|
Grateful Dead
|
|
Date |
Source |
Source Link |
Venue |
City |
State |
Source Notes |
My Comments |
|
11/03/65 |
9044 |
Source Detail |
Golden State Studios |
San Francisco |
CA |
Autumn Records Demo, The Warlocks; SBD> MR> ??> DAT> CDR; via Raoul Duke; Seeded to etree by Matt Vernon |
|
|
01/08/66 |
106505 |
Source Detail |
Fillmore Auditorium |
San Francisco |
CA |
flac16; Source(s) MR>?>Hi-Fi Stereo VHS>WAV>Soundforge (Editing)>WAV>CDR>EAC>FLAC |
|
|
03/19/66 |
81951 |
Source Detail |
Carthay Studios |
Los Angeles |
CA |
flac16; SBD > Rm > Reel > Dat > CD > EAC > CDWav > Flac
EAC and Tracking by Ihor Slabicky Seed provided by Paul Scotton |
|
|
03/25/66 |
38 |
Source Detail |
Trouper's Hall |
Los Angeles |
CA |
with 7/3/66; see notes in info file; to abgd, later to etree; listener Daniel Kessler reports several digispots |
|
|
05/19/66 |
106828 |
Source Detail |
Avalon Ballroom |
San Francisco |
CA |
flac16; Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> Samplitude Professional v11.03 -> FLAC; Original Transfers and Mastering By David Gans; Additional Transfers and Mastering By Charlie Miller; this source is an upgrade to source ID 106683 |
|
|
07/03/66 |
40 |
Source Detail |
Fillmore Auditorium |
San Francisco |
CA |
with 3/25/66; see notes in info file; to abgd, later to etree |
|
|
07/16/66 |
89555 |
Source Detail |
Fillmore Auditorium |
San Francisco |
CA |
flac16; Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> EAC -> SHN -> WAV -> FLAC; Transferred and Edited By Charlie Miller. This is a fix of shn id 21063 |
|
|
07/17/66 |
21064 |
Source Detail |
Fillmore Auditorium |
San Francisco |
CA |
SBD -> Reel Master (10 Inch Reels @ 15ips 1/2trk) -> Dat -> Sonic Solutions -> CD -> EAc -> SHN; Converted To SHN By Charlie Miller |
|
|
07/29/66 |
2243 |
Source Detail |
P.N.E. Garden Auditorium |
Vancouver |
BC |
probably MR> C> DAT> CDR> EAC> WAV> SHN; from pre-FM David Gans seed; may circulate with or without DSO filler |
|
|
11/19/66 |
41 |
Source Detail |
Fillmore Auditorium |
San Francisco |
CA |
SBD; liberated bootleg source; extraction/SHN by Jon Seff |
|
|
11/29/66 |
106497 |
Source Detail |
The Matrix |
San Francisco |
CA |
flac16; SBD MR>?>Bill Graham Archive>Reel>CDR>CDR>EAC>FLAC |
|
|
??/??/66 |
18846 |
Source Detail |
Viola Lee Blues Rehearsals |
Unknown |
CA |
January 1966 (?) - Viola Lee rehearsals; 47 minutes from unknown generation cassette played back on Nak CR7E; via Uli Teute and Hanno Bunjes |
|
|
??/??/66 |
81254 |
Source Detail |
Various |
Various |
Compilation |
flac16; SMRs>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>CD Wave Editor>FLAC |
Uncirculated Primal GD GEMS |
|
04/??/67 |
95833 |
|
KMPX Radio Show |
San Francisco |
CA |
|
Phil Lesh and Jerry Garcia - guest DJs on Tom “Big Daddy†Donahue's nightly KMPX show. |
|
06/18/67 |
115858 |
Source Detail |
Monterey County Fairgrounds |
Monterey |
CA |
flac16; Lineage: SBD Master Reels > DAT (Panasonic 3700) > Delta DiO 2496 > PC hard drive > CDR > CDWAV > Cool Edit > Traders Little Helper |
Monterey Pop Festival |
|
07/23/67 |
5418? |
Source Detail |
Straight Theater |
San Francisco |
CA |
Neal Cassady rap with Dead; part of Acid Test compilation; via Alan Bershaw, Thomas Wulf; md5s and txt shown are for material performed on this date |
|
|
10/22/67 |
18101 |
Source Detail |
Winterland Arena |
San Francisco |
CA |
SBD -> Rm -> Cass -> Dat via Charlie Miller
|
|
|
11/10/67 |
1612 |
Source Detail |
Shrine Exposition Hall |
Los Angeles |
CA |
MR> R> R> DAT> CD> EAC > SHN; via Kirby (Chalupa) Bell, Darrin Sacks; with 7/23/67 Cassady rap filler; note source updated with extra reel gen, based on info from Rob Bertrando |
|
|
11/10/67 |
116171 |
Source Detail |
Shrine Exposition Hall |
Los Angeles |
CA |
flac16; Updated Lineage: SBD Reel from WB Vault to reel @ 7.5 IPS to reel@ 7.5 IPS to digital domain. Korg MR 1000 at 1 bit 5.6 mhz to 24-96 via Korg software. Taped by: Dan Healy; Transfer By: Matt Smith & Bob Menke; Mastering By: Derek McCabe |
|
|
11/11/67 |
1613 |
Source Detail |
Shrine Exhibition Hall |
Los Angeles |
CA |
MSR> R> R> DAT> CDR> EAC > SHN; via Kirby (Chalupa) Bell, Darrin Sacks; note source updated with extra reel gen, based on info from Rob Bertrando |
|
|
11/11/67 |
116172 |
Source Detail |
Shrine Exhibition Hall |
Los Angeles |
CA |
flac16; Updated Lineage: SBD Reel from WB Vault to reel @ 7.5 IPS to reel@ 7.5 IPS to digital domain. Korg MR 1000 at 1 bit 5.6 mhz to 24-96 via Korg software. Taped by: Dan Healy; Transfer By: Matt Smith & Bob Menke; Mastering By: Derek McCabe |
|
|
11/14/67 |
17417 |
Source Detail |
American Studios |
North Hollywood |
CA |
MSR>C(1)>DAT>WAV>SHN. The circulating versions of these songs are different from the versions on the single and on "What a Long Strange trip It's Been" (which are the same) and therefore are listed separately. The md5's differ from the previous shn set listed. |
Dark Star & Born Cross-Eyed |
|
11/14/67 |
116173 |
Source Detail |
American Studios |
North Hollywood |
CA |
Source: Healy SBD |
Dark Star & Born Cross-Eyed |
|
01/20/68 |
19470 |
Source Detail |
The Eureka Municipal Auditorium |
Eureka |
CA |
via Julian (Jools) Elliott |
|
|
01/20/68 |
97340 |
Source Detail |
The Eureka Municipal Auditorium |
Eureka |
CA |
flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
01/22/68 |
97342 |
Source Detail |
Eagles Auditorium |
Seattle |
WA |
flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
01/22/68 |
8583 |
Source Detail |
Eagles Auditorium |
Seattle |
WA |
SBDMR > DAT > Sonic Solutions > CD > EAC > Soundforge > SHN; plus patches- see notes in info file; patching and cleanup by Noah Weiner; to abgd via Charlie Connor |
|
|
01/23/68 |
20347 |
Source Detail |
Eagles Auditorium |
Seattle |
WA |
Uploaded 2003/ 02/ 15 by Julian (Jools) Elliott
|
|
|
01/23/68 |
97343 |
Source Detail |
Eagles Auditorium |
Seattle |
WA |
flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
01/27/68 |
97344 |
Source Detail |
Eagles Auditorium |
Seattle |
WA |
flac16; Recording Info:SBD -> (4 Track) Master Reels -> Dat (44.1k);
Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 ->
Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
02/02/68 |
15801 |
Source Detail |
Crystal Ballroom |
Portland |
OR |
No source info; Seeded to etree by Jools; |
|
|
02/02/68 |
97345 |
Source Detail |
Crystal Ballroom |
Portland |
OR |
flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
02/03/68 |
97346 |
Source Detail |
The Crystal Ballroom |
Portland |
OR |
flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
02/14/68 |
89676 |
Source Detail |
Carousel Ballroom |
San Francisco |
CA |
flac16; Recording Info: SBD -> (8 Track) Master Reel -> Dat -> CD -> FLAC Transfer Info:
FLAC -> Samplitude Professional v10.02 -> FLAC Transferred and Remastered By Charlie Miller (note: this source contains officially released, copyrighted material) |
|
|
02/14/68 |
15640 |
Source Detail |
Carousel Ballroom |
San Francisco |
CA |
Source: SBD>MR>DAT>CD>EAC>SHN
+ Midnight Hour patched with: FM>Reel>Reel>DAT>CDR |
|
|
03/16/68 |
109944 |
Source Detail |
Carousel Ballroom |
San Francisco |
CA |
flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
03/29/68 |
108993 |
Source Detail |
Carousel Ballroom |
San Francisco |
CA |
flac16; Recording Info:SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
08/23/68 |
52 |
Source Detail |
Shrine Exposition Hall |
Los Angeles |
CA |
updated lineage: 8 track multitrack Reels> "Sonic Wizardry"> DAT> Cassette> DATs> CDRs> EAC> SHN;? via Darrin Sacks, who reports: "Not a note of this material appears on Two From The Vault.?It turns out that TFTV is composed exclusively of 8.24.68" (go buy that); with unknown (8/29/68?) filler |
|
|
09/02/68 |
22095 |
Source Detail |
Betty Nelson's Organic Raspberry Farm |
Sultan |
WA |
Recording Info: SBD -> Master Reel (Three half-inch four track reels, recorded on Ampex 440) -> Dat (Tascam DA30/44.1k); Transfer Info: Master Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (1 Disc Audio / 1 Disc SHN); Transfered and Edited By Charlie Miller 2/5/04 |
|
|
09/02/68 |
115592 |
Source Detail |
Betty Nelson's Organic Raspberry Farm |
Sultan |
WA |
flac16; Recording Info: SBD -> Master Reel (1/2-inch 4-track reels recorded on Ampex 440) -> Dat (Tascam DA30/44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
09/20/68 |
115682 |
Source Detail |
Berkeley Community Theater |
Berkeley |
CA |
flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:
CD -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC |
|
|
10/12/68 |
10909 |
Source Detail |
Avalon Ballroom |
San Francisco |
CA |
SB> MR> DAT> Sonic Solutions> EAC> CoolEdit> CD; via David Gans; de-glitched at the Frisco Refinery, see info file for details; Seeded to etree by eD(efojr) |
|
|
10/12/68 |
86759 |
Source Detail |
Avalon Ballroom |
San Francisco |
CA |
flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller |
Pigpen was absent |
|
10/12/68 |
115593 |
Source Detail |
Avalon Ballroom |
San Francisco |
CA |
flac16; Recording Info: SBD -> Master Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
10/13/68 |
115606 |
Source Detail |
Avalon Ballroom |
San Francisco |
CA |
flac16; Recording Info: SBD -> Master Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
10/20/68 |
9071 |
Source Detail |
Greek Theatre, U. Of California |
Berkeley |
CA |
Complete; SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD; via Charlie Miller |
|
|
11/06/68 |
82393 |
Source Detail |
Pacific High Recording |
San Mateo |
CA |
flac16; Reel> PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif interconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 by Jamie Waddell |
|
|
??/??/68 |
97671 |
Source Detail |
Unknown or Various |
Unknown |
Unknown |
flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
01/24/69 |
109640 |
Source Detail |
Avalon Ballroom |
San Francisco |
CA |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation |
|
|
01/24/69 |
110304 |
Source Detail |
Avalon Ballroom |
San Francisco |
CA |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller, this is a cleaned up version of source ID 109640 |
|
|
01/25/69 |
109641 |
Source Detail |
Avalon Ballroom |
San Francisco |
CA |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
01/26/69 |
109642 |
Source Detail |
Avalon Ballroom |
San Francisco |
CA |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
02/07/69 |
14471 |
Source Detail |
Stanley Theater (Early, Late) |
Pittsburgh |
PA |
Late Show ; SBD> MC(Bear Owsley)> DAT (Rob Eaton)> (Jim Wise) HHb>CDR ; Seeded to Etree by T. Wiley |
Late Show |
|
02/15/69 |
16664 |
Source Detail |
Electric Factory |
Philadelphia |
PA |
MSR (7" @ 7.5 ips 1/2 track) > Tascam 122mkIII 1st gen. cassette > Nak Dragon playback > Sony PCM R-700 DAT > ZA2 > wav (Sound Forge) > CD (CD Architect) > unknown CD gens > EAC (test & copy, secure mode, offset corrected) > sector boundary verification (shntool) > seekable .shn (mkwact). DAT conversion and CD mastering by aoxoa, CD > SHN by D. Winters. |
|
|
02/21/69 |
111780 |
Source Detail |
Dream Bowl |
Vallejo |
CA |
flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
02/22/69 |
112691 |
Source Detail |
Dream Bowl |
Vallejo |
CA |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC |
|
|
03/28/69 |
81543 |
Source Detail |
Student Center, Modesto Jr. College |
Modesto |
CA |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller |
|
|
03/28/69 |
108057 |
Source Detail |
Student Center, Modesto Jr. College |
Modesto |
CA |
flac16; Source: Master Soundboard Cassette Medium Stock Brands: Master Cassette ampex c120 Analog Lineage: SBD >> Unknown Deck >> MSC Analog Sound Preservation: MSC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bear Transfer By: Bob Menke Mastering By: David Minches, Derek McCabe (This source was originally seeded with errors in the tags. Please don't circulate the original fileset.) |
|
|
04/05/69 |
18701 |
Source Detail |
Avalon Ballroom |
San Francisco |
CA |
Recording Info:
SBD -> Rm (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat
Transfer Info:
Dat -> Sonic Solutions -> CD -> EAC -> Samplitude -> SHN
Conversion By Charlie Miller |
|
|
04/21/69 |
88465 |
Source Detail |
The Ark |
Boston |
MA |
flac16; SBD -> Master Reel -> Dat -> CD
All Transfers and Mastering By Charlie Miller |
|
|
04/22/69 |
88466 |
Source Detail |
The Ark |
Boston |
MA |
flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
04/23/69 |
88501 |
Source Detail |
The Ark |
Boston |
MA |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller |
|
|
04/25/69 |
97392 |
Source Detail |
Electric Theater |
Chicago |
IL |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller |
|
|
04/26/69 |
96449 |
Source Detail |
Electric Theater |
Chicago |
IL |
flac16; Source: Soundboard Cassette x 1 > DAT
Encore Source: 7 inch Master Reels @ 7.5ips 1/2trk > DAT
Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab
Mastering: In WaveLab with Nomad Factory Plugins > CD Wave > TLH > Flac
Transfer and mastering by Bill Koucky December 20, 2008, Green Mountain Bros.
