CDR  
142. 04/09/12 Key Arena - Seattle, WA Church Audio prototype ST-11 cardioid mics > Edirol R-09 (24/48) Transfer :24/48>16/44.1 via R8brain> C.E.P. slight Bass Boost & Normalize>CD WAV>FLAC   2 CDR notes
143. 04/11/12 HP Pavillion - San Jose, CA Neumann KM140s > Sound Devices MP2 > Edirol R09 (24/48) wav > Adobe Audition (24/48 -> 16/44) > CDwave > FLAC     2 CDR  
144. 04/11/12 HP Pavillion - San Jose, CA unk, schoeps (CCM4? > pre-amp > DAT) wav > flac level 8 (on xAct)     2 CDR  
145. 04/12/12 Santa Barbara Bowl - Santa Barbara, CA CA-14 (cards) > CA Ugly box > GAKables mini starquad > Sony PCM-M10 Lineage: wav 24/48 > wav 16/44 > FLAC Transfer: M10 > USB > MacBook Pro > Adobe Audition > Audacity > xACT > FLAC   2 CDR notes
146. 04/12/12 Santa Barbara Bowl - Santa Barbara, CA SP-CMC-2>SP Battery Box @107Hz>R-09HR 24-bit>iMac>Sound Studio     2 CDR notes
147. 04/14/12 Empire Polo Fields (Coachella Festival) - Indio, CA Schoeps > pre-amp > DAT (specific details withheld)     2 CDR  
148. 04/14/12 Empire Polo Fields (Coachella Festival) - Indio, CA SP-CMC-8 (w/Mods) > SP-SPSB-11 (95Hz Roll Off) > SONY PCM-M10 (96/24) > Sandisk SD Card (16gb) TRANSFER: .WAV > Adobe Audition (2.0) > Dither/Downsamping (16 Bit) > CD Wave (Track Splits) > Trader's Little Helper > Flac (Level 8)   2 CDR  
149. 04/17/12 Foro Sol - Mexico City, Mexico Blue Mikey -> iPod touch -> Rectools 2.0 -> WAV adobe audition -> cd architect -> cd Recorded from SECTION ORANGE 24C, ROW 26, SEAT 12   2 CDR notes
150. 04/21/12 Empire Polo Fields - Indio, CA Schoeps > pre-amp > DAT (specific details withheld)     2 CDR  
151. 05/31/12 Newark Prudential Center - Newark, NJ AT831 (SP-CMC-2)>SPSB-1>iriver h120 (rockbox)>usb>mac>flac>web>wav>Vegas Pro 9.0 (fades + level adjust)>CD Wave>Traders Little Helper>flac level 8 Editor's notes: levels were a wee bit hot so they got toned down throughout. during the intro there is some clipping with the crowd going nuts, but Inez got the levels down so distortion is gone before the 1st song starts. it does have some crowd intrusion, but mostly in between songs and this is a very listenable recording. congrats to Inez on a good 1st pull!   2 CDR  
152. 06/01/12 Newark Prudential Center - Newark, NJ zoomh1 (internal mics) Location: pit 8th row in front of Jonny (stage left) Lineage: wav 24/44.1 > Adobe Audition (edits, EQ, resample to 16/44) > WavPad > xACT > FLAC   2 CDR notes
153. 06/03/12 Verizon Center - Washington, DC CA-11 > CA-9200 > Sony PCM-M10 @24/96 Conversion: Sony PCM-M10 > Goldwave > CD Wave > Wavelab > flac   2 CDR notes
154. 06/05/12 Riverbend Music Center - Cincinnati, OH > Edirol R9 (24bit/48kHz) > Core Sound HEB (4060) (Bass Rolloff=ON) > CDWAVE 1.98 > FLAC (level 8)     2 CDR notes
155. 06/06/12 Blossom Music Center - Cuyahoga Falls, OH > Edirol R9 (24bit/48kHz) > Core Sound HEB (4060) (Bass Rolloff=ON) > CDWAVE 1.98 > FLAC (level 8)     2 CDR notes
156. 06/06/12 Blossom Music Center - Cuyahoga Falls, OH Edirol r - 09 HR - MM-BSM-8 Binaural Stereo Microphones And MM-MBM "Mint Box" Battery / Filter Module     2 CDR notes
157. 06/08/12 Bonnaroo Music & Arts Festival - Manchester, TN Schoeps mk4v (DINa/FOB) > kcy > Sonosax SX-M2-LS2 > Sony M10 (24/48) transfer: Micro SD > Sound Studio > xACT > .flac (16/44) source: Schoeps mk4v (DINa/FOB) > kcy > Sonosax SX-M2-LS2 > Sony M10 (24/48) transfer: Micro SD > Sound Studio > xACT > .flac (16/44) 2 CDR  
158. 06/08/12 Bonnaroo Music & Arts Festival - Manchester, TN Avantone CK-1 (cardoid) > Fostex FR-2LE (24/48) FOB/DFC; ~110' from stage; mics at ~ 9 feet CF > HDD > Audacity > CD WAVE > Trader's Little Helper Avantone CK-1 (cardoid) > Fostex FR-2LE (24/48) FOB/DFC; ~110' from stage; mics at ~ 9 feet CF > HDD > Audacity > CD WAVE > Trader's Little Helper Taped by: willsfc *** A Team Dirty South Recording *** 2 CDR notes
159. 06/08/12 Bonnaroo Music & Arts Festival - Manchester, TN Berliner CM-33's > Naiant Littlebox > Sony PCM-M10 (24/48) Transfer: USB > Amadeus Pro (16/44.1) > WAV > xACT > Flac Location: FOB, 3' ROC, 10' high   2 CDR notes
160. 06/08/12 Bonnaroo Music & Arts Festival - Manchester, TN CA-11s Cardioid caps (DINA) > CA-9100 > Edirol R-05 (24bit- 48kHz) Lineage: source > SD to HD > ProTools LE 8.03 (mastering, conversion to 16/44.1) > Goldwave (track splitting, sector alignment, fades, edits) > TLH FLAC16 (Level 6 encoding, verification) Location: 40' left of center, 20' back from FOB, up on stand at 9' - boosted volume of entire file by 2.5 dB in Goldwave - pops and crackles during the first couple of minutes of reckoner due to some assholes shooting fireworks off in the crowd, probably 150' behind us and to the left - thankfully there are only a few overenthusiastic "woohoo!"s over the course of the 2+ hours. and with the mics up at 9', it's not much of an issue. Source: CA-11s Cardioid caps (DINA) > CA-9100 > Edirol R-05 (24bit- 48kHz)
Lineage: source > SD to HD > ProTools LE 8.03 (mastering, conversion to 16/44.1) > Goldwave (track splitting, sector alignment, fades, edits) > TLH FLAC16 (Level 6 encoding, verification)
Location: 40' left of center, 20' back from FOB, up on stand at 9'
2 CDR notes
161. 06/08/12 Bonnaroo Music & Arts Festival - Manchester, TN Zoom H4n (internal mics) > 48/24 WAV > SD > Macbook Pro > xACT > FLAC lvl 8 Editing: BLG Location: 30+ft from the left of the soundboard, facing the left stack   2 CDR notes
162. 06/10/12 First Midwest Ban Amphitheatre - Tinley Park, IL Schoeps MK4s > Tinybox > Edirol R-09 @ 24-bit / 44.1kHz     2 CDR notes
163. 06/10/12 First Midwest Ban Amphitheatre - Tinley Park, IL Schoeps MK41's> CMR Actives> Naiant Tinybox> Sony PCM-M10(24/44.1) Location: DFC back of Pit   2 CDR notes
164. 06/10/12 First Midwest Ban Amphitheatre - Tinley Park, IL >Edirol R9 (24bit/48kHz) > Core Sound HEB (4060) (Bass Rolloff=ON) > CDWAVE 1.98 > FLAC (level 8) Recorded from the pit, first row on the right side This is a 24bit / 48KHZ recording. It cannot be burned to a cd, unless you convert it to 16bit / 44.1k first. The FLAC files were created using CD Wave 1.98, and they were tested using Media Monkey 3.1.0.1256.   2 CDR notes
165. 06/13/12 Susquehanna Bank Center - Camden, NJ ZoomH1 recorder, sticking out of coat pocket Location: draped over front rail facing the stage, just off-center (2ft toward jonny) Editing/EQ done via Adobe Audition. Editing involved correcting volume changes due to "auto-level" setting being on. This was a time consuming process and it is still not perfect, but much better than it was originally. The sound is pretty decent, but there are songs where the bass overloads a bit. There is also audience chatter between some songs. Everything In Its Right Place cuts out on the recording and I faded out both encore breaks due to excessive audience noise.   2 CDR notes
166. 06/15/12 Centre Bell - Montréal, QC Matched DPA4060s > Core Sound HEB BBox (filter) > Ediral R-09HR > FLAC     2 CDR  
167. 07/10/12 Arênes De Nimes - Nimes, France MS-TFB-2 > SPSB11 (Bass Rolloff @ 195Hz) > PCM-M10 (24/48, Line-in) > USB2 > Audition (Split, Downsample to 16/44.1) > dBpowerAMP > FLAC Location : Seated, Right Upper Seats   2 CDR notes
168. 07/10/12 Arênes De Nimes - Nimes, France Aud>DPA 4061>DPA MMA 6000>Edirol R-09 >Wav(24/48)>Flac24     2 CDR notes
169. 07/11/12 Arênes De Nimes - Nimes, France Aud>DPA 4061 > DPA MMA 6000 > Edirol R-09 > Wav(24/48) > Flac24 >DPA 4061 > DPA MMA 6000 > Edirol R-09 > .Wav(24bits/48khz) > Amadeus Pro 2.0.6 (Normalization) > flac24 (Level 8)   2 CDR notes
170. 07/11/12 Arênes De Nimes - Nimes, France MS-TFB-2 > SPSB11 (Bass Rolloff @ 195Hz) > PCM-M10 (24/48, Line-in) > USB2 > Audition (Split, Downsample to 16/44.1) > dBpowerAMP > FLAC     2 CDR notes
171. 07/11/12 Arênes De Nimes - Nimes, France SP-CMC-8 > SP-SPSB-11 > R09 [16/44kHz] TRANSFER -------- USB > SOUND FORGE PRO 10.0 > CD WAVE EDITOR 1.98 > TRADER'S LITTLE HELPER 2.7.0   2 CDR notes
172. 07/15/12 Passeio Marítimo de Algés - Oeiras, Portugal Zoom H2 (WAV - 44,10 kHz / 24 bit)     2 CDR notes
173. 07/25/12 Nanang Exhibition Hall - Taipei, Taiwan Sony ECM-719 > Sony MiniDisc     2 CDR notes
174. 07/25/12 Nanang Exhibition Hall - Taipei, Taiwan Tascam DR-05 (internal mics) Location: floor, center, approximately 15 rows from the stage Lineage: wav 16/48 > Edit/EQ > wav 16/44 > flac Edit/EQ: BLG Notes: Edit/EQ done via Adobe Audition. The crowd noise is a bit overwhelming for the first few songs, but gets better starting with Kid A.   2 CDR notes
175. 07/29/12 Naeba Ski Resort (Fuji Rock) - Niigata, Japan very good audience recording     2 CDR  
176. 09/21/12 Carrière des Andonces - St Triphon, Switzerland Tascam DR-07mkII wav 16/44.1 -> mastering (slight EQ and compressor) -> .flac -> you     2 CDR notes
177. 09/23/12 Parco Delle Cascine - Firence, Italy AT853 (U-C) > 3-Wire Battery Box > Edirol R09HR [24/48] Audio Transfer: SD-Card > USB Reader > PC HDD > Audition 3 (EQ) > R8Brain (Downsampling) > CD Wave Editor 1.98 (Track Splitting) > TLH 2.5.0 > FLAC Level 8   1 CDr notes
178. 09/29/12 Wuhlheide - Berlin, Germany zoomH2, internal mics location: just left of the sound booth Editing: BLG (EQ, clap removal, raised overall volume)   2 CDR notes
179. 09/30/12 Kindl-B¸hne Wuhlheide - Berlin, Germany Edirol R-09 (16/44.1) + Sound Professionals SP-CMC-8 (hat mounted) + SPSB-11 (no bass roll off) > PC via USB > CoolEdit Pro (fading, limiting crowd volume) > CDWave (splitting) > FLAC 1.2.1 (Level 6) > You     2 CDR notes
180. 10/06/12 Manchester Evening News Arena - Manchester, England Core Sound Binaurals > battery box > Sony PCM-M10 > MicroSDHC Lineage: WAV (16-bit, 44.1 KHz) > Audacity 2.0.2 (edit; normalise; fade in/out; tracking) > TLH (fix SBEs) > FLAC level 8 > Foobar2000 (add tags) > TLH (create checksums)   2 CDR notes
181. 10/08/12 O2 Arena - London, UK Source 1: AT898 > SP-SPSB-10 > Edirol R-09HR (44.1kHz 24 bit) Source 2: Icom IC-R5 > Edirol R-09HR (44.1kHz 24 bit) Time aligned in Adobe Audition CS5. Mastered in Adobe Audition CS5, Izotope Ozone 5 and Har-Bal 2.3   2 CDR  
182. 10/09/12 O2 Arena - London, UK Core Sound Binaurals > battery box > Sony PCM-M10 > MicroSDHC Lineage: WAV (16-bit, 44.1 KHz) > Audacity 2.0.2 (edit; normalise; fade in/out; tracking) > TLH (fix SBEs) > FLAC level 8 > Foobar2000 (add tags) > TLH (create checksums) Recorded from the front row on the left side in front of Ed.   2 CDR notes
183. 10/09/12 O2 Arena - London, UK Sony PCM-M10 / Awia CM-30 Microphone recorded at 48khz / 24 bit tracks split no split for CD just like the original concert   2 CDR  
184. 10/11/12 Palais Omnisport de Paris-Bercy - Paris, France Tascam DR-07mkII wav 16/44.1 -> mastering (norm/limiter/slight EQ/slight multiband comp)-> wav -> flac -> you     2 CDR notes
185. 10/12/12 Bercy - Paris, France Tascam DR-07mkII wav 16/44.1 -> mastering (norm/limiter/slight EQ/slight multiband comp)-> wav     2 CDR notes
186. 10/14/12 Ziggo Dome - Amsterdam, Netherlands Factory-matched pair of Schoeps CCM 41V microphones (DINa mounted) -> Marantz PMD661 recorder with Oade Concert Mod (-18 dB gain/44.1 kHz/24 bit WAV) Type: Audience master, recorded centre stage, approximately 15 metres back from the ceiling-mounted PA system. Lineage: Audacity 2.0.2 * applied varying amplification for consistency across recording * attenuated applause * some sample-level edits to eliminate clipping on applause * added fades * split tracks * converted to 16 bit -> FLAC (compression level 8) [libFLAC 1.2.1 20070917]   2 CDR notes
187. 10/14/12 Ziggo Dome - Amsterdam, Netherlands at943 - SP-SPSB-11 (Bass Roll-off at 107 HZ) - Edirol R09 at 16 bit 44.1 Khz Transfer : SD card > SDslot > PC > Audition 1.5 > 8db up > Cdwave > FLAC (8)   2 CDR notes
188. 10/15/12 Lanxess Arena - Koln, Germany Edirol R-09 w/ internal mics > WAV (24/48) > FLAC > WAV > Cool Edit Pro (converting to 16/44.1, fading, slight EQ, slight amplification) > CDWave (splitting) > FLAC 1.2.1 (Level 6) > You Recorded 5m away from the stage (right side)   2 CDR notes
189. 10/15/12 Lanxess Arena - Koln, Germany at943 - SP-SPSB-11 (Bass Roll-off at 107 HZ) - Edirol R09 at 16 bit 44.1 Khz Transfer : SD card > SDslot > PC > Audition 1.5 > 8db up > Cdwave > FLAC (8)   2 CDR notes
190. 10/16/12 Le Zenith - Strasbourg, France Neumann KM140's > AETA PSP3 > Edirol R09HR     2 CDR  
191. 10/16/12 Le Zenith - Strasbourg, France MBHO KA 200 N > Naiant Tinybox > Sony PCM-M10 Mic Config : A-B Location : ~20m from the stage, left side Transfer : Master WAVs > dEdit > FLAC V1.2.1 Editing : Volume boost and EQ in Apple Logic Pro V9.1.4 |Fades in Audiofile Engineering Wave Editor V1.5.4 Resampling : 48.0 kHz > 44.1 kHz resampling using iZotope 64-bit SRC Dithering : MBIT+ Format : 16 bit / 44.1 kHz   2 CDR  
192. 10/16/12 Le Zenith - Strasbourg, France SP-CMC-4U + battery box SP-SPSB-8 ( no roll-off ) > Tascam DR-2D (line in 95 dB) wave 96 Khz / 24 bit Position : Seated places, 1st row, on the right watching the stage ( 30� ) Transfer : tascam Dr-2D to PC via USB > Sony soundforge pro (cut and volume adjustment ) > Wav 44khz / 16 bit > Trader's little help FLAC > you   2 CDR notes
193. 10/18/12 Sportpaleis - Antwerp, Belgium at943 - SP-SPSB-11 (Bass Roll-off at 107 HZ) - Edirol R09 at 16 bit 44.1 Khz Transfer : SD card > SDslot > PC > Audition 1.5 > 10db up > Cdwave > FLAC (8)   2 CDR notes
194. 11/06/12 Vector Arena - Auckland, New Zealand Sony ECM-717 > Sony PCM-M10 24/96 Location: Lower Bowl Seating, Row N, Seat in the 30's 16/44 Version   2 CDR  
195. 11/13/12 Sydney Entertainment Centre - Sydney, Australia IEM > Sony PCM-D50 @24/48 > GoldWave - mono to stereo > CD Wave - tracking > Weiss Saracon - @16/44.1 FLAC     2 CDR notes
196. 05/20/16 Heineken Music Hall - Amsterdam, The Netherlands spcmc8 batpack r09hr24/48 HPF LF treatment declapper normalize     2 CDr notes
197. 05/20/16 Heineken Music Hall - Amsterdam, The Netherlands at943 - SP-SPSB-11 (Bass Roll-off at 107 HZ) - Edirol R09 at 24bit 48Khz Position : center front row balcony Mastering : BLG (Adobe Audition > iZotope Ozone 5 > MBIT+) Tracking : inez (audacity) > flac   2 CDr notes
198. 05/20/16 Heineken Music Hall - Amsterdam, The Netherlands Source: DPA4023 -> Aerco MP2 -> R-09HR (24/48) Location: middle of the floor, near center Transfer: USB -> SoundForge -> CDWAVE -> FLAC   2 CDr notes
199. 05/21/16 Heineken Music Hall - Amsterdam, The Netherlands CA11 -> SPSB11 w/ Bass roll-off -> Zoom H1 Editing: Tracks normalised and split using Audacity. Some unwanted sudden noises muted.   2 CDr notes
200. 05/21/16 Heineken Music Hall - Amsterdam, The Netherlands SP-CMC-8|SPBP11 flat|Edirol R09HR 24/48 flat| mastering |24/48Flac     2 CDr  
201. 05/21/16 Heineken Music Hall - Amsterdam, The Netherlands DPA4023 -> Aerco MP2 -> R-09HR (24/48) Transfer: USB -> SoundForge -> CDWAVE -> FLAC   2 CDr notes
202. 05/21/16 Heineken Music Hall - Amsterdam, The Netherlands at943 - SP-SPSB-11 (Bass Roll-off at 107 HZ) - Edirol R09 at 24bit 48Khz mastering : BLG (Adobe Audition > iZotope Ozone 5 > MBIT+) tracking : inez (audacity) > flac   2 CDr notes
203. 05/23/16 Le Zenith - Paris, France at943 - SP-SPSB-11 (Bass Roll-off at 107 HZ) - Edirol R09 at 24bit 48Khz Position : floor, DFC tracking : inez (audacity) > flac   2 CDr notes
204. 05/23/16 Le Zenith - Paris, France ud >DPA 4061 >DPA MMA 6000 >Edirol R-05 >.Wav(24bits/48khz) >Amadeus Pro 2.0.6 (Normalization) >flac24 (Level 8) Generation: Aud>DPA 4061>DPA MMA 6000>Edirol R-05 >Wav(24/48)>Flac24   2 CDr notes
205. 05/24/16 Le Zenith - Paris, France at943 - SP-SPSB-11 (Bass Roll-off at 107 HZ) - Edirol R09 at 24bit 48Khz Position : floor DFC Mastering : blg (Adobe Audition > iZotope Ozone 5 > MBIT+ tracking : inez (audacity) > flac   2 CDr notes
206. 05/28/16 Roundhouse - London, England CA-11 (cards) > STC-9000 > Zoom H1     2 CDr notes
207. 06/01/16 Théâtre Antique de Fourvière - Lyon, France at943 - SP-SPSB-11 (Bass Roll-off at 107 HZ) - Edirol R09 at 24bit 48Khz Position : center, about half way up the amphitheatre Magic TICKET : TheDaftRadioheadPunk Mastering : blg (Adobe Audition > iZotope Ozone 5 > MBIT+) tracking : inez (audacity) > flac   2 CDr notes
208. 06/03/16 Parc Del Forum - Barcelona, Spain Aud>DPA 4061>DPA MMA 6000>Roland R-05 Mastered by: BLG Lineage: Aud >DPA 4061 >DPA MMA 6000 >Roland R-05 >.Wav(24bits/48kHz) >Adobe Audition >iZotope Ozone 5 >MBIT+ >WavePad >xACT >Amadeus Pro 2.1.5 >FLAC(16bits/44.1kHz)   2 CDr notes
209. 07/02/16 Open Air St. Gallen - St. Gallen, Switzerland FM > Hard Disc > web ITT HiFi4060 Tuner > Audacity 2.0 via Asus A7S333 C-Media CMI8738/C3DX soundcard > 44100hz/16bit .aup > flac's (level 8) > webtorrenting   2 CDr  
210. 07/02/16 Open Air St. Gallen - St. Gallen, Switzerland Neumann KM140’s > TinyBox > Sony PCM10     2 CDr  
211. 07/02/16 Open Air St. Gallen - St. Gallen, Switzerland Telestar Diginova HD (dvb-s, mp2, 256kbps, 48kHz) => USB => Audacity (text label file -> CUE sheet) => mp3DirectCut (split)   2 CDr  
212. 07/08/16 NOS Alive Festival - Lisbon, Portugal CA 11'S (mounted on glasses)>CA 9200>ZOOM H2n>TLH (FLAC)> SEE NOTES LOCATION 25-30m back from stage, right hand side infront of video screen inbetween 1 large and 1 smaller hanging stack LINEAGE AND MASTERING CA 11'S (mounted on glasses)>CA 9200>ZOOM H2n>TLH (FLAC)>RADIOHEAD MAGIC TEAM> -IZotope RX spectral repair for the wind reduction and iZotope decrackle for heavy wind saturation parts -HarBal 2.3 and 3.0 for EQ -Wavelab tools one and L3 Multimaximizer for final mastering >TLH (WAV)>CD WAVE(wav split)>TLH>DIME>YOU   2 CDr notes
213. 07/26/16 Madison Square Garden - New York, NY AT831 - Edirol R05 location: dead center, back rail of GA West excising assholes, editing, tracking: inez (Izotope Rx and Audacity)   2 CDr notes
214. 07/27/16 Madison Square Garden - New York, NY Schoeps MK41s > Nbob actives > Tinybox (OT) > Sony PCM-M10 wav 24/96 > usb > iMac > Audacity > 16/44.1 Aiff > xAct > FLAC Recording location: Sec 119   2 CDr notes
215. 07/27/16 Madison Square Garden - New York, NY Church Audio CA-14 > Battery Box > Sony PCM-M10 (24-bit/48k) Location: SEC 208 Transfer: Sony Sound Forge Pro 11.0 (EQ; L3 UltraMaximizer Stereo; Fades) > CDWave > FLAC24 via Trader's Little Helper @ Level 8.   2 CDr notes
216. 07/29/16 Lollapalooza, Grant Park - Chicago, IL Core Sound HEB 4060 (Base Rolloff On) > Sony PCM-M10 LOCATION : Center, About 15-20 Rows of People From The Stage I had a problem with the left channel, so I had to copy the right channel over it. I'm having some problems with my HEB-4060 Mic. It's ten years old, so It may be time to replace it.   2 CDr notes
217. 07/29/16 Lollapalooza, Grant Park - Chicago, IL AT831s > SP-SPSB-11 (@69Hz) > Sony PCM-M10 @ 24-bit / 44.1kHz Location: FOB left stack Transfer: SD Card > Audacity (amplify/dither) > CDWave > TLH   2 CDr notes
218. 08/04/16 Shrine Auditorium - Los Angeles, CA DPA 4060 > MPS6010 > Tascam DR-40 (@24bit/48kHz) -- Processing -- WAV > Adobe Audition (mastering) > CD Wave (tracking) > Trader's Little Helper (encoding)   2 CDr notes
219. 08/06/16 Golden Gate Park - San Francisco, CA Schoeps CCM4’s > Tinybox > Sony PCM-M10 16/44.1 mastering: obcdobcd tracking: inez   2 CDr  
220. 08/06/16 Golden Gate Park - San Francisco, CA Schoeps MK41/NBox Platinum Tascam DR-2D 24 Bit 48K Dead Center right in front of soundboard Processed using Soundforge 11, resample, to 16bit 44.1K TLH to convert to Flac   2 CDr notes
221. 08/08/16 Shrine Auditorium - Los Angeles, CA DPA 4060 > MPS6010 > Tascam DR-40 (@24bit/48kHz) WAV > Adobe Audition (mastering) > CD Wave (tracking) > Trader's Little Helper (encoding)   2 CDr notes
222. 08/08/16 Shrine Auditorium - Los Angeles, CA CA-14 (cardioids) > CA-9200 > GAKables mini starquad > Edirol R-09HR (24bit/96kHz) Mastering (ZH): channel balance-EQ-amp-reduced peaks for audience-convert to 16/44.1 Editing and tracking: inez (Izotope Rx and Audacity)   2 CDr notes
223. 09/11/16 Treptower Park - Berlin, Germany at831 - SP-SPSB-11 (Bass Roll-off at 107 HZ) - Edirol R09 at 24bit 48Khz Position : Center Mastering : Julien (Adobe Audition cc 2015: channel compensation, stereo expansion, parallel compression, slight eq tracking : inez (audacity) > flac   2 CDr notes
224. 03/30/17 American Airlines Arena - Miami, FL Ca-14 Cards > Ugly box 2 > R-09 (48/24 > Nuendo 4 ( Normalize , Fades ) 44/16 > Cd Wave Splitter > Traders little Helper Location - Section 106 Row 21   2 CDr notes
225. 04/01/17 Philips Arena - Atlanta, GA Church audio CA-14's [clipped to glasses]> Roland R-05 w/ 100 Hz low cut filter,>SDHC [10 class] recorded at 24 bit-48k > Cubase-created two sections for CD, remove mud between 80-320 Hz, sweetened upper mids>Sound Forge [remove inaudible frequencies below 20 Hz, applied soft limiter, repaired clipped track [Idioteque], fine-tune EQ applied to balance frequencies, raised overall level, normalized peak to 0db-converted to 16-44.1-Track splits in Audacity, converted wav to FLAC level 8 and created checksum in Trader's Little Helper. Recorded from the lower balcony, dead center, behind the floor area, about mid-way up from the floor. The location created a very bass heavy recording which required a significant cut in the lower frequencies to remove a build-up of ‘mud’. The upper mids around 5k were boosted slightly and another slight boost at 12k for ‘air’ was applied. These adjustments were necessary to balance the frequencies for your listening enjoyment. Hopefully a good recording from the floor or closer to the stage monitors will turn up. Until then, enjoy this recording of a fun show featuring a great set-list. Crank it up on your system!   2 CDr  
226. 04/08/17 Key Arena - Seattle, WA zoom H1     2 CDr  
227. 04/11/17 Santa Barbara Bowl - Santa Barbara, CA AT831>batt box roll off @ 95>R05 @ 16/44.1 location: DFC - Back wall of GA pit area Noise removal, editing, tracking: inez (Izotope Rx and Audacity)   2 CDr notes
228. 04/17/17 Greek Theater - Berkeley, CA Schoeps MK4/NBox Platinum Tascam DR-2D 24 Bit 48K Recorded from dead center, 4th step Processed using Soundforge 11, resample, to 16bit 44.1K TLH to convert to Flac   2 CDr notes
229. 04/17/17 Greek Theater - Berkeley, CA Tascam DR-07mkII internal mics 125hz roll off 24\96 converted to 16\44.1 Recorded slightly left of center just in front of the "thrones" Tascam DR-07mkII > processed in Wavelab > TLH   2 CDr notes
230. 04/18/17 Greek Theatre - University of California - Berkeley, CA Neumann KM140s > Sound Devices MP-2 > Edirol R09 (24/48) > CD Wave > FLAC 24/48     2 CDr notes
231. 06/20/17 3 Arena - Dublin, Ireland Tascam DR44WL > wav > Audacity (normalize/EQ) > TLH(Flac) > DIME Location : J Block, to the left of the stage second tier of seats, if that makes sense.   2 CDr  

Radiohead Compilations  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. ??/??/00 Various Unplugged - Various, Various shorten     1 CDR  

Rage Against the Machine https://tour.ratm.com/
  Date Venue - City, State Source Tech Note Source Notes Media  
1. ??/??/39 Unplugged And Rare - Compilation, Compilation Silver CD> (EAC) to Wave> Flac     1 CDR  
2. 09/09/93 Elysée Montmartre - Paris, France ?     1 CDR  
3. 05/23/94 Pinkpop Festival  - Landgraaf, Holland Silver CD     1 CDR  
4. 10/26/07 City Park - New Orleans, LA AKG ck93 hyper-cardioid capsules (mod) > RM 3-wire battery box > iRiver H120 > .wav @ 44.1Khz / 16 bit location: Mics mounted in my hat 6'3" high, 20' from right repeater stack lineage: .wav > USB > Amadeus Pro 1.1.1 > FLAC level 8 editing: Removed encore break, crossfaded audience between songs   1 CDR notes

The Raveonettes  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 08/28/03 Maison De La Radio - Black Session - Paris, France Digital FM → Ampli → Sound Blaster PCI 128 → Hard Drive → CDr Taped, Splited and faded : SoundForge 6.0e CDR : Nero Burning Rom 6.0.0.9   1 CDR  

Red Hot Chili Peppers  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 04/14/06 Canvas Club - London, England FM (Sony STRDB1070) > Creative SBLive! > Creative Recorder > Nero Wave Editor > Flac Frontend FLAC 8 Aligned on sector boundaries   1 CDR  
2. 06/09/06 Palais Omnisport De Bercy - Paris, France ECM719 > MZ-RH10 > wav > CDWAVE > Flac(5) with db power amp     2 CDR 90, CDR  
3. 07/15/06 Earls Court - London, England CM-DS5>MZ-R700>Adobe Audition>WAV>FLAC     2 CDR notes

Renaud  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 03/12/86 Zénith - Paris, France       2 CDR  

Ride  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 06/02/94 Black Session - Studio 105 - Paris, France FM ana -> Ampli Technics -> Soundblaster mp3+ -> Wav -> CDr Taped and edited : Soundforge 7.0b   1 CDR  

Roger Waters http://www.roger-waters.com
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 11/07/87 The Coliseum - Quebec City, QC ??     2 CDR  
2. 09/21/10 United Center - Chicago, IL Schoeps MK4s > actives > Nbox > R-09 (24/44.1) Transfer: SDHC card > USB > Sound Studio > xACT > FLAC (level 8) Recording location: Section 112   2 CDR notes

Rolling Stones http://www.rollingstones.com
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 04/18/65 Olympia Theatre - Paris, France Silver CD -> EAC -> WAV -> FLAC Frontend -> FLAC -> DIME     1 CDR  
2. 03/29/66 Olympia Theatre (2nd Show) - Paris, France Silver CD -> EAC -> WAV -> FLAC Frontend -> FLAC -> DIME     1 CDR  
3. 04/11/67 Olympia Theatre (2nd Show) - Paris, France Silver CD -> EAC -> WAV -> FLAC Frontend -> FLAC -> DIME     1 CDR  
4. 07/05/69 Hyde Park - London, England Vulture CD 003 - Aud 3     1 CDR  
5. 11/10/69 San Diego Sports Arena - San Diego, CA Low generation tape Low generation tape, probably different tape as "It's no hanging matter" (VGP) or "San Diego '69" (TSP). The interest is especially because of 3'49'' at the beginning of the show. You can hear a soundcheck (not by the Stones) and the Sam Cutler introduction which is not listenable on the classicals recordings. Very nice ! Good audience quality.   1 CDR  
6. 11/29/69 Boston Garden - Boston, MA my CDrec--> EAC (wave) --> flac (6) --> You     1 CDR  
7. 09/28/73 Olympiahalle (1st Show) - Munich, West Germany Master>dat>cd-r>Bias Peak Pro 5 (song indexing)>XACT>flac     1 CDR  
8. ??/??/94 Compilation -- Acoustic Motherfuckers - Compilation, United Kingdom Silver CD -> shn     1 CDR  
9. 02/26/14 Tokyo Dome - Tokyo, Japan MK4>Nbox+>M-10(24bit/98kHz, line-in, Rec Level 4)>PC Sound Editor: The Naniwa Hot Brothers Logistic Support: Taiyaki Remastering Info Wav Files (24bit/98kHz)>Transferred to Sound Forge Ver.10 Files (track split/Click&Crackle/Normalize-Volume Adjustment/ Dithered to16bit/44kHz files)> Transferred to FLC files   2 CDR notes
10. 03/04/14 Tokyo Dome - Tokyo, Japan MK4 > Nbox+ > M-10(24bit/98kHz, line-in, Rec Level 4) > PC Wav Files (24bit/98kHz) > Transferred to Sound Forge Ver.10 Files (track split / Click&Crackle / Normalize-Volume Adjustment / Dithered to16bit/44kHz files) > Transferred to FLC files     2 CDR notes

