Etree - Brian - 3647 shows
Last Update: Monday Apr 15, 2024

[ DIFFERENCE | WANT LIST (137) | COMMENTS (0) | EMAIL ]


I haven't rated the sound on each show as that seems to be a very subjective qualification & I know that my mood at the time I listen can have a big effect on how I percieve the quality of the show. I will be happy to review the sound of any shows I am contacted about before a deal is made and I will attempt to be as descriptive as possible about it. I use the file transfer services sendGB & We Transfer to send shows out.


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7 Walkers http://7walkers.com/
  Date Venue - City, State Media  
1. 12/16/10 FTC Stage One - Fairfield, CT Source: dsbd, recorded by Rob Berger with a Tascam hd-p2
Lineage: digital board spdif out>compact flash 24/48
Transfer: hd>adobe audition 2.0 (levels, edits, removed digital static, dither)> cd wave>16/44.1> tlh flac 8 		 
2. 12/31/10 The Silo - Reading, PA Source: Audience recording > Edirol R-09HR (with internal mics) > wav 24/48
Lineage: wav 24/48 >Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced >
wav 16/44.1 > CD Wave > TLH > Flac 16

Recorded by John Bleich (aka Johnny Cassette) 		 
3. 06/03/11 Hunter Mountain - Hunter, NY Source:Neumann ak40(DIN)>LC3>KM100>V2+ak50(Nos)>LC3>KM100>Oade M248>Tascam DR-680
Transfer:SD Card>Samplitude SE No.9>CD Wave Editor>TLH
Location:FOB/SDFC/KWSS/7.5'High
Taped and seeded by Craig Hanger 		 
4. 09/08/11 Sun Music Hall - Floyd, VA Sony ECM-MS957(90deg) > DR-03(LineIn, Vol5) > WAV(24bit/48khz) > Audacity1.3.11b(amplified
to -.01, dithered/resampled) > WAV(16bit/44.1khz) > CD Wave Editor(tracked) > FLAC8(TLH),
Just FOB, ~7' ROC, ~6.5' high, ~25' back 		 
5. 12/31/11 The Silo - Reading, PA Source: Soundboard > Edirol RO9 HR > wav 24/48; Lineage: wav 24/48 > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 5 Advanced) > iZotope RX 2 Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16; Recorded by John Bleich  

Bill Kreutzmann Trio (BK3)  
  Date Venue - City, State Media  
1. 07/10/09 Oregon Country Fair - Veneta, OR Flac16: FOB Master Audience:
Master info: Milab VM-44-links Head High [Binaural configuration] ~ 18' from stage
[Dead center] > ArchivalAudio ArchivalSilver XLR's> Fostex FR2-LE (stock) 24/48
Recorded by: ArchivalAudio - Ian Stoy
Transfer info: open BWF: iBook G4 1.2 GHZ / 1.25 GB RAM OSX 10.4.11 >
BWF opened Peak 5.2 [tracked] [DC bias removal] [Normalize -0.090 ]
[regions exported .wav]
SRC and Dither: 2011: iMac 3.06 GHz i3/8GB OSX 10.6.6 > wav conversion from
24 bit 48 Khz in Audiofile Engineering Sample Manger 3.2.2
utilizing: iZoptope resampler and iZoptope Mbit+ > xACT v2.06 to FLAC (level 8 )
fix SBE's generate ffp , MD5 and len (shntool) output 		 

Bill Kreutzmann, Oteil Burbridge & Scott Murawski  
  Date Venue - City, State Media  
1. 03/06/08 Pearl Street Nightclub - Northampton, MA Flac 16
(OTS/LOC) Neumann U89i (hyper, DIN, -80h)> Lunatec V2> Apogee Minime> Tascam HD-P2 (24/48) on a Sandisc Ultra II 4gb CF card.
This file was dithered to 16 bit in Wave Lab 4.0 using apogee's UV22 HR.
Recorded by Ed Guidry (tufflitestudios@yahoo.com) 		 

Billy & The Kids http://www.billkreutzmann.com/
  Date Venue - City, State Media  
1. 12/12/14 Orange Peel - Asheville, NC schoepsCCM4V.zman.flac16  
2. 12/13/14 Warren Haynes Christmas Jam Asheville Civic Center - Asheville, NC schoepsCCM4V.zman.flac16  
3. 08/01/15 Gathering of the Vibes - Seaside Park - Bridgeport, CT telefunkenELA-M260.sxm2.dr680.gakidis.flac16  
4. 08/15/15 Peach Festival - Montage Mountain - Scranton, PA superluxS502.medeiros.flac16  
5. 09/10/15 Jefferson Theatre - Charlottesville, VA schoepsMK41.zman.flac16  
6. 09/12/15 Oak Ridge Farm - Arrington, VA dpa4023.vwmule.flac16  
7. 04/15/16 Wanee Festival - Peach Stage - Live Oak, FL schoepsCCM4V.zman.flac16  
8. 05/07/21 Anini Beach Private Residence - Kilauea, HI Flac1644
Source: LIVE Stream via the WWW > Sound Forge 12 "Record What You Hear"
Transfer: .WAV 16-48.0 > FLAC 16-44.1
Recorded by Jay H. Taylor for Zann Taylor
Transferred for MAKU (Music Archive Kaua'i Unlimited)
Billy & the Kids; Billy's 75th Birthday 		 
9. 05/08/21 Anini Beach Private Residence - Kilauea, HI Flac1644
Source: LIVE Stream via the WWW > Sound Forge 12 "Record What You Hear"
Transfer: .WAV 16-48.0 > FLAC 16-44.1
Keywords: Bill Kreutzmann; Billy & the Kids; Billy's 75th Birthday
Recorded by Jay H. Taylor for Zann Taylor
Transferred for MAKU (Music Archive Kaua'i Unlimited) 		 
10. 07/12/21 Red Rocks Amphitheatre - Morrison, CO Flac1644
Source: DPA 4006c(DFC/OTS(16th Row)/split 70cm)->V2->SD744(24bit/96kHz)->MBit(16bit/44.1kHz)->FLAC
Recorded and Transferred by Scott Schneider 		 
11. 07/13/21 Red Rocks Amphitheatre - Morrison, CO Flac1644
Source: DPA 4015c(NOS/DFC/OTS(16th Row))->SD744(24bit/96kHz)->MBit(16bit/44.1kHz)->FLAC
Recorded and Transferred by Scott Schneider 		 
12. 08/16/23 Pier Six Pavilion - Baltimore, MD sbd.nugsnet.t-flac  
13. 08/18/23 The Rooftop at Pier 17 - New York, NY Flac16
AKG 451's > Zoom H5
Location: DFC in front of the SBD
Recorded, edited and seeded by Michael Buzzeo 		 
14. 10/20/23 Capitol Theatre - Port Chester, NY Flac16
AKG 451's > Zoom H5
Location: Taper's section next to the sound board
Recorded, edited and seeded by Michael Buzzeo 		 
15. 10/21/23 Capitol Theatre - Port Chester, NY Flac16
Neumann KM 150(AK50's/LC3's/KM100's)>HQRP xlr>Lunatec V3(Oade Mod)>AES/EBU>Sound Devices 722 @24bit/48kHz
SD722 master file @24bit/48kHz/CF>Sound Forge Pro 16.1>CD Wave v1.98(tracking)>FLAC16 via TLH v2.8.4(level 8), tag w/Tag Scanner6.1.15, ffp & md5-TLH
Recorded and Transferred by Steve Weld 		 

Bob Weir http://www.bobweir.net/
  Date Venue - City, State Media  
1. ??/??/71 Bob's Home Studios - San Francisco, CA Bob Weir (Ace Demos)
Pre-FM Production CD of unknown origin from David Gans 		 
2. 07/30/80 The Golden Bear - Huntington Beach, CA sbd, Willy Keats' unknown gen cassette, transfer by Rob Berger notes
3. 04/08/83 Dan Akroyd's Bar - New York, NY Bob Weir & Friends
Unknown Mics > Cm > Cass > Dat > ZA2 > Sound Forge > Shn
Seed from Michael Weitzman, Transfer by Joe Samaritano 		 
4. 05/03/83 The Garage - Stockholm, Sweden Bob Weir and Rust-flac16;Recording Info:Unknown Mics -> ? -> Cassette (Maxell XLII-S90);Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
5. 05/05/85 Julia Morgan Center For Arts - Berkeley, CA aud.sirmick.flac  
6. 04/28/86 Wolfgangs' - San Francisco, CA unknown.zman.flac16  
7. 05/15/86 Berkeley Community Theatre - Berkeley, CA schoepsCMC44.chasingwilma.flac2496 notes
8. 09/21/86 The Stone - San Francisco, CA Nightfood
SBD > Cm > ? > CD > EAC > Flac
See discs provided by Tinydancer, Conversion by biodtl 		 
9. 03/07/88 Lawler Events Center - Reno, NV SBD 2nd gen. Beta Hi-Fi audio tape notes
10. 03/11/88 State Fairgrounds Coliseum - Salt Lake City, UT sbd.unknown.flac16 notes
11. 07/10/88 Greek Theatre, Univ. of California - Berkeley, CA nak700.reutelhuber.miller.flac notes
12. 09/13/89 Sea Shore Performing Arts Center - Orchard Beach, ME aud cassette master, senn 441's>sony d5, taped by Doug Lamarre, transfer/seeded by Rob Berger  
13. 05/10/92 Jerry Brown Benefit - Cachagua, CA Bob Weir
(FOB) Sonics Mics > DAT @ 48 > DA-P1 > Hosa S/PDIF > Delta DiO 2496 > Peak @ 44.1 > Jam > Toast Audio Extractor (overlap) > Shn
Benefit for Jerry Brown 		 
14. 05/15/98 Berkeley Community Theatre - Berkeley, CA flac16; recording: Neumann KM140s>EAA PSP/2>Sony SBM-1>DAT transfer: DAT master>computer>CD wav>flac16  
15. 08/14/04 NPR Studio A - New York, NY audiostream.npr.white.shn  
16. 02/25/05 Slim's - San Francisco, CA Digital Audience: Recorded by Rob R 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3 (super Omni) direct to dat using a Tascam Porta 1  
17. 06/21/11 The Rafael Film Center - San Rafael, CA Sony ECM-MS957 > SONY PCM-M10 > Soundforge 9.0 > TLH > FLAC  
18. 09/03/11 Bearsville Theater - Woodstock, NY schoeps mk4's(din)>kc5's>cmcxt's>722@24/48. clamped to balcony rail,dead center (I Didn't receive processing info); Audio CD's mailed to me by Taper>EAC>FLAC>Foobar2000; Recorded By Tom Gluck, EAC>FLAC, Track tagging & uploaded By Keith Litzenberger  
19. 04/24/12 Bijou Theatre - Knoxville, TN Source: Soundfield SPS200 > Sound Devices 788t (24/48) Location: FOB, 4ft.pole from balcony rail, ROC,
DSP: Sound Devices 788t > Wave Agent > Neundo 3 (sps200 szone vst, mixdown) > Wavelab 6 (fades, tracks, dither w/UV22 HR, resample) > FLAC v1.2.1 (L8) as build in TLH v2.6.0.(Build 168) 		 
20. 04/26/12 Jefferson Theater - Charlottesville, VA AKG463s(POS)>MP-1s>PMD661(Oade WMOD)@24/48> Audacity(16/44)>CDWave(splits)>Flac Frontend(Level 6)  
21. 04/27/12 Kirby Center - Wilkes-Barre, PA Source: AKG CK1x>Naiant Tiny Box>Sony M10@24/48
Location: Center Mezz, Row A, Seat 107 and 108
Transfer: M10>AA 3.0>Cdwav>flac16 		 
22. 04/28/12 NYCB Theatre - Westbury, NY Neumann km 184 Mics > Lunatec V2 > Korg Mr-1000
Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper 		 
23. 05/01/12 State Theatre - Portland, ME Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48) FOB/DFC/KFC/ZFC/AARP 28' From Stage,8' High DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16)  
24. 09/07/12 Capitol Theater - Port Chester, NY neumannKM184.joebeacon.flac16  
25. 09/08/12 Bearsville Theatre - Woodstock, NY flac1648; Nakamichi 700's w/cp701's>Naiant Tinybox>Sony M-10  
26. 09/10/12 Tower Theatre - Upper Darby, PA schoepsCMC5.dave570.flac16  
27. 12/20/12 Troubadour - West Hollywood, CA Source: Sony PCM-M10 (LPCM 48.00kHz/16 bit) Location: ~25', Left-Center Stage (stealth) Transfer: Sony PCM-M10 > Audacity (fades/eq/amplify) > Trader's Little Helper (wav > flac) Level 8 Taped by ikepgh  
28. 06/26/13 Cruzan Amphitheatre - West Palm Beach, FL flac16; Audio Technica U853R (C) > Naiant Tinybox V1 > Sony PCM-M10 (24/44.1) Mastering: (24/44.1) WAV > Adobe Audition 3.0.1 > (16/44.1) WAV > Totalrecorder 8.4 >(16/44.1) WAV > Trader's Little Helper 2.7 > FLAC Location: Section 1, Row P, FOB, Right stack.Taped, transferred, & edited by Spyder9 Studios  
29. 06/29/13 Aaron's Amphitheatre at Lakewood - Atlanta, GA Source: Church Audio CA-11 (cards) > Church Audio CA-9200 > Sony PCM-M10 (24/48) > Micro SD Card Location: FOB/LOC (Section 102, Row X in front of Left Stack) clipped to Orlando's Human Mic Stand (~6' high) Transfer: dBpoweramp > Audacity (Normalizing/Fades) > CD Wave (Tracking) > Trader's Little Helper > Flac 16 (Level 8)  
30. 06/30/13 The Lawn at Riverfront Park - Nashville, TN  
31. 08/18/13 Peach Festival - Montage Mountain - Scranton, PA akgCK63.suraci.flac16  
32. 03/02/14 Capitol Theatre - Port Chester, NY neumannSKM140.sunboy.flac16  
33. 04/23/14 Tribeca Film Festival - New York, NY  
34. 05/02/14 Sundance Kabuki - San Francisco, CA Sony ECM-MS957 > SONY PCM-M10 > Soundforge 9.0 > CD Wave Editor > TLH > FLAC  
35. 09/27/16 Amoeba Music - Hollywood, CA at831.unknown.flac  
36. 10/07/16 Marin Veterans Memorial Auditorium - San Rafael, CA flac16; FOB: DSM-6Ps >Battery Box >Sony PCM-M10 (16bit/44.1khz) Recorded 20th row Center By DAT CC WAV >Audacity (Amplify, Track Splits, Minor Edits) >FLAC (Level 8) + Tags Via xACT 2.37 By Jeff Bowen, aka; OldNeumanntapr  
37. 10/10/16 Wiltern Theatre - Los Angeles, CA m-audiopulsarII.ikepgh.flac8  
38. 10/12/16 Tower Theatre - Upper Darby, PA schoepsMK4.unknown.flac16  
39. 10/14/16 Kings Theater - Brooklyn, NY  
40. 10/15/16 Kings Theater - Brooklyn, NY schoepsMK41V.powell.flac24  
41. 10/16/16 Capitol Theatre - Port Chester, NY nugstvstream.miller.flac16  
42. 10/20/16 Chicago Theatre - Chicago, IL flac16; AKG 481 > V3 > Marantz PMD661 (16/44.1) Row F seat 403 in the balcony Recorded and seeded by Jeff Frank  
43. 04/16/17 Moody Theater - Austin, TX & The Campfire Band AKG ck61 > NBob Actives > Naiant PFA > Tascam DR-70D > Soundforge 11.0 (fades, MBIT+ Dither, iZotope 64-Bit SRC resample) >CDWave > Flac level 8 > Live Show Tagger Taped and transferred by Lee Hart  
44. 04/18/17 Saenger Theatre - New Orleans, LA schoepsMK41.nolamule.flac16  
45. 04/21/17 Wanee Music Festival - Live Oak, FL & The Campfire Band Schoeps ccm 41's > Apogee Mini-me [Soft Limit (1)] 24/48 > S/PDIF > Marantz 561(up front, about 30 feet from stage/stand 11' high - KP) > wavelab > cdwave > flac  
46. 04/22/17 Spirit of the Suwanee Music Park - Live Oak, FL neumannKM184.fries.flac16  
47. 08/04/17 Red Rocks Amphitheatre - Morrison, CO & The Campfire Band Line Audio CM3 > Sound Devices MixPre-6 (24/48) Processing: Macbook Pro > Amadeus Pro > xACT Recorded and mastered by Todd R  
48. 08/08/22 Pine Creek Lodge - Livingston, MT Flac16
aud > Tascam DR05 > Rock N Knit (taper, transfer)
fhessler (upload) > 2022-08-09 16:51:58 		 

Bob Weir & Brent Mydland  
  Date Venue - City, State Media  
1. 04/26/88 Marin Veterans' Memorial Auditorium - San Rafael, CA Source: Unknown AUD, kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, November 2011.  

Bob Weir & Bruce Hornsby  
  Date Venue - City, State Media  
1. 03/31/12 Fox Theatre - Oakland, CA Source: Sennheiser MKH8050 -> Aerco MP-2 -> Roland R-44 Oade concert mod (24/48k) Location: FOB, Row Q, center section Transfer: R-44 -> MacBook -> Adobe Audition CS5.5 (light EQ, level adjustment and fades) -> Fission to split tracks -> Xact (encode To FLAC) -> Adobe Audition CS5.5 (convert to 16/44.1k) -> Xact (align on sector boundaries)  
2. 04/01/12 Fox Theatre - Oakland, CA Source: Sennheiser MKH8050 -> Aerco MP-2 -> Roland R-44 Oade concert mod (24/48k) Location: FOB, Row M, side section in front of right stack Transfer: R-44 -> MacBook -> Adobe Audition CS5.5 (light EQ, level adjustment and fades) -> Fission to split tracks -> Xact (encode To FLAC) -> Adobe Audition CS5.5 (convert to 16/44.1k) -> Xact (align on sector boundaries)  
3. 07/19/12 All Good Music Festival - Thrornville, OH 2xNeumann U-89i's(Set to Cardiod)-Grace V3-Digital out-Dr-680 1x Scheops/Strasser CM 060 (70's Solid State Mic-Cardiod setting low end roll off) Mic's ran FOB 60ft back of stage 2ft of DFC. 3 mic done in post with Wavelab using Waves S-1 Imager plug in to widen the stero pair and narrow the scheops to provide more seperation. Recorded, Mastered and Posted by Pat Myers AKA DATPAT  
4. 07/20/12 GOTV Seaside Park - Bridgeport, CT at897.laurentus.flac  

Bob Weir & First Fusion  
  Date Venue - City, State Media  
1. 05/07/11 Marin Veterans' Memorial Auditorium, Marin Center - San Rafael, CA zoomH2.unknown.flac8 notes

Bob Weir & Friends  
  Date Venue - City, State Media  
1. 03/10/83 Perkins Palace - Pasadena, CA Bob Weir & Friends
SBD > Cm > Cass > Sonic Solutions > CD > EAC > WaveLab > CDWav > Flac 		 
2. 05/29/86 The Saint - New York, NY flac16source: sbd 1st gen cassette Jerry Moore's copy lineage: sbd > master > cassette (sony d5 , dolby b) nak dragon/b > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 > flac, Rob Berger transfer & seed  
3. 08/07/86 Wolfgangs - San Francisco, CA From the Collection of Jay Abrams (jra-sm)
1st Generation - Not a Master - Unknown Taper 		 
4. 01/16/96 Prana House - Chalok Beach - Koh Tao, Thailand walkman.unknown.flac  
5. 07/20/97 Riverport Amphitheatre - Maryland Heights, MO flac16Master Audience Recorded By Mr. Darby AKGC451EB/CK1's (DIN/DFC/Front Row Of Lawn/8 Feet High)> Whirlwind Phantoms>Sony D7 @ 16/48; Transfer Information:Fostex D5>Tascam HD-P2> HDD>Audacity (Tracking/Fades)>xACT (FLAC6) Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo SBE's Checked/Fixed With Trader's Little Helper  
6. 07/27/97 Fiddler's Green Amphitheatre - Edgewood, CO flac16-BWF;Master Audience Recorded By Mr. Darby AKGC451EB/CK1's (DIN/DFC/Front Row Of Lawn/8 Feet High)> Whirlwind Phantoms>Sony D7 @ 16/48; Transfer Information:Fostex D5>Tascam HD-P2> HDD>Audacity (Tracking/Fades)>xACT (FLAC6) Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo SBE's Checked/Fixed With Trader's Little Helper Metadata Tagging With AudioGate Software  
7. 07/30/97 Mt. Tabor Pub - Portland, OR Bob Weir & Friends
Unknown Mics > ? > Cass > Sound Forge > CDWav > Flac
Transfer by SuperG 		 
8. 12/21/02 Asheville Civic Center - Asheville, NC neumannSKM140.cdipietro.flac16 notes
9. 12/21/02 Asheville Civic Center - Asheville, NC Flac1648
(FOB,DFC) B&K 4022 (ORTF) -> Oade m148 -> mod SBM1 -> Sony M1
Conversion: Fostex D5 -> AES -> Lynx Hilo -> USB -> Amadeus Pro (Tracking, fades, and Sector Boundaries Aligned) -> Izotope RX (Declicker, Declipper, Subsonic High Pass Filter, and Normalization) -> Flac 16/48 		 
10. 03/27/13 TRI Studios - San Rafael, CA sbd.webcast.weirhere14.vgrm176.flac16  
11. 12/09/16 Orange Peel - Asheville, NC schoepsCCM4V.zman.flac16  
12. 12/31/18 Princeville Golf Course Club House Lawn - Kauai, HI sbd.nugsnet.flac1648 notes

Bob Weir & Jackie Greene  
  Date Venue - City, State Media  
1. 12/11/12 Celebrity Theater - Phoenix, AZ (FOB) Tascam DR-07 > SD card > PC > Audacity to split files > Wav > TLH > FLAC Taper: Charlie Kaiser Transfered: Charlie Kaiser  
2. 12/13/12 Paramount Theater - Denver, CO  
3. 12/13/12 Paramount Theater - Denver, CO busmanBSC2.ley.flac16 notes
4. 12/16/12 Golden State Theatre - Monterey, CA at853 w/4.7kmod>SP-SPBB10>sonyPCM M-10@24/44.1 6th row dead center M-10>Sound Forge9.0>CDWave>TLH  
5. 12/17/12 Sweetwater Music Hall - Mill Valley, CA schoepsMK4.ridemyllama.flac1644  

Bob Weir & Jonathan Wilson http://www.bobweir.net/
  Date Venue - City, State Media  
1. 02/27/13 Fox Theatre - Tucson, AZ at853.waddell.blackwood.flac1644  
2. 03/01/13 The Pearl at Psalms Casino - Las Vegas, NV Nak CM300/CP-1 (open) > GAKables > Niant PFA > Naiant Biggest Box > Tascam DR-07 Taped (DFC) from Section: 203 Row: H Seat: 16 Transfer: Tascam DR-07 > Audacity > Fades In and Out > Normalized > Tracked recorded by HClayton Sets 2 and 3 only  

Bob Weir & Jorma Kaukonen  
  Date Venue - City, State Media  
1. 03/30/88 Lone Star Roadhouse - New York, NY flac24; sbd > cassette master > cassette ( maxell mx90, dolby b ) nak dragon/b > tascam hd-p2 24/96 > pc > adobe audition 2.0 > cd wave > flac  

Bob Weir & Phil Lesh http://bobbyandphil.com/
  Date Venue - City, State Media  
1. 03/02/18 Radio City Music Hall - New York, NY sbd.livedownloads.flac24  
2. 03/03/18 Radio City Music Hall - New York, NY sbd.unknown.flac16  
3. 03/07/18 Wang Theatre - Boston, MA schoepsCCM4V.zman.flac16  
4. 03/08/18 Wang Theatre - Boston, MA schoepsCCM4V.zman.flac16  
5. 03/10/18 Chicago Theatre - Chicago, IL sbd.livedownloads.flac1644  
6. 03/11/18 Chicago Theatre - Chicago, IL sbd.livedownloads.flac1644  

Bob Weir & Rob Wasserman  
  Date Venue - City, State Media  
1. 11/25/88 Wiltern Theatre - Los Angeles, CA radioshackT16minimics.detally.flair.flac notes
2. 11/27/88 Wiltern Theatre - Los Angeles, CA radioshackT16minimics.detally.flair.flac  
3. 05/19/89 Irvine Meadows Amphitheatre - Irvine, CA Flac16
FOB; Sony ECM 909 Stereo Cardioid >Sony WM D3 Cass
Recorded By John Lech
Cass 1 Transfer, Audacity, FLAC, Tags + Front Cover Artwork By OldNeumanntapr 		 
4. 05/20/89 Open Air Theatre - San Diego, CA Flac1644
nak 300 > marantz pmd430 taped by Phil Lowe
nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 > flac
tranferred & seeded by Rob Berger Dec. 2012 		 
5. 09/02/89 Merriweather Post Pavilion - Columbia, MD Source: Unknown Audience Cassette>Cool Edit Pro>FLAC16  
6. 09/03/89 The Spectrum - Philadelphia, PA Flac16
Unknown Audience Recording received in trade from David Perry for use in a Brokedown House video (patched & timing corrected) > CDWAVE > TLH > Tag&Name 		 
7. 09/05/89 Hartford Civic Center - Hartford, CT senn2000.bulger.connor.shn notes
8. 09/06/89 Nassau Veterans Memorial Coliseum - Uniondale, NY (FOB) Sennheiser Audio 2000 Mic setup > Cm > Cass > Midiman Flying Cow A/D > RME Digi96/8 > WaveLab > Shn
Taped by John Bulger, Transfer by Charlie Connor 		 
9. 09/10/89 Great Woods Center For The Performing Arts - Mansfield, MA flac16; Sennheiser 421 > Sony D6 > MC > Sony TC-WE 405 > Line Out > MacBook Pro > Adobe Audition > Flac > xACT 2.38 Recorded By John Rivers (Royal Flush Recordings) Mastered By Scott Medeiros  
10. 09/15/89 Alpine Valley Music Theatre - East Troy, WI crownPZM180.tedc.natf.flac8  
11. 09/16/89 Poplar Creek Music Theatre - Hoffman Estates, IL flac16;Master Audience Recorded By Mr. Darby AKGC451E/ck1s(PAS/DFC/Handheld Halfway Up Lawn)> AKG9v Phantoms>sony TC-D5M; Transfer Information:Tascam 112 MKII (XLR out)> Tascam HD-P2@24/48>HDD>Amadeus Pro (Tracking/Fades/Flac8) Renamed Tracks/Dithered/Flacked With AudioGate Software And Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper Metadata Tagging With AudioGate Software  
12. 09/30/89 Polo Field - Golden Gate Park - San Francisco, CA senn421.mendo-steve.d5scott.flac  
13. 01/07/90 Maui War Memorial Auditorium, Baldwin HS - Kahalui, Maui, HI flac 16 Source: SBD > ? > cassette(2) > Edirol R09 > CD Wave > FLAC  
14. 01/12/90 Kauai Memorial Convention Hall - Lihue, HI Source: sbd > Cassette Master > DAT > DA20mkii > Phillips CDR870 > Toast Audio Extractor (overlap) > Peak > SHN Remastered by SIRMick  
15. 05/12/90 The Warfield - San Francisco, CA flac16 SBD > Cassette Master (TDK SA-X90) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > flac  
16. 05/15/90 The Coach House - San Juan Capistrano, CA flac16;Recording Info:Unknown Mics -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
17. 05/18/90 Palace Theater - Los Angeles, CA SBD > ? > cass > wav > flac  
18. 05/19/90 Bacchanal - San Diego, CA Source: Senn MKE 2002s > ??? (low gen recording) > DAT clone (48k) - recorded from 7th row Transfer: Dat > Sony Pcm-r500 > RME Fireface UC > HP Elitebook Laptop > Adobe Audition 3.0.1 > wav 16/48 Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 > CD Wave > Flac 1648  
19. 05/23/90 Sheraton Ballroom - Steamboat Springs, CO  
20. 05/25/90 Armstrong Hall, Colorado College - Colorado Springs, CO Source: Audio Technica ATM-11 > Sony WM-D6C (Dolby C) > Maxell MX90 tape
Transfer: Sony TC-WE635 (Dolby C decoded, analog out) > Tascam DR-680 Digital transfer: SDHC card (USB reader) > CuBase > FLAC
Recorded, transfered and edited by Chuck Miller 		 
21. 01/21/91 Coach House - San Juan Capistrano, CA Flac16
D3 Cassette Master -> Untracked Aiff File -> Soundforge -> FLAC
Uploaded to Dime by ijwthstd 		 
22. 01/24/91 Club Rio - Tempe, AZ Source: 1 Realistic Condenser (handheld- 8 ft away from speaker) > Marantz PMD 201 Mixed: From one channel to 2nd by my friends who were attending the Phoenix Conservatory of Music Transfer: Sony TC-W480 > Sound Forge 4.5(44,100Hz/16-bit)> TLH8 Taped/coverted & seeded by: Gary H.  
23. 01/25/91 Spreckles Theatre - San Diego, CA Recording Info: (FOB) Unknown Mics -> Cassette Master -> Cassette
Transfer Info: Cassette (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.2.1 -> FLAC/16 		 
24. 02/02/91 Pantages Theater - Tacoma, WA Source: (RoC/Row 1 Balcony/110^) Nakamichi CM-100s > Sony TCD-D5 (DolbyB) > Maxell MX-S Cass(m) (Alan J. Schmit)
Transfer: Nakamichi CR- 4A (No Dolby) > Sony DTC-75ES > Marantz CDR-615 > CDR(m) > Phillips CD880 > Marantz CDR-615 > CDR(1) (Alan J. Schmit)
Transfer 2: CDR(1) > EAC > SHNTOOLs > CDWave > FLAC (Terry Watts) 		 
25. 05/15/91 Riverside Theatre - Milwaukee, WI Flac16
SBD > DAT Master (48k)
DAT Master (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X6 Suite > FLAC/16
All Transfers and Mastering by charliemiller87@earthlink.net 2023-10-24 		 
26. 05/17/91 Orpheum Theatre - Minneapolis, MN Unknown Mics > ? Cass > Sony tc-fx2 > Creative Extigy > CDWav > Flac
Transfer, remaster by SirMick 		 
27. 05/20/91 Unicorn Ballroom - Houston, TX Flac1648
SBD > DAT Master (48k)
DAT Master (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X6 Suite > FLAC/16
All Transfers and Mastering by charliemiller87@earthlink.net 2023-10-25 		 
28. 05/21/91 Austin Opera House - Austin, TX Flac1648
SBD > DAT Master (48k)
DAT Master (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X6 Suite > FLAC/16
All Transfers and Mastering by charliemiller87@earthlink.net 2023-10-25 		 
29. 05/25/91 Gothic Theater - Englewood, CO SBD > Dat Master (48k) > Dat Master (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/16  
30. 07/13/91 Lakeside Amphitheatre - Darien Lake, NY aud.unknown.flac16  
31. 07/15/91 Chene Park Amphitheatre - Detroit, MI flac24 Recording Info: SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, his file set is 16 bit @ 44.1  
32. 07/16/91 Capital Music Center - Grove City, OH 16 bit Recording Info: SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1  
33. 07/29/91 Waterloo Village Tent - Stanhope, NJ 16 bit Recording Info: SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > Adobe Audition CC 2015 > FLAC/24  
34. 07/31/91 Bushnell Theatre - Hartford, CT Source: Sbd/Aud mix > DAT clone (48k) - provided by Anon Lineage: wav > iZotope RX7 Advanced > CD WAve > Flac 1648 edited and mastered SIRMick April 2020  
35. 08/01/91 Merriweather Post Pavilion - Columbia, MD 16 bit Recording Info: SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1  
36. 11/13/91 Roseland Theater - Portland, OR Senn 421 > Dat > Cass > JB3 > Goldwave > CDWav > Flac
Cassette Supplied By Steve Johannsen, Transfer,Editing And Flac Encoding By Candleman 		 
37. 11/16/91 Santa Cruz Civic Auditorium - Santa Cruz, CA Source: Newman KM54's (110 degrees) MOD. HDX1 Steven Paul Audio > unknown recorder DAT clone (48k) - from the collection of PO and Stuccoholmes Transfer: DAT > Sony PCM-R500-P > RME Fireface UC > HP Elitebook Laptop > Adobe Audition 3.0.1 > wav 16/48 Lineage: wav > iZotope RX7 Advanced > CD Wave > Flac 1648 edited and mastered SIRMick April 2020  
38. 12/21/91 Front Street - San Rafael, CA SBD > Dat Master (Panasonic SV-3800/44.1k), Dat Master (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC, Transfers and Mastering By Charlie Miller  
39. 07/12/92 Red Rocks Amphitheatre - Morrison, CO flac16; unknown microphones > unknown recorder > unknown generation DAT DAT format: 48 kHz, 16 bit, stereo Digital transfer: source DAT > Tascam DA-40 > Tascam DR-680 > SDHC card > PC Digital editing: CuBase SX (resample to 44.1 kHZ, add set fades, channel balancing, WAVES Q10 & L2) Tracking & processing for distribution: CD Wave Editor > Trader's Little Helper > FLAC > AudioShell tag editor Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC) Recorded by: unknown taper (Source DAT kindly provided by Donald B) Transferred and distributed by: Chuck Miller (TaperChuck@gmail.com)  
40. 07/16/92 Tinley Park - Chicago, IL sonystereominimic.o'malley.shn  
41. 07/23/92 Bud Light Amphitheater - Wilkes-Barre, PA Nak 300s > WM-D6 > Cm > Nakamichi BX-125E > Creative Extigy > Wavelab > Flac
Ttaped by John Bleich 		 
42. 07/24/92 Meadowlands Summerfest - East Rutherford, NJ (FOB) Senn MD421 > Sony TCD - D3 > ? notes
43. 08/03/92 Merriweather Post Pavillion - Columbia, MD (FOB) Core Sound Binaural (Battery Box) > Sony D3 Dat > M-Audio Audiophile USB > WAV > Flac
Taped and transfered by jbraveman@hotmail.com 		 
44. 11/21/92 The Floodzone - Richmond, VA SBD > Dat > ? > CD > EAC > CDWav > Flac  
45. 01/18/93 The National Mall - Washington, DC SBD > Dat > CD > EAC > WavMerge > CDWav > Flac
Clinton's Inauguration Ball 		 
46. 01/18/93 The National Mall - Washington, DC source: SBD -> ?? -> Dat Clone via Todd Trego
transfer: Tascam DA-20mkII -> Monster coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC (6)
transfer: Chris Davis (8/6/07) 		 
47. 05/08/93 The Warfield - San Francisco, CA SBD > Dat > CD > EAC > CDWav > Flac  
48. 06/22/97 Further Festival--Lakewood Ampitheatre - Atlanta, GA flac16 48kHz SBD; DAT(c) @ 48kHz > Sony PCM R-500 > Korg MR-2000S > Canare Coax > Samplitude Pro X3 Suite (Build 35) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; DAT provided by Dave Flaschner; Transfer & edits by Jeff Mitchell  
49. 07/01/97 Great Woods Center for the Performing Arts - Mansfield, MA source: [OTS] AKG 460b/ck61 -> SX-M2 -> DA-P1
recorded by: Dave Flaschner 		 
50. 09/19/98 Osher Marin Jewish Community Center - San Rafael, CA daud.unknown.shn  
51. 04/14/00 Lupo's - Providence, RI flac16; shure mics>Master Cassette(MarantzPMD-430) Master Cassette> Nakamichi CR-1A> Tascam HD-P2> Adobe Auditon 3.0> cdwav> TLH> flac16 Taped By Brian Maskery/fryinbri  
52. 04/15/00 Capitol Center for the Arts - Concord, NH Unknown Mics > ? > CD > EAC > Audacity > CDWav > Flac  
53. 04/18/00 Lincoln Theatre - West Hartford, CT aud.unknown.larson.flac16  
54. 04/19/00 State Theater - Portland, ME mbho 603a/ka200 > ? > Dat Clone - Taper Unknown; Transfer:Dat> Tascam DA-20> Tascam SS-R05> Adobe Audition 3.0> r8brain> cdwav> TLH> FLAC16  
55. 04/25/00 The Warner Theater - Erie, PA Unknown AUD* EAC>WAV>TLH>FLAC FFP, St5 and MD5 Generated by Digby On 08/30/2014  
56. 02/16/01 Proud Larry's - Oxford, MS sbd.unknown.shn  

Bob Weir & Special K  
  Date Venue - City, State Media  
1. 08/27/94 Fukuoka Dome - Fukuoka, Japan  

Bob Weir & The Campfire Band  
  Date Venue - City, State Media  
1. 04/13/17 Music Hall at Fair Park - Dalls, TX (FOB) Soundfield ST-450 > Sonosax SX-R4 > 4 Channel wav > Surrond Zone 2 > CDWav > flac  

Bob Weir & The Wolf Brothers http://www.bobweir.net
  Date Venue - City, State Media  
1. 10/20/18 Arlington Theater - Santa Barbara, CA sbd.unknown.flac  
2. 10/23/18 Moore Theater - Seattle, WA 16 bit Source: Schoeps MK41's > Nbob active cables > Naiant 60V PFA's > EAA PSP-2 > Sony PCM-M10 @ 24/48. Recorded from MF Row M - LOC.
Transfer: Sandisk 32GB MicroSDHC > Dell PC > 24bit WAV > Sony Sound Forge 9.0e > CDWave Editor > Trader's Little Helper > FLAC16. 		 
3. 10/31/18 Chicago Theatre - Chicago, IL Church Audio 11 > Marantz PMD661 (16/44.1) Clipped on hat BALC 4 row f Recorded and seeded by Jeff Frank  
4. 11/01/18 Chicago Theatre - Chicago, IL Church Audio 11 > Marantz PMD661 (16/44.1) Clipped on hat BALC 4 row f
Recorded and seeded by Jeff Frank 		 
5. 11/08/18 Landmark Theater - Syracuse, NY 16 bit Source: Neumann SKM150(AK50's/LC3's/KM100's)>Aeta PSP3(40db gain range)>Sony PCM-M10@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz ~ Schoeps MK41V's>SD702@16bit/48kHz ~  
6. 11/09/18 Capitol Theater - Port Chester, NY Flac16
Schoeps CCM41's > Beachtek DXA-SLR Ultra > Sony M10
SBD right side-Stand at 9'
Recorded, edited and seeded by Michael Buzzeo 		 
7. 11/10/18 Capitol Theater - Port Chester, NY Flac16
Schoeps CCM41's > Beachtek DXA-SLR Ultra > Sony M10
Location:SBD right side-Stand at 7 1/2'
Recorded, edited and seeded by Michael Buzzeo 		 
8. 11/12/18 Warner Theater - Washington, DC 24 bit Source: DPA4022>V3>744t 24/48,; Mark Zaiser
Transfer: Wavelab 6.11 (mix, gain applied, fades) > CD Wave 1.98 > flac2448 (6); Chris Larson 		 
9. 11/13/18 The Fillmore - Philadelphia, PA Neumann KM185's>Grace Design Lunatec V3>Sound Devices 744t
WAV>Soundforge Pro 11 (Fades)>CDWAV(Track Splitting)>Trader's Little Helper (Flac)>Foobar 2000 (Track Tagging) 		 
10. 11/18/18 Beacon Theatre - New York, NY Source: AT943cards>SP-SPSB-10>MM-AT-1>H2n(24/48)
Transfer: WaveLab>r8b>cdwav>TLH(8)>flac
Recorded by: Mr. Railing 		 
11. 02/28/19 State Theatre of Ithaca - Ithaca, NY 16 bit Source: Neumann SKM150(AK50's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz  
12. 03/01/19 John M. Greene Hall - Northampton, MA Tfunk / Schoeps 007 > Sound Devices 788t (24/48) > CF > MacBook Pro > Adobe Audition > Flac
Location: FOH 6' LOC Under Balcony
Recorded By: Scott Medeiros & Toni Fishman 		 
13. 03/02/19 Oakdale Theatre - Wallingford, CT Telefunken M60 > Sound Devices Mix Pre 6 (24/96) > SDHC > MacBook Pro > Adobe Audition > Flac
Location: FOH 6' ROC Mics @9'
Recorded and Mastered By Scott Medieros 		 
14. 03/05/19 The Fillmore - Detroit, MI MV88 > Iphone > WAV (24/48) > Audacity 2.2.2 (normalize, fades) > CD Wav Editor (tracking) > Traders Little Helper (FLAC 24/48, level 8) > foobar (tagging)  
15. 03/11/19 Blue Note - New York, NY sbd.livedownloads.flac1644  
16. 03/19/19 Palace Theater - St. Paul, MN schoepsMK5.perks.flac2448  
17. 03/20/19 Riverside Theatre - Milwaukee, WI sbd.nugsnet.flac16  
18. 03/27/19 Florida Theater - Jacksonville, FL akg451.white.flac1644  
19. 03/29/19 Tivoli Theater - Chattanooga, TN Flac16
AT – 943 cards (hat)> Marantz 661 24/48
Jim Burchfield 		 
20. 03/30/19 North Charleston Performing Arts Center - North Charleston, NC 16 bit Source: Peluso cemc6/ck41 [narrow Rainey/fob/dfc/Orch 4/Row N/Seat 38/45' from stage/stand @ 7'] -> E.A.A. PSP-2 -> Tascam DR-680 [24/48]
Transfer: DR-680 -> Wavelab 6.1 [matrix/fades] -> CD Wave 1.98 -> Wavelab 6.1 [Crystal/UV2w2HR] -> TLH [flac/8] -> FooBar 		 
21. 08/25/19 Lockn' Festival - Arrington, VA nakCM300.baker.flac1644  
22. 09/21/19 Oxbow Riverstage - Napa, CA 16 bit Neumann KMF 4i > Naint Little Box > Tascam DR-40 (24-96)
Recorded from the aisle between Silver 1 & Silver 3
DR-40 > Soundforge 10 > CD wave > TLH (8) 		 
23. 03/01/20 Jannus Live - St. Petersburg, FL Source 1: Audio Technica 853 Shotguns PAS> Tascam dr-680 mkII (24/44.1)
Source 2: AKG ck-1x ORTF>PFA>Tascam dr-680 mkII (24/44.1)
Source 3: Nakamichi CM-50 Split@36”> Naiant tinybox>> Tascam dr-680 mkII (24/44.1)
Recorded by John Bischman 8’ high inside FOH Barrier 		 
24. 03/03/20 Durham Performing Arts Center - Durham, NC AT – 943 cards (hat)> Marantz 661 16/48
Tracked in WavePad. TLH flac 8
Sec 3 Row S Seat 113 (Dead Center)
Jim Burchfield 		 
25. 03/04/20 Thomas Wolfe Auditorium - Asheville, NC AT – 943 cards (hat)> Marantz 661 16/48
Tracked in WavePad. TLH flac 8
Mzc Row EE Seat 9
Jim Burchfield 		 
26. 03/06/20 Tennessee Theatre - Knoxville, TN AT – 943 cards (hat)> Marantz 661 16/48
Tracked in WavePad. TLH flac 8
ORCCEN Row Q Seat 108
Jim Burchfield 		 
27. 03/07/20 The Ryman Theatre - Nashville, TN AT – 943 cards (hat)> Marantz 661 16/48
Tracked in WavePad. TLH flac 8
MF 5 Row U seat 4
Jim Burchfield 		 
28. 03/11/20 Chicago Theater - Chicago, IL 16 bit Location: 200'C Left of sbd, mounted on my lap (NO STANDS ALLOWED) Sennheiser me66s (ortf)> Sound Devices mixpre6 @ 24bit/48hz > CD Wave > TLH
24/48 > 16/48 with r8brain
Taper: tyedye/taperjon 		 
29. 12/31/20 TRI Studios - San Rafael, CA livestream.taylor.flac1644  
30. 02/12/21 TRI Studios - San Rafael, CA livestream.taylor.flac1644  
31. 03/17/21 TRI Studios - San Rafael, CA livestream. taylor.flac1644  
32. 04/24/21 TRI Studios - San Rafael, CA livestream.taylor.flac1644  
33. 06/08/21 Red Rocks - Morrison, CO Source: Schoeps CMC 6 mk41 > Oade M148 > Sony PCM-M10 (24/44.1)
Mastering: (24/44.1) WAV > Adobe Audition 3.0.1 > (16/44.1) WAV > Totalrecorder 8.6 > (16/44.1) WAV > Trader's Little Helper 2.8.4 > FLAC 		 
34. 06/09/21 Red Rocks - Morrison, CO Source: Schoeps CMC 6 mk41 > Oade M148 > Sony PCM-M10 (24/44.1)
Mastering: (24/44.1) WAV > Adobe Audition 3.0.1 > (16/44.1) WAV > Totalrecorder 8.6 > (16/44.1) WAV > Trader's Little Helper 2.8.4 > FLAC 		 
35. 06/11/21 Ford Amphitheater - Vail, CO Source: Schoeps CMC 6 mk41 > Oade M148 > Sony PCM-M10 (24/44.1)
Mastering: (24/44.1) WAV > Adobe Audition 3.0.1 > (16/44.1) WAV > Totalrecorder 8.6 > (16/44.1) WAV > Trader's Little Helper 2.8.4 > FLAC 		 
36. 06/12/21 Ford Amphitheater - Vail, CO Source: Schoeps CMC 6 mk41 > Oade M148 > Sony PCM-M10 (24/44.1)
Mastering: (24/44.1) WAV > Adobe Audition 3.0.1 > (16/44.1) WAV > Totalrecorder 8.6 > (16/44.1) WAV > Trader's Little Helper 2.8.4 > FLAC 		 
37. 03/09/22 Ryman Theater - Nashville, TN Flac1648
AT 943 cards (hat)> Marantz 661
Tracked in WavePad. TLH flac 8
MF 5 Row J seat 5 Taped and transferred by Jim Burchfield
(original upload 16/24 fileset = 579862528 bytes) 		 
38. 03/09/22 Ryman Theater - Nashville, TN Flac16 : Soundcheck
AT 943 cards (hat)> Marantz 661
Tracked in WavePad. TLH flac 8
MF 5 Row J seat 5 Taped and transferred by Jim Burchfield 		 
39. 03/10/22 Orpheum Theater - Memphis, TN AT – 943 cards (hat)> Marantz 661 16/48
Tracked in WavePad. TLH flac 8
LC Row Q seat 205
Jim Burchfield 		 
40. 03/17/22 Riverside Theater - Milwaukee, WI Flac16
2x AKG391 cardioids (L,R) DIN; 2x AKG392 omnis 1-foot spread (L,R); 1x AKG393 hypercardioid (C) > Zoom F8 @ 44.1/16
wav > Soundforge XP 4.5 to manipulate and balance tracks > Audacity used to mix to stereo > .wav > Soundforge XP 4.5 for cuts and fades > Trader's Little Helper > FLAC
Taped and Transferred by Toaste 		 
41. 03/18/22 Chicago Theatre - Chicago, IL Flac16
1x AKG391 cardioid (C); 1x AKG394 Figure-8 (L,R); 2x AKG392 omnis 1-foot spread (L,R) > Zoom F8 @ 44.1/16
wav > Soundforge XP 4.5 to manipulate and balance tracks > Audacity used to mix to stereo > .wav > Soundforge XP 4.5 for cuts and fades > Trader's Little Helper > FLAC
Taped and Transferred by Toaste 		 
42. 03/19/22 Brown County Music Center - Nashville, IN Flac16
2x AKG391 cardioids (L,R) ORTF; 2x AKG392 omnis (L,R) 2-foot spread ; 2x AKG393 hypercardioids (L,R) pointed at stacks > Zoom F8 @ 44.1/16
wav > Soundforge XP 4.5 to manipulate and balance tracks > Audacity used to mix to stereo > .wav > Soundforge XP 4.5 for cuts and fades > Trader's Little Helper > FLAC
Taped and Transferred by Toaste 		 
43. 03/21/22 Palace Theatre - Columbus, OH Flac16
3x AKG391 cardioids (L,C,R) ORTF; 2x AKG392 omnis (L,R) 2-foot spread ; 1x AKG394 figure-8 (L,R) > Zoom F8 @ 44.1/16
.wav > Soundforge XP 4.5 to manipulate and balance tracks > Audacity used to mix to stereo > .wav > Soundforge XP 4.5 for cuts and fades > Trader's Little Helper > FLAC
Taped and Transferred by Toaste 		 
44. 03/24/22 Thomas Wolfe Auditorium - Asheville, NC Flac1648
AT 943 cards (hat)> Marantz 661 16/48
Tracked in WavePad. TLH flac 8
OC Row N Seat 11
Jim Burchfield 		 
45. 03/25/22 Tivoli Theatre - Chattanooga, TN Flac1648
AT – 943 cards (hat)> Marantz 661 24/48
Tracked in WavePad 16/48. TLH flac 8
OLCF Row N Seat 103
Taped and Transferred by Jim Burchfield 		 
46. 03/30/22 Landmark Theatre, Syracuse - New York, NY Flac16
Aud > Schoeps CCM 41's > GAKable's > Zoom F6 @ 32/48
SD 32/48 > Sound Forge Pro 13.0 - Tracking & Editing > Traders Little Helper - Convert to Flac
Recorded and Uploaded By: JT/NY 569johnt@gmail.com 		 
47. 04/02/22 Radio City Music Hall - New York, NY Flac16
Aud > Schoeps CCM 41's > Zoom F6 @ 32/48
SD 34/48 > Sound Forge Pro 13.0 - Tracking & Editing > Traders Little Helper - Convert to Flac
Location: FOB
Recorded and Uploaded By: JT/NY 569johnt@gmail.com 		 
48. 04/03/22 Radio City Music Hall - New York, NY Flac16
Schoeps MK41v's>Schoeps KCY 250/5i>Schoeps VST62iu>Sound Devices MixPre-3 II
(Recorded @ 32 BIT Float/44.1Khz) from Orcestra 4 Row G Seat 409 (First row in front of Soundboard)
Sound Forge Pro 15 (Fades,POW-r Bit depth conversion to 16 BIT) > CDWAV(Tracking) > Trader's Little Helper(FLAC) Foobar2000 (Track Tagging)
Recorded By Keith Litzenberger
Thanks to John Tremblay for the clamp space, Thanks to Nick Carbonetta for the MixPre-3 II loan. 		 
49. 10/05/22 The John F. Kennedy Center for the Performing Arts - Washington, DC Flac1648
AT – 943 cards (hat)> Marantz 661 24/96
Tracked in WavePad. TLH flac 8
OC Row Q Seat 105 		 
50. 10/06/22 The John F. Kennedy Center for the Performing Arts - Washington, DC Flac1648
At – 943 Cards (hat)> Marantz 661
Tracked In Wavepad. Tlh Flac 8
Oc Row F Seat 103
Jim Burchfield 		 
51. 10/08/22 The John F. Kennedy Center for the Performing Arts - Washington, DC Flac1648
AT – 943 cards (hat)> Marantz 661 24/96
Tracked in WavePad. TLH flac 8
OC Row K Seat 103 recorded by Jim Burchfield 		 
52. 10/09/22 The John F. Kennedy Center for the Performing Arts - Washington, DC Flac1648
At – 943 Cards (hat)> Marantz 661
Tracked In Wavepad. Tlh Flac 8
Oc Row N Seat 104 Jim Burchfield 		 
53. 10/21/22 Hult Center for the Performing Arts - Eugene, OR Flac16
Schoeps MK4/KC5/CMC6 (XY extended out from the mezzanine ledge - front row mezzanine left side) > Sound Devices MixPre-6 (24/48)
Sound Forge 11 Pro (dither/resample/volume/fades/etc) > CD WAVE 1.98 (tracks) > FLAC frontend 2.1
Taped and Transferred by Dean Grabski 		 
54. 02/02/23 Coliseum & Performing Arts Center - North Charleston, SC Flac16 Multi-mic
Source 1x AKG393 hypercardioid (C); 2x AKG391 cardioids (L,R) ORTF; 2x AKG392 omnis (L,R) 1-foot spread ; 1x AKG394 figure-8 (L,R) > Zoom F8 @ 44.1/16
wav > Soundforge XP 4.5 to complete figure-8 and temper some clapping > Audacity used to mix to stereo > .wav > Soundforge XP 4.5 for cuts and fades > Trader's Little Helper > FLAC
Taped and Transferred by Toaste 		 
55. 02/03/23 Florida Theatre - Jacksonville, FL Flac16 Multi-mic
1x AKG393 hypercardioid (C); 2x AKG391 cardioids (L,R) DIN; 2x AKG392 omnis (L,R) 1-foot spread ; 1x AKG394 figure-8 (L,R) > Zoom F8 @ 44.1/16
wav > Soundforge XP 4.5 to complete figure-8 and temper some pops > Audacity used to mix to stereo > .wav > Soundforge XP 4.5 for cuts and fades > Trader's Little Helper > FLAC
Taped and Transferred by Toaste 		 
56. 02/04/23 Broward Center for the Performing Arts - Fort Lauderdale, FL Flac16 Multi-mic
1x AKG393 hypercardioid (C); 2x AKG391 cardioids (L,R) DIN; 2x AKG392 omnis (L,R) 1-foot spread ; 1x AKG394 figure-8 (L,R) > Zoom F8 @ 44.1/16
wav > Soundforge XP 4.5 to complete figure-8 and temper some claps > Audacity used to mix to stereo > .wav > Soundforge XP 4.5 for cuts and fades > Trader's Little Helper > FLAC
Taped and Transferred by Toaste 		 
57. 02/07/23 Capitol Theatre - Port Chester, NY Flac16
Schoeps MK41v's>Schoeps KCY 250/5i>Schoeps VST2iu (Hypercardioid at front right corner of soundboard)>Sound Devices MixPre-10 II (Recorded at 32 BIT Float/96Khz)
wav>Nuendo 4(Mix)>Sound Forge Pro 16 (Fades,Sample Rate Conversion to 44.1Khz,iZotope MBIT+ Bit depth conversion to 16 Bit)>CDWAV(Tracking)>Trader's Little Helper (FLAC)
Recorded By Keith Litzenberger 		 
58. 02/08/23 Capitol Theatre - Port Chester, NY FLAC1648
Recording info: sE Electronics sE8 (matched pair) > Zoom F3 > 32 bit 96 kHz FP WAV
Location info: Taper's section, house right of sound board, third stand back
Mastering info: RX10 (gain adjustment) > Ozone 10 / Reaper 6.66 (low shelf, minor dynamic EQ, minor dynamics control, tracking) > RX10 (resample, bit depth, FLAC)
Recording and mastering by Steve Gravel 		 
59. 02/10/23 Capitol Theatre - Port Chester, NY sbd.nugsnet.flac16  
60. 02/11/23 Capitol Theatre - Port Chester, NY sbd.nugsnet.flac16  
61. 02/21/23 Orpheum Theatre - Memphis, TN sbd.nugsnet.flac16  
62. 02/22/23 Thomas Wolfe Auditorium - Ashville, NC sbd.nugsnet.flac16  
63. 02/25/23 The Louisville Palace - Louisville, KY Flac16
1x AKG393 hypercardioid (C); 2x AKG392 omnis (L,R) 1-foot spread ; 1x AKG394 figure-8 (L,R) > Zoom F8 @ 44.1/16
wav > Soundforge XP 4.5 to complete figure-8 > Audacity used to mix to stereo > .wav > Soundforge XP 4.5 for cuts and fades > Trader's Little Helper > FLAC
Taped and Transferred by Toaste 		 
64. 02/26/23 The Fillmore - Detroit, MI Flac16
1x AKG393 hypercardioid (C); 2x AKG391 cardioids DIN (L,R); 2x AKG392 omnis (L,R) 1-foot spread ; 1x AKG394 figure-8 (L,R) > Zoom F8 @ 44.1/16
wav > Soundforge XP 4.5 to complete figure-8 > Audacity used to mix to stereo > .wav > Soundforge XP 4.5 for cuts and fades > Trader's Little Helper > FLAC
Taped and Transferred by Toaste 		 
65. 09/08/23 Park West Amphitheater - Park City, UT Flac24
AKG CK 61 DIN > nbob Actives > PFA's > mixpre6ii (wav 32/48)
Stand LOC left front corner of the soundboard 8 ft high.
(wav32/48) > Audacity > (24/48) > Foobar2000 > FLAC 8
Recorded by: Top Hat Crew ( Big Jerry )
Tracked, Seeded & Mastered by: Top Hat Crew ( Big Jerry ) 		 
66. 09/12/23 CCNB Amphitheatre at Heritage Park - Simpsonville, SC sbd.nugsnet.flac  
67. 09/13/23 Ting Pavilion - Charlottesville, VA Flac16
Microtech Gefell mg20(cards)> >Nbob active cable > Naiant PFA> Nbox Platinum > Tascam P2(oade mod acm)24/48
cr >Wavelab(track, fade in/out),thl(flac, md5) (tag rename)
Recorded and Transferred by George Heston 		 
68. 09/15/23 Broadview Stage at SPAC - Saratoga Springs, NY Flac16
Church Audio CAFS > Church Audio 9200 PreAmp > Roland R-07 SD Card @ 24/96
Location: Sec 2
R-07 SD 24/96 > Sound Forge Pro 16.0 - Tracking & Editing > TLH > Flac
Recorded and Uploaded By: JT/NY 		 
69. 09/19/23 Shelburne Museum - Shelburne, VT sbd.nugsnet.t-flac  
70. 09/20/23 Hartford HealthCare Amphitheater - Bridgeport, CT sbd.nugsnet.t-flac  
71. 09/22/23 Pine Knob Music Theatre - Clarkston, MI sbd.nugsnet.t-flac  
72. 09/26/23 Wexner Center Mershon Auditorium - Columbus, OH sbd.nugsnet.t-flac  
73. 09/27/23 The Metropolitan Opera House - Philadelphia, PA sbd.nugsnet.t-flac  
74. 09/28/23 Pier Six Pavilion - Baltimore, MD sbd.nugsnet.t-flac  
75. 12/12/23 Capitol Theatre - Port Chester, NY sbd.nugsnet.t-flac1644  
76. 12/13/23 Capitol Theatre - Port Chester, NY sbd.nugsnet.t-flac1644  
77. 12/15/23 Capitol Theatre - Port Chester, NY sbd.nugsnet.t-flac1644  
78. 12/16/23 Capitol Theatre - Port Chester, NY sbd.nugsnet.t-flac1644  
79. 12/17/23 Capitol Theatre - Port Chester, NY sbd.nugsnet.t-flac1644  
80. 12/29/23 Broward Center For The Performing Arts - Fort Lauderdale, FL sbd.nugsnet.t-flac1644  
81. 12/30/23 Broward Center For The Performing Arts - Fort Lauderdale, FL sbd.nugsnet.t-flac1644  
82. 12/31/23 Broward Center For The Performing Arts - Fort Lauderdale, FL sbd.nugsnet.t-flac1644  
83. 01/12/24 Moon Palace Hotel - Cancún, Mexico sbd.nugsnet.t-flac1644  
84. 01/14/24 Moon Palace Hotel - Cancún, Mexico Flac24
Nakamichi CM-700 Cardioids > EAA PSP2 @ 55db > Sound Devices 702T
SD > Wav > Reaper V6.67 > Flac 24 Bit
Recorded at the SBD, a hair left of center, mics approximately 12', crude NOS
Recorder: B.D. Nak700, Transferer: Eric Lugassy 		 
85. 01/15/24 Moon Palace Hotel - Cancún, Mexico Flac24
Nakamichi CM-700 Cardioids > EAA PSP2 @ 55db > Sound Devices 702T
SD > Wav > Reaper V6.67 > Flac 24 Bit
Recorded at the SBD, a hair left of center, mics approximately 12', crude NOS
Recorder: B.D. Nak700, Transfer: Eric Lugassy 		 

Bob Weir Band  
  Date Venue - City, State Media  
1. 02/17/78 The Roxy - Los Angeles, CA  
2. 02/19/78 Roxy Theater - West Hollywood, CA Bob Weir Band
Sony Condenser Mics > Cm > TC 2000 > CD > EAC > mkw > Shn
Taped & Transferred by David Gans 		 
3. 02/25/78 Riviera Theater - Chicago, IL Bob Weir Band lineage: aud>advent mics>sony tc-152 cassette master>7" reel @ 3.75 ips, dolby b, taped from next to sound board by unknown taper; transfer: technics rs-1506>teac an-180>hd-p2 24/96>hd>adobe audition 2.0(levels, dither, edits)>cd wave>tlh flac; transferred & seeded by Rob Berger  
4. 03/02/78 Warner Theatre - Washington, DC Bob Weir Band
Unknown Mics > ? > low gen Cassette > Edirol UA-5 > Cool Edit Pro 2.0 > CDWav > Flac
Seed provided by Chris C., Transfer, editing and upload by Alex Ford 		 
5. 03/04/78 Franklin Pierce College - Rindge, NH aud 2nd gen cassette, Jerry Moore's copy, transfer/seed by Rob Berger
aud > unknown gear/taper cassette master > cassette/1 > cassette/2, dolby b
nak dragon/b > hd-p2 2496 compact flash > pc > cd wave > adobe audition 2.0 > flac 		 
6. 03/08/78 The Palladium - New York, NY aud 1st gen reel, taped by Barry Glassberg, Jimmy Warburton's reel 1st gen, transferred/seeded by Rob Berger  
7. 03/08/78 The Palladium - New York, NY aud 1st gen reel, taped by Barry Glassberg, Jimmy Warburton's reel 1st gen, transferred/seeded by Rob Berger  
8. 03/11/78 Capitol Theatre - Passaic, NJ aud cassette master, taped by Rich Petrunis, transfer/seed by Rob Berger  
9. 03/25/78 Old Waldorf - San Francisco, CA Flac16
Electrovoice RE10 microphones > Nakamichi 350 > Dolby B encoded Maxell UD C90 cassette master
Transfer (2022-05-29): Nakamichi Dragon (Dolby B decoded > Sound Devices MixPre-6 II @ 32bit(float)/96kHz > Pro Tools (normalize, minor seamless fixes, tracking on sector boundaries and down-sampling - no EQ or noise reduction) > WAV files > xACT (tagged Flac level 8 files).
Recorded, transferred and mastered by grner1. 		 
10. 05/20/78 Terrace Theatre - Long Beach, CA sonyECM280.laxteam.flac16  

Bob Weir, Chris Robinson & Jackie Greene  
  Date Venue - City, State Media  
1. 08/20/11 Planet Bluegrass Ranch Folks Festival - Lyons, CO gefellM300.stack.flac16  
2. 05/25/12 Summer Camp music Festival - Chillicothe, IL fostexMC10.altepeter.flac1644  
3. 05/26/12 Crossroads - Kansas City, MO JW Mod AKG 461's > Sound Devices MP-2 > R-09HR @ (24/48) > Edirol R-09HR > Steinberg Wavelab 5.0* > .Wav > .Flac16 Taped and transferred by: kcmoejoe (jhutchison@kc.rr.com)  
4. 05/27/12 Harmony Park Music Garden - Clarks Grove, MN Sennheiser e 614’s > Marantz PMD660 (Oade Mod) > Wavelab 6.0 > flac Recorded by Mike Mahoney  
5. 05/29/12 Thomas Wolfe Auditorium - Asheville, NC Flac16
CK1C > UA5 > R05 > Audacity > WAV > FLAC8 		 
6. 05/30/12 Ryman Auditorium - Nashville, TN Sonic Studios DSM's w/ Sony PCM M-10 @24/48 TLH>Soundforge>CDWave>TLH  
7. 06/02/12 Boulder Theater - Boulder, CO Flac16
3 Source Matrix: DPA 4022| DPA 4027 | DPA 4060
Front of lip
Recorded and transferred by Patrick Hayes. 		 
8. 06/04/12 Chautauqua Auditorium - Boulder, CO Source 1: DPA 4022 ORFT -> Naiant Little Box -> Edirol09HR
Location: Seat: Sec A Row J Seat 7, FOB, DFC, first row in front on SBD, Dead Center. ~35 feet from monitors.
Transfer: Edirol09HR (24/96) wav -> USB cable -> PC
Editing: Wavelab plugins -> Flac(16) 		 

Bob Weir, Rob Wasserman & Jay Lane  
  Date Venue - City, State Media  
1. 02/11/99 Wetlands Preserve - New York, NY RD3 (Bob Weir, Rob Wasserman, & Jay Lane)
SBD > DAT > CD 		 
2. 02/12/99 Wetlands Preserve - New York, NY sbd.unknown.shn notes
3. 02/13/99 Wetlands Preserve - New York, NY RD3 (Bob Weir, Rob Wasserman, & Jay Lane)
Flac 16; Source:SOUNDBOARD DAT MASTER [housemix] > my DAT clone; transfer: Fostex D-5 DAT Master Recorder > Tascam US-144 Audio Device > Sony SoundForge 9.0; editing & additional sound mastering w/ Bias Peak Pro 5.2 monitored through Audio Research amplifiers & Triangle Magellan speakers; includes 300 dpi artwork; By BRUNO 		 
4. 04/16/10 Spirit Of The Suwannee Music Park - Live Oak, FL Schoeps MK4 (DIN-A81WS) > KC5 > CMC6 > Aeta Mix 2000 > Sound Devices 744t @ 24/48hz
INHDD > Sound Forge 10 > CDwave > TLH
Tagged in Foobar 2000
Taper Soling 		 
5. 01/03/11 Revolution Live - Fort Lauderdale, FL Source: DPA 4022'S(DIN) > Lunatec V3 > JB3(@16/44.1)
Location: FOB, DFC approx 35 feet back @ 9 feet high
Transfer/Lineage: JB3 > Creative PlayCenter > .wav @16/44.1 >
WaveLab 6.10(minor edits/clean up/fades)> CD Wave> TLH> flac16.
SBE Free. Meta tagging with Tag&Rename.
Recorded and Transferred by Larry - FLDEADHEAD
Minor edits, tracking/encoding/tagging/seeding by Alex Ford 		 
6. 01/05/11 Jam Cruise 9 - Teatro Carlo Felice - MSC Poesia, Ocean Source: Schoeps mk4/cmc6 -> Lunatech V3 -> Sound Devices 722
Transfer: SD722 -> pc -> Wavelab 4 (fades, resample and dither with UV22 HR) ->
cdwav -> FLAC Frontend -> Torrent Spy -> Azureus
Taped and transferred by Steve Bazley 		 

Bobby & the Midnites  
  Date Venue - City, State Media  
1. 09/18/80 The Catalyst - Santa Cruz, CA lineage: Sony TCD5M with two Electro-Voice RE10 microphones > Dolby B encoded Maxell UDXLI cassette master (2 cassettes). transfer: Nakamichi Dragon (Dolby B decoded) > Macintosh with Digidesign Audiomedia III sound card > Pro Tools (minor "nip and tuck" edits, normalization and tracking) > AIFF > xACT (Flac level 8 files with sector boundaries verified)  
2. 11/01/80 Capitol Theatre - Passaic, NJ Flac16 - SBD/MC > Nak Dragon-> Korg MR1000 DFF@ 5.6MHz > Audiogate-> wave 24/88.2-> Wavelab6-> OzoneRx4A(-> Ozone6A)->CD Wave > r8brainpro > 16/44.1 > TLH > Flac16  
3. 11/05/80 Palace Theatre - Waterbury, CT aud cassette master, taped by the Commander, transfer/seeded by Rob Berger  
4. 11/07/80 Orpheum Theatre - Boston, MA  
5. 11/07/80 Orpheum Theatre - Boston, MA Sony ECM 99A > Cm > Yahama K-1020 > Lucid AD9624 > JB3 @ 44.1/16 > firewire transfer > Soundforge > CDWave > Flac
Recorded and transfered by John Levene 		 
6. 01/25/81 The Stone - San Francisco, CA aud cassette, Willy Keats low gen copy, transferred by Rob Berger.
Now available including 46 minute soundcheck : shnid 157445 		 
7. 01/26/81 Keystone - Berkeley, CA sbd 2nd gen cassette, Willy Keats' copy, transfer by Rob Berger  
8. 01/27/81 Keystone - Palo Alto, CA Flac1644
Electrovoice RE10 microphones > Sony TC-D5M > 2 x Dolby B encoded Maxell UDXLI C90 cassette master.
Transfer (2022-05-14): Nakamichi Dragon (Dolby B decoded > Sound Devices MixPre-6 II @ 32bit(float)/96kHz > Pro Tools (normalize, minor seamless fixes, tracking on sector boundaries and down-sampling - no EQ or noise reduction) > WAV files > xACT (tagged Flac level 8 files).
Recorded, transferred and mastered by grner1. 		 
9. 01/19/82 Boulder Theater - Boulder, CO AUD cassette master > iMac > Normalized, patched and tracked with Amadeus Pro FLAC conversion with xAct  
10. 01/30/82 Ocean State Theater - Providence, RI flac16;Recording Info:Nakamichi 700 -> Cassette Master (Maxell XLIIS-C90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller  
11. 02/06/82 The Calderone Theater - Hempstead, NY fm.unknown.multigen.flac16 notes
12. 02/07/82 Pritchard Gymnasium, SUNY Stonybrook - Stonybrook, NY Flac1644
SBD > Cassette Master (Maxell UDXLI-C90)
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC24
Transfers and Mastering by charliemiller87@earthlink.net 2023-09-25
This is 165841 2496 > 1644 		 
13. 06/16/82 Music Mountain - South Fallsburg, NY Audio Technica AT815a > Cm > Cool Edit Pro > CDWav > Shn
Taped by Jim Holvey, Transfer by Michael Joyce 		 
14. 06/18/82 Cape Cod Coliseum - South Yarmouth, MA 16bit/44.1kHz file-set: AUD Source: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Nakamichi ZX-90s, set up in center riser straight back, about ten rows off the floor, taped by Joe Morrone and Tim Friend.
Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2012 		 
15. 11/13/82 Euphoria Tavern - Portland, OR SBD > Cm > Cass > Lunatec V3 > Audiophile 2496 > Cool Edit Pro > Audacity > CD Wave Editor > TLH > Flac  
16. 11/17/82 Keystone - Berkley, CA aud.gans.cartier.shnf  
17. 11/27/82 Bob Marley Performing Centre - Montego Bay, Jamaica Flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/44.1k) -> Samplitude Professional v11.2 -> FLAC/16  
18. 06/15/83 Club Casino - Hampton Beach, NH aud cassette master, sennheiser 441's>sony d5, taped by Doug Lamarre, transferred by Rob Berger  
19. 11/03/83 Springfield Civic Center - Springfield, MA flac16: Recording Info: SBD > Cassette Master (BASF CR2)
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/16 		 
20. 08/01/84 Capitol Theatre - Passaic, NJ Flac1644
SBD > Cassette Master (Sony UCX-S90)
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
All Transfers and Mastering charliemiller87@earthlink.net 2023-11-08
This is 166264 2496 > 1644 		 
21. 08/06/84 Stuart Anderson's Black Angus Restaurant, - Eugene, OR flac16 Source: Nak 700s > Sony TC-D5M > Cassette Master - taped by Mark Severson Transfer: Master Cassette > Nakamichi CR-7A > Tascam DA-3000 > DSF 1-bit/5.6 MHz - transferred by Charlie Miller Lineage:DSF 1-bit/5.6 MHz >dBpoweramp > wav 24/96 > Adobe Audition 3 > iZotope RX 7 Advanced > Neutron 2 > iZotope RX 7 Advanced > wav 16/44.1 > CD Wave > flac 16 edited and mastered SIRMick June 2020  
22. 08/26/84 The Bayou - Washington, DC Electro Voice PL 95A Microphones > Sony D5 -> Master Cassette -> Tascam cc222 -> CD -> EAC -> WAV -> Audacity -> TLH -> Flac 8  
23. 09/25/84 The Bayou - Washington, DC SBD > Cm > ? > HD > CDWav > Flac
Transfer by John Moses 		 

Bobby & the Valentines  
  Date Venue - City, State Media  
1. 02/14/95 Fillmore Aud - San Francisco, CA Recording Info:SBD + (Stage) AKG C61 -> Dat (48k); Transfer Info:Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  

Brent Mydland  
  Date Venue - City, State Media  
1. ??/??/82 Unreleased Solo 1982 - Unknown, Unknown  
2. ??/??/82 Unreleased Solo 1982 - Unknown, Unknown sbd.bettyboard.blackwood.waddell.flac16  
3. 04/16/88 Pasadena City College - Pasadena, CA toa-K1.stoy.flac2448 notes
4. 07/10/88 Greek Theatre, Univ. of California - Berkeley, CA nak700.reutelhuber.miller.flac notes

Comes A Time Benefit  
  Date Venue - City, State Media  
1. 09/24/05 The Greek Theatre - Berkeley, CA jg2005-09-24.comesatime.mbho603a.stone.fixed.flac16  

Crusader Rabbit Stealth Band  
  Date Venue - City, State Media  
1. 06/10/01 Sweetwater Saloon - Mill Valley, CA aud.unknown.flac  
2. 12/31/01 Henry J Kaiser - Oakland, CA neumannKM150.boden.flac notes

David & the Dorks  
  Date Venue - City, State Media  
1. 12/15/70 The Matrix - San Francisco, CA David & the Dorks: sbd > mr > ? > dat > xa2 > cdr > shn > wav > flac, fixing and seeding by Sir Mick; see info file for more details.  

David Crosby, Graham Nash, Jeff Pevar & Phil Lesh  
  Date Venue - City, State Media  
1. 05/15/98 Berkeley Community Theatre - Berkeley, CA oade.miller.flac16  

David Nelson  
  Date Venue - City, State Media  
1. 09/24/05 Greek Theater - Berkeley, CA Flac16
AKG391 (x-y @~10'/ROC lower lawn) > V3 > Sony PCM-M1 (16/44.1) 		 