|
|
|
04/26/69 |
97393 |
Source Detail |
Electric Theater |
Chicago |
IL |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller |
|
|
05/23/69 |
12223 |
Source Detail |
Seminole Indian Village |
Hollywood |
FL |
complete show from compilation of reel master and what is believed to be the cassette master;
Source 1: SBD> MR> PCM> D> CD> EAC> SHN ; Source 2: SBD> MC> R> C> D> CD> EAC> SHN (?); See info file for details; via Jim Hale; Seeded to etree by Seth Kaplan & JCotsman |
|
|
05/24/69 |
16177 |
Source Detail |
Seminole Indian Village |
Hollywood |
FL |
Cass>DAT> DAT> SONIC SOLUTIONS> CD> CD> EAC[secure] >SHN from 2003 KPFA Dead Marathon |
|
|
05/30/69 |
87516 |
Source Detail |
Springer's Inn |
Portland |
OR |
flac16; SBD -> Cassette Master (Ampex C-90) -> Dat (48k)
All Transfers and Mastering By Charlie Miller
|
|
|
06/20/69 |
32074 |
Source Detail |
Aoxomoxoa original mix |
San Mateo |
CA |
This is the original mix of Aoxomoxoa, which was released commercially between June 1969 and late 1971. In September, 1971, Jerry Garcia did a major remix of the entire album, eliminating a considerable amount of the backing material and trimming the beginning and end of a few songs. The LPs, cassettes, and CDs available commercially since that time contain the remix. There appear to be no plans to commercially release this original mix, so it is being made available to the broader community. |
|
|
07/03/69 |
121879 |
Source Detail |
Reed's Ranch |
Colorado Springs |
CO |
flac16; Recording Info: SBD -> Cassette Master -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; (note: this source contains a significant amount of lossy material) |
|
|
08/03/69 |
30652 |
Source Detail |
Family Dog at the Great Highway |
San Francisco |
CA |
flac16; Recording Info: SBD -> Cassette Master -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC Transferred and Edited By Charlie Miller |
|
|
08/16/69 |
15205 |
Source Detail |
Max Yasgur's Farm |
Bethel |
NY |
SBD>MR>D>CD>EAC>SHN;
8trk Master Reels @ 15ips;
Thanks to David Litfin;
edits/encoding by JCotsman |
|
|
08/16/69 |
95918 |
Source Detail |
Max Yasgur's Farm |
Bethel |
NY |
flac16; Source: 8 Track Master Reels @ 15ips > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz] Rate Conversion: AudioGate to [24bit/96 khz] Mastering: In WaveLab with L3 Waves Multimaximizer
Rate Conversion with r8brain to [16bit/44.1 khz] > TLH > Flac transfer and mastering by Bill Koucky (This source fixes errors in the previous source) |
|
|
11/02/69 |
32350 |
Source Detail |
Family Dog at the Great Highway |
San Francisco |
CA |
Fixed version of previous file set. Same source info as 32273, but w/fixed Dark Star. |
|
|
11/07/69 |
119628 |
Source Detail |
Fillmore Auditorium |
San Francisco |
CA |
flac16;Recording Info:SBD -> Master Reel -> Dat; Transfer Info:Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
11/15/69 |
9538 |
Source Detail |
Lanai Theater |
Crockett |
CA |
SBD cassette master > PCM > CDR > iMac > SHN; shntool-fixed version of previous shn set, fixed as a whole; alternate fix (by disc) also circulates with slight difference |
|
|
12/28/69 |
96578 |
Source Detail |
International Speedway |
Hollywood |
FL |
flac16; Source: Soundboard master Reels > Cassette > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab > CD Wave > TLH > Flac |
|
|
12/30/69 |
28469 |
Source Detail |
Boston Tea Party |
Boston |
MA |
Recording Info: SBD -> Cass Master (Ampex C-90 Master Cass/no dolby) -> Cass (Tascam 122mkIII Cass 1st Gen) -> Dat (Technics 3800/44.1k) Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN |
|
|
12/31/69 |
95420 |
Source Detail |
Boston Tea Party |
Boston |
MA |
flac16; Recording Info:SBD -> Master Reel -> Dat -> CD;
Transfer Info:CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
01/02/70 |
86 |
Source Detail |
Fillmore East - late show |
New York |
NY |
late show, partial; SBD-> MR-> DAT (x)-> CDR (x)-> EAC; via S. Windsor
abgd; via D. Sacks to etree 12/15; cut in end of Dark Star/ beginning St.
Stephen from reel change |
|
|
01/03/70 |
97743 |
Source Detail |
Fillmore East (Late Show) |
New York |
NY |
flac16; Source: Soundboard Master Reels > DAT Master [44.1] Transfer: Panasonic SV-3700 > UA-5 > USB > WaveLab Mastering in WaveLab with iZotope Ozone 4 > CD Wave > TLH > Flac Transfer and Mastering Bill Koucky March 6, 2009, Green Mountain Bros. |
|
|
01/31/70 |
7045 |
Source Detail |
The Warehouse |
New Orleans |
LA |
SBD> MR> C> D> CD> EAC> SHN; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman |
|
|
02/02/70 |
121041 |
Source Detail |
The Fabulous Fox Theatre |
St. Louis |
MO |
flac16; SBD -> Master Reel -> Reel (7.5ips/Dolby B) Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k) Mastering Info: Wav (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Transferred By David Gans; Mastered By Charlie Miller |
|
|
02/12/70 |
88908 |
Source Detail |
Ungano's Night Club |
New York |
NY |
SBD > 8 TRACK 1" RTR @ 7.5 I.P.S. > MASTER ARCHIVE 24-BIT D > SSSB (note: a SBE fixed file set also circulates) |
Did this actually happen? |
|
02/13/70 |
97639 |
Source Detail |
Fillmore East (Late Show) |
New York |
NY |
flac16; Recording Info: SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller (This sources fixes a flaw in d2t08 of source ID 97613) |
|
|
02/14/70 |
97644 |
Source Detail |
Fillmore East |
New York |
NY |
flac16; Recording Info:SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k);Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
02/27/70 |
28833 |
Source Detail |
Family Dog at the Great Highway |
San Francisco |
CA |
flac16; Recording Info: SBD -> Master Reel (7.5ips 1/2trk) -> Dat/0 (48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC. Transferred and Edited By Charlie Miller |
|
|
03/08/70 |
113359 |
Source Detail |
Star Theatre |
Phoenix |
AZ |
flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD;
Transfer Info:CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
04/03/70 |
114569 |
Source Detail |
Field House, U. of Cincinnati |
Cincinnati |
OH |
flac24; SBD MR>R>FLAC; Monitor Noise throughout show; tranfer Matt Smith 7/2011 |
24-bit |
|
04/12/70 |
3820 |
Source Detail |
Fillmore West |
San Francisco |
CA |
combination (SBD Reel master > Sonic Solutions > DAT ) plus (Aud cassette master > PCM > DAT > Sonic Solutions) > CD > EAC > SHN; see info file for notes; seed via Seth Kaplan |
|
|
05/01/70 |
85322 |
Source Detail |
Alfred College |
Alfred |
NY |
flac16; SBD > Rm > Dat > Sonic Solutions > CD > Samplitude > Flac
Seeds provided by David Gans, Remastered by Charlie Miller |
|
|
05/01/70 |
95683 |
Source Detail |
Alfred College |
Alfred |
NY |
flac16 ; Recording Info: Source 1: SBD -> Master Reel -> CD Source 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD Source 3: SBD -> Master Reel -> Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
05/02/70 |
108673 |
Source Detail |
Harpur College |
Binghamton |
NY |
flac24; reel> cass > cass Nak Dr-1 > Lynx Studio Interface at 32 bit float / 96 kHz Weiss Saracon for BRC to 24 bit / 96 kHz by Jamie Waddell |
24-Bit BEAR |
|
05/06/70 |
94 |
Source Detail |
Kresge Plaza, M.I.T. |
Cambridge |
MA |
MSR (MIT WMBR Reels) 10", 2-sided, 1/2 Track Mono (no extra reel gen)->
Otari MX 55 2 track (playback) ->Â TC 2000 Studio Effects Processor
(using only the A->D converter, no effects) ->Â Sonic Solutions (at
20 bits resolution) -> mastered to CD using Sony SBM 2Â (No DAT generations)
-> CD (from Gans) > EAC > SHN; (note updated source details); via E. Polonsky,
D. Gans, R. Keshavan, D. Sacks; note reel splice at China/Rider transition
(track boundary at splice) |
Free show to protest Kent State killings |
|
05/06/70 |
95816 |
Source Detail |
Kresge Plaza, M.I.T. |
Cambridge |
MA |
flac16; Source: Master Soundboard Reels 10", 2-sided, 1/2 Track Mono > DAT x 1
Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz]
Rate Conversion: AudioGate to [24bit/96 khz]
Mastering: In WaveLab with Nomad Factory Plugins
Rate Conversion with r8brain to [16bit/44.1 mhz] > TLH > Flac
Transfer and Mastering: Bill Koucky, Green Mountain Bros. November 15, 2008 Transfer from Reels to DAT was done in 1994 by Eli Polansky from
WMBR MIT Radio Archives for Jim Birkhead, and cloned to Bill Koucky |
|
|
05/14/70 |
28716 |
Source Detail |
Meramec Community College |
Kirkwood |
MO |
flac16; Source: Soundboard
Lineage: MSR> DAT> CDR> EAC> FLAC
except * = MSR> DAT> CASS> ?> CASS> DAT> CDR> EAC> FLAC
|
Includes NRPS Set |
|
05/15/70 |
97 |
Source Detail |
Fillmore East (Late Show) |
New York |
NY |
acoustic and electric, early and late, includes NRPS; MR > DAT > ZA2
> CDR, except the NRPS sets which have 2 cass gens; this is apparently
the best possible available copy- one fewer cass gen than first etreed
version, complete NRPS 2nd set, less hifreq hiss; more details in info
file; via D. Hollister, J. Tiedrich, D. Finney. L. Orf; note L. Orf did
very minor editing, mostly putting tasteful fades where there were cuts
in the original- no NR |
includes NRPS sets |
|
06/04/70 |
119921 |
Source Detail |
Fillmore West |
San Francisco |
CA |
flac16; sbd > ?? > wav > audacity(snaps,crackles,pops) > wavmerge > cdwav > tlh(flaclevel8) > flac16 |
acoustic |
|
06/06/70 |
86951 |
Source Detail |
Fillmore West |
San Francisco |
CA |
flac16; Electric Set Only: Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC. All Transfers and Mastering By Charlie Miller.
|
|
|
07/30/70 |
17077 |
Source Detail |
Lion's Share |
San Anselmo |
CA |
SBD>??>CD>EAC>SHN via Chuck Gannon edits/encoding by Jeff Cotsman |
|
|
07/??/70 |
106571 |
Source Detail |
Festival Express Train |
Unknown |
Canada |
flac16; Recording Info: Unknown Mics -> ? -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
|
|
08/05/70 |
17271 |
Source Detail |
Golden Hall Community Concourse |
San Diego |
CA |
MSR > Reel > PCM > DAT > CDR > EAC > SHN via Andy Lemieux, encoding Joe Jupile |
|
|
09/18/70 |
97525 |
Source Detail |
Fillmore East |
New York |
NY |
flac16; SBD -> Master Reel -> CD -> EAC(secure, offset corrected) -> TLH(flac encoding) -> FLAC Circulated by Chuck Reynolds, February 13, 2009 |
|
|
09/19/70 |
97906 |
Source Detail |
Fillmore East |
New York |
NY |
flac16; SBD -> Master Reel -> CD -> EAC(secure, offset corrected) -> CoolEdit Pro -> TLH -> FLAC16; Circulated by Chuck Reynolds |
|
|
09/19/70 |
5217 |
Source Detail |
Fillmore East |
New York |
NY |
MSR > DAT > CD or SBD> Rm> Reel> Dat> Sonic Solutions> CD; EAC> SHN by Seth Kaplan; more complete than previously etreed versions |
|
|
10/17/70 |
119329 |
Source Detail |
Cleveland Music Hall |
Cleveland |
OH |
flac16;Recording Info:Unknown Mic -> Cassette Master (Mono); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->
Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
|
|
10/30/70 |
121126 |
Source Detail |
Gym, SUNY (Early Show) |
Stony Brook |
NY |
flac16; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/44.1k; Dat supplied By Dan De Luca; Transferred By Digitalrbb; Mastered By Charlie Miller; the original files had a flaw in s3t01 which was later fixed (2012/09/06) |
Includes NRPS sets |
|
10/31/70 |
33566 |
Source Detail |
Gym, S.U.N.Y. (Late) |
Stony Brook |
NY |
SOURCE INFO:
Rating: AR-2, Source: A-SBD, SCMS: 00, Gen: M, DOW: Sat, Time: 180
min., Lineage: SBD > RTR > PCM > D, if necessary, any and all NR
and/or EQ processes were performed, using between 95% and 100% analog
realm outboard equipment, at Serafin Station Studio A or B; released
between 03/94 and 12/96
TRANSFER INFO:
Sony PCM-R300 > Audiophile 2496 > Cool Edit Pro2 > .WAV > .FLAC
Note: Appeared on bt.etree.org ~ 4/1/2006 |
sssb |
|
11/16/70 |
17361 |
Source Detail |
Fillmore East |
New York |
NY |
SBD:MR>Revox deck (model unknown): 10" ? track Reel @ 7.5ips > Revox B77 playback deck > Alesis Masterlink ML9600 > CD > EAC > Cool Edit 2000 > SHN. A>D by Bill Gadsden. encoding Dave Winters. (Note: Other shn sets assign this music to 11/23/70). |
|
|
12/28/70 |
22313 |
Source Detail |
Legion Stadium |
El Monte |
CA |
SBD> Master Reel> Cassette> Dat> CD> EAC> Samplitude v7.02 Professional> SHN, Patched with Sony ECM-22> Rm> Dat> CD; All Editing Done By Charlie Miller |
|
|
??/??/70 |
91324 |
Source Detail |
Pacific High Recording Studio |
San Francisco |
CA |
flac16; studio sessions transfer and mastering by matt smith soundboard > master reel > Kidd Candelario dub > will boswell 7 1/2 ips reel > Apogee 24/96 (dithered to 16/44 via Wavelab 5.0) > CD |
|
|
02/18/71 |
107 |
Source Detail |
Capitol Theater |
Port Chester |
NY |
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct) |
|
|
02/18/71 |
85478 |
Source Detail |
Capitol Theater |
Port Chester |
NY |
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering:
Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. |
Betty Board |
|
02/18/71 |
111793 |
Source Detail |
Capitol Theater |
Port Chester |
NY |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
02/20/71 |
85912 |
Source Detail |
Capitol Theater |
Port Chester |
NY |
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. |
Betty Board |
|
02/21/71 |
87134 |
Source Detail |
Capitol Theater |
Port Chester |
NY |
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering:
Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner. |
Betty Board |
|
02/23/71 |
82755 |
Source Detail |
Capitol Theater |
Port Chester |
NY |
flac16; Source Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect ->
Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 and Ozone. Dithered L2 type 1 ultra by Jamie Waddell |
GEMS Betty Board |
|
02/23/71 |
110353 |
Source Detail |
Capitol Theater |
Port Chester |
NY |
flac116; Recording Info:SBD -> Master Reel -> CD; Transfer Info:
CD -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
02/24/71 |
87570 |
Source Detail |
Capitol Theater |
Port Chester |
NY |
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris Ladner. |
Betty Board |
|
02/??/71 |
120486 |
Source Detail |
Unknown |
Unknown |
Unknown |
flac16; unknown low gen Maxell XLII Cassette>Wav via Teac Stand Alone CD Burner > ? > SBE found - fix (TLH) shift backwards > MD5 + FFP made with (TLH) |