Rufus Wainwright  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 11/17/07 Maison de la Radio - Studio 104 - Live à FIP - Paris, France fm >> luxman rv357 (ampli/tuner) >> analog out >> iRiver iHP120 (wav 16/44.1 ; line-in ; rockboxed) Conversion: iRiver iHP120 >> usb >> wav >> audition 2.0 >> cd wave 1.96 >> wav >> tlh >> flac   2 CDR notes

Sebadoh  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 04/10/07 The Social - Orlando, FL AKG 483 XY 90 > Oade mod UA-5 > JB3 Optical Line-In (Wav @ 48khz) Transfer: JB3 > USB > Adobe Audition > CDwave > flac16   2 CDR  
2. 10/27/11 Southgate House - Newport, KY Soundboard > Creative Jukebox 3 @ 44.1 KHz Transfer: JB3 > Computer > CDWave > FLAC 8   2 CDR notes

The Servant  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 10/18/04 Nouveau Casino - Paris, France DIgital FM -> Ampli → Soundblaster mp3+ → Wav Taped and edited with : Soundforge 7.0b   1 CDR  
2. 05/27/07 Salle 700 - Palais Nikaïa - Nice, France MD sony MZ-RH1 (Hi-SP mode) > Aiwa CM-TS56 Location : Center, in the crowd ~15m. Transfer : sony MZ-RH1 > SonicStage > Wav. Flac : wav's > Flac Frontend v1.7.1   1 CDR 90 notes

Shearwater  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 10/26/06 White Session - Paris, France FM Stereo Receiver (Technics st-gt350) → Ampli (Technics su-v500) → M-Audio Revolution 5.1 → Wav → Wavs Taped : Rezound 0.12b3 Edited : Rezound 0.12b3 (splitted, DC Component removed) fix : shntool 3.0.1 FLAC : FLAC 1.1.3 level 8   1 CDR  

The Shins  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 11/14/03 First Avenue - Minneapolis, MN SBD > Sony M1-DAT Transfered: Joel Swaney Conversion: DAT > M-Audio/Audiophile 2496(Digital) > Sound Forge 6.0 > MKW > SHN   1 CDR notes

Siouxsie & the Banshees  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 10/09/80 Stadthalle Mühlheim - Cologne, Germany master tape>CDR>wave>flacf(8)     1 CDR  
2. 01/28/91 Zénith - Paris, France FM ana -> ANA (Gen 0) -> ANA (Gen 1, DJ intervention put out) -> Technics RS-TR232 (Cassette Deck) -> Soundblaster mp3+ -> Hard Drive (Sound forge 7.0b) Fade in and out : Sound forge 7.0b   1 CDR  
3. 03/07/08 Academy - Oxford, England GM-Pro Mics/Battery Box -> Microtrack (24bit, 48khz) -> Audacity (track splits, resampling) -> FLAC (16bit, 44.1khz, level 8, labelled)     1 CDR notes

Skunk Anansie  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 10/11/95 Central Studio's - Utrecht, Netherlands Soundboard recording     1 CDR  

Slint  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 03/03/05 La Cartonnerie - Reims, France minidisc Sharp190H + ECM907 -> audigy platinum 2 ZS -> wavelab -> steinberg multiband compressor + denoiser -> wav -> flac frontend8     1 CDR  