The Dead http://www.dead.net
  Date Venue - City, State Media  
1. 02/14/03 Warfield Theatre - San Francisco, CA sbd.deadnet.flac notes
2. 06/15/03 Bonnaroo Music Festival - Manchester, TN Source: FOB DPA 4011's > Luminous Monarchs > Lunatec V2 > Luminous Synchestra Signature XLRs > AD2K > M1 @ 48k; In the sweet spot on stand around 10ft; FOB on left side of the rail; 1/2 way between stage and the board - Transfer: D8 > Dio 2448 > Soundforge 5.0 (48k > 44.1k) > CDWav > FLAC Frontend > .flac; Taped By: Mark Lynn; Transferred By: Ryan Burns (mstrpce420@aol.com)  
3. 06/17/03 Verizon Wireless Amphitheatre - Virginia Beach, VA Source: FOB/DFC/ORTF Schoeps MK4's > KC5 > CMC6 > EAA PSP-2 > Apogee Mini-Me > DA-P1 @ 48k; Section 102 Row D; 1st set in hat, 2nd set on pole - Transfer: D8 > Dio 2448 > Soundforge 5.0 (48k > 44.1k) > Cool Edit Pro > CDWav > FLAC Frontend > .flac; Taped By: Carrington Crawford; Transferred By: Ryan Burns (mstrpce420@aol.com)  
4. 06/18/03 Merriweather Post Pavilion - Columbia, MD Source: Neumann KM184?s > Lunatec V3 > Sony D8 > Archive Python01931-xxx5.63 SCSI DDS/DAT2WAV > * .wav (no sound card for conversion); Recorded & Converted by Justin Carlson JACarlson8@comcast.net  
5. 06/20/03 Saratoga Performing Arts Center - Saratoga Springs, NY Source: AKG 481s(XY) > GP Dmic 20 > Sony PCM-M1 - Transfer: Fostex D5 > HHB 830 > Plextor PX-W4824A > EAC > SHN - Edit: SHN > WAV > CE2K > CDWAVE > SHNTOOL > SHN; Location: Tapers Section; Taped by: Ken Doughty; Edited by: MattMan(mcoleATsunDOTscienceDOTwayneDOTedu); Seeded by: JBGoode1  
6. 06/21/03 Meadows Music Theatre - Hartford, CT Source: AKG 481s(XY) > GP Dmic 20 > Sony PCM-M1 - Transfer: Fostex D5 > HHB 830 > Plextor PX-W4824A > EAC > SHN - Edit: SHN > WAV > CE2K > CDWAVE > SHNTOOL > SHN; Location: Tapers Section; Taped by: Ken Doughty; Edited by: MattMan; Seeded by: JBGoode1  
7. 06/22/03 Tweeter Center - Mansfield, MA Source: AKG 391 (x-y/90*, A27 vert mount/AT8410 shocks @~12ft) > Denecke PS2 > Denecke AD20 (44.1) > Sony PCM-1 Location: Sec 3, Row K (far LOC, mics directed at center stage) Transfer: PCM-1 (attenuator cables) > Denecke AD20 > Creative Labs Extigy (USB) > Sound Forge v7.0 (record & selected fades/normalize R channel to 1.68 db to compensate location) > Traders Little Helper (verify/align SBE) Recorded/Transferred/Seeded by Crupi (axomxa@comcast.net)  
8. 06/24/03 PNC Bank Arts Center - Holmdel, NJ Source:Microtech Gefel 210>EAA PSP3>SBM1>Sony D8>DAT Transfer:DAT>Sony R300>Optical>MeritLine USB Adapter>PC>CD Wave>FLAC Frontend (Level 8) Taped & Transfered: Freddie G  
9. 06/25/03 PNC Bank Arts Center - Holmdel, NJ Source:Microtech Gefel 210>Aeta PSP3>SBM1>Sony D8>DAT Transfer:DAT>Sony R300>Audiophile 24/96>PC>CD Wave>Traders Little Helper>Flac (Level 8) Taped & Transfered: Freddie G  
10. 06/27/03 Tweeter Center at the Waterfront - Camden, NJ Source: Neumann KM184?s > Lunatec V3 > Sony D8 > Archive Python01931-xxx5.63 SCSI DDS/DAT2WAV > * .wav > CDwav > SHN (mkw); Recorded & Converted by Justin Carlson JACarlson8@comcast.net  
11. 06/28/03 Tweeter Waterfront - Camden, NJ Audience AKG568ebs>48v.>TascamDAP1 MasterDAT>MarantzPMD671> WAVE>FLAC Taped By Bill Goldberg Transferred By Bill Goldberg  
12. 06/29/03 Vernon Downs - Vernon, NY Audience AKG568ebs>48v.>TascamDAP1 Master DAT>MarantzPMD671> WAVE>FLAC Taped By Bill Goldberg Transferred By Bill Goldberg  
13. 07/01/03 Marcus Amphitheatre - Milwaukee, WI Source: Microtech Gefell m210 > V2 > sbm-1 > d8@48kHz (Lawn/DFC/DIN) - Transfer: Tascam DA-20 MKII > EgoSys Waveterminal U2A > Samplitude(48>44.1) > cdwav > MKWact; Taped/Transfered by Scott Ratzmann (sratzmann@hotmail.com)  
14. 07/02/03 UMB Bank Pavillion - Maryland Heights, MO Source: ADK A51TL (10' split omni) > V2 > DA-P1; Right microphone was 20 feet left of center; Third row of taper section; Transfer: DA-P1 > Digi 001 > Soundforge 6 > CDWav > flac; Taped and transferred by Roger Moroney roger@moroney.org notes
15. 07/04/03 Two River Canyon Amphitheatre - Spicewood, TX Please Note: This is Tim Wiley's Remaster of the Dan Stephens phase corrected seed.
Source: XM Radio Satellite Feed > Sony XM Digital Audio Receiver DRN-XM01MK2 >Sony PCM-R500 @ 44.1 kHz (Super Bit Mapping)>DAT > WAV > SHN: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 6.0 build 132 >CDWav v1.71 > MKW Audio Compression Tool v0.96f (no DAE)>SHN>WAV>ADWS>Shntool(check)>SHN(seekable) Via Dan Stephens ; Remastered By Tim Wiley 		 
16. 07/06/03 Red Rocks Ampitheatre - Morrison, CO Source: DPA 4011's > Luminous Monarchs > Lunatec V2 > Luminous Synchestra Signature XLRs > AD2K > DA-P1 @ 48k; DFC - 1st Row T.S. - Transfer: D8 > Dio 2448 > Soundforge 5.0 (48k > 44.1k) > CDWav > FLAC Frontend > .flac; Taped By: Mark Lynn; Transferred By: Ryan Burns (mstrpce420@aol.com)  
17. 07/07/03 Red Rocks Ampitheatre - Morrison, CO Source: DPA 4011's > Luminous Monarchs > Lunatec V2 > Luminous Synchestra Signature XLRs > AD2K > DA-P1 @ 48k; DFC - 1st Row T.S. - Transfer: D8 > Dio 2448 > Soundforge 5.0 (48k > 44.1k) > CDWav > FLAC Frontend > .flac; Taped By: Mark Lynn; Transferred By: Ryan Burns (mstrpce420@aol.com)  
18. 07/08/03 Red Rocks Ampitheatre - Morrison, CO Source: Nakamichi CM-1000s > Edirol UA5 (Oade digi-out and "presence" modified @ 48k) > Sony PCM-M1 > Delta Dio 2496 > Samplitude 2496 (48k > 44.1) > cdwav > wav > SHN; Taper: Nic Brokenleg (nnbroken AT hotmail.com)  
19. 07/10/03 Red Rocks Ampitheatre - Morrison, CO akg c100s(hyper)x2 ortf 110*>xlr stereo>1/8">sony pcm-m1 16/44.1 wav>dat stand 10' high behind sbd on the right corner dat(playback on m1)>spidf in>pc>soundforge,track,>16/44.1 wav>cd cd>pc(16/44.1wav)>audacity>amplify,compress,balance,edit track splits>flac16 Recorded and transferred by Taper Chris  
20. 07/11/03 Red Rocks Ampitheatre - Morrison, CO Source: Nakamichi CM-1000s > Edirol UA5 (Oade digi-out and "presence" modified @ 48k) > Sony PCM-M1 > Delta Dio 2496 > Samplitude 2496 (48k > 44.1) > cdwav > wav > SHN; Taper: Nic Brokenleg (nnbroken AT hotmail.com)  
21. 07/29/03 Office Depot Center - Sunrise, FL FOB B&K 4023's -> Modified Sonosax pre-amp->Apogee MiniMe -> Sony Vaio/SoundForge 6 via SIRMick  
22. 07/30/03 St. Pete Times Forum - Tampa, FL FOB B&K 4023's -> Sonosax pre-amp -> Apogee MiniMe -> Sony Vaio/SoundForge 6  
23. 07/31/03 Hi-Fi Buys Amphitheater - Atlanta, GA Source: FOB B&K 4023's -> Sonosax Pre-amp -> Apogee MiniMe -> Sony Vaio/SoundForge 6 > FLAC; Edited By: Ryan Burns (mstrpce420@aol.com)  
24. 08/02/03 Route 66 Raceway - Joliet, IL Master Audience Recorded By Mr. Darby AKGC451EB/CK1's (DIN/20 Feet From 1st Relay Stack/10 Feet High)> Oade Warm UA-5>Tascam DA-P1 @ 16/48 Transfer Information:Fostex D-5>Tascam HD-P2 @ 16/48 HDD>Audacity (Tracking/Fades)>xACT (Flac6) Tracks Renamed/Dithered/Flacked Woth AudioGate Software To 16/44 By Keo SBE's Checked/Fixed With Trader's Little helper Metadata Tagging With Audiogate Software  
25. 08/03/03 Float Rite Amphitheater - Somerset, WI Source: Neumann SKM 184's > Lunatec V-2 > ADC-20 > Tascam DA-P1 DAT 48/16. Back of the tapers section DFC. Transfer: DAT > VX Pocket > PC > Red Roaster > CD > EAC > FLAC  
26. 08/05/03 Verizon Wireless Music Center - Noblesville, IN Source and Lineage: AKG 391B>Denecke AD-20>Sony PCM- M1Dat>CDR>EAC>SHN>WAV>ADWS>CD WAV>SHN(seekable) ; Taped by Jim O'Malley ; orignal SHN by Brian B ; Mastering by T. Wiley 08/26/2003.  
27. 08/06/03 Germain Amphitheatre - Columbus, OH Source: Nak CM100 W/CP-4 Shotguns > Sony SBM-1 > Sony PCM-M1 > CD > EAC > SHN; Mastering: SHN > WAV > CE2K/SOUNDFORGE 6.0 > CDWAVE > SHNTOOL > mkwACT; Mastered/seeded by MattMan  
28. 08/08/03 Darien Lake Performing Arts Center - Darien, NY Source: Nakamichi CM1000s>Lunatec V3>Sony D7. Location: OTS, Lawn; Transfer: Sony PCM2600>Sound Devices 722; Editing: SD722>Adobe Aud. 2.0>44k>cdwav>flac; Taped, Transfered and uploaded by Tony Suraci  
29. 08/09/03 Jones Beach Music Theater - Wantagh, NY Lineage: DAUD (Nak CM 100 W/CP4 Shotguns>Sony SBM1>Sony PCM-M1>DAT>CD>EAC>SHN>WAV>CE2K/SOUNDFORGE>CDWAV>SHNTOOL>mkwACT. Taped by Steve & "pugs". Discs from JBGoode. Mastering/seeding by MattMan.  
30. 08/10/03 Jones Beach Music Theater - Wantagh, NY Source: Nakamichi CM1000s>Lunatec V3>Sony D7; Location: OTS, Stand at 8 Feet; Transfer: Sony PCM2600>Sound Devices 722; Editing: SD722>Adobe Aud. 2.0>44k>cdwav>flac; Taped, Transfered and uploaded by Tony Suraci  
31. 09/18/03 Verizon Wireless Amphitheatre - Irvine, CA Source: Rode NT4->Behringer MXB1002->Nomad JB3 @ 44.1 kHz-> Volume maximized with Steinberg Clean-> Tracks separated and adjusted for CD sector boundaries with Diamond Cut 5-> SHN'ed with MKWact; Daud by Bob Clevenger  
32. 09/19/03 Shoreline Amphitheatre - Mountain View, CA Source: AKG C1oooS -> Samson Mixpad 4 -> VxPocket v2 (@ 44.1khz 16 bits) -> cooledit 2k -> shn (verified w/ shntool, encoded w/ mkw  
33. 09/21/03 The Gorge Ampitheatre - George, WA Source: Rode NT4->Behringer MXB1002->Nomad JB3 @ 44.1kHz-> Volume maximized with Steinberg Clean-> Tracks separated and adjusted for CD sector boundaries with Diamond Cut 5-> SHN'ed with MKWact; Daud by Bob Clevenger  
34. 12/13/03 Berkeley Community Theater - Berkeley, CA Recorded by Rob R: 3 Nak CM300's - 2 CP4 (Guns) + 1 CP3 (Super Omni) - All X/Y  
35. 12/30/03 Oakland-Alameda County Coliseum - Oakland, CA Source: Nakamichi 300 Shotguns > Sony SBM-1@44.1 > Sony M1; DAT Audience Master; First row tapers section (first section off the floor at the rail, 15 ft up) - Transfer: Sony M1 > Tascam CD-RW5000 > CD > Peak 3.21 (extraction/tracking) > xACT V1.2 > SHN (SBE & md5 verified) > CD  
36. 12/31/03 Oakland Arena - Oakland, CA Sound path: AKG C1oooS->Samson Mixpad 4->VxPocket v2 (@ 48khz 24 bits)-> cooledit 2k(48/24->44.1/16)->shn (verified w/ shntool, encoded w/ mkw, shn->wav decoded, verified w/ md5sum again) phopely@eniac.seas.upenn.edu  
37. 02/09/04 Warfield Theatre - San Francisco, CA Source: Neumann AK50's(ots)> LC3KA> KM100> Apogee MiniMe 44/16> TCD-D7 - Transfer: DA-P1(m)> s/pdif coax> Egosys Waveterminal 2496> PC/Soundforge 4.5> CD WAVE>MKW(.shn)with Seek Tables Appended; Recorded by Chris Wallace; Transferred by Andrew Rakow  
38. 06/12/04 Bonnaroo Music Festival - Manchester, TN Source: AKGc451b's > MP2 > ADC-20 > 7 pin > PCM-M1 @ 48 KHz - Transfer: PCM-M1 > 7 pin > SPDIF > Sound Blaster Live Platinum > cool edit pro > tracks > resampled to 44.1 KHz at highest setting - Location: Stand 11' high on left side of center walkway rail, 15-20 feet in front of the soundboard; Taped/Transferred/Seeded by Bill Weed taperbweed@yahoo.com  
39. 06/15/04 Red Rocks Ampitheatre - Morrison, CO Source: Sennheiser K6/ME66's> Denecke AD-20> Sony PCM-M1 Transfer: Fostex D-5> Edirol UA-1D(Coax>HD)> Sony SoundForge 7.0> CD Wave Editor> Flac Mics: PAS, DFC, Row 20 @ 9' Taped and transferred by Jim & Melissa Mimna  
40. 06/16/04 Red Rocks Ampitheatre - Morrison, CO Source: 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; Recorded and Seeded to abgd by Rob R notes
41. 06/18/04 Red Rocks Ampitheatre - Morrison, CO Source: 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; Recorded and Seeded to abgd by Rob R notes
42. 06/19/04 Red Rocks Ampitheatre - Morrison, CO Source: 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; Recorded and Seeded to abgd by Rob R notes
43. 06/20/04 Red Rocks Ampitheatre - Morrison, CO Source: Sennheiser K6/ME66's> Denecke AD-20> Sony PCM-M1 Transfer: Fostex D-5> Edirol UA-1D(S/PDIF>HD)> Sony SoundForge 7.0> CD Wave Editor> Flac Mics: PAS, DFC, Row 19 @ 9' Taped and Transferred by Jim & Melissa Mimna  
44. 06/22/04 Cricket Pavillion - Phoenix, AZ sbd.munckmix.shn  
45. 06/23/04 Coors Amphitheatre - Chula Vista, CA sbd.munckmix.shn  
46. 06/24/04 Verizon Wireless Amphitheater - Irvine, CA Source: 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 (Super Omni) arranged in an X-Y pattern; Recorded and Seeded to abgd by Rob R  
47. 06/26/04 Shoreline Amphitheatre - Mountain View, CA Source: 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; Recorded and Seeded to abgd by Rob R  
48. 06/27/04 Sleep Train Amphitheater - Marysville, CA soundcheck hat-mounted realistic pzm's w/d6,30 ft from left side speakers MAC>D6>HD>Audacity>CDWave>TLH>torrent  
49. 06/27/04 Sleep Train Amphitheater - Marysville, CA Source: Nakamichi 300 shotguns > Lunatec V3 > Tascam DAP1 24/48 Transfer: Tascam DAP1 > Tascam DA20MKII > CD Master Recorded by Pete Gilmore, Monkey Tunes Music Transfered by Dawne Gilmore  
50. 07/01/04 Idaho Center Amphitheater - Nampa, ID \Source: Nakamichi CM 300's w/CP-1's>Sony D8. Tapers section, left of board @ 8' Transfer: Tascam DA-20 MK II>Philips CDR 775>EAC>FLAC Taped & transferred by Chris & Jessica McGrath  
51. 07/02/04 Columbia Meadows - St. Helens, OR sbd.munckmix.shn  
52. 07/03/04 The Gorge Ampitheatre - George, WA Source: Nakamichi CM-300's W/ CP-2 Omni's, split 12'>D8
Transfer: Tascam DA-20 MKII>Philips CDR 775> EAC>FLAC 		 
53. 07/23/04 UMB Bank Amphitheater(Riverport) - Maryland Heights, MO Source: AKG 481 > Lunatec V3 > D8 - Transfer: Tascam DA20 > Edirol UA-1D > CD Wave > Adobe Audition 1.0 (48 > 44.1) > CD Wave > SHN; Taped and transferred by Jeff Frank jsfrank@ripco.com  
54. 07/24/04 Alpine Valley Music Theatre - East Troy, WI sbd.munckmix.shn  
55. 07/25/04 Deer Creek Music Center - Noblesville, IN sbd.munckmix.shn  
56. 07/27/04 DTE Energy Music Theater - Clarkston, MI sbd.munckmix.shn  
57. 07/28/04 Blossom Music Center - Cuyahoga Falls, OH sbd.munckmix.shn  
58. 07/30/04 Tweeter Center - Mansfield, MA sbd.munckmix.shn  
59. 07/31/04 Tweeter Center - Mansfield, MA Source: matched Oktava MC012 (Omni's split 35ft, OTS)> Edirol UA-5 (T-mod Plus)>Nomad JB3 (optical in) .wav @44.1 Transfer: Original .wav>firewire>pc>Cooledit Pro for touch-up>CD Wave>FLAC frontend 1.7.1>flac; Taped and Transfered by Jason Adler jason@galactic-trading.com  
60. 08/01/04 Saratoga Performing Arts Center - Saratoga Springs, NY flac16; FOB-MBHO-KA500n/684a CAPS> Lunatec V2> Apogee Mini Me>Sony D8 @7 feet high Row 18 DFC
Transfer:Dat Master>@44.1khz.Wavlab 5.0>(Blue Tubes)>.Wav@44.1khz>TLH>flac>Tag and Rename(meta Data and file tagging)>flac16
Taper: Ed Guidry + Larry Salovin AKA-FLDEADHEAD
Transfer,editing and mastering done by Matt Rappaport (Muletaper)
*** this is a re-transfer/Upgrade of shnid#-25452 *** 		 
61. 08/03/04 Meadows Music Center - Hartford, CT sbd.munckmix.shn  
62. 08/04/04 Ford Pavilion @ Montage Mountain - Scranton, PA flac16;Source: Nakamichi CM1000's>Lunatec V3>JB3; Location: OTS, Lawn Transfer: JB3>Adobe Aud. 2.0>cdwav>flac; Taped, Transfered and uploaded by Tony Suraci  
63. 08/06/04 Darien Lake Performing Arts Centre - Darien Center, NY sbd.munckmix.shn  
64. 08/07/04 The Tweeter Center - Camden, NJ AKGC1000s>Marantz Pro CDR300>CDR>WAV>SHN
Location Lawn OTS
Taped and transferred by ld92287 		 
65. 08/08/04 The Tweeter Center - Camden, NJ AKGC1000s>Marantz Pro CDR300>CDR>WAV>SHN
Location Lawn OTS
Taped and transferred by ld92287 		 
66. 08/11/04 PNC Bank Arts Center - Holmdel, NJ Source: AKG 393 > Oade w-mod. UA-5 (44.1 kHz)> optical> JB3 [ORTF 110* lawn tapers section DFC] - Transfer: JB3> firewire> Sound Forge 6.0> cdWave> FLAC Frontend; taped/transfered by Rob Clarke rclarke@iwon.com  
67. 08/13/04 Jones Beach Theater - Wantagh, NY sbd.munckmix.shn  
68. 08/14/04 Jones Beach Theater - Wantagh, NY flac16;Source: Schoeps CMC641's>Lunatec V3>JB3; Location: OTS, Stand at 8 Feet; Transfer: JB3>Adobe Aud>cdwav>flac; Taped, Transfered and uploaded by Tony Suraci  
69. 08/15/04 Nissan Pavilion - Bristow, VA Source: AKGc451b's (factory matched sterio pair) > MP2 > ADC-20 > 7 pin > PCM-M1 @ 48 KHz - Transfer: PCM-M1 > 7 pin > SPDIF > audiophile 24/96 > cool edit pro > tracks > resampled to 44.1 KHz at highest setting > flac frontend v171 level 8; Location: Stand 11' high DFC taper section-lawn, second row back; Taped/Transferred/Seeded by Bill Weed (taperbweed@yahoo.com)  
70. 08/17/04 Alltel Pavilion - Raleigh, NC Source: AKG 483 (480 + CK63) > Oade M148 > Sony D8 > Ipaq 3835 (PDAudio, Live 2496) Recorded FOB just left of soundboard with mics on stand; Recording & mastering by Robbie Dunn (with thanks to Mike Gallimore for the patch)  
71. 08/18/04 Verizon Wireless Amphitheater - Charlotte, NC Source: Schoeps mk4 > kc5 > cmc6 > V3 > dap1 @ 48kHz. (ots, dfc, ortf); Taped by: Kevin Straker - Transfer: D8 > Waveterminal 24/96 > WaveLab 5 > CD Wave > flac frontend (level 6) > .flac; Taped and Transferred by: Joe Waldron - joe@taperssection.com  
72. 08/19/04 Hifi Buys Amphitheatre - Atlanta, GA flac16/44.1khz Source: Neumann KM140(OTS/Lawn/ORTF) > V2 > SBD-1 > D8 @ 16/44.1; Taper: Matt"Lazy Lightning" Lazor Transfer: DAT/M > Sony PCM R300 > Tascam DR680 > Audacity(Normalize / Tracking) > iZotopeRX (declapper) > xACT(FLAC/TAG) DiGiHoArDeRs: 9/3/2020  
73. 10/13/08 Bryce Jordan Center - State College, PA Schoeps CCM4V'S(din)>Lunatec V2>Sound Devices 722 (24/48) location: FOB/DFC/KFC/ZFC/AARP 50' From Stage, 6' High DSP: Sound Devices 722>Sound Forge 7.0>CD Wave>flac(16) Recorded By: Z-Man  
74. 01/20/09 Walter E. Washington Convention Center - Washington, DC recorded from the camera board feed  
75. 03/30/09 Angel Orensanz Center - New York, NY Nak 100 Mics W/Shotguns > Sony Sbm 1 > Sony D-7; Taper : Steve T \'\'AKA\'\' Big Red Bag  
76. 03/30/09 Blender Theater At Gramercy - New York, NY Neumann TLM-170 (cardoid, 2 rows behind SBD, center) -> Sound Devices 722 (@24/96) Recorded, Mastered, and posted by Scott Bernstein  
77. 03/30/09 Roseland Ballroom - New York, NY Neumann TLM-170 (hypercardoid, just behind SBD, center) -> Sound Devices 722 (@24/96) Recorded, Mastered, and posted by Scott Bernstein  
78. 04/12/09 Greensboro Coliseum - Greensboro, NC Source: CMX4V > Mini Me > 722 (24/96) Location: OTS/LOC/9 ft.high Transfer: Compact Flash > PC > Vegas > CDWave > FLAC v1.2.1 (L6) as build in TLH v2.4.1 (Build 160) Taped, & Tracked by Robert Krall Transferred by Taperhead  
79. 04/14/09 Verizon Center - Washington, DC Source: CMXY4V > Mini Me > 722 (24/96)
Location: OTS/DFC/9.5 ft.high
Transfer: Compact Flash > PC > CDWave > FLAC v1.2.1 (L6) as build in TLH v2.4.1 (Build 160)
Taped, & Tracked by Robert Krall 		 
80. 04/17/09 Times Union Center - Albany, NY Recordist : Tim Burke - tburke@upstatetapers.org Location : Set 1: Floor, official taper section, directly behind the soundboard, centered, ~150' from the stage lip, ~10' high : Set 2: Floor 2, Row N (14th Row), Seats 9 and 10, centered, ~30' from the stage lip, 6' high Mic Config : Set 1: 20 cm, 90º (DIN Nola Bar, vertical capsule orientatation) : Set 2: 17 cm, 90º (backwards DINa Kwon Bar, horizontal capsule orientation) Source : Schoeps MK4V > Nbox > Edirol R-09HR Recorded Format : 24 bit, 48 kHz Conversion : SDHC Card > IBM ThinkPad T41 Editing : Steinberg WaveLab v5.01b, minimize balloons and clapping with volume envelope tool, decibel increase to both channels (resulting in -.20 peaks) via the "change gain" command, resample with ReSampler 192 at High Quality, dither with MegaBitMax, iZotope Ozone 3, Medium Noise Shaping, Normal Dither Amount Final Format : 16 bit, 44.1 kHz Tracking : CD Wave v1.93.3 Compression : FLAC v1.1.2, FLAC Frontend v1.7.0.1, Level 8, Sector Boundaries Aligned DSP performed by Tim Burke during April and May of 2009. Released into circulation on May 14, 2009.  
81. 04/18/09 DCU Center - Worcester, MA AKG c414XLS (hyper-cardioid XY) (OTS) > Hydra XLR > Oade ACMod Edirol R44 mastered at 24bit / 44.1kHz > resampled with Apogee UV22HR to redbook standard tracked with CD-WAV nick@nickspicks.com  
82. 04/19/09 DCU Center Arena - Worcester, MA sbd.unknown.flac  
83. 04/21/09 HSBC Arena - Buffalo, NY AKG568> Oade PMD661 @24Bit/48Khz OTS, DFC, 10ft high Adobe Audition: Fade in/out, Dithered and resampled to 16bit/44.1Khz. CDWave: Tracking. Trader's Little Helper: md5, ffp, Flac.  
84. 04/22/09 Wachovia Arena - Wilkes Barre, PA Nak 300's (CP-1's) > Tascam HD-P2 > 24/48 Wave > Wavelab 5 > UAD Plugins > r8brain Pro > izotope Ozone Mbit + > 16/44.1 Wave > cd wave > tlh (flac level 8 )  
85. 04/24/09 Nassau Coliseum - Uniondale, NY Master/Conversion: Microtech Gefell M210's>Oade M248>SBM-1>D8, D8>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.66 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick  
86. 04/25/09 Madison Square Garden - New York, NY Source: JW Mod Akg469's>Lunatec V2>Sound Devices 722@24/48 Location: OTS, Stand at 12 feet Transfer: SD722>Adobe Aud.>16/44>cdwav>flac16 Taped, transfered and uploaded by Tony Suraci  
87. 04/26/09 XL Center - Hartford, CT Source: 2x Beyerdynamic MC930's(Matched Stereo Pair)(DIN)> Canare Cables>Digi-Mod-Edirol-UA5>Creative Nomad JB3(44.1 khz) Transfer: JB3>Nomad Explorer>Wavlab 5.0(fades/track cuts)>Traders Little Helper>Flac 16bit Recorded from (the sweet spot!)DFC-OTS at SBD@16 ft high Recorded/Edited by MULETAPER No.D.A.E.  
88. 04/28/09 IZOD Center - East Rutherford, NJ Source: AKG 391(hyper) Approx 8 feet in air-->Edirol UA5-->Edirol R09HR->Wav Lineage: Wav->Magix Audio Cleaning lab->CDR Taped by: marc geanoules Transferred by: marc geanoules  
89. 04/29/09 IZOD Center - East Rutherford, NJ Source: MK2 > CMC6XT (dina) + Kmr81i (A,B) > SX-PR > 722 (24/96) Location: OTS @ 10' Transfer: Compact Flash > vegas > CDWave > FLAC Recorded by Robert Krall & Scott Reese  
90. 05/01/09 The Spectrum - Philadelphia, PA Source: Audience recording > Nak300s with cp1 caps > Tascam HD-P2 > Sony WM-D6 > mac Lineage: mac > Nakamichi ZX-7 > Tascam HD-P2 > wav 24/96 > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16  
91. 05/02/09 The Spectrum - Philadelphia, PA Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48) Location: OTS/DFC/KFC/ZFC/AARP, Section 108, Row 20, Seat 12, 12' High DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16) Recorded By: Z-Man Seeded By: Z-Man  
92. 05/04/09 Allstate Arena - Rosemont, IL source: schoeps mk41 (din-a @ 20' dfc, t.s.) > ck5 > cmc6 > sd744 (24/48) > audacity (fades/amplify) > cdwav > r8brain (to 16/44) flacfrontend recorded/transferred: david barfield  
93. 05/05/09 Allstate Arena - Rosemont, IL source: schoeps mk41 (din-a @ 20', dfc, t.s.) > kc5 > cmc6 > sd744t (24/48) > audacity (fades/amplify) > cdwav > r8brain (dither/downsample to 16/44) > floacfrontend recorded/transferred: david barfield  
94. 05/07/09 Pepsi Center - Denver, CO Source: AKG C460B/ck68_short (PAS/DFC/OTS/12ft) -> Lunatec V3 -> Tascam HD-P2 @ 24/48 DSP: HDD -> Amadeus Pro (tracking/fades/FLAC8) -> .wav -> WaveLab (dither/resample) -> flac16 (ASB) (8)
Recorded and DSP'd by Mike Darby Dithered & resampled and seeded by Dustin Hassenstab 		 
95. 05/09/09 The Forum - Inglewood, CA Source: TELEFUNKEN Ela m270 (stereo tube) > Battery Box > 744t
Transfer: HDD > Sound Studio 3.0 (fades, normalize, resample, dither) > xAct (align on sector boundaries, encode to FLAC level 8, tag, fingerprint) > .flac16
Recorded by Toni Fishman 		 
96. 05/10/09 Shoreline Amphitheatre - Mountain View, CA Source: TELEFUNKEN Ela m262 tubes (hyper) > Battery Box > 744t Transfer: HDD > Sound Studio 3.0 (fades, normalize, resample, dither) > xAct (align on sector boundaries, encode to FLAC level 8, tag, fingerprint) > .flac16 Recorded by Toni Fishman Transfered by Jesse Hurlburt  
97. 05/11/09 KFOG Studios "Play Space" - San Francisco, CA Proton RS-330 receiver (FM stereo) line out > Sony R-500 (A/D conversion only SBM on 16/48) > Audiophile USB > PC > Samplitude 6.0 (16/44.1) > CDWav > flac 6 recording etc. by Richard Selleseth  
98. 05/14/09 Shoreline Amphitheatre - Mountain View, CA Source: TELEFUNKEN Ela m262 tubes (hyper) > Battery Box > 744t Transfer: HDD > Sound Studio 3.0 (fades, normalize, resample, dither) > xAct (align on sector boundaries, encode to FLAC level 8, tag, fingerprint) > .flac16 Recorded by Toni Fishman Transfered by Jesse Hurlburt  
99. 05/16/09 The Gorge - Quincy, WA Source: Sirius Satellite -> Stiletto 2 Receiver -> 1/4 stereo Mini Out to RCA -> RCA -> XLR Canare Cable -> Grace Lunatec V3 - Fostex FR2 (CF) 16/44.1 Transfer: Compact Flash Reader -> Harddrive-> Tracked with CD Wave -> Fade in/out with Wavelab 5.0 -> Flaced with Traders Little Helper (Level 8) All Tracks Are Seemless... Recorded and Tranfered By Pete Ebel 05-16-2009  
100. 07/04/09 Rothbury Music Festival - Rothbury, MI Source: Milab VM-44 Link -> Sontronics Sonora preamp-> Korg MR-1000 (1bit/2.8MHz DSD) Location: front edge of soundboard, dead center, 11’ stand Transfer: Korg MR-1000 -> AudioGate (16/44) -> CD Wave -> FLAC  

Dead & Company  
  Date Venue - City, State Media  
1. 10/29/15 Times Union Center - Albany, NY flac16 Schoeps MK41v's>KCY250/05i>VST62iu>Grace Design Lunatec V2>Soy PCM-M10 Location: (immediately behind soundboard DFC) Recorded By: Keith Litzenberger  
2. 10/31/15 Madison Square Garden - New York, NY Flac16 1st Set : Nakamichi CM-700's cp-1 w/-15db attenuation > Sony PCM-M10 24bit @ 44.1kHz > Korg Mr 2 2nd Set : Nakamichi CM-700's cp-1 w/-15db attenuation > Sony PCM-M10 24bit @ 44.1kHz Location:Approximately 30 feet from stage, dead center. On stand at head height. Taper : Joe D'Amico ''AKA'' Joebeacon  
3. 11/01/15 Madison Square Garden - New York, NY flac16 Nakamichi CM-700's cp-1 w/-15db attenuation > Sony PCM-M10 > Korg MR 2 Location: Approximately 30 feet from stage, dead center. On stand about 6 to 7 feet high. Taper : Joe D'Amico ''AKA'' Joebeacon  
4. 11/05/15 Wells Fargo Center - Philadelphia, PA flac16 Schoeps MK41v's>KCY 250/05i>VST62iu>Sound Devices MP-2>Sony PCM-M10 Location: Back of GA PIT DFC, 40ft from Stage Recorded By: Keith Litzenberger  
5. 11/06/15 Verizon Center - Washington, DC flac16 Source: DPA 4023 (NOS) > Sound Devices 744 (24/48) Location: FOB, just right of center at rear of GA pit. Recorded by: Alex Leary (vwmule at gmail)  
6. 11/07/15 Madison Square Garden - New York, NY akg451CK8.vanblunk.terrapinjoe.flac1644 notes
7. 11/10/15 DCU Center - Worcester, MA Flac16 DPA 4011 > V3 Digital > R44 (24/96) SDHC Card DFC/OTS (sec. 103, row MM)/DIN/approx. 8’ high Taped and Transferred by Brian V.  
8. 11/11/15 First Niagara Center - Buffalo, NY Flac16 SKM140>V2>Mini-Me>SD722@24/48 Location: front of board, back of GA pit section, dead center, 25-30 yds from stage lip. Recorded by: Steven Weld sunboy@verizon.net
http://bt.etree.org/details.php?id=583378 		 
9. 11/13/15 Nationwide Arena - Columbus, OH flac16 AKG 391 cardioids ORTF and AKG 398 shotguns pointed at stacks > Zoom H5 @44.1kHz/16-bit (4-track) Location: OTS, FC, just behind sound/light board about 10' high Recorded by: by Toaste (Mark Houston)  
10. 11/14/15 Greensboro Coliseum - Greensboro, NC flac16 Schoeps CCM4V's>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/44) Location: FOB/DFC/KFC/ZFC/AARP 30' From Stage, 6' High Recorded by: Z-Man  
11. 11/17/15 Philips Arena - Atlanta, GA flac16 Schoeps CCM4V's>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/44)
Location:OTS/BOB/DFC/KFC/ZFC/AARP Section 109, Row BB, Between Seats 10 And 11, 7 1/2 ' High
Recorded By: Z-Man
http://bt.etree.org/details.php?id=583470 		 
12. 11/18/15 Bridgestone Arena - Nashville, TN flac16 Schoeps CCM4V's>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/44) Location: OTS/BOB/DFC/KFC/ZFC/AARP Official Taper's Section, 9 1/2 ' High Recorded by: Z-Man  
13. 11/20/15 Scottrade Center - St. Louis, MO flac16AKG 483> V2> DR-07 @ 24/48 Location: Tapers section (on the floor behind the soundboard), a hair right of center, 11' high Recorded by: Scott T  
14. 11/21/15 Target Center - Minneapolis, MN flac16 Sennheiser 421's > Tascam DR100 Location: OTS Recorded by: Mike Mahoney  
15. 11/24/15 1stBank Center - Broomfield, CO flac16: Schoeps MK 41 9 cm @ 90*> Schoeps Kcy > Schoeps VMS 5 > Kind Kables Chameleon > Korg MR-1000 line in, 1 bit @2.8MHz. Location: 55' center Front of Board Hat Recorded by: Ed Boardman (Deadhead ED)
http://bt.etree.org/details.php?id=583802 		 
16. 11/25/15 1stBank Center - Broomfield, CO flac16 AUDIX HC > UA-5 > R-09 Location: directlybackofSBD/DFC/PAS Taped by: Taper Corey/KIND Recordings  
17. 11/27/15 MGM Grand Garden Arena - Las Vegas, NV flac16 DPA4061's>Sony M-10@24/44.1 Location: Left Side of SBD Section C Row N Recorded by Russell Cansler  
18. 11/28/15 MGM Grand Garden Arena - Las Vegas, NV flac16 Audience/SP-CMC-25 mics (Croakies)>SP-SPSB-11(Battery Boost Box, with bass-roll-off at 69Hz)>Sony PCM-M10 Location: OTS...behind SBD, section 1, row K...DFC! Recorded By: Robert Mullen  
19. 12/27/15 Bill Graham Civic Auditorium - San Francisco, CA Flac16 AT933>sp12vbb>Sony M-10@24/44.1 Location: 60 feet away dead center Recorded by: Russell Cansler  
20. 12/28/15 Bill Graham Civic Auditorium - San Francisco, CA flac16 Milab VM-44 Link (S-Cards) -> Sonosax SX-R4 (24/48) Location: OTS, 11’ high, DINa Recorded by: Nakguy  
21. 12/30/15 The Forum - Los Angeles, CA flac1648: DPA 4021-Luni V-2-SD 442 channel 1&2 (70% cardiod) DPA 4061-SD 442 channels 3&4 (30% omni) SD 442-SD702-2496-foobar-16/48 Location: Recorded FOB in the "Sweetspot" (60-70 feet center) Recorded by: Recording and transfer by Richie Stankiewicz  
22. 12/31/15 The Forum - Los Angeles, CA flac16: Neumann U-89i's>Zoom F-8 Mastered in wavelab using 3db per octave roll off set at 90hz. and Apogge uv22hr dither Location: Recorded from OTS (in the back of the Floor) Recorded by: Pat Myers aka DATPAT  
23. 02/18/16 The Tonight Show - Jimmy Fallon - Los Angeles, CA sbd.nbcwebsite.flac notes
24. 05/23/16 The Fillmore - San Francisco, CA sbd.unknown.flac24  
25. 06/10/16 PNC Music Pavilion - Charlotte, NC flac16 Nakamichi cm100/cp4 Location: lawn/dfc/10' from railing stand @ 7' Recorded by: Chris Davis  
26. 06/12/16 Bonnaroo Festival - Manchester, TN  
27. 06/16/16 Riverbend Music Center - Cincinnati, OH flac16 DPA 4011c Location: Section 600 Row U (no mic pole) Recorded by: Rob Krall  
28. 06/17/16 Klipsch Music Center - Noblesville, IN flac16 CMXY4V Location: Lawn Recorded by: Rob Krall  
29. 06/20/16 BB&T Pavilion - Camden, NJ flac16 Schoeps CCM4V'S Location: FOB Recorded By: Z-Man  
30. 06/21/16 Saratoga Performing Arts Center - Saratoga Springs, NY flac16 AKG568ebs Location: Recorded at the soundboard right of center Recorded by: Bill Goldberg  
31. 06/23/16 Jiffy Lube Live - Bristow, VA flac16 DPA 4023 Location: Recorded by: vwmule  
32. 06/25/16 Citi Field - New York, NY flac16Microtech Gefell M210s Location: FOB GA Pit DFC Recorded by: Jon Pasternak  
33. 06/26/16 Citi Field - New York, NY flac16 Schoeps MK4 Location: OTS Recorded by: jdwtyl  
34. 06/28/16 Xfinity Theatre - Hartford, CT flac16 MG21 Location: GA Pit Center Recorded by: Keith Antaya  
35. 07/02/16 Folsom Field - Boulder, CO flac1644 DPA-4021 Location: FOB Recorded by: Richie Stankiewicz  
36. 07/03/16 Folsom Field - Boulder, CO flac16 Busman BSC2 Location: FOB Recorded by: teamikoiko  
37. 07/07/16 DTE Energy Music Theatre - Clarkston, MI flac16 AKG 481 Location: Right behind back right corner of the SBD Recorded by: Jeff Frank  
38. 07/09/16 Alpine Valley Music Theatre - Elkhorn, WI flac16 Schoeps MK41 Location: OTS Recorded by: perks  
39. 07/10/16 Alpine Valley Music Theatre - Elkhorn, WI flac16 AKG 481 Location: Recorded by: Jeff Frank  
40. 07/13/16 First Niagara Pavilion - Pittsburgh, PA flac16 SPLSD2 (Cardiod+Omni) Location: OTS Recorded by: Sean Fagan  
41. 07/15/16 Fenway Park - Boston, MA Source: MG21>nBob Actives>nBox Platinum>Sony M10(24/48)
Location:OTS C5 Row 8 @ 10feet
Conversion: SDHC Card>Adobe Audition 3.0>CDWave 1.71
Taper: Keith Antaya 		 
42. 07/16/16 Fenway Park - Boston, MA flac16 MG21 Location: OTS Recorded by: Keith Antaya  
43. 07/22/16 Moda Center - Portland, OR sbd.unknown.flac24  
44. 07/23/16 The Gorge Amphitheatre - George, WA sbd.unknown.flac24  
45. 07/26/16 Irvine Meadows Amphitheatre - Irvine, CA flac16 Neumann Ak40 Location: OTS Recorded by: Todd Hodulik  
46. 07/27/16 Sleep Train Amphitheatre - Chula Vista, CA flac16 SP-CMC-25 Location: sec.203 Recorded by: Robert Mullen  
47. 07/29/16 Toyota Amphitheatre - Wheatland, CA flac16 source 1&2: AT853a(hypercardiods,front/back)>Naiant PFA>DR60Dmk2 source 3&4: Naiant X-Xs(1.3m outriggers)>DR60Dmk2 location: in front of sec 209, stand at 8' recorded by: doug kalley  
48. 07/30/16 Shoreline Amphitheatre - Mountain View, CA pelusoCEMC6.hermsen.flac  
49. 05/27/17 MGM Grand Garden Arena - Las Vegas, NV DPA 4021 > Apogee Duet 2 (Black Lion mod) > iPad mini 3 (Auria) @ 44.1 kHZ/24 bit  
50. 05/28/17 Ak-Chin Pavilion - Phoenix, AZ AKG ck8|a60m|c460b > Tascam DR-70d (24bit/44.1khz)  
51. 05/31/17 Hollywood Bowl - Los Angeles, CA AKG 481 > V3 > Marantz PMD661 (16/44.1), Taped by Jeff Frank  
52. 06/01/17 Hollywood Bowl - Los Angeles, CA flac1644: AKG 481 > V3 > MT 2492, Recorded by Jeff Frank.  
53. 06/03/17 Shoreline Amphitheatre - Mountain View, CA AKG 481 > V3 > MT2496  
54. 06/04/17 Shoreline Amphitheatre - Mountain View, CA AKG 481 > V3 > MT2496  
55. 06/07/17 USANA Amphitheater - West Valley City, UT flac16 Schoeps VMS/MK41  
56. 06/09/17 Folsom Field - Boulder, CO flac16 Soundfield ST-450 Location: FOB  
57. 06/10/17 Folsom Field - Boulder, CO flac16 Soundfield ST450 FOB) Location: FOB, DFC, 6.5� high Recorded by: Nakguy  
58. 06/13/17 Lakewood Amphitheatre - Atlanta, GA flac16 Microtech Gefell 210 Location: dfc 2nd row behind board @ 15 ft. PAS Recorded by c.cage  
59. 06/15/17 KeyBank Pavilion - Burgettstown, PA flac16 2x AKG 391 cardioids ORTF and 2x AKG 393 hypercardioids pointed at stacks Location OTS directly behind soundboard Taped & transferred by Toaste (Mark Houston)  
60. 06/17/17 Fenway Park - Boston, MA flac16Studio Projects C4 (omni, A-B spread 20") Location OTS Recorded by nickspicks  
61. 06/18/17 Fenway Park - Boston, MA flac16 MG21(Hypers) Location OTS C5 Recorded by Keith Antaya  
62. 06/20/17 Saratoga Performing Arts Center - Saratoga Springs, NY flac16 Neuman skm140 Location: sec 8, row HH seat 7, taper ticket, 2 rows behind Mixer enclosure, just left of center Recorded by Steven Weld  
63. 06/22/17 Jiffy Lube Live - Bristow, VA flac16 DPA 4023 location: Recorded by Alex Leary  
64. 06/24/17 Citi Field - New York, NY flac16 Schopes MK4V's Location FOB/DFC 9 feet up Recorded by Jeff Travitz  
65. 06/25/17 BB&T Pavilion - Camden, NJ flac1644 Schoeps MK4V's Location 8 Feet Up FOB/DFC, 102 Row K Recorded by Jeff Travitz  
66. 06/28/17 Blossom Music Center - Cuyahoga Falls, OH flac1644 AKG 481 Location: Lawn (someehere in the center) Recorded by: Jeff Frank  
67. 06/30/17 Wrigley Field - Chicago, IL flac1644Schopes MK4V's Location: FOB/DFC 9 feet up Recorded By Jeff Travitz  
68. 07/01/17 Wrigley Field - Chicago, IL flac16 Mbho Ka200 Location: FOB, DFC, 6ish ft Recorded by: teamikoiko  
69. 11/12/17 Madison Square Garden - New York, NY flac 16; Neumann KMR-82i shotguns > Oade M-248 > Sound Devices 722 > WAV 2448. Mics on stand, Section-2 riser, first row off the floor, recording by Jon Pasternak. WAV 2448 > Wavelab > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged.  
70. 11/14/17 Madison Square Garden - New York, NY schoepsMK41V.phishrabbi.flac16  
71. 11/16/17 Wells Fargo Center - Philadelphia, PA Schoeps MK41V's>Schoeps KCY 25/05i>Schoeps VST62iu>Sound Devices MixPre-6 firmware v1.20 (recorded at 24 BIT / 192KHZ) FOB Back of GA PIT DFC SD card>Sony Sound Forge Pro 11 (Fades,iZotope 64Bit SRC,iZotope MBIT+ Bit depth conversion to 16 Bit/44.1khz)>CDWAV(Tracking)>Trader's Little Helper (FLAC)>Foobar2000 (track tagging) Recorded & Processed By Keith Litzenberger  
72. 11/17/17 TD Garden - Boston, MA schoepsMK4.unknown.flac  
73. 11/19/17 TD Garden - Boston, MA schoepsMK4.unknown.flac  
74. 11/21/17 Capital One Arena - Washington, DC  
75. 11/22/17 XL Center - Hartford, CT schoepsCCM4.oldham.clugston.flac1644  
76. 11/25/17 Nationwide Arena - Columbus, OH mtx.akg391.akg393.toaste.flac1644  
77. 11/28/17 Spectrum Center - Charlotte, NC schoepsCCM4V.zman.flac1644  
78. 11/29/17 Phillips Arena - Atlanta, GA schoepsCCM4V.zman.flac1644  
79. 12/01/17 American Airlines Center - Dallas, TX milabVM44.unknown.flac1644  
80. 12/02/17 Frank Erwin Center - Austin, TX Source: Milab VM-44 Links (super-cards) -> Sonosax SX-R4 (24/48) Location: Front right corner of soundboard, DINa, 8' high Transfer: Sonosax SX-R4 -> Audacity (16/44) -> Cd Wave -> Flac  
81. 02/15/18 Playing In The Sand - Riviera Maya, Mexico sbd.livedownloads.flac1644  
82. 02/17/18 Playing In The Sand - Riviera Maya, Mexico sbd.livedownloads.flac1644  
83. 02/18/18 Playing In The Sand - Riviera Maya, Mexico schoepsCMC64V.travitz.litzenberger.flac16  
84. 02/24/18 Smoothie King Center - New Orleans, LA schoepsMK41.nolamule.flac16  
85. 02/26/18 BB&T Center - Sunrise, FL mg21.jamgrass.flac16  
86. 02/27/18 Amway Center - Orlando, FL zoomH2.gman.flac  
87. 05/30/18 Xfinity Center - Mansfield, MA schoepsMK4.unknown.flac  
88. 06/01/18 BB&T Pavilion - Camden, NJ schoepsMK4V.travitz.litzenberger.flac1644  
89. 06/02/18 BB&T Pavilion - Camden, NJ schoepsMK4V.travitz.litzenberger.flac1644  
90. 06/04/18 Riverbend Music Center - Cincinnati, OH gefellM20.gakidis.flac1644  
91. 06/06/18 Deer Creek - Noblesville, IN mtx.akg391.akg393.toaste.flac1644  
92. 06/08/18 Cellairis Amphitheatre at Lakewood - Atlanta, GA neumann150.dyche.flac  
93. 06/09/18 Walnut Creek - Raleigh, NC nakCM100.davis.george.flac16  
94. 06/11/18 Saratoga Performing Arts Center - Saratoga Springs, NY schoepsCCM4V.zman.flac1644  
95. 06/13/18 Xfinity Center - Hartford, CT schoepsCCM4V.zman.flac1644  
96. 06/15/18 Citifield - Flushing, NY schoepsCCM4V.zman.flac1644  
97. 06/16/18 Citifield - New York, NY schoepsCCM4V.zman.flac1644  
98. 06/19/18 Darien Lake - Darien Center, NY nak700.unknown.flac16  
99. 06/20/18 Blossom Music Center - Cuyahoga Falls, OH Beyerdynamic MCE86II > ART Phantom II > Marantz PMD660  
100. 06/22/18 Alpine Valley Music Theatre - East Troy, WI sennME66.tyedyejon.flc1644  
101. 07/02/18 Shoreline Amphitheatre - Mountain View, CA busmanBSC1.kalley.flac16  
102. 07/11/18 Isleta Amphitheatre - Albuquerque, NM akg461.jimmiec.flac1644  
103. 07/13/18 Folsom Field - Boulder, CO notes
104. 07/14/18 Folsom Field - Boulder, CO notes
105. 08/25/18 Lockn' Music Festival - Arrington, VA milabVM44.unknown.flac1644  
106. 08/26/18 Lockn' Music Festival - Arrington, VA milabVM44.unknown.flac1644  
107. 01/17/19 Playing In The Sand - Riviera Maya, Mexico schoepsCMC64V.travitz.litzenberger.flac16  
108. 01/19/19 Playing In The Sand - Riviera Maya, Mexico schoepsCMC64V.travitz.litzenberger.flac16  
109. 01/20/19 Playing In The Sand - Riviera Maya, Mexico schoepsCMC64V.travitz.litzenberger.flac16  
110. 05/31/19 Shoreline Amphitheatre - Mountain View, CA sbd.unknown.flac16  
111. 06/01/19 Shoreline Amphitheatre - Mountain View, CA sbd.unknown.flac16  
112. 06/07/19 The Gorge - George, WA schoepsCMC64V.travitz.litzenberger.flac  
113. 06/08/19 The Gorge - George, WA schoepsCMC64V.travitz.litzenberger.flac  
114. 06/18/19 SPAC - Saratoga Springs, NY nak700.jtny.flac16  
115. 06/20/19 BB&T Pavilion - Camden, NJ schoepsCMC64V.travitz.litzenberger.flac16  
116. 06/22/19 Gillette Stadium - Foxboro, MA schoepsCCM4V.zman.flac1644  
117. 06/23/19 Citi Field - New York, NY schoepsCMC64V.travitz.litzenberger.flac16  
118. 06/28/19 PNC Music Pavilion - Charlotte, NC pelusoCEMC6.davis.george.flac16  
119. 06/29/19 Cellaris Amphitheatre - Atlanta, GA neumann150.dyche.flac  
120. 07/02/19 Dos Equis Pavilion - Dallas, TX schoepsCMC64V.travitz.litzenberger.flac16  
121. 07/05/19 Folsom Field - Boulder, CO  
122. 07/06/19 Folsom Field - Boulder, CO at853.lorenz.flac1648  
123. 10/31/19 Madison Square Garden - New York, NY nakCM700.jyny.flac16  
124. 11/01/19 Madison Square Garden - New York, NY nakCM700.jtny.flac16  
125. 11/05/19 Nassau Coliseum - Uniondale, NY samarribbonmic.stankiewicz.flac1648  
126. 11/06/19 Nassau Coliseum - Uniondale, NY samarribbonmic.stankiewicz.flac1648  
127. 11/08/19 Hampton Coliseum - Hampton, VA mtx.schoepsMK41V.neumannAK43.davis.flac16  
128. 11/09/19 Hampton Coliseum - Hampton, VA neumannSKM150.sunboy.flac16  
129. 12/31/19 Chase Center - San Francisco, CA dpa4011.zimmerman.flac16  
130. 08/16/21 Coastal Credit Union Music Park, Walnut Creek - Raleigh, NC Flac16
Nakamichi CM700's w 701 Caps > GakCables > Lunatec V3 > Sound Devices 722 @ 24/96
CF 24/96 > Sound Forge Pro 13.0 - Tracking & Editing > Traders Little Helper > Flac
Recorded and uploaded by: JT/NY 569johnt@gmail.com
 		 
131. 08/18/21 Jiffy Lube Live - Bristow, VA Flac16
Nakamichi CM700's w 701 Caps > GakCables > Lunatec V3 > Sound Devices 722 @ 24/96
CF 24/96 > Sound Forge Pro 13.0 - Tracking & Editing > Traders Little Helper > Flac
Recorded and uploaded by : JT/NY 569johnt@gmail.com 		 
132. 08/20/21 Citi Field - Queens, NY Flac16
Source: Aud > Sennheiser Me-80 Mini Shotguns> GakCables > Mix Pre 6 @ 16/48
Lineage: SD 16/44.1 > Sound Forge Pro 13.0 - Tracking & Editing > Traders Little Helper > Flac
Recorded By: W Zimmerman
Uploaded By: JT/NY 		 
133. 08/21/21 Citizens Bank Park - Philadelphia, PA Flac16
Source: Nakamichi CM700 w 701 Caps > GakCables > Lunatec V3 > Sound Devices 722 @ 24/96
Lineage: CF 24/96 > Sound Forge Pro 13.0 - Tracking & Editing > Traders Little Helper > Flac
Recorded and uploaded by: JT/NY 569johnt@gmail.com 		 
134. 08/23/21 Bethel Woods Center for the Arts - Bethel, NY Flac16
Schoeps MK41v's>Schoeps KCY250/5i>Baby Nbox>Sony PCM-A10 (Recorded at 24 BIT/96Khz)
Recorded from Section 100 Row G (First row behind the soundboard)
wav>Sound Forge Pro 15 (Fades,POW-r Bit depth conversion to 16 BIT/44.1khz)
>CDWAV(Tracking)>Trader's Little Helper(FLAC)>Foobar2000(Track Tagging)
Recorded by Keith Litzenberger 		 
135. 08/25/21 Darien Lake Performing Arts Center - Darien Lake, NY Flac16
Source: Nakamichi CM700 w 701 Caps > GakCables > Lunatec V3 > Sound Devices 722 @ 24/96
Lineage: CF 24/96 > Sound Forge Pro 13.0 - Tracking & Editing > Traders Little Helper > Flac
Recorded and uploaded by: JT/NY 569johnt@gmail.com
Be aware that original files (and text file info) are mis-labelled 2021-08-23 		 
136. 08/27/21 SPAC - Saratoga Springs, NY Flac16
Source:Nakamichi 300 Mics W/CP 4 Shotguns>Edirol UA-5>Edirol R-09 HR(24.44.1 KHZ)
>Edirol R-09 HR(Playback)>CD Wav Editor>Traders Little Helper>Flac Level 8.
Sector Boundaries Aligned Using Traders Little Helper
Taped By Dave Boedicker. On The Lawn, Dead Center About Half Way Up. 		 
137. 08/28/21 Hershey park Stadium - Hershey, PA Flac16
Nakamichi CM700's w 701 Caps > GakCables > Lunatec V3 > Sound Devices 722 @ 24/96
Lineage: CF 24/96 > Sound Forge Pro 13.0 - Tracking & Editing > Traders Little Helper > Flac
Recorded and uploaded By: JT/NY 569johnt@gmail.com 		 
138. 09/02/21 Xfinity Center - Mansfield, MA Flac16
Sennheiser Me-80 Mini Shotguns> GakCables > Mix Pre 6 @ 16/48
Lineage: SD 16/44.1 > Sound Forge Pro 13.0 - Tracking & Editing > Traders Little Helper > Flac
Recorded By: w Zimmerman Uploaded By: JT/NY 569johnt@gmail.com 		 
139. 09/03/21 Xfinity Center - Mansfield, MA Flac16
Schoeps CMC64v's>Grace Design Lunatec V3>Sound Devices 744t
Sound Forge Pro 15 (Fades,POW-r Bit depth conversion to 16 BIT/44.1khz)>CDWAV(Tracking)>Trader's Little Helper(FLAC)Foobar2000 (Track Tagging)
Recorded by Jeff Travitz
Processed by Keith Litzenberger 		 
140. 09/05/21 XFinity Theatre - Hartford, CT Flac16
Source: Nak 700 with 701 > GakCables > Lunatec V3 > GakCables > Sound Devices 722 @ 24/96
Lineage: CF 2 24/96 > Sound Forge Pro 13.0 - Tracking & Editing > Traders Little Helper > Flac
Location: Section 600 > Behind Board > 10ft High
Recorded and uploaded by: JT/NY 569johnt@gmail.com
The original files were mis-dated as 2021-09-04. 		 
141. 09/07/21 Blossom Music Center - Cuyahoga Falls, OH Flac16
3x AKG398 shotguns (L,C,R); 1x AKG394 Figure-8 (L,R); 2x AKG391 cardioids DIN (L,R); 2x AKG392 omnis 7-foot spread (L,R) > Zoom F8 @ 44.1/16
Location : DFC lawn
Recorded and uploaded by Toaste 		 
142. 09/10/21 DTE Energy Music Theater - Clarkston, MI Flac16
Sennheiser ME80's > GakCables > MixPre 6 @ 16/48
SD 16/48 > Sound Forge Pro 13.0 - Tracking & Editing > Traders Little Helper > Flac
Recorded By: W Zimmerman
Uploaded By: JT/NY 		 
143. 09/11/21 Riverbend Music Center - Cincinnati, OH Flac16
Front center lawn about 15 yards back, stand at head level
3x AKG398 shotguns (L,C,R); 1x AKG394 Figure-8 (L,R); 2x AKG391 cardioids DIN (L,R);
2x AKG392 omnis 5-foot spread (L,R) > Zoom F8 @ 44.1/16
Omnis moved to 3-foot spread for second set.
Recorded and uploaded by Toaste. 		 
144. 09/13/21 Hollywood Casino Amphitheatre - St. Louis, MO Flac16
Sennheiser ME80's > GakCables > MixPre 6 @ 16/48
SD 16/48 > Sound Forge Pro 13.0 - Tracking & Editing > Traders Little Helper > Flac
Recorded By: W Zimmerman
Uploaded By: JT/NY 		 
145. 09/15/21 Ruoff Music Center, Deer Creek - Noblesville, IN Flac16
3x AKG398 shotguns (L,C,R); 1x AKG394 Figure-8 (L,R); 2x AKG391 cardioids DIN (L,R); 2x AKG392 omnis 4-foot spread (L,R) > Zoom F8 @ 44.1/16
Recorded and uploaded by : Toaste 		 
146. 09/17/21 Wrigley Field - Chicago, IL Flac16
Sennheiser Me-80 Mini Shotguns> GakCables > Mix Pre 6 @ 16/48
SD @ 16/48 > Sound Forge Pro 13.0 - Tracking & Editing > TLH > Flac
Recorded By: W Zimmerman
Uploaded By: JT/NY 		 
147. 09/18/21 Wrigley Field - Chicago, IL Flac16
Schoeps CMC64v's>Grace Design Lunatec V3>Sound Devices 744t
Sound Forge Pro 15 (Fades,POW-r Bit depth conversion to 16 BIT/44.1khz) >CDWAV(Tracking)>TLH(FLAC)Foobar2000 (Tagging)
Recorded by Jeff Travitz
Processed by Keith Litzenberger 		 
148. 10/11/21 PNC Music Pavilion - Charlotte, NC Flac16
Sennheiser Me-80 Mini Shotguns> GakCables > Mix Pre 6 @ 16/48
SD > Sound Forge Pro 13.0 - Tracking & Editing > TLH > Flac
Recorded By: W Zimmerman
Uploaded By: JT/NY 		 
149. 10/12/21 Cellairis Amphitheatre at Lakewood - Atlanta, GA Flac16
Sennheiser Me-80 Mini Shotguns> GakCables > Mix Pre 6 @ 16/48
SD > Sound Forge Pro 13.0 - Tracking & Editing > TLH > Flac
Recorded By: W Zimmerman
Uploaded By: JT/NY 		 
150. 10/14/21 Dos Equis Pavilion - Dallas, TX Flac16
Sennheiser Me-80 Mini Shotguns> GakCables > Mix Pre 6 @ 16/48
SD > Sound Forge Pro 13.0 - Tracking & Editing > TLH > Flac
Recorded By: W Zimmerman
Uploaded By: JT/NY 		 
151. 10/15/21 Cynthia Woods Mitchell Pavilion - The Woodlands, TX Flac16
Sennheiser Me-80 Mini Shotguns> GakCables > Mix Pre 6 @ 16/48
SD > Sound Forge Pro 13.0 - Tracking & Editing > TLH > Flac
Recorded By: W Zimmerman
Uploaded By: JT/NY 		 
152. 10/19/21 Red Rocks Amphitheatre - Morrison, CO Flac16
Schoeps CMC64v's>Grace Design Lunatec V3>Sound Devices 744t
16th row DFC
Sound Forge Pro 15 > 16/44.1 > CDWAV(Tracking)>TLH(FLAC)>Foobar2000 (Track Tagging)
Recorded by Jeff Travitz
Processed by Keith Litzenberger 		 
153. 10/20/21 Red Rocks Amphitheatre - Morrison, CO Flac16
Schoeps CMC64v's>Grace Design Lunatec V3>Sound Devices 744t
16th row DFC
Sound Forge Pro 15 > 16/44.1 > CDWAV(Tracking)>TLH(FLAC)Foobar2000 (Tagging)
Recorded by Jeff Travitz
Processed by Keith Litzenberger 		 
154. 07/01/22 Bethel Woods Center For the Arts - Bethel, NY Flac16
Neumann U89i's (Hypercardioid)>Sound Devices MixPre-10 II (Recorded at 32 BIT Float/48Khz)
Recorded from Section 100 Row G Seat 14 (First row behind the soundboard)
wav>Sound Forge Pro 16 (Fades, Sample Rate Conversion to 44.1Khz, Bit depth conversion to 16 BIT)>CDWAV(Tracking)>Trader's Little Helper(FLAC)>Foobar2000(Track Tagging)
Recorded by Keith Litzenberger 		 
155. 01/14/23 Moon Palace The Grand - Cancún, Mexico sbd.nugsnet.flac16  
156. 01/16/23 Moon Palace The Grand - Cancún, Mexico sbd.nugsnet.flac16  
157. 01/17/23 Moon Palace The Grand - Cancún, Mexico sbd.nugsnet.flac16  
158. 05/08/23 Barton Hall, Cornell University - Ithaca, NY Flac16
CCM 41v's and CCM 41's > Lemo Cables > GakCables / Breakouts > Sound Devices Mix Pre 6 II @ 32/48
SD 32/48 > Sound Forge Pro 13.0 - Tracking & Editing > Traders Little Helper - Convert to Flac
Recorded and Transferred by JT/NY 569johnt@gmail.com 		 
159. 05/23/23 Talking Stick Resort Amphitheatre - Phoenix, AZ sbd.nugsnet.flac  
160. 05/26/23 Dos Equis Pavilion - Dallas, TX sbd.nugsnet.flac  
161. 05/28/23 Cellairis Amphitheatre at Lakewood - Atlanta, GA sbd.nugsnet.flac  
162. 05/30/23 PNC Music Pavilion - Charlotte, NC sbd.nugsnet.flac  
163. 06/01/23 Walnut Creek - Raleigh, NC sbd.nugsnet.flac16  
164. 06/03/23 Jiffy Lube Live - Bristow, VA sbd.nugsnet.flac  
165. 06/05/23 The Pavilion at Star Lake - Burgettstown, PA sbd.nugsnet.flac  
166. 06/07/23 Hollywood Casino Amphitheatre - Maryland Heights, MO sbd.nugsnet.flac  
167. 06/09/23 Wrigley Field - Chicago, IL sbd.nugsnet.flac  
168. 06/10/23 Wrigley Field - Chicago, IL sbd.nugsnet.flac  
169. 06/13/23 Riverbend Music Center - Cincinnati, OH sbd.nugsnet.flac  
170. 06/15/23 Citizens Bank Park - Philadelphia, PA sbd.nugsnet.flac  
171. 06/17/23 Saratoga Performing Arts Center - Saratoga Springs, NY sbd.nugsnet.flac  
172. 06/18/23 Saratoga Performing Arts Center - Saratoga Springs, NY sbd.nugsnet.flac  
173. 06/21/23 Citi Field - New York, NY sbd.nugsnet.flac  
174. 06/22/23 Citi Field - New York, NY sbd.nugsnet.flac  
175. 06/24/23 Fenway Park - Boston, MA sbd.nugsnet.flac  
176. 06/25/23 Fenway Park - Boston, MA sbd.nugsnet.flac  
177. 06/27/23 Ruoff Music Center - Noblesville, IN sbd.nugsnet.flac  
178. 07/02/23 Folsom Field - Boulder, CO sbd.nugsnet.flac  
179. 07/14/23 Oracle Park - San Francisco, CA sbd.nugsnet.flac  
180. 07/15/23 Oracle Park - San Francisco, CA sbd.nugsnet.flac  
181. 07/16/23 Oracle Park - San Francisco, CA sbd.nugsnet.flac  

Dear Jerry Celebration  
  Date Venue - City, State Media  
1. 05/14/15 Merriweather Post Pavilion - Columbia, MD dpa4023.vwmule.flac16  

Furthur http://www.furthur.net/
  Date Venue - City, State Media  
1. 09/18/09 Fox Theater - Oakland, CA Matrix mix: sbd:aud(-13db)
Audience source via PHopely
Lineage: Mixing Cool Edit Pro > CDWAV > TLH > flac level 8. 		 
2. 09/19/09 Fox Theater - Oakland, CA SBD/AUD Mix; (DSBD + Milab VM-44 Link) > Wavelab 5.01 > CD Wave 1.94.5 > Flac 16 (level 8)]  
3. 09/20/09 Fox Theater - Oakland, CA SBD/AUD Mix; (DSBD + Milab VM-44 Link) > Wavelab 5.01 > CD Wave 1.94.5 > Flac 16 (level 8)]  
4. 12/08/09 Hammerstein Ballroom - New York, NY Microtech Gefell m210's > EAA PSP3 > Marantz PMD620
Transfer: Marantz PMD620 > PC > Wav (via CD Wave) > FLAC Frontend (Level 8)
Taped by Freddie G
Tracked, FLAC'ed and Seeded by Ari Jaffess 		 
5. 12/09/09 Hammerstein Ballroom - New York, NY Microtech Gefell m210's > EAA PSP3 > Marantz PMD620 @ 44.1KHz / 16bit
Transfer: Marantz PMD620 > PC > Wav (via CD Wave) > FLAC Frontend (Level 8) (**NO DAE OR RESAMPLING**)
Taped by Freddie G
Tracked, FLAC'ed and Seeded by Ari Jaffess 		 
6. 12/11/09 Chevrolet Theater @ Oakdale - Wallingford, CT Source: Rode NTG1 shotguns -> Naint littlebox -> Fostex FR2LE (24/48Khz)
Transfer: Sony Graphic EQ > Nero Wave Editor 3 > FLAC
Taped and Transferred by IAmHammered 		 
7. 12/12/09 Asbury Park Convention Hall - Asbury Park, NJ Milab VM-44 Link -> Lunatec V2 -> Korg MR-1000 (1bit/2.8MHz DSD)
Location: OTS, 2’ right of dfc, 11’ stand
Transfer: Korg MR-1000 -> AudioGate (16/44) CD Wave -> FLAC 		 
8. 12/13/09 Convention Hall - Asbury Park, NJ Microtech Gefel 210 (Hypers)>EAA PSP3>Marantz PMD620 @ Back Of SBD
Transfer:PMD620>PC>CD Wave > FLAC Frontend (Level 8)
Taped by Freddie G 		 
9. 12/30/09 Bill Graham Civic Auditorium - San Francisco, CA Neumann KMF4i > Denecke PS2 > Modified D8 (11ft. Stand in Section)
Modified D8 > Prodif Gold > Soundforge 6.0 (fades & Normalization) > CD wave (tracks) > Flac(8)
unspecified taper 		 
10. 12/31/09 Bill Graham Civic Auditorium - San Francisco, CA Milab VM-44 Link -> Lunatec V2 -> Korg MR-1000 (1bit/2.8MHz DSD)
Transfer: Korg MR-1000 -> AudioGate (16/44) -> CD Wave -> FLAC 		 
11. 02/05/10 Bayfront Park Amphitheater - Miami, FL Sound path: Neumann skm 140s->Sound Devices 722->Resample-1.8+(24/192-> 16/44.1khz); minor glitch fixes w/ cooledit.
email: phopely@gmail.com
Green bittorrent downloads available from us @ http://rosemary.dyndns.org 		 
12. 02/06/10 Hard Rock Live - Orlando, FL schoeps ccm4 and neuman tm103 > edirol r44 (oade mod)
Lineage: wav 4track > 2 (samplitude) > cdwaveditor > flac
Taped and Transferred by marcus 		 
13. 02/08/10 The Tabernacle - Atlanta, GA Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48)
FOB/DFC/KFC/ZFC/AARP 32' From Stage, 9' High
DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16)
Recorded By: Z-Man 		 
14. 02/09/10 Thomas Wolfe Auditorium - Asheville, NC Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K>Sound Devices 722 (24/48)
OTS/DFC/KFC/ZFC/AARP Row BB, Seat 8, 7' High
DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16)
Recorded By: Z-Man 		 
15. 02/10/10 Bojangles' Coliseum - Charlotte, NC Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48)
OTS/DRFC/KFC/ZFC/AARP 9 1/2' High
DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16)
Recorded By: Z-Man 		 
16. 02/12/10 Hampton Coliseum - Hampton, VA KM-140 -> PSP3 -> R09HR Split second set between tracks 6 and 7 for CD.  
17. 02/13/10 Patriot Center, George Mason University - Fairfax, VA Soundfield SPS200>788T OTS 30' behind sbd, 5th row bleachers right aisle.
Neuendo4>Surroundzone (Card@90)>6to2 (LCRlfe to stereo)>CDWave>Flacfronend(8) 		 
18. 02/14/10 Barton Hall - Ithaca, NY Schoeps MK4V > Nbox > Sound Devices 722
Lineage: 722 hard drive > compact flash card > IBM ThinkPad T43
Taped & Transferred by: Tim Burke 		 
19. 02/23/10 Radio City Music Hall - New York, NY Master: Schoeps mk4's (din)>kc5's>cmc6xt's>722, 722>Teac RW800>CD Recorded from center of 1st mezzanine by Tom Gluck Extraction: CD>xACT 1.71 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick  
20. 03/03/10 Auditorium Theatre - Chicago, IL Shoeps MK41V's > Marantz PMD660
Recorded By: Mike Mahoney 		 
21. 03/12/10 Bill Graham Civic Auditorium - San Francisco, CA Nakamichi 300 shotguns > Lunatec V3 > Sound Devices 744T
Adobe Audition 1.5 > 24/88.2 to 16/44 > CDWave > FLAC
Recorded by Pete Gilmore; Transfer by Pete and Dawn Gilmore 		 
22. 05/29/10 Calaveras County Fairgrounds - Angels Camp, CA Source: Nakamichi 300 shotguns & Schoeps mk4's > Lunatec V3 > Sound Devices 744T
Transfer: 744T > Adobe Audition 1.5 > 24/48 to 16/44 > CDWave FLAC
Recorded by Pete Gilmore, Monkey Tunes
Transferred by Dawne and Pete Gilmore 		 
23. 05/30/10 Calaveras County Fairgrounds - Angels Camp, CA Milab VM-44 Link -> Tascam DR680 (24/48)
Location: FOB, 40’ from stage, center, 8’ stand
Transfer: Tascam DR-680 -> AudioGate (16/44) -> CD Wave -> FLAC 		 
24. 06/25/10 Highland Park Bowl - Rochester, NY DPA 4023>Sonosax SX-M2>Sound Devices 722 (24/96
Config/Location: NOS/OTS/SROC 9' stand
Transfer: 722>Firewire>Macbook> Sound Studio 3(fades, normalize peak, track, bit depth conversion, resample)>xACT(align on sector boundaries, encode, tag, fingerprint)>flac16
Taped & transferred by: Lenny Stubbe 		 
25. 06/26/10 MCU Park - Brooklyn, NY Microtech Gefel 210>EAA PSP3>Marantz PMD620 OTS
Transfer:Marantz PMD620>PC>CD Wave>FLAC Frontend (Level 8)
Taped & Transfered: Freddie G 		 
26. 06/30/10 LeLacheur Park - Lowell, MA AKG 391>oade bcm Marantz pmd 671>wav
wav>soundforge 10(fades)>cdwav(tracking)>Traders Little Helper>flac
Recorded FOB , 8’0 ht
Tape & transfer by wheresjerry 		 
27. 07/02/10 Lifestyle Communities Pavilion - Columbus, OH sennMKH8040.bandit.toad.flac16  
28. 07/03/10 Gelston Castle Estate - Mohawk, NY Nakamichi 100/cp4 Shotgun [no wind screens]
approximately 8 feet high >> Monster Cables >> KORG MR-1000 at 5.6mHZ DSD
Recorded by Keo 		 
29. 07/07/10 LeBreton Flats Park - Ottawa, ON Source: Open-Air Audience/Open - CA-11 Omnis > CA-9100 (1/8" inputs) + CA-14 Cards (with dead rats) > CA-UGLY (1/4" inputs) > Zoom H4n @ 24 bit/48 kHz
Transfer: Wavepad Master's Edition v4.0 (mixdown, amplify, cuts, fades, downsampling) > Flac Frontend v1.2.1b > Trader's Little Helper v.2.4.1 build 160 (create .ffp and .md5 files)
Recording location: FOB 1 metre left of dead center 44 metres from stage - 11' high until end of Bertha then raised to 13' - 6" spread
Recordist: Seth Meister; Mastered by: Leif H. 		 
30. 07/08/10 Artpark - Lewiston, NY DPA 4023>Sonosax SX-M2>Sound Devices 722 (24/96)
Config/Location: Set I DIN/FOH/ROC 6' stand/Set II PAS/FOH SROC 6' stand
Transfer: 722>Firewire>Macbook>Sound Studio 3(fades, normalize peak, track, bit depth conversion, resample)>xACT(align on sector boundaries, encode, tag, fingerprint)>flac16
Taped & transferred by: Lenny Stubbe 		 
31. 07/09/10 Marvin's Mountain Top - Masontown, WV AKG C460Bs/CK 63-ULS (DINa, FOB, ROC, 70Hz roll off)->Kind Kables->Naiant LittleBox->Segue Dogstar Silver-Clad Interconnect->Edirol R-09HR (24 bit/48 kHz)
Transfer: SDHC -> PC/ Processing: Fade in, fade out, dithered to 16 bit, resampled to 44.1 kHz & tracking using SoundForge 9.0.
Conversion: FLAC frontend 1.7.1 used to align on sector boundaries and for Flac16 Conversion @ level 8
Tagging: Band name, Venue and Song Title in Foobar2000
Taper: Timothy Brown 		 
32. 07/30/10 Seaside Park - Bridgeport, CT Neumann KM184> v2> mini-me> Tascam HD-P2 (24bit/48 kHz)[DIN 90* tapers section]
transfer: CF> USB> Samplitutde 11> cdWave> FLAC
taped/transfered by Rob Clarke 		 
33. 09/16/10 Cuthbert Amphitheater - Eugene, OR ADK-TL (Hypers) > Hydra Silver XLR's > Busman R-4 (Vintage Mod) @ 24/48
Location: Directly behind soundboard, DFC
Transfer: Wavelab 5.01 (gain applied, fades, resample, and dither - UV22HR) > CD Wave 1.98 > Flac 16 (6)
Taped and transferred by Chris Larson 		 
34. 09/17/10 Cuthbert Amphitheater - Eugene, OR ADK-TL (Hypers) > Hydra Silver XLR's > Busman R-4 (Vintage Mod) @ 24/48
Location: Directly behind soundboard, DFC
Transfer: Wavelab 6.11 (gain applied, fades, resample, and dither - UV22HR) > CD Wave 1.98 > Flac 16 (6)
Taped and transferred by Chris Larson 		 
35. 09/22/10 The Joint, Hard Rock Hotel & Casino - Las Vegas, NV Set 1: Neumann U-89i's (Hyper)-V3 > Oade T. Mode PMD-661
Set 2: AKG 460/ck1 active system > Oade T. Mode PMD-661
Taped by: Pat Myers 		 
36. 09/24/10 Red Rocks Amphitheatre - Morrison, CO Schoeps MK4>kwon-dina>KC5>CMC6>V2>KindKables XLR-mini XLR>744T (HPF 0) 24/48
Location: OTS (row 16) dead center, Stand at 7'
dsp: 744t > wavelab5 > cdwave > wavelab5 > flac(7)
tagging: Flacs tagged with Foobar2000 Live Show Tagger
Recorded by Bennett Schwartz 		 
37. 09/25/10 Red Rocks Ampitheatre - Morrison, CO Milab VM-44 Link -> Lunatec V2 -> Tascam DR-680 (24/48)
Location: OTS, 1st row, 5’ Right of Center, 7’ stand
Transfer: Tascam DR-680 -> AudioGate (16/44) -> CD Wave -> FLAC
Recorded By: nakguy 		 
38. 09/26/10 Red Rocks Amphitheatre - Morrison, CO DPA4022 (WS) -> Littlebox Gain (~+16) -> Edirol09HR (24/96) (Line in) (Recd Level = 40)
Location: FOB, DFC, 1st row Seat 52
Transfer: Edirol R09HR (24/96) wav -> USB cable -> PC
Editing: Wavelab plugins -> Flac(16)
Recorded by Patrick H. 		 
39. 11/08/10 Northrop Memorial Auditorium, Univ. of Minnesota - Minneapolis, MN Sennheiser e 614’s > Marantz PMD660 (Oade Mod)
Recorded by Mike Mahoney 		 
40. 11/09/10 Stephens Auditorium, Iowa State University - Ames, IA Recorded by Mike Mahoney (mpmgumby AT msn.com) Sennheiser e 614’s > Marantz PMD660 (Oade Mod) Wavelab 6.0  
41. 11/12/10 UIC Pavilion - Chicago, IL Source:Neumann ak40(NOS)>LC3>km100>OadeM248+ak50(DINA)>LC3>km100>V2>AD2k>Tascam680 Transfer:SD card>Samplitude No.9>CD wave editor>TLH Location:Taper section/DFC 8.5' High Taped and seeded by Craig Hanger  
42. 11/13/10 UIC Pavilion - Chicago, IL Source:Neumann ak40>LC3>km100>OadeM248+ak50>LC3>km100>V2>AD2k>TascamDR-680 Transfer:SD Card>Samplitude No.9>CD Wave Editor>TLH Location:Taper Section/sroc 9' High Taped and Seeded by Craig Hanger  
43. 11/20/10 Madison Square Garden - New York, NY Source: Microtech Gefell m210's (hypercards) > AETA PSP3 > Marantz PMD620 @44.1KHz OTS Transfer: Memory Card > PC (normalize and fades with Audacity) > Wav (via CD Wave) > FLAC Frontend (Level 8) Taped by Freddie G Transferred by Ari Jaffess  
44. 11/21/10 Madison Square Garden - New York, NY Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48) BOB/DFC/KFC/ZFC/AARP Section 10 , Row A, Seat 9, 7' High DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16) Recorded By: Z-Man Seeded By: Z-Man  
45. 12/30/10 Bill Graham Civic Auditorium - San Francisco, CA Downloaded SBD  
46. 12/31/10 Bill Graham Civic Auditorium - San Francisco, CA Milab VM-44 Link -> Lunatec V2 -> Tascam DR-680 (24/48)
Location: OTS, right side of soundboard, 10’ stand
Transfer: Tascam DR-680 -> AudioGate (16/44) -> CD Wave -> FLAC 		 
47. 02/12/11 1st Bank Center - Broomfield, CO AKG C 460 B comb/ CK63-ULS (NOS, TS, center, 11' up) > Tascam DR-680
SDHC card (USB reader) > Wavelab > CD Wave Editor > Flac
Taped and transferred by Chuck Miller 		 
48. 03/04/11 Orpheum Theatre - Boston, MA Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48)
FOB/DLFC/KFC/ZFC/AARP Row O, Seat 123, 7' High
DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16)
Recorded By: Z-Man 		 
49. 03/05/11 Orpheum Theatre - Boston, MA Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48)
FOB/DLFC/KFC/ZFC/AARP Balcony Center, Row A, Seat 201
DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16)
Recorded By: Z-Man 		 
50. 03/06/11 Orpheum Theatre - Boston, MA Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48) FOB/DFC/KFC/ZFC/AARP Balcony Center, Row A, Seat 209 DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16) Recorded By: Z-Man Seeded By: Z-Man  
51. 03/08/11 Oakdale Theater - Wallingford, CT AKG481 > Oade OCM PMD661 @ 24bit/48khz
Section 205, row EE, ROC, 7ft high, Din(a)
SD card > Adobe Audition > CD Wave > Traders's Littler Helper 		 
52. 03/10/11 Best Buy Theater - New York, NY 16bit 44.1kHz file set: DPA-4021's > Oade modified Marantz PMD-661 > 2448 > R8Brain. Mics at 110 degrees, 7-foot stand, FOB center floor rail. Taped by Richie Stankiewicz.  
53. 03/11/11 Best Buy Theater - New York, NY Source: AKG C460b ck63 (JW mod) > Aerco MP-2 > Sony PCM-M10 (24/44.1)
Lineage: (24/44.1) WAV > Adobe Audition 3.0 > (16/44.1) WAV > Totalrecorder 8.2 > (16/44.1) WAV > Trader's Little Helper 2.6 > FLAC
Taped and Transferred by: Dan Nolan, Jr - spyder9 		 
54. 03/12/11 Best Buy Theater - New York, NY Source: B+K's 4021's > PSP3 > Marantz PMD-620. Recording and transfer to CDR by T-Bone. This fixed version repairs the inverted phase. CDR > EAC > WaveLab > TLH > FLAC 1644 tagged.  
55. 03/13/11 Best Buy Theater - New York, NY Source: B+K's 4021's > PSP3 > Marantz PMD-620. Recording and transfer to CDR by T-Bone. CDR > EAC > TLH > FLAC 1644 tagged.  
56. 03/15/11 Best Buy Theater - New York, NY Source: Microtech Gefell M210's > Oade M248 > Sony SBM-1 > Sony TC-D8. Front of OTS, next to the soundboard. Recorded by Jon Pasternak. Transfer: MAD > Sony TC-D8 > Tascam CDRW-2000 > CDR > EAC > TLH > FLAC.  
57. 03/18/11 Tower Theatre - Upper Darby, PA Source: Schoeps mk4 (DIN,loge rail)> NBox+> Sony PCM-M10 (24/48); Audacity (fades,tracks)> xACT 2.07> FLAC24
Lineage: FLAC24 > TLH > WAV > r8brain(44.1/16, very high) > TLH > FLAC16 Level 8
Taped and Transferred by: Craig Taraszki
downsampled & reflac'd by Terrapin Joe (owner@terrapinstation.org) 		 
58. 03/26/11 Radio City Music Hall - New York, NY Source: BK4021 > PSP3 > Marantz PMD-620 Recording and transfer to CDR by T-Bone. CDR > EAC > TLH > FLAC 1644 tagged.  
59. 03/27/11 Radio City Music Hall - New York, NY Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48) BOB/DFC/KFC/ZFC/AARP Row N, Between Seats 401 & 402, 6 1/2' High DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16) Recorded By: Z-Man Seeded By: Z-Man  
60. 03/29/11 Broome County Veterans Memorial Arena - Binghamton, NY Edirol UA-5>Edirol R-09 HR(24/44.1KHZ)>Nakamichi 300 Mics W/CP4 Shotguns>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped Right Side Of Soundboard Mic Stand At 9 Feet.Taped By Dave Boedicker(Boedi-taper).  
61. 04/01/11 Hampton Coliseum - Hampton, VA ***16 BIT*** Source: Schoeps mk41v's(DINa)>kc5>m222>nt222>744t Location: BOB/OTS Transfer: 744t>CD Wave>Wavelab 5>Flac Taped and Transferred By: Derek Davis  
62. 04/02/11 North Charleston Coliseum - Charleston, SC 16 bit fileset: (ots) Peluso cemc6/ck41 [dina] -> Reference Audio Design ms2 -> Tascam DR-680 [24/48] -> Wavelab 6.1 [matrix/fades] -> CD Wave 1.98 -> Wavelab 6.1 [Crystal/UV22HR] -> TLH [flac/8] -> FOOBAR [tags] by Chris Davis  
63. 04/06/11 Mizner Park Amphitheatre - Boca Raton, FL Source: AKG C460b ck1 > Naiant Littlebox (V1 Jensen) > Sony PCM-M10 (24/44.1) Lineage: (24/44.1) WAV > Adobe Audition 3.0 > (16/44.1) WAV > Totalrecorder 8.2 > (16/44.1) WAV > Trader's Little Helper 2.6 > FLAC Taped and Transferred by: Dan Nolan, Jr - spyder9  
64. 06/03/11 Shoreline Amphitheatre - Mountain View, CA Source: Milab VM-44 Link -> Lunatec V2-> Tascam DR-680 (24/48)
Transfer: Tascam DR-680 -> AudioGate (16/44) -> CD Wave -> FLAC 		 
65. 06/04/11 Shoreline Amphitheatre - Mountain View, CA Source: Sennheiser MKH8040 -> Aerco MP-2 -> Sony M-10 (24/48k)
Transfer: M-10 -> MacBook -> GarageBand -> Fission -> Xact -> FLAC
Taper: tsquare (taper.tsquare@gmail.com) - Trent T. 		 
66. 07/15/11 All Good Music Festival (Dragon Stage) - Masontown, WV Source: AKG C460Bs/CK 63-ULS (DINa, ~9' on stand, front right corner of FOH)->Kind Kables->Naiant LittleBox->Segue Dogstar Silver-Clad Interconnect->Edirol R-09HR (24 bit/48 kHz)
Transfer: SDHC -> PC
Taped and Transferred by: Timothy Brown 		 
67. 07/16/11 Bethel Woods Center For The Arts - Bethel, NY Source: AKG CK1x>Naiant Tiny Box>Sony M10@24/48
Location: FOB, Left of Center, Stand at 7 feet
Transfer: M10>Adobe Audtion 3.0>Cdwav>flac16
Taped, transfered and uploaded by Tony Suraci 		 
68. 07/17/11 Jones Beach Amphitheatre - Wantagh, NY  
69. 07/19/11 Saratoga Performing Arts Center - Saratoga Springs, NY Source: 16 bit: Microtech Gefell M20 > JK Labs ECMS-23 > Oade M148 > Sony PCM-M10
Lineage: microSD card > Lenovo IBM ThinkPad T60
Taped and Transferred by: Tim Burke 		 
70. 07/21/11 Comcast Center - Mansfield, MA Downloaded SBD  
71. 07/22/11 Gathering of the Vibes - Bridgeport, CT Source 1: AKG c460b/ck63(DINa,OTS) > Lunatec V3 Digital > Busman Tascam DR-680(24/48)
Source 2: AKG c480b/ck62(AB,3'Split,OTS) > Busman Tascam DR-680(24/48) Waves > Vegas Pro 8.0(Mix,Eq,Resample,Dither 16/44.1) > Soundforge 9.0(Fade,Track) > Flac
Taped, Transfered & Seeded by Ted Gakidis 		 
72. 07/26/11 Constellation Brands-Marvin Sands Performing Arts - Canandaigua, NY Source: AKG CK1x>Naiant Tinybox>SonyM10
Lineage: M10>Adobe Aud.>Cdwav>flac16
Taped and Transferred by: Tony Suraci 		 
73. 10/02/11 Red Rocks Amphitheatre - Morrison, CO Source: Matrix= DPA4022 + DPA4027 -> Big Box/V3 -> Tascam DR-680
Transfer: Tascam DR680 (24/96) wav -> USB cable -> PC -> WaveLab > Flac(16)
Taped and Transferred by: Patrick H. 		 
74. 10/04/11 The Joint @ Hard Rock Hotel - Las Vegas, NV Source: Peluso CEMC6 Cards > Hi Ho Silvers > BM2P+ Edirol UA-5 > Monser THX I100FO > iRiver iHP-108 > Master .WAV
Transfer: iRiver iHP-108 > USB 2.0 > Audacity v1.3.12b > xACT v2.13 > FLAC > Transmission v2.31
Recorded and Mastered by: Cheese Cadet Audio 		 
75. 10/07/11 Monterey County Fairgrounds - Monterey, CA Source: Sennheiser MKH8040 (DINa) -> Aerco MP-2 -> Sony M-10 (24/48k) Location: right of SBD, front rail of taper's section, mics mounted to stand at about 9 ft. Transfer: M-10 -> MacBook -> GarageBand (conversion to 44.1k, light EQ, level adjustment and fades, export to AIF format/16BIT) -> Fission to split tracks -> Xact (encode to FLAC, align on sector boundaries)  
76. 11/03/11 Verizon Wireless Arena - Manchester, NH sbd.unknown.flac notes
77. 11/08/11 John Paul Jones Arena - Charlottesville, VA Source: Sennheiser MKII's>Marantz PMD620 @ 16/44
Recorded/Tracked/Flacked By Mr. Baker
Metadata Tagging/SBE's Checked/Fixed By Keo 		 
78. 11/10/11 Madison Square Garden - New York, NY Source: Nakamichi JB-Mod CM-300 CP-1> XLR> Oade Digimod UA5>NOMAD JB3> audacity (amplify db)> CD wave
Taped by Jeremy Banaszewski 		 
79. 11/13/11 First Niagra Center - Buffalo, NY Source: Neumann SKM 140>Lunatec V2>Apogee Mini-Me@48/24>AES/EBU>Sound Devices 722 @48kHz/24bit
Transfer: Sound Devices 722>Sound Forge 9.0e>CD Wave>FLAC frontend>Tag Scanner>FLAC
Recording, transfer, editing, mastering & conversion by Steven Weld 		 
80. 11/16/11 Jerome Schottenstein Center - Columbus, OH Source: Neumann AK50/LC3/KM100 > Apogee Mini-Me > Sound Devices 702 [24/48]
Transfer: CF > PC > Wavelab 6(Fades,Crystal Resampler,UV22HR) > CDWave > TLH
Recorded and transferred by K.C. Cadwallader 		 
81. 11/21/11 Old National Centre - Indianapolis, IN Source: CA-11 cards > CA-9100 > MR-1 @ 1 bit 2.8MHz
Lineage: MR-1 > Audiogate (+2db,16/44.1) > CDWAV > TLH flac
Taped and Transferred by: indydarkstar 		 
82. 12/30/11 Bill Graham Civic Auditorium - San Francisco, CA Source: Milab VM-44 Link -> Lunatec V2 -> Tascam DR-680 (24/48)
Transfer: sdhc -> AudioGate (16/44) -> CD Wave -> FLAC
Taped and Transferred by Nakguy 		 
83. 12/31/11 Bill Graham Civic Auditorium - San Francisco, CA Source: Milab VM-44 Link -> Lunatec V2 -> Tascam DR-680 (24/48)
Transfer: sdhc -> AudioGate -> CD Wave -> FLAC
Taped and Transferred by: nakguy 		 
84. 04/07/12 Toyota Presents Oakdale Theatre - Wallingford, CT AKG C33 > Lunatec V3 > Sound Devices 744T
SD 744T > Soundforge 9 > Media Jukebox 14
Taped and Transferred by Dave the Engineer 		 
85. 04/10/12 Beacon Theatre - New York, NY ** 24bit **
Source: Microtech Gefells M210's > Oade M248 > Sony SBM-1 > Edirol R09 > WAV 2448
Transfer: SD Card > Wavelab > CD-Wave > TLH > FLAC 2448 tagged
Recording by Jon Pasternak 		 
86. 04/18/12 Beacon Theatre - New York, NY Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K>Sound Devices 722 (24/48)
DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16)
Recorded and Shared By: Z-Man 		 
87. 04/20/12 Wanee Festival - Live Oak, FL Source: Milab VM-44 Link > Naiant Littlebox > Sony M-10 (24/48)
Transfer: M-10 > iMac > Sound Studio > xACT > flac
Recorded by Alex Leary (vwmule at gmail.com) 		 
88. 04/21/12 Wanee Festival - Live Oak, FL Source: Milab VM-44 Link > Naiant Littlebox > Sony M-10 (24/48)
Transfer: M-10 > iMac > Sound Studio > xACT > flac
Recorded by Alex Leary (vwmule at gmail.com) 		 
89. 07/05/12 McCoy Stadium - Pawtucket, RI Source: Schoeps MK4's/CMR's>Naiant Tinybox>Edirol R-09HR Transfer: SDHC>Adobe Audition>Cakewalk pyro>.WAV>FLAC (5) Location: OTS, just to the left of the soundboard, DIN @~12'  
90. 07/06/12 Constellation Brands Marvin Sands Performing Arts - Canandaigua, NY Location: 5 rows in Front Of Board, Sec LCE, Row KK, seat 306, 20 ft left of ctr. Mic config: DIN Kwonbar, Schoeps A20S shock, small Manfrotto air-cushioned stand @ 7 ft, small screens Source: Neumann SKM 140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/96>AES/EBU>Sound Devices 722 @24bit/96kHz Transfer,editing & conversion: Sound Devices 722 master file @24bit/96kHz>firewire>Sound Forge 9.0e>44.1/16-CD Wave v1.96.1(tracking)>FLAC16 via FLAC frontend 1.7.1(level 8), tag w/Tag Scanner5.0, ffp 1.7.1  
91. 07/11/12 Koka Booth Amphitheater - Cary, NC flac16; FOB-OTS- 2x Beyerdyamic MC930's(matched pair)>Canare Cables>Edirol
(Digi-MOD)UA5(Optical)>Nomad JB3 Recorded at 48khz
Transfer: Nomad Explorer>Wavlab 5.0 (channels Matched/Light Compression)(NO DAE/EQ)>
R8Brain(dither to 44.1 khz)CDWav(Track Cuts)TLH>flac16 and SBE check.
Recorded,Transfer and Mastering by Matt Rappaport (muletaper) 		 
92. 07/15/12 Bethel Woods Center for the Arts - Bethel, NY Source: AKG CK1x>Naiant Tiny Box> Sony M10 @ 24/48 Location: FOB Box 302 Stand at 9 Feet Transfer: M10>Adobe Aud 3.0>Cdwav>flac16 Taper: Tony Suraci  
93. 09/21/12 Red Rocks Amphitheatre - Morrison, CO :Schoeps MK4>kwon-NOS>KC5>CMC6>V3>Analog>788T (24/48)
Location: OTS/DFC Row 17, Stand at 8'
dsp: 788t > wavelab5 > cdwave > wavelab5 > flac(7)
tagging: Flacs tagged with Foobar2000 Live Show Tagger
Recorded by Bennett Schwartz 		 
94. 09/22/12 Red Rocks Amphitheatre - Morrison, CO 3 Source Matrix: DPA 4022 | DPA 4027 | DPA 4060
Source 1: DPA 4022 w/V3 Preamp -> Tascam DR680
Source 2: DPA 4027 -> Naiant Big Box -> Tascam DR680
Source 3: DPA 4060 -> Tascam DR680
Location: OTS, mics on stand at 7 feet.
Transfer: Tascam DR680 (24/96) wav -> USB cable -> PC
Editing: Wavelab plugins -> Flac(16)
MD5's and SBE checked and verified. 09/23/2012
Recorded by Patrick H. 		 
95. 09/23/12 Red Rocks Amphitheatre - Morrison, CO 3 Source Matrix: DPA 4022 | DPA 4027 | DPA 4060 Source 1: DPA 4022 w/V3 Preamp -> Tascam DR680 Source 2: DPA 4027 -> Naiant Big Box -> Tascam DR680 Source 3: DPA 4060 -> Tascam DR680 Location: OTS, mics on stand at 7 feet. Transfer: Tascam DR680 (24/96) wav -> USB cable -> PC Editing: Wavelab plugins -> Flac(16) MD5's and SBE checked and verified. 09/24/2012 Recorded by Patrick H.  
96. 09/25/12 WaMu Theater - Seattle, WA Source: ADK-TL (Hypers) > Hydra Silver XLR's > Busman R-4 (Vintage Mod) @ 24/48 Location: Right of soundboard about 60' from stage Transfer: Wavelab 6.11 (gain applied, fades, resample, and dither - UV22HR) > CD Wave 1.98 > Flac 16 (6) Taped and transferred by Chris Larson  
97. 09/27/12 Edgefield Ampitheater - Troutdale, OR Source: ADK-TL (Hypers) > Hydra Silver XLR's > Busman R-4 (Vintage Mod) @ 24/48 Location: ~70' from stage, right of soundboard Transfer: Wavelab 6.11 (gain applied, fades, resample, and dither - UV22HR) > CD Wave 1.98 > Flac 16 (6) Taped and transferred by Chris Larson  
98. 09/28/12 Edgefield Amphitheater - Troutdale, OR Source: ADK-TL (Hypers) > Hydra Silver XLR\'s > Busman R-4 (Vintage Mod) @ 24/48 Location: ~70\' from stage. Right of Soundboard Transfer: Wavelab 6.11 (gain applied, fades, resample, and dither - UV22HR) > CD Wave 1.98 > Flac 16 (6) Taped and transferred by Chris Larson  
99. 09/29/12 Edgefield Ampitheater - Troutdale, OR Source: ADK-TL (Hypers) > Hydra Silver XLR's > Busman R-4 (Vintage Mod) @ 24/48 Location: ~70' from stage, 9'up, right of soundboard Transfer: Wavelab 6.11 (gain applied, fades, resample, and dither - UV22HR) > CD Wave 1.98 > Flac 16 (6) Taped and transferred by Chris Larson  
100. 12/29/12 Bill Graham Civic Auditorium - San Francisco, CA 16 bit Source: schoeps mk41 (din, 12', center @front sbd) > kc5 > cmc6 > sd744t (24/96)
Recorded/transferred/uploaded: david barfield
Above noted source > cdwav 198 > 44.1/16 .wav > tlh > flac 8 		 
101. 12/30/12 Bill Graham Civic Center - San Francisco, CA schoeps mk41 (din, 12', center @front sbd) > kc5 > cmc6 > sd744t (24/96)
Recorded/transferred/uploaded: david barfield
Tagged version of this Source 		 
102. 12/31/12 Bill Graham Civic Auditorium - San Francisco, CA 16 bit fileset AT 853's w/ 4.7k mod cardiod caps>SPSPBB10>Sony PCM M-10@24/44.1 50 feet away , Dead Center M-10>Sony Sound Forge 9.0>CDWave>TLH Recorded and Mastered by Russell Cansler  
103. 02/21/13 Ogden Theatre - Denver, CO Source: Schoeps MK22>Kwon NOS>KC5>CMC6>analog>788T (HPF 0) 24/48 matrixed with ccm41LG>NOla dina>analog>788T (HPF 0) 24/48 Taperssection, directly behind soundboard, 8' High
dsp: 788t > wavelab5 > cdwave > wavelab5 > flac(7)
Recorded by Bennett Schwartz 		 
104. 02/22/13 1st Bank Center - Broomfield, CO Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48)
FOB/DFC/KFC/ZFC/AARP 40' From Stage, 6' High
DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16)
Recorded By: Z-Man 		 
105. 02/23/13 1st Bank Center - Broomfield, CO  
106. 02/24/13 1st Bank Center - Broomfield, CO Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48)
OTS/DRFC/KFC/ZFC/AARP 90' From Stage, 8' High
DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16)
Recorded By: Z-Man 		 
107. 04/16/13 Capitol Theatre - Port Chester, NY  
108. 04/17/13 Capitol Theatre - Port Chester, NY Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48)
BOB/OTS/DFC/KFC/ZFC/AARP 50' From Stage, 6 1/2' High
DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16)
Recorded By: Z-Man 		 
109. 04/19/13 Capitol Theater - Port Chester, NY Source: Neumann SKM 140 + Schoeps CMC5 MK4's->Sonosax MX-S2->Edirol R44
Transfer: Audacity->CD Wave Editor->TLH
Taped, Transfered, and Uploaded by Frank D'Auria 		 
110. 04/21/13 Capitol Theater - Port Chester, NY Sound Devices 722 (24/48)
BOB/OTS/DFC/KFC/ZFC/AARP 50' From Stage, 7' High
DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16)
Recorded By: Z-Man 		 
111. 04/25/13 Capitol Theatre - Port Chester, NY Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48)
BOB/OTS/DFC/KFC/ZFC/AARP 50' From Stage, 7' High
DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16)
Recorded By: Z-Man 		 
112. 04/27/13 Boardwalk Hall - Atlantic City, NJ Source: Sony C38B > Lunatec V-2 > PMD661
Conversion: Audacity (normalize) > CDwave > TLH > Foorbar (sox resample and tagging) > TLH 		 
113. 07/12/13 PNC Bank Arts Center - Holmdel, NJ Source: B&K 4021's > PSP3 > Sony M10 @ 24/44
Location: Front of Board-From sec 204 row HH at the rail left side
Recording and transfered by Todd Hinden
wav > TLH > FLAC 16/44 by markL 		 
114. 07/14/13 Doubleday Field - Cooperstown, NY Source:Edirol UA-5>Edirol R-09 HR(24/44.1 KHZ)>Nakamichi 300 Mics W/CP1 Cardioids> Edirol R-09 HR(Playback)>CD Wav Editor>Traders Little Helper>Flac Level 8.
Sector Boundaries Aligned Using Traders Little Helper.
Taped By Dave Boedicker 		 
115. 07/19/13 CMAC - Canandaigua, NY Location: FOB 15th row O, Front RCE, 4 seats right of ctr.
Source: Neumann SKM 140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/96>AES/EBU>Sound Devices 722 @24bit/96kHz
Recording, transfer, editing, mastering & conversion by Steven Weld 		 
116. 07/20/13 All Good Music Festival - Thornville, OH Source:AKG C-1000's>Tascam DR-40>SDHC>CD Wave>Traders Little Helper  
117. 09/06/13 Lockn' Festival - Arrington, VA Source: DPA 4023 > Lunatec V3 (digital) > Edirol R-44 (24/48) Transfer: R-44 > iMac. Tracked and dithered via Sound Studio, FLAC via xACT Recorded by Alex Leary  
118. 09/07/13 Lockn' Festival - Arrington, VA Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48)
FOB/DFC/KFC/ZFC/AARP 46' From Stage, 7' High
DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16)
Recorded By: Z-Man 		 
119. 09/08/13 Lockn' Festival - Arrington, VA Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48)
FOB/DFC/KFC/ZFC/AARP 46' From Stage, 7' High
DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16)
Recorded By: Z-Man 		 
120. 09/21/13 Red Rocks Amphitheatre - Morrison, CO Source: Milab VIP-50 card (JW mod) -> Lavry AD11 (24/48) -> Tascam DR-680
Location: Row 16, 5' right of center, 8' high
Transfer: sdhc -> AudioGate (16/44) -> CD Wave -> Flac (6) 		 
121. 09/22/13 Red Rocks - Morrison, CO Source (AUD): Audix CPS-MICRO-O (OTS, A/B spaced 14", center, 9' up) > Micro capsule active w/ Naiant PFA > Tascam DR-680
Digital transfer: SDHC card (USB reader) > PC
Digital editing: CuBase SX 2.0.1 (pre and post set fades, WAVES L2 Maximizer, WAVES Q10 Paragraphic EQ)
Tracking & processing for distribution: CD Wave Editor > Traders Little Helper > FLAC > AudioShell tag editor
Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC)
Recorded, processed and distributed by Chuck Miller 		 
122. 09/27/13 Greek Theatre - Berkeley, CA Neumann KMF 4i > Naint Little Box > Tascam DR-07 (24-48)
Sound Forge 6 (16/44) > CD Wave (tracks) > THL (8)
OTS, LOC, 5' high. Seamless mastering for longer media. 		 
123. 09/28/13 Greek Theatre - Berkeley, CA Neumann KMF 4i > Naint Little Box > Tascam DR-07 (24-48)
Sound Forge 6 (16/44) > CD Wave (tracks) > THL (8)
OTS, LOC, 5' high. Seamless mastering for longer media. 		 
124. 09/29/13 Greek Theatre - Berkeley, CA Neumann KMF 4i > Naint Little Box > Tascam DR-07 (24-48)
Sound Forge 6 (16/44) > CD Wave (tracks) > THL (8)
OTS, LOC, 5' high. Seamless mastering for longer media. 		 
125. 10/04/13 Greek Theater - Los Angeles, CA source: schoeps mk41 (din, 12' ots) > kc5 > cmc6 > sd744t (24/96) > audacity (fades, spike removal, amplify, flac) > flac24
recorded, transferred: david barfield
downsampled to 44.1/16 		 
126. 01/20/14 Hard Rock Hotel - Riviera Maya, Mexico 16 bit DPA-4021's > Marantz PMD-661 (Oade "warm" mod) > WAV 2496. Mics at 110 degrees, 8-foot stand, Front corner of soundboard
Taped by Richie Stankiewicz.Thanks to Jon Pasternak and Andrew F. 16/44.1 Conversion/ Tagging By: Cam Keough
 		 
