Etree - My Home - 2536 shows
Last Update: Tuesday Feb 27, 2024

[ DIFFERENCE | WANT LIST (0) | COMMENTS (0) | EMAIL ]


      My Home



 


View List:
Jump To Artist:

Garcia  
  Date Venue - City, State City Media  
1. ??/??/39 Flac - 0, Compilation LoloYodel Garcia's Greatest Moments notes
2. ??/??/39 Flac - 0, Compilation LoloYodel Garcia's Greatest Moments notes
3. ??/??/39 Flac - 0, Compilation LoloYodel Garcia's Greatest Moments notes
4. ??/??/39 Flac - 0, Various Deadman Box Set notes
5. ??/??/39 Flac - 0, Compilation LoloYodel Garcia's Greatest Moments notes
6. ??/??/39 Flac - 0, Jerry Jams P.2 Compilation LoloYodel Garcia's Greatest Moments Jerry Jams P.2 notes
7. ??/??/39 Flac - 0, Jerry Jams P.1 Compilation LoloYodel Garcia's Greatest Moments Jerry Jams P.1 notes
8. ??/??/39 Flac - 0, Garcia ??/??/39 Compilation LoloYodel Garcia's Greatest Moments Garcia ??/??/39 notes
9. 05/21/68 Shn - 0, 22727 San Francisco Carousel Ballroom (Tuesday Night Jam) "Tuesday Night Jam": Recording Info: SBD -> Master Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v.20 -> SHN (2 Discs Audio / 1 Disc SHN) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net, 2/17/04. notes
10. 05/21/68 Shn - 0, 15412 San Francisco Carousel Ballroom (Tuesday Night Jam) Tuesday Night Jam: MSR > DAT > CD > EAC > WAV > SHN. notes
11. 07/28/68 Flac - 0, 27968 Marin County Rancho Olompali Garcia, Casady & Hart: MS?>?>CD>EAC>FLAC, via David Gans. notes
12. 07/28/68 Flac - 0, Marin County Rancho Olompali Garcia, Casady, Hart; flac1644; SBD > Master Reel > Dat. Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC, Transfers and Mastering By Charlie Miller. notes
13. 10/08/68 Shn - 0, 17691 San Francisco The Matrix Hartbeats; SBD MR->Reel (x2?)->CDR; EAC> SHN by Evan Bellaff, with thanks to Glenn Gillis notes
14. 10/08/68 Flac 24 - 0, 111148 San Francisco The Matrix Hartbeats; flac24, most likely lineage of these are MR>R @ 7.5 ips>R @ 7.5 ips>?>flac24. This is a mix down of the line feed left channel, and the more ambient miced right channel notes
15. 10/08/68 Shn - 0, 25757 San Francisco The Matrix Disc 1 only; optimal composite source free of diginoise. SBD MR>2R>D>CD; via Jens Tilsner and Hanno Bunjes notes
16. 10/08/68 Flac 24/96 - 0, 141647 San Francisco The Matrix Hartbeats: Reel Master > Reel (1st gen) > Reel (2nd gen) - provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick April 2018. notes
17. 10/08/68 Flac 16/48 - 0, 141875 San Francisco The Matrix Hartbeats; flac1648; Reel Master > Reel (1st gen) > Reel (2nd gen) - provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick April 2018. notes
18. 10/10/68 Shn - 0, 4513 San Francisco The Matrix SBD> Rm> Reel> CD (May Be SBD> Rm> Reel> Reel> CD); thanks to c.miller for seeds; DAE/shnv3 by neo_levo notes
19. 10/10/68 Shn - 0, 5186 San Francisco The Matrix Hartbeats; note date corrected from previous 10/9/68 listing- see Deadlists; ?> DAT> ZA2> wav> (sound forge for cutting to track size)> shn; DAT> ZA2> wav? by David Hollister; SF by Konstantin; recut on sector boundaries by Jeff Hoelter; jam in set 2 is complete; set 1 sounds different than set 2; some NR applied (see info file for details notes
20. 10/10/68 Flac 16/48 - 0, 142425 San Francisco The Matrix Hartbeats; flac1648; SBD > Reel Master > Reel 1st gen > Reel 2nd gen > dat (48k) - Provided by Tim Dalton; Transfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav 16/48> iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac1648, edited and mastered SIRMick notes
21. 10/21/68 Shn - 0, 4503 San Francisco Jefferson Airplane House SBD > MR > Cass > DAT > CDR > WAV > CDR; via EAC/trade from Morgan Evans; EAC > minor wav editing> CDWAV > seeking SHN by Rick Lepley; Uploaded by Andy Lepley; note shn set is labelled as 10/28/69, but material typically circulates as 10/21/68 notes
22. 10/21/68 Flac 24/48 - 0, 146189 San Francisco Jefferson Airplane House flac 2448: Recording Info: SBD > ?? > 2 Maxell UDXLII C90 Cassettes Transfer Info: GEMS Lossless Legs production knudsen.0002.jg_friends1968-10-21.flac2448 refer to the original info file (knudsen.0002.jg+friends.1968-10-21.txt) which is part of the fileset. Editing and Mastering: Mark Fulton (mdfunes) Goldwave audio editing software. 4/21/2019 notes
23. 10/30/68 Flac 24/96 - 0, 112737 San Francisco The Matrix flac2496; GEMS; MR (Abrams) > R @ 7.5 ips (Kafer) > R @ 7.5 ips (Will Boswell); playback on Akai GX636 - Direct tape head out >> custom built Bottlehead tube tape preamp with a pair of Tesla 6922 tubes >> Apogee Mini Me/Mini Dac 24/96 >> Lynx One soundcard >> FLAC by Matt Smith. Mixed and Mastered by Jamie Waddell. notes
24. 10/30/68 Flac 24 - 0, 116833 San Francisco The Matrix flac24: sbd unknown gen reel, Jerry Moore's copy, transfer/seeded by Rob Berger notes
25. 10/30/68 Shn - 0, 1205 San Francisco The Matrix Hartbeats; most complete version; documented 1st gen reel on revox A-77 r2r deck> digitized @ 96khz/24 bits> downsampled to 44.1k/16bits for CD> EAC> SHN; transfer by Jim Wise; eac/shn by Darrin Sacks; note minor addition of tuning to d3 track list notes
26. 10/30/68 Flac 16/48 - 0, 142342 San Francisco The Matrix Hartbeatsl flac1648; SBD > Reel Master > Reel 1st gen > Reel 2nd gen > dat (48k) - Provided by Tim Dalton. Transfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav 16/48> iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac1648. edited and mastered SIRMick June 2018. notes
27. 12/16/68 Shn - 0, 4529 San Francisco The Matrix SBD> Rm> Reel> CD (May Be SBD> Rm> Reel> Reel> CD); DAE/shnv3/ftp via neo_levo, from Charlie Miller seed notes
28. 12/16/68 Flac - 0, 97296 San Francisco The Matrix Hartbeats: MSR (Abrams) > R (Peter Kafer) > R @ 7 1/2 ips (Will Boswell); Transfer info: reel > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > Wav > Flac16. notes
29. 12/24/68 Shn - 0, 24136 San Francisco The Matrix Garcia, Harvey Mandel & Elvin Bishop: MSR > PCM > SHN. Uncertain how, if at all, this relates to existing .shn sets listed under Garcia (#15051) and Grateful Dead (#9475). notes
30. 12/24/68 Flac - 0, 4707ß San Francisco The Matrix Garcia, Bishop, Mandel, Hart & Miller: SBD > 1st generation reel to reel > behringer ultra curve pro deq 2496 audio equalizer > tascam audio cdrw750 > plex tool professional XL > wav > flac, seeded by 38f. Longer version, correct speed. notes
31. 12/24/68 Shn - 0, 82321 San Francisco The Matrix "Harvey Mandel Band w/ Garcia": soundboard 4-track reel master > 2-track reel > CDR/0 > CDR/1 > CDR/2 > iMac > SHN. Editing (Sound Studio for Macintosh) and shn compression (Shorten for Macintosh) by Jeff Tiedrich on 24 and 28 April 2002 notes
32. 12/24/68 Shn - 0, 18152 San Francisco The Matrix SBD>MR>PCM>WAV>SHN Transferred from PCM via SEK'D Prodif96Pro & Samplitude This was the source info bundled with the original shns. Alternate possible source info could be: SBD>MR>??>DAT>CDR>EAC>SHN; see info file for details; seeded to etree via D Litfin; edits/encoding by D Litfin notes
33. 12/24/68 Shn - 0, 15051 San Francisco The Matrix Jerry Garcia, Harvey Mandel & Elvin Bishop: SBD > unknown generation cass > wav > shn. Posted to abgd 12/2002. Notes: d2t01 has a sector boundary error. notes
34. 12/24/68 Shn - 0, 9475 San Francisco The Matrix 30 minute jam; See info file for details; SBD>MR>??>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon notes
35. ??/??/68 Shn - 0, 28077 San Francisco The Matrix Hartbeats "Mystery Fragments", via Michael Parrish notes
36. ??/??/68 Flac - 0, 28077 San Francisco The Matrix Hartbeats "Mystery Fragments", via Michael Parrish notes
37. 02/19/69 Flac - 0, 113810 San Francisco Matrix MR(Bill Abrams)>R@7.5 ips.(Peter Kafer)>R@ 7.5 ips(Will Boswell)>CD
Transfered and mastered by Matt Smith 5/11
Cd to Flac dbpoweramp, checksums TLH gballen 5/26/2011
notes
38. 02/19/69 Shn - 0, 4500 San Francisco Matrix Garcia, Nelson et al; via Teddy GoodBear to alt.binaries.gdead notes
39. 02/19/69 Flac 16/44 - 0, 135007 San Francisco Matrix High Country; flac1644; Goodbear 3rd remaster (2006); SBD > ? > Jeff Tiedrich Dat > my computer (edited*) > Wav > CD > EAC > my computer (edited**) > FLAC notes
40. 02/19/69 Shn - 0, 35270 San Francisco Matrix High Country w/ Garcia & Nelson: MSR > ? > DAT > CD. notes
41. 02/19/69 Shn - 0, 6390 San Francisco Matrix High County(Garcia & Nelson Sitting in):SBD> Mreel> Reel> Dat >Wav>Shn notes
42. 02/19/69 Shn - 0, 20918 San Francisco Matrix Jerry Garcia (banjo), David Nelson, and Frank Wakefield: SBD > ? > PCM > WAV > CDR; transfer Sony PCM-601ESD (electrical) > SEK'D ProdifPro96 > Samplitude > Wav; some edits, see info file for details. notes
43. 02/19/69 Flac - 0, 102796 San Francisco Matrix High Country: SBD > Master Reel > Reel > DAT > WAV > SHN > foobar2000 0.8.3 (converted and bitverified identical) > FLAC; corrected the level too low in the mix and done some edits with Sound Forge 9. Sbe's aligned with TLH. notes
44. 02/19/69 Flac 16/48 - 0, 150685 San Francisco Matrix High Country: SBD > Master Reel > Reel > Dat; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > WAV 16/48; Transfer by Charlie Miller. Edited & Mastered (Adobe Audition) by Joe Noel October 02, 2020. notes
45. 08/07/69 Flac 24 - 0, 133326 San Francisco Matrix NRPS; flac24; MR > R (Peter Kafer) > 7.5 ips reel (Will Boswell). Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC. Mastered By Matt Smith. notes
46. 08/07/69 Flac - 0, 133325 San Francisco Matrix NRPS; flac16; MR > R (Peter Kafer) > 7.5 ips reel (Will Boswell); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC. Mastered By Matt Smith. notes
47. 08/28/69 Flac 16/44 - 0, 123091 San Francisco Family Dog at the Great Highway Hartbeats; flac1644; SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
48. 08/28/69 - 0, 4234 San Francisco Family Dog at the Great Highway SBD > CM > Cass > DAT > CDR > WAV; via EAC/Trade from Morgan Evans > CDR > EAC > CDWAV > seekable SHN; via Rick Lepley notes
49. 09/06/69 Flac - 0, 95936 San Francisco Family Dog at the Great Highway JG sitting in w/ Jefferson Airplane: Sbd, A0D1, Cass M->Dat 1, 44k; Ampex C-90 Master Cass/no dolby->3700 x 0->3800 x 1; FOLLOWED BY: CD > EAC > FLAC, via Teddy Goodbear. notes
50. 10/28/69 Shn - 0, 12687 San Francisco 2400 Fulton Street - Jefferson Airplane House Source: SBD > MR > Cass > DAT > CDR > WAV > CDR; via EAC/trade from Morgan Evans > EAC > CDWAV > SHN; via Rick Lepley Notes: Great disc! The sound quality is exceptional IMO, it almost sounds like it was recorded in a studio setup. The lineup is reportedly the following: Jerry Garcia - Guitar Jorma Kaukonen - Guitar Jack Cassady - Bass Mickey Hart - Percussion Spencer Dryden - Percussion Known Flaws: A high pitched tone which was present on my CDR copy at roughly 0:12 - 0:23 of track 01 was edited out using EAC's wave editing function. A 1-second pause at about 14:19-14:20 on the master dt06 was edited out also using EAC. Much thanks to Morgan Evans for putting this gem into my hands! Uploaded and distributed by Andy Lepley These shn files are seekable in your shnamp. Please forward any information/corrections to lepleyr@hotmail.com - Thanks! notes
51. 10/21/70 Flac - 0, 84329 San Francisco Matrix Matrix Jam Session (Garcia and others): 1st generation reel to reel > revox > amplifiers > tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac. notes
52. 10/21/70 Shn - 0, 13534 San Francisco Matrix Garcia & others: Supposed MSR > DAT > CD. This material travels under many different names, including "Hot Dead Messenger Service", though the info file's identification of this as a "Matrix Tuesday Night Jam Session" seems implausible, since 10/21/70 was a Wednesday. notes
53. 11/20/70 Flac - 0, 76325 Boston WBCN-FM Studios Garcia, Weir & Duane Allman: MFR > 2nd gen (?) reel > M-Audio Transit > Cool Edit > CD Wave Editor > FLAC, via Dave Tamarkin. notes
54. 11/20/70 Flac - 0, 76324 Boston WBCN-FM Studios Garcia, Weir & Duane Allman: FM > ? > remastering > FLAC encoding, by Pink Robert. notes
55. 11/21/70 Flac - 0, 77475 Boston WBCN-FM Studios Garcia, Weir & Allman: FM MASTER REEL > 2ND GEN (?) REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC, via Dave Tamarkin. notes
56. 11/21/70 Shn - 0, 16378 Boston WBCN-FM Studios Garcia, Weir, and Duane Allman: MFC > 2C > SHN, via Chuck Kiefe, Jeff Cotsman. notes
57. 12/15/70 Flac - 0, 34711 San Francisco The Matrix David & the Dorks: sbd > Reel(?) > ? > DAT(?) > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav, via Todd Evans. notes
58. 12/15/70 Shn - 0, 6388 San Francisco The Matrix David & the Dorks: SBD>MR>?>DAT>ZA2>CD notes
59. 12/15/70 Flac 16 - 0, 141514 San Francisco The Matrix David & The Dorks: SBD > Reel to Reel > Cassette > CD > Adobe Soundbooth > Flac > TLH; Recorded by Gary Medeiros; Mastered By Scott Medeiros notes
60. 12/15/70 Flac 16 - , 164133 San Francisco The Matrix flac16; Recording info: Reel source (unknown gen) > Tim Dalton's PCM; Transferred by Charlie Miller; Mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel notes
61. 12/17/70 Shn - 0, 6389 San Francisco The Matrix David & the Dorks: SBD>MR>?>DAT>ZA2>CD notes
62. 12/20/70 Shn - 0, 4499 San Francisco The Matrix David and the Dorks: David Crosby, Jerry Garcia, Mickey Hart, Phil Lesh; mSR>Rn?>DAT>CD>EAC>SHN; via G. Tremblay notes
63. ??/??/70 Flac - 0, 95696 San Francisco Pacific High Recorders Garcia, Weir, Cipollina & Sears: 1st gen analog tape > behringer ultra curve pro deq 2496 audio equalizer > tascam audio cdrw750 > plex tool professional XL > wav > flac. Seeded by '38f' to Dimeadozen as part of compilation "JOHN CIPOLLINA - ULTRA RARE TRACKS, HOME RECORDINGS AND DEMOS 1970/1985, volume two". notes
64. ??/??/70 Flac - 0, 116952 Unknown Tarot Music "Tarot" outtakes; flac1644; unkn cassette gen from late 70s trade > Pioneer CT-F1000 > sony pcm-r700 > sbm 44k > delta dio 2496 > cooledit200 > levels raised > shn > wav > flac notes
65. ??/??/70 Flac - 0, 102197 Unknown Studio Jam KSAN-FM BROADCAST > LINEAGE UNKNOWN > REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > TRADERS LITTLE HELPER > FLAC via davmar to Lossleggs notes
66. ??/??/70 Shn - 0, 16143 Unknown Studio Jam Garcia and Friends: MSR? > ? > DAT > CD > Eac > cool edit > shntool > cdwav > shnv3. notes
67. 01/02/71 Flac - 0, 87499 San Francisco Wally Heider's Studio PERRO: Master Soundboard Reels Recorded by Stephen Barncard 1970 - 1971 Transferred at A & M Tape Copy 01/23/1991 to DAT; Transfer: Panasonic SV-3700 M-Audio Audiophile 2496 at 48 khz 16 bit into Wavelab 5.0; Mastering with iZotope Ozone 3 dithered to 44.1 khz 16 bit > CDWAV1.9 > FLAC (level 8). Transferred and mastered by Bill Koucky September 30, 2007. Seeded by Green Mountain Brothers. notes
68. 01/02/71 Shn - 0, 81260 San Francisco Wally Heider's Studio PERRO Sessions: MSR> Dat > CD > EAC > mkw > Shn. Recorded by Stephen Barncard 1970-1971. Transferred at A&M Tape Copy 1/23/91 notes
69. 01/02/71 Flac - 0, 117066 San Francisco Wally Heider's Studio PERRO: Source: Master Soundboard Reels Recorded by Stephen Barncard 1970 - 1971 Transferred at A & M Tape Copy 01/23/1991 to DAT jcannon dat copy > cd > eac - files renamed and tagged. Per Barncard's notes, this appears to be the complete copy in order. Circulated November 2011 notes
70. 05/11/71 Flac - 0, 28784 San Francisco The Matrix Garcia & Saunders: Unknown source > reel > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (FLAC Frontend v1.7.1 Etree edition). notes
71. 05/20/71 Flac 1644 - 0, 126389 San Francisco Keystone Korner JGMS; flac1644; Most likely lineage.. MR@ 7 1/2 ips >> Reel(owned by Jerry Garcia) >> Reel(made and owned by Will Boswell) @ 7 1/2 ips >> 2496 PCM WAV [by Matt Smith]; Transfer info: Revox A77 > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes
72. 05/20/71 Flac 24/96 - 0, 126365 San Francisco Keystone Korner JGMS; flac2496k; Most likely lineage MR@ 7 1/2 ips >> Reel(owned by Jerry Garcia) >> Reel(made and owned by Will Boswell) @ 7 1/2 ips >> 2496 PCM WAV [by Matt Smith]; Transfer info: Revox A77 > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes
73. 05/20/71 Flac 16/48 - , 153265 San Francisco Keystone Korner JGMS; flac1648 Recording Info: MR@ 7 1/2 ips > Reel (owned by Jerry Garcia) > Reel(made and owned by Will Boswell) @ 7 1/2 ips > 2496 PCM WAV [by Matt Smith]
Mastering Info: Samplitude Pro X5 > Flac24 (fresh 2021 mastering included phase correction, hum removal, channel flip to match 1971-05-21 official release, etc.) > RX8 (Flac16)
Mastering by Jim Blackwood
Speed Correction by Jason Chastain
Track, FLAC and Pack by Steve Gravel
notes
74. 05/20/71 Flac 24/96 - , 153263 San Francisco Keystone Korner JGMS; flac2496 Recording Info: MR@ 7 1/2 ips > Reel (owned by Jerry Garcia) > Reel(made and owned by Will Boswell) @ 7 1/2 ips > 2496 PCM WAV [by Matt Smith]
Mastering Info: Samplitude Pro X5 > Flac24 (fresh 2021 mastering included phase correction, hum removal, channel flip to match 1971-05-21 official release, etc.)
Mastering by Jim Blackwood
Speed Correction by Jason Chastain
Track, FLAC and Pack by Steve Gravel
notes
75. 09/24/71 Shn - 0, 4497 San Anselmo Lion's Share Garcia & Saunders: early and late shows; MSR > 1C > D > Digi001 > SHN; d2 filler: 12/20/72 Keystone Berkeley; via R. Shriver and D. Metz. With Tom Fogerty notes
76. 09/24/71 Flac 16 - 0, 137584 San Anselmo Lion's Share JGMS; early and late; flac1644; sbd > reel master > Dat, edited and mastered SIRMick. **admin note: there is probably at least one more reel gen notes
77. 12/09/71 Shn - 0, 6609 St. Louis Scotty's Music Garcia, Cage, and others : 7" mono open reel > 24 bit transfer > resample > CD-R > SHN. Note that this often circulates with other dates/venues, including 5/14/70 Scotty's Music Store in St. Louis, MO. notes
78. 12/31/71 Flac - 0, 104957 San Francisco Winterland Arena Yogi Phlegm with Garcia and Lesh notes
79. ??/??/71 Flac - 0, 93137 San Francisco The Matrix JGMS: MSR @ 7.5ips > reel @ 7.5ips > reel @ 7.5ips > Apogee Mini ME 24/96 > Apogee Mini DAC (monitoring) > Wavelab 5.0 (dithered to 20/44) > CD > EAC > FLAC. Transfer by Matt Smith, FLAC encoding by ecocats. notes
80. 01/15/72 Shn - 0, 8644 San Francisco Keystone Korner MAR > 2C > D > CDx1 > EAC > SHN notes
81. 01/19/72 Shn - 0, 8660 San Anselmo Lion's Share Garcia & Saunders, set I only: MSR > C > D > CD > EAC > SHN > WAV > sector boundary fix using shntool > SHN. This set fixes sector boundary errors on the previous shn set. notes
82. 01/19/72 Shn - 0, 4496 San Anselmo Lion's Share Garcia & Saunders: sdb> reel master> cassette> dat> cdr; seeded by mike lai, tracked by dan metz; [md5] notes
83. 01/19/72 Flac - 0, 137595 San Anselmo Lion's Share JGMS; flac1644; sbd > reel master > Dat 44.1k provided by Paul Scotton. Transfer: Dat > Sony R500 > Sound Devices 744T > wav 16/44.1, transferred by Charlie Miller. Lineage: wav 16/44.1 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16, edited and mastered SIRMick notes
84. 01/20/72 Shn - 0, 9766 San Anselmo Lion's Share Garcia & Saunders: 10" master SBD reels @ 7.5 ips > 1 cassette generation (Maxell XLIIS 100 Nakamichi CR-7A playback) > Lucid AD9624 24 bit A/D converter (44.1kHz) > Sony R500 DATx0 > DATs > CD > EAC > SHN. notes
85. 01/26/72 Shn - 0, 6635 Boston Symphony Hall Howard Wales & Friends featuring Jerry Garcia: FMSBD>RR>CD>EAC>SHN notes
86. 01/26/72 Flac 16 - 0, 141364 Boston Symphony Hall FM > ?? > PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatach Pro > Tascam DA-3000 > Flac notes
87. 01/26/72 Flac 16/44 - , 155944 Boston Symphony Hall HWJG; flac1644; WBCN-FM Boston broadcast recorded to reel tape and transferred to CDR by Dick Hitche; 2006 seed by (unknown); February 2015 reseed by zootype: audio files retracked with minor repairs and SHN converted to FLAC notes
88. 02/06/72 Flac 1644 - 0, 120101 San Francisco Pacific High Recording Studio JGMS; flac1644; KSAN FM broadcast; likely DAT from Pre-FM reels; Mastered by Jamie Waddell notes
89. 02/06/72 Shn - 0, 13880 San Francisco Pacific High Recording Studio Garcia & Saunders: Source: FM > ? > dat > da-20 playback > rme 96/8 pst > cd wave > mkw (shn). Transfer by Tim Rossi. Source information updated 11/5/2004, had been listed as pre-FM notes
90. 02/06/72 Shn - 0, 4495 San Francisco Pacific High Recording Studio Garcia & Saunders: Kahn, Kreutzmann, Vitt; FM Broadcast, KSAN notes
91. 06/30/72 Shn - 0, 18059 San Francisco Keystone Korner Garcia & Saunders: MSR? > ? > mono reel > TEAC X-2000R playback > possible Nakamichi NR-200 Dolby Decoding (if the reel was a Dolby B reel) > Tascam DA-40 DAT > Tascam CDRW-700 CD > Tascam CD-D4000mkII CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
92. 06/30/72 Shn - 0, 4494 San Francisco Keystone Korner Garcia & Saunders: With tom fogerty Mreel>Dat>Cdr>Eac>Pro tools> shn Seeded by Mike Lai notes
93. 06/30/72 Shn - 0, 8059 San Francisco Keystone Korner Garcia & Saunders. MSR -> DAT -> CDRs -> EAC -> SHN -> ProTools 5.0.1 -> SHN -> mkwACT -> sector boundary errors fixed via shntool -> SHN via mkwACT. This set fixes sector boundary errors on previous shn set. notes
94. 06/30/72 Flac 16 - 0, 141991 San Francisco Keystone Korner JGMS; flac 16; Barry Glassberg's Unknown SBD Reel [ shnid 18059 ] > Speed correction and tracking by Jason Chastain > Mixed and mastered by Jamie Waddell notes
95. 09/01/72 Flac 24/96 - 0, 109163 San Francisco Keystone Korner JGMS, flac2496; Master Reel > Reel from Jerry Garcia's Own Collection @ 7 1/2ips > Reel from Will BosweLL @ 7 1/2ips. A reel from the Debbie Stash. a **NEW** 24 bit transfer - BASF reel (Baked) > AKAI GX636 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 > FLAC24 by Matt Smith. Mastered by Jamie Waddell. MetaData with Tag and Rename TLH for FLAC Level8. notes
96. 09/01/72 Flac - 0, 97294 San Francisco Keystone Korner JGMS: MSR > R (JG) @ 7 1/2ips > R (WB) @ 7 1/2ips; Transfer info: BASF reel (Baked) > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > FLAC. notes
97. 11/23/72 Flac - 0, 89467 Austin Armadillo World Headquarters Dough Sahm & Friends: supposedly "Dick's version" Master (reel) - DAT - DAT (clone) - CDR - Flac, via seed to Dimeadozen, but there are strong doubts about this lineage. notes
98. 11/23/72 Shn - 0, 12384 Austin Armadillo World Headquarters Garcia, Lesh, Kreutzmann, Leon Russell, Mary Egan, Doug Sahm, and others: MSC > 1 cassette > DAT > CD notes
99. 12/20/72 Shn - 0, 21183 Berkeley Keystone Garcia & Saunders: 166FM[WBAI]SBD.DAT(MSR>DAT>1c>DAT)>CDR>SHN. Incomplete, missing The System. The correct date of this performance is 12/28/72. notes
100. 12/20/72 Shn - 0, 4493 Berkeley Keystone Garcia & Saunders: MSR>D>1C>D. The correct date of this performance is 12/28/72. notes
101. 12/28/72 Flac 16/48 - 0, 137397 San Anselmo Lion's Share JGMS; flac1648 Soundboard Recording. DAT provided and transferred by Stuccoholmes. Mastered by Jamie Waddell on Dec 20, 2016. notes
102. 01/15/73 Shn - 0, 5428 Cotati Inn Of The Beginning Garcia & Saunders: MSR>PCM>DAT>CD. Find A Rainbow has a substantial cut.Go Climb A Mountain has a 12 second splice presumably due to reel flips. The sound is greatly distorted for first 2 songs and partly distorted for songs 3 and 4 due to problems on the reels. This is one of the shows discovered in the Betty Cantor auction notes
103. 01/15/73 Shn - 0, 9573 Cotati Inn Of The Beginning Garcia & Saunders: MSR > PCM > DAT > CD > EAC > SHN. This set has an edited disc one from the existing .shn set, intended to improve upon the grievous problems (from the master reels) of this material. Disc two is identical. See info file for details notes
104. 01/16/73 Flac - 0, 34810 San Francisco The Boarding House Mislabel of 1/24/73, confirmed by a user. Do not circulate.Was said to be Jerry Garcia & Merl Saunders: Early Show - FM > reel > cassette (?) > PCM > flac notes
105. 01/24/73 Shn - 0, 4492 San Francisco Boarding House Garcia & Saunders: Early Show: MSR > P > D > Digi001 > SHN; d2 filler: Expressway from late show; via R. Shriver and D. Metz notes
106. 01/24/73 Flac - 0, 100219 San Francisco Boarding House Early & Late: MSR > ? > DAT; Transfer: DAT > Sony D10P > Coax SPDIF > Audiophile-2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644. notes
107. 01/24/73 Shn - 0, 9783 San Francisco Boarding House Garcia & Saunders, Late Show: MSR > PCM > DAT > CD > EAC > SHN notes
108. 01/25/73 Shn - 0, 7670 San Francisco Boarding House JGMS; early & late Shows: MSR>C>D>CD. Slightly re-tracked using WavMerge and CDWave, .shn encoding using mkwACT, and proper sector boundaries verified using shntool. notes
109. 03/02/73 Shn - 0, 11886 Sausalito The Record Plant Old & In The Way: Probable MFR > R > D > CD > SHN. notes
110. 03/02/73 Flac - 0, 84871 Sausalito The Record Plant OAITW: KSAN-FM BROADCAST > OFF THE AIR REEL MASTER > CD > EAC > WAVE > FLAC, via Dave Tamarkin. notes
111. 03/02/73 Shn - 0, 20465 Sausalito The Record Plant Old & In the Way: FM MSR>R>D>CD; appears to be identical to http://db.etree.org/shninfo_detail.php?shnid=11886 seed but with different md5s; obtained from tol. notes
112. 03/07/73 Shn - 0, 31501 Berkeley Keystone Garcia & Saunders, partial set II: MSR > DAT3x > Delta Dio 2496 > Soundforge > WAV > FLAC. notes
113. 04/16/73 Shn - 0, 18422 San Francisco Boarding House Old & In The Way, set I: Unknown source FM-SBD (WBAI Morning Dew show) > ? > CD > EAC > SHN. notes
114. 04/21/73 Shn - 0, 11860 Sausalito The Record Plant Old & In The Way: Possible MFR > D > CD > EAC > SHN. notes
115. 05/04/73 Flac - 0, 31283 Palo Alto Homer's Warehouse Garcia & Saunders: MSR > DAT3x > Delta DIO 2496 > Soundforge > wav > flac. notes
116. 05/05/73 Shn - 0, 4502 Palo Alto Homer's Warehouse Garcia & Saunders, "Dick's Gift": mSR> DAT> circulation; Jam through After Midnight portion of 5/5/73 Set 1 circulates as part of "Dick's Gift", rest is assorted from winter '73- spring '74 (material allegedly found unlabeled by Dick Latvala in the vault, supposedly came into circulation via a gift to some of Dick's "special friends"); see thejerrysite.com for updated info notes
117. 05/05/73 Shn - 0, 32030 Palo Alto Homer's Warehouse Garcia & Saunders: MSR > DAT3x > Delta Dio 2496 soundcard > Soundforge > Flac. notes
118. 05/23/73 Shn - 0, 9587 Los Angeles Ash Grove notes
119. 06/05/73 Flac - 0, 83303 Boston Orpheum Theater OAITW: allsoundz's mono master audience cassette (unknown mic > Sony deck) > Tascam 122MKIII playback > Numark 20 Band Equalizer > HHB CDR 830 Tracked and slight editing in CD Wave > cdr > eac (secure mode) > flac (level 6). notes
120. 06/05/73 Flac - 0, 131167 Boston Orpheum Theater flac1644; composite AUDs shnid-11889 and shnid-83303. Transfer: SHN & FLAC > TLH > WavMerge > Wavelab > CD-Wave > TLH > FLAC 1644 tagged notes
121. 06/05/73 Shn - 0, 11889 Boston Orpheum Theater Old & In The Way: MA? > ? > D > CD > SHN. notes
122. 06/06/73 Flac - 0, 84446 Passaic Capitol Theater OAITW: 7" 1/2 track master soundboard reels @ 7.5ips > Sony TC-388 (4-track) playback > Revox A77 1st gen reel (no Dolby) > AKAI GX-625 playback > Apogee Mini Me @ 24 bit/48K > Apogee Mini DAC (for monitoring) > Lynx One soundcard > Wavelab 5.0 > CD > EAC > FLAC notes
123. 06/06/73 Flac Mtx. - 0, 28929 Passaic Capitol Theater Old & In The Way: MATRIX> FLAC+SHN> WAV> Adobe Audition> FLAC-16T; Matrix Source: Legacy 1: SBRM>3rd Gen C>Nakamichi CR7E> DAT> CDR> FLAC,Legacy 2: AUDMA?> ?> DAT> CD> SHN and Legacy 3: AUDMA?> ?> DAT> CD> SHN Matrix Mastering by RJ 13-Apr-2005 Posting to a.b.gdead.hs notes
124. 06/06/73 Shn - 0, 11887 Passaic Capitol Theater Old & In The Way: MA? > ? > D > CD > SHN notes
125. 06/08/73 Shn - 0, 20681 Warrenton Lake Whippoorwill Old & In The Way: MAC (Taped by Jerry Moore, Sony 126 w/ built-in mic, right in front of stage) > ? > digital cleanup > CD. NB this originally circulated as "unknown aud" but has been confirmed to be from the Moore master. notes
126. 07/05/73 Flac - 0, 79032 San Anselmo Lion's Share Garcia & Saunders: MSR > DAT4x > Delta DIO 2496 > Soundforge > WAV > CD Wave Editor > FLAC. notes
127. 07/08/73 Shn - 0, 11039 Sausalito Record Plant Garcia & Saunders: Probable MSR (pre-FM) > 1C > D > CDs > EAC > SHN notes
128. 07/08/73 Shn - 0, 11066 Sausalito Record Plant Source: KSAN FM > MR > DAT > CD notes
129. 07/08/73 Flac 16 - , 157862 Sausalito Record Plant JGMS; flac16: KSAN Pre-FM Master Reel > DAT source from Anon; DAT Transfer, restoration, and mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel. notes
130. 07/10/73 Shn - 0, 8074 Berkeley Keystone JGMS, partial: MSR > 2P > 3D > 1CD > EAC > SHN. notes
131. 07/10/73 Flac - 0, 27279 Berkeley Keystone JGMS: MSC > PCM > HHB CDR 800 master CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0). notes
132. 07/11/73 Shn - 0, 8075 Berkeley Keystone Garcia & Saunders: MSR > 2P > 3D > 1CD > EAC > SHN. notes
133. 07/19/73 Shn - 0, 24318 San Francisco Great American Music Hall Saunders & Garcia (w/Martin Fierro). Source: MSR > PCM > C > C > DAT > WAV >SHN. Partial recording of second set. notes
134. 07/21/73 Shn - 0, 20507 San Anselmo Lion's Share Old & in the Way, rehearsal: SBD (unknown lineage). Unclear how this might relate to other circulating .shn sets for this date notes
135. 07/21/73 Shn - 0, 21836 San Anselmo Lion's Share Old & in the Way: SBD (unknown lineage) From Bluegrassbox ftp. notes
136. 07/23/73 Shn - 0, 11888 San Francisco Boarding House Old & In The Way: Possible MSR > ? > D > CD > SHN. notes
137. 07/23/73 Shn - 0, 4490 San Francisco Boarding House Old and in the Way; MSR>D>CD; Wicked Path Of Sin, Blue Mule and Hobo Song are all cut and appear to be cut on the Master SBD Reel; Filler: O&ITW "Reunion" - AUD ??/??/9?; via T. MacLachlan notes
138. 07/24/73 Shn - 0, 11861 Palo Alto Homer's Warehouse Old & In The Way: Possible MSR > D > CD > EAC > SHN. notes
139. 09/05/73 Flac - 0, 85468 New York S.S. Bay Belle (NYC Harbor) JGMS, I/IIp: SBD > ? > Maxell XLII90 > Nak CR3A > HP Computer > Sound Forge > CDWav > Flac. notes
140. 09/06/73 Shn - 0, 16878 Passaic Capitol Theater notes
141. 09/06/73 Shn - 0, 8076 Passaic Capitol Theater Garcia & Saunders: MAC (Jerry Moore, AKG D1000Es > Sony TC-110) > D > CD. notes
142. 09/30/73 Shn - 0, 11862 Stinson Beach Community Center Old & In The Way: Possible FOB MAR > D > CD > EAC > SHN. notes
143. 09/30/73 Flac 2448 - 0, 142032 Stinson Beach Community Center OAITW; flac2448; Ambient recording > ? >Jeff Knudsen's cassette; Transfer by Tom Markson; Speed Correction by Jason Chastain; Critical Listening assistance from John Wenzel; Mastering by Jamie Waddell notes
144. 09/30/73 Flac 16/48 - 0, 142033 Stinson Beach Community Center OAITW; flac1648; Ambient recording > ? >Jeff Knudsen's cassette; Transfer by Tom Markson; Speed Correction by Jason Chastain; Critical Listening assistance from John Wenzel; Mastering by Jamie Waddell notes
145. 10/02/73 Flac - 0, 83808 San Francisco Winterland Arena JGMS: MSR > DAT4x > Delta DIO 2496 > Soundforge > WAV > CD Wave Editor > FLAC. notes
146. 10/??/73 Shn - 0, 14216 Unknown Unknown Old & In The Way: MSR > 2R > DAT > CD [> SHN] notes
147. 11/04/73 Flac - 0, 85027 Cotati California State College Sonoma OAITW: SB REEL MASTER > CD > EAC > WAVE > FLAC, via Dave Tamarkin. notes
148. 11/04/73 Shn - 0, 10126 Cotati California State College Sonoma Old & In The Way: MSR > ? > D > CD notes
149. 11/05/73 Flac 16/48 - 0, 136640 Berkeley Keystone JGMS; flac1648: Source: sbd > master-reel > dat(48k) notes
150. 11/28/73 Flac - 0, 109237 San Francisco Palace of Fine Arts Theatre Garcia & Hart; flac1644; MOTB 0153; Robert Castelli's Sony ECM 270 >> Sony TC-110 (mono) >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] [>> FLAC1644]. Transfer By: Bob Menke; Mastering By: David Minches. notes
151. ??/??/73 Shn - 0, 21855 Unknown Unknown-Rehearsal Session Old & in the Way, rehearsal session: SBD->Cassette->CDR->Peak->SHN. NB that the actual date of this material is uncertain, probably from later in 1973. It is listed under this date to facilitate .shn listing. notes
152. ??/??/73 Shn - 0, 24074 Sausalito The Record Plant Old And In The Way; Two discs containing two seperate rehearsal sessions on two unknown dates in 1973; Session One (disk 1) SBD M?>?>D>CD; Session Two (disk 2) M?>?>D>CD notes
153. ??/??/73 Shn - 0, 74160 Unknown Unknown-Rehearsal Session Old & in the Way. Rehearsal Session, date unknow. This source is the seek tables appended version of shnid 21855. The date as "197x" but is listed as 01/01/1973 to facilitate listing the .shns. Information from other sources suggest that the actual date is sometime later in 1973. notes
154. ??/??/73 Shn - 0, 28695 Sausalito The Record Plant Demos for 2nd Garcia LP, sourced from Bootleg CD "Unsurpassed Vol. 7". notes
155. ??/??/73 Shn - 0, 99222 Unknown Unknown OAITW: MSR > ? > R @ 7.5 ips > AKAI GX 625 > Apogee Mini Me(24/96) > Apogee MiniDac (monitoring/mastering) > Wavelab 5.0 (dithered to 16/44 via Apogee) > CD > EAC > WAV (TLH confirms no sbes) > FLAC (TLH). notes
156. ??/??/73 Flac - 0, 138896 unknown unknown OAITW: Unknown sbd > dat (48k), provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48, transferred by Charlie Miller Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017 notes
157. 01/17/74 Shn - 0, 76474 Berkeley Keystone Garcia & Saunders; Compilation of speed corrected SBD=>MR =>DAT (44.1KHz) =>CDR (shnid = 20678) and disk 1 of Dick's Gift (MSR>DATs>CDRs>EAC>SHN) (unknown shnid) with beginning of Harder They Come patched in; fix of 76398 notes
158. 01/17/74 Flac Dts 5.1 - 0, 76401 Berkeley Keystone Garcia & Saunders; DTS Audio 5.1 Mix; SBD: Compilation of SBD1 Dick's Gift (MSR>DATs>CDRs>EAC>SHN) & SBD2 (SBD=>MR =>DAT (44.1KHz) =>CDR); AUD: MAC > D > CD > EAC > SHN; mixed by kevtobin notes
159. 01/17/74 Flac - 0, 76399 Berkeley Keystone Garcia & Saunders: MAC > D > CD > EAC > SHN. Recorded by Louis Falanga, Sony ECM 250 > Sony TC-110. This matches the sbd of 1/17/74 and portions of audience from shnid=10024; speed correction and patching by kevtobin notes
160. 01/17/74 Shn - 0, 20678 Berkeley Keystone Garcia & Saunders; SBD=>MR =>DAT (44.1KHz) =>CDR notes
161. 01/17/74 Flac - 0, 76398 Berkeley Keystone Garcia & Saunders; Compilation of speed corrected SBD=>MR =>DAT (44.1KHz) =>CDR (shnid = 20678) and disk 1 of Dick's Gift (MSR>DATs>CDRs>EAC>SHN) (unknown shnid); fix by kevtobin notes
162. 01/17/74 Flac Dts 5.1 - 0, 76475 Berkeley Keystone Garcia & Saunders; DTS Audio 5.1 Mix; SBD: Compilation of SBD1 Dick's Gift (MSR > DATs > CDRs > EAC > SHN) & SBD2 (SBD=> MR => DAT (44.1KHz) => CDR); AUD: AUD1: MAC > D > CD > EAC > SHN & AUD2 unknown lineage patch to complete disk 2; Patched version of 76401; mixed by kevtobin notes
163. 01/17/74 Flac 16 Mtx - 0, 90365 Berkeley Keystone JGMS; flac16; Matrix 4 Source Mix - SBD1 & 2 (shn id 76474) Compilation of speed corrected SBD=>MR =>DAT (44.1KHz) =>CDR (shnid = 20678) and disk 1 of Dick's Gift (MSR>DATs>CDRs>EAC>SHN) (unknown shnid) with beginning of Harder They Come patched in; upgrade of 76398 + AUD1 & 2 (shn id 76471) primary source MAC > D > CD > EAC > SHN. Recorded by Louis Falanga, Sony ECM 250 > Sony TC-110 from shnid 76399 with additional audience material added to complete show - matrix mixing by Kevin Tobin notes
164. 01/17/74 Flac - 0, 76471 Berkeley Keystone Garcia & Saunders: primary source MAC > D > CD > EAC > SHN. Recorded by Louis Falanga, Sony ECM 250 > Sony TC-110 from shnid 76399 with additional audience material added to complete show notes
165. 01/17/74 Flac Dts 5.1 - 0, 90398 Berkeley Keystone JGMS; flac16DTS Audio 5.1 Mix; SBD: Compilation of SBD1 Dick's Gift (MSR > DATs > CDRs > EAC > SHN) & SBD2 (SBD=> MR => DAT (44.1KHz) => CDR); AUD: AUD1: MAC > D > CD > EAC > SHN & AUD2 unknown lineage patch to complete disk 2; Sync corrected version of 76475; mixed by kevin tobin notes
166. 01/18/74 Shn - 0, 8873 Berkeley Keystone Garcia & Saunders: MAC > D > CD > EAC > SHN. Recorded by Louis Falanga, Sony ECM 250 > Sony TC-110. notes
167. 01/19/74 Flac 16/44 - , 166973 Berkeley Pauley Ballroom, U. of California JGMS; flac16; Recording info: Master SBD reel > PCM > DAT via Anon; Transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel notes
168. 01/19/74 Shn - 0, 8064 Berkeley Pauley Ballroom, U. of California Garcia & Saunders: MSR > P > D > CD > EAC > SHN. notes
169. 02/05/74 Flac - 0, 32088 San Francisco Great American Music Hall notes
170. 02/05/74 Shn - 0, 11254 San Francisco Great American Music Hall Garcia & Saunders: Probable MSR > ?R > DATs > CDs > EAC > SHN notes
171. 02/09/74 Flac - 0, 30597 Moraga Rheem Theater Garcia & Saunders: SB Reel 15 IPS (baked & transfered to DAT about '93) / 48khz low-gen clone - Sony PCM-1 / 7 pin - Nightengale PCI / Optical (reverse format) - Ce Pro 2000 Record 48k - Ce Pro 2000 Downsample to 44k / highest quality, pre-post filter - CDWav / ShnTool / FLAC - seeded by kung@steve-behan.com 10/03 notes
172. 02/09/74 Flac - 0, 126304 Moraga Rheem Theater notes
173. 02/09/74 Shn - 0, 17787 Moraga Rheem Theater Garcia & Saunders: Master soundboard reels (7" 1/4 track @ 7.5ips recorded with Sony TC-377) > Teac X-300R playback > HHB Burn-It master CD-RW > Easy CD-DA Extractor > Dell Inspiron 4100 laptop > possible volume adjustment (Cool Edit 2000) > tracking (CD Wave) > CDR using EZ-CD Creator > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). More complete than the previously circulating version. notes
174. 02/09/74 Shn - 0, 6381 Moraga Rheem Theater Garcia & Saunders: Source: MSR > D @ 48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > Downsampled to 44.1/Normalized to 98% > SHN (no extraction) notes
175. 02/10/74 Flac - 0, 122026 Berkeley Keystone JGMS: Partial Set 2; Betty Cantor-Jackson sbd > ? > .flac1644 notes
176. 02/16/74 Flac - 0, 91471 Berkeley Keystone notes
177. 02/16/74 Shn - 0, 8063 Berkeley Keystone Garcia & Saunders: MAC (Louis Falanga's FOB Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN. notes
178. 03/08/74 Flac - 0, 32377 Stinson Beach Unknown Grisman, Greene, Garcia, Thompson, Wolfe: partial rehearsal, M(?)SC > Sonic > CD > EAC > FLAC, via David Gans (2006 KPFA GD Marathon notes
179. 03/09/74 Flac - 0, 33750 Berkeley Keystone notes
180. 03/??/74 Flac - 0, 96895 Berkeley Fantasy Studios notes
181. 04/20/74 Flac - 0, 93823 Los Angeles Pilgrimage Theater Great American Music Band: SBD MR (House Source) > Will Boswell's reel (Akai GX625 @ 7.5 ips) > apogee mini me (24/96) > apogee mini dac (monitoring) > wavelab 5.0 (dithered to 20/44) > CD > EAC > WAV (shntool confirms no sbes) > FLAC (TLH). A>D by Matt Smith. notes
182. 04/20/74 Shn - 0, 20699 Los Angeles Pilgrimage Theater Great American String/Music Band: multi gen cass/soundboard > BBE362NR > DAT > Sek'd Prodif Plus > Soundforge > Cdwin > SHN notes
183. 06/04/74 Shn - 0, 6379 San Anselmo Lion's Share Garcia & Saunders: MSR > PCM > DAT > CDR [> SHN notes
184. 06/04/74 Flac 16 - 0, 141971 San Anselmo Lion's Share JGMS; flac 16; SBD > Recorded on two 10" 1/2trk 7.5ips reels Master Reels > PCM transfer at 16 bit / 44.056kHz; recording was gratefully supplied by PO and Stucco TINA Holmes notes
185. 06/05/74 Shn - 0, 8062 San Anselmo Lion's Share Garcia & Saunders: MSR? > ? > CD, set II only. notes
186. 06/06/74 Shn - 0, 6375 Berkeley Keystone Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN notes
187. 06/12/74 Shn - 0, 7331 Berkeley Keystone Great American String Band: S:R>C>D>CDx1>EAC>SHN notes
188. 06/12/74 Shn - 0, 83290 Berkeley Keystone SBD > Rm > Dat > CD > EAC > Shn. Appears to be a re-shn of shnid 7331. notes
189. 06/12/74 Flac - 0, 83232 Berkeley Keystone GASB: Louis Falanga's MAC (Sony ECM 270 or 280 mics > Sony TC-110 [mono]) > 7" 1/4 track Scotch 203 Reel @ 7.5 ips w/Dolby nr (on a Sony TC-755 w/Teac an-180 nr: Jerry Moore's 1st gen copy), reel transfer 1/07 by Rob Berger: Sony TC-850 > Teac an-180 nr > sbm1 > cdr > eac > cd wave > flac. notes
190. 06/13/74 Shn - 0, 13768 Berkeley Keystone Great American String Band: MS? > ? > CD > EAC > SHN. notes
191. 07/02/74 Shn - 0, 14984 New York Bottom Line Garcia & Saunders: MAC (Taped by Jerry Moore, two AKG D1000Es [from table a few feet from stage, mics on an overturned ashtray and canted upward toward the PA] > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
192. 07/03/74 Shn - 0, 6611 New York Bottom Line Garcia & Saunders: Probable AUDMC (Taper Jerry Moore, AKG D1000e mics > Sony TC-152) > DAT x 1 > CD. Transfer: DA-P1 > Zafiro ZA-2 > NT 4.0/SoundForge XP 4.0 > CDRWIN notes
193. 07/03/74 Shn - 0, 14985 New York Bottom Line Garcia & Saunders: MAC (Taped by Jerry Moore, two AKG D1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > minor re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
194. 07/12/74 Shn - 0, 8072 Berkeley Keystone Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN. notes
195. 07/13/74 Shn - 0, 25623 Berkeley Keystone Garcia & Saunders: Mislabel of 2/9/74. Source given as SBD > ? > C > DAT > WAV > SHN. This .shn set should not be traded. notes
196. 07/21/74 Flac - 0, 117653 Berkeley Keystone JGMS; flac1644; MSR > PCM > DAT > ZA2 > CDR (xx) > EAC > flac1644. Uncertain date, uncertain venue. notes
197. 07/22/74 Flac - 0, 86198 Berkeley Keystone Garcia & Saunders: MSR > PCM > DAT Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with L3 Multimaximizer > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by B. Koucky notes
198. 07/22/74 Shn - 0, 10127 Berkeley Keystone Garcia & Saunders: MSR > C > DAT > CDRs > EAC > SHN notes
199. 07/22/74 Shn - 0, 4488 Berkeley Keystone Garcia & Saunders: source unknown; Jerry Site lists circulating mSR>PCM>DAT notes
200. 08/09/74 Shn - 0, 8073 Berkeley Keystone Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN notes
201. 08/11/74 Shn - 0, 6382 Berkeley Keystone Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN, plus missing songs from Lou Tamboukas's MAR > R > DAT > CD; via Jack Warner. notes
202. 08/15/74 Flac - 0, 116253 San Francisco Great American Music Hall Sony F-995 => Sony TC-124 >> MAC
MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
notes
203. 08/15/74 Shn - 0, 8650 San Francisco Great American Music Hall Garcia & Saunders: MAC (Louis Falanga's upfront Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN. **Note that this originally circulated as 8/14/74, but is now believed to be 8/15/74** notes
204. 08/23/74 Shn - 0, 9416 Berkeley Berkeley Community Theater Garcia & Saunders: MAC > C > R > D > CD > EAC > SHN. notes
205. 08/24/74 Shn - 0, 10612 San Francisco Great American Music Hall Garcia & Saunders: 10" MSR > C > DAT > CD > EAC > SHN. notes
206. 08/30/74 Shn - 0, 6380 Davis Freeborn Hall (University of California Davis) Garcia & Saunders: MSR > C > DAT > CDRs > EAC > SHN notes
207. 09/02/74 Shn - 0, 8652 San Francisco Marx Meadow (Golden Gate Park) Garcia & Saunders, partial show: probable lineage MSR > P > D > CD, per The Jerry Site. notes
208. 09/02/74 Flac - 0, 31903 San Francisco Marx Meadow (Golden Gate Park) Garcia & Saunders, complete: MSR > PCM > DAT > CDR > eac (secure mode/align on sector boundaries checked/no extraction errors) > flac frontend(level 6). notes
209. 09/02/74 Shn - 0, 76174 San Francisco Marx Meadow (Golden Gate Park) Garcia & Saunders, partial show: MR > ? > CD > EAC > MKW > SHN. notes
210. 10/05/74 Shn - 0, 8665 Berkeley Keystone Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN notes
211. 10/06/74 Shn - 0, 9026 San Francisco Great American Music Hall partial 1st set: MSR > ? > D > CD > EAC > SHN notes
212. 10/27/74 Shn - 0, 23676 Huntington Beach Golden Bear Garcia and Saunders. Late show. Source: MAC>C>C>DAT>WAV>SHN. Taper and mics unknown notes
213. 10/31/74 Shn - 0, 19436 San Francisco Memorial Gymnasium (University of San Francisco) Garcia & Saunders: MSR > R > C > DAT > WAV > SHN, C > SHN Conversion by Cousinit. notes
214. 10/31/74 Shn - 0, 19436 San Francisco Memorial Gymnasium (University of San Francisco) Garcia & Saunders: MSR > R > C > DAT > WAV > SHN, C > SHN Conversion by Cousin notes
215. 11/05/74 Shn - 0, 16806 New York Bottom Line Garcia & Saunders, Early Show: MAC (Taped by Jerry Moore, AKG D1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
216. 11/06/74 Flac 24 - 0, 117248 New York Bottom Line JGMS; early show; flac2496; Recorded by Jerry Moore; two AKG D1000Es> Sony TC-152. Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes
217. 11/06/74 Shn - 0, 16807 New York Bottom Line Garcia & Saunders, Early Show: MAC (Taped by Jerry Moore, AKG D1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
218. 11/07/74 Shn - 0, 14306 New York Bottom Line Garcia & Saunders: Early Show: MAC (Taped by Jerry Moore [front of the third tier of tables, dead center], AKG 1000Es > Sony TC-152) > Tascam 122MKIII cassette deck (MC playback) > Tascam DA40 DAT deck (record) > Fostex D5 DAT deck (playback) > Turtle Beach Montego II Digital I/O > Soundforge (wav editing and track IDs) > SHNTOOL (SBE fix) > master CD > HP 9350i extraction (EAC v0.9 beta 4) > .shn encoding (mkwACT v0.97 beta 1). notes
219. 11/07/74 Flac - 0, 34741 New York Bottom Line Garcia & Saunders: Jerry Moore's MAC (front of the third tier of tables, dead center AKG D 1000E mics > Sony TC-152) > unknown transfer details and subsequent gens > DAT > WAV 48k > FLAC 48k. DAT transfer by Todd Evans, FLAC encoding by Mike Hughey (GEMS). notes
220. 11/07/74 Flac 24 - 0, 117247 New York Bottom Line JGMS; early show; flac2496; Recorded by Jerry Moore; two AKG D1000Es> Sony TC-152. Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes
221. 11/08/74 Shn - 0, 9711 Brookville The Dome - C.W. Post College Garcia & Saunders: MAC > DAT > CD > EAC > SHN Recorded by Jerry Moore, AKG D1000Es > Sony TC-152. notes
222. 11/08/74 Shn - 0, 16839 Brookville The Dome - C.W. Post College Garcia & Saunders: MAC (Taped by Jerry Moore, AKG D1000Es [front of orchestra about ten feet in front of PA, right side of stage] > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam CD-RW700 master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
223. 11/08/74 Shn - 0, 94547 Brookville The Dome - C.W. Post College JGMS: Gerry Moskal's Sony Stereo ECM > SONY TCD126 MAC > 1 reel > 1 cassette > Nakamichi BX300 > Macintosh > Peak Bias > JAM > cdr > EAC > MKW > shn. Transfer/SHN Conversion by Brian Mandel. notes
224. 11/09/74 Shn - 0, 8661 Passaic Capitol Theater Garcia & Saunders, Late Show: MAC (Ihor Slabicky, AKG d190e mics > Sony TC-152sd deck onto Ampex 90min High Frequency Master Cassette) > played on a Nak CR-3A > Lucid AD9624 24-bit A/D converter (44.1kHz) > DAT (Sony R500) > CD notes
225. 11/10/74 Flac - 0, 98704 Albany Palace Theatre notes
226. 11/10/74 Shn - 0, 18202 Albany Palace Theatre Garcia & Saunders/Legion of Mary: MSR > DAT 48k > PCM > CDR > PCM > SHN. notes
227. 11/13/74 Flac - 0, 121034 Boston Paul's Mall JGMS; Late show; Unknown AUD cassette, kindly supplied by Seaweed1010; Transfer: XLIIS-100 > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. July 2012 notes
228. 11/13/74 Shn - 0, 10128 Boston Paul's Mall Garcia & Saunders: Early Show: Uher hand-held mic > Uher 4000 5" master reel > playback on a Teac 2300 reel to reel > MacIntosh pre-amp > Teac 2300 7" reel > CD > EAC > SHN. No DAT stage, 7" reel run directly to CDR in sound studio. EAC'ed and Shortened by Paul Lucente w/ Ultraplex 40max. "Picks From 1066" Volume 3. Personal vault release series, thanks to Jeff Siniawsky and Neil Merin. Show mastered by Jeff and Neil. notes
229. 11/14/74 - 0, 135968 Boston Paul's Mall JGMS; flac1644; early show: AUD marked "1st Gen" rescued from ebay for coupla bucks. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2016 notes
230. 11/14/74 Shn - 0, 16461 Boston Paul's Mall Garcia & Saunders: Early Show: MAC (Taped by Jimmy Warburton, single Sony ECM-99 stereo mic [on a table, 8' from stage, left-of-center] > Sony TC-152SD [Dolby B]) > Sony TC-152SD playback > Teac A2300SD 1st gen reel [Dolby B off] > Pioneer RT-701 playback > Teac AN-180 Dolby decoder > Fostex D5 DAT (A>D only) > Turtle Beach Montego II Digital I/O > shn (mkwACT) > wav (mkwACT) > tracking (CD Wave) > .shn (mkwACT). notes
231. 11/14/74 Shn - 0, 6383 Boston Paul's Mall Garcia & Saunders: Late Show: Uher hand-held mic-->Uher 4000 5" master reel--> playback on a Teac 2300 reel to reel-->MacIntosh pre-amp-->Teac 2300 7" reel-->CDR-->EAC-->SHN No DAT stage, 7" reel run directly to CDR in sound studio EAC'ed and Shortened by Paul Lucente w/ Ultraplex 40max notes
232. 11/15/74 Shn - 0, 4487 Worcester Worcester Polytechnic Institute Garcia & Saunders: Late Show. Sbd> Mreel> Cass> Dat> CDR. Seeded by Mike Lai. (Note: probable cassette master. See Comments and updated shn set for details.) notes
233. 11/15/74 Shn - 0, 8071 Worcester Worcester Polytechnic Institute Garcia & Saunders: Late Show: MSC > 1C > 2D > CD (Sony PCM R500 > HHB 800) > EAC > SHN via Ryan Shriver and Andy Lemieux. This version is a slight quality upgrade of the previously circulating copy, is more complete, and has a documented lineage. notes
234. 11/16/74 Shn - 0, 16808 Upper Darby Tower Theatre Garcia & Saunders, Early Show: MAC (Taped by Jerry Moore, AKG D1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
235. 11/16/74 Shn - 0, 16809 Upper Darby Tower Theatre Garcia & Saunders, Late Show: MAC (Taped by Jerry Moore, AKG D1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
236. 11/28/74 Flac - 0, 85967 San Francisco Great American Music Hall notes
237. 11/28/74 Shn - 0, 4486 San Francisco Great American Music Hall Garcia & Saunders: MSR>PCM>DAT notes
238. 12/15/74 Shn - 0, 8177 Eugene EMU Ballroom (University of Oregon) Garcia & Saunders: MSR>P>D>CD notes
239. 12/28/74 Shn - 0, 24317 Huntington Beach Golden Bear Garcia & Saunders. Source: MA (mics/taper unknown) > ? > C > DAT > WAV > SHN. notes
240. 12/28/74 Flac - 0, 121743 Huntington Beach Golden Bear JGMS; flac1644; Shure Unidyne IV mics > Uher 4400 reel master @ 3.75 ips > 1st gen 7" reel @ 3.75 ips, no nr; Transfer: Technics RS-1506 > Tascam HD-P2 24/96 compact flash > PC > Adobe Audition 2.0 (levels) > CD Wave (tracking) > TLH FLAC level 8; Jimmy Warburton copy of Charlie DiSalvo master; Transfer and Organic Pitch Correction by Rob Berger notes
241. 12/28/74 Flac 24 - 0, 121744 Huntington Beach Golden Bear JGMS; flac2496; Shure Unidyne IV mics > Uher 4400 reel master @ 3.75 ips > 1st gen 7" reel @ 3.75 ips, no nr; Transfer: Technics RS-1506 > Tascam HD-P2 24/96 compact flash > PC > Adobe Audition 2.0 (levels) > CD Wave (tracking) > TLH FLAC level 8; Jimmy Warburton copy of Charlie DiSalvo master; Transfer and Organic Pitch Correction by Rob Berger notes
242. 12/29/74 Flac - 0, 93978 Huntington Beach Golden Bear JGMS, early show: Charlie Disalvo's 2x Shure Unidyne IVs (spaced ca. 15') > Uher 4400 (3.75ips master reels) > taperpat's 3.75ips 1st gen reel > Akai GX 625 playback > Apogee Mini ME (@24/96) > Apogee Mini DAC (monitoring) > Wavelab 5.0 (dithered to 20/44) > CD > EAC > CD Wave > Sony Sound Forge Studio 7.0 > Trader's Little Helper (FLAC8 encoding) notes
243. 12/29/74 Shn - 0, 17019 Huntington Beach Golden Bear Garcia & Saunders: MAR > DAT > CD > EAC > SHNv3. Recorded by Charlie Disalvo, spaced Shure Unidyne IVs [one in front of Garcia, one in front of Fierro an unknown distance away]. This seed seems to derive from audio discs related to the earlier .shn set, but introduces seekability and possibly small cosmetic changes. notes
244. 12/29/74 Shn - 0, 8643 Huntington Beach Golden Bear Garcia & Saunders: Late Show: MAR (Charlie Disalvo, spaced Shure Unidyne IVs [one in front of Garcia, one in front of Fierro an unknown distance away] > Uher 4400 @ 3.75ips) > D > CD > EAC > SHN. notes
245. 12/29/74 Flac 16 - 0, 151373 Huntington Beach Golden Bear JGMS; flac16 Remaster and Packaging of shnid-8643 and shnid-93978 Speed Corrections by Jason Chastain, Mastering by Jamie Waddell, Track FLAC and Pack by Steve Gravel. notes
246. 03/02/75 Shn - 0, 88935 Berkeley Keystone LOM, set II fragment: MSR (Betty Cantor, 7" reels @ 15ips) > PCM > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > normalization & slight editing (Sound Forge Studio 6.0) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). CD > SHN by Joe Jupille. notes
247. 03/07/75 Shn - 0, 23338 Los Angeles Pitschell Players Cabaret LOM: AUD (mics and taper unknown) > ? > C > DAT > WAV > SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J. Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) by C. Ladner. notes
248. 03/07/75 Flac 24/48 - 0, 141867 Los Angeles Pitschell Players Cabaret LOM; flac2448; Unknown Audience Cassette > FLAC notes
249. 03/07/75 Flac 16/48 - 0, 141873 Los Angeles Pitschell Players Cabaret LOM; flac1648; Unknown Audience Cassette > FLAC notes
250. 03/08/75 Shn - 0, 23227 Los Angeles Pitchell Players Cabaret Legion of Mary. Complete show. Source: Early show: SBD>?>C>D>WAV>SHN. Late show: AUD(unknown mic/taper)>?>C>D>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by Jim Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) via Chris Ladner. notes
251. 03/08/75 Shn - 0, 17315 Los Angeles Pitchell Players Cabaret Legion of Mary, Late Show: MAC (Taped by Dave Philips) > ? > PCM > CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > slight editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
252. 03/08/75 Flac 24 - 0, 141893 Los Angeles Pitschel Player's Cabaret LOM; flac24; Unknown AUD->FLAC24 notes
253. 03/08/75 Flac 16/48 - 0, 141901 Los Angeles Pitschel Player's Cabaret LOM; flac1648; 16 bit of 141893 notes
254. 03/15/75 Shn - 0, 17372 Berkeley Keystone Legion of Mary: AUD + SBD compilation, see text file for details. Set includes alternatve versions of disc two, one pure aud, the other primarly sbd w/ aud patches. notes
255. 03/16/75 Shn - 0, 24417 Boulder Macky Auditorium, CU Legion Of Mary; Early Show; Source: AUD > ? > CDR > WAV > SHN; Taper unknown notes
256. 03/17/75 Flac - 0, 10509 Mill Valley? Bob Weir's Studio ("Ace's") Ned Lagin's Birthday Jam (see info file for performers): MSC > Sonic Solutions > CD > SHN notes
257. 04/04/75 Flac 16 - 0, 98391 Brooklyn Whitman Auditorium, Brooklyn College LOM, set II flac16: LOM, set II flac24: Mike McGraph's MAC ( AKG D1000e + Sony ECM-220 > Sony TC-152SD) > Jerry Moore's 1st gen reel (7" @ 7.5 ips, dolby b) > technics rs-1506 > sony nr-335 > hd-p2 24/48 > cd wave > adobe 2.0 16/44 > flac. Transferred by Rob Berger. notes
258. 04/04/75 Flac 24 - 0, 98390 Brooklyn Whitman Auditorium, Brooklyn College LOM, set II flac24: Mike McGraph's MAC ( AKG D1000e + Sony ECM-220 > Sony TC-152SD) > Jerry Moore's 1st gen reel (7" @ 7.5 ips, dolby b) > technics rs-1506 > sony nr-335 > hd-p2 24/48 > cd wave > flac. Transferred by Rob Berger notes
259. 04/04/75 Shn - 0, 11020 Brooklyn Whitman Auditorium, Brooklyn College Legion of Mary: MSR > 1R > 2D > 1C > DATs > CDs > HP 9350i extraction and normalization to 98% using EAC > tracking using CDWave > SHN using mkwACT. Could be from the WBAI broadcast (presumably from post-cassette DATs?) referred to at the Jerry Site. EAC > SHN by Joe Jupille. notes
260. 04/04/75 Flac Mtx. - 0, 124136 Brooklyn Whitman Auditorium, Brooklyn College LOM; flac1644; Matrix 2 Source Mix - SBD (shnid-11020) MSR > 1R > 2D > 1C > DATs > CDs > HP 9350i extraction and normalization to 98% using EAC > tracking using CDWave > SHN using mkwACT. Could be from the WBAI broadcast (presumably from post-cassette DATs?) referred to at the Jerry Site. EAC > SHN by Joe Jupille. + AUD (shnid-98390) Mike McGraph's MAC ( AKG D1000e + Sony ECM-220 > Sony TC-152SD) > Jerry Moore's 1st gen reel (7" @ 7.5 ips, dolby b) > technics rs-1506 > sony nr-335 > hd-p2 24/48 > cd wave > flac. Transferred by Rob Berger - matrix mixing by Kevin Tobin. notes
261. 04/05/75 Shn - 0, 10977 Passaic Capitol Theater Legion of Mary: partial early show: MSC > played back on Nak Dragon > Apogee A/D 1000 > Panasonic sv3800 (master DAT) > played back on Sony R500 > Sony CDR-W33 (master CD) > HP 9350i extraction using EAC > .shn encoding using mkwACT. EAC>SHN by Joe Jupille. notes
262. 04/05/75 Flac 24/96 - 0, 147646 Passaic Capitol Theater LOM; flac2496; Late show: Unknown AUD > 7" Reel @ 3 3/4 ips; Transfer: Teac A-2300S playback > Tascam DA-3000 (96k 24bit) > Samplitude Pro X3 > Flac24 (@ 96k). EBay tape liberation by Tom Markson, Speed Correction by Jason Chastain, Transferred, Edited and Mastered by gsarchivist. notes
263. 04/06/75 Shn - 0, 88984 Boston Orpheum Theater LOM, early and late: Jimmy Warburton's MAC (Sony ECM-99As > Sony TC-152SD [Dolby B]) > Sony TC-152SD playback > Teac A2300SD 1st gen reel [Dolby B off] > Pioneer 707 playback > DAT (A>D only) > Soundforge > SHN (By Noah) > SHN >Cool Edit 2000 > Feurio (by David Minches). Editing and Mastering on the GEMS Edit Station by Jamie Waddell. notes
264. 04/06/75 Shn - 0, 122862 Boston Orpheum Theater LOM; Early Show; Source: MAC>C>DAT>WAV>SHN; C>SHN Conversion by Cousinit notes
265. 04/06/75 Shn - 0, 6372 Boston Orpheum Theater Legion of Mary: Master Soundboard Cassette> DAT> CDR notes
266. 04/08/75 Shn - 0, 14207 New York Bottom Line Legion of Mary: Early Show: MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille notes
267. 04/08/75 Flac 16 - 0, 141515 New York Bottom Line LOM; Late Show: Taped by Betty Cantor Recorded using 2 track 7" reels @ 7.5ips recorded on Nagra SL11183 reel to reel deck; 1st generation 2 track 7" reels @ 15ips recorded on Otari MX5050 reel to reel deck > unknown > flac notes
268. 04/09/75 Shn - 0, 35022 New York Bottom Line Legion Of Mary early show; SBD/AUD matrix of 2 previously circulating sources: SBD - (shnid=30942) and AUD - (shnid=14606); edited, mixed and converted by Chris Chappell (Sick Bits vol. 19) notes
269. 04/09/75 Shn - 0, 88932 New York Bottom Line LOM, partial late show: MAC (Taped by Ihor Slabicky, Sony ECM-99As > Sony TC-152) > Nak Dragon playback > ART DI/O > WAV > Cool Edit 2000 > sector boundary verification (shntool) > .shn encoding (mkwACT). Transfer by David Minches, documentation by Joe Jupille. notes
270. 04/09/75 Flac - 0, 30942 New York Bottom Line Legion of Mary: Betty-Board [reels] > DAT > FLAC file (as reported by D. Oade) > Flac Frontend > CD Wave Editor(tracks) > Flac Frontend > FLAC16. Seeded to bt.etree.org by David Barfield on 9/13/2005 notes
271. 04/09/75 Shn - 0, 14606 New York Bottom Line Legion of Mary: Early Show: MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille. notes
272. 04/09/75 Shn - 0, 4485 New York Bottom Line Legion of Mary: early and late shows; SBD (DAT: MSR>1R>P>D>???>CD>SHN); this copy missing reels 3,5 of the Betty Boards; via T. Livingston notes
273. 04/09/75 Flac 1644 - 0, 123469 New York Bottom Line LOM; flac1644; mixed sbd, combination of shnid-30942 and shnid-118540 notes
274. 04/09/75 Flac 1644 - 0, 118540 New York Bottom Line LOM; flac1644; early and late material, more complete. Lineage: MSR > Cass. x 2 > DAT > CDR > EAC > WAV > TLH > FLAC. notes
275. 04/09/75 Flac 16/48 - 0, 141665 New York Bottom Line LOM; flac1648; SBD-> REEL-> DAT; DAT archived and transferred by Stuccoholmes DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1. Tracked, packed and flac'd by John Wenzel notes
276. 04/10/75 Shn - 0, 14209 New York Bottom Line Legion of Mary: Early Show: MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille notes
277. 04/10/75 Flac 24 - 0, 121746 New York Bottom Line LOM; late show; flac2496; AUD > Uher 4400 reel master > 1st gen 7" reel @ 3.75 ips, no nr; Transfer: Technics RS-1506 > Tascam HD-P2 24/96 compact flash > PC > Adobe Audition 2.0 (levels) > CD Wave (tracking) > TLH FLAC level 8; Jimmy Warburton copy of Charlie DiSalvo master; Transfer by Rob Berger notes
278. 04/10/75 Flac - 0, 121745 New York Bottom Line LOM; late show; flac1644; AUD > Uher 4400 reel master > 1st gen 7" reel @ 3.75 ips, no nr; Transfer: Technics RS-1506 > Tascam HD-P2 24/96 compact flash > PC > Adobe Audition 2.0 (levels) > CD Wave (tracking) > TLH FLAC level 8; Jimmy Warburton copy of Charlie DiSalvo master; Transfer by Rob Berger notes
279. 04/10/75 Flac 24 - 0, 117250 New York Bottom Line LOM; early show; flac2496; Recorded by Jerry Moore; two AKG D1000Es> Sony TC-152. Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding. notes
280. 04/10/75 Shn - 0, 19391 New York Bottom Line Legion of Mary, Late Show: MAC (Taped by Ihor Slabicky, Sony ECM-99As > Sony TC-152) > Nak Dragon playback > ART DI/O > WAV > Cool Edit 2000 > sector boundary verification (shntool) > .shn encoding (mkwACT). Transfer by David Minches, documentation by Joe Jupille. Note: db links this .shn entry to the early show. notes
281. 04/11/75 Shn - 0, 14608 Upper Darby The Tower Theatre Legion of Mary: Late Show: MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille. notes
282. 04/11/75 Shn - 0, 14607 Upper Darby The Tower Theatre Legion of Mary: Early Show: MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille. notes
283. 04/11/75 Flac - 0, 138207 Upper Darby The Tower Theatre LOM; flac1644; early show; Sony TC-126(F99S mic)>Master cassette>JVC TD-R462>Audacity>TLH Flac8, Taper: Dave Peters notes
284. 04/12/75 Flac - 0, 117832 Scranton Masonic Temple LOM; late show; flac1644; unknown sbd > ? > TDK DAT > Tascam DA20 playback > Lynx2 > Wavelab7; WeissSaracon for 16bit 44.1kHz FLAC8 SBE Free. DAT via Thrak, Mastering by Jamie Waddell. notes
285. 04/12/75 Flac - 0, 118574 Scranton Masonic Temple LOM; flac1644; sbd > ? > cassette, unknown gen, Maxell XLII-90, Lot# I1990411; Transfer: Trade cassette > Harmon Kardon TD 302, Dolby off, Heads aligned to tape side > Zoom H2 @16/44.1 > SDHC card > PC > tracked & edited with wavepad > flac level 8 & checksums with traderslittlehelper. notes
286. 04/12/75 Flac - 0, 118788 Scranton Masonic Temple LOM; Early show; partial; Soundboard Reel > DAT > CDR > CDWave > Flac; Editing by miogi: flac > tlh > wav > wavmerge > audacity (snaps, crackles, pops) > cdwav > tlh > flac level 8. NB lineage probably incorrect, probable analog and possible PCM generation between master reels and DAT. notes
287. 04/12/75 Flac - 0, 123478 Scranton Masonic Temple LOM; flac1644; early show (partial); sbd composite of shnid-118788, shnid-118754 and shnid-117832, by Rob Darst. notes
288. 04/12/75 Shn - 0, 4484 Scranton Masonic Temple Legion of Mary: late show; SBD (DAT: MSR> 1R> P> D> ZA/2> SHN); d1t2, splice at 11:52; d2 has 1 track- could burn with 4/19/75 orphan; via T. Langston, T. Livingston; covers notes
289. 04/12/75 Flac - 0, 31479 Scranton Masonic Temple Legion of Mary, Late Show: sbd > reel > dat > cdr > cdwave > flac > wav > flac. notes
290. 04/12/75 Flac - 0, 138597 Scranton Masonic Temple LOM; flac1644; MSR > PCM > DAT (44.1), provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1, transferred by Charlie Miller Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16, edited and mastered SIRMick June 2017 notes
291. 04/13/75 Shn - 0, 4483 Washington Kennedy Center Legion of Mary: late show partial; MSR -> 1R -> P -> DATs -> Digi001 -> SHN; via Ryan Shriver, Dan Metz notes
292. 04/18/75 Shn - 0, 4482 Chicago Arie Crown Theater Legion of Mary: Mreel> Reel> Pcm> Dat> Cd> Eac> Shn.Very Brief PCM pop before the begining of Mississippi Moon; [txt/md5s] notes
293. 04/18/75 Flac - 0, 138626 Chicago Arie Crown Theater LOM; flac1644; s2p; MSR > DAT (48k), provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48, transfetred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16, edited and mastered SIRMick June 2017. notes
294. 04/19/75 Shn - 0, 4481 Milwaukee Oriental Theater Legion of Mary: MSR>1R>P>D>ZA/2>SHN; transfer by tsl; d1 t4 cut on master reel; note d2 has 1 track- could burn with 4/12/75 orphan; via langston, tsl notes
295. 04/19/75 Flac - 0, 90015 Milwaukee Oriental Theater LOM: Betty Board MSR > PCM > DAT x ?; Cloned: From Dr. Bruce Fried 06/03/1996 Casio DA-7 > Panasonic SV-3700; Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.01a; Mastering with: iZotope Ozone 3 > CD Wave > TLH > FLAC; Transfer and Mastered by Bill Koucky; Green Mountain Bros. notes
296. 04/19/75 Flac - 0, 31277 Milwaukee Oriental Theater Legion of Mary: betty board > dat > one track flac (many thanks to doug oade) > flac frontend > cdwav (tracks) > flac. notes
297. 04/19/75 Flac - 0, 138941 Milwaukee Oriental Theater LOM; flac1644; sbd master reel > pcm > dat (44k), provided by Rich Gastwirt; transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1, transferred by Charlie miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16, edited and mastered SIRMick August 2017. notes
298. 04/20/75 Shn - 0, 10979 Madison Capitol City Theater Legion of Mary: MSC > played back on Nak Dragon > Apogee A/D 1000 > Panasonic sv3800 (master DAT) > played back on Sony R500 > Sony CDR-W33 (master CD) > HP 9350i extraction using EAC > .shn encoding using mkwACT. EAC>SHN by Joe Jupille. notes
299. 04/20/75 Flac - 0, 31502 Madison Capitol City Theater Legion of Mary: MSR > DAT > CDR > CDWAVE > Flac, seeded to Dimeadozen. notes
300. 05/15/75 Shn - 0, 8655 San Francisco Great American Music Hall Legion of Mary: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [upfront but not onstage] > Sony TC-152) > DATx1 > CDx1 > EAC > CDx1 > EAC > SHN notes
301. 05/21/75 Shn - 0, 4479 Berkeley Keystone Legion of Mary: SBD>15 ips reel>15ips reel> DAT> Sony R500> Genesis Digital Lens> Fostex CR200> CD> WAV(EAC)> SHN; How Sweet It Is cut on master reel; via Tom Livingston; different mastering from other shn set notes
302. 05/21/75 Flac - 0, 138651 Berkeley Keystone LOM; flac1644; MSR > DAT (48k), provided by Rich Gastwirt; transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48, transferred by Charlie Miller; lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16, edited and mastered SIRMick June 2017. notes
303. 05/22/75 Shn - 0, 89046 Berkeley Keystone LOM, Ip/IIp: MSR (Betty Cantor, 7" reels @ 15ips) > PCM > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > normalization & slight editing (Sound Forge Studio 6.0) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
304. 05/30/75 Flac - 0, 89980 San Francisco Golden Gate Park Diga Rhythm Band: Master Soundboard Reel > Cassette > Reel > CD > Ultra Safe Mode in Wavelab 6.0 at 32bit float/44.1kHz for Montage Adjustments. Source from Steve Martin-Editing and Mastering on the GEMS Edit Station by Jamie Waddell. notes
305. 06/03/75 Shn - 0, 4477 Berkeley Keystone Legion of Mary: Sony ECM-270 + sony ECM-250(on Stage) > Sony TC-152> Mcas> Dat> Cdr. It Take a lot to laugh cuts in. Major cut at 2:28 level fluctations at 2:56. 1st few notes of Dynamite may be missing [txt/md5s] notes
306. 06/04/75 Shn - 0, 4476 Berkeley Keystone Legion of Mary: Sony ECM-270 + sony ECM-250(on Stage) > Sony TC-152> MReel> Dat> Cdr. Crackle during Think @ :32, L channel drop 10:25-10:42, mystery Train splice @8:13 and i'll take a Melody Fades In. [txt/md5s] notes
307. 06/06/75 Shn - 0, 13994 San Rafael Dominican College Garcia, Hart, Lesh & Lagin: MS? > DAT > CDR > EAC > WAV > SHN. notes
308. 06/08/75 Flac 24/96 - 0, 90032 Palo Alto El Camino Park LOM, flac24 MOTB Release: 0061 24/96; Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = Maxell UD C90; Analog Lineage: 1 x Sony ECM-270 + 1 x Sony ECM-250 => Sony TC-152 >> MAC; Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Bob Menke and Louis Falanga; Transfer By: B. Menke; Mastering By: J. Wadell. notes
309. 06/08/75 Flac - 0, 81310 Palo Alto El Camino Park LOM: Bob Menke & Louis Falanga FOB MAC w/ Sony ECM-250 & Sony ECM-270 > Sony TC-152 > WAV > CD-R > EAC > WAV > FLAC. notes
310. 06/08/75 Shn - 0, 9706 Palo Alto El Camino Park Legion of Mary: MAC > DAT > CD > EAC > SHN. Recorded by David Gans, Sony ECM-? > Sony TC-152. notes
311. 06/08/75 Flac 24/96 - , 152853 Palo Alto El Camino Park JGMS; flac24; David Gans's (FOB) 1 x Sony Condenser Mic > Cassette Master (Sony TC-152SD-Fuji Chrome Cassette); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit-96k) > Samplitude Pro X6 Suite > FLAC24 (1 DVD FLAC). All Transfers and Mastering by Charlie Miller. charliemiller87@earthlink.net. July 11, 2021. notes
312. 06/08/75 Flac 16/44 - , 154505 Palo Alto El Camino Park JGMS; flac16/44; David Gans's (FOB) 1 x Sony Condenser Mic > Cassette Master (Sony TC-152SD-Fuji Chrome Cassette); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit-96k) > Samplitude Pro X6 Suite > FLAC24 (1 DVD FLAC). All Transfers and Mastering by Charlie Miller. charliemiller87@earthlink.net. July 11, 2021. - This is 152853 2496 > 1644 notes
313. 06/18/75 Flac - 0, 88823 San Francisco Great American Music Hall LOM, partial: Gene Taback's MAC (Sony TC-124 w/ built-in mic [model number 46-99S]) > Nakamichi Dragon playback > Digital Audio Labs CardDeluxe (24/96) > Edited, dithered and downsampled to 16/44.1 in Adobe Audition 2.0) > Shntool > Flac. Transfer by David Minches. notes
314. 06/21/75 Shn - 0, 89228 Berkeley Keystone LOM, partial: MSR (Betty Cantor, 7" reels @ 15ips) > PCM > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > normalization & slight editing (Sound Forge Studio 6.0) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
315. 06/21/75 Shn - 0, 4475 Berkeley Keystone Legion of Mary: Sony ECM-270 + sony ECM-250 (on Stage) > Sony TC-152> MReel> Dat> Cdr.; [txt/md5s] notes
316. 06/22/75 Shn - 0, 12558 Berkeley Keystone Legion of Mary: MAC (Bob Menke and Louis Falanga's onstage Sony ECM-270 + Sony ECM-250 > Sony TC-152) > DATx1 > CD/0 > EAC > CD/1 > EAC > SHN notes
317. 06/22/75 Shn - 0, 89229 Berkeley Keystone LOM, partial: MSR (Betty Cantor, 7" reels @ 15ips) > PCM > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > normalization & slight editing (Sound Forge Studio 6.0) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
318. 07/04/75 Flac 16 - 0, 91465 San Francisco Great American Music Hall LOM flac16 MOTB Release: 0067 16/44.1; Reinhart Hohlwein FOB Master Cassette (MAC), 2 x Sony ECM-280 > Sony SD 152; Nakamichi DR-8 playback > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg MR-1000 > Korg AudioGate > WAV [24/96]; Transfer by: Bob Menke; Mastering by: Jamie Waddell; Special: Rhinotrocity#2. notes
319. 07/04/75 Flac - 0, 91485 San Francisco Great American Music Hall LOM; flac16; DTS Audio 5.1 - SBD (shn id 6633) SBD > Vault Reel > 1C?(*see note below) > DAT > CD-R > EAC + AUD (shn id 91465) MOTB Release: 0067 16/44.1; Reinhart Hohlwein FOB Master Cassette (MAC), 2 x Sony ECM-280 > Sony SD 152; Nakamichi DR-8 playback > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg MR-1000 > Korg AudioGate > WAV [24/96]; Transfer by: Bob Menke; Mastering by: Jamie Waddell - matrix mixing by Kevin Tobin notes
320. 07/04/75 Flac - 0, 91764 San Francisco Great American Music Hall LOM; flac16; Matrix 2 Source Mix - SBD (shn id 6633) SBD > Vault Reel > 1C?(*see note below) > DAT > CD-R > EAC + AUD (shn id 91465) MOTB Release: 0067 16/44.1; Reinhart Hohlwein FOB Master Cassette (MAC), 2 x Sony ECM-280 > Sony SD 152; Nakamichi DR-8 playback > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg MR-1000 > Korg AudioGate > WAV [24/96]; Transfer by: Bob Menke; Mastering by: Jamie Waddell - matrix mixing by Kevin Tobin notes
321. 07/04/75 Flac 16 - 0, 91477 San Francisco Great American Music Hall LOM; flac16; pitched/patched SBD (shn id 6633); SBD > Vault Reel > 1C?(*see note below) > DAT > CD-R > EAC - patches and speed correction by Kevin Tobin notes
322. 07/04/75 Shn - 0, 6633 San Francisco Great American Music Hall Legion of Mary: SBD > Vault Reel > 1C?(*see note below) > DAT > CD-R > EAC *** This version includes the missing 2 songs not include with the previously circulating copy notes
323. 07/04/75 Flac - 0, 4474 San Francisco Great American Music Hall Legion of Mary: mSR> cass> DAT; via Darrin Sacks notes
324. 07/06/75 Flac - 0, 108018 Berkeley Keystone flac1644; MOTB 0146; Robert Castelli's Sony ECM 270's >> Sony TC 152sd >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] [> flac1644] notes
325. 08/20/75 Flac - 0, 107746 San Francisco Great American Music Hall Keith & Donna Band; flac 1644; MOTB 0135; Reinhart Holwein's 2x Sony ECM280's > Sony TC 152SD MAC (2 x Maxell UD c90's) > Nakamichi CR7a playback => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > unknown downsample to 16/44. notes
326. 08/20/75 Shn - 0, 21672 San Francisco Great American Music Hall Keith & Donna Band, probably set I only: MSC>1 Reel > DAT > CDR > WAV > SHN; Shn converted with Mkw by Robert Goetz notes
327. 08/30/75 Flac - 0, 91765 San Francisco The Orphanage MSR (Sony deck) > 1 reel (Black Maxell UDXL35-90B @ 3.75ips) > AKAI GX-625 playback > Copperhead audio cables > Apogee Mini Me (24/96) > Apogee Mini DAC (Monitoring/Mastering) > Wavelab 5.0 (dithered to 20 bit/44K) > CD > EAC > CDWave > FLAC. Digital transfer by Matt Smith, CD > FLAC by jjoops. notes
328. 09/18/75 Shn - 0, 17219 Palo Alto Sophie's Jerry Garcia Band: MAC > 2 Reel > DAT > CDR > EAC (secure) > SHN notes
329. 09/20/75 Shn - 0, 23739 Fairfax River City Source: MA>C3>DAT>WAV>SHN. Mics and taper unknown. Cassette > DAT by Jim Powell. DAT > WAV recording/editing > SHN by Chris Ladner notes
330. 09/??/75 Flac - 0, 121425 Unknown Studio Rehearsals JGB; flac1644; SB UNKNOWN LINEAGE > REEL > EDIROL USB UA-1EX AUDIO INTERFACE > COOL EDIT > CD WAVE EDITOR > TRADERS LITTLE HELPER > FLAC, via Dave Tamarkin. notes
331. 10/08/75 Flac - 0, 88933 Santa Cruz Del Mar Theatre JGB, fragment: MSR (Baked reels "last run" transfer 44.k [about 1993] > DATx2 > M-1 > 7-pin > Co2 > SB Live > CDWav > FLAC. Had been included as filler on shnid 15849 (baked sbd reels source for 12/20/75), listed here separately without other changes notes
332. 10/10/75 Flac - 0, 109442 Cupertino Flint Center, De Anza College flac1644; MOTB 0155; Robert Castelli's 2 x Sony ECM 270s >> Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] [>> FLAC1644]. Transfer By: Bob Menke; Mastering By: Derek McCabe notes
333. 10/11/75 Flac - 0, 31213 Berkeley Keystone Jerry Garcia Band: MSR @ 15 ips > 1 reel @ 7.5 ips > Sony PCM 501 > unknown PCM/Beta gens > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Shntool > FLAC. notes
334. 10/11/75 Shn - 0, 8858 Berkeley Keystone Jerry Garcia Band: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN notes
335. 10/11/75 Flac 16/48 - 0, 141315 Berkeley Keystone JGB; flac1648; s1; SBD->REEL->DAT. DAT Archived and Transferred By Stuccoholmes 2018. Edited and Mastered by Jamie Waddell in Wavelab 7.2. Tracked, packed and flac'd by Jason Chastain, 16 bit 48 kHz Flac level8. notes
336. 10/12/75 Shn - 0, Berkeley Keystone Jerry Garcia Band: AUDMC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 >CD > EAC > CD > EAC > SHN via Jack Warner notes
337. 10/17/75 Shn - 0, 11107 Concord Concord Pavillion Jerry Garcia Band: MSR > PCM > D > CD (+ last two songs presumably from MSR > R > P > D > CD, per The Jerry Site). This .shn set bears uncertain relationship to the existing seed, except that it seems to postdate it and comes with different md5s, identical text, and the two songs missing from the other source. notes
338. 10/17/75 Shn - 0, 4471 Concord Concord Pavillion Jerry Garcia Band: Sbd>Mreel>PCM>Dat notes
339. 10/17/75 Flac - 0, 138356 Concord Concord Pavillion JGB; flac1648: From the Gastwirt Collection; SBD: Master Reel > PCM > DAT. Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48. Joe Noel Edits: Track, Flac, & Pack: Wave > Audacity > track/label > export multiple > flac 16/48. notes
340. 10/22/75 Flac - 0, 100623 New Haven Wolsey Hall, Yale University Unknown Audience Recording, Unknown Generation. Transfer: Tascam MKII >> Korg MR1000 at 1bit/5.6mHZ. Korg AudioGate Software for DSD >> PCM WAV at 32bit float/44.1kHz. Editing and Mastering by Jamie Waddell on the **GEMS** Edit Station. Weiss Saracon for Bit Rate Conversion and Pow-r3 Dither 16bit 44.1 kHz. notes
341. 10/23/75 Flac - 0, 97939 Providence Palace Theater JGB: Unknown equipment (likely Sony recorder) > Maxell UD-90 normal bias cassettes. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-8 (Dolby on) > Edirol FA-66 > WaveLab > R8Brain > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F. March 2009. notes
342. 10/23/75 Shn - 0, 12858 Providence Palace Theater Jerry Garcia Band: FOB MAC (taped by Jimmy Warburton, 20th row center, Sony ECM-99 stereo mic > Sony TC 152SD master cassette [Dolby B]) > playback on Sony TC152SD > Teac A2300SD 1st gen reel [Dolby B off] > playback on Akai GX-4000D > Teac AN-80 Dolby B decoding > A/D using an ART DI/O into an Egosys Waverterminal 2496 digital sound card > master CD > HP 9350i extraction using EAC > .shn encoding using mkwACT. notes
343. 10/24/75 Flac - 0, 87113 Boston Orpheum Theatre JGB, early show: probable MSC (TDK SD90) > 20-bit transfer via TC2000 > SBM2 CD dump > CD clone > extraction (EAC v0.95 beta 4) > FLAC encoding (FLAC Frontend v1.7.1 etree addition) > decode > tracking (CD Wave) > pitching and patching (see notes) > shn > decode (TLH v1.0.0 Beta-1 Build 72) > sector boundary alignment (shntool v2.0.3) > level 8 FLAC encoding (TLH v1.0.0 Beta-1 Build 72). Source CDs from David Gans, editing by BCP. notes
344. 10/24/75 Flac - 0, 89504 Boston Orpheum Theatre JGB, early show: flac16; Matrix 3 Source Mix - SBD (shn id 76113) probable MSC (TDK SD90) > 20-bit transfer via TC2000 > SBM2 CD dump > CD clone > extraction (EAC v0.95 beta 4)> FLAC encoding (Source CDs from David Gans, editing by BCP) + AUD1 (shn id 34730) Steve Rolfe's MAC (Sony ECM-99 Stereo mic > Sony TC-152 [Maxell UDs]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches. + AUD2 (shnid 12857) FOB MAC (taped by Jimmy Warburton) Sony ECM-99 stereo mic > Sony TC 152SD master cassette [Dolby B]) > playback on Sony TC152SD > Teac A2300SD 1st gen reel [Dolby B off] > playback on Akai GX-4000D > Teac AN-80 Dolby B decoding > A/D using an ART DI/O into an Egosys Waverterminal 2496 digital sound card > master CD - matrix mixing by Kevin Tobin notes
345. 10/24/75 Shn - 0, 10711 Boston Orpheum Theatre JGB, Early and Late Shows: MAC > DAT > 2CD > EAC > SHN. Steve Rolfe's MAC (front row balcony, Sony ECM 99a's > Sony TC-152, Maxell UD-C90 master cassette) > playback on Nakamichi BX-300 > Sony PCM R-500 > HHb-800 > HHb-800 > EAC > SHN encoding by Noah Weiner. notes
346. 10/24/75 Shn - 0, 12857 Boston Orpheum Theatre Jerry Garcia Band: Early & Late shows: FOB MAC (taped by Jimmy Warburton, Sony ECM-99 stereo mic > Sony TC 152SD master cassette [Dolby B]) > playback on Sony TC152SD > Teac A2300SD 1st gen reel [Dolby B off] > playback on Akai GX-4000D > Teac AN-80 Dolby B decoding > A/D using an ART DI/O into an Egosys Waverterminal 2496 digital sound card > master CD > HP 9350i extraction using EAC > .shn encoding using mkwACT. A>D by David Minches, EAC > SHN by Joe Jupille. notes
347. 10/24/75 Shn - 0, 34730 Boston Orpheum Theatre JGB, early and late shows: Steve Rolfe's MAC (Sony ECM-99 Stereo mic > Sony TC-152 [Maxell UDs]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches. notes
348. 10/24/75 Flac Dts 5.1 - 0, 89511 Boston Orpheum Theatre JGB, early show: flac16; DTS Audio 5.1 - SBD (shn id 76113) probable MSC (TDK SD90) > 20-bit transfer via TC2000 > SBM2 CD dump > CD clone > extraction (EAC v0.95 beta 4)> FLAC encoding (Source CDs from David Gans, editing by BCP) + AUD1 (shn id 34730) Steve Rolfe's MAC (Sony ECM-99 Stereo mic > Sony TC-152 [Maxell UDs]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches. + AUD2 (shnid 12857) FOB MAC (taped by Jimmy Warburton) Sony ECM-99 stereo mic > Sony TC 152SD master cassette [Dolby B]) > playback on Sony TC152SD > Teac A2300SD 1st gen reel [Dolby B off] > playback on Akai GX-4000D > Teac AN-80 Dolby B decoding > A/D using an ART DI/O into an Egosys Waverterminal 2496 digital sound card > master CD - DTS mixing by Kevin Tobin notes
349. 10/25/75 Flac 24/48 - 0, 150378 Rochester Auditorium Theater JGB; flac 2448: set 2; Maxell UD 35-90 3.5ips Dolby B; Transferred on a Restored Tandberg 3600XD > Lynx Hilo at 32 bit float 192kHz > Audacity notes
350. 10/27/75 Flac - 0, 80296 Ithaca Bailey Hall, Cornell University JGB: MAC (Unknown Taper and Equipment) > 2C; Transfer and FLAC encoding by David Minches: 2nd Generation Cassette played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac. notes
351. 10/28/75 Shn - 0, 11282 New York Beacon Theater Jerry Garcia Band: Late Show: MAC (Recorded by Jerry Moore, AKG 1000e's (floor center section, halfway back) > Sony TC-152 master cassette > DAT > CD > EAC > SHN. notes
352. 10/28/75 Flac - 0, 125513 New York Beacon Theater JGB; late show; flac1644; 16 bit: aud cassette master, taped by Jim Cooper, transfer/seeded by Rob Berger. notes
353. 10/28/75 Flac 24 - 0, 125512 New York Beacon Theater JGB; late show; flac2496; aud cassette master, taped by Jim Cooper, transfer/seeded by Rob Berger notes
354. 10/30/75 Flac - 0, 124248 New York Queens College JGB; flac1644; aud cassette master, taped by Jim Cooper, transfer/seeded by Rob Berger notes
355. 10/30/75 Shn - 0, 92780 New York Queens College JGB: Gerry Moskal's Sony Stereo ECM mics > SONY TCD126; Location: "A Sweet Spot"; Analog Lineage: Gerry Moskal Master Cassette Transfer > RR > Cassette; Transfer/SHN Conversion: Brian Mandel Cassette Transfer Nakamichi BX300 > Macintosh > Peak Bias > JAM > cdr > EAC > MKW > shn. notes
356. 10/30/75 Flac 24 - 0, 124251 New York Queens College JGB; flac2496; aud cassette master, taped by Jim Cooper, transfer/seeded by Rob Berger notes
357. 10/31/75 Flac - 0, 85634 Upper Darby The Tower Theatre JGB, early show: AUD > ? > Maxell XL290(no Dolby) > Nak CR3A > HP computer > Sound Forge > CD Wave > Flac, transferred and seeded by John Moses. notes
358. 10/31/75 Shn - 0, 9267 Upper Darby The Tower Theatre Jerry Garcia Band: Late Show: MAR > R?> DAT > CD > EAC > SHN. Recorded by Charlie Disalvo (about 20th row, center section, left side), Shure Unidyne 4s (above head-level on a spreader bar) > Uher 4400 (5", 1800' BASF reels @ 7.5 ips). There may be an additional reel after the master reel. notes
359. 10/31/75 Shn - 0, 19811 Upper Darby The Tower Theatre Source: AUD > cassette(x) > CDR > WAV > SHN. CDR source via H.Angus. SHN encoding via C.Ladner. notes
360. 10/31/75 Flac - 0, 88934 Upper Darby The Tower Theatre JGB, late show: unknown audience tape > 1st gen cassette > Nakamichi Dragon playback > ART DI/O > Cool Edit 2000 > CD/0 > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (Sound Forge Studio 6.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (FLAC Frontend etree edition v1.7.1). Transfer by David Minches, EAC >> FLAC by jjoops. Admin note: had been listed as taped by Bob Minkin, but this was incorrect. notes
361. 10/31/75 Flac - 0, 138206 Upper Darby The Tower Theatre JGB; flac1644; early and late; Sony TC-126(F99S mic)>Master cassette(TDK-D90)>JVC TD-R462>Audacity>TLH Flac8, Taper: Dave Peters notes
362. 11/01/75 Flac - 0, 89458 Passaic Capitol Theater JGB, early & late shows: Ihor Slabicky's MAC (AKG d190e mics > Sony TC-152SD [Ampex 90m HF]) > Nakamichi CR-3A playback > Lucid AD9624 24 bit A/D converter (44.1 kHz) > DAT (Sony R500) > CD > FLAC via GEMS. notes
363. 11/02/75 Flac 16 - 0, 89459 Washington Constitution Hall JGB: MAC > CD > FLAC, via GEMS. notes
364. 11/02/75 Flac 16 - 0, 83118 Washington Constitution Hall JGB, set I: MAC > 7" reel @ 7.5 ips (no nr) > Sony TC-850 playback > sbm1 > cdr > audobe audition 2.0 > cd wave > flac. Transfer of Don Grossinger's reel by Rob Berger 2005. notes
365. 11/08/75 Shn - 0, 14041 Berkeley Keystone Jerry Garcia Band, set II only: MA? > ? > CD > EAC > SHN. Note added 4/2005: Had been listed as a sbd, but is almost certainly an excellent audience recording notes
366. 11/17/75 Flac 16/48 - 0, 94379 Berkeley Keystone JGB; flac1644: 2 x Sony ECM-270 > Sony TC-152 >> MAC >> Nakamichi CR7a > Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 > Korg AudioGate >> WAV [24/96] >> MOTB.0078. Taped By: Reinhart Hohlwein. Transfer By: Bob Menke. Mastering By: Jamie Waddell. notes
367. 11/18/75 Shn - 0, 8656 Berkeley Keystone Jerry Garcia Band: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN notes
368. 11/21/75 Flac 2448 - 0, 142001 Chicago Auditorium Theatre GB, flac2448; Source: Mono AUD of unknown lineage > ? > Cassettes rescued from ebay. Transfer: Maxell-UD (tape 1) & Maxell-LN (tape 2) > Nakamichi CR-7A > ADC > WAV 2448 > Wavelab > CD-Wave (24bit) > TLH > FLAC 2448 tagged. notes
369. 11/21/75 Flac 1644 - 0, 142000 Chicago Auditorium Theatre JGB, flac1644; Source: Mono AUD of unknown lineage > ? > Cassettes rescued from ebay. Transfer: Maxell-UD (tape 1) & Maxell-LN (tape 2) > Nakamichi CR-7A > ADC > WAV 2448 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. notes
370. 11/22/75 Shn - 0, 20552 St. Paul St. Paul Civic Center Jerry Garcia Band, partial 1st set: AUDMC > ? > WAV > SHN notes
371. 11/22/75 Flac 1644 - 0, 138733 St. Paul St. Paul Civic Center JGB, flac1644; Compilation of three sources: ID-20552, plus two unknown AUD cassettes, kindly provided from the collection of DL. Recording lineage said to be: Shure 545's > Nakamichi 550, set-up very close to the stage. Transfer: Maxell XLII's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 07/2017 notes
372. 11/22/75 Flac 16/48 - 0, 141929 St. Paul St. Paul Civic Center JGB; flac1648; Greg Overlid's Front Row Shure 545 Microphones > Nakamichi 550 Cassette Deck > ? cassette > FLAC1648. notes
373. 11/22/75 Flac 24/48 - 0, 141918 St. Paul St. Paul Civic Center JGB; flac24; Greg Overlid's Front Row Shure 545 Microphones > Nakamichi 550 Cassette Deck> ? > Cassette > FLAC24 notes
374. 11/23/75 Shn - 0, 28367 Boulder Macky Auditorium, CU JGB: MAC > ? > CDR > EAC > SHN (unknown lineage) sounds like at least 1 cass gen. some loud audience chatter notes
375. 11/26/75 Flac 16 - 0, San Francisco His Masters Wheels Studio notes
376. 11/29/75 Shn - 0, 8657 Berkeley Keystone JGB: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN notes
377. 12/17/75 Shn - 0, 8662 Berkeley Keystone Jerry Garcia Band: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN notes
378. 12/19/75 Flac - 0, 85642 San Francisco Winterland Arena JGB: MSR (Nagra 1/2 track @ 7 1/2ips) > 1st gen reel reel (Otari 1/2 Trac @ 7 1/2ips) > cassette (Nakamichi BX300 ‘no dolby’, MaxellXLIIS90) > Nakamichi CR3A ‘no dolby’ > Hp Computer > Sound Forge > CD Wave > Flac8, via John Moses. notes
379. 12/19/75 Flac 16 - 0, 96588 San Francisco Winterland Arena JGB, flac16: pitched & patched sbd; primary source: master soundboard reel > 1 Reel > PCM > DAT > CD > Dime A Dozen secondary source for splices between the songs: Bob Menke cassette master: Sony ECM-270 or ECM-250 mics > Sony TC-152 cassette deck > CD's received in trade; Approximately 3.3 % speed-up to the SBD source was done to match the audience recording which was at the correct speed. Edits with Pro Tools notes
380. 12/19/75 Flac Mtx. - 0, 88527 San Francisco Winterland Arena JGB: sirmick matrix of MSR>R>C>CD source and Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 MAC>D>CD source. notes
381. 12/19/75 Flac - 0, 31625 San Francisco Winterland Arena Jerry Garcia Band: SBD >> MR >> REEL >> PCM >>> DAT >> CDA >> Wav(EAC) >> FLAC. notes
382. 12/19/75 Flac - 0, 31779 San Francisco Winterland Arena Jerry Garcia Band: Bertha Remaster of the Master Reel/Reel MP3 Free source (SHN ID 31625) notes
383. 12/19/75 Shn - 0, 8114 San Francisco Winterland Arena Jerry Garcia Band: AUDMC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [mic placement unknown] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN notes
384. 12/19/75 Shn - 0, 14986 San Francisco Winterland Arena Jerry Garcia Band: MSR > Reel > PCM > DAT > CD [> SHN]. notes
385. 12/19/75 Flac - 0, 138585 San Francisco Winterland Arena JGB; flac1644; MSR > DAT (48k), provided by Rich Gastwirt; transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48, by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16, edited and mastered SIRMick June 2017. notes
386. 12/19/75 Flac 16/44 - , 149972 San Francisco Winterland Arena JGB; flac1644; SBD > Reel > PCM > Analog > DAT; DAT > RME DIGI96/8 PST > Sound Forge > CDR > FLAC notes
387. 12/20/75 Flac - 0, 89571 San Francisco Winterland Arena JGB, flac16 MOTB Release: 0060 16/44.1; Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = Maxell UDXL C90; Analog Lineage: 2 x Sony ECM-270 => Sony TC-152 >> MAC; Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]. Taped By: Bob Menke and Louis Falanga. Transfer By: B. Menke. Mastering By: J. Wadell. notes
388. 12/20/75 Flac - 0, 85643 San Francisco Winterland Arena JGB: MSR (Nagra 1/2 track @ 7 1/2ips) > 1st gen reel reel (Otari 1/2 Trac @ 7 1/2ips) > cassette (Nakamichi BX300 ‘no dolby’, MaxellXLIIS90) > Nakamichi CR3A ‘no dolby’ > Hp Computer > Sound Forge > CD Wave > Flac, via John Moses. notes
389. 12/20/75 Flac Mtx. - 0, 89580 San Francisco Winterland Arena JGB; flac16; Matrix 2 Source Mix - SBD (shn id 15849) Baked soundboard reels "last run" transfer 44.k (about 1993) > DAT x 2 > M-1 > 7-pin > Co2 > SB Live > CDWav > FLAC + AUD (shn id 89578) 2 x Sony ECM-270 => Sony TC-152 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke and Louis Falanga Transfer By: B. Menke Mastering By: J. Wadell - matrix mixing by Kevin Tobin. notes
390. 12/20/75 Shn - 0, 8663 San Francisco Winterland Arena Jerry Garcia Band: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [mic placement unknown] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN notes
391. 12/20/75 Shn - 0, 4489 San Francisco Winterland Arena Jerry Garcia Band:sdb>Mreel>1r>P>Dat>Cdr notes
392. 12/20/75 Flac 24 - 0, 89578 San Francisco Winterland Arena JGB, flac24 MOTB Release: 0060 24/96 Release Date: 2008-01-20 Band: Jerry Garcia Band Date: 1975-12-20 (Saturday) Venue: Winterland Arena Location: San Francisco, CA Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = Maxell UDXL C90 Analog Lineage: 2 x Sony ECM-270 => Sony TC-152 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke and Louis Falanga Transfer By: B. Menke Mastering By: J. Wadell notes
393. 12/20/75 Shn - 0, 83306 San Francisco Winterland Arena JGB: SBD > Rm > Reel > PCM > Dat > CD > EAC > Shn. Most likely a re-shn of 14929. notes
394. 12/20/75 Shn - 0, 14929 San Francisco Winterland Arena Jerry Garcia Band: MSR > 1R > PCM > DAT > CD [ > SHN]. notes
395. 12/20/75 Shn - 0, 12493 San Francisco Winterland Arena Keith & Donna Band: MAC > ? > CD > EAC > SHN. notes
396. 12/20/75 Flac - 0, 109355 San Francisco Winterland Arena Master Reels > DAT > CD > FLAC. notes
397. 12/20/75 Flac - 0, 89589 San Francisco Winterland Arena JGB; flac16: Baked soundboard reels "last run" transfer 44.k (about 1993) > DAT x 2 > M-1 > 7-pin > Co2 > SB Live > CDWav > FLAC. (original shnid = 15849) - patch & speed correction by Kevin Tobin. notes
398. 12/20/75 Flac - 0, 89584 San Francisco Winterland Arena JGB; flac16; DTS Audio 5.1 - SBD (shn id 15849) Baked soundboard reels "last run" transfer 44.k (about 1993) > DAT x 2 > M-1 > 7-pin > Co2 > SB Live > CDWav > FLAC + AUD (shn id 89578) 2 x Sony ECM-270 => Sony TC-152 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke and Louis Falanga Transfer By: B. Menke Mastering By: J. Wadell - dts mixing by Kevin Tobin. notes
399. 12/20/75 - 0, 123565 San Francisco Winterland Arena 01-23-2013 Cool Edit EQ by Phil Matera Amplitudes balanced, and overall sound improved. For the two solo Nicky tunes, I centered the sound and added some ambience. This version based on Garcia1975-12-20.89589 89589 flac > wav > cool edit > wav > flac notes
400. 12/20/75 Flac 16/48 - 0, 138824 San Francisco Winterland Arena JGB; flac1648; MSR > Dat (48k), provided by Rich Gastwirt; transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48, transferred by Charlie Miller; lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick. notes
401. 12/20/75 Flac 16/44 - 0, 151355 San Francisco Winterland Arena JGB, flac1644; pitched and patched Gastwirt sbd (shnid-138824). notes
402. 12/31/75 Shn - 0, 126967 Berkeley Keystone Sick Bits #33 Matrixed (edited, mixed and converted) by Chris Chappell scarfireATliquidcityDOTcom 4/20/08 SBD: (SHNID=87686) MSR (Nagra 1/2track @ 7 1/2ips) > 1st gen reel (Otari 1/2track @ 7 1/2ips) > 1 cassette gen (Nak BX300, no Dolby, MaxellXLIIS90) > Nak CR3A playback (no Dolby) > HP Computer > Sound Forge > CD Wave> Flac8, via John Moses AUD: (SHNID=8664) MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN notes
403. 12/31/75 Shn - 0, 8664 Berkeley Keystone Jerry Garcia Band: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN notes
404. 12/31/75 Shn - 0, 6646 Berkeley Keystone Jerry Garcia Band: Sbd> Mreel> Reel> Pcm> Dat> CDr notes
405. 12/31/75 Shn - 0, 4468 Berkeley Keystone Jerry Garcia Band: mSR>reel>PCM>DAT>CDR>EAC>shn; via Katy Miller; entire show with Mickey Hart, set 3 with Weir notes
406. 12/31/75 Flac 16/44 - 0, 138599 Berkeley Keystone JGB; flac1644; MSR > DAT (48k), provided by Rich Gastwirt; transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48, transferred by Charlie Miller; lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16, edited and mastered SIRMick June 2017. notes
407. 12/31/75 Flac 16 - , Berkeley Keystone notes
408. ??/??/75 Flac - 0, 122575 Unknown Reflections outtakes flac1644; Reflections outtakes; unknown sbd, via Joe D'Amico. notes
409. ??/??/75 Flac - 0, 136764 Unknown Reflections outtakes shnid# 122575-> Wavelab 7.1 Phase Correction by Jamie Waddell tracking with Audacity-> flac level 8->tagged with Tag&Rename and checksums with TLH by Norm _________________________ Studio Soundboard Editing : Joe D'Amico ''AKA'' Joebeacon Nak Dragon > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper notes
410. 01/07/76 Flac - 0, 28366 San Rafael Club Front JGB w/ James Booker Rehearsals: ?>CD>EAC>FLAC notes
411. 01/07/76 Shn - 0, 4466 San Rafael Club Front Jerry Garcia Band: Rehearsals: SBD> Cass> ???> Dat> Cdr: This is different rehesals from what is listed at the jerry site for this date. Both tapes most likely taken from the same rehersals. notes
412. 01/07/76 Shn - 0, 8385 San Rafael Club Front Jerry Garcia Band w/ James Booker, rehearsal: MSR > ? > 1C > 1D > 1CD > EAC > SHN. Slightly more complete than the previously circulating version, with slightly clearer lineage, via Ryan Shriver. notes
413. 01/09/76 Shn - 0, 8386 Palo Alto Sophie's Jerry Garcia Band, with James Booker: MSR > ? > 1C > 1D > 1CD > EAC > SHN. This version, via Ryan Shriver, is more complete than the previously circulating version. notes
414. 01/09/76 Flac 24/48 - , 155501 Palo Alto Sophie's JGB; flac2448; Source: SBD (mono) > MSC > 1st-Gen cassette. Transfer: Maxell UDXL's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2022 notes
415. 01/10/76 Shn - 0, 8077 Palo Alto Sophie's A:C>?>CD. May have been recorded by David Cook with unknown mics into a Sony TC-110 deck. notes
416. 01/10/76 Flac 16/48 - 0, 151418 Palo Alto Sophie's JGB; flac1648; s2p; MSC (Supertape C-90 no Dolby) > Sony 3800 DAT (kingbee) > DAT (TJS) > unremembered transfer setup, pitch diagnosis (+2.5%) by JBJ, pitch fix by minches, TLH flac, Foobar tag. notes
417. 01/10/76 Flac 24/48 - , 155518 Palo Alto Sophie's JGB; flac2448; Source: SBD (Set-1 mono, Set-2 stereo) > MSC > 1st-Gen cassette. Transfer: Maxell UDXL's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2022 notes
418. 01/25/76 Shn - 0, 12504 San Rafael Club Front Jerry Garcia Band: Studio Rehearsal: MSC > DATs > Sony PCM R500 > HHB 800 CD/0 > HHB 800 CD/1 > HP 9350i extraction using EAC > .shn encoding using mkwACT. The last two songs are MSR > 1R > 1C > DATs > Sony PCM R500 > HHB 800 master CD > HHB 800 first gen CD > HP 9350i extraction using EAC > .shn encoding using mkwACT. notes
419. 01/27/76 Shn - 0, 17120 Berkeley Keystone Jerry Garcia Band: MSR (2 track 7" reels @ 15ips) > cassette (TDK SA-X100) > NAK-CR-7a playback > Lucid AD9624 24-bit A/D > Fostex D5 master DAT > Sony CDR-W33 master CD > EAC > SHN (non-seekable) > patching using Sound Forge Studio 6.0 > sector boundary verification using shntool > .shn encoding (seekable) using mkwACT. notes
420. 01/27/76 Shn - 0, 4467 Berkeley Keystone Jerry Garcia Band:Mreel> Cass> Dat> Cdr. Cassette played back on NAK-CR-7a>Lucid AD9624 24-bit A/D >Fostex D5 > Sony CDR-W33. From Ryan at the Jerry Site. EAC and SHN conversion by Kevin Tobin. The very end of How Sweet It Is is clipped and splice in Mystery Train due to MSR tape flip. notes
421. 01/27/76 Flac 24/48 - , 155669 Berkeley Keystone JGB; flac2448; Source: SBD > TDK Audua cassettes (see note). Transfer: TDK Audua 90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2022 notes
422. 01/28/76 Flac - 0, 135944 Berkeley Keystone JGB; MSR > Cass. > DAT > CD-R > XLD > FLAC notes
423. 01/28/76 Flac 24/48 - , 155695 Berkeley Keystone JGB; flac2448; Source: SBD > Maxell UDXL & TDK Audua cassettes (see note). Transfer: Cassettes > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2022 notes
424. 02/13/76 Shn - 0, 83947 Berkeley Keystone JGB: AUD of uncertain origin > DAT > CD > EAC > SHN. notes
425. 02/13/76 Flac 24 - 0, 137466 Berkeley Keystone JGB; flac2496; master soundboard reel > reel > Technics RS1506 > Apogee Mini Me > Apogee Mini Dac (wav 24/96) > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > flac 24. Edited and mastered SIRMick. notes
426. 02/13/76 Flac - 0, 137467 Berkeley Keystone JGB; flac1644; master soundboard reel > reel > Technics RS1506 > Apogee Mini Me > Apogee Mini Dac > wav 24/96 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16. Transfer by Matt Smith, supplied via Charlie Miller, edited and mastered SIRMick notes
427. 02/14/76 Shn - 0, 4465 Berkeley Keystone Jerry Garcia Band: SBD> MSReel> cass> DAT> CD> (EAC)WAV notes
428. 02/14/76 Shn - 0, 28330 Berkeley Keystone Jerry Garcia Band: Bertha Remaster of the Master Reel > Cassette source (SBD > MR > CASS > DAT > CDA > WAV(EAC) > SHN > FLAC > DAW(Bertha) > CDA/SHN notes
429. 02/14/76 Flac 24/48 - , 155788 Berkeley Keystone JGB; flac2448; Source: SBD > TDK Audua cassettes (see note). Transfer: TDK Audua 90's (re-shelled) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2022 notes
430. 02/15/76 Flac 24 - 0, 133783 Palo Alto Sophie's JGB; flac2496; MR > R (Will Boswell's reel from the Debbie stash); Transfer Info: Technics 1506 > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC. Transfered By Matt Smith. notes
431. 02/15/76 Flac - 0, 133782 Palo Alto Sophie's JGB; flac1644; MR > R (Will Boswell's reel from the Debbie stash). Transfer Info: Technics 1506 > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC. Transfered By Matt Smith. notes
432. 02/15/76 Flac - 0, 133622 Palo Alto Sophie's flac16; JGB; Sony cassette recorder with built-in mono mic, taped by Michael Parrish, MAC > Reel > DAT > CDR > WAV, via the jjoops tupperware collection. (Lineage as per the Jerrysite) Transfer: Wavelab > CD-Wave > TLH > FLAC 1644 tagged. June 2015 notes
433. 02/15/76 Shn - 0, 18743 Palo Alto Sophie's Jerry Garcia Band, set I only: MAC (Taped by Bob Menke and Louis Falanga, Sony ECM-250 + Sony ECM-270 mics > Sony TC-152) > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes
434. 02/21/76 Flac 16/44,1 - 0, 32834 Encinitas La Paloma Theater JGB, Early Show; Source: SBD > MR > C > DAT > WAV > FLAC Transfer: Sony PCM-R500 > Audiophile 2496 > Wavelab 5.0 (recorded as 24/48 KHz WAV) Mastering: Wavelab (X-Noise and L3 Multimaximizer rendered to 16/44.1 using hi-res CD settings) > CDWAV 1.9 (tracking and FLAC'ing, level 5) Transfer, mastering and encoding by C.Ladner, 2/2006 notes
435. 02/21/76 Shn - 0, 9466 Encinitas La Paloma Theater Jerry Garcia Band: Via JGB Mega Vine #5 Early & Late Shows. SBD: MR > C > DAT > CD notes
436. 02/21/76 Shn - 0, 4463 Encinitas La Paloma Theater Jerry Garcia Band: early show; mSR> cass> DAT> CD notes
437. 02/21/76 Flac 24/48 - , 155851 Encinitas La Paloma Theater JGB; flac2448; Early & Late Shows; Source: SBD > TDK-SA and Sony-UHF cassettes (see note). Transfer: TDK & Sony's (re-shelled) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2022 notes
438. 02/22/76 Shn - 0, 15182 Encinitas La Paloma Theater Jerry Garcia Band: Late Show: MAC > 2C > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > cleaning using Sound Forge Studio 6.0 > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). CD > SHN by Joe Jupille notes
439. 02/22/76 Shn - 0, 15181 Encinitas La Paloma Theater Jerry Garcia Band: Early Show: MAC > 2C > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > cleaning using Sound Forge Studio 6.0 > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). CD > SHN by Joe Jupille. notes
440. 02/24/76 Shn - 0, 17424 Berkeley Keystone Jerry Garcia Band: MAC (Taped by Bob Menke and Louis Falanga, Sony ECM-250 + Sony ECM-270 mics > Sony TC-152) > DAT > 2 or 3 CD gens > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > normalization (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
441. 02/26/76 Shn - 0, 15183 Santa Cruz Del Mar Theater Jerry Garcia Band: Early Show: MAC (Taped by Michael Parrish, condensor mic > Sony mono cassette deck) > reel > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). CD > SHN by Joe Jupille notes
442. 02/28/76 Shn - 0, 19016 Sacramento Crabshaw Corner Jerry Garcia Band: MAC (unknown mics, unknown deck) > Reel > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1 notes
443. 03/03/76 Shn - 0, 9588 Eugene Lane County Fairgrounds Jerry Garcia Band, set II only: MAC > R > D > CD > EAC > SHN. Recorded by Don Wolfe, Sony ECN-18Ns > Sony TC-152. notes
444. 03/06/76 Shn - 0, 15247 Seattle Moore's Egyptian Theater Jerry Garcia Band: MAC (Taped by Pat Lee, Sony ECM 18N mics > Sony TC-152 [Maxell UD C120s] from 4th or 5th row) > master CD > EAC > SHN. A > D by Pat Lee, CD > SHN and seeding to Furthur by David Hollister. notes
445. 03/06/76 Shn - 0, 4462 Seattle Moore's Egyptian Theater Jerry Garcia Band: AUD > MAC > DAT > CD unknown taper and rig notes
446. 03/12/76 Shn - 0, 20700 Evanston Cahn Auditorium (Northwestern University) Jerry Garcia Band, partial early & late shows: AUDMC > C > DAT > WAV > SHN Recorded 2nd row, center left; with unknown deck with built in mics. 1st gen source tape from Eric Coplen. Cass > DAT by Ryan Shriver. DAT > SHN by Noah Weiner. Added to etree by Noah Weiner notes
447. 03/12/76 Flac - 0, 139524 Evanston Cahn Auditorium (Northwestern University) JGB, late show, flac1644; Unknown (mono) AUD MAC > ? > Cassette rescued from Ebay. Transfer: Maxell UDXL 90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > Wavelab (adding 16-bit patch) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2017 notes
448. 03/13/76 Flac - 0, 29133 Oberlin Finney Chapel, Oberlin College JGB, I/IIp: AUD (unk.mics/taper) > 1C > DAT > WAV > FLAC, via Ryan Shriver and Noah Weiner notes
449. 03/14/76 Flac - 0, 29134 Columbus Ohio Theatre Jerry Garcia Band. Source: AUD(unk.mics/taper):MAC>1C>DAT>WAV>FLAC. See info file for transfer details notes
450. 03/14/76 Flac 1644 - 0, 141590 Columbus Ohio Theatre JGB, flac1644; Source: AUD (unknown equipment) > MAC, recording by Doc West. Transfer: MAC > Nakamichi DR-3 > Roland Tri-Capture > Audacity > WAV 2496 single-channel mono > FLAC, via Doc West. Additional mastering: WAV > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 03/2018 notes
451. 03/20/76 Flac - 0, 30809 Austin Armadillo World Headquarters Jerry Garcia Band, set II only: Unknown source > CD > EAC > FLAC. notes
452. 03/26/76 Shn - 0, 8387 Kansas City Music Hall Jerry Garcia Band: MAC > 1C > 2D > CDx3 > EAC > SHN notes
453. 03/27/76 Flac - 0, 110281 St. Louis Ambassador Theater flac1644; Master audience cassette (stereo) -> 2 Maxell UDXL C90s -> Tascam 112 -> M-Audio 24/96 -> 24 bit, 48kHz . 24-bit, 48kHz -> 16-bit, 44.1kHz using Diamond Cut DC8 (no dither). Taper unknown. Transfer, editing, flac encoding and notes by Dan McDonald. Metadata added by B. Proctor. notes
454. 03/30/76 Flac - 0, 29135 Hempstead Calderone Theatre JGB, early and late shows: MAC (unk.mics/taper) > 1C > DAT > WAV > FLAC. See info file for transfer details. notes
455. 04/01/76 Flac 24 - 0, 133978 Waterbury The Palace Theater JGB; flac2496: aud cassette master, taped by Jerry Moore, transferred & seeded by Rob Berger notes
456. 04/01/76 Flac - 0, 34728 Waterbury The Palace Theater JGB: Steve Rolfe's MAC (2 Sony ECM 99s> Sony TC-152 [Maxell UD]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches. notes
457. 04/01/76 Shn - 0, 7322 Waterbury The Palace Theater Jerry Garcia Band: AUD > DAT > CDR > WAV > SHN *tape splice near end of lonesome notes
458. 04/01/76 Shn - 0, 18602 Waterbury The Palace Theater Jerry Garcia Band: MAC (Taped by Jerry Moore, Sony ECM-33p mics > Sony TC-153 [Maxell XL cassettes]) > Tascam 122MKIII playback > Tascam DA-40 master DAT > Tascam CDRW 700 master CD > maybe 1 CD > EAC > SHN. notes
459. 04/03/76 Shn - 0, 123020 Washington Lisner Auditorium (George Washington University) JGB; late show; sure mics, sony cassette, master cassette, cd, eac, wav, shn, recorded 13th row center, flaws, tape filp inbetween songs,busted during sugaree, recorded by jeff stevenson notes
460. 04/03/76 Shn - 0, 82761 Washington Lisner Auditorium (George Washington University) JGB, Early Show: MAC > C? > CD > EAC > WAV > SHNv3 Transfer to CD by Slipnut notes
461. 04/03/76 Flac - 0, 138204 Washington Lisner Auditorium (George Washington University) JGB; flac1644; early show; Sony TC-126(F99S mic)>Master cassette(TDK-D90)>JVC TD-R462>Audacity>TLH Flac8, Taper: Dave Peters notes
462. 04/03/76 Flac 24/96 - 0, 148837 Washington Lisner Auditorium (George Washington University) JGB; late show; flac2496; Kathy Sublette's Master Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
463. 04/03/76 Flac 16/48 - 0, 148836 Washington Lisner Auditorium (George Washington University) JGB; late show; flac1648; Kathy Sublette's Master Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
464. 04/04/76 Flac - 0, 134022 Durham Page Auditorium, Duke U. JGB, early and late; flac16: unknown master audience tape > Alan Richman's 1st gen 7" 3.75ips reel recorded on a Teac deck. Reel played back on Sony RT-707 > Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 6.0 > FLAC encoding (by dminches). notes
465. 05/20/76 Shn - 0, 17382 Berkeley Keystone Jerry Garcia Band: MAC (Taped by Bob Menke and Louis Falanga, Sony ECM-250 + Sony ECM-270 mics > Sony TC-152) > DAT > 2 or 3 CD gens > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > minor editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
466. 05/21/76 Flac - 0, 122143 San Francisco Orpheum Theatre JGB; Unknown audience recording > HK 302 > Zoom H2, transfer by John Wenzel. notes
467. 05/23/76 Flac 2448 - 0, 142564 Santa Monica Santa Monica Civic Auditorium JGB, flac2448; Source: Lo-Fi AUD of unknown lineage > ? > Cassettes rescued from ebay. Transfer: Maxell XLII-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit-output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2018 notes
468. 05/23/76 Flac 1644 - 0, 142565 Santa Monica Santa Monica Civic Auditorium JGB, flac1644; Source: Lo-Fi AUD of unknown lineage > ? > Cassettes rescued from ebay. Transfer: Maxell XLII-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit-output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 07/2018 notes
469. 05/23/76 Flac 24/48 - 0, 143281 Santa Monica Santa Monica Civic Auditorium JGB; flac2448; Tarzwell and Martin MACs; unknown Sony Microphone > Sony TC-50 (mono, auto-leveling cassette recorder); Transfer: Nakamichi CR7A w/ Azimuth alignment, no Dolby & Bias @ 120 usec > Korg MR2000-s @ 1 bit 5.6 MHz DSDIFF; AudioGate (32-96) > iZotope RX6 advanced (prep & 24-96) > CD Wave > AudioGate Aqua (24-48) > TLH. notes
470. 07/08/76 Shn - 0, 17836 Berkeley Keystone Jerry Garcia Band: MS? > ? > DAT > WAV (via analog cables) > SHN notes
471. 07/08/76 Shn - 0, 22510 Berkeley Keystone Jerry Garcia Band. ource: MSC>Cx>DAT>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J. Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) by C. Ladner. notes
472. 07/08/76 Flac 24/96 - 0, 144554 Berkeley Keystone JGB; flac2496 Bob Minkin's 3rd generation cassette Transfer Info: 3rd generation cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496 notes
473. 07/08/76 Flac 16/48 - 0, 144553 Berkeley Keystone JGB; flac1648 Bob Minkin's 3rd generation cassette Transfer Info: 3rd generation cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496 notes
474. 07/09/76 Flac - 0, 111584 Berkeley Keystone flac1644; set II; Unknown soundboard from the collection of Rich Gastwirt. Lineage: unknown dat > Sony DTC-2000ES > Delta 410 > Adobe Audition > wav 16/48 > Wavelab (with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > Flac16. Admin note added 1/22/2011: lineage used to mention a cassette, but this has been corrected notes
475. 07/09/76 Shn - 0, 13539 Berkeley Keystone Jerry Garcia Band: set II only: MSR > 1R > P > DAT > CDR > wav > shn3 notes
476. 07/09/76 Flac - 0, 138376 Berkeley Keystone JGB; flac1644; From the Gastwirt Collection; SBD: Master Reel > DAT. Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48. Joe Noel Edits: Track, Flac, & Pack: Wave > Audacity > track/label > export multiple > flac 16/48. notes
477. 07/20/76 Shn - 0, 16478 Berkeley Keystone Jerry Garcia Band: SBD > Master Reel > PCM > DAT (44.1khz) > Conner CTD8000H/R-S DDS > Wavelab 4.0 > mkwACT by JJ Clifton. notes
478. 07/20/76 Flac 16/48 - 0, 145935 Berkeley Keystone JGB; flac1648; SBD > 7 inch reel at 7.5ips 1/2trk > pcm > dat (44k) - recorded by Betty Cantor-Jackson and provided by Jim Wise. Transfer: dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Jim Wise. Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac1648. edited and mastered SIRMick April 2019 notes
479. 07/21/76 Flac 16 - 0, 151652 San Francisco His Masters Wheels Studio JGB; flac16 Studio Recording-> ?-> Cassette-> Cassette Maxell UDXL2 C90 with Dolby B (playback on Nakamichi Dragon with Dolby B)-> Lexicon Lambda-> Logic-> wav 16/44.1 -> flac notes
480. 08/16/76 Shn - 0, 13041 Berkeley Keystone Jerry Garcia Band: SBD R/? > CDR > SHN, via Hanno Bunjes. notes
481. 08/22/76 Flac - 0, 81255 Berkeley Keystone Jerry Garcia Band: MSR (2 track 7" reels @ 7.5ips) > 1C > DAT > CD > EAC > SHN (shnid 15672) patched with Unknown AUD > ? > CD (shnid 80165), patching/Flac by Kevin Tobin notes
482. 08/22/76 Flac - 0, 89446 Berkeley Keystone JGB: flac16; Matrix 2 Source Mix; SBD (shnid 15672) MSR (2 track 7" reels @ 7.5ips) > 1C > DAT > CD; Unknown AUD (shnid 80165) > ? > CD; mixed by Kevin Tobin notes
483. 08/22/76 Flac Dts 5.1 - 0, 81256 Berkeley Keystone JGB: DTS Audio 5.1; Mix SBD:MSR (2 track 7" reels @ 7.5ips) > 1C > DAT > CD; Unknown AUD > ? > CD; mixed by Kevin Tobin notes
484. 08/22/76 Shn - 0, 81065 Berkeley Keystone JGB: Unknown AUD > ? > CD > EAC > tracking (CD Wave v1.94.8) > editing (Sony Sound Forge Audio Studio 7.0) > sector boundary alignment (shntool) > level 8 FLAC encoding (FLAC Frontend v1.7.1 etree edition) > speed correction and patching. EAC>>FLAC by missingfinger, pitching and patching by Kevtobin notes
485. 08/22/76 Shn - 0, 15762 Berkeley Keystone Jerry Garcia Band: MSR (2 track 7" reels @ 7.5ips) > 1C > DAT > CD > EAC > SHN. notes
486. 09/10/76 Shn - 0, 12629 Berkeley Keystone Jerry Garcia Band: AUD R/1 > DAT > CDR > SHN notes
487. 09/10/76 Shn - 0, 16643 Berkeley Keystone Jerry Garcia Band: MSR (2 track 7" reels @ 7.5ips) > 1C > DAT > CD > EAC > SHN + patched with MA? > 1R > DAT > CD > EAC > SHN. notes
488. 09/11/76 Shn - 0, 15764 Berkeley Keystone Jerry Garcia Band: MSR (2 track 7" reels @ 7.5ips) > 1 cassette > 2 DAT > Sony R500 playback > Sony CDR-W33 (master CD) > HP 9350i extraction ((EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). D>CD by Ryan Shriver, CD > SHN by Joe Jupille. notes
489. 09/12/76 Shn - 0, 26457 Berkeley Keystone Jerry Garcia Band: MSR (2 track 7" reels @ 7.5ips) -> Cass (TDK SA-X100 played back on Nakamichi CR-7A cassette deck Dolby off) -> Lucid 9624 A-D converter @ 44.1kHz -> Dat (Fostex D5 by Ryan Shriver 2/10/00) -> Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN. notes
490. 09/12/76 Shn - 0, 26999 Berkeley Keystone Jerry Garcia Band: Bertha remaster: SBD >> MR >> CASS >> DAT >> SHN >> DAW(Bertha)>> CDA/SHN notes
491. 09/12/76 Shn - 0, 15765 Berkeley Keystone Jerry Garcia Band: MSR (2 track 7" reels @ 7.5ips) > 1C (TDK SA-X100) > played back on Nakamichi CR-7A cassette deck (Dolby off) > Lucid 9624 A-D converter @ 44.1kHz > Fostex D5 master DAT > unknown DAT and CD gens > EAC > SHN. A>D by Ryan Shriver, EAC>SHN by Joe Jupille notes
492. 09/15/76 Flac - 0, 86326 New York Harbor S.S. Duchess "Pirates Ball" JGB: unknown aud master > Ohr Weinberg's unknown gen cassette (Maxell UDXLII C90) Dolby b (d1 and d2t1-t2) and John Hance's unknown gen cassette (Fuji FX-II 90) Dolby b (d2t3-5) > Nakamichi Dragon (Dolby b) playback > HHB CDR 830 plus > EAC > Sound Forge 6.0 > CD Wave 1.94.5. Transfer and Editing by Anne Cohen 4-2006. notes
493. 09/15/76 Flac - 0, 96924 New York Harbor S.S. Duchess "Pirates Ball" JGB: apparent re-flac of shnid 86326; (taper unknown) Ohr Weinberg's cassette (Maxell UDXLII C90) dolby b (d1 and d2t1-t2), John Hance's cassette (Fuji FX-II 90) dolby b (d2t3-5); Cassette>Nakamichi Dragon (Dolby b)>HHB CDR 830 plus>EAC>Sound Forge 6.0 > CD Wave 1.94.5. Transfer and Editing by Anne Cohen notes
494. 09/16/76 Shn - 0, 12005 Greenvale The Dome (C.W. Post College) Jerry Garcia Band: MAC (Recorded by Barry Glassberg, Sony ECM99 stereo single point mic > Sony TC-153D) > DAT > CDs > EAC > SHN. notes
495. 09/16/76 Flac 24 - 0, 111543 Greenvale The Dome (C.W. Post College) flac2496; Jerry Moore's aud cassette master; lineage: aud > sony ecm33p's > sony tc-152/b; nak dragon/b > hd-p2 24/96 > adobe audition 2.0 > cd wave > tlh flac 8; transfer/seeded by Rob Berger. notes
496. 09/17/76 Shn - 0, 25612 South Orange Seton Hall University Jerry Garcia Band: MAC > 1C > dbx 163x Compression > Tascam M30 Board EQ > Echo Mia 24 Bit Sound Card > CDWave > Wav > SHN. notes
497. 09/17/76 Flac 24/96 - 0, 148839 South Orange Seton Hall University JGB; set II; flac2496; Kathy Sublette's Master Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2019 > TLH flac2496 notes
498. 09/17/76 Flac 16/48 - 0, 148838 South Orange Seton Hall University JGB; set II; flac1648; Kathy Sublette's Master Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2019 > TLH flac2496 notes
499. 09/18/76 Shn - 0, 20100 Ithaca Ben Light Gymnasium, Ithaca College Jerry Garcia Band: FOB > Sony stereo mics > unknown deck* > D > CDX2 > eac > shn. * deck was originally given as 'D5?', but the D5 wasn't yet available at this point, as far as the admin knows notes
500. 09/20/76 Shn - 0, 19745 Reading Astor Theater Jerry Garcia Band, Early and Late Shows: MAC (Shure mics, unknown model, unknown deck) > C > Unknown DAT gens > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes
501. 09/20/76 Flac - 0, 138205 Reading Astor Theater JGB; flac1644; late show; Sony TC-126(F99S mic)>Master cassette(TDK-D90)>JVC TD-R462>Audacity>TLH Flac8, Taper: Dave Peters notes
502. 11/12/76 Flac - 0, 132401 Davis Freeborn Hall (U.C. Davis) 1648: partial set II; Recorded By Betty Cantor-Jackson 7 Inch Nagra Master(Serial # SL11183) 1/2 Track @ 7.5 IPS Reel #4 only (#1,2,& 3 MIA). Analog to Digital: Playback on Otari MX5050-Meyer VX-1 signal processor-Sony PCM R-700 DAT @ 48KHz (circa 1999). Original zero gen DAT played back on a Sony PCM R-500-Digital Audio Labs Card deluxe-16 bit 48KHz Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name). Digital Transfer,Editing & Processing By JW: February 2015. notes
503. 11/12/76 Shn - 0, 15850 Davis Freeborn Hall (U.C. Davis) Jerry Garcia Band, partial show: MSR > D > CD > EAC > SHN notes
504. 11/13/76 Flac - 0, 132402 Arcata Humbolt State College flac1648; JGB; partial set II; Recorded By Betty Cantor-Jackson 7 Inch Nagra Master(Serial # SL11183) 1/2 Track @ 7.5 IPS Reel #4 only (#1,2,& 3 MIA). Analog to Digital: Playback on Otari MX5050-Meyer VX-1 signal processor-Sony PCM R-700 DAT @ 48KHz (circa 1999). 1648: Original zero gen DAT played back on a Sony PCM R-500-Digital Audio Labs Card deluxe-16 bit 48KHz. Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name). Digital Transfer,Editing & Processing By JW: February 2015. notes
505. 11/13/76 Flac - 0, 137750 Arcata Humbolt State College JGB; flac1644; AUD (marked 3rd Gen) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2017 notes
506. 11/15/76 Shn - 0, 132353 Berkeley Keystone flac1648: Recorded By Betty Cantor-Jackson; 7 Inch Nagra Master(Serial # SL11183) 1/2 Track @ 7.5 IPS, Reels # 1,2,& 4 (#3 MIA); Analog to Digital: Playback on Otari MX5050-Meyer VX-1 signal processor-Sony PCM R-700 DAT @ 48KHz (circa 1999); Original zero gen DAT played back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-16 bit 48KHz Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) Digital Transfer,Editing & Processing By JW:January 2015. notes
507. 11/15/76 Shn - 0, 12501 Berkeley Keystone Jerry Garcia Band, set I only: MSR > DAT > CD > SHN. Uploaded by Steve Barbella, discs provided by CozChuck. notes
508. 11/16/76 Shn - 0, 13030 Palo Alto Sophie's JGB: Michael Parrish's MAC > reel > plaback on Uher reel-to-reel machine > Marantz standalone CD recorder > Plextor CDR extraction using EAC (high, secure, offset-corrected) > .shn encoding using mkwACT. Reel > CD by Thomas Donhauser. EAC>SHN and etree seeding by Hanno. notes
509. 11/19/76 Shn - 0, 22411 Pismo Beach Pismo Theater Jerry Garcia Band. Source: MSC>C3>DAT>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J.Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV(Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) by C.Ladner notes
510. 11/20/76 Shn - 0, 22409 Pismo Beach Pismo Theater Jerry Garcia Band. Source: MSC>C3>DAT>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J. Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) by C. Ladner. notes
511. 12/21/76 Shn - 0, 20474 Berkeley Keystone Jerry Garcia Band: MAC > R/1 > CD > EAC > SHN, via Hanno Bunjes notes
512. 12/22/76 Flac - 0, 31802 Berkeley Keystone Jerry Garcia Band: MSR (MD) > Cass (MD) > Cass (me) > Nero (EQ) > flac > sbe fixed. notes
513. 12/22/76 Shn - 0, 14982 Berkeley Keystone Jerry Garcia Band: MSR > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Extraction and .shn encoding by Joe Jupille. notes
514. 01/29/77 Flac - 0, 97063 Berkeley Keystone Flac16: 2 x ECM280 => SONY TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] motb.0089 notes
515. 01/29/77 Shn - 0, 20473 Berkeley Keystone Jerry Garcia Band: MAC > R/1 > CD > EAC > SHN, via Hanno Bunjes notes
516. 01/29/77 Flac 24 - 0, 97084 Berkeley Keystone Flac24: 2 x ECM280 => SONY TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] motb.0089 notes
517. 01/30/77 Flac 24 - 0, 97142 Berkeley Keystone Flac24: Reinhart Hohlwein's 2 x ECM280 => SONY TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] motb.0090. notes
518. 01/30/77 Flac - 0, 97144 Berkeley Keystone Flac16: Reinhart Hohlwein's 2 x ECM280 => SONY TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] motb.0090. notes
519. 02/05/77 Shn - 0, 24757 Goleta Campbell Hall Jerry Garcia Band, Early and Late Shows: MSR > ? > Cx > CDR > WAV > SHN. notes
520. 02/05/77 Shn - 0, 16838 Goleta Campbell Hall Jerry Garcia Band, Early & Late Shows: SBD > cassette? > CD > EAC > SHN v3. See info file for setlist notes and questions. notes
521. 02/05/77 Flac 24/48 - 0, 151268 Goleta Campbell Hall 24 bit Recording Info: SBD > Cassette Master > Cassette (Maxell UD/Dolby B)
Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/48k) > Samplitude Pro X5 > Flac24
notes
522. 04/09/77 Shn - 0, 13361 Palo Alto Keystone Palo Alto Jerry Garcia Band: MAC (unknown taper, equipment, location) > reel > playback on Uher reel-to-reel machine > Marantz standalone CD recorder master CD > Plextor CD extraction using EAC (high, secure, offset-corrected) > .shn encoding using mkwACT. notes
523. 06/23/77 Flac - 0, 137527 Santa Rosa Santa Rosa High School JGB; flac1644; set 1; Dave McClary's MAC (Realistic stereo electret condenser mic > Aiwa portable recorder) > cdr > eac >wav 16/44.1, extracted by Charlie Miller, edited and mastered SIRMick. notes
524. 06/23/77 Shn - 0, 16714 Santa Rosa Santa Rosa High School JGB; shnf; s1 only; Sony ECM -> Sony TC-152 MAC -> D -> CD (Ryan at thejerrysite.com indicates the taper was Bob Menke). notes
525. 07/02/77 Shn - 0, 16589 Palo Alto Keystone Palo Alto Jerry Garcia Band: MAC > Reel > CD [> SHN], via Hanno Bunjes. notes
526. 07/03/77 Shn - 0, 15852 Palo Alto Keystone Palo Alto Jerry Garcia Band, set II only: MSC > 1C > DAT > CD > EAC > SHN notes
527. 07/03/77 Flac - 0, 83722 Palo Alto Keystone Palo Alto JGB, set II: MSC > DAT > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and Seeded by Green Mountain Bros. March 2007. notes
528. 07/03/77 Flac - 0, 76904 Palo Alto Keystone Palo Alto JGB, set II: SBD > CM > 1 Cassette > DAT > Sony D8(modified) > DAT(Clone)@48K > WAVELAB5.0 > WAV@44K > FLAC 16; Transfer, conversion and edits by Ben Dover 08/27/2006. notes
529. 07/08/77 Shn - 0, 17055 Hempstead Calderone Concert Hall Jerry Garcia Band, Late Show: MAC (Taped by Jerry Moore, spaced AKG D-200Es [from the orchestra, hand held, fairly close] > Sony TC-153 [Maxell XLII]) > Nakamichi Dragon playback > ART DI/O A-D converter > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
530. 07/08/77 Shn - 0, 21478 Hempstead Calderone Concert Hall Early Show Source: A:C:CD Recorded by Jerry Moore; Sony ECM-33Ps> Sony TC-152 Master played backed on a Nak Dragon> ART DI/O> Waveterminal 2496> Hard Drive Tracking in Cool Edit 2000; Burned with Feurio Error checked with SHNTOOL; .wav>SHN with mkwACT A>D>SHN by David Minches notes
531. 07/08/77 Shn - 0, 17054 Hempstead Calderone Concert Hall Jerry Garcia Band, Early Show: MAC (Taped by Jerry Moore, spaced AKG D-200Es [front of the balcony] > Sony TC-153 [Maxell XLII]) > Nakamichi Dragon playback > ART DI/O A-D converter > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
532. 07/08/77 Flac 16 44 - 0, 138060 Hempstead Calderone Concert Hall JGB; flac1644; late show; Ken & Judy Lee's 2x Sony F50 Mics > Sony TC124 > Master Cassette, from 1st row Balcony. notes
533. 07/09/77 Flac 1644 - 0, 124426 Asbury Park Convention Hall JGB; flac1644; late show; Steve Strange's hand-held recorder (built-in mics) > cassette master; transfer by Charlie Miller. notes
534. 07/09/77 Shn - 0, 8659 Asbury Park Convention Hall Jerry Garcia Band, Early & Late shows: MAC (unknown equipment, taped by Mark Mattson) > DATx1 > CDx1 > EAC > SHN notes
535. 07/09/77 Shn - 0, 76411 Asbury Park Convention Hall JGB, early and late shows: Mark Mattson's MAC > CD > SHN. Transfer by Mark Mattson, shn encoding by Teddy Goodbear notes
536. 07/09/77 Flac Mtx.16/44 - 0, 141228 Asbury Park Convention Hall JGB; flac1644; partial early and complete late; Mono SBD > ? > FLAC; "I won't go into details about the transfer, but I used proper tools with quality settings maxed." Transferred and prepared for circulation by Mr. Completely in November 2014 notes
537. 07/09/77 Flac 16/48 - 0, 145476 Asbury Park Convention Hall JGB; flac16/48kHz; partial early and complete late show; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 134707) partial early and complete late; Mono SBD > ? > FLAC; "I won't go into details about the transfer, but I used proper tools with quality settings maxed." Transferred and prepared for circulation by Mr. Completely in November 2014 + AUD (shnid = 8659) MAC (unknown equipment, taped by Mark Mattson) > DATx1 > CDx1 > EAC > SHN - surround mixing by Kevin Tobin notes
538. 07/09/77 Flac 16 Dts.5.1 - 0, 145475 Asbury Park Convention Hall JGB; DTS-Audio-CD 5.1 Mix; partial early and complete late shows; - SBD (shnid = 134707) partial early and complete late; Mono SBD > ? > FLAC; "I won't go into details about the transfer, but I used proper tools with quality settings maxed." Transferred and prepared for circulation by Mr. Completely in November 2014 + AUD (shnid = 8659) MAC (unknown equipment, taped by Mark Mattson) > DATx1 > CDx1 > EAC > SHN - dts mixing by Kevin Tobin notes
539. 07/09/77 Flac 16 Mtx - 0, 145473 Asbury Park Convention Hall JGB; flac16; partial early and complete late show; Matrix 2 Source Mix - SBD (shnid = 134707) partial early and complete late; Mono SBD > ? > FLAC; "I won't go into details about the transfer, but I used proper tools with quality settings maxed." Transferred and prepared for circulation by Mr. Completely in November 2014 + AUD (shnid = 8659) MAC (unknown equipment, taped by Mark Mattson) > DATx1 > CDx1 > EAC > SHN - matrix mixing by Kevin Tobin notes
540. 07/09/77 Flac 24/96 - , 155845 Asbury Park Convention Hall JGB; flac2496; early and late shows; Master Audience Cassette To HD; Recorded by: Mark Mattson, unknown equipment; Transfer and mastering by David Minches. February 2022; Transfer: Master played back on Nakamichi Dragon > Tascam DA-3000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24-96]; Mastering: Adobe Audition 2022 - Ozone 9 Advanced. Pitch correction by Joe B. Jones. notes
541. 07/23/77 Shn - 0, 30662 Palo Alto Keystone Palo Alto Jerry Garcia Band: SBD -> Cassette Master -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC (2 Discs Audio / 2 Disc FLAC). Transferred and Edited By Charlie Miller notes
542. 07/23/77 Shn - 0, 31319 Palo Alto Keystone Palo Alto Jerry Garcia Band: "Bertha" remaster of Charlie Miller seed #30662 notes
543. 07/29/77 Shn - 0, 17217 San Francisco Theatre 1839 Jerry Garcia Band: MAC (Taped by Bob Menke, setup not yet established at this time) > CDs > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > minor editing (Sound Forge Studio 6.0) > sector boundary fixing (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
544. 07/30/77 Flac - 0, 121534 San Francisco Theatre 1839 flac1644; mixed unlineaged sbd cassette tape sources; Nak Dragon dolby out > usb DAD > Audacity 1.3.13 beta, DC offset, 96/24 > 44k/16 flac level 8 > TLH cksum, verify, torrent. notes
545. 07/30/77 Shn - 0, 17218 San Francisco Theatre 1839 Jerry Garcia Band: MAC (Taped by Bob Menke, setup not yet established at this time) > CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > minor editing (Sound Forge Studio 6.0) > sector boundary fixing (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
546. 08/06/77 Shn - 0, 4448 Berkeley Keystone Jerry Garcia Band:set 2 partial; MSC -> DAT -> Digi001 -> SHN; via Ryan Shriver, Dan Metz notes
547. 08/06/77 Flac - 0, 83754 Berkeley Keystone JGB, set II partial: MSC > DAT > Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). notes
548. 08/07/77 Flac - 0, 86045 Berkeley Keystone JGB, Ip/II: MSC > DAT > Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) - Green Mountain Bros notes
549. 08/07/77 Shn - 0, 6371 Berkeley Keystone Jerry Garcia Band: Master Cassette SB > DAT > CD notes
550. 11/20/77 Flac 1644 - 0, 132097 Binghamton West Gym JGB; flac1644; s2; sbd, unknown gen cassette transferred & seeded by Rob Berger notes
551. 11/20/77 Flac 24/96 - 0, 132098 Binghamton West Gym JGB; flac2496; s2; sbd unknown gen cassette, transferred & seeded by Rob Berger notes
552. 11/20/77 Flac 16 44 - 0, 141495 Binghamton West Gym JGB; flac1644; mono sbd composite for complete show notes
553. 11/21/77 Shn - 0, 76442 West Hempstead The Playhouse (Hofstra University) JGB, early & late shows: Mark Mattson's MAC > CD > SHN. Transfer by Mark Mattson, shn encoding by Teddy Goodbear. notes
554. 11/21/77 Shn - 0, 15853 West Hempstead The Playhouse (Hofstra University) Jerry Garcia Band, Late Show: MAC (Taped by Mark Mattson, unknown equipment) > 1 DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
555. 11/21/77 Flac 24/96 - , 155631 West Hempstead The Playhouse (Hofstra University) JGB; flac2496; early and late; Recorded by: Mark Mattson, unknown equipment; Transfer and mastering by David Minches. February 2022; Transfer: Master played back on Nakamichi Dragon> Tascam DA-3000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24-96]; Mastering: Adobe Audition 2022 - Ozone 9 Advanced; Pitch correction by Joe B. Jones. notes
556. 11/21/77 Shn - , 15853 West Hempstead The Playhouse (Hofstra University) Jerry Garcia Band, Late Show: MAC (Taped by Mark Mattson, unknown equipment) > 1 DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
557. 11/21/77 Flac 16/44 - , 111582 West Hempstead The Playhouse (Hofstra University) flac1644; early show, incomplete; MSC > C > DAT > CD > dbpoweramp CD Ripper > flac. Ripping and Flacing by David Minches. Speed Correction by Joe B. Jones. notes
558. 11/23/77 Flac - 0, 16204 Waterbury The Palace Theater Jerry Garcia Band: MAC (Taped by Jerry Moore, Sony ECM-33Ps [ledge of the opera box, right side facing stage] > Sony TC-158) > Tascam 122MKIII playback > Tascam DA-40 master DAT > Tascam DA-30 playback > HD > Cool Edit 2000 > .shn. A > D by Mark Cohen, D > SHN by David Minches. notes
559. 11/23/77 Flac 24 - 0, 123905 Waterbury The Palace Theater JGB; flac2496; Jerry Moore's aud cassette master, updated transfer by Rob Berger. notes
560. 11/23/77 Flac - 0, 123904 Waterbury The Palace Theater flac1644; "The Commander"'s aud cassette master, transfer by Rob Berger notes
561. 11/23/77 Shn - 0, 25622 Waterbury The Palace Theater Jerry Garcia Band: AUD--CASS--TASCAM Portastudio 424Mk II--DAT--CD, via vamarty. notes
562. 11/25/77 Flac - 0, 107799 Upper Darby The Tower Theatre Late Show: Unknown low-end mics (2) > Cassette Master (Panasonic stereo cass recorder (unknown model)/Memorex MRX2 Oxide C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Orchestra Section L/C, Row DD, Seat 110 by Bob Morris (note: 2 versions included: without & with equalization) notes
563. 11/25/77 Flac - 0, 133584 Upper Darby The Tower Theatre JGB; flac16; late show; Unknown mono AUD recording > Cx? > CDR > WAV, via the jjoops tupperware collection. Transfer: Wavelab > CD-Wave > TLH > FLAC 1644 tagged. June 2015. notes
564. 11/25/77 Shn - 0, 16837 Upper Darby The Tower Theatre Jerry Garcia Band, Early Show: Unknown AUD > Cassette? > CD > EAC > SHN v3. notes
565. 11/25/77 Flac - 0, 138209 Upper Darby The Tower Theatre JGB; flac1644; early show; Sony TC-126(F99S mic)>Master cassette>JVC TD-R462>Audacity>TLH Flac8, Taper : Dave Peters notes
566. 11/26/77 Shn - 0, 76486 Passaic Capitol Theater JGB, early & late shows: MAC > CASS > DAT > CDR > EAC > SHN (seekable) Taper and equipment unknown notes
567. 11/26/77 Flac - 0, 85051 Passaic Capitol Theater JGB, Late Show: Jim Anderson's AKG D200e > Cm > 1st gen cass > SBM1 > CD > EAC > CDWav > Flac, transferred by Rob Berger notes
568. 11/27/77 Shn - 0, 6621 New York The Palladium Jerry Garcia Band:Early & Late Show: AUD (DAT: MAC>D>CDR>EAC>SHN) notes
569. 11/27/77 Shn - 0, 16913 New York The Palladium Jerry Garcia Band, Early Show: MAC (Taped by Barry Glassberg, Sony ECM 270s [1st row loge, 30' separation] > Sony TC-153SD [Maxell UDXLII, Dolby]) > Tascam 122 MK III playback > Tascam DA-40 master DAT (44.1) > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT). notes
570. 11/27/77 Shn - 0, 16914 New York The Palladium Jerry Garcia Band, Late Show: MAC (Taped by Barry Glassberg, Sony ECM 270s [1st row loge, 30' separation] > Sony TC-153SD [Maxell UDXLII, Dolby]) > Tascam 122 MK III playback > Tascam DA-40 master DAT (44.1) > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT notes
571. 11/27/77 Flac 24/96 - 0, 141957 New York The Palladium JGB; early show; FLAC2496: Bob Minkin & Dino P's Master Audience Cassettes; 2 x Sony mics > Sony TC-158 > Bob Minkin's 1st generation cassette(Maxell UID-XLII tape) Transfer Info: 1st generation cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96k)> TLH flac2496 notes