Smashing Pumpkins http://www.smashingpumpkinsnexus.com/
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 02/08/91 Maxwell's - Hoboken, NJ ???     1 CDR  
2. 02/12/91 CBGB - New York, NY AUD>ANA>CD>CDR-2>EAC>SHN     1 CDR  
3. 07/21/91 Moon - New Haven, CT Sony TC-WE625S > Turtle Beach Montego II > Cool Edit Pro 1.2a > CDWave > shn Generation : ANA-5 Source: soundboard Resampling : none; show A/D converted at 44.1k Editor : Henry Bent Editing : none SHN : Master WAV > shortn32 commandline prog.   1 CDR  
4. 07/21/91 Moon - New Haven, CT ANA-2 > Sony TC-WE825S > Tascam DA-20MKii(A>D @ 44.1kHz) > Monster coax > Delta Dio 2496 > Cool Edit Pro 2.1 Source : SBD Editor : Andrew Fogelsong Editing : shortened tape flip gap to 1 sec FLAC : master wav's > CD Wave Editor 1.97 > FLAC (level 8) Notes : Thanks goes to Thom Jones for letting me borrow the tape he purchased from Asselin. There are a few dropouts on the actual tape (I transferred multiple times)   0  
5. 10/22/91 Central Park Ballroom - Milwaukee, WI 1st gen tape from dat     1 CDR notes
6. 10/23/91 MSU Auditorium - East Lansing, MI AUD>ANA-3>DAT-M>CDR (unknown gen from S.M.) >EAC>WAV>CD Wave (track splits)>FLAC     1 CDR  
7. 11/03/91 Springfield Civic Center - Springfield, MA AUD>DAT[AKG 451>SVM-D11]>DDC-?>CDR-3>EAC (secure)>FLAC (level 8)     1 CDR  
8. 11/08/91 Tower Theatre - Upper Darby, PA ?? Conversion : Sony TC-WE625S > Turtle Beach Montego II > Cool Edit Pro 1.2a > CDWave > shn Resampling : none; show A/D converted at 44.1k Editor : Henry Bent Editing : none SHN : Master WAV > shortn32 commandline prog   1 CDR  
9. 11/11/91 Roseland Ballroom - New York, NY ?? flaws : none as far as I know Conversion : Sony TC-WE625S > Turtle Beach Montego II > Cool Edit Pro 1.2a > CDWave > shn Resampling : none; show A/D converted at 44.1k Editor : Henry Bent Editing : none SHN : Master WAV > shortn32 commandline prog.   1 CDR  
10. 11/22/91 State Theatre - Detroit, MI DAT-1>ANA-1>CDR (AiwaCM-30>ToshibaWM) Conversion: CDR>EAC>WAV>FLAC Errors (on original recording): most of rocket is cut, 2 second drop out in siva, some diginoise   1 CDR  
11. 11/22/91 State Theatre - Detroit, MI AUD>ANA-?>CDR(unknown gen)>FLAC There is a lot of tape hiss and some tape warble throughout. I have yet to see a known gen for this show on anyone's list so enjoy this for what it is and if you have a known gen of this by all means share it :)   1 CDR  
12. 12/04/91 Memorial Hall - Kansas City, KS ?? Taper : ? Generation : ANA-? Source : ? Location : ? flaws : Silverfuck is cut; show is overdriven Conversion: Sony TC-WE625S > Turtle Beach Montego II > Cool Edit Pro 1.2a > CDWave > shn Resampling: none; show A/D converted at 44.1k Editor: Henry Bent Editing: none SHN: Master WAV > shortn32 commandline prog.   1 CDR  
13. 12/07/91 Unicorn - Houston, TX AUD>ANA>ANA-2>DDC-1>CDR     1 CDR  
14. 12/12/91 Hollywood Theater - Norman, OK Unknown Gen. VHS -> imovie ->extracted audio --> FLAC The audio is OK, about what you would expect from a 1991 audience shot show. Interesting show, classic technical difficulties, Billy telling someone in the crowd "fuck you", and other good banter. Nice view of the pumpkins before they were big. I made track 6 because it proves this show is in Norman OK. Enjoy!!   1 CDR  
15. 12/17/91 Whiskey a Go-Go - Los Angeles, CA ??? > CD (silver) > EAC > WAV > mkwact > SHN     1 CDR  
16. 12/22/91 Portland Underground - Portland, OR ?? Taper : ? Generation : VID-2 Source : ? Location : ? flaws : what's _not_ flawed about this show? Every song is cut in some way and the whole show is overdriven. Conversion : Sony TC-WE625S > Turtle Beach Montego II > Cool Edit Pro 1.2a > CDWave > shn Resampling : none; show A/D converted at 44.1k Editor : Henry Bent Editing : none SHN : Master WAV > shortn32 commandline prog.   1 CDR  
17. 12/31/91 Cabaret Metro - Chicago, IL ANA(ECM-909>D6)>CDR Conversion: CDR>EAC>WAV>FLAC   1 CDR  
18. ??/??/91 Westwood One Studios Session - Los Angeles, CA       1 CDR  
19. 01/15/92 VPRO Radio - Hilversum, Netherlands FM broadcast flaws: FM reception not great, especially noticeable during Crush; possible track movement - see notes after setlist Conversion : Sony TC-WE625S > Turtle Beach Montego II > Cool Edit Pro 1.2a > CDWave > shn Resampling : none; show A/D converted at 44.1k Editor : Henry Bent Editing : none SHN : Master WAV > shortn32 commandline prog.   1 CDR  
20. 01/17/92 BxL - Brussels, Belgium AUD>ANA>???>CDR>EAC>FLAC     1 CDR  
21. 01/17/92 BxL - Brussels, Belgium ana aud (maybe a WMD6) Generation : ana Low > dat master > cdr Master (sounds a lot better than what was previously out) Location : ? flaws : tape flip after drown Conversion : Nakamichi DR10 tape deck > Tascam DA20II > dat master > PCM-R300 > Coax Cable>midiman 2496 audiophile>cool edit pro>cdwave editor>mkw audio compression tool(shn) Resampling : none; show converted at 44.1k Editor : Fares Halteh Editing : none SHN : master wav's > cdwave editor > MKW Audio Compression Tool   1 CDR  
22. 01/18/92 Effenaar - Eindhoven, Nederlands aud/ana?>cdr     1 CDR  
23. 01/18/92 Effenaar - Eindhoven, Nederlands AUD>ANA-L>CDR (spfc.org says: Either a Sony TCD-D7 or a Sony pro-analog deck used to record.) Transfer: Dan Elsen's ANA-L>Tascam 102 tape deck>Gold RCA cables>Soundforge 4.5 for recording and normalizing>CD Wave (track splits)>my CDR-0 from Dan>EAC (secure)>WAV>FLAC (Level 8) ...your copy will be a CDR-1.   1 CDR 90  
24. 01/19/92 Paard - Den Haag, Netherlands SBD > WM-D6 > ANA-1 > DAT @ 32kHz Conversion : Tascam DA-20mkii(DCC-?) > coax cable > Delta Dio 2496 > Cool Edit Pro Resampling : converted to 44.1kHz in Cool Edit Pro Editor : Andrew Fogelsong SHN : master wav's > CD Wave Editor > MKW Audio Compression Tool notes : not from bootleg cd "Rawk"   2 CDR  
25. 01/20/92 Melkweg - Amsterdam, Netherlands ANA-M > DAT > DDC-4 > CDR-0 > EAC (100%Q, CRC OK) > SHN Flaws: * Because this rip comes from 2 discs, split before track 12, it is possible that the transition there will not be seamless. * There is a tiny instant of diginoise in track 12, at 3:55. This is also present on the DDC-4 DAT tape.   1 CDR  
26. 01/24/92 Pumpehuset - Copenhagen, Denmark unknown stereo mic>ANA> CDR(1)> EAC >SHN Small skip in Drown is present on the master.   1 CDR 90  
27. 01/26/92 Loft - Berlin, Germany AUD>DAT>CDR(?)>EAC(w/secure mode)>FLAC     1 CDR  
28. 01/28/92 Luxor - Koln, Germany AUD>VID-L>Turtle Beach sound card>CDR>FLAC Flaws:Tiny dropout @ 1:46 track 12. Most likely from VID gens.   1 CDR  
29. 01/29/92 Batschkapp - Frankfurt, Germany Aiwa CM-30 > WM-D6C transfer: ANA-M > DDC-1 > PCM-R300 > HHB 800 > CDR-1 > EAC [secure] > FLAC   1 CDR  
30. 02/05/92 Elysée Montmartre - Paris, France 40/SBD/promo anaM>stand alone cdr>SHN Flaws: tape hiss   1 CDR  
31. 02/11/92 Edward's No. 8 - Birmingham, England VID-L>TurtleBeach>CDR Conversion: CDR>EAC>WAV>FLAC   1 CDR  
32. 02/14/92 Astoria Theater - London, England ana/aud Generation : ana Low > cdr Master Location : ? flaws : none that i know of Conversion : Technics RS-TR373 > R300 (A/D) > Coax > Midiman Audiophil 2496 > cool edit pro > cdwave editor > mkw audio compression tool(shn) Resampling : none; show converted at 44.1k Editor : Fares Halteh Editing : none SHN : master wav's > cdwave editor > MKW Audio Compression Tool   1 CDR  
33. 03/28/92 Metro - Chicago, IL ANA-2>DAT-M>CDR Conversion: CDR>EAC>WAV>FLAC   1 CDR  
34. 06/09/92 The Unicorn - Milwaukee, WI AUD/ANA-? --> Yamaha MT120S --> WAV (SONAR 2.2) --> FLAC     1 CDR  
35. 06/09/92 The Unicorn - Milwaukee, WI VID-? -> Sony TC-WE625S > Turtle Beach Montego II > Cool Edit Pro 1.2a > CDWave > shn Taper: ? Source: ? Location: ? flaws: Tape flip between KYPII and Siva; Show is overdriven; Silverfuck is cut; dropout right before Bury Me starts Resampling: none; show A/D converted at 44.1k Editor: Henry Bent Editing: none SHN: Master WAV > shortn32 commandline prog. I am 100% positive that better gen copies of this show exist. Fares, are you hearing this? Show me up and find a nicer quality tape of this show :-)   1 CDR  
36. 07/05/92 Rock Werchter Festival - Werchter, Belgium PC-62 > Sony WM-D3 (Mastered on TDK SA-90 Tape) Transfer : TDK SA-90 Tape > Yamaha KX-W900 Tape Deck > LG ADR-620 Standalone CD Recorder > CDR > Steinberg Wavelab 4.0 (Editing/Tracking) > FLAC   1 CDR  
37. 07/05/92 Rock Werchter Festival - Werchter, Belgium AUD>ANA-2>DDC-0>CDR-?>EAC>WAV>FLAC Flaws: End of Silverfuck (7/5/92) cut due to a tape flip.   1 CDR  
38. 07/11/92 Blackout Records - Chicago, IL Sony TC-WE625S > Turtle Beach Montego II > Cool Edit Pro 1.2a > CDWave > shn Generation : ANA-? Location : ? flaws : Hummer is cut Resampling : none; show A/D converted at 44.1k Editor : Henry Bent Editing : none SHN : Master WAV > shortn32 commandline prog.   1 CDR  
39. 07/23/92 Metro - Chicago, IL VID-1(VHS)-->Toshiba 4-head Hi-Fi VCR out --> Midiman Flying Calf 20bit A/D converter analog in --> Midiman digital coax out --> Soundblaster Live Platinum digital coax in--> Cool Edit-->WAV-->SHN     1 CDR  
40. 07/24/92 Metro - Chicago, IL VID-1(VHS)-->Toshiba 4-head Hi-Fi VCR out --> Midiman Flying Calf 20bit A/D converter analog in --> Midiman digital coax out --> Soundblaster Live Platinum digital coax in--> Cool Edit-->WAV-->SHN     2 CDR  
41. 08/05/92 Washington Square - Miami, FL VID-L>CDR-0>EAC>FLAC     2 CDR  
42. 08/05/92 Washington Square - Miami, FL ANA(?)>WAV>FLAC     1 CDR  
43. 08/10/92 328 Performance Hall - Nashville, TN Radio Shack Walkman Conversion : ANA-2 > Sony TC-WE825S > Tascam DA-20MKii(A>D @ 44.1kHz)> Monster coax > Delta Dio 2496 > Adobe Audition 2.0 Editor : Andrew Fogelsong Editing :shortened tape flip to 1 second. FLAC : master wav's > CD Wave Editor 1.95 > FLAC (level 8) Notes : 1 second dropout in Siva. There is a fade out/in between the main set and the encore.   1 CDR 90  
44. 08/10/92 328 Performance Hall - Nashville, TN Radio Shack Walkman Conversion : ANA-2 > Sony TC-WE825S > Tascam DA-20MKii(A>D @ 44.1kHz)> Monster coax > Delta Dio 2496 > Adobe Audition 2.0 Editor : Andrew Fogelsong Editing : shortened tape flip to 1 second. FLAC : master wav's > CD Wave Editor 1.95 > FLAC (level 8) Notes : 1 second dropout in Siva. There is a fade out/in between the main set and the encore.   1 CDR 90  
45. 08/23/92 Greater London Radio - London, England FM?>CDR Conversion: CDR>EAC>WAV>FLAC   1 CDR  
46. 08/29/92 Reading Festival - Berkshire, England ana/aud Generation : ana Low > cdr Master Location : ? flaws : tape flip after hello kitty kat Conversion : Technics RS-TR373 > R300 (A/D) > Coax > Midiman Audiophile 2496 > cool edit pro > cdwave editor > mkw audio compression tool(shn) Resampling : none; show converted at 44.1k Editor : Fares Halteh Editing : none SHN : master wav's > cdwave editor > MKW Audio Compression Tool   1 CDR  
47. 08/31/92 Kleine Markthalle - Hamburg, Germany AUD/VID-?>CDR>FLAC     1 CDR  
48. 09/01/92 Loft - Berlin, Germany AUD DAT [Soundman OKM > Sony TCD-D3] Lineage: DAT master > standalone CD recorder > CD-R > EAC > retracking > FLAC   2 CDR  
49. 09/01/92 Loft - Berlin, Germany AUD->DAT->SSmic->D3->ana?->??->cdr?->EAC->Flac     2 CDR  
50. 09/03/92 Batschkapp - Frankfurt, Germany DAT>CDR Conversion: CDR>EAC>WAV>FLAC   2 CDR  
51. 09/04/92 Tor 3 - Duesseldorf, Germany VHS?>DAT?>CDR Conversion: CDR>EAC>WAV>FLAC   1 CDR  
52. 09/06/92 Metropolis Festival - Rotterdam, Netherlands Sony WM-D3 & PC62 mic Lineage; Sony WM-D3 & PC62 mic – Yamaha stand alone cdr burner – FLAC –you   1 CDR notes
53. 09/06/92 Metropolis Festival - Rotterdam, Netherlands aud>dat>cdr     1 CDR  
54. 09/08/92 Espace Orano - Paris, France       1 CDR 90  
55. 09/12/92 Town & Country Club - London, England ana aud/handheld Generation : ana Low > cdr Master Location : ? flaws : Tape flip after Siva Conversion : Technics RS-TR373 > R300 (A/D) > Coax > Midiman Audiophile 2496 > cool edit pro > cdwave editor > mkw audio compression tool(shn) Resampling : none; show converted at 44.1k Editor : Fares Halteh Editing : none SHN : master wav's > cdwave editor > MKW Audio Compression Tool   1 CDR  
56. 12/01/92 Point - Atlanta, GA ?? Conversion : ANA-2 > Sony TC-WE825S > Tascam DA-20MKii(A>D @ 44.1kHz) > Monster coax > Delta Dio 2496 > Adobe Audition 2.0 Editor : Andrew Fogelsong Editing : shortened tape flip gap to 1 sec FLAC : master wav's > CD Wave Editor 1.95 > FLAC (level 8) Notes : Thanks to Ben Golomb for letting me borrow the tape! Soma cuts out and Geek USA cuts in over tape flip   1 CDR 90  
57. 12/01/92 Point - Atlanta, GA ANA(unknown gen)>CDR Conversion: CDR>EAC>WAV>FLAC Flaws (in original recording): Soma and Geek USA cut (tape flip?)   2 CDR  
58. 12/11/92 Roxy - Atlanta, GA AUD > Hi8 > ??? > CD > SHN     1 CDR  
59. 03/15/93 Center Stage - Atlanta, GA unknown gen cassette>WAV>FLAC     1 CDR 90  
60. 03/15/93 Center Stage - Atlanta, GA VHS>MOTU Traveler @24-96>Vegas(16-44)>FLAC     2 CDR  
61. 06/01/93 NOB Studios - Hilversum, Netherlands Cassette (Maxell XL II 60) > Audacity > FLAC(8) Pre FM Taken from 1st gen cassette, straight out of the recording desk.   1 CDR  
62. 06/29/93 Studio 105 (Black Session) - Paris, France FM (ana) Flaws: Minor static during some songs SHN: CDR-? > EAC v0.9 beta 3 > MKW Audio Compression Tool   1 CDR  
63. 06/30/93 VPRO Radio Session - Hilversum, Netherlands Cassette (Maxell XL II 60) > Audacity > FLAC(8) Smashing Pumpkins recording an acoustic sessions for VPRO radio programme "Villa 65" Taken from 1st gen cassette, straight out of the recording desk.   1 CDR  
64. 06/30/93 VPRO Radio Session - Hilversum, Netherlands FM>DAT>DDC-2>CDR-3>EAC>WAV>FLAC... your copy will be CDR-4     1 CDR  
65. 07/04/93 Raymond Revue Bar - London, England SBD>??multitrack or DAT??>Virgin Promo Source: SBD>??multitrack or DAT??>Virgin Promo ("Monitor Mixes", duplicated 7/19/93) Transfer: Virgin Promo Tape>Sony TC-K630ES>R-09(unity gain, 24/48) Editing: Audacity (amplified, spliced tape sides together), CDWave (split), r8brain (downsample/dither), TLH (FLAC) 16/44.1 version   1 CDR 90  
66. 07/23/93 Unicorn - Milwaukee, WI ANA(?)>WAV>FLAC     1 CDR  
67. 07/26/93 Tower Records - Chicago, IL FM > DAT > CD-DA ("Drown" bootleg) Lineage : Silver Disc > EAC > FLAC (level 8) Seeded By : Tobin Stewart (zerozwan@hotmail.com)   1 CDR  
68. 07/26/93 Tower Records - Chicago, IL SBD/FM>ANA1>CDR4 Conversion: CDR>EAC>WAV>FLAC   1 CDR  
69. 07/30/93 Gabe's Oasis - Iowa City, IA ANA1->CDR(2) Encoded to SHN via EAC by Slurpee   2 CDR  
70. 08/07/93 Phoenix Center - Pontiac, MI unknown mic>unknown deck(ANA)>ANA-M>DA20>DCC-2>CDR>FLAC Flaws : none apart from a tiny tape problem on track 3 CD2 at 13'07''   1 CDR 90  
71. 08/07/93 Phoenix Center - Pontiac, MI cassette(gen?) ANA(AUD)>WAV>MP3     1 CDR 90  
72. 08/12/93 Metro - Chicago, IL Audience - DAT     2 CDR  
73. 08/13/93 Metro - Chicago, IL Sony D-3 DAT recorder (16bit-48kHz) >ECM-S220 Mic > CDWAVE 1.98 > FLAC (level 8) This is a 16bit / 48KHZ recording. It cannot be burned to a cd, unless you convert it to 44.1KHZ. The FLAC files were created using CD Wave 1.98, and they were tested using Media Monkey 3.1.1.1261. *Part of SilverF*ck is missing. I had to change batteries.   2 CDR notes
74. 08/13/93 Metro - Chicago, IL [AUD/DAT] ECM-S220>D3>DAT-M>CDR-1 There's a dropout during Silverfuck, from the master.   2 CDR  
75. 08/14/93 Metro - Chicago, IL sbd>sony d7>cdr>eac>shn     2 CDR  
76. 08/24/93 Melody - Stockholm, Sweden FM > ANA (unknown if from bootleg) Conversion: ANAM > CDR2 > SHN   1 CDR  
77. 08/24/93 Melody - Stockholm, Sweden FM> ANA(M)> CDR(1)> EAC> FLAC     1 CDR  
78. 08/25/93 Loppen - Copenhagen, Denmark AUD>DAT[ECM-155>D3]>DDC-1>CDR (unknown gen)>EAC>FLAC his is an upgrade to most circulating copies of this show. No ANA gens and best of all no dropout in Geek USA! :)   1 CDR 90  
79. 08/27/93 Lowlands Festival - Dronten, Netherlands SBD > DAT > CD-DA ("Drown" bootleg) Lineage : Silver Disc > EAC > FLAC (level 8)   1 CDR  
80. 08/28/93 Pukkelpop Festival - Hasselt, Belgium ANA/CDR-3 ?>d3>ana1>DC?>CDR   1 CDR  
81. 09/01/93 Huxley's Neue Welt - Berlin, Germany Most probably: OKM >SONY D6 MaC >DAT >wav >flac* >wav >Adobe Audition >CDwave >Flac (6) tape flip around 40:25 mins, no music was lost there the sound varies a bit. looks like the source tape is not in perfect condition anymore supporting band was 'The Verve'.   1 CDR 90  
82. 09/03/93 Alabamahalle - Munich, Germany CD -> Audio CD Ripper -> MKW Audio Compression Tool 0.97     1 CDR  
83. 09/05/93 Festa Dell 'Unita - Modena, Italy       1 CDR  
84. 09/08/93 Bataclan - Paris, France       2 CDR  
85. 09/09/93 Vredenburg - Utrecht, Netherlands ANAL > CDR0 > CDWave > SHN     1 CDR 90  
86. 09/12/93 BBC Session - London, England BBC Transcription Services CD (Unknown Show Number/Broadcast Date)     1 CDR  
87. 09/14/93 Town & Country Club - Leeds, England ANAL > CDR0 > CDWave > SHN     1 CDR 90  
88. 09/15/93 Manchester Academy - Manchester, England PREFM>CD>CDR     1 CDR  
89. 09/18/93 Barrowland - Glasgow, Scotland ana aud/handheld generation : ana master > dat master > cdr master Location : ? flaws : incomplete as per master, tape flip midway through siva & silverfuck Conversion : Nakamichi DR10 tape deck > Tascam DA20II > dat master > PCM-R300 > Coax Cable>midiman 2496 audiophile>cool edit pro>cdwave editor>mkw audio compression tool(shn) Resampling : none; show converted at 44.1k Editor : Fares Halteh Editing : none SHN : master wav's > cdwave editor > MKW Audio Compression Tool   2 CDR notes
90. 09/23/93 Guild Hall - Southampton, England AUD>VID Lineage:VID-2>MZR70>M30>CDR-2>EAC>SHN... your copy will be a CDR-3 Flaws: A few tiny dropouts here and there. Most likely from the VID gens.   2 CDR  
91. 09/25/93 Brixton Academy - London, England ana aud/handheld generation : ana (low gen) > dat master > cdr master Location : ? flaws :l evel drop at the beginning of Geek USA Conversion : Nakamichi DR10 tape deck > Tascam DA20II > dat master > PCM-R300 > Coax Cable>midiman 2496 audiophile>cool edit pro>cdwave editor>mkw audio compression tool(shn) Resampling : none; show converted at 44.1k Editor : Fares Halteh Editing : none SHN : master wav's > cdwave editor > MKW Audio Compression Tool   1 CDR  
92. 10/05/93 First Avenue - Minneapolis, MN AUD > DAT [SSmic>??] > DDC(?) > CDR > EAC > WAV > FLAC (complete)     2 CDR  
93. 10/06/93 IMU Ballroom - Iowa City, IA AUD(walkman>builtinmic)>ANA-M>CDR-1     2 CDR  
94. 10/10/93 Odgen Theatre - Denver, CO aud>ana1>dat     1 CDR  
95. 10/18/93 Warfield Theatre - San Francisco, CA AIWA HS-J470 + AIWA Clip Mic Transfer: Cassette Master --> Nakamichi Cassette Deck 1.5 (3 head) --> Pioneer PDR-509 --> CDR --> Audacity (tracking only) --> FLAC Frontend --> FLAC Files (level 8) No EQ, processing or adjustments in the transfer. And despite an inopportune tape change at the end (why there is a Silverfuck Pt. 2), consider this a complete recording. I would grade this a notch below "ok", keeping in mind it was done with an AIWA, recorded from the balcony. But, despite some tape hiss, recording is listenable and certainly better than nothing - I figured it couldn't hurt to share. But, FYI, I know a DAT recording exists of this show. Original band line-up with a great setlist. They play Drown! Billy is in full form with the audience banter throughout the evening. And James, BTW, is completely frying on acid (I spoke with him after the show and can confirm). Thanks always to CynM. Please enjoy and always support the artists.   1 CDR 90  
96. 04/08/94 Gulfcoast Coliseum - Biloxi, MS AUD > DAT(?) > CDR Conversion: CDR(?) > WAV via EAC > FLAC   1 CDR 90  
97. 07/22/94 Deer Creek Music Center - Noblesville, IN DSM-6 > WM-D6 > ANA-M > DDC-1 Conversion : DDC-1 > PCM-R500 > HHB 800 > CDR-0(raw transfer) > dEdit > CDR-1 Ripper : Andrew Fogelsong FLAC : CDR-1 > EAC V0.95 beta 4(proper offset) > WAV > FLAC (level 8)   1 CDR  
98. 07/25/95 MCIS Rough Mix - Chicago, IL SBD>??multitrack or DAT??>Virgin Promo ("Master Mixes 7/25/95", duplicated 8/4/95) Transfer: Virgin Promo Tape>Sony TC-K630ES>R-09(unity gain, 24/48) Editing: Audacity (amplified, spliced tape sides together), CDWave (split), r8brain (downsample/dither), TLH (FLAC)   1 CDR 90  
99. 10/20/95 Duke Ellington Ballroom - DeKalb, IL built in mic > (walkman) Lineage: anaM > datM > cdr1 Length: 78 minutes Transfer and Rip: anaM > dat-M > cdr0 (transferred digitally [Sony PCM-M1 > Coresounds 7pin to coax > Audiophile 24/96] and edited [Cool Edit Pro 2.0 > CDWave Editor] by me) > cdr1 [EAC (secure) > Flac Frontend (level 8)]   1 CDR  
100. 01/13/96 Academy - New York, NY unknown analog recorder Conversion : ANA-3 > Sony TC-WE825S > Tascam DA-20MKii(A>D @ 44.1kHz) > Monster coax > Delta Dio 2496 > Adobe Audition 2.0 Editor : Andrew Fogelsong Editing : shortened gap between sets one and two to 1 sec, shortened gap between set two and encore one to 1 sec, shortened tape flip gaps to 1 sec FLAC : master wav's > CD Wave Editor 1.95 > FLAC (level 8)   2 CDR  
101. 03/04/96 Entertainment Centre - Perth, Australia Sony Ecm-909a Condensor Microphone > Sony Recording Walkman Analog Audience MASTER > FLAC Transfer = Nakamichi DR10 > Marantz DR700 CD Recorder > EAC > Adobe Audition > CDWave > FLAC   2 CDR notes
102. 04/10/96 Hovet - Stockholm, Sweden Audience (right-side of stage) > ANA(M) [Aiwa HS-JS215] JVC TD-W444 > Sony PCM M10 > WAV [48kHz, 24-bit] > FLAC [Level 8]   2 CDR notes
103. 04/19/96 Messe B - Stuttgart, Germany AIWA HD-S 200 DAT with SONY ECM 939-LT Microphone Processing: AUD DAT Master -> wav files -> transfer to PC -> Magix Audio & Music Lab (edit/remaster) -> flac 44,1/16 -> DIME Vg+/Ex- sound after some EQ. Sound level adjusted.   2 DVDr notes
104. 05/20/96 Hordern Pavilion - Sydney, NSW ANA-L>L.M.'s CDR-0>EAC>FLAC (DE transfer)     2 CDR  
105. 07/06/96 Corestates Spectrum - Philadelphia, PA SS-DSM6/D8>CDR     2 CDR  
106. 09/06/96 Civic Arena - Pittsburgh, PA AUD (possibly from unknown DAT?) > ANA-L > CDR-1 (from DE) > EAC > WAV > dEdit(remove micro gaps from original transfer) > FLAC * originally came as two large flac files with cue sheets, I split this with CDWave and fixed some weird tracking during the first encore * this is traveller03's dEdit (gap removal)   2 CDR  
107. 09/07/96 War Memorial - Syracuse, NY Built-in>HSJS215 Transfer: ANA-1>Sony TC-WE825S>Tascam DA-20MKii(A>D @ 44.1kHz)>Monster coax>Delta Dio 2496 Editing: Cool Edit Pro 2.1 (recording), CDWave (splits), TLH (FLAC level 8)   2 CDR  
108. 10/04/96 Rosemont Horizon - Rosemont, IL SS DSM-6S > PA-6LC3 > D7     2 CDR  
109. 11/23/96 Myriad Arena - Oklahoma City, OK unknown analog recorder Conversion : ANA-1 > Sony TC-WE825S > Tascam DA-20MKii(A>D @ 44.1kHz) > Monster coax > Delta Dio 2496 > Adobe Audition 2.0 Editor : Andrew Fogelsong Editing : shortened tape flip gaps to 1 sec FLAC : master wav's > CD Wave Editor 1.95 > FLAC (level 8)   2 CDR  
110. 11/30/96 Frank Erwin Center - Austin, TX shorten     2 CDR  
111. 01/08/97 GM Place - Vancouver, BC all tracks taken from "1997" silver 2CD bootleg [Moonraker 245/46] with the exception of 10 seconds of the dead air between "Thru The Eyes Of Ruby" and "X.Y.U." which are taken from the silver 2CD bootleg "The GM Place" [Optimum 06/07]. I used a few seconds of "The GM Place" bootleg source because it was impossible to reverse completely the fade out / fade in between CD1 and CD2 on the "1997" bootleg (despite no sound was cut). The sound of the "1997" radiobroadcast source si getting worse just before the song "X.Y.U." starts.   2 CDR  
112. 01/08/97 GM Place - Vancouver, BC FM > DAT > ? > CD CD Commercial Bootleg (GM Place) > EAC > WAV > FLAC FM > DAT > ? > CD CD Commercial Bootleg (GM Place) > EAC > WAV > FLAC 2 CDR  
113. 06/23/97 The Double Door - Chicago, IL AUD>DAT[unknown mic>D8]>ANA-1>DE's transfer>CDR-0>my CDR-1 from Dan>EAC>WAV>FLAC     1 CDR 90  
114. 07/08/97 Spodek Arena - Katowice, Poland Audience recording > Panasonic dictaphone with built-in mic     1 CDR notes
115. 06/23/98 Nihon Budokan - Tokyo, Japan CSB>D100>DAT-2(48k)>Fostex D5 (Optical)>m-audio DiO 2496>CDWave (recording/tracking)>FLAC d1t01 - level adjustment (2:35)   2 CDR  
116. 06/30/98 Bill Graham Civic Auditorium - San Francisco, CA Schoeps CCM4 > Aerco > SBM-1 > D100 transfer: DDC-1 > standalone burner > CDR-1 > WAV > FLAC editing: CDWave (split), TLH (flac8) [1979 and Blank Page patched from supposed Schoeps MK4 source DDC-? > CDR > EAC > FLAC]   2 CDR  
117. 12/20/99 the Metro - Chicago, IL Coresound Binaural Mics>MZR-55 Location: Near SoundBoard Transfer: MD>CDWave>Flac   2 CDR notes
118. 01/18/00 Elysee Montmarte - Paris, France Marantz EM8 > TCD-D8 @ 32k Transfer: DDC-3 > IBM CTD-8000 > DAT2WAV > WAV (16/32) Editing: r8brain (16/32 > 16/44.1), CDWave (split), TLH (flac level 8)   1 CDR 90  
119. 02/05/00 Berbati's Pan - Portland, OR ANA?>?>CDR > FLAC     1 CDR  
120. 02/10/00 Bostone's - Tempe, AZ CSBMod > Att(-20dB) > M1 Conversion : DDC-2 > Sony PCM-M1 > 7-pin to coax > Delta Dio 2496 > Adobe Audition 2.0 Editor : Andrew Fogelsong Editing(1st set) : downsampled(48k to 44.1k) Editing(2nd set) : downsampled(48k to 44.1k), hard limiting(+8dB) FLAC : master wav's > CD Wave Editor 1.95.1 > FLAC (level 8)   2 CDR notes
121. 02/19/00 Cat's Cradle - Carrboro, NC unknown DAT audience (possibly CSB > D7) > DDC-? > CDR-? > EAC [secure] > FLAC * improv song (8:45 onward), 1979, Happy Birthday patched from Audio Technica > Sharp MT-15 > MD > CDR-3 > EAC [secure] > FLAC * this show came as two CDRs simply labeled "2000-02-19 (Weeks)", which I took as indicating that this was taped by D. Weeks, a taper who also recorded the 2000-05-03 in Columbia, SC * thus, I am inclined to call this CSB > D7 due to the clarity of the recording, spectral up to 20khz, and the presumed taper running this rig at the Columbia show on 5/3, while unlikely, it could also be the CSB > MZ-R55 source with an analog transfer step or something else entirely   2 CDR notes
122. 03/02/00 Lupo's Heartbreak Hotel - Providence, RI Coresound Binaural Mics>MZR-55 Location: Near SoundBoard Transfer: MD>CDWave>Flac   2 CDR notes
123. 03/02/00 Lupo's Heartbreak Hotel - Providence, RI DSM6S > PA6LC3(175) > M1 Source : DSM6S > PA6LC3(175) > M1 Location : 20 ft. from the right stacks Conversion : PCM-R300>Coax 7-pin Cable>Midiman Audiophile 2496 Resampling : 44.1k Editor : Fares Halteh Editing : cd wave editor SHN : master DAT > Cool Edit Pro 2.0 >cd wave editor > plextor 12/10/32A > EAC rip with proper offset via 12/10/32A Plextwriter   2 CDR notes
124. 04/28/00 Patriot Center - Fairfax, VA Csb>MZR55 Location:Recorded On The Floor Near The Soundboard Transfer:MD>CDWave>Flac   2 CDr notes
125. 04/29/00 Tsongas Arena - Lowell, MA DSM-6S > PA-6LC3 > PCM-M1 @ 48 kHz Transfer : Zach Payne (pzane@hotmail.com) Location : 5' to 10' FoB Mic Config : Binaural Conversion : DDC-2 > PCM-R300 > S/PDIF Coax > Egosys WT2496 > WaveLab V5.01b Edit : WaveLab V5.01b (fades) Resampling : r8brain v1.9 (r8: 44.1 kHz, Output bit depth: 16 bit, Quality: Very High) Final Format : 16-bit, 44.1 kHz Tracking : CD-Wave v1.97 Encoding : FLAC v1.2.1 (Level 8) with TLH v2.4.1 (Build 160)   2 CDr notes
126. 05/05/00 Ruth Eckerd Hall - Clearwater, FL coresounds(cardioid) > D8 44.1 (FOB) > CD-R > EAC (wav) > dbPowerAmp (flac) location: 12th row center, 3 empty seats on each side   2 CDR notes
127. 05/13/00 Aerial Theater - Houston, TX Source : DSM-6S > PA-6LC3(175Hz) > M1 Conversion : DAT-M(48k) > CDR-0(my transfer) Ripper : Andrew Fogelsong FLAC : CDR-0 > EAC V0.95 beta 4(proper offset) > WAV > FLAC (level 8) Notes : 5-20ft behind SBD (moved a couple times)   2 CDr notes
128. 05/16/00 Balch Fieldhouse - Boulder, CO Core Sound Binaurals > TCD-D100 @ 48 kHz Location : Unknown Mic Config : Binaural Conversion DDC-1 > PCM-R300 > S/PDIF Coax> Egosys WT2496 > WaveLab V5.01b Edit : WaveLab V5.01b (fades) Resampling : r8brain v1.9 (r8: 44.1 kHz, Output bit depth: 16 bit, Quality: Very High) Tracking : CD-Wave v1.97 Encoding : FLAC v1.2.1 (Level 8) with TLH v2.2.2 (Build 152)   2 CDr  
129. 05/23/00 Universal Ampitheatre - Los Angeles, CA DPA 4061's > CSBox > Sony PCM-M1 Lineage: DAT Master 16/48 Transfer (BLG): DA-20 > coax > Marantz PMD-670 > usb reader > Adobe Audition Taper: Ed Davis additional editing (rhinowing): WAV file > CDWave (split) > TLH (flac8)   2 CDR notes
130. 05/24/00 Berkeley Community Theatre - Berkeley, CA CSB > TCD-D7 @ 48 kHz Transfer : Zach Payne (pzane@hotmail.com) Location : Center, ~30 feet FoB Mic Config : Binaural Conversion : DDC-1 > PCM-R300 > S/PDIF Coax > Egosys WT2496 > WaveLab V5.01b Edit : WaveLab V5.01b (fades) Resampling : r8brain v1.9 (r8: 44.1 kHz, Output bit depth: 16 bit, Quality: Very High) Final Format : 16-bit, 44.1 kHz Tracking : CD-Wave v1.97 Encoding : FLAC v1.2.1 (Level 8) with TLH v2.4.1 (Build 160)   2 CDr notes
131. 05/29/00 Paramount Ballroom - Seattle, WA CSB > PCM-M1 @ 48 kHz Transfer : Zach Payne (pzane@hotmail.com) Location : right stack, ~5 ft. Mic Config : Binaural Conversion : DDC-1 > PCM-R300 > S/PDIF Coax > Egosys WT2496 > WaveLab V5.01b Edit : WaveLab V5.01b (fades) Resampling : r8brain v1.9 (r8: 44.1 kHz, Output bit depth: 16 bit, Quality: Very High) Final Format : 16-bit, 44.1 kHz Tracking : CD-Wave v1.97 Encoding : FLAC v1.2.1 (Level 8) with TLH v2.4.1 (Build 160)   2 CDr notes
132. 09/20/00 Ahoy - Rotterdam, Netherlands SBD > Sony PCM-M1 > ? > WAV > SHN     2 CDR  
133. 09/24/00 Olympiahalle - Munich, Germany AUD->DAT->OKM-II(ROCK)->SBMI->M1 --> ?? -> CDR -> FLAC     2 CDR  
134. 09/24/00 Olympiahalle - Munich, Germany SBD > PCM-M1 > DAT-M > CDR > EAC [secure] > FLAC some EQing was done before this came to me discs from the collection of Andrew Fogelsong   2 CDr notes
135. 10/05/00 Coliseum - Porto, Portugal Source 01 tracks 01 to 25: DAT>Schoeps MK41/CMC6>SX-M2>D8 Source 02 Tracks 26 to 30: AUD > ECM-DS70P > MZ-R30 > MDM > DATM     2 CDR  
136. 10/20/00 Flanders EXPO - Gent, Belgium Source : DSM-6S > PA-6LC3 > M1 Conversion : DAT-M > Sony PCM-M1 > 7-pin to coax > Delta Dio 2496 > Adobe Audition 2.0 Editor : Andrew Fogelsong Editing : downsampled from 48kHz to 44.1kHz, hard limiting(+9dB) FLAC : master wav's > CD Wave Editor 1.95.1 > FLAC (level 8)   1 CDR 90 notes
137. 10/27/00 Valby Hallen - Copenhagen, Denmark FM>SBLive>HDD>WAV>SHN Recorded from Danmarks Radio P3 Live. No EAC!!! So you will have the master ;-) There is a tiny cut in both GatGC & SK, it's from the broadcast and NOT from the recording.   2 CDR  
138. 10/31/00 Apollo - Manchester, UK AUD>MD[CSBmod>MZ-R55]>MD-M>CDR-1>SHN     2 CDR  
139. 11/01/00 NEC - Birmingham, England Sony MZ-R91 > CSB/mod(BRObox) > Att[-20khz] Conversion: MD-M > Sony MDZ-401 > Monster Digi-cable > WAV > Soundforge 7.0 Resampling: None Editor: Simon Mifsud Editing: Digital Equalisation, Fade In/Out SHN: Master WAV's > SHN (Shorten/Lossless)   2 CDR notes
140. 11/03/00 Wembley Arena - London, England Sony MZ-R91 > CSB/mod(BRObox) > Att[-20khz] Conversion : MD-M > Sony MDZ-401 > Monster Digi-cable > WAV > Soundforge 7.0 Resampling : None Editor : Simon Mifsud Editing : Digital Equalisation, Fade In/Out SHN : Master WAV's > SHN (Shorten/Lossless)   2 CDR notes
141. 11/03/00 Wembley Arena - London, England AUD > DAT [CSBmod>M1] > CDR > WAV > SHN     2 CDR  
142. 11/04/00 Wembley Arena - London, England Sony MZ-R91 > CSB/mod > Att[-20khz] Transfer : Master MD's > Sony MDZ-401 (Standalone Deck/Optical out) > Monster Digital-cable > SB Audigy NX 2 (Optical in) > Soundforge 7.0 (Capture) WAV(44.1k > CDWave(track splitting) > CDR Conversion : CDR-0 > Masters WAV's (EAC) > Frontend [Level 8/Align on Sector Boundaries] > FLAC (If burned your copy CDR-1)   2 CDR notes
143. 11/06/00 The Olympia - Dublin, Ireland AUD - MD     2 CDR  
144. 11/29/00 United Center - Chicago, IL FM > Soundblaster Live > HDD > WAV > CDR1     2 CDR  
145. 11/29/00 United Center - Chicago, IL WKQX Q101 CHICAGO FM BROADCAST KAO 90 DAT MASTER'S AT(16/48KHZ)TO SONY PCM R-500 DAT>FIBER OPTIC>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (16/48KHZ)>MAGIX AUDIO CLEANING LAB FOR TRACK MARKS AND EDITS>WAV 16/48>TLH FLAC 8   3 CDr  
146. ??/??/00 Sacred & Profane Tour Soundboard Compilation - Various, Various SBD>DAT>CDR     1 CDR  
147. 05/22/07 Le Grand Rex - Paris, France Sony ECM-717 > SP-SPSB-8 (bass roll-off @ 95 Hz) > H120 > SoundForge 8.0 (Balance > Smooth compression on crowd noise > Normalize > Fade in/out) > flac -8     2 CDR 90 notes
148. 05/22/07 Le Grand Rex - Paris, France MBHO MBP 603 A / KA 200 N > Sound Devices MP-2 > Edirol R-09 Mic Config : in hat, DINA (17cm, 90�) Location : Mezzanine (lower balcony), 1st row, center Transfer : Master WAVs > Digital Editing > CD Wave Editor V1.95.1 > FLAC V1.1.4 Editing : EQ, volume boost and fades in Steinberg WaveLab V5.01b Dithering : UV22 HR dithering in Steinberg WaveLab V5.01b Resampling : 48.0 kHz > 44.1 kHz resampling in Steinberg WaveLab V5.01b   2 CDR 90  
149. 05/24/07 Den Atelier - Luxembourg City, Luxembourg Sony MD Walkman MZ-R30 Sony Microphone ECM-717 Recorded on HD with Cubase SX, sent through T-Racks Compressor     1 CDR 90  
150. 05/26/07 AB - Brussels, Belgium ecm 719 (sony)>md-mt 190 (sharp)>LP2>.wav>flac (master)     2 CDR 90  
151. 05/28/07 Pinkpop Festival - Landgraaf, Netherlands OKMII → MZ-RH10 Hi MD → Sonicstage 4,3(Wav) → A3(-20dB, bass frequence cut) → MZ-RH10 Hi MD → Sonicstage 4,3(Wav) → MZ-RH10 Hi MD → Sonicstage 4,3(Wav) → Audacity(normalisation) → CD Wave(tracksplit) → Db Power Amp(flac8)     2 CD  
152. 05/31/07 Estrella Damm Stage, Parc Del Forum - Barcelona, Spain Core Sound Binaurals > Sony PCM-M1 @ 44.1k Lineage: Sony DTC-ZE700 > Terratec DMX6Fire Lite (optical in) > Mastering/Editing > WAV > Flac (level 8)   2 CDR  
153. 05/31/07 Estrella Damm Stage, Parc Del Forum - Barcelona, Spain DAUD > At943 > SD MP-2 > Iriver120 (16 bits, 44.1kHz) Config: 90� - 10cm Location: In front of stage, 20 meters away transfer : R1 > USB > pc > Wavelab 5.0 > CDWave > Flac Frontend 1.12 (Level 6) - Fades in & out, edited clapping - Waves Q10 Paragraphic EQ + Waves LinMB (Adaptative Multi Electro Mastering)   2 CDR notes
154. 06/02/07 Eifel - Rock Am Ring Festival - Nuerburgring, Germany TV (Pre-Broadcast) Editor: obertu (aka sakul) Editing: Tracksplitting and Fades in WaveLab 4.0 FLAC: Level 6   2 CDR  
155. 06/05/07 Spandau Zitadelle - Berlin, Germany MBHO MBP 603 A / KA 200 N > Sound Devices MP-2 > Edirol R-09 Mic Config : in hat, DINA (17cm, 90�) Location : Right of the stage, 3rd row Transfer : Master WAVs > Digital Editing > CD Wave Editor V1.95.1 > FLAC V1.1.4 Editing: Channel mix (see notes), EQ, volume boost and fades in Steinberg WaveLab V5.01b Dithering : UV22 HR dithering in Steinberg WaveLab V5.01b Resampling : 48.0 kHz > 44.1 kHz resampling in Steinberg WaveLab V5.01b   2 CDR  
156. 06/05/07 Spandau Zitadelle - Berlin, Germany Recording Info disc 1, tracks 1-8: OKM IIr > A3 > M-AUDIO Microtrack 24/96 (44.1/16) > Recording Info disc 1, tracks 9-12 / entire disc 2: OKM IIc > A3 > M-AUDIO Microtrack 24/96 (44.1/16) > USB > WAV > Adobe Audition (EQing) > CDwave (tracking ) > FLAC frontend (level 8, verify, with align on sector boundaries) > Tracker   2 CDR  
157. 06/06/07 Columbiahalle - Berlin, Germany OKM IIr > A3 > SONY D 100 MDAT > CD > EAC > Adobe Audition (EQing) > CDwave (tracking) > FLAC frontend (level 8, verify, with align on sector boundaries) > Tracker   3 CDR  
158. 06/06/07 Columbiahalle - Berlin, Germany MBHO MBP 603 A / KA 200 N > Sound Devices MP-2 > Edirol R-09 Mic Config : in hat, DINA (17cm, 90�) Location : left side, ~10m from the stage Transfer : Master WAVs > Digital Editing > CD Wave Editor V1.95.1 > FLAC V1.1.4 Editing: EQ, volume boost and fades in Steinberg WaveLab V5.01b Dithering: UV22 HR dithering in Steinberg WaveLab V5.01b Resampling: 48.0 kHz > 44.1 kHz resampling in Steinberg WaveLab V5.01b   3 CDR  
159. 06/09/07 Oeiras - Lisbon, Portugal AUD > SP-CMC-1 > SP-SPSB-1 @ 16Hz (no bass roll-off) > Nomad Jukebox 3 (44Hz/16bit; line-in gain @ +12dB) Location: ~40m front of right stacks Transfer: NJ3 > HD (firewire) > CD Wave Editor > TLH (FLAC level 8) Editing: Cool Edit Pro 2.1 (fade in/out tracks)   2 CDR  
160. 06/11/07 Teatro Calderón - Madrid, Spain ZOOM H-4 Digitaler 4-Spur Multitracker (16 bit/44.1 kHz) Location : 1st row, left (bass possition) Transfer : Master WAVs > Digital Editing > CD Wave Editor V1.95.1 > FLAC V1.1.4 Editing : EQ, volume boost and fades in Cubase SX Dithering : UV22 HR dithering in Cubase SX Resampling: 48.0 kHz > 44.1 kHz resampling in Cubase SX   2 CDR  
161. 06/15/07 Nova Rock Open Air Festival - Nickelsdorf, Austria Audience Transfer: AT U853c > 3wire BB > Church Audio ST-9100 preamp v2.0 > R09 16bit 44.1kHz, line in > mastering (EQ, compressor, limiter) > Adobe Audition 2.0 fades, track edits > flac 1.1.3 (level 8) > you Sound Quality: A- (for audience), a tiny bit of wind noise Position: 35m from stage, FOB, center This show has equalizing, limiting and compression applied to it. In my ears and for my enjoyment it is a definite improvement of my recordings. If you do not crave those techniques on live audience recordings this show may not be for you.   2 CDR notes
162. 06/17/07 Areal Militärflugplatz - Greenfield Festival - Interlaken, Switzerland Archos 404 > USB > Audacity > WAV > dBpoweramp > FLAC     2 CDR notes
163. 06/19/07 Shepherds Bush Empire - London, England MBHO MBP 603 A / KA 200 N > Sound Devices MP-2 > Edirol R-09 Mic Config : in hat, DINA (17cm, 90�) Location : Level 1 (lowest balcony), 1st row, center Transfer : Master WAVs > Digital Editing > CD Wave Editor V1.95.1 > FLAC V1.1.4 Editing : EQ, volume boost and fades in Steinberg WaveLab V5.01b Dithering : UV22 HR dithering in Steinberg WaveLab V5.01b Resampling : 48.0 kHz > 44.1 kHz resampling in Steinberg WaveLab V5.01b This is the 16 bit version of this recording.   2 CDR 90, CDR  
164. 06/23/07 The Orange Peel - Asheville, NC Neumann KM140s (DIN) -> SD 744T Location : ~ 40 feet back, DFC, Clamped to SBD Rail (~4' high) Conversion : SD744T -> CD Wave (tracking) -> Wavelab 5 (dither, resample, joining split tracks) -> FLAC   2 CDR 90, CDR notes
165. 06/23/07 The Orange Peel - Asheville, NC Schoeps MK4 (DINA) > Nbox+ > Edirol R-09 @ 24bit/48kHz Editing : .wav @ 24/48 > WaveLab V5.01b (48kHz > 44.1kHz, UV22 HR 16bit/Normal) > CD Wave v1.95.1 > FLAC v1.1.4a (Level 8) - Clamped to pole (~7ft), in line w/ right stack. No Eq   2 CDR, CDR 90 notes
166. 06/23/07 The Orange Peel - Asheville, NC Panasonic WM-61A > Sound Pro SP-SPSB-2 (195Hz bass roll-off) > Edirol R-09 TRANSFER : Edirol R-09 > USB > Adobe Audition 2.0 > CD Wave 1.95.1 > FLAC frontend 1.7.1 GENERATION : WAV(M) [24bit/48kHz] > remaster > WAV [16bit/44.1kHz] > FLAC [Level 8]   2 CDR, CDR 90 notes
167. 06/24/07 The Orange Peel - Asheville, NC Schoeps MK4 (DINA) > Nbox+ > Edirol R-09 @ 24bit/48kHz Editing : .wav @ 24/48 > WaveLab V5.01b (48kHz > 44.1kHz, UV22 HR 16bit/Normal) > CD Wave v1.95.1/FLAC v1.1.4a (Level 8)   2 CDR 90, CDR notes
168. 06/24/07 The Orange Peel - Asheville, NC Panasonic WM-61A > Sound Pro SP-SPSB-2 (195Hz bass roll-off) > Edirol R-09 TRANSFER : Edirol R-09 > USB > Adobe Audition 2.0 > CD Wave 1.95.1 > FLAC frontend 1.7.1 GENERATION : WAV(M) [24bit/48kHz] > remaster > WAV [16bit/44.1kHz] > FLAC [Level 8]   2 CDR 90 notes
169. 06/26/07 Orange Peel - Asheville, NC MG300> dmod ua5> jb3 (6' High, 2' Left of center) Transfer: jb3> nomad explorer> cdwave> flac frontend (level 6) Taped and Transferred by: (halleyscomet8@gmail.com)   3 CDR notes
170. 06/26/07 Orange Peel - Asheville, NC Schoeps MK4 (DINA) > Nbox+ > Edirol R-09 @ 24bit/48kHz Editing : .wav @ 24/48 > WaveLab V5.01b (48kHz > 44.1kHz, UV22 HR 16bit/Normal) > CD Wave v1.95.1/FLAC v1.1.4a (Level 8)   3 CDR notes
171. 06/27/07 The Orange Peel - Asheville, NC MG300> dmod ua5> jb3 (6' High, 2' Left of center) Transfer: jb3> nomad explorer> cdwave> flac frontend (level 6)   2 CDR90 notes
172. 06/27/07 The Orange Peel - Asheville, NC Schoeps MK4 (DINA) > Nbox+ > Edirol R-09 @ 24bit/48kHz Editing : .wav @ 24/48 > WaveLab V5.01b (48kHz > 44.1kHz, UV22 HR 16bit/Normal) > CD Wave v1.95.1/FLAC v1.1.4a (Level 8)   2 CDR 90 notes
173. 06/29/07 The Orange Peel - Asheville, NC Schoeps MK4 (ORTF) > Nbox+ > Edirol R-09 @ 24bit/48kHz Editing : .wav @ 24/48 > WaveLab V5.01b (48kHz > 44.1kHz, UV22 HR 16bit/Normal) > CD Wave v1.95.1 > FLAC v1.1.4a (Level 8) Taped from stand (~8ft), in line w/ right stack. No Eq   2 CDR90, CDR notes
174. 06/29/07 The Orange Peel - Asheville, NC AKG ck93 hyper-cardioid capsules (mod) > RM 3-wire battery box > iRiver H120 > .wav @ 44.1Khz / 16 bit location: Clamped on Frank Quinto's mic stand in the soundboard area pointed at the right stack lineage: .wav > USB > Amadeus Pro 1.0.3 > FLAC   2 CDR90, CDR notes
175. 06/30/07 The Orange Peel - Asheville, NC Schoeps MK4 (DIN) > Nbox+ > Edirol R-09 @ 24bit/48kHz Editing : .wav @ 24/48 > WaveLab V5.01b (48kHz > 44.1kHz, UV22 HR 16bit/Normal) > CD Wave v1.95.1 > FLAC v1.1.4a (Level 8) Taped from stand (~9ft), in line w/ right stack. No Eq   3 CDR notes
176. 06/30/07 The Orange Peel - Asheville, NC AKG ck93 hyper-cardioid capsules (mod) > RM 3-wire battery box > iRiver H120 > .wav @ 44.1Khz / 16 bit location: Clamped on Frank Quinto's mic stand in the soundboard area pointed at the right stack   2 CDR90 notes
177. 06/30/07 The Orange Peel - Asheville, NC Panasonic WM-61A > Sound Pro SP-SPSB-2 (195Hz bass roll-off) > Edirol R-09 TRANSFER : Edirol R-09 > USB > Adobe Audition 2.0 > CD Wave 1.95.1 > FLAC frontend 1.7.1 GENERATION : WAV(M) [24bit/48kHz] > remaster > WAV [16bit/44.1kHz] > FLAC [Level 8] LENGTH : 195:51 NOTES : - The PA system repeatedly failed throughout the show.   3 CDR notes
178. 07/02/07 The Orange Peel - Asheville, NC Schoeps mk41's(DINa)>kcy>Sonosax>744t Location: 8ft. Stand @ Right Corner of SBD Cage Transfer: 744t>CD Wave>Wavelab 5>Flac   2 CDR90 notes
179. 07/02/07 The Orange Peel - Asheville, NC AKG ck93 hyper-cardioid capsules (mod) > RM 3-wire battery box > iRiver H120 > .wav @ 44.1Khz / 16 bit location: Clamped on Frank Quinto's mic stand in the soundboard area pointed at the right stack lineage: .wav > USB > Amadeus Pro 1.0.3 > FLAC   2 CDR, CDR90 notes
180. 07/03/07 The Orange Peel - Asheville, NC AKG ck93 hyper-cardioid capsules (mod) > RM 3-wire battery box > iRiver H120 > .wav @ 44.1Khz / 16 bit location: Clamped on Frank Quinto's mic stand in the soundboard area pointed at the right stack lineage: .wav > USB > Amadeus Pro 1.0.3 > FLAC   2 CDR90 notes
181. 07/03/07 The Orange Peel - Asheville, NC cmc64(nos)>v3>hdp2 24/44.1 Audacity resample to 16/44.1 flac level 6 aligned and verified.   2 CDR90, CDR notes
182. 07/03/07 The Orange Peel - Asheville, NC edirol r-09 (internal mics, 16-bit/44.1khz wav, mic gain low, low cut on, agc off, manual rec level 22) - adobe audition (tracksplit) - dbpoweramp music converter (flac, low compression) location: approximately 8 feet from the stage, dead center quality: excellent   2 CDR90 notes
183. 07/05/07 The Orange Peel - Asheville, NC MG300> oade dmod ua5> jb3(6' High, 2' Left of center) Transfer: jb3> nomad explorer> cdwave> flac frontend (level 6)   3 CDR notes
184. 07/10/07 XM Performance Theatre - Washington, DC Delphi SA10085 Roady2 XM Satellite Radio Reciever > Edirol UA-5 > Coax Cable > PDAudio Interface > Compaq iPAQ 3835 > .wav @ 44.1Khz/16-bit Lineage: .wav > Flac Frontend 1.71 Level 6 > FLAC   1 CDR notes
185. 07/10/07 NIGHTCLUB 9:30 - Washington, DC AKG 460/ck63 (XY) handheld->Sound Devices 722 @ 24/96 Location: SBD Area,FOB DFC Transfer: 722->Firewire->PC Processing: volume increase in SoundForge 9.0 Conversion: CDWav for track splitting and Flac Conversion @ level 5   3 CDR notes
186. 07/15/07 the Fillmore - San Francisco, CA Church Audio Cardioid Mics > Church Audio STC-9000 > Iriver H120 Transfer: Iriver H120 > Audacity (levels) > CDWave (tracking) > Flac   3 CDR notes
187. 07/16/07 The Fillmore - San Francisco, CA DPA 4061s > SP-MicroTrack Dongle > M-Audio MicroTrack via Line-In TRANSFER:M-Audio MicroTrack > USB 2.0 > Sound Forge 9.0 (EQing, Normalizing) > CD WAVE 1.95.2 (Tracking) > FLAC frontend 1.7.1 (Align on Sector Boundaries) GENERATION:MT(M) > WAV[16bit/44.1Khz] > FLAC[Level 8] GENERATION IF BURNED: MT(M) > CDR(1)   2 CDR 90 notes
188. 07/18/07 The Fillmore - San Francisco, CA Sony ECM-959DT -> Sony MZ-R3 Transfer: Sony MDS-JE520 -> Optical Cable -> Harmon Kardon CDR2 -> CDR(1) -> EAC -> Data Disc (-> dEdit -> FLAC) Flaws: d2t01 - Blue Skies Bring Tears - cuts in due to MD swap the mic got partially unplugged during the first encore break, so That's the Way had one blank channel. I pasted the good channel into it. d2t11 - That's the Way (My Love Is) - cuts due to mic coming unplugged (Heavy Metal Machine missed totally) d2t24 - Silverfuck - cuts due to dead batteries tracks 11-21 clip slightly, tracks 22-24 are totally brickwalled   2 CDR notes
189. 07/20/07 Santa Cruz Civic Auditorium - Santa Cruz, CA Nuemann KM140s (fob/ortf) > Sound Devices MP2 > Sony SBM1 > Sony D7 DAT master > HHb CDR830 > EAC/wavlab > FLAC   90 CDR  
190. 07/27/07 The Fillmore - San Francisco, CA Coresound Binaurals > Battery Box (??? Hz low cut) > Edirol R-09 Editing : .wav @ 24/48 > WaveLab V5.01b (48kHz > 44.1kHz, UV22 HR 16bit/Normal) > CD Wave v1.95.1 > FLAC v1.1.4a (Level 8)   3 CDR  
191. 07/27/07 The Fillmore - San Francisco, CA CSB > Battery Box (120Hz LC) > R-09 @ 24bit/48kHz Editor : Zach Payne Location : ~ 8ft, stage right stacks Mic Config : Binaural Edit : WaveLab V5.01b (fades) Tracking : CD-Wave v1.97 Encoding : FLAC v1.1.4 (Level 8) w/ FLAC Frontend v1.7.1   3 CDR notes
192. 07/27/07 The Fillmore - San Francisco, CA SP-CMC4 Hypers > SP-SPSB-6 w/ Bass Roll-off @ 160kHz > nomad jukebox 3 Transfer > Nomad Jukebox 3 > USB > CoolEditPro (normalizing) > CDwav > Flac lv.8 Recorded from the front row in front of Ginger   3 CDR  
193. 07/27/07 The Fillmore - San Francisco, CA Schoeps CMC34->PSP3 (80hz cut) -> Edirol R-09 (44.1@24bit) 15feet right/center ->USB SDHC card reader->cool edit pro->amp/splice->flac frontend (lvl8)-> CMC34 source amplified about 4db CSB source bit depth increased to 24bit and lightly EQ'ed to better match the sound of the main source.   2 CDR90  
194. 07/28/07 Fillmore - San Francisco, CA original WAV - sbd     2 CDR 90  
195. 07/28/07 Fillmore - San Francisco, CA CSB > Battery Box (120Hz LC) > R-09 @ 24bit/48kHz Editor : Zach Payne Location : ~ 8ft, stage right stacks Mic Config : Binaural Edit : WaveLab V5.01b (fades) Tracking : CD-Wave v1.97 Encoding : FLAC v1.1.4 (Level 8) w/ FLAC Frontend v1.7.1 Two minor cuts in audience noise (R-09 filesplit performed manually): - Track 12 (03:08) - Track 31 (03:31)   2 CDR 90  
196. 07/28/07 Fillmore - San Francisco, CA SP-CMC4 Hypers>SP-SPSB-6 w/ Bass Roll-off @ 160kHz > nomad jukebox 3 Xfer: NJ3 > USB > CoolEditPro > cdWAV > Flac.lv8. > dime     2 CDR 90 notes
197. 07/28/07 Fillmore - San Francisco, CA Coresound Binaurals > Battery Box (??? Hz low cut) > Edirol R-09 Editing: .wav @ 24/48 > WaveLab V5.01b (48kHz > 44.1kHz, UV22 HR 16bit/Normal) > CD Wave v1.95.1 > FLAC v1.1.4a (Level 8) Two very small cuts: - d1t11 at 07:24 - Occurs during audience noise - d3t05 at 13:14 - Occurs during break between Encores 1 & 2   2 CDR90  
198. 07/30/07 The Fillmore - San Francisco, CA Source: Church Audio ST-11 > ST-9100 > iRiver H-120 (RockBoxed + REP + AGC Safety) Location: 16 Feets From Stage, between Billy and Jeff. Transfer: H-120 (PCM 16bit @ 44.1Khz) > USB 2.0 > PC Editing: Adobe Audition 3.0 > Some EQing > Normalize 99% > CD Wave v1.95.1 (track split) > Flac v1.2.1b (Level 8)   3 CDR notes
199. 07/30/07 The Fillmore - San Francisco, CA KM140s > Sound Devices MP-2 > Sony SBM1 > Sony D7 master > HHb CDR830 > EAC/wavlab > FLAC   3 CDR  
200. 07/31/07 Fillmore Auditorium - San Francisco, CA Church Audio ST-11 > ST-9100 > iRiver H-120 (RockBoxed + REP + AGC Safety) Location: 8 Feets From Stage, between Billy and Ginger. Transfer: H-120 (PCM 16bit @ 44.1Khz) > USB 2.0 > PC Editing: Adobe Audition 2.0 > Hard Limiting (remove clap clipping) > Some EQing > Normalize 99% > CD Wave v1.95.1 (track split) > Flac v1.1.0 (Level 8)   3 CDR notes
201. 08/05/07 Pimilico Racetrack (VFest 2007) - Baltimore, MD AKG ck93 hyper-cardioid capsules (mod) > RM 3-wire battery box > iRiver H120 > .wav @ 44.1Khz / 16 bit Location: 50' back about 10' from center align with Ginger. Mounted in my hat about 6' 3" high. Lineage: .wav > Amadeus Pro 1.0.3 > FLAC Flaws: I got nailed by a crowd server in the middle of Zero and several other times later in the show   1 CDR 90 notes
202. 08/05/07 Pimilico Racetrack (VFest 2007) - Baltimore, MD Dynamic Audio Binarial -> Dynamic Audio 120hz low cut batt box (Filter) -> Sharp MS-722 (Mic In) Location : ~30' from left stack Mics mounted to my glasses about 6' high Transfer : MD-M -> Sharp MD MS-722 -> Sound Blaster Live -> Adobe Audition 2.0 -> CDWave -> flac16   1 CDR 90 notes
203. 08/12/07 Cirkus - Stockholm, Sweden DPA 4061's > SP-SPSB-3 With Bass Roll Off @ 95 Hz > Edirol R-09 (@ 24/48k) (Line In) Location : ~3 meteres LOB, ~15 meters from stage Transfer : Master WAV > Digital Editing > CD Wave Editor V1.96.1 > FLAC v1.2.0a Editing : Volume boost and fades in Steinberg WaveLab V5.01b Resampling : .wav @ 24/48 > Steinberg WaveLab v5.01b (dither with Apogee UV22HR to 16/44.1)   2 CDR notes
204. 08/14/07 Vega - Copenhagen, Denmark DPA 4061>Edirol-R09(24/48) Conversion : Edirol-R09>USB>Cool Edit Pro 2.0>CD Wave>xACT 0.5.9 Editing : Fades (CEP) Track Splits (CDwave) Dithering : UV22 HR dithering in Steinberg WaveLab V5.01b Resampling : 48.0 kHz > 44.1 kHz resampling in Steinberg WaveLab V5.01b FLAC : Master wav's > TLH   2 CDR notes
205. 08/14/07 Vega - Copenhagen, Denmark Sennheiser MKE40 (MM-HLSC-1)>20db att cable>Edirol-R09(24/48, mic in) Editing: Fades, Track Splits, Waves C4+L2 Dithering: UV22 HR dithering in Steinberg WaveLab V5.01b Resampling: 48.0 kHz > 44.1 kHz resampling in Steinberg WaveLab V5.01b FLAC: Master wav's > Foobar2000   2 CDR  
206. 08/16/07 Fort de St Père -- La Route du Rock festival - St Malo, France SP-CMC-8(cardioid-low sensitivity) → SP-SPSB10(rocker on are 1-3-4, for right and left) → MZ-RH10 Hi MD → Sonicstage 4,3(Wav) → Audacity(normalisation) → CD Wave(tracksplit) → Db Power Amp(flac8)     2 CDR  
207. 08/19/07 Parc De Exposition - Colmar, France SP-CMC-8(cardioid-low sensitivity) - SP-SPSB10(rocker on are 1-3-4, for right and left) MZ-RH10 Hi MD → Sonicstage 4,3(Wav) → Audacity(normalisation) → CD Wave(tracksplit) → Db Power Amp(flac8)   2 CDR  
208. 08/19/07 Parc De Exposition - Colmar, France aiwa DS6-->edirol 09 transfer: edirol-SD-card-->HD-->wav-split cdwave-->flac   2 CDR notes
209. 08/19/07 Parc De Exposition - Colmar, France MBHO MBP 603 A / KA 200 N > Sound Devices MP-2 > Edirol R-09 Mic Config : in hat, DINA (17cm, 90�) Location : ~15m from stage, just left of the soundboard cage Transfer : Master WAVs > Digital Editing > CD Wave Editor V1.95.1 > FLAC V1.2.0 Editing : EQ, volume boost and fades in Steinberg WaveLab V5.01b Dithering : UV22 HR dithering in Steinberg WaveLab V5.01b Resampling : 48.0 kHz > 44.1 kHz resampling in Steinberg WaveLab V5.01b   2 CDR notes
210. 08/26/07 Reading Festival - Reading, UK Danish Pro Audio 4061s > Sound Professionals SPSB-6 > Sony MZ-NH900 (Hi-SP) Location: Front of repeater stacks, left of centre, a long way back Transfer: MZ-NH900 > USB > wave (Sonic Stage 4.3) Editing: fades, volume adjustment & normalising (Goldwave) > track indexes (CD Wave) > splits, Level 8 FLAC Compression & tagging (foobar2000)   1 CDR notes
211. 09/08/07 Parc Jean-Drapeau - Montreal, QC r09 internal mics > CD Wave > FLAC > you     2 CDR notes
212. 09/09/07 Island Park - Toronto, ON SONY MZ-N707 -> Dual Channel Power SUpply Bass Rolloff -> MM-HLSC-1 HighLine "Sennheiser Driven" Cardioid Stereo Mics Location: Right side from soundboard about 20 feet back Conversion to Wave: Cool Edit Pro 2 > .Wav Edit notes: split with Goldwave   2 CDR notes
213. 09/09/07 Island Park - Toronto, ON AKG ck93 hyper-cardioid capsules (mod) > RM 3-wire battery box > iRiver H120 > .wav @ 44.1Khz / 16 bit Location: ~ 50' back about 10' on the right from center aligned with Jeff and the front of the soundboard. Mounted in my hat about 6' 3" high. Lineage: .wav > Amadeus Pro 1.1.1 > FLAC   2 CDR notes
214. 09/09/07 Island Park - Toronto, ON source: built-in > Sony TCS-35V location: 15 feet from right stack transfer: ANA-1 (Maxell UD-90) > playback on Sony TC630ES > 1/4 out> 1/4 to 1/8 cable > laptop editing: Audacity (recording, fades, channel fixes), CDWave (splits), FLAC Frontend (level 8)   2 CDR notes
215. 09/13/07 Pearl Theater - Las Vegas, NV Coresound Binaurals > Battery Box (low cut) > Edirol R-09 Editing : .wav @ 24/48 > WaveLab V5.01b (48kHz > 44.1kHz, UV22 HR 16bit/Normal) > CD Wave v1.95.1 > FLAC v1.1.4a (Level 8) - PA drops out at 1:23 of track 4   2 CDR  
216. 09/18/07 Dodge Theater - Phoenix, AZ DPA 4061's (hat mounted) > MMA6000 pre (+10db gain) > Korg MR-1 (recorded @ 1-bit/2.8Mhz DSD) 16-bit/44.1KHz version Lineage: MR-1 > USB > AudioGate 1.0.1 (exported to 24bit/96Khz PCM) > Adobe Audition 2.0 (normalized, downsampled) > 16/44.1 PCM > CDWave > FLAC Front End (Level 7) Location: dead center, Section 4, Row 15 (5th seated row behind pit)   2 CDR notes
217. 09/21/07 The Amphitheater at Clark County - Ridgefield, WA Nakamichi CM-300's w/CP-1's>Sony D8 Secton 203, Row-E Seats 14 & 15 Transfer: Tascam DA-20 MKII>Philips CDR 775>EAc>FLAC   2 CDR notes
218. 09/21/07 The Amphitheater at Clark County - Ridgefield, WA   (section 204, row N, seat 14; dead center, 3/4 back) Source: CSB (bass filter on) > MZ-RH1 & MZ-NHF800 (line in, AGC) Transfer/Lineage/Conversion: PCM data (1.4Mbps 44kHz) > WAV > FLAC level 8 (no replay gain) Editing: Audacity 1.2.6 (Fade in, Fade out, Normalization & Amplification to -0.5dB) CD Wave (track splits) Winamp (EQ to remove some bass and write new WAV files)   2 CDR notes
219. 09/22/07 Qwest Field North Parking Lot - Seattle, WA CSB (bass filter on) > MZ-NHF800 (line in, AGC) (center, ~15ft FOB) Transfer/Lineage/Conversion : atrac3plus data (Hi-SP) > USB > WAV > FLAC level 8 (no replay gain) Editing : Audacity 1.2.6 (Fade in, Fade out, Normalization & Amplification to -0.2dB) Winamp (EQ to remove some bass, light volume boost w/ Enhancer, write new WAV files) CD Wave (track splits)   1 CDR notes
220. 09/24/07 PNE Forum - Vancouver, BC Sharp MD-MT15 > MM-CBM-Mini > Ecm 719 (in hat)     2 CDR notes
221. 09/28/07 McKay Events Center - Orem, UT generic binaural mics > Edirol R-09 (mic gain off, input level at 15) > Lexar 4GB SDHC Platinum II SD card Lineage: Edirol R-09 > USB > PC > Adobe Audition (to split and join tracks) > FLAC Location: dead center by soundboard File Type: 48000Hz, 32-bit, Stereo File Format : Windows PCM, 24-bit Packed Int (type 1 (24-bit)   2 CDR notes
222. 09/30/07 Red Rocks Amphitheater - Morrison, CO DSM-6S > PA-6LC3 > M1 > 7pin>optical > NJB3 Transfer: NJB3 > USB > CEP 2.1 > flac   2 CDR notes
223. 09/30/07 Red Rocks Amphitheater - Morrison, CO Peluso CEMC-6 (ck-4)>silvers>Oade W+mod UA-5>S/pdif>Microtrack Location: Tapers Section behind soundboard (Row 15) Dead Center Recorded In: ORTF 24/48 6' high Transfer: AUD>Microtrack 24/96>PC>bump in Cool Edit Pro 2.1>CD Wave Editor>24 bit Flac   2 CDR notes
224. 09/30/07 Red Rocks Amphitheater - Morrison, CO Core Sound LC Binaurals w/ Low Sensitivity > iRiver H120 (Rockboxed) Transfer: H120 > USB > CD Wave (splitting) > Trader's Little Helper v.1.1.1 > .flac, .ffp, .torrent Location: Row 29 Seat 131   2 CDR notes
225. 10/02/07 Roy Wilkens Auditorium - St. Paul, MN Studio Projects C4's > Mil Spec Silver Quad customs > UA-5 (BM2p+) > iRiver h120 (Optical @ 16bit 44.1kHz WAV) Location: AB ~20cm (clamp disabled DIN) ROB, ~40' back, ~6' ^ stand Source: Studio Projects C4's > Mil Spec Silver Quad customs > UA-5 (BM2p+) > iRiver h120 (Optical @ 16bit 44.1kHz WAV) Conversion: h120 > USB 2.0 > PC [WAV > FLAC Frontend 1.7.1 lvl 6 + Verify] Edit: CD Wave (tracking) Sound Forge 9.0 (d1t1 & d2t15 fades)   2 CDR notes
