Grateful Dead
--- Approximate Hours: 462.5
|
Show Date |
Place |
City |
State |
Source Link |
Source Notes |
03/25/66
|
Trouper's Hall |
Los Angeles |
CA |
Source Detail |
with 7/3/66; see notes in info file; to abgd, later to etree; listener Daniel Kessler reports several digispots |
07/03/66
|
Fillmore Auditorium |
San Francisco |
CA |
Source Detail |
with 3/25/66; see notes in info file; to abgd, later to etree |
07/16/66
|
Fillmore Auditorium |
San Francisco |
CA |
Source Detail |
SBD > RTR > PCM > SSSB; via Jay Serafin to gdlive |
07/17/66
|
Fillmore Auditorium |
San Francisco |
CA |
Source Detail |
SBD > RTR @ 15 I.p.s. > PCM > D > SSSB; via Jay Serafin to gdlive |
11/19/66
|
Fillmore Auditorium |
San Francisco |
CA |
Source Detail |
flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
??/??/66
|
Acid Tests |
Various |
CA |
|
|
03/18/67
|
Winterland Arena |
San Francisco |
CA |
Source Detail |
MSR> R> DATs> CDRs> EAC> SHN; via Darrin Sacks; upgrade now in circulation |
01/22/68
|
Eagles Auditorium |
Seattle |
WA |
Source Detail |
flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
02/14/68
|
Carousel Ballroom |
San Francisco |
CA |
Source Detail |
MR> DAT> DAT> CD> EAC> SHN, with portions from another source, probably FM; via Garrett Van Cleef, from Jim Douglas seed; includes supplemental hiss-reduced material (see info files); hosted by gdlive.com |
02/14/68
|
Carousel Ballroom |
San Francisco |
CA |
Source Detail |
flac16; Recording Info: SBD -> (8 Track) Master Reel -> Dat -> CD -> FLAC Transfer Info:
FLAC -> Samplitude Professional v10.02 -> FLAC Transferred and Remastered By Charlie Miller (note: this source contains officially released, copyrighted material) |
05/18/68
|
Santa Clara County Fairgrounds |
San Jose |
CA |
Source Detail |
flac16; Source: Jorma Kaukonen’s On Stage Mic > Reel to Reel Master > DAT x 1 Transfer: playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard > HD as 24 bit/96 KHz WAV Mastering: WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer by Chris Ladner July 2007, Mastering Bill Koucky September 18, 2008 Green Mountain Bros |
05/??/68
|
Unknown |
Unknown |
Unknown |
Source Detail |
Vault Reel> DAT> CD> EAC> SHN; via J. Currier to gdlive |
06/19/68
|
Carousel Ballroom |
San Francisco |
CA |
Source Detail |
SBD> MC> D> CD; start of Lovelight clipped, ragged sound improves later; via thecore@core.com |
10/13/68
|
Avalon Ballroom |
San Francisco |
CA |
Source Detail |
via John Oleynick, Lee Revell; tracked for 1x80 min; Lee comments: "sound's a bit rough... but we're fairly certain that this is the best available source"; see info file for misc flaw notes |
02/21/69
|
Dream Bowl |
Vallejo |
CA |
Source Detail |
flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
02/27/69
|
Fillmore West |
San Francisco |
CA |
Source Detail |
SBD 16-Track Master Reel > Rough Mix DAT > DATx3 > Digital Sound Card > WAV > SHN > WAV > Cool Edit > CDWAV > SHN; via Aoxoa, R. Keshavan, Seth Kaplan; see info file for notes on patches and edits; d2 tracked for 80 min; note material from this date also appeared on Live Dead- go buy it |
02/28/69
|
Fillmore West |
San Francisco |
CA |
Source Detail |
16-Track Master Reel> DAT> CD> EAC> SHN, with various patches (see info file); via Charlie Miller, Aoxoa, Seth Kaplan; upload by Darrin Sacks |
03/01/69
|
Fillmore West |
San Francisco |
CA |
Source Detail |
SBD> 16-Track Master Reel > DAT > DAT > CD > EAC > SHN > MKW .WAV file conversion > Cool Edit 2000 > MKW .shn file conversion > shntool > MKW .WAV file conversion > CD; via Aoxoa, Rango Keshavan, Seth Kaplan; d2 tracked for 80 min; see various notes in info file, including about patches for banter and tuning |
03/01/69
|
Fillmore West |
San Francisco |
CA |
Source Detail |
Jay Ashley (Bertha) remaster of previous multi-track source; SBD>>MTMR>>DAT>>CDA>>DAW(Bertha)>>CDA |
03/02/69
|
Fillmore West |
San Francisco |
CA |
Source Detail |
Jay Ashley (Bertha) remaster of previous multi-reel source; SBD>>MTMR>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A Show A |
03/28/69
|
Student Center, Modesto Jr. College |
Modesto |
CA |
Source Detail |
flac16; Source: Master Soundboard Cassette Medium Stock Brands: Master Cassette ampex c120 Analog Lineage: SBD >> Unknown Deck >> MSC Analog Sound Preservation: MSC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bear Transfer By: Bob Menke Mastering By: David Minches, Derek McCabe (This source was originally seeded with errors in the tags. Please don't circulate the original fileset.) |
04/23/69
|
The Ark |
Boston |
MA |
Source Detail |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade of 98892 |
11/02/69
|
Family Dog at the Great Highway |
San Francisco |
CA |
Source Detail |
mr> c1> dat> turtle bch "Fiji"> SHN; via Teddy GoodBear, Doug Johnson; to abg, later to etree; note track names by title, have spaces and/or special characters; see pub comments for flaw note |
02/11/70
|
Fillmore East (late show) |
New York |
NY |
Source Detail |
early and late shows; MSR> DATs> CDRs> EAC> shn; see info file for flaws and notes; shn and u/l by Darrin Sacks; also, Ben Yerys reports UJB encore pops (not sure if from CD or DAT source): 3.23?; 4.35, 5.26??, 5.27??; note d2alt.md5 also shown for a version noted at gdlive 7/01+, having a different d2t3 md5- reason unknown |
02/13/70
|
Fillmore East (Late Show) |
New York |
NY |
Source Detail |
flac16; Recording Info: SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller (This sources fixes a flaw in d2t08 of source ID 97613) |
02/14/70
|
Fillmore East |
New York |
NY |
Source Detail |
flac16; Recording Info:SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k);Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
09/19/70
|
Fillmore East |
New York |
NY |
Source Detail |
flac16; (disc 3 only) Sick Bits 14; matrix: SBD/AUD mix of 2 previously circulating sources (SBD: shnid=5217 & AUDs (composite): shnid=25473)
edited, mixed and converted by Chris Chappell |
11/08/70
|
Capitol Theater |
Port Chester |
NY |
Source Detail |
The Port Chester Resurrection Project #7 Taped by Ken and Judy Lee. See txt file for details. |
02/18/71
|
Capitol Theater |
Port Chester |
NY |
Source Detail |
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct) |
02/18/71
|
Capitol Theater |
Port Chester |
NY |
Source Detail |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
02/19/71
|
Capitol Theatre |
Port Chester |
NY |
Source Detail |
7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV >
Cool Edit Pro (filtering and sample rate conversion) > SHN data files
(seed); mono; slight whine reduced with notch filter (see info file for details and other flaw notes);
via WBOTB tree (site includes covers) |
04/26/71
|
Fillmore East |
New York |
NY |
Source Detail |
flac24; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit ->
Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/24; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller |
04/28/71
|
Fillmore East |
New York |
NY |
Source Detail |
flac24; Recording Info: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info: WAV -> Samplitude Professional v11.03 -> FLAC/24; All Mastering By Charlie Miller |
08/06/71
|
Hollywood Palladium |
Hollywood |
CA |
Source Detail |
flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller |
08/06/71
|
Hollywood Palladium |
Hollywood |
CA |
Source Detail |
flac 16; Sick Bits Vol. 29b - SBD/AUD mix of 2 previously circulating primary sources: SBD (shnid=96541) + AUD (shnid=94261) as well as patch AUD source (shnid=88816). Matrixed by Chris Chappell. |
12/05/71
|
Felt Forum, Madison Square Garden |
New York |
NY |
Source Detail |
flac16; FM -> Master Reel -> CD -> EAC -> FLAC. This is a complete show and a real nice upgrade from the so-called Pre-FM. |
12/15/71
|
Hill Auditorium |
Ann Arbor |
MI |
Source Detail |
set 2; SBD> ?> CDR> EAC> SHN; via J. Oleynick, M. Ferguson; see info file for flaws |
03/23/72
|
Academy of Music |
New York |
NY |
Source Detail |
flac16;Recording Info:SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info:Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller |
04/08/72
|
Wembley Empire Pool |
London |
England |
Source Detail |
SBD; Discs 1 and 2: MR > DAT > CD > EAC > SHN; Disc 3: MR > DAT > Sonic Solutions > CD > EAC > SHN; Extraction, retracking of discs 1 and 2, and SHN encoding by G.S. Hamilton, from Seth Kaplan's copy; d3 is identical to previously circulated shn; note 1/01: cleaned version of this now in shn |
05/23/72
|
Lyceum Ballroom |
London |
England |
Source Detail |
flac16; Set 2 partial; MSR>C>DAT>CD; EAC>WAV>FLAC by Sean Cribbs, from Lemieux source |
08/20/72
|
San Jose Civic Auditorium |
San Jose |
CA |
Source Detail |
flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller |
08/27/72
|
Old Renaissance Faire Grounds |
Veneta |
OR |
Source Detail |
SBD Master Betty reel > PCM > DAT > ZA2 > CD > EAC > SHN; Set 3 has unknown # of PCM gens; via Jeff Tiedrich (DAT seed), David Hollister (transfer> CD), G.S. Hamilton (EAC> SHN); see info file for comments; d3 tracked for 80 min; upgrade relative to previously etreed copy |
08/27/72
|
Old Renaissance Faire Grounds |
Veneta |
OR |
|
|
08/27/72
|
Old Renaissance Faire Grounds |
Veneta |
OR |
Source Detail |
SBD> 16 Track Master Reels> DAT@44.1K> DAT> DAT> WAV> SHN; Banter between songs from the two-track master reels: S:MR> DAT> SS> CD> EAC> SHN; dankseed |
08/27/72
|
Old Renaissance Faire Grounds |
Veneta |
OR |
|
|
11/18/72
|
Hofheinz Pavilion |
Houston |
TX |
Source Detail |
2nd set only; SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to John Steinhaus |
05/13/73
|
Iowa State Fairgrounds |
Des Moines |
IA |
Source Detail |
flac16; Set 3 Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version of source ID 100239 |
06/30/73
|
Universal Amphitheatre |
Universal City |
CA |
Source Detail |
flac16; Sick Bits Vol. 9 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 177, and AUD - SHN ID# 6019); edited and transfered by Chris Chappell |
10/29/73
|
Kiel Auditorium |
St. Louis |
MO |
Source Detail |
MSR> C> DAT> Circulation> EAC> SHN; no El Paso, otherwise complete show; Source disks from Bob Murphy, eac/shn by Darrin Sacks; Analog anomalies between CRS and BIODTL and between Eyes and China Doll digitally removed with Soundforge. Track boundary error between Bertha and GSET automatically corrected by Exact Audio Copy;
Bob Murphy reports seed sounds cleaner than corresponding 10/30/73
|
11/21/73
|
Denver Coliseum |
Denver |
CO |
Source Detail |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation |
11/21/73
|
Denver Coliseum |
Denver |
CO |
Source Detail |
flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller (This source fixes swapped channels on source id 88612.) |
12/06/73
|
Public Hall |
Cleveland |
OH |
Source Detail |
SBD MR > 1 cass gen > DAT > (AUD patching)> CD > EAC > SHN> slight retrack for d2t3, d3t1, d3t4> shnv2 on those tracks; d3 tracked for 80 min; see notes in info file; seed via David Gans, Jim Powell, Dave Greenberg; shns via Seth Kaplan, Alan Fink, G.S. Hamilton |
12/19/73
|
Curtis Hixon Convention Hall |
Tampa |
FL |
Source Detail |
flac16; Recording Info:SBD -> Master Reel -> Dat (44.1k); Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
12/19/73
|
Curtis Hixon Convention Hall |
Tampa |
FL |
Source Detail |
flac16; Matrix from sources: soundboard: 97361; and Dan McDonald's audience tape (new flat transfer) |
12/19/73
|
Curtis Hixon Convention Hall |
Tampa |
FL |
Source Detail |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
06/30/74
|
Springfield Civic Center |
Springfield |
MA |
Source Detail |
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
07/19/74
|
Selland Arena |
Fresno |
CA |
Source Detail |
set 2 partial; MR> DAT> CDR; seed via D. Gans, D. Finney; md5s for shns and wavs given (complete show now in circulation (Upgrade now in circulation.) |
07/31/74
|
Dillon Stadium |
Hartford |
CT |
Source Detail |
flac16; Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC |
08/06/74
|
Roosevelt Stadium |
Jersey City |
NJ |
Source Detail |
fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy" |
10/17/74
|
Winterland Arena |
San Francisco |
CA |
Source Detail |
flac24; Black Maxell UDII reel tape @ 3 3/4 ips.>Akai GX 636>Apogee Mini Me(24/96)>Apogee mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>DVD, DVD-Audio 2496>DVD-A Explorer>Wavelab 6.1>GEMS Edit Station Weiss Saracon for POWr3 Dither 24bit/96 kHz, TradersLilHelper for FLAC 8 SBE Free Tag&Rename for MetaData |
02/28/75
|
Bob Weir's Studio |
Mill Valley |
CA |
Source Detail |
flac16; SBD MR > R > R > CD * > EAC > WAV > FLAC |
08/13/75
|
Great American Music Hall |
San Francisco |
CA |
Source Detail |
Pitch corrected version of FM broadcast originally seeded by CousinIt by Matt Vernon |
06/03/76
|
Paramount Theatre |
Portland |
OR |
Source Detail |
flac24; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller |
05/04/77
|
The Palladium |
New York |
NY |
Source Detail |
flac16; Recording Info:Set 1: SBD -> Master Cassette -> Cassette -> ART DIO -> Cool Edit 2000 -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: FLAC -> Sampltiude Professional v9.02 -> FLAC Set 2: CD -> EAC -> FLAC. All Transfers and Mastering By Charlie Miller |
05/05/77
|
Veterans Memorial Coliseum |
New Haven |
CT |
Source Detail |
flac16; Recording Info: SBD -> Master Reel (DBX-1 Encoded) -> PCM (Sony PCM501ES/44.055k); Transfer Info: PCM (Sony PCM501ES/Analog Out) -> Dat (Panasonic SV-3700/48k) -> Db 924 (96k/24bit) D/A -> Dolby 361 Module w/ DBX K9-22 Cards(DBX Decoded) -> Db 1225 (96k/24bit) A/D -> Db 3000s Noise Shaper (SBM) -> Dat (48k) -> Sound Forge -> CD Wave -> SHN; Mastering Info: SHN -> FLAC -> Samplitude Professional v11.2.1 -> FLAC; Original Transfer and Mastering By Rob Eaton and Dan Stephens; Remastered By Charlie Miller |
05/07/77
|
Boston Garden |
Boston |
MA |
Source Detail |
SBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding by Rob Eaton; CD editing and mastering by The Wizard. |
05/07/77
|
Boston Garden |
Boston |
MA |
Source Detail |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller |
05/08/77
|
Barton Hall, Cornell University |
Ithaca |
NY |
Source Detail |
freshly remastered Betty Board with AUD splices, by Rob Eaton; see info file for extensive notes and credits; etreed by Darrin |
05/09/77
|
Buffalo Memorial Auditorium |
Buffalo |
NY |
Source Detail |
Sources: Soundboard Source:Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out>
Dat @ 48 kHz>Soundforge>Shn:
Audience Source:Master Audience Cassette> Sony ecm-33pmics>nak550>reel to reel>cd
The audience source supplies patches for the master reel splices at D2T2,TMNS 6:50 - 7:18 and D3T4, NFA 1:43 - 2:10 Seeded via Fungus and abgd by Charlie Connor 3/21/02, with thanks to Joe Samaritano and Scott Clugston |
05/09/77
|
Buffalo Memorial Auditorium |
Buffalo |
NY |
Source Detail |
flac16; Recording Info: SBD -> Master Reel (DBX-1 Encoded) -> Sony PCM501ES (44.055k); Transfer Info: Sony PCM501ES (Analog Out) -> DBX-1 Decoder> Sony PCM501ES (Analog In) -> Dat (48k/Analog In) -> Sound Forge -> SHN; Mastering Info: SHN -> FLAC -> Samplitude Professional v11.2.1 -> FLAC; Original Mastering By Charlie Connor; Remastered By Charlie Miller |
06/09/77
|
Winterland Arena |
San Francisco |
CA |
Source Detail |
flac16; Recording Info: Sbd -> Master Reel -> Dat -> Cd; Patch Source: AKG D224 -> Master Reel -> Reel -> DAT -> CD (shnid 26450); Transfer Info - Most Tracks: CD -> EAC -> Samplitude Profesional -> FLAC (shnid 28614); Transfer Info - d2t05: CD -> EAC -> Samplitude Profesional -> FLAC -> WAV -> Peak Dv4 -> WAV -> FLAC; Transfer Info - d3t02 and d3t07: CD -> EAC -> Samplitude Profesional -> FLAC -> WAV -> ProTools LE -> WAV -> FLAC; This is a partial upgrade to shnid 28614 (Charlie Miller's 2005 remaster) with three tracks repaired by Duane Day |
10/02/77
|
Paramount Theatre |
Portland |
OR |
Source Detail |
flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz X2 > WBOTB Master DAT (DAT-2).