572. 11/27/77 Flac 16/44 - 0, New York The Palladium JGB; early show; FLAC1644: Bob Minkin & Dino P's Master Audience Cassettes; 2 x Sony mics > Sony TC-158 > Bob Minkin's 1st generation cassette(Maxell UID-XLII tape) Transfer Info: 1st generation cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96k)> TLH flac2496 This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp notes
573. 11/29/77 Flac 16/44 - 0, 124216 New Paltz S.U.N.Y. JGB; flac1644; Jim Cooper's MAC (2x Sony ECM22P > Hitachi TRQ-232, Maxell UDXLII-C90 and Maxell UD-C90, Dolby B); transfer by Rob Berger: Nakamichi Dragon (Dolby B) > Benchmark ADC1 24/96 > PC > Adobe Audition 2.0 > CD Wave > flac, March 2013. notes
574. 11/29/77 Flac 24/96 - 0, 124217 New Paltz S.U.N.Y. JGB; flac2496; Jim Cooper's MAC (2x Sony ECM22P > Hitachi TRQ-232, Maxell UDXLII-C90 and Maxell UD-C90, Dolby B); transfer by Rob Berger: Nakamichi Dragon (Dolby B) > Benchmark ADC1 24/96 > PC > Adobe Audition 2.0 > CD Wave > flac, March 2013. notes
575. 11/29/77 Flac 24/48 - 0, 146764 New Paltz S.U.N.Y. JGB; flac2448; 2nd Set; Source: AUD of unknown lineage > ? > cassette via Richie & Rip. Transfer: XLII-S > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 06/2019 notes
576. 11/30/77 Flac - 0, 131911 Buffalo Gymnasium, Buffalo State College SUNY JGB; flac1644; aud 1st gen reel, sony ecm-99a > nak 550, taped by Steve Spitalny, transfer - Rob Berger notes
577. 11/30/77 Shn - 0, 10635 Buffalo Gymnasium, Buffalo State College SUNY Jerry Garcia Band: MAC > Reel > DAT > CDx1 > EAC > SHN. Taper, equipment, and location currently uncertain, but probably recorded by Steve Spitalny, Sony ECM-99A > Nak 550. notes
578. 12/02/77 Shn - 0, 9463 Boston Orpheum Theater Jerry Garcia Band: Early & Late. Sony ECM 99a> Sony152> MAC> D >EAC >MKWact >SHN notes
579. 12/02/77 Shn - 0, 34739 Boston Orpheum Theater JGB, early and late shows: Steve Rolfe's MAC (Sony ECM-99 Stereo mic> Sony TC-152 [Maxell UDs]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches. notes
580. 12/02/77 Flac - 0, 81493 Boston Orpheum Theater JGB, Early & Late Shows: Steve Hopkins MAC (Sony ECM-99a > Sony TC-158SD; Maxell UD-XLI; some patches from Steve Rolfe MAC, Sony ECM-99a > Sony TC-158SD) > Nakamichi Dragon playback > ART DI/O (96Mhz/24 bit)> Digital Audio Labs Card Deluxe soundcard > HD Editing performed in Adobe Audition; Dithered and downsampled to 44.1 MHz / 16 bit; Flac Encoded. Transfer by David Minches notes
581. 12/04/77 Shn - 0, 13819 New Brunswick The Barn (Rutgers U.) Jerry Garcia Band: Set I + one song from set II: MSC > DAT > CD > EAC > SHN notes
582. 12/06/77 Shn - 0, 12028 Greenvale The Dome, C.W. Post College Jerry Garcia Band: MSR > C > D > CD > EAC > shntool > SHNv3. This seed corrects sector boundary errors on the original .shn set. notes
583. 12/06/77 Shn - 0, 4446 Greenvale The Dome, C.W. Post College Jerry Garcia Band: MSR > Cass > Dat > Cdr. Seeded by Mike Lai. notes
584. 12/06/77 Shn - 0, 76443 Greenvale The Dome, C.W. Post College JGB: Mark Mattson's MAC > CD > SHN. Transfer by Mark Mattson, shn encoding by Teddy Goodbear notes
585. 12/06/77 Flac 24/48 - 0, 148897 Greenvale The Dome, C.W. Post College JGB; flac2448; Source: AUD of unknown lineage > ? > cassette via Richie & Rip. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2020 notes
586. 12/06/77 Flac 24/96 - , 155724 Greenvale The Dome, C.W. Post College JGB, flac2496; Recorded by: Mark Mattson, unknown equipment [MAC]; Transfer: Master played back on Nakamichi Dragon> Tascam DA-3000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24-96]; Mastering: Adobe Audition 2022 - Ozone 9 Advanced. Transfer and mastering by David Minches. Pitch correction by Joe B. Jones. notes
587. 12/08/77 Shn - 0, 20680 Albany Palace Theatre Jerry Garcia Band: SBD -> Cm -> Apogee AD1000 -> Dat (Panasonic SV3800); transferred by Charlie Miller notes
588. 12/08/77 Shn - 0, 4445 Albany Palace Theatre Jerry Garcia Band: mSC>DAT; DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > downsampled to 44.1k/de-hissed > SHN (no extraction); via Jon Seff notes
589. 12/08/77 Shn - 0, 16858 Albany Palace Theatre Jerry Garcia Band: Unknown AUD > Cassette? > CD > EAC > SHN v3 notes
590. 12/09/77 Flac 24 - 0, 137720 Stony Brook Gym, S.U.N.Y. JGB; flac24/88.2; Phil Matera's Mc-> Reel 1st gen Reel (Maxell-UD135) 1/4trk@3-3/4; Teac X2000R-> Korg MR1000 DSD DFF@ 5.6MHz->AudioGate-> 24/88.2 Wave-> Wavelab6-> OzoneRx4a-> Ozone6A > CD Wave > TLH > Flac24 notes
591. 12/09/77 Flac - 0, 137721 Stony Brook Gym, S.U.N.Y. JGB; flac1644; Phil Matera's Mc-> Reel 1st gen Reel (Maxell-UD135) 1/4trk@3-3/4 Teac X2000R-> Korg MR1000 DSD DFF@ 5.6MHz->AudioGate-> 24/88.2 Wave-> Wavelab6-> OzoneRx4a-> Ozone6A > CD Wave > r8brainpro > 16/44.1 > TLH > Flac16. notes
592. 12/09/77 Flac 24 - 0, 137736 Stony Brook Gym, S.U.N.Y. JGB' flac 24/88.2; (fix of shnid-137720) Phil Matera's Mc-> Reel 1st gen Reel (Maxell-UD135) 1/4trk@3-3/4 Teac X2000R-> Korg MR1000 DSD DFF@ 5.6MHz->AudioGate-> 24/88.2 Wave-> Wavelab6-> OzoneRx4a-> Ozone6A > CD Wave > TLH > Flac24 notes
593. 12/09/77 Flac - 0, 137737 Stony Brook Gym, S.U.N.Y. SHNID: 137737 notes
594. 12/09/77 Shn - 0, 4444 Stony Brook Gym, S.U.N.Y. Jerry Garcia Band: FOB Nakamichi CM-300 Mics; MAC -> DAT -> Digi001 -> SHN; via Ryan Shriver, Dan Metz notes
595. 12/09/77 Shn - 0, 16859 Stony Brook Gym, S.U.N.Y. JGB, set II only: Unknown AUD > ? > CD > EAC > SHN v3. This is an apparently redundant re-shn of < A HREF="http://db.etree.org/shninfo_detail.php?shnid=4444">shnid 4444. notes
596. 12/09/77 Flac - 0, 77713 Stony Brook Gym, S.U.N.Y. JGB, set II: pitch-corrected version of shnid 4444 (Nak 300s MAC > DAT > CD). notes
597. 12/09/77 Shn - , Stony Brook Gym, S.U.N.Y. notes
598. 12/10/77 Flac - 0, 29162 Washington Warner Theater, Early show Jerry Garcia Band: (FOB) Electra Voice Omni Mics > Cass/0 > DAT > CDR > EAC > WAV > Wavelab (Mastering) > FLAC notes
599. 12/10/77 Shn - 0, 4443 Washington Warner Theater, Late show Jerry Garcia Band Unknown Aud> Mreel> Dat> Cdr. Seeded by Mike Lai notes
600. 12/11/77 Flac - 0, 80773 State College Rec Hall, Penn State U JGB: MSR > C > PCM > DAT > CD, remaster of shnid6622 via sirmick. notes
601. 12/11/77 Shn - 0, 6622 State College Rec Hall, Penn State U Jerry Garcia Band:sdb>>master reel>>cassette>>pcm>>dat>>cdr There is a brief "Close Encounters of the Third Kind" tease in Lonesome And A Long Way From Home . The SBD tape contains splices in Sitting In Limbo, Mission In The Rain and Lonesome And A Long Way From Home notes
602. 12/11/77 Shn - 0, 13418 State College Rec Hall, Penn State U Jerry Garcia Band: MSR > PCM > unknown analog gens > DAT > CD > SSSB processing. notes
603. 12/11/77 Shn - 0, 12029 State College Rec Hall, Penn State U Jerry Garcia Band: MSR > C > P > D > CD > EAC > shntool > SHNv3. This set, via Chris Ladner, fixes sector boundary errors on the original .shn set. notes
604. 12/23/77 Shn - 0, 20475 Palo Alto Keystone Palo Alto Jerry Garcia Band: FM > ?? > R > CD > EAC > SHN, via Hanno Bunjes notes
605. 02/15/78 Flac - 0, 137826 Berkeley Keystone JGB; flac1644; Partial Unknown AUD kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2017 notes
606. 02/18/78 Shn - 0, 17750 San Rafael Marin County Veterans Auditorium Jerry Garcia Band: MSC > ? > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave) > patching (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
607. 02/19/78 Shn - 0, 21460 Santa Cruz Santa Cruz Civic Auditorium Jerry Garcia Band: Currently optimal composite from multiple audience sources. Composite and SHN encoding by Jack Warner notes
608. 03/10/78 Flac - 0, 80887 Rochester Auditorium Theater JGB: Alan Zimmerman's MAC (Sony 54P or Sony ECM 99s > Teac PC-10 [1st Set on Sony FeCr-90; 2nd Set on Maxell UD XLII-90]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding; transfer by David Minches. notes
609. 03/10/78 Flac - 0, 80335 Rochester Auditorium Theater JGB, incomplete: Unknown Taper and Equipment, Unknown Lineage cassette > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac, transfer by David Minches. notes
610. 03/11/78 Shn - 0, 14931 Pawtucket Leroy Theater Jerry Garcia Band: MAC (Taped by Tom Dalti, Sony ECM-99a mics > Technics 646ds cassette deck > DAT > CDR > EAC (v0.9 beta 4, offset corrected, high/secure) > editing Soundforge 5) > tracking (CD Wave) > boundary check (shntool) > SHN (shorten 3.4) > FTP via C. Ladner/ candyman FTP. notes
611. 03/11/78 Shn - 0, 76444 Pawtucket Leroy Theater JGB: pre-show interview: unknown FM-SBD > SHN, via Andy Gefen and Teddy Goodbear; show: unknown AUD > SHN, via Teddy Goodbear. notes
612. 03/11/78 Flac 1644 - 0, 135199 Pawtucket Leroy Theater JGB; flac1644; set II; MSC > DAT > CDR > XLD > FLAC. notes
613. 03/11/78 Flac - 0, 97682 Pawtucket WBRU-FM Studios JGB: Tim Friend's 1x AKG D200E (mono recording) > Sony TC-153SD > Maxell UD-XLII 90's, with no Dolby. Fifth row orchestra, left center section; Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 by Andrew F. notes
614. 03/11/78 Flac 1644 Mtx - 0, 141085 Pawtucket Leroy Theater JGB, flac1644; set II; Matrix of SBD ID-135199 & AUD ID-14931. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, Andrew F 02/2018 notes
615. 03/12/78 Flac - 0, 82587 Commack Suffolk Forum JGB: Unknown MAC > CD, discs provided by Jim Wise. Transfer: CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. notes
616. 03/12/78 Shn - 0, 4473 Commack Suffolk Forum FOB Shure Audience > CassMaster> Dat> Cdr Transfer Da-P1> Zafiro ZA-2> NT4.0/Soundforge xp 4.0 > Cdrwin **May Contain Additional Analog Generations notes
617. 03/12/78 Flac 24/96 - 0, 148331 Commack Suffolk Forum JGB; flac2496 Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
618. 03/12/78 Flac 16/48 - 0, 148330 Commack Suffolk Forum JGB; flac1648 Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
619. 03/14/78 Flac - 0, 92367 Boston Music Hall JGB: Claudette Gardel's AKG 501E mics > Sony TC-153SD MAC; Nakamichi unknown deck playback > Powerbook G4 > Sound Edit version 2 > CD; Edited and Mastered by Jamie Waddell on the GEMS Edit Station; Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither; Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8; Tag & Rename for FLAC Meta-Tagging notes
620. 03/14/78 Flac - 0, 137446 Boston Music Hall JGB; flac1644: Taped by Claudette Gardel, AKG 501E mics > Sony TC-153SD; Nakamichi ??deck?? playback > Powerbook G4 > Sound Edit version 2 > CD, Edited and Mastered by Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes
621. 03/14/78 Shn - 0, 14969 Boston Music Hall Jerry Garcia Band: MAC (Taped by Tom Dalti [NOT Steve Rolfe as previously listed], Sony ECM-99a mics > Technics 646ds cassette deck) DAT > CDR > EAC (version 0.9 beta 4, offset corrected, high/secure) > editing (soundforge 5) > tracking (cdwav) > boundary check (shntool) > SHN (shorten 3.4) > FTP via C.Ladner/candyman FTP. notes
622. 03/16/78 Flac - 0, 124066 Philadelphia Spectrum Theatre JGB; 1644; Rich Petrunis Audience Cassette master (Sony hand-held recorder > Lafayette low bias tape, no NR); transfer/seed by Rob Berger: Nak Dragon > Tascam HD-P2 24/96 > PC > Adobe Audition 2.0 > CD Wave > TLH, March 2013. notes
623. 03/16/78 Shn - 0, 28790 Philadelphia Spectrum Theatre Jerry Garcia Band. Source: Unknown mics/taper>Cx>DAT>CDR>WAV>FLAC. notes
624. 03/17/78 Flac - 0, 123179 Passaic Capitol Theater JGB; early show; flac16; Matrix 2 Source Mix - SBD (shn id 98256) Recording Info: Jerry Moore's FM simulcast 10/5" reel master @ 7.5 ips (Ampex tape, baked) > technics rs-1506 playback > sony nr-335 > hd-p2 24/48 > flac. Baking & transfer by Rob Berger + AUD (shn id 123123) aud 1st gen, akg d200e's>sony tc-152, taped by Jim Anderson, transfer by Rob Berger - matrix mixing by Kevin Tobin notes
625. 03/17/78 Flac - 0, 123184 Passaic Capitol Theater JGB; late show; flac1644; sbd audio from vhs video, via Rob Berger. notes
626. 03/17/78 Flac - 0, 85164 Passaic Capitol Theater JGB, early show: FM > ? > Maxell C90 > Nak CR3A > HP computer > Sound Forge > CD Wave > Flac. notes
627. 03/17/78 Flac - 0, 123123 Passaic Capitol Theater JGB; early show; flac1644; aud 1st gen, akg d200e's>sony tc-152, taped by Jim Anderson, transfer by Rob Berger notes
628. 03/17/78 Flac Dts 5.1 - 0, 123180 Passaic Capitol Theater JGB; early show; flac16; DTS-Audio-CD 5.1 Mix - SBD (shn id 98256) Recording Info: Jerry Moore's FM simulcast 10/5" reel master @ 7.5 ips (Ampex tape, baked) > technics rs-1506 playback > sony nr-335 > hd-p2 24/48 > flac. Baking & transfer by Rob Berger + AUD (shn id 123123) aud 1st gen, akg d200e's>sony tc-152, taped by Jim Anderson, transfer by Rob Berger - dts mixing by Kevin Tobin notes
629. 03/17/78 Flac - 0, 138358 Passaic Capitol Theater JGB; late show; flac1644; Unknown AUD kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 05/2017 notes
630. 03/18/78 Shn - 0, 7326 Washington Warner Theater notes
631. 03/18/78 Shn - 0, 4441 Washington Warner Theater Jerry Garcia Band: late show; SBD> FM> A> D> CdR> shn; via "JTFC" notes
632. 03/18/78 Shn - 0, 30119 Washington Warner Theater Jerry Garcia Band, Late Show: July 2003 Oade seed (shnid 18733) patched with FMSBD > 2C >(C?) > CDR by gcsadoti. See info file for extensive editing notes. notes
633. 03/18/78 Shn - 0, 18733 Washington Warner Theater Jerry Garcia Band, Late Show: ?? > DATC > HD > DSP* > DataCDR > CDWave1.6 > mkwACTb0.97. notes
634. 03/18/78 Shn - 0, 9465 Washington Warner Theater Jerry Gracia Band: Early Show. Master Audience Cassette (Nak CM700s>cassette deck)>DAT>CDRs>EAC>SHN (seekable). Thanks to Andy for the source disks. EAC>Shn by darrin (dnsacks@usa.net) 3/2002 notes
635. 03/19/78 Shn - 0, 4440 Pittsburgh Stanley Theater Jerry Garcia Band: Sndbd->Cassette->Cassette->DAT->CDR->Audio Grabber->TC Native Spectralizer->TC Native Multiband Compressor->SoundForge->TC Native Loudness Maximizer->CDR notes
636. 03/22/78 Shn - 0, 19832 Sebastopol Veteran's Hall Source: SBD > CM(x) > CDR > WAV > SHN. notes
637. 06/11/78 Flac - 0, 97713 Berkeley Keystone JGB,Partial Soundboard; Recording Info: SBD -> Cassette Master -> CD; Transfer Info:CD -> Samplitude Professional v10.2 -> CD; All Transfers and Mastering By Charlie Miller notes
638. 06/11/78 Shn - 0, 14111 Berkeley Keystone Jerry Garcia Band, missing last two songs: MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
639. 06/18/78 Shn - 0, 12559 Palo Alto Keystone Palo Alto Jerry Garcia Band: MAC > CD > EAC > SHN. Taped by John Angus and Scott Hart, Sony ECM99 (first tier, center) > Sony TC-158 (Maxell UD-XLIIs) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > HP 9350i extraction using EAC > speed correction (pitch shifted up by 40 cents) using Sound Forge XP version 5 > tracking using CD Wave > .shn encoding using mkwACT. Proper sector boundaries verified using shntool. notes
640. 08/12/78 Shn - 0, 22380 Berkeley Keystone Jerry Garcia Band. Source: MAC(mics unknown, possibly Sony) > HD > CD>WAV>SHN. Taper: Mike Riley notes
641. 10/03/78 Flac - 0, 97200 San Francisco Shady Grove Merl Saunders Band, with special guest Jerry Garcia, MAC>C>C>WAV>FLAC; C>FLAC Encoding by Cousinit notes
642. 10/03/78 Shn - 0, 20027 San Francisco Shady Grove Merl Saunders Band, with special guest Jerry Garcia. Master audience tape (unknown mics, unknown deck, taped by A. Tsukada) > unknown analog generations > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes
643. 10/07/78 Flac - 0, 104978 Palo Alto Keystone Palo Alto flac1644: Recorded by John Angus and Scott Hart; Sony ECM-99> Sony TC-158; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0 (dither/downsample)> FLAC encoding. notes
644. 10/07/78 Shn - 0, 14112 Palo Alto Keystone Palo Alto Jerry Garcia Band: MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
645. 10/07/78 Flac 24 - 0, 105024 Palo Alto Keystone Palo Alto flac2496 Recorded by John Angus and Scott Hart; Sony ECM-99> Sony TC-158 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> FLAC encoding. notes
646. 10/08/78 Shn - 0, 20924 Palo Alto Keystone Palo Alto Source: MAC(Sony mics?)>D>CD>WAV>SHN Taper: Mike Riley notes
647. 10/10/78 Shn - 0, 14113 Berkeley Keystone Jerry Garcia Band: MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta notes
648. 10/10/78 Shn - 0, 82886 Berkeley Keystone JGB: aud-sbd combination of shnid 14113 (Angus/Hart Sony ECM 99 aud) and shnid 14005 (sbd). See info file for details. notes
649. 10/10/78 Shn - 0, 14005 Berkeley Keystone Jerry Garcia Band: MSC > DAT > CDR > EAC > WAV > SHN. Almost certainly has another cassette generation. notes
650. 10/24/78 Shn - 0, 13472 Berkeley Keystone Jerry Garcia Band: MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > very slight editing (Sound Forge Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
651. 10/26/78 Shn - 0, 89962 Portland Paramount Theatre JGB: Pat Lee's Sony ECM 18n's (Front row balcony w/ mics on railing) > Sony 152SD MAC; Master played back on Nak Dragon> ART DI/O> Egosys Waverterminal 2496; Edited and tracked in Cool Edit 2000; boundary verification with Shntool; shn encoding; shn > flac in shntool, using shntool conv -o flac *.shn. notes
652. 10/26/78 Shn - 0, 16805 Portland Paramount Theatre Jerry Garcia Band: MAC > CD > EAC > WAV > CE2k (retracking, glitch removal) > SHN. notes
653. 10/26/78 Shn - 0, 13199 Portland Paramount Theatre Jerry Garcia Band: Partial set II only: MSC > Cassette > DAT > CD > EAC > SHN. notes
654. 10/26/78 Flac 24/96 - 0, 148665 Portland Paramount Theatre flac2496 Source Info: Mark Severson's Master Audience Cassettes; Sony ECM 270 mics > Sony TC-158 Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
655. 10/26/78 Flac 16/48 - 0, 148664 Portland Paramount Theatre flac1648 Source Info: Mark Severson's Master Audience Cassettes; Sony ECM 270 mics > Sony TC-158 Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
656. 10/27/78 Flac - 0, 89723 Cheney Pavillion East (Eastern Washington University) JGB: MAC > ? > CD > EAC > FLAC notes
657. 10/27/78 Shn - 0, 18291 Cheney Pavillion East (Eastern Washington University) Jerry Garcia Band, I/IIp: MA? > ? > CD > EAC > SHN notes
658. 10/28/78 Flac - 0, 89135 Seattle Paramount Northwest Theater JGB, early & late: Mark Severson's 2 Sony ECM-270s> Sony TC-158D (2 Maxell UD XL-IIs) MAC (Recorded from front row, center balcony; Mics on railing); Nak Dragon playback > Grace Lunatec V3 (24/96) > Digital Audio Labs Card Deluxe > Adobe Audition 2.0 > (dither/downsample) > FLAC encoding. Transfer and FLAC encoding by dminches. notes
659. 10/28/78 Shn - 0, 12679 Seattle Paramount Northwest Theater Jerry Garcia Band: MAC (Taped by Mike McCaw, Nak 700s > Sony TC-158) > 1 reel > DATs > CDs > EAC > SHN notes
660. 10/28/78 Flac 24/96 - 0, 148640 Seattle Paramount Northwest Theater JGB; flac2496 Early & Late Shows; Mark Severson's Master Audience Cassette; Sony ECM 270 mics > Sony TC-158; Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496. notes
661. 10/28/78 Flac 16/48 - 0, 148639 Seattle Paramount Northwest Theater JGB; flac1648 Early & Late Shows; Mark Severson's Master Audience Cassette; Sony ECM 270 mics > Sony TC-158; Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496, 24-bit > 16-bit via dBpoweramp. notes
662. 11/03/78 Shn - 0, 10032 Palo Alto Keystone Palo Alto Jerry Garcia Band: complete show, aud + sbd composite. MAC (Mike Riley, unknown gear) > R > CDx2 > EAC > SHN (I & IIp) + MC > 2C > CD > EAC > SHN (end of set II). notes
663. 11/17/78 Flac - 0, 80703 Chicago Rambler Room Bob Weir & Friends: MSC > DAT > Sonic Solutions > CD > CD > extraction using adobe audition 1.5 > flac level 8, via David Gans. notes
664. 01/30/79 Shn - 0, 12560 Berkeley Keystone Reconstruction: MAC > CD > EAC > SHN. Recorded by Steve Spitalny and John Angus, Sony ECM-990 (balcony rail, stage left) > Nak 550 > patched out to Sony TC-158 master cassette (UD XLII) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > HP 9350i extraction using EAC > speed correction (pitch shifted down by 40 cents) using Sound Forge XP version 5 > tracking using CD Wave > .shn encoding using mkwACT. notes
665. 02/27/79 Flac - 0, 105807 Berkeley Keystone flac1644: MOTB 0124: Eldon Porray's 2 x Sony ECM 280 >> Sony TC 153SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96] ... ; transfered by Bob Menke, mastered by Bill Koucky and Derek McCabe notes
666. 02/27/79 Shn - 0, 11672 Berkeley Keystone Reconstruction: MAC > DAT > CD > EAC > SHN. Recorded by Eldon Porray, Nakamichi CM-700 mics (front row balcony, left of soundboard) > Sony TC-D5 cassette master (Maxell XL-II no Dolby) > playback on Nak CR-3A > Lucid AD9624 (24-bit A/D Converter) > Sony R500 (master DAT) > DATs > CDs > EAC > SHN notes
667. 03/07/79 Shn - 0, 6364 San Rafael Rancho Nicasio Reconstruction: MSR -> PCM -> DAT -> Digi001 -> SHN notes
668. 03/07/79 Flac - 0, 137716 San Rafael Rancho Nicasio Reconstruction; flac1644; Soundboard; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11. Mastering and editing by acetboy on Pro Tools LE. Track, FLAC and Pack by Copperdomebodhi. 16 bit 44.1kHz. a project **GEMS** Betamania Release February 4, 2017 notes
669. 03/07/79 Flac - 0, 138787 San Rafael Rancho Nicasio Reconstruction; flac16xx; MSR > PCM > DAT (48k), provided by Rich Gastwirt; transfer: DAT > Sony PCM-R500 > Sound Devices 744T > wav 16/48, by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017 notes
670. 03/09/79 Shn - 0, 10016 Cotati Cabaret Cotati Reconstruction: MSR > DAT > CD. DAT > CD by David Hollister, seeded by Justin Walther. notes
671. 03/30/79 Shn - 0, 11673 Santa Cruz The Catalyst Reconstruction: MAC > DAT > CD > EAC > SHN. Recorded by Eldon Porray, FOB Nakamichi CM-700 mics > Sony TC-D5 cassette master (Maxell XL-II no Dolby) > playback on Nak CR-3A > Lucid AD9624 (24-bit A/D Converter) > Sony R500 (master DAT) > DATs > CDs > EAC > SHN notes
672. 03/30/79 Flac - 0, 106004 Santa Cruz The Catalyst flac1644; MOTB 0128: Eldon Porray's 2 x Sony ECM 280s >> Sony TC 153SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96] ... flac. notes
673. 04/08/79 Shn - 0, 9608 Cotati Cabaret Cotati Reconstruction: MSR > PCM > DAT > CD > EAC > SHN. notes
674. 04/11/79 Shn - 0, 10140 Denver Rainbow Music Hall Reconstruction: Early & Late Shows: MAC > CD > EAC > SHN. Rough quality, probably for completists only. notes
675. 04/13/79 Flac 24 - 0, 126161 Denver Rainbow Music Hall Reconstruction; flac2448; MSC (TDK SA) > 1st gen cassette (TDK AD) recorded on Sony 158SD deck. notes
676. 04/13/79 Flac - 0, 138568 Denver Rainbow Music Hall Reconstruction; flac1644; MSC (TDK SA) > 1st gen cassette (TDK AD) recorded on Sony 158SD deck. This is This is 126161 24 bit -> 16 bit notes
677. 04/23/79 Shn - 0, 9609 San Francisco Old Waldorf Reconstruction: Early & Late shows: MAC (Taped by Eldon Porray, Nak CM-700s > Sony TC-D5) > DATs > CDs > EAC > SHN. notes
678. 04/28/79 Shn - 0, 10141 Palo Alto Keystone Palo Alto Reconstruction, set I only: MAC > DAT > CD > EAC > SHN. Recording details unknown. Master cassette played back on Nak CR-3A > Lucid AD9624 (24-bit A/D Converter) > Sony R500 (master DAT) > Sony CDR-W33 (master CD) > EAC > tracking (CD Wave) > .shn (mkwACT). notes
679. 04/28/79 Flac 24/96 - , 155562 Palo Alto Keystone Palo Alto Master Audience Cassette (Sony ECM 990F> Nakamichi 550) > Sony D5 (Maxell UDXLII C90 No Dolby)
Nakamichi 582Z > Korg MR2000S DFF@5.6 > Audiogate > 24/96 Wave > Wavelab 6 > Ozone RX7A > Ozone 5A > Ozone Rx7A > CDWave > Flac24
notes
680. 05/18/79 Shn - 0, 27919 San Francisco Old Waldorf Reconstruction: Master audience cassette > ? > cassette > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0) notes
681. 05/18/79 Flac 16/44 - 0, 151097 San Francisco Old Waldorf Reconstruction; flac1644, early and partial late shows; MAC (Unknown equipment and taper) > 1979 snail mail trade on a single Maxell UD90 with Dolby (1st gen cassette from the collection of John Musgrave); Transfer (November 2020): Nakamichi CR7A with Dolby (azimuth aligned, bias @ 120usec) > Korg MR2000-S @ 1 bit 5.6 MHz dsdiff; AudioGate (24-96) > Har-Bal 3.7 & iZotope RX8 advanced > Goody (Capstan & Audition-Pitch adjustments, various amounts; Align & center channels) > CD Wave > TLH.
Likely the same recording as
SHNID 27919.
notes
682. 05/18/79 Flac 24/96 - 0, 151417 San Francisco Old Waldorf Reconstruction; flac 2496; early + partial late; Source: Unknown equipment and taper > snail mail trade on a single Maxell UD90 with Dolby. Transfer (November 2020): Nakamichi CR7A with Dolby (azimuth aligned, bias @ 120usec) > Korg MR2000-S @ 1 bit 5.6 MHz dsdiff. AudioGate (24-96) > Har-Bal 3.7 & iZotope RX8 advanced > Goody* > CD Wave > TLH Flying -M- notes
683. 05/19/79 Shn - 0, 14804 San Francisco Old Waldorf MA? > unknown cassette generations > NAK MR-1 w/ balanced lines > MOT4 828 286/48k > Cassette to CD via Cakewalk Sonar > normalization & downsampling via Cooledit 2000K > tracking via CDWAV > CD clone > EAC using plextor 241040A secure mode with c2> SHN via mkwWACT. Extraction & encoding by Ron Sinko. notes
684. 05/30/79 Flac - 0, 96158 Palo Alto Keystone Palo Alto Reconstruction: SOUNDBOARD > ?? > CD > GEMS edit station > FLAC. notes
685. 06/08/79 Shn - 0, 23675 Rodeo Rio Theater MSR > PCM > 2C > DAT > WAV > SHN, via Jim Powell and Chris Ladner. notes
686. 06/13/79 Flac 16 - 0, 149120 Guerneville Early show, Late show, River Theater Garcia; Reconstruction; partial early show; flac 16: Nakamichi mics w/CP3 caps -> Nakamichi 550 master cassette (played back on a Nakamichi 582 back in the early 1980s) -> 1st Gen Reel@7.5ips -> 2nd Gen Reel @3.75ips Transfer: 2nd Gen Reel @3.75ips (played back on TEAC A-4010SL: same deck it was originally recorded on) -> Lexicon Lambda -> LogicPro (tracking only) -> wav 16/44.1 -> xAct (sbe correction) -> wav -> flac16 (transferred by Alan Bershaw on January 21, 2010) notes
687. 06/13/79 Flac 16 - 0, 149121 Guerneville Early show, Late show, River Theater Garcia; Reconstruction; late show; flac 16:Nakamichi mics w/CP3 caps -> Nakamichi 550 master cassette (played back on a Nakamichi 582 back in the early 1980s) -> 1st Gen Reel@7.5ips -> 2nd Gen Reel @3.75ips; Transfer: 2nd Gen Reel @3.75ips (played back on TEAC A-4010SL: same deck it was originally recorded on) -> Lexicon Lambda -> LogicPro (tracking only) -> wav 16/44.1 -> xAct (sbe correction) -> wav -> flac16 (transferred by Alan Bershaw on January 21, 2010) notes
688. 06/16/79 Flac - 0, 97943 Palo Alto Keystone Palo Alto Reconstruction: Set 2 Partial, SBD > ?? > CDR > EAC(secure mode, c2, filled up leading & trailing silent blocks w/silence) > TLH > Flac Level 8. notes
689. 06/17/79 Flac - 0, 27920 Palo Alto Keystone Palo Alto Reconstruction: Master soundboard reel > PCM > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0) notes
690. 06/17/79 Shn - 0, 16677 Palo Alto Keystone Palo Alto Reconstruction: MSC > C > WAV > CE2k (11db NR, tracking) > SHN notes
691. 06/22/79 Shn - 0, 4427 Palo Alto Keystone Palo Alto Reconstruction: SBD> Master Reel> PCM> DAT> ZA2> Soundforge 4.0> CDWAV> SHNv3 (no DAE); via J. Lutch notes
692. 06/22/79 Shn - 0, 10132 Palo Alto Keystone Palo Alto Reconstruction: SBD > Master reel > PCM > DAT > CD > SHN. notes
693. 07/06/79 Shn - 0, 11674 Berkeley Keystone Reconstruction: MAC > DAT > CD > EAC > SHN. Recorded by Eldon Porray, Nakamichi CM-700 mics (front row balcony, left of soundboard) > Sony TC-D5 cassette master (Maxell XL-II no Dolby) > playback on Nak CR-3A > Lucid AD9624 (24-bit A/D Converter) > Sony R500 Master DAT) > DATs > CDs > EAC > SHN notes
694. 07/06/79 Flac 16 - 0, 145710 Berkeley Keystone Reconstruction; flac16: Source: Unknown Audience DAT > FLAC at 16 bit 44.1 kHz From the collection of Jeff Knudsen, Track, flac and tagging by John Wenzel Transfer and mastering by Jamie Waddell notes
695. 07/07/79 Flac - 0, 106543 Palo Alto Keystone Palo Alto Reconstruction:Recording Info:SBD -> Cassette Master (Nakamichi 350/Maxell UDXLI90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
696. 07/07/79 Flac - 0, 83953 Palo Alto Keystone Palo Alto Reconstruction, set I: matrix of MSC source (shnid 83723) and Eldon Porray MAC source (shnid 10142), via sirmick. notes
697. 07/07/79 Shn - 0, 10142 Palo Alto Keystone Palo Alto Reconstruction: MAC > D > CD > EAC > SHN. Taped by Eldon Porray (patched out of Bob Menke's deck), Nakamichi CM-700 mics > Sony TC-D5 > Maxell XL-II cassette master > Nakamichi CR-3A playback (no Dolby) > Lucid AD9624 24-bit A/D converter @ 44.1 kHz > Sony R500 (master DAT) > Sony CDR-W33 (master CD) > EAC > tracking (CD Wave) > .shn (mkwACT notes
698. 07/07/79 Flac - 0, 83723 Palo Alto Keystone Palo Alto Reconstruction, set I: MSC > DAT > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and Seeded by Green Mountain Bros. March 2007. notes
699. 07/08/79 Shn - 0, 4435 Palo Alto Keystone Palo Alto Reconstruction: Master Soundboard Reels (7" @ 7.5ips) > 2 PCM > DAT > CD; from the Jerry Site's "Release One"; via imgoinmad@home.com notes
700. 07/20/79 Flac - 0, 135938 Rodeo Rio Theater Reconstruction; partial; flac1644; unknown very good audience recording to CD, Restored by Jamie Waddell in Walebab 7.1 June 2016. notes
701. 07/22/79 Shn - 0, 11048 Santa Monica Civic Auditorium Reconstruction: MS?> ? > CD > EAC > SHN notes
702. 07/22/79 Shn - 0, 17257 Santa Monica Civic Auditorium MSC > PCM > DAT > CDR > EAC > WAV > MKW > SHNv3, by Dan Carr. Note: textfile incorrectly suggests that this is less complete than the previously circulating .shn set. This looks to be the same material, but without the actual song names, tracked differently, and with a clearer lineage. notes
703. 08/10/79 Shn - 0, 12590 San Francisco Temple Beautiful Reconstruction: MAC (Taped by Phil Jarret, JVC stereo mic > TEAC PC 10) > 3CD > HP 9350i extraction using EAC > tracking using CD Wave > .shn encoding using mkwACT. notes
704. 08/10/79 Flac - 0, 81311 San Francisco Temple Beautiful Reconstruction: Bob Menke's FOB MAC w/ Nak 700s > Sony TC-D5 > WAV > CD-R > EAC > WAV > FLAC. notes
705. 09/15/79 Shn - 0, 23792 Palo Alto Keystone Palo Alto notes
706. 09/22/79 Shn - 0, 10143 Berkeley Keystone Reconstruction: MAC > D > CD > EAC > SHN. Taped by Eldon Porray (front row balcony, left of soundboard), Nakamichi CM-700 mics > Sony TC-D5 > Maxell XL-II cassette master > Nakamichi CR-3A playback (no Dolby) > Lucid AD9624 24-bit A/D converter @ 44.1 kHz > Sony R500 (master DAT) > Sony CDR-W33 (master CD) > EAC > tracking (CD Wave) > .shn (mkwACT) notes
707. 10/07/79 Flac - 0, 32616 Berkeley Keystone JGB: MAC (Taped by John Angus & Scott Hart, Sony mics > Technics deck) > Sony TCD5 playback > Roland UA-30 interface > Mac Powerbook via Peak 4.1 > CD (Toast v5.2) > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (FLAC Frontend v.1.7.1 etree edition). Analog > CD transfer by slip, EAC > FLAC by jjoops. notes
708. 10/14/79 Flac - 0, 122979 Palo Alto Keystone Palo Alto JGB; flac; aud 2nd gen cassette, Jerry Moore's copy, Rob Berger transfer/seed notes
709. 10/21/79 Shn - 0, 13203 Berkeley Keystone Jerry Garcia Band: MAC (recorded by Steve Spitalny, unknown mics > Sony D-5M) > 1 cassette > DAT > CD > HP 9350i extraction using EAC > re-tracking using CD Wave > .shn encoding using mkwACT. notes
710. 11/16/79 Shn - 0, 13426 Palo Alto Keystone Palo Alto Jerry Garcia Band: AUD (SONY ECM99's) > Sony TCD5 > Master Cassette > Roland UA-30 USB A/D > MAC G3 Powerbook > WAV > CDR > WAV > SHNv3. Taper: John Angus. notes
711. 11/16/79 Flac - 0, 104932 Palo Alto Keystone Palo Alto flac1644: Recorded by John Angus and Scott Hart; 2 AKG D224Es> Sony TCD-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0 (dither/downsample)> FLAC encoding notes
712. 11/18/79 Shn - 0, 13340 Berkeley Keystone Jerry Garcia Band: AUD(SONY ECM 99) > SONY TCD5 > DAT > CDR > WAV > SHNv3, taped by John Angus and Scott Hart. notes
713. 12/17/79 Flac - 0, 106057 Berkeley Keystone flac1644; Recording Info:Unknown Mics -> ? -> Cassette (Maxell UDXLII); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
714. 12/20/79 Flac - 0, 91965 Palo Alto Keystone Palo Alto JGB: SBD > ? > Cassette; Transfer: Maxell XL-II > Nakamichi DR-8 (Dolby off) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, by Andrew F. (May 2008) notes
715. 12/20/79 Flac 16/48 - , 157186 Palo Alto Keystone Palo Alto flac1648Source: Master > Reel > DAT at 16/48 from ANON
Speed Correction by Jason Chastain
2022 DAT Transfer and Mastering by Jim Blackwood
Listening Assistance, Track, FLAC, and Pack by Steve Gravel
notes
716. 12/20/79 Shn - 0, 22889 Palo Alto Keystone Palo Alto Jerry Garcia Band. Source: SBD>?>C>D>WAV>SHN. Cassette>DAT transfer by J.Powell. DAT>WAV editing>SHN encoding by C.Ladner notes
717. 12/21/79 Shn - 0, 24624 Palo Alto Keystone Palo Alto Jerry Garcia Band: SBD>>MR>>DAT>>CDA>>DAW(Bertha)>>CDA/SHN notes
718. 12/21/79 Shn - 0, 4434 Palo Alto Keystone Palo Alto Jerry Garcia Band: SBD:MR> DAT> CD notes
719. 12/21/79 Shn - 0, 13232 Palo Alto Keystone Palo Alto Jerry Garcia Band: MSR > DAT > CD > SHN notes
720. 12/21/79 Flac - 0, 138677 Palo Alto Keystone Palo Alto JGB; flac1648; sbd > master reel > dat (48k), provided by Rich Gastwirt; transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48, transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > Adobe Audition 1.5 > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16, edited and mastered SIRMick June 2017. notes
721. 01/20/80 Shn - 0, 16868 Palo Alto Keystone Palo Alto Jerry Garcia Band: MSC > 1C > DAT > CDR > WAV > SHN. notes
722. 01/24/80 Shn - 0, 4433 Rodeo Rio Theater notes
723. 02/01/80 Shn - 0, 10432 San Francisco The Stone Jerry Garcia Band: MAC > CD > EAC > SHN. Recorded by John and Harry Angus, mics uncertain (on the rail, directly in front of Jerry) > Sony TC-D5 (Maxell UD-XLIIs) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > EAC > tracking using CD Wave > mkwACT > shn notes
724. 02/02/80 Flac - 0, 85532 San Francisco The Stone JGB, IIp: SBD > ? > Maxell XL2S > Nak CR3A > HP Computer > Sound Forge (Vol@5.6DB) > CD Wave > Flac. notes
725. 02/02/80 Shn - 0, 4432 San Francisco The Stone Jerry Garcia Band:Unknown AUD; via Dan M. notes
726. 02/02/80 Flac - 0, 92432 San Francisco The Stone JGB: John Angus and Scott Hart's uncertain mics > Sony TC-D5 (Maxell UD-XLIIs) MAC; Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > CD/0 > EAC > CDWave > FLAC level 8. Cassette transfer by slipnut. notes
727. 02/02/80 Shn - 0, 16681 San Francisco The Stone Jerry Garcai Band: Unknown Aud, re-tracked complete show SHN'ed with seeling enabled. notes
728. 02/02/80 Flac - 0, 92372 San Francisco The Stone JGB: 6th Gen AUD(TDK SA90) > NAK DR-3 > SB X-Fi Xtreme music SC > NERO 8 > 24/96 > WavePad > TLH > flac 8 via smole. notes
729. 02/07/80 Shn - 0, 24511 Santa Cruz The Catalyst Jerry Garcia Band. Source: MSC>DAT>CDR>WAV>SHN, all of first set except very beggining of Sugaree and the first two songs of the second set. Remainder of the source is from MAC (Taped by Lee Bittner, Audio Technica 801 mics > Sony TC-D5) > DAT > CD > WAV > SHN. notes
730. 02/07/80 Shn - 0, 15063 Santa Cruz The Catalyst Jerry Garcia Band: MAC (Taped by Lee Bittner, Audio Technica 801 mics > Sony TC-D5) > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). CD > SHN by Joe Jupille. notes
731. 02/12/80 Shn - 0, 24683 Washington Lisner Auditorium (George Washington University) Jerry Garcia Band, apparent mislabel, see comments below. Early show. Source: MSC > C > CDR > WAV > SHN except for encore from previously circulated FOB Shure recording. notes
732. 02/12/80 Shn - 0, 11019 Washington Lisner Auditorium (George Washington University) Jerry Garcia Band: Early and Late Shows: MAC > D > CD > SHN. Taped by Scott Jones, FOB Shure mics > Sony TC-158 > master cassettes > DAT. DAT > CD by Andy L, EAC > wav > shn by Don Chase notes
733. 02/12/80 Flac 1644 - 0, 141663 Washington Lisner Auditorium (George Washington University) JGB, flac1644, Late Show; Source: AUD of unknown lineage > MAC > ? > CDR, kindly provided from the collection of of Jeffrey Knudsen. Transfer: CDR > EAC > Wavelab > CD-Wave > TLH > FLAC 1644 tagged. notes
734. 02/12/80 Flac 24/96 - 0, 148843 Washington Lisner Auditorium (George Washington University) JGB; early show; flac2496; Kathy Sublette's Master Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
735. 02/12/80 Flac 16/48 - 0, 148842 Washington Lisner Auditorium (George Washington University) JGB; early show; flac1648; Kathy Sublette's Master Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
736. 02/12/80 Shn - , 152568 Washington Lisner Auditorium (George Washington University) Cassetter->TASCAM Portastudio 424 mkII->DAT->SHN>CDR>EAC>SHN notes
737. 02/13/80 Flac - 0, 82400 Albany Palace Theatre JGB: AUD > ? > Cass > CD > EAC > Sound Forge > CD Wave Audio Editor > CD > EAC > TLH > Flac. notes
738. 02/15/80 Flac - 0, 101726 Boston Orpheum Theater Early and late shows: Sony unknown model mics (2) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). notes
739. 02/15/80 Flac 24 - 0, 106584 Boston Orpheum Theater flac2496; early and late shows; Sony unknown model mics (2) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits). Taped and transferred by Bob Morris. notes
740. 02/15/80 Flac - 0, 34726 Boston Orpheum Theater JGB, Early & Late: Steve Rolfe's MAC (2 Nak 700s> Sony TC-D5 [Maxell UD-XLIIs]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC. Transfer by David Minches. notes
741. 02/15/80 Flac - 0, 30371 Boston Orpheum Theater Jerry Garcia Band, Early Show: MAC > DAT > WAV > FLAC16. Mics/taper most likely Nak 700s w/ D-5 Recorder by Steve Rolfe. notes
742. 02/15/80 Shn - 0, 4431 Boston Orpheum Theater Jerry Garcia Band: Early and Late. Aud (unkown Source) Mcass> Dat> Cdr. Late show Missing Harder They come and They Love Each Other notes
743. 02/16/80 Flac - 0, 32346 West Haven Gymnasium (University of New Haven) Jerry Garcia Band: MAC (Taped by Scott Vid, FOB Akai mic > Superscope deck) > Tascam 122 mkII playback > Lucid ADA 1000 A-D converter > Tascam DA30 mkII master DAT > Tascam 700 CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (Sound Forge Audio Studio 7.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition). Cassette transfer by John Hance notes
744. 02/16/80 Flac 16 44 - 0, 141452 West Haven Gymnasium (University of New Haven) JGB; flac1644; unlineaged cassette > Sony TD-We405 > MacBook Pro > Adobe Audition > Flac > xACT, via Scott Medeiros. notes
745. 02/17/80 Shn - 0, 9017 Oswego Laker Hall (SUNY) Jerry Garcia Band: MAC(taped by Keith Gatto Nak 300s>Sony TC-D5)>DAT>CD>WAV>SHN. Updated source info. notes
746. 02/19/80 Flac - 0, 32522 Syracuse Landmark Theater JGB: MAC (Taped by Lee Cohen & Doug Mow, unknown condenser mics [on spreader bar pointed at stacks, balcony, midway back] > Sony 158 > JVC cassette deck > Maxell II 90) > Sony TC-D5M playback > UA-5 Oade Custom Mod > IBM R40 > WinXP Pro > Sound Forge 5.0 > CDR > EAC (no errors) > WinXP Pro > Flac Frontend > FLAC16. Transfer by Doug Mow, FLAC encoding by Alex Ford. notes
747. 02/19/80 Shn - 0, 22888 Syracuse Landmark Theater Source: Binaural headphone mics > Nakamichi cassette deck > CDR > WAV > SHN. Taper and transfer to CDR by B.Raskin. WAV editing and SHN encoding by C.Ladner notes
748. 02/20/80 Flac 24 - 0, 131018 Amherst Fine Arts Center, University of Massachusetts flac2448; late show; Naks - model and deck unknown. Set II: MAC > C1 (Maxell type I), playback on Sony TC-KE400S (no NR) > audiophile 2496 analog in > Soundforge 7 > recorded as 24 bit / 48 KHz WAV > CDWave (tracking) > FLAC. notes
749. 02/20/80 Flac - 0, 30229 Amherst Fine Arts Center, University of Massachusetts JGB; early and late shows: early: MAC > Cx > standalone CDR > WAV > FLAC; late: MAC (2x Sony ECM 23f > Nakamichi 550) > C1 (Maxell type I), playback on Sony TC-KE400S (no NR) > audiophile 2496 analog in > Soundforge 7 (recorded as 24 bit / 48 KHz WAV) > Wavelab (processing & 16 bit rendering - see below) > CDWave 1.9 (tracking) > FLAC. Taper: unknown [see notes] notes
750. 02/20/80 Flac - 0, 29308 Amherst Fine Arts Center, University of Massachusetts Jerry Garcia Band: MAC (sounds like a handheld mic) > DAT > CDR > WAV > FLAC16(level 8); Taper: unknown. notes
751. 02/22/80 Flac - 0, 96312 New Brunswick The Barn, Rutgers University JGB, Flac16: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]MOTB0083 notes
752. 02/22/80 Flac 24 - 0, 96311 New Brunswick The Barn, Rutgers University JGB, Flac24: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]MOTB0083 notes
753. 02/22/80 Shn - 0, 18015 New Brunswick The Barn, Rutgers University Jerry Garcia Band: MAC (Taped by Barry Glassberg, FOB Nak CM-700s > Sony TC-D5) > Tascam 112 MKII playback > Sony PCM-R500A > HHB 800 master CD > 2 CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
754. 02/22/80 Shn - 0, 4430 New Brunswick The Barn, Rutgers University Jerry Garcia Band:Nak 700's > Sony TC-158 > Cassette Master. Playback on Nak Dragon, signal passed through Sony PCM R-700 directly to hard disc via ZA-2 > CDR > EAC > SHN. Transfer by Jime Wise. This recording is usually attributed to Mark Cohen ("Mark C."), but it is not his. notes
755. 02/22/80 Flac 24/96 - 0, 148847 New Brunswick The Barn, Rutgers University JGB; partial; flac2496; Kathy Sublette's Master Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
756. 02/22/80 Flac 16/48 - 0, 148846 New Brunswick The Barn, Rutgers University JGB; partial; flac1648; Kathy Sublette's Master Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
757. 02/23/80 Flac 1644 - 0, 138200 Upper Darby The Tower Theatre JGB; flac1644; early and late; Sony D6C(NAK mics)>Master cassette>JVC TD-R462>Audacity>TLH Flac8, Taper: Dave Peters notes
758. 02/23/80 Flac 16 - 0, 35179 Upper Darby The Tower Theatre JGB, Late Show: Charlie Connor's FOB Sony-ECM990 (Stereo Mic) > JVC 1636-MKII (TDK SA-C90) MAC; Transfer: Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1 > CDWav beta1.57 (tracking only) > flac16. Transferred by Charlie Connor. notes
759. 02/23/80 Flac - 0, 98932 Upper Darby The Tower Theatre JGB, early show: aud > old maxell cassette > sb audigy > audacity > cd wav > flac notes
760. 02/23/80 Shn - 0, 8604 Upper Darby The Tower Theatre Jerry Garcia Band: Early & Late Shows: MAC > DAT > CD, taper and rig unknown notes
761. 02/23/80 Flac 1644 - 0, 101808 Upper Darby The Tower Theatre early and late shows; Unknown mics (2) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII). Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). Taped and transferred by Bob Morris. notes
762. 02/23/80 Flac 1644 - 0, 141397 Upper Darby The Tower Theatre JGB, flac1644, Late Show; Source: AUD of unknown lineage > ? > Cassette rescued from Ebay. Transfer: Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patch) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2018 notes
763. 02/24/80 Flac - 0, 126078 Stony Brook Gym (SUNY) 16 bit: AUD: 2x AKG D222E > Nakamichi 550, FOB "in the sweet spot". Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 11/2013 notes
764. 02/24/80 Shn - 0, 8414 Stony Brook Gym (SUNY) Jerry Garcia Band: There is some ambiguity about the lineage of this seed. It has circulated with this lineage: Nak 700's > Sony TC-158 > Nak Dragon > Sony PCM R-700 directly to hard disc via > ZA-2 (Jim Wise Transfer). Recorded by "Mark C." However, it has recently been suggested that this is instead the correct lineage: MAC (Taped by Mark Cohen, three Nakamichi CM-700 shotguns > Nak 550 master cassette [slightly in front of and to the side of the soundboard]) > Tascam 122MKIII playback > Tascam DA-40 master DAT >Tascam CDRW 700 master CD > CDs > EAC > SHN, A>D transfer by Mark Cohen notes
765. 02/24/80 Shn - 0, 18019 Stony Brook Gym (SUNY) Jerry Garcia Band: MAC (Taped by Mark Cohen, 3 Nakamichi CM-700 shotguns [in front of and slightly left of sbd] > Nakamichi 550) > Tascam 122mkIII playback > Tascame DA-40 DAT > Tascam CDRW-700 master CD > Tascam CD-D4000mkII CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). May be the same source material as other seeds, but has certified lineage. notes
766. 02/24/80 - 0, 8913 Stony Brook Gym (SUNY) Jerry Gracia Band: AUD : MC > DAT > CDR Unknow taper or rig notes
767. 02/24/80 Flac 24 - 0, 126077 Stony Brook Gym (SUNY) 24bit: AUD: 2x AKG D222E > Nakamichi 550, FOB "in the sweet spot". Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 11/2013 notes
768. 02/24/80 Flac - 0, 35140 Stony Brook Gym (SUNY) JGB: Charlie Connor's FOB MAC (Sony-ECM990 [Stereo Mic] > JVC 1636-MKII [Maxell UDXLII])> Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1 > CDWav beta 1.57 (tracking only) > flac16. Taped and transferred by Charlie Connor. notes
769. 02/24/80 Flac 24/96 - 0, 143929 Stony Brook Gym (SUNY) JGB; flac24; 3 Nakamichi CM-700 shotguns > Sony TC-D5)* > Nakamichi 550 > Cassette Master - Taped by Mark Cohen, from in front of and slightly left of sbd; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k) - Transferred by Charlie Miller; Lineage: Wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick November 2018 notes
770. 02/24/80 Flac 16/44 - 0, 145870 Stony Brook Gym (SUNY) [b]JGB; flac1644[/b]; Mark Cohen's patch out of Barry Glassberg, 3x Nakamichi CM-700 shotguns > Sony TC-D5) > Nakamichi 550 > Cassette Master, from in front of and slightly left of sbd; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k) - Transferred by Charlie Miller; Lineage: Wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick November 2018 notes
771. 02/24/80 Flac - , Stony Brook Gym (SUNY) notes
772. 02/26/80 Shn - 0, 19971 Providence Ocean State Theater Source: SBD > CMx > CDR > WAV > SHN. CDR source via H.Angus. Extraction, edits (see info file), and SHN encoding via C.Ladner. notes
773. 02/26/80 Flac - 0, 34727 Providence Ocean State Theater JGB: Steve Rolfe's MAC 2 Nak 700s> Sony TC-D5 [Maxell UD-XLIIs]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches. notes
774. 02/26/80 Flac - 0, 99498 Providence Ocean State Theater flac1644: Tim Friend's AKG-D200E (left mic) + Shure Dynamic (right mic) > Sony TC-153SD > Maxell UD-XLII's, 10th row orchestra, six seats left of center. Transfer: MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Transfer by Andrew F. Source includes Robert Hunter set. notes
775. 02/26/80 Flac 24 - 0, 99497 Providence Ocean State Theater flac2496: Tim Friend's AKG-D200E (left mic) + Shure Dynamic (right mic) > Sony TC-153SD > Maxell UD-XLII's, 10th row orchestra, six seats left of center. Transfer: MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F. Source includes Robert Hunter set. notes
776. 02/26/80 Shn - 0, 9018 Providence Ocean State Theater Jerry Garcia Band: Nak 700's > SonyTC-D5 (XLII-s Cassette Master)> DAT > (Jim Wise Transfer) Sony PCM R-700 > ZA-2 > SoundForge > CDR (Steve Rolfe Master- Front Row, Balcony) notes
777. 02/28/80 Flac - 0, 123006 Union Wilkins Theatre (Kean College) JGB; flac1644; aud 1st gen, nak 300's>D5, taped by Fredo, transfer/seed by Rob Berger notes
778. 02/28/80 Flac 24 - 0, 123007 Union Wilkins Theatre (Kean College) JGB; flac24; aud 1st gen, nak 300's>D5, taped by Fredo, transfer/seeded by Rob Berger notes
779. 02/28/80 Shn - 0, 9024 Union Wilkins Theatre (Kean College) Jerry Garcia Band: Early & Late Shows: MAC > DAT > CDR, Recorded by Eddie Claridge w/ Sony ECM-280s > Sony TC-D5 notes
780. 02/29/80 Flac - 0, 35216 Hempstead Calderone Theatre JGB, Late Show: Charlie Connor's FOB Sony-ECM990 (Stereo Mic) > JVC 1636-MKII MAC (Maxell UDXLII)> Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1 > CDWav beta1.57 (tracking only) > flac. Transferred by Charlie Connor. notes
781. 02/29/80 Shn - 0, 4460 Hempstead Calderone Theatre Jerry Garcia Band: FMSBD; late show; JGB w/Robert Hunter notes
782. 02/29/80 Shn - 0, 21461 Hempstead Calderone Theatre Jerry Garcia Band, Late Show: Bertha Remaster of the PreFM soundboard; SBD(PreFM) >> MC >> CDA >> DAW (Bertha) >> CDA/SHN. notes
783. 02/29/80 Flac - 0, 32180 Hempstead Calderone Theatre JGB, Early Show: Charlie Connor's FOB (Ctr Orch,Row R, Seat 101) Sony-ECM990 (Stereo Mic) > JVC 1636-MKII MAC (Maxell UDXLII); Transfer: Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1 > CDWav beta1.57 (tracking only) > flac. Transferred by Charlie Connor notes
784. 02/29/80 Flac - 0, 27563 Hempstead Calderone Theatre Jerry Garcia Band, Early Show: MAC (Taped by John Jay Hance, AKG 222s [spread, 1st row balcony] > Technics 686 [Dolby B]) > Tascam 122 mkII playback > Lucid ADA 1000 A-D converter > Tascam DA30 mkII master DAT > Tascam 700 CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition). notes
785. 02/29/80 Shn - 0, 9163 Hempstead Calderone Theatre Jerry Garcia Band: Late Show: pre-FM sdb>>cassette master>>cdr notes
786. 03/01/80 Shn - 0, 17928 Passaic Capitol Theater Jerry Garcia Band, Early Show: MFR (Taped by Barry Glassberg from WNEW-FM, New York) > TEAC X-2000R playback @ 7.5 ips (no Dolby) > Tascam DA-40 DAT > Tascam CDRW-700 master CD > Tascam CD-D4000mkII CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
787. 03/01/80 Shn - 0, 14983 Passaic Capitol Theater Jerry Garcia Band, Late Show: MAC > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Extraction and .shn encoding by Joe Jupille. notes
788. 03/07/80 Shn - 0, 14594 San Francisco The Stone Jerry Garcia Band: MAC (Taped by John Angus and Scott Hart, Sony ECM 99 [right at Jerry's feet] > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > HP 9350i extraction (EAC v0.9 beta 4) > slight editing (Sound Forge Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by Harry Angus, CD > SHN by Joe Jupille. notes
789. 03/07/80 Flac 24/48 - , 156015 San Francisco The Stone JGB; flac2448; Partial; Source: SBD (Mono) > unknown deck (likely Sony TC-D5) > Maxell UDXLII. Transfer: MSC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2022 notes
790. 03/08/80 Shn - 0, 4428 San Francisco The Stone Jerry Garcia Band: Possibly a SBD-AUD matrix mix, but uncertain (could be FOB). AUD (DAT: MAC>D). De-noised in CoolEdit 96 > CDWav. Some digi-noise in d2t1; mastered by Evan Levy from Mike Lai seed notes
791. 03/08/80 Shn - 0, 81246 San Francisco The Stone JGB: Unknown Mics > ? > CD > EAC > Shn. notes
792. 03/08/80 Flac - 0, 126763 San Francisco The Stone JGB: Audience Recording > ? > FLAC notes
793. 03/26/80 Shn - 0, 13423 Berkeley Keystone Jerry Garcia Band: AUD (SONY ECM99's) > Sony TCD5 > Cassette Master > Roland UA-30 USB A/D > MAC G3 Powerbook > CDR > WAV > SHNv3. Taper: John Angus. notes
794. 07/18/80 Flac - 0, 137878 San Francisco The Stone JGB; flac1644; 2nd Set AUD (marked 3rd Gen) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2017 notes
795. 07/19/80 Flac - 0, 122980 San Francisco The Stone JGB; flac; aud 2nd gen cassette, Jerry Moore's copy, Rob Berger transfer/seed notes
796. 07/24/80 Flac - 0, 21536 Hartford Bushnell Auditorium Jerry Garcia Band: Sony ECM280 > D5 > DAT > CDR > EAC > SHN Jim Wise master 10th Row Center. SHNTOOL fixed version of this source, originally seeded in 7/99. notes
797. 07/24/80 Shn - 0, 77929 Hartford Bushnell Auditorium JGB: unknown aud. notes
798. 07/25/80 Flac - 0, 28737 Boston Orpheum Theater Jerry Garcia Band, Late Show: MAC (Taped by Bob Wagner, 2 Nak 700s/bass eq [center balcony ledge] > Sony TC-D5M) > Nakamichi Dragon playback > Art DI/O > Egosys Waveterminal 2496 > Cool Edit 2000 > Shntool > .shn encoding (non-seekable) > wav > FLAC (seekable). Transfer by David Minches, FLAC encoding and info by Joe Jupille notes
799. 07/25/80 Shn - 0, 17070 Boston Orpheum Theater Jerry Garcia Band, Late Show: MAC > ? > CD > EAC > SHNv3 notes
800. 07/25/80 Shn - 0, 17069 Boston Orpheum Theater Jerry Garcia Band, Early Show: MAC > DAT? > CD > EAC > SHNv3 notes
801. 07/25/80 Shn - 0, 28736 Boston Orpheum Theater Jerry Garcia Band, Early Show: MAC (Taped by Bob Wagner, 2 Nak 700s/bass eq [center balcony ledge] > Sony TC-D5M) > Nakamichi Dragon playback > Art DI/O > Egosys Waveterminal 2496 > Cool Edit 2000 > Shntool > .shn encoding (non-seekable) > wav > .shn encoding (seekable). notes
802. 07/25/80 Flac 16/44 - 0, 148946 Boston Orpheum Theater JGB, Early Show, flac1644; Source: AUD of unknown lineage > ? > cassette via Richie & Rip. Transfer: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 02/2020 notes
803. 07/26/80 Shn - 0, 18744 Asbury Park Convention Hall Jerry Garcia Band, Late Show: MAC (Taped by Fredo Johnson, Nak 300s > Sony D5) > Nak Dragon playback > Egosys Waveterminal 2496 > CD Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes
804. 07/26/80 Flac - 0, 26217 Asbury Park Convention Hall Jerry Garcia Band, Early Show: MAC (Taped by Peter Jaeger, Nak 300s [rear of floor, center] > Sony D5) > Tascam 122 mkIII playback > Lucid ADA 1000 A-D converter > Tascam DA30 mkII master DAT > Tascam 700 CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > editing (Sound Forge Studio 6.0) > sector boundary verification (shntool v1.01) > FLAC encoding (Flac Frontend v.1.7.1 etree edition, level 6). notes
805. 07/26/80 Flac - 0, 102003 Asbury Park Convention Hall early and late shows; Unknown mics (2) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). Taped and transferred by Bob Morris. notes
806. 07/26/80 Flac 1644 - 0, 139465 Asbury Park Convention Hall JGB; flac1644; late show; Bob Gurman's 1st Generation 3/4" Unmatic videotape with soundboard line feed Lineage: Closed Circuit In-House Videotape Master -> 3/4" Umatic videotape Transfer: 1st Generation 3/4" Umatic videotape-> transfered by Alan Bershaw on a Sony VO-2600-> Lexicon Lambda -> Logic (track indexing) -> wav 16/44.1-> xAct (sbe correction)-> FLAC. notes
807. 07/26/80 Flac 1644 - 0, 140968 Asbury Park Convention Hall JGB; flac1644; Late Show; Sources: Matrix of SBD ID-139465 & AUD ID-102003. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 02/2018 notes
808. 07/27/80 Flac 16/44 - 0, 120085 Albany Palace Theatre JGB; flac1644; David Dyche's Nak 700's > Superscope cd-320 > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > flac. notes
809. 07/27/80 Flac 16/44 - 0, 145872 Albany Palace Theatre [b]JGB, flac1644[/b]: Mark Cohen's Nakamichi CM-700s (shotgun) > Sony TC-D > Cassette Master, recorded towards back of the floor with mics high on a pole; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k) - Transferred by Charlie Miller Lineage: Wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24. This file set is 16 bit @ 44.1 notes
810. 08/09/80 Flac - 0, 29088 Palo Alto Keystone Palo Alto Jerry Garcia Band, partial show: MSC > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > slight editing (Sound Forge Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition). notes
811. 11/16/80 Shn - 0, 20211 San Francisco Warfield Theater Bob Dylan with Jerry Garcia; SBD>?>Bootleg CD>CDR>SHN notes
812. 11/16/80 Flac - 0, 102492 San Francisco Warfield Theater This is the complete Warfield Theatre show (including gospel openers) from 11-16-80 compiled from the recently circulating incomplete PA tape and the best quality audience tape. Audience sourced tracks are marked with an *. Jerry Garcia's playing on "To Ramona" is only one of the many treats to be found here. Conversion: CDR>EAC(secure)>MKW Audio Compression Tool>shn Conversion by: tbuick6 Sound Quality: Excellent notes
813. 01/22/81 Flac - 0, 97226 Palo Alto Keystone Palo Alto JGB, partial: Dick Latvala's MAC > cassette 1 (J Knudsen) > Manley SLAM! > Anagram ADC (16/44.1) > HHB CDR 850 > CD > EAC > WAV > FLAC (level 8). notes
814. 01/23/81 Flac - 0, 97205 Palo Alto Keystone Palo Alto JGB: Dick Latvala's MAC > cassette 1 (J Knudsen) > Manley SLAM! > Anagram ADC (16/44.1) > HHB CDR 850 > CD > EAC > WAV > FLAC (level 8). notes
815. 01/27/81 Flac - 0, 31284 San Francisco Old Waldorf Jerry Garcia Band, incomplete: MAC? > ? > cassette > CD > EAC > CD Wave > FLAC. notes
816. 01/29/81 Shn - 0, 21137 Santa Cruz The Catalyst Source: Set 1: MAC (Nakamichi CM-700s>Sony TC-D5, taper Steve Martin)>Nak Dragon playback>CDR>WAV>SHN (from previously circulated shn set shnid=17145). Set 2: MSC>DAT>CDR>WAV>SHN. Second set SBD recording is complete and does not cut after TWLWMYD (as listed on thejerrysite.com). notes
817. 01/29/81 Flac - 0, 111412 Santa Cruz The Catalyst flac1644; Recorded, transferred, edited and mastered by JS; 2x Electrovoice RE-10 microphones > Sony TC-D5m; Transfer: Nakamichi Dragon (Dolby B decoded) > Macintosh with Digidesign AudioMedia III sound card(A/D 44.1/16) > Pro Tools (minor "nip and tuck" edits, normalization and tracking - no EQ or digital noise reduction) > AIFF > CD > Toast > xACT (FLAC level 8 files with sector boundaries verified). This originally listed as shnid 17145 with incorrect attribution and lineage. notes
818. 01/29/81 Shn - 0, 17145 Santa Cruz The Catalyst Jerry Garcia Band: MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5 cassette deck [Maxell XLII]) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > unknown CD gens > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
819. 01/31/81 Flac - 0, 31055 Berkeley Keystone Jerry Garcia Band, set II only: MSC > DAT(x) 48khz; Transfer: DAT 60ES > M-Audio Audiophile USB > WAV > Flac; transfer by jbraveman@hotmail.com. notes
820. 01/31/81 Shn - 0, 19831 Berkeley Keystone Source: SBD > Cassette(x) > CDR >WAV >SHN. A>D transfer via Harry A. DAE + SHN encoding via neo_levo. notes
821. 02/01/81 Flac - 0, 132178 Berkeley Keystone JGB; flac1644; Sdb > ? > ? > cassetes > Harmon Kardon TD 302 > Zoom H2 at 16/44.1. notes
822. 02/04/81 Flac - 0, 30859 Washington Warner Theater Jerry Garcia Band: Dave Redman's Nak 300s > Sony TC-D5M cassette master > DAT > CD > EAC > FLAC. notes
823. 02/04/81 Flac - 0, 83742 Washington Warner Theater JGB: Jim Vita's MAC (undetermined gear [TDK SA-90s]) > Nakamichi Dragon playback > Art DI/O > Egosys Waveterminal 2496 > Cool Edit 2000 > Shntool > FLAC encoding. Transfer by David Minches. notes
824. 02/04/81 Flac 16/48 - , 152415 Washington Warner Theater JGB; flac1648; pitch fix of Vita shnid-152387 notes
825. 02/04/81 Flac 24/96 - , 152416 Washington Warner Theater JGB; flac2496; pitch fix of Vita shnid-152388 notes
826. 02/05/81 Shn - 0, 9043 Bethlehem Stabler Arena (Lehigh University) Jerry Garcia Band: MAC > CDRx1 > EAC > SHN. Recorded by Ted Eng (Nak 300s > Sony D5M, just behind SBD). A>D transfer by Jim Wise, Nakamichi Dragon > HHB 800 CDRx0 > CDx? > EAC > SHN. notes
827. 02/05/81 Flac - 0, 83743 Bethlehem Stabler Arena (Lehigh University) JGB: Jim Vita's Nakamichi DM-500s (BOB, on a riser at the rear end of hall, straight back center) > Sony TC-D5M master cassette (Maxell UDXLII-S) > Nakamichi Dragon playback > Art DI/O > Egosys Waveterminal 2496 > Cool Edit 2000 > Shntool > FLAC encoding. Transfer by David Minches. notes
828. 02/05/81 Flac 16/48 - , 152291 Bethlehem Stabler Arena (Lehigh University) JGB; flac1648; Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp (24-96) > Adobe Audition CC 2020 > TLH flac2496 Mastered by Scott Clugston April 2021. 24-bit > 16-bit via dBpoweramp. notes
829. 02/05/81 Flac 24/96 - , 152292 Bethlehem Stabler Arena (Lehigh University) JGB; flac24; Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp (24-96) > Adobe Audition CC 2020 > TLH flac2496. Mastered by Scott Clugston. April 2021. notes
830. 02/06/81 Shn - 0, 13985 Upper Darby The Tower Theatre Jerry Garcia Band: Jim Vita's MAC w/ Nak DM-500's > Sony TC-D5M > CDR > DAT > CDR; Missing Heaven's Door; via Andy Lemieux. Seeded to etree by Willy. notes
831. 02/06/81 Flac 16/48 - , 152417 Upper Darby The Tower Theatre JGB; flac1648; Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp (24-96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. April 2021. notes
832. 02/06/81 Flac 24/96 - , 152418 Upper Darby The Tower Theatre JGB; flac2496; Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp (24-96) > Adobe Audition CC 2020 > TLH flac2496. Mastered by Scott Clugston. April 2021 notes
833. 02/07/81 Flac - 0, 88820 Boston Orpheum Theater JGB, late show: Jim Vita's Nakamichi DM-500s> Sony TC-D5M; TDK SA-90s > Nakamichi Dragon playback > Art DI/O > Digital Audio Labs CardDeluxe > Cool Edit 2000 > Shntool > FLAC encoding. Transfer by David Minches notes
834. 02/07/81 Flac 16 - 0, 123543 Boston Orpheum Theater JGB; Early and Late Shows; flac1644; Recording Info: Frank Streeter's AKG D330BT -> Cassette Master (Sony TC-D5M/Maxell MX90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller. notes
835. 02/07/81 Flac 16/48 - , 152424 Boston Orpheum Theater JGB; flac1648; late show; Jim Vita's Master Audience Cassette; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S); Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. April 2021. notes
836. 02/07/81 Flac 24/96 - , 152425 Boston Orpheum Theater JGB; flac2496; late show; Jim Vita's Master Audience Cassette; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S). Transfer Info: Master Cassette (Nakamichi Dragon) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. Mastered by Scott Clugston. April 2021 notes
837. 02/09/81 Flac - 0, 123532 Providence Ocean State Theater JGB; flac1644; Frank Streeter's AKG D330BT -> Cassette Master (Sony TC-D5M/Maxell MX90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller. notes
838. 02/09/81 Flac - 0, 98866 Providence Ocean State Theater JGB flac16: 2x Nakamichi CM-300's (CP-1 cardioids) plus 1x AKG D200E blend mic > Nakamichi 550 > Maxell UDXL-II 90's, from 18th row, right center section. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Transfer by Andrew F notes
839. 02/09/81 Flac 24 - 0, 98865 Providence Ocean State Theater JGB, flac24: 2x Nakamichi CM-300's (CP-1 cardioids) plus 1x AKG D200E blend mic > Nakamichi 550 > Maxell UDXL-II 90's, from 18th row, right center section. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F. notes
840. 02/09/81 Shn - 0, 20608 Providence Ocean State Theater Jerry Garcia Band: MAC (Taped by Steve Rolfe, Nakamichi CM-700 mics [front row of balcony] > Sony TC-D5M) > Nakamichi BX300 playback > Sony PCM-R500 DAT > CD > EAC > SHN (seekable). A>D by Glenn Gardner and Walter Keenan, EAC and conversion to SHN by cbass. notes
841. 02/09/81 Flac - 0, 83745 Providence Ocean State Theater JGB: Jim Vita's FOB Nakamichi DM-500s (25th row center) > Sony TC-D5M master cassette (Maxell UDXLII-S w/ Dolby) > Nakamichi Dragon playback > Art DI/O > Digital Audio Labs CardDeluxe > Cool Edit 2000 > Shntool > FLAC encoding. Transfer by David Minches. notes
842. 02/09/81 Flac 16/48 - , 152431 Providence Ocean State Theater JGB; flac1648; Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. April 2021. notes
843. 02/09/81 Flac 24/96 - , 152432 Providence Ocean State Theater JGB; flac2496; Jim Vita's Master (FOB) Audience Cassettes (25th row, center); Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. Mastered by Scott Clugston. April 2021. notes
844. 02/10/81 Shn - 0, 19438 Hartford Bushnell Auditorium Source: MAC(Senn 421's>Sony D-5 >D>CDR>WAV>SHN. Taper: Jim Wise. SHN encoding and FTP via C.Ladner/candyman FTP. notes
845. 02/10/81 Flac - 0, 83746 Hartford Bushnell Auditorium JGB: Jim Vita's Nakamichi DM-500s (center balcony) > Sony TC-D5M master cassette (Maxell UDXLII-S w/ Dolby) > Nakamichi Dragon playback > Art DI/O > Digital Audio Labs CardDeluxe > Cool Edit 2000 > Shntool > FLAC encoding. Transfer by David Minches. notes
846. 02/10/81 Flac - 0, 33740 Hartford Bushnell Auditorium JGB: Jim Wise Master Audience Cassette; Senn MD-421s> Sony D-5 at SB; Maxell UDXLII; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. notes
847. 02/10/81 Flac 16/48 - 0, 142837 Hartford Bushnell Auditorium JGB; flac1648; George Sterry's Master Audience Cassettes; Unknown mics (possibly Jim Wise's Sennheiser 421's)> Sony TC-158(Maxell UDXL-II) > Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4(.wav 24-bit/96k)> Adobe Audition 3.01 (.wav 24-bit/96k). 24-bit > 16-bit via dBpoweramp. notes
848. 02/10/81 Flac 16/48 - , 152438 Hartford Bushnell Auditorium JGB; flac1648; Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. April 2021. notes
849. 02/10/81 Flac 24/96 - , 152439 Hartford Bushnell Auditorium JGB; flac2496; Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. Mastered by Scott Clugston. April 2021. notes
850. 02/11/81 Flac 24/96 - 0, 130850 New York The Palladium flac2496; Recorded by Ohr Weinberg: 2 Sony ECM-23F Microphones -> Nakamichi 550 Cassette Recorder (2 TDK SA-X C90 Cassettes w/ Dolby B) Transfer by Ohr Weinberg : Master Cassettes -> Nakamichi Dragon -> SONY PCM-D50 -> (24/96)WAV -> flac notes
851. 02/11/81 Flac 24/96 - 0, 127292 New York The Palladium JGB; flac2496; s1 partial; Recorded by Richie Stankiewicz, 1st row balcony center Sony TCD-5M Beyer M-160 Transfer MAC>Sony TCKA-3es>USBPre2; transferred by Richie Stankiewicz. notes
852. 02/11/81 Flac 16/44 - 0, 120256 New York The Palladium JGB; flac1644; David Dyche's Nak 300s > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16. notes
853. 02/11/81 Shn - 0, 19439 New York The Palladium Source: MAC(Beyer M 160?s, center loge on stand > D5)>D>CDR>WAV>SHN. Taper: Jim Wise. SHN encoding and FTP via C.Ladner/candyman FTP. notes
854. 02/11/81 Flac - 0, 76341 New York The Palladium JGB: Jim Vita's MAC (2 Nakamichi 500s > Sony D5) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe > Cool Edit > Flac. Transfer by David Minches. notes
855. 02/11/81 Flac 16/48 - , 152460 New York The Palladium JGB; flac1648; Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. April 2021 notes
856. 02/11/81 Flac 24/96 - , 152461 New York The Palladium JGB; flac2496; Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. Mastered by Scott Clugston. April 2021. notes
857. 02/13/81 Shn - 0, 9019 Passaic Capitol Theater Jerry Garcia Band: Early & Late Shows: MAC (Taped by Ohr Weinberg, two Sony ECM-23Fs with Nak DM-500 blend > Nak 550) > Nak Dragon playback > HHb CDR-800 master CD > TAE (overlap) > shn. A>D by Jim Wise, CD>SHN by Andy Gustin. notes
858. 02/13/81 Shn - 0, 9019 Passaic Capitol Theater Jerry Garcia Band: Early & Late Shows: MAC (Taped by Ohr Weinberg, two Sony ECM-23Fs with Nak DM-500 blend > Nak 550) > Nak Dragon playback > HHb CDR-800 master CD > TAE (overlap) > shn. A>D by Jim Wise, CD>SHN by Andy Gustin. notes
859. 02/13/81 Flac 16/48 - , 152466 Passaic Capitol Theater JGB; flac1648; early-late; Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. April 2021. notes
860. 02/13/81 Flac 24/96 - , 152457 Passaic Capitol Theater JGB; flac2496; early-late; Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. Mastered by Scott Clugston. April 2021. notes
861. 02/14/81 Shn - 0, 24070 Hempstead Calderone Theatre Jerry Garcai Band: Recorded Sony D5 Sennheiser 421 mikes from balconey front row notes
862. 02/14/81 Shn - 0, 14079 Hempstead Calderone Theatre Jerry Garcia Band: MAC (Taped by Ohr Weinberg, two Sony ECM-23Fs with Nak DM- 500 blend [first two songs were Nak CM-300 blend] > Nak 550). Nak Dragon playback > HHb CDR-800 master CD > CDs > EAC > SHN. notes
863. 02/14/81 Flac 24/96 - , 155565 Hempstead Calderone Theatre JGB; flac2496; Recorded by John Jay Hance, Sennheiser 421 mics (6 Ft Spread balcony Rail) > Sony D5M (no dolby) (2)Maxell UDXLII C90; Transfer: Nakamichi 582Z > Korg MR2000S (DFF@5.6) Audiogate > 24-96 Wave > Wavelab6 > Ozone Rx7A > Ozone 5 Advance > Ozone Rx7A > CDwave > Flac24. notes
864. 02/15/81 Shn - 0, 9020 Glassboro Esby Gymnasium (Glassboro State College) Jerry Garcia Band: Nak DM500 > master cassette > DAT > CDR > shn. Originally recorded by Jim Vita. notes
865. 02/15/81 Flac 16 - 0, 137422 Glassboro Esby Gymnasium (Glassboro State College) JGB; flac16; Source: AUD (1st or 2nd gen) from the Craig L. tape collection. Transfer: Maxell XLI (normal) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2016 notes
866. 02/15/81 Flac 16/48 - , 152470 Glassboro Esby Gymnasium (Glassboro State College) JGB; flac1648; Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. April 2021. notes
867. 02/15/81 Flac 24/96 - , 152471 Glassboro Esby Gymnasium (Glassboro State College) JGB; flac2496; Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. Mastered by Scott Clugston. April 2021. notes
868. 02/22/81 Flac 24 - 0, 105477 San Francisco The Stone flac2496: Recorded by John Angus and Scott Hart; Technics Stereo mic> Sony TC-D5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0 > FLAC encoding. Pitch Correction by Joe B. Jones. Thanks to Harry Angus for providing the master tapes. notes
869. 02/22/81 Shn - 0, 14114 San Francisco The Stone Jerry Garcia Band: MAC (Taped by John Angus and Scott Hart, Technics stereo mic > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
870. 02/22/81 Flac - 0, 105438 San Francisco The Stone flac1644: Recorded by John Angus and Scott Hart; Technics Stereo mic> Sony TC-D5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0 (dither/downsample)> FLAC encoding. Pitch Correction by Joe B. Jones. Thanks to Harry Angus for providing the master tapes. notes
871. 02/23/81 Flac - 0, 138135 San Francisco The Stone JGB, flac1644; Unknown AUD kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII-S > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 04/2017 notes
872. 04/18/81 Flac - 0, 93183 Petaluma Phoenix Theater JGB: Phil Jaret's JVC M-201 Electret condenser stereo microphone (center floor) > Sony TC-D5 (TDK-SA 90 Dolby B on record and playback); Playback on a Sony TC-K615S cassette deck directly to HHB CDR-800 burner. Note that the initial seed was flawed, with a cut in TUIB. This was quickly fixed, but not before numerous completed downloads. Hence we have listed both FLAWED and FIXED fingerprints under this shnid. notes
873. 04/18/81 Flac - 0, 107843 Petaluma Phoenix Theater flac1644; Phil Jaret's JVC M-201 Stereo Microphone> Teac PC-10; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 3.0> Ozone 4.0> FLAC encoding. Pitch Correction by Joe B. Jones. notes
874. 04/21/81 Shn - 0, 20983 Santa Cruz The Catalyst Source: MAC(Nakamichi CM-700 mics > Sony TC-D5)>CDR>WAV>SHN. Taper: Steven Martin notes
875. 04/23/81 Flac - 0, 90060 Berkeley Keystone JGB: Steven Martin's modified Nakamichi CM-700 mics > Sony TC-D5) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). shn > flac in shntool, using shntool conv -o flac *.shn. notes
876. 04/24/81 Shn - 0, 18582 Palo Alto Keystone Palo Alto Jerry Garcia Band: MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
877. 04/25/81 Flac - 0, 103640 San Francisco The Stone Garcia, Weir, Kruetzman, Hart, J. Kahn; matrix recording master cass > cass Nak Dr-1 > Lynx2 Studio Interface at 32 bit float 88.2 kHz. tape ran a hair fast, adjusted in Cubase4 Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz MetaData with Tag and Rename TLH for FLAC Level 8 SBE FREE notes
878. 04/25/81 Shn - 0, 17888 San Francisco The Stone Jerry Garcia Band: MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
879. 04/25/81 Shn - 0, 9728 San Francisco The Stone Sing Out For Sight Benefit; Garcia, Weir, Kruetzman, Hart, JKahn; Acoustic; AUD>MC>??>DAT>CDR; via Paul B; Seeded to etree by Willy notes
880. 05/22/81 Flac - 0, 35124 San Francisco Warfield Theater Jerry Garcia & Friends: remaster of shnid 26437 (see text file). notes
881. 05/22/81 Flac - 0, 26437 San Francisco Warfield Theater Jerry Garcia & Friends: MAC (Taped by John Angus & Scott Hart, unknown mics > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > patching (SF Studio 6.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition). notes
882. 05/22/81 Shn - 0, 9829 San Francisco Warfield Theater AUD>MC>DAT>CDR; Nuclear Disarmament Benefit; Garcia, Weir, Hart, Kreutzman, Mydland, Kahn; Acoustic; Note- There are numerous spots with digi-static, from 'minor' to 'annoying'; See info file for details; via Paul B; Seeded to etree by Willy notes
883. 05/22/81 Flac 24 - 0, 151660 San Francisco Warfield Theater flac24; Sennheisser421->D5M (Front Row Balcony) Taper : Steve Aprea; NakCR7A-> Sony A/D SBM-1-> Sony PCM-1 Dat(16/48.1) circa 1997; Dat(analogue out)-> Edirol R09HR@ 24/88.2 Wave-> Wavelab 6-> OzoneRx7A-> 24/88 Files > Adobe Audition notes
884. 05/28/81 Flac - 0, 30791 Palo Alto Keystone Palo Alto Jerry Garcia Band, partial show: MSC > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition). notes
885. 05/30/81 Flac 16/44 - 0, 116252 Petaluma Phoenix Theater JGB; flac1644: Anon's 2x Nak 300 > Sony TC-152SD > MAC; MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.8 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] [16/44]. notes
886. 05/30/81 Flac - 0, 30792 Petaluma Phoenix Theater Jerry Garcia Band, IIp: MSC > ? > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (Sound Forge Studio 6.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition). notes
887. 06/25/81 Flac - 0, 89567 Santa Cruz Civic Auditorium JGB: Recorded by Richard Senicola and Jaime Poris using Mark Severson's equipment; 2 Nak 300s + 1 Nak 700> (Nak 550)> Sony TC-D5M (2 Maxell MX cassettes) (Recorded from 35 feet back from right center of stage); Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding. notes
888. 06/25/81 Shn - 0, 9302 Santa Cruz Civic Auditorium Jerry Garcia Band, with Phil Lesh on bass: aud(unknown mics) > ? > cdr > eac(secure) > mkwact(seekable). notes
889. 06/26/81 Shn - 0, 14482 San Francisco Warfield Theater JGB (Phil Lesh on bass): MS? > ? > CDs > EAC (secure) > Cool Edit (cleanup/pitch correction) > CDWAV > mkwact(seekable) > shn. EAC > SHN by Matt Vernon. notes
890. 07/24/81 Flac - 0, 132090 Palo Alto Keystone Palo Alto FLAC16 aud, unknown lineage, transferred & seeded by Rob Berger 2014 notes
891. 07/24/81 Flac - 0, 132091 Palo Alto Keystone Palo Alto FLAC24 aud, unknown lineage, transferred & seeded by Rob Berger 2014 notes
892. 07/26/81 Flac - 0, 89202 Berkeley Keystone JGB: MSC > DAT > CD > FLAC. notes
893. 07/26/81 Flac 24 - 0, Berkeley Keystone Set 1 notes
894. 07/26/81 Flac 16/44 - 0, 149975 Berkeley Keystone JGB; flac1644; remastered MSC > DAT > CD ... from the Jjoops Tupperware of Treasures ... Restored by Jamie Waddell on the GEMS Edit Station; originally released 12 22 2007, re-shared 5 20 2020 at www.shnflac.net; FLAC 16bit/44.1kHz notes
895. 08/06/81 Flac - 0, 110492 Salinas Sherwood Hall Unknown low gen FOB audience cassette>Nak CR-3A>AudigySE>Audacity>CDWave>TLH notes
896. 08/07/81 Flac - 0, 136802 Davis Freeborn Hall, U. of California JGB; flac1644; Source: Unknown gen AUD cassette, via the JGMF "Closet Call" Project. Original A>D Transfer: Maxell XLII-90 > Nakamichi BX-300 playback (no Dolby) > Pyle Pro cables > WaveTerminal 2496 > Samplitude 10.1 Download Version (record @ 24 bits/48kHz) > CDWave 1.9.8 (tracking) > Wavelab 5.0.1a (cross-fades, etc.) > shntool (stripped non-canonical headers) > Traders Little Helper 2.4.1 (FLAC encoding, level 8) > Foobar (tagging). September 2016, 16bit/44.1kHz file-set mastering: FLAC 2448 > TLH > WAV > Wavelab > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. notes
897. 08/08/81 Flac - 0, 132380 Stockton Fox Theater JGB; flac1644; partial: Recorded by Gene Taback, "Main floor, right center, ten rows back. Unknown recorder". Transferred properly on a NakCr7a. notes
898. 08/20/81 Flac - 0, 76343 Berkeley Keystone JGB: Jim Vita's MAC (2 Nak 300s) > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Flac, transfer by David Minches. notes
899. 08/20/81 Shn - 0, 8645 Berkeley Keystone Jerry Garcia Band: MAC > CD > EAC > SHN. Taped by Jim Vita, front row balcony, Nak CM-300s w/ CP-4 capsules > Sony TC-D5M master cassette > HHb 800 CDRx0 > CDx? > EAC > SHN. notes
900. 08/20/81 Flac 16/48 - , 152485 Berkeley Keystone 16-48 Source Info: Jim Vita's Master Audience Cassettes: Nakamichi 300 mics > Sony D5M (Maxell UDXLII-S)
Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496.
Mastered by Scott Clugston. May 2021.
notes
901. 08/20/81 Flac 24/96 - , 152486 Berkeley Keystone 24-96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M (Maxell UDXLII-S).
Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496.
Mastered by Scott Clugston. May 2021
notes
902. 08/21/81 Shn - 0, 16694 Berkeley Keystone Jerr Garcia Band: MSC > 2C > DAT >CDR > WAV > SHN (lineage via The Jerry Site) notes
903. 08/21/81 Flac - 0, 76344 Berkeley Keystone JGB, I/IIp: Jim Vita's MAC (2 Nak 300s > Sony D5 [Maxell UD-XLIIS]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Flac, transfer by David Minches. notes
904. 08/21/81 Flac 16/48 - , 152527 Berkeley Keystone JGB; flac1648; s1s2p; Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M (Maxell UDXLII-S). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. May 2021. notes
905. 08/21/81 Flac 24/96 - , 152528 Berkeley Keystone JGB; flac2496; s1s2p; Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M (Maxell UDXLII-S). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. Mastered by Scott Clugston. May 2021. notes
906. 08/22/81 Shn - 0, 9490 Fairfax Fairfax Pavilion Jerry Garcia Band, w/ Phil Lesh on bass: MAC > CD > DAT > CD > EAC > SHN. Taped by Jim Vita at the soundboard, Nak CM-300s w/ CP-4 caps > Sony TC-D5m master cassette > HHb 800 CDRx0 > CDx? > EAC > re-tracking using CD Wave > SHN using mkwACT. notes
907. 08/22/81 Flac - 0, 76345 Fairfax Fairfax Pavilion Jim Vita's MAC (2 Nak 300s > Sony D5) > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Flac, transfer by David Minches. Show with Phil Lesh. notes
908. 08/22/81 Flac 16/48 - , 152499 Fairfax Fairfax Pavilion 16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics + CP4 caps > Sony D5M (Maxell UDXLII-S)
Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
notes
909. 08/22/81 Flac 24/96 - , 152499 Fairfax Fairfax Pavilion 24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics + CP4 caps > Sony D5M (Maxell UDXLII-S)
Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
notes
910. 08/23/81 Flac - 0, 77104 Palo Alto Keystone Palo Alto JGB: Jim Vita's MAC (2 Nakamichi 300s > Sony D-5 [Maxell UD-XLII-S]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches. notes
911. 08/23/81 Shn - 0, 26245 Palo Alto Keystone Palo Alto Jerry Garcia Band. MAC(unknown mics/taper)>?>CDR>WAV>SHN. Partial recording with several missing tracks (see info file). notes
912. 08/23/81 Flac 16/48 - , 152501 Palo Alto Keystone Palo Alto 16/48 Source Info:Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M (Maxell UDXLII-S)
Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
notes
913. 08/23/81 Flac 24/96 - , 152500 Palo Alto Keystone Palo Alto 24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M (Maxell UDXLII-S)
Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
notes
914. 09/18/81 Flac - 0, 33742 Berkeley Keystone JGB: Jim Wise Master Audience Cassette; Recorded upstairs, stereo mic > Sony D5 (Maxell UDXLI-S); Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. notes
915. 09/18/81 Shn - 0, 13881 San Rafael Club Front Jerry Garcia Band, Studio rehearsals: MSR -> P -> D [presumably > ? > SHN]. These .shns are currently listed as filler on JGB 01/24/80. notes
916. 09/18/81 Shn - 0, 9512 Berkeley Keystone Jerry Garcia Band: MAC > DAT > CD > EAC > SHN. Taped by Jim Wise. Recorded upstairs, stereo mic > Sony TC-D5 set on floor. notes
917. 09/19/81 Flac - 0, 137886 San Francisco The Stone JGB; flac1644; Partial, Unknown AUD (marked 1st Gen) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2017 notes
918. 10/11/81 Flac - 0, 76195 Amsterdam Melk Weg flac16; Source: AUD, unknown mics: CM > 1C > DAT DAT > WAV > FLAC: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 7.0 (build 214) (48-44.1, highest accuracy with anti-alias filter) > CDWav 1.93 > FLAC Frontend (no DAE) notes
919. 10/11/81 Shn - 0, 7327 Amsterdam Melk Weg Jerry Garcia & Bob Weir: Source: AUD, unknown mics: CM > 1C > DAT DAT > WAV > SHN: Dan Stephens (dms@well.com) Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Tool notes
920. 10/11/81 Flac - 0, 76194 Amsterdam Melk Weg flac16/48; Source: AUD, unknown mics: CM > 1C > DAT DAT > WAV > FLAC: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 7.0 (build 214) (record only) > CDWav 1.93 > FLAC Frontend (no DAE, 48kHz) notes
921. 10/31/81 Flac 24 - 0, 135931 Upper Darby The Tower Theatre JGB; early; flac2448; Stankiewicz & Schley, Beyers mics > patched thru Sony D5 > Sony TC-D5 > Maxell MX-90, front of balcony(?). Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 06/2016 notes
922. 10/31/81 Flac - 0, 135932 Upper Darby The Tower Theatre JGB; early; flac16; Stankiewicz & Schley, Beyers mics > patched thru Sony D5 > Sony TC-D5 > Maxell MX-90, front of balcony(?). Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2016 notes
923. 10/31/81 Flac - 0, 88958 Upper Darby The Tower Theatre JGB, early & late: John Levene's Nak 300 + cp4 (shotguns) > Marantz CD330; Yamaha K-1020 playback > Sony SBM-1 > Nomad JB3 > Creative Play Center > Soundforge v6e > CDWav; Creative Play Center software used to copy to laptop. Soundforge used to prep file for tracking. CDWave used to track and flac at level 8 compression notes
924. 11/01/81 Flac 1644 - 0, 138848 Brockport Tuttle North Gym, SUNY Brockport JGB, flac1644; Partial; Source: Unknown AUD kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 07/2017 notes
925. 11/01/81 Flac - 0, 91112 Brockport Tuttle North Gym, SUNY Brockport JGB; Recorded by Bob Gates; Nak 100 (with either a CP-4 shotgun or a CP-1 Omni)> Superscope 320; Lineage: Master cassette audience> cassette> CD> EAC> HD Transfer and FLAC encoding by David Minches: Extracted tracks processed in Adobe Audition 2.0> FLAC encoding. notes
926. 11/01/81 Flac 24/48 - 0, Brockport Tuttle North Gym, SUNY Brockport notes
927. 11/01/81 Flac 1644 - 0, 143443 Brockport Tuttle North Gym, SUNY Brockport JGB; flac1644; AUD: Sony ECM-990F stereo mic > Sony TC-D5M > TDK SA-90's, with no Dolby, hand-held mic FOB, concert recording by BFOQ. Transfer: MAC > Nakamichi CR-5A (Dolby off) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2018 notes
928. 11/01/81 Flac 24/48 - 0, 143442 Brockport Tuttle North Gym, SUNY Brockport JGB; flac2448; AUD: Sony ECM-990F stereo mic > Sony TC-D5M > TDK SA-90's, with no Dolby, hand-held mic FOB, concert recording by BFOQ. Transfer: MAC > Nakamichi CR-5A (Dolby off) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2018 notes
929. 11/03/81 Flac 1644 - 0, 138117 Owings Mills Painter's Mill JGB, flac1644; Set One: AUD (marked 2nd Gen) kindly provided by wk & http://jgmf.blogspot.com/ Set Two: AUD (unknown lineage) kindly provided from the collection of DL. Transfer: Maxell XLII's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 04/2017 notes
930. 11/03/81 Flac 1644 - 0, 138159 Owings Mills Painter's Mill JGB, flac1644; 2nd Set, Sources: Matrix of SBD ID-15099 & AUD ID-138117. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 04/2017 notes
931. 11/03/81 Shn - 0, 15099 Owings Mills Painter's Mill JGB, set II: MSC > 2C > Aiwa F810 playback > Tascam DA30-mkII > Zoltrix Nightengale 6.0 @ 44.1 > SF 6.0 > CD Wave > .shn. notes
932. 11/03/81 Flac 1644 - 0, 140513 Owings Mills Painter's Mill JGB; flac1644; s2 partial; 2x nak300 into a sony d5m. notes
933. 11/04/81 Flac - 0, 76659 Albany Palace Theater JGB: Jim Vita's MAC (Unknown mics> Sony D5 [UD-XLIIs]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, xfer by David Minches. notes
934. 11/04/81 Shn - 0, 2479 Albany Palace Theater Jerry Garcia Band. Source: MAC(Nak 300s> Sony TC-D5M)>CDR>WAV>SHN. Taper: Jim Vita. Simple Twist of fate is missing. notes
935. 11/04/81 Flac 16/48 - , 152503 Albany Palace Theater 16/48 Source Info:Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M (1st set Maxell UDXLII-S, 2nd set TDK MA-C90)
Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
notes
936. 11/04/81 Flac 24/96 - , 152502 Albany Palace Theater 24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M (1st set Maxell UDXLII-S, 2nd set TDK MA-C90)
Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
notes
937. 11/06/81 Flac - 0, 89217 Passaic Capitol Theater JGB, partial Late Show: Nakamichi CM-300's > Sony TC-D5, recorded FOB, by unknown taper. Lineage: Unknown MAC > CDR transfer. CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC notes
938. 11/06/81 Shn - 0, 24865 Passaic Capitol Theater Jerry Garcia Band, early show: MAC (Recorded by Ohr Weinberg, Sony ECM 23f's [front floor] > Sony TC-D5M Dolby B) > Nakamichi Dragon playback > HHB CDR830plus > EAC > Sound Forge 5.0 > CD Wave Editor > SHNv3 (seek tables embedded). A>CD by Anne Cohen, EAC>SHN by cbass notes
939. 11/06/81 Flac 16/48 - , 152529 Passaic Capitol Theater JGB; flac1648; early/late; Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M (Maxell UDXLII-S). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. May 2021. notes
940. 11/06/81 Flac 24/96 - , 152530 Passaic Capitol Theater JGB; flac2496; early/late; Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M (Maxell UDXLII-S). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. Mastered by Scott Clugston. May 2021. notes
941. 11/07/81 Shn - 0, 16506 Washington McDonough Arena (Georgetown U.) Jerry Garcia Band: MA? > 1 cassette > Tascam 322 > Marantz CD500 > EAC > SHN notes
942. 11/07/81 Flac - 0, 89466 Washington McDonough Arena (Georgetown U.) JGB: Taped by Tim S., Nak300 (Handheld/Stealth) > Cm > Cass > CD > EAC > Izotope Ozone > Flac. Remastered by SIRMick. notes
943. 11/07/81 Shn - 0, 24991 Washington McDonough Arena (Georgetown U.) Jerry Garcia Band, set II only: probable MSC > DAT, subsequent pitch-correction & patching prior to shn encoding. notes
944. 11/08/81 Shn - 0, 14008 Lawrenceville Alumni Gymnasium Jerry Garcia Band: MAC (recorded by John Hance, Beyer M160s > Sony TCD-5M) > Nak Dragon playback > HHb 800 master CD > CDs > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). A > D by Jim Wise, CD > SHN by Joe Jupille. notes
945. 11/10/81 Flac 24 - 0, 127293 New York The Palladium JGB; flac2496; Recorded by Richie Stankiewicz, Sony TCD-5m > Beyer M-160 1st Row Balcony Transfer MAC>Sony TCKA3ES>USBPre 2; transferred by Richie Stankiewicz notes
946. 11/10/81 Flac - 0, 137506 New York The Palladium JGB; flac1644; early show AUD: Stankiewicz & Schley's Beyers mics > patched thru Sony D5 > Sony TC-D5 > Hitachi ME-90, front of balcony(?). Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017. notes
947. 11/10/81 Shn - 0, 18166 New York The Palladium Jerry Garcia Band, Early Show: MAC (Taped by Ohr Weinberg, Sony ECM-23f mics > Sony TC-D5M) > Nakamichi Dragon playback > HHb CDR-800 CD > EAC > SHN v3. notes
948. 11/10/81 Flac - 0, 77357 New York The Palladium JGB, Late Show: MAC (Nakamichi CM-300s > Sony TC-D5M) > 1C > Sony TC-D5M (Dolby On) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums, and FLAC compression) > FLAC, by Andrew F (September 2006). notes
949. 11/10/81 Shn - 0, 10173 New York The Palladium Jerry Garcia Band: Late Show: MAC > CD, two Beyer M160s (1 st Row Loge Center) > Sony TCD5M > Cassette Master Tape> Sound Forge 5 to break into tracks > Sound Stream to normalize > MKW to convert to SHN. notes
950. 11/10/81 Flac - 0, 27760 New York The Palladium Jerry Garcia Band, Early Show: MAC (Taped by Mark Cohen, Nak CM-700s > Sony TC-D5) > Tascam 122mkIII playback > Tascam DA-40 DAT > Tascam CDRW-700 master CD > unknown CD gens (probably one) > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition notes
951. 11/12/81 Shn - 0, 8079 Springfield Symphony Hall Jerry Garcia Band. AUD:C (Jim Stone, front row balcony, Nak 300s > Sony D5) > DAT > CD > EAC > SHN. notes
952. 11/12/81 Flac 16/48 - 0, 142838 Springfield Symphony Hall JGB; flac1648; s2; George Sterry's Master Audience Cassettes; Unknown mics > Sony TC-158(TDK-SA90) > Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4(.wav 24-bit/96k)> Adobe Audition 3.01 (.wav 24-bit/96k). 24-bit > 16-bit via dBpoweramp. notes
953. 11/13/81 Flac - 0, 123554 Boston Orpheum Theater JGB: flac1644; Early and Late Shows; Frank Streeter's Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell MX90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
954. 11/13/81 Shn - 0, 12989 Boston Orpheum Theater Jerry Garcia Band: Early & Late Shows: Nak 700s > Sony D5 > MAC > D > CD> EAC > MKWact > SHN notes
955. 11/13/81 Flac - 0, 89005 Boston Orpheum Theater JGB, Late Show: master: John Levene's Nak 300 (center balcony row 1) > Marantz CD330 > Maxell XLII C-90 MAC; Transfer: Yamaha K-1020 > Sony SBM-1 > Nomad JB3 > Creative Play Center > Soundforge v6e > CDWav Creative Play Center software used to copy to laptop. Soundforge used to prep file for tracking. CDWave used to track and flac at level 8 compression notes
956. 11/14/81 Flac - 0, 28791 Burlington Patrick Gymnasium, UVM Jerry Garcia Band: Two audience tapes of unknown source and lineage. Source "A" provides Set One and Roadrunner. Source "B" provides I'll Take A Melody thru Tangled Up In Blue. See info file for additional information notes
957. 11/15/81 Flac 24 - 0, 127050 Providence Performing Arts Center flac2496; Richie Stankiewicz taped and transferred; Recorded on Sony TCD-5M two Beyer M-88 1st Row Balcony; Transfer MAC > Sony TCKA-3es (parts 1st gen > Sony TCKA-3es). notes
958. 11/15/81 Flac 24 - 0, 97806 Providence Performing Arts Center JGB, flac24: Tim Friend's 3x Nakamichi CM-300's (CP-1 cardioids) > Nakamichi 550 > Maxell UDXL-II. Mics hand held, 20th row right side orchestra. Transfer: MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F. notes
959. 11/15/81 Flac - 0, 97807 Providence Performing Arts Center JGB, flac16: Tim Friend's 3x Nakamichi CM-300's (CP-1 cardioids) > Nakamichi 550 > Maxell UDXL-II. Mics hand held, 20th row right side orchestra. Transfer: MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Transfer by Andrew F. notes
960. 11/15/81 Shn - 0, 20609 Providence Performing Arts Center Jerry Garcia Band: MAC (Taped by Steve Rolfe, Nakamichi CM-700 mics [front row of balcony] > Sony TC-D5M) > CD > EAC > SHN (seekable). EAC and conversion to SHN by cbass. notes
961. 11/15/81 Flac - 0, 127062 Providence Performing Arts Center flac1644; Richie Stankiewicz taped and transferred; Recorded on Sony TCD-5M two Beyer M-88 1st Row Balcony; Transfer MAC > Sony TCKA-3es (some songs 1st gen > Sony TCKA-3es) > 24/96 > r8brain (16/44). notes
962. 11/17/81 Flac - 0, 131710 Chicago Uptown Theater JGB; flac1644; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes
963. 11/17/81 Flac - 0, 33423 Chicago Uptown Theater JGB: 2nd gen aud, maybe 1st ("my friend made more than one copy off Gary's Master Cass") > NakCR3A > Hard Drive > Flac16. notes
964. 11/17/81 Flac - 0, 79043 Chicago Uptown Theater JGB, Early & Late Shows: MAC (unknown taper and gear ) > 1 cassette gen > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC, transfer by David Minches. notes
965. 11/19/81 Shn - 0, 25792 Denver Rainbow Music Hall Jerry Garcia Band: Unknown Audience Recording notes
966. 12/07/81 Flac - 0, 30372 San Rafael Club Front Jerry Garcia Band, Rehearsals: MSC > C1 > CD > WAV > FLAC. NB date reflects date on which John Kahn mixed the material, not the date on which it was performed. notes
967. 12/07/81 Shn - 0, 30372 San Rafael Club Front Jerry Garcia Band, Rehearsals: MSC > C1 > CD > WAV > FLAC. NB date reflects date on which John Kahn mixed the material, not the date on which it was performed. notes
968. 12/17/81 Flac - 0, 137842 Palo Alto Keystone Palo Alto JGB; flac1644; Partial, Unknown AUD kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2017 notes
969. 12/18/81 Shn - 0, 16379 San Francisco The Stone Jerry Garcia Band: MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5 cassette deck [Maxell XLII]) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > patching (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
970. 12/19/81 Shn - 0, 17839 Berkeley Keystone Jerry Garcia Band: MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5 cassette deck [Maxell XLII]) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1 notes
971. 01/11/82 Flac - 0, 84012 San Francisco Old Waldorf JGB: MSC > DAT > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). notes
972. 01/11/82 Shn - 0, 20687 San Francisco Old Waldorf Jerry Garcia Band: MSC>DAT >CDR>WAV>SHNv3. Multiple track cuts - see info file for details. notes
973. 01/13/82 Flac - 0, 98706 San Francisco Old Waldorf JGB: unknown MAC > 1st gen cassette > Apogee Mini ME (24/96 > Apogee Mini DAC > Wavelab 5.0 (dithered via 'UV22HR' to 16/44) > CD by Matt Smith; Edits and Mastering: Jamie Waddell on the GEMS workstation. notes
974. 01/13/82 Flac - 0, 95067 San Francisco Old Waldorf JGB, I/IIp: Unknown Audience recording > ? > cdr > eac > wav > Gems Edit Station > flac. notes
975. 02/02/82 Flac 24/96 - 0, 126225 Santa Cruz The Catalyst JGB; flac2496; Recorded and Mastered by N Hoey: 2 Nakamichi CM 300s > Sony TC-D5m (Dolby B)(Maxell XL IIS 90) Nakamichi Dragon (Dolby B decoded) > A/D - Apogee Mini Me (96/24) > Peak 7 OSX (editing) > xACT (flac-tagging). notes
976. 02/02/82 Flac 16/48 - 0, 142106 Santa Cruz The Catalyst JGB; flac1648; partial; Sbd > Master Cassettes; Transfer - Nak BX-300 > Sony 75ES > DAT notes
977. 02/03/82 Flac 24 - 0, 126226 Santa Cruz The Catalyst JGB; flac2496; Recorded and Mastered by N Hoey with: 2 Nakamichi CM 300s > Sony TC-D5m (Dolby B)(Maxell XLIIS 90) Nakamichi Dragon (Dolby B decoded) > A/D - Apogee Mini Me (96/24) > Peak 7 OSX (editing) > xACT (flac-tagging). notes
978. 02/04/82 Shn - 0, 4426 Palo Alto Keystone Palo Alto Jerry Garcia Band :mSC> DAT> CDR> TAE> WAV> SHN; via Dan Metz, Mike Lai notes
979. 02/04/82 Flac - 0, 83952 Palo Alto Keystone Palo Alto JGB: MSC > Dat > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transfered, Remastered and Seeded by Green Mountain Bros notes
980. 02/04/82 Flac 1644 - 0, 140808 Palo Alto Keystone Palo Alto JGB, flac1644; AUD (marked 2nd Gen) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 01/2018 notes
981. 02/04/82 Flac 1644 Mtx - 0, 140809 Palo Alto Keystone Palo Alto JGB, flac1644; Sources: Matrix of SBD ID-4426 & AUD ID-140808. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 01/2018 notes
982. 02/05/82 Shn - 0, 18071 Palo Alto Keystone Palo Alto Jerry Garcia Band, partial set II: MSC > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
983. 02/05/82 Flac - 0, 95186 Palo Alto Keystone Palo Alto JGB, set I: Unknown Audience recording > ? > cdr > eac > wav > Gems Edit Station > flac. notes
984. 02/05/82 Flac 16/48 - 0, 149858 Palo Alto Keystone Palo Alto JGB; flac1648; taped by Jeff Knudsen, gear used lost to the fog of history. Nakamichi CR-7A (Rebuilt by ESL August 2019) -> Sound Devices MixPre-3M. Transfers by Jay Haines April 2020 at 24bit 48kHz. Shared at LL in the Raw Tape Project. Speed Correction by Jason Chastain. Audio Mastering by Jamie Waddell. notes
985. 02/05/82 Flac 24/48 - 0, 150521 Palo Alto Keystone Palo Alto JGB; flac2448; Taped by Jeff Knudsen, gear used lost to the fog of history; Nakamichi CR-7A (Rebuilt by ESL August 2019) -> Sound Devices MixPre-3M; Transfers by Jay Haines April 2020 at 24bit 48kHz; Shared at LL in the Raw Tape Project; Speed Correction by Jason Chastain; Audio Mastering by Jamie Waddell; Additional audio mastering by Joe Noel, using Adobe Audition 2020. notes
986. 02/26/82 Shn - 0, 22729 Berkeley Keystone Jerry Garcia Band: MSC -> DAT -> CDRs -> Track Thief -> SHN; Transfer by: D. Metz notes
987. 02/26/82 Flac - 0, 91123 Berkeley Keystone JGB: Recorded by Ohr Weinberg: 2 Sony ECM-23F microphones -> Sony TC-D5M -> 2 Maxell XLII-S 90 Cassettes w/ Dolby B. Transfer by Ohr Weinberg: Master Cassette -> Nakamichi Dragon -> HHB CDR830 Plus -> EAC -> CDWave -> FLAC notes
988. 02/26/82 Shn - 0, 4425 Berkeley Keystone Jerry Garcia Band:SBD:MCass>DATx3>ZA2>CD notes
989. 02/27/82 Shn - 0, 12924 Palo Alto Keystone Palo Alto Jerry Garcia Band: MSC > DAT > CDR; via M.Perini; seeded to etree by eD notes
990. 02/27/82 Flac - 0, 83879 Palo Alto Keystone Palo Alto JGB: MSC > DAT > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and Seeded by Green Mountain Bros. April 2007. notes
991. 02/27/82 Flac 16/44 - 0, 147185 Palo Alto Keystone Palo Alto JGB; flac 1644; AUD (marked 2nd Gen) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 07/2019 notes
992. 02/27/82 Flac 16 Mtx - 0, 147186 Palo Alto Keystone Palo Alto JGB; flac1644; Matrix of SBD ID-12924 & AUD ID-147185. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, Andrew F 07/2019 notes
993. 02/28/82 Flac - 0, 83880 San Francisco The Stone JGB: MSC > DAT > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and Seeded by Green Mountain Bros. April 2007. notes
994. 02/28/82 Shn - 0, 4424 San Francisco The Stone Jerry Garcia Band: Mcas> Dat> Cdr> Protools> shn. Missing How sweet it is which does circulate. Missing begining of They love each other and Sugaree notes
995. 03/03/82 Shn - 0, 20660 San Francisco Barbary Coast Room (San Francisco State) Source: AUD (microphone and taper unknown) > CM > CD > WAV > SHN. Partial - see info file for details. notes
996. 03/07/82 Flac - 0, 138596 San Jose The Saddlerack JGB; flac1644; Pre-FM > Master Reel > Dat, Dat > Samplitude Pro X3 Suite > FLAC (2 Discs Audio / 1 Disc FLAC), All Transfers and Mastering By Charlie Miller notes
997. 03/07/82 Shn - 0, 83600 San Jose The Saddlerack JGB: KFAT FM MCass > DAT > CD; Encoded from CD > shn via EAC and mkwACT by khensu (David Hollister). notes
998. 03/07/82 Shn - 0, 6656 San Jose The Saddlerack Jerry Garcia Band: SBD : FM > DAT > CDR. Originaly broadcast on KFAT. Set 2 with Dave Torbert. This version is missing Sugaree but it does circulate. notes
999. 03/07/82 Flac - 0, 83602 San Jose The Saddlerack JGB: MFC (KFAT over-air broadcast) > DAT > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and Seeded by Green Mountain Bros. March 2007. notes
1000. 03/17/82 Shn - 0, 13560 Chico Acker Gym, Chico State University Jerry Garcia Band: MSC > DAT > CDR > EAC > SHN, originally seeded to furthur by David Hollister. notes
1001. 03/17/82 Flac - 0, 83495 Chico Acker Gym, Chico State University JGB: MSC > DAT > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5, recorded as 16/48 KHz WAV > mastering with Ozone 3 > dithered to 16/44.1 KHz using Izotope MBIT+ > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and Seeded by the Green Mountain Bros. notes
1002. 03/19/82 Shn - 0, 15194 Arcata Mojo's Jerry Garcia Band: MAC (Taped by Tim Vallee) > cassette > NAD 6050C playback > SBM > PCM-R500 @44.1k (A/D only - no DAT) > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by Dan Gale. notes
1003. 03/20/82 Shn - 0, 29759 Garberville Fireman's Hall Jerry Garcia Band: SB > FM > C > ? > WAV > SHN. notes
1004. 03/27/82 Shn - 0, 6605 Berkeley Keystone Jerry Garcia Band: probably MSC>dat , excellent sound, a little hiss on quiet parts,some level change weirdness on set2 which may be splices, cuts or weaker splicing attempts most obvious at cd1t5 6:40 cd2t3 1:36, 2:20 cd2t5 0:27; (these do not look like digital anomalies) notes
1005. 04/10/82 Shn - 0, 91967 Passaic Capitol Theatre (Early Show) JG solo acoustic, Late Show: matrix; 1) (shnid 15848) SBD > ? > DAT > CD > WAV > SHN and 2) (shnid 11281) AUDMC > DAT > WAV > CD > EAC > SHN (seekable) Realistic Stereo Mic > Sony TCM-16 TDK SA-C90 (dolby off) recorded by Glenn Gardner, row MM, seat 15, left side notes
1006. 04/10/82 Flac - 0, 127047 Passaic Capitol Theatre (Early Show) flac2496; Richie Stankiewicz recorded and transferred; Recorded 2nd row center Sony D-5M Beyer M-88 (ribbon microphones); Transfered MAC > Sony TCKA3es > sound device usbpre2. Special thanks to Andrew F. notes
1007. 04/10/82 Flac - 0, 131900 Passaic Capitol Theatre (Late Show) Garcia solo; flac1644; Mason B. Taylor's Senn421 > Sony D5 recorded on maxell xlII chrome tapes dolby on notes
1008. 04/10/82 Flac - 0, 132111 Passaic Capitol Theatre (Late Show) flac16; Matrix by Jubal H. Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes
1009. 04/10/82 Flac - 0, 127046 Passaic Capitol Theatre (Early Show) flac1644; Richie Stankiewicz recorded and transferred; Recorded 2nd row center Sony D-5M Beyer M-88 (ribbon microphones); Transfered MAC > Sony TCKA3es > sound device usbpre2 > 24/96 > r8brain > 16/44.1. Special thanks to Andrew F notes
1010. 04/10/82 Shn - 0, 77709 Passaic Capitol Theatre (Early Show) Garcia solo, late show: MSC > 2 track reel > DAT > CD > EAC > FLAC level 8. notes
1011. 04/10/82 Shn - 0, 6311 Passaic Capitol Theatre (Early Show) Jerry Garcia Solo:SBD > ? > DAT > CDR > WAV > SHNv3. Posted to abgd 11/01 notes
1012. 04/10/82 Flac 24 - 0, 137689 Passaic Capitol Theatre (Late Show) flac2496; late show; John Hance's Sennheiser 421->D5M Dolby B (Maxell XLIIS); Tascam 112MKII-> MR2000S DFF 5.6 Audiogate-> 24/88.2-> Rx4A-> Wavelab6-> Ozone 6A > CD Wave > TLH (level 8) > Flac24. Taped & Transferred by: John Hance notes
1013. 04/10/82 Flac - 0, 137690 Passaic Capitol Theatre (Late Show) flac1644; late show; John Hance's Sennheiser 421 -> D5M Dolby B Maxell XLIIS; Tascam 112 MKII -> MR2000S DFF 5.6 Audiogate-> 24/88.2-> Rx4A-> Wavelab6-> Ozone 6A > CD Wave > r8brainpro > 16/44.1 > TLH (level 8) > Flac16. Taped & Transferred by: John Hance. notes
1014. 04/10/82 Shn - 0, 11281 Passaic Capitol Theatre (Late Show) Jerry Garcia Solo Acoustic: Late Show: MAC > SoundForge bass boost > CD > EAC > SHN (seekable). Recorded by Glenn Gardner (row MM, seat 15, left side), Realistic Stereo Mic > Sony TCM-16 TDK SA-C90 (dolby off). A > D by Noah Weiner. Extraction (EAC), .shn encoding (mkwACT), and seeding by Stephen Kinsch. notes
1015. 04/10/82 Flac - 0, 109415 Passaic Capitol Theatre (Early Show) flac1644; early show. Nak 700s w/ unknown deck; Lineage: MAC > C > WAV > FLAC; C > FLAC Encoding by Cousinit. notes
1016. 04/10/82 Shn - 0, 15847 Passaic Capitol Theatre (Early Show) Jerry Garcia Solo Acoustic: Early Show: SBD > ? > DAT > CDR > WAV > SHNv3, with patching, smoothing, pitch shift, & other fixing by Patrick Murphy. notes
1017. 04/10/82 Shn - 0, 15848 Passaic Capitol Theatre (Late Show) Jerry Garcia Solo Acoustic: Late Show: SBD > ? > DAT > CD > WAV > SHN, with various fixing by Patrick Murphy. notes
1018. 04/10/82 Shn - 0, 11280 Passaic Capitol Theatre (Early Show) Jerry Garcia Solo Acoustic: Early Show: MAC > CD > EAC > SHN (seekable). Recorded by Ohr Weinberg, Sony ECM 23-F's > Sony TC-D5m (Dobly B). A > D by Jim Wise, Nakamichi Dragon (Dolby B) > HHB CDR-800. Extraction (EAC), .shn encoding (mkwACT), and seeding by Stephen Kinsch. notes
1019. 04/21/82 Flac 24 - 0, 137461 New York Beacon Theatre JGJK; late show; flac24; Frank Streeter's Beyer M160 > Sony TC-D5M/Dolby B > Cassette Master, Recorded Fob 2nd row center, patched out of Richie Stankiewicz. Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG Audiogate 4 > flac 24/96 (dolby decoded), transfered by Charlie Miller. Lineage: wav 24/96 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24. edited and mastered SIRMick notes
1020. 04/21/82 Flac - 0, 137460 New York Beacon Theatre JGJK; late show; flac1644; Frank Streeter's Beyer M160 > Sony TC-D5M/Dolby B > Cassette Master, recorded Fob 2nd row center, patched out of Richie Stankiewicz. Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG Audiogate 4 > flac 24/96 (dolby decoded), transferred by Charlie Miller. Lineage: wav 24/96 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 CD Wave > TLH > Flac16, edited and mastered SIRMick notes
1021. 04/21/82 Shn - 0, 14718 New York Beacon Theatre Garcia & Kahn, Late Show: MSC > PCM > DAT > CDs > HP 9350i extraction (EAC v0.9 beta 4) > patching (Sound Forge Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). EAC > SHN by Joe Jupille. notes
1022. 04/21/82 Flac - 0, 88761 New York Beacon Theatre JGJK, late show: Sennheiser MD421s FOB (within the first 8 rows) Taper: Tom G; Generation: 2nd Gen off his Masters Transfer: Sony TCW-21(analog out)>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3@44.1khz>WAV>Poulderbits Sound Editor for (fades/cuts)>Media Join(join tape flips)>FlacFrontend (level-8)>flac-16 notes
1023. 04/21/82 Shn - 0, 29188 New York Beacon Theatre Garcia & Kahn, Late Show: MAC > DAT > CD. 2 Sennheiser MD421's > Sony TC-D5M Dolby B, 4th row center. Maxell UDXLII C90 cassettes. Master audience cassette recorded by Bill Nolan. MAC > DAT and DAT > CD transfers by Anne Cohen: MAC > DAT 6/1991: JVC TD-V711 > Technics SV-DA10. DAT > CD 6/2004: Sony PCM-R500 > HHB CDR-830plus. EAC > Sound Forge 5.0 (4/21/05) > CDWave 1.71 > WAV > SHN. notes
1024. 04/21/82 Shn - 0, 29187 New York Beacon Theatre Garcia & Kahn, Early Show: MAC > DAT > CD. 2 Sennheiser MD421's > Sony TC-D5M dolby b, 3rd row center. Maxell UDXLII C90 cassettes. master audience cassette recorded by Bill Nolan. MAC > DAT and DAT > CD transfers by Anne Cohen: MC > DAT 6/1991: JVC TD-V711 > Technics SV-DA10. DAT > CD 6/2004: Sony PCM-R500 > HHB CDR-830plus. EAC > Sound Forge 5.0 (4/21/05) > CDWave 1.71 > WAV > SHN. notes
1025. 04/21/82 Flac 24 - 0, 127373 New York Beacon Theatre JGJK; late show; flac2496; Recorded by Richie Stankiewicz, 2nd row center Sony TC-d5m Beyer M-160; Transfer MAC>Sony TCKA-3ES>USBPre2; transferred by Richie Stankiewicz. notes
1026. 04/25/82 Flac - 0, 95235 San Francisco The Stone JGB: Unknown Audience recording > ? > cdr > eac > wav > Gems Edit Station > flac. notes
1027. 04/25/82 Flac - 0, 96966 San Francisco The Stone JGB: Jeff Knudsen MAC > 1 cassette > Apogee Mini ME(24/96 > Apogee Mini DAC > Wavelab 5.0 (dithered via 'UV22HR' to 16/44) > CD by Matt Smith > Eac > wav > Gems Edit Station > flac. Edits: Balanced levels and tape pauses smoothed, by Jamie Waddell on the GEMS Edit Station. Trac'ed Cdwave Flac'ed level 8 TLH notes
1028. 04/26/82 Flac 24 - 0, 121154 San Francisco The Stone JGB; flac2496; Taped By Jeff Knudsen using Marantz SuperScope Mics > Aiwa HS1 Deck, from the center front row of tables overlooking the dance floor. Transfer: MAC > 1 cassette >Apogee Mini ME (24/96) > Apogee Mini DAC > Wavelab 5.0 > DVD > Audacity 2.0.0 to 24 bit torrent. notes
1029. 04/26/82 Flac - 0, 102417 San Francisco The Stone "Unknown low gen aud (possibly andy/jeff)"; Transfer Info: nakdr-1 cass > tascam5000 > cdr > wav > flac, uploaded by brad tenner. Admin note: this is a multigen tape from Jeff Knudsen's master. Note2: the ffp and md5 included here are for files renamed to etree standards. notes
1030. 04/26/82 Flac - 0, 121153 San Francisco The Stone JGB; flac1644; Taped By Jeff Knudsen using Marantz SuperScope Mics > Aiwa HS1 Deck, from the center front row of tables overlooking the dance floor. Transfer: MAC > 1 cassette >Apogee Mini ME (24/96) > Apogee Mini DAC > Wavelab 5.0 > DVD > Audacity 2.0.0 to 16 bit torrent. notes
1031. 05/01/82 Flac - 0, 97549 Berkeley Keystone JGB: Jeff Knudsen's MAC > 1 cassette; Transfer: MAC(1) > Apogee Mini ME (24/96 > Apogee Mini DAC > Wavelab 5.0 (dithered via 'UV22HR' to 16/44) > CD by Matt Smith > Eac > wav > Gems Edit Station > flac. notes
1032. 05/01/82 Shn - 0, 26204 Berkeley Keystone Jerry Garcia Band. Source: MSC > Cx > D > CDR > WAV > SHN. Missing Tangled Up In Blue. notes
1033. 05/05/82 Shn - 0, 17900 Salem Oregon State Prison Garcia & Kahn: "SBD> dat> cd> wav> shn", too early for a master DAT. Supposedly lacks the overload distortion characteristic of most circulating copies of this show. notes
1034. 05/05/82 Shn - 0, 11463 Salem Oregon State Prison Garcia & Kahn: No source information given. notes
1035. 05/08/82 Shn - 0, 17751 Berkeley Keystone Jerry Garcia Band: MSC > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes
1036. 05/08/82 Flac - 0, 74083 Berkeley Keystone JGB, set II: Ohr Weinberg's MAC (2 Sennheiser MD421's > Sony TC-D5M [Maxell UD XLII C90 with Dolby B]) Transferred by Ohr Weinberg (7/3/2004): Master Cassette > Nakamichi Dragon (Modified by Stephen Sank) > HHB CDR830plus > CD > EAC > Soundforge 5.0 (tape flip spliced) > CDWave > WAV > SHN/FLAC. notes
1037. 05/08/82 Flac 16 - , 152487 Berkeley Keystone JGB; Flac1644; Source: Sony TCS-310 (stereo Walkman) > Maxell UD-XLII's (no NR).
Recording by John Anzaldo, three feet from the stage in the center.
Transfer: MAC > Nakamichi CR-7A > Creative SB Audigy 2 > Creative WaveStudio > CDR by John Anzaldo, EAC > WAV 1644 via JGMF.
Editing: WAV 1644 > Wavelab > CD-Wave > TLH > FLAC 1644 tagged.
notes
1038. 05/14/82 Flac - 0, 107855 Palo Alto Keystone Palo Alto patched version of shnid 102403 with shnid 106663. notes
1039. 05/14/82 Flac - 0, 102403 Palo Alto Keystone Palo Alto Taped By Jeff Knudsen
Marantz SuperScope Mics > borrowed unknown model Aiwa Deck
front row of tables
Transfer: MAC > 1 cassette >Apogee Mini ME (24/96) > Apogee Mini DAC > Wavelab 5.0(dithered via 'UV22HR' to 16/44) > CD by Matt Smith Edits and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station. Weiss Saracon for POWR-3 Dither
notes
1040. 05/14/82 Flac - 0, 95775 Palo Alto Keystone Palo Alto JGB: Unknown Audience recording > ? > cdr > eac > wav > Gems Edit Station > flac. notes
1041. 05/15/82 Flac - 0, 102404 Palo Alto Keystone Palo Alto Taped By Jeff Knudsen
Marantz SuperScope Mics > borrowed unknown model Aiwa Deck
front row of tables Transfer: MAC > 1 cassette >Apogee Mini ME (24/96) > Apogee Mini DAC > Wavelab 5.0(dithered via 'UV22HR' to 16/44) > CD by Matt Smith Edits and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station. Weiss Saracon for POWR-3 Dither
notes
1042. 05/15/82 Shn - 0, 14009 Palo Alto Keystone Palo Alto Jerry Garcia Band: MAC (recorded by Steve Aprea, Senn MKH421 > Uher CR-240) > Nak Dragon playback > HHb 800 master CD > unknown CD gens > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). A > D by Jim Wise, CD > SHN by Joe Jupille. notes
1043. 05/31/82 Flac - 0, 95427 Guerneville River Theater JGB: Unknown Audience recording > ? > cdr > eac > wav > Gems Edit Station > flac. notes
1044. 06/04/82 Flac - 0, 105191 Portland Neighbors Of Woodcraft Early and late shows. Fix and remaster of 20578. notes
1045. 06/04/82 Shn - 0, 20578 Portland Neighbors Of Woodcraft Source: SBD>CM>DAT>CDR>WAV>SHNv3. Minor flaws - see info file. notes
1046. 06/05/82 Flac - 0, 89633 Eugene Auditorium, South Eugene High School JGJK: Recorded by Don Eggiman and Tom Navarre using Mark Severson's equipment; 2 Nak 700s w/ 6 DB eq> Sony TC-D5M (2 Maxell MX cassettes); Recorded from 50' from stage with mics on railing; Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding. notes
1047. 06/05/82 Flac - 0, 95430 Eugene Auditorium, South Eugene High School JGJK: MAC (Taped by Otto Rice, Sony stereo mic > Aiwa deck); Lineage: Marantz PMD 510 playback > HHb 850 > CD > Wavelab 6.0 > CDWave > FLAC8. notes
1048. 06/05/82 Shn - 0, 22890 Eugene Auditorium, South Eugene High School Garcia and Kahn. Source: AUD>CM>Cx>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J. Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) by C. Ladner. notes
1049. 06/05/82 Flac 24/96 - 0, 148657 Eugene Auditorium, South Eugene High School JGJK; flac2496 Source Info: Don Eggiman and Tom Navarre's Master Audience Cassettes; Mark Severson's Nakamichi 700 mics (with 6DB EQ)(50' from stage , mics on railing) > Sony TC-D5M (2 x Maxell MX cassettes) Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
1050. 06/05/82 Flac 16/48 - 0, 148656 Eugene Auditorium, South Eugene High School JGJK; flac1648 Source Info: Don Eggiman and Tom Navarre's Master Audience Cassettes; Mark Severson's Nakamichi 700 mics (with 6DB EQ)(50' from stage , mics on railing) > Sony TC-D5M (2 x Maxell MX cassettes) Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
1051. 06/06/82 Shn - 0, 8060 Eugene Auditorium, South Eugene High School Garcia & Kahn: MSC > C > D > CD > EAC > SHN notes
1052. 06/06/82 Flac 24/96 - 0, 148659 Eugene Auditorium, South Eugene High School JGJK; flac2496 Source Info: Don Eggiman and Tom Navarre's Master Audience Cassettes; Mark Severson's Nakamichi 700 mics (with 6DB EQ)(50' from stage , mics on railing) > Sony TC-D5M (2 x Maxell MX cassettes) Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
1053. 06/06/82 Flac 16/48 - 0, 148658 Eugene Auditorium, South Eugene High School JGJK; flac1648 Source Info: Don Eggiman and Tom Navarre's Master Audience Cassettes; Mark Severson's Nakamichi 700 mics (with 6DB EQ)(50' from stage , mics on railing) > Sony TC-D5M (2 x Maxell MX cassettes) Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
1054. 06/12/82 Flac - 0, 96868 Palo Alto Keystone Palo Alto JGB, missing 2 songs: Jeff Knudsen, MAC (Marantz Superscope mics > AIWA-HS1) > 1 cassette > Apogee Mini ME (24/96) > Apogee Mini DAC > Wavelab 5.0 (dithered via 'UV22HR'to 16/44) > CD by Matt Smith; Eac > wav > Gems Edit Station (balanced levels and tape pauses smoothed) > flac > tracking (Cdwave) > Flac8 (TLH) by Jamie Waddell. notes
1055. 06/12/82 Shn - 0, 18072 Palo Alto Keystone Palo Alto Jerry Garcia Band: MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
1056. 06/16/82 Flac - 0, 89042 South Fallsburg Music Mountain JGB, set I: SBD > ? > Dat > ? > Flac. notes
1057. 06/16/82 Shn - 0, 4422 South Fallsburg Music Mountain Jerry Garcia Band: Sennheiser 441's> MCassette > DAT > CD> (EAC)WAV notes
1058. 06/16/82 Flac - 0, 88972 South Fallsburg Music Mountain JGB, flac16 MOTB Release: 0057 16/44.1; John Steinthal's FOB MAC (2 x Nakamichi CM-300 > Sony TC-D5M > Sony TC-D5M (??) playback > TEAC AN-300 [Dolby Encode] > Technics RS-1506US [3.75 IPS] 1st gen reel > Technics RS-1506 playback > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg MR-1000 > Korg AudioGate > WAV [24/96]. Edited, mastered and downsampled to 16/44.1 on the GEMS Edit Station. notes
1059. 06/16/82 Flac Dts 5.1 - 0, 89198 South Fallsburg Music Mountain JGB; set I; flac16; DTS 5.1 - SBD (shn id 89042) Sdb>?>Dat + AUD (shn id 88792) MOTB Release: 0057 16/44.1; John Steinthal's FOB MAC - mixing by Kevin Tobin . . notes
1060. 06/16/82 Shn - 0, 12513 South Fallsburg Music Mountain Jerry Garcia Band: FOB MAC (Sennheiser 421s w/ PZM blend > NAK550 [Rob Eaton] > patched Sony D5 [Jim Wise]) > CD/0 > EAC > SHN via mkwACT. This is a fresh transcription of the master cassettes, without the digital processing on earlier transfers. A>D by Jim Wise, EAC>SHN by flipp. notes
1061. 06/16/82 Flac - 0, 33417 South Fallsburg Music Mountain JGB: Jim Wise Master Audience Cassette; 2 Senn 421s/PZM Blend> Nak 550> Sony D-5 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. notes
1062. 06/16/82 Shn - 0, 19278 South Fallsburg Music Mountain Jerry Garcia Band: MAC (Taped by Jim Holvey, AT815a > Sony D5 [3/4 of the way up the hill]) > Cool Edit Pro > wav > shn, transfer by Michael J. Joyce notes
1063. 06/16/82 Flac - 0, 120086 South Fallsburg Music Mountain JGB; flac1644; David Dyche's Nak 300's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > flac. notes
1064. 06/16/82 Flac 16/48 - , 152543 South Fallsburg Music Mountain JGB; flac1648; Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R90). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. May 2021. notes
1065. 06/16/82 Flac 24/96 - , 152544 South Fallsburg Music Mountain JGB; flac2496; Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R90). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. Mastered by Scott Clugston. May 2021. notes
1066. 06/17/82 Flac 16 - 0, 33418 New Haven Veterans Memorial Coliseum JGB: Jim Wise Master Audience Cassette; Senn MD-421s> Sony D-5 (10th Row; Maxell UDXLII) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac. notes
1067. 06/17/82 Shn - 0, 14717 New Haven Veterans Memorial Coliseum Jerry Garcia Band: MAC (Taped by Jim Wise, Senn 421's [hand held, 10th row center] > Sony D5) > playback on Nak Dragon > Sony PCM R-700 > ZA2 > WAV > CD via Sound Forge & CD Architect > EAC > shn via MKW. Fresh and unadulterated transcription from the masters by Jim Wise notes
1068. 06/17/82 Shn - 0, 6360 New Haven Veterans Memorial Coliseum Jerry Garcia Band: Senn 421s (hand-held, 10th row center) > D5 > CD > EAC > SHN. Recorded by Jim Wise. notes
1069. 06/18/82 Shn - 0, 34071 South Yarmouth Cape Cod Coliseum JGB: SBD > DAT > CD > ... appears to be a variant of shnid 18065. notes
1070. 06/18/82 Flac - 0, 138576 South Yarmouth Cape Cod Coliseum JGB, flac1644; Craig L's AUD 2x Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII's, mics secured to a railing in the side riser. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 06/2017 notes
1071. 06/18/82 Shn - 0, 18065 South Yarmouth Cape Cod Coliseum Jerry Garcia Band: MSC > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > joined wavs (WavMerge v2.1) > normalization and minor editing (SF Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
1072. 06/18/82 Flac - 0, 76599 South Yarmouth Cape Cod Coliseum JGB: MAC (Nakamichi CM-300's [in the stands, side of the stage] > Sony TC-D5) > 1st gen cassette (Dolby B) > Sony TC-D5M (Dolby on) playback > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums, and FLAC compression) > FLAC, by Andrew F (August 2006). notes
1073. 06/18/82 Flac - 0, 119095 South Yarmouth Cape Cod Coliseum flac1644; JGB; AUD Source: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Nakamichi ZX-90s, set up in center riser straight back, about ten rows off the floor, taped by Joe Morrone and Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. notes
1074. 06/20/82 Flac - 0, 121457 Portland Cumberland County Civic Center JGB; Doug Lamarre: Sennheisser 441s > Sony D5 > DAT > PC > flac. Cassette masters and dat transfers by Rob Berger, seeded July 2012. notes
1075. 06/20/82 Flac - 0, 110317 Portland Cumberland County Civic Center flac1644; Steve Rolfe's Nakamichi 700 > Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) > Sound Devices 744T (24bit/48k) > Adobe Audition v3.0 > Samplitude Professional v11.1 > FLAC/16; All Transfers and Mastering By Charlie Miller notes
1076. 06/20/82 Shn - 0, 20682 Portland Cumberland County Civic Center Jerry Garcia Band: Steve Rolfe's FOB MAC w/ Nak 700's>Sony TC-D5m>DAT>CDR>WAV>SHNv3. With Bob Weir and Bobby Cochran on the enc notes
1077. 06/20/82 Flac - 0, 139448 Portland Cumberland County Civic Center JGB; flac16; aud cassette master, nak 300's>sony d5, taped by Doug Lamarre, transferred & seeded by Rob Berger notes
1078. 06/20/82 Flac 24 - 0, 139447 Portland Cumberland County Civic Center JGB; flac24; aud cassette master, nak 300's>sony d5, taped by Doug Lamarre, transferred & seeded by Rob Berger notes
1079. 06/23/82 Flac - 0, 90876 Pittsburgh Stanley Theater JGB: Unknown Aud -> Cassette Master -> ? -> Cassette (Maxell UDXL I); Transfer Info:Cassette (Maxell UDXL I) -> Ion Tape2PC -> Audacity -> wav -> FLAC. notes
1080. 06/23/82 Flac 16/44 - 0, 148629 Pittsburgh Stanley Theater JGB, flac1644; Sources: AUD composite of two recordings; Set One, JGMF's closet-call tape, and Set Two, uncle-duke ID-90876. Transfer: Both AUD FLACs > Wavelab > R8Brain (Set One material) > CD-Wave > TLH > FLAC 1644 tagged. Project assembly & edited by Andrew F. Dec 2019. notes
1081. 06/24/82 Shn - 0, 18715 Passaic Capitol Theater Jerry Garcia Band, Late show: Jim Wise's Senn 421s > Sony TC-D5 > Cassette Master Playback on Nak Dragon & ran the signal right through Sony PCM R-700 directly to hard disc via ZA-2 (Jim Wise master/transfer). Encoded to wave>tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) as seekable V3 shn. notes
1082. 06/24/82 Flac - 0, 79428 Passaic Capitol Theater JGB, late show: SBD > CM > DAT > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC, via Andrew F. notes
1083. 06/24/82 Flac - 0, 33419 Passaic Capitol Theater JGB, early and late shows. Early show: Jim Wise Master Audience Cassette; Senn MD-421s> Sony D-5 (10th Row; Maxell UDXLII); Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Late Show: Jim Wise Master Audience Cassette; Senn MD-421s> Sony D-5 (Row Q Center; Maxell UDXLII) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac. notes
1084. 06/24/82 Shn - 0, 6361 Passaic Capitol Theater Jerry Garcia Band, Early Show: Jim Wise's Senn 421s > D5 at SBD > Sony PMCR-700 DAT for (A>D only)> ZA2 > CD(x1) > EAC > SHN (A>D by Jim Wise) notes
1085. 06/24/82 Flac 16 - 0, 140847 Passaic Capitol Theater JGB; flac1644; Late Show, Sources: Matrix of SBD ID-79428 & AUD ID-18715. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 01/2018 notes
1086. 06/25/82 Flac - 0, 33420 New York Palladium Garcia & Kahn: Jim Wise Master Audience Cassette; Senn 421s (Center, 1st Loge) > Sony D5 master cassette (Maxell UDXLII) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac. notes
1087. 06/26/82 Shn - 0, 4421 Washington Warner Theater Garcia & Kahn: Early Show: MSC > CD > EAC > SHN > Pro Tools > SHN. Seeded by Mike Lai, retracked by Dan Metz. notes
1088. 06/27/82 Flac 24/48 - 0, 151638 Upper Darby The Tower Theatre JGJK; late show; flac2448; Source: Nakamichi CM-300's > Sony TC-D5 > MAC > 1st-Gen cassette very kindly provided by Doug Lamarre. Transfer: UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2021 notes
1089. 06/28/82 Flac 24 - 0, 135324 Boston Opera House jgjk; flac2496: aud cassette master taped by Doug Lamarre, transfer/seeded by Rob Berger notes
1090. 06/28/82 Flac - 0, 135323 Boston Opera House jgjk; flac1644: aud cassette master taped by Doug Lamarre, transfer/seeded by Rob Berger notes
1091. 06/28/82 Flac 24 - 0, 139111 Boston Opera House JGJK; flac2496; Senn 441's > cassette (1st gen); Transfer: Cassette > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz. Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick August 2017. notes
1092. 06/28/82 Flac - 0, 139110 Boston Opera House JGJK; flac1644; Senn 441's > cassette (1st gen); Transfer: Cassette > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz. Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > iZotope RX 6 Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16. edited and mastered SIRMick August 2017 notes
1093. 06/28/82 Shn - 0, 4419 Boston Opera House Garcia & Kahn: aud> senn 441> D-5 cassette master> cdr; notes
1094. 06/28/82 Shn - 0, 8750 Boston Opera House Garcia & Kahn: MAC (Nak 700s > Sony TC-D5M, taped FOB by Steve Rolfe) > CD > EAC > SHN notes
1095. 06/30/82 Flac - 0, 34985 Rochester Auditorium Theater Garcia & Kahn: Jamie Herbst MAC > Cassette > Cassette (2nd Gen); Transfer and FLAC encoding by David Minches: 2nd gen cassette played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC notes
1096. 06/30/82 Shn - 0, 89635 Rochester Auditorium Theater JGJK, early and late shows: Unknown audience recording > cassette/1st gen; Transfer: Yamaha K-1020 > Sony SBM-1 > Nomad JB3 > firewire > SF v6 > Cdwave. notes
1097. 07/01/82 Flac - 0, 124258 Chicago Auditorium Theatre JGJK, flac1644; Unknown condenser mics > Sony WM-D6, taped by Tony Albano notes
1098. 07/01/82 Flac - 0, 122157 Chicago Auditorium Theatre JGJK; flac1644; unknown audience recording>Harmon Kardon TD 302>Zoom H2, transfer by John Wenzel; different recording than shnid 013424. notes
1099. 07/01/82 Shn - 0, 13424 Chicago Auditorium Theatre Garcia & Kahn: Sony Walkman (condenser mic)> Cass > DAT > CDR > SHN notes
1100. 07/01/82 Flac - 0, Chicago Auditorium Theatre notes
1101. 07/02/82 Shn - 0, 13982 Boulder Macky Aud., U. of Colorado Garcia & Kahn: Early Show: Unknown MAC > 2 cassette gens > CD > EAC > SHN. A>D by Paul Gibian, EAC>SHN by Joe Jupille. notes
1102. 07/02/82 Shn - 0, 14014 Boulder Macky Aud., U. of Colorado Garcia & Kahn: Late Show: Unknown MAC > 2 cassette gens > CD > EAC > SHN. A>D by Paul Gibian, EAC>SHN by Joe Jupille notes
1103. 08/23/82 Shn - 0, 12586 San Francisco Kabuki Theater Garcia & Kahn, early and late shows: Source: FOB (25' from stage DFC) > Nak 700's > Sony D5M (Dolby B, Maxell metal cassette), recorded by Bob Menke; transfer: cassette master > Echo Event Gina A/D > Sound Forge 4.5 > CDR > EAC (secure mode) > CDWave (retracked on sb's) > SHN (MKWACT). A>D by Bob Menke, EAC/Shn'ed by Charlie Connor. This is your collection notes
1104. 08/23/82 Flac - 0, 106691 San Francisco Kabuki Theater flac1644; early show; Recorded by Phil Jaret; Unknown Equipment (MAC). Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Grace Lunatec V3 (24/96) > Digital Audio Labs Card Deluxe > Adobe Audition 3.0 > FLAC encoding. Pitch Correction by Joe B. Jones. notes
1105. 09/06/82 Flac 24 - 0, 121121 San Francisco The Stone JGJK; s1; flac2496; tBy Jeff Knudsen using Marantz SuperScope Mics > Aiwa HS1 Deck, from the (stage left) table on the Dance floor. Transfer: MAC > Apogee Mini ME (24/96) > Apogee Mini DAC > Wavelab 5.0 > DVD > Audacity 2.0.0 to 24bit notes
1106. 09/06/82 Flac - 0, 121113 San Francisco The Stone JGJK; s1; flac1644; taped By Jeff Knudsen using Marantz SuperScope Mics > Aiwa HS1 Deck, from the (stage left) table on the Dance floor; Transfer: MAC > Apogee Mini ME (24/96) > Apogee Mini DAC > Wavelab 5.0 > DVD > Audacity 2.0.0 to 16bit notes
1107. 09/07/82 Flac 1644 Mtx - 0, 121114 San Francisco The Stone JGJK; flac1644; taped By Jeff Knudsen using Marantz SuperScope Mics > Aiwa HS1 Deck, from the (stage left) table on the Dance floor; Transfer: MAC > Apogee Mini ME (24/96) > Apogee Mini DAC > Wavelab 5.0 > DVD > Audacity 2.0.0 to 16bit notes
1108. 09/07/82 Flac - 0, 102416 San Francisco The Stone unknown low gen aud; Transfer Info: nakdr-1 cass> tascam5000>cdr>wav>flac via brad tenner notes
1109. 09/07/82 Flac 24 - 0, 121115 San Francisco The Stone JGJK; flac2486;; taped By Jeff Knudsen using Marantz SuperScope Mics > Aiwa HS1 Deck, from the (stage left) table on the Dance floor; Transfer: MAC > Apogee Mini ME (24/96) > Apogee Mini DAC > Wavelab 5.0 > DVD > Audacity 2.0.0 to 24bit notes
1110. 09/07/82 Flac 16/48 - , 156028 San Francisco The Stone JGJK; flac1648 Source: SBD Cass > DAT at 16 bit 48 kHz from ANON. Patches from Source ID 121115, taped by Jeff Knudsen. Speed Correction by Jason Chastain; Mastering by Jamie Waddell; Track, FLAC, and Pack by Steve Gravel. notes
1111. 10/21/82 Flac 16 - 0, 96089 San Francisco The Stone JGB, partial: Unknown Audience recording > ? > cdr > eac > wav > Gems Edit Station > flac. Edited and Mastered by Jamie Waddell on the GEMS Edit Station. notes
1112. 10/21/82 Flac 1644 - 0, 112273 San Francisco The Stone flac1644; Jeff Knudsen's MAC (AIWA HS-1 > Superscope mics, Maxell XLIIS cassettes) > 1st gen cassettes; Transfer: cass (1) > Apogee Mini ME 24/96 > Apogee Mini DAC > Wavelab 6.0 by Matt Smith; Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station at 24 bit 96kHz; Weiss-Saracon for conversion to 16 bit 44.1kHz notes
1113. 10/22/82 Flac - 0, 112274 Palo Alto Keystone Palo Alto flac1644; Jeff Knudsen's MAC (AIWA HS-1 > Superscope mics, Maxell XSII-S cassettes) > 1st gen cassettes; Transfer: cass (1) > Apogee Mini ME 24/96 > Apogee Mini DAC > Wavelab 6.0 by Matt Smith; Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station at 24 bit 96kHz Weiss-Saracon for conversion to 16 bit 44.1kHz. notes
1114. 10/23/82 Flac - 0, 112275 Palo Alto Keystone Palo Alto flac1644; Jeff Knudsen's MAC (AIWA HS-1 > Superscope mics, Maxell XSII-S cassettes) > 1st gen cassettes; Transfer: cass (1) > Apogee Mini ME 24/96 > Apogee Mini DAC > Wavelab 6.0 by Matt Smith; Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station at 24 bit 96kHz Weiss-Saracon for conversion to 16 bit 44.1kHz. notes
1115. 10/24/82 Flac - 0, 74618 Guerneville River Theater JGB: unknown aud > ? > flac. notes
1116. 10/27/82 Flac - 0, 137997 Reseda Rissmiller's Country Club JGB, flac1644; Unknown AUD (marked 4th Gen) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2017 notes
1117. 10/28/82 Shn - 0, 9704 Reseda Rissmiller's Jerry Garcia Band, Early & Partial Late Shows: MAC > WAV > SHN. Recorded by Rango Keshavan, front of the balcony, Sony ECM220T mics > SonyTCD5M metal cassette masters (no dolby) > playback on a Nak DR1 > Sony PCMR500 (SBM on) > Turtle Beach Montego II sound card > WAV > SHN. notes
1118. 10/30/82 Flac - 0, 120334 Mesa Mesa Ampitheater JGB; flac1644; Recorded by Kaj Maurins; Aiwa cassette recorder and unknown mics; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding. Speed/pitch Correction by Joe B. Jones. notes
1119. 10/30/82 Flac - 0, 33805 Mesa Mesa Ampitheater JGB: AUD (unknown lineage) > CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH (checksums, SBE-fix, FLAC compression) notes
1120. 11/01/82 Shn - 0, 26940 Austin Opry House Jerry Garcia Band. Source: Unlineaged multianalog generation audience recording. Missing most of second set - see info file. notes
1121. 11/01/82 Flac - 0, 85489 Austin Opry House JGB: MAC > ? > Maxell XL2S90 (Dolby C) > Nak CR3A(Dolby C EQ Out) > HP computer > Sound Forge (vol@5.6DB) > CD Wave > Flac. notes
1122. 11/03/82 Shn - 0, 8178 New Orleans Riverboat President Jerry Garcia Band, S:C>C>D>CD>EAC>SHN notes
1123. 11/03/82 Flac 1644 - 0, 137644 New Orleans Riverboat President JGB; flac1644; SBD > MSC > 3rd-Gen Cassettes. Transfer: Maxell XLII-S > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patch) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017. notes
1124. 11/05/82 Flac - 0, 34855 Norfolk Chrysler Auditorium JGB: Brent Z.'s MAC (hand-held stereo recorder, likely an early Walkman) > first generation cassettes (Maxell XL-II's) > Sony TC-D5M playback > Soundblaster > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums, and lossless compression) > FLAC, by Andrew F. May 2006. notes
1125. 11/05/82 Flac - 0, 35143 Norfolk Chrysler Auditorium JGB: AUD, reportedly recorded by Dave Allen in the balcony. Unknown equipment and lineage. notes
1126. 11/06/82 Flac - 0, 110572 College Park Ritchie Coliseum (U. MD) flac1644: Tracks 1-9: unlineaged aud recording > CD, via John Herrold; Transfer: Eac (secure Mode) > Wav; Tracks 10-13: shnid 100364. Assembly: AA3 For edits, fades; TLH For Flac7, Foobar For Tags. Transferred and assembled by Mike Schuncke notes
1127. 11/06/82 Flac - 0, 100364 College Park Ritchie Coliseum (U. MD) Unknown Audience Recording > ? > FLAC, via GEMS. notes
1128. 11/07/82 Flac - 0, 138210 Upper Darby The Tower Theatre JGB; flac1644; early and late shows; Sony D6C(NAK mics)>Master cassette>JVC TD-R462>Audacity>TLH Flac8, Taper: Dave Pet notes
1129. 11/07/82 Flac - 0, 34590 Upper Darby The Tower Theatre JGB, early & late shows: Brent Z.'s MAC (hand-held stereo recorder, likely an early Walkman) > 1st gen cassettes > Sony TC-D5M playback > Soundblaster > Soundforge > CD-Wave > TLH (for SBE-OK, checksums, and lossless compression) > FLAC > bt.etree, by Andrew F. notes
1130. 11/07/82 Shn - 0, 24678 Upper Darby The Tower Theatre Jerry Garcia Band. Late show. Source: AUD(taper&mics unknown)>?>CDR>WAV>SHN. notes
1131. 11/09/82 Flac 16 - 0, 123034 Worcester E.M. Loew Center for the Performing Arts HGB; flac; early and late shows; sbd, Jerry Moore's low gen cassette, transfer/seed by Rob Berger notes
1132. 11/09/82 Flac 16 - 0, 89126 Worcester E.M. Loew Center for the Performing Arts JGB, early & late: John Levene's Senn 421 > Sony TCM-D5 MAC; Transfer: Yamaha K-1020 > Sony SBM-1 > Nomad JB3 > firewire > SF v6 > Cdwave Soundforge used to prepare wave file for tracking and resample to 44.1k CDwave used to track and flac @ compression level 8. notes
1133. 11/09/82 Shn - 0, 13039 Worcester E.M. Loew Center for the Performing Arts Jerry Garcia Band: Early and Late shows: MAC (Taped by Steve Rolfe, front row balcony w/Nak 700s > Sony TC-D5) > DAT > CD > WAV > SHN. Extracted, shn'd and posted to abgd by weatherbee. notes
1134. 11/09/82 Flac 16 - 0, 84950 Worcester E.M. Loew Center for the Performing Arts JGB, early and late shows: SBD(x) > unknown gen TDKSA90 cassette Played on a Nak CR3A > hp computer > Sound Forge (vol@5.5db) > CD wave > Flac. notes
1135. 11/09/82 Shn - 0, 4417 Worcester E.M. Loew Center for the Performing Arts JGB, early show: Doug Lamarre's Sennheiser 441's> D-5 MAC > CDR > EAC > Wav [>shn]. notes
1136. 11/09/82 Shn - 0, 12250 Worcester E.M. Loew Center for the Performing Arts JGB, early show: Doug Lamarre's Senn 441s > Sony D-5) > CD > EAC > SHN > shntool > SHN. Fixes sector boundary errors on previous .shn set, fixed and seeded by Chris L notes