226. 10/02/07 Roy Wilkens Auditorium - St. Paul, MN Coresound High-end Binaurals > Bass Roll-off Box > Sony D100 > Master 48 khz DAT Location: 15 ft above the soundboard desk DFC on the 1st row of the balcony taped to railing Transfer: Master DAT > Standalone burner > Master CDRs > EAC > Cooledit Pro (normalized levels) > CDWave (tracking) > FLAC Level 8   2 CDR notes
227. 10/02/07 Roy Wilkens Auditorium - St. Paul, MN Schoeps MK4 > Nbox > Edirol R4 Location: On stand, 7 feet high, Right of SBD Transfer: R4 > USB Editing: fade-in/out, removed small click in Hummer   2 CDR notes
228. 10/04/07 Braden Auditorium - Illinois State University - Normal, IL SP-BMC-12>batterybox@95>sony MZ-M10(line in)>audio city>cd wav>tlh.flac(8)>you the volume was amplified via audiocity, and the tracks were cut with cd wave   2 CDR  
229. 10/04/07 Braden Auditorium - Illinois State University - Normal, IL SP-BMC-12 > Edirol R-09 > SanDisk 2 GB SD Memory Card @ 16 bit/44.1kHz Transferred, Tracked, and Edited By: Matt Krueger Transfer: Edirol R-09 > USB Cable > WAV > CD Wave 1.94.5 > FLAC Level 8 (Trader's Little Helper 1.1.1) Fade In and Fade Out done in Cool Edit Pro 2.0.   2 CDR notes
230. 10/04/07 Braden Auditorium - Illinois State University - Normal, IL CSB -> preamp -> Microtrack24/96 (24bit/48kHz WAV) -> CEP (eq, convert to 16bit/44.1kHz, tracking) -> FLAC 8     2 CDr  
231. 10/04/07 Braden Auditorium - Illinois State University - Normal, IL Schoeps MK41's > Active Cables > Nbox > Tascam HDP2 > Wav @ 24/48 Conversion: Tascam HDP2 > Firewire > Goldwave (merging) > CEP 2.1 (fades, resampling and dithering) > CD Wave > TLH > Flac   2 CDR notes
232. 10/06/07 Verizon Wireless Music Center - Noblesville, IN Oktava MC012 -> Edirol UA-5 (P-Mod) -> Core-Sound PDAudio -> Compaq iPAQ 3835. Recorded at 24-bit/48khz. Conversion: 24bit wav file > dithered to 16bit/44.1khz w/ Adobe Audition 1.5 > FLAC Frontend .flac files. Location: Soundboard area, On stand 15' high.   1 CDR90 notes
233. 10/07/07 Fox Theater - Detroit, MI Sony Mz-n707 -> Dual Channel Power Supply Bass Rolloff -> Mm-hlsc-1 Highline "sennheiser Driven" Cardioid Stereo Mics Location: Row 7, Aligned With Left Stack Conversion To Wave: Cool Edit Pro 2 > .wav Edit Notes: Split With Goldwave   2 CDR notes
234. 10/09/07 AJ Palumbo Center - Pittsburgh, PA AUD > Audio Technica AT853 > SP-SPSB-3 (190 Hz) > M-Audio MicroTrack 24/96 > WAV (16-bit/44.1kHz) LOCATION : Section B8, Row F, Seat 11 Upper bleachers stage left, ~30 meters from upper stacks EDITING : Cool Edit Pro 2.1 for Fades | CD Wave Editor 1.96.1 Shareware to split into tracks FLAWS: Crackling during "United States," "Neverlost," "1979," "Set the Ray to Jerry," "Heavy Metal Machine," and "Pomp and Circumstances."   2 CDR notes
235. 10/09/07 AJ Palumbo Center - Pittsburgh, PA DPA4023 > Oade M148 > Mogami interconnect > Edirol R-09 @ 24/48 Location : ~ 40 feet, stage left stack WAV > FLAC: .wav @ 24/48 > Steinberg WaveLab v5.00a (dither with Apogee UV22HR to 16/44.1) > CD-WAV/FLAC frontend v1.7.1 > .flac   2 CDR90, CDR notes
236. 10/13/07 Orpheum Theater - Boston, MA CSB> CSB BB NO ROLLOFF > SONY MZ-RH910 (PCM) > Sony SoundForge EQ > Flac 8 Location = Orch Row R Right Center   2 CDR notes
237. 10/13/07 Orpheum Theater - Boston, MA CSB (bass filter on) > MZ-RH1 & MZ-NHF800 (line in, AGC) (center left balcony, 2nd row) Transfer/Lineage/Conversion : PCM data > USB > WAV > FLAC level 8 (files tagged, no replay gain) Editing : Audacity 1.2.6 (Fade ins, Fade outs, & Amplification to -0.2dB) CD Wave (track splits)   2 CDR notes
238. 10/13/07 Orpheum Theater - Boston, MA Schoeps MK4 > Nbox+ > TCD-D100 @ 44.1 kHz Location : ORCH LEFT, row KK, seat 11 Mic Config : in hat, DINA (17cm, 90�) Conversion : DDC-M > PCM-M1 > Hosa ODL-276A > iRiver iHP-120 (rockbox) Edit : WaveLab V5.01b (fades) Resampling : N/A Final Format : 16-bit, 44.1 kHz Tracking : CD-Wave v1.97 Encoding : FLAC v1.2.1 (Level 8) with TLH v2.2.2 (Build 152)   2 CDR notes
239. 10/15/07 Orpheum Theater - Boston, MA CSB>CSB BB NO ROLLOFF > SONY MZ-RH910 (PCM) > Sony SoundForge EQ > Flac 8 Location = Orch Row R Right Center   0 notes
240. 10/15/07 Orpheum Theater - Boston, MA Neumann AK40 > LC3 > KM100 > Oade m148 > modSBM-1 > PCM-M1 Location: Mezzanine left center, Row A, clamped to the rail Conversion: TCD-D100 > M-Audio USB > CDWave > FLAC 1.7.1 (Level 6) Recording Notes: *Mics in a DIN configuraton *Recorded at 44.1 *Fades done with Adobe Audition Neumann AK40 > LC3 > KM100 > Oade m148 > modSBM-1 > PCM-M1 Conversion: TCD-D100 > M-Audio USB > CDWave > FLAC 1.7.1 (Level 6) 2 CDR notes
241. 10/16/07 Orpheum Theater - Boston, MA Rode NT4 (X/Y) > M-Audio Microtrack (16/44.1) Lineage: SanDisk Extreme III Compact Flash > Fission > xACT> Flac Recorded by: Jesse Clark (wjesseclark@gmail.com) Location: orchestra left center, row J; mic (with shock mount) taped to backpack which was taped on top of the side wall of orchestra entrance ramp (security would not allow stands).   2 CDR notes
242. 10/19/07 Tower Theatre - Upper Darby, PA Schoeps MK4 (DINA) > Nbox+ > Edirol R-09 @ 24bit/48kHz Editing : .wav @ 24/48 > WaveLab V5.01b (48kHz > 44.1kHz, UV22 HR 16bit/Normal) > CD Wave v1.95.1 > FLAC v1.1.4a (Level 8) Taped in hat in line w/ left stack, ~ 25y back. No Eq   2 CDR notes
243. 10/19/07 Tower Theatre - Upper Darby, PA Schoeps MK4's>NBOX>Edirol R-09 (@24Bit/48Khz)>Wavelab 5 (UV22HR Dither to 16bit/44.1khz)>CDWAV>FLAC Recorded From Orchestra L/C Row GG   2 Cdr notes
244. 10/19/07 Tower Theatre - Upper Darby, PA SP-BMC-1>SP-SPSB-2>iriver h120 (rockboxed) Conversion: iriver(16-bit wav)>CD WAVE(spliting tracks)>Flac Location: Lower Balcony row B Seat 119 (center of the stage area)   2 Cdr notes
245. 10/21/07 Tower Theater - Upper Darby, PA Schoeps MK4 (DIN) > Nbox+ > Edirol R-09 @ 24bit/48kHz Editing : .wav @ 24/48 > WaveLab V5.01b (48kHz > 44.1kHz, UV22 HR 16bit/Normal) > CD Wave v1.95.1 > FLAC v1.1.4a (Level 8)   2 CDr notes
246. 10/23/07 Tower Theater - Upper Darby, PA AKG ck93 hyper-cardioid capsules (mod) > RM 3-wire battery box > iRiver H120 > .wav @ 44.1Khz / 16 bit lineage: .wav > USB > Amadeus Pro 1.1.1 > FLAC   2 CDR notes
247. 10/27/07 City Park - Voodoo Music Experience - New Orleans, LA AKG ck93 hyper-cardioid capsules (mod) > RM 3-wire battery box > iRiver H120 > .wav @ 44.1Khz / 16 bit location : Mics mounted in my hat 6'3" high. Started 10' in front of the soundboard and moved up to 30' in front of the soundboard by the end of the show. lineage : .wav > USB > Amadeus Pro 1.1.1 > FLAC level 8 editing : Normalized. Removed encore break, crossfaded audience between songs flaws: Some wind in various places   2 CDR notes
248. 11/08/07 War Memorial Auditorium - Greensboro, NC Schoeps MK4 > KC5 > CMC6 > Lunatec V3 > Marantz PMD-671 @ 24/48 Location: Center Orchestra Row P DFC, microphones 6 feet high Conversion: 24 bit 48 k wav files resampled to 44.1 with Sound Forge 6.0 at highest quality settings and dithered to 16 bit, split into tracks with CD Wave, fades at beginning & end of sets with Sound Forge 6.0, FLAC files generated with FLAC front end.   2 CDR notes
249. 11/11/07 Ryman Auditorium - Nashville, TN SP-CMC-8>JB3 Transfer:JB3>Cubase>flac   2 CDR notes
250. 11/11/07 Ryman Auditorium - Nashville, TN sp-bmc-3 mics>bass rolloff 195hrzsp-bm6 batt box>sony mzrh-10minidiscHIMD hi-sp>sonicstage(transfer)>goldwave fade ins/outs mastering>cdwave>flac     2 CDR notes
251. 11/13/07 The Backyard - Austin, TX DSM-6S > PA-6LC3 > M1 > 7pin>optical > NJB3 Transfer: NJB3 > USB > CEP 2.1 > flac   2 CDR notes
252. 11/15/07 Fox Theatre - Atlanta, GA Dynamic Audio Binaurals > DA-120F > TCD-D100 @ 48kHz (line in) Location : Orchestra LC, row F in front of left stack Mic Config : Binaural Conversion : DDC-M > TCD-D100 > 7-pin to coax > Waveterminal 2496 > WaveLab V5.01b Edit : WaveLab V5.01b (fades) Resampling : r8brain v1.9 (r8: 44.1 kHz, Output bit depth: 16 bit, Quality: Very High) Final Format : 16-bit, 44.1 kHz Tracking : CD-Wave v1.96.1 Encoding : FLAC v1.2.1 (Level 8) with TLH v2.2.2 (Build 152)   2 CDR notes
253. 11/16/07 Fox Theatre - Atlanta, GA Dynamic Audio Binaurals > DA-120F > TCD-D100 @ 48kHz (line in) Location : Pit Row DDD, in front of Ginger Mic Config : Binaural Conversion : DDC-M > TCD-D100 > 7-pin to coax > Waveterminal 2496 > WaveLab V5.01b Edit : WaveLab V5.01b (fades) Resampling : r8brain v1.9 (r8: 44.1 kHz, Output bit depth: 16 bit, Quality: Very High) Final Format : 16-bit, 44.1 kHz Tracking : CD-Wave v1.96.1 Encoding : FLAC v1.2.1 (Level 8) with TLH v2.2.2 (Build 152)   2 CDR notes
254. 11/18/07 Nokia Theater - Grand Prairie, TX Sound Professionals Premium AT Slimline Cardioids (3-Wire Hyperplane mod) > Hyperplane 3-Wire Mini Battery Box > M-Audio MicroTrack 24/96(@24/48) Hyperplane 3-Wire Mini Battery Box > M-Audio MicroTrack 24/96(@24/48) location: section 309, row CCC, seat 7 (way back there) transfer: M-Audio MicroTrack 24/96 > USB > WAV > Wavelab (mastering) > CD Wave (splitting) > FLAC   2 CDR notes
255. 11/18/07 Nokia Theater - Grand Prairie, TX DSM-6S > PA-6LC3 > M1 > 7pin>optical > NJB3 Loaction: Section 103, Row O, Seat 13 Transfer: NJB3 > USB > CEP 2.1 > flac   2 CDR notes
256. 11/18/07 Nokia Theater - Grand Prairie, TX Sony ECM-717 > Edirol R-09 (24/48) > Adobe Audition 1.5 (10dB Boost, Hard Limiting, Dither to 16bit) > CDWave 1.96.1 > TLH (flac8)     2 CDR  
257. 01/31/08 Stadthalle - Vienna, Austria aud/file> flac [dac> da-120f> -20db attentuator > iriver ihp-120 (rockbox) @ 44.1khz/16bit wav] taped from : 20 m of right stack conversion : ihp-120> hd (via usb)> soundforge> wavrepair (for splitting)> flac 1.7.1 etree edition editing : added some bass, made it louder, added fades your copy : cdr-0 length : 145 min   2 CDR  
258. 02/03/08 PalaMalaguti - Bologna, Italy AUD (see location below) > Sony ECM-719 > Edirol R-09 (24 bit/44.1 kHz) > SDHC Panasonic RP-SDM04G location : 2-3 m right of center | 30 m from stage, 10 m in front of the soundboard | hat-mounted mic 1.70 m above the floor transfer: SDHC Panasonic RP-SDM04G > HD (via USB) > Audacity 1.2.6 (amplified +12 dB + faded-in/out) > CD Wave 1.96.1 (track splitting + 16-bit dithering) > TLH 1.00.72 (sector boundaries alignment + level 8 compression) > FLAC generation : master (no CD extraction)   2 CDR notes
259. 02/03/08 PalaMalaguti - Bologna, Italy AT853 (H) > 3-Wire Battery Box > Edirol R-09 [16/48] Audio Transfer: R-09 > USB cable > PC HDD > Soundforge 9 (Normalization and Resampling) > CD Wave Editor 1.94.8 (Track Splitting) > FLAC Frontend > FLAC Level 8 Total Running Time: 2h34m52s   2 CDR notes
260. 02/05/08 Hallenstadion - Zurich, Switzerland MBHO MBP 603 A / KA 200 N > Sound Devices MP-2 > Edirol R-09 Mic Config : in hat, DINA (17cm, 90�) Location : ~10m from the stage, right side Transfer : Master WAV > dEdit > CD Wave Editor V1.95.1 > FLAC V1.1.4 Editing : EQ, volume boost and fades in Steinberg WaveLab V5.01b Dithering : UV22 HR dithering in Steinberg WaveLab V5.01b Resampling : 48.0 kHz > 44.1 kHz resampling in Steinberg WaveLab V5.01b   2 CDR  
261. 02/06/08 Bercy - Paris, France SP-CMC-8(cardioid-low sensitivity) SP-SPSB10(rocker on are 1-3, for right and left) Editol R-09, 44khz-16 bit → Audition(normalisation) → CD Wave(tracksplit) → Db Power Amp(flac8)     2 CDR  
262. 02/06/08 Bercy - Paris, France Roland Edirol R-09 Location: 1st Row seats right side of the stage Mics: Sony ECM-MS 907 SD Card: 4GB Transcend Class 6 Wav file transferred to PC via USB. Track splits with Goldwave 5.20 Converted to FLAC with dBpowerAMP   2 CDR, CDR 90  
263. 02/12/08 SECC - Glasgow, Scotland SP-CMC-4U (AT U853's) > SP-SPSB-1 Battery Box > Nomad Jukebox 3 > .wav @ 44.1Khz / 16 bit Location : ~10 metres infront of soundboard. Dead centre infront of Billy Lineage : .wav > USB > Sound Forge 8.0 > FLAC   2 CDR, CDR 90 notes
264. 02/14/08 Nottingham Arena - Nottingham, England Danish Pro Audio 4061s > Sound Professionals SPSB-6 > Sony MZ-NH900 (Hi-SP) Location: Centre, ~25' back Transfer: Sony MZ-RH1 > USB > wave (Sonic Stage 4.3) Editing: fades, EQ & normalising (Goldwave) > track indexes (CD Wave) > splits, Level 8 FLAC Compression & tagging (foobar2000)   2 CDR notes
265. 02/15/08 MEN Arena - Manchester, UK Sony TS-125 - MD (JVC XM-R700) - 3.5mm OFC - Audacity - WAV - CDR Recording equipment: Sony ECM-TS125 CE7 Stereo Mic L/R channel improved/balanced out, volume increased, equalised, etc.   2 CDR notes
266. 02/15/08 MEN Arena - Manchester, UK SP-CMC-4U (AT U853's) > SP-SPSB-1 Battery Box > Nomad Jukebox 3 > .wav @Khz / 16 bit Location : 20 metres from stage. Dead centre infront of Billy Lineage : .wav > USB > Sound Forge(track splits and fade in/out) > TLH > FLAC   2 CDR notes
267. 02/16/08 O2 Arena - London, UK Audience (Hi-MD Master) Lineage: Sony MZ-NH600 w/Sony ECM - 719 (Mic) > SonicStage 4.3 > WAV > Audacity 1.2.6 > WAV > TLH > FLAC Notes: Recorded in Hi-SP mode due to the length of the show. Some unwanted crowd noise/talking during quieter songs, but nothing too bad.Recording, Editing and Artwork by Zenith023   2 CDR notes
268. 02/18/08 Brabanthallen - Hertogenbosch, The Netherlands Source: Edirol R-09 with internal mics (24 bit/48 kHz) 16 Bit / 44.1 KHz recording. Location: 25 meters center of the stage, seated place Transfer: Master WAV's > Sony Sound Forge 9.0e > Trader's Little Helper 2.1.0 > Flac [Level 8] Editing: Track splits, Volume boost and fade in/out with Sony Sound Forge 9.0e Resampling: 48.0 kHz > 44.1 kHz resampling with Sony Sound Forge 9.0e (with highest interpolation accuracy setting) Dithering: Highpass Triangular with Sony Sound Forge 9.0e Noise shaping: High-pass contour Total Running Time: 2h36m46s Transfered and edited by: JellyBelly.   2 CDR notes
269. 02/19/08 Forest National - Brussels, Belgium SP-CMC-4U > SP-SPSB-8 (roll-off@ 195Hz) > Edirol R-09 Transfer : memory card > Wave 24/48 > Adobe Audition 1.5 > ( Normalization) > flac(8)   2 CDR, CDR 90 notes
270. 02/21/08 Olympiahalle - Munich, Germany MBHO MBP 603 A / KA 200 N > Sound Devices MP-2 > Edirol R-09 Mic Config : in hat, DINA (17cm, 90�) Location : ~25m from the stage, FOB, center Transfer : Master WAVs > dEdit > CD Wave Editor V1.95.1 > FLAC V1.2.1 Editing : EQ, volume boost and fades in Steinberg WaveLab V5.01b Dithering : MBIT+ dithering in iZotope Ozone 3 Resampling : 48.0 kHz > 44.1 kHz resampling in Steinberg WaveLab V5.01b   2 CDR  
271. 02/22/08 Jahrhunderthalle - Frankfurt am Main, Germany MBHO MBP 603 A / KA 200 N > Sound Devices MP-2 > Edirol R-09 Mic Config : in hat, DINA (17cm, 90�) Location : ~20m from the stage, center Transfer : Master WAVs > dEdit > CD Wave Editor V1.95.1 > FLAC V1.2.1 Editing : EQ and volume boost in Apple Logic Pro V8.0.1 | Fades in Sound Studio V3.5.5 Resampling : 48.0 kHz > 44.1 kHz resampling in Apple Logic Pro V8.0.1 Dithering : MBIT+ dithering in iZotope RX   2 CDR  
272. 02/23/08 Arena Treptow - Berlin, Germany OKM IIr > A3 > M-AUDIO Microtrack 24/96 (44.1/16) > USB > WAV > Adobe Audition (EQing) > CDwave (tracking) > FLAC frontend (level 8, verify, with align on sector boundaries) > Tracker     2 CDR, CDR 90  
273. 02/29/08 Spektrum - Oslo, Norway Core Sound Binaurals -> Sony MZ-RH1 MD (In Hi-MD mode) Transfer: To .wav with Sonic Stage -> SoundForge (Normalizing, fade in/out, track splitting) -> To .flac using FLAC Frontend (level 8) -> You   2 CDR, CDR 90  
274. 03/20/08 TSB Bank Arena - Wellington, New Zealand Sony ECM-717 > Iriver H320 Rockbox @ 44.1 WAV Location Centre Of Floor, Just To Tight Of Soundboard   2 CDR  
275. 03/22/08 Vector Arena - Auckland, New Zealand Sony ECM-717 > Iriver H320 Rockbox @ 44.1 WAV Location : Left Side ~10m From Stacks   2 CDR  
276. 03/24/08 Westpac Arena - Christchurch, New Zealand Sony ECM-717 > Iriver H320 Rockbox @ 44.1 WAV Location Centre Of Floor, Just To Tight Of Soundboard   2 CDR  
277. 04/05/08 Melbourne Showgrounds - V Festival - Melbourne, Australia Schoeps MK4 > Nbox+ > Edirol R-09 @ 24bit/48kHz ic Config: DINA Location: FOB Master WAV > CDWave (split) > TLH (flac)   2 CDR notes
278. 04/06/08 V Festival - Perth, Australia Recorded with: SP-SMC-8 SOUND PROFESSIONALS PREMIUM AUDIO TECHNICA SLIMLINE STEREO MICROPHONES Cardiod (with low sensitivity modification) plus SP-SPSB-8 and bass roll-off 16 Hz)-> Edirol R09-> wav -> Sony SoundForge 9.0a (volume boost, mild compression)-> CD Wave (track splitting) and to .flac using FLAC(level 8) -> You Position: Standing in front of right speaker stack 80 feet from stage central Notes - A great show, great sound for outdoors, some crowd noise/chatter   1 CDR 90 notes
279. 08/07/08 Adler Theater - Davenport, IA SBD->CDR->my mailbox->EAC->FLAC     2 CDR  
280. 08/08/08 Adler Theater - Davenport, IA Church-Audio STC-11 cards > Church-Audio STC-9100 preamp > Edirol R-09 (24 bit 48 khz) Location: Balcony ledge, ORTF Transfer: Edirol R-09 (24 bit 48 khz)>USB cable>Adobe Audition 2.0 (amplification/cross fades/dither/resample to 16/44.1)>CD Wave Editor>Wav>Flac Frontend level 8>Flac   2 CDR notes
281. 08/08/08 Adler Theater - Davenport, IA Core-Sound Cardioids -> Core-Sound Battery Box -> MZ-RH91 Location: Second Row Pit Center Conversion to Wave: Cool Edit Pro 2 > .Wav Edit and Transfer Notes: USB -> Adobe Audition Split and Normalize -> Wav -> FLAC   2 CDR notes
282. 08/09/08 Horseshoe Casino - Hammond, IN Core-Sound Cardioids -> Core-Sound Battery Box -> MZ-RH910 Location: Approx. 30 Feet from Stage, Center Conversion to Wave: Cool Edit Pro 2 > .Wav Edit and Transfer Notes: USB -> Adobe Audition Split and Normalize -> Wav -> FLAC   2 CDR notes
283. 08/09/08 Horseshoe Casino - Hammond, IN Edirol R9 (24bit/48kHz) (Line In) > Core Sound HEB (4060) (Bass Rolloff On) > Adobe Audition (6DB Amplify) > CDWAVE > FLAC (level 8) additional info : Recorded from the left side of the main floor, three rows from the stage.   2 CDR notes
284. 08/12/08 Palace Theatre - Louisville, KY Schoeps mk4v > kc5 > cmc6 > Lunatec V2 > Sound Devices 702 @ 24/48 Orch 3 Row R Seat 9 Transfer: Sound Device 702 > firewire > PC > Wavelab5.0 > CDWave > xACT > Flac   2 CDR notes
285. 08/13/08 Tennessee Theater - Knoxville, TN Sony ECM-717 > M-Audio 10db pad > ZOOM H2 > SDHC card > PC > WavePad > TLH > Flac     2 CDR notes
286. 08/15/08 Ovens Auditorium - Charlotte, NC Zoom H4 > WAV > Audacity > FLAC     2 CDR notes
287. 08/16/08 Charlottesville Pavilion - Charlottesville, VA DSM-6S > PA-6LC3 > R-09HR Transfer: R-09HR > USB > CEP 2.1 > flac   2 CDR notes
288. 08/16/08 Charlottesville Pavilion - Charlottesville, VA BSCS-L (M/S; C/8) > FR2-LE (24/44.1) location: 5' FOB (last seated GA row FOB), 6' ROC, "stand" 5' transfer: FR2-LE; WAV > Audacity 1.3.5d (M/S decode, processing, tracking, dither) > WAV (16/44.1) > FLAC (v1.1.4 --best --sector-align -V)   2 CDR notes
289. 08/16/08 Charlottesville Pavilion - Charlottesville, VA AKG ck93 hyper-cardioid capsules (mod) > RM 3-wire battery box > iRiver H120 > .wav @ 44.1 kHhz / 16 bit location: Gaffe taped inside my baseball cap 6' 3" high first row in front of the right stack lineage: .wav > USB > Amadeus Pro 1.3.2 > FLAC (8)   2 CDR notes
290. 08/20/08 Ruth Eckerd Hall - Clearwater, FL Dynamic Audio Condensers (Pzanes) > Battery Box w/ roll-off > R-09HR @ 24bit/96kHz Editor : David Reid Location : Row AA Center (about 2/3 way to the back of venue), mics mounted forward on glasses Edit : Mastered using Adobe Audition (32-bit processing, dithered to 24-bit and resampled to 48kHz max quality) Tracking: CD-Wave Encoding: FLAC v1.2.1b (Level 8) w/ FLAC Frontend v1.7.1   2 CDR notes
291. 10/26/08 Shoreline Amphitheater - Mountain View, CA Schoeps>Nbox>Edirol R-09>Soundforge for slight editing Recorded 102 Center   1 CDR  
292. 10/31/08 Newport Music Hall - Columbus, OH Edirol R-09 at 16-bit 44kHz wav using Church Audio STC9000 stereo preamp with Church Audio stereo mics. Location: Balcony center. No obstructions. Transferred and left all levels alone using Adobe Audition   2 CDR, CDR 90 notes
293. 11/03/08 Massey Hall - Toronto, ON CA-11 > BAT-2B > Edirol R-09 Row A Left Center Floor - between Ginger and Billy   2 CDR notes
294. 11/03/08 Massey Hall - Toronto, ON Edirol r09 (internal mics) ->FLAC Location: left-centre floor, row M Cut up in CD Wave Editor   2 CDR notes
295. 11/04/08 Massey Hall - Toronto, ON CA-11 > BAT-2B > Edirol R-09 Row H Seat 30 Complete center   2 CDR notes
296. 11/04/08 Massey Hall - Toronto, ON Edirol r09 (internal mics) ->FLAC Location: left-centre floor, row M Cut up in CD Wave Editor   2 CDR, CDR 90 notes
297. 11/06/08 United Palace - New York, NY DAB > DA-120F > TCD-D100 @ 48 kHz Location : ORCH Row JJ, Seat 18 Mic Config : Binaural Conversion : DAT-M > PCM-R300 > S/PDIF Coax > Egosys WT2496 > WaveLab V5.01b Edit : WaveLab V5.01b (fades) Resampling : r8brain v1.9 (r8: 44.1 kHz, Output bit depth: 16 bit, Quality: Very High) Final Format : 16 bit, 44.1 kHz Tracking : CD-Wave v1.97 Encoding : FLAC v1.2.1 (Level 8) with TLH v2.4.1 (Build 160)   2 CDR notes
298. 11/07/08 United Palace - New York, NY Schoeps MK4 > Nbox+ > TCD-D100 @ 48kHz Location : Right Lower Loge - row A, seat 20 Mic Config : In hat, ~ DINA (17cm, 90°) Conversion : DAT-M > PCM-R300 > S/PDIF Coax > Egosys WT2496 > WaveLab V5.01b Edit : WaveLab V5.01b (fades) Resampling : r8brain v1.9 (r8: 44.1 kHz, Output bit depth: 16 bit, Quality: Very High) Final Format : 16 bit, 44.1 kHz Tracking : CD-Wave v1.97 Encoding : FLAC v1.2.1 (Level 8) with TLH v2.4.1 (Build 160)   2 CDR notes
299. 11/11/08 Constitution Hall - Washington, DC Dynamic Audio Binarial -> Dynamic Audio 120hz low cut batt box (Filter) -> Sharp MS-722 (Mic In) Location : Box Seat 19 ~30' from left stack Mics mounted to my glasses Transfer : MD-M -> Sharp MD MS-722 -> Sound Blaster Live -> Adobe Audition 2.0 -> CDWave -> flac16 Editing :Normalized   2 CDR notes
300. 11/12/08 Constitution Hall - Washington, DC AKG ck93 hyper-cardioid capsules (mod) > RM 3-wire battery box > iRiver H120 > .wav @ 44.1 kHhz / 16 bit Location: Gaffe taped ledge in Box 18 point at the right stack Lineage: .wav > USB > Amadeus Pro 1.3.4 > FLAC (8) Flaws: This is a dual mono   2 CDR notes
301. 11/15/08 Wang Theatre - Boston, MA MT II > 24/96 @ 24/96 > Sampled to 16/48 With Soundforge Mic's = CSB Location = Mezz Row B RighT Center   2 CDR, CDR 90 notes
302. 11/15/08 Wang Theatre - Boston, MA MT II > 24/96 @ 24/96 > Sampled to 16/48 With Soundforge Mic's = CSB Recorder = MT II > 24/96 @ 24/96 > Sampled to 16/48 With Soundforge Location = Row P RT ORCHESTRA Taper = BennyBlanco   2 CDR notes
303. 11/19/08 Chicago Theater - Chicago, IL DSM-6S > PA-6LC3 > R-09HR @ 24/48 Transfer: R-09HR > USB > CEP 2.1 > flac tracks 01-06: built in mic > R-09HR (mics were plugged into headphone jack) soma thru i of the mourning: not recorded (flash memory error) tracks 07-19: DSM-6S > PA-6LC3 > R-09HR   2 CDR notes
304. 11/21/08 Auditorium Theater - Chicago, IL Edirol R9 (24bit/48kHz) (Line In) > Core Sound HEB (4060) (Bass Rolloff=ON) >Adobe Audition > CDWAVE > FLAC (level 8) Recorded from the main floor, Slighly to the left. Row GG   2 CDR notes
305. 11/24/08 Midland Theatre - Kansas City, MO Sony MZ-RH1 Hi-MD     2 CDR notes
306. 11/25/08 Midland Theatre - Kansas City, MO Sony MZ-RH1 Hi-MD Lineage: Stereo Mic > PCM > Wav   2 CDR 90 notes
307. 11/29/08 Pearl Theater - Palms Casino Resort - Las Vegas, NV Edirol R09 built in mics Transfer:Edirol R09>HDD>Wav>Flac(8)   2 CDR notes
308. 11/30/08 RIMAC Arena - La Jolla, CA Edirol R09 built in mics Transfer:Edirol R09>HDD>Wav>Flac(8)   2 CDR notes
309. 12/02/08 Gibson Amphitheatre - Universal City, CA Edirol R09 built in mics Transfer:Edirol R09>HDD>Wav>Flac(8)   2 CDR notes
310. 12/03/08 Gibson Amphitheatre - Universal City, CA Edirol R09 built in mics Transfer:Edirol R09>HDD>Wav>Flac(8)   2 CDR notes
311. 12/05/08 Ogden Theatre - Denver, CO AKG CK63>AKG 480>van den Hul's>Sound Devices 702 Specifics: Clamped to Balcony, PAS Transfer:Microtrack>PC>Cool Edit Pro 2>CD Wave>Flac   2 CDR 90 notes
312. 12/07/08 Aragon Ballroom - Chicago, IL AUD > CSB (flat) > MZ-RH1 (Hi-SP, Line In) Auto Gain Control Transfer/Lineage/Conversion : ATRAC3plus data > USB > PC > WAV > FLAC (level 8) Editing: SonicStage 4.3.01.14050 (transfer, save as WAV) Audacity 1.2.6 (Normalize, Fade In, Fade Out) Winamp 5.541 (EQ, hard limiting w/ Enhancer 0.17 plug-in) CD Wave 1.97 (track splits) EasyTAG 2.1 (files tagged) Trader's Little Helper (flac fingerprint and MD5 files)   2 CDR  
313. 12/07/08 Aragon Ballroom - Chicago, IL SP-CMC-2(AT831's 4.7k mod)> SP 9v BB> H320     2 CDR notes
314. 12/08/08 Auditorium Theatre - Chicago, IL Edirol R09 built in mics Transfer:Edirol R09>HDD>Wav>Flac(8)   2 CDR, CDR 90 notes
315. 06/30/10 Viper Room - Los Angeles, CA Edirol R09 Built in mics > WAV> Flac Recorded in the bar downstairs off a live feed   1 CDR  
316. 07/09/10 Newport Music Hall - Columbus, OH CSB -> preamp -> Microtrack24/96 (24bit/48kHz WAV) -> CEP (eq, convert to 16bit/44.1kHz, tracking) -> FLAC 8     2 CDR  
317. 07/10/10 Waterfront Park - Louisville, KY (FOB)(ORTF) Neumann km184 > Lunatec V2 > Sound Devices 702 @ 24/48 Transfer: CF > PC > Wavelab > CDWave > Traders Little Helper > Flac (6) 16/44.1   2 CDR notes
318. 07/12/10 Ram's Head Live - Baltimore, MD AKG ck93 hyper-cardioid capsules (mod) > RM 3-wire battery box > iRiver H120 > .wav @ 44.1 kHz / 16 bit Location: First few songs balcony in front of right stack. Pee break during As Rome Burns. Rest of the show in the soundboard booth. Lineage: .wav > Amadeus Pro 1.5.1 > FLAC 8 Flaws: this is a dual mono   2 CDR notes
319. 07/12/10 Ram's Head Live - Baltimore, MD DAB > DA-120F > Edirol R-09 @ 24bit/44.1kHz Location : ~ 20 feet, stage left stack Mic Config : In hat Edit : WaveLab V5.01b (fades/dither) Dither : UV22 HR (16 bit, Normal) Final Format : 16 bit, 44.1 kHz Tracking : CD-Wave v1.98 Encoding : FLAC v1.2.1 (Level 8) with TLH v2.6.0 (Build 168)   2 CDR notes
320. 07/13/10 The National - Richmond, VA Sennheiser ? > battery box > internal memory on Sony PCM-M10 > .wav @ 48 kHz / 24 bit Location: On the floor in front of the left tip of the soundboard area directly in front of Jeff. Mics taped to my hat 6' 3" high Lineage: .wav > Amadeus Pro 1.5.1 > FLAC 8   2 CDR notes
321. 07/13/10 The National - Richmond, VA DAB > DA-120F > Edirol R-09 @ 24bit/44.1kHz Location : ~ 40 feet, stage left Mic Config : On shirt Edit/Tracking : GoldWave v5.06 Final Format : 24 bit, 44.1 kHz Encoding : FLAC v1.7.1 (Level 6)   2 CDR notes
322. 07/15/10 The Norva - Norfolk, VA Sennheiser Micro Madness MMHLSC.II > battery box > internal memory on Sony PCM-M10 > .wav @ 48 kHz / 24 bit Location: On the floor a few rows in front of the soundboard area directly in front of Billy. Mics taped to my hat 6' 3" high. Lineage: .wav > Amadeus Pro 1.5.1 > FLAC 8   2 CDR notes
323. 07/21/10 Ritz Ybor - Tampa, FL Core-Sound Binaurals>battery box bass roll off on>R09 24bit 48KHz>USB>PC>SoundForge 10>16bit 44.1KHz>TLH>FLAC 8 sbeok     2 CDR notes
324. 07/26/10 Terminal 5 - New York, NY Schoeps MK4 > Nbox+ > PCM-M10 @ 24bit/44.1kHz Location : ~ 40 feet, center floor Mic Config : In hat Edit : WaveLab V5.01b (fades/dither/+7dB gain) Dither : UV22 HR (16 bit, Normal) Final Format : 16 bit, 44.1 kHz Tracking : CD-Wave v1.98 Encoding : FLAC v1.2.1 (Level 8) with TLH v2.6.0 (Build 168)   2 CDR notes
325. 07/26/10 Terminal 5 - New York, NY Sennheiser Micro Madness MMHLSC.II > battery box > internal memory on Sony PCM-M10 > .wav @ 48 kHz / 24 bit Location: On the floor a few rows in front of the soundboard area in front of Billy and few people over towards Nicoles. Mics taped to my hat 6' 3" high. Lineage: .wav > Amadeus Pro 1.5.1 > FLAC 8   2 CDR notes
326. 08/07/10 Summer Sonic Festival - Tokyo, Japan (~20' from right stacks) Sound Professionals Premium Binaurals > SP Pro battery box > Edirol R-09 (24/48) Transfer: CF > PC > Audacity > Wav > Flac 24/48 Taped By: Eric Agnew   2 CDR notes
327. 08/10/10 Studio Coast - Tokyo, Japan (right of board) Sound Professionals Premium Binaurals > SP Pro battery box > Edirol R-09 (24/48) Transfer: CF > PC > Audacity > Wav > Flac 24/48 Taped By: Eric Agnew Transferred By: Eric Agnew   2 CDR notes
328. 08/11/10 Studio Coast - Tokyo, Japan (right of board) Sound Professionals Premium Binaurals > SP Pro battery box > Edirol R-09 (24/48) Transfer: CF > PC > Audacity > Wav > Flac 24/48 Taped By: Eric Agnew Transferred By: Eric Agnew   2 CDR notes
329. 08/11/10 Studio Coast - Tokyo, Japan ECM-719 > Zoom H2 (48/24) SD > Audacity (44.1/16) > TLH (Flac Level8)   2 CDR  
330. 08/28/10 Sunset Strip Music Festival - Los Angeles, CA DAB > DA-120F > Edirol R-09 @ 24 bit / 44.1 kHz Location : ~20 ft, right stack Mic Config : Binaural Edit : WaveLab V5.01b (fades/dither/+11dB gain) Dither : UV22 HR (16 bit, Normal) Final Format : 16 bit, 44.1 kHz Tracking : CD-Wave v1.98 Encoding : FLAC v1.2.1 (Level 8) with TLH v2.6.0 (Build 168)   2 CDR notes
331. 08/28/10 Sunset Strip Music Festival - Los Angeles, CA built-in mics > Edirol-R09 Transfer: Edirol-R09 > WAV > FLAC(level 8)   2 CDR notes
332. 09/04/10 Lobero Theatre - Santa Barbara, CA DAB > DA-120F > Edirol R-09 @ 24 bit / 44.1 kHz Location : < 10 ft., Left Stacks Mic Config : Binaural Edit : WaveLab V5.01b (fades/dither/+11dB gain) Dither : UV22 HR (16 bit, Normal) Final Format : 16 bit, 44.1 kHz Tracking : CD-Wave v1.98 Encoding : FLAC v1.2.1 (Level 8) with TLH v2.6.0 (Build 168)   2 CDR notes
333. 09/06/10 The Crest Theatre - Sacramento, CA Church Audio Cardioid Mics > Church Audio STC-9000 > Iriver H120 Transfer: Iriver H120 > Audacity (levels) > CDWave (tracking) > TLH Flac > Mp3tag (tags)   2 CDR notes
334. 09/06/10 The Crest Theatre - Sacramento, CA DAB > DA-120F > Edirol R-09 @ 24 bit / 44.1 kHz Location : < 10 ft., Right Stacks Mic Config : Binaural Edit : WaveLab V5.01b (fades/dither/+11dB gain) Dither : UV22 HR (16 bit, Normal) Final Format : 16 bit, 44.1 kHz Tracking : CD-Wave v1.98 Encoding : FLAC v1.2.1 (Level 8) with TLH v2.6.0 (Build 168)   2 CDR notes
335. 09/06/10 The Crest Theatre - Sacramento, CA Church Audio Cardioid Mics > Church Audio STC-9000 > Iriver H120 Transfer: Iriver H120 > Audacity (levels) > CDWave (tracking) > TLH Flac > Mp3tag (tags)   2 CDR notes
336. 09/08/10 Phoenix Theater - Petaluma, CA DAB > DA-120F > Edirol R-09 @ 24 bit / 44.1 kHz Location : ~ 5 ft from right stacks Mic Config : Binaural Edit/Tracking : Audacity 1.2.6 (fades/dither/+11dB gain) Final Format : 16 bit, 44.1 kHz Encoding : FLAC (Level 8) with xACT v2.05 (Build 3795)   2 CDR notes
337. 09/10/10 Showbox SoDo - Seattle, WA Panasonic WM-61A > Sound Pro SP-SPSB-2 (195Hz bass roll-off) > Edirol R-09 TRANSFER : Edirol R-09 > USB > Adobe Audition 3.0 > CD Wave 1.98 > FLAC frontend 1.7.1 GENERATION : WAV(M) [24bit/48kHz] > remaster > WAV [16bit/44.1kHz] > FLAC [Level 8] LENGTH : 106:38   2 CDR notes
338. 09/10/10 Showbox SoDo - Seattle, WA CA-11 > BAT-2B > R-09 (show) / Built-in>R-09 (soundcheck) Location : 10 feet from right stacks (show) / outside, near front doors (soundcheck) Editing : Audacity (fade in/out, amplified by 2db)   2 CDR notes
339. 09/16/10 Knitting Factory - Boise, ID Sonic Studios DSM6s > PA-6LC > iRiver H120 44.1khz WAV     2 CDR notes
340. 09/17/10 In the Venue - Salt Lake City, UT H4n Zoom Recorded in 48kHz/24bit under the right main speakers. cut up in Final Cut and exported into .wav with 44.1kHz/ 16bit. then .wav to .flac with MacFlac   2 CDR  
341. 09/24/10 Cain's Ballroom - Tulsa, OK Sony MZ-N707 MiniDisc walkman with a Sennheiser E835 mic Transferred into Apple Logic at 48k/24bit. Converted to 48k/24bit FLAC   2 CDR notes
342. 09/24/10 Cain's Ballroom - Tulsa, OK Sony MZ-N707 MiniDisc walkman with a Sennheiser E835 mic / Zoom H1 48KHZ/24Bit with sony sony ecm-ds30p Standing stage right at the front. Transferred into Apple Logic at 48k/24bit. --- Standing in center of crowd, noise included occasional clapping from nearby fans. --- Mix Info : Mixed by Ian Roegels at BlueTune Studios, Oklahoma City OK. Mixed to 48k/24bit WAV Files. Converted to 48k/24bit FLAC files using xACT.   2 CDR notes
343. 10/12/10 Perth Convention Centre Theatre - Perth, Australia SP-SMC-8 SOUND PROFESSIONALS PREMIUM AUDIO TECHNICA SLIMLINE STEREO MICROPHONES Cardiod (with low sensitivity modification) plus SP-SPSB-11 and bass roll-off at 69Hz) -> Edirol HR09 -> wav (24BIT) -> Sony SoundForge 10 (volume boost, mild compre Seated - upper gallery left of stage Recording - fair audience recording, minor crowd noise/chatting/coughing.   2 CDR notes
344. 10/15/10 Festival Hall - Melbourne, Australia Schoeps MK4 > Nbox+ > Edirol R-09 @ 24bit/48kHz Mic Config : DINA Location : FOB Transfer : Master WAV > dEdit > CD Wave Editor V1.97.0 > FLAC v1.2.1 (Level 8) with TLH v2.4.1 (build 160) Editing : Fades, gain boost in Wavelab 5.0.1b Resampling : r8brain v1.9 48.0kHz > 44.1kHz Dithering : r8brain v1.9 24bit > 16bit   2 CDR  
345. 10/16/10 Big Top Auditorium - Sydney, Australia DAB > DA-120F > Edirol R-09 @ 24 bit / 44.1 kHz Location : Center, 15-20 ft in front of soundboard Mic Config : Binaural Edit/Tracking : Audacity 1.2.6 (fades/dither/+12dB gain) Final Format : 16 bit, 44.1 kHz Encoding : FLAC (Level 8) with xACT v2.05 (Build 3795)   2 CDR notes
346. 10/17/10 The Tivoli - Fortitude Valley, Australia DAB > DA-120F > Edirol R-09 @ 24 bit / 44.1 kHz Location : < 5 ft from soundboard, center of the room Mic Config : Binaural Edit/Tracking : Audacity 1.2.6 (fades/dither/+12dB gain) Final Format : 16 bit, 44.1 kHz Encoding : FLAC (Level 8) with xACT v2.05 (Build 3795)   2 CDR notes
347. 11/18/10 Luna Park - Buenos Aires, Argentine Church Audio ST-11 > ST-9100 > iRiver H-120 (RockBoxed + REP + AGC Slow) Location: 65 Feets From Stage, Frontal. Transfer: H-120 (PCM 16bit @ 44.1Khz) > USB 2.0 > PC Editing: Adobe Audition 3.0 > Some EQing > Hard Limit -0.1dB (Cut Clap Clipping) > CD Wave v1.98 (track split) > Flac v1.2.1 (Level 8)   2 CDR notes
348. 11/23/10 Movistar Arena - Santiago, Chile CA-11 cardioids -> CA Battery Box -> Edirol R-09HR Transfer: WAV -> Audacity -> dbPowerAmp -> FLAC (compression level 5)   2 CDR notes
349. 12/05/10 Verizon Wireless Theater - Houston, TX DPA4021 (ortf) -> Oade CM R-44 (16/48) Location: Balcony, right stack, mics clamped to the rail Transfer: USB -> Audacity (EQ, amplify to -0.1db, tracking) -> xACT (flac+tagging)   1 CDR 90 notes
350. 12/11/10 Gibson Amphitheatre - Los Angeles, CA binaural mics w\bass roll off > Edirol R09 Transfer: Edirol R09 > Wav > Flac   1 CDR notes
351. 12/12/10 Viejas Arena - San Diego, CA DAB > DA-120F > Sony PCM-M10 @ 24 bit / 44.1 kHz Editor : Lapis Location : far upper right bench (~100 ft) Mic Config : Binaural Edit/Tracking : Audacity 1.2.6 (fades/dither/+15dB gain) Final Format : 16 bit, 44.1 kHz Encoding : FLAC (Level 8) with xACT v2.05 (Build 3795)   1 CDR notes
352. 10/05/11 The Wiltern Theatre - Los Angeles, CA built-in mics > Edirol R09 Transfer: Edirol R09 > Wav > Flac Audience Master Recording   2 CDR notes
353. 10/05/11 The Wiltern Theatre - Los Angeles, CA DAB > DA-120F > Edirol R-09 @ 24 bit / 44.1 kHz Editor : pzane@hipstersunited.com Location : Where it sounded good! Mic Config : Binaural Edit : WaveLab V6 (EQ/Fades/Dither) Dither : UV22 HR (16 bit, Normal) Final Format : 16 bit, 44.1 kHz Tracking : CD-Wave v1.98 Encoding : FLAC v1.2.1 (Level 8) with TLH v2.6.0 (Build 168)   2 CDR notes
354. 10/07/11 Fox Theater - Oakland, CA DAB > DA-120F > Edirol R-09 @ 24 bit / 44.1 kHz Editor : pzane@hipstersunited.com Location : Where it sounded good! Mic Config : Binaural Edit : WaveLab V6 (EQ/Fades/Dither) Dither : UV22 HR (16 bit, Normal) Final Format : 16 bit, 44.1 kHz Tracking : CD-Wave v1.98 Encoding : FLAC v1.2.1 (Level 8) with TLH v2.6.0 (Build 168)   2 CDR notes
355. 10/08/11 Cosmopolitan - Las Vegas, NV DAB > DA-120F > Edirol R-09 @ 24 bit / 44.1 kHz Location: directly in front of left stack (Nicole's side) Mic Config: binau^H^H^H^H^Hbad! Edit: SoX v14.4.0 (reverb, EQ, gain, fades, dither), LADSPA TAP scaling limiter (TAP plugins 0.7.2) Dither: SoX (dither with noise-shaping) Final Format: 16 bit, 44.1 kHz Tracking: SoX + sh + awk (trim with CDDA sector alignment) Encoding: FLAC (level 8) with flac 1.2.1 at 16-bit   2 CDR notes
356. 10/11/11 The Slowdown - Omaha, NE CSB mics->Bass Roll-Off Filter->M Audio Microtrack II 16/44     2 CDR notes
357. 10/14/11 Riviera Theater - Chicago, IL CA-14 Cards > CA-9100 Pre-amp > Edirol R-09HR 24-bit 48K > SDHC Location: Second Level, at front of rail, left middle Conversion: SDHC > Audacity (10% right pan, 6db bass boost) > 16-bit 44.1K > xACT > FLAC (8) add tenhical notes : the files are 48/16 so i had to convert them to 44.1/16 with sox   2 CDR90/CDR notes
358. 10/14/11 Riviera Theater - Chicago, IL Schoeps MK41's> CMR's> Naiant Tinybox> Sony PCM-M10     2 CDR notes
359. 10/17/11 9:30 Club - Washington, DC Sennheiser Micro Madness MMHLSC.II > battery box > internal memory on Sony PCM-M10 > .wav @ 96 kHz / 24 bit Location: gaffe taped to my shoulders, first row center balcony Lineage: .wav > Amadeus Pro 2.0.4 (1367) > FLAC 8   2 CDR90/CDR notes
360. 10/17/11 9:30 Club - Washington, DC Busman BSC1-K1 (Cards) in NOS > Naiant Littlebox 1.5 > Edirol R09-HR @ 24/96     2 CDR90/CDR notes
361. 10/18/11 Terminal 5 - New York, NY Schoeps MK41/CMR > Naiant PFA > EAA PSP-2 > Tascam DR-680 @ 24 bit / 48 kHz Location : first balcony rail, DFC Edit : WaveLab V6 (EQ/Fades/Resampling/Dither) Final Format : 16 bit, 44.1 kHz Tracking : CD-Wave v1.98 Encoding : FLAC v1.2.1 (Level 8) with TLH v2.6.0 (Build 168)   2 CDR90/CDR notes
362. 10/18/11 Terminal 5 - New York, NY Schoeps MK41>CMC6 (DFC, PAS)>Oade M248>PCM-M10>24bit/44.1kHz WAV>Audition (amplify)>Audacity (set fades, tracking)>FLAC ( level 8 ) Recorded and produced by acidjack for nyctaper.com   2 CDR90/CDR notes
363. 10/21/11 Orpheum Theater - Boston, MA Sony ECM-907 (in PCM) > Sony Hi-MD > Sonic Stage > WAV > xACT > FLAC     2 CDR notes
364. 11/09/11 Le Zenith - Paris, France Audio Technica mics > Battery Module > Edirol R09-HR (WAV 44.1 kHz/24 bits)     2 CDR notes
365. 11/11/11 Apollo - Manchester, UK Sony TS-125 > MD > 3.5mm OFC > Genius 5.1 PCI > Nero Editor > CDR > FLAC Recorded via: Sony TS-125 condenser mic   2 CDR notes
366. 11/13/11 O2 Academy - Glasgow, Scotland MCSM-4 Mics, M-Audio Microtrack II via 10bd Pad Lineage: M-Audio>PC(USB)>CD Wave Editor>FLAC(8)   2 CDR  
367. 11/13/11 O2 Academy - Glasgow, Scotland TASCAM>PC(USB)>CD Wave Editor>FLAC(8) Source: TASCAM DR-07 - Fixed Mics in A<>B Configuration   2 CDR  
368. 11/14/11 O2 Academy - Newcastle, UK oom H1 (Wave 44.1 khz/16 Bit) > Micro SD Card > USB > Flac Level 8 (44.1 khz/16 Bit)     2 CDR  
369. 11/18/11 O2 Academy - Sheffield, England SP-CMC-22 > Zoom H1 > Cooledit Pro > .wav > .flac > Dime     2 CDR  
370. 11/21/11 Orpheum Theater - Boston, MA Sony ECM-907 (in PCM) > Sony Hi-MD > Sonic Stage > WAV > xACT > FLAC     2 CDR notes
371. 12/06/11 Razzmatazz - Barcelona, Spain Edirol RH09 > ECM-CS10 Sony mic > Location : art row/right Transfer : SD Card > Adobe Audition 3.0 > WAV > FLAC >   2 CDR notes
372. 05/26/12 Rock In Rio-Lisboa - Lisboa, Portugal FM RFM> Tuner Denon TU-460> Amplifier Technics SU-V500> Zoom H2 line in> WAV 16bits> FLAC     2 CDR  
373. 07/31/12 Entertainment Centre - Sydney, Austrailia SP-CMC-8 > R-09 > Sound Forge 8 Mastered with (the mighty) Izotope Ozone Recorded from 2nd row in the first section right of stage   2 CDR notes
374. 08/02/12 Hisense Arena - Melbourne, Australia AUD>LPCM>WAV>FLAC [CA-14s > Sony PCM-M10] Sound Comments/Faults?: Very good quality, audience noise is negligible (some detectable chair squeaking is about the worst of it). Show Comments: First full band performance of Luna since 1994-04-27 in San Francisco.   2 CDR notes
375. 08/02/12 Hisense Arena - Melbourne, Australia Sony ECM-717 > iRiver H320 (rockboxed) TRANSFER : iRiver > USB > Sound Forge 9.0 (trim, volume adjust) > Traders Little Helper 2.6.0 GENERATION : WAV[44.1khz] > FLAC [Level 8]   2 CDR  
376. 08/04/12 Vector Arena - Auckland, New Zealand Church Audio CA-14 (Cards) > Sony PCM-M10 @ 24/96 Location: Soundboard Front Rail Centre   2 CDR  
377. 08/08/12 Smart Araneta Coliseum - Quezon City, Philippines Zoom H1 -> Audacity (track split) -> xACT -> FLAC     2 CDR 90, CDR  
378. 09/22/12 Arena Ciudad De Mexico - Mexico City, Mexico TASCAM DR-07 MkII > WAV     2 CDR notes
379. 09/27/12 Stubb's Waller Creek Amphitheater - Austin, TX CA-14's-Sony M10 CDWave>Flac   2 CDR notes
380. 09/28/12 Cains Ballroom - Tulsa, OK Zoom H2 (2 Onboard Mics) lineage: 24 bit/96 kHz WAV > archive.org > downsampled with Sox (v14.4.0) to 16 bit/44.1 kHz > FLAC (with dBpowerAmp) The high pitch noises during Oceania were from Jeff's guitar rig acting up. Also a balloon popped during pale horse and at one other point, but not during music.   2 CDR notes
381. 10/13/12 Viejas Arena - San Diego, CA Church Audio Cardioid Mics > Church Audio STC-9000 > Iriver H120 Iriver H120 > Audacity (levels) > CDWave (tracking) > Flac Front End (FLAC) > mp3tag (tags)   2 CDR notes
382. 10/18/12 Chaititz Center - St LouisM\, MO Zoom H2 > 2 Onboard Mics > Wav (24bit-96kHz) > Normalize     2 CDR notes
383. 10/20/12 Wilkins Auditorium - St Paul, MN Schoeps MK4 > Nbox cables > Tinybox w/ Output Xformers > Edirol R-09hr Location: SBD rail, ~10 left of center Transfer: USB>PC Editing: fade-in/out, 4db amplify, resample to 16/44.1 (Adobe Audition)   2 CDR notes
384. 10/25/12 Air Canada Centre - Toronto, ON SONY MZ-N707 -> SP-SPSB-6 Bass Rolloff (160Hz) -> MM-HLSC-1 HighLine "Sennheiser Driven" Cardioid Stereo Mics Location: Section 102 Conversion to Wave: Cool Edit Pro 2 > .Wav Edit notes: split with Goldwave, encoded with Trader's Little Helper   2 CDR notes
385. 10/28/12 Bell Centre - Montreal, QC Roland R-05 (built-in stereo mic) Lineage : WAV (24-bit/96 kHz) > Audacity 2.0.2 > FLAC 1.2.1 (level 8) Location : Row J Seat 12 Right side Edit : Split, High Pass Filter 6 dB/160 Hz, Normalize   2 CDR notes
386. 12/04/12 Newport Music Hall - Columbus, OH HEB DPA4060 > CA-9200 > Edirol R-09 (24 bit @48kHz) > Adobe Audition 3.0 (dithered to 16 bit @44.1kHz) > Cd Wave > FLAC Location: 10ft back from right stack; mics mounted on shoulder. Conversion: Charles Dewey Cole, IV Equipment: SanDisk 16GB SDHC Card > (USB) 24 bit @48kHz > Cd Wave   2 CDR notes
387. 12/08/12 Susquehanna Bank Center - Camden, NJ CSB-Sony M10 Location: Mics pinned onto Soundboard Transfer:>Audacity>CDWave>Flac   2 CDR notes
388. 12/08/12 Susquehanna Bank Center - Camden, NJ Church Audio 14’s > PA-6LC3B (roll off @ 65Khz) > Sony PCM-M10 > .wav @ 96 kHz / 24 bit Location: Section 103, Row G, Seat 8. Sitting down with mics on my shoulders. In front of the left stack. Lineage: .wav > USB > Amadeus Pro 2.1 (1523) > FLAC 8   2 CDR notes
389. 12/09/12 Patriot Center - Fairfax, VA CA-14 (omnis)>CA-9200>Sony M10(24/48) Transfer: Sony M10>PC>WAV>CQ Mastering>FLAC(16/44.1) Location: Approx. 50' from stage, DFC, leaning on VIP cage in front of board Taping Environment: Quiet neighbors. No issues.   2 CDR notes
390. 12/10/12 Barclays Center - Brooklyn, NY DAB > DA-120F > Sony PCM-M10 @ 24 bit / 48 kHz Edit : WaveLab V6 (EQ/Fades/Resampling/Dither) Final Format : 16 bit, 44.1 kHz Tracking : CD-Wave v1.98 Encoding : FLAC v1.2.1 (Level 8) with TLH v2.6.0 (Build 168)   2 CDR notes
391. 04/29/13 Maxwell C. King Center For The Performing Arts - Melbourne, FL Zoom H2 Handy Recorder Lineage: Zoom H2 Handy Recorder > Audacity > CD Wave > FLAC   2 CDR notes
392. 05/08/13 Charlotte Uptown Outdoor Amphitheater - Charlotte, NC ICOM Rx7 to Microtrack II 96/24 wave to eventual 44/16 with Adobe Audition CS 6   2 CDR notes
393. 06/20/13 Live Music Hall - Koln, Germany Church Audio ST-11 > ST-9100 > iRiver H-120 (RockBoxed + REP + AGC Slow) Location: 50 Feets From Stage, Left. Transfer: H-120 (PCM 16bit @ 44.1Khz) > USB 2.0 > PC Editing: Adobe Audition CS6 > Right Mic Click Remove > Some EQing > Hard Limit -0.1dB Tracking & Conversion: CD Wave v1.98 (Flac v1.2.1 Level 8)   2 CDR notes
394. 06/21/13 Southside Festival - Neuhausen Ob Eck, Germany MBHO KA 200 N > Naiant Tinybox > Sony PCM-M10 Mic Config : A-B Location : ~5m from the stage, left side Transfer : Master WAVs > dEdit > FLAC V1.2.1 Editing : Volume boost, dynamics processing and EQ in Apple Logic Pro V9.1.8 Fades in Audiofile Engineering Wave Editor V1.5.4 Resampling : 48.0 kHz > 44.1 kHz resampling using iZotope 64-bit SRC Dithering : MBIT+ Format : 16 bit / 44.1 kHz   1 CDR  
395. 06/24/13 Le Zenith - Paris, France MS-TFB-2 > SPSB11 (Bass Rolloff @ 195Hz) > PCM-M10 (24/48, Line-in) > USB2 > Audition (Split, Downsample to 16/44.1) > dBpowerAMP > FLAC Location : Standing, 10 meters from stage   2 CDR notes
396. 07/01/13 Manchester Academy - Manchester, England Sony TS-125 > MD (JVC XM-R700) > 3.5mm > Genius 5.1 PCI Quasar cut in   2 CDR  
397. 07/05/13 Les Eurockéennes - Belfort, France Tascam DR-07MKII built-in mic 16bits/44,1 -> Mastering -> wav -> flac     2 CDR notes
398. 07/05/13 Les Eurockéennes - Belfort, France tascam dr-07 mk2 > WAV 24 bit / 48 kHz Tracking : WAV > Cool Edit Pro > WAV > dBpowerAmp > FLAC 24 bit / 48 kHz Tracked by : Deadmarsh   2 CDR notes
399. 07/06/13 Beauregard Festival - Hérouville Saint-Clair, France Sony ECM-707 -> Sony MZ-NH700 GENERATION : HiMD(M) -> WAV [44.1kHz] -> FLAC [Level 5] TRANSFER  : Unknown -> SonicStage4.3.01.14050 -> CD Wave 1.94.5 -> Trader's Little Helper -> FLAC   1 CDR notes
400. 07/16/13 Théâtre Antique - Vienne, France DPA 4061 > CA-9100 > Roland R-05 GENERATION .WAV[16bit/44.1kHz] > .FLAC [16bit/44.1kHz] TRANSFER USB > Adobe Audition CC > CDWave Audio Editor 1.98 > Trader's Little Helper 2.5.0   2 CDR notes
401. 07/26/13 Paradiso - Amsterdam, Netherlands CHURCH Audio CA-14 Cardioid Microphones → Sony PCM D-50 Linear PCM Recorder Wav24-bit 48KHZ. → Sony Memory Stick PRO-HG Duo 8GB To pc via USB with Hama card reader → Wav to Flac level 8 with CD Wave Editor → via ftp to Grigio → Har-Bal v2.3 → Wavelab v6.10 Build 340 (Effects: Magneto 1-5, D82 Sonic Maximizer, Waves L3 Ultramaximizer) via WeTransfer back to me → Separation of songs with CD Wave Editor → Torrent created with TLH → Dime → You     2 CDR  
402. 07/29/13 Cirkus - Stockholm, Sweden   AUDIO MASTER / 96-24 Bit version AT 943 External Stereo Microphones >> Batterybox >> Olympus LS-10 ” 96 / 24 Bit >> WavePad Editor >> Fade In / Fade Out >> Songsplit >>>> You   2 CDR notes
403. 08/05/13 A2 Club - St Petersburg, Russia Sony Hi-MD MZ-RH10 @Hi-SP + Sony ECM 717 > Audacity (fade in, fade out) > you Location: floor, dead center, in front of soundboard   2 CDR notes
404. 08/11/13 Summer Sonic - Chiba, Japan Source : DAB > DA-120F > Edirol R-09 @ 24 bit / 48 kHz Location : ~50' left stacks Mic Config : Binaural Edit : Audacity (normalize, click/clap management, light compression, track splitting)   1 CDR notes
405. 08/13/13 Asia World Expo - Hong Kong, China DAB > DA-120F > Edirol R-09 @ 24 bit / 48 kHz Location : ~30' center Mic Config : Binaural Edit : Audacity (normalize, click/clap management, light compression, track splitting)   2 CDR notes
406. 11/26/14 Thalia Hall - Chicago, IL Sony PCM M-10, SP-CMC-8 Cardiod 96khz, 24 bit > FLAC   2 CDR notes
407. 11/26/14 Thalia Hall - Chicago, IL Tascam iM2>iPhone 4>RODE Rec>Audacity>Xact     2 CDR notes
408. 11/30/14 Kesselhaus - Berlin, Germany Soundman OKM II Rock Studio > Soundman A3 > Sony PCM-M10 (96/24) > Adobe Audition CS6 (EQ, 44.1/16) > CD Wave Editor 1.98 > Trader's Little Helper 1.3.2     2 CDR notes
409. 12/05/14 Koko - London, England Sony MD MZR55 > Phillips CD Recorder > CD-R > EAC > Audacity > FLAC Track splitting and audio normalisation performed in Audacity. Unfortunately some of the latter tracks clip. CD rip with EAC produced a 100% log, any glitches in the audio were present in the CD I received.   2 CDR notes
410. 12/06/14 Le Trabendo - Paris, France Sony ECM-MS 907 Location: Left Side Above Mainfloor 6~7 meters from the stage Recorder: Roland R-05 SDHC Card: 32GB Transcend Class 10 Wav file transferred to PC via USB. Conversion to FLAC with Goldwave 5.70 Tracks splits Goldwave 5.70 Some Minor Levels Boosts On smoother parts   2 CDR  
411. 12/08/14 Webster Hall - New York, NY Church Audio 14’s > PA-6LC3B (roll off @ 65Khz) > Mic In > Sony PCM-M10 > .wav @ 96 kHz / 24 bit Location: Mics taped to my shoulders standing a few rows in front of the back bar on the floor Lineage: .wav > USB > Amadeus Pro 2.1.7 (1576) > FLAC 8   2 CDR notes
412. 12/08/14 Webster Hall - New York, NY Soundboard [Engineer Kevin] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (level adjustments, mixdown, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)     2 CDR notes
413. 12/11/14 The Warfield - San Francisco, CA Schoeps CCM4’s > Tinybox > Sony PCM-M10 16/44.1 Mastering (BLG): Adobe Audition > iZotope Ozone 5 > WavePad > xACT > FLAC   2 CDR  
414. 12/16/14 The Fonda - Hollywood, CA Schoeps MK41’s > Nbob actives rev 2 > Naiant Tinybox v2.5 (OT) > Sony PCM-M10 24/44.1 Mastering: Adobe Audition (edits) > iZotope Ozone 5 (EQ,Exciter,Imaging,Dynamics) > MBIT+ (dither to 16 bit) > WavePad (tracking) > xACT (tags) > FLAC   2 CDR notes
415. 02/21/15 Royal Melbourne Showgrounds - Melbourne, Australia AUD>LPCM>WAV>FLAC [2xCountryman B3s > Tinybox > Sony PCM-10] Mastering: Adobe Audition /w Izotope Rx3 (Declick audience clapping, �Rock Master EQ�, Tracksplit, 24/48 > 16/44), TLH (Fix SBEs > FLAC)   2 CDR notes
416. 02/23/15 Festival Hall - Melbourne, Australia AUD>LPCM>WAV>FLAC [CA-14s (Cards) > Edirol R-09] Mastering: Adobe Audition /w Izotope Rx3 (Declick audience clapping, ‘Maximiser, Tracksplit, 24/48 > 16/44), TLH (Fix SBEs > FLAC) 20m from stage centre Sound Comments/Faults?: Good quality. Only minor audience noise but Billy’s vocal sounds a little weak. Static glitch at about 59:40, (near start of United States).   2 CDR notes
417. 03/14/15 Parque O'Higgins - Santiago, Chile Earthworks P30 + Multitrack > HD > CD > USB > Macbook Pro > Adobe Audition > Flac > xACT I received show in a box with some other recordings, to master. Return address name was marked Stu and the last name looks like Helson. I searched for any other copies and the only thing i founds was a Youtube video but this sounds was different Check me out on Youtube and please Subscribe https://www.youtube.com/channel/UCbLDkrWkBjNDP6-qzikPN5g Please check out my recording page on Facebook and give it a like ! https://www.facebook.com/pages/MuzikWize-Live-Recordings/681543778579073?ref=hl Here's a link to everything you may have missed https://archive.org/details/@scottmedeiros   1 CDr notes
418. 03/22/15 Lollapalooza AR -- Hipodromo de San Isidro - Buenos Aires, Argentina Church Audio ST-11 > ST-9100 > Sony PCM-M10 Location: 90 Feets From Stage, Left. Transfer: PCM-M10 (PCM 24bit @ 96Khz) > USB 2.0 > PC Editing: Adobe Audition CC 2014 > Gain Mod > Some EQing > Hard Limit -0.1dB Tracking, Downsampling, Bit Depth & Encoding: Adobe Audition CC 2014 (libsndfile 1.0.25.0) Tags: foobar2000 v1.2.9   2 CDR notes
419. 06/15/15 Riviera Theater - North Tonawanda, NY Audio Technica AT831s > Tascam DR-08 Transferred and mastered by }{eywood Lineage: DR-08 > USB > Adobe Audition 1.5 (EQ, peak limiting to attenuate loud audience between tracks, splits & fades) > Xrecode II (flac 8)   2 CDR notes
420. 06/16/15 Carnegie Music Hall Of Homestead - Munhall, PA Church Audio 14’s > PA-6LC3B (roll off @ 65Khz) > Mic In > Sony PCM-M10 > .wav @ 96 kHz / 24 bit Location: Center Section, Row A, Seat 1 (2nd row) mics taped to my seats left arm rest. One mic pointed at the left stack the other center stage Lineage: .wav > USB > Amadeus Pro 2.1.7 (1576) > FLAC 8   2 CDR notes
421. 06/16/15 The Bar Room @ Carnegie Music Hall Of Homestead - Munhall, PA Church Audio 14’s > PA-6LC3B (roll off @ 65Khz) > Mic In > Sony PCM-M10 > .wav @ 96 kHz / 24 bit Location: First row on the left end. Mics clipped to my backpack sitting on the floor. One mic pointed to left stack, one at Billy. Lineage: .wav > USB > Amadeus Pro 2.1.7 (1576) > FLAC 8   1 CDR notes
422. 07/07/15 Concord Pavilion - Concord, CA Equipment dpa 461s-battery box-sony pcm-m10 Transfer m10-usb-audacity-cdwav editor-flac   1 CDR 90  
423. 07/09/15 Irvine Meadows Amphitheatre - Irvine, CA R09-HR Internal Mics, 24bit/48k, aprox 20ft, left stack   2 CDR  
424. 07/15/15 Gexa Energy Pavilion - Dallas, TX DSM-6S > PA-6LC3 > R-09HR @ 24/48 Location: Section 101, Row N, Seat 3 Transfer: R-09HR > CEP 2.1 > flac   2 CDR notes
425. 07/20/15 Champion Square - New Oleans, LA Sony ECM-DS70P > SPSB-11 Batt Box > RecForge2/Galaxy S5 > Goldwave 5.23 > CDWAV > WAV     2 CDR notes
426. 07/25/15 Aaron’s Amphitheater - Atlanta, GA CA-11 mk2’s > CA-9200 > Roland R-05 @ 48 kHZ/24 bit Mic position: 30 ft. f/ stage, center, 6 ft. high All post production with Macbook Pro and Logic Pro X   1 CDR 90 notes
427. 07/31/15 Nikon at Jones Beach Theater - Wantagh, NY Edirol R-09 internals @ 44/16 (Sec B 10th row, left, 5 ft high) > SD card > HD > Audacity 1.3.12 (amplify +4 dB, tracking) > xAct 1.71 (sbe fix, convert flac level 6) > VUZE 5.6.1.2 (create torrent, seed)   2 CDR  
428. 08/02/15 Susquehanna Bank Center - Camden, NJ AUD > Audio-Technica AT943 > Sony PCM-M10 Transfer: Sony PCM-M10 > USB > WAV[@ 24bit/48kHz] Lineage: WAV[@ 24bit/48kHz] > CD Wave > WAV[Tracked @ 24bit/48kHz] > Trader's Little Helper > FLAC   2 CDR notes
429. 08/05/15 DTE Energy Music Theatre - Clarkston, MI SONY ICD-UX533 > SP-SPSB-6 > MM-HLSC-1 Lineage SONY ICD-UX533 > NCH WavePad > Flac Taped from right side, row V. Something happened to Jeff's equipment about halfway through Bullet With Butterfly Wings so his guitar is not present from there until near the end of Ava Adore.   2 CDR notes
430. 03/22/16 Arlene Schnitzer Concert Hall - Portland, OR Zoom Q3HD Audio Settings: 24-bit, 48 kHz stereo PCM lossless Storage Media: Kingston 32 GB ultimateX 100X SDHC Batteries: Energizer Ultimate Lithium AA (two) Recorded By: Meddle Earth Transfer: SDHC (.mov file) > SDHC reader > HDD Audacity (.mov > .wav) > CD Wave (splits) > dBpoweramp (.flac, tags) Original recording, volume increase, no EQ, some fades flac24; Zoom Q3HD 2 CDr  
431. 03/23/16 Paramount Theatre - Seattle, WA CA-11 > BAT-2B > Edirol R-09   CA-11 > BAT-2B > Edirol R-09 2 CDr notes
432. 04/02/16 Palace Theatre - Columbus, OH AT853 Cardioids (4.7k mod) > SP-SPSB-11 (@69Hz) > Sony PCM-M10 (24 bit @48kHz) > Adobe Audition 3.0 (dithered to 16 bit @44.1kHz) Lineage SanDisk 16GB MicroSD Card > (USB) 24 bit @48kHz > Cd Wave Taped by Charles Dewey Cole, IV (live2cd@hotmail.com) Transferred by Charles Dewey Cole, IV (live2cd@hotmail.com)   2 CDr notes
433. 04/02/16 Palace Theatre - Columbus, OH SP-CMC-08 (AT-943) > Battery Box > Zoom H2N 16/44.1 > PC > GoldWave > Flac     2 CDr notes
434. 04/05/16 Beacon Theatre - New York, NY Schoeps MK4V (DINa) > Naiant Z-PFA > Sound Devices 744T @ 24 bit / 48 kHz Edit : WaveLab V6 (mixdown/eq/gain/fades/dither/resampling) Encoding : FLAC v1.2.1 (Level 8) with TLH v2.6.0 (Build 168)   2 CDr notes
435. 04/10/16 The Lincoln Theatre - Washington, DC DPA 4023 > Zoom F8 (24/48) Transfer: F8 > iMac. Tracked and resampled to 16-bit via Sound Studio, FLAC via xACT   2 CDr notes
436. 04/18/16 Majestic Theater - Dallas, TX DSM-6S > PA-6LC3 > R-09HR @ 24/48 Location: Section B-Mezz, Row F, Seat 3 Transfer: R-09HR > CEP 2.1 > flac   2 CDr notes
437. 04/19/16 Bass Concert Hall - Austin, TX Tascam DR-40 (on-board mics) > SD card > Audacity (track splitting, click removal [for reducing clapping], amplification, fades) > flac My recording is fairly good, except for a couple issues: 1. Light digital noise at the very beginning and end of "Cardinal Rule". 2. Light digital noise at about 3:58 in "Soma". 3. A loud scream right behind me in the beginning of "Stand Inside Your Love". 4. Annoying chatter behind me during the start of "Pinwheels".   2 CDr  
438. 04/27/16 Oven Auditorium - Charlotte, NC Receivers>Recorder>Hard Drive Files recorded in 48/24 for transfer Editing: Adobe Audition CC 2017/izotope Ozone 7 Completion files were cut in 48/24 and then converted to 44/16 wav Torrent: FLAC files conversion by Traders Little Secret and uploaded by utorrent   2 CDr notes
439. 04/29/16 Goodyear Theater - Akron, OH Tascam DR-05 onboard mics Tracks split and converted with Audacity Flacs encoded with xACT Location: Front row center balcony   2 CDr notes

