Music List For barney rubble

Music List for barney rubble

Last Update: July 05, 2006

View Comments

Add/Update a Comment

Want List

Email barney rubble

i'm way too far behind for trading but will always hook up a b+p.


	Bob Weir--- Approximate Hours: 2.5
Date	Venue	Media Type	Media Count	Sound Quality	Notes

??/??/79	WNEW FM	shn	1		shns w/nightfood 9-21-86 d2 This tape came to me labeled as 1978 but I'm certain that's incorrect. The interviewer thanks Bob for the two shows they just did at the Coliseum in Long Island. Looking at Deadbase, there were no two shows in Long Island in '78, however there were 2 shows at Nassau in January of 1979. So I am willing to bet this took place the 2nd week of January 1979 or thereabouts. Also they talk about Shakedown Street "our most recent offering". Shakedown came out just 2 months prior to January 1979. Are you sold yet? :-) There was songs played but they have been edited out somewhere down the line and it's not the best of editing as some spoken words have been cut.
05/10/92	Jerry Brown Benefit	shn	1		solo acoustic. shns w/ 9-13-78. Source: SDB > DAT @ 48 > DA-P1 > Hosa S/PDIF > Delta DiO 2496 > Peak @ 44.1 > Jam > Toast Audio Extractor (overlap) > SHN NOTE: may not be SBD, read additional text file from taper who says that he taped this FOB.


	Bob Weir & Jorma Kaukonen--- Approximate Hours: 1.25
Date	Venue	Media Type	Media Count	Sound Quality	Notes

03/30/88	Lone Star Roadhouse	cdr	1		+ Bob radio interview


	Bob Weir & Rob Wasserman--- Approximate Hours: 3.75
Date	Venue	Media Type	Media Count	Sound Quality	Notes

09/06/89	Nassau Veterans Memorial Coliseum	shn	1		shns w/9-13-78
09/06/89	Nassau Veterans Memorial Coliseum	shn	1		shns w/ jg + friends 4-29-90 Bob and Rob opened for Jerry Garcia Band
09/15/89	Alpine Valley Music Theatre	cdr/shn	1


	Bob Weir Band--- Approximate Hours: 1.25
Date	Venue	Media Type	Media Count	Sound Quality	Notes

03/04/78	Franklin Pierce College	flac	1


	Bobby & the Midnites--- Approximate Hours: 3.75
Date	Venue	Media Type	Media Count	Sound Quality	Notes

06/16/82	Music Mountain	cdr	1
11/27/82	Bob Marley Performing Centre	cdr	2


	Brent Mydland--- Approximate Hours: 2.5
Date	Venue	Media Type	Media Count	Sound Quality	Notes

??/??/82	Unreleased Solo Album	shn	1		Brent Mydland unreleased solo album 1982 Source: SBD (just enough hiss to suggest an analog gen. This is a studio album remastered to cd with proper pre-track gaps of 2 sec.
07/10/88	Greek Theatre, Univ. of California	shn	1		w/ bob weir set and partial jgb set


	Garcia--- Approximate Hours: 1161.25
Date	Venue	Media Type	Media Count	Sound Quality	Notes