1137. 11/09/82 Shn - 0, 4418 Worcester E.M. Loew Center for the Performing Arts Jerry Garcia Band: late show; Sennheiser 441's> D-5> MCass> CDR> Eac>Wav - Taper Doug Lamarre; [txt/md5s] notes
1138. 11/09/82 Flac 24/48 - 0, 151677 Worcester E.M. Loew Center for the Performing Arts JGB; flac2448; Early Show; Source: Sennheiser MD-441's > Sony TC-D5 > Maxell XLII-90, set up front row balcony, recording by Doug Lamarre. Transfer: MAC > Nakamichi CR-5A (Dolby B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2021 notes
1139. 11/09/82 Flac 16/44 - , 154841 Worcester E.M. Loew Center for the Performing Arts JGB, flac1644; early and late shows; Matrix of SBD ID-123034 & AUD ID-89126. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 12/2021 notes
1140. 11/09/82 Flac 16/48 - , 155515 Worcester E.M. Loew Center for the Performing Arts flac1648 Source: 24 bit 96kHz files most likely from first generation soundboard cassette via Anon, patched with audience source ID 110490 to make both early and late shows complete. Mastered by Jim Blackwood; Speed Correction by Jason Chastain; Track, FLAC, and Pack by Steve Gravel notes
1141. 11/09/82 Flac 24/96 - , 155514 Worcester E.M. Loew Center for the Performing Arts JGB; flac2496 Source: 24 bit 96kHz files most likely from first generation soundboard cassette via Anon, patched with audience source ID 110490 to make both early and late shows complete. Mastered by Jim Blackwood; Speed Correction by Jason Chastain; Track, FLAC, and Pack by Steve Gravel notes
1142. 11/10/82 Flac 1644 - 0, 120063 Piscataway Livingston Gym (Livingston College - Rutgers U.) JGB; flac1644; David Dyche's Nak 700's (FOB) > Bass Box > Sony TCD-5m > PDA Audio Card 24/48 > Sound Forge Audio Studio 10 16/44.1 > CD Wave > flac. notes
1143. 11/10/82 Flac - 0, 35141 Piscataway Livingston Gym (Livingston College - Rutgers U.) JGB: Steve Adelman's MAC (Nak100s > D5) > 1st gen cassette > playback on cleaned/demagged Nakamichi DR-2 tape deck > Presonus Firebox (pre-amp and A-D conversion) > firewire/PC/XP > Wavelab 5, recorded as 24 bit/96 KHz WAV > digital subtraction NR using Waves XNoise, mastering with L3 Multimaxmizer and rendered to 16 bit/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). 1st gen cassette provided by Bill Koucky notes
1144. 11/10/82 Shn - 0, 18969 Piscataway Livingston Gym (Livingston College - Rutgers U.) Source: MAC>D>CDR>WAV>SHNv3. Microphone and taper unknown at this time. CDR source via J.Darr. SHN encoding/FTP via C.Ladner/candyman FTP. notes
1145. 11/10/82 Flac 24/96 - 0, 152575 Piscataway Livingston Gym (Livingston College - Rutgers U.) JGB; flac2496; Master Audience Cassettes (unknown taper); Nakamichi 300 mics + CP4 caps > Jim Vita's 1st generation cassettes. Transfer Info: 1st generation cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k)> Adobe Audition CC 2020 > TLH flac2496. Mastered by Scott Clugston. May 2021. notes
1146. 11/10/82 Flac 16/48 - 0, 152574 Piscataway Livingston Gym (Livingston College - Rutgers U.) JGB; flac1648; Master Audience Cassettes (unknown taper): Nakamichi 300 mics + CP4 caps > Jim Vita's 1st generation cassettes. Transfer Info: 1st generation cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit Via DBpoweramp. Mastered by Scott Clugston. May 2021. notes
1147. 11/11/82 Flac - 0, 34710 New York Felt Forum (Madison Square Garden) JGB, Early & Late Shows: Jim Wise MAC (Early Show: Beyer M160s w/ Senn 421 blend at SB [Maxell XLIIS] > Uher cassette deck; Late Show: Senn 421s at SB > Uher cassette deck [Maxell XLIIS]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC, transfer by David Minches. notes
1148. 11/11/82 Shn - 0, 16704 New York Felt Forum (Madison Square Garden) Jerry Garcia Band, Late Show: MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > Nak Dragon playback > ART DI/O > HD > WAV (Cool Edit 2000) > SHN (mkwACT) > wav (mkwACT) > minor patching (SF 6.0) > shn (mkwACT). Cassette > SHN by David Minches, patch by Joe Jupille. notes
1149. 11/11/82 Shn - 0, 16703 New York Felt Forum (Madison Square Garden) Jerry Garcia Band, Early Show: MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > Nak Dragon playback > ART DI/O > HD > WAV (Cool Edit 2000) > shntool > SHN (mkwACT). Cassette > SHN by David Minches. notes
1150. 11/11/82 Flac 1644 - 0, 120087 New York Felt Forum (Madison Square Garden) JGB; flac1644; early show; David Dyche's Nak 700's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > flac. notes
1151. 11/11/82 Flac 1644 - 0, 120088 New York Felt Forum (Madison Square Garden) JGB; flac1644; late show; David Dyche's 2x Sennheiser 421 & 1x Beyer M160 > Nak Blend Box > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > flac. notes
1152. 11/11/82 Shn - 0, 14205 New York Felt Forum (Madison Square Garden) Jerry Garcia Band: Early & Late Shows: MAC > ? > CD > SHN. Taped by Jim Wise, extracted, .shn'd, and posted to abgd by weatherbee. notes
1153. 11/11/82 Flac 16/44 - 0, 141294 New York Felt Forum (Madison Square Garden) JGB, flac1644, Late Show; AUD Source: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > MAC, set up at or near the soundboard, recording by Brian Schley. MAC > 1st Gen cassettes (1980's) > CDR (2000's) used to make this file-set. Transfer: CDR > EAC > Wavelab > CD-Wave > TLH > FLAC 1644 tagged. notes
1154. 11/11/82 Flac 16/44,1 - 0, 147276 New York Felt Forum (Madison Square Garden) flac16/44.1khz Late Show. Master: Beyer M 201's handheld in faux X-Y position, 6th row left of center, standing on chair>> Sony TCD5M, Maxell XLII-S tape, no Dolby Transfer: Sony TC-630ES >> Echo Gina 24 @ 16/48>>Mac G-3>> PEAK VST >> Matshita CD-RW 7803 internal EAC'd on a PC p IV 133, flac'd >>Sony CDRW CRX185E1 notes
1155. 11/11/82 Flac 16/44,1 - 0, 147275 New York Felt Forum (Madison Square Garden) flac16/44.1khz Early Show. Master: Beyer M 201's handheld in faux X-Y position, 6th row left of center, standing on chair>> Sony TCD5M, Maxell XLII-S tape, no Dolby Transfer: Sony TC-630ES >> Echo Gina 24 @ 16/48>>Mac G-3>> PEAK VST >> Matshita CD-RW 7803 internal EAC'd on a PC p IV 133, flac'd >>Sony CDRW CRX185E1 notes
1156. 11/11/82 Flac 16/48 - 0, 152591 New York Felt Forum (Madison Square Garden) JGB; flac1648; late show; Master Audience Cassettes (unknown taper); Nakamichi 300 mics + CP4 caps > Jim Vita's 1st generation cassettes. Transfer Info: 1st generation cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. May 2021. notes
1157. 11/11/82 Flac 24/96 - 0, 152592 New York Felt Forum (Madison Square Garden) JGB; flac2496; late show; Master Audience Cassettes (unknown taper); Nakamichi 300 mics + CP4 caps > Jim Vita's 1st generation cassettes. Transfer Info: 1st generation cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. Mastered by Scott Clugston. May 2021. notes
1158. 11/13/82 Flac 1644 - 0, 15182 Hartford Bushnell Auditorium JGB; flac1644; aud casette master, senn 441's>d5, taped by Doug Lamarre, transfer/seeded by Rob Ber notes
1159. 11/13/82 Flac 24/96 - 0, 135183 Hartford Bushnell Auditorium JGB; flac 2496; aud cassette master, senn 441's>sony d5, taped by Doug Lamrre, transfer/seeded by Rob Berger notes
1160. 11/13/82 Shn - 0, 24222 Hartford Bushnell Auditorium Jerry Garcia Band, I/IIp: MAC > ?? > C > CD > EAC > SHN, possibly as many as three cassette gens between the master and the digitized copy. notes
1161. 11/13/82 Shn - 0, 19584 Hartford Bushnell Auditorium Jerry Garcia Band, set II only: MAC (Taped by Jim Wise, Sennheiser 421's > Sony D5 [7th row center, hand held]) > CD > EAC > SHN. A>D by Jim Wise, EAC>SHN by flipp. The set I tape was "marred" and not transferred. As of this submission (9/2003), no md5s were available. If you have these .shns, please submit the md5s. notes
1162. 11/13/82 Flac - 0, 33422 Hartford Bushnell Auditorium JGB: Jim Wise Master Audience Cassette; Senn 421s (7th row center, hand-held) > Sony D5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac. notes
1163. 11/13/82 Flac 24 - 0, 141227 Hartford Bushnell Auditorium JGB; flac2496; Frank Streeter's Master FOB Audience Cassettes; Sennheiser 421 mics > Sony D5 Transfer Info: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 notes
1164. 11/13/82 Flac 16 - 0, 141226 Hartford Bushnell Auditorium JGB; flac16; Frank Streeter's Master FOB Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac notes
1165. 11/13/82 Flac 24/96 - 0, 143098 Hartford Bushnell Auditorium JGB; flac2496; Ted Mattes's Beyer M600 > Sony TCD-5 (No Dolby encoding) Nkakmichi Dragon > Thomas Mayer 10Y Preamp > QES Labs Pad II LE (A/D 96/24) > Bias Peak 7 OSX (edits, tracking) > xACT (flac, tagging). 30 second patch taken from Jim Wise source (shnid 33422) for the beginning of The Night They Drove Ol;d Dixie Down. notes
1166. 11/13/82 Flac 16/44 - 0, 145873 Hartford Bushnell Auditorium [b]JGB; flac1644[/b]; Ted Mattes's Beyer M600 > Sony TCD-5 (No Dolby encoding) Nkakmichi Dragon > Thomas Mayer 10Y Preamp > QES Labs Pad II LE (A/D 96/24) > Bias Peak 7 OSX (edits, tracking) > xACT (flac, tagging). 30 second patch taken from Jim Wise source (shnid 33422) for the beginning of The Night They Drove Ol;d Dixie Down. This file set is 16 bit @ 44.1 notes
1167. 11/14/82 Shn - 0, 75927 Waltham Shapiro Gym, Brandeis University JGB: unknown aud, unknown gens > Cassette (Nak playback) -> RME DIGI -> Samplitude 6.0 -> CD-Wav -> Mkwact -> SHN, transferred by Patrick H. notes
1168. 11/14/82 Flac 24/96 - 0, 141230 Waltham Shapiro Gym, Brandeis University KGB; flac2496; Frank Streeter's Master FOB Audience Cassettes; Sennheiser 421 mics > Sony D5 Transfer Info: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 notes
1169. 11/15/82 Shn - 0, 23339 Union Wilkins Theatre (Kean College) Jerry Garcia Band. Late show. Source: MSC>C>DAT>WAV>CDR>SHN. notes
1170. 11/15/82 Flac - 0, 78008 Union Wilkins Theatre (Kean College) JGB, late show: Jim Vita's MAC (2 Sennheiser 421s [16th row center] > Sony D5) > Nakamichi Dragon playbac > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches. notes
1171. 01/13/83 Flac 24 - 0, 120925 Berkeley Keystone JGB: sbd cassette master > cassette > cassette, Jerry Moore's copy, Rob Berger transfer. notes
1172. 01/13/83 Shn - 0, 18600 Berkeley Keystone Jerry Garcia Band: MSC > ? > DAT > Marantz 631 w/ 110 ohm AES cord(resampled 48 > 44.1 & tracked) > CD > EAC > MKW > SHN notes
1173. 01/13/83 Flac 16/48 - 0, 141869 Berkeley Keystone JGB; flac1648; Sbd > Master Cassettes; Transfer - Nak BX-300 > Sony 75ES > DAT notes
1174. 01/15/83 Flac - 0, 102434 San Francisco The Stone unknown low gen aud via brad tenner Transfer Info: nakdr-1 cass> tascam5000>cdr>wav>flac notes
1175. 01/18/83 Flac - 0, 102436 Santa Cruz The Catalyst unknown low gen aud via brad tenner Transfer Info: nakdr-1 cass> tascam5000>cdr>wav>flac notes
1176. 01/18/83 Flac 24/48 - 0, 149668 Santa Cruz The Catalyst JGB; flac 2448, Partial Show; Source: Unknown mic & deck > TDK SA-X cassette master recording by Gene Taback. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2020 notes
1177. 01/22/83 Shn - 0, 8653 Petaluma Phoenix Theater Jerry Garcia Band: MSC (TDK SA-90) > DAT > CDR > EAC > SHN notes
1178. 01/22/83 Flac - 0, 97971 Petaluma Phoenix Theater JGB: MSC (unknown deck) > cassette copy (unknown deck, Dolby off) transfer: Sony TC-K71 (Dolby off) > Sek'd Prodif Plus > Sound Forge 8 (24 bit, normalize, track, bit depth conversion, export to .wav files) > FLAC level 8 encoding align on sector boundaries. notes
1179. 01/22/83 Flac 16/48 - 0, 142102 Petaluma Phoenix Theater JGB; flac1648; Sbd > Master Cassettes; Transfer - Nak BX-300 > Sony 75ES > DAT notes
1180. 01/23/83 Shn - 0, 19965 Berkeley Keystone Source: SBD>MC>PCM>DAT>WAV>SHN, set 1 only. notes
1181. 01/23/83 Shn - 0, 8061 Berkeley Keystone Jerry Garcia Band, set II only: MAC > CD > EAC > SHN. Taped by Andrew Jones (Nak 100s > Sony TC-D5M), transferred from the master cassettes via Nak DR380 > DA-P1 > ZA-2 > Sound Forge 4.5 > WAV (no DAE) > CD x 1 > EAC > SHN. notes
1182. 01/24/83 Shn - 0, 19966 Berkeley Keystone Source: SBD>MC>PCM>DAT>WAV>SHN. notes
1183. 01/24/83 Flac - 0, 23943 Berkeley Keystone Jerry Garcia Band: Master audience cassette (Taped by Steven Martin, 2 modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding notes
1184. 01/24/83 Flac 1644 Mtx - 0, 141749 Berkeley Keystone JGB, flac1644; Matrix of SBD ID-19966 & AUD ID-23943. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, Andrew F 04/2018 notes
1185. 02/26/83 Flac - 0, 102505 Palo Alto Keystone Palo Alto unknown low gen aud via brad tenner Transfer Info: nakdr-1 cass> tascam5000>cdr>wav>flac notes
1186. 02/26/83 Shn - 0, 32137 Palo Alto Keystone Palo Alto Jerry Garcia Band: MAC>1C>CD>WAV>SHNv3 CDR source provided by Jim Powell. DAE(EAC)>tracking(cdwav editor)>sector boundaries confirmed(shntool)>SHN(mkwact) by Chris Ladner. notes
1187. 02/27/83 Flac - 0, 102574 Palo Alto Keystone Palo Alto unknown low gen aud via by brad tenner Transfer Info: nakdr-1 cass> tascam5000>cdr>wav>flac notes
1188. 02/27/83 Shn - 0, 20588 Palo Alto Keystone Palo Alto Source: SBD>MC>DAT>CDR>WAV>SHN. Partial -missing the middle of the second set. See info file. notes
1189. 02/27/83 Flac 16/48 - 0, 142107 Palo Alto Keystone Palo Alto JGB; flac1648; s1s2p; Sbd > Master Cassettes; Transfer - Nak BX-300 > Sony 75ES > DAT notes
1190. 02/28/83 Shn - 0, 20765 Berkeley Keystone Source: MAC(Nak 700s>Sony D-6)>DAT>CDR>WAV>SHN. Taper: John Corley notes
1191. 02/28/83 Flac 16/48 - 0, 142103 Berkeley Keystone JGB; flac1648; s2; Sbd > Master Cassettes; Transfer - Nak BX-300 > Sony 75ES > DAT notes
1192. 03/02/83 Flac - 0, 88963 San Francisco San Francisco Civic Auditorium notes
1193. 03/02/83 Flac - 0, 114374 San Francisco San Francisco Civic Auditorium flac1644; BAMmies; KFOG-FM broadcast > master cassette, by Phil Jaret; Transfer and FLAC encoding by David Minches: 1st generation cassette played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding. Speed/pitch correction by Joe B. Jones. notes
1194. 03/05/83 Flac - 0, 90919 Santa Cruz Civic Auditorium JGB: MSC > DAT; Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0; Mastering with: iZotope Ozone 3 > r8brain dithered to [16/44.1] > CD Wave > TLH > FLAC; Transferred and Mastered by Bill Koucky March 18, 2008, Green Mountain Bros. notes
1195. 03/05/83 Shn - 0, 12925 Santa Cruz Civic Auditorium Jerry Garcia Band: MSC > DAT > CDR; seeded by eD notes
1196. 03/05/83 Shn - 0, 14445 Santa Cruz Civic Auditorium Jerry Garcia Band: MSC > DAT > CD [> SHN], extraction, conversion, and seeding by Todd Sanders. notes
1197. 03/05/83 Flac 16/48 - 0, 142117 Santa Cruz Civic Auditorium JGB; flac1648; Sbd > Master Cassettes; Transfer - Nak BX-300 > Sony 75ES > DAT notes
1198. 03/07/83 Flac - 0, 135946 San Francisco The Stone JGB; flac1644; SBD > ? > CDR > WAV, via the jjoops tupperware collection. Transfer: Wavelab > CD-Wave > TLH > FLAC 1644 tagged. June 2016 notes
1199. 03/07/83 Flac - 0, 102491 San Francisco The Stone unknown low gen aud via brad tenner Transfer Info: nakdr-1 cass> tascam5000>cdr>wav>flac notes
1200. 03/11/83 Shn - 0, 20710 Santa Barbara Arlington Theater Source: SBD>MC>?>CDR>WAV>SHN. Missing tracks - see info file for details. notes
1201. 03/12/83 Shn - 0, 26207 Beverly Hills Beverly Theatre Jerry Garcia Band. Complete Early show. MAC>?>CDR>WAV>SHN. notes
1202. 03/12/83 Shn - 0, 17147 Beverly Hills Beverly Theatre Jerry Garcia Band, Late Show: MAC ("Tapers from Hell", Nakamichi CM-300 mics (hand-held in X-Y pattern, 15th row left of center] > Sony D5 [Dolby B, Maxell XLIIS "chrome"]) > Sony TC-D5M playback > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz master DAT > Tascam DA-20mkII DAT playback > Marigo Audio Lab Apparition Reference Coaxial / RCA cable > Tascam 700 CDRW master CD > Marantz CDR 550 Dual Well Recorder CD clone (DAO, 1x) > CD clone (no details) > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
1203. 03/12/83 Flac 24/48 - 0, 142723 Beverly Hills Beverly Theatre JGB, flac2448; Late Show; Source: Lo-gen AUD (unknown equipment) > Cassettes rescued from ebay. Transfer: Maxell XLII-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit-output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2018 notes
1204. 03/12/83 Flac 16/44 - 0, 142724 Beverly Hills Beverly Theatre JGB, flac1644; Late Show; Source: Lo-gen AUD (unknown equipment) > Cassettes rescued from ebay. Transfer: Maxell XLII-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit-output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 07/2018 notes
1205. 03/12/83 Flac 24/48 - 0, 142725 Beverly Hills Beverly Theatre JGB, flac2448, Early Show; Source: Lo-gen AUD (unknown equipment) > Cassette rescued from ebay. Transfer: Maxell XLIIS-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit-output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2018 notes
1206. 03/12/83 Flac 1644 - 0, 142726 Beverly Hills Beverly Theatre JGB, flac1644, Early Show; Source: Lo-gen AUD (unknown equipment) > Cassette rescued from ebay. Transfer: Maxell XLIIS-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit-output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 07/2018 notes
1207. 03/13/83 Flac 24/48 - 0, 152605 Beverly Hills Beverly Theatre FLAC 2448 Source: Lo-gen AUD (unknown equipment) > Cassette rescued from ebay.
Transfer: Maxell XLIIS-100 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit-output) > TLH > FLAC 2448 tagged.
Transferred by Andrew F. 07/2018
notes
1208. 03/13/83 Flac 1644 - 0, 143277 Beverly Hills Beverly Theatre JGB; flac1644; Lo-gen AUD (unknown equipment) > Cassette rescued from ebay. Transfer: Maxell XLIIS-100 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit-output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 07/2018. notes
1209. 05/06/83 Flac - 0, 137910 San Francisco The Stone JGB; flac1644; AUD (marked 2nd Gen) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2017 notes
1210. 05/07/83 Flac - 0, 138076 San Francisco The Stone JGB, flac1644; 2nd Set Unknown AUD (mono) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 04/2017 notes
1211. 05/07/83 Flac - 0, 122981 San Francisco The Stone JGB; flac; aud 2nd gen cassette, Jerry Moore's copy, Rob Berger transfer/seed notes
1212. 05/20/83 Flac - 0, 91122 Denver Rainbow Theater JGB: Recorded by David White; Sennheiser K-403 mics> Sony TC-D5M (back of the hall); Nakamichi BX-300 playback > HHB 830 CD recorder > EAC > HD; Minor editing and tracking in Adobe Audition 2.0> FLAC encoding; Transfer and FLAC encoding by David Minches. notes
1213. 05/20/83 Shn - 0, 30140 Denver Rainbow Theater Jerry Garcia Band: MAC (Sennheiser K-403 > D5) > CDR > SHN. Taper: unknown. (Admin note: David White taped this show with these mics, but whether this is from his master remains TBD.) notes
1214. 05/21/83 Flac - 0, 91115 Denver Rainbow Theater JGB: Recorded by Craig Johnson with a Panasonic 610 (cassette deck with a built-in stereo mic); Lineage: Master cassette audience> cassette; Transfer and FLAC encoding by David Minches: 1st generation cassette played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding. This is your collection notes
1215. 05/21/83 Flac - 0, 96908 Denver Rainbow Theater JGB: Bill Moran's Marcsound mics> Sony D-5; Original Transfer: Master > CD > EAC > SoundForge > CD; Additional mastering: CD > EAC > Adobe Audition 2.0 > FLAC encoding. notes
1216. 05/21/83 Shn - 0, 152567 Denver Rainbow Theater 2 Sennheiser 421 FOB >Sony TCD5M Master Cassette>SHN notes
1217. 05/21/83 Shn - , 152567 Denver Rainbow Theater 2 Sennheiser 421 FOB >Sony TCD5M Master Cassette>SHN notes
1218. 05/23/83 Shn - 0, 24498 Granite City Stages Jerry Garcia Band. Source: MAC(Sony D-6 hand-held cassette recorder with internal microphones recorded by Steven Shayman)>C>CDR>WAV>SHN. notes
1219. 05/25/83 Flac 24/48 - 0, 130353 Buffalo Shea's Auditorium JGB; flac2448; 3rd gen aud (Maxell XLII90, no Dolby) > Nakamichi BX-300 playback (no Dolby) > Pyle Pro cables > WaveTerminal 2496 > Samplitude 10.1 Download Version (record @ 24 bits/48kHz) > CDWave 1.9.8 (tracking) > Adobe Audition 3.0 (cross-fades, etc.) > Traders Little Helper 2.4.1 (FLAC encoding, level 8) (flac2448). notes
1220. 05/25/83 Flac 16/44 - , 154646 Buffalo Shea's Auditorium JGB; flac1644; AUD (marked 3rd Gen) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 12/2021 notes
1221. 05/26/83 Flac - 0, 138453 Rochester Auditorium Theater JGB, flac1644; unknown AUD (lo-gen) kindly provided from the collection of DL. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 06/2017 notes
1222. 05/26/83 Flac - 0, 91117 Rochester Auditorium Theater JGB: Recording by Don Crandel, equipment unknown. Unknown MAC > CDR transfer; CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC notes
1223. 05/28/83 Flac 24/96 - 0, 122454 South Yarmouth Cape Cod Coliseum flac24; JGB: lineage: chasingwilma's 3x audio technica atm 11 fob > optimus > tcm-d-5 > mc > sony tc we435 > sony pcm m-10 96khz/24bit > soundforge > cdwave > traders little helper encoding option 8. notes
1224. 05/28/83 Flac 1644 - 0, 120131 South Yarmouth Cape Cod Coliseum JGB; flac1644; David Dyche's Beyer M160's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > flac. notes
1225. 05/28/83 Shn - 0, 7328 South Yarmouth Cape Cod Coliseum JGB: Mark Horvath's 3 Audio Technica ATM 11s > Sony TCM D-5 > Master Cass; Sony TC-we 435 playback > analog Coax Cables > analog inputs > Philips CDR 870 > CD-R > EAC > Cool Edit (rejoin tracks and fades)# > CD-WAV (Re-Tracking) > MKW ACT 0.96 > SHN. Cass > CD by Mark Horvath, CD > SHN by Jan Welch . notes
1226. 05/28/83 Flac - 0, 74081 South Yarmouth Cape Cod Coliseum JGB: Jim Vita's MAC (2 Sennheiser 421s with Beyer mic blend, recorded on right-hand side in front of the SB > unknown deck [Maxell XLIIS]); Transfer and FLAC encoding by David Minches: Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac. notes
1227. 05/28/83 Flac 24/96 - 0, 141978 South Yarmouth Cape Cod Coliseum JGB; flac24; Rudy Huston's Beyer M160 > Nakamichi 550 > Cassette Master (Maxell UDXL-II); Transfer: Cassette Master > Nakamichi CR-7A > > wav 24/96, by Charlie Miller. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24, edited and mastered SIRMick May 2018. notes
1228. 05/28/83 Flac 16/44 - 0, 145875 South Yarmouth Cape Cod Coliseum JGB; flac1644; Rudy Huston's Beyer M160 > Nakamichi 550 > Cassette Master (Maxell UDXL-II); Transfer: Cassette Master > Nakamichi CR-7A > > wav 24/96, by Charlie Miller. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24, edited and mastered SIRMick May 2018, This file set is 16 bit @ 44.1 notes
1229. 05/29/83 Shn - 0, 17600 Hartford Bushnell Auditorium Jerry Garcia Band: MAC (Taped by Jim Vita, Sennheiser 421s [at the board] > Sony TCD-5M) > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
1230. 05/29/83 - 0, 76910 Hartford Bushnell Auditorium JGB: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, transfer by David Minches. notes
1231. 05/29/83 Flac 24/96 - 0, 141979 Hartford Bushnell Auditorium JGB; flac24; Rudy Huston's Beyer M160 > Uher deck > Nakamichi 550 > Cassette Master (Maxell UDXL-II) (patched out of Marc Erdheims); Transfer: Cassette Master > Nakamichi CR-7A > > wav 24/96 - Transferred by Charlie Miller Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24, edited and mastered SIRMick May 2018. notes
1232. 05/29/83 Flac 16/44 - 0, 145876 Hartford Bushnell Auditorium JGB; flac1644; Rudy Huston's Beyer M160 > Uher deck > Nakamichi 550 > Cassette Master (Maxell UDXL-II) (patched out of Marc Erdheims); Transfer: Cassette Master > Nakamichi CR-7A > > wav 24/96 - Transferred by Charlie Miller Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24, edited and mastered SIRMick May 2018. This file set is 16 bit @ 44.1 notes
1233. 05/30/83 Flac - 0, 120374 Hartford Bushnell Auditorium JGB; flac1644; Joe Morrone's AUD: 2x Nakamichi CM300/CP4 shotguns, 1x Nakamichi CM300/CP1 cardioid blend mic > Nakamichi 550 > Maxell UDXL-II's, set up in the balcony. Taped by Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. notes
1234. 05/30/83 Flac 24 - 0, 124811 Hartford Bushnell Auditorium JGB; flac2448; AUD: AKG mics (unknown model) > patched thru one deck > Marantz PMD-340 > TDK SA-90s, mics placed on ledge of center mezzanine. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit) > TLH > FLAC 2448 tagged. June 2013, Andrew F. Upgrade to shnid-18181. notes
1235. 05/30/83 Shn - 0, 22225 Hartford Bushnell Auditorium Jerry Garcia Band. Source: MAC(Sennheiser 441, 17th row center) > D > D. Taper: unknown @ this time, probably Jim Vita. DAT>WAV transfer: Sony PCM-R500>S/PIDF>Audiophile 2496>P4 2.0 GHz/Soundforge6.0>WAV>SHN via C.Ladner & J.Powell. notes
1236. 05/30/83 Flac - 0, 77715 Hartford Bushnell Auditorium JGB: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, transfer by David Minches. notes
1237. 05/30/83 Shn - 0, 18181 Hartford Bushnell Auditorium Jerry Garcia Band: MAC (Taped by Andrew Faintych using a Marantz 340 cassette deck and AKG mics resting on the rail of the balcony) > CD > EAC > SHN v3. EAC and SHN by cbass@usa.net. notes
1238. 05/31/83 Shn - 0, 15617 New York Roseland Ballroom Jerry Garcia Band: MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > master played back on Nak Dragon > ART DI/O > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille. notes
1239. 05/31/83 Flac - 0, 76578 New York Roseland Ballroom JGB: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII)]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, xfer by David Minches. notes
1240. 05/31/83 Shn - 0, 4416 New York Roseland Ballroom Jerry Garcia Band: mAC> DAT> CDR> TAE> WAV> SHN; mics unknown; via Dan Metz, Mike Lai notes
1241. 05/31/83 Shn - 0, 6624 New York Roseland Ballroom JGB: Sennheiser 441's > ?? >DAT; Transfer: DA-P1 > Zafiro ZA-2 > NT 4.0/SoundForge XP 4.0 > CDRWIN. notes
1242. 06/01/83 Shn - 0, 15618 New York Roseland Ballroom Jerry Garcia Band: MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > master played back on Nak Dragon > ART DI/O > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille. notes
1243. 06/01/83 Shn - 0, 10962 New York Roseland Ballroom Jerry Garcia Band: MAC > DAT > SHN. Recorded by Chris Beach, 3 Nak 701s > Mx-100 pre-amp (modified) > Sony D-5 cassette master > D10 > SHN notes
1244. 06/01/83 Flac 16 - 0, 79567 New York Roseland Ballroom JGB, I/IIp: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > FLAC, transfer by David Minches. notes
1245. 06/03/83 Flac - 0, 78622 Passaic Capitol Theater JGB, early and late shows: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, transfer by David Minches. notes
1246. 06/04/83 Flac - 0, 78981 Poughkeepsie The Chance JGB, late show: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > FLAC, transfer by David Minches. notes
1247. 06/04/83 Shn - 0, 15620 Poughkeepsie The Chance Jerry Garcia Band: Late Show: This is a composite of two different sources. The majority (set I and the encore) derives from Mark Cohen's FOB Nak 700s > Sony TC-D5. The rest (set II) derives from Jim Vita's FOB Senn 421s > Sony TC-D5M. I don't know details on the Vita transfer, but Cohen's was transferred as follows: master played back on Nak Dragon > ART DI/O > Cool Edit 2000 (including patching in of the Vita material) > master CD > HP 9350i extraction (EAC v0.9 beta 4) > minor editing using SF Studio 6.0 > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille notes
1248. 06/04/83 Shn - 0, 15619 Poughkeepsie The Chance Jerry Garcia Band: Early Show: MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > master played back on Nak Dragon > ART DI/O > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille. notes
1249. 06/04/83 Shn - 0, 10133 Poughkeepsie The Chance Jerry Garcia Band: Late Show: MS? > ? > SHN, seeded by Mike Lai. notes
1250. 06/05/83 Flac - 0, 76973 Upper Darby The Tower Theatre JGB, early & late shows: 2 Nakamichi 300s > Sony D-5 MAC > 1 cassette > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches. notes
1251. 06/05/83 Flac - 0, 138199 Upper Darby The Tower Theatre JGB; flac1644; early and late; Sony D6C(NAK mics)>Master cassette>JVC TD-R462>Audacity>TLH Flac8, Taped by: Dave Peters notes
1252. 07/20/83 Flac - 0, 137756 Palo Alto Keystone Palo Alto JGB; flac1644; AUD (marked 2nd Gen) kindly provided by wk & http://jgmf.blogspot.com/; Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2017. notes
1253. 07/21/83 Flac - 0, 132096 San Francisco The Stone FLAC16: aud, unknown gen, transferred & seeded by Rob Berger 2014 notes
1254. 07/21/83 Flac 24 - 0, 132095 San Francisco The Stone FLAC24: aud, unknown gen, transferred & seeded by Rob Berger 2014 notes
1255. 07/24/83 Shn - 0, 20736 Grass Valley Nevada County Fairgrounds Source: Nak700s>MAC > C > CD>WAV>SHN. Taper: Bob Menke notes
1256. 07/24/83 Flac - 0, 137493 Grass Valley Nevada County Fairgrounds JGB; flac1644; aud: Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11, Editing and Mastering by Jamie Waddell in Wavelab 7.1. notes
1257. 09/30/83 Flac - 0, 30875 Reseda The Country Club Jerry Garcia Band: MAC (unknown details) > 1 cassette > VHS HiFi > Sony SLV626 playback > Harman Kardon CDR2 master CD > 1 CD > EAC > FLAC. VHS > CD transfer by vertiklman. notes
1258. 10/01/83 Shn - 0, 31811 Beverly Hills Beverly Theatre Jerry Garcia Band: Taped by Joe Pinedo, Sony 939 > Sony D6 > 1st Gen Cassette (Maxell XLII 90 with Dolby B) > Nakamichi BX300 > Macintosh > Peak Bias > JAM > cdr > eac > mkw > shntools. Transfer & CD mastering/shn conversion by Brian Mandel. notes
1259. 10/01/83 Flac - 0, 30819 Beverly Hills Beverly Theatre Jerry Garcia Band, set I: MAC (unknown details) > 1 cassette > VHS HiFi > Sony SLV626 playback > Harman Kardon CDR2 master CD > 1 CD > EAC > FLAC. VHS > CD transfer by vertiklman. notes
1260. 10/03/83 Flac 24/48 - 0, 145932 Riverside Palamino Station JGB; flac2448; Source: AUD (unknown gear) > MAC > 1st-Gen cassette, with a big thanks to Jon Bernstein for providing this recording. Transfer: TDK SA-X 90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 03/2019. notes
1261. 11/12/83 Flac - 0, 25629 Palo Alto Keystone Palo Alto Jerry Garcia Band: SBD > CM > DAT Transfer: DAT (60ES) > Waveterminal U2A (48 > 44.1) > CDWAV > Goldwave used to normalize to 100% > CDWAV used for tracking and conversion to Flac. notes
1262. 11/12/83 Shn - 0, 22512 Palo Alto Keystone Palo Alto Source: MSC>C4>DAT>WAV>SHN, except for d1t01 and brief splice in d2t01 which are from John Corley's Nakamichi source. Cassette > DAT via J.Powell. DAT>WAV>SHN via C.Ladner. notes
1263. 11/12/83 Flac 1644 - 0, 141450 Palo Alto Keystone Palo Alto JGB, flac1644; Source: Unknown AUD > ? > CDR. Transfer: EAC > WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, Andrew F 03/2018 notes
1264. 11/12/83 Flac 1644 Mtx - 0, 141451 Palo Alto Keystone Palo Alto JGB, flac1644; Matrix of SBD ID-25629 & AUD ID-141450. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, Andrew F 03/2018 notes
1265. 11/12/83 Flac 1644 - 0, 141668 Palo Alto Keystone Palo Alto JGB, flac1644; John Corley's Nakamichi CM-700's > Sony WM-D6 > MAC > Cassette (marked 4th-gen), kindly provided from the collection of DL. Transfer: Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2018 notes
1266. 11/12/83 Flac 16/48 - 0, 142118 Palo Alto Keystone Palo Alto JGB; flac1648; Sbd > Master Cassettes; Transfer - Nak BX-300 > Sony 75ES > DAT notes
1267. 11/14/83 Shn - 0, 16715 San Francisco The Stone MSC>DAT>CDR>WAV>SHN. The beginning/first notes of several tracks are clipped by in-between song tape pauses including: d1t01, d1t02, d2t01. notes
1268. 11/15/83 Shn - 0, 18332 Berkeley Keystone Jerry Garcia Band: MAC (Taped by John Corley, gear not certain at this time) > DAT? > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
1269. 11/23/83 Flac - 0, 31281 Chicago Arie Crown Theater Jerry Garcia Band, early and late shows: Dave Cohen's Senn 421s > Sony D5 > unknown playback deck to Panasonic 3700 > Tascam DA-30 playback > Digial Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches. notes
1270. 11/23/83 Shn - 0, 6355 Chicago Arie Crown Theater JGB: Nakamichi 300 w/ CP4 & WMD5, recorded from 1st row balcony. notes
1271. 11/25/83 Flac - 0, 119134 Cleveland Cleveland Music Hall JGB; flac1644; sbd > d-5sony > mc > tc we435 > soundcard > cdwave 44100/stereo/16 bit > traders little helper encoding option 8; taper: chasingwilma; conversion: chasingwilma. notes
1272. 11/25/83 - 0, 12021 Cleveland Cleveland Music Hall Jerry Garcia Band: Probable MSC > DAT > CD > EAC > slight modifications > SHN. This is a retracked and slightly processed upgrade, via Jake Mercatoris, of the previously circulating .shn set. notes
1273. 11/25/83 Flac - 0, 32359 Cleveland Cleveland Music Hall Jerry Garcia Band: MAC (FOB, unknown taper & gear) > 2 cassette gens > Sony TC-WE475 playback > Sony R500 (Pass Through) > SEK'D Prodif Plus > Samplitude Professional v8.01 -> FLAC/16. Transferred and edited by Charlie Miller. notes
1274. 11/25/83 Flac 16/48 - 0, 145985 Cleveland Cleveland Music Hall JGB; flac 1648: Master Soundboard Cassettes, Provided by ANON. Transfer - Nak BX-300 > Sony 75ES > DAT. Speed Correction by Jason Chastain. Mastering by Jamie Waddell. FLAC8 in TLH 16bit 48kHz notes
1275. 11/26/83 Flac 1644 - 0, 119175 Binghamton Forum JGB; flac1644; sbd > d-5sony > mc > tc we435 > soundcard > cdwave 44100/stereo/16 bit > traders little helper encoding option 8; taper: chasingwilma; conversion: chasingwilma. notes
1276. 11/26/83 Shn - 0, 20657 Binghamton Forum Theater Source: SBD>MC>DAT>CDR>WAV>SHNv3. Complete show notes
1277. 11/26/83 Shn - 0, 4414 Binghamton Forum Theater Jerry Garcia Band: Early Show. Sbd> Mcas> ??> Dat> Cdr. Seeded by Mike Lai notes
1278. 11/26/83 Flac - 0, 31176 Binghamton Forum Theater Jerry Garcia Band, Early and Late Shows: Taped by Ray Ackerman, Shure Mics > Sony TC-D6 from front row balcony; MAC > CD transfer by Ray Ackerman, equipment unknown. CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC Frontend, by Andrew F. notes
1279. 11/26/83 Flac 16/44 - 0, 126144 Binghamton Forum Theater JGB; flac1644; Shure PE9's (Front row balcony, dfc) > Sony TC-D6; Transfer: Sony TCK 71 (cass master) > Lunatec V3 > Microtracker II @ 24/96 > Wavelab (editing and mastering); Master wave file > pc > cd wave > traders little helper (flac level 8). Crystal Resampler (high), & dither w/ iZotope Ozone 5 done in wavelab 6.1. Taped, transferred and mastered by Ray Ackerman; tracked, flaced, resample & dither by Gordon Wilson. notes
1280. 11/26/83 Flac 24/96 - 0, 126145 Binghamton Forum Theater JGB; flac2496; Shure PE9's (Front row balcony, dfc) > Sony TC-D6; Transfer: Sony TCK 71 (cass master) > Lunatec V3 > Microtracker II @ 24/96 > Wavelab (editing and mastering); Master wave file > pc > cd wave > traders little helper (flac level 8); taped, transferred and mastered by Ray Ackerman; tracked & flaced by Gordon Wilson. notes
1281. 11/26/83 Flac 24/96 - 0, 135492 Binghamton Forum Theater flac2496:FOB (row F), 2x Nakamichi 100 > Sony TC-D5M; Playback master on Sony TC-D5m to Sony PCM-M10 96kHz/24bit notes
1282. 11/27/83 Shn - 0, 16791 Washington Constitution Hall Jerry Garcia Band: MSC > DAT > CDR > WAV > SHN. DAT transfer to CDR via D.Minches. SHN encoding/initial FTP transmission via C.Ladner/candyman FTP. notes
1283. 11/27/83 Flac 1644 - 0, 138119 Washington Constitution Hall JGB, flac1644; Set One Partial, Unknown AUD (1st or low-gen) kindly provided from the collection of DL. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 04/2017 notes
1284. 11/29/83 Flac 16/44 - 0, 123916 Providence Veterans Memorial Auditorium JGB; flac1644, Nakamichi CM300/CP1 cardioids > Sony TC-D5M > TDK SA-X 90s, set up in Orchestra Row N, taped by Joe Morrone & Tim Friend. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. Feb 2013. notes
1285. 11/29/83 Shn - 0, 12026 Providence Veterans Memorial Auditorium Jerry Garcia Band: MSC > DAT > CDR > WAV > SHNv3. notes
1286. 11/30/83 Flac - 0, 134250 Hartford Hartford Agora JGB; flac16; Commander's Nak 300s > Sony D5 Maxell udxl-II90 master cassettes; transferred & seeded by Rob Berger & Taperchuck. notes
1287. 11/30/83 Flac 24 - 0, 134251 Hartford Hartford Agora JGB; flac24; Commander's Nak 300s > Sony D5 Maxell udxl-II90 master cassettes; transferred & seeded by Rob Berger & Taperchuck. notes
1288. 11/30/83 Shn - 0, 23650 Hartford Hartford Agora Jerry Garcia Band: MAC (Taped by Michael Laurentus, Stereo Aiwa mics [hidden in wrist splint @ cheek level] > unknown deck) > DAT > WAV > SHN. notes
1289. 12/02/83 Shn - 0, 13730 Upper Darby Tower Theater Jerry Garcia Band: MSC -> DAT -> Digi001 -> SHN. This set, via Chris Ladner, fixes sector boundary errors on the existing .shn set. notes
1290. 12/02/83 Flac 1644 - 0, 138201 Upper Darby Tower Theater JGB; flac1644; Sony D6C(NAK mics)>Master cassette>JVC TD-R462>Audacity>TLH Flac8, Taper: Dave Peters notes
1291. 12/02/83 Flac - 0, 76618 Upper Darby Tower Theater JGB: MAC (2 Sennheiser 441s > Sony D-5) > 1st gen cassette > Nakamichi Dragon playyback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, xfer by David Minches. notes
1292. 12/02/83 Shn - 0, 4412 Upper Darby Tower Theater Jerry Garcia Band:Mcas> Dat> Digi001> Shn. Missing very begining of How sweet it is and Gomorrah. Cuts are very minor; [txt/md5s] notes
1293. 12/02/83 Flac 16/48 - 0, 141674 Upper Darby Tower Theater JGB; flac1648; Sbd > Master Cassettes; Transfer - Nak BX-300 > Sony 75ES > DAT notes
1294. 12/02/83 Flac 16/44 - 0, 150018 Upper Darby Tower Theater JGB; flac 1644; Sources: Matrix of SBD ID-13730 & AUD ID-138201. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, Andrew F 05/2020 notes
1295. 12/03/83 Shn - 0, 4413 Boston Orpheum Theater Jerry Garcia Band: early and late; Master Soundboard Cassette > DAT > CDR, Seeded by Scott Clugston notes
1296. 12/03/83 Flac - 0, 77716 Boston Orpheum Theater JGB, early and late shows: MAC (2 Sennheiser 421s > Sony D-5 [Maxell MX-90s]) > 1 cassette > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, transfer by David Minches. notes
1297. 12/03/83 Flac 1644 - 0, 106084 Boston Orpheum Theater flac1644; early and late shows; Bob Morris's Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). notes
1298. 12/03/83 Flac 16/48 - 0, 141675 Boston Orpheum Theater JGB; flac1648; Sbd > Master Cassettes; Transfer - Nak BX-300 > Sony 75ES > DAT notes
1299. 12/04/83 Shn - 0, 20735 Stony Brook Gymnasium (SUNY) JGB: Mixed sources; set I: MSC>DAT>CDR>WAV>SHN; set II from previously circulating Senn 421 SHN set. notes
1300. 12/04/83 Flac 1644 - 0, 112308 Stony Brook Gymnasium (SUNY) flac1644; Recorded by The Weasel - "Da Weez"; Transferred and mastered to .wav files by D5scott. Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes. Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac. notes
1301. 12/04/83 Shn - 0, 16479 Stony Brook Gymnasium (SUNY) Jerry Garcia Band: 2 Beyer M160s FOB > Sony TCD5M Cassette Master > SHN; Recorded, digitally mastered and seeded to abgd via Walstib. notes
1302. 12/04/83 Shn - 0, 12253 Stony Brook Gymnasium (SUNY) Jerry Garcia Band: MAC (Sennheiser MD-421 mics > D-5 > D-5 [patch] > Nakamichi DR-3 (playback) > Sony Super Bit Mapping > EGOSYS 2496 (soundcard) > SF 4.5 > CD Wave > MKWACT (original .shn set) > sector boundary error fix using .shntool > re-.shn (seekable). Taped, transferred, and originally .shn'd by Dean, fixed and re-.shn'd by Chris L. notes
1303. 12/04/83 Flac 16/48 - 0, 141676 Stony Brook Gymnasium (SUNY) JGB; flac1648; s1; Sbd > Master Cassettes; Transfer - Nak BX-300 > Sony 75ES > DAT notes
1304. 12/06/83 Flac 24/96 - 0, 135014 Burlington Flynn Theater, Late Show JGB; late show; flac2496; 2x Sennheiser 441 > Sony TC-D5m, Row Q; Transfer: Playback master on Sony TC-D5m to Sony PCM-M10 96kHz/24bit notes
1305. 12/06/83 Flac 24/96 - 0, 135010 Burlington Flynn Theater, Early Show JGB; early show; flac2496; 2x Sennheiser 441 > Sony TC-D5m, Row D; Transfer: Playback master on Sony TC-D5m to Sony PCM-M10 96kHz/24bit. notes
1306. 12/06/83 Flac 24/96 - 0, 123066 Burlington Flynn Theater, Early Show JGB; early and late; flac2496; mixed 1st gen auds; First Generation Tapes From JB\'s Collection, Transfer By Keo. Early Show: Sennheiser 441\'s>Sony D5,Recorded Orchestra Left Row D. Late Show: Nakamichi CM300/CP1\'s>Sony D5,Recorded Orchestra Left Row Q. Tapes: Maxell XLII\'s 90 Minute. Transfer Information:Nakamichi MR-1>Korg MR-1000 @ 1Bit/5.6MHz. Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Khz Wave. Dithered/Flacked With Korg Aqua To 16/44. SBE\'s Checked/Fixed With Trader\'s Litlle Helper. Metadata Tagging With Tag&Rename. notes
1307. 12/06/83 Flac 1644 - 0, 123065 Burlington Flynn Theater, Early Show JGB; early and late; flac1644; mixed 1st gen auds; First Generation Tapes From JB\'s Collection, Transfer By Keo. Early Show: Sennheiser 441\'s>Sony D5,Recorded Orchestra Left Row D. Late Show: Nakamichi CM300/CP1\'s>Sony D5,Recorded Orchestra Left Row Q. Tapes: Maxell XLII\'s 90 Minute. Transfer Information:Nakamichi MR-1>Korg MR-1000 @ 1Bit/5.6MHz. Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Khz Wave. Dithered/Flacked With Korg Aqua To 16/44. SBE\'s Checked/Fixed With Trader\'s Litlle Helper. Metadata Tagging With Tag&Rename. notes
1308. 12/06/83 Shn - 0, 18818 Burlington Flynn Theater, Early Show Source: AUD* > CM > DAT > CDR > WAV > SHN *Microphone and taper unknown. Thanks to David Minches for CDR source; CDR > SHN via C.Ladner notes
1309. 12/06/83 Flac 1644 - 0, 141454 Burlington Flynn Theater, Late Show JGB; late show; flac1644; unknown aud notes
1310. 12/07/83 Flac 24/96 - 0, 126301 Amherst Calvin Coolidge Cage, Amherst College JGB; flac2496; 3x audio technica atm 11 fob > optimus > tcm-d-5 > mc > sony tc we435 > sony pcm m-10 96khz/24bit > soundforge > cdwave > traders little helper encoding option 8; taper: chasingwilma notes
1311. 12/07/83 Shn - 0, 6625 Amherst Calvin Coolidge Cage, Amherst College Jerry Garcia Band: Set I only: MAC (Taped by Mark Horvath, 3 Audio Technica ATM 11s > Sony TCM D-5) > Sony TC-we 435 playback > analog Coax Cables > analog inputs > Philips CDR 870 > master CD > EAC 3x > .wavs compared by MD5s and EAC's .wav compare tool > Cool Edit (rejoin tracks and fades)# > CD-WAV (Re-Tracking) > MKW ACT 0.96 > SHN > SHN conversion by Jan Welch. notes
1312. 12/07/83 Shn - 0, 16869 Amherst Calvin Coolidge Cage, Amherst College Jerry Garcia Band: MAC > PCM > DAT > CD > WAV > SHN. This is the complete show. notes
1313. 12/09/83 Flac 24/48 - 0, 138309 New York Beacon Theater JGB, flac2448; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLIIS 90, front of balcony(?) recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2017 notes
1314. 12/09/83 Flac 1644 - 0, 138310 New York Beacon Theater JGB, flac1644; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLIIS 90, front of balcony(?) recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2017 notes
1315. 12/09/83 Shn - 0, 15622 New York Beacon Theater Jerry Garcia Band: Late Show: MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > Tascam 122MKIII playback > Tascam DA-40 master DAT > Tascam DA-30 playback > WAV > .shn > sector boundary fix (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by Mark Cohen, D > CD by David Minches, CD > SHN by Joe Jupille. notes
1316. 12/09/83 Shn - 0, 15621 New York Beacon Theater Jerry Garcia Band: Early Show: MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > Tascam 122MKIII playback > Tascam DA-40 master DAT > Tascam DA-30 playback > WAV > .shn > sector boundary fix (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by Mark Cohen, D > CD by David Minches, CD > SHN by Joe Jupille. notes
1317. 12/10/83 Flac - 0, 31086 Passaic Capitol Theatre Jerry Garcia Band, Early and Late Shows: Senn 421s @ the sbd > Sony D5 (unknown taper) > DAT(x) > Tascam DA-30 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches. notes
1318. 12/10/83 Flac 1644 - 0, 139722 Passaic Capitol Theatre JGB, late show; flac1644; FOB AUD of unknown lineage > ? > Cassette rescued from Ebay. Transfer: Maxell XLIIS-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > Wavelab (adding 16-bit patch) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2017 notes
1319. 12/11/83 Flac 16/44 - 0, 126714 Oswego Laker Hall- SUNY JGB; flac1644; Ray Ackerman's Shure PE9's (10th row handheld, dfc) > Sony TC-D6; Transfer: Sony TCK 71 (cass master) > Lunatec V3 > Microtracker II @ 24/96 > Wavelab (editing and mastering); Master wave file > pc > cd wave > traders little helper (flac level 8); Crystal Resampler (high), & dither w/ iZotope Ozone 5 done in wavelab 6.1. Taped, transferred and mastered by Ray Ackerman; tracked, flaced, resample & dither by Gordon Wilson. notes
1320. 12/11/83 Flac 24/96 - 0, 126715 Oswego Laker Hall- SUNY JGB; flac2496; Ray Ackerman's Shure PE9's (10th row handheld, dfc) > Sony TC-D6; Transfer: Sony TCK 71 (cass master) > Lunatec V3 > Microtracker II @ 24/96 > Wavelab (editing and mastering); Master wave file > pc > cd wave > traders little helper (flac level 8). Taped, transferred and mastered by Ray Ackerman; tracked & flaced by Gordon Wilson. notes
1321. 12/11/83 Flac - 0, 30622 Oswego Laker Hall- SUNY Jerry Garcia Band: Taped by Ray Ackerman, handheld Shure mics (10th row center) > Sony TC-D6 > unknown transfer details > CD > EAC > FLAC. Transfer by Ray Ackerman notes
1322. 12/11/83 Flac 16/44 - , 155979 Oswego Laker Hall- SUNY JGB; flac1644; Audience Recording. Taper And Equipment Unknown. Transfer: Playback Master On Sony TC-D5m To Sony PCM-M10, 96kHz-24bit. Patch Source: 2 Beyer M201s (XY Pattern) And Sony TC-D5m. Mastering And Patching By David Minches. March 2022 notes
1323. 12/13/83 Flac - 0, 133469 Union Kean College JGB; flac16; Early Show. AUD: *Nakamichi CM300s > lead decks(?) > Sony WM-D6 > MAC recording by John Newberger > Low-gen copy kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, by Andrew F. 06/2015 notes
1324. 12/13/83 Flac - 0, 31253 Union Kean College Jerry Garcia Band, early and late shows: MAC (unknown taper & gear) > Nakamichia CR7A playback > Panasonic 3700 DAT > Tascam DA-30 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool > FLAC. notes
1325. 12/13/83 Flac - 0, 77710 Union Kean College JGB, early and late: John Newberger's MAC (Nak 300s > Sony D6) > GoodBear Cassettes > GoodBear Computer (perhaps minor editing) > GoodBear CD's > EAC > FLAC. notes
1326. 12/13/83 Flac 24/88,2 - 0, Union Kean College notes
1327. 12/13/83 Flac 16/44 - , 151810 Union Kean College JGB; flac1644; late show; unknown taper, Nak 300 Mics > Sony D5; Sony UX Pro 90 Cassette > Nak Dragon > Korg MR1000 DFF @5.6mhz > Audiogate @ 24-88.2 Wave > Wavelab 6 > Ozone Rx7A > 24 Bit Files > Adobe Audition > Traders Little Helper. Editing : John Jay Hance and Joe D'Amico ''AKA'' Joebeacon. notes
1328. 01/08/84 Flac - 0, 136978 San Francisco The Stone JGB; flac1644; Unknown AUD > 1st-gen cassette, via the JGMF "Closet Call" Project. Original A>D Transfer: Maxell XLII-90 > Nakamichi BX-300 playback (no Dolby) > Pyle Pro cables > WaveTerminal 2496 > Samplitude 10.1 Download Version (record @ 24 bits/48kHz) normalization (98%, set II only) > CD Wave 1.98 (tracking) > Trader's Little Helper v2.4.1 (FLAC encoding) > foobar2000 (tagging). September 2016, 16bit/44.1kHz file-set mastering: FLAC 2448 > TLH > WAV > Wavelab > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. notes
1329. 01/13/84 Flac - 0, 32037 Seattle Paramount Northwest Theater Jerry Garcia Band: MAC (Taped by Pat Lee, Sony ECM 270s > Sony D5M) > Nakamichi Dragon playback > Egosys Waveterminal 2496 > Cool Edit 2000 > shntool > .shn (mkwACT) > wav (mkwACT v0.97 beta 1) > slight editing (Sony SoundForge Audio Studio 7.0) > shntool > level 8 flac encoding (FLAC Frontend). notes
1330. 01/13/84 Flac 16/48 - 0, 151290 Seattle Paramount Northwest Theater JGB; flac1648; Mark Severson's Master Audience Cassettes: Nakamichi 700 mics on railing of center balcony > Sony D5. Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp 24-96 > Adobe Audition CC 2020 > TLH flac2496. This is a 16-48 fileset. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. July 2020. notes
1331. 01/13/84 Flac 24/96 - 0, 151326 Seattle Paramount Northwest Theater JGB; flac2496; Mark Severson's Master Audience Cassettes:; Nakamichi 700 mics on railing of center balcony > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp 24-96 > Adobe Audition CC 2020 > TLH flac2496. Mastered by Scott Clugston. July 2020. notes
1332. 01/14/84 Flac - 0, 28905 Portland Civic Auditorium Jerry Garcia Band: MAC (Taped by Otto Rice, Senn 441s > Sony D5M) > Marantz PMD 510 playback > HHB 850 CDR/0 > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (Sound Forge Studio 6.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (FLAC Frontend v1.7.1 Etree edition). This is your collection notes
1333. 01/14/84 Shn - 0, 16710 Portland Civic Auditorium Jerry Garcia Band: AUD>?>CDR>EAC>CoolEdit 2000 (Tracking, Equalization)>WAV>SHN (seekable) notes
1334. 01/14/84 Flac - 0, 32333 Portland Civic Auditorium Jerry Garcia Band: Taped by Andrew F., Sony ECM-99A stereo mic (resting on the balcony rail just to stage-left of center, in "Center Box 9") > Marantz PMD-340 (Maxell XL-II 90s) > Sony TC-D5M playback > Soundblaster > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (SBE-OK, Flac compression, checksums), transfer by Andrew F. notes
1335. 01/14/84 Flac 16/48 - 0, 151289 Portland Civic Auditorium JGB; fac1648; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5. Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp 24-96 > Adobe Audition CC 2020 > TLH flac2496. This is a 16-48 fileset. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. July 2020. notes
1336. 01/14/84 Flac 24/96 - 0, 151327 Portland Civic Auditorium JGB; flac2496; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5 Transfer Info: Master Cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp 24-96 > Adobe Audition CC 2020 > TLH flac2496. Mastered by Scott Clugston. July 2020. notes
1337. 01/14/84 Flac 24/48 - , 154555 Portland Civic Auditorium JGB; flac2448; Source: Sony ECM-99A stereo mic > Marantz PMD-340 > Maxell XLII's w/no Dolby. Mic placed on the balcony ledge in "Center Box 9". Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Recorded and transferred by Andrew F. 12/2021 notes
1338. 01/16/84 Shn - 0, 26715 Eugene Silva Hall, Hult Center Jerry Garcia Band: MC > C > CD > WAV > SHN* Sennheiser MD441's > Sony TC-D5(M?)no Dolby center orchestra, taper unknown. Sony TC-D5M > Marantz PMD340, no Dolby Maxell UDXLII90 (XLII90 Tangled & Midnight Moonlight)1st gen by Andrew Faintych 1/84. *[Cats Under The Stars separate source, shn txt provides: "AUD>?>CD>EAC>WAV>Cool Edit 2000(eq, reduce overall volume, boost bass)>SHN. Thanks Chuck Gannon for the discs, EAC/SHN by jim@juddcreek.com 4/03"] A-D transfer: 1st gen cassette > Nakamichi Dragon > HHB CDR830plus > WAV (EAC) > Sound Forge 5.0 > CD Wave Audio Editor 1.71 > WAV > SHN. Cats SHN > (mkwACT)WAV > Sound Forge 5.0 > CD Wave 1.71 > SHN Transfer 9/04, editing, tracking > CD > SHN(seekable)10/04 by Anne Cohen (taper@optonline.net) notes
1339. 01/16/84 Shn - 0, 16711 Eugene Silva Hall, Hult Center Jerry Garcia Band: AUD>?>CD>EAC>WAV>CE2k (tracking, equalization)>SHN notes
1340. 01/16/84 Flac - 0, 32136 Eugene Silva Hall, Hult Center Jerry Garcia Band, IIp: Sbd > Analog Master > 4th Gen Cassette (Sony UX-PRO 90) Transfer: 4th Gen Cassette (NAD 6050C) > SBM > PCM R500 (pass through for A/D only @44.1kHz) > VXPocket v2 > Sound Forge (v. 6.0) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC notes
1341. 01/16/84 Flac 24/96 - 0, 141496 Eugene Silva Hall, Hult Center flac24 96khz Set 2 end only. Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell XL-II) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller notes
1342. 01/16/84 Flac 16/44 - 0, 145877 Eugene Silva Hall, Hult Center JGB; flac1644; Set 2 end only. Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell XL-II) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller. This file set is 16 bit @ 44.1 notes
1343. 03/02/84 Flac - 0, 85293 Palo Alto Keystone Palo Alto JGB: SBD > Cm > Dat > Panasonic SV-3700 > Audiophile 2496 > WaveLab > iZotope Ozone > CDWav > Flac. notes
1344. 03/02/84 Shn - 0, 6308 Palo Alto Keystone Palo Alto Jerry Garcia Band:Source:SB Master Reel > Cassette > DAT > CD Transfer: DA-P1 > Zafiro ZA-2 > NT 4.0/SoundForge XP 4.0 > CDRWIN notes
1345. 03/02/84 Flac 16/48 - 0, 151288 Palo Alto Keystone Palo Alto JGB; flac1648; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5 Transfer Info: Master Cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp 24-96 > Adobe Audition CC 2020 > TLH flac2496. This is a 16-48 fileset. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. July 2020. notes
1346. 03/02/84 Flac 24/96 - 0, 151328 Palo Alto Keystone Palo Alto JGB; flac2496; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5. Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp 24-96 > Adobe Audition CC 2020 > TLH flac2496 Mastered by Scott Clugston. July 2020. notes
1347. 03/04/84 Flac - 0, 85294 San Francisco The Stone JGB: SBD > Cm > Dat > Panasonic SV-3700 > Audiophile 2496 > WaveLab > iZotope Ozone > CDWav > Flac notes
1348. 03/04/84 Shn - 0, 16915 San Francisco The Stone Jerry Garcia Band: MSC > DAT > CDR > WAV > SHN. notes
1349. 03/09/84 Shn - 0, 23891 Palo Alto Keystone Palo Alto Jerry Garcia Band: MAC (Taped by John Corley, Nak 700s > Sony TC-D5M) > D > CD > WAV > SHN. notes
1350. 03/09/84 Shn - 0, 20708 Palo Alto Keystone Palo Alto Jerry Garcia Band: MAC (Taped by Dan Gale, Sony ECM939LT [from tables just behind dance floor] > Sony TCS-350) > NAD 6050C playback > SBM > DAT @44.1k (PCM-R500) > VXPocket v2 > Sound Forge (v.4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN, transfer by Dan Gale. notes
1351. 03/10/84 Shn - 0, 15188 Berkeley Keystone Jerry Garcia Band: MAC (Taped by Dan Gale, Sony ECM939LT [front of balcony] > Sony TCS-350) > NAD 6050C playback > SBM > DAT @ 44.1k (PCM-R500) > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by Dan Gale. notes
1352. 03/21/84 Shn - 0, 12027 Berkeley Keystone Jerry Garcia Band: MSC > DAT > CDR > WAV > SHNv3 notes
1353. 03/22/84 Shn - 0, 22191 Berkeley Keystone Jerry Garcia Band: MAC (Taped by John Corley, Nak700) > D > CD > WAV >SHN. notes
1354. 05/12/84 Flac - 0, 85568 San Francisco The Stone JGB: Don Dearth's MAC (Sony D6C w/Sony Stereo Microphone [TDKSA90]) > Nakamichi CR3A (No Dolby) > HP computer > Sound Forge (Vol@5.6db) > CD Wave > Flac. notes
1355. 05/12/84 Flac - 0, 25240 San Francisco The Stone Jerry Garcia Band: Realistic 'Pzm' mics > D-6 > Eq > Cas > Jb3 > Goldwave > Cdwav > Flac Transferred And Flac Encoded By Jason Flair. See comments for end of set II patch from John Corley's master. notes
1356. 05/18/84 Shn - 0, 17747 Irvine Irvine Meadows Ampitheater Jerry Garcia Band: MAC (Taped by Mike French, hand-held Sennheiser 421 mics [90 degrees X-Y, 9th row center] > Sony TC-D5) > CD > WAV > SHN. notes
1357. 05/18/84 Flac - 0, 84138 Irvine Irvine Meadows Ampitheater JGB: Mike French's Sennheiser MD-421's (modified XY90, hand-held @ 6', 9th row center orchestra) > Sony TC-D5 no n.r., Maxell UD-XLII 90 master cassette; unknown transfer > CD, via Mike French. NB: Robert Hunter set also included. notes
1358. 05/18/84 Flac - 0, 32156 Irvine Irvine Meadows Ampitheater Jerry Garcia Band: FM-SBD > MC > Cx > CD > EAC > WAV > FLAC (level 5). notes
1359. 05/18/84 Flac - 0, 24071 Irvine Irvine Meadows Ampitheater Jerry Garcia Band: Senn md421's 90* just past xy (early n.c. pattern) hand held 9th row dfc > Sony TC-D5 udxlII 90min cass. "B"n.r; Transfer: Master cass. playback via sony tc-d5m "B"n.r. (not master deck)> Tas DA-20mkII 48k, > Tascam cdrw700 for cdr master; Marantz cdr 500 dual well -> CD-r (copy of master CDR); Up to this point all taping and transfer was done by Mike French; Additional transfer: CDR-> EAC -> FLAC Frontend (16/44.1); (Transfer done by Brian Costigan -BCostigan@taperssection.com). A .shn version of this master also circulates. notes
1360. 05/18/84 Flac 24/96 - 0, 150973 Irvine Irvine Meadows Ampitheater JGB; flac24: Doug Schnetlage's Nakamichi 300s w/ CP-4 shotgun capsules > Sony D5 (Maxell XLII-S 90s) 10 rows in front of FOH - DFC; Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496. Transferred and Mastered by Jim Blackwood. Speed Correction by Jason Chastain. Track, FLAC and pack by John Wenzel. notes
1361. 05/18/84 Flac 16/48 - 0, 150974 Irvine Irvine Meadows Ampitheater JGB; flac1648; Doug Schnetlage's Nakamichi 300s w/ CP-4 shotgun capsules > Sony D5 (Maxell XLII-S 90s) 10 rows in front of FOH - DFC; Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496. Flac 24Bit 96kHz to 16Bit 48kHz by dBpoweramp. Transferred and Mastered by Jim Blackwood. Speed Correction by Jason Chastain. Track, FLAC and pack by John Wenzel notes
1362. 05/19/84 Flac - 0, 124791 Santa Barbara Arlington Theater JGB; flac1644; 1st Gen; Nakamichi 300 > Sony D5 > Master Cassette (taped by Adam Rossi); Master Cassette > Sony D6 > unknown Akai home deck > TDK SA90; Transfer/Lineage: 1st Gen Audience Cassette (TDK SA90)> Nakamichi Dragon > Lunatec V3 (24/88.1)> Lynx AES 16AES(e)> WaveLab 7.2.1 (UAD-2)> .wav @24/88.2 > Apogee UV22HR/Crystal Resampler> .wav @16/44.1> xAct(conversion and tagging)> flac16. Transferred, edited and mastered by Alex Ford - June 2013. notes
1363. 05/19/84 Flac - 0, 125760 Santa Barbara Arlington Theater Complete show. Updated version of shnid 124791. Source: 1st Gen; Nakamichi 300 > Sony D5 > Master Cassette **Newly located Master Cassette supplies long lost "Tangled Up In Blue"**. Master Cassette > Sony D6 > unknown Akai home deck > TDK SA90. Transfer/Lineage: 1st Gen Audience Cassette (TDK SA90)> Nakamichi Dragon> Lunatec V3 (24/88.1)> Lynx AES 16AES(e)> WaveLab 7.2.1 (UAD-2)> .wav @24/88.2> Apogee UV22HR/Crystal Resampler> .wav @16/44.1> xAct(conversion and tagging)> flac16. Taped by Adam Rossi. Transferred and mastered by Alex Ford. notes
1364. 05/20/84 Flac - 0, 79553 Reseda The Country Club JGB: 2 Nak CM 300s w/CP-1 caps (no guns) > Sony D-5 > DAT > HHB 830 CD Recorder (Stand Alone) > ? > FLAC. notes
1365. 06/03/84 Shn - 0, 8912 San Francisco Kabuki Theater Garcia&Kahn: SBD : MC > DAT > CDR notes
1366. 06/03/84 Shn - 0, 81273 San Francisco Kabuki Theater Garcia & Kahn: MSC > Dat > CD > EAC > mkw > Shn. notes
1367. 06/03/84 Shn - 0, 10134 San Francisco Kabuki Theater Garcia & Kahn: MSC > DAT > CD > EAC > SHN, extracted and shortened by Katy Miller. notes
1368. 07/28/84 Shn - 0, 14428 Palo Alto Keystone Palo Alto Jerry Garcia Band: MSC > PCM > Cass > DAT > ZA2 > CDR > WAV > SHNv3. CDR seeds via JR Wolk, SHN/FTP via C.Ladner/candyman FTP notes
1369. 07/28/84 Flac 16/44 - 0, 149283 Palo Alto Keystone Palo Alto JGB; flac1644; 2x Sennheiser MK 441 Microphones - Sony WM-D06 analog master cassettes, recorded by TB. notes
1370. 07/29/84 Shn - 0, 12587 Palo Alto Keystone Palo Alto Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] >Sony TCD5M > CDR > EAC > CDWave (retracked) > Shn. A>D transfer by Dan Ward, EAC'ed / retracked / Shn'ed by Charlie Connor. notes
1371. 07/31/84 Shn - 0, 14429 San Francisco The Stone Jerry Garcia Band: MSC > PCM > Cass > DAT > ZA2 > CDR > WAV > SHNv3, seeded via neo_levo/candyman FTP. notes
1372. 07/31/84 Flac 16/44 - 0, 149282 San Francisco The Stone JGB; flac1644; 2x Sennheiser MK 441 Microphones - Sony WM-D06 analog master cassettes, recorded by TB. notes
1373. 07/31/84 Flac 16 Mtx - 0, 150096 San Francisco The Stone JGB; flac1644; Sources: Matrix of SBD ID-14429 & AUD ID-149282. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, Andrew F 06/2020 notes
1374. 08/01/84 Shn - 0, 9303 San Francisco The Stone Jerry Garcia Band: MAC > DAT > CD > EAC > SHN. Taped by Craig and Kenny [Mance] at the "lip of the stage," AKG CE-1 > Uher CR-240. A>D by aoxoa, Uher CR-240 > Sony PCM R-500. notes
1375. 08/01/84 Flac 16/44 - 0, 144293 San Francisco The Stone JGB; flac1644; Craig Rogers's Audience Recording > AKG CE-1 mics > Uher Cr-240 > master cassette - Taped from lip of stage; Transfer: master cassette > Nakamichi Dragon > Sony R700 DAT > Sony PCM p-700 DAT @ 44.1k > Digital Audio Labs Card Deluxe > wav 1644.1 - Transferred by Jim Wise. Lineage: wav 1644.1 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16. edited and mastered. SIRMick December 2018. Admin note: historically also credited to Kenny Mance, but he was apparently not involved in taping this. notes
1376. 08/01/84 Flac 16 - 0, 149281 San Francisco The Stone JGB; flac1644; 2x Sennheiser MK 441 Microphones - Sony WM-D06 analog master cassettes, recorded by TB. notes
1377. 08/07/84 Flac - 0, 135437 Philadelphia Mann Music Center JGB; flac1644; Analog Low Gen > Nakamichi CR7A > Korg MR-1> 1 bit/ 2.8 mhz DSD > Audiogate 2.2.1 > 24/96 wav > adobe audition 7 > xACT 2.36 > flac 16; taper :unknown (from the Tom The Taper Collection); transferred & uploaded: edtyre; everything else : nicky c. notes
1378. 08/07/84 Flac - 0, 138202 Philadelphia Mann Music Center JGB; flac1644; Sony D6C(NAK mics)>Master cassette>JVC TD-R462>Audacity>TLH Flac8, Taper: Dave Peters notes
1379. 08/07/84 Shn - 0, 13410 Philadelphia Mann Music Center Jerry Garcia Band: FOB 10th row center, 2 Beyer Dynamic 160s > Sony TCD5M > Sony CDR-W66 > EAC > CDWave > SHN. Taped and Transferred by John Ficca. notes
1380. 08/08/84 Flac - 0, 32239 Washington D.A.R. Constitution Hall Jerry Garcia Band: Senn441's on stand FOB -> Cassette Master (Sony TCD5M/UDXL-II) -> 1st gen UDXLII -> Yamaha KX800u cassette deck -> Apogee AD500e rev02 -> SonyR500 DAT -> HHB850 CDR -> EAC Secure Mode -> FLAC7. notes
1381. 08/10/84 Shn - 0, 20750 Moosic Rocky Glen Amusement Park Jerry Garcia Band: Taper: Bill Reutelhuber; Recording Info: (FOB) Nakamichi CM300/CP4 -> Cassette Master (Sony D5/Maxell Metal Tape) Transfer Info: Cassette Master (Nakamichi Deck/Azimuth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k). Process Info: Processed through Nuendo using Waves Q10 and Waves L2 and rendered down to a 16 bit wave file. Recorded and Transfered BY Bill Reutelhuber Tracked and SHN'd By Charlie Miller. notes
1382. 08/10/84 Shn - 0, 17748 Moosic Rocky Glen Amusement Park Jerry Garcia Band: MAC (Nak CM-300s > Sony D5 [Dolby]) > Cool EditPro > CD > WAV > SHN notes
1383. 08/10/84 Flac - 0, 77917 Moosic Rocky Glen Amusement Park JGB: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > FLAC, transfer by David Minches. notes
1384. 08/11/84 Shn - 0, 21718 Caldwell Caldwell College Recording Info: (FOB) Nakamichi CM300/CP4 -> Cassette Master (Sony D5/Maxell Metal Tape)
Transfer Info: Cassette Master (Nakamichi Deck/Azimuth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k)
Process Info: Processed through Nuendo using Waves Q10, C4 and L2 and rendered down to a 16 bit wave file.
Recorded and Transfered BY Bill Reutelhuber
Tracked and SHN'd By Charlie Miller
notes
1385. 08/11/84 Flac - 0, 91396 Caldwell Caldwell College JGB: Joe D'Amico's Nak 300s (DFC, FOB) > Sony D5 MAC > Nakamichi Dragon playback > Sony SBM1 > Creative Extigy Soundcard > Cool Edit Pro > Flac Frontend. notes
1386. 08/11/84 Flac - 0, 78159 Caldwell Caldwell College JGB: Jim Vita mac (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC, transfer by David Minches. notes
1387. 08/11/84 Shn - 0, 9504 Caldwell Caldwell College Jerry Garcia Band: MAC > DATx2 > CDx? > EAC > SHN. Recorded by Jeff Silberman, Sennheiser 441s > unknown deck. notes
1388. 08/11/84 Shn - 0, 4411 Caldwell Caldwell College JGB: Steve Ziemba's MAC (Nak 300s> Sony D5) > CD; CD -> EAC -> SHN -> ProTools 5.0.1 -> SHN; Via Mike Lai and Dan Metz; [md5s] notes
1389. 08/11/84 Flac 24/48 - , 151845 Caldwell Caldwell College JGB; flac2448; Nakamichi 100 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On); Transfer: Master Cassette > Nakamichi CR7a playback with no dolby > Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq and software dolby B decode using Nuendo and DDICodec. Recorded, Transferred & Mastered by Anon. Edited & add'l Mastered in Adobe Audition by Joe Noel. February 18, 2021. notes
1390. 08/12/84 Flac 24/96 - 0, 92262 Hampton Beach Club Casino Ballroom JGB; flac2496; Derek McCabe MAC, 2x Beyer M-160 mics > Sony D5 > Sony D6 (Maxell II-S cassette master) > Nak DR-1 > Korg MR-1000 > DSD > Audiogate > 2496 wav > Bias Peak > Nomad Factory Analog Mastering Tools Multi Max > wav > xACT > flac. notes
1391. 08/12/84 Flac - 0, 24406 Hampton Beach Club Casino Ballroom JGB; unknown FOB Sennheiser 441 MAC > C1 > DAT > CD-R > EAC > WaveLab 4.0 > CD Wave Editor > FLAC. notes
1392. 08/12/84 Shn - 0, 8607 Hampton Beach Club Casino Ballroom JGB: shnf; Jeff Silberman MAC (Senn 441s > unknown deck) > DAT > CD > EAC > SHN. notes
1393. 08/12/84 Shn - 0, 4410 Hampton Beach Club Casino Ballroom JGB; shnf; S. Ziemba MAC (Nakamichi 300 > Sony D5) > ?? > cdr > EAC > SHN, via Mike Lai. notes
1394. 08/12/84 Flac 24/96 - 0, 143581 Hampton Beach Club Casino Ballroom JGB; flac24; Mike Guy's Master Audience Cassettes; Nakamichi CM300/CP1 mics > Nakamichi 550 (Nakamichi ZX-C90) Transfer Info: Master cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 notes
1395. 08/12/84 Flac 16/48 - 0, 143580 Hampton Beach Club Casino Ballroom JGB; flac16; Mike Guy's Master Audience Cassettes; Nakamichi CM300/CP1 mics > Nakamichi 550 (Nakamichi ZX-C90) Transfer Info: Master cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 notes
1396. 08/12/84 Flac - 0, Hampton Beach Club Casino Ballroom notes
1397. 08/13/84 Flac 16/44,1 - 0, 90085 Hampton Beach Club Casino Ballroom JGB: Bill Reutelhuber's FOB 7 Feet High - 18" Spread Nakamichi CM300/CP4 Sony TCD5M Dolby B ; Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.01a @ [16/48] Mastering with: iZotope Ozone 3 > dithered to [16/44.1] > CD Wave > TLH > FLAC; Transfer and Mastered by Bill Koucky, Green Mountain Bros. notes
1398. 08/13/84 Flac - 0, 32070 Hampton Beach Club Casino Ballroom Source: dAUD Lineage: AUD > ??? > DATc (@48kHz) Transfer: Panasonic SV-3700 > S/PDIF > M-Audio 410 > FireWire400 > PowerMac G5 > Soundtrack Pro v1.0.1 (tracking & 48k > 44.1k resample) > WAV > xACT > flac 8 notes
1399. 08/13/84 Shn - 0, 4388 Hampton Beach Club Casino Ballroom Jerry Garcia Band: aud>>nak300>>D5>>cdr notes
1400. 08/13/84 Shn - 0, 20751 Hampton Beach Club Casino Ballroom Jerry Garcia Band, set II only: Taper: Bill Reutelhuber; Lineage:(FOB) Nakamichi 300/CP4 -> Cm -> Nuendo -> SHN; Recording Info: (FOB/7 Feet High/18 Inch Spread) Nakamichi CM300/CP4 -> Cm (Sony TCD5M/Dolby B). notes
1401. 08/13/84 Flac 1644 - 0, 140462 Hampton Beach Club Casino Ballroom JGB; flac1644; mixed aud/sbd; Source 1: Sony Mono Madness > MC; Source 2: SBD > Cass. Lineage: Sony TD-We405 > MacBook Pro > Adobe Audition > Flac > xACT. Source One Recording: John Rivers. Source 2: Unknown Taper. Mastered By Scott Medeiros. notes
1402. 08/13/84 Flac 24/48 - 0, 149555 Hampton Beach Club Casino Ballroom JGB; flac 2448; Doug Lamarre's Sennheiser 441 mics "30 foot front of Jerry" > Sony D5 - Maxell UDXLII Cassette Masters; Transfer info: Nakamichi CR-7A (Rebuilt by ESL August 2019) > Sound Devices MixPre-3M. Transfer by: Jay Haines on April 13, 2020. Speed Correction by Jason Chastain; Audio Mastering by Jamie Waddell. notes
1403. 08/15/84 Shn - 0, 30231 Middletown Orange County Community College Jerry Garcia Band: MAC (Luke R.'s Senn MD-441's > Sony TC-D5M, no Dolby) > Sony TC-D5M playback > Marantz PMD-340 (no Dolby) first gen cassette > Nakamichi Dragon playback > HHB CDR830plus > EAC > Sound Forge 6.0 > CDWave 1.94.5 > wav > shn. First gen cassettes from Andrew F., transfer by Anne Cohen. notes
1404. 08/15/84 Flac - 0, 30833 Middletown Orange County Community College Jerry Garcia Band: Rick Pauline & Rob Berger, Senn 421s (20 feet in front of the board) > Sony D5 master cassette > Nakamichi Dragon playback > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > shntool > flac encoding > wav > slight modifications (see notes) > flac encoding. notes
1405. 08/15/84 Flac 16/44 - 0, 149964 Middletown Orange County Community College JGB; flac1644; Urban Surfer's Audio Technica > Sony D5 (FOB DFC) > MAC > Nakamichi CR-4A > HHb 850 > CD > EAC > FLAC notes
1406. 08/15/84 Flac 24/48 - , 153428 Middletown Orange County Community College JGB; flac2448; Source: (fob, Center) Nakamichi Cm100 Shotguns > Sony Tc-d5m > 1st Gen Cassette (set I All, Set Ii T01 - T03), Master Cassette (set Ii T04 & T05)* (maxell Mx90s, Dolby B On); Transfer: Master Cassette > Nakamichi Cr7a Playback With No Dolby > Korg Mr2000 (1 Bit,mhz). Render From 1 Bit To 24 48 Wave File Using Audiogate. Pre Dolby Nr Decode Eq And Software Dolby B Decode Using Nuendo And Ddicodec. Recorded, Transferred By Anon. Edited & Mastered In Adobe Audition By Joe Noel. notes
1407. 08/16/84 Flac - 0, 91442 East Setauket Port Haven/Good Skates JGB: Joe D'Amico's Nak 300s > Sony D-5 > Nakamichi Dragon playback > Sony SBM1 > creative extigy soundcard> cool edit pro> flac frontend notes
1408. 08/16/84 Shn - 0, 16205 East Setauket Port Haven/Good Skates Jerry Garcia Band: MAC (Taped by Joe D'Amico, Nakamichi CM-300 mics > Sony D5) > Ultracurve Pro-Digital 24 bit DSP mainframe > HHb master CD > CDs > HP 9350i extraction (EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
1409. 08/18/84 Shn - 0, 22084 Chicago UIC Pavilion Jerry Garcia Band: Sennheiser 421 > D5 > DAT; Transfer: D8 > MAudio DiO 2448 > Soundforge 5.0 > CDWave 1.62 >cdr>eac>shn notes
1410. 08/18/84 Shn - 0, 8415 Chicago UIC Pavilion Jerry Garcia Band: AUDMC (Taped by Brian O'Connell: 10th row center, Nak 100's w/ shotgun caps > D5) > DAT > CDR > EAC > SHN notes
1411. 08/18/84 Flac 24/96 - 0, 148835 Chicago UIC Pavilion JGB; flac2496; Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496. notes
1412. 08/18/84 Flac 16/48 - 0, 148834 Chicago UIC Pavilion JGB; flac1648; Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5 ; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496. notes
1413. 08/24/84 Flac - 0, 124940 San Francisco The Stone JGB; flac1644; set 1 only; unlineaged aud via gems. notes
1414. 08/24/84 Flac - 0, 138021 San Francisco The Stone JGB, flac1644; Unknown AUD (low-gen) kindly provided from the collection of DL. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2017 notes
1415. 08/26/84 Flac - 0, 84568 Palo Alto Keystone Palo Alto JGB: Don Dearth's Sony stereo mic > Sony D6C MAC > Nakamichi CR3A playback > Hp Computer (no dolby) > Sound Forge Vol@ 5.5DB and normalized > Flac7, transferred by John Moses. notes
1416. 08/26/84 Flac - 0, 27504 Palo Alto Keystone Palo Alto Jerry Garcia Band. Source: MAC(Nak 700s > Sony TC-D5M) > D > CD > WAV > FLAC(level 8). Taper: John Corley. DAE and FLAC encoding via C.Ladner. notes
1417. 08/27/84 Shn - 0, 15029 Palo Alto Keystone Palo Alto Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M) > CDR > EAC > CDWave (retracked) > SHN. EAC'ed / retracked / Shn'ed by Charlie Connor, via Bob Menke. This is your collection notes
1418. 08/28/84 Flac - 0, 31801 San Francisco Wolfgang's JGJK: aud > dat > wav > flac > wav > flac. notes
1419. 08/28/84 Flac 16 - 0, 149292 San Francisco Wolfgang's JGJK; flac16; Patched & Pitch Corrected Audience - AUD (original shnid = 31801) JGJK: aud > dat > wav > flac > wav > flac. - pitch correction and patches by Kevin Tobin notes
1420. 09/15/84 Shn - 0, 27921 San Francisco The Stone Jerry Garcia Band: Master soundboard cassette > cassette x 2 > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0) notes
1421. 09/16/84 Shn - 0, 97573 San Francisco The Stone JGB: MA? > ? > CD > Eac > Wav > Gems Edit Station > flac. Edited and mastered by Jamie Waddell. notes
1422. 09/28/84 Flac - 0, 92996 Guerneville River Theater JGJK: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth > Sony TCD5M > CD > EAC> Flac. New flac from audio CDs, since previous source (shnid 19149) apparently never circulated. notes
1423. 11/16/84 Shn - 0, 16870 University Park Eisenhower Auditorium (Penn. State U.) Garcia & Kahn: AUD (unknown mics and taper) > ? > CDR > WAV >SHN. notes
1424. 11/17/84 Flac - 0, 135213 Boston Orpheum Theatre JGJK; flac1644; aud cassette master, senn 441's>d5, taped by Doug Lamarre, transfer/seed by Rob Berger notes
1425. 11/17/84 Flac 24 - 0, 135212 Boston Orpheum Theatre JGJK; flac2496; aud casette master, senn 441's>d5, taped by Doug Lamarre, transfer, seeded by Rob Berger notes
1426. 11/17/84 Flac - 0, 113549 Boston Orpheum Theatre flac1644; aud > ? > ? > low gen tape, Two Maxell XLII90 minute tapes (mid-80's vintage) source tape > Harmon Kardon TD 302 cassette deck, heads aligned to each tape segment > Zoom H2 (16/44.1) > edited and tracked with wavepad > FLAC (level 8 ) & checksums via traderslittlehelper. Analog>digital transfer and all other mastering by arfarf. notes
1427. 11/17/84 Flac - 0, 31343 Boston Orpheum Theatre Garcia & Kahn: speed correction of shnid 30874. notes
1428. 11/17/84 Flac - 0, 30874 Boston Orpheum Theatre Garcia & Kahn: MAC (Taper = Mark ___; unknown mics, dfc 1st row); Transfer 1: MC > C(1) (Scotch XSM-90 Metal tape via G. Reynolds (mako21)); Transfer 2: C(1) > Aiwa AD-F180 > THC cables > Edirol UA-5 > PC (USB) > Wavelab 5.01 @ 24/96. Mastering: Wavelab 5.01a (X-noise to reduce hiss; L3 Multimaximizer to increase gain & dither to 16 bits) > resample to 44.1 khZ > FLAC. notes
1429. 11/18/84 Flac - 0, 83166 New York Avery Fisher Hall Garcia & Kahn: 2 Beyer M160 FOB > Sony TCD5M Master Cassette > FLAC. notes
1430. 11/18/84 Flac - 0, 137385 New York Avery Fisher Hall JGJK; flac1644; Kenny Mance's MAC (AKG CE-1 mics > Uher Cr-240, 4th row center) > TDK SA-X 90 cassettes (no Dolby); Transfer: Master cassette > Uher Cr-240 > Sony PCM p-700 DAT @ 44.1k > Digital Audio Labs Card Deluxe > wav 16/44.1 by Jim Wise notes
1431. 11/18/84 Shn - 0, 8411 New York Avery Fisher Hall Garcia & Kahn: MAC > DAT > CDx1 > EAC > SHN Taped by Kenny Mance: 4th row center, AKG CE-1 mics > Uher Cr-240 onto TDK SA-X 90 cassettes (no Dolby). A>D conversion by Jim Wise: Playback on Uher Cr-240 > Sony PCM p-700 DAT @ 44.1k > HHB CDR-800 > CD. shn conversion by Todd Norman norma023@tc.umn.edu. Proper sector boundaries verified using shntool. notes
1432. 11/20/84 Flac - 0, 30935 Washington Constitution Hall Garcia & Kahn: Taped by One Drop Productions; FOB (up front) Audio Technica (pin point stereo mic) > D6 > MC; Transfer by ggjskl@yahoo.com 9/20/05: 1st gen cass > Sony TC-WE305 > Rotel 1090 > Raine ME60 analog processor > Tascam CD-RW 750 > CD > Eac (secure) > cdwav > CE pro 2.1(fades) > flac 16(level 8). notes
1433. 11/21/84 Flac - 0, 28785 Upper Darby The Tower Theatre Garcia & Kahn: MAC (Unknown taper, Nakamichi CM100 shotguns > unknown deck) > 1st gen cassette (Eric) > Sony TCD5 playback > Roland UA-30 interface via Peak > Mac G3 > tracking (Pro Tools) > CD (Toast) > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > slight editing (Sound Forge Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (FLAC Frontend v1.7.1 Etree edition). notes
1434. 11/23/84 Shn - 0, 24490 Norfolk Chrysler Hall Garcia & Kahn. Source: MAC (mics and taper unknown)>CDR>WAV>SHN. notes
1435. 11/23/84 Flac 24/96 - 0, 145987 Norfolk Chrysler Hall JGJK; flac2946; Michael Hessberg's Sennheiser ME80s > Sony TC-D5M > Master Cassette - Taped from Row 15 DFC, Mics 15' in air; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Wav 24/96 - Transferred by Charlie Miller. Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24. Edited and mastered SIRMick April 2019. notes
1436. 11/23/84 Flac 16/44 - 0, 145986 Norfolk Chrysler Hall JGJK; flac1644; Michael Hessberg's Sennheiser ME80s > Sony TC-D5M > Master Cassette - Taped from Row 15 DFC, Mics 15' in air; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Wav 24/96 - Transferred by Charlie Miller. Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac 16, edited and mastered SIRMick April 2019. notes
1437. 11/24/84 Flac 16/44 - 0, 137528 Passaic Capitol Theater JGJK; flac1644; late show; Kenny Mance's AKG CE-1 mics > Uher Cr-240 > master cassette; transfer: Master cassette > Uher Cr-240 > Sony PCM p-700 DAT @ 44.1k > Digital Audio Labs Card Deluxe > wav 16/44.1 by Jim Wise, edited and mastered by SIRMick. notes
1438. 11/24/84 Shn - 0, 28789 Passaic Capitol Theater Garcia & Kahn. MAC(Stealth Handheld Audio Technica 835 mics recorded right paracentral 10th row > Sony TC-D6 cassette deck with Dolby B noise reduction)>CD>WAV>SHN. Taper: Ray Ackerman. DAE/Encoding by C.Ladner. notes
1439. 11/24/84 Flac 24/96 - 0, 126155 Passaic Capitol Theater JGJK; flac2496; Audio Technica 835's (handheld 10th row right) > Sony TC-D6 w/ Dolby B noise reduction; Transfer: Sony TCK 71 (cass master) > Lunatec V3 > Microtracker II @ 24/96 > Wavelab (editing and mastering); Master wave file > pc > cd wave > traders little helper (flac level 8). Taped, transferred and mastered by Ray Ackerman; tracked & flaced by Gordon Wilson. notes
1440. 11/24/84 Flac 16/44 - 0, 145611 Passaic Capitol Theater JGJK, flac1644: early and late; Ray Ackerman Recording & Transfer; Audio Technica 835's (handheld 10th row, right) > Master Audio Cassette (Sony TC-D6 w/ Dolby B noise reduction), Edited & Mastered w/ Audacity by Joe Noel: January 8, 2019 Transfer; Master Cassettes > Kyocera D811 > Grace V3 > M-Audio MicroTrack II > WAV 96Hz/24bit.> 24 to 16 by toastdoob notes
1441. 11/26/84 Flac - 0, 30608 Hartford Bushnell Aud., Bushnell U. Garcia & Kahn: Blend of circulating FOB Nak 300s and MSC>C sources, via RJ Hythloday. notes
1442. 11/26/84 Shn - 0, 25477 Hartford Bushnell Aud., Bushnell U. Garcia & Kahn: MSC > C > DAT > WAV > SHN notes
1443. 11/26/84 Shn - 0, 11602 Hartford Bushnell Aud., Bushnell U. Garcia & Kahn: MAC (FOB Nak 300 cardioids > Sony D5) > Sound Forge 4.5 > Dell Dim 4100 > EZCD > CD EAC > Sound Forge XP > SHN. A > D transfer by Bryan Tartus, EAC > SHN by TimOC. notes
1444. 11/27/84 Shn - 0, 25411 Rochester Auditorium Theater Garcia & Kahn: MAC (mics and taper unknown) > DAT > CD > WAV > SHN notes
1445. 12/02/84 Flac - 0, 94637 San Francisco The Stone JGB: Tazuo Yamaguchi's Sennheiser Binaural 2002 > Sony TC-D5M MAC; Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding. notes
1446. 12/02/84 Shn - 0, 12588 San Francisco The Stone Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M) > CDR > EAC > Shn. A>D Transfer via Dan Ward, EAC'ed / Shn'ed by Charlie Connor. notes
1447. 12/05/84 Flac - 0, 79642 Eugene Silva Concert Hall JGB, Set II: AUD > ? > C > Sony TC-D5M > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC. notes
1448. 12/05/84 Flac 24/48 - 0, 150705 Eugene Silva Concert Hall JGB; flac2448; Source: AUD of unknown lineage > ? > Cassette rescued from ebay. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2020 notes
1449. 12/06/84 Flac - 0, 124941 Portland Starry Night JGB; s1s2p; flac1644; MAC (Taped by Otto Rice, Senn 441s [front row balcony] > Sony D5M) > Marantz PMD 510 > HHB 850 CD/0 > extraction, mastering, encoding, sharing by GEMS. notes
1450. 12/06/84 Flac 24 - 0, 127067 Portland Starry Night JGB; flac2496; Recording by Bruce Young: Master Audience Cassette; 2 Sony or Nakamichi Mics> Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes
1451. 12/06/84 Shn - 0, 20325 Portland Starry Night Jerry Garcia Band: SBD > CMx > CDR > WAV > SHN. Tangled Up in Blue missing. Midnight Moonlight is truncated notes
1452. 12/06/84 Flac - 0, 127068 Portland Starry Night JGB; flac1644; Recording by Bruce Young: Master Audience Cassette; 2 Sony or Nakamichi Mics> Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes
1453. 12/07/84 Flac - 0, 79566 Portland Starry Night JGB: AUD > ? > C > Sony TC-D5M > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC, October 2006 by Andrew F. notes
1454. 12/07/84 Flac - 0, 127070 Portland Starry Night JGB; flac1644; Recording by Bruce Young: Master Audience Cassette; 2 Sony or Nakamichi Mics> Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes
1455. 12/07/84 Shn - 0, 21136 Portland Starry Night Jerry Garcia Band: Nak CM 100's shotguns > CM > CDR > WAV > SHN. Taper: unknown. Ending of Midnight Moonlight clipped. notes
1456. 12/07/84 Flac 24 - 0, 127069 Portland Starry Night JGB; flac2496; Recording by Bruce Young: Master Audience Cassette; 2 Sony or Nakamichi Mics> Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes
1457. 12/08/84 Flac - 0, 89291 Seattle Paramount Theater JGB: Mark Severson's 2 Nakamichi mini 700s cardioids> 2 mic pre-amp> DBX NX-40> Sony TC-D5M (2 Maxell MX-90s); Mics in 5" tube, 10' apart on front row center balcony center railing. Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding. notes
1458. 12/08/84 Shn - 0, 20626 Seattle Paramount Theater Jerry Garcia Band: SBD > MC > C > CDR > WAV > SHN. notes
1459. 12/08/84 Shn - 0, 89290 Seattle Paramount Theater JGB: Pat Lee's Sony ECM-270s> Sony D-5; Master played back on Nak Dragon> Art DI/O> Waveterminal 2496> Cool Edit 2000> Feurio. Transfer, editing and shn encoding by David Minches. notes
1460. 03/02/85 Shn - 0, 23146 San Francisco The Stone Jerry Garcia Band. MAC(Nak 700's>Sony TC-D5M)>D>CD>WAV>SHN. Taper: John Corley. Beginning of first set is missing. notes
1461. 03/02/85 Flac 16 - 0, 99524 San Francisco The Stone handheld stereo mic > portable Aiwa cassette deck > master cassette > Yamaha tape deck > Yama 10 band graphic equalizer > wav (Audacity - 24 bit/48 khz) > CDWav > TLH (16/44.1 conversion, SBE's fixed) > flac. notes
1462. 03/03/85 Shn - 0, 18858 San Francisco The Stone Jerry Garcia Band: MAC (Nakamichi 700?s) > Sony TC-D5m > CDR > EAC > SHNv3. notes
1463. 05/23/85 Flac 16/44 - 0, 137966 Denver Rainbow Theater JGJK, flac1644; Late show(?) Unknown AUD kindly provided from the collection of DL. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2017 notes
1464. 06/01/85 Shn - 0, 20921 San Francisco The Stone Source: MAC(Nak 700's>Sony TC-D5M)>D>CD>WAV>SHN. Taper: John Corley notes
1465. 06/03/85 Flac 16/44 - 0, 95560 Palo Alto Keystone Palo Alto JGB: Tazuo Yamaguchi's 2 Uher mics> Sony TC-D5; Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding. notes
1466. 06/03/85 Flac 16 - 0, 92786 Palo Alto Keystone Palo Alto JGB: Hat-Mounted realistic pzm's with Sony WMD6-C Maxell UDS-II 90 No nr 10 feet away, left of center 5 feet Master > D6 > HD > Audacity > CDWave > TLH. notes
1467. 06/03/85 Shn - 0, 20920 Palo Alto Keystone Palo Alto Source: MAC(Nak700s>Sony TCD5M)>CDR>WAV>SHNv3. Taper: John Corley. notes
1468. 08/04/85 Shn - 0, 11041 San Francisco The Stone Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage in the first row of tables, dead center] > Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) > SHNv3 (MKW ACT). Analog and Digital Mastering by Charlie Connor. notes
1469. 08/05/85 Shn - 0, 11121 San Francisco The Stone Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage in the first row of tables, dead center] > Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) > SHNv3 (MKW ACT). Analog and Digital Mastering by Charlie Connor. notes
1470. 08/09/85 Shn - 0, 11131 San Francisco The Stone Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage in the first row of tables, dead center] > Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) > SHNv3 (MKW ACT). Analog and Digital Mastering by Charlie Connor. notes
1471. 08/10/85 Shn - 0, 11145 Palo Alto Keystone Palo Alto Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage in the first row of tables, dead center] > Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) > SHNv3 (MKW ACT). Analog and Digital Mastering by Charlie Connor. notes
1472. 08/17/85 Shn - 0, 20898 Guerneville River Theater Source: MAC (Nak 700s >Sony TC-D5M>CD>WAV>SHN. Taper: John Corley. notes
1473. 08/18/85 Flac 16/44,1 - 0, 88019 Oakland Dunsmuir House And Gardens JGJK 16/44.1: Recorded by Greg Holtz using 2 Nakamichi CM100 mics with CP-4 Shotgun capsules > Sony D-5 cassette tape deck. All transfers and mastering by Jamie Waddell on the GEMS Edit Station notes
1474. 08/18/85 Flac 16 - 0, 98629 Oakland Dunsmuir House And Gardens JGJK: Tazuo Yamaguchi and Jamie Poris's modified FOB DFC Nak 700's > Sony D5 MAC > NakCR-3A > hd > Audacity > CDwave > TLH. notes
1475. 08/18/85 Flac 16/48 - 0, 141508 Oakland Dunsmuir House And Gardens JGJK; flac1648; trade dat described as "CSBD" transfer 6/2/17 by rumrunners - 48k dat> tascam da-20> m-audio audiophile 2496 > cooledit > 48k wav editting in cooledit to fix flaws - at 19:30 small drop in right channel repaired with left channel; at 40:16 brief square wav static partially repaired by pasting other channel over worse static channel; small drop left channel 0:46 left since did not hear it (48k) 59 minutes, incomplete notes
1476. 08/18/85 Flac 24 - 0, 88020 Oakland Dunsmuir House And Gardens JGJK: flac24, Recorded by Greg Holtz using 2 Nakamichi CM100 mics with CP-4 Shotgun capsules > Sony D-5 cassette tape deck. All transfers and mastering by Jamie Waddell on the GEMS Edit Station notes
1477. 08/18/85 Shn - 0, 13520 Oakland Dunsmuir House And Gardens Garcia & Kahn: Taped by Bob Menke, Nak 700s (15' from stage slightly off-center > Sony D5M master cassette (Dolby B, Maxell Metal) > Echo Event Gina A/D > Sound Forge 4.5 > CDR > EAC (secure mode) > SHN (MKWACT). A>D by Bob Menke, EAC>SHN by Charlie Connor. notes
1478. 08/18/85 Flac 16/48 - 0, 141509 Oakland Dunsmuir House And Gardens JGJK; flac1648 trade dat described as "Sandy Troy audience RxR>dat HHB PDR1000" transfer 6/2/17 by rumrunners - 48k dat> tascam da-20> m-audio audiophile 2496 > cooledit > 48k wav editting in cooledit to fix flaws - digipops corrected by re-drawing samples at 45:28, 48:39, 56:36, 65:04 (48k) 74 minutes notes
1479. 08/18/85 Flac 24/96 - 0, 149864 Oakland Dunsmuir House And Gardens JGJK; flac24; Jonathan Mow's Nak 700s > Sony TC-D5M > Master Cassette - recorded from right in front of the speakers; Transfer: Master Cassette > Nakamichi CR-7A > Tascam DA-3000 > DSF 1-bit/5.6MHz; Lineage: DSF 1-bit/5.6MHz > dBpoweramp > wav 24/96 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24, edited and mastered SIRMick May 2020. notes
1480. 08/18/85 Flac 16 - 0, 149863 Oakland Dunsmuir House And Gardens JGJK; flac16; Jonathan Mow's Nak 700s > Sony TC-D5M > Master Cassette - recorded from right in front of the speakers; Transfer: Master Cassette > Nakamichi CR-7A > Tascam DA-3000 > DSF 1-bit/5.6MHz; Lineage: DSF 1-bit/5.6MHz > dBpoweramp > wav 24/96 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac 16. edited and mastered SIRMick May 2020 notes
1481. 09/27/85 Flac 16 - 0, 84821 San Francisco The Stone JGJK: Don Dearth's MAC (Sony D6C w/Sony Stereo Mic [MaxellXL2S90]) > Nakamichi CR3A playback (no Dolby) > HP Computer > Sound Forge Vol@ 5.5DB and normalized > CD Wave to make tracks->Flac7. Transferred by John Moses. notes
1482. 09/28/85 Flac 24/48 - 0, 105756 Palo Alto Keystone Palo Alto flac2448: Beyer M88's > Sony TC-D5 > Maxell XLIIS 90. Mics on stand at head height. Taped by Jim Quirk. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448. Transfer by Andrew F. notes
1483. 09/28/85 Flac 16/44 - 0, 105757 Palo Alto Keystone Palo Alto flac1644: Beyer M88's > Sony TC-D5 > Maxell XLIIS 90. Mics on stand at head height. Taped by Jim Quirk. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F. notes
1484. 10/11/85 Flac 16 - 0, 86944 Guerneville River Theater JGJK: Source: 1st Gen Soundboard Cassette TDK MA-X 90 Transfer: Playback on azimuth adjusted Nakamichi CR-7A > Lynx RCA-XLR cables > Lunatec V3 (96KHz) > AES/EBU digital out > LynxTwo Soundcard, Pro-mode Sync > recorded to hard drive with Wavelab 5 as 24 bit/96 KHz PCM WAV > Waves X-Noise and Ozone 3 > MBIT+ > 16/44.1 > CDWAV 1.9 > FLAC (level 8), via Green Mountain Brothers. notes
1485. 10/11/85 Flac 16 - 0, 330623 Guerneville River Theater Garcia & Kahn, set I: MSC(?) > ? > cassette > CD > EAC > FLAC. Cassette transfer by slip, EAC > FLAC by jjoops. notes
1486. 10/13/85 Shn - 0, 20922 San Francisco The Stone Source: MAC(Nak700s>Sony TCD5M)>CDR>WAV>SHNv3. Taper: John Corley. notes
1487. 10/14/85 Flac 16/44 - 0, 138028 San Francisco The Stone JGB, flac1644; Unknown AUD (marked 2nd Gen) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2017 notes
1488. 10/16/85 Flac 16 - 0, 78849 Santa Cruz The Catalyst Garcia & Kahn, early and late shows: Digital mix from 4 channel cassette master - Soundboard plus Microphones over stage. See info file for details. notes
1489. 10/16/85 Shn - 0, 13231 Santa Cruz The Catalyst Garcia & Kahn: MSC > DAT > CDR > SHN notes
1490. 10/16/85 Shn - 0, 24072 Santa Cruz The Catalyst Garcia & Kahn: SBD > DAT > Cas > CD > EAC > SHN notes
1491. 10/16/85 Shn - 0, 4387 Santa Cruz The Catalyst Garcia & Kahn: early and late shows?; notes
1492. 10/16/85 Flac 16/48 - 0, 34905 Santa Cruz The Catalyst Garcia & Kahn: MSC > Dat > CDWav > Flac notes
1493. 10/16/85 Flac 16/48 - 0, 139756 Santa Cruz The Catalyst JGJK; flac1648; early and late; SBD: 4 channel mix (2 channels of soundboard & 2 channels of Crown PZM microphones over stage) > Yamaha MT44D 4 channel recorder > Master Cassette (Maxell XLII-S (Dolby C) > DAT; Transfer: DAT (Sony PCM-R500) > Tascam DA-3000 > wav 16/48. Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/48. Checksum & tags created in xACT. notes
1494. 12/14/85 Flac 16/44 - 0, 137723 San Francisco The Stone JGB; flac1644; AUD (marked 3rd Gen) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2017 notes
1495. 12/15/85 Flac 16/44 - 0, 137724 San Francisco The Stone JGB; flac1644; AUD (marked 3rd Gen) kindly provided by wk & http://jgmf.blogspot.com/; Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2017 notes
1496. 12/21/85 Shn - 0, 14980 Palo Alto Keystone Palo Alto Jerry Garcia Band: MAC (Taped by Dan Gale, Sony ECM-939LT [center of the dance floor] > Sony TC-D6C) > NAD 6050C playback > SBM > PCM-R500 @ 44.1k > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by Dan Gale. notes
1497. 12/22/85 Shn - 0, 14981 Palo Alto Keystone Palo Alto JGB: MAC (Taped by Dan Gale, Sony ECM-939LT [center of the dance floor] > Sony TC-D6C) > NAD 6050C playback > SBM > PCM-R500 @ 44.1k > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by Dan Gale notes
1498. 01/16/86 Flac 24/48 - 0, 116913 Palo Alto Keystone Palo Alto 24bit/48kHz file-set. Second Set only. Source: SBD > 2nd Gen cassette, kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi CR5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. 11/2011 notes
1499. 01/16/86 Flac 16/44,1 - 0, 116914 Palo Alto Keystone Palo Alto 16bit/44.1kHz file set. Second Set only. Source: SBD > 2nd Gen cassette, kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 11/2011 notes
1500. 01/18/86 Flac 16/44 - 0, 137959 San Francisco The Stone JGJK, flac1644; Unknown AUD (mono) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2017 notes
1501. 01/24/86 Flac 16/44 - 0, 138168 Washington Constitution Hall JGJK, flac1644; AUD (marked 2nd Gen) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: TDK SA90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 04/2017 notes
1502. 01/25/86 Shn - 0, 9491 Upper Darby The Tower Theatre Garcia & Kahn: MAC > CD > EAC > SHN. Taped by Ray Ackerman, 2 rows BOB (Orchestra Row E, Sec. L/C, Seat 108), Audio Technica 835b w/ low roll off + AKG D12e on mic stand @ 6' > Sony TC-D5 master cassette (Maxell metal tape, dolby off) > SBM 2600 processor (Rega Planet-Canare LV61S/Neutric RCA's) > Marantz CDR630 CDRx0 > CDx? > EAC > retracking (WavMerge & CD Wave) > SHN (mkwACT). notes
1503. 01/25/86 Flac 24/96 - 0, 126712 Upper Darby The Tower Theatre JGJK; flac2496; Ray Ackerman's Audio Technica 835b (LR) + 1 AKG D12e (center) > Radioshack 4 Channel Stereo Mixer 32-1105A > Sony TC-D5; location: Orchestra Row E, Sec. L/C, Seat 108 on stand @ 6'; Transfer: Sony TCK 71 (cass master) > Lunatec V3 > Microtracker II @ 24/96 > Wavelab (editing and mastering) Master wave file > pc > cd wave > traders little helper (flac level 8). Taped, transferred and mastered by Ray Ackerman, tracked & flaced by Gordon Wilson. notes
1504. 01/25/86 Flac 24/88 - 0, 141502 Upper Darby The Tower Theatre JGJK; flac2488; Master Audience Cassettes; 2 x Audio Technica 835b w/ low roll off + 1 x AKG D12e center fill on mic stand @ 6' > Radio Shack 4 channel stereo mixer 32-1105A > Sony TC-D5 (Maxell metal tape, dolby off) Location: 2 rows behind the soundboard (Orchestra Row E, Sec. L/C, Seat 108 Transfer Info: Master Cassettes (Kyocera D-811)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/88.2k)> Adobe Audition 3 (24-bit/88.2k)> TLH flac24/88 notes
1505. 01/25/86 Flac 16/44 - 0, 141502 Upper Darby The Tower Theatre JGJK; flac1644; Master Audience Cassettes; 2 x Audio Technica 835b w/ low roll off + 1 x AKG D12e center fill on mic stand @ 6' > Radio Shack 4 channel stereo mixer 32-1105A > Sony TC-D5 (Maxell metal tape, dolby off) Location: 2 rows behind the soundboard (Orchestra Row E, Sec. L/C, Seat 108 Transfer Info: Master Cassettes (Kyocera D-811)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/88.2k)> Adobe Audition 3 (24-bit/88.2k)> TLH flac24/88 notes
1506. 01/27/86 Shn - 0, 4386 New York The Ritz Garcia & Kahn: Master Soundboard > Soundcraftsman 16x4 > Sony D5 > Cool Edit > CD Wave > SHN notes
1507. 01/27/86 Flac 16/44 - 0, 132179 New York The Ritz JGJK; flac1644; First Generation Audience Supplied By J.B., Transfer By Keo! Unknown Taper And Initial Recording Gear, Unknown Copy Decks; Tape: Maxell XLII-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; tracking/ Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave Dithered/ Flac'd With Korg Aqua To 16/44; SBEs Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
1508. 01/27/86 Flac 24/96 - 0, 132180 New York The Ritz JGJK; flac2496; First Generation Audience Supplied By J.B., Transfer By Keo! Unknown Taper And Initial Recording Gear, Unknown Copy Decks; Tape: Maxell XLII-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking / Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename. notes
1509. 01/28/86 Shn - 0, 4385 New York The Ritz Garcia & Kahn: Master Soundboard Soundcraftsman 16x4>Sony D5>Cool Edit>CD Wave>SHN notes
1510. 01/30/86 Flac 16/44 - 0, 124213 Hartford Bushnell Auditorium JGJK; flac1644; Source: AUD unknown equipment & lineage, lo-gen tape kindly provided by Seaweed1010, "Got it soon after the show". Transfer: Maxell UR > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. March 2013 notes
1511. 01/30/86 Flac - 0, 84402 Hartford Bushnell Auditorium Garcia & Kahn: Dave H.'s Nak 100's w/shotguns > Sony D5 MAC > Oleo86's first gen cassette > JVC TD-V1050 playback > Apogee Mini Me A/D (24-bit, 44.1kHz) > Wavelab 6.0 (Ozone and L2 for dither) > FLAC. Cassette transfer by Todd Evans, final editing by Jamie Waddell notes
1512. 01/31/86 Shn - 0, 17901 Passaic Capitol Theater Garcia & Kahn: MAC (Taped by Fredo Johnson, Nak 300s > Sony D5) > Nak Dragon playback > Egosys Waveterminal 2496 > Cool Edit 2000 > shntool > .shn (mkwACT). Transfer and .shn by David Minches. notes
1513. 02/01/86 Flac 16/44,1 - 0, 79919 Boston Orpheum Theater Garcia & Kahn: B. Koucky's MAc (Orchestra Sennheiser 441 > Sony D5 Maxell [MX-S 90] out of Steve Adleman’s mics & D-5) > Nakamichi DR2 playback > Presonus Firebox > firewire / PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8). Transfer/mastering by C.Ladner. notes
1514. 02/01/86 Shn - 0, 11341 Boston Orpheum Theater Garcia & Kahn: MAC > DATs > CDs > EAC > SHN Recorded by J. Pasternak, Sony ECM 939s > Sony WM-D6. EAC > SHN by Joe Jupille. notes
1515. 02/02/86 Shn - 0, 15881 Boston Orpheum Theater Garcia & Kahn: AUD (unknown mics) > CM > DAT > CDR > WAV > SHN notes
1516. 02/02/86 Flac 16/44,1 - 0, 79935 Boston Orpheum Theater Garcia & Kahn: B. Koucky's MAC (Orchestra Sennheiser 441 > Sony D5 [Maxell MX-S] out of Steve Adleman’s mics & D-5) > Nakamichi DR2 playback > Presonus Firebox > firewire/PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8) Transfer/mastering by C.Ladner. notes
1517. 02/21/86 Shn - 0, 24154 San Francisco The Stone Jerry Garcia Band. Source: MAC(Nak700s)>CDR>WAV>SHNv3. Taper: John Corley notes
1518. 02/28/86 Shn - 0, 14797 San Rafael Marin County Veterans Auditorium Garcia & Kahn: Master: Sony ECM-939LT > Cassette Master (Sony TC-D6C); Transfer: Cassette Master (NAD 6050C) > SBM > DAT @ 44.1k (PCM-R500) > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Recorded and Transferred by Dan Gale. notes
1519. 03/09/86 Shn - 0, 21274 Palo Alto Keystone Palo Alto Source: MAC(FOB Nak 700's, Stealth in Hat>Sony TC-D5M) > CD > WAV > SHN. Taper: John Corley. SHN encoding via C.Ladner. notes
1520. 03/10/86 Shn - 0, 19392 San Francisco The Stone Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M > CDR > EAC > CDWave > Shn notes
1521. 05/15/86 Flac 24/96 - 0, 135812 Berkeley Berkeley Community Theater JGJK: flac 2496; schoeps cmc 44 fob > tcd-d5 > tcd-d5 > mc; sony tc we435 > sony pcm m-10 24bit/96khz > soundforge > cdwave > traders little helper encoding option 8. notes
1522. 05/15/86 Flac 16/44 - 0, 134807 Berkeley Berkeley Community Theater JGJK; flac1644; SBD cassette unknown source (? gen) Lineage: C(?) > WAV > FLAC ; Transfer: Sony TC-WA7-ES (playback without Dolby B) > PreSonus Firebox 24bit/96kHz A/D > Steinberg's Cubase LE 1.0.8 (bit resolution & resampling to CDR redbook 16/44.1) > CD Wave1.95 (tracking only) > TLH 2.4.1 Build 160 (encode FLAC Level 8 + sector boundaries verified + generated md5/ ffp & st5). Actual transfer on April 14, 2007. notes
1523. 05/23/86 Flac 16/44 - 0, 137854 San Diego California Theatre JGB; flac1644; Unknown AUD kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2017 notes
1524. 05/24/86 Shn - 0, Los Angeles Wiltern Theater JGB: Joe Pinedo's Sony 939 > Sony D6; xfer: 1st Gen Cassette Maxell XLII 90 > Nakamichi BX300 playback > Macintosh > Peak Bias > JAM > cdr > eac > mkw >s hntool. Transfer & CD mastering/shn conversion Brian Mandel. notes
1525. 05/30/86 Shn - 0, 4384 San Francisco The Stone Jerry Garcia Band:FOB Master - NAK 300's>Sony D5>Cool Edit>CD Wave>SHN notes
1526. 05/31/86 Shn - 0, 4383 San Francisco The Stone Jerry Garcia Band: FOB Master - NAK 300's>Sony D5>Cool Edit>CD-Wave>SHN notes
1527. 10/04/86 Shn - 0, 16190 San Francisco The Stone Jerry Garcia Band: MAC (Taped by John Corley, Nak 700s ["Silly Hat", FOB] > Sony TC-D5M) > CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
1528. 10/05/86 Shn - 0, 20923 San Francisco The Stone Source: MAC(Nak700s>Sony TCD5M)>CDR>WAV>SHNv3. Taper: John Corley. First 2 tracks of the second set are omitted from the recording. notes
1529. 10/18/86 Flac 16/48 - 0, 112794 San Francisco The Stone flac1648; MSC > 1C > 1DAT (16bit/48kHz) > Panasonic SV-3700 playback > Pyle Pro cables > WaveTerminal 2496 > Wavelab v5.0.1a record (16/48 wav) > CDWave v1.9.8 (tracking) > Traders Little Helper v2.4.1 (FLAC encoding, level 8) > foobar2000 v0.9.6.8 (tagging). notes
1530. 10/18/86 Flac 16/44 - 0, 116850 San Francisco The Stone Source: ID-112794 (mono SBD) with patches from ID-21300 (AUD) Transfer: SHN's & FLAC's > TLH > WavMerge > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. October 2011. notes
1531. 10/18/86 Shn - 0, 21300 San Francisco The Stone Source: MAC(Nak700s>Sony TCD5M)>CDR>WAV>SHNv3. Taper: John Corley. notes
1532. 10/19/86 Flac 16/44 - 0, 108519 San Francisco The Stone flac1644; Jeff Knudsen's Marantz Superscope mics (Front row tables) > AIWA HS-1 with autolevels (used Maxell xL-IIs) > 1 cassette; Transfer: MAC(1) > Apogee Mini ME (24/96) > Apogee Mini DAC > Wavelab 5.0 (dithered via 'UV22HR' to 16/44) > CD by Matt Smith; Edits on the GEMS Edit Station by Jamie Waddell: Weiss Saracon for POWR-3 Dither TLH for FLAC8 SBE FREE Meta-data with Tag&ReName. notes
1533. 10/19/86 Flac 16/44,1 - 0, 108053 San Francisco The Stone Audience Recording - First set only - Transfer: NAD 6100(AUD2/XLIIS)->Mytek 192(24/96)->UV22HR(16/44.1)->CDWave->FLAC notes
1534. 10/19/86 Flac 1644 - 0, 140514 San Francisco The Stone JGB, flac1644; AUD: Nakamichi CM300's > unknown deck > MAC > 2nd-Gen cassettes, kindly provided from the collection of Alabama Bob. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2018 notes
1535. 10/31/86 Shn - 0, 18869 Oakland Henry J. Kaiser Convention Center Jerry Garcia Band: Speed-corrected version of previousAUD/FOB Schoeps MK4 source; See info file for details; Seeded to etree by CWier. notes
1536. 10/31/86 Shn - 0, 13425 Oakland Henry J. Kaiser Convention Center Jerry Garcia Band: AUD/FOB Schoeps MK4 44k DAT > Midiman Deltadio 2496 > Cool Edit 2000 > WAV > SHN. notes
1537. 10/31/86 Shn - 0, 22730 Oakland Henry J. Kaiser Convention Center Jerry Garcia Band: Recording Info: (FOB) Beyer M88 -> Cassette Master (Sony TCD5M); Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> Mytek Digital ADC8X96 -> Nuendo (24bit/44.1k) -> Samplitude v7.02 Professional -> SHN (1 Disc Audio / 1 Disc SHN); Recorded and Transferred By Bill Reutelhuber; Tracked and Edited By Charlie Miller 2/19/04 notes
1538. 10/31/86 Flac 24/96 - 0, 139712 Oakland Henry J. Kaiser Convention Center JGB; flac24; soundcheck; SBD > Cassette Master (TDK SA-X90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). notes
1539. 10/31/86 Flac 16 - 0, 139999 Oakland Henry J. Kaiser Convention Center JGB; flac16; soundcheck; SBD > Cassette Master (TDK SA-X90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). notes
1540. 10/31/86 Flac 16 Mtx - 0, 143175 Oakland Henry J. Kaiser Convention Center b>flac16; Matrix 2 Source Mix - AUD1 (shnid = 22730) Recording Info: (FOB) Beyer M88 -> Cassette Master (Sony TCD5M); Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> Mytek Digital ADC8X96 -> Nuendo (24bit/44.1k) -> Samplitude v7.02 Professional -> SHN (1 Disc Audio / 1 Disc SHN); Recorded and Transferred By Bill Reutelhuber; Tracked and Edited By Charlie Miller 2/19/04 + AUD2 (shnid = 13425) AUD/FOB Schoeps MK4 44k DAT > Midiman Deltadio 2496 > Cool Edit 2000 > WAV > SHN. - matrix mixing by Kevin Tobin notes
1541. 10/31/86 Flac Dts 5.1 - 0, 143176 Oakland Henry J. Kaiser Convention Center DTS-Audio-CD 5.1 Mix; - AUD1 (shnid = 22730) Recording Info: (FOB) Beyer M88 -> Cassette Master (Sony TCD5M); Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> Mytek Digital ADC8X96 -> Nuendo (24bit/44.1k) -> Samplitude v7.02 Professional -> SHN (1 Disc Audio / 1 Disc SHN); Recorded and Transferred By Bill Reutelhuber; Tracked and Edited By Charlie Miller 2/19/04 + AUD2 (shnid = 13425) AUD/FOB Schoeps MK4 44k DAT > Midiman Deltadio 2496 > Cool Edit 2000 > WAV > SHN. - dts mixing by Kevin Tobin notes
1542. 10/31/86 Flac 16/48 - 0, 143177 Oakland Henry J. Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - AUD1 (shnid = 22730) Recording Info: (FOB) Beyer M88 -> Cassette Master (Sony TCD5M); Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> Mytek Digital ADC8X96 -> Nuendo (24bit/44.1k) -> Samplitude v7.02 Professional -> SHN (1 Disc Audio / 1 Disc SHN); Recorded and Transferred By Bill Reutelhuber; Tracked and Edited By Charlie Miller 2/19/04 + AUD2 (shnid = 13425) AUD/FOB Schoeps MK4 44k DAT > Midiman Deltadio 2496 > Cool Edit 2000 > WAV > SHN. - surround mixing by Kevin Tobin notes
1543. 11/10/86 Shn - 0, 17749 San Francisco The Stone Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M) > CDR > EAC > CDWave (retracked) > Shn notes
1544. 11/11/86 Flac 16/44 - 0, 94632 San Francisco The Stone JGB: Tazuo Yamaguchi's 1x Nakamichi 100 (5' from stage) > Sony TC-D5M MAC; Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding. notes
1545. 11/11/86 Shn - 0, 15006 San Francisco The Stone Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M) > CDR > EAC > CDWave (retracked) > Shn; EAC'ed / retracked / Shn'ed by Charlie Connor with thanks to Bob Menke. notes
1546. 11/14/86 Flac 16 - 0, 82409 San Rafael Marin County Veterans Auditorium Garcia & Kahn: Soundboard PCM > DAT Transfer: Transfer: Panasonic SV-3700 > M-Audio 24/96 > Wavelab 5.0 (L3 multimaximizer) > CDWAVE > FLAC Transfers, Remastering and Seeded to bt.etree.org February 7, 2007 by Bill Koucky notes
1547. 11/14/86 Shn - 0, 6352 San Rafael Marin County Veterans Auditorium Garcia & Kahn: Bread and Roses Benefit: SBD > PCM > DATs > CDRs > SHN notes
1548. 11/22/86 Flac 16/44 - 0, 137843 San Francisco Warfield Theater Garcia, Weir & Hart acoustic; flac1644; Unknown AUD kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2017 notes
1549. 11/23/86 Flac 16 - 0, 106755 San Anselmo The Log Cabin Log Cabin Boys; Sony ECM-939T -> Cassette Master (Sony D6/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller. notes
1550. 11/30/86 Shn - 0, 21301 San Francisco The Stone Source: MAC(FOB Nak 700's, Stealth in Hat>Sony TC-D5M) > CD > WAV > SHN. Taper: John Corley. notes
1551. 12/08/86 Shn - 0, 20733 San Francisco The Stone Source: FOB MAC w/ Nak 700s>SonyTC-D5M>CDR>WAV>SHN. Taper: John Corley. notes
1552. 12/21/86 Flac 16/44 - 0, 138251 San Francisco The Stone JGB, flac1644; Ultramix (marked 3rd Gen) kindly provided from the collection of DL. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 05/2017 notes
1553. 12/21/86 Shn - 0, 16206 San Francisco The Stone Jerry Garcia Band: MAC (Taped by John Corley, Nak 700s ["Silly Hat", FOB] > Sony TC-D5M) > CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
1554. 01/24/87 Flac 1644 - 0, 111850 San Francisco The Stone flac1644; Matt Muir's 2x AKG460 > Sony WM-D5 MAC (2x Maxell MX90); Transfer: MAC > Nakamichi BX-125E > EMU 0202 > Wavelab 6 > wav 24/96 > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16, via sirmic Taped by Matt Muir notes
1555. 01/24/87 Flac 24/96 - 0, 112137 San Francisco The Stone flac2496; Matt Muir Audience recording > AKG460's > Sony WM-D5 > MAC (Maxell MX90 x 2); Transfer: MAC > Nakamichi BX-125E > EMU 0202 > Wavelab 6 > wav 24/96 > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > CD Wave > TLH > Flac2496. notes
1556. 01/25/87 Shn - 0, 19810 San Francisco The Stone erry Garcia Band: MAC (Taped by John Corley, Nak700s ) > CDR > WAV > SHNv3. CDR source via J.Powell. SHN encoding/FTP via C.Ladner/candyman FTP. notes
1557. 02/10/87 Shn - 0, 19900 San Francisco The Stone Source: MAC(Nak700s)>CDR>WAV>SHNv3. Taper: John Corley. notes
1558. 02/15/87 Flac 16 - 0, 77836 Petaluma Veteran's Memorial Auditorium Olatunji & His Drums Of Passion: MSC (Maxell MX90) > Sony TC-WE475 playback > Sony R500 (Pass Through) > SEK'D Prodif Plus > Samplitude Professional v8.01 > FLAC, transferred and edited by Charlie Miller notes
1559. 02/20/87 Shn - 0, 14977 San Rafael Marin County Veterans Auditorium Jerry Garcia Band: MAC (Taped by Dan Gale, Sony ECM-939LT > Sony TC-D6C) > NAD 6050C playback > SBM > PCM-R500 @ 44.1k (A/D only - no DAT) > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by Dan Gale. notes
1560. 02/21/87 Shn - 0, 14978 Reno Lawlor Events Center (Univ. of Nevada) Jerry Garcia Band: MAC (Taped by Dan Gale, Sony ECM-939LT > Sony TC-D6C) > NAD 6050C playback > SBM > PCM-R500 @ 44.1k (A/D only - no DAT) > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by Dan Gale. notes
1561. 02/24/87 Flac - 0, 82610 Santa Cruz Civic Auditorium JGB: Tom Pinney MAC (Beyer M88 [FOB Center, 20' from stage, XY 90 degrees] > Sony D5) > 1st gen cassette > JVC TD-V1050 cassette deck > Lynx Two A/D (24-bit, 44.1kHz) > Wavelab 6.0. notes
1562. 03/08/87 Shn - 0, 12634 San Francisco The Stone Jerry Garcia Band: MAC (Disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M > CDR > EAC > CDWav (Retracking) > Shn. Taped by John Corley, A>D transfer by Dan Ward, EAC'ed / retracked / shn'd by Charlie Connor. notes
1563. 03/09/87 Shn - 0, 12688 San Francisco The Stone Jerry Garcia Band: MAC (Disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M > CDR > EAC > CDWav (Retracking) > Shn. Taped by John Corley, A>D transfer by Dan Ward, EAC'ed / retracked / shn'd by Charlie Connor. notes
1564. 03/10/87 Shn - 0, 19942 San Francisco The Stone Source: MAC(Nak700s)>CDR>WAV>SHNv3. Taper: John Corley. Midnight Moonlight missing. notes
1565. 03/13/87 Flac 1644 - 0, 140494 Los Angeles Wiltern Theater JGB, flac1644; AUD: Sennheiser MD-441's > unknown deck > MAC > 1st-Gen cassettes, kindly provided from the collection of Alabama Bob. Transfer: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2018 notes
1566. 03/13/87 Shn - 0, 31977 Los Angeles Wiltern Theater Jerry Garcia Band: MAC (Joe Pinedo, Sony 939 > Sony D5) > one cassette > NaNakamichi BX300 playback > Macintosh > Peak Bias > JAM > cd > eac > mkw > shntool. Transfer & CD mastering/shn conversion by Brian Mandel. notes
1567. 03/13/87 Flac 16/48 - 0, 151262 Los Angeles Wiltern Theater JGB; flac1648; Doug Schnetlage's Master Audience Cassettes Neumann Km 86 > Sony D6 (maxell Mx90) Transfer Info: Cassette Master (nakamichi Cr-7a) > Tascam Da-3000 > Samplitude Pro X5 > Flac2496 Transferred And Mastered By Jim Blackwood Speed Correction By Jason Chastain Track Flac Pack By Steve Gravel 16 Bit 48 Khz Flac Level 8 From 24 Bit 96 Khz Source Via Izotope Rx8 With Mbit+ Dither notes
1568. 03/13/87 Flac 24/96 - 0, 151261 Los Angeles Wiltern Theater JGB; flac2496; Doug Schnetlage's Master Audience Cassettes Neumann Km 86 > Sony D6 (maxell Mx90) Transfer Info: Cassette Master (nakamichi Cr-7a) > Tascam Da-3000 > Samplitude Pro X5 > Flac2496 Transferred And Mastered By Jim Blackwood Speed Correction By Jason Chastain Track Flac Pack By Steve Gravel 24 Bit 96 Khz Flac Level 8 notes
1569. 03/14/87 Flac - 0, 124259 Los Angeles Wiltern Theater JGB; flac1644; FOB Master Audience: Master info: Seats Orch Row D Seat 114 Aisle 4; MAC: Toa k1's Handheld about 4' apart chest high > Sony WM-TCD-6C > Maxell XLII-S 90's x 2 (Dolby C on). notes
1570. 03/14/87 Shn - 0, 32006 Los Angeles Wiltern Theater Jerry Garcia Band: Sony 939 > Sony D5 > ? > 2nd gen cassettes > Nakamichi BX300 playback > Macintosh > Peak Bias > JAM > cdr > eac > mkw > shntool. notes
1571. 03/14/87 Flac 24/96 - 0, 151270 Los Angeles Wiltern Theater JGB; flac 2496; Doug Schnetlage's Master Audience Cassettes Neumann KM 86 > Sony D6 (Maxell MX90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496 Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Track FLAC Pack by Steve Gravel 24 Bit 96 kHz FLAC Level 8 notes
1572. 03/14/87 Flac 16/48 - 0, 151273 Los Angeles Wiltern Theater JGB; flac1648; Doug Schnetlage's Master Audience Cassettes Neumann KM 86 > Sony D6 (Maxell MX90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496 Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Track FLAC Pack by Steve Gravel 16 Bit 48 kHz FLAC Level 8 from 24 Bit 96 kHz source via Izotope RX8 with MBIT+ dither notes
1573. 03/18/87 Shn - 0, 22299 San Francisco Fillmore Auditorium Jerry Garcia Acoustic Band. Source: AUD(mic's and taper unknown)>?>C>DAT>WAV>SHN. Jerry Garcia, John Kahn, David Nelson and Sandy Rothman, acoustic benefit for Artists Rights Today. notes
1574. 04/06/87 Flac - 0, 101075 New York Lone Star Cafe California Brothers, JG guest: 2nd gen AUD cassette (Maxell XLII 90) > Nak D-R2 > Digigram VXpocket v2 > Sony VAIO Picturebook PCG-C1VPK 24bit/48kHz wav > unknown downsample to 16/44.1 > CD Wave > TLH (FLAC encoding). Transfer by Michael Scottelaro, track and FLAC by jj. notes
1575. 04/23/87 Shn - 0, 19990 San Francisco The Stone Source: MAC(Nak700s)>CDR>WAV>SHNv3. Taper: John Corley. First verse in Deal cut. Source CDRs via J.Powell. SHN encoding via C.Ladner. notes
1576. 04/24/87 Shn - 0, 19991 San Francisco The Stone Source: MAC(Nak700s)>CDR>WAV>SHNv3. Taper: John Corley. Source CDR via J.Powell. SHN encoding via C.Ladner. notes
1577. 05/27/87 Shn - 0, 20583 San Francisco The Stone Source: MAC(Nak 700s)>DAT>CDR>WAV>SHNv3. Taper: John Corley. via the misSHN in the rain/TMNSP notes
1578. 05/28/87 Shn - 0, 20587 San Francisco The Stone Source: MAC(Nak 700s)>DAT>CDR>WAV>SHNv3. Taper: John Corley. via misSHN in the rain/TMNSP. notes
1579. 08/29/87 Flac 1644 - 0, 106934 Piercy French's Camp on the Eel River flac1644; JGAB & JGB; SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller. notes
1580. 08/29/87 Shn - 0, 95685 Piercy French's Camp on the Eel River JGAB/JGB: unknown soundboard > ? > CD > EAC > WAV > SHN. notes
1581. 08/29/87 Flac 16 - 0, 31500 Piercy French's Camp on the Eel River JGAB & JGB: MSC > CDR > EAC (for tracking) > CDR > EAC > FLAC16; by pscotton. notes
1582. 08/29/87 Flac - 0, 139812 Piercy French's Camp on the Eel River JGAB & JGB; flac1648; Sean Webber Small recording: Schoeps CMC4/MK4 > Sony PCM F1 > DAT (FOB). From the Rich Gastwirt Collection. Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48. Joe Noel Edited & Mastered in Audacity: Wave > Flac 16/48. notes
1583. 08/29/87 Flac 24 - 0, 141216 Piercy French's Camp on the Eel River JGAB & JGB; flac 24: Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell XL-II). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 notes
1584. 08/29/87 Flac 16 - 0, 141218 Piercy French's Camp on the Eel River JGAB & JGB; flac 16: Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell XL-II). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC notes
1585. 08/29/87 Flac - 0, 30876 Piercy French's Camp on the Eel River JGAB & JGB: Source: Sean Webber Small, FOB Schoeps CMC44s > Sony PCM F1; Transfer: Unknown gen Beta > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P (for sample rate conversion and anti-jitter) > Digital Audio Labs Card Deluxe soundcard; CD mastering & encoding: hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches. notes
1586. 08/29/87 Flac 24/96 - 0, 150453 Piercy French's Camp on the Eel River JGAB & JGB; flac24; Michael Hessberg's Sennheiser ME-80 mics > Sony D5M > Master Audience Cassettes; Transfer: Nakamichi DR-1 > Cassette Master > Tascam DA-3000 > DSF 1-bit/5.6 MHz > dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH > flac24. Lineage: flac 24/96 > iZotope RX7 Advanced > CD Wave > Flac 24 edited and mastered SIRMick August 2020 notes
1587. 08/29/87 Flac 16 - 0, 150452 Piercy French's Camp on the Eel River JGAB & JGB; flac16; Michael Hessberg's Sennheiser ME-80 mics > Sony D5M > Master Audience Cassettes; Transfer: Nakamichi DR-1 > Cassette Master > Tascam DA-3000 > DSF 1-bit/5.6 MHz > dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH > flac24. Lineage: flac 24/96 > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick August 2020 notes
1588. 08/30/87 Shn - 0, 7674 Berkeley Greek Theater Jerry Garcia Band: Source: Unknown AUD DAT provided by: mattamiss@hotmail.com Transfer: D8 > Waveterminal 2496 > Soundforge > CD Wave > mkwACT Transfer by jason@spreadwidepanic.com notes
1589. 08/30/87 Flac - 0, 25624 Berkeley Greek Theater Jerry Garcia Band: unknown equipment/taper MAD/P > ? > DAT (44.1); Transfer: DAT (60ES) > M-Audio Audiophile USB > CDWAV > Goldwave (minor edits) > CDWAV > Flac Frontend. notes
1590. 08/30/87 Flac 1644 - 0, 138491 Berkeley Greek Theater JGB; flac1644; Unknown audience recording > dat (44.1k), Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1, transferred by Charlie Miller; Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16, edited and mastered SIRMick Jun 2017. notes
1591. 08/30/87 Shn - 0, 16576 Berkeley Greek Theater Jerry Garcia Band: FOB Audience PCM Master PCM 601 > SV-3700 > Edirol UA-1D > SoundForge 5.0 > CD Wave Editor > shn (mkw). notes
1592. 08/30/87 Flac 16 - 0, 29547 Berkeley Greek Theater Jerry Garcia Band: Source: Fob > Schoeps Cmc4/mk41's > Pcm > Dat @ 48k > Clone
Transfer: Fostex D5 > Vx Pocket 440 > Toshiba 3480ct > Wavelab 4.0 > Fades & Resampled to 44.1 > Cd Wave > FLAC
notes
1593. 10/15/87 Shn - 0, 4381 New York Lunt-Fontanne Theatre Jerry Garcia Acoustic Band & Jerry Garcia Band: FOB NAK 300's (2nd row, 2 seats right of center) > Sony D5 > Cool Edit > CD Wave > SHN, recorded by Dan Cole. notes
1594. 10/15/87 Flac - 0, 91776 New York Lunt-Fontanne Theatre JGAB & JGB: Joe D'Amico's Nak 300 Mics > Sony D-5; Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Cool Edit Pro > Flac Frontend. notes
1595. 10/15/87 Flac 16 - 0, 139543 New York Lunt-Fontanne Theatre JGB, Set 2, flac16; Source: FOB AUD of unknown lineage > ? > Cassette rescued from Ebay. Transfer: Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > Wavelab (adding 16-bit patch) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2017 notes
1596. 10/15/87 Flac - 0, 80865 New York Lunt-Fontanne Theatre JGB, Set II: Karl from NJ's MAC (Nakamichi CM-100s [handheld, 10th row orchestra, just left of center] > Sony WM-D6) > Dolby B 1st gen cassette > Sony TC-D5M (w/Dolby-B) playback > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums, and FLAC compression) > FLAC, December 2006 by Andrew F. notes
1597. 10/16/87 Flac - 0, 97085 New York Lunt-Fontanne Theatre JGAB/JGB: cdr of unknown aud; Edited and Mastered by Jamie Waddell on the GEMS Edit Station. Admin note: taper is Joe D'Amico, Nak 300s > Sony D5. notes
1598. 10/16/87 Flac 1644 - 0, 115862 New York Lunt-Fontanne Theatre flac1644; aud cassette master, nak 300's>sony d5, taped by Chuck Doll & Bob Messina, transfer, mastering, seed by Rob Berger notes
1599. 10/16/87 Flac 24/96 - 0, 115861 New York Lunt-Fontanne Theatre flac2496; aud cassette master, nak 300's>sony d5, taped by Chuck Doll & Bob Messina, transfer, mastering, seed by Rob Berger. notes
1600. 10/17/87 Flac - 0, 83514 New York Lunt-Fontanne Theatre JGAB & JGB, Late Show: SBD cassette master > dat > dat > cdr > adobe audition 2.0 > cd wave > flac. Taped and transferred by Rob Berger. notes
1601. 10/17/87 Flac 1644 - 0, 118655 New York Lunt-Fontanne Theatre JGAB & JGB: repaired/improved SBD (mono) via basement repeater speaker, See shnid 83514; Repaired version: FLACs > TLH > WavMerge > WaveLab > CD-Wave > TLH > FLAC 1644 tagged, by Andrew F. notes
1602. 10/17/87 Flac 24/96 - 0, 115863 New York Lunt-Fontanne Theatre flac2496; aud cassette master, nak 300's>sony d5, taped by Chuck Doll & Bob Messina, transfer, mastering, seed by Rob Berger notes
1603. 10/17/87 Shn - 0, 6351 New York Lunt-Fontanne Theatre Jerry Garcia Band: Acoustic and Electric: Late Show: SBD>C>C>Cool Edit>EAC>SHN notes
1604. 10/17/87 Flac 1644 - 0, 115864 New York Lunt-Fontanne Theatre flac1644; aud cassette master, nak 300's>sony d5, taped by Chuck Doll & Bob Messina, transfer, mastering, seed by Rob Berger notes
1605. 10/17/87 Flac 24/48 - 0, 150792 New York Lunt-Fontanne Theatre JGAB & JGB; flac2448; early show; Source: AUD of unknown lineage > ? > Lo-Gen Cassette copy kindly provided by Rob "xghs". Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2020 notes
1606. 10/17/87 Flac 24/96 - 0, 150993 New York Lunt-Fontanne Theatre JGAB & JGB; flac16; early show; Nakamichi 300's > Sony TC-D5M > Master Cassettes (2 x Maxell XLII-S) Recorded from 6th row, Just right of center by Roger Remandino and John Hance. Low gen cassette provided by Rob (Xghs) Feldman John wore the mics extending out from the collar of his sweatshirt and Roger was behind him operating the deck. Transfer I: low gen cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Transfer II: 1st gen cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick December 2020 notes
1607. 10/17/87 Flac 16 - 0, 150992 New York Lunt-Fontanne Theatre JGAB & JGB; flac16; early show; Nakamichi 300's > Sony TC-D5M > Master Cassettes (2 x Maxell XLII-S) Recorded from 6th row, Just right of center by Roger Remandino and John Hance. Low gen cassette provided by Rob (Xghs) Feldman John wore the mics extending out from the collar of his sweatshirt and Roger was behind him operating the deck. Transfer I: low gen cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Transfer II: 1st gen cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Neutron 2 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac 16 edi8ted and mastered SIRMick December 2020 notes
1608. 10/20/87 Flac - 0, 80132 New York Lunt-Fontanne Theatre JGB, set II: Karl from NJ's MAC (1 Nakamichi CM-100 > Sony WM-D6 [mono]) > Maxell XLII-S 1st gen cassette (Dolby On) > Sony TC-D5M > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC, November 2006 by Andrew F. notes
1609. 10/20/87 Flac - 0, 132983 New York Lunt-Fontanne Theatre Source: sbd>cass >>?> XL-II-90 no nr. Transfer: Dragon dolby out>ua55>USB>Audacity>wav16/44>TLH. taperchuck3 may, 2015. 4th source of show, provides complete Goodnight Irene. notes
1610. 10/20/87 Flac 16 - 0, 132976 New York Lunt-Fontanne Theatre Source: Aud>c>c>2nd gen XL-II-90 no nr. Transfer: Dragon dolby out>ua55>USB>Audacity>wav24-96>r8brain>TLH. notes
1611. 10/21/87 Flac 1644 - 0, 138578 New York Lunt-Fontanne Theatre JGAB; flac1644, Late Show Acoustic (partial) SBD repaired, Source: SBD > ID-6350 > SHN > TLH > Wavelab > TLH > FLAC 1644 tagged. See http://db.etree.org/shn/6350 for full details on original source. notes
1612. 10/21/87 Flac 16 - 0, 80043 New York Lunt-Fontanne Theatre notes
1613. 10/21/87 Shn - 0, 6350 New York Lunt-Fontanne Theatre Jerry Garca Band: Acoustic and Electric:SBD Master Cass>Sony D5>Cool Edit>CD Wave>SHN notes
1614. 10/23/87 Flac 1644 - 0, 115866 New York Lunt-Fontanne Theatre flac1644; aud cassette master, nak 300's>sony d5, taped by Chuck Doll & Bob Messina, transfer, mastering, seed by Rob Berger notes
1615. 10/23/87 Flac 24/96 - 0, 115865 New York Lunt-Fontanne Theatre flac2496; aud cassette master, nak 300's>sony d5, taped by Chuck Doll & Bob Messina, transfer, mastering, seed by Rob Berger notes
1616. 10/23/87 Flac 16 - 0, 80293 New York Lunt-Fontanne Theatre JGB-JGAB: stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner. notes
1617. 10/24/87 Flac 1644 - 0, 115871 New York Lunt-Fontanne Theatre flac1644; aud cassette master, nak 300's > sony d5, taped by Chuck Doll & Bob Messina, transfer/mastering/seed by Rob Berger. notes
1618. 10/24/87 Flac 16 44,1khz - 0, 80294 New York Lunt-Fontanne Theatre JGB-JGAB: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner notes
1619. 10/24/87 Flac 24/96 - 0, 115870 New York Lunt-Fontanne Theatre flac2496; aud cassette master, nak 300's > sony d5, taped by Chuck Doll & Bob Messina, transfer/mastering/seed by Rob Berger. notes
1620. 10/25/87 Flac 16 44,1khz - 0, 80337 New York Lunt-Fontanne Theatre JGB-JGAB, late show: Acoustic set: SBD > DAT > CDR > EAC > WAV > Wavelab/Waves L3 > WAV > FLAC (level 8). Electric set: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Acoustic recording remastered version of previously circulating shnid=15616. Electric band analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner. notes
1621. 10/25/87 Flac 16 44,1khz - 0, 80295 New York Lunt-Fontanne Theatre JGB, Early Show: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner. notes
1622. 10/25/87 Shn - 0, 25751 New York Lunt-Fontanne Theatre JGB & JGAB, Early Show: Sony ECM-939LT stereo mic (center orchestra, ca. 15th row) > Sony WM-D6C Pro-Walkman Onto Maxell MX-90 cassette tape, Dolby Off for recording and playback; Transfer playback on Nakamichi MR-2 > Tascam CDRW-700 > EAC > SHN. notes
1623. 10/25/87 Shn - 0, 15616 New York Lunt-Fontanne Theatre JGAB: MISLABEL OF 10/28/87 matinee acoustic set (sbd), should not be further propagated. notes
1624. 10/28/87 Shn - 0, 10135 New York Lunt-Fontanne Theatre Jerry Garcia Acoustic Band: Early Show: MS? > DAT > CDR > EAC > SHN. DAT > CD by Jeremy Davis, extraction and compression by mlindsey. notes
1625. 10/28/87 Flac - 0, 83239 New York Lunt-Fontanne Theatre JGAB, early show: DSBD, pitch fix for shnid 82275 via FLAC > WAV > Vegas 6.0d > FLAC by mattman. notes
1626. 10/28/87 Flac - 0, 80044 New York Lunt-Fontanne Theatre JGB, early show, electric set: B. Koucky's MAC (Orchestra Nakamichi 300s > D5) > D5 (C1) > C1 playback on Nakamichi DR2 > Presonus Firebox > firewire/PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8). Transfer/mastering by C.Ladner. notes
1627. 10/28/87 Flac 16/48 - , 82275 New York Lunt-Fontanne Theatre JGAB, Early Show: Digital Soundboard -> DAT 16/48 Transfer By Todd Evans Editing by Jamie Waddell in Wavelab6.0 SBE FREE 16/44.1 L2 Type2Ultra Noise Shape notes
1628. 10/30/87 Flac - 0, 80695 New York Lunt-Fontanne Theatre JGB: MAC (Nak 300s [orchestra] > D5) > 2 cassette gens > C2 (Maxell XLII-90) Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8), via B. Koucky and C. Ladner. notes
1629. 10/30/87 Flac 24/48 - 0, 151630 New York Lunt-Fontanne Theatre JGAB/JGB; flac2448; Source: Nakamichi CM-300 w/CP-1 caps > Sony TC-D5 > MAC, 5th row balcony left; 1st Gen cassettes, kindly provided by Doug Lamarre. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2021 notes
1630. 10/31/87 Flac 16 - 0, 80696 New York Lunt-Fontanne Theatre JGB, early show: MAC (Nak 300s [orchestra] > Sony D5) > 2 cassette gens > C2 (Maxell XLII-90) Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8), via B. Koucky and C. Ladner notes
1631. 10/31/87 Flac 1644 - 0, 134258 New York Lunt-Fontanne Theatre JGB; flac 1644; late show; Joe D'Amico's Nak 300s > Sony D5 notes
1632. 10/31/87 Flac 1644 - 0, 133884 New York Lunt-Fontanne Theatre JGB; late show; flac16; AUD: Unknown taper & gear > MAC > lo-gen (likely 2nd-gen) tapes kindly provided by Ted Gidley. Transfer: Maxell XLII-S > Nakamichi DR-8 > Audiophile-2496 soundcard > WAV 1644 (in 2008). Wavelab > CD-Wave > TLH > FLAC 1644 tagged, by Andrew F. (July 2015) notes
1633. 10/31/87 Flac 24/48 - 0, 151734 New York Lunt-Fontanne Theatre JGAB/JGB; flac2448; Early Show; Source: AUD of unknown lineage, kindly provided by Doug Lamarre. Transfer: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2021 notes
1634. 11/27/87 Flac - 0, 100140 San Francisco Warfield Theatre JGAB/JGB: Nak 700's > dbx > D5 MAC > NakCR-3A > dbx224 > audigyse > audacity > CDWave > tlh. notes
1635. 11/27/87 Flac - 0, 80133 San Francisco Warfield Theatre JGAB & JGB: Sennheiser MKE-2002 mics > Sony TC-D5 > 2 cassette gens > Sony TC-D5M (Dolby on) playback > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, plus material from shnid 22298 (see notes), November 2006 by Andrew F. notes
1636. 11/27/87 Flac 16 Dts - 0, 105988 San Francisco Warfield Theatre DTS-Audio-CD 5.1 Mix; 3 Source Mix - AUD1 (shn id 100140) Nak 700's > dbx > D5 MAC > NakCR-3A > dbx224 > audigyse > audacity > CDWave > tlh. + AUD2 (shn id 80133) Sennheiser MKE-2002 mics > Sony TC-D5 > 2 cassette gens > Sony TC-D5M (Dolby on) playback > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, plus material from shnid 22298 (see notes), November 2006 by Andrew F. + AUD3 (no shn id) Unknown generation video supplied in dvd format by Greyful Dave for video project - DTS mixing by Kevin Tobin. notes
1637. 11/28/87 Flac - 0, 100125 San Francisco Warfield Theatre Nak700's w/cardiod caps > dbx > D5 MAC > NakCR-3A > dbx224 > audigySE > Audacity > CDWave > TLH notes
1638. 11/28/87 Shn - 0, 22148 San Francisco Warfield Theatre Jerry Garcia Acoustic Band performance (first set). Source: AUD(unknown mics and taper)>?>C>DAT>WAV>SHN. Cassette>DAT via J.Powell. DAT>SHN via C.Ladner. notes
1639. 11/29/87 Shn - 0, 22149 San Francisco Warfield Theatre Jerry Garcia Acoustic Band. Source: AUD(unknown mics and taper)>?>C>DAT>WAV>SHN. Cassette>DAT via J.Powell. DAT>SHN via C.Ladner. notes
1640. 12/03/87 Flac 16/44,1 - 0, 84002 Los Angeles Wiltern Theater JGAB & JGB (16bit/44.1kHz): tdarian's Radio Shack Lavalier omni's > Sony WM-D6C "B" n.r., Denon HD-M 90 Metal Cassettes, From 9th Row Floor DFC. Transfer to the Digital Realm (2007-01-20): TD Master Cassettes // MF Sony WM-D6C w/ Dolby "B" n.r azimuth adjusted playback-> Belden 1804a spc > Sound Devices 722 @ 24.48. Transfer to digital realm, and editing/processing/dithering, by Mike French. notes
1641. 12/03/87 Flac 24/48 - 0, 83468 Los Angeles Wiltern Theater JGAB & JGB (24 bit/48kHz): tdarian's Radio Shack Lavalier omnis (9th Row Floor DFC) > Sony WM-D6C "B" n.r., Denon HD-M 90 Metal master cassettes > Sony WM-D6C w/ Dolby "B" n.r azimuth adjusted playback > Belden 1804a spc > Sound Devices 722 @ 24.48. Transfer to digital realm, and editing/processing/dithering, by Mike French. notes
1642. 12/03/87 Flac 16/44,1 - 0, 84003 Los Angeles Wiltern Theater JGAB & JGB (16 bit/44.1kHz): Mike French's Sennheiser MKE2002 mics HRTF -> Sony WM-D6C (Dolby B) Maxell MX-90 Metal Cassette. Recorded on floor, right of center. From: Row H, Orchestra (floor), seat 108. Transfer: Sony WM-D6C master deck w/ Dolby "B" n.r azimuth adjusted playback > Belden 1804a spc > Sound Devices 722 @ 24.48, transfered by Mike Frenc notes
1643. 12/03/87 Flac 24/48 - 0, 83467 Los Angeles Wiltern Theater JGAB & JGB (24 bit/48kHz): Mike French's Sennheiser MKE2002 mics HRTF (Row H, Orchestra [floor], seat 108) > Sony WM-D6C (Dolby B) Maxell MX-90 Metal Cassettes > Sony WM-D6C master deck w/ Dolby "B" n.r azimuth adjusted playback > Belden 1804a spc > Sound Devices 722 @ 24.48. Transferred on 2007-03-09 by Mike French. notes
1644. 12/03/87 Shn - 0, 13808 Los Angeles Wiltern Theater Jerry Garcia Acoustic Band & Jerry Garcia Band: MAC (Taped by Mike French, floor right of center, Senn MKE2002 [HRTF] > Sony WM-D6C [Dolby B]) > playback on master Sony WM-D6C "B" nr > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz master DAT > playback on Tascam DA-20mkII DAT > Marigo Audio Lab Apparition Reference Coaxial/ RCA cable > Tascam 700 CDRW master CD > Marantz CDR 550 Dual Well Recorder CD clone (DAO,1x) > CD > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). A > D by Mike French, EAC > SHN by Joe Jupille. notes
1645. 12/04/87 Flac 16 - 0, 76098 Los Angeles Wiltern Theater JGAB & JGB: SBD > PCM > DAT > WAV > SLOTH DAW > FLAC16 notes
1646. 12/04/87 Shn - 0, 13843 Los Angeles Wiltern Theater Jerry Garcia Acoustic Band & Jerry Garcia Band: MAC (Taped by Mike French, center of the floor, Senn MKE2002 [HRTF] > Sony WM-D6C [Dolby B]) > playback on master Sony WM-D6C "B" nr > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz master DAT > playback on Tascam DA-20mkII DAT > Marigo Audio Lab Apparition Reference Coaxial/ RCA cable > Tascam 700 CDRW master CD > Marantz CDR 550 Dual Well Recorder CD clone (DAO,1x) > CD > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). A > D by Mike French, EAC > SHN by Joe Jupille. notes
1647. 12/04/87 Flac 16 44,1khz - 0, 84005 Los Angeles Wiltern Theater JGAB & JGB (16 bit/44.11kHz): tdarian's Sennheiser MKE2002 HRTF -> Sony WM-D6C mic-in "B" n.r., Recorded on floor 4th Row DD, near center - Jerry's side (from tape card notes). High Resolution Digital Transfer Lineage: TD Master Cassettes // MF Sony WM-D6C w/ Dolby "B" n.r azimuth adjusted playback -> Belden 1804a spc -> Sound Devices 722 @ 24.48, transferred by Mike French. notes
1648. 12/04/87 Flac 24/48 - 0, 83469 Los Angeles Wiltern Theater JGAB & JGB (24 bit/48kHz): Mike French's Sennheiser MKE2002 HRTF (From the floor, near center Orchestra Row B seat 118) > Sony WM-D6C "B" n.r. > Sony WM-D6C master deck w/ Dolby "B" n.r azimuth adjusted playback > Belden 1804a spc > Sound Devices 722 @ 24.48 Transferred by Mike French. notes
1649. 12/04/87 Flac 24/48 - 0, 83470 Los Angeles Wiltern Theater JGAB & JGB (24 bit/48kHz): tdarian's Sennheiser MKE2002 HRTF (floor 4th Row DD, near center, Jerry side) > Sony WM-D6C mic-in "B" n.r. > Sony WM-D6C w/ Dolby "B" n.r azimuth adjusted playback > Belden 1804a spc > Sound Devices 722 @ 24.48 Transferred by Mike French. notes
1650. 12/05/87 Flac 16 44,1khz - 0, 89285 Los Angeles Wiltern Theater JGAB & JGB (16 bit/44.1kHz): tdarian's Sennheiser MKE2002 HRTF -> Sony WM-D6C "B" n.r. Balcony Row CC, center (balcony, 3rd row, center).High Resolution Digital Transfer Lineage:TD Master Cassettes // MF Sony WM-D6C w/ Dolby "B" n.r azimuth adjusted playback -> Belden 1804a spc -> Sound Devices 722 @ 24.48 Transfered by Mike French notes