The Smiths  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 07/??/83 Elephant Studios - The Troy Tate Sessions - London, UK Studio --> ??? --> Bootleg CD "The Hand That Rocks The Cradle"     1 CDR  
2. 05/04/84 Markthalle - Hamburg, Germany EAC'd Liberated Bootleg - "Girl Afraid" -> MKW'd WAV -> SHN     1 CDR  
3. 05/09/84 El Dorado - Paris, France TV > Maxell XLII 90 > Onkyo TX-0511 > CDWav > EAC > .flac     1 CDR  
4. 03/18/85 Apollo - Oxford, England Silver > Audio Converter Studio 5.4 > Flac     1 CDR  
5. 05/05/85 Paseo de Camiones - Madrid, Spain From the Bootleg CD "Live In Madrid" The Swingin' Pig Records TSP-CD-109   1 CDR  
6. 06/09/85 Kingswood Music Theatre - Toronto, ON AUD(cass)->CASS2->CDR->WAV->FLAC     1 CDR  
7. 06/17/85 Beacon Theater - New York, NY aiwa pin mikes > Sony WMD-6 cassette recorder (dolby off) > unknown master cassette > 1st gen. copy (Maxell XLII 90 min cassette) > played on tascam 112 into soundforge (wav) > flac (sb's aligned) > torrentially yours.     1 CDr  
8. 06/18/85 Beacon Theatre - New York, NY dgk's master AUD recording -> shn -> wav -> normalization in Cool Edit -> CD-R -> EAC -> wav -> editing with Adobe Auditiion -> FLAC (level 8/verify/align on sector boundaries) -> EZT/DIME -> you     1 CDR  
9. 09/22/85 Magnum Leisure Centre - Irvine, Scotland Sony Professional Walkman with Sony EMC-929LT Mic>high bias cassette > PC (unknown transfer) > FLAC AUD (master recording, SC version)   1 CDR  
10. 09/24/85 Playhouse - Edinburgh, Scotland Sony Professional Walkman with Sony EMC-929LT Mic onto Metal tape     1 CDR  
11. 09/25/85 Barrowlands - Glasgow, Scotland Sony Professional Walkman with Sony EMC-929LT Mic onto Metal tape     1 CDR  
12. 09/26/85 Caird Hall - Dundee, Scotland Sony Professional Walkman with Sony EMC-929LT Mic onto Metal tape     1 CDR  
13. 09/26/85 Caird Hall - Dundee, Scotland Sony Professional Walkman with Sony EMC-929LT Mic onto Metal tape     1 CDR  
14. 09/28/85 Clickerman Centre - Lerwick, UK Sony Professional Walkman with Sony EMC-929LT Mic onto Metal tape     1 CDR  
15. 10/01/85 Eden Court Theatre - Inverness, Scotland Sony Professional Walkman with Sony EMC-929LT Mic onto Metal tape     1 CDR  
16. 10/01/85 Eden Court Theatre (soundcheck) - Inverness, Scotland Sony Professional Walkman with Sony EMC-929LT Mic onto Metal tape     1 CDR  
17. 08/28/86 Laguna Hills Ampitheater - Irvine, CA Soundboard > Silver CD > CD-R > EAC Wavs > FLAC This CD requires an 80 minute CD. Beware of versions cut down to fit on a smaller CD.   1 CDR  
18. 10/24/86 Brixton Academy - London, England AUD>ANA (unknown gen)>CDR (unknown gen)>EAC>WAV>FLAC>you     1 CDR 90  
19. 10/30/86 Manchester Free Trade Hall - Manchester, UK AUD > some sort of Sony chrome tape > CDWav > EAC > .flac     1 CDR  