|
10/07/77
|
University Arena, University Of New Mexico |
Albuquerque |
NM |
Source Detail |
partial set 2 (all that circ); SBD-> Master Reels-> DAT-> DAT-> Sonic Solutions-> CD-> CD-> SHN; CD seed via David Gans;
via Chuck Kiefe and Chuck Fiske to GDH-T offer; hosted at gdlive.com [Note: A sbe-fixed version also circulates]; upgrade in circulation
|
10/11/77
|
Lloyd Noble Center, University Of Oklahoma |
Norman |
OK |
Source Detail |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller |
11/04/77
|
Cotterell Gym, Colgate University |
Hamilton |
NY |
Source Detail |
flac 16; SBD/AUD Matrix of 2 previously circulated seeds (SBD - shn ID #2595 & AUD - shn ID #15208); prepared by Chris Chappell |
01/22/78
|
McArthur Court, University Of Oregon |
Eugene |
OR |
Source Detail |
flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette -> FLAC; Set 2: (1st 4 songs) (FOB) AKG D224E -> Cassette Master -> FLAC (shnid=101436); Set 2: (Terrapin through Saint Stephen) SBD -> Cassette Master > FLAC; Set 2: (Not Fade Away through U.S. Blues) SBD -> Reel Master > FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
04/16/78
|
Huntington Civic Center |
Huntington |
WV |
Source Detail |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC by Charlie Miller |
04/24/78
|
Horton Field House, Illinois State University |
Normal |
IL |
Source Detail |
flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
07/08/78
|
Red Rocks Amphitheatre |
Morrison |
CO |
Source Detail |
SBD> [?]> DAT> CDR; via Jeff Hoelter; see pub comments for additional notes. [Note: A shntool-fixed-be-sets version of this source is available]; upgrade in circulation
|
07/08/78
|
Red Rocks Amphitheatre |
Morrison |
CO |
Source Detail |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Roland SRC-2 -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller |
01/15/79
|
Springfield Civic Center |
Springfield |
MA |
Source Detail |
flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; All Mastering By Charlie Miller |
08/13/79
|
McNichols Sports Arena |
Denver |
CO |
Source Detail |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) |
09/05/79
|
Madison Square Garden |
New York |
NY |
Source Detail |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16) |
10/27/79
|
Cape Cod Coliseum |
South Yarmouth |
MA |
Source Detail |
flac16; SBD and Audience Matrix Mix of about a 60% SBD to 40% Audience. |
11/02/79
|
Nassau Veterans Memorial Coliseum |
Uniondale |
NY |
Source Detail |
SBD> MR> Dick's cassette> DAT> CD; via Alasdair Macdonald |
12/01/79
|
Stanley Theatre |
Pittsburgh |
PA |
Source Detail |
flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller; this is a re-master of source id 29429 |
12/11/79
|
Soldiers & Sailors Memorial Hall |
Kansas City |
KS |
Source Detail |
flac24; DVD-AUDIO 24/48 SBD+AUD Matrix Mix (60%-SBD/40%-AUD); see info files for sources used |
12/28/79
|
Oakland Auditorium Arena |
Oakland |
CA |
Source Detail |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) |
05/07/80
|
Barton Hall, Cornell University |
Ithaca |
NY |
Source Detail |
SBD> Cassette Master> Reel> Dat> CD> EAC> SHN; Converted By Charlie Miller |
05/08/80
|
Glens Falls Civic Center |
Glens Falls |
NY |
Source Detail |
Master Soundboard Cassette > Cassette > DAT> CDR (Primary Source) patched with the Jim Wise
audience source: Recorded by Jim Wise (via Jeff Hellman), 2 Nak 700s + Nak 300 blend>Sony TC-D5: AUD>MC>DAT>CDR>EAC>mkwACT>SHN; Patched by R.Carman |
05/10/80
|
Hartford Civic Center |
Hartford |
CT |
Source Detail |
flac16; Set 2 only, Recording Info: SBD -> Cassette Master -> Dat -> Sound Forge -> WAV; Transfer Info: WAV -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC |
05/11/80
|
Cumberland County Civic Center |
Portland |
ME |
Source Detail |
flac16; SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller. This is a repatch and remaster of shn id 13087 |
05/12/80
|
Boston Garden |
Boston |
MA |
Source Detail |
flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade in circulation |
05/12/80
|
Boston Garden |
Boston |
MA |
Source Detail |
flac16 Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller; this source has a patch in a cut in d2t09 of the previous Miller source (source ID 91931) |
05/30/80
|
Milwaukee Auditorium |
Milwaukee |
WI |
Source Detail |
flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller |
05/31/80
|
Metropolitan Sports Center |
Bloomington |
MN |
Source Detail |
flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller |
08/21/80
|
Uptown Theater |
Chicago |
IL |
Source Detail |
flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
08/31/80
|
Capital Centre |
Landover |
MD |
Source Detail |
Recording by Jim Wise: Master Audience Cassette > DAT > Hard disk (Sound Forge) > CD; , at the soundboard with Sennheiser 421's; via Popi |
08/31/80
|
Capital Centre |
Landover |
MD |
Source Detail |
AUD, SBD combo: Set 1: Sennheiser 421> Cassette Master> Dat> Sound Forge> CD> EAC> SHN; Set 2: SBD> Cassette Master> Cassette> Dat> CD> EAC> SHN; Converted To SHN By Charlie Miller |
09/06/80
|
State Fairgrounds |
Lewiston |
ME |
Source Detail |
Nak Dragon > Sony PCM r-500 DAT > CDR |
11/29/80
|
Alligator Alley Gymnasium, University Of Florida |
Gainesville |
FL |
Source Detail |
Recording by Jim Wise: FOB - Beyer M-160's> Sony TC-D5> CDR via Alesis Masterlink; Mics were on a 15'? pole at the SBD; Taped by Jim Wise; via Darrin Sacks, Rango Keshavan and Dankstar; note upgrade relative to previous shn set |
11/29/80
|
Alligator Alley Gymnasium, University Of Florida |
Gainesville |
FL |
Source Detail |
flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise (mics were set up at soundboard); All Transfers and Mastering By Charlie Miller |
12/06/80
|
Mill Valley Recreation Center |
Mill Valley |
CA |
Source Detail |
Betty Cantor-Jackson's Master Audience Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston |
12/13/80
|
Long Beach Arena |
Long Beach |
CA |
Source Detail |
set 2; Master Audience Cassette; Sony ECM-280 mics > Sony D5> DAT > CDR; via Scott Clugston, Lee Revell |
12/30/80
|
Oakland Auditorium Arena |
Oakland |
CA |
Source Detail |
Recording by Steve Rolfe: AUD (nak 300's)>MC>DAT>CD; via Paul B; Seeded to etree by Willy |
02/26/81
|
Uptown Theater |
Chicago |
IL |
Source Detail |
SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes |
02/27/81
|
Uptown Theater |
Chicago |
IL |
Source Detail |
SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes; note encore missing |
02/28/81
|
Uptown Theater |
Chicago |
IL |
Source Detail |
SBD > Cassette Master > DAT(0) (Reel> DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > CDR Master (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes; d1 tracked for 80 min |
03/10/81
|
Madison Square Garden |
New York |
NY |
Source Detail |
flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller |
05/08/81
|
Nassau Veterans Memorial Coliseum |
Uniondale |
NY |
Source Detail |
flac16; MATRIX MIX: SBD/2 AUD (About 60%/40%) |
05/11/81
|
Veterans Memorial Coliseum |
New Haven |
CT |
Source Detail |
FOB Healy authorized master audience cassette > 48k dats > delta dio 2496 > cooledit2000 > wav > shn; circulating via trades?; note d1 tracked for 80 min |
05/12/81
|
Veterans Memorial Coliseum |
New Haven |
CT |
Source Detail |
SBD> Master Cassette> Cassette > DAT> CDR; via Jeff M. |
09/26/81
|
Community War Memorial Auditorium |
Buffalo |
NY |
|
|
09/26/81
|
Community War Memorial Auditorium |
Buffalo |
NY |
Source Detail |
flac16; Sick Bits Vol. 10 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 18110, and AUD - SHN ID# 12554); edited and transfered by Chris Chappell |
09/26/81
|
Community War Memorial Auditorium |
Buffalo |
NY |
Source Detail |
SBD>Cm>Cass>Dat>CD with aud patches via Charlie Miller |
10/16/81
|
Club Melk Weg |
Amsterdam |
Netherlands |
Source Detail |
SBD:MCASS> CASS> DAT> CDR, with aud patches: FOB:MCASS> CASS> DAT> CDR; EAC> SHN by Dan Vinson; patched in Playin' and Sugar Mag- see info file for notes |
10/16/81
|
Club Melk Weg |
Amsterdam |
Netherlands |
Source Detail |
flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
04/18/82
|
Hartford Civic Center |
Hartford |
CT |
Source Detail |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) |
08/03/82
|
Starlight Theater |
Kansas City |
MO |
Source Detail |
flac16; Sick Bits Vol. 12, SBD/AUD matrix of two previously circulating sources; SBD: shnid=19228, AUD: shnid=5984; edited and mixed by Chris Chappell. |
08/10/82
|
University Of Iowa Fieldhouse |
Iowa City |
IA |
Source Detail |
flac16; MATRIX MIX: About 50%AUD/50%SBD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 7/25/07 Remastered 06/01/08; remastered version of shn id 86585 |
08/28/82
|
Oregon Country Fair |
Veneta |
OR |
Source Detail |
flac16;Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; This is a re-patch of source ID 106749 |
09/21/82
|
Madison Square Garden |
New York |
NY |
Source Detail |
flac 16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) |
10/09/82
|
Frost Amphitheatre |
Palo Alto |
CA |
Source Detail |
flac16; Recording Info:SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info:Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
10/10/82
|
Frost Amphitheatre |
Palo Alto |
CA |
Source Detail |
flac16; MATRIX MIX: SBD/AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 08/13/07 Remastered: 05/30/08 (A re-synchronized version of d2t06 was circulated in April, 2009. No other changes were made to the file set.) |
10/10/82
|
Frost Amphitheatre |
Palo Alto |
CA |
Source Detail |
flac24; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; This source has the encores fixed |
10/10/82
|
Frost Amphitheatre |
Palo Alto |
CA |
Source Detail |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; This source has the encores fixed |
10/10/82
|
Frost Amphitheatre |
Palo Alto |
CA |
Source Detail |
flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 > AIFF > Final Cut > AIFF tracking via Audacity > FLAC24 via xACT) |
12/30/82
|
Oakland Auditorium |
Oakland |
CA |
Source Detail |
flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
04/13/83
|
Patrick Gymnasium, U of Vermont |
Burlington |
VT |
Source Detail |
MSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN; via Jim Wise, Darrin Sacks |
04/26/83
|
The Spectrum |
Philadelphia |
PA |
Source Detail |
flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
09/11/83
|
Santa Fe Downs |
Santa Fe |
NM |
Source Detail |
SBD> Master Cassette> 1 Reel> DAT> DAT> WAV> Soundforge 4.0> CDWAV 1.53> MKW 0.97b> SHN; DAT> WAV via Sony SDT-9000 DDS drive using VDAT 0.6f; see info file for details and flaw notes; QC courtesy dankseeds |
10/15/83
|
Hartford Civic Center |
Hartford |
CT |
Source Detail |
Soundboard of unknown origin; seeded by Jack to gdlive, with noise reduction- see his pub comment; reportedly has SBEs; track timings reportedly match those of the previous FOB version |
10/15/83
|
Hartford Civic Center |
Hartford |
CT |
Source Detail |
flac16; 2 Nak 700's pointed to stacks (FOB) > Maxell MX 90 > Sony TC-D5M Taped and transferred by Doug Mow. Conversion and Seeding to bt.etree.org by Alex Ford
|
10/15/83
|
Hartford Civic Center |
Hartford |
CT |
Source Detail |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) |
10/17/83
|
Olympic Center |
Lake Placid |
NY |
Source Detail |
flac16; mixed SBD sources, plus AUD patches: Set 1: SBD> Master Cassette> Dat> Sonic Solutions> CD> EAC> FLAC; Set 2: SBD> Master Cassette> Reel> Dat> CD> EAC> Samplitude v7.02 Professional> FLAC; Patch Info: (FOB/12th Row) Sennheiser 421> Master Cassette (Sony D5)> Dat> CD; Edited By Charlie Miller
|
10/21/83
|
The Centrum |
Worcester |
MA |
Source Detail |
flac16; Matrix by Hunter Seamons using Final Cut Pro & Soundtrack Pro (SHN>AIFF>Final Cut & Soundtrack>WAV>FLAC) |
10/21/83
|
The Centrum |
Worcester |
MA |
Source Detail |
SBD>>PCM>>Dat>>CDR>>SHN>>DAW(Bertha)>>CDA/SHN
There is another Bertha Remaster of 10/21/83. That version was done with the source that had a cassette gen in the lineage. This version has no cassette gen. |
03/31/84
|
Marin County Veterans Auditorium |
San Rafael |
CA |
Source Detail |
Source:
SBD > MC > DAT > CDR > EAC > Cool Edit Pro 2.0* > CDWave > mkwACT
EAC'd/Pitch Corrected/SHN'd by Doug Nawrocki
Source kindly provided by Vojo; upgrade in circulation
|
04/20/84
|
Philadelphia Civic Center |
Philadelphia |
PA |
Source Detail |
flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (SV3800/48k) -> WAV; Transfer Info: WAV -> Samplitude v7.02 Professional -> Cool Edit Pro v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller |
04/26/84
|
Providence Civic Center |
Providence |
RI |
Source Detail |
MATRIX MIX: SBD/2 AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN); fixed upgrade of this source now circulates here |
04/26/84
|
Providence Civic Center |
Providence |
RI |
Source Detail |
flac16; MATRIX MIX: SBD/2 AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>Soundtrack>WAV>SHN) May 10, 2008 Remastered June 14, 2008. Cleaned up version of the previous Seamons matrix source |
06/30/84
|
Indianapolis Sports and Music Center |
Indianapolis |
IN |
Source Detail |
set 2, plus set 1 partial; SBD> MC> DAT> CDR; from Merry Pranksters Tree round 5, SHN branch; possibly via David Finney to etree? |
06/30/84
|
Indianapolis Sports and Music Center |
Indianapolis |
IN |
Source Detail |
flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
07/13/84
|
Greek Theatre, U. Of California |
Berkeley |
CA |
Source Detail |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) |
07/15/84
|
Greek Theatre, U. Of California |
Berkeley |
CA |
Source Detail |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
September 15, 2013 |
07/22/84
|
Ventura County Fairgrounds |
Ventura |
CA |
Source Detail |
SBD> PCM> Dat> CD> EAC> SHN (mkwACT); via Keith Bode; upgrade in circulation
|
10/20/84
|
Carrier Dome, Syracuse U |
Syracuse |
NY |
Source Detail |
flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a re-master of source ID 15673 |
03/28/85
|
Nassau Veterans Memorial Coliseum |
Uniondale |
NY |
Source Detail |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) |
03/28/85
|
Nassau Veterans Memorial Coliseum |
Uniondale |
NY |
Source Detail |
flac16; Set 1 only, Matrix by Hunter Seamons using Soundtrack/Final Cut Pro (SHN & FLAC>AIFF>Soundtrack>Final Cut>WAV>FLAC) |
06/22/85
|
Alpine Valley Music Theatre |
East Troy |
WI |
Source Detail |
flac16; Recording Info: SBD -> Cassette Master -> PCM -> Dat (44.1k); Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
06/24/85
|
River Bend Music Center |
Cincinnati |
OH |
Source Detail |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) |
06/30/85
|
Merriweather Post Pavilion |
Columbia |
MD |
Source Detail |
SBDmc> DAT> CD; via Nick Georges; reported lots of hiss, and inferior "digital manipulation"; additional notes in public comments Note- This show also circ's with 'corrected' track names via ccryder@westerncom.net |
06/30/85
|
Merriweather Post Pavilion |
Columbia |
MD |
Source Detail |
set 2; Daud -- Oade recording: Schoeps CMC441 (@ 90 degrees) > Oade M118 > Oade Modified PCM-F1 > DATs > CDRs > EAC > SHN (Seekable); via Darrin Sacks |
06/30/85
|
Merriweather Post Pavilion |
Columbia |
MD |
Source Detail |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) |
06/30/85
|
Merriweather Post Pavilion |
Columbia |
MD |
Source Detail |
flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller |
07/01/85
|
Merriweather Post Pavilion |
Columbia |
MD |
Source Detail |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) |
09/03/85
|
Starlight Theater |
Kansas City |
MO |
Source Detail |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) |
09/07/85
|
Red Rocks Amphitheatre |
Morrison |
CO |
Source Detail |
flac16; MATRIX MIX: About 60%SBD/40%AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) June 4, 2008; This source was a fix of the original Seamons matrix. A fixed upgrade is now in circulation |
11/01/85
|
Richmond Coliseum |
Richmond |
VA |
Source Detail |
Sources: Primary Source:Oade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k)
DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable: Secondary Source:Charlie Connor's Cassette Master: FOB>Beyer M88's>Sony TCM D5>Wav:The Secondary Source Supplies patch on d1t02 3:28-3:34: Seeded to etree by Darrin Sacks with thanks to JJ; also to abgd via Charlie Connor; 3/01 update: this date is now released as Dick's Picks 21- go buy that |
11/02/85
|
Richmond Coliseum |
Richmond |
VA |
Source Detail |
flac16; Matrix from 3 sources: SBD> ?> DAT> CD> EAC> WAV> SHN; AUD - Connor (FOB) Mics: Beyer Dynamic M88's; AUD - Oade (Tapers? Section) Mics: Schoeps (2 x CMC441, 1 x CMC42)> Sony PCM-F1; Matrixed by Chris Chappell |
11/21/85
|
Henry J. Kaiser Convention Center |
Oakland |
CA |
Source Detail |
flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
04/19/86
|
Berkeley Community Theater |
Berkeley |
CA |
Source Detail |
SBD> MC> DAT> CDR> WAV> SHN; DAE (EAC)> d/o repair (sound forge 5)> tracking (cdwav> boundary check (shntool)> SHN (mkwact)> FTP via neo_levo |
06/??/87
|
Club Front |
San Rafael |
CA |
Source Detail |
Rehearsal material from soundboard cassette masters > DAT > CD-R > ? > SHN |
07/04/87
|
Sullivan Stadium |
Foxboro |
MA |
Source Detail |
Soundboard > ? > SHN |
07/10/87
|
John F Kennedy Stadium |
Philadelphia |
PA |
Source Detail |
Soundboard > ? > SHN (One track patched from an unknown audience source.) (An alternate file set from this show also circulates possibly representing an EAC version.) |
07/12/87
|
Giants Stadium |
East Rutherford |
NJ |
Source Detail |
Soundboard > ? > SHN (except AUD PCM>DAT 1st 3 tracks) |
07/19/87
|
Autzen Stadium, University Of Oregon |
Eugene |
OR |
Source Detail |
Soundboard > ? > SHN |
07/24/87
|
Oakland-Alameda County Stadium |
Oakland |
CA |
Source Detail |
Soundboard > ? > SHN |
07/26/87
|
Anaheim Stadium |
Anaheim |
CA |
Source Detail |
Soundboard > ? > SHN (except unknown audience source for the last 3 tracks) |
09/18/87
|
Madison Square Garden |
New York |
NY |
Source Detail |
sbd PCM > Dat x3 > wav > shn; With alternate SBD patches; See info file for details; Seeded to etree by drgseeds via Bob H |
09/18/87
|
Madison Square Garden |
New York |
NY |
Source Detail |
MattMan remaster of shnid=10536; SBD PCM> DATx3> WAV> SHN, with alterrnate-source SBD patches (see notes) |
09/18/87
|
Madison Square Garden |
New York |
NY |
Source Detail |
flac16; Matrix from Source 1: SBD (shnid=20025; patched with shnid=21241) Lineage: Vault PCM Master->DAT Transfer: AT->ZA2->Soundforge->.wav->mkw->SHN, Source 2: AUD (shnid=105797) Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Taper's section by Jon Pasternak CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors and Source 3: AUD (shnid=112782) OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley
Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab >
TLH > FLAC 2448 tagged |
09/24/87
|
The Spectrum |
Philadelphia |
PA |
Source Detail |
flac16; Recording Info:Set 1: SBD -> PCM -> Dat -> CD; Set 2: SBD -> PCM -> Dat (44.1k); Transfer Info:Set 1: CD -> Samplitude Professional v10.02 -> FLAC; Set 2: Dat -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller. (Fixed version now in circulation.) |
03/27/88
|
Hampton Coliseum |
Hampton |
VA |
Source Detail |
SBD (Matrix)> DAT> CD> EAC> [retracking of d1 w/ SF, no other alteration]> SHN; known flaws: end of Let it Grow is missing - the last minute, but the jam does not get cut; via Adam Jerugim; listener reports additional skip or splice in Scarlet Begonias d2t3; note patched version now in circulation |
07/02/88
|
Oxford Plains Speedway |
Oxford |
ME |
Source Detail |
flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller |
07/29/88
|
Laguna Seca Recreation Area |
Monterey |
CA |
Source Detail |
flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller |
05/06/89
|
Frost Amphitheatre |
Palo Alto |
CA |
Source Detail |
DSBD, with some editing (see notes in info file); via Jay Serafin to gdlive |
07/18/89
|
Alpine Valley Music Theatre |
East Troy |
WI |
Source Detail |
DSBD> DAT> CD; via Nick Georges; reported diginoise at the beginning of Touch and in a few other places, like just before Jack-A-Roe starts, and in Sugar Mag :22-:28; weirdness note: info file gives 7-5-7 tracking, md5s shown here have 9-5-7 tracking; further, listener B. de Vos reports d1t5 FOTD is not on info file, and neither is d1t9 TMNS- the latter was not even played at the show (must be filler) |
08/19/89
|
The Greek Theatre - University Of California |
Berkeley |
CA |
Source Detail |
SBD Cassette Master > DAT > .WAV > .SHN; d2 tracked for 80 min; via Jon Miller to tree; see info file for flaw notes |
10/09/89
|
Hampton Coliseum |
Hampton |
VA |
Source Detail |
SBD + AUD Matrix Mix (60%-SBD/40%-AUD); SBD: PCM (analog out) > DAT x 4 > CDR; AUD FOB: Schoeps CMC641 > DAT; Mixed by dan@am-dig.com; related 5.1 mix also circulates |
10/16/89
|
Meadowlands Arena |
East Rutherford |
NJ |
Source Detail |
source update: DSBD> DAT> WAV> CD-R; via Dave Barrick; 5/00- there may be another version around, possibly reextraction of this- at least 1 track matches the md5 shown here, another track doesn't; listener Jeff Davis reports errors: "some dropouts during the beginning of D1T1, and a dropout around 3:40 of "Space" on Disc 3"; see pub comments for tracking; Update: whole show now released as Nightfall of Diamonds- go buy it |
10/20/89
|
The Spectrum |
Philadelphia |
PA |
Source Detail |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
10/22/89
|
Charlotte Coliseum |
Charlotte |
NC |
Source Detail |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
10/26/89
|
Miami Arena |
Miami |
FL |
Source Detail |
SBD -> Dat -> Sonic Solutions -> CD -> EAC -> SHN
Set 2 only.
