Music List for Eric M.
Last Update: Dec 28, 2013
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Aaron Freeman --- Approximate Hours: 1.25
Show Date Place City State Source Link Source Notes
07/27/02 Maxwell's Hoboken NJ

Allman Brothers Band --- Approximate Hours: 2.5
Show Date Place City State Source Link Source Notes
06/16/00 GTE Amphitheatre Virginia Beach VA Source Detail Source: Neumann KM 184's>Lunatec V2>Apogee AD1000>PCM-M1 Harmonic Tech Cables. Dale Shepherd, taper.

Dave Matthews Band --- Approximate Hours: 6.25
Show Date Place City State Source Link Source Notes
??/??/91 Granny's Basement Demo Various VA
04/21/94 LJVM Coliseum Winston-Salem NC Source Detail Phish Opener Taper: Brad and Larry Source: SBD->DAT Source: AKG 460 Cards->XLR's->Power Supply->XLR"S->1/4's->TEAC->DAT From: Front Row Center on 15 ft pole DAT>CD: Linda Webster EQUIP: Technics SV 260A->COAX->WAV->CDWAV->WAV>CD No DAE CD>SHN: Andrew Knowles Equip: Matshita CR-5850->EAC->MKW (All Tracks 100%)
10/06/94 Lee's Palace Toronto ON Source Detail Taper: Unknown Source: DSBD conversion: allan chen sony r300>sek'd prodif plus>samplitude (48>44.1)>cdwav **no DAE. dat>wav>shn
??/??/00 Red Light Studios Charlottesville VA Source Detail Taper: Unknown Source: Studio SBD->DAT->CD-r

Dire Straits --- Approximate Hours: 2.5
Show Date Place City State Source Link Source Notes
02/16/79 WDR Studio L Köln Germany
04/01/79 The Boarding House San Francisco CA

DJ Logic --- Approximate Hours: 2.5
Show Date Place City State Source Link Source Notes
02/07/02 The Knitting Factory New York NY

Dr. Jones --- Approximate Hours: 2.5
Show Date Place City State Source Link Source Notes
07/06/02 Private Party Hinesburg VT

Electric Masada --- Approximate Hours: 2.5
Show Date Place City State Source Link Source Notes
05/17/03 Colisée des Bois-Francs Victoriaville QC

Eric Clapton --- Approximate Hours: 2.5
Show Date Place City State Source Link Source Notes
12/04/74 Hammersmith Odeon London UK

Frank Zappa --- Approximate Hours: 10
Show Date Place City State Source Link Source Notes
11/06/70 Fillmore West San Francisco CA
11/13/70 Fillmore East (late show) New York NY
11/13/70 Fillmore East (early show) New York NY
05/23/75 County Coliseum El Paso TX
10/24/76 Music Hall Boston MA
04/08/80 Celebrity Theater Phoenix AZ
09/01/84 Saratoga Performing Arts Centre Saratoga NY

Future Sound Of London --- Approximate Hours: 2.5
Show Date Place City State Source Link Source Notes
05/14/94 Earthbeat Studio Dollis Hill, East London England

Garcia --- Approximate Hours: 101.25
Show Date Place City State Source Link Source Notes
05/20/71 Keystone Korner San Francisco CA Source Detail JGMS; flac2496k; Most likely lineage MR@ 7 1/2 ips >> Reel(owned by Jerry Garcia) >> Reel(made and owned by Will Boswell) @ 7 1/2 ips >> 2496 PCM WAV [by Matt Smith]; Transfer info: Revox A77 > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
??/??/71 The Matrix San Francisco CA Source Detail JGMS: MSR @ 7.5ips > reel @ 7.5ips > reel @ 7.5ips > Apogee Mini ME 24/96 > Apogee Mini DAC (monitoring) > Wavelab 5.0 (dithered to 20/44) > CD > EAC > FLAC. Transfer by Matt Smith, FLAC encoding by ecocats.
01/19/72 Lion's Share San Anselmo CA Source Detail Garcia & Saunders, set I only: MSR > C > D > CD > EAC > SHN > WAV > sector boundary fix using shntool > SHN. This set fixes sector boundary errors on the previous shn set.
02/06/72 Pacific High Recording Studio San Francisco CA Source Detail Garcia & Saunders: Source: FM > ? > dat > da-20 playback > rme 96/8 pst > cd wave > mkw (shn). Transfer by Tim Rossi. Source information updated 11/5/2004, had been listed as pre-FM.
02/06/72 Pacific High Recording Studio San Francisco CA Source Detail JGMS; flac1644; KSAN FM broadcast; likely DAT from Pre-FM reels; Mastered by Jamie Waddell
01/25/73 Boarding House San Francisco CA Source Detail JGMS; early & late Shows: MSR>C>D>CD. Slightly re-tracked using WavMerge and CDWave, .shn encoding using mkwACT, and proper sector boundaries verified using shntool.
05/05/73 Homer's Warehouse Palo Alto CA Source Detail Garcia & Saunders, "Dick's Gift": mSR> DAT> circulation; Jam through After Midnight portion of 5/5/73 Set 1 circulates as part of "Dick's Gift", rest is assorted from winter '73- spring '74 (material allegedly found unlabeled by Dick Latvala in the vault, supposedly came into circulation via a gift to some of Dick's "special friends"); see thejerrysite.com for updated info
07/08/73 Record Plant Sausalito CA Source Detail Source: KSAN FM > MR > DAT > CD
11/04/73 California State College Sonoma Cotati CA Source Detail Old & In The Way: MSR > ? > D > CD.
02/09/74 Rheem Theater Moraga CA Source Detail Garcia & Saunders: Master soundboard reels (7" 1/4 track @ 7.5ips recorded with Sony TC-377) > Teac X-300R playback > HHB Burn-It master CD-RW > Easy CD-DA Extractor > Dell Inspiron 4100 laptop > possible volume adjustment (Cool Edit 2000) > tracking (CD Wave) > CDR using EZ-CD Creator > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). More complete than the previously circulating version.
08/24/74 Great American Music Hall San Francisco CA Source Detail Garcia & Saunders: 10" MSR > C > DAT > CD > EAC > SHN.
08/30/74 Freeborn Hall (University of California Davis) Davis Ca Source Detail Garcia & Saunders: MSR > C > DAT > CDRs > EAC > SHN
09/02/74 Marx Meadow (Golden Gate Park) San Francisco CA Source Detail Garcia & Saunders, partial show: probable lineage MSR > P > D > CD, per The Jerry Site.
11/10/74 Palace Theatre Albany NY Source Detail JGMS: sbd 2nd generation reel (Jerry Moore's reel); Lineage: sbd reel master > reel > 10.5" reel @ 7.5 ips, dolby b; Transfer by Rob Berger: Technics RS-1506 playback > Sony NR-335 >Tascam HD-P2 24/48. Editing, downsampling and FLAC encoding by David Minches.
11/28/74 Great American Music Hall San Francisco CA Source Detail Garcia & Saunders: MSR>PCM>DAT
04/09/75 Bottom Line New York NY Source Detail Legion of Mary: Betty-Board [reels] > DAT > FLAC file (as reported by D. Oade) > Flac Frontend > CD Wave Editor(tracks) > Flac Frontend > FLAC16. Seeded to bt.etree.org by David Barfield on 9/13/2005.
04/11/75 The Tower Theatre Upper Darby PA Source Detail Legion of Mary: Early Show: MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille.
04/11/75 The Tower Theatre Upper Darby PA Source Detail Legion of Mary: Late Show: MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille.
04/12/75 Masonic Temple Scranton PA Source Detail Legion of Mary: late show; SBD (DAT: MSR> 1R> P> D> ZA/2> SHN); d1t2, splice at 11:52; d2 has 1 track- could burn with 4/19/75 orphan; via T. Langston, T. Livingston; covers
05/21/75 Keystone Berkeley CA Source Detail Legion of Mary: SBD>15 ips reel>15ips reel> DAT> Sony R500> Genesis Digital Lens> Fostex CR200> CD> WAV(EAC)> SHN; How Sweet It Is cut on master reel; via Tom Livingston; different mastering from other shn set
07/04/75 Great American Music Hall San Francisco CA Source Detail Legion of Mary: SBD > Vault Reel > 1C?(*see note below) > DAT > CD-R > EAC *** This version includes the missing 2 songs not include with the previously circulating copy
10/12/75 Keystone Berkeley CA Source Detail JGB; shnf; MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 >CD > EAC > CD > EAC > SHN via Jack Warner
11/08/75 Keystone Berkeley CA Source Detail Jerry Garcia Band, set II only: MA? > ? > CD > EAC > SHN. Note added 4/2005: Had been listed as a sbd, but is almost certainly an excellent audience recording.
12/31/75 Keystone Berkeley CA Source Detail Jerry Garcia Band: Sbd> Mreel> Reel> Pcm> Dat> CDr
02/14/76 Keystone Berkeley CA Source Detail Jerry Garcia Band: SBD> MSReel> cass> DAT> CD> (EAC)WAV
02/21/76 La Paloma Theater Encinitas CA Source Detail Jerry Garcia Band: early show; mSR> cass> DAT> CD
03/06/76 Moore's Egyptian Theater Seattle WA Source Detail Jerry Garcia Band: MAC (Taped by Pat Lee, Sony ECM 18N mics > Sony TC-152 [Maxell UD C120s] from 4th or 5th row) > master CD > EAC > SHN. A > D by Pat Lee, CD > SHN and seeding to Furthur by David Hollister.
07/23/77 Keystone Palo Alto Palo Alto CA Source Detail Jerry Garcia Band: SBD -> Cassette Master -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC (2 Discs Audio / 2 Disc FLAC). Transferred and Edited By Charlie Miller.
12/08/77 Palace Theatre Albany NY Source Detail Jerry Garcia Band: SBD -> Cm -> Apogee AD1000 -> Dat (Panasonic SV3800); transferred by Charlie Miller
12/11/77 Rec Hall, Penn State U State College PA Source Detail Jerry Garcia Band: MSR > PCM > unknown analog gens > DAT > CD > SSSB processing.
04/13/79 Rainbow Music Hall Denver CO Source Detail Reconstruction; flac2448; MSC (TDK SA) > 1st gen cassette (TDK AD) recorded on Sony 158SD deck.
This is a misdated copy of the previous night's late show.
07/08/79 Keystone Palo Alto Palo Alto CA Source Detail Reconstruction: Master Soundboard Reels (7" @ 7.5ips) > 2 PCM > DAT > CD; from the Jerry Site's "Release One"; via imgoinmad@home.com
07/22/79 Civic Auditorium Santa Monica CA Source Detail Reconstruction: hodgepodge of 6/16 and 6/22 material; MS?> ? > CD > EAC > SHN
02/22/80 The Barn, Rutgers University New Brunswick NJ Source Detail JGB, Flac16: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]MOTB0083
02/29/80 Calderone Theatre Hempstead NY Source Detail Jerry Garcia Band, Late Show: Bertha Remaster of the PreFM soundboard; SBD(PreFM) >> MC >> CDA >> DAW (Bertha) >> CDA/SHN.
11/15/82 Wilkins Theatre (Kean College) Union NJ Source Detail Jerry Garcia Band. Late show. Source: MSC>C>DAT>WAV>CDR>SHN.
11/25/83 Cleveland Music Hall Cleveland OH Source Detail JGB: Matrix (SBD/AUD mix). See info file for details.
08/13/84 Club Casino Ballroom Hampton Beach NH Source Detail JGB; Lineage: AUD > ??? > DATc (@48kHz); Transfer: Panasonic SV-3700 > S/PDIF > M-Audio 410 > FireWire400 > PowerMac G5 > Soundtrack Pro v1.0.1 (tracking & 48k > 44.1k resample) > WAV > xACT > flac 8
08/13/84 Club Casino Ballroom Hampton Beach NH Source Detail JGB: Bill Reutelhuber's FOB 7 Feet High - 18" Spread Nakamichi CM300/CP4 Sony TCD5M Dolby B ; Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.01a @ [16/48] Mastering with: iZotope Ozone 3 > dithered to [16/44.1] > CD Wave > TLH > FLAC; Transfer and Mastered by Bill Koucky, Green Mountain Bros.
08/15/84 Orange County Community College Middletown NY Source Detail Jerry Garcia Band: MAC (Luke R.'s Senn MD-441's > Sony TC-D5M, no Dolby) > Sony TC-D5M playback > Marantz PMD-340 (no Dolby) first gen cassette > Nakamichi Dragon playback > HHB CDR830plus > EAC > Sound Forge 6.0 > CDWave 1.94.5 > wav > shn. First gen cassettes from Andrew F., transfer by Anne Cohen.
11/23/84 Chrysler Hall Norfolk VA Source Detail Garcia & Kahn. Source: MAC (mics and taper unknown)>CDR>WAV>SHN.
11/26/84 Bushnell Aud., Bushnell U. Hartford CT Source Detail Garcia & Kahn: MAC (FOB Nak 300 cardioids > Sony D5) > Sound Forge 4.5 > Dell Dim 4100 > EZCD > CD EAC > Sound Forge XP > SHN. A > D transfer by Bryan Tartus, EAC > SHN by TimOC.
12/22/90 San Francisco Civic Auditorium San Francisco CA Source Detail JGB: FOB (Nak700s) > DAT > CDR > WAV > SHNv3
08/24/91 Goldcoast Concert Bowl Squaw Valley CA Source Detail Jerry Garcia Band: Bill Reutelhuber DAUD/DSBD matrix > FLAC. See text file for details.
04/25/94 Warfield Theater San Francisco CA Source Detail Jerry Garcia Band: set II only: SBD > Dat > Cm > Dat > CD > EAC > .shn using mkwACT. Seeded by Todd Sanders.

Garcia & Saunders --- Approximate Hours: 0
Show Date Place City State Source Link Source Notes
11/10/74 Palace Theatre Albany NY Source Detail JGMS flac2448: sbd reel master > reel > Jerry Moore's 10.5" reel @ 7.5 ips, dolby b; Transfer by Rob Berger: playback on Technics RS-1506 > Sony NR-335 > Tascam HD-P2 24/48. Editing and FLAC encoding by David Minches.