Snow Patrol  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 06/07/04 Maison De Radio France - Paris, France Digital TV → Ampli → SoundBlaster PCI 128 → HD → Wav     1 CDR  

Sonic Youth http://www.sonicyouth.com
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 04/07/92 Central Park - New York, NY My Silver Mint Bootleg CD --> WAV (EAC) --> Shorten     1 CDR  
2. 04/07/96 Osterrocknacht, Philipshalle - Düsseldorf, Germany EAC>SHN     1 CDR  
3. 06/03/98 The Roxy - Atlanta, GA Sbd, shn no info about the source in the txt file   2 CDR  
4. 07/13/04 Commodore Ballroom - Vancouver, BC Sonic Studios DSM-6/L > Sonic Studios PA-6LC > Sony PCM-M1 > Sony RMR-D100 > S/PDIF > Digidesign HD96 ProTools > CDWave > SHN   Source: AUD>Sonic Studios DSM-6/L>Sonic Studios PA-6LC>Sony PCM-M1; Transfer: DAT>Sony RMR-D100>S/PDIF>Digidesign HD96 ProTools>CDWave>SHN 2 CDR notes
5. 08/27/04 Domaine National de St Cloud - Paris, France Digital TV -> Ampli Technics -> Sound Blaster mp3+ -> Wav Taped and edited : Soudforge 7.0b   1 CDR  
6. 08/29/07 Grande Halle de la Villette - Paris, France Sony ECM-MS907 Sony MD MZ-N707 Audacity (Wav transfer + normalization) -> CD Wave (split + flac convert - level 5)   2 CDR notes

Sophia  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 01/19/04 Studio 105 (Black Session) - Paris, France FM ana → Ampli Technics → SoundBlaster PCI 128 → WAV Taped and edited with : Soundforge 7.0a   1 CDR  

Sparta  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 11/10/06 The Catalyst - Santa Cruz, California, CA Matched Audio Technica AT853 Slimline Cardioid Stereo Model:SP-CMC-8 > SP-SPSB-6SL (Battery Box w/ Bass Roll Off @ 69 Hz) > Recorder(Portable Digital Hardrive) : iRiver Transfer : >USB2>Computer Hardrive>Master Wav is tracked and cut using Soundforge 8.0>flac using Flac Frontend. Edit notes : No edits for this one.   1 CDR notes

The Spinto Band  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 03/22/06 Maison de la Radio - Paris, France FM Ana -> AC' 97 -> Wav -> Wavs Taped and edited : Audacity 1.2.3 fixes sector-boundary problems with CD-quality PCM WAVE data : Shntool 2.0.3   1 CDR  

Steppenwolf http://steppenwolf.com
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 06/??/68 State Fair Music Hall - Dallas, TX FLAC     1 CDR  
2. 08/27/68 Fillmore West - San Francisco, CA Soundboard Recording     1 CDR 90  
3. 09/20/72 Konserthuset - Gothenburg, Sweden SBD > Ride with Me bottleg > flac     1 CDR  
4. 11/18/74 Providence Civic Center - Providence, RI Master Cassette -> Baking oven -> unknown model Tascam cassette deck -> 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to 16 Recorded on a BASF cassette that required baking to play. Sony TC-152SD Tape Recorder Sony ECM-99 Stereo Microphone BASF cassette Mastered and FLAC'ed by Carl Morstadt (dantalion8@yahoo.com)   1 CDR notes

Stereophonics  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 07/08/03 Café de la Danse - Paris, France Digital FM → Ampli Technics → Soundblaster PCI 128     1 CDR  

The Stone Roses  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. ??/??/83 The Ultimate Rarities - Manchester, England flac     1 CDR  
2. 07/26/87 Manchester International - Manchester, England silver CD -> flac     1 CDR  
3. 02/27/89 Hacienda - Manchester, England Liberated Boot>EAC(secure)>shn All The Colours Fade Soundboard, very good quality   1 CDR  
4. 05/04/89 Liverpool Poly - Liverpool, England AUD recording (unknown lineage) > cassette > ebay > me > FLAC (Sony CFD-S50 > Magix)     1 CDR  
5. 06/03/89 Junction 10 Club - Walsall, England CD > Flac Ripped from the bootleg CD "Stoned In Walsall" on Chelsea Records   1 CDR  
6. 09/28/89 Rolling Stone - Milan, Italy CDr > WAV > FLAC Ripped from a japanese bootleg ("the small club gig")   1 CDR  
7. 10/??/89 Unknown - Tokyo, Japan bootleg CD ("Stand Still") > WAV > FLAC     1 CDR  
8. 05/15/90 The Station - Copenhagen, Denmark AUD > ?? > CDR(2?) > EAC > FLAC Level 8     1 CDR  
9. 05/27/90 Spike Island - Widnes, England AUD > ?? > CDR(x) > EAC > FLAC Level 8     1 CDR  
10. 06/09/90 Glasgow Green - Glasgow, Scotland unknown     1 CDR  
11. 01/01/94 Second Coming Demos / Rehearsals - Studio, England FLAC     1 CDR  
12. 04/19/95 Rockefeller Music Hall - Oslo, Norway Unknown Lineage - AUD recording > CDr > FLAC     1 CDR  
13. 04/24/95 Paradiso - Amsterdam, Netherlands Silver CD high times in dopeland     1 CDR  
14. 04/27/95 La Luna - Brussels, Belgium Original bootleg CD > Adobe Audition wav > Flac level 8 > ( > WAV > SHN )     1 CDR  
15. 05/21/95 Avalon - Boston, MA CD > Flac Ripped from the bootleg CD "Stoned Kids" on Groove Factory Records   1 CDR  
16. 09/11/95 Club Citta - Kawasaki, Japan AUD > ?? > Silvers > CDR(?) > EAC > FLAC Level 8     1 CDR 90  
17. 09/20/95 Mielparque Hall - Hiroshima, Japan AUD recording (unknown lineage) > CDr > FLAC The full gig from 20/09/95 now circulating (only an edited version was available until recently)   1 CDR 90  
18. 12/07/95 Leicester De Montford Hall - Leicester, England CDR > EAC (secure) > wav > mkwACT V0.97 BETA 1 > shn Source: Soundboard Conversion by: ListenUp Sound Quality: A No noise and a perfect mix - a totally professional job. Bootleg Title: Welcome to the Resurrection   1 CDR  
19. 12/13/95 Town And Country Club - Leeds, England soundboard > silver cd > wav (44.1 khz) > shn (mkwact) > you     1 CDR  
20. 12/28/95 Arena - Sheffield, UK Factory Pressed CD > EAC > FLAC Taken from D.A.T. Label bootleg CD set S-DAT-021. Split onto two CDs between Your Star Will Shine & Tightrope.   1 CDR 90  
21. 05/23/12 Parr Hall - Warrington, United Kingdom unknown     1 CDR  
22. 06/12/12 Heineken Music Hall - Amsterdam, The Netherlands 2 x matched DPA 4060 mics -> DPA MMA6000 amplifier (100 Hz low-cut filter) -> Edirol R-09HR recorder (44.1 kHz/24 bit WAV) Lineage: Audacity 2.0.0 * slightly equalised to accentuate the high end * attentuated peaks of loud applause * added fades * split tracks * converted to 16 bit -> FLAC (compression level 8) [libFLAC 1.2.1 20070917]   1 CDR 90 notes
23. 06/12/12 Heineken Music Hall - Amsterdam, The Netherlands Edirol R-09 24bit/ 96 hz/ DPA 4061 mics.(paired with bass filer on) Postion; Directly in front of the left-hand stack about 15 foot back Linage; Edirol>Audacity>FLAC 8>Dime   1 CDR 90  
24. 06/22/12 Hurricane Festival - Scheeayel, Germany Zoom H2N/ SONY ECM10 CE7 mics Postion; Directly in front of the left-hand stack, very close! Linage; Zoom>Nero>EQing>FLAC 8>Dime   2 CDR notes
25. 06/29/12 Heaton Park - Manchester, UK Factory-paired DPA 4060 microphones (with windshields) → DPA MMA6000 amplifier (100 Hz low-cut filter) → Edirol R-09HR recorder (44.1 kHz/24 bit WAV) Lineage: Audacity 2.0.0 → amplified by 6 dB → equalised to pull the instruments out of the Mancunian mud → added fades → split tracks → converted to 16 bit → FLAC (compression level 8) [libFLAC 1.2.1 20070917]   2 CDR notes
26. 06/30/12 Heaton Park - Manchester, UK Factory-paired DPA 4060 microphones (with windshields) -> DPA MMA6000 amplifier (100 Hz low-cut filter) -> Edirol R-09HR recorder (44.1 kHz/24 bit WAV) Lineage: Audacity 2.0.0 * amplified by 9 dB * equalised to pull the instruments out of the Mancunian mud * added fades * split tracks * converted to 16 bit -> FLAC (compression level 8) [libFLAC 1.2.1 20070917]   2 CDR notes
27. 07/01/12 Heaton Park - Manchester, UK Factory-paired DPA 4060 microphones (with windshields) -> DPA MMA6000 amplifier (100 Hz low-cut filter) -> Edirol R-09HR recorder (44.1 kHz/24 bit WAV) Lineage: Audacity 2.0.0 * amplified by 9 dB * equalised to pull the instruments out of the Mancunian mud * added fades * split tracks * converted to 16 bit -> FLAC (compression level 8) [libFLAC 1.2.1 20070917] Type: Audience master, recorded from the back of the pit, immediately in front of the soundboard tent.   2 CDR notes
28. 07/05/12 Phoenix Park - Dublin, Ireland At831b > Edirol-09HR > SD Card > Sound Forge 8.0 > WAV > FLAC     2 CDR notes
29. 07/17/12 Ippodromo del Galoppo di San Siro - Milan, Italy AUD (see location below) > Church Audio CA-14 Cardioids > Church Audio battery box > Edirol R-09 (24-bit/48.0 kHz, LINE-IN, rec. level 25/30) > SDHC Panasonic RP-SDM04G location : 20 m from the stage, 15 m right, hat-mounted mic transfer : SDHC Panasonic RP-SDM04G > HD (via USB) > Audacity 2.0.0 (cut/amplified[+7.0dB(L)/+11.0dB(R)]/faded-in/faded-out) > CD Wave 1.98 (track splitting) > TLH 2.7.0.172 (level 8 compression) > FLAC generation : master (no optical media extraction) Technical notes: - The total running time of the recording was 1:28:10; I have cut the first 2:40 mins (The Supremes' Stoned Love used as intro music) and the last useless 40 secs reducing the master to 1:24:49 - I have amplified the whole recording (+7.0 dB on the left channel, +11.0 dB on the right channel), faded-in and faded-out the first and last 10 secs   1 CDR 90 notes
30. 07/24/12 Asia World Arena - Hong Kong, China Tascam DR-08 (PCM) > volume boost/track splitting (Goldwave) > Flac(8) (TLH) Recorded approximately 50m from house right PA stack   2 CDR  
31. 07/27/12 Naeba Ski Resort - Niigata, Japan Silver CD -> WAV > FLAC     2 CDR  
32. 08/22/12 Vital Festival - Belfast, UK At831b > Edirol-09HR > SD Card > Sound Forge 8.0 > WAV > FLA     2 CDR notes
33. 04/12/13 Coachella Valley Music and Arts Festival - Indio, CA x2 Countryman B3 Omnidirectional (4.7k SPL mod) > SP-SPSB-8 > Sony M10 > slight EQ in Audition 1.5 > CD Wave > TLH flac8     1 CDR notes
34. 06/04/13 La Cigale - Paris, France AUD, Zoom H1, auto level and Lo cut on, in wav 44/16, edited and converted to FLAC with CD Wave     2 CDR  
35. 06/08/13 Finsbury Park - London, England Source 1: Icom IC-R5 > Edirol R-09HR (44.1MHz 24 bit) Left Channel Source 2: AT838 > SP-SPSB-10 > Edirol R-09 (44.1kHz 16 bit) Right Channel Sources 1 and 2 converted to two channel mono and Source 2 converted to fake stereo using mda_stereo. Mixed and mastered in Adobe Audition CS6, Har Bal 2.3 and Izotope Ozone 5.0   2 CDR  
36. 08/09/13 Makuhari Messe - Chiba, Japan CDr > Flac Taken from the Japanese bootleg release "Bangs The Sonic" on the Sylph Label   1 CDR  
37. 04/21/17 Budokan - Tokyo, Japan Source 01 : AUD Church-Audio - CA 11 Cardioid ==> SP-SPSB-6(9v) ==> Sony PCM-M10(24bit/48kHz) ==> Wave Hammer ==> Flac(16bit/48kHz) (24Bit Digital Super Remastering) Source 02 : IEM(24Bit Digital Super Recording)     2 CDr notes
38. 04/22/17 Budokan - Tokyo, Japan Source 01 : AUD Sound Professionals UE-H ==> AT-ADAPT ==> SP-CMC-8-NE(w/Mods) ==> SP-SPSB-6(9v) ==> Sony PCM-M10(24bit/48kHz) ==> Wave Hammer ==> Flac(16bit/48kHz) (24Bit Digital Super Remastering) Source 02 : IEM(24Bit Digital Super Recording)     2 CDr notes