Converted By Charlie Miller |
10/26/89
|
Miami Arena |
Miami |
FL |
Source Detail |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
03/15/90
|
Capital Centre |
Landover |
MD |
Source Detail |
Nak 300's > Sony D-5 (w/dolby B)> Maxell MX cass, Taper's section recorded by Boyd McHugh; Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks, Transfer by Dave Hanscom; CDWav> EAC> shn by Bzl |
03/15/90
|
Capital Centre |
Landover |
MD |
Source Detail |
flac16; Recording Info:SBD -> Cassette Master (TDK SA90);
Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
03/22/90
|
Copps Coliseum |
Hamilton |
ON |
Source Detail |
SBD (Matrix)> DAT> CD> EAC> [retracking of d2 w/ SF, no other alteration]> SHN; via Adam Jerugim; known flaws: 1 sec d/o d2t7 @0:17 |
03/22/90
|
Copps Coliseum |
Hamilton |
ON |
Source Detail |
Bertha Remaster of the Master Cassette source; SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN |
03/22/90
|
Copps Coliseum |
Hamilton |
ON |
Source Detail |
Schoeps CMC54 (ORTF, 19th row) > Aerco PS > DAT @ 48kHz; via Dankseeds |
03/22/90
|
Copps Coliseum |
Hamilton |
ON |
Source Detail |
flac16; Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
03/24/90
|
Knickerbocker Arena |
Albany |
NY |
Source Detail |
SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
|
03/24/90
|
Knickerbocker Arena |
Albany |
NY |
Source Detail |
flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
03/28/90
|
Nassau Coliseum |
Uniondale |
NY |
Source Detail |
24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky |
03/28/90
|
Nassau Coliseum |
Uniondale |
NY |
Source Detail |
flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller |
03/29/90
|
Nassau Coliseum |
Uniondale |
NY |
Source Detail |
Fix of shnid 26341 - SBD> DAT> CD> EAC> SHN> WAV> FLAC patched with shnid 1317 (FOB>DAT>?>CD). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
06/15/90
|
Shoreline Amphitheatre |
Mountain View |
CA |
Source Detail |
flac16; Fix of shn id 8570 - SBD > DAT > CDR > WAV > SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
07/10/90
|
Carter-Finley Stadium |
Raleigh |
NC |
Source Detail |
flac16; Recording Info:SBD -> Cassette Master (TDK SA-X100); Transfer Info:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
07/16/90
|
Rich Stadium |
Orchard Park |
NY |
Source Detail |
flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
07/18/90
|
Deer Creek Music Center |
Noblesville |
IN |
Source Detail |
flac16; Recording Info:Set 1: SBD -> Cassette Master -> ART DIO (24bit/96k) -> Sound Forge 7 -> CD; Set 2: SBD -> Dat Master (48k); Transfer Info:Set 1: CD -> Samplitude Professional v10.1 -> FLAC; Set 2: Dat Master (Sony R500) -> Sound Devices 744T ->
Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
07/19/90
|
Deer Creek Music Center |
Noblesville |
IN |
Source Detail |
DSBRD> DAT> CD-R> EAC> SHN; via Garcia420 to abgd |
09/07/90
|
Richfield Coliseum |
Richfield |
OH |
Source Detail |
flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
09/18/90
|
Madison Square Garden |
New York |
NY |
|
|
09/19/90
|
Madison Square Garden |
New York |
NY |
Source Detail |
flac16; Recording Info: Set 1: SBD -> Cassette Master -> Sonic Solutions -> CD Set 2: SBD -> Dat Master -> Sonic Solutions -> CD Transfer Info: CD -> Samplitude Professional v9.1.1 -> FLAC Original Transfer and Mastering By David Gans Additional Editing and Tracking By Charlie Miller |
03/21/91
|
Capital Centre |
Landover |
MD |
Source Detail |
flac16;
SBD -> Dat -> Cassette Master (TDK SA-X100)
Transfer Info:
Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) ->
Samplitude Professional v9.11 -> FLAC/16
All Transfers and Mastering By Charlie Miller |
03/27/91
|
Nassau Veterans Memorial Coliseum |
Uniondale |
NY |
Source Detail |
flac24; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; the original files had errors on d1t05 and d1t10. |
04/01/91
|
Greensboro Coliseum |
Greensboro |
NC |
Source Detail |
set 2 plus partial set 1; SBD > D > A > D > SSSB; via Jay Serafin to gdlive |
06/22/91
|
Soldier Field |
Chicago |
IL |
Source Detail |
flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
06/25/91
|
Sandstone Ampitheatre |
Bonner Springs |
KS |
Source Detail |
SBD> Vault Dat> Dat> Dat (44.1k); Transfer:
Dat (Tascam DA20)> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> Cool Edit Pro v2.0> SHN; All Transfers and Editing By Charlie Miller; note upgrade compared to prev sources in circ (NOT from liberated bootleg) |
09/10/91
|
Madison Square Garden |
New York |
NY |
Source Detail |
complete; DSBD> DATs> CDRs> EAC> SHN; via Darrin Sacks |
09/20/91
|
Boston Garden |
Boston |
MA |
Source Detail |
SBD > DAT > CDR > WAV > SHN - Seamless fix of shn id 5700 |
10/31/91
|
Oakland-Alameda County Coliseum |
Oakland |
CA |
Source Detail |
sbd> ?> shn; via Tony Gardner |
06/28/92
|
Deer Creek Music Center |
Noblesville |
IN |
Source Detail |
flac16; matrix of DSBD: shnid=32550 and DAUD: shnid=90152 by hansokolow using ProTools |
12/06/92
|
Compton Terrace Amphitheatre |
Tempe |
AZ |
Source Detail |
flac16; matrix of DSBD: shnid=94107 and DAUD: shnid=33956 by hansokolow using ProTools |
03/10/93
|
Rosemont Horizon |
Rosemont |
IL |
Source Detail |
Sbd > DAT master > analog > DAT > CDR > EAC > SHN; via Doug Nawrocki, Chris Ladner; "no known flaws" reported by seeder |
05/26/93
|
Cal Expo |
Sacramento |
CA |
Source Detail |
M:C> D> CD> EAC> SHN; via Nick Georges; CD insert available at www.nickspicks.com
|
05/26/93
|
Cal Expo |
Sacramento |
CA |
Source Detail |
flac16; SBD> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller |
05/27/93
|
Cal Expo |
Sacramento |
CA |
Source Detail |
flac16; SBD> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller |
08/21/93
|
Autzen Stadium, University of Oregon |
Eugene |
OR |
Source Detail |
SBD > Pre-FM RTR > ? > ILLEGAL BOOTLEG CD > D > SSSB; Seeded to etree by Jay Serafin |
10/01/94
|
Boston Garden |
Boston |
MA |
Source Detail |
flac16; Matrix by Hunter Seamons using Soundtrack/Final Cut Pro(SHN>AIFF>Soundtrack>Final Cut>WAV>FLAC) |
10/14/94
|
Madison Square Garden |
New York |
NY |
Source Detail |
sbd> dat> c> dat> cdr; EAC> SHN by Tony Gardner, from Paul B. seed discs; Intermittent digistatic, 5:00- 7:00 of Scarlet |
10/14/94
|
Madison Square Garden |
New York |
NY |
Source Detail |
flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC |
03/23/95
|
Charlotte Coliseum |
Charlotte |
NC |
Source Detail |
SBD> D> cass> D> CD-R> EAC> SHN; mastering by Jay Serafin; to etree via Brian Walker; see info file for listening notes; note the "if any editing" clause in info file is part of Jay's boilerplate for seeds |
Phish
--- Approximate Hours: 895
|
Show Date |
Place |
City |
State |
Source Link |
Source Notes |
12/01/84
|
Nectar's |
Burlington |
VT |
Source Detail |
SBD > Cass/1 > DAT > CDR > EAC > WAV > Cool Edit (Remastering) > SHN; SHN Conversion by Mike Wren |
12/06/86
|
The Mead Ranch |
Shelburne |
VT |
Source Detail |
Set 2p and 3 only; Note: This is a compilation of the previous two (1 and 2) circulating incomplete sources of this show; Compiled by Jess Barnes |
04/29/87
|
Nectar's |
Burlington |
VT |
Source Detail |
SBD > Cass/x > DAT > S/PDIF > HD > SHN; via S. Leonard, B. Mohr; see
info file for fixes and notes |
08/21/87
|
Ian McLean's Farm |
Hebron |
NY |
Source Detail |
purportedly SBD> Cass> DAT, however what circulates is really a high-quality
AUD from taper E. Larson, mislabelled as SBD (thanks to M. Pearson, C.
Dirksen for correction); transfer: dat> za2 > soundforge> cdwav; silences
between songs removed; very full 3 discs; via J. Sellers; etreed via B.
Mohr |
11/19/87
|
Hunt's |
Burlington |
VT |
Source Detail |
SBD > Cass/X; Yamaha KX-R470 > DSP24 > Wavelab > FLAC16; Transferred by Marmar |
??/??/87
|
Trey's Thesis, Goddard College (TMWSIY) |
Plainfield |
VT |
Source Detail |
from bootleg CD, with beginning of Wilson patched in from cassette; via other1 |
05/15/88
|
Vermont Farm Festival |
Hinesburg |
VT |
Source Detail |
flac16, 44kHz; SBD > Cass(2) > ??? > SHN/FLAC; Source and Transfer by unknown |
05/24/88
|
Nectar's |
Burlington |
VT |
Source Detail |
SBD > Cass/x > DAT; Tascam DA-20mkII > ZA2 > SF4.5 > CDWav> SHN > SF4.5 pitch shift > SHN; Transfered by Jimmy Sellers; Remastering by Ben Mohr |
07/12/88
|
Sam's Tavern |
Burlington |
VT |
Source Detail |
Updated original source including new additional tracks; Original: SBD > Cass/0 > Cass/1 (Maxell XLIIS) > DAT; Tascam DA20 mkII > ZA2 > SF 4.5 > CDWav > SHN; Patch source: SBD > Cass/3 > DAT (master); Technics RS-BR465 > Tascam DA-P1; Sony D7 > Zoltrix > SF 4.5 > CDWav > SF 4.5 > shntool > SHN; Original transfer by Jimmy Sellers; Original seed provided by Chris Wallace; Patch A>D Transfer by John Bower; Patching and Patch DAT>SHN Transfer by Ben Mohr |
09/24/88
|
Full Moon at The Zoo, U. Mass. |
Amherst |
MA |
Source Detail |
SBD > Cass/0 > DAT; DA-20mkII > Delta Dio 2496 > SoundForge 4.5 (48>44.1kHz) > CDWav > SHN; md5's added 11/27/06 |
05/28/89
|
Ian McClain's Farm |
Hebron |
NY |
Source Detail |
SBD > Cass/0 > DAT > CDR > EAC > CDR > "REBA" > SHN v3 |
10/26/89
|
Wetlands Preserve |
New York |
NY |
Source Detail |
SBD > Cass/x > D8 (from Patrick Metsker); CD-R > EAC > SHN by Mike Shumsky |
12/07/89
|
8x10 Club |
Baltimore |
MD |
Source Detail |
flac16, 44kHz; [Matrix] > Cass(0) > Tascam DA-P1 < DAT(x); DAT(x) > Tascam DA-P1 > Zefiro ZA2 > Soundforge > CDR(x) > EAC > FLAC; Transfer by Julia Mordaunt |
12/07/89
|
8x10 Club |
Baltimore |
MD |
Source Detail |
flac16, 44kHz; [Matrix] > ??? > DAT(c); DAT(c) > Sony PCM-R500 > Tascam SS-R1 > Wavelab > CDWave > FLAC; DAT(c) provided by Jonas Blank; Transfer by Jeff Mitchell |
12/29/89
|
Brownie's 23 East Cabaret |
Ardmore |
PA |
Source Detail |
SBD > Cass/0 > DAT > CDR > Verified flawless EAC > WAV > CDWav > SHN v3; SHN Conversion by Jeff Ishaq with thanks to Ben Mohr |
02/22/90
|
Keene State College |
Keene |
NH |
Source Detail |
SBD > Nak CR-3A (Maxell XLII-S 90min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +~14dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC (24bit/48kHz) > remastering (see info file) > WAV (16bit,44.1kHz) > CDWav > SHNv3; Taped by John Redmond |
03/09/90
|
The Front |
Burlington |
VT |
Source Detail |
SBD > Cass/x >Sony TC-WE305 > Tascam US-122 > CDWav > FLAC |
05/04/90
|
Colonial Theater |
Keene |
NH |
Source Detail |
SBD > Nak CR-3A (Maxell XLII-S 90 min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +~11dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC > WaveLab > remastering (see info file) > SHNv3; Taped by John Redmond |
06/17/90
|
Wendell Studios |
Boston |
MA |
Source Detail |
Complete sessions; SBD; CDR > EAC > FLAC; FLAC Conversion by Bill DiPalma |
11/03/90
|
Boulder Theater |
Boulder |
CO |
Source Detail |
Separate from Soundboard 16 track Mix > DAT@44.1kHz; Fostex D5 > Monster Optical > Sek'd Prodif Plus > Samplitude v5.5 > CDWav > mkwACT v0.97 > SHN; Please see info file for mixing details |
11/16/90
|
Campus Club |
Providence |
RI |
Source Detail |
SBD > D5 (Cass/0); Cass/0 > Sony TC-WE805S >
Art DI/O @48kHz (Input gain +~10dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c @24bit/48kHz) > FLAC > Wavelab (24>16bit,48>44.1kHz) > SHNv3; Taped by John Redmond |
03/16/91
|
Ten Mile Room |
Breckenridge |
CO |
Source Detail |
SBD > DAT (x3) > SHN; Sony DTC-670 > Prodif24 (optical) > SoundForge > CDWav > SHN; Seeded by M. Bryan; md5's provided by Mark Goldey on 8/25/03 |
05/12/91
|
The Front |
Burlington |
VT |
Source Detail |
Schoeps CMC4/mk4 (ORTF) > Oade Cap Coupled Supply > Panasonic SV255 > Cass/0; Yamaha KX-R470 > DSP24 > Wavelab > FLAC16; Taped by Dave Schanker; Transferred by Marmar |
07/21/91
|
Arrowhead Ranch |
Parksville |
NY |
Source Detail |
SBD > Cass/0 > DAT > CD > SHN > WAV (SoundEdit 16) > SHN; Fixed version (removed track break pauses) via Matt Fisken; Updated version (12/02/04) removed cuts and silent blocks |
10/19/91
|
The Catalyst |
Santa Cruz |
CA |
Source Detail |
SBD > DAT > SHN > WAV > CoolEdit 2000 > CDWav > SHN; Retracking of previous SBD > DAT source by Chad Plemons |
11/01/91
|
Gothic Theater |
Denver |
CO |
|
|
11/16/91
|
The Bayou |
Washington |
DC |
|
|
11/21/91
|
Somerville Theater |
Somerville |
MA |
Source Detail |
SBD > DAT @48kHz; Archive Python DDS > vDAT > FLAC |
12/06/91
|
Middlebury College |
Middlebury |
VT |
Source Detail |
SBD > DAT > Cass/0 > Sony TC-WE305 > Tascam US-122 > CDWav > CoolEdit Pro > mkwACT > SHN; Transferred by James Dineen |
04/05/92
|
Fox Theater |
Boulder |
CO |
Source Detail |
SBD > DAT; Tascam DA-20 > DiO 2448 > Cool Edit Pro (48>44.1kHz) > CDWav > mkwACT > SHN |
04/17/92
|
Warfield Theater |
San Francisco |
CA |
Source Detail |
SBD > Cass/x > DAT > CDR > EAC > SHN > FLAC |
04/18/92
|
Wilbur Field |
Palo Alto |
CA |
Source Detail |
SBD + AUD Matrix Mix; Mixed by Dan |
04/19/92
|
The Catalyst |
Santa Cruz |
CA |
Source Detail |
FOB Nak 300 > Panasonic SV-255 @48kHz (20' from stage, DFC); PCM-R300 > Optical Cable > Zoltrix Nightengale > SoundForge 5.0b (48>44.1kHz) > CDWav > mkwACT > SHNv3; Dankseeds |
04/21/92
|
Redwood Acres Fairgrounds |
Eureka |
CA |
Source Detail |
Nak 100/cp1 > Sony D3 (110deg, XY @SBD); DAT > Protools > CDR; CDR > EAC > mkwACT > SHN; Taped and transferred by Kevin Shapiro; SHN Conversion by Mike O'Dea; md5's added 11/17/03 |