07/??/61	Boar's Head Coffeehouse	shn	1Source Detail		- Bolshevik in Hell has different hiss level and little above 4kHz while other tunes go to ~ 8kHz. This is consistent with the comment in Deadlists that this may be from a different date Deadlists COMMENTS Jerry Garcia, acoustic guitar; Marshall Leicester, banjo; Robert Hunter, bass?. This performance took place at the Boar's Head Coffeehouse, located in the upstairs loft of the Carlos Bookstall. (1) Robert Hunter acapella. This set and the 01/??/62 Burlingame set also circulate together as "Garcia, Hunter and Albin '62." It can be argued that the 'room ambience' and recording quality of both tapes are identical; they -sound- like they were recorded at the same time.
06/11/62	Jewish Community Center	shn	1Source Detail		According to Deadlists, the band consists of Jerry Garcia (guitar and banjo), Marshall Leicester (banjo and guitar), and Dick Arnold (fiddle). The performance took place at the 'new' Boar's Head Coffeehouse, relocated in the San Carlos Jewish Community Center. Deadlists also hypothesizes that this is an audience recording, possibly with onstage mics.
02/23/63	Top of the Tangent	shn	1Source Detail		wildwood boys. shns w/jg+friends 7/??/61.
05/04/63	Top of the Tangent	shn	1Source Detail		shns w/jgb03-01-80A Jerry and his first wife Sara a week after their wedding. He traded wedding gifts and Sara's guitar for his new banjo. Recorded by the manager of the club at the time and aired on KFOG's dead hour.
07/??/64	Top of the Tangent	shn	1
??/??/64	Unknown	shn	1Source Detail		wildwood boys. the rub w/pigpen. shns w/jg+friends 7/??/61.
04/01/67	KMPX Studios	cdr/shn	2		THE CELESTIAL JUKEBOX (Special Radio Flashback Edition "The Phil 'n' Jerry Show" April 1967)
05/21/68	Carousel Ballroom (Tuesday Night Jam)	shn	1
05/21/68	Carousel Ballroom (Tuesday Night Jam)	shn	2Source Detail
07/28/68	Rancho Olompali	flac	1Source Detail		archived w/jg+ms 9-2-74 Jerry Garcia, Jack Casady, Mickey Hart Notes: - static @ 0:53, 17:28, 17:55, 18:24, 19:48 - tick @ 12:32 fixed using SoundForge Studio 6.0. - digi-chirp @ 29:39
12/16/68	The Matrix	shn	2Source Detail		aka Mickey and the Heartbeats gotta love this setlist.
12/24/68	The Matrix	shn	2Source Detail
02/19/69	Matrix	shn	1
10/28/69	2400 Fulton Street - Jefferson Airplane House	cdr	1		Lineup: Jerry Garcia - Guitar, Jorma Kaukonen - Guitar, Jack Cassady - Bass, Mickey Hart - Percussion, Spencer Dryden - Percussion
10/21/70	Matrix	shn	1		"matrix tuesday night jam session" w/Jorma Kaukonen, Jack Casady, John Cipollina, David Freiberg, Papa John Creach & Nicky Hopkins.
12/15/70	The Matrix	shn	1Source Detail		12/15/70 is part of a soundcheck or rehearsal, almost certainly a tape run by the band for work purposes (as we know was Jerry's practice); reportedly there is a 49 minute version of this rehearsal tape also in circulation, but unexamined at this writing. DeadBase IX lists gigs by these musicians at the Matrix on December 15, 16 & 17, billed as "Jerry Garcia & Friends." (from Dead List Reader) This is Crosby, Garcia, Lesh & Hart, sometimes known as David And The Dorks. 12/17/70 is of the band in performance; it may be a complete set. 12/15/70 is part of a soundcheck or rehearsal, almost certainly a tape run by the band for work purposes (as we know was Jerry's practice); reportedly there is a 49 minute version of this rehearsal tape also in circulation, but unexamined at this writing. DeadBase IX lists gigs by these musicians at the Matrix on December 15, 16 & 17, billed as "Jerry Garcia & Friends."
12/17/70	The Matrix	cdr	2		David & the Dorks
12/20/70	The Matrix	cdr/shn	1Source Detail
12/27/70	KPPC Studios	shn	1Source Detail		Disc Jockey Ted Alvy (Cosmos Topper) Interviews members of The Grateful Dead Jerry Garcia & Bob Weir and members of The New Riders of the Purple Sage David Nelson & Marmaduke (John Dawson) [NRPS demo "Louisiana Lady"] [They All Perform Four Gospel Songs Live]
??/??/70	Studio Jam	cdr/shn	1Source Detail		shns w/gd09-00-71 ..fade in * 2:00 do in RC & digi static at 6:49 A little bit of hiss. actual date unknown. Jerry Garcia, Jorma Kaukonen, Jack Cassady, John Cippollina, David Freiberg, Nicky Hopkins, Papa John Creach.
05/11/71	The Matrix	flac	1Source Detail		partial - Mono recording, hissy but basically very nice. The Jerry Site lists a soundboard, but I'd guess it's an upfront audience recording. I don't know anything else about the lineage. - Track 1 banter (1) @ 0:10: "Hey Merl, you wanna do that tune in 'G'? Get spaced out a little?" - Track 2 banter (2) @ 0:30: JG: "What's that?" MS: "I don't know." JG: "Hey, c'mon man, the orange one, now it's the orange one, whatever that is. Amber. That one. Do away with it. That's the exit light. It's plenty. No, no, man. Thanks. Photo field [?]."
09/24/71	Lion's Share	cd-r	2		d2 fill: 12-20-72 expressway > jam > space > georgia
09/24/71	Lion's Share	shn	2Source Detail		approximately 1/4 second dropout removed from "Down Around Biloxi"
12/09/71	Scotty's Music	cdr	1
01/15/72	Keystone Korner	cdr/shn	2Source Detail		d1t01 CD skips @ 1:00, 1:07 d1t04 some "flits" @ ca. 2:30? d1t07 first few notes cut d1t08 cuts in d2t01 saturation/warbling d2t01 cuts in, a few minutes missing? d2t02 cuts in, not much missing d2t02 @ 30:18-30:35 fades to low volume d2t03 cuts in d2t04 cuts in, not much missing d2t05 first few notes clipped d2t06 cut/splice @ 3:06 d2t06 SQ problems after ca. 3:00
01/19/72	Lion's Share	cdr/shn	1Source Detail		Fixed sector boundries using shntool on 4/19/2001
01/20/72	Lion's Share	cdr	2
01/26/72	Symphony Hall	cdr/shn	2Source Detail
02/06/72	Pacific High Recording Studio	cdr/shn	2Source Detail		errors: the crowd noise is missing between tracks d2t01 > d2t02, and d2t04
02/06/72	Pacific High Recording Studio	cdr/shn	2Source Detail
06/30/72	Keystone Korner	cdr/shn	2Source Detail		w/Tom Fogerty. - d2t01 Train to Cry fades in - d2t02 After Midnight channel fluctuations throughout; subtle splice @ 8:52 - d2t06 Jam fades out where the reel supposedly ends.
11/23/72	Armadillo World Headquarters	cd-r	3
12/20/72	Keystone	cdr/shn	2		shns don't match
12/20/72	Keystone	shn	2Source Detail		complete.
01/24/73	Boarding House	cdr/shn	2Source Detail		early show w/Sarah Fulcher d2filler:01/24/73b 04. Expressway To Your Heart There is a bit of random digi-noise at various points in the show, though most is very minor. The one exception to this being Dixie Down. There is some pronounced digi-noise throughout the first 30 seconds of the song. Two silent dropouts totaling approximately 2.5 seconds were removed.
01/25/73	Boarding House	cd-r	3
01/25/73	Boarding House	shn	3Source Detail		Slightly re-tracked using WavMerge and CDWave, .shn encoding using mkwACT, and proper sector boundaries verified using shntool. A variety of mostly harmless light snaps, crackles, and pops d1t02 Save Mother Earth two ticks @ 0:01 d1t02 lots of static and crackles through ca. 3:00 d1t05 Biloxi static buzz @ 1:00 d2t04 static throughout, rarely heavy d3t01 System cut/splice @ 1:35 d3t04 It's a Sin cut/splice @ track 3:02
03/02/73	The Record Plant	cd-r	1		old and in the way
04/21/73	The Record Plant	cd-r	1		old and in the way
05/05/73	Homer's Warehouse	cdr/shn	1Source Detail		dick's gift w/filler -- 12/31/75 set 3 -- JGB, Keystone, Berkeley, CA 5. Tore Up Over You (1) 6. C. C. Rider (1) 7. (I'm A) Road Runner (1) Comments: Entire show with Mickey Hart and Greg Errico. (1) with Weir
05/23/73	Ash Grove	cdr/shn	1		d1t01 Train to Cry cuts in, not much missing d1t04 Instrumental brief cut/splice @ 17:29
06/05/73	Orpheum Theater	cd-r	2		old and in the way late show
06/06/73	Capitol Theater	cd-r	2		old and in the way
07/08/73	Record Plant	cdr	2		pre-fm
07/08/73	Record Plant	shn	2Source Detail
07/10/73	Keystone	cdr/shn	1Source Detail
07/10/73	Keystone	flac	2Source Detail		*Tape flip at 10:34 of My Funny Valentine
07/11/73	Keystone	cdr/shn	1Source Detail
07/19/73	Great American Music Hall	shn	1Source Detail		partial. Comments from the Jerrysite: Set 2 with Martin Fierro, his first known appearance with Garcia/Saunders. Third performance of Harder They Come. CassetteDAT transfer by Sugarnugz420@247.net: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II. DAT>WAV>SHN transfer by Dazed Dailee: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV(Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact).
07/21/73	Lion's Share	cd-r	1Source Detail		old and in the way
07/23/73	Boarding House	cd-r	2Source Detail		old and in the way
07/24/73	Homer's Warehouse	cd-r	1		old and in the way
09/06/73	Capitol Theater	cdr	3
09/06/73	Capitol Theater	cdr/shn	3Source Detail		d2t04 That's Alright Mama drop @ 6:52 d3t04 4th Street lite pops @ 1:52, 1:54, 8:52
09/30/73	Community Center	cd-r	2		old and in the way
10/??/73	Unknown	cdr/shn	2		old and in the way
11/04/73	California State College Sonoma	cdr/shn	2		old and in the way
??/??/73	Demos for 2nd Garcia LP	cdr	1		unknown live gd filler. shns do not have md5.
01/17/74	Keystone	cdr/shn	2Source Detail		Disc 1, Track 1- fades in, and the first few seconds of intro are missing. Disc 1, Track 1-Digi noise: :21-:25; :52-:55; 1:04-1:05; 1:18-1:26; 1:34-1:36; 1:45; 2:21 Disc 1 Track 1- Right Channel is low until: 1:39 Also, levels are being adjusted, and full instrumentation does not occur until 2:04 Disc 2, Track 5- vocals out of the mix, entire song. Disc 2, Track 7- 10:44 Jerry says: Sure is quiet for Berkeley. (pause) This is Martin Fierro. Disc 2, Track 9 Intro and first line (They tell me there's a pie up in the sky) is missing.
01/18/74	Keystone	cdr/shn	1		dick's gift excerpts
01/18/74	Keystone	shn	4Source Detail		+ MSR > D > CD patches (ca. 40 seconds at the cut in My Funny Valentine, plus the first few notes of Finders Keepers) from sbd portion that usually circulates as part of "Dick's Gift." flaws: d1t04 Second That Emotion light tick @ 4:22 d1t05 My Funny Valentine cut/splice @ 16:08 d2t02 Finders Keepers cuts in, not much missing d2t02-03 pop just before track marker d2t06 Lonely for Me (master?) anomalies @ 10:36-11:04 d2t06 Lonely for Me cuts out d2t07 It's No Use cuts in, not much missing d3t04 Like a Road crackles @ 1:17, 1:24, 1:43, 3:02, 2:03-2:05, 2:14 d3t05 Mystery Train cut/splice @ 3:11 d4t05 C.C. Rider guest vocalist, maybe Roger Troy? Additional Notes: Variable speed problems throughout, though absent those problems (which really aren't that distracting) this is an excellent recording. I will not note specific speed-related anomalies in these flaw notes. UPDATED NOTES: Turns out this is indeed a composite of 1/17/74 and 1/18/74, as follows: Keystone Berkeley 1/17/74: I: Someday Baby, La-la, I Second That Emotion, My Funny Valentine, Who's Lovin' You Tonight; II: Finders Keepers, Think, Are You Lonely For Me Baby, The Harder They Come Keystone Berkeley 1/18/74: I: It's No Use, Expressway, Roadrunner, Like A Road, Mystery Train, The Night They Drove Old Dixie Down; II: The Harder They Come, Wonderin Why, C.C. Rider (w/ female vocalist) [set is incomplete on this tape].
01/19/74	Pauley Ballroom, U. of California	shn	1Source Detail		* w/ Matthew Kelly on harmonica Equipment issues produced fairly consistent crackling, etc. d1t01 Think cuts in, first few notes clipped
02/05/74	Great American Music Hall	cdr/shn	3Source Detail		d1t01 Someday Baby cuts in d1t03 Roadrunner brief drop @ 2:18 d1t05 Problems Got Problems crackling @ 4:21-4:50 d2t03 Wonderin' Why may clip in d3t02 Mystery Train fades in, not much missing
02/05/74	Great American Music Hall	flac	3Source Detail		This source is an upgrade over the currently circulating source (SHNID=11254) with none of the previously noted flaws: - complete version of "Someday Baby" - no dropouts in "Road Runner" - no crackles in "My Problems Got Problems" - "Mystery Train" fades in very quickly but I think all of the notes are there.
02/09/74	Rheem Theater	cdr/shn	2Source Detail
02/16/74	Keystone	shn	2Source Detail		d1t06 Lonely for Me distortion @ 0:51 d1t06 Lonely for Me drop @ 8:27 d2t05 Roadrunner numerous ticks, clicks, and pops after ca. 5:30. These sound digital in nature but are apparently on the master cassette.
02/??/74	Unknown	shn	1Source Detail		The master cassette was simply labeled "2/74" Hissier, boomier, and slightly more muffled vocals than other Menke/Falanga auds. d1t01 HAGYN level fluctuations first 30 seconds or so d1t02 Expressway cuts out @ 13:36
03/08/74	Unknown	flac	1Source Detail		archived w/ jg+ms 9-2-74 David Grisman, Richard Greene, Jerry Garcia, Eric Thompson, Bill Wolfe
03/09/74	Keystone	flac	2Source Detail
04/20/74	Pilgrimage Theater	cdr/shn	1Source Detail		*shns bundled w/g+s 5-23-73 with Maria Muldaur Numerous ticks and scratches, but no major flaws noted.
04/27/74	Golden State College	cd-r	1		old and in the way very poor sound quality. don't bother.
06/04/74	Lion's Share	cdr/shn	2Source Detail		d2: jgb 03-09-78 *NYC w/ Alice Stuart
06/05/74	Lion's Share	cdr/shn	1Source Detail		set 2 Alice Stuart plays on Dixie Down >> end of the show. d2t01 Kansas City Blues cuts in, not much missing?
06/06/74	Keystone	shn	2Source Detail		Specific genealogy: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN d1t05 My Funny Valentine gap @ 8:53-8:58 d1t05 My Funny Valentine skip/pop/click @ 10:10-10:11 d2t03 Problems Got Problems drop @ 19:40
06/12/74	Keystone	cd-r	2
06/13/74	Keystone	cdr/shn	2Source Detail		Flaws: d1t01 Colored Aristocracy fades in d1t07 Swing '42 tiny splice @ 5:41 d2t01 Bud's Bounce fades in d2t01 Bud's Bounce tiny splice @ 1:16 d2t07 Dawg's Rag fades out
07/02/74	Bottom Line	cdr/shn	2Source Detail		- Show without Martin Fierro (horns), with Maria Muldaur (vocals) and Roger Troy (a.k.a. "Jellyroll") (bass, vocals) - (1) Roger Troy lead vocals - This represents a niceupgrade over the currently-circulating version of this show, which has an additional analog generation and requires speed correction (runs slow). Flaws: - d1t05 My Funny Valentine cut/splice @ 11:41 (tape flip); A Moore's Masters Production.
07/03/74	Bottom Line	cdr/shn	2Source Detail		- (1) with Maria Muldaur (vocals) - (2) with Roger Troy (a.k.a. Jellyroll) (bass, vocals) - A terrific recording of what may be the best East coast show of the year for Garcia/Saunders. The big jam in set II is truly excellent. - No flaws noted. A Moore's Masters Production.
07/22/74	Keystone	cdr	2
08/11/74	Keystone	cd-r	2
08/15/74	Great American Music Hall	cdr/shn	2Source Detail		d1t04 People Make the World Go Round static @ 1:20 d2t04 Favela static @ 10:32 d2t06 Sitting in Limbo drop @ 1:31
08/23/74	Berkeley Community Theater	shn	1Source Detail		t01 L channel out after ca. 8:00 t05 set break announcement after Limbo? t06 Favela a bit of a train wreck, unique ending t07 warbling
08/24/74	Great American Music Hall	cd-r	2
08/30/74	Freeborn Hall (University of California Davis)	shn/cdr	2Source Detail		text file mistakenly labled "Legion of Mary" A brief dropout at the very beginning of Favela, minor mix/level issues here and there, minor tape degradation here and there. Notes from the anonymous seed provider: The 8/30/74 is slightly out of order when compared to Deadbase & my old analog copy. However, this came from Dick->my source->me, so I left it as-is. I have always really enjoyed this one & the upgrade took me 5 years to track down.
08/31/74	Keystone	cdr/shn	2Source Detail		one mic directly in front of Jerry's amp, the other pointed stage center to catch the rest of the band d1t03 My Funny Valentine cuts in
09/02/74	Marx Meadow (Golden Gate Park)	flac	1Source Detail
10/04/74	Keystone	cdr/shn	2Source Detail		d1t01 TWLWMYD cuts in d1t04 It's No Use cuts in d2t04 Ain't No Mountain High Enough static @ 2:40
10/06/74	Great American Music Hall	shn	1Source Detail		partial 1st set. According to The Jerry Site, Jim Nelson replaces Paul Humphrey on drums. This material is pretty amazing, at times positively hair-raising.
10/27/74	Golden Bear	shn	2Source Detail		late show. Comments from thejerrysite.com: (1) Ringo on drums (2) Unknown female (vocals) Tracking note: I tracked this recording with multiple "deadspace/tuning" tracks which by in large contain chatter/crowd/tuning. If you would like to avoid listening to the chatter and fit this otherwise 83 minute recording onto 80 minute CDR of music, eliminate a few of these deadspaces and you are set. misSHN in the rain, 5/04.
10/31/74	Memorial Gymnasium (University of San Francisco)	cdr/shn	2Source Detail		Very slight splice in He Ain't Give You None at 6:01 Maybe one or two notes missing
11/05/74	Bottom Line	cdr/shn	2Source Detail
11/06/74	Bottom Line	cdr/shn	2Source Detail		early show. - (1) Audience member: "Jerry, is it really ovah?" Jerry: "It's always been over, man." - d1t02 Think R channel scratch @ 1:28.864-1:29.078 patched over from L channel using Sound Forge Studio 6.0.
11/07/74	Bottom Line	cdr/shn	2Source Detail		early show. This can be condensed to one audio disc by clipping out some of the tuning.
11/08/74	The Dome - C.W. Post College	shn	3Source Detail		- d1t01 How Sweet It Is fades in, not much missing A Moore's Masters Production, April 2003.
11/09/74	Capitol Theater	cdr/shn	2Source Detail		Late show. d1t04 Let it Rock cuts in; d1t05 Problems Got Problems cuts in; d2t01 HAGYN cuts in; d2t04 How Sweet cuts in
11/10/74	Palace Theatre	shn	2Source Detail
11/14/74	Paul's Mall	cdr/shn	2Source Detail		early show.
11/14/74	Paul's Mall	shn	2Source Detail		- (1) a female audience member joins on vocals toward the end of Mystery Train - d2t01 My Funny Valentine cuts in, probably not much missing - d2t02 People Make the World Go 'Round cuts out, unknown missing.
11/14/74	Paul's Mall	shn	2Source Detail		No DAT stage, 7" reel run directly to CDR in sound studio EAC'ed and Shortened by Paul Lucente w/ Ultraplex 40max "Picks From 1066" Volume 3. Personal vault release series, thanks to Jeff Siniawsky and Neil Merin. Show mastered by Jeff and Neil.
11/15/74	Worcester Polytechnic Institute	cdr/shn	2Source Detail		late show.
11/16/74	Tower Theatre	cdr/shn	2Source Detail		early show.
11/16/74	Tower Theatre	cdr/shn	2Source Detail		late show.
11/28/74	Great American Music Hall	cdr/shn	3Source Detail
12/15/74	EMU Ballroom (University of Oregon)	shn	1Source Detail		partial. The recording is slightly oversaturated and generally less crisp than many with equivalent lineages. t01 Leave Your Hat on first few notes clipped t04 It's No Use first few notes clipped t06 Second That Emotion cuts out abruptly t06 opening notes of Let it Rock audible at end of track
12/29/74	Golden Bear	cdr/shn	2Source Detail		d1t02 La-La light digi-tick @ 11:57 d1t04 Roadrunner it is possible that the first few notes are clipped d2t02 Expressway light digi-static @ 7:18, 7:25, 13:40 d2t02 Expressway last few seconds clipped This seed appears to be identical to one done by Joe Jupille, but this seed may have one CD additional generation.
??/??/74	Unknown	cd-r	1		legion of mary "dick's gift" d2
??/??/74	Unknown	cd-r	1		legion of mary "dick's gift" d1
02/14/75	The Generosity	cdr/shn	2Source Detail		- This is a mono recording. - Most songs clip in. - Favela faded to a splice @ 10:42 on the original CD copy, but this turned out to be during an 18-second repeated section. Similarly, Bossa Martin faded to a splice @ 7:57, but this was during a 48 second repeated section. Both obviously stem from analog generations somewhere up the line. They were edited out, and the tunes are seamlessly intact. - Pennies From Heaven splice @ 10:46. This is most probably a tape flip from the master. There is also a bit of very light static around 16:55-16:56. - This is probably not the whole show, since the band is tuning when the tape cuts out.
03/08/75	Pitchell Players Cabaret	cdr/shn	2Source Detail		- d1t01 Harder They Come oversaturation @ start, level fluctuations @ 6:13-6:20 (glitch @ 7:39 removed) - d1t02 Wondering Why splice @ 19:24 - d1t04 How Sweet ending barely clipped
03/15/75	Keystone	cdr/shn	3Source Detail		d1=aud set 1 d2=aud set 2 d3=aud+sbd set 2 Audience portions: MAC > 1/4" Sony TC-377 7" reel > Teac X-300R playback > > HHB Burn-It master CD-RW > Easy CD-DA Extractor > Dell Inspiron 4100 laptop > possible volume adjustment (Cool Edit 2000) > tracking (CD Wave) > CDR using EZ-CD Creator > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > slight editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Reel > CD by Ed Perlstein, EAC > SHN by Joe Jupille. Soundboard portions: MSR > ? > Andy Lemieux's cassette > Nakamichi Dragon playback > ART DI/O > hard drive > tracking (Cool Edit 2000) > master CD (Easy CD Creator) > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Cassette > CD by David Minches, EAC > SHN by Joe Jupille. - A number of songs clip in. - This is a mono recording. - d1t04 Every Word You Say blip @ 2:32, possibly tiny splice - d1t05 Boogie on Reggae Woman faded to a splice @ 11:50 of the original discs. It turns out that this was during a 1:06 section of repeated music, likely derived from upstream analog gens.
03/16/75	Macky Auditorium, CU	shn	1Source Detail		Comments: Relative B grade audience source from performance with no other known source - likely appreciated my LOM devotees and garcia completists (but then who isn't). you've been warned.
04/04/75	Whitman Auditorium, Brooklyn College	cdr/shn	3Source Detail		Could be from the WBAI broadcast (presumably from post-cassette DATs?) referred to at the Jerry Site.
04/05/75	Capitol Theater	cdr/shn	1Source Detail		partial
04/06/75	Orpheum Theater	cd-r	2Source Detail
04/06/75	Orpheum Theater	cdr	1		early show
04/06/75	Orpheum Theater	shn	3Source Detail
04/08/75	Bottom Line	cdr/shn	2Source Detail		early show.
04/09/75	Bottom Line	cd-r	2
04/10/75	Bottom Line	cdr/shn	2Source Detail		early show. A Moore's Masters Production.
04/10/75	Bottom Line	cdr/shn	1Source Detail		late show. - It is not clear if this is the whole show. - This might fall into the "for completists only" category. All tunes clip in, there are significant level fluctuations throughout, and the recording is somewhat muffled. But this is far from the worst aud out there, and at times is pretty good.
04/11/75	The Tower Theatre	cdr/shn	2Source Detail		early show. - d1t05 Last Train from Poor Valley warbles @ 7:52-8:09 - d2t03 Expressway Fierro quotes Greensleeves @ very end A Moore's Masters Production.
04/11/75	The Tower Theatre	cdr/shn	2Source Detail		late show. - d2t02 Mississippi Moon background crackling comes from the show PA, and is not a recording (analog or digital) artifact. A Moore's Masters Production.
04/12/75	Masonic Temple	cd-r	2Source Detail
04/13/75	Kennedy Center	cdr	1		partial w/filler 1-27-76
04/13/75	Kennedy Center	shn	1Source Detail		late show partial
04/18/75	Arie Crown Theater	cd-r	1
04/19/75	Oriental Theater	cdr	2
04/19/75	Oriental Theater	shn	2Source Detail		This show is from a different source than another copy recently appearing on etree, however the original soundboard source is the same. The cut in you can leave your hat on is substantial, and from the master reel. Disc split is merely a suggestion, many people prefer to burn shows like this 50/50 on two discs. I included harder they come with the orphan track from 4-12-75
05/15/75	Great American Music Hall	cd-r	3Source Detail		AUDMC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [upfront but not onstage] > Sony TC-152) > DATx1 > CD > EAC > SHN; via Jack Warner.
05/21/75	Keystone	cd-r	2Source Detail
06/03/75	Keystone	cdr/shn	2Source Detail		d1t01 ITALTL, ITATTC cuts in; d1t01 ITALTL, ITATTC major cut @ 2:28; d1t01 ITALTL, ITATTC L channel out @ 2:28-2:33; d1t01 ITALTL, ITATTC level fluctuations @ 2:56ff; d1t02 originally contained both Dynamite and Day by Day, track split using CDWAVE; d1t02 Dynamite comes in abruptly, a note or two may be missing; d1t02 Dynamite distortion @ 0:36-0:38
06/04/75	Keystone	cdr/shn	2Source Detail		d1t01 Think crackle @ 0:32; d1t04 Boogie on Reggae Woman L channel drop 10:25-10:42; d2t01 Mystery Train splice @ 8:13; d2t02 I'll Take a Melody fades in
06/06/75	Dominican College	cdr/shn	1Source Detail
06/08/75	El Camino Park	cdr/shn	1Source Detail		t04 Tore Up fades down @ 1:37-1:38 t05 Little Sunflower cuts in, not much missing
06/21/75	Keystone	cd-r	2
06/22/75	Keystone	cdr/shn	3Source Detail		Consistent R-channel buzzing (PA?) throughout d1t01 Think fades in
07/04/75	Great American Music Hall	cdr/shn	2Source Detail
08/20/75	Great American Music Hall	cdr	1
08/20/75	Great American Music Hall	shn	2Source Detail		Per __the jerry site__ "This appears to be the complete Set 1 of a two-set show"
09/20/75	River City	shn	2Source Detail		MISSING Edward (listed on thejerrysite.com) Nicky sings lead on d2t02 and d2t03. Weird sounding 2nd electric performance of "Catfish John". Fairly hissy but listenable, previously uncirculated recording. misSHN in the rain, 4/04.
10/11/75	Keystone	cdr	2
10/12/75	Keystone	cdr	2
10/17/75	Concord Pavillion	cdr	2
10/17/75	Concord Pavillion	shn	2Source Detail		7. Mystery Train(missing) 8. Mission in the rain(missing) Small static burst in lady sleeps@ 3:45 is from the show not a diginoise or transfer error The last 2 songs reportadly circulate with the following source Sbd>mreel>reel>pcm>Dat
10/23/75	Palace Theater	cdr/shn	2Source Detail
10/24/75	Orpheum Theatre	cdr/shn	3Source Detail		Several tunes barely clip in, especially during the early show. There are numerous very minor digital zaps.
10/31/75	The Tower Theatre	cdr/shn	2Source Detail		There may be an additional reel after the master reel. After How Sweet It is the mics were dismounted and hand-held for the rest of the show. d1t01 Let it Rock digi-scratch @ 1:44 d1t01 Let it Rock mix/level fluctuations until ca. 2:00 d1t03 Russian Lullaby digi-scratch @ 1:13 d1t05 It's Too Late cuts in (reel change #1) d1t05 It's Too Late pop @ 4:33 d1t08 Money Honey blip @ 8:39 d2t01 Positively 4th Street clips in, not much missing d2t01 Positively 4th Street digi-snit @ 4:26 d2t01 Positively 4th Street last few seconds clipped (reel change #2) d2t02 How Sweet cuts in, ca. 15-20 seconds missing (reel change #2) d2t03 Dixie Down audible contact w/ mics as they are dismounted d2t03 Dixie Down drop @ 8:25-8:27 d2t04 LSTNT digi-snit @ 1:19 d2t05 Edward digi-scratch @ 3:13 T digi-snit @ 1:19 d2t05 Edward digi-scratch @ 3:13
11/08/75	Keystone	cdr/shn	2Source Detail		d1t02 How Sweet mix & level fluctuations d1t02 How Sweet light static @ ca. 0:45 d1t03 Let it Rock light and brief static blips @ 7:00-7:10 d1t04 FOTD static @ 4:38 d2t04 Edward levels drop @ ca. 1:20
11/18/75	Keystone	cdr	2
11/22/75	St. Paul Civic Center	shn	1Source Detail		Note - This is a B to B+ audience recording of a very well performed first set. Note - The Jerry Site indicates that Pig's Boogie was performed inbetween TLEO and MS Moon. Note - The Jerry Site indicates that Lady Sleeps was not performed on 22 November 1975. Note - The veracity of the specific set list for 22 November 1975 is in question. There are three sources of information indicating different set lists for this date.
11/23/75	Macky Auditorium, CU	shn	2Source Detail		(unknown lineage) sounds like at least 1 cass gen. some loud audience chatter
11/29/75	Keystone	cd-r	3
11/29/75	Keystone	cdr/shn	2Source Detail		AUDMC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN.
12/19/75	Winterland Arena	cdr/shn	2Source Detail
12/20/75	Winterland Arena	cdr/shn	1Source Detail		*w/ Matt Kelly on Harmonica
12/20/75	Winterland Arena	shn	2Source Detail
12/31/75	Keystone	cd-r	2Source Detail
12/31/75	Keystone	shn	2Source Detail		"fixed." Remastering: SHN>WAV>CE2K>CDWAV>SHNTOOL>mkwACT Remastering Notes: -Original source (shnid=6646) was 3% too slow (pitched approximately 1/2 step too low) -I used CE2K to pitch- and speed-correct by compressing from 100 to 97%. -Pitch is now Dead on A = 440Hz -No other remastering was performed (except for retracking)
01/07/76	Club Front	cdr/shn	1Source Detail
01/09/76	Sophie's	cdr/shn	2Source Detail		A very light, intermittent clicking reoccurs throughout the recording, though it is primarily audible during tuning breaks. d1t01 All By Myself fades in, not much missing d1t01 All By Myself very light pops @ 0:02, 0:05, 0:07 d1t01 All By Myself mix/level fluctuations first 0:20 d1t02 Goodnight Irene painful static and mix fluctuations, ca. 1:30 d1t06 Train to Cry cuts out d1t07 Tore Up cuts in d1t07 Tore Up static d2t01 Neighbor Neighbor fades in d2t05 Fandango cut/splice @ 0:35, unknown missing
01/25/76	Club Front	shn	2Source Detail		The last two songs are MSR > 1R > 1C > DATs > Sony PCM R500 > HHB 800 master CD > HHB 800 first gen CD > HP 9350i extraction using EAC > .shn encoding using mkwACT. Proper sector boundaries verified using shntool. d1t01 Knockin' cuts in d1t02 Second That Emotion cuts in d1t08 Knockin' drop @ 0:08 d1t10 Tore Up cuts in d2t02 Who Was John gap @ 2:08-2:14
01/27/76	Keystone	cdr/shn	2Source Detail
01/28/76	Keystone	cdr/shn	2Source Detail		- d1t01 Every Word You Say pop @ 2:31. - d1t04 Who Was John pops @ 9:30, 9:50. - d2t02 Harder They Come tapping on mic @ start. - d2t03 Knockin' pop @ 9:09.
02/14/76	Keystone	cd-r	2Source Detail
02/21/76	La Paloma Theater	cdr/shn	3Source Detail		CDead JGB Mega Vine Batch 5
02/22/76	La Paloma Theater	cdr/shn	1Source Detail		early show. - a few songs clip in, but just barely - a number of drops were cleaned out and the ends of some tracks were faded using Sound Forge Studio 6.0. Thanks to Andy Lemieux for the source discs! A MisSHN in the Rain Installment of the Music Never Stopped Project.
02/22/76	La Paloma Theater	cdr/shn	2Source Detail		late show.
02/24/76	Keystone	cdr/shn	2Source Detail		- The source CDs peaked at 30.1% and 25.1%, respectively. Both were normalized to 98% using Sound Forge Studio 6.0. - d1t01 Tore Up mix & level fluctuations throughout. - d1t04 Second That Emotion L channel out intermittently during first minute.
02/28/76	Crabshaw Corner	shn	3Source Detail		**D3T3 tape flip at 10:32
03/06/76	Moore's Egyptian Theater	cd-r	3
04/01/76	The Palace Theater	cdr/shn	3Source Detail		*tape splice near end of lonesome
04/03/76	Lisner Auditorium (George Washington University)	cdr/shn	2Source Detail		Late show. - This is not the same as an earlier-circulating version of this show, also an excellent master and also missing Sugaree (security was seemingly very tight), which is often misattributed to Jerry Moore and circulates as MAC > reel > DAT > CD. - No flaws noted. A MisSHN in the Rain Installment of the Music Never Stopped Project, 5/2003.
07/08/76	Keystone	cdr/shn	2Source Detail
07/09/76	Keystone	cd-r	1
07/09/76	Keystone	shn	1Source Detail		set 2 only.
07/20/76	Keystone	cdr/shn	2		Known Flaws (on source DAT): d1t02: blip at 6:32, 7:32; static/reel flutter at ~07:46-7:48 d1t04: fades in at beginning; static/reel flutter at ~9:27-9:30 d2t04: reel splice at ~3:53-3:55
08/16/76	Keystone	cdr/shn	2Source Detail		cut in Midnight Moonlight at 1:09
08/22/76	Keystone	cdr/shn	2Source Detail		- d1t01 Second That Emotion fades in, not much missing - d1t04 TWLWMYD cut/splice @ 1:48 - d2t04 Strange Man cut/splice @ 4:30 A MisSHN in the Rain Installment of the Music Never Stopped Project.e Music Never Stopped Project.
09/10/76	Keystone	cdr/shn	2Source Detail		MA? > 1R > DAT > CD > EAC > SHN recently put into circulation by Hanno Bunjes patches cuts in After Midnight (2:24-3:54) and Mystery Train (the first 5:03), and to include the entire Strange Man. A MisSHN in the Rain Installment of the Music Never Stopped Project.
09/11/76	Keystone	cdr/shn	2Source Detail		- d2t03 Don't Let Go splice @ 21:05 A MisSHN in the Rain Installment of the Music Never Stopped Project.he Music Never Stopped Project.
09/12/76	Keystone	shn	2Source Detail		Recording Info Rm (2 track 7" reels @ 7.5ips) -> Cass (TDK SA-X100 played back on Nakamichi CR-7A cassette deck Dolby off) -> Lucid 9624 A-D converter @ 44.1kHz -> Dat (Fostex D5 by Ryan Shriver 2/10/00) Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN (1 Disc SHN / 2 Discs Audio)
09/20/76	Astor Theater	cd-r	1		how sweet from early show, mystery train to end from late show.
11/15/76	Keystone	cdr/shn	1Source Detail		first set. The following flaws in this recording are VERY minor, in that they are in no way damaging to your speakers (or detrimental to the vibe, imo). Most would go completely unnoticed without this annotation. Stop That Train: digisqueal at 6:33 and 16:00 Tore Up: digibrushing around 6:42 and 7:39 Catfish: digisqueal 7:30 Mystery Train: more digi 6:09 and 6:18 Dixie: (fixed) d/o 1:20, digibrush 4:11
11/19/76	Pismo Theater	shn	2Source Detail		Scarcely circulated (until now) multianalog generation SBD recording. The setlist on this recording differs from thejerrysite.com which reports "Mission In The Rain" was played after "A Strange Man", but was missing from the tape but confirmed by person in attendence. This recording has "I'll Take A Melody" (which is truncated) and "Stop That Train". There is no gross difference in the recorded sources preceding A Strange Man and I'll Take A Melody to suggest they come from a different source than the remainder of the recording. If you don't believe it's real, just don't burn the short disc 2 :-p Flaws: d1t04 - d/o @ 5:45 removed with SF6. d2t01 - painfully cut short Pauses between tracks. The only editing was to increase the overall level of the recording by + 3.0 dB using SF6. No noise reduction or selective frequency attenuation/augmentation was performed. misSHN in the rain, 2/04.
11/19/76	Pismo Theater	shn	2Source Detail		late show. Scarcely circulated (until now) multianalog generation SBD recording. The setlist on this recording differs from thejerrysite.com which reports "Mission In The Rain" was played after "A Strange Man", but was missing from the tape but confirmed by person in attendence. This recording has "I'll Take A Melody" (which is truncated) and "Stop That Train". There is no gross difference in the recorded sources preceding A Strange Man and I'll Take A Melody to suggest they come from a different source than the remainder of the recording. If you don't believe it's real, just don't burn the short disc 2 :-p Flaws: d1t04 - d/o @ 5:45 removed with SF6. d2t01 - painfully cut short Pauses between tracks. The only editing was to increase the overall level of the recording by + 3.0 dB using SF6. No noise reduction or selective frequency attenuation/augmentation was performed. misSHN in the rain, 2/04.
11/20/76	Pismo Theater	shn	3Source Detail		early and late shows. Scarcely circulated multianalog generation SBD recording. It has hiss - you've been warned. This is the raw transfer without any noise reduction. The setlist of this recording differs from that on thejerrylist.com on the last 2 songs of the late show which lists "Tore Up Over You" and "Ride Mighty High" as the final two tracks. The end of DLG is not cut on this recording as listed on thejerrysite, though there was a small drop out on the master which was seamlessly removed (see below). There is no audible break in the music between the end of Don't Let Go and How Sweet It Is. Quiet on-stage banter can be heard at a low level from the end of DLG that continues on through the countoff into How Sweet It Is. The version of "How Sweet It Is" is different than the one played during the early show and at the end Jerry says "Goodnight". Flaws: d1t01 - first few notes missing d1t04 - d/o at 08:41 removed using SF6 with a small amount of music missing. d2t02 - d/o @ 07:08 with truncation of "yankee laid him in his grave" and the rest of the verse. d2t06 - d/o @ 10:26 with small subsecond bit of missing music. d3t03 - d/o @ 19:33 with a "BEEP" in the middle deleted with no apparent missing music. There are a few tape pauses between tracks however the overall recording quality/level of hiss remains the same for the entire show, suggesting the entire recording is from a single source. The pitch was flat and I increased by .02 semitones corresponding to a transposition ratio of 1.01162 using SF6. another installment of the misSHN in the rain, 2/04.
12/21/76	Keystone	shn	2Source Detail		- Show with John Rich on pedal steel guitar, to very nice effect IMO! - recording is thin (very little bass), a little quiet, a little hissy. But it's altogether listenable. - d1t04 setbreak announcement "We're gonna try to get ourselves together" - d2t06 Ride Mighty High starts off low volume, ends up being a pretty cool version, here again with the two guitars working well together.
12/22/76	Keystone	cdr/shn	2Source Detail		- John Rich plays pedal steel guitar on all but Let it Rock and Ride Mighty High. - There is some oversaturation throughout the recording, most prominently during Mystery Train and Ride Mighty High, but it isn't too bad.
02/05/77	Campbell Hall	cdr/shn	3Source Detail		According to the Jerry Site (www.thejerrysite.com), the early show ends with How Sweet It Is (To Be Loved By You), not Midnight Moonlight. These are 2 different version of Midnight Moonlight, and there is osme uncertainty whether How Sweet It Is is correct being that it comes from a different tape, so it is possible that the early show was indeed closed by Midnight Moonlight. d2t02 - Midnight Moonlight is incomplete and fades out d3t06 - My Sisters and Brothers is incomplete and fades out.
02/05/77	Campbell Hall	shn	3Source Detail		upgrade. see notes. Some dude is yelling throughout the first set during the quiet parts (especially during Simple Twist of Fate) he comes across the stage microphones. You can hear other audience members distantly cajoling him to "SHUTUP!". Likewise some future soccer grandma loses her psychic cookies periodically with some screaming, also to the chorus of "SHUTUP!".
06/23/77	Santa Rosa High School	shn	1Source Detail		: Quite excellent, both sound and performance. Rich bass. : Set 2 only. All that circulates as of this seeding. : First couple notes of Don't Let Go missing, but the edit (prior to my copy) is seamless.
07/03/77	Keystone Palo Alto	cd-r	1
07/08/77	Calderone Concert Hall	cdr/shn	2Source Detail		early show. - As of this .shn'ing (5/2003) the cassette with Tough Mama has not been located. Hopefully it will turn up, and can just be added to this set. - Some might wish to cut out some crowd & tuning to fit this onto one disc, but for purposes of archiving to .shn I chose to retain everything. - d1t03 Simple Twist of Fate tape flip @ 13:19
07/08/77	Calderone Concert Hall	cdr/shn	2Source Detail		late show. - As of this .shn'ing (5/2003) the cassette with Tangled Up in Blue cannot be located. It is patched in here from an older transfer. - This set improves on the older set at least insofar as both Harder They Come and Midnight Moonlight are now intact (respectively faded and clipped in on the old transfer). - d2t04 Tangled Up fades in
07/09/77	Convention Hall	cdr/shn	2Source Detail		d3t03 Not Fade Away first few notes/beats clipped
07/23/77	Keystone Palo Alto	flac	2Source Detail
08/06/77	Keystone	cd-r	1Source Detail
08/07/77	Keystone	cd-r	1Source Detail
11/21/77	The Playhouse (Hofstra University)	shn	2Source Detail		late show. - d2t02 Reuben & Cherise is the public debut of this song, as far as is currently known. This could have been tracked as much as forty seconds earlier, since there is a long setup to the song. The song itself is a bit confused. - d2t03 Russian Lullaby barely clips in; - d2t04 LAALWFH cuts in, not much missing.
11/23/77	The Palace Theater	cdr/shn	2Source Detail
11/23/77	The Palace Theater	shn	1Source Detail		Flaws - Distortion at the very end of Midnight Moonlight. It is in the source tape, so not my doing.
11/27/77	The Palladium	cdr/shn	3Source Detail
11/27/77	The Palladium	cdr/shn	2Source Detail		early show.
11/27/77	The Palladium	cdr/shn	2Source Detail		late show.
12/02/77	Orpheum Theater	cdr/shn	2Source Detail
12/02/77	Orpheum Theater	flac	4Source Detail		This show was originally put into circulation as a 2 disc set. For completeness I have not edited any of the time in between songs. Thus, each show is now over 80 minutes, necessitating 2 discs per show. The only edit needed was in Tore Up. The is was a tape flip at 10:47. I did a cross fade at that point to keep the beat, resulting in smooth, albeit abbreviated chorus.
12/06/77	The Dome, C.W. Post College	cdr/shn	2Source Detail
12/08/77	Palace Theatre	cdr	3
12/10/77	Warner Theater, Early show	flac	3Source Detail		*The taper never seems to get fully situated or happy with the way things are going as there are numerous spots of volume drops/changes, channel drops, channel swaps, and some dropouts at various points. It is also of note that almost none of the track transitions are continuous...the taper seems to like pausing the tape after every song...this causes the start of almost all the tracks to be missing some material...I tried my best to edit this in a way in which it is a more smooth listen than the original hard cuts
12/11/77	Rec Hall, Penn State U	cd-r	3
02/18/78	Marin County Veterans Auditorium	shn	2Source Detail		- There are at least three sources in circulation for this show, none of them quite complete. Eldon Porray's excellent audience tape (usually said to be Nak 700s, but it's too early for those mics) is all of set I and Midnight Moonlight from set II. The sbd has cuts in Knockin' and Lonesome and is missing Love in the Afternoon and all but the last 20 second of Tore Up. Menke's master is the most complete, with everything up to 17:30 of Lonesome, a few starts of songs clipped. I decided to put together this composite using the soundboard as the basic recording. I had hoped that the three sources could be combined to provide the whole show, but unfortunately the sbd and Menke's master do not overlap so as to cover the whole missing portion of Lonesome. Menke's tape (I am not sure about the equipment he was using) supplies 9:38-9:49 of Knockin', all of Tore Up and Love in the Afternoon, and 13:28-17:40 of Lonesome. - d2t06 LAALWFH splice @ 17:40, unknown amount missing.
02/19/78	Santa Cruz Civic Auditorium	shn	2Source Detail		Disc One: MAC (unknown taper/rig) > reel > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) A > D by Steven Martin Disc Two, Track One: MAC (unknown taper/rig [same as Porray master]) > ? > cassette > Nak Dragon playback > ART DI/O > HD > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) A > D by David Minches Disc Two, Tracks Two through Five: MAC (Taped by Eldon Porray/unknown rig) > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) A > D by Scott Zarnegar
03/09/78	Cleveland Music Hall	cdr/shn	2Source Detail		d2: jg+ms 06-04-74 The ? probably represents a cassette gen. d1t01 How Sweet cuts in d1t04 Knockin' cuts in, not much missing d1t04 Knockin' light pop @ 3:44 d1t04 Knockin' cut/splice @ 10:58, not much missing d1t05 Harder They Come first few notes clipped d1t05 Harder They Come light tick @ 3:12 d2t01 Mission cuts in, missing ca. 10 seconds d2t04 Midnight Moonlight cut/splice @ 6:26
03/11/78	Leroy Theater	shn	3Source Detail		d1t03 - d/o @ 08:06, 08:08 removed d1t07 - d/o removed from after song crowd noise @ 10:03, 10:05, and 10:07. +2.5 dB gain applied to entire show using soundforge 5. Thanks to S. Aserkoff for the CDR seeds. DAE(EAC 0.9 beta 4, offset corrected, high/secure) > editing (soundforge 5) > tracking (cdwav) > boundary check (shntool) > SHN (shorten 3.4) > FTP via C.Ladner/candyman FTP. A MisShn in the Rain Installment of the Music Never Stopped Project - 2/03. Music Never Stopped Project - 2/03.
03/12/78	Suffolk Forum	cdr/shn	2Source Detail		** May Contain Additional Analog Generation(s) Transfer: DA-P1 > Zafiro ZA-2 > NT 4.0/SoundForge XP 4.0 > CDRWIN
03/14/78	Music Hall	shn	2Source Detail		Mystery Train originally tracked on disc 2 as first track with a Mystery Train fade out at the end of disc 1. Retracked seamlessly to first disc.
03/16/78	Spectrum Theatre	flac	2Source Detail		Poor recording quality with multiple analog generations and age-related degradation. No other sources from this date circulate. Third public performance of "Cats Under The Stars". The original recording as transferred to CDR was flat and fixed using a 1.075 transposition ratio using soundforge 6. d1t05 - dropout at 3:54 fixed using SF6. d2t01 - first 53 seconds are mono because the right channel signal is intermittent with microphone adjustment noises fixed with a left channel splice.
03/17/78	Capitol Theater	cdr	2
03/17/78	Capitol Theater	shn	2Source Detail		early show. - There is a touch of fuzzy distortion, but overall this sounds very nice. - d2t05 Cats cuts in, not much missing.
03/18/78	Warner Theater	cdr/shn	2Source Detail		Late show Doug Oade performed the DSP on the transferred wav files using Waves REQ, RCL, and C4 plug ins. Dithering via Waves IDR at 16bit. Original source info is unknown.
03/18/78	Warner Theater	shn	1Source Detail		early show.
03/18/78	Warner Theater	shn	2Source Detail		Doug Oade performed the DSP on the transferred wav files using Waves REQ, RCL, and C4 plug ins. Dithering via Waves IDR at 16bit. Original source info is unknown.
03/19/78	Stanley Theater	cdr/shn	2Source Detail
03/22/78	Veteran's Hall	cdr/shn	2Source Detail		Last Show with Maria Muldaur. Multiple analog generations with a significant amount of hiss. Sound quality is a bit spotty and gets even spottier by the end of the second set. End of last song of each set is clipped. Very primitive and open-ended jamming sounding 'Cats Under the Stars' in its lucky #7 performance. Sounds like a band having a great time.
06/18/78	Keystone Palo Alto	cdr/shn	2Source Detail		There is a touch of oversaturation throughout, but it is quite minor. The first few notes of most songs are clipped.
10/03/78	Shady Grove	cdr/shn	1Source Detail		Merl Saunders Band, w/special guest Jerry Garcia T3 tape flip at 7:03 T7 cuts
10/07/78	Keystone Palo Alto	cdr/shn	2Source Detail		Flaws: d1t02 Second That Emotion mix and level fluctuations first minute d1t05 Mystery Train very end clipped, very little missing
10/08/78	Keystone Palo Alto	shn	2Source Detail		Jerry makes comment about trying to get things fixed at the end of Mystery Train. CDR source provided by J.Powell. DAE(EAC0.9b4, offset corrected, secure mode, QPS QUE 2410)>tracking(cdwav editor)>sector boundaries confirmed(shntool)>SHN(shorten3.4) via C.Ladner. misSHN in the rain, 12/03.
10/10/78	Keystone	cdr/shn	1		Missing from set 2: It's Too Late Gomorrah Rhapsody In Red jerrry site comments: Set 1 is most likely missing the opening song. The tape contains Set 1 (with the beginning of They Love Each Other cut) and the first two songs of Set 2 (with the end of Mission In The Rain cut).
10/10/78	Keystone	cdr/shn	2Source Detail
10/24/78	Keystone	shn	2Source Detail		* w/ Lee Oskar on harmonica A solid recording of a quite nice show. Flaws: d1t02 Love in the Afternoon cut/splice @ ca. 10:07, not much missing d1t03 It's No Use cuts in, not much missing d1t04 Second That Emotion tape slowdown @ 2:55-2:57 d1t06 Mystery Train clips in, not much missing d2t02 Harder They Come pop @ 0:05 removed using Sound Forge d2t02 Harder They Come levels rise @ 1:45 d2t04 Gomorrah crackle @ 0:01 smoothed using Sound Forge
10/26/78	Paramount Theatre	cdr/shn	1Source Detail		partial set 2
10/26/78	Paramount Theatre	shn	2Source Detail		: High end boost to help somewhat muddy sound : D/O's & glitches removed from the middle of Mystery Train and Long Way From Home; resulting splices aren't ideal, but are a good deal less shocking than the crack of the original glitches : I'll Be With Thee cut by a few seconds at the beginning : Between-track audience chatter cut down between songs in an earlier generation (master?) : All digital audio editing done with Cool Edit 2000
10/27/78	Pavillion East (Eastern Washington University)	shn	1Source Detail		set 1, partial set 2 - t01 How Sweet fades in, ca. 10-15 secs. missing? - t03 Russian Lullaby digi-scratch @ 8:02
10/28/78	Paramount Northwest Theater	cdr/shn	2Source Detail		A bit flat and echoey sounding, but extremely solid. Flaws: d2t09 (late show) Lonesome small drop @ 7:37
11/03/78	Keystone Palo Alto	cdr/shn	2Source Detail		MSR? > ? > CD > EAC > SHN (end of set II). d1t01 Harder They Come cuts in (- ca. 10 seconds) d1t02 Mission in the Rain cuts in at first lyrics (- ca. 15 seconds?) d1t03 Simple Twist of Fate cuts in (- ??) d1t05 Love in the Afternoon first few notes clipped d2t06 Reuben & Cherise light pop @ 1:35 The aud tape, recorded by Mike Riley with unknown gear, supplies set I and the first two songs of set II. The taper was busted after Gomorrah. For that material, Michael Parrish's first gen reels were transferred directly to CD, w/ no DAT stage. An unknown- provenance but very nice soundboard, probably reel master and probably at most one cassette gen, supplies the end of set II. Shntool confirms proper sector boundaries for all tracks.
03/07/79	Rancho Nicasio	cd-r	2Source Detail
03/08/79	Cabaret Cotati	cdr/shn	2Source Detail		* The widely circulating material with this date is actually from 3/9/79. The present material appears to be the real 3/8/79 show. * The levels on the source CDs were very low (28% peaks), so I normalized to 98% using EAC's Process Wave function. * d1t08 Make it Better first few seconds appear to be at very high speed. Not sure where this anomaly comes from, but it might be fixable.
03/09/79	Cabaret Cotati	cdr	2
04/23/79	Old Waldorf	cdr	2
05/19/79	Old Waldorf	cdr	1		Reconstruction
06/08/79	Rio Theater	shn	2Source Detail		Previously uncirculated SBD with minimal hiss (despite the lineage) and pauses between most tracks occasionally clipping the beginning of the track. Excellent horny performance of TWLWMYD and some extended blazing soloing during I'll Take A Melody. The total recording was about 85 minutes. If you want you can fit the first 8 tracks on a single 80 minute disc and then just burn a single track disc 2 with filler.
06/16/79	Keystone Palo Alto	cd-r	2		reconstruction
06/17/79	Keystone Palo Alto	flac	2Source Detail
06/22/79	Keystone Palo Alto	cd-r	2		reconstruction
07/06/79	Keystone	cdr/shn	2Source Detail		Reconstruction. According to Jim Wise (BUDD Digest #894, 7/31/2002), no-one was using the D5 until late fall 1979 at the earliest, so the deck is less than 100% sure. Flaws: d2t03 Just Want to Stop comes close to clipping in
07/07/79	Keystone Palo Alto	cdr/shn	2Source Detail		Reconstruction d1t03 TWLWMYD anomalies @ 1:08, 1:14 d1t04 Do I Move You L channel muffled @ ca. 10:56-12:08 d2t09 Instrumental #6 cuts out, probably not much missing d2t10 Dear Prudence cuts in, not much missing d2t10 Dear Prudence light analog tick @ start
07/08/79	Keystone Palo Alto	cdr/shn	2Source Detail		Reconstruction Betty Board
07/22/79	Civic Auditorium	shn	1Source Detail		d1t01 Welcome to the Basement fades in @ very start d1t10 Dear Prudence fades in @ very start The excellent sound quality suggests a reel master, with no or few subsequent analog generations.
08/10/79	Temple Beautiful	shn	2Source Detail		This is not a great audience recording, but it is solid. The Sama Layuca -> Jam -> Dear Prudence alone makes this one worth having (IMO!). Flaws: d1t05 TWLWMYD fades in, not much missing
09/15/79	Keystone Palo Alto	shn	2Source Detail		Tellin' My Friends is spliced and That's What Love Will Make You Do has a spot of diginoise.
10/21/79	Keystone	cdr/shn	2Source Detail		only circulating recording. Flaws: d1t01 After Midnight fades in d1t01 After Midnight digi-static @ 0:16, 0:33-0:34 -a few other warts here and there, but nothing major
11/16/79	Keystone Palo Alto	cdr/shn	2Source Detail
11/18/79	Keystone	cdr/shn	2Source Detail		Tape paused between some tracks. First notes of d1t05 cut.
12/21/79	Keystone Palo Alto	cd-r	2
12/21/79	Keystone Palo Alto	cdr/shn	2Source Detail
01/20/80	Keystone Palo Alto	cdr/shn	2Source Detail		The ends of Friend of the Devil and Russian Lullaby are cut. This is a fairly hissy recording, however it is still highly listenable with the first recognized "Eleanor Rigby Jam" in the middle of a smokin' 18 minute plus "after midnight" show closer.
