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Grateful Dead
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http://www.dead.net
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Date |
Venue - City, State |
Source Notes | Media |
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| 1. |
01/20/68 |
The Eureka Municipal Auditorium - Eureka,
CA |
via Julian (Jools) Elliott |
SHN Source Detail
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|
| 2. |
02/02/68 |
Crystal Ballroom - Portland,
OR |
flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
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|
| 3. |
02/03/68 |
The Crystal Ballroom - Portland,
OR |
flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
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|
| 4. |
02/14/68 |
Carousel Ballroom - San Francisco,
CA |
flac16; Recording Info: SBD -> (8 Track) Master Reel -> Dat -> CD -> FLAC Transfer Info:
FLAC -> Samplitude Professional v10.02 -> FLAC Transferred and Remastered By Charlie Miller (note: this source contains officially released, copyrighted material) |
FLAC Source Detail
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|
| 5. |
03/16/68 |
Carousel Ballroom - San Francisco,
CA |
SBD>MR>C>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon |
SHN Source Detail
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|
| 6. |
06/19/68 |
Carousel Ballroom - San Francisco,
CA |
SBD> MC> D> CD; start of Lovelight clipped, ragged sound improves later; via thecore@core.com |
SHN Source Detail
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|
| 7. |
08/21/68 |
Fillmore West - San Francisco,
CA |
SDB>MR>C>D>CD>EAC>SHN; see info file for details; seeded to etree via D Litfin; edits/encoding by D Litfin |
SHN Source Detail
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|
| 8. |
08/22/68 |
Fillmore West - San Francisco,
CA |
flac16; Source: Soundboard Reels > ? > DAT
Transfer: Panasonic SV-3700 > Korg MR-1 DSD [1 Bit/2.8 Mhz]
Mastering: AudioGate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 >
AudioGate to [16/44.1] > CD Wave > TLH > Flac
Transfer and Mastering by Bill Koucky, Green Mountain Bros. July 8, 2008 |
FLAC Source Detail
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|
| 9. |
08/28/68 |
Avalon Ballroom - San Francisco,
CA |
SBD>??>R>PCM>CD>EAC>SHN;
pitch corrected re-shn of previous Vernon seed |
SHN Source Detail
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|
| 10. |
08/28/68 |
Avalon Ballroom - San Francisco,
CA |
SBD>??>R>PCM>CD>EAC>SHN;
pitch corrected re-shn of previous Vernon seed |
SHN Source Detail
|
|
| 11. |
09/02/68 |
Betty Nelson's Organic Raspberry Farm - Sultan,
WA |
Recording Info: SBD -> Master Reel (Three half-inch four track reels, recorded on Ampex 440) -> Dat (Tascam DA30/44.1k); Transfer Info: Master Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (1 Disc Audio / 1 Disc SHN); Transfered and Edited By Charlie Miller 2/5/04 |
SHN Source Detail
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|
| 12. |
09/20/68 |
Berkeley Community Theater - Berkeley,
CA |
flac16; SBD > Master Reel > Cassette > Dat > CD > Adobe Audition v1.5 > CD Wave > FLAC; Transfer and Mastering by Charlie Miller |
FLAC Source Detail
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|
| 13. |
10/08/68 |
The Matrix - San Francisco,
CA |
Disc 1 only; optimal composite source free of diginoise. SBD MR>2R>D>CD; via Jens Tilsner and Hanno Bunjes |
FLAC Source Detail
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|
| 14. |
10/10/68 |
The Matrix - San Francisco,
CA |
SBD> Rm> Reel> CD (May Be SBD> Rm> Reel> Reel> CD); thanks to c.miller for seeds; DAE/shnv3 by neo_levo |
SHN Source Detail
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|
| 15. |
10/13/68 |
Avalon Ballroom - San Francisco,
CA |
via John Oleynick, Lee Revell; tracked for 1x80 min; Lee comments: "sound's a bit rough... but we're fairly certain that this is the best available source"; see info file for misc flaw notes |
SHN Source Detail
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|
| 16. |
10/13/68 |
Avalon Ballroom - San Francisco,
CA |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
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|
| 17. |
10/20/68 |
Greek Theatre, U. Of California - Berkeley,
CA |
SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD
Charlie Miller
charliemiller87@earthlink.net
shntool fix -o shn *shn run by tol 03-02-24, and a new md5-file generated. |
SHN Source Detail
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|
| 18. |
10/30/68 |
The Matrix - San Francisco,
CA |
Hartbeats; most complete version; documented 1st gen reel on revox A-77 r2r deck> digitized @ 96khz/24 bits> downsampled to 44.1k/16bits for CD> EAC> SHN; transfer by Jim Wise; eac/shn by Darrin Sacks; note minor addition of tuning to d3 track list |
SHN Source Detail
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|
| 19. |
01/17/69 |
Robertson Gym, U.C.S.B. - Santa Barbara,
CA |
Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston |
SHN Source Detail
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|
| 20. |
01/17/69 |
Robertson Gym, U.C.S.B. - Santa Barbara,
CA |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
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|
| 21. |
01/24/69 |
Avalon Ballroom - San Francisco,
CA |
Complete; SBD> MSR> C> DAT> CD> SHN; via Seth Kaplan |
SHN Source Detail
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|
| 22. |
01/25/69 |
Avalon Ballroom - San Francisco,
CA |
set 2; MSR> C> DAT> CD; via Seth Kaplan, Darrin Sacks; with fixed track boundaries |
SHN Source Detail
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|
| 23. |
01/25/69 |
Avalon Ballroom - San Francisco,
CA |
set 2; SBD:MR> Cass> DAT> ZA2> CD; via David Hollister, Jeff Sachs to abgd; 12/00: noted at gdlive.com |
SHN Source Detail
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|
| 24. |
02/04/69 |
The Music Box - Omaha,
NE |
SBD> CM> C> D> CD; EAC> SHN (seekable) transfer by Steve Barbella |
SHN Source Detail
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|
| 25. |
02/07/69 |
Stanley Theater (Early, Late) - Pittsburgh,
PA |
Early Show; SBD> MC (Bear Owsley)> DAT (Rob Eaton)> (Jim Wise) HHb> CDR ; Seeded to Etree by T. Wiley |
SHN Source Detail
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|
| 26. |
02/12/69 |
Fillmore East (Late Show) - New York,
NY |
late show; SBD> MR> C> D> CD> EAC> SHN; edited, shned, vined by J. Cotsman; with thanks to Jeff Cook; Missing Dupree's, Mountains |
SHN Source Detail
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|
| 27. |
02/14/69 |
Electric Factory - Philadelphia,
PA |
SBD> MC> C> C(?)> D> CD> SHN; edited (see notes in info), shned, vined by J. Cotsman; with thanks to Jim Hale |
SHN Source Detail
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|
| 28. |
02/15/69 |
Electric Factory - Philadelphia,
PA |
MSR (7" @ 7.5 ips 1/2 track) > Tascam 122mkIII 1st gen. cassette > Nak Dragon playback > Sony PCM R-700 DAT > ZA2 > wav (Sound Forge) > CD (CD Architect) > unknown CD gens > EAC (test & copy, secure mode, offset corrected) > sector boundary verification (shntool) > seekable .shn (mkwact). DAT conversion and CD mastering by aoxoa, CD > SHN by D. Winters. |
SHN Source Detail
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|
| 29. |
02/21/69 |
Dream Bowl - Vallejo,
CA |
Speed corrected SBD >MR> ?> DAT> CDR; via The Owen Brothers Vault; See info file for details |
SHN Source Detail
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|
| 30. |
02/22/69 |
Dream Bowl - Vallejo,
CA |
SBD>MR>DAT>CDR; Mastering by The Owen Brothers Vault; see info file for details |
SHN Source Detail
|
|
| 31. |
02/27/69 |
Fillmore West - San Francisco,
CA |
SBD 16-Track Master Reel > Rough Mix DAT > DATx3 > Digital Sound Card > WAV > SHN > WAV > Cool Edit > CDWAV > SHN; via Aoxoa, R. Keshavan, Seth Kaplan; see info file for notes on patches and edits; d2 tracked for 80 min; note material from this date also appeared on Live Dead- go buy it |
SHN Source Detail
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|
| 32. |
02/28/69 |
Fillmore West - San Francisco,
CA |
16-Track Master Reel> DAT> CD> EAC> SHN, with various patches (see info file); via Charlie Miller, Aoxoa, Seth Kaplan; upload by Darrin Sacks |
SHN Source Detail
|
|
| 33. |
03/01/69 |
Fillmore West - San Francisco,
CA |
SBD> 16-Track Master Reel > DAT > DAT > CD > EAC > SHN > MKW .WAV file conversion > Cool Edit 2000 > MKW .shn file conversion > shntool > MKW .WAV file conversion > CD; via Aoxoa, Rango Keshavan, Seth Kaplan; d2 tracked for 80 min; see various notes in info file, including about patches for banter and tuning |
SHN Source Detail
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|
| 34. |
03/02/69 |
Fillmore West - San Francisco,
CA |
Multi-track reel master > DAT > CD > EAC > SHN; via Seth Kapln, Darrin Sacks; see info file for relation to previous seeds |
SHN Source Detail
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|
| 35. |
03/15/69 |
Hilton Hotel - San Francisco,
CA |
SBD> ?> boot CD> retrack> SHN; significant hiss, splice in Eleven; via thecore@core.com |
SHN Source Detail
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|
| 36. |
03/22/69 |
Rose Palace - Pasadena,
CA |
SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Andrew Clarke |
SHN Source Detail
|
|
| 37. |
03/28/69 |
Student Center, Modesto Jr. College - Modesto,
CA |
MSR> C> D> CD; via Frank Bove |
SHN Source Detail
|
|
| 38. |
03/29/69 |
Ice Palace - Las Vegas,
NV |
SBD> ?> BOOT CD> CDR; EAC> WAV> SHN by Dan Vinson, seed via Greg Mohr; End of Lovelight is cut on the boot cd; fits on 1x80 |
SHN Source Detail
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|
| 39. |
04/04/69 |
Avalon Ballroom - San Francisco,
CA |
MSR> C> DATs> CDRs> EAC> SHN; EAC/SHN by Darrin Sacks, from Rango Keshavan seed; see info file for setlist/tracklist commentary |
SHN Source Detail
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|
| 40. |
04/05/69 |
Avalon Ballroom - San Francisco,
CA |
Recording Info:
SBD -> Rm (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat
Transfer Info:
Dat -> Sonic Solutions -> CD -> EAC -> Samplitude -> SHN
Conversion By Charlie Miller |
SHN Source Detail
|
|
| 41. |
04/06/69 |
Avalon Ballroom - San Francisco,
CA |
SBD>FM>MR>C>D>CD; via Joe Jupille; Seeded to etree by J. Cotsman |
SHN Source Detail
|
|
| 42. |
04/11/69 |
University Auditorium, U. of Az. - Tucson,
AZ |
SBD>MC>C>D>CD>EAC>SHN pitch corrected and normalized by J. Cotsman |
SHN Source Detail
|
|
| 43. |
04/12/69 |
Student Union Ballroom, University of Utah - Salt Lake City,
UT |
SBD>MC>C>D>CD>EAC>SHN;
pitch corrected & normalized;
edits/encoding by JCotsman |
SHN Source Detail
|
|
| 44. |
04/13/69 |
Ballroom, U. of Co. - Boulder,
CO |
SBD> MR> C> D> CD> EAC> SHN; edited, shned, vined by J. Cotsman; with thanks to Dan Zymanski; see flaw notes in info file |
SHN Source Detail
|
|
| 45. |
04/15/69 |
The Music Box - Omaha,
NE |
SBD> Bear's MC> ?> CD> EAC> SHN; partial, all that circulates; vined by J. Cotsman |
SHN Source Detail
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|
| 46. |
04/18/69 |
Memorial Union Ballroom, Purdue U. - Lafayette,
IN |
SBD>MC>C>DAT>CD; Tony Gardner EAC of previous source; |
SHN Source Detail
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|
| 47. |
04/20/69 |
Clark University - Worcester,
MA |
complete; Cassette Master (Ampex C-90, no Dolby)> DAT(M)@ 44.1K via Panasonic SV3700> DAT(1)> DAT(2)> WAV via Sony SDT9000 DDS drive using VDAT0.6f> Soundforge 4.0 (see edits in info file); Source DAT from Rob Eaton, DAT> SHN by Jamie Lutch
|
SHN Source Detail
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|
| 48. |
04/21/69 |
The Ark - Boston,
MA |
Bertha Remaster of the Master Reel source; SBD>>MR>>DAT>>CDA>>DAW(Bertha)>>CDA/SHN |
SHN Source Detail
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|
| 49. |
04/22/69 |
The Ark - Boston,
MA |
Updated possible gen: SMC>R>D (had been marked MSR > Cassette > DAT x2 > CDR); d1t1,8 have cuts from master;? via Scott Clugston, Lee Revell |
SHN Source Detail
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|
| 50. |
04/23/69 |
The Ark - Boston,
MA |
MSR> Cassette> DATs> CDRs> EAC >SHN; via Jim Wise, Rob Bertrando, Darrin Sacks; note this reportedly may be an upgrade compared to previously etreed version; same cuts and splices as in previous version; note d1 tracked for 80 min |
SHN Source Detail
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|
| 51. |
04/25/69 |
Electric Theater - Chicago,
IL |
Source: mR> D> Sonic Solutions> CDR |
SHN Source Detail
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|
| 52. |
04/26/69 |
Electric Theater - Chicago,
IL |
updated source: cassette master> 1 cassette generation> DAT> CDR (see pub comment); via Ben Yerys; (not T. Wulf's "de-noised" version?) |
SHN Source Detail
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|
| 53. |
04/26/69 |
Electric Theater - Chicago,
IL |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
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|
| 54. |
04/27/69 |
Labor Temple - Minneapolis,
MN |
SBD> MR> D> CD> SHN; EAC/shn encoding/minor Sound Forge edits by J. Cotsman, with thanks to Jeff Krakowka |
SHN Source Detail
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|
| 55. |
05/03/69 |
Winterland Arena - San Francisco,
CA |