05/06/92
|
St. Andrew's Hall |
Detroit |
MI |
Source Detail |
flac16, 44kHz; (FOB/DFC/xy/30' back) Neumann RSM191AS > Neumann MTX-191A > Panasonic SV-255 > DAT(c); DAT(c) > Fostex D5 > Sek'd Prodif Plus > Samplitude > Soundforge > CDWave > SHN; Source provided by Brian Feller; Transfer by Jim Raras [DANKSEED] |
05/06/92
|
St. Andrew's Hall |
Detroit |
MI |
Source Detail |
flac16, 44kHz; [Set I only]; SBD > ??? > DAT(x) > Cass(x); Cass(x) > Sony TC-KA3ES > DSP24 > Wavelab > FLAC16; Source provided by Todd Ahrens; Transfer by Marmar |
07/25/92
|
Stowe Performing Arts Center |
Stowe |
VT |
Source Detail |
shn16, 44kHz; SBD > DAT > SHN; Note: this is the same Source as DB#8852, but the two parts of YEM have been joined and a new MD5 created. |
08/13/92
|
Greek Theater |
Los Angeles |
CA |
Source Detail |
SBD > Cass/0 > DAT; DAT > SB Live 2 > SF 6.0 > SHN; Transferred by Greg Prenatt |
08/14/92
|
Greek Theater |
Los Angeles |
CA |
Source Detail |
SBD > Cass/0 > DAT; DAT > SB Live 2 > SF 6.0 > SHN; Transferred by Greg Prenatt |
08/15/92
|
Greek Theater |
Los Angeles |
CA |
Source Detail |
SBD > DAT > CDR > SHN; SHN Conversion by Greg Prenatt |
11/19/92
|
Ross Arena, St. Michael's College |
Colchester |
VT |
Source Detail |
SBD > Cass/1 > DAT; D100 > Zoltrix > WaveLab 4 > CDWav > FLAC; Transferred by Rusty Gray |
12/06/92
|
Vic Theater |
Chicago |
IL |
Source Detail |
Neumann RSM-191 > Neumann MTX-191 > Panasonic SV-255 (48 kHz); Sony DTC-59ES > Tascam HD-P2 > Audacity (16/48 > 16/44) > CD Wave > FLAC; Transferred by Terry Watts |
02/20/93
|
Roxy Theater |
Atlanta |
GA |
Source Detail |
flac16, 44kHz; SBD > ??? > CDR(x) > EAC > SHN; CDR(x) provided by Craig Davis, EAC by Eric Stoick |
02/20/93
|
Roxy Theater |
Atlanta |
GA |
Source Detail |
SBD/AUD matrix; mixed by hansokolow |
03/14/93
|
Paul Wright Gymnasium - Western State College |
Gunnison |
CO |
Source Detail |
shnf, 44kHz; [Set IIe: only] Unknown SBD > Cass(0) > ??? > DAT(c); DAT(c) > Tascam DA-20mkII > Delta Dio > SoundForge > CDWave > SHN; Source and Transfer by unknown |
03/22/93
|
Crest Theater |
Sacramento |
CA |
Source Detail |
SBD -> master cass -> DAT; DAT -> SHN, David McDowell: DA-P1 -> Gina -> Cool Edit Pro v1.2 @ 48k -> 44.1k -> WAV -> SHN; Note: d1t01 crowd noise at start of track spliced in from B. Mohr's source |
03/31/93
|
Roseland Theater |
Portland |
OR |
Source Detail |
TOA K1's Balcony > DTR-80P > CDR > SHN; Transferred by Josh Cohen, Fixed by Carl Johnson; Note: original seed missing Bowie, fix (added Bowie) on 12/12/00; SBE fixed by Mike Danifo on 12/16/03 |
04/29/93
|
Le Spectrum |
Montreal |
QC |
Source Detail |
Soundboard > ? > cass/x; Nakamichi MR-1 (cass/x) > Mytek Digital 8x192 ADDA > RME HDSP AES-32 > Cakewalk Sonar 4.0 (@ 24bit/96kHz, dither/re-sample) > CD Wave > FLAC; Transferred by Alex Herd |
05/05/93
|
Palace Theater |
Albany |
NY |
Source Detail |
DSBD> DAT> CDR via Montego(optical)> CDWav; Seeded/Uploaded by Mike Batta; previously uncirculated; includes soundcheck (some cuts); see Hersch's alternate tracking suggestions in pub comments; some fixes made to d1 by Jeff Ishaq on 11/8/00 (see info file) |
05/08/93
|
UNH Fieldhouse |
Durham |
NH |
Source Detail |
Schoeps CMC5/MK4s > SBM-1 > DAT > CDR; CDR > EAC > SHN; transfer by
Gareth Peters; minor flaw at the track break between "It's Ice" (d2t7) and "Squirming
Coil" (d2t8); to PCP offer |
05/29/93
|
Laguna Seca Raceway |
Monterey |
CA |
Source Detail |
FOB Neumann KM54 > Teac DAP-20 @44.1 kHz; Sony DTC-A6 > Dio 2448 > CDWav > SF 4.5 > mkwACT > SHN; Transferred by Bill Gardner |
07/18/93
|
IC Light Amphitheater |
Pittsburgh |
PA |
Source Detail |
Schoeps CMC4 > SX-M2 > SV250; Transfer by Jeremy Timko |
08/06/93
|
Cincinnati Zoo Peacock Pavilion |
Cincinnati |
OH |
Source Detail |
shnf; 44kHz; [Set 2 only]; SBD > Cass/1 > DAT(c); DAT(c) > Fostex D-5 > VX Pocket 440 > Sound Studio > Spark XL > xACT > SHN; Source by unknown; Transfer by unknown |
08/09/93
|
The Masonic Temple |
Toronto |
ON |
Source Detail |
shnf, 44kHz; AKG c460b/ck63's > custom pre-amp > Teac DA-P20 > DAT(c); DAT(c) > ??? > SHN; Source by Tom McMinn; Transfer by Derek Java |
08/12/93
|
Meadow Brook Music Theater |
Rochester Hills |
MI |
Source Detail |
FOB B&K 4011's; DA-20mkII > Montego II+ S/PDIF > Soundforge > CDWav > SHN |
08/13/93
|
Murat Theatre |
Indianapolis |
IN |
Source Detail |
Nakamichi CM-300's (TS, at back of room, w/ cardioid caps) > Sony D7 @48kHz; Sony DTC-A6 > Dio 2448 > CDWav > Soundforge > CDWav > SHN; Taped by Doug Berkman; Transfer by Bill Gardner |
08/13/93
|
Murat Theatre |
Indianapolis |
IN |
Source Detail |
set II; SBD -> Cass -> DAT -> CD; reported channel imbalances not on
original DAT?; channel swap at end of Gin (not on original) |
08/15/93
|
McCauley Theater |
Louisville |
KY |
Source Detail |
AKG 460b/ck8 > D7 > DA-20 > Lucid PC124 > DAT > CDR > EAC > WAV > SHN; SHN conversion by John Wilson |
08/16/93
|
American Theater |
St. Louis |
MO |
Source Detail |
Nak CM300 (omni) > Sony D7 > Cass/1 > Sony CDR-W33 > CDR > EAC > CDWav > Soundforge 4.5 > shntool > SHN; |
08/20/93
|
Red Rocks Ampitheatre |
Morrison |
CO |
Source Detail |
SBD:(FM)D> CD> EAC> SHN; complete; minor skips d1t1 3:47, 3:50 (possibly
from the DAT?); signal drops during YEM d3t1 4:47; slight hiss throughout;
opening few sec of 2001 cut (may be on master?); via E. Levy; A. Ogan reports
additional digispots in d1t6: 3:00, 3:02-3:04, 3:09 |
08/28/93
|
Greek Theatre, Univ. of California |
Berkeley |
CA |
Source Detail |
flac16, 44kHz; unknown SBD > ??? > Cass(1) > ??? > DAT(c); DAT(c) > ARCHIVE Python > vDAT > Wavelab > FLAC; Source by unknown; DAT(c) provided by Rusty; Transfer by Marmar |
12/30/93
|
Cumberland County Civic Center |
Portland |
ME |
Source Detail |
SBD/AUD Post-mix Matrix (SBD > DAT > Cass/0 > DAT; FOB Schoeps CMC5/mk4 > Sonosax > AD500 > D10); CDR > EAC (secure) > Cool Edit Pro (mixing) |
04/13/94
|
Beacon Theatre |
New York |
NY |
Source Detail |
WNEW Studios; FM > DAT > Echo Mia > SF7.0 > CDWav > FLAC |
04/29/94
|
Boatyard Village |
Clearwater |
FL |
Source Detail |
AKG 460 > Panasonic SV255; Archive Python DDS/dat2wav > WAV > Soundforge (48>44.1kHz) > CDWav > mkwACT > SHN; Transferred by Louie Rendek; Tracking and SHN Conversion by Mike Woellert |
06/11/94
|
Red Rocks Amphitheatre |
Morrison |
CO |
Source Detail |
shn16, 44kHz; FM > DAT(c); DAT(c) > ??? > CDR > EAC > SHN > CDWav > SHN; Source by unknown; Transfer by Matt Lilli; Edits by Jimbo |
06/17/94
|
Eagles Auditorium |
Milwaukee |
WI |
Source Detail |
Set 2 only; SBD > Cass/0 > DAT @48kHz; Tascam DA-20mkII > Monster Coax > M-Audio Audiophile 24/96 > Soundforge 5.0b (48>44.1KHz) > CDWav > mkwACT > SHNv3; Transferred by Dan Marquardt |
06/18/94
|
UIC Pavilion |
Chicago |
IL |
Source Detail |
SBD > Cass/1 > DAT > CDR > EAC > Cool Edit 2000 > SHN; Note: fixed sector boundary issues by Ghost on 9/11/02 |
06/30/94
|
Classic Amphitheater |
Richmond |
VA |
|
|
07/02/94
|
Garden State Arts Center |
Holmdel |
NJ |
Source Detail |
FOB B+K 4011; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN
Transferred by Jason Sobel; DAT's provided by Blane Harvey |
07/05/94
|
The Congress Center |
Ottawa |
ON |
Source Detail |
AKG 460/ck61 > Custom Preamp > Teac DA-P20 @48kHz (except Rift DSBD); TB Fiji > Cool Edit Pro (48->44.1kHz) > SHN; Transferred by Adam Shiffman; |
07/08/94
|
Great Woods Center for the Performing Arts |
Mansfield |
MA |
Source Detail |
FOB Schoeps CMC6/mk4; transfer by Dan Panice; seeded to evines and offers; copy is uncut |
07/08/94
|
Great Woods Center for the Performing Arts |
Mansfield |
MA |
Source Detail |
Set 2 only; SBD/mix > DAT@44.1k (see notes about mix); Fostex D5 > Monster Optical > Sek'd Prodif Plus > Samplitude v5.5 > Soundforge 4.0 (fades only) > CDWav > mkwACT v0.97 > SHN v3; Transfer by Jim Raras; DATs provided by Mark Lynn [Dankseeds] |
07/13/94
|
Big Birch Concert Pavilion |
Patterson |
NY |
|
|
10/26/94
|
Varsity Gym |
Boone |
NC |
|
|
10/27/94
|
University Hall |
Charlottesville |
VA |
Source Detail |
AKG 460 (XY) > Shure PreAmp > DAP-20 > DAT; Transferred by scottz; Uploaded by Dan MacNeill |
10/29/94
|
Memorial Auditorium |
Spartanburg |
SC |
Source Detail |
shn16, 44kHz; SBD > Cass(m) > DAT(c); DAT(c) > Tascam DA-20mkII > Audiophile 24/96 > Soundforge > CDWave > SHN; Source by unknown; Transfer by Dan Marquardt |
11/02/94
|
Bangor Auditorium |
Bangor |
ME |
Source Detail |
Schoeps CMC3/mk41 > Oade Deluxe 12v PS > Denon dtr80p@48k; Fostex D5 > Monster Optical > Sek'd Prodif Plus > Samplitude v5.5 > Soundforge 4.0 (48>44.1kHz) > CDWav > mkwACT v0.97 > SHN v3; Mastered by Mikey Perrott; Transferred and uploaded by Jim Raras [Dankseeds]; flac by geewiz 2012-06-12 |
11/02/94
|
Bangor Auditorium |
Bangor |
ME |
Source Detail |
Set 2 only; SBD > Cass/0 > DAT; Tascam DA-20mkII > Monster Coax > M-Audio Audiophile 24/96 > Soundforge 5.0b (48>44.1kHz) > CDWav > mkwACT > SHN; Transferred by Dan Marquardt |
11/03/94
|
Mullins Center |
Amherst |
MA |
Source Detail |
AKG 460b/ck61 > Custom Pre-amp > Teac DAP-20 @48kHz; R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (48>44.1 kHz) > CDWav > mkwACT v0.97 > SHNv3; Taped by Dave Flaschner; Transferred by Jim Raras; Dankseed; flac by geewiz 2012-06-12 |
11/04/94
|
Onondaga War Memorial Auditorium |
Syracuse |
NY |
Source Detail |
AKG 460B/ck61 > custom pre-amp > Teac DA-P20 (@ 48kHz); Sony PCM-R500 > M-Audio MicroTrack > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel (NOTE: this db entry contains info for both the 44.1 kHz and 48 kHz file sets) |
11/12/94
|
The Mac Center |
Kent |
OH |
|
|
11/13/94
|
Erie Warner Theatre |
Erie |
PA |
Source Detail |
Possibly Set 1: FOB Schoeps??, Set 2: DSBD??, Conversion: DA-P1 > Prodif Plus > Sampiltude > CDWav > SHN by Levi Hunt; SBE fix & flac by geewiz 2012-06-12 |
11/14/94
|
Devos Hall |
Grand Rapids |
MI |
Source Detail |
Neumann km140 > Aerco > Casio > D100; Sony R500 > AES/EBU > ZA2 > Plexwriter8x20 |
11/17/94
|
Hara Arena |
Dayton |
OH |
Source Detail |
Schoeps CMC5/mk4 > Aerco > Casio DA-R100@48kHz; R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (48>44.1kHz) > CDWav > SHNv3; Taped by Jason Frankhouser; DATs provided by Franklin Malemud; Transferred by Jim Raras; Dankseed |
11/20/94
|
Dane County Coliseum |
Madison |
WI |
Source Detail |
Nak CM300; DA-20mkII > Philips CDR 870 > CDR > EAC > CDWav > Soundforge 4.5 > shntool > SHN; Transferred by Brandon Johnston |
11/22/94
|
Jesse Auditorium |
Columbia |
MO |
Source Detail |
FOB AKG 460(?) > DAT; Tascam DA-20mkII > Monster Coax > M-Audio Audiophile 24/96 > Soundforge 5.0b (48>44.1kHz) > CDWav > mkwACT v0.97 > SHNv3; Transferred by Dan Marquardt |
11/23/94
|
The Fabulous Fox Theatre |
St. Louis |
MO |
Source Detail |
AKG C1000; Tascam DA-20 mkII > coax > Philips CDR-870 burner > CDR > WAV > EAC > CDWav > Soundforge 4.5 > mkwACT > SHN |
11/26/94
|
The Orpheum Theatre |
Minneapolis |
MN |
Source Detail |
AKG SE 10 (XY)> Marantz PMD-700 @48kHz (OTS); Sony PCM-R500 > Audio Magic Presto II > Delta Di0 2496 > Samplitude v5.5 > Soundforge 4.5a (48>44.1kHz) > CDWav > mkwACT > SHNv3; Transferred by Matt Edlhuber |
11/28/94
|
Field House |
Bozeman |
MT |
Source Detail |
Coresound Binurals > DAT; Tascam DA-20 MkII > Monster Coax > M-Audio Audiophile 24/96 >
Soundforge 5.0b (48>44.1kHz) > CDWav > mkwACT > SHN; Transferred by Dan Marquardt |
11/30/94
|
Campus Recreation Center |
Olympia |
WA |
Source Detail |
Set 2; SBD, unknown after that |
12/01/94
|
Salem Armory |
Salem |
OR |
Source Detail |
Set 2 only; SBD, unknown after that; via DirtyBill |
12/07/94
|
Spreckels Theatre |
San Diego |
CA |
Source Detail |
shn16, 44kHz; (FOB/DFC/ortf) Schoeps mk4 > kc5 > cmc5's > Sonosax SX-M2 > Apogee AD-500e > Sony TCD-D10 > DAT(m); DAT(m) > Sony PCM-R500 > Sek'd Prodif Plus > Soundforge > CDWave > SHN; Source by Eliot Byron; Transfer by Jim Raras |
12/08/94
|
Spreckels Theatre |
San Diego |
CA |
Source Detail |
SBD > DAT; DAT > Fostex D5 > optical cable > HOSA ODL-276 > coax cable > Waveterminal 2496 (48>44.1KHz Set I only) > CoolEdit 2000 > CDWav > WAV > mkwACT 0.97b1 > SHN v3; Transfer by Jeff Ishaq; Patches in DSBD by FOB AKG460 (13 Ft. pole, front row, center-left) > 10' XLR > PS > 3' XLRs > Technics SV260A > DAT; Technics SV260A > COAX > Cool Edit WAV > CDWAV > mkwACT v3 > SHN; Taped and transferred by Linda Webster; md5's provided 1/7/02 |
12/09/94
|
Mesa Amphitheatre |
Mesa |
AZ |
Source Detail |
Set I: FOB Schoeps mk4 (ORTF) > KC5 actives > CMC5 > Sonosax SX-M2 > Apogee AD-500e > Sony D10 @48kHz; Set IIpt: Schoeps mk4 (ORTF) > KC5 actives > CMC5 > Sonosax SX-M2 > Apogee AD-500e > Sony D10 @48kHz (OTS); Set IIpt+E: FOB Schoeps mk4 (hat) > KC5 actives > CMC6 > Aerco > Marantz PMD-700 @48kHz; R500 > Canare Coax > Digigram VXPocket/Sony Pixbook > Soundforge 5.0 (48>44.1kHz) > CDWav > mkwACT v0.97 > SHNv3; Taped by Eliot Byron (I, IIpt) and Steve B. (IIpt and Encore); Transferred by Jim Raras; See info file for patching info and editing |
12/30/94
|
Madison Square Garden |
New York |
NY |
Source Detail |
purported SBD/Aud matrix > cass/0 > DAT (see info file for more details); Seed provided by Mark Oppenlander; SHN conversion by Jason Fritz; Retracking and editing by Mike Wren |