127. 01/21/14 Hard Rock Maya Riviera - Quintana Roo, Mexico 16 bit DPA-4021's > Marantz PMD-661 (Oade "warm" mod) > WAV 2496.
Mics at 110 degrees, 8-foot stand, Front edge of soundboard
Taped by Richie Stankiewicz.special thanks to Jon Pasternak and Andrew F.
16 Bit Conversion/Tagging By: Cam K 		 
128. 01/22/14 Hard Rock Hotel - Riviera Maya, Mexico 16 bit DPA-4021's > Marantz PMD-661 (Oade "warm" mod) > WAV 2496. Mics at 110 degrees, 8-foot stand, front edge of soundboard
Taped by Richie Stankiewicz.Special thanks to Jon Pasternack for many laughs and the use of his stand
16 Bit Conversion/Tagging By: Cam Keough 		 
129. 01/23/14 Hard Rock Hotel - Riviera Maya, Mexico 16 bit DPA-4021's > Marantz PMD-661 (Oade "warm" mod) > WAV 2496.
Mics at 110 degrees, 6-foot stand, FOB center 16th row.
Taped by Richie Stankiewicz.
16 Bit Conversion/Tagging By: Cam Keough 		 

Furthur Festival Jam  
  Date Venue - City, State Media  
1. 06/28/97 E-Center - Camden, NJ aud.cosmiccharlie.graves.flac  
2. 05/28/10 Calaveras County Fairgrounds - Angels Camp, CA aud.unknown.flac  

Garcia  
  Date Venue - City, State Media  
1. 06/11/62 Jewish Community Center - San Carlos, CA Sleepy Hollow Hog Stompers, flac16: MOTB Release: 0051 16/44.1; Master Audience Reel [Possibly from mics placed on stage, onto Scotch 150 1/4" tape] > Technics RS-1520 [No Dolby, 7.5 IPS] playback > Otari MX-5050 [No Dolby, 7.5 IPS, Scotch 207 1/4" tape] 1st gen reel > Technics RS-1506 playback > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 DSD-DDF 1-bit 5.6448 MHz Stereo > Audio Gate Dissemination > 24/96 WAV; no downsampling info.  
2. 02/23/63 Top of the Tangent - Palo Alto, CA Wildwood Boys: Garcia, David Nelson, Robert Hunter and Norm Van Mastricht. Aud (unknown Source) Master Reel > Reel > FM > Cass > Dat > CD > EAC > SHN. DAT > CD and EAC > SHN by Scott Mogol.  
3. 05/04/63 Top of the Tangent - Palo Alto, CA Jerry & Sara Garcia: Possibly MAR > R > FM > Cass > DAT > CDR.  
4. 07/??/64 Top of the Tangent - Palo Alto, CA Mother McCree's Uptown Jug Champions: Master Tape > Rosoft Audio Tools > CD > EAC > WAV > SHN.  
5. 05/21/68 Carousel Ballroom (Tuesday Night Jam) - San Francisco, CA  
6. 12/24/68 The Matrix - San Francisco, CA "Harvey Mandel Band w/ Garcia": soundboard 4-track reel master > 2-track reel > CDR/0 > CDR/1 > CDR/2 > iMac > SHN. Editing (Sound Studio for Macintosh) and shn compression (Shorten for Macintosh) by Jeff Tiedrich on 24 and 28 April 2002.  
7. 02/19/69 Matrix - San Francisco, CA High Country w/ Garcia & Nelson: SBD (orAUD?) > Mreel > Reel > Dat > CD > EAC > wav > flac.  
8. 10/28/69 2400 Fulton Street - Jefferson Airplane House - San Francisco, CA Source: SBD > MR > Cass > DAT > CDR > WAV > CDR; via EAC/trade from Morgan Evans > EAC > CDWAV > SHN; via Rick Lepley Notes: Great disc! The sound quality is exceptional IMO, it almost sounds like it was recorded in a studio setup. The lineup is reportedly the following: Jerry Garcia - Guitar Jorma Kaukonen - Guitar Jack Cassady - Bass Mickey Hart - Percussion Spencer Dryden - Percussion Known Flaws: A high pitched tone which was present on my CDR copy at roughly 0:12 - 0:23 of track 01 was edited out using EAC's wave editing function. A 1-second pause at about 14:19-14:20 on the master dt06 was edited out also using EAC. Much thanks to Morgan Evans for putting this gem into my hands! Uploaded and distributed by Andy Lepley These shn files are seekable in your shnamp. Please forward any information/corrections to lepleyr@hotmail.com - Thanks!  
9. 11/20/70 WBCN-FM Studios - Boston, MA Garcia, Weir & Duane Allman: MFR > 2nd gen (?) reel > M-Audio Transit > Cool Edit > CD Wave Editor > FLAC, via Dave Tamarkin.  
10. 12/17/70 The Matrix - San Francisco, CA David & the Dorks: SBD>MR>?>DAT>ZA2>CD  
11. 12/20/70 The Matrix - San Francisco, CA David and the Dorks: David Crosby, Jerry Garcia, Mickey Hart, Phil Lesh; mSR>Rn?>DAT>CD>EAC>SHN; via G. Tremblay  
12. 05/20/71 Keystone Korner - San Francisco, CA JGMS; flac1648 Recording Info: MR@ 7 1/2 ips > Reel (owned by Jerry Garcia) > Reel(made and owned by Will Boswell) @ 7 1/2 ips > 2496 PCM WAV [by Matt Smith]
Mastering Info: Samplitude Pro X5 > Flac24 (fresh 2021 mastering included phase correction, hum removal, channel flip to match 1971-05-21 official release, etc.) > RX8 (Flac16)
Mastering by Jim Blackwood
Speed Correction by Jason Chastain
Track, FLAC and Pack by Steve Gravel 		 
13. 09/24/71 Lion's Share - San Anselmo, CA Garcia & Saunders: early and late shows; MSR > 1C > D > Digi001 > SHN; d2 filler: 12/20/72 Keystone Berkeley; via R. Shriver and D. Metz. With Tom Fogerty  
14. 12/09/71 Scotty's Music - St. Louis, MO Garcia, Cage, and others : 7" mono open reel > 24 bit transfer > resample > CD-R > SHN. Note that this often circulates with other dates/venues, including 5/14/70 Scotty's Music Store in St. Louis, MO.  
15. 12/09/71 Scotty's Music - St. Louis, MO sbd.unknown.sbeok.shn notes
16. 01/15/72 Keystone Korner - San Francisco, CA MAR > 2C > D > CDx1 > EAC > SHN  
17. 01/19/72 Lion's Share - San Anselmo, CA Garcia & Saunders, set I only: MSR > C > D > CD > EAC > SHN > WAV > sector boundary fix using shntool > SHN. This set fixes sector boundary errors on the previous shn set.  
18. 01/20/72 Lion's Share - San Anselmo, CA Garcia & Saunders: 10" master SBD reels @ 7.5 ips > 1 cassette generation (Maxell XLIIS 100 Nakamichi CR-7A playback) > Lucid AD9624 24 bit A/D converter (44.1kHz) > Sony R500 DATx0 > DATs > CD > EAC > SHN.  
19. 01/26/72 Symphony Hall - Boston, MA Howard Wales & Friends featuring Jerry Garcia: FMSBD>RR>CD>EAC>SHN  
20. 06/30/72 Keystone Korner - San Francisco, CA Garcia & Saunders: MSR? > ? > mono reel > TEAC X-2000R playback > possible Nakamichi NR-200 Dolby Decoding (if the reel was a Dolby B reel) > Tascam DA-40 DAT > Tascam CDRW-700 CD > Tascam CD-D4000mkII CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).  
21. 09/01/72 Keystone Korner - San Francisco, CA JGMS: MSR > R (JG) @ 7 1/2ips > R (WB) @ 7 1/2ips; Transfer info: BASF reel (Baked) > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > FLAC.  
22. 11/23/72 Armadillo World Headquarters - Austin, TX Dough Sahm & Friends: supposedly "Dick's version" Master (reel) - DAT - DAT (clone) - CDR - Flac, via seed to Dimeadozen, but there are strong doubts about this lineage.  
23. 12/28/72 Lion's Share - San Anselmo, CA Garcia & Saunders, incomplete: gives only standard Jerry Site lineage of 166FM [WBAI] SBD. DAT (MSR > DAT > 1c > DAT) > CDR > SHN.  
24. 01/24/73 Boarding House - San Francisco, CA Early & Late: MSR > ? > DAT; Transfer: DAT > Sony D10P > Coax SPDIF > Audiophile-2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644.  
25. 01/25/73 Boarding House - San Francisco, CA JGMS; early & late Shows: MSR>C>D>CD. Slightly re-tracked using WavMerge and CDWave, .shn encoding using mkwACT, and proper sector boundaries verified using shntool.  
26. 04/16/73 Boarding House - San Francisco, CA Old & In The Way, set I: Unknown source FM-SBD (WBAI Morning Dew show) > ? > CD > EAC > SHN.  
27. 04/21/73 The Record Plant - Sausalito, CA Old & In The Way: Possible MFR > D > CD > EAC > SHN.  
28. 05/04/73 Homer's Warehouse - Palo Alto, CA Garcia & Saunders: MSR > DAT3x > Delta DIO 2496 > Soundforge > wav > flac.  
29. 06/05/73 Orpheum Theater - Boston, MA OAITW: allsoundz's mono master audience cassette (unknown mic > Sony deck) > Tascam 122MKIII playback > Numark 20 Band Equalizer > HHB CDR 830 Tracked and slight editing in CD Wave > cdr > eac (secure mode) > flac (level 6).  
30. 06/06/73 Capitol Theater - Passaic, NJ OAITW: 7" 1/2 track master soundboard reels @ 7.5ips > Sony TC-388 (4-track) playback > Revox A77 1st gen reel (no Dolby) > AKAI GX-625 playback > Apogee Mini Me @ 24 bit/48K > Apogee Mini DAC (for monitoring) > Lynx One soundcard > Wavelab 5.0 > CD > EAC > FLAC.  
31. 06/08/73 Lake Whippoorwill - Warrenton, VA Old & In The Way: MAC (Taped by Jerry Moore, Sony 126 w/ built-in mic, right in front of stage) > ? > digital cleanup > CD. NB this originally circulated as "unknown aud" but has been confirmed to be from the Moore master.  
32. 07/05/73 Lion's Share - San Anselmo, CA Garcia & Saunders: MSR > DAT4x > Delta DIO 2496 > Soundforge > WAV > CD Wave Editor > FLAC.  
33. 07/08/73 Record Plant - Sausalito, CA Garcia & Saunders: Probable MSR (pre-FM) > 1C > D > CDs > EAC > SHN  
34. 09/06/73 Capitol Theater - Passaic, NJ JGMS, flac1644; Sources: Matrix of SBD ID-136778 & AUD ID-16878. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, Andrew F 06/2020  
35. 09/30/73 Community Center - Stinson Beach, CA Old & In The Way: Possible FOB MAR > D > CD > EAC > SHN.  
36. 10/02/73 Winterland Arena - San Francisco, CA JGMS: MSR > DAT4x > Delta DIO 2496 > Soundforge > WAV > CD Wave Editor > FLAC.  
37. 11/28/73 Palace of Fine Arts Theatre - San Francisco, CA Garcia & Hart; flac1644; MOTB 0153; Robert Castelli's Sony ECM 270 >> Sony TC-110 (mono)  >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] [>> FLAC1644]. Transfer By: Bob Menke; Mastering By: David Minches.  
38. 01/17/74 Keystone - Berkeley, CA Garcia & Saunders; SBD=>MR =>DAT (44.1KHz) =>CDR  
39. 01/19/74 Pauley Ballroom, U. of California - Berkeley, CA Garcia & Saunders: MSR > P > D > CD > EAC > SHN.  
40. 02/05/74 Great American Music Hall - San Francisco, CA Garcia & Saunders: MSR (Sony TC-377, 7" reels @ 7.5ips by Ed Perlstein)> PCM > DAT > DAT (plyback on Sony PCM-R500) > S/PIDF coaxial > Audiophile 2496/P4 2 GHz > recorded as 24 bit/48 KHz WAV with Wavelab 5 > Waves L3 Multimaximizer using hi res CD rendering settings > 16 bit/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 5).  
41. 03/09/74 Keystone - Berkeley, CA Garcia & Saunders: MSR > DAT3x > Delta DIO 2496 > Soundforge > WAV > CD Wave Editor > FLAC.  
42. 04/20/74 Pilgrimage Theater - Los Angeles, CA Great American Music Band: SBD MR (House Source) > Will Boswell's reel (Akai GX625 @ 7.5 ips) > apogee mini me (24/96) > apogee mini dac (monitoring) > wavelab 5.0 (dithered to 20/44) > CD > EAC > WAV (shntool confirms no sbes) > FLAC (TLH). A>D by Matt Smith.  
43. 08/11/74 Keystone - Berkeley, CA Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN, plus missing songs from Lou Tamboukas's MAR > R > DAT > CD; via Jack Warner. notes
44. 10/06/74 Great American Music Hall - San Francisco, CA complete 1st set; SBD > master reel > DAT(48k)  
45. 10/31/74 Memorial Gymnasium (University of San Francisco) - San Francisco, CA Garcia & Saunders: MSR > R > C > DAT > WAV > SHN, C > SHN Conversion by Cousinit.  
46. 11/10/74 Palace Theatre - Albany, NY JGMS: sbd 2nd generation reel (Jerry Moore's reel); Lineage: sbd reel master > reel > 10.5" reel @ 7.5 ips, dolby b; Transfer by Rob Berger: Technics RS-1506 playback > Sony NR-335 >Tascam HD-P2 24/48. Editing, downsampling and FLAC encoding by David Minches.  
47. 11/14/74 Paul's Mall - Boston, MA Garcia & Saunders: Late Show: Uher hand-held mic-->Uher 4000 5" master reel--> playback on a Teac 2300 reel to reel-->MacIntosh pre-amp-->Teac 2300 7" reel-->CDR-->EAC-->SHN No DAT stage, 7" reel run directly to CDR in sound studio EAC'ed and Shortened by Paul Lucente w/ Ultraplex 40max notes
48. 11/14/74 Paul's Mall - Boston, MA JGMS; flac1644; early show: AUD marked "1st Gen" rescued from ebay for coupla bucks. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2016  
49. 11/28/74 Great American Music Hall - San Francisco, CA Source: MSR > PCM > DAT Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by B. Koucky and Seeded by Green Mountain Bros. June 2007  
50. 12/15/74 EMU Ballroom (University of Oregon) - Eugene, OR JGMS: MSR>P>D>CD>EAC>SHN notes
51. 04/04/75 Whitman Auditorium, Brooklyn College - Brooklyn, NY Legion of Mary: MSR > 1R > 2D > 1C > DATs > CDs > HP 9350i extraction and normalization to 98% using EAC > tracking using CDWave > SHN using mkwACT. Could be from the WBAI broadcast (presumably from post-cassette DATs?) referred to at the Jerry Site. EAC > SHN by Joe Jupille.  
52. 04/09/75 Bottom Line - New York, NY LOM; flac1648; SBD-> REEL-> DAT; DAT archived and transferred by Stuccoholmes DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1. Tracked, packed and flac'd by John Wenzel  
53. 04/11/75 The Tower Theatre - Upper Darby, PA Legion of Mary: Late Show: MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille.  
54. 04/11/75 The Tower Theatre - Upper Darby, PA LOM; flac1644; early show; Sony TC-126(F99S mic)>Master cassette>JVC TD-R462>Audacity>TLH Flac8, Taper: Dave Peters  
55. 04/12/75 Masonic Temple - Scranton, PA LOM; late show; flac1644; unknown sbd > ? > TDK DAT > Tascam DA20 playback > Lynx2 > Wavelab7; WeissSaracon for 16bit 44.1kHz FLAC8 SBE Free. DAT via Thrak, Mastering by Jamie Waddell.  
56. 04/19/75 Oriental Theater - Milwaukee, WI LOM: Betty Board MSR > PCM > DAT x ?; Cloned: From Dr. Bruce Fried 06/03/1996 Casio DA-7 > Panasonic SV-3700; Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.01a; Mastering with: iZotope Ozone 3 > CD Wave > TLH > FLAC; Transfer and Mastered by Bill Koucky; Green Mountain Bros.  
57. 06/08/75 El Camino Park - Palo Alto, CA LOM: Bob Menke & Louis Falanga FOB MAC w/ Sony ECM-250 & Sony ECM-270 > Sony TC-152 > WAV > CD-R > EAC > WAV > FLAC.  
58. 08/20/75 Great American Music Hall - San Francisco, CA Keith & Donna Band; flac 1644; MOTB 0135; Reinhart Holwein's 2x Sony ECM280's > Sony TC 152SD MAC (2 x Maxell UD c90's) > Nakamichi CR7a playback => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > unknown downsample to 16/44.  
59. 09/??/75 Studio Rehearsals - Unknown, Unknown JGB; flac1644; SB UNKNOWN LINEAGE > REEL > EDIROL USB UA-1EX AUDIO INTERFACE > COOL EDIT > CD WAVE EDITOR > TRADERS LITTLE HELPER > FLAC, via Dave Tamarkin.  
60. 10/10/75 Flint Center, De Anza College - Cupertino, CA flac1644; MOTB 0155; Robert Castelli's 2 x Sony ECM 270s >> Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] [>> FLAC1644]. Transfer By: Bob Menke; Mastering By: Derek McCabe.  
61. 10/12/75 Keystone - Berkeley, CA JGB; shnf; MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 >CD > EAC > CD > EAC > SHN via Jack Warner  
62. 10/22/75 Wolsey Hall, Yale University - New Haven, CT Unknown Audience Recording, Unknown Generation. Transfer: Tascam MKII >> Korg MR1000 at 1bit/5.6mHZ. Korg AudioGate Software for DSD >> PCM WAV at 32bit float/44.1kHz. Editing and Mastering by Jamie Waddell on the **GEMS** Edit Station. Weiss Saracon for Bit Rate Conversion and Pow-r3 Dither 16bit 44.1 kHz.  
63. 10/23/75 Palace Theater - Providence, RI JGB: FOB MAC (taped by Jimmy Warburton, ca. 23rd row center, Sony ECM-99 stereo mic on a cane > Sony TC 152SD master cassette [Dolby B]) > playback on Sony TC152SD > Teac A2300SD 1st gen reel [Dolby B off] > playback on Akai GX-4000D > Teac AN-80 Dolby B decoding > A/D using an ART DI/O into an Egosys Waverterminal 2496 digital sound card > master CD > HP 9350i extraction using EAC > .shn encoding using mkwACT.  
64. 10/24/75 Orpheum Theatre - Boston, MA Jerry Garcia Band: Early & Late shows: FOB MAC (taped by Jimmy Warburton, Sony ECM-99 stereo mic > Sony TC 152SD master cassette [Dolby B]) > playback on Sony TC152SD > Teac A2300SD 1st gen reel [Dolby B off] > playback on Akai GX-4000D > Teac AN-80 Dolby B decoding > A/D using an ART DI/O into an Egosys Waverterminal 2496 digital sound card > master CD > HP 9350i extraction using EAC > .shn encoding using mkwACT. A>D by David Minches, EAC > SHN by Joe Jupille.  
65. 10/27/75 Bailey Hall, Cornell University - Ithaca, NY JGB: MAC (Unknown Taper and Equipment) > 2C; Transfer and FLAC encoding by David Minches: 2nd Generation Cassette played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac.  
66. 10/28/75 Beacon Theater - New York, NY Jerry Garcia Band: Late Show: MAC (Recorded by Jerry Moore, AKG 1000e's (floor center section, halfway back) > Sony TC-152 master cassette > DAT > CD > EAC > SHN.  
67. 11/02/75 Constitution Hall - Washington, DC JGB, set I: MAC > 7" reel @ 7.5 ips (no nr) > Sony TC-850 playback > sbm1 > cdr > audobe audition 2.0 > cd wave > flac. Transfer of Don Grossinger's reel by Rob Berger 2005.  
68. 12/19/75 Winterland Arena - San Francisco, CA Matrix of MSR>R>C>CD source and Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 MAC>D>CD source.  
69. 12/20/75 Winterland Arena - San Francisco, CA JGB: MSR (Nagra 1/2 track @ 7 1/2ips) > 1st gen reel reel (Otari 1/2 Trac @ 7 1/2ips) > cassette (Nakamichi BX300 ‘no dolby’, MaxellXLIIS90) > Nakamichi CR3A ‘no dolby’ > Hp Computer > Sound Forge > CD Wave > Flac, via John Moses.  
70. 12/31/75 Keystone - Berkeley, CA JGB: SBD > Analog > DAT > CD > ? > SHN; Remastering: SHN > WAV > CE2K > CDWAV > SHNTOOL > mkwACT. Remaster of < A HREF="/shninfo_detail.php?shnid=6646">shnid 6646.  
71. 01/09/76 Sophie's - Palo Alto, CA JGB; flac2448; Source: SBD (mono) > MSC > 1st-Gen cassette. Transfer: Maxell UDXL's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2022  
72. 01/27/76 Keystone - Berkeley, CA Jerry Garcia Band: MSR (2 track 7" reels @ 15ips) > cassette (TDK SA-X100) > NAK-CR-7a playback > Lucid AD9624 24-bit A/D > Fostex D5 master DAT > Sony CDR-W33 master CD > EAC > SHN (non-seekable) > patching using Sound Forge Studio 6.0 > sector boundary verification using shntool > .shn encoding (seekable) using mkwACT.  
73. 02/13/76 Keystone - Berkeley, CA JGB; flac1644; master soundboard reel > reel > Technics RS1506 > Apogee Mini Me > Apogee Mini Dac > wav 24/96 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16. Transfer by Matt Smith, supplied via Charlie Miller, edited and mastered SIRMick.  
74. 02/15/76 Sophie's - Palo Alto, CA JGB; flac1644; MR > R (Will Boswell's reel from the Debbie stash). Transfer Info: Technics 1506 > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC. Transfered By Matt Smith.  
75. 02/21/76 La Paloma Theater - Encinitas, CA JGB, Early Show; Source: SBD > MR > C > DAT > WAV > FLAC Transfer: Sony PCM-R500 > Audiophile 2496 > Wavelab 5.0 (recorded as 24/48 KHz WAV) Mastering: Wavelab (X-Noise and L3 Multimaximizer rendered to 16/44.1 using hi-res CD settings) > CDWAV 1.9 (tracking and FLAC'ing, level 5) Transfer, mastering and encoding by C.Ladner, 2/2006  
76. 02/21/76 La Paloma Theater - Encinitas, CA late show; flac1644; MSR (2 track 7" reels @ 15ips) > 1 cassette (TDK SA-X100) > Nakamichi CR-7A (Dolby off) > Lucid 9624 A-D converter @ 44.1kHz > Fostex D5 master DAT > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by Ryan Shriver, CD > SHN by MisSHN. 2010 SHN > FLAC conversion using TLH (v2.4.1 Build 160) "convert encoding format" function. Tagging using foobar2000 (v0.9.6.8). Alternate encoding of the same source tape as shnid4464, which appeared to have dropped out of circulation as of May 2010. notes
77. 02/22/76 La Paloma Theater - Encinitas, CA Jerry Garcia Band: Late Show: MAC > 2C > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > cleaning using Sound Forge Studio 6.0 > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). CD > SHN by Joe Jupille.  
78. 03/06/76 Moore's Egyptian Theater - Seattle, WA flac1644; MOTB 0142; Taped by Pat Lee; ECM 18N's mics >> Sony 152SD >> MAC > NAK BX300 deck > Apogee Mini Me(24/96) > Apogee mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > FLAC. Transfer by Matt Smith; Mastering by Derek McCabe.  
79. 03/27/76 Ambassador Theater - St. Louis, MO flac1644; Master audience cassette (stereo) -> 2 Maxell UDXL C90s -> Tascam 112 -> M-Audio 24/96 -> 24 bit, 48kHz . 24-bit, 48kHz -> 16-bit, 44.1kHz using Diamond Cut DC8 (no dither). Taper unknown. Transfer, editing, flac encoding and notes by Dan McDonald. Metadata added by B. Proctor.  
80. 04/03/76 Lisner Auditorium (George Washington University) - Washington, DC JGB, Early Show: MAC > C? > CD > EAC > WAV > SHNv3 Transfer to CD by Slipnut  
81. 04/04/76 Page Auditorium, Duke U. - Durham, NC JGB, early and late; flac16: unknown master audience tape > Alan Richman's 1st gen 7" 3.75ips reel recorded on a Teac deck. Reel played back on Sony RT-707 > Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 6.0 > FLAC encoding (by dminches).  
82. 07/09/76 Keystone - Berkeley, CA flac1644; set II; Unknown soundboard from the collection of Rich Gastwirt. Lineage: unknown dat > Sony DTC-2000ES > Delta 410 > Adobe Audition > wav 16/48 > Wavelab (with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > Flac16. Admin note added 1/22/2011: lineage used to mention a cassette, but this has been corrected  
83. 08/22/76 Keystone - Berkeley, CA Jerry Garcia Band: MSR (2 track 7" reels @ 7.5ips) > 1C > DAT > CD > EAC > SHN (shnid 15672) patched with Unknown AUD > ? > CD (shnid 80165), patching/Flac by Kevin Tobin  
84. 09/12/76 Keystone - Berkeley, CA Jerry Garcia Band: Bertha remaster: SBD >> MR >> CASS >> DAT >> SHN >> DAW(Bertha)>> CDA/SHN  
85. 09/15/76 S.S. Duchess "Pirates Ball" - New York Harbor, NY JGB: unknown aud master > Ohr Weinberg's unknown gen cassette (Maxell UDXLII C90) Dolby b (d1 and d2t1-t2) and John Hance's unknown gen cassette (Fuji FX-II 90) Dolby b (d2t3-5) > Nakamichi Dragon (Dolby b) playback > HHB CDR 830 plus > EAC > Sound Forge 6.0 > CD Wave 1.94.5. Transfer and Editing by Anne Cohen 4-2006.  
86. 09/16/76 The Dome (C.W. Post College) - Greenvale, NY Jerry Garcia Band: MAC (Recorded by Barry Glassberg, Sony ECM99 stereo single point mic > Sony TC-153D) > DAT > CDs > EAC > SHN.  
87. 09/20/76 Astor Theater - Reading, PA Jerry Garcia Band, Early and Late Shows: MAC (Shure mics, unknown model, unknown deck) > C > Unknown DAT gens > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)  
88. 11/12/76 Freeborn Hall (U.C. Davis) - Davis, CA JGB; flac1644; AUD > Cassette Master > DAT source from Anon; DAT transfer and mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain.  
89. 11/13/76 Humbolt State College - Arcata, CA flac1648; JGB; partial set II; Recorded By Betty Cantor-Jackson 7 Inch Nagra Master(Serial # SL11183) 1/2 Track @ 7.5 IPS Reel #4 only (#1,2,& 3 MIA). Analog to Digital: Playback on Otari MX5050-Meyer VX-1 signal processor-Sony PCM R-700 DAT @ 48KHz (circa 1999). 1648: Original zero gen DAT played back on a Sony PCM R-500-Digital Audio Labs Card deluxe-16 bit 48KHz. Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name). Digital Transfer,Editing & Processing By JW: February 2015.  
90. 11/15/76 Keystone - Berkeley, CA flac1648: Recorded By Betty Cantor-Jackson; 7 Inch Nagra Master(Serial # SL11183) 1/2 Track @ 7.5 IPS, Reels # 1,2,& 4 (#3 MIA); Analog to Digital: Playback on Otari MX5050-Meyer VX-1 signal processor-Sony PCM R-700 DAT @ 48KHz (circa 1999); Original zero gen DAT played back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-16 bit 48KHz Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) Digital Transfer,Editing & Processing By JW:January 2015.  
91. 12/21/76 Keystone - Berkeley, CA Jerry Garcia Band: MAC > R/1 > CD > EAC > SHN, via Hanno Bunjes  
92. 12/22/76 Keystone - Berkeley, CA JGB; flac1644: SBD -> Master Reel -> CD -> Samplitude Professional v11.2.1 -> FLAC Recorded and Supplied by Mike Dolgushkin, Mastered By Charlie Miller  
93. ??/??/76 Unknown Studio - San Francisco, CA JGB; Recording Info: SBD > ? > CD > Samplitude Pro X6 Suite > flac16.  
94. 02/05/77 Campbell Hall - Goleta, CA Jerry Garcia Band, Early & Late Shows: SBD > cassette? > CD > EAC > SHN v3. See info file for setlist notes and questions.  
95. 07/03/77 Keystone Palo Alto - Palo Alto, CA JGB, set II: MSC > DAT > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and Seeded by Green Mountain Bros. March 2007.  
96. 07/08/77 Calderone Concert Hall - Hempstead, NY Jerry Garcia Band, Early Show: MAC (Taped by Jerry Moore, spaced AKG D-200Es [front of the balcony] > Sony TC-153 [Maxell XLII]) > Nakamichi Dragon playback > ART DI/O A-D converter > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).  
97. 07/09/77 Convention Hall - Asbury Park, NJ JGB, early and late shows: Mark Mattson's MAC > CD > SHN. Transfer by Mark Mattson, shn encoding by Teddy Goodbear.  
98. 07/23/77 Keystone Palo Alto - Palo Alto, CA Jerry Garcia Band: SBD -> Cassette Master -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC (2 Discs Audio / 2 Disc FLAC). Transferred and Edited By Charlie Miller.  
99. 11/21/77 The Playhouse (Hofstra University) - West Hempstead, NY JGB, early & late shows: Mark Mattson's MAC > CD > SHN. Transfer by Mark Mattson, shn encoding by Teddy Goodbear.  
100. 11/23/77 The Palace Theater - Waterbury, CT Jerry Garcia Band: MAC (Taped by Jerry Moore, Sony ECM-33Ps [ledge of the opera box, right side facing stage] > Sony TC-158) > Tascam 122MKIII playback > Tascam DA-40 master DAT > Tascam DA-30 playback > HD > Cool Edit 2000 > .shn. A > D by Mark Cohen, D > SHN by David Minches.  
101. 11/29/77 S.U.N.Y. - New Paltz, NY JGB; flac1644; Jim Cooper's MAC (2x Sony ECM22P > Hitachi TRQ-232, Maxell UDXLII-C90 and Maxell UD-C90, Dolby B); transfer by Rob Berger: Nakamichi Dragon (Dolby B) > Benchmark ADC1 24/96 > PC > Adobe Audition 2.0 > CD Wave > flac, March 2013.  
102. 12/02/77 Orpheum Theater - Boston, MA JGB, Early & Late Shows: Steve Hopkins MAC (Sony ECM-99a > Sony TC-158SD; Maxell UD-XLI; some patches from Steve Rolfe MAC, Sony ECM-99a > Sony TC-158SD) > Nakamichi Dragon playback > ART DI/O (96Mhz/24 bit)> Digital Audio Labs Card Deluxe soundcard > HD Editing performed in Adobe Audition; Dithered and downsampled to 44.1 MHz / 16 bit; Flac Encoded. Transfer by David Minches.  
103. 12/08/77 Palace Theatre - Albany, NY sbd.miller.sbeok.flac16 notes
104. 12/11/77 Rec Hall, Penn State U - State College, PA JGB: MSR > C > PCM > DAT > CD, remaster of shnid6622 via sirmick.  
105. 03/10/78 Auditorium Theater - Rochester, NY JGB: Alan Zimmerman's MAC (Sony 54P or Sony ECM 99s > Teac PC-10 [1st Set on Sony FeCr-90; 2nd Set on Maxell UD XLII-90]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding; transfer by David Minches.  
106. 03/14/78 Music Hall - Boston, MA JGB; flac1644: Taped by Claudette Gardel, AKG 501E mics > Sony TC-153SD; Nakamichi ??deck?? playback > Powerbook G4 > Sound Edit version 2 > CD, Edited and Mastered by Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.  
107. 03/17/78 Capitol Theater - Passaic, NJ JGB; late show; flac1644; sbd audio from vhs video, via Rob Berger.  
108. 03/17/78 Capitol Theater - Passaic, NJ JGB; early show; flac1644; aud 1st gen, akg d200e's>sony tc-152, taped by Jim Anderson, transfer by Rob Berger  
109. 03/18/78 Warner Theater - Washington, DC Jerry Garcia Band, Late Show: July 2003 Oade seed (shnid 18733) patched with FMSBD > 2C >(C?) > CDR by gcsadoti. See info file for extensive editing notes.  
110. 10/08/78 Keystone Palo Alto - Palo Alto, CA sony.riley.powell.ladner.flac notes
111. 01/30/79 Keystone - Berkeley, CA Reconstruction: MAC > CD > EAC > SHN. Recorded by Steve Spitalny and John Angus, Sony ECM-990 (balcony rail, stage left) > Nak 550 > patched out to Sony TC-158 master cassette (UD XLII) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > HP 9350i extraction using EAC > speed correction (pitch shifted down by 40 cents) using Sound Forge XP version 5 > tracking using CD Wave > .shn encoding using mkwACT.  
112. 03/07/79 Rancho Nicasio - San Rafael, CA Reconstruction: MSR -> PCM -> DAT -> Digi001 -> SHN  
113. 04/13/79 Rainbow Music Hall - Denver, CO Reconstruction; flac1644; MSC (TDK SA) > 1st gen cassette (TDK AD) recorded on Sony 158SD deck.
This is 126161 24 bit -> 16 bit
This is a misdated copy of the previous night's late show. 		notes
114. 07/07/79 Keystone Palo Alto - Palo Alto, CA Reconstruction, set I: matrix of MSC source (shnid 83723) and Eldon Porray MAC source (shnid 10142), via sirmick.  
115. 07/08/79 Keystone Palo Alto - Palo Alto, CA Reconstruction: Master Soundboard Reels (7" @ 7.5ips) > 2 PCM > DAT > CD; from the Jerry Site's "Release One"; via imgoinmad@home.com  
116. 07/20/79 Rio Theater - Rodeo, CA Reconstruction; partial; flac1644; unknown very good audience recording to CD, Restored by Jamie Waddell in Walebab 7.1 June 2016.  
117. 07/22/79 Civic Auditorium - Santa Monica, CA Reconstruction; flac16; Recorded by The Los Angeles tape eXchange (LAX); Source: 2 Sennheiser MKH-404 tu mics (handheld, about 4 ft. separation) > Teac PC-10 w Dolby B using (2) TDK SA-90 cassettes and sitting in the center section, 7th row near the isle on the left; Transfer (August 24, 2022): Nakamichi CR7A (w Dolby B, azimuth alignment and 70usec Bias) > Korg MR2000s @ 5.6 MHz DSDIFF AudioGate (24-96) > iZotope RX8 advanced & Har-Bal 3.7 (clean-up & prep) > Adobe Audition 3.0 (pitch bender) > CD Wave > TLH  
118. 09/15/79 Keystone Palo Alto - Palo Alto, CA Reconstruction. Source: MAC(Nakamichi CM-700 mics > Sony TC-D5)>CDR>WAV>SHN. Taper: Bob Menke.  
119. 11/18/79 Keystone - Berkeley, CA Jerry Garcia Band: AUD(SONY ECM 99) > SONY TCD5 > DAT > CDR > WAV > SHNv3, taped by John Angus and Scott Hart.  
120. 12/20/79 Keystone Palo Alto - Palo Alto, CA JGB: SBD > ? > Cassette; Transfer: Maxell XL-II > Nakamichi DR-8 (Dolby off) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, by Andrew F. (May 2008)  
121. 12/21/79 Keystone Palo Alto - Palo Alto, CA Jerry Garcia Band: SBD>>MR>>DAT>>CDA>>DAW(Bertha)>>CDA/SHN  
122. 02/07/80 The Catalyst - Santa Cruz, CA Jerry Garcia Band. Source: MSC>DAT>CDR>WAV>SHN, all of first set except very beggining of Sugaree and the first two songs of the second set. Remainder of the source is from MAC (Taped by Lee Bittner, Audio Technica 801 mics > Sony TC-D5) > DAT > CD > WAV > SHN.  
123. 02/13/80 Palace Theatre - Albany, NY JGB: AUD > ? > Cass > CD > EAC > Sound Forge > CD Wave Audio Editor > CD > EAC > TLH > Flac.  
124. 02/15/80 Orpheum Theater - Boston, MA JGB, Early & Late: Steve Rolfe's MAC (2 Nak 700s> Sony TC-D5 [Maxell UD-XLIIs]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC. Transfer by David Minches.  
125. 02/17/80 Laker Hall (SUNY) - Oswego, NY Jerry Garcia Band: MAC(taped by Keith Gatto Nak 300s>Sony TC-D5)>DAT>CD>WAV>SHN. Updated source info.  
126. 02/19/80 Landmark Theater - Syracuse, NY JGB: MAC (Taped by Lee Cohen & Doug Mow, unknown condenser mics [on spreader bar pointed at stacks, balcony, midway back] > Sony 158 > JVC cassette deck > Maxell II 90) > Sony TC-D5M playback > UA-5 Oade Custom Mod > IBM R40 > WinXP Pro > Sound Forge 5.0 > CDR > EAC (no errors) > WinXP Pro > Flac Frontend > FLAC16. Transfer by Doug Mow, FLAC encoding by Alex Ford.  
127. 02/22/80 The Barn, Rutgers University - New Brunswick, NJ Jerry Garcia Band: MAC (Taped by Barry Glassberg, FOB Nak CM-700s > Sony TC-D5) > Tascam 112 MKII playback > Sony PCM-R500A > HHB 800 master CD > 2 CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).  
128. 02/24/80 Gym (SUNY) - Stony Brook, NY [b]JGB; flac1644[/b]; Mark Cohen's patch out of Barry Glassberg, 3x Nakamichi CM-700 shotguns > Sony TC-D5) > Nakamichi 550 > Cassette Master, from in front of and slightly left of sbd; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k) - Transferred by Charlie Miller; Lineage: Wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick November 2018  
129. 02/28/80 Wilkins Theatre (Kean College) - Union, NJ JGB; flac1644; aud 1st gen, nak 300's>D5, taped by Fredo, transfer/seed by Rob Berger  
130. 03/01/80 Capitol Theater - Passaic, NJ Jerry Garcia Band, Late Show: MAC > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Extraction and .shn encoding by Joe Jupille.  
131. 03/08/80 The Stone - San Francisco, CA JGB: Unknown Mics > ? > CD > EAC > Shn.  
132. 03/26/80 Keystone - Berkeley, CA Jerry Garcia Band: AUD (SONY ECM99's) > Sony TCD5 > Cassette Master > Roland UA-30 USB A/D > MAC G3 Powerbook > CDR > WAV > SHNv3. Taper: John Angus.  
133. 07/19/80 The Stone - San Francisco, CA JGB; flac; aud 2nd gen cassette, Jerry Moore's copy, Rob Berger transfer/seed  
134. 07/24/80 Bushnell Auditorium - Hartford, CT JGB, shnf; Jim Wise's MAC (Sony ECM280 > D5, 10th row center) > DAT > CDR > EAC > SHN (sector boundary errors fixed)  
135. 07/25/80 Orpheum Theater - Boston, MA Jerry Garcia Band, Late Show: MAC (Taped by Bob Wagner, 2 Nak 700s/bass eq [center balcony ledge] > Sony TC-D5M) > Nakamichi Dragon playback > Art DI/O > Egosys Waveterminal 2496 > Cool Edit 2000 > Shntool > .shn encoding (non-seekable) > wav > FLAC (seekable). Transfer by David Minches, FLAC encoding and info by Joe Jupille.  
136. 07/26/80 Convention Hall - Asbury Park, NJ Jerry Garcia Band, Early Show: MAC (Taped by Peter Jaeger, Nak 300s [rear of floor, center] > Sony D5) > Tascam 122 mkIII playback > Lucid ADA 1000 A-D converter > Tascam DA30 mkII master DAT > Tascam 700 CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > editing (Sound Forge Studio 6.0) > sector boundary verification (shntool v1.01) > FLAC encoding (Flac Frontend v.1.7.1 etree edition, level 6).  
137. 07/26/80 Convention Hall - Asbury Park, NJ nak300.fredo.minches.warner.t-flac16 notes
138. 07/27/80 Palace Theatre - Albany, NY JGB; flac1644; David Dyche's Nak 700's > Superscope cd-320 > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > flac.  
139. 02/04/81 Warner Theater - Washington, DC JGB: Jim Vita's MAC (undetermined gear [TDK SA-90s]) > Nakamichi Dragon playback > Art DI/O > Egosys Waveterminal 2496 > Cool Edit 2000 > Shntool > FLAC encoding. Transfer by David Minches.  
140. 02/09/81 Ocean State Theater - Providence, RI JGB; flac1644; Frank Streeter's AKG D330BT -> Cassette Master (Sony TC-D5M/Maxell MX90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller.  
141. 02/14/81 Calderone Theatre - Hempstead, NY Jerry Garcai Band: Recorded Sony D5 Sennheiser 421 mikes from balconey front row  
142. 02/15/81 Esby Gymnasium (Glassboro State College) - Glassboro, NJ JGB; flac16; Source: AUD (1st or 2nd gen) from the Craig L. tape collection. Transfer: Maxell XLI (normal) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2016  
143. 04/25/81 The Stone - San Francisco, CA Garcia, Weir, Kruetzman, Hart, J. Kahn; matrix recording master cass > cass Nak Dr-1 > Lynx2 Studio Interface at 32 bit float 88.2 kHz. tape ran a hair fast, adjusted in Cubase4 Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz MetaData with Tag and Rename TLH for FLAC Level 8 SBE FREE  
144. 05/22/81 Warfield Theater - San Francisco, CA flac16; Recording Info:Nakamichi 300/CP1 -> Cassette Master (Sony D5M/Maxell UDXLII90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Joani Walker;All Transfers and Mastering By Charlie Miller  
145. 06/25/81 Civic Auditorium - Santa Cruz, CA Jerry Garcia Band, with Phil Lesh on bass: aud(unknown mics) > ? > cdr > eac(secure) > mkwact(seekable).  
146. 07/26/81 Keystone - Berkeley, CA JGB; flac1644; remastered MSC > DAT > CD ... from the Jjoops Tupperware of Treasures ... Restored by Jamie Waddell on the GEMS Edit Station; originally released 12 22 2007, re-shared 5 20 2020 at www.shnflac.net; FLAC 16bit/44.1kHz  
147. 08/22/81 Fairfax Pavilion - Fairfax, CA Jerry Garcia Band, w/ Phil Lesh on bass: MAC > CD > DAT > CD > EAC > SHN. Taped by Jim Vita at the soundboard, Nak CM-300s w/ CP-4 caps > Sony TC-D5m master cassette > HHb 800 CDRx0 > CDx? > EAC > re-tracking using CD Wave > SHN using mkwACT.  
148. 10/11/81 Melk Weg - Amsterdam, Netherlands flac16; Source: AUD, unknown mics: CM > 1C > DAT DAT > WAV > FLAC: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 7.0 (build 214) (48-44.1, highest accuracy with anti-alias filter) > CDWav 1.93 > FLAC Frontend (no DAE)  
149. 10/31/81 The Tower Theatre - Upper Darby, PA JGB; early; flac16; Stankiewicz & Schley, Beyers mics > patched thru Sony D5 > Sony TC-D5 > Maxell MX-90, front of balcony(?). Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2016  
150. 11/10/81 The Palladium - New York, NY Jerry Garcia Band: Late Show: MAC > CD, two Beyer M160s (1 st Row Loge Center) > Sony TCD5M > Cassette Master Tape> Sound Forge 5 to break into tracks > Sound Stream to normalize > MKW to convert to SHN.  
151. 11/13/81 Orpheum Theater - Boston, MA JGB: flac1644; Early and Late Shows; Frank Streeter's Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell MX90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
152. 12/07/81 Club Front - San Rafael, CA Jerry Garcia Band, Rehearsals: MSC > C1 > CD > WAV > FLAC. NB date reflects date on which John Kahn mixed the material, not the date on which it was performed.  
153. 01/11/82 Old Waldorf - San Francisco, CA JGB: MSC > DAT > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8).  
154. 01/13/82 Old Waldorf - San Francisco, CA JGB: unknown MAC > 1st gen cassette > Apogee Mini ME (24/96 > Apogee Mini DAC > Wavelab 5.0 (dithered via 'UV22HR' to 16/44) > CD by Matt Smith; Edits and Mastering: Jamie Waddell on the GEMS workstation.  
155. 02/04/82 Keystone Palo Alto - Palo Alto, CA JGB: MSC > Dat > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transfered, Remastered and Seeded by Green Mountain Bros.  
156. 02/05/82 Keystone Palo Alto - Palo Alto, CA JGB; flac1648; taped by Jeff Knudsen, gear used lost to the fog of history. Nakamichi CR-7A (Rebuilt by ESL August 2019) -> Sound Devices MixPre-3M. Transfers by Jay Haines April 2020 at 24bit 48kHz. Shared at LL in the Raw Tape Project. Speed Correction by Jason Chastain. Audio Mastering by Jamie Waddell.  
157. 02/26/82 Keystone - Berkeley, CA Jerry Garcia Band: MSC -> DAT -> CDRs -> Track Thief -> SHN; Transfer by: D. Metz  
158. 02/27/82 Keystone Palo Alto - Palo Alto, CA JGB: MSC > DAT > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and Seeded by Green Mountain Bros. April 2007.  
159. 02/28/82 The Stone - San Francisco, CA JGB: MSC > DAT > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and Seeded by Green Mountain Bros. April 2007.  
160. 03/07/82 The Saddlerack - San Jose, CA MOTB 0143; SBD >> Unknown Deck >> MSR >> C > CD > C ** > NAK BX300 deck > Apogee Mini Me (24/96) > Apogee mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > FLAC.  
161. 03/17/82 Acker Gym, Chico State University - Chico, CA JGB: MSC > DAT > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5, recorded as 16/48 KHz WAV > mastering with Ozone 3 > dithered to 16/44.1 KHz using Izotope MBIT+ > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and Seeded by the Green Mountain Bros.  
162. 04/10/82 Capitol Theatre (Early Show) - Passaic, NJ Jerry Garcia Solo:SBD > ? > DAT > CDR > WAV > SHNv3. Posted to abgd 11/01  
163. 04/10/82 Capitol Theatre (Late Show) - Passaic, NJ JG solo acoustic, Late Show: matrix; 1) (shnid 15848) SBD > ? > DAT > CD > WAV > SHN and 2) (shnid 11281) AUDMC > DAT > WAV > CD > EAC > SHN (seekable) Realistic Stereo Mic > Sony TCM-16 TDK SA-C90 (dolby off) recorded by Glenn Gardner, row MM, seat 15, left side.  
164. 06/04/82 Neighbors Of Woodcraft - Portland, OR Source: SBD>CM>DAT>CDR>WAV>SHNv3. Minor flaws - see info file.  
165. 06/05/82 Auditorium, South Eugene High School - Eugene, OR JGJK: MAC (Taped by Otto Rice, Sony stereo mic > Aiwa deck); Lineage: Marantz PMD 510 playback > HHb 850 > CD > Wavelab 6.0 > CDWave > FLAC8.  
166. 06/16/82 Music Mountain - South Fallsburg, NY JGB, flac16 MOTB Release: 0057 16/44.1; John Steinthal's FOB MAC (2 x Nakamichi CM-300 > Sony TC-D5M > Sony TC-D5M (??) playback > TEAC AN-300 [Dolby Encode] > Technics RS-1506US [3.75 IPS] 1st gen reel > Technics RS-1506 playback > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg MR-1000 > Korg AudioGate > WAV [24/96]. Edited, mastered and downsampled to 16/44.1 on the GEMS Edit Station.  
167. 06/17/82 Veterans Memorial Coliseum - New Haven, CT JGB: Jim Wise Master Audience Cassette; Senn MD-421s> Sony D-5 (10th Row; Maxell UDXLII) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac.  
168. 06/18/82 Cape Cod Coliseum - South Yarmouth, MA JGB: SBD > DAT > CD > ... appears to be a variant of shnid 18065.  
169. 06/20/82 Cumberland County Civic Center - Portland, ME JGB; Doug Lamarre: Sennheisser 441s > Sony D5 > DAT > PC > flac. Cassette masters and dat transfers by Rob Berger, seeded July 2012.  
170. 06/24/82 Capitol Theater - Passaic, NJ JGB; flac1644; Late Show, Sources: Matrix of SBD ID-79428 & AUD ID-18715. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 01/2018  
171. 06/25/82 Palladium - New York, NY Garcia & Kahn: Jim Wise Master Audience Cassette; Senn 421s (Center, 1st Loge) > Sony D5 master cassette (Maxell UDXLII) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac.  
172. 06/30/82 Auditorium Theater - Rochester, NY Garcia & Kahn: Jamie Herbst MAC > Cassette > Cassette (2nd Gen); Transfer and FLAC encoding by David Minches: 2nd gen cassette played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC.  
173. 07/02/82 Macky Aud., U. of Colorado - Boulder, CO Garcia & Kahn: Early Show: Unknown MAC > 2 cassette gens > CD > EAC > SHN. A>D by Paul Gibian, EAC>SHN by Joe Jupille.  
174. 07/02/82 Macky Aud., U. of Colorado - Boulder, CO Garcia & Kahn: Late Show: Unknown MAC > 2 cassette gens > CD > EAC > SHN. A>D by Paul Gibian, EAC>SHN by Joe Jupille.  
175. 10/30/82 Mesa Ampitheater - Mesa, AZ JGB; flac1648; Recording info: Unknown mics > Sony TC-D5 > master audience cassette (Maxell UDXL-II C90); Transfer info: Nakamichi CR-7A > Tascam DA-3000 at 24 bit 96 kHz; Recorded by Bill Swan; Transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel  
176. 11/03/82 Riverboat President - New Orleans, LA JGB; flac1644; SBD > MSC > 3rd-Gen Cassettes. Transfer: Maxell XLII-S > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patch) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017.  
177. 11/09/82 E.M. Loew Center for the Performing Arts - Worcester, MA JGB; flac; early and late shows; sbd, Jerry Moore's low gen cassette, transfer/seed by Rob Berger  
178. 11/11/82 Felt Forum (Madison Square Garden) - New York, NY JGB; flac1644; early show; David Dyche's Nak 700's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > flac.  
179. 11/11/82 Felt Forum (Madison Square Garden) - New York, NY JGB; flac1644; late show; David Dyche's 2x Sennheiser 421 & 1x Beyer M160 > Nak Blend Box > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > flac.  
180. 11/13/82 Bushnell Auditorium - Hartford, CT JGB; flac1644; aud casette master, senn 441's>d5, taped by Doug Lamarre, transfer/seeded by Rob Berger  
181. 01/13/83 Keystone - Berkeley, CA JGB: MSC > DAT > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > Flac (8). Transferred, Remastered and Seeded by Green Mountain Brothers.  
182. 03/02/83 San Francisco Civic Auditorium - San Francisco, CA Garcia & Weir: Walter Keenan's master FM cassette > Nakamichi Dragon playback > Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe soundcard> HD; Editing and downsampling performed in Adobe Audition; Flac Encoded. Transfer by David Minches.  
183. 03/05/83 Civic Auditorium - Santa Cruz, CA Jerry Garcia Band: MSC > DAT > CD [> SHN], extraction, conversion, and seeding by Todd Sanders.  
184. 03/07/83 The Stone - San Francisco, CA JGB; flac1644; SBD > ? > CDR > WAV, via the jjoops tupperware collection. Transfer: Wavelab > CD-Wave > TLH > FLAC 1644 tagged. June 2016.  
185. 05/25/83 Shea's Auditorium - Buffalo, NY JGB; flac1644; AUD (marked 3rd Gen) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 12/2021  
186. 05/28/83 Cape Cod Coliseum - South Yarmouth, MA Jerry Garcia Band. Source: MAC(Jim Vita FOB Sennheiser 421 > Sony TC-D5M cassette deck)>D>CDR>WAV>SHN.  
187. 05/29/83 Bushnell Auditorium - Hartford, CT JGB: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, transfer by David Minches.  
188. 05/31/83 Roseland Ballroom - New York, NY Jerry Garcia Band: MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > master played back on Nak Dragon > ART DI/O > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille.  
189. 06/01/83 Roseland Ballroom - New York, NY Jerry Garcia Band: MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > master played back on Nak Dragon > ART DI/O > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille.  
190. 07/24/83 Nevada County Fairgrounds - Grass Valley, CA JGB; flac1644; aud: Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11, Editing and Mastering by Jamie Waddell in Wavelab 7.1.  
191. 11/26/83 Forum Theater - Binghamton, NY Source: SBD>MC>DAT>CDR>WAV>SHNv3. Complete show.  
192. 11/27/83 Constitution Hall - Washington, DC Jerry Garcia Band: MSC > DAT > CDR > WAV > SHN. DAT transfer to CDR via D.Minches. SHN encoding/initial FTP transmission via C.Ladner/candyman FTP.  
193. 11/29/83 Veterans Memorial Auditorium - Providence, RI JGB; flac1644, Nakamichi CM300/CP1 cardioids > Sony TC-D5M > TDK SA-X 90s, set up in Orchestra Row N, taped by Joe Morrone & Tim Friend. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. Feb 2013.  
194. 11/30/83 Hartford Agora - Hartford, CT JGB; flac16; Commander's Nak 300s > Sony D5 Maxell udxl-II90 master cassettes; transferred & seeded by Rob Berger & Taperchuck.  
195. 12/02/83 Tower Theater - Upper Darby, PA JGB; flac 1644; Sources: Matrix of SBD ID-13730 & AUD ID-138201. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, Andrew F 05/2020  
196. 12/03/83 Orpheum Theater - Boston, MA Jerry Garcia Band: early and late; Master Soundboard Cassette > DAT > CDR, Seeded by Scott Clugston  
197. 12/04/83 Gymnasium (SUNY) - Stony Brook, NY beyerM160.walstib.sbeok.flac16-t notes
198. 12/06/83 Flynn Theater, Early Show - Burlington, VT JGB; early and late; flac1644; mixed 1st gen auds; First Generation Tapes From JB\'s Collection, Transfer By Keo. Early Show: Sennheiser 441\'s>Sony D5,Recorded Orchestra Left Row D. Late Show: Nakamichi CM300/CP1\'s>Sony D5,Recorded Orchestra Left Row Q. Tapes: Maxell XLII\'s 90 Minute. Transfer Information:Nakamichi MR-1>Korg MR-1000 @ 1Bit/5.6MHz. Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Khz Wave. Dithered/Flacked With Korg Aqua To 16/44. SBE\'s Checked/Fixed With Trader\'s Litlle Helper. Metadata Tagging With Tag&Rename.  
199. 12/13/83 Kean College - Union, NJ JGB; flac16; Early Show. AUD: *Nakamichi CM300s > lead decks(?) > Sony WM-D6 > MAC recording by John Newberger > Low-gen copy kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, by Andrew F. 06/2015  
200. 01/13/84 Paramount Northwest Theater - Seattle, WA JGB; flac1648; Mark Severson's Master Audience Cassettes: Nakamichi 700 mics on railing of center balcony > Sony D5. Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp 24-96 > Adobe Audition CC 2020 > TLH flac2496. This is a 16-48 fileset. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. July 2020.  
201. 03/02/84 Keystone Palo Alto - Palo Alto, CA Jerry Garcia Band:Source:SB Master Reel > Cassette > DAT > CD Transfer: DA-P1 > Zafiro ZA-2 > NT 4.0/SoundForge XP 4.0 > CDRWIN  
202. 03/04/84 The Stone - San Francisco, CA JGB: SBD > Cm > Dat > Panasonic SV-3700 > Audiophile 2496 > WaveLab > iZotope Ozone > CDWav > Flac  
203. 03/09/84 Keystone Palo Alto - Palo Alto, CA Jerry Garcia Band: MAC (Taped by John Corley, Nak 700s > Sony TC-D5M) > D > CD > WAV > SHN. notes
204. 03/10/84 Keystone - Berkeley, CA Jerry Garcia Band: MSC > DAT > CDR > WAV > SHN  
205. 05/12/84 The Stone - San Francisco, CA JGB: Don Dearth's MAC (Sony D6C w/Sony Stereo Microphone [TDKSA90]) > Nakamichi CR3A (No Dolby) > HP computer > Sound Forge (Vol@5.6db) > CD Wave > Flac.  
206. 05/18/84 Irvine Meadows Ampitheater - Irvine, CA Jerry Garcia Band: FM-SBD > MC > Cx > CD > EAC > WAV > FLAC (level 5).  
207. 05/19/84 Arlington Theater - Santa Barbara, CA Complete show. Updated version of shnid 124791. Source: 1st Gen; Nakamichi 300 > Sony D5 > Master Cassette **Newly located Master Cassette supplies long lost "Tangled Up In Blue"**. Master Cassette > Sony D6 > unknown Akai home deck > TDK SA90. Transfer/Lineage: 1st Gen Audience Cassette (TDK SA90)> Nakamichi Dragon> Lunatec V3 (24/88.1)> Lynx AES 16AES(e)> WaveLab 7.2.1 (UAD-2)> .wav @24/88.2> Apogee UV22HR/Crystal Resampler> .wav @16/44.1> xAct(conversion and tagging)> flac16. Taped by Adam Rossi. Transferred and mastered by Alex Ford.  
208. 05/20/84 The Country Club - Reseda, CA JGB: 2 Nak CM 300s w/CP-1 caps (no guns) > Sony D-5 > DAT > HHB 830 CD Recorder (Stand Alone) > ? > FLAC.  
209. 07/28/84 Keystone Palo Alto - Palo Alto, CA Jerry Garcia Band: MSC > PCM > Cass > DAT > ZA2 > CDR > WAV > SHNv3. CDR seeds via JR Wolk, SHN/FTP via C.Ladner/candyman FTP. notes
210. 07/29/84 Keystone Palo Alto - Palo Alto, CA Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] >Sony TCD5M > CDR > EAC > CDWave (retracked) > Shn. A>D transfer by Dan Ward, EAC'ed / retracked / Shn'ed by Charlie Connor. notes
211. 08/01/84 The Stone - San Francisco, CA akgCE-1.mance.rogers.wise.t-flac1644 notes
212. 08/07/84 Mann Music Center - Philadelphia, PA JGB; flac1644; Analog Low Gen > Nakamichi CR7A > Korg MR-1> 1 bit/ 2.8 mhz DSD > Audiogate 2.2.1 > 24/96 wav > adobe audition 7 > xACT 2.36 > flac 16; taper :unknown (from the Tom The Taper Collection); transferred & uploaded: edtyre; everything else : nicky c.  
213. 08/10/84 Rocky Glen Amusement Park - Moosic, PA JGB: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > FLAC, transfer by David Minches.  
214. 08/13/84 Club Casino Ballroom - Hampton Beach, NH JGB: Bill Reutelhuber's FOB 7 Feet High - 18" Spread Nakamichi CM300/CP4 Sony TCD5M Dolby B ; Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.01a @ [16/48] Mastering with: iZotope Ozone 3 > dithered to [16/44.1] > CD Wave > TLH > FLAC; Transfer and Mastered by Bill Koucky, Green Mountain Bros.  
215. 08/15/84 Orange County Community College - Middletown, NY Jerry Garcia Band: Rick Pauline & Rob Berger, Senn 421s (20 feet in front of the board) > Sony D5 master cassette > Nakamichi Dragon playback > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > shntool > flac encoding > wav > slight modifications (see notes) > flac encoding.  
216. 08/26/84 Keystone Palo Alto - Palo Alto, CA JGB: Don Dearth's Sony stereo mic > Sony D6C MAC > Nakamichi CR3A playback > Hp Computer (no dolby) > Sound Forge Vol@ 5.5DB and normalized > Flac7, transferred by John Moses. notes
217. 08/27/84 Keystone Palo Alto - Palo Alto, CA Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M) > CDR > EAC > CDWave (retracked) > SHN. EAC'ed / retracked / Shn'ed by Charlie Connor, via Bob Menke. notes
218. 08/28/84 Wolfgang's - San Francisco, CA JGJK; flac16; Patched & Pitch Corrected Audience - AUD (original shnid = 31801) JGJK: aud > dat > wav > flac > wav > flac. - pitch correction and patches by Kevin Tobin  
219. 09/15/84 The Stone - San Francisco, CA Jerry Garcia Band: Master soundboard cassette > cassette x 2 > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0) notes
220. 11/16/84 Eisenhower Auditorium (Penn. State U.) - University Park, PA Garcia & Kahn: AUD (unknown mics and taper) > ? > CDR > WAV >SHN.  
221. 11/18/84 Avery Fisher Hall - New York, NY Garcia & Kahn: MAC > DAT > CDx1 > EAC > SHN Taped by Kenny Mance: 4th row center, AKG CE-1 mics > Uher Cr-240 onto TDK SA-X 90 cassettes (no Dolby). A>D conversion by Jim Wise: Playback on Uher Cr-240 > Sony PCM p-700 DAT @ 44.1k > HHB CDR-800 > CD. shn conversion by Todd Norman norma023@tc.umn.edu. Proper sector boundaries verified using shntool.  
222. 11/20/84 Constitution Hall - Washington, DC Garcia & Kahn: Taped by One Drop Productions; FOB (up front) Audio Technica (pin point stereo mic) > D6 > MC; Transfer by ggjskl@yahoo.com 9/20/05: 1st gen cass > Sony TC-WE305 > Rotel 1090 > Raine ME60 analog processor > Tascam CD-RW 750 > CD > Eac (secure) > cdwav > CE pro 2.1(fades) > flac 16(level 8).  
223. 11/21/84 The Tower Theatre - Upper Darby, PA Source: Cassette Master/Soundboard -> Nakamichi DR-1 Cassette Deck -> Tascam DA-P1 DAT
Transferred in 2003 by Dan McGonagle (Darkstar Dan) + Azimuth adjust by Betty Cantor-Jackson
Transferred in 2023 by Dan McGonagle (Darkstar Dan) - DAT/SBD 16bit/44.1Khz 		 
224. 11/24/84 Capitol Theater - Passaic, NJ Garcia & Kahn. MAC(Stealth Handheld Audio Technica 835 mics recorded right paracentral 10th row > Sony TC-D6 cassette deck with Dolby B noise reduction)>CD>WAV>SHN. Taper: Ray Ackerman. DAE/Encoding by C.Ladner.  
225. 12/02/84 The Stone - San Francisco, CA Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M) > CDR > EAC > Shn. A>D Transfer via Dan Ward, EAC'ed / Shn'ed by Charlie Connor. notes
226. 05/23/85 Rainbow Theater - Denver, CO JGJK, flac1644; Late show(?) Unknown AUD kindly provided from the collection of DL. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2017  
227. 05/31/85 Beverly Theatre - Beverly Hills, CA JGJK; flac2448; s1+s2p; Source: AUD (unknown gear) > MAC > 2nd-Gen copy via the Doug Lamarre tape collection. Transfer: Maxell XLIIS-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2023  
228. 06/01/85 The Stone - San Francisco, CA Source: MAC(Nak 700's>Sony TC-D5M)>D>CD>WAV>SHN. Taper: John Corley  
229. 08/09/85 The Stone - San Francisco, CA Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage in the first row of tables, dead center] > Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) > SHNv3 (MKW ACT). Analog and Digital Mastering by Charlie Connor.  
230. 08/17/85 River Theater - Guerneville, CA Source: MAC (Nak 700s >Sony TC-D5M>CD>WAV>SHN. Taper: John Corley.  
231. 08/18/85 Dunsmuir House And Gardens - Oakland, CA JGJK 16/44.1: Recorded by Greg Holtz using 2 Nakamichi CM100 mics with CP-4 Shotgun capsules > Sony D-5 cassette tape deck. All transfers and mastering by Jamie Waddell on the GEMS Edit Station  
232. 09/27/85 The Stone - San Francisco, CA JGJK: Don Dearth's MAC (Sony D6C w/Sony Stereo Mic [MaxellXL2S90]) > Nakamichi CR3A playback (no Dolby) > HP Computer > Sound Forge Vol@ 5.5DB and normalized > CD Wave to make tracks->Flac7. Transferred by John Moses.  
233. 09/28/85 Keystone Palo Alto - Palo Alto, CA flac2448: Beyer M88's > Sony TC-D5 > Maxell XLIIS 90. Mics on stand at head height. Taped by Jim Quirk. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448. Transfer by Andrew F.  
234. 10/11/85 River Theater - Guerneville, CA Garcia & Kahn, set I: MSC(?) > ? > cassette > CD > EAC > FLAC. Cassette transfer by slip, EAC > FLAC by jjoops.  
235. 01/16/86 Keystone Palo Alto - Palo Alto, CA 16bit/44.1kHz file set. Second Set only. Source: SBD > 2nd Gen cassette, kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 11/2011  
236. 01/18/86 The Stone - San Francisco, CA JGJK, flac1644; Unknown AUD (mono) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2017  
237. 01/24/86 Constitution Hall - Washington, DC JGJK, flac1644; AUD (marked 2nd Gen) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: TDK SA90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 04/2017  
238. 01/30/86 Bushnell Auditorium - Hartford, CT Garcia & Kahn: Dave H.'s Nak 100's w/shotguns > Sony D5 MAC > Oleo86's first gen cassette > JVC TD-V1050 playback > Apogee Mini Me A/D (24-bit, 44.1kHz) > Wavelab 6.0 (Ozone and L2 for dither) > FLAC. Cassette transfer by Todd Evans, final editing by Jamie Waddell.  
239. 01/31/86 Capitol Theater - Passaic, NJ Garcia & Kahn: MAC (Taped by Fredo Johnson, Nak 300s > Sony D5) > Nak Dragon playback > Egosys Waveterminal 2496 > Cool Edit 2000 > shntool > .shn (mkwACT). Transfer and .shn by David Minches.  
240. 02/01/86 Orpheum Theater - Boston, MA Garcia & Kahn: MAC > DATs > CDs > EAC > SHN Recorded by J. Pasternak, Sony ECM 939s > Sony WM-D6. EAC > SHN by Joe Jupille. notes
241. 02/02/86 Orpheum Theater - Boston, MA Garcia & Kahn: B. Koucky's MAC (Orchestra Sennheiser 441 > Sony D5 [Maxell MX-S] out of Steve Adleman’s mics & D-5) > Nakamichi DR2 playback > Presonus Firebox > firewire/PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8) Transfer/mastering by C.Ladner.  
242. 02/21/86 The Stone - San Francisco, CA Jerry Garcia Band. Source: MAC(Nak700s)>CDR>WAV>SHNv3. Taper: John Corley. notes
243. 02/21/86 The Stone - San Francisco, CA Jerry Garcia Band. Source: MAC(Nak700s)>CDR>WAV>SHNv3. Taper: John Corley. notes
244. 02/28/86 Marin County Veterans Auditorium - San Rafael, CA Garcia & Kahn: Master: Sony ECM-939LT > Cassette Master (Sony TC-D6C); Transfer: Cassette Master (NAD 6050C) > SBM > DAT @ 44.1k (PCM-R500) > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Recorded and Transferred by Dan Gale.  
245. 03/09/86 Keystone Palo Alto - Palo Alto, CA Source: MAC(FOB Nak 700's, Stealth in Hat>Sony TC-D5M) > CD > WAV > SHN. Taper: John Corley. SHN encoding via C.Ladner. notes
246. 03/10/86 The Stone - San Francisco, CA Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M > CDR > EAC > CDWave > Shn notes
247. 05/15/86 Berkeley Community Theater - Berkeley, CA JGJK: flac 2496; schoeps cmc 44 fob > tcd-d5 > tcd-d5 > mc; sony tc we435 > sony pcm m-10 24bit/96khz > soundforge > cdwave > traders little helper encoding option 8. notes
248. 05/30/86 The Stone - San Francisco, CA Jerry Garcia Band:FOB Master - NAK 300's>Sony D5>Cool Edit>CD Wave>SHN notes
249. 05/31/86 The Stone - San Francisco, CA Jerry Garcia Band: FOB Master - NAK 300's>Sony D5>Cool Edit>CD-Wave>SHN notes
250. 10/04/86 The Stone - San Francisco, CA Jerry Garcia Band: MAC (Taped by John Corley, Nak 700s ["Silly Hat", FOB] > Sony TC-D5M) > CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
251. 10/05/86 The Stone - San Francisco, CA Source: MAC(Nak700s>Sony TCD5M)>CDR>WAV>SHNv3. Taper: John Corley. First 2 tracks of the second set are omitted from the recording. notes
252. 10/31/86 Henry J. Kaiser Convention Center - Oakland, CA Jerry Garcia Band: Speed-corrected version of previous AUD/FOB Schoeps MK4 source; See info file for details; Seeded to etree by CWier.  
253. 11/10/86 The Stone - San Francisco, CA Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M) > CDR > EAC > CDWave (retracked) > Shn notes
254. 11/22/86 Warfield Theater - San Francisco, CA Garcia, Weir & Hart acoustic; flac1644; Unknown AUD kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2017  
255. 11/23/86 The Log Cabin - San Anselmo, CA Log Cabin Boys; Sony ECM-939T -> Cassette Master (Sony D6/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller.  
256. 11/30/86 The Stone - San Francisco, CA Source: MAC(FOB Nak 700's, Stealth in Hat>Sony TC-D5M) > CD > WAV > SHN. Taper: John Corley. notes
257. 12/08/86 The Stone - San Francisco, CA Source: FOB MAC w/ Nak 700s>SonyTC-D5M>CDR>WAV>SHN. Taper: John Corley. notes
258. 12/21/86 The Stone - San Francisco, CA Jerry Garcia Band: MAC (Taped by John Corley, Nak 700s ["Silly Hat", FOB] > Sony TC-D5M) > CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). notes
259. 02/20/87 Marin County Veterans Auditorium - San Rafael, CA Jerry Garcia Band: MAC (Taped by Dan Gale, Sony ECM-939LT > Sony TC-D6C) > NAD 6050C playback > SBM > PCM-R500 @ 44.1k (A/D only - no DAT) > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by Dan Gale.  
260. 02/24/87 Civic Auditorium - Santa Cruz, CA JGB: Tom Pinney MAC (Beyer M88 [FOB Center, 20' from stage, XY 90 degrees] > Sony D5) > 1st gen cassette > JVC TD-V1050 cassette deck > Lynx Two A/D (24-bit, 44.1kHz) > Wavelab 6.0.  
261. 04/06/87 Lone Star Cafe - New York, NY California Brothers, JG guest: 2nd gen AUD cassette (Maxell XLII 90) > Nak D-R2 > Digigram VXpocket v2 > Sony VAIO Picturebook PCG-C1VPK 24bit/48kHz wav > unknown downsample to 16/44.1 > CD Wave > TLH (FLAC encoding). Transfer by Michael Scottelaro, track and FLAC by jj.  
262. 04/23/87 The Stone - San Francisco, CA Source: MAC(Nak700s)>CDR>WAV>SHNv3. Taper: John Corley. First verse in Deal cut. Source CDRs via J.Powell. SHN encoding via C.Ladner.  
263. 04/24/87 The Stone - San Francisco, CA Source: MAC(Nak700s)>CDR>WAV>SHNv3. Taper: John Corley. Source CDR via J.Powell. SHN encoding via C.Ladner.  
264. 05/27/87 The Stone - San Francisco, CA Source: MAC(Nak 700s)>DAT>CDR>WAV>SHNv3. Taper: John Corley. via the misSHN in the rain/TMNSP  
265. 05/28/87 The Stone - San Francisco, CA Source: MAC(Nak 700s)>DAT>CDR>WAV>SHNv3. Taper: John Corley. via misSHN in the rain/TMNSP.  
266. 08/29/87 French's Camp on the Eel River - Piercy, CA JGB & JGAB: SBD + AUD Matrix Mix (60%-SBD/40%-AUD)  
267. 08/30/87 Greek Theater - Berkeley, CA flac1644: Master Soundboard Cassette (MA-R 90); Tascam mkII > Korg MR1000 at 1bit/5.6mHZ > Korg Audio Gate Software > 32 bit float/96kHzkHz > GEMS Edit Station > Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz.  
268. 10/15/87 Lunt-Fontanne Theatre - New York, NY Jerry Garcia Acoustic Band & Jerry Garcia Band: FOB NAK 300's (2nd row, 2 seats right of center) > Sony D5 > Cool Edit > CD Wave > SHN, recorded by Dan Cole.  
269. 10/16/87 Lunt-Fontanne Theatre - New York, NY flac2496; aud cassette master, nak 300's>sony d5, taped by Chuck Doll & Bob Messina, transfer, mastering, seed by Rob Berger.  
270. 10/17/87 Lunt-Fontanne Theatre - New York, NY JGAB & JGB; flac1644; late show; SBD cassette master > dat > dat > cdr > adobe audition 2.0 > cd wave > flac. Taped and transferred by Rob Berger.  
271. 10/17/87 Lunt-Fontanne Theatre - New York, NY JGAB & JGB; flac16; early show; Nakamichi 300's > Sony TC-D5M > Master Cassettes (2 x Maxell XLII-S) Recorded from 6th row, Just right of center by Roger Remandino and John Hance. Low gen cassette provided by Rob (Xghs) Feldman John wore the mics extending out from the collar of his sweatshirt and Roger was behind him operating the deck. Transfer I: low gen cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Transfer II: 1st gen cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Neutron 2 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac 16 edi8ted and mastered SIRMick December 2020  
272. 10/20/87 Lunt-Fontanne Theatre - New York, NY Source: Aud>c>c>2nd gen XL-II-90 no nr. Transfer: Dragon dolby out>ua55>USB>Audacity>wav24-96>r8brain>TLH.  
273. 10/21/87 Lunt-Fontanne Theatre - New York, NY sbd.cole.tobin.flac16 notes
274. 10/21/87 Lunt-Fontanne Theatre - New York, NY JGB, Late Show, Electric Set: Nakamichi CM-300's > Sony WM-D6; Second generation cassette w/Dolby B used for transfer (MAC > C > C) Transfer: 2nd-Gen tape (Maxell XL-II) > Sony TC-D5M (Dolby On) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC, November 2006 by Andrew F.  
275. 10/23/87 Lunt-Fontanne Theatre - New York, NY flac1644; aud cassette master, nak 300's>sony d5, taped by Chuck Doll & Bob Messina, transfer, mastering, seed by Rob Berger  
276. 10/25/87 Lunt-Fontanne Theatre - New York, NY JGB-JGAB, late show: Acoustic set: SBD > DAT > CDR > EAC > WAV > Wavelab/Waves L3 > WAV > FLAC (level 8). Electric set: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Acoustic recording remastered version of previously circulating shnid=15616. Electric band analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner.  
277. 10/25/87 Lunt-Fontanne Theatre - New York, NY JGB & JGAB, Early Show: Sony ECM-939LT stereo mic (center orchestra, ca. 15th row) > Sony WM-D6C Pro-Walkman Onto Maxell MX-90 cassette tape, Dolby Off for recording and playback; Transfer playback on Nakamichi MR-2 > Tascam CDRW-700 > EAC > SHN.  
278. 10/28/87 Lunt-Fontanne Theatre - New York, NY JGB & JGAB, Late Show: Orchestra Nakamichi 300s > D5 (MAC) > D5 (C1) > C1 playback on Nakamichi DR2 > Presonus Firebox > firewire/PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8). Recording via B.Koucky. Transfer/mastering by C.Ladner.  
279. 10/28/87 Lunt-Fontanne Theatre - New York, NY JGAB, early show: DSBD, pitch fix for shnid 82275 via FLAC > WAV > Vegas 6.0d > FLAC by mattman.  
280. 10/28/87 Lunt-Fontanne Theatre - New York, NY Jerry Garcia Band, Early Show: Recording: Sony ECM-939LT Stereo Mic (third row orchestra, just off center and directly in front of Jerry) > Sony WM-D6C Pro-Walkman Onto Maxell MX-90 cassette, Dolby Off during recording and playback; Transfer playback on Nakamichi MR2 > Tascam CDRW-700 > EAC > SHN. Tracked with CDWave, no EQ or sound editing was used.  
281. 10/30/87 Lunt-Fontanne Theatre - New York, NY JGAB/JGB; flac2448; Source: Nakamichi CM-300 w/CP-1 caps > Sony TC-D5 > MAC, 5th row balcony left; 1st Gen cassettes, kindly provided by Doug Lamarre. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2021  
282. 10/31/87 Lunt-Fontanne Theatre - New York, NY JGB, early show: MAC (Nak 300s [orchestra] > Sony D5) > 2 cassette gens > C2 (Maxell XLII-90) Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8), via B. Koucky and C. Ladner.  
283. 10/31/87 Lunt-Fontanne Theatre - New York, NY JGB; late show; flac16; AUD: Unknown taper & gear > MAC > lo-gen (likely 2nd-gen) tapes kindly provided by Ted Gidley. Transfer: Maxell XLII-S > Nakamichi DR-8 > Audiophile-2496 soundcard > WAV 1644 (in 2008). Wavelab > CD-Wave > TLH > FLAC 1644 tagged, by Andrew F. (July 2015)  
284. 12/03/87 Wiltern Theater - Los Angeles, CA JGAB & JGB (16 bit/44.1kHz): Mike French's Sennheiser MKE2002 mics HRTF -> Sony WM-D6C (Dolby B) Maxell MX-90 Metal Cassette. Recorded on floor, right of center. From: Row H, Orchestra (floor), seat 108. Transfer: Sony WM-D6C master deck w/ Dolby "B" n.r azimuth adjusted playback > Belden 1804a spc > Sound Devices 722 @ 24.48, transfered by Mike French.  
285. 12/04/87 Wiltern Theater - Los Angeles, CA JGAB & JGB (16 bit/44.1kHz): Mike French's Sennheiser MKE2002 HRTF -> Sony WM-D6C "B" n.r., From the floor, near center, Orchestra Row B seat 118. High Resolution Digital Transfer Lineage: MF Master Cassettes / MF Sony WM-D6C master deck w/ Dolby "B" n.r azimuth adjusted playback -> Belden 1804a spc -> Sound Devices 722 @ 24.48 Transfered by Mike French.  
286. 12/05/87 Wiltern Theater - Los Angeles, CA JGAB & JGB (16 bit/44.1kHz): tdarian's Sennheiser MKE2002 HRTF -> Sony WM-D6C "B" n.r. Balcony Row CC, center (balcony, 3rd row, center).High Resolution Digital Transfer Lineage:TD Master Cassettes // MF Sony WM-D6C w/ Dolby "B" n.r azimuth adjusted playback -> Belden 1804a spc -> Sound Devices 722 @ 24.48 Transfered by Mike French  
287. 12/06/87 Wiltern Theater - Los Angeles, CA Jerry Garcia Acoustic Band & Jerry Garcia Band: MAC (Taped by Tom D., 6th row-FF-4th seat left of center, RadioShack Tie Pin Lavalier Omni mics > Sony WM-D6C) > playback on master Sony WM-D6C "B" nr > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz master DAT > playback on Tascam DA-20mkII DAT > Marigo Audio Lab Apparition Reference Coaxial/ RCA cable > Tascam 700 CDRW master CD > Marantz CDR 550 Dual Well Recorder CD clone (DAO,1x) > CD > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). A > D by Mike French, EAC > SHN by Joe Jupille.  
288. 12/17/87 The Warfield - San Francisco, CA An AIDS benefit concert, Humanitas International and BGP presents Joan Baez and Friends: A Christmas Concert: S:C>D>CD  
289. 02/06/88 The Warfield - San Francisco, CA Jerry Garcia Band: MAC (Taped by Danny Lucian, unknown gear from the lower balcony) > 1 cassette > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).  
290. 05/06/88 Old Fillmore - San Francisco, CA JGB; flac16; Neumann KMi-84s >Sony PCMF-1/sl2000 PCM - transferred, tracked and tagged by OldNeumanntapr - Recorded By Daspyknows taping crew  
291. 05/07/88 Orpheum Theatre - San Francisco, CA Jerry Garcia Band: MAC (Taped by Dan Cole, row AA in the middle, Sony ECM 77-B > Sony D5) > Cool Edit > CD Wave > SHN. notes
292. 10/31/88 Henry J. Kaiser Convention Center - Oakland, CA Jerry Garcia Band: FOB Schoeps CMC34 (Hand held, ORTF) > Oade M118 pre > Panasonic SV-250 > Soundforge 4.5 > CD; Taped by Jeff Travitz, shn'd by Bill Gardner  
293. 11/26/88 Wiltern Theater - Los Angeles, CA Jerry Garcia Band: MSC > DAT > CDR > WAV > SHNv3.  
294. 01/27/89 Orpheum Theatre - San Francisco, CA JGB, flac16; Source 1 (tracks 1-12): Source ID 084866 (John Moses), remastered by Jim Blackwood and speed/pitch adjusted by Jason Chastain; Source 2 (tracks 13-15): SBD source (with likely cassette generation) > DAT via Anon, transferred and mastered by Jim Blackwood and speed/pitch adjusted by Jason Chastain; Minor repairs (both sources), track, FLAC, and pack by Steve Gravel  
295. 01/28/89 Orpheum Theatre - San Francisco, CA JGB, flac1648; Source: SBD Master Cassette > DAT at 16/48 (with possible extra analog generation) from Anon; DAT transfer and mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel  
296. 03/03/89 Orpheum Theatre - San Francisco, CA Jerry Garcia Band: FOB (Schoeps CMC34s) > DAT (Panasonic SV-250) > CDR > WAV > SHN  
297. 03/22/89 Gift Center Pavilion - San Francisco, CA Garcia, Weir & Kahn: FOB 2x Nakamichi 700 mics (modified, caps and attenuators worn in hat) > Reutelhuber pre-amp > dbx 221e > Sony TCd5M master cassette (Maxell MX90); Nakamichi CR1a playback > dbx 224xds decode > Macintosh 1.2 GHZ Power PC G4 OSX 10.5.4, with M-Audio Audiophile 2496 MIDI Digital Recording Interface. Recorded with Bias Peak Lite. File re-saved from raw audio as Wave with Bias Peak Lite version 5.2; CD Wave 1.94.8 > Sony Sound Forge Studio 7.0 (t01 fade-in and t07 fade-out) > Trader's Little Helper (FLAC8 encoding).  
298. 05/19/89 Irvine Meadows Ampitheater - Irvine, CA JGB; Flac16; FOB; Sony ECM 909 Stereo Cardioid >Sony WM D3 Cass Recorded By John Lech. Cass 1 Transfer, Audacity, FLAC, Tags + Front Cover Artwork By OldNeumanntapr  
299. 05/20/89 Open Air Theater (San Diego State) - San Diego, CA Jerry Garcia Band: SBD -> Dat -> Cm -> SBM2 -> Sonic Solutions -> CD -> EAC -> SHN Last 3 Songs Patched w/ Nakamichi 300/CP1 -> Cm -> CD -> Samplitude v7.02 Pro -> SHN (2 Discs Audio / 1 Disc SHN)  
300. 05/26/89 New George's - San Rafael, CA Los Lobos w/ Garcia sitting in: MAV (recorded by Rick Ovalle) > 2 VHS HiFi gens > CD. Transferred by pantagruel.  
301. 05/27/89 Oakland-Alameda County Stadium - Oakland, CA flac1644; SBD + AUD Matrix Mix (60%-SBD/40%-AUD) Mixed by dan@am-dig.com DSBD > DAT > WAV > FLAC Transferred by Rich Gastwirt + Neumann KMi84 (FOB, DFC) > BlackBox > Panasonic SV-250 Recorded, Post-Produced & Seeded by Chris Hecht  
302. 06/10/89 French's Camp on the Eel River - Piercy, CA Jerry Garcia Band: MAD (Schoeps CMC3-MK4) > playback on Panasonic SV-3800 > HHb CDR-850 > CDR > WAV > SHN  
303. 07/02/89 Sullivan Stadium Parking Lot - Foxboro, MA Jerry Garcia, Bob Weir, & Los Lobos: Unknown source (probable pro-shot video) > ? > CD > EAC > SHN  
304. 09/02/89 Merriweather Post Pavilion - Columbia, MD Jerry Garcia Band:FOB Schoeps CMC44 > Oade pre-amp > Sony PCM-F1 digital processor > Sony SL 2000 recorder (Beta); PCM master > DAT > CDR; Taper: Jim Oade; from the Jerry Site's "Release One"; via imgoinmad@home.com  
305. 09/06/89 Nassau Coliseum - Uniondale, NY Jerry Garcia Band: Taper: John Bulger; FOB Aud > Sennheiser Audio 2000 Mic setup > CM W/ Dolby C > Cass > Nak DR-10 (Playback)> Midiman Flying Cow A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 > CDWav v1.6 (tracking only) > SHNv3 (MKW ACT; Digital Conversion/shn'ed by Charlie Connor With thanks to Rob R.  
306. 09/09/89 Great Woods Center for the Performing Arts - Mansfield, MA JGB; flac1644; Frank Streeter's Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16. Patch Info: (FOB) Nakamichi 700 -> Dat -> CD -> SHN (shnid=9718).  
307. 09/13/89 Seashore Performing Arts Center - Old Orchard Beach, ME JGB: 2x Nakamichi CM300's w/CP4 shotguns, plus 1x Nakamichi CM300 w/CP1 Cardioid blend mic > Nakamichi 550 cassette deck > Sony TC-D5M > Triad MG-X Metal (Set One) and That's CD-IV Metal (Set Two), with no Dolby. Mics on six foot stand, thirty feet from stage, in the center. Taped by the 89 Wheel Chair Crew. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F.  
308. 09/15/89 Alpine Valley Music Theatre - East Troy, WI Jerry Garcia Band: Realistic Stereo Mic on stand > Realistic Mixer > Sony Recorder; Master cassettes were transfered to Hi-Fi VHS circa 1990; Transfer: VHS > M-Audio Delta Audiophile/Audacity > Wav > shn32.  
309. 10/31/89 Concord Pavilion - Concord, CA Jerry Garcia Band: MAD (taped by Sean Webber-Small, Marcus Buick, and others, B&K 4011's @ 110 ORTF [handheld, Section FF, Row F, Seat 104]) > Monster M1000 > TAO Research (Oade designed supply) > Monster M1000 > Panasonic SV250, Panasonic SV250 > Sony PCM601 > Sony SL360, Sony SL360 > Sony PCM701 > Digidesign 442/Quadra650, edited w/ProTools 3.1, mastered with Masterlist 1.2 > Sony920s 2x CD mastering burner master CD > HP 9350i extraction using EAC (v0.9 beta 4) > sector boundary alignment using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1).  
310. 12/01/89 Warfield Theatre - San Francisco, CA 110' B&K 4011 @ Drink Rail -> SV255
Submitted to db.etree w/o a text file. The following text file circulates with filesets marked as SHNID # 6348 but may not be correct 		 
311. 12/16/89 Club Front - San Rafael, CA Edie Brickell, Rob Wasserman & Jerry Garcia: SBD -> Master -> ? -> Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller.  
312. 04/29/90 South Of Market Cultural Center - San Francisco, CA Jerry Garcia, Nick Gravenites, Pete Sears and Animal Mind, Complete Show: SBD > DAT > CD > WAV >SHN.  
313. 05/20/90 Auditorium - Hilo, HI JGB: FOB 2 Neumann km 86 mics (no mic preamp used) > Panasonic sv255 DAT master; Transfer: Panasonic SV-3700 > Coax S/PDIF > M-Audio 410 (2 v1 dr1.8.2 2006-2 > FireWire400 > PowerMac G5 > Soundtrack Pro v1.0.3. Edited and Mastered By Jamie Waddell on the GEMS Edit Station Tracked: Cdwave Flac'd Level 8 TLH.  
314. 06/13/90 Warfield Theater - San Francisco, CA Jerry Garcia Band: MAD (Taper, equipment, and location unknown) > DATs > Tascam DA-30 playback > HHB-800 master CD > HHB-800 CD/1 > HP 9350i extraction using EAC > tracking using CD Wave > .shn encoding using mkwACT.  
315. 11/21/90 Warfield Theater - San Francisco, CA JGB; flac1648; B&K 4011s > Panasonic SV-255 > Master DAT; DATx Archived and Transferred By Stuccoholmes 2018. Edited and Mastered by Jamie Waddell in Wavelab 7.2 16bit 48kHz FLAC Level8 in TLH.  
316. 11/24/90 Henry J. Kaiser Convention Center - Oakland, CA Source: (FOB) AT853a [cardioids/xy] > Aiwa HD-X1 Lineage: DAT/M > VHS/1 > HHb 800 > EAC > CDWav > FLAC Recorded: John Lech. Transferred: Jeff Bowen. Extraction: Brad Foster. Mics were held at head height mounted on a custom made xy bar atop a blacked out car antenna.  
317. 12/17/90 The Sweetwater - Mill Valley, CA JGDG; shnf; AUD:D > DAT > CD.  
318. 12/22/90 San Francisco Civic Auditorium - San Francisco, CA JGB: FOB (Nak700s) > DAT > CDR > WAV > SHNv3  
319. 01/29/91 Warfield Theater - San Francisco, CA Jerry Garcia Band, mixed sources: Set I: Schoeps CMC3-MK4>D>D>WAV>FLAC, taper unknown at this time; Set II: Taped by Jeff Geer, Nak700 > CM > D > WAV > FLAC.  
320. 01/30/91 Warfield Theater - San Francisco, CA FOB NAK 700>DAT>CD>Cool Edit Pro>CD  
321. 01/31/91 Warfield Theater - San Francisco, CA Source: Schoeps CMC3-MK4 (110 degrees ORTF hand held under sweatshirt at drink rail)>Oade pre-amp>Panasonic SV255>D>D>WAV>SHN. Taper: unknown at this time.  
322. 02/28/91 Warfield Theater - San Francisco, CA JGB: Schoeps MK4 > DAT > CDR > WAV > FLAC16.  
323. 03/02/91 Warfield Theater - San Francisco, CA Jerry Garcia Band: Source: AUD (unknown mics) > DAT > CDR > SHNv3; Taper: unknown. Seeder suspects lineage to be FOB (Schoeps CMC3/MK4) - confirmation pending.  
324. 04/20/91 Warfield Theater - San Francisco, CA Jerry Garcia Band: MAD (FOB Schoeps CMC3/MK4) > CDR > WAV > SHNv3. Taper: unknown at the time of circulation. Thanks to H.Angus for the CDR seeds. SHN encoding / FTP'ing via C.Ladner / candyman FTP.  
325. 05/23/91 Warfield Theater - San Francisco, CA Jerry Garcia Band: (FOB) Schoeps mk4>Dat>CDR>WAV>SHNv3. Thanks to C. Miller for the DAT > CDR conversion and seeding this show. DAE (EAC) > boundary check (SHNTOOL) > shn (MKWACT) via neo_levo. hosted on candyman server, 2/2002.  
326. 08/10/91 French's Camp On The Eel River - Piercy, CA Jerry Garcia Band: Source: AUD(mic's unknown)>DAT>CDR>WAV>SHN. Taper: unknown at this time. Thanks to H. Angus for the CDR seeds. DAE(EAC 0.9 beta 4, offset corrected, high/secure) > editing (soundforge 5) > boundary check (shntool) > SHN (shorten 3.4) > FTP via C.Ladner/candyman FTP.  
327. 08/24/91 Goldcoast Concert Bowl - Squaw Valley, CA Jerry Garcia Band: Bill Reutelhuber DAUD/DSBD matrix > FLAC. See text file for details.  
328. 11/07/91 Capital Centre - Landover, MD JGB; flac1648; (FOB) Schoeps MK4s > Dat (Panasonic SV-255/48k) edited and mastered SIRMick.  
329. 11/10/91 Charlotte Coliseum - Charlotte, NC Jerry Garcia Band: AUD (mics unknown) > DAT > CDR > WAV > SHN. SHN encoding/FTP via Chris L./candyman FTP.  
330. 11/12/91 The Spectrum - Philadelphia, PA Jerry Garcia Band: FOB (NAK 700's) > DAT > CDR > WAV > SHNv3. Taper: unknown.  
331. 11/13/91 The Centrum - Worcester, MA Jerry Garcia Band: FOB (Schoeps CMC3 + MK4) > DAT CDR > WAV >SHN. Taper: unknown at this time.  
332. 11/15/91 Madison Square Garden - New York, NY 16bit/44.1kHz file-set: AUD: Sonics DSM-6 mics (hat mounted) > Sony TC-D5M > Maxell MV-90's, recorded from the 10th row center, by Richie Stankiewicz. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. December 2011  
333. 11/17/91 Hartford Civic Center - Hartford, CT JGB; flac1644;fob/schoeps cmc6/mk4 (rich g./master>DAT1/JK); transfer: DAT1/sony pcm-r500>marantz pmd661>audiogate(16/44.1)>cdwave>tlh by john m.  
334. 11/19/91 Providence Civic Center - Providence, RI JGB; flac1648; Dave Brotman and Jeff Metchick's FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16-48) > Master DAT > Safety Copy. Transfer: Safety Copy > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648. Transfer by Anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. December 20, 2020.  
335. 11/23/91 Bradley Center - Milwaukee, WI JGB; flac1644: Sonic Studios Omnis > Sony TCD-D5>Cass(m) recorded FOB by Alan Schmit; Conversion: Cass(m) > Onkyo TA-6711 > Tascam DA-20 (A/D) > Microtrack 24/96 > WAV > Sound Studio 2.2.4 > xACT 2.13 > FLAC, by Dave Mallick.  
336. 12/07/91 Warfield Theater - San Francisco, CA MAD (Vintage 1950s Neumann KM54s)>Denon DAT deck (model unknown)) > DAT > WAV > SHNv3. Tapers: J.& C. Vasseur. DAT material provided by J.Powell. DAT > SHN by C.Ladner: Sony PCM-R500 > coaxial S/PDIF > M Audio Audiophile 2496 > WAV recording/editing (Soundforge 6) > tracking (cdwav editor) > sector boundaries confirmed (shntool) > SHN (mkwact). Complete source. Clipping and distortion early on.  
337. 02/07/92 Henry J. Kaiser Convention Center - Oakland, CA Jerry Garcia Band: unknown taper, FOB Schoeps CMC34 Cardiod (ORTF) > MIT Cables > Oade Power Supply > Panasonic sv255. Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging.  
338. 04/25/92 Event Center Arena, San Jose State Univ. - San Jose, CA Jerry Garcia Band: Chris Cate's MAC (Sony 939 stereo mic [hand-held] > Sony D-6 [Maxell Capsule Metal 100s]) > Nakamichi BX300 playback > Harmann Kardon CDR2 CD/0 > CD clone > extraction (EAC v0.95 beta 4) > flac encoding (FLAC Frontend v1.7.1 etree edition).  
339. 05/07/92 Warfield Theater - San Francisco, CA Garcia & Grisman: MAD (unknown taper, location, gear) > unknown DAT gens > unknown CD gens > HP 9350i extraction using EAC (v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1).  
340. 05/09/92 Warfield Theater - San Francisco, CA Garcia & Grisman: MAD (unknown taper, location, gear) > unknown DAT gens > unknown CD gens > HP 9350i extraction using EAC (v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1).  
341. 07/29/92 Universal Amphitheater - Universal City, CA Jerry Garcia Band: Chip Copeland's FOB Beyer 201's (90º) > Panasonic sv255; Transfer: 16 bit – 48kHz DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither; Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging.  
342. 08/01/92 Irvine Meadows Amphitheater - Laguna Hills, CA nak700.unknown.ladner.sbeok.t-flac16 notes
343. 01/29/93 Warfield Theater - San Francisco, CA JGB: Chuck and Janet Vasseur MAD( "vintage Neumann", KM54s) > DAT > CDR > WAV > SHN.  
344. 11/05/93 Buffalo Memorial Auditorium - Buffalo, NY JGB; flac16; Unknown aud > wav > flac16  
345. 11/09/93 Cumberland County Civic Center - Portland, ME JGB flac16;Recording Info:(FOB) Schoeps MK4 -> Dat (48K); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
346. 11/12/93 Madison Square Garden - New York, NY JGB: Clay Brennecke and Keith Litzenburger, Schoeps MK4 Cardiod Capsules (ORTF, handheld, FOB DFC Section 2, Row U, Seats 4 & 5) > Schoeps KC5 Active Cables > Schoeps CMC3 Mic Body > Oade Mic Preamp > Monster M1000 Jumper Cable > Panasonic sv255 DAT Deck; Transfer: DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans April 6, 2008; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC'd Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.  
347. 02/05/94 Warfield Theater - San Francisco, CA flac1648; unknown taper, DAT > 1st gen cassette (given to josiah babcock who gave chasingwilma the tape to convert and share) > sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; unknown> dat> cassette> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8.  
348. 02/06/94 Warfield Theater - San Francisco, CA Jerry Garcia Band: mixed sources: Set 1 - SBD > Dat > Cm > Dat > CD; Set 2 - (FOB) Neumann KM104 > Panasonic SV-255 > Dat > CD. Seeded to etree by Todd Sanders.  
349. 05/14/94 Ventura Raceway (Fairgrounds) - Ventura, CA Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones (up front-center) > Sony TCD5M - analog master cassettes Transfer: Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files  
350. 05/18/94 Starlight Bowl - San Diego, CA Jerry Garcia Band: MAD (AT831b > D7 FOB) > D > CDR > EAC > WAV > FLAC. Taper: unnamed. Note: this originally circulated as Neumann KM140s > Panasonic SV 255, but the AT setup has apparently been confirmed by the taper.  
351. 09/01/94 Warfield Theatre - San Francisco, CA Jerry Garcia Band: FOB Neumann KM-140 > SV255 > DAT > Tascam CDRW 700 > CD > EAC > SHN.  
352. 01/13/95 Warfield Theater - San Francisco, CA neumannKM54.vasseur.oldneumanntapr.t-flac1644  
353. 01/14/95 Warfield Theater - San Francisco, CA Jerry Garcia Band: MAD(vintage Neumann/KM54>DAT)>DAT>CDR>WAV>SHN. Taper: Chuck and Janet Vasseur. This is an upgrade over the other circulating unlineaged source for this date.  
354. 03/04/95 Warfield Theater - San Francisco, CA Jerry Garcia Band: Russ B.'s MAD (Schoeps MK4 [floor, center right under the drink rail] > Reutelhuber power supply > Denon DTR80p > Sony D7) > DAT > WAV > Cool Edit Pro > CDWAV > FLAC, via Teddy Goodbear.  
355. 04/14/95 Warfield Theater - San Francisco, CA Jerry Garcia Band: MAD (Taped by the Vasseurs, Neumann Km54s > unidentified deck) > D > CDR > WAV > SHNv3; source information updated 1/15/2003.  
356. 04/22/95 Warfield Theater - San Francisco, CA Jerry Garcia Band: FOB Neumann KM 150's >??p/s> Teac Da-p20> Cdr;  