|
|
03/20/71 |
5582 |
Source Detail |
University of Iowa |
Iowa City |
IA |
SBD > MR > cass > dat > CD > SHN (seekable); DAT>CD transfer by Mandrake; EAC> shn by Steve Barbella |
|
|
04/05/71 |
110127 |
Source Detail |
Manhattan Center |
New York |
NY |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation |
|
|
04/07/71 |
96225 |
Source Detail |
Music Hall |
Boston |
MA |
flac16; Source: Betty Cantor 7" two track reel w@ 7 1/2 ips> PCM501ES @ 44.055 kHz CM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz Jace Crouch’s original source WBOTB DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 5, 2008, Green Mountain Bros. |
Betty Board |
|
04/12/71 |
31960 |
Source Detail |
Civic Arena |
Pittsburgh |
PA |
flac16; SBD -> Reel Master -> Dat -> Sound Forge -> CD
Transferred By Charlie Miller
|
|
|
04/13/71 |
32015 |
Source Detail |
Catholic Youth Center |
Scranton |
PA |
flac16; MSR>DAT3x>Delta Dio 2496 soundcard>Soundforge>Flac16 |
|
|
04/15/71 |
11652 |
Source Detail |
Allegheny College |
Meadville |
PA |
SBD>MR>DAT>CD; missing 5 songs; See info file for details; via Bill O; Seeded to etree by eD(efojr) |
|
|
04/27/71 |
106550 |
Source Detail |
Fillmore East |
New York |
NY |
flac16; Recording Info Source One:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Recording Info Source Two:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) ->
Reel (Maxell Tape - 1/4 Track - 7 1/2 ips); Transfer Info Source One:
Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two:Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller |
|
|
04/27/71 |
114461 |
Source Detail |
Fillmore East |
New York |
NY |
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
04/28/71 |
2248 |
Source Detail |
Fillmore East |
New York |
NY |
MSR > (Reel post-Bird Song) >Alesis Masterlink> CD-R; via Bob Murphy; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead |
includes NRPS set |
|
04/29/71 |
16782 |
Source Detail |
Fillmore East |
New York |
NY |
Lineage: (mostly) SB> MR> CD; Refined by Chris Frisco, 20 glitches painstakingly removed without deleting any of the
wav; Bird Song patched; See info file for further details; Circ's w/ NRPS opening set |
includes NRPS set |
|
04/29/71 |
114350 |
Source Detail |
Fillmore East |
New York |
NY |
flac16; Recording Info: SBD -> 16 Track Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
08/04/71 |
95308 |
Source Detail |
Terminal Island Correctional Fac. |
San Pedro |
CA |
flac16; Recording Info:SBD -> Master Reel -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
08/21/71 |
83307 |
Source Detail |
Mickey's Barn |
Novato |
CA |
flac16; listed as SBD from John Cipollina's reels > 1st generation reel to reel > revox > amplifiers > tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac (this is actually an audience recording) |
Mickey's Barn Jam |
|
10/19/71 |
114351 |
Source Detail |
Northrop Auditorium, U. of Minn. |
Minneapolis |
MN |
flac16; Recording Info: SBD -> Reel Master (7 inch 1/4 track) -> Dat (48k) Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
Kieth's 1st show |
|
10/21/71 |
112086 |
Source Detail |
Auditorium Theatre |
Chicago |
IL |
flac16; Recording Info:SBD -> Master Reel -> Dat; Transfer Info:
Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
|
10/22/71 |
112821 |
Source Detail |
Auditorium Theatre |
Chicago |
IL |
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
10/23/71 |
111673 |
Source Detail |
Eastown Theater |
Detroit |
MI |
flac16; Recording Info:SBD -> Master Reel (7 Inch - 1/2 Track) -> Sound Devices 744T (24bit/96k) -> FLAC/24; Transfer Info:FLAC/24 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
|
|
11/07/71 |
9570 |
Source Detail |
Harding Theater |
San Francisco |
CA |
SBD : Pre-FM Reel > DAT > CD; via Seth Kaplan |
|
|
11/14/71 |
23568 |
Source Detail |
Texas Christian University |
Fort Worth |
TX |
SBD -> Master Reel (10 inch) -> CD -> Sonic Solutions -> CD -> EAC -> SHN; Converted By Charlie Miller |
|
|
12/04/71 |
110128 |
Source Detail |
Felt Forum, Madison Square Garden |
New York |
NY |
flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation |
|
|
12/04/71 |
110186 |
Source Detail |
Felt Forum, Madison Square Garden |
New York |
NY |
flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
12/05/71 |
3391 |
Source Detail |
Felt Forum, Madison Square Garden |
New York |
NY |
Updated lineage: FM > MR > DAT > CD; (had been marked pre-FM) stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; notes: no encore, complete Muddy Water, small cut in Casey Jones, chatter edited; see pub comments for md5 notes |
|
|
12/06/71 |
108425 |
Source Detail |
Felt Forum, Madison Square Garden |
New York |
NY |
flac16; Recording Info:SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
12/14/71 |
23842 |
Source Detail |
Hill Auditorium |
Ann Arbor |
MI |
7" BBD reel> PCM501ES(beta)> PCM501ES analog out> Fostex D5 @ optical out 48KHz> HD; DAT-1 > Soundforge 4.5 > WAV/SHN mastering by Tim Deibert; includes Tuning between songs. Same as /shninfo_detail.php?shnid=12763 with SBEs fixed and seektables appended with shntool. |
Betty Board |
|
12/15/71 |
97718 |
Source Detail |
Hill Auditorium |
Ann Arbor |
MI |
flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k);
Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 ->
Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
04/08/72 |
83714 |
Source Detail |
Wembley Empire Pool |
London |
England |
flac16; Recording Info: SBD -> (16 Track) Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller |
|
|
04/14/72 |
34552 |
Source Detail |
Tivoli Theater |
Copenhagen |
Denmark |
flac16; SBD -> (16 Track) Master Reel -> Dat (44.1k); Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC; Transfers and Mastering By Charlie Miller |
|
|
05/18/72 |
79057 |
Source Detail |
Kongressaal Deutsches Museum |
München |
Germany |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC |
|
|
05/25/72 |
87682 |
Source Detail |
Lyceum Ballroom |
London |
England |
flac16; Recording Info: SBD -> Master Reel 10 inch reels recorded at 7.5 ips (1/2 track) -> Apogee AD500 -> Dat/0 (48k) Transfer Info: Dat/0 (Sony 500) -> Samplitude Professional 9.11 -> FLAC All Transfers and Mastering By Charlie Miller |
|
|
05/26/72 |
89641 |
Source Detail |
Lyceum Ballroom |
London |
England |
flac16; SBD Reel > DAT > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 All editing and mastering by Jamie Waddell on the GEMS Edit Station. Trac'ed Cdwave,Flac'ed TLH level 8 |
GEMS |
|
07/26/72 |
34803 |
Source Detail |
Paramount Theater |
Portland |
OR |
flac16; MR > PCM > DAT > CD > EAC > SHN with patches from MSR > DAT > ZA2 > CDR x2; Fix of shn id 8957 by Andrew Long |
|
|
07/26/72 |
87034 |
Source Detail |
Paramount Theater |
Portland |
OR |
flac16; Lineage: (from DAT J-Card) MR -> DAT (the DAT is 16-bit; 44.1kHz which could indicate MR->PCM->DAT) DAT from collection of Todd Evans - todd@bluedakota.com DAT > TASCAM DA-20 (spdif out) > Apogee Wide Eye Spdif Digital Cable > Lynx Two Soundcard (spdif in) > Wavelab 6.0 - Transferred January 18, 2007
Mastering By Jamie Waddell on the GEMS Edit Station.
Trac'ed cdwave,Flac'ed TLH level 8 |
|
|
07/26/72 |
87034 |
Source Detail |
Paramount Theater |
Portland |
OR |
flac16; Lineage: (from DAT J-Card) MR -> DAT (the DAT is 16-bit; 44.1kHz which could indicate MR->PCM->DAT) DAT from collection of Todd Evans - todd@bluedakota.com DAT > TASCAM DA-20 (spdif out) > Apogee Wide Eye Spdif Digital Cable > Lynx Two Soundcard (spdif in) > Wavelab 6.0 - Transferred January 18, 2007
Mastering By Jamie Waddell on the GEMS Edit Station.
Trac'ed cdwave,Flac'ed TLH level 8 |
|
|
07/26/72 |
87034 |
Source Detail |
Paramount Theater |
Portland |
OR |
flac16; Lineage: (from DAT J-Card) MR -> DAT (the DAT is 16-bit; 44.1kHz which could indicate MR->PCM->DAT) DAT from collection of Todd Evans - todd@bluedakota.com DAT > TASCAM DA-20 (spdif out) > Apogee Wide Eye Spdif Digital Cable > Lynx Two Soundcard (spdif in) > Wavelab 6.0 - Transferred January 18, 2007
Mastering By Jamie Waddell on the GEMS Edit Station.
Trac'ed cdwave,Flac'ed TLH level 8 |
|
|
07/26/72 |
87034 |
Source Detail |
Paramount Theater |
Portland |
OR |
flac16; Lineage: (from DAT J-Card) MR -> DAT (the DAT is 16-bit; 44.1kHz which could indicate MR->PCM->DAT) DAT from collection of Todd Evans - todd@bluedakota.com DAT > TASCAM DA-20 (spdif out) > Apogee Wide Eye Spdif Digital Cable > Lynx Two Soundcard (spdif in) > Wavelab 6.0 - Transferred January 18, 2007
Mastering By Jamie Waddell on the GEMS Edit Station.
Trac'ed cdwave,Flac'ed TLH level 8 |
|
|
08/22/72 |
27780 |
Source Detail |
Berkeley Community Theater |
Berkeley |
CA |
mixed sources: Set 1: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> Apogee AD500> Master Dat (Panasonic SV3800/48k); Set 2: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> PCM> Dat> CD; Transferred and Edited (see cleanup notes) by Charlie Miller |
|
|
08/24/72 |
18093 |
Source Detail |
Berkeley Community Theater |
Berkeley |
CA |
SBD>Rm>Dat(48k) with missing songs patched from SBD>Rm>Cass>Cass>Cass>Dat>Samplitude>SHN via Charlie Miller |
|
|
08/25/72 |
12751 |
Source Detail |
Berkeley Community Theater |
Berkeley |
CA |
set 1 partial; 7" Betty Board Reel > PCM501ES analog out > Fostex D5 optical S/PDIF out (Jace's tape) > disk (Tim Deibert); some Soundforge editing (see notes) |
|
|
08/27/72 |
8045 |
Source Detail |
Old Renaissance Faire Grounds |
Veneta |
OR |
SBD > 4-TRACK RTR @ 7.5 i.p.s. > PCM> (PCM) > D > SSSB; via Jay Serafin to gdlive; see info file for extensive notes |
sssb |
|
09/16/72 |
77442 |
Source Detail |
Music Hall |
Boston |
MA |
flac 16; Sick Bits Vol. 20 - SBD/AUD Matrix: SBD (shnid=6683) + AUD (shnid=12932); edited, mixed and converted by Chris Chappell |
MATIRX |
|
10/09/72 |
5249 |
Source Detail |
Winterland Arena |
San Francisco |
CA |
SBD > MR > C > DAT > CDR; EAC > Cool Edit (remove some pops, see info file) > SHN (seekable); SHN Conversion by Matt Vernon from Paul B. seed discs |
|
|
10/26/72 |
32717 |
Source Detail |
Cincinnati Music Hall |
Cincinnati |
OH |
flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller |
|
|
02/15/73 |
1580 |
Source Detail |
Dane County Coliseum |
Madison |
WI |
MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD; upgrade relative to previous shn copies; includes soundcheck and most of encores; via Mike Hall; tracked for 2x74 + 1x80 (with alternate tracking suggestion) |
|
|
03/16/73 |
79186 |
Source Detail |
Nassau Veterans Memorial Coliseum |
Uniondale |
NY |
flac16; Recording Info: Set 1: SBD -> Master Reel -> PCM -> Dat (44.1k) Set 2: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional -> FLAC |
|
|
03/21/73 |
29263 |
Source Detail |
Utica Memorial Auditorium |
Utica |
NY |
Recording Info: SBD -> Master Reel -> PCM -> Dat
Transfer Info: Dat (Sony D8) -> M-Audio DIO 2448 -> Cool Edit Pro v1.2 -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller
Notes:I originally transferred my Dat back in 2000. At that time, I only made Audio
discs. Someone asked me to circulate this source since the circulating source has NR applied to it. My source DOES NOT have any NR applied to it. I made these FLAC's off of my Master Audio Discs. Enjoy...cm
|
|
|
03/26/73 |
1373 |
Source Detail |
Civic Center |
Baltimore |
MD |
SBD> MR> DAT> CDA> CDA> EAC> SHN; via Charlie Miller, Jay Ashley; note info file updated 9/13; see pub comments for flaw notes |
|
|
03/28/73 |
34759 |
Source Detail |
Springfield Civic Center |
Springfield |
MA |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller |
|
|
04/02/73 |
17346 |
Source Detail |
Boston Garden |
Boston |
MA |
SBD -> Rm (7.5 ips/2 Track) -> Dat -> Dat. Transfer Info: Dat -> Sonic Solutions -> CD (David Gans' Master Discs) -> EAC (Secure) -> SHN. CD -> SHN Conversion Done By Charlie Miller. Purports to avoid the drop outs present on the previous shn set for this source. |
|
|
05/20/73 |
86905 |
Source Detail |
Campus Stadium, UCSB |
Santa Barbara |
CA |
flac16; SBD > Master Reel (7 inch reels @ 7.5ips 1/2trk) > Dat > CD > EAC > Samplitude Professional v9.11 > FLAC All Transfers and Mastering By Charlie Miller |
|
|
05/26/73 |
83438 |
Source Detail |
Kezar Stadium |
San Francisco |
CA |
flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES (Beta HiFi) ( @ 44.055 kHz) > PCM501ES analog out > analog in Fostex D5 ( @ 48kHz) > Fostex D5 optical S/PDIF out (Jace's tape) > Sound Forge 5.0 > wav/shn Transferred by Tim Deibert 12-15-01 |
Betty Board |
|
05/26/73 |
83535 |
Source Detail |
Kezar Stadium |
San Francisco |
CA |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller |
|
|
06/09/73 |
172 |
Source Detail |
Robert F. Kennedy Stadium |
Washington |
DC |
SBD MR > cassette> DAT > CD > EAC > SHN, except Promised Land, Half Step, and
Sugar Mag are S:MR > PCM > cassette > DAT > CD > EAC > SHN, and Patch in
Box of Rain (very small) from 2nd source; via D. Hollister, G. Hamilton; 8/16 note formerly
error in info file at this site, and possibly distributed with show- cass gen in main portion of show had been omitted,
(although info file at Hamiltons' CDR list has apparently always been correct)- sorry! |
|
|
06/10/73 |
174 |
Source Detail |
Robert F. Kennedy Stadium |
Washington |
DC |
SBD MR (10'' reels)> DAT > CD > EAC > SHN; via David Hollister, G.S. Hamilton; known flaws: d2t01 (Bird Song: very brief tape waver @ 2:44, 2t03 (Eyes) transient sound system glitch @ 5:06; subsecond dropout @ 6:54, d4t06 (GDTRFB): reel flip/splice @ 6:42; not noted on original info file: sounds like loose cord to board: d1t09 (The Race Is On) 1:33, 1:34, 1:36, 1:44; d1t2 BIODTL begining cut; reportedly "best version available" |
|
|
06/10/73 |
89640 |
Source Detail |
Robert F. Kennedy Stadium |
Washington |
DC |
flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller. A fixed version now circulates |
|
|
06/10/73 |
90771 |
Source Detail |
Robert F. Kennedy Stadium |
Washington |
DC |
flac16; Matrix 3 Source Mix - SBD (shn id 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller + AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - matrix mixing by Kevin Tobin |