05/16/95
|
Lowell Memorial Auditorium |
Lowell |
MA |
Source Detail |
B+K 4011 > Neumann BS48i > D3, Taped by Mikey Perrott; Transferred by Tony Segretto |
06/14/95
|
Mud Island Amphitheater |
Memphis |
TN |
|
|
06/16/95
|
Walnut Creek Amphitheatre |
Raleigh |
NC |
Source Detail |
AKG 460/ck61; DA-20 mkII > Phillips cdr870 > CDR > SHN; Original seed by Boaz Laor; Note: this is the same source as this seed, but contains SBD patches from the Lemonwheel Archives |
06/22/95
|
Finger Lakes Performing Arts Center |
Canandaigua |
NY |
Source Detail |
Schoeps CMC5/mk4 > Aerco > Casio DA-R100@48k; Fostex D5 > Monster Optical > Sek'd Prodif Plus > Samplitude v5.5 > Soundforge 4.0 (48>44.1kHz) > CDWav > mkwACT v0.97 > SHN v3; Mastered by Jason Frankhouser; DATs supplied by Franklin Malemud; Transferred and uploaded by Jim Raras |
06/25/95
|
Mann Center for the Performing Arts |
Philadelphia |
PA |
Source Detail |
SBD > DAT > Cass/1 > Nakamichi CR7 > Lucid AD9624 > AES/EBU > Fostex D5 @48kHz(see comments); Archive Python DDS > dat2wav > WAV > Soundforge (48>44.1kHz) > CDWav > SHN; A>D Transfer by Mark Lynn; Transfer by Louie Rendek; SHN Conversion by Mike Woellert |
06/28/95
|
Jones Beach Amphitheatre |
Wantagh |
NY |
Source Detail |
B+K 4010 (pointed at stacks) > DAT@48kHz; Tascam DA-20mkII > Apogee SPDIF > Audiophile 2496 > Soundforge 4.5 (48>44.1kHz) > CDWav > mkwACT > SHNv3; Taped by Seth Breidbart; Transferred by Jason Musante; Note: fixed (by Brandon Johnston) md5 provided 04/15/04 |
07/02/95
|
Sugarbush Summerstage |
North Fayston |
VT |
Source Detail |
flac16; AKG se300b/ck91 > Tascam DA-P1; Tascam DA-P1 > Sony D5; Nak DR-1 > Sound Devices 722 (24 bit / 48 kHz) > .WAV > SoX v14.4.1 (speed adjustments, gain, resample to 44.1 kHz, dither to 16 bit) > Samplitude SE v9.1.1 (patches, fades, track splits) > FLAC v1.2.1 (Level 8); Taped by Jared Hooper; Transferred by Lenny Stubbe & Jason Sobel |
07/03/95
|
Sugarbush Summerstage |
North Fayston |
VT |
Source Detail |
flac16; AKG se300b/ck91 > Tascam DA-P1; Tascam DA-P1 > Sony D5; Nak DR-1 > Sound Devices 722 (24 bit / 48 kHz) > .WAV > SoX v14.4.1 (speed adjustments, gain, resample to 44.1 kHz, dither to 16 bit) > Samplitude SE v9.1.1 (patches, fades, track splits) > FLAC v1.2.1 (Level 8); Taped by Jared Hooper; Transferred by Lenny Stubbe & Jason Sobel |
10/08/95
|
Adams Fieldhouse, University of Montana |
Missoula |
MT |
Source Detail |
flac16, 48kHz; Tascam PE-125's > DAT(c); DAT(c) > Delta DiO 2496 > Cool Edit 2000 > CDWave > SHN (16/44); SHN > WAV > "fixed header" > WAV > FLAC (16/48); Transfer 1 by funkyoctopus; Transfer 2 by Terry Watts |
10/24/95
|
Dane County Colseum |
Madison |
WI |
Source Detail |
Neumann KM140 > Beyer MV100 > D7; Note: fixed version of previous seed which had some tracks at 48kHz |
11/14/95
|
University of Central Florida Arena |
Orlando |
FL |
Source Detail |
Neumann KM-140> Dat 48Hz; Conversion: Tascam DA-20 48Hz> M Audio DiO 2448>Sound Forge> 44.1Hz Wav> Shn; via Shannon |
11/21/95
|
Lawrence Joel Veterans Coliseum |
Winston-Salem |
NC |
Source Detail |
AKG 460/ck61 > DAT; CDR > EAC > mkwACT > SHN |
11/22/95
|
U.S Air Arena |
Landover |
MD |
Source Detail |
shnf or flac16; Schoeps mk4 > Schoeps PS > Sony TCD-D7; Sony 59ES > Marantz CDR630 > CDR > EAC (secure) > WAV > Soundforge > mkwACT > SHN; Transferred by Scott Z |
11/30/95
|
Ervin J. Nutter Center |
Dayton |
OH |
Source Detail |
AKG 393's (OTS) > AKG B18 PS > Sony D7 @48kHz; Sony DTC-A6 > Dio MAudio 2448 > WaveLab 4.0 (48>44.1kHz) > CDWav > mkwACT > SHN; Taped by Chris Mescia; Transferred by Bill Gardner |
12/02/95
|
Veterans' Memorial Coliseum |
New Haven |
CT |
Source Detail |
Neumann KM184> DAT(48)> Montego II(44.1); transferred by Aaron Westendorf |
12/08/95
|
CSU Convocation Center |
Cleveland |
OH |
Source Detail |
flac16; AKG se300b/ck91 > Tascam DA-P1; Tascam DA-P1 > Sony D5; Nak DR-1 > Sound Devices 722 (24 bit / 48 kHz) > .WAV > SoX v14.4.1 (speed adjustments, gain, resample to 44.1 kHz, dither to 16 bit) > Samplitude SE v9.1.1 (patches, fades, track splits) > FLAC v1.2.1 (Level 8); Taped by Jared Hooper; Transferred by Lenny Stubbe & Jason Sobel |
12/09/95
|
Knickerbocker Arena |
Albany |
NY |
Source Detail |
B+K 4011> Neumann p/s> Sony D10 PRO II> DAP1> ZA2; md5s provided 9/15/00 by Alan Legros |
12/09/95
|
Knickerbocker Arena |
Albany |
NY |
Source Detail |
flac16; AKG 460/CK8X -> Dat (48k); Tascam DA-20 -> Sound Devices 744T -> Samplitude Professional v11.2.1 -> FLAC; Transferred by Charlie Miller |
12/12/95
|
Providence Civic Center |
Providence |
RI |
Source Detail |
Neumann km184; DA-20 > Delta Dio 2496 > Soundforge 4.5 (48>44.1kHz) > CDWav > SHN; Transferred by Brandon Johnston |
12/16/95
|
Olympic Center |
Lake Placid |
NY |
Source Detail |
shn; 16/44.1; B&K4011; PCM R500> AES/EBU> ZA2> Cooledit> SHN; via John Tambroni?
(or is this the same shn set possibly mentioned as seeded 6/14/00 by Mike Fischer?) |
12/17/95
|
Olympic Center |
Lake Placid |
NY |
Source Detail |
B&K4011s; PCM R500> AES/EBU> ZA2> Cooledit> SHN; transfer by S.
McCloskey; etreed 3/7 via M. Fischer, J. Law; possibly music missing between
Maze and Free? [8/3: no, see public comments for true flaw]; 6/14/00- unspecified glitch somewhere may have been fixed by Mike Fischer, not sure if this fix has gotten around |
12/29/95
|
The Centrum |
Worcester |
MA |
|
|
12/29/95
|
The Centrum |
Worcester |
MA |
Source Detail |
Schoeps CMC6/mk41 > Lunatec V2 > Tascam DA-P1; Zefiro ZA2 > Sound Forge XP > CDR > EAC > WAV > mkwACT > SHN |
12/29/95
|
The Centrum |
Worcester |
MA |
Source Detail |
flac16; Schoeps CMC6/MK4V -> Sonosax SX-M2 -> Sony D10 (48k); Tascam DA-20 -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; Taped by Jeff Lazarro; Transferred by Charlie Miller |
12/31/95
|
Madison Square Garden |
New York |
NY |
Source Detail |
FOB Schoeps mk4 (ORTF) > kc5 > CMC5 > Sonosax SX-M2 > Sony D10 Pro II @48kHz; Patch Source (see info file): Schoeps CMC6/mk41 (103deg/10in) > Oade Deluxe > Tascam DA-P1 @48kHz (OTS); R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (48>44.1kHz) > SHN; Patch Transfer: Sony PCM-2600 > Audioquest Coaxial > Turtle Beach Fiji > Soundforge 4.5 > mkwACT 0.97 > Soundforge 5.0 (48>44.1kHz) > CDWav > mkwACT v0.97 > SHNv3; Taped by Eliot Byron and Craig Hillwig; Patch transferred by Craig Hillwig; Transferred by Jim Raras; Dankseed |
07/11/96
|
Shepherds Bush Empire |
London |
England |
Source Detail |
SBD > DAT; Tascam DA-20 > Delta DiO 2496 > Sound Forge 6.0 (48>44.1kHz) > CDWav > FLAC; Transferred by Daniel Shay |
07/11/96
|
Shepherds Bush Empire |
London |
England |
Source Detail |
flac16, 48kHz; SBD > DAT (48 khz); Sony PCM-2600 > Sound Devices 722 (16/48) > Firewire > Macbook > Sound Studio 3.6 (fades, normalize peak, +gain, track) > xACT 2.23 > flac16 (level 8); Transferred by Lenny Stubbe |
07/12/96
|
The Melkweg |
Amsterdam |
Netherlands |
Source Detail |
AKG 414 > DA-P1; Casio DA-R100 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3 |
10/22/96
|
Madison Square Garden |
New York |
NY |
Source Detail |
B+K 4021 (ORTF) > EAA PSP-2 > DA-P1 (OTS); Tascam DA-P1 > M-Audio 24/96 via Coax SPDIF > Wavelab (48>44.1kHz) > CDWav > SHNv3 |
11/02/96
|
Coral Sky Amphitheater |
West Palm Beach |
FL |
Source Detail |
Pre-FM > DAT > CDR > EAC > SHN |
11/02/96
|
Coral Sky Amphitheater |
West Palm Beach |
FL |
Source Detail |
Microtech Geffel m300 > DA-P1; Casio DA-R100 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3 |
02/16/97
|
Alter Wartesaal |
Köln |
Germany |
Source Detail |
SBD > DAT > CDR > EAC > mkwACT > SHN |
02/20/97
|
Teatro Smeraldo |
Milan |
Italy |
Source Detail |
DSBD > CD > EAC > SHN; Posted to alt.binaries.phish on 11/15/00 by Marco Walsh; note diginoise d1t9 6:37- see pub comments |
02/26/97
|
SWF 3 Studios |
Baden-Baden |
Germany |
Source Detail |
Afternoon radio appearance; FM > Cass/0 > HD > CDR880 > CDR > EAC > SHN; Taped by Guenter Klemm; A>CDR transfer by Hanno; SHN Conversion by Bill Mitchell |
06/19/97
|
Arena |
Vienna |
Austria |
Source Detail |
Schoeps CMC6/mk4 > DAT @48kHz; Aiwa XD-001 DAT > Z-Cyber Nightingale Pro 6 S/PDIF > Cool Edit Pro @44.1kHz > CDWav > mkwACT > SHN; Transferred by Friedemann Rothfuchs |
06/20/97
|
Divadlo Archa |
Prague |
Czech Republic |
Source Detail |
flac16; Schoeps cmc6/mk4 > Sonosax SX-M2 > Tascam DA-P1; Sony PCM-R500 > Tascam SS-R1 > Samplitude Pro X (fades, edits) > TLH (flac 8); Transferred by Jeff Mitchell |
07/01/97
|
Paradiso |
Amsterdam |
Netherlands |
Source Detail |
Neumann TLM170 > Sonosax; Transfer by Stewart McCloskey and upload by Mike Fischer |
07/01/97
|
Paradiso |
Amsterdam |
Netherlands |
Source Detail |
Schoeps CCM41 > Sonosax SX-M2 > Denon DTR-80P (@ 48kHz); Tascam DA-20mkII > Delta DiO 2496 > Sound Forge 7(+5dB gain, fades, resample) > TLH (FLAC); Transferred by K.C. Cadwallader |
07/02/97
|
Paradiso |
Amsterdam |
Netherlands |
Source Detail |
Neumann TLM-170> SX-M2> HHb; transfer/shn : M. Vallo: Tascam DA-302>
Turtle Beach Fiji (S/PDIF)> Sound forge 4.0> CDwav> shn; etreed via B.
Bumgarner |
07/02/97
|
Paradiso |
Amsterdam |
Netherlands |
Source Detail |
Schoeps CCM41 > Sonosax SX-M2 > Denon DTR-80P (@ 48kHz); Tascam DA-20mkII > Delta DiO 2496 > Sound Forge 7(fades,resample) > TLH (FLAC); Transferred by K.C. Cadwallader |
07/06/97
|
Spiaggia Di Rivoltella |
Brescia |
Italy |
Source Detail |
AKG407/b > DA-P1; CDR > EAC (verified flawless) > SHN v3 via Jeff Ishaq; Note: this source is not affected by wind noise as some other sources are |
07/21/97
|
Virginia Beach Amphitheatre |
Virginia Beach |
VA |
Source Detail |
flac16, 48kHz; Schoeps MK4 > Tascam DA-P1; Sony PCM-R500 > Tascam SS-R1 > Samplitude Pro X (fades, edits) > TLH (flac 8); Transferred by Jeff Mitchell |
07/22/97
|
Walnut Creek Amphitheatre |
Raleigh |
NC |
Source Detail |
Schoeps CMC6/mk41 > Oade Custom Preamp > SBM-1 > DA-P1 @48kHz; DAT > Sony PCM-R500 > RME Digi96/8 PST > Sound Forge 5.0 (48>44.1kHz) > CDWav > mkwACT > SHNv3; Mastered by James Gray with Don Wright's rig; Transfer by David Rothenberger |
07/23/97
|
Lakewood Amphitheater |
Atlanta |
GA |
Source Detail |
Schoeps CMC6/mk41 > Sonasax > SBM-1 > DA-P1; D-100 > S/PDIF > Montego II > Soundforge > CDWav > SHN; Transferred by Matt Mishkoff; SBE's fixed by Matthew Kiefer on 01/28/04 |
07/30/97
|
Ventura County Fairgrounds |
Ventura |
CA |
Source Detail |
FOB Neumann km140 > Oade > SBM-1 > DA-P1 @48kHz |
07/31/97
|
Shoreline Amphitheatre |
Mountain View |
CA |
Source Detail |
FOB Schoeps mk5 > Oade Custom Pre-Amp > Sony SBM-1 @44.1kHz; Tascam DA-20mkII > Turtle Beach Montego Home Studio > Soundforge 4.5 > SHN; Transferred by Dan Marquardt |
07/31/97
|
Shoreline Amphitheatre |
Mountain View |
CA |
Source Detail |
FOB Schoeps mk5 > Oade Custom Preamp > Sony SBM-1 @44.1kHz; Tascam DA-20mkII > M-Audio Audiophile 24/96 > Soundforge 5.0b (48>44.1kHz) > CDWav > mkwACT > SHN; Transferred by Dan Marquardt |
08/02/97
|
The Gorge Amphitheatre |
George |
WA |
Source Detail |
FOB Schoeps CCM4 > Sonosax > SV-MD1; Tascam DA-20 > ZA2 > CoolEditPro (48>44.1kHz) > SHN |
08/02/97
|
The Gorge Amphitheatre |
George |
WA |
Source Detail |
Schoeps cmc6/mk41 > Oade p.s. > Sony SBM-1 > Tascam DA-P1 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > r8brain v1.9 (48 to 44.1 kHz) > CD Wave v1.97 (track splits) > Samplitude SE v9.1.1 (fades) > FLAC v1.2.1 (Level 8); Transferred by Jason Sobel |
08/06/97
|
Riverport Amphitheatre |
Maryland Heights |
MO |
Source Detail |
Schoeps CMCXY/mk4V > EAA > D100; DA-20 > Delta Dio 2496 > Soundforge 4.5 (48>44.1kHz) > CDWav > SHN; Transferred by Brandon Johnston |
08/10/97
|
Deer Creek Music Center |
Noblesville |
IN |
Source Detail |
Schoeps CMXY/4V > Lunatec 316 > Apogee AD1000 > HHb (Audio Magic
Aprentice Cables); Sony R300 DAT > optical SPDIF > Zoltrix Nightingale @ 48kHz > Samplitude 2496 (48->44.1kHz) > CD Wave > Sound Forge (fades) > mkwACT 0.97 (with seeking enabled); Recorded by Marc Nutter; Transfer by Rob Garland |
08/11/97
|
Deer Creek Music Center |
Noblesville |
IN |
Source Detail |
updated source: FOB Schoeps (had been marked (D?)SBD-> DAT);
Conversion: Montego II Plus (S/PDIF)-> Soundforge XP
4.5-> CDwav-> SHN; via J. McLennand |
08/15/97
|
"From the Archives" Broadcast |
Limestone |
ME |
Source Detail |
Pre-FM DSBD > RME96/8 > CDWav > mkwACT > SHN; Seeded by Mikey K. |
08/16/97
|
Loring Air Force Base |
Limestone |
ME |
Source Detail |
"From the Archives", Pre-FM DSBD > RME96/8 > CDWav > mkwACT > SHN; Seeded by Mikey K |
08/16/97
|
Loring Air Force Base |
Limestone |
ME |
Source Detail |
Note: this source is an upgrade to source circulated 11/14/02 (fixed channel balance problems); Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transferred by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source |
08/17/97
|
Loring Air Force Base |
Limestone |
ME |
Source Detail |
SBD FM > Sony WM-FX50 > Sony D8; Tascam DA-20mkII > SoundForge 4.5 > CDQuadrat 3.6 > CDR > EAC > shntool > mkwACT > SHNv3; Taped and transferred by David Schall; SHN Conversion by Blane Harvey. |
11/14/97
|
E Center |
West Valley |
UT |
Source Detail |
Neumann KM184 |
11/16/97
|
McNichols Sports Arena |
Denver |
CO |
Source Detail |