Garcia & Grisman  
  Date Venue - City, State Media  
1. 02/02/91 Warfield Theatre - San Francisco, CA Garcia & Grisman, complete show: DSBD > DATs > CDs > EAC > SHN.  
2. 02/03/91 Warfield Theatre - San Francisco, CA Garcia & Grisman, two sources: Set One: SBD -> Dat -> Cassette Master -> ? -> Cass -> Dat -> Samplitude -> SHN; Set Two: SBD -> Dat -> Cassette Master -> Dat -> SHN; (2 Discs Audio / 2 Discs SHN); Transfered By Charlie Miller.  
3. 08/25/91 Goldcoast Concert Bowl - Squaw Valley, CA JGDG: SBD DAT > TASCAM DA-20 MKII > Tascam CD-RW5000 > CDR > Extracted Sony Sound Forge 7.0 > CDWAV > Flac.  
4. 12/08/91 Warfield Theater - San Francisco, CA Garcia & Grisman: John Cutler Soundboard > DAT > ? > CDR/SHN Mastering: NashPhil Edited, boosted/balanced levels, and retracked/burned.  
5. 12/09/91 Warfield Theater - San Francisco, CA JGDG; flac1644; Master Soundboard Provided By Anon; Mastering By Jason Chastain And Jamie Waddell; 16 Bit 44.1 kHz Flac Level 8 Sbe Free  
6. 05/08/92 Warfield Theater - San Francisco, CA aud.unknown.flacf notes
7. 05/10/92 Warfield Theater - San Francisco, CA Garcia & Grisman: MAD (unknown taper, location, gear) > unknown DAT gens > unknown CD gens > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1).  
8. 01/12/94 Warfield Theater - San Francisco, CA Garcia & Grisman: same as previous source, but levels adjusted by RJ Hythloday.  
9. 01/13/94 Warfield Theater - San Francisco, CA Garcia & Grisman: Digitial FOB Audience Tape Nuemann km 54's > Teac > DAT(x); Transfer: Panasonic SV-3700 > M-Audio 24/96 > Wavelab 5.0 (L3 multimaximizer) > CD WAVE > FLAC, transfer by Bill Koucky.  

Garcia & Kahn  
  Date Venue - City, State Media  
1. 04/21/82 Beacon Theater - New York, NY Garcia & Kahn, Early Show: MAC > DAT > CD. 2 Sennheiser MD421's > Sony TC-D5M dolby b, 3rd row center. Maxell UDXLII C90 cassettes. master audience cassette recorded by Bill Nolan. MAC > DAT and DAT > CD transfers by Anne Cohen: MC > DAT 6/1991: JVC TD-V711 > Technics SV-DA10. DAT > CD 6/2004: Sony PCM-R500 > HHB CDR-830plus. EAC > Sound Forge 5.0 (4/21/05) > CDWave 1.71 > WAV > SHN.  
2. 04/21/82 Beacon Theatre - New York, NY Garcia & Kahn, Late Show: MAC > DAT > CD. 2 Sennheiser MD421's > Sony TC-D5M Dolby B, 4th row center. Maxell UDXLII C90 cassettes. Master audience cassette recorded by Bill Nolan. MAC > DAT and DAT > CD transfers by Anne Cohen: MAC > DAT 6/1991: JVC TD-V711 > Technics SV-DA10. DAT > CD 6/2004: Sony PCM-R500 > HHB CDR-830plus. EAC > Sound Forge 5.0 (4/21/05) > CDWave 1.71 > WAV > SHN.  
3. 05/05/82 Oregon State Prison - Salem, OR Garcia & Kahn: "SBD> dat> cd> wav> shn", too early for a master DAT. Supposedly lacks the overload distortion characteristic of most circulating copies of this show.  
4. 06/06/82 South Eugene High School Auditorium - Eugene, OR JGJK: Recorded by Don Eggiman and Tom Navarre using Mark Severson's equipment; 2 Nak 700s w/ 6 DB eq> Sony TC-D5M (2 Maxell MX cassettes); Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.  
5. 06/26/82 Warner Theater - Washington, DC Early and Late Shows. AUD: Aiwa HS-F1 with built-in mics > Maxell MX 90's. Taped by Brent Z. Transfer: MAC > Nakamichi DR-8 (Dolby off) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F.  
6. 06/27/82 Tower Theater - Upper Darby, PA flac1644; late show; MSC > Cx > WAV > FLAC  
7. 06/28/82 Opera House - Boston, MA JGJK: John Levene's Nak 300 (front row right center balcony) > Marantz CD330 (cassette master); Yamaha K-1020 playback > Sony SBM-1 > Nomad JB3 > firewire > SF v6 > Cdwave > Flac. Transfer by John Levene.  
8. 07/01/82 Auditorium Theater - Chicago, IL JGJK; flac1644; unknown audience recording>Harmon Kardon TD 302>Zoom H2, transfer by John Wenzel; different recording than shnid 013424.  
9. 08/23/82 Kabuki Theater - San Francisco, CA flac1644; early show; Recorded by Phil Jaret; Unknown Equipment (MAC). Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Grace Lunatec V3 (24/96) > Digital Audio Labs Card Deluxe > Adobe Audition 3.0 > FLAC encoding. Pitch Correction by Joe B. Jones.  
10. 09/07/82 The Stone - San Francisco, CA JGJK; flac1644; taped By Jeff Knudsen using Marantz SuperScope Mics > Aiwa HS1 Deck, from the (stage left) table on the Dance floor; Transfer: MAC > Apogee Mini ME (24/96) > Apogee Mini DAC > Wavelab 5.0 > DVD > Audacity 2.0.0 to 16bit  
11. 06/03/84 Kabuki Theater - San Francisco, CA Garcia & Kahn: MSC > DAT > CD > EAC > SHN, extracted and shortened by Katy Miller.  
12. 11/17/84 Orpheum Theatre - Boston, MA flac1644; AUD, Unknown mics > Sony TC-D5 > MAC > 1st Gen cassette. Tape kindly provided by Drew and Seaweed1010. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.  
13. 11/23/84 Chrysler Hall - Norfolk, VA Lineage: Sennheiser ME80s->Sony TC-D5M->Master Cassette Transfer: Sony TC-D5M->WaveTerminal U2A->USB->PC->CDWAVE->WAV->MkwV097.B1->SHN Location: Row 15 DFC Mics 15' in air  
14. 11/26/84 Bushnell Auditorium - Hartford, CT Garcia & Kahn: Blend of circulating FOB Nak 300s and MSC>C sources, via RJ Hythloday.  
15. 11/27/84 Rochester Auditorium Theater - Rochester, NY Source: Cassette Master/Soundboard -> Nakamichi DR-1 Cassette Deck -> Tascam DA-P1 DAT
Transferred in 2003 by Dan McGonagle (Darkstar Dan) + Azimuth adjust by Betty Cantor-Jackson
Transfered in 2023 by Dan McGonagle (Darkstar Dan) - DAT/SBD 16bit/44.1Khz 		 
16. 10/16/85 Catalyst Club - Santa Cruz, CA Garcia & Kahn, early and late shows: Digital mix from 4 channel cassette master - Soundboard plus Microphones over stage. See info file for details.  
17. 01/25/86 The Tower Theatre - Upper Darby, PA jgjk; flac1644; Ray Ackerman's Audio Technica 835b (LR) + 1 AKG D12e (center) > Radioshack 4 Channel Stereo Mixer 32-1105A > Sony TC-D5; location: Orchestra Row E, Sec. L/C, Seat 108 on stand @ 6'; Transfer: Sony TCK 71 (cass master) > Lunatec V3 > Microtracker II @ 24/96 > Wavelab (editing and mastering) Master wave file > pc > cd wave > traders little helper (flac level 8), crystal Resampler (high), & dither w/ iZotope Ozone 5 done in wavelab 6.1 Taped, transferred and mastered by Ray Ackerman; tracked, flaced, resample & dither by Gordon Wilson.  
18. 01/27/86 The Ritz - New York, NY Garcia & Kahn: Master Soundboard > Soundcraftsman 16x4 > Sony D5 > Cool Edit > CD Wave > SHN  
19. 01/28/86 The Ritz - New York, NY Garcia & Kahn: Master Soundboard Soundcraftsman 16x4>Sony D5>Cool Edit>CD Wave>SHN  
20. 11/14/86 Marin County Veterans Auditorium - San Rafael, CA Garcia & Kahn: Soundboard PCM > DAT Transfer: Transfer: Panasonic SV-3700 > M-Audio 24/96 > Wavelab 5.0 (L3 multimaximizer) > CDWAVE > FLAC Transfers, Remastering and Seeded to bt.etree.org February 7, 2007 by Bill Koucky  

Garcia & Saunders  
  Date Venue - City, State Media  
1. 05/21/71 Keystone Korner - San Francisco, CA Garcia Live #15  
2. 02/06/72 Pacific High Recording - San Francisco, CA Garcia & Saunders: Source: FM > ? > dat > da-20 playback > rme 96/8 pst > cd wave > mkw (shn). Transfer by Tim Rossi. Source information updated 11/5/2004, had been listed as pre-FM.  
3. 07/10/73 Keystone - Berkeley, CA flac1644: Matt Smith 24bit 96kHz Reel Transfer.Multitracks (Bob and Betty Ampex MM110)>2 track mixdown MR>R @ 7 1/2 ips.(WB) > DVD; Editing and Mastering by Jamie Waddell on the **GEMS** Edit Station. Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1kHz. Tracked in CDWAV Tag&Rename for Meta_Data. TLH for FLAC Level 8 by Patrick White (wharfratpat@shnflac.net).  
4. 10/11/73 Keystone - Berkeley, CA jgms, flac1648: sbd > master-reel > dat(48k)  
5. 06/04/74 The Lion's Share - San Anselmo, CA JGMS: MSR > PCM > DAT; Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.01a; Mastering with: iZotope Ozone 3 > CD Wave > TLH > FLAC; Transfer and Mastered by Bill Koucky; Green Mountain Bros. February 13, 2008.  
6. 11/05/74 Bottom Line - New York, NY flac1644; early show; Jerry Moore's aud cassette master, AKG D1000Ee's > Sony TC-152 (Dolby B); nak dragon (Dolby B) > tascam hd-p2 24/96 > adobe audition 2.0 > cd wave > tlh flac 8; transfer/seed by Rob Berger.  

Go Ahead  
  Date Venue - City, State Media  
1. 09/26/86 The Ritz - New York, NY Source: Nak 300 > Sony D-5
Transfer: Nak Dragon Tape Deck > Sony SBM1 > Creative Extigy Soundcard > Cool Edit Pro > Flac Frontend
Taper: Joe D'Amico ''aka''Joebeacon 		 
2. 10/02/86 R. W. Hunt Mill & Mining Co. ~ Early show - Burlington, VT Flac16 Early show
Sennheiser 421's >nak 550, 2nd gen cassette, Doug Lamarre's copy, transferred by Rob Berger 		 
3. 10/06/86 Stone Balloon - Newark, DE aud.unknown.flac8 notes
4. 10/10/86 The Trafalmadore Cafe ~ Late show - Buffalo, NY Flac 16 Late show
Unknown Generation Tape > Data CDR (shn) > FLAC Level 7 		 
5. 10/12/86 My Father's Place - Old Roslyn, NY  
6. 10/28/86 Peabody's Downunder - Cleveland, OH MAC ? >cdr>EAC(secure extraction)>Flac Frontend(level 8)  
7. 10/29/86 Graffiti Showcase - Pittsburgh, PA SBD>MAC>CASS>DAT>CD>EAC>CDWAV>SOUNDFORGE>SHNv3 Seeded by Tom Donaldson on The Go Ahead Tree EAC, re-tracking, and SHNv3 by PainoMan (painoc001@hawaii.rr.com) SoundForge was used to remove 2 minor cuts and a digi-blit.  
8. 10/31/86 Capitol Theater - Passaic, NJ  
9. 07/30/87 The Coach House - San Juan Capistrano, CA schoepsCMC34.bltz.sbeok.flac1644  
10. 11/28/87 Fender's Grand Ballroom - Long Beach, CA Sennheiser MKE2002 HRTF -> _*Sony WM-D6C_ -> Sony WM-D6C  
11. 02/07/88 Universal Amphitheatre - Universal City, CA Flac16
Cassette Master -> Untracked Aiff File -> Soundforge -> FLAC Recorded and transferred by ijwthstd 		 
12. 03/11/88 State Fairgrounds Coliseum - Salt Lake City, UT Lineage: VHS master > VHS > SuperBeta Hi-Fi tape recorded at Beta II speed (recorded on Sony SL-HF900)
Transfer: Sony SL-HF1000 > Apple Macintosh Final Cut Pro > AIFF > Pro Tools > AIFF files > xACT [flac level 8 files with sector boundaries verified]. 		notes

Grateful Dead http://www.dead.net
  Date Venue - City, State Media  
1. 11/03/65 Golden State Studios - San Francisco, CA Autumn Records Demo, The Warlocks; SBD> MR> ??> DAT> CDR; via Raoul Duke; Seeded to etree by Matt Vernon  
2. 01/08/66 Fillmore Auditorium - San Francisco, CA part of Acid Test compilation; via Alan Bershaw, Thomas Wulf; md5s and txt shown both for whole set and for this date notes
3. 01/28/66 The Matrix - San Francisco, CA sbdreel.GEMS.oldneumanntapr.t-flac  
4. 01/29/66 Sound City Acid Test - San Francisco, CA part of Acid Test compilation; via Alan Bershaw, Thomas Wulf; md5s and txt shown are for whole set and for this date  
5. 02/12/66 Youth Opportunities Center - Compton, CA sbdreel.GEMS.oldneumanntapr.t-flac notes
6. 02/25/66 Ivar Theater - Los Angeles, CA sbdreel.unknown.oldneumanntqapr.t-flac  
7. 03/12/66 Danish Center - Los Angeles, CA MR> DATx> CD; reportedly this date, plus other '66; may also be listed as '??/??/66'- another shn set of t1-8 material circulates as such  
8. 03/19/66 Carthay Studios - Los Angeles, CA flac16; SBD > Rm > Reel > Dat > CD > EAC > CDWav > Flac
EAC and Tracking by Ihor Slabicky Seed provided by Paul Scotton 		 
9. 03/25/66 Trouper's Hall - Los Angeles, CA sbd.bear.oldneumanntapr.t-flac8  
10. 04/22/66 Longshoreman's Hall - San Francisco, CA sbdreel.GEMS.oldneumanntapr.t-flac  
11. 04/24/66 Longshoreman's Hall - San Francisco, CA sbdreel.unknown.oldneumanntapr.t-flac  
12. 05/19/66 Avalon Ballroom - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> Samplitude Professional v11.03 -> FLAC; Original Transfers and Mastering By David Gans; Additional Transfers and Mastering By Charlie Miller; this source is an upgrade to source ID 106683  
13. 07/03/66 Fillmore Auditorium - San Francisco, CA with 3/25/66; see notes in info file; to abgd, later to etree notes
14. 07/16/66 Fillmore Auditorium - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> EAC -> SHN -> WAV -> FLAC; Transferred and Edited By Charlie Miller. This is a fix of shn id 21063  
15. 07/17/66 Fillmore Auditorium - San Francisco, CA SBD -> Reel Master (10 Inch Reels @ 15ips 1/2trk) -> Dat -> Sonic Solutions -> CD -> EAc -> SHN; Converted To SHN By Charlie Miller notes
16. 07/29/66 P.N.E. Garden Auditorium - Vancouver, BC sbdreel.unknown.oldneumanntapr.t-flac notes
17. 07/29/66 P.N.E. Garden Auditorium - Vancouver, BC sbdreel.unknown.oldneumanntapr.t-flac notes
18. 07/31/66 P.N.E. Garden Auditorium - Vancouver, BC sbdreel.GEMS.oldneumanntapr.t-flac  
19. 11/19/66 Fillmore Auditorium - San Francisco, CA flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
20. 11/29/66 The Matrix - San Francisco, CA SBD of unknown lineage. This is the previous seed (shnid=4940) with the missing tracks added. notes
21. 12/01/66 The Matrix - San Francisco, CA remastered (NR, cleanup) version of previous shn set, by SIRMick; Noise reduction was done with Waves X-Noise plugin using WaveLab as the host notes
22. ??/??/66 Various - Various, Compilation flac16; SMRs>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>CD Wave Editor>FLAC  
23. 01/14/67 Polo Field, Golden Gate Park - San Francisco, CA SBD>MR >?>CDR; The great human be-in; via Raoul Duke; Seeded to etree by Matt Vernon notes
24. 03/18/67 Winterland Arena - San Francisco, CA MSR> R> DATs> CDRs> EAC> SHN; via Darrin Sacks; upgrade now in circulation notes
25. 05/05/67 Fillmore Auditorium - San Francisco, CA flac16; Don Wolfe's 3.75 ips > Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC  
26. 06/18/67 Monterey County Fairgrounds - Monterey, CA flac16; Lineage: SBD Master Reels > DAT (Panasonic 3700) > Delta DiO 2496 > PC hard drive > CDR > CDWAV > Cool Edit > Traders Little Helper  
27. 08/04/67 O'Keefe Center - Toronto, ON Includes JA Set; Stereo SBD MR>R>DAT(3)>CDR; via Stu Hanson; Seeded to etree by Greg Hurwitt; upgrade now in circulation  
28. 09/03/67 Dance Hall - Rio Nido, CA previous shn set with "original mix Midnight Hour" via Terrapin Station notes
29. 10/20/67 American Studios - North Hollywood, CA flac16; Hunter's MSR > BETA > ??? > cdr > eac(secure mode) wav > flac  
30. 10/22/67 Winterland Arena - San Francisco, CA SBD -> Rm -> Cass -> Dat via Charlie Miller notes
31. 11/10/67 Shrine Exposition Hall - Los Angeles, CA MR> R> R> DAT> CD> EAC > SHN; via Kirby (Chalupa) Bell, Darrin Sacks; with 7/23/67 Cassady rap filler; note source updated with extra reel gen, based on info from Rob Bertrando notes
32. 11/11/67 Shrine Exhibition Hall - Los Angeles, CA MSR> R> R> DAT> CDR> EAC > SHN; via Kirby (Chalupa) Bell, Darrin Sacks; note source updated with extra reel gen, based on info from Rob Bertrando notes
33. 11/14/67 American Studios - North Hollywood, CA flac24; SBD > ? > FLAC The Shrine Reels Taped by: Dan Healy Transfer By: Matt Smith & Bob Menke Mastering By: Derek McCabe  
34. 11/??/67 Studio Sessions for Anthem of the Sun - Unknown, CA flac16; Lineage: Track 01 thru 04: SBD > ? > Cx? > Cassette. Track 05: SBD > ? > Bootleg Vinyl LP > Cassette. Transfer: Cassettes > Sony TC-D5M > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC  
35. 01/17/68 Carousel Ballroom - San Francisco, CA SBD>MR>C>D>CD; via Raoul Duke; Seeded to etree by Matt Vernon & J. Cotsman notes
36. 01/20/68 The Eureka Municipal Auditorium - Eureka, CA flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
37. 01/22/68 Eagles Auditorium - Seattle, WA flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
38. 01/23/68 Eagles Auditorium - Seattle, WA flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
39. 01/27/68 Eagles Auditorium - Seattle, WA flac16; Recording Info:SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
40. 02/03/68 The Crystal Ballroom - Portland, OR flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
41. 02/14/68 Carousel Ballroom - San Francisco, CA flac16; Recording Info: SBD -> (8 Track) Master Reel -> Dat -> CD -> FLAC Transfer Info: FLAC -> Samplitude Professional v10.02 -> FLAC Transferred and Remastered By Charlie Miller (note: this source contains officially released, copyrighted material)  
42. 03/16/68 Carousel Ballroom - San Francisco, CA flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
43. 03/17/68 Carousel Ballroom - San Francisco, CA sbd.dlseries#06.flac  
44. 05/18/68 Santa Clara County Fairgrounds - San Jose, CA flac16; Source: Jorma Kaukonen’s On Stage Mic > Reel to Reel Master > DAT x 1 Transfer: playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard > HD as 24 bit/96 KHz WAV Mastering: WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer by Chris Ladner July 2007, Mastering Bill Koucky September 18, 2008 Green Mountain Bros  
45. 08/21/68 Fillmore West - San Francisco, CA MSR> DAT> DAT> WAV> SHN; DAT> SHN conversion by Cousinit; see notes in info file notes
46. 08/22/68 Fillmore West - San Francisco, CA flac16; Source: Soundboard Reels > ? > DAT Transfer: Panasonic SV-3700 > Korg MR-1 DSD [1 Bit/2.8 Mhz] Mastering: AudioGate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > AudioGate to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. July 8, 2008  
47. 08/23/68 Shrine Exposition Hall - Los Angeles, CA flac16 Recording Info: Vault Master 8-track Reel > Studio 2-track Mixdown (Dan Healy) > CAS > DAT
Mastering Info: Samplitude Pro X5 > Flac16