The Stooges  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 07/18/70 Soldier Field - Chicago, IL Reel-to-Reel(M) > Stand alone CD burner > CDR(M) > CDR(1) > CDR(2) > EAC (secure) > FLAC     1 CDR  

Sufjan Stevens  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 07/16/05 El Rey Theater - Los Angeles, CA ECM717>MZ-R700>Video Vegas 4>WAV>FLAC     1 CDR  
2. 07/23/05 The Triple Door [KEXP session] - Seattle, WA KEXP UNCOMPRESSED (1411 kbps) WMA Stream > CD Wave (@ 44.1kbps/16bit) > FLAC     1 CDR  

Sundays  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 02/25/93 The Academy - New York, NY Sony TCS-350 AUD Master->Audacity WAV->FLAC Level 8     1 CDR  
2. 03/02/93 Opera House - Toronto, ON aud master from WM-F17>M-audio sound card>wav>flac     1 CDR  

Syd Barrett  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 02/24/70 Peel Sessions - London, England ???     1 CDR  

T. Rex  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 01/02/39 A Paw of Fur, The Hand of Doom (remastered) - Various, Various liberated bootleg, original silver cd > eac > flac     1 CDR  
2. ??/??/39 Various - Various, Various flac     1 CDR  
3. ??/??/39 Various - London, United Kingdom BBC Radio 1 FM>Marantz ST320L Tuner>Aiwa or Teac cassette recorder (master cassette)wave capture, track markers & burned to cdr using Magix AC>accuraterip to flac level 8.     1 CDr  
4. 01/01/71 Trident Studios - London, England CDR --> EAC --> WAV --> FLAC 8 --> MWP Marc Bolan's detractors never understood how he seemed in such total command of his game, not even after Electric Warrior's September 1971 release. This outtakes album shows why: Bolan's ability to meld garage smarts and a glam pop beat, which holds true for the two versions of his big American hit, "Get It On." The opening version is fairly identical to the finished article, but its pre-sweetened, six-minute companion is raw, rowdy, and untamed listening. Drummer Bill Legend and bassist Steve Currie had only just joined in the spring of 1971. To tighten things up, Bolan ran them through the feverish '50s-era paces of "Honey Don't". Two versions of "Monolith" further impressions of T. Rex locked in a garage. Anyone writing off Bolan as just another jaded teen-beat merchant will be in for a rude surprise: he's totally in command and always looking for a new angle -- such as on the electric "Cosmic Dancer." When that idea didn't pan out, Bolan recut it with a heavily orchestrated arrangement. But that's the mark of a creative mindset -- use what works and toss the discards. This is an essential snapshot behind the scenes of a classic rock album, and a great deal of fun, too.   1 CDR  
5. 02/24/72 Auditorium - Chicago, IL CDR (Trade) > EAC > .Wav > TLH > Flac (Level 8)     1 CDR  
6. 09/20/72 Bay Centre - St. Petersburg, FL ???     1 CDR  
7. 11/28/72 Nippon Budokan - Tokyo, Japan CD > CDR > WinDAC > Flac     2 CDR  
8. 02/16/73 Grugahalle - Essen, Germany cDR (Trade) > EAC > WAV > Flac (Level 8) > To You     2 CDR  
9. 02/19/73 Stadthalle - Vienna, Austria TAPE>CDwave>WAVE>FlacFrontend Level 8>FLAC>TORRENT     1 CDR  
10. 02/20/73 Stadthalle - Offenbach, Germany CDR trade ->EAC ->Flac via Flac Frontend,level 7,-> you     1 CDR  
11. 03/19/73 Chateau Neuf - Oslo, Norway Lineage: CDR trade ->EAC ->Flac via Flac Frontend,level 7,-> you     1 CDR  
12. 10/25/73 Budokan - Tokyo, Japan TAPE>CDwave>WAVE>FlacFrontend Level 8>FLAC>TORRENT     1 CDR  
13. 10/27/73 unknown - Nagoya, Japan CDR trade ->EAC ->Flac via Flac Frontend,level 7,-> you     1 CDR  
14. 11/07/73 Festival Hall - Melbourne, Australia cDR (Trade) > EAC > WAV > Flac (Level 8) > To You     1 CDR  
15. 01/26/74 Free Trade Hall - Manchester, England Low gen. tape source     1 CDR  
16. 01/28/74 Odeon - Birmingham, United Kingdom CDR trade ->EAC ->Flac via Flac Frontend,level 7,-> you.     1 CDR  
17. 07/13/75 Palace Lido - Isle of Mann, United Kingdom cDR (Trade) > EAC > WAV > Flac (Level 8) > To Yo     1 CDR  
18. 02/23/76 Twon Hall - Birmingham, United Kingdom CDR Trade-EAC-FLAC(Level 8)-You     1 CDR  
19. 02/28/76 Winter Gardens - New Brighton, United Kingdom Audience recording Lineage: CDR trade ->EAC ->Flac via Flac Frontend,level 7,-> you   1 CDR  

Tame Impala  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 10/17/12 Grünspan - Hamburg, Germany Edirol R-09 > wav > flac     1 CDR 90  

Tanya Donelly  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 10/30/97 9:30 Club - Washington, DC Minidisc player -> Audio K7 ->     1 CDR  

Television  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 04/17/75 CBGB's - New York, NY Aud. Unknown lineage > Cassette > M-Audio Transit > Cool Edit > CD Wave Editor > FLAC     3 CDR  
2. 06/17/77 Jarlateatern - Stockholm, Sweden Audience Cass->Cool Edit Pro->Wav->Flac     1 CDR  
3. 06/29/78 Old Waldorf - San Francisco, CA sbd>?>CDR>SHN     1 CDR  

Thom Yorke  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 07/19/09 Latitude Festival - Suffolk, UK SP-CMC2 > Battery Box > Nomad JB3 Edot: Master Recording>Cool Edit Pro 2.0 & Vegas Video 7.0>CD Wave>Traders Little Helper>Flac Level 8 it needed some love which it received as follows: Levels were super low in this raw recording. I hard limited a few noisy spots in some songs and eq'd down the bass in some songs as it overpowered everthing else. All songs were normalized to -0.01db. I boosted the breaks between songs to equal levels but much less level than songs. All the aforementioned done in CEP2.0. I left the breaks long and let them "run over" the songs and faded as best I could so transitions are smoothe. Fades and final mix down done in Vegas. All timing is true to the master recording.   1 CDR notes
2. 10/04/09 Orpheum Theatre - Los Angeles, CA Sony ECM-719>Sony Mini Disc>Audition>WAV>FLAC     2 CDR  
3. 10/04/09 Orpheum Theatre - Los Angeles, CA Schoeps mk41>nbox+>r9hr (24/48)>Wavelab (resample and uv22hr dither)>cdwave editor>FLAC     2 CDR notes
4. 10/04/09 Orpheum Theatre - Los Angeles, CA at943c > SPSB-2 (rolloff @ 16hz) > Edirol R-09HR (16-bit/44.1 khz) WAV > FLAC: .wav > PC > CD Wave Audio > Soundforge v8.0a (fades) > FLAC Frontend v1.7.1 (level 8)   2 CDR notes
5. 10/04/09 Orpheum Theatre - Los Angeles, CA AT831 > SP-SPSB-11 (rolloff @ 107 Hz) > Edirol R-09 HR @ 44.1 / 16-bit transfer: Edirol R-09 > Soundforge 7.0 > Cdwave > TLH > shn   1 CDR 90 notes
6. 10/05/09 Orpheum Theater - Los Angeles, CA Schoeps mk41>nbox+>r9hr (24/48)>Wavelab (resample and uv22hr dither)>cdwave editor>FLAC     2 CDR notes
7. 02/25/10 Corn Exchange - Cambridge, England Zoom H2 (internal mics) @ 44.1 / 16-bit location: Mid Balcony Far Right transfer: Card reader > Mac > Logic (Zane. track splitting only) encoding: wav > FLAC - PC w/TLH (edgar. fades added to beginning and end of show only)   2 CDR notes
8. 02/25/10 Corn Exchange - Cambridge, England Sharp minidisc in LP2 and a Sony microphone     2 CDR  

Thom Yorke & Jonny Greenwood  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 06/25/10 Worthy Farm - Pilton, England Stereo ZoomH2 Capture (WAV)-> Soundbooth (noise, clicks/pops, lots of manual voice removal, mastering) ->TLH level 8 FLAC 44.1 KHz, 16 bit     1 CDR  

The Thrills  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 12/07/04 Studio 105 (Black Session) - Paris, France Digital FM (Sat) -> Ampli -> Soundblaster mp3+ -> Wav Taped : Soundforge 7.0b Edited : Soundforge 7.0b   1 CDR  

Throwing Muses  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 10/16/87 Cabaret Metro - Chicago, IL Aud Mic > Cassette > CD-R > EAC > FLAC     1 CDR  
2. 04/08/88 The Mean Fiddler (Harlesden) - London, UK tape(ge?)>stand alone CDR>EAC>nero wav split>FLAC>DIME#     1 CDR  
3. 05/24/91 The Catalyst - Santa Cruz, CA nakamichi cm300 > sony tcd-5m transfer from master cassette   1 CDR notes

Thurston Moore  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 06/21/11 Calvin Theater - Northampton, MA Tascam DR-07 @ 16/44.1 (internal mics) > computer > Audacity 1.2.6 (boost right channel 30%, gain +9 dB, tracking) > FLAC 8 (TLH) Location: about 15 feet from front of stage, slightly left of center   1 CDR  
2. 05/10/17 Mississippi Studios - Portland, OR Sonic Studios DSM-6P w/3-way lo-cut filter (@ 80hz, middle setting) > Tascam DR-2d @ 16 bit/44.1 kHz Mastering: .WAV > Sound Forge Pro 11.0 (Build 299) [iZotope Mastering Suite (declick); minor edits, normalize, & fades] > CDWav tracking) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.18 (tagging) Location: Front row of the balcony, far left side, corner seat (seating is first come, first served) Mastered by: Dennis Orr   1 CDr notes

Timber Timbre  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 05/04/11 Black Session - Paris, France FM Ana -> tuner -> soundcard -> Hard Drive Tuner : technics St-GT350 Soundcard : M-Audio Revolution 5.1 Taped : ardour 2.8.11 (compilé à partir de la révision 7387) with JACK Audio Connection Kit - Qt GUI Interface : Version: 0.3.6 at 32bits/88.2 khz Splitted, mixed and downsampling to 16/44.1 : Audacity ® 1.3.12-beta (Unicode) flac : flac 1.2.1 (level 8, sector align) OS : debian squeeze with rt kernel (kernel 2.6.33.7.2-rt30-1-amd64)   1 CDR  

Timbuk 3  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 04/20/87 RPM - Toronto, ON FM - Cassette (1. gen.) - Audacity - xACT     1 CDR  
2. 10/15/89 The Catalyst - Santa Cruz, CA nakamichi cm300 > sony tcd5m transfer from master cassettes   1 CDR 90 notes
3. 02/27/90 Le Cameleon - Lyon - Villeurbanne, France CDs audio > EAC > Wav files > Trader's Little Helper (No need for fixing SBEs (all wav files are already sector-aligned)./Flac level 6) > Flac files.     1 CDR 90  

Tinariwen  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 10/16/11 Les Docks - Lausanne, Switzerland FM (analog cable) - Audacity - xACT     1 CDR  
2. 04/17/12 Auditorium Parco della Musica - Roma, Italy Sony ECM-MS907 -> Olympus LS-10 (24 bit - 48 kHz) -> CD Wave -> Flac frontend (level 6) -> Flac     2 CDR notes
3. 06/03/12 Wakarusa Music Festival - Mulberry Mountain, AR CA-14 > DR-07     1 CDR  
4. 03/02/14 Teatro Sociale - Como, Italy SP-CMC-2 > SP-SPSB-11 > Roland R05 (24 bit/48 kHz) Transfer: usb > WavePad Sound Editor (downsampling/splits/fades) > xACT (encoding/fingerprints) > Transmission 2.8.2 Position: cd 1 sitting third row right cd 2 standing first row right   2 CDR notes

The Ting Tings  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 06/13/15 Studio 105, Maison de la Radio - Paris, France FM Ana -> Wav -> flac -> CDr Splitted : audacity 2.0.6 Flac 1.3.1 level 8   1 CDR / FLAC  

Tinted Windows  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 06/17/09 Highline Ballroom - New York, NY unknown > FLAC     1 CDR  
2. 08/05/09 Black Cat - Washington, DC Sonic Studios DSM-6S/L > PA-6LC3B (roll off @ 65Khz) > iRiver H120 @ 44.1k / 16 bit lineage: .wav > USB > Amadeus Pro 1.4.3 > FLAC 8   1 CDR notes
3. 09/04/09 Great American Music Hall - San Francisco, CA Schoeps CMC-34 > AETA PSP3 > Edirol r 09 > Goldwave > Media Monkey     1 CDR notes

Tom McRae  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 02/24/10 King Tut's Wah-Wah Hut - Glasgow, UK Aud->SP CMC-8s+AT-P12106 h-c caps->SPSB-6S(r/o:0)-> Edirol R09(16bit 44.1Khz, gain +20) USB transfer to pc->Nero Wave Editor(volume balancing, volume boosting) ->CDWave(split)->Flac sector 8, sector boundaries aligned. Flacs tested and ffp's created using Traders' little helper.   2 CDR notes
2. 03/24/10 Cirque Royal - Brussels, Belgium Church-Audio Mics CA-14 Cardioids -- Church Audio Preamp CA-9100 v.4.4 -- Hydra-Audio Cable (1m) -- Roland Edirol R09HR v.1.04 Taper location: in front of the stage just behind the sound mix table (third row of seats) CA14 Mics on shoulders Recording at 24bit/48kHz, CA9100 at max (5h), R09HR input level at 40 Post production: 24/48 to 16/44, normalized (for all the tracks -16db) and tracks created with SoundForgePro Tracks in wav -- Flac 8 and .ffp with Trader's Little Helper   0 notes
3. 10/11/10 Ancienne Belgique - Brussels, Belgium Church-Audio Mics CA-14 Cardioids -- Church Audio Preamp CA-9100 v.4.4 -- Hydra-Audio Cable (1m) -- Roland Edirol R09HR v.1.04 Taper location: in front of the stage just behind the sound mix table (one of the first row of seats) CA14 Mics on shoulders Recording at 24bit/48kHz, CA9100 at +/- 90 % (5h), R09HR input level at 43 Post production: 24/48 to 16/44, normalized for all the tracks left channel -20,90 dB (9,02%) and right channel -20,23 dB (9,74%) except track 02 left channel -20,23 dB (9,74%) and right channel -19,56 dB (10,52%) and tracks 20-21 left channel -22,25 dB (7,72%) and right channel -21,58 dB (8,34%) Tracks edited and created with SoundForgePro Tracks in wav -- Flac 8 and .ffp with Trader's Little Helper   1 CDR 90  

Tom Waits http://www.tomwaits.com
  Date Venue - City, State Source Tech Note Source Notes Media  
1. ??/??/39 "Waitswatcher Awards, Vol. 1" - Compilation, Compilation flac     1 CDR  
2. ??/??/39 "Waitswatcher Awards, Vol. 2" - Compilation, Compilation flac     1 CDR  
3. 07/21/08 Kongresové Centrum Praha - Prague, Czech Republic SP-BMC-12 (AT) >SP-SPSB-8 >M-Audio Microtrack 2496 USB > WAV > Adobe Audition (EQing) > CDwave (tracking) > FLAC frontend (level 6, verify, with align on sector boundaries) > Tracker     2 CDR notes

Travis  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 08/17/03 Fort de Saint-Père - La Route Du Rock Festival - Saint Malo, France Digital TV → Ampli Technics → Sound Blaster PCI 128 → Hard Drive → Wav Recorded, Splited and Faded with SoundFOrge 7.0a   1 CDR  

Turin Brakes  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 04/14/03 Black sessions (French radio) - Paris, France Radio via Satellite --> Ampli Technics --> Sound Blaster PCI 128 --> HD     1 CDR  

Two Gallants  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 02/25/05 The Independent - San Francisco, CA ??     2 CDR  
2. 05/04/05 Ernest A. Becker Amphitheater, California State Un - Fullerton, CA SP-CMC-2 > SP-SPSB-1 (Bass Roll Off @ 69Hz) > Sharp MD-MT180 (line in, SP Stereo) > MD(M) LINEAGE: MD(M) > Teac MD-5(Optical) > M-Audio DiO 2496 > CD Wave 1.94.4 beta > FLAC Frontend 1.7.1 > FLAC > FLAC frontend 1.7.1 (flac 1.1.2) > WAV [16/44.1] > Adobe Audition 1.5 (transient spike removal, Normalize to 98%) > CD Wave 1.94.4 beta (tracking) > FLAC frontend 1.7.1 (flac 1.1.2)(Verify) > FLAC (lvl 6)   1 CDR notes
3. 03/01/06 White Session Radio France - Paris, France FM Ana -> AC' 97 -> Wav -> Wavs -> FLAC Taped and edited : Audacity 1.2.3 fixes sector-boundary problems with CD-quality PCM WAVE data : Shntool 2.0.3 FLAC : Flac 1.1.2 (level 8)   1 CDR / FLAC  
4. 03/01/06 Ancienne Belgique - Brussels, Belgium SP-CMC-10 > battery SP-SPSB-1 ( 107 Hz ) > Dat Sony TCD-D8 > Pioneer CD recorder > EAC > Wav > Flac Frontend     1 CDR notes
5. 11/10/06 Le Botanique - Brussels, Belgium SP-CMC-10 > battery SP-SPSB-1 (107 hz) > Edirol R-09 > PC > EAC > Wav > Flac Frontend > Flac     2 CDR notes
6. 05/12/07 Botanique - Brussels, Belgium Sony ECM-719 > Sony HI-MD Walkman MZ-RH10 > Cool Edit Pro > CD (Roxio Creator LE) > WAV (EAC) > FLAC (Flac Frontend)     1 CDR  
7. 12/17/07 Maison de la Radio - Paris, France FM Stereo Receiver (Technics st-gt350) -> Ampli (Technics su-v500) -> M-Audio Revolution 5.1 -> Wav -> Wavs -> FLAC OS : 64Studio 2.0 (kernel multimedia 2.6.22.1) Taped : Ardour 2.0.5 + Jack 0.2.22 Edited : audacity 1.3.3beta (Splitted, Removed DJ's intervention) fixed : shntool 2.0.1 FLAC : FLAC 1.2.0 level 8   1 CDR  
8. 12/26/08 The Fillmore - San Francisco, CA AK40 (6'high, FOB:UTDB) > LC3 > KM100 > R-44 (Oade CM) > WAV (24bit/44.1KHz) Adobe Audition: minor processing, dither to 16 bit   2 CDR  
9. 05/07/11 Arena Open Air - Wien, Austria Sony ECM-719 --> Sony Hi-MD MZ-RH1 --> Sonic Stage --> tracked in CD Wave Editor --> Flac Frontend (8)     1 CDR notes
10. 09/02/12 The Casbah - San Diego, CA SP-CMC-8 > SP-SBSB-11 (16Hz r/o) > Sony PCM M-10 (24 bit/48Hz) > Audacity (downsampling/editing) > CD wav (track splitting)     1 CDR  
11. 03/09/15 WUK - Wien, Austria Sony micro ECM-719 --> Sony MZ-RH1 --> Sonic Stage Mixed in Audacity, tracked in CD Wave Editor.   2 CDR notes

Tyrannosaurus Rex  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. ??/??/67 BBC Broadcasts - Various, Various flac     1 CDR  
2. 01/25/69 Brondbyhallen - Copenhagen, Denmark Vinyl > MagixMusicCleaningLab2006 > Wave > CDWave > WAVE > FlacFrontend Level 8 > FLAC > Torrent This one come from vinyl. I bought this wonderful multicoloured vinyl bootleg in the late 80´s.   1 CDR  

Têtes Raides  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 02/24/06 Forum - Blanc Mesnil, France FM -> HD -> CDWAVe -> Soundforge -> wav. -> FLAC -> YOU/vous     1 CDR  

U2  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 06/28/97 Soldier Field - Chicago, IL unknown     2 CDR  

The Veils  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 10/30/06 The Black Session, Studio 105 - Paris, France FM Ana -> Ampli Technics SU-V500 -> Intel Ac'97 -> Wav Taped and edited : Audacity 1.3.0   1 CDR  

Venus  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 06/02/03 Le nouveau casino - Paris, France Radio (ouie FM) via Satellite --> Ampli Technics --> SoundBlaster PCI 128 --> HD --> CDR     1 CDR  

Veruca Salt  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. ??/??/94 unknown - unknown, unknown ?? -> CDr -> flac     1 CDR 90  
2. 07/30/97 Indre Studios - Philadelphia, PA FM Boradcast>Maxell casette>CDR (Phillips CD Burner)>wav (Nero Express)> flac (FLAC frontend)     1 CDR 90  
3. 08/16/97 Rockpalast - Köln, Germany VHS>CDR (Phillips CDR Burner)>wav (Nero Express)>flac (flac frontend)     1 CDR  
4. 07/07/00 Summerfest - Milwaukee, WI FM > CDRTrade > Soundforge 7 > EAC > CDWave > FLAC 5, Verify, AoSB     1 CDR  

The Villagers  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 11/07/10 La Cigale - Paris, France FM Ana -> tuner -> soundcard -> Hard Drive Tuner : technics St-GT350 Soundcard : M-Audio Revolution 5.1 Taped : ardour 2.8.11 (compilé à partir de la révision 7387) with JACK Audio Connection Kit - Qt GUI Interface : Version: 0.3.6 at 32bits/88.2 khz Splitted, mixed and downsampling to 16/44.1 : Audacity ® 1.3.12-beta (Unicode) flac : flac 1.2.1 (level 8, sector align) OS : debian squeeze with rt kernel (kernel 2.6.33.7.2-rt30-1-amd64)   1 CDR / FLAC  

Violent Femmes  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 05/15/84 Stache and Brothers - Columbus, OH 2xnak300>d5 nak1000>hhb850>eac>sf6>flac>dime>you     2 CDR  
2. 06/17/84 Norway Center - Seattle, WA ANA(M) -> DAT(2) [48 kHz] -> .wav [48 kHz] -> .wav [44.1 kHz] -> FLAC [level 8] TRANSFER: Tascam DA-20 MKII -> Hosa coax -> D.A.L. CardDeluxe -> Adobe Audition 3.0 -> CDWave 1.98 -> Trader's Little Helper 2.7.0 Transferred by Rob Landis   1 CDR 90  
3. 05/05/06 The Cubby Bear Lounge - Chicago, IL AT853's -> Batt Box -> JB3 Conversion: JB3 -> WAV (no DAE) -> Sound Forge 8.0 -> CDWave -> WAV -> FLAC Frontend Location: 15' stand FOB   2 CDR notes
4. 09/27/16 Music Hall - Charleston, SC Sony PCM M-10 internal mics [24/48] location: balcony/dfc/frontrow transfer: M-10 -> Wavelab 6.1 [Anwida-31/gain] -> CD Wave 1.98 -> Wavelab 6.1 [Crystal/UV22HR] -> TLH [flac/8] -> FooBar   2 CDr notes

The Walkmen  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 08/07/04 Beachland Ballroom - Cleveland, OH CA Stereo T (Clipped To Hat) > SP-SPSB-6 (Bass Roll Off @ 95hz) > Sharp MD-MT99 Position: DFC, FOB, 10 Feet Away From Left Stacks Transfer: Sharp MD-MT99 Line Out > 1/8" Stereo Cable > PC Line In > Soundforge 6.0 > WAV > FLAC Frontend > FLAC > Md5Summer   1 CDR notes
2. 03/08/06 Skully's - Columbus, OH Aiawa AMF70 > Soundprofessional Cardioids w/bass Roll-off > Adaptec Spin Doctor > Aiff > xACT > Flac     1 CDR notes
3. 05/04/06 The Scala - London, England flac     1 CDR  
4. 06/02/06 The Miramar Theatre - Milwaukee, WI SP-BMC-12 > SP-SPSB-1 > Sony MZ-R55 > MD(M) Transferred, Tracked, and Edited By: Matt Krueger Location: About 35 feet from the stage, on the right side, about 5 feet above the levels of the crowd on the floor. Transfer: 1/8th inch stereo analog cable > Turtle Beach Santa Cruz Soundcard > Cool Edit Pro 2.0 (to record) > CD Wave (to split) > FLAC Level 8 (Trader's Little Helper) Fade Out done in Cool Edit Pro 2.0.   1 CDR notes
5. 06/16/06 House of Blues - San Diego, CA Core-Sound Binaural mics w/bass roll-off filter > Sony MZ-NHF800 (Mic plug-in) > Sony 1GB Hi-MD disc. Transfer: Sony MZ-NHF800 > 2.0USB cable > Sonic Stage v3.0 > download/convert to wav file on hard drive > cdwave audio editor v1.93.3 (cut into tracks, remove gaps, extra noise) > Wavepad V3.05 (increase volume levels) > Flac frontend 1.7.1, level 7, verify, asb.   1 CDR notes
6. 06/25/06 Sawyer Point - Cincinnati, OH Dynamic Cardioids (at soundboard) > Sony MZ-R900 Transfer: MZ-R900 > Cool Edit Pro > CD Wave > FLAC Frontend > .flac   1 CDR notes
7. 10/28/08 ULU - London, England SP binaurals(SP-BMC-2)>SP battery box (roll off 107hz)>Sharp MD-MT88H>PC line in>Adobe Audition (recording & end fades)>CD Wave Editor(track splits)>FLAC Frontend (level 8)     1 CDR notes
8. 11/14/09 Krannert Center for the Performing Arts - Urbana, IL SP-BMC-2>SPSB-10(flat)>R-09(24/48) Location: Right side of stage, 10 feet from repeater stack Editing: Audacity (levels/fades), r8rain (downsample/dither), CDWave (splits), TLH (flac level 8)   1 CDR  
9. 10/13/10 The Metro - Chicago, IL CA-14 Cards > CA-9100 Pre-amp > Edirol R-09HR 24-bit 48K > SDHC Location: FOB left, 8' high Conversion: SDHC > Audacity > 24-bit 48K > xACT > FLAC (8)   1 CDR 90 notes

The War on Drugs  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 04/04/14 Troubadour - West Hollywood, CA Schoeps MK41s > Nbob actives > Tinybox (OT) > Sony PCM-M10 24/44.1 Transfer: M10 > usb > MacBook Pro > Adobe Audition > Izotope Ozone 5 > WavePad > xACT > FLAC   2 CDR notes
2. 05/16/14 Uebel & Gefaehrllich - Hamburg, Germany OKM IIR > A3 > Sony PCM-M10 (16bit/44.1kHz) > Secure Digital SD-card > USB2.0Interface > soundforge/audioedit > Wav-Splitter > flac.frontend lev.8 > flac     2 CDR notes

Warpaint  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 12/12/10 The Troubadour - Los Angeles, CA CA ST-11 (cards) > CA-9100 > Edirol R-09     1 CDR notes
2. 02/24/11 Maison de la Radio - Paris, France FM Ana -> tuner -> soundcard -> Hard Drive Tuner : technics St-GT350 Soundcard : M-Audio Revolution 5.1 Taped : ardour 2.8.11 (compilé à partir de la révision 7387) with JACK Audio Connection Kit - Qt GUI Interface : Version: 0.3.6 at 32bits/88.2 khz Splitted, mixed and downsampling to 16/44.1 : Audacity ® 1.3.12-beta (Unicode) flac : flac 1.2.1 (level 8, sector align) OS : debian squeeze with rt kernel (kernel 2.6.33.7.2-rt30-1-amd64)   1 CDR / FLAC  
3. 03/16/11 Amoeba Records - San Francisco, CA Sonic Studio mics -> Edirol R-09HR (24 bit / 48 kHz) + Sonic Studios DSM-6s/L mics > Sony PCM-M10 (24 bit / 48 kHz - bass cut on) -> Adobe Audition -> cd wav -> flac level 5     1 CDR  
4. 04/08/11 Fitzgerald's - Houston, TX Microphone Madness Microphones (MM-HLSC-2) > Microphone Madness Battery Box (MM-EBM-CUSTOM, set @ 69Mhz) > M-Audio Microtrack (WAV, Sample Rate: 44.100Hz, 16bit Stereo) > Audacity 1.2.5 (44.100Hz, 16bit Stereo, WAV) > xAct > Flac (Level 8)     1 CDR notes
5. 05/14/11 The Ritz - Manchester, UK DPA 4061 -> MM-CBM-MINI -> Edirol R-09HR -> Amadeus Pro -> Dime     1 CDR  
6. 05/18/11 HMV Institute Library - Birmingham, England Church Audio CA-11 cardoid mics>Microphone Madness MM-CBM-MINI Battery Box>iRiver iHP-120 (Rockboxed) Transfer: iRiver iHP-120> usb > wav > Soundforge 8 (Normalise, Fade-in/fade-out)>CD Wave (Track splits)>FLAC   1 CDR  
7. 05/23/11 O2 Academy - Newcastle, England CA-14C Mics > CA-9100 Preamp > Edirol R09 Recorder (16bit / 44100 Hz) > USB Goldwave 5.58 > CDWave 1.98 > TLH 2.4.1 > Flac (Level 6) > You     1 CDR  
8. 05/24/11 Leadmill - Sheffield, England SP-CMC-22 > Sony MZ-R55 > Cooledit Pro > .wav > .flac > Dime     1 CDR 90  
9. 09/30/11 Voilà Acoustique - Mexico City, Mexico Sony PCM M-10 (Internal Mics; Recording Mode: Manual; Mic Sensitivity: Low; Limiter: On)> 24 Bits/48 KHZ > .WAV > .CD Wave Editor 1.98 (Tracking) > Trader's Little Helper (FLAC level 8, .ffp) > Mp3tag v2.49a     1 CDR notes
10. 01/20/14 Trabendo - Paris, France Sony ECM-MS 907 > Roland R-05 Location: At the rear above mixing desk SDHC Card: 32GB Transcend Class 10 Wav file transferred to PC via USB. Conversion to FLAC, Tracks splits and Fade out with Goldwave 5.70   1 CDR  
11. 02/26/14 Gruenspan - Hamburg, Germany SP-CMC-8 > SP-SPSB-11 > Marantz pmd620 (48kHz/24bit) > SD-card --> via USB card reader onto harddrive --> Wavelab 3.0 (tracksplitting, FadeIn/Fade/Out) --> converted to flac8 (Trader's Little Helper 2.6.0) Recording position : Distance to stage: approx. 5m; Somewhere between center and left stack.   2 CDR  