Schoeps CMC65 > Reuthelhuber > SBM-1 > Otari DTR-8S > AES/EBU XLR digital
cable > Zefiro ZA2 > Red Roaster software > CD > EAC > SHN; via J. Cocci,
P. Marshall; OE and PCP source (via Fall '97 Project); SOAMule tracking
slightly off; etreed 11/23; A. Gustin notes mic source details given
do not make logical sense |
11/19/97
|
Assembly Hall, University Of Illinois |
Champaign |
IL |
Source Detail |
Neumann U87 (cardioid)-> Sonosax SX-M2-> DA-P1 @48kHz;
DA-P1-> Audio Magic Presto II-> ZA2-> Soundforge 4.5 (48->44.1)-> CDWav-> .shn;
transfer/shn by Eric McRoberts; via Chad Plemons |
11/21/97
|
Hampton Coliseum |
Hampton |
VA |
Source Detail |
Schoeps CMC6/mk41 > Sonosax SX-M2 > Sony SBM-1 @44.1kHz (OTS); Sony PCM-2600 > Turtlebeach Fiji > Soundforge 4.5 > mkwACT > SHN; Taped and transferred by Craig Hillwig [Dankseeds] |
11/21/97
|
Hampton Coliseum |
Hampton |
VA |
Source Detail |
Microtec Geffel m210 (ORTF) > Oade m248 > SBM-1 > DA-P1 (OTS, DFC); Sony R500 > Edirol UA-1D > USB > Soundforge 6.0 > CDWav > mkwACT > SHN; Taped and transferred by Jason Wilhelm |
11/22/97
|
Hampton Coliseum |
Hampton |
VA |
Source Detail |
Neumann km184 > DAT; Sony 60ES > Marantz 630 > CDR > EAC (secure) > Soundforge > CDWav > mkwACT > SHN |
11/22/97
|
Hampton Coliseum |
Hampton |
VA |
Source Detail |
Microtec Geffel m210 (ORTF) > Oade m248 > SBM-1 > DA-P1 (OTS, DFC); Sony R500 > Edirol UA-1D > USB > Soundforge 6.0 > CDWav > mkwACT > SHN; Taped and transferred by Jason Wilhelm |
11/22/97
|
Hampton Coliseum |
Hampton |
VA |
Source Detail |
Schoeps CMC641 > Sonosax SX-M2 > Sony SBM-1 @44.1kHz
Front row/center OTS, by Craig Hillwig [Dankseeds] |
11/23/97
|
Lawrence Joel Veterans Memorial Coliseum |
Winston-Salem |
NC |
Source Detail |
Schoeps CMC6/mk4 > Sonosax > SV-M1 > ZA2 > Soundforge > CDWav > Teac 55-S > CDR > SHN; Transferred by Mike Ayers; SHN Conversion by Patrick Marshall |
11/26/97
|
Hartford Civic Center |
Hartford |
CT |
Source Detail |
Microtech Gefell 210 > Aerco > DAP1; Tascam DA-302 > Digipro 002 > Protools LE > CD Wave > MKW ACT > SHN
(Transfered by LiverLobes@hotmail.com (John P. Tambroni) and The Mad Hermit) |
11/26/97
|
Hartford Civic Center |
Hartford |
CT |
Source Detail |
Schoeps CMC6/mk41 > Sonosax SV-MD1 > D8; Tascam DA-P1 > M-Audio 24/96 > Wavelab (48>44.1kHz) > FLAC |
11/28/97
|
Worcester Centrum |
Worcester |
MA |
Source Detail |
shnf, 44kHz; Schoeps CMC6/mk41 > Sonosax SX-M2 > Technics SV-MD1 > Sony TCD-D8; Casio DA-R100 > M-Audio 24/96 > Wavelab > CDWave > SHN; Transfer by Shakedown |
11/29/97
|
Worcester Centrum |
Worcester |
MA |
Source Detail |
Schoeps CMC6/mk41 > PSP-2 > SBM-1 @48kHz > DAP-1; Casio DA-R100 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3 |
11/30/97
|
Worcester Centrum |
Worcester |
MA |
Source Detail |
Neumann U89i (hypercardioid) > Sonosax; D8 > Coresound > Prodif Plus > Samplitude 5.5 > CDWav > SHN; Transfer and encoding by Mike Fischer |
11/30/97
|
Worcester Centrum |
Worcester |
MA |
Source Detail |
Schoeps CMC6/mk41 > Sonosax > SBM-1 > DA-P1; Casio DA-R100 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHN |
12/02/97
|
The Spectrum |
Philadelphia |
PA |
Source Detail |
Schoeps CMC6/MK41> Sonosax> SBM1> DAP1; Conversion, Chris Jonus: DAP1> ZA2> Soundforge 4.5> CDWave> SHN; via Chris Jonus to PCP offer |
12/02/97
|
The Spectrum |
Philadelphia |
PA |
Source Detail |
flac16; B+K 4021 -> Apogee AD1000 -> HHb Portadat PDR 1000 (44.1k); Tascam DA-20 -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; Taped by Eric Vandercar; Transferred by Charlie Miller |
12/03/97
|
The Spectrum |
Philadelphia |
PA |
Source Detail |
Schoeps CMC641 > Apogee AD-1000 @ 44.1
Front row center, OTS by Stan Lobitz [Dankseeds] |
12/03/97
|
The Spectrum |
Philadelphia |
PA |
Source Detail |
flac16; Schoeps cmc6/mk41 (mid) + Schoeps cmc6/mk8 (side) > Oade Deluxe > Sony SBM-1 > Sony TCD-D8 (@ 44.1 kHz); Sony PCM-2600 > Sound Devices 722 (16/44.1) > .WAV > Samplitude SE v9.1.1 (m/s decoding, fades, track splits) > FLAC v1.2.1 (Level 8); Taped by Craig Hillwig; Transferred by Lenny Stubbe & Jason Sobel |
12/05/97
|
Convocation Center |
Cleveland |
OH |
Source Detail |
Microtec Geffel m210 > Oade m248 > SBM-1 > DA-P1 (OTS, DFC); Sony R500 > Edirol UA-1D > USB > Soundforge 6.0 > CDWav > mkwACT > SHN; Taped and transferred by Jason Wilhelm |
12/05/97
|
Convocation Center |
Cleveland |
OH |
Source Detail |
Neumann KM184 > DAT @ 48kHz; Tascam DA-20mkII > Delta DiO 2496 > Wavelab 6(fades) > r8brain > CD Wave > TLH; Transferred by K.C. Cadwallader |
12/06/97
|
The Palace |
Auburn Hills |
MI |
Source Detail |
Microtech Geffel 210 > OADE M248 > SBM -1 > DA-P1; Panasonic SV-3700 > HHB CDR-800 > CD > HD(via EAC) > Pro Tools 5.0 > WAV > SHN; Transfer by Alsosprach & Mattstick; Note: SBE fixes (and new md5 file) uploaded 10/29/03 |
12/06/97
|
The Palace |
Auburn Hills |
MI |
Source Detail |
Schoeps CMC6/mk41 > Sonosax > HHb; Sony R300 DAT > optical SPDIF > Zoltrix Nightingale @ 48kHz > Samplitude 2496 (resampled to 44.1) > CD Wave > Sound Forge (fades) > mkwACT 0.97 w/ seeking; Transfer by Rob Garland |
12/06/97
|
The Palace |
Auburn Hills |
MI |
Source Detail |
Neumann km184 > Beyer MV100 > Tascam DA-P1 @ 48khz; Tascam DA-40 > M-Audio 2496 @ 48khz > iZotope SRC 64 bit SRC > Adobe Audition 3.0 > Trader's Little Helper > FLAC; Transferred by ifthir |
12/07/97
|
Ervin J. Nutter Center |
Dayton |
OH |
Source Detail |
SBD > DAT > CDR > EAC > SHN |
12/07/97
|
Ervin J. Nutter Center |
Dayton |
OH |
Source Detail |
DFOB Neumann KM140 > Beyer MV100 > SBM-1; DAT (44.1) > Montego II;
transfer by A. Westendorf; Flaws: glitch in Steep, edited out; PCP Fall
'97 Project source; flaw notes courtesy J. Gilles: Tiny
click at 2:37 in Timber Ho, Click at 2:53 in Jesus Left Chicago, Skip at
2:36 & 3:56 in Slave, crack at 7:01 and crack at 10:52 in Possum |
12/09/97
|
Bryce Jordan Center |
State College |
PA |
Source Detail |
Schoeps CMC6/mk41 > Apogee > DA-P1; Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > Wavelab (48>44.1kHz) > CDWav > SHNv3 |
12/11/97
|
War Memorial |
Rochester |
NY |
Source Detail |
SBD > DAT > Cass/x > DAT > CDR > EAC > SHN; Fixed version by Jure Babnik available 5/6/02 |
12/11/97
|
War Memorial |
Rochester |
NY |
Source Detail |
flac16, 44kHz SBD > Cass/0 > DAT(c); DAT(c) > Tascam DA-20 > Delta Dio 2496 > Soundforge > CDWave > FLAC; Source by unknown; Transfer by Brandon Johnston |
12/11/97
|
War Memorial |
Rochester |
NY |
|
|
12/12/97
|
Pepsi Arena |
Albany |
NY |
Source Detail |
Neumann U-89is > Sonosax SX-M2 > SBM-1 > DA-P1 @ 48k; DA-30 mk II->Digi002 rack->Pro Tools LE 6.4 (fades, resampled at Tweak Head-highest setting)>CDwav->FLAC; Transferred by Dave Schall |
12/13/97
|
Pepsi Arena |
Albany |
NY |
Source Detail |
B&K 4021 > Apogee AD1000; Tascam DA-20mkII > ZA2 > Soundforge XP > SHN |
12/13/97
|
Pepsi Arena |
Albany |
NY |
Source Detail |
Neumann U89 (hypercard) > Sonosax > SBM1 > DA-P1 @44.1K (Taped by Dan Estrin) Transfer: Tascam DA-302 > Digipro 001 > Protools LE > CD Wave > MKW ACT > SHN
(Transfered by LiverLobes@hotmail.com (John P. Tambroni) and The Mad Hermit) |
12/28/97
|
Capital Centre |
Landover |
MD |
Source Detail |
AKG 460/ck61 > Oade > SBM-1; Tascam DA-302 > Digipro 002 > Protools LE > CDWav > mkwACT > SHN; Transferred by John Tambroni |
12/29/97
|
Madison Square Garden |
New York |
NY |
Source Detail |
FOB Schoeps CMC6/mk41 > Sonosax SX-M2 > SV-MD1 |
12/30/97
|
Madison Square Garden |
New York |
NY |
Source Detail |
Schoeps CMC641 > Apogee AD1000 > DAT > CDR; via A. Gustin |
12/31/97
|
Madison Square Garden |
New York |
NY |
Source Detail |
Schoeps CMC641 (90 deg. NOS) > Sonosax SX-M2 > Tascam DA-P1 @ 44.1kHz
Front row/center OTS, by Craig Hillwig [Dankseeds] |
04/02/98
|
Nassau Veterans Memorial Coliseum |
Uniondale |
NY |
Source Detail |
Schoeps CMC641 > Sonosax SX-M2 > Tascam DA-P1 @44.1kHz (front row/center, OTS); Sony PCM-2600 > Audioquest coax > Turtlebeach Fiji > Soundforge 4.5 > mkwAct 0.97b > SHNv3; Taped and transferred by Craig Hillwig [Dankseeds] |
04/03/98
|
Nassau Veterans Memorial Coliseum |
Uniondale |
NY |
Source Detail |
AKG 461s > D8 > standalone > CD > WAV > SHN; Note: This show was retracked for 2 80 minute discs |
04/03/98
|
Nassau Veterans Memorial Coliseum |
Uniondale |
NY |
Source Detail |
Schoeps CMC6/mk41 > Sonosax SX-M2 > Tascam DA-P1 @44.1kHz (OTS); Sony PCM-2600 > Audioquest coax > Turtlebeach Fiji > Soundforge 4.5 > mkwACT > SHNv3; Taped by Craig Hillwig; Note: "Danked" md5's provided 4/22/04 |
04/04/98
|
Providence Civic Center |
Providence |
RI |
Source Detail |
Schoeps CMC6/mk41 > VMS02IB > SBM-1 > DAT @44.1kHz (OTS); R500 > S/PDIF > VX Pocket > Soundforge 5.0 > CDWav > mkwACT > SHNv3; Taped by Derek Gregory; Transferred by Jamie Lutch; Dankseed |
04/05/98
|
Providence Civic Center |
Providence |
RI |
Source Detail |
Schoeps CMC6/mk41 > Sonosax SX-M2 > Tascam DA-P1 @44.1kHz (Front row,center, OTS);
Sony PCM-2600 > Audioquest coax > Turtlebeach Fiji > Soundforge 4.5 > mkwACT 0.97b > SHNv3; Taped and transferred by Craig Hillwig; Note: 'beta' md5's are provided as this 'Danked' seed was not officially certified prior to the collapse of Dankseeds |
05/07/98
|
Bearsville Studios |
Woodstock |
NY |
Source Detail |
SBD > DAT > CDR > EAC > FLAC |
06/30/98
|
The Grey Hall |
Copenhagen |
Denmark |
Source Detail |
AKG 480 > Oade M248 > SBM-1; DAT(x2) > Fostex D5 > HOSA ODL-276 > Waveterminal 2496 (48>44.1kHz) > CoolEdit 2000 > CDWav > WAV > mkwACT > SHNv3; Transferred by Jeff Ishaq; Fades by Matt Vernon [Dankseeds] |
06/30/98
|
The Grey Hall |
Copenhagen |
Denmark |
Source Detail |
flac16; Schoeps cmc6/mk4 > Sonosax SX-M2 > DAT; Sony PCM-R500 > Tascam SS-R1 > CF > USB > PC > Wavelab v6.10 > CD Wave v1.98 > TLH (flac level 8); Transferred by Jeff Mitchell |
07/01/98
|
The Grey Hall |
Copenhagen |
Denmark |
Source Detail |
FOB Schoeps mk4 (mics in a hat) > kcy > VMS IO2b > DA-P1@44.1kHz; DAT > RME 96/8 > Soundforge 5.0 > CDWav > mkwACT > SHN; Transferred by Tim Rossi |
07/01/98
|
The Grey Hall |
Copenhagen |
Denmark |
Source Detail |
flac16; Neumann U89 -> Sonosax SX-M2 -> Sony SBM-1 -> Tascam DA-P1 (48k); Tascam DA-20 -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; Transferred by Charlie Miller |
07/02/98
|
The Grey Hall |
Copenhagen |
Denmark |
Source Detail |
FOB Schoeps mk4 (mics in a hat) > kcy > VMS IO2b > DA-P1@44.1kHz; DAT > RME 96/8 > Soundforge 5.0 > CDWav > mkwACT > SHN; Transferred by Tim Rossi |
07/05/98
|
Lucerna Theatre |
Prague |
Czech Republic |
Source Detail |
Set 2 only; SBD; CDR > EAC > FLAC |
07/06/98
|
Lucerna Theatre |
Prague |
Czech Republic |
Source Detail |
FOB Schoeps mk4 (mics in a hat) > VMS IO2b > DA-P1@44.1kHz;
DAT(x1) > RME 96/8 > Soundforge 5.0 > CDWav > mkwACT > SHN
Transfered by Tim Rossi; Tapes supplied by Derek G.; Dankseed |
07/08/98
|
Zeleste Discotheque |
Barcelona |
Spain |
Source Detail |
FOB Schoeps mk4 (mics in hat) > KCY > VMS IO2b > DA-P1@44.1kHz; DAT(x1) > RME 96/8 > Soundforge 5.0 > CDWav > mkwACT > SHN; Transferred by Tim Ross; Dankseed |
07/08/98
|
Zeleste Discotheque |
Barcelona |
Spain |
Source Detail |
Soundcheck and Set 1p only; SBD/AUD Matrix > Cass/0 > DAT > CDR > EAC > SHN |
07/09/98
|
Zeleste Discotheque |
Barcelona |
Spain |
Source Detail |
FOB Schoeps mk4 (mics in a hat) > KCY > VMS IO2b > DA-P1@44.1kHz; DAT > RME 96/8 > Soundforge 5.0 > CDWav > mkwACT > SHN; Transferred by Tim Rossi; Dankseed |
07/09/98
|
Zeleste Discotheque |
Barcelona |
Spain |
Source Detail |
FOB Schoeps mk4 (mics in a hat) > KCY > VMS IO2b > DA-P1@44.1kHz; DAT > RME 96/8 > Soundforge 5.0 > CDWav > mkwACT > SHN; Transferred by Tim Rossi; Dankseed |
07/10/98
|
Zeleste Discotheque |
Barcelona |
Spain |
Source Detail |
(FOB) Schoeps mk4 > kcy > vms02ib > Tascam DA-P1 (@ 44.1 kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Derek Gregory; Transferred by Jason Sobel |
07/16/98
|
The Gorge Ampitheatre |
George |
WA |
Source Detail |
B+K 4021 > Lunatec V2 > Apogee AD1000 @48kHz > DAT > SPDIF > VX Pocket V2 > Soundforge 5.0 (48>44.1kHz) > CDWav > mkwACT > SHNv3; Recording by Marc Nutter; Transfer by Jamie Lutch; Dankseed |
07/17/98
|
The Gorge Ampitheatre |
George |
WA |
Source Detail |
B+K 4011 > Lunatec V2 > Apogee AD1000 > DA-P1 @48kHz; DAT > Turtle Beach Fiji > AFsp ResampAudio (>97 db cutoff) > WAV @44.1kHz > CDR; Note: this show originally circulated (with all lineage up CDR>EAC>SHN) prior to SHNs being archived (01/08/99)...md5 and txt current listed here are provided by Matt Vernon on 03/16/04 |
07/19/98
|
Shoreline Amphitheatre |
Mountain View |
CA |
Source Detail |
FOB Neumann km140 > E.A.A. > Sony SBM-1 > Sony D-100; Tascam DA-20mkII > Monster Coax > M-Audio Audiophile 24/96 > Soundforge 5.0b (48>44.1kHz) > CDWav > mkwACT v0.97 > SHNv3; Transferred by Dan Marquardt |
07/19/98
|
Shoreline Amphitheatre |
Mountain View |
CA |
Source Detail |
flac16, 48kHz; (FOB) Neumann KM140 > Custom Pre-amp > Sony SBM-1 > Sony TCD-D100; Sony PCM-R500 > Tascam SS-R1 > Samplitude Pro X (fades, edits) > TLH(flac 8); Transferred by Jeff Mitchell |
07/20/98
|
Ventura County Fairgrounds |
Ventura |
CA |
Source Detail |
Schoeps mk4 > VMS021b> SBM-1 > DA-P1; Fostex D5 @44.1kHz > VX Pocket 440 > Toshiba Portege 3480ct > SF 6.0 > CDWav > FLAC;
Transferred by Greg Lance |
07/28/98