Source provided by Anon
Mastering by Jim Blackwood
Speed Correction by Jason Chastain
Track, FLAC and Pack by Steve Gravel 		 
48. 08/24/68 Shrine Exposition Hall - Los Angeles, CA sbd.twofromthevault.flac  
49. 08/28/68 Avalon Ballroom - San Francisco, CA flac16; AUD UNKNOWN LINEAGE > REEL > EDIROL USB UA-1EX AUDIO INTERFACE > COOL EDIT > CD WAVE EDITOR > TRADERS LITTLE HELPER > FLAC  
50. 09/02/68 Betty Nelson's Organic Raspberry Farm - Sultan, WA flac16; Recording Info: SBD -> Master Reel (1/2-inch 4-track reels recorded on Ampex 440) -> Dat (Tascam DA30/44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
51. 10/08/68 The Matrix - San Francisco, CA  
52. 10/20/68 Greek Theatre, U. Of California - Berkeley, CA SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD Charlie Miller charliemiller87@earthlink.net shntool fix -o shn *shn run by tol 03-02-24, and a new md5-file generated.  
53. 11/06/68 Pacific High Recording - San Mateo, CA flac16; Reel> PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif interconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 by Jamie Waddell  
54. 01/17/69 Robertson Gym, U.C.S.B. - Santa Barbara, CA flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller  
55. 01/18/69 Playboy Club - West Hollywood, CA flac16; Source: PCM wav audio from U.K. Mutt's DVD release  
56. 01/24/69 Avalon Ballroom - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller, this is a cleaned up version of source ID 109640  
57. 01/25/69 Avalon Ballroom - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
58. 01/26/69 Avalon Ballroom - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
59. 02/07/69 Stanley Theater (Early, Late) - Pittsburgh, PA flac16; Source: Soundboard > master cassette (recorded by Bear (Owsley) on a "Concord" cassette deck model unknown > Ampex 90-minute cassette > Restoration & Preservation by Rob Eaton; Transfer: Playback on a Tascam 122 mk111 (azimuth adjusted) > db 926 a/d converter > db 3000 s sample rate converter (variable speed) > panasonic 3800 DAT @ 44.1 kHz By Rob Eaton > DAT > Sony PCM R-500 > Digital Audio Labs Card Deluxe > Adobe Audition C.C.2014 > wav 16/44.1; Lineage: wav 16/44.1 >Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac16; edited and mastered SIRMick  
60. 02/11/69 Fillmore East (Early show) - New York, NY sbd.unknown.flac  
61. 02/11/69 Fillmore East (Late show) - New York, NY sbd.unknown.flac  
62. 02/15/69 Electric Factory - Philadelphia, PA MSR (7" @ 7.5 ips 1/2 track) > Tascam 122mkIII 1st gen. cassette > Nak Dragon playback > Sony PCM R-700 DAT > ZA2 > wav (Sound Forge) > CD (CD Architect) > unknown CD gens > EAC (test & copy, secure mode, offset corrected) > sector boundary verification (shntool) > seekable .shn (mkwact). DAT conversion and CD mastering by aoxoa, CD > SHN by D. Winters. notes
63. 02/21/69 Dream Bowl - Vallejo, CA flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
64. 02/22/69 Dream Bowl - Vallejo, CA flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC  
65. 02/27/69 Fillmore West - San Francisco, CA 16 track RTR (multiple decks) > MCS Master Mixdown D > SSSB; see notes in info file; to gdlive by Jay Serafin notes
66. 02/28/69 Fillmore West - San Francisco, CA 16-Track Master Reel> DAT> CD> EAC> SHN, with various patches (see info file); via Charlie Miller, Aoxoa, Seth Kaplan; upload by Darrin Sacks  
67. 03/01/69 Fillmore West - San Francisco, CA SBD > DUAL RTR DECKS AT 15 I.P.S. > LESH DIGITAL MIXDOWN IN 1998 > MCS D > SSSB (Jay Serafin remaster)  
68. 03/02/69 Fillmore West - San Francisco, CA sbd.fwcomplete.flac  
69. 03/15/69 Hilton Hotel - San Francisco, CA MSC> C> D> CD; This tape is sourced from Bear's cassette master; Pitch correction was performed via Cool Edit 2000; WAV's >.shn by Seth Kaplan notes
70. 03/28/69 Student Center, Modesto Jr. College - Modesto, CA flac16; Source: Master Soundboard Cassette Medium Stock Brands: Master Cassette ampex c120 Analog Lineage: SBD >> Unknown Deck >> MSC Analog Sound Preservation: MSC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bear Transfer By: Bob Menke Mastering By: David Minches, Derek McCabe (This source was originally seeded with errors in the tags. Please don't circulate the original fileset.)  
71. 03/29/69 Ice Palace - Las Vegas, NV flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
72. 04/04/69 Avalon Ballroom - San Francisco, CA Source: SBD>FM>MR>C1>DAT>CD  
73. 04/05/69 Avalon Ballroom - San Francisco, CA Recording Info: SBD -> Rm (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat Transfer Info: Dat -> Sonic Solutions -> CD -> EAC -> Samplitude -> SHN Conversion By Charlie Miller notes
74. 04/06/69 Avalon Ballroom - San Francisco, CA SBD>FM>MR>C>D>CD; via Joe Jupille; Seeded to etree by J. Cotsman notes
75. 04/12/69 Student Union Ballroom, University of Utah - Salt Lake City, UT SBD>MC>C>D>CD>EAC>SHN; pitch corrected & normalized; edits/encoding by JCotsman  
76. 04/13/69 Ballroom, U. of Co. - Boulder, CO flac16; SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller  
77. 04/15/69 The Music Box - Omaha, NE flac16; Aiwa hand-held microphone -> Master Reel (Aiwa 5" reel-to-reel) -> Alesis Masterlink 9600 -> Hard Drive -> CD patched with SBD>Cm>Cass>Dat>CD. Remastered by Charlie Miller  
78. 04/17/69 Washington University - St. Louis, MO sbd.dlseries#12.flac  
79. 04/18/69 Memorial Union Ballroom, Purdue U. - Lafayette, IN flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller  
80. 04/20/69 Clark University - Worcester, MA complete; Cassette Master (Ampex C-90, no Dolby)> DAT(M)@ 44.1K via Panasonic SV3700> DAT(1)> DAT(2)> WAV via Sony SDT9000 DDS drive using VDAT0.6f> Soundforge 4.0 (see edits in info file); Source DAT from Rob Eaton, DAT> SHN by Jamie Lutch notes
81. 04/21/69 The Ark - Boston, MA Bertha Remaster of the Master Reel source; SBD>>MR>>DAT>>CDA>>DAW(Bertha)>>CDA/SHN  
82. 04/22/69 The Ark - Boston, MA flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller  
83. 04/23/69 The Ark - Boston, MA flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller  
84. 04/26/69 Electric Theater - Chicago, IL flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller  
85. 05/03/69 Winterland Arena - San Francisco, CA flac16; This is a matrix recording using two sources: SBD Reel shnid 124067: TASCAM 22-2 modified for flat transfer. Reel-> Tascam 22-2 -> Tascam MKII DR-07 (24-bit, 96kHz) - DC8Forensics for editing and modification and Audience shnid 000733: Reel>PCM>Dat>Tascam DA20>Audio Magic Presto>Prodif Plus>Soundforge>cdwav>shn  
86. 05/07/69 Polo Field, Golden Gate Park - San Francisco, CA retracking and edit of previous shn set, by J. Cotsman: SBD> MR> C> D> CD> EAC> SHN; with 3/26/68 filler; via J. Cotsman to vine notes
87. 05/11/69 Aztec Bowl, San Diego State U. - San Diego, CA FM SBD> ?> CDR; edited, shned, vined by J. Cotsman; with thanks to Paul Hartman; see notes in info file notes
88. 05/24/69 Seminole Indian Village - Hollywood, FL SB>MR>??> CD; See info file for editing notes; Unknown seeder  
89. 05/30/69 Springer's Inn - Portland, OR flac16; SBD -> Cassette Master (Ampex C-90) -> Dat (48k) All Transfers and Mastering By Charlie Miller  
90. 05/31/69 McArthur Court, University of Oregon - Eugene, OR SBD> ?> CDR> EAC> SHN; via J. Oleynick, M. Ferguson; encore shuffled to fit on 2 discs, but songs can be moved to proper order for 3 discs; see info file for flaw notes  
91. 06/05/69 Fillmore West - San Francisco, CA SBD>MC>C>D>CD>EAC>SHN; pitch corrected; patch in Cryptical Reprise from alt sbd; edits/encoding by JCotsman notes
92. 06/06/69 Fillmore West - San Francisco, CA SBD>MC>C>D>CD; via Joe Jupille; Seeded to etree by J. Cotsman notes
93. 06/07/69 Fillmore West - San Francisco, CA MR > DAT > CD > EAC > Cool Edit 96 (Resampled to correct pitch) > SHN > CD > SHN; via A.J. Fink; Seeded to etree by Seth Kaplan notes
94. 06/08/69 Fillmore West - San Francisco, CA set 1: SBD> MR> C> D> CD> EAC> SHN; set 2: SBD> MC> C> D> CD> EAC> SHN, pitch corrected via J. Cotsman notes
95. 06/11/69 California Hall - San Francisco, CA flac16/44.1khz Lineage: Master Audience Reel @ 3.75 ips>Reel>A>Reel>A>A>A Transfer: Maxell XLII > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644  
96. 06/13/69 Fresno Convention Center - Fresno, CA Master Soundboard Cassette > Cass > DAT > ZA2 > SF > CD; via Steve Barbella  
97. 06/14/69 Monterey Performing Arts Center - Monterey, CA SBD: MCass> Cass> DAT> ZA2> SF> CD; normalized and pitch-shifted; seeded by Jeff Tiedrich, transfer and mastering by David Hollister, SHN by Jim Skinner notes
98. 06/21/69 Fillmore East (Late) - New York, NY early and late; Early Show: AUD> MR> C> R> R> R> D> CD> EAC> SHN; Late Show: SBD> MC> C> D> CD> EAC> SHN; via Jeff Cook, encoded by Jeff Cotsman  
99. 06/27/69 Veterans Auditorium - Santa Rosa, CA SBD> MR> Cassette> DAT> DAT; DAT> ZA2> Soundforge> wav> mkw> SHN; DAT seed provided by Michael P. Weitzman; Transfer and SHN by Joe Samaritano notes
100. 06/28/69 Veterans Auditorium - Santa Rosa, CA SBD> MR> Cassette> DAT> DAT; DAT> ZA2> Soundforge> wav> mkw> SHN; DAT seed provided by Michael P. Weitzman; Transfer and SHN by Joe Samaritano notes
101. 07/03/69 Reed's Ranch - Colorado Springs, CO flac16; Recording Info: SBD -> Cassette Master -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Pro X Suite -> FLAC; All Transfers and Mastering By Charlie Miller  
102. 07/07/69 Piedmont Park - Atlanta, GA flac16; Recording Info: SBD -> Cassette Master (Ampex C-90) -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
103. 07/11/69 NY State Pavilion, Flushing Meadows Park - Queens, NY flac16; SBD Recording Info: Pat Lee from Dick Latvala MC > C > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith  
104. 07/12/69 NY State Pavilion, Flushing Meadows Park - Queens, NY d1: low-gen AUD; d2: SBD MC> C> D> CD; via Hanno Bunjes to BUDD offer; Hanno's notes notes
105. 08/02/69 Family Dog at the Great Highway - San Francisco, CA flac16; SBD -> Cassette Master -> Dat Transferred and Edited By Charlie Miller  
106. 08/03/69 Family Dog at the Great Highway - San Francisco, CA flac16; Recording Info: SBD -> Cassette Master -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC Transferred and Edited By Charlie Miller  
107. 08/16/69 Max Yasgur's Farm - Bethel, NY flac16; Source: 8 Track Master Reels @ 15ips > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz] Rate Conversion: AudioGate to [24bit/96 khz] Mastering: In WaveLab with L3 Waves Multimaximizer Rate Conversion with r8brain to [16bit/44.1 khz] > TLH > Flac transfer and mastering by Bill Koucky (This source fixes errors in the previous source)  
108. 08/21/69 Aqua Theater - Seattle, WA SBD>MC>C>D>CD>EAC>SHN; complete show; edits/encoding by JCotsman  
109. 08/23/69 Pelletier Farm - St. Helens, OR flac1644 Recording Info: SBD > Cassette Master > Cassette > Dat (48k) > CDR > SHN > wav Lineage: wav > Izotope RX10 Advanced > Audacity > WAV > TLH > Flac 16 Mastered by Daniel sbd.daniel.goody.remaster.flac1644 notes
110. 08/30/69 Family Dog at the Great Highway - San Francisco, CA Master Soundboard Reel > Cass > DAT > CD; via Seth Kaplan; Seeded to etree by Steve Barbella  
111. 09/01/69 Baton Rouge International Speedway - Prairieville, LA SBD> Cm> Dat> CD; EAC> SHN by Seth Kaplan; Tape warble on a few spots in Morning Dew. Lovelight cuts @ 9:06  
112. 09/06/69 Family Dog at the Great Highway - San Francisco, CA flac16; Restored version of Grateful Dead portion of source ID 16608; Lineage given in shnid 16608: Ampex C-90 Master Cassette Soundboard (No Dolby)->DAT->CD->EAC->SHN->CD->EAC->SHN; corrected the speed, and restored the crispness of the recording with a multifilter (spectral filter, two virtual valve simulators for harmonics, channel blender set to mono below 125Hz)using Diamond Cut Forensics 8.5.  
113. 09/07/69 Family Dog at the Great Highway - San Francisco, CA SBD, Deadhead Hour pre-FM (some lineage details in info file); via David Finney notes
114. 10/25/69 Winterland Arena - San Francisco, CA SBD> MR> DAT> Sonic Solutions> CDR; reel flip after William Tell , edited by David Gans; via R. Jagla notes
115. 10/31/69 San Jose State University - San Jose, CA SBD: MC> C1> DAT> CDR; see info file for flaw notes; via Mike Lai  
116. 11/02/69 Family Dog at the Great Highway - San Francisco, CA Fixed version of previous file set. Same source info as 32273, but w/fixed Dark Star.  
117. 11/07/69 Fillmore Auditorium - San Francisco, CA flac16;Recording Info:SBD -> Master Reel -> Dat; Transfer Info:Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
118. 11/08/69 Fillmore Auditorium - San Francisco, CA This is the same source as the previous one with the "c" md5s. Filenames have been changed to reflect the correct tracking per etree convention. Note complete show is released as Dick's Picks 16- go buy it notes
119. 11/15/69 Lanai Theater - Crockett, CA SBD cassette master > PCM > CDR > iMac > SHN; shntool-fixed version of previous shn set, fixed as a whole; alternate fix (by disc) also circulates with slight difference  
120. 12/04/69 Fillmore West - San Francisco, CA Owlsley's Cassette (SBD: MC>DAT>DAT>CD>EAC>DC5>CD) ; Owen Brother Vault. The Wizard 05/08/04  
121. 12/10/69 Thelma Theater - Los Angeles, CA MSR > D > CD, plus MSR > ? > D > CD; via Deadlists Poject, circulated with 12/11,12/69- see notes and credits in info file  
122. 12/12/69 Thelma Theater - Los Angeles, CA MSR > R > D > CD, plus MSR > R > C > D; via Deadlists Poject, circulated with 12/10,11/69- see notes and credits in info file notes
123. 12/19/69 Fillmore Auditorium - San Francisco, CA Recording Info: SBD > Master Reel (7inch 7.5ips 1/2trk) > DAT
Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC (2 Discs Audio / 1 Disc FLAC) 		 
124. 12/26/69 McFarlin Auditorium, Southern Methodist Univ. - Dallas, TX flac16; Source: Soundboard ; Lineage: MSR> CASS> DAT> CDR> EAC> FLAC; Patched & remastered by Jack Warner; DAE and FLAC encoding by Marc Evans  
125. 12/29/69 Boston Tea Party - Boston, MA SBD MR (7" reel @7.5 ips)>DAT>DAT>CDR  
126. 12/30/69 Boston Tea Party - Boston, MA Recording Info: SBD -> Cass Master (Ampex C-90 Master Cass/no dolby) -> Cass (Tascam 122mkIII Cass 1st Gen) -> Dat (Technics 3800/44.1k) Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN notes
127. 12/31/69 Boston Tea Party - Boston, MA flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller  
128. 01/02/70 Fillmore East early show - New York, NY complete early/late shows; SBD> MR> C> D> CD> EAC> SHN with aud patch; Thanks to A. Lemiex, Uli & Hanno notes
129. 01/03/70 Fillmore East (Late Show) - New York, NY flac16; Source: Soundboard Master Reels > DAT Master [44.1] Transfer: Panasonic SV-3700 > UA-5 > USB > WaveLab Mastering in WaveLab with iZotope Ozone 4 > CD Wave > TLH > Flac Transfer and Mastering Bill Koucky March 6, 2009, Green Mountain Bros.  
130. 01/10/70 Golden Hall - San Diego, CA flac16; Recording Info: SBD -> Master Reel -> Reel (Maxell UD 35 @7.5ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-Dac -> Wavelab 5 -> FLAC/16; Mastering Info: FLAC/24 -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller  
131. 01/16/70 Springer's Inn Portland - Portland, OR sbd> ??> cdr> eac> shn; a few cuts (see tracklist); eac>shn by popi n. feeldz, with thanks to Moss Willow notes
132. 01/17/70 Gill Coliseum, Oregon State University - Corvallis, OR SBD>MR>D>CD>EAC>SHN; pitch corrected via J. Cotsman notes
133. 01/18/70 Springer's Inn - Gresham, OR sbd.bear.norman.dlseries#02.flac  
134. 01/23/70 Honolulu Civic Auditorium - Honolulu, HI Updated lineage: SBD > MASTER REEL > CASS > DAT > CD; Originally posted to abgd via Teddy Goodbear; seeded to fungus and tol with minor editing by Charlie Connor notes
135. 01/24/70 Honolulu Civic Auditorium - Honolulu, HI SBD: Master Reel > cassette > DAT > CD > SHN; T06 (Black Peter): subsecond dropout/splice @ 7:44; T07 (Good Lovin'): cuts right before last verse; via Seth Kaplan, upload by G.S. Hamilton notes
136. 01/30/70 The Warehouse - New Orleans, LA SBD>MR>C>DAT>CDR; via Raoul Duke; seeded to etree by Matt Vernon notes
137. 01/31/70 The Warehouse - New Orleans, LA SBD>MR>C>D>CD>EAC>SHN 7inch Master Reel@7.5ips SBE fix of shn ID 7045; shntool was used to fix sector boundary errors and seek tables were appended.  
138. 02/01/70 The Warehouse - New Orleans, LA SBD>MSR>C>DAT>CD; Seeded to etree by Seth Kaplan notes
139. 02/04/70 Family Dog at the Great Highway - San Francisco, CA sbd.norman.dlseries#09A.flac  
140. 02/06/70 Fillmore West - San Francisco, CA SBD> MR> C> D> CD; via Don Bean  
141. 02/07/70 Fillmore West - San Francisco, CA SBD MR>C>D>CD + AUD MC>4C>CD patches; via Uli Teute; Seeded to etree by Hanno Bunjes; Note- This is an eac of the 'same' source discs as the previous Hanno seed; See info file for Hanno's comment notes
142. 02/08/70 Fillmore West - San Francisco, CA composite: AUD>MC>R>PCM>D>CD>EAC>SHN; SBD>MR>C>D>CD>EAC>SHN; several other sources used as patches; differs from previous seeds as having SBD source for Smokestack & SOTOTW; Thanks to Andy Lemieux  
143. 02/11/70 Fillmore East (late show) - New York, NY flac16; SBD MR w/ AUD Patches * > DAT > CD > EAC > WAV > FLAC  
144. 02/12/70 Ungano's Night Club - New York, NY SBD > 8 TRACK 1" RTR @ 7.5 I.P.S. > MASTER ARCHIVE 24-BIT D > SSSB (note: a SBE fixed file set also circulates) notes
145. 02/13/70 Fillmore East (Late Show) - New York, NY flac16; Recording Info: SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller (This sources fixes a flaw in d2t08 of source ID 97613)  
146. 02/14/70 Fillmore East - New York, NY flac16; Recording Info:SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k);Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
147. 02/23/70 The Auditorium - Austin, TX SBD>MR>C>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon  
148. 02/27/70 Family Dog at the Great Highway - San Francisco, CA flac16; Recording Info: SBD -> Master Reel (7.5ips 1/2trk) -> Dat/0 (48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC. Transferred and Edited By Charlie Miller  
149. 02/28/70 Family Dog at the Great Highway - San Francisco, CA SBD>MR>C>D>CD; Missing Casey Jones and Uncle John's Band notes
150. 03/01/70 Family Dog at the Great Highway - San Francisco, CA flac16; Recording Info: SBD Master Reels -> Dat (Panasonic 3700); Transfer Info: Delta DiO 2496 sound card > HD > CD-R; Mastering Info: HD > CD WAV > Cool Edit > Trader's Little Helper 2.7 > xACT 2.35 FLAC 8; Mastering by Seth Kaplan (alligator69@optonline.net) March 25, 2015  
151. 03/07/70 Civic Auditorium - Santa Monica, CA low-gen AUD; shn'ed by Hanno Bunjes, with thanks to Uli Teute for the AUD source; Hanno's notes notes
152. 03/08/70 Star Theatre - Phoenix, AZ flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
153. 03/20/70 Capitol Theater - Port Chester, NY mixed source (SBD> MR> PCM, unknown gen AUD, 2nd gen AUD)> ZA2> CD, mastered by David Hollister; EAC> SHN by G.S. Hamilton with thanks to Brian Voelz notes
154. 03/21/70 Capitol Theater (Early) - Port Chester, NY early electric; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes- (although these may not even be true- see user comment); Usher tree shn branch notes
155. 03/21/70 Capitol Theater (Late) - Port Chester, NY flac16; Late Show: Source: Sony F95's > Sony TC124 > Master Cassette - Recorded by Ken and Judy Lee; Lineage: CD > Wavelab 6 > wav 16/44.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; further editing by John Hance and myself; remastered by SIRMick January 2019  
156. 03/24/70 Pirates World - Dania, FL flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC  
157. 04/03/70 Field House, U. of Cincinnati - Cincinnati, OH flac16; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018  
158. 04/09/70 Fillmore West - San Francisco, CA complete; SBD MR> C> D> CD + AUD MC> 4C> D> CD; AUD taper Harry Ely; sources assembled by Hanno Bunjes, with thanks to Julian for the SBD and Uli for the AUD; Hanno's notes notes
159. 04/12/70 Fillmore West - San Francisco, CA combination (SBD Reel master > Sonic Solutions > DAT ) plus (Aud cassette master > PCM > DAT > Sonic Solutions) > CD > EAC > SHN; see info file for notes; seed via Seth Kaplan notes
160. 04/15/70 Winterland Arena - San Francisco, CA flac16; Sony 770 7 Inch Half Track Reel Master @ 7.5 ips-(Bob Mathews); DAT x Zero (DL) > DAT x One (RE) > DAT x Two (JW); play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise (note: A fixed version of this source was seeded on 03/28/2015 to address tagging errors. Please don't circulate the original fileset.)  
161. 04/24/70 Mammoth Gardens - Denver, CO MAR> Reel> DAT> Cool Edit Pro> CDR (From Gergard S' first gen reels) via Glen Gillis  
162. 05/01/70 Alfred College - Alfred, NY flac16 ; Recording Info: Source 1: SBD -> Master Reel -> CD Source 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD Source 3: SBD -> Master Reel -> Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
163. 05/02/70 Harpur College - Binghamton, NY flac16/48kHz; Recording Info: SBD > Master Reel (7inch @ 7.5ips 1/2trk) > Dat/48k; Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller  
164. 05/03/70 Field House, Wesleyan University - Middletown, CT AUD>MR>?>CD>EAC>SHN. Digital editing by Jim Goldman, wavs provided by, minor editing and retracking SIRMick (The Sugarmegs Restoration Krewe)  
165. 05/03/70 Field House, Wesleyan University - Middletown, CT flac16; Audience cassette master (not sbd as previously thought) > ? > CDr > EAC > Soundforge - editing > shn > aiff (xACT) > flac  
166. 05/06/70 Kresge Plaza, M.I.T. - Cambridge, MA flac16; Source: Master Soundboard Reels 10", 2-sided, 1/2 Track Mono > DAT x 1 Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz] Rate Conversion: AudioGate to [24bit/96 khz] Mastering: In WaveLab with Nomad Factory Plugins Rate Conversion with r8brain to [16bit/44.1 mhz] > TLH > Flac Transfer and Mastering: Bill Koucky, Green Mountain Bros. November 15, 2008 Transfer from Reels to DAT was done in 1994 by Eli Polansky from WMBR MIT Radio Archives for Jim Birkhead, and cloned to Bill Koucky  
167. 05/07/70 Dupont Gymnasium, MIT - Cambridge, MA main source: AudMC > ? > 7" R > DAT > HD > SHN Taper, mics, and deck unknown A > D transfer by Noah Weiner - noahbw@home.com This is a remaster of shnid 5439. See text file for full details  
168. 05/09/70 Worcester Polytechnic Institute - Worcester, MA Acoustic; SBD>MR>?>D>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman notes
169. 05/14/70 Meramec Community College - Kirkwood, MO SBD>MR>?>D>CD>EAC>SHN (acoustic set); SBD>MR>D>CD>EAC>SHN (electric set); complete show except for Dire Wolf and Cold Jordan, which are probably not on the masters; Thanks to Dan Capshaw and Walter Schnell; edits/encoding by JCotsman  
170. 05/15/70 Fillmore East (Late Show) - New York, NY acoustic and electric, early and late, includes NRPS; MR > DAT > ZA2 > CDR, except the NRPS sets which have 2 cass gens; this is apparently the best possible available copy- one fewer cass gen than first etreed version, complete NRPS 2nd set, less hifreq hiss; more details in info file; via D. Hollister, J. Tiedrich, D. Finney. L. Orf; note L. Orf did very minor editing, mostly putting tasteful fades where there were cuts in the original- no NR  
171. 05/24/70 Newcastle-Under-Lyme - Newcastle, England SBD MR> C> D> CD + AUD MR> C> D> CD patches; mastered by Hanno Bunjes, with thanks to Uli for the AUD source; Hanno's notes notes
172. 06/04/70 Fillmore West - San Francisco, CA flac16; Audience Recording by Gerry Olsen. Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW (hand-held). 120 minute BASF normal bias tape. Lineage via Dan McDonald (droncit@yahoo.com): Master Audience Cassette->Nakamichi BX-1 (modified for flat transfer)-> Tascam DR-07MK2 (24-bit, 96kHz); DC8Forensics was used to apply the NAB curve for normal bias cassettes. Converted to 16-bit, 44.1kHz using 32-bit interpolation and a triangular high pass dither. After the NAB curve in a multifilter I applied a virtual vale and overtone generator for lost harmonics and used a channel blender to blend below 150 Hz to mono to minimize mic handling noise.  
173. 06/05/70 Fillmore West - San Francisco, CA flac16; Source: Soundboard (except where patched with low gen AUD as noted) Lineage: MSR> CASS> DAT> CDR> EAC> FLAC  
174. 06/06/70 Fillmore West - San Francisco, CA flac16; Electric Set Only: Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC. All Transfers and Mastering By Charlie Miller. notes
175. 06/06/70 Fillmore West - San Francisco, CA flac16 Acoustic Set Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller  
176. 06/07/70 Fillmore West - San Francisco, CA acoustic and electric; S:MR> Cass> DAT> ZA2> SoundForge> CD Architect> CD> EAC> shn; splices in Casey, Man's World, Cumberland; CD seeded by D. Hollister, see his editing notes in info file; via A. Cohen to BUDD tree; etreed by R. Nayfield notes
177. 06/13/70 Red Vest - Oahu, HI Complete; SBD MR> R> D> CD + AUD low-gen; patched by Hanno Bunjes, with thanks to Paul B. and Uli notes
178. 06/21/70 Pauley Ballroom, U. of California - Berkeley, CA AUD C/3 > CD; extracted/ shortened by Hanno Buunjes, with thanks to Uli for the AUD tape; Hanno's notes notes
179. 06/24/70 Capitol Theater (Late) - Port Chester, NY flac16; Audience master > ?? > Reel(Mono, Scotch 7" reel @ 3&3/4ips) > Alesis Masterlink ML-9600 > CDR > EAC(secure, offset corrected) > Cool Edit Pro > TLH > FLAC16 Analog to Digital by Bill Gadsden, April 2009  
180. 07/11/70 Fillmore East - New York, NY AUD>MC>C>C>D>CD; via Andrew Clarke; Seeded to etree by J. Cotsman  
181. 07/12/70 Fillmore East - New York, NY flac16; Combination of the two audience recordings shnid 9379 and shnid 122707; edits were limited to volume, speed, cross-fades at the beginning and end of patches, and such elimination or reduction of drops, static, clicks, and bumps as I could obtain without losing any music; see info files for details  
182. 07/14/70 Euphoria Ballroom - San Rafael, CA sbdmr> dat> cd> shn> cd> ?> shn; this source is possibly derived from source id 1030  
183. 07/16/70 Euphoria Ballroom - San Rafael, CA Set 2; SBD>MR>?>C>CD>SHN notes
184. 07/16/70 Euphoria Ballroom - San Rafael, CA flac16; Recording Info: SBD -> Master Reel -> Cassette -> Cassette Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller  
185. 07/30/70 Lion's Share - San Anselmo, CA SBD>??>CD>EAC>SHN via Chuck Gannon edits/encoding by Jeff Cotsman notes
186. 08/05/70 Golden Hall Community Concourse - San Diego, CA MSR > Reel > PCM > DAT > CDR > EAC > SHN via Andy Lemieux, encoding Joe Jupile notes
187. 08/18/70 Fillmore West - San Francisco, CA flac16/48kHz; Unknown Audience Cassette > FLAC  
188. 08/19/70 Fillmore West - San Francisco, CA flac16; Set 1: AUD>MC>D>FLAC>AIFF>FLAC Set 2: AUD>MC>R>PCM>D>CD>EAC>SHN>AIFF>FLAC  
189. 09/17/70 Fillmore East - New York, NY remaster of shnid 16090, by SIRMick  
190. 09/19/70 Fillmore East - New York, NY flac16; (disc 3 only) Sick Bits 14; matrix: SBD/AUD mix of 2 previously circulating sources (SBD: shnid=5217 & AUDs (composite): shnid=25473) edited, mixed and converted by Chris Chappell notes
191. 09/19/70 Fillmore East - New York, NY flac16; Set 1 Source unknown, thought to be Jack Toner's audience recording; Lineage: AUD > ?? > CD WAV > FLAC  
192. 09/20/70 Fillmore East - New York, NY This is a remaster of shn id 1190; hiss has been reduced, a number of clicks and pops have been removed and some other artifacts cleaned up, a number of volume adjustments have been made, final mastering using iZotope Ozone  
193. 10/04/70 Winterland Arena - San Francisco, CA KSAN-FM Master Reel> Barry Glassberg's 1st gen Reel (Dolby B Decoded)> PCM> CDR> EAC> CoolEdit2000 (see notes)> SHN; EAC> seekable SHN by D.Winters, with thanks to Harvey Lubar, Tony Cortazzo, Chuckles notes
194. 10/10/70 Colden Auditorium - Queens College - Flushing, NY flac16/48kHz; Source: Sony F95's > Sony TC124s > Master Cassette (Ampex 361) > Cassette (Maxell XL2S) > DAT(48k) - Recorded by Ken and Judy Lee; Transfer: DAT > Sony PCM-M1 > Edirol HR09 > Wave > 24/88.2 - Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3 > iZotope RX7 Advanced > wav 16/48 > iZotope Ozone 5 Advanced > CD Wave > Flac 1648; edited and mastered SIRMick January 2019  
195. 10/17/70 Cleveland Music Hall - Cleveland, OH flac16;Recording Info:Unknown Mic -> Cassette Master (Mono); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
196. 10/23/70 McDonough Arena, Georgetown U. - Washington, DC flac16; Source: Audience Media: Mallory Duratape C-60 Lineage: AUD > Sony TC-124 > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > Marantz PMD671 > WAV Taped by: Cary Wolfson Transfer by: D. McCabe Mastering by: D. McCabe  
197. 10/24/70 Kiel Opera House - St. Louis, MO flac16; Recording: SBD > Master Reel > Reel > (7.5ips) > PCM (Sony HG tape); Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)  
198. 10/30/70 Gym, SUNY (Late Show) - Stony Brook, NY SBD>MR>PCM>D>CD>EAC>SHN; complete early/late shows via Jeff Cotsman notes
199. 10/31/70 Gym, S.U.N.Y. (Early) - Stony Brook, NY flac16; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/44.1k; Transferred By Digitalrbb; Mastered By Charlie Miller  
200. 11/05/70 Capitol Theater - Port Chester, NY Mastered and encoded by Jack Warner. Recorded by Ken Leigh with a Sony TC-110 with built-in microphone, from center loge. D1T1 through D2T2: MAC>C>D>CD>EAC>SHN. D2T3 through D2T5: MAC>?>C>D>CD>EAC>SHN  
201. 11/06/70 Capitol Theater - Port Chester, NY Complete with NRPS sets mastered and encoded by Jack Warner. Acoustic set through 1:50 of El Paso, entire electric set is MAC>C>D>CD>EAC>SHN, from Ken Leigh's master, recorded from the center loge with a Sony TC-110 cassette deck with built-in microphone. *Uncle John's Band and NRPS set is MAC>C>R>D>CD>EAC>SHN, from Ken Leigh's master. *From 1:50 of El Paso through 0:03 of Uncle John's Band is MAC>R>D>CD>EAC>SHN, from Dave Tamarkin's master, recorded from the floor with a Sony Dictaphone  
202. 11/07/70 Capitol Theater - Port Chester, NY Mixed audience sources; See info file for details; Including NRPS set; via Ken Leigh, Jack Toner, Marty Weinberg; Seeded to etree by Jack Warner  
203. 11/08/70 Capitol Theater - Port Chester, NY AudMC > DAT > CD > EAC > SHN Note: This is a patched fix for the most recent upgrade of this show, put into circulation by The Port Chester Resurrection Project (/shninfo_detail.php?shnid=26975). Added to etree by Noah Weiner notes
204. 11/08/70 Capitol Theater - Port Chester, NY flac16; Partial Electric Set Remaster/repitch of the AudMC > DAT > CD > EAC > SHN source (source ID 28609) using Adobe Audition notes
205. 11/09/70 Action House - Island Park, NY AUD low gen; via Hanno Bunjes, with thanks to Uli Teute; pitch corrected up 3%; Hanno's notes  
206. 11/11/70 46th Street Rock Palace - Brooklyn, NY flac16; aud > mc > cass (4 gens) > d > cd > eac > shn > wav > flac; remaster of shnid 17081; via SIRMick  
207. 11/16/70 Fillmore East - New York, NY SBD:MR>Revox deck (model unknown): 10" ? track Reel @ 7.5ips > Revox B77 playback deck > Alesis Masterlink ML9600 > CD > EAC > Cool Edit 2000 > SHN. A>D by Bill Gadsden. encoding Dave Winters. (Note: Other shn sets assign this music to 11/23/70). notes
208. 11/20/70 The Palestra, U. of Rochester - Rochester, NY AUD (Marty Wienberg)> MR> PCM> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Jeff Cook notes
209. 11/29/70 Club Agora - Columbus, OH AUD low gen; a few cuts; via Hanno Bunjes with thanks to Uli Teute; pitch corrected; Hanno's notes notes
210. 12/12/70 Santa Rosa Fairgrounds - Santa Rosa, CA sbd.unknoen.flac notes
211. 12/23/70 Winterland Arena - San Francisco, CA flac16; Recording Info: (d1t01 - d1t06) SBD -> Master Reel -> CD -> FLAC; (d1t07 - d1t11) SBD -> Master Reel -> Cassette -> Cassette -> FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
212. 12/26/70 Legion Stadium - El Monte, CA flac16; SBD > MR > CASS > DAT > CDA > WAV(EAC) > SHN > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); remaster of shn id 22369  
213. 12/27/70 Legion Stadium - El Monte, CA SBD -> Master Reel (7inch Master Reels@7.5ips 1/2trk) -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Edited By Charlie Miller notes
214. 12/28/70 Legion Stadium - El Monte, CA DTS Audio 5.1; SBD (shn id 22313) SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN + AUD (shn id 17706) MR > DAT > CD - dts mixing by Kevin Tobin  
215. 12/31/70 Winterland Arena - San Francisco, CA Complete; Mixed Sources; FMS (KSAN)> ??> Cass> DAT> CDR; SBD MR> Cass> DAT> CDR (Pre-FM GDH) notes
216. 12/31/70 Winterland Arena (aftershow) - San Francisco, CA "aftershow" and promos; sbd> ?reel?> dat> cd> EAC > CDWav (split)> shn V3; EAC>SHN by Brian Cole, from Jim Oade seed notes
217. 01/21/71 Freeborn Hall, University of California - Davis, CA flac16; Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller  
218. 01/24/71 Seattle Center Arena - Seattle, WA SBD> MR> C> DAT> CDR; Truckin? is missing the opening notes, Good Lovin? reprise cuts at 0:24; via Mike Lai with thanks to Paul B. notes
219. 02/18/71 Capitol Theater - Port Chester, NY flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.  
220. 02/19/71 Capitol Theatre - Port Chester, NY flac 16; Sick Bits Vol. 13 - SBD/AUD matrix of two previosly circulated sources (SBD - shnid=1029 + AUD - shnid=30230), edited and encoded by Chris Chappell.  
221. 02/20/71 Capitol Theater - Port Chester, NY flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.  
222. 02/21/71 Capitol Theater - Port Chester, NY flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner.  
223. 02/23/71 Capitol Theater - Port Chester, NY flac116; Recording Info:SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller  
224. 02/24/71 Capitol Theater - Port Chester, NY flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris Ladner.  
225. 03/03/71 Fillmore West - San Francisco, CA SBD> MR> (cass gen?)> DAT> CDR, plus possible patch; see info file for flaw notes; via Mike Lai, with thanks to Paul B. notes
226. 03/14/71 Camp Randall Field House, University of Wisconsin - Madison, WI Sbd> MR> Dat> CD; EAC >CDWav (split)> shn V3 by Brian Cole; parent seed courtesy Jim Oade; some editing in d1t6, d2t1 notes
227. 03/18/71 Fox Theatre - St. Louis, MO SBD (7") MR> Cass> DAT> CD; via Ben Yerys, M. Wienke notes
228. 03/20/71 University of Iowa - Iowa City, IA SBD > MR > cass > dat > CD > SHN (seekable); DAT>CD transfer by Mandrake; EAC> shn by Steve Barbella notes
229. 03/21/71 Exposition Center - Milwaukee, WI AUD>MC>LP>R>CD; Missing Truckin'; See info file for details; via Chuck Kiefe; Seeded to etree by JCotsman notes
230. 03/24/71 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Master Reel (7.5ips 1/4 Track) -> Master Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Patch Info: Sony Stereo Mic -> Cassette Master (Sony TC-124) supplies: The Other One (6:59 - 7:23) and Beat It On Down The Line (0:00 - 0:32)All Transfers and Mastering By Charlie Miller  
231. 04/04/71 Manhattan Center - New York, NY flac16; MSR>C>DAT3x>Delta DiO 2496>SoundForge 7.0>cdwav>Flac  
232. 04/05/71 Manhattan Center - New York, NY flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; This source is a fix of shnid=110127 (Fixed track mark on d2t04); All Transfers and Mastering By Charlie Miller  
233. 04/06/71 Manhattan Center - New York, NY 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens notes
234. 04/07/71 Music Hall - Boston, MA Betty Board, details as outlined in Compendium; via Leigh Orf; corrupt d2t7 replaced 3/17; note Phil low/absent in mix  
235. 04/08/71 Music Hall - Boston, MA flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float/48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky January 1, 2009, Green Mountain Bros.  
236. 04/10/71 East Hall, Franklin & Marshall College - Lancaster, PA SBD>MR>C>DAT>CD; via Mark Pfortmiller; Seeded to etree by Willy notes
237. 04/12/71 Civic Arena - Pittsburgh, PA flac16; SBD -> Reel Master -> Dat -> Sound Forge -> CD Transferred By Charlie Miller  
238. 04/13/71 Catholic Youth Center - Scranton, PA flac16; SBD > MR > DAT > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered to from 24-16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 6)  
239. 04/14/71 Davis Gymnasium - Lewisburg, PA flac16; Recording Info: SBD > MR > ? > DAT > CDR; Transfer Info: CDR > WAV > Sound Forge 10 > TLH > Flac; Cleaned up, retracked, remastered version of shnid 6250. Cleaned up, retracked and mastered by Bill Guarneri, August 9, 2014  
240. 04/15/71 Allegheny College - Meadville, PA SBD>MR>DAT>CD; missing 5 songs; See info file for details; via Bill O; Seeded to etree by eD(efojr) notes
241. 04/17/71 Dillon Gym, Princeton University - Princeton, NJ flac16; Matrix 2 Source Mix - SBD (shn id 89031) soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate + AUD (no shnid) Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith - matrix mixing by Kevin Tobin  
242. 04/18/71 Lusk Field House, S.U.C.N.Y - Cortland, NY SBD : MR > RR > DAT > CD; Extraction, editing and .shn encoding by Alan J. Fink, from John Valter seed; patch in UJB; see info file for additional notes  
243. 04/21/71 Rhode Island Auditorium - Providence, RI MSR> R> D> CD> DAE> SHN; sector boundary fix of previous shn set, by Seth Kaplan  
244. 04/22/71 Bangor Municipal Auditorium - Bangor, ME Master Soundboard Reel > DAT > CDR; shn encoded/uploaded by Scott Clugston; to abgd, 11/00 to etree  
245. 04/24/71 Wallace Wade Stadium, Duke University - Durham, NC sdb> MR> PCM> CD; via Mike Lai; 3/10, Michael Weise provided modified tracking (alt md5s, same checksums) and updated info file  
246. 04/25/71 Fillmore East - New York, NY flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller  
247. 04/26/71 Fillmore East - New York, NY flac16; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller notes
248. 04/27/71 Fillmore East - New York, NY flac16; Recording Info Source One:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Recording Info Source Two:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips); Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two:Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller  
249. 04/28/71 Fillmore East - New York, NY flac16; Recording Info: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV -> Samplitude Professional v11.03 -> FLAC/16; All Mastering By Charlie Miller  
250. 04/29/71 Fillmore East - New York, NY flac16; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller  
251. 05/29/71 Winterland Arena - San Francisco, CA source 1: AUD>M?>C>CD>EAC>SHN; source 2: AUD>M?>C>D>SHN; see caveat for sound quality; Thanks to Jim Powell and others  
252. 05/30/71 Winterland Arena - San Francisco, CA flac16; Unknown Mics -> ? -> Cassette -> Dat (44.1k) Transferred and Edited By Charlie Miller  
253. 06/21/71 Chateau D'Herouville - Herouville, France flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller  
254. 07/02/71 Fillmore West - San Francisco, CA Source: Master Reel (Pre-FM) > PCM > DAT
Conversion: M-1 > 7-pin optical > Co2 > SB Live > CDwav Record and Index > FLAC (1.1GB) 		 
255. 07/31/71 Yale Bowl, Yale University - New Haven, CT flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller  
256. 08/04/71 Terminal Island Correctional Fac. - San Pedro, CA flac16; Recording Info:SBD -> Master Reel -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller  
257. 08/05/71 Hollywood Palladium - Hollywood, CA flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller  
258. 08/06/71 Hollywood Palladium - Hollywood, CA flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller  
259. 08/14/71 Berkeley Community Theater - Berkeley, CA Source: SBD:MR->1 cassette gen.->DAT->SHN->CDR originally via M. Woyczynski. Original SHNs were nonseekable and were not named according to etree convention. I renamed the files, cleaned up the splice in d1t06, performed a shntool fix to get rid of the resulting sbe, and re-encoded to seekable SHN. - C.Ladner Another installment of TMNSP, 12/03.  
260. 08/15/71 Berkeley Community Theater - Berkeley, CA Source: SBD:MR->1 cassette gen.->DAT->SHN->CDR originally via M. Woyczynski. edits by C.Ladner notes
261. 08/23/71 Auditorium Theatre - Chicago, IL flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller  
262. 08/26/71 Gaelic Park - Bronx, NY Fixed version of previous file set. Source info same as 32303, but with fix for static in one channel during the last second of d1t12.  
263. 09/29/71 Studio Rehearsals with Keith Godchaux - Santa Venetia, CA MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt notes
264. 09/30/71 Studio Rehearsals with Keith Godchaux - Santa Venetia, CA Studio rehersal with Keith Godchaux MSR>C>DAT>WAV>SHN via Cousinit notes
265. 10/01/71 Studio - Santa Venetia, CA MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt. [An alternate shn set was seeded by Cousinit since original shns were not archived]. notes
266. 10/19/71 Northrop Auditorium, U. of Minn. - Minneapolis, MN flac16; Recording Info: SBD -> Reel Master (7 inch 1/4 track) -> Dat (48k) Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
267. 10/21/71 Auditorium Theatre - Chicago, IL Jay Ashley (Bertha) remaster of original MR source; SBD>>MR>>Cass>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA notes
268. 10/22/71 Auditorium Theatre - Chicago, IL flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
269. 10/23/71 Eastown Theater - Detroit, MI flac16; Recording Info:SBD -> Master Reel (7 Inch - 1/2 Track) -> Sound Devices 744T (24bit/96k) -> FLAC/24; Transfer Info:FLAC/24 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
270. 10/24/71 Eastown Theater - Detroit, MI flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
271. 10/26/71 The Palestra, U. of Rochester - Rochester, NY Source 1: (all material on discs 1 & 2) SBD>MR>R>C>D>CD(pre FM) Source 2: (all material on disc 3) SBD>MR>?>D>CD; via Matt Vernon, Raoul Duke, and Jeff Cook; Seeded to etree by J. Cotsman notes
272. 10/27/71 Onondaga County War Memorial - Syracuse, NY flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC  
273. 10/29/71 Allen Theatre - Cleveland, OH Recording Info: SBD (7inch Master Reels@7.5ips 1/2trk) -> Cass (Tascam 122mkIII) -> Dat (3800/48k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sharp MV10 -> Samplitude v7.02 Professional -> SHN Transfered and Edited By Charlie Miller notes
274. 10/30/71 Taft Auditorium - Cincinnati, OH mixed sources; primary: Pre-FM MR (1/2 track, 7.5 ips), Transfer: Revox PR99-MKIII > Panasonic SV3800 (48)/Sony 60ES > M-Audio Audiophile USB > CDWave > Goldwave (resample to 44.1 and edits) > CDwave > mkwACT, Primary source supplied by Josh Braveman; Secondary: FM > Pioneer RT-707 (7" reel @ 19 ips) > CD, Conversion: Kenwood TrueX > EAC > shn v3 (seekable); edited (patching, pitch correction, d/o repair) by Doug Nawrocki et al (see notes) notes
275. 10/31/71 Ohio Theatre - Columbus, OH flac16; Recording Info: SBD > Master Reel (7in @ 7.5ips 1/2trk) > Dat (Panasonic SV-3700/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller  
276. 11/06/71 Harding Theater - San Francisco, CA SBD> MR> C> DAT> CDR; note PA problems with the piano throughout show; via Mike Lai, with thanks to Paul B. notes
277. 11/07/71 Harding Theater - San Francisco, CA flac16; Lineage: FM MR @ 3/ 3.4 ips(Peter Kafer???)>R @ 3 & 3/4 ips(Will Boswell); Transfer info: Akai GX636 direct tape head output > Telefunken tubes tape pre w/a pair of 1960s era Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC  
278. 11/11/71 Atlanta Municipal Auditorium - Atlanta, GA Sbd>MR>?>Dat>cd; via Yubah, Ernie Dodd notes
279. 11/12/71 San Antonio Civic Auditorium - San Antonio, TX flac16; Source: Sbd > master reel (vault) > reel (dick latvala) > dat 48k (rob Eaton); Transfer: Dat > Sony R500 > Sound Devices 744T > wav 16/48; transfer by Charlie Miller; Lineage: wav 16/48 > Adobe Audition 3.0.1 > iZotope Ozone 5 Advanced > iZotope RX4 advanced > wav 16/44.1 > CD Wave > TLH > Flac 16; edited and mastered SIRMick  
280. 11/14/71 Texas Christian University - Fort Worth, TX SBD -> Master Reel (10 inch) -> CD -> Sonic Solutions -> CD -> EAC -> SHN; Converted By Charlie Miller  
281. 11/15/71 Austin Municipal Auditorium - Austin, TX SBD>MR>C>D>CD>EAC>SHN (patched with slightly degraded SBD, also listed with one cassette generation in the lineage); complete show; Thanks to Michael Dixon & Chuck Kiefe; edits/encoding by JCotsman notes
282. 11/17/71 Albuquerque Civic Auditorium - Albuquerque, NM SBD>FM>MC>C>D>CD; Patched with SBD>FM>MC>?>C>Sound Forge>SHN (higher gen than primary source); See info file for details; via Jeff Cook & Walter Schnell; Seeded to etree by J. Cotsman notes
283. 11/20/71 Pauley Pavilion, UCLA - Los Angeles, CA flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k);Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
284. 12/01/71 Music Hall - Boston, MA Source: Unknown aud via David Minor. Likely Lineage: AUDMC > C > C > CDR > EAC > Pitch Correction / editing > SHN Pitch correction and general fixup by David Minches. Minor assistance by Matt Vernon  
285. 12/02/71 Music Hall - Boston, MA flac16/48kHz; Source Info: FM Broadcast (WBCN Boston); Master Reel to Reel > Matt Smith's 1st generation Reels; Transfer Info: 1st generation reels ((Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; 24-bit > 16-bit via dBpoweramp; pitch corrected version of shnid 141424  
286. 12/04/71 Felt Forum, Madison Square Garden - New York, NY flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
287. 12/05/71 Felt Forum, Madison Square Garden - New York, NY flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
288. 12/06/71 Felt Forum, Madison Square Garden - New York, NY flac16; Recording Info:SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
289. 12/07/71 Felt Forum, Madison Square Garden - New York, NY SBD> MR @ 10.5 IPS> DAT> CD; stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; note large cut in Casey Jones notes
290. 12/09/71 Fox Theatre - St. Louis, MO MSR> LATVALA C> DAT> CDR; EAC> SHN by Seth Kaplan; upload by Darrin Sacks  
291. 12/10/71 Fox Theatre - St. Louis, MO Source: MSR>C>DAT>CD; with FM patch notes
292. 12/14/71 Hill Auditorium - Ann Arbor, MI 7" BBD reel> PCM501ES(beta)> PCM501ES analog out> Fostex D5 @ optical out 48KHz> HD; DAT-1 > Soundforge 4.5 > WAV/SHN mastering by Tim Deibert; includes Tuning between songs. Same as /shninfo_detail.php?shnid=12763 with SBEs fixed and seektables appended with shntool. notes
293. 12/15/71 Hill Auditorium - Ann Arbor, MI flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
294. 12/31/71 Winterland Arena - San Francisco, CA flac16/48kHz; Recording Info: SBD > Master Reel > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k; this is a fix of shnid=142681  
295. 01/02/72 Winterland Arena - San Francisco, CA updated lineage: SBD> Reel Master> Reel> CD> Sonic Solutions Workstation> CD; via Charlie Miller; Seeded to etree by eD notes
296. 03/05/72 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Cassette -> Dat -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller  
297. 03/21/72 Academy Of Music - New York, NY flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat/0 (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller  
298. 03/22/72 Academy of Music - New York, NY flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller  
299. 03/23/72 Academy of Music - New York, NY flac16;Recording Info:SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info:Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller  
300. 03/25/72 Academy of Music - New York, NY  
301. 03/26/72 Academy of Music - New York, NY flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller  
302. 03/27/72 Academy of Music - New York, NY flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
303. 03/28/72 Academy of Music - New York, NY flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
304. 04/07/72 Wembley Empire Pool - London, England flac16; source: mac (2 sources) > c > cdr + M? > low-gen reel > cdr > ??? > wav > shn > wav > flac; remaster of shnid 6161 by SIRMick  
305. 04/08/72 Wembley Empire Pool - London, England flac16; Recording Info: SBD -> (16 Track) Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller  
306. 04/11/72 Newcastle City Hall - Newcastle, England flac16; Source: SBD Lineage: MR(recorded by Rex Jackson)>R(JG)>R(WB)>CD transfer info:Maxell UD XL reel tape @ 3 3/4 ips>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring)>LYNX ONE soundcard>Wavelab 5.0(dithered to 20/44)>CD.  
307. 04/14/72 Tivoli Theater - Copenhagen, Denmark flac16 This is a pitch/speed fixed version of shn id 34552 The lineage is extended as follows: SBD -> (16 Track) Master Reel -> Dat (44.1k); Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC -> Adobe Audition 1.5 -> pitch/speed correction* -> flac -> TraLiHe -> sbe's fixed  
308. 04/16/72 Stakladen, Aarhus University - Aarhus, Denmark GD Box Set  
309. 04/17/72 Tivoli Concert Hall - Copenhagen, Denmark flac16/48kHz; Source: sbd > 14" 16 track Master Reel @15ips > DAT (48k)  
310. 04/21/72 Beat Club - Bremen, Germany SBD>FM>MR>PCM>DAT>CDR; Including soundcheck, missing 3 songs, see info file for details; via Raoul Duke; Seeded to etree by Matt Vernon notes
311. 04/24/72 Rheinhalle - Düsseldorf, Germany GD Box Set  
312. 04/26/72 Jahrhundert Halle - Frankfurt, Germany flac16/48kHz; Source: Soundboard > Master Reel > Dat (48k)  
313. 04/29/72 Musikhalle - Hamburg, Germany flac16; Matrix SBD Source: SBD > MR > ?? > DAT > CDR with Aud Patch Source: MR* > cass > SB Live! > wav > shn > CD-R. shnid 32877 (* believed to be Uher Reel Machine at 4.75 cm/sec) and Aud Source: MR* > 2 reels > cass > SB Live! > wav > shn > CD-R. shnid 5250 (* believed to be Uher Reel Machine at 4.75 cm/sec)  
314. 05/03/72 Olympia Theater - Paris, France flac16; Recording Info: SBD -> 16 Track Master Reels (purportedly Healy's rough mix)-> DAT; Transfer Info: DAT(Sony R500)-> Tascam DA-3000-> Adobe Audition 3.0-> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston  
315. 05/04/72 Olympia Theater - Paris, France flac16; SBD -> (16 Track) Master Reel -> Dat All Transfers and Mastering By Charlie Miller  
316. 05/07/72 Bickershaw Festival - Wigan, England Discs 1 & 2 are a compilation of multiple Audience sources; Discs 3 & 4 are supplied from a Master Soundboard Reel > DAT source; There is a 5th disc which contains the NRPS set; Seeded by Scott Clugston  
317. 05/10/72 Concertgebouw - Amsterdam, Netherlands S:MR > Cassette > DAT > CDR > SHN; Extraction and SHN encoding by Seth Kaplan; upload by Greg Hamilton; known flaw: Bertha fades in notes
318. 05/11/72 Rotterdam Civic Hall - Rotterdam, Netherlands 10" MR@7.5ips->DAT>CDR; Note This seed does not have the splice in IKYR and it includes OMSN. Shn'ed & uploaded to fungus by Joe Samaritano 12/29/01; Seeded to abgd via Charlie Connor 01/02. notes
319. 05/13/72 Lille Fairgrounds - Lille, France sbd > mr > cass > dat > cda > eac > shn v3; via Chris Ladner to vine and etree; encore missing notes
320. 05/16/72 Theatre Hall - Luxembourg, Luxembourg Source: SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN Apparently, d1t06 is from etree seed 7089 and the rest of the show is from 10353. Seeded to Etree via Tol. notes
321. 05/18/72 Kongressaal Deutsches Museum - München, Germany flac16; source info: Master Soundboard Reel (Rex Jackson) > Reel (Jerry Garcia)> Reel (Will Boswell) @ 3 3/4 ips) > CD; CDs copied in EAC and Repairs and Adjustments in Wavelab 6.0 on the **GEMS* Edit Station by Jamie Waddell  
322. 05/23/72 Lyceum Ballroom - London, England flac16; 2 track soundboard recording Transferred by Matt Smith Reels > Apogee Mini ME 24/96 > Apogee Mini DAC(monitoring) > Wavelab 5.0(dithered to 16/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station in Wavelab 6.1 with UA DSP FLAC Level8 in TLH MetaData in Tag and Rename  
323. 05/24/72 Lyceum Ballroom - London, England GD Box Set  
324. 05/25/72 Lyceum Ballroom - London, England GD Box Set  
325. 05/26/72 Lyceum Ballroom - London, England flac16; SBD Reel > DAT > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 All editing and mastering by Jamie Waddell on the GEMS Edit Station. Trac'ed Cdwave,Flac'ed TLH level 8  
326. 06/17/72 Hollywood Bowl - Hollywood, CA flac16; Recording Info: (FOB) Shure Unidyne III -> Cassette Master (Sony TC-40); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC/16; Recorded By Dave and Jim Melton in Box 52; All Transfers and Mastering By Charlie Miller  
327. 07/16/72 Dillon Stadium - Hartford, CT source 1: SBD>MR>C>D>CD>EAC>SHN source 2: AUD>?>SHN the audience recording supplies: --all of disc 1, --on disc 2, the final portion of Me & My Uncle through to the end of Sing Me Back Home; See info file for details; via Glenn Gillis and Paul B; Seeded to etree by Tim O'Connel & J. Cotsman  
328. 07/18/72 Roosevelt Stadium - Jersey City, NJ flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller notes
329. 07/21/72 Paramount Northwest Theater - Seattle, WA sbd.norman.dlseries#10.flac  
330. 07/22/72 Paramount Northwest Theater - Seattle, WA flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller  
331. 07/25/72 Paramount Theater - Portland, OR flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
332. 07/26/72 Paramount Theater - Portland, OR flac16; Lineage: (from DAT J-Card) MR -> DAT (the DAT is 16-bit; 44.1kHz which could indicate MR->PCM->DAT) DAT from collection of Todd Evans - todd@bluedakota.com DAT > TASCAM DA-20 (spdif out) > Apogee Wide Eye Spdif Digital Cable > Lynx Two Soundcard (spdif in) > Wavelab 6.0 - Transferred January 18, 2007 Mastering By Jamie Waddell on the GEMS Edit Station. Trac'ed cdwave,Flac'ed TLH level 8  
333. 08/12/72 Sacramento Memorial Auditorium - Sacramento, CA flac16; master reel @7.5ips> J.Garcia's reel @ 3.75ips > Will Boswell's reel @ 3.75ips > Apogee DAC> Apogee Mini Me > Wavelab 5.0 @ 24 bit 96kHz Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1kHz tracked in CDWAV Tag&Rename for Meta_Data TLH for FLAC Level 8 by Patrick White (wharfratpat@shnflac.net)  
334. 08/20/72 San Jose Civic Auditorium - San Jose, CA flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller  
335. 08/21/72 Berkeley Community Theater - Berkeley, CA flac16; Source: SBD > Master Reels @ 7.5ips (10 Inch half-track ) > PCM > DAT (44.1k) - Recorded by Betty Cantor-Jackson, provided by Charlie Miller; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017; the original version of this had pitch correction incorrectly applied notes
336. 08/22/72 Berkeley Community Theater - Berkeley, CA mixed sources: Set 1: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> Apogee AD500> Master Dat (Panasonic SV3800/48k); Set 2: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> PCM> Dat> CD; Transferred and Edited (see cleanup notes) by Charlie Miller  
337. 08/24/72 Berkeley Community Theater - Berkeley, CA SBD>Rm>Dat(48k) with missing songs patched from SBD>Rm>Cass>Cass>Cass>Dat>Samplitude>SHN via Charlie Miller  
338. 08/25/72 Berkeley Community Theater - Berkeley, CA flac16; Bertha Remaster of the Master Reel Source: SBD>>MR>>DAT>>FLAC>>DAW(Bertha)>>Audio DVD>>FLAC  
339. 08/27/72 Old Renaissance Faire Grounds - Veneta, OR SBD> 16 Track Master Reels> DAT@44.1K> DAT> DAT> WAV> SHN; Banter between songs from the two-track master reels: S:MR> DAT> SS> CD> EAC> SHN; dankseed notes
340. 09/03/72 Folsom Field, U of Colorado - Boulder, CO flac16; Composite sources: MR>cass, MR>cass>cass and multi generation sources; transfers were TascamMKII >Korg MR1000 at 1bit/5.6mHZ and cass> Apogee Mini Me>apogeeDAC>LynxOne at 24/96 PCM WAV; all edits and mastering by Jamie Waddell on the **GEMS** Edit Station at 32bitfloat/88.2kHz Weiss Saracon for SRC and POW-r3 dither to 16 bit/44.1 kHz  
341. 09/09/72 Hollywood Palladium - Hollywood, CA flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Cool Edit Pro v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller  
342. 09/10/72 Hollywood Palladium - Hollywood, CA MSR>C>CD patched with MSR>C>D>C>D; Patches & remaster by Dave Greenberg. notes
343. 09/15/72 Music Hall - Boston, MA flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
344. 09/16/72 Music Hall - Boston, MA mixed source (AUD>MC>) and (SBD>MR>) C> D> CD> EAC> SHN; edits (see info), encoding, vined by J. Cotsman, with thanks to Mark Sweeney and unIDed patcher  
345. 09/17/72 Baltimore Civic Center - Baltimore, MD SBDMR > Cass > DAT > SonicSolutions > CD > EAC > SHN; Extraction and SHN encoding by G.S. Hamilton, from D. Hollister seed; known flaws: Missing Saturday Night; small digi-snit during UJB; update: show is now DP23- go buy it notes
346. 09/19/72 Roosevelt Stadium - Jersey City, NJ AUD>MC>?>D>CD; Many songs are clipped due to taper conservation, though almost all such cuts are minor; See info file for details; via Paul Hartman; Seeded to etree by JCotsman notes
347. 09/21/72 The Spectrum - Philadelphia, PA SBD > reel > DAT > CDR > EAC > shn; via Mike Masse; see flaw notes in info file; a clean-up of d1t11 also circulates; see public comments for details notes
348. 09/23/72 Palace Theater - Waterbury, CT SBD> MR> Cass> DAT> CDR> EAC> SHN; via Jeff M.; see listening notes in revised info file  
349. 09/24/72 Palace Theater - Waterbury, CT Source:SBD Lineage: Reel master > ? > cassette > DAT > CDR > EAC > SHN Edits by Sean Cribbs - see info file for details  
350. 09/26/72 Stanley Theatre - Jersey City, NJ flac16 Soundboard Master-Reel > Reel (1st gen) > DAT (44.1 kHz)  
351. 09/27/72 Stanley Theatre - Jersey City, NJ SBD Reel>Reel>PCM>DAT from "People's Choice tree" via Jeff Blaney, encoded by Matt Vernon  
352. 09/28/72 Stanley Theatre - Jersey City, NJ flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
353. 09/30/72 American University - Washington, DC Master 7" Soundboard Reels @ 7 1/2 ips > Cassette > DAT> CDR; CD Mastering by Scott Clugston; EAC'ed / SHN'ed by Scott Clugston to abgd via Wyatt Earp notes
354. 10/02/72 Springfield Civic Center - Springfield, MA flac16; Recording Info:SBD -> Master Reel -> Dat -> Data DVD; Transfer Info: Data DVD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
355. 10/09/72 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD > MR > C > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC  
356. 10/17/72 Fox Theatre - St. Louis, MO MSR> C> DATs> CDRs> EAC> SHN; via Darrin Sacks, from Jack Warner's seed; previously uncirculated notes
357. 10/18/72 Fox Theatre - St. Louis, MO flac16; Unknown SBD source (probably shnid 7295) CD > wav > cool edit 2000 > flac  
358. 10/19/72 Fox Theatre - St. Louis, MO SBD > MR > Cass > DAT > CDR; via DES; cuts into Promised notes
359. 10/24/72 Milwaukee Performing Arts Center - Milwaukee, WI flac16; Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-153/BASF Normal Bias 120 Min Tapes) Transfer Info: Cassette Master (Nakamichi Dragon) -> Dat -> CD Mastering Info: CD -> Samplitude Professional v10.2 -> Adobe Audition v1.5 -> FLAC; All Mastering By Charlie Miller  
360. 10/26/72 Cincinnati Music Hall - Cincinnati, OH flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller  
361. 10/28/72 Cleveland Public Hall - Cleveland, OH Bertha Remaster of the Master Cassette source SBD>>MC>>DAT>>CDA>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B Ampex C-90 cassette master notes
362. 10/30/72 Ford Auditorium - Detroit, MI AUD>MR>C>C>C>D>CD; via John Steinhaus; Seeded to etree by J. Cotsman notes
363. 11/12/72 Soldiers' and Sailors' Memorial Hall - Kansas City, KS SBD>MC>C>D>CD; This recording has 'mix problems'; See info file for details; via Mark Sweeney; Seeded to etree by J. Cotsman notes
364. 11/13/72 Soldiers and Sailors Memorial Hall - Kansas City, KS master #1: AUD MR>C>D>CD recorded by Bear (//Playing through Casey Jones// is all that circulates from this source) master #2: low generation AUD (supplies the rest of the show); via Uli and Julian; Seeded to etree by Hanno B notes
365. 11/14/72 Civic Center Music Hall - Oklahoma City, OK Recording Info: Source One: SBD -> Master Reel -> Cassette x 3 -> Dat (d1t01 -> d2t09) Source Two: SBD -> Master Reel -> Cassette -> Dat (d2t10 -> d3t07) Transfer Info: Dat (Sony R500) -> M-Audio Dio 2448 -> Samplitude v6.0 -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) All Transfers By Charlie Miller charliemiller87@earthlink.net 1/30/04 Notes: --I forgot to make shn's off of my Dats which is why I had to use EAC. --This is a new conversion since the last one was missing GSET. notes
366. 11/15/72 Civic Center Music Hall - Oklahoma City, OK flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
367. 11/17/72 Century II Convention Hall - Wichita, KS Master Soundboard Reel > Cassette > DAT > CR > EAC > WAV > SHN; with patches Master Audience Cassette > ? > Cassette > CD; Upgrade to existing SHN copy notes
368. 11/18/72 Hofheinz Pavilion - Houston, TX 2nd set only; SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to John Steinhaus notes
369. 11/19/72 Hofheinz Pavilion - Houston, TX flac16; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; Upgrade in circulation  
370. 11/22/72 Austin Municipal Auditorium - Austin, TX flac16; Recording Info: SBD -> Reel Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC. fix of shnid 115730  
371. 11/24/72 Dallas Memorial Auditorium - Dallas, TX SBD> MR> DAT> CDR> EAC> SHN; tracked for 2x80; splice in China Cat; seeded by Tony Gardner, from Paul B. discs notes
372. 11/26/72 San Antonio Civic Auditorium - San Antonio, TX SBD> MR> (set 1 ?; set 2 C)> D> CD> EAC>SHN; edits (see info), encoding, vined by J. Cotsman, with thanks to Paul B. notes
373. 12/11/72 Winterland Arena - San Francisco, CA flac16; Lineage: 7" MR @ 7 1/2 ips.>R@ 3 3/4 ips.>R @ 3 3/4 ips>DVD Tape stock: Black Maxell UDII reel tape. Transfer info: Akai GX 636 >> Apogee Mini Me(24/96) >> Apogee Mini Dac(monitoring/mastering) >> LynxOne Soundcard >> Wavelab 5.0 >> DVD at 24 bit 96 kHz; All transfers, edits and mastering done in the 24 bit realm Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDWAV | Tag&Rename for Meta_Data TradersLittleHelper for FLAC Level 8 notes
374. 12/12/72 Winterland Arena - San Francisco, CA SBD (7 inch Master Reel @ 7.5ips 1/2trk) -> Dat Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> FLAC Transfered and Edited By Charlie Miller  
375. 12/15/72 Long Beach Arena - Long Beach, CA flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT  
376. 12/31/72 Winterland Arena - San Francisco, CA Bertha Remaster of the patched PreFM source, by Jay Ashley notes
377. 02/09/73 Roscoe Maples Pavilion, Stanford University - Palo Alto, CA S : MR > R > DAT > SS > CDR > DAW (Bertha) > CDA > SHN > COOL EDIT PRO > SHN; See info file for 'additional edit' notes from seeder Alan Fink. notes
378. 02/15/73 Dane County Coliseum - Madison, WI flac16; 2 Source Matrix by dusborne; Soundboard (shnid:1580): MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD and Audience (shnid:124195): two channel mono MAC> ? > normal bias cassettes (see notes) Two 60 minute and one 90 minute mid 70's vintage Memorex cassettes, Cassettes> Harmon Kardon TD 302, Heads aligned to each tape side> Zoom H2 @16/44.1> SD card> PC> edited and tracked with wavpad> flac level 8 and checksums with traders little helper  
379. 02/17/73 St. Paul Auditorium - St. Paul, MN flac16; SBD -> Master Reel -> PCM -> Dat -> CD All Transfers and Mastering By Charlie Miller  
380. 02/21/73 Assembly Hall, Univ. Of Illinois Urbana-Champaign - Urbana, IL flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
381. 02/22/73 Assembly Hall, Univ. Of Illinois Urbana-Champaign - Urbana, IL flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
382. 02/26/73 Pershing Municipal Auditorium - Lincoln, NE S:MR > cassette > DAT > CDR > EAC > SHN; EAC/SHN by Seth Kaplan; upload by Greg Hamilton; note D3t02 (Eyes): splice @ 3:25 notes
383. 02/28/73 Salt Palace - Salt Lake City, UT Multiple sources SBMR via Noah Weiner and David Gans encoded by Noah Weiner (see info file for details). Upgrade to previous copies with complete EOTW & AWBYGN. notes
384. 03/15/73 Nassau Veterans Memorial Coliseum - Uniondale, NY Source (~complete): Unknown AUD > ? cdr via JackeySack, converted by Matt Vernon  
385. 03/16/73 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16; Recording Info: Set 1: SBD -> Master Reel -> PCM -> Dat (44.1k) Set 2: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional -> FLAC  
386. 03/19/73 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16; Recording Info: SBD > Master Reels > Dat (16-bit/44.1k) > upsampled to 24-bit/96k; Mastering Info: WAV > Samplitude Pro X3 Suite > FLAC/24; Master Reel Transferred by Rob Eaton; All Mastering By Charlie Miller; the original version of this source had a 2 second dropout in thrack 16 (Playing In The Band)  
387. 03/21/73 Utica Memorial Auditorium - Utica, NY Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Sony D8) -> M-Audio DIO 2448 -> Cool Edit Pro v1.2 -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller Notes:I originally transferred my Dat back in 2000. At that time, I only made Audio discs. Someone asked me to circulate this source since the circulating source has NR applied to it. My source DOES NOT have any NR applied to it. I made these FLAC's off of my Master Audio Discs. Enjoy...cm  
388. 03/22/73 Utica Memorial Auditorium - Utica, NY flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm; Wavelab 7.1 for Minor Edits by Jamie Waddell 16 bit 44.1kHz  
389. 03/24/73 The Spectrum - Philadelphia, PA SBD>>MR>>CASS>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN notes
390. 03/26/73 Civic Center - Baltimore, MD SBD> MR> DAT> CDA> CDA> EAC> SHN; via Charlie Miller, Jay Ashley; note info file updated 9/13; see pub comments for flaw notes notes
391. 03/28/73 Springfield Civic Center - Springfield, MA flac16; SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony 500) -> Samplitude Professional 9.11 -> FLAC All Transfers and Mastering By Charlie Miller  
392. 03/30/73 Rochester Community War Memorial - Rochester, NY flac16/44.1khz Recording Info: SBD > Reel Master (10in 7.5ips 1/2trk) > Apogee AD-500 > DAT (Panasonic SV-3700/48k) Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit/44.1k)  
393. 03/31/73 Buffalo Memorial Auditorium - Buffalo, NY flac16; SBD > MC > CASS > DAT > CDA > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered to from 24-16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2  
394. 04/02/73 Boston Garden - Boston, MA SBD -> Rm (7.5 ips/2 Track) -> Dat -> Dat. Transfer Info: Dat -> Sonic Solutions -> CD (David Gans' Master Discs) -> EAC (Secure) -> SHN. CD -> SHN Conversion Done By Charlie Miller. Purports to avoid the drop outs present on the previous shn set for this source. notes
395. 05/13/73 Iowa State Fairgrounds - Des Moines, IA flac16; Lineage-MR>??>TDK C90 cassettes(3)>R>Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs by Jamie Waddell on the GEMS Edit Station>Trac'ed Cdwave Flac'ed level 8 TLH  
396. 05/20/73 Campus Stadium, UCSB - Santa Barbara, CA flac16; SBD > Master Reel (7 inch reels @ 7.5ips 1/2trk) > Dat > CD > EAC > Samplitude Professional v9.11 > FLAC All Transfers and Mastering By Charlie Miller  
397. 05/26/73 Kezar Stadium - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller  
398. 06/09/73 Robert F. Kennedy Stadium - Washington, DC Original SBD Source (shnid = 172); Monte Barry patched Sugar Magnolia w/his AUD source (shnid = 91236). (This is a pitch corrected version of the previous patched SBD source.) notes
399. 06/10/73 Robert F. Kennedy Stadium - Washington, DC flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller. This is a fixed version of shn id 89640  
400. 06/22/73 P.N.E. Coliseum - Vancouver, BC flac16; SBD/AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
401. 06/24/73 Memorial Coliseum - Portland, OR flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller  
402. 06/26/73 Seattle Center Arena - Seattle, WA flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) July 4, 2009  
403. 06/30/73 Universal Amphitheatre - Universal City, CA flac16; Sick Bits Vol. 9 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 177, and AUD - SHN ID# 6019); edited and transfered by Chris Chappell  
404. 07/01/73 Universal Amphitheatre - Universal City, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)  
405. 07/27/73 Grand Prix Racecourse - Watkins Glen, NY flac16; SBD> Master Reel (but see note)> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller  
406. 07/28/73 Grand Prix Racecourse - Watkins Glen, NY Soundboard Master Reel>DAT>CD>SHN, with FM, AUD, and other-source SBD patches. Fits to two .shn discs by placing d1 & d4 .shns on one 80 min. disc, d2 & d3 .shns on another. notes
407. 07/31/73 Roosevelt Stadium - Jersey City, NJ FOB>CM>C>DAT>CDR; via Greg Weister; seeded to etree by Willy notes
408. 08/01/73 Roosevelt Stadium - Jersey City, NJ flac16; This is a remaster of shnid 12222 remastered by SIRMick June 2008  
409. 09/07/73 Nassau Veterans Memorial Coliseum - Uniondale, NY SBD>MR>C>D>CD>EAC>SHN; patched with AUD>MC>D>CD>EAC>SHN; sourced from previous seeds notes
410. 09/08/73 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16; Matrix 2 Source Mix - SBD (shnid=183) SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wul + AUD (shn id 126070) source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger - matrix mixing by Kevin Tobin  
411. 09/11/73 College Of William & Mary Hall - Williamsburg, VA MSR> one cassette gen> DAT> CDR> shn); via George Lanum; see info file and pub comments for flaw notes  
412. 09/12/73 College Of William & Mary Hall - Williamsburg, VA flac16; Source Information: Master Soundboard Reels to DAT 16 bit 44.1kHz from ANON. Also, a Kind LL member shared uncirculated lo-fi audience tapes to patch a few spots.
Transfer Information: Mastering by Jamie Waddell and Jim Blackwood
Speed corrections by Jason Chastain
Listening assistance and track, FLAC and pack by Steve Gravel
FLAC Level 8 at 16 bit 44.1kHz 		 
413. 09/15/73 Providence Civic Center - Providence, RI set 1: AUD> M?> C> C> D> SHN; set 2: SBD> MR> D> CD> EAC> SHN; Thanks to Jim Powell, Marc Pujol, and Evan Levy; final edits/encoding by JCotsman notes
414. 09/17/73 Onondaga County War Memorial - Syracuse, NY flac16; Source:MR>C>DAT>DAT provided by Jeff Tiedrich>Andrew Gustin Conversion: DA-40>U2A>CDWave>MkW with seek tables appended Transferred by Tyler Jensen tylerlundby@yahoo.com  
415. 09/20/73 The Spectrum - Philadelphia, PA Complete; Mixed Aud/SBD sources; See info file for details; via Michael Dixon and Scott Clugston; Seeded to etree by JCotsman notes
416. 09/21/73 The Spectrum - Philadelphia, PA SBD -> Rm -> Reel -> PCM -> Dat Transfer Info: Dat (Sony R500) -> Samplitude v6.0 -> Cool Edit Pro v1.2 -> CD -> EAC -> SHN via Charlie Miller  
417. 09/24/73 Civic Arena - Pittsburgh, PA flac16; Mixed SBD\AUD with new sbd material to make a more complete show MR>R@7 1/2 ips(JG)>R@ 7 1/2 ips.(WB)>CD; CD's supplied by Matt Smith; audio patches by Kevin Tobin  
418. 09/26/73 Community War Memorial Auditorium - Buffalo, NY flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller. This is a re-patch of the original source (it's a more complete version). On 11/23/2006 a version of this source was circulated without the patches in d1t14 and d2t01.  
419. 10/19/73 Oklahoma City Fairgrounds Arena - Oklahoma City, OK mR> DAT> CDR; complete; E2 is tracked for d2, but could fit on 80min d3; via JW Norris, R. Nayfield; update 10/23/00: this date is now released as Dick's Picks 19- go buy that  
420. 10/21/73 Omaha Civic Auditorium - Omaha, NE SBD -> Rm -> ? -> Dat -> Sound Forge -> CD -> EAC -> SHN Converted By Charlie Miller  
421. 10/23/73 Metropolitan Sports Center - Bloomington, MN flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller  
422. 10/25/73 Dane County Coliseum - Madison, WI SBD Master Reel > ? > DAT > CD-R > EAC (secure) > Cool Edit(minor cleanup) > CDWAV > mkwact(seekable) via wi-jams, cleanup and encoding by Matt Vernon. notes
423. 10/27/73 Indianapolis State Fair Coliseum - Indianapolis, IN Source: MSR > R > C > D > CD patched with MAC > ? > D Conversion: CDR > EAC > CDWave > CoolEditPro > shntool > mkwACT > SHN (seekable) by Charles Wier From the Deadlists vine  
424. 10/29/73 Kiel Auditorium - St. Louis, MO flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC  
425. 10/30/73 Kiel Auditorium - St. Louis, MO flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC  
426. 11/01/73 McGaw Memorial Hall, Northwestern University - Evanston, IL flac16; Set 2 only MR>C1>DAT>SHN (shnid=2178)>CD>EAC>CoolEdit Pro hiss reduction & minor other edits notes
427. 11/09/73 Winterland Arena - San Francisco, CA SBD> MR> C> DAT> CDR; EAC> SHN by Seth Kaplan; Correct sector boundaries verified using .shntool; First few seconds of Here Comes Sunshine are clipped; Small splice at the start of Eyes of the World, some channel dropouts and a little static on a few tunes  
428. 11/10/73 Winterland Arena - San Francisco, CA MSR> reel > PCM > DAT > CD; see info file for listening notes notes
429. 11/11/73 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> Cool Edit Pro v2.01 -> FLAC (Pitch correction of shn id 83318) All Transfers and Mastering By Charlie Miller  
430. 11/14/73 San Diego Sports Arena - San Diego, CA flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC  
431. 11/17/73 Pauley Pavilion, UCLA - Los Angeles, CA flac16; source: unknown sbd > ??? > shn > wav > flac  
432. 11/20/73 Denver Coliseum - Denver, CO flac16; main source: S:MR > DAT > CD > EAC > SHN (shnid 1234) patch source: MAC (Taped by Cary Wolfson, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) (shnid 22879)  
433. 11/21/73 Denver Coliseum - Denver, CO flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller (This source fixes swapped channels on source id 88612.) notes
434. 11/23/73 County Coliseum - El Paso, TX flac16; Recording Info:SBD -> Reel Master -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
435. 11/25/73 Feyline Field - Tempe, AZ flac16; Recording Info:SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
436. 11/30/73 Music Hall - Boston, MA flac16; 2 source matrix by dusborne; Soundboard (shnid:8099) sbd > ? > CDR > EAC(secure) > mkwact(seekable) and Audience (shnid:17277) Source: AUDMC(unknown mics) > ? > C > DAT; DAT > WAV(48Khz) Marc Pujol Encoding: WAV(48kHz) > Cool Edit > CDWav > mkwact > SHN  
437. 12/01/73 Music Hall - Boston, MA flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional 11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
438. 12/02/73 Music Hall - Boston, MA flac16; 3 source matrix by dusborne Soundboard (shnid:3415) Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston; Audience (shnid:17278) Source: MAC > ? > C > DAT > CDR DAT > WAV(48kHz) by Marc Pujol; Encoding: EAC(secure) > Cool Edit > CDWAV > mkwact > SHN(seekable) by mvernon54@attbi.com; and Audience (shnid:110782) FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. Transfer: Maxell UD90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.  
439. 12/04/73 Cincinnati Gardens - Cincinnati, OH flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller (note: this source includes the encore missing from shn id 86839).  
440. 12/06/73 Public Hall - Cleveland, OH flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of source ID 4452  
441. 12/08/73 Cameron Indoor Stadium, Duke University - Durham, NC flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v3 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid 1811  
442. 12/10/73 Charlotte Coliseum - Charlotte, NC sbd.candelario.norman.dlseries#08.flac  
443. 12/12/73 The Omni - Atlanta, GA flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of source ID 6023; Upgrade in circulation  
444. 12/18/73 Curtis Hixon Convention Hall - Tampa, FL SBD Reel master > cassette > DAT > CDR (unknown gens) > EAC > CDWav retracking> SHN; Extraction, retracking, shortening by G.S. Hamilton (for real). Please use md5s to ID copies in circulation. Note d2 has 9 tracks; alternate shn set in circulation has 7 d2 tracks and is not really via Greg, but is apparently from another CD set. (This has same reel change in Wharf Rat (d3t04) @ 6:36.); note noise reduction notes in pub comments apparently pertain to alternate shn set only, no NR on this entry notes
445. 12/19/73 Curtis Hixon Convention Hall - Tampa, FL flac16; soundboard source shnid=97361: (Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC); Patch source: Sony EMC-22 mic-> cheap mono cassette (probably Sony) - TDK SD C90s -> Tascam 112-> M-Audio Audiophile 24/96 at 24 bit, 96 kHz. Converted to 16-bit, 44.1 kHz and edited using Diamond Cut 7.5 Forensics. Also used DC 7.5 to correct for a slight azimuth alignment problem, cross-faded and cut on sector boundaries. Converted to flac with trader's little helper  
446. 02/22/74 Winterland Arena - San Francisco, CA mixed SBD sources: Vault MR> DAT 48k, plus MR> Cassette> DAT 44.1k, with small patches from MR> Cassette> DAT> CD; Transfer: DAT> Audiophile 2496> Samplitude v7.02 Professional> SHN; Transfer, editing, and SHN by Joe Samaritano, with thanks to Michael P. Weitzman, David Gans, Charlie Miller  
447. 02/22/74 Winterland Arena - San Francisco, CA soundcheck, reportedly this date although mislabeled as 2/24/74 on shn set; SBD > RTR @ 7.5 i.p.s. > D > SSSB; no PCM- see info file; via Jay Serafin to gdlive  
448. 02/23/74 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
449. 02/24/74 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
450. 03/23/74 Cow Palace - Daly City, CA Master Soundboard Reel > DAT > CDR, with patches from Master Soundboard Reel > Cassette > DAT source, and Audience source; d2 is 80 min; via Scott Clugston; note upgrade relative to previously circulating shn set; reported sector boundary probs on d2t4, d2t6- see pub comments; update: portions of show are now DP24- go buy it notes
451. 05/12/74 University Of Nevada - Reno, NV MSR> C> DAT> CDRs> EAC> SHN; via Darrin Sacks; previously uncirculated; see notes in info file  
452. 05/14/74 Adams Field House, University Of Montana - Missoula, MT flac16; Recording Info: Set 1: SBD -> Master Reel -> Cassette -> Dat (48k); Set 2: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professionl v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
453. 05/17/74 P.N.E. Coliseum - Vancouver, BC flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller  
454. 05/19/74 Portland Memorial Coliseum - Portland, OR flac16; Recording Info: Source 1: SBD -> Master Reel -> Cassette (Maxell XLII-S90/Sony D6/Dolby C) Source 2: SBD -> Master Reel -> Cassette -> Dat -> CD (shnid=6957) Source 3: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Source 1: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16 Source 2: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16 Source 3: Dat -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
455. 05/21/74 Edmundson Pavilion, University Of Washington - Seattle, WA flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) notes
456. 05/25/74 Campus Stadium, UCSB - Santa Barbara, CA flac16; Soundboard Reel >DAT >CDR >FLAC Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o by OldNeumanntapr  
457. 06/08/74 Oakland-Alameda County Coliseum - Oakland, CA flac16; Recording Info: Set 1 + Encores: SBD -> Master Reel -> Reel -> Reel -> Wavelab -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Wavelab -> FLAC; Mastering Info: FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; Re-mastered By Charlie Miller  
458. 06/16/74 Des Moines State Fair Grandstand - Des Moines, IA S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details; Note- This shn set was submitted by Alan Fink himself notes
459. 06/18/74 Freedom Hall - Louisville, KY flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> SHN -> Cool Edit Pro -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller  
460. 06/20/74 The Omni - Atlanta, GA Master 7", 2 track Soundboard Reel > Cassette > DAT > CDR; uploaded by Scott Clugston; via "the usual"; to abgd, later to etree; note d1 tracked for 80 min  
461. 06/22/74 Jai-Alai Fronton - Miami, FL flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller  
462. 06/23/74 Jai-Alai Fronton - Miami, FL flac16; Matrix By Hunter Seamons Using Final Cut Pro (flac24 & Shn>aiff>final Cut>wav>flac16)  
463. 06/26/74 Providence Civic Center - Providence, RI flac16; 2 source matrix: Soundboard (shnid=00214): Source for disc 1: SBD>MR>C>DAT>CDR; Source for discs 2,3: MSR > Reel > 4xDAT > CDR (HHB CDR-850) > SHN (EACx2) and Audience (shnid=105919): source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd, (3)maxell ud-120's, dolby b nak dragon>hd-p2 24/96>cd wave>flac  
464. 06/28/74 Boston Garden - Boston, MA complete; AudMC > WAV > CD > EAC > SHN recorded by Jerry Moore near the rear of the floor, close to center axis with Sony ECM-99 Stereo mic (on metal pole) > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. A > D by David Minches, encoded by Noah Weiner gdADT Round 18 notes
465. 06/30/74 Springfield Civic Center - Springfield, MA flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
466. 07/19/74 Selland Arena - Fresno, CA flac16; Matrix 60% sbd/40% aud (- 4dbs) sbd - shnid 32634 Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic SV3800/44.1k) aud - shnid 102866 Recorded by AS and friends with borrowed UC Santa Cruz AV gear 2 Shure omni mics > Sony portable (152?) cassette recorder Nakamichi Dragon > Panasonic 3800 DAT > Apple G4 (Peak editing) > Xact  
467. 07/21/74 Hollywood Bowl - Los Angeles, CA Rob Bertrando's Sony ECM-22P mics > Sony TC-152 Cassette Master; AudMC >Reel > DAT > CD; Seeded to etree by Noah Weiner  
468. 07/25/74 International Amphitheater - Chicago, IL SBD -> Rm -> Dat -> Sonic Solutions -> CD seeded by Charlie Miller notes
469. 07/27/74 Roanoke Civic Center - Roanoke, VA flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> SHN Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
470. 07/29/74 Capital Centre - Landover, MD flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
471. 07/31/74 Dillon Stadium - Hartford, CT flac16; source: aud 1st gen reel; master taped by Jim Anderson; lineage: aud>binaural mics*on dumby head>sony tc-152 cassette master>playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips>cdr>eac>flac  
472. 08/04/74 Philadelphia Civic Arena - Philadelphia, PA flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC16)  
473. 08/05/74 Philadelphia Civic Arena - Philadelphia, PA MSR> C> C> DATs> CDRs> EAC, with AUD patches from Jerry's Moore's MC>D>CD (AKG D1000s>Sony TC-152); via Darrin Sacks  
474. 08/06/74 Roosevelt Stadium - Jersey City, NJ fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy" notes
475. 09/09/74 Alexandra Palace - London, England flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
476. 09/10/74 Alexandra Palace - London, England Vault Soundboard Reels->Cassette->DAT->PCM->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN DAT seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano  
477. 09/11/74 Alexandra Palace - London, England Candelario Matrix MSR D CD except first 15:22 of Seastones (on Disc #2): AUD end of Sunshine Daydream and encore: AUD See info file for details; Mastering by Dave Greenberg; via Jed Distler; Seeded to etree by Jim Powell and Jay Gerland; See note in 'public comment' area regarding d3fix md5's  
478. 09/14/74 Olympiahalle - Munich, Germany flac16; Recording Info: SBD -> Master Reel -> Dat Transferred and Edited By Charlie Miller  
479. 09/18/74 Parc Des Expositions - Dijon, France Lineage: SBD -> Rm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN via Charlie Miller ((/shn/20675) with one track modified to remove a pop (see notes) by Matt Vernon  
480. 09/20/74 Palais Des Sports - Paris, France flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
481. 09/21/74 Palais Des Sports - Paris, France flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
482. 10/16/74 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller notes
483. 10/17/74 Winterland Arena - San Francisco, CA flac16/48kHz; Soundboard > 1st gen reel > PCM > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/48; Checksum & tags created in xACT  
484. 10/18/74 Winterland Arena - San Francisco, CA flac16; Recording Info: Set 1: SBD -> Master Reel -> Reel -> Reel -> PCM -> Dat (44.1k); Set 2: SBD -> Master Reel -> Dat (44.1k); Set 3: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
485. 10/19/74 Winterland Arena - San Francisco, CA Recording Info: SBD -> Reel Master -> Dat Master (Panasonic SV-255/48k) Transfer Info: Dat Master (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) Patch Info: SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat -> Samplitude -> CD -> EAC -> SHN Transfered and Edited By Charlie Miller charliemiller87@earthlink.net 1/14/04 notes
486. 10/20/74 Winterland Arena - San Francisco, CA flac16; Lineage: Multitrack MR>2 track mixdown>?R>R>CD Transfer info: Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs>Trac'ed Cdwave Flac'ed level 8 TLH  
487. 02/28/75 Bob Weir's Studio - Mill Valley, CA flac16; SBD MR > R > R > CD * > EAC > WAV > FLAC  
488. 03/17/75 Ace's - Mill Valley, CA SBD>MR>DAT>CDR; David Crosby and the Dead from weir's Studio; via Raoul Duke; seeded to etree by Matt Vernon notes
489. 03/23/75 Kezar Stadium - San Francisco, CA flac16; FMMR (Peter Kafer) @ 7 1/2 ips > R @ 7 1/2 ips (Pat Lee)* > CD. Reel to reel transfer by Taper Pat - (R copied @ 7.5 ips using a Revox A-77>A-77) --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD > EAC > WAV (shntool confirms no sbes) > FLAC (TLH)  
490. 06/17/75 Winterland Arena - San Francisco, CA flac16; SBD Source: MSR@ 7 1/2 ips > Maxell UDXL II reel @3 3/4 ips.(Will Boswell)>Akai GX 625>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>wavelab 5.0(dithered to 20/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station  
491. 08/13/75 Great American Music Hall - San Francisco, CA Pitch corrected version of FM broadcast originally seeded by CousinIt by Matt Vernon  
492. 09/28/75 Lindley Meadows, Golden Gate Park - San Francisco, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC16)  
493. 04/20/76 Mickey's Barn - Novato, CA flac16; Source Info: Soundboard > ? > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16  
494. 06/03/76 Paramount Theatre - Portland, OR MATRIX MIX: SBD/AUD (About 60%/40%): SBD: Bertha Remaster of the Master Reel Source and AUD: MC > DAT > WAV > SHN Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) May 18, 2008 notes
495. 06/04/76 Paramount Theatre - Portland, OR flac16/48 Source Info: Mickey Hart's Master Soundboard Cassettes w/dolby B (Sony TC-152SD) > Steve Martin's 1st generation reels @ 3 3/4 ips Transfer Info: Master Cassettes (Sony TC-D5M) > 1st generation reels (Pioneer RT707 @ 3 3/4 ips); 1st generation reels (Revox A77) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496  
496. 06/09/76 Boston Music Hall - Boston, MA flac16; Recording Info: Set 1: SBD -> Master Cassette -> CD; Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; Set 2: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
497. 06/10/76 Boston Music Hall - Boston, MA SBD -> Rm -> PCM -> Dat -> Prodif Plus -> Samplitude v6.0 -> SHN via Charlie Miller  
498. 06/11/76 Boston Music Hall - Boston, MA flac16; Matrix of SBD (shnid=22803) and AUD (shnid=18387) by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)  
499. 06/12/76 Boston Music Hall - Boston, MA flac16; aud 1st gen reel, akg d1000e's>sony tc-152, taped by Jimmy Warburton, transfer by Rob Berger  
500. 06/14/76 Beacon Theatre - New York, NY flac16; Betty Board > PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 by Jamie Waddell  
501. 06/15/76 Beacon Theatre - New York, NY flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
502. 06/17/76 Capitol Theater - Passaic, NJ MATRIX MIX: SBD/AUD (About 60%/40%) by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>SHN) notes
503. 06/18/76 Capitol Theater - Passaic, NJ Sony ECM 99's > Sony TC-152 MC > Teac 2300 @ 3.75 ips Reel > Reel played back on Akai GX-4000D > Teac AN-80 Dolby B Noise Reduction Unit > ART DI/O A/D Convertor > Hard Drive > CD. Taper: Jimmy Warburton,30-35 rows right center. A/D Transfer, editing and tracking by David Minches, shn encoding Matt Vernon  
504. 06/19/76 Capitol Theater - Passaic, NJ PRE-FM SBD master reel > DAT > CD (x2) > EAC (secure) > SHN (non seekable)
 		notes
505. 06/19/76 Capitol Theater - Passaic, NJ Source: FM>MC>DAT>WAV>SHN via Cousinit notes
506. 06/21/76 The Tower Theatre - Upper Darby, PA flac16; Recording Info: SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; Upgrade in circulation  
507. 06/22/76 The Tower Theatre - Upper Darby, PA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Soundtrack > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)  
508. 06/23/76 The Tower Theatre - Upper Darby, PA AudMC > HD > WAV > SHN Recorded by Jerry Moore from 1st row loge, w/ a pretty good spread on mikes with 2 hand held Sony ECM-33Ps > Sony TC-152 deck with Dolby B ON. Analog > Digital transfer David Minches, encoded by Matt Vernon  
509. 06/24/76 The Tower Theatre - Upper Darby, PA flac16; Matrix 3 Source Mix - SBD Set 1 (shn id 25478) WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN + SBD Set 2 (shn id 14498) SBD>MR>DAT>CDR>EAC + AUD (shn id 6682) [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC - matrix mixing by Kevin Tobin  
510. 06/26/76 Auditorium Theatre - Chicago, IL flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
511. 06/27/76 Auditorium Theatre - Chicago, IL flac16; Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Mastering By Charlie Miller  
512. 06/28/76 Auditorium Theatre - Chicago, IL flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)  
513. 06/29/76 Auditorium Theatre - Chicago, IL flac16; SBD>>MR > PCM(Analog) > DAT > CDA > SHN > DAW(Bertha) > Audio DVD files > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > wav > downsampled to 44.1 wav with Wave Lab v.5.00a > SBEs fixed with shntool v.2.0.3 > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2  
514. 07/12/76 Orpheum Theatre - San Francisco, CA Soundcheck - SBD-> Master VHS-> DAT-> CD; Set One - SBD-> RM-> Reel-> Reel-> Reel-> DAT-> CD; Set Two - SBD-> RM-> DAT-> Sonic Solutions-> CD; Tennessee Jed from Set One patched from Bob Menke's Aud Recording AUD->RM->DAT->CDCD->EAC (in secure mode)-> SHN conversion by AJ; with thanks to Charlie Miller, David Gans; shn branch of KPFA tree notes
515. 07/13/76 Orpheum Theatre - San Francisco, CA flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller  
516. 07/14/76 Orpheum Theatre - San Francisco, CA flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller  
517. 07/16/76 Orpheum Theatre - San Francisco, CA flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller  
518. 07/17/76 Orpheum Theatre - San Francisco, CA Recorded by Bob Menke; Sony ECM-280s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN via David Minches  
519. 07/18/76 Orpheum Theatre - San Francisco, CA S : PreFM > MR > PCM > DAT > CDA > DAW (Bertha) > CDA - d1t01 and d3 S : FM > R > DAT > CDA > DAW (Bertha) > CDA - d1t02-d2t07 Bertha Remaster by jashley@deadacated.com Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. notes
520. 08/02/76 Colt Park - Hartford, CT flac16; Source: Audience FOB Recording Media: Maxell UD-XL1 C90 Master Tapes Lineage: MAC? (we can't for sure indicate that this is a master cassette, this might be a 1st gen copy) > Nak DR-1 > Apogee Rosetta 200 > Firewire > Apple G5 > Bias Peak 24/96 wav > FLAC > WAV > See Editing notes Taped by: E. Singer Transfer by: Derek McCabe Mastered by: SIRMick  
521. 08/04/76 Roosevelt Stadium - Jersey City, NJ flac16; source: sbd 2nd gen reel; lineage: sbd reel master>reel>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>cd wave>adobe 16/44>flac  
522. 09/23/76 Cameron Indoor Stadium, Duke University - Durham, NC flac16; This is a restored version of shnid=14687. It did not involve an upgrade in the source material.
A short portion contains a transfer from an open reel tape I received in trade in 1977 (unknown generations). 		 
523. 09/24/76 College Of William & Mary Hall - Williamsburg, VA AUD Reel > 48kDATs > midiman delta dio 2496 > cooledit2000 > wav >shn  
524. 09/25/76 Capital Centre - Landover, MD sbd.aj.sbeok.flac16 notes
525. 09/27/76 Community War Memorial Auditorium - Rochester, NY flac16; Matrix 2 source mix - SBD (shn id 87664): SBD -> Master Reel -> Dat (48k) + AUD: (shn id 3821): Sony ECM-33Ps>Sony TC-152 (Cass. master)>DAT>CDR>EAC>Sound Forge (no sound processing)>SHN - matrix mixing by Kevin Tobin  
526. 09/28/76 Onongada County War Memorial - Syracuse, NY Source: SBD > ? > SHN > Cool Edit(see notes) > CDWAV > mkwact(seekable). shn encoding and patching (unkown FOB aud)by Matt Vernon notes
527. 09/30/76 Mershon Auditorium, Ohio State University - Columbus, OH flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:030225+018107), Disc 1 & 3 lineage: (30225) SBD > MR > DAT > CD > EAC > SHN, Disc 2 Lineage:(18107) SBD > Rm > Dat > Sonic Solutions>CD > EAC > SHN; Audience (shnid:11939) FOB - AUD master cass > Cass > DAT > CD > EAC > SHN  
528. 10/01/76 Market Square Arena - Indianapolis, IN flac16; Source: aud cassette master, Sony ecm-33p's>Sony 153, Maxell UD120's w/dolby b, mics on stand, fob taped by Jerry Moore Lineage: aud c.m.>sbm1>dat>cdr>eac>cd wave>flac Transfer by Rob Berger '99, tracking by John Tallmadge  
529. 10/02/76 Riverfront Coliseum - Cincinnati, OH AudMC > DAT > WAV > SHN taped by Jerry Moore with 2 hand held Sony ECM-33Ps > Sony TC-153 deck, Maxell UD-120 cassettes, with Dolby B ON. A>D and shn encoding by Noah Weiner.  
530. 10/03/76 Cobo Arena - Detroit, MI complete; 1st set: AUD> ?> CD> EAC> SHN; 2nd set: SBD> MR> D> CD> EAC> SHN; with patches in second set from the audience recording as well as an FM SBD; Thanks to Jeff Cook, Doug Moog; edits/encoding by JCotsman  
531. 10/09/76 Oakland-Alameda County Coliseum - Oakland, CA flac16; Source: Unknown aud > ? > DAT; Transfer: 48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD > Cool Edit(rec,edits,48>44 with anti alias filter) > CDWav (splits)> mkw > shn Fix of shnid 10179 - tracks put back in phase and stretched to 103% by Bill Tetzeli  
532. 10/10/76 Oakland-Alameda County Coliseum - Oakland, CA Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; tracked for 2x80  
533. 10/14/76 Shrine Auditorium - Los Angeles, CA composite and patched: AUD> MC> R> D> ?> D> CD> EAC> SHN (Bertrando recording) plus SBD> MR> D> CD> EAC> SHN; see notes; via Jeff Cotsman notes
534. 10/15/76 Shrine Auditorium - Los Angeles, CA flac16; Sony ECM 270's >> Sony TC 152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe  
535. 12/31/76 Cow Palace - Daly City, CA Lineage: PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) - Fixed (pops removed) version of disk 3 of Jack Warner's "prefm" shn via Dave Winters
Check the .md5s for d3t03 to see whether you have this seed or #18524.
May circulate as either disc 3 solo with a short "Note added 9/1/2003", or as three discs, which is a combination of Source # 18524 and d3 from this source 		 
536. 02/26/77 Swing Auditorium - San Bernardino, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)  
537. 02/27/77 Robertson Gym, U.C.S.B. - Santa Barbara, CA flac16; Source: Sony ECM-280s > Sony TC-153SD > Cassette Master > Reel > Reel - Taped by Dr. Rob Bertrando, Jimmy Warburton's copy; Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac 16; edited and mastered SIRMick November 2018  
538. 03/18/77 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Mastering Info: CD -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
539. 03/19/77 Winterland Arena - San Francisco, CA flac16; matrix of SBD: shnid=255 and an uncirculated AUD: shnid=xxxxx by hansokolow using ProTools  
540. 03/20/77 Winterland Arena - San Francisco, CA Recording Info: SBD -> Master Reel -> Dat x 2 -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Tracked and SHN'd By Charlie Miller notes
541. 04/22/77 The Spectrum - Philadelphia, PA flac16; SBD (7 inch Master Reels @ 7.5ips 1/2trk)> Dat> Dat (44.1k), plus patches from FOB Sony ECM99A> Cassette; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller  
542. 04/23/77 Springfield Civic Center - Springfield, MA flac16; SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller  
543. 04/25/77 Capitol Theater - Passaic, NJ flac16; Recording Info: SBD > R > C> C > C; Transfer Info: C > Nak DR2 > WAV > Sound Forge 10 > TLH > FLAC  
544. 04/27/77 Capitol Theater - Passaic, NJ flac16; source: FM reel master taped by Jerry Moore lineage: wnew simulcast>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 2.0 16/44>flac transferred & seeded by Rob Berger  
545. 04/29/77 The Palladium - New York, NY AUD MC> D> CDR> SHN; Jerry Moore recording Sony ECM-33P/Sony TC-158; via CDead notes
546. 04/30/77 The Palladium - New York, NY Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge. A>D by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon  
547. 05/01/77 The Palladium - New York, NY Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge. A>D conversion by David Minches, EAC by Rango Keeshevan, shn encoding Matt Vernon notes
548. 05/03/77 The Palladium - New York, NY flac16; Source: Audience 1st Row Loge Media: TDK-SA 90 min. Lineage: Sony ECM XXX > Sony TCD5 X> MAC Mics spaced 30ft. Transfer: MAC > Nakamichi DR-1 (deck Guitar Tuned) > Grace Design Lunatec V3 > s/pdif > Tascam HD-P2 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: Derek McCabe  
549. 05/04/77 The Palladium - New York, NY flac16; Recording Info:Set 1: SBD -> Master Cassette -> Cassette -> ART DIO -> Cool Edit 2000 -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: FLAC -> Sampltiude Professional v9.02 -> FLAC Set 2: CD -> EAC -> FLAC. All Transfers and Mastering By Charlie Miller  
550. 05/05/77 Veterans Memorial Coliseum - New Haven, CT Betty Board reel source transferred to DAT by Rob Eaton, then transferred to CD by Dan Stephens; see info file for details notes
551. 05/07/77 Boston Garden - Boston, MA flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller  
552. 05/08/77 Barton Hall, Cornell University - Ithaca, NY flac16; SBD (shnid=4982) and AUD (shnid=29303 Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); Fixed version in circulation  
553. 05/09/77 Buffalo Memorial Auditorium - Buffalo, NY flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)  
554. 05/11/77 St. Paul Civic Center - St. Paul, MN flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC Transferred and Edited By Charlie Miller  
555. 05/12/77 Auditorium Theatre - Chicago, IL Updated lineage: Master Audience Cassette > unknown mics/deck> DAT > CDR; fresh transcription of a previously circulating copy (see notes in txt); Re-Mastering by Scott Clugston; missing Cassidy, splice in NFA; d1 tracked for 80 min  
556. 05/13/77 Auditorium Theatre - Chicago, IL SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD; (Post Drums - Fp -> Dat -> CD); Seeded to etree by Charlie Miller notes
557. 05/15/77 The Arena - St. Louis, MO flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller charliemiller87@earthlink.net  
558. 05/17/77 Memorial Coliseum, University Of Alabama - Tuscaloosa, AL SBDMR > DAT > CD > EAC > SHN note: Sugar Magnolia encore supplied by AUD source. Added to etree by Noah Weiner notes
559. 05/18/77 Fox Theatre - Atlanta, GA flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude v7.02 Professional -> FLAC  
560. 05/19/77 Fox Theatre - Atlanta, GA Jay Ashley (Bertha) Remaster of the Jim Wise Master Reel Source. SBD>>MR>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA notes
561. 05/21/77 Lakeland Civic Center - Lakeland, FL flac16; Source: sbd > master reel > dat (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017  
562. 05/22/77 The Sportatorium - Pembroke Pines, FL WBAI 99.5fm > Akai Pro Glass Head Cassette Deck(no dolby nr) > CDR Via Rosoft Audio Tools/Track Spliter at 44,100/16 Bit Stereo  
563. 05/25/77 The Mosque - Richmond, VA flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed dropout in d3t02 Wharf Rat of source ID 87539  
564. 05/26/77 Baltimore Civic Center - Baltimore, MD flac 16; Sick Bits Vol. 30a - SBD/AUD mix of 2 previously circulating primary sources: SBD (shnid=11614) + AUD (shnid=32092) as well as a patch SBD source (shnid=3224). Matrixed by Chris Chappell.  
565. 05/28/77 Hartford Civic Center - Hartford, CT flac 16; Sick Bits Vol. 30b - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=4983) + AUD (shnid=18439). Matrixed by Chris Chappell.  
566. 06/04/77 The Forum - Inglewood, CA Rob Bertrando - FOB akg D224Es > Sony TC-153 cassette > CDR? > Rich Plumb DAT > Teddy GoodBear Computer (no edit) > SHN; to abgd; note track names with punctuated song titles may cause probs for some  
567. 06/07/77 Winterland Arena - San Francisco, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)  
568. 06/08/77 Winterland Arena - San Francisco, CA Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Profesional -> SHN Transferred and Edited By Charlie Miller  
569. 06/09/77 Winterland Arena - San Francisco, CA flac16; flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)  
570. 09/03/77 Raceway Park - Englishtown, NJ flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:000276) Source: Two-track Pre-FM reel > DAT > CD-R, except for (terrapin), which is unknown AUD and Audience (shnid:91650) 2 Sony ECM 270s> Sony TC-158; Transfer and FLAC encoding by David Minches: Master audience cassette played back on Nak Dragon > Grace Lunatec V3 (24/96) > Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding  
571. 09/29/77 Paramount Theatre - Seattle, WA flac16/48kHz; Source Info: Master Audience Cassettes; AKG D224E mics > Will Boswell's 1st generation reels @ 3 3/4 ips; Transfer Info: 1st generation reels ((Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (.wav 24-bit/96k) > Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496; 24-bit > 16-bit via dBpoweramp  
572. 10/01/77 Paramount Theatre - Portland, OR flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation  
573. 10/02/77 Paramount Theatre - Portland, OR flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz X2 > WBOTB Master DAT (DAT-2).  
574. 10/06/77 Activity Center, Arizona State University - Tempe, AZ Recording Info: SBD > Cassette Master > DAT (48k) > WAV
Mastering Info: WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16 		 
575. 10/09/77 McNichols Sports Arena - Denver, CO flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller  
576. 10/11/77 Lloyd Noble Center, University Of Oklahoma - Norman, OK flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller  
577. 10/12/77 Manor Downs - Austin, TX SBD>MR>C>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN via J. Cotsman; Thanks to S. Milewski for aud patches  
578. 10/14/77 Hofheinz Pavilion - Houston, TX flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Fix of shnid 110400  
579. 10/15/77 Moody Coliseum, S.M.U - Dallas, TX SBD>MC>R>D>CD>EAC>SHN; declicked and pitch corrected  
580. 10/16/77 Assembly Center, Lousiana State University - Baton Rouge, LA Master Soundboard Reels > Cassette > DAT > CDR
Patched version of SHNID 3350 		 
581. 10/28/77 Soldiers & Sailors Memorial Hall - Kansas City, KS flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat; Transfer Info:Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
582. 10/29/77 Evans Field House, Northern Illinois University - DeKalb, IL flac16 Recording Info:SBD -> Master Reel -> PCM -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller  
583. 10/30/77 Assembly Hall - Bloomington, IN flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat -> Samplitude Professional v10.21 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version of source ID 99765  
584. 11/01/77 Cobo Arena - Detroit, MI flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller  
585. 11/02/77 Field House, Seneca College - Toronto, ON flac 16; Sick Bits Vol. 23 - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=14743) + AUD (shnid=81012). Matrixed by Chris Chappell.  
586. 11/04/77 Cotterell Gym, Colgate University - Hamilton, NY flac 16; SBD/AUD Matrix of 2 previously circulated seeds (SBD - shn ID #2595 & AUD - shn ID #15208); prepared by Chris Chappell  
587. 11/05/77 Community War Memorial Auditorium - Rochester, NY A:C:D:Cool Edit:CD recorded by Jerry Moore; Sony ECM-33Ps> Sony 158 via David Minches encoded by Sean Cribbs notes
588. 11/06/77 Broome County Arena - Binghamton, NY flac16; MR>PCM>DAT>HD>CDR>EAC>Flac level 8 via TLH  
589. 12/27/77 Winterland Arena - San Francisco, CA SBD>MR>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN (multigen); originally circulated by David Gans w/ thanks to S. Milewski for the patches  
590. 12/29/77 Winterland Arena - San Francisco, CA flac16; Reinhardt Holwein Audience Reel > ???? > DAT > CDR > EAC Secure Mode > WAV > FLAC  
591. 12/30/77 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat -> FLAC; Transfer Info: FLAC -> Samplitude Professional v11.2.1 -> FLAC; fixed version levels were increased approximately 14db; please do not circulate the original files; All Transfers and Mastering By Charlie Miller  
592. 12/31/77 Winterland Arena - San Francisco, CA Seamless fix of shn id 286 - SBD > Master Reel > DAT > CDR > EAC > SHN notes
593. 01/06/78 Swing Auditorium - San Bernardino, CA SBD: MC>RR>DAT>CD>EAC>DC5>CD Discs From Jools Elliott AUD patches from Noah Weiner AUD: MC>RR>DAT>CD Taper=Bob Menke - Sony ECM280s>Sony TC-158 CD Editing and Mastering by The Wizard - Owenbrothersvault@hotmail.com. notes
594. 01/07/78 Golden Hall, Community Concourse - San Diego, CA flac16; 2 Source Matrix by dusborne; Soundboard (shnid:17806) SBD>MC>R>D>CD>EAC>SHN patched with: AUD>?>CD>EAC>SHN final edits/encoding by JCotsman and Audience (shnid:89474) Source: audience recording on a Marantz pro cassette deck, don't recall the model) & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac; Transfer by: Pantagruel  
595. 01/08/78 Golden Hall, Community Concourse - San Diego, CA SBDMR > R > PCM > DAT > CD > EAC > SHN note: Jerry had laryngitis on this night and therefore he did not sing. d1t7 - cut in SBD cross faded with AUD/3 from 03:29 to 03:54 d2t5 - cut in SBD cross faded with AUD/3 from 01:00 to 07:12 EAC, SHN and cross fades by Noah Weiner - November, 2002  
596. 01/10/78 Shrine Auditorium - Los Angeles, CA flac16; Recording Info: SBD -> Cassette Master (Dolby B) -> FLAC (24bit/44.1k); Transfer Info: FLAC -> Samplitude Professional v11.1.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; the original files had a flaw in Wharf Rat (d3t02) notes
597. 01/11/78 Shrine Auditorium - Los Angeles, CA flac16; Matrix: Analog Aud: 2 x AKG D224E >> Sony TC-158SD  >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] and Analog SBD: SBD >> MSC (dolby C) >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > flac16  
598. 01/13/78 Arlington Theater - Santa Barbara, CA flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD  >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe  
599. 01/14/78 Bakersfield Memorial Auditorium - Bakersfield, CA flac16; source: aud > ??? > cdr > eac > wav > flac  
600. 01/15/78 Selland Arena - Fresno, CA mixed source: set 1: SBD> ?> C> SHN (low number of analog gens); set 2: AUD> MC> C> D> CD> EAC> SHN; Thanks to Hanno Bunjes, Chuck Kiefe; final edits/encoding by JCotsman. Additional material from the audience recording used for this source can be found here. notes
601. 01/18/78 Stockton Civic Auditorium - Stockton, CA SBD> MR> ?> D> CD> EAC> SHN; patched with AUD> MC> C> D> CD> EAC> SHN; technical problems with SBD (see caveat); Thanks to Mike Tausig and Jack Warner; edits/encoding by JCotsman notes
602. 01/22/78 McArthur Court, University Of Oregon - Eugene, OR flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Adam Egert  
603. 01/30/78 Uptown Theatre - Chicago, IL flac16; SBD -> Master Reel -> Dat -> CD -> FLAC Audio discs provided by Jim Wise Converted to FLAC By Charlie Miller  
604. 01/31/78 Uptown Theater - Chicago, IL flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Mastering By Charlie Miller  
605. 02/03/78 Dane County Coliseum - Madison, WI flac1648 Source Info: Master Audience Cassettes; AKG mics > unknown deck > 1st generation cassettes > Tim McKenzie's 2nd generation cassettes Transfer Info: 2nd generation cassettes (Nakamichi DR-1) > Tascam DA-300 (24/96 .wav) > Adobe Audition 2023 > TLH flac2496  
606. 04/06/78 Curtis Hixon Convention Hall - Tampa, FL flac16; Source: sbd > master reel > pcm; Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1; Lineage: wav > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick January 2018  
607. 04/08/78 Veterans Memorial Coliseum - Jacksonville, FL flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller  
608. 04/10/78 Fox Theater - Atlanta, GA flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T-> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
609. 04/11/78 Fox Theater - Atlanta, GA flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T-> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
610. 04/12/78 Cameron Indoor Stadium, Duke University - Durham, NC flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; fix of shind 106985  
611. 04/14/78 Cassell Coliseum, Virginia Polytechnic - Blacksburg, VA flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller  
612. 04/15/78 William & Mary Hall - Williamsburg, VA Recorded by Bob Wagner; Sony 54Ps> Sony TC-158, transferred and encoded by David Minches  
613. 04/16/78 Huntington Civic Center - Huntington, WV flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC by Charlie Miller  
614. 04/18/78 Civic Arena - Pittsburgh, PA Source: Shure SM57s>Sony TC-158 > MAC > DAT > CDR via Rauol Duke. shn encoding Matt Vernon  
615. 04/19/78 Veterans Memorial Hall - Columbus, OH flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
616. 04/21/78 Rupp Arena, University Of Kentucky - Lexington, KY flac16; Recording Info:SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
617. 04/22/78 Nashville Municipal Auditorium - Nashville, TN flac16; Recording Info:Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90);Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller  
618. 04/24/78 Horton Field House, Illinois State University - Normal, IL flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
619. 05/05/78 Thompson Arena, Dartmouth College - Hanover, NH flac16; Recording Info: SBD -> Reel Master -> Dat -> Data DVD; Transfer Info: Data DVD -> Samplitude Professional v11.2 -> FLAC; This is a remaster of shnid=112180; All Transfers and Mastering By Charlie Miller  
620. 05/06/78 Patrick Gymnasium, University Of Vermont - Burlington, VT flac16; Source: FOB Audience Recording (25th Row DFC) Media: Maxell UD-XLII C90 min / C60 min Lineage: Nakamichi CM300's > Sony 1535D (Dolby B on) > MAC Transfer: MAC > Nakamichi DR-1 (Dolby B off) > Benchmark ADC-1 > AES > Sound Devices 722 (24/96 WAV) Taper: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe  
621. 05/07/78 Field House, Rensselaer Polytechnic Institute - Troy, NY flac16; Source: Audience FOB Recording Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe  
622. 05/09/78 Onongada County War Memorial - Syracuse, NY flac16/48kHz; Cassette Audience Master recorded By Eddie Claridge; Sony ECM 280 Cardioid Condenser Microphones-Stand Mounted-Sony TC 158 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded Cassette Masters played back on Nakamichi Dragon-Sony PCM R-700 DAT (original A-D by J.W.); DAT Master played back on a Sony PCM R-500-Digital Audio Labs Card deluxe-16 bit 48KHz WAV; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise  
623. 05/10/78 Veterans Memorial Coliseum - New Haven, CT flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:03899) seeded by Mike Lai and Audience (shnid:18753) Set 1: Sony 54-Ps>Sony TCD158>CM>C>D>CD>EAC .093B>WAV>SHN; Set 2: Sony 54-Ps>Sony TCD158>CM>D>CD>EAC .093B>WAV>SHN; Transcribed by JR Fishman  
624. 05/11/78 Springfield Civic Center - Springfield, MA Recorded by Moore, Maisner, and Spitalny; Nak 700s> Nak 550> Sony TC-152 from the floor just to the right of the center Lineage: AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496> Cool Edit 2000> Feurio/mkwACT by David Minches  
625. 05/13/78 The Spectrum - Philadelphia, PA AudMC > DAT > WAV > SHN. Recorded by Steve Rolfe with two Sony ECM-33P's > Teac PC-10 deck left of center, about the 20th row. A > D and encoding by Noah Weiner.  
626. 05/14/78 Providence Civic Center - Providence, RI flac16; Recording Info:SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
627. 05/16/78 Uptown Theater - Chicago, IL flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones  
628. 06/04/78 Campus Stadium, UC Santa Barbara - Goleta, CA flac16; Master audience cassettes> Open Reel (Sony 153>Tandberg 9141) > DAT (Tandberg 9141>Tascam DA-20 @ 44.1kHz)  
629. 07/01/78 Arrowhead Stadium - Kansas City, MO flac16; Recording by Bob Wagner: Master Recording: 2 Sony ECM-54 Ps >Sony 158 1st Generation: Master played back on Sony 158> Nak 550 Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding  
630. 07/03/78 St. Paul Civic Center - St. Paul, MN flac16; Recording by Bob Wagner: Master Recording: 2 Sony ECM-54 Ps >Sony 158 1st Generation: Master played back on Sony 158> Nak 550 Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding  
631. 07/05/78 Omaha Civic Auditorium - Omaha, NE flac16; Recorded by Bob Wagner Master Recording: 2 Sony ECM-54 Ps >Sony 158 1st Generation: Master played back on Sony 158> Nak 550 Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding  
632. 07/07/78 Red Rocks Amphitheatre - Morrison, CO Fix of shnid 293 - SBD> MR> PCM > DAT; DAT> CD> EAC> SHN by Bill Tetzeli notes
633. 07/08/78 Red Rocks Amphitheatre - Morrison, CO flac16; Recording Info: SBD -> Master Reel -> PCM -> Roland SRC-2 -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
634. 08/30/78 Red Rocks Amphitheatre - Morrison, CO AUD>MC>DAT>CD; Seeded to Etree by T. Wiley notes
635. 08/31/78 Red Rocks Amphitheatre - Morrison, CO flac16; Recording Info: SBD -> Cassette Master (Maxell UDXLI-C90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
636. 09/02/78 Giants Stadium - East Rutherford, NJ flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
637. 09/13/78 Gizah Sound and Light Theater - Cairo, Egypt flac16; Source: Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; shn CD import > xACT for flac fingerprints and md5 verification > FLAC by Dave Schall  
638. 09/14/78 Gizah Sound and Light Theater - Cairo, Egypt flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC Transfered By Charlie Miller  
639. 09/15/78 Gizah Sound and Light Theater - Cairo, Egypt flac16; Recording Info: Set One: SBD -> Master Reel -> Cassette -> Dat (48k) Set Two: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller  
640. 09/16/78 Gizah Sound and Light Theater - Cairo, Egypt flac16; Matrix 3 Source Mix - SBD: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller (shnid 88314) AUD1: Lineage: 2 Nakamichi 700 cardioid mic's > Sony TCM 158 stereo cassette recorder > MAC (Maxell UDXL 2) > Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave > wavelab 5 > flac lvl 8 (tlh) (shnid 94548) AUD2: Unknown Mics -> Cassette Master -> ? -> Cassette > CR-5A > HD-p2 > 24/96 wave (no shnid) - matrix mixing by Kevin Tobin  
641. 10/17/78 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller  
642. 10/18/78 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller  
643. 10/20/78 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> Sony R500 (A>D Only) -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
644. 10/21/78 Winterland Arena - San Francisco, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)  
645. 10/22/78 Winterland Arena - San Francisco, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)  
646. 11/13/78 Music Hall - Boston, MA AUD>MC>DAT>CDR; Seeded to Etree by T. Wiley  
647. 11/14/78 Music Hall - Boston, MA AUD(Sony ECM-280?s)>MC>DAT>CDR; Seeded to etree by T. Wiley  
648. 11/16/78 Uptown Theater - Chicago, IL AUD(Nak CM-300's>Sony TC-158)>MC>R>CoolEdit>CDR; Seeded to etree by T. Wiley  
649. 11/17/78 Rambler Room, Loyola College - Chicago, IL sbd > ?? > shn; via Ernie Dodd; upgrade in circulation notes
650. 11/20/78 Cleveland Music Hall - Cleveland, OH flac16; Recording Info: Source 1: SBD -> ? -> Cassette -> Sound Devices 744T -> Samplitude Source 2: SBD -> Master Cassette -> Dat -> CD Source 3: Nakamichi 300 -> Reels? -> Dat -> CD Source 4: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller (This is an upgrade to source id 95244)  
651. 11/21/78 Community War Memorial Auditorium - Rochester, NY flac16; Lineage: SBD > ? > Cassettes Transfer: Maxell XL-II's > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC  
652. 11/23/78 Capital Centre - Landover, MD flac16; Recording Info: (FOB) Sony ECM250 -> Cassette Master (Maxell UD-XLII); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller  
653. 11/24/78 Capitol Theatre - Passaic, NJ flac16; Recording Info: WBCN Pre-FM -> Studer Console -> Master Reel -> Dat/0 (Sony ES/48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller  
654. 12/12/78 Jai-Alai Fronton - Miami, FL flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
655. 12/15/78 Boutwell Auditorium - Birmingham, AL AUD(Sony 54P?s)>MC>DAT>CDR; Seeded to etree by Tim W  
656. 12/16/78 Nashville Municipal Auditorium - Nashville, TN flac16; Recording Info: (FOB) Sony ECM250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: Dolby was used in the transfer of this source)  
657. 12/17/78 Fox Theater - Atlanta, GA ACM(Sony 54P's)>DAT>CDR; Seeded to etree by Tim W  
658. 12/19/78 Memorial Coliseum, Mississippi State Fairgrounds - Jackson, MS flac16; Sony 54-P/Sony TC-158; Master AUD Cass> DAT> CD> DAE> FLAC; taped by Bob Wagner; reported retransfer of the same original source as previous seed, with different flaws- see pub comments  
659. 12/27/78 Golden Hall, Community Concourse - San Diego, CA flac16; Source 1: speed corrected version of shnid 9480: SBD>MR>??>DAT>CDR; Source 2: AUD MR Taped by Greg Schug, 2 Neumann SM69 mics (shnid 21480); Source 3: AUD(Unknown)>?>CDR (shnid 9480)  
660. 12/28/78 Golden Hall, Community Concourse - San Diego, CA MAR (Taped by Greg Schug, 2 Neumann SM69 mics > Nagra 45 half track, on Maxell UD at 7.5 ips) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)  
661. 12/30/78 Pauley Pavilion, UCLA - Los Angeles, CA flac16; Matrix from: Soundboard (shnid:34261) Recording Info: SBD>Rm>Reel>Cass>Dat; Transfer Info: Dat(Sony R500)>Prodif Plus>Samplitude v6.0>SHN and Audience (shnid:19417) MAR (Taped by Greg Schug, 2 Neumann KM84 mics > Nagra 45 half track, on Maxell UD at 7.5 ips) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)  
662. 01/07/79 Madison Square Garden - New York, NY flac16; Recording by Bob Wagner: Nakamichi 300/CP1 -> Cassette Master (Maxell UDXL-II/Sony TC-158) (Set 2 has a Sennheiser 441 mixed in) All Transfers and Mastering By Charlie Miller  
663. 01/08/79 Madison Square Garden - New York, NY flac16; Recording by Robert Wagner: Nakamichi 300/CP1 -> Cassette Master (Maxell UDXL-II/Sony TC-158) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
664. 01/10/79 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16;Recording Info:(FOB) Sony 54P + (1) Sennheiser 441 -> Namakichi 550 -> Cassette Master (Sony TC-158SD/Maxell UDXLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded By Bob Wagner. upgrade of shnid# 77328  
665. 01/11/79 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; This version has a fixed He's Gone; All Mastering By Charlie Miller  
666. 01/12/79 The Spectrum - Philadelphia, PA Recording by E. Claridge: Split 30' on the balcony with Sony ECM-280 mics > Sony TC158: Transfer: FOB Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; ; Digital Remaster by J. Wise; via R. Donnelly, J. Kempka  
667. 01/14/79 Utica Memorial Coliseum - Utica, NY Taper unknown: (FOB) Nakamichi 300/CP1 -> Cm -> Cass -> Cass -> Cass -> Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN > WAV>Shntool(join)>ADWS>CD WAV>Shntool(check)>SHN(seekable) ; Via Charlie Miller ; Remastered by T. Wiley 07/16/2003.  
668. 01/15/79 Springfield Civic Center - Springfield, MA flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; All Mastering By Charlie Miller  
669. 01/17/79 Veterans Memorial Coliseum - New Haven, CT flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller  
670. 01/18/79 Providence Civic Center - Providence, RI flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller  
671. 01/20/79 Shea's Buffalo Theater - Buffalo, NY flac16; Source: FOB Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; Recorded by Eddie Claridge. Split 30' on the balcony with Sony ECM-280 mics > Sony tc158; EQ'd and turned up the volume with hard limiting, balancing the channels; noise reduction using the hiss from the beginning of disc 1 as a sample; numerous cuts between songs crossfaded to smooth out the flow  
672. 01/20/79 Shea's Buffalo Theater - Buffalo, NY flac16; Source: FOB Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; Recorded by Eddie Claridge. Split 30' on the balcony with Sony ECM-280 mics > Sony tc158; EQ'd and turned up the volume with hard limiting, balancing the channels; noise reduction using the hiss from the beginning of disc 1 as a sample; numerous cuts between songs crossfaded to smooth out the flow  
673. 02/09/79 Soldiers & Sailors Memorial Hall - Kansas City, KS 3 Nak CM-300's>Nak 550>MC>R>CDR>EAC>SHN; Seeded to etree by Glyde  
674. 02/10/79 Soldiers & Sailors Memorial Hall - Kansas City, KS flac16; Recording by Joani Walker: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: no Dolby was used in the transfer of this source)  
675. 02/11/79 Kiel Auditorium - St. Louis, MO AUD (3 Nak CM-300?s >Nak 550) > MC > R > CDR; via Raoul Duke, encoded by Matt Vernon  
676. 02/17/79 Oakland-Alameda County Coliseum - Oakland, CA flac16; Matrix 2 Source Mix - SBD (shn id 88123) SBD -> Master Reel -> ? -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shn id 105241) flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe - matrix mixing by Kevin Tobin  
677. 04/16/79 Studio Rehersal, Club Front - San Rafael, CA sbd> mr> dat> cd; DAE (EAC) by Chris Ladner, from Bear Greider seed; hosted by tol  
678. 04/22/79 Spartan Stadium, San Jose State University - San Jose, CA flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG d2243 >> Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rhineheart Holwein  
679. 05/03/79 Charlotte Coliseum - Charlotte, NC flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
680. 05/04/79 Hampton Coliseum - Hampton, VA Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon; upgrade now in circulation.  
681. 05/05/79 Baltimore Civic Center - Baltimore, MD flac16; Matrix with Soundboard (shnid:78748): Original Miller FLACs>WAV>Cool Edit 2k (using Pitch->Stretch functions correcting speed by 3%. Used Glassberg audience as baseline)>FLAC and Audience (shnid:89056): Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16  
682. 05/07/79 Allan Kirby Field House, Lafayette College - Easton, PA Recording by Barry Glassberg: Nak CM700, Sony 158SD . A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon  
683. 05/08/79 Recreation Hall, Penn State University - State College, PA Recording by Barry Glassberg: Nak CM700, Sony 158SD . A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon: upgrade now in circulation.  
684. 05/09/79 Broome County Arena - Binghamton, NY flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded by Steve Rolfe; All Transfers and Mastering By Charlie Miller  
685. 05/11/79 Billerica Forum - Billerica, MA Recording by Keith Gatto via Mark Cohen encoded by Matt Vernon  
686. 05/12/79 Alumni Stadium, University Of Massachusetts - Amherst, MA flac16; Recording by Barry Glassberg: MOTB 0034: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM300's > Sony 158SD > MAC 50ft. DFC Hand-Held Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick  
687. 06/28/79 Sacramento Memorial Auditorium - Sacramento, CA Recording by Reinhardt Hollwein: Sony ECM>Sony-158>Cass>Reel>CD; 'Minor' static/distortion in spots; All Over Now, Fire, Samson, Ship, NFA, Peter; via David Minches & Paul B; Seeded to etree by Willy  
688. 06/30/79 Portland International Speedway - Portland, OR flac16; Recording Info: (2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k); Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; Taped By Rob Eaton; All Transfers and Mastering By Charlie Miller  
689. 07/01/79 Seattle Center Coliseum - Seattle, WA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)  
690. 08/05/79 Oakland Auditorium Arena - Oakland, CA flac1648; Source and transfer info: Set 1 and Scarlet Begonias: Bear-sourced cassette. Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz. Set 2 starting at Fire on the Mountain: Anon sourced file (same mix as Bear tape) upsampled to 96kHz to match Bear source
Recorded by Augustus Owsley Stanley III (aka Bear)
Transferred (July 2022) and mastered by Jim Blackwood
Speed/pitch adjusted by Jason Chastain
Minor repairs, track, FLAC, and pack by Steve Gravel 		 
691. 08/13/79 McNichols Sports Arena - Denver, CO flac16; Recording Info: Set 1: SBD -> Cassette Master -> Dat (48k); Set 2: SBD -> Reel Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
692. 08/14/79 McNichols Sports Arena - Denver, CO flac16;Recording Info:(2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k) Recorded by Rob Eaton; Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
693. 08/31/79 Glens Falls Civic Center - Glens Falls, NY flac16; 2 source matrix by dusborne; Soundboard (shnid:92924), Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k),Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 ->Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller; Audience (shnid:9973)AUD(Nak 300?s)>MC>DAT>CDR>EAC>SHN  
694. 09/01/79 Holleder Memorial Stadium - Rochester, NY master SBD cassette (Dolby B) > cassette (Dolby C) > TC 2000 @ 24 bits > HHb 830 Patched wtih AUD>MC>DAT>CDR. Encoding and patching Ernie Dodd. SBD source from David Gans via Zeb Weber.  
695. 09/02/79 Augusta Civic Center - Augusta, ME flac16; Source: (FOB) Nakamichi 700 > Sony TC-D5M > Cassette Master (Maxell UDXL-II) - Recorded by Bob Wagner; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz - Conversion by Charlie Miller: DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017; This file set is 16 bit 44.1  
696. 09/04/79 Madison Square Garden - New York, NY Recording by Barry Glassberg: FOB (14th row center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR; Hosted by Candyman.etree.org  
697. 09/05/79 Madison Square Garden - New York, NY flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16)  
698. 09/06/79 Madison Square Garden - New York, NY Recording by Barry Glassberg: FOB (14th row center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR; Hosted by Candyman.etree.org  
699. 10/24/79 Springfield Civic Center - Springfield, MA Recording by Steve Rolfe: Sony D5 w/ nak 700's Lineage: AUDMC > DAT > WAV(48K) > SHN AUDMC > DAT by David Minor. DAT > WAV transfer by Marc Pujol. SHN encoding by Matt Vernon  
700. 10/25/79 Veterans Memorial Coliseum - New Haven, CT flac16; Recording Info:(2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k)-Recorded by Rob Eaton;Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
701. 10/27/79 Cape Cod Coliseum - South Yarmouth, MA flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
702. 10/28/79 Cape Cod Coliseum - South Yarmouth, MA flac16; Recording Info: SBD -> Master Cassette -> Dat; Transfer Info: Dat -> Adobe Audition v3.0 -> Samplitude Professional 11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
703. 10/31/79 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16; SBD and Audience Matrix Mix  
704. 11/01/79 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)  
705. 11/02/79 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)  
706. 11/04/79 Providence Civic Center - Providence, RI SB>MR>Dick Latvala's cass>DAT>CD>EAC>minor editing>.shn & CD-R; Reported upgrade to previous shn set; see info file for details; Timings are the same; via Alasdair Macdonald notes
707. 11/05/79 The Spectrum - Philadelphia, PA flac16; Unknown Taper; Recorded with 3 Nak 300s> Nak 550 2nd Generation Audience Cassette provided by Gordon Sharpless Transfer and FLAC encoding by David Minches: 2nd Generation Cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding  
708. 11/06/79 The Spectrum - Philadelphia, PA flac16; Source: SBD > Nakamichi 550 > Cassette > Cassette. Transfer: Cassette > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.  
709. 11/08/79 Capital Centre - Landover, MD This shn set combines into a single seed the set 1 and set 2 shn sets previously seeded to etree as singles; see info file for details; seeded to etree via D Litfin; edits/encoding by D Litfin; updated source: both sets SBD> Cm> Cass> Dat> Sound Forge> CD (including digital noise reduction) [Had been marked SDB> MR> D> CDR] : upgrade now in circulation notes
710. 11/09/79 Community War Memorial Auditorium - Buffalo, NY flac16; SBD> Cm> Cass> Dat> Sound Forge> CD > WAV > SHN > WAV > FLAC - Fix of shn id 318. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details  
711. 11/10/79 Crisler Arena - Ann Arbor, MI Master Soundboard Cassette > Reel to Reel > DAT> CDR, with AUD patches (see notes); via Scott Clugston; to abgd  
712. 11/23/79 Golden Hall, Community Concourse - San Diego, CA flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Mastering Info: Audition CC 2015 -> Samplitude Pro 11.2.1 -> FLAC; All Mastering By Charlie Miller  
713. 11/24/79 Golden Hall, Community Concourse - San Diego, CA flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)  
714. 11/25/79 Pauley Pavilion, UCLA - Los Angeles, CA flac16; Analog Audience Source: Master Cassettes [FOB, 60' from stage] (MAC) Medium Stock Brands: MAC = Maxell UD XL II Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe  
715. 11/29/79 Cleveland Public Hall - Cleveland, OH flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid 29421  
716. 11/30/79 Stanley Theatre - Pittsburgh, PA flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid 29424  
717. 12/01/79 Stanley Theatre - Pittsburgh, PA flac16; Sick Bits Vol. 15: SBD/AUD Matrix[SBD: (shnid=29429) AUD: (shnid=31330)] via Chris Chappell  
718. 12/03/79 Uptown Theater - Chicago, IL flac16; 2 source matrix by dusborne; Soundboard (shnid:29434), Recording Info: Set 1: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Set 2: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: Set 1: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC; Set 2: CD -> EAC -> Samplitude Professional v8.0 -> FLAC, Transferred and Edited By Charlie Miller and Audience (shnid:83611),Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC * from 1st generation cassette from same master; master played back on Nak 550> Nak 250  
719. 12/04/79 Uptown Theatre - Chicago, IL flac16; 2 source matrix by dusborne;Soundboard (shnid:34937), Master Soundboard Cassette -> Cassette -> DAT -> CD -> EAC -> SHN; Audience (shnid:83593), Recording by Ira Frisch:Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550Transfer and FLAC encoding by David Minches:Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding  
720. 12/05/79 Uptown Theater - Chicago, IL flac16:Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/couple areas of EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)  
721. 12/07/79 Indiana Convention Center - Indianapolis, IN (3) Nak 300>Cm>Reel>CD shn'd by Charlie Miller : same source as shnid 9114  
722. 12/09/79 Kiel Auditorium - St. Louis, MO flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid=27751  
723. 12/10/79 Soldiers & Sailors Memorial Hall - Kansas City, KS flac16; Recording by Joani Walker: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
724. 12/11/79 Soldiers & Sailors Memorial Hall - Kansas City, KS flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550) -> Cassette (Sony D5); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Remaster of shnid 89165  
725. 12/26/79 Oakland Auditorium Arena - Oakland, CA flac16; Recording by Joani Walker (Soundcheck by David Gans): Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
726. 12/27/79 Oakland Auditorium Arena - Oakland, CA Recording by Steve Rolfe: Master Audience Cassette; Nakamichi CM700 mics > Sony TC-158 cassette deck > DBX encoded Reel to Reel > DBX decoded > Panasonic SV3700 DAT > CDR; EAC'ed / SHN'ed by Scott Clugston : upgrade now in circulation  
727. 12/28/79 Oakland Auditorium Arena - Oakland, CA flac16;Recording Info:Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> Adobe Audition v1.5 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller; Remaster of shnid 89273  
728. 12/30/79 Oakland Auditorium Arena - Oakland, CA Recording by Steve Rolfe: Nak 700's > d5 > DAT > cdr via Dave Minor, encoding Matt Vernon  
729. 12/31/79 Oakland Auditorium Arena - Oakland, CA flac16; SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko (original shn 17281) - patches and pitch correction by Kevin Tobin  
730. 01/13/80 Oakland-Alameda County Coliseum - Oakland, CA flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
731. 03/30/80 Capitol Theater - Passaic, NJ flac16; MTX; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe Sbd Source: 27752 flac16; SBD> Cassette Master> Dat, plus patch from FOB Nak 700> Cass; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller  
732. 04/01/80 Capitol Theater - Passaic, NJ flac16; FOB Master Cassettes MAC = 3 x Maxell XLII C90, 1 x x Maxell XLII C60; 2 x Nakamichi CM700 => Sony TC-D5M >>MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe  
733. 04/28/80 Boutwell Auditorium - Birmingham, AL flac16 Recording by Barry Glassberg: MOTB Release: 0040 16/44.1 Source: Master Audience Recording [1st Row Loge, DFC] Media: MAC = Maxell UD XL II C90 Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV [24/96] Taped by: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe  
734. 04/29/80 Fox Theater - Atlanta, GA flac16 Recording by Barry Glassberg; MOTB Release: 0041 16/44.1 Source: Master Audience Recording [Loge, Row AA, Seat 101] Media: MAC = Maxell UD XL II C90 Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV [24/96] Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Koucky  
735. 05/01/80 Greensboro Coliseum - Greensboro, NC Recording by Barry Glassberg: possible reshn or reDAE by unIDed person, of Jamie's version: FOB (Nakamichi 700)> Master Cassette (Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1>; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII; CD>SHN: EAC (see info)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; d2 tracked for 80 min; to abgd; upgrade in circulation  
736. 05/02/80 Hampton Coliseum - Hampton, VA Recordings by John Hance and Jim Wise: Mixed Source AUD: FOB (NAK 700 (set 1, John Hance) & AKG 1000E (set 2, Jim Wise))> Master Cassette (Sony TC-D5); Master Cassette (Nakamichi Dragon)> A/D Conversion via Sony R700> COAX to ZA2> Soundforge> MASTER CDR> EAC in Secure Mode> Soundforge> CD WAV> SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD> SHN by Jamie Lutch; via Tim L. to etrade offer; QC courtesy dankseeds; see info file for listening notes etc  
737. 05/04/80 Baltimore Civic Center - Baltimore, MD flac16; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0037. A fixed version now circulates  
738. 05/06/80 Recreation Hall, Pennsylvania State University - State College, PA flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor; Recorded by Bob Morris. Transfer (6/09) & edit / patch (9/10) by Bob Morris  
739. 05/07/80 Barton Hall, Cornell University - Ithaca, NY SBD> Cassette Master> Reel> Dat> CD> EAC> SHN; Converted By Charlie Miller notes
740. 05/08/80 Glens Falls Civic Center - Glens Falls, NY flac16; 3-Nak 700 Shotguns > Superscope CD-320 > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche  
741. 05/10/80 Hartford Civic Center - Hartford, CT flac16; Recording Info: (3) Nakamichi CM700 Shotguns -> Namakmichi 550 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller  
742. 05/11/80 Cumberland County Civic Center - Portland, ME flac16; SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller. This is a repatch and remaster of shn id 13087  
743. 05/12/80 Boston Garden - Boston, MA flac16 Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller; this source has a patch in a cut in d2t09 of the previous Miller source (source ID 91931)  
744. 05/14/80 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16; Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor; Recorded by Bob Morris (from a not-so-good location -- sorry)  
745. 05/15/80 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16;Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> 16/44.1  
746. 05/30/80 Milwaukee Auditorium - Milwaukee, WI flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones  
747. 06/05/80 Compton Terrace Amphitheatre - Tempe, AZ flac16; Source: (FOB) Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLI); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor  
748. 06/07/80 Folsom Field, University Of Colorado - Boulder, CO flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones  
749. 06/08/80 Folsom Field, University Of Colorado - Boulder, CO flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones  
750. 06/13/80 Seattle Center Arena - Seattle, WA Master Audience Cassette; AKG SE-5 mics w/CE-1 cardioid capsules> Sony TC-D5> DAT> CDR; CD Mastering, Shn'ed by Scott Clugston notes
751. 06/19/80 West High Auditorium - Anchorage, AK flac16;Recording Info:SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Cassette Masters Supplied by Richard Hale; Transferred to CD By David Gans; Additional Mastering By Charlie Miller  
752. 06/20/80 West High Auditorium - Anchorage, AK flac16;Recording Info:SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Cassette Masters Supplied by Richard Hale; Transferred to CD By David Gans; Additional Mastering By Charlie Miller  
753. 06/21/80 West High Auditorium - Anchorage, AK flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)  
754. 06/29/80 Pauley Pavilion, UCLA - Los Angeles, CA flac16; Recorded by Mason Taylor; set one master tape; set two first generation safety copy  
755. 07/01/80 San Diego Sports Arena - San Diego, CA sbd>?>dat; there are splices from an unknown source at Althea and also for the encore; Seeded to etree by Brian Cole notes
756. 08/19/80 Uptown Theater - Chicago, IL flac16; Recording Info: Set 1: SBD -> Cassette Master -> ? -> Cassette Set 2: SBD -> Cassette Master -> ? -> Dat (48k) Transfer Info: Set 1: Cassette -> Apogee MiniMe -> Samplitude Professional v9.11 -> FLAC Set 2: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller  
757. 08/20/80 Uptown Theater - Chicago, IL flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones  
758. 08/21/80 Uptown Theater - Chicago, IL flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
759. 08/24/80 Grand Center - Grand Rapids, MI flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones  
760. 08/26/80 Cleveland Public Hall - Cleveland, OH sbd-> cassette-> unknown digital xfer(s)-> Sonic-> CD-> CD-> EAC-> SHN Note: Beginning gap in Don't Ease Me In patched by David Gans using a piece of the chorus in. This is not a "new" source notes
761. 08/29/80 The Spectrum - Philadelphia, PA flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller  
762. 08/30/80 The Spectrum - Philadelphia, PA flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller  
763. 09/02/80 Community War Memorial Auditorium - Rochester, NY flac16; Matrix: 60% sbd/40% aud Recording Info: Discs 1 & 2: SBD -> Cassette Master -> ? -> Cool Edit Pro -> FLAC Disc 3: SBD -> Cassette Master -> Dat -> Sonic Solutions -> CD Encore: (FOB) Nakamichi 300/CP1 -> Cassette Master -> Dat -> CD Transfer Info: WAV -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller and FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Nakamichi 550 > Maxell XLII 90's, mics on stand FOB, taped by Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F.  
764. 09/03/80 Springfield Civic Center - Springfield, MA sbd.healy.dlseries#7.flac  
765. 09/06/80 State Fairgrounds - Lewiston, ME flac24; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XL-II 90's. Mics on stand FOB, near the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F. 09/2009  
766. 09/25/80 Warfield Theater - San Francisco, CA flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp  
767. 09/26/80 Warfield Theater - San Francisco, CA flac16; Recording Info: SBD -> ? -> FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
768. 09/27/80 Warfield Theater - San Francisco, CA flac16; Recording by Joani Walker: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
769. 09/29/80 Warfield Theater - San Francisco, CA SBD > MC > C > DAT > CD > EAC > SHN; To Lay Me Down patched with current AUD source; EAC/SHN by Darryl Hinko notes
770. 09/30/80 Warfield Theater - San Francisco, CA flac16; Recording by Ron Ellner. Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and seeded by Bill Koucky; Green Mountain Bros. January 2008.  
771. 10/02/80 Warfield Theater - San Francisco, CA flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700’s > Sony TC D-5 > Teac Reel > Transfer to PC tracked & burned to CD Location: FOB either on the floor or 1st row balcony CD Extraction with EAC > TLH > FLAC level 8 Recorded and archived by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Peter Mandell CD Extraction and seeded by Bill Koucky Green Mountain Bros. December 2007  
772. 10/03/80 Warfield Theater - San Francisco, CA flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700’s > Sony TC D-5. Location: FOB either on the floor or 1st row balcony 1st Generation copy to Teac Reel to Reel. Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD. CD Extraction: EAC > TLH > FLAC level 8. Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino. CD Extraction and seeded by Bill Koucky. Green Mountain Bros. December 2007. notes
773. 10/04/80 Warfield Theater - San Francisco, CA complete SBD>?>CDR>EAC>Cool Edit(minor cleanup, normalization)>CDWAV(tracking)>mkwact(seekable) via Joey Browning, Steve Blanchard notes
774. 10/06/80 Warfield Theater - San Francisco, CA flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700s > Sony TC D-5. Location: FOB either on the floor or 1st row balcony. 1st Generation copy to Teac Reel to Reel. Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD. CD Extraction with EAC > TLH > FLAC level 8. Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino. CD Extraction and seeded by Bill Koucky; Green Mountain Bros. December 2007.  
775. 10/07/80 Warfield Theater - San Francisco, CA flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700s > Sony TC D-5M. Location: FOB either on the floor or 1st row balcony. 1st Generation copy to Teac Reel to Reel. Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD. CD Extraction with EAC > TLH > FLAC level 8. Masters Recorded by Ron Ellner and archived to Reels by Peter Mandell, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino. CD Extraction by Bill Koucky. Green Mountain Bros. December 2007. notes
776. 10/09/80 Warfield Theater - San Francisco, CA flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit viadBpweramp  
777. 10/10/80 Warfield Theater - San Francisco, CA flac16; SBD/AUD Matrix of 3 previously circulated seeds; prepared by Chris Chappell  
778. 10/11/80 Warfield Theater - San Francisco, CA flac16; Recorded by Ron Ellner. Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and seeded by Bill Koucky; Green Mountain Bros. January 2008. notes
779. 10/13/80 Warfield Theater - San Francisco, CA flac16; sbd composite upgrade by Alan Bershaw; see info file for details  
780. 10/14/80 Warfield Theater - San Francisco, CA flac16; Recorded by Ron Ellner. Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > WaveLab (edits) > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and edits by Bill Koucky. Green Mountain Bros. January 2008.  
781. 10/18/80 Saenger Performing Arts Center - New Orleans, LA flac16; Recording Info: SBD -> Cassette Master -> Dat -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
782. 10/19/80 Saenger Performing Arts Center - New Orleans, LA flac16/48kHz; s1 described as aud, s2 and s3 described as fob aud cas> R2; see info file for details; Transfer: trade dats at 48k > m-audio audiophile 2496 > cooledit2000 > 48k wav > flac  
783. 10/22/80 Radio City Music Hall - New York, NY flac16; Lodge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0 Tracked in Audacity 2.0 by dusborne  
784. 10/23/80 Radio City Music Hall - New York, NY flac16; Loge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0 ; Tracked in Audacity 2.0 by dusborne  
785. 10/25/80 Radio City Music Hall - New York, NY flac16; Recording Info: Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller  
786. 10/26/80 Radio City Music Hall - New York, NY flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)  
787. 10/27/80 Radio City Music Hall - New York, NY flac16; Recording Info: Sennheiser 441 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Taped By Jim Wise; All Transfers and Mastering By Charlie Miller  
788. 10/29/80 Radio City Music Hall - New York, NY flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Taped By Jim Wise; All Transfers and Mastering By Charlie Miller  
789. 10/30/80 Radio City Music Hall - New York, NY flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded by Jim Wise; All Transfers and Mastering By Charlie Miller  
790. 10/31/80 Radio City Music Hall - New York, NY flac16; Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN; Electric: MSR>R>C>DAT>WAV>SHN; Edits: SHNs > WAV > Cool Edit 2000/Cool Edit Pro > shntool > FLAC Edited and seeded by Bill Tetzeli  
791. 11/26/80 The Sportatorium - Pembroke Pines, FL flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
792. 11/28/80 Lakeland Civic Center - Lakeland, FL flac16; Matrix 2 Source Mix - SBD (shn id 20049) Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Encoding/patching by Matt Vernon + AUD (shn id 89932) Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky - matrix mixing by Kevin Tobin  
793. 11/29/80 Alligator Alley Gymnasium, University Of Florida - Gainesville, FL flac16; AUD: Unknown mics > unknown lead deck > Sony TC-D5 > TDK-SA (1st Set) and Maxell XLII (2nd Set), recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2015  
794. 11/30/80 Fox Theater - Atlanta, GA flac16; Source: Matrix (SBD/AUD mix) Ratio ~ Phi SBD: (shnid=2416): Source: MSC>Reel>DATs>CDRs>EAC>SHN (Through Scarlet>Fire only), AUD1: 24 bit (set 1 only) Recording Info: Taped by Dr. Bob Wagner Nakamichi 700s (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B), and AUD2: 24 bit (shnid=90530) (Scarlet>Fire only) AUD3: 16 bit (shnid=90497) (rest of the show - no matrix) Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Matrixed by Chris Chappell  
795. 12/06/80 Mill Valley Recreation Center - Mill Valley, CA Betty Cantor-Jackson's Master Audience Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston notes
796. 12/12/80 Swing Auditorium - San Bernardino, CA flac16; Recording Info: SBD -> Cassette Master -> ? -> Cassette Transfer Info: Cassette (Nak CR7A) -> Dat (Sony R500/SBM On) Transferred By Neil Sturtevant Dat (Sony D8) -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC; Transferred and Remastered Charlie Miller  
797. 12/13/80 Long Beach Arena - Long Beach, CA flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller  
798. 12/14/80 Long Beach Arena - Long Beach, CA flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones  
799. 12/27/80 Oakland Auditorium Arena - Oakland, CA flac16; Recording by Joani Walker: Nakamichi 300/CP4 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
800. 12/28/80 Oakland Auditorium Arena - Oakland, CA flac16; Soundboard, unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8 and checksums and tagged with xACT; Editing and Mastering by Jamie Waddell in Wavelab 7.1  
801. 12/30/80 Oakland Auditorium Arena - Oakland, CA Recording by Steve Rolfe: AUD (nak 300's)>MC>DAT>CD; via Paul B; Seeded to etree by Willy notes
802. 12/30/80 Oakland Auditorium Arena - Oakland, CA flac16; Soundcheck Recording Info: Sennheiser 421 -> Cassette Master -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
803. 12/31/80 Oakland Auditorium Arena - Oakland, CA flac16; SBD master cassette > cassette; Nak Dr-1 > Lynx2 Studio Interface at 32 bit float 88.2 kHz  
804. 02/28/81 Uptown Theater - Chicago, IL flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell  
805. 03/02/81 Cleveland Music Hall - Cleveland, OH flac16; Recording by Mason Taylor and Mark Radnor: : NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer: Cassette Master > HHB Porta-a-DAT DAT Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing Info- Wavelab 6.0 using Ozone and L2 for dither  
806. 03/03/81 Cleveland Music Hall - Cleveland, OH flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> AIFF -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; Upgrade in circulation  
807. 03/07/81 Cole Field House, University Of Maryland - College Park, MD flac16; Recording by Barry Glassberg; MOTB-0008 Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner  
808. 03/09/81 Madison Square Garden - New York, NY flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16>AIFF>Final Cut>WAV>FLAC16)  
809. 03/10/81 Madison Square Garden - New York, NY flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)  
810. 03/13/81 Utica Memorial Auditorium - Utica, NY flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding  
811. 03/20/81 Rainbow Theatre - London, England flac16: Soundcheck Source: AUD cassette (Unknown equipment & lineage). Tape kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 1644 Tagged, May 2011.  
812. 03/20/81 Rainbow Theatre - London, England flac16; master soundboard cassettes > Nak Dr-1 > Lynx2 Studio Interface 24 bit 48kHz. Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz MetaData with Tag and Rename TLH for FLAC Level 8 SBE FREE Seeded on The Winter Solstice 2009 (Note: The original 12-21-2009 version of this source had flaws and should not be circulated.)  
813. 03/23/81 Rainbow Theatre - London, England AUD > MC > C > Nakamishi DR1 > SB!Live > WaveLab > CDWave > shn MC: Sony TC D5M, dolby B, TDK MA C90, Sennheiser 406T C/1: TDK SA-C90, dolby B via Bernd Weiskircher  
814. 03/24/81 Rainbow Theatre - London, England AUD > MC > C > SB!Live > CD > EAC > WaveLab > shn MC: Sony TC D5M, dolby B, metal-cassettes, Sennheiser 406T C/1: Maxell XL II C90, dolby B, Nakamishi DR1; Seeded to etree by Bernd Weiskircher  
815. 03/28/81 Grugahalle - Essen, Germany flac16; FM (live broadcast) > Revox A76 Tuner > Revox A77 (1/2 track, 3 1/2 ips, TDK LX 35) March 2007: TDK LX 35 > Revox A77 > Audiophile 2496 > WaveLab > CDWave > Flac frontend  
816. 05/01/81 Hampton Coliseum - Hampton, VA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)  
817. 05/02/81 The Spectrum - Philadelphia, PA flac16; 2 source matrix by Dusborne; Soundboard (shnid:30152) Recording Info: SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat; Transfer Info: Dat (Fostex D5) -> Audiophile 2496 -> Samplitude v7.02 Professional -> FLAC,Transferred By Joe Samaritano,Patched and Edited By Charlie Miller; Audience (shnid:134759)Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder, Location: Soundboard,Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo])Korg AudioGate-WAV[24/96],Recording,Editing & Processing by Jim Wise,Transfer by David Minches  
818. 05/04/81 The Spectrum - Philadelphia, PA flac16; 1st Gen (FOB) 2 x Nakamichi 700 [on a stand] > Sony D5 > MAC > TDK MA90 (Set I) and Maxell XLII 90 (Set II). Taper: Nick Milner. 1st gen audience cassettes graciously provided by Mark McCue. Transferred and mastered by Alex Ford February 2008.  
819. 05/05/81 Glens Falls Civic Center - Glens Falls, NY flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony D5, maxell ud-xlII90’s, dolby b; floor, near sound board; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger  
820. 05/06/81 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16; Recording by Jim Wise. Sennheiser 421's > Sony TC-D5, set up near the soundboard. Taped and transferred (MAC > CD) by Jim Wise. Transfer: MAC > CD (likely equipment: Nakamichi Dragon > HHB CDR burner). CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC, by Andrew F  
821. 05/08/81 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16; MATRIX MIX: SBD/2 AUD (About 60%/40%)  
822. 05/09/81 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16; MATRIX MIX: 1 SBD/2 AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) June 10, 2008  
823. 05/11/81 Veterans Memorial Coliseum - New Haven, CT flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)  
824. 05/12/81 Veterans Memorial Coliseum - New Haven, CT flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
825. 05/13/81 Providence Civic Center - Providence, RI flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 86780 & 136724.  
826. 05/15/81 Athletic Center, Rutgers University - Piscataway, NJ flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller  
827. 05/16/81 Barton Hall, Cornell University - Ithaca, NY flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Soundtrack > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)  
828. 07/04/81 Manor Downs - Austin, TX flac16; Recording Info:SBD -> Cassette Master -> Dat (48k); Transfer Info: Dat -> Samplitude Professional 11.1 -> Adobe Audition v3.0 -> FLAC; Transferred By Joe Samaritano; Mastered By Charlie Miller  
829. 07/07/81 Kansas City Municipal Auditorium Arena - Kansas City, MO flac16; Matrix 60% sbd/40% aud SBD -> Cassette Master -> Reel -> Dat (shnid 109850) and Aud (Neumann KMi84's)>MC>DAT>CD (shnid 13962)  
830. 07/08/81 Kiel Auditorium - St. Louis, MO flac16; AUD: Nakamichi CM300's > lead deck > Sony TC-D5 > Maxell XLII's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2015  
831. 07/10/81 St. Paul Civic Center - St. Paul, MN flac16; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony D5) -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller  
832. 08/14/81 Seattle Center Coliseum - Seattle, WA flac16; Recorded by Mark Severson; 3 Nak 700s with 2 carcoid, center omni head> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded 45' from stage center Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding  
833. 08/16/81 McArthur Court, University Of Oregon - Eugene, OR flac16; AUD: Nakamichi CM300/CP4 shotguns > lead Sony D5 > Sony TC-D5M > Maxell MX-90's, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2016  
834. 08/28/81 Long Beach Arena - Long Beach, CA flac16; Recording Info: SBD -> Cassette Master -> ? -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional 11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
835. 08/30/81 Compton Terrace Amphitheatre - Tempe, AZ flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller  
836. 09/11/81 Greek Theatre, University Of California - Berkeley, CA flac16; Recorded, Transferred and Mastered by N. Hoey (tagged version)(flac16); 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(TDK SA-X C 90)(FOB center) Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing, sample rate conversion, dithering) > xACT (flac-tagging)  
837. 09/12/81 Greek Theatre, University Of California - Berkeley, CA flac16;Recording Info:Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Bob Wagner; All Transfers and Mastering By Charlie Miller  
838. 09/13/81 Greek Theatre, University Of California - Berkeley, CA flac16; Set 1: SBD -> Cassette Master -> ? -> Cassette -> Sound Forge -> CD Set 2: SBD -> Cassette Master -> Cassette All Transfers and Mastering By Charlie Miller  
839. 09/26/81 Community War Memorial Auditorium - Buffalo, NY flac16; Sick Bits Vol. 10 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 18110, and AUD - SHN ID# 12554); edited and transfered by Chris Chappell  
840. 09/27/81 Capital Centre - Landover, MD flac16; Recording Info: SBD -> Cassette Master -> PCM -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
841. 10/03/81 Rainbow Theatre - London, England flac16; Recording Info: SBD -> Cassette Master -> Dat Transfer Info: Dat (Sony R500) -> Samplitude Professional v10.22 -> Cool Edit Pro v2.0 -> FLAC ; All Transfers and Mastering By Charlie Miller  
842. 10/04/81 Rainbow Theatre - London, England flac16; Source: SBD > ? > Cassette, kindly provided by Seaweed1010 & Bernie Brown. Transfer: Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. Januray 2012  
843. 10/06/81 Rainbow Theatre - London, England flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v10.22 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller  
844. 10/08/81 Forum Theater - Copenhagen, Denmark flac16; Recording and transfer info SBD > CM > C; C > Pioneer deck > wav > Sound Forge 10 > TLH > flac  
845. 10/12/81 Olympia Halle - Munich, Germany flac16/48kHz; Master Soundboard Cassettes > Dick Latvala's 1st generation cassettes (Tascam 122mkIII)> Rob Eaton's 2nd generation cassettes (Nakamichi Dragon) > Rob Eaton's Dat (Panasonic SV-3800)(16-bit/48k) > Tim Dalton's Dat (16-bit/48k) Transfer Info: Dat (Sony PCM-R500)(16-bit/48k)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/48k) > Adobe Audition 3.01 > TLH flac1648  
846. 10/13/81 Walter Koebel Halle - Russelsheim, Germany flac16; Recording and transfer info: SBD > MC > C > C (Maxell XL II) C > Pioneer deck > wav > Sound Forge 10 > TLH > flac  
847. 10/16/81 Club Melk Weg - Amsterdam, Netherlands flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)  
848. 10/17/81 The Hippodrome - Paris, France flac16; SBD: MC > DAT > CDR; seamless fix of shn id 7915 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details  
849. 10/19/81 Sports Palace - Barcelona, Spain flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD -> EAC -> SHN; Transfer Info:SHN -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
850. 11/30/81 Hara Arena - Dayton, OH flac16;Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k). Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC. All Transfers and Mastering By Charlie Miller  
851. 12/02/81 Assembly Hall, University Of Illinois - Champaign, IL flac16;Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k). Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC. All Transfers and Mastering By Charlie Miller  
852. 12/03/81 Dane County Coliseum - Madison, WI flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
853. 12/05/81 Market Square Arena - Indianapolis, IN flac16; Recording Info: Unknown Audience Recording From Jim Wise -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller  
854. 12/06/81 Rosemont Horizon - Rosemont, IL flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
855. 12/09/81 Events Center, University Of Colorado - Boulder, CO flac16; SBD -> Master Reel (7 inch Reel @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller  
856. 12/12/81 Fiesta Hall, San Mateo County Fairgrounds - San Mateo, CA flac16/48kHz; Source Info: Master Audience Cassettes; Nakamichi CM300 mics with CP4 capsules > Sony TC-D5M (dbx)> Frank Streeter's 1st generation (dbx decoded) cassettes (Sony TC-D5M)(Maxell UDXLII-C90); Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k) > Adobe Audition 3.01 (.wav 24-bit/96k) > TLH flac2496; 24-bit > 16-bit via dBpoweramp  
857. 12/26/81 Oakland Auditorium Arena - Oakland, CA flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette -> LynxOne -> CD Set 2: SBD -> Cassette Master (Maxell UDXLII-90) Set 1 Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC Set 2 Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; note: this version has the 2 drop outs in shn id 83996 d3t02 fixed  
858. 12/27/81 Oakland Auditorium Arena - Oakland, CA flac16; Recording Info: SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Dolby B) -> Sonic 24bit -> SBM2 -> CD -> EAC -> FLAC Transferred and Mastered By David Gans Converted To FLAC By Charlie Miller Thanks to Joani Walker and Paul Scotton for the tapes  
859. 12/30/81 Oakland Auditorium Arena - Oakland, CA flac16; SBD>MC>DAT>CD>SHN>TLH>FLAC patched with: D2T01 Unknown Aud>MC>?>C>Sony TC-KE500S>TheCard>CoolEdit>TLH>FLAC and D2T02-3 SBD>Cm>C>C>C>C>Sony TC-KE500S>TheCard>CoolEdit>TLH>FLAC  
860. 12/31/81 Oakland Auditorium Arena - Oakland, CA flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller (This has fixed levels on d3t02, d3t03 and d3t04 of the previous source.)  
861. 02/17/82 Warfield Theater - San Francisco, CA flac16;Recording Info:Set 1: SBD -> Cassette Master (TDK MA-R90); Set 2: SBD -> Cassette Master -> Cassette (Dolby C); Transfer Info:Set 1: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> FLAC/16; Set 2: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> FLAC/16; All Transfers and Mastering By Charlie Miller  
862. 02/20/82 Golden Hall, Community Concourse - San Diego, CA flac16; Recording Info: (FOB/6th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji FeCr Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller  
863. 02/21/82 Pauley Pavilion, UCLA - Los Angeles, CA Sbd> cassette > dat> cdr> Eac > cool edit pro > shntool > cdwav > shnv3; eac > shnv3 (secure with proper offsets) by Ernie Dodd; Discs kindly provided by Mark Horvath notes
864. 04/02/82 Cameron Indoor Stadium, Duke University - Durham, NC flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Hitachi ME Metal C-90s, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2016  
865. 04/03/82 The Scope - Norfolk, VA flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony TC-D5M/Maxell XLIIS/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Bob Wagner  
866. 04/06/82 The Spectrum - Philadelphia, PA flac16;Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
867. 04/09/82 Community War Memorial Auditorium - Rochester, NY flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
868. 04/11/82 Nassau Coliseum - Uniondale, NY Jim Wise - (9th row - center) Senn 421's > Sony TC D5 > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x1) >EAC >SHN (tracking with CDWAV); encore sourced from a beyer m160 > d5 master made at the sbd; d1 tracked for 80 min; via Darrin Sacks notes
869. 04/12/82 Nassau Coliseum - Uniondale, NY flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; pitch corrected version of of shn id 32014  
870. 04/14/82 Glens Falls Civic Center - Glens Falls, NY flac16; Matrix of Soundboard and audience recording by Ohr Weinberg via PLS.  
871. 04/17/82 Hartford Civic Center - Hartford, CT Bertha Remaster of unknown Soundboard source (*)SBD>>???>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN  
872. 04/18/82 Hartford Civic Center - Hartford, CT flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)  
873. 04/19/82 Baltimore Civic Center - Baltimore, MD flac16; Matrix 2 Source Mix - SBD (shn id 89313) MAC > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV + AUD (shn id 19420) MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD - matrix mixing by Kevin Tobin  
874. 05/21/82 Greek Theatre, University Of California - Berkeley, CA flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Pro fessional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; this source fixes a flaw in the previous source.  
875. 05/22/82 Greek Theatre, University Of California - Berkeley, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)  
876. 05/23/82 Greek Theatre, University Of California - Berkeley, CA flac16;Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
877. 05/28/82 Moscone Convention Center - San Francisco, CA flac16; 2nd Gen Cassette; Sennheiser 441s > Sony D5 Taper: unknown Transfer: Cassette > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 2496 > Wave L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC(8).  
878. 07/17/82 Ventura County Fairgrounds - Ventura, CA flac16; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller  
879. 07/18/82 Ventura County Fairgrounds - Ventura, CA flac16; Recording Info: (FOB) (2) Sennheiser 421 + (1) Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller  
880. 07/27/82 Red Rocks Amphitheatre - Morrison, CO flac16; Matrix 60% soundboard/40% audience; sources: 1 - SBD>Cass/1>DAT>HD-P2>Soundforge 6.0>Flac Frontend>FLAC (shnid 78746) Tranfer by Jake Clemens 2 - (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) (shnid 102570) Transfers and Mastering By Charlie Miller  
881. 07/28/82 Red Rocks Amphitheatre - Morrison, CO flac16;Recording Info:(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller  
882. 07/29/82 Red Rocks Amphitheatre - Morrison, CO flac16; Recording Info:(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller  
883. 07/31/82 Manor Downs - Austin, TX flac16: Exact "as is" untouched DAT transfers from Dick Latvala Transfered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz  
884. 08/01/82 Zoo Amphitheater - Oklahoma City, OK flac16; 2 Source Matrix by dusborne; Soundboard (shnid:10226) SBD>MC>DAT>CD EAC/SHN by Willy and Audience (shnid:82883) Source: (FOB) Nakamichi CM-700s > Sony TC-D5M > MC > Cassette x2 Location: FOB, 12th Row, LOC Taper: David Seligman Transfer: 2nd GEN Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR >Lunatec V3 (@24 bit 96 kHz) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Waves L3 UltraMaximizer(dither) > 16 bit WAV > CD Wave Editor > TLH > FLAC16. Transfer, edits and conversion by Alex Ford  
885. 08/03/82 Starlight Theater - Kansas City, MO flac16; Recording Info: SBD -> Cassette Master -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller  
886. 08/06/82 St. Paul Civic Center - St. Paul, MN flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)  
887. 08/07/82 Alpine Valley Music Theatre - East Troy, WI flac16; Source: *Mics>Sony D5M>Master Cass.>1st Gen Location: FOB, exact location and stand height unknown Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: *Unknown Transfer and upload by Tony Suraci  
888. 08/08/82 Alpine Valley Music Theatre - East Troy, WI SBD : MC > MR > DAT > CDR Transfer done by Jim Wise notes
889. 08/10/82 University Of Iowa Fieldhouse - Iowa City, IA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)  
890. 08/28/82 Oregon Country Fair - Veneta, OR flac16;Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; This is a re-patch of source ID 106749  
891. 09/05/82 US Festival, Glen Helen Regional Park - Devore, CA flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD -> SHN; Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
892. 09/09/82 Saenger Performing Arts Center - New Orleans, LA flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded by Frank Streeter; All Transfers and Mastering By Charlie Miller  
893. 09/11/82 West Palm Beach Civic Center - West Palm Beach, FL flac16; 2 source Matrix using SDB (shnid=2192) and AUD (shnid=122155)  
894. 09/15/82 Capital Centre - Landover, MD flac16; AUD: Nakamichi CM300/CP-4 shotguns > Sony TC-D5 > Maxell XLII. Set up inside SBD perimeter area for 1st Set, mics moved onto SBD platform for 2nd Set, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2015  
895. 09/17/82 Cumberland County Civic Center - Portland, ME flac16; SBD + AUD Matrix - 4 Source Mix consisting of SBD Set 1 Recording: SBD > Dolby B metal cassette master, SBD Set 2 Recording: SBD > ? (likely cassette master), AUD1 FOB: Nak 700s > Sony D5 Cassette master recorded by Mark Cohen, AUD2 Master FOB Audience Cassette > Nak CM300 mics > Sony D5, AUD3 Unknown AUD  
896. 09/18/82 Boston Garden - Boston, MA flac16; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
897. 09/20/82 Madison Square Garden - New York, NY flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
898. 09/21/82 Madison Square Garden - New York, NY flac 16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
899. 09/23/82 New Haven Veterans Memorial Coliseum - New Haven, CT flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
900. 09/24/82 Carrier Dome, Syracuse University - Syracuse, NY SBD> Master Cassette> 1 Reel> DAT> DAT> WAV> Soundforge 4.0> CDWAV 1.53> MKW 0.97b> SHN w/ seek tables appended; DAT> WAV via Sony SDT-9000 DDS drive using VDAT 0.6f, wavs compared for errors using EAC; DAT seed from Rob Eaton, DAT> SHN by Jamie Lutch; QC courtesy dankseeds; see info file for flaws etc notes
901. 10/09/82 Frost Amphitheatre - Palo Alto, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) August 3, 2008  
902. 10/10/82 Frost Amphitheatre - Palo Alto, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 > AIFF > Final Cut > AIFF CD tracking via Audacity (w/dither) > FLAC16 via xACT)  
903. 11/25/82 Bob Marley Performing Arts Center - Montego Bay, Jamaica Source: SBD->CM->DAT Transfer: Tascam DA-20 mkII->Tascam HD-P2->Soundforge 6.0->CD Wave->mkwAct->.shn by Jake C  
904. 12/26/82 Oakland Auditorium - Oakland, CA flac16/44 Source: (FOB) Senn MD441-U > Sony TC-D5 > Cassette Master (Maxell UDXLII C90 Dolby On) > Nakamichi 581 > Cassette (1st gen) Transfer: 1st gen Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF 24/96 PCM) > Audacity (Trim, both tracks both sides amplified by +4db) Lineage: wav 24/96 > iZotope RX 9 Advanced > wav 16/44.1 > CD Wave > flac 16 edited and mastered SIRMick December 2021  
905. 12/27/82 Oakland Auditorium - Oakland, CA flac16; Sick Bits Vol. 18a - SBD/AUD Matrix of 3 sources (1 previously circulated SBD for set 1 - shnid=32134 and 2 uncirculated sources) - edited, mixed and encoded by Chris Chappell  
906. 12/28/82 Oakland Auditorium - Oakland, CA flac16; Sick Bits Vol. 18b - SBD/AUD Matrix of 1 previously circulated SBD source (shnid=31967) and 1 uncirculated AUD source. Edited, mixed and encoded by Chris Chappell.  
907. 12/30/82 Oakland Auditorium - Oakland, CA flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
908. 12/31/82 Oakland Auditorium - Oakland, CA flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
909. 03/25/83 Compton Terrace Amphitheatre - Tempe, AZ SBD -> Cassette Master -> Reel -> Cass -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN;Patched with 3 Sennheiser 421's -> Cassette Master -> Dat -> CD -> EAC -> SHN; Patched and Edited By Charlie Miller  
910. 03/26/83 Aladdin Theater - Las Vegas, NV flac16; Recording Info: (FOB) Neumann KM54 -> Cassette Master -> Dat Transfer Info: Dat -> CD (Tascam CDRW700) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller  
911. 03/27/83 Irvine Meadows - Irvine, CA AUD> MC> DAT> CDR Senn 421s; via Paul; Seeded to etree by Ernie Dodd  
912. 04/09/83 Hampton Coliseum - Hampton, VA flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN -> WAV -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller  
913. 04/13/83 Patrick Gymnasium, U of Vermont - Burlington, VT flac16; Matrix by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)  
914. 04/15/83 Community War Memorial Auditorium - Rochester, NY flac16;Recording Info: (FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II/Dolby B); Transfer Info:Cassette Master (Namamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded and Transfered By Charlie Miller (Previous transfers were not dolby decoded, this one is.)  
915. 04/16/83 Meadowlands Arena - East Rutherford, NJ flac1648; Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 > Tascam DA-3000 16/48 > Adobe Audition 3.0 > TLH flac1648  
916. 04/17/83 Meadowlands Arena - East Rutherford, NJ flac1648; Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 > Tascam DA-3000 16/48 > Adobe Audition 3.0 > TLH flac1648  
917. 04/20/83 Providence Civic Center - Providence, RI flac16; Beyer M160's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche  
918. 04/22/83 Veterans' Memorial Coliseum - New Haven, CT Barry Glassberg FOB AUDMC w/Nak 700s > Sony TC-D5 > DAT > CDR  
919. 04/23/83 Veterans' Memorial Coliseum - New Haven, CT flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files  
920. 04/25/83 The Spectrum - Philadelphia, PA flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015  
921. 04/26/83 The Spectrum - Philadelphia, PA flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
922. 05/14/83 Greek Theatre, University Of California - Berkeley, CA flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller; pitch corrected source of 94396  
923. 05/15/83 Greek Theatre, University Of California - Berkeley, CA flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller; pitch corrected source of 94397  
924. 06/24/83 Dane County Coliseum - Madison, WI flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Set 1 Maxell UDXLII C90, Set 2 Maxell MX 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename  
925. 06/25/83 St. Paul Civic Center - St. Paul, MN flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename  
926. 06/27/83 Poplar Creek Music Theatre - Hoffman Estates, IL flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename  
927. 06/28/83 Poplar Creek Music Theatre - Hoffman Estates, IL flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Set 1 Maxell UDXLII C90, Set 2 Maxell MX 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename  
928. 07/30/83 Ventura County Fairgrounds - Ventura, CA flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2 -> r8brain PRO v1.5 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller  
929. 08/29/83 Silva Hall, Hult Center - Eugene, OR flac16; Soundboard > PCM;Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Wavelab 7.1 for Minor Edits by Jamie Waddell; channels flipped, minor cuts, and tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH; the original seed for this had errors  
930. 09/02/83 Boise State University Pavillion - Boise, ID flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)  
931. 09/06/83 Red Rocks Amphitheatre - Morrison, CO flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
932. 09/07/83 Red Rocks Amphitheatre - Morrison, CO flac16; Recording Info: (FOB) 3 Nakamichi 700 Omni's -> Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded Bob Wagner; All Transfers and Mastering By Charlie Miller  
933. 09/11/83 Santa Fe Downs - Santa Fe, NM SBD> Master Cassette> 1 Reel> DAT> DAT> WAV> Soundforge 4.0> CDWAV 1.53> MKW 0.97b> SHN; DAT> WAV via Sony SDT-9000 DDS drive using VDAT 0.6f; see info file for details and flaw notes; QC courtesy dankseeds  
934. 10/08/83 Richmond Coliseum - Richmond, VA flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename  
935. 10/09/83 Greensboro Coliseum - Greensboro, NC flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename  
936. 10/11/83 Madison Square Garden - New York, NY flac16; Recording Info: (FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller; Recorded By Rob Eaton  
937. 10/12/83 Madison Square Garden - New York, NY flac16; SBD and Audience Matrix Mix of about 60% SBD to 40% Audience. Completed June 26,2008  
938. 10/14/83 Hartford Civic Center - Hartford, CT sbd.dickspicks#6.flac  
939. 10/15/83 Hartford Civic Center - Hartford, CT flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
940. 10/17/83 Olympic Center - Lake Placid, NY flac16; Source: 2 Sennheiser 421 microphones (14th row-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files  
941. 10/18/83 Cumberland County Civic Center - Portland, ME flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename  
942. 10/20/83 The Centrum - Worcester, MA flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's Tapes Labelled: Nak 100's w/Guns Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked with Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename  
943. 10/21/83 The Centrum - Worcester, MA flac16; Matrix by Hunter Seamons using Final Cut Pro & Soundtrack Pro (SHN>AIFF>Final Cut & Soundtrack>WAV>FLAC)  
944. 10/22/83 Carrier Dome, Syracuse University - Syracuse, NY flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of Sony TC-D5M, Tapes:Maxell UDXLII 90's,Tapes Labelled: Nak 300 Gun's Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename  
945. 10/31/83 Marin County Veterans Auditorium - San Rafael, CA SBD>MC>DAT>CDR>EAC>CDWAV>SHN - Fix of shn id 3827 via Bill Tetzeli  
946. 12/27/83 San Francisco Civic Auditorium - San Francisco, CA flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: First Tape 1st Gen Nak 100's with Guns, Second Tape None; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked with Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename  
947. 12/28/83 San Francisco Civic Auditorium - San Francisco, CA flac16:Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files  
948. 12/30/83 San Francisco Civic Auditorium - San Francisco, CA flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: Nak 300's With Gun's Pointed High; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename  
949. 12/31/83 San Francisco Civic Auditorium - San Francisco, CA flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
950. 03/28/84 Marin County Veterans Auditorium - San Rafael, CA (FOB/20th Row) Sony ECM 939LT> Cassette Master (Marantz PMD430); Transfer Info: Cassette Master (Nak Dragon/Dolby B)> CD (HHb CDr 830Plus)> EAC> Sound Forge 5.0> SHN; Recorded By Andrew Faintych; Transferred By Anne Cohen; Converted By Charlie Miller; Drums Are Cut notes
951. 04/01/84 Marin County Veterans Auditorium - San Rafael, CA flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
952. 04/06/84 Aladdin Theater - Las Vegas, NV flac16; source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (13th row-center) > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files  
953. 04/07/84 Irvine Meadows - Irvine, CA flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD (shnid=13816); Transfer Info: CD -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC; All Patching and Remastering By Charlie Miller  
954. 04/16/84 Community War Memorial Auditorium - Rochester, NY flac16; Pitch corrected and patched version of shn id 32884 - FOB Sennheiser 441s > Sony D5 > DAT > CD > EAC > FLAC by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details  
955. 04/17/84 Niagara Falls Convention Center - Niagara Falls, NY flac16; ATII/Nak 300 FOB ud>?>CDR>EAC>SHN > ? > FLAC  
956. 04/19/84 Philadelphia Civic Center - Philadelphia, PA flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell mx90’s, dolby b, FOB, section 102 Row O; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berge  
957. 04/20/84 Philadelphia Civic Center - Philadelphia, PA flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (SV3800/48k) -> WAV; Transfer Info: WAV -> Samplitude v7.02 Professional -> Cool Edit Pro v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller  
958. 04/21/84 Philadelphia Civic Center - Philadelphia, PA flac16; source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (14th row-center) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files  
959. 04/23/84 Veterans' Memorial Coliseum - New Haven, CT flac16; Recording Info:SBD -> Cassette Master -> Cassette (TDK SA-X90 Dolby B); Transfer Info:Cassette (Nakamichi DR-1 Dolby B) -> Sound Devices 744T (24bit 96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC 16; All Transfers and Mastering By Charlie Miller  
960. 04/27/84 Providence Civic Center - Providence, RI flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, section 2 row S; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger  
961. 04/30/84 Nassau Coliseum - Uniondale, NY flac16; Source: FOB/Row 11 Sennheiser 441s > Sony D5 > Maxell MX90 Type IV Cassettes (Master Audience Cassette). Taped by Bill "whynotus" Koucky. Transfer/Mastering: MAC playback on Nakamichi DR-2 cassette deck > gold RCAs > Audiophile 24/96-Pentium IV PC > recorded as 24 bit/96 KHz WAV using Wavelab 5 > mastered using Waves XNoise (learn mode) and L3 Multimaximizer, rendered to 16 bit/44.1 KHz WAV using hi-res CD settings > CDWAV 1.9 (tracking) > FLAC (level 8)  
962. 05/08/84 Silva Hall, Hult Center - Eugene, OR flac16; Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
963. 06/13/84 Red Rocks Ampitheatre - Morrison, CO flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M; Transfer: Sony KA1ESA > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files; From: 1st generation analog cassettes  
964. 06/14/84 Red Rocks Ampitheatre - Morrison, CO SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko  
965. 06/21/84 Kingswood Music Theater - Maple, ON FM>MC>PCM>DAT>Cool Edit Pro>CDR>SHN; Via Andy L; EAC'ed and SHN'ed by tbrame  
966. 06/24/84 Saratoga Performing Arts Center - Saratoga Springs, NY flac16: SBD> Cassette Master> Dat; patches from Nakamichi 300/CP1> Cassette Master> Dat; Transfer: Dat> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> FLAC; All Transfers and Editing By Charlie Miller  
967. 06/26/84 Merriweather Post Pavilion - Columbia, MD flac16; source: 2 Beyer M160 and 1 Sennheiser 421 microphones (14th row-center) > Nak MX100 w/2001 > Sony TCD5M - analog master cassettes; transfer: Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files  
968. 06/27/84 Merriweather Post Pavilion - Columbia, MD flac16; source: 2 Beyer M160 and 1 Sennheiser 421 microphones (15th row-center) > Nak MX100 w/2001 > Sony TCD5M - analog master cassettes; transfer: Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files  
969. 06/30/84 Indianapolis Sports and Music Center - Indianapolis, IN flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
970. 07/01/84 Pine Knob Music Theater - Clarkston, MI flac16/48kHz; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam DA-3000 -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller  
971. 07/03/84 Starlight Theater - Kansas City, MO flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/FOB/DFC/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software By Keo  
972. 07/04/84 Five Seasons Center - Cedar Rapids, IA SBD> Master Cassette> Cassette> Dat, plus patches from FOB Sennheiser 421> Cass; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> Adobe Audition> SHN; Transferred and Patched By Charlie Miller; Speed corrected by +2.37% to match the speed of the FOB, by Jay Ashley  
973. 07/07/84 Alpine Valley Music Theatre - East Troy, WI flac16; Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/DFC Halfway In Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo  
974. 07/13/84 Greek Theatre, U. Of California - Berkeley, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)  
975. 07/14/84 Greek Theatre, U. Of California - Berkeley, CA flac16; Recording Info: SBD -> Cassette Master (Sony D6/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
976. 07/15/84 Greek Theatre, U. Of California - Berkeley, CA flac16; Recording Info:SBD -> Cassette Master (Sony D6/Maxell XLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
977. 07/21/84 Ventura County Fairgrounds - Ventura, CA flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (30 feet from stage-center) > Nak MX100 W/2001 > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files  
978. 07/22/84 Ventura County Fairgrounds - Ventura, CA flac16; SBD -> PCM -> Dat Transferred and Edited By Charlie Miller  
979. 10/08/84 The Centrum - Worcester, MA flac16; Source: Recorded by: Greg Holtz and Tony Bolton Master Cassette FOB right side about 8 feet in front of the SBD(Jerry's side - about 10 feet right of center - 2 Nak 100's w/CP-4 shotgun caps > Sony D-5 Transfer: Tascam112mkII > KorgMR1000 at 1bit/5.6mHz DSD> Audio Gate Software for 24/96 by Jamie Waddell Editing and Mastering: Alex Ford in Wavelab 6.10 with UAD in 24/96,Weiss Saracon for SRC to 16/44.1 POWR-3 Dither  
980. 10/09/84 The Centrum - Worcester, MA flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller  
981. 10/11/84 Augusta Civic Center - Augusta, ME flac16; Remaster of Oade source 8794; Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut and Flac files created in Audacity 2.0.5  
982. 10/12/84 Augusta Civic Center - Augusta, ME flac16; Matrix of SBD (shnid=5585) and AUD (shnid=8795) by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)  
983. 10/14/84 Hartford Civic Center - Hartford, CT Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Beyer M160 & 1 Sennheiser 421 microphones (14th row)> Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files  
984. 10/15/84 Hartford Civic Center - Hartford, CT flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)  
985. 10/17/84 Meadowlands Arena - East Rutherford, NJ flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files  
986. 10/18/84 Meadowlands Arena - East Rutherford, NJ flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller  
987. 10/20/84 Carrier Dome, Syracuse U - Syracuse, NY flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a re-master of source ID 15673  
988. 10/31/84 Berkeley Community Theater - Berkeley, CA Source: AUD (Sennheiser 441) > CM > CDR > WAV > SHN. Thanks to Dr. B.Fried for the cassette masters. Original SHN conversion by Mike Lai. Note- This is a re-seed of previous seed by C Ladner; See info file for details  
989. 11/02/84 Berkeley Community Theater - Berkeley, CA Set 1: SBD>Master Cassette> Cassette> DAT> CD> SHN:Set 2: SBD>PCM>DAT@44.1>Tascam DA-20MKII(playback only)>RME Digi96/8> Steinberg's Wavelab 3.0 >CDWav beta1.6(tracking only)> SHNv3 (MKW ACT) Set 1 source via Trip Bates shntool fixed version of Braverman SBD seed; Set 2 source: DAT via Joe Samaritano. Seeded to Fungus and abgd by Charlie Connor  
990. 11/03/84 Berkeley Community Theater - Berkeley, CA flac16; Recording Info: SBD -> PCM -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
991. 12/28/84 San Francisco Civic Auditorium - San Francisco, CA flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dan McDonald  
992. 12/31/84 San Francisco Civic Auditorium - San Francisco, CA flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLII-S90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation  
993. ??/??/84 1984 Studio Material - San Rafael?, CA demos and rehearsals; Master Cassette Soundboard-> DAT-> Sonic Solutions-> CD-> EAC-> SHN; CD-> EAC-> SHN Done by Joe Samaritano from Gans seed; part of the KPFA Marathon broadcast on 2/22/2003 by David Gans  
994. 02/18/85 Henry J. Kaiser Convention Center - Oakland, CA flac16; Source: 3 Sennheiser 421 microphones (up front-center) > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files  
995. 03/09/85 Berkeley Community Theater - Berkeley, CA flac16; Recording Info:SBD -> Cassette Master -> ? -> Cassette -> FLAC; Transfer Info:FLAC -> WAV -> Cool Edit Pro v2.0 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade to shnid 97331  
996. 03/12/85 Berkeley Community Theater - Berkeley, CA flac16; MAC; Sennheiser 421's > Sony TC-D5M > TDK MA90 Cassettes Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @24/96 > Waves L2 (dither) > WAV @16/44.1 > CD Wave Editor > TLH > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion and seeding by Alex Ford.  
997. 03/13/85 Berkeley Community Theater - Berkeley, CA flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
998. 03/22/85 Hampton Coliseum - Hampton, VA Oade Brothers Recording: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac  
999. 03/25/85 Springfield Civic Center - Springfield, MA flac16; 2 source matrix by Dusborne; Soundboard (shnid:084410) Pitch fix of shnid 15403 Original SRC: MSC>Cass.>DAT>CDR>SHN; Edit: SHN > WAV > repitch and patch in Cool Edit Pro > FLAC and Audience (shnid:23222) Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Recorded by the Oade Brothers  
1000. 03/27/85 Nassau Veterans Memorial Coliseum - Uniondale, NY SBD> MC> C> DAT> CDR> WAV> SHN; DAE, FTP via neo_levo  
1001. 03/28/85 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16; Soundboard > 1st Gen Tape > Nak Dragon > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'Amico  
1002. 03/29/85 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16; taper : Joe D'Amico nak 300 mics > sony d5 nak dragon tape deck > creative extigy soundcard> cool edit pro > flac frontend  
1003. 03/31/85 Cumberland County Civic Center - Portland, ME flac16; Recording Info: Sony ECM-220T -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller  
1004. 04/01/85 Cumberland County Civic Center - Portland, ME flac16; Source: MAC: (FOB) Sennheiser 421s > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum shell] (Set II) Mic Config: mics on T-Bar, pointed at the stacks, chest high Location: FOB, 20-25 feet from the stage, DFC Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade Transfer: MAC > Nakamichi CD 2 (azimuth adjusted) > rca > xlr > Lunatec V3(@16 bit/44.1 Hz) > coax > Audiophile 2496 > CEP 2.0 > CD Wave Editor > Trader's Little Helper > FLAC16  
1005. 04/03/85 Providence Civic Center - Providence, RI flac16; AUD: 2x AT835B shotguns plus 1x AKG D12E center mic > unknown mixer > unknown lead deck > Sony WM-D6C > MAC, recording and transfer to CDR by Ray Ackerman. Transfer: MAC > CDR on unknown equipment 2005. CDR > EAC (secure) > WavMerge > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, April 2015.  
1006. 04/04/85 Providence Civic Center - Providence, RI Fix of shn id 11704 (space patched in from Oade source) - SBD > MVHS HiFi Video > MC > CDR  
1007. 04/06/85 The Spectrum - Philadelphia, PA Recorded by the Oade Brothers; transferred by Doug Oade, tracked by Darrin Sacks Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac  
1008. 04/07/85 The Spectrum - Philadelphia, PA flac16; Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico  
1009. 04/08/85 The Spectrum - Philadelphia, PA flac16; Source: MAC; (FOB) unknown mics > Sony D5 > Sony D5 > Sony D5 > Sony D5 > 2 x TDK MA90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (24/88.2)> Lynx AES16> WaveLab 6.10> .wav @24/88.2> r8brain PRO> .wav @ 16/44.1> CD Wave Editor> TLH> flac16. Location: Approx. 20 feet from the stage, Dead Center; Taper: Mark McCue; Transferred and mastered by Alex Ford  
1010. 04/13/85 Irvine Meadows - Irvine, CA flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
1011. 04/21/85 Marin Veterans Memorial Auditorium - San Rafael, CA flac16; Source: SBD > ?>Low Gen Maxell XLII Cassette>Wav>Soundforge 10 (Tracking, Pitch Correction and *Editing)>Flac  
1012. 04/27/85 Frost Amphitheatre - Palo Alto, CA flac16; MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)] Tapers: Adam, Justin & Monica Mark McCue Masters Transfer, minor editing and conversion by Alex Ford 3/10 & 11/2006.  
1013. 06/14/85 Greek Theatre, U. Of California - Berkeley, CA flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD -> EAC -> SHN; Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
1014. 06/15/85 Greek Theatre, U. Of California - Berkeley, CA flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files  
1015. 06/16/85 Greek Theater, U. of California - Berkeley, CA flac16; Sick Bits Vol. 22c - SBD/AUD matrix of 2 previously circulating sources: SBD (shnid=79021) + Oade AUD (shnid=24611). Matrixed by Chris Chappell.  
1016. 06/21/85 Alpine Valley Music Theatre - East Troy, WI flac16; MAC; 2 Nakamichi 100s > Sony D5 > 2 Maxell MX 90s Taped by Greg Holtz Transfer: MAC > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496 > Waves L3 UltraMaximizer > WAV @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC16. Master Audience Cassettes provided by Greg Holtz. Transfer, edits, conversion and seeding by Alex Ford July 2007.  
1017. 06/22/85 Alpine Valley Music Theatre - East Troy, WI SBD > (poss cass gen)? > PCM > DAT @ 44.1 (pre-emphasis on); Transfer: DAT clone; Sony PCM-2600 > Audioquest coax > Turtle Beach Fiji > Soundforge 4.5 > pre-emphasis removed (see notes) > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig; via Bill Gardner, Ghost to etree  
1018. 06/24/85 River Bend Music Center - Cincinnati, OH flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files  
1019. 06/25/85 Blossom Music Center - Cuyahoga Falls, OH flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)  
1020. 06/27/85 Saratoga Performing Arts Center - Saratoga Springs, NY flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>Soundtrack>WAV>FLAC) July 6, 2008 Speed Corrected July 20. (This source fixes the speed of the previous Seamons source.)  
1021. 06/28/85 Hershey Park Stadium - Hershey, PA flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
1022. 06/30/85 Merriweather Post Pavilion - Columbia, MD flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)  
1023. 07/01/85 Merriweather Post Pavilion - Columbia, MD flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
1024. 07/02/85 Civic Arena - Pittsburgh, PA flac16; MAC; (FOB) Sennheiser 441's > Sony D5 > Sony D5 > 2 x TDK MA 90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@24/88.2)> Lynx AES16> WaveLab 6.10> .wav (@24/88.2)> WaveLab editing/mastering with UAD-1 in 24/88.2> r8brain PRO> .wav @16/44.1> CD Wave Editor> TLH> flac16(level eight)> Tag&Rename(metadata). Taped by Davey Meade Transferred, edited and mastered by Alex Ford.  
1025. 07/13/85 Ventura County Fairgrounds - Ventura, CA flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
1026. 07/14/85 Ventura County Fairgrounds - Ventura, CA flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
1027. 08/24/85 Boreal Ridge Ski Resort - Donner's Summit, CA flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
1028. 09/03/85 Starlight Theater - Kansas City, MO flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)  
1029. 09/05/85 Red Rocks Amphitheatre - Morrison, CO flac16; Matrix 4 Source Mix - SBD (shn id 12180) SBD >> ? > CDR > EAC > SHN + AUD1 (shn id 79778) Sennheiser 441s (7-9 feet high) > Sony D5 > Maxell MX 90s; Tapers: Justin, Adam & Monica Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 >Trade's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue. + AUD2 (shn id 27680) Oade Master, 90 X-Y Schoeps CMC441 + 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac + AUD3 (no shn id) low generation audio from vhs located somewhere in taper section - matrix mixing by Kevin Tobin  
1030. 09/06/85 Red Rocks Amphitheatre - Morrison, CO flac16; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename  
1031. 09/07/85 Red Rocks Amphitheatre - Morrison, CO flac16; MATRIX MIX: About 60%SBD/40%AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>Soundtrack>WAV>FLAC) June 4, 2008 (This source fixes flaws in the two previous Seamons sources of this matrix, shn id 92111 and shn id 92124.)  
1032. 09/12/85 Henry J. Kaiser Convention Center - Oakland, CA flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software  
1033. 09/15/85 Devore Field, Southwestern U - Chula Vista, CA flac16; Recording Info: SBD -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller  
1034. 10/28/85 Fox Theater - Atlanta, GA flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC  
1035. 10/29/85 Fox Theater - Atlanta, GA flac16; Recording Info:SBD -> Cassette Master (Sony D5/Maxell MX90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
1036. 10/31/85 Carolina Coliseum, University Of South Carolina - Columbia, SC flac16; blend of CM*SBD(shnid=23590) and Oade AUD (id=20282) notes
1037. 11/01/85 Richmond Coliseum - Richmond, VA flac16; Source: 2x Sennheiser 421 > Sony TC-D5 > Sony TC-D5 Master Cassettes Maxell MX–90’s Location: FOB, 20' from stage. Center patched out of Steve Adleman Transfer: Nakamichi DR-1 > Korg MR-1 > DSF [1-bit 2.8 MHz Stereo] Rate Conversion: Korg AudioGate to WAV [24/96] Mastering in WaveLab with iZotope Ozone 3 (eq) and Waves L3 Multimaximizer Rate Conversion to WAV [16/44.1] with r8brain > CD WAVE > TLH > Flac Taped, Transfer, Mastering by: Bill Koucky December 3, 2008  
1038. 11/02/85 Richmond Coliseum - Richmond, VA SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN  
1039. 11/04/85 The Centrum - Worcester, MA flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS at SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci  
1040. 11/05/85 The Centrum - Worcester, MA sdb> reel master> cassette> dat> cdr; via Mike Lai  
1041. 11/07/85 Community War Memorial Auditorium - Rochester, NY flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.12 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller (This is a repatch of shn id 88727.)  
1042. 11/08/85 Community War Memorial Auditorium - Rochester, NY Master Soundboard Cassette > Reel to Reel > DAT > CDR, with patches from Charlie Connor's Master Audience Cassette (Beyer M88 mics> Sony TC-D5M in d1t7,8; CD Mastering, EAC> SHN by Scott Clugston; d2 tracked for 80 min  
1043. 11/10/85 Meadowlands Arena - East Rutherford, NJ Master Soundboard Cassette > DAT > Sonic Solutions > CD seeded by Steve Barbella  
1044. 11/11/85 Meadowlands Arena - East Rutherford, NJ flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)  
1045. 11/17/85 Long Beach Arena - Long Beach, CA flac16; AUD: Unknown mics (see note) > Sony TC-D5 > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2015  
1046. 11/20/85 Henry J. Kaiser Convention Center - Oakland, CA flac16; Hat Mounted Realistic pzm's with Sony WMD6-C Sony UCX-S 90 Cnr Offical Taping Section,120 feet away,dead center Master>D6>HD>Audicity>CDWave>TLH>Torrent  
1047. 11/21/85 Henry J. Kaiser Convention Center - Oakland, CA flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
1048. 11/22/85 Henry J. Kaiser Convention Center - Oakland, CA flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
1049. 12/30/85 Oakland-Alameda County Coliseum - Oakland, CA flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
1050. 12/31/85 Oakland-Alameda County Coliseum - Oakland, CA flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
1051. 02/08/86 Henry J. Kaiser Convention Center - Oakland, CA flac16; Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
1052. 02/09/86 Henry J. Kaiser Convention Center - Oakland, CA flac16; Recording Info:SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
1053. 02/11/86 Henry J. Kaiser Convention Center - Oakland, CA flac16; Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
1054. 02/12/86 Henry J. Kaiser Convention Center - Oakland, CA flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Middle Of OTS/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename  
1055. 02/12/86 Henry J. Kaiser Convention Center - Oakland, CA flac16; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16  
1056. 02/14/86 Henry J. Kaiser Convention Center - Oakland, CA SBD>PCM>Dat>Samplitude>Cool Edit Pro>CD; via David Gans; RE-Seeded to etree by Charlie Miller with 'simple bass lift'; See info file for details notes
1057. 03/19/86 Hampton Coliseum - Hampton, VA flac16; Sennheiser 421s > Sony D-5 (Dolby B in) > MAC taped by Tim Alexander Transfer: Playback on Nakamich DR-1 (Dolby B out) > Tascam HD-P2 (16bit/44.1khz) > WAV > FLAC Patch source: Mike Lai archive.org seed (Sony mikes > C > CD) - shnid 3905  
1058. 03/20/86 Hampton Coliseum - Hampton, VA Updated Source info: Unknown Audience Recording (Had been marked: Matrix SBD>MC>C>CD) Some minor digi-noise noted; See txt for details; via Jim Skinner; Seeded to etree by Willy  
1059. 03/21/86 Hampton Coliseum - Hampton, VA flac16; source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files  
1060. 03/23/86 The Spectrum - Philadelphia, PA flac16; Taper: Greg Holtz Source: Nakamichi cm 100's w/shotguns -> Sony TC-D5 Transfer: By (JAZ) Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8  
1061. 03/24/86 The Spectrum - Philadelphia, PA flac16; 2 x AKG C460 CK61uls => Uher CR240 >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]  
1062. 03/25/86 The Spectrum - Philadelphia, PA Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start  
1063. 03/27/86 Cumberland County Civic Center - Portland, ME SBD> Cassette Master> Reel> Dat> ?> Dat> CD -> EAC> SHN; plus AUD patch from (FOB) Neumann U87> Cassette Master> CD, using Samplitude v7.02 Professional; SHN Conversion and Patch By Charlie Miller; Upgrade in circulation  
1064. 03/28/86 Cumberland County Civic Center - Portland, ME flac16; Sennheiser 421s + Nakamichi 300s > Yamaha mixer > Sony D5 (Dolby B) > MAC taped by Tim Alexander Transfer: MAC playback on Nakamichi DR-1 > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC  
1065. 03/30/86 Providence Civic Center - Providence, RI flac16;Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)  
1066. 03/31/86 Providence Civic Center - Providence, RI flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick  
1067. 04/01/86 Providence Civic Center - Providence, RI flac16:Recording by Bob Morris. Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90). Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)  
1068. 04/03/86 Hartford Civic Center - Hartford, CT SBD> Master Cassette> DAT> CDR> EAC> SHN; EAC> SHN by Jeff M.  
1069. 04/04/86 Hartford Civic Center - Hartford, CT flac16; Schoeps CMC 44 Cardioids > Sony PCM F1, FOB/TS > Sony PCM 601 > Sony /2000ES DAT > PC > Adobe Audition 1.5 > Shntool > flac lvl8  
1070. 04/12/86 Irvine Meadows - Irvine, CA flac16; (FOB) Sennheiser 441s > Sony D5 > MAC > 1st Gen Cassettes. Tapers: Adam & Justin. 1st Gen Cassettes provided by Mark McCue. Transfer, edits, conversion & seeding by Alex Ford May 2007.  
1071. 04/18/86 Berkeley Community Theater - Berkeley, CA flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller  
1072. 04/19/86 Berkeley Community Theater - Berkeley, CA flac16; Taper Mike Darby; Master Audience Sennheiser MD421's(PAS/Sec CTR Row NN Seat 19/6ft)> Sony TC-D5M (Maxell MX); Original Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2@24/48>HDD>Amadeus Pro (Tracking,Fades,FLAC8); Tracks Re-Named,MetaData Tagging With AudiGate Software; Dithered With Korg Aqua To 16/44; SBE's Checked All OK  
1073. 04/21/86 Berkeley Community Theater - Berkeley, CA flac16; Recording Info: Set 1: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: SBD -> PCM -> Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By David Gans and Charlie Miller  
1074. 04/22/86 Berkeley Community Theater - Berkeley, CA flac16; Recording Info: Set 1: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: SBD -> PCM -> Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By David Gans and Charlie Miller  
1075. 05/03/86 Cal Expo Amphitheatre - Sacramento, CA sbd.30tripsboxset.flac  
1076. 05/04/86 Cal Expo Amphitheatre - Sacramento, CA flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1077. 05/10/86 Frost Amphitheatre - Palo Alto, CA flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1078. 05/11/86 Frost Amphitheatre - Palo Alto, CA flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1079. 06/21/86 Greek Theatre, University Of California - Berkeley, CA flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017  
1080. 06/22/86 Greek Theatre, University Of California - Berkeley, CA flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1081. 06/26/86 Hubert H. Humphrey Metrodome - Minneapolis, MN flac16; Source: Nakamichi CM-100 mics w/ CP-1 Caps > Sony D-6 (Maxell MX-90 Cassette Tapes); Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Danny Taggart - Third Row, Mics Hand-held Transfers, edits, track/FLAC by Greg Holtz  
1082. 06/28/86 Alpine Valley Music Theatre - East Troy, WI Recording Info: SBD -> Cassette Master -> ? -> Dat -> CD Editing Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Patch Info: Looks Like Rain -> Don't Ease Me In Patched From AUD -> Cassette Master -> ? -> Dat -> CD Editing and Patch Done By Charlie Miller  
1083. 06/29/86 Alpine Valley Music Theatre - East Troy, WI flac16; Recorded by David Cohen Sec 2 Row KK Seat 44 Stand head height 2 Nakamichi CM100s/ CP4>Sony WMD6 w/Teac MDX90 cassette masters. No Dolby was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.  
1084. 06/30/86 Riverbend Music Center - Cincinnati, OH flac16; OTS - In pavilion/section 800; 2 Nakamichi CM300s/cP4 shotguns(PAS)>Sony TCD5M>Fuji Metal; Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD  
1085. 07/02/86 Rubber Bowl, University of Akron - Akron, OH flac16; Source: Audience FOB Recording, Media: Denon HD8 90 min High Bias Tape Lineage: AKG C460b preís with Ck61uls capsules > Uher CR260AV > MAC Transfer: Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak > WAV Taped by: D. Thompson Transfer by: A. Egert Mastering by: M. Hughey  
1086. 07/04/86 Rich Stadium - Buffalo, NY flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
1087. 07/06/86 Robert F. Kennedy Stadium - Washington, DC flac16; Source: FOB Sennheiser 441s > Sony D5 > MAC (TDK MA90s). Taped by B.Koucky, patched from S.Adelman. Transfer: MAC playback on Nakamich CR-7A, azimuth adjusted > Lunatec V3 > LynxTwo > PC (Wavelab 5) > HD @ 24 bit/96 KHz) > Ozone 3 > 16/44.1 FLAC by Chris L.  
1088. 07/07/86 Robert F. Kennedy Stadium - Washington, DC flac16; In-House FM -> FM Receiver -> Cassette Master (Sony TC-D6C/Denon HD-M90) All Transfers and Mastering By Charlie Miller  
1089. 12/15/86 Oakland-Alameda County Coliseum - Oakland, CA flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
1090. 12/16/86 Oakland-Alameda County Coliseum - Oakland, CA flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
1091. 12/17/86 Oakland-Alameda County Coliseum - Oakland, CA flac16; Recording Info: Nakamichi CM-300 mics w/ CP-4 shotgun caps/Sennheiser 421's > Niles Audio Mixer > Sony D-5 (Front Row OTS); Transfer Info: MAC > Tascam 112 > Edirol UA-5 > Audacity > Traders Little Helper > FLAC Level 8; All recording, transfers, and mastering by Greg Holtz  
1092. 12/27/86 Henry J. Kaiser Convention Center - Oakland, CA flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC  
1093. 12/28/86 Henry J. Kaiser Convention Center - Oakland, CA flac16; Matrix 2 Source Mix - SBD (shnid = 99637) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 155895) (original shnid = 138869) Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper - pitch correction and patches by Kevin Tobin - matrix mixing by Kevin Tobin  
1094. 12/30/86 Henry J. Kaiser Convention Center - Oakland, CA flac16; Recording Info:SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
1095. 12/31/86 Henry J. Kaiser Convention Center - Oakland, CA flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
1096. 01/28/87 San Francisco Civic Auditorium - San Francisco, CA flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1097. 01/29/87 San Francisco Civic Auditorium - San Francisco, CA flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1098. 01/30/87 San Francisco Civic Auditorium - San Francisco, CA flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1099. 03/01/87 Henry J. Kaiser Convention Center - Oakland, CA flac16; Recording Info: SBD -> Cassette Master (Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1100. 03/02/87 Henry J Kaiser Convention Center - Oakland, CA flac16; Recording Info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 This is a Matrix SBD, the straight SBD also circulates  
1101. 03/03/87 Henry J Kaiser Convention Center - Oakland, CA flac16; Recording info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 This is a Matrix SBD, the straight SBD also circulates  
1102. 03/22/87 Hampton Coliseum - Hampton, VA flac16; SBD/AUD Matrix master tapes recorded by Don Pearson; transferred by Jim Blackwood; mastered by Jamie Waddell at 24/96 src with Weiss Saracon to 16/44.1; Tracked in CD Wave Editor; Tag&Rename for Meta Data; TradersLittleHelper for FLAC (Level 8 by Patrick White(wharfratpat@shnflac.net)  
1103. 03/23/87 Hampton Coliseum - Hampton, VA flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1104. 03/24/87 Hampton Coliseum - Hampton, VA flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1105. 03/26/87 Hartford Civic Center - Hartford, CT flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is shnid 138162 24 > 16  
1106. 03/27/87 Hartford Civic Center - Hartford, CT flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1107. 03/29/87 The Spectrum - Philadelphia, PA flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1108. 03/30/87 The Spectrum - Philadelphia, PA flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1109. 03/31/87 The Spectrum - Philadelphia, PA flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1110. 04/02/87 The Centrum - Worcester, MA flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1111. 04/03/87 The Centrum - Worcester, MA flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1112. 04/04/87 The Centrum - Worcester, MA flac16; Recording Info: FM (WCUW) > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1113. 04/06/87 Meadowlands Arena - East Rutherford, NJ flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1114. 04/07/87 Meadowlands Arena - East Rutherford, NJ flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1115. 04/09/87 UIC Pavilion - Chicago, IL flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1116. 04/10/87 UIC Pavilion - Chicago, IL flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1117. 04/11/87 UIC Pavilion - Chicago, IL flac16; Recording Info: FM (WXRT) > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1118. 04/17/87 Irvine Meadows - Irvine, CA flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1119. 04/18/87 Irvine Meadows - Irvine, CA flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1120. 04/19/87 Irvine Meadows - Irvine, CA flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1121. 05/02/87 Frost Amphitheatre - Palo Alto, CA flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1122. 05/03/87 Frost Amphitheatre - Palo Alto, CA flac16; Digital Soundboard > PCM copy > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH; the fixed version has the channels corrected; please don't circulate the original version  
1123. 05/09/87 Laguna Seca Recreation Area - Monterey, CA flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1124. 05/10/87 Laguna Seca Recreation Area - Monterey, CA flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1125. 06/12/87 Ventura County Fairgrounds - Ventura, CA flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1126. 06/13/87 Ventura County Fairgrounds - Ventura, CA flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1127. 06/14/87 Ventura County Fairgrounds - Ventura, CA flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1128. 06/19/87 Greek Theatre, University Of California - Berkeley, CA flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1129. 06/20/87 Greek Theatre, University Of California - Berkeley, CA flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1130. 06/21/87 Greek Theatre, University Of California - Berkeley, CA flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1131. 06/26/87 Alpine Valley Music Theatre - East Troy, WI AUD> Nakamichi 300 microphones> Sony D5 deck> master cassette; Playback/CD Transfer: Master cassette played on Denon DRM740 and fed to Tascam CDRW700; Recorded, transferred by Scott Bille; Eac(secure)> Shn by Greg Kerbel; Seeded through the 80's Audience Perma-Tree, BUDD, Philzone; see flaw notes in info file  
1132. 06/27/87 Alpine Valley Music Theatre - East Troy, WI flac16; Sennheiser MD421's (X/Y/35 Ft. Away From Left Lawn Stack/6' High)> Sony TC-D5M Tapes:TDK MA Set 1,Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software  
1133. 06/28/87 Alpine Valley Music Theatre - East Troy, WI flac16; Master Audience Recorded By Mr. Darby Sennheiser MD421's (X/Y/35 Feet Away From Left Lawn Stack/6 Feet High)> Sony TC-D5M>Tapes:Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked Metadata Tagging With Korg Aqua To 16/44 By Keo  
1134. 06/30/87 Kingswood Music Theater - Maple, ON flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1135. 06/??/87 Club Front - San Rafael, CA Rehearsal material from soundboard cassette masters > DAT > CD-R > ? > SHN  
1136. 07/02/87 Silver Stadium - Rochester, NY flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper  
1137. 07/04/87 Sullivan Stadium - Foxboro, MA flac16; Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller  
1138. 07/06/87 Civic Arena - Pittsburgh, PA flac16; Recording Info: UltraMatrix SBD > Beta HiFi Master (TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller  
1139. 07/07/87 Roanoke Civic Center - Roanoke, VA flac16; Recording: Schoeps CMC44 (OTS) > Oade Power Supply > Sony PCM-F1 (with Apogee modified A/D filters) by Sean Weber-Small; Transfer: DAT Clone @ 44.1 kHz with pre-emphasis on. Sony PCM-2600 > Turtle Beach Fiji > Soundforge 4.5 > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig  
1140. 07/08/87 Roanoke Civic Center - Roanoke, VA flac16; Recording Info: SBD -> Cassette Master -> Dat -> FLAC Transfer Info: FLAC -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller  
1141. 07/10/87 John F Kennedy Stadium - Philadelphia, PA flac16; Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller  
1142. 07/12/87 Giants Stadium - East Rutherford, NJ flac16; Recording Info: Sets 1 & 2: SBD -> PCM -> Dat -> CD Set 3: (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
1143. 07/19/87 Autzen Stadium, University Of Oregon - Eugene, OR flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1  
1144. 07/24/87 Oakland-Alameda County Stadium - Oakland, CA flac16; Hat-Mounted Realistic PZM's with Sony WMD6-C, taped from 60 feet away,dead center, using Maxell MX 90 No nr, by Russ Cansler  
1145. 07/26/87 Anaheim Stadium - Anaheim, CA flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1146. 08/11/87 Red Rocks Amphitheatre - Morrison, CO flac16; Recording Info:SBD -> PCM -> Sonic Solutions -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC Original Transfer and Mastering by David Gans; Additional Transfer and Mastering By Charlie Miller  
1147. 08/12/87 Red Rocks Amphitheatre - Morrison, CO flac16; Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF (24bit/48k) Transfer Info: AIFF -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
1148. 08/13/87 Red Rocks Amphitheatre - Morrison, CO S:?>D>CD via Chris Larson  
1149. 08/15/87 Town Park - Telluride, CO PreFM SBD(Healy Mix)>MC>DAT>CDR>EAC>WAVE LAB>CD WAVE>MKW>SHN (Seekable)  
1150. 08/16/87 Town Park - Telluride, CO flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1151. 08/18/87 Compton Terrace Amphitheatre - Tempe, AZ flac16; Rich Gastwirt Recording: FOB Schoeps CMC 44 cardioids, ORTF > Sony PCM F1 > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT  
1152. 08/20/87 Park West Ski Resort - Park City, UT flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1153. 08/22/87 Calaveras County Fairgrounds - Angels Camp, CA flac16; Recording Info: UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller  
1154. 08/23/87 Calaveras County Fairgrounds - Angels Camp, CA flac16; Recording Info: UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1155. 09/07/87 Providence Civic Center - Providence, RI flac16; Recording Info:Sony ECM-220T -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> Adobe Audition v3.0 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller  
1156. 09/08/87 Providence Civic Center - Providence, RI flac16; Recording Info: SBD -> PCM -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering by Charlie Miller  
1157. 09/09/87 Providence Civic Center - Providence, RI flac16; Recording Info: UltraMatrix SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Matering by Charlie Miller  
1158. 09/11/87 Capital Centre - Landover, MD flac16; Master: Nakamichi CM100's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 2.13 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick  
1159. 09/12/87 Capital Centre - Landover, MD Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner.  
1160. 09/13/87 Capital Centre - Landover, MD flac16; Master: Nakamichi CM100's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 2.13 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick  
1161. 09/15/87 Madison Square Garden - New York, NY flac16; Recording Info: SBD -> Cassette Master (Sony D6/TDK MA-R90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee MiniMe -> Samplitude v7.02 Professional -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller  
1162. 09/16/87 Madison Square Garden - New York, NY flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1163. 09/18/87 Madison Square Garden - New York, NY Soundboard (Healy Ultra Box)->Cassette Master. Cassette Master->HHb CDR-850 (pass-through only)->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano  
1164. 09/19/87 Madison Square Garden - New York, NY flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, 137405 24bit > 16bit with r8brain  
1165. 09/20/87 Madison Square Garden - New York, NY flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 137407 > 24bits > 16bits with r8brain  
1166. 09/22/87 The Spectrum - Philadelphia, PA flac16; Matrix 2 Source Mix - SBD (shnid=134676) Recording Info: SBD -> Cassette Master -> Cassette (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; + AUD (shn id 90540) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend - matrix mixing by Kevin Tobin  
1167. 09/23/87 The Spectrum - Philadelphia, PA flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 137412 fixed 24bit > 16bit with r8brain  
1168. 09/24/87 The Spectrum - Philadelphia, PA flac16; Recording Info: Set 1: SBD -> PCM -> Dat -> CD Set 2: SBD -> PCM -> Dat (44.1k) Transfer Info: Set 1: CD -> Samplitude Professional v10.02 -> FLAC Set 2: Dat -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller (This source fixes a flaw in d1t03 of shn id 92282)  
1169. 10/02/87 Shoreline Amphitheatre - Mountain View, CA flac16; Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
1170. 10/03/87 Shoreline Amphitheatre - Mountain View, CA flac16; Recording Info: UltraMatrix SBD -> Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller  
1171. 10/04/87 Shoreline Amphitheatre - Mountain View, CA flac16; Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
1172. 11/06/87 Henry J Kaiser Convention Center - Oakland, CA flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
1173. 11/07/87 Henry J Kaiser Convention Center - Oakland, CA flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation  
1174. 11/08/87 Henry J. Kaiser Convention Center - Oakland, CA flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info:FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
1175. 11/13/87 Long Beach Arena - Long Beach, CA flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette (Maxell XLIIS); Set 2: SBD -> Cassette Master (TDK MA-R90); Transfer Info: Set 1: Cassette -> Samplitude Professional v10.1 -> FLAC; Set 2: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
1176. 11/14/87 Long Beach Arena - Long Beach, CA flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
1177. 11/15/87 Long Beach Arena - Long Beach, CA flac16; Recording Info: SBD -> Sony D6 Cassette Master (TDK MA-R90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
1178. 12/27/87 Oakland-Alameda County Coliseum - Oakland, CA flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1179. 12/28/87 Oakland-Alameda County Coliseum - Oakland, CA flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1180. 12/30/87 Oakland-Alameda County Coliseum - Oakland, CA flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1181. 12/31/87 Oakland-Alameda County Coliseum - Oakland, CA flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1182. 02/13/88 Henry J. Kaiser Convention Center - Oakland, CA flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Adobe Audition v1.5 -> FLAC/16; This is a re-master of shnid=85908; All Transfers and Mastering By Charlie Miller  
1183. 02/14/88 Henry J. Kaiser Convention Center - Oakland, CA flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Adobe Audition v1.5 -> FLAC/16; This is a re-master of shnid=85909; All Transfers and Mastering By Charlie Miller  
1184. 02/16/88 Henry J. Kaiser Convention Center - Oakland, CA flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Adobe Audition v1.5 -. FLAC/16; This is a re-master of shnid=88400; All Transfers and Mastering By Charlie Miller  
1185. 02/17/88 Henry J. Kaiser Convention Center - Oakland, CA flac16; SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1186. 03/12/88 Civic Auditorium - San Francisco, CA flac16; Source: KFOG-FM > Cassette (compilation tape of GD-related highlights, marked 3rd Gen) kindly provided from the collection of DL; Transfer: TDK SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 04/2017  
1187. 03/16/88 Henry J. Kaiser Convention Center - Oakland, CA flac16: Matrix by Jubal H. Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)  
1188. 03/17/88 Henry J. Kaiser Convention Center - Oakland, CA flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1189. 03/18/88 Henry J. Kaiser Convention Center - Oakland, CA flac16; Recording Info: SBD -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller  
1190. 03/24/88 The Omni - Atlanta, GA flac16; AUD: Sennheiser ME-80's > Keith L's lead deck > Sony TC-D5M > Maxell XLII-S 90's, OTS recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017  
1191. 03/26/88 Hampton Coliseum - Hampton, VA flac16; Matrix 4 Source Mix - SBD1:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller (shnid 91158) SBD2:Matrix Analog Cass Master-> DAT-> CDR, via Peter Braverman (shnid=7164) AUD1: Sennheiser ME-80's (taper section) > Sony TCD5M > Sony D-6 TDK MAX Master Cassette Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 Recorded and transferred by Dean Grabski (shnid 33950) AUD2: 1st or 2nd generation VHS supplied by Dan Sisler (no shnid) - matrix mixing by Kevin Tobin  
1192. 03/27/88 Hampton Coliseum - Hampton, VA flac16; Master: OTS Nakamichi CM100/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick  
1193. 03/28/88 Hampton Coliseum - Hampton, VA flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY-PAS)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD  
1194. 03/30/88 Meadowlands Arena - East Rutherford, NJ flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1195. 03/31/88 Meadowlands Arena - East Rutherford, NJ flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1196. 04/01/88 Meadowlands Arena - East Rutherford, NJ flac16; Source: SBD > In-house FM-mix > Sony SRF-4 FM receiver > Sony TC-D5M > Maxell MX-90's, w/no Dolby. Recorded inside the show, from OTS area. Transfer: MFC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.  
1197. 04/03/88 Hartford Civic Center - Hartford, CT flac16/44 Recording Info: (FOB) Schoeps CMC4/MK41 (Oade Brothers) > PCM Master (Robert Bryant) > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC/16  
1198. 04/05/88 Hartford Civic Center - Hartford, CT flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1199. 04/07/88 The Centrum - Worcester, MA flac16; Taper: M. Laurentus; In House FM- FM Reciever -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac  
1200. 04/08/88 The Centrum - Worcester, MA flac16: Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 - microphones (12th row-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files  
1201. 04/09/88 The Centrum - Worcester, MA flac16; source: pre fm 1st gen hifi vhs; Doug Lamarre’s copy; lineage: pre fm 10.5” reels > hifi vhs**; toshiba hifi vhs > adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger  
1202. 04/11/88 Joe Louis Arena - Detroit, MI flac16; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1203. 04/13/88 Rosemont Horizon - Rosemont, IL flac2496 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24  
1204. 04/15/88 Rosemont Horizon - Rosemont, IL flac16 Recording Info:SBD -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller  
1205. 04/22/88 Irvine Meadows - Irvine, CA flac16; AUD: Sennheiser MKH-816's > lead deck(s) > Sony TC-D5M > Maxell MX-90's, recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017  
1206. 04/23/88 Irvine Meadows - Irvine, CA flac16; AUD: Sennheiser MKH-816's > lead deck(s) > Sony TC-D5M > Maxell MX-90's, FOB recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017  
1207. 04/30/88 Frost Amphitheatre - Palo Alto, CA flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1208. 05/01/88 Frost Amphitheatre - Palo Alto, CA flac16; Source: (OTS/LOC) Superscope EC-7's [near coicident/cardioids] > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/transferred: Jeff Bowen; Extraction/seed: Brad Foster  
1209. 06/19/88 Alpine Valley Music Theatre - East Troy, WI flac16; Source (AUD): Shure SM57 (PAS, front row OTS, center, 7' up) > Sony WM-D6C (Maxell MX 90 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase (pre and post set fades, edit for tape flips, balance channels, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller  
1210. 06/20/88 Alpine Valley Music Theatre - East Troy, WI flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette (Sony D5/Dolby B); Set 2: SBD -> Cassette Master -> ? -> Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
1211. 06/23/88 Alpine Valley Music Theatre - East Troy, WI flac16; Source: 2 Neumann KMF4 microphones - 11th row > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files  
1212. 06/25/88 Buckeye Lake Music Center - Hebron, OH flac16; Sennheiser 421s> Sony D5> Sony D5> MAC> 1st Gen cassettes Taped by Lucien Zaleski and Andrew Kolodjeski. Transferred, Edited and Mastered by Alex Ford.  
1213. 06/26/88 Civic Arena - Pittsburgh, PA flac16/48kHz; Source: Audience recording > Schoeps MK2 > PCM > DAT (48k); provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; transferred by Charlie Miller; Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick September 2017  
1214. 06/28/88 Saratoga Performing Arts Center - Saratoga Springs, NY flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Tascam 122mkII) -> Focusrite Scarlett -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/16; Mastered By Charlie Miller  
1215. 06/30/88 Silver Stadium - Rochester, NY flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette (Sony D5/Dolby B); Set 2: SBD -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; Set 2: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
1216. 07/02/88 Oxford Plains Speedway - Oxford, ME flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD)  
1217. 07/03/88 Oxford Plains Speedway - Oxford, ME flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD)  
1218. 07/15/88 Greek Theatre, U. Of California - Berkeley, CA flac16; Fixed version Source Info: Healy-FM > FM Receiver(RCA output) > D-6 (Dolby C on) > Maxell MX-90; Transfer Info: Maxell MX-90 > Onkyo TA-2027(Dolby C on/azimuth adjusted) > Carver HR-722 > Sony M-10 (Wave 24bit/96k/tracked) > Soundforge 9 (fades / patch) > Converted to 16bit/44k w/ Audacity > Encoded to FLAC (level 8) w/ TLH; Original source marked pre-FM and had some files that were 44.1kHz and others 96kHz  
1219. 07/16/88 Greek Theatre, U. Of California - Berkeley, CA flac16; Source: NAK-CM100-CP4 Shotguns(2) TOA-K1 Cardoids(2) > Tascam PortaOne 4-Track; Cassette w/DBX Type II on > Maxell XLII-S90; Set up right of center on the hill behind seating and walkway on 2 mic stands 8'&12' high; Processing: Maxell XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps/start/end and patching) > encoded to FLAC (level 8) w/ TLH FM masters for patch processed the same as the audience masters (w/out dbx-224X) Maxell MX-90 > w/Onkyo TA-2027(Dolby C on)  
1220. 07/17/88 Greek Theatre, U. Of California - Berkeley, CA flac16; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1221. 07/29/88 Laguna Seca Recreation Area - Monterey, CA flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
1222. 07/30/88 Laguna Seca Recreation Area - Monterey, CA Recording Info:(FOB/Split 10 to 20 Feet)Nakamichi CM700/CP701 -> dbx type II encoder -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi Cassette Deck 1) -> dbx 224x -> Mytek 8X96ADC -> Nuendo (24bit) -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN); Process Info: Very slight eq with waves Q10 and rendered to a 16 bit file with waves L2; Editing Info: Normalized and Tracked with Samplitude v7.02 Professional; Recorded and Transfered BY Bill Reutelhuber; Edited By Charlie Miller 12/15/03 notes
1223. 07/31/88 Laguna Seca Recreation Area - Monterey, CA flac16; Taper: Greg Holtz SOURCE: Nakamichi CM-100 mics with CP-1 caps (In Hat FOB) Sony WM-D6 TRANSFER: By (JAZ) Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8  
1224. 08/28/88 Autzen Stadium, University Of Oregon - Eugene, OR flac16; Source: Healy SBD Ultramix Patch > Sony D5 > MSC(TDK MA-XG90 Type IV Cassettes). Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. Transfer and encoding by C. Ladner.  
1225. 09/02/88 Capital Centre - Landover, MD flac16; Recording Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (5th row center, OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16  
1226. 09/03/88 Capital Centre - Landover, MD flac16; (original shnid = 27749) verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; & (original shnid = 31224) Vault dat SBD (of encore) - pitch correction and patches by Kevin Tobin  
1227. 09/05/88 Capital Centre - Landover, MD flac16; Matrix 3 Source Mix - SBD1 (shnid = 80630) Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 83250) Set 2 only NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac + AUD2 (shnid = 131131) Complete Show OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD - matrix mixing by Kevin Tobin  
1228. 09/06/88 Capital Centre - Landover, MD flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Nakamichi 550 Cassette Deck (Lead Deck) >Sony WM-D6C Cassette Deck>TDK MA-90 Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR (24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper> Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section, Section 128 Row Bb,Seat 8  
1229. 09/08/88 The Spectrum - Philadelphia, PA flac16; Source: Schoeps CMC4/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: OTS first row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe  
1230. 09/09/88 The Spectrum - Philadelphia, PA flac16; Source: Schoeps CMC3/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 16th row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe  
1231. 09/11/88 The Spectrum - Philadelphia, PA flac16; Source: Schoeps CMC3/MK4 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 17th row; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe  
1232. 09/12/88 The Spectrum - Philadelphia, PA flac16; Source: Schoeps CMC4/MK41 > Oade P/S? > PCM (Master) > PCM (Clone1); Location: FOB 16th row center; PCM Transfer: Sony PCM 601ES > DAT (0) (44.1khz); Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/44.1)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT (0) provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe  
1233. 09/14/88 Madison Square Garden - New York, NY flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1234. 09/15/88 Madison Square Garden - New York, NY flac16; Matrix 2 Source Mix - SBD (shnid=5068) SBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min + AUD (shn id 88535) AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. - matrix mixing by Kevin Tobin  
1235. 09/16/88 Madison Square Garden - New York, NY flac16; Matrix 2 Source Mix - SBD (shnid=5289) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 90776) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin  
1236. 09/18/88 Madison Square Garden - New York, NY flac16; Matrix 2 Source Mix - SBD (shnid=12746) SBD>MC>C?>DAT>CDR; via Jools; Seeded to etree by eD + AUD (shn id 90920) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - matrix mixing by Kevin Tobin  
1237. 09/19/88 Madison Square Garden - New York, NY flac16; Matrix 2 Source Mix - SBD (shnid=15076) SBD>MC>DAT>CDR; Via Paul G; Seeded by T. Wiley + AUD (shn id 90976) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin  
1238. 09/20/88 Madison Square Garden - New York, NY flac16; Matrix 2 Source Mix - SBD (shnid=130698) Recording Info: SBD > DAT > C > DAT; Transfer Info:; DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC + AUD (shn id 90977) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - matrix mixing by Kevin Tobin  
1239. 09/22/88 Madison Square Garden - New York, NY flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename  
1240. 09/23/88 Madison Square Garden - New York, NY flac16; Matrix 2 Source Mix - SBD (shnid=5291) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 90983) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm 1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin  
1241. 09/24/88 Madison Square Garden - New York, NY flac16; Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files  
1242. 09/30/88 Shoreline Amphitheatre - Mountain View, CA flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1243. 10/01/88 Shoreline Amphitheatre - Mountain View, CA flac16; Recording Info: SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1244. 10/02/88 Shoreline Amphitheatre - Mountain View, CA flac16; Seamless fix of shn id 7637 - Cassette Soundboard>DAT>CDR>EAC>SHN(seekable)>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details  
1245. 10/14/88 Miami Arena - Miami, FL flac16; Recording Info: UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1246. 10/15/88 Bayfront Center Arena - St. Petersburg, FL flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 4, seat 3; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger  
1247. 10/16/88 Bayfront Center - St. Petersburg, FL flac16; Recording Info: UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1248. 10/18/88 Keifer Lakefront Arena - New Orleans, LA flac16; Matrix 3 Source Mix - SBD (shn id 17079) SBD(Healy Mix)>MC>HiFi VHS>DAT>CDR>CD WAVE>WAVE LAB>MKW>SHN Seeded to etree 05/07/03 by Steven Leeds + AUD1 (shn id 116240) Master Audience AKG414>Technics Dat>Sony D6 Dolby C; Taper White,Transfer By Keo; Tapes Maxell MX 90's; Transfer With Nakamichi MR-1,No Dolby C>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz + AUD2 (shn id 122747) Audience Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master supplied by Peanut Production for a video project - matrix mixing by Kevin Tobin  
1249. 10/20/88 The Summit - Houston, TX flac16; Source Info: Ted Mattes' Master Audience PCM (OTS); Schoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16  
1250. 10/21/88 Reunion Arena - Dallas, TX Recording Info: SBD -> Dat; Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC); Transferred and Edited By Charlie Miller charliemiller87@earthlink.net  
1251. 12/09/88 Long Beach Arena - Long Beach, CA AUD>DAT>CD; via Paul B; Seeded to etree by Willy  
1252. 12/10/88 Long Beach Arena - Long Beach, CA AUD>DAT>CD; via Paul B; Seeded to etree by Willy  
1253. 12/11/88 Long Beach Arena - Long Beach, CA AUD>DAT>CD; via Paul B; Seeded to etree by Willy  
1254. 12/28/88 Oakland-Alameda County Coliseum - Oakland, CA flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files  
1255. 12/29/88 Oakland-Alameda County Coliseum - Oakland, CA flac16; 2 Nak 100's w/ CP-4 Guns > Sony D5 > MAC > Nak dr-1 > 24/96 Wave > Wavelab 5 > UAD Plugs > R8Brain Pro > Izotope Ozone 3 (mbit +) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 )  
1256. 12/31/88 Oakland-Alameda County Coliseum - Oakland, CA flac16; SBD -> Cassette Master (Sony D5/TDK MAX-G90) All Transfers and Mastering By Charlie Miller  
1257. 02/05/89 Henry J Kaiser Convention Center - Oakland, CA flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus  
1258. 02/06/89 Henry J Kaiser Convention Center - Oakland, CA flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus  
1259. 02/07/89 Henry J Kaiser Convention Center - Oakland, CA flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus  
1260. 02/10/89 Great Western LA Forum - Inglewood, CA flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller  
1261. 02/11/89 Great Western LA Forum - Inglewood, CA flac16; Recording Info: Set 1: SBD -> Cassette Master -> Dat; Set 2: SBD -> PCM Master -> Dat; Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> WAV -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
1262. 02/12/89 Great Western LA Forum - Inglewood, CA flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.0.1 -> FLAC All Transfers and Mastering By Charlie Miller  
1263. 03/28/89 The Omni - Atlanta, GA flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename  
1264. 03/30/89 Greensboro Coliseum - Greensboro, NC flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper  
1265. 03/31/89 Greensboro Coliseum - Greensboro, NC flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Set 1: Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: Dat -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC  
1266. 04/02/89 Civic Arena - Pittsburgh, PA flac16; Matrix 2 Source Mix - SBD (shnid=17177) Matrix>DAT>CDR>EAC>SHN>WAV>CE2K>SHNTOOL>MKWACT. Editing/Seeding: MattMan + AUD (shn id 89780) AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008. - matrix mixing by Kevin Tobin  
1267. 04/03/89 Civic Arena - Pittsburgh, PA flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename  
1268. 04/05/89 Crisler Arena - Ann Arbor, MI flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1269. 04/06/89 Crisler Arena - Ann Arbor, MI flac16; Matrix 2 Source Mix - SBD (shnid=83508) Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 100672) Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 - matrix mixing by Kevin Tobin  
1270. 04/08/89 Riverfront Arena - Cincinnati, OH flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1271. 04/09/89 Freedom Hall - Louisville, KY flac16; Seamless fix of shn id 34962 - SBD>CM>DAT>CD>EAC>SHN(>WAV>FLAC). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details  
1272. 04/11/89 Rosemont Horizon - Rosemont, IL SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller notes
1273. 04/12/89 Rosemont Horizon - Rosemont, IL flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1274. 04/13/89 Rosemont Horizon - Rosemont, IL flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1275. 04/15/89 The Mecca - Milwaukee, WI flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 17 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 > HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software  
1276. 04/16/89 The Mecca - Milwaukee, WI flac16; Matrix 3 Source Mix - SBD (shn id 81703) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shn id 118402) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo + AUD2 (no shn id) Audience recording from Video soundtrack - matrix mixing by Kevin Tobin  
1277. 04/17/89 Metropolitan Sports Center - Minneapolis, MN flac16; Master Audience Recorded By Mr. Darby; AKGC451E/ck1's (PAS/Sec 2 Row 42 Seat 13/6 Feet High)> Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software  
1278. 04/28/89 Irvine Meadows - Irvine, CA flac16; SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1279. 04/29/89 Irvine Meadows - Irvine, CA flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1280. 04/30/89 Irvine Meadows - Irvine, CA flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1281. 05/06/89 Frost Amphitheatre - Palo Alto, CA flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller.  
1282. 05/07/89 Frost Amphitheatre - Palo Alto, CA flac16; Source: 2 Sonic Studio DSM-1Sx microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files  
1283. 05/27/89 Oakland-Alameda County Stadium - Oakland, CA flac16; SBD -> Cassette Master (Sony D5/Maxell MX90) All Transfers and Mastering By Charlie Miller  
1284. 06/19/89 Shoreline Amphitheatre - Mountain View, CA flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1285. 06/21/89 Shoreline Amphitheatre - Mountain View, CA flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1286. 07/02/89 Sullivan Stadium - Foxboro, MA flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac (Maxell XLIIS x 3) Transfer: mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich  
1287. 07/04/89 Rich Stadium - Orchard Park, NY flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1288. 07/07/89 John F. Kennedy Stadium - Philadelphia, PA flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 > Sony WM-D5; Tapes: Set 1: Maxell XLII-S 90, Set 2: Maxell MX-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename  
1289. 07/09/89 Giants Stadium - East Rutherford, NJ flac16; Master: FOB AKG 451's>Sony TC-D5>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick  
1290. 07/10/89 Giants Stadium - East Rutherford, NJ flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138789 24 bit -> 16 bit  
1291. 07/12/89 Robert F. Kennedy Stadium - Washington, DC flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1292. 07/13/89 Robert F. Kennedy Stadium - Washington, DC flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1293. 07/15/89 Deer Creek Music Center - Noblesville, IN flac16; Recording Info:Set 1 + Encore: SBD -> Master Cassette -> CD; Set 2: SBD -> Master Cassette -> Dat -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller  
1294. 07/17/89 Alpine Valley Music Theatre - East Troy, WI flac16; matrix of DSBD: shnid=17702 and AUD: shnid=92457 by hansokolow using ProTools  
1295. 07/18/89 Alpine Valley Music Theatre - East Troy, WI flac16; matrix of DSBD: shnid=9854 and AUD: shnid=92430 by hansokolow using ProTools  
1296. 07/19/89 Alpine Valley Music Theatre - East Troy, WI flac16; Matrix 4 Source Mix - SBD (shnid=437) DSBD> DAT> CD> eac> SHN; via N. Georges + AUD1 (shn id 92447) Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 + AUD2 (shnid=106492) TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion + VID (no shn id) low generation video supplied in dvd format by weem4me for video project - matrix mixing by Kevin Tobin  
1297. 08/04/89 Cal Expo - Sacramento, CA flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1298. 08/05/89 Cal Expo - Sacramento, CA flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1299. 08/06/89 Cal Expo - Sacramento, CA flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1300. 08/17/89 The Greek Theatre - University of California - Berkeley, CA flac16; RECORDED BY: Greg Holtz; SOURCE: Healy's MTX -> Sony Stereo receiver (10 feet from In House FM Broadcast Source) -> Sony WM-D6C; TRANSFER: (By: JAZ) Master Cassettes (Maxell MX 90 IEC TYPE IV METAL) Tascam 112, Metal & Dolby B engaged -> Korg MR-1 @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename  
1301. 08/18/89 The Greek Theatre - University of California - Berkeley, CA flac16; RECORDED BY: Greg Holtz; SOURCE: Healy's MTX -> Sony Stereo receiver (10 feet from In House FM Broadcast) -> Sony WM-D6C; TRANSFER: (By: JAZ) Master Cassettes (Maxell MX 90 IEC TYPE IV METAL) Tascam 112, Metal & Dolby B engaged -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename  
1302. 08/19/89 The Greek Theatre - University Of California - Berkeley, CA flac16; RECORDED BY: Greg Holtz; SOURCE: Healy's MTX -> Sony Stereo receiver (10 feet from In House FM Broadcast) -> Sony WM-D6C; TRANSFER: (By: JAZ) Master Cassettes (Maxell MX 90 IEC TYPE IV METAL) Tascam 112, Metal & Dolby B engaged -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename  
1303. 09/29/89 Shoreline Amphitheatre - Mountain View, CA flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1304. 09/30/89 Shoreline Amphitheatre - Mountain View, CA flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1305. 10/01/89 Shoreline Amphitheatre - Mountain View, CA flac16; Recording info on DAT: Schoeps CMC 42 S; DAT's provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> M-Audio USB transit>Audacity @ 16/48>16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 22, 2015 by Will Petty  
1306. 10/08/89 Hampton Coliseum - Hampton, VA flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1307. 10/09/89 Hampton Coliseum - Hampton, VA flac16; SBD + AUD Matrix - 4 Source Mix (60%-SBD, 10%-AUD1, 20%-AUD2, 10%-AUD3)  
1308. 10/11/89 Meadowlands Arena - East Rutherford, NJ flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1309. 10/12/89 Meadowlands Arena - East Rutherford, NJ flac16; matrix of SBD: shnid=83293 and AUD: shnid=89620 by hansokolow using ProTools  
1310. 10/14/89 Meadowlands Arena - East Rutherford, NJ flac16/48kHz; Ted Mattes FOB recording: Schoeps CMC34 w/stand at 110 degrees on Schoeps t-bar > Oade Power Supply > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT; Note: the original seed of this source had Set 1 at 16 bit 48kHz; Set 2 at 16 bit 44.1kHz; the fixed version is all 48kHz  
1311. 10/15/89 Meadowlands Arena - East Rutherford, NJ flac16; Master: AKG 458's>Sony TC-D5m>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, front row of the taper section Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick  
1312. 10/16/89 Meadowlands Arena - East Rutherford, NJ flac16; matrix of DSBD: shnid=446 and AUD: shnid=32131 (Set 1) and DAUD: shnid=34658 (Set 2) by hansokolow using ProTools  
1313. 10/18/89 The Spectrum - Philadelphia, PA flac16; Matrix 2 Source Mix - SBD (shn id 83776) SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 89963) MAV (Taped by LazyCow camera crew) JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Adobe Audition 3.0 - matrix mixing by Kevin Tobin  
1314. 10/19/89 The Spectrum - Philadelphia, PA flac16; matrix of SBD: shnid=83305 and DAUD: shnid=7595 by hansokolow using ProTools  
1315. 10/20/89 The Spectrum - Philadelphia, PA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)  
1316. 10/22/89 Charlotte Coliseum - Charlotte, NC flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)  
1317. 10/23/89 Charlotte Coliseum - Charlotte, NC flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1318. 10/25/89 Miami Arena - Miami, FL flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1319. 10/26/89 Miami Arena - Miami, FL flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1320. 12/06/89 Oakland-Alameda County Coliseum - Oakland, CA flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1321. 12/08/89 Great Western LA Forum - Inglewood, CA flac16; Ambient recording master by Mike French - Tapers From Hell From the Impact Zone, fob,dfc (same spot as entire 02-89 run, and entire 12-89 run) Sennheiser MKE2002 omni's HRTF stealth stereo -> Sony TC-D5M to 24/96 pcm: Sony TC-D5M and cassette master, no n.r. -> Tascam DVRA1000 in pcm mode @24/96 to flac: Tascam DVRA1000 in usb2.0 mode, master disc file import -> Mac G4 OS-X Tiger. Flac compression (6/8) by xACT by Scott Brown -> 16/44 conversion - shntool join -> Wavelabs 5: converted to 44100hz -> Isotope Ozone - dither: type mbit+, noise shaping high, bit depth 16, dither amount normal -> Wavelab - processed to 16bit -> Audacity: tracking only -> ffe l6 sector boundaries aligned>id3 tag <-Seamless transition between Discs 2 and 3->  
1322. 12/09/89 Great Western LA Forum - Inglewood, CA flac16/48 Recording Info: UltraMatrix Master Soundbonard Dat 16/48 > Dat clone 16/48 directly from Dat master. Transfer Info: Dat 16/48 (Sony PCM-R500) > Sound Devices 744T 16/48 > Adobe Audition 3.0 > TLH flac1648. Transfer by Charlie Miller. Mastered by Scott Clugston  
1323. 12/10/89 Great Western LA Forum - Inglewood, CA flac16; Recording Info: SBD (Dan Healy's UltraMatrix Mix) -> Dat (48k); Transfer Info: Dat (Tascam DA20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
1324. 12/27/89 Oakland-Alameda County Coliseum - Oakland, CA flac16; SBD -> Dat -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1325. 12/28/89 Oakland-Alameda County Coliseum - Oakland, CA flac16; SBD -> Master Cassette Transferred By David Gans Converted to FLAC By Charlie Miller  
1326. 12/30/89 Oakland-Alameda County Coliseum - Oakland, CA (OTS) Nakamichi CM-300/CP-4 > TCD-D10 Lineage: DAT-M > Tascam DA-30 > HHb CDR 800 Recorded/Transferred: Jeff Bowen Extraction [CD>EAC>WAV>FLAC]: Brad Foster  
1327. 12/31/89 Oakland-Alameda County Coliseum - Oakland, CA flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1328. 02/25/90 Oakland-Alameda County Coliseum - Oakland, CA flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1329. 02/26/90 Oakland-Alameda County Coliseum - Oakland, CA flac16/48kHz; Recording info: Schoeps cardioid CMC4/MK4 (FOB) > Oade Modified Arco Preamp > DAT (Panasonic SV-250/48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes  
1330. 02/27/90 Oakland-Alameda County Coliseum - Oakland, CA flac16; FOB AUD: Sennheiser MD-421's > Sony TC-D5M > TDK MA (1st Set), TDK MA-XG (2nd Set), with no Dolby. Mics on six-foot stand, at 90-degree spread, thirty feet from the stage, in the center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F.  
1331. 03/14/90 Capital Centre - Landover, MD flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1332. 03/15/90 Capital Centre - Landover, MD flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1333. 03/16/90 Capital Centre - Landover, MD flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.1.1 -> FLAC All Transfers and Mastering By Charlie Miller  
1334. 03/18/90 Hartford Civic Center - Hartford, CT flac16; Sennheiser ME-80's>Technics SV-MD1 (1st row OTS) 1st set recorded on Maxell R-90 DAT, 2nd Set Maxell R-120 DAT DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Recorded & Transferred By Keith Litzenberger  
1335. 03/19/90 Hartford Civic Center - Hartford, CT flac16; matrix of SBD: shnid=1526 and AUD: shnid=94400 by hansokolow using ProTools  
1336. 03/21/90 Copps Coliseum - Hamilton, ON flac16; Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
1337. 03/22/90 Copps Coliseum - Hamilton, ON flac16; Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
1338. 03/24/90 Knickerbocker Arena - Albany, NY flac16; Source: Nakamichi CM300/CP4 > Panasonic SV250 (48 khz); Location: OTS; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Dr. Stan Lobitz; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe  
1339. 03/25/90 Knickerbocker Arena - Albany, NY flac16; SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16; All Transfers And Mastering By Charlie Miller; Upgrade in circulation  
1340. 03/26/90 Knickerbocker Arena - Albany, NY flac16; Source: Schoeps CMC4/MK21 > Oade Cap Coupled Supply > Panasonic SV250 > DAT (48 khz); Config/Location: 110 degrees FOB Section 5, Row E, Seat 7; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.17(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe  
1341. 03/28/90 Nassau Coliseum - Uniondale, NY flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller  
1342. 03/29/90 Nassau Coliseum - Uniondale, NY flac16; matrix of shnid=33925 and shnid=91347 by Roger Eichorn (Fresh Legs, vol. 9)  
1343. 03/30/90 Nassau Coliseum - Uniondale, NY flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1344. 04/01/90 The Omni - Atlanta, GA flac16; matrix of SBD: shnid=87809 and AUD: shnid=3458 by hansokolow using ProTools  
1345. 04/02/90 The Omni - Atlanta, GA flac16; Source info: FOB/Schoeps CMC 421's> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal and Rick Katzeff; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio; Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); fix of SHNID 131205 due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC and seed  
1346. 04/03/90 The Omni - Atlanta, GA flac16; Source: FOB by Rick Katzeff using Schoeps CMC 44's> Oade p/s> SV 255> 1:1 clone; DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); fix of SHNID 131206 due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC and seed  
1347. 05/05/90 Cal State Dominguez Hills - Carson, CA flac16; Source: (3) Nakamichi cm300 [(2) cp4 Shotgun Capsules + (1) cp3 Super Omni] > Boss BX-4 Mixer > Aiwa HD-X1; Lineage: DAT/M > DAT/1 > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: John Lech; Transferred: Jeff Bowen; Extraction: Brad Foster  
1348. 05/06/90 Cal State Dominguez Hills - Carson, CA flac16; Source: 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files  
1349. 06/08/90 Cal Expo - Sacramento, CA flac16; Source: 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files  
1350. 06/09/90 Cal Expo - Sacramento, CA flac16/48kHz; Recorded by Sean Weber-Small with Schoeps CMC42s (FOB omnis spaced 8' with 5' 11" mic stands) -> Oade Power Supply -> Panasonic SV-250. Transfer from a DAT clone of Sean's Master by FOBAUD: Playback on Tascam DA20 -> Roland SRC-2 -> Mac Mini -> Audacity 2.1 -> WAV @48kHz  
1351. 06/10/90 Cal Expo - Sacramento, CA flac16; Source: 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files  
1352. 06/16/90 Shoreline Amphitheatre - Mountain View, CA flac16; Recording Info: SBD -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
1353. 06/17/90 Shoreline Amphitheatre - Mountain View, CA flac16; Recording Info: SBD -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
1354. 06/23/90 Autzen Stadium - University of Oregon - Eugene, OR flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1355. 06/24/90 Autzen Stadium, U. of Oregon - Eugene, OR flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1356. 07/04/90 Sandstone Ampitheatre - Bonner Springs, KS flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/20 Feet Directly In Front Of Left Lawn Stack/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes (Sony Metal-ES); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudiGate Software  
1357. 07/06/90 Cardinal Stadium - Louisville, KY flac16; Taper: Greg Holtz Source: Nakamichi CM-300's w/CP-4 shotgun caps FOB > D-5 Transfer: By (JAZ) Master Cassettes (Maxell MX100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8  
1358. 07/08/90 Three Rivers Stadium - Pittsburgh, PA flac16; Source: aud > Nakamichi CM-300 mics with CP-4 Shotgun Caps > Sony D-5 > mac Transfer: mac > Nakamichi ZX-7 > Tascam HD-P2 > wav 24/96 > adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav 16/44.1 > Cd Wave > TLH > Flac16  
1359. 07/10/90 Carter-Finley Stadium - Raleigh, NC flac16; Recording Info:SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
1360. 07/12/90 Robert F. Kennedy Stadium - Washington, DC flac16; Matrix mix of AUD shnid 121537 and SBD shnid 021980 with patches from shnid 97709; Mixed by Nick Crump  
1361. 07/14/90 Foxboro Stadium - Foxboro, MA flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename  
1362. 07/16/90 Rich Stadium - Orchard Park, NY flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
1363. 07/18/90 Deer Creek Music Center - Noblesville, IN flac16; Recorded by Dave Cohen and Justin Lee 2 Nakamichi CM300 Omnis Spaced at 2 meters>Nakamichi 550 w/dolby B Maxell XLIIS90s cassettes 3/4 of the way back in OTS, DFC; The Master Cassettes were played back with Azimuth adjustment and Dolby Decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Transfer by Dave Cohen  
1364. 07/19/90 Deer Creek Music Center - Noblesville, IN flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
1365. 07/21/90 World Music Theater - Tinley Park, IL flac16; Recording Info:SBD -> Dat Master (48k); Transfer Info:Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
1366. 07/22/90 World Music Theater - Tinley Park, IL flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; this source fixes a drop out in d2t03 of source ID 95870  
1367. 07/23/90 World Music Theater - Tinley Park, IL flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
1368. 09/07/90 Richfield Coliseum - Richfield, OH flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1369. 09/10/90 The Spectrum - Philadelphia, PA flac16; 2 Source Matrix by Dusborne; Soundboard (Shnid:80955)Recording Info: SBD -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16; Audience (Shnid:11807) Source: AUD(Nak. 300's>D-5)>CM>??>CDR>There maybe another Cass. gen in the lineage. Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)  
1370. 09/11/90 The Spectrum - Philadelphia, PA flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
1371. 09/12/90 The Spectrum - Philadelphia, PA flac16; SBD > Dat > Cassette Master (TDK SA100) > Dat (44.1k) > Sony D8 > VX Pocket 440 > Sony Vaio C1VP > Samplitude Professional v7.02 > FLAC; Transfers and Mastering By Charlie Miller  
1372. 09/14/90 Madison Square Garden - New York, NY flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller  
1373. 09/15/90 Madison Square Garden - New York, NY flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1374. 09/16/90 Madison Square Garden - New York, NY flac16; Taper: M. Laurentus; Loge/Taper Section Sec 57F,Row A,Seat 14; AT835B's- AT 8202’s-SONY TCD-5M-Cassette- Cassette-Tascam DR5 Line In-CD Wave- FLAC  
1375. 09/18/90 Madison Square Garden - New York, NY flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC. All Transfers and Mastering By Charlie Miller. (Fixes a dropout in shn id 79022; see info file for details)  
1376. 09/19/90 Madison Square Garden - New York, NY flac16; Recording Info: Set 1: SBD -> Cassette Master -> Sonic Solutions -> CD Set 2: SBD -> Dat Master -> Sonic Solutions -> CD Transfer Info: CD -> Samplitude Professional v9.1.1 -> FLAC Original Transfer and Mastering By David Gans Additional Editing and Tracking By Charlie Miller  
1377. 09/20/90 Madison Square Garden - New York, NY flac16; Recording Info: SBD -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
1378. 10/17/90 GrugaHalle - Essen, Germany flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7); Tapes:Maxell XL II 90,100 Taper:Friend Of Floater Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper  
1379. 10/20/90 Internationales Congress Centrum - Berlin, Germany flac16; matrix of SBD: shnid=12931 and DAUD: shnid=90641 by hansokolow using ProTools  
1380. 10/22/90 Festhalle - Frankfurt, Germany flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick  
1381. 10/27/90 The Zenith - Paris, France flac16; Source: Sennheiser ME-80/K3U > Sony TC-D5M (no dolby); Transfer: Sony TC-D5M (original used for master) > Tascam HD-P2 24/48 > CF Card > Sound Forge 8 (vol/fades) > WaveLab (UV22HR) CD WAVE > FLAC van den Hul The First Ultimate cable used between D-5 and HD-P2; Recorded and transferred by Dean Grabski  
1382. 10/28/90 The Zenith - Paris, France flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XLII 90,XLII-S 100 Taper:Friend Of Floater Tapes From Floater,Transfer By Keo; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper  
1383. 10/30/90 Wembley Arena - London, England flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1384. 10/31/90 Wembley Arena - London, England flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick  
1385. 11/01/90 Wembley Arena - London, England flac16; 2 Source Matrix by dusborne; Soundboard (shinid:34651) Souce: SBD > DAT > CDR > WAV > SHNv3 and Audience (shinid:90994) Source: DAUD Schoeps CMC54 > vms 5u > Sony D-10 2 Pro DAT x 1 Recorded by unknown German Taper, Dats provided by David Flaschner Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 > CD Wave > TLH > FLAC  
1386. 12/03/90 Oakland-Alameda County Coliseum - Oakland, CA flac16/48kHz; Rob Darroch FOB DFC Recording: B&K 4011s at 110 degrees ORTF on Schoeps T-bar > Neumann Power Supply > Panasonic SV255; 1st set stand at 6'1", 2nd set at 6'3"; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT  
1387. 12/04/90 Oakland-Alameda County Coliseum - Oakland, CA flac16; Source: 2 Beyer M160 Mics > Sony TC-D5M 25 feet from stage - center - mics @ 5.5 feet high on a stand > analog cassette master Maxell Metal cassettes with Dolby on - Limiter off Transfer: Analog cassette master (original record deck-Dolby off) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files  
1388. 12/09/90 Compton Terrace - Chandler, AZ flac16; source: SBD > DAT(x?) DAT from collection of Todd Evans - todd@bluedakota.com DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav tracked in CDWav/44.1 output  
1389. 12/12/90 McNichols Sports Arena - Denver, CO flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
1390. 12/13/90 McNichols Sports Arena - Denver, CO flac16; Recording Info:SBD -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
1391. 12/27/90 Oakland-Alameda County Coliseum - Oakland, CA flac16; Recording Info: Ultra Matrix SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138473 24 bit -> 16 bit  
1392. 12/28/90 Oakland-Alameda County Coliseum - Oakland, CA flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > Adobe Audition CC2015 > FLAC/24; All Transfers and Mastering By Charlie Miller  
1393. 12/30/90 Oakland-Alameda County Coliseum - Oakland, CA flac16; Recording Info: SBD (Dan Healy's UltraMatrix) -> Dat (48k); Transfer Info: Dat (Tascam DA20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
1394. 12/31/90 Oakland-Alameda County Coliseum - Oakland, CA flac16; Pre-FM > DAT > CD > EAC > CD > EAC > FLAC; Both EAC steps were done twice with correct setting to ensure accurate rips. Final EAC and FLAC conversion done by Bob Abrams, 2/21/08.  
1395. 02/19/91 Oakland-Alameda County Coliseum - Oakland, CA flac16;; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Fixed version of source ID 141847  
1396. 02/20/91 Oakland-Alameda County Coliseum - Oakland, CA flac16; SBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko  
1397. 03/17/91 Capital Centre - Landover, MD flac16; Matrix 2 Source Mix - SBD (shnid=8745) SBD>MC>DAT>CDR; via Tom Eliason; Seeded to etree by Willy + AUD (shn id 94062) Master:Sennheiser ME-80's>Technics SV-MD1 OTS Transfer:DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - matrix mixing by Kevin Tobin  
1398. 03/20/91 Capital Centre - Landover, MD flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)  
1399. 03/21/91 Capital Centre - Landover, MD flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)  
1400. 03/23/91 Knickerbocker Arena - Albany, NY flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1401. 03/24/91 Knickerbocker Arena - Albany, NY flac16; Recording Info: SBD -> Cassette Master (TDK (SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller  
1402. 03/25/91 Knickerbocker Arena - Albany, NY flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1403. 03/27/91 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16; Fix of shn id 14486 - SBD -> Cm (Sony D5) -> Dat. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details  
1404. 03/28/91 Nassau Coliseum - Uniondale, NY flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1405. 03/29/91 Nassau Coliseum - Uniondale, NY flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller  
1406. 04/01/91 Greensboro Coliseum - Greensboro, NC flac16; SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> CD Transferred and Edited By Charlie Miller  
1407. 04/04/91 The Omni - Atlanta, GA flac16; Recording Info:SBD -> Cassette Master -> Cassette (Sony D5/TDK SA90); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
1408. 04/07/91 Orlando Arena - Orlando, FL flac16; Recording Info: Set 1: SBD -> Cassette Master (TDK SA-X100); Set 2: SBD -> Dat (44.1k); Set 1 Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/16; Set 2 Transfer Info: Dat (Sony R500) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
1409. 04/08/91 Orlando Arena - Orlando, FL flac16; Recording Info: SBD -> Cassette Master (TDK (SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller  
1410. 04/09/91 Orlando Arena - Orlando, FL flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC/24; All Transfers and Mastering By Charlie Miller; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper.  
1411. 04/27/91 Sam Boyd Silver Bowl - Las Vegas, NV flac16; 3 source matrix: a - SBD -> Dat -> Cassette Master -> Dat (48k) (shnid 26332) b - FOB Schoeps CMC 32 Omni (on stands 6' 2" high and spaced 8 feet) > Panasonic sv250 (shnid 93470) c - video soundtrack, 3rd Gen VHS supplied by Donald Buderus and extracted by Awolfoutwest a - 60% both channels, b - 40% left channel, c - 40% right channel  
1412. 04/28/91 Sam Boyd Silver Bowl, U.N.L.V. - Las Vegas, NV flac16; 3 source matrix: a - shnid 92278: Set 1: SBD -> Dat -> Cassette Master -> Dat -> CD, Set 2: SBD -> Dat (44.1k), b - shnid 93469: FOB Digital Audience Recording Recording Equipment: Neumann U89 (on stands 6' 2" high and spaced 8 feet) > Sony D10 Pro Recorded By: James Young c - video soundtrack, 3rd Gen VHS supplied by Donald Buderus and extracted by Awolfoutwest; Mix: a - 60%, b - 20%, c - 20%  
1413. 05/11/91 Shoreline Amphitheatre - Mountain View, CA flac16; Source: 2 Neumann KMF4 microphones (20th row-center)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files  
1414. 05/12/91 Shoreline Amphitheatre - Mountain View, CA flac16; SBD -> Dat Transferred and Edited By Charlie Miller  
1415. 06/01/91 Los Angeles Coliseum - Los Angeles, CA flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1416. 06/09/91 Buckeye Lake Music Center - Hebron, OH flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This is 138321 24 bit -> 16 bit  
1417. 06/14/91 Robert F. Kennedy Stadium - Washington, DC flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:016816) Lineage: DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN and Audience (shnid:094371) Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger  
1418. 06/16/91 Giants Stadium - East Rutherford, NJ flac16; 2 Source Matrix by Dusborne Soundboard (shnid:034783) Seamless fix of shinid=17028 by Bill Tetzeli: Source: DSBD->DAT->Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S and Audience (shnid:122648) Master Audience Recorded By Mr. Currier, Transfer By Keo AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's  
1419. 06/17/91 Giants Stadium - East Rutherford, NJ flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, 24bit > 16bit with r8brain  
1420. 06/20/91 Pine Knob Music Theater - Clarkston, MI sbd.dlseries#11.flac  
1421. 06/22/91 Soldier Field - Chicago, IL flac16; Recording Info: SBD -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
1422. 06/24/91 Sandstone Ampitheatre - Bonner Springs, KS flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/2nd Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony Tc-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename  
1423. 06/25/91 Sandstone Ampitheatre - Bonner Springs, KS flac16; nak300>cp4>pmd430 no dbx; ots dfc mics@12 ft. pas; cass(m)>hhb830 cds 16/44.1 in 2003; cd>audacity +2.1.cdwave splits tlh flac 8; t&s by c. cage  
1424. 06/28/91 Mile High Stadium - Denver, CO SBD> Dat> Samplitude> CD, Seed Supplied By David Gans; Transfer Info: Sony R500> Behringer SRC2000> M-Audio Dio 2448> Compaq 5452, Transfer done by Charlie Miller; Recorded with Samplitude v6.0, Fades done with Cool Edit Pro v1.2, Tracked with CDWave v1.71, SHN'd with MKW v0.97 Beta1  
1425. 08/12/91 Cal Expo - Sacramento, CA flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-S Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo  
1426. 08/13/91 Cal Expo - Sacramento, CA flac16; DAT Master SBDs, no transfer info > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11  
1427. 08/14/91 Cal Expo - Sacramento, CA Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files  
1428. 08/16/91 Shoreline Amphitheatre - Mountain View, CA flac16; Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller  
1429. 08/17/91 Shoreline Amphitheatre - Mountain View, CA flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files  
1430. 08/18/91 Shoreline Amphitheatre - Mountain View, CA flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded,Transferred & Uploaded By Keith Litzenberger  
1431. 09/05/91 Richfield Coliseum - Richfield, OH flac16; sbd > dat > cassette > dat > cdr; Levels Ran Throughout(to my fine tuned ears) way Too HOT!!; Decoded To Wave w/Traders Little Helper v2.7.1; Normalized to -7 dB w/Audacity v2.0.1(64 bit), DC Offsets Removed. Channels Independently Changed. Clipped Excess Blank/Silent Space at end of 1st & 2nd sets. Fixed Gap Between d1t01 & d1t02. Encoded to Flac Level 8 w/TLH. Tagged w/Foobar2000 v.1.1.13/tradersfriend addon. Checksums Rehashed & Verified w/TLH v2.7.1; Additional Editing & Coding By Joe "Terrapin" Barberi  
1432. 09/08/91 Madison Square Garden - New York, NY flac16; SBD + AUD Matrix Mix - 3 Source Mix: SBD (shnID = 75772), AUD1 (shnID = 96398) and AUD2 (shnID = 98392); 65%-SBD, 20%-AUD1, 15%-AUD2  
1433. 09/09/91 Madison Square Garden - New York, NY flac16; This is a matrix of these sources: SBD: shnid=508 (DSBD>>DAT>>CDA) // DAUD: shnid=96399 (Recording Equipment: B&K 4011 110∫ ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro)  
1434. 09/10/91 Madison Square Garden - New York, NY flac16; Matrix synch completed by Amdig SBD + AUD Matrix from 2 GEMS Source Mix (65%-SBD/35%-AUD) Time sych done in CEPro 2.0 Multitrack matrix mixdown to 24/48 in CEPro 2.0 Final Matrix Matstering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by BlueDakota. Tracked in Wavelab 6.0, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging; Matrix Recordings Created from these GEMS Sources: source ID 89085 - GEMS DSBD (DSBD 16-bit, 44.1kHz Vault DAT Clone) and source ID 96422 - GEMS FOB Aud (Master FOB DAT 16-bit, 48kHz)  
1435. 09/12/91 Madison Square Garden - New York, NY flac16; This is a matrix of these sources: DSBD: shnid=28871 (soundboard > DAT > CDR > SHN) // DAUD: shnid=97386 (B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro)  
1436. 09/13/91 Madison Square Garden - New York, NY flac16; DSBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko; No cut in Masterpiece  
1437. 09/14/91 Madison Square Garden - New York, NY flac16; This is a matrix of these sources: SBD: shnid=77789 (SBD -> Dat -> CD) // DAUD: shnid=97388 (B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro)  
1438. 09/16/91 Madison Square Garden - New York, NY flac16; SBD + AUD Matrix Mix (65%-SBD, 35%-AUD) Source Info: SBD (shnID = 525) > DAT > CD > EAC > SHN and FOB AUD (shnID = 97389) Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2 > Modified Sony TCD D-10 Pro Recorded By: James Young and Clay Brennecke  
1439. 09/18/91 Madison Square Garden - New York, NY flac16; This is a matrix of these sources: SBD: shnid=2788 (DSBD -> DAT -> CD -> EAC -> SHN) // DAUD: shnid=97391 (B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro)  
1440. 09/20/91 Boston Garden - Boston, MA flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename  
1441. 09/21/91 Boston Garden - Boston, MA flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flcked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename  
1442. 09/22/91 Boston Garden - Boston, MA flac16; 3 Source Matrix byDusborne;Soundboard (shnid:83156)Soundboard -> DAT @ 48kHz,Audience set 1(shnid:101440)B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro,16 bit - 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0, Audience Set 2 (shnid:124594)AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's,Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz  
1443. 09/24/91 Boston Garden - Boston, MA flac16; DSBD Masters; DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017  
1444. 09/25/91 Boston Garden - Boston, MA flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither  
1445. 09/26/91 Boston Garden - Boston, MA flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v7.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
1446. 10/27/91 Oakland-Alameda County Coliseum - Oakland, CA flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139272 24 bit -> 16 bit  
1447. 10/28/91 Oakland-Alameda County Coliseum - Oakland, CA flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139274 24 bit -> 16 bit  
1448. 10/30/91 Oakland-Alameda County Coliseum - Oakland, CA flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139275 24 bit -> 16 bit  
1449. 10/31/91 Oakland-Alameda County Coliseum - Oakland, CA flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139276 24 bit -> 16 bit  
1450. 11/03/91 Polo Field, Golden Gate Park - San Francisco, CA flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
1451. 12/27/91 Oakland-Alameda County Coliseum - Oakland, CA flac16; Recording Info: UltraMatrix SBD > Dat Master (44.1k); Transfer Info: Dat Master (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X4 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller  
1452. 12/28/91 Oakland-Alameda County Coliseum - Oakland, CA flac16; Lineage: Clone of Master DAT Recording Equipment: B&K 4011 > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by Marcus Buick and James Young Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Tag & Rename for FLAC Meta-Data Tagging  
1453. 12/30/91 Oakland-Alameda County Coliseum - Oakland, CA flac16; SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller  
1454. 12/31/91 Oakland-Alameda County Coliseum - Oakland, CA flac16; SBD->Satellite Feed->DAT>CDR->WAV->SHNv3->FLAC; fix of shn id 5921  
1455. 02/21/92 Club Front Studio - San Rafael, CA Seeded to abgd by Doo Dah Man; Note original files contained an SFV integrity file. Md5 was created from the original shns and provided to the etree db here.  
1456. 02/23/92 Oakland-Alameda County Coliseum - Oakland, CA flac16; Source: Audience recording > Schoeps cmc4 mk21 > Oade modified Panasonic SV-255 > Dat (48k); Fob recording by Rick Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfer by Charlie Miller; edited and mastered SIRMick April 2017  
1457. 02/24/92 Oakland-Alameda County Coliseum - Oakland, CA flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tape Set 1:Maxell MX-S,Set 2:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename  
1458. 03/05/92 Hampton Coliseum - Hampton, VA B&K4011's ORTF FOB On Stand (6 - 7 feet high) >Neumann BS48i-2 Supply> Modified Sony D10 Pro (Modified by Bob Katz) Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410>Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC  
1459. 03/06/92 Hampton Coliseum - Hampton, VA flac16/48kHz; DAT soundboard master > Cassette; Cassette > DAT via Nakamichi Dragon to Sony PCM R-500 DAT 48khz; Digital Transfer and FLAC encoding by Jim Wise: October 2014; DAT played back on a Sony PCM R-500-> Digital Audio Labs Carddeluxe-> WAV [16/48]; Adobe Audition 3.0- FLAC encoding; Digital Transfer and FLAC encoding by Jim Wise: October 2014  
1460. 03/12/92 Nassau Coliseum - Uniondale, NY flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS, left side (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1 kHz) > TLH > FLAC. Taped and transferred by Andrew F.  
1461. 03/13/92 Nassau Coliseum - Uniondale, NY flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1462. 03/17/92 The Spectrum - Philadelphia, PA flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony WM-D6; Set 1 Tape:Maxel MX-S 90, Set 2 Tape:TDK MA-110; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed Trader's Little Helper; Metadata Tagging With Tag&Rename  
1463. 03/18/92 The Spectrum - Philadelphia, PA flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich  
1464. 03/20/92 Copps Coliseum - Hamilton, ON flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
1465. 05/19/92 Cal Expo - Sacramento, CA flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller  
1466. 05/21/92 Cal Expo - Sacramento, CA flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename  
1467. 05/25/92 Shoreline Amphitheatre - Mountain View, CA flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Loge Section 202 Row H Seat 23/6 Feet High)> Whirlwind Phantoms>Teac DA-P20>Sony TC-D5M,Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename  
1468. 05/31/92 Sam Boyd Silver Bowl, U.N.L.V - Las Vegas, NV flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1469. 06/11/92 Knickerbocker Arena - Albany, NY flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1470. 06/12/92 Knickerbocker Arena - Albany, NY flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1471. 06/14/92 Giants Stadium - East Rutherford, NJ flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
1472. 06/15/92 Giants Stadium - East Rutherford, NJ flac16; SBD -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller  
1473. 06/18/92 Charlotte Coliseum - Charlotte, NC flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller  
1474. 06/20/92 Robert F. Kennedy Stadium - Washington, DC flac16; Recording Info: SBD -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v8.01 -> FLAC with fixed d2t01 by Tim Leavy (see info file for details). This is a fixed version of shn ID shn id 32488  
1475. 06/22/92 Star Lake Amphitheatre - Burgettstown, PA flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename  
1476. 06/23/92 Star Lake Amphitheatre - Burgettstown, PA flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename  
1477. 06/25/92 Soldier Field - Chicago, IL flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller  
1478. 07/01/92 Buckeye Lake Music Center - Hebron, OH flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1479. 12/03/92 McNichols Sports Arena - Denver, CO flac16; Master Audience Recorded By Mr. Walker And Mr. Darby; AKGC460B/CK61's (DIN/Section FFF,Row 3, Seat 4/6 Feet High)> AKGB18 (With 48 Volt Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1,Maxell MX-S,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename  
1480. 12/05/92 Compton Terrace Amphitheatre - Tempe, AZ flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DID/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1 Maxell MX-s,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software  
1481. 12/06/92 Compton Terrace Amphitheatre - Tempe, AZ flac16; matrix of DSBD: shnid=94107 and DAUD: shnid=33956 by hansokolow using ProTools  
1482. 12/11/92 Oakland-Alameda County Coliseum - Oakland, CA flac16; Schoeps CMC-441's > Panasonic SV-255> DAT (clone) ; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) ; Taped By (likely) Ed Boardman ; Transfer By Scott Swayne (AltheasBoy) in 06/2007  
1483. 12/13/92 Oakland-Alameda County Coliseum - Oakland, CA flac16; Schoeps CMC441's > Panasonic SV-255 > (clone) Teac DA-P20; Transfer: Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8)  
1484. 12/16/92 Oakland-Alameda County Coliseum - Oakland, CA sbd.dickspicks#27.flac  
1485. 01/24/93 Oakland-Alameda County Coliseum - Oakland, CA flac16; source: 2 Neumann KMF4's up front-center> Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files  
1486. 01/25/93 Oakland-Alameda County Coliseum - Oakland, CA flac16; Recording Info: SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16/44.1  
1487. 01/26/93 Oakland-Alameda County Coliseum - Oakland, CA flac16; Recording Info: SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 This file set is 16 bit @ 44.1  
1488. 02/13/93 Club Front - San Rafael, CA Club Front Studio Rehearsal; DSBD->CD->EAC->SHN; CD->EAC->SHN by Joe Samaritano  
1489. 02/21/93 Oakland-Alameda County Coliseum - Oakland, CA flac16; SBD> DAT> Steve Block CAS master> DAT> CDR> Sequoia 11-> WAV  
1490. 02/23/93 Oakland-Alameda County Coliseum - Oakland, CA flac16; Matrix 2 Source Mix - SBD (shnid = 1611) SBD> DAT> Sonic Solutions (for phase correction)> CD; via Mike Hall + AUD (shnid = 141067) fl1c6/44.1 Source Info: FOB Schoeps CMC 54-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel - matrix mixing by Kevin Tobin  
1491. 03/10/93 Rosemont Horizon - Rosemont, IL flac16; Recording Info: SBD -> Master Dat (44.1k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
1492. 03/11/93 Rosemont Horizon - Rosemont, IL flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)  
1493. 03/16/93 Capital Centre - Landover, MD flac16; Recording Info: SBD -> Master Dat (44.1k); Transfer Info: Master Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
1494. 03/17/93 Capital Centre - Landover, MD flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC  
1495. 03/17/93 Capital Centre - Landover, MD flac16; **SOUNDCHECK** Recording Info: Unknown Mics -> ? -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC  
1496. 03/24/93 Dean Smith Center - Chapel Hill, NC flac16; Recording Info: SBD -> Dat Master (48k) Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller  
1497. 03/27/93 Knickerbocker Arena - Albany, NY flac16; Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat Set 2: SBD -> Dat Transfer Info: Set 1: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> WAV Set 2: Dat (Fostex D5) -> Audiophile 2496 -> Samplitude Professional v7.02 -> WAV Mastering Info: WAV -> Samplitude Professional v10.1 -> FLAC All Transfers By Charlie Miller and Joe Samaritano All Mastering By Charlie Miller  
1498. 03/31/93 Nassau Coliseum - Uniondale, NY Soundcheck ; *Note* this is a fixed copy of Ken K's original flac seed. Source: Unknown Generation cassette (a montior feed or an "AUD" tape made inside the venue?) ; Transfer & Encoding by Ken K. ; track renaming and sector error fix by one of the folks @ tmnsp.net  
1499. 03/31/93 Nassau Coliseum - Uniondale, NY flac16; Recording Info: SBD -> Master Dat (44.1k); Transfer Info: Master Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
1500. 04/01/93 Nassau Coliseum - Uniondale, NY flac16; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Sony DT-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC 1644. Taped/transfer Andrew F.  
1501. 04/02/93 Nassau Coliseum - Uniondale, NY SBD>DAT>C>DAT>CDR>EAC>WAV>MKW>SHNv3  
1502. 04/04/93 Nassau Coliseum - Uniondale, NY flac16; SBD > DAT > C > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko  
1503. 05/16/93 Sam Boyd Silver Bowl, U.N.L.V. - Las Vegas, NV flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1504. 05/21/93 Shoreline Amphitheatre - Mountain View, CA flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller  
1505. 05/26/93 Cal Expo - Sacramento, CA flac16; Recording Info: FOB Schoeps Mk2 Omni Capsule (omnis in hat) spaced 8 feet apart -> Schoeps Active Cables -> Schoeps CMC 5 Mic Body -> Monster M1000 Jumper -> Neumann Supply -> Canare Cable -> Panasonic sv255 DAT Clone > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 using Ozone and L2 for dither Tracked: Cdwave Flac'ed Level 8 Tlh  
1506. 05/27/93 Cal Expo - Sacramento, CA flac16; SBD> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller  
1507. 06/05/93 Giants Stadium - East Rutherford, NJ flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, set up back of floor. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 12/2009  
1508. 06/06/93 Giants Stadium - East Rutherford, NJ flac16:; Replaygain and repeat-glitch fix of DSBD>CDR>shn>WAV>FLAC: SHNID 34835, which was in turn a seamless fix of SHNID 8246.  
1509. 06/25/93 Robert F. Kennedy Stadium - Washington, DC flac16; Recording Info: SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
1510. 06/26/93 Robert F. Kennedy Stadium - Washington, DC flac16; Recording Info:SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
1511. 08/21/93 Autzen Stadium, University of Oregon - Eugene, OR flac16; Source: FM Signal (KLCC 89.7) -> Harmon Kardon receiver -> HiFi Stereo VCR Lineage: HiFi Stereo VCR -> Teac P20 DAT -> Edirol UA-3FX -> Amadeus -> Flac Taped/Transferred: Mike Albright  
1512. 08/22/93 Autzen Stadium, University Of Oregon - Eugene, OR flac16; matrix of DSBD: shnid=562 and DAUD: shnid=97076 by hansokolow using ProTools  
1513. 09/08/93 Richfield Coliseum - Richfield, OH flac16; Source:Audience Recording(Sony WM-D6C Cassette Deck)>Master Cassette>Nakamichi 300 Mics W/CP4 Shotguns> Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper> Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Taper Section, Section 5,Row DD,Seat 1  
1514. 09/13/93 The Spectrum - Philadelphia, PA flac16; SBD -> Master Dat (48k) All Transfers and Mastering By Charlie Miller  
1515. 09/16/93 Madison Square Garden - New York, NY flac16; Recording Info: Set 1: SBD -> Dat -> Master Cassette -> Dat -> CD; Set 2: SBD -> Dat (48k); This is a pitch corrected version of shnid 94226; SIRMick January 2018  
1516. 09/20/93 Madison Square Garden - New York, NY flac16; Soundboard->Master DAT->Sonic Solutions->Master CD. Master CD->EAC->FLAC. EAC, Re-track, and FLAC by Joe Samaritano  
1517. 09/21/93 Madison Square Garden - New York, NY flac16; Recording Info: SBD -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC charliemiller87@earthlink.net  
1518. 09/22/93 Madison Square Garden - New York, NY flac16; Matrix 2 Source Mix - SBD (shnid = 137337) Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140821) Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick January 2018 - matrix mixing by Kevin Tobin  
1519. 09/28/93 Boston Garden - Boston, MA flac16; Source:Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using traders Little Helper.Taped By Dave Boedicker,Taper; Section,Section 38,Row CC,Seat 14  
1520. 09/29/93 Boston Garden - Boston, MA flac16; Source: Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little helper. Taped By Dave Boedicker, Taper Section, Section BB, Row 34,Seat 1  
1521. 09/30/93 Boston Garden - Boston, MA flac16; Source: Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker, Taper Section CC,Row 38,Seat 14  
1522. 12/08/93 Sports Arena - Los Angeles, CA flac16; Recording Info: SBD -> Dat -> CD (Tascam CDRW700) Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller  
1523. 12/09/93 Sports Arena - Los Angeles, CA flac16; Recording Info: SBD -> Dat -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC; All Transfers and Mastering By Charlie Miller  
1524. 12/10/93 Sports Arena - Los Angeles, CA flac16; Recording Info: SBD -> Dat Transfer Info: Dat -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller  
1525. 12/17/93 Oakland-Alameda County Coliseum - Oakland, CA flac16; Recording Info: SBD -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC; All Transfers and Mastering By Charlie Miller  
1526. 12/18/93 Oakland-Alameda County Coliseum - Oakland, CA flac16; Recording Info: SBD -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC; All Transfers and Mastering By Charlie Miller  
1527. 02/25/94 Oakland-Alameda County Coliseum - Oakland, CA flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves X-Noise in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky  
1528. 03/16/94 Rosemont Horizon - Rosemont, IL flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700/44.1k); Transfer Info: Dat Master (Panasonic SV-3800) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller  
1529. 03/21/94 Richfield Coliseum - Richfield, OH SBD > DAT > CDR > SHNv3; via johnathan miller, candyman  
1530. 03/23/94 Nassau Coliseum - Uniondale, NY flac16; Source: NAK300 Guns > Shure FP32 > Sony D7; Location: Center Ice Owners Box; Transfer: Fostex D5 > Toslink > Motu Traveler > MacBook Pro > Peak Pro (Tracks/Fades); Recorded & Upped By: Ted Cappelen  
1531. 03/24/94 Nassau Coliseum - Uniondale, NY Source: Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3. Transfer discs provided by JA BUZZ, DAE and SHN via Chris L./candyman FTP.  
1532. 03/27/94 Nassau Coliseum - Uniondale, NY Recording Info: SBD -> Dat (Vault Master) -> Sonic Solutions -> CD -> Eac -> SHN; Patched and SHN'd By Charlie Miller  
1533. 03/28/94 Nassau Coliseum - Uniondale, NY flac16/48kHz; Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT  
1534. 03/30/94 The Omni - Atlanta, GA flac16; Source: (ORTF/110^/DFC/FOB/16th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts  
1535. 03/31/94 The Omni - Atlanta, GA Recording Info: SBD -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN Encore Is Missing (I Fought The Law) Transfered By Charlie Miller.  
1536. 04/01/94 The Omni - Atlanta, GA flac16; nak300>cp4>2ch mixer>sony d7 16/44.1; OTS 2nd row dfc 12ft. DIN dat(m)> hhb830 cd>cdwave>tlh flac 8; t&s by c. cage  
1537. 04/04/94 Sports Arena - Orlando, FL SBD>DAT>Cassette>DAT>CDRx2; New eac of original seed discs; See info file for details; via Mick McGinnis; Seeded to etree by chris L  
1538. 04/06/94 Miami Arena - Miami, FL flac16; mixed sources, incl soundcheck: Set 1: (FOB) Schoeps MK4> Dat> CD, Set 2: SBD> Dat> CD, Encore: (FOB) Schoeps MK4> Dat> CD, Soundcheck: SBD> Dat> MiniDisc> Cool Edit Pro> CD; Transfer: WAV> Samplitude Professional v8.0> FLAC; Transferred and Edited By Charlie Miller notes
1539. 04/07/94 Miami Arena - Miami, FL DSBD > CD > EAC > SHN; Liberty supplied by the FOB-AUD(Schoeps MK4>SV250)>DAT>CDR source; EAC/SHN by Darryl Hinko  
1540. 07/02/94 Shoreline Amphitheatre - Mountain View, CA flac16; source: 2 Neumann KMF4 microphones -12th row-center > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files  
1541. 07/03/94 Shoreline Amphitheatre - Mountain View, CA flac16; Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files  
1542. 07/20/94 Deer Creek Music Center - Noblesville, IN SBD> DAT> WAV> CDR> WAV> SHN; via darkstar13311 notes
1543. 07/26/94 Riverport Amphitheatre - Maryland Heights, MO flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> AKGBP18s>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename; Taper had access to a second pair of AKG 451EBs so he ran 2 master copies  
1544. 07/26/94 Riverport Amphitheatre - Maryland Heights, MO flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: Waves X-Noise, iZotope Ozone 3 EQ and Nomad LM-662 in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky  
1545. 07/31/94 The Palace - Auburn Hills, MI flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger  
1546. 08/01/94 The Palace - Auburn Hills, MI Neumann TLM 170i's (cardioid) > Modified D10 pro II. Transfer: DA-P1 > Audiophile 2496 > Sound Forge 6 (48 > 44.1 on 4 w/anti alias) > CDWave > mkwACT by Doug Nawrocki  
1547. 08/03/94 Giants Stadium - East Rutherford, NJ flac16/48; Schoeps CMC54's>Aerco>Sony TCD-D10PROII, FOB (@15th Row Center) Recorded By Travitz & Keith Litzenberger Transferred to WAV By Watson WAV>FLAC Conversion & Upload by Keith Litzenberger Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC  
1548. 08/04/94 Giants Stadium - East Rutherford, NJ flac16; Source Info: FOB Schoeps CMC5 Mk 21-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel  
1549. 09/17/94 Shoreline Amphitheatre - Mountain View, CA flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
1550. 09/27/94 Boston Garden - Boston, MA flac16/48kHz; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller  
1551. 09/28/94 Boston Garden - Boston, MA flac16; Recording Info: SBD -> Dat -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
1552. 09/29/94 Boston Garden - Boston, MA Dsbd>D>C>D>CD; Seeded to etree by Chris Larson  
1553. 10/01/94 Boston Garden - Boston, MA flac16; Matrix by Hunter Seamons using Soundtrack/Final Cut Pro(SHN>AIFF>Soundtrack>Final Cut>WAV>FLAC)  
1554. 10/02/94 Boston Garden - Boston, MA flac16; AUD: Nakamichi CM300/CP4 shotguns > Casio DA-7 > TDK DC4 DAT. Mics on 7-foot stand, end of floor, center & straight back by the hockey wall. Transfer: MAD > Sony TC-D8 > Optical out > Edirol FA-66 > Wavelab 1648 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F. 02/2015  
1555. 10/03/94 Boston Garden - Boston, MA flac16/48kHz; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48; All Transfers and Mastering By Charlie Miller  
1556. 10/05/94 The Spectrum - Philadelphia, PA flac16/48kHz; Source: Sony C38B > SV-250; Conversion: DAP1 > PMD661 > Audacity (Normalizing and Dither) > CDWave > TLH >foobar2000 (tagging); Recorded by Stan Roberts  
1557. 10/09/94 USAir Arena - Landover, MD flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> ? -> 3rd Gen Cassette Transfer Info: 3rd Gen Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC  
1558. 10/10/94 USAir Arena - Landover, MD flac16; Source: OTS/LOC/Audix shotguns > Sony WM-D6; Transfer: Nakamichi BX300 (Analog master) > AudioQuest Sidewinder Cables (attenuated) > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 9.0 (tracking, added fades and normalize) > TLH (flac@8/ffp); Recorded, transferred and seeded by Bob Crupi  
1559. 10/11/94 USAir Arena - Landover, MD flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> ? -> 3rd Gen Cassette Transfer Info: 3rd Gen Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC  
1560. 10/13/94 Madison Square Garden - New York, NY Seamless fix of shn id 33299 - SBD -> Dat -> Cassette Master -> Dat -> CD -> EAC -> FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details  
1561. 10/14/94 Madison Square Garden - New York, NY flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)  
1562. 10/15/94 Madison Square Garden - New York, NY flac16; SBD> Dat> Sonic Solutions> CD> EAC> FLAC; Converted By Charlie Miller, with thanks to David Gans for the discs  
1563. 10/17/94 Madison Square Garden - New York, NY DSBD>DAT>CDR shn encoding by Dan Carr  
1564. 10/18/94 Madison Square Garden - New York, NY flac16; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
1565. 10/19/94 Madison Square Garden - New York, NY flac16/48kHz; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller  
1566. 12/11/94 Oakland-Alameda County Coliseum - Oakland, CA SBD>?>DAT>CD; Unknown seeder  
1567. 12/16/94 Sports Arena - Los Angeles, CA flac16/44.1 Source Info: FOB Schoeps MK 4-> Reutelhuber P/S-> DAT. Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel.  
1568. 02/21/95 Delta Center - Salt Lake City, UT flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
1569. 02/24/95 Oakland-Alameda County Coliseum - Oakland, CA flac16; FM SBD Monitor > MC > Cx > WAV > FLAC  
1570. 02/26/95 Oakland-Alameda County Coliseum - Oakland, CA flac16; Recording Info: Monitor Mix -> Dat -> Cassette Master -> Cassette Transfer Info: Cassette -> Dat -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC All Transfers and Mastering By Charlie Miller  
1571. 03/17/95 The Spectrum - Philadelphia, PA flac16; Recording Info:SBD -> Dat -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
1572. 03/18/95 The Spectrum - Philadelphia, PA flac16; Source: Audix shotguns > Sony WM-D6 (TDK SA-X type II/NR: on); Transfer: Nak BX300 (Analog master/NR: off) > Audio Quest Sidewinder cables (attenuated) > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 10.0 (tracking and normalize) > TLH (flac@8); Recorded by B Crupi; Transfer by B Crupi  
1573. 03/19/95 The Spectrum - Philadelphia, PA flac16/48kHz; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller  
1574. 03/23/95 Charlotte Coliseum - Charlotte, NC Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat (44.1k) Set 2: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC)  
1575. 03/24/95 Charlotte Coliseum - Charlotte, NC flac16; Main source: SBD > D> C> D> C2> D> CDR> FLAC; pitch fix of shnid 35181 by Bill Tetzeli  
1576. 03/26/95 The Omni - Atlanta, GA flac16; akg461>b18>d7 ots mics @ 10ft. pas; dat(m)>hhb830 cds in 2003; cd>eac>audacity eq>cdwave splits>tlh flac 8; t&s by c. cage  
1577. 03/28/95 The Omni - Atlanta, GA flac16; FM SBD Monitor -> MC -> Cass (Maxell XLII 90) Transfer: Cassettte playback on Nakamichi MR-1 (no NR) -> gold-plated RCA Apogee cable -> RCA RX-D302B Receiver -> Optical out w/ Apogee Cable -> M-Audio CO2 Coax/Optical Converter -> S/PDIF -> M-Audio 1010-LT -> Recorded in Sound Forge8 (24/48 KHz WAV) Edits: Wavelab > Waves XHum (60Hz tone removed)/DeNoiser /L3 Multimaximizer/IDR (hi res CD settings) -> 16 bit WAV -> CD Wave Editor 1.95 -> FLAC Frontend -> FLAC level 8  
1578. 03/29/95 The Omni - Atlanta, GA flac16/48; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller  
1579. 03/30/95 The Omni - Atlanta, GA flac16; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
1580. 04/02/95 Pyramid Arena - Memphis, TN flac16; Taper: Greg Holtz Source: Nakamichi CM300s CP4 Shotguns-> D3 @ 16/48kHz Transfer: (By JAZ) DAT Master-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0, Izotope Ozone 3, Fades, L2 Dither 16/44.1 kHz, Traders Little Helper flac8  
1581. 04/04/95 Jefferson Civic Center Coliseum - Birmingham, AL flac16; Source: AUD(Schoeps MK4s)>DAT>CDR>WAV>SHNv3>Wav>Cool Edit 2000>Wav>Flac  
1582. 04/05/95 Jefferson Civic Center Coliseum - Birmingham, AL AUD(Schoeps MK4's)>DAT>CDR; via Paul B; Seeded to etree by Chris L  
1583. 04/07/95 Tampa Stadium - Tampa, FL flac16; Seamless fix of shn id 35148 - SBD>Cass>DAT>ZA2>Samlitude2496(WAV)>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details  
1584. 05/20/95 Sam Boyd Silver Bowl, U.N.L.V. - Las Vegas, NV flac16 44.1khz Source Info: FOB Schoeps Mk 4V-> Reutelhuber P/S-> Sony D10 Pro II (Clete) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel  
1585. 05/21/95 Sam Boyd Silver Bowl, U.N.L.V. - Las Vegas, NV flac16; Recording Info:SBD -> Dat (44.1k); Transfer Info:Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
1586. 05/24/95 Memorial Stadium - Seattle, WA flac16; Source: Af:Nueman KM140>DAT(48kHz) Transfer: DAT>ZA2(S/PDIF)>Samplitude 2496>WAV Tapes provided by Ross M. Transfer by Chris Larson  
1587. 05/24/95 Memorial Stadium - Seattle, WA flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: Nomad LM-662 in WaveLab > CD Wave > TLH > FLAC  
1588. 05/26/95 Memorial Stadium - Seattle, WA flac16; Source: S:D>C>D>ZA2>Wavelab 3.01>FLAC16 Transfer by Chris Larson with tapes from Paul Gibian  
1589. 06/02/95 Shoreline Amphitheatre - Mountain View, CA flac16; Source: Nakamichi cm300/cp1's > Sony TCD-D7; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster  
1590. 06/15/95 Franklin County Airport - Highgate, VT flac16/48; Schoeps MK4's>Reutelhuber>Teac DAP-20 Recorded FOB by Carrion Crow & Crew with my Schoeps Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC DAT>WAV Transfer By Watson WAV>FLAC conversion and Upload by Keith Litzenberger  
1591. 06/21/95 Knickerbocker Arena - Albany, NY flac16; Source: B&K 4021>Neumann/Stewart PS>Marantz PMD700 (48khz); Location: OTS 1st row center; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.17(encode, align on sector boundaries, tag, fingerprint)>flac16 (level 8 ); DAT(1)>DAT(2) clone circa 1996 by: Eric Vandercar; DAT(2) seed and transfer by: Lenny Stubbe; Taped by: Seth Breidbart  
1592. 06/24/95 Robert F. Kennedy Stadium - Washington, DC flac 16 48kHz; Source: FOB AKG 300B/CK91 -> DAT -> DAT: Transfer: Tascam DA-30 -(S/PDIF)-> Diamond XTreme SC -> Cool Edit Pro -> CDWave -> FLAC (Level8); Taper: Unknown:Transfer By: Scott Swayne (altheasboy) in 2007  
1593. 06/25/95 Robert F. Kennedy Stadium - Washington, DC flac16/48kHz; Source: Nak 300's > A/D > D7; Transfer: D8 > Behringer UCA202 > Audacity (@ 48Hz) > WAV > FLAC; Taped by Robert Dunbar; Transferred by Bill Graves  
1594. 07/06/95 Riverport Amphitheatre - Maryland Heights, MO flac16; Source: S:C>D>CDR Conversion by Chris Larson. This version does not have the DAE step.  
1595. 07/08/95 Soldier Field - Chicago, IL flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
1596. 07/09/95 Soldier Field - Chicago, IL flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  