|
|
06/22/73 |
88347 |
Source Detail |
P.N.E. Coliseum |
Vancouver |
BC |
flac16; Main source MSR>PCM>DAT>CD>EAC>WAV; re-patched and re-tracked version of shn id 17270. See info file for details |
|
|
06/22/73 |
88526 |
Source Detail |
P.N.E. Coliseum |
Vancouver |
BC |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller |
|
|
06/30/73 |
29753 |
Source Detail |
Universal Amphitheatre |
Universal City |
CA |
flac16; Sick Bits Vol. 9 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 177, and AUD - SHN ID# 6019); edited and transfered by Chris Chappell |
|
|
08/01/73 |
182 |
Source Detail |
Roosevelt Stadium |
Jersey City |
NJ |
Soundboard > 7.5ips Master Reel > Cassette > 20 bit A/D > CDR; CD Mastering
by D. Gans; EAC and encoding by M. Jungeblut |
|
|
08/01/73 |
12222 |
Source Detail |
Roosevelt Stadium |
Jersey City |
NJ |
complete show from most up to date SBD sources with AUD patches;
compiled from S. Kaplan and N. Weiner seeds;
source 1: SBD>MR>R>R>D>CD>EAC>SHN;
source 2: SBD>MR>C>D>CD>EAC>SHN;
source 3: AUD>MR>C>C>C>CD>EAC>SHN;
See info file for details; Seeded to etree by JCotsman; With thanks to Alan Schlissel & Jeff Cook
|
|
|
09/07/73 |
19893 |
Source Detail |
Nassau Veterans Memorial Coliseum |
Uniondale |
NY |
SBD>MR>C>D>CD>EAC>SHN;
patched with AUD>MC>D>CD>EAC>SHN;
sourced from previous seeds
|
|
|
09/08/73 |
78349 |
Source Detail |
Nassau Veterans Memorial Coliseum |
Uniondale |
NY |
flac16; Reel>Cass1>DAT1 (not widely circulated source)>5/1999? edit (no hiss reduction)>CD>hiss edit w/Cool Edit Pro>FLAC
|
|
|
09/12/73 |
14010 |
Source Detail |
College Of William & Mary Hall |
Williamsburg |
VA |
SBD>MR>C>DAT>CDR most of show (minus Here comes sunshine) by Sly_Wow |
|
|
09/17/73 |
14473 |
Source Detail |
Onondaga County War Memorial |
Syracuse |
NY |
SBD>MR>D>CD>EAC>SHN (all but tracks d1t01-->d1t09));
SBD>MR>C>C>D>CD>EAC>SHN (tracks d1t01-->d1t09);
Thanks to Peter Braverman;
edits/encoding by JCotsman; Note- Fixed d3 now circulates, see public comments for details |
|
|
10/19/73 |
187 |
Source Detail |
Oklahoma City Fairgrounds Arena |
Oklahoma City |
OK |
mR> DAT> CDR; complete; E2 is tracked for d2, but could fit on 80min d3; via JW Norris, R. Nayfield; update 10/23/00: this date is now released as Dick's Picks 19- go buy that |
|
|
10/21/73 |
17413 |
Source Detail |
Omaha Civic Auditorium |
Omaha |
NE |
SBD -> Rm -> ? -> Dat -> Sound Forge -> CD -> EAC -> SHN Converted By Charlie Miller |
|
|
10/21/73 |
8191 |
Source Detail |
Omaha Civic Auditorium |
Omaha |
NE |
MSR->C->D->CD; Some static in spots, see info file for details; via Jeff Fishman; Steve Barbella |
|
|
10/23/73 |
18899 |
Source Detail |
Metropolitan Sports Center |
Bloomington |
MN |
MSR>D>CD via M. Goetz encoded by Morgan Evans. Note: Has additional OMSN (see info file for discussion) compared to previous etree shn sets. |
|
|
10/29/73 |
32352 |
Source Detail |
Kiel Auditorium |
St. Louis |
MO |
flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC |
|
|
10/30/73 |
32367 |
Source Detail |
Kiel Auditorium |
St. Louis |
MO |
flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC |
|
|
11/01/73 |
80714 |
Source Detail |
McGaw Memorial Hall, Northwestern University |
Evanston |
IL |
flac16; Set 2 only MR>C1>DAT>SHN (shnid=2178)>CD>EAC>CoolEdit Pro hiss reduction & minor other edits |
|
|
11/10/73 |
3290 |
Source Detail |
Winterland Arena |
San Francisco |
CA |
MSR> reel > PCM > DAT > CD; see info file for listening notes |
|
|
11/11/73 |
1016 |
Source Detail |
Winterland Arena |
San Francisco |
CA |
Source: Disks 1-2 MSR> Cass> Cass> DATs> CDRs> EAC> SHN; Disk 3 MSR> Cass> DATs> CDRs> EAC> SHN; via Bob Murphy, Darrin Sacks; see pub comment for flaw note; note apparent upgrade with patch now circulating |
|
|
11/11/73 |
83318 |
Source Detail |
Winterland Arena |
San Francisco |
CA |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller |
|
|
11/14/73 |
79049 |
Source Detail |
San Diego Sports Arena |
San Diego |
CA |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC |
|
|
11/17/73 |
4749 |
Source Detail |
Pauley Pavilion, UCLA |
Los Angeles |
CA |
SBD> MR> C> DAT> CDR> EAC> SHN; via Tony Gardner from Paul B.'s discs; Splice between ROR and Playin' (no music affected) |
|
|
11/20/73 |
83165 |
Source Detail |
Denver Coliseum |
Denver |
CO |
flac16; Partial set 2 matrix mix using Cary Wolfson AUD shnid=22879 and sbd shnid=1234 by Matt Vernon
|
|
|
11/20/73 |
76616 |
Source Detail |
Denver Coliseum |
Denver |
CO |
flac16; main source: S:MR > DAT > CD > EAC > SHN (shnid 1234)
patch source: MAC (Taped by Cary Wolfson, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) (shnid 22879) |
|
|
11/21/73 |
22097 |
Source Detail |
Denver Coliseum |
Denver |
CO |
MSR > DAT > CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > CDWave v1.71 (tracking) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
Patches: MAC (Taped Taped by Glen Finley, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) |
|
|
11/21/73 |
88612 |
Source Detail |
Denver Coliseum |
Denver |
CO |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation |
|
|
11/30/73 |
8099 |
Source Detail |
Music Hall |
Boston |
MA |
sbd > ? > CDR; Some songs from this date are featured on Dick's Picks 14; go
buy it |
|
|
12/01/73 |
6648 |
Source Detail |
Music Hall |
Boston |
MA |
Master Soundboard Reels > PCM > DAT> CDR; CD Mastering by Scott Clugston |
|
|
12/02/73 |
3415 |
Source Detail |
Music Hall |
Boston |
MA |
Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston;a few seconds of overlap between d2,3; to abgd |
|
|
12/04/73 |
30656 |
Source Detail |
Cincinnati Gardens |
Cincinnati |
OH |
flac16; SET ONE ONLY
SBD -> Master Reel -> Dat
Transferred and Edited By Charlie Miller |
|
|
12/04/73 |
86845 |
Source Detail |
Cincinnati Gardens |
Cincinnati |
OH |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller (note: this source includes the encore missing from shn id 86839). |
|
|
12/06/73 |
102750 |
Source Detail |
Public Hall |
Cleveland |
OH |
flac16; Recording Info: SBD > MR > cassette > DAT > CD; Transfer Info: CD > Wav > Sound Forge 9 for compression, volume and EQ > FLAC; remastered version of source ID 4452 |
|
|
12/06/73 |
4452 |
Source Detail |
Public Hall |
Cleveland |
OH |
SBD MR > 1 cass gen > DAT > (AUD patching)> CD > EAC > SHN> slight retrack for d2t3, d3t1, d3t4> shnv2 on those tracks; d3 tracked for 80 min; see notes in info file; seed via David Gans, Jim Powell, Dave Greenberg; shns via Seth Kaplan, Alan Fink, G.S. Hamilton |
|
|
12/18/73 |
97511 |
Source Detail |
Curtis Hixon Convention Hall |
Tampa |
FL |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller; Upgrade in circulation |
|
|
12/19/73 |
97361 |
Source Detail |
Curtis Hixon Convention Hall |
Tampa |
FL |
flac16; Recording Info:SBD -> Master Reel -> Dat (44.1k); Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
02/23/74 |
198 |
Source Detail |
Winterland Arena |
San Francisco |
CA |
incomplete; SBD > Reel > PCM > DAT > CD > EAC > SHN; via Jay Serafin, Seth Kaplan, G.S. Hamilton; missing Big River, Ramble On Rose, Me And My Uncle, Casey Jones; note complete copy now in shn |
|
|
02/24/74 |
199 |
Source Detail |
Winterland Arena |
San Francisco |
CA |
SBD> Master Reel> PCM> DAT> Fostex D5 DAT> Marantz Professional?
PMD-320 CD Master> Ricoh MP-6200 series CD-R> HP 8200i CDRW Drive (EAC)>
SHNCD; via Jay Serafin, Stephen Windsor; note d4 is 73:52, not 74:06 as stated
in accompanying info file, and thus does not require overburning (possibly
was EZCD artifact?); no flaws noticed |
|
|
05/12/74 |
2224 |
Source Detail |
University Of Nevada |
Reno |
NV |
MSR> C> DAT> CDRs> EAC> SHN; via Darrin Sacks; previously uncirculated; see notes in info file |
|
|
05/12/74 |
16749 |
Source Detail |
University Of Nevada |
Reno |
NV |
MSR>C>DAT>CD w/ pitch corrected aud patches for disk 3 only of SBD seed via Sean Cribbs |
|
|
05/14/74 |
1823 |
Source Detail |
Adams Field House, University Of Montana |
Missoula |
MT |
MSR> cassette> DAT> CD-R> TAE> shn; via Bob Murphy |
|
|
05/17/74 |
202 |
Source Detail |
P.N.E. Coliseum |
Vancouver |
BC |
updated source: Andy Gustin and Jay Ashley report this could be the SBD
cass master>1 cass> DAT> 1 cass gen> DAT version noted on Tiedrich's
site (had been marked mSR> DAT> CDR> Toast Audio Extraction> SHN);
via Andy Gustin; 9/11/73 filler |
|
|
05/19/74 |
203 |
Source Detail |
Portland Memorial Coliseum |
Portland |
OR |
SBDMR -> DAT; DAT -> CD -> EAC -> SHN; via A. Jerugim; 5/21: copy retracked
on sector boundaries by J. Kempka; see public comments for detailed flaw notes |
|
|
05/21/74 |
22801 |
Source Detail |
Edmundson Pavilion, University Of Washington |
Seattle |
WA |
MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496 (shn id 2597) patched with AudMC > WAV > SHN (10150) via Charles Wier |
|
|
05/25/74 |
2635 |
Source Detail |
Campus Stadium, UCSB |
Santa Barbara |
CA |
MSR > Dick Latvala's cass > DAT > mastered to CD-R on an HHB CDR-850> .shn DAE/reSHN of shn id 205 shn set, via Doug Moog. David Hollister reports problems on USB track |
|
|
06/08/74 |
97268 |
Source Detail |
Oakland-Alameda County Coliseum |
Oakland |
CA |
flac16; Recording Info: Set 1 + Encores: SBD -> Master Reel -> Reel -> Reel -> Wavelab -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Wavelab -> FLAC; Mastering Info: FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; Re-mastered By Charlie Miller |
|
|
06/16/74 |
26452 |
Source Detail |
Des Moines State Fair Grandstand |
Des Moines |
IA |
mixed SBD sources: Set 1: MSR> C> DAT> CD Set 2 & 3: MSC> DAT> CD (except for patch in Wharf Rat which is MSR> ?> DAT> CD), lineage reported by Andy Lemieux; assembled/fixed by Sean Cribbs from Alan Fink's, Steve Windsor's and Andy's source material (see notes in txt) |
|
|
06/16/74 |
17701 |
Source Detail |
Des Moines State Fair Grandstand |
Des Moines |
IA |
S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details; Note- This shn set was submitted by Alan Fink himself
|
|
|
06/18/74 |
209 |
Source Detail |
Freedom Hall |
Louisville |
KY |
SBD> MR>1 cass> DAT> ZA2> SHN; newly circulating crisp version); via D. Sacks, D. Hollister; note d3t2 was bad 11/5, fixed
11/8 |
|
|
06/20/74 |
2179 |
Source Detail |
The Omni |
Atlanta |
GA |
Master 7", 2 track Soundboard Reel > Cassette > DAT > CDR; uploaded by Scott Clugston; via "the usual"; to abgd, later to etree; note d1 tracked for 80 min |
|
|
06/22/74 |
212 |
Source Detail |
Jai-Alai Fronton |
Miami |
FL |
MR> C> DAT2> CDR3> EAC> SHN; via Darrin Sacks |
|
|
06/23/74 |
30846 |
Source Detail |
Jai-Alai Fronton |
Miami |
FL |
Remaster of sbd w/ aud patches by Owens Brothers |
|
|
06/28/74 |
10984 |
Source Detail |
Boston Garden |
Boston |
MA |
set 1; SBD> MR> DAT> Sonic Solutions> CD> ?> EAC> SHN; EAC'ed / SHN'ed by Tom Snider, Jr., with thanks to Jeff Cook; other material from show is featured on Dick's Picks 12 itself, go buy it |
Set 1 only |
|
06/30/74 |
96275 |
Source Detail |
Springfield Civic Center |
Springfield |
MA |
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
06/30/74 |
17814 |
Source Detail |
Springfield Civic Center |
Springfield |
MA |
SBDMR > DATx2 > CD > SHN > WAV > SHN; Soundboard: DAT > CD > SHN transfer by Dan Lynch; Final editing and AUD patching by Noah Weiner |
|
|
07/19/74 |
217 |
Source Detail |
Selland Arena |
Fresno |
CA |
set 2 partial; MR> DAT> CDR; seed via D. Gans, D. Finney; md5s for shns and wavs given (complete show now in circulation (Upgrade now in circulation.) |
|
|
07/19/74 |
12381 |
Source Detail |
Selland Arena |
Fresno |
CA |
MSR > D > CD patched with MAC > C > C > D Mastering and patches by Dave Greenberg.
SHN conversion by Jay Gerland (EAC/mkwACT). Project instigated and organized by Jim Powell. Additional patching by Tim Symons 7-29-02; Note- This is the previous shn set with the 'additional patching'. (Upgrade now in circulation.) |
|
|
07/19/74 |
32634 |
Source Detail |
Selland Arena |
Fresno |
CA |
flac16; Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic SV3800/44.1k) Transfer Info: Dat -> Sound Forge 4.0 -> SHN (Jamie Lutch June 2001) Mastering Info: SHN -> Samplitude Professional v7.02 -> FLAC Mastering By Charlie Miller Patch Info: AUD>Cm>Cass>Cass>Dat>CD supplies patches in Row Jimmy and Playing In The Band. It also supplies all of Seastones and One More Saturday Night -- This copy does not have the NR that other patched copies have -- Thanks to Rob Eaton for supplying the source Dat |
|
|
07/25/74 |
12656 |
Source Detail |
International Amphitheater |
Chicago |
IL |
SBD -> Rm -> Dat -> Sonic Solutions -> CD
seeded by Charlie Miller |
|
|
07/27/74 |
2420 |
Source Detail |
Roanoke Civic Center |
Roanoke |
VA |
SBD> MR> C> DAT> CDR; via Seth Kaplan |
|
|
07/29/74 |
2277 |
Source Detail |
Capital Centre |
Landover |
MD |
SBD:MR> C1> DAT @ 48kHZ > Sony DAT deck PCM-R300 > coaxial s/pdif > pentium II 350 mHz via Turtle Beach "Fiji" soundcard > CoolEdit Pro > convert to 44.1kHz in CoolEdit Pro > Smart & Friendly CDR SCSI drive > CD; some diginoise was fixed, some smaller diginoise was not; tracked for 2x80 plus encore for filler elsewhere, but can fit on 3x74; via Teddy Good Bear, Doug Johnson to abgd |
|
|
07/31/74 |
32353 |
Source Detail |
Dillon Stadium |
Hartford |
CT |
flac16; Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC |
|
|
07/31/74 |
1019 |
Source Detail |
Dillon Stadium |
Hartford |
CT |
SBDMR> DATx> CD> DAT> CD> EAC> SHN; via Ziggy, Jack Warner, Kirby "Chalupa" Bell, Darrin Sacks;
see info file for minor anomalies |
|
|
08/06/74 |
1463 |
Source Detail |
Roosevelt Stadium |
Jersey City |
NJ |
fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy" |
|
|
09/09/74 |
12846 |
Source Detail |
Alexandra Palace |
London |
England |
SBD>MR>DAT(X2)>CDR; Note- Missing 6 of last 8 songs; Seeded to etree by Sly_Wow
|
|
|
09/10/74 |
18806 |
Source Detail |
Alexandra Palace |
London |
England |
Vault Soundboard Reels->Cassette->DAT->PCM->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN
DAT seed provided by Michael P. Weitzman.