Grateful Dead --- Approximate Hours: 462.5
Show Date Place City State Source Link Source Notes
03/25/66 Trouper's Hall Los Angeles CA Source Detail with 7/3/66; see notes in info file; to abgd, later to etree; listener Daniel Kessler reports several digispots
07/03/66 Fillmore Auditorium San Francisco CA Source Detail with 3/25/66; see notes in info file; to abgd, later to etree
07/16/66 Fillmore Auditorium San Francisco CA Source Detail SBD > RTR > PCM > SSSB; via Jay Serafin to gdlive
07/17/66 Fillmore Auditorium San Francisco CA Source Detail SBD > RTR @ 15 I.p.s. > PCM > D > SSSB; via Jay Serafin to gdlive
11/19/66 Fillmore Auditorium San Francisco CA Source Detail flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
??/??/66 Acid Tests Various CA
03/18/67 Winterland Arena San Francisco CA Source Detail MSR> R> DATs> CDRs> EAC> SHN; via Darrin Sacks; upgrade now in circulation
01/22/68 Eagles Auditorium Seattle WA Source Detail flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
02/14/68 Carousel Ballroom San Francisco CA Source Detail MR> DAT> DAT> CD> EAC> SHN, with portions from another source, probably FM; via Garrett Van Cleef, from Jim Douglas seed; includes supplemental hiss-reduced material (see info files); hosted by gdlive.com
02/14/68 Carousel Ballroom San Francisco CA Source Detail flac16; Recording Info: SBD -> (8 Track) Master Reel -> Dat -> CD -> FLAC Transfer Info: FLAC -> Samplitude Professional v10.02 -> FLAC Transferred and Remastered By Charlie Miller (note: this source contains officially released, copyrighted material)
05/18/68 Santa Clara County Fairgrounds San Jose CA Source Detail flac16; Source: Jorma Kaukonen’s On Stage Mic > Reel to Reel Master > DAT x 1 Transfer: playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard > HD as 24 bit/96 KHz WAV Mastering: WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer by Chris Ladner July 2007, Mastering Bill Koucky September 18, 2008 Green Mountain Bros
05/??/68 Unknown Unknown Unknown Source Detail Vault Reel> DAT> CD> EAC> SHN; via J. Currier to gdlive
06/19/68 Carousel Ballroom San Francisco CA Source Detail SBD> MC> D> CD; start of Lovelight clipped, ragged sound improves later; via thecore@core.com
10/13/68 Avalon Ballroom San Francisco CA Source Detail via John Oleynick, Lee Revell; tracked for 1x80 min; Lee comments: "sound's a bit rough... but we're fairly certain that this is the best available source"; see info file for misc flaw notes
02/21/69 Dream Bowl Vallejo CA Source Detail flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
02/27/69 Fillmore West San Francisco CA Source Detail SBD 16-Track Master Reel > Rough Mix DAT > DATx3 > Digital Sound Card > WAV > SHN > WAV > Cool Edit > CDWAV > SHN; via Aoxoa, R. Keshavan, Seth Kaplan; see info file for notes on patches and edits; d2 tracked for 80 min; note material from this date also appeared on Live Dead- go buy it
02/28/69 Fillmore West San Francisco CA Source Detail 16-Track Master Reel> DAT> CD> EAC> SHN, with various patches (see info file); via Charlie Miller, Aoxoa, Seth Kaplan; upload by Darrin Sacks
03/01/69 Fillmore West San Francisco CA Source Detail SBD> 16-Track Master Reel > DAT > DAT > CD > EAC > SHN > MKW .WAV file conversion > Cool Edit 2000 > MKW .shn file conversion > shntool > MKW .WAV file conversion > CD; via Aoxoa, Rango Keshavan, Seth Kaplan; d2 tracked for 80 min; see various notes in info file, including about patches for banter and tuning
03/01/69 Fillmore West San Francisco CA Source Detail Jay Ashley (Bertha) remaster of previous multi-track source; SBD>>MTMR>>DAT>>CDA>>DAW(Bertha)>>CDA
03/02/69 Fillmore West San Francisco CA Source Detail Jay Ashley (Bertha) remaster of previous multi-reel source; SBD>>MTMR>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A Show A
03/28/69 Student Center, Modesto Jr. College Modesto CA Source Detail flac16; Source: Master Soundboard Cassette Medium Stock Brands: Master Cassette ampex c120 Analog Lineage: SBD >> Unknown Deck >> MSC Analog Sound Preservation: MSC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bear Transfer By: Bob Menke Mastering By: David Minches, Derek McCabe (This source was originally seeded with errors in the tags. Please don't circulate the original fileset.)
04/23/69 The Ark Boston MA Source Detail flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade of 98892
11/02/69 Family Dog at the Great Highway San Francisco CA Source Detail mr> c1> dat> turtle bch "Fiji"> SHN; via Teddy GoodBear, Doug Johnson; to abg, later to etree; note track names by title, have spaces and/or special characters; see pub comments for flaw note
02/11/70 Fillmore East (late show) New York NY Source Detail early and late shows; MSR> DATs> CDRs> EAC> shn; see info file for flaws and notes; shn and u/l by Darrin Sacks; also, Ben Yerys reports UJB encore pops (not sure if from CD or DAT source): 3.23?; 4.35, 5.26??, 5.27??; note d2alt.md5 also shown for a version noted at gdlive 7/01+, having a different d2t3 md5- reason unknown
02/13/70 Fillmore East (Late Show) New York NY Source Detail flac16; Recording Info: SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller (This sources fixes a flaw in d2t08 of source ID 97613)
02/14/70 Fillmore East New York NY Source Detail flac16; Recording Info:SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k);Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
09/19/70 Fillmore East New York NY Source Detail flac16; (disc 3 only) Sick Bits 14; matrix: SBD/AUD mix of 2 previously circulating sources (SBD: shnid=5217 & AUDs (composite): shnid=25473) edited, mixed and converted by Chris Chappell
11/08/70 Capitol Theater Port Chester NY Source Detail The Port Chester Resurrection Project #7 Taped by Ken and Judy Lee. See txt file for details.
02/18/71 Capitol Theater Port Chester NY Source Detail SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct)
02/18/71 Capitol Theater Port Chester NY Source Detail flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
02/19/71 Capitol Theatre Port Chester NY Source Detail 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; slight whine reduced with notch filter (see info file for details and other flaw notes); via WBOTB tree (site includes covers)
04/26/71 Fillmore East New York NY Source Detail flac24; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/24; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller
04/28/71 Fillmore East New York NY Source Detail flac24; Recording Info: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info: WAV -> Samplitude Professional v11.03 -> FLAC/24; All Mastering By Charlie Miller
08/06/71 Hollywood Palladium Hollywood CA Source Detail flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
08/06/71 Hollywood Palladium Hollywood CA Source Detail flac 16; Sick Bits Vol. 29b - SBD/AUD mix of 2 previously circulating primary sources: SBD (shnid=96541) + AUD (shnid=94261) as well as patch AUD source (shnid=88816). Matrixed by Chris Chappell.
12/05/71 Felt Forum, Madison Square Garden New York NY Source Detail flac16; FM -> Master Reel -> CD -> EAC -> FLAC. This is a complete show and a real nice upgrade from the so-called Pre-FM.
12/15/71 Hill Auditorium Ann Arbor MI Source Detail set 2; SBD> ?> CDR> EAC> SHN; via J. Oleynick, M. Ferguson; see info file for flaws
03/23/72 Academy of Music New York NY Source Detail flac16;Recording Info:SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info:Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller
04/08/72 Wembley Empire Pool London England Source Detail SBD; Discs 1 and 2: MR > DAT > CD > EAC > SHN; Disc 3: MR > DAT > Sonic Solutions > CD > EAC > SHN; Extraction, retracking of discs 1 and 2, and SHN encoding by G.S. Hamilton, from Seth Kaplan's copy; d3 is identical to previously circulated shn; note 1/01: cleaned version of this now in shn
05/23/72 Lyceum Ballroom London England Source Detail flac16; Set 2 partial; MSR>C>DAT>CD; EAC>WAV>FLAC by Sean Cribbs, from Lemieux source
08/20/72 San Jose Civic Auditorium San Jose CA Source Detail flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
08/27/72 Old Renaissance Faire Grounds Veneta OR Source Detail SBD Master Betty reel > PCM > DAT > ZA2 > CD > EAC > SHN; Set 3 has unknown # of PCM gens; via Jeff Tiedrich (DAT seed), David Hollister (transfer> CD), G.S. Hamilton (EAC> SHN); see info file for comments; d3 tracked for 80 min; upgrade relative to previously etreed copy
08/27/72 Old Renaissance Faire Grounds Veneta OR
08/27/72 Old Renaissance Faire Grounds Veneta OR Source Detail SBD> 16 Track Master Reels> DAT@44.1K> DAT> DAT> WAV> SHN; Banter between songs from the two-track master reels: S:MR> DAT> SS> CD> EAC> SHN; dankseed
08/27/72 Old Renaissance Faire Grounds Veneta OR
11/18/72 Hofheinz Pavilion Houston TX Source Detail 2nd set only; SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to John Steinhaus
05/13/73 Iowa State Fairgrounds Des Moines IA Source Detail flac16; Set 3 Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version of source ID 100239
06/30/73 Universal Amphitheatre Universal City CA Source Detail flac16; Sick Bits Vol. 9 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 177, and AUD - SHN ID# 6019); edited and transfered by Chris Chappell
10/29/73 Kiel Auditorium St. Louis MO Source Detail MSR> C> DAT> Circulation> EAC> SHN; no El Paso, otherwise complete show; Source disks from Bob Murphy, eac/shn by Darrin Sacks; Analog anomalies between CRS and BIODTL and between Eyes and China Doll digitally removed with Soundforge. Track boundary error between Bertha and GSET automatically corrected by Exact Audio Copy; Bob Murphy reports seed sounds cleaner than corresponding 10/30/73
11/21/73 Denver Coliseum Denver CO Source Detail flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation
11/21/73 Denver Coliseum Denver CO Source Detail flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller (This source fixes swapped channels on source id 88612.)
12/06/73 Public Hall Cleveland OH Source Detail SBD MR > 1 cass gen > DAT > (AUD patching)> CD > EAC > SHN> slight retrack for d2t3, d3t1, d3t4> shnv2 on those tracks; d3 tracked for 80 min; see notes in info file; seed via David Gans, Jim Powell, Dave Greenberg; shns via Seth Kaplan, Alan Fink, G.S. Hamilton
12/19/73 Curtis Hixon Convention Hall Tampa FL Source Detail flac16; Recording Info:SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
12/19/73 Curtis Hixon Convention Hall Tampa FL Source Detail flac16; Matrix from sources: soundboard: 97361; and Dan McDonald's audience tape (new flat transfer)
12/19/73 Curtis Hixon Convention Hall Tampa FL Source Detail flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
06/30/74 Springfield Civic Center Springfield MA Source Detail flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
07/19/74 Selland Arena Fresno CA Source Detail set 2 partial; MR> DAT> CDR; seed via D. Gans, D. Finney; md5s for shns and wavs given (complete show now in circulation (Upgrade now in circulation.)
07/31/74 Dillon Stadium Hartford CT Source Detail flac16; Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC
08/06/74 Roosevelt Stadium Jersey City NJ Source Detail fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy"
10/17/74 Winterland Arena San Francisco CA Source Detail flac24; Black Maxell UDII reel tape @ 3 3/4 ips.>Akai GX 636>Apogee Mini Me(24/96)>Apogee mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>DVD, DVD-Audio 2496>DVD-A Explorer>Wavelab 6.1>GEMS Edit Station Weiss Saracon for POWr3 Dither 24bit/96 kHz, TradersLilHelper for FLAC 8 SBE Free Tag&Rename for MetaData
02/28/75 Bob Weir's Studio Mill Valley CA Source Detail flac16; SBD MR > R > R > CD * > EAC > WAV > FLAC
08/13/75 Great American Music Hall San Francisco CA Source Detail Pitch corrected version of FM broadcast originally seeded by CousinIt by Matt Vernon
06/03/76 Paramount Theatre Portland OR Source Detail flac24; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller
05/04/77 The Palladium New York NY Source Detail flac16; Recording Info:Set 1: SBD -> Master Cassette -> Cassette -> ART DIO -> Cool Edit 2000 -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: FLAC -> Sampltiude Professional v9.02 -> FLAC Set 2: CD -> EAC -> FLAC. All Transfers and Mastering By Charlie Miller
05/05/77 Veterans Memorial Coliseum New Haven CT Source Detail flac16; Recording Info: SBD -> Master Reel (DBX-1 Encoded) -> PCM (Sony PCM501ES/44.055k); Transfer Info: PCM (Sony PCM501ES/Analog Out) -> Dat (Panasonic SV-3700/48k) -> Db 924 (96k/24bit) D/A -> Dolby 361 Module w/ DBX K9-22 Cards(DBX Decoded) -> Db 1225 (96k/24bit) A/D -> Db 3000s Noise Shaper (SBM) -> Dat (48k) -> Sound Forge -> CD Wave -> SHN; Mastering Info: SHN -> FLAC -> Samplitude Professional v11.2.1 -> FLAC; Original Transfer and Mastering By Rob Eaton and Dan Stephens; Remastered By Charlie Miller
05/07/77 Boston Garden Boston MA Source Detail SBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding by Rob Eaton; CD editing and mastering by The Wizard.
05/07/77 Boston Garden Boston MA Source Detail flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
05/08/77 Barton Hall, Cornell University Ithaca NY Source Detail freshly remastered Betty Board with AUD splices, by Rob Eaton; see info file for extensive notes and credits; etreed by Darrin
05/09/77 Buffalo Memorial Auditorium Buffalo NY Source Detail Sources: Soundboard Source:Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out> Dat @ 48 kHz>Soundforge>Shn: Audience Source:Master Audience Cassette> Sony ecm-33pmics>nak550>reel to reel>cd The audience source supplies patches for the master reel splices at D2T2,TMNS 6:50 - 7:18 and D3T4, NFA 1:43 - 2:10 Seeded via Fungus and abgd by Charlie Connor 3/21/02, with thanks to Joe Samaritano and Scott Clugston
05/09/77 Buffalo Memorial Auditorium Buffalo NY Source Detail flac16; Recording Info: SBD -> Master Reel (DBX-1 Encoded) -> Sony PCM501ES (44.055k); Transfer Info: Sony PCM501ES (Analog Out) -> DBX-1 Decoder> Sony PCM501ES (Analog In) -> Dat (48k/Analog In) -> Sound Forge -> SHN; Mastering Info: SHN -> FLAC -> Samplitude Professional v11.2.1 -> FLAC; Original Mastering By Charlie Connor; Remastered By Charlie Miller
06/09/77 Winterland Arena San Francisco CA Source Detail flac16; Recording Info: Sbd -> Master Reel -> Dat -> Cd; Patch Source: AKG D224 -> Master Reel -> Reel -> DAT -> CD (shnid 26450); Transfer Info - Most Tracks: CD -> EAC -> Samplitude Profesional -> FLAC (shnid 28614); Transfer Info - d2t05: CD -> EAC -> Samplitude Profesional -> FLAC -> WAV -> Peak Dv4 -> WAV -> FLAC; Transfer Info - d3t02 and d3t07: CD -> EAC -> Samplitude Profesional -> FLAC -> WAV -> ProTools LE -> WAV -> FLAC; This is a partial upgrade to shnid 28614 (Charlie Miller's 2005 remaster) with three tracks repaired by Duane Day
10/02/77 Paramount Theatre Portland OR Source Detail flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz X2 > WBOTB Master DAT (DAT-2).
10/07/77 University Arena, University Of New Mexico Albuquerque NM Source Detail partial set 2 (all that circ); SBD-> Master Reels-> DAT-> DAT-> Sonic Solutions-> CD-> CD-> SHN; CD seed via David Gans; via Chuck Kiefe and Chuck Fiske to GDH-T offer; hosted at gdlive.com [Note: A sbe-fixed version also circulates]; upgrade in circulation
10/11/77 Lloyd Noble Center, University Of Oklahoma Norman OK Source Detail flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
11/04/77 Cotterell Gym, Colgate University Hamilton NY Source Detail flac 16; SBD/AUD Matrix of 2 previously circulated seeds (SBD - shn ID #2595 & AUD - shn ID #15208); prepared by Chris Chappell
01/22/78 McArthur Court, University Of Oregon Eugene OR Source Detail flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette -> FLAC; Set 2: (1st 4 songs) (FOB) AKG D224E -> Cassette Master -> FLAC (shnid=101436); Set 2: (Terrapin through Saint Stephen) SBD -> Cassette Master > FLAC; Set 2: (Not Fade Away through U.S. Blues) SBD -> Reel Master > FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
04/16/78 Huntington Civic Center Huntington WV Source Detail flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC by Charlie Miller
04/24/78 Horton Field House, Illinois State University Normal IL Source Detail flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
07/08/78 Red Rocks Amphitheatre Morrison CO Source Detail SBD> [?]> DAT> CDR; via Jeff Hoelter; see pub comments for additional notes. [Note: A shntool-fixed-be-sets version of this source is available]; upgrade in circulation
07/08/78 Red Rocks Amphitheatre Morrison CO Source Detail flac16; Recording Info: SBD -> Master Reel -> PCM -> Roland SRC-2 -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
01/15/79 Springfield Civic Center Springfield MA Source Detail flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; All Mastering By Charlie Miller
08/13/79 McNichols Sports Arena Denver CO Source Detail flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
09/05/79 Madison Square Garden New York NY Source Detail flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16)
10/27/79 Cape Cod Coliseum South Yarmouth MA Source Detail flac16; SBD and Audience Matrix Mix of about a 60% SBD to 40% Audience.
11/02/79 Nassau Veterans Memorial Coliseum Uniondale NY Source Detail SBD> MR> Dick's cassette> DAT> CD; via Alasdair Macdonald
12/01/79 Stanley Theatre Pittsburgh PA Source Detail flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller; this is a re-master of source id 29429
12/11/79 Soldiers & Sailors Memorial Hall Kansas City KS Source Detail flac24; DVD-AUDIO 24/48 SBD+AUD Matrix Mix (60%-SBD/40%-AUD); see info files for sources used
12/28/79 Oakland Auditorium Arena Oakland CA Source Detail flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
05/07/80 Barton Hall, Cornell University Ithaca NY Source Detail SBD> Cassette Master> Reel> Dat> CD> EAC> SHN; Converted By Charlie Miller
05/08/80 Glens Falls Civic Center Glens Falls NY Source Detail Master Soundboard Cassette > Cassette > DAT> CDR (Primary Source) patched with the Jim Wise audience source: Recorded by Jim Wise (via Jeff Hellman), 2 Nak 700s + Nak 300 blend>Sony TC-D5: AUD>MC>DAT>CDR>EAC>mkwACT>SHN; Patched by R.Carman
05/10/80 Hartford Civic Center Hartford CT Source Detail flac16; Set 2 only, Recording Info: SBD -> Cassette Master -> Dat -> Sound Forge -> WAV; Transfer Info: WAV -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC
05/11/80 Cumberland County Civic Center Portland ME Source Detail flac16; SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller. This is a repatch and remaster of shn id 13087
05/12/80 Boston Garden Boston MA Source Detail flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade in circulation
05/12/80 Boston Garden Boston MA Source Detail flac16 Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller; this source has a patch in a cut in d2t09 of the previous Miller source (source ID 91931)
05/30/80 Milwaukee Auditorium Milwaukee WI Source Detail flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
05/31/80 Metropolitan Sports Center Bloomington MN Source Detail flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
08/21/80 Uptown Theater Chicago IL Source Detail flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
08/31/80 Capital Centre Landover MD Source Detail Recording by Jim Wise: Master Audience Cassette > DAT > Hard disk (Sound Forge) > CD; , at the soundboard with Sennheiser 421's; via Popi
08/31/80 Capital Centre Landover MD Source Detail AUD, SBD combo: Set 1: Sennheiser 421> Cassette Master> Dat> Sound Forge> CD> EAC> SHN; Set 2: SBD> Cassette Master> Cassette> Dat> CD> EAC> SHN; Converted To SHN By Charlie Miller
09/06/80 State Fairgrounds Lewiston ME Source Detail Nak Dragon > Sony PCM r-500 DAT > CDR
11/29/80 Alligator Alley Gymnasium, University Of Florida Gainesville FL Source Detail Recording by Jim Wise: FOB - Beyer M-160's> Sony TC-D5> CDR via Alesis Masterlink; Mics were on a 15'? pole at the SBD; Taped by Jim Wise; via Darrin Sacks, Rango Keshavan and Dankstar; note upgrade relative to previous shn set
11/29/80 Alligator Alley Gymnasium, University Of Florida Gainesville FL Source Detail flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise (mics were set up at soundboard); All Transfers and Mastering By Charlie Miller
12/06/80 Mill Valley Recreation Center Mill Valley CA Source Detail Betty Cantor-Jackson's Master Audience Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston
12/13/80 Long Beach Arena Long Beach CA Source Detail set 2; Master Audience Cassette; Sony ECM-280 mics > Sony D5> DAT > CDR; via Scott Clugston, Lee Revell
12/30/80 Oakland Auditorium Arena Oakland CA Source Detail Recording by Steve Rolfe: AUD (nak 300's)>MC>DAT>CD; via Paul B; Seeded to etree by Willy
02/26/81 Uptown Theater Chicago IL Source Detail SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes
02/27/81 Uptown Theater Chicago IL Source Detail SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes; note encore missing
02/28/81 Uptown Theater Chicago IL Source Detail SBD > Cassette Master > DAT(0) (Reel> DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > CDR Master (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes; d1 tracked for 80 min
03/10/81 Madison Square Garden New York NY Source Detail flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller
05/08/81 Nassau Veterans Memorial Coliseum Uniondale NY Source Detail flac16; MATRIX MIX: SBD/2 AUD (About 60%/40%)
05/11/81 Veterans Memorial Coliseum New Haven CT Source Detail FOB Healy authorized master audience cassette > 48k dats > delta dio 2496 > cooledit2000 > wav > shn; circulating via trades?; note d1 tracked for 80 min
05/12/81 Veterans Memorial Coliseum New Haven CT Source Detail SBD> Master Cassette> Cassette > DAT> CDR; via Jeff M.
09/26/81 Community War Memorial Auditorium Buffalo NY
09/26/81 Community War Memorial Auditorium Buffalo NY Source Detail flac16; Sick Bits Vol. 10 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 18110, and AUD - SHN ID# 12554); edited and transfered by Chris Chappell
09/26/81 Community War Memorial Auditorium Buffalo NY Source Detail SBD>Cm>Cass>Dat>CD with aud patches via Charlie Miller
10/16/81 Club Melk Weg Amsterdam Netherlands Source Detail SBD:MCASS> CASS> DAT> CDR, with aud patches: FOB:MCASS> CASS> DAT> CDR; EAC> SHN by Dan Vinson; patched in Playin' and Sugar Mag- see info file for notes
10/16/81 Club Melk Weg Amsterdam Netherlands Source Detail flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
04/18/82 Hartford Civic Center Hartford CT Source Detail flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
08/03/82 Starlight Theater Kansas City MO Source Detail flac16; Sick Bits Vol. 12, SBD/AUD matrix of two previously circulating sources; SBD: shnid=19228, AUD: shnid=5984; edited and mixed by Chris Chappell.
08/10/82 University Of Iowa Fieldhouse Iowa City IA Source Detail flac16; MATRIX MIX: About 50%AUD/50%SBD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 7/25/07 Remastered 06/01/08; remastered version of shn id 86585
08/28/82 Oregon Country Fair Veneta OR Source Detail flac16;Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; This is a re-patch of source ID 106749
09/21/82 Madison Square Garden New York NY Source Detail flac 16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
10/09/82 Frost Amphitheatre Palo Alto CA Source Detail flac16; Recording Info:SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info:Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
10/10/82 Frost Amphitheatre Palo Alto CA Source Detail flac16; MATRIX MIX: SBD/AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 08/13/07 Remastered: 05/30/08 (A re-synchronized version of d2t06 was circulated in April, 2009. No other changes were made to the file set.)
10/10/82 Frost Amphitheatre Palo Alto CA Source Detail flac24; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; This source has the encores fixed
10/10/82 Frost Amphitheatre Palo Alto CA Source Detail flac16; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; This source has the encores fixed
10/10/82 Frost Amphitheatre Palo Alto CA Source Detail flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 > AIFF > Final Cut > AIFF tracking via Audacity > FLAC24 via xACT)
12/30/82 Oakland Auditorium Oakland CA Source Detail flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
04/13/83 Patrick Gymnasium, U of Vermont Burlington VT Source Detail MSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN; via Jim Wise, Darrin Sacks
04/26/83 The Spectrum Philadelphia PA Source Detail flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
09/11/83 Santa Fe Downs Santa Fe NM Source Detail SBD> Master Cassette> 1 Reel> DAT> DAT> WAV> Soundforge 4.0> CDWAV 1.53> MKW 0.97b> SHN; DAT> WAV via Sony SDT-9000 DDS drive using VDAT 0.6f; see info file for details and flaw notes; QC courtesy dankseeds
10/15/83 Hartford Civic Center Hartford CT Source Detail Soundboard of unknown origin; seeded by Jack to gdlive, with noise reduction- see his pub comment; reportedly has SBEs; track timings reportedly match those of the previous FOB version
10/15/83 Hartford Civic Center Hartford CT Source Detail flac16; 2 Nak 700's pointed to stacks (FOB) > Maxell MX 90 > Sony TC-D5M Taped and transferred by Doug Mow. Conversion and Seeding to bt.etree.org by Alex Ford
10/15/83 Hartford Civic Center Hartford CT Source Detail flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
10/17/83 Olympic Center Lake Placid NY Source Detail flac16; mixed SBD sources, plus AUD patches: Set 1: SBD> Master Cassette> Dat> Sonic Solutions> CD> EAC> FLAC; Set 2: SBD> Master Cassette> Reel> Dat> CD> EAC> Samplitude v7.02 Professional> FLAC; Patch Info: (FOB/12th Row) Sennheiser 421> Master Cassette (Sony D5)> Dat> CD; Edited By Charlie Miller
10/21/83 The Centrum Worcester MA Source Detail flac16; Matrix by Hunter Seamons using Final Cut Pro & Soundtrack Pro (SHN>AIFF>Final Cut & Soundtrack>WAV>FLAC)
10/21/83 The Centrum Worcester MA Source Detail SBD>>PCM>>Dat>>CDR>>SHN>>DAW(Bertha)>>CDA/SHN There is another Bertha Remaster of 10/21/83. That version was done with the source that had a cassette gen in the lineage. This version has no cassette gen.
03/31/84 Marin County Veterans Auditorium San Rafael CA Source Detail Source: SBD > MC > DAT > CDR > EAC > Cool Edit Pro 2.0* > CDWave > mkwACT EAC'd/Pitch Corrected/SHN'd by Doug Nawrocki Source kindly provided by Vojo; upgrade in circulation
04/20/84 Philadelphia Civic Center Philadelphia PA Source Detail flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (SV3800/48k) -> WAV; Transfer Info: WAV -> Samplitude v7.02 Professional -> Cool Edit Pro v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
04/26/84 Providence Civic Center Providence RI Source Detail MATRIX MIX: SBD/2 AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN); fixed upgrade of this source now circulates here
04/26/84 Providence Civic Center Providence RI Source Detail flac16; MATRIX MIX: SBD/2 AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>Soundtrack>WAV>SHN) May 10, 2008 Remastered June 14, 2008. Cleaned up version of the previous Seamons matrix source
06/30/84 Indianapolis Sports and Music Center Indianapolis IN Source Detail set 2, plus set 1 partial; SBD> MC> DAT> CDR; from Merry Pranksters Tree round 5, SHN branch; possibly via David Finney to etree?
06/30/84 Indianapolis Sports and Music Center Indianapolis IN Source Detail flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
07/13/84 Greek Theatre, U. Of California Berkeley CA Source Detail flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
07/15/84 Greek Theatre, U. Of California Berkeley CA Source Detail flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) September 15, 2013
07/22/84 Ventura County Fairgrounds Ventura CA Source Detail SBD> PCM> Dat> CD> EAC> SHN (mkwACT); via Keith Bode; upgrade in circulation
10/20/84 Carrier Dome, Syracuse U Syracuse NY Source Detail flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a re-master of source ID 15673
03/28/85 Nassau Veterans Memorial Coliseum Uniondale NY Source Detail flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
03/28/85 Nassau Veterans Memorial Coliseum Uniondale NY Source Detail flac16; Set 1 only, Matrix by Hunter Seamons using Soundtrack/Final Cut Pro (SHN & FLAC>AIFF>Soundtrack>Final Cut>WAV>FLAC)
06/22/85 Alpine Valley Music Theatre East Troy WI Source Detail flac16; Recording Info: SBD -> Cassette Master -> PCM -> Dat (44.1k); Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
06/24/85 River Bend Music Center Cincinnati OH Source Detail flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
06/30/85 Merriweather Post Pavilion Columbia MD Source Detail SBDmc> DAT> CD; via Nick Georges; reported lots of hiss, and inferior "digital manipulation"; additional notes in public comments Note- This show also circ's with 'corrected' track names via ccryder@westerncom.net
06/30/85 Merriweather Post Pavilion Columbia MD Source Detail set 2; Daud -- Oade recording: Schoeps CMC441 (@ 90 degrees) > Oade M118 > Oade Modified PCM-F1 > DATs > CDRs > EAC > SHN (Seekable); via Darrin Sacks
06/30/85 Merriweather Post Pavilion Columbia MD Source Detail flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
06/30/85 Merriweather Post Pavilion Columbia MD Source Detail flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller
07/01/85 Merriweather Post Pavilion Columbia MD Source Detail flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
09/03/85 Starlight Theater Kansas City MO Source Detail flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
09/07/85 Red Rocks Amphitheatre Morrison CO Source Detail flac16; MATRIX MIX: About 60%SBD/40%AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) June 4, 2008; This source was a fix of the original Seamons matrix. A fixed upgrade is now in circulation
11/01/85 Richmond Coliseum Richmond VA Source Detail Sources: Primary Source:Oade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k) DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable: Secondary Source:Charlie Connor's Cassette Master: FOB>Beyer M88's>Sony TCM D5>Wav:The Secondary Source Supplies patch on d1t02 3:28-3:34: Seeded to etree by Darrin Sacks with thanks to JJ; also to abgd via Charlie Connor; 3/01 update: this date is now released as Dick's Picks 21- go buy that
11/02/85 Richmond Coliseum Richmond VA Source Detail flac16; Matrix from 3 sources: SBD> ?> DAT> CD> EAC> WAV> SHN; AUD - Connor (FOB) Mics: Beyer Dynamic M88's; AUD - Oade (Tapers? Section) Mics: Schoeps (2 x CMC441, 1 x CMC42)> Sony PCM-F1; Matrixed by Chris Chappell
11/21/85 Henry J. Kaiser Convention Center Oakland CA Source Detail flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
04/19/86 Berkeley Community Theater Berkeley CA Source Detail SBD> MC> DAT> CDR> WAV> SHN; DAE (EAC)> d/o repair (sound forge 5)> tracking (cdwav> boundary check (shntool)> SHN (mkwact)> FTP via neo_levo
06/??/87 Club Front San Rafael CA Source Detail Rehearsal material from soundboard cassette masters > DAT > CD-R > ? > SHN
07/04/87 Sullivan Stadium Foxboro MA Source Detail Soundboard > ? > SHN
07/10/87 John F Kennedy Stadium Philadelphia PA Source Detail Soundboard > ? > SHN (One track patched from an unknown audience source.) (An alternate file set from this show also circulates possibly representing an EAC version.)
07/12/87 Giants Stadium East Rutherford NJ Source Detail Soundboard > ? > SHN (except AUD PCM>DAT 1st 3 tracks)
07/19/87 Autzen Stadium, University Of Oregon Eugene OR Source Detail Soundboard > ? > SHN
07/24/87 Oakland-Alameda County Stadium Oakland CA Source Detail Soundboard > ? > SHN
07/26/87 Anaheim Stadium Anaheim CA Source Detail Soundboard > ? > SHN (except unknown audience source for the last 3 tracks)
09/18/87 Madison Square Garden New York NY Source Detail sbd PCM > Dat x3 > wav > shn; With alternate SBD patches; See info file for details; Seeded to etree by drgseeds via Bob H
09/18/87 Madison Square Garden New York NY Source Detail MattMan remaster of shnid=10536; SBD PCM> DATx3> WAV> SHN, with alterrnate-source SBD patches (see notes)
09/18/87 Madison Square Garden New York NY Source Detail flac16; Matrix from Source 1: SBD (shnid=20025; patched with shnid=21241) Lineage: Vault PCM Master->DAT Transfer: AT->ZA2->Soundforge->.wav->mkw->SHN, Source 2: AUD (shnid=105797) Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Taper's section by Jon Pasternak CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors and Source 3: AUD (shnid=112782) OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged
09/24/87 The Spectrum Philadelphia PA Source Detail flac16; Recording Info:Set 1: SBD -> PCM -> Dat -> CD; Set 2: SBD -> PCM -> Dat (44.1k); Transfer Info:Set 1: CD -> Samplitude Professional v10.02 -> FLAC; Set 2: Dat -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller. (Fixed version now in circulation.)
03/27/88 Hampton Coliseum Hampton VA Source Detail SBD (Matrix)> DAT> CD> EAC> [retracking of d1 w/ SF, no other alteration]> SHN; known flaws: end of Let it Grow is missing - the last minute, but the jam does not get cut; via Adam Jerugim; listener reports additional skip or splice in Scarlet Begonias d2t3; note patched version now in circulation
07/02/88 Oxford Plains Speedway Oxford ME Source Detail flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
07/29/88 Laguna Seca Recreation Area Monterey CA Source Detail flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
05/06/89 Frost Amphitheatre Palo Alto CA Source Detail DSBD, with some editing (see notes in info file); via Jay Serafin to gdlive
07/18/89 Alpine Valley Music Theatre East Troy WI Source Detail DSBD> DAT> CD; via Nick Georges; reported diginoise at the beginning of Touch and in a few other places, like just before Jack-A-Roe starts, and in Sugar Mag :22-:28; weirdness note: info file gives 7-5-7 tracking, md5s shown here have 9-5-7 tracking; further, listener B. de Vos reports d1t5 FOTD is not on info file, and neither is d1t9 TMNS- the latter was not even played at the show (must be filler)
08/19/89 The Greek Theatre - University Of California Berkeley CA Source Detail SBD Cassette Master > DAT > .WAV > .SHN; d2 tracked for 80 min; via Jon Miller to tree; see info file for flaw notes
10/09/89 Hampton Coliseum Hampton VA Source Detail SBD + AUD Matrix Mix (60%-SBD/40%-AUD); SBD: PCM (analog out) > DAT x 4 > CDR; AUD FOB: Schoeps CMC641 > DAT; Mixed by dan@am-dig.com; related 5.1 mix also circulates
10/16/89 Meadowlands Arena East Rutherford NJ Source Detail source update: DSBD> DAT> WAV> CD-R; via Dave Barrick; 5/00- there may be another version around, possibly reextraction of this- at least 1 track matches the md5 shown here, another track doesn't; listener Jeff Davis reports errors: "some dropouts during the beginning of D1T1, and a dropout around 3:40 of "Space" on Disc 3"; see pub comments for tracking; Update: whole show now released as Nightfall of Diamonds- go buy it
10/20/89 The Spectrum Philadelphia PA Source Detail flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
10/22/89 Charlotte Coliseum Charlotte NC Source Detail flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
10/26/89 Miami Arena Miami FL Source Detail SBD -> Dat -> Sonic Solutions -> CD -> EAC -> SHN Set 2 only. Converted By Charlie Miller
10/26/89 Miami Arena Miami FL Source Detail flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
03/15/90 Capital Centre Landover MD Source Detail Nak 300's > Sony D-5 (w/dolby B)> Maxell MX cass, Taper's section recorded by Boyd McHugh; Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks, Transfer by Dave Hanscom; CDWav> EAC> shn by Bzl
03/15/90 Capital Centre Landover MD Source Detail flac16; Recording Info:SBD -> Cassette Master (TDK SA90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
03/22/90 Copps Coliseum Hamilton ON Source Detail SBD (Matrix)> DAT> CD> EAC> [retracking of d2 w/ SF, no other alteration]> SHN; via Adam Jerugim; known flaws: 1 sec d/o d2t7 @0:17
03/22/90 Copps Coliseum Hamilton ON Source Detail Bertha Remaster of the Master Cassette source; SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN
03/22/90 Copps Coliseum Hamilton ON Source Detail Schoeps CMC54 (ORTF, 19th row) > Aerco PS > DAT @ 48kHz; via Dankseeds
03/22/90 Copps Coliseum Hamilton ON Source Detail flac16; Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
03/24/90 Knickerbocker Arena Albany NY Source Detail SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
03/24/90 Knickerbocker Arena Albany NY Source Detail flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
03/28/90 Nassau Coliseum Uniondale NY Source Detail 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky
03/28/90 Nassau Coliseum Uniondale NY Source Detail flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller
03/29/90 Nassau Coliseum Uniondale NY Source Detail Fix of shnid 26341 - SBD> DAT> CD> EAC> SHN> WAV> FLAC patched with shnid 1317 (FOB>DAT>?>CD). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
06/15/90 Shoreline Amphitheatre Mountain View CA Source Detail flac16; Fix of shn id 8570 - SBD > DAT > CDR > WAV > SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
07/10/90 Carter-Finley Stadium Raleigh NC Source Detail flac16; Recording Info:SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
07/16/90 Rich Stadium Orchard Park NY Source Detail flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
07/18/90 Deer Creek Music Center Noblesville IN Source Detail flac16; Recording Info:Set 1: SBD -> Cassette Master -> ART DIO (24bit/96k) -> Sound Forge 7 -> CD; Set 2: SBD -> Dat Master (48k); Transfer Info:Set 1: CD -> Samplitude Professional v10.1 -> FLAC; Set 2: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
07/19/90 Deer Creek Music Center Noblesville IN Source Detail DSBRD> DAT> CD-R> EAC> SHN; via Garcia420 to abgd
09/07/90 Richfield Coliseum Richfield OH Source Detail flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
09/18/90 Madison Square Garden New York NY
09/19/90 Madison Square Garden New York NY Source Detail flac16; Recording Info: Set 1: SBD -> Cassette Master -> Sonic Solutions -> CD Set 2: SBD -> Dat Master -> Sonic Solutions -> CD Transfer Info: CD -> Samplitude Professional v9.1.1 -> FLAC Original Transfer and Mastering By David Gans Additional Editing and Tracking By Charlie Miller
03/21/91 Capital Centre Landover MD Source Detail flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
03/27/91 Nassau Veterans Memorial Coliseum Uniondale NY Source Detail flac24; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; the original files had errors on d1t05 and d1t10.
04/01/91 Greensboro Coliseum Greensboro NC Source Detail set 2 plus partial set 1; SBD > D > A > D > SSSB; via Jay Serafin to gdlive
06/22/91 Soldier Field Chicago IL Source Detail flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
06/25/91 Sandstone Ampitheatre Bonner Springs KS Source Detail SBD> Vault Dat> Dat> Dat (44.1k); Transfer: Dat (Tascam DA20)> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> Cool Edit Pro v2.0> SHN; All Transfers and Editing By Charlie Miller; note upgrade compared to prev sources in circ (NOT from liberated bootleg)
09/10/91 Madison Square Garden New York NY Source Detail complete; DSBD> DATs> CDRs> EAC> SHN; via Darrin Sacks
09/20/91 Boston Garden Boston MA Source Detail SBD > DAT > CDR > WAV > SHN - Seamless fix of shn id 5700
10/31/91 Oakland-Alameda County Coliseum Oakland CA Source Detail sbd> ?> shn; via Tony Gardner
06/28/92 Deer Creek Music Center Noblesville IN Source Detail flac16; matrix of DSBD: shnid=32550 and DAUD: shnid=90152 by hansokolow using ProTools
12/06/92 Compton Terrace Amphitheatre Tempe AZ Source Detail flac16; matrix of DSBD: shnid=94107 and DAUD: shnid=33956 by hansokolow using ProTools
03/10/93 Rosemont Horizon Rosemont IL Source Detail Sbd > DAT master > analog > DAT > CDR > EAC > SHN; via Doug Nawrocki, Chris Ladner; "no known flaws" reported by seeder
05/26/93 Cal Expo Sacramento CA Source Detail M:C> D> CD> EAC> SHN; via Nick Georges; CD insert available at www.nickspicks.com
05/26/93 Cal Expo Sacramento CA Source Detail flac16; SBD> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller
05/27/93 Cal Expo Sacramento CA Source Detail flac16; SBD> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller
08/21/93 Autzen Stadium, University of Oregon Eugene OR Source Detail SBD > Pre-FM RTR > ? > ILLEGAL BOOTLEG CD > D > SSSB; Seeded to etree by Jay Serafin
10/01/94 Boston Garden Boston MA Source Detail flac16; Matrix by Hunter Seamons using Soundtrack/Final Cut Pro(SHN>AIFF>Soundtrack>Final Cut>WAV>FLAC)
10/14/94 Madison Square Garden New York NY Source Detail sbd> dat> c> dat> cdr; EAC> SHN by Tony Gardner, from Paul B. seed discs; Intermittent digistatic, 5:00- 7:00 of Scarlet
10/14/94 Madison Square Garden New York NY Source Detail flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC
03/23/95 Charlotte Coliseum Charlotte NC Source Detail SBD> D> cass> D> CD-R> EAC> SHN; mastering by Jay Serafin; to etree via Brian Walker; see info file for listening notes; note the "if any editing" clause in info file is part of Jay's boilerplate for seeds