Grateful Dead 50th Farewell Tour http://www.dead.net/
  Date Venue - City, State Media  
1. 06/27/15 Levi’s Stadium - Santa Clara, CA flac16; Matrix 2 Source Mix - SBD (no shnid) Webcast Audio -> SBD + AUD (shn id 133646) Source: Schoeps MK4's>Schoeps CMR's>Naiant PFA>Edirol UA-5 (BM2p+)>Edirol R-09HR Transfer: SDHC>Adobe Audition>Cakewalk pyro>.WAV>FLAC (5) Location: OTS ~ 10' - matrix mixing by Kevin Tobin  
2. 06/28/15 Levi’s Stadium - Santa Clara, CA Taper: George Wang Source: DPA 4023 > Sound Devices 722 @ 24/96 Location: GA Floor, 10 feet center WAV > FLAC: .wav @ 24/96 > Audacity 1.3.9 (Unicode) (dither to 16/44.1)  
3. 07/03/15 Soldier Field - Chicago, IL Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48) OTS/BOB/DFC/KFC/ZFC/AARP 8 1/2' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man  
4. 07/04/15 Soldier Field - Chicago, IL Recorded with Neumann KM184’s > Tascam DR-100 mk2 @ 48 kHZ/24 bit Behind stage, 14th row center, 6’5” high, NOS All post production with Macbook Pro, Logic Pro X, and xACT. Recorded by D. Fries  
5. 07/05/15 Soldier Field - Chicago, IL Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48) FOB/DFC/KFC/ZFC/AARP Approximately 70' From Stage, 6 1/2' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man  