Transfer and SHN by Joe Samaritano |
|
|
09/11/74 |
12183 |
Source Detail |
Alexandra Palace |
London |
England |
Candelario Matrix MSR D CD except
first 15:22 of Seastones (on Disc #2): AUD
end of Sunshine Daydream and encore: AUD
See info file for details; Mastering by Dave Greenberg; via Jed Distler; Seeded to etree by Jim Powell and Jay Gerland; See note in 'public comment' area regarding d3fix md5's
|
|
|
09/14/74 |
30653 |
Source Detail |
Olympiahalle |
Munich |
Germany |
flac16; Recording Info:
SBD -> Master Reel -> Dat
Transferred and Edited By Charlie Miller
|
|
|
09/18/74 |
32292 |
Source Detail |
Parc Des Expositions |
Dijon |
France |
flac16:
**SOUNDCHECK ONLY**
Lineage:
SBD -> Master Reel -> Dat
Transfer Info:
Dat -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC
Transferred and Mastered By Charlie Miller
|
Soundcheck |
|
09/18/74 |
20732 |
Source Detail |
Parc Des Expositions |
Dijon |
France |
Lineage: SBD -> Rm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN via Charlie Miller ((/shn/20675) with one track modified to remove a pop (see notes) by Matt Vernon |
|
|
09/21/74 |
30654 |
Source Detail |
Palais Des Sports |
Paris |
France |
flac16; SBD -> Master Reel -> Reel -> Dat
Transferred and Edited By Charlie Miller |
|
|
10/16/74 |
88251 |
Source Detail |
Winterland Arena |
San Francisco |
CA |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller |
|
|
10/16/74 |
12577 |
Source Detail |
Winterland Arena |
San Francisco |
CA |
Source: Reel Master>Cassette>DAT>EAC 0.93b>MKWACT via JR Fishman |
|
|
10/16/74 |
88180 |
Source Detail |
Winterland Arena |
San Francisco |
CA |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller |
|
|
10/16/74 |
90145 |
Source Detail |
Winterland Arena |
San Francisco |
CA |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller |
|
|
10/17/74 |
16189 |
Source Detail |
Winterland Arena |
San Francisco |
CA |
MultiTrack Master Reel > DAT > Sonic Solutions > CD; see info file for notes; via Steve Barbella, Rich Danyko, Matt Vernon |
|
|
10/17/74 |
99031 |
Source Detail |
Winterland Arena |
San Francisco |
CA |
flac16; Black Maxell UDII reel tape @ 3 3/4 ips.>Akai GX 636>Apogee Mini Me(24/96)>Apogee mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>DVD, DVD-Audio 2496>DVD-A Explorer>Wavelab 6.1>GEMS Edit Station Weiss Saracon for SRC POWr3 Dither 16bit/44.1 kHz, TradersLilHelper for FLAC 8 SBE Free Tag&Rename for MetaData |
|
|
10/18/74 |
22796 |
Source Detail |
Winterland Arena |
San Francisco |
CA |
Bertha Remaster of the Master Reel and multi-gen Reel source; SBD>>MR>>MDAT(44.1k)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B to A+ |
|
|
10/18/74 |
34950 |
Source Detail |
Winterland Arena |
San Francisco |
CA |
Recording Info: SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude -> CD -> EAC -> SHN All Transfers Done By Charlie Miller |
|
|
10/19/74 |
21927 |
Source Detail |
Winterland Arena |
San Francisco |
CA |
Recording Info:
SBD -> Reel Master -> Dat Master (Panasonic SV-255/48k)
Transfer Info:
Dat Master (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional ->
Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN)
Patch Info:
SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat -> Samplitude -> CD -> EAC -> SHN
Transfered and Edited By Charlie Miller
charliemiller87@earthlink.net
1/14/04 |
|
|
10/20/74 |
229 |
Source Detail |
Winterland Arena |
San Francisco |
CA |
mixed sources (see info file, and for flaws); via D. Finney, stemming
from Frank's Picks tree- more info;
note some material from show appears on album Steal Your Face- go
buy it; see public comments for quality note |
|
|
03/17/75 |
10111 |
Source Detail |
Ace's |
Mill Valley |
CA |
SBD>MR>DAT>CDR; David Crosby and the Dead from weir's Studio; via Raoul Duke; seeded to etree by Matt Vernon |
Rehearsals w/ David Crosby |
|
03/21/75 |
14288 |
Source Detail |
Ace's studio |
Mill Valley |
CA |
SNACK rehearsals, poss compilation of dates; ??> cass> cooledit> mkw> shn; Tracking/ re-shn (v3) from original single shn file, by terrapinstation |
Rehearsals |
|
03/23/75 |
32299 |
Source Detail |
Kezar Stadium |
San Francisco |
CA |
Source: FM > ??? > WAV > SHN
"Originally part of gd1991-03-31 on gdlive.com." |
SNACK Benefit |
|
04/02/75 |
14290 |
Source Detail |
Ace's Studio |
Mill Valley |
CA |
rehearsals; 1st Gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; There's some question as to the accuracy of this date; via terrapinstation to etree |
Rehearsals |
|
04/17/75 |
14291 |
Source Detail |
Ace's Studio |
Mill Valley |
CA |
rehearsals; sbd> ? gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; SBEs fixed with shntool, renamed to fit Etree standards and re-shn'ed by terrapinstation |
Rehearsals |
|
09/28/75 |
22257 |
Source Detail |
Lindley Meadows, Golden Gate Park |
San Francisco |
CA |
Bertha Remaster of the master reel source; SBD>>MR>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A
|
|
|
05/28/76 |
82947 |
Source Detail |
Orpheum Theatre |
San Francisco |
CA |
flac16; Lineage R2 > D Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif interconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 by Jamie Waddell (compilation of material recorded on 5-28,29,30-76; See info file for details) |
Rehearsals GEMS |
|
06/03/76 |
7555 |
Source Detail |
Paramount Theatre |
Portland |
OR |
last 2 songs missing; MR > Reel > PCM > DAT > DAT Clone > WAV > SHN > CDR; noted at gdlive |
|
|
06/09/76 |
5426 |
Source Detail |
Boston Music Hall |
Boston |
MA |
set 2; SBD> MR> DAT> SS> CDR> EAC> SHN; via Tony Gardner, from Paul B. seed discs |
Set 2 only |
|
06/10/76 |
82921 |
Source Detail |
Boston Music Hall |
Boston |
MA |
flac16; Source Info: SBD Master Reel -> PCM -> Dat (44.1k) Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 and Ozone. Dithered L2 Type-1 Ultra by Jamie Waddell |
Betty Board GEMS |
|
06/11/76 |
22803 |
Source Detail |
Boston Music Hall |
Boston |
MA |
SBD of unknown lineage, claims to be an A+ improvement over previous SBDs in circulation. Available at www.gdlive.com |
|
|
06/14/76 |
82308 |
Source Detail |
Beacon Theatre |
New York |
NY |
flac16; Betty Board > PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 by Jamie Waddell |
Betty Board GEMS |
|
06/17/76 |
80739 |
Source Detail |
Capitol Theater |
Passaic |
NJ |
flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller |
|
|
06/29/76 |
1812 |
Source Detail |
Auditorium Theatre |
Chicago |
IL |
7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > DAT > ZA2 > CDR > EAC > SHN; via Jeff Tiedrich, David Hollister, Mike (Dank Star) Parrillo, Andy Gustin; with interleaved reel splices for completeness |
Betty Board |
|
07/16/76 |
28042 |
Source Detail |
Orpheum Theatre |
San Francisco |
CA |
flac16; SBD + AUD Matrix Mix (50% SBD/50% AUD), seeded by Dan |
Set 2 only |
|
03/19/77 |
255 |
Source Detail |
Winterland Arena |
San Francisco |
CA |
SBD>MR>DAT>DAT>Sonic Solutions>CDR; original tree
and covers;
note circ at one site 10/99 w/ problem in d3t5?; note Terrapin has fluttery
flaws from master reel |
|
|
03/20/77 |
25610 |
Source Detail |
Winterland Arena |
San Francisco |
CA |
Recording Info: SBD -> Master Reel -> Dat x 2 -> Sonic Solutions -> CD
Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN
Tracked and SHN'd By Charlie Miller
|
|
|
04/23/77 |
88401 |
Source Detail |
Springfield Civic Center |
Springfield |
MA |
flac16; SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller |
|
|
05/01/77 |
81739 |
Source Detail |
The Palladium |
New York |
NY |
flac16; Set 2 Only, Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller |
Set 2 only |
|
05/07/77 |
262 |
Source Detail |
Boston Garden |
Boston |
MA |
SBD> Betty Reels> PCM> DAT> Digitally read in on SGI> SHN; USB missing, Around has a couple of uncorrectable blems; (note missing USB- one might infer this stemmed from the WBOTB source distribution- their USB was intended to become filler on a 4/78 show which did not end up getting around) |
Betty Board |
|
05/08/77 |
4982 |
Source Detail |
Barton Hall, Cornell University |
Ithaca |
NY |
freshly remastered Betty Board with AUD splices, by Rob Eaton; see info file for extensive notes and credits; etreed by Darrin |
Betty Board - Set 1 only |
|
05/09/77 |
268 |
Source Detail |
Buffalo Memorial Auditorium |
Buffalo |
NY |
S:bReel>P>D>CD; tunings and splice (in Music) edited; via Trick and Jason; note Music d1t10 is missing from one circulating version of the shn set (md5s listed here as d1p); complete md5 with d1t10 is listed here as d1tot; thanks to Patrick Murphy for assistance; upgrade in circulation
|
Betty Board |
|
05/18/77 |
79012 |
Source Detail |
Fox Theatre |
Atlanta |
GA |
flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude v7.02 Professional -> FLAC |
|
|
05/25/77 |
87539 |
Source Detail |
The Mosque |
Richmond |
VA |
flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade in circulation |
|
|
05/25/77 |
13399 |
Source Detail |
The Mosque |
Richmond |
VA |
Source: SBD
Genealogy: MR > DAT > CDR > SHN > CDR > SHN
; upgrade in circulation
George Shannon added 0.80 seconds of material to disk 2 track 3 at 0:05 to fill the gap in the version downloaded from etree. The material used was received in trade and was from the same show but a different source. The tracks were also re-sequenced so they now appear in original show order with the encore at the end. EAC and Soundforge were the tools used. |
|
|
06/07/77 |
1861 |
Source Detail |
Winterland Arena |
San Francisco |
CA |
Soundboard -> Vault Reels ->DAT -> David Gans' Sonic Solutions Digital Editing -> CDR -> EAC -> CDR -> EAC -> SHN> unknown steps > shn; note the txt file lists Darrin Sacks as seeder, but md5s do not match his already-circulating shn set; the provenance of this set is therefore unconfirmed- info file and lineage shown here may or may not be correct; upgrade in circulation
|
|
|
06/08/77 |
25621 |
Source Detail |
Winterland Arena |
San Francisco |
CA |
Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD
Transfer Info: CD -> EAC -> Samplitude v7.02 Profesional -> SHN
Transferred and Edited By Charlie Miller
|
|
|
06/09/77 |
28614 |
Source Detail |
Winterland Arena |
San Francisco |
CA |
flac16; Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD
Transfer Info: CD -> EAC -> Samplitude Profesional v8.0 -> FLAC
Transferred and Edited By Charlie Miller
Patch Info:
AKG D224 -> Master Reel (Tandberg 10XD) -> Reel -> Dat -> CD |
|
|
06/09/77 |
3869 |
Source Detail |
Winterland Arena |
San Francisco |
CA |
SBD> Reel> PCM> DAT> DAT> CD; transfer: Fostex D10> hhb 800 professional stand-alone player; no editing; via Jeff Fishman; reportedly fuller-sounding than previously etreed copies; see flaw notes in info file; no Sunrise; upgrade in circulation
|
|
|
09/28/77 |
95952 |
Source Detail |
Paramount Theatre |
Seattle |
WA |
flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48] Mastering: In WaveLab with Nomad Blue Tube Plugins Rate Conversion with r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky |
Betty Board |
|
10/02/77 |
86354 |
Source Detail |
Paramount Theatre |
Portland |
OR |
flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz X2 > WBOTB Master DAT (DAT-2).
|
Betty Board |
|
10/02/77 |
278 |
Source Detail |
Paramount Theatre |
Portland |
OR |
WBOTB tree;
Complete show-- source tape: MR>P2>D1); 7" two track BBD reel w/ DBX-1
@ 7 1/2 ips > PCM501ES @ 44.055 kHz; PCM501ES analog out > DBX-1 decoder
> analog in PCM501ES; PCM501ES analog out > Fostex D5 @ 48 kHz; Casey Jones,
brief low-level crackle, poss bad mic; Wharf Rat ~30 sec section of analog
tape damage leading to a cut during the song. There is an illegal bootleg
available that apparently has no cut in Wharf Rat, but the cut has been
edited out and the song is about 30 sec shorter than on the Betty reel.
No EQ has been performed. You hear what is on the Betty reels.; note md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 7/99 shn set; upgrade in circulation
|
Betty Board |
|
01/22/78 |
4974 |
Source Detail |
McArthur Court, University Of Oregon |
Eugene |
OR |
d1,d3: sbd> ??> cd> eac> shn, d2 from previous shn set (see notes in info file); to gdlive, via popi |
Close Encounters space |
|
04/10/78 |
18098 |
Source Detail |
Fox Theater |
Atlanta |
GA |
SBD -> Rm -> PCM -> Dat via Charlie Miller |
|
|
04/11/78 |
18099 |
Source Detail |
Fox Theater |
Atlanta |
GA |
SBD -> Rm -> PCM -> Dat via Charlie Miller; upgrade in circulation
|
|
|
04/15/78 |
33683 |
Source Detail |
William & Mary Hall |
Williamsburg |
VA |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) -> Samplitude Professional v7.02 -> FLAC |
|
|
04/16/78 |
82273 |
Source Detail |
Huntington Civic Center |
Huntington |
WV |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC by Charlie Miller |
|
|
05/11/78 |
16333 |
Source Detail |
Springfield Civic Center |
Springfield |
MA |
SBD -> Rm -> Cass -> Dat -> CD -> Sonic Solutions -> CD via Charlie Miller |
|
|
07/08/78 |
294 |
Source Detail |
Red Rocks Amphitheatre |
Morrison |
CO |
SBD> [?]> DAT> CDR; via Jeff Hoelter; see pub comments for additional notes. [Note: A shntool-fixed-be-sets version of this source is available]; upgrade in circulation
|
|
|
09/14/78 |
22169 |
Source Detail |
Gizah Sound and Light Theater |
Cairo |
Egypt |
Recording Info: SBD -> Master Reel (2 track) -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN)Transfered By Charlie Miller; upgrade in circulation
|
|
|
09/14/78 |
88171 |
Source Detail |
Gizah Sound and Light Theater |
Cairo |
Egypt |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC Transfered By Charlie Miller |
|
|
09/15/78 |
87782 |
Source Detail |
Gizah Sound and Light Theater |
Cairo |
Egypt |
flac16; Recording Info: Set One: SBD -> Master Reel -> Cassette -> Dat (48k) Set Two: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller |
|
|
09/16/78 |
88314 |
Source Detail |
Gizah Sound and Light Theater |
Cairo |
Egypt |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller |
|
|
11/20/78 |
32489 |
Source Detail |
Cleveland Music Hall |
Cleveland |
OH |
flac 16; Sick Bits Vol. 16a - matrix: SBD/AUD mix from 2 previously circulating sources; SBD: (shnid=12947)+ AUD: (shnid=302); edited, mixed and transfered by Chris Chappell |
|
|
11/24/78 |
87642 |
Source Detail |
Capitol Theatre |
Passaic |
NJ |
flac16; Recording Info: WBCN Pre-FM -> Studer Console -> Master Reel -> Dat/0 (Sony ES/48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller |
|
|
11/24/78 |
77177 |
Source Detail |
Capitol Theatre |
Passaic |
NJ |
