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Grateful Dead 10/20/78
Winterland Arena, San Francisco, CA

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Set I

New Minglewood Blues
They Love Each Other
Cassidy
Dire Wolf
El Paso
Tennessee Jed
It's All Over Now
Loser
Lazy Lightning >
Supplication

Set II

Mississippi Half-Step Uptown Toodeloo >
Franklin's Tower
Dancing In The Street >
Drums >
Space >
Not Fade Away >
Black Peter >
Around & Around

Johnny B. Goode
Shakedown Street

Set III

Comment

Jerry Garcia - Guitar
Bob Weir - Guitar
Keith Godchaux - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Donna Jean Godchaux - Vocals

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Last Changed By OBIE

Sources

(4159) View Source View Archive
SBD; transferred and seeded to etree by Mike Lai, from Bruce Fried DAT

(21245) View Source View Archive
Source: SBD>Master Reel>Cassette>DAT>WAV>FLAC
Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step

(92542) View Source View Archive
flac16; Recording Info: SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> Sony R500 (A>D Only) -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller

(100698) View Source View Archive
flac16; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [16/44.1] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe

(100700) View Source View Archive
flac24; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe

(102072) View Source View Archive
flac16; Recorded by: Mike Martin and Mark Bunton with Chuck helping out. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Dithered to 16 bit with Audacity > Flac (level 8)

(102073) View Source View Archive
flac24; Recorded by: Mike Martin and Mark Bunton with Chuck helping out. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave

(135505) View Source View Archive
flac16; 2 source matrix by Dusborne;Soundboard (Shnid:92542)Recording Info: SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> Sony R500 (A>D Only) -> Peak -> AIFFTransfer Info:AIFF -> Samplitude Professional v10.1 -> FLAC, All Transfers and Mastering By Charlie Miller; Audience(shnid:100700) Analog Audience Source: AUD Master Cassettes,Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC,Analog Sound Preservation: MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Holwein,Transfer By: Bob Menke,Mastering By: Derek McCabe

(148356) View Source View Archive
flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD > 1st generation cassettes; Transfer Info: 1st generation cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp

(148357) View Source View Archive
flac24; Source Info: Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD > 1st generation cassettes; Transfer Info: 1st generation cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496

(150752) View Source View Archive
flac24; Set 1 & partial Set 2 Recording Info: AKG C12A > Cassette Master (Nakamichi 550) > Cassette (Nakamichi 1000/Maxell UDXLI); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24

(150755) View Source View Archive
flac16; Set 1 & partial Set 2 Recording Info: AKG C12A > Cassette Master (Nakamichi 550) > Cassette (Nakamichi 1000/Maxell UDXLI); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1

(166111) View Source View Archive
flac1644 This is a remaster of shn #100700 by acetboy

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Reviewing User	Review	Rate Review Poor\|Neutral\|Good
Ray Augustine	The first show I ever taped of Gtrateful Dead that is. Too bad I had to go to school in LA during, the first show when i went out and bought my deck. The wildest Dancin' I certainly ever saw maybe ever ! Bob weir's guitar woludn't stay strapped during Around & Around and for a while Donna had to hold things together. Then Weir gave up and ran around like Mick Jagger etc. Besides the UCLA show, before New Year's, these shows have the best Hamza El-Din performances ever. He played his Oud and sang, besides just having Mickey introduce the crowd to the sequence to participate in his, as I called it then, clap jam, ie. Olin Arageed. By the time UCLA rolled around they had developed it to it's fullest.	\| \|