02/07/80	The Catalyst	cdr/shn	2Source Detail		- d2t04 Harder They Come cross-faded tape flip @ 12:33
02/12/80	Lisner Auditorium (George Washington University)	cd-r	3
02/12/80	Lisner Auditorium (George Washington University)	shn	1Source Detail		APPARENT MISLABEL MAY BE 3-1-80 Smoking performance with a wicked kewl setlist. Epic Catfish soloing wails with the fat sound sound that makes me smile everytime. Guitar is prominent in the mix (as is some supercheezy early80s synth soloing). The levels on the source CDR were extremely low so I applied a +6 dB gain to the entire show prior to tracking, making sure there was no peaking/clipping after this relatively drastic increase in volume, bringing the recording levels in line with the aud encore splice as well. *I spliced in the encore from the previously circulated Scott Jones FOB SHure recording (http://db.etree.org/shninfo_detail.php?shnid=11019). CDR source via slipnut. DAE(EAC)>editing(SF6)>tracking(cdwav)>sector boundaries confirmed(shntool)>SHN(mkwact) via neo_levo. misSHN 6/04.
02/15/80	Orpheum Theater	cdr	3		early and late shows.
02/15/80	Orpheum Theater	flac	3Source Detail
02/17/80	Laker Hall (SUNY)	cd-r	3
02/17/80	Laker Hall (SUNY)	cd-r	2
02/22/80	The Barn, Rutgers University	cdr	2
02/22/80	The Barn, Rutgers University	shn	2Source Detail
02/23/80	The Tower Theatre	shn	1Source Detail		late show. No flaws noted on the late show recording. Tracks are labeled as Disc Two ("d2t01" etc), early show (Disc One) not present in this file set.
02/26/80	Ocean State Theater	shn	2Source Detail		*d1t02 from previously circulating Rolfe Nakamichi recording. (1) with Robert Hunter. First of only 4 JGB performances of "Tiger Rose" and "Promontory Rider", all in a 5 day stretch. Brief drop out @ 5:22 TLEO & @ 2:32 Promontory Rider spliced from audience source. D1t02 spliced from audience source. Beginning notes of Mission are cut. The whole show sounded like it was on 'ludes and using the audience source as a reference, the pitch on the SBD was off by -0.79 semitones with a transposition ratio of 1.047. This was corrected using SF6. Cassette transfer to CDR via Harry_A. DAE, editing, and sbe-free SHN encoding via Chris_L./candyman FTP. MisSHN in the rain, 10/03.
02/29/80	Calderone Theatre	cdr/shn	2Source Detail		tiger rose, promontory rider w/robert hunter Pre-FM feed from WLIR-FM recording truck All stage mics wired to air mix soundboard in recording truck to Maxell XLII cassette (no dolby) on a (then brand spankin' new) Nakamichi 550 cassette machine.
03/01/80	Capitol Theater	cdr/shn	1Source Detail		early show 1-2 sec. clipping due to fade ins on both Sugaree and How Sweet It Is Slight 2-3 sec. flutter during beginning of SugareeNo other known flaws Simple Twist of Fate source FM>C>WAV>SHN ToF was cut on sector bountries and slight fades added to match the rest of the show
03/07/80	The Stone	shn	2Source Detail		Flaws: - d2t03 Catfish John fades in with almost nothing missing - d2t05 TWLWMYD very end clipped, almost nothing missing
03/08/80	The Stone	cd-r	2Source Detail
03/26/80	Keystone	cdr/shn	2Source Detail
07/24/80	Bushnell Auditorium	cdr	2Source Detail		Trivia: 1 day after Keith Godchaux's death.
07/25/80	Orpheum Theater	cdr	2		early and late shows.
07/25/80	Orpheum Theater	cdr/shn	1Source Detail		early show.
07/25/80	Orpheum Theater	cdr/shn	2Source Detail		late show. sugaree on separate disc.
07/26/80	Convention Hall	cdr/shn	1Source Detail		Late show. First few notes of Tangled Up in Blue cut.
07/26/80	Convention Hall	flac	2Source Detail		early show. MAC (Taped by Peter Jaeger, Nak 300s [rear of floor, center] > Sony D5) > Tascam 122 mkIII playback > Lucid ADA 1000 A-D converter > Tascam DA30 mkII master DAT > Tascam 700 CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > editing (Sound Forge Studio 6.0) > sector boundary verification (shntool v1.01) > FLAC encoding (Flac Frontend v.1.7.1 etree edition, level 6). Cassette transfer and CD mastering by John Jay Hance, FLAC encoding by jjoops. - Decent recording, more or less what you might expect from the back of the floor. But this is a pretty stellar show, featuring standout versions of Sugaree and Tore Up and what may be my favorite Mission in the Rain. - There seems to be more hiss for the first half of Sugaree than later, and overall perhaps a bit more than I would have expected. There are a few very light clicks audible in places, for example Simple Twist, when the music is very quiet. But the only edits undertaken were to smooth a number of tape transitions. - d2t02 Mission in the Rain clips in.
07/27/80	Palace Theatre	shn	2Source Detail		Comments: Tape pause between several tracks.
11/16/80	Warfield Theater	cdr	1
02/05/81	Stabler Arena (Lehigh University)	cdr/shn	2Source Detail		Small cut in d1t1 at 2:15 Cassette > Digital transfer by Jim Wise using a Nakamichi Dragon > HHB 800 CD burner. SHN converstion via EAC from clone of master CDRs. Proper sector boundaries verified with shntool.
02/06/81	The Tower Theatre	shn	2Source Detail
02/10/81	Bushnell Auditorium	cdr/shn	2Source Detail		Tape pauses between tracks.
02/11/81	The Palladium	cdr/shn	3Source Detail		Tape is paused between some tracks. There were a couple of gaps between Mission and Sugaree that were spliced out using SF6.
02/13/81	Capitol Theater	cdr	4		early and late shows.
02/13/81	Capitol Theater	shn	3Source Detail
02/14/81	Calderone Theatre	cd-r	2
02/14/81	Calderone Theatre	shn	2Source Detail
02/15/81	Esby Gymnasium (Glassboro State College)	cdr	2
02/15/81	Esby Gymnasium (Glassboro State College)	shn	2Source Detail
02/22/81	The Stone	cdr/shn	2Source Detail		Flaws: - d1t01 How Sweet It Is cuts in harshy, not much missing - d2t04 Dear Prudence clips in, very little missing
05/22/81	Warfield Theater	flac	1Source Detail		- Patch material was provided by Willy Munder's seed of this show, shnid 9829. This included the first 3:14 of the opening track, everything from the final reverb note of Oh Babe It Ain't No Lie through 0:46 of On the Road Again (likely tape flip from the master), and everything from about ten seconds after the end of Oh Boy (i.e., about three minutes of tuning and end-of-show talk). That seed is pretty good but is plagued by intermittent static (which you can hear in the first second or so of the emcee talk on t01).
06/26/81	Warfield Theater	cdr/shn	1Source Detail		[Missing] I'll Take A Melody [Missing] How Sweet It Is (To Be Loved By You) - pitch correction using highest accuracy setting (original was 3.44% too fast) - all tracks had gaps/glitches near track boundaries which were cleaned up as well as possible - some clipping on waveforms at times
07/10/81	Raddison Hotel, Room 1503	shn	2		different shn set from db
08/22/81	Fairfax Pavilion	shn	1Source Detail		Entire show with Phil Lesh on bass. t05 Tangled Up in Blue anomaly @ 5:21, unsure what it is. t07 Melody quick anomalies @ 9:28, 9:29, 9:43. Missing show-closing Midnight Moonlight.
11/03/81	Painter's Mill	cdr/shn	1Source Detail		the master cassette was puased between songs and as result the first few seconds of knockin,dont let go & dixie are clipped. cassette flip on master during dixie @ 5:45 midnight moonlight cuts @ 6:34
11/08/81	Alumni Gymnasium	shn	2Source Detail		Flaws: d1t01 TWYDTTYD fades in, considerable missing d1t06 Tangled Up cut/splice @ 0:18, 5:37 d2t01 Melody cuts in, ca. 15 secs. missing d2t02 Tore Up barely clips in d2t06 How Sweet fades in, very little missing
11/10/81	The Palladium	cd-r	2
11/10/81	The Palladium	cdr	2
11/12/81	Symphony Hall	cdr/shn	2Source Detail		Overall SQ is decent, a bit distant and slightly boomy. d2t02 Russian Lullaby first few notes clipped d2t06 Tangled Up in Blue cut/splice @ 2:52
11/13/81	Orpheum Theater	cdr/shn	2		early and late shows. late show ended early due to a power outage caused by a nearby fire.
11/15/81	Performing Arts Center	shn	2Source Detail		d2t4 - the last note of the Night They Drove Old Dixie Down sustains into the beginning of d2t5. d2t5 - according the jerry site, Dear Prudence goes into Midnight Moonlight. However, there is a gap between these two songs. a gap between these two songs.
01/11/82	Old Waldorf	shn	2Source Detail		Very clean SBD with several minor cuts. Flaws: d1t01 - most of beginning of track is missing d1t04 - beginning clipped. d1t05 - pop @ 01:32, 01:34 removed using pencil tool, SF6, d1t06 - Deal is cut. d2t05 - First two verses are missing. d2t07 - Tangled Up In Blue is painfully cut. Thanks to J.Powell for CDR source. DAE(EAC0.9b4, offset corrected, secure mode, QPS QUE 2410)>removal of pop/silent gaps(SF6)>tracking(cdwav)>sector boundaries confirmed(shntool)>SHN(shorten3.4) via C.Ladner. another installment of the misSHN in the rain division of TMNSP, 11/03.
02/04/82	Keystone Palo Alto	cd-r	2Source Detail
02/05/82	Keystone Palo Alto	cdr/shn	1Source Detail		shns bundled w/jgb1-19-72 partial set 2 The Jerry Site also lists Valerie during set II, but questions whether it was performed. - The material is not TAO. But because the material is so tightly edited, the track markers fell most naturally in the small silences between tape stoppages and startups.
02/26/82	Keystone	shn	2Source Detail		There are some level changes/adjustments that happen during Tangled Up In Blue
02/27/82	Keystone Palo Alto	cdr/shn	2Source Detail
02/28/82	The Stone	cdr/shn	1Source Detail		From thejerrysite.com: Comments: The beginnings of They Love Each Other and Sugaree are cut. The DAT is missing How Sweet It Is, but this does appear on the analog version. Recordings: 73 SBD (DAT: MSC>D), 80 SBD
03/07/82	The Saddlerack	shn	2Source Detail		Set 2 with Dave Torbert Comments: The discs came with Mystery Train as the last song on the 1st disc. To agree with the Jerry Site and the other source listed in the db Mystery Train was moved to it's rightful place. Most tracks fade in/out D1T02 Removed some DJ talking at the end of the track with CDwav, no music was lost, slight fade added with Soundforge 5.0 D2T01 Removed some DJ talking at the end of the track with CDwav, no music was lost D2T04 Removed some DJ talking at the end of the track with CDwav, no music was lost D2T05 Removed some DJ talking at the end of the track with CDwav, no music was lost
03/17/82	Acker Gym, Chico State University	cdr	2
03/18/82	Mojo's	cdr/shn	2Source Detail
03/19/82	Mojo's	cdr/shn	2Source Detail
03/27/82	Keystone	cdr/shn	2Source Detail		a little hiss on quiet parts,some level change weirdness on set2 which may be splices, cuts or weaker splicing attempts most obvious at cd1t5 6:40 cd2t3 1:36, 2:20 cd2t5 0:27; (these do not look like digital anomalies)
04/10/82	Capitol Theatre (Early Show)	cd-r	1Source Detail		solo acoustic early show
04/10/82	Capitol Theatre (Early Show)	cdr/shn	1Source Detail		early show. Encore: Rueben And Cherise (missing)
04/10/82	Capitol Theatre (Early Show)	cdr/shn	1Source Detail		late show. SoundForge processing by Noah: Low shelf boost from 250Hz down. It needed a good deal of help in the low end because the highs were so damn shrill. The bass boost allowed for a more even tone without dropping the highs.
04/10/82	Capitol Theatre (Early Show)	cdr/shn	1Source Detail		early show. first ~34sec of To Lay Me Down patched with AUDMC > CD > EAC > SHN first few notes of Reuben & Cherise cut SBEs fixed
04/10/82	Capitol Theatre (Early Show)	cdr/shn	1Source Detail		late show. last ~4:04 of Reuben & Cherise patched with AUDMC > DAT > WAV > CD > EAC > SHN
04/21/82	Beacon Theatre	cdr/shn	2Source Detail		Garcia + Kahn Late show - (1) w/ Dr. John on piano - This copy compiles two slightly incomplete copies that have tended to circulate. The opening tuning, the first few seconds of Train to Cry, and the encore all come from a slightly inferior (though still excellent) copy of the show, with the rest coming from the slightly better copy (which was missing those parts). Sound Forge Studio 6.0 was used for the patches. Flaws: - d1t03 Stagger Lee warble @ 5:10 (unfixable, probably on master) - d1t09 Deep Elem Blues fades in, not much missing (probable tape flip) - d2t03 Babe It Ain't No Lie SQ change (less crowd & high end) @ 0:05 - d2t05 Going Going Gone splice @ 0:45 - d2t06 Ripple fades in, not much missing
04/21/82	Beacon Theatre	shn	1Source Detail
04/21/82	Beacon Theatre	shn	2Source Detail		late show.
05/05/82	Oregon State Prison	cd-r	1Source Detail		jerry and john kahn acoustic
05/05/82	Oregon State Prison	shn	1Source Detail		too early for a master DAT likely mp3 sourced
05/08/82	Keystone	cdr/shn	2Source Detail		- Slightly flat and oversaturated, but a pretty nice soundboard for the period. There were a fair number of pops, etc., of unknown origin. - d1t02 Roadrunner mix and level fluctuations, guitar mixed low - d1t03 Knockin' crackles/ticks @ 16:35, 17:07-17:08 (tuning) - d1t04 Tore Up tick @ 0:06, static @ 0:41-0:42 - d1t05 Tangled Up cuts out, maybe 1 minute missing - d2t05 Harder They Come cuts out, most missing - missing Midnight Moonlight
05/15/82	Keystone Palo Alto	cdr	2
05/15/82	Keystone Palo Alto	shn	2Source Detail		This is a very nice audience recording. It represents the the club atmosphere well and is quite a strong, energetic show. Flaws: d1t03 TLEO cuts in, very little missing d2t05 HTC cassette flip @ track 6:54 d2t06 Midnight Moonlight fades out, considerable missing A MissSHN in the Rain Installment of the Music Never Stopped Project.
06/04/82	Neighbors Of Woodcraft	cdr/shn	2Source Detail		Transient speed fluctuations during the first minute of Stagger Lee. Jaw dropping "To Lay Me Down" tarnished with some some brief annoying digital static on the source discs at 06:09-06:12.
06/04/82	Neighbors Of Woodcraft	cdr/shn	2Source Detail		Garcia + Kahn. Transient speed fluctuations during the first minute of Stagger Lee. Jaw dropping "To Lay Me Down" tarnished with some some brief annoying digital static on the source discs at 06:09-06:12.
06/12/82	Keystone Palo Alto	cdr/shn	2Source Detail		- d2t03 Russian Lullaby some static and channel fluctuations @ 0:15-0:23, 12:16 - d2t06 Tangled Up splice @ 11:20
06/16/82	Music Mountain	cd-r	2		new
06/16/82	Music Mountain	cdr/shn	2Source Detail		all with Bill Kreutzman Previously listed as Neumann U-87 mics. Mic information updated 5/2002 per information given by Jeff Silberman to Craig Hillwig: "According to Silberman, it was raining that day and at the last minute, the call was made to run Sennheiser 441s and keep the Neumanns out of the rain. Silberman speculated that the mislabelling was caused by a patcher who labelled his tape before the last minute switch."
06/16/82	Music Mountain	shn	2Source Detail		no processing of MC
06/17/82	Veterans Memorial Coliseum	cdr/shn	2Source Detail		d2: 4. E: Man Smart, Woman Smarter* 5. E: Deal* *w/ Bob Weir
06/18/82	Cape Cod Coliseum	cdr/shn	2Source Detail		The levels on the source CDs were pretty low (highest peak around 50%), so joined the wavs were joined and normalized to about 98%. The only editing undertaken involved smoothing tape transitions.
06/20/82	Cumberland County Civic Center	shn	2Source Detail		*Bob Weir and Bobby Cochran (both on guitar) come out for the encore. Can't really hear Weir clearly on Deal, but he sings lead on Johnny B.Goode - only time every played by JGB. Overall, a beautiful performance from the middle of a legendary stretch of shows Mystery Train and the fat melodic autofilter soloing in Run For the Roses are especially kewl. Outstanding audience recording with minor quiet close up clapping/yelling at times. Fade out at end of first disc on master splits up the single set show with the remainder of the show and a 2 song encore on a second disc. Small tape warble/flip at the start of Run For the Roses. Thanks to J.Powell for providing the source CDRs. DAE(EAC0.9b4 offset corrected secure mode, QPS QUE 2410)>removal of silent gaps at tape flips/adjustment of level fluctuations in first track(SF6)>tracking(cdwav editor)>sector boundaries confirmed (shntool) > SHN(shorten3.4) via C.Ladner. another installment of misSHN in the rain/TMNSP, 11/03.
06/24/82	Capitol Theater	shn	2Source Detail		late show. The original shns that I got 4/01 from Katy Miller failed sector boundary check. Encoded to wave> tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) as seekable V3 shn. re-retracking and re-.shn by Kevin Tobin. Seeded to etree 7/03
06/28/82	Opera House	cdr/shn	2Source Detail
08/23/82	Kabuki Theater	cdr/shn	2Source Detail		Flaws: d1t06 - dropouts at 11:05 & 11:07 d2t03 - dropout at 1:32 d2t07 - dropout at 1:41 The dropouts were tightened up using Steinberg's Wavelab 3.0
11/05/82	Chrysler Auditorium	flac	2Source Detail		The recording has some minor distortion in the high-end, and is somewhat lacking in clarity. But it's a great performance, and Jerry's guitar and vocals are heard loud and clear. The sound improves in the second set, so it's possible that the taper moved seats during intermission. The deck was shut of between most songs, and the end of Valerie and start of Deal are slightly clipped. Soundforge was used for numerous operations: to make fades, adjust levels, repair some drop-outs, clean up around the breaks between songs and tape-flips, and to correct the pitch (+0.6 semitone).
11/07/82	The Tower Theatre	shn	2Source Detail		Solid B grade audience recording of a great performance from what sounds like a hand held mic, though the taper was able to individually adjust the levels of each channel. There were noisy tape pauses with silent gaps between some tracks with slight clipping of the start of a couple tracks, cleaned up using SF6. The recording was slow, corrected with a +0.6 semitone transposition using SF6. Tape flip at the ~ 45 minute mark occurs in the middle of Simple Twist of Fate. The whole recording is a little over 86 minutes - the tracking of the disc break was artbitary. DAE(EAC)>WAV editing as above(SF6)>tracking(cdwav)>sector boundaries confirmed(shntool)>SHN(mkwact). misSHN in the rain, 6/04.
11/11/82	Felt Forum (Madison Square Garden)	cdr/shn	2Source Detail		early show.
11/11/82	Felt Forum (Madison Square Garden)	cdr/shn	2Source Detail		late show. - There was a very brief splice on the master recording @ 11:29 of Knockin'. This was covered with a very brief patch (0.5s front and back crossfades, ~1s patch) from Jim Wise's excellent master (Senn 421s in an X-Y pattern @ the sbd on a stand > Uher cassette deck). This may not have been necessary given the brevity of the cut, but it seemed worth doing for an otherwise flawless seed.
11/13/82	Bushnell Auditorium	shn	2Source Detail		possibly as many as three cassette gens between the master and the digitized copy. There are few glitches in Dear Prudence (Drop-out at 01:45)
11/13/82	Bushnell Auditorium	shn	1Source Detail		set 2 only Tape paused between songs. There were some fairly large differences in overall levels between some tracks which I've smoothed out by applying gain/attenuation with soundforge 6.
11/15/82	Wilkins Theatre (Kean College)	shn	1Source Detail		late show. Very clean SBD recording - possibly MSC>DAT.
01/22/83	Phoenix Theater	cdr	2
01/23/83	Keystone	cdr/shn	1Source Detail		set 1.
01/24/83	Keystone	cdr/shn	2Source Detail
01/24/83	Keystone	cdr/shn	2Source Detail		Minor flaws: d2t01 - minor subsecond digital static @ 03:58, 04:05, 04:39, 04:42 penciled out of existence using SF6. d2t02 - 03:19-20 - hideous digistatic beyond repair so i attenuated it using SF6.
01/24/83	Keystone	cdr/shn	2Source Detail		Minor flaws: d2t01 - minor subsecond digital static @ 03:58, 04:05, 04:39, 04:42 penciled out of existence using SF6. d2t02 - 03:19-20 - hideous digistatic beyond repair attenuated using SF6.
02/28/83	Keystone	shn	1Source Detail		CAUTION - soloing in "Valerie" is so hot it may leave a smoking crater in your mind. Small drop/fade during t06. Midnight Moonlight is clipped. Recording is a warm, close up, noisy audience recording.
03/02/83	San Francisco Civic Auditorium	cdr	1
03/05/83	Civic Auditorium	cdr/shn	2Source Detail		Splice in Tangled Up in Blue.
03/12/83	Beverly Theatre	shn	2Source Detail		early show
03/12/83	Beverly Theatre	shn	2Source Detail		late show - d1t01 HTC fades in, not much missing - d1t01 HTC levels drop @ 1:29, reducing the touch of overload to that point, some level fluctuations through first two mins. - d1t02 Mission R-channel briefly out @ 0:53-0:56 - d1t01 Sugaree cuts in, not much missing - d1t01 Sugaree anomaly (probably analog) @ 0:25
05/20/83	Rainbow Theater	shn	3Source Detail		early and late shows.
05/23/83	Stages	shn	2Source Detail		Disc 1 Track 1 cut @ 8:18 Track 2 cut @10:14 Track 3 cut @ 8:08 Track 6 cuts @ the end of Run For The Roses Faded out Disc 2 Mission in The Rain Fade out at end I'll Take A Melody fades in at beginning Dead Prudence, drop out @8:47 All cuts where on the master seed. All in the "crowd noise". Cuts were smoothed out with Sound forge AddaWav was used to reconnect all tracks and CDWwave was used to retrack shn'd using mkw with appended seek table Another installment of MisSHN in the Rain branch of TMNSP. 06/04
05/31/83	Roseland Ballroom	cdr/shn	2Source Detail
05/31/83	Roseland Ballroom	shn	2Source Detail		- This is an absolutely stellar recording of a great high energy show! - No flaws noted.
06/01/83	Roseland Ballroom	cd-r	2
06/01/83	Roseland Ballroom	shn	2Source Detail		- One of at least three amazing masters to make it out of this show, this maybe the best of the bunch. This is really a great recording of a fun, high energy show. - d1t04 TLEO clips in
06/04/83	The Chance	cd-r	1
06/04/83	The Chance	shn	1Source Detail		early show - This is another excellent Mark Cohen recording. The vocals are a bit low but the music is crystal clear. - Cats Under the Stars cuts in
06/04/83	The Chance	shn	2Source Detail		This is a composite of two different sources. The majority (set I and the encore) derives from Mark Cohen's FOB Nak 700s > Sony TC-D5. The rest (set II) derives from Jim Vita's FOB Senn 421s > Sony TC-D5M. I don't know details on the Vita transfer, but Cohen's was transferred as follows: master played back on Nak Dragon > ART DI/O > Cool Edit 2000 (including patching in of the Vita material) > master CD > HP 9350i extraction (EAC v0.9 beta 4) > minor editing using SF Studio 6.0 > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). - There is a touch of light static during Mission in the Rain and Gomorrah. I have confirmed that it is on some other copies of Vita's master, though I don't know if it's on all of them. In any event, it's pretty light. - The Run for the Roses -> Deal transition had a short gap and a one-second repeat, which were edited out using SF Studio 6.0.
07/24/83	Nevada County Fairgrounds	shn	1Source Detail		Energetic performance. Lots of loud close up clapping.
11/12/83	Keystone Palo Alto	shn	2Source Detail		Splice in d2t01 from 08:17 - 08:33 from previously circulated J.Corley Nakamichi Pauses between some tracks. misSHN in the rain, 2/04.
11/14/83	The Stone	cdr	2
11/25/83	Cleveland Music Hall	cdr	2
11/25/83	Cleveland Music Hall	flac	2Source Detail
11/26/83	Forum Theater	cdr/shn	2Source Detail		Seeded in time for the 20th anniversary, this source includes the complete show - previously circulated SHN set was missing the last 2 tracks from the second set. Tape flip at end of d1t05 and d2t05. d1t02 - tape warble at 7:49.
11/27/83	Constitution Hall	cdr/shn	2Source Detail		The endings of both Deal and How Sweet It Is (To Be Loved By You) are cut with a fade out on the masters. At the very beginning of d1t01 and d2t02 in the space before the song starts, there were subsecond dropouts on the source CDRs which were removed using soundforge 5. Minor blemish at 03:03 d2t05. Tape is paused between many of the tracks to exclude crowd/deadspace.
11/29/83	Veterans Memorial Auditorium	cdr/shn	2Source Detail		Master tape paused between some tracks, first notes clipped on some tracks. While the lineage was only 'SBD' >DAT>CDR, I'm pretty sure this is from a master cassette given the tape flip in d2t05. * Tape flip w/ drop out @ 05:08.420 removed using SF5.
11/30/83	Hartford Agora	shn	2Source Detail		Muchas garcias to the taper for trusting us with the actual taper master for digital transfer. Up until now, no recording of this show was known to exist. There were a couple of minor subsecond single channel blemishes likely related to tape age which were fixed to sonic imperceptibility by copying the other channel using Soundforge 6. Pauses between some tracks. another installment of the misSHN in the rain, 4/04.
12/02/83	Tower Theater	cdr/shn	2Source Detail
12/03/83	Orpheum Theater	shn	3Source Detail
12/04/83	Gymnasium (SUNY)	shn	2Source Detail		Missing the last 2 songs from the first set & the beginning of the 1st song from the second set due to security which you can hear at the 11:00 min mark begin the 'shutdown' with a big "YO".. Beginning of Deal there is a barely audible splice (new tape) There is a rumble at the beginning of Don't Let Go and during the middle of the song as people bump into the stand, one of whom looks into the stand and says "I want to be on your recording." It was a tough nite to tape! Missing songs from end of first set Run For The Roses Cats Under The Stars* ------------------------------------- additional notes: There are sector boundary errors on d1t03, d1t04, and d2t04. I fixed these using SHNTOOL. No changes were made to d1t01 or d1t02, however, because the original SHN's were not seekable, the md5s differ from the original version i am hosting (these shn's are seekable).
12/06/83	Flynn Theater, Early Show	cdr/shn	2Source Detail		** this is updated source info. Pure fall '83. Very clean audience recording with minimal close up crowd noise. d1t01: Small pop @ 00:29.761-784 removed using pencil tool. d1t05: Dropout @ 06:29 removed using pencil tool. d1t07 Dropout @ 04:18 removed using pencil tool. d2t07 Subsecond cord static @ 03:34
12/07/83	Calvin Coolidge Cage, Amherst College	cdr/shn	2Source Detail		Tape paused between tracks with occasional clipping of the first note. This is a complete recording and separate from the previous seed of the first set where the taper gets busted during intermission.
12/09/83	Beacon Theater	cdr/shn	2Source Detail		Early show.
12/09/83	Beacon Theater	cdr/shn	2Source Detail		Late show.
12/13/83	Kean College	cd-r	2
03/02/84	Keystone Palo Alto	cd-r	2Source Detail
03/02/84	Keystone Palo Alto	cdr/shn	2Source Detail		how sweet fades in to start.
03/04/84	The Stone	cdr/shn	2Source Detail		Tape paused between tracks with clipping of the first notes on a few tracks. Overall levels were very low throughout - a + 2.5 dB gain was applied to both sets using soundforge 5 and tracked with cdeave. Subsecond dropout in Deal removed at 06:06 using SF5. Minor digifuzz at 07:17 of Midnight Moonlight fixed using 1:1 magnification and pencil tool. Short sets - just barely too long to fit both on an 80 minute disc.
03/09/84	Keystone Palo Alto	cdr/shn	2		Note: Beginning of "Tore Up" is missing due to cassette flip.
03/10/84	Keystone	cdr/shn	2Source Detail
03/22/84	Keystone	shn	1Source Detail		Outstanding audience recording. Show stars out a little wobbly with solos beginning in some interesting keys, but energy buils rapidly and superfast Jerry guitar playing comes on out. This comes, at times, at the expense of remembering the words/notes. Still I think 82-early 84 JGB is perhaps the best incarnation in terms of overall performances having a lot of energy and perceptible excitement that comes across on the tapes (at least for me) and that's evident on this recording. Pauses between some tracks. Tape flip during space between t05-t06. t09 - the orjersmic build up @ the end of the main solo section beginning at 04:56 is punctuated by a seemingly? precisely timed either jerry glass breaking somewhere close by @ 05:13 - guaranteed to make your pets stand up and take note. Thanks to J.Powell for the CDR source. DAE(EAC0.9b4, offset corrected, secure mode)>Soundforge 6.0 (+2.0 dB gain)>tracking(cdwav editor)>sector boundaries confirmed (shntool)>SHN(mkwact) via C.Ladner. misSHN in the rain, 2/04.
06/03/84	Kabuki Theater	cd-r	2		jerry and john kahn acoustic
07/28/84	Keystone Palo Alto	cdr	2		d2 filler: 03. interview w/jerry. date unknown. 04. tangled up in blue. acoustic practice session. date unknown. 05. dear prudence 06 . tangled up
07/31/84	The Stone	cdr/shn	2Source Detail		Master tape paused between tracks. One huge section during Like A Road at 8:29 had numerous digital artifacts which were removed using pencil tool in soundforge by D. Hollister but are still barely noticable now that you've been biased. *d1t05 - dropout (tape flip?) at 09:44.
08/10/84	Rocky Glen Amusement Park	shn	2Source Detail
08/11/84	Caldwell College	shn	2Source Detail		Transfer Info: Cassette Master (Nakamichi Deck/Azimuth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) Process Info: Processed through Nuendo using Waves Q10, C4 and L2 and rendered down to a 16 bit wave file. Notes: Tracked and Edited With Samplitude 7.02 Professional.
08/12/84	Club Casino Ballroom	flac	2Source Detail		Let me start first by saying that 'Yes!', this is from a first gen cassette, not the master. I received this (as well as 8/13, 8/15 & 8/16) show about 15 years ago from a fellow taper/trader from VT who had "borrowed" the masters from the taper (name?). He ran first gen copies for himself (and me) on XLIIS and, due to the superb sound, I felt it was worthy of a DAT transfer sometime in the mid 90's. I then transferred it over to CD about 3 years ago and have yet to see it in circulation, so I figured it was a good candidate for a BT seed. Just recently, I remember someone asking for some more '84 JGB...so here you go. FYI, before seeding, I tried to track down the source of the original master cassette, but to no avail. Do not be fooled by the knowledge of an extra cassette gen... this show is an absolute smoker...in performance as well as sound quality. This will make a nice addition to any Memorial Day barbeque jamboree. Enjoy!
08/16/84	Port Haven/Good Skates	shn	2Source Detail		- This is quite a nice recording of a solid show; - d1t06 Like a Road barely clips in; - The signal strength seems to weaken during Love in the Afternoon and Mission in the Rain, with hiss more noticeable.
11/18/84	Avery Fisher Hall	cdr/shn	1Source Detail
11/23/84	Chrysler Hall	shn	2Source Detail		plus Robert Hunter set. First of only 4 non-GD Peggy-Os ever played. The other 3 were played over the next 4 nights, all Garcia/Kahn. This is one of the highest quality Garcia & Kahn audience recordings I have heard - you will enjoy. The recording is less than 81 minutes long and can be overburnt on a single audio disc. I tracked it by set for 2 discs. There were pauses with fades between most tracks with small silent gaps which I removed/cleaned up using Soundforge 6. The opening Robert Hunter set formed filler at the end of both master CDRs which I have removed and will distribute separately. CDR source via slipnut. DAE(EAC0.9b5), minor editing as above (Soundforge 6), and SHN encoding (mkwact) by C.Ladner. misSHN in the rain, 6/04.
11/26/84	Bushnell Aud., Bushnell U.	cd-r	2
11/26/84	Bushnell Aud., Bushnell U.	shn	2Source Detail		Very clean SBD . Third of only 4 non-GD Garcia Peggy-Os. 18 minute plus acoustic "Bird Song".
11/27/84	Auditorium Theater	shn	2Source Detail		Final of only four non-GD Garcia performances of "Peggy-O". Very good audience recording with minor level fluctuations largely related to the taper turning down the gain because of audience noise - most notable at the beginning of sets and at the first notes of Ripple. There were some pauses between tracks with a couple instances of the clipping of the first note. Silent gaps between pauses were removed and the overall level of the recording was increased by 1.5 dB using SF6. DAE(EAC) > minor editing as above (SF6) > tracking (cdwav) > sector boundaries confirmed (shntool) > SHN (mkwact). misSHN 7/04.
12/06/84	Starry Night	shn	2Source Detail		Clean low gen MSC with minimal hiss. A few dropouts at the end of d1t04 (5:30, 06:10) were removed using SF6. d2t02 - Brief minor flaw at 04:18. Tangled Up in Blue missing. Midnight Moonlight is painfully truncated.
03/02/85	The Stone	shn	1Source Detail		Set 1 is incomplete. No info on missing songs... Some rough pauses between some tracks were smoothed using SF6. Thanks to J.Powell for the CDR source. DAE(EAC 0.9b4, offset corrected secure mode QPS2410)>wav editing(SF6)>tracking(cdwav)>sector boundaries confirmed(shntool)>SHN(mkwact) via C.Ladner. misSHN 3/04
03/03/85	The Stone	shn	2Source Detail		d1t01 - the beginning of Cats Under The Stars is clipped d1t05 - the beginning of Run for the Roses is clipped.
06/01/85	The Stone	shn	2Source Detail		From thejerrysite.com: Jerry played a Modulus guitar. Tape flip nicks the start of Deal.
06/03/85	Keystone Palo Alto	shn	2Source Detail		Jerry played a Modulus guitar. Tape flip truncates the first note of d1t05. Some clipping/distortion at times in the right channel. Cable static at beginning of d2t02. Short second set.
08/04/85	The Stone	cd-r	1
08/05/85	The Stone	cd-r	2
08/09/85	The Stone	shn	2Source Detail
08/10/85	Keystone Palo Alto	cd-r	1
08/17/85	River Theater	shn	2Source Detail		d1t01 - master recording levels during the first 25 seconds were extremely low, i applied a +10 dB gain to this small segment using SF6 to bring it line with the remainder of the recording.
08/18/85	Dunsmuir House And Gardens	shn	1Source Detail		Garcia + Kahn.
10/16/85	The Catalyst	shn	2Source Detail
01/27/86	The Ritz	cd-r	1Source Detail		jerry and john kahn acoustic
01/28/86	The Ritz	cd-r	1Source Detail		jerry and john kahn acoustic
01/31/86	Capitol Theater	shn	1Source Detail		archived w/jg+jk 4-21-82 a+b Notes/Flaws/Comments: - This was originally laid out for two discs. I did nothing more than rename the files for one-disc layout. The md5s remain otherwise unchanged. - Extreme mix & level fluctuations @ start, obviously from the PA given the crowd's response as things improve. This then becomes quite a nice recording! - d1t01 Deep Elem cut/splice @ 1:13
05/30/86	The Stone	shn	2Source Detail
05/31/86	The Stone	shn	2Source Detail
10/04/86	The Stone	cdr/shn	2Source Detail		- Jerry's first post-coma public performance! - A really nice recording of an historic and good show. - d1t01 Get Out of My Life Woman fades in, not much missing
10/18/86	The Stone	shn	2Source Detail		First performance of "And It Stoned Me". Strong performances of Run For The Roses and Harder They Come, and a utterly fantastic Dear Prudence. The recording of the first set is very clean without any significant technical flaws (minor wind screen noise ~ 3 minutes into d1t02). Second set is a little overdriven during the first track with a few minor dropouts, likely unrelated to digital transfer but on the cassette master as there was detectable hiss during the silent gaps. The beginning of the second song of the second set had stop and or a flip followed by major fluctuations in levels for about a second from clipping to no signal - sounds like some knobs were getting twisted ;-), Subsequent to level stabilization, peak levels in the left channel were consistently ~4-5 dB lower than the right channel, which was disruptive to the stereo image. A + 3.5 dB gain to the left channel was applied to the second set from the drop in level on. Intermittent close up clapping periodically.
11/10/86	The Stone	cdr/shn	2		d2t03 Splice at 8:51 tightened up using Steinberg's Wavlab
11/11/86	The Stone	cdr/shn	2Source Detail
11/14/86	Marin County Veterans Auditorium	cdr/shn	1		jerry and john kahn acoustic.
11/30/86	The Stone	shn	2Source Detail		Jerry continues the Van Moondance themed comaback with a young performance of Forever Young. Tape flips at start of Deal and end of Dear Prudence with silent gaps removed using SF6. Thanks to J.Powell for the CDR source. DAE(EAC0.9b4, offset corrected, secure mode, QPS QUE2410)>edit (as above - Soundforge 6.0)>tracking(cdwav editor)>sector boundaries confirmed(shntool)>SHN(shorten3.4) via C.Ladner. misSHN in the rain, 12/03.
12/08/86	The Stone	shn	2Source Detail		First note of d2t01 clipped. Rare performance of "I Want To Tell You". CDR source via J.Powell. DAE(EAC0.9b4, offset corrected, secure mode, QPS QUE 2410)>removal of silent gaps, adjustment of signal level fluctuations(SF6)>tracking(cdwav editor)>sector boundaries confirmed(shntool)>SHN(shorten3.4) via C.Ladner. misSHN in the rain/tmnsp, 11/03.
12/21/86	The Stone	shn	2Source Detail		- d1t01 Get Out of My Life clips in, very little missing - d2t01 Harder They Come clips in, very little missing
03/06/87	USS Carl Vinson (Alameda Naval Air Station)	cdr	1
03/09/87	The Stone	cdr/shn	2Source Detail
04/24/87	The Stone	shn	2Source Detail		Small dropout during the first bar of Deal. Thanks to J.Powell for providing the lineaged CDR source for me to extract. DAE(EAC0.9b4, offset corrected, secure mode with track quality >99.%)>tracking(cdwav editor)>sector boundaries confirmed(shntools)>SHN(shorten3.4)>FTP via C.Ladner/candyman FTP. misSHN 12/03.
08/29/87	French's Camp on the Eel River	cd-r	3
08/30/87	Greek Theater	cdr/shn	2Source Detail		w/Bonnie Raitt Drop Out at ~06:25 of d1t04 cut.
08/30/87	Greek Theater	cdr/shn	2Source Detail		* with Bonnie Raitt
10/15/87	Lunt-Fontanne Theatre	shn	2Source Detail
10/17/87	Lunt-Fontanne Theatre	cdr/shn	2Source Detail		late show.
10/21/87	Lunt-Fontanne Theatre	cd-r	2
10/28/87	Lunt-Fontanne Theatre	cd-r	1Source Detail
11/27/87	Warfield Theatre	shn	1Source Detail		JGAB. Partial unlineaged multigen analog audience recording. Cassette deck (Nakamichi DR-2)>DAT (Tascam DA-30 Mk II) transfer via J.Powell. DAT(Sony PCM-R500)>coaxial>Audiophile 2496>P4 2.0 GHz>Soundforge 6.0>tracking (CDWave editor)>sector boundaries confirmed (shntool)>SHN(mkwact) via C.Ladner. misSHN in the rain, 2/04.
11/28/87	Warfield Theatre	shn	1Source Detail		JGAB. Scarecely circulated unlineaged multianalog gen recording. First performance of "Oh The Wind And Rain". Cassette deck (Nakamichi DR-2)>DAT (Tascam DA-30 Mk II) transfer via Jim Powell. DAT(Sony PCM-R500)>coaxial>Audiophile 2496>P4 2.0 GHz>Soundforge 6.0>tracking (CDWave editor)>sector boundaries confirmed (shntool)>SHN(mkwact) via Chris Ladner.
11/29/87	Warfield Theatre	shn	1Source Detail		shns w/11-28-87. Unlineaged multianalog gen scarecely circulated recording. Transfer: Cassette > DAT by J.Powell (Nakamichi DR-2)>DAT (Tascam DA-30 Mk II)> with playback on Sony PCM-R500>coaxial>Audiophile 2496>P4 2.0 GHz>Soundforge 6.0>tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN(mkwact) via the misSHN in the rain.
12/04/87	Wiltern Theater	cd-r	1Source Detail		jerry garcia acoustic band
12/05/87	Wiltern Theater	cdrs/hn	2Source Detail		This is a listenable aud of what appears to have been a tough show to tape. There were lots of drops and splices here and there, most of which were basically unfixable, but which were made less harsh with Sound Forge Studio 6.0. Flaws: d1t01 Deep Elem fades in, not much missing d1t01 Deep Elem harsh drops removed @ 3:12, 3:14, now quick splices d1t04 Turtle Dove harsh drop removed @ 1:33, now quick splice d1t07 Crossroads Bar harsh drop removed @ 1:43, now quick splice d1t09 Rosalie McFall tape flip @ 1:53 d1t10 Goodnight Irene drop/splice @ 5:52 d2t01 How Sweet cuts in, missing ca. 15 seconds? d2t05 Gomorrah clips out, not much missing d2t06 Sisters & Brothers clips in, not much missing
12/06/87	Wiltern Theater	cdr/shn	2Source Detail		(1) dedicated to Elizabeth Cotton Flaws: d1t10 Ripple fades in d2t01 How Sweet levels drop @ start d2t07 Sisters & Brothers crackle @ 1:40
04/26/88	Marin Veterans' Memorial Auditorium	cdr	1		(1) with David Nelson on lead vocals (2) with Bob Weir and Brent Mydland t01 Deep Elem Blues fades in
05/06/88	Old Fillmore	cd-r	2
07/07/88	Cotati Cabaret	shn	2Source Detail		Early Show Recorded at Front Row Table. Audio-Technica AT 831R mics > Marantz PMD-430 > Tascam CD-RW700. Recorded and mastered by Dan Ward. Late Show Recorded in front of left PA stack. Radio Shack behind the ear mics > Sony TC-D6. Recorded and mastered by CNM. # = w/ Eric Thompson (mandolin), Suzy Thompson (fiddle), and Ken Frankel (banjo)
07/10/88	Greek Theater	cdr/shn	1		partial (how sweet and mission), after brent and bob sets. shns bundled w/11-21-70 wbcn studio.
07/10/88	Greek Theater	shn	2Source Detail
10/31/88	Henry J. Kaiser Convention Center	shn	2
11/05/88	Caesars Tahoe	shn	2Source Detail		not taped by Bob Menke, as previously listed. Second performance of "Life Line".
11/25/88	Wiltern Theater	cdr/shn	2Source Detail		I'll Take A Melody is missing in its entireity. The end of Midnight Moonlight is cut.
11/26/88	Wiltern Theater	cdr/shn	2Source Detail		Outstanding recording with one major and a few minor glitches - d1t01 - static @ 07:05 - left as is. d1t02 - static @ 00:42, 03:49 repaired. d1t07 - static pop @01:46 repaired. d2t01 - Lt channel static @ 00:04 repaired. d2t04 - CUTS OFF at the end... Clapping (in time) by either Gloria or Jaclyn can be heard throughout.
12/04/88	Oakland-Alameda County Coliseum Arena	cdr/shn	1Source Detail		shns w/??-??-70 workingmans' outtakes. -Acoustic Bridge School Benefit * w/ Neil Young -Three or four spots of mics (on stage) being bumped, all during first three minutes WDD
01/28/89	Orpheum Theatre	cdr/shn	1Source Detail		second set.
05/22/89	Universal Amphitheatre	shn	2Source Detail		missing last two songs of second set (That Lucky Old Sun and Midnight Moonlight) cdr wav disks provided by Matt Zerbini *cdr > mkw > shn performed by Robert Goetz (winterland121072@yahoo.com) on 11/11/2003
08/26/89	Greek Theatre, U. Of California	cdr	2		w/jimmy cliff on harder they come
09/02/89	Merriweather Post Pavilion	cd-r	2
09/05/89	Hartford Civic Center	cdr/shn	2Source Detail		Don't Let Go is complete, sbd cuts after 1st few notes of Lonesome & A Long Way from Home
09/06/89	Nassau Coliseum	shn	2Source Detail
09/10/89	Great Woods Center for the Performing Arts	flac	2Source Detail		Entire show with Clarence Clemons. Final performance of "Hope It Won't Be This Way, Always". Overall this is a surprisingly clean SBD/low analog generation without any major tape/mechanical glitches beyond the flips and very little hiss. The tape speed was slow requiring a pitch transposition of 1.0386. Splices: d1t05 - audience source splice from 00:02 - 00:25 d2t03 - audience source splice from 02:42 - 04:06 Splice source: FOB(Schoeps CMC34) - http://db.etree.org/shninfo_detail.php?shnid=14311
09/11/89	The Centrum	shn	2Source Detail		Outstanding performance with one of my favorite Stop That Train and Harder They Come. Second setlist is unbelievable. The melvin keyboard jam during Harder is a guaranteed flashback smile. Second to last of only seven post-'78 performances of "Lonesome" - this one is pretty sweet. Above average '89 SBD (which is pretty poor year to begin with in terms of recording quality) with mild hiss, marred by some digiglitches in the second set. FWIW, Clarence Clemmons plays the _whole_show from start to finish. Flaws: There are several digiglitch dropouts on the DAT master during the second set (Mission, Prudence, and Miracle - ouch). I smoothed these as best as possible using SF6, however they are still annoyingly perceptible. misSHN in the rain, 2/04.
09/13/89	Seashore Performing Arts Center	shn	2Source Detail		Great performance and recording. Between tracks paused removed on master without clipping any of the performance. d2t03 - subsecond dropout @ 06:19 repaired using soundforge 6.
09/15/89	Alpine Valley Music Theatre	shn	2Source Detail		w/Clarence Clemons There is some saturation in vocals.
09/15/89	Alpine Valley Music Theatre	shn	2Source Detail		w/Clarence Clemons There is some saturation in vocals.
09/16/89	Poplar Creek Music Theatre	shn	2Source Detail		* = Taper gets busted. But this tenacious bastard doesn't give up. Only the last moments of "Prudence" and the begining of "Let's Spend" get cut. The recorder used here was an early Sony stereo cassette recorder. I forget the model. Probably a precursor to the TC-152. Just for the record - The original tape head in this machine had very poor treble response. I replaced it with a tape head out of a Sony Car Stereo...! Hey - It worked, and sounded worlds better than the thing that was in there. There is some saturation in vocals. But it is still a fairly listenable tape. A clever person could clean this up significantly. I'm fairly certain the taper was in the shed. Not sure how close. Don't know about the quality of the existing sources on this one. But try this one out.
10/31/89	Concord Pavilion	cdr/shn	2Source Detail
04/14/90	Warfield Theater	cdr/shn	2Source Detail
04/29/90	South Of Market Cultural Center	shn	1Source Detail		Jerry Garcia, Nick Gravenites, Pete Sears and Animal Mind Brian Wilson Defense Fund benefit
05/12/90	Waikiki Shell	cdr/shn	2Source Detail		***Midnight Moonlight missing (taper got shut down during Lucky Old Sun)
08/05/90	Greek Theatre @ University of California	shn	2Source Detail		(1) with Bela Fleck
08/07/90	The Warfield	shn	2Source Detail
11/11/90	Wiltern Theatre	flac	2Source Detail
11/20/90	Warfield Theater	shn	2Source Detail		"Lifeline" returns for its fourth performance, after a nearly 2 year abscence. Crowd noise between several tracks is clipped. Beginning of Mission is clipped. Suspect this is a cassette master though lineage is given as "digital audience". First Cie La Vie. Thanks to C.Davis for the source CDRs. DAE(EAC0.9b4, offset corrected, secure mode) > tracking (cdwav) > SHN (shorten 3.4) > FTP via C.Ladner/candyman FTP. Part of the MisSHN in the Rain jerry shn initiative - 8/03.
11/24/90	Henry J. Kaiser Convention Center	cdr/shn	2Source Detail		This was a NO TAPING SHOW! Tape was recorded Front Row Balcony. Mics were separated by the whole row (40 foot separation). AKG C1000S (cardioids)>Sony D5 Master Cassette>Dat>CD (I put my masters onto Dat then to CD) Due to the fact that we couldn't put the mics on a stand, the recording came out sounding a little distant, but it still sounds great. -cm
12/22/90	San Francisco Civic Auditorium	cdr/shn	3Source Detail
12/22/90	San Francisco Civic Auditorium	shn	3Source Detail		Outstanding performance and superb audience recording with minimal close up crowd interference during performance. * end of track has 'We Wish You a Jerry Christmas' noodle right before the start of Tore Up. Minor level changes during the beginning of d1t01. Originally there were fades at the end of d2t05/start of d3t01 - i was able to restore these to seamlessness using soundforge 5.
01/31/91	Warfield Theater	shn	3Source Detail		Outstanding audience recording of a superb performance. Final performance of "Tears Of Rage". The show could be fit on to 2 90 minute discs, but I tracked it over 3 discs. No fades - its all seamless. Thanks to J.Powell for providing the DAT source. Transfer: Sony PCM-R500 > coaxial > Audiophile 2496 > Soundforge 6.0 (48>44.1) > tracking (CDwav editor) > sector boundaries confirmed (shntool) > SHN (mkwact) via C.Ladner. misSHN in the rain, 2/04.
02/02/91	Warfield Theater	cdr/shn	2Source Detail		garcia + grisman.
02/03/91	Warfield Theater	cd-r	1
02/03/91	Warfield Theater	shn	2Source Detail		Set Two: SBD -> Dat -> Cassette Master -> Dat -> SHN
03/01/91	Warfield Theater	cdr/shn	2Source Detail
04/19/91	Warfield Theater	shn	1Source Detail		shns w/11-27-87. first set. First public performances of "Shining Star" and "Twilght" (only played on 3 other occasions). Any help with a second set source (analog or digital) is __greatly__ appreciated. DAT source provided by Jim Powell. DAT>WAV>SHN Transfer by Chris Ladner: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496 > WAV recording and 48>44.1 (Soundforge 6.0) > tracking (CDwav editor) > sector boundaries confirmed (shntool) > SHN (mkwact). misSHN in the rain, 4/04.
04/21/91	Warfield Theatre	cd-r	2
04/21/91	Warfield Theatre	shn	2Source Detail		Dankseed Certification received 01-08-14
05/23/91	Warfield Theater	cd-r	2
08/25/91	Goldcoast Concert Bowl	cd-r	2		garcia/grisman
11/07/91	Capital Centre	shn	2Source Detail		Great performance, pretty good recording, at times persistent annoying background chatter.
11/15/91	Madison Square Garden	shn	2Source Detail		Fourth of only five performances of Van Morrison's "Bright Side Of The Road". **I normally prefer not to track the encore at the end of disc 1, but this is the only way it can be done without burning a third disc with only the encore on it. Flaw: There were fadeouts between each track on the original discs which i have removed using SF6.
11/16/91	Knickerbocker Arena	cdr/shn	2
11/17/91	Hartford Civic Center	cdr/shn	2Source Detail
12/08/91	Warfield Theater	cd-r	2
12/09/91	Warfield Theatre	shn	2Source Detail		(1) Garcia and Grisman duet on banjos. (2) Garcia and Grisman only. First of only 3 performances of "Tell It to Me (Cocaine Blues)" I selectively attenuated the very loud cheers at the end of some songs by - 3dB using Soundforge 6.0. Overall a great recording with moderate close up noise/chatter. This source is different than the previously seeded recording and also has a complete second set. misSHN in the rain, 3/04.
05/02/92	Warfield Theater	shn	2Source Detail		Last "Let's Spend the Night Together" - now i need jer more than ever. Saturday night after the Rodney King riots in LA from which my wife, my jerry-chums and i were fleeing. Included for your enjoyment is a .jpg of the "Garcia Gazette" that was handed out prior to the show outside the Warfield that evening.
05/07/92	Warfield Theater	cdr/shn	2Source Detail		shns bundled w/marin county bluegrass festival d3 Several drops where track markers had originally been placed were removed using Sound Forge Studio 6.0. d2t01 Walkin' Boss fades out, very little missing
05/08/92	Warfield Theater	cdr/shn	2Source Detail		Garcia + Grisman. Several drops where track markers had originally been placed were removed using Sound Forge Studio 6.0. d1t01 Jack-a-Roe fades in, not much missing d1t01 Jack-a-Roe digital static @ 4:54, 5:00, 5:26 d1t06 Russian Lullaby ending barely clipped d2t01 First Unto This Country barely clips in
05/09/92	Warfield Theater	cdr/shn	2Source Detail		Garcia + Grisman. - Several small drops and a roughly three-minute gap in Arabia were removed using Sound Forge Studio 6.0. - (1) Garcia & Grisman duet - (2) Garcia & Grisman both on banjo - d2t01 Walkin' Boss clips in, not much missing - d2t09 Milestons fades in, most missing ? - missing Ripple encore
05/10/92	Warfield Theater	cdr/shn	2Source Detail		Garica + Grisman. d1t01 Jack-a-Roe fades in, very little missing d1t08 very light pop during tuning just before So What d2t10 Drink Up & Go Home considerable overload distortion
05/??/92	The Warfield	cd-r	1
07/29/92	Universal Amphitheater	cd-r	2
10/31/92	Oakland-Alameda County Coliseum Arena		0Source Detail		*splice in Deal at 03:19 - 6 second dropout between sources removed with soundforge 5. Source from this point on including all of second set appears to have fewer/one analog generation(s). Thanks to Cosmic Chuck Frolio for the seeds. DAE(EAC 0.9 beta 4) > splice trimming (soundforge 5) > tracking (cdwav) > boundaries confirmed (shntool) > SHN (shorten 3.4) > FTP via MisSHN.
04/12/93	Candlestick Park	shn	1Source Detail		Jerry, Bob and Vince: The Star Spangled Banner
01/12/94	Warfield Theater	flac	2Source Detail		digitally remastered by Bob Loy(The Other One)>16 bit signed pcm wav @ 44100 hz >tracked@16bit>FLAC
02/06/94	Warfield Theater	cdr/shn	2
08/14/94	Warfield Theater	cd-r	3
09/01/94	Warfield Theatre	cd-r	2
09/02/94	Warfield Theater	cdr/shn	2Source Detail		fade-outs at the end of every track with the majority of the intervening crowd noise removed, except for 10-30 seconds at the beginning of the next track preceding the start of the next song.