flac16; Recording Info:SBD -> Master Reel -> ? -> Cassette -> Apogee Ensemble -> AIFF; Transfer Info:AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
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|
| 56. |
05/07/69 |
Polo Field, Golden Gate Park - San Francisco,
CA |
SBD > MR > C > DAT > CD; via Ernie to abgd; note besides d1 seeking shns, Ernie posted wavs for d2 (wav, rar md5s shown); subsequent d2 shn (v3 seek appended, with md5s shown) by DES |
SHN Source Detail
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|
| 57. |
05/10/69 |
Rose Palace - Pasadena,
CA |
mC> C> DAT> Sonic Solutions> CDR; via Ben Yerys; stemming from Tzuriel Kastel tree; d1 contains misc pre-filler |
SHN Source Detail
|
|
| 58. |
05/11/69 |
Aztec Bowl, San Diego State U. - San Diego,
CA |
FM SBD> ?> CDR; edited, shned, vined by J. Cotsman; with thanks to Paul Hartman; see notes in info file |
SHN Source Detail
|
|
| 59. |
05/30/69 |
Springer's Inn - Portland,
OR |
flac16; SBD -> Cassette Master (Ampex C-90) -> Dat (48k)
All Transfers and Mastering By Charlie Miller
|
FLAC Source Detail
|
|
| 60. |
09/01/69 |
Baton Rouge International Speedway - Prairieville,
LA |
SBD> Cm> Dat> CD; EAC> SHN by Seth Kaplan; Tape warble on a few spots in Morning Dew. Lovelight cuts @ 9:06 |
SHN Source Detail
|
|
| 61. |
09/06/69 |
Family Dog at the Great Highway - San Francisco,
CA |
Ampex C-90 Master Cassette Soundboard (No Dolby)->DAT->CD; CD->EAC->SHN By Joe Samaritano. Includes Airplane Set. |
SHN Source Detail
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|
| 62. |
09/07/69 |
Family Dog at the Great Highway - San Francisco,
CA |
SBD, Deadhead Hour pre-FM (some lineage details in info file); via David Finney |
SHN Source Detail
|
|
| 63. |
10/25/69 |
Winterland Arena - San Francisco,
CA |
SBD> MR> DAT> Sonic Solutions> CDR; reel flip after William Tell ,
edited by David Gans; via R. Jagla |
SHN Source Detail
|
|
| 64. |
10/26/69 |
Winterland Arena - San Francisco,
CA |
SBD : MR > C1 > DAT > CD; via Douglas Ferguson; Seeded to etree by Alan Fink |
SHN Source Detail
|
|
| 65. |
10/31/69 |
San Jose State University - San Jose,
CA |
SBD: MC> C1> DAT> CDR; see info file for flaw notes; via Mike Lai |
SHN Source Detail
|
|
| 66. |
11/01/69 |
Family Dog at the Great Highway - San Francisco,
CA |
SBD>MC>C>D>CD>EAC>SHN; edited, shned, vined by J. Cotsman (see info file); vith thanks to Paul Hartman |
SHN Source Detail
|
|
| 67. |
12/04/69 |
Fillmore West - San Francisco,
CA |
Owlsley's Cassette (SBD: MC>DAT>DAT>CD>EAC>DC5>CD) ; Owen Brother Vault. The Wizard 05/08/04 |
SHN Source Detail
|
|
| 68. |
12/11/69 |
Thelma Theater - Los Angeles,
CA |
MSR > R > PCM > CD, plus MSR > ? > Beta PCM > D > CD, plus MSR > R > C > D > CD; via Deadlists Poject, circulated with 12/10,12/69- see notes and credits in info file |
SHN Source Detail
|
|
| 69. |
12/31/69 |
Boston Tea Party - Boston,
MA |
EAC of original shn set; via TOL; sbd> reel master> 2 cassette generations> dat> cdr> shn |
SHN Source Detail
|
|
| 70. |
06/07/70 |
Fillmore West - San Francisco,
CA |
acoustic and electric; S:MR> Cass> DAT> ZA2> SoundForge> CD Architect> CD> EAC> shn; splices in Casey, Man's World, Cumberland; CD seeded by D. Hollister, see his editing notes in info file; via A. Cohen to BUDD tree; etreed by R. Nayfield |
SHN Source Detail
|
|
| 71. |
09/20/70 |
Fillmore East - New York,
NY |
mixed sources (see info file for details, plus additional details in pub comments); seed assembled and distributed by Jim Wise; CD> EAC> SHN by Darrin Sacks; Darrin comments: "Has a fair amount of hiss and analog tape wear, but is the best we're probably ever going to hear, as this show isn't in the Vault." |
SHN Source Detail
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|
| 72. |
12/31/70 |
Winterland Arena (aftershow) - San Francisco,
CA |
"aftershow" and promos; sbd> ?reel?> dat> cd> EAC > CDWav (split)> shn V3; EAC>SHN by Brian Cole, from Jim Oade seed |
SHN Source Detail
|
|
| 73. |
01/22/71 |
Lane Community College - Eugene,
OR |
SBD> (unknown analog gens)> C> CD> EAC> SHN; Walter Schnell analog-> CD conversion; shn encoding Jeff Cotsman |
FLAC Source Detail
|
|
| 74. |
01/24/71 |
Seattle Center Arena - Seattle,
WA |
SBD> MR> C> DAT> CDR; Truckin? is missing the opening notes, Good Lovin? reprise cuts at 0:24; via Mike Lai with thanks to Paul B. |
FLAC Source Detail
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|
| 75. |
02/18/71 |
Capitol Theater - Port Chester,
NY |
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct) |
FLAC Source Detail
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|
| 76. |
02/18/71 |
Capitol Theater - Port Chester,
NY |
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering:
Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. |
FLAC Source Detail
|
|
| 77. |
02/19/71 |
Capitol Theatre - Port Chester,
NY |
flac 16; Sick Bits Vol. 13 - SBD/AUD matrix of two previosly circulated sources (SBD - shnid=1029 + AUD - shnid=30230), edited and
encoded by Chris Chappell. |
FLAC Source Detail
|
|
| 78. |
02/20/71 |
Capitol Theater - Port Chester,
NY |
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. |
FLAC Source Detail
|
|
| 79. |
02/21/71 |
Capitol Theater - Port Chester,
NY |
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering:
Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner. |
FLAC Source Detail
|
|
| 80. |
02/23/71 |
Capitol Theater - Port Chester,
NY |
flac16; Source Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect ->
Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 and Ozone. Dithered L2 type 1 ultra by Jamie Waddell |
FLAC Source Detail
|
|
| 81. |
02/23/71 |
Capitol Theater - Port Chester,
NY |
flac16; Source Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect ->
Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 and Ozone. Dithered L2 type 1 ultra by Jamie Waddell |
FLAC Source Detail
|
|
| 82. |
02/24/71 |
Capitol Theater - Port Chester,
NY |
via Leigh Orf; WBOTB source > distortion removed digitally (see notes) |
FLAC Source Detail
|
|
| 83. |
02/24/71 |
Capitol Theater - Port Chester,
NY |
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris Ladner. |
FLAC Source Detail
|
|
| 84. |
04/05/71 |
Manhattan Center - New York,
NY |
7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens |
SHN Source Detail
|
|
| 85. |
04/06/71 |
Manhattan Center - New York,
NY |
7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens |
SHN Source Detail
|
|
| 86. |
04/26/71 |
Fillmore East - New York,
NY |
MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; includes (wrong) NRPS; note 4 CD best-of-run is available from the Dead |
FLAC Source Detail
|
|
| 87. |
04/26/71 |
Fillmore East - New York,
NY |
GD: MR> CDR> SHN; NRPS material: MR> C> CDRx?> SHN, note NRPS is newly seeded, date-accurate; via Bill Gadsden, Jim Wise, John Oleynick et al; see info file for additional source and flaw details; to BUDD tree, nycheads; d1,3 tracked for 80 min; Tzuriel's covers |
FLAC Source Detail
|
|
| 88. |
04/27/71 |
Fillmore East - New York,
NY |
mixed reel sources (see info file for details and notes); includes complete NRPS; via Bill Gadsden, Jim Wise?, John Oleynick et al; to BUDD tree; d1,4 tracked for 80 min (A SBE fixed flac version was circulated on 2008-07-06.) |
FLAC Source Detail
|
|
| 89. |
04/27/71 |
Fillmore East - New York,
NY |
MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; d1,3 are tracked for 80 min; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead |
FLAC Source Detail
|
|
| 90. |
04/28/71 |
Fillmore East - New York,
NY |
Complete; Previous splices patched with 'official release' material; See info file for details; Truckin'through Bird Song 02:07.38: MSR>Reel>Alesis Masterlink>CDR; Bird Song 02:08.70 through end of show: MSR 7 inch (7.5 ips) Revox A 77> Alesis Masterlink> CDR (previous splices patched via multi- track sources as noted below); Seeded to etree by Seth D Kaplan and Alan J Fink
|
FLAC Source Detail
|
|
| 91. |
04/28/71 |
Fillmore East - New York,
NY |
MR>R>CDR and MR>CDR with alt. SBD patches; Refined, patched, re-tracked and SHN'ed by Chris Frisco. |
FLAC Source Detail
|
|
| 92. |
04/28/71 |
Fillmore East - New York,
NY |
flac24; SBD MR>R@ 7 1/2 ips. Tape stock:Maxell UD35-7 tape. Transfer info:Akai GX636>Apogee Mini Me @24bit/96kHz > Apogee mini DAC(monitoring/mastering) > Lynx One Audio Card > Wavelab 5.0 > FLAC. Edited on the GEMS Edit Station by Jamie Waddell. Pow-r3 Dither in Weiss-Saracon FLAC Level 8 in Trader's Lil Helper Meta-Data with Tag&ReName |
FLAC Source Detail
|
|
| 93. |
04/29/71 |
Fillmore East - New York,
NY |
flac16; matrix of SBD: shnid=33565 and AUD: shnid=26568 by hansokolow using ProTools |
FLAC Source Detail
|
|
| 94. |
04/29/71 |
Fillmore East - New York,
NY |
complete, including NRPS; MSR 7 inch (Revox A-77) @ 7.5 ips > Alesis Masterlink >CD-R; via Bob Murphy, Dan Stephens; stemming from Jim Wise seed of Well vine; note d5 tracked for 80 min; see highly detailed commentary in pub comments; note 4 CD best-of-run is available from the Dead |
FLAC Source Detail
|
|
| 95. |
04/29/71 |
Fillmore East - New York,
NY |
Lineage: (mostly) SB> MR> CD; Refined by Chris Frisco, 20 glitches painstakingly removed without deleting any of the
wav; Bird Song patched; See info file for further details; Circ's w/ NRPS opening set |
FLAC Source Detail
|
|
| 96. |
05/30/71 |
Winterland Arena - San Francisco,
CA |
flac16; SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 97. |
06/21/71 |
Chateau D'Herouville - Herouville,
France |
SBD MR> ?> D> CD patched with AM MR> R> C> CD, 5% speed correction, by Hanno Bunjes; see info file for notes; to BUDD offer, later to etree |
FLAC Source Detail
|
|
| 98. |
06/21/71 |
Chateau D'Herouville - Herouville,
France |
flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 99. |
07/02/71 |
Fillmore West - San Francisco,
CA |
Source: Master Reel (Pre-FM) > PCM > DAT
Conversion: M-1 > 7-pin optical > Co2 > SB Live > CDwav Record and Index > FLAC (1.1GB) |
FLAC Source Detail
|
|
| 100. |
07/02/71 |
Fillmore West - San Francisco,
CA |
Pre-FM MSR> DAT> CD?; Transfer: EAC> WAV> FLAC by Sean Cribbs, from Connie Veigh source discs |
FLAC Source Detail
|
|
| 101. |
08/04/71 |
Terminal Island Correctional Fac. - San Pedro,
CA |
flac16; Recording Info:SBD -> Master Reel -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 102. |
08/05/71 |
Hollywood Palladium - Hollywood,
CA |
flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 103. |
08/05/71 |
Hollywood Palladium - Hollywood,
CA |
flac 16; Sick Bits Vol. 29a - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=96540) + AUD (shnid=94260) as well as patch AUD sources (shnid=88859 and shnid=9768). Matrixed by Chris Chappell. |
FLAC Source Detail
|
|
| 104. |
08/06/71 |
Hollywood Palladium - Hollywood,
CA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
January 3, 2009 |
FLAC Source Detail
|
|
| 105. |
08/06/71 |
Hollywood Palladium - Hollywood,
CA |
flac 16; Sick Bits Vol. 29b - SBD/AUD mix of 2 previously circulating primary sources: SBD (shnid=96541) + AUD (shnid=94261) as well as patch AUD source (shnid=88816). Matrixed by Chris Chappell. |
FLAC Source Detail
|
|
| 106. |
08/14/71 |
Berkeley Community Theater - Berkeley,
CA |
SBD MR->DAT->CD; to abgd; info courtesy Trip, 9/13/00 |
FLAC Source Detail
|
|
| 107. |
08/14/71 |
Berkeley Community Theater - Berkeley,
CA |
SBD MR->DAT->CD; to abgd; info courtesy Trip, 9/13/00 |
FLAC Source Detail
|
|
| 108. |
08/15/71 |
Berkeley Community Theater - Berkeley,
CA |
mSR> cass> DAT> Serafin remaster> CDR; via Andy Gustin; Andy's comments: "not 100% flawless (eg. reel flip in Rider, sporadic anomalies) but they are absolutely worth getting. To my knowledge this is the best that circulates. They do sound amazing." |
FLAC Source Detail
|
|
| 109. |
08/15/71 |
Berkeley Community Theater - Berkeley,
CA |
Source: SBD:MR->1 cassette gen.->DAT->SHN->CDR originally via M. Woyczynski. edits by C.Ladner
|
FLAC Source Detail
|
|
| 110. |
08/26/71 |
Gaelic Park - Bronx,
NY |
SDBMR> DAT> WAV> SHN; via Dopey; faded in on reel cut into d2t3; apparently level differences between sets 1 and 2 |
SHN Source Detail
|
|
| 111. |
09/29/71 |
Studio Rehearsals with Keith Godchaux - Santa Venetia,
CA |
MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt |
FLAC Source Detail
|
|
| 112. |
09/30/71 |
Studio Rehearsals with Keith Godchaux - Santa Venetia,
CA |
Studio rehersal with Keith Godchaux MSR>C>DAT>WAV>SHN via Cousinit |
FLAC Source Detail
|
|
| 113. |
10/01/71 |
Studio - Santa Venetia,
CA |
MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt. [An alternate shn set was seeded by Cousinit since original shns were not archived]. |
FLAC Source Detail
|
|
| 114. |
10/19/71 |
Northrop Auditorium, U. of Minn. - Minneapolis,
MN |
PreFM Soundboard Reels > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston |
FLAC Source Detail
|
|
| 115. |
10/21/71 |
Auditorium Theatre - Chicago,
IL |
SBD> MR> C> D> CD> EAC>S HN; EAC/ shn encoding/ edits by J. Cotsman, with thanks to Jeff Cook; see listening notes in info file |
FLAC Source Detail
|
|
| 116. |
10/21/71 |
Auditorium Theatre - Chicago,
IL |
Jay Ashley (Bertha) remaster of original MR source; SBD>>MR>>Cass>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA |
FLAC Source Detail
|
|
| 117. |
10/22/71 |
Auditorium Theatre - Chicago,
IL |
flac16; Set 2 only, Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 118. |
10/23/71 |
Eastown Theater - Detroit,
MI |
FM C/3; via Uli Teute and Hanno Bunjes |
FLAC Source Detail
|
|
| 119. |
10/26/71 |
The Palestra, U. of Rochester - Rochester,