1651. 12/05/87 Shn - 0, 13983 Los Angeles Wiltern Theater Jerry Garcia Acoustic Band & Jerry Garcia Band: MAC (Senn MKE2002 [HRTF] from the orchestra pit > Sony WM-D6C [Dolby B]) > playback on master Sony WM-D6C "B" nr > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz master DAT > playback on Tascam DA-20mkII DAT > Marigo Audio Lab Apparition Reference Coaxial/ RCA cable > Tascam 700 CDRW master CD > Marantz CDR 550 Dual Well Recorder CD clone (DAO,1x) > CD > HP 9350i extraction using EAC (v0.9 beta 4) > minor editing using Sound Forge Studio 6.0 > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). JGAB taped by Mike French, JGB taped by Tom D. A > D by Mike French, EAC > SHN by Joe Jupille notes
1652. 12/05/87 Flac 16 44,1khz - 0, 89284 Los Angeles Wiltern Theater JGAB (16 bit/44.1kHz): Mike French's Sennheiser MKE2002 HRTF -> Sony WM-D6C "B" n.r.Recorded from orchestra pit. High Resolution Digital Transfer Lineage:MF Master Cassettes / MF Sony WM-D6C master deck w/ Dolby "B" n.r azimuth adjusted playback -> Belden 1804a spc -> Sound Devices 722 @ 24.48 Transfered by Mike French acoustic set only notes
1653. 12/05/87 Flac 24/48 - 0, 83472 Los Angeles Wiltern Theater JGAB & JGB (24 bit/48kHz): tdarian's Sennheiser MKE2002 HRTF (balcony 3rd row [CC], center) > Sony WM-D6C "B" n.r. > Sony WM-D6C w/ Dolby "B" n.r azimuth adjusted playback > Belden 1804a spc > Sound Devices 722 @ 24.48. Transferred on 2007-03-09 by Mike French. notes
1654. 12/05/87 Flac 24/48 - 0, 83471 Los Angeles Wiltern Theater JGAB (24 bit/48kHz): Mike French's Sennheiser MKE2002 HRTF (orchestra pit) > Sony WM-D6C "B" n.r. > Sony WM-D6C master deck w/ Dolby "B" n.r azimuth adjusted playback > Belden 1804a spc > Sound Devices 722 @ 24.48 Transferred on 2007-03-09 by Mike French. notes
1655. 12/06/87 Shn - 0, 13984 Los Angeles Wiltern Theater Jerry Garcia Acoustic Band & Jerry Garcia Band: MAC (Taped by Tom D., 6th row-FF-4th seat left of center, RadioShack Tie Pin Lavalier Omni mics > Sony WM-D6C) > playback on master Sony WM-D6C "B" nr > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz master DAT > playback on Tascam DA-20mkII DAT > Marigo Audio Lab Apparition Reference Coaxial/ RCA cable > Tascam 700 CDRW master CD > Marantz CDR 550 Dual Well Recorder CD clone (DAO,1x) > CD > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). A > D by Mike French, EAC > SHN by Joe Jupille. notes
1656. 12/06/87 Flac 16 44,1khz - 0, 89286 Los Angeles Wiltern Theater JGAB & JGB (16 bit/44.1kHz): tdarian's RadioShack Tie Pin Lavalier Omni mics > Sony WM-D6C cassette deck. Recorded 6th row, left of center(row ff, 4th off center aisle, left side, floor) High Resolution Digital Transfer Lineage:TD Master Cassettes // MF Sony WM-D6C master deck w/ Dolby "B" n.r azimuth adjusted playback -> Belden 1804a spc -> Sound Devices 722 @ 24.48 Transfer by Mike French 03-02-2007 notes
1657. 12/06/87 Flac 24/48 - 0, 83512 Los Angeles Wiltern Theater JGAB & JGB (24 bit/48kHz): tdarian's RadioShack Tie Pin Lavalier Omni mics > Sony WM-D6C cassette deck. Recorded 6th row, left of center (row ff, 4th off center aisle, left side, floor) High Resolution Digital Transfer Lineage: TD Master Cassettes // MF Sony WM-D6C master deck w/ Dolby "B" n.r azimuth adjusted playback -> Belden 1804a spc -> Sound Devices 722 @ 24.48 Transfer by Mike French 03-02-2007 notes
1658. 12/17/87 Flac 24/48 - 0, 151287 San Francisco The Warfield Garcia, Weir & Kahn; flac2496; Recording Info: Live TV Broadcast (KQED) > VHS HiFi Master > Beta HiFi (Maxell HGX HiFi). Transfer Info: Beta HiFi (Sony SL-HF860D) > Tascam DA-3000 (24-bit-48k) > Samplitude Pro X5 Suite > FLAC24. All Transfers and Mastering by Charlie Miller. December 7, 2020. notes
1659. 12/17/87 Flac 16 - , 154506 San Francisco The Warfield Garcia, Weir & Kahn; flac16/44; Recording Info: Live TV Broadcast (KQED) > VHS HiFi Master > Beta HiFi (Maxell HGX HiFi). Transfer Info: Beta HiFi (Sony SL-HF860D) > Tascam DA-3000 (24-bit-48k) > Samplitude Pro X5 Suite > FLAC24. All Transfers and Mastering by Charlie Miller. December 7, 2020. - This is 151287 2448 > 1644 notes
1660. 01/23/88 Shn - 0, 16697 Oakland Henry J. Kaiser Convention Center "Blues for Salvador": Unknown audience master > ? > CD > eac > shntool > shnv3 by Ernie Dodd. notes
1661. 03/05/88 Shn - 0, 16790 San Francisco Warfield Theater Jerry Garcia Band: MSC > DAT > CDR > WAV > SHN. Missing last 3 tracks of the second set. CDR source via D.Minches. SHN encoding/initial FTP propagation via C.Ladner/candyman FTP. notes
1662. 03/05/88 Flac - 0, 138500 San Francisco Warfield Theater JGB, flac1644; SBD ID-16790, repaired & patched, makes the show a complete SBD. Transfer: SHN's (and SBD > ? > cassette patch source) > WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged. File-set compiled by Andrew F. 06/2017 notes
1663. 07/07/88 Shn - 0, 7671 Cotati Cotati Cabaret Jerry Garcia Acoustic Band: Early Show: Recorded at Front Row Table, Audio-Technica AT 831R mics > Marantz PMD-430 > Tascam CD-RW700 (recorded and mastered by Dan Ward); Late Show: Recorded in front of left PA stack, Radio Shack behind the ear mics > Sony TC-D6 (recorded and mastered by CNM). notes
1664. 10/31/88 Shn - 0, 4378 Oakland Henry J. Kaiser Convention Center Jerry Garcia Band: FOB Schoeps CMC34 (Hand held, ORTF) > Oade M118 pre > Panasonic SV-250 > Soundforge 4.5 > CD; Taped by Jeff Travitz, shn'd by Bill Gardner notes
1665. 10/31/88 Shn - 0, 19857 Oakland Henry J. Kaiser Convention Center Jerry Garcia Band: MAC (Nak CM700/CP701 Cards > Custom Preamp > DBX Box > Sony TCD5M) > Sound Forge (slight NR used) > DBX Type II Decoder NR Unit > HD > CD notes
1666. 10/31/88 Shn - 0, 21790 Oakland Henry J. Kaiser Convention Center Jerry Garcia Band: Recording Info: (FOB/Hat) Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx 221e type II Encoder -> Cassette Master (Sony TCD5m/Maxell XLIIS); Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> dbx 224x Decoder -> Mytek Digital ADC8X96 -> Nuendo (24bit/44.1k) -> SHN (2 Discs Audio / 1 Disc SHN); Process Info: 1) Processed to a 16 bit file with waves Q10 and L2 2) Tracked and Normailized with Samplitude v7.02 Professional; Recorded, Transfered and Process #1 By Bill Reutelhuber; Process #2 By Charlie Miller 1/6/04 notes
1667. 11/04/88 Shn - 0, 14398 Stateline Caesars Tahoe Jerry Garcia Band: Nak 700 mics > DBX Encoded > Cassette Master; Transfer: Cassette master> DBX Decoded > DATx 2 > Echo Event Gina > Sound Forge 4.5 > CDR > EAC(Secure Mode) > SHN (MKWACT); EAC'ed/Shn'ed and seeded to fungus by Charlie Connor. File modifed 2/7/2004: NOT taped by Bob Menke, as previously listed. notes
1668. 11/05/88 Flac - 0, 99565 Stateline Caesars Tahoe notes
1669. 11/05/88 - 0, 140911 Stateline Caesars Tahoe notes
1670. 11/25/88 Flac - 0, 88954 Los Angeles Wiltern Theater JGB: tdarian and John Corso (Tapers From Hell), Sennheiser MKE2002 (mfrench mics) as AB omni's on bill of cap > Sony TC-D5M "B" n.r.; Row B - center of floor (apprx. 10th row center); Sony TC-D5M (with Dolby B) playback > Tascam DA-20mkII DAT deck at 48k; Then DAT marked with programs that were transferred as track marks on the fly, by the Tas. CDRW700, with dither to 44.1, on-the-fly, by the tas.700. notes
1671. 11/25/88 Shn - 0, 17376 Los Angeles Wiltern Theater Jerry Garcia Band: MSD > 1C > DAT > CDR > WAV > SHN notes
1672. 11/25/88 Flac - 0, 84763 Los Angeles Wiltern Theater JGB: Mike French's MAC, undetermined gear and transfer > CD > EAC > FLAC. notes
1673. 11/25/88 Flac 16 - 0, 148619 Los Angeles Wiltern Theater flac16; Master Soundboard Dat > Dick Latvala's Cassettes; Transfer Info: Dick Latvala’s cassettes (Nakamichi BX-300)> HHb CDR850 > CDR > EAC > Adobe Audition CC2019 > TLH flac16. notes
1674. 11/26/88 Shn - 0, 12023 Los Angeles Wiltern Theater Jerry Garcia Band: MSC > DAT > CDR > WAV > SHNv3. notes
1675. 11/26/88 Flac - 0, 84850 Los Angeles Wiltern Theater JGB: Tapers From Hell's MAC, unknown recording & transfer details > CD > EAC > FLAC. notes
1676. 11/26/88 Flac - 0, 88955 Los Angeles Wiltern Theater JGB: tdarian and John Corso (Tapers From Hell), Sennheiser MKE2002 (mfrench mics) as AB omni's on bill of cap > Sony WM-D6C (From the Floor - Row A - Jerry Side) (tape notes say center - maybe Jerry side of center section??); Sony TC-D5M (with Dolby B) playback > Tascam DA-20mkII DAT deck at 48k > Tascam CDRW700, with dither to 44.1, on-the-fly, by the tas.700. notes
1677. 11/26/88 Flac 16/44 - , 152883 Los Angeles Wiltern Theater JGB: flac1644; SBD > Cassette Master > DAT > CDR > WAV > SHNv3; Remaster by FlyingM: iZotope RX8 advanced > Goody* > CD Wave > TLH (flac) notes
1678. 11/27/88 Flac - 0, 84824 Los Angeles Wiltern Theater JGB, I/IIp: SBD (poss. 2nd gen) maxell MXS90 cassette (Dolby C) > Nak CR3A (Dolby C) playback > eq out > hp computer > CD wave > Flac. notes
1679. 11/27/88 Shn - 0, 15438 Los Angeles Wiltern Theater Jerry Garcia Band: MAC ("Tapers from Hell", Senn MKE2002 [HRTF, balcony 3rd row center] > Sony WM-D6C [Dolby B]) > playback on master Sony WM-D6C "B" nr > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz master DAT > playback on Tascam DA-20mkII DAT > Marigo Audio Lab Apparition Reference Coaxial/ RCA cable > Tascam 700 CDRW master CD > Marantz CDR 500 Dual Well Recorder CD clone (DAO,1x) > CD > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). notes
1680. 11/27/88 Flac 16 - 0, 88956 Los Angeles Wiltern Theater JGB: tdarian and John Corso (Tapers From Hell), Sennheiser MKE2002 (mfrench mics) as AB omni's on bill of cap > Sony WM-D6C (3rd row center - balcony) > Sony TC-D5M (with Dolby B) playback > Tascam DA-20mkII 48k DAT > Tascam CDRW700, with dither to 44.1, on-the-fly, by the tas.700. notes
1681. 12/02/88 Shn - 0, 20833 San Francisco Orpheum Theatre Jerry Garcia Band: Recording Info: (FOB/Hat) Nakamichi 700/CP701 -> Reutelhuber P/S -> Cm (Sony TCD5m); Transfer Info: Cm (Nakamichi Deck/Azmituth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) -> SHN; Process Info: Processed through Nuendo using Waves Q10 and Waves C4 and rendered down to a 16 bit wave file. Recorded and Transfered BY Bill Reutelhuber Tracked and SHN'd By Charlie Miller. notes
1682. 12/02/88 Shn - 0, 19969 San Francisco Orpheum Theatre Source: MAP(Schoeps CMC44> Sony F1)>PCM>CDR>WAV>SHN. Source CDR via J.Powell. Extraction and SHN encoding via C.Ladner. notes
1683. 12/03/88 Shn - 0, 19970 San Francisco Orpheum Theatre Source: MAP(Schoeps CMC44> Sony F1)>PCM>CDR>WAV>SHN. Source CDRs via J.Powell. Extraction and SHN encoding via C.Ladner. notes
1684. 12/03/88 Shn - 0, 20834 San Francisco Orpheum Theatre Jerry Garcia Band: Recording Info: (FOB/Hat) Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx type II Encoder -> Cm (Sony TCD5m); Transfer Info: Cm (Nakamichi Deck/Azmituth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) -> SHN; Process Info: Processed through Nuendo using Waves Q10 and Waves C4 and rendered down to a 16 bit wave file. Recorded and Transfered BY Bill Reutelhuber; Tracked and SHN'd By Charlie Miller. notes
1685. 12/04/88 Flac - 0, 92381 Oakland Oakland-Alameda County Coliseum Arena Garcia, Weir & Wasserman: PS's 2 x modified Nakamichi 700 cardioids (in hat, Main Floor, Section 2 Row U Seat 6) > Bill Reutelhuber preamp > dbx 221 e (mounted in a battery-powered Bill R. box) > Sony TC-D5M; Transfer: MAC > Nakamichi CR1a (playback) > dbx 224xds (decode) > Macintosh 800 MHZ Power PC G4, with M-Audio Audiophile 2496 MIDI Digital Recording Interface. Recorded with Live Lite 4 for M. Audio (aiff); Encoding: Bias Peak Lite version 5.2 (wav) > CDWave (tracking) > FLAC Frontend (level 8 flac) notes
1686. 12/04/88 Shn - 0, 15009 Oakland Oakland-Alameda County Coliseum Arena Garcia, Weir & Wasserman; Acoustic Bridge School Benefit; SBD>??>DAT>CDR; via Paul B; Seeded to etree by Willy notes
1687. 12/04/88 Flac 24 U Mtx - 0, 141965 Oakland Oakland-Alameda County Coliseum Arena Garcia, Weir and Wasserman; flac24; UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24(2 DVD's FLAC). All Transfers and Mastering By Charlie Miller notes
1688. 12/04/88 Flac 16 U Mtx - 0, 141967 Oakland Oakland-Alameda County Coliseum Arena Garcia, Weir and Wasserman; flac16; UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24(2 DVD's FLAC). All Transfers and Mastering By Charlie Miller notes
1689. 01/27/89 Shn - 0, 16577 San Francisco Orpheum Theatre Jerry Garcia Band: MAC (Taped by Dan Cole, FOB [2nd row] Sony ECM-77B > Sony D5) > Cool Edit > CD Wave > SHN. This is identical to the previous .shn set except for fixed sector boundary errors (last track of each disc/set). notes
1690. 01/27/89 Flac - 0, 84866 San Francisco Orpheum Theatre JGB: SBD > 2nd or 3rd gen cassette (dolby B) > eq out >hp computer > Sound Forge (vol@5.5db) > CD wave > Flac. notes
1691. 01/27/89 Shn - 0, 14015 San Francisco Orpheum Theatre Jerry Garcia Band: MAC (Taped by Dan Cole, FOB [2nd row] Sony ECM-77B > Sony D5) > Cool Edit > CD Wave > SHN notes
1692. 01/28/89 Shn - 0, 28352 San Francisco Orpheum Theatre Jerry Garcia Band: Soundboard > ?? > wav > shn notes
1693. 01/28/89 Shn - 0, 4377 San Francisco Orpheum Theatre Jerry Garcia Band:set 2 only; MSC > 1V (Hi-Fi) > DATs > Digi001 > SHN; via Ryan Shriver and D. Metz notes
1694. 03/03/89 Shn - 0, 21091 San Francisco Orpheum Theatre Jerry Garcia Band: Recording Info: (FOB/Hat/Row L) Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx type II Encoder -> Cassette Master (Sony TCD5m); Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> dbx 224x Decoder -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) -> SHN (2 Discs Audio / 2 Discs SHN); Process Info: 1) Processed to a 16 bit file with waves Q10, C4 and L2; 2)Tracked and Normailized with Samplitude v7.02 Professional; Recorded, Transfered and Process #1 By Bill Reutelhuber; Process #2 By Charlie Miller 12/5/03. notes
1695. 03/03/89 Flac - 0, 86325 San Francisco Orpheum Theatre JGB: DAUD FOB Schoeps CMC34 > Panasonic SV-250 DAT (?); Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by B. Koucky and Seeded by Green Mountain Bros. July 8, 2007. notes
1696. 03/03/89 Shn - 0, 17554 San Francisco Orpheum Theatre Jerry Garcia Band: FOB (Schoeps CMC34s) > DAT (Panasonic SV-250) > CDR > WAV > SHN notes
1697. 03/03/89 Flac 24/48 - 0, 151406 San Francisco Orpheum Theatre flac2448; JGB, Set 2; Source: SBD > ? > Cassette rescued from ebay, marked 3rd-Gen. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2021 notes
1698. 03/03/89 Flac 16/44 - 0, 151407 San Francisco Orpheum Theatre flac1644; JGB, Set 2; Source: SBD > ? > Cassette rescued from ebay, marked 3rd-Gen. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2021 notes
1699. 03/04/89 Shn - 0, 21139 San Francisco Orpheum Theatre erry Garcia Band: Recording Info: (FOB/Hat/Row L)Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx type II Encoder -> Cassette Master (Sony TCD5m; Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> dbx 224x Decoder -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) -> SHN (2 Discs Audio / 2 Discs SHN); Process Info: 1) Processed to a 16 bit file with waves Q10, C4 and L2; 2) Tracked and Normailized with Samplitude v7.02 Professional; Recorded, Transfered and Process #1 By Bill Reutelhuber; Process #2 By Charlie Miller 12/5/03 notes
1700. 03/22/89 Flac - 0, 93896 San Francisco Gift Center Pavilion Country Joe McDonald, Garcia guest: PS's FOB 2x Nakamichi 700 mics (modified, caps and attenuators worn in hat) > Reutelhuber pre-amp > dbx 221e > Sony TCd5M master cassette (Maxell MX90); Nakamichi CR1a playback > dbx 224xds decode > Macintosh 1.2 GHZ Power PC G4 OSX 10.5.4, with M-Audio Audiophile 2496 MIDI Digital Recording Interface. Recorded with Bias Peak Lite. File re-saved from raw audio as Wave with Bias Peak Lite version 5.2; CD Wave 1.94.8 > Sony Sound Forge Studio 7.0 (t01 fade-in and t09 fade-out) > Trader's Little Helper v2.4.1 (FLAC8 encoding). Transfer by PS, FLAC encoding by jj. notes
1701. 03/22/89 Flac - 0, 93889 San Francisco Gift Center Pavilion Garcia, Weir & Kahn: FOB 2x Nakamichi 700 mics (modified, caps and attenuators worn in hat) > Reutelhuber pre-amp > dbx 221e > Sony TCd5M master cassette (Maxell MX90); Nakamichi CR1a playback > dbx 224xds decode > Macintosh 1.2 GHZ Power PC G4 OSX 10.5.4, with M-Audio Audiophile 2496 MIDI Digital Recording Interface. Recorded with Bias Peak Lite. File re-saved from raw audio as Wave with Bias Peak Lite version 5.2; CD Wave 1.94.8 > Sony Sound Forge Studio 7.0 (t01 fade-in and t07 fade-out) > Trader's Little Helper (FLAC8 encoding). notes
1702. 04/24/89 Shn - 0, 132514 Mill Valley Sweetwater Elvis Costello and Friends; shnf; SBD > MC> DAT> CDR; DAE (EAC: High, Secure, Offset Corrected) all track quality 100%. All sector boundaries verified using SHNTOOL. SHN(seekable) using MKWact0.97b via eD - 11/07/02. notes
1703. 04/24/89 Flac - 0, 78006 Mill Valley Sweetwater Elvis Costello, Garcia & Others: SBD? > Dat > Goodbear's computer (minor edit) > Wav > CD (minor edit) > EAC > FLAC, via Teddy Goodbear. notes
1704. 04/24/89 Flac - 0, 4376 Mill Valley Sweetwater Jerry Garcia Band:Garcia, Elvis Costello et al; filler on 2/19/69 notes
1705. 05/19/89 Flac - 0, 24537 Irvine Irvine Meadows Ampitheater Jerry Garcia Band: Senn MKE2002 HRTF stealth fob/dfc > Sony TCD-D10 1/4" mic in Ambient master by "Tapers From Hell", a large dedicated group effort. John H. on DAT knobs. DAT Clone #1 used for CDR master; Transfer: DAT #1 via Tas DA20mkII > Tas cdrw700 for cdr master -> Marantz 500 dual well-> CDR. Above taping and transfer done by Mike French + "Tapers from Hell" Additional Transfer: CDR-> EAC -> FLAC Frontend (16/44.1) by Brian Costigan (BCostigan@taperssection.com) notes
1706. 05/19/89 Shn - 0, 15189 Irvine Irvine Meadows Ampitheater Jerry Garcia Band: FOB (DFC, Section 2 Orchestra -CenterSenn MKE2002 ORTF) > Sony TC-D10 > CDR > WAV > SHN. "Tapers from Hell" Group Effort - (Tom D., John H., Mike F., John C.). SHN encoding/FTP via Nick Georges. notes
1707. 05/19/89 Flac 16/48 - 0, Irvine Irvine Meadows Ampitheater notes
1708. 05/22/89 Shn - 0, 20505 Universal City Universal Amphitheatre Jerry Garcia Band: sbd > mdat > cass > sonic solutions > cdr > mkw > shn notes
1709. 05/26/89 Flac - 0, 32336 San Rafael New George's Los Lobos w/ Garcia sitting in: MAV (recorded by Rick Ovalle) > 2 VHS HiFi gens > CD. Transferred by pantagruel. notes
1710. 05/26/89 Flac - 0, 133036 San Rafael New George's Taped by Rob Darroch - RIP; unknown mics >> SV255; DAT >> CD >> FLAC via TLH notes
1711. 05/27/89 Flac - 0, 109654 Oakland Oakland-Alameda County Stadium flac1644; SBD + AUD Matrix Mix (60%-SBD/40%-AUD) Mixed by dan@am-dig.com DSBD > DAT > WAV > FLAC Transferred by Rich Gastwirt + Neumann KMi84 (FOB, DFC) > BlackBox > Panasonic SV-250 Recorded, Post-Produced & Seeded by Chris Hecht notes
1712. 05/27/89 Shn - 0, 14089 Oakland Oakland-Alameda County Stadium John Fogerty, Jerry Garcia, Bob Weir, & Others: MSC > Nak DR-3 > RME 96/8 PST > CDR [> EAC]. Note: filenames not per etree standard. notes
1713. 05/27/89 Flac - 0, 79809 Oakland Oakland-Alameda County Stadium Fogerty, Garcia, Weir, et al: DSBD* > DAT > Sony DTC2000ES playback > M-Audio Delta 410 via SPDIF > Soundforge (WAV) > FLAC, transfered by Rich Gastwirt. notes
1714. 05/27/89 Flac - 0, 100365 Oakland Oakland-Alameda County Stadium John Fogerty et al: SBD > Cassette > Nak DR-3 > RME 96/8 PST > CDR. Relationship to other seed with this lineage uncertain. notes
1715. 05/27/89 Flac - 0, 100114 Oakland Oakland-Alameda County Stadium John Fogerty & Friends: Hat-Mounted Realistic pzm's > Sony WMD6-C, 50 feet away, dead center (Maxell XLII 90,No nr) > Sony WMD6-C playback > Audacity > CDWave > TLH, via russjcan. notes
1716. 05/27/89 Flac Dts 5.1 - 0, 109656 Oakland Oakland-Alameda County Stadium DTS-Audio-CD 5.1 Mix Mixed by dan@am-dig.com DSBD > DAT > WAV > FLAC Transferred by Rich Gastwirt + Neumann KMi84 (FOB, DFC) > BlackBox > Panasonic SV-250 Recorded, Post-Produced & Seeded by Chris Hecht notes
1717. 05/27/89 Flac - 0, 109654 Oakland Oakland-Alameda County Stadium lac1644; Neumann KMi84 (FOB, DFC) > BlackBox > Panasonic SV-250 Transfer: 3800 > UA5w > PowerMac733G4 > Audio Recorder 1.4 > Peak 4.1 > aiff > xACT > FLAC Recorded, Post-Produced & Seeded by Chris Hecht notes
1718. 05/27/89 Flac - 0, 106726 Oakland Oakland-Alameda County Stadium Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
1719. 06/10/89 Shn - 0, 17116 Piercy French's Camp on the Eel River Jerry Garcia Band: MAD (Schoeps CMC3-MK4) > playback on Panasonic SV-3800 > HHb CDR-850 > CDR > WAV > SHN notes
1720. 06/10/89 Flac 16/48 - 0, 150105 Piercy French's Camp on the Eel River JGB; flac1648; s2 only; Neumann KM84 > Master DAT > Panasonic SV-250; DAT Archived and Transferred By Stuccoholmes. Mastering by Jamie Waddell. notes
1721. 06/10/89 Flac 16/48 - 0, 151291 Piercy French's Camp on the Eel River JGB; flac1648; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D6. Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp 24-96 > Adobe Audition CC 2020 > TLH flac2496. This is a 16-48 fileset. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. August 2020. notes
1722. 06/10/89 Flac 24/96 - 0, 151329 Piercy French's Camp on the Eel River JGB; flac2496; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D6. Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp 24-96 > Adobe Audition CC 2020 > TLH flac2496. Mastered by Scott Clugston. August 2020. notes
1723. 07/02/89 Shn - 0, 12470 Foxboro Sullivan Stadium Parking Lot Jerry Garcia, Bob Weir, & Los Lobos: Unknown source (probable pro-shot video) > ? > CD > EAC > SHN notes
1724. 08/26/89 Shn - 0, 21789 Berkeley Greek Theatre, U. Of California Jerry Garcia Band: Recording Info: (FOB/Split/Hat) Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx 221e type II Encoder -> Cassette Master (Sony TCD5m); Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> dbx 224x Decoder -> Mytek Digital ADC8X96 -> Nuendo (24bit/44.1k) -> SHN (2 Discs Audio / 1 Disc SHN) notes
1725. 08/26/89 Shn - 0, 14208 Berkeley Greek Theatre, U. Of California Jerry Garcia Band: MAD (recorded by Marcus Buick and Sean Webber-Small, B&K 4011's @ 110 ORTF [BuStand-1st Set, SeanStand-2nd Set] > Monster M1000 > Neumann 48VPS > MonsterM1000 > Panasonic SV250 [CLB FOB DFC- 2nd tier]), Panasonic SV250 playback > Sony PCM601 > Sony SL360, Sony SL360 plabyack > Sony PCM701 > Digidesign 442 / Quadra 650, edited w/ ProTools3.1, mastered with Masterlist1.2 > Sony920s 2x master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). D > CD by Marcus Buick, CD > SHN by Joe Jupille. notes
1726. 09/02/89 Shn - 0, 10136 Columbia Merriweather Post Pavilion Jerry Garcia Band: Schoeps CMC-44 (FOB) > Oade pre-amp > Sony PCM-F1 > Sony SL 2000 (Beta). Possible re-DAE and re-.shn of existing .shn set. notes
1727. 09/02/89 Flac 24/96 - 0, 145628 Columbia Merriweather Post Pavilion JGB; flac24; Michael Hessberg's Nakamichi 300’s > Sony TC -D5M > Cassette Master; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Wav 24/96 - Transferred by Charlie Miller; Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24. edited and mastered SIRMick March 2019. notes
1728. 09/02/89 Flac 16 - 0, 145627 Columbia Merriweather Post Pavilion JGB; flac16; Michael Hessberg's Nakamichi 300’s > Sony TC -D5M > Cassette Master; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Wav 24/96 - Transferred by Charlie Miller; Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac 16. edited and mastered SIRMick March 2019. notes
1729. 09/03/89 Flac - 0, 28755 Philadelphia The Spectrum Jerry Garcia Band: 48k FLAC of Travitz master: Schoeps CMC34 (hand held FOB,ORTF) > Oade M118 pre > Panasonic SV-250 @48kHz by Jeff Travitz. Transfer: DAT clone; Sony PCM-2600 > Audioquest coax > Turtlebeach Fiji > Soundforge 4.5 > CDWave 1.71 > FLAC 1.1.0 by Craig Hillwig. notes
1730. 09/03/89 Flac - 0, 94276 Philadelphia The Spectrum JGB: AKG C568B short shotgun mics > Marantz PMD-340 > Sony TC-D5M > Triad MG-X Metal, with no Dolby. Set up in 15th row center. Taped by the 89 Wheel Chair Crew. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. notes
1731. 09/03/89 Shn - 0, 25625 Philadelphia The Spectrum Jerry Garcia Band: MAC (Taped by Todd W. of Lancaster, PA and others, FOB Sennheiser 421's [approximate Y-configuration, hand-held > Sony D6) > Sony D6 playback > 1st gen cassette (modified Sony D6) > Denon DRW-840 playback > Sony DTC-59ES (48K A/D conversion) > optical > Sound Blaster MP3 (SPDIF Optical to USB conversion) > Creative Wave Studio (recording to .wav, 48K to 44.1K sample rate converison and tracking) > mkwATC (.wav to .shn conversion and .md5 creation). notes
1732. 09/03/89 Flac - 0, 128833 Philadelphia The Spectrum JGB; DTS-Audio-CD 5.1 Mix; AUD1 (shnid=25625) MAC (Taped by Todd W. of Lancaster, PA and others, FOB Sennheiser 421's [approximate Y-configuration, hand-held > Sony D6) > Sony D6 playback > 1st gen cassette (modified Sony D6) > Denon DRW-840 playback > Sony DTC-59ES (48K A/D conversion) > optical > Sound Blaster MP3 (SPDIF Optical to USB conversion) > Creative Wave Studio (recording to .wav, 48K to 44.1K sample rate converison and tracking) > mkwATC (.wav to .shn conversion and .md5 creation). + AUD2 (shn id 28755) 48k FLAC of Travitz master: Schoeps CMC34 (hand held FOB,ORTF) > Oade M118 pre > Panasonic SV-250 @48kHz by Jeff Travitz. Transfer: DAT clone; Sony PCM-2600 > Audioquest coax > Turtlebeach Fiji > Soundforge 4.5 > CDWave 1.71 > FLAC 1.1.0 by Craig Hillwig. + VID (no shn id) used for patching and timing reference - dts mixing by Kevin Tobin notes
1733. 09/05/89 Shn - 0, 4374 Hartford Hartford Civic Center Jerry Garcia Band:SBD MCass > Cassette > DAT > CDR, Dont let go is complete but the sbd cuts after the first few notes of Lonesome and a longway from home. Seeded by Scott Clugston; [md5s] notes
1734. 09/05/89 Shn - 0, 83466 Hartford Hartford Civic Center GB: sbd-aud combination of shnid 4374 (sbd) and shnid 24221 (Senn 2000s aud). See info file for details. notes
1735. 09/05/89 Shn - 0, 24221 Hartford Hartford Civic Center Jerry Garcia Band: Taped by John Bulger, Sennheiser Audio 2000 Mic setup (FOB) > Dolby C cassette master > 1 cassette > >Nak DR-10 (Playback)> Midiman Flying Cow A/D>RME Digi96/8> Steinberg's Wavelab 3.0>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT; Digital Conversion/shn'ed by Charlie Connor with Thanks to Rob R. notes
1736. 09/05/89 Flac - 0, 91743 Hartford Hartford Civic Center JGB: Ted Gidley's Nakamichi CM-300's > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics hand-held from the floor. Transfer: MAC > Nakamichi DR-8 (no Dolby) Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. notes
1737. 09/05/89 Flac - 0, 94652 Hartford Hartford Civic Center JGB: Nakamichi CM300's with CP-1 cardioid capsules > Sony TC-D5M > Triad MG-X Metal, with no Dolby. Set up in 17th row center. Taped by the 89 Wheel Chair Crew. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. notes
1738. 09/05/89 Flac 24 - 0, 132171 Hartford Hartford Civic Center JGB; flac2496; J.B.'s Nakamichi CM300/CP1s > Sony D5 (Maxell MX - 90); Transfer by Keo With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz. Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz. Metadata Tagging With Tag&Rename. notes
1739. 09/05/89 Flac - 0, 132170 Hartford Hartford Civic Center JGB; flac1644; J.B.'s Nakamichi CM300/CP1s > Sony D5 (Maxell MX - 90); Transfer by Keo With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz. Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave, Dithered/Flacked With Korg Aqua To 16/44, SBE's Checked/Fixed With Trader's Little Helper, Metadata Tagging With Tag&Rename. notes
1740. 09/06/89 Flac Dts 5.1 - 0, 128674 Uniondale Nassau Coliseum DTS-Audio-CD 5.1 Mix; Matrix 3 Source Mix - AUD1 (shnid=94056) set I only: AKG C-460b mics (15th row center) > Marantz PMD-340 > Sony TC-D5M > Triad MG-X Metal (no Dolby). Taped by the 89 Wheel Chair Crew. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. + AUD2 (shn id 79722) Set II, 48k: Tim Alexander's MAC (FOB AKG 414s > Sony D5 [Dolby B on]) > Nakamichi DR-1 playback (Dolby B off) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC. + VID (no shn id) used for patching and timing reference - dts mixing by Kevin Tobin notes
1741. 09/06/89 Flac - 0, 128673 Uniondale Nassau Coliseum flac16; Matrix 3 Source Mix - AUD1 (shnid=94056) set I only: AKG C-460b mics (15th row center) > Marantz PMD-340 > Sony TC-D5M > Triad MG-X Metal (no Dolby). Taped by the 89 Wheel Chair Crew. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. + AUD2 (shn id 79722) Set II, 48k: Tim Alexander's MAC (FOB AKG 414s > Sony D5 [Dolby B on]) > Nakamichi DR-1 playback (Dolby B off) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC. + VID (no shn id) used for patching and timing reference - matrix mixing by Kevin Tobin notes
1742. 09/06/89 Flac - 0, 94056 Uniondale Nassau Coliseum JGB, set I only: AKG C-460b mics (15th row center) > Marantz PMD-340 > Sony TC-D5M > Triad MG-X Metal (no Dolby). Taped by the 89 Wheel Chair Crew. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. notes
1743. 09/06/89 Flac - 0, 79722 Uniondale Nassau Coliseum JGB, Set II, 48k: Tim Alexander's MAC (FOB AKG 414s > Sony D5 [Dolby B on]) > Nakamichi DR-1 playback (Dolby B off) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC. notes
1744. 09/06/89 Flac - 0, 79721 Uniondale Nassau Coliseum JGB, Set II: Tim Alexander's MAC (FOB AKG 414s > Sony D5 [Dolby B on]) > Nakamichi DR-1 playback (Dolby B off) > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC. notes
1745. 09/06/89 Shn - 0, 24418 Uniondale Nassau Coliseum Jerry Garcia Band: Taper: John Bulger; FOB Aud > Sennheiser Audio 2000 Mic setup > CM W/ Dolby C > Cass > Nak DR-10 (Playback)> Midiman Flying Cow A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 > CDWav v1.6 (tracking only) > SHNv3 (MKW ACT; Digital Conversion/shn'ed by Charlie Connor With thanks to Rob R. notes
1746. 09/06/89 Shn - 0, 6349 Uniondale Nassau Coliseum Jerry Garcia Band: audience-unknown> dat> cd> soundforge> shn by tim rossi tape errors: tape fades into How Sweet It Is, and tape also cuts at end of tangled. notes
1747. 09/06/89 Flac 16 - 0, 142515 Uniondale Nassau Coliseum flac16; Patched & Pitch Corrected Audience - (original shnid = 24418) Taper: John Bulger; FOB Aud > Sennheiser Audio 2000 Mic setup > CM W/ Dolby C > Cass > Nak DR-10 (Playback)> Midiman Flying Cow A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 > CDWav v1.6 (tracking only) > SHNv3 (MKW ACT; Digital Conversion/shn'ed by Charlie Connor With thanks to Rob R. - pitch correction and patches by Kevin Tobin notes
1748. 09/06/89 Flac 16/48 - 0, Uniondale Nassau Coliseum notes
1749. 09/07/89 Flac 24 - 0, 79724 East Rutherford Meadowlands Arena JGB, Set II, 48k: Tim Alexander's MAC (FOB AKG 414s > Sony D5 [Dolby B on]) > Nakamichi DR-1 plaback (Dolby B on) > Edirol R-09 (24bit/48khz) > Nomad Jukebox 3 > WAV > FLAC (24 bit/48kHz). notes
1750. 09/07/89 Flac - 0, 79723 East Rutherford Meadowlands Arena JGB, Set II: Tim Alexander's MAC (FOB AKG 414s > Sony D5 [Dolby B on]) > Nakamichi DR-1 plaback (Dolby B on) > Edirol R-09 (analog pass-through) > Nomad Jukebox 3 > WAV > FLAC. notes
1751. 09/07/89 Shn - 0, 14318 East Rutherford Meadowlands Arena Jerry Garcia Band: AUD (Unknown taper, Schoeps CMC34) > DAT > CDR > WAV > SHNv3. notes
1752. 09/07/89 Flac - 0, 32713 East Rutherford Meadowlands Arena JGB: Unknown taper, Sennheiser 2002's (FOB, left of center) > Sony D5 (3rd deck in chain) > master cassette > 1st gen cassette > Nakamichi Cassette Deck 2 playback > RCA > UA-5 > USB > WinXP Pro > CEP 2.0 > CD Wave Editor > Flac Frontend > FLAC16. notes
1753. 09/09/89 Flac 1644 - 0, 123144 Mansfield Great Woods Center for the Performing Arts JGB; flac1644; Frank Streeter's Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16. Patch Info: (FOB) Nakamichi 700 -> Dat -> CD -> SHN (shnid=9718). notes
1754. 09/09/89 Flac 1644 - 0, 97385 Mansfield Great Woods Center for the Performing Arts JGB: AUD: Unknown equipment, 1st Gen tapes used for transfer. Transfer: Maxell XLII-S 90's > Nakamichi DR-8 (w/no Dolby) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644. notes
1755. 09/09/89 Shn - 0, 9718 Mansfield Great Woods Center for the Performing Arts JGB: MAD > DAT > CD > EAC > SHN. Stealth upfront Nakamichi 700 (cardiods) customized (run without the bodies), powered by a Reutelhuber pre/ps > Panasonic SV250 > DAT/0 > DAT(clone) > Sony R300 @ 48k > ZA-2 @ 44.1k > Soundforge 4.0c > CD Architect > CD/0 > EAC > MkWToolkit > SHN. D>CD>SHN by Frank Venezia. notes
1756. 09/09/89 Flac 16 - 0, 136391 Mansfield Great Woods Center for the Performing Arts JGB; flac2496; Doug Lamarre , sennheiser 441’s > sony d5, maxell mx-90’s, dolby b, center, lawn; nakamichi dragon/b > benchmark ADC1 24/96 > mac, adobe audition CC > fission> xACT flac; transferred & seeded by Rob Berger 6/2016 notes
1757. 09/09/89 Flac 16/44 - 0, 150108 Mansfield Great Woods Center for the Performing Arts JGB; flac1644: AUD (stand @ 6.5 feet) : Nak 300's > Sony TC-D5 (Cassette Master); Transfer: Tascam 102mkII > RCA to XLR > Marantz PMD-661 Pro @ 24 bit 48 kHz notes
1758. 09/10/89 Flac - 0, 86701 Mansfield Great Woods Center for the Performing Arts JGB: matrix of SBD (shnid 27358) and AUD (shnid 14311) by dan at amdig dot com. notes
1759. 09/10/89 Shn Dts 5.1 - 0, 86710 Mansfield Great Woods Center for the Performing Arts JGB: DTS-Audio-CD 5.1 Mix of SBD (shn id 27358) and AUD (shn id 14311) notes
1760. 09/10/89 Flac - 0, 99004 Mansfield Great Woods Center for the Performing Arts JGB: FOB Sennheiser MKE-2002 binaural mics > Sony TC-D5 > Maxell XLII-S, with no Dolby. 17th row, taped by the 89 Wheel Chair Crew. Transfer: MAC > Nakamichi DR-8 (Dolby off) > Edirol FA-66 > WaveLab > R8Brain > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F. notes
1761. 09/10/89 Flac - 0, 88154 Mansfield Great Woods Center for the Performing Arts JGB: Ted Carpenter's Nakamichi CM-300's w/CP-1 cardioid capsules > Sony TC-D5M > Maxell XL-II 90's, w/no Dolby. Mics crossed X-Y pattern, on a 6-foot stand, middle of shed near SBD. Transfer: MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. notes
1762. 09/10/89 Flac - 0, 27358 Mansfield Great Woods Center for the Performing Arts Jerry Garcia Band: MSC > Cx > WAV > FLAC. Transfer: Cassette > FLAC (playback on Sony TC-KE400S, dolby disabled > Sony PCM-R500 with Super Bit Mapping enabled > coaxial S/PIDF output > M Audio Audiophile 2496 > recording with Soundforge 6.0) > tracking (cdwav) > sector boundaries confirmed (shntool) > SHN by C.Ladner, 10/04. notes
1763. 09/10/89 Shn - 0, 14311 Mansfield Great Woods Center for the Performing Arts Jerry Garcia Band: FOB (Unknown taper, Schoeps CMC34) > DAT > CDR > WAV > SHNv3. notes
1764. 09/10/89 Flac 24 - 0, 134316 Mansfield Great Woods Center for the Performing Arts JGB; flac2496; aud cassette master, senn 441's, taped by Doug Lamarre, transfer/seeded by Rob Berger notes
1765. 09/10/89 Flac - 0, 135315 Mansfield Great Woods Center for the Performing Arts JGB; flac1644; aud cassette master, senn 441's, taped by Doug Lamarre, transfer/seeded by Rob Berger notes
1766. 09/10/89 Flac - 0, 138374 Mansfield Great Woods Center for the Performing Arts JGB; flac 1648: From the Gastwirt Collection; Rich Gastwirt recording: FOB (about 12th row center) Patched from Frank Streeter's Neumann KM86 -> SV-250 -> DAT. Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48. Joe Noel Edits: Track, Flac, & Pack: Wave > Audacity > track/label > export multiple > flac 16/48. notes
1767. 09/10/89 Flac 16/44 - 0, 150109 Mansfield Great Woods Center for the Performing Arts JGB; flac1644: AUD (stand @ 6.5 feet) : Nak 300's > Sony TC-D5 (Cassette master); Transfer: Tascam 102mkII > RCA to XLR > Marantz PMD-661 Pro @ 24 bit 48 kHz. notes
1768. 09/11/89 Shn - 0, 22511 Worcester The Centrum Jerry Garcia Band. Source: MSD > C3 > D > WAV > SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J. Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) by C. Ladner. notes
1769. 09/11/89 Shn - 0, 21531 Worcester The Centrum Jerry Garcia Band, set I only: Unknown Taper; FOB Schoeps>?>wav>mkw>shn; shn encoding by Robert Goetz notes
1770. 09/13/89 Shn - 0, 19775 Old Orchard Beach Seashore Performing Arts Center Jerry Garcia Band: MAC (Taped by Glenn Gardner, Sennheiser ME80s > Sony D-5) > DAT > CDR > WAV > SHN. CDR and SHN encoding via A.Lemieux and C.Ladner. notes
1771. 09/13/89 Flac - 0, 94057 Old Orchard Beach Seashore Performing Arts Center JGB: 2x Nakamichi CM300's w/CP4 shotguns, plus 1x Nakamichi CM300 w/CP1 Cardioid blend mic > Nakamichi 550 cassette deck > Sony TC-D5M > Triad MG-X Metal (Set One) and That's CD-IV Metal (Set Two), with no Dolby. Mics on six foot stand, thirty feet from stage, in the center. Taped by the 89 Wheel Chair Crew. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. notes
1772. 09/13/89 Flac 24 - 0, 135312 Old Orchard Beach Seashore Performing Arts Center JGB; flac2496; aud cassette master, senn 441's, taped by Doug Lamarre, transfer/seeded by Rob Berger notes
1773. 09/13/89 Flac - 0, 135311 Old Orchard Beach Seashore Performing Arts Center JGB; flac1644; aud casette master, senn 441's, taped by Doug Lamarre, transfer/seeded by Rob Berger notes
1774. 09/15/89 Shn - 0, 25626 East Troy Alpine Valley Music Theatre Jerry Garcia Band: Realistic Stereo Mic on stand > Realistic Mixer > Sony Recorder; Master cassettes were transfered to Hi-Fi VHS circa 1990; Transfer: VHS > M-Audio Delta Audiophile/Audacity > Wav > shn32. notes
1775. 09/15/89 Shn - 0, 8295 East Troy Alpine Valley Music Theatre MAC > DAT > CDR > EAC > SHN notes
1776. 09/15/89 Flac 1644 - 0, 118330 East Troy Alpine Valley Music Theatre JGB; flac1644; Master audience recording by SJ. 2x Audio Technica ATR-35 mics > Sony PC-39 > Sony WM-D6C (2x Maxell MX-90); Transfer: Master tapes > Harmon Kardon TD-302, heads aligned to tape > Zoom H2 wav recorder @16/44.1 > SDHD > tracking and editing w/wavepad > flac and checksums w/traderslittlehelper Analog > digital transfer by arfarf. notes
1777. 09/15/89 Flac 24/48 - 0, 141680 East Troy Alpine Valley Music Theatre JGB; flac24; s2; Tom Markson's Sony ECM-909-> Sony D6C-> XLII Master Cassette; Mastered: XLII Master Cassette-> Nakamichi 7a-> Denon ADC 24bit@48khz-> Wavelab-> WAV-> FLAC24 notes
1778. 09/15/89 Flac 16 - 0, 141874 East Troy Alpine Valley Music Theatre JGB; flac16; s2; Tom Markson's Sony ECM-909-> Sony D6C-> XLII Master Cassette; Mastered: XLII Master Cassette-> Nakamichi 7a-> Denon ADC 24bit@48khz-> Wavelab-> WAV-> FLAC24 notes
1779. 09/15/89 Flac 16/44 - 0, 149866 East Troy Alpine Valley Music Theatre JGB; flac16; Bob Schmeling's Audience stealth capture mid-venue-center. Recorder: SONY WMD-3 cassette. Mic: SONY ECM 717 stereo; Lineage: Master cassette > Harmon Kardon TD-302 > M-Audio 2496 Audiophile sound card @24-48 >Audacity. Audacity for editing and tracking, traders little helper for flac level 8 and checksums. dBpoweramp for resampling to 16-44.1. Tagged with Mp3 tag. notes
1780. 09/15/89 Flac 16 - 0, 149865 East Troy Alpine Valley Music Theatre SHNID: 149865 notes
1781. 09/15/89 Flac 24/48 - 0, East Troy Alpine Valley Music Theatre notes
1782. 09/16/89 Shn - 0, 7325 Hoffman Estates Poplar Creek Music Theatre Jerry Garcia Band: Entire show with Clerence Clemons. Source:soundboard->analog->pioneer PDR-509->CDRW->audio catalyst 2.1-> wav->cool edit 2000->mkw audio compression tool->shn notes
1783. 09/16/89 Flac - 0, 117515 Hoffman Estates Poplar Creek Music Theatre JGB; flac16 Master Audience Recorded By Mr. Darby; AKG C451E/ck1s(PAS/DFC/Handheld Halfway Up Lawn)> AKG9V Phantoms>Sony TC-D5M; Transfer Information: Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/Flac8) Renamed Tracks/Dithered/Flacked With AudioGate Software And Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
1784. 09/16/89 Flac 24 - 0, 117514 Hoffman Estates Poplar Creek Music Theatre JGB; flac24/48kHz Master Audience Recorded By Mr. Darby; AKG C451E/ck1s(PAS/DFC/Handheld Halfway Up Lawn)> AKG9V Phantoms>Sony TC-D5M; Transfer Information: Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/Flac8) Renamed Tracks/Metadata Tagging With AudioGate Software By Keo notes
1785. 09/16/89 Flac 24 - 0, Hoffman Estates Poplar Creek Music Theatre notes
1786. 09/16/89 Shn - 0, 25627 Hoffman Estates Poplar Creek Music Theatre Jerry Garcia Band: Realistic Stereo Mic on stand > Realistic Mixer > Sony Recorder; Master cassettes were transfered to Hi-Fi VHS circa 1990; Transfer: VHS > M-Audio Delta Audiophile/Audacity > Wav > shn32 notes
1787. 09/16/89 Shn - 0, 11163 Hoffman Estates Poplar Creek Music Theatre Jerry Garcia Band: FOB MAC > DAT > CD > EAC > SHN. Taped by Brian O'Connell (5th row, left side in front of Melvin), hand-held Nak 100's > Sony D6. EAC > SHN by Todd Norman. notes
1788. 09/16/89 Flac 24/48 - 0, 141928 Hoffman Estates Poplar Creek Music Theatre KGB; flac2448; s2; Tom Markson's Sony ECM909 -> Sony D6C -> Master Cassette -> Nak 7a -> Tascam DA3000 @24 bit / 48khz-> Wavelab -> Flac notes
1789. 09/16/89 Flac 16/44 - 0, 145884 Hoffman Estates Poplar Creek Music Theatre JGB; flac1644: Greg Holtz's 2x Nakamichi CM-100 mics with CP-1 capsules (worn in hat) > Sony WM-D6C analog cassette recorder; transfer: MAC > Tascam 112 analog cassette deck > Edirol Audio Capture UA-5 USB Audio Interface > 24/96 > WAV PC > Audacity > Trader's Little Helper > FLAC level 8 > 24/96 file set, taped and transferred by Greg Holtz. This file set is 16 bit @ 44.1 notes
1790. 09/16/89 Flac 16 - 0, 145879 Hoffman Estates Poplar Creek Music Theatre JGB; flac16; s2; Tom Markson's Sony ECM909 -> Sony D6C -> Master Cassette -> Nak 7a -> Tascam DA3000 @24 bit / 48khz-> Wavelab -> Flac. This file set is 16 bit @ 44.1 notes
1791. 09/16/89 Flac 16 - 0, 149182 Hoffman Estates Poplar Creek Music Theatre JGB; flac16: sbd 3/4 gen Maxell XLII 90's > Onkyo deck > Behringer UB2222fx-Pro > Tascam US224 > Adobe Audition notes
1792. 10/31/89 Shn - 0, 13415 Concord Concord Pavilion Jerry Garcia Band: MAD (taped by Sean Webber-Small, Marcus Buick, and others, B&K 4011's @ 110 ORTF [handheld, Section FF, Row F, Seat 104]) > Monster M1000 > TAO Research (Oade designed supply) > Monster M1000 > Panasonic SV250, Panasonic SV250 > Sony PCM601 > Sony SL360, Sony SL360 > Sony PCM701 > Digidesign 442/Quadra650, edited w/ProTools 3.1, mastered with Masterlist 1.2 > Sony920s 2x CD mastering burner master CD > HP 9350i extraction using EAC (v0.9 beta 4) > sector boundary alignment using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). notes
1793. 10/31/89 Shn - 0, 14025 Concord Concord Pavilion Jerry Garcia Band: Jay Ashley remaster of earlier source. notes
1794. 12/01/89 Flac - 0, 94353 San Francisco Warfield Theatre JGB, flac16: AKG C1000S > Master Cassette (Marantz PMD-430/Dolby B) > Cassette (Dolby B); Transfer Info: Cassette (Nakamichi DR-1/Dolby B) > Sound Devices 744T (24bit/96k) > Samplitude Professional v10.1 > Adobe Audition v1.5 > FLAC/16; Recorded By Charlie Miller notes
1795. 12/01/89 Shn - 0, 6348 San Francisco Warfield Theatre 110' B&K 4011 @ Drink Rail -> SV255
Submitted to db.etree w/o a text file. The following text file circulates with filesets marked as SHNID # 6348 but may not be correct
notes
1796. 12/02/89 Flac - 0, 123333 San Francisco Warfield Theater JGB; flac1644; set II only; (FOB) Schoeps CMC3/MK4 -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1797. 12/02/89 Flac - 0, 81060 San Francisco Warfield Theater JGB: Marcus Buick's MAD (B&K 4011s [handheld in balcony seats 107-109 Row D,E] > Aerco PS @ 29.3dB > Panasonic SV-250); master DAT > Sony PCM 601 > Sony SL-360 beta/0 > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David "The Machine" Minches. notes
1798. 12/02/89 Shn - 0, 22513 San Francisco Warfield Theater Jerry Garcia Band. Clarence Clemmons for the whole show. Source: MSC>Cx>DAT>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J. Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) by C. Ladner. notes
1799. 12/02/89 Shn - 0, 6310 San Francisco Warfield Theater Jerry Garcia Band: Sbd> ???> Dat> Cdr notes
1800. 12/11/89 Shn - 0, 23114 San Francisco Westwood One Studios Garcia & Weir Interview: FM Broadcast ("Rockline") cassette master > Sound Forge 6.0 > wav > shn. notes
1801. 12/16/89 Flac - 0, 107856 San Rafael Club Front Edie Brickell, Rob Wasserman & Jerry Garcia: SBD -> Master -> ? -> Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller. notes
1802. 12/16/89 Flac - 0, 107541 San Rafael Club Front Edie Brickell, Rob Wasserman & Jerry Garcia; 24mins; sbd > ? > cd > ? > eac > flac16 (level8) notes
1803. 02/02/90 Flac - 0, 86658 San Francisco Warfield Theater JGB: MAC (Taped by Rob Darroch & Sara Paul, Neumann KM 140s ["The Spot", first tier, front drink rail center] > Sony D5) > Nakamichi LX5 playback > Sony PCM 601 > Sony SL-HF 360 Beta/0 > Sony SL-HF 360 playback > Sony PCM 701 > ProTools 3.1/Masterlist 1.2 (no dynamics used) > CD/0 > EAC > FLAC level 8. notes
1804. 02/03/90 Shn - 0, 12843 San Francisco Warfield Theater Jerry Garcia Band: set I only: SBD > CASS > ? > CDR > WAV > SHNv3. notes
1805. 02/03/90 Flac - 0, 81174 San Francisco Warfield Theater JGB, set I: Katzeff, Hughes and Buick's MAD (Josephson KD200/C-603 @ 110 ORTF [upper balcony, row M] > Aerco PS > uncertain deck [probably Panasonic SV 250]) > Tascam DA-30 playback > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches. notes
1806. 02/03/90 Flac - 0, 114060 San Francisco Warfield Theater Source: SBD > Line feed to hallway speakers (mono) > stealth spliced to MSC. Low gen tapes (1st or 2nd) kindly provided by Seaweed1010. Transfer: Metal cassettes > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F. June 2011. notes
1807. 02/04/90 Flac - 0, 30811 San Francisco The Warfield JGB: Marcus Buick's MAD (Josephson KD-200/C-603 [1st person on the right front stack] > Aerco 20dB power supply > Panasonic SV-250) > Tascam DA-30 playback > Digital Domain VSP-P (for sample rate conversion and anti-jitter) > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer by David Minches notes
1808. 03/01/90 Flac - 0, 138647 San Francisco Warfield Theater JGB, flac1644; Source: Unknown AUD > 2nd-gen cassette, via the JGMF "Closet Call" Project. Original A>D Transfer: Maxell XLII-100's > Nakamichi BX-300 (Dolby C) > Pyle Pro cables > WaveTerminal 2496 > Wavelab v5.0.1a record (16/48 wav) > CDWave v1.98 (tracking) > Traders Little Helper v2.4.1 (FLAC encoding, level 8) > foobar2000 v0.9.6.8 (tagging) > FLAC 2448. June 2017, 16bit/44.1kHz file-set mastering: FLAC 2448 > TLH > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. notes
1809. 03/02/90 Flac 16/48 - 0, 118910 San Francisco Warfield Theater JGB; master audience VHS, camera mic; unknown subsequent information to DVD [AC3, 192 kbs, 16 bit, 48 kHz] > DVD Audio Extractor set to 16/44 flac > MD5's created with TLH. notes
1810. 03/02/90 Flac 24/48 - , 152481 San Francisco Warfield Theater JGB; flac2448; Set One; Source: MAC > C > 2nd-Gen AUD cassette, via the JGMF Closet Call Project. Transfer: Maxell XLII-100 > Nakamichi BX-300 playback (Dolby C) > Pyle Pro cables > WaveTerminal 2496 > Samplitude 10.1 > WAV 2448, via JGMF. Edits: WAV 2448 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. notes
1811. 04/13/90 Flac - 0, 84845 San Francisco Warfield Theatre JGB: Rob Darroch & Sara Paul's Neumann KM140s (FOB, handheld) > Sony D5 w/ Dolby C > PCM 601 beta/0 > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches. notes
1812. 04/13/90 Shn - 0, 9459 San Francisco Warfield Theatre Jerryy Garcia Band: FOB > Nakamichi 700 > DAT > CD > WAV. Thanks to C.Miller for the CDR seeds. DAE (EAC), boundary checking (shntool), shn (mkwact) via neo_levo/candyman FTP. notes
1813. 04/14/90 Shn - 0, 9458 San Francisco Warfield Theater JGB: Bill Reutelheuber's MAD (Nak 700s > Panasonic SV-250) > DAT > CDR > WAV > SHNv3. thanks to C.Miller for Dat>CDR transfers and seeding this show. DAE/FTP via neo_levo/candyman FTP. 12/2003: Info file updated to reflect taper and gear information provided by Bill Reutelheuber. notes
1814. 04/15/90 Flac - 0, 30639 San Francisco The Warfield JGB, set I: Rob Darroch & Sara Paul's MAC (Neumann KM140s [FOB, handheld] > Sony D5 w/ Dolby C) > PCM 601 Beta/0 > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC Frontend decode to wav > minor editing (Sony Sound Forge Audio Studio 7.0) > sector boundary fix (shntool v2.0.3) > flac re-encoding (FLAC Frontend etree edition v1.7.1). notes
1815. 04/15/90 Flac - 0, 138275 San Francisco The Warfield JGB, flac1644; Unknown AUD kindly provided by wk & http://jgmf.blogspot.com/ ("for completists only"); Transfer: Maxell XLII's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 05/2017. notes
1816. 04/29/90 Shn - 0, 12896 San Francisco South Of Market Cultural Center Jerry Garcia, Nick Gravenites, Pete Sears and Animal Mind, Complete Show: SBD > DAT > CD > WAV >SHN. notes
1817. 04/29/90 Flac - 0, 96344 San Francisco South Of Market Cultural Center Animal Mind w/ Garcia: SBD > DAT > DAT> Tascom DA-40 > COAX to COAX cable > M-AUDIO Audiophile 2496 > CD Wave > TLH > flac24 > Flac Frontend > wav 24/48 > Adobe Audition > Wavelab with iZotope Ozone > Izotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16. notes
1818. 05/12/90 Shn - 0, 20352 Honolulu Waikiki Shell Jerry Garcia Band: MAC(Recorded by Frank Streeter, 2 FOB Neumann KM 86 mics > Sony TC-D5M) > WAV > SHN notes
1819. 05/12/90 Flac - 0, 89212 Honolulu Waikiki Shell JGB: Recorded by Trip: FOB 2 Neumann km 86 mics (no mic preamp used) > DAT Panasonic sv255; Transfer: Panasonic SV-3700 > Coax S/PDIF > M-Audio 410 (2 v1 dr1.8.2 2006-2 > FireWire400 > PowerMac G5 > Soundtrack Pro v1.0.3 (transfer by Thrak). Edited and Mastered By Jamie Waddell on the GEMS Edit Station. notes
1820. 05/19/90 Flac - 0, 86228 Kona Hotel Room Garcia Interview: microphone in the middle of a hotel room > Cassette received in trade > Cool Edit Pro (convert to .wav) > flac notes
1821. 05/20/90 Shn - 0, 20674 Hilo Auditorium Jerry Garcia Band: MAC(Sony TCD-5M (Felix): FOB 2 Neumann km 86 mics no mic preamp used) > WAV > SHN Recorded by Frank Streeter notes
1822. 06/12/90 Shn - 0, 11365 San Francisco Warfield Theater Jerry Garcia Band: MAD (Taper, equipment, and location unknown) > DATs > Tascam DA-30 playback > HHB-800 master CD > HHB-800 CD/1 > HP 9350i extraction and normalization to 98% using EAC > tracking using CD Wave > .shn encoding using mkwACT. notes
1823. 06/12/90 Flac 24/48 - 0, 148800 San Francisco Warfield Theater JGB; flac2448; Source: AUD of unknown lineage > ? > Cassettes rescued from ebay. Transfer: XLII's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2020 notes
1824. 06/13/90 Shn - 0, 11366 San Francisco Warfield Theater Jerry Garcia Band: MAD (Taper, equipment, and location unknown) > DATs > Tascam DA-30 playback > HHB-800 master CD > HHB-800 CD/1 > HP 9350i extraction using EAC > tracking using CD Wave > .shn encoding using mkwACT. notes
1825. 06/13/90 Flac - 0, 85819 San Francisco Warfield Theater JGB: set I: Marcus Buick & Rick Katzeff, Neumann KM140s @ 110 ORTF > Panasonic SV-255 (5' behind 1st rail, 1st tier, center); set II: Schoeps CMC 521s @ 90 > Oade PS > Panasonic SV-SV255 (1st row tables, 2nd tier, left center); Transfer: Beta/0 > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > shntool > FLAC. Transfer and FLAC encoding by David Minches. notes
1826. 08/05/90 Shn - 0, 22083 Berkeley Greek Theatre @ University of California Jerry Garcia Band: Recording Info:(FOB) Nakamichi 700/CP701 -> Dat; Transfer Info: Dat (Sony D8) -> CD (Tascam CDRW700) -> EAC -> Cool Edit Pro v1.2 -> CD -> EAC -> SHN (2 Discs Audio / 2 Discs SHN); Recorded By Bill Reutelhuber; All Transfers By Charlie Miller July 2001 notes
1827. 08/05/90 Shn - 0, 6347 Berkeley Greek Theatre @ University of California Jerry Garcia Band:FOB -> Nakamichi 700 -> Dat -> CD -> Cool Edit Pro -> CD Dat -> CD Transfer and editing done by Charlie Miller notes
1828. 08/07/90 Flac - 0, 30740 San Francisco The Warfield erry Garcia Band: MAD (Rob Darroch and Sara Paul, Neumann KM140s handheld @ 110 ORTF ['The Spot', Rail-1st, 2nd row] > Panasonic SV-255) > unknown playback > Sony PCM 601 > SL 360 master Beta > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. PCM > FLAC by David Minche notes
1829. 08/08/90 Flac - 0, 30810 San Francisco The Warfield Jerry Garcia Band: MAD (Rob Darroch and Sara Paul, Neumann KM140s handheld @ 110 ORTF ['The Spot', Rail-1st, 2nd row] > Panasonic SV-255) > unknown playback > Sony PCM 601 > SL 360 master Beta > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. PCM > FLAC by David Minches. notes
1830. 08/08/90 Shn - 0, 22378 San Francisco The Warfield Jerry Garcia Band. Source: MAC(unknown mics/taper) > C > C > DAT > WAV > SHN. Digital transfer via C.Ladner & J.Powell. notes
1831. 08/08/90 Flac 16/48 - 0, 141288 San Francisco The Warfield GB, flac1648; Audience Recording. Hand Held SchoepsCMC44 > Panasonic SV 255 > Denon R90-DT DAT Master. 110 degrees ORTF First Row of Tables. DAT Archived and Transferred By Stuccoholmes 2018. Edited and Mastered by Jamie Waddell in Wavelab 7.2. 16bit 48kHz FLAC Level8 in TLH. notes
1832. 08/09/90 Shn - 0, 22377 San Francisco Warfield Theater Jerry Garcia Band. Source: MAC(unknown mics/taper) > C > C > DAT > WAV > SHN. Digital transfer via C.Ladner & J.Powell. notes
1833. 08/09/90 Flac - 0, 85818 San Francisco Warfield Theater JGB, set I: Schoeps CMC 44s ORTF (center table 1/2 back ["rear"], mics on table) > JE 16 > Panasonic SV-255 master DAT > DAT(x) > Tascam DA-30 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches. notes
1834. 09/01/90 Shn - 0, 22085 Mountain View Shoreline Amphitheatre Jerry Garcia Band: Recording Info: (FOB) Nakamichi 700/CP701 -> Dat; Transfer Info: Dat (Sony D8) -> CD (Tascam CDRW700) -> EAC -> SHN(2 Discs Audio / 2 Discs SHN); Recorded By Bill Reutelhuber; All Transfers By Charlie Miller July 2001 notes
1835. 09/01/90 Flac 16/48 - 0, 142170 Mountain View Shoreline Amphitheatre JGB; flac1648; John Ammons, Rob Darroch & Marcus Buick FOB Recording: B&K 4011's (110º ORTF) > DAT 48k (Panasonic SV255); Location: Sect 102, Row N, Seat 19, mics hand held. John Ammons Transfer: from DAT clone of the Darroch Master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave. Edited & Mastered by Joe Noel, Wave > Audacity > 16/48, May 19, 2018 notes
1836. 11/11/90 Flac - 0, 23855 Los Angeles Wiltern Theatre Audmc/Toa DM1200d(1st Row Balcony)>D-6>Jb3>Goldwave>Cdwav>Flac Flac fingerprints included in text file. notes
1837. 11/12/90 Flac 24 - 0, 96579 Los Angeles Wiltern Theatre JGB flac24: Archival Audio's Toa k1's "active" (about 6'high) > Sony WM-TCD-6C > Maxell MX-90's x 2 (Dolby C on); Tascam 302 Dolby C on playback > Monster Y (RCA splitter) > Monster interlink 101 RCA > 1/4"> Fostex (stock) FR2-LE 24bit/48khz (dual mono) BWF > Transcend 133x CF card; > usb > iBook G4 1.2 GHZ / 1.25 GB RAM OSX 10.4.1 1> BWF opened in Peak5.2 [tracked and faded] [DC bias removal] [Carbon MDA VST effects-Image-plugin- MS->LR : regions [labels] exported .wav > xACT v1.62 to FLAC (level 8 ) generate ffp and len (shntool) output. notes
1838. 11/12/90 Flac - 0, 102652 Los Angeles Wiltern Theatre FOB Master Audience: Seats Orch Row H Seat 118 (Aisle 4) = 12 Row. MAC: Toa k1's "active" (about 6'high) > Sony WM-TCD-6C > Maxell MX-90's x 2 (Dolby C on) PlayBack: MAC: Tascam 302 Dolby C on > Monster Y (RCA splitter) > Monster interlink 101 RCA > 1/4"> Fostex (stock) FR2-LE 24bit/48khz (dual mono) BWF > Transcend 133x CF card. Transfer info: > usb > iBook G4 1.2 GHZ / 1.25 GB RAM OSX 10.4.1 1> BWF opened in Peak5.2 [tracked and faded] [DC bias removal] [Carbon MDA VST effects-Image-plugin- MS->LR] regions exported .wav24 48khz wav24 opened in Sample Manager 3.1.3 [iZotope resampler - MBIT+] (iZotope 64-bit SRC utilizes a hyrbrid algorithm | MBIT+ dithering algorithm features psychoacoustic noise shaping) > 16 bit 44.1khz > xACT v1.62 to FLAC (level 8 ) fix SBE's generate ffp and len (shntool) output. Recorded, Transfered, Mastered & Seeded by Ian Stoy aka ArchivalAudio notes
1839. 11/12/90 Flac 24/48 - 0, 150942 Los Angeles Wiltern Theatre JGB, Set-2; Flac2448; Source: AUD of unknown lineage > ? > Cassette rescued from ebay. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 11/2020 notes
1840. 11/13/90 Flac - 0, 23743 Los Angeles Wiltern Theatre Jerry Garcia Band: Source: Audmc(ff n2 orch)/Toa DM1200d>D-6>Jb3>Goldwave>Cdwav>Flac. The second set has an additional analog genereation. Taped by John DeTally. Transferred and FLAC encoding by Jason Flair. notes
1841. 11/15/90 Flac - 0, 23774 Los Angeles Wiltern Theatre Jerry Garcia Band: Source: MAC(Toa DM1200d>D-6>Jb3>Goldwave>Cdwav>Flac. Taped by John DeTally. Transferred and FLAC encoding by Jason Flair. notes
1842. 11/15/90 Flac 24/48 - 0, 151077 Los Angeles Wiltern Theatre JGB; flac 2448; Partial; Source: AUD of unknown lineage > ? > Cassette rescued from ebay. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 12/2020 notes
1843. 11/16/90 Flac - 0, 23829 Los Angeles Wiltern Theater Jerry Garcia Band: MAC (Toa DM1200d > Sony D-6) > Jb3 > Goldwave > Cdwav > Flac. Flac fingerprints included in text file notes
1844. 11/16/90 Flac 16/44 - 0, 141460 Los Angeles Wiltern Theater JGB; flac1644; John DeTally's MAC, remaster of shnid-23829. notes
1845. 11/20/90 Shn - 0, 18967 San Francisco Warfield Theater Source: AUD > ? > CDR > WAV > SHNv3 Microphones and taper unknown @ this time. CDR source via C.Davis. SHN encoding/FTP via C.Ladner/candyman FTP. notes
1846. 11/20/90 Shn - 0, 22086 San Francisco Warfield Theater Jerry Garcia Band, currently set I only: Recording Info: (FOB) Nakamichi 700/CP701 -> Dat; Transfer Info: Dat (Sony D8) -> CD (Tascam CDRW700) -> EAC -> SHN (1 Disc Audio / 1 Disc SHN); Recorded By Bill Reutelhuber; All Transfers By Charlie Miller July 2001 notes
1847. 11/21/90 Shn - 0, 22087 San Francisco Warfield Theater Jerry Garcia Band: Recording Info: (FOB) Nakamichi 700/CP701 -> Dat; Transfer Info: Dat (Sony D8) -> CD (Tascam CDRW700) -> EAC -> SHN; (2 Discs Audio / 1 Disc SHN); Recorded By Bill Reutelhuber; All Transfers By Charlie Miller July 2001 notes
1848. 11/24/90 Flac - 0, 117018 Oakland Henry J. Kaiser Convention Center Source: (FOB) AT853a [cardioids/xy] > Aiwa HD-X1 Lineage: DAT/M > VHS/1 > HHb 800 > EAC > CDWav > FLAC Recorded: John Lech. Transferred: Jeff Bowen. Extraction: Brad Foster. Mics were held at head height mounted on a custom made xy bar atop a blacked out car antenna. notes
1849. 11/24/90 Shn - 0, 10122 Oakland Henry J. Kaiser Convention Center Jerry Garcia Band: MAC (Taped by Charlie Miller, front row balcony 40' spaced AKG C1000S [cardioids] > Sony D5 master cassette) > DAT > CD > .shn encoding by TomE. notes
1850. 11/24/90 Flac - 0, 97720 Oakland Henry J. Kaiser Convention Center JGB: FOB B&K 4011 mics (ORTF) > master DAT (taper unknown); DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans; Editing and Mastering by Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging notes
1851. 11/24/90 Flac - 0, 134775 Oakland Henry J. Kaiser Convention Center JGB; flac1644; Audio Technica AT-853a Cardioids (x/y) >Aiwa HD-X1 DAT >VHS I >CDR >FLAC Recorded And Transferred To VHS By John Lech)
Microphones Were Held At Head Height Mounted On A Custom-Made x/y Bar Atop A Blacked Out Car Antenna.
VHS I Transferred: Mitsubishi HS-U59 >HHb CDR 800 PRO Via Analog i/o,
CD Masters >FLAC (Level 8) Via xACT 2.35 [VHS >CDR >FLAC Transferred By OldNeumanntapr] notes
1852. 11/24/90 Flac 16/48 - 0, Oakland Henry J. Kaiser Convention Center notes
1853. 12/17/90 Shn - 0, 8065 Mill Valley The Sweetwater Garcia & Grisman. AUD:D > DAT > CD. notes
1854. 12/22/90 Shn - 0, 13205 San Francisco San Francisco Civic Auditorium notes
1855. 12/22/90 Flac 16/48 - 0, San Francisco San Francisco Civic Auditorium notes
1856. 12/22/90 Flac 16/48 - 0, 149794 San Francisco San Francisco Civic Auditorium JGB; flac1648; Set 1 Nak 700 [Likely patched out of Bill Reutelhuber]; Set 2 Schoeps CMC34 [unknown at this time]. DATS Archived and Transferred By Stuccoholmes. Audio Mastering by Jamie Waddell. notes
1857. 12/22/90 Flac 16/48 - 0, 149824 San Francisco San Francisco Civic Auditorium JGB; flac1648; (FOB) Nakamichi 700 (mini cards in hat) > rbox Preamp > DAT (Panasonic SV-250-48k); Transfer Info: DAT (Tascam DA-20) > CD (Tascam CD-RW700) > Samplitude Pro X4 Suite > FLAC16. notes
1858. 01/29/91 Flac - 0, 28844 San Francisco Warfield Theater Jerry Garcia Band, mixed sources: Set I: Schoeps CMC3-MK4>D>D>WAV>FLAC, taper unknown at this time; Set II: Taped by Jeff Geer, Nak700 > CM > D > WAV > FLAC. notes
1859. 01/30/91 Flac - 0, 87243 San Francisco Warfield Theater JGB, set I: Schoeps CMC34s (at the drink rail) > m1000 cables > Oade power supply > Panasonic SV-255 DAT master > unknown gen DAT > Tascam DA-30 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches. notes
1860. 01/30/91 Flac - 0, 16712 San Francisco Warfield Theater FOB NAK 700>DAT>CD>Cool Edit Pro>CD notes
1861. 01/31/91 Shn - 0, 22159 San Francisco Warfield Theater Source: Schoeps CMC3-MK4 (110 degrees ORTF hand held under sweatshirt at drink rail)>Oade pre-amp>Panasonic SV255>D>D>WAV>SHN. Taper: unknown at this time. notes
1862. 01/31/91 Flac - 0, 124314 San Francisco Warfield Theater JGB; flac1648; schoeps cmc3/mk4>oade pre>?, fob by Andy C./DAT1 from JK transfer: DAT1/sony pcm r-500>marantz pmd661>cdwave>tlh 16b/48/khz by john m 2013-03-31 notes
1863. 02/02/91 Shn - 0, 11168 San Francisco Warfield Theater Garcia & Grisman, complete show: DSBD > DATs > CDs > EAC > SHN. notes
1864. 02/02/91 Shn - 0, 7323 San Francisco Warfield Theater Garcia & Grisman: AUD > DAT > CDR > WAV > SHN notes
1865. 02/02/91 Flac - 0, 30812 San Francisco Warfield Theater GJK: Team-taped (Rob Darroch, Sara Paul, John Ammons, Rick Katzeff, Marcus Buick and others) B&K 4011s (110 ORTF from "The Spot," 2nd tier, 2nd row from drink rail) > Neumann 48V power supply > Panasonic SV255 master DAT; Transfer: Panasonic SV3500 playback > Sony PCM601 DSP > Sony SL 360 Betamax master Beta > Sony SL360 playback > Sony PCM701 DSP > ProTools 442 (on Mac Quadra 650, captured in ProTools 3.1, mastered with MasterList 1.1) > CD/0. No EQ or dynamics added; master gain level for the CD was performed in Masterlist and was done completely in the digital domain. CD mastering by Marcus Buick. Level 8 FLAC encoding from the master CDs by jjoops. notes
1866. 02/02/91 Flac - 0, 81804 San Francisco Warfield Theater Garcia & Grisman, rehearsals: unknown gen proshot video > editing > WAV 48 kHz > FLAC, via Teddy Goodbear. notes
1867. 02/03/91 Shn - 0, 21788 San Francisco Warfield Theater Garcia & Grisman, two sources: Set One: SBD -> Dat -> Cassette Master -> ? -> Cass -> Dat -> Samplitude -> SHN; Set Two: SBD -> Dat -> Cassette Master -> Dat -> SHN; (2 Discs Audio / 2 Discs SHN); Transfered By Charlie Miller. notes
1868. 02/03/91 Shn - 0, 4373 San Francisco Warfield Theater Garcia & Grisman: second set only; DSBD> cass.> DAT> CDR notes
1869. 02/03/91 Flac 24/96 - 0, 135311 San Francisco Warfield Theater JGDG; flac2496; s2 sbd-aud mix; SBD and Mic patch from another set of decks to Sony Walkman Pro/Maxell MX-S 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 notes
1870. 02/03/91 Flac 16/44 - 0, 135113 San Francisco Warfield Theater JGDG; flac1644; s2 sbd-aud mix; SBD and Mic patch from another set of decks to Sony Walkman Pro/Maxell MX-S 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 -> to .wav2496 (TLH) to .wav1644 (r8brain, very high) to .flac1644 (THL, level 8, fix SBEs) notes
1871. 02/03/91 Flac 16/48 - 0, 149610 San Francisco Warfield Theater JGDG; flac1648; Nakamichi 700 Cardioid Microphones > Casio DA-7 > Master DAT 1st set 6 feet from monitors, 2nd set in pit. DAT Archived and Transferred By Stuccoholmes Audio Mastering by Jamie Waddell notes
1872. 02/03/91 Flac 16/48 - , 153121 San Francisco Warfield Theater Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII) > DAT (Panasonic SV-3700/48k)
Transfer Info: DAT (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X6 Suite > FLAC/48k
notes
1873. 02/28/91 Flac 1644 - 0, 117853 San Francisco Warfield Theater JGB; s2 only; flac1644; "Da Weez" 2x Neumann KMF4 microphones > Sony TC-D5M - analog master cassette. Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files. Recorded by "Da Weez" Transferred and mastered to .wav files by D5scott. notes
1874. 02/28/91 Shn - 0, 23226 San Francisco Warfield Theater Jerry Garcia Band. FOB(Schoeps CMC3-MK4>D>D>WAV>SHN. Partial recording - first set only. notes
1875. 02/28/91 Flac - 0, 34070 San Francisco Warfield Theater JGB: Schoeps MK4 > DAT > CDR > WAV > FLAC16. notes
1876. 02/28/91 Flac 16/48 - 0, 141096 San Francisco Warfield Theater JGB; flac1648: Schoeps CMC34s @110 degrees ORTF > Oade Power Supply > M1000 Cables > Panasonic SV255 hand-held at stomach level at Drink Rail > DAT Master > DAT [ Panasonic 90m ] DAT Archived and Transferred by Stuccoholmes Mastered by Jamie Waddell in Wavelab7 Track FLAC and Pack by Jason Chastain 16 bit 48kHz FLAC Level8 notes
1877. 03/01/91 Shn - 0, 7329 San Francisco Warfield Theater Jerry Garcia Band: FOB->B+K 4011->Neumann PS->Dat->CD >EAC>SHN Dat->CD Done by Charlie Miller. notes
1878. 03/01/91 Shn - 0, 6627 San Francisco Warfield Theater Jerry Garcia Band:FOB->B+K 4011->Neumann PS->Dat->CD>eac>shn ****EAC Version***** a non eac'd version circulates notes
1879. 03/01/91 Flac 16/48 - 0, 141449 San Francisco Warfield Theater GB; flac1648; B&K 4011's > Neuman Power Supply > Panasonic SV-255 ORTF 110 degrees, Hand Held, 6 foot high, in the sweet spot. DAT Copy Archived and Transferred By Stuccoholmes 2018. Edited and Mastered by Jamie Waddell in Wavelab 7.2 16bit 48kHz FLAC Level8 in TLH. notes
1880. 03/02/91 Flac - 0, 114535 San Francisco Warfield Theater Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones (up front-center) > Sony TCD5M - analog master cassettes Transfer: Sony TCD5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes
1881. 03/02/91 Shn - 0, 15584 San Francisco Warfield Theater Jerry Garcia Band: Source: AUD (unknown mics) > DAT > CDR > SHNv3; Taper: unknown. Seeder suspects lineage to be FOB (Schoeps CMC3/MK4) - confirmation pending. notes
1882. 03/02/91 Flac 16/48 - 0, 141457 San Francisco Warfield Theater JGB; flac1648: Schoeps CMC34 > Oade Power Supply > Panasonic SV-255 ORTF 110 degrees, Hand Held, 6 foot high, in the sweet spot. DAT Copy Archived and Transferred By Stuccoholmes 2018. Edited and Mastered by Jamie Waddell in Wavelab 7.2. notes
1883. 04/19/91 Shn - 0, 23225 San Francisco Warfield Theater Jerry Garcia Band. Partial recording - first set. Source: Schoeps CMC3-MK4>D>D>WAV>SHN. First public performances of 'Shining Star' and 'Twilight'. notes
1884. 04/20/91 Shn - 0, 15083 San Francisco Warfield Theater Jerry Garcia Band: MAD (FOB Schoeps CMC3/MK4) > CDR > WAV > SHNv3. Taper: unknown at the time of circulation. Thanks to H.Angus for the CDR seeds. SHN encoding / FTP'ing via C.Ladner / candyman FTP. notes
1885. 04/20/91 Flac 16/48 - 0, 141948 San Francisco Warfield Theater JGB; flac1648; Schoeps CMC 34 > M1000 > Tao power supply > Panasonic SV-255; DAT Archived and Transferred By Stuccoholmes 2018 notes
1886. 04/21/91 Shn - 0, 6346 San Francisco Warfield Theatre Jerry Garcia Band: Dank Certified: FOB Schoeps CMC34> Oade Power Supply > Panasonic SV-255 Tranfer: DAT clone (Sony DTC-A6) > Dio 2448 > Soundforge 4.5 > CD WAV > Shn by Bill Gardner, bgardner@telocity.com notes
1887. 04/21/91 Flac 16/48 - 0, 141963 San Francisco Warfield Theatre JGB; flac1648; Rob Darroch's Schoeps CMC 34 > M1000 > Tao power supply > Panasonic SV-255; Recorded by Rob Darroch (RIP); DAT Archived and Transferred By Stuccoholmes 2018 notes
1888. 05/22/91 Flac - 0, 138582 San Francisco Warfield Theater JGB, flac1644; 1st Set, Unknown AUD > ? > C > WAV, kindly provided by http://jgmf.blogspot.com/ Transfer: Cassette > Unknown transfer > WAV 1696 > R8Brain > Wavelab > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 06/2017 notes
1889. 05/22/91 Flac 24/48 - 0, 151452 San Francisco Warfield Theater JGB, flac2448; Unknown AUD > Cassette rescued from ebay marked 1st-Gen. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2021 notes
1890. 05/23/91 Shn - 0, 9460 San Francisco Warfield Theater Jerry Garcia Band: (FOB) Schoeps mk4>Dat>CDR>WAV>SHNv3. Thanks to C. Miller for the DAT > CDR conversion and seeding this show. DAE (EAC) > boundary check (SHNTOOL) > shn (MKWACT) via neo_levo. hosted on candyman server, 2/2002. notes
1891. 05/23/91 Flac 16/48 - 0, 141932 San Francisco Warfield Theater KGB; flac1648; Schoeps MK-4 capsules > Sony TCD-D3, transferred By Stuccoholmes 2018 notes
1892. 05/23/91 Flac 24/48 - 0, 151460 San Francisco Warfield Theater JGB; flac2448; Source: Unknown AUD > Cassette rescued from ebay marked 1st-Gen. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2021 notes
1893. 08/10/91 Flac - 0, 30813 Piercy French's Camp On The Eel River Jerry Garcia Band: Marcus Buick, Rick Katzeff and Tom Hughes, Schoeps CMC32s, spaced omnis ca. 6-6.5' center/right > TAO/Oade PS > Panasonic SV-255; Transfer: Tascam DA-30 > Digital Domain VSP-P (for sample rate conversion and anti-jitter) > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool > FLAC. notes
1894. 08/10/91 Shn - 0, 14932 Piercy French's Camp On The Eel River Jerry Garcia Band: Source: AUD(mic's unknown)>DAT>CDR>WAV>SHN. Taper: unknown at this time. Thanks to H. Angus for the CDR seeds. DAE(EAC 0.9 beta 4, offset corrected, high/secure) > editing (soundforge 5) > boundary check (shntool) > SHN (shorten 3.4) > FTP via C.Ladner/candyman FTP. notes
1895. 08/10/91 Flac 16/48 - , 152386 Piercy French's Camp On The Eel River JGB; flac1648; JC Mahoney & Dan O'Neill's Schoeps CMC34 (ortf) > M1000 cables > Tao Research - Oade supply > Panasonic SV-255 (48k); Location: FOB-DFC, mics handheld both sets; Transfer: Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16-48; Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel. January 18, 2021. Fresh transfer and remaster of shnid-142025. notes
1896. 08/24/91 Shn - 0, 4371 Squaw Valley Goldcoast Concert Bowl Jerry Garcia Band: DSBD>CDR; flaws: short do at 6:02 in d1t02 (also on the master). notes
1897. 08/24/91 Flac - 0, 34072 Squaw Valley Goldcoast Concert Bowl JGB: Poorly documented SBD source w/ song titles in the file names: SB>DAT>WAV>FLAC notes
1898. 08/24/91 Shn - 0, 35269 Squaw Valley Goldcoast Concert Bowl Garcia & Grisman: soundboard->Dat->cd-r notes
1899. 08/25/91 Flac - 0, 26573 Squaw Valley Goldcoast Concert Bowl Garcia & Grisman: SBD-AUD matrix: DSBD > 2D > WAV; MAD (Taped by Bill Reutelhuber, Schoeps MK2 omnis [FOB Center] > Panasonic SV-255). See info file for additional details. notes
1900. 08/25/91 Flac - 0, 87244 Squaw Valley Goldcoast Concert Bowl JGDG: Rob Darroch's B&K 4011s > Panasonic SV-255 DAT; Source: PCM-Beta tape, unknown gen but close to master; Transfer: Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard; CD mastering & encoding: hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer by David Minches. notes
1901. 08/25/91 Flac - 0, 28843 Squaw Valley Goldcoast Concert Bowl JGDG: SBD DAT > TASCAM DA-20 MKII > Tascam CD-RW5000 > CDR > Extracted Sony Sound Forge 7.0 > CDWAV > Flac notes
1902. 08/25/91 Shn - 0, 4370 Squaw Valley Goldcoast Concert Bowl Garcia & Grisman: DSBD> DAT> CDR> EAC> SHN; via Eric Walker notes
1903. 08/25/91 Flac 16/48 - , 153266 Squaw Valley Goldcoast Concert Bowl JGDG; flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 4370): DSBD> DAT> CDR> EAC> SHN; via Eric Walker + AUD (shnid = 87244): Rob Darroch's B&K 4011s > Panasonic SV-255 DAT; Source: PCM-Beta tape, unknown gen but close to master; Transfer: Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard; CD mastering & encoding: hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer by David Minches - surround mixing by Kevin Tobin notes
1904. 08/25/91 Dts Audio 5.1 - , 153264 Squaw Valley Goldcoast Concert Bowl jgdg; DTS-Audio-CD 5.1 Mix; - SBD (shnid = 4370): DSBD> DAT> CDR> EAC> SHN; via Eric Walker + AUD (shnid = 87244): Rob Darroch's B&K 4011s > Panasonic SV-255 DAT; Source: PCM-Beta tape, unknown gen but close to master; Transfer: Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard; CD mastering & encoding: hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer by David Minches - dts mixing by Kevin Tobin notes
1905. 11/06/91 Shn - 0, 16671 Landover Capital Centre Jerry Garcia Band: FOB (Schoeps 34 > Oade) > DAT > CDR > WAV > SHN. Taper: unknown. CDR source via H.Angus. DAE,SHN encoding, FTP hosting via C.Ladner/candyman FTP notes
1906. 11/06/91 Flac - 0, 137703 Landover Capital Centre JGB; flac1648; FOB Schoeps MK4s > Dat (Panasonic SV-255/48k); edited and mastered SIRMick notes
1907. 11/06/91 Flac 16/48 - 0, 151224 Landover Capital Centre JGB; flac1648; Dave Brotman and Jeff Metchick's FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16-48) > Master DAT; Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648. Transfer by Anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. December 16, 2020. notes
1908. 11/07/91 Flac - 0, 85398 Landover Capital Centre JGB (16bit/48kHz): Clay Brennecke 's IFOB (Floor Section 5 - Row M) ~ Schoeps MK4's > Custom Oade Pre Amp > Panasonic SV-255 Transferred: John E. Herrold Transfer Linage: Master SV-255 DAT > Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Sound Forge 8.0 > WAV notes
1909. 11/07/91 Shn - 0, 13561 Landover Capital Centre Jerry Garcia Band: AUD (Schoeps CMC34) > Oade > SV-255 > DAT > CDR > WAV > SHNv3, taper unknown. notes
1910. 11/07/91 Flac - 0, 137841 Landover Capital Centre JGB; flac1648; (FOB) Schoeps MK4s > Dat (Panasonic SV-255/48k) edited and mastered SIRMick notes
1911. 11/07/91 Flac 16/48 - 0, 151225 Landover Capital Centre JGB; flac1648; Dave Brotman and Jeff Metchick's FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16-48) > Master DAT; Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648. Transfer by Anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. December 16, 2020. notes
1912. 11/09/91 Shn - 0, 4368 Hampton Hampton Coliseum Jerry Garcia Band: Schoeps FOB Schoeps CMC3/mk4 (ortf handheld in "sweet spot")>Oade Mic Pre> Sony D7 > Master DAT> CD(no intermediate DAE)> EAC> SHN; entire show with Bruce Hornsby; via Darrin Sacks notes
1913. 11/09/91 Flac - 0, 85796 Hampton Hampton Coliseum JGB (16bit/48kHz): Taper: Clay Brennecke Location Rig: IFOB (in sweet spot, DFC 35' from stage) ~ Schoeps MK4's > Custome Oade Pre Amp > Panasonic SV-255 Transfered: John E. Herrold Transfer Linage: Master SV-255 DAT > Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV notes
1914. 11/09/91 Flac - 0, 137883 Hampton Hampton Coliseum JGB; flac1648; FOB Schoeps MK4s > Dat (Panasonic SV-255/48k); edited and mastered SIRMick February 2017. notes
1915. 11/09/91 Flac 16 - 0, 145573 Hampton Hampton Coliseum JGB; flac16; partial set I; SBD feed -> Pro shot local news video -> DVD Audio Extractor 6.30 -> .wav files @ 16/48 > Flac Frontend level 8. notes
1916. 11/09/91 Flac 16/44 - 0, 149265 Hampton Hampton Coliseum JGB; flac 1644: FOB Schoeps CMC3 Mk4-> Panasonic SV255->DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel. notes
1917. 11/09/91 Flac 16/48 - 0, 151226 Hampton Hampton Coliseum JGB; flac1648; Dave Brotman and Jeff Metchick's FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16-48) > Master DAT (location: 20th row DFC, mics on stand @ 7'); Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648. Transfer by Anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. December 15, 2020. notes
1918. 11/09/91 Flac 16 - , 151846 Hampton Hampton Coliseum JGB; flac16; (FOB) Sennheiser MD421 > D-5 by unknown; Source of Dat and Transfer by John Lynch; Audacity(Fades,Gain) > Fission, xACT > flac16 notes
1919. 11/10/91 Shn - 0, 15265 Charlotte Charlotte Coliseum Jerry Garcia Band: AUD (mics unknown) > DAT > CDR > WAV > SHN. SHN encoding/FTP via Chris L./candyman FTP. notes
1920. 11/10/91 Flac 24/96 - 0, 145593 Charlotte Charlotte Coliseum JGB; flac24; : Michael Hessberg's AKG C522s > Sony TC -D5M > Cassette Master; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k) - Transferred by Charlie Miller. Lineage: Wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24, edited and mastered SIRMick 2019. notes
1921. 11/10/91 Flac 16 - 0, 145592 Charlotte Charlotte Coliseum JGB; flac16; Michael Hessberg's AKG C522s > Sony TC -D5M > Cassette Master, transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k) - Transferred by Charlie Miller. Lineage: Wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac 16, edited and mastered SIRMick March 2019. notes
1922. 11/10/91 Flac 16/48 - 0, 151227 Charlotte Charlotte Coliseum JGB; flac1648; Dave Brotman and Jeff Metchick's FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16-48) > Master DAT; Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648. Transfer by Anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. December 17, 2020. notes
1923. 11/12/91 Shn - 0, 13604 Philadelphia The Spectrum Jerry Garcia Band: FOB (NAK 700's) > DAT > CDR > WAV > SHNv3. Taper: unknown. notes
1924. 11/12/91 Flac 24 - 0, 140703 Philadelphia The Spectrum notes
1925. 11/12/91 Flac 24/48 - 0, 140703 Philadelphia The Spectrum JGB; flac24; : (FOB) Unknown Sony Mics > Sony TC-D5 > Sony WMD-6 > Master Cassette; Transfer: Master Cassette > Sony WMD-6 > Edirol R09-HR > wav 24/48 Lineage: iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick January 2018 notes
1926. 11/12/91 Flac 16 - 0, 141057 Philadelphia The Spectrum notes
1927. 11/12/91 Flac 16/48 - 0, 151228 Philadelphia The Spectrum JGB; flac1648; Dave Brotman and Jeff Metchick's FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16-48) > Master DAT; Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648. Transfer by Anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. December 18, 2020. notes
1928. 11/13/91 Flac - 0, 81368 Worcester The Centrum JGB: John Mutterperl' s FOB Schoeps CMC 44 blue dot cards with 90 degree capsule offsets > 6' Monster M1000 cable -> Oade PS-> 1' Monster M1000 > Oade mod'd Panasonic Sv-255. Mics were hung from a necklace, just under chin height with roughly a 4 inch spread and 90 degree angle. Transfer: MAD > B. Fried DAT > B. Koucky DAT > Sony PCM-R500 playback > S/PDIF > Presonus Firebox > Firewire > PC, XP Pro > Wavelab 5 (recorded as 24 bit/48 KHz WAV) > Waves L3 Multimaximizer, high res CD rendering settings (Waves IDR type I dither/ultra shaping) > 16 bit/44.1 KHz WAV > CDWAV 1.9 > WAV > FLAC (level 8). Transfer and encoding by C.Ladner, notes
1929. 11/13/91 Shn - 0, 16377 Worcester The Centrum Jerry Garcia Band: FOB (Schoeps CMC3 + MK4) > DAT CDR > WAV >SHN. Taper: unknown at this time notes
1930. 11/15/91 Flac 24/48 - 0, 117755 New York Madison Square Garden 24bit/48kHz file-set: AUD: Sonics DSM-6 mics (hat mounted) > Sony TC-D5M > Maxell MV-90's, recorded from the 10th row center, by Richie Stankiewicz. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. December 2011 notes
1931. 11/15/91 Shn - 0, 23343 New York Madison Square Garden Source: FOB(Schoeps)>DAT>CDR>WAV>SHNv3. Taper Unknown. notes
1932. 11/15/91 Flac 16/44,1 - 0, 117756 New York Madison Square Garden 16bit/44.1kHz file-set: AUD: Sonics DSM-6 mics (hat mounted) > Sony TC-D5M > Maxell MV-90's, recorded from the 10th row center, by Richie Stankiewicz. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. December 2011 notes
1933. 11/15/91 Flac 16 - 0, 151528 New York Madison Square Garden Tapers : Anne Cohen & Ohr Weinberg Editing : Anne Cohen, John Hance & Joe D'Amico ''AKA'' Joebeacon Beyer M160's > Sony D3 Dat @ 16/48 (FOB) Sony D3 Dat > CD >Wavelab 6 > Ozone RX5a > Wave Files > Adobe Audition > Traders Little Helper notes
1934. 11/16/91 Shn - 0, 7320 Albany Knickerbocker Arena Jerry Garcia Band: FOB SCHOEPS> TASCAM DAT> CDR> WAV> SHNv3(seekable) notes
1935. 11/16/91 Shn - 0, 4367 Albany Knickerbocker Arena Jerry Garcia Band: FOB Nak 700>DAT>CDR; via M. Lai?; note lineup listed on text file is wrong notes
1936. 11/16/91 Flac - 0, 138313 Albany Knickerbocker Arena JGB; flac1648; Rich Gastwirt and John Mutterperl's Schoeps cmc4 mk21 > Oade modified Panasonic SV-255 > Dat (48k) (FOB). Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48, Transfer by Charlie Miller. Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16/48. edited and mastered SIRMick May 2017. notes
1937. 11/16/91 Flac 16 - 0, 149264 Albany Knickerbocker Arena JGB; flac 1644: FOB Schoeps CMC3 Mk4-> Panasonic SV255->DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel. notes
1938. 11/16/91 Flac 16/48 - 0, 151229 Albany Knickerbocker Arena JGB; flac1648; Dave Brotman and Jeff Metchick's FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16-48) > Master DAT; Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648. Transfer by Anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. December 19, 2020. notes
1939. 11/17/91 Flac - 0, 81014 Hartford Hartford Civic Center JGB: John Mutterperl's FOB Schoeps CMC 44 blue dot cards with 90 degree capsule offsets > 6' Monster M1000 cable -> Oade PS-> 1' Monster M1000 > Oade mod'd Panasonic Sv-255. Mics were hung from a necklace, just under chin height with roughly a 4 inch spread and 90 degree angle. MAD > B. Fried DAT > B. Koucky DAT > Sony PCM-R500 playback > S/PDIF > Presonus Firebox > Firewire > PC, XP Pro > Wavelab 5 (recorded as 24 bit/48 KHz WAV) > Waves L3 Multimaximizer, high res CD rendering settings (Waves IDR type I dither/ultra shaping) > 16 bit/44.1 KHz WAV > CDWAV 1.9 > WAV > FLAC (level 8). Transfer and encoding by C.Ladner. notes
1940. 11/17/91 Shn - 0, 7321 Hartford Hartford Civic Center Jerry Garcia Band: FOB SCHOEPS> TASCAM DAT> CDR> WAV> SHNv3(seekable) notes
1941. 11/17/91 Flac 16/48 - 0, 151230 Hartford Hartford Civic Center JGB; flac1648; Dave Brotman and Jeff Metchick's FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16-48) > Master DAT; Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648. Transfer by Anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. December 19, 2020. notes
1942. 11/19/91 Shn - 0, 30407 Providence Providence Civic Center Jerry Garcia Band: MAD (Taped by Bob M. ["Sideshow Bob"], AKG 451/CK1 [26th row center] > B18 > D3. Seeded by Patrick Hayes. notes
1943. 11/19/91 Flac - 0, 96137 Providence Providence Civic Center JGB: Alabama Bob's Sennheiser MD-421's > Sony TC-D5M > Maxell MX-110's, with no Dolby, FOB 15th row center. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F. notes
1944. 11/19/91 Shn - 0, 11858 Providence Providence Civic Center Jerry Garcia Band: Fixed sector boundaries and slight editing of previous seed: Schoeps CMC54 (hand held 4th row)--> Peter Grace power supply 12V--> DAT--> ZA2 (48/44.1)--> CEP--> SHN. Master recording by Captain Joe LeClair. DAT transfer and shn mastering by Tony Masiello. notes
1945. 11/19/91 Flac 16/48 - 0, 151231 Providence Providence Civic Center JGB; flac1648; Dave Brotman and Jeff Metchick's FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16-48) > Master DAT > Safety Copy. Transfer: Safety Copy > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648. Transfer by Anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. December 20, 2020. notes
1946. 11/20/91 Flac - 0, 82877 Rochester Rochester Community War Memorial JGB: Anne Cohen's Schoeps CMC5’s (FOB, handheld) > Panasonic SV255 > Sony TCD-D3 (48k DAT); Sony PCM500 > Zefiro Acoustics ZA2 > Tracked using Sound Forge 4.5 and CD Architect. notes
1947. 11/20/91 Flac - 0, 116238 Rochester Rochester Community War Memorial JGB: flac16/44.1kHz; Master Audience Nakamichi CM300/CP1>Sony D5; Taper Baker,Transfer By Keo; Tapes:Maxell MX 100's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper notes
1948. 11/20/91 Flac 24 - 0, 116237 Rochester Rochester Community War Memorial JGB: flac24/96kHz; Master Audience Nakamichi CM300/CP1>Sony D5; Taper Baker,Transfer By Keo; Tapes:Maxell MX 100's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes
1949. 11/20/91 Shn - 0, 4366 Rochester Rochester Community War Memorial Jerry Garcia Band: Schoeps FOB > DAT> CD> EAC/Plextor > SHN; via R. Vacchetto. notes
1950. 11/20/91 Flac - 0, 30546 Rochester Rochester Community War Memorial Jerry Garcia Band: Taped by Larry Gindoff, Nakamichi 700s in a hat > Reutelhuber P/S > Sony D3 master DAT > CD > EAC > FLAC level 8. notes
1951. 11/20/91 Flac 16/48 - 0, 151232 Rochester Rochester Community War Memorial JGB; flac1648; Dave Brotman and Jeff Metchick's FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16-48) > Master DAT > Safety Copy. Transfer: Safety Copy > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648. Transfer by Anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. December 20, 2020. notes
1952. 11/22/91 Shn - 0, 9461 Chicago Rosemont Horizon Jerry Garcia Band: FOB Schoeps> PCM> DAT> CDR> WAV> SHNv3(seekable). notes
1953. 11/23/91 Flac - 0, 116298 Milwaukee Bradley Center JGB; flac1644: Sonic Studios Omnis > Sony TCD-D5>Cass(m) recorded FOB by Alan Schmit; Conversion: Cass(m) > Onkyo TA-6711 > Tascam DA-20 (A/D) > Microtrack 24/96 > WAV > Sound Studio 2.2.4 > xACT 2.13 > FLAC, by Dave Mallick. notes
1954. 11/23/91 Flac - 0, 20293 Milwaukee Bradley Center Jerry Garcia Band: DAUD > D8> USB Mobile Pre > hdd (via Sony Soundforge7) > FLAC notes
1955. 11/23/91 Shn - 0, 15266 Milwaukee Bradley Center Jerry Garcia Band: FOB Nak 700's > DAT > CDR > EAC > mkwACT. EAC'd/SHN'd by Doug Nawrocki notes
1956. 11/23/91 Shn - 0, 4364 Milwaukee Bradley Center Jerry Garcia Band: FOB AUD Nak CM300 > Dat > CD notes
1957. 11/24/91 Shn - 0, 12025 Minneapolis Target Center Jerry Garcia Band: FOB Schoeps > PCM > DAT > CDR > WAV > SHNv3(seekable). notes
1958. 11/24/91 Flac - 0, 119800 Minneapolis Target Center JGB; flac1644; FOB Master audience recording by SJ; 2x Audio Technica ATR-35 mics > Sony PC-39 adapter > Sony WMD-6C (Dolby C) > 2x Sony Metal SR-100 tapes (Tape 1, Set 1 Lot #9210122; Tape 2, Set 2 Lot #9342022); Harmon Kardon TD 302 playback (Dolby C on, heads aligned to each tape segment) > Zoom H2 @16/44.1 > SDHC card > PC > Wavepad for editing & tracking > traderslittlehelper for Flac level 8 & checksums. Transfer and all mastering by arfarf. notes
1959. 12/07/91 Shn - 0, 13200 San Francisco Warfield Theater Garcia & Grisman: Ip/II: MAD (ORTF Schoeps CMC34 [cardioids]) > DATs > Wavelab 3.0 M-S Processor @ 24 bits, dithering to 16 bits > master CD > HP 9350i extraction using EAC > patching using Sound Forge Studio 6.0 > tracking using CD Wave > sector boundary alignment using shntool > .shn encoding using mkwACT. notes
1960. 12/07/91 Shn - 0, 23118 San Francisco Warfield Theater MAD (Vintage 1950s Neumann KM54s)>Denon DAT deck (model unknown)) > DAT > WAV > SHNv3. Tapers: J.& C. Vasseur. DAT material provided by J.Powell. DAT > SHN by C.Ladner: Sony PCM-R500 > coaxial S/PDIF > M Audio Audiophile 2496 > WAV recording/editing (Soundforge 6) > tracking (cdwav editor) > sector boundaries confirmed (shntool) > SHN (mkwact). Complete source. Clipping and distortion early on. notes
1961. 12/08/91 Shn - 0, 29549 San Francisco Warfield Theater Garcia & Grisman: John Cutler Soundboard > DAT > ? > CDR/SHN Mastering: NashPhil Edited, boosted/balanced levels, and retracked/burned. notes
1962. 12/08/91 Flac - 0, 84417 San Francisco Warfield Theater JGDG: MAD (Schoeps MK4 mod [FOB, mics in hat] > Reutelhuber PS > Panasonic SV255 > unknown transfer(s) to unknown gen PCM/Beta > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches notes
1963. 12/08/91 Shn - 0, 4369 San Francisco Warfield Theater Garcia & Grisman: sbd > dat > cdr > eac > shn. Seeded by Chris Ladner notes
1964. 12/09/91 Shn - 0, 32145 San Francisco Warfield Theatre Garcia & Grisman. MAD (Vintage 1950s Neumann KM54s>DAT)>DAT>WAV>SHNv3. Tapers: J.& C. Vasseur. DAT material provided by J.Powell. DAT > WAV > SHN by C.Ladner: Sony PCM-R500 > coaxial S/PDIF > M Audio Audiophile 2496 > WAV recording/editing (Soundforge 6) > tracking (cdwav editor) > sector boundaries confirmed (shntool) > SHN (mkwact). notes
1965. 12/09/91 Shn - 0, 8790 San Francisco Warfield Theatre Garcia & Grisman: MAD (rig, location, and taper uncertain) > DATs > Sony PCM-2600 > Egosys 2496 Waveterminal to HD > initial editing/tracking using Cool Edit 2000 > CDx1 > EAC > re-tracking using CD Wave > SHN using mkwACT. notes
1966. 12/09/91 Flac 16/44 - , 154679 San Francisco Warfield Theatre JGDG; flac1644; Master Soundboard Provided By Anon; Mastering By Jason Chastain And Jamie Waddell; 16 Bit 44.1 kHz Flac Level 8 Sbe Free notes
1967. 02/07/92 Shn - 0, 4363 Oakland Henry J. Kaiser Convention Center Jerry Garcia Band:FOB Shoeps CMC54's->Panasonic 255 (DAT)->CD->EAC->CDWave->SHN conversion and seed by AJ - a2k@pacbell.net notes
1968. 02/07/92 Flac - 0, 97987 Oakland Henry J. Kaiser Convention Center Jerry Garcia Band: unknown taper, FOB Schoeps CMC34 Cardiod (ORTF) > MIT Cables > Oade Power Supply > Panasonic sv255. Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging. notes
1969. 04/25/92 Flac - 0, 83713 San Jose Event Center Arena, San Jose State Univ. Jerry Garcia Band: Chris Cate's MAC (Sony 939 stereo mic [hand-held] > Sony D-6 [Maxell Capsule Metal 100s]) > Nakamichi BX300 playback > Harmann Kardon CDR2 CD/0 > CD clone > extraction (EAC v0.95 beta 4) > flac encoding (FLAC Frontend v1.7.1 etree edition). notes
1970. 04/25/92 Shn - 0, 14351 San Jose Event Center Arena, San Jose State Univ. Jerry Garcia Band: MAC (Taped by Chuck and Linda Vasseur, Neumann mics [vintage 1957, tube electronics]) > CDR > EAC (Secure mode)> shn (MKWACT). Eac'd/shn'd by Charlie Connor. notes
1971. 04/25/92 Flac - 0, 89969 San Jose Event Center Arena, San Jose State Univ. Jerry Garcia Band: Schoeps CMC 34 (handheld, FOB) > Oade PS > Panasonic SV 255; Source tape: unknown gen beta via Sony PCM 601; Transfer: Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard; CD mastering & encoding: hard drive > Cool Edit 2000 > Shntool > FLAC; Transfer and FLAC encoding by David Minches. notes
1972. 04/29/92 Shn - 0, 6630 San Francisco Warfield Theater Jerry Garcia Band: FOB>Schoeps mk4>Dat>CD (Dat>CD Transfer done by Charlie Miller) notes
1973. 04/30/92 Shn - 0, 6345 San Francisco Warfield Theater Jerry Garcia Band: DANK CERTIFIED: FOB Schoeps CMC34 > Oade Custom Power Supply > Panasonic SV-255 DAT @48KTranfer: DAT Clone (Sony DTC-A6) > Dio 2448 > Soundforge 4.5 (resample, addfades) > CD WAV > SHN via MKW .97 (no DAE) by Bill Gardner, bgardner@telocity.com notes
1974. 05/02/92 Flac - 0, 30275 San Francisco Warfield Theater Jerry Garcia Band: Neumann KM150 > MAD > DATs (taper unknown); Transfer: DAT 60ES > M-Audio Audiophile USB > WAV > Flac, by jbraveman@hotmail.com August 2005. notes
1975. 05/02/92 Shn - 0, 19535 San Francisco Warfield Theater Jerry Garcia Band: AUD (Nak 700's > Sony D-10) > MAD >DAT > CDR > WAV> SHN. Taper unknown @ this time. notes
1976. 05/03/92 Shn - 0, 16713 San Francisco Warfield Theater Jerry Garcia Band: FOB Schoeps CMC34>Oade Custom Power Supply>Panasonic SV-255 DAT @48K>DAT>CDR notes
1977. 05/07/92 Flac - 0, 81061 San Francisco Warfield Theater Garcia & Grisman: Marcus Buick's MAD (Schoeps CMC34s [handheld @ 110 ORTF, 2nd person, 1st drink rail] > MIT > TAO > MIT > Panasonic SV-255) > Tascam DA-30 playback > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > shntool > FLAC. Transfer and FLAC encoding by David Minches. notes
1978. 05/07/92 Shn - 0, 13348 San Francisco Warfield Theater Garcia & Grisman: MAD (unknown taper, location, gear) > unknown DAT gens > unknown CD gens > HP 9350i extraction using EAC (v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). notes
1979. 05/08/92 Shn - 0, 13349 San Francisco Warfield Theater Garcia & Grisman: MAD (unknown taper, location, gear) > unknown DAT gens > unknown CD gens > HP 9350i extraction using EAC (v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). notes
1980. 05/09/92 Shn - 0, 13362 San Francisco Warfield Theater Garcia & Grisman: MAD (unknown taper, location, gear) > unknown DAT gens > unknown CD gens > HP 9350i extraction using EAC (v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). notes
1981. 05/10/92 Shn - 0, 13364 San Francisco Warfield Theater Garcia & Grisman: MAD (unknown taper, location, gear) > unknown DAT gens > unknown CD gens > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). notes
1982. 05/11/92 Flac 1644 - 0, 142048 San Francisco Warfield Theater JGDG; flac 1644; Source: Mono audio track from AUD-shot video cam's mic > VHS. Original transfer: Master audience video (VHS) > VHS > Cool Edit Pro Wav > CD/0 > CD/1 > Plextor extraction (EAC v0.9 beta4) > tracking (CD Wave v1.6) > minor editing (Sound Forge Studio 6.0) > sector boundary alignment (shntool v1.01) > flac encoding (FLAC Frontend). VHS>CD by Nathan Wirth, CD>FLAC by misSHN; via JGMF. May 2018 mastering: FLAC > WAV > CD-Wave > TLH > FLAC 1644 tagged. notes
1983. 05/??/92 Shn - 0, 4365 San Francisco Warfield Theater Garcia & Grisman: DSBD> DATs> CDRs> EAC> SHN; single disc mix from the 5 night Garcia/Grisman run (May 7 - May 11, 1992) notes
1984. 05/??/92 Shn - 0, 9716 San Francisco Warfield Theater Garcia & Grisman: MSD > Cass. > DATs > playback on Sony PCM R500 > HHB 800 master CD > HHB 800 first gen CD > HP 9350i extraction using EAC > SHN using mkwACT. DAT > CD by AJL, EAC > SHN by Joe Jupille. This is a slightly longer version of the same compilation found in a previously circulating .shn set, though the latter claims no cassette generation notes
1985. 07/24/92 Shn - 0, 16187 Sacramento Cal Expo Amphitheater Jerry Garcia Band: AUD (mics and taper unknown) > DAT > CDR > WAV > SHN. CDR source provided by J.Steinhaus. DAE (EAC 0.9 beta 4, offset corrected, secure mode) > tracking (CDWAVE) > SHN (Shorten 3.4) > FTP via C.Ladner/candyman FTP. notes
1986. 07/24/92 Flac - 0, 84442 Sacramento Cal Expo Amphitheater Jerry Garcia Band: Chris Cate's MAC (hand-held Sony 939 stereo mic > Sony D-6 using Maxell Capsule Metal 100s) > Nakamichi BX300 playback > Harmann Kardon CDR2 CD/0 > CD clone > EAC > FLAC. notes
1987. 07/24/92 Flac 1644 - 0, Sacramento Cal Expo Amphitheater notes
1988. 07/26/92 Flac - 0, 90014 Mountain View Shoreline Amphitheatre Jerry Garcia Band: Schoeps MK4 mod > Panasonic SV-255, from 102 boxes; Transfer: Unknown gen PCM/Beta > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard; CD mastering & encoding: hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches notes
1989. 07/26/92 Flac - 0, 86551 Mountain View Shoreline Amphitheatre Jerry Garcia Band: Master audience DAT (Sonics DSM-3s FOB @ 16/48)> DAT> Digital Domain VSP-P (SRC to 44.1)> Adobe Audition> Shntool> FLAC Unknown Taper Transfer and Flac encoding by David Minches notes
1990. 07/29/92 Flac - 0, 97986 Universal City Universal Amphitheater Jerry Garcia Band: Chip Copeland's FOB Beyer 201's (90º) > Panasonic sv255; Transfer: 16 bit – 48kHz DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither; Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging. notes
1991. 07/29/92 Shn - 0, 6344 Universal City Universal Amphitheater Jerry Garcia Band:DAUD (Beyer 201s, 90 degrees, up front, DFC) Conversion: DAT-> CD Master-> EAC(in Secure Mode)-> CDWave-> SHN notes
1992. 07/31/92 Shn - 0, 15799 Ventura Ventura County Fairgrounds Jerry Garcia Band: Set 1 - FOB (AKG480) > DAT > CDR> WAV > SHN; Set 2 - FOB (Senn 421) > DAT > CDR > WAV > SHN, via Chris Ladner. notes
1993. 08/01/92 Flac - 0, 94028 Laguna Hills Irvine Meadows Amphitheater Jerry Garcia Band: flac1648; FOB > Schoeps > DAT @ 48k; Transfer: Fostex D5 > Zoltrix 24/96 > Wavelab 5.0 @ 48k(normalized to -1db, edits,crossfades) > Cd Wave > 16/48 FLAC. notes
1994. 08/01/92 Shn - 0, 18965 Laguna Hills Irvine Meadows Amphitheater Jerry Garcia Band: The primary source used for this set of SHN's is FOB(Nak700)>SonyD3>DAT>CDR>WAV>SHNv3. Cats Under the Stars and the beginning of Mission In The Rain (which are missing from the FOB source) are from a second source with at least one analog generation of spotty indeterminate lineage. Taper is unknown for both sources. SHN encoding/FTP via C.Ladner/candyman FTP. notes
1995. 08/01/92 Flac - 0, 93914 Laguna Hills Irvine Meadows Amphitheater Jerry Garcia Band: flac1644: FOB Schoeps DAT @ 48k; Fostex D5 > Zoltrix 24/96 > Wavelab 5.0 @ 48k (normalized to -1db, edits, crossfades) > Cd Wave > 16/48 FLAC [> downsample to 44.1kHz]. notes
1996. 08/02/92 Shn - 0, 14309 Chula Vista Devore Field (Southwestern College) Jerry Garcia Band: FOB (Unknown taper, AKG 480s) > DAT > CDR > WAV > SHNv3. notes
1997. 08/02/92 Flac - 0, 98016 Chula Vista Devore Field (Southwestern College) Jerry Garcia Band: unknown taper, FOB Sennheiser MD 421 > Panasonic sv255; Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither. Encoding by Dazed64. Tracked in CDwave, FLACd Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging. notes
1998. 08/02/92 Flac 16/48 - 0, 147504 Chula Vista Devore Field (Southwestern College) JGB; flac1648; s1; Troy Morentin's Neumann KM-140's in kangol > SV-250 (FOB 40' back DFC) > 48kHz DAT MASTER > SV-250 dig out > Sound Devices 722 > Samplitude Pro X3 > Flac16 Transferred, Mastered and Seeded to LL by gsarchivist on September 15, 2019. notes
1999. 10/31/92 Flac - 0, 1322279 Oakland Oakland-Alameda County Coliseum Arena JGB; flac1644; Jim Dupree's audience tape notes
2000. 10/31/92 Shn - 0, 14310 Oakland Oakland-Alameda County Coliseum Arena Jerry Garcia Band: SBD > CM? > DAT > ? > DAT > CDR (see comments), bears uncertain relationship to existing sbd-sourced .shn set from this show. notes
2001. 10/31/92 Shn - 0, 4351 Oakland Oakland-Alameda County Coliseum Arena Jerry Garcia Band:Schoeps MK-4V (FOB); DA-20 > Apogee SPDIF > ZA2 > CDR; via Andy Gustin notes
2002. 10/31/92 Flac - 0, 76460 Oakland Oakland-Alameda County Coliseum Arena Jerry Garcia Band: set II: FOB Schoeps CMC54 DAUD > DAT(x) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav (both 44.1 and 48k versions) > tracking (CD Wave) > level 8 FLAC encoding (TLH). Lossless Legs "GEMS" project, via Todd Evans (DAT > WAV) and keysareme (tracking and FLAC encoding). notes
2003. 10/31/92 Flac - 0, 83474 Oakland Oakland-Alameda County Coliseum Arena Jerry Garcia Band: Keith Litzenberger's Sennheiser MD421s (T-bar hand-held at chest height FOB) > Sony TCD-D3 (Maxell R-120DM DAT masters) > Sony TCD-D10PROII playback > Edirol R-4 > Wavelab 5.0 (Fades & Sample Rate Conversion) > FLAC notes
2004. 10/31/92 Flac - 0, 97988 Oakland Oakland-Alameda County Coliseum Arena Jerry Garcia Band: set II: unknown taper, FOB Schoeps CMC34 > Panasonic sv255. Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging. notes
2005. 12/19/92 Shn - 0, 13422 San Francisco Warfield Theater Jerry Garcia Band: AUD (SCHOEPS CMC32) > DAT > CDR > WAV > SHNv3. notes
2006. 12/19/92 Flac 1644 - 0, 141464 San Francisco Warfield Theater JGB; flac1644; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark). notes
2007. 12/21/92 Shn - 0, 14006 San Francisco Warfield Theater Jerry Garcia Band: FOB (Schoeps) DAUD > CDR ; fixed shn of already circulated shn copy, by T. Wiley. notes
2008. 12/21/92 Shn - 0, 8914 San Francisco Warfield Theater Jerry Garcia Band: FOB(Schoeps)DAUD>CDR>EAC>Cool Edit Pro>CD WAV>SHN notes
2009. 12/21/92 Flac 1644 - 0, 141465 San Francisco Warfield Theater JGB; flac1644; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark). notes
2010. 01/28/93 Shn - 0, 12255 San Francisco Warfield Theater JGB: AUD (Neumann KM54 > TeacDAP20) > DAT > CDR > WAV > SHNv3, seeded by Chris L. notes
2011. 01/28/93 Flac 1644 - 0, 141466 San Francisco Warfield Theater JGB; flac1644; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark). notes
2012. 01/29/93 Shn - 0, 21133 San Francisco Warfield Theater JGB: Chuck and Janet Vasseur MAD( "vintage Neumann", KM54s) > DAT > CDR > WAV > SHN. notes
2013. 01/29/93 Flac 1644 - 0, 141467 San Francisco Warfield Theater JGB; flac1644; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark). notes
2014. 01/30/93 Shn - 0, 21134 San Francisco Warfield Theater JGB: Chuck and Janet Vasseur's MAD ("vintage Neumann" KM54s) > DAT > CDR > WAV > SHN. notes
2015. 01/30/93 Flac 16/48 - 0, 141481 San Francisco Warfield Theater JGB; flac1648; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark). notes
2016. 02/23/93 Flac - 0, 133737 Oakland Oakland-Alameda County Coliseum flac16; Audience - unknown taper/gear, Transfer: DAT 60ES > M-Audio Audiophile USB > WAV > Flac. transfer jbraveman 8/2005 notes
2017. 02/25/93 Flac 1644 - 0, 141468 San Francisco Warfield Theater JGB; flac1644; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark). notes
2018. 02/26/93 Flac 1644 - 0, 141469 San Francisco Warfield Theater JGB; flac1644; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark). notes
2019. 02/27/93 Flac 1644 - 0, 141455 San Francisco Warfield Theater JGB; flac1644; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark) notes
2020. 04/12/93 Shn - 0, 26477 San Francisco Candlestick Park Jerry Garcia, Bob Weir & Vince Welnick: TV broadcast > cassette > wav > .shn. notes
2021. 04/17/93 Flac 16/48 - 0, 138422 Los Angeles Pauley Pavillion JGB; flac1648; aud: Schoeps FOB (48 khz); Transfer: Sony PCM-2600 (Apogee AES/EBU) > Sound Devices 722 (16/48) > Firewire > Macbook > Sound Studio 3.6 (fades, normalize peak, +gain, track) > xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ). Taped by: unknown; DAT seed provided by: Eric Vandercar (ericv) #4EV; Transferred and seeded by: Lenny Stubbe. notes
2022. 04/17/93 Flac 16 - 0, 145087 Los Angeles Pauley Pavillion JGB; flac16; Taper Troy's Neumann KM-140's in Kangol > SV-250 (5th Row DFC); 48kHz DAT MASTER > SV-3700 > Apogee Duet/Mac > Adobe Audition > Flac16. Taped, Transferred, and Mastered by Taper Troy Morentin @ la2v.com. notes
2023. 04/17/93 Flac 16/44 - 0, 145499 Los Angeles Pauley Pavillion JGB flac16: Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter) ; Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark) notes
2024. 04/18/93 Flac 16/44 - 0, 145500 San Diego Sports Arena JGB flac16: Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter) ; Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark) notes
2025. 04/18/93 Flac 16/44,1 - 0, 150226 San Diego Sports Arena flac16/44.1khz Source : DAT Master (Recorded & Transfer by Third Eye Productions) (Source 3) Editing : Sound Forge (tracking & volume adjustment) > Wave > TLH (sbe aligned) > Flac 8 Traders Den & bt.etree - March 23, 2020 Tracked & Posted by kingrue #2429 notes
2026. 04/23/93 Flac 16/44 - 0, 145502 San Francisco Warfield Theater JGB flac16: Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter) ; Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark) notes
2027. 04/24/93 Flac 16/48 - 0, San Francisco Warfield Theater The Ammons Archive Set 2 notes
2028. 04/24/93 Flac 16/44 - 0, 1455ß3 San Francisco Warfield Theater JGB flac16: Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter) ; Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark) notes
2029. 04/25/93 Flac 16/44 - 0, 145504 San Francisco Warfield Theater JGB flac16: Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter) ; Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark) notes
2030. 08/07/93 Flac 16/44 - 0, 137875 Seattle Memorial Stadium JGB; flac1644; Taped by Mark: Peavy vocal mic > Denon DAT recorder > DAT > cassette Maxell XL-II (Scott); Transfer: cassette Maxell XL-II (Scott) > Sony TCR303 > Zoom H4n (24/96) > Audition > shntool > TLH, transfer by jchastain, 2015-11-25. notes
2031. 08/07/93 Flac 16/44 - 0, 145606 Seattle Memorial Stadium JGB, flac1644: Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark). notes
2032. 08/08/93 Flac - 0, 90483 Portland Portland Meadows JGB: Mark Severson; 2 Sonic Studios DSM-6P #1045> Sony TC-D5M (2 Maxell MX-100s); Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding. notes
2033. 08/08/93 Flac 16/44 - 0, 145607 Portland Portland Meadows JGB, flac1644: Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark). notes
2034. 09/17/93 Shn - 0, 15886 New York NPR Studios Garica & Grisman: SBD: DAT (pre-FM) -> DAT -> CDR -> EAC -> SHN (seekable). notes
2035. 10/05/93 Shn - 0, 17887 San Francisco Warfield Theater Jerry Garcia Band: MAD (Taped by Kyle Porter, Neumann KM 54's [from the drink rail] > Sony D7) > CDR > WAV > SHN notes
2036. 10/05/93 Flac 16/44 - 0, 145608 San Francisco Warfield Theater JGB, flac1644: Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark). notes
2037. 10/06/93 Flac - 0, 86861 San Francisco Warfield Theater JGB: DAUD > Nak CR3A (maxell XL11, Dolby B) cassette > Nak CR3A playback (Dolby B, eq) > HP computer > Sound Forge (vol@4.2DB) > CD Wave > Flac6. Transfer by John Moses. notes
2038. 10/06/93 Flac 16/44 - 0, 145609 San Francisco Warfield Theater JGB, flac1644: Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark). notes
2039. 10/07/93 Flac 16/44 - 0, 145610 San Francisco Warfield Theater JGB, flac1644: Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark). notes
2040. 10/31/93 Flac - 0, 85959 East Rutherford Brendan Byrne Arena JGB: Schoeps MK41's > Reutelhuber preamp > Casio DAR-100 (Recorded at 44.1khz) FOB in Section 8; DAT CLONE directly from Master played back on Sony TCD-D10PROII > Edirol R-4 > WL5 (Fades) > CDWAV > FLAC. notes
2041. 10/31/93 Flac - 0, East Rutherford Brendan Byrne Arena notes
2042. 10/31/93 Flac 16/44 - 0, 149617 East Rutherford Brendan Byrne Arena JGB; flac1648/flac1644; Neumann KM54 > D3 (Set 1 @ 16/48, Set 2 @ 16/44.1). Transfer: DAT/c > Sony PCM R300 > Tascam DR680 > Audacity > xACT(FLAC/TAG). DiGiHoArDeRs: 4/5/2020 notes
2043. 11/03/93 Flac - 0, 84867 Albany Knickerbocker Arena JGB (16 bit/48kHz): Clay Brennecke IFOB (Floor Section 2, Row 13, Sets 8 & 10) ~ Schoeps MK4's > Custome Oade Pre Amp > Panasonic SV-255 Transfered: John E. Herrold Transfer Linage: Master SV-255 DAT > Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV notes
2044. 11/04/93 Flac - 0, 84869 Rochester Rochester War Memorial JGB (16bit/48kHz)): Clay Brennecke IFOB (Floor Section 42, Row 23, Sets 13 & 15) ~ Schoeps MK4's > Custome Oade Pre Amp > Panasonic SV-255 Transfered: John E. Herrold Transfer Linage: Master SV-255 DAT > Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV notes
2045. 11/05/93 Flac - 0, 88650 Buffalo Buffalo Memorial Auditorium JGB: Todd Evans's Schoeps CMC34 > Panasonic sv255 DAT Master > TASCAM DA-20 playback > M-Audio FireWire solo > Soundforge 8.0 wav, transferred by Todd Evans. notes
2046. 11/05/93 Flac - 0, 84955 Buffalo Buffalo Memorial Auditorium JGB: Todd Evans IFOB (Floor Section Row L, Sets 7 & 8) ~ Schoeps MK4's > Custom Oade Pre Amp > Panasonic SV-255; Transferred by John E. Herrold, Master SV-255 DAT > Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV. Admin note (6/14/2009): this had been listed as a Clay Brennecke master, but Todd Evans claims that he made this tape notes
2047. 11/07/93 Shn - 0, 15192 Landover US Air Arena Jerry Garcia Band: AUD (Schoeps MK4) > DAT > CDR > WAV > SHNv3. SHN encoding/FTP via neo_levo/candyman FTP. notes
2048. 11/07/93 Flac - 0, 85752 Landover US Air Arena JGB: Clay Brennecke's FOB Schoeps MK4's > Custome Oade Pre Amp > Panasonic SV-255 Master Dat> Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV > Flac notes
2049. 11/08/93 Flac - 0, 85636 Hartford Hartford Civic Center JGB: Keith Litzenberger's FOB Schoeps MK4 > Reutelhuber Preamp > Sony TCD-D7 > VX pocket v2 > WaveLab 5 > CDWav > Flac notes
2050. 11/09/93 Flac - 0, 135228 Portland Cumberland County Civic Center JGB; flac1648 daud: Sanken COS-11BP lavalier mics (Dan Liff’s r.i.p.) > Denon DTR-80P center, 1/2 way between stage and soundboard, taped by Doug Lamarre, transfer/seeded by Rob Berger. notes
2051. 11/09/93 Flac - 0, 135227 Portland Cumberland County Civic Center JGB; flac1644; daud:Sanken COS-11BP lavalier mics (Dan Liff’s r.i.p.) > Denon DTR-80P center, 1/2 way between stage and soundboard, taped by Doug Lamarre, transfer/seeded by Rob Berger. notes
2052. 11/09/93 Flac - 0, 96488 Portland Cumberland County Civic Center JGB flac16;Recording Info:(FOB) Schoeps MK4 -> Dat (48K); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
2053. 11/11/93 Flac - 0, 95709 Providence Providence Civic Center JGB: Alabama Bob's Sennheiser MD-421's > Sony TC-D5M > Sony SR-90 (set-1) and Denon HD8-100 (set-2), with no Dolby. FOB from 15th row center; Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F. notes
2054. 11/12/93 Flac - 0, 89037 New York Madison Square Garden JGB: Schoeps MK4s > Schoeps KC5 Active Cables > Schoeps CMC3 > Oade Mic Preamp > Panasonic SV-255. Recorded by Clay Brennecke and Keith Litzenberger FOB in Section 2 Row U. DAT>TASCAM DA-30MKII>M-Audio Audiophile 192>Wavelab 5.0 (Fades & Sample rate conversion)>CDWAV>FLAC. notes
2055. 11/12/93 Flac 16/44 - 0, 91812 New York Madison Square Garden JGB: Clay Brennecke and Keith Litzenburger, Schoeps MK4 Cardiod Capsules (ORTF, handheld, FOB DFC Section 2, Row U, Seats 4 & 5) > Schoeps KC5 Active Cables > Schoeps CMC3 Mic Body > Oade Mic Preamp > Monster M1000 Jumper Cable > Panasonic sv255 DAT Deck; Transfer: DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans April 6, 2008; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC'd Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes
2056. 11/12/93 Flac 16/48 - 0, 139507 New York Madison Square Garden JGB; flac1648; s2 only; Rich Gastwirt's FOB recording > Schoeps mk4 > Oade modified Panasonic SV-255 > dat(48k); Transfer: DAT > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick October 2017 notes
2057. 11/12/93 Flac 16/48 - 0, New York Madison Square Garden notes
2058. 11/14/93 Shn - 0, 97271 Syracuse Onondaga War Memorial JGB: Dan Sisler; FOB, 15th row center Sonic Studios DSM-6> DAT > CDR > EAC > SHNv3 notes
2059. 11/14/93 Flac 16/44 - 0, 148444 Syracuse Onondaga War Memorial JGB: flac1644: Dave Boedicker's Realistic Stereo Mic>Sony WM-D6C Cassette Master Tapes(2 Maxell MX-90 Minute Metal Tapes)>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Setor Boundaries Aligned Using Traders Little Helper. Taped from Mezzanine Section,Section 20,Row AX,Seat 1. notes
2060. 11/15/93 Flac - 0, 135245 Worcester The Centrum JGB; flac 1644; daud master taped by Doug Lamarre,Sanken COS-11BP lavalier mics (Dan Liff’s r.i.p.) > Denon DTR-80P; center fob, row Q; transferred & seeded by Rob Berger 2/2016 notes
2061. 11/15/93 Flac - 0, 135224 Worcester The Centrum JGB; flac1648; daud master, taped by Doug Lamarre,Sanken COS-11BP lavalier mics (Dan Liff’s r.i.p.) > Denon DTR-80P center fob, row Q; transferred & seeded by Rob Berger 2/2016 notes
2062. 11/15/93 Flac - 0, 139519 Worcester The Centrum JGB; flac1648; s2; Rich Gastwirt's FOB Schoeps mk4 > Oade modified Panasonic SV-255 > Dat (48k); Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > Cd Wave > TLH > Flac 1648, edited and mastered SIRMick October 2017. notes
2063. 11/19/93 Flac 16/48 - 0, 145866 Hampton Hampton Coliseum JGB; flac1648; Greg Clark's FOB Schoeps MK4's > Panasonic SV-255 Dat (48k); Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > WAV - Transferred by Charlie Miller Lineage: wav > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac1648. edited and mastered SIRMick March 2019. notes
2064. 01/12/94 Flac - 0, 30691 San Francisco Warfield Theater Garcia & Grisman: same as previous source, but levels adjusted by RJ Hythloday. notes
2065. 01/12/94 Flac 16/48 - 0, San Francisco Warfield Theater notes
2066. 01/12/94 Flac 16/48 - 0, 150311 San Francisco Warfield Theater JGDG; flac1648: Neumann KM54s > DAP-20 > DAT Drink Rail Recorded by Steve Fink. DAT Archived and Transferred by Stucco. Mastering by Jamie Waddell. notes
2067. 01/13/94 Flac - 0, 85644 San Francisco Warfield Theater Garcia & Grisman (16bit/48kHz): Keith Litzenberger's Schoeps MK4s > Reutelhuber preamp > Sony TCD-D7, recorded on 1st tier center; DAT MASTER PLAYED BACK ON SONY TCD-D10PROII > Edirol R-4 > Soundforge 8 > CD WAVE EDITOR (Track Splitting) > FLAC notes
2068. 01/13/94 Flac - 0, 94690 San Francisco Warfield Theater Garcia & Grisman: 16/44: Schoeps MK4's>Reutelhuber>Sony TCD-D7 Recorded on 1st tier center by Keith Litzenberger DAT MASTER PLAYED BACK ON SONY TCD-D10PROII>Edirol R-4>Soundforge 9 (Sample Rate Conversion to 44.1khz)>CD WAVE EDITOR (Track Splitting)>FLAC notes
2069. 01/13/94 Flac - 0, 32833 San Francisco Warfield Theater Garcia & Grisman: Digitial FOB Audience Tape Nuemann km 54's > Teac > DAT(x) DAT from Todd Evans DAT(x) > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav 48khz WAV > Flac16/48 notes
2070. 01/13/94 Flac - 0, 82760 San Francisco Warfield Theater Garcia & Grisman: Digitial FOB Audience Tape Nuemann km 54's > Teac > DAT(x); Transfer: Panasonic SV-3700 > M-Audio 24/96 > Wavelab 5.0 (L3 multimaximizer) > CD WAVE > FLAC, transfer by Bill Koucky notes
2071. 01/13/94 Shn - 0, 11331 San Francisco Warfield Theater Garcia & Grisman: MAD (unknown taper, equipment & location) > DATs > playback on Tascam DA-30 > HHB-800 master CD > 2CD > HP 9350i extraction using EAC > tracking using CD Wave > .shn encoding using mkwACT notes
2072. 01/13/94 Shn - 0, 11331 San Francisco Warfield Theater Garcia & Grisman: MAD (unknown taper, equipment & location) > DATs > playback on Tascam DA-30 > HHB-800 master CD > 2CD > HP 9350i extraction using EAC > tracking using CD Wave > .shn encoding using mkwACT notes
2073. 01/13/94 Shn - 0, 11331 San Francisco Warfield Theater Garcia & Grisman: MAD (unknown taper, equipment & location) > DATs > playback on Tascam DA-30 > HHB-800 master CD > 2CD > HP 9350i extraction using EAC > tracking using CD Wave > .shn encoding using mkwACT notes
2074. 01/13/94 Shn - 0, 30592 San Francisco Warfield Theater Garcia & Grisman: Same as previous source, but with levels adjusted by RJ Hythloday notes
2075. 01/13/94 Flac 16/48 - 0, San Francisco Warfield Theater notes
2076. 02/04/94 Flac - 0, 94747 San Francisco Warfield Theater Jerry Garcia Band: Neumann KM54's>Casio DA-7? DAT MASTER>DAT,Sony DTC-A7>Sony TCD-D10PROII, Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades)>CDWAV>FLAC Recorded By Chuck Vasseur Transferred By Keith Litzenberger notes
2077. 02/04/94 Flac - 0, 95234 San Francisco Warfield Theater Jerry Garcia Band: (16 bit/48kHz) Neumann KM54's>Casio DA-7? DAT MASTER>DAT,Sony DTC-A7>Sony TCD-D10PROII, Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades)>CDWAV>FLAC Recorded By Chuck Vasseur Transferred By Keith Litzenberger notes
2078. 02/04/94 Flac 16/44 - 0, 146010 San Francisco Warfield Theater JGB; flac 1644: Master: Neumann KM54's > DAT (Chuck Vasseur) Transfer: DAT Master > CDR (Kyle Porter) Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark) notes
2079. 02/05/94 Flac - 0, 127032 San Francisco Warfield Theater flac1648; unknown taper, DAT > 1st gen cassette (given to josiah babcock who gave chasingwilma the tape to convert and share) > sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; unknown> dat> cassette> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8. notes
2080. 02/05/94 Shn - 0, 18008 San Francisco Warfield Theater Jerry Garcia Band: SBD>>MR>>DAT>>(*)CASS>>DAT>>CDA>>WAV(EAC)>> DAW(Bertha)>>CDA/SHN notes
2081. 02/05/94 Shn - 0, 15675 San Francisco Warfield Theater Jerry Garcia Band: MAC (Taped by Chuck & Janet Vasseur, Neumann mics [vintage 1957, tube electronics]) > CDR > EAC (Secure mode) > shn (MKWACT). EAC'ed/SHN'ed and seeded to fungus and abgd by Charlie Connor. notes
2082. 02/05/94 Shn - 0, 4346 San Francisco Warfield Theater Jerry Garcia Band: DSBD> CDR; via Caleb Epstein notes
2083. 02/05/94 Flac 24 - 0, 124872 San Francisco Warfield Theater JGB; flac2496; unknown > dat > cassette > sony tc we435 > sony pcm m-10 24bit/96khz > soundforge > cdwave > traders little helper encoding option 8; taper: unknown (first gen cassette was given to Josiah Babcock who gave me the tape to convert and share); conversion: chasingwilma; conversion rate: 96000/24 bit. notes
2084. 02/05/94 Flac 16/44 - 0, 146009 San Francisco Warfield Theater JGB; flac 1644: Master: Neumann KM54's > DAT (Chuck Vasseur) Transfer: DAT Master > CDR (Kyle Porter) Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark) notes
2085. 02/06/94 Flac - 0, 127033 San Francisco Warfield Theater JGB; flac1648; unknown taper, DAT > 1st gen cassette (given to josiah babcock who gave chasingwilma the tape to convert and share) > sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; unknown> dat> cassette> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8. notes
2086. 02/06/94 Flac 24 - 0, 124885 San Francisco Warfield Theater JGB; flac2496; unknown audience > dat > cassette > sony tc we435 > sony pcm m-10 24bit/96khz > soundforge > cdwave > traders little helper encoding option 8; taper: unknown (first gen cassette was given to Josiah Babcock who gave seeder the tape to convert and share). notes
2087. 02/06/94 Shn - 0, 12256 San Francisco Warfield Theater Jerry Garcia Band: mixed sources: Set 1 - SBD > Dat > Cm > Dat > CD; Set 2 - (FOB) Neumann KM104 > Panasonic SV-255 > Dat > CD. Seeded to etree by Todd Sanders notes
2088. 02/06/94 Shn - 0, 15676 San Francisco Warfield Theater Jerry Garcia Band: MAC (Taped by Chuck & Janet Vasseur, Neumann mics [vintage 1957, tube electronics]) > CDR > EAC (Secure mode) > shn (MKWACT). EAC'ed/SHN'ed and seeded to fungus and abgd by Charlie Connor notes
2089. 02/06/94 Flac 16/44 - 0, 146008 San Francisco Warfield Theater JGB; flac 1644: Master: Neumann KM54's > DAT (Chuck Vasseur) Transfer: DAT Master > CDR (Kyle Porter) Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark) notes
2090. 03/09/94 Shn - 0, 16670 San Francisco Warfield Theater Jerry Garcia Band: FOB (Neumann KM 54's) > DAT > CDR > WAV > SHNv3. Tapers: Chuck and Linda Vasseur notes
2091. 03/09/94 Flac 16/44 - 0, 146ßß7 San Francisco Warfield Theater JGB; flac 1644: Master: Neumann KM54's > DAT (Chuck Vasseur) Transfer: DAT Master > CDR (Kyle Porter) Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark) notes
2092. 04/18/94 Shn - 0, 16376 San Francisco Warfield Theater Jerry Garcia BAnd: FOB (Neumann KM54) > DAT > CDR > WAV > SHNv3.Taper unknown @ this time. DAE, SHN encoding, and initial FTP propagation via C.Ladner/candyman FTP. notes
2093. 04/18/94 Flac 1644 - 0, San Francisco Warfield Theater notes
2094. 04/18/94 Flac 16/48 - 0, San Francisco Warfield Theater notes
2095. 04/19/94 Shn - 0, 23229 San Francisco Warfield Theater Jerry Garcia Band. Source: MAD(Neumann 257s>Denon DAT)>C>DAT>WAV>SHN. Taper: J. & C.Vasseur. Cass>DAT by J.Powell. DAT>WAV>SHN by C.Ladner. notes
2096. 04/19/94 Flac - 0, 135214 San Francisco Warfield Theater JGB; flac1644; DAT clone (no cassette) gen of MAD (Neumann 257s > Denon DAT). Tapers: J. & C. Vasseur Transfer: DAT > CD > FLAC > EAC > TLH. notes
2097. 04/19/94 Flac 1644 - 0, San Francisco Warfield Theater notes
2098. 04/20/94 Shn - 0, 21299 San Francisco Warfield Theater Jerry Garcia Band: MAD("vintage neumann"/KM54s?)>DAT>CDR>WAV>SHN. Taper: Chuck and Janet Vasseur. notes
2099. 04/20/94 Flac 1644 - 0, San Francisco Warfield Theater notes
2100. 04/25/94 Flac - 0, 97864 San Francisco Warfield Theater Jerry Garcia Band: FOB - Neumann KM 54->DAT->CDR->WAV->FLAC. Tapers: Chuck and Janet Vasseur (assumed, but not confirmed). Transfer: Dat Clone > Panasonic SV3700 > Marantz CDR 615 > CDR Ripped with EAC (No Errors) Tracks Named > Flaced with Traders Little Helper and Tagged with Foobar 2000. DAT->CDR 1999, CDR->Flac2009. Transfers by Pete Ebel notes
2101. 04/25/94 Shn - 0, 12257 San Francisco Warfield Theater Jerry Garcia Band: set II only: SBD > Dat > Cm > Dat > CD > EAC > .shn using mkwACT. Seeded by Todd Sanders. notes
2102. 04/26/94 Shn - 0, 21746 San Francisco Warfield Theater Jerry Garcia Band: MAD(Neumann KM54s>D)>DAT>CDR>WAV>SHN. Taper: Chuck and Janet Vasseur. SHN encoding via C.Ladner notes
2103. 04/27/94 Shn - 0, 15819 San Francisco Warfield Theater Jerry Garcia Band: Lineage given as DSBD > DAT > CDR > EAC > shn, but Charlie Miller says the correct lineage is SBD>Dat>Cass Master (Dolby C)>Dat>CD. notes
2104. 04/27/94 Flac 16/44 - 0, 145739 San Francisco Warfield Theater flac16/44.1khz Set 2 Only Source Info: FOB Neumann KM 54-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
2105. 05/04/94 Shn - 0, 9715 San Francisco Warfield Theater Garcia & Grisman: MAD (Schoeps CMC 34 > SV255, taper and location unknown) > DATs > Sony PCM-2600 > Egosys 2496 Waveterminal to HD > initial editing/tracking using Cool Edit 2000 > CD/0 > EAC > re-tracking using CD Wave > SHN using mkwACT. Note: mic and deck information updated 8/2002. notes
2106. 05/04/94 Flac 24/48 - 0, 147686 San Francisco Warfield Theater JGDG; flac 2448; Source: AUD of unknown lineage > ? > Cassette rescued from ebay. Transfer: XLII-100 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2019 notes
2107. 05/05/94 Shn - 0, 12503 San Francisco Warfield Theater Garcia & Grisman: MAD? > ? > CD > EAC > SHN notes
2108. 05/05/94 Flac 24/48 - 0, 147364 San Francisco Warfield Theater Garcia & Grisman; FLAC 2448; Source: AUD of unknown lineage > ? > Cassette rescued from ebay. Transfer: XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 08/2019 notes
2109. 05/13/94 Flac 16/44 - 0, 145668 Glen Helen Blockbuster Pavilion flac16/44.1khz Source Info: FOB Neumann KM 140-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel notes
2110. 05/14/94 Flac - 0, 113811 Ventura Ventura Raceway (Fairgrounds) Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones (up front-center) > Sony TCD5M - analog master cassettes Transfer: Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
2111. 05/14/94 Shn - 0, 20604 Ventura Ventura Raceway (Fairgrounds) Jerry Garcia Band: AUD(mics and taper unknown)>DAT>CDR>WAV>SHNv3 notes
2112. 05/14/94 Flac - 0, 134863 Ventura Ventura Raceway (Fairgrounds) flac1644; JGB; (FOB) Nyquist Omnis > Sony TCD-D3. DAT Master Transferred Via: Tascam DA-P1 >S/PDIF >HHb CDR 800 PRO CD Masters >FLAC (Level 8) + Tags Via xACT 2.37. Recorded, Transferred, FLAC’d & Tagged By Jeff Bowen, aka OldNeumanntapr notes
2113. 05/15/94 Shn - 0, 6632 Irvine Irvine Meadows Ampitheater Jerry Garcia Band: DAUD>(DATgens)>ISIS>Sound Forge 4.5>CD>EAC>Shn NO MIC INFO notes
2114. 05/15/94 Flac 16/44 - 0, 145697 Irvine Irvine Meadows Ampitheater flac16/44.1khz Source Info: FOB Neumann KM 140-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
2115. 05/17/94 Shn - 0, 16186 San Diego Starlight Bowl Jerry Garcia Band: AUD (unk. mics) > DAT > CDR > WAV > SHN. Source CDRs via H.Angus. DAE and SHN encoding via C.Ladner/candyman FTP notes
2116. 05/17/94 - 0, 145722 San Diego Starlight Bowl flac16/44.1khz Source Info: FOB Neumann KM 140-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
2117. 05/18/94 Flac 16/44 - 0, 145723 San Diego Starlight Bowl flac16/44.1khz Source Info: FOB Neumann KM 140-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
2118. 05/19/94 Flac 16 - 0, 97700 Phoenix Desert Sky Pavillion Jerry Garcia Band: unknown aud source; Transfer: Dat Clone->Panasonic SV3700-> Marantz CDR 615-> CDR Ripped with EAC (No Errors); Tracks Named -> Flaced with Traders Little Helper. DAT->CDR 1999, CDR->Flac 2009 by Pete Ebel. notes
2119. 08/04/94 Flac - 0, 141186 East Rutherford Giants Stadium Traffic w/ JG sit-in; unknown AUD > CDR > DAE (wav) EAC (secure mode)> (flac) Trader's Little Helper level 6 (align on sector boundaries). notes
2120. 08/12/94 Shn - 0, 15885 San Francisco Warfield Theater Jerry Garcia Band: FOB (Neumann KM54) > DAT > CDR > DAE (EAC 0.9 beta 4, offset corrected, high&secure) > tracking (cdwave) > shorten 3.4. notes
2121. 08/12/94 Flac 16/44 - 0, 145708 San Francisco Warfield Theater flac16/44.1khz Source Info: FOB Neumann KM 54-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
2122. 08/13/94 Shn - 0, 15191 San Francisco Warfield Theater Jerry Garcia Band: FOB (Neumann KM54) > DAT > CDR > WAV > SHNv3. Taper unknown. CDR seeds via S.Aserkoff. SHN encoding and FTP hosting via C.Ladner/candyman FTP. notes
2123. 08/14/94 Shn - 0, 12022 San Francisco Warfield Theater Jerry Garcia Band: DSBD > D > CM > CD > EAC > slight alterations (see info file) > SHN. This is a slightly modified upgrade, via Jake Mercatoris, of the existing .shn set. notes
2124. 08/14/94 Shn - 0, 4306 San Francisco Warfield Theater Jerry Garcia Band: DSBD> Dat> Cass> Cdr; notes
2125. 08/14/94 Flac - 0, 136390 San Francisco Warfield Theater JGB; flac1644; remaster of shnid-4306; SBD -> Dat -> Cassette Master -> CD -> SHN. Transfer Info: SHN -> Samplitude Professional v11.2.1 -> FLAC (2 Discs Audio / 1 Disc FLAC). notes
2126. 08/14/94 Flac 16/44 - 0, 145709 San Francisco Warfield Theater flac16/44.1khz Source Info: FOB Neumann KM 54-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
2127. 09/01/94 Shn - 0, 12024 San Francisco Warfield Theatre Jerry Garcia Band: FOB Neumann KM-140 > SV255 > DAT > Tascam CDRW 700 > CD > EAC > SHN. notes
2128. 09/02/94 Shn - 0, 12254 San Francisco Warfield Theater Jerry Garcia Band: AUD (Neumann54s)>DAT>CDR>WAV>SHNv3, seeded by Chris L notes
2129. 09/02/94 Flac - 0, 138958 San Francisco Warfield Theater JGB; flac1644; partial: Audience recording > Sonic Studios DSM-6P > Sony D6 > Maxell XL-IIS master; Transfer: Master > Denon 790R > Kenwood A-522 amplifier > Kenwood GE-622 Equalizer > DAT line out > line in on Tascam DR-2D > wav 16/44.1. Recorded and transferred by Steve "Ballsup" Hagar. Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16, edited and mastered SIRMick August 2017 notes
2130. 09/10/94 Flac - 0, 97863 Reno Reno Hilton Ampitheater Jerry Garcia Band: Schoeps CMC441 (Hyper-Cards)-> Koro P/S->Panasonic SV255; Taper: Unknown. Transfer: Dat Clone > Panasonic SV3700 > Marantz CDR 615 > CDR Ripped with EAC (No Errors) Tracks Named > Flaced with Traders Little Helper and Tagged with Foobar 2000. DAT > CDR 1999, CDR->Flac 2009. Transfers by Pete Ebel. notes
2131. 09/10/94 Shn - 0, 23791 Reno Reno Hilton Ampitheater Jerry Garcia Band. Source: MAD(Vintage Neumanns)>D>C>CDR>WAV>SHN. Taper: C&J. Vasseur. DAE and lossless encoding via C.Ladner. notes
2132. 11/11/94 Shn - 0, 15882 Oakland Henry J. Kaiser Convention Center Jerry Garcia Band: FOB (Neumann KM440) > DAT > CDR > WAV > SHN. Taper: pending at this time. DAE (EAC 0.9 beta 4, offset corrected, secure mode) > editing (d1t01 only, soundforge 5) > tracking (cdwave) > SHN (shorten 3.4) > FTP via C.Ladner/candyman FTP. notes
2133. 11/11/94 Flac 16/44 - 0, 145714 Oakland Henry J. Kaiser Convention Center flac16/44.1khz Source Info: FOB Schoeps CMC5 Mk4-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
2134. 11/11/94 Flac 16/44 - 0, 145714 Oakland Henry J. Kaiser Convention Center flac16/44.1khz Source Info: FOB Schoeps CMC5 Mk4-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
2135. 01/13/95 Flac - 0, 79638 San Francisco Warfield Theater Jerry Garcia Band: set II, 48k: Dan Sisler's MAD (Schoeps MK4 > Reutelhuber power supply > Denon DTR80p > Sony D7) > DAT > FLAC, via Teddy Goodbear notes
2136. 01/13/95 Shn - 0, 21484 San Francisco Warfield Theater Jerry Garcia Band: Chuck & Janet Vasseur's MAD ("vintage Neumann"/KM54s > unknown deck) > DAT > CDR > WAV > SHN. SHN encoding via C.Ladner. notes
2137. 01/14/95 Shn - 0, 21744 San Francisco Warfield Theater Jerry Garcia Band: MAD(vintage Neumann/KM54>DAT)>DAT>CDR>WAV>SHN. Taper: Chuck and Janet Vasseur. This is an upgrade over the other circulating unlineaged source for this date. notes
2138. 01/14/95 Shn - 0, 15798 San Francisco Warfield Theater Jerry Garcia Band: MAD (mics unknown) > CDR > WAV > SHNv3, via Chris Ladner. notes
2139. 01/14/95 Flac - 0, 77712 San Francisco Warfield Theater Jerry Garcia Band: set II: Dan Sisler's MAD (Schoeps MK4 [1st row balcony, aisle seats left of the SBD] > Reutelhuber power supply > Denon DTR80p > Sony D7) > DAT > cassette > CD , via Teddy Goodbear notes
2140. 01/14/95 Flac - 0, 79731 San Francisco Warfield Theater Jerry Garcia Band: set II, 48k: Dan Sisler's MAD (Schoeps MK4 [1st row balcony, aisle seats left of the SBD] > Reutelhuber power supply > Denon DTR80p > Sony D7) > Sony PCM R300 playback > S/PDIF I/O > Fuji sound card > HD w/ CoolEdit Pro v2.1 at 48kHz > CDWAVE v1.95.1 (direct FLAC encoding) > FLAC (48khz notes
2141. 01/15/95 Flac - 0, 79665 San Francisco Warfield Theater Jerry Garcia Band: set II: Dan Sisler's MAD (Schoeps MK4 > Reutelhuber power supply > Denon DTR80p > Sony D7) > CDWAV > FLAC, via Teddy Goodbear. There is no cassette gen in this copy notes
2142. 01/15/95 Shn - 0, 21745 San Francisco Warfield Theater Jerry Garcia Band: MAD(vintage Neumann/KM54>DAT)>DAT>CDR>WAV>SHN. Taper: Chuck and Janet Vasseur. SHN encoding via C.Ladner. notes
2143. 03/04/95 Flac - 0, 78635 San Francisco Warfield Theater Jerry Garcia Band: Russ B.'s MAD (Schoeps MK4 [floor, center right under the drink rail] > Reutelhuber power supply > Denon DTR80p > Sony D7) > DAT > WAV > Cool Edit Pro > CDWAV > FLAC, via Teddy Goodbear notes
2144. 03/04/95 Shn - 0, 16443 San Francisco Warfield Theater Jerry Garcia Band: Vasseurs' MAD (Neumann KM54) > DAT > CDR > WAV > SHN. notes
2145. 03/04/95 Flac - 0, 78007 San Francisco Warfield Theater Jerry Garcia Band: set II: Uncertain lineage, possibly Dan Sisler master, via Teddy Goodbear notes
2146. 03/05/95 Shn - 0, 22194 San Francisco Warfield Theater Jerry Garcia Band. Set 2 only. Source: MAD(Neumann KM54s>unk. deck)>D>CDR>WAV>SHN. Taper: C. & J. Vasseur. notes
2147. 03/05/95 Flac - 0, 79634 San Francisco Warfield Theater Jerry Garcia Band: Michael B.'s MAD (Sonics [floor, center] > DTR80P > WAV > Cool Edit Pro > CDWAV > FLAC, via Teddy Goodbear. notes
2148. 04/14/95 Shn - 0, 17556 San Francisco Warfield Theater Jerry Garcia Band: MAD (Taped by the Vasseurs, Neumann Km54s > unidentified deck) > D > CDR > WAV > SHNv3; source information updated 1/15/2003. notes
2149. 04/14/95 Shn - 0, 24990 San Francisco Warfield Theater Jerry Garcia Band: MAD (Taped by Chuck & Janet Vasseur, vintage Neumanns > unk. deck > D ) > D > CDR > WAV > SHN. notes
2150. 04/15/95 Flac - 0, 94692 San Francisco Warfield Theater Jerry Garcia Band: Chuck Vasseuer's Neumann KM54s > Casio DA-7?; DAT MASTER>DAT, Sony DTC-A7 > Sony TCD-D10PROII, Tascam DA-30MKII > Sound Devices 702 > Soundforge 9 (Fades, Sample Rate Conversion) > CDWAV > FLAC. notes
2151. 04/15/95 Flac - 0, 21825 San Francisco Warfield Theater Jerry Garcia Band: Vintage Neumann KM54s>D>D>CDR>WAV>SHN. Tapers: Chuck & Janet Vasseur notes
2152. 04/22/95 Flac - 0, 97637 San Francisco Warfield Theater Jerry Garcia Band: Sonic Studios DSM-6 > Sony D7 (fob at drink rail) Transfer: DAT master > HHb CDR830 > EAC > CD Wave > FLAC notes
2153. 04/22/95 Shn - 0, 4305 San Francisco Warfield Theater Jerry Garcia Band: FOB Neumann KM 150's >??p/s> Teac Da-p20> Cdr notes
2154. 04/23/95 Shn - 0, 17557 San Francisco Warfield Theater Jerry Garcia Band: AUD (mics and taper unknown) > DAT > CDR > WAV > SHN. Last JGB show. Several minor technical flaws - see info file for details notes
2155. 04/23/95 Flac 16 - 0, 146539 San Francisco Warfield Theater JGB; flac16; Troy Wallwork's AKG 391 (actives) > Sony TCD-D3 @ 48k location: under a hat on the front center table; transfer: Tascam DA-P1 (DAT master) > Scarlett Focusrite > Pro Tools > wav > SHN > THL (wav) > Wavelab 6.1 (gain, fades, crystal resampler) > CD Wave > THL (flac 8) > Foobar (tags). recorded by Troy Wallwork transferred by Troy Wallwork & Gordon Wilson notes
2156. ??/??/05 Shn - 0, Various Jerry Does Dylan Compilation notes