	Garcia Interviews--- Approximate Hours: 5
Date	Venue	Media Type	Media Count	Sound Quality	Notes

10/02/77	Paramount Theater	cdr/shn	1Source Detail		Garcia talks to unknown people backstage. Topics of discussion include the upcoming trip to Egypt in 1978, the upcoming tour, tuning guitars and pianos, Bill Walton, the Englishtown show. Sounds like drug use is involved, as toking and snorting sounds are present. Date is determined by references to "show last night" (the Dead played Oct. 1 and Oct. 2/77 in Portland), reference to just starting the tour in Seattle, and other references. shns bundled w/jg+friends 12-24-68
03/28/81	Garcias hotel room	cdr	1		This is a 48-minute recording of an informal conversation between Jerry Garcia and Ayatollah H?bsch (?), held at Garcia's hotel room in the afternoon before the Rockpalast show. Topics include Illuminati books, Islam and the Sikhs. Somewhere in the middle the telephone rings. Jerry picks up and talks to Brent for a moment. At the end H?bsch starts singing a song to Jerry, who then accompanies him on an acoustic guitar. This recording saw minimal circulation when it was reportedly sold in Germany in the 80s.
03/28/81	Garcias hotel room	shn	1Source Detail		This is a 48-minute recording of an informal conversation between Jerry Garcia and Ayatolla H?bsch (?), held at Garcia's hotel room in the afternoon before the Rockpalast show. Topics include Illuminati books, islam and the Sikhs. Somewhere in the middle the telephone rings. Jerry picks up and talks to Brent for a moment. At the end H?bsch starts singing a song to Jerry, who then accompanies him on an acoustic guitar. This recording saw minimal circulation when it was reportedly sold in Germany in the 80s. Many thanks are due to Tilli for obtaining a copy of the master cassette. I applied some denoising in SoundForge; the sound is not optimal but still listenable. I don't know much about H?bsch (who contributes at least as much to the conversation as Garcia) except that he was a writer and "beat poet" and he converted to islam in the late seventies.
01/21/83	KVRE-FM 101.7	cdr/shn	1


	Grateful Dead--- Approximate Hours: 2530
Date	Venue	Media Type	Media Count	Sound Quality	Notes