NY |
Source 1: (all material on discs 1 & 2)
SBD>MR>R>C>D>CD(pre FM)
Source 2: (all material on disc 3)
SBD>MR>?>D>CD; via Matt Vernon, Raoul Duke, and Jeff Cook; Seeded to etree by J. Cotsman
|
FLAC Source Detail
|
|
| 120. |
10/27/71 |
Onondaga County War Memorial - Syracuse,
NY |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
FLAC Source Detail
|
|
| 121. |
10/27/71 |
Onondaga County War Memorial - Syracuse,
NY |
flac16; SBD > MR > CASS > DAT > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha Remaster of shn id 32668 |
FLAC Source Detail
|
|
| 122. |
10/29/71 |
Allen Theatre - Cleveland,
OH |
Complete; 1st set: SBD> FM> ?> C> Sound Forge> SHN; 2nd set: SBD> MR> D> CD> EAC> SHN; via Walter Schnell, Tony Gardner & Paul B.; Seeded to etree by J. Cotsman |
FLAC Source Detail
|
|
| 123. |
10/29/71 |
Allen Theatre - Cleveland,
OH |
Recording Info: SBD (7inch Master Reels@7.5ips 1/2trk) -> Cass (Tascam 122mkIII) -> Dat (3800/48k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sharp MV10 -> Samplitude v7.02 Professional -> SHN Transfered and Edited By Charlie Miller
|
FLAC Source Detail
|
|
| 124. |
10/30/71 |
Taft Auditorium - Cincinnati,
OH |
mixed sources; primary: Pre-FM MR (1/2 track, 7.5 ips), Transfer: Revox PR99-MKIII > Panasonic SV3800 (48)/Sony 60ES > M-Audio Audiophile USB > CDWave > Goldwave (resample to 44.1 and edits) > CDwave > mkwACT, Primary source supplied by Josh Braveman; Secondary: FM > Pioneer RT-707 (7" reel @ 19 ips) > CD, Conversion: Kenwood TrueX > EAC > shn v3 (seekable); edited (patching, pitch correction, d/o repair) by Doug Nawrocki et al (see notes) |
FLAC Source Detail
|
|
| 125. |
10/31/71 |
Ohio Theatre - Columbus,
OH |
flac16; Set 1 & Encore: Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC |
FLAC Source Detail
|
|
| 126. |
11/06/71 |
Harding Theater - San Francisco,
CA |
SBD> MR> C> DAT> CDR; note PA problems with the piano throughout show; via Mike Lai, with thanks to Paul B. |
FLAC Source Detail
|
|
| 127. |
11/11/71 |
Atlanta Municipal Auditorium - Atlanta,
GA |
Sbd>MR>?>Dat>cd; via Yubah, Ernie Dodd |
FLAC Source Detail
|
|
| 128. |
11/12/71 |
San Antonio Civic Auditorium - San Antonio,
TX |
Master Soundboard Reel > Cassette > DAT > CDR |
FLAC Source Detail
|
|
| 129. |
11/14/71 |
Texas Christian University - Fort Worth,
TX |
SBD -> Master Reel (10 inch) -> CD -> Sonic Solutions -> CD -> EAC -> SHN; Converted By Charlie Miller |
FLAC Source Detail
|
|
| 130. |
11/15/71 |
Austin Municipal Auditorium - Austin,
TX |
SBD>MR>C>D>CD>EAC>SHN (patched with slightly degraded SBD, also listed with one cassette generation in the lineage);
complete show; Thanks to Michael Dixon & Chuck Kiefe; edits/encoding by JCotsman |
FLAC Source Detail
|
|
| 131. |
11/17/71 |
Albuquerque Civic Auditorium - Albuquerque,
NM |
SBD>FM>MC>C>D>CD; Patched with SBD>FM>MC>?>C>Sound Forge>SHN (higher gen than primary source); See info file for details; via Jeff Cook & Walter Schnell; Seeded to etree by J. Cotsman |
FLAC Source Detail
|
|
| 132. |
11/20/71 |
Pauley Pavilion, UCLA - Los Angeles,
CA |
flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k);Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 133. |
12/01/71 |
Music Hall - Boston,
MA |
flac16; Recording Info: SBD -> Reel Master -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC; upgrade in circulation |
FLAC Source Detail
|
|
| 134. |
12/01/71 |
Music Hall - Boston,
MA |
flac16; Partial Set 2 Matrix. Mix Ratio = +3 db sbd (shnid=76424) / -5.5 db aud (shnid=24765) via Matt Vernon
|
FLAC Source Detail
|
|
| 135. |
12/02/71 |
Music Hall - Boston,
MA |
SBD> MR> R> DAT> CDR; see info file for flaw notes; via Mike Lai, with thanks to Paul B. (SBE fixed version via SIRMick, January, 2006.) |
FLAC Source Detail
|
|
| 136. |
12/04/71 |
Felt Forum, Madison Square Garden - New York,
NY |
SBD> MR> DAT> C> DAT> CDR; missing JB Goode, Cumberland fades in; via Mike Lai, with thanks to Paul B.; note d2t2,3 had been misnumbered (reversed) intially- md5s for correctly named tracks are now shown here |
FLAC Source Detail
|
|
| 137. |
12/05/71 |
Felt Forum, Madison Square Garden - New York,
NY |
flac16; FM -> Master Reel -> CD -> EAC -> FLAC. This is a complete show and a real nice upgrade from the so-called Pre-FM. |
FLAC Source Detail
|
|
| 138. |
12/05/71 |
Felt Forum, Madison Square Garden - New York,
NY |
Updated lineage: FM > MR > DAT > CD; (had been marked pre-FM) stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; notes: no encore, complete Muddy Water, small cut in Casey Jones, chatter edited; see pub comments for md5 notes |
FLAC Source Detail
|
|
| 139. |
12/06/71 |
Felt Forum, Madison Square Garden - New York,
NY |
MSR> DAT> CD; via Seth Kaplan |
FLAC Source Detail
|
|
| 140. |
12/07/71 |
Felt Forum, Madison Square Garden - New York,
NY |
SBD> MR @ 10.5 IPS> DAT> CD; stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; note large cut in Casey Jones |
FLAC Source Detail
|
|
| 141. |
12/09/71 |
Fox Theatre - St. Louis,
MO |
MSR> LATVALA C> DAT> CDR; EAC> SHN by Seth Kaplan; upload by Darrin Sacks |
FLAC Source Detail
|
|
| 142. |
12/10/71 |
Fox Theatre - St. Louis,
MO |
MR> DAT> Latvala's Cassette> D> CDR (slightly updated lineage); EAC/SHN, Ben Yerys; seed via Seth Kaplan, Jared Minkoff |
FLAC Source Detail
|
|
| 143. |
12/14/71 |
Hill Auditorium - Ann Arbor,
MI |
7" BBD reel> PCM501ES(beta)> PCM501ES analog out> Fostex D5 @ optical out 48KHz> HD; DAT-1 > Soundforge 4.5 > WAV/SHN mastering by Tim Deibert; includes Tuning between songs |
FLAC Source Detail
|
|
| 144. |
12/15/71 |
Hill Auditorium - Ann Arbor,
MI |
flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k);
Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 ->
Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 145. |
12/31/71 |
Winterland Arena - San Francisco,
CA |
FM > Reel > Dat > CDR; via G. Lanum |
SHN Source Detail
|
|
| 146. |
12/31/71 |
Winterland Arena - San Francisco,
CA |
FM > Reel > Dat > CDR; via G. Lanum |
FLAC Source Detail
|
|
| 147. |
01/02/72 |
Winterland Arena - San Francisco,
CA |
updated lineage: SBD> Reel Master> Reel> CD> Sonic Solutions Workstation> CD; via Charlie Miller; Seeded to etree by eD |
FLAC Source Detail
|
|
| 148. |
03/05/72 |
Winterland Arena - San Francisco,
CA |
SBD -> ?m -> Cass -> Cass -> Cass -> Cass -> Dat -> SHN Patched w/AUD -> ? -> Reel (Mono) -> Dat -> Samplitude -> SHN via Charlie Miller; upgrade now in circulation |
FLAC Source Detail
|
|
| 149. |
03/21/72 |
Academy Of Music - New York,
NY |
flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat/0 (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 150. |
03/23/72 |
Academy of Music - New York,
NY |
flac16;Recording Info:SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info:Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 151. |
03/23/72 |
Academy of Music - New York,
NY |
flac16;Recording Info:SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info:Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 152. |
04/08/72 |
Wembley Empire Pool - London,
England |
flac16; Recording Info: SBD -> (16 Track) Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 153. |
04/11/72 |
Newcastle City Hall - Newcastle,
England |
flac16; Source: SBD Lineage: MR(recorded by Rex Jackson)>R(JG)>R(WB)>CD transfer info:Maxell UD XL reel tape @ 3 3/4 ips>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring)>LYNX ONE soundcard>Wavelab 5.0(dithered to 20/44)>CD. |
FLAC Source Detail
|
|
| 154. |
04/14/72 |
Tivoli Theater - Copenhagen,
Denmark |
SBD>mR>C>D>CD; See info file for various patches; via Jack Warner; Jim Powell; seeded to etree by Greg Hurwitt |
SHN Source Detail
|
|
| 155. |
04/14/72 |
Tivoli Theater - Copenhagen,
Denmark |
flac16 This is a pitch/speed fixed version of shn id 34552 The lineage is extended as follows: SBD -> (16 Track) Master Reel -> Dat (44.1k); Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC -> Adobe Audition 1.5 -> pitch/speed correction* -> flac -> TraLiHe -> sbe's fixed |
FLAC Source Detail
|
|
| 156. |
04/16/72 |
Stakladen, Aarhus University - Aarhus,
Denmark |
Set 1: SBD>Rm>?>Cass>Sound Forge>SHN
Set 2: SBD>Rm>Dat>Sonic Solutions>CD>EAC>Samplitude>SHN
Set 2 Conversion and Editing By Charlie Miller
|
FLAC Source Detail
|
|
| 157. |
04/17/72 |
Tivoli Concert Hall - Copenhagen,
Denmark |
flac16; source: sbd > 16 track 2" MR>DAT4x > Delta Dio 2496 > Soundforge > wav > Cd Wave Editor > flac > wav > flac This is a further clean up of shn id 33802, which incorporates those already made on shn id 34302 |
FLAC Source Detail
|
|
| 158. |
04/26/72 |
Jahrhundert Halle - Frankfurt,
Germany |
This is probably the original FM broadcast
No generational info given with original shn set. See text file. |
SHN Source Detail
|
|
| 159. |
05/10/72 |
Concertgebouw - Amsterdam,
Netherlands |
S:MR > Cassette > DAT > CDR > SHN; Extraction and SHN encoding by Seth Kaplan; upload by Greg Hamilton; known flaw: Bertha fades in |
SHN Source Detail
|
|
| 160. |
05/11/72 |
Rotterdam Civic Hall - Rotterdam,
Netherlands |
Jay Ashley (Bertha) remaster of Master Reel source; SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>SHN |
SHN Source Detail
|
|
| 161. |
05/13/72 |
Lille Fairgrounds - Lille,
France |
sbd > mr > cass > dat > cda > eac > shn v3; via Chris Ladner to vine and etree; encore missing |
SHN Source Detail
|
|
| 162. |
05/23/72 |
Lyceum Ballroom - London,
England |
Lineage (most likely):10" 2-track RM > C > D > C speed corrected, complete 4 disk version via Unicorn
|
SHN Source Detail
|
|
| 163. |
05/25/72 |
Lyceum Ballroom - London,
England |
flac16; Recording Info: SBD -> Master Reel 10 inch reels recorded at 7.5 ips (1/2 track) -> Apogee AD500 -> Dat/0 (48k) Transfer Info: Dat/0 (Sony 500) -> Samplitude Professional 9.11 -> FLAC All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 164. |
05/26/72 |
Lyceum Ballroom - London,
England |
S:MR> DATx5> CD, including patches (see info file for specifics; transfer by David Hollister; reported "superior to all circulating copies"
|
SHN Source Detail
|
|
| 165. |
07/16/72 |
Dillon Stadium - Hartford,
CT |
source 1: SBD>MR>C>D>CD>EAC>SHN
source 2: AUD>?>SHN
the audience recording supplies:
--all of disc 1,
--on disc 2, the final portion of Me & My Uncle through to the end of Sing Me Back Home; See info file for details; via Glenn Gillis and Paul B; Seeded to etree by Tim O'Connel & J. Cotsman
|
FLAC Source Detail
|
|
| 166. |
07/18/72 |
Roosevelt Stadium - Jersey City,
NJ |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 167. |
07/21/72 |
Paramount Northwest Theater - Seattle,
WA |
SBD> MR> CX3(?)> D> CD> EAC> SHN; edits (pitch corrected, normalized), encoding, vined by J. Cotsman, with thanks to Mark Sweeney |
FLAC Source Detail
|
|
| 168. |
07/22/72 |
Paramount Northwest Theater - Seattle,
WA |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 169. |
07/25/72 |
Paramount Theater - Portland,
OR |
SBD> MR> C> D> CD> EAC> SHN; encoding, vined by J. Cotsman; with thanks to Mark Sweeney |
FLAC Source Detail
|
|
| 170. |
07/26/72 |
Paramount Theater - Portland,
OR |
nearly complete; updated info: Master Soundboard Reel > PCM> DAT > ZA2 > CDR x2; DAT seed via Jeff Tiedrich, original DAT>CD transfer by David Hollister; subsequent CD remastering and SHN by Scott Clugston; see info file and pub comments for notes |
SHN Source Detail
|
|
| 171. |
08/12/72 |
Sacramento Memorial Auditorium - Sacramento,
CA |
flac24; master reel @7.5ips> J.Garcia's reel @ 3.75ips > Will Boswell's reel @ 3.75ips > Apogee DAC> Apogee Mini Me Wavelab 5.0 @ 24 bit 96kHz Transferred by Matt Smith Fall 2009 Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for Pow-r3 Dither MetaData with Tag and Rename TLH for FLAC Level 8 |
FLAC Source Detail
|
|
| 172. |
08/20/72 |
San Jose Civic Auditorium - San Jose,
CA |
flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 173. |
08/21/72 |
Berkeley Community Theater - Berkeley,
CA |
S:MR > PCM > DAT > CD > EAC > SHN; via D. Hollister, G. Hamilton; see
info file for list of minor flaws |
SHN Source Detail
|
|
| 174. |
08/22/72 |
Berkeley Community Theater - Berkeley,
CA |
SBD>MR>?>CD>EAC>SHN: (low gen); (set 1)
SBD>MR>PCM>D>CD>EAC>SHN: (set 2);
Missing first 3 1/2 songs; See info file for details; via Mike Dolgushkin & Seth Kaplan; Seeded to etree by J. Cotsman |
SHN Source Detail
|
|
| 175. |
08/22/72 |
Berkeley Community Theater - Berkeley,
CA |
mixed sources: Set 1: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> Apogee AD500> Master Dat (Panasonic SV3800/48k); Set 2: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> PCM> Dat> CD; Transferred and Edited (see cleanup notes) by Charlie Miller |
FLAC Source Detail
|
|
| 176. |
08/22/72 |
Berkeley Community Theater - Berkeley,
CA |
mixed sources: Set 1: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> Apogee AD500> Master Dat (Panasonic SV3800/48k); Set 2: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> PCM> Dat> CD; Transferred and Edited (see cleanup notes) by Charlie Miller |
FLAC Source Detail
|
|
| 177. |
08/24/72 |
Berkeley Community Theater - Berkeley,
CA |
SBD>Rm>Dat(48k) with missing songs patched from SBD>Rm>Cass>Cass>Cass>Dat>Samplitude>SHN via Charlie Miller |
SHN Source Detail
|
|
| 178. |
08/25/72 |
Berkeley Community Theater - Berkeley,
CA |
flac16; Bertha Remaster of the Master Reel Source: SBD>>MR>>DAT>>FLAC>>DAW(Bertha)>>Audio DVD>>FLAC |
FLAC Source Detail
|
|
| 179. |
08/27/72 |
Old Renaissance Faire Grounds - Veneta,
OR |
Bertha Remaster of the Braverman/Dank 16 track source.
SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A
(Between songs from the two-track master reels)
|
SHN Source Detail
|
|
| 180. |
09/09/72 |
Hollywood Palladium - Hollywood,
CA |
flac16; Matrix by Hunter Seamons using Final Cut Pro Pitch correction, normalization, and EQ work by Rob Bertrando |
FLAC Source Detail
|
|
| 181. |
09/28/72 |
Stanley Theatre - Jersey City,
NJ |
SBD (probably sbd>mr>dat>cdr)
Seeded by Bill from Monterey to clone.etree.org 9/02
any setlist help send to nick@burgis.org |
SHN Source Detail
|
|
| 182. |
11/19/72 |
Hofheinz Pavilion - Houston,
TX |
Source: SBD>MR>Reel>Reel>DAT>CD>EAC>WAV>CoolEdit2000>SHN
(Note that there is speculation that this source may contain only one reel generation.)
Cool Edit 200 was used to correct various flaws from previously circulating versions. |
SHN Source Detail
|
|
| 183. |
12/31/72 |
Winterland Arena - San Francisco,
CA |
Bertha Remaster of the patched PreFM source, by Jay Ashley |
FLAC Source Detail
|
|
| 184. |
02/15/73 |
Dane County Coliseum - Madison,
WI |
MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD; upgrade relative to previous shn copies; includes soundcheck and most of encores; via Mike Hall; tracked for 2x74 + 1x80 (with alternate tracking suggestion) |
SHN Source Detail
|
|
| 185. |
03/24/73 |
The Spectrum - Philadelphia,
PA |
S:MR > cassette > DAT > CDR; note updated source info- actually only 1 cass gen, not 2; via Mike Bryan, Greg Hamilton; see info file for listening notes |
SHN Source Detail
|
|
| 186. |
05/13/73 |
Iowa State Fairgrounds - Des Moines,
IA |
flac16; Set 3 Recording Info:SBD -> Master Reel -> Dat -> CD -> EAC -> FLAC; EAC -> FLAC conversion By Charlie Miller; fixed version now in circulation |
FLAC Source Detail
|
|
| 187. |
05/26/73 |
Kezar Stadium - San Francisco,
CA |
MSR>DAT>CD>EAC>WAV>SHN
CD>EAC>WAV>SHN by Sean Cribbs 4/19/2003
|
SHN Source Detail
|
|
| 188. |
06/09/73 |
Robert F. Kennedy Stadium - Washington,
DC |
SBD MR > cassette> DAT > CD > EAC > SHN, except Promised Land, Half Step, and
Sugar Mag are S:MR > PCM > cassette > DAT > CD > EAC > SHN, and Patch in
Box of Rain (very small) from 2nd source; via D. Hollister, G. Hamilton; 8/16 note formerly
error in info file at this site, and possibly distributed with show- cass gen in main portion of show had been omitted,
(although info file at Hamiltons' CDR list has apparently always been correct)- sorry! |
SHN Source Detail
|
|
| 189. |
06/10/73 |
Robert F. Kennedy Stadium - Washington,
DC |
SBD MR (10'' reels)> DAT > CD > EAC > SHN; via David Hollister, G.S. Hamilton; known flaws: d2t01 (Bird Song: very brief tape waver @ 2:44, 2t03 (Eyes) transient sound system glitch @ 5:06; subsecond dropout @ 6:54, d4t06 (GDTRFB): reel flip/splice @ 6:42; not noted on original info file: sounds like loose cord to board: d1t09 (The Race Is On) 1:33, 1:34, 1:36, 1:44; d1t2 BIODTL begining cut; reportedly "best version available" |
SHN Source Detail
|
|
| 190. |
06/22/73 |
P.N.E. Coliseum - Vancouver,
BC |
composite: MSR> PCM> DAT> CD> EAC> WAV> SHN for Bertha> Other One//; MAC> R> R> CD> DAT> WAV> SHN for patches, JGB (see notes); MSR> C> DAT> CD> EAC> WAV> SHN for //Other One> end of set 2; EAC> CEP2K edits> encoding by Sean Cribbs |
SHN Source Detail
|
|
| 191. |
09/21/73 |
The Spectrum - Philadelphia,
PA |
SBD -> Rm -> Reel -> PCM -> Dat
Transfer Info: Dat (Sony R500) -> Samplitude v6.0 -> Cool Edit Pro v1.2 -> CD -> EAC -> SHN via Charlie Miller |
SHN Source Detail
|
|
| 192. |
09/26/73 |
Community War Memorial Auditorium - Buffalo,
NY |
SBD: Rm > DAT > CD / Patched with unknown AUD > WAV > SHN; DAE(EAC0.9 beta 4)> tracking(cdwav)> SHN (MKWAct.96f)> FTP by Tripp; with thanks to Darryl Hinko, Tommy Brame
|
SHN Source Detail
|
|
| 193. |
11/10/73 |
Winterland Arena - San Francisco,
CA |
MSR> reel > PCM > DAT > CD; see info file for listening notes |
SHN Source Detail
|
|
| 194. |
11/14/73 |
San Diego Sports Arena - San Diego,
CA |
edit of previous shn set by Bob Clevenger; see info file for notes |
SHN Source Detail
|
|
| 195. |
11/17/73 |
Pauley Pavilion, UCLA - Los Angeles,
CA |
This is a FLAC composite of different sources that all have cassette/reel flip cuts at various points of the show. See text document for further info. |
FLAC Source Detail
|
|
| 196. |
12/02/73 |
Music Hall - Boston,
MA |
Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston;a few seconds of overlap between d2,3; to abgd |
SHN Source Detail
|
|
| 197. |
12/04/73 |
Cincinnati Gardens - Cincinnati,
OH |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller (note: this source includes the encore missing from shn id 86839). |
FLAC Source Detail
|
|
| 198. |
12/06/73 |
Public Hall - Cleveland,
OH |
SBD MR > 1 cass gen > DAT > (AUD patching)> CD > EAC > SHN> slight retrack for d2t3, d3t1, d3t4> shnv2 on those tracks; d3 tracked for 80 min; see notes in info file; seed via David Gans, Jim Powell, Dave Greenberg; shns via Seth Kaplan, Alan Fink, G.S. Hamilton |
SHN Source Detail
|
|
| 199. |
12/08/73 |
Cameron Indoor Stadium, Duke University - Durham,
NC |
flac16; Sbd > MR > C > DAT > CD
Re-master of shnid 1811 |
FLAC Source Detail
|
|
| 200. |
12/12/73 |
The Omni - Atlanta,
GA |
nearly complete, with soundcheck; MR > C > DAT > CDR; via Trei Hobbs |
SHN Source Detail
|
|
| 201. |
12/18/73 |
Curtis Hixon Convention Hall - Tampa,
FL |
SBD Reel master > cassette > DAT > CDR (unknown gens) > EAC > CDWav retracking> SHN; Extraction, retracking, shortening by G.S. Hamilton (for real). Please use md5s to ID copies in circulation. Note d2 has 9 tracks; alternate shn set in circulation has 7 d2 tracks and is not really via Greg, but is apparently from another CD set. (This has same reel change in Wharf Rat (d3t04) @ 6:36.); note noise reduction notes in pub comments apparently pertain to alternate shn set only, no NR on this entry |
SHN Source Detail
|
|
| 202. |
02/22/74 |
Winterland Arena - San Francisco,
CA |
SBD > ? > SHN; Missing Sugar Mag's & UJB; Unknown seeder |
SHN Source Detail
|
|
| 203. |
02/22/74 |
Winterland Arena - San Francisco,
CA |
soundcheck, reportedly this date although mislabeled as 2/24/74 on shn set; SBD > RTR @ 7.5 i.p.s. > D > SSSB; no PCM- see info file; via Jay Serafin to gdlive |
SHN Source Detail
|
|
| 204. |
05/12/74 |
University Of Nevada - Reno,
NV |
DTS Audio 5.1; SBD (shn id 2224) MSR>C>DAT>CDRs>EAC>SHN + AUD (shn id 10529)AUD>?>CDRs>EAC>SHN Shns supplied by Jack Warner - dts mixing by Kevin Tobin |
FLAC Source Detail
|
|
| 205. |
05/17/74 |
P.N.E. Coliseum - Vancouver,
BC |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 206. |
06/22/74 |
Jai-Alai Fronton - Miami,
FL |
flac 16; Sick Bits Vol. 21a - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=212) + AUD (shnid=14193). Matrixed by Chris Chappell. |
FLAC Source Detail
|
|
| 207. |
07/19/74 |
Selland Arena - Fresno,
CA |
flac16; Matrix 60% sbd/40% aud (- 4dbs) sbd - shnid 32634 Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic SV3800/44.1k) aud - shnid 102866 Recorded by AS and friends with borrowed UC Santa Cruz AV gear 2 Shure omni mics > Sony portable (152?) cassette recorder Nakamichi Dragon > Panasonic 3800 DAT > Apple G4 (Peak editing) > Xact |
FLAC Source Detail
|
|
| 208. |
07/25/74 |
International Amphitheater - Chicago,
IL |
SBD -> Rm -> Dat -> Sonic Solutions -> CD
seeded by Charlie Miller |
SHN Source Detail
|
|
| 209. |
07/31/74 |
Dillon Stadium - Hartford,
CT |
flac16; Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC |
FLAC Source Detail
|
|
| 210. |
10/16/74 |
Winterland Arena - San Francisco,
CA |
Source: Reel Master>Cassette>DAT>EAC 0.93b>MKWACT via JR Fishman |
SHN Source Detail
|
|
| 211. |
10/17/74 |
Winterland Arena - San Francisco,
CA |
MultiTrack Master Reel > DAT > Sonic Solutions > CD; see info file for notes; via Steve Barbella, Rich Danyko, Matt Vernon |
SHN Source Detail
|
|
| 212. |
10/18/74 |
Winterland Arena - San Francisco,
CA |
Bertha Remaster of the Master Reel and multi-gen Reel source; SBD>>MR>>MDAT(44.1k)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B to A+ |
SHN Source Detail
|
|
| 213. |
10/19/74 |
Winterland Arena - San Francisco,
CA |
Recording Info:
SBD -> Reel Master -> Dat Master (Panasonic SV-255/48k)
Transfer Info:
Dat Master (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional ->
Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN)
Patch Info:
SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat -> Samplitude -> CD -> EAC -> SHN
Transfered and Edited By Charlie Miller
charliemiller87@earthlink.net
1/14/04 |
SHN Source Detail
|
|
| 214. |
10/20/74 |
Winterland Arena - San Francisco,
CA |
mixed sources (see info file, and for flaws); via D. Finney, stemming
from Frank's Picks tree- more info;
note some material from show appears on album Steal Your Face- go
buy it; see public comments for quality note |
SHN Source Detail
|
|
| 215. |
09/28/75 |
Lindley Meadows, Golden Gate Park - San Francisco,
CA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC16) |
FLAC Source Detail
|
|
| 216. |
09/28/75 |
Lindley Meadows, Golden Gate Park - San Francisco,
CA |
Bertha Remaster of the master reel source; SBD>>MR>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A
|
SHN Source Detail
|
|
| 217. |
06/03/76 |
Paramount Theatre - Portland,
OR |
SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN Pitch correction of shn id 20004 by Hunter Seamons using Final Cut Pro (8/10/07) |
SHN Source Detail
|
|
| 218. |
06/10/76 |
Boston Music Hall - Boston,
MA |
SBD -> Rm -> PCM -> Dat -> Prodif Plus -> Samplitude v6.0 -> SHN via Charlie Miller |
SHN Source Detail
|
|
| 219. |
06/11/76 |
Boston Music Hall - Boston,
MA |
MR>DAT>DAT Clone @ 44.1 kHz (Tascam DA20)>SBLive Platinum SPDIF In>WAV Edit (Sound Forge)>SHN (mkw audio compression tool)>CDR (HP 8200); via GDLive [Note: An sbe-fixed-by-set version also circulates] |
SHN Source Detail
|
|
| 220. |
06/12/76 |
Boston Music Hall - Boston,
MA |
SBD> FM(WBCN)> MR(7.5ips); Conversion: Akai 4000DS MKII > Turtle Beach Tropez > CoolEdit96 > CD Wave > SHN; Taped by Peter Wrenn, Seeded by Stephen Wrenn; to etree via Doug Moog; Wheel from unknown AUD; see notes in info file |
SHN Source Detail
|
|
| 221. |
06/14/76 |
Beacon Theatre - New York,
NY |
S:MR>PCM>DAT>CD>EAC>SHN
Note: This shn set was modified by replacing the incomplete encore at end of disk 3 with
the complete encore (previously on end of disk 2) and removing it from end disk 2
|
SHN Source Detail
|
|
| 222. |
06/15/76 |
Beacon Theatre - New York,
NY |
SBD > Master Reel > PCM > DAT; Transfer:? DAT > WAV (via TB Fiji S/PDIF) > SHN; via Andy Gustin, Jeff Kempka; see info file and pub comments for flaw notes |
SHN Source Detail
|
|
| 223. |
08/04/76 |
Roosevelt Stadium - Jersey City,
NJ |
flac16; SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin |
FLAC Source Detail
|
|
| 224. |
02/26/77 |
Swing Auditorium - San Bernardino,
CA |
flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk (Tim Deibert) WBOTB |
FLAC Source Detail
|
|
| 225. |
03/19/77 |
Winterland Arena - San Francisco,
CA |
flac16; matrix of SBD: shnid=255 and an uncirculated AUD: shnid=xxxxx by hansokolow using ProTools |
FLAC Source Detail
|
|
| 226. |
04/23/77 |
Springfield Civic Center - Springfield,
MA |
SBD> MR> DAT> CD, with AUD patch on reel splice (FOB Sony ECM99A mics> Sony TC152> DAT> CD via Darrin Sacks); via Adam Jerugim; upgrade in circulation
|
FLAC Source Detail
|
|
| 227. |
04/23/77 |
Springfield Civic Center - Springfield,
MA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) |
FLAC Source Detail
|
|
| 228. |
04/27/77 |
Capitol Theater - Passaic,
NJ |
Pre-FM Master Reel Soundboard->DAT x ?. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Dan Lynch. DAT patch provided by Joe Samaritano. Transfer and SHN by Joe Samaritano |
SHN Source Detail
|
|
| 229. |
05/04/77 |
The Palladium - New York,
NY |
d1: SBD> CASSM?R?> DAT, except for BEW which is SBD> ?> CDR; d2: MASTER REEL> DAT> DAT> CD; via Joe McCarthy to vines; tracked for 2x80; assembled with help from various seeders; see info file for misc flaws and credits. [Note: An sbe-fixed-by-set version also circulates]; upgrade in circulation
|
SHN Source Detail
|
|
| 230. |
05/04/77 |
The Palladium - New York,
NY |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) |
FLAC Source Detail
|
|
| 231. |
05/07/77 |
Boston Garden - Boston,
MA |
SBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding by Rob Eaton; CD editing and mastering by The Wizard. |
SHN Source Detail
|
|
| 232. |
05/08/77 |
Barton Hall, Cornell University - Ithaca,
NY |
flac16; SBD (shnid=4982) and AUD (shnid=29303 Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); Fixed version in circulation |
FLAC Source Detail
|
|
| 233. |
05/08/77 |
Barton Hall, Cornell University - Ithaca,
NY |
freshly remastered Betty Board with AUD splices, by Rob Eaton; see info file for extensive notes and credits; etreed by Darrin |
SHN Source Detail
|
|
| 234. |
05/09/77 |