Jerry Garcia Band --- Approximate Hours: 2.5
Show Date Place City State Source Link Source Notes
08/30/87 Greek Theatre Berkeley CA Source Detail flac2496: Master Soundboard Cassette (MA-R 90); Tascam mkII > Korg MR1000 at 1bit/5.6mHZ > Korg Audio Gate Software > 32 bit float/96kHz > GEMS Edit Station > Weiss-Saracon for Pow-r3 Dither to 24 bit 96 kHz.
11/05/93 Buffalo Memorial Auditorium Buffalo NY Source Detail Jerry Garcia Band: Source: FOB; 16th row center > AKG 460b ck63 > Custom Preamp > Teac Dap-20 @ 48kHz; Transfer: Clone of Master Dat > Sony DTC-690 > Audioquest Optilink 1 > SEK'D Prodif Plus > Samplitude v5.5 > Soundforge xp 4.5 (resample @ 4/4 with anti alias filter) > Cdwav 1.6 > Mkw act 0.97b1 > shn v3; via Chris "sparki" Ace and dankseeds.

John Coltrane --- Approximate Hours: 1.25
Show Date Place City State Source Link Source Notes
07/27/65 Juan-Les-Pins Jazz Festival Antibes France

John Coltrane Quartet --- Approximate Hours: 1.25
Show Date Place City State Source Link Source Notes
11/28/62 Stefaniensaal Graz Austria

Legion of Mary --- Approximate Hours: 2.5
Show Date Place City State Source Link Source Notes
02/14/75 The Generosity San Francisco CA Source Detail Rob Castelli's MAC > 1/4" Sony TC-377 7" reel > Teac X-300R playback > HHB Burn-It master CD-RW > Easy CD-DA Extractor > Dell Inspiron 4100 laptop > possible volume adjustment (Cool Edit 2000) > tracking (CD Wave) > CDR using EZ-CD Creator > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).

Mark Knopfler --- Approximate Hours: 2.5
Show Date Place City State Source Link Source Notes
04/15/05 Heineken Music Hall Amsterdam The Netherlands

Medeski Martin & Wood --- Approximate Hours: 6.25
Show Date Place City State Source Link Source Notes
10/14/95 Emo's Austin TX Source Detail shn; Source: SBD > DAT > CDR > extraction via Plextor PX-32TS reader using EAC V0.85 beta> CEP normalization> CDWAV> SHN; removed to clicks with CEP; SHN transfer by Miner Gleason; around a long time prior as non-shn treed CD
12/16/00 Morristown Community Theatre Morristown NJ Source Detail shn; AMS ST-250 Soundfield > Lunatec V2 > Mod Sony D10 ProII; DAT > CD: Sony PCM-R500 > HHb 850; taped and transferred by Ron Keyser; EAC > SHN by Louie Rendek

moe. --- Approximate Hours: 7.5
Show Date Place City State Source Link Source Notes
04/02/03 Sokol Hall Omaha NE Source Detail Microtech Gefell M200 -> Apogee Mini-me -> Tascam DA-P1 @ 16/48 (Mics Ortf, FOB, DFC, 8 ft)
05/06/03 Bridge Street Music Hall Syracuse NY Source Detail MicrotechGefell210>Lunatec V3 (44.1 kHz)>PCM-M1

Mr. Bungle --- Approximate Hours: 1.25
Show Date Place City State Source Link Source Notes
01/22/00 The Warfield San Francisco CA

Neil Young --- Approximate Hours: 1.25
Show Date Place City State Source Link Source Notes
02/27/71 Royal Festival Hall London England

Nine Inch Nails --- Approximate Hours: 3.75
Show Date Place City State Source Link Source Notes
05/05/94 State Palace Theatre New Orleans LA
06/07/00 Cow Palace Daly City CA

The Other Ones --- Approximate Hours: 6.25
Show Date Place City State Source Link Source Notes
06/02/98 Club Front San Rafael CA Source Detail Recording Info: SBD -> Dat Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Samplitude Professional v7.02 -> FLAC (2 Discs Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller
12/06/02 Henry J. Kaiser Auditorium Oakland CA Source Detail Source: (2)Sennheiser K3U/ME80 + (1)AKG 460/CK61 > Soundcraftman Spirit Folio Lite mixer > M1 - Transfer: Otari DTR-8s > Tascam CD-RW700 > Plextor PX-W4012A > EAC > CDwave > SHN; Tapers Section - FLR Front Row, DFC; Taped and Seeded by: RIPJJG

Pearl Jam --- Approximate Hours: 5
Show Date Place City State Source Link Source Notes
03/16/92 Kaufman Astoria Studios Queens NY Source Detail Source: dSBD > DAT > dEDIT (level adjustment only) > mkwACT > .shn
04/30/03 Nassau Coliseum Uniondale NY Source Detail SBD + AUD Matrix Mix (60%-SBD/40%-AUD) / SBD Source: Multitrack SBD > Official Bootleg > SHN / AUD Source: SP-CMC-6 (AT853) Hypercard caps > 69hz rolloff > PCM-M1 Location: ORTF behind stage

Phil Lesh & Friends --- Approximate Hours: 26.25
Show Date Place City State Source Link Source Notes
09/24/94 Berkeley Community Theater Berkeley CA Source Detail SBD > DAT(s) > CDR via Michael Zelner encoding Matt Vernon
04/15/99 Warfield Theatre San Francisco CA Source Detail Patched soundboard by Syd Schwartz sydster@ix.netcom.com ("e-jade" version) using FOB/DFC:ortf bar; Schoeps clamped to drinkrail source by taper R. Clay.
04/15/99 Warfield Theatre San Francisco CA Source Detail SBD (24 Track Recording Mix) -> Master Dat (44.1k) via Charlie Miller
04/16/99 Warfield Theater San Francisco CA Source Detail Patched sounboard by Syd Schwartz sydster@ix.netcom.com ("ejade mix") using DAUD from FOB/DFC:ortf bar; Schoeps taped by R. Clay
04/16/99 Warfield Theater San Francisco CA Source Detail SBD (24 Track Recording Mix) -> Master Dat (44.1k) via Charlie Miller
04/17/99 Warfield Theatre San Francisco CA Source Detail Patched soundboard by by Syd Schwartz ("e-jade" source)sydster@ix.netcom.com using the FOB/DFC:ortf bar; Schoeps mk4 (clamped to drinkrail) aud source taped by R. Clay
04/17/99 Warfield Theatre San Francisco CA Source Detail SBD (24 Track Recording Mix) -> Master Dat (44.1k) via Charlie Miller
10/28/00 The Wiltern Theatre Los Angeles CA Source Detail Source: SBD > ? > SHN (www.thephilzone.com>
02/18/01 Maritime Hall San Francisco CA Source Detail Digital Soundboard Recording Downloaded for free at www. phillesh.net. Copyright 2001 - Cygnus Productions, LLC. jsalino@home.com
09/25/03 Warfield Theater San Francisco CA Source Detail Official "Free" Soundboard Release via "Wizard" and phillesh.net