Garcia & Grisman  
  Date Venue - City, State City Media  
1. 02/03/91 Flac - 0, 97321 San Francisco Warfield Theatre JGDG, set II: Unknown mics> unknown DAT; Transfer: DAT played back on Sony PCM-500> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding Transfer and FLAC encoding by David Minches. notes

Garcia & Kahn  
  Date Venue - City, State City Media  
1. 06/04/82 Flac - 0, 95421 Portland Neighbors Of Woodcraft (Early) JGJK: MAC (Taped by Otto Rice, Sony stereo mic > Aiwa deck); Lineage: Marantz PMD 510 playback > HHb 850 > CD > Wavelab 6.0 > CDWave > FLAC8. notes
2. 06/06/82 Flac - 0, 89675 Eugene South Eugene High School Auditorium JGJK: Recorded by Don Eggiman and Tom Navarre using Mark Severson's equipment; 2 Nak 700s w/ 6 DB eq> Sony TC-D5M (2 Maxell MX cassettes); Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding. notes
3. 06/26/82 Flac - 0, 124236 Washington Warner Theater flac1644; late show; MSC > Cx > WAV > FLAC notes
4. 06/26/82 Flac - 0, 101296 Washington Warner Theater Early and Late Shows. AUD: Aiwa HS-F1 with built-in mics > Maxell MX 90's. Taped by Brent Z. Transfer: MAC > Nakamichi DR-8 (Dolby off) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F. notes
5. 06/27/82 Flac - 0, 124137 Upper Darby Tower Theater flac1644; late show; MSC > Cx > WAV > FLAC notes
6. 06/27/82 Flac - 0, 89570 Upper Darby Tower Theater Late show: David Weidner's Senn mics (Center 1st row of balcony) > Nakamichi deck; transfer: 1st Gen Cass -> Nak CD2 -> Phillips CDR -> CD WavEditor for Tracking -> flac. Transfer by: Dan Brown. notes
7. 06/28/82 Flac - 0, 89503 Boston Opera House JGJK: John Levene's Nak 300 (front row right center balcony) > Marantz CD330 (cassette master); Yamaha K-1020 playback > Sony SBM-1 > Nomad JB3 > firewire > SF v6 > Cdwave > Flac. Transfer by John Levene. notes
8. 06/28/82 Flac - 0, 102004 Boston Opera House FOB) Nakamichi CM-300 (CP-1) x1 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). Taped and transferred by Bob Morris. notes
9. 07/01/82 Flac - 0, 88339 Chicago Auditorium Theater JGJK: Sony Walkman (condenser mic) > cass >dat > cdr > shn > wav > flac; sirmick remaster of shnid 13424. notes
10. 06/03/84 Flac - 0, 93922 San Francisco Kabuki Theater JGJK: Jay Abrams's Nakimichi 300's > Sony WMD6C > Sound Studio > CDwav on MacPro > PeakPro6 > xAct Flac16. notes
11. 11/17/84 Flac - 0, 110537 Boston Orpheum Theatre flac1644; AUD, Unknown mics > Sony TC-D5 > MAC > 1st Gen cassette. Tape kindly provided by Drew and Seaweed1010. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. notes
12. 11/23/84 Shn - 0, 91846 Norfolk Chrysler Hall Lineage: Sennheiser ME80s->Sony TC-D5M->Master Cassette Transfer: Sony TC-D5M->WaveTerminal U2A->USB->PC->CDWAVE->WAV->MkwV097.B1->SHN Location: Row 15 DFC Mics 15' in air notes
13. 11/26/84 Flac 24 - 0, 109348 Hartford Bushnell Auditorium flac 2496; MSC > C > C (2nd Gen), with thanks to Jon Pasternak; Transfer: Maxell XLII-S > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. notes
14. 05/31/85 Shn - 0, 32007 Beverly Hills Beverly Theatre early show; Joe Pinedo's MAC (Sony 939 > Sony D5) > 1st gen cassette (Maxell XLII 90, Dolby B) > Nakamichi BX300 playback > Macintosh > Peak Bias > JAM > cdr > eac > mkw > shntool. notes
15. 01/25/86 Flac - 0, 1256711 Upper Darby The Tower Theatre jgjk; flac1644; Ray Ackerman's Audio Technica 835b (LR) + 1 AKG D12e (center) > Radioshack 4 Channel Stereo Mixer 32-1105A > Sony TC-D5; location: Orchestra Row E, Sec. L/C, Seat 108 on stand @ 6'; Transfer: Sony TCK 71 (cass master) > Lunatec V3 > Microtracker II @ 24/96 > Wavelab (editing and mastering) Master wave file > pc > cd wave > traders little helper (flac level 8), crystal Resampler (high), & dither w/ iZotope Ozone 5 done in wavelab 6.1 Taped, transferred and mastered by Ray Ackerman; tracked, flaced, resample & dither by Gordon Wilson. notes