11/03/65	Golden State Studios	cdr/shn	1Source Detail		Autumn Records Demo, The Warlocks 1. Caution fades out at 3:10 2. shntool confirms tracks on sector boundaries 3. small spikes at the start of some tracks were silenced using Cool Edit
03/12/66	Danish Center	shn	1Source Detail
03/25/66	Trouper's Hall	cd-r	1
05/19/66	Avalon Ballroom	cdr/shn	1Source Detail		18-19. you don't // have to ask *fade in/out of tape flip filler: maze t.v., s.f., california 1966 20. cream puff war
07/01/66	Unknown (perhaps Fillmore Auditorium)	cdr/shn	1Source Detail		As noted in the message posted below by David Gans, tracks 2 - 6 suffer from brief partial loss in the right channel numerous places - The first track listed by Deadlists (Big Boss Man [#0:00]) was not on this source - Dancin cuts after about 7 minues - Deadlists assigns these tunes to a Fillmore Auditorium performance, but others list the venue as unknown David Gans posted to -- MESSAGE gdh.v001.n144.11 ---: From: David Gans Subject: 7/16-17/66 Date: tue, 16 Sep 1997 14:12:48 7/17/66? Date unknown: (Date unknown.15ips. Tape curl causes dropouts in R channel): #Big Boss Man, Cold Rain and Snow, It's All Over Now Baby Blue, Cream Puff War, King Bee, Stealin', Dancin' in the Streets#
07/16/66	Fillmore Auditorium	cd-r	1
07/17/66	Fillmore Auditorium	cd-r	1
09/16/66	Avalon Ballroom	cdr	1
11/19/66	Fillmore Auditorium	cdr	1
12/05/66	Studio: 1st album outtakes	shn	1Source Detail		08. Your Sons and Daughters * 09. Fire in the City * * Jon Hendricks and the Warlocks
01/27/67	Avalon Ballroom	cdr	1
03/18/67	Winterland Arena	cdr/shn	2Source Detail		The Same Thing and Viola Lee Blues cut @ 13:34 to 13:37 patched in from higher gen source by A.J. Fink To see the concert art: < http://www.pompano.net/~goodbear/concert_art/03_17-19_67.html > sb notes: there were originally sector boundary errors on tracks d1t02, and d2t3, 4 and 6. shntool was used to fix alltracks, and then they were re-shn'd using mkw v.97 seek enabled - sb 6-02
08/04/67	O'Keefe Center	cdr/shn	1Source Detail		* Tracks 11 & 12: Stereo SBD MR>R>C>C>DAT(3)>CDR(unknown number of CD gens)>EAC>Cool Edit 2000>CD Wave>SHN ** Track 13: Mono Cassette unknown generation>DAT(3)>CDR(unknown number of CD gens)>EAC>Cool Edit 2000>CD Wave>SHN
09/03/67	Dance Hall	cd-r	1
10/22/67	Winterland Arena	cd-r	1
01/17/68	Carousel Ballroom	cdr	1
01/20/68	The Eureka Municipal Auditorium	cdr/shn	1
01/22/68	Eagles Auditorium	cdr	1
01/27/68	Eagles Auditorium	cdr/shn	1Source Detail		This is all that circulates. The date is uncertain, but is believed to be from this night. EAC > SHN from audio CD by David Hollister 1/21/03.
02/02/68	Crystal Ballroom	cdr	1
02/03/68	The Crystal Ballroom	cdr	1
02/14/68	Carousel Ballroom	cd-r	2
02/14/68	Carousel Ballroom	shn	3Source Detail		Midnight Hour patched with: FM>Reel>Reel>DAT>CDR There is a cut in the Jam on all circulating copies
03/03/68	Haight Street	cdr/shn	1
03/16/68	Carousel Ballroom	cdr	2
03/26/68	Melodyland Theater	cd-r	1
03/26/68	Melodyland Theater	cdr	1
03/26/68	Melodyland Theater	cdr/shn	1Source Detail		w/05-24-69 shn
03/30/68	Carousel Ballroom	cd-r	1
03/30/68	Carousel Ballroom	cdr	1
05/??/68	Unknown	cd-r	1		unlabeled vault reel
06/14/68	Fillmore East (Early Show)	cdr	1
06/19/68	Carousel Ballroom	cd-r	2
08/21/68	Fillmore West	cdr	2		All but 20 sec of Cryptical Envelopment is missing on track 1. Jam in Alligator is only Garcia and Drums. Mountain Jam and AWBYGN themes during last part of Alligator. Very beginning of Dark Star missing Digi-errors track d2t05 at 13:36 and 13:41-:44. These have been confirmed to exist on the source DAT.
08/21/68	Fillmore West	cdr/shn	2Source Detail
08/23/68	Shrine Exposition Hall	cdr/shn	2Source Detail		Not a note of this material appears on Two From The Vault. It turns out that TFTV is composed exclusively of 8.24.68. d1 leading fill: Unknown Date, thought to be August 29, 1968, Matrix) Source unknown (but crispy) 1. St. Stephen (fades in) 2. Cryptical> 3. TOO> 4. Cryptical 5. Mountains 6. Alligator 7. Caution Jam
09/02/68	Betty Nelson's Organic Raspberry Farm	cd-r	1
09/02/68	Betty Nelson's Organic Raspberry Farm	shn	2Source Detail		Transfer Info: Master Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN
10/08/68	The Matrix	shn	3Source Detail		show billed as "Mickey and the Heartbeats". Bobby and Pigpen were absent. (1) all of third set with Elvin Bishop. (2) Jack Casady, Hart, and Bishop only.
10/10/68	The Matrix	cdr	3Source Detail		show billed as "Mickey and the Heartbeats". Bobby and Pigpen were absent.
10/12/68	Avalon Ballroom	cdr/shn	1Source Detail		seeded by David Gans on GDH-Trading de-glitched at the Frisco Refinery, 6/02: (the following glitches were removed) t01: 14:55 t02: :10, :20 t04: 1:10, 6:08, 8:23 t.11: 7:12 no portion of the wave was deleted in fixing these flaws. individual sectors were repositioned to eliminate glitch. the following (minor) glitches couldn't be removed t01: 8:00 - 8:20 t04: 1:02 - 1:07 flaws were too small to locate. tracks 1-3 re-tracked Conversion Notes: DAE (EAC: High, Secure, Offset Corrected) all track quality > 99.8% All sector boundaries verified using SHNTOOL SHN(seekable) using shortn32 via eD(efojr) - 07/20/02 Another installment of The Music Never Stopped Project! Thanks to Frisco for the seed discs.
10/13/68	Avalon Ballroom	cdr/shn	1Source Detail		shns w/1-27-68 Defects: d1t01 0:02-0:04 - fluttering ticks (Dark Star) d1t01 0:58-1:00 - left channel dropout d1t01 1:00-1:01 - right channel dropout d1t01 1:00-2:42 - slightly degraded sound? d1t01 8:44-9:19 - intermittent quiet noise in left channel d1t01 10:23, 10:27 - static in left channel d1t02 0:00 - pop in right channel (Stephen) d1t02 0:03, 0:04 - click in right channel d1t02 0:08 - quiet static in left channel d1t02 2:59 - quiet static in left channel d1t02 3:16 - splice d1t03 12:28 - splice (or click?) (Eleven) d1t11 1:23 - pop (not part of the feedback?) (Feedback)
10/30/68	The Matrix	cdr/shn	3Source Detail		show billed as "Mickey and the Heartbeats". Bobby and Pigpen were absent. (1) contains Clementine hints. (2) with Elvin Bishop
11/01/68	Armory Building, Silver Dollar Fairgrounds	cdr/shn	1Source Detail
11/22/68	Columbus Veterans Hall	cdr	2		AUD
12/07/68	Bellarmine College	cdr	2		shns did not match db.etree.org
12/20/68	Shrine Exhibition Hall	cdr/shn	1Source Detail		The Eleven fades in
12/21/68	Shrine Exhibition Hall	cd-r	2
12/21/68	Shrine Exhibition Hall	shn	2Source Detail		D2t02-t03: cut/splice between Drums and Alligator D2t06 (AWBYGN): end cut off DAT > CDR conversion via HHb 850, November 1999 Editing, normalization and 5% pitch correction by Jeff Tiedrich via Sound Studio for Macintosh, 28 April 2002
12/24/68	The Matrix	cdr/shn	1Source Detail
12/29/68	Gulfstream Park Racetrack	cd-r	1
??/??/68	Unknown or Various	cdr/shn	4Source Detail
01/17/69	Robertson Gym, U.C.S.B.	cdr/shn	2Source Detail
01/24/69	Avalon Ballroom	cd-r	1
01/24/69	Avalon Ballroom	cdr/shn	1		From Deadlists: COMMENTS Pigpen plays harp on Dupree's. The Avalon Ballroom insisted that bands, including the Dead, play short sets of an hour or less. This may well be the complete first set. * NOTE * A few tracks were not properly sector aligned. Fixed via shntool and new md5 checksum files were made available (12/7/00)
01/24/69	Avalon Ballroom	shn	2Source Detail		From Deadlists: COMMENTS Pigpen plays harp on Dupree's. The Avalon Ballroom insisted that bands, including the Dead, play short sets of an hour or less. This may well be the complete first set. Notes: The length of all these sets supports the short set restriction by the Avalon. Lovelight fades in. * Announcement made at the start of disc two indicating the Dead leaving the stage, Sons of Champlin being introduced and that the Dead will be back for another set. (Extraction and.shn encoding by Seth Kaplan (Sdk022769@aol.com) via EAC and MKW. Accurate extraction and properly aligned sector boundaries verified via EAC and .shntool. Various digital and master reel flaws cleaned up via Cool Edit 2000)
01/25/69	Avalon Ballroom	cdr/shn	1Source Detail		And We Bid You Good Night cuts @ 02:39 * NOTE * A few tracks were not properly sector aligned. Fixed via shntool and new md5 checksum files were made available (12/7/00)
01/25/69	Avalon Ballroom	shn	2Source Detail		Dark Star fades in (T.C. is high in the mix) Brief light static around the middle of St. Stephen. Small splice in Lovelight @ 16:27. And We Bid You Good Night cuts @ 02:38. (Extraction and.shn encoding by Seth Kaplan (Sdk022769@aol.com) via EAC and MKW. Accurate extraction and properly aligned sector boundaries verified via EAC and .shntool. Various digital and master reel flaws cleaned up via Cool Edit 2000)
01/26/69	Avalon Ballroom	cdr/shn	1Source Detail
02/02/69	Labor Temple	cdr/shn	2Source Detail		--first few notes clipped off Schoolgirl --small splice @ 2:02 in Schoolgirl --tiny left channel dropout @ 3:07 in Schoolgirl --digisnit @ 6:30 in Dark Star --@ 7:01 in Dark Star: increased hiss in left channel due to low original levels --@ 2:46 in Eleven: left channel loses amplitude for several seconds --cut near the end of Eleven; several minutes of Death Don't are lost --splice in Lovelight @ 16:51 --some degradation for the last few minutes of Lovelight
02/04/69	The Music Box	cd-r	2
02/05/69	Soldiers & Sailors Memorial Auditorium	cdr/shn	1Source Detail		(missing Lovelight) tape warble @ 5:10 Caution
02/06/69	Kiel Auditorium	cdr/shn	2Source Detail		Sound Forge was used to adjust the pitch for portions of the recording and to remove several small pops.
02/07/69	Stanley Theater (Early, Late)	cdr/shn	1Source Detail		early show. D1t01(Dark Star) Pops @ :20 both channels removed, Pop @ :54 both channels removed, Pop @ 1:01 both channels removed. D1t04(Lovelight) Digi Zaps @ 1:46 filtered , Also from 1:49-1:53 filtered as well no more zaps present, Nasty pops from 7:45-7:50 on different channels at random deleted and replaced with opposite channel the ones that were on both channels were filtered, At 7:48 a cut (some music is missing).
02/07/69	Stanley Theater (Early, Late)	cdr/shn	1Source Detail		late show. D1t04(Cryptical Envelopment) Minor static @ :48 filtered to remove static, Pop @ 3:35 filtered to remove the pop.
02/12/69	Fillmore East (Late Show)	cdr/shn	1Source Detail
02/14/69	Electric Factory	cdr/shn	2Source Detail		It is possible that there is one less analog generation in the lineage (as listed at Deadlists). The sound quality is rather ragged despite fairly low levels of hiss, so this may simply be from old and degraded cassettes with only one analog generation. Be warned. There is a minor splice just before the 7:00 mark in Schoolgirl from what sounds like a cassette recording overdub. It has been cut out and smoothed over with Sound Forge. There is a minor dropout in Dark Star roughly 18 minutes in. The splice in Lovelight occurs just after the 6:00 mark. The quality of the recording diminishes during the Cryptical Reprise where tape (not from the master) ran out. Overlapping tape segments were spliced seamlessly at this point using Sound Forge. Therefore, no music is lost although there is diminishing sound quality for the first half of the reprise. Alligator>Caution>Feedback>AWBYGN often mistakenly circulates at the end of this show, but is actually from 8-22-68. This show may or may not be complete. Edits, tracking, and pitch correction for various portions were performed using Sound Forge and CDWave.
02/15/69	Electric Factory	cdr/shn	3Source Detail		- The beginning of Doin That Rag is cut - no vocals are missing. - Lovelight has a cut near the end at 15:54. - The Eleven cuts off at 7:04. - The first half of Death Don't is missing - it cuts in during Jerry's solo. - Caution has a cut at 7:43. - The track marker at the start of The Eleven was adjusted. - TIFTOO and Gator Jam>AWBYG each came as one long track and were retracked with CDWave. - A few small clicks were removed with Cool Edit 2000.
02/21/69	Dream Bowl	cd-r	2
02/22/69	Dream Bowl	cd-r	2
02/27/69	Fillmore West	cdr/shn	2Source Detail
02/28/69	Fillmore West	cd-r	3
03/01/69	Fillmore West	cd-r	2
03/01/69	Fillmore West	cd-r	2
03/01/69	Fillmore West	cdr/shn	1Source Detail		(DAT conversion to CD by Aoxoa =====> THANKS!) (Extraction and initial .shn encoding by R. Keshavan) (Subsequent editing and.shn encoding by Seth Kaplan) (Properly aligned sector boundaries verified via .shntool) Known flaws: Light static of unknown origin on the last thirty seconds of Dark Star(22:52.611-23:22.480) > the first twenty five seconds of St. Stephen(0:00.000-0:25.467) Splice in Lovelight cuts at 0:17.815 on the master. A 0:01.355 silent gap after the splice was removed as well as a 0:00.300 segment prior to the splice in order to create a better flow from the splice > the section in which the selection continues. The start of Lovelight through to the splice was normalised +7.5db to better match the flow of the selection up to the splice with the segment in which the selection continues. The Lovelight cut is on ALL known sources. One possible suggested explanation for this is the possibility of a temporary power outage common to the areas where the various taping equipment setups were located. Sounds like a logical explanation for a bizarre happening! Anyway, it seems to have been only a couple of minutes (if anything) that were effected here. Various segments of tunings and onstage banter prior to the Bill Graham intros and the Hey Jude encore have been cut from the multi-track source. These were subsequently spliced in from the alternate sources noted below. The following alternate sources were used in editing the multi-track source: 1. SBD > Cassette Master > C > DAT > ZA2 > WAVs >SHN > CDR > DAT > WAV 2. SBD > 2-Track MSR > D > D > D > D > CD 3. SBD > 16-Track MSR > C2 > DAT > CD Alternate source info for spliced portions: 0:59.372 seconds of pre-Bill Graham Set One intro tuning: 2-Track MSR > D > D > D > D > CD 0:31.200 seconds of pre-Bill Graham Set Two intro tuning: 2-Track MSR > D > D > D > D > CD 2:26.538 seconds of pre-encore stage banter: 2-Track MSR > D > D > D > D > CD 3:32.318 seconds of pre-encore stage banter: Cassette Master > C > DAT > ZA2 > WAVs >SHN > CDR > DAT > WAV The majority of the show was re-tracked after completing the above edits.
03/02/69	Fillmore West	cd-r	3
03/02/69	Fillmore West	cdr/shn	3Source Detail
03/22/69	Rose Palace	cdr/shn	1Source Detail		The recording was pitch corrected and normalized using Sound Forge. Track boundary errors were also fixed.
04/05/69	Avalon Ballroom	cd-r	2
04/06/69	Avalon Ballroom	cdr	2
04/11/69	University Auditorium, U. of Az.	cd-r	1
04/12/69	Student Union Ballroom, University of Utah	shn	2Source Detail		--It seems like a good 10 minutes or so is missing from the first set, as all of what one must assume to be The Other One is gone as well as several minutes of the Cryptical reprise. --perhaps a minute or so of Dark Star is missing --Sound Forge was used for normalization and pitch correction part of The Music Never Stopped Project 2003
04/13/69	Ballroom, U. of Co.	shn	2Source Detail		Several minutes are lost in the cuts at the end of Lovelight and the beginning of Doin' That Rag. There is a minor splice roughly 10 minutes into Dark Star. The end of this show is obviously missing and probably consisted of Caution as the jam out of drums suggests.
04/15/69	The Music Box	shn	1Source Detail		This excerpt of the show represents all that circulates from Bear's master cassette. The rest of the setlist that is missing is unknown. It is likely that at least one generation was involved before the digital transfer.
04/18/69	Memorial Union Ballroom, Purdue U.	shn	2Source Detail		shns w/4-15-69 d1t1: ? @ 0:20 (mix change/adjustment?) d1t5: tape flip in here? or Bobby flubs big-time! d1t8: tape pause @ 9:08 d1t9: cut (likely for tape flip) @ 7:17 d2t1: Lovelight cuts in after a tape pause, maybe a few seconds missing (tape pause in cheering after song as well.) d2t1: very low crackle in left channel @ 3:59 d2t2: tape pause @ 6:53
04/20/69	Clark University	cdr/shn	2Source Detail		edits: crossfades of two short dropouts in Morning Dew at 3:29 and 7:19 crossfade of reel flip in the beginning of The Eleven fades to begin and end the set all other crossfades were edits of flips between songs where no music was disturbed no DAE, resampling, or bulk processing of waveform was performed Source DAT from Rob Eaton DAT>SHN by Jamie Lutch 6/2001
04/21/69	The Ark	cdr/shn	2Source Detail		Updated possible gen: MSR> DAT > CDR (had been marked MSR > Cassette > DAT > CDR); intro from alternate SBD; d1t6, d3t2 have cuts from reel; 1/20/68 filler; via S. Clugston, L. Revell
04/23/69	The Ark	cd-r	3
04/23/69	The Ark	shn	3Source Detail		This newly-circulating source is confirmed to be MSR>C>DATs>CDRs -- previously circulating version contained an additional cassette generation and was MSR>C>D>C>D. This version contains all of the splices/cuts contained in the previously-circulating version.
04/25/69	Electric Theater	cd-r	1
04/26/69	Electric Theater	cd-r	3
05/23/69	Seminole Indian Village	cdr/shn	2Source Detail		Source 2: SBD>MC>R>C>D>EAC>SHN (?) source 2 provides: --all of Hard To Handle --from 2:53 in The Eleven to the end of the show Notes: --Source 2 originated from a Serafin edit and originally was listed as a reel master, though there is reason to believe it was mastered on cassette, as noted on Eaton's list. There are remnants of digital processing in the recording, including distortion from what is likely to be digital moise reduction. Sound Forge was used to correct the pitch and patch in the portions from the higher quality reel source. --this exact shn set may have seen limited circulation in early 2002 with the 2nd source listed as unknown
05/24/69	Seminole Indian Village	cdr/shn	2Source Detail
05/31/69	McArthur Court, University of Oregon	cd-r	2		The encore has been moved out of order so this will fit onto 2 discs, but nothing was cut so you can restore its original order by moving Friend of Mine..Cosmic Charlie and the encore onto a 3rd disc.
06/06/69	Fillmore West	cdr/shn	1Source Detail		For unknown reasons, it appears that Jerry Garcia is missing for the first 5 songs, and Elvin Bishop plays lead guitar. The crowd, Phil & Bob acknowledge the missing Garcia after Smokestack, which must be the opener. Wayne Ceballos adds vocals for Checkin' Up and BIODTL. A faintly heard voice off microphone could be Garcia's just before Checkin' Up. Two days later during the same run, Pigpen ended up a spectator for some songs while Bishop & Ceballos sat in, so it seems possible that this is the case with Jerry, given a laid back atmosphere. Deadlists vaguely indicates that this represents all of 6-6-69. However, it seems likely that some music may be missing before Lovelight. The guests are not present during Lovelight, and Garcia is playing on this version. This is perhaps the longest version of Lovelight known to have been played, clocking in at just under 47 minutes.
06/07/69	Fillmore West	cd-r	2
06/08/69	Fillmore West	cd-r	2		w/elvin bishop and wayne ceballos
06/13/69	Fresno Convention Center	cd-r	2
06/14/69	Monterey Performing Arts Center	cd-r	2
06/27/69	Veterans Auditorium	cd-r	2
06/28/69	Veterans Auditorium	cd-r	1
07/07/69	Piedmont Park	cdr/shn	2Source Detail
07/11/69	NY State Pavilion, Flushing Meadows Park	cdr/shn	2Source Detail		patch (Alligator > Drums) from AUD master > low-gen reel > cassette > CD
07/12/69	NY State Pavilion, Flushing Meadows Park	cdr/shn	2Source Detail		CD 1: low-gen AUD
08/02/69	Family Dog at the Great Highway	flac	2Source Detail
08/03/69	Family Dog at the Great Highway	flac	2Source Detail
08/03/69	Family Dog at the Great Highway	flac	2Source Detail		-- Seamless transition between discs. -- There is an unknown Violin and Sax player. -- There is some weird stuff going on with the tape during Caution.
08/16/69	Max Yasgur's Farm	cdr/shn	2Source Detail
08/23/69	Pelletier Farm	cd-r	2
08/29/69	Family Dog at the Great Highway	cd-r	1
08/30/69	Family Dog at the Great Highway	cd-r	2
09/01/69	Baton Rouge International Speedway	cdr/shn	2Source Detail		shns bundled w/09-01-69 - this source differs from the most recent previously circulating copy (http://db.etree.org/shninfo_detail.php?shnid=5216) in that a). Casey Jones is not clipped b). The Yellow Dog Story which appears before Dark Star is not on this tape. The transition from the end of Easy Wind to the start of Dark Star on this tape is continuous. This would suggest that the Yellow Dog Story on the other source may not be from this date. c). The version of Lovelight on this source is complete (~24 minutes) except for a brief gap. The previous source cut after ~ 9 minutes
09/07/69	Family Dog at the Great Highway	cd-r	1		w/members of jefferson airplane
10/25/69	Winterland Arena	cd-r	1
11/02/69	Family Dog at the Great Highway	cd-r	1
12/10/69	Thelma Theater	cd-r	2
12/11/69	Thelma Theater	cdr/shn	2		AUD>MR>R>Beta>PCM>D>CD>EAC>SHN (intro through last verse of Dark Star)
12/12/69	Thelma Theater	cdr/shn	3Source Detail
12/13/69	Swing Auditorium	cdr/shn	2Source Detail		(plug gets pulled)
12/19/69	Fillmore Auditorium	cd-r	2
12/20/69	Fillmore Auditorium	cdr/shn	1		This is not the complete show, and is missing Me & My Uncle, Hard To Handle, Cumberland Blues, Black Peter, and Dark Star>St. Stephen in the span between High Time and The Eleven. The missing songs are quite possibly missing from the vault reels as well. This is the first known version of New Speedway, which has some very off-key harmonies, ----that sound as if they are almost intentional and sarcastic ????.
12/26/69	McFarlin Auditorium, Southern Methodist Univ.	cdr/shn	2Source Detail		There are cuts at the beginning of China Cat, the end of Dark Star (midway through the second verse of lyrics), and the beginning of New Speedway Boogie. These cuts are on all circulating versions.
12/26/69	McFarlin Auditorium, Southern Methodist Univ.	flac	2Source Detail		Most currently circulating CDR copies of this show have either the beginning or the concluding couple minutes of "Cold Rain & Snow" cut and are also missing the beginning of "China Cat Sunflower". This version has these defects corrected using a 2nd gen cassette source. MSR> CASS> DAT> CASS> DAT> CDR> EAC> FLAC
12/29/69	Boston Tea Party	cd-r	2
12/30/69	Boston Tea Party	cd-r	3
12/31/69	Boston Tea Party	cd-r	3
01/02/70	Fillmore East early show	cdr/shn	3Source Detail		early and late shows. patched with AUD>??>CD>EAC>SHN --aud patch for Zarathustra intro and first 5 seconds of Mason's --reel flip at 0:47 in Other One --Cosmic Charlie cuts out just before the end --beginning of Easy Wind clipped --large cut in between China Cat & Rider --Tighten Up jam in Dark Star starting at 22:43, lasting about a full 5 minutes --Dark Star cuts out during the final verse; at least a couple minutes are missing by the time Stephen cuts in well after its beginning --reel flip at 14:19 in Lovelight --Sound Forge was used for normalization and a slight pitch correction
01/03/70	Fillmore East (Late Show)	cdr/shn	3Source Detail		early and late shows. Here are Bill's notes: "I've played with this. Problem is stoned man on vol and pan controls - Weir's guitar which is the main offender in the variable volume stakes moves from right to left early on, then gets cranked up during Garcia's solo and at various other points..... So I've done what I can to moderate the extremes of channel volume fluctuations, but I've left Weir's guitar still quite high in the mix, as that seems more faithful to this recording. Given that Weir seems to speed up the tempo during the song, one can assume that he was playing with extra bounce :)) "
01/16/70	Springer's Inn Portland	cd-r	3
01/30/70	The Warehouse	cd-r	2
01/31/70	The Warehouse	cdr/shn	2Source Detail
02/01/70	The Warehouse	cd-r	2
02/04/70	Family Dog at the Great Highway	cdr/shn	1
02/05/70	Fillmore West	cdr/shn	1Source Detail		Tracks 1 to 4 are from the AUD tape. Track 5 is SBD except 7:12 onwards patched from AUD. Tracks 6 to 12 are SBD. This is all that currently circulates according to Deadlists.
02/06/70	Fillmore West	cd-r	2
02/07/70	Fillmore West	cd-r	1
02/11/70	Fillmore East (late show)	cd-r	2
02/12/70	Ungano's Night Club	cd-r	1
02/13/70	Fillmore East	cd-r	1
02/14/70	Fillmore East	cd-r	1
02/27/70	Family Dog at the Great Highway	cd-r	1
02/27/70	Family Dog at the Great Highway	flac	2Source Detail		Patch Info: Black Peter, Casey Jones and Cumberland Blues are patched from SBD -> Master Reel -> Cass -> Dat -> CD (shnid 2191) Notes: -- Seamless transition between discs. -- Very end of Lovelight is cut.
03/08/70	Star Theatre	cdr/shn	2Source Detail
03/24/70	Pirates World	cdr/shn	2Source Detail		The first half of Morning Dew is missing on the circulating tape, and there is a tape flip in the Dark Star at 4:51, before the first vocals; the remaining 8:54 fragment cuts in during the space following the vocals; probably around 2-4 minutes are lost here. These defects aside (and they are likely on the master) this is the complete show. In the pause after Me And My Uncle somebody says "Our time's up. See ya' later." Probably there wasn't an encore.
04/03/70	Field House, U. of Cincinnati	cd-r	2
04/15/70	Winterland Arena	cd-r	1
04/24/70	Mammoth Gardens	shn	2Source Detail		* This seed is an upgrade over all circulating copies. The reel tape was carefully transferred by Gerhard Schinzel, reducing the speed problems that marred previous copies. Gerhard has had a 1st generation copy off Richard Wethey's master recording since 1976. * The first seconds of Dire Wolf and Dark Star are cut. * The d2t8 jam cuts off. * About 2 minutes are missing from the beginning of Man's World. The following are details of the tape speed correction that was performed digitally. The numbers express the amount of semitones the source tape ran too fast: * acoustic set: constant 0.4 * Gradual speed-up from 0.4 to 0.6 during Easy Wind & Cumberland, * Dire Wolf: 0.6 * Dark Star: 0.5; almost constant * Man's World: varying between 0.4 to 0.5 The attribution of the 4/24/70 date to this tape is debatable. Richard's notes accompanying Gerhard's reel copy do not mention any specific day; the only information given is "Mammoth Gardens Denver 1970", which leaves the choice between 4/24 and 4/25. There is a newspaper article reviewing the second show; this article is transcribed at http://www.mail-archive.com/deadlists@nemesis.cs.berkeley.edu/msg02287.html . The fact that Man's World appears on this tape points to 4/25. Uli Teute writes on Deadlists, "I don't know how the 24th got attributed to what richard taped, but if he taped the 24. and the newspaper article is correct that would make 3 Dark Stars in a row (the 26th also has a Dark Star) - very unlikely - plus the article matches our tape just perfect. maybe we have the 25th. and do not know a bit about 4-24".
05/01/70	Alfred College	cdr/shn	2Source Detail		Master Soundboard Reel > Reel to Reel > DAT > Sonic Solutions > CDR supplies the balance of "Drums" (d2t04) thru the end of the show
05/06/70	Kresge Plaza, M.I.T.	cd-r	2		speaker-blowing distortion in r channel during dancin
05/07/70	Dupont Gymnasium, MIT	cdr/shn	4Source Detail		d4 shn bundled w/10-24-72p. first known Darkness Jam. w/NRPS set. patched w/MC>C>D>CD. Soundforge was used for normalization and pitch correction. The 7" reel contained many glitches associated with an old tape. Most were removed, or subdued. There are, no doubt, occasional reel flaws that have gone unnoted. Some digital errors remain as it proved unrealistic to re-transfer the reel due to circumstances including the physical condition of the tape itself.
05/14/70	Meramec Community College	cdr	2
05/15/70	Fillmore East (Late Show)	cd-r	5
05/24/70	Newcastle-Under-Lyme	cd-r	2		The AUD supplies the beginning of the show and the middle part of St. Stephen. Both are missing on the SBD
06/05/70	Fillmore West	cdr/shn	2Source Detail		AUD patch from low-gen cassette the audience tape supplies the following segments missing on the SBD: - the intro and Dire Wolf - the first 0:20 of New Speedway Boogie - the first 0:53 of Cold Rain & Snow - PA test banter between Cold Rain & Snow and Easy Wind - 2:27 to 6:17 of Easy Wind - 8:59 of Cryptical reprise to 5:38 of Attics Of My Life (with a cut in the AUD tape at 9:31 of Cryptical reprise) - the first 0:26 of St. Stephen
06/06/70	Fillmore West	cd-r	2
06/07/70	Fillmore West	cd-r	3
06/13/70	Red Vest	cdr/shn	2Source Detail		* with Gary Duncan and Dino Valenti The AUD is spliced in to supply the following segments: - beginning through D1T2 (Easy Wind) 3:16 - D2T1 (Speedway) 2:24 through the end
06/24/70	Capitol Theater (Late)	flac	5Source Detail		This is the best sounding yet from the Ken & Judy Lee collection. The late show has long been regarded as one the Dead's finest, and to hear it, in what is up till now the cleanest source available, is truly awesome. There are four TDK 120 cassettes from this night, however we have only three. Tape 1, 3 and 4. Tape 2 is missing. We will have to fill in the puzzle as the pieces emerge. And this poses a problem. We naturally want to bring you the complete show, but we have no idea when the missing piece will be found, so it was decided to release what we have. I included a text file for the missing sets in the torrent for the sake of continuity. This will have to do until the last tape is found. Noise Reduction was applied to the acoustic Dead set only. Some deterioration on the master tape during 83968 (Disc1 t5), and some other small glitches, none of which should detract from enjoying this show.
07/11/70	Fillmore East	shn	3Source Detail		with David Nelson & John Dawson *Bob Weir sings lead on Good Lovin' --This is the only known Dead performance of the Everly Brothers song, So Sad To See Good Love Go Bad --This is the 1st known Dead rendition of Rosalie McFall Garcia plays pedal steel guitar with the New Riders For unknown reasons, Pigpen does not sing on any song during the show, although he does play keyboard. The recording is rather distant and includes crowd chatter. In order to save batteries, the tape was stopped and started by the recorder just as songs started and ended. The beginnings and ends of most songs are therefore clipped, though this has not been noted except for the more severe cases. Sound Forge was used to normalize, pitch correct, and smooth over the cuts.
07/16/70	Euphoria Ballroom	cd-r	1		w/janis joplin on lovelight
07/30/70	Lion's Share	cdr	1
08/05/70	Golden Hall Community Concourse	cdr/shn	1Source Detail
08/18/70	Fillmore West	shn	2Source Detail		1. Truckin * 5. Ripple > * 6. Brokedown Palace * 7. Operator * * - First performance 2. Other One > (1) 3. Cryptical > (2) (1) - digi removed @ 1.12 (2) - rt channel static removed @ 0.07 - 0.09
09/18/70	Fillmore East	cd-r	1
09/19/70	Fillmore East	cdr/shn	1Source Detail		DAT from "3 Decades of Dead" Tree
09/20/70	Fillmore East	cd-r	3
10/23/70	McDonough Arena, Georgetown U.	cdr/shn	2		DAT speed-corrected by David Gans Various glitches edited out by CW Filler: Red Vest, Oahu, HI 6-13-70 Source: SBD>?>CDR
10/31/70	Gym, S.U.N.Y. (Early)	cd-r	1
10/31/70	Gym, S.U.N.Y. (Late)	cdr/shn	2Source Detail
11/05/70	Capitol Theater	cdr	1
11/08/70	Capitol Theater	cd-r	3
11/08/70	Capitol Theater	shn	4Source Detail		inc. NRPS set The original audience master cassettes (4 Ampex C361-90) were recorded on a Sony TC124 with unknown dynamic mics, spread approx. 25-30 ft. across the balcony, by Ken & Judy Lee. The cassette tape was baked and re-shelled, then transferred via Tascam 122 MK-III > Lucid ADA1000 > Tascam DA30-II (DAT) > Tascam CDRW 700 (CDR) by John Jay Hance. Editing By Peter G. via Soundforge. No noise reduction was applied. Audio extraction and further editing via Peak 4.0, compressed to .shn with xACT 1.3, and seeded by BoldCaptain via Azureus 2.1. Tape flutter in Baby Blue, and in Truckin'. Tape flip in Dancin' In The Streets was seemlessly pieced together.
11/09/70	Action House	shn	1Source Detail		tape pitch corrected: 3% speed-up
11/16/70	Fillmore East	cdr/shn	2Source Detail		* Steve Winwood on Pigpen's Hammond Organ. Steve Winwood also provides vocal accompaniment on NFA>GDTRFB>NFA and 1st vocal verse of NFA. + Will Scarlet on harmonica. Notes: D1T03 - Analog distortions and channel dropouts from unknown source, possibly a loose plug in the master reel to reel deck. D1T04 - Approximately 30 seconds missing. D1T11 - First few seconds clipped. D1T14 - Some distortion of Steve Winwood's vocals at the very end. As with any 30-year-old tape, various analog gremlins and anomalies exist. This is the concert formerly thought to have taken place on 11/23/70 at the Anderson Theater in New York City.
11/21/70	Sargent Gym, Boston University	cdr/shn	1Source Detail		shn w/05-23-69
11/21/70	WBCN-FM Studios	cdr/shn	1		The recording is fairly degraded, and there are a number of dropouts and volume fluctuations throughout. Notes: --Sound Forge was used for pitch correction, normalization, and other edits.
12/12/70	Santa Rosa Fairgrounds	cdr/shn	2Source Detail		copied from http://www.deadlists.com : There are two tapes in the vault from Santa Rosa, December 1970 -- a 41 minute reel marked "12/11/70" (listed here as SET 1) and an 80 minute tape marked "12/12/70" (listed here as SET 2). However, it is thought that there was only one Santa Rosa December 70 show, on the 12th, and that the vault tape marked the 11th is mislabeled. Jerry announces a break after I Know You Rider. Me And My Uncle could be the first tune or we could be missing several tunes before it. There was also a NRPS set.
12/26/70	Legion Stadium	cdr/shn	2Source Detail		Missing: Good Lovin' > Uncle John's Band
12/27/70	Legion Stadium	cd-r	2
12/28/70	Legion Stadium	cd-r	2
12/31/70	Winterland Arena (aftershow)	cdr	1
??/??/70	Pacific High Recording Studio	cdr/shn	1Source Detail		*5-8 are same material with EQ and Dolby A
01/24/71	Seattle Center Arena	cd-r	2
02/18/71	Capitol Theater	cd-r	3
02/18/71	Capitol Theater	shn	3Source Detail		This is a direct copy of the WBOTB tape circulated in 1996. No digital processing has been performed other than resampling, leaving intact the "nasty mic feedback" during Bertha and the "annoying whine" which "hovers around 8000Hz" throughout the whole show. Other copies circulate with these problems removed, but I still enjoy the tape more when it has not been noise reducted. Not recommended for the non-puristic listener.
02/19/71	Capitol Theatre	cd-r	3
02/23/71	Capitol Theater	cd-r	3
03/14/71	Camp Randall Field House, University of Wisconsin	cd-r	2
03/20/71	University of Iowa	cd-r	2
03/20/71	University of Iowa	cd-r	2
03/24/71	Winterland Arena	cd-r	1		This is all that circulates from the SBD. Sound Forge was used for normalization, and to remove or stifle a number of static pops. Notes: ---the start of Truckin' is distorted for a few seconds
03/24/71	Winterland Arena	flac	2Source Detail		-- The hiss in the first minute of Sugar Mags is due to low levels on the Master Reel. -- The setlist on the Dat does not match Deadlists. -- Benefit for the Sufi Choir of San Francisco, who also opened the show.
04/05/71	Manhattan Center	cdr/shn	3Source Detail		d3 shns w/??-??/70 workingmans' outtakes. Me & Bobby McGee w/John "Marmaduke" Dawson * first "Sing Me Back Home" ; includes on stage warm up Notes: At least 3 other SHN versions of this show circulate as of April 14, 2003. All of these copies suffer from unknown numbers of digital audio extractions and various remastering attempts. This seed is a direct copy from DAT WBOTB (11/1996) source. No whine removal, no noise reduction, no remastering, no fades, jarring reel flips left intact.
04/06/71	Manhattan Center	cdr	3
04/08/71	Music Hall	cdr/shn	2Source Detail		filtered the right channel to reduce 60-cycle hum using narrowband filter reducing it a few db's.
04/10/71	East Hall, Franklin & Marshall College	cd-r	2
04/13/71	Catholic Youth Center	cdr/shn	1Source Detail		set 2 partial
04/17/71	Dillon Gym, Princeton University	cd-r	3
04/17/71	Dillon Gym, Princeton University		0Source Detail
04/17/71	Dillon Gym, Princeton University	shn	1Source Detail
04/17/71	Dillon Gym, Princeton University	shn	2Source Detail		set 2
04/24/71	Wallace Wade Stadium, Duke University	cd-r	2		mkw notes: ---> I moved Casey Jones D2 to D1. While the file names within the md5 files have changed, the md5 signatures themselves have not. ---> This recording is afflicted with a dozen or two very brief (tenths of seconds) PCM dropouts. While that is unfortunate, this appears to be the best recording of 4/24/71 in circulation. ---> Good Lovin' is not cut (contrary to deadbase)
04/26/71	Fillmore East	cd-r	3
04/27/71	Fillmore East	cd-r	3
04/27/71	Fillmore East	shn	3Source Detail		Errata: Lodi fades in already in progress. Hard To Handle starts late and has some sound fluctuations in the first minute or two. Sugar Magnolia fades in already in progress. There is a splice in the segue between Uncle John's Band and Lovelight. The faults listed above are consistent with previous versions
04/28/71	Fillmore East	cd-r	4		inc. new riders set
04/29/71	Fillmore East	cd-r	5		inc. acoustic, new riders sets
07/02/71	Fillmore West	cd-r	3
07/31/71	Yale Bowl, Yale University	cdr/shn	3		*switch to AudMR > C > DAT > CD > EAC > SHN at 0:23 into Bertha running through JBG. note: there are some very slight digital ticks on tracks d2t12, d2t13 and d3t01. These are confirmed on the DAT that the transfer came from.
08/06/71	Hollywood Palladium	cd-r	2
08/14/71	Berkeley Community Theater	cd-r	2
08/15/71	Berkeley Community Theater	shn	2Source Detail		These discs are not 100% flawless (eg. reel flip in Rider, sporadic anomalies) but they are absolutely worth getting. To my knowledge this is the best that circulates. They do sound amazing.
08/21/71	Mickey's Barn	cdr/shn	2Source Detail		jam at mickey's barn. The tape was stopped and restarted between each track; there is no major loss at the start of any of the tracks except perhaps the very first one.
08/26/71	Gaelic Park	cdr/shn	3Source Detail		Reel started late on start of SetII (Me&MyUncle). Cut out startup noise and faded in. Sound levels seem to be slightly different between sets I & II. No changes were made.
09/??/71	Keith rehearsals	cdr/shn	1Source Detail		Compilation of the following dates: 09/29 & 09/30, and 10/01/71
10/21/71	Auditorium Theatre	cdr	1
10/23/71	Eastown Theater	cdr/shn	2		This is a low gen recording of a live FM broadcast, and therefore is somewhat muddy and hissy, though easily listenable. I have not seen this show anywhere in digital (June 2002). Sound Forge was used to correct the pitch of the recording. part The Music Never Stopped Project 2002
10/24/71	Eastown Theater	cdr/shn	1Source Detail
10/29/71	Allen Theatre	cd-r	1		second set
10/29/71	Allen Theatre	cdr/shn	2Source Detail
11/06/71	Harding Theater	cdr/shn	3Source Detail		good quality, but PA problems with the Piano throughout the entire show, sounds like scratching or something, painful in some spots, but this is on ALL copies of this show
11/07/71	Harding Theater	cd-r	4
11/11/71	Atlanta Municipal Auditorium	cd-r	2
11/12/71	San Antonio Civic Auditorium	cdr/shn	2Source Detail
11/14/71	Texas Christian University	cd-r	3
11/15/71	Austin Municipal Auditorium	cdr/shn	2Source Detail		This shn set is compiled from two different sources, both listed with one cassette generation. The secondary source is slightly degraded, but was more complete and supplies: --tracks d1t04-->d1t08 --tracks d2t01-->d2t02 --Sound Forge was used to correct the pitch of the secondary source, and to remove a number of minor crackles within several songs. part of The Music Never Stopped Project 2002
11/20/71	Pauley Pavilion, UCLA	cdr/shn	3Source Detail		-d1t04 (BIODTL) cuts in @ 'Runnin out of money' -d1t07 (BEW); The right channel was 'muffled' from :20-:32; I corrected it by patching in the left channel; cuts in @ 'Sound of the thunder' -d1t11 (Cumberland) cuts in @ 'The sun is getting high' -d2t02 (Playin') cuts in @ '...on the land' -d2t04 (OMSN) cuts in @ end of intro -d2t07 (Other One); The left channel had 'static bursts' from 3:24-3:31; I corrected it by patching in the right channel; d/o @ 22:17
12/01/71	Music Hall	cdr	1
12/04/71	Felt Forum, Madison Square Garden	cd-r	2
12/05/71	Felt Forum, Madison Square Garden	cd-r	3
12/06/71	Felt Forum, Madison Square Garden	cd-r	3
12/07/71	Felt Forum, Madison Square Garden	cd-r	2
12/10/71	Fox Theatre	cdr/shn	3Source Detail		-China Cat tease before GDTRFB-
12/14/71	Hill Auditorium	cdr/shn	3Source Detail		Tuning between songs has been preserved and is found at the end of the tracks.
12/15/71	Hill Auditorium	cd-r	1		second set
12/31/71	Winterland Arena	cdr/shn	3		md5s do not match db.
01/02/72	Winterland Arena	cdr/shn	2Source Detail
03/05/72	Winterland Arena	cd-r	1
03/21/72	Academy Of Music	cdr/shn	2Source Detail		second set. d1t2 ~2:57 spot of dn cleaned up d1t2 ~7:00 - 7:10 has a brief spell of mild diginoise d1t9 first 2 minutes has many instances of sub-second loss of high frequencies which sound like amplitude changes or warble d2t4 has distortion from overloaded bass throughout Many other isolated "pops" were fixed with Cool Edit's single click removal tool
03/21/72	Academy Of Music	cdr/shn	1Source Detail		This is a new shn set of disc 1 only, the previous shn set was missing Big RxR Blues
03/22/72	Academy of Music	cdr/shn	1Source Detail		Playin' In The Band //Ca//ution Notes: This is a somewhat rough audience recording, but it is the only known circulating copy other than the cassette version that was taken from this reel. The reel was played back on my Pioneer RT-707 reel to reel through my Art DiO at 24-bits/96KHz into my Delta DiO 2496 soundcard and recorded with SoundForge 6.0. The resultant wave file was normalized, pitch shifted down 79.3 centones, resampled to 44.1KHz at the highest quality, then bit-rate converted to 16-bit with the high-pass triangular dither e='mrithm and high-pass contour noise shaping.
03/23/72	Academy of Music	shn	1Source Detail
03/25/72	Academy of Music	cdr/shn	2Source Detail		The following sources were used in this compilation: set one: source A - low-gen reel > C > CDR source B - MC > C > CDR; different master than source A Wow Wow Hey Hey 1:30 tape warbles; 7:09 tape cut. Jam (d1t11) 0:37 and 0:40 tape cuts. set two: source C - low-gen cassette > CDR source B - MC > C > CDR, patch only, inferior sound than source C beginning through Take It All Off 1:13 is from source A, the rest is from source B except for Take It All Off 3:53 through 0:20 of Mona, which were missing on source B and have been spliced in from source A. Smokestack Lightning 11:40 through 12:08 spliced in from source B.
03/26/72	Academy of Music	cdr/shn	1Source Detail		This is from the first set. The Deadlists entry for this set includes El Paso and Good Lovin' after Playin' In The Band, but also says that the AUD tape is only 60 minutes.
03/27/72	Academy of Music	cdr/shn	3Source Detail		Cuts in Playing In The Band and Good Lovin' as per Deadlists "contrary to deadlists this sounds shitty again..but yeah what the heck... by now if you listen to this run day by day you have gotten to a level of abstraction you easily imagine a better sound. if you sit thru this evening you will get a great good lovin (honestly it's a monster) some 25 min of it and it tells the one to come in europe 72" (Uli Teute)