|
Sandstone Amphitheatre |
Bonner Springs |
KS |
Source Detail |
B+K 4011 > Lunatec V2 > Apogee AD-1000 @48kHz; R500 > Audio Magic Presto II > ZA2 > Soundforge 4.5(48>44.1kHz) > CDWav > SHN; Recorded by Marc Nutter; Patched by Joe Morrison; Transferred by Eric McRoberts |
07/29/98
|
Riverport Amphitheatre |
Maryland Heights |
MO |
Source Detail |
B+K 4011 > Lunatec V2 > Apogee AD-1000 @48kHz; Sony 59ES > Audio Magic Presto II > ZA2 > Soundforge 4.5 (48>44.1kHz) > CDWav >SHN; Taped by Marc Nutter; Patched by Joe Morrison; Transferred by Eric McRoberts |
08/01/98
|
Alpine Valley Music Theatre |
East Troy |
WI |
Source Detail |
FOB Schoeps mk41 > kc5 > CMC6 > SX-M2 > AD1000 > DAP1 @48kHz (DFC, ORTF); Sony PCM-R500 > Audio Magic Presto II > Delta Di0 2496 > Soundforge 4.5 (48>44.1kHz) > CDWav > mkwACT > SHNv3; Taped by Mikey; Note: This is an updated source of what previously circulated; Additional Note: "fixed" md5 (fixed SBE by show) by Matt Vernon on 12/29/03 |
08/03/98
|
Deer Creek Music Center |
Noblesville |
IN |
Source Detail |
FOB Schoeps CMC5/mk21> Sonosax SX-M2 > Apogee AD-1000 |
08/08/98
|
Merriweather Post Pavilion |
Columbia |
MD |
Source Detail |
shn16, 44kHz; SBD > ??? > DAT(x); DAT(x) > ??? > CDR(x) > EAC > SHN; Source by unknown; Transfer by unknown |
08/08/98
|
Merriweather Post Pavilion |
Columbia |
MD |
Source Detail |
SBD + AUD Matrix Mix; (DSBD > DAT > HD > CD > EAC > SHN) + (Schoeps CMC64 > Lunatec V2); Mixed by Dan |
08/12/98
|
Vernon Downs |
Vernon |
NY |
Source Detail |
FOB Schoeps CMC6/mk41 > Sonosax SX-M2 > Tascam DA-P1 > CDR > EAC > SHN; Taped by Mike L., Ryan, Milton, Mikey K.; Seeded by Tim Rossi |
08/15/98
|
Loring Air Force Base |
Limestone |
ME |
Source Detail |
Schoeps mk4 > VMS021B > SBM-1 @44.1kHz > DAT > DAT > SPDIF > VX Pocket > Soundforge 5.0 > CDWav > mkwACT > SHNv3; Taped by Derek Gregory; Transferred by Jamie Lutch |
08/16/98
|
Loring Air Force Base |
Limestone |
ME |
Source Detail |
Schoeps mk21 > VMS021B > SBM-1 @44.1kHz > DAT > DAT > SPDIF > VX Pocket > Soundforge 5.0 > CDWav > mkwACT > SHNv3; Taped by Derek Gregory; Transferred by Jamie Lutch; Dankseed |
08/16/98
|
Loring Air Force Base |
Limestone |
ME |
Source Detail |
FM-SBD > DAT; DA-30 MKII > EMU Proteus-X @ Bunker 8 Digital Labs (recorded in Cubase SX3, mastered with Wavelab 5.00a, tracked in CD-WAV) |
10/20/98
|
Sony Music Studios |
New York |
NY |
Source Detail |
SBD > DAT > CDR > EAC > mkwACT > SHN |
10/29/98
|
Greek Theater |
Los Angeles |
CA |
Source Detail |
(FOB) Neumann TLM170 (cardoids) -> Sonosax SX-M2 -> Tascam DAP1; Sony R500 -> Sound Devices 722 -> Soundforge Pro 10.0b (Volume normalization, 48khz to 44.1khz) -> CD Wave -> FLAC; Taped & Transferred by Scott Bernstein |
11/02/98
|
E Centre |
West Valley City |
UT |
|
|
11/02/98
|
E Centre |
West Valley City |
UT |
Source Detail |
Schoeps CMC6/mk41 > Lunatec V2 > DA-P1; Fostex D5 > Zoltrix > Sound Forge 6.0 (48>44.1kHz) > CDWav > FLAC; Transferred by Greg Lance |
11/07/98
|
UIC Pavilion |
Chicago |
IL |
Source Detail |
Schoeps CMC641 > Sonosax > InBox; "official" pcp and OE source; Note: md5's listed are updated (not original) seekable SHNv3 provided by Matt Vernon 12/23/03 |
11/09/98
|
UIC Pavilion |
Chicago |
IL |
Source Detail |
Schoeps CMC6/mk41 > Sonosax > InBox; SHN Conversion by Glenn Moses; Note: "all_updated" md5 listed is updated (not original) seekable SHNv3 and fixed SBE provided by Matt Vernon 01/06/04 |
11/11/98
|
Van Andel Arena |
Grand Rapids |
MI |
Source Detail |
Nak 300 + cp4 caps > SBM-1 > D100 > CDR > EAC > SHN; same mic source as previously etreed but without the cut |
11/11/98
|
Van Andel Arena |
Grand Rapids |
MI |
Source Detail |
Neumann skm184 > Mackie 1202vlz > Sony D8 @48kHz; Tascam DA-30 mkII > SPDIF > Digidesign Digi002 Rack > Pro Tools LE 6.4 (48>44.1kHz) >
CDWav > FLAC; Taped and transferred by Dave Schall |
11/14/98
|
The Crown |
Cincinnati |
OH |
Source Detail |
Microtech Gefell m210 > Lunatec V2 > AD1000 > DAP-1 @48kHz; DA-P1 > SB Audigy Platinum > SoundForge XP 5.0 (48>44.1kHz) > CDWav > mkwACT > SHNv3; Taped and Transferred by Brian Conner; Note: SBEs and tracking fixed 3/26/04 by Matt Vernon |
11/19/98
|
Lawrence Joel Veterans Memorial Coliseum |
Winston-Salem |
NC |
Source Detail |
(FOB) Schoeps mk4v > kc5 > cmc6 > Oade M118 > HHB PDR-1000; Taped by Steve; Transferred by Mikey K. |
11/29/98
|
Worcester Centrum Centre |
Worcester |
MA |
Source Detail |
Schoeps m222/mk41 > N222 Preamp > HHB; DAT @48kHz > Event Gina S/PDIF > Cool Edit Pro (48>44.1kHz) > CDR; "official" pcp source; Note: md5's maybe not be originals; Note: "all_updated" md5 listed is updated (not original) seekable SHNv3 and fixed SBE provided by Matt Vernon 01/06/04 |
12/28/98
|
Madison Square Garden |
New York |
NY |
Source Detail |
Schoeps CMC641 > Lunatec V2 > Apogee AD1000 > DAT > DAT > SPDIF > VX Pocket > Soundforge 5.0 > CDWav > mkwACT > SHNv3; Taped by Derek Gregory; Transferred by Jamie Lutch [Dankseeds] |
12/29/98
|
Madison Square Garden |
New York |
NY |
Source Detail |
SBD > Cass/0 > DAT > CDR > EAC > Cool Edit Pro (fixed pitch) > CDWav > SHNv3; SHN Conversion by Mike Wren |
12/29/98
|
Madison Square Garden |
New York |
NY |
Source Detail |
Schoeps CMC641 > Lunatec V2 > Apogee AD1000 > DAT > DAT > SPDIF > VX Pocket > Soundforge 5.0 > CDWav > mkwACT > SHNv3; Taped by Derek Gregory; Transferred by Jamie Lutch [Dankseeds] |
12/30/98
|
Madison Square Garden |
New York |
NY |
Source Detail |
Schoeps CMC641 > Lunatec V2 > Apogee AD1000 > DAT > DAT > SPDIF > VX Pocket > Soundforge 5.0 > CDWav > mkwACT > SHNv3; Taped by Derek Gregory; Transferred by Jamie Lutch [Dankseeds] |
12/31/98
|
Madison Square Garden |
New York |
NY |
Source Detail |
Schoeps M222+MK4 > Elvo NT222 > Hhb; via J. Treworgy; (thanks to C.
Plemons and D. Nerroth for the .md5s, 2/25/00) |
12/31/98
|
Madison Square Garden |
New York |
NY |
Source Detail |
Schoeps CMC641 > Lunatec V2 > Apogee AD1000 > DAT > DAT > SPDIF > VX Pocket > Soundforge 5.0 > CDWav > mkwACT > SHNv3; Taped by Derek Gregory; Transferred by Jamie Lutch [Dankseeds] |
07/04/99
|
Lakewood Amphitheater |
Atlanta |
GA |
Source Detail |
flac16; Schoeps CMC6/MK41 -> Oade M248 -> Tascam DA-P1 (44.1k); Tascam DA-20 -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; Transferred by Charlie Miller |
07/20/99
|
Molson Amphitheater |
Toronto |
ON |
Source Detail |
Schoeps mk4v/m222 > nt222 > Lunatec V2 > Apogee AD1000 > D8; Tascam DA-20mkII > Audiowerk2 > Soundforge 4.5 > CDWav > SHN |
07/25/99
|
Deer Creek Music Center |
Noblesville |
IN |
Source Detail |
Schoeps CMC641> Lunatec v2> Graham Patten adc20> dap1 (Cash's rig);
DAT via Chris Wood; DAT> CD by Matt: DAP1> TB Fiji S/PDIF> cdwav; same
version seeded to evines, 3/27/00 |
09/14/99
|
BSU Pavillion |
Boise |
ID |
Source Detail |
FOB Schoeps mk4v > kcy > VMS021b > SBM-1 @44.1kHz; Tascam DA-20mkII > RME Digi96/8 PST >
CDWav > mkwACT > SHN; Taped by Carrion Crow |
10/10/99
|
Pepsi Arena |
Albany |
NY |
Source Detail |
B+K (DPA) 4011 > Lunatec V2 > Apogee AD500 > DA-P1; DAT > CDR > EAC > mkwACT > SHN; Taped and transferred by Ron Dalton; SHN Conversion by Levi Hunt |
10/10/99
|
Pepsi Arena |
Albany |
NY |
Source Detail |
FOB Schoeps mk4 > kc5 > CMC6 > Sonosax SX-M2 > Sony D-100 @48kHz; Sony D8 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel |
12/02/99
|
The Palace |
Auburn Hills |
MI |
Source Detail |
Neumann KM-184-> Apogee AD1000-> DAP1, taper J. Kemp; Turtle Beach
Montego II-> Soundforge 4.5-> -> CDWav -> Mitsumi 4x -> EAC -> SHN,
transfer D. Schall, J. Patton; u/l Y. Chasin; a few minor pops in
this source (pop in Gin, click in Bold) from the original DAT (a B&K
4011 source was also QC'ed- without any pops, but it was much more boomy) |
12/07/99
|
Cumberland County Civic Center |
Portland |
ME |
Source Detail |
flac16, 44kHz; (FOB) Schoeps cmc6 > kc5 > mk4's > Sonosax SX-M2 > Sony TCD-D100 > DAT(m); DAT(m) > Sony TCD-D8 > M-Audio MicroTrack > WaveLab > CDWave > FLAC; Source by Dave Flaschner; Transfer by Jason Sobel |
12/08/99
|
Cumberland County Civic Center |
Portland |
ME |
Source Detail |
FOB Schoeps mk4 > kc5 > CMC6 > Sonosax SX-M2 > Sony D-100 @48kHz; Sony D8 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel |
12/11/99
|
First Union Spectrum |
Philadelphia |
PA |
Source Detail |
Neumann U89 (hypercard setting, direct front/center, tapers' section)
>Apogee AD-1000 @44.1, D. Estrin; DA20mkII> Audio Magic Presto II> ZA2>
Soundforge XP 4.5> CDWAV>.shn, E. McRoberts; 10/1/99 filler |
12/12/99
|
Hartford Civic Center |
Hartford |
CT |
Source Detail |
flac16, 44kHz; Schoeps mk41 > kc5 > cmc6 > Sonosax SX-M2 > Apogee AD-1000 > Tascam DA-P1 > DAT(m); DAT(m) > Tascam DA-20MKII > Tascam HD-P2 > CD Wave > Samplitude > FLAC; Source by Dave Flaschner; Transfer by Jason Sobel |
12/29/99
|
Big Cypress Seminole Reservation |
Big Cypress |
FL |
Source Detail |
"From the Archives #4, Part I;" FM/pre-FM > DAT; DAT > CDR > EAC (secure) > SHNv3; DAT>CDR transfer by Kevin Shapiro; SHN Conversion by Jim Raras |
12/30/99
|
Big Cypress Seminole Reservation |
Big Cypress |
FL |
Source Detail |
FOB Schoeps mk4v > kc5 > CMC6 > Lunatec V2 >
Apogee AD1000 @48kHz; DA-P1 > Audio Magic
Presto II > Soundforge XP 4.5 (48>44.1kHz) > CDWav > SHN; Transferred by Eric McRoberts; Note: "SBEfixed" ffp provided 03/09/05 |
12/30/99
|
Big Cypress Seminole Reservation |
Big Cypress |
FL |
Source Detail |
Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Sony D100 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > r8brain v1.9 (48 to 44.1 kHz) > Samplitude SE v9.1.1 (fades, tracking, edits) > FLAC v1.2.1 (Level 8); Taped by Eliot Byron; Transferred by Jason Sobel |
12/31/99
|
Big Cypress Seminole Reservation |
Big Cypress |
FL |
|
|
12/31/99
|
Big Cypress Seminole Reservation |
Big Cypress |
FL |
Source Detail |
"From the Archives #4, Part II;" FM/pre-FM > DAT; DAT > CDR > EAC (secure) > SHNv3; DAT>CDR transfer by Kevin Shapiro; SHN Conversion by Jim Raras |
12/31/99
|
Big Cypress Seminole Reservation |
Big Cypress |
FL |
Source Detail |
(FOB) Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Apogee AD-1000 > Sony D100 (@ 44.1 kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, splices) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel |
05/15/00
|
Y100 Sonic Session |
Philadelphia |
PA |
Source Detail |
pre-FM > DAT > CDR; via Dick Elliott |
05/23/00
|
Roseland Ballroom |
New York |
NY |
Source Detail |
SBD > CD; CD > EAC > WAV > Cool Edit Pro > mkwACT > SHN; Transfer by Lee Nave |
06/13/00
|
Club Quattro |
Nagoya |
Japan |
Source Detail |
SBD/AUD (AKG C1000) Matrix; D8 > Soundforge XP > WinCDR6.0 > FLAC |
06/15/00
|
Big Cat |
Osaka |
Japan |
Source Detail |
[SBD + AKG C1000] Matrix; D8 > Soundforge XP > WinCDR > WAV > FLAC |
06/29/00
|
PNC Bank Arts Center |
Holmdel |
NJ |
Source Detail |
Neumann U89 (hypercard) > AD 1000 > DA-P1 @44.1K (Transfered by LiverLobes@hotmail.com (John P. Tambroni) and The Mad Hermit) |
06/30/00
|
Meadows Music Theatre |
Hartford |
CT |
Source Detail |
Neumann ak40s > Neumann lc-3 active cables > Neumann km100s > Audio Magic Presto II XLRs > Apogee AD-1000;
Front Row, DFC, Tapers, 45 degree split; DAT > SHN: PCM-R500 > Audiomedia III/Powermac G3/233 > Pro Tools 4.3.2 Panasonic 7502 (burn/extract);
taped and mastered by Mike Vernal; listener Steve Hormell reports this sounds error-free |
07/04/00
|
E Centre |
Camden |
NJ |
Source Detail |
flac16, 44kHz; (split 25') Neumann TLM170r's > Lunatec V2 > Apogee AD-1000 > Tascam DA-P1; Sony PCM-M1 > Sek'd Prodif Plus > Samplitude > CDWave > SHN; Source by John Bigham; Transfer by Don Becker |
07/10/00
|
Deer Creek Music Center |
Noblesville |
IN |
Source Detail |
SBD/AUD Matrix > DAT @48kHz; CDR > EAC > FLAC |
07/11/00
|
Deer Creek Music Center |
Noblesville |
IN |
Source Detail |
[In-House FM(ALD) > D7 @48kHz + B+K 4011 > Lunatec V2 > Apogee AD-500e @48kHz] Matrix |
09/17/00
|
Merriweather Post Pavilion |
Columbia |
MD |
|
|
09/17/00
|
Merriweather Post Pavilion |
Columbia |
MD |
Source Detail |
shnf; 44kHz; (FOB//DFC/card/hat) Oktava mc012's > Graham-Patten DMIC-20 > Tascam DA-P1 > DAT(m); DAT(m) > Tascam DA-P1 > Echo MIA > Soundforge > CDWave > SHN; Source and Transfer by krunchy |
09/18/00
|
Blossom Music Center |
Cuyahoga Falls |
OH |
Source Detail |
shnf or flac16; Neumann U87ai > Mackie 1202 > Sony TCD-D8 (Set I) Tascam DA-P1 (Set II); Sony TCD-D8 > Delta DiO 2496 > Soundforge 4.5 > CD Wave > SHN; Taped by Dave Schall, Patch-taped & Transferred by John D'Auria |
09/27/00
|
Fiddler's Green Amphitheatre |
Englewood |
CO |
Source Detail |
flac16, 44kHz; Schoeps cmc6/mk41v's > Lunatec V2 > Sonic AD2K+ > DAT(c); DAT(c) > Sony PCM-M1 > > Sek'd Prodif Plus > Samplitude > CDWave > FLAC; Source by Marc Nutter; Transfer by Don Becker |
10/06/00
|
Shoreline Amphitheatre |
Mountain View |
CA |
Source Detail |
AKG 480b's (cardoids) -> Lunatec V2 -> Graham Patten ADC-20 -> DA-P1 -> Phillips 765 CDR -> CD; transfer by Justin Halgren; EAC> SHN by Scott Graham |
10/06/00
|
Shoreline Amphitheatre |
Mountain View |
CA |
Source Detail |
flac16, 44kHz; Schoeps cmc6/mk4v's > Sonosax SX-M2 > Sony PCM-M1 > DAT(m); DAT(m) > Tascam DA-20MKII > Tascam HD-P2 > r8brain > Samplitude > FLAC; Source by by Eliot Byron; Transfer by Jason Sobel |