Garcia & Saunders  
  Date Venue - City, State City Media  
1. 05/20/71 Flac - 0, 10855 San Francisco Keystone Korner notes
2. 12/28/72 Shn - 0, 76175 San Anselmo The Lion's Share notes
3. 01/19/73 Flac - 0, 99636 Berkeley Keystone Betty Cantor's 10" master sbd reels @ 7.5ips 1/2trk > ? > CD > EAC > CDWave > TLH (FLAC level 8). notes
4. 01/25/73 Flac - 0, 136776 San Francisco The Boarding House JGMS; late show; soundboard > Master Reel > Dat(48k) notes
5. 07/05/73 Flac - 0, 136777 San Anselmo The Lion's Share JGMS; Soundboard > Master Reel (10" reel @ 7.5 ips ½ track) > Dat (48k) notes
6. 07/10/73 Flac - 0, 105262 Berkeley Keystone flac1644: Matt Smith 24bit 96kHz Reel Transfer.Multitracks (Bob and Betty Ampex MM110)>2 track mixdown MR>R @ 7 1/2 ips.(WB) > DVD; Editing and Mastering by Jamie Waddell on the **GEMS** Edit Station. Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1kHz. Tracked in CDWAV Tag&Rename for Meta_Data. TLH for FLAC Level 8 by Patrick White (wharfratpat@shnflac.net). notes
7. 07/10/73 Flac 24 - 0, 105264 Berkeley Keystone flac2496: Multitracks(Bob and Betty Ampex MM110)>2 track mixdown MR>R @ 7 1/2 ips.(WB)>DVD. Editing and Mastering by Jamie Waddell on the **GEMS** Edit Station Weiss Saracon for Pow-r3 Dithe notes
8. 10/11/73 Flac - 0, 136639 Berkeley Keystone jgms, flac1648: Source: sbd > master-reel > dat(48k) notes
9. 11/03/73 Flac - 0, 123279 Berkeley Keystone notes
10. 02/16/74 Flac - 0, 91471 Berkeley Keystone JGMS: MSR > DAT3x > Delta Dio 2496 soundcard > Soundforge > Flac. notes
11. 06/04/74 Flac - 0, 90003 San Anselmo The Lion's Share notes
12. 07/02/74 Flac - 0, 112133 New York Bottom Line flac1644; Recorded by Jerry Moore; two AKG D1000Es [from table a few feet from stage, mics on an overturned ashtray and canted upward toward the PA] > Sony TC-152; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> r8brain Pro> FLAC encoding. Speed/pitch Correction by Joe B. Jones. Thanks to Rob Berger for supplying the master cassettes. notes
13. 07/03/74 Flac - 0, 112339 New York Bottom Line flac1644; Recorded by Jerry Moore; two AKG D1000Es> Sony TC-152; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding. notes
14. 08/31/74 Shn - 0, 8078 Berkeley Keystone MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN; via Jack Warner notes
15. 10/04/74 Shn - 0, 8649 Berkeley Keystone MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > SHN. notes
16. 11/05/74 Flac 24 - 0, 111494 New York Bottom Line flac24; early show; Jerry Moore's aud cassette master, AKG D1000Ee's > Sony TC-152 (Dolby B); nak dragon (Dolby B) > tascam hd-p2 24/96 > adobe audition 2.0 > cd wave > tlh flac 8; transfer/seed by Rob Berger. notes
17. 11/10/74 Flac - 0, 98713 Albany Palace Theatre JGMS flac2448: sbd reel master > reel > Jerry Moore's 10.5" reel @ 7.5 ips, dolby b; Transfer by Rob Berger: playback on Technics RS-1506 > Sony NR-335 > Tascam HD-P2 24/48. Editing and FLAC encoding by David Minches. notes
18. 11/27/74 Flac - 0, 91343 Berkeley Keystone JGMS, complete: mixed sbd sources; source 1: sdb-?- cd > wavelab 6.0 (pitch correction, edits) provides all except first 1:30 of Bossa Martin and last two songs; source 2: MSR > P > D > CD > wavelab 6.0; Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station. notes
19. 11/27/74 Flac - 0, 89216 Berkeley Keystone JGMS, incomplete: MSR > PCM > Dat > CD > EAC > ? > Flac. Transfer and unknown editing by Jamie Waddell. notes
20. 12/07/74 Flac - 0, 110683 Berkeley Keystone flac1644; motb 0160; Robert Castelli; Sony ECM270 mic >> Sony TC110 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] ... FLAC1644. Transfer By: Bob Menke; Mastering By: Derek McCabe notes