Buffalo Memorial Auditorium - Buffalo,
NY |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
|
FLAC Source Detail
|
|
| 235. |
05/09/77 |
Buffalo Memorial Auditorium - Buffalo,
NY |
Sources: Soundboard Source:Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out>
Dat @ 48 kHz>Soundforge>Shn:
Audience Source:Master Audience Cassette> Sony ecm-33pmics>nak550>reel to reel>cd
The audience source supplies patches for the master reel splices at D2T2,TMNS 6:50 - 7:18 and D3T4, NFA 1:43 - 2:10 Seeded via Fungus and abgd by Charlie Connor 3/21/02, with thanks to Joe Samaritano and Scott Clugston |
SHN Source Detail
|
|
| 236. |
05/11/77 |
St. Paul Civic Center - St. Paul,
MN |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC Transferred and Edited By Charlie Miller |
FLAC Source Detail
|
|
| 237. |
05/17/77 |
Memorial Coliseum, University Of Alabama - Tuscaloosa,
AL |
SBDMR > DAT > CD > EAC > SHN note: Sugar Magnolia encore supplied by AUD source. Added to etree by Noah Weiner |
SHN Source Detail
|
|
| 238. |
05/18/77 |
Fox Theatre - Atlanta,
GA |
flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude v7.02 Professional -> FLAC |
FLAC Source Detail
|
|
| 239. |
06/07/77 |
Winterland Arena - San Francisco,
CA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) |
FLAC Source Detail
|
|
| 240. |
06/08/77 |
Winterland Arena - San Francisco,
CA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) |
FLAC Source Detail
|
|
| 241. |
06/09/77 |
Winterland Arena - San Francisco,
CA |
flac16; Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD
Transfer Info: CD -> EAC -> Samplitude Profesional v8.0 -> FLAC
Transferred and Edited By Charlie Miller
Patch Info:
AKG D224 -> Master Reel (Tandberg 10XD) -> Reel -> Dat -> CD |
FLAC Source Detail
|
|
| 242. |
06/09/77 |
Winterland Arena - San Francisco,
CA |
flac16; flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) |
FLAC Source Detail
|
|
| 243. |
09/03/77 |
Raceway Park - Englishtown,
NJ |
Two-track Pre-FM reel > DAT > CD-R, except for encore, which is unknown
AUD; note d1t1,2 (intro and Promised) are apparently really from 4/27/77!;
this show is now released as Dick's Picks 15- go
buy it [Note: An sbe-fixed version circulates.] |
SHN Source Detail
|
|
| 244. |
09/28/77 |
Paramount Theatre - Seattle,
WA |
Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out>Dat @ 48 kHz>Tascam DA-20MKII
(playback only)>RME Digi96/8>Steinberg's Wavelab 3.0 (resampling & editing)>CDWav beta1.6(tracking only)>SHNv3 (MKW ACT)
Source DAT via Joe Samaritano
DAT>Shn conversion, ditital editing via Charlie Connor;Seeded to fungus and abgd by Charlie Connor
|
SHN Source Detail
|
|
| 245. |
10/01/77 |
Paramount Theatre - Portland,
OR |
flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0 |
FLAC Source Detail
|
|
| 246. |
10/02/77 |
Paramount Theatre - Portland,
OR |
flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz X2 > WBOTB Master DAT (DAT-2).
|
FLAC Source Detail
|
|
| 247. |
10/09/77 |
McNichols Sports Arena - Denver,
CO |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 248. |
10/11/77 |
Lloyd Noble Center, University Of Oklahoma - Norman,
OK |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 249. |
10/12/77 |
Manor Downs - Austin,
TX |
SBD>MR>C>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN via J. Cotsman; Thanks to S. Milewski for aud patches |
SHN Source Detail
|
|
| 250. |
10/28/77 |
Soldiers & Sailors Memorial Hall - Kansas City,
KS |
flac16; Matrix 2 Source Mix - SBD (shn id 96159) SBD -> Master Reel -> PCM -> Dat; Transfer Info:Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 96569) Sony ECM-990 -> Cassette Master -> Reel -> FLAC Transfer and FLAC encoding by David Minches: Reel played back on Akai GX-4000D> ART DI/O> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (speed correction/dither/downsample)> FLAC encoding - matrix mixing by Kevin Tobin |
FLAC Source Detail
|
|
| 251. |
10/29/77 |
Evans Field House, Northern Illinois University - DeKalb,
IL |
flac16; matrix of SBD: shnid=92085 and AUD: shnid=8035 by hansokolow using ProTools |
FLAC Source Detail
|
|
| 252. |
10/30/77 |
Assembly Hall - Bloomington,
IN |
flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat; Transfer Info:
Dat -> Samplitude Professional v10.21 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version now in circulation |
FLAC Source Detail
|
|
| 253. |
11/01/77 |
Cobo Arena - Detroit,
MI |
flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 254. |
11/02/77 |
Field House, Seneca College - Toronto,
ON |
flac 16; Sick Bits Vol. 23 - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=14743) + AUD (shnid=81012). Matrixed by Chris Chappell. |
FLAC Source Detail
|
|
| 255. |
11/06/77 |
Broome County Arena - Binghamton,
NY |
flac16; MATRIX MIX: SBD/AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) June 13, 2008 |
FLAC Source Detail
|
|
| 256. |
12/31/77 |
Winterland Arena - San Francisco,
CA |
Source: SBD > Master Reel > PCM > DAT > CD
original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy (dkonrad99@hotmail.com)
|
SHN Source Detail
|
|
| 257. |
01/06/78 |
Swing Auditorium - San Bernardino,
CA |
Master Soundboard Cassette > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; d2 tracked for 80 min; upgrade in circulation
|
SHN Source Detail
|
|
| 258. |
01/31/78 |
Uptown Theater - Chicago,
IL |
flac16; Matrix: 60 sbd/40 aud. In addition the gain on the sbd was increased by 1 decibel and for the aud reduced by the same amount sbd: SBD > Master Reel > Dat > CD > FLAC (shnid 32256) and aud: AUD > MC > R > CD > EAC > SHN (shnid 17807) |
FLAC Source Detail
|
|
| 259. |
04/11/78 |
Fox Theater - Atlanta,
GA |
flac16; SBD -> Rm -> PCM -> Dat - Seamless fix of shn id 18099 via Bill Tetzeli |
FLAC Source Detail
|
|
| 260. |
04/16/78 |
Huntington Civic Center - Huntington,
WV |
flac16; Source: Betty Soundboard Media: master reels Lineage: SBD > Nagra IV (7.5ips) > R1 Nagra IVs > SR1 > Phillips SuperCD 24/28 > Presonus DigiMax 96 > SB Audigy II Pro > HD WAV > Adobe Audition 1.5 > Izotope Ozone 1.5 > Izotope Ozone 3.5 > WAV16 > flac Taped by: Betty Cantor Transfer by: Jim Goldman Mastered by: Jim Goldman |
FLAC Source Detail
|
|
| 261. |
04/19/78 |
Veterans Memorial Hall - Columbus,
OH |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) |
FLAC Source Detail
|
|
| 262. |
04/21/78 |
Rupp Arena, University Of Kentucky - Lexington,
KY |
flac16; Recording Info:SBD -> Cassette Master -> Dat (44.1k); Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 263. |
04/24/78 |
Horton Field House, Illinois State University - Normal,
IL |
flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 264. |
07/05/78 |
Omaha Civic Auditorium - Omaha,
NE |
flac16; MOTB Release: 0070 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Sony Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight Transfer By: Adam Egert Mastering By: Derek McCabe |
FLAC Source Detail
|
|
| 265. |
07/07/78 |
Red Rocks Amphitheatre - Morrison,
CO |
SBD> MR> PCM> DAT, from Betty Board; DAT> CD> EAC> SHN conversion & upload by Adam Jerugim; known flaw: d3t02 d/o @ 10:14; note summary of Jason Palmer's and AJ's reports: This is not in stereo: the same channel is spread over both using a splitter technique. The channel that should contain Keith, half of Jerry, Billy, and possibly some of Phil, is missing; Keith is minimally audible. This the only SBD source available. If you have a superior source, please contact AJ. [Note: A shntool-fixed-by-set version also circulates]. ; upgrade in circulation
|
SHN Source Detail
|
|
| 266. |
07/08/78 |
Red Rocks Amphitheatre - Morrison,
CO |
SBD> [?]> DAT> CDR; via Jeff Hoelter; see pub comments for additional notes. [Note: A shntool-fixed-be-sets version of this source is available]; upgrade in circulation
|
SHN Source Detail
|
|
| 267. |
10/18/78 |
Winterland Arena - San Francisco,
CA |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 268. |
10/21/78 |
Winterland Arena - San Francisco,
CA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) |
FLAC Source Detail
|
|
| 269. |
10/22/78 |
Winterland Arena - San Francisco,
CA |
Sbd: Reel: PCM: Dat; D> CD: Tascam DA30MKII> Opcode Datport> HD (Cool
Edit 2000)> Cdwav> SHN; Notes: SRC done by CE2K, and normalization also
done by CE2K; via N. "NateDawg" Hifko, tracked for 3 discs by Yubah; etreed
5/10; Jeff K. hosted 5/15 with alternate tracking (q.v.) for d2,3 |
SHN Source Detail
|
|
| 270. |
10/22/78 |
Winterland Arena - San Francisco,
CA |
flac16;Recording Info:SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> Sony R500 (A>D Only) -> Peak -> AIFF; Transfer Info:AIFF -> Samplitude Professional v10.1 -> FLAC;
All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 271. |
11/16/78 |
Uptown Theater - Chicago,
IL |
Partial; See info file for details; SBD>MC>C>DAT>CDR; Seeded to etree by T. Wiley |
SHN Source Detail
|
|
| 272. |
11/18/78 |
Uptown Theater - Chicago,
IL |
flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 273. |
11/20/78 |
Cleveland Music Hall - Cleveland,
OH |
flac16; Recording Info: Source 1: SBD -> ? -> Cassette -> Sound Devices 744T -> Samplitude Source 2: SBD -> Master Cassette -> Dat -> CD Source 3: Nakamichi 300 -> Reels? -> Dat -> CD Source 4: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller (This is an upgrade to source id 95244) |
FLAC Source Detail
|
|
| 274. |
11/21/78 |
Community War Memorial Auditorium - Rochester,
NY |
flac16; Lineage: SBD > ? > Cassettes Transfer: Maxell XL-II's > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC |
FLAC Source Detail
|
|
| 275. |
11/23/78 |
Capital Centre - Landover,
MD |
Master Soundboard Reel > Reel to Reel > Cassette > DAT> CDR; Aud patch for 4 songs; Missing 4 songs; See info file for details; Seeded to etree by Jools; upgrade in circulation
|
SHN Source Detail
|
|
| 276. |
11/24/78 |
Capitol Theatre - Passaic,
NJ |
Pre-FM MR > DAT > CD > EAC > WAV > SHN ; upgrade in circulation
|
SHN Source Detail
|
|
| 277. |
12/12/78 |
Jai-Alai Fronton - Miami,
FL |
Master Soundboard Reel> Cassette> DAT> CDR> EAC> SHN; d1 tracked for 80 min; Mastered, EAC'ed / SHN'ed by Scott Clugston; to abgd ; upgrade in circulation
|
SHN Source Detail
|
|
| 278. |
12/13/78 |
Curtis Hixon Convention Hall - Tampa,
FL |
Source: SBD -> Cassette Master > Cassette > Reel > Dat > CD -> EAC -> WAV
Transfer Info:WAV -> Samplitude v7.02 Professional -> SHN
Transfered and Edited By Charlie Miller |
SHN Source Detail
|
|
| 279. |
12/27/78 |
Golden Hall, Community Concourse - San Diego,
CA |
Mixed sources; SBD>MR>??>DAT>CDR; AUD(Unknown)>?>CDR; Post Drums missing; See info file for details; Seeded to etree by Tim W |
SHN Source Detail
|
|
| 280. |
12/28/78 |
Golden Hall, Community Concourse - San Diego,
CA |
Master Soundboard Reel > Cassette > CDR; via Dave Cohen; Scott Clugston
|
SHN Source Detail
|
|
| 281. |
12/30/78 |
Pauley Pavilion, UCLA - Los Angeles,
CA |
SBD>Rm>Reel>Cass>Dat with aud patches via Charlie Miller
|
SHN Source Detail
|
|
| 282. |
12/31/78 |
Winterland Arena - San Francisco,
CA |
via Jay Ashley; third and final EAC/SHN (this one 4x-verified bit-identical) of same seed CDs as other 2 previous shn sets |
SHN Source Detail
|
|
| 283. |
01/11/79 |
Nassau Veterans Memorial Coliseum - Uniondale,
NY |
flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller; upgrade in circulation |
FLAC Source Detail
|
|
| 284. |
01/15/79 |
Springfield Civic Center - Springfield,
MA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; All Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 285. |
01/17/79 |
Veterans Memorial Coliseum - New Haven,
CT |
flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 286. |
01/17/79 |
Veterans Memorial Coliseum - New Haven,
CT |
flac24; Matrix mix of new SBD Cassette > Nakamichi DR-1 > Lunatec V2 > Korg MR-1000 > DSD > AudioGate > WAV and AUD Source Recording by Barry Glassberg FOB Recording, Sec 9f Seat 4 Orchestra - 9ft pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/spdif > Tascam HD-P2 > wav (Source ID 85101) Mastered by: D. McCabe Mastering Tools: Matrix created in Adobe Audition 3.0. Plugins included Nomad Factory and Izotope. Matrix is set at 50/50 blend |
FLAC Source Detail
|
|
| 287. |
01/18/79 |
Providence Civic Center - Providence,
RI |
flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 288. |
02/17/79 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: SBD -> Master Reel -> ? -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 289. |
04/16/79 |
Studio Rehersal, Club Front - San Rafael,
CA |
sbd> mr> dat> cd; DAE (EAC) by Chris Ladner, from Bear Greider seed; hosted by tol |
SHN Source Detail
|
|
| 290. |
04/22/79 |
Spartan Stadium, San Jose State University - San Jose,
CA |
Complete; Mixed sbd sources;
Set 1 Source: SBD>?>C>C>WAV>SHN
Set 2 Source: SBD MC>C>DAT>CDR>WAV>SHN; See info file for details; via Dave Morris, Jeffrey Smith; Seeded to etree by Jim Bennett |
SHN Source Detail
|
|
| 291. |
07/01/79 |
Seattle Center Coliseum - Seattle,