flac16; Source: PreFM SBD MR > DAT (48Khz) > DAT > WAV > FLAC. DAT > WAV transfer: Playback on Sony PCM-R500 > Neutrik input on Presonus Firebox preamp/A:D > firewire/XP Pro PC > Wavelab 5, recorded as 24 bit/96 KHz WAV > Waves L3 Multimaximizer (mastered to 16 bit/44.1 KHz WAV using hi res CD dither settings) > CDWAV 1.9 (tracking and FLAC encoding) > FLAC (level 8). |
|
|
02/07/79 |
86941 |
Source Detail |
SIU Arena, Southern Illinois University |
Carbondale |
IL |
flac16; Set 1 only, Lineage: SBD > ? > Cassette Transfer: Maxell XL-II > Nakamichi BX-125 > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Aug 2007, by Andrew F. |
|
|
10/27/79 |
29490 |
Source Detail |
Cape Cod Coliseum |
South Yarmouth |
MA |
flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller ( upgrade now in circulation). |
|
|
10/28/79 |
30655 |
Source Detail |
Cape Cod Coliseum |
South Yarmouth |
MA |
flac16; SBD -> Master Cassette -> Reel -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation
|
|
|
11/01/79 |
78301 |
Source Detail |
Nassau Veterans Memorial Coliseum |
Uniondale |
NY |
flac16; Recording Info: SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transfer Info: Master Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC; This is a repatch of shn id 23445 & shn id 77363 |
|
|
11/02/79 |
7920 |
Source Detail |
Nassau Veterans Memorial Coliseum |
Uniondale |
NY |
SBD> MR> Dick's cassette> DAT> CD; via Alasdair Macdonald |
|
|
06/07/80 |
88451 |
Source Detail |
Folsom Field, University Of Colorado |
Boulder |
CO |
flac16;Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXLII-C90)
All Transfers and Mastering By Charlie Miller |
|
|
06/08/80 |
88452 |
Source Detail |
Folsom Field, University Of Colorado |
Boulder |
CO |
flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXLII-C90)
All Transfers and Mastering By Charlie Miller |
Filler: Warren Zevon opener & Bobby interview |
|
06/20/80 |
25469 |
Source Detail |
West High Auditorium |
Anchorage |
AK |
Recording Info: SBD -> Cassette Master -> Sonic Solutions (20bit) -> SBM2 (Dithered To 16bit) -> CD (Master Production Discs) -> EAC -> SHN (3 Discs Audio / 2 Discs SHN)Patch Info: Patches in Let It Grow and Drums supplied By AKG 414 -> Cm -> Dat -> CD -> EAC -> SHN via Charlie Miller |
|
|
09/06/80 |
93782 |
Source Detail |
State Fairgrounds |
Lewiston |
ME |
flac16; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-II); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller |
|
|
10/02/80 |
2204 |
Source Detail |
Warfield Theater |
San Francisco |
CA |
set 3; SBD-> Master Cassette-> DAT-> Sonic Solutions-> CD; CD-> EAC-> SHN conversion and upload by Adam Jerugim; seed via David Gans, Chris Meyer, Charlie Miller |
|
|
10/02/80 |
8039 |
Source Detail |
Warfield Theater |
San Francisco |
CA |
Acoustic set; SBD> MR> CASSETTE> DAT> CDR; via Paul B.; Tim Wiley |
acoustic |
|
10/03/80 |
2200 |
Source Detail |
Warfield Theater |
San Francisco |
CA |
acoustic; SBD-> Master Cassette-> DAT-> Sonic Solutions-> CD; CD-> EAC-> SHN conversion and upload by Adam Jerugim; seed via David Gans, Chris Meyer, Charlie Miller |
acoustic |
|
10/09/80 |
11042 |
Source Detail |
Warfield Theater |
San Francisco |
CA |
labelled as SBD> R> DAT> CD, but see info file notes; note same txt file as other shn set, but md5s differ |
|
|
10/10/80 |
73820 |
Source Detail |
Warfield Theater |
San Francisco |
CA |
flac16; Acoustic Set - sbd reel master > dats @ 44.1 kHz wavelab > cd wave/flac |
acoustic |
|
10/10/80 |
14386 |
Source Detail |
Warfield Theater |
San Francisco |
CA |
Acoustic set only; SBD>MR>PCM>DAT>CDR>EAC>SHN
This new seed does not have the problems in Dark Hollow like the
previous seed. |
Acoustic Set |
|
10/11/80 |
323 |
Source Detail |
Warfield Theater |
San Francisco |
CA |
acoustic set; SBD> Reel> PCM> DAT> CDR> Plexwriter CD-R (EAC)> HP 8200i CDRW Drive (EAC); via Andy "Bear" Greider, Stephen Windsor, Darrin Sacks |
acoustic |
|
03/05/81 |
83494 |
Source Detail |
Stanley Theater |
Pittsburgh |
PA |
flac16; Recording by Mason Taylor and Mark Radnor: : NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Location: 1st Row of lower balcony Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer by: Adam Gross - Cassette Master > HHB Porta-a-DAT DAT Transfer by: Todd Evans DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 (note: this was originally seeded with the files named incorrectly. The info file below reflects the corrected file names and a renamed md5 file has been included.) |
|
|
12/31/81 |
7041 |
Source Detail |
Oakland Auditorium Arena |
Oakland |
CA |
electric sets; Monitor Mixer SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB; via Jay Serafin to gdlive; see extensive notes in txt files |
|
|
01/31/83 |
21265 |
Source Detail |
Stone House Studio |
Novato |
CA |
Studio Rehearsals
Recording Info:
SBD -> Reel Master -> Cass -> CD -> EAC -> SHN
Converted By Charlie Miller
charliemiller87@earthlink.net
12/5/03 |
|
|
03/26/83 |
79605 |
Source Detail |
Aladdin Theater |
Las Vegas |
NV |
flac16; Set2: Sennheiser 421 > Sony TC-770 Reel to Reel at 3 3/4 ips > Sony DTC-2000ES > DAT > M-Audio Delta 410 > wav > *Adobe AUdition 1.5 > shntool > FLAC lvl8 |
|
|
04/09/83 |
27703 |
Source Detail |
Hampton Coliseum |
Hampton |
VA |
SBD> Master Cassette> Reel> Dat (48k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; plus patches from Rob Eaton's FOB Senn 441 source; Transferred, Edited and Patched By Charlie Miller
|
|
|
04/25/83 |
88164 |
Source Detail |
The Spectrum |
Philadelphia |
PA |
flac16; Source:2-Nak 700's>Sony D5 Location: FOB-7th row DFC @6 ft high on stand(head high) Taper: Rick "Coyotte" Colyard 2 maxell UDXL2-Cassette MASTERS Transfer: Sony TCW-21(analog out)>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3@44.1khz>WAV>Poulderbits Sound Editor for (fades/cuts)>Media Join(join tape flips)>FlacFrontend (level-8)>flac-16 |
|
|
06/18/83 |
21741 |
Source Detail |
Saratoga Performing Arts Center |
Saratoga Springs |
NY |
(Front Row Balcony) Sennheiser 441 -> PCM -> CD -> Dat |
Set 2 only |
|
10/11/83 |
344 |
Source Detail |
Madison Square Garden |
New York |
NY |
FOB Sennheiser 441's > Technics PCM master > DAT; Transfer: DAT
> ZA2 > SoundForge; Taper: Jeff Silberman; via A. Gustin to etree, stemming
from tree run by M. Daniel, F. Venezia; barely fits on 2 discs without
filler; filler 4/17/84, same source |
|
|
10/15/83 |
88018 |
Source Detail |
Hartford Civic Center |
Hartford |
CT |
flac16; Source:2-Sennheiser MD421's>Sony D5 Location: FOB-4th row DFC @6 ft high Taper: Rick "coyotte"Colyard Team Old Skool FOB Released 10/28/07 2 maxell xl2's-cassette MASTERS Transfer: Sony ES-950>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3>WAV>Poulderbits Sound Editor for (fades/cuts)> FlacFrontend (level-8)>flac-16 Transfered by muletaper 10/07 |
|
|
10/17/83 |
26460 |
Source Detail |
Olympic Center |
Lake Placid |
NY |
reDAE of very same audio CD as used for previous fileset, seeded to abgd by Skankweed; upgrade in circulation
|
Set 1 only |
|
10/22/83 |
88725 |
Source Detail |
Carrier Dome, Syracuse University |
Syracuse |
NY |
flac16; Source:Sennheiser-MD421's>Sony D5 Location: FOB-6th Row DFC @8 ft high on stand Taper: Rick "Coyotte" Colyard 2 Maxell SA-X90-Cassette MASTERS Transfer:MAC> Sony TCW-21(Analog out)>Edirol Digi-Mod UA5@44.1khz>Digital-Optical out>>Nomad JB3@44.1khz>WAV>Poulderbits Sound Editor for (fades/cuts)>FlacFrontend (level-8)>flac-16
Transfered and Edited by MULETAPER- 11/23/07 |
|
|
10/12/84 |
85219 |
Source Detail |
Augusta Civic Center |
Augusta |
ME |
flac 16; Recording by Mtownshend:FOB -> Sony TC D5 -> PCM -> DAT (@44.1k)
Transfer/mastering: Panasonic (optical out) -> E-MU 1010 (analog out) -> analog rack (ADAT out) -> E-MU 1010 -> Wavelab Tracking and Compression: CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper |
|
|
10/12/84 |
30192 |
Source Detail |
Augusta Civic Center |
Augusta |
ME |
flac16; Source Update: Note that the seeder Mtownshend indicates that this recording most likely is from an audience source. See the public comments regarding the source of this recording. (Had been marked:SBD/AUD Healy Matrix) |
|
|
06/14/85 |
4978 |
Source Detail |
Greek Theatre, U. Of California |
Berkeley |
CA |
Schoeps cmc42S (spread around 8') > Oade M118 prototype "b" > Oade Modified PCM-F1 > DATx2 (44.1khz) Recorded by Doug Oade, Taper's Section; Transfer: Sony D7> Sonic Sense Modified Sony 7 Pin Coax > Zoltrix Nightingale > CDWAV > SHN; DAT>SHN conversion and seeding by Darrin Sacks
|
|
|
06/16/85 |
7087 |
Source Detail |
Greek Theater, U. of California |
Berkeley |
CA |
Oade PCM-AUD Schoeps MK41 (90deg spaced spaced 17 cm- aka DIN variant, Tapers' Section)> CMC4> Oade M118 prototype b> Oade Modified PCM-F1> DAT (x1?) (44.1khz); Recorded by Doug Oade; Transfer: Sony d7> Sonic Sense Modified Sony 7 Pin Coax> Zoltrix Nightingale (coax Mod)> CDWAV (no sample Rate Conversion Performed); DAT>SHN conversion and seeding by Darrin Sacks; There are two circulating transcriptions seeded by Darrin Sacks, this seed is from the 44.1kHz DAT source; see alternate seed |
|
|
06/25/85 |
18663 |
Source Detail |
Blossom Music Center |
Cuyahoga Falls |
OH |
SBD -> Cm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN
(2 Discs Audio / 2 Discs SHN)
Converted By Charlie Miller |
|
|
06/28/85 |
33339 |
Source Detail |
Hershey Park Stadium |
Hershey |
PA |
flac16; (FOB) 2 Sennheiser 441's > Sony D5 > Master Cassettes; Taped transferred by Mark McCue; Retracking, conversion and seeding to bt.etree.org by Alex Ford
|
|
|
06/30/85 |
366 |
Source Detail |
Merriweather Post Pavilion |
Columbia |
MD |
SBDmc> DAT> CD; via Nick Georges; reported lots of hiss, and inferior "digital manipulation"; additional notes in public comments Note- This show also circ's with 'corrected' track names via ccryder@westerncom.net |
|
|
09/02/85 |
85981 |
Source Detail |
Zoo Amphitheater |
Oklahoma City |
OK |
flac16; MAC; (FOB) Sennheiser 441s > Sony D5 > Sony D5 > 2 Maxell MX90s Tapers: Adam, Justin & Monica Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496 > Waves L2 > WAV @ 1644 > CD Wave Editor > TLH > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, patches/edits, conversion, and seeding by Alex Ford - June 2007. |
|
|
09/03/85 |
27250 |
Source Detail |
Starlight Theater |
Kansas City |
MO |
flac16 Oade Master -- 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac; Oade Brothers Recording
Transferred by Doug Oade, tracked by Darrin Sacks; possible difference re normalization compared to a similar previous fileset (see txt note) |
|
|
09/15/85 |
34722 |
Source Detail |
Devore Field, Southwestern U |
Chula Vista |
CA |
flac16; Recording Info: SBD -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller |
|
|
04/21/86 |
1857 |
Source Detail |
Berkeley Community Theater |
Berkeley |
CA |
SBD> Master Cassette> DAT> CDR> EAC> SHN; via Jeff M. |
|
|
05/04/86 |
12088 |
Source Detail |
Cal Expo Amphitheatre |
Sacramento |
CA |
SBD -> PCM -> ? -> Cass (DBX) -> Dat; Seeded to etree by Charlie Miller |
|
|
05/10/86 |
81625 |
Source Detail |
Frost Amphitheatre |
Palo Alto |
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
05/11/86 |
81626 |
Source Detail |
Frost Amphitheatre |
Palo Alto |
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
06/20/86 |
81645 |
Source Detail |
Greek Theatre, University Of California |
Berkeley |
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
06/21/86 |
81518 |
Source Detail |
Greek Theatre, University Of California |
Berkeley |
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 |
|
|
07/06/86 |
12928 |
Source Detail |
Robert F. Kennedy Stadium |
Washington |
DC |
FOB-AUD>MC>DAT>CDR; Senn 421?s>Sony TC-D5; via Frankenstein; seeded by eD |
|
|
12/27/86 |
77443 |
Source Detail |
Henry J. Kaiser Convention Center |
Oakland |
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
|
|
12/31/86 |
77447 |
Source Detail |
Henry J. Kaiser Convention Center |
Oakland |
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
|
|
03/22/87 |
9734 |
Source Detail |
Hampton Coliseum |
Hampton |
VA |
Master Soundboard Cassette (Ultra-Matrix) > Reel to Reel > PCM > CDR; CD Mastering, SHN'ed by Scott Clugston; To abgd via Charlie Connor
|
|
|
03/22/87 |
25580 |
Source Detail |
Hampton Coliseum |
Hampton |
VA |
Recording Info:Set 1: SBD -> Master Cassette -> Reel -> PCM -> CD Set 2: SBD -> Master Cassette -> Dat (44.1k) Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller |
|
|
03/23/87 |
77786 |
Source Detail |
Hampton Coliseum |
Hampton |
VA |
flac16; Source: Sennheiser ME88 shotguns > Sony D6 > TDKMA90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res dither settings) > CDWAV 1.9 > FLAC (level 8 encoding). Transfer and FLAC encoding by C.Ladner |
|
|
03/24/87 |
77915 |
Source Detail |
Hampton Coliseum |
Hampton |
VA |
flac16; Source: Sennheiser ME88 shotguns > Sony D6 > TDKMA90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res CD dither settings) > CDWAV 1.9 (tracking and encoding) > FLAC (level 8 encoding). Transfer, mastering and encoding by C.Ladner |
|
|
03/24/87 |
25581 |
Source Detail |
Hampton Coliseum |
Hampton |
VA |
Set 2 Only - Recording Info: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller |
|
|
05/03/87 |
1193 |
Source Detail |
Frost Amphitheatre |
Palo Alto |
CA |
DSBD/DAUD MIX: 65% DSBD PRE-FM SBD --> PCM --> DAT --> CDR, 35% FOB Schoeps CMC32S --> Grace P.S. --> Sony PCM601 ES --> DAT --> CDR; mixed by Sean Weber, converted to shn by Bill Gardner; note drums and space spread across multiple tracks; see pub comments for additional/updated source notes |
|
|
05/09/87 |
5059 |
Source Detail |
Laguna Seca Recreation Area |
Monterey |
CA |
SBD (matrix)> PCM> Dat; Conversion: Sony M1> Oade Cable> Zoltrx Pro6> Soundforge(wav)> CDWav(split)> Shn V3 (no DAE); Conversion & Seed: Brian Cole |
|
|
06/??/87 |
97489 |
Source Detail |
Club Front |
San Rafael |
CA |
Rehearsal material from soundboard cassette masters > DAT > CD-R > ? > SHN |
|
|
07/07/87 |
2309 |
Source Detail |
Roanoke Civic Center |
Roanoke |
VA |
Schoeps > PCM > DAT > CD > EAC > SHN; [no info file?]; via Steve Wigley, Randy to offers |
|
|
07/08/87 |
90146 |
Source Detail |
Roanoke Civic Center |
Roanoke |
VA |
flac16; Recording Info: SBD -> Cassette Master -> Dat -> FLAC Transfer Info: FLAC -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller |
|
|
07/10/87 |
93077 |
Source Detail |
John F Kennedy Stadium |
Philadelphia |
PA |
Soundboard (except Queen Jane Approximately) |
Dylan/Dead Set |
|
07/10/87 |
87266 |
Source Detail |
John F Kennedy Stadium |
Philadelphia |
PA |
flac16; AUD: Nakamichi CM-700's > patched from one Sony D5 > Sony TC-D5M > Maxell MX-90's (no Dolby), set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. |
|
|
09/12/87 |
31018 |
Source Detail |
Capital Centre |
Landover |
MD |
Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner.