Grateful Dead http://www.dead.net
  Date Venue - City, State City Media  
1. 10/06/77 Flac 16 - , 164355 Tempe Activity Center, Arizona State University Recording Info: SBD > Cassette Master > DAT (48k) > WAV
Mastering Info: WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16
notes

Great American Music Band  
  Date Venue - City, State City Media  
1. 06/13/74 Flac - 0, 110663 Berkeley Keystone flac1644; motb 0159; Robert Castelli; Analog Audience Source: Master Cassettes (MAC) Medium Stock Brands: Scotch C120; Analog Lineage: ECM 270 >> Sony TC110 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] ... FLAC1644. Transfer by Bob Menke, mastering by Derek McCabe & David Minches, speed correction by Joe B. Jones. notes

Great American String Band  
  Date Venue - City, State City Media  
1. 04/26/74 Flac - 0, 99532 San Rafael Marin Veterans' Memorial Building and Grounds Tom Moran's MAC (Sony recorder with built-in mic) ("maybe a Sony TC-150") > taperpat's 1st gen reel; Transfer (Matt Smith): AKAI GX625 playback > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD; Lossless encoding: EAC > CDWave > TLH (FLAC level 8) notes
2. 06/14/74 Flac - 0, 110664 Berkeley Keystone flac1644; motb 0159; set I only; Robert Castelli; Analog Audience Source: Master Cassettes (MAC); Medium Stock Brands: Maxell UD C90; Analog Lineage: ECM 270 >> Sony TC110 >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] ... FLAC1644; Transfer By: Bob Menke; Mastering By: Derek McCabe & David Minches; Speed correction by Joe B. Jones. notes

Jerry Garcia Acoustic Band  
  Date Venue - City, State City Media  
1. 10/16/85 Flac - 0, Santa Cruz The Catalyst notes
2. 10/16/87 Flac 16 - 0, 97360 New York Lunt-Fontanne Theatre JGAB/JGB: Joe D'Amico's Nak 300 Mics > Sony D-5; Nak Dragon playback > Sony Sbm1 > Creative Extigy Soundcard > Cool Edit Pro > Flac Frontend. notes
3. 10/24/87 Flac 1644 - 0, 109821 New York Lunt-Fontanne Theatre flac1644; Joe D'Amico ''AKA'' Joebeacon's Nak 300s > Sony D-5; Nak Dragon > Korg Mr-1000 @ 1 Bit DSD > Audio Gate > Cool Edit > Traders Little Helper . notes
4. 11/27/87 Shn - 0, 22298 San Francisco Warfield Theater Source: AUD(mic's and taper unknown)>?>C>DAT>WAV>SHN. notes
5. 12/04/87 Flac - 0, 100115 Los Angeles Wiltern Theatre via Dime-a-dozen torrent notes