WA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) |
FLAC Source Detail
|
|
| 292. |
07/01/79 |
Seattle Center Coliseum - Seattle,
WA |
flac16; Recording Info:SBD -> Cassette Master -> Cassette -> PCM -> AIFF; Transfer Info:AIFF -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 293. |
08/04/79 |
Oakland Auditorium Arena - Oakland,
CA |
Fix of soundboard shn id 9578 (sbd) by Bill Tetzeli - see info file for details |
SHN Source Detail
|
|
| 294. |
08/05/79 |
Oakland Auditorium Arena - Oakland,
CA |
flac16; Analog Audience Source: Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXLII 90 Analog Lineage: Nak CM 700s => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe |
FLAC Source Detail
|
|
| 295. |
08/12/79 |
Red Rocks Ampitheatre - Morrison,
CO |
Master Soundboard Cassette > Reel to Reel > PCM > CDR; CD Mastering, Eac'ed & Shn'ed by Scott Clugston; to fungus & abgd via Charlie Connor;; upgrade now in circulation |
SHN Source Detail
|
|
| 296. |
08/13/79 |
McNichols Sports Arena - Denver,
CO |
Sources: Primary: Master Soundboard Cassette > Reel to Reel > PCM > CDR; Sedondary Source:
Master Audience Cassette; Nakamichi CM700 mics > 1 Reel to Reel gen > DAT > CDR Aud source supplies portions of "Friend of the Devil", "MInglewood
Blues" , "Tuning / Announcements" , and "I Need A Miracle" ;Patching / CD Re-Mastering, EAC'ed / SHN'ed by Scott Clugston; to fungus and abgd via Charlie Connor
|
SHN Source Detail
|
|
| 297. |
08/31/79 |
Glens Falls Civic Center - Glens Falls,
NY |
flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 298. |
09/01/79 |
Holleder Memorial Stadium - Rochester,
NY |
master SBD cassette (Dolby B) > cassette (Dolby C) > TC 2000 @ 24 bits > HHb 830
Patched wtih AUD>MC>DAT>CDR. Encoding and patching Ernie Dodd. SBD source from David Gans via Zeb Weber. |
SHN Source Detail
|
|
| 299. |
09/02/79 |
Augusta Civic Center - Augusta,
ME |
flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k);Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 300. |
09/04/79 |
Madison Square Garden - New York,
NY |
Sources: Primary Source: Master Soundboard Cassette > Reel to Reel > PCM > CDR: Secondary Source: Barry Glassberg's Master Audience Cassette; Nakamichi CM700 mics; Secondary source supplies portions of "Jack Straw", "Minglewood Blues", "China Cat Sunflower", "Looks Like Rain" in its entirety, as well as a patch in "Wharf Rat" ; Patching / CD Mastering by Scott Clugston; also to abgd via Charlie Connor : upgrade now in circulation. |
SHN Source Detail
|
|
| 301. |
09/05/79 |
Madison Square Garden - New York,
NY |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) |
FLAC Source Detail
|
|
| 302. |
09/05/79 |
Madison Square Garden - New York,
NY |
flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> PCM -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 303. |
10/27/79 |
Cape Cod Coliseum - South Yarmouth,
MA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) |
FLAC Source Detail
|
|
| 304. |
11/04/79 |
Providence Civic Center - Providence,
RI |
SB>MR>Dick Latvala's cass>DAT>CD>EAC>minor editing>.shn & CD-R;
Reported upgrade to previous shn set; see info file for details; Timings are the same; via Alasdair Macdonald |
SHN Source Detail
|
|
| 305. |
11/05/79 |
The Spectrum - Philadelphia,
PA |
Master Soundboard Cassette > Cassette > DAT > CDR; pitch corrected and with AUD Nak CM300 patches (see info file for details); mastered by Scott Clugston : upgrade now in circulation |
SHN Source Detail
|
|
| 306. |
11/06/79 |
The Spectrum - Philadelphia,
PA |
flac16; SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat/0 (Panasonic SV3800/48k)
Transferred and Edited By Charlie Miller |
FLAC Source Detail
|
|
| 307. |
11/08/79 |
Capital Centre - Landover,
MD |
flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC |
FLAC Source Detail
|
|
| 308. |
11/09/79 |
Community War Memorial Auditorium - Buffalo,
NY |
flac16; SBD> Cm> Cass> Dat> Sound Forge> CD > WAV > SHN > WAV > FLAC - Fix of shn id 318. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
FLAC Source Detail
|
|
| 309. |
11/25/79 |
Pauley Pavilion, UCLA - Los Angeles,
CA |
flac16; Recording Info: SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Patch Info: Nakamichi 700 -> Master Cassette -> Reel -> CD (Possibly One More Reel Gen); repatched version of shn id 25609 (this has a new patch in Bertha) |
FLAC Source Detail
|
|
| 310. |
12/11/79 |
Soldiers & Sailors Memorial Hall - Kansas City,
KS |
flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550) -> Cassette (Sony D5); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10 -> Adobe Audition v1.5 -> FLAC/16;
All Transfers and Mastering By Charlie Miller; Remaster of shnid 89165 |
SHN Source Detail
|
|
| 311. |
12/28/79 |
Oakland Auditorium Arena - Oakland,
CA |
flac16; SBD > MR > PCM > DAT > WAV > FLAC. Seeded by the Green Mountain Bros. |
FLAC Source Detail
|
|
| 312. |
05/12/80 |
Boston Garden - Boston,
MA |
flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade in circulation |
FLAC Source Detail
|
|
| 313. |
06/20/80 |
West High Auditorium - Anchorage,
AK |
flac16; SBD/AUD Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) |
FLAC Source Detail
|
|
| 314. |
07/01/80 |
San Diego Sports Arena - San Diego,
CA |
sbd>?>dat; there are splices from an unknown
source at Althea and also for the encore; Seeded to etree by Brian Cole |
SHN Source Detail
|
|
| 315. |
08/17/80 |
Kansas City Municipal Auditorium - Kansas City,
MO |
flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 316. |
08/21/80 |
Uptown Theater - Chicago,
IL |
flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 317. |
09/04/80 |
Providence Civic Center - Providence,
RI |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) |
FLAC Source Detail
|
|
| 318. |
10/25/80 |
Radio City Music Hall - New York,
NY |
flac16; Recording Info:(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 319. |
10/26/80 |
Radio City Music Hall - New York,
NY |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) |
FLAC Source Detail
|
|
| 320. |
12/12/80 |
Swing Auditorium - San Bernardino,
CA |
flac16; Recording Info: SBD -> Cassette Master -> ? -> Cassette Transfer Info: Cassette (Nak CR7A) -> Dat (Sony R500/SBM On) Transferred By Neil Sturtevant Dat (Sony D8) -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC; Transferred and Remastered Charlie Miller |
FLAC Source Detail
|
|
| 321. |
12/13/80 |
Long Beach Arena - Long Beach,
CA |
flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 322. |
12/31/80 |
Oakland Auditorium Arena - Oakland,
CA |
flac16; Matrix 3 Source Mix - SBD (shn id 17693) MSR>C>DAT>WAV>SHN, C>SHN Conversion by Cousinit + AUD1 (shn id 104971) Analog Audience Source:FOB Master Cassettes (MAC) Medium Stock Brands:3 x Maxell UDXL II 90 Analog Lineage:2 x Nakamichi CM 300 >> Sony TC D5 >> MAC Analog Sound Preservation:: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Anonymous Transfer By: Bob Menke Mastering By: Derek McCabe; MOTB Release: 0106 24/96 + AUD2 (shn id 16911) Recording by Steve Rolfe: Nak 300 Shotguns > D5 > MAC > DAT > CDR; taped by Steve Rolfe via Dave Minor; encoded by Matt Vernon - matrix mixing by Kevin Tobin |
FLAC Source Detail
|
|
| 323. |
02/28/81 |
Uptown Theater - Chicago,
IL |
SBD > Cassette Master > DAT(0) (Reel> DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > CDR Master (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes; d1 tracked for 80 min |
FLAC Source Detail
|
|
| 324. |
03/09/81 |
Madison Square Garden - New York,
NY |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16>AIFF>Final Cut>WAV>FLAC16) |
FLAC Source Detail
|
|
| 325. |
03/09/81 |
Madison Square Garden - New York,
NY |
flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16>AIFF>Final Cut>WAV>FLAC24) |
FLAC Source Detail
|
|
| 326. |
03/20/81 |
Rainbow Theatre - London,
England |
flac24; soundboard master cassettes > Nak Dr-1 > Lynx2 Studio Interface 24 bit 48kHz.
Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station
MetaData with Tag and Rename TLH for FLAC Level 8
|
FLAC Source Detail
|
|
| 327. |
04/25/81 |
Berkeley Community Theater - Berkeley,
CA |
|
FLAC
|
|
| 328. |
05/08/81 |
Nassau Veterans Memorial Coliseum - Uniondale,
NY |
flac16; MATRIX MIX: SBD/2 AUD (About 60%/40%) |
FLAC Source Detail
|
|
| 329. |
05/09/81 |
Nassau Veterans Memorial Coliseum - Uniondale,
NY |
flac16; MATRIX MIX: 1 SBD/2 AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) June 10, 2008 |
FLAC Source Detail
|
|
| 330. |
05/11/81 |
Veterans Memorial Coliseum - New Haven,
CT |
flac16; SBD -> Master Cassette -> Reel -> Dat; Transferred and Edited By Charlie Miller (A version with a SBD version of To Lay Me Down (d2t04) sourced from .mp3 circulates.) |
FLAC Source Detail
|
|
| 331. |
05/15/81 |
Athletic Center, Rutgers University - Piscataway,
NJ |
flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 332. |
08/30/81 |
Compton Terrace Amphitheatre - Tempe,
AZ |
flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of shnid 30118 |
FLAC Source Detail
|
|
| 333. |
09/25/81 |
Stabler Arena, Lehigh University - Bethlehem,
PA |
flac16; Recording Info: SBD -> Cassette Master -> Cassette -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 334. |
10/02/81 |
Rainbow Theatre - London,
England |
sbd> reel> ?> dats> wave> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT; missing Mama Tried, Mexicali |
SHN Source Detail
|
|
| 335. |
10/03/81 |
Rainbow Theatre - London,
England |
flac16; Recording Info: SBD -> Cassette Master -> Dat Transfer Info: Dat (Sony R500) -> Samplitude Professional v10.22 -> Cool Edit Pro v2.0 -> FLAC ; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 336. |
10/06/81 |
Rainbow Theatre - London,
England |
flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v10.22 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 337. |
10/19/81 |
Sports Palace - Barcelona,
Spain |
flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD -> EAC -> SHN; Transfer Info:SHN -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 338. |
04/06/82 |
The Spectrum - Philadelphia,
PA |
flac16;Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 339. |
05/21/82 |
Greek Theatre, University Of California - Berkeley,
CA |
sbd master cassette > DAT > CDR > EAC > SHN; via Gerald Gorinsky with thanks to Kevin Gills, Mark Perini; see info file for flaw notes |
SHN Source Detail
|
|
| 340. |
05/22/82 |
Greek Theatre, University Of California - Berkeley,
CA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) |
FLAC Source Detail
|
|
| 341. |
05/23/82 |
Greek Theatre, University Of California - Berkeley,
CA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) |
FLAC Source Detail
|
|
| 342. |
08/03/82 |
Starlight Theater - Kansas City,
MO |
flac16; Recording Info: SBD -> Cassette Master -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 343. |
08/08/82 |
Alpine Valley Music Theatre - East Troy,
WI |
Soundboard cassette-> Reel-> DAT-> CDR-> .WAV-> SHN-> WAV-> SF 5.0 (retrack, d/o fixes)-> CD WAVE-> SHN, by Skankweed; Retrack/fix of previously circulating version of Merry Pranksters tree which is NOT listed here at db.etree.org |
SHN Source Detail
|
|
| 344. |
08/10/82 |
University Of Iowa Fieldhouse - Iowa City,
IA |
flac16; MATRIX MIX: About 50%AUD/50%SBD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 7/25/07 Remastered 06/01/08; remastered version of shn id 86585 |
FLAC Source Detail
|
|
| 345. |
08/10/82 |
University Of Iowa Fieldhouse - Iowa City,
IA |
flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 346. |
08/10/82 |
University Of Iowa Fieldhouse - Iowa City,
IA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
|
FLAC Source Detail
|
|
| 347. |
09/12/82 |
Lakeland Civic Center - Lakeland,
FL |
SBD>Cm>Reel>Dat>CD. via Paul B.; Chris Ladner; Upgrade in circulation |
SHN Source Detail
|
|
| 348. |
10/10/82 |
Frost Amphitheatre - Palo Alto,
CA |
flac16; MATRIX MIX: SBD/AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 08/13/07 Remastered: 05/30/08 (A re-synchronized version of d2t06 was circulated in April, 2009. No other changes were made to the file set.) |
FLAC Source Detail
|
|
| 349. |
10/10/82 |
Frost Amphitheatre - Palo Alto,
CA |
flac16; MATRIX MIX: SBD/AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 08/13/07 Remastered: 05/30/08 (A re-synchronized version of d2t06 was circulated in April, 2009. No other changes were made to the file set.) |
FLAC Source Detail
|
|
| 350. |
04/09/83 |
Hampton Coliseum - Hampton,
VA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) |
FLAC Source Detail
|
|
| 351. |
04/12/83 |
Broome County Arena - Binghamton,
NY |
SBD>PCM>DAT>CDR; with aud patches; See info file for details; via Rick Martin, Willy, and Paul B; Seeded to etree by Ernie Dodd; upgrade in circulation
|
SHN Source Detail
|
|
| 352. |
04/16/83 |
Meadowlands Arena - East Rutherford,
NJ |
S : MC > DAT > CDR > EAC > SHN
Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW.