Phish --- Approximate Hours: 895
Show Date Place City State Source Link Source Notes
12/01/84 Nectar's Burlington VT Source Detail SBD > Cass/1 > DAT > CDR > EAC > WAV > Cool Edit (Remastering) > SHN; SHN Conversion by Mike Wren
12/06/86 The Mead Ranch Shelburne VT Source Detail Set 2p and 3 only; Note: This is a compilation of the previous two (1 and 2) circulating incomplete sources of this show; Compiled by Jess Barnes
04/29/87 Nectar's Burlington VT Source Detail SBD > Cass/x > DAT > S/PDIF > HD > SHN; via S. Leonard, B. Mohr; see info file for fixes and notes
08/21/87 Ian McLean's Farm Hebron NY Source Detail purportedly SBD> Cass> DAT, however what circulates is really a high-quality AUD from taper E. Larson, mislabelled as SBD (thanks to M. Pearson, C. Dirksen for correction); transfer: dat> za2 > soundforge> cdwav; silences between songs removed; very full 3 discs; via J. Sellers; etreed via B. Mohr
11/19/87 Hunt's Burlington VT Source Detail SBD > Cass/X; Yamaha KX-R470 > DSP24 > Wavelab > FLAC16; Transferred by Marmar
??/??/87 Trey's Thesis, Goddard College (TMWSIY) Plainfield VT Source Detail from bootleg CD, with beginning of Wilson patched in from cassette; via other1
05/15/88 Vermont Farm Festival Hinesburg VT Source Detail flac16, 44kHz; SBD > Cass(2) > ??? > SHN/FLAC; Source and Transfer by unknown
05/24/88 Nectar's Burlington VT Source Detail SBD > Cass/x > DAT; Tascam DA-20mkII > ZA2 > SF4.5 > CDWav> SHN > SF4.5 pitch shift > SHN; Transfered by Jimmy Sellers; Remastering by Ben Mohr
07/12/88 Sam's Tavern Burlington VT Source Detail Updated original source including new additional tracks; Original: SBD > Cass/0 > Cass/1 (Maxell XLIIS) > DAT; Tascam DA20 mkII > ZA2 > SF 4.5 > CDWav > SHN; Patch source: SBD > Cass/3 > DAT (master); Technics RS-BR465 > Tascam DA-P1; Sony D7 > Zoltrix > SF 4.5 > CDWav > SF 4.5 > shntool > SHN; Original transfer by Jimmy Sellers; Original seed provided by Chris Wallace; Patch A>D Transfer by John Bower; Patching and Patch DAT>SHN Transfer by Ben Mohr
09/24/88 Full Moon at The Zoo, U. Mass. Amherst MA Source Detail SBD > Cass/0 > DAT; DA-20mkII > Delta Dio 2496 > SoundForge 4.5 (48>44.1kHz) > CDWav > SHN; md5's added 11/27/06
05/28/89 Ian McClain's Farm Hebron NY Source Detail SBD > Cass/0 > DAT > CDR > EAC > CDR > "REBA" > SHN v3
10/26/89 Wetlands Preserve New York NY Source Detail SBD > Cass/x > D8 (from Patrick Metsker); CD-R > EAC > SHN by Mike Shumsky
12/07/89 8x10 Club Baltimore MD Source Detail flac16, 44kHz; [Matrix] > Cass(0) > Tascam DA-P1 < DAT(x); DAT(x) > Tascam DA-P1 > Zefiro ZA2 > Soundforge > CDR(x) > EAC > FLAC; Transfer by Julia Mordaunt
12/07/89 8x10 Club Baltimore MD Source Detail flac16, 44kHz; [Matrix] > ??? > DAT(c); DAT(c) > Sony PCM-R500 > Tascam SS-R1 > Wavelab > CDWave > FLAC; DAT(c) provided by Jonas Blank; Transfer by Jeff Mitchell
12/29/89 Brownie's 23 East Cabaret Ardmore PA Source Detail SBD > Cass/0 > DAT > CDR > Verified flawless EAC > WAV > CDWav > SHN v3; SHN Conversion by Jeff Ishaq with thanks to Ben Mohr
02/22/90 Keene State College Keene NH Source Detail SBD > Nak CR-3A (Maxell XLII-S 90min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +~14dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC (24bit/48kHz) > remastering (see info file) > WAV (16bit,44.1kHz) > CDWav > SHNv3; Taped by John Redmond
03/09/90 The Front Burlington VT Source Detail SBD > Cass/x >Sony TC-WE305 > Tascam US-122 > CDWav > FLAC
05/04/90 Colonial Theater Keene NH Source Detail SBD > Nak CR-3A (Maxell XLII-S 90 min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +~11dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC > WaveLab > remastering (see info file) > SHNv3; Taped by John Redmond
06/17/90 Wendell Studios Boston MA Source Detail Complete sessions; SBD; CDR > EAC > FLAC; FLAC Conversion by Bill DiPalma
11/03/90 Boulder Theater Boulder CO Source Detail Separate from Soundboard 16 track Mix > DAT@44.1kHz; Fostex D5 > Monster Optical > Sek'd Prodif Plus > Samplitude v5.5 > CDWav > mkwACT v0.97 > SHN; Please see info file for mixing details
11/16/90 Campus Club Providence RI Source Detail SBD > D5 (Cass/0); Cass/0 > Sony TC-WE805S > Art DI/O @48kHz (Input gain +~10dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c @24bit/48kHz) > FLAC > Wavelab (24>16bit,48>44.1kHz) > SHNv3; Taped by John Redmond
03/16/91 Ten Mile Room Breckenridge CO Source Detail SBD > DAT (x3) > SHN; Sony DTC-670 > Prodif24 (optical) > SoundForge > CDWav > SHN; Seeded by M. Bryan; md5's provided by Mark Goldey on 8/25/03
05/12/91 The Front Burlington VT Source Detail Schoeps CMC4/mk4 (ORTF) > Oade Cap Coupled Supply > Panasonic SV255 > Cass/0; Yamaha KX-R470 > DSP24 > Wavelab > FLAC16; Taped by Dave Schanker; Transferred by Marmar
07/21/91 Arrowhead Ranch Parksville NY Source Detail SBD > Cass/0 > DAT > CD > SHN > WAV (SoundEdit 16) > SHN; Fixed version (removed track break pauses) via Matt Fisken; Updated version (12/02/04) removed cuts and silent blocks
10/19/91 The Catalyst Santa Cruz CA Source Detail SBD > DAT > SHN > WAV > CoolEdit 2000 > CDWav > SHN; Retracking of previous SBD > DAT source by Chad Plemons
11/01/91 Gothic Theater Denver CO
11/16/91 The Bayou Washington DC
11/21/91 Somerville Theater Somerville MA Source Detail SBD > DAT @48kHz; Archive Python DDS > vDAT > FLAC
12/06/91 Middlebury College Middlebury VT Source Detail SBD > DAT > Cass/0 > Sony TC-WE305 > Tascam US-122 > CDWav > CoolEdit Pro > mkwACT > SHN; Transferred by James Dineen
04/05/92 Fox Theater Boulder CO Source Detail SBD > DAT; Tascam DA-20 > DiO 2448 > Cool Edit Pro (48>44.1kHz) > CDWav > mkwACT > SHN
04/17/92 Warfield Theater San Francisco CA Source Detail SBD > Cass/x > DAT > CDR > EAC > SHN > FLAC
04/18/92 Wilbur Field Palo Alto CA Source Detail SBD + AUD Matrix Mix; Mixed by Dan
04/19/92 The Catalyst Santa Cruz CA Source Detail FOB Nak 300 > Panasonic SV-255 @48kHz (20' from stage, DFC); PCM-R300 > Optical Cable > Zoltrix Nightengale > SoundForge 5.0b (48>44.1kHz) > CDWav > mkwACT > SHNv3; Dankseeds
04/21/92 Redwood Acres Fairgrounds Eureka CA Source Detail Nak 100/cp1 > Sony D3 (110deg, XY @SBD); DAT > Protools > CDR; CDR > EAC > mkwACT > SHN; Taped and transferred by Kevin Shapiro; SHN Conversion by Mike O'Dea; md5's added 11/17/03
05/06/92 St. Andrew's Hall Detroit MI Source Detail flac16, 44kHz; (FOB/DFC/xy/30' back) Neumann RSM191AS > Neumann MTX-191A > Panasonic SV-255 > DAT(c); DAT(c) > Fostex D5 > Sek'd Prodif Plus > Samplitude > Soundforge > CDWave > SHN; Source provided by Brian Feller; Transfer by Jim Raras [DANKSEED]
05/06/92 St. Andrew's Hall Detroit MI Source Detail flac16, 44kHz; [Set I only]; SBD > ??? > DAT(x) > Cass(x); Cass(x) > Sony TC-KA3ES > DSP24 > Wavelab > FLAC16; Source provided by Todd Ahrens; Transfer by Marmar
07/25/92 Stowe Performing Arts Center Stowe VT Source Detail shn16, 44kHz; SBD > DAT > SHN; Note: this is the same Source as DB#8852, but the two parts of YEM have been joined and a new MD5 created.
08/13/92 Greek Theater Los Angeles CA Source Detail SBD > Cass/0 > DAT; DAT > SB Live 2 > SF 6.0 > SHN; Transferred by Greg Prenatt
08/14/92 Greek Theater Los Angeles CA Source Detail SBD > Cass/0 > DAT; DAT > SB Live 2 > SF 6.0 > SHN; Transferred by Greg Prenatt
08/15/92 Greek Theater Los Angeles CA Source Detail SBD > DAT > CDR > SHN; SHN Conversion by Greg Prenatt
11/19/92 Ross Arena, St. Michael's College Colchester VT Source Detail SBD > Cass/1 > DAT; D100 > Zoltrix > WaveLab 4 > CDWav > FLAC; Transferred by Rusty Gray
12/06/92 Vic Theater Chicago IL Source Detail Neumann RSM-191 > Neumann MTX-191 > Panasonic SV-255 (48 kHz); Sony DTC-59ES > Tascam HD-P2 > Audacity (16/48 > 16/44) > CD Wave > FLAC; Transferred by Terry Watts
02/20/93 Roxy Theater Atlanta GA Source Detail flac16, 44kHz; SBD > ??? > CDR(x) > EAC > SHN; CDR(x) provided by Craig Davis, EAC by Eric Stoick
02/20/93 Roxy Theater Atlanta GA Source Detail SBD/AUD matrix; mixed by hansokolow
03/14/93 Paul Wright Gymnasium - Western State College Gunnison CO Source Detail shnf, 44kHz; [Set IIe: only] Unknown SBD > Cass(0) > ??? > DAT(c); DAT(c) > Tascam DA-20mkII > Delta Dio > SoundForge > CDWave > SHN; Source and Transfer by unknown
03/22/93 Crest Theater Sacramento CA Source Detail SBD -> master cass -> DAT; DAT -> SHN, David McDowell: DA-P1 -> Gina -> Cool Edit Pro v1.2 @ 48k -> 44.1k -> WAV -> SHN; Note: d1t01 crowd noise at start of track spliced in from B. Mohr's source
03/31/93 Roseland Theater Portland OR Source Detail TOA K1's Balcony > DTR-80P > CDR > SHN; Transferred by Josh Cohen, Fixed by Carl Johnson; Note: original seed missing Bowie, fix (added Bowie) on 12/12/00; SBE fixed by Mike Danifo on 12/16/03
04/29/93 Le Spectrum Montreal QC Source Detail Soundboard > ? > cass/x; Nakamichi MR-1 (cass/x) > Mytek Digital 8x192 ADDA > RME HDSP AES-32 > Cakewalk Sonar 4.0 (@ 24bit/96kHz, dither/re-sample) > CD Wave > FLAC; Transferred by Alex Herd
05/05/93 Palace Theater Albany NY Source Detail DSBD> DAT> CDR via Montego(optical)> CDWav; Seeded/Uploaded by Mike Batta; previously uncirculated; includes soundcheck (some cuts); see Hersch's alternate tracking suggestions in pub comments; some fixes made to d1 by Jeff Ishaq on 11/8/00 (see info file)
05/08/93 UNH Fieldhouse Durham NH Source Detail Schoeps CMC5/MK4s > SBM-1 > DAT > CDR; CDR > EAC > SHN; transfer by Gareth Peters; minor flaw at the track break between "It's Ice" (d2t7) and "Squirming Coil" (d2t8); to PCP offer
05/29/93 Laguna Seca Raceway Monterey CA Source Detail FOB Neumann KM54 > Teac DAP-20 @44.1 kHz; Sony DTC-A6 > Dio 2448 > CDWav > SF 4.5 > mkwACT > SHN; Transferred by Bill Gardner
07/18/93 IC Light Amphitheater Pittsburgh PA Source Detail Schoeps CMC4 > SX-M2 > SV250; Transfer by Jeremy Timko
08/06/93 Cincinnati Zoo Peacock Pavilion Cincinnati OH Source Detail shnf; 44kHz; [Set 2 only]; SBD > Cass/1 > DAT(c); DAT(c) > Fostex D-5 > VX Pocket 440 > Sound Studio > Spark XL > xACT > SHN; Source by unknown; Transfer by unknown
08/09/93 The Masonic Temple Toronto ON Source Detail shnf, 44kHz; AKG c460b/ck63's > custom pre-amp > Teac DA-P20 > DAT(c); DAT(c) > ??? > SHN; Source by Tom McMinn; Transfer by Derek Java
08/12/93 Meadow Brook Music Theater Rochester Hills MI Source Detail FOB B&K 4011's; DA-20mkII > Montego II+ S/PDIF > Soundforge > CDWav > SHN
08/13/93 Murat Theatre Indianapolis IN Source Detail Nakamichi CM-300's (TS, at back of room, w/ cardioid caps) > Sony D7 @48kHz; Sony DTC-A6 > Dio 2448 > CDWav > Soundforge > CDWav > SHN; Taped by Doug Berkman; Transfer by Bill Gardner
08/13/93 Murat Theatre Indianapolis IN Source Detail set II; SBD -> Cass -> DAT -> CD; reported channel imbalances not on original DAT?; channel swap at end of Gin (not on original)
08/15/93 McCauley Theater Louisville KY Source Detail AKG 460b/ck8 > D7 > DA-20 > Lucid PC124 > DAT > CDR > EAC > WAV > SHN; SHN conversion by John Wilson
08/16/93 American Theater St. Louis MO Source Detail Nak CM300 (omni) > Sony D7 > Cass/1 > Sony CDR-W33 > CDR > EAC > CDWav > Soundforge 4.5 > shntool > SHN;
08/20/93 Red Rocks Ampitheatre Morrison CO Source Detail SBD:(FM)D> CD> EAC> SHN; complete; minor skips d1t1 3:47, 3:50 (possibly from the DAT?); signal drops during YEM d3t1 4:47; slight hiss throughout; opening few sec of 2001 cut (may be on master?); via E. Levy; A. Ogan reports additional digispots in d1t6: 3:00, 3:02-3:04, 3:09
08/28/93 Greek Theatre, Univ. of California Berkeley CA Source Detail flac16, 44kHz; unknown SBD > ??? > Cass(1) > ??? > DAT(c); DAT(c) > ARCHIVE Python > vDAT > Wavelab > FLAC; Source by unknown; DAT(c) provided by Rusty; Transfer by Marmar
12/30/93 Cumberland County Civic Center Portland ME Source Detail SBD/AUD Post-mix Matrix (SBD > DAT > Cass/0 > DAT; FOB Schoeps CMC5/mk4 > Sonosax > AD500 > D10); CDR > EAC (secure) > Cool Edit Pro (mixing)
04/13/94 Beacon Theatre New York NY Source Detail WNEW Studios; FM > DAT > Echo Mia > SF7.0 > CDWav > FLAC
04/29/94 Boatyard Village Clearwater FL Source Detail AKG 460 > Panasonic SV255; Archive Python DDS/dat2wav > WAV > Soundforge (48>44.1kHz) > CDWav > mkwACT > SHN; Transferred by Louie Rendek; Tracking and SHN Conversion by Mike Woellert
06/11/94 Red Rocks Amphitheatre Morrison CO Source Detail shn16, 44kHz; FM > DAT(c); DAT(c) > ??? > CDR > EAC > SHN > CDWav > SHN; Source by unknown; Transfer by Matt Lilli; Edits by Jimbo
06/17/94 Eagles Auditorium Milwaukee WI Source Detail Set 2 only; SBD > Cass/0 > DAT @48kHz; Tascam DA-20mkII > Monster Coax > M-Audio Audiophile 24/96 > Soundforge 5.0b (48>44.1KHz) > CDWav > mkwACT > SHNv3; Transferred by Dan Marquardt
06/18/94 UIC Pavilion Chicago IL Source Detail SBD > Cass/1 > DAT > CDR > EAC > Cool Edit 2000 > SHN; Note: fixed sector boundary issues by Ghost on 9/11/02
06/30/94 Classic Amphitheater Richmond VA
07/02/94 Garden State Arts Center Holmdel NJ Source Detail FOB B+K 4011; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN Transferred by Jason Sobel; DAT's provided by Blane Harvey
07/05/94 The Congress Center Ottawa ON Source Detail AKG 460/ck61 > Custom Preamp > Teac DA-P20 @48kHz (except Rift DSBD); TB Fiji > Cool Edit Pro (48->44.1kHz) > SHN; Transferred by Adam Shiffman;
07/08/94 Great Woods Center for the Performing Arts Mansfield MA Source Detail FOB Schoeps CMC6/mk4; transfer by Dan Panice; seeded to evines and offers; copy is uncut
07/08/94 Great Woods Center for the Performing Arts Mansfield MA Source Detail Set 2 only; SBD/mix > DAT@44.1k (see notes about mix); Fostex D5 > Monster Optical > Sek'd Prodif Plus > Samplitude v5.5 > Soundforge 4.0 (fades only) > CDWav > mkwACT v0.97 > SHN v3; Transfer by Jim Raras; DATs provided by Mark Lynn [Dankseeds]
07/13/94 Big Birch Concert Pavilion Patterson NY
10/26/94 Varsity Gym Boone NC
10/27/94 University Hall Charlottesville VA Source Detail AKG 460 (XY) > Shure PreAmp > DAP-20 > DAT; Transferred by scottz; Uploaded by Dan MacNeill
10/29/94 Memorial Auditorium Spartanburg SC Source Detail shn16, 44kHz; SBD > Cass(m) > DAT(c); DAT(c) > Tascam DA-20mkII > Audiophile 24/96 > Soundforge > CDWave > SHN; Source by unknown; Transfer by Dan Marquardt
11/02/94 Bangor Auditorium Bangor ME Source Detail Schoeps CMC3/mk41 > Oade Deluxe 12v PS > Denon dtr80p@48k; Fostex D5 > Monster Optical > Sek'd Prodif Plus > Samplitude v5.5 > Soundforge 4.0 (48>44.1kHz) > CDWav > mkwACT v0.97 > SHN v3; Mastered by Mikey Perrott; Transferred and uploaded by Jim Raras [Dankseeds]; flac by geewiz 2012-06-12
11/02/94 Bangor Auditorium Bangor ME Source Detail Set 2 only; SBD > Cass/0 > DAT; Tascam DA-20mkII > Monster Coax > M-Audio Audiophile 24/96 > Soundforge 5.0b (48>44.1kHz) > CDWav > mkwACT > SHN; Transferred by Dan Marquardt
11/03/94 Mullins Center Amherst MA Source Detail AKG 460b/ck61 > Custom Pre-amp > Teac DAP-20 @48kHz; R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (48>44.1 kHz) > CDWav > mkwACT v0.97 > SHNv3; Taped by Dave Flaschner; Transferred by Jim Raras; Dankseed; flac by geewiz 2012-06-12
11/04/94 Onondaga War Memorial Auditorium Syracuse NY Source Detail AKG 460B/ck61 > custom pre-amp > Teac DA-P20 (@ 48kHz); Sony PCM-R500 > M-Audio MicroTrack > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel (NOTE: this db entry contains info for both the 44.1 kHz and 48 kHz file sets)
11/12/94 The Mac Center Kent OH
11/13/94 Erie Warner Theatre Erie PA Source Detail Possibly Set 1: FOB Schoeps??, Set 2: DSBD??, Conversion: DA-P1 > Prodif Plus > Sampiltude > CDWav > SHN by Levi Hunt; SBE fix & flac by geewiz 2012-06-12
11/14/94 Devos Hall Grand Rapids MI Source Detail Neumann km140 > Aerco > Casio > D100; Sony R500 > AES/EBU > ZA2 > Plexwriter8x20
11/17/94 Hara Arena Dayton OH Source Detail Schoeps CMC5/mk4 > Aerco > Casio DA-R100@48kHz; R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (48>44.1kHz) > CDWav > SHNv3; Taped by Jason Frankhouser; DATs provided by Franklin Malemud; Transferred by Jim Raras; Dankseed
11/20/94 Dane County Coliseum Madison WI Source Detail Nak CM300; DA-20mkII > Philips CDR 870 > CDR > EAC > CDWav > Soundforge 4.5 > shntool > SHN; Transferred by Brandon Johnston
11/22/94 Jesse Auditorium Columbia MO Source Detail FOB AKG 460(?) > DAT; Tascam DA-20mkII > Monster Coax > M-Audio Audiophile 24/96 > Soundforge 5.0b (48>44.1kHz) > CDWav > mkwACT v0.97 > SHNv3; Transferred by Dan Marquardt
11/23/94 The Fabulous Fox Theatre St. Louis MO Source Detail AKG C1000; Tascam DA-20 mkII > coax > Philips CDR-870 burner > CDR > WAV > EAC > CDWav > Soundforge 4.5 > mkwACT > SHN
11/26/94 The Orpheum Theatre Minneapolis MN Source Detail AKG SE 10 (XY)> Marantz PMD-700 @48kHz (OTS); Sony PCM-R500 > Audio Magic Presto II > Delta Di0 2496 > Samplitude v5.5 > Soundforge 4.5a (48>44.1kHz) > CDWav > mkwACT > SHNv3; Transferred by Matt Edlhuber
11/28/94 Field House Bozeman MT Source Detail Coresound Binurals > DAT; Tascam DA-20 MkII > Monster Coax > M-Audio Audiophile 24/96 > Soundforge 5.0b (48>44.1kHz) > CDWav > mkwACT > SHN; Transferred by Dan Marquardt
11/30/94 Campus Recreation Center Olympia WA Source Detail Set 2; SBD, unknown after that
12/01/94 Salem Armory Salem OR Source Detail Set 2 only; SBD, unknown after that; via DirtyBill
12/07/94 Spreckels Theatre San Diego CA Source Detail shn16, 44kHz; (FOB/DFC/ortf) Schoeps mk4 > kc5 > cmc5's > Sonosax SX-M2 > Apogee AD-500e > Sony TCD-D10 > DAT(m); DAT(m) > Sony PCM-R500 > Sek'd Prodif Plus > Soundforge > CDWave > SHN; Source by Eliot Byron; Transfer by Jim Raras
12/08/94 Spreckels Theatre San Diego CA Source Detail SBD > DAT; DAT > Fostex D5 > optical cable > HOSA ODL-276 > coax cable > Waveterminal 2496 (48>44.1KHz Set I only) > CoolEdit 2000 > CDWav > WAV > mkwACT 0.97b1 > SHN v3; Transfer by Jeff Ishaq; Patches in DSBD by FOB AKG460 (13 Ft. pole, front row, center-left) > 10' XLR > PS > 3' XLRs > Technics SV260A > DAT; Technics SV260A > COAX > Cool Edit WAV > CDWAV > mkwACT v3 > SHN; Taped and transferred by Linda Webster; md5's provided 1/7/02
12/09/94 Mesa Amphitheatre Mesa AZ Source Detail Set I: FOB Schoeps mk4 (ORTF) > KC5 actives > CMC5 > Sonosax SX-M2 > Apogee AD-500e > Sony D10 @48kHz; Set IIpt: Schoeps mk4 (ORTF) > KC5 actives > CMC5 > Sonosax SX-M2 > Apogee AD-500e > Sony D10 @48kHz (OTS); Set IIpt+E: FOB Schoeps mk4 (hat) > KC5 actives > CMC6 > Aerco > Marantz PMD-700 @48kHz; R500 > Canare Coax > Digigram VXPocket/Sony Pixbook > Soundforge 5.0 (48>44.1kHz) > CDWav > mkwACT v0.97 > SHNv3; Taped by Eliot Byron (I, IIpt) and Steve B. (IIpt and Encore); Transferred by Jim Raras; See info file for patching info and editing
12/30/94 Madison Square Garden New York NY Source Detail purported SBD/Aud matrix > cass/0 > DAT (see info file for more details); Seed provided by Mark Oppenlander; SHN conversion by Jason Fritz; Retracking and editing by Mike Wren
05/16/95 Lowell Memorial Auditorium Lowell MA Source Detail B+K 4011 > Neumann BS48i > D3, Taped by Mikey Perrott; Transferred by Tony Segretto
06/14/95 Mud Island Amphitheater Memphis TN
06/16/95 Walnut Creek Amphitheatre Raleigh NC Source Detail AKG 460/ck61; DA-20 mkII > Phillips cdr870 > CDR > SHN; Original seed by Boaz Laor; Note: this is the same source as this seed, but contains SBD patches from the Lemonwheel Archives
06/22/95 Finger Lakes Performing Arts Center Canandaigua NY Source Detail Schoeps CMC5/mk4 > Aerco > Casio DA-R100@48k; Fostex D5 > Monster Optical > Sek'd Prodif Plus > Samplitude v5.5 > Soundforge 4.0 (48>44.1kHz) > CDWav > mkwACT v0.97 > SHN v3; Mastered by Jason Frankhouser; DATs supplied by Franklin Malemud; Transferred and uploaded by Jim Raras
06/25/95 Mann Center for the Performing Arts Philadelphia PA Source Detail SBD > DAT > Cass/1 > Nakamichi CR7 > Lucid AD9624 > AES/EBU > Fostex D5 @48kHz(see comments); Archive Python DDS > dat2wav > WAV > Soundforge (48>44.1kHz) > CDWav > SHN; A>D Transfer by Mark Lynn; Transfer by Louie Rendek; SHN Conversion by Mike Woellert
06/28/95 Jones Beach Amphitheatre Wantagh NY Source Detail B+K 4010 (pointed at stacks) > DAT@48kHz; Tascam DA-20mkII > Apogee SPDIF > Audiophile 2496 > Soundforge 4.5 (48>44.1kHz) > CDWav > mkwACT > SHNv3; Taped by Seth Breidbart; Transferred by Jason Musante; Note: fixed (by Brandon Johnston) md5 provided 04/15/04
07/02/95 Sugarbush Summerstage North Fayston VT Source Detail flac16; AKG se300b/ck91 > Tascam DA-P1; Tascam DA-P1 > Sony D5; Nak DR-1 > Sound Devices 722 (24 bit / 48 kHz) > .WAV > SoX v14.4.1 (speed adjustments, gain, resample to 44.1 kHz, dither to 16 bit) > Samplitude SE v9.1.1 (patches, fades, track splits) > FLAC v1.2.1 (Level 8); Taped by Jared Hooper; Transferred by Lenny Stubbe & Jason Sobel
07/03/95 Sugarbush Summerstage North Fayston VT Source Detail flac16; AKG se300b/ck91 > Tascam DA-P1; Tascam DA-P1 > Sony D5; Nak DR-1 > Sound Devices 722 (24 bit / 48 kHz) > .WAV > SoX v14.4.1 (speed adjustments, gain, resample to 44.1 kHz, dither to 16 bit) > Samplitude SE v9.1.1 (patches, fades, track splits) > FLAC v1.2.1 (Level 8); Taped by Jared Hooper; Transferred by Lenny Stubbe & Jason Sobel
10/08/95 Adams Fieldhouse, University of Montana Missoula MT Source Detail flac16, 48kHz; Tascam PE-125's > DAT(c); DAT(c) > Delta DiO 2496 > Cool Edit 2000 > CDWave > SHN (16/44); SHN > WAV > "fixed header" > WAV > FLAC (16/48); Transfer 1 by funkyoctopus; Transfer 2 by Terry Watts
10/24/95 Dane County Colseum Madison WI Source Detail Neumann KM140 > Beyer MV100 > D7; Note: fixed version of previous seed which had some tracks at 48kHz
11/14/95 University of Central Florida Arena Orlando FL Source Detail Neumann KM-140> Dat 48Hz; Conversion: Tascam DA-20 48Hz> M Audio DiO 2448>Sound Forge> 44.1Hz Wav> Shn; via Shannon
11/21/95 Lawrence Joel Veterans Coliseum Winston-Salem NC Source Detail AKG 460/ck61 > DAT; CDR > EAC > mkwACT > SHN
11/22/95 U.S Air Arena Landover MD Source Detail shnf or flac16; Schoeps mk4 > Schoeps PS > Sony TCD-D7; Sony 59ES > Marantz CDR630 > CDR > EAC (secure) > WAV > Soundforge > mkwACT > SHN; Transferred by Scott Z
11/30/95 Ervin J. Nutter Center Dayton OH Source Detail AKG 393's (OTS) > AKG B18 PS > Sony D7 @48kHz; Sony DTC-A6 > Dio MAudio 2448 > WaveLab 4.0 (48>44.1kHz) > CDWav > mkwACT > SHN; Taped by Chris Mescia; Transferred by Bill Gardner
12/02/95 Veterans' Memorial Coliseum New Haven CT Source Detail Neumann KM184> DAT(48)> Montego II(44.1); transferred by Aaron Westendorf
12/08/95 CSU Convocation Center Cleveland OH Source Detail flac16; AKG se300b/ck91 > Tascam DA-P1; Tascam DA-P1 > Sony D5; Nak DR-1 > Sound Devices 722 (24 bit / 48 kHz) > .WAV > SoX v14.4.1 (speed adjustments, gain, resample to 44.1 kHz, dither to 16 bit) > Samplitude SE v9.1.1 (patches, fades, track splits) > FLAC v1.2.1 (Level 8); Taped by Jared Hooper; Transferred by Lenny Stubbe & Jason Sobel
12/09/95 Knickerbocker Arena Albany NY Source Detail B+K 4011> Neumann p/s> Sony D10 PRO II> DAP1> ZA2; md5s provided 9/15/00 by Alan Legros
12/09/95 Knickerbocker Arena Albany NY Source Detail flac16; AKG 460/CK8X -> Dat (48k); Tascam DA-20 -> Sound Devices 744T -> Samplitude Professional v11.2.1 -> FLAC; Transferred by Charlie Miller