03/28/72	Academy of Music	cdr/shn	3Source Detail		This is an audience recording that requires serious efforts to listen to. Garcia plays pedal steel on Looks Like Rain. El Paso cut at 0:51 Sugaree cuts off The Other One cuts off
04/07/72	Wembley Empire Pool	cdr/shn	3Source Detail		the first AUD master supplies most of this show the missing tracks are spliced in from the second (and worse) AUD master: Greatest Story through Loser and Truckin' 8:33 through The Other One 9:25 the beginning of Mr. Charlie and the end of Sunshine Daydream are missing on both masters
04/08/72	Wembley Empire Pool	cd-r	3
04/08/72	Wembley Empire Pool	cdr/shn	3Source Detail		First the bad news: First note or two of Bertha (d1t1) is missing there is a momentary irrepairable drop out at 5.05 in Truckin' (d2t4) on the original sources. There's also a miniscule drop out in Dark Star (d3t1) at 14.45 - but hardly noticeable there are a few whirrs and bangs that seem to originate from the bass, noticeable mainly in Casey Jones and OMSN. These originate from the master reel. Virtually all the breaks between songs were cut on the source CD: these have been tidied with fades and pauses. .... General: Left channel balance increased + 2.5 dB in all songs (except Cumberland) to place drums in stereo centre. (The stereo balance was noticeably right biased.) Various minor pops, crackles, glitches removed or scrubbed in varioussongs (mainly Bertha, T Jed, Playing, Truckin') ....
04/11/72	Newcastle City Hall	cd-r	3		very muddy
04/11/72	Newcastle City Hall	cdr/shn	3Source Detail		sound is generally a bit muddy, some hiss Pigpen's voice is almost inaudible at times and sometimes distortion & pops from Keith's piano pick-up, the best & most complete version currently in circulation a lot of minor anomalies (mainly clicks) throughout discs 1 + 2 d3t03: tape warble @18:47-18:52, sounds like a master cassette flaw d1t06: very beginning is missing (a few seconds worth)
04/14/72	Tivoli Theater	cd-r	3
04/14/72	Tivoli Theater	cdr/shn	4Source Detail		except Me And Bobby McGee, Cumberland Blues (d1t8 5:05 thru d1t9 end) SBD>FM>mR>C>C>D>CD master It Hurts Me Too alternate source SBD>mR>C>D>CD master Caution tape flip (d3t6 0:01-0:34) SBD>FM>mR>C>D>CD master - Ripped with EAC V0.9b2 (test and copy tracks with all track CRC's verified OK). - There were about a dozen clicks on my CD copy that were not present on the CD master. I used Cool Edit 2000 V1.0 to remove these. I also used Cool Edit to remove audible artifacts at about a half dozen track boundaries. All click removal was done on very narrowly targetted (usually 3-4 sector) sections of music. - Verified all tracks cut on sector boundaries with shntool V1.01. - Used mkwACT V0.97b1 to create SHN's (SHN v3 with seek data embedded). Remaining digital flaw: There is a digi-drop (about 4 sectors long) at d4t6 1:14.
04/16/72	Stakladen, Aarhus University	cdr/shn	3Source Detail		Set 1: SBD>Rm>?>Cass>Sound Forge>SHN --Beginning of Greatest Story is clipped; perhaps a minute missing --First few notes of China Cat clipped --Splice @ 0:58 in I Know You Rider --I Know You Rider cuts out; several minutes missing --First few notes of Mexicali clipped --Playin cuts in during the minor key jam, at least 5 minutes are missing --Samplitude v6.0 was used to re-track set 2 and to remove numerous cuts in the 2nd NFA with crossfades --This can fit onto 2 discs by putting Good Lovin' on the end of set 1 --The shn from set 1 had a SBE on gd72-04-16d1t10.shn. I fixed it with shntool and made a new md5 for the track --Thanks to Walter Schnell for providing the first set source
04/16/72	Stakladen, Aarhus University	cdr/shn	2Source Detail		source 1: provides d1t01-->d1t10 & d2t07-->d2t09 source 2: provides d2t01-->d2t06 Caveat: Source 1 is a degraded SBD with frequent cuts (all noted at deadlists). There is occasional tape warble throughout this source. Notes: --beginning of Greatest Story is clipped; perhaps a minute missing --first few notes of China Cat clipped --splice @ 0:58 in I Know You Rider --I Know You Rider cuts out; several minutes missing --first few notes of Mexicali clipped --Playin cuts in during the minor key jam, at least 5 minutes are missing --there is a great deal missing from the O1 Jam->Me & My Uncle->O1 sequence; probably 15-20 minutes are gone --GDTRFB cuts out just as the NFA reprise begins. part of The Music Never Stopped Project 2002
04/17/72	Tivoli Concert Hall	cd-r	1		mpeg video
04/17/72	Tivoli Concert Hall	cdr/shn	2Source Detail		partial show. d2t3 ~1:47 partial drop out hurts me 2
04/17/72	Tivoli Concert Hall	flac	3Source Detail		PLease note that several songs are not in what was previously considered the correct order (prior to this seed). To the best of our knowledge, Mr. Charlie was not performed that night, but you never know. A GEMS production -+-+- www.shnflac.net -+-+- April 2006
04/21/72	Beat Club	cdr/shn	1Source Detail		The tape in circulation contains the soundcheck (Loser, BT Wind) and the show except Mr. Charlie, Sugaree and Saturday Night. There is also a fragment of Saturday Night with poor sound from the TV broadcast. One More Saturday Night is on the commercially released MTV video "Closet Classics". 1. shntool confirms tracks on sector boundaries d1t1 ~01:52.07 brief sub-second splice from fix of gap d1t1 ~03:12:25 some warbly sound in right channel from partial loss of high frequencies d1t5 ~2:13 fixed a gap d1t7 ~2:42 fixed a gap
04/24/72	Rheinhalle	cdr/shn	3Source Detail		The SBD supplies Good Lovin', Casey Jones, Dark Star-->Sugar Magnolia, and most of One More Saturday Night Caveat: --The sources for this recording are well below par. The audience recording is decent for some portions (for the era) and is merely listenable for other portions. The SBD is rather degraded, and shows signs of tape stretching, especially for the tracks following Me & My Uncle. Sound Forge was used to adjust a significant and varying pitch problem for the SBD portions as well as to correct the pitch of the AUD portions. This SBD has been circulating listed as SBD>MR>C>D>CD, which seems unlikely. Besides the profound Dark Star, this recording might only be suited for completists. Notes: --first few notes of China Cat are clipped --first few notes of Loser are clipped --first few notes of Good Lovin' are clipped --audience patch from 18:15 to 20:30 in Dark Star (d3t01) --first few notes of Not Fade Away are clipped --reel flip in Not Fade Away reprise --audience patch for final 45 seconds of Saturday Night part of The Music Never Stopped Project 2003
04/26/72	Jahrhundert Halle	cdr/shn	1Source Detail		"Hundred Year Hall" outtakes.
04/29/72	Musikhalle	cdr/shn	1Source Detail		shns bundled w/04-29-72 2/2 Aud Patch Source: MR>cass>SB Live!>.wav>.shn>CD-R. ( believed to be Uher Reel Machine at 4.75 cm/sec).
04/29/72	Musikhalle	cdr/shn	3Source Detail		believed to be Uher Reel Machine at 4.75 cm/sec
04/29/72	Musikhalle	cdr/shn	3Source Detail		Aud Patch Source: MR>cass>SB Live!>.wav>.shn>CD-R. ( believed to be Uher Reel Machine at 4.75 cm/sec). - sbd was pitched to match the aud source. The pitched varied thoroughout and for the longer songs multiple pitch corrections for different segments were required. There are still artifacts, especially before reel or cassette flips. - Cool Edit Pro used for pitching, crossfades, etc... with highest accuracy settings - there is little audio above 8kHz on this sbd so it pales in comparison to the better E72 boards available - d1t1 (fades in and out) 1:06-1:09 hiss level changes briefly 5:37-5:40 overload distortion (as Keith mixed in higher?) - d1t4 some overload like distortion at times when everyone plays chords together and on Bob's vocals - d1t5 & d1t6 some distortion on Phil's bass and Garcia's guitar and vocals at times - d1t7 overload distortion most promient on harmonica - d1t8 mild overload distortion occasionally on vocals, piano, guitars - d1t9 spots where bass and vocals have mild overload distortion - d2t1 residual speed variation before some reel flips - d2t2 mixes changes at the start - d2t3 some distortion and a few very brief partial drop outs. 2:51 volume briefly drops - d2t4 distortion on vocals and some of phils chords - d3t1 reel flip cross faded with aud - d3t2 reel flip cross faded with aud - d3t5 opening notes cross faded from aud, hiss level different than preceeding tracks, more "aud" like ambiance
05/03/72	Olympia Theater	cdr/shn	4Source Detail
05/04/72	Olympia Theater	cd-r	4
05/07/72	Bickershaw Festival	cd-r	2
05/07/72	Bickershaw Festival	cdr/shn	4Source Detail
05/10/72	Concertgebouw	cdr/shn	4Source Detail		Bertha fades in
05/11/72	Rotterdam Civic Hall	cd-r	4
05/11/72	Rotterdam Civic Hall	shn	4Source Detail
05/13/72	Lille Fairgrounds	cd-r	3
05/18/72	Kongressaal Deutsches Museum	cd-r	3
05/23/72	Lyceum Ballroom	cd-r	4
05/25/72	Lyceum Ballroom	cd-r	1
05/26/72	Lyceum Ballroom	cd-r	4
07/18/72	Roosevelt Stadium	cd-r	3
07/25/72	Paramount Theater	cdr/shn	4Source Detail		The splice in BIODTL is minor. Only the first few notes of Sing Me Back Home are clipped. The Other One contains a short bass solo that follows a thematic jam that I have not heard anywhere else.
07/26/72	Paramount Theater	cdr/shn	4Source Detail		This differs from the currently circulating copy in that this one includes "He's Gone", has a complete "Greatest Story Ever Told" and the master reel flips in "Casey Jones" and "Brown Eyed Women" have been smoothed over (the flip in "BEW" is virtually transparent, however, it appears that several verses are missing).
08/12/72	Sacramento Memorial Auditorium	cdr	3
08/21/72	Berkeley Community Theater	cd-r	3
08/22/72	Berkeley Community Theater	cd-r	2		second set
08/24/72	Berkeley Community Theater	cdr/shn	2		There's a little digi-noise over the first line of Sing Me Back Home. These .shns came from CD-Rs burned from the circulating DAT SBD;
08/25/72	Berkeley Community Theater	cd-r	1
08/27/72	Old Renaissance Faire Grounds	cd-r	3
09/03/72	Folsom Field, U of Colorado	cdr/shn	4Source Detail		secondary source: AUD>?>C>CD>EAC>SHN (provides all of set 1 plus patches in sets 2 and 3) Caveat: --The audience recording that supplies the first set is fairly decent through Tennessee Jed, though the quality drops to quite poor once BTW begins, and never improves for the rest of the first set. Notes: --the tape was stopped between songs on the audience master, leaving many minor cuts at the beginnings of songs during the first set. --minor tape stoppage at 5:50 in Bird Song --Bertha is provided by the audience recording --aud patch in O1 from 12:23 to 13:57; (from 13:41 to 13:57, a higher gen aud was needed for the patch); there is still some missing material here at 13:57, as both the AUD and SBD sources had overlapping tape/reel flips. --the first few seconds of Cold Rain are clipped --aud patch provides the end of Sugar Magnolia --the encore, OMSN, is provided by the audience recording (first few notes are clipped) --Sound Forge was used for normalization, minor pitch corrections, and other edits
09/09/72	Hollywood Palladium	cdr/shn	3Source Detail		missing PITB
09/17/72	Baltimore Civic Center	cdr	3
09/19/72	Roosevelt Stadium	cdr	2
09/21/72	The Spectrum	cd-r	4
09/23/72	Palace Theater	cd-r	3
09/24/72	Palace Theater	cd-r	3
09/26/72	Stanley Theatre	cd-r	3
09/28/72	Stanley Theatre	cd-r	2		second set
09/28/72	Stanley Theatre	cdr/shn	2
10/17/72	Fox Theatre	cd-r	3
10/18/72	Fox Theatre	cdr/shn	3Source Detail		Flaws: d1t06 - brief cut at 0:24 d2t02 - 0.5s dropout @ ~0:54 The following analog flaws were selectively cleaned up using Cool Edit 2000 with Clickfix plugin by cwier60@yahoo.com; flaws are still detectable but not nearly as offensive. d2t01 (China Cat) - static from 2:21-2:28 cleaned d2t06 (Morning Dew) - transient noise @ 10:43.9-10:44.2 (23 impulses) & 10:59-10:59.5 (37 impulses) cleaned
10/19/72	Fox Theatre	cd-r	3
10/24/72	Milwaukee Performing Arts Center	cdr/shn	1Source Detail		"philo stomp"
10/27/72	Veterans' Memorial Hall	cd-r	2
10/28/72	Cleveland Public Hall	cd-r	1		dark star > philo stomp > tiger jam > morning dew
10/28/72	Cleveland Public Hall	cdr/shn	3Source Detail		Ampex C-90 cassette master --the overall mix is generally light on bass, and sometimes piano --significant mix problems from Box Of Rain into Me & My Uncle --splice at 1:52 in Bobby McGee --dropout at 3:12 in Bobby McGee --splice at 17:51 in Playin' --splice at 1:52 in BIODTL --"Philo Stomp" from 16:53 to 18:32 in Dark Star --Sound Forge was used for normalization and to fix track boundaries Part of The Music Never Stopped Project 2003
10/30/72	Ford Auditorium	cd-r	3
11/13/72	Soldiers and Sailors Memorial Hall	cd-r	2		/playin, second set
11/14/72	Civic Center Music Hall	cd-r	3
11/17/72	Century II Convention Hall	cdr/shn	3Source Detail
11/18/72	Hofheinz Pavilion	cdr/shn	2Source Detail		This came to me with a reported SBD>MC>D>CD lineage, though I have reason to believe that there is an analog generation before the transfer to digital. There is some light oversaturation throughout the recording.
11/19/72	Hofheinz Pavilion	cdr/shn	3Source Detail		'Stars & Stripes Forever' tuning before 'Tomorrow Is Forever' 'Nickelodeon' tuning before 'Playin' 'Dixie' tuning before 'Dark Star" There are sound adjustments during Bertha. There is some minor digi-noise at the end of Jack Straw.
11/22/72	Austin Municipal Auditorium	cdr/shn	3Source Detail		shn2: jgb78-03-18late Promised Land (missing)
11/24/72	Dallas Memorial Auditorium	cd-r	2
11/26/72	San Antonio Civic Auditorium	cdr	1		partial second set.
12/11/72	Winterland Arena	cdr/shn	3Source Detail		Missing Promised Land, Sugar Magnolia and Encore Casey Jones
12/31/72	Winterland Arena	cd-r	3
12/31/72	Winterland Arena	cdr/shn	4Source Detail		Patch Source: pre-FM KSAN reel (http://db.etree.org/shninfo_detail.php?shnid=6340) DAT > WAV : Sony PCM-R300 > RMEdigi96/8PAD > Soundforge 6.0 General: - this source is a substantial upgrade in sound quality over the previously circulating version used here as the patch source. It has a larger dynamic range and significantly less hiss with different omissions, enabling a more complete version of the show to be assembled. flaws: - Start of Casey Jones, patch in Morning Dew and all of JBG, UJB and OMSN from previous circulating "prefm" source, which spectral analysis suggests was derived from multiple sources with perhaps some signal processing applied. - some percussion sounding anomalies in left channel in TJed, referenced in banter after song ends - Casey Jones patch at start ~ 24 seconds - Morning Dew cross faded patch ~90 seconds - d4t04 fades in
02/09/73	Roscoe Maples Pavilion, Stanford University	cd-r	3
02/15/73	Dane County Coliseum	cd-r	3
02/17/73	St. Paul Auditorium	flac	3Source Detail		The following songs are patched from SBD->?->Cassette->CD Bird Song, BIODTL, Loose Lucy, Me And Bobby McGee & Stella Blue Notes: -- Thanks to Matt Smith for the patch source -- Some pops and level problems fixed with Cool Edit Pro v2.0 -- This still isn't perfect, but it's a lot better and complete
02/21/73	Assembly Hall, Univ. Of Illinois Urbana-Champaign	shn	2Source Detail		set 2 d1t7 cut @ 7:18 d2t1 comes in at the opening notes Cut in The Other One is on all copies, including the Sonic Solutions version that circulates
02/22/73	Assembly Hall, Univ. Of Illinois Urbana-Champaign	cd-r	2
02/26/73	Pershing Municipal Auditorium	cdr/shn	3Source Detail		D1t09 (Looks Like Rain): intermittent light static throughout D3t02 (Eyes): splice @ 3:25
03/15/73	Nassau Veterans Memorial Coliseum	shn	3Source Detail		source 2: SBD>MR>C>D>CD>EAC>SHN The SBD source provides Playin' and Sugaree through China Doll (just under half of the show) The SBD supplies nearly half of the show. There are some fluctuations in the mix and amplitude of the SBD portions, especially late in the 2nd set. The audience recording fills in the rest of the show, and is of decent quality. Sound Forge was used for normalization and pitch corrections for some portions. Notes: --audience patch in Playin' from 4:16 to 5:06 --during the latter half of Playin', several portions of the track were converted to mono to compensate for lengthy channel dropouts --audience patch in Jack Straw from 3:39 to 4:04 --during O1, there is an area converted to mono due to a large channel dropout --minor glitch at 5:37 in Eyes --noticeable mix/volume fluctuations during Eyes --audience patch in Eyes from 8:25 to 10:54 part of The Music Never Stopped Project 2002
03/16/73	Nassau Veterans Memorial Coliseum	cdr/shn	3Source Detail		Known flaws (many are due to the usual '73 sound system problems or waterlogging of the set 1 reels): D1t02 (Rider): brief bits of static/diginoise @ 2:37, 2:39, 4:34, 4:36 D1t03 (Jack Straw): some hum in right chanel at beginning (sound system problem); some mix problems D1t08 (BIODTL) some mix problems D2t04 (Playin'): dropout @ 19:03 D2t05 (Promised Land): bit of staticky sound first minute D2t09 (Big River): dropout/splice @ 1:21 D3t03 (Dark Star): brief minor bit of diginoise @ 5:00; brief dropout @ 18:18. D3t04 (Truckin'): reel splice @ 7:37
03/21/73	Utica Memorial Auditorium	cdr/shn	4Source Detail		This is a Betty Board that likely suffered water damage in the Marin County floods. As a result, there is some varying distortion throughout the recording that at times affects the vocals. It is significantly noticeable that noise reduction was performed from The Race is On through the end of the show, probably to remove the slight whine evident on disc 1 that may have increased as the show went on. The mix is also low on bass. Sound Forge was used to normalize and to remove a few minor glitches. Despite the handicaps mentioned, this is an otherwise clean and full sounding recording.
03/21/73	Utica Memorial Auditorium	flac	3Source Detail		source DOES NOT have any NR applied to it
03/24/73	The Spectrum	cd-r	3
03/26/73	Civic Center	cdr/shn	4Source Detail
03/28/73	Springfield Civic Center	cdr/shn	2		discs 1 & 2 are from the audience source AUD>MC>R>D>CD>EAC>SHN Notes: --splice @ 2:36 in Loser --minor warble @ 1:00 & 3:50 in Jack Straw --minor warble @ 0:30 in Box Of Rain --the 2nd set audience portions are in mono The audience portion was provided by a reel copy (from Bill Degan) and a separate reel>DAT copy of the same master. This well made audience recording was mastered by Andy Nourse. Originally, SHNs for the audience recording were encoded by Noah Weiner, and only minor edits were added for this SHN set. The SBD portion is a minor edit of a previous SHN seed made by Jack Warner & Darrin Sacks. part of The Music Never Stopped Project 2002
03/30/73	Rochester Community War Memorial	cdr	3
03/31/73	Buffalo Memorial Auditorium	cd-r	3
04/02/73	Boston Garden	cd-r	3
05/13/73	Iowa State Fairgrounds	cdr/shn	4Source Detail		casey jones encore moved to d3 after playing disc 4 patched w/ MR > ? > DAT > CD > EAC > Cool Edit 96 (Resampled to correct pitch) > SHN
05/20/73	Campus Stadium, UCSB	cd-r	4
05/26/73	Kezar Stadium	cd-r	4
05/26/73	Kezar Stadium	shn	4Source Detail
06/09/73	Robert F. Kennedy Stadium	cd-r	4
06/10/73	Robert F. Kennedy Stadium	cd-r	4
06/22/73	P.N.E. Coliseum	cd-r	4
06/26/73	Seattle Center Arena		0Source Detail		patched with: AUD>MR>C>D>CD>EAC>SHN Audience recording provides: --Casey Jones through Brown Eyed Women --patch in Loser from 2:55 to 3:22 --all of Black Peter --patch in Truckin' from 4:18 to 4:42 --the final few seconds of Sugar Magnolia Notes: --many areas of digital damage (DAT?) during first 2:15 of Bertha, and final 5 seconds of Bertha as well. Sound Forge was used to lessen the offensiveness. --the first few seconds of He's Gone are clipped (they are clipped on the audience recording as well) --Sound Forge was used for a slight pitch correction throughout
06/29/73	Universal Amphitheatre	cdr	2
06/30/73	Universal Amphitheatre	cdr/shn	3Source Detail		Known Flaws: - Some digi-noise at the beginning of Promised Land (d1t1) - Reel flip in the middle of Bird Song (d1t6). - Reel flip seconds before Eyes begins (d3t2).
07/01/73	Universal Amphitheatre	cd-r	1		first set
07/01/73	Universal Amphitheatre	cd-r	3
07/27/73	Grand Prix Racecourse	cd-r	2
07/28/73	Grand Prix Racecourse	cd-r	4
08/01/73	Roosevelt Stadium	cd-r	1		dark star > el paso > eyes > morning dew
08/01/73	Roosevelt Stadium	cd-r	3Source Detail
08/??/73	Record Plant	cdr/shn	1		shns don't match
09/07/73	Nassau Veterans Memorial Coliseum	cd-r	3
09/08/73	Nassau Veterans Memorial Coliseum	cd-r	3
09/11/73	College Of William & Mary Hall	cd-r	3
09/12/73	College Of William & Mary Hall	cdr/shn	2Source Detail		* With Martin Fierro & Joe Ellis on Horns notes: The first 5 tunes of Set I suffer a variety of flaws due to equipment problems and a degraded MR. Bertha has a tough start and nastiness at 03:53 that lasts for 30 secs. El Paso has a glitch at 00:14 Here Comes Sunshine is missing altogether.
09/15/73	Providence Civic Center	cdr/shn	2		second set. w/Martin Fierro and Joe Ellis on horns (from Truckin' on)
09/17/73	Onondaga County War Memorial	cdr/shn	3Source Detail		*with Martin Fierro & Joe Ellis on horns --most of Tennessee Jed is gone --Loser cuts in at "...size of Abilene.." --perhaps a minute of Casey Jones is clipped --splice at 7:52 in Eyes --Keith plays a theremine during Looks Like Rain, and Weather Report Suite Prelude and Part 1. SBD>MR>C>C>D>CD>EAC>SHN (d1t01-->d1t09)
09/20/73	The Spectrum	cdr/shn	1Source Detail		partial.
09/26/73	Community War Memorial Auditorium	cd-r	3
10/21/73	Omaha Civic Auditorium	cd-r	3
10/25/73	Dane County Coliseum	cdr/shn	3		d1t01: level changes and some minor panning from left to right as things are adjusted from the board. d1t08: cuts in Missng from 1st set: Tenn Jed Looks Like Rain Deal
10/27/73	Indianapolis State Fair Coliseum	cdr/shn	3Source Detail		patched with MAC > ? > D Comments: 1/ AUD -- missing on SBD 2/ with a cut at 3:03 for a tape change; this track is missing on the AUD 3/ glitch fixed at 3:30 - 3:42 4/ patched with AUD 5/ Slight pitch warble at beginning of track - left as-is 6/ At 4:45 Wharf Rat cuts to a second SBD source of unknown lineage. At 5:57 it cuts to the AUD source. 7/ There are a couple cuts in the AUD Stella Blue.
10/29/73	Kiel Auditorium	cdr/shn	2Source Detail		Analog anomalies between CRS and BIODTL and between Eyes and China Doll digitally removed with Soundforge. Track boundary error between Bertha and GSET automatically corrected by Exact Audio Copy.
10/30/73	Kiel Auditorium	cdr/shn	3Source Detail		d2 tracks out of order. four discs needed to play songs in proper sequence. Some of the tuning, crowd noise, etc. between songs appears to have been edited out slightly. Alan J. Fink retracked disc 2; the resulting disc now sounds smoother at the track transistions than the original source discs. D1t01 (Me and My Uncle): cuts into beginning, split second lost D1t06 (Mexicali) Cuts @ 1:21 D2t01 (China Cat) Volume change @ 3:39 D3t03 (Eyes) Cut/splice @ 6:27
11/01/73	McGaw Memorial Hall, Northwestern University	cd-r	2
11/01/73	McGaw Memorial Hall, Northwestern University	shn	2Source Detail		* An alternate version of Uncle John's Band is provided as a work around for the splice on the master reel at about 5:25 into the song. This alternate track (d1t03alt) is missing approximately 10 seconds but masks the splice very nicely. * About 2 seconds were removed near the start of He's Gone to mask a splice from the 1st-gen cassette. Splice in Wharf Rat at 4:49. An alternate track (d2t05alt) patches the splice in the master reel with about 19 seconds of material from 11/14/73. * Levels drop at end of Sugar Magnolia at about 9:05. I boosted the levels 4db from 9:05 to the end.
11/09/73	Winterland Arena	cd-r	3
11/11/73	Winterland Arena	cd-r	3
11/14/73	San Diego Sports Arena	cdr/shn	4Source Detail
11/17/73	Pauley Pavilion, UCLA	cd-r	3
11/20/73	Denver Coliseum	cdr/shn	2
11/21/73	Denver Coliseum	cd-r	3
11/23/73	County Coliseum	cdr/shn	4Source Detail
11/25/73	Feyline Field	cdr/shn	3Source Detail		Known flaws: Promised 3.14 rt chan ? China 3.55 Splice? r Jimmy 6:37-8 Static Playin' 7.29 splice WRSPre :02 pop rt chan "" 1:23 "" "" "" LTG 0:01 pop "" 6.34 reel change SMAG 8.14 click
11/30/73	Music Hall	cdr/shn	3Source Detail		Some songs from this date are featured on Dick's Picks 14.
12/01/73	Music Hall	shn	4Source Detail		by re-assembling the discs, this 4 disc set can fit on 3 discs. However, the noodling/segue betweeen "Mississippi Half-Step" (d4t01) and "Playin' in the Band" (d4t02) would either be lost in a disc change, or, necessitate an overlap of music between disc 2 and disc 3. This segue has been left in place in this 4 disc set. there is a 0:01 burst of static at the 4:01 mark of "Big River" (d2t01) made possible thru the usual group of suspects/mental patients
12/02/73	Music Hall	cdr/shn	3Source Detail
12/08/73	Cameron Indoor Stadium, Duke University	cd-r	4
12/12/73	The Omni	cdr/shn	3Source Detail		The complete show except for Sugar Magnolia and Casey Jones COMMENTS FROM DEADLISTS 13-beat Beat It On Down The Line. After I Know You Rider is a Merry Go Round Brokedown tuning. On cassette tapes the first set flip follows El Paso. The second set flip occurs during Let It Grow, though nothing is missing.
12/18/73	Curtis Hixon Convention Hall	cd-r	3
02/22/74	Winterland Arena	cdr/shn	3Source Detail		missing Sugar Mag, UJB soundcheck listed separately
02/23/74	Winterland Arena	cd-r	3		Missing Big River, Ramble On Rose, Me And My Uncle, Casey Jones
02/24/74	Winterland Arena	cd-r	4
03/23/74	Cow Palace	cd-r	3
05/12/74	University Of Nevada	cd-r	3
05/14/74	Adams Field House, University Of Montana	cd-r	3
05/17/74	P.N.E. Coliseum	cd-r	3
05/19/74	Portland Memorial Coliseum	cd-r	3
05/21/74	Edmundson Pavilion, University Of Washington	cd-r	3
05/25/74	Campus Stadium, UCSB	cd-r	3Source Detail
06/08/74	Oakland-Alameda County Coliseum	cd-r	3		Master Soundboard Reel > DAT supplies Playin' in the Band>Wharf Rat>Playin' in the Band, as well as Eyes of the World
06/16/74	Des Moines State Fair Grandstand	cdr/shn	4Source Detail		Bertha- splice @ 4:04; serious mix problems prior to this Sugaree- MR flip @ 3:59 Playin'- d/o @0:01, d/o @3:16 T.Jed- <1 sec. digi-noise @0:02 W.Rat- MR flip @2:50
06/18/74	Freedom Hall	cd-r	3
06/23/74	Jai-Alai Fronton	cdr/shn	3Source Detail		This source features an uncut Row Jimmy. Patches supplied by the following AUD source: AudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON.
06/30/74	Springfield Civic Center	shn	3Source Detail		DAT > via optical cable > CD (via HHb CDR-800 Pro) > WinDAC32 > WAV > MKW Audio Compression Toolkit (shn) > WAV > Sound Forge (track edits, normalizing, cross fades) > SHNTOOL (SBE fix) > MKW Audio Compression Toolkit (shn) AUD portions and patches from: AudMC > DAT > WAV > SHN Recorded by Jerry Moore, 1st level off floor, audience right, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. SBD patches from: SBDMR > DATx3 > C > DATx2 > ZA2 > CDRx1 > EAC > SHN (see technical notes below) SBDMR flip in Cumberland patched with AUD, cross faded 05:12 to 05:35 set 1.5 is taken from AUD; missing on SBDMR *SBDMR flip in Eyes patched with AUD, cross faded 10:27 to 10:54 note: Truckin' contains a loose Nobody's Fault But Mine Jam technical notes: There are mix adjustments, typical of this era of GD SBD recordings, in the early minutes of Don't Ease Me In There were a number of spots on the source DAT that exhibited digital snits and pops. These were either removed with the pencil tool in Sound Forge, or, when they were of the nature that could not be eliminated by digital tools, patched over with the previously circulating SBD version, SBDMR > DATx3 > C > DATx2 > ZA2 > CDRx1 > EAC > SHN (source 2), as listed below: d01t04 00:54 - digi-zap patched from source 2 d01t05 00:03 - digi-zap patched from source 2 d01t05 00:05 to 00:08 - digi-crackle patched from source 2 d02t06 02:06 - digi-zap patched from source 2 d03t02 10:13 - digi-pop penciled out d03t02 13:15 - digi-pop penciled out One digi-snit appearing in US Blues (d03t01 at 01:34) existed on both sources and thus could not eliminated completely.
07/19/74	Selland Arena	cd-r	3
07/19/74	Selland Arena	shn	3Source Detail		A tape-flip cut in Row Jimmy is patched from the AUD, and another in Playing In The Band. The Seastones patched in from AUD in previously circulating copies has been upgraded to the 2nd gen AUD source, and the Saturday Night has been added from the AUD source. 0:51-1:18 in d2t8 patched from SBD:MR>C>DAT>CD to cover bad digi-glitches
07/21/74	Hollywood Bowl	cd-r	3
07/25/74	International Amphitheater	cd-r	2
07/27/74	Roanoke Civic Center	cd-r	2
07/31/74	Dillon Stadium	cd-r	4
08/04/74	Philadelphia Civic Arena	cd-r	3
08/04/74	Philadelphia Civic Arena	cdr/shn	3Source Detail		-d1t02 "Bertha": Drop out (less than .5 sec) on new DAT at 02:03 patched from previously circulated version. Lineage was MC>DAT for patch, but this is certainly suspect after comparing the two DATs. More likely patch is simply MC>?>DAT. -d3t06 "Let It Grow": Master Cassette tape flip at 8:28 cross faded in Soundforge.
08/05/74	Philadelphia Civic Arena	cd-r	3		The last half of Seastones and the last part of Stella Blue > end of show were patched with Jerry Moore's MC>D>CD (AKG D1000s>Sony TC-152) audience recording.
08/06/74	Roosevelt Stadium	cd-r	4
09/09/74	Alexandra Palace	cdr	2
09/09/74	Alexandra Palace	cdr/shn	2
09/10/74	Alexandra Palace	cdr	3
09/11/74	Alexandra Palace	cd-r	4
09/11/74	Alexandra Palace	cdr/shn	4Source Detail		Discs 2 and 4 are short discs in order to preserve the original playing order of the show. D1t01 (Scarlet Begonias): Major sound system/mix problems 2:06-3:10 D4t04 (Sugar Mag): cuts at Sunshine Daydream
09/14/74	Olympiahalle	cdr/shn	3Source Detail		Sugar Magnolia dropout at 3:50 (seems to be on all copies) This version also includes all of the dead air.
09/14/74	Olympiahalle	flac	3Source Detail		-- Bertha through 5:20 of Scarlet patched from AUD>Rm>Dat>CD. -- I did a 10db bass boost on the AUD patch (not that you can tell). -- Cut in Truckin' Jam removed with crossfade. -- Last few seconds of Sugar Magnolia missing (Fade Out). -- Cut in U.S. Blues.
09/18/74	Parc Des Expositions	cd-r	3		patched with SBD > master reel > PCM > DAT > CD > SoundForge >CD
09/18/74	Parc Des Expositions	cdr/shn	3Source Detail		- the MR>P>D>CD version is almost complete but has two dropouts and flatter dynamics. So, the bulk of the show comes from the incomplete preFM version and the MR>P>D>CD supplies Mexicali >> Deal and the entire CD2. - Mexicali >>> Deal flattened (app 2.5 %) to concert pitch; Mexicali volume increased - note to the perfectionists: there?s a small click when the final note of Scarlet Begonias rings out (@ 8:31). this is NOT due to patching there. The patch actually occurs 0.5 sec later. The small click is present on both sources. - missing Phil & Ned (not in circ.) and the E: U.S: Blues - Disc 2: Playing (app 3%) and Loose Lucy >>> China Doll (app 4.6%) flattened to concert pitch, Playing has slight warble from ~20:00 to the end
09/20/74	Palais Des Sports	cd-r	3
09/21/74	Palais Des Sports	cdr/shn	2Source Detail		- set I doesn?t circulate - 3:40 added from SBD cassette at start of Seastones. master reel (probably) dropout between Seastones and Playin? repaired with a crossfade - Around & Around patched in from unknown generation AUD tape by Alasdair Macdonald - 1-24-69 Filler is the first set and all that circulates from that date. Lineage: Master reel > cassette > DAT > CD. This complements the 1-25 & 26-69 shows from tree #6.
10/16/74	Winterland Arena	cdr/shn	4Source Detail		new
10/17/74	Winterland Arena	cd-r	3
10/18/74	Winterland Arena	cd-r	2
10/19/74	Winterland Arena	cd-r	3
??/??/74	China-Rider Compilation	shn	2Source Detail		'74 Mars Hotel Sessions Disc 1 For songs with multiple takes, each version is completely different Disc 2 All songs are performed instrumentally
03/23/75	Kezar Stadium	cdr/shn	1		md5s not listed.
06/17/75	Winterland Arena	cdr/shn	2Source Detail		Help On The Way no lyrics
08/13/75	Great American Music Hall	cdr/shn	2Source Detail		*FM broadcast on 9/1/75 - Metromedia Network SBD portion normalized via SoundForge to match FM levels Donated for The Music Never Stopped Project 2003
09/28/75	Lindley Meadows, Golden Gate Park	cd-r	2
05/30/76	Orpheum Theatre	cdr	1		fill: 07-02-89 w/los lobos
06/03/76	Paramount Theatre	cd-r	3
06/09/76	Boston Music Hall	cd-r	3
06/11/76	Boston Music Hall	cd-r	3
06/12/76	Boston Music Hall	cdr/shn	3Source Detail		The entire recording is included on these discs, including radio announcer (Old Saxophone Joe) intro and outro. Only material missing are two promos for Ampex tape. - ~2 sec. dropout on Mission (3:28) was during broadcast and not a tape artifact. - d2t05 - The Wheel from unknown AUD source (not included in original broadcast). - d3t05 - 5:54 Around ends; remainder of track consists of crowd noise waiting for encore; 7:27 radio announcer comes on discussing encore. - d3t08 - 2:56 Weir says "Thank y'all and good night"; 3:17 radio announcer comes in and continues through end of track.
06/14/76	Beacon Theatre	cdr	3
06/17/76	Capitol Theater	cdr	3
06/18/76	Capitol Theater	cdr	3
06/19/76	Capitol Theater	cdr	2
06/21/76	The Tower Theatre	cd-r	3
06/22/76	The Tower Theatre	cd-r	3
06/23/76	The Tower Theatre	cd-r	3
06/24/76	The Tower Theatre	cd-r	2
06/24/76	The Tower Theatre	shn	2Source Detail		(Set 1 only) : WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN
06/26/76	Auditorium Theatre	cdr	3
06/27/76	Auditorium Theatre	cdr	3
06/28/76	Auditorium Theatre	cdr	2
06/28/76	Auditorium Theatre	cdr/shn	2Source Detail		Patch Source: AUDMR > DAT > CD > EAC > SHN (Noah Weiner)
06/29/76	Auditorium Theatre	cd-r	3
07/12/76	Orpheum Theatre	cd-r	4		inc. sound check
07/13/76	Orpheum Theatre	cd-r	2
07/14/76	Orpheum Theatre	cdr/shn	2Source Detail		Missing: They Love Each Other
07/16/76	Orpheum Theatre	shn	3Source Detail		Set 1 Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152) -> Dat -> CD -> EAC -> SHN (Recorded by Bob Menke) -- Patch in Samson (4:35-6:05) same source as Set 1. -- Encore: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152) -> Reel -> Dat -> CD -> EAC -> SHN (Recorded by Bob Menke)
07/18/76	Orpheum Theatre	cd-r	3
08/04/76	Roosevelt Stadium	cd-r	3
10/03/76	Cobo Arena	cdr/shn	3Source Detail		*Not Fade Away contains a China Cat Sunflower Jam --several minutes are missing from the beginning of Sugaree --dropout at 2:32 in Sugaree --it sounds like someone is tapping the microphone/stand(?) during Sugaree --the first minute (roughly) of Loser is missing --first few notes of Scarlet are clipped --audience patch starts at 9:40 in Playin', and continues to 0:47 in Drums --FM SBD patch in Dancin' from 0:57 to 1:31
10/09/76	Oakland-Alameda County Coliseum	cd-r	2
10/10/76	Oakland-Alameda County Coliseum	cd-r	2
12/31/76	Cow Palace	cdr/shn	3Source Detail		Uncle John's Band > (MISSING) And We Bid You Good Night (MISSING)
12/31/76	Cow Palace	shn	3Source Detail		Cool Edit 2000 was used to fix pops at the following spots in Jack Warner's Pre-FM version of 12/31/76. I re-encoded to shorten and generated new MD5's with MKW. Loud pops were noticed at: Slipknot! - 6:20 Dew - 4:50, 7:40, 7:50 8 Uncle John's Band* [8:19] > 9 And We Bid You Good Night* [3:23] * from MAR (unknown equipment) > Reel > Beta HiFi > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
02/26/77	Swing Auditorium	cd-r	3
02/26/77	Swing Auditorium	shn	3Source Detail		REEL PROBLEMS: Sugaree (d1t05) 6:59 - 7:01 there is a funny reel generated boo boo PITB (d2t01) 8:42 another reel problem Franklin's (d2t09) there is a reel change in there that is one of the better ones we've heard. d3 FILLER: Scarlet > Fire > Good Lovin from 5-5-77
03/18/77	Winterland Arena	cd-r	3
03/19/77	Winterland Arena	cd-r	3
03/20/77	Winterland Arena	cd-r	3
03/20/77	Winterland Arena	shn	2Source Detail		-- Tracked with Samplitude v7.02 Professional
04/22/77	The Spectrum	cdr/shn	2Source Detail		*first performance of I've Got My Mojo Workin' Notes: --Source 1 is a decent audience recording with fairly loud crowd noise, and provides all of the 1st set except for Estimated, and It Must Have Been The Roses from set 2. --Source 2 is a pretty crisp SBD, and provides Estimated from set 1, and Dancin' through to the end of Terrapin from set 2. --Source 3 is a slightly lesser quality SBD, and provides Scarlet through Samson. --there is a blemish from recording levels @ 1:55 in El Paso --dropout @ 5:06 in Playin' --no encore was played --Sound Forge was used to normalize the audience portion of the recording, and to remove several crackles from the SBDs. part of The Music Never Stopped Project 2002
04/22/77	The Spectrum	flac	3Source Detail		Patch Info: (FOB) Sony ECM99A -> Cassette Master (Sony TC152) -> Dat -> CD All of Promised Land, and patches for the reel flips in PITB and Terrapin Station. Notes: -- All disc changes are seamless. -- There are about 3 seconds of static in The Wheel.
04/23/77	Springfield Civic Center	cdr/shn	3Source Detail		d3t3 patched with audience source (FOB Sony ECM99A mics->Sony TC152->DAT->CD via D.Sacks) to cover missing SBD source due to reel flip. No other known flaws. Discs #1 and #2 have tuning tracks between songs.
05/01/77	The Palladium	cd-r	1		second set
05/04/77	The Palladium	cd-r	1		second set
05/04/77	The Palladium	cdr/shn	2Source Detail		DISK1 (SBD>CASSM?R?>DAT; except for BEW which is MRSBD>CDR; BEW came from the "Around the Fire" soundtrack)
05/05/77	Veterans Memorial Coliseum	cd-r	3
05/07/77	Boston Garden	cd-r	3
05/07/77	Boston Garden	shn	3Source Detail		Here is what was used for the AUD patches: AudMC > DAT > Soundforge > CDWAV > SHN Taper: Steve Rolfe Sony ECM 33P mic > TC-152 deck A > D transfer by Noah Weiner - November, 2001 AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only) Soundforge was used for normalizing and editing.
05/08/77	Barton Hall, Cornell University	cd-r	3
05/08/77	Barton Hall, Cornell University	cdr/shn	3Source Detail
05/09/77	Buffalo Memorial Auditorium	cd-r	3
05/11/77	St. Paul Civic Center	cd-r	3
05/12/77	Auditorium Theatre	cdr/shn	2Source Detail		this version represents a fresh transcription of the 3 disc set already in circulation. This copy has been normalized to 98%, the in-between song transitions smoothed, digital anomalies removed, as well as re-tracked and re-formatted to fit on 2 discs disc 1 requires an 80 minute disc
05/15/77	The Arena	flac	3Source Detail
05/17/77	Memorial Coliseum, University Of Alabama	cdr/shn	3Source Detail
05/18/77	Fox Theatre	cdr/shn	2
05/19/77	Fox Theatre	cd-r	3
05/21/77	Lakeland Civic Center	cdr/shn	2
05/25/77	The Mosque	cd-r	3
05/26/77	Baltimore Civic Center	cd-r	3
05/28/77	Hartford Civic Center	cd-r	3
06/04/77	The Forum	cdr/shn	3Source Detail
06/07/77	Winterland Arena	cdr/shn	3Source Detail		unconfirmed lineage.
06/08/77	Winterland Arena	cd-r	3
06/09/77	Winterland Arena	cd-r	3
06/09/77	Winterland Arena	flac	3Source Detail		Patch Info: AKG D224 -> Master Reel (Tandberg 10XD) -> Reel -> Dat -> CD Patch in d3t02 (St. Stephen) from 4:50 - 4:54 Patch in d3t07 (Sugar Magnolia) from 0:53 - 1:14 All other reel flips take place between songs, no patches needed. Notes: -- This is an upgrade to all circulating copies. -- Thanks to Paul Scotton for the source discs. -- There are some kind of low-frequency pops in Franklin's Tower. -- Mind Left Body tease at end of Not Fade Away.
10/01/77	Paramount Theatre	cd-r	3
10/02/77	Paramount Theatre	cd-r	3		static mess
10/06/77	Activity Center, Arizona State University	cdr/shn	3Source Detail
10/14/77	Hofheinz Pavilion	cdr	3
10/16/77	Assembly Center, Lousiana State University	cd-r	3
10/28/77	Soldiers & Sailors Memorial Hall	cdr	3Source Detail
10/29/77	Evans Field House, Northern Illinois University	cd-r	2		static mess
10/29/77	Evans Field House, Northern Illinois University	shn	3Source Detail
10/29/77	Evans Field House, Northern Illinois University	shn	3Source Detail
10/30/77	Assembly Hall	cd-r	3
11/01/77	Cobo Arena	cd-r	2
11/02/77	Field House, Seneca College	cd-r	3
11/04/77	Cotterell Gym, Colgate University	flac	3Source Detail		Sick Bits Vol. 5 SBD: MR > DAT > CD-R (shn ID #2595) AUD: MAC: Sony ECM 33Ps > Sony TC-158 > CDR (shn ID #15208) Taped by Jerry Moore
11/06/77	Broome County Arena	cd-r	3
12/27/77	Winterland Arena	cd-r	3
12/31/77	Winterland Arena	cdr/shn	3Source Detail
01/06/78	Swing Auditorium	cd-r	2
01/07/78	Golden Hall, Community Concourse	cd-r	3
01/08/78	Golden Hall, Community Concourse	cd-r	3
01/22/78	McArthur Court, University Of Oregon	cd-r	2		missing bertha>good lovin, ship of fools, samson
01/22/78	McArthur Court, University Of Oregon	shn	3Source Detail		Disc 2: Source: Audience FOB Sony TC-640 reel to reel > TCD-D8 Transfer: TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3 >mkw>wav>mkw appended w/seek files>shn
01/31/78	Uptown Theater	cd-r	2		let it grow, second set
02/01/78	Uptown Theater	cd-r	2
04/07/78	The Sportatorium	cd-r	3
04/10/78	Fox Theater	cdr/shn	3Source Detail		Samplitude was used to normalize and re-track each disc, and to clean up what sounded like pauses on either the Master Reel or PCM.
04/11/78	Fox Theater	cdr/shn	3Source Detail		Samplitude was used to normalize and re-track each disc, and to clean up what sounded like pauses on either the Master Reel or PCM.
04/12/78	Cameron Indoor Stadium, Duke University	cdr/shn	3Source Detail		No/Low Jerry vocals on d1t1 &t2 (Jack Straw and Dire Wolf) Reduced sound "burst" at 0:45 on d1t2 (Dire Wolf) Patched the dropout at 8:32 on d2t5 (Eyes Of The World) Reel flip/dropout between d3t2 & t3 (Wharf Rat and Around & Around
04/15/78	William & Mary Hall	cd-r	3
04/19/78	Veterans Memorial Hall	cd-r	3
04/24/78	Horton Field House, Illinois State University	cd-r	3
05/11/78	Springfield Civic Center	cd-r	3
05/13/78	The Spectrum	cdr/shn	3Source Detail		No dae, no normalizing, no eq or processing of any kind. *editing- d1t01- at around the minute mark, the volume dropped. in addition, it sounded like the source changed. i opted to start d1 at this point and left off the first minuite of crowd noise entirely. d1t05 tape flip after "el paso", gap removed d2t02 tape flip after "good lovin", gap removed with a crossfade d2t04 has PA distortion several places from ~3:50 thru ~5:00 d3t01 tape flip during "space", thud removed gap remains d3t04 tape flip after "sugar magnolia" gap removed
06/25/78	Autzen Stadium, University Of Oregon	shn	2Source Detail		4. //Drums--> 5. Space--> *with Ken Babbs and The Thunder Machine There is some noticeable oversaturation during the 2nd set. There may or may not be an anolog cassette generation before the transfer to digital.
07/05/78	Omaha Civic Auditorium	cd-r	3
07/07/78	Red Rocks Amphitheatre	cd-r	3
07/08/78	Red Rocks Amphitheatre	cd-r	3
08/18/78	Club Front	shn	1Source Detail		Another Installment Of The Music Never Stopped Project!
08/30/78	Red Rocks Amphitheatre	cdr/shn	2Source Detail		First of three performances of "If I Had The World To Give" a portion of Drums may be overlapped between the 2 discs. Deadlists does not provide accurate drums timing at this time (info compiled Jan '02).
09/02/78	Giants Stadium	cd-r	3		Master Audience Cassette; Shure SM-57 mics> Sony TC-158 source supplies the entire 1st set, the final 6:11 of "Sugar Magnolia" (d3t05), as well as "One More Saturday Night" (d3t06)
09/13/78	Gizah Sound and Light Theater	cdr/shn	1Source Detail