Grateful Dead Bust Benefit  
  Date Venue - City, State Media  
1. 02/23/70 Winterland - San Francisco, CA uherreel.kaslow.flac  

Grateful Dead Interviews  
  Date Venue - City, State Media  
1. 05/07/81 The Tomorrow Show with Tom Snyder - Unknown, Unknown sbd.cablerip.gotfob.sbeok.flac1648  

Great American String Band  
  Date Venue - City, State Media  
1. 04/26/74 Marin Veterans' Memorial Building and Grounds - San Rafael, CA Tom Moran's MAC (Sony recorder with built-in mic) ("maybe a Sony TC-150") > taperpat's 1st gen reel; Transfer (Matt Smith): AKAI GX625 playback > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD; Lossless encoding: EAC > CDWave > TLH (FLAC level 8).  

Jerry Garcia Acoustic Band  
  Date Venue - City, State Media  
1. 03/18/87 Fillmore Auditorium - San Francisco, CA JGAB; shnf; source: AUD (mics and taper unknown) > ? > C > DAT > WAV > SHN.  
2. 10/24/87 Lunt-Fontanne Theatre - New York, NY flac1644; Joe D'Amico ''AKA'' Joebeacon's Nak 300s > Sony D-5; Nak Dragon > Korg Mr-1000 @ 1 Bit DSD > Audio Gate > Cool Edit > Traders Little Helper .  
3. 04/26/88 Marin Veterans' Memorial Auditorium - San Rafael, CA Garcia, Kahn, Nelson & Rothman: John Corley AUD (likely Nak700) > ? > CD > Wavelab6.0 Edited and Mastered by Jamie Waddell on the GEMS Edit Station Trac'ed Cdwave,Flac'ed Flac Frontend Level 8.  
4. 07/09/88 Frost Amphitheater - Palo Alto, CA JGAB: fixed version of the Teddy "Goodbear" seed shnid 82171, via SirMick.  
5. 08/04/17 Red Rocks Amphitheatre - Morrison, CO gefellM20.toddr.flac16  

Jerry Garcia Band  
  Date Venue - City, State Media  
1. 09/18/75 Sophie's - Palo Alto, CA flac1644; MOTB 147; Robert Castelli's 2 x Sony ECM 270's >> Sony TC-152SD  >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] [> flac 1644]  
2. 09/??/75 Studio Rehearsals - Unknown, Unknown  
3. 10/11/75 Keystone - Berkeley, CA flac1644,MOTB Release: 0113 16/44.1 (MATRIX); Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = 2 x Maxell UD C90; Analog Lineage: Sony ECM 250 & ECM 270 >> Sony TC 152SD >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Matrix Soundboard Source: jg1975-10-11.jgb.all.sbd-minches.31213.flac1644.  
4. 10/28/75 Beacon Theatre - New York, NY JGB; flac1644; early; AUD; Maxell XLI (normal bias) > Nakamichi CR-5A (Dolby off) > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 02/2016.  
5. 11/22/75 St. Paul Civic Center - St. Paul, MN shure545.bellegarde.oldneumanntapr.t-flac1644 notes
6. 12/17/75 Keystone - Berkeley, CA flac1644 MOTB Release: 0093 16/44.1. Analog Audience Source: Aud Master Cassettes (MAC). Medium Stock Brands: MAC = 2 x Maxell UD. Analog Lineage: 2 x SONY ECM-280 (directly in front of Jerry hand held at 10ft.) >> Sony TC-152 >> MAC. Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]. Taped By: Reinhard Holwein. Transfer By: Bob Menke. Mastering By: Derek McCabe.  
7. 02/14/76 Keystone - Berkeley, CA Jerry Garcia Band: Bertha Remaster of the Master Reel > Cassette source (SBD > MR > CASS > DAT > CDA > WAV(EAC) > SHN > FLAC > DAW(Bertha) > CDA/SHN).  
8. 04/01/76 The Palace Theater - Waterbury, CT Steve Rolfe's Sony ECM-99 > Cassette Master (Sony TC-152/Maxell UD-C90, played back on Nakamichi DR-1) > Sound Devices 744T (24bit/48k) > Adobe Audition v3.0 > Samplitude Professional v11.1 > FLAC/16, by Charlie Miller.  
9. 12/06/77 Dome Auditorium, C.W. Post College - Brookville, NY JGB: MSR > C > D > CD > EAC > shntool > SHN (shnid 12028) patched with MAC > CD > SHN (shnid 76443).  
10. 02/02/80 The Stone - San Francisco, CA flac1644Bob Menke' s2 x Nak cm700's >> Sony TC-D5 >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] ...  
11. 02/16/80 Gym, U. of New Haven - New Haven, CT flac1644: Bob MacFarland's MAC (?mics > Superscope/Marantz CD-330, Maxell UDXL-II90's, dolby b, taped from in front of the soundboard) > nak dragon > hd-p2 24/96 > hd > adobe audition 2.0 16/44.1 > cd wave > flac. Transferred & seeded by Rob Berger.  
12. 02/29/80 Calderone Concert Hall - Hempstead, NY late show; WLIR-FM Broadcast; Source: Pre-FM SBD feed > Nak 550 > Maxell UDXL-II C-90 via Peter Hedeman.  
13. 03/01/80 Capitol Theater - Passaic, NJ Jerry Garcia Band, Early Show: MFR (Taped by Barry Glassberg from WNEW-FM, New York) > TEAC X-2000R playback @ 7.5 ips (no Dolby) > Tascam DA-40 DAT > Tascam CDRW-700 master CD > Tascam CD-D4000mkII CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).  
14. 02/06/81 The Tower Theatre - Upper Darby, PA Jim Vita's FOB Nakamichi DM-500s > Sony TC-D5M master cassette (Maxell UDXLII-S); Transfer: Nakamichi Dragon playback > Art DI/O > Digital Audio Labs CardDeluxe > Cool Edit 2000 > Shntool > FLAC encoding. Transfer by David Minches.  
15. 02/07/81 Orpheum Theater - Boston, MA Early & Late: Steve Rolfe's 2x Nakamichi 700s (Front Row Balcony) > Sony TC-D5); Nakamichi BX-300 playback > Sony PCM-R500 master DAT; Sony PCM-R500 > HHB-800-81 CD; ? > shn.  
16. 06/18/82 Cape Cod Coliseum - South Yarmouth, MA Garcia Live #20  
17. 12/07/83 Calvin Coolidge Cage, Amherst College - Amherst, MA JGB; flac1644; 3x audio technica atm11 (fob) > optimus > d-5; conversion: sony tc we435> soundcard> cdwave 48000/stereo/16 bit> traders little helper encoding option 8. taper: chasingwilma. conversion: chasingwilma.  
18. 08/12/84 Club Casino Ballroom - Hampton Beach, NH JGB; flac1644; Derek McCabe MAC, 2x Beyer M-160 > Sony D5 > Sony D6 (Maxell II-S cassette master) > Nak DR-1 > Korg MR-1000 > DSD > Audiogate > 2496 wav > Bias Peak > Nomad Factory Analog Mastering Tools Multi Max > wav > xACT > flac.  
19. 10/19/86 The Stone - San Francisco, CA JGB, flac1644; AUD: Nakamichi CM300's > unknown deck > MAC > 2nd-Gen cassettes, kindly provided from the collection of Alabama Bob. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2018  
20. 03/13/87 Wiltern Theater - Los Angeles, CA JGB, flac1644; AUD: Sennheiser MD-441's > unknown deck > MAC > 1st-Gen cassettes, kindly provided from the collection of Alabama Bob. Transfer: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2018  
21. 11/27/87 Warfield Theater - San Francisco, CA flac16; Matrix 3 Source Mix - AUD1 (shn id 100140) Nak 700's > dbx > D5 MAC > NakCR-3A > dbx224 > audigyse > audacity > CDWave > tlh. + AUD2 (shn id 80133) Sennheiser MKE-2002 mics > Sony TC-D5 > 2 cassette gens > Sony TC-D5M (Dolby on) playback > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, plus material from shnid 22298 (see notes), November 2006 by Andrew F. + AUD3 (no shn id) Unknown generation video supplied in dvd format by Greyful Dave for video project - matrix mixing by Kevin Tobin  
22. 08/26/89 Greek Theatre, U. Of California - Berkeley, CA Jerry Garcia Band: Recording Info: (FOB/Split/Hat) Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx 221e type II Encoder -> Cassette Master (Sony TCD5m); Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> dbx 224x Decoder -> Mytek Digital ADC8X96 -> Nuendo (24bit/44.1k) -> SHN (2 Discs Audio / 1 Disc SHN)  
23. 09/03/89 The Spectrum - Philadelphia, PA Jerry Garcia Band: 48k FLAC of Travitz master: Schoeps CMC34 (hand held FOB,ORTF) > Oade M118 pre > Panasonic SV-250 @48kHz by Jeff Travitz. Transfer: DAT clone; Sony PCM-2600 > Audioquest coax > Turtlebeach Fiji > Soundforge 4.5 > CDWave 1.71 > FLAC 1.1.0 by Craig Hillwig.  
24. 09/05/89 Hartford Civic Center - Hartford, CT JGB: sbd-aud combination of shnid 4374 (sbd) and shnid 24221 (Senn 2000s aud). See info file for details.  
25. 09/07/89 Meadowlands Arena - East Rutherford, NJ Jerry Garcia Band: AUD (Unknown taper, Schoeps CMC34) > DAT > CDR > WAV > SHNv3.  
26. 09/10/89 Great Woods Center For The Performing Arts - Mansfield, MA JGB: matrix of SBD (shnid 27358) and AUD (shnid 14311) by dan at amdig dot com.  
27. 09/11/89 The Centrum - Worcester, MA Jerry Garcia Band. Source: MSD > C3 > D > WAV > SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J. Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) by C. Ladner.  
28. 09/16/89 Poplar Creek Music Theatre - Hoffman Estates, IL Jerry Garcia Band: Entire show with Clerence Clemons. Source:soundboard->analog->pioneer PDR-509->CDRW->audio catalyst 2.1-> wav->cool edit 2000->mkw audio compression tool->shn  
29. 12/02/89 Warfield Theater - San Francisco, CA JGB: MSC>Cx>DAT>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J. Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) by C. Ladner.  
30. 08/05/90 Greek Theatre @ University of California - Berkeley, CA Jerry Garcia Band:FOB -> Nakamichi 700 -> Dat -> CD -> Cool Edit Pro -> CD Dat -> CD Transfer and editing done by Charlie Miller  
31. 08/07/90 Warfield Theater - San Francisco, CA neumannKM54.vasseur.oldneumanntapr.t-flac16  
32. 09/01/90 Shoreline Amphitheatre - Mountain View, CA SBD > DAT (SONY D8) > CD (TASCAM CDRW700) EAC > FLAC8
The file set came from the collection of Mark Martin
Mastering by Craig Rogers
Decoded, Reflaced at level 5 and checksums created using TLH
Audio derived from the official DVD release and should not be traded 		notes
33. 11/15/90 Wiltern Theatre - Los Angeles, CA JGB: flac1644: SBD -> ? -> Cassette, Cassette (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.2.1 -> FLAC/16, All Transfers and Mastering By Charlie Miller  
34. 03/01/91 Warfield Theater - San Francisco, CA Jerry Garcia Band: FOB->B+K 4011->Neumann PS->Dat->CD >EAC>SHN Dat->CD Done by Charlie Miller.  
35. 11/06/91 Capital Centre - Landover, MD JGB, flac16: AUD: Low gen audience tri-pod > ? > DVD - editing and speed correction by Kevin Tobin.  
36. 11/09/91 Hampton Coliseum - Hampton, VA Jerry Garcia Band: Schoeps FOB Schoeps CMC3/mk4 (ortf handheld in "sweet spot")>Oade Mic Pre> Sony D7 > Master DAT> CD(no intermediate DAE)> EAC> SHN; entire show with Bruce Hornsby; via Darrin Sacks  
37. 11/16/91 Knickerbocker Arena - Albany, NY schoeps.unknown.digby.flac16 notes
38. 04/30/92 Warfield Theater - San Francisco, CA ATminiguns.katz.miller.flac16  
39. 05/02/92 Warfield Theater - San Francisco, CA neumannKM54.vasseur.oldneumanntapr.t-flac16 notes
40. 07/31/92 Ventura County Fairgrounds - Ventura, CA neumannKM140.oldneumanntapr.flac8 notes
41. 08/02/92 Devore Field, Southwestern College - Chula Vista, CA Jerry Garcia Band: unknown taper, FOB Sennheiser MD 421 > Panasonic sv255; Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither. Encoding by Dazed64. Tracked in CDwave, FLACd Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging.  
42. 10/31/92 Oakland-Alameda County Coliseum Arena - Oakland, CA Jerry Garcia Band: Keith Litzenberger's Sennheiser MD421s (T-bar hand-held at chest height FOB) > Sony TCD-D3 (Maxell R-120DM DAT masters) > Sony TCD-D10PROII playback > Edirol R-4 > Wavelab 5.0 (Fades & Sample Rate Conversion) > FLAC  
43. 12/21/92 Warfield Theater - San Francisco, CA neumannKM54.vasseur.oldneumanntapr.t-flac1644 notes
44. 04/17/93 Pauley Pavilion, UCLA - Los Angeles, CA JGB: FOB Neumann KM-140 110 deg ORTF In Hat > DAT > WAV > FLAC  
45. 08/07/93 Memorial Stadium - Seattle, WA Jerry Garcia Band: Schoeps MK4's > Billbox > Denon Dat Deck @48KHZ > Bob Katz VSP digital Domain Processor conversion to 44KHZ > Sound Card Deluxe Digital I/O card > Soundforge 6.0 > Flac  
46. 08/08/93 Portland Meadows - Portland, OR neumannKM54.vasseur.oldneumanntapr.t-flac1644 notes
47. 10/05/93 Warfield Theater - San Francisco, CA neumannKM54.vasseur.oldneumanntapr.t-flac1644 notes
48. 10/31/93 Brendan Byrne Arena - East Rutherford, NJ Jerry Garcia Band: AUD: DAT > CD > (EAC >) SHN; encore is on d3 for continuity purposes only; to save space, it can be tacked onto the end of d1  
49. 11/01/93 Nassau Coliseum - Uniondale, NY Jerry Garcia Band: AUD (Nak 700) > DAT (Sony D3) > CDR > WAV > SHNv3, taped by Larry Gindoff.  
50. 11/04/93 Rochester War Memorial - Rochester, NY JGB (16bit/48kHz)): Clay Brennecke IFOB (Floor Section 42, Row 23, Sets 13 & 15) ~ Schoeps MK4's > Custome Oade Pre Amp > Panasonic SV-255 Transfered: John E. Herrold Transfer Linage: Master SV-255 DAT > Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV  
51. 11/19/93 Hampton Coliseum - Hampton, VA Jerry Garcia Band: FOB AKG 460 > ? > DAT Conversion PCM-M1>Oade Cable>ZA2(48>44.1)>CDWAV>SHNv3 by: Tom Watkins  
52. 04/20/94 Warfield Theater - San Francisco, CA Jerry Garcia Band: MAD("vintage neumann"/KM54s?)>DAT>CDR>WAV>SHN. Taper: Chuck and Janet Vasseur.  
53. 04/27/94 Warfield Theater - San Francisco, CA Jerry Garcia Band: Lineage given as DSBD > DAT > CDR > EAC > shn, but Charlie Miller says the correct lineage is SBD>Dat>Cass Master (Dolby C)>Dat>CD.  
54. 08/14/94 Warfield Theater - San Francisco, CA Jerry Garcia Band: DSBD > D > CM > CD > EAC > slight alterations (see info file) > SHN. This is a slightly modified upgrade, via Jake Mercatoris, of the existing .shn set.  
55. 09/02/94 Warfield Theater - San Francisco, CA neumann54.unknown.ladner.sbeok.t-flac16 notes
56. 04/15/95 Warfield Theater - San Francisco, CA neumannKM54.vasseur.oldneumanntapr.t-flac1644 notes
57. 04/21/95 Warfield Theater - San Francisco, CA neumannKM54.vasseur.oldneumanntapr.t-flac1644  
58. 04/23/95 Warfield Theater - San Francisco, CA Jerry Garcia Band: AUD (mics and taper unknown) > DAT > CDR > WAV > SHN. Last JGB show. Several minor technical flaws - see info file for details.  