12/12/95 Providence Civic Center Providence RI Source Detail Neumann km184; DA-20 > Delta Dio 2496 > Soundforge 4.5 (48>44.1kHz) > CDWav > SHN; Transferred by Brandon Johnston
12/16/95 Olympic Center Lake Placid NY Source Detail shn; 16/44.1; B&K4011; PCM R500> AES/EBU> ZA2> Cooledit> SHN; via John Tambroni? (or is this the same shn set possibly mentioned as seeded 6/14/00 by Mike Fischer?)
12/17/95 Olympic Center Lake Placid NY Source Detail B&K4011s; PCM R500> AES/EBU> ZA2> Cooledit> SHN; transfer by S. McCloskey; etreed 3/7 via M. Fischer, J. Law; possibly music missing between Maze and Free? [8/3: no, see public comments for true flaw]; 6/14/00- unspecified glitch somewhere may have been fixed by Mike Fischer, not sure if this fix has gotten around
12/29/95 The Centrum Worcester MA
12/29/95 The Centrum Worcester MA Source Detail Schoeps CMC6/mk41 > Lunatec V2 > Tascam DA-P1; Zefiro ZA2 > Sound Forge XP > CDR > EAC > WAV > mkwACT > SHN
12/29/95 The Centrum Worcester MA Source Detail flac16; Schoeps CMC6/MK4V -> Sonosax SX-M2 -> Sony D10 (48k); Tascam DA-20 -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; Taped by Jeff Lazarro; Transferred by Charlie Miller
12/31/95 Madison Square Garden New York NY Source Detail FOB Schoeps mk4 (ORTF) > kc5 > CMC5 > Sonosax SX-M2 > Sony D10 Pro II @48kHz; Patch Source (see info file): Schoeps CMC6/mk41 (103deg/10in) > Oade Deluxe > Tascam DA-P1 @48kHz (OTS); R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (48>44.1kHz) > SHN; Patch Transfer: Sony PCM-2600 > Audioquest Coaxial > Turtle Beach Fiji > Soundforge 4.5 > mkwACT 0.97 > Soundforge 5.0 (48>44.1kHz) > CDWav > mkwACT v0.97 > SHNv3; Taped by Eliot Byron and Craig Hillwig; Patch transferred by Craig Hillwig; Transferred by Jim Raras; Dankseed
07/11/96 Shepherds Bush Empire London England Source Detail SBD > DAT; Tascam DA-20 > Delta DiO 2496 > Sound Forge 6.0 (48>44.1kHz) > CDWav > FLAC; Transferred by Daniel Shay
07/11/96 Shepherds Bush Empire London England Source Detail flac16, 48kHz; SBD > DAT (48 khz); Sony PCM-2600 > Sound Devices 722 (16/48) > Firewire > Macbook > Sound Studio 3.6 (fades, normalize peak, +gain, track) > xACT 2.23 > flac16 (level 8); Transferred by Lenny Stubbe
07/12/96 The Melkweg Amsterdam Netherlands Source Detail AKG 414 > DA-P1; Casio DA-R100 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3
10/22/96 Madison Square Garden New York NY Source Detail B+K 4021 (ORTF) > EAA PSP-2 > DA-P1 (OTS); Tascam DA-P1 > M-Audio 24/96 via Coax SPDIF > Wavelab (48>44.1kHz) > CDWav > SHNv3
11/02/96 Coral Sky Amphitheater West Palm Beach FL Source Detail Pre-FM > DAT > CDR > EAC > SHN
11/02/96 Coral Sky Amphitheater West Palm Beach FL Source Detail Microtech Geffel m300 > DA-P1; Casio DA-R100 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3
02/16/97 Alter Wartesaal Köln Germany Source Detail SBD > DAT > CDR > EAC > mkwACT > SHN
02/20/97 Teatro Smeraldo Milan Italy Source Detail DSBD > CD > EAC > SHN; Posted to alt.binaries.phish on 11/15/00 by Marco Walsh; note diginoise d1t9 6:37- see pub comments
02/26/97 SWF 3 Studios Baden-Baden Germany Source Detail Afternoon radio appearance; FM > Cass/0 > HD > CDR880 > CDR > EAC > SHN; Taped by Guenter Klemm; A>CDR transfer by Hanno; SHN Conversion by Bill Mitchell
06/19/97 Arena Vienna Austria Source Detail Schoeps CMC6/mk4 > DAT @48kHz; Aiwa XD-001 DAT > Z-Cyber Nightingale Pro 6 S/PDIF > Cool Edit Pro @44.1kHz > CDWav > mkwACT > SHN; Transferred by Friedemann Rothfuchs
06/20/97 Divadlo Archa Prague Czech Republic Source Detail flac16; Schoeps cmc6/mk4 > Sonosax SX-M2 > Tascam DA-P1; Sony PCM-R500 > Tascam SS-R1 > Samplitude Pro X (fades, edits) > TLH (flac 8); Transferred by Jeff Mitchell
07/01/97 Paradiso Amsterdam Netherlands Source Detail Neumann TLM170 > Sonosax; Transfer by Stewart McCloskey and upload by Mike Fischer
07/01/97 Paradiso Amsterdam Netherlands Source Detail Schoeps CCM41 > Sonosax SX-M2 > Denon DTR-80P (@ 48kHz); Tascam DA-20mkII > Delta DiO 2496 > Sound Forge 7(+5dB gain, fades, resample) > TLH (FLAC); Transferred by K.C. Cadwallader
07/02/97 Paradiso Amsterdam Netherlands Source Detail Neumann TLM-170> SX-M2> HHb; transfer/shn : M. Vallo: Tascam DA-302> Turtle Beach Fiji (S/PDIF)> Sound forge 4.0> CDwav> shn; etreed via B. Bumgarner
07/02/97 Paradiso Amsterdam Netherlands Source Detail Schoeps CCM41 > Sonosax SX-M2 > Denon DTR-80P (@ 48kHz); Tascam DA-20mkII > Delta DiO 2496 > Sound Forge 7(fades,resample) > TLH (FLAC); Transferred by K.C. Cadwallader
07/06/97 Spiaggia Di Rivoltella Brescia Italy Source Detail AKG407/b > DA-P1; CDR > EAC (verified flawless) > SHN v3 via Jeff Ishaq; Note: this source is not affected by wind noise as some other sources are
07/21/97 Virginia Beach Amphitheatre Virginia Beach VA Source Detail flac16, 48kHz; Schoeps MK4 > Tascam DA-P1; Sony PCM-R500 > Tascam SS-R1 > Samplitude Pro X (fades, edits) > TLH (flac 8); Transferred by Jeff Mitchell
07/22/97 Walnut Creek Amphitheatre Raleigh NC Source Detail Schoeps CMC6/mk41 > Oade Custom Preamp > SBM-1 > DA-P1 @48kHz; DAT > Sony PCM-R500 > RME Digi96/8 PST > Sound Forge 5.0 (48>44.1kHz) > CDWav > mkwACT > SHNv3; Mastered by James Gray with Don Wright's rig; Transfer by David Rothenberger
07/23/97 Lakewood Amphitheater Atlanta GA Source Detail Schoeps CMC6/mk41 > Sonasax > SBM-1 > DA-P1; D-100 > S/PDIF > Montego II > Soundforge > CDWav > SHN; Transferred by Matt Mishkoff; SBE's fixed by Matthew Kiefer on 01/28/04
07/30/97 Ventura County Fairgrounds Ventura CA Source Detail FOB Neumann km140 > Oade > SBM-1 > DA-P1 @48kHz
07/31/97 Shoreline Amphitheatre Mountain View CA Source Detail FOB Schoeps mk5 > Oade Custom Pre-Amp > Sony SBM-1 @44.1kHz; Tascam DA-20mkII > Turtle Beach Montego Home Studio > Soundforge 4.5 > SHN; Transferred by Dan Marquardt
07/31/97 Shoreline Amphitheatre Mountain View CA Source Detail FOB Schoeps mk5 > Oade Custom Preamp > Sony SBM-1 @44.1kHz; Tascam DA-20mkII > M-Audio Audiophile 24/96 > Soundforge 5.0b (48>44.1kHz) > CDWav > mkwACT > SHN; Transferred by Dan Marquardt
08/02/97 The Gorge Amphitheatre George WA Source Detail FOB Schoeps CCM4 > Sonosax > SV-MD1; Tascam DA-20 > ZA2 > CoolEditPro (48>44.1kHz) > SHN
08/02/97 The Gorge Amphitheatre George WA Source Detail Schoeps cmc6/mk41 > Oade p.s. > Sony SBM-1 > Tascam DA-P1 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > r8brain v1.9 (48 to 44.1 kHz) > CD Wave v1.97 (track splits) > Samplitude SE v9.1.1 (fades) > FLAC v1.2.1 (Level 8); Transferred by Jason Sobel
08/06/97 Riverport Amphitheatre Maryland Heights MO Source Detail Schoeps CMCXY/mk4V > EAA > D100; DA-20 > Delta Dio 2496 > Soundforge 4.5 (48>44.1kHz) > CDWav > SHN; Transferred by Brandon Johnston
08/10/97 Deer Creek Music Center Noblesville IN Source Detail Schoeps CMXY/4V > Lunatec 316 > Apogee AD1000 > HHb (Audio Magic Aprentice Cables); Sony R300 DAT > optical SPDIF > Zoltrix Nightingale @ 48kHz > Samplitude 2496 (48->44.1kHz) > CD Wave > Sound Forge (fades) > mkwACT 0.97 (with seeking enabled); Recorded by Marc Nutter; Transfer by Rob Garland
08/11/97 Deer Creek Music Center Noblesville IN Source Detail updated source: FOB Schoeps (had been marked (D?)SBD-> DAT); Conversion: Montego II Plus (S/PDIF)-> Soundforge XP 4.5-> CDwav-> SHN; via J. McLennand
08/15/97 "From the Archives" Broadcast Limestone ME Source Detail Pre-FM DSBD > RME96/8 > CDWav > mkwACT > SHN; Seeded by Mikey K.
08/16/97 Loring Air Force Base Limestone ME Source Detail "From the Archives", Pre-FM DSBD > RME96/8 > CDWav > mkwACT > SHN; Seeded by Mikey K
08/16/97 Loring Air Force Base Limestone ME Source Detail Note: this source is an upgrade to source circulated 11/14/02 (fixed channel balance problems); Set 1: FM > DAT; DAT@48kHz > Montego II+ @44kHz > Soundforge > CDWav > SHN; Set 2+3: FM > DA-P1; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Set 1 transferred by EP; Set 2 and 3 transferred by Jason Sobel; Note: Set 1 taken from previously circulated (3/26/00) source
08/17/97 Loring Air Force Base Limestone ME Source Detail SBD FM > Sony WM-FX50 > Sony D8; Tascam DA-20mkII > SoundForge 4.5 > CDQuadrat 3.6 > CDR > EAC > shntool > mkwACT > SHNv3; Taped and transferred by David Schall; SHN Conversion by Blane Harvey.
11/14/97 E Center West Valley UT Source Detail Neumann KM184
11/16/97 McNichols Sports Arena Denver CO Source Detail Schoeps CMC65 > Reuthelhuber > SBM-1 > Otari DTR-8S > AES/EBU XLR digital cable > Zefiro ZA2 > Red Roaster software > CD > EAC > SHN; via J. Cocci, P. Marshall; OE and PCP source (via Fall '97 Project); SOAMule tracking slightly off; etreed 11/23; A. Gustin notes mic  source details given do not make logical sense
11/19/97 Assembly Hall, University Of Illinois Champaign IL Source Detail Neumann U87 (cardioid)-> Sonosax SX-M2-> DA-P1 @48kHz; DA-P1-> Audio Magic Presto II-> ZA2-> Soundforge 4.5 (48->44.1)-> CDWav-> .shn; transfer/shn by Eric McRoberts; via Chad Plemons
11/21/97 Hampton Coliseum Hampton VA Source Detail Schoeps CMC6/mk41 > Sonosax SX-M2 > Sony SBM-1 @44.1kHz (OTS); Sony PCM-2600 > Turtlebeach Fiji > Soundforge 4.5 > mkwACT > SHN; Taped and transferred by Craig Hillwig [Dankseeds]
11/21/97 Hampton Coliseum Hampton VA Source Detail Microtec Geffel m210 (ORTF) > Oade m248 > SBM-1 > DA-P1 (OTS, DFC); Sony R500 > Edirol UA-1D > USB > Soundforge 6.0 > CDWav > mkwACT > SHN; Taped and transferred by Jason Wilhelm
11/22/97 Hampton Coliseum Hampton VA Source Detail Neumann km184 > DAT; Sony 60ES > Marantz 630 > CDR > EAC (secure) > Soundforge > CDWav > mkwACT > SHN
11/22/97 Hampton Coliseum Hampton VA Source Detail Microtec Geffel m210 (ORTF) > Oade m248 > SBM-1 > DA-P1 (OTS, DFC); Sony R500 > Edirol UA-1D > USB > Soundforge 6.0 > CDWav > mkwACT > SHN; Taped and transferred by Jason Wilhelm
11/22/97 Hampton Coliseum Hampton VA Source Detail Schoeps CMC641 > Sonosax SX-M2 > Sony SBM-1 @44.1kHz Front row/center OTS, by Craig Hillwig [Dankseeds]
11/23/97 Lawrence Joel Veterans Memorial Coliseum Winston-Salem NC Source Detail Schoeps CMC6/mk4 > Sonosax > SV-M1 > ZA2 > Soundforge > CDWav > Teac 55-S > CDR > SHN; Transferred by Mike Ayers; SHN Conversion by Patrick Marshall
11/26/97 Hartford Civic Center Hartford CT Source Detail Microtech Gefell 210 > Aerco > DAP1; Tascam DA-302 > Digipro 002 > Protools LE > CD Wave > MKW ACT > SHN (Transfered by LiverLobes@hotmail.com (John P. Tambroni) and The Mad Hermit)
11/26/97 Hartford Civic Center Hartford CT Source Detail Schoeps CMC6/mk41 > Sonosax SV-MD1 > D8; Tascam DA-P1 > M-Audio 24/96 > Wavelab (48>44.1kHz) > FLAC
11/28/97 Worcester Centrum Worcester MA Source Detail shnf, 44kHz; Schoeps CMC6/mk41 > Sonosax SX-M2 > Technics SV-MD1 > Sony TCD-D8; Casio DA-R100 > M-Audio 24/96 > Wavelab > CDWave > SHN; Transfer by Shakedown
11/29/97 Worcester Centrum Worcester MA Source Detail Schoeps CMC6/mk41 > PSP-2 > SBM-1 @48kHz > DAP-1; Casio DA-R100 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3
11/30/97 Worcester Centrum Worcester MA Source Detail Neumann U89i (hypercardioid) > Sonosax; D8 > Coresound > Prodif Plus > Samplitude 5.5 > CDWav > SHN; Transfer and encoding by Mike Fischer
11/30/97 Worcester Centrum Worcester MA Source Detail Schoeps CMC6/mk41 > Sonosax > SBM-1 > DA-P1; Casio DA-R100 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHN
12/02/97 The Spectrum Philadelphia PA Source Detail Schoeps CMC6/MK41> Sonosax> SBM1> DAP1; Conversion, Chris Jonus: DAP1> ZA2> Soundforge 4.5> CDWave> SHN; via Chris Jonus to PCP offer
12/02/97 The Spectrum Philadelphia PA Source Detail flac16; B+K 4021 -> Apogee AD1000 -> HHb Portadat PDR 1000 (44.1k); Tascam DA-20 -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; Taped by Eric Vandercar; Transferred by Charlie Miller
12/03/97 The Spectrum Philadelphia PA Source Detail Schoeps CMC641 > Apogee AD-1000 @ 44.1 Front row center, OTS by Stan Lobitz [Dankseeds]
12/03/97 The Spectrum Philadelphia PA Source Detail flac16; Schoeps cmc6/mk41 (mid) + Schoeps cmc6/mk8 (side) > Oade Deluxe > Sony SBM-1 > Sony TCD-D8 (@ 44.1 kHz); Sony PCM-2600 > Sound Devices 722 (16/44.1) > .WAV > Samplitude SE v9.1.1 (m/s decoding, fades, track splits) > FLAC v1.2.1 (Level 8); Taped by Craig Hillwig; Transferred by Lenny Stubbe & Jason Sobel
12/05/97 Convocation Center Cleveland OH Source Detail Microtec Geffel m210 > Oade m248 > SBM-1 > DA-P1 (OTS, DFC); Sony R500 > Edirol UA-1D > USB > Soundforge 6.0 > CDWav > mkwACT > SHN; Taped and transferred by Jason Wilhelm
12/05/97 Convocation Center Cleveland OH Source Detail Neumann KM184 > DAT @ 48kHz; Tascam DA-20mkII > Delta DiO 2496 > Wavelab 6(fades) > r8brain > CD Wave > TLH; Transferred by K.C. Cadwallader
12/06/97 The Palace Auburn Hills MI Source Detail Microtech Geffel 210 > OADE M248 > SBM -1 > DA-P1; Panasonic SV-3700 > HHB CDR-800 > CD > HD(via EAC) > Pro Tools 5.0 > WAV > SHN; Transfer by Alsosprach & Mattstick; Note: SBE fixes (and new md5 file) uploaded 10/29/03
12/06/97 The Palace Auburn Hills MI Source Detail Schoeps CMC6/mk41 > Sonosax > HHb; Sony R300 DAT > optical SPDIF > Zoltrix Nightingale @ 48kHz > Samplitude 2496 (resampled to 44.1) > CD Wave > Sound Forge (fades) > mkwACT 0.97 w/ seeking; Transfer by Rob Garland
12/06/97 The Palace Auburn Hills MI Source Detail Neumann km184 > Beyer MV100 > Tascam DA-P1 @ 48khz; Tascam DA-40 > M-Audio 2496 @ 48khz > iZotope SRC 64 bit SRC > Adobe Audition 3.0 > Trader's Little Helper > FLAC; Transferred by ifthir
12/07/97 Ervin J. Nutter Center Dayton OH Source Detail SBD > DAT > CDR > EAC > SHN
12/07/97 Ervin J. Nutter Center Dayton OH Source Detail DFOB Neumann KM140 > Beyer MV100 > SBM-1; DAT (44.1) > Montego II; transfer by A. Westendorf; Flaws: glitch in Steep, edited out; PCP Fall '97 Project source; flaw notes courtesy J. Gilles: Tiny click at 2:37 in Timber Ho, Click at 2:53 in Jesus Left Chicago, Skip at 2:36 & 3:56 in Slave, crack at 7:01 and crack at 10:52 in Possum
12/09/97 Bryce Jordan Center State College PA Source Detail Schoeps CMC6/mk41 > Apogee > DA-P1; Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > Wavelab (48>44.1kHz) > CDWav > SHNv3
12/11/97 War Memorial Rochester NY Source Detail SBD > DAT > Cass/x > DAT > CDR > EAC > SHN; Fixed version by Jure Babnik available 5/6/02
12/11/97 War Memorial Rochester NY Source Detail flac16, 44kHz SBD > Cass/0 > DAT(c); DAT(c) > Tascam DA-20 > Delta Dio 2496 > Soundforge > CDWave > FLAC; Source by unknown; Transfer by Brandon Johnston
12/11/97 War Memorial Rochester NY
12/12/97 Pepsi Arena Albany NY Source Detail Neumann U-89is > Sonosax SX-M2 > SBM-1 > DA-P1 @ 48k; DA-30 mk II->Digi002 rack->Pro Tools LE 6.4 (fades, resampled at Tweak Head-highest setting)>CDwav->FLAC; Transferred by Dave Schall
12/13/97 Pepsi Arena Albany NY Source Detail B&K 4021 > Apogee AD1000; Tascam DA-20mkII > ZA2 > Soundforge XP > SHN
12/13/97 Pepsi Arena Albany NY Source Detail Neumann U89 (hypercard) > Sonosax > SBM1 > DA-P1 @44.1K (Taped by Dan Estrin) Transfer: Tascam DA-302 > Digipro 001 > Protools LE > CD Wave > MKW ACT > SHN (Transfered by LiverLobes@hotmail.com (John P. Tambroni) and The Mad Hermit)
12/28/97 Capital Centre Landover MD Source Detail AKG 460/ck61 > Oade > SBM-1; Tascam DA-302 > Digipro 002 > Protools LE > CDWav > mkwACT > SHN; Transferred by John Tambroni
12/29/97 Madison Square Garden New York NY Source Detail FOB Schoeps CMC6/mk41 > Sonosax SX-M2 > SV-MD1
12/30/97 Madison Square Garden New York NY Source Detail Schoeps CMC641 > Apogee AD1000 > DAT > CDR; via A. Gustin
12/31/97 Madison Square Garden New York NY Source Detail Schoeps CMC641 (90 deg. NOS) > Sonosax SX-M2 > Tascam DA-P1 @ 44.1kHz Front row/center OTS, by Craig Hillwig [Dankseeds]
04/02/98 Nassau Veterans Memorial Coliseum Uniondale NY Source Detail Schoeps CMC641 > Sonosax SX-M2 > Tascam DA-P1 @44.1kHz (front row/center, OTS); Sony PCM-2600 > Audioquest coax > Turtlebeach Fiji > Soundforge 4.5 > mkwAct 0.97b > SHNv3; Taped and transferred by Craig Hillwig [Dankseeds]
04/03/98 Nassau Veterans Memorial Coliseum Uniondale NY Source Detail AKG 461s > D8 > standalone > CD > WAV > SHN; Note: This show was retracked for 2 80 minute discs
04/03/98 Nassau Veterans Memorial Coliseum Uniondale NY Source Detail Schoeps CMC6/mk41 > Sonosax SX-M2 > Tascam DA-P1 @44.1kHz (OTS); Sony PCM-2600 > Audioquest coax > Turtlebeach Fiji > Soundforge 4.5 > mkwACT > SHNv3; Taped by Craig Hillwig; Note: "Danked" md5's provided 4/22/04
04/04/98 Providence Civic Center Providence RI Source Detail Schoeps CMC6/mk41 > VMS02IB > SBM-1 > DAT @44.1kHz (OTS); R500 > S/PDIF > VX Pocket > Soundforge 5.0 > CDWav > mkwACT > SHNv3; Taped by Derek Gregory; Transferred by Jamie Lutch; Dankseed
04/05/98 Providence Civic Center Providence RI Source Detail Schoeps CMC6/mk41 > Sonosax SX-M2 > Tascam DA-P1 @44.1kHz (Front row,center, OTS); Sony PCM-2600 > Audioquest coax > Turtlebeach Fiji > Soundforge 4.5 > mkwACT 0.97b > SHNv3; Taped and transferred by Craig Hillwig; Note: 'beta' md5's are provided as this 'Danked' seed was not officially certified prior to the collapse of Dankseeds
05/07/98 Bearsville Studios Woodstock NY Source Detail SBD > DAT > CDR > EAC > FLAC
06/30/98 The Grey Hall Copenhagen Denmark Source Detail AKG 480 > Oade M248 > SBM-1; DAT(x2) > Fostex D5 > HOSA ODL-276 > Waveterminal 2496 (48>44.1kHz) > CoolEdit 2000 > CDWav > WAV > mkwACT > SHNv3; Transferred by Jeff Ishaq; Fades by Matt Vernon [Dankseeds]
06/30/98 The Grey Hall Copenhagen Denmark Source Detail flac16; Schoeps cmc6/mk4 > Sonosax SX-M2 > DAT; Sony PCM-R500 > Tascam SS-R1 > CF > USB > PC > Wavelab v6.10 > CD Wave v1.98 > TLH (flac level 8); Transferred by Jeff Mitchell
07/01/98 The Grey Hall Copenhagen Denmark Source Detail FOB Schoeps mk4 (mics in a hat) > kcy > VMS IO2b > DA-P1@44.1kHz; DAT > RME 96/8 > Soundforge 5.0 > CDWav > mkwACT > SHN; Transferred by Tim Rossi
07/01/98 The Grey Hall Copenhagen Denmark Source Detail flac16; Neumann U89 -> Sonosax SX-M2 -> Sony SBM-1 -> Tascam DA-P1 (48k); Tascam DA-20 -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; Transferred by Charlie Miller
07/02/98 The Grey Hall Copenhagen Denmark Source Detail FOB Schoeps mk4 (mics in a hat) > kcy > VMS IO2b > DA-P1@44.1kHz; DAT > RME 96/8 > Soundforge 5.0 > CDWav > mkwACT > SHN; Transferred by Tim Rossi
07/05/98 Lucerna Theatre Prague Czech Republic Source Detail Set 2 only; SBD; CDR > EAC > FLAC
07/06/98 Lucerna Theatre Prague Czech Republic Source Detail FOB Schoeps mk4 (mics in a hat) > VMS IO2b > DA-P1@44.1kHz; DAT(x1) > RME 96/8 > Soundforge 5.0 > CDWav > mkwACT > SHN Transfered by Tim Rossi; Tapes supplied by Derek G.; Dankseed
07/08/98 Zeleste Discotheque Barcelona Spain Source Detail FOB Schoeps mk4 (mics in hat) > KCY > VMS IO2b > DA-P1@44.1kHz; DAT(x1) > RME 96/8 > Soundforge 5.0 > CDWav > mkwACT > SHN; Transferred by Tim Ross; Dankseed
07/08/98 Zeleste Discotheque Barcelona Spain Source Detail Soundcheck and Set 1p only; SBD/AUD Matrix > Cass/0 > DAT > CDR > EAC > SHN
07/09/98 Zeleste Discotheque Barcelona Spain Source Detail FOB Schoeps mk4 (mics in a hat) > KCY > VMS IO2b > DA-P1@44.1kHz; DAT > RME 96/8 > Soundforge 5.0 > CDWav > mkwACT > SHN; Transferred by Tim Rossi; Dankseed
07/09/98 Zeleste Discotheque Barcelona Spain Source Detail FOB Schoeps mk4 (mics in a hat) > KCY > VMS IO2b > DA-P1@44.1kHz; DAT > RME 96/8 > Soundforge 5.0 > CDWav > mkwACT > SHN; Transferred by Tim Rossi; Dankseed
07/10/98 Zeleste Discotheque Barcelona Spain Source Detail (FOB) Schoeps mk4 > kcy > vms02ib > Tascam DA-P1 (@ 44.1 kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Derek Gregory; Transferred by Jason Sobel
07/16/98 The Gorge Ampitheatre George WA Source Detail B+K 4021 > Lunatec V2 > Apogee AD1000 @48kHz > DAT > SPDIF > VX Pocket V2 > Soundforge 5.0 (48>44.1kHz) > CDWav > mkwACT > SHNv3; Recording by Marc Nutter; Transfer by Jamie Lutch; Dankseed
07/17/98 The Gorge Ampitheatre George WA Source Detail B+K 4011 > Lunatec V2 > Apogee AD1000 > DA-P1 @48kHz; DAT > Turtle Beach Fiji > AFsp ResampAudio (>97 db cutoff) > WAV @44.1kHz > CDR; Note: this show originally circulated (with all lineage up CDR>EAC>SHN) prior to SHNs being archived (01/08/99)...md5 and txt current listed here are provided by Matt Vernon on 03/16/04
07/19/98 Shoreline Amphitheatre Mountain View CA Source Detail FOB Neumann km140 > E.A.A. > Sony SBM-1 > Sony D-100; Tascam DA-20mkII > Monster Coax > M-Audio Audiophile 24/96 > Soundforge 5.0b (48>44.1kHz) > CDWav > mkwACT v0.97 > SHNv3; Transferred by Dan Marquardt
07/19/98 Shoreline Amphitheatre Mountain View CA Source Detail flac16, 48kHz; (FOB) Neumann KM140 > Custom Pre-amp > Sony SBM-1 > Sony TCD-D100; Sony PCM-R500 > Tascam SS-R1 > Samplitude Pro X (fades, edits) > TLH(flac 8); Transferred by Jeff Mitchell
07/20/98 Ventura County Fairgrounds Ventura CA Source Detail Schoeps mk4 > VMS021b> SBM-1 > DA-P1; Fostex D5 @44.1kHz > VX Pocket 440 > Toshiba Portege 3480ct > SF 6.0 > CDWav > FLAC; Transferred by Greg Lance
07/28/98 Sandstone Amphitheatre Bonner Springs KS Source Detail B+K 4011 > Lunatec V2 > Apogee AD-1000 @48kHz; R500 > Audio Magic Presto II > ZA2 > Soundforge 4.5(48>44.1kHz) > CDWav > SHN; Recorded by Marc Nutter; Patched by Joe Morrison; Transferred by Eric McRoberts
07/29/98 Riverport Amphitheatre Maryland Heights MO Source Detail B+K 4011 > Lunatec V2 > Apogee AD-1000 @48kHz; Sony 59ES > Audio Magic Presto II > ZA2 > Soundforge 4.5 (48>44.1kHz) > CDWav >SHN; Taped by Marc Nutter; Patched by Joe Morrison; Transferred by Eric McRoberts
08/01/98 Alpine Valley Music Theatre East Troy WI Source Detail FOB Schoeps mk41 > kc5 > CMC6 > SX-M2 > AD1000 > DAP1 @48kHz (DFC, ORTF); Sony PCM-R500 > Audio Magic Presto II > Delta Di0 2496 > Soundforge 4.5 (48>44.1kHz) > CDWav > mkwACT > SHNv3; Taped by Mikey; Note: This is an updated source of what previously circulated; Additional Note: "fixed" md5 (fixed SBE by show) by Matt Vernon on 12/29/03
08/03/98 Deer Creek Music Center Noblesville IN Source Detail FOB Schoeps CMC5/mk21> Sonosax SX-M2 > Apogee AD-1000
08/08/98 Merriweather Post Pavilion Columbia MD Source Detail shn16, 44kHz; SBD > ??? > DAT(x); DAT(x) > ??? > CDR(x) > EAC > SHN; Source by unknown; Transfer by unknown
08/08/98 Merriweather Post Pavilion Columbia MD Source Detail SBD + AUD Matrix Mix; (DSBD > DAT > HD > CD > EAC > SHN) + (Schoeps CMC64 > Lunatec V2); Mixed by Dan
08/12/98 Vernon Downs Vernon NY Source Detail FOB Schoeps CMC6/mk41 > Sonosax SX-M2 > Tascam DA-P1 > CDR > EAC > SHN; Taped by Mike L., Ryan, Milton, Mikey K.; Seeded by Tim Rossi
08/15/98 Loring Air Force Base Limestone ME Source Detail Schoeps mk4 > VMS021B > SBM-1 @44.1kHz > DAT > DAT > SPDIF > VX Pocket > Soundforge 5.0 > CDWav > mkwACT > SHNv3; Taped by Derek Gregory; Transferred by Jamie Lutch
08/16/98 Loring Air Force Base Limestone ME Source Detail Schoeps mk21 > VMS021B > SBM-1 @44.1kHz > DAT > DAT > SPDIF > VX Pocket > Soundforge 5.0 > CDWav > mkwACT > SHNv3; Taped by Derek Gregory; Transferred by Jamie Lutch; Dankseed