|
Healy UltraMix |
|
09/12/87 |
4702 |
Source Detail |
Capital Centre |
Landover |
MD |
CSBD?> DAT?; via chill and unIDed seeder; skipping in Black Muddy |
|
|
09/13/87 |
8908 |
Source Detail |
Capital Centre |
Landover |
MD |
FOB Schoeps> PCM> D> CDR> mkw> shn; missing encore; via Chris Dipietro |
|
|
09/24/87 |
92282 |
Source Detail |
The Spectrum |
Philadelphia |
PA |
flac16; Recording Info:Set 1: SBD -> PCM -> Dat -> CD; Set 2: SBD -> PCM -> Dat (44.1k); Transfer Info:Set 1: CD -> Samplitude Professional v10.02 -> FLAC; Set 2: Dat -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller. (Fixed version now in circulation.) |
|
|
10/03/87 |
79380 |
Source Detail |
Shoreline Amphitheatre |
Mountain View |
CA |
flac16; Source: Healy Matrix SBD > PCM > DAT (48KHz)> DAT. Transfer: DAT playback on Sony PCM-R500 > XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded as 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > rendered to 16/44.1 using Waves IDR (type I dither/ultra shaping) > tracking (CDWAV 1.9) > FLAC (level 8) |
|
|
10/04/87 |
79381 |
Source Detail |
Shoreline Amphitheatre |
Mountain View |
CA |
flac16; Source: Healy Matrix SBD > PCM > DAT (48KHz)> DAT. Transfer: DAT playback on Sony PCM-R500 > XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded as 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > rendered to 16/44.1 using Waves IDR (type I dither/ultra shaping) > tracking (CDWAV 1.9) > FLAC (level 8) |
|
|
12/27/87 |
15082 |
Source Detail |
Oakland-Alameda County Coliseum |
Oakland |
CA |
SBD -> Cm -> Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN via Charlie Miller |
|
|
12/31/87 |
85684 |
Source Detail |
Oakland-Alameda County Coliseum |
Oakland |
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
06/28/88 |
17956 |
Source Detail |
Saratoga Performing Arts Center |
Saratoga Springs |
NY |
FM (matrix): DAT> CD> TrackThief> AIFF> Peak> WAV> SHN via Braverman (upgrade of prior seeds from this source) |
|
|
07/15/88 |
9244 |
Source Detail |
Greek Theatre, U. Of California |
Berkeley |
CA |
2nd Row Behind Healy (see notes): Schoeps CMC42S (Spaced Omni 14' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters; Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR; Recording and Transfer: Sean Weber-small; EAC> Shn via MKW .97 by Bill Gardner |
|
|
09/02/88 |
28799 |
Source Detail |
Capital Centre |
Landover |
MD |
flac16; Recording Info: Set 1: SBD -> Cassette Master -> Dat (SV3800/48k) Set 2: SBD -> Dat -> Sonic Solutions -> CD Transfer Info: Set 1: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> FLAC Set 2: CD -> EAC -> Samplitude Professional v8.0 -> FLAC |
|
|
09/03/88 |
27749 |
Source Detail |
Capital Centre |
Landover |
MD |
flac16; verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller. (Note: The encore tracks circulate from the vault digital DAT separately here |
RIPPLE |
|
09/08/88 |
1561 |
Source Detail |
The Spectrum |
Philadelphia |
PA |
SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al;
CDR> EAC> CDR> EAC> MKW Utility> .shn files> abgd by John A.; stemming from Uncirculated ?88 SBD Tree (A re-tracked version circulates as of April, 2009. The audio data is identical. The "fixed info file is below.) |
|
|
09/09/88 |
14840 |
Source Detail |
The Spectrum |
Philadelphia |
PA |
SBD > Cass Master > DAT > CDR > CDR > EAC > SHN |
|
|
09/15/88 |
5068 |
Source Detail |
Madison Square Garden |
New York |
NY |
SBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min |
|
|
09/16/88 |
13603 |
Source Detail |
Madison Square Garden |
New York |
NY |
Jay Ashley (Bertha) Remaster of the Jim Wise release.
SBD>>MC>>DAT>>(*)>>CDA>>DAW(Bertha)>>CDA - Sound A |
|
|
09/18/88 |
12746 |
Source Detail |
Madison Square Garden |
New York |
NY |
SBD>MC>C?>DAT>CDR; via Jools; Seeded to etree by eD |
|
|
09/20/88 |
2422 |
Source Detail |
Madison Square Garden |
New York |
NY |
SBD> DAT> Casette Master> DAT> Montego II> CDR> EAC> SHN; via Jeff M.; includes encore, has small cut d1t7; upgrade relative to previous shn set |
|
|
10/15/88 |
28438 |
Source Detail |
Bayfront Center Arena |
St. Petersburg |
FL |
flac16; Recording Info: SBD -> Dat Master (48k) -> Dat (Cloned From Vault Master)
Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP ->
Samplitude v7.02 Professional -> FLAC
Transferred and Edited By Charlie Miller
(Set 2 partial) |
partial Set 2 |
|
03/30/89 |
81531 |
Source Detail |
Greensboro Coliseum |
Greensboro |
NC |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90)
Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
All Transfers and Mastering By Charlie Miller |
|
|
03/31/89 |
32349 |
Source Detail |
Greensboro Coliseum |
Greensboro |
NC |
flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Set 1: Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: Dat -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
|
|
03/31/89 |
16666 |
Source Detail |
Greensboro Coliseum |
Greensboro |
NC |
sbd>cass>dat>cd>eac>wav>shn>wav>shn; via Ray Hansen; seedeD |
|
|
04/08/89 |
83510 |
Source Detail |
Riverfront Arena |
Cincinnati |
OH |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
04/08/89 |
26348 |
Source Detail |
Riverfront Arena |
Cincinnati |
OH |
SBD> Cassette Master> Dat> CD> EAC> SHN; Converted to SHN By Charlie Miller |
|
|
04/15/89 |
82405 |
Source Detail |
The Mecca |
Milwaukee |
WI |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
04/28/89 |
88099 |
Source Detail |
Irvine Meadows |
Irvine |
CA |
flac16; SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
04/29/89 |
88124 |
Source Detail |
Irvine Meadows |
Irvine |
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
04/30/89 |
88173 |
Source Detail |
Irvine Meadows |
Irvine |
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
07/07/89 |
7855 |
Source Detail |
John F. Kennedy Stadium |
Philadelphia |
PA |
Audience (was labeled as (Healy Mix) SBD>MC>DAT>CDR_; via Paul B.; Tim wiley |
not a SBD |
|
07/09/89 |
81177 |
Source Detail |
Giants Stadium |
East Rutherford |
NJ |
flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
08/04/89 |
89884 |
Source Detail |
Cal Expo |
Sacramento |
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
08/05/89 |
89885 |
Source Detail |
Cal Expo |
Sacramento |
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
08/06/89 |
89966 |
Source Detail |
Cal Expo |
Sacramento |
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
08/17/89 |
83773 |
Source Detail |
The Greek Theatre - University of California |
Berkeley |
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
08/18/89 |
83774 |
Source Detail |
The Greek Theatre - University of California |
Berkeley |
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
08/19/89 |
23066 |
Source Detail |
The Greek Theatre - University Of California |
Berkeley |
CA |
SBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko |
|
|
08/19/89 |
83775 |
Source Detail |
The Greek Theatre - University Of California |
Berkeley |
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
09/29/89 |
17703 |
Source Detail |
Shoreline Amphitheatre |
Mountain View |
CA |
This is an updated text and md5 file for the previousshn set via Charlie Miller; Flaws in d2t08 and d2t09 fixed on 10/10/02
|
Death Don't Have No Mercy |
|
10/08/89 |
81532 |
Source Detail |
Hampton Coliseum |
Hampton |
VA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
10/09/89 |
80840 |
Source Detail |
Hampton Coliseum |
Hampton |
VA |
flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC . This has an upgraded patch source. |
|
|
10/09/89 |
7721 |
Source Detail |
Hampton Coliseum |
Hampton |
VA |
Lineage: SBD > PCM (analog output) > D > D > D > D; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes |
|
|
10/11/89 |
83292 |
Source Detail |
Meadowlands Arena |
East Rutherford |
NJ |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
10/12/89 |
83293 |
Source Detail |
Meadowlands Arena |
East Rutherford |
NJ |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
10/14/89 |
83296 |
Source Detail |
Meadowlands Arena |
East Rutherford |
NJ |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
10/15/89 |
83298 |
Source Detail |
Meadowlands Arena |
East Rutherford |
NJ |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
10/19/89 |
83305 |
Source Detail |
The Spectrum |
Philadelphia |
PA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
10/20/89 |
83317 |
Source Detail |
The Spectrum |
Philadelphia |
PA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
10/22/89 |
83319 |
Source Detail |
Charlotte Coliseum |
Charlotte |
NC |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
10/23/89 |
83327 |
Source Detail |
Charlotte Coliseum |
Charlotte |
NC |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
10/23/89 |
2223 |
Source Detail |
Charlotte Coliseum |
Charlotte |
NC |
SBD>Cassette Master> Sonic Solutions> CD> FM> DAT> CDR> EAC> SHN; via Jeff M. |
Set 1p2 only |
|
10/25/89 |
83398 |
Source Detail |
Miami Arena |
Miami |
FL |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
10/26/89 |
18664 |
Source Detail |
Miami Arena |
Miami |
FL |
SBD -> Dat -> Sonic Solutions -> CD -> EAC -> SHN
Set 2 only.
Converted By Charlie Miller |
Set 2 only |
|
10/26/89 |
83428 |
Source Detail |
Miami Arena |
Miami |
FL |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
12/06/89 |
14917 |
Source Detail |
Oakland-Alameda County Coliseum |
Oakland |
CA |
SBD -> Dat
(Encore is SBD>Cm>Dat with AUD Patch starting at 4:16)
Transfer Info:
Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN
(2 Discs SHN / 3 Discs Audio
Transfered and Edited By Charlie Miller |
|
|
03/14/90 |
8466 |
Source Detail |
Capital Centre |
Landover |
MD |
sbd>mc>dats>Soundforge 4.5>CD; via Tom E; Hosted by candyman.etree.org |
|
|
03/16/90 |
5227 |
Source Detail |
Capital Centre |
Landover |
MD |
sbd > ? > cdr > eac > shn; 2 cuts in each BTW, Blow Away; Estimated declicked by unIDed person (md5s shown for pre and post-edited- see info file); via Willy from Andrew Wigdahl seed discs; filler on d3 |
|
|
03/16/90 |
85201 |
Source Detail |
Capital Centre |
Landover |
MD |
flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.1.1 -> FLAC All Transfers and Mastering By Charlie Miller |
|
|
03/25/90 |
87347 |
Source Detail |
Knickerbocker Arena |
Albany |
NY |
flac16; SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16; All Transfers And Mastering By Charlie Miller; Upgrade in circulation |
John Cutler's Recording Mix |
|
03/26/90 |
87350 |
Source Detail |
Knickerbocker Arena |
Albany |
NY |
flac16; SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16; All Transfers And Mastering By Charlie Miller; Pitch corrected version in circulation |
John Cutler's Recording Mix |
|
03/28/90 |
87643 |
Source Detail |
Nassau Coliseum |
Uniondale |
NY |
flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller |
John Cutler's Recording Mix |
|
03/28/90 |
8510 |
Source Detail |
Nassau Coliseum |
Uniondale |
NY |
24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky |
|
|
03/29/90 |
26341 |
Source Detail |
Nassau Coliseum |
Uniondale |
NY |
SBD> Dat> CD; SHN Conversion By Charlie Miller |
|
|
03/29/90 |
97118 |
Source Detail |
Nassau Coliseum |
Uniondale |
NY |
flac16; matrix of DSBD: shnid=????? and DAUD: shnid=91347 by hansokolow using ProTools |
|
|
03/30/90 |
89173 |
Source Detail |
Nassau Coliseum |
Uniondale |
NY |
flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
John Cutler's recording mix |
|
03/30/90 |
87742 |
Source Detail |
Nassau Coliseum |
Uniondale |
NY |
flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
Dan Healy's Ultra-Matrix mix |
|
04/01/90 |
87809 |
Source Detail |
The Omni |
Atlanta |
GA |
flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller; Upgrade in circulation |
John Cutler's recording mix |
|
05/06/90 |
80278 |
Source Detail |
Cal State Dominguez Hills |
Carson |
CA |
flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller |
|
|
07/04/90 |
81523 |
Source Detail |
Sandstone Ampitheatre |
Bonner Springs |
KS |
flac16; patched version of shn id 26351: SBD -> Dat -> Cassette Master -> ART DIO (24bit/96k) -> Sound Forge 7 -> CD -> EAC -> SHN; all SHNs converted to FLAC |
|
|
07/06/90 |
12770 |
Source Detail |
Cardinal Stadium |
Louisville |
KY |
SBD> Dat> Sonic Solutions> CD; EAC'd and SHN'd By Charlie Miller |
|
|
07/10/90 |
8256 |
Source Detail |
Carter-Finley Stadium |
Raleigh |
NC |
SBD > MC > DAT > EAC > SHN; Unknown seeder |
|
|
07/12/90 |
21980 |
Source Detail |
Robert F. Kennedy Stadium |
Washington |
DC |
Recording Info:
Set One: SBD -> Dat
Set Two: SBD -> Cassette Master (TDK SA-X 100)
Transfer Info:
Set One: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN
Set Two: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16bit /44.1k) ->
SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN
(3 Discs Audio / 2 Discs SHN)
All Transfers and Edits Done By Charlie Miller
charliemiller87@earthlink.net
1/27/04 |
RAIN!!!!!! |
|
07/14/90 |
31950 |
Source Detail |
Foxboro Stadium |
Foxboro |
MA |
SBD > ? > CD > EAC >SHN |
|
|
07/16/90 |
1316 |
Source Detail |
Rich Stadium |
Orchard Park |
NY |
SBD> DAT> CD's> EAC> SHN; SHN/upload by Randall Ward, seed via Matt Knapp |
|
|
07/16/90 |
32018 |
Source Detail |
Rich Stadium |
Orchard Park |
NY |
flac16; 1st Set:Soundboard->DAT@48 kHz->DAT.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record/resample->CDWAV (track) ->FLAC. 2nd Set:Soundboard->DAT@44.1 kHz->DAT.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC. Conversion by Mark Lynn |
|
|
07/16/90 |
95782 |
Source Detail |
Rich Stadium |
Orchard Park |
NY |
flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
07/18/90 |
26352 |
Source Detail |
Deer Creek Music Center |
Noblesville |
IN |
SBD, mixed source: Set 1: SBD> Dat> Cassette Master; Set 2: SBD> Dat> CD; Set 1 Transfer: Cassette Master> ART DIO (24bit/96k)> Sound Forge 7> CD> EAC> SHN; SHN Conversion By Charlie Miller; see pub comments for additional lineage notes |
|
|
07/18/90 |
95807 |
Source Detail |
Deer Creek Music Center |
Noblesville |
IN |
flac16; Recording Info:Set 1: SBD -> Cassette Master -> ART DIO (24bit/96k) -> Sound Forge 7 -> CD; Set 2: SBD -> Dat Master (48k); Transfer Info:Set 1: CD -> Samplitude Professional v10.1 -> FLAC; Set 2: Dat Master (Sony R500) -> Sound Devices 744T ->
Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
07/19/90 |
34617 |
Source Detail |
Deer Creek Music Center |
Noblesville |
IN |
flac16; Seamless fix of shn id 2177 - DSBD>DAT>CD-R>EAC>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
|
|
07/21/90 |
7832 |
Source Detail |
World Music Theater |
Tinley Park |
IL |
Master Soundboard DAT > CDR,EAC'ed / SHN'ed by Scott Clugston; to abgd via Charlie Connor
|
|
|
07/22/90 |
7834 |
Source Detail |
World Music Theater |
Tinley Park |
IL |
Master Soundboard DAT > CDR,EAC'ed / SHN'ed by Scott Clugston, to abgd via Charlie Connor
|
|
|
07/23/90 |
7612 |
Source Detail |
World Music Theater |
Tinley Park |
IL |
sbd>dat>cd>shn; via Ed O'Connor |
|
|
07/23/90 |
81303 |
Source Detail |
World Music Theater |
Tinley Park |
IL |
flac16; Bertha Remaster of shn id 7835: Master SBD DAT > CDR >DAW(Bertha) > SHN > WAV > FLAC (note: the original shn file set has not been distributed) |
|
|
09/15/90 |
89070 |
Source Detail |
Madison Square Garden |
New York |
NY |
flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
09/18/90 |
86952 |
Source Detail |
Madison Square Garden |
New York |
NY |
flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC. All Transfers and Mastering By Charlie Miller. (Fixes a dropout in shn id 79022; see info file for details) |
|
|
09/19/90 |
85003 |
Source Detail |
Madison Square Garden |
New York |
NY |
flac16; Recording Info: Set 1: SBD -> Cassette Master -> Sonic Solutions -> CD Set 2: SBD -> Dat Master -> Sonic Solutions -> CD Transfer Info: CD -> Samplitude Professional v9.1.1 -> FLAC Original Transfer and Mastering By David Gans Additional Editing and Tracking By Charlie Miller |
|
|
09/20/90 |
12111 |
Source Detail |
Madison Square Garden |
New York |
NY |
SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN; Seeded to etree by Charlie Miller |
|
|
09/20/90 |
30868 |
Source Detail |
Madison Square Garden |
New York |
NY |
SBD + AUD Matrix Mix (50%-SBD/50%-AUD) using SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN, shn id 12111 and AUD Source: FOB > Scheops > DAT > CDR Location: Row 15, Center shn id 11633 |
|
|
03/18/91 |
28162 |
Source Detail |
Capital Centre |
Landover |
MD |
flac16; SBD > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko |
|
|
03/21/91 |
87289 |
Source Detail |
Capital Centre |
Landover |
MD |
flac16;
SBD -> Dat -> Cassette Master (TDK SA-X100)
Transfer Info:
Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) ->
Samplitude Professional v9.11 -> FLAC/16
All Transfers and Mastering By Charlie Miller |
|
|
03/23/91 |
87729 |
Source Detail |
Knickerbocker Arena |
Albany |
NY |
flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
03/25/91 |
87731 |
Source Detail |
Knickerbocker Arena |
Albany |
NY |
flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
03/28/91 |
87732 |
Source Detail |
Nassau Coliseum |
Uniondale |
NY |
flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
03/31/91 |
31955 |
Source Detail |
Greensboro Coliseum |
Greensboro |
NC |
SBD dat master > dat > cd (eac, secure) > SHN |
|
|
06/09/91 |
12756 |
Source Detail |
Buckeye Lake Music Center |
Hebron |
OH |
SBD> DAT> CD> SHN; provenance unknown, submitted by user kberry |
|
|
06/09/91 |
95641 |
Source Detail |
Buckeye Lake Music Center |
Hebron |
OH |
flac16; Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. |
GEMS |
|
06/11/91 |
5609 |
Source Detail |
Charlotte Coliseum |
Charlotte |
NC |
source unknown (likely SBD> CM> DAT> CDR); DAE: CDR> EAC> SHN; Extraction and shorten conversion by JT James; reported upgrade relative to previous shn set |
|
|
06/11/91 |
95642 |
Source Detail |
Charlotte Coliseum |
Charlotte |
NC |
flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. |
GEMS |
|
06/12/91 |
95643 |
Source Detail |
Charlotte Coliseum |
Charlotte |
NC |
flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. |
GEMS |
|
06/14/91 |
16816 |
Source Detail |
Robert F. Kennedy Stadium |
Washington |
DC |
SBD > DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN via Peter Braverman (possible cassette gen but NOT VFTV)
|
|
|
06/17/91 |
25608 |
Source Detail |
Giants Stadium |
East Rutherford |
NJ |
SBD -> Master Dat (44.1k) -> Dat Clone;
Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller; [Note: This is the only circulating source without an analog gen in it.] |
|
|
06/17/91 |
95644 |
Source Detail |
Giants Stadium |
East Rutherford |
NJ |
flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. |
GEMS |
|
06/25/91 |
26350 |
Source Detail |
Sandstone Ampitheatre |
Bonner Springs |
KS |
SBD> Vault Dat> Dat> Dat (44.1k); Transfer:
Dat (Tascam DA20)> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> Cool Edit Pro v2.0> SHN; All Transfers and Editing By Charlie Miller; note upgrade compared to prev sources in circ (NOT from liberated bootleg) |
|
|
06/25/91 |
95647 |
Source Detail |
Sandstone Ampitheatre |
Bonner Springs |
KS |
flac16; Lineage: Clone of Master DAT Recording Equipment: AKG C460B/CK61 (ORTF) -> Mike Grace Early Preamp -> Dat Master (Casio DA-7/ 16-bit - 48kHz) Recording Location: FOB Recorded By: JC Mahoney & Dan Oneil Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. |
GEMS |
|
09/10/91 |
89085 |
Source Detail |
Madison Square Garden |
New York |
NY |
flac16; SBD DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect ->Lynx Two Soundcard (spdif in) -> Wavelab 6.0 |
GEMS |
|
09/20/91 |
5700 |
Source Detail |
Boston Garden |
Boston |
MA |
SBD > DAT > CDR > WAV > SHNv3; via Chris L. from Andy 'Bear' G. seed |
|
|
09/22/91 |
83156 |
Source Detail |
Boston Garden |
Boston |
MA |
flac 16; Source: Soundboard -> DAT @ 48kHz. Transfer: Sony PCM-R500 -> Nuendo Multiset -> WaveLab 4.0g Resampled with WaveLab 4.0g, tracked with CDWav 1.91 and converted to FLAC.