Weezer  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 11/16/96 Riviera Theater - Chicago, IL       1 CDR  
2. 08/27/00 Lupo's Heartbreak Hotel - Providence, RI mp3     1 CDR  
3. 05/02/02 Fargodome - Fargo, ND Dynamic Audio cardiods>PCM-M1 Location:On stand, 10 feet high, directly behind soundboard Conversion: M1>Core Sound 7-pin>Zoltrix Nightingale Resampling: None Editing: Equalizer   1 CDR 90 notes
4. 04/30/05 Coachella Arts And Music Festival - Indio, CA Master Audience DAT: DPAs=DanishProAudio 6040's (9V BatBox >Line In) > Sony PCM-M1 > Maxell 90m DAT @48k Playback/Transfer: Fostex D5 Master (DAT) Recorder > Tascam CD-RW5000 (AES/EBU out > Coax in) > CD > Peak 4.0 ( Extraction, Tracking, Fades ) > verify SBE OK, generate .aiff.checksum, compress to flac level 7, generate fingerprint, verify via xACT 1.4b23, seeded to EZT via Azureus 2.2.0.2 by BoldCaptain May 2005.   1 CDR  
5. 05/10/05 Electric Factory - Philadelphia, PA DPA4022 > Sonosax SX-M2 > Mogami interconnect > Edirol R-1 @ 24/44.1 Location: 15 ft. Stage Right Stack WAV > FLAC: .wav @ 24/44.1 > Steinberg WaveLab v5.00a (dither with Apogee UV22HR to 16/44.1) > CD-WAV/FLAC frontend v1.7.1 > .flac   1 CDR 90 notes

White Stripes  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 01/19/04 Royal Court - Liverpool, England giant squid audio lab mics > sound pros bass filter @195hz > sharpMDMT80 > analogue transfer to PC with total recorder > normalised and edited (mostly removing periods of crowd noise to get down to under 80mins) in soundforge 6.5 > CDR > WAV > SHN Original notes from taper (David Yates): Theres one or two rough edits in this from where i chopped out crowd noise to get 81 mins down to under 80 for 1 CD. otherwise its a fine and decent audience recording of Jack and Megs triumphant return to these shores. as with everything else i post its my master.   1 CDR notes

The Who http://thewho.com/
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 08/10/68 The Jaguar Club - St. Charles, IL Cassette -> Remastered (GoldWave) -> CDR -> FLAC (Frontend)     1 CDR  
2. 12/07/71 Arizona Coliseum - Phoenix, AZ Silver CDs > WAV (EAC) > FLAC (Trader's Little Helper)     2 CDR  
3. 09/01/79 Zeppelinfield - Nürnberg, Germany MaC >C >CD >EAC >Adobe Audition >CDwave > Flac Frontend (level 7, verify and align on sector boundaries)     2 CDR  

Wilco www.wilcoworld.net
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 06/11/04 Bonnaroo Music Festival - What Stage - Manchester, TN B&K 4022 (ORTF)-> Sonosax SX-M2-> Apogee MiniMe DFC FOB Transfer: Sony R500-> Delta Dio 24/96 via coax-> Vegas 4.0 Resampled (48-> 44.1) and fades added in Soundforge 7.0-> CDWave for track splits-> FLAC frontend Transferred By: Jim Pollock B&K 4022 (ORTF)-> Sonosax SX-M2-> Apogee MiniMe DFC FOB 1 CDR notes
2. 06/28/05 Metropolis - Montreal, QC SBD>JB3 Transfer : JB3>Adobe Audition (normalize, fades)>CDWave (tracking)>FLAC SBD>JB3>Adobe Audition (normalize, fades)>CDWave (tracking)>FLAC 2 CDR notes

Wire  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 05/09/11 Maison de Radio France - Paris, France FM Ana -> tuner -> soundcard -> Hard Drive (exept #14 : Radio > computer (SoundBlasterLive) > WAV > Flac8) Source : FM Ana -> tuner -> soundcard -> Hard Drive Tuner : technics St-GT350 Soundcard : M-Audio Revolution 5.1 Taped : ardour 2.8.11 (compilé à partir de la révision 7387) with JACK Audio Connection Kit - Qt GUI Interface : Version: 0.3.6 at 32bits/88.2 khz Splitted, mixed and downsampling to 16/44.1 : Audacity ® 1.3.12-beta (Unicode) flac : flac 1.2.1 (level 8, sector align) OS : debian squeeze with rt kernel (kernel 2.6.33.7.2-rt30-1-amd64)   1 CDR  

Xavier Rudd  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 09/29/04 Horseshoe Tavern - Toronto, ON KM184 > V2 > A62 > laptop (Kristal 24/44.1) soundboard > UA-5 > JB3 Mic config : 60�/20cm, 25' back, 7' up, DFC Post-Mix : CEP 2.1 (32 bit mixdown) > Waves L2 (dither) > CDWave > flac   2 CDR notes
2. 07/10/05 The Winnipeg Folk Festival - Winnipeg, MB FM->D-FJ61->JB3->Goldwave&Audacity w/ W1Limiter     1 CDR  

Yeah Yeah Yeahs  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 01/21/04 The Troubadour - Los Angeles, CA sbd Lineage: CDR Additional Notes: Seperated tracks in CD Wave   1 CDR  
2. 04/10/06 Kool Haus - Toronto, ON SP-CMC-8 > SP-SPSB-8 (Bass rolloff @95Hz) > JB3 Line-In TRANSFER : JB3 > Firewire > Seagate Serial-ATA HDD > WAV [48kHz] LINEAGE : JB3 > WAV [48kHz] > T-Racks 24 v2.04 > Adobe Audition v1.5 > CD Wave Editor v1.94.4 > FLAC [Level 8] > You (Your copy will be CDR(1) if burnt) GENERATION : WAV [48kHz] > WAV [44.1kHz] > FLAC -T-Racks 24 was used for EQing and fade-in and out. -Adobe Audition was used to downsample the WAV. -Recorded from ~10 left side of the soundboard. ~40 from left stack, ~50 from right stack. -Remove Track 13 to fit onto 1 disc.   1 CDR 90 notes
3. 08/21/07 The Fillmore - San Francisco, CA Giant-Squid Omni's with Battery Box > Edirol R-09 > 24bit/44kHz > SD USB card reader > Mac OS X > Logic Express (mastering, fades, tracking, export to 16bit .wav) > xAct (FLAC LEVEL 8) > Tag > DIME > YOU     1 CDR 90 notes
4. 09/12/09 Birmingham Academy - Birmingham, UK CA14 omnis>MM-CBM-MINI Battery Box>iRiver iHP-120 (Rockboxed) Transfer: iRiver iHP-120> usb > wav > Soundforge 8.0 (HPF 150Hz/12dB per octave, further reduce bass below 100 Hz, Normalise, Fade-in/fade-out)>CD Wave (Track splits)>FLAC   1 CDR  
5. 09/17/09 Greek Theatre - Los Angeles, CA AT943 -> SP-SPSB-6 -> R-09HR -> USB -> Soundforge -> FLAC     1 CDR90  
6. 12/09/09 Birmingham Academy - Birmingham, England CA14 omnis>MM-CBM-MINI Battery Box>iRiver iHP-120 (Rockboxed) Transfer: iRiver iHP-120> usb > wav > Soundforge 8.0 (HPF 150Hz/12dB per octave, further reduce bass below 100 Hz, Normalise, Fade-in/fade-out)>CD Wave (Track splits)>FLAC Location: 2nd row back from barrier, dead in front of right stack.   1 CDR  
7. 01/16/10 Sinagawa Prince Stellar Ball - Tokyo, Japan Zoom H2 (rear mic @ 44/16) > Audacity > Flac     1 CDR  
8. 01/16/10 Sinagawa Prince Stellar Ball - Tokyo, Japan Sony ECM-717>Sony D-100 (@ 5 - 10m from stage center) Lineage: D-100 > SBDMSX > PC (48/16 L-PCM) > Remaster (Peak) > 44.1/16 .wav > Track Split (CDWave) > FLAC frontend > .flac (level 8) * remaster note * applied slight EQ but it's only a bit of lifting middle to high range up and reducing very low range.   1 CDR 90  

Zechs Marquise  
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 04/02/11 The Southgate House - Newport, KY Sony ECM-MS908C stereo mic > Canon Vixia HF21 Video Camera > .wav (normalized in Cool Edit Pro and tracked in CDWave) > flac     1 CDR  

Zwan www.zwan.com
  Date Venue - City, State Source Tech Note Source Notes Media  
1. 11/21/01 Roxy - West Hollywood, CA DPA 4061 > CSbox > Sony PCM-M1 Lineage: DAT Master 16/48 > FLAC Transfer (BLG): DA-20 > coax > Marantz PMD-670 > usb reader > Adobe Audition > CDWave > FLAC   1 CDR 90 notes
2. 12/13/01 The Intersection - Grand Rapids, MI DPA-4061 > Att(- 20khz) > Ml @ 48khz (mic in) 5ft FoB Tascam DA-20mkii > Monster Coax > Philips CDR 870 CDR-M > EAC > MKW Audio Compression Tool > CDR-0 > EAC > FLAC   1 CDR notes
3. 12/14/01 Emerson Theater - Indianapolis, IN DPA-4061 > Att(-20khz) > M1 @ 48khz (mic in) Location: 20ft FoB Conversion: Tascam DA-20mkii > Monster Coax > Philips CDR 870 Resampling: None Editor: Jason Roth Editing: cut levels on crowd noise between songs here and there SHN: CDR-M > EAC > MKW Audio Compression Tool FLAC: SHN > Flac16 re-encoded on 5.08.2009   1 CDR 90 notes
4. 12/14/01 Emerson Theater - Indianapolis, IN Sonic Studios "DSM 6S/L"/PA-6LC2 (85khZ Bass Rolloff)>M1 @ 44khz Location: 40 feet from stage, dead center Conversion : Fostex D-5>Optical>Zoltrix Nightengale Optical In Resampling : None Editor : Vince Horst Editing : None SHN : DATM>Hard Drive>MKW Audio Compression Tool FLAC : SHN > Flac16 re-encoded on 5.08.2009   1 CDR 90 notes
5. 12/14/01 The Emerson Theatre - Indianapolis, IN AT853 -> SP Battery Box -> Sharp 722/Sharp MD-SR60 Conversion: Sony MD-MS920 -> Optical Cable -> Phillips CD-RW CD -> SHN, EAC -> MKW Compression Tool AT853 -> SP Battery Box -> Sharp 722/Sharp MD-SR60 > Sony MD-MS920 -> Optical Cable -> Phillips CD-RW 1 CDR notes
6. 04/08/02 The Galaxy - St. Louis, MO DPA 4060 > Custom Battery Box 85hz Roll-off > M1 @48kHz (Line In) Location: 15ft directly in front of right stack Convesion: M1 > Zefiro ZA2 - Hard Ware resampling > Cool Edit DPA 4060 > Custom Battery Box 85hz Roll-off > M1 @48kHz (Line In) (15ft directly in front of right stack) by Zach Payne 2 CDR notes
7. 04/10/02 The Galaxy - St. Louis, MO DPA-4061>M1 @ 44.1k Location : Standing in the house soundboard area by permission Conversion : Fostex D5 > Optical cable > Zoltrix Nightingale Editor : Vince Horst Editing : CD Wave Editor track split SHN conversion : master DAT > Cool Edit Pro > MKW Audio Compression Tool   2 CDR notes
8. 09/09/02 The Hideout - Chicago, IL AT853     1 CDR  
9. 09/16/02 The Hideout - Chicago, IL oktava     1 CDR  
10. 09/23/02 The Hideout - Chicao, IL oktava     1 CDR  
11. 09/30/02 The Hideout - Chicago, IL oktava     1 CDR  
12. 10/07/02 The Hideout - Chicago, IL oktava     1 CDR  
13. 10/14/02 The Hideout - Chicago, IL oktava     1 CDR  
14. 11/04/02 The Hideout - Chicago, IL oktava     1 CDR  
15. 12/06/02 Spaceland - Los Angeles, CA DAB > DA120-LC > Sharp MD-SR60 Location: 3 feet from stage, Conversion: Sony MDS-JE700 > Optical Cable > Delta DiO 2496 > Cool Edit Pro 2.0 Editor: Edson Montenegro Editing: Fade In/Out in Cool Edit, CD Wave Editor track split Errors: First few secs of Settle Down is cut, but nothing major. SHN: Master wav's > MKW Audio Compression Tool   1 CDR 90 notes
16. 12/06/02 Spaceland - Los Angeles, CA OKtava MC012>Denecke PS-2>Denecke AD-20>Edirol UA-1D>Laptop Location : FOB, 12' on stand Conversion : None Resampling : None Editor : Frank Quinto and Brian Churchwell Oktava MC012 > Denecke PS-2 > Denecke AD-20 > Edirol UA-1D > Laptop > 2 CDR notes
17. 12/11/02 Orpheum Theater - Boston, MA Dynamic Audio Binaurals > D.A. battery box/rolloff > M1 @44.1 kHz Location : Balcony Left, Row K, i.e. the Nosebleeds. "Stealth" rig. Conversion : DATm>M1>Core Sound Coax-to-7-pin Cable>Zoltrix Nightingale>Cool Edit Pro Resampling : none Editor : Dave Reid Editing : digital mastering with T-RackS 2.0; Tracking with CD Wave SHN : master waves > MKW Audio Compression Tool Dynamic Audio Binaurals > D.A. battery box/rolloff > M1 @44.1 kHz > DATm > M1 > Core Sound Coax-to-7-pin Cable > Zoltrix Nightingale > Cool Edit Pro > digital mastering with T-RackS 2.0 > CD Wave > MKW Audio Compression Tool 1 CDR notes
18. 12/15/02 First Union Center - Philadelphia, PA Sound Professionals Slimline Cardioids > Sound Professionals Battery Box > Sharp MD-MT877 AT853 > SPSB-1 > MT877 Transfer : Sony MDS-PC3 Optical > Zoltrix Nightingale Pro 6 > Sound Forge 5.0e Editing : Cooledit Pro 2.0 (normalized), CDWave (tracking) Sound Professionals Slimline Cardioids > Sound Professionals Battery Box > Sharp MD-MT877, AT853 > SPSB-1 > MT877 > WAV > SHN 1 CDR notes
19. 12/16/02 Newport Music Hall - Columbus, OH AT853Rx roll-off > Sonosax SX-M2 > Sony PCM-M1 Location: Just right of SBD 8ft stand X-Y   2 CDR  
20. 12/16/02 Newport Music Hall - Columbus, OH Oktava MC-012 Cards -> Denecke PS-2 -> Denecke AD-20 -> Sharp 722 MD Location: In Soundbard Transfer: Sony MDS-JB920 -> Optical cable -> Phillips Dual CD-R Home Unit -> EAC -> MKW Seeded by Frank Quinto Oktava MC-012 Cards -> Denecke PS-2 -> Denecke AD-20 -> Sharp 722 MD > Sony MDS-JB920 -> Optical cable -> Phillips Dual CD-R Home Unit -> EAC -> MKW 2 CDR notes
21. 12/19/02 Opera House - Toronto, ON Dynamic Audio Binaurals > D.A. battery box/rolloff > M1 @44.1 kHz Location : On stand, left of soundboard, 50 ft from stage. Conversion : DATm>M1>Core Sound Coax-to-7-pin Cable>Zoltrix Nightingale>Cool Edit Pro Resampling : none Editor : Dave Reid Editing : digital mastering with T-RackS 2.0; Tracking with CD Wave SHN : master waves > MKW Audio Compression Tool Dynamic Audio Binaurals > D.A. battery box/rolloff > M1 @44.1 kHz > DAT (m) > M1 > Core Sound Coax-to-7-pin Cable > Zoltrix Nightingale > Cool Edit Pro > MKW 2 CDR notes
22. 01/19/03 Metro - Chicago, IL Core Sounds Binaurals>Battery Box>M1 Location : Middle 15ft back Conversion : PCM-M1>Coax Cable>Midiman Audiophile 2496 Resampling : None Editing : Cool Edit Pro SHN : master DAT > Cool Edit Pro > MKW Audio Compression Tool Core Sounds Binaurals > Battery Box > M1 > PCM-M1 > Coax Cable > Midiman Audiophile 2496 > DAT (m) > Cool Edit Pro > MKW 2 CDR notes
23. 01/20/03 The Metro - Chicago, IL Neumann KM140 > Sonosax SX-M2 > TCD-D100 @ 48 kHz Location : On rail, left stack Mic Config : In hat Conversion : DAT-M > PCM-R300 > S/PDIF Coax> Egosys WT2496 > WaveLab V5.01b Edit : WaveLab V5.01b (fades) Resampling : r8brain v1.9 (r8: 44.1 kHz, Output bit depth: 16 bit, Quality: Very High) Tracking : CD-Wave v1.97 Encoding : FLAC v1.2.1 (Level 8) with TLH v2.2.2 (Build 152)   2 CDR notes
24. 01/20/03 The Metro - Chicago, IL Oktava MC-012 Cards -> Denecke PS-2 -> Denecke AD-20 -> Sharp 722 MD Location: 14' high on stand. FOB DFC Transfer: Sony MDS-JB920 -> Optical cable -> Phillips Dual CD-R Home Unit -> EAC -> MKW   2 CDR notes
25. 01/22/03 The Metro - Chicago, IL Oktava MC-012 Cards -> Denecke PS-2 -> Denecke AD-20 -> Sharp 722 MD Location: 14' high on stand. FOB DFC Transfer: Sony MDS-JB920 -> Optical cable -> Phillips Dual CD-R Home Unit -> EAC -> MKW Oktava MC-012 Cards -> Denecke PS-2 -> Denecke AD-20 -> Sharp 722 MD > Sony MDS-JB920 -> Optical cable -> Phillips Dual CD-R Home Unit -> EAC -> MKW 2 CDR notes
26. 01/22/03 The Metro - Chicago, IL Neumann KM-140 > Apogee Minime > TCD-D100 @ 48 kHz Location : FOB Center Mic Config : On Stand (~10ft), ORTF (20cm, 110°) Conversion : DDC-M > TCD-D100 > 7-pin to coax > Waveterminal 2496 > WaveLab V5.01b Edit : WaveLab V5.01b (fades) Resampling : r8brain v1.9 (r8: 44.1 kHz, Output bit depth: 16 bit, Quality: Very High) Final Format : 16-bit, 44.1 kHz Tracking : CD-Wave v1.97 Encoding : FLAC v1.2.1 (Level 8) with TLH v2.2.2 (Build 152)   2 CDR notes
27. 01/23/03 Metro - Chicago, IL Neumann KM-140 > Apogee Minime > TCD-D100 @ 48 kHz Location : FOB Center Mic Config : On Stand (~10ft), ORTF (20cm, 110°) Conversion : DDC-M > TCD-D100 > 7-pin to coax > Waveterminal 2496 > WaveLab V5.01b Edit : WaveLab V5.01b (fades) Resampling : r8brain v1.9 (r8: 44.1 kHz, Output bit depth: 16 bit, Quality: Very High) Final Format : 16-bit, 44.1 kHz Tracking : CD-Wave v1.97 Encoding : FLAC v1.2.1 (Level 8) with TLH v2.2.2 (Build 152)   2 CDR notes
28. 01/23/03 Metro - Chicago, IL Oktava MC-012 Cards -> Denecke PS-2 -> Denecke AD-20 -> Sharp 722 MD Location: 14' high on stand. FOB DFC Transfer: Sony MDS-JB920 -> Optical cable -> Phillips Dual CD-R Home Unit -> EAC -> MKW Seeded by Frank Quinto Oktava MC-012 Cards -> Denecke PS-2 -> Denecke AD-20 -> Sharp 722 MD > Sony MDS-JB920 -> Optical cable -> Phillips Dual CD-R Home Unit -> EAC -> MKW 2 CDR notes
29. 01/25/03 The Metro - Chicago, IL Oktava MC-012 Cards -> Denecke PS-2 -> Denecke AD-20 -> Sharp 722 MD Location: 14' high on stand. FOB DFC Transfer: Sony MDS-JB920 -> Optical cable -> Phillips Dual CD-R Home Unit EAC -> CD Wave -> FLAC Frontend -> .flac Oktava MC-012 Cards -> Denecke PS-2 -> Denecke AD-20 -> Sharp 722 MD > Sony MDS-JB920 -> Optical cable -> Phillips Dual CD-R Home Unit -> EAC -> CD Wave -> FLAC 2 CDR notes
30. 01/25/03 The Metro - Chicago, IL Neumann KM140 > Apogee Minime > Sony RK-DA10P > TCD-D100 @ 48 kHz Location : FOB Center Mic Config : On Stand (~10ft), ORTF (20cm, 110°) Conversion : DAT-M > PCM-R300 > S/PDIF Coax> Egosys WT2496 > WaveLab V5.01b Edit : WaveLab V5.01b (fades) Resampling : r8brain v1.9 (r8: 44.1 kHz, Output bit depth: 16 bit, Quality: Very High) Tracking : CD-Wave v1.97 Encoding : FLAC v1.2.1 (Level 8) with TLH v2.2.2 (Build 152)   2 CDR notes
31. 03/21/03 Eagles Ballroom @ The Rave - Milwaukee, WI CAD Equitek 200 in DIN > Apogee MiniMe > Sony D8 > Soundforge 6.0 > SHN   CAD Equitek 200 in DIN > Apogee MiniMe > Sony D8 > Sony D8 > Soundforge 6.0 > SHN 2 CDR notes
32. 03/25/03 Kool Haus - Toronto, ON Dynamic Audio Binaurals > DA-120F Custom Battery Box > TCD-D8 Location : 15-20ft FOB Conversion : TCD-D8 > Coresound 7pin to coax > Zoltrix Nightingale Pro 6 Resampling : None Editor : Brandon Triance-Haldane Editing : Cool Edit Pro (fades) CDWave (splits) Soundforge (FreeFilter 1.1) SHN : master DAT > Cool Edit Pro 2.0 > CD Wave MKW Audio Compression Tool Flaws : The guy on my right wouldn't stop his running commentary for most of the show and at one point he sneezed almost right on me. Also, this recording clips occasionally. Therefore, this is to be considered the official "LOUD AT ANY VOLUME" edition of this show. Enjoy!   2 CDR notes
33. 03/29/03 Towson Center Arena - Towson, MD Dynamic Audio Cardiods -> Dynamic Audio 120hz low cut batt box (Filter) -> Sharp MS-722 (Mic In) Location : Left side balcony, mics taped to rail. Transfer : MD-M -> Sharp MD MS-722 -> Sound Blaster Live -> Cool Edit Pro -> CDWave -> mkwACT Dynamic Audio Cardiods -> Dynamic Audio 120hz low cut batt box (Filter) -> Sharp MS-722 (Mic In) > MD-M -> Sharp MD MS-722 -> Sound Blaster Live -> Cool Edit Pro -> CDWave -> mkwACT 1 CDR notes
34. 03/31/03 Braden Auditorium - Normal, IL Oktava MC-012 Cards -> Denecke PS-2 -> Denecke AD-20 -> Sony M1 Location: Inside Soundboard Transfer: Sony M1 -> Digital Coax -> VXpocket v2 -> Laptop -> Cooledit 2000 -> Flac Oktava MC-012 Cards -> Denecke PS-2 -> Denecke AD-20 -> Sony M1 > Sony M1 -> Digital Coax -> VXpocket v2 -> Laptop -> Cooledit 2000 -> Flac 1 CDR notes
35. 04/02/03 Patten Gymnasium - Evanston, IL Oktava MC012 -> Denecke PS-2 -> Denecke AD-20 -> Digital Coax -> VXpocket v2 -> Laptop -> Cooledit 2000 CD Wave -> FLAC Frontend -> .flac Seeded by Frank Quinto Tapers: Frank Quinto and Jayson Kaap
Source: Oktava MC012 -> Denecke PS-2 -> Denecke AD-20 -> Digital Coax -> VXpocket v2 -> Laptop -> Cooledit 2000
CD Wave -> FLAC Frontend -> .flac
2 CDR notes
36. 04/04/03 Alumni Arena - Buffalo, NY DPA-4022 > Lunatec V3 > M1 Location: inside SBD area, front right. mic stand (X-Y) Transfer: Tascam DA-302 digi coax > Audiophile 2496 > Soundforge 5.0 (resampled/normalized) > CDWav (tracking) > mkw (wav>shn) DPA-4022 > Lunatec V3 > M1 > Tascam DA-302 digi coax > Audiophile 2496 > Soundforge 5.0 (resampled/normalized) > CDWav (tracking) > mkw (wav>shn) 1 CDR 90 notes
37. 04/05/03 Electric Factory - Philadelphia, PA Dynamic Audio Binaurals > DA-120F Custom Battery Box Bass Roll Off 85hz for Line-In > Nomad Jukebox C Location : Second Floor Balcony overlooking Soundboard, Mics taped to railing Transfer: From Nomad Jukebox to Computer via USB 1.1 Resampling : None Editor : Same as Taper Editing : Cool Edit Pro 2.0 > assemble master wave, normalize master wave to 98%, create track waves from master, EQ work, final volume adjust FLAC : Tracked waves > FLAC FrontEnd v1.7.1 for Flac and mkw Audio Compression for md5 creation Dynamic Audio Binaurals > DA-120F Custom Battery Box Bass Roll Off 85hz for Line-In > Nomad Jukebox C > From Nomad Jukebox to Computer via USB 1.1 -> Cool Edit Pro 2.0 -> FLAC 2 CDR notes
38. 04/05/03 Y100 Sonic Session @ Indre Studios - Philadelphia, PA Sound Professionals Binaurals > Aiwa AM-C80 Minidisc Location : Mics next to me on the couch, about 15 feet from the stage slightly right of center Transfer : Sony MDS-JE500 MD > (analog) Creative Labs Soundblaster Live! Platinum > Cool Edit Pro 2.0 Editor : Same as Taper Editing : Cool Edit Pro 2.0 (Initial WAV > Normalize to 95% > EQ to cut lows > Noise reduction to remove crackles > EQ to boost highs > Fades > Final Wav) > CD WAVE (Split into tracks) flac : Tracked waves > flac 1.1.0   1 CDR notes
39. 04/05/03 Y100 Sonic Session @ Indre Studios - Philadelphia, PA Pre-FM>CDR2>WAV>FLAC Editor : Brian Barbour Editing : Split tracks with CD Wave Flac : Waves > flac frontend   1 CDR  
40. 04/07/03 The Tabernacle - Atlanta, GA AKG 483>OadeM248>SBM-1>DA P1 Location : lower balcony, spread out Transfer : PCM-R300>Coax Cable>midiman 2496 audiophile>cool edit pro [by Fares Halteh] Notes : This recording is the best of the 3 available. Please distribute this recording. AKG 483 > OadeM248 > SBM-1 > DA P1 > PCM-R300 > Coax Cable > midiman 2496 audiophile > cool edit pro > SHN 1 CDR notes
41. 04/08/03 Hard Rock Live - Orlando, FL Dynamic Audio Cardiods -> Dynamic Audio 120hz | low cut batt box (Filter) -> Sharp MS-722 (Mic In) Location : Center floor (FOB) about 20 feet from stacks. Transfer : MD-M -> Sharp MD MS-722 -> Sound Blaster Live -> Cool Edit Pro -> CDWave -> mkwACT Editor : Jeremy Wilhide Editing : Normalized   2 CDR notes
42. 04/15/03 Bronco Bowl - Dallas, TX csb > spsb-3 > sony pcm-m1 @ 24/96 > 7-pin spdif > sb audigy2 platinum > soundforge > TLH @ level 8 location: couple rows deep in section "N"   2 CDR notes
43. 04/15/03 Bronco Bowl - Dallas, TX Dynamic Audio Binaurals > custom battery box w/ rolloff > Sony MZ-G750 Location : back and to the right of the soundboard, ~20 feet Transfer : MZ-G750 > (ana) SB Audigy > Sound Forge 6.0 Flaws : diginoise in El Sol at :50 also present on master Editor : Ryan Fields Editing : EQ'd in Sound Forge 6.0 | EQ'd again in Cool Edit Pro 2.0 | track splits in EAC Conversion : master MD > Sound Forge 6.0 > Editing > FLAC 1.1.0 via FLAC frontend   2 CDR notes
44. 04/17/03 The Marquee - Tempe, AZ Source Info : DAB>DA-120F>Sharp Mini Disk MS-722 Position : Mics taped to baracade in front of left stacks Transfer info : Sony MDS-JE700 > Optical Cable > Delta Dio 2496 > Cool Edit Pro 2.0 Editor : Edson Montenegro (mercurychild33@hotmail.com) Editing : Fade In/Out in Cool Edit Pro, Track Cplit in CD Wave Editor Other Info : Mixed Source TCD-100>CSB Used for filler for 20 secs lost in lyric, Mixed with Peak 3.2 Running Time: 1hr:41min   2 CDR notes
45. 04/18/03 The Wiltern - Los Angeles, CA Oktava MC012 -> Denecke PS-2 -> Denecke AD-20 -> Sony M1 Conversion: Sony M1 -> vxpocket2 -> Laptop -> WAV -> FLAC16 Location: Soundboard, 15' on stand. Oktava MC012 -> Denecke PS-2 -> Denecke AD-20 -> Sony M1 > Sony M1 -> vxpocket2 -> Laptop -> WAV -> FLAC16 1 CDR 90 notes
46. 04/21/03 RIMAC Arena, UCSD - San Diego, CA Sony ECM-737 > Sony TCD-D7 @ 48khz Transfer: Sony TCD-D8 > 7-pin coax > M-Audio Audiophile USB (spdif) > Audacity > CDWave > FLAC8   2 CDR notes
47. 04/21/03 RIMAC Arena, UCSD - San Diego, CA DPA 4061 > M1 (48 khz) transfer (BLG): DAT-M > DA-20 > coax > Marantz PMD-670 > usb reader > Adobe Audition > .WAV editing: CDWave (split) > Audacity (amplified to -0.1db), TLH (flac8)   2 CDR notes
48. 04/22/03 Warfield Theater - San Francisco, CA Sony ECM-MS907 > Sony MZ-N707 > optical cool red rays > Cool Edit (for track spliting) > FLAC Frontend   Sony ECM-MS907 > Sony MZ-N707 > optical cool red rays > Cool Edit (for track spliting) > FLAC 2 CDR notes
49. 04/24/03 Roseland Theatre - Portland, OR Sony stereo condenser microphone > Sony Professional Walkman (analog tape) > DigiDesign Mbox > ProTools > Shorten For Mac OS X Editor : David Johnson Errors : Tape flip between tracks 6 and 7 on disc 1 as per master Sony stereo condenser microphone > Sony Professional Walkman (analog tape) > DigiDesign Mbox > ProTools > Shorten For Mac OS X 2 CDR notes
50. 05/01/03 IMU Main Lounge - Iowa City, IA Sony ECM-DS70P > Sony N707 Transfer: Sony MDS-JE510 > Monster Optical Cable > Phillips CDR785 > CDR > Adobe Audition 1.5   2 CDR  
51. 05/06/03 Aragon Ballroom - Chicago, IL Sound Professionals AT933 Hyper Cardioids > SP-SB1-SL Battery Box (Bass Roll off @ 69Hz) > SONY MZ-R700 Location : directly in front of the right stack SHN Process : Sony MDS-PC3 > Toslink Optical Cable > Zoltrix Nightingale Pro 6 > Cool Edit 2000 (Normalized to 100% & fade in/out) > CD Wave (Track Splitting) > mkwACT 0.97b (SHN) Sound Professionals AT933 Hyper Cardioids > SP-SB1-SL Battery Box (Bass Roll off @ 69Hz) > SONY MZ-R700 > Sony MDS-PC3 > Toslink Optical Cable > Zoltrix Nightingale Pro 6 > Cool Edit 2000 (Normalized to 100% & fade in/out) > CD Wave (Track Splitting) > mkwACT 0.97b (SHN) 2 CDR notes
52. 05/29/03 Ancienne Belgique - Brussels, Belgium CSBmod>Sharp MD-MT190H(S) Location : 10 meters from left stacks Conversion: Sony Deck MDS-JB980>Digital cable>WAV>Cool Edit>CDWave>mkw>SHN Editor : Brewer Editing: EQ, Normalize, Fade in/out Flaws : Three dropouts that were removed (you can barely hear them). CSBmod>Sharp MD-MT190H(S) > Sony Deck MDS-JB980>Digital cable>WAV>Cool Edit>CDWave>wav/cue>bchunk>flac 1 CDR 90 notes
53. 06/03/03 Pardiso - Amsterdam, Netherlands DAB>DA-120F>MT190H Position : 3 meters from left stack on a platform. conversion : MD-MT99>Gold RCA Cable>Audiophile 2496>Cooledit pro 2.0>WAV Editing : Steinberg Freefilter based upon tracks ripped from the original msots album. EQ : Minor low boost and minor high end cut. Volume : Normalized using RMS, some Envelopes and amplifying. Tracksplit : Sonic Foundry Sound Forge 6.0 Encoding : MkwACT -> Master WAV > FLAC DAB>DA-120F>MT190H > MD-MT99>Gold RCA Cable>Audiophile 2496>Cooledit pro 2.0>WAV 2 CDR notes
54. 06/13/03 Nuke Festival - Pielachtal Festivalg., Austria FM - Sony Dat TCD-D7 - HDD - WAV – FLAC     1 CDR  

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