08/16/98 Loring Air Force Base Limestone ME Source Detail FM-SBD > DAT; DA-30 MKII > EMU Proteus-X @ Bunker 8 Digital Labs (recorded in Cubase SX3, mastered with Wavelab 5.00a, tracked in CD-WAV)
10/20/98 Sony Music Studios New York NY Source Detail SBD > DAT > CDR > EAC > mkwACT > SHN
10/29/98 Greek Theater Los Angeles CA Source Detail (FOB) Neumann TLM170 (cardoids) -> Sonosax SX-M2 -> Tascam DAP1; Sony R500 -> Sound Devices 722 -> Soundforge Pro 10.0b (Volume normalization, 48khz to 44.1khz) -> CD Wave -> FLAC; Taped & Transferred by Scott Bernstein
11/02/98 E Centre West Valley City UT
11/02/98 E Centre West Valley City UT Source Detail Schoeps CMC6/mk41 > Lunatec V2 > DA-P1; Fostex D5 > Zoltrix > Sound Forge 6.0 (48>44.1kHz) > CDWav > FLAC; Transferred by Greg Lance
11/07/98 UIC Pavilion Chicago IL Source Detail Schoeps CMC641 > Sonosax > InBox; "official" pcp and OE source; Note: md5's listed are updated (not original) seekable SHNv3 provided by Matt Vernon 12/23/03
11/09/98 UIC Pavilion Chicago IL Source Detail Schoeps CMC6/mk41 > Sonosax > InBox; SHN Conversion by Glenn Moses; Note: "all_updated" md5 listed is updated (not original) seekable SHNv3 and fixed SBE provided by Matt Vernon 01/06/04
11/11/98 Van Andel Arena Grand Rapids MI Source Detail Nak 300 + cp4 caps > SBM-1 > D100 > CDR > EAC > SHN; same mic source as previously etreed but without the cut
11/11/98 Van Andel Arena Grand Rapids MI Source Detail Neumann skm184 > Mackie 1202vlz > Sony D8 @48kHz; Tascam DA-30 mkII > SPDIF > Digidesign Digi002 Rack > Pro Tools LE 6.4 (48>44.1kHz) > CDWav > FLAC; Taped and transferred by Dave Schall
11/14/98 The Crown Cincinnati OH Source Detail Microtech Gefell m210 > Lunatec V2 > AD1000 > DAP-1 @48kHz; DA-P1 > SB Audigy Platinum > SoundForge XP 5.0 (48>44.1kHz) > CDWav > mkwACT > SHNv3; Taped and Transferred by Brian Conner; Note: SBEs and tracking fixed 3/26/04 by Matt Vernon
11/19/98 Lawrence Joel Veterans Memorial Coliseum Winston-Salem NC Source Detail (FOB) Schoeps mk4v > kc5 > cmc6 > Oade M118 > HHB PDR-1000; Taped by Steve; Transferred by Mikey K.
11/29/98 Worcester Centrum Centre Worcester MA Source Detail Schoeps m222/mk41 > N222 Preamp > HHB; DAT @48kHz > Event Gina S/PDIF > Cool Edit Pro (48>44.1kHz) > CDR; "official" pcp source; Note: md5's maybe not be originals; Note: "all_updated" md5 listed is updated (not original) seekable SHNv3 and fixed SBE provided by Matt Vernon 01/06/04
12/28/98 Madison Square Garden New York NY Source Detail Schoeps CMC641 > Lunatec V2 > Apogee AD1000 > DAT > DAT > SPDIF > VX Pocket > Soundforge 5.0 > CDWav > mkwACT > SHNv3; Taped by Derek Gregory; Transferred by Jamie Lutch [Dankseeds]
12/29/98 Madison Square Garden New York NY Source Detail SBD > Cass/0 > DAT > CDR > EAC > Cool Edit Pro (fixed pitch) > CDWav > SHNv3; SHN Conversion by Mike Wren
12/29/98 Madison Square Garden New York NY Source Detail Schoeps CMC641 > Lunatec V2 > Apogee AD1000 > DAT > DAT > SPDIF > VX Pocket > Soundforge 5.0 > CDWav > mkwACT > SHNv3; Taped by Derek Gregory; Transferred by Jamie Lutch [Dankseeds]
12/30/98 Madison Square Garden New York NY Source Detail Schoeps CMC641 > Lunatec V2 > Apogee AD1000 > DAT > DAT > SPDIF > VX Pocket > Soundforge 5.0 > CDWav > mkwACT > SHNv3; Taped by Derek Gregory; Transferred by Jamie Lutch [Dankseeds]
12/31/98 Madison Square Garden New York NY Source Detail Schoeps M222+MK4 > Elvo NT222 > Hhb; via J. Treworgy; (thanks to C. Plemons and D. Nerroth for the .md5s, 2/25/00)
12/31/98 Madison Square Garden New York NY Source Detail Schoeps CMC641 > Lunatec V2 > Apogee AD1000 > DAT > DAT > SPDIF > VX Pocket > Soundforge 5.0 > CDWav > mkwACT > SHNv3; Taped by Derek Gregory; Transferred by Jamie Lutch [Dankseeds]
07/04/99 Lakewood Amphitheater Atlanta GA Source Detail flac16; Schoeps CMC6/MK41 -> Oade M248 -> Tascam DA-P1 (44.1k); Tascam DA-20 -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; Transferred by Charlie Miller
07/20/99 Molson Amphitheater Toronto ON Source Detail Schoeps mk4v/m222 > nt222 > Lunatec V2 > Apogee AD1000 > D8; Tascam DA-20mkII > Audiowerk2 > Soundforge 4.5 > CDWav > SHN
07/25/99 Deer Creek Music Center Noblesville IN Source Detail Schoeps CMC641> Lunatec v2> Graham Patten adc20> dap1 (Cash's rig); DAT via Chris Wood; DAT> CD by Matt: DAP1> TB Fiji S/PDIF> cdwav; same version seeded to evines, 3/27/00
09/14/99 BSU Pavillion Boise ID Source Detail FOB Schoeps mk4v > kcy > VMS021b > SBM-1 @44.1kHz; Tascam DA-20mkII > RME Digi96/8 PST > CDWav > mkwACT > SHN; Taped by Carrion Crow
10/10/99 Pepsi Arena Albany NY Source Detail B+K (DPA) 4011 > Lunatec V2 > Apogee AD500 > DA-P1; DAT > CDR > EAC > mkwACT > SHN; Taped and transferred by Ron Dalton; SHN Conversion by Levi Hunt
10/10/99 Pepsi Arena Albany NY Source Detail FOB Schoeps mk4 > kc5 > CMC6 > Sonosax SX-M2 > Sony D-100 @48kHz; Sony D8 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel
12/02/99 The Palace Auburn Hills MI Source Detail Neumann KM-184-> Apogee AD1000-> DAP1, taper J. Kemp; Turtle Beach Montego II-> Soundforge 4.5->  -> CDWav -> Mitsumi 4x -> EAC -> SHN, transfer D. Schall, J. Patton; u/l Y. Chasin; a  few minor pops in this source (pop in Gin, click in Bold) from the original DAT (a B&K 4011 source was also QC'ed- without any pops, but it was much more boomy)
12/07/99 Cumberland County Civic Center Portland ME Source Detail flac16, 44kHz; (FOB) Schoeps cmc6 > kc5 > mk4's > Sonosax SX-M2 > Sony TCD-D100 > DAT(m); DAT(m) > Sony TCD-D8 > M-Audio MicroTrack > WaveLab > CDWave > FLAC; Source by Dave Flaschner; Transfer by Jason Sobel
12/08/99 Cumberland County Civic Center Portland ME Source Detail FOB Schoeps mk4 > kc5 > CMC6 > Sonosax SX-M2 > Sony D-100 @48kHz; Sony D8 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel
12/11/99 First Union Spectrum Philadelphia PA Source Detail Neumann U89 (hypercard setting, direct front/center, tapers' section) >Apogee AD-1000 @44.1, D. Estrin; DA20mkII> Audio Magic Presto II> ZA2> Soundforge XP 4.5> CDWAV>.shn, E. McRoberts; 10/1/99 filler
12/12/99 Hartford Civic Center Hartford CT Source Detail flac16, 44kHz; Schoeps mk41 > kc5 > cmc6 > Sonosax SX-M2 > Apogee AD-1000 > Tascam DA-P1 > DAT(m); DAT(m) > Tascam DA-20MKII > Tascam HD-P2 > CD Wave > Samplitude > FLAC; Source by Dave Flaschner; Transfer by Jason Sobel
12/29/99 Big Cypress Seminole Reservation Big Cypress FL Source Detail "From the Archives #4, Part I;" FM/pre-FM > DAT; DAT > CDR > EAC (secure) > SHNv3; DAT>CDR transfer by Kevin Shapiro; SHN Conversion by Jim Raras
12/30/99 Big Cypress Seminole Reservation Big Cypress FL Source Detail FOB Schoeps mk4v > kc5 > CMC6 > Lunatec V2 > Apogee AD1000 @48kHz; DA-P1 > Audio Magic Presto II > Soundforge XP 4.5 (48>44.1kHz) > CDWav > SHN; Transferred by Eric McRoberts; Note: "SBEfixed" ffp provided 03/09/05
12/30/99 Big Cypress Seminole Reservation Big Cypress FL Source Detail Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Sony D100 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > r8brain v1.9 (48 to 44.1 kHz) > Samplitude SE v9.1.1 (fades, tracking, edits) > FLAC v1.2.1 (Level 8); Taped by Eliot Byron; Transferred by Jason Sobel
12/31/99 Big Cypress Seminole Reservation Big Cypress FL
12/31/99 Big Cypress Seminole Reservation Big Cypress FL Source Detail "From the Archives #4, Part II;" FM/pre-FM > DAT; DAT > CDR > EAC (secure) > SHNv3; DAT>CDR transfer by Kevin Shapiro; SHN Conversion by Jim Raras
12/31/99 Big Cypress Seminole Reservation Big Cypress FL Source Detail (FOB) Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Apogee AD-1000 > Sony D100 (@ 44.1 kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, splices) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel
05/15/00 Y100 Sonic Session Philadelphia PA Source Detail pre-FM > DAT > CDR; via Dick Elliott
05/23/00 Roseland Ballroom New York NY Source Detail SBD > CD; CD > EAC > WAV > Cool Edit Pro > mkwACT > SHN; Transfer by Lee Nave
06/13/00 Club Quattro Nagoya Japan Source Detail SBD/AUD (AKG C1000) Matrix; D8 > Soundforge XP > WinCDR6.0 > FLAC
06/15/00 Big Cat Osaka Japan Source Detail [SBD + AKG C1000] Matrix; D8 > Soundforge XP > WinCDR > WAV > FLAC
06/29/00 PNC Bank Arts Center Holmdel NJ Source Detail Neumann U89 (hypercard) > AD 1000 > DA-P1 @44.1K (Transfered by LiverLobes@hotmail.com (John P. Tambroni) and The Mad Hermit)
06/30/00 Meadows Music Theatre Hartford CT Source Detail Neumann ak40s > Neumann lc-3 active cables > Neumann km100s > Audio Magic Presto II XLRs > Apogee AD-1000; Front Row, DFC, Tapers, 45 degree split; DAT > SHN: PCM-R500 > Audiomedia III/Powermac G3/233 > Pro Tools 4.3.2 Panasonic 7502 (burn/extract); taped and mastered by Mike Vernal; listener Steve Hormell reports this sounds error-free
07/04/00 E Centre Camden NJ Source Detail flac16, 44kHz; (split 25') Neumann TLM170r's > Lunatec V2 > Apogee AD-1000 > Tascam DA-P1; Sony PCM-M1 > Sek'd Prodif Plus > Samplitude > CDWave > SHN; Source by John Bigham; Transfer by Don Becker
07/10/00 Deer Creek Music Center Noblesville IN Source Detail SBD/AUD Matrix > DAT @48kHz; CDR > EAC > FLAC
07/11/00 Deer Creek Music Center Noblesville IN Source Detail [In-House FM(ALD) > D7 @48kHz + B+K 4011 > Lunatec V2 > Apogee AD-500e @48kHz] Matrix
09/17/00 Merriweather Post Pavilion Columbia MD
09/17/00 Merriweather Post Pavilion Columbia MD Source Detail shnf; 44kHz; (FOB//DFC/card/hat) Oktava mc012's > Graham-Patten DMIC-20 > Tascam DA-P1 > DAT(m); DAT(m) > Tascam DA-P1 > Echo MIA > Soundforge > CDWave > SHN; Source and Transfer by krunchy
09/18/00 Blossom Music Center Cuyahoga Falls OH Source Detail shnf or flac16; Neumann U87ai > Mackie 1202 > Sony TCD-D8 (Set I) Tascam DA-P1 (Set II); Sony TCD-D8 > Delta DiO 2496 > Soundforge 4.5 > CD Wave > SHN; Taped by Dave Schall, Patch-taped & Transferred by John D'Auria
09/27/00 Fiddler's Green Amphitheatre Englewood CO Source Detail flac16, 44kHz; Schoeps cmc6/mk41v's > Lunatec V2 > Sonic AD2K+ > DAT(c); DAT(c) > Sony PCM-M1 > > Sek'd Prodif Plus > Samplitude > CDWave > FLAC; Source by Marc Nutter; Transfer by Don Becker
10/06/00 Shoreline Amphitheatre Mountain View CA Source Detail AKG 480b's (cardoids) -> Lunatec V2 -> Graham Patten ADC-20 -> DA-P1 -> Phillips 765 CDR -> CD; transfer by Justin Halgren; EAC> SHN by Scott Graham
10/06/00 Shoreline Amphitheatre Mountain View CA Source Detail flac16, 44kHz; Schoeps cmc6/mk4v's > Sonosax SX-M2 > Sony PCM-M1 > DAT(m); DAT(m) > Tascam DA-20MKII > Tascam HD-P2 > r8brain > Samplitude > FLAC; Source by by Eliot Byron; Transfer by Jason Sobel
10/06/00 Shoreline Amphitheatre Mountain View CA Source Detail flac16, 48kHz; AKG c460b/ck61's > Lunatec V2 > Sony SBM-1 > Sony TCD-D8; Sony PCM-R500 > Marantz PMD-661 > CDWave > FLAC; Souce by JK; Transfer by John M.
10/07/00 Shoreline Amphitheatre Mountain View CA Source Detail Schoeps CMC641v (OTS) > Lunatec V2 > Sonic AD2k @ 48k; Transfer: Roach > SPDIF > Audiowerk2 > Waveburner @44.1k > Peak > Jam; Seeded by Andy Gustin
01/02/03 Hampton Coliseum Hampton VA Source Detail Neumann km184 > AETA PSP-3 > Mini-Me > DA-P1; DA-P1 > VX Pocket > Soundforge > CDWav > SHN; Taped and transferred by Jeff Killion
01/02/03 Hampton Coliseum Hampton VA Source Detail Schoeps mk4 > kc5 > CMC6 > Lunatec V3 @44.1kHz/16bit > VX Pocket > WAV > SHNv3; Taped and transferred by Jamie Lutch
01/03/03 Hampton Coliseum Hampton VA Source Detail shn16, 44kHz; (FOB/DFC/ortf) Schoeps cmc6/mk21's > Apogee MiniMe > Sony TCD-D8 > DAT(m); DAT(m) > Tascam DA-20mkII > RME96/8 > CDWave > SoundForge > CDWave > SHN; Source and Transfer Mikey K
01/03/03 Hampton Coliseum Hampton VA Source Detail shn16, 44kHz; Neumann km-184's > Aeta PSP-3 > Apogee Mini-Me > Tascam DA-P1 > DAT(m); DAT(m) > Tascam DA-P1 > VX Pocket > Soundforge > CDWave > SHN; Source and Transfer by Jeff Killion
01/04/03 Hampton Coliseum Hampton VA Source Detail MBHO603 > KA200 (cardioid, DIN @80deg,20cm) > Lunatec V3 > DA-P1 @44.1kHz (DFC, 1st row OTS); Mia Echo > CoolEditPro > WAV > mkwACT > SHN; Taped by Mike Pedersen; Fixed SBE by Scott Zarnegar
02/15/03 Thomas & Mack Center Las Vegas NV Source Detail shnf; Neumann ak40 > lc3ka > km100 > V3 > VX Pocket @ 16bit,44.1kHz > Sony Vaio SR33 > Samplitude > mkwACT > SHN (OTS, DFC); Taped and transferred by John Cocci
02/20/03 Allstate Arena Rosemont IL Source Detail FOB Schoeps mk4v (ORTF) > kc5 > CMC6 > Apogee Mini-Me > Sony TCD-D8 @44.1 kHz; Tascam DA-20mkII > RME DIGI96/8 PST > Samplitude v5.5 > CDWav > mkwACT > SHNv3
02/25/03 First Union Spectrum Philadelphia PA Source Detail Schoeps CMC6/mk41 (DIN) > Lunatec V3 > D100; Tascam DA-20mkII > Harman Kardon CDR 20 > CDR > EAC > WAV > mkwACT > SHN; Taped by Jason Lonchar; Note: this circulates in SHN and FLAC format; Admin Note: It is possible that FLAC was SHN>FLAC, which is a bad idea
02/28/03 Nassau Veterans Memorial Coliseum Uniondale NY Source Detail AKG 480/ck61 (90 deg, XY) > DMIC-20 > D8 @48kHz; D8 > Waveterminal 2496 > SF 4.5 (48>44.1kHz) > CDWav > mkwACT > SHN; Taped by Justin Trinkes
07/08/03 Coors Amphitheatre Chula Vista CA Source Detail flac16, 44kHz; (OTS/90deg) Schoeps cmxy4v's > Sonosax SX-M2 > Apogee AD500e > Sony TCD-D8 > DAT(m); DAT(m) > Sony TCD-D8 > Marantz CDR-615 > CDR(m) > EAC > CDWave > FLAC; Source and Transfer by Bob Wiely
07/09/03 Shoreline Amphitheatre Mountain View CA
07/09/03 Shoreline Amphitheatre Mountain View CA Source Detail Matrix [(Schoeps CMC6/mk41v > V2 > AD2K+ > VX Pocket > Toshiba 3040CT > Vegas Video 3.0 @24bit,48kHz) + (Neumann km140 > V3 > AD2K+ > VX Pocket > Toshiba 3040CT > Vegas Video 3.0 @24bit,48kHz)] > Samplitude 6.0 (mixed)> Soundforge 6.0 (24>16bit,48>44.1kHz) > shntool > mkwACT > SHN; Taped and mixed by Larry Narachi
07/10/03 Shoreline Amphitheatre Mountain View CA Source Detail Oktava MC012 (cardioid, DIN, DFC, OTS) > USBPre 1.5 > Sony Vaio PCG-FXA32 > Sound Forge 5.0 @24bit,48kHz > Sound Forge 5.0 (24>16bit,48>44.1kHz) > CDWav > FLAC > shntool > FLAC; Taped and transferred by Josh Simpson
07/13/03 The Gorge Amphitheatre George WA Source Detail Schoeps mk4 > M222 > NT222 > V3 > Tascam DA-P1 (DFC); Tascam DA-20mkII > Sony Vaio TR2A > Wavelab4.0 (48>44.1) > CDWav > FLAC; Taped and transferred by David Bigham
07/15/03 USANA Amphitheatre West Valley City UT Source Detail Schoeps mk4 (OTS, DFC) > kc5 > CMC6 > PSP3 > MiniMe > Sony Vaio c1vn > Wavelab 4.0 > Apogee UV22HR > CDWav > SHN; Taped by Geoff Lynch
07/25/03 Verizon Wireless Amphitheatre Charlotte NC Source Detail AKG 480/ck61 (OTS, DFC, DIN, 9' high) > PS-2 > USBPre > Vaio PCG-SRX87 > WaveLab 4.0 > CDWav > mkwACT > SHN; Taped by Mark Terry
07/29/03 Post Gazette Pavillion at Star Lake Burgettstown PA Source Detail Schoeps CMC6/mk4 > V2 > AD1000; Sony R500 > Edirol UA-1D > USB > Wavelab 4.0 > CDWav > mkwACT > SHN; Transferred by Jason Wilhelm
07/30/03 Tweeter Center Camden NJ Source Detail FOB Schoeps mk4v (ORTF) > kcy > VMS5u > mod. SBM-1 > M1; DA-P1 > Echo MIA > Soundforge 6.0 > CDWav > mkwACT > SHN
08/02/03 IT Festival Tower Set Ambient Jam Limestone ME Source Detail IT Tower Ambient Jam (2am set); Schoeps mk21 > V2 > AD2K > D8
08/03/03 Loring Air Force Base Limestone ME Source Detail The Bunny broadcasts, 8/2/03-8/3/03; FM > JB3; Taped by Mike Wren
11/28/03 Nassau Veterans Memorial Coliseum Uniondale NY Source Detail Neumann u89i (cardioid, DIN, DFC) > Lunatec V3 > Sonic AD2k+ > RME Multiface > Vaio > WaveLab > WAV @24bit/96kHz (OTS); WaveLab > UV22HR (24>16bit,48>44.1kHz) > WAV > CDWav > FLAC; Taped and transferred by Phil Lucks
12/01/03 Pepsi Arena Albany NY Source Detail Neumann km184 (DIN)> PS-2 > AD-20 @44.1 kHz > PCM-M1 (OTS, DFC); PCM-R300 > DIO 2448 > Cool Edit Pro 2.0 > CDWav > mkwACT > SHN; Taped and transferred by ROb Clarke
12/02/03 FleetCenter Boston MA Source Detail Schoeps mk41 > kc5 > CMC6 > Lunatec V2 > AD2K+ > VX Pocket > Toshiba 3490ct @24bit/48kHz > Vegas 3.0 > Soundforge (24>16bit/48>44.1kHz) > CDWav > FLAC; Taped by Scott Gordon
12/30/03 American Airlines Arena Miami FL Source Detail Schoeps CMC6/mk41v > V2 > MiniMe > Toshiba Protege3440 @16bit/48kHz > Samplitude 7.0 (48>44.1kHz) > FLAC; Taped by John Crouch; Transferred by John Cocci
04/15/04 Thomas & Mack Center Las Vegas NV Source Detail Schoeps mk21 > kc5 > CMC6 > Lunatec V2 > AD2K+ > VX Pocket > Toshiba 3490ct > Vegas 3.0 @24bit/48kHz > Wavelab > CDwav > FLAC; Taped by Scott Gordon (NOTE: both 16 bit & 24 bit versions available)
04/16/04 Thomas & Mack Center Las Vegas NV Source Detail Schoeps mk4 > kc5 > CMC6 > Lunatec V2 > AD2K+ > VX Pocket > Toshiba 3490ct > Vegas 3.0 @24bit/48kHz > Wavelab > CDWav > FLAC; Taped by Scott Gordon (NOTE: both 16 bit & 24 bit versions)
04/17/04 Thomas & Mack Center Las Vegas NV Source Detail FOB Schoeps mk21 > kc5 > CMC6 > V2 > MiniMe > M1 @48kHz; Fostex D5 > Zoltrix > Soundforge 6.0 (48>44.1kHz) > CDWav > FLAC; Taped by Dave Kemp; Patched by Greg Lance
06/17/04 Keyspan Park Brooklyn NY Source Detail FOB Schoeps mk4v > kcy > VMS5u > mod. SBM-1 > JB3 (DFC); JB3 > CDWav > FLAC
06/18/04 KeySpan Park Brooklyn NY Source Detail FOB Schoeps mk8/mk4v (M-S) > kcy > VMS5u > mod. SBM-1 > JB3; JB3 > Wavelab4 > CDWav > FLAC
06/19/04 Saratoga Performing Arts Center Saratoga Springs NY Source Detail ADK TL (hypercardioid) > V2 > mod. SBM-1 > JB3 (DFC, OTS); JB3 > CDWav > FLAC; Taped and transferred by Brian Costigan
06/19/04 Saratoga Performing Arts Center Saratoga Springs NY Source Detail Neumann u89i (hypercardioid) > MiniMe @16bit/48kHz > Sony D7 > Montego II S/PDIF > Steinberg Wavelab 4.0c > CDWav > FLAC; Taped and transferred by Bryan Austin
06/20/04 Saratoga Performing Arts Center Saratoga Springs NY Source Detail Schoeps CMC6/mk5 > Lunatec V2 > MiniMe > Toshiba 3490ct > Wavelab @24bit/44.1kHz)> Wavelab (24>16bit) > FLAC; Taped by John Crouch
06/21/04 Ed Sullivan Theatre Marquee New York NY Source Detail Schoeps mk4 > Sonosax SX-M2/LS > Sony SBM-1 @44.1kHz > Sony D8; Tascam DA-30mkII > Zefiro ZA2 > Adobe Audition > CDWav > mkwACT > SHN; Taped by Jason Reiser
06/21/04 Ed Sullivan Theatre Marquee New York NY Source Detail Neumann SKM-184 > Sound Devices MP-2 > Oade mod. Sony SBM-1 > Nomad Jukebox 3 > Sound Forge v6 > CDWav > FLAC; Taped and transferred by Mike Wren
06/23/04 Verizon Wireless Music Center Noblesville IN Source Detail Schoeps mk41 > kc5 > CMC6 > Lunatec V2 > AD2K+ > VX Pocket > Toshiba 3490ct > Vegas 3.0 @24bit/48kHz > Wavelab > CDWav > FLAC; Taped by Scott Gordon
(NOTE: both 16 bit and 24 bit versions are contained in this entry)
06/24/04 Verizon Wireless Music Center Noblesville IN Source Detail Microtech Geffell m300 > V2 > MiniMe > VX Pocket > Picturebook @24bit/48kHz > WaveLab (24>16bit/48>44.1kHz) > CDWav > FLAC; Taped by Steve Szaks
(NOTE: both 16 bit and 24 bit seeds available)
06/25/04 Alpine Valley Music Theatre East Troy WI Source Detail Schoeps mk41 > kc5 > CMC6 > Lunatec V2 > AD2K+ > VX Pocket > Toshiba 3490ct > Vegas 3.0 @24bit/48kHz > Wavelab > CDWav > FLAC; Taped by Scott Gordon (NOTE: both 16 bit and 24 bit seeds available)
06/26/04 Alpine Valley Music Theatre East Troy WI Source Detail Microtech Geffell m300 > V2 > MiniMe > VX Pocket @24bit/48kHz > Wavelab (24>16bit/48>44.1kHz) > CDWav > FLAC; Taped by Steve Szaks
08/09/04 Hampton Coliseum Hampton VA Source Detail Oktava MK012 (DIN) > mod. DMic-20 @44.1kHz > D8; D8 > UA-3 > Soundforge 6.0 > CDWav > FLAC; Taped by Alex Mitchell
08/10/04 Tweeter Center Mansfield MA Source Detail Schoeps mk4 > kc5 > CMC6 > Sonosax SX-M2 > Apogee AD1000 > JB3 @44.1kHz (OTS) > CDWav > FLAC; Taped and transferred by Andy Murray
08/11/04 Tweeter Center Mansfield MA Source Detail AKG 393 (DINA) > Edirol UA-5 (Oade warm mod.) > JB3 @44.1kHz (OTS); JB3 > CDWav > FLAC; Taped and transferred by Greg Bloch
08/12/04 Tweeter Center at the Waterfront Camden NJ Source Detail Schoeps CMXY4v (XY)> V3 @44.1kHz
08/13/04 Newport State Airport Coventry VT Source Detail Coventry Soundcheck; SBD > FM (Bunny 92.1) > Sony Walkman > D8 @44.1kHz; D8 > JB3 > CDWav > FLAC; Taped and transferred by Greg Bloch
08/13/04 Newport State Airport Coventry VT Source Detail Coventry "From the Archives" #1; FM > DAT; DA-20mkII > Audiowerk2 > Soundforge4.5 > SHN; Transferred by Ian Stone
08/14/04 Newport State Airport Coventry VT Source Detail FOB Neumann km140 (ORTF) > V2 > SBM-1 > D8 (DFC); Sony R300 > HHB 830 > CDR > EAC (secure) > SHN; Taped by Matt Lazor; SHN Conversion by Frank Webster
08/14/04 Newport State Airport Coventry VT Source Detail Coventry "From the Archives" #2; FM > DAT; DA-20mkII > Audiowerk2 > Soundforge4.5 > SHN; Transferred by Ian Stone
08/15/04 Newport State Airport Coventry VT Source Detail FOB Neumann ak40 > lc3 > km100 > Lunatec V3 > VX Pocket @24bit/48kHz > Samplitude 7.0 > FLAC; Taped and transferred by John Cocci
08/15/04 Newport State Airport Coventry VT Source Detail Coventry "From the Archives" #3; FM > DAT; DA-20mkII > Audiowerk2 > Soundforge4.5 > SHN; Transferred by Ian Stone
06/07/09 Susquehanna Bank Center Camden NJ Source Detail (FOB) [Schoeps mk41v > kc5 > m222 > nt222] + [mk5 (omni) > kc5 > cmc6 > lunatec V3 (analog out)] > Sound Devices 744T (24/96); Wavelab 5 (matrix, fades, resample to 44.1 kHz, dither to 16 bit, tracking); Taped & Transferred by SonicSound (NOTE: both 16 bit & 24 bit versions are available)
06/12/09 Great Stage Park Manchester TN Source Detail Pre-FM
06/14/09 Great Stage Park Manchester TN Source Detail Schoeps mk41> KCY> Schoeps VMS02IB> Apogee Mini-Me> SD 722 (@24bit/96kHz); SD 722> Samplitude SE 9.1.1(resample/dither)> CDWave> flac(16/44.1); Taped and Transferred by taylorc
06/14/09 Great Stage Park Manchester TN Source Detail Pre-FM
08/07/09 The Gorge Amphitheatre George WA Source Detail (FOB) Schoeps mk22 > KCY > Schoeps VMS02IB > Apogee Mini-Me > Sound Devices 722 (@24bit/96kHz); SD 722 > Samplitude SE 9.1.1 (resample/dither) > CD Wave > flac(16/44.1); Taped & Transferred by taylorc (NOTE: both 16 bit & 24 bit versions are available)
06/26/10 Merriweather Post Pavilion Columbia MD Source Detail Schoeps mk4v > KC5 > M222 > NT222 > Aeta PSP-3> Sound Devices 722 (@24bit/96kHz); SD 722 > Samplitude SE 9.1.1 (dither/resample) > CD Wave > flac(16/44.1); Taped & Transferred by taylorc (NOTE: both 16 bit & 24 bit versions are available)
08/06/10 Greek Theatre, Univ. of California Berkeley CA Source Detail Schoeps mk22 > KC5 > CMC6xt > EAA PSP-2 + Schoeps mk4v > KC5 > M222 > NT222 > Aeta PSP-3 > Sound Devices 744t (@24bit/48kHz); SD 744t > Samplitude SE 9.1.1 (dither/resample) > CD Wave > flac(16/44.1); Taped & Transferred by taylorc (NOTE: both 16 bit & 24 bit versions are available)
10/22/10 Dunkin' Donuts Center Providence RI Source Detail flac16; Busman Bsc1 (Hypers) > Fostex FR-2LE (Busman T-mod); FR-2LE > Wavelab 6.0 (Resample and Dithering) > CD Wave > TLH > flac (level 8); Taped & Transferred by Jack Riley
12/30/10 Madison Square Garden New York NY Source Detail flac16 & flac24; Schoeps mk41 > KC5 > M222 > NT222 > EAA PSP-2 > Sound Devices 744t (@24bit/96kHz); SD 744t > Samplitude SE 9.1.1 (dither/resample) > CD Wave > flac; Taped & Transferred by taylorc (NOTE: both 16 bit & 24 bit versions are available)