09/14/78	Gizah Sound and Light Theater	cd-r	3
09/15/78	Gizah Sound and Light Theater	cd-r	2		second set
09/16/78	Gizah Sound and Light Theater	cd-r	3
10/17/78	Winterland Arena	cdr/shn	3Source Detail		One splice in Eyes U.S. Blues cuts off missing approximately 45 seconds
10/21/78	Winterland Arena	cd-r	3
10/22/78	Winterland Arena	cdr/shn	3Source Detail		W Hamza El Din, W Lee Oskar, **W John Cippolina
11/17/78	Rambler Room, Loyola College	cdr	1		acoustic
11/18/78	Uptown Theater	cdr/shn	2Source Detail		D1t01 Jack Straw cuts in @ (right outside the fence). D1t06 El Paso cuts off @ 3:59. D2t02 D/O @ 3:30.950 removed. D2t06 D/O @ end of track removed.
11/20/78	Cleveland Music Hall	cdr/shn	1Source Detail		Audience patches abound
11/24/78	Capitol Theatre	cd-r	3
12/19/78	Memorial Coliseum, Mississippi State Fairgrounds	cd-r	3
12/28/78	Golden Hall, Community Concourse	cd-r	3
12/30/78	Pauley Pavilion, UCLA	cd-r	3		with Hamza el-Din splice at 3:41 of Stagger Lee, missing about 10 seconds, slight tape fade in minglewood @ approx 2:00 splice at 1:52 of Playin', missing about 2 minutes of vocals fades at end of d2 and start of d3 are from source discs end of Saint Stephen (starting approx 6:20) to end of show is a patch
12/31/78	Winterland Arena	cd-r	4
01/05/79	The Spectrum	shn	3Source Detail		Entire show was pitch corrected and remastered. D1t01(Sugaree) First couple notes are clipped, Static left channel from :47-1:05 filtered some minor static is still present, Drop out @ 12:18 both channels removed. D1t10(The Music Never Stopped) 4:22 possible cut where a section is missing. D2t01(Bertha) First few notes are clipped. D2t03 (It Must Have Been The Roses) Cuts off at 6:02 of the song. D2t06(Drums) Cuts off at 2:25. D3t01(Space) Cuts in with 5:33 intacked.
01/08/79	Madison Square Garden	shn	3Source Detail		Known flaws: d1t05 First 30 sec missing in right channel. SoundForge 5.0 was used to copy the left channel over. Eac in secure mode with proper offsets, 100% track quality, no errors. Shntool used to confirm sector boundries MKWact was used to convert to shn, seekable. Convertion/Seeding done 6-29-02 by Glyde (glyde@masonschildren.org) Thanks to Paul for the discs
01/10/79	Nassau Veterans Memorial Coliseum	cdr/shn	3
01/15/79	Springfield Civic Center	cd-r	3	a
01/20/79	Shea's Buffalo Theater		0		Donna was absent Show was mastered on a Nagra reel-to-reel.
02/03/79	Market Square Arena	cd-r	2		second set
02/03/79	Market Square Arena	shn	1Source Detail		Set One only
02/11/79	Kiel Auditorium	cdr/shn	2Source Detail		d2t08: gd07/27/82 1/2 [Missing] U.S. Blues - recording has Lesh very prominent, sounds somewhat far back in the hall, "shotgunish" - first notes clipped in set 1 from prior editing - tape flip at start of NFA
04/16/79	Studio Rehersal, Club Front	cd-r	3		rehearsal with brent
04/22/79	Spartan Stadium, San Jose State University	cdr/shn	2Source Detail		second set. -There is some 'minor' right channel static in spots throughout the first disc. -He's Gone fades out and Drums fades in. -First show with Brent Mydland
05/09/79	Broome County Arena	cdr/shn	2Source Detail		** first east coast China>Rider since '74 This is show number 6 of the May '79 project
09/04/79	Madison Square Garden	cd-r	3		Barry Glassberg's Master Audience Cassette; Nakamichi CM700 mics source supplies the first 0:21 of "Jack Straw" (d1t01), the final 3:00 of "Minglewood Blues" (d1t07), the first 2:01 of "China Cat Sunflower" (d2t01), "Looks Like Rain" (d2t03) in its entirety, as well as a patch in "Wharf Rat" (d3t05) from 2:37 thru 3:11
09/05/79	Madison Square Garden	cd-r	3
09/06/79	Madison Square Garden	cd-r	3		Barry Glassberg's Master Audience Cassette; Nakamichi CM700's source supplies a patch in "Easy to Love You" (d2t03) from 1:14 thru 1:41
10/24/79	Springfield Civic Center	cdr/shn	3Source Detail		-Some d/o's & static in 3rd minute Drums
10/27/79	Cape Cod Coliseum	cdr/shn	3Source Detail
10/27/79	Cape Cod Coliseum	shn	2Source Detail		set 2 * 0:17.227 of Dancin' in the Streets was patched in and normalised +3.99db(L)/+3.90db(R) from the circulating AUD listed below ** 0:34.455 of The Other One was patched in and normalised +3.32db(L)/+3.17db(R) from the circulating AUD listed below . 0:00.129 of dead space at the tape flip was removed from the SBD prior to splicing in the AUD segment. MAC (Taped by Steve Rolfe, Nakamichi CM-700 mics) > Sony TC-158 > DAT > CD > EAC > SHN Known flaws: Dancin' in the Streets - minor static 9:26.165-9:27.853/9:34.683-9:37.816
10/31/79	Nassau Veterans Memorial Coliseum	flac	3Source Detail		Transfer Info: Set 1: CD -> EAC -> Samplitude Professional v8.0 -> FLAC Set 2: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC Patch Info: The middle of Wharf Rat through the end of the show is patched from: (FOB) Nakamichi CM700 -> Cassette Master -> Dat -> CD Notes: -- Seamless transition between discs 2 and 3. -- The first few notes of China Cat are cut and the end of Big River is cut too. -- I remastered the first set, which only helped a little.
11/01/79	Nassau Veterans Memorial Coliseum	cd-r	3
11/04/79	Providence Civic Center	cd-r	3
11/05/79	The Spectrum	cd-r	3
11/08/79	Capital Centre	shn	2Source Detail		-This shn set combines into a single seed the set 1 and set 2 shn sets previously seeded to etree as singles. - * A note in the set 1 shn set text file dated 2/10/03 states: Revised source 02-10-03: SBD>Cm>Cass>Dat>CD. Nothing is stated if this revised source info pertains to the second set also. - The first few seconds of Minglewood Blues is missing - Some digi-noise at the beginning of the audience cheering at the end of Stagger Lee - The first few verses of It's All Over Now are probably missing - Scarlet Begonias cuts in at: she had rings on her fingers ...." - SHNTOOL used to correct SBEs and append a 4.0 second trk to the end of Johnny B. Goode - CD Wave used to remove 1.49 seconds of digital dead air at the end of d2t6
11/09/79	Community War Memorial Auditorium	shn	3Source Detail
11/10/79	Crisler Arena	cd-r	3Source Detail		-Recording starts in the middle of El Paso -High Time cuts in during the intro -Splice @ 12:50 of Terrapin; During the post song jam -Splice @ 9:33 of Black Peter
11/23/79	Golden Hall, Community Concourse	cd-r	3
11/24/79	Golden Hall, Community Concourse	cd-r	2
11/25/79	Pauley Pavilion, UCLA	cd-r	3
11/29/79	Cleveland Public Hall	cdr/shn	2
11/30/79	Stanley Theatre	flac	3Source Detail		Patch Info: The tape flips in El Paso, Playing In The Band and Drums were patched with Nakamichi CM700 -> Cassette Master (Sony TC-158) -> Dat -> CD Notes: -- Seamless transition between discs 1 and 2. -- This has a fixed d1t09. You need d1t08 through d2t01 for fix.
12/01/79	Stanley Theatre	cdr	2		second set.
12/01/79	Stanley Theatre	cdr/shn	3Source Detail		set 1 audio.
12/01/79	Stanley Theatre	shn	3Source Detail		Set 1: SBD>Rm>Cass>Dat>CD>EAC>SHN missing easy to love you Looks Like Rain-open splice for about 10 seconds He's Gone> Gloria Jam>
12/03/79	Uptown Theater	cd-r	3
12/04/79	Uptown Theatre	cd-r	3
12/10/79	Soldiers & Sailors Memorial Hall	cd-r	3
12/11/79	Soldiers & Sailors Memorial Hall	cdr	3Source Detail		d1t01 closed gap on tape 1:24 d2t02 drop out 5:18
12/11/79	Soldiers & Sailors Memorial Hall	flac	3Source Detail		Patch Info: Drop outs in Jack Straw patched with Nak 700 -> Cassette Master -> Reel -> Dat -> CD -> Samplitude -> WAV. Notes: -- Seamless transition between discs 2 and 3.
12/28/79	Oakland Auditorium Arena	cdr/shn	2Source Detail
12/30/79	Oakland Auditorium Arena	cdr/shn	3Source Detail		16 sector blip of silence removed from d2t2 with cdwav & addawav. Truckin' is from the aud source
12/31/79	Oakland Auditorium Arena	cd-r	3
04/01/80	Capitol Theater	cd-r	3
05/01/80	Greensboro Coliseum	cdr/shn	2Source Detail		The sound on Alabama Getaway is a bit muffled, but gradually gets better
05/02/80	Hampton Coliseum	cdr/shn	2Source Detail		Known Flaws: The first few notes of Music never stopped were missing on the master cassette. Two flaws existing on the master cassette were edited using the second pass on soundforge. The first was a 1.5 second snippet of Mama Tried (~2:23 into the track), which was patched cleanly from another verse of the song. The second is abrupt level change near the end of Music Never Stopped (6:30 into the track). This was normalized somewhat, however audible artifacts do exist on this one. Both original snippets are incluided in the 'covers+archive' folder on the shn discs. All other editing was crossfading of cassette cuts and flips, all of these fell in crowd noise, and no music was disturbed.
05/07/80	Barton Hall, Cornell University	shn	3Source Detail
05/12/80	Boston Garden	cdr/shn	2Source Detail		*Phil plays around the Caution theme for the first few minutes. note: master tape flips repaired at 9:22 in He's Gone and 7:19 in Drums Soundforge was used for normalizing and editing.
06/20/80	West High Auditorium	cdr/shn	3Source Detail		- disk 1 and 2 are continuous so set 1 can be joind using longer media - Easy to Love You is listed after FOTD on Deadlists but appears after Althea on the recording I received. Since the between song tuning/banter is not continuous here, I left the song order as I received it. - there is a cut between TOO and drums but it happens during a slight pause so no music is missing as far as I can tell - This is an excellent audience recording and one of the best shows of 1980! Part of The Music Never Stopped Project 2003!
06/21/80	West High Auditorium	cdr/shn	3Source Detail		Master Audience Cassette; AKG 414 mics source supplies the "Announcements / Intro"(d1t01), the first 0:49 of "Sugaree" (d1t02), from 4:44 thru 5:27 of "Loser" (d1t08), the first 2:03 of "Big Railroad Blues" (d2t04), as well as from 4:24 thru 5:50 of "Drums" (d3t03)
08/21/80	Uptown Theater	cd-r	2
08/26/80	Cleveland Public Hall	cdr/shn	2Source Detail		-Don't Ease cuts in, 30 seconds missing -MCFlip @ :48 of Space
08/26/80	Cleveland Public Hall	shn	2Source Detail		The source discs were a preFM of Grateful Dead Hours 732, 733 and 734 Don't Ease Me In is not cut on this version.
09/04/80	Providence Civic Center	cdr/shn	2Source Detail		Set 2 aud patchs at start of Samson, 2 places in drums and end of Good Lovin and encore - there is a skip in US Blues Patch Source: AUD>MC>DAT>SF>CD
09/06/80	State Fairgrounds	cdr/shn	3Source Detail
09/06/80	State Fairgrounds	shn	3Source Detail		Recording Info (Source 2): (FOB) Nakamichi 700 -> Master Cassette (Sony D5) -> Dat -> CD Supplies patch at end of d1t06 and also provieds d2t04 through of the show. (Taped By Jim Wise)
09/25/80	Warfield Theater	cd-r	3
09/25/80	Warfield Theater	cdr/shn	1Source Detail		first "Ain't No Lie" last "All Around This World": 02-14-70 [706] last "Bird Song": 09-15-73 [382] last "Dark Hollow": 04-29-71 [550] last "Monkey & Engineer": 12-31-70 [589] last "Ripple": 04-29-71 [550] last "Rosalie McFall": 11-08-70 [609] last "Roses": 01-12-79 [118] - A very slight hiss through the first 5 1/2 tracks - Birdsong has a tiny amount of static for less then a second at 3:30 - At 2:25 of It Must Have Been the Roses the hiss disappears
09/26/80	Warfield Theater	cd-r	3
09/26/80	Warfield Theater	cdr/shn	1Source Detail		Acoustic Set Only last "China Doll": 05-08-79 [99] last "On The Road Again": 12-01-66 [1131] last "To Lay Me Down": 10-19-74 [311] - Slight hiss through the set - To Lay Me Down has 2 pops at 5:33 and 5:35. The pop at 5:35 sounds like it has reverb on it so that might come from the stage. - Tuning is cut between some songs
09/27/80	Warfield Theater	cd-r	4
10/04/80	Warfield Theater	cdr/shn	1Source Detail		acoustic and partial second set. -t01 (Deep Elem) cuts in during the intro -t04 (Monkey And The Engineer) cuts in during the intro -t08 (On The Road Again); 3 d/o's in the first :01, and the track cuts @ 2:27 -t09 (Babe It Ain't No Lie) cuts in during the intro -t09 (Babe It Ain't No Lie); Static & d/o's from 4:50 to 4:53 -t11 (Alabama); d/o's @ 1:39 & 2:25
10/06/80	Warfield Theater	cdr/shn	1Source Detail		-t01 (Dire Wolf) cuts in during intro -t04 (Monkey And The Engineer); 3 d/o's in the first :01 -t09 (Bird Song) cuts in at 'Dont you cry' -t09 (Bird Song); Static and d/o from 2:40 to 2:42, and d/o @ 5:29 -t09 & t10 (Bird Song & Ripple); d/o @ the '>' between tracks
10/09/80	Warfield Theater	cd-r	3
10/10/80	Warfield Theater	cdr/shn	1Source Detail		acoustic set. -t05 (Dark Hollow); Static & d/o's from 1:14-1:28 -t09 (Ripple); 3 d/o's in the first :01
10/26/80	Radio City Music Hall	cdr/shn	2Source Detail		Filler 10/18/88 New Orleans, LA Source : Matrix SBD > VHS Hi Fi > DAT>CD>WAV>SHN Birdsong Scarlet Begonias > Fire On the Mountain Estimated (fades out)
10/31/80	Radio City Music Hall	shn	3Source Detail		Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN Phil was non-existent in the Acoustic Set until Cassidy due to bass problems. Little Red Rooster contains several drop-outs. Brown-Eyed Women cuts after the intro and is missing the first verse. Drums is cut with unknown amount missing.
11/28/80	Lakeland Civic Center	cd-r	3
11/28/80	Lakeland Civic Center	cdr/shn	2Source Detail		Patch Source: Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR d1t01 - brief partial loss left channel at 2:14, 2:28 and right channel at 3:55, 3:57 d1t02 - brief partial loss right channel 0:48, left channel 1:17 d1t04 - brief partial loss right channel 5:14 d1t05 - brief partial loss left channel 1:53 d1t07 - brief partial loss right channel 4:59 d2t01 - opening notes cut patched with aud d2t03 - some minor hum at start d2t04 ~ 1:16 cut patched with aud d2t08 - 8:21 brief partial loss right channel d2t09 - overload distortion on end of US Blues Part of The Music Never Stopped Project 2003
11/30/80	Fox Theater	cd-r	3
12/06/80	Mill Valley Recreation Center	cd-r	1
02/26/81	Uptown Theater	cd-r	3
02/27/81	Uptown Theater	cd-r	3
02/28/81	Uptown Theater	cd-r	3
02/28/81	Uptown Theater	cdr/shn	3Source Detail		Known Flaws: Beginning of Jack Straw abrupt start Beginning of Althea abrupt start Beginning of Ship of Fools abrupt start w/ reel warble End of Good Lovin cuts, faded out
03/02/81	Cleveland Music Hall	cd-r	2		-MC Flip @ 11:20 Drums
03/05/81	Stanley Theater	cdr/shn	3Source Detail
03/06/81	Stanley Theater	cdr/shn	3Source Detail		Known Flaws: One cassette flip and one CD flip in Drums>Space. These were crossfaded in the second pass through soundforge. The only other editing done was crossfading of cassette flips between songs - no music was disturbed.
03/09/81	Madison Square Garden	cdr/shn	3Source Detail
03/10/81	Madison Square Garden	cdr/shn	3Source Detail
03/28/81	Grugahalle	cd-r	3		w/pete townsend
05/01/81	Hampton Coliseum	cdr/shn	3Source Detail
05/01/81	Hampton Coliseum	flac	3Source Detail		Patch Source: Jim Wise's Master FOB Audience Cassette > Sennheiser 421 mics> Sony D5 cassette deck > DAT > CDR http://db.etree.org/shninfo_detail.php?shnid=2218 Notes: - Crossfade from 4:03 d1t02 through 0:02 of d1t03; a couple of notes were clipped from FOTD. - d1t06 Althea: Crossfade from 0:00 - 0:05 to fill in a couple of notes. - Crossfade from 10:45 d2t02 through 0:15 of d2t03 - d3t02 The Wheel: Crossfade from 0:02 - 0:06 - d3t04 Sugar Magnolia: Crossfade from 5:18 - 5:25; This is really just audience fill, but when I cut out the dropout it didn't sound natural, so I filled in some of the highhat beats. - d3t05 US Blues: Crossfade from 4:01 - 4:44
05/09/81	Nassau Veterans Memorial Coliseum	cd-r	3		-Halfstep cuts in @ 'Southern Skies' (first chorus) -MC flip at 11:28 of Eyes -Brief d/o/static @ 9:31 of Black Peter -Brokedown missing
05/12/81	Veterans Memorial Coliseum	cd-r	3
07/04/81	Manor Downs	cd-r	3
07/14/81	McNichols Sports Arena	cd-r	3		-Right channel d/o's throughout d1; Repaired by patching in the left channel; Largest patch was from 2:25-2:45 of Minglewood -Minor static @ 5:42 of To Lay Me Down -Very end of Mexicali fades out -Levels adjust for first :18 of Big Railroad -Half second d/o @ 5:28 of Lost Sailor -d/o @ 6:03 Eyes; Significant amount of music missing (Deadlists estimates 1 min) during the jam between verses 2 & 3 -MC Flip @ :13 Drums
08/28/81	Long Beach Arena	cd-r	3
08/31/81	Aladdin Theater	cd-r	3		Certified Owens Brothers Vault Release, processed with DC Art Millenium Software on a Dell Optiplex GX300 Workstation
09/11/81	Greek Theatre, University Of California	cdr/shn	2Source Detail
09/12/81	Greek Theatre, University Of California	cdr/shn	2Source Detail
09/13/81	Greek Theatre, University Of California	cd-r	3
09/26/81	Community War Memorial Auditorium	cd-r	2
09/30/81	Playhouse Theatre	cdr/shn	2Source Detail		: Tape flip between Estimated & Drums; Estimated cuts off during outro; Good Lovin' cuts off after 3:19; U.S. Blues missing : Levels on instruments vary during Alabama & GSET, very high at beginning of Alabama; sorted out by TLEO : noise reduction applied in Cool Edit Pro to reduce cassette hiss. While some hiss remains, and the editing gives some dead air a bit of a strange sound on the recording, this IMO far improves significant hiss previously present from multiple cassette gens, and brings out the music a good deal more.
10/06/81	Rainbow Theatre	cdr	3
10/11/81	Club Melk Weg	cd-r	1		jerry and bob acoustic
10/13/81	Walter Koebel Halle	cdr/shn	3Source Detail		Jerry's guitar super low in mix through Alabama, pretty much sorted out by Greatest Story. : First few notes of Peggy-O cut : First couple notes of CR&S cut : Splice near end of Lost Sailor (apparently tape flip in an earlier gen) : Crackly noise for a second or two at the beginning of Black Peter (sounds like equipment problem) : Cool Edit Pro used for tracking and to apply noise reduction to reduce considerable cassette hiss.
10/16/81	Club Melk Weg	cd-r	2
10/16/81	Club Melk Weg	cdr/shn	2Source Detail		Playin' - first 3:00 FOB patch Sugar Mag - FOB patch at 4:59 Patch source - FOB:MCASS>CASS>DAT>CDR Some hiss due to 2 analog gens Sugar Mag also has some minor distortion at 3:23-3:33
10/19/81	Sports Palace	cdr	3
11/29/81	Civic Arena		0		-Jam after He's Gone teases Nobody's Fault, Truckin' & Other One -d2t06 (Jam); Splice @ 1:10 -d2t07 (Drums); MC Flip @ 2:51
12/03/81	Dane County Coliseum	cdr/shn	2Source Detail
12/03/81	Dane County Coliseum	flac	3Source Detail
12/09/81	Events Center, University Of Colorado	cd-r	3		Comments: Reel Splice between Space, & The Other One and during Fire. Fades in after Bird Song missing Mama Tried
12/27/81	Oakland Auditorium Arena	cd-r	2
12/31/81	Oakland Auditorium Arena	cd-r	4
04/02/82	Cameron Indoor Stadium, Duke University	cd-r	3
04/14/82	Glens Falls Civic Center	cd-r	3
04/17/82	Hartford Civic Center	cd-r	2		second set
04/18/82	Hartford Civic Center	shn	3Source Detail		Tracked and Normalized with Samplitude v6.0
04/19/82	Baltimore Civic Center	cdr	3		d3: unknown shakedown filler
04/19/82	Baltimore Civic Center	shn	3Source Detail		undocumented change to d2t05
07/27/82	Red Rocks Amphitheatre	cdr/shn	2Source Detail		There was actually a tape flip between d2t03 & d2t04 (drumz>space). Crossfade applied between the two (at track break) to smooth out the transition.
07/29/82	Red Rocks Amphitheatre	cd-r	3
08/01/82	Zoo Amphitheater	cd-r	2
08/03/82	Starlight Theater	cdr/shn	3Source Detail		d1t5 "El Paso" 4:37 - 4:42 and d1t6 "Cumberland Blues" 0:00 - 0:08 SBD: ? > C patch by "Alan J. Fink, MCP"
08/04/82	Kiel Auditorium	cd-r	2
08/06/82	St. Paul Civic Center	cdr/shn	3Source Detail
08/07/82	Alpine Valley Music Theatre	cd-r	3
08/08/82	Alpine Valley Music Theatre	cdr/shn	3Source Detail		Drums through end of show with Zakir Hussain NFA through end of show with John Cippolina Loser cuts in. An estimated 2-3 minutes are missing. Estimated Prophet > Jam > Drums > moved to end of disc 2
08/10/82	University Of Iowa Fieldhouse	cdr/shn	2Source Detail
09/09/82	Saenger Performing Arts Center	cdr/shn	2Source Detail		-*Poor aud source supplies Halfstep & first 8 seconds of Franklin's -d/o 3:33 Franklins; Missing 3/4 of the 'harvest wind' verse; and half-second level drop at 3:20 -d/o 3:40 Stranger; Small portion of the jam missing -First notes of UJB missing -End Drums cut (tape flip) -Missing both encores
09/15/82	Capital Centre	cdr/shn	1Source Detail		Audience source supplies "Playin' in the Band" (d1t01) and first 4:31 of "Crazy Fingers" (d1t02), the first 0:20 of "Playin' noodle"(d1t08), the final 1:51 of "Day Job (d1t10), a patch in "Saint of Circumstance" (d2t03) from 3:24 thru 6:30, as well as from 0:09 of "Drums" (d2t04) thru "Space" (d2t05), and the first 1:33 of "Jam" (d2t06), as well as the first few seconds of "Touch of Grey" (d2t11)
09/17/82	Cumberland County Civic Center	cdr/shn	3Source Detail		d2t05 ~7:30 brief volume drop d2t07 ~ 4:10 some brief distortion in the sound d2t07 ~4:36 sound changes (as though different drum mics are feed into the PA) d2t07 - some distortion on loudest drum beats d3t04 - some PA distortion during loudest moments
09/18/82	Boston Garden	cdr	2
09/21/82	Madison Square Garden	shn	3Source Detail
09/24/82	Carrier Dome, Syracuse University	cd-r	3
10/09/82	Frost Amphitheatre	cdr	3
10/09/82	Frost Amphitheatre	cdr/shn	3
10/09/82	Frost Amphitheatre	cdr/shn	3Source Detail		Patch Source B : Rango Keshavan's FOB Master Audience Cassette, Sony ECM-220T mics > Sony TC-D5M > DAT > CDR
10/10/82	Frost Amphitheatre	cdr/shn	3Source Detail		Known Flaws: > small cut in Crazy Fingers > momentary "blip" during Saint > cut in Drums (tape flip) > momentary dropout during The Wheel > the very end of Sunshine Daydream is cut
12/31/82	Oakland Auditorium	cd-r	3
03/25/83	Compton Terrace Amphitheatre	cdr/shn	2Source Detail		First Help on the Way since 10-11-77 Splice/Cut @ 1:56 of Big RR Splice/Cut @ 11:45 of Playin>Drums
03/26/83	Aladdin Theater	cdr/shn	3Source Detail
03/27/83	Irvine Meadows	cdr/shn	3Source Detail		* 8:10 mics bumped or possibly dropped, 3 pops removed as mics drop and/or are repositioned. + 00:25 mics bumped again, pops removed & 1:46 MC flip
04/13/83	Patrick Gymnasium, U of Vermont	cd-r	3
04/15/83	Community War Memorial Auditorium	cdr/shn	2Source Detail		set 2 First Bob Star Spoonful tease out of Bob Star
04/15/83	Community War Memorial Auditorium	shn	3Source Detail		--Recorded 15 feet in front of sbd, about 10 feet to the right. --I don't remember which Audio Technica mics we used. --For some stupid reason (I think time issues), I didn't record Drums. --Drums patched from Senn 421>Cm>Dat>CD. <http://db.etree.org/shninfo_detail.php?shnid=9974> --This was the first Grateful Dead show I taped. --The deck I was patched out of fliped at the end of He's Gone and start of Around & Around. --My deck fliped between He's Gone and Bob Star.
04/16/83	Meadowlands Arena	cdr/shn	2Source Detail		JBG encore ends d1 Black Queen>Iko Iko, JBG w/Stephen Stills O1 contains Little Star
04/17/83	Meadowlands Arena	shn	3Source Detail		*w/Stephen Stills
04/19/83	Alfond Arena, University Of Maine	shn	3Source Detail
04/23/83	Veterans' Memorial Coliseum	flac	2Source Detail		set 2. Patch Info: Scarlet -> Fire patched from Charlie Miller's Aud: (FOB) Senn 421 -> Cassette Master -> Sound Forge -> CD
05/13/83	Greek Theatre, University Of California	cdr	3
05/14/83	Greek Theatre, University Of California	cdr	2
05/15/83	Greek Theatre, University Of California	cdr	3
06/18/83	Saratoga Performing Arts Center	cd-r	3
06/18/83	Saratoga Performing Arts Center	shn	2Source Detail		second set.
06/20/83	Merriweather Post Pavilion	cd-r	3
06/20/83	Merriweather Post Pavilion	shn	3Source Detail		Notes: Just before the start of the 2nd set, listen for the thunder in the background. At several points during the show the power goes out and back on, creating a big pop. Distortion in Wharf Rat is on the master. Flaws: ~2 sec dropout @ 2:14 of Minglewood (d1t01) Level attenuated from 8:16-8:21 of W LA (d1t08) Skip @ 5:12, significant distortion 5:14-5:27 of Wharf Rat (d3t04) is on the master. Distortion near end of Sugar Mag (d3t05)
06/22/83	City Island	cd-r	2
08/29/83	Silva Hall, Hult Center	cd-r	3
08/30/83	Silva Hall, Hult Center	flac	2Source Detail
09/06/83	Red Rocks Amphitheatre	cd-r	3
09/10/83	Santa Fe Downs	shn	2Source Detail		Secondary: Aud>CM>C>NakDR10(Playback Only)>PCM Note: Secondary aud source used to patch in approximately 15 seconds missing from Minglewood.
09/11/83	Santa Fe Downs	cd-r	3
10/08/83	Richmond Coliseum	cd-r	2
10/11/83	Madison Square Garden	cd-r	3
10/15/83	Hartford Civic Center	cd-r	2
10/21/83	The Centrum	cd-r	3		d3 fill: 4-22-83
10/22/83	Carrier Dome, Syracuse University	cd-r	2
10/31/83	Marin County Veterans Auditorium	cdr/shn	3Source Detail		the 1st 2:36 of "Wang Dang Doodle" sounds like some sort of a matrix mix, with the Audience source most prominent, the mix then changes to one where the Soundboard source is predominant.
12/27/83	San Francisco Civic Auditorium	cdr/shn	3Source Detail		- First 5 minutes of Cold Rain and Snow has what sounds like a hot drum. Might be the Bass Drum. This is also on an alternate SBD. - From 3:57 - 4:00 of C. C. Rider has the same problem as above. - Level adjustments from the Soundboard throughout Fire on the Mountain. - Tape flip between Sugar Mag and Sunshine Daydream spliced in from the Charlie Miller AUD seed. (FOB) Senn 441>PCM>Dat. Splice from 6:39 - 6:52.
12/28/83	San Francisco Civic Auditorium	cd-r	2Source Detail		encore at end of d1
03/28/84	Marin County Veterans Auditorium	cdr	1		second set.
03/29/84	Marin County Veterans Auditorium	cdr	2
03/31/84	Marin County Veterans Auditorium	cdr	1		second set.
04/01/84	Marin County Veterans Auditorium	cdr	2		second set.
04/01/84	Marin County Veterans Auditorium	cdr	2
04/06/84	Aladdin Theater	cdr	1		second set.
04/13/84	Hampton Coliseum	flac	3Source Detail		Patch Info: (FOB) Neumann U87 -> Cassette Master (Sony D5) -> Dat -> CD (Recorded By Rob Eaton) End of Fire On The Mountain through start of Estimated Prophet (76 seconds long) End of Truckin' through start of Goin Down The Road Feelin' Bad (32 seconds long) Notes: -- Seamless transition between discs 2 and 3.
04/17/84	Niagara Falls Convention Center	cd-r	3
05/06/84	Silva Hall, Hult Center	cdr/shn	3Source Detail		d3: gd 9-3-85 1/2 patched w/unknown sbd
06/09/84	Cal Expo	cdr/shn	2Source Detail		d2: jg+friends 12-15-70 * Sunshine Daydream was not performed - Level fluctuations on Iko Iko, also the song was much louder then the rest of the show so I cut the amplification by -3dBs. Some clipping occured. - Some light pops in Hell in a Bucket one major pop at 2:13. Also a couple of short periods where the vocals distort for a couple of seconds. - Cassidy has the drums disappear at 3:35 and 3:37 for less then a second each time. - Loser has vocal problems that came from the Soundboard. There are 2 large spikes with Jerry's vocals coming in. When the problem is solved Jerry starts the vocals over. Also a pop at 0:29. - First 31 seconds of Deal spliced in from Charlie Miller's seed. Patched from Nak 700>Cm>Dat>CD - Playing in the Band after Space was cut. Patched from 0:21 - 1:48 patched with AUD (Nak 700?s)>MC>DAT>CD
07/07/84	Alpine Valley Music Theatre	cdr/shn	2Source Detail		set 2 *AUD(Senn 441s > D5 > DAT > CD) cross faded in: Playin' 10:28 > 10:52 all of Drums first 8 seconds of Space 1st Not Fade Away 00:10 > 00:16 2nd Not Fade Away from 04:06 through Brokedown Palace
07/13/84	Greek Theatre, U. Of California	cd-r	3
10/11/84	Augusta Civic Center	cd-r	3
10/12/84	Augusta Civic Center	cd-r	2		much noise at end of d1
10/12/84	Augusta Civic Center	cdr/shn	3Source Detail
10/20/84	Carrier Dome, Syracuse U	cdr	3
10/31/84	Berkeley Community Theater	cdr	2
11/02/84	Berkeley Community Theater	cdr	3
02/19/85	Henry J. Kaiser Convention Center	cd-r	2
02/19/85	Henry J. Kaiser Convention Center	cd-r	2
03/09/85	Berkeley Community Theater	cdr	2
03/10/85	Berkeley Community Theater	cdr	2
03/12/85	Berkeley Community Theater	cdr	2
03/13/85	Berkeley Community Theater	cd-r	2
03/13/85	Berkeley Community Theater	cdr	2
03/21/85	Hampton Coliseum	cdr/shn	1Source Detail
03/24/85	Springfield Civic Center	cd-r	2
03/24/85	Springfield Civic Center	cdr/shn	1Source Detail		second set -Bob's lyrics missing until 2nd verse of Samson -Tape flip; Drums cut @ 4:57
03/25/85	Springfield Civic Center	cd-r	2		d1 fill: 3-29-85
03/27/85	Nassau Veterans Memorial Coliseum	cd-r	2
03/29/85	Nassau Veterans Memorial Coliseum	cd-r	2		Digicrackle in Cold Rain @ 5:09 flip fade in space @ 0:42
04/03/85	Providence Civic Center	cd-r	2		d2 fill: 3-31-85 d3 fill: 4-28-85
04/07/85	The Spectrum	cd-r	2
04/08/85	The Spectrum	cdr/shn	2Source Detail
04/28/85	Frost Amphitheatre	cd-r	2
06/14/85	Greek Theatre, U. Of California	shn	2Source Detail		1. time compressed using CoolEditPro to 98.666% of original speed to approximate the Oade audience source speed 2. patches used from Oade audience source: d1t10: patched in Bobby's "we're gonna take a real break, and then we'll be back in a little bit" banter at end of Deal (6:08 to end)(was cut on sbd) d2t06: patched in 2 minutes missing from Space (4:14 to 6:24) 3. no sector boundary errors verified with shntool v1.2.0
06/15/85	Greek Theatre, U. Of California	cdr/shn	2Source Detail		Known errors: Minor dropout before d2t05. Dropout between d3t04 & d3t05.
06/16/85	Greek Theater, U. of California	cd-r	2
06/22/85	Alpine Valley Music Theatre	cdr/shn	2Source Detail		Brokedown encore at end of d1.
06/24/85	River Bend Music Center	cd-r	3
06/27/85	Saratoga Performing Arts Center	cd-r	3
06/28/85	Hershey Park Stadium	cd-r	2
06/30/85	Merriweather Post Pavilion	cd-r	3		d3 tracking problems
07/02/85	Civic Arena	cd-r	2
07/13/85	Ventura County Fairgrounds	cdr	2		mac says: master cass tdk ma 90>sennhiser md441's>sony d5>tascam cdr on a stand 20 feet from stage.awesome
07/14/85	Ventura County Fairgrounds	cd-r	3
07/14/85	Ventura County Fairgrounds	cdr	3		macdoogle says: master cass tdk ma 90>sennhiser md441's>sony d5>tascam cdr on a stand 20 feet from stage.awesome
08/30/85	Southern Star Amphitheater	cd-r	2
08/31/85	Manor Downs	cdr/shn	3Source Detail		The only editing done was to break the tuning/crowd out into separate tracks on the beginning of d1 and d3.
09/02/85	Zoo Amphitheater	cd-r	1		partial, w/filler
09/02/85	Zoo Amphitheater	cdr/shn	3Source Detail		- Bertha has what sounds like an overdriven bass at 4:03. This happens about 10 more times in this show. I tried removing it but even after that was finished the sound was still there. All other occurences of this will be marked by overdriven bass in these notes. Most if not all are less then 1/2 second long. - Promised land has 2 problems in the very beginning at 0:02 and 0:05 The first seems to be from a guitar the second is the bass. AUD has same problem. - Me and My Uncle has 2 bass problems at 2:00 each very short. Also bass problem at 3:10. AUD has same problems - Stagger Lee has the bass problem at 4:23, 4:27 and 4:55. AUD has same problems. - First 42 seconds of Ramble on Rose has issues. This is an on stage problem. - Hell in a Bucket has 3 minor bass problems between 3:23 - 3:24. Same problem at 3:45. AUD has same problems. - I Know You Rider has issues from 4:37 - 4:38. Also bass distortion at 6:21 - Ship of Fools has a patch from 0:00 - 0:16 - China Doll has what sounds like a stage problem twice at 4:14 and once at 4:20 - Day Job has static for 1 second at 3:51 and 3:59
09/03/85	Starlight Theater	cdr/shn	2Source Detail		*Don't Need Love w/o Jerry
09/05/85	Red Rocks Amphitheatre	cdr/shn	2Source Detail		-d1t08: cut of indeterminate length @ 3:13 -d2t09: patched a 1 min 26 second section of Wharf Rat (3:54 - 5:20) missing from the SBD source with an audience source -original SBD courtesy of Howard Weiner -original source of Aud used for patch: a 1st gen analog cassette from a master taped by Dan Michael, equipment unknown -there are a few places, especially in Cold Rain & Snow, where the vocals drop out for a split second. This was a PA issue, as the same d/os are present on the audience source.
09/07/85	Red Rocks Amphitheatre	shn	3Source Detail
09/12/85	Henry J. Kaiser Convention Center	cdr/shn	1Source Detail		recording comments: -minor static at 1:19 of Bertha -little glitch at 0:58 of Help -drop out in Franklins * 8:10 -drop out pitb 3:40 -MC flip at 0:04 of Space -glitch at 5:00 of NFA
09/15/85	Devore Field, Southwestern U	cdr	2
10/29/85	Fox Theater	shn	3Source Detail		- d1t07 Deal: Diginoise at 7:07 - d2t06 Crazy Fingers: Amp Buzz at 0:08 - d2t08 Drums: Odd distortion at 0:20; Slight skip at 1:56, probably from cassette flip, not much missing. Some overloading distortion between 2:03 - 2:05, not much and it isn't that bad. - d2 and d3 are seamless.
10/31/85	Carolina Coliseum, University Of South Carolina	cd-r	2
11/01/85	Richmond Coliseum	cdr/shn	3Source Detail		Even though this show is available as Dick?s Pick #23 ? you might want to consider giving this show a listen (or the Oades? earlier non-DSP Etree?d version) ? especially if you were at this show. The Oades really caught the presence of this show in their recording.
11/05/85	The Centrum	cd-r	3
11/08/85	Community War Memorial Auditorium	cdr	2Source Detail		re-shn from tunes.kael.org
11/10/85	Meadowlands Arena	cdr/shn	1Source Detail		there is occasional very light static, exampled near the 2-3 min. mark of Stagger. this appears on other soundboard sources as well and is not unique to this transcription.
11/11/85	Meadowlands Arena	cd-r	2
12/31/85	Oakland-Alameda County Coliseum	cdr	3
03/19/86	Hampton Coliseum	cdr	2
03/20/86	Hampton Coliseum	cdr	2
03/21/86	Hampton Coliseum	cdr	2
03/24/86	The Spectrum	cd-r	3
04/21/86	Berkeley Community Theater	cd-r	2
12/27/86	Henry J. Kaiser Convention Center	cdr/shn	2Source Detail		Set 1: SBD > MC > ? > DAT > CDR> WAV > SHN //splice/cut in drums. Space begins with long dead space.
12/30/86	Henry J. Kaiser Convention Center	cd-r	3
01/30/87	San Francisco Civic Auditorium	cdr/shn	3Source Detail		- Touch of Grey has some level adjustments - Small skip at 4:55 of Drums. Not much missing. - Throwing Stones has a couple of scraping sounds in the left channel at 1:57 and 1:59. These seem to eminate from one of the instruments, also at 7:23 sounds like Bass distortion.
03/22/87	Hampton Coliseum	cdr/shn	3Source Detail		dankseed
03/23/87	Hampton Coliseum	cdr/shn	3Source Detail
04/06/87	Meadowlands Arena	cdr/shn	2Source Detail		final Dancin' in the streets - Odd sound at 1:33 of Dancin in the Streets - Little Red Rooster patched from - 0:00 - 0:42 - Terrapin Station patched from 0:12 - 0:23 - Audience after Sugar Magnolia fades out as Black Muddy River was originally placed at the end of disc 1. I faded Black Muddy River in so there isn't an abrupt start. No Music is missing just fans fading in and out. - This show can fit on 2 74 minute CDs by placing the Encore on disc 1
04/19/87	Irvine Meadows	cd-r	1
06/20/87	Greek Theatre, University Of California	cdr/shn	2Source Detail
07/06/87	Civic Arena	cd-r	2
08/15/87	Town Park	cdr/shn	3Source Detail		d2t1 - First few notes missing
08/23/87	Calaveras County Fairgrounds	cd-r	3
09/18/87	Madison Square Garden	cdr/shn	2Source Detail
09/20/87	Madison Square Garden	cdr/shn	3Source Detail		recut kpfa fund-raiser version.
10/03/87	Shoreline Amphitheatre	cd-r	2
03/27/88	Hampton Coliseum	cd-r	3
04/01/88	Meadowlands Arena	shn	2Source Detail		There is no break between I Know You Rider and Estimated Prophet, so those who want to assemble this as a three-disk show can do so seamlessly. Tape flip between drums and space suggests a cassette generation in there somehwere; missing very little.
06/28/88	Saratoga Performing Arts Center	shn	3Source Detail		Drums and space do not have fades and can be reattached seamlessly if desired. Originally these discs were listed as SBD> DAT> CD, but this was obviously an FM source, as it contained much DJ blather, including station ID as WPYX in Albany. All of that is now one big elision on the dustbin of GD history. I don't think it's a pre-FM, as the top end is slightly constricted, consistent with a 15 KHz cutoff on FM broadcasts. But I'm speculating.
07/01/88	The Inn By The Sea Tape		0Source Detail		?The Inn By The Sea? tape This tape was left in a room occupied by The Dead at The Inn By The Sea, Cape Elizabeth ME when they were doing the 7/2 & 3/88 shows at Oxford Plains, Maine. Recorded at Club Front? Tape travel problems at the beginning of track 9.
07/02/88	Oxford Plains Speedway	cd-r	3
07/03/88	Oxford Plains Speedway	cd-r	2
09/12/88	The Spectrum	cd-r	3
09/14/88	Madison Square Garden	cd-r	2
09/18/88	Madison Square Garden	shn	3Source Detail		Purported lineage of this was SBD>MC>DAT>CDR.
09/19/88	Madison Square Garden	shn	2Source Detail		It appears that this entire show has Noise Reduction applied to it. Also every track on this entire show had tiny drop outs before the actual songs were removed with Cool Edit. D1t01(Touch Of Gray)Pop @ 2:15 both channels removed, Level change @ 3:55. D1t07(Let It Grow) First couple of notes are clipped. Cass. flip between Drums and Space. D2t08(Space) Click or space? @ :20, 4:13 and 4:14 left alone.
04/05/89	Crisler Arena	cd-r	3
05/06/89	Frost Amphitheatre	cd-r	3
05/07/89	Frost Amphitheatre	cd-r	3
07/09/89	Giants Stadium	cdr/shn	3Source Detail
10/09/89	Hampton Coliseum	cd-r	3
10/25/89	Miami Arena	cd-r	3
10/26/89	Miami Arena	cd-r	3
12/27/89	Oakland-Alameda County Coliseum	cd-r	3
03/25/90	Knickerbocker Arena	cd-r	3
03/29/90	Nassau Coliseum	cd-r	3
03/29/90	Nassau Coliseum	shn	3Source Detail		-- Branford Marsalis plays saxophone on Bird Song and Promised in Set 1 and the entire 2nd Set, except for Drums and Knockin'. --This source doesn't have any of the flaws that the other etree sources have.
07/04/90	Sandstone Ampitheatre	cd-r	3
07/14/90	Foxboro Stadium	cd-r	3
07/21/90	World Music Theater	cdr/shn	2Source Detail
09/14/90	Madison Square Garden	cd-r	3
09/15/90	Madison Square Garden	cd-r	3
09/18/90	Madison Square Garden	cdr/shn	3Source Detail		Numerous gaps and cuts removed.
09/19/90	Madison Square Garden	cdr/shn	3Source Detail
09/20/90	Madison Square Garden	cd-r	3		Healy SBD/AUD Ultramix > DAT > CD-R supplies patches in Truckin' at 6:30-6:32 and at 8:40-8:42
09/20/90	Madison Square Garden	cdr/shn	2Source Detail
09/28/90	Front Street	cdr/shn	1Source Detail		shns bundled w/jg 1-21-83. This is an interesting glimpse into the state of the band immediately following Brent's untimely demise. This comes right on the heels of the highly innovative fall '90 MSG run (Hornsby's first few shows with the boyz),and directly precedes the Fall European tour. All 3 songs rehearsed find their way into the European setlists.
10/28/90	The Zenith	cdr/shn	3Source Detail
10/31/90	Wembley Arena	cd-r	3Source Detail		splice/d.o. at beginning of Werewolves.
12/28/90	Oakland-Alameda County Coliseum	cdr/shn	2Source Detail
12/31/90	Oakland-Alameda County Coliseum	cd-r	3
04/01/91	Greensboro Coliseum	shn	2Source Detail		Secondary Source: SBD>DAT>CDR (Musicfan's seed to abgd) Secondary Source provides d1t01-t04; the last 5 seconds of d1t07; the last 2:01 of d1t09 The sector boundary errors present on Jay's seed were removed using shntool. d1t02 - Removed milisecond dropout between t01 & t02 However it is still slightly noticeable. d1t04 - Removed a slight digisnit at 2:07, Still slightly noticeable d1t07 - Jay's seed fades at the last seconds of this track. The Secondary source supplies the last 5 seconds which includes the set break announcement. d1t09 - Secondary source supplies the last 2:01. While the static present on Jay's seed was only within the last 30 seconds a patch at that point would have been difficult to make transparent. This patch is completely transparent IMHO. d2t03 - I retracked Drums>Space into two tracks.
05/05/91	Cal Expo	cdr/shn	3Source Detail		Rex Foundation benefit Bruce Hornsby was not with the band on this night. Patch source - http://db.etree.org/shninfo_detail.php?shnid=9367
06/17/91	Giants Stadium	cd-r	3
06/17/91	Giants Stadium	cd-r	1		mpeg video
06/17/91	Giants Stadium	shn	3Source Detail		-- There is an Other One tease before and after the Dark Star Jam before drums. -- Hornsby is teasing Dark Star in almost every song...listen closely. -- There are other Dark Star Teases that I didn't track due to being too short. -- Seamless transition between discs 2 and 3. -- All Flaws in Eyes Of The world have been fixed.
06/20/91	Pine Knob Music Theater	cdr/shn	3
09/10/91	Madison Square Garden	cd-r	3
09/12/91	Madison Square Garden	shn	3Source Detail		fore "We'll be Back" there was a dropout. 00:01.796 was cut out. - Dropout in Foolish Heart repaired. It occurs around 1 minute into the song. 00:00.12 was cut out. - Between Drums and Space there was 00:00.603 of silence. I cut this out to make d2 and d3 seemless. - Between Sunshine Daydream and the encore there was a tiny skip. I cut out 00:00.045 to make it a bit more seemless.
09/26/91	Boston Garden	shn	3Source Detail		(1) - This may be a digital soundboard. There is no wow and flutter in Eyes of the World as existed in older versions of the 9/26/91 SBD. Thanks to an old friend Dougal Donaldson for providing me with the source DATS some years back. Listener reports probably one cassette generation. Discs 2 and 3 are seamless.
12/28/91	Oakland-Alameda County Coliseum	shn	3Source Detail		Set 1: SBD -> Dat -> Sonic Solutions -> CD -> EAC -> SHN
03/16/92	The Spectrum	cd-r	3
05/21/92	Cal Expo	shn	3Source Detail
05/31/92	Sam Boyd Silver Bowl, U.N.L.V	cd-r	3
06/15/92	Giants Stadium	cd-r	3
12/17/92	Oakland-Alameda County Coliseum	cdr/shn	3Source Detail
09/17/93	Madison Square Garden	dcr/shn	2Source Detail		set 2
09/22/93	Madison Square Garden	shn	3Source Detail		() with David Murray; () with David Murray and James Cotton Dankseed Certification received 2002-03-30*
10/14/94	Madison Square Garden	shn	3Source Detail
03/17/95	The Spectrum (soundcheck)	cdr/shn	1		Unbroken Chain Sound check This tape came from a member of the Grateful Dead's crew. This is not from the scanner in the parking lot. It was taped by the crewmember himself. http://db.etree.org/shninfo_detail.php?shnid=17951
03/17/95	The Spectrum	shn	3Source Detail		Secondary audience source (Schoeps MK4) used for drums > space. Flaws: d1t01 digifuzz 00:29-00:31. Very first note of Truckin' is missing. Comments: This source represents a composite of the two previously released sources. An audience source for drums and space has been relatively seamlessly spliced in. A droupout in Loose Lucy in the SBD source was removed using soundforge 5. The audience source wav's were normalized to the SBD levels and splicing was done using soundforge 5. Tracking of the both sets using CDWAVE. WAV's were compressed using shorten 3.4.
03/23/95	Charlotte Coliseum	cd-r	3		Bruce Hornsby on grand piano for entire show. If any minor editing, noise reduction, and/or minor EQ processes were necessary, they were performed between 80% and 100% in the digital realm at Serafin Station Studio B (http://home.flash.net/~gdtrfb95/). Known Flaws: d1t01: ~3:15 to ~3:25 Jerry's vocals trail off in volume d2t02: ~1:21 to ~1:43 Jerry's vocals trail off in volume Unknown if these flaws are equipment problems or Jerry. d2t05: One of the percussion instruments is notably hot in the mix (sounds like beads or coloshakers) d2t06: as above d3t02: as above d3t04: as above
03/29/95	The Omni	cdr/shn	1Source Detail		bundled w/3-17-95 soundcheck shns. partial second set. This tape came from a member of the Grateful Dead's crew. This is not from the scanner in the parking lot.
06/18/95	Giants Stadium	cd-r	2
07/09/95	Soldier Field	cd-r	2