|
|
|
09/22/91 |
101440 |
Source Detail |
Boston Garden |
Boston |
MA |
flac16; Set 1 Only - Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither |
Set 1 only |
|
09/24/91 |
25939 |
Source Detail |
Boston Garden |
Boston |
MA |
SBD> Dat x 3; Transfer: Dat (Tascam DA20)> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> SHN; All Transfers and Editing by Charlie Miller; reported upgrade to previous circulating copies |
|
|
09/24/91 |
101441 |
Source Detail |
Boston Garden |
Boston |
MA |
flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Section BB Row 24 Seat 10 Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither |
|
|
09/25/91 |
101442 |
Source Detail |
Boston Garden |
Boston |
MA |
flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither |
|
|
09/26/91 |
76050 |
Source Detail |
Boston Garden |
Boston |
MA |
flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA100) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee MiniMe -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller |
|
|
09/26/91 |
101443 |
Source Detail |
Boston Garden |
Boston |
MA |
flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Section BB Row 18 Seat 15 Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither |
|
|
10/27/91 |
102206 |
Source Detail |
Oakland-Alameda County Coliseum |
Oakland |
CA |
flac16; Lineage: Clone of Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by James Young and Marcus Buick Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Todd Evans - Tag & Rename for FLAC Meta-Data Tagging |
|
|
10/28/91 |
102207 |
Source Detail |
Oakland-Alameda County Coliseum |
Oakland |
CA |
flac16; Lineage: Clone of Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by James Young and Marcus Buick Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper FLAC Level 8 SBE Free Todd Evans - Tag & Rename for FLAC Meta-Data Tagging |
|
|
10/30/91 |
102209 |
Source Detail |
Oakland-Alameda County Coliseum |
Oakland |
CA |
flac16; Lineage: Clone of Master DAT Recording Equipment: Schoeps CMC34 > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by James Young and Marcus Buick Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Todd Evans - Tag & Rename for FLAC Meta-Data Tagging |
|
|
10/31/91 |
102211 |
Source Detail |
Oakland-Alameda County Coliseum |
Oakland |
CA |
flac16; Lineage: Clone of Master DAT Recording Equipment: Schoeps CMC34 > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by Marcus Buick and James Young Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Todd Evans - Tag & Rename for FLAC Meta-Data Tagging |
|
|
10/31/91 |
32241 |
Source Detail |
Oakland-Alameda County Coliseum |
Oakland |
CA |
flac16; DSBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko |
|
|
02/13/92 |
17404 |
Source Detail |
Club Front |
San Rafael |
CA |
DSBD->CD->EAC->SHN by Joe Samaritano
Studio Rehearsal of So Many Roads |
1st "So Many Roads" rehearsal |
|
02/21/92 |
8189 |
Source Detail |
Club Front Studio |
San Rafael |
CA |
Seeded to abgd by Doo Dah Man; Note original files contained an SFV integrity file. Md5 was created from the original shns and provided to the etree db here. |
"So Many Roads" rehearsals |
|
03/08/92 |
14083 |
Source Detail |
Capital Centre |
Landover |
MD |
S : MC > D > CDR; see info file for edit notes; via Paul B; Tony G; Alan Fink |
|
|
03/09/92 |
112438 |
Source Detail |
Capital Centre |
Landover |
MD |
flac24; SBD Master Casettes >> 24BIT 88.2kHz; All Transfers and Mastering by Jim Blackwood and Jamie Waddell |
24-bit BEAR GEMS |
|
05/31/92 |
87281 |
Source Detail |
Sam Boyd Silver Bowl, U.N.L.V |
Las Vegas |
NV |
flac16;
SBD -> Dat -> Cassette Master -> Dat (48k)
Transfer Info:
Dat (Sony D8) -> Behringer Ultramatch Pro SRC2496 ->
Samplitude Professional v9.11 -> FLAC
All Transfers and Mastering By Charlie Miller |
w/ Steve Miller |
|
06/06/92 |
82444 |
Source Detail |
Rich Stadium |
Orchard Park |
NY |
flac16; MAD Recording - FOB DFC Audience: 1st Two Songs of Set 1 - B&K4011's Balance of Show: Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48 |
GEMS |
|
06/11/92 |
90105 |
Source Detail |
Knickerbocker Arena |
Albany |
NY |
flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
06/12/92 |
90111 |
Source Detail |
Knickerbocker Arena |
Albany |
NY |
flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
|
|
06/20/92 |
2207 |
Source Detail |
Robert F. Kennedy Stadium |
Washington |
DC |
DSBD, no other info available; has same change in level in Corinna as mentioned on the other shn set in circulation; via Tony Gardner; upgrade in circulation
|
|
|
06/28/92 |
32550 |
Source Detail |
Deer Creek Music Center |
Noblesville |
IN |
flac16; SBD -> Dat -> CD
Transferred and Edited By Charlie Miller |
|
|
03/14/93 |
96305 |
Source Detail |
Richfield Coliseum |
Richfield |
OH |
flac16; Recording Info: SBD -> Dat Master (44.1k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
03/17/93 |
86711 |
Source Detail |
Capital Centre |
Landover |
MD |
flac16; Source: Unknown AUD > ? > Cassette. Transfer: Cassette > Sony TC-D5M (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC (August 2007) by Andrew F. (note: the date in the info file and file names is incorrect; this is from 3/17/93.) |
possibly 3.16.1993 soundcheck |
|
03/17/93 |
79050 |
Source Detail |
Capital Centre |
Landover |
MD |
flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC |
|
|
03/18/93 |
79070 |
Source Detail |
Capital Centre |
Landover |
MD |
flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC |
Set 2 w/ Bruce Hornsby |
|
03/24/93 |
25664 |
Source Detail |
Dean Smith Center |
Chapel Hill |
NC |
Source: Master SBD>DAT via Modified Sony D10 Pro II. Recorded By Ron Keyser (This is from the lead deck from the daisey chain feed to the taper section)
Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410>
Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC |
|
|
03/27/93 |
92523 |
Source Detail |
Knickerbocker Arena |
Albany |
NY |
flac16; Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat Set 2: SBD -> Dat Transfer Info: Set 1: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> WAV Set 2: Dat (Fostex D5) -> Audiophile 2496 -> Samplitude Professional v7.02 -> WAV Mastering Info: WAV -> Samplitude Professional v10.1 -> FLAC All Transfers By Charlie Miller and Joe Samaritano All Mastering By Charlie Miller |
|
|
03/28/93 |
96215 |
Source Detail |
Knickerbocker Arena |
Albany |
NY |
flac16; Recording Info: SBD -> Master Dat -> soundBlade -> DVD (16bit/44.1k); Transfer Info:DVD -> Samplitude Professional v10.1 -> FLAC; Transferred and Mastered By David Gans; Additional Mastering By Charlie Miller |
|
|
06/25/93 |
91249 |
Source Detail |
Robert F. Kennedy Stadium |
Washington |
DC |
flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves x-Noise in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky |
soundcheck |
|
09/20/93 |
31623 |
Source Detail |
Madison Square Garden |
New York |
NY |
flac16; Soundboard->Master DAT->Sonic Solutions->Master CD. Master CD->EAC->FLAC. EAC, Re-track, and FLAC by Joe Samaritano |
Space & GDTRFB w/ Edie Brickell |
|
09/28/93 |
79058 |
Source Detail |
Boston Garden |
Boston |
MA |
flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC |
|
|
02/25/94 |
91250 |
Source Detail |
Oakland-Alameda County Coliseum |
Oakland |
CA |
flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves X-Noise in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky |
soundcheck |
|
03/04/94 |
8330 |
Source Detail |
Desert Sky Pavilion |
Phoenix |
AZ |
DSBD --> DAT --> CDR; via Charlie Kidder |
|
|
03/05/94 |
8331 |
Source Detail |
Desert Sky Pavilion |
Phoenix |
AZ |
DSBD --> DAT --> CDR; via Charlie Kidder |
|
|
03/18/94 |
79117 |
Source Detail |
Rosemont Horizon |
Rosemont |
IL |
flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC |
|
|
04/04/94 |
11502 |
Source Detail |
Sports Arena |
Orlando |
FL |
SBD>DAT>Cassette>DAT>CDRx2; New eac of original seed discs; See info file for details; via Mick McGinnis; Seeded to etree by chris L |
|
|
04/06/94 |
13110 |
Source Detail |
Miami Arena |
Miami |
FL |
Soundcheck; SBD>Dat>MiniDisc>Behringer UltraMatch SRC2000>Dio2448>Cool Edit Pro>SHN; Seeded to etree by Charlie Miller |
|
|
07/26/94 |
91255 |
Source Detail |
Riverport Amphitheatre |
Maryland Heights |
MO |
flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: Waves X-Noise, iZotope Ozone 3 EQ and Nomad LM-662 in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky |
soundcheck |
|
07/29/94 |
25582 |
Source Detail |
Buckeye Lake Music Center |
Hebron |
OH |
Recording Info: (FOB) Beyer M101 (Omni) -> Dat (Casio DA-7) -> CD -> EAC -> SHN via Charlie Miller |
|
|
07/29/94 |
91183 |
Source Detail |
Buckeye Lake Music Center |
Hebron |
OH |
flac16; Taper: Todd Evans & Adam Gross Equipment: Schoeps Omnis (on stands spaced 10ft apart) -> Schoeps Active Cables -> Schoeps CMC 3 Mic Body -> Monster M1000 Cable -> Oade Supply -> Monster M1000 Jumper -> Panasonic sv255 Transfer: DAT Master> TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 by Todd Evans All editing and mastering by Jamie Waddell on the GEMS Edit Station. Trac'ed Cdwave,Flac'ed Flac Frontend level 8 |
GEMS |
|
07/31/94 |
2752 |
Source Detail |
The Palace |
Auburn Hills |
MI |
DSBD> CDR> EAC> SHN; seeded by Chase Runyon, reshn for seeking by Carl Johnson |
|
|
08/01/94 |
1026 |
Source Detail |
The Palace |
Auburn Hills |
MI |
set 2; DSBD> CD> EAC; via Nick Georges; md5s listed as d2,d3; shns dated as "94-01-08" |
|
|
12/16/94 |
34551 |
Source Detail |
Sports Arena |
Los Angeles |
CA |
flac16; Set 2 DSBD > DAT > [?] > CDR > EAC > CEPro > CDWAV > FLAC (level 8) via Andy Lemieux. Encoded by Matt Vernon |
|
|
03/17/95 |
97658 |
Source Detail |
The Spectrum |
Philadelphia |
PA |
flac16; Recording Info:SBD -> Dat -> Cassette Master -> Dat; Transfer Info:
Dat -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
03/18/95 |
97659 |
Source Detail |
The Spectrum |
Philadelphia |
PA |
flac16; Recording Info:SBD -> Dat -> Cassette Master -> Dat; Transfer Info:
Dat -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
|
05/24/95 |
91237 |
Source Detail |
Memorial Stadium |
Seattle |
WA |
flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: Nomad LM-662 in WaveLab > CD Wave > TLH > FLAC |
soundcheck |
|
06/02/95 |
583 |
Source Detail |
Shoreline Amphitheatre |
Mountain View |
CA |
SBD > DAT > CD > extracted on a Mac using Toast Audio Extractor (overlap)> SHN (note corrected info); liberated bootleg; via Jon Seff |
Drums w/ Gyoto Monks |
|
07/02/95 |
91256 |
Source Detail |
Deer Creek Music Center |
Noblesville |
IN |
flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves X-Noise in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky |
soundcheck |