Phish archive radio --- Approximate Hours: 6.25
Show Date Place City State Source Link Source Notes
08/14/98 Loring Air Force Base Limestone ME Source Detail soundcheck; from FM; note some confusion over date, 2/00- correct date is 8/14, not 8/16- HPB is incorrect
08/14/98 Loring Air Force Base Limestone ME

Primus --- Approximate Hours: 1.25
Show Date Place City State Source Link Source Notes
12/31/98 The Warfield San Francisco CA

Radiohead --- Approximate Hours: 16.25
Show Date Place City State Source Link Source Notes
06/06/95 RPM Club Toronto ON Source Detail SBD -> CD-R(1) -> EAC -> CD WAV Editor* -> SHN
07/04/00 Großer Sendesaal Des SFB Berlin Germany Source Detail Source: Satellite (PRE-FM) > DAT >CD-R CD-R > shn done with EAC (all tracks 100%) and mkw audio toolkit. compiled by solomon berger 09-02-01
09/16/00 Goffertpark Nijmegen Netherlands Source Detail Dutch FM broadcast. NOT the complete show. It is however the complete version of the FM broadcast. via Solomon Berger.
08/07/01 Madison Square Garden New York NY Source Detail DAUD/FOB Schoeps mk4(ortf)->kc5 actives->cmc5->Sonosax SX-M2 (+30dB)-> SBM-1->D7@44.1kHz; Tascam DA-20 > Apogee Coax > Digigram VX/Pocket > Soundforge 5.0 (Fade in/outs) > CD Wave > mkwACT v0.97 (shn files have seek tables appended) **No DAE or resampling at all**
08/14/01 Suffolk Downs Boston MA Source Detail Source: DAUD/FOB Schoeps mk4(ORTF) > kc-5 actives > cmc6 > Sonosax SX-M2(+30db) > SBM-1(Oade Mod.) > D7 @44.1kHz Conversion: Master (from D7) > R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (fade in/out)> CD Wave> mkwACT v0.97 (shn files have seek tables appended) **No DAE or resampling at all** Detailed info: Recorded by Eric McRoberts w/ help from Jim Raras and Beau Colburn, on 7' stand at sbd position just right of the board ortf in kangol, mastering deck was a DA-P1, Beau's deck(D7) out of the male 7-pin out on SBM-1. Sonosax @ +30dB, SBM-1 line in @ 2.7, @44.1khz, Audio Magic Apprentice XLR->RCA from Sax->SBM-1. Minor Edits: Fades in/out beg/end of show--5 sec in all cases Tapers: Eric McRoberts, Beau Colburn, Jim Raras Transferred and uploaded by Jim Raras via Dankseeds Please contact me with questions etc. ____________________________________________________________________________ *Dankseed Certification received 2001-10-22*and posted at http://groups.yahoo.com/group/dankseeds/files/rh2001-08-14/ Listening test performed by *5* danksters positive criteria met: Tracking- OK Seamless and complete- OK Lineage listed- OK negative criteria met: DAE- NO Resampled- NO Diginoise- NO __________________________________________________________________________ Disc 1 01. Intro/crowd noise 02. National Anthem (w/ Kid Koala) 03. Airbag 04. Morning Bell 05. Lucky 06. Knives Out 07. Packt Like Sardines in a Crushd Tin Box 08. No Surprises 09. Dollars & Cents 10. Street Spirit (Fade Out) 11. Pearly* 12. Just 13. I Might Be Wrong 14. Pyramid Song 15. Paranoid Android Disc 2: 01. Idioteque 02. Everything In Its Right Place 03. Encore break/crowd noise 04. Like Spinning Plates 05. Talk Show Host 06. You And Whose Army? 07. The Bends 08. Encore 2 break/crowd noise 09. Karma Police 10. The Tourist 11. Crowd Noise/PA music
07/05/03 Auditorium Stravinsky Montreux Switzerland Source Detail Source: Radio num?rique sur canalsatellite branch?e sur le PC, Couleur 3 Transfert PC: analogique avec Sound Forge 6.0d Retouche: Augmentation du volume general, suppression des jingles et des commentaires, remix des enchainements avec Sound Forge 6.0d. [From the bt message board: http://bt.etree.org/details.php?id=7750 "my french is not great but basically it means: Digital Radio on Canal (ie. Canal+) satellite > analogue out > PC > Sound Forge 6.0d Editing: General increasing of the volume, radio 'jingles' and commentaries cut out, sequences remixed (ie. stuck together after the jingles and commentary were cut out) in Sound Forge 6.0d"]
10/06/03 Hi-Fi Buys Amphitheatre Atlanta GA Source Detail Source: FM Tuner> Ego-Sys U2A> Cool Edit Pro> shntool> CDWave> mkwACT