Proper sector boundaries verified via shntool.
Seeded to Etree by Alan J Fink 02/02/2003.
Thanks to Jeff Williams for the disks!; upgrade in circulation
|
SHN Source Detail
|
|
| 353. |
04/20/83 |
Providence Civic Center - Providence,
RI |
flac16; SBD> Master Cassette> Reel> Dat (SV3800/48k), plus patch from FOB Sennheiser 421> Master Cassette; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller |
FLAC Source Detail
|
|
| 354. |
05/13/83 |
Greek Theatre, University Of California - Berkeley,
CA |
flac16; Recording Info: SBD -> Master Cassette -> PCM -> Apogee Ensemble -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 355. |
08/29/83 |
Silva Hall, Hult Center - Eugene,
OR |
SBD>Cass(2)>DAT>CDR; Seeded to etree by Willy |
SHN Source Detail
|
|
| 356. |
08/30/83 |
Silva Hall, Hult Center - Eugene,
OR |
AUD (Senn. 421?s)> MC> DAT> CDR; Eac >cool edit > shntool > cdwav >shnv3 by Ernie Dodd; missing second half of set 2 |
SHN Source Detail
|
|
| 357. |
09/02/83 |
Boise State University Pavillion - Boise,
ID |
SBD> cassette master>DAT>CDR>SHN - Patched fix of shnid 2174 by Bill Tetzeli |
SHN Source Detail
|
|
| 358. |
09/04/83 |
Park West Ski Resort - Park City,
UT |
flac16; Seamless fix of shn id 2193 - MSC>C>DAT>CD>EAC>SHN>WAV>FLAC w/patch in drums. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
FLAC Source Detail
|
|
| 359. |
09/06/83 |
Red Rocks Amphitheatre - Morrison,
CO |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) |
FLAC Source Detail
|
|
| 360. |
10/12/83 |
Madison Square Garden - New York,
NY |
SBD > Cassette Master > Dat x 2 > CDR; via Bob Harrell |
SHN Source Detail
|
|
| 361. |
10/17/83 |
Olympic Center - Lake Placid,
NY |
flac16; MATRIX MIX: 2 SBD/ 1 AUD (About 60%/40%); Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC); yet another fix/ugrade of the previous matrix sources: shn id 91192 and shn id 91239 |
FLAC Source Detail
|
|
| 362. |
10/31/83 |
Marin County Veterans Auditorium - San Rafael,
CA |
SBD> MC> DAT> CDR> EAC> CDWAV> SHN; via Tony Gardner with thanks to Paul B.; upgrade in circulation
|
SHN Source Detail
|
|
| 363. |
04/13/84 |
Hampton Coliseum - Hampton,
VA |
flac16;Recording Info:SBD -> Cassette Master -> Cassette -> Dat (Panasonic SV3800/48k); Transfer Info:Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 364. |
04/19/84 |
Philadelphia Civic Center - Philadelphia,
PA |
Sbd > Cassette Master > Cassette > Dat x 2 > CDR > SHN; Seeded to FurthurNET; upgrade in circulation
|
SHN Source Detail
|
|
| 365. |
04/20/84 |
Philadelphia Civic Center - Philadelphia,
PA |
flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (SV3800/48k) -> WAV; Transfer Info: WAV -> Samplitude v7.02 Professional -> Cool Edit Pro v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 366. |
04/23/84 |
Veterans' Memorial Coliseum - New Haven,
CT |
flac16; Recording Info:
SBD -> Cassette Master -> Cassette (TDK SA-X90 / Maxell XLIIS-90)
Transfer Info:
Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Transferred and Edited By Charlie Miller
Thanks to Paul Scotton and Joani Walker for the Cassettes -- This is an upgrade to all previous circulating sbd's |
FLAC Source Detail
|
|
| 367. |
04/27/84 |
Providence Civic Center - Providence,
RI |
mixed source: 1st set - Neumann > D6 > DAT > CDR > EAC > WAV > SHN, 2nd set - MSbd> Cass > DAT > CDR > EAC > WAV > SHN; to abgd.hs by PJ |
SHN Source Detail
|
|
| 368. |
06/13/84 |
Red Rocks Ampitheatre - Morrison,
CO |
SBD>PCM>DAT>CDR; via Rick M; Seeded to etree by Chris L |
SHN Source Detail
|
|
| 369. |
06/14/84 |
Red Rocks Ampitheatre - Morrison,
CO |
SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko |
SHN Source Detail
|
|
| 370. |
06/24/84 |
Saratoga Performing Arts Center - Saratoga Springs,
NY |
flac16: SBD> Cassette Master> Dat; patches from Nakamichi 300/CP1> Cassette Master> Dat; Transfer: Dat> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> FLAC; All Transfers and Editing By Charlie Miller |
FLAC Source Detail
|
|
| 371. |
07/04/84 |
Five Seasons Center - Cedar Rapids,
IA |
noise reduction> Bertha Remaster of Master Cassette> Cassette source, by Jay Ashley |
SHN Source Detail
|
|
| 372. |
07/07/84 |
Alpine Valley Music Theatre - East Troy,
WI |
flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Cassette -> PCM -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 373. |
07/15/84 |
Greek Theatre, U. Of California - Berkeley,
CA |
flac16; Set 1: SBD -> PCM Master -> Dat/0 -> Samplitude Professional v8.0 -> FLAC
Set 2: SBD -> PCM Master -> Dat/0 -> Sonic Solutions -> CD -> EAC -> FLAC
Transferred and Edited By Charlie Miller |
FLAC Source Detail
|
|
| 374. |
10/09/84 |
The Centrum - Worcester,
MA |
SBD>MC>DAT>CDR ; Patch Aud Source: MAC>>Sony D-5>CDR>SHN (previous upgraded SHN release) ; Via Andy L. ; Seeded to Etree by T. Wiley |
SHN Source Detail
|
|
| 375. |
10/12/84 |
Augusta Civic Center - Augusta,
ME |
MAC > CDR > CDR > CDR > SHN; Mike Rice's Master Audience Cassette; Nakamichi CM100 mics w/ shotgun capsules > Sony D5 cassette deck: Master cassette played back via a Nakamichi DR-1 cassette deck> HHb 850 CDR; EAC>?CEP editing > CDWav? > CDRWin > Matsushita 7582 4x CDR; via Gregg Nixon, Scott Clugston, John Oleynick; see info file for flaw notes |
SHN Source Detail
|
|
| 376. |
10/17/84 |
Meadowlands Arena - East Rutherford,
NJ |
flac16; Recording Info: Set 1: SBD -> Master Cassette -> ? -> Cassette (Dolby C) Set 2: SBD -> Master Cassette -> Dat -> CD -> EAC -> SHN Transfer Info: Set 1: Cassette (Sony TC-WE475/Dolby C) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Set 2: SHN -> WAV -> FLAC |
FLAC Source Detail
|
|
| 377. |
10/28/84 |
Berkeley Community Theater - Berkeley,
CA |
Source: SBD>MC>DAT>CDR>WAV>SHN - entire first set except for aud splice during LLR. First three tracks of second set are SBD with the remainder from an unlineaged FOB audience recording. |
SHN Source Detail
|
|
| 378. |
10/30/84 |
Berkeley Community Theater - Berkeley,
CA |
Source: Set 1: SBD>MC>DAT>CDR>WAV>SHN.
Set 2: SBD>MC>DAT>CDR>WAV>SHN (first 3 tracks)
AUD(Senn 441?s>Sony D-5)>MC>DAT>CDR>WAV>SHN (remainder of second set + encore) |
SHN Source Detail
|
|
| 379. |
11/03/84 |
Berkeley Community Theater - Berkeley,
CA |
MSP > D > CD patched with MAC > C > C > D
EAC & SHN conversion by John Mollman from Jim Powell's seed |
SHN Source Detail
|
|
| 380. |
02/19/85 |
Henry J. Kaiser Convention Center - Oakland,
CA |
SBD>MC>C>DAT>C>C>ZA2>CDR
Lineage may be incorrect based on Nice Sound Quality
It just sounds too good to be 4 analogs; via raul; Seeded to etree by steve barbella |
SHN Source Detail
|
|
| 381. |
03/09/85 |
Berkeley Community Theater - Berkeley,
CA |
flac16; Recording Info:SBD -> Cassette Master -> ? -> Cassette -> FLAC;
Transfer Info:FLAC -> WAV -> Cool Edit Pro v2.0 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade to shnid 97331 |
FLAC Source Detail
|
|
| 382. |
03/21/85 |
Hampton Coliseum - Hampton,
VA |
flac16; Unknown SBD source > Cass(x) > WAV > CD > WAV > FLAC
|
FLAC Source Detail
|
|
| 383. |
03/25/85 |
Springfield Civic Center - Springfield,
MA |
flac16; Original SRC: MSC>Cass.>DAT>CDR>SHN Edit: SHN > WAV > repitch and patch in Cool Edit Pro > FLAC. Patched with Oade Schoeps PCM; Pitch corrected and patched version of shnid shn id 15403 by Bill Tetzeli |
FLAC Source Detail
|
|
| 384. |
03/27/85 |
Nassau Veterans Memorial Coliseum - Uniondale,
NY |
SBD> MC> C> DAT> CDR> WAV> SHN; DAE, FTP via neo_levo |
SHN Source Detail
|
|
| 385. |
04/08/85 |
The Spectrum - Philadelphia,
PA |
SB> MC> DAT> CD via Kevin Gills
|
SHN Source Detail
|
|
| 386. |
06/14/85 |
Greek Theatre, U. Of California - Berkeley,
CA |
Updated Source: SBD > Cassette DAT > CDR/? Conversion: CDR > EAC (read offset correct) > CDWave > CoolEditPro > mkwACT > SHN (seekable) by Randy Carman rcarman@cogeco.ca |
SHN Source Detail
|
|
| 387. |
06/15/85 |
Greek Theatre, U. Of California - Berkeley,
CA |
SBD> ?> CD-R> EAC> CDWAV retrack> SHN; via Randy Griesman |
SHN Source Detail
|
|
| 388. |
06/16/85 |
Greek Theater, U. of California - Berkeley,
CA |
SBD> MVHS> DAT> CD-R; via Dave Barrick?; note there is an alternate 3 CD version |
SHN Source Detail
|
|
| 389. |
06/22/85 |
Alpine Valley Music Theatre - East Troy,
WI |
SBD > (poss cass gen)? > PCM > DAT @ 44.1 (pre-emphasis on); Transfer: DAT clone; Sony PCM-2600 > Audioquest coax > Turtle Beach Fiji > Soundforge 4.5 > pre-emphasis removed (see notes) > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig; via Bill Gardner, Ghost to etree |
SHN Source Detail
|
|
| 390. |
06/24/85 |
River Bend Music Center - Cincinnati,
OH |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) |
FLAC Source Detail
|
|
| 391. |
06/24/85 |
River Bend Music Center - Cincinnati,
OH |
fixed version of previous shn set, to boost Samson>He's Gone; via Patrick Murphy; hosted at gdlive.com |
SHN Source Detail
|
|
| 392. |
06/25/85 |
Blossom Music Center - Cuyahoga Falls,
OH |
SBD -> Cm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN
(2 Discs Audio / 2 Discs SHN)
Converted By Charlie Miller |
SHN Source Detail
|
|
| 393. |
06/27/85 |
Saratoga Performing Arts Center - Saratoga Springs,
NY |
Amy's Soundboard VHS > Cassette > DAT> CDR; CD Re-Mastering, EAC'ed / SHN'ed by Scott Clugston |
SHN Source Detail
|
|
| 394. |
06/28/85 |
Hershey Park Stadium - Hershey,
PA |
SBD? liberated bootleg; via lemon2 |
SHN Source Detail
|
|
| 395. |
06/30/85 |
Merriweather Post Pavilion - Columbia,
MD |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) |
FLAC Source Detail
|
|
| 396. |
06/30/85 |
Merriweather Post Pavilion - Columbia,
MD |
SBDmc> DAT> CD; via Nick Georges; reported lots of hiss, and inferior "digital manipulation"; additional notes in public comments Note- This show also circ's with 'corrected' track names via ccryder@westerncom.net |
SHN Source Detail
|
|
| 397. |
07/01/85 |
Merriweather Post Pavilion - Columbia,
MD |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) |
FLAC Source Detail
|
|
| 398. |
07/01/85 |
Merriweather Post Pavilion - Columbia,
MD |
Hybrid soundboard - Original Paino seed w/ D3 Cribbs Patch and Charlie Miller "Day Job" via Torbjorn |
SHN Source Detail
|
|
| 399. |
07/02/85 |
Civic Arena - Pittsburgh,
PA |
Source:SBD>MC>D>
-Tape flip after RXR cuts in Promised
-cut in brokedown
uploaded from furthur via Sbd
seeded to etree by bubba420 |
SHN Source Detail
|
|
| 400. |
09/07/85 |
Red Rocks Amphitheatre - Morrison,
CO |
flac16; Recording Info: SBD -> PCM Master -> Dat/0 (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> Cool Edit Pro v2.0 -> FLAC; Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 401. |
11/11/85 |
Meadowlands Arena - East Rutherford,
NJ |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) |
FLAC Source Detail
|
|
| 402. |
11/21/85 |
Henry J. Kaiser Convention Center - Oakland,
CA |
dsbd> pcm> dat> cdr; no filler; d1 same as previous shns, d2 md5s differ; via Mike Lai |
SHN Source Detail
|
|
| 403. |
11/22/85 |
Henry J. Kaiser Convention Center - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (Nak 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
FLAC Source Detail
|
|
| 404. |
12/30/85 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
FLAC Source Detail
|
|
| 405. |
03/24/86 |
The Spectrum - Philadelphia,
PA |
flac16; FOB recording By Tony Lochner Schoeps CMC-441 60 degrees AUD>PCM-F1/SL-2000 Betamax>F1 Copy>F1 Copy Transferred media is Sony PRO-X L-500, master and intermediate copy unknown Mic power supply unknown, probably Doug Oade 18V supply Transfer: Sony SL-HF900 Betamax > Sony PCM-601ESD SPDIF out > RME DIGI9652 sound card SPDF in > Wavelab 4 at 24/44.1 Mike Grace Fall2009 Editing-Mastering:Jamie Waddell on GEMS Edit Station. Weiss=Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither FLACLevel8 |
FLAC Source Detail
|
|
| 406. |
04/03/86 |
Hartford Civic Center - Hartford,
CT |
Vault PCM Master->10 inch reels
at 15 ips->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN.