Keith & Donna Band  
  Date Venue - City, State Media  
1. 04/17/75 Lion's Share - San Anselmo, CA Master SB Reels > Reel > Reel > Baked To Restore For Playback > M-Audio Transit > Cool Edit > CD Wave Editor > Traders Little Helper > Flac  
2. 11/10/75 War Memorial Auditorium - Trenton, NJ aud cassette master, taped by Rich Petrunis, transfer/seed by Rob Berger  
3. 11/24/75 Palace Theater - Albany, NY source: aud 1st gen reel master taped on a sony tc-152sd cassette deck by Mike McGrath, then copied onto reel by Jerry Moore lineage: aud cm>10.5" reel @ 7.5 ips w/dolby, reel playback on sony tc-765>teac an-180 nr>sbm1>dat, dat>cd wave>flac, reel transfer & editing by Rob Berger  
4. 11/29/75 Tower Theater - Philadelphia, PA source: aud cm> 7" reel @ 7.5 ips w/dolby b taped by ?, cm copied onto reel by Jerry Moore lineage: reel on sony tc-765>teac an180>dat>cdr>eac>cd wave>flac transfers by Rob Berger  

Kingfish  
  Date Venue - City, State Media  
1. 11/17/74 Lion's Share - San Anselmo, CA Low Gen SBD>NakCR-3A>SonyM10@24/44.1>AudigySE>Sound Forge>CDWave>TLH  
2. 11/29/74 Chateau Liberté - Los Gatos, CA SBD > Rm > CD > EAC > Shn
Easy CD-DA Extractor > CDWav > Flac
Recorded by Ed Perlstein 		 
3. 01/14/75 Winterland - San Francisco, CA SB LINEAGE UNKNOWN > REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > TRADERS LITTLE HELPER > FLAC  
4. 02/19/75 The Gold Rush - Sacramento, CA SBD > Rm > ? > Flac > Audacity > CDWav > Flac  
5. 11/10/75 War Memorial - Trenton, NJ aud cassette master, taped by Rich Petrulis, transfer/seeded by Rob Berger  
6. 12/20/75 Winterland - San Francisco, CA Sony ECM250 + Sony ECM270 > Cm > Reel > CD > EAC > CDWav > Flac
Transfered and edited by Rob Berger 		 
7. 01/31/76 La Paloma - San Diego, CA (FOB) Sony ECM-270> Cm > Dat > CD > EAC > Sound Forge > Shn  
8. 03/11/76 The Roxy Theatre - Los Angeles, CA flac 16: Source: BASF reel to reel 3.75ips ->Akai GX-400D SS reel machine ->Sound Forge 6.0 ->FLAC via Flac Frontend, level 6  
9. 03/27/76 Calderone Concert Hall - Hempstead, NY fm.WLIR.unknown.flac16 notes
10. 04/03/76 Beacon Theatre - New York, NY fm.kingbiscuit.flac  
11. 07/28/76 Pinecrest - Shelton, CT aud 1st gen cassette, taped by Chuck Doll  
12. 03/01/86 Capitol Theatre - Passaic, NJ sbd.unknown.flac  
13. 03/02/86 The Ritz - New York, NY 2nd Gen Soundboard; Nak Dragon > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper  
14. 03/03/86 Pulsations - Philadelphia, PA nak100.wroblewski.flac  
15. 04/26/86 The River Theatre - Guerneville, CA Source: Audience Recording Lineage: cdr > eac > wav > Adobe Audition 3 > iZotope Ozone 4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16  
16. 08/11/86 Rainbow Music Hall - Denver, CO Flac16
aud 2nd gen, Chris Cate's copy, Rob Berger transfer/seed 		 

Kokomo  
  Date Venue - City, State Media  
1. 08/05/85 Toad's Place - New Haven, CT sonystereomic.commander.taperchuck.flac16  
2. 08/14/85 Club Casino - Hampton Beach, NH senn441.lamarre.berger.flac16  

Legion of Mary  
  Date Venue - City, State Media  
1. 02/14/75 The Generosity - San Francisco, CA flac1644; MOTB 0149; Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = 2 x Maxell UD C120's; Analog Lineage: Sony ECM 270 >> Sony TC 110(mono) >> MAC. Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]. Taped By: Robert Castelli. Transfer By: Bob Menke. Mastering By: David Minches.  
2. 04/08/75 The Bottom Line - New York, NY LOM; MISLABEL of material from 4/9/75 and 4/12/75  
3. 05/21/75 Keystone - Berkeley, CA sbd>15IPS Reel (x2)>DAT>Sony R500>Genesis Digital Lens>Fostex CR200>CDR>SHN  
4. 05/22/75 Keystone - Berkeley, CA LOM: flac16: MOTB Release: 0044 16bit/44.1Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO Model B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Jamie Waddell.  
5. 06/03/75 Keystone - Berkeley, CA LOM: MOTB Release: 0045 16bit/44.1Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Derek McCabe. notes
6. 06/04/75 Keystone - Berkeley, CA LOM: flac16: MOTB Release: 0046 16bit/44.1Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Derek McCabe.  
7. 06/22/75 Keystone - Berkeley, CA LOM: flac16 MOTB Release: 0048 16/44.1; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Derek McCabe.  

Melvin Seals & Friends  
  Date Venue - City, State Media  
1. 08/17/18 Gerald Ford Amphitheatre - Vail, CO SchoepsMK41.unknown.flac  

Melvin Seals & JGB https://www.melvinsealsandjgb.com/
  Date Venue - City, State Media  
1. 09/24/05 Greek Theater - Berkeley, CA akg391.crupi.flac16 notes
2. 09/12/15 Oak Ridge Farm - Arrington, VA DPA 4023 (DIN) > Naiant Tinybox > Sony M-10 (24/48) Transfer: M-10 > iMac. Tracked and dithered via Sound Studio, FLAC via xACT  
3. 08/04/17 Red Rocks Amphitheatre - Morrison, CO gefellM20.toddr.flac16  

A Merry Jerry Christmas Band  
  Date Venue - City, State Media  
1. 12/16/18 Fox Theatre - Pomona, CA mtx.sbd.telefunkenM60.TK60.bender.flac2448  

Mickey & The Hartbeats  
  Date Venue - City, State Media  
1. 10/30/68 The Matrix - San Francisco, CA flac2496; GEMS; MR (Abrams) > R @ 7.5 ips (Kafer) > R @ 7.5 ips (Will Boswell); playback on Akai GX636 - Direct tape head out >> custom built Bottlehead tube tape preamp with a pair of Tesla 6922 tubes >> Apogee Mini Me/Mini Dac 24/96 >> Lynx One soundcard >> FLAC by Matt Smith. Mixed and Mastered by Jamie Waddell.  
2. 08/28/69 Family Dog at the Great Highway - San Francisco, CA Hartbeats; flac1644; SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  

Mickey Hart & Friends  
  Date Venue - City, State Media  
1. 10/10/92 Shoreline Amphitheatre - Mountain View, CA nakCM300.CP2.oldneumanntapr.flyingm.flac1644  

Mickey Hart's Barn Jam  
  Date Venue - City, State Media  
1. 08/21/71 Mickey Hart's Barn - Novato, CA Hart Jam: Mickey Hart, Jerry Garcia, Bob Weir, John Cipollina, David Crosby, Phil Lesh, Nicky Hopkins, Merl Saunders; 1st generation reel to reel > revox > amplifiers > tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac  

Old & In The Way  
  Date Venue - City, State Media  
1. 03/02/73 The Record Plant - Sausalito, CA OAITW: KSAN-FM BROADCAST > OFF THE AIR REEL MASTER > CD > EAC > WAVE > FLAC, via Dave Tamarkin.  
2. 07/21/73 The Lion Share - San Anselmo, CA MR@7.5 ips(Recorded by Betty Cantor on her Nagra)>R@ 3.3/4ips.(Jerry Garcia copy)>R @3.3/34 ips(Will Boswell).
Transfer info:Akai GX636>Apogee Mini Me @24/96>Mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim>CD
Transfered and mastered by Matt Smith 5/11
Cd > flac using dbpoweramp, Checksums created with TLH gballen 05-28-2011 		 
3. 07/21/73 The Lion Share - San Anselmo, CA Lineage:MR@7.5 ips(Recorded by Betty Cantor on her Nagra)>R@ 3.3/4ips.(Jerry Garcia copy)>R @3.3/34 ips(Will Boswell)
Transfered and mastered by Matt Smith 5/11
Cd > flac using dbpoweramp, Checksums created with TLH gballen 05-29-2011 		 
4. 07/23/73 The Boarding House - San Francisco, CA Old & In The Way: Possible MSR > ? > D > CD > SHN.  
5. 07/24/73 Homer's Warehouse - Palo Alto, CA Old & In The Way: Possible MSR > D > CD > EAC > SHN. FM MSR>D>CD  
6. 10/01/73 The Boarding House - San Francisco, CA acousticdisc.bear.dawg.flac notes
7. 10/08/73 The Boarding House - San Francisco, CA acousticdisc.bear.dawg.flac notes
8. 11/04/73 California State College Sonoma - Cotati, CA OAITW: SB REEL MASTER > CD > EAC > WAVE > FLAC, via Dave Tamarkin.  
9. 04/28/74 Marin County Veterans' Aud and Grounds - San Rafael, CA incorrect dating and lineage"Old & In The Way: AUD - MA? > ? > D >CD". See admin note.  

The Other Ones www.otherones.net
  Date Venue - City, State Media  
1. 06/04/98 Warfield Theater - San Francisco, CA ~ A Bigfoot Recording ~ Recorded by Sandy A. - a stealth audience recording: Lineage is a guess based on other verified lineage Bigfoot recordings from around the same time period. 2 modified Neumann KM254 microphones > DAT (either Sony D8 or Tascam DA-P1) ----------------------------------------------- Transferred and mastered to .wav files by D5scott source: my 1st generation cassettes from Sandy's DAT transfer: Sony KA1ESA > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files  
2. 06/15/98 Club Front - San Rafael, CA Recording Info: SBD -> Dat Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Samplitude Professional v7.02 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller  
3. 06/25/98 Lakewood Amphitheater - Atlanta, GA Source: DAUD(Nak 300's w/ CP4 > D7) - Lineage: DAT > CDR via David Minor; Encoding: EAC > CDWAV > mkwact by Matt Vernon  
4. 06/26/98 Blockbuster Pavilion - Charlotte, NC Source: DAUD(Neumann) Lineage: Unknown Encoding: EAC > CEPro > CDWAV > Flac (lev 8) by Matt Vernon and Ian Vermiglio  
5. 06/27/98 Nissan Pavillion - Bristow, VA Tapers Section, Lawn.Nak 300's(cp4) > unknown deck > Marantz PMD430. recorded on 2 Maxell XL-IIS 110 cassettes(MAC); MAC > SBaudigy > Adobe Audition @24bits/44.1Khz. Adobe Audition: noise removal, click/pop eliminator,pitch correction, 16bit.CD wave: tracking.Trader's little helper: ffp, md5, flac. recorded and transferred by Chris LaPorte  
6. 06/29/98 Continental Airlines Arena - East Rutherford, NJ Source: AKG 468>?>Sony D8>DAT OTS Transfer:DAT>Sony R300>Audiophile 24/96>PC>CD Wave>Traders Little Helper>Flac (Level 8) Taper: ? Patcher: Freddie G Transfered: Freddie G  
7. 06/30/98 Nassau Veterans Memorial Coliseum - Uniondale, NY Source: Microtech Gefel 210>Aerco>SBM1>Tascam DAP1>Sony D8>DAT OTS Transfer:DAT>Sony R300>Audiophile 24/96>PC>CD Wave>Traders Little Helper>Flac (Level 8) Taper: Dave K Patcher: Freddie G Transfered: Freddie G  
8. 07/01/98 Great Woods Center for the Performing Arts - Mansfield, MA some guys tuned into the FM in house signal, i got this many years ago from one of them>dat clone>file created in microtrack> goldwave tracking>tlh8  
9. 07/03/98 Sony E-Center - Camden, NJ Source: Microtech Gefel 210>Aerco>SBM1>Sony D8>DAT OTS (Lawn) Transfer:DAT>Sony R300>Audiophile 24/96>PC>CD Wave>Traders Little Helper>Flac (Level 8) Taper: Freddie G Transfered: Freddie G  
10. 07/04/98 Saratoga Performing Arts Center - Saratoga Springs, NY Source: Microtech Gefel 210>Aerco>SBM1>Sony D8>DAT (Lawn) Transfer:DAT>Sony R300>Audiophile 24/96>PC>CD Wave>Traders Little Helper>Flac (Level 8) Taper: Freddie G Transfered: Freddie G  
11. 07/05/98 Darien Lake Performing Arts Center - Darien, NY flac16 48khz Microtec Geffells>Beyer Pre Amp>DAP1. Taper Section 16/48. Duncan Oldham Master dat. upload and transfer Dolphinsmile  
12. 07/07/98 Hartford Civic Center - Hartford, CT Source: AKG 398>Aerco>SBM1>Aiwa HHB1>Sony D8>DAT OTS Transfer:DAT>Sony R300>Audiophile 24/96>PC>CD Wave>Traders Little Helper>Flac (Level 8) Taper: Steve K Patcher: Freddie G Transfered: Freddie G  
13. 07/08/98 Montage Mountain - Scranton, PA Schoeps MK8 + MK21H > Schoeps KCY 250/05I active cable > Schoeps VMS02IB > Sony SBM-1 > HHB PDR1000; Tascam DA-30MKII > Sound Devices 702 > Soundforge 9 (Fades, Sample Rate Conversion) > CD Wave > FLAC; Taped By Keith Litzenberger & Jeff Travitz  
14. 07/09/98 Star Lake Amphitheatre - Burgettstown, PA Audience AKG568ebs>48v>SonyD3>DAT Master> MarantzPMD671>WAVE>FLAC Taped by Bill Goldberg Transfered by Bill Goldberg  
15. 07/11/98 Alpine Valley Music Theatre - East Troy, WI The Other Ones 1998-07-11 At825>SBM1>DAT  
16. 07/12/98 Polaris Amphitheatre - Columbus, OH Source: Neumann SKM 184's DFC Lawn > Audio Magic Sceptor II Cables > PSP-2 Pre-amp > Tascam DA-P1 48k/16bit Transfer: Sony R300 Dat > Hhb CDR-800 44.1k/16bit > EAC > FLAC16  
17. 07/13/98 Pine Knob Music Theater - Clarkston, MI Source: Unknown Mics > DAT > CDR > EAC > *Cool Edit Pro 2.0 > CDWave > mkwACT; EAC'd/CEP'd/SHN'd by Doug Nawrocki  
18. 07/15/98 Deer Creek Music Center - Noblesville, IN Source: Neumann SKM 184's DFC Lawn > Audio Magic Sceptor II Cables > Gramham Patten DMIC-20 > Tascam DA-P1 48k/16bit Transfer: Sony R300 Dat > Hhb CDR-800 44.1k/16bit > EAC > FLAC16  
19. 07/16/98 World Music Theater - Tinley Park, IL Source: Neumann SKM 184's DFC Lawn > Audio Magic Spector II Cables > Granham Patten DMIC-20 Pre-Amp > Tascam DA-P1 DAT 48k/16bit Transfer: Sony R300 Dat > Hhb CDR-800 44.1k/16bit > EAC > FLAC16  
20. 07/17/98 Riverport Amphitheatre - Maryland Heights, MO Source: Neumann SKM 184's DFC Lawn > Audio Magic Spector II Cables > E.A.A. PSP-1 Pre-Amp > Tascam DA-P1 DAT 48k/16bit Transfer: Sony R300 Dat > Hhb CDR-800 44.1k/16bit > EAC > FLAC16  
21. 07/19/98 Fiddler's Green Amphitheatre - Englewood, CO DAT Master (Panasonic SV3700)>DAT Clone(Panasonic SV3700) Played back on Tascam DA20MKII>LynxOne Digital In>Wavelab 6.0 Edited in Bias Peak Pro 6, Flac'd in Sample Manager All by Dave Cohen October 20, 2009 Metadata Tagged  
22. 07/21/98 Thomas & Mack Center - Las Vegas, NV Source: DAUD(unknown mics) > ? > CDR Rudolf E. Zielinski - Encoding: EAC(secure) > Cool Edit > CDWAV > mkwact > SHN (secure) by Matt Vernon notes
23. 07/22/98 Irvine Meadows - Irvine, CA Source:SBD >> DAT >> CDR >> WAV(EAC) >> FLAC >> DAW(Bertha )>> CDA/FLAC; CDR > FLAC by Ben Wirth, remastered by Jay Ashley. notes
24. 07/24/98 Shoreline Amphitheatre - Mountain View, CA Source: FOB, Section 102, center row K Neumann KM140s > EAA PSP/2 preamp > Audio Magic Presto II cables >Sony SBM-1 A/D converter >Sony TCD-100 - Transfer: TASCAM DA-P1 > S/PDIF connection >Sek'd Prodif Plus > Sek'd Red Roaster 5.58 > Untracked WAVs > MKWact >Untracked SHNs > MKWact > WAV > CD WAV > SHNtool > MKWact >SHN; Taped and Transferred by: Henry Heikkinen(henryh@livefunk.com); Tracking, sector boundary check, and final SHN conversion by Hans Voight (salmonjock@hotmail.com)  
25. 07/25/98 Shoreline Amphitheatre - Mountain View, CA Source: Recorded and mastered to cdr by D5scott. Sonic Solution DSM-1S/x microphones > Sony TCD5M - 14th row from stage-center - Maxell-MX100's. Transfer: Analog cassette master(original record deck)> PreSonus Inspire GT> Sound Forge>.wav files> Trader's Little Helper> flac and ffp files  
26. 08/23/00 Coors Amphitheatre - Chula Vista, CA flac16;Recording Info:Sennheiser K3U/ME80 -> HHb PortaDat1000 -> Dat (Sony D8/48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.22 -> FLAC; Recorded, Transferred and Mastered By Charlie Miller  
27. 08/24/00 Universal Amphitheatre - Universal City, CA Recording Info: Sennheiser K3U/ME80 -> HHb Pro PortaDat -> Dat (Sony D8/48k); Recorded By Charlie Miller & Neil Sturtevant Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller  
28. 08/25/00 Shoreline Amphitheatre - Mountain View, CA Recording Info: B+K 4011 -> Lunatec V2 -> Tascam DA-P1 -> Dat (Sony D8/48k); Recorded By Charlie Miller and Steve Gilbert; Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller  
29. 08/27/00 The Gorge Ampitheatre - George, WA **fixed** nak 300> Tascam Da-Pi> CDR> EAC> SHN> CDWAV> FLAC  
30. 08/29/00 Fiddler's Green Amphitheatre - Englewood, CO taped (NOS modified) from SBD pit on: MBHO 603 sub-card caps > Lunatec V2 > Sonic AD2K > Da-p1 Audio Magic cables DAT>CD via: Da-p1 s/pdif out > Hoontech digital XG s/pdif in > CoolEdit Pro Seeded by nick@nickspicks.com notes
31. 08/31/00 Schottenstein Center - Columbus, OH flac16 44.1khz Source: FOB Schoeps CMC 64->Sonosax P/S->Panasonic SV-255-> DAT (Pete, Tom, Tim) Transfer Info: Dat Tape (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Taped & Transfers by Pete Ebel  
32. 09/01/00 Alpine Valley Music Theatre - East Troy, WI Source: MBHO603 (Cardiod) > Sound Devices MP-2 > SBM-1 - Transfer: D8 > ZA2 (48 > 44.1khz) > CDWAV > SHN; Taped and Transfered by Jeff Kempka, thanks to Dave for the patch. We were front row dfc in the section. notes
33. 09/03/00 Darien Lake Performing Arts Center - Darien, NY aud.unknown.heywood.flac notes
34. 09/04/00 Pine Knob Music Theatre - Clarkston, MI flac16Recording Info:SBD -> Dat -> CD;Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller  
35. 09/07/00 Blossom Music Center - Cuyahoga Falls, OH Source: Neumann KM 150's > Sonosax > SBM-1 > D8 > CDR > EAC > mkwACT; EAC'd/SHN'd by Doug Nawrocki. Source discs kindly provided by Dave Jackson notes
36. 09/08/00 Coors Light Amphitheatre - Scranton, PA Recording Info: Neumann KM184 -> Beyer MV100 -> SBM-1 -> Dat (Sony D8): Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> Dio 2448 -> Samplitude v6.0 -> SHN; Recorded By Michael Miller;Transferred By Charlie Miller notes
37. 09/09/00 Hartford Civic Center - Hartford, CT Recording Info: Neumann KM184(xy) -> Beyer MV-100 -> Dat (Sony D8/48k) Recorded By Charlie Miller and Michael Miller (no relation); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller  
38. 09/10/00 Continental Airlines Arena - East Rutherford, NJ Source: AKG 398>Aerco>Tascam DAP1>Sony D8>DAT OTS Transfer:DAT>Sony R300>Audiophile 24/96>PC>CD Wave>Traders Little Helper>Flac (Level 8) Taper: Frankie D Patcher: Freddie G Transfered: Freddie G  
39. 09/12/00 On Center - Syracuse, NY Scheops CCM4> Symetrix Pre> DAT> CD> EAC> SHN notes
40. 09/14/00 Nissan Pavillion - Bristow, VA Oktava mc012's (in hat fob) > Graham Patton Dmic 20 > PCM - M1 > tascam da 30 mkII > zoltrix nightengale 6.0 > sf6.0 > cdwav > cdr > eac > flac; recorded by Todd Romero & Chris DiPietro  
41. 09/15/00 FleetCenter - Boston, MA Schoeps cmc641->Sonosax SX-M2->DA-P1 from ots @48kHz; Sony 59ES->Audio Magic Presto II->ZA2->Soundforge 4.5(48->44.1)->CDWav->.shn Recorded by Micheal from Connecticut DA-P1 patch, transfer and encoding by Eric McRoberts notes
42. 09/16/00 E Centre - Camden, NJ 16 bit Source: Sennheiser ME80 > Marantz PMD700 in the lawn
Transfer: Marantz PMD700 DAT > SPDIF > Tascam HD-P2 > SanDisk 8Gb Extreme III CF > 16bit WAV > Audacity 2.3.2 > FLAC16 > Tagged with Mp3tag v2.95 		 
43. 09/17/00 Bryce Jordan Center, Penn State - State College, PA Recording Info: Neumann KM184 -> Beyer MV100 -> SBM-1 -> Dat (Sony D8): Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> Dio 2448 -> Samplitude v6.0 -> SHN; Recorded By Michael Miller;Transferred By Charlie Miller notes
44. 09/20/00 Hampton Coliseum - Hampton, VA flac16Recording Info:Neumann KM184 -> Beyer MV100 -> Sony SBM1 -> Dat (Sony D8); Transfer Info:Dat (Sony D8) -> CD (Tascam CDRW-700) -> Cool Edit Pro -> CD -> FLAC; Recorded By Michael Miller; All Transfers and Mastering By Charlie Miller  
45. 09/23/00 Spirit Of The Suwannee Music Park - Live Oak, FL flac16 44 khz Source: Audio Techinica 815(OTS) > Sony D7 @ 16/48 Transfer: DAT/m > Tascam DA-20 MKII > SPDIF > MacMini(Audacity) > xACT(FLAC/TAG) 16/441
Taped by: Matt “Lazy Lightning” Lazor
Transfer: DiGiHoArDeRs 5/15/17

N.B.
All known original distributions of {too000923_17_Truckin.flac} are "corrupt or truncated" when checked against the original .ffp registered here. They do not decode without error.
Anybody with a correctly matching file please let us know.
The {too000923_17_Truckin.flac} now registered was derived from the 1648 distribution shnid 138455 which was not corrupt. 		 
46. 09/24/00 Lakewood Amphitheatre - Atlanta, GA Source: Shure VP88 (ots/center) > Sharp MD-MS702 Lineage: MD/M > Philips CDR750 > EAC > Audacity > CDWav > FLAC  
47. 12/30/00 Universal Amphitheater - Los Angeles, CA Source: Neumann km140's (ots/ortf) > Beyer MV-100 > Tascam DA-P1 Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC Recorded/transferred: Jeff Bowen Extraction: Brad Foster  
48. 12/31/00 Oakland Coliseum Arena - Oakland, CA Source: Nakamichi CM-300 CP-4's > Beyer MV-100 > Tascam DA-P1 Transfer: Tascam DA-P1 > coax > HHb CDR 800 PRO (raw AIFF files transferred via wetransfer.net) Edit: Sound Forge Pro 10.0a (converted AIFF files to .WAV, minor edits, normalize) > Audacity 1.2.6 (re-join .WAV files) > CDWav (re-tracked) > Trader's Little Helper (level 5) > FLAC Recorded & Transferred by: Jeff Bowen (OldNeumanntapr) Location: OTS - 2nd Row Center Edited & Mastered by: Dennis Orr  
49. 06/??/02 Club Front Studios - San Rafael, CA SBD -> Dat -> Sonic Solutions -> CD; EAC'd in Secure Mode (Copy and Test Tracks); SHN'd By Charlie Miller charliemiller87@earthlink.net  
50. 08/03/02 Alpine Valley Music Theatre - East Troy, WI Source: FOB/DFC Schoeps MK4>KC5>CMC6>Apogee AD-1000>Sony D7 (48khz); Mics run ORTF @ 6' High from Section 202 row AA Seat 125 - Transfer: D8>Prodif Plus>Samplitude 5.5>CDwav>MKWact>SHN(v3); Taped/Transferred/Seeded bt: Mike Fischer (Phishsdank@aol.com) notes
51. 08/04/02 Alpine Valley Music Theatre - East Troy, WI Source: AKG 481>Sound Device MP2>?>Sony D8>DAT OTS (Lawn) Transfer:DAT>Sony R300>Audiophile 24/96>PC>CD Wave>Traders Little Helper>Flac (Level 8) Taper: ? Patcher: Freddie G Transfered: Freddie G  
52. 10/27/02 Shoreline Amphitheatre - Mountain View, CA Source: MBHO 603a/KA200 > MP2 > M1 - Transfer: DAT > Tascam CD-RW700 > EAC > CDWave > mkwACT > SHN; Recording by Ross; Transfer by RIPJJG  
53. 11/14/02 Roanoke Civic Center Coliseum - Roanoke, VA Source: Neumann TLM 170's (set 1: omnis,set 2:hypercardiod setting) 15' spread on 7' stands> Apogee Minime> Sony PCM-M1 - Transfer: Tascam DA 30mkII> zoltrix nightengale 6.0 @44.1> soundforge 6.0> cdwav> mkw >shn>(cd); rec by chun; transfer by spoogles  
54. 11/15/02 MCI Center - Washington, DC Source: Front row of taper's section, NEUMANN KM-140'S > LUNATEC V3 > SONY M-1 > CD-R > EAC > mkwACT > SHN  
55. 11/16/02 Pepsi Arena - Albany, NY Source: AKG481s(XY)Stand set @ 13'>GP Dmic 20>Sony PCM-M1
Transfer: Fostex D5>HHB 830>Plextor PX-W012A>EAC>SHN
Tapers Section-FLR Sec. 8/DFC
Taped by: Ken Doughty; Seeded by: JBGoode4 		 
56. 11/18/02 FleetCenter - Boston, MA Source: AKG ck93 (hypercard x/y 90)> SE300b> Tascam DA-P1> Master Dat @44.1 kHz. Transfer: Master DAT> Tascam DA-20mkII> macbook> Sound Studio (fades, normalize)> Aiff> Flac Taped (11.18.02) and transferred (12.29.08) by noah bickart notes: just left of center OTS, x/y 90degrees, approx 12' high.  
57. 11/19/02 FleetCenter - Boston, MA Source: schoeps cmc6/mk41 > LunatecV2 > ApogeeAD1000 > NomadJ3@44.1kHz - Transfer: NomadJ3 > Creative_Play_Center > Cd_Wav_Editor > Mkw.97 > shn; just left of center OTS, 90degrees, approx 9'; Taped by Andy Murray; Nomad patch, encoding and seed by Cliff Kaelin (SnowRide@aol.com)  
58. 11/20/02 Continental Airlines Arena - East Rutherford, NJ source: mbho603/kn500>18'pole-dfc/ts>mp-2>sbm-1>m-1>wav>shn; taper: Tim McD. tapertim@comcast.net  
59. 11/22/02 Hartford Civic Center - Hartford, CT Source: (sec 8) DPA 4023> Lunatec V3> AD1K> DA-P1> coax> DA-P1 48khz - Transfer: 48khz DAT Master> coax> Audiophile 2496> Wavelab 4> CD Wave> MKWact> SHN; Recorded by Michael Zapp; Transfered, and Mastered by Clinton Vadnais (cleantone@hotmail.com)  
60. 11/23/02 First Union Spectrum - Philadelphia, PA Neumann KMR 81's>Lunatec V2>Sony SBM1>D7; Location: OTS, Front Row, Stand at 12 Feet; Transfer: Sony PCM 2600>Sound Devices 722; Edit: SD722>Adobe Aud. 2.0>44k>cdwav>flac; Tapers: Mike M. Dave M. Tony S.; Transfer and upload by Tony Suraci  
61. 11/24/02 First Union Spectrum - Philadelphia, PA Neumann KM150's>Sound Devices MP2>Sony SBm1>Sony D7; Location: OTS, Stand at 10 Feet; Transfer: Sony PCM2600>Sound Devices 722; Editing: SD722>Adobe Aud. 2.0>44k>cdwav>flac; Tapers: Mike M. Dave M. and Tony S.; Transfer and upload by Tony Suraci  
62. 11/26/02 Madison Square Garden - New York, NY Source: Schoeps CCM4 > BillBox > PCM-M1 > Panasonic SV-4100 > DAT > CDR > EAC > mkwACT; taped by Phil Dinhofer phildinhofer@yahoo.com; Transfer by Tim OConnell mtmoc@cox.net  
63. 11/27/02 Gund Arena - Cleveland, OH Source: Nak100 Series> DAT (D8) > CDR >(EAC 0.9 beta 4, offset corrected High&Secure) > dropout removal (soundforge 5.0)> tracking (cdwav) > SHN (shorten 3.4); upgrade from a previous version  
64. 11/29/02 Mellon Arena - Pittsburgh, PA fob 3rd row dead center Schoeps mk4>kcy>vms 5u>dap1 - dat>echo mia>wav>shn  
65. 11/30/02 The Palace of Auburn Hills - Auburn Hills, MI flac16/44.1khz Source: Neumann KM184 > Sonosax > DA-P1 @ 16/44.1 DAT/c > Sony PCM R300 > Tascam DR680 > Audacity > xACT(FLAC/TAG);DiGiHoArDeRs: 4/28/19 Matt "Lazy Lightning" Lazor DAT Collection  
66. 12/01/02 Conseco Fieldhouse - Indianapolis, IN Source: Neumann AK40 > LC3 actives > Neumann KM100 > Sound Devices MP2 > Apogee MiniMe > D8@44.1; Taper: Scott McPherrin - Transfer: Tascam DA20MKII > Delta Dio 2496 > Samplitude Master 6.0 > CDWAV > MKWact > SHN; brianvoelz@wi.rr.com  
67. 12/02/02 Allstate Arena - Rosemont, IL Source: Neumann AK40 > LC3 actives > Neumann KM100 > Sound Devices MP2 > Apogee MiniMe > D8@48k; Taper: Scott McPherrin - Transfer: Tascam DA20MKII > Delta Dio 2496 > Samplitude Master 6.0 > CDWAV > MKWact > SHN; brianvoelz@wi.rr.com  
68. 12/05/02 Henry J. Kaiser Auditorium - Oakland, CA Source: (2)Sennheiser K3U/ME80 + (1)AKG 460/CK61 > Soundcraftman Spirit Folio Lite mixer > M1 - Transfer: Otari DTR-8s > Tascam CD-RW700 > Plextor PX-W4012A > EAC > CDwave > SHN; Tapers Section - FLR Front Row, DFC; Taped and Seeded by: RIPJJG  
69. 12/06/02 Henry J. Kaiser Auditorium - Oakland, CA Source: (2)Sennheiser K3U/ME80 + (1)AKG 460/CK61 > Soundcraftman Spirit Folio Lite mixer > M1 - Transfer: Otari DTR-8s > Tascam CD-RW700 > Plextor PX-W4012A > EAC > CDwave > SHN; Tapers Section - FLR Front Row, DFC; Taped and Seeded by: RIPJJG  
70. 12/31/02 Oakland-Alameda County Coliseum - Oakland, CA Source: 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3 (super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp; Recorded by Rob R. aka "Art Cube"  

Phil Lesh  
  Date Venue - City, State Media  
1. 07/04/21 Terrapin Crossroads - San Rafael, CA  

Phil Lesh & Friends http://www.phillesh.net
  Date Venue - City, State Media  
1. 05/17/76 Fairfax - Fairfax, CA Possibly SBD -> Cass x 3 or 4 -> CDR -> Soundforge -> CDR via Alasdair Macdonald  
2. 12/19/76 Warfield - San Francisco, CA source: sbd Jerry Moore's copy
lineage: sbd > ? > cassette
transfer:nak dragon/c > tascam hd-p2 24/96 > pc > adobe audition 2.0 > cd wave > flac
transferred & seeded by Rob Berger Nov. 2012 		 
3. 09/24/94 Berkeley Community Theater - Berkeley, CA SBD > DAT(s) > CDR via Michael Zelner encoding Matt Vernon  
4. 04/20/98 Warfield Theater - San Francisco, CA CSHEB (dpa4061) > Zefiro Inbox > Sony D100 > 44k dats from 5th row at right balcony at level of right hanging speakers  
5. 08/07/98 Fillmore Auditorium - San Francisco, CA CSHEB (dpa4061) > Sony D100 > 48k dats from 3rd row left in front of keyboard player  
6. 08/08/98 Fillmore Auditorium - San Francisco, CA flac16 44.1kHz Neumann KM184 > Lunatec V2; DAT(c) @ 44.1kHz > Tascam DA-20 MKII > Tascam SS-R1 > Canare Coax > Samplitude Pro X3 Suite (Build 35) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; DAT provided by Dave Flaschner; Transfer & edits by Jeff Mitchell  
7. 04/15/99 Warfield Theatre - San Francisco, CA SBD (24 Track Recording Mix) -> Master Dat (44.1k) via Charlie Miller notes
8. 04/16/99 Warfield Theater - San Francisco, CA SBD (24 Track Recording Mix) -> Master Dat (44.1k) via Charlie Miller notes
9. 04/17/99 Warfield Theatre - San Francisco, CA SBD (24 Track Recording Mix) -> Master Dat (44.1k) via Charlie Miller notes
10. 04/27/99 Luther Burbank Center - Santa Rosa, CA Source: DAT > CDR > Toast Audio Extractor > SHN Extracted and SHNed by Jon Seff (jon@seff.net) notes
11. 06/04/99 Warfield Theater - San Francisco, CA flac16; SBD (24 Track Recording Mix) -> Master Dat -> Dat Clone (44.1k) Transfered and Edited By Charlie Miller  
12. 08/12/99 The Fillmore Auditorum - Denver, CO Source: FOB Schoeps MK4>VMS>SBM-1>DA-P1>CDR>EAC>SHN>CDR  
13. 08/13/99 Red Rocks Ampitheatre - Morrison, CO flac16/44;Master Audience Recorded By Mr. Darby AKG451EB/CK1's (DIN/DFC/Middle Of OTS)>Tascam DA-P1 @ 16/48 Transfer Information:Fostex D-5>Tascam HD-P2 @ 16/48> HDD>Audacity (Tracking/Fades)>xACT (FLAC6) Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo SBE's Checked/Fixed With Trader's Little Helper Metadata Tagging With Tag&Rename By Keo  
14. 08/14/99 Red Rocks Amphitheatre - Morrison, CO flac16/44;Master Audience Recorded By Mr. Darby AKG451EB/CK1's (DIN/DFC/Middle Of OTS)> Tascam DA-P1 @ 16/48 Transfer Information:Fostex D-5>Tascam HD-P2 @ 16/48> HDD>Audacity (Tracking/Fades)>xACT (FLAC6) Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo  
15. 08/17/99 Cuthbert Ampitheater - Eugene, OR flac16 48khz Source: Marantz Micros Transfer: DAT(c) @ 48kHz > Sony PCM-R500 > Korg MR-2000S > Samplitude Pro X3 (Build 35) > TLH v2.7.0 (flac8, ffp) > Foobar2000 v1.3.10 (Live Show Tagger) DAT provided by Dave Flaschner Transferred by Jeff Mitchell (goodhunkofwood@gmail.com)  
16. 08/18/99 Cuthbert Ampitheater - Eugene, OR Source: Af: Schoeps MK4's>DAT>CD-r > EAC > Flac via Chris Larson  
17. 08/20/99 Greek Theatre - Berkeley, CA Source: FOB B&K 4022 > Sonosax M2 > HHb @ 48khz Transfer: SONY PCM-R500 > TASCAM SS-R05 > AUDACITY > FLAC @ 48khz Transferred on January 12, 2013 by greens_n_beans@yahoo.com  
18. 08/21/99 Greek Theatre - Berkeley, CA Recorded, transferred and mastered to .wav files by D5scott Source: 2 Sonic Studio DSM-6S microphones > Sony TCD5M - analog master cassettes Transfer: Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files  
19. 08/22/99 County Bowl - Santa Barbara, CA Source: (FOB) Neumann ak40's (xy) > lc3 > km100's > V2 > DA-P1 Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC Recorded: Jeff Bowen & Allan Chen Transferred: Jeff Bowen Extraction: Brad Foster notes
20. 09/30/99 Candlestick Park - San Francisco, CA Oade Mics -> Dat -> CD  
21. 10/08/99 The Warfield - San Francisco, CA Source: FOB, Microtech Gefell M-210 > Oade M-248 > Sony SBM-1 > Sony TCD-D8 DAT. Lineage: Master DAT > Tascam CD-RW2000 > EAC > Wavelab > TLH > FLAC 1644 tagged. Taped by: Jon Pasternak Transferred by: Jon Pasternak  
22. 10/21/99 The Fillmore Auditorum - Denver, CO akg4081.unknown.sacks.flac16 notes
23. 10/22/99 The Fillmore Auditorum - Denver, CO Source: B&K 4011 > Lunatec V2 > AD1000  
24. 10/23/99 The Fillmore Auditorum - Denver, CO Source: B&K 4011 (@ 48k) Transfer: Sony TCD-D7 > 7-pin optical > Creative Nomad Jukebox 3 > FireWire > Sound Forge (resample to 44.1k @ highest accuracy) > CDWav > FLAC --No DAE-- Transferred and seeded by Paul Hofferkamp (gruven42ATyahooDOTcom)  
25. 10/29/99 Miami University - Oxford, OH sonicDSM6.bigdaddyflo.krw_co.flac8  
26. 10/31/99 UIC Pavilion - Chicago, IL source and conversion unknown  
27. 11/03/99 Schottenstein Center, OSU - Columbus, OH flac16 44.1khz Source: FOB Schoeps CMC 64->Sonosax P/S->Panasonic SV-255-> DAT (Joint Venture: Pete, Tim, Tom, Mik) Transfer Info: Dat Tape (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Taped & Transfers by Pete Ebel  
28. 11/06/99 Bryce Jordan Center - State College, PA source: aud > Sony ECM-MS 957 > Sony WMD-6 > mac taped by John Bleich - Section 106, Row B, Seat 116 transfer : mac > Aiwa AD-F410 > Creative Extigy > Wavelab > wav > flac via SirMick  
29. 11/08/99 Baltimore Arena - Baltimore, MD Master Audience Recorded By Mr. Baker! Nakamichi CM701's > Sony PCM-M1 > DAT Master > Fostex D5 > Phillips CDR 880 > EAC > FLAC Recorded Stealth Section 102, Row B, Side Arena Tracks Renamed/Retracked With AudioGate Software @ Wave 16/44 Metadata Tagging With Tag&Rename By Keo  
30. 11/09/99 Temple University - Philadelphia, PA Recorded and Transferred By Scott Medeiros (S.O.B) Nakamichi CM-300 CP-4 > Sony D-? > Dat > (2014)Adobe Audition ( Resampled 16/41) > Flac >Traders Little Helper  
31. 11/10/99 New Haven Coliseum - New Haven, CT AUD>DAT>CDR>EAC>WAV>Mkw 0.96f>SHN. Uploaded to etree by Andrew Smith notes
32. 11/14/99 Worcester Centrum Centre - Worcester, MA flac16, 48kHz; (FOB) Schoeps mk21 > kc5 > cmc6 > EAA PSP-2 > Sony TCD-D8 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > CD Wave v1.98 (track splits) > Reaper v5.35 (fades) > FLAC v1.3.1 (Level 8); Taped by Felix Dequisimo; Transferred by Jason Sobel  
33. 11/15/99 Barton Hall - Ithaca, NY flac16 44.1khz Sony Stereo Mic>Sony WM-D6C Cassette Master(TDK 110 Minute Metal Tape)>Dolby B>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker,FOB,Approximatrely 35 Feet From Stage,Dead Center.  
34. 11/17/99 Wittemore Center - Durham, NH unwantedman.cleancutkid.LB-5455.shn notes
35. 11/18/99 Mullins Center, University of Massachusetts - Amherst, MA flac16 44.1kHz FOB; Schoeps MK4 > KC5 > CMC6 > Sonosax SX-M2 > Sony D-100; DAT(m) @ 44.1kHz > Tascam DA-20 > Tascam DR-680 MKII > Canare Coax > Samplitude Pro X3 Suite (Build 35) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; Recorded by Dave Flaschner; Transfer & edits by Jeff Mitchell  
36. 03/10/00 Henry J. Kaiser Auditorium - Oakland, CA soundboard for Phil and Friends Phil 60th Bday Show  
37. 04/08/00 Orpheum Theatre - Boston, MA Source: CSB’s -> Sony M1 Master DAT (16/48). Location: FOB, Right Orchestra. Transfer: Fostex D-5 -> SIIG SoundWave 7.1 -> Audacity -> AudioGate (16/44) -> CD Wave -> FLAC  
38. 04/14/00 The Tower Theatre - Upper Darby, PA flac16 48kHz Schoeps MK4 > CMC 5 > VMS02B > Sony D-10; DAT(c) @ 48kHz > Sony PCM R-500 > Korg MR-2000S > Canare Coax > Samplitude Pro X3 Suite (Build 35) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; DAT provided by Dave Flaschner; Transfer & edits by Jeff Mitchell  
39. 04/22/00 Beacon Theatre - New York, NY Source:AKG 393->Aerco->Sony SBM1->Tascam DA-P1 Transfer:Tascam DA20 mkII->Edirol R44->SD->PC->CD Wave Editor. taped FOB 12th row DFC ,in the hat @ 5'5". Taped by Frank D'Auria  
40. 05/27/00 Calaveras County Fairgrounds - Angels Camp, CA SOUNDBOARD > DAT  
41. 06/17/00 The Gorge Ampitheatre - George, WA Source: Neumann (model unknown) > DAT > SP/DIF > SoundForge > WAV > CD notes
42. 06/24/00 Shoreline Amphitheatre - Mountain View, CA Source: B&K4011's (10 ft high, 60 ft from PA?, aimed at 90 degrees and separated by 12 inches) > Lunatec V-2 > Tascam DA-P1 > Sony D7 (taped by Charlie Miller) Transfer: Sony D7 > Pro Tascam (unknown model #) (Charlie Miller) SHN Extraction/DAE: Ben Yerys (byerys@nova.psy.du.edu) notes
43. 06/30/00 Ventura County Fairgrounds - Ventura, CA source: taped by:fieldse@wwu.edu MD>WAV>SHN skomp@skomp.net notes
44. 07/09/00 Deer Creek Music Center - Noblesville, IN Schoeps MK > Kc5 active cables > cmc6 > EAA PSP-2 > Sony D-8 > Lucid Pci 24 > cdr > SHN > FLAC  
45. 07/11/00 Riverbend Music Theater - Cincinnati, OH flac16/44.1khz Source Info: Schoeps CMC 6 MK 4-> Sonosax P/S-> Panasonic SV255->DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel  
46. 07/15/00 Alpine Valley Music Theatre - East Troy, WI Master Audience Recorded By Mr. Darby AKGC451EB/CK1's (DIN/DFC/Center Of OTS/9 Feet High)> Tascam DA-P1 @ 16/48 Transfer Information:Fostex D-5>Tascam HD-P2 @ 16/48> HDD>Audacity (Tracking/Fades)>xACT (FLAC6) Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo SBE's Checked/Fixed With Trader's Little Helper Metadata Tagging With Tag&Rename By Keo  
47. 07/23/00 Saratoga Performing Arts Center - Saratoga, NY flac16 44.1kh Source:Nakamichi 300 Mics W CP1 Cardiods>Sony D8 Dat Master>Sony 60 Meter DDS Dat Tape>Sony PCM R-300 Home Dat Deck(PlaybacK)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,On The Lawn.  
48. 07/25/00 Montage Mountain - Scranton, PA flac16 44.1kha Source:Nakamichi 300 Mics W/CP1 Cardioids>Sony D8 Dat Master>Sony 60 Meter DDS Dat Tape>Sony PCM R-300 Home Dat Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,On The Lawn.  
49. 07/29/00 Merriweather Post Pavilion - Columbia, MD flac16; Matrix 2 Audience Source Mix - AUD1 (shnid=131006) Master Audience Recorded By Mr. Baker! Nakamichi CM701s > Sony PCM-M1 > DAT Master > Phillips CDR 880 > EAC > FLAC Tracks Renamed/Retracked With AudioGate Software To 16/44 SBE's Checked/Fixed With Trader's Little Helper + AUD2 (shnid=28669) Oktava MC012-FMSP(cards a/b )fob>Graham Patten dmic-20>Sony PCM-M1@48khz transfer: Tascam DA MK30I I> Maudio Audiophile 24/96 > SoundForge 7 >resample to 44.1> CDwav(track split)>flac taped by T Romero transfered by C DiPietro - matrix mixing by Kevin Tobin  
50. 07/30/00 Waterloo Village - Stanhope, NJ Source: AKG 391>Aerco>Tascam DAP1>DAT>DAT (Clone from Master) Transfer:DAT (Clone)>Sony R300>Audiophile 24/96>PC>CD Wave>Traders Little Helper>Flac (Level 8) Taper: Frankie D Transfered: Freddie G  
51. 10/04/00 Orpheum Theatre - Boston, MA Source: Schoeps CMB1 > MK41 > Sony M1 > TascamCDRw700 Extraction: CD > EAC > Audacity > WAV > FLAC  
52. 10/05/00 Orpheum Theater - Boston, MA flac16 44.1khz Neumann SKM-184 > Sonosax SX-M2 > Tascam DA-P1 Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Traders Little Helper > FLAC. Taped by David Keller. Transferred & Seeded by Bill Graves.  
53. 10/06/00 Orpheum Theatre - Boston, MA Official Phillesh.net DSBD release Mix by John Cutler notes
54. 10/07/00 Orpheum Theater - Boston, MA flac16 44.1khz Neumann SKM-184 > Sonosax SX-M2 > Tascam DA-P1 Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Traders Little Helper > FLAC. Taped by David Keller. Transferred & Seeded by Bill Graves.  
55. 10/15/00 Beacon Theater - New York, NY Source: AT822's > D8 > CD Transfer: CD > EAC > Audacity (44.1) > WAV > FLAC Taper Unknown Extracted & Seeded by Bill Graves  
56. 10/16/00 Beacon Theatre - New York, NY Source: DSBD > DAT > SHN Official phillesh.net release! notes
57. 10/21/00 Riviera Theatre - Chicago, IL Source: SBD > DAT (44.1kHz) Transfer: DA-20mkII > ZA2 > CDWAV > SHN  
58. 10/27/00 House of Blues - Las Vegas, NV MBHO603A-KA200 > MP2 > ADC20 > DAP1 notes
59. 10/28/00 The Wiltern Theatre - Los Angeles, CA Source: SBD > ? > SHN (www.thephilzone.com> notes
60. 02/09/01 The Fillmore Auditorum - Denver, CO Taper: Jeff Travitz Source: Schoeps mk4v > kcy active cables > Schoeps VMS 5 U preamp > SBM-1 @ 48 khz (FOB) DAT > CD Conversion: Don Becker Equipment: PCM-M1 > Oade Active Cable > Sek'd Prodif Plus > Samplitude v5.5 (48>44.1) > CDWAV notes
61. 02/10/01 The Fillmore Auditorum - Denver, CO Neumann KM140 > MP2 > ADC-20 > DAP1 taper/seeder = Dave Koorey - phrog@etree.org notes
62. 02/12/01 Roseland Theatre - Portland, OR Source: A:D Schoeps MK-4's>Apogee Pre>DAP1 Transfer: DAT>ZA2(S/PDIF)>Samplitude2496>CD-r or shn Taped by Frank, conversion by Chris Larson notes
63. 02/13/01 Roseland Theatre - Portland, OR Source: A:D Schoeps MK-4's>Apogee Pre>DAP1 Transfer: DAT>ZA2(S/PDIF)>Samplitude2496>CD-r or shn Recorded by Frank (http://cascademedia.net) Conversion by Chris Larson (nswboogy@easystreet.com)  
64. 02/15/01 Maritime Hall - San Francisco, CA (3) Nakamichi 300/CP1 -> Boss BX4 Mixer -> Sony SBM-1 -> Dat (Sony D8/48k) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (New transfer by Charlie Miller)  
65. 02/17/01 Maritime Hall - San Francisco, CA (2) Nakamichi 300/CP4 + (2) AKG C1000S (Hypercardioid) -> Boss BX4 Mixer -> Sony SBM-1 -> Dat (Sony D8/48k) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (New transfer by Charlie Miller)  
66. 02/18/01 Maritime Hall - San Francisco, CA Jay Ashley remaster of soundboard release Official Phil Release SBD>>DAT>>CDA>> DAW(Bertha)>>CDA notes
67. 04/13/01 Sunrise Musical Theater - Fort Lauderdale, FL Source - 10th Row Center (FOB) Schoeps CMC6 MK21/MK8>KC5(actives)>Apogee AD1000. Matrixed thru AEA's MK38M/SII>DAT Transfer: DA-20mkII > RME DIGI96/8 PST > CDWAV > SHN  
68. 04/15/01 Hard Rock Live - Orlando, FL Bertha Remaster of the Unofficial Soundboard by Jay Ashley. PA Feed>>DAT>>SHN>>WAV>>DAW(Bertha)>>CDA notes
69. 04/16/01 Boutwell Auditorium - Birmingham, AL Source: Af: Neuman AK40's>L37>KM100>AD1000>DAP1 Transfer: DAT(44.1kHz)>ZA2(S/PDIF)>Wavelab 3.03>Cd-r Transfer by Chris Larson  
70. 04/20/01 Independence Hall - Cricket Arena - Charlotte, NC SBD  
71. 04/21/01 West Virginia University - Morgantown, WV flac16 44.1khz Source: Schoeps CMC 64->Sonosax P/S->Panasonic SV-255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Taped & Transfers by Pete Ebel  
72. 04/23/01 Richmond Landmark Theater - Richmond, VA Source: Akg 480 ck61(xy)>V2>ad2k+>dap-1>d7 Transfer: DAT(48kHz)>ZA2>Wavelab 3.03>Cd-r by Chris Larson  
73. 04/24/01 Constitution Hall - Washington, DC Source: Akg 480 ck61(xy)>V2>ad2k+>dap-1>d7 Transfer: DAT(48kHz)>ZA2>Wavelab 3.03>Cd-r Transfer by Chris Larson  
74. 04/25/01 A.J. Palumbo Center - Pittsburgh, PA Source: Akg 480 ck61(xy)>V2>ad2k+>dap-1>d7 Transfer: DAT(48kHz)>ZA2>Wavelab 3.03>Cd-r Transfer by Chris Larson  
75. 04/27/01 Electric Factory - Philadelphia, PA Source: Akg 480 ck61(xy)>V2>ad2k+>dap-1>d7 Transfer: DAT(48kHz)>ZA2>Wavelab 3.03>Cd-r Transfer by Chris Larson  
76. 04/29/01 Asbury Park Convention Hall - Asbury Park, NJ Bertha Remaster of the official phil SBD release by jashley@deadacated.com SBD>>DAT>>SHN>>WAV>>DAW(Bertha)>>CDA - Sound A Show A notes
77. 04/30/01 Roseland Ballroom - New York, NY Digital Remaster of the official Phil release by jashley@deadacated.com Thank you Phil! SBD>>DAT>>SHN>>WAV>>DAW(Bertha)>>CDA - Sound A+ Show A+ notes
78. 06/27/01 The Greek Theatre - Los Angeles, CA Recorded by Neil Sturtevant (FOB): Sennheiser ME40's > M1(48kHz) Mastered & Tracked by Mike Boden: Tascam DA-P1 > Apogee PSX-100 DA convertor > Behringer PEQ 2200 EQ> dbx 166XL Compressor > Apogee PSX-100 AD convertor > PC w/ Celeron II 600 MHz overclocked to 900MHz > Samplitude V.5.55.0.0 > Converted to SHNs w/ MkwACT 1.0.0.1 Notes: Mics were mounted on the front of a ball cap, and Neil was standing dead center. notes
79. 06/29/01 The Greek Theatre - Berkeley, CA flac16;Recording Info:Rode NT2 -> Lunatec V2 -> Sony SBM-1 -> Dat (Sony D8/44.1k);Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; Recorded, Transferred and Mastered By Charlie Miller  
80. 06/30/01 Greek Theater - Berkeley, CA flac16;Recording Info:Rode NT2 -> Lunatec V2 -> Sony SBM-1 -> Dat (Sony D8/44.1k);Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; Recorded, Transferred and Mastered By Charlie Miller  
81. 07/01/01 Greek Theater - Berkeley, CA Recording Info:Rode NT2 -> Lunatec V2 -> Sony SBM-1 -> Dat (Sony D8/44.1k);Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC;Recorded, Transferred and Mastered By Charlie Miller  
82. 07/03/01 Cuthbert Amphitheatre - Eugene, OR Source: 1st row behind Soundboard Sonic Studios DSM-300's > Sony D8 > DAT > Tascam CDRW 700 > CDR > SHN crackling in 1st set compliments of p.a. system. notes
83. 07/04/01 Snoqualmie Amphitheater - Snoqualmie, WA From the tapers section, center, 10' stand neumann km184's>lunatec v2@35db> apogee ad1000@44.1khz>tascam da-p1 harmonic tech cables this was a very windy day da-p1>sek'd prodif plus card> sek'd red roaster (tracks & fades only)> plextor cd>eac>mkw Recorded, transferred, & seeded by Dale S notes
84. 07/06/01 Red Rocks Ampitheatre - Morrison, CO flac16;Recording Info:Microtech Gefell M210 -> Oade M248 -> Sony SBM-1 -> Master Dat (Sony D8/48k); Transfer Info:Master Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; Recorded By Charlie Miller and Jon Pasternak; All Transfers and Mastering By Charlie Miller  
85. 07/07/01 Red Rocks Ampitheatre - Morrison, CO Bertha Remaster of the Official Soundboard Release by jashley@deadacated.com. SBD>>DAT>>SHN>>WAV>>DAW(Bertha)>>CDA notes
86. 07/09/01 Zoo Amphitheatre - Oklahoma City, OK Original Source: AT 4051a>AETA PSP-2>Tascam DA-P1Tascam DA-P1>Echo Gina 24>Cool Edit 2000>CDWAV>EAC>SHN (shnid=5598); Remaster: CDA>EAC>WAV>ADOBE AUDITION>CDWAV>SHNTOOL>mkwACT by MattMan. notes
87. 07/12/01 River's Edge Amphitheater - Somerset, WI Source: Nakamichi CM-700s (CP-701 card caps) > M1 > Delta Dio 2496 > Sound Forge 4.5 > cdwav > cd Taped by Nic Brokenleg (nnbroken@home.com) from front corner of taper's section just left of SBD encode to shn by groovewagon.dyndns.org notes
88. 07/15/01 Deer Creek Music Center - Noblesville, IN Source: DPA 4060s > V2 > DA-P1 Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Trader's Little Helper > FLAC Taper Unknown Transferred from DAT & Seeded by Bill Graves  
89. 07/17/01 DTE Energy Music Theater - Clarkston, MI Source: FOB 16th Row DFC mics run 7'high ORTF AK40 > LC3KA > KM100 > AD1000 > D8 Transfer: D8 > Delta DiO 2496 > Samplitude 2496 > CDWAVE > SHNv3 notes
90. 07/18/01 Polaris Amphitheatre - Columbus, OH Taper: Ben Ehrsam Location: Front Center of Taper's section Source: MBHO 603a/KA200 > MP-2 > Tascam DAP1 > DAT > DIGI > HHB 830 > CDR Conversion by mvernon54@home.com EAC > Cool Edit (fix track boundaries, remove some pops and claps) > SHN (mwkact with seektables appended) notes
91. 07/20/01 Tweeter Center for the Performing Arts - Mansfield, MA Taped by Eric McRoberts FOB/DFC 17th row on 6'6" stand using schoeps cmc64 -> lunatec 316 -> SBM-1(Oade mod) -> DA-p1@44.1kHz D8 (master) -> Sony POC-DA12P -> DiO 2448 -> Sek'd Samplitude -> CDWav -> .shn v3. Transfered, tracked, and encoded by James Tierney (grizzly@ne.mediaone.net) notes
92. 07/21/01 The Meadows Music Centre - Hartford, CT Source: AKG 393>Aerco>Tascam DAP1>DAT>DAT (Clone from Master) Transfer:DAT (Clone)>Sony R300>Audiophile 24/96>PC>CD Wave>Traders Little Helper>Flac (Level 8) Taper: Frankie D Transfered: Freddie G  
93. 07/22/01 Saratoga Performing Arts Center - Saratoga Springs, NY Source: AKG 393>Aerco>Tascam DAP1>DAT>DAT (Clone from Master) Transfer:DAT (Clone)>Sony R300>Audiophile 24/96>PC>CD Wave>Traders Little Helper>Flac (Level 8) Taper: Frankie D Transfered: Freddie G  
94. 07/24/01 Finger Lakes Performing Arts Center - Canandaigua, NY AKGc1000s > Denecke AD-20 > Sony TCD-D100  
95. 07/26/01 Jones Beach Theater - Wantagh, NY Source:AKG 393>Aerco>Tascam DAP1>Sony D8>DAT FOB (Orch G Row EE Seat 12) Transfer:DAT>Sony R300>HHB850>CD>PC>CD Wave (DAE) >Traders Little Helper>Flac (Level 8) Taper: Frankie D Patcher: Freddie G Transfered: Freddie G  
96. 07/27/01 PNC Bank Arts Center - Holmdel, NJ Source: Neumann KM100's > V2 > AD2K+ >D8 Transfer: D8 > Behringer UCA202 > Audacity > WAV > FLAC Taped & transfered by Bill Graves  
97. 07/28/01 Tweeter Center - Camden, NJ Source:AKG 391>Aerco>Tascam DAP1>Sony D8>DAT FOB (Section 103 Row Q Seat 5) Transfer:DAT>Sony R300>HHB850>CD>PC>CD Wave (DAE) >Traders Little Helper>Flac (Level 8) Taper: Frankie D Patcher: Freddie G Transfered: Freddie G  
98. 07/29/01 Star Pavilion - Hershey, PA source: aud > Sony ECM-MS957's > Sony WM-D6 > mac transfer: mac > Nakamichi BX-125E > Creative Extigy > Wavelab > wav > flac taped by John Bleich conversion by SirMick  
99. 07/31/01 Merriweather Post Pavilion - Columbia, MD Source: Oktava MC012 (cardiods) -> Grahamm-Patten DMIC-20 -> DA-P1 -> Soundforge -> SHN Row J dead center notes
100. 08/03/01 Alltel Pavillion - Raleigh, NC Taper: Tapecat (www.tapecat.com) Source: MBHO603a 200n> MP-2> ADC-20>Sony D-7> PioneerPDR-509 > CDR Location: 16th Row Dead Center Lawn encoding by Matt Vernon notes
101. 08/05/01 Lakewood Amphitheater - Atlanta, GA akg483>m248>sbm1(oade wmod)>da-p1 16/44.1 fob dfc gold circle boxes 11ft. din t&s by c. cage dat(m)>r4>pc CDwave>tlh flac 8  
102. 11/08/01 Aragon Ballroom - Chicago, IL Source: FOB Schoeps MK4V>KC5>CMC6>Apogee AD1000>Sony D8(shnid=6399). Remaster: SHN>WAV>ADOBE AUDITION>CDWAV>SHNTOOL>mkwACT by MattMan. notes
103. 11/10/01 Palace Theater - Louisville, KY flac16 Source: FOB Neumann KM140 > V2 > SBM1(modified) > D8 Transfer: DAT/m > Tascam DA-20 MKII > SPDIF > MacMini(Audacity) > xACT(FLAC/TAG) @ 16/44.1 Taper: Matt “Lazy Lightning” Lazor Transfer: DiGiHoArDeRs 10/6/16  
104. 11/13/01 Shea's Performing Arts Center - Buffalo, NY Source: DPA 4023 > V2 > DA-P1 Transfer: D8 > Behringer UCA202 > Audacity (@48 Hz) > WAV > FLAC Taper: Unknown Transferred From DAT by Bill Graves  
105. 11/15/01 Palace Theatre - Albany, NY flac16/44.1khz Nakamichi 300 Mics W/CP4 Shotguns>Sony D8 Dat Master(2 Sony 60 Meter DDS Dat Tapes)>Sony PCM R-300 Home Dat Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker.  
106. 11/16/01 Memorial Auditorium - Burlington, VT Source: Earthworks SR78 > MP2 > D8 Transfer: D8 > Behringer UCA202 > Audacity > WAV > FLAC Taped & transfered by Bill Graves  
107. 11/17/01 Stabler Arena - Bethlehem, PA Schoeps MK4v > VMS5u > SBM-1 > DA-P1 (FOB/DFC on stand) transfer unknown. Hosted on gamehenge notes
108. 11/18/01 Central Maine Civic Center - Lewiston, ME Source: Earthworks SR71 > MP2 > D8 Transfer: D8 > Behringer UCA202 > WAV > FLAC Taped & transferred by Bill Graves  
109. 11/21/01 Orpheum Theater - Boston, MA flac16, 44.1kHz; Neumann SKM-184s > V2 > DA-P1; Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Traders Little Helper > FLAC; Taped by David Keller and Transferred by Bill Graves  
110. 11/23/01 Orpheum Theater - Boston, MA flac16, 44.1kHz; Neumann SKM-184s > V2 > DA-P1; Tascam DA-30 MKII > Marantz PMD 561 > Audacity > WAV > Traders Little Helper > FLAC; Taped by David Keller and Transferred by Bill Graves  
111. 11/24/01 Orpheum Theater - Boston, MA flac16, 44.1kHz; Neumann SKM-184s > V2 > DA-P1; Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Traders Little Helper > FLAC; Taped by David Keller and Transferred by Bill Graves  
112. 11/26/01 Beacon Theater - New York, NY Master/Conversion: Microtech Gefell M210's>Oade M248>SBM-1>D8, D8>Tascam CDRW2000>CD
by Jon Pasternak
Extraction: CD>xACT 1.66 (cdparanoia)>WAV>FLAC
by Dave Mallick 		 
113. 11/27/01 Beacon Theater - New York, NY FOB Row G#106 AKG 414. Transfer Sony R500> ZA2> Sound Forge notes
114. 11/30/01 Beacon Theater - New York, NY MBHO603a/KA200 (active)> MP-2> DAP1. Taped by Ben Ehrsam from Loge front Dead Center. Transfer CD > EAC > mkwact(seekable) > shn mvernon54@attbi.com  
115. 12/01/01 Beacon Theater - New York, NY Source: Schoeps MK4v > Schoeps VMS 5U > Sony SBM1 > Sony d10pro (shnid=8714). Remaster: SHN>WAV>ADOBE AUDITION>CDWAV>SHNTOOL>mkwACT by MattMan. notes
116. 12/02/01 Beacon Theater - New York, NY FOB Audience - Orch center row J (14) seat 102 (5 seats left of dfc) / B&K 4021s (t-bar, 6' stand) > Apogee AD-1000 (+20db, 44.1kHz) > Sony PCM-M1 DAT masters TRANSFER INFORMATION Sony PCM-2600 / DAT master > RME Digi 96/8 Pro XLRs > PC > SoundForge 4.5 (trim & fades) / CDWav 1.6 > .wav files > mkwACT 0.96f > .shn files recording, mastering / transfer and cover art by ericv peace, further... e notes
117. 12/03/01 Beacon Theatre - New York, NY Master/Conversion: Microtech Gefell M210's>Oade M248>SBM-1>D8, D8>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.66 (cdparanoia)>WAV>FLAC by Dave Mallick  
118. 12/30/01 Henry J. Kaiser Auditorium - Oakland, CA flac1644 Source: Neumann KM140 (FOB/DFC/ORTF) > V2 > SBM-1 > Sony D8 Transfer: DAT/m > Tascam DA-20 MKII > SPDIF > MacMini(Audacity) > xACT(FLAC/TAG) 16/441 Taped by: Matt “Lazy Lightning” Lazor Transfer: DiGiHoArDeRs 5/14/17  
119. 12/31/01 Henry J Kaiser Convention Center - Oakland, CA Taped by Mike (Bodenzord) Boden with Neumann KM150's (aimed at the stacks, front and center in taper's section and about eight feet high. F) > Tascam DA-P1(48kHz) > Waves L2 > Sontec 250C > Manley Variable-MU > Apogee PSX-100 AD convertor > PC w/ Celeron II 600 MHz overclocked to 900MHz > Samplitude V.5.50.0.0 > Yamaha 8x4x24 CDRW external SCSI  
120. 03/29/02 Warfield Theater - San Francisco, CA flac16;Recording Info:(FOB) Neumann KM100/AK50 -> Lunatec V2 -> Sony SBM-1 -> Dat (Sony D8/48k); Transfer Info:Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; Recorded By Charlie Miller and Mike Boden; All Transfers and Mastering By Charlie Miller  
121. 03/30/02 Warfield Theater - San Francisco, CA (FOB) Neumann KM150 -> Lunatec V2 ->Sony SBM1 ->Dat ->Samplitude v5.9 ->CD. Recorded By Charlie Miller and Mike Boden notes
122. 04/05/02 The Fillmore Auditorum - Denver, CO FOB Schoeps MK4V transfered and encoded by Matt Edlhuber notes
123. 04/07/02 Dobson Arena - Vail, CO AKG483 > Lunatec V2 > Graham Patten ADC-20 > Tascam DAP1 @ 48k Transfer by Marc Pujol notes
124. 05/04/02 Morris FX Auditorium - New Orleans, LA Flac1648
(FOB,DFC)Neumann AK40+LC3+KM100(DIN) -> Oade m148 -> mod SBM1
Conversion: Fostex D5 -> AES -> Lynx Hilo -> USB -> Amadeus Pro (Tracking, fades, and Sector Boundaries Aligned) -> Izotope RX (Declicker, Subsonic High Pass Filter, and Normalization) -> Flac 16/48 		 
125. 05/05/02 Fair Grounds Race Course - New Orleans, LA Source: FOB/DFC Nakamichi 701?s> Custom P/S and Preamp> Sony M1(48) Transfer: Fostex D5> HHB 830(44.1)> EAC> FLAC vias Nakguy  
126. 05/21/02 Irving Plaza Early and Late Shows - New York, NY Source: Neumann KM140>Lunatec V2>SBM1>Tascam DAP1>Sony D8>DAT Transfer:DAT>Sony R300>Audiophile 24/96>PC>CD Wave>Traders Little Helper>Flac (Level 8) Taper: Frankie D Patcher: Freddie G Transfered: Freddie G  
127. 06/03/02 Slim's - San Francisco, CA Core Sounds Cardioids (20' from stage, DFC) -> Tascam DA-P1 -> DAT -> Mac -> SHN; notes
128. 06/23/02 Great Stage Park - Manchester, TN (FOB) Neumann km184 -> Aeta PSP-3 -> GP ADC-20 -> Tascam DA-P1; Fostex D5 -> EgoSys Waveterminal 2496 -> CoolEdit 2000 (48->44.1kHz, fades) -> CD Wave v1.71 -> mkwACT 0.97b1; Taped by Jeff Killion; Transferred by Jason Sobel  
129. 07/05/02 GOTV - Mariaville, NY Taper: Tim In Jersey Location: OTS, slightly ROC Source: akg480/ck61(x/y)>mod SBM-1>d8(16/48) Transfer:d8>Oade 7-pin>SD722>CF>HDD>Audacity 2.0.0>(amplify, track and FLAC)>r8brain (48>44.1 resample; quality setting:"very high")  
130. 07/10/02 Darien Lake PAC - Darien Center, NY beyerM201.suraci.flac notes
131. 07/12/02 PNC Bank Arts Center - Holmdel, NJ Source: akg c1000s (hyper card) ortf 110*>xlr>1/8">sony d8>16/44.1 wav>dat Transfer: pc>soundeforge>wav16/44.1>cd>pc>audacity,compression 2:1,track,balance>flac16 @ level 8 Taper Chris  
132. 07/13/02 Tweeter Center - Mansfield, MA Source: AKG C1000's > MXB1002 > D8 Transfer: D8 > Behringer UCA202> Audacity> WAV> FLAC  
133. 07/14/02 Jones Beach Amphitheater - Wantagh, NY flac16: Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Phantom Power > Sony Sbm 1 > Sony Pcm 1 Tascam Da-p1 > Creative Extigy Soundcard > Cool Edit > Traders Little Helper  
134. 07/15/02 Scranton Cultural Center - Scranton, PA Source:Nakamichi 300 Mics W/CP4 Shotguns>Sony D8 Dat Master>2 Sony 60 Meter DDS Dat Tapes(1 For Each Set)>
Sony PCM R-300 Home Dat Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>
Flac Level 8.Sector Boundaries Alighned Using Traders Little Helper.Taped By Dave Boedicker,Front Row Of Balcony. 		 
135. 07/20/02 Tweeter Center - Camden, NJ Source: SBD (possibly the monitor mix) > (?) > DVD LPCM 16/48 Lineage: DVD VOB Files > DVD Remaster Pro (extract 16/48 WAV > Izotope RX Advanced (resample to 44.10) > Amadues Pro (tracking) > xACT > Flac16 (verified, level 6) - Conversions done by ekoostikal (capt.krinklebeiniii@yahoo.com) 6/28/2009  
136. 07/21/02 Merriweather Post Pavillion - Columbia, MD Source: Schoeps MK4v/MK8 > KCY > VMS5U > Modified SBM-1 > M1@48K (FOB/DFC/MID-SIDE) Taper: Mike Labuda Transfer: Tascam DA20MKII > Delta Dio 2496 > Samplitude 6.0 (48 > 44.1) > CDWAV > MKWact > SHN (brianvoelz@wi.rr.com) notes
137. 07/23/02 nTelos Pavillion @ Harbor Center - Portsmouth, VA Source:FOB-DFC (In the sweet spot) DPA(B&K) 4011's>Luminous Monarchs> V2>AD2K+>M1 taped by Mark Lynn Transfer: Fostex D5>Tascam cdrw700>eac (secure)>mkw>shn SHN conversion by Greg Kerbel  
138. 07/26/02 Verizon Wireless Amp - Charlotte, NC Josephson c603/ka500 hyper > denecke ps-1a>zefiro>pcm>da-p1 taped by Jim Olis. Transfer: da-p1>Event Gina Track Splits and Fix: SHN > mkwACT > WAV > CDWave (new splits) > shntool (fixed sector boundaries and stripped) > shorten32v3 > SHN by Bill Burton notes
139. 07/27/02 HiFi Buys Amp - Atlanta, GA Source: Schoeps MK4Vs > KCY > VMS5U > Modified SBM-1 > M1@48k FOB/DFC 17th row(row q), Mics ORTF on stand @6ft Taper: Mike Labuda notes
140. 07/28/02 Mars Amphitheatre - West Palm Beach, FL AKG C1000s(xy 90deg)>10db att>Sony D8 @ 48hz. Transfer: Sony D8>Sony RMR-D3>Digi Coax>SB Audigy>Wave Studio>CD Wave>CD>CD>EAC>SHN. Taped by Dan Sikora. Seeded by JBGoode4 notes
141. 07/30/02 The Backyard - Austin, TX Source: modified Nak 701’s -> Luminous Audio P/S -> Nak MX-100 -> Sony M1 DAT (16/48). Location: fob, dfc. Transfer: Fostex D5 aes/ebu -> Tascam DR680 -> AudioGate (16/44) -> CD Wave -> Flac  
142. 08/03/02 Alpine Valley Music Theatre - East Troy, WI Source: Neumann KM 140's>V2>SBM-1>D8 Transfer: D8 > Harmon Kardan CDR20 > CD > Audacity > WAV > FLAC Taped & transferred by Bill Graves  
143. 09/01/02 Red Rocks Ampitheatre - Morrison, CO Source: (fob, dfc, ortf) Schoeps CCM4> Sound Devices MP-2> Sony D10ProoII(48) Transfer: DAT> CDR(44.1)> EAC> FLAC via nakguy  
144. 09/25/03 Warfield Theater - San Francisco, CA Bertha Remaster of the Official Phillesh.net Soundboard release. SBD>>DAT>>SHN>>DAW(Bertha)>>CDA/SHN via Jay Ashley notes
145. 09/27/03 Warfield Theatre - San Francisco, CA Bertha Remaster of the official soundboard release. SBD>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A notes
146. 10/29/03 Great American Music Hall - San Francisco, CA Phil Lesh and the Hep Cats DAUD(unknown mics) > ?(might be MD) > CDR via Bill Graves encoded by Matt Vernon notes
147. 11/14/03 The Fillmore Auditorum - Denver, CO Source: MBHO (603a)_Hyper_V2_AD2K+_DPA1 Location: OTS_DFC_Stand_Height_11 Feet Mic's Pointed At Stacks Recorded in 16_48 Taped And Transfered By Tim Dobert  
148. 11/15/03 The Fillmore Auditorum - Denver, CO Source: MBHO (603a)_Hyper_V2_AD2K+_DPA1 Location: OTS_DFC_Stand_Height_11 Feet Mic's Pointed At Stacks Recorded in 16_48 Taped And Transfered By Tim Dobert  
149. 11/16/03 The Fillmore Auditorum - Denver, CO ource: MBHO(603a)_Hyper_V2_AD2K+_DPA1 Location: OTS_DFC_Stand_Height_11 Feet Mike's Pointed At Stacks Recorded in 16_48 Transfer: Tascam_DA20_MKII_V2_AD2K_SD744_(24_96) Compact Flash>Adobe Audition 7.0>Sound Forge 3.0>CDwav. Taped And Transfered By Tim Dobert  
150. 11/23/03 Orpheum Theater - Boston, MA Source: Sennheiser 441's/Nak 300 w/CP1 > Sound Devices MP2 > DA-P1 > D8 Transfer: D8 > Behringer UCA202 (@48Hz) > Audacity > WAV > FLAC Taped and transferred by Bill Graves, patched out of a Frankenstein rig set up by Brad Poulin & George Johnson  
151. 11/25/03 Orpheum Theater - Boston, MA Source: Schoep MK-4/CMC-6 XY/Apogee Mini-ME 1st row Mezz Cen Encoding: EAC(secure) > Cool Edit > CDWAV > mkwact > SHN(seekable) by Patrick Hayes notes
152. 11/28/03 Tower Theater - Upper Darby, PA rec: Oktava mc012's(cardiod)> Graham Patten Dmic 20>Sony PCM-M1 dat transfer:Tascam DA MK30II>coax>Zoltrix Nightengale 6.0>SoundForge 7>resample to 44.1k>CDwav(track split)>FLAC rec & transfer by c dipietro  
153. 11/30/03 Tower Theater - Upper Darby, PA Official Soundboard Release (FLAC) converted to SHN  
154. 12/03/03 Beacon Theater - New York, NY flac16: Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Oade Mini Mics > Sony PCM-M1 Modified FOB Tascam DA-P1 > Sony Sbm 1 > Creative Extigy Soundcard > Cool Edit > Master Files > Adobe Audition CS6 > Ozone 5 > Traders Little Helper  
155. 04/24/04 Rec Center - Corte Madera, CA source:sbd>eac>shn via esmith notes
156. 12/17/04 Warfield Theater - San Francisco, CA Bertha Remaster of the DSBD SBD>>DAT>>CDA>>FLAC>>DAW(Bertha)>>CDA/SHN notes
157. 12/18/04 Warfield Theater - San Francisco, CA Bertha Remaster of the DSBD SBD>>DAT>>CDA>>FLAC>>DAW(Bertha)>>CDA/SHN notes
158. 12/19/04 Warfield Theater - San Francisco, CA Bertha Remaster of the DSBD SBD>>DAT>>CDA>>FLAC>>DAW(Bertha)>>CDA/SHN notes
159. 02/12/05 Bill Graham Civic Center - San Francisco, CA Source: DSBD - Official Release from www.phillesh.net (CDs mastered by Wizard)  
160. 05/13/05 The Warfield - San Francisco, CA SBD(29524)/AUD(29945) Matrix [SBD+AUD > Wavelab 5.01 > CD Wave 1.94.5 > Flac 16 (level 8) with tags] Mixed by Ross Pezl (SailorSaint); June 2011  
161. 07/16/05 Red Rocks Ampitheatre - Morrison, CO Master/Conversion: Microtech Gefell M210's>Oade M248>SBM-1>D8, D8>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.66 (cdparanoia)>WAV>FLAC by Dave Mallick  
162. 10/27/05 Bimbo's 365 Club - San Francisco, CA Source: B&K 4023 (10' tripod) > Sonisax > Sony Viao via SoundForge 7.0 by Mark Erdheim Transfer: Tracked WAV files to CDR by Mark Erdheim Extraction: CDR > EAC(proper offsets) > WAV > FLAC (level 6) by Marc Pujol on 1/22/2006 (Thanks to Leo Carr for the source discs!!)  
163. 10/29/05 Sam Boyd Silver Bowl - Las Vegas, NV Source:ADK TL 51s> 20'FOB 2'right of DFC> UA-5> JB3(16/44.1 kbs) Transfer: JB3>USB>PC Remaster: Wavelab 6.0> 30Hz cut, 100Hz Rolloff,+1.5db @ 8khz, +3db @16khz, MaxxBass "Hi-Fi Enhancer",+4db L3 "Ultramaximizer">Trader's Little Helper(Flac 8) Taped, transfered and remastered by Sean Wentland  
164. 10/30/05 The Joint @ Hard Rock Hotel - Las Vegas, NV Source: (fob) Nakamichi 701?s -> Luminous Audio P/S -> Sony M1 DAT (48kHz) Transfer: Fostex D5 -> HHb 830 (44.1kHz) -> EAC -> FLAC  
165. 12/01/05 Agganis Arena, Boston University - Boston, MA Source: Neumann KM140s > V2 > D8 Transfer: D8 > Behringer UCA202 > Audacity > WAV > FLAC Taped and Transferred by Bill Graves  
166. 12/08/05 House of Blues - Atlantic City, NJ Source: Schoeps mk4 (ortf, fob, dfc)> kc5> cmc6> Lunatec V3 (24/96)> PDAudio-CF> iPaq 3835 (Live2496, Addonics Pocket ExDrive); Wave Lab 5 (fades, resample, Apogee uv22hr dither)> CDWave (tracks)> FLAC16 Recorded by Craig Taraszki (ctaraszki@hotmail.com)  
167. 12/30/05 The Warfield - San Francisco, CA Source: (Vintage 48V modified) Gefell MV 692 + M94 -> Stewart BPS-1?s -> Nakamichi MX-100 -> MicroTrack 2496 (24/48) Transfer: MicroTrack 2496 -> Audacity (16/44.1) -> CD Wave -> FLAC16 By nakguy  
168. 02/10/06 Beacon Theater - New York, NY source: microtech gefell 300s ("dude style" * - clamped to loge facade 2' out - dfc) > v3 (16/48) > m1 transfer: pcmr500 > audiophile usb > wavelab5 (resample/fades) > cdwav (tracks) > flacfrontend (level 6 verify) recordist: "bad-vibe dude" transfer: david barfield  
169. 02/11/06 Beacon Theater - New York, NY Source: Neumann AK43>LC3KA>KM100>SBM1 Modified>Sound Devices 722 (24/96) FOB/DFC/KFC/ZFC Orchestra Center, Row G, Between Seats 106 & 107, 6' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Jim Madry And Z-Man Seeded By: Z-Man  
170. 02/12/06 Beacon Theatre - New York, NY Source: DSBD - Official Release from www.phillesh.net (Mixed and mastered by Derek Featherstone)  
171. 02/14/06 Beacon Theater - New York, NY Source: schoeps mk4 (ortf-dfc-loge rail) > kc5 > cmc6 > 3' zoalla > minime (16/44) > m1 Lineage: pcmr500 > audiophile usb > audacity (fades) > cdwav (tracks) > flacfrontend (md5 sigs via mkw) Taped and transferred by: david barfield  
172. 06/18/06 Bonnaroo Music Festival - Manchester, TN Source: Peluso cemc6/ck4's(DIN,7'FOB,DFC,50'from stage)>w+mod ua-5>jb3(44.1) Transfer: jb3>creative playcenter>cdwave>flac Recorded and transferred by Jon Buffington (stirinthesauce@hotmail.com)  
173. 06/25/06 Hi-Fi Buys Ampitheatre - Atlanta, GA KM140(ORTF)>W/UA-5>JB3 JB3>USB>WAVELAB5>CD WAVE>FLAC by admkrk  
174. 07/02/06 Saratoga Performing Arts Center - Saratoga Springs, NY Source: Neumann KM 140's > V3 > D8 Transfer: D8 > Behringer UCA202 > Audacity (@ 48Hz) > WAV > FLAC  
175. 07/07/06 Nikon Jones Beach Theater - Wantagh, NY sbd.philleshnet.flac16  
176. 07/08/06 Darien Lake Performing Arts Centre - Darien Lake, NY MBHO 603a/KA200N > Beyerdynamic MV-100 > Sony PCM-M1  
177. 07/09/06 Bethel Woods Center for the Arts - Bethel, NY THIS SOUNDBOARD IS **FREE** THANKS TO PHIL & FRIENDS (WWW.PHILLESH.NET) Mixed and mastered by Wiz CD covers can be found at www.phillesh.net Big thanks to all the mirror sites! notes
178. 07/11/06 Toyota Pavilion @ Montage Mountain - Scranton, PA Flac 16
Source: Nakamichi 300 Mics W/CP1 Cardioids>Sony D8 Dat Deck>Maxell 90 Meter DDS Master Dat Tape>
Sony PCM R-300 Home Dat Deck(Playback)>Edirol R-09 HR(24/44.1 Khz)>Cd Wav Editor>Traders Little Helper>Flac Level 8.
Sector Boundaries Aligned using Traders Little Helper.
Taped By Dave Boedicker, On The Lawn. 		 
179. 10/29/06 Double Down Stage (Vegoose Music Festival) - Las Vegas, NV SBD(Webcast)+AUD(Oktava MC012) > Wavelab 5.01 > CD Wave 1.94.5 > FLAC  
180. 04/10/07 S.O.B.'s - New York, NY Schoeps mk4> NBox+> Edirol R09 (24/48); Wave Lab 5 (fades)> CDWave (tracks)> Wave Lab 5 (resample, Apogee uv22hr dither)> FLAC16 Recorded by Craig Taraszki  
181. 06/03/07 Hunter Mountain - Hunter, NY Source: Neumann km184> v2> sbm-1> optical 7pin> h120 Transfer: h120> USB> Sound Forge 6.0> cdWave> FLAC Frontend Taped/Transfered by Rob Clarke  
182. 07/07/07 