Reconstruction --- Approximate Hours: 0
Show Date Place City State Source Link Source Notes
07/07/79 Keystone Palo Alto Palo Alto CA Source Detail flaw fix of shnid106543. SBD -> Cassette Master (Sony D5/Maxell UDXLI90) Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16.

Robert Hunter --- Approximate Hours: 1.25
Show Date Place City State Source Link Source Notes
11/23/84 Chrysler Hall Norfolk VA Source Detail Source: Nak300 Shotguns > Sony D6 > Cool Edit > Shn

Secret Chiefs 3 --- Approximate Hours: 1.25
Show Date Place City State Source Link Source Notes
01/13/06 The Troubador Los Angeles CA

Stevie Ray Vaughan --- Approximate Hours: 1.25
Show Date Place City State Source Link Source Notes
03/25/87 The Ocean Center Daytona Beach FL

String Cheese Incident --- Approximate Hours: 3.75
Show Date Place City State Source Link Source Notes
11/11/00 Thomas Wolfe Auditorium Asheville NC Source Detail Soundboard XLR feed > AD2K > Tascam DAP-1 (master) CD Transfer: Sony PCMR500 > Marantz CDR-630 > EAC > .shn v3 (seekable)

Thelonious Monk --- Approximate Hours: 2.5
Show Date Place City State Source Link Source Notes
02/23/64 Maison De La Radio Paris France

Trey Anastasio --- Approximate Hours: 36.25
Show Date Place City State Source Link Source Notes
??/??/39 Compilation Various Various Source Detail Digital Soundboard/Audience Matrix; Recorded by Garry Brown and Ben Collette; Compiled by Ben Collette
05/21/97 Club Toast Burlington VT
05/??/99 Various Various Various Source Detail May 1999 compilation; SBD > DAT > Protools > CDWav > CDR > SHN; Seeded by Mike Kerfeld and Wayne Lane
07/18/01 Red Rocks Ampitheatre Morrison CO Source Detail DSBD/AUD reference > DAT @48kHz > Protools > CD-R > Plextor PX-W8432T > EAC > SHN v3; SHN Conversion by Mike Wren; Seeded by Kevin Shapiro; NOTE: This is an official CDR seed to the taping community by Kevin Shapiro!
05/25/02 Calaveras County Fairgrounds Angels Camp CA Source Detail FOB Schoeps mk4 (DFC, ~45' from stage, on 5' stand, ORTF) > kc5 > CMC6 >VMS5U > Apogee AD1000 @48kHz > S/PDIF > VX Pocket > Soundforge 5.0 (48>44.1kHz) > CDWav > mkwACT > SHNv3; Taped by Frank Rinaldi; Patched and transferred by Jamie Lutch
05/26/02 Calaveras County Fairgrounds Angels Camp CA Source Detail FOB Schoeps mk4v (DFC, 30' from stage, 7-8' stand) > kc5 > Lunatec V2 > Apogee AD1000 @44.1kHz; DAT > S/PDIF > VX Pocket > Soundforge 5.0 > CDWav > mkwACT > SHNv3
04/11/04 Higher Ground Winooski VT Source Detail Schoeps CMC6/mk4 > Apogee MiniMe @24bit/48kHz > Sony D8; Sony D8 > Delta DiO 2496 S/PDIF > Samplitude V5.5 > CDWav > WAV > FLAC; Taped by Eytan Bernet; Patched and Transferred by Dan Solomon
04/01/05 Higher Ground South Burlington VT Source Detail Neumann km184 > Lunatec V3 > Sony D8 @48kHz; Sony D8 > Waveterminal 2496 > Cool Edit 2000 (48>44.1kHz) > CDWav > FLAC; Taped and transferred by Jason Sobel
04/26/05 Landmark Theatre Richmond VA Source Detail flac16, 44kHz; DPA-4011's > Lunatec V2 > Sonic AD2K+ > Tascam DA-P1 > DAT(m); DAT(m) > Sony PCM-R500 > MAudio AP2496 > Soundforge > CDWave > FLAC; Source and Transfer by Mark Lynn
04/27/05 Ryman Auditorium Nashville TN Source Detail FOB ADK A-51 TL (DIN, hypercardioid) > Grace Designs Lunatec V3 > NJB3; NJB3 > FLAC; Taped and transferred by Tyler McGhee
04/29/05 Tom Lee Park Memphis TN Source Detail Sony ECM-717 > Sony MD MZ-R70; Sony MD MZ-R70 > WavNormalizer > CDWav > FLAC
05/13/05 Hammerstein Ballroom New York NY Source Detail Schoeps mk4 > kc5 > CMC6 > Lunatec V2 > AD2K+ > VX Pocket > Toshiba 3490ct > Vegas 3.0 @24bit/48kHz > Wavelab (24>16bit/48>44.1kHz) > CDWav > FLAC; Taped by Scott Gordon
05/14/05 Hammerstein Ballroom New York NY Source Detail Schoeps mk4 > kc5 > CMC6 > Lunatec V2 > AD2K+ > VX Pocket > Toshiba 3490ct > Vegas 3.0 @24bit/48kHz > Wavelab (24>16bit/48>44.1kHz) > CDWav > FLAC; Taped by Scott Gordon
10/08/05 Wallace Wade Stadium Durham NC Source Detail DPA 4023 > Sonosax SX-M2 > Edirol R-1 @24bit/44.1kHz; Steinberg WaveLab v5.00a (24>16bit) > CDWav > FLAC; Taped by George Wang
??/??/05 Compilation - "Midwest Soup" Compilation Compilation

Vida Blue --- Approximate Hours: 2.5
Show Date Place City State Source Link Source Notes
12/31/01 Roseland Ballroom New York NY Source Detail SBD > DAT > CDR

Ween --- Approximate Hours: 12.5
Show Date Place City State Source Link Source Notes
04/18/89 Rathskellar, Trenton State College Trenton NJ Source Detail fm broadcast > cassette tape > m-audio audiophile > wavlab 4.0
01/24/95 Live on WNEW-FM radio New York NY Source Detail Source: Possible FM > low-gen Cassette > PC > mkwACT
05/25/02 Mountain Aire Festival Calaveras County CA
08/02/03 Water St. Music Hall Rochester NY Source Detail Matrix Recording (SBD + Aud); ?>CDR>WAV>SHN by Derek Java
09/27/03 The Catalyst Santa Cruz CA Source Detail schoeps mk4>vms>sbm1>dap1 ; taped by pw
09/27/03 The Catalyst Santa Cruz CA

Wilco --- Approximate Hours: 1.25
Show Date Place City State Source Link Source Notes
??/??/01 YHF Demos Chicago IL


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