Jerry Garcia Band  
  Date Venue - City, State City Media  
1. 02/06/72 Shn - 0, 13880 San Francisco Pacific High Studios Garcia & Saunders: Source: FM > ? > dat > da-20 playback > rme 96/8 pst > cd wave > mkw (shn). Transfer by Tim Rossi. Source information updated 11/5/2004, had been listed as pre-FM. notes
2. 09/18/75 Flac - 0, 198270 Palo Alto Sophie's notes
3. 09/20/75 Flac - 0, 109216 Fairfax River City flac1644; MOTB 0154; Robert Castelli's 2 x Sony ECM 270's >> Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] [> FLAC1644]. Transfer By: Bob Menke. Mastering By: Derek McCabe notes
4. 10/11/75 Flac 16/44 - 0, 105508 Berkeley Keystone notes
5. 10/11/75 Flac 16/44 - 0, 105508 Berkeley Keystone flac1644,MOTB Release: 0113 16/44.1 (MATRIX); Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = 2 x Maxell UD C90; Analog Lineage: Sony ECM 250 & ECM 270 >> Sony TC 152SD >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Matrix Soundboard Source: jg1975-10-11.jgb.all.sbd-minches.31213.flac1644. notes
6. 10/12/75 Flac 24 - 0, 7669 Berkeley Keystone Jerry Garcia Band: AUDMC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 >CD > EAC > CD > EAC > SHN via Jack Warner notes
7. 10/12/75 Flac 16 - 0, 134658 Berkeley Keystone flac16 Recording Info: MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes
8. 10/17/75 Flac - 0, 90056 Concord Concord Pavillion JGB, incomplete: MSR > PCM > DAT x ?; Cloned: From Dr. Bruce Fried 06/03/1996 Casio DA-7 > Panasonic SV-3700; Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.01a @ [16/48]; Mastering with: iZotope Ozone 3 > dithered to [16/44.1] > CD Wave > TLH > FLAC; Transfer and Mastered by Bill Koucky, Green Mountain Bros. This is your collection notes
9. 10/17/75 Flac - 0, 138356 Concord Concord Pavillion JGB; flac1648: From the Gastwirt Collection; SBD: Master Reel > PCM > DAT. Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48. Joe Noel Edits: Track, Flac, & Pack: Wave > Audacity > track/label > export multiple > flac 16/48. notes
10. 10/28/75 Flac - 0, 135275 New York Beacon Theatre JGB; flac1644; early; AUD; Maxell XLI (normal bias) > Nakamichi CR-5A (Dolby off) > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 02/2016 notes
11. 11/08/75 Flac - 0, 109001 Berkeley Keystone notes
12. 11/29/75 Flac - 0, 101106 Berkeley Keystone notes
13. 11/29/75 Flac 24/96 - 0, 101107 Berkeley Keystone flac2496: MOTB Release: 0092 24/96. Analog Audience Source: FOB Master Cassettes (MAC). Medium Stock Brands: MAC = 2 x Maxell UD c90. Analog Lineage: 2 x Sony ECM-280 (Directly In front of Jerry Hand held 10ft back) >> Sony TC-152 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]. Taped By: Reinhard Holwein. Transfer By: Bob Menke. Mastering By: Derek McCabe notes
14. 12/17/75 Flac - 0, 101131 Berkeley Keystone flac1644 MOTB Release: 0093 16/44.1. Analog Audience Source: Aud Master Cassettes (MAC). Medium Stock Brands: MAC = 2 x Maxell UD. Analog Lineage: 2 x SONY ECM-280 (directly in front of Jerry hand held at 10ft.) >> Sony TC-152 >> MAC. Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]. Taped By: Reinhard Holwein. Transfer By: Bob Menke. Mastering By: Derek McCabe. notes
15. 12/17/75 Flac 24 - 0, 101132 Berkeley Keystone flac2496 MOTB Release: 0093 24/96. Analog Audience Source: Aud Master Cassettes (MAC). Medium Stock Brands: MAC = 2 x Maxell UD. Analog Lineage: 2 x SONY ECM-280 (directly in front of Jerry hand held at 10ft.) >> Sony TC-152 >> MAC. Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]. Taped By: Reinhard Holwein. Transfer By: Bob Menke. Mastering By: Derek McCabe notes
16. 12/19/75 Flac - 0, 93039 San Francisco Winterland Arena JGB: MSR > Cass > WMA > CDR > EAC > Cool Edit Pro 2.1 > WAV > FLAC. notes
17. 12/19/75 Flac 24 - 0, 94390 San Francisco Winterland Arena JGB, flac24: 2 x Sony ECM-270 => Sony TC-152 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]. MOTB.0075. Taped By: Reinhart Hohlwein. Transfer By: Bob Menke. Mastering By: Jamie Waddell. Compiled By: Adam Egert notes
18. 12/31/75 Flac - 0, 89686 Berkeley Keystone JGB: MSR (Nagra 1/2track @ 7 1/2ips) > 1st gen reel (Otari 1/2track @ 7 1/2ips) > 1 cassette gen (Nak BX300, no Dolby, MaxellXLIIS90) > Nak CR3A playback (no Dolby) > HP Computer > Sound Forge > CD Wave> Flac8, via John Moses. notes
19. 02/21/76 Flac - 0, 108055 Encinitas La Paloma Theater late show; flac1644; MSR (2 track 7" reels @ 15ips) > 1 cassette (TDK SA-X100) > Nakamichi CR-7A (Dolby off) > Lucid 9624 A-D converter @ 44.1kHz > Fostex D5 master DAT > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by Ryan Shriver, CD > SHN by MisSHN. 2010 SHN > FLAC conversion using TLH (v2.4.1 Build 160) "convert encoding format" function. Tagging using foobar2000 (v0.9.6.8). Alternate encoding of the same source tape as shnid4464, which appeared to have dropped out of circulation as of May 2010. notes
20. 02/24/76 Shn - 0, 100710 Berkeley Keystone notes
21. 03/03/76 Flac - 0, 107296 Eugene Lane County Fairgrounds flac1644; set II only; MOTB 0140; FOB Master Cassette > Reel @ 7.5ips Unknown Mics >> Unknown Deck >> MAC >> Reel 7.5 ips Reel >> Revox 77 >> Akai GX636 > Apogee Mini Me(24/96) > Apogee Mini Dac (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > FLAC; Taped By: Don Wolfe, Matt Williams notes
22. 04/01/76 Flac - 0, 110489 Waterbury The Palace Theater Steve Rolfe's Sony ECM-99 > Cassette Master (Sony TC-152/Maxell UD-C90, played back on Nakamichi DR-1) > Sound Devices 744T (24bit/48k) > Adobe Audition v3.0 > Samplitude Professional v11.1 > FLAC/16, by Charlie Miller. notes
23. 04/05/76 Flac - 0, 100303 Atlanta Fox Theater Unknown AUD > ? > CDR. Transfer: CDR > EAC > Wavelab > CD-Wave > TLH > FLAC 1644. notes
24. 05/20/76 Flac - 0, 101352 Berkeley Keystone flac1644: MOTB Release: 0094 16/44.1. Analog Audience Source: FOB Master Cassettes (MAC). Medium Stock Brands: MAC = 1 x Maxel UD c90 + 1 x TDK AUDUA c90 Analog Lineage: 2 x SONY ECM-280 (directly in front of Jerry hand held at 10ft.) >> Sony TC-152SD >> MAC. Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]. Taped By: Reinhard Holwein. Transfer By: Bob Menke. Mastering By: Derek McCabe. notes
25. 05/20/76 Flac 24 - 0, 101353 Berkeley Keystone flac2496: MOTB Release: 0094 24/96. Analog Audience Source: FOB Master Cassettes (MAC). Medium Stock Brands: MAC = 1 x Maxel UD c90 + 1 x TDK AUDUA c90 Analog Lineage: 2 x SONY ECM-280 (directly in front of Jerry hand held at 10ft.) >> Sony TC-152SD >> MAC. Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]. Taped By: Reinhard Holwein. Transfer By: Bob Menke. Mastering By: Derek McCabe notes
26. 07/08/76 Flac - 0, 110474 Berkeley Keystone Set One: SBD of unknown lineage kindly provided by Seaweed1010. Set Two: ID-22510. Set One transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Set Two transfer: ID-22510 > TLH > WavMerge > Wavelab > CD-Wave > TLH > FLAC 1644 tagged. Project assembled by Andrew F. 10/2010 notes
27. 09/10/76 Flac 24 - 0, 96792 Berkeley Keystone JGB, Flac24: MAC = 2 x TDK AUDA90; 2 x sony ECM 280 => Sony SD152 >> MAC >> Nakamichi CR-7a >> Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Holhwein; Transfer By: Bob Menke; Mastering By: Derek McCabe; Tagging by: Adam Egert MOTB0031 notes
28. 09/10/76 Flac - 0, 96791 Berkeley Keystone JGB, Flac16: MAC = 2 x TDK AUDA90; 2 x sony ECM 280 => Sony SD152 >> MAC >> Nakamichi CR-7a >> Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Holhwein; Transfer By: Bob Menke; Mastering By: Derek McCabe; Tagging by: Adam Egert MOTB0031 notes
29. 12/23/76 Flac - 0, 110266 Berkeley Keystone SBD of unknown lineage kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. notes
30. 07/09/77 Flac - 0, Asbury Park Convention Hall notes
31. 07/29/77 Flac - 0, 112136 San Francisco Theatre 1839 flac1644; sbd > ? > cassette (no better than 3rd generation); transfer: Cassettes (2 Maxell UDII 90 minute tapes, Dolby B encoded) > Harmon Kardon TD 302, azimuth adjusted to tape, Dolby B decoded > CD-R > EAC>tracking and basic editing with wavepad> flac level 8 and md5 creation with traderslittlehelper Transfer completed 2011-01-20. notes
32. 08/06/77 Flac - 0, 106922 Berkeley Keystone notes
33. 08/07/77 Flac - 0, 106923 Berkeley Keystone notes
34. 11/21/77 Flac - 0, 111584 West Hempstead The Playhouse, Hofstra U. flac1644; early show, incomplete; MSC > C > DAT > CD > dbpoweramp CD Ripper > flac. Ripping and Flacing by David Minches. Speed Correction by Joe B. Jones. notes
35. 12/06/77 Shn - 0, 83740 Brookville Dome Auditorium, C.W. Post College JGB: MSR > C > D > CD > EAC > shntool > SHN (shnid 12028) patched with MAC > CD > SHN (shnid 76443). notes
36. 12/10/77 Flac - 0, 101750 Washington Warner Theater Late show; Gerry Moskal's Sony Stereo ECM mics > SONY TCD126 (Location: "A Sweet Spot"); Transfer: Gerry Moskal Master Cassette > 1 reel > 1 cassette > Nakamichi BX300 > Macintosh > Peak Bias > JAM > cdr > EAC > Flac. Transfer by Brian Mandel notes
37. 03/14/78 Flac - 0, 111596 Boston Music Hall flac1644; Taped by: Dauby Rolfe and friend, 2x Sony ECM 99 microphones > Teac PC-10 cassette deck; Transfer (12/20/2004): Nakamichi Dragaon playback > ART DIO A/D converter > Egosys Waveterminal 2496 soundcard > Cool Edit 2000 (wav) > mkwACT (shn encoding) by David Minches; Subsequent (2011): shn > flac8 encoding (Trader's Little Helper v2.4.1, build 160) > tagging (foobar2000 v0.9.6.8). notes
38. 06/18/78 Flac - 0, 101073 Palo Alto Keystone Palo Alto flac1644 MOTB Release: 0095 16/44.1. Analog Audience Source: Aud Master Cassettes (MAC). Medium Stock Brands: MAC = 2 x Maxell UDXLII. Analog Lineage: Unknown Mics >> Sony TC-158sd. Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> [16/44.1 using mbit+]. Taped By: Michael Riley. Transfer By: Bob Menke Mastering By: Derek McCabe notes
39. 06/18/78 Flac 24 - 0, 101072 Palo Alto Keystone Palo Alto flac2496 MOTB Release: 0095 24/96. Analog Audience Source: Aud Master Cassettes (MAC). Medium Stock Brands: MAC = 2 x Maxell UDXLII. Analog Lineage: Unknown Mics >> Sony TC-158sd. Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]. Taped By: Michael Riley. Transfer By: Bob Menke. Mastering By: Derek McCabe. notes
40. 10/10/78 Flac 24 - 0, 104919 Berkeley Keystone flac2496: Recorded by John Angus and Scott Hart; Sony ECM-99> Sony TC-158; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> FLAC encoding notes
41. 10/10/78 Flac - 0, 104920 Berkeley Keystone flac1644: Recorded by John Angus and Scott Hart; Sony ECM-99> Sony TC-158; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0 (dither/downsample)> FLAC encoding. notes
42. 10/07/79 Flac - 0, 106528 Berkeley Keystone notes
43. 10/21/79 Flac - 0, 107743 Berkeley Keystone flac1644; set 2; Recorded by Phil Jaret; JVC M-201 Stereo Microphone> Teac PC-10; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 3.0> Ozone 4.0> FLAC encoding. Spped/Pitch Correction by Joe B. Jones. notes
44. 11/18/79 Flac - 0, 106894 Berkeley Keystone flac1644; Recorded by John Angus and Scott Hart; Sony mics > Technics deck; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 3.0 > FLAC encoding. Pitch Correction by Joe B. Jones. notes
45. 01/27/80 Flac - 0, 108043 Berkeley Keystone notes
46. 02/01/80 Flac - 0, 106203 San Francisco The Stone flac1644; John Angus and Scott Hart; Sony ECM 990> Sony TCD-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> Ozone 4.0> FLAC encoding. Pitch Correction by Joe B. Jones. Note filenames say 1980-02-07, but they are indeed from 1980-02-01 [correct names circulated March 2012] notes
47. 02/01/80 Flac - 0, 106227 San Francisco The Stone flac1644; Phil Jaret; JVC M-201 Stereo Microphone> Teac PC-10; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> Ozone 4.0> FLAC encoding. Pitch Correction by Joe B. Jones. notes
48. 02/01/80 Flac 24 - 0, 106229 San Francisco The Stone flac2496; Phil Jaret; JVC M-201 Stereo Microphone> Teac PC-10; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> Ozone 4.0> FLAC encoding. Pitch Correction by Joe B. Jones. notes
49. 02/02/80 Flac - 0, 105635 San Francisco The Stone flac1644Bob Menke' s2 x Nak cm700's >> Sony TC-D5 >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] ... notes
50. 02/02/80 Flac - 0, 92369 San Francisco The Stone JGB: Eldon Porray's FOB MAC w/ Nak 700 mics > Sony TC-D5M (using Dolby noise reduction) > Nakamichi CR-3A (playback w/ Dolby on) > Lucid AD9624 A-D converter > Sony PCM-R500 > Sony PCM-R500 (playback) > HHb CDR800 > EAC > .WAV > TLH > .FLAC notes
51. 02/07/80 Flac - 0, 105973 Santa Cruz The Catalyst flac1644John Angus and Scott Hart; Sony ECM 990> Sony TCD-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe > Adobe Audition 2.0> Ozone 4.0 (dither/downsample) > FLAC encoding. Pitch Correction by Joe B. Jones. notes
52. 02/07/80 Flac 24 - 0, 105974 Santa Cruz The Catalyst flac2496 Recorded by John Angus and Scott Hart; Sony ECM 990> Sony TCD-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> Ozone 4.0> FLAC encoding. Pitch Correction by Joe B. Jones.Thanks to Harry Angus for providing the master tapes. This is the 24/96 version. notes
53. 02/16/80 Flac - 0, 102353 New Haven Gym, U. of New Haven notes
54. 02/16/80 Flac 24 - 0, 102352 New Haven Gym, U. of New Haven Source: aud cassette master, taped by Bob MacFarland
mics>Superscope/Marantz CD-330
Maxell UDXL-II90's, dolby b
taped from in front of the soundboard
Transfer: nak dragon>hd-p2 24/96>hd>adobe audition 2.0>cd wave>flac
notes
55. 02/16/80 Flac - 0, 102002 New Haven Gym, U. of New Haven (FOB) Unknown mics (2) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII). Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). Taped and transferred by Bob Morris. notes
56. 02/16/80 Flac 24 - 0, 106583 New Haven Gym, U. of New Haven flac2496; (FOB) Unknown mics (2) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits). Taped and transferred by Bob Morris. notes
57. 02/24/80 Flac 24 - 0, 106582 Stony Brook Gym, S.U.N.Y. JGB; flac2496; Bob Morris's (FOB) Unknown mics (2) > Cassette Master (Marantz Superscope CD320/Maxell UDXLI); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits). Taped and transferred by Bob Morris. notes
58. 02/24/80 Flac - 0, 101725 Stony Brook Gym, S.U.N.Y. JGB; flac1644; Bob Morris's (FOB) Unknown mics (2) > Cassette Master (Marantz Superscope CD320/Maxell UDXLI) > Nakamichi DR-1 > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). notes
59. 02/26/80 Flac - 0, 101774 Providence Ocean State Theater Unknown mics (2) > Cassette Master (Marantz Superscope CD320/Maxell UDXLI) . Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). Taped and transferred by Bob Morris. notes
60. 02/29/80 Flac - 0, 114053 Hempstead Calderone Concert Hall late show; WLIR-FM Broadcast; Source: Pre-FM SBD feed > Nak 550 > Maxell UDXL-II C-90 via Peter Hedeman. notes
61. 07/24/80 Flac 24 - 0, 108003 Hartford Bushnell Auditorium flac 2448: MAC > 1st Gen cassettes; Transfer: Maxell UD-XLIIs > Nakamichi CR5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. notes
62. 07/24/80 Flac - 0, 108004 Hartford Bushnell Auditorium flac1644; MAC > 1st Gen cassettes; Transfer: Maxell UD-XLIIs > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644. Tagged. Transfer by Andrew F. notes
63. 07/27/80 Flac - 0, 109247 Albany Palace Theatre, S.U.N.Y. flac1644; Taper: Mark Cohen; Field Recording equipment: Nak CM-700s (shotgun) > Sony TC-D5M; Location: towards back of the floor with mics high on a pole; Transfer (2003): Tascam 122mkIII playback > Tascam DA-40 DAT > Tascam CDRW-700 master CD > Tascam CD-D4000mkII CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > CD by Mark Cohen, EAC > SHN (6/17/2003) by jjoops; FLAC and tag (2010): shn md5 checksum verification and shn > flac8 conversion using TLH 2.4.1 (Build 160). Tagging with Foobar 2000 notes
64. 07/27/80 Shn - 0, 15190 Albany Palace Theatre, S.U.N.Y. MAC > DAT > CDR > WAV > SHNv3. SHN encoding/FTP via C.Ladner / Candyman FTP. Source update: this is from Mark Cohen's master. A better transfer is found at shnid 109247. notes
65. 07/27/80 Flac - 0, 109240 Albany Palace Theatre, S.U.N.Y. flac1644; Nakamichi CM300s > Sony TC-D5; 2nd Gen cassette (MAC > C > C). Transfer: Maxell XLII > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644. notes
66. 07/27/80 Flac 24 - 0, 144659 Albany Palace Theatre, S.U.N.Y. notes
67. 02/06/81 Flac - 0, 88819 Upper Darby The Tower Theatre Jim Vita's FOB Nakamichi DM-500s > Sony TC-D5M master cassette (Maxell UDXLII-S); Transfer: Nakamichi Dragon playback > Art DI/O > Digital Audio Labs CardDeluxe > Cool Edit 2000 > Shntool > FLAC encoding. Transfer by David Minches. notes
68. 02/07/81 Flac - 0, 107333 Boston Orpheum Theater early and late shows; pitch/speed correction of Leven source, shnid 88927. notes
69. 02/07/81 Shn - 0, 8648 Boston Orpheum Theater Early & Late: Steve Rolfe's 2x Nakamichi 700s (Front Row Balcony) > Sony TC-D5); Nakamichi BX-300 playback > Sony PCM-R500 master DAT; Sony PCM-R500 > HHB-800-81 CD; ? > shn. notes
70. 02/07/81 Flac - 0, 102007 Boston Orpheum Theater early and late shows; Bob Morris's Nakamichi CM-300 (CP-1) (2) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). Transferred by Bob Morris, with material from Steve Rolfe recording. notes
71. 02/09/81 Flac - 0, 102008 Providence Ocean State Theater Nakamichi CM-300 (CP-1) (2) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). Taped and transferred by Bob Morris. notes
72. 02/10/81 Flac 24/96 - 0, Hartford Bushnell Auditorium notes
73. 04/21/81 Flac - 0, 111537 Santa Cruz The Catalyst flac1644; fix of shnid 111436. Recorded, transferred, edited and mastered by JS; 2x Electrovoice RE-10 microphones > Sony TC-D5m; Transfer: Nakamichi Dragon (Dolby B decoded) > Macintosh with Digidesign AudioMedia III sound card(A/D 44.1/16) > Pro Tools (minor "nip and tuck" edits, normalization and tracking - no EQ or digital noise reduction) > AIFF > CD > Toast > xACT (FLAC level 8 files with sector boundaries verified); This source fixes errors in shnid 111436: Bad d2t05-media failure (new CDRs from taper)and random dropouts found in 5 tracks due to a bad mic cable-left channel (patched from the right channel) notes
74. 06/26/81 Flac - 0, 89566 San Francisco Warfield Theater JGB: Recorded by Richard Senicola and Jaime Poris using Mark Severson's equipment; 3 Nak 700s> (Nak 550)> Sony TC-D5M (2 Maxell MX cassettes) (Recorded from front row left center balcony); Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes
75. 06/26/81 Flac 24/96 - 0, San Francisco Warfield Theater notes
76. 06/26/81 Flac 16/48 - 0, San Francisco Warfield Theater notes
77. 08/21/81 Flac - 0, Berkeley Keystone notes
78. 08/21/81 Flac - 0, 110342 Berkeley Keystone flac1644; Partial SBD, 2nd Gen cassette; Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. notes
79. 09/07/81 Flac - 0, 111278 Concord Concord Pavillion flac1644; Recorded, transfered and edited by N. Hoey; Nak 300 > Sony TC-D5m (Dolby B) (tracks 01 - 08: TDK SA-X C90; tracks 09 - 11, Maxell UD XL-II); Nakamichi Dragon (Dolby B decoded) > RME PAD 96 A/D @24/44.1 dithered to 16/44.1 post editing (Apple) (Peak 6 editing) > Xact. notes
80. 11/06/81 Flac - 0, 111581 Passaic Capitol Theater flac1644; early and late shows; Recorded by Gordon Sharpless, Walkman > MAC > DAT > CDR. Transfer: CDRs > EAC > WavMerge > Wavelab > CD-Wave > TLH > FLAC 1644 Tagged. notes
81. 11/12/81 Flac 24/96 - 0, Springfield Symphony Hall notes
82. 11/13/81 Flac - 0, 102009 Boston Orpheum Theater early and late shows; Nakamichi CM-300 (CP-1) (2) > Cassette Master (Marantz Superscope CD320/Maxell UDXLI C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). Early show taped and transferred by Bob Morris. Late show from Steve Rolfe recording. notes
83. 11/19/81 Flac - 0, 116909 Denver Rainbow Music Hall flac1644; partial; Unknown Audience CD via slip via Jjoops Tupperware of Treasures via GEMS. notes
84. 02/02/82 Shn - 0, 17377 Santa Cruz The Catalyst MAC* > CDR > WAV > SHN. * admin noted 12/20/2010: the taper and gear were originally listed as unknown, then attributed to Steven Martin, but the tape was actually mastered by N Hoey, 2x Nakamichi CM 300s > Sony TC-D5m (Dolby B); Nakamichi Dragon (Dolby B decoded) > Panasonic 3700 DAT (tracking) > HHB CD. notes
85. 02/02/82 Flac - 0, 110350 Santa Cruz The Catalyst flac1644; N Hoey's Nakamichi CM 300s > Sony TC-D5m (Dolby B) (Maxell XLIIS 90) ; Playback: Nakamichi Dragon (Dolby B decoded) > Panasonic 3700 DAT (track IDs) > HHB CD Apogee gold cds extracted with Toast 9 (Imac 2.33) > Xact. Note that this is the master that has mistakenly been referred to as taped by Stephen Martin, but it was taped, transferred and circulated by H. Noey. notes
86. 02/02/82 Flac - 0, 110294 Santa Cruz The Catalyst flac1644; set II; SBD of unknown lineage kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC tagged. Transfer by Andrew F. notes
87. 02/03/82 Flac - 0, 110534 Santa Cruz The Catalyst flac1644; N Hoey's 2 Nakamichi CM 300s > Sony TC-D5m (Dolby B)(Maxell XLIIS 90); Plybck: Nakamichi Dragon (Dolby B decoded) > Panasonic 3700 DAT (track IDs) > HHB CD Apogee gold cds extracted with Toast 9 (Imac 2.33) > Xact. notes
88. 02/03/82 Shn - 0, 17015 Santa Cruz The Catalyst MAC* > CDR > WAV > SHN. * admin note added 12/20/2010: this was recorded by N Hoey. It was listed as unknown, and then attributed to Steven Martin, but Hoey confirms that it is his master. 2x Nakamichi CM 300s > Sony TC-D5m (Dolby B); Nakamichi Dragon (Dolby B decoded) > Panasonic 3700 DAT (tracking) > HHB CD. notes
89. 02/26/82 Shn - 0, 91280 Berkeley Keystone JGB: Patch fix of MSC > D > CD (shnid 22729) with Ohr Weinberg MAC source (shnid 91123). notes
90. 03/03/82 Flac - 0, 111509 San Francisco Barbary Coast Room, S.F. State flac1644; Jeff Knudsen Master Audience Recording; Recorded with an AIWA HS-1 and Superscope Mics; Transferred by Matt Smith at 24 bit 96 kHz; Mastering by Jamie Waddell; Weiss-Saracon for 16 bit 44.1 kHz TLH for FLAC8 SBE Free notes
91. 03/07/82 Flac - 0, 107838 San Jose The Saddlerack notes
92. 03/07/82 Flac - 0, 97487 San Jose The Saddlerack JGB: Paul Burrowes' MAC (Sony TCS-310 with built in mics); Transfer and FLAC encoding by David Minches: Master cassette played back on Nak Dragon > Grace Lunatec V3 (24/96) > Digital Audio Labs Card Deluxe > Adobe Audition 2.0 > (dither/downsample) > FLAC encoding. notes
93. 03/27/82 Flac - 0, 111727 Berkeley Keystone notes
94. 05/08/82 Flac - 0, 100400 Berkeley Keystone notes
95. 05/14/82 Flac - 0, 106663 Palo Alto Keystone Palo Alto flac1644: 3x Nakamichi CM700's > Mic Mixer > Preamp > 3 db Bass Box > Sony TC-D5. Taped by Anonymous. 1st Gen C-90 tape kindly provided by Tim Friend. *Source ID-102403 supplies the final three songs of the concert. Transfer: Maxell XLII > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. notes
96. 06/11/82 Flac - 0, 95649 Berkeley Keystone JGB: Unknown Audience recording > ? > cdr > eac > wav > Gems Edit Station > flac; patched with MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5 cassette deck [Maxell XLII]) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone) > EAC > WAV. notes
97. 06/11/82 Flac 24 - 0, 121100 Berkeley Keystone 24 bit Taped By Jeff Knudsen using Marantz SuperScope Mics > Aiwa HS1 Deck, from the front row of tables in the balcony.
Transfer: MAC > 1 cassette > Apogee Mini ME (24/96) > Apogee Mini DAC > Wavelab 5.0 > DVD > Audacity 2.0.0 > FLAC
notes
98. 06/11/82 Flac - 0, 120868 Berkeley Keystone 16 bit Taped By Jeff Knudsen using Marantz SuperScope Mics > Aiwa HS1 Deck, from the front row of tables in the balcony
Transfer: MAC > 1 cassette >Apogee Mini ME (24/96) > Apogee Mini DAC > Wavelab 5.0 > DVD > Audacity 2.0.0 > FLAC
notes
99. 06/12/82 Flac - 0, 107913 Palo Alto Keystone Palo Alto flac1644; composite aud; First 3 tracks: MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics >Sony TC-D5) > Nak Dragon playback > Cardas audiophile cables >HHB CDR 800 master CD > Microboards QD2 CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). EAC > SHN by Joe Jupille (jjoops@attbi.com) > wav > flac8 TLH. Next 9 tracks: MAC taped by Jeffrey Knudsen > Cassette1 > Apogee Mini ME(24/96) > Apogee Mini DAC > Wavelab 5.0 (dithered via 'UV22HR' to 16/44) > CD by Matt Smith > Eac > wav > Gems Edit Station > flac. Edits: Balanced levels and tape pauses smoothed, by Jamie Waddell on the GEMS Edit Station. Trac'd Cdwave Flac'd level 8 TLH. notes
100. 06/16/82 Flac - 0, 89194 South Fallsburg Music Mountain JGB; set I; flac16; Matrix 2 Source Mix - SBD (shn id 89042) Sdb>?>Dat + AUD (shn id 88792) MOTB Release: 0057 16/44.1; John Steinthal's FOB MAC - matrix mixing by Kevin Tobin . notes
101. 06/16/82 Flac 24 - 0, 89657 South Fallsburg Music Mountain JGB, flac24 MOTB Release: 0057 24/96; Analog Audience Source: FOB Master Cassette (MAC); Analog Copy Instances: Tape Reel One (R1); Medium Stock Brands: MAC = Maxell XLIIS-90, R1 = Maxell UD 35-90; Lineage: 2 x Nakamichi CM-300 => Sony TC-D5M >> MAC >> Sony TC-D5M (??) => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [3.75 IPS] >> R1; Transfer: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: John Steinthal; R1 Supplied By: Barry Glassberg; Transfer By: A. Egert; Mastering By: J. Waddell. notes
102. 06/18/82 Flac - 0, 108318 South Yarmouth Cape Cod Coliseum flac1644; Steve Rolfe's (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) > Sound Devices 744T (24bit/48k) > Adobe Audition v3.0 > Samplitude Professional v11.03 > FLAC/16. All Transfers and Mastering By Charlie Miller. notes
103. 06/18/82 Flac 24 - 0, 119077 South Yarmouth Cape Cod Coliseum 24bit/48kHz file-set: AUD Source: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Nakamichi ZX-90s, set up in center riser straight back, about ten rows off the floor, taped by Joe Morrone and Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. 02/2012 notes
104. 06/22/82 Flac - 0, 100707 Richmond The Mosque AUD: Aiwa Walkman w/built-in mics > Maxell XLII 90's. Taped by Brent Z. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F. notes
105. 10/13/82 Flac - 0, 110792 Santa Cruz The Catalyst notes
106. 10/13/82 Shn - 0, 17014 Santa Cruz The Catalyst Jerry Garcia Band: MAC (Taped by N Hoey*) > CD > WAV > SHN. * admin note 12/20/2010: this recording used to be attributed to Steven Martin, but Hoey confirms that it is his master. notes
107. 10/21/82 Flac 1644 - 0, 99530 San Francisco The Stone John & Julie Anzaldo's Sony ECM 929LT > Sony WM-D6C (TDK SA-C90, no NR, slightly Jerry's side, 5-10' from stage) > Nakamichi CR-7A playback > Creative SB Audigy 2 > Creative WaveStudio > CD > EAC > Adobe Audition 2.0 (pitch correction -0.9%, patching) > CDWave (tracking) > dbpoweramp (FLAC encoding). Transfer by John Anzaldo, editing and flac encoding by David Minches. notes
108. 10/22/82 Flac - 0, 99208 Palo Alto Keystone Palo Alto John Anzaldo's Sony ECM 929LT > Sony WM-D6C (TDK SA-C90, no NR; slightly Jerry's side, 5-10' from stage) > Nakamichi CR-7A playback > Creative SB Audigy 2 > Creative WaveStudio > CD > EAC > Adobe Audition 2.0 (pitch correction -0.9%) > CDWave > TLH (FLAC level 8). notes
109. 10/24/82 Flac - 0, 99221 Guerneville River Theater John Anzaldo's Sony ECM 929LT > Sony WM-D6C (TDK SA-C90, no NR; slightly Jerry's side, 5-10' from stage) > Nakamichi CR-7A playback > Creative SB Audigy 2 > Creative WaveStudio > CD > EAC > CDWave > Sony SoundForge Studio 7 (patching, smoothed tape transitions) > shntool > TLH (FLAC level 8) > TLH decode > Adobe Audition 2.0 (pitch correction -0.9%) > TLH (FLAC level 8). notes
110. 10/28/82 Flac 1644 - 0, 132076 Reseda Rissmiller's JGB; flac1644; early and late shows; nak300>d5 transferred on a NakCr7a properly Recorded by: Mason B. Taylor notes
111. 11/01/82 Flac - 0, 100575 Austin Opry House Taped by Alan "Dogman" Miller: Sony Walkman, placed on stage in front of Jerry. 1st Gen cassette (MAC > C) used for transfer, kindly provided by Randy Gardner. Transfer: TDK SA-90s > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F. notes
112. 11/02/82 Flac 16 - 0, 100554 Houston Cardi's Taped by Alan "Dogman" Miller: Sony Walkman, FOB a few rows from the stage. 1st Gen cassette (MAC > C) used for transfer, kindly provided by Randy Gardner. Transfer: TDK SA-90 > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F. notes
113. 11/09/82 Flac - 0, 110490 Worcester E.M. Loew Center for the Performing Arts flac1644; early and late shows; Steve Rolfe's Nakamichi 700 > Cassette Master (Sony TC-D5M/Maxell XLII-S90, played back on Nakamichi DR-1) > Sound Devices 744T (24bit/48k) > Adobe Audition v3.0 > Samplitude Professional v11.1 > FLAC/16. Transfer by Charlie Miller. notes
114. 11/09/82 Flac - 0, 102005 Worcester E.M. Loew Center for the Performing Arts early and late shows; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). Taped and transferred by Bob Morris. notes
115. 11/14/82 Flac - 0, 102006 Waltham Shapiro Gym, Brandeis University Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). Taped and transferred by Bob Morris. notes
116. 01/22/83 Flac - 0, 112901 Petaluma Phoenix Theater flac1644; patched; SBD > Source ID-106026, with AUD patch added. notes
117. 01/22/83 Flac - 0, 106026 Petaluma Phoenix Theater SBD > Source ID-8653, remastered with patches. Transfer: ID-8653 > TLH > WAV > WavMerge > Wavelab. Patches: 2nd Gen tape > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain. Combined source: Wavelab > CD-Wave > TLH > FLAC 1644 Tagged. Remaster by Andrew F. notes
118. 03/05/83 Flac - 0, 106545 Santa Cruz Civic Auditorium mono Sony recorder using Realistic external condenser mike > master cassette > Realistic graphic EQ > 1st gen TDK SA-X cassette > SoundBlaster > GoldWave > data disc (to avoid CDR generation). Disc loaded onto online computer > GoldWave again (speed correction) > CDWave > GoldWave for resampling > TLC for flac notes
119. 05/28/83 Flac - 0, 108657 South Yarmouth Cape Cod Coliseum flac16; Steve Rolfe's (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller. notes
120. 05/28/83 - 0, South Yarmouth Cape Cod Coliseum 2x audio technica atm 11 (FOB dead center) > sony d-5 master cassette > cd > eac > flac; Recorded By: chasingwilma. Transfer: sony tc-we435 > philips cdr870; Tracked in CDwave, FLACd traders little helper. notes
121. 05/28/83 Flac - 0, 106094 South Yarmouth Cape Cod Coliseum flac1644; Bob Morris's Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). notes
122. 05/28/83 Flac - 0, 102107 South Yarmouth Cape Cod Coliseum 2x audio technica atm 11 (FOB dead center) > sony d-5 master cassette > cd > eac > flac; Recorded By: chasingwilma. Transfer: sony tc-we435 > philips cdr870; Tracked in CDwave, FLACd traders little helper notes
123. 05/29/83 Flac - 0, 106095 Hartford Bushnell Auditorium flac1644; Bob Morris's Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). notes
124. 11/29/83 Flac - 0, 106116 Providence Veterans Memorial Auditorium flac1644; Bob Morris's Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90) ; Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). notes
125. 12/07/83 Flac 1644 - 0, 118342 Amherst Calvin Coolidge Cage, Amherst College JGB; flac1644; 3x audio technica atm11 (fob) > optimus > d-5; conversion: sony tc we435> soundcard> cdwave 48000/stereo/16 bit> traders little helper encoding option 8. taper: chasingwilma. conversion: chasingwilma. notes
126. 01/13/84 Flac - 0, 89196 Seattle Paramount Northwest Theater JGB: Mark Severson's 2 Nak mini 700s cardoids on railing of center balcony> Sony TC-D5M (2 Maxell MX-90s); 1st Set Mic Pattern: / \; 2nd Set Mic Pattern: \ /. Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding. notes
127. 01/13/84 Flac - 0, 120023 Seattle Paramount Northwest Theater Low gen SBD cassette > NakCR-3A > AudigySE > Sound Forge > CDWave > TLH. notes
128. 01/14/84 Flac - 0, 101128 Portland Civic Center low gen sbd gen X > nakCR-3A (Dolby B) > Azimuth adjusted > AudigySE > Audacity > CDwave > TLH. notes
129. 05/19/84 Flac - 0, 108319 Santa Barbara Arlington Theater flac1644; unknown generation Aud tape; Transfer: NAD 6100 (XLIIS/unknown gen) > Mytek 192 (24/96) > UV22HR (16/44.1) > CDWave > FLAC. notes
130. 08/07/84 Flac - 0, 131625 Philadelphia Mann Music Center JGB; flac1644; Beyer 160 (1st gen Maxell II 90) > Denon DRM 550 > R-44 > Audacity > CDDWav > Trader's Little Helper > FLAC notes
131. 08/11/84 Flac - 0, 120062 Caldwell Caldwell College JGB; flac1644; David Dyche's 2x AKG 224 > Bass Box > Sony TCD-5m > PDA Audio Card 24/48 > Sound Forge Audio Studio 10 16/44.1 > CD Wave > flac. notes
132. 08/11/84 Flac - 0, 111743 Caldwell Caldwell College flac1644; Recorded by The Weasel - "Da Weez". Transferred and mastered to .wav files by D5scott. Source: 2 Sennheiser 421 microphones (close to the stage) > Sony TC-D5M - analog master cassettes. Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac. notes
133. 08/12/84 Flac - 0, 92244 Hampton Beach Club Casino Ballroom JGB; flac1644; Derek McCabe MAC, 2x Beyer M-160 > Sony D5 > Sony D6 (Maxell II-S cassette master) > Nak DR-1 > Korg MR-1000 > DSD > Audiogate > 2496 wav > Bias Peak > Nomad Factory Analog Mastering Tools Multi Max > wav > xACT > flac. notes
134. 08/15/84 Flac - 0, 109231 Middletown Orange County Community College Source: AUD (unknown mics/taper)>Cx>CDR>WAV>FLAC16(level 8)
DAE and fLAC encoding via C.Ladner
notes
135. 08/16/84 Flac - 0, 109687 East Setauket Port Haven/Good Skates flac1644; Recorded by The Weasel - "Da Weez"; Transferred and mastered to .wav file by D5scott; source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (up front) > Nak MX100 w/2001> Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files. notes
136. 12/07/84 Flac - 0, 89197 Portland Starry Night JGB: Mark Severson's 2 Nakamichi mini 700s cardoids> Sony TC-D5M (2 Maxell MX-90s) Mics in 5" tube, 8' apart on railing of front row center balcony; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding. notes
137. 03/03/85 Flac 16 - 0, 87650 San Francisco The Stone JGB: Greg Holtz's MAC (Unknown Model Shure Microphones > Sony D-5), recorded AT the stage, right in front of Jerry. All transfers and mastering done by Jamie Waddell on the GEMS Edit Station. notes
138. 08/18/85 Shn - 0, 98629 Oakland Dunsmuir House and Gardens JGJK: Tazuo Yamaguchi and Jamie Poris's modified FOB DFC Nak 700's > Sony D5 MAC > NakCR-3A > hd > Audacity > CDwave > TLH. notes
139. 01/25/87 Flac 16/44 - 0, 95724 San Francisco The Stone JGB: Tazuo Yamaguchi's 2 Nak 700 Caps > dbx-224 > Poris pre-amp > Sony TC-D6; Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> dbx 224> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes
140. 03/06/87 Flac - 0, 26179 Alameda USS Carl Vinson (Alameda Naval Air Station) unknown aud > ? > CD > EAC > FLAC. notes
141. 03/06/87 Flac - 0, 26211 Alameda USS Carl Vinson (Alameda Naval Air Station) aud > ??? > cdr > ??? > cdr > eac > flac > wav > shn. Remaster of shnid 26179. notes
142. 08/30/87 Flac 1644 - 0, 99169 Berkeley Greek Theatre flac1644: Master Soundboard Cassette (MA-R 90); Tascam mkII > Korg MR1000 at 1bit/5.6mHZ > Korg Audio Gate Software > 32 bit float/96kHzkHz > GEMS Edit Station > Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz. notes
143. 08/30/87 Flac - 0, 95573 Berkeley Greek Theatre JGB: Tazuo Yamaguchi's 2 Schoeps MK-41s> dbx dbx-221e> Sony TC-D6; Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> dbx 224> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding. notes
144. 08/30/87 Flac 24/96 - 0, 99170 Berkeley Greek Theatre flac2496: Master Soundboard Cassette (MA-R 90); Tascam mkII > Korg MR1000 at 1bit/5.6mHZ > Korg Audio Gate Software > 32 bit float/96kHz > GEMS Edit Station > Weiss-Saracon for Pow-r3 Dither to 24 bit 96 kHz. notes
145. 11/27/87 Flac - 0, 105872 San Francisco Warfield Theater flac16; Matrix 3 Source Mix - AUD1 (shn id 100140) Nak 700's > dbx > D5 MAC > NakCR-3A > dbx224 > audigyse > audacity > CDWave > tlh. + AUD2 (shn id 80133) Sennheiser MKE-2002 mics > Sony TC-D5 > 2 cassette gens > Sony TC-D5M (Dolby on) playback > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, plus material from shnid 22298 (see notes), November 2006 by Andrew F. + AUD3 (no shn id) Unknown generation video supplied in dvd format by Greyful Dave for video project - matrix mixing by Kevin Tobin notes
146. 12/04/87 Flac - 0, 138757 Los Angeles Wiltern Theatre JGAB & JGB; flac1644; SBD -> PCM -> DAT, via Rich Gastwirt; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel Edited & Mastered in Audacity: Wave > Flac 16/44. notes
147. 03/03/89 Flac - 0, 94638 San Francisco Orpheum Theatre JGB: Tazuo Yamaguchi; (FOB/Hat/Row L) Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx type II Encoder -> Sony TCD5M MAC; Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding. notes
148. 08/26/89 Flac - 0, 112358 Berkeley Greek Theatre, U. Of California flac1644; Da Weez; Recorded by The Weasel - "Da Weez"; Transferred and mastered to .wav files by D5scott. Source: 1 Neumann KMF4 microphone (up front-center) > Sony TC-D5M - analog master cassettes. Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac. notes
149. 09/01/89 Shn - 0, 15062 Columbia Merriweather Post Pavilion Jerry Garcia Band: MAD (FOB Schoeps CMC 34s)> CDR > WAV > SHN. SHN encoding and FTP'ing via C.Ladner/candyman FTP. notes
150. 09/03/89 Flac 16 - 0, Philadelphia The Spectrum notes
151. 09/06/89 Flac - 0, 112385 Uniondale Nassau Veterans Memorial Coliseum flac1644; missing end s2; Da Weez; Recorded by The Weasel - "Da Weez"; Transferred and mastered to .wav files by D5scott. Source: 1 Neumann KMF4 microphone (up front-center) > Sony TC-D5M - analog master cassettes. Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac. notes
152. 09/09/89 Flac - 0, 106083 Mansfield Great Woods Center for the Performing Arts flac1644; Nakamichi CM-300 shotguns (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell MX C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). notes
153. 09/09/89 Flac - 0, 109159 Mansfield Great Woods Center for the Performing Arts flac1644; Nakamichi CM300's/CP4 Shotguns > Sony D5 > Nakamichi MR-1 > Dolby B > Korg MR-1000 @ 1 Bit/5.6mHz; Tracking, sample rate conversion, Dithering with AudioGate software. 32 Bit Float/96kHz Dithered with Korg Aqua to 16/44. notes
154. 09/09/89 Flac 24 - 0, 109160 Mansfield Great Woods Center for the Performing Arts flac2496; JB's Nakamichi CM300's/CP4 Shotguns > Sony D5 > Nakamichi MR-1 > Dolby B > Korg MR-1000 @ 1 Bit/5.6mHz. Tracking and sample rate conversion with AudioGate software (no dithering). notes
155. 09/09/89 Flac - 0, 112386 Mansfield Great Woods Center for the Performing Arts lac1644; Da Weez; Recorded by The Weasel - "Da Weez". Transferred and mastered to .wav files by D5scott. Source: 1 Neumann KMF4 microphone (up front-center) > Sony TC-D5M - analog master cassettes. Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac. notes
156. 09/10/89 Flac - 0, 112398 Mansfield Great Woods Center For The Performing Arts flac1644; da Weez; Recorded by The Weasel - "Da Weez". Transferred and mastered to .wav files by D5scott. Source: 1 Neumann KMF4 microphone (up front-center) > Sony TC-D5M - analog master cassettes. Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac. notes
157. 09/10/89 Flac - 0, 137865 Mansfield Great Woods Center For The Performing Arts Sennheiser 421 > Sony D6 > MC > Sony TC-WE 405 > Line Out > MacBook Pro > Adobe Audition > Flac > xACT 2.38; Recorded By John Rivers (Royal Flush Recordings) Mastered By Scott Medeiros notes
158. 09/16/89 Flac - 0, 99149 Hoffman Estates Poplar Creek Music Theatre Greg Holtz's Nak CM-100s with CP-1 cardiod caps > Sony WMD-6C; Transfer: By JAZ, Master Cassettes (Maxell MX90) Tascam 112 > Korg MR-1, 1bit 2.8MHz > USB > Korg Audio Gate Software 24bit 48KHz > Mastered in Wave Lab 5.0 using UAD Technology > R8brainPro for SRC 16/44.1KHz > Traders Little Helper flac8. notes
159. 10/31/89 Flac - 0, 95429 Concord Concord Pavilion JGB: Recorded by Tazuo Yamaguchi; 2 Nakamichi 700> Sony TC-D6 (dbx-221e), recorded from lawn. Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon > dbx 224 > Grace Lunatec V3 (24/96) > Digital Audio Labs Card Deluxe > Adobe Audition 2.0 > (dither/downsample) > FLAC encoding. notes
160. 12/02/89 Flac - 0, 117562 San Francisco Warfield Theater flac1644; Soundboard > ? > cassette > cassette, three tape sides, unknown generation; Transfer Lineage:Trade cassettes, Dolby B>Harmon Kardon TD 302, Dolby B on, Heads aligned to each tape side > Zoom H2 @16/44.1 > SDHC card > PC > tracked & edited with wavepad > flac level 8 & checksums with traderslittlehelper Transfer by arfarf, December 9, 2011. notes
161. 02/02/90 Flac - 0, 114125 San Francisco Warfield Theater flac1644; 1 song; SBD > Line feed to hallway speakers (mono) > stealth spliced to MSC. Low gen tapes (1st or 2nd) kindly provided by Seaweed1010. Transfer: Metal cassettes > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F. notes
162. 02/04/90 Flac - 0, 114126 San Francisco Warfield Theater flac1644; SBD > Line feed to hallway speakers (mono) > stealth spliced to MSC. Low gen tapes (1st or 2nd) kindly provided by Seaweed1010. Combined with tracks from ID-106933. Transfer: Metal cassettes > Nakamichi CR-5A > Edirol FA-66 > Wavelab. And, ID-106933 > TLH > WavMerge > Wavelab. All tracks: CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. June 2011. notes
163. 02/04/90 Flac - 0, 106933 San Francisco Warfield Theater flac1644; MSC > Cx > CDR > WAV > SHN > FLAC. May be derived from shnid 22897. notes
164. 04/14/90 Flac - 0, 111504 San Francisco Warfield Theater flac1644; Recorded by The Weasel - "Da Weez". Transferred and mastered to .wav files by D5scott. Source: 2 Neumann KMF4 - microphones (close to the stage) > Sony TC-D5M - analog master cassettes. Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files. notes
165. 04/15/90 Flac - 0, San Francisco Warfield Theater notes
166. 04/29/90 Flac - 0, 96344 San Francisco South of Market Cultural Center Animal Mind w/ Garcia: SBD > DAT > DAT> Tascom DA-40 > COAX to COAX cable > M-AUDIO Audiophile 2496 > CD Wave > TLH > flac24 > Flac Frontend > wav 24/48 > Adobe Audition > Wavelab with iZotope Ozone > Izotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16. notes
167. 06/12/90 Flac - 0, 108908 San Francisco Warfield Theater flac1644; set II; Bill Reutelhuber's (FOB) Schoeps CMC3/MK4 > Dat (48k); Transfer Info: Dat (Tascam DA-20) > Sound Devices 744T > Samplitude Professional v11.1 > FLAC. Transfer by Charlie Miller. notes
168. 08/07/90 Shn - 0, 22379 San Francisco Warfield Theater MAC (unknown mics/taper) > C > C > DAT > WAV > SHN. Digital transfer via C.Ladner & J.Powell. Note added 1/9/2010: this was taped by Charlie Miller, 2nd row center balcony, Sony stereo mic > Sony D6. notes
169. 11/11/90 Flac - 0, 110665 Los Angeles Wiltern Theatre flac1644; "Da Weez" - The Weasel; Transferred and mastered to .wav files by D5scott. Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > wav files > Trader's Little Helper > flac. notes
170. 11/15/90 Flac - 0, 135953 Los Angeles Wiltern Theatre JGB: flac1644: SBD -> ? -> Cassette, Cassette (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.2.1 -> FLAC/16, All Transfers and Mastering By Charlie Miller notes
171. 11/21/90 Flac - 0, 111702 San Francisco Warfield Theater flac1644; s1 incomplete; "Da Weez"; Transferred and mastered to .wav files by D5scott Source: 1 Neumann KMF4 microphone close to the stage > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac notes
172. 11/24/90 Flac - 0, 111708 Oakland Henry J. Kaiser Convention Center flac1644; Recorded by The Weasel - "Da Weez"; Transferred and mastered to .wav files by D5scott; Source: 1 Neumann KMF4 microphone close to the stage > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac. notes
173. 11/24/90 Flac - 0, 107582 Oakland Henry J. Kaiser Convention Center flac1648; Bill Reutelhuber et al. FOB Nakamichi 700 cardioids (dead center at about foul shot line) > Panasonic SV250 (48 khz) DAT; Panasonic sv3700 > rme > pc. Transfered by Bill Reutelhuber. notes
174. 01/31/91 Flac 16/44 - 0, 112138 San Francisco Warfield Theater flac1644; Set 2; Da Weez; 2x Neumann KMF4 microphones > Sony TC-D5M - master analog cassette; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac1644. notes
175. 01/31/91 Flac 16 - 0, 134101 San Francisco Warfield Theater Source: (FOB) Schoeps MK41 > Sonosax SX-2 > DAT Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader's Little Helper > FLAC Taper Unknown Transferred from DAT & Seeded by Bill Graves notes
176. 03/01/91 Flac - 0, 109050 San Francisco Warfield Theater 2 Neumann KMF4's > Sony TC-D5M (up front)- analog master cassettes - Maxell MX-90's; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files. Recorded by The Weasel - "Da Weez"; Mastered to cdr by D5scott. notes
177. 03/02/91 Flac - 0, 123611 San Francisco Warfield Theater JGB; flac1648; FOB Schoeps MK4/CMC3 > Oade PS > Panasonic SV-255 @ 48khz; Transfer: SONY PCM-R500 > TASCAM SS-R05 > AUDACITY > FLAC @ 48khz; Transferred on January 26, 2013 by greens_n_beans@yahoo.com. notes
178. 04/19/91 Flac - 0, 111926 San Francisco Warfield Theater lac1644; set I; Recorded by The Weasel - "Da Weez"; Transferred and mastered to .wav files by D5scott. Source: 2 Neumann KMF4 microphones > Sony TC-D5M - master analog cassette. Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac. notes
179. 08/10/91 Flac - 0, 138640 Piercy French's Camp on the Eel River JGB; flac1648; AUD: unknown taper > unknown gear > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48. notes
180. 11/06/91 Shn - 0, 87600 Landover Capital Centre JGB: flac16; Matrix 2 Source Mix - FOB AUD (shn id 16671) FOB (Schoeps 34 > Oade) > DAT > CDR > WAV > SHN + VID AUD (shn id 87588) DVD extraction to MPEG2 by MattMan as LPCM Wave files - matrix mixing by Kevin Tobin notes
181. 11/06/91 Flac - 0, 87588 Landover Capital Centre JGB, flac16: AUD: Low gen audience tri-pod > ? > DVD - editing and speed correction by Kevin Tobin. notes
182. 11/09/91 Flac - 0, 96602 Hampton Hampton Coliseum JGB: Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell XL II-S > Nakamichi BX-125E playback > EMU 0202 > Wavelab > wav (24/96) > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16, via sirmick. notes
183. 11/12/91 Flac - 0, 97072 Philadelphia The Spectrum JGB: Recorded by Jeff Travitz; Schoeps MK-4s> Sony D-10; Lineage: Master DAT>HHB Stand Alone CDR (model unknown)>CD>dBpoweramp CD Ripper>HD>Audio Audition 2.0 (adjust DC Offset and retrack)> FLAC encoding. notes
184. 11/13/91 Flac - 0, SHNID: 87502 Worcester The Centrum JGB: Ted Carpenter's Nakamichi CM-300's w/CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's w/no Dolby. Mics on stand, aprx 5-feet high, in section 102 (center riser end of floor). Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (Dolby off) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. notes
185. 11/16/91 Flac - 0, 115413 Albany Knickerbocker Arena flac1644; Master Audience Nakamichi CM300 > Sony D5 or Sony D6 Lead Deck. Recorded Mr. Baker, just FOB. 1st gen Tapes From Floater, Transfer By Keo. Tapes Maxell XLII-s 100, 90. Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz. Tracking/Sample Rate Conversion / Flacked / Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz. Dithered/Flacked With Korg Aqua To 16/44. SBE's Checked/Fixed With Trader's Little Helper. notes
186. 11/16/91 Flac 24 - 0, 115412 Albany Knickerbocker Arena flac2496; Master Audience Nakamichi CM300 > Sony D5 or Sony D6 Lead Deck. Recorded Mr. Baker, just FOB. 1st gen Tapes From Floater, Transfer By Keo. Tapes Maxell XLII-s 100, 90. Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz. Tracking/Sample Rate Conversion / Flacked / Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz. No Dithering With These Files. notes
187. 11/22/91 Flac - 0, 111927 Rosemont Rosemont Horizon flac1644; Alan Schmit's FOB Sonic Studios Omnis > Sony TCD-D5 Cass (m); Conversion: Cass (m) > Onkyo TA-6711 > Tascam DA-20 (A/D) > Microtrack 24/96 > WAV > Sound Studio 2.2.4 > xACT 2.06 > FLAC. Transfer by Dave Mallick. notes
188. 11/23/91 Flac - 0, 91773 Milwaukee Bradley Center notes
189. 11/24/91 Flac 24 - 0, 112042 Minneapolis Target Center flac2448; AUD (unknown equipment) > MAC > Cassette 1st gen; Transfer: Maxell XLIIS > Nakamichi CR5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 Tagged. notes
190. 11/24/91 Flac - 0, 112043 Minneapolis Target Center flac1644; AUD (unknown equipment) > MAC > Cassette 1st gen; Transfer: Maxell XLIIS > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. notes
191. 02/07/92 Flac - 0, 132374 Oakland Henry J. Kaiser Convention Center JGB; flac1644; remaster of shnid-4363; FOB Shoeps CMC54's->Panasonic 255 (DAT)> CD > EAC > CDWave > SHN > remaster(eq, resample 44.1 ultra, dolby S II, rpg prevent clipping according to peak) > flac 8 via Joe Terrapin 02-02-2015. notes
192. 05/01/92 Flac - 0, 97710 San Francisco Warfield Theater Jerry Garcia Band: FOB - Neumann KM 54->DAT->CDR->WAV->FLAC; Taper: Chuck and Janet Vasseur (assumed, but not confirmed); Transfer: Dat Clone->Panasonic SV3700-> Marantz CDR 615-> CDR Ripped with EAC(No Errors)Tracks Named -> Flaced with Traders Little Helper and Tagged with Foobar 2000. DAT->CDR 1999, CDR->Flac 2009 Transfers by Pete Ebel. notes
193. 05/01/92 Flac - 0, 111746 San Francisco Warfield Theater flac1644; Recorded by The Weasel - "Da Weez". Transferred and mastered to .wav files by D5scott. Source: 2 Neumann KMF4 microphones > Sony TC-D5M - master analog cassettes. Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac. notes
194. 05/02/92 Flac - 0, 111753 San Francisco Warfield Theater flac1644; Recorded by The Weasel - "Da Weez". Transferred and mastered to .wav files by D5scott. Source: 2 Neumann KMF4 microphones > Sony TC-D5M - master analog cassettes. Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac. notes
195. 05/03/92 Flac - 0, 106771 San Francisco Warfield Theater flac1648; Danny Lucien's Schoeps MK4 > Rbox > Panasonic SV250 (drink rail); transfer: Panasonic SV3700 > RME Hammerfall DSP (SPDIF) 16/48 > Nuendo notes
196. 07/31/92 Flac - 0, 108675 Ventura Ventura County Fairgrounds (FOB) Neumann KM140 > SV-250. (Set 1: Mics On Hand Held T-Bar, Set 2: Mics On Head-High Stand). Lineage: DAT-M > Cass/1 > D5 > EQ > HHb CDR 800. Recorded by: unknown. Cass>CD Transfer: Jeff Bowen. Extraction: Brad Foster [CD>EAC>WAV>FLAC]. notes
197. 10/31/92 Flac - 0, 107738 Oakland Oakland-Alameda County Coliseum Arena flac16; Matrix 2 Source Mix - SBD (shn id 13230) MSC > DAT > CD > SHN + AUD (shn id 102196) Unknown taper, GEMS | Brennecke Young FOB Vault, FOB Schoeps CMC34 > Panasonic sv255. Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. Encoding by BlueDakota - matrix mixing by Kevin Tobin notes
198. 10/31/92 Flac Dts - 0, 107741 Oakland Oakland-Alameda County Coliseum Arena DTS-Audio-CD 5.1 Mix; SBD (shn id 14310) SBD>CM?>DAT>?>DAT>CDR + AUD (shn id 102196) Unknown taper, GEMS | Brennecke Young FOB Vault, FOB Schoeps CMC34 > Panasonic sv255. Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. Encoding by BlueDakota - dts mixing by Kevin Tobin notes
199. 10/31/92 Flac - 0, 102196 Oakland Oakland-Alameda County Coliseum Arena Jerry Garcia Band: flac1644; complete show from same source as shnid 97988. Unknown taper, GEMS | Brennecke Young FOB Vault, FOB Schoeps CMC34 > Panasonic sv255. Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. Encoding by BlueDakota. Tracked in CDwave, FLAC’d Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging notes
200. 12/19/92 Flac - 0, 111375 San Francisco Warfield Theater flac1644; Recorded by The Weasel - "Da Weez"; Transferred and mastered to .wav files by D5scott. Source: 1 Neumann KMF4 microphone (close to the stage) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac. notes
201. 01/29/93 Flac - 0, 134868 San Francisco Warfield Theater JGB; flac1648; AUD > DAT Schoeps CMC 34 unknown taper. Transfer: DAT(x) 48k > Microtrack 24/96 WAV 48k > Flac 16/48. notes
202. 01/30/93 Flac - 0, 111374 San Francisco Warfield Theater flac1644; Recorded by The Weasel - "Da Weez"; Transferred and mastered to .wav files by D5scott; Source: 2 Neumann KMF4 microphones (close to the stage) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac. notes
203. 02/25/93 Shn - 0, 12685 San Francisco Warfield Theater Jerry Garcia Band: MAC (Taped by Chuck, Neumann mics [vintage 1957, tube electronics]) > CDR > EAC (Secure mode) > shn(MKWACT). notes
204. 02/26/93 Flac - 0, 76436 San Francisco Warfield Theater JGB, set I: FLAC16/44: DSBD > DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5 Mastered > 44kHz wav > shntool > FLAC (lvl8) notes
205. 02/26/93 Flac Dts. - 0, 76799 San Francisco Warfield Theater JGB, set I: DTS-Audio-CD 5.1 Mix, via amdig. notes
206. 02/26/93 Shn - 0, 13035 San Francisco Warfield Theater Taper: Chuck; Source Neumann mics (vintage 1957, tube electronics) > MAC > CDR > EAC (Secure mode) > shn (MKWACT).Eac'ed/shn'ed and seeded to fungus, etree and abgd by Charlie Connor With Thanks to Bob Menke notes
207. 02/26/93 Flac - 0, 76435 San Francisco Warfield Theater JGB, set I: FLAC16/48: DSBD > DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5 > shntool > FLAC (lvl8) notes
208. 02/27/93 Flac - 0, 29344 San Francisco Warfield Theater Jerry Garcia Band: FOB > Neumann Km 54's > Dat @ 48k > Clone; Transfer: (Fresh Transfer On 5.20.05) Fostex D5 @ 48k > Vx pocket 440 > Toshiba 3480ct > Wavelab 4.0 > Resampled to 44.1 > Cd Wave > FLAC. New transfer by Greg Lance. notes
209. 02/27/93 Shn - 0, 13036 San Francisco Warfield Theater Taper: Chuck; Source Neumann mics (vintage 1957, tube electronics) > MAC > CDR > EAC (Secure mode) > shn (MKWACT). Eac'ed/shn'ed and seeded to fungus, etree and abgd by Charlie Connor, with thanks to Bob Menke notes
210. 04/16/93 Flac - 0, 32751 Los Angeles Pauley Pavilion, UCLA JGB: Taped by Chip, Neumann KM-140 110 deg ORTF In Hat (4th row center) > Active Cables > Neumann Supply > Panasonic sv250; Todd Evans's DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition > FLAC frontend. notes
211. 04/16/93 Flac - 0, 143776 Los Angeles Pauley Pavilion, UCLA Source Neumann ak 40's in Kangol>SV-250 4th Row PFC
Taped by Taper Troy @ la2v.com
notes
212. 04/17/93 Shn - 0, 19281 Los Angeles Pauley Pavilion, UCLA Source: AUD>DAT>CDR>WAV>SHN. Mic's and taper unknown. CDR source via D.Minches, SHN encoding/FTP via C.Ladner. notes
213. 04/17/93 Flac - 0, 33599 Los Angeles Pauley Pavilion, UCLA JGB: FOB Neumann KM-140 110 deg ORTF In Hat > DAT > WAV > FLAC notes
214. 04/18/93 Flac - 0, 33600 San Diego San Diego Sports Arena JGB: FOB Neumann KM-140 110 deg ORTF In Hat -> DAT > WAV > FLAC notes
215. 04/18/93 Shn - 0, 21135 San Diego San Diego Sports Arena Source: MAD("vintage Neumann", KM54s?)>DAT>CDR>WAV>SHN. Tapers: Chuck and Janet Vasseur. notes
216. 04/18/93 Shn - 0, 16375 San Diego San Diego Sports Arena Jerry Garcia Band: DAUD (no mic or deck info) > CDR [> SHN], encoded by Tim Wiley. notes
217. 04/23/93 Shn - 0, 15923 San Francisco Warfield Theater Jerry Garcia Band: FOB (Neumann KM54) > DAT > CDR > WAV > SHN. notes
218. 04/24/93 Shn - 0, 22254 San Francisco Warfield Theater Jerry Garcia Band. First set only. Source: MAD("vintage Neumann"/KM54s>DAT)>DAT>CDR>WAV>SHN. Taper: C. & J. Vasseur notes
219. 04/25/93 Flac - 0, 111674 San Francisco Warfield Theater flac1644; Da Weez's 2x Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac. notes
220. 04/25/93 Shn - 0, 16151 San Francisco Warfield Theater Jerry Garcia Band: FOB (Neumann KM54) > DAT > CDR > WAV > SHN notes
221. 08/07/93 Flac - 0, 90482 Seattle Memorial Stadium JGB: Mark Severson; 2 Sonic Studios DSM-6P #1045> Sony TC-D5M (2 Maxell MX-100s); Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding. notes
222. 08/07/93 Flac - 0, 30638 Seattle Memorial Stadium Jerry Garcia Band: Schoeps MK4's > Billbox > Denon Dat Deck @48KHZ > Bob Katz VSP digital Domain Processor conversion to 44KHZ > Sound Card Deluxe Digital I/O card > Soundforge 6.0 > Flac notes
223. 08/07/93 Shn - 0, 6631 Seattle Memorial Stadium Jerry Garcia Band: MAD (Neumans > Tascam D5 DAT master) > DAT > optical > SB Live Platinum > WAV>cdwav > MKW > SHN. Show taped by Bill Shaw. Dat > shn and seeded by by Popi N. Feeldz. notes
224. 08/07/93 Flac - 0, 79045 Seattle Memorial Stadium JGB: Mike Albright's MAD (Sonic Studios binaural mics on eyeglasses > Teac P20) > Sony 60ES Edirol UA-3FX Amadeus II > MacFlac > .flac (48kHz). notes
225. 08/07/93 Shn - 0, 27359 Seattle Memorial Stadium Jerry Garcia Band: AUD > Sony D3 > CDR > shn. notes
226. 08/08/93 Flac - 0, 78974 Portland Portland Meadows JGB: Larry Gindoff's Omnidirectional Nakamichi 700 mic capsules (mounted on his baseball cap) > Preamp > Sony D3 DAT > Tascam DA40 playback > Dell GX1 HD > Sound Forge > CD Architect > CD > Sony RCD-W1 CDR > CD > MP3 Producer conversion to .wav > conversion to FLAC notes
227. 08/08/93 Flac - 0, 23588 Portland Portland Meadows JGB: Bearpalm's MAD (FOB Schoeps MK4 Cardiods [110 degrees ORTF in hat] > Denon deck) > DATx > Todd Evans DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Edits, tracking, downsampling in Adobe Audition 1.5 by Mike Hughey notes
228. 08/08/93 Shn - 0, 13134 Portland Portland Meadows Jerry Garcia Band: DAUD, mics unknown > ? > SHN notes
229. 08/14/93 Shn - 0, 12632 Mountain View Shoreline Amphitheatre Jerry Garcia Band: AUD (Nak 700) > DAT (Sony D3) > CDR > WAV > SHNv3, taped by Larry Gindoff notes
230. 10/06/93 Shn - 0, 12252 San Francisco Warfield Theater Jerry Garcia Band: AUD(Neumann KM54 > TeacDAP20)> DAT > CDR > WAV > SHNv3, seeded by Chris notes
231. 10/07/93 Shn - 0, 12251 San Francisco Warfield Theater Jerry Garcia Band: AUD (NeumannKM54 > TeacDAP20) > DAT > CDR > WAV > SHNv3, seeded by Chris L. notes
232. 10/31/93 Flac - 0, 95653 East Rutherford Brendan Byrne Arena JGB: unknown audience recording > ? > cdr > EAC > WAV > FLAC notes
233. 10/31/93 Shn - 0, 4350 East Rutherford Brendan Byrne Arena Jerry Garcia Band: AUD: DAT > CD > (EAC >) SHN; encore is on d3 for continuity purposes only; to save space, it can be tacked onto the end of d1 notes
234. 11/01/93 Shn - 0, 12630 Uniondale Nassau Coliseum Jerry Garcia Band: AUD (Nak 700) > DAT (Sony D3) > CDR > WAV > SHNv3, taped by Larry Gindoff notes
235. 11/03/93 Flac - 0, 112140 Albany Knickerbocker Arena flac1644; First Generation Tapes From My Personal Collection From Master Dats or First Clone Taper Un-Named At This Time,Nakamichi 700's>Deck unKnown,Front Of Board Tapes:Set 1 Maxell XL II 100 Set 2 TDK SA 90 Transfer By Keo With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Traders Little Helper notes
236. 11/03/93 Flac 24 - 0, 112201 Albany Knickerbocker Arena flac2496; 1st gen cassettes from Master Dats or First Clone; Taper Un-Named At This Time; Nakamichi 700s > Deck unknown, Front Of Board; Tapes: Set 1 Maxell XL II 100 Set 2 TDK SA 90. Transfer By Keo With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Flac/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes
237. 11/03/93 Shn - 0, 4349 Albany Knickerbocker Arena Jerry Garcia Band:FOB Sennheiser 441>DAT>CDR; via Mike Lai? notes
238. 11/03/93 Shn - 0, 12631 Albany Knickerbocker Arena Jerry Garcia Band: AUD (Nak 700) > DAT (Sony D3) > CDR > WAV > SHNv3, taped by Larry Gindoff notes
239. 11/04/93 Shn - 0, 12842 Rochester Rochester War Memorial Jerry Garcia Band: AUD (Nak 700) > DAT (Sony D3) > CDR > WAV > SHNv3, taped by Larry Gindoff notes
240. 11/05/93 Flac - 0, 34709 Buffalo Buffalo Memorial Auditorium JGB: Todd Evans's MAD (13th row center DFC Schoeps CMC34 -> Panasonic sv255) > TASCAM DA-20 playback > M-Audio FireWire solo > Soundforge 8.0 wav. With patches from shnid 12568. Recording and transfer by Todd Evans WAV (48) > Flac (44.1) by jbraveman@hotmail.com. notes
241. 11/05/93 Shn - 0, 12568 Buffalo Buffalo Memorial Auditorium Jerry Garcia Band: Source: FOB; 16th row center > AKG 460b ck63 > Custom Preamp > Teac Dap-20 @ 48kHz; Transfer: Clone of Master Dat > Sony DTC-690 > Audioquest Optilink 1 > SEK'D Prodif Plus > Samplitude v5.5 > Soundforge xp 4.5 (resample @ 4/4 with anti alias filter) > Cdwav 1.6 > Mkw act 0.97b1 > shn v3; via Chris "sparki" Ace and dankseeds notes
242. 11/05/93 Shn - 0, 12663 Buffalo Buffalo Memorial Auditorium Jerry Garcia Band: AUD (Nak 700) > DAT (Sony D3) > CDR > WAV > SHNv3, taped by Larry Gindoff. notes
243. 11/07/93 Shn - 0, 15192 Landover USAir Arena notes
244. 11/07/93 Shn - 0, 15192 Landover USAir Arena Jerry Garcia Band: AUD (Schoeps MK4) > DAT > CDR > WAV > SHNv3. SHN encoding/FTP via neo_levo/candyman FTP notes
245. 11/08/93 Flac - 0, 35144 Hartford Hartford Civic Center Source: MAD(FOB DFC Schoeps MK4 at 110 degrees handheld > Active Cables > Oade Microphone Preamp > Panasonic SV-255 DAT deck> Tapers: Clay C. Brennecke and Roger Jones Transfer: DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 16/48K WAV by Todd Evans 48K WAV Edits (Adobe Audition 1.5) > tracking (CDWave) > 48K FLAC (FLAC 1.12) by mhughey notes
246. 11/08/93 Shn - 0, 23342 Hartford Hartford Civic Center Jerry Garcia Band. Source: FOB(DFC Schoeps MK4 at 110 degrees handheld both Sets > Active Cables >Oade Microphone Preamp > Panasonic SV-255 DAT)>D>CDR>WAV>SHN. Tapers: Clay C. Brennecke and Roger Jones. DAE and SHN encoding by C.Ladner. notes
247. 11/08/93 Shn - 0, 12841 Hartford Hartford Civic Center Jerry Garcia Band: AUD (Nakamichi 700) > DAT (Sony D3) > CDR > WAV > SHNv3. Taped by Larry Gindoff notes
248. 11/09/93 Shn - 0, 11925 Portland Cumberland County Civic Center Jerry Garcia Band: FOB Schoeps MK4 > Oade custom pre-amp > Sony D10 @48K notes
249. 11/11/93 Flac - 0, 96018 Providence Providence Civic Center JGB: fix of shnid 78262. Rich Gastwirt's Schoeps CMC 44 blue dot with 90 degree capsule offsets -> Monster M1000 cables-> Oade custom PS-> Monster M1000 cables ->Oade modified Panasonic SV255, FOB. Master DAT played back in Sony DTC2000ES-> M-Audio Delta 410 via SPDIF-> Soundforge. Editing and Mastering: Jamie Waddell on the GEMS Edit Station in Wavelab6.0 with UAD DSP. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. notes
250. 11/11/93 Flac - 0, 78262 Providence Providence Civic Center JGB: Schoeps CMC 44 blue dot with 90 degree capsule offsets -> Monster M1000 cables-> Oade custom PS-> Monster M1000 cables ->Oade modified Panasonic SV255, FOB. Taped and transfered by Rich Gastwirt. Master DAT played back in Sony DTC2000ES-> M-Audio Delta 410 via SPDIF-> Soundforge notes
251. 11/12/93 Shn - 0, 13414 New York Madison Square Garden Jerry Garcia Band: Source: DFOB (Sec. 2, Row U) -- Schoeps MK-4 -> Active Cables -> CMC? -> Oade Mic Pre -> Panasonic SV-255 -- recorded by Clay Brennecke and Keith Litzenburger. Master DAT -> SHN conversion: d7 -> coax -> zoltrix nightingale (mod) -> cooledit 2000 sample rate conversion -> cdwav -> shn by Darrin Sacks notes
252. 11/12/93 Shn - 0, 4348 New York Madison Square Garden Jerry Garcia Band:unknown AUD source->DAT->CD-R; no known flaws; entire show except the Maker: with David Murray on sax; via B. Wilk notes
253. 11/14/93 Flac - 0, 35146 Syracuse Onondaga County War Memorial JGB (48k): Clay Brennecke & Roger Jones MAD (FOB Schoeps CMC34 > Panasonic sv255) > DAT clone > TASCAM DA-20 playback > M-Audio FireWire solo > 48kHz wav (Soundforge 8.0) (transfer by Todd Evans); Edit Details: 48 kHz wav edits (Adobe Audition 1.5) > CDWave (track splits) > FLAC Frontend (1.1.2a) level 5. notes
254. 11/14/93 Flac - 0, 96548 Syracuse Onondaga County War Memorial JGB flac16: Brennecke & Jones; Schoeps Mk4 Cardiod Capsules > Schoeps KC5 Active Cables > Schoeps CMC3 Mic Bodies > Monster M1000 Jumper Cable > Oade MicPreamp > Monster M1000 Jumper Cables > Panasonic sv255 DAT Deck. Transfer on 11/15/93: DAT Master > Panasonic SV-255 (Same as used to record show) > Sony DTC-700; Transfer on 12/21/08: DAT Clone > Tascam DA-30MKII > Sound Devices 702 > Wavelab 5 (Fades & Sample Rate Conversion) > CDWAV > FLAC. All Transfers By Keith Litzenberger notes
255. 11/14/93 Shn - 0, 23341 Syracuse Onondaga County War Memorial Jerry Garcia Band. Source: MAD(FOB DFC from Section 1, Row LL, Seat 11 & 12; Schoeps MK4 at 110 degrees handheld both Sets > Active Cables > Oade Microphone Preamp > Panasonic SV-255 )>D>CDR>WAV>SHNv3. Tapers: Clay Brennecke & Roger Jones. DAE and SHN encoding vy C.Ladner notes
256. 11/14/93 Flac - 0, 137896 Syracuse Onondaga County War Memorial flac1648; (FOB) Schoeps MK4s > Dat (Panasonic SV-255/48k); edited and mastered SIRMick March 2017 notes
257. 11/15/93 Flac - 0, 26375 Worcester The Centrum Jerry Garcia Band: Taped by Clay Brennecke and Roger Jones, FOB/DFC Schoeps mk4 (handheld at110 degrees) > Active Cables > Oade Microphone Preamp > Panasonic SV-255 Transfer: Panasonic SV 3700 > ZA2 (s/pdif) > Wavelab 3.03 > CDWav > SHN > WAV > CDR; transferred by Chris Larson notes
258. 11/15/93 Flac - 0, 35147 Worcester The Centrum JGB (48k): Clay Brennecke & Roger Jones FOB Schoeps Mk4 (ORTF) > Schopes Active Cables > Schoeps CMC 3 mic body > Monster M1000 Cable Jumper > Oade Mic Pre Amp > Monster M1000 Cable > Panasonic sv255 > DAT clone > TASCAM DA-20 playback > M-Audio FireWire solo > Soundforge 8.0 WAV (48) > Flac (48) by jbraveman@hotmail.com. notes
259. 11/16/93 Shn - 0, 13811 Philadelphia Spectrum Jerry Garcia Band, two sources: Source A: FOB(DAUD) > DAT > ? > CDR > EAC (secure) > Cool Edit Pro > CD WAV > SHN (seekable); Source B: Mastered Live by Clay Brennecke/Roger Jones, FOB/DFC, section 102, Row 13, seat 9, Schoeps MK4 at 110 degrees handheld both Sets > Active Cables > Oade Microphone Preamp > Panasonic SV-255 > (DAT master played through) > PCM-M1 > Oade active cable > Edirol UA-5 (hardware resampled) USB out > USB in (HP Omnibook 500) > CE2K > CDWAV > SHN > WAV > Cool Edit Pro > CD WAV > SHN (seekable notes
260. 11/19/93 Shn - 0, 4347 Hampton Hampton Coliseum Jerry Garcia Band: FOB AKG 460 > ? > DAT Conversion PCM-M1>Oade Cable>ZA2(48>44.1)>CDWAV>SHNv3 by: Tom Watkins notes
261. 11/19/93 Flac - 0, 77281 Hampton Hampton Coliseum JGB: (FOB) Schoeps MK4 > Dat > Samplitude > Flac. Transfer & Mastering by Charlie Miller. notes
262. 11/19/93 Flac - 0, 32835 Hampton Hampton Coliseum JGB: Taped By Clay Brennecke, Ron Keyser & Friends (Todd Evans gear), Digitial FOB Audience Tape Schoeps CMC34 > Panasonic sv255; DAT from Todd Evans DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav (48khz) WAV (48) > Flac16 (44.1) by jbraveman@hotmail.com notes
263. 11/19/93 Flac - 0, 29658 Hampton Hampton Coliseum Jerry Garcia Band, flac24 source: Audio Source: FOB AKG 460 > ? > DAT DVD_LPCM_AUDIO Audio: DVD-A > 24bit > 48000hz > Format LPCM > Bitrate 1536 > 2ch Stereo > DVD-A WAV > FLAC notes
264. 04/27/94 Flac - 0, 135954 San Francisco Warfield Theater JGB; flac1644; SBD -> Dat -> Cassette Master (Dolby C) -> Dat, Dat -> CD (Tascam CD-RW700) -> Samplitude Professional v11.2.1 -> FLAC, Transfers and Mastering By Charlie Miller notes
265. 05/14/94 Flac - 0, 110228 Ventura Ventura Raceway (Fairgrounds) (FOB) Nyquist Omnis > Sony TCD-D3 > Dat > DA-P1 > CD > EAC > Flac. Recorded/Transferred: Jeff Bowen. notes
266. 04/22/95 Flac - 0, 137833 San Francisco Warfield Theater flac16 48kHz FOB; Neumann KM54; DAT(c) @ 48 kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.3.10 Live Show Tagger; Transfer & edits by Jeff Mitchell notes

Keith & Donna Band  
  Date Venue - City, State City Media  
1. 08/20/75 Flac - 0, 106912 San Francisco Great American Music Hall flac1644; Keith & Donna Band, complete; 2 x Sony ECM280's >> Sony TC 152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] ... flac1644. notes

Legion of Mary  
  Date Venue - City, State City Media  
1. 11/10/74 Flac - 0, 95767 Albany Palace Theatre JGMS: SB > MASTER REEL > ? > CASSETTE ( POSSIBLY 2ND GEN ? ) > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC. notes
2. 02/14/75 Flac - 0, 108896 San Francisco The Generosity flac1644; MOTB 0149; Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = 2 x Maxell UD C120's; Analog Lineage: Sony ECM 270 >> Sony TC 110(mono) >> MAC. Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]. Taped By: Robert Castelli. Transfer By: Bob Menke. Mastering By: David Minches. notes
3. 02/14/75 Shn - 0, 17371 San Francisco The Generosity Rob Castelli's MAC > 1/4" Sony TC-377 7" reel > Teac X-300R playback > HHB Burn-It master CD-RW > Easy CD-DA Extractor > Dell Inspiron 4100 laptop > possible volume adjustment (Cool Edit 2000) > tracking (CD Wave) > CDR using EZ-CD Creator > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
4. 02/28/75 Shn - 0, 77072 San Francisco Great American Music Hall LOM: unknown source notes
5. 04/08/75 Flac - 0, 114091 New York The Bottom Line flac1644; Recorded by Jerry Moore; two AKG D1000Es> Sony TC-152; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding. notes
6. 04/09/75 Flac - 0, 118486 New York The Bottom Line flac1644; early show and partial late show; Taped by Betty Cantor Recorded using 2 track 7" reels @ 7.5ips recorded on Nagra SL11183 reel to reel deck / 1st generation 2 track 7" reels @ 15ips recorded on Otari MX5050 reel to reel deck > cass > tascam cd-rw700 > eac (secure, offset corrected) > wav > wavmerge > cdwave (retrack) > tlh > flac1644 (level 8), via Lossless Legs user miogi. notes
7. 04/09/75 Flac - 0, 114442 New York The Bottom Line flac1644; early show; Recorded by Jerry Moore; two AKG D1000Es> Sony TC-152; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC. Speed/pitch Correction by Joe B. Jones. Thanks to Rob Berger for supplying the master cassettes notes
8. 04/11/75 Flac - 0, 112587 Upper Darby The Tower Theatre flac1644; late show; Recorded by Jerry Moore; 2x AKG D1000E > Sony TC-152. Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> r8brain Pro> FLAC encoding. Speed/pitch Correction by Joe B. Jones. Thanks to Rob Berger for supplying the master cassettes. notes
9. 04/11/75 Flac - 0, 112588 Upper Darby The Tower Theatre flac1644; Early Show; Recorded by Jerry Moore; 2x AKG D1000E > Sony TC-152; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > [ 16/44 conversion >] FLAC. Speed/pitch Correction by Joe B. Jones. Thanks to Rob Berger for supplying the master cassettes. notes
10. 04/11/75 Shn - 0, 106932 Upper Darby The Tower Theatre early and late shows; apparent derivative of shnid 8789. notes
11. 04/12/75 Flac - 0, 13597 Scranton Masonic Temple LOM; flac1644; MSR > PCM > DAT (44.1), provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1, transferred by Charlie Miller Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16, edited and mastered SIRMick June 2017. notes
12. 04/18/75 Flac - 0, 124315 Chicago Arie Crown Theater flac1644; set 2; sbd composite: shin-4482 + t05-06: sbd > ?? > TDK SA-90 nr-out > Dragon nr-out > ua-55 > usb > Audacity > wav24-96 > flac16. notes
13. 04/18/75 Flac - 0, 124466 Chicago Arie Crown Theater flac1644; complete show, 3 source composite via germain and Droncit. Source 1: MAC> C> c> C> CDR> EAC> flac, mono, unknown taper and gear (1st set & "The Harder They Come" & alternate "Boogie On Reggae Woman" of 2nd set); source 2: shnid=4482, MSR > 1R > 1PCM > 3DAT > CD > EAC > SHN (first four songs of the 2nd set); Source 3: shnid=124315, sbd > ? > cass > flac (last two songs of 2nd set) notes
14. 05/09/75 Flac - 0, 107829 San Francisco The Generosity flac1644; MOTB 0144; Taped by Robert Castelli; Sony ECM 270's > Sony TC 152 MAC (2 x Maxell UD C90'S); Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]. Transfer By: Bob Menke; Mastering By: Derek McCabe. notes
15. 05/15/75 Flac - 0, 97888 San Francisco Great American Music Hall LOM; Flac16: Sony ECM-250 + Sony ECM-270 => Sony TC-152 >> MAC >>Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] MOTB:0027 notes
16. 05/15/75 Flac 24 - 0, 97889 San Francisco Great American Music Hall LOM; Flac24: Sony ECM-250 + Sony ECM-270 => Sony TC-152 >> MAC >>Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] MOTB:0027. notes
17. 05/21/75 Flac - 0, 87086 Berkeley Keystone LOM: flac16: MOTB Release: 0043 16bit/44.1Khz; Sony ECM-270 and ECM-250 Blended [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO Model B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga Transfer: Bob Menke; Mastering: Jamie Waddell. notes
18. 05/21/75 Flac - 0, 87149 Berkeley Keystone flac16 LOM: Patched and speed correction of SBD reel source (shnid 4479) with the MOTB transfer of the Menke-Falanga aud, via Kevin Tobin. notes
19. 05/21/75 Flac 24 - 0, 87133 Berkeley Keystone flac24: MOTB Release: 0043 24bit/96Khz. Sony ECM-270 and ECM-250 Blended [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO Model B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Jamie Waddell. notes
20. 05/21/75 Flac Dts 5.1 - 0, 87526 Berkeley Keystone LOM; flac16; DTS Audio 5.1; SBD (shn id 4479) SBD > 15ips reel > 15ips reel > DAT + AUD (shn id 87086) Sony ECM-270 and ECM-250 Blended [Positioned Onstage] > Sony TC-152 > MAC by Bob Menke - dts mixing by Kevin Tobin notes
21. 05/21/75 Flac - 0, 138271 Berkeley Keystone notes
22. 05/22/75 Flac 16 - 0, 87091 Berkeley Keystone LOM: flac16: MOTB Release: 0044 16bit/44.1Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO Model B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Jamie Waddell. notes
23. 05/22/75 Flac 24/96 - 0, 87156 Berkeley Keystone flac24: MOTB Release: 0044 24bit/96Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO Model B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke Mastering: Jamie Waddell notes
24. 06/03/75 Flac 24 - 0, 87198 Berkeley Keystone LOM: MOTB Release: 0045 16bit/44.1Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Derek McCabe. notes
25. 06/03/75 Flac 24 - 0, 87217 Berkeley Keystone LOM flac24: MOTB Release: 0045 24bit/96Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Derek McCabe notes
26. 06/04/75 Flac - 0, 87204 Berkeley Keystone LOM: flac16: MOTB Release: 0046 16bit/44.1Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Derek McCabe. notes
27. 06/04/75 Flac 24 - 0, 87234 Berkeley Keystone LOM: flac24 MOTB Release: 0046 24bit/96Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Derek McCabe notes
28. 06/08/75 Flac - 0, 89915 Palo Alto El Camino Park LOM, flac16 MOTB Release: 0061 16/44.1; FOB Master Cassettes (MAC) Medium Stock Brands: MAC = Maxell UD C90; Analog Lineage: 1 x Sony ECM-270 + 1 x Sony ECM-250 => Sony TC-152 >> MAC; Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Bob Menke and Louis Falanga; Transfer By: B. Menke; Mastering By: J. Wadell. notes
29. 06/21/75 Flac - 0, 87222 Berkeley Keystone LOM:flac16 MOTB Release: 0047 16/44.1; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Jamie Waddell. notes
30. 06/21/75 Flac 24 - 0, 87223 Berkeley Keystone LOM: flac24 MOTB Release: 0047 24/96; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Jamie Waddell notes
31. 06/22/75 Flac - 0, 87236 Berkeley Keystone LOM: flac16 MOTB Release: 0048 16/44.1; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Derek McCabe. notes
32. 06/22/75 Flac 24 - 0, 87237 Berkeley Keystone LOM: flac24 MOTB Release: 0048 24/96; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Derek McCabe notes
33. 07/04/75 Flac - 0, 105594 San Francisco Great American Music Hall Set II matrix: sbd 70%/aud 30% (-5 decibels), from shnid=6633 (sbd) and shnid=91465 (aud). Source Info: 1) SBD > Vault Reel > 1C?(*see note below) > DAT > CD-R > EAC >SHN (shnid 6633) *The cassette generation was not included in the lineage that I received. However, there is more audible hiss than would normally be expected from one gen of reels and the only known source (comment copied below) includes the cassette gen. The sound is still very good for a 1975 recording. Seeded to etree by walkerb@telus.net 2) MOTB Release: 0067 16/44.1 (shnid 91465) Analog Audience Source: FOB Master Cassette (MAC) Medium Stock Brands:MAC = Maxell UD C90 Analog Lineage: 2 x Sony ECM-280 => Sony SD 152 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped by: Reinhart Hohlwein Transfer by: Bob Menke Mastering by: Jamie Waddell Special: Rhinotrocity#2 notes

Melvin Seals  
  Date Venue - City, State City Media  
1. 11/14/14 Flac - 0, 131746 Denver Quixote's True Blue 4 Source Matrix: DPA4022 | DPA 4027| DPA 4060 | SBD Source 1: DPA 4022 (XY) V3 -> Tascam DR680 Source 2: DPA 4027 (ORFT) Naiant mid box -> Tascam DR680 Source 3: DPA 4060 (3 foot omni spread) -> Tascam DR680 Source 4: SBD > XLR > Tascam DR680 Location: FOB, DFC. Mics on stand ~8 feet. Transfer: Tascam DR680 (24/96) wav -> USB cable -> PC Editing: Wavelab plugins -> Flac(16) notes

Melvin Seals & JGB https://www.melvinsealsandjgb.com/
  Date Venue - City, State City Media  
1. 06/16/98 Flac - 0, 124742 Hampton Beach Club Casino dsbd, taped by Jerry Moore, transfer/seeded by Rob Berger 2013 notes
2. 12/31/13 Flac - 0, 126568 Breinigsville Lehigh Valley Holiday Inn Conference Center notes
3. 12/31/14 Flac 16 - 0, 136857 Breinigsvillie Lehigh Valley Holiday Inn Conference Center flac16: soundboard > Edirol R-09HR > wav 24/48 Lienage: wav 24/48 > Adobe Audition 3 > iZotope Ozone 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16, Recorded by: John Bleich notes
4. 03/03/16 Flac 16 - 0, 135336 Hartford Infinity Music Hall & Bistro flac16: SBD > Tascam DR-680 MKI (16/44.1) > SDHC > Adobe Audition > Flac > TLH, Recorded By Scott Medeiros & Mike Deary notes
5. 03/05/16 Flac 16 - 0, 135335 Brooklyn Brooklyn Bowl flac16: Soundboard > Tascam DR-680 MKI (16/44.1) > SDHC > Adobe Audition > Flac > TLH, Recorded By Scott Medeiros & Mike Deary notes

Merl Saunders http://www.myspace.com/merlsaunders
  Date Venue - City, State City Media  
1. 02/20/98 Flac - 0, 126254 Monroe The Alley SBD> Master Sony D5 Cassette Recorder Recorded by Derek Smith Mastered to Digital by Steve Sanborn notes
2. 03/24/01 Flac - 0, 84631 Charlottesville Starr Hill Music Hall SBD > Inspiron 8000 (ESS Maestro internal sound card) > WAV > CD > EAC > SHN > WAV > FLAC notes

Merl Saunders & His Funky Friends  
  Date Venue - City, State City Media  
1. 07/12/01 Flac 16 - , 95442 San Francisco The Great American Music Hall flac16;Recording Info:SBD (Stereo Feed From House Mix) + (Stage) Rode NT2 -> Behringer MX1604A -> Sony SBM-1 -> Dat -> CD; Mixed and Recorded By Charlie Miller notes

Merl Saunders & Melvin Seals  
  Date Venue - City, State City Media  
1. 10/11/99 Flac - 0, Lawrence The Granada notes

Merl Saunders & The Rainforest Band  
  Date Venue - City, State City Media  
1. 03/05/92 Flac - 0, 134963 San Luis Obispo Loco Ranchero Soundcraftsman Soundboard; Sony WM-D6C (Maxell MX-S w/Dolby C) Master Cass Transferred: *WM-D6C (Dolby C Engaged)->HHb CDR 800 PRO CD Masters >FLAC (Level 8) + Tags Via xACT 2.37 Recorded, Transferred, FLAC’d & Tagged By OldNeumanntapr *Original Record Deck notes
2. 03/06/92 Flac - 0, 134970 Santa Barbara The Brew House Soundboard: Sony WM-D3 >Cass I (MX 110) >CDR >FLAC MX 110 Cass I Transferred: Sony TC-D5M >HHb CDR 800 PRO CD Master >FLAC (Level 8) + Tags Via xACT 2.37 Recorded By Jim Ho Cass I Transferred, FLAC’d, & Tagged By OldNeumanntapr notes
3. 03/07/92 Flac - 0, 145980 North Hollywood The Palomino Club Soundboard: Sony WM-D3 >Cass I (MX 110) >CDR >FLAC notes
4. 07/30/92 Flac - 0, San Luis Obispo Loco Ranchero Soundcraftsman Soundboard Master, Sony WM-D6C (Maxell MX-S w/Dolby C) notes
5. 07/31/92 Flac - 0, 134982 Santa Barbara The Brew House Nakamichi CM-300 CP-1's (ORTF On T-Bar) >Sony WM-D6C (XLIIS Master) >CDR >FLAC notes
6. 06/05/93 Flac - 0, 134983 Salt Lake City Liberty Park FOB: Nakamichi CM-100 CP-1's->Sony TCD-D3 DAT notes
7. 07/29/93 Flac - 0, San Luis Obispo Loco Ranchero notes
8. 09/21/95 Shn - 0, 103349 Raleigh The Ritz Source: SBD DAT Transfer by Robbie Dunn notes
9. 10/21/95 Flac - , 152730 Clinch Mountain Private Party Recording Info: SBD > DAT Master (Sony 59-ES/48k)
Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k
notes
10. 08/18/96 Flac - 0, 111544 San Rafael Lagoon Park DSBD Panasonic DAT -> Wav -> FLAC notes

Old & In The Way  
  Date Venue - City, State City Media  
1. 04/16/73 Flac - 0, 100404 San Francisco The Boarding House SBD > ? > WBAI-FM Broadcast > SAE-2 Receiver > Sony DTC-670. Transfer: MFD > Sony D10P> Coax SPDIF > Audiophile 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644. notes
2. 04/21/73 Shn - 0, 11860 Sausalito The Record Plant Old & In The Way: Possible MFR > D > CD > EAC > SHN. notes
3. 06/06/73 Flac 24 - 0, 105568 Passaic Capitol Theater flac2496: 7" 1/2 track master soundboard reels @ 7.5ips > Sony TC-388 (4-track) playback > Revox A77 1st gen reel (no Dolby) > AKAI GX-625 playback > Apogee Mini Me @ 24 bit/96K > Apogee Mini DAC (for monitoring) > Lynx One soundcard > Wavelab 5.0 > wav fileset > GEMS editing > FLAC notes
4. 07/21/73 Flac - 0, 113845 San Anselmo The Lion Share Lineage:MR@7.5 ips(Recorded by Betty Cantor on her Nagra)>R@ 3.3/4ips.(Jerry Garcia copy)>R @3.3/34 ips(Will Boswell)
Transfered and mastered by Matt Smith 5/11
Cd > flac using dbpoweramp, Checksums created with TLH gballen 05-29-2011
notes
5. 04/28/74 Shn - 0, 21525 San Rafael Marin County Veterans' Aud and Grounds incorrect dating and lineage"Old & In The Way: AUD - MA? > ? > D >CD". See admin note. notes

Reconstruction  
  Date Venue - City, State City Media  
1. 03/08/79 Shn - 0, 4438 Cotati Cabaret Cotati mislabel of 3/9/79; SBD > master reel > DAT(s), with some lineage uncertainty. Tascam DA-20 @ 48.0 kHz > ZA-2 resample to 44.1kHz on the fly > HD using Cool Edit > CDWave > track waves > CD-R master using CDRWin. Extraction: CD-R master > EAC > HD > MKW shorten > .shn, via Uncle John. notes
2. 03/08/79 Shn - 0, 12589 Cotati Cabaret Cotati MSR > PCM (VHS) > Sony 501? PCM (Beta) > Sony 501? playback > Panasonic 3800 master DAT > backup DAT > Sony R500 playback > Sony CDR-W33 master CD > HP 9350i extraction and normalization (98%) using EAC > tracking using CD Wave > sector boundary verification using shntool > .shn encoding using mkwACT. Note that this is the actual show played on this date, and not a mislable of the 3/9/79 as is the existing .shn set. notes
3. 04/17/79 Flac - 0, 93466 San Rafael Rancho Nicasio Reconstruction: Phil Jaret's (FOB) JVC Electret condenser stereo mic (center floor) > Teac PC-10 MAC (Dolby B, TDK SA-90) > Sony TC-K615S playback > HHB CDR 800 (tracked "on the fly") > WAV > FLAC8, transferred by John M. notes
4. 04/17/79 Flac - 0, 106200 San Rafael Rancho Nicasio flac1644; Recorded by Phil Jaret; JVC M-201 Stereo Microphone> Teac PC-10, Center floor location. Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 3.0> Ozone 4.0> FLAC encoding.Pitch Correction by Joe B. Jones. notes
5. 04/23/79 Flac - 0, 97899 San Francisco Old Waldorf Reconstruction: AUD > ?? > CDR > EAC(secure mode, c2, filled up leading & trailing silent blocks w/silence) > TLH > Flac Level 8. notes
6. 04/23/79 Flac - 0, 126927 San Francisco Old Waldorf flac1644; patched version of shnid-9609. Main Source: MAC > DATs > CDs > EAC > SHN, Taped by Eldon Porray, Nak CM-700s > Sony TC-D5. Secondary (Patch) Source: MAC > standalone CD > unknown processing > CD-R. Aiwa hand-held cassette recorder with built-in mic and automatic level control. Noise reduction was applied by SL during his transfer to CD-R. Patched and FLAC'ed by PsyKies, March 2013 notes
7. 06/13/79 Flac - 0, 96235 Guerneville Early show, Late show, River Theater Reconstruction: Alan Bershaw's Nak 300 w/CP3 caps cassette master (unknown deck) > 1st gen reel @ 7.5ips > 2nd gen reel @ 7.5ips > DAT > CDR > GEMS editing > FLAC. notes
8. 07/07/79 Flac - 0, 106874 Palo Alto Keystone Palo Alto flaw fix of shnid106543. SBD -> Cassette Master (Sony D5/Maxell UDXLI90) Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16. notes

SNACK (various artists)  
  Date Venue - City, State City Media  
1. 03/25/75 Flac - 0, San Francisco Kezar Stadium, Golden Gate Park notes

Zero http://www.zerofamily.com
  Date Venue - City, State City Media  
1. 07/16/88 Shn - 0, 10125 San Francisco Golden Gate Park Source/Transfer: Audience Cassette Master > DAT > CD... Sennheiser 441 Mic's > Sony D5M Cassette Master (Maxell MX 90). Playback on Nakamichi DR-2 Cassette Deck > Sony D100 DAT. Playback on Panasonic SV-3800 DAT Recorder > Digital Coaxial Cable > Tascam CD-RW 700 CD Recorder > EAC > SHN. Originally Recorded by Chris Olson notes

[ USER INFO | ADD SHOW | EDIT SHOWS | WISHLIST | TRADES | FAMILY ]

[ MANAGE LISTS ] | [ ASSIGN SHOWS TO LISTS ]

[ NEWS | BROWSE SHOWS | BROWSE SHNS | MOST POPULAR | SEARCH ]