10/06/00
|
Shoreline Amphitheatre |
Mountain View |
CA |
Source Detail |
flac16, 48kHz; AKG c460b/ck61's > Lunatec V2 > Sony SBM-1 > Sony TCD-D8; Sony PCM-R500 > Marantz PMD-661 > CDWave > FLAC; Souce by JK; Transfer by John M. |
10/07/00
|
Shoreline Amphitheatre |
Mountain View |
CA |
Source Detail |
Schoeps CMC641v (OTS) > Lunatec V2 > Sonic AD2k @ 48k; Transfer: Roach > SPDIF > Audiowerk2 > Waveburner @44.1k > Peak > Jam; Seeded by Andy Gustin |
01/02/03
|
Hampton Coliseum |
Hampton |
VA |
Source Detail |
Neumann km184 > AETA PSP-3 > Mini-Me > DA-P1; DA-P1 > VX Pocket > Soundforge > CDWav > SHN; Taped and transferred by Jeff Killion |
01/02/03
|
Hampton Coliseum |
Hampton |
VA |
Source Detail |
Schoeps mk4 > kc5 > CMC6 > Lunatec V3 @44.1kHz/16bit > VX Pocket > WAV > SHNv3; Taped and transferred by Jamie Lutch |
01/03/03
|
Hampton Coliseum |
Hampton |
VA |
Source Detail |
shn16, 44kHz; (FOB/DFC/ortf) Schoeps cmc6/mk21's > Apogee MiniMe > Sony TCD-D8 > DAT(m); DAT(m) > Tascam DA-20mkII > RME96/8 > CDWave > SoundForge > CDWave > SHN; Source and Transfer Mikey K |
01/03/03
|
Hampton Coliseum |
Hampton |
VA |
Source Detail |
shn16, 44kHz; Neumann km-184's > Aeta PSP-3 > Apogee Mini-Me > Tascam DA-P1 > DAT(m); DAT(m) > Tascam DA-P1 > VX Pocket > Soundforge > CDWave > SHN; Source and Transfer by Jeff Killion |
01/04/03
|
Hampton Coliseum |
Hampton |
VA |
Source Detail |
MBHO603 > KA200 (cardioid, DIN @80deg,20cm) > Lunatec V3 > DA-P1 @44.1kHz (DFC, 1st row OTS); Mia Echo > CoolEditPro > WAV > mkwACT > SHN; Taped by Mike Pedersen; Fixed SBE by Scott Zarnegar |
02/15/03
|
Thomas & Mack Center |
Las Vegas |
NV |
Source Detail |
shnf; Neumann ak40 > lc3ka > km100 > V3 > VX Pocket @ 16bit,44.1kHz > Sony Vaio SR33 > Samplitude > mkwACT > SHN (OTS, DFC); Taped and transferred by John Cocci |
02/20/03
|
Allstate Arena |
Rosemont |
IL |
Source Detail |
FOB Schoeps mk4v (ORTF) > kc5 > CMC6 > Apogee Mini-Me > Sony TCD-D8 @44.1 kHz; Tascam DA-20mkII > RME DIGI96/8 PST > Samplitude v5.5 > CDWav > mkwACT > SHNv3 |
02/25/03
|
First Union Spectrum |
Philadelphia |
PA |
Source Detail |
Schoeps CMC6/mk41 (DIN) > Lunatec V3 > D100; Tascam DA-20mkII > Harman Kardon CDR 20 > CDR > EAC > WAV > mkwACT > SHN; Taped by Jason Lonchar; Note: this circulates in SHN and FLAC format; Admin Note: It is possible that FLAC was SHN>FLAC, which is a bad idea |
02/28/03
|
Nassau Veterans Memorial Coliseum |
Uniondale |
NY |
Source Detail |
AKG 480/ck61 (90 deg, XY) > DMIC-20 > D8 @48kHz; D8 > Waveterminal 2496 > SF 4.5 (48>44.1kHz) > CDWav > mkwACT > SHN; Taped by Justin Trinkes |
07/08/03
|
Coors Amphitheatre |
Chula Vista |
CA |
Source Detail |
flac16, 44kHz; (OTS/90deg) Schoeps cmxy4v's > Sonosax SX-M2 > Apogee AD500e > Sony TCD-D8 > DAT(m); DAT(m) > Sony TCD-D8 > Marantz CDR-615 > CDR(m) > EAC > CDWave > FLAC; Source and Transfer by Bob Wiely |
07/09/03
|
Shoreline Amphitheatre |
Mountain View |
CA |
|
|
07/09/03
|
Shoreline Amphitheatre |
Mountain View |
CA |
Source Detail |
Matrix [(Schoeps CMC6/mk41v > V2 > AD2K+ > VX Pocket > Toshiba 3040CT > Vegas Video 3.0 @24bit,48kHz) + (Neumann km140 > V3 > AD2K+ > VX Pocket > Toshiba 3040CT > Vegas Video 3.0 @24bit,48kHz)] > Samplitude 6.0 (mixed)> Soundforge 6.0 (24>16bit,48>44.1kHz) > shntool > mkwACT > SHN; Taped and mixed by Larry Narachi |
07/10/03
|
Shoreline Amphitheatre |
Mountain View |
CA |
Source Detail |
Oktava MC012 (cardioid, DIN, DFC, OTS) > USBPre 1.5 > Sony Vaio PCG-FXA32 > Sound Forge 5.0 @24bit,48kHz > Sound Forge 5.0 (24>16bit,48>44.1kHz) > CDWav > FLAC > shntool > FLAC; Taped and transferred by Josh Simpson |
07/13/03
|
The Gorge Amphitheatre |
George |
WA |
Source Detail |
Schoeps mk4 > M222 > NT222 > V3 > Tascam DA-P1 (DFC); Tascam DA-20mkII > Sony Vaio TR2A > Wavelab4.0 (48>44.1) > CDWav > FLAC; Taped and transferred by David Bigham |
07/15/03
|
USANA Amphitheatre |
West Valley City |
UT |
Source Detail |
Schoeps mk4 (OTS, DFC) > kc5 > CMC6 > PSP3 > MiniMe > Sony Vaio c1vn > Wavelab 4.0 > Apogee UV22HR > CDWav > SHN; Taped by Geoff Lynch |
07/25/03
|
Verizon Wireless Amphitheatre |
Charlotte |
NC |
Source Detail |
AKG 480/ck61 (OTS, DFC, DIN, 9' high) > PS-2 > USBPre > Vaio PCG-SRX87 > WaveLab 4.0 > CDWav > mkwACT > SHN; Taped by Mark Terry |
07/29/03
|
Post Gazette Pavillion at Star Lake |
Burgettstown |
PA |
Source Detail |
Schoeps CMC6/mk4 > V2 > AD1000; Sony R500 >
Edirol UA-1D > USB > Wavelab 4.0 > CDWav > mkwACT > SHN; Transferred by Jason Wilhelm |
07/30/03
|
Tweeter Center |
Camden |
NJ |
Source Detail |
FOB Schoeps mk4v (ORTF) > kcy > VMS5u > mod. SBM-1 > M1; DA-P1 > Echo MIA > Soundforge 6.0 > CDWav > mkwACT > SHN |
08/02/03
|
IT Festival Tower Set Ambient Jam |
Limestone |
ME |
Source Detail |
IT Tower Ambient Jam (2am set); Schoeps mk21 > V2 > AD2K > D8 |
08/03/03
|
Loring Air Force Base |
Limestone |
ME |
Source Detail |
The Bunny broadcasts, 8/2/03-8/3/03; FM > JB3; Taped by Mike Wren |
11/28/03
|
Nassau Veterans Memorial Coliseum |
Uniondale |
NY |
Source Detail |
Neumann u89i (cardioid, DIN, DFC) > Lunatec V3 > Sonic AD2k+ > RME Multiface > Vaio > WaveLab > WAV @24bit/96kHz (OTS); WaveLab > UV22HR (24>16bit,48>44.1kHz) > WAV > CDWav > FLAC; Taped and transferred by Phil Lucks |
12/01/03
|
Pepsi Arena |
Albany |
NY |
Source Detail |
Neumann km184 (DIN)> PS-2 > AD-20 @44.1 kHz > PCM-M1 (OTS, DFC); PCM-R300 > DIO 2448 > Cool Edit Pro 2.0 > CDWav > mkwACT > SHN; Taped and transferred by ROb Clarke |
12/02/03
|
FleetCenter |
Boston |
MA |
Source Detail |
Schoeps mk41 > kc5 > CMC6 > Lunatec V2 > AD2K+ > VX Pocket > Toshiba 3490ct @24bit/48kHz > Vegas 3.0 > Soundforge (24>16bit/48>44.1kHz) > CDWav > FLAC; Taped by Scott Gordon |
12/30/03
|
American Airlines Arena |
Miami |
FL |
Source Detail |
Schoeps CMC6/mk41v > V2 > MiniMe > Toshiba Protege3440 @16bit/48kHz > Samplitude 7.0 (48>44.1kHz) > FLAC; Taped by John Crouch;
Transferred by John Cocci |
04/15/04
|
Thomas & Mack Center |
Las Vegas |
NV |
Source Detail |
Schoeps mk21 > kc5 > CMC6 > Lunatec V2 > AD2K+ > VX Pocket > Toshiba 3490ct > Vegas 3.0 @24bit/48kHz > Wavelab > CDwav > FLAC; Taped by Scott Gordon (NOTE: both 16 bit & 24 bit versions available) |
04/16/04
|
Thomas & Mack Center |
Las Vegas |
NV |
Source Detail |
Schoeps mk4 > kc5 > CMC6 > Lunatec V2 > AD2K+ > VX Pocket > Toshiba 3490ct > Vegas 3.0 @24bit/48kHz > Wavelab > CDWav > FLAC; Taped by Scott Gordon (NOTE: both 16 bit & 24 bit versions) |
04/17/04
|
Thomas & Mack Center |
Las Vegas |
NV |
Source Detail |
FOB Schoeps mk21 > kc5 > CMC6 > V2 > MiniMe > M1 @48kHz; Fostex D5 > Zoltrix > Soundforge 6.0 (48>44.1kHz) > CDWav > FLAC; Taped by Dave Kemp; Patched by Greg Lance
|
06/17/04
|
Keyspan Park |
Brooklyn |
NY |
Source Detail |
FOB Schoeps mk4v > kcy > VMS5u > mod. SBM-1 > JB3 (DFC); JB3 > CDWav > FLAC |
06/18/04
|
KeySpan Park |
Brooklyn |
NY |
Source Detail |
FOB Schoeps mk8/mk4v (M-S) > kcy > VMS5u > mod. SBM-1 > JB3; JB3 > Wavelab4 > CDWav > FLAC
|
06/19/04
|
Saratoga Performing Arts Center |
Saratoga Springs |
NY |
Source Detail |
ADK TL (hypercardioid) > V2 > mod. SBM-1 > JB3 (DFC, OTS); JB3 > CDWav > FLAC; Taped and transferred by Brian Costigan |
06/19/04
|
Saratoga Performing Arts Center |
Saratoga Springs |
NY |
Source Detail |
Neumann u89i (hypercardioid) > MiniMe @16bit/48kHz > Sony D7 > Montego II S/PDIF >
Steinberg Wavelab 4.0c > CDWav > FLAC; Taped and transferred by Bryan Austin |
06/20/04
|
Saratoga Performing Arts Center |
Saratoga Springs |
NY |
Source Detail |
Schoeps CMC6/mk5 > Lunatec V2 > MiniMe > Toshiba 3490ct > Wavelab @24bit/44.1kHz)> Wavelab (24>16bit) > FLAC; Taped by John Crouch |
06/21/04
|
Ed Sullivan Theatre Marquee |
New York |
NY |
Source Detail |
Schoeps mk4 > Sonosax SX-M2/LS > Sony SBM-1 @44.1kHz > Sony D8; Tascam DA-30mkII > Zefiro ZA2 > Adobe Audition > CDWav > mkwACT > SHN; Taped by Jason Reiser |
06/21/04
|
Ed Sullivan Theatre Marquee |
New York |
NY |
Source Detail |
Neumann SKM-184 > Sound Devices MP-2 > Oade mod. Sony SBM-1 > Nomad Jukebox 3 > Sound Forge v6 > CDWav > FLAC; Taped and transferred by Mike Wren |
06/23/04
|
Verizon Wireless Music Center |
Noblesville |
IN |
Source Detail |
Schoeps mk41 > kc5 > CMC6 > Lunatec V2 > AD2K+ > VX Pocket > Toshiba 3490ct > Vegas 3.0 @24bit/48kHz > Wavelab > CDWav > FLAC; Taped by Scott Gordon (NOTE: both 16 bit and 24 bit versions are contained in this entry) |
06/24/04
|
Verizon Wireless Music Center |
Noblesville |
IN |
Source Detail |
Microtech Geffell m300 > V2 > MiniMe > VX Pocket > Picturebook @24bit/48kHz > WaveLab (24>16bit/48>44.1kHz) > CDWav > FLAC; Taped by Steve Szaks (NOTE: both 16 bit and 24 bit seeds available) |
06/25/04
|
Alpine Valley Music Theatre |
East Troy |
WI |
Source Detail |
Schoeps mk41 > kc5 > CMC6 > Lunatec V2 > AD2K+ > VX Pocket > Toshiba 3490ct > Vegas 3.0 @24bit/48kHz > Wavelab > CDWav > FLAC; Taped by Scott Gordon (NOTE: both 16 bit and 24 bit seeds available) |
06/26/04
|
Alpine Valley Music Theatre |
East Troy |
WI |
Source Detail |
Microtech Geffell m300 > V2 > MiniMe > VX Pocket @24bit/48kHz > Wavelab (24>16bit/48>44.1kHz) > CDWav > FLAC; Taped by Steve Szaks |
08/09/04
|
Hampton Coliseum |
Hampton |
VA |
Source Detail |
Oktava MK012 (DIN) > mod. DMic-20 @44.1kHz > D8; D8 > UA-3 > Soundforge 6.0 > CDWav > FLAC; Taped by Alex Mitchell |
08/10/04
|
Tweeter Center |
Mansfield |
MA |
Source Detail |
Schoeps mk4 > kc5 > CMC6 > Sonosax SX-M2 > Apogee AD1000 > JB3 @44.1kHz (OTS) > CDWav > FLAC; Taped and transferred by Andy Murray |
08/11/04
|
Tweeter Center |
Mansfield |
MA |
Source Detail |
AKG 393 (DINA) > Edirol UA-5 (Oade warm mod.) > JB3 @44.1kHz (OTS); JB3 > CDWav > FLAC; Taped and transferred by Greg Bloch |
08/12/04
|
Tweeter Center at the Waterfront |
Camden |
NJ |
Source Detail |
Schoeps CMXY4v (XY)> V3 @44.1kHz |
08/13/04
|
Newport State Airport |
Coventry |
VT |
Source Detail |
Coventry Soundcheck; SBD > FM (Bunny 92.1) > Sony Walkman > D8 @44.1kHz; D8 > JB3 > CDWav > FLAC; Taped and transferred by Greg Bloch |
08/13/04
|
Newport State Airport |
Coventry |
VT |
Source Detail |
Coventry "From the Archives" #1; FM > DAT; DA-20mkII > Audiowerk2 > Soundforge4.5 > SHN; Transferred by Ian Stone |
08/14/04
|
Newport State Airport |
Coventry |
VT |
Source Detail |
FOB Neumann km140 (ORTF) > V2 > SBM-1 > D8 (DFC); Sony R300 > HHB 830 > CDR > EAC (secure) > SHN; Taped by Matt Lazor; SHN Conversion by Frank Webster |
08/14/04
|
Newport State Airport |
Coventry |
VT |
Source Detail |
Coventry "From the Archives" #2; FM > DAT; DA-20mkII > Audiowerk2 > Soundforge4.5 > SHN; Transferred by Ian Stone |
08/15/04
|
Newport State Airport |
Coventry |
VT |
Source Detail |
FOB Neumann ak40 > lc3 > km100 > Lunatec V3 > VX Pocket @24bit/48kHz > Samplitude 7.0 > FLAC; Taped and transferred by John Cocci |
08/15/04
|
Newport State Airport |
Coventry |
VT |
Source Detail |
Coventry "From the Archives" #3; FM > DAT; DA-20mkII > Audiowerk2 > Soundforge4.5 > SHN; Transferred by Ian Stone |
06/07/09
|
Susquehanna Bank Center |
Camden |
NJ |
Source Detail |
(FOB) [Schoeps mk41v > kc5 > m222 > nt222] + [mk5 (omni) > kc5 > cmc6 > lunatec V3 (analog out)] > Sound Devices 744T (24/96); Wavelab 5 (matrix, fades, resample to 44.1 kHz, dither to 16 bit, tracking); Taped & Transferred by SonicSound (NOTE: both 16 bit & 24 bit versions are available) |
06/12/09
|
Great Stage Park |
Manchester |
TN |
Source Detail |
Pre-FM |
06/14/09
|
Great Stage Park |
Manchester |
TN |
Source Detail |
Schoeps mk41> KCY> Schoeps VMS02IB> Apogee Mini-Me> SD 722 (@24bit/96kHz); SD 722> Samplitude SE 9.1.1(resample/dither)> CDWave> flac(16/44.1); Taped and Transferred by taylorc |
06/14/09
|
Great Stage Park |
Manchester |
TN |
Source Detail |
Pre-FM |
08/07/09
|
The Gorge Amphitheatre |
George |
WA |
Source Detail |
(FOB) Schoeps mk22 > KCY > Schoeps VMS02IB > Apogee Mini-Me > Sound Devices 722 (@24bit/96kHz); SD 722 > Samplitude SE 9.1.1 (resample/dither) > CD Wave > flac(16/44.1); Taped & Transferred by taylorc (NOTE: both 16 bit & 24 bit versions are available) |
06/26/10
|
Merriweather Post Pavilion |
Columbia |
MD |
Source Detail |
Schoeps mk4v > KC5 > M222 > NT222 > Aeta PSP-3> Sound Devices 722 (@24bit/96kHz); SD 722 > Samplitude SE 9.1.1 (dither/resample) > CD Wave > flac(16/44.1); Taped & Transferred by taylorc (NOTE: both 16 bit & 24 bit versions are available) |
08/06/10
|
Greek Theatre, Univ. of California |
Berkeley |
CA |
Source Detail |
Schoeps mk22 > KC5 > CMC6xt > EAA PSP-2 + Schoeps mk4v > KC5 > M222 > NT222 > Aeta PSP-3 > Sound Devices 744t (@24bit/48kHz); SD 744t > Samplitude SE 9.1.1 (dither/resample) > CD Wave > flac(16/44.1); Taped & Transferred by taylorc (NOTE: both 16 bit & 24 bit versions are available) |
10/22/10
|
Dunkin' Donuts Center |
Providence |
RI |
Source Detail |
flac16; Busman Bsc1 (Hypers) > Fostex FR-2LE (Busman T-mod); FR-2LE > Wavelab 6.0 (Resample and Dithering) > CD Wave > TLH > flac (level 8); Taped & Transferred by Jack Riley |
12/30/10
|
Madison Square Garden |
New York |
NY |
Source Detail |
flac16 & flac24; Schoeps mk41 > KC5 > M222 > NT222 > EAA PSP-2 > Sound Devices 744t (@24bit/96kHz); SD 744t > Samplitude SE 9.1.1 (dither/resample) > CD Wave > flac; Taped & Transferred by taylorc (NOTE: both 16 bit & 24 bit versions are available) |