	Grateful Dead Soundchecks--- Approximate Hours: 3.75
Date	Venue	Media Type	Media Count	Sound Quality	Notes

12/12/73	The Omni	cdr/shn	1
02/22/74	Winterland Arena	cdr	1		show listed separately
04/06/94	Miami Arena	cdr/shn	1


	Jerry Garcia Band--- Approximate Hours: 40
Date	Venue	Media Type	Media Count	Sound Quality	Notes

11/09/91	Hampton Coliseum	cd-r	2		special guest Bruce Hornsby - electric piano (entire show)
01/30/93	Warfield Theater	shn	2Source Detail		The world was extra Wonderful this night with the only performance of both versions of "Wonderful World" in a single show. d1t03 - mic windscreen rubbed/blown? at 00:15 Thanks to J.Powell for providing CDR source. DAE(EAC0.9b4, offset corrected, secure mode)>tracking(cdwav editor)>sector boundaries confirmed(shntools)>SHN(shorten3.4) via C.Ladner. misSHN in the rain, 12/03.
02/25/93	Warfield Theater	cdr/shn	2Source Detail		Flaws: d2t01 - Very light static 0:30-1:00; 1/2 second crackle at 2:46
02/26/93	Warfield Theater	cdr/shn	2Source Detail
02/27/93	Warfield Theater	cdr/shn	2		Flaws: d1t01 There are a few slight digi pops. d2t01 digi pop at 5:58 removed and is transparent.
10/06/93	Warfield Theater	shn	2Source Detail
10/07/93	Warfield Theater	cdr/shn	2Source Detail
10/31/93	Brendan Byrne Arena	cdr/shn	2Source Detail		d1t01 - slight static @ 03:14 d1t03 - slight static @ 06:44 d1t08 - fuzz at 00:11, 00:59 01:05 seconds of pre-encore stadium crowd chatter/noise removed at 06:24.986 of d2t07.
11/05/93	Buffalo Memorial Auditorium	cdr/shn	2Source Detail		Edits: Five second fade in/out of sets. Flaws: In d1t2 (Cats) @ 2:45 something hits/brushes mics with the left channel taking the brunt of it.
11/05/93	Buffalo Memorial Auditorium	cdr/shn	2Source Detail		Original CDR masters had a fade (tape flip?) at end of d1t04 rendered seamless by some overlap at the beginning of d1t05 using soundforge 5. Fade also removed at the end of d2t02, now seamless. A +1.5 dB gain was applied to the entire show using SF5.
11/07/93	USAir Arena	cdr/shn	2Source Detail		Show originally tracked onto 3 discs. Retracked to fit on 2 discs by moving the first track of the second set to the first disc. The d2>d3 transition was restored to seamlessness prior to retracking using soundforge 5.
11/09/93	Cumberland County Civic Center	cdr/shn	2Source Detail
11/12/93	Madison Square Garden	shn	3Source Detail		Entire show with David Murray on saxophone except The Maker. Jerry introduces David after How Sweet It Is (To Be Loved By You).
11/14/93	Onondaga County War Memorial	shn	2Source Detail		Taper signatures at end of each set. Thanks Clay, Roger & associates for a providing us another in a great run of recordings (fall '93). DAE(EAC0.9b4,offset corrected) and sector boundary error-free SHN encoding by C.Ladner. misSHN 4/04.
11/19/93	Hampton Coliseum	cd-r	3


	Kingfish--- Approximate Hours: 2.5
Date	Venue	Media Type	Media Count	Sound Quality	Notes

11/29/74	Chateau LibertÃ©	shn	2		- I recorded this show by plugging into a soundboard feed that was piped outside the club to an Econoline van in the parking lot. I brought my reel deck because you never know if you're going to be able to talk your way into a board feed. As it turns out, a teacher from my recording engineering school in San Francisco was doing the sound and allowed me to plug into the board. So I got to record the show, but I didn't actually see the show. Instead I froze my ass off in a van in the parking lot. The stuff one does to preserve a show on tape :-) - NOTE: During the song breaks you will hear faint music. This is due to print-through, a process that occurs when reel tape is stored for long periods of time. fStop (aka Ed Perlstein - MusicImages.com) The original text file presented this order for set 2: Hypnotize, Asia Minor, Juke, I hear you Knockin, All over now, rattlesnake, mona, mystery train, Battle Of New Orleans, Around and Around, but this doesn't jive with the track names. The text was changed to reflect the track names, though I'm not sure which is correct. -m


	Marin County Bluegrass Festival--- Approximate Hours: 5
Date	Venue	Media Type	Media Count	Sound Quality	Notes

04/27/74	Golden State College	cdr/shn	4		April 27,28 1974


	Nightfood--- Approximate Hours: 2.5
Date	Venue	Media Type	Media Count	Sound Quality	Notes

09/21/86	The Stone	flac	2		Bob Weir joins after Lovelight and plays rest of show.


	Phil Lesh & Friends--- Approximate Hours: 61.25
Date	Venue	Media Type	Media Count	Sound Quality	Notes

04/05/59	San Mateo College	cdr/shn	1Source Detail		San Mateo College Jazz Band (with Phil Lesh). shns bundled w/jg+friends 7/??/61. Deadlists COMMENTS: RECORDINGS 20 A?. Differences from song-to-song in recording quality and tone suggests this material spans more than one date.
05/17/76	Fairfax	shn	2Source Detail		Touloos Ta Truck Phil's bar band during the '76 hiatus. Terry Haggerty - guitar; John Allair - keyboards, vocals; Phil Lesh - bass; Steve Mitchell - drums Here's a link to some additional information (maybe not all correct) including a poster http://www.philzone.com/philbase/tooloose.html
09/24/94	Berkeley Community Theater	cdr/shn	1Source Detail		Phil and Friends Jerry Garcia, Phil Lesh, Bob Weir, Vince Welnick
02/18/01	Maritime Hall	cd-r	3
04/20/01	Independence Hall - Cricket Arena	cd-r	3
04/30/01	Roseland Ballroom	cdr/shn	3Source Detail
06/10/01	Sweetwater Saloon	cd-r	3
07/06/01	Red Rocks Ampitheatre	cd-r	3
07/07/01	Red Rocks Ampitheatre	cd-r	3
07/10/01	Riverport Amphitheatre	cd-r	3
11/17/01	Stabler Arena	cd-r	3
11/24/01	Orpheum Theater	cd-r	3
12/02/01	Beacon Theater	cd-r	3
12/03/01	Beacon Theatre	cd-r	3		w/bob weir, greg osby
12/21/01	Asheville Civic Center	cd-r	2
12/31/01	Henry J Kaiser Convention Center	cd-r	4		inc. crusader rabbit set
11/30/03	Tower Theater	cdr	3Source Detail
12/04/03	Beacon Theater	cdr	3Source Detail		Phil's post 1st-set banter was eliminated in order to prevent an ugly disc split.


	Pigpen (Ron McKernan)--- Approximate Hours: 1.25
Date	Venue	Media Type	Media Count	Sound Quality	Notes

??/??/66	Apartment Demos	cdr/shn	1		undated upgrade. Tracks 13 -15 are Pigpen's final recordings, 373 Track 16 is Pigpen and Jorma, 1964


	Ratdog--- Approximate Hours: 5
Date	Venue	Media Type	Media Count	Sound Quality	Notes

02/27/02	Promowest Pavilion	cdr	3
10/02/02	Roseland Ballroom	cdr	1


	Sting--- Approximate Hours: 1.25
Date	Venue	Media Type	Media Count	Sound Quality	Notes

06/25/93	RFK Stadium	flac	1		Sting was the opener for The Grateful Dead. Recorded by a member of The Dead's lighting crew. A nice full soundboard direct recording. Jerry Garcia sits in toward the end of Sting's set.


	The Dead--- Approximate Hours: 22.5
Date	Venue	Media Type	Media Count	Sound Quality	Notes

02/14/03	Warfield Theatre	cdr/shn	3Source Detail
06/15/03	Bonnaroo Music Festival	cdr	3
06/20/03	Saratoga Performing Arts Center	cdr	3		(1) Bob acoustic (2) with Steve Winwood (opening act) (3) with Winwood drummers (4) with Mike Gordon on Bass - The only editing performed were fades and tracking. - SHN (seek) conversion made with MKWact
06/28/03	Tweeter Waterfront	cdr	3		* w/Willie Nelson on Acoustic Guitar ** w/Greg Osby on Saxaphone d1t01 edited due to gain adjustments d2t01 fades in
08/10/03	Jones Beach Music Theater	cd	4Source Detail
04/16/04	Warfield Theatre	cdr	2		Set 2 of Govt Mule 1000th show


	The Other Ones--- Approximate Hours: 15
Date	Venue	Media Type	Media Count	Sound Quality	Notes

06/??/02	Club Front Studios	cdr	1		Club Front Studio Rehearsals
08/03/02	Alpine Valley Music Theatre	cd-r	3
08/04/02	Alpine Valley Music Theatre	cd-r	3
10/27/02	Shoreline Amphitheatre	cdr/shn	1Source Detail
12/31/02	Oakland-Alameda County Coliseum	cdr	4


	Zero--- Approximate Hours: 1.25
Date	Venue	Media Type	Media Count	Sound Quality	Notes

07/16/88	Golden Gate Park	cdr/shn	1Source Detail		*with Jerry Garcia, Merl Saunders, Mickey Hart, Norton Buffalo and Marc Beno. John Cippolina's last Zero show.