DAT seed provided by Michael P. Weitzman
Transfer and SHN by Joe Samaritano |
FLAC Source Detail
|
|
| 407. |
04/03/86 |
Hartford Civic Center - Hartford,
CT |
Vault PCM Master->10 inch reels
at 15 ips->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN.
DAT seed provided by Michael P. Weitzman
Transfer and SHN by Joe Samaritano |
FLAC Source Detail
|
|
| 408. |
06/22/86 |
Greek Theatre, University Of California - Berkeley,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 409. |
12/16/86 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 410. |
04/10/87 |
UIC Pavilion - Chicago,
IL |
flac16; Source: SBD Unknown Taper Lineage: ? -> CD-R (uncut waves) -> CD Player (XLR out) -> M-Audio Delta 66 -> Flac16
|
FLAC Source Detail
|
|
| 411. |
04/11/87 |
UIC Pavilion - Chicago,
IL |
Seamless fix of shn id 22934 - Pre-FM > Master Reel > Dat > Sonic Solutions > CD source by Bill Tetzeli |
SHN Source Detail
|
|
| 412. |
08/22/87 |
Calaveras County Fairgrounds - Angels Camp,
CA |
flac16; Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 413. |
08/23/87 |
Calaveras County Fairgrounds - Angels Camp,
CA |
flac16; Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 414. |
11/08/87 |
Henry J. Kaiser Convention Center - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation |
FLAC Source Detail
|
|
| 415. |
11/14/87 |
Long Beach Arena - Long Beach,
CA |
flac16; Recording Info: SBD -> Cassette Master -> Cassette Transfer Info: Cassette (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation |
FLAC Source Detail
|
|
| 416. |
12/27/87 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 417. |
02/13/88 |
Henry J. Kaiser Convention Center - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Adobe Audition v1.5 -> FLAC/16; This is a re-master of shnid=85908; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 418. |
02/14/88 |
Henry J. Kaiser Convention Center - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Adobe Audition v1.5 -> FLAC/16; This is a re-master of shnid=85909; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 419. |
02/16/88 |
Henry J. Kaiser Convention Center - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Adobe Audition v1.5 -. FLAC/16; This is a re-master of shnid=88400; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 420. |
03/27/88 |
Hampton Coliseum - Hampton,
VA |
flac16; Source: FOB > Schoeps Cmc3 + omni #3 > Dat @ 44.1k Transfer: Fostex D5 > Vx Pocket 440 > Toshiba 3480ct > Wavelab 5.0 > Cd Wave > FLAC |
FLAC Source Detail
|
|
| 421. |
04/01/88 |
Meadowlands Arena - East Rutherford,
NJ |
flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 422. |
04/09/88 |
The Centrum - Worcester,
MA |
flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 423. |
06/26/88 |
Civic Arena - Pittsburgh,
PA |
SBD/Matrix > Dat > CDR > Sonic Solutions > CDR > EAC > CDWave > mkwACT; extracted/seeded by Doug Nawrocki |
SHN Source Detail
|
|
| 424. |
06/28/88 |
Saratoga Performing Arts Center - Saratoga Springs,
NY |
FM (matrix): DAT > CD > TrackThief > AIFF > Peak > WAV > SHN > shntool (corrected S.B.problems); Seeded to etree by Peter Braverman with thanks to Doug Nawrocki |
SHN Source Detail
|
|
| 425. |
07/02/88 |
Oxford Plains Speedway - Oxford,
ME |
flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD) |
FLAC Source Detail
|
|
| 426. |
07/03/88 |
Oxford Plains Speedway - Oxford,
ME |
flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD) |
FLAC Source Detail
|
|
| 427. |
07/15/88 |
Greek Theatre, U. Of California - Berkeley,
CA |
flac16; Seamless fix of shn id 10343 - Ultramatrix>DAT>?>CD>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
FLAC Source Detail
|
|
| 428. |
07/29/88 |
Laguna Seca Recreation Area - Monterey,
CA |
flac16; TAPER: Greg Holtz SOURCE: Nakamichi CM-100 mics with CP-1 caps (Hand Held FOB) Sony WM-D6 TRANSFER: By (JAZ) Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 |
FLAC Source Detail
|
|
| 429. |
07/30/88 |
Laguna Seca Recreation Area - Monterey,
CA |
flac16; Taper: Greg Holtz SOURCE: Nakamichi CM-100 mics with CP-1 caps (In Hat FOB) Sony WM-D6 TRANSFER: By (JAZ) Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 |
FLAC Source Detail
|
|
| 430. |
07/31/88 |
Laguna Seca Recreation Area - Monterey,
CA |
flac16; Taper: Greg Holtz SOURCE: Nakamichi CM-100 mics with CP-1 caps (In Hat FOB) Sony WM-D6 TRANSFER: By (JAZ) Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 |
FLAC Source Detail
|
|
| 431. |
02/12/89 |
Great Western LA Forum - Inglewood,
CA |
flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.0.1 -> FLAC All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 432. |
03/30/89 |
Greensboro Coliseum - Greensboro,
NC |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90)
Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 433. |
04/06/89 |
Crisler Arena - Ann Arbor,
MI |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 434. |
04/08/89 |
Riverfront Arena - Cincinnati,
OH |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) |
FLAC Source Detail
|
|
| 435. |
04/09/89 |
Freedom Hall - Louisville,
KY |
flac16; Seamless fix of shn id 34962 - SBD>CM>DAT>CD>EAC>SHN(>WAV>FLAC). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
FLAC Source Detail
|
|
| 436. |
04/16/89 |
The Mecca - Milwaukee,
WI |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 437. |
04/29/89 |
Irvine Meadows - Irvine,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 438. |
07/13/89 |
Robert F. Kennedy Stadium - Washington,
DC |
flac16; Set 1 & Encore, Recording Info: SBD -> Master Cassette -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 439. |
07/17/89 |
Alpine Valley Music Theatre - East Troy,
WI |
Source:
SBD > DAT > CDR > EAC > *Cool Edit Pro > mkwACT
*Beginning of LTGTR, We Bid You Goodnight and Johnny B. Goode patched with Matrix > MC > CDR source. |
SHN Source Detail
|
|
| 440. |
07/17/89 |
Alpine Valley Music Theatre - East Troy,
WI |
flac16; matrix of DSBD: shnid=17702 and AUD: shnid=92457 by hansokolow using ProTools |
FLAC Source Detail
|
|
| 441. |
07/18/89 |
Alpine Valley Music Theatre - East Troy,
WI |
DSBD; Transfer: D8 > Waveterminal 2496 (@44.1) > Samplitude 2496 > CDWav > mkwACT (seeking); Transfer and Seed by Jason Brantley; see inof file for flaw notes |
SHN Source Detail
|
|
| 442. |
07/19/89 |
Alpine Valley Music Theatre - East Troy,
WI |
DSBD> DAT> CD> eac> SHN; via N. Georges |
SHN Source Detail
|
|
| 443. |
08/05/89 |
Cal Expo - Sacramento,
CA |
flac16; matrix of SBD: shnid=89885 and DAUD: shnid=3871 by hansokolow using ProTools |
FLAC Source Detail
|
|
| 444. |
08/05/89 |
Cal Expo - Sacramento,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 445. |
08/06/89 |
Cal Expo - Sacramento,
CA |
flac16; matrix of SBD: shnid=89966 and AUD: shnid=14197 by hansokolow using ProTools |
FLAC Source Detail
|
|
| 446. |
08/06/89 |
Cal Expo - Sacramento,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 447. |
08/06/89 |
Cal Expo - Sacramento,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 448. |
09/29/89 |
Shoreline Amphitheatre - Mountain View,
CA |
This is an updated text and md5 file for the previousshn set via Charlie Miller; Flaws in d2t08 and d2t09 fixed on 10/10/02
|
FLAC Source Detail
|
|
| 449. |
09/30/89 |
Shoreline Amphitheatre - Mountain View,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 450. |
10/08/89 |
Hampton Coliseum - Hampton,
VA |
flac16; matrix of SBD: shnid=81532 and DAUD: shnid=439 by hansokolow using ProTools |
FLAC Source Detail
|
|
| 451. |
10/08/89 |
Hampton Coliseum - Hampton,
VA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 452. |
10/09/89 |
Hampton Coliseum - Hampton,
VA |
SBD> CASS(x)> DAT> CDR> EAC> SHN; via PainoMan to gdlive.com |
SHN Source Detail
|
|
| 453. |
10/09/89 |
Hampton Coliseum - Hampton,
VA |
SBD + AUD Matrix Mix (60%-SBD/40%-AUD); SBD: PCM (analog out) > DAT x 4 > CDR; AUD FOB: Schoeps CMC641 > DAT; Mixed by dan@am-dig.com; related 5.1 mix also circulates |
SHN Source Detail
|
|
| 454. |
10/11/89 |
Meadowlands Arena - East Rutherford,
NJ |
Master Soundboard DAT > Cassette > DAT> CDR, with numerous ticks fixed (see notes); CD Re-mastering, SHN'ed by Scott Clugston; tracked for 2x80; to abgd |
SHN Source Detail
|
|
| 455. |
10/12/89 |
Meadowlands Arena - East Rutherford,
NJ |
flac16; matrix of SBD: shnid=83293 and AUD: shnid=89620 by hansokolow using ProTools |
FLAC Source Detail
|
|
| 456. |
10/12/89 |
Meadowlands Arena - East Rutherford,
NJ |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 457. |
10/14/89 |
Meadowlands Arena - East Rutherford,
NJ |
Recording Info: SBD -> Master Cassette -> Dat -> ZA2 -> Sound Forge -> CD -> EAC -> SHN Patch Info: AUD -> Dat (48k) -> Sound Forge -> SHN Editing Info: SHN -> Samplitude v7.02 Professional -> SHN All Editing Done By Charlie Miller |
SHN Source Detail
|
|
| 458. |
10/15/89 |
Meadowlands Arena - East Rutherford,
NJ |
SBD> C> DAT> CDR; seeded by Chaser |
SHN Source Detail
|
|
| 459. |
10/16/89 |
Meadowlands Arena - East Rutherford,
NJ |
flac16; matrix of DSBD: shnid=446 and AUD: shnid=32131 (Set 1) and DAUD: shnid=34658 (Set 2) by hansokolow using ProTools |
FLAC Source Detail
|
|
| 460. |
10/16/89 |
Meadowlands Arena - East Rutherford,
NJ |
source update: DSBD> DAT> WAV> CD-R; via Dave Barrick; 5/00- there may be another version around, possibly reextraction of this- at least 1 track matches the md5 shown here, another track doesn't; listener Jeff Davis reports errors: "some dropouts during the beginning of D1T1, and a dropout around 3:40 of "Space" on Disc 3"; see pub comments for tracking; Update: whole show now released as Nightfall of Diamonds- go buy it |
SHN Source Detail
|
|
| 461. |
10/19/89 |
The Spectrum - Philadelphia,
PA |
DSBD>C?>DAT>CDR; via eD O'Connor |
SHN Source Detail
|
|
| 462. |
10/22/89 |
Charlotte Coliseum - Charlotte,
NC |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) |
FLAC Source Detail
|
|
| 463. |
10/23/89 |
Charlotte Coliseum - Charlotte,
NC |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) |
FLAC Source Detail
|
|
| 464. |
10/23/89 |
Charlotte Coliseum - Charlotte,
NC |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 465. |
10/25/89 |
Miami Arena - Miami,
FL |
Cassette SBD> DATs> CDRs> EAC> SHN; via Peter L., Sean Cribbs, Darrin Sacks |
SHN Source Detail
|
|
| 466. |
10/26/89 |
Miami Arena - Miami,
FL |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
FLAC Source Detail
|
|
| 467. |
12/06/89 |
Oakland-Alameda County Coliseum - Oakland,
CA |
Seamless fix of shn id 14917 - SBD -> DAT -> Prodif Plus -> Samplitude v6.0 -> SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
FLAC Source Detail
|
|
| 468. |
12/08/89 |
Great Western LA Forum - Inglewood,
CA |
Source:
Set 1 SBD>CM>CM?>DAT>CDR>WAV>SHNv3
Set 2 SBD>CM>DAT>CDR>WAV>SHNv3 (w/ aud splices). See info file for splice details. Source discs via M.Rider. SHN encoding/initial propagation via neo_levo/candyman FTP. |
SHN Source Detail
|
|
| 469. |
12/09/89 |
Great Western LA Forum - Inglewood,
CA |
SBD > DAT > CDR > WAV > SHNv3; DAT > CDR transfer - via C. Miller. DAE, tracking (EAC > cdwave > shntool > mkwact) and FTP/ABGD via C. Ladner; see info file for listening notes |
SHN Source Detail
|
|
| 470. |
12/10/89 |
Great Western LA Forum - Inglewood,
CA |
Source: SBD > DAT > CDR > WAV > SHNv3.
DAE via C. Ladner (EAC > CDWave > SHNTOOL > MKWACT). |
SHN Source Detail
|
|
| 471. |
12/27/89 |
Oakland-Alameda County Coliseum - Oakland,
CA |
Source: Dan Healy's Master Soundboard Cassette > CDR > SHN > patching/editing > SHN |
SHN Source Detail
|
|
| 472. |
12/28/89 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; SBD -> Master Cassette
Transferred By David Gans
Converted to FLAC By Charlie Miller |
FLAC Source Detail
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| 473. |
12/30/89 |
Oakland-Alameda County Coliseum - Oakland,
CA |
Source: Ultramatrix (SBD/AUD mix);
Lineage: DAT> CD> SHN; via Rob Harrison; Seeded to etree by Peter Braverman
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SHN Source Detail
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| 474. |
10/31/91 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; SBD+AUD Matrix Mix (60% SBD & 40% AUD); Multitrack Mixdown: SBD -3db, Aud -8db; Matrix by Amdig |
FLAC Source Detail
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| 475. |
10/31/91 |
Oakland-Alameda County Coliseum - Oakland,
CA |
DTS-Audio-CD 5.1 Mix; Source Info: SBD (shnID = 32241) DSBD > DAT > CD > EAC > FLAC and AUD (shnID = 101443) Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2 > Modified Sony TCD D-10 Pro Recording Location: FOB Section BB Row 18 Seat 15 Recorded by James Young and Clay Brennecke |
FLAC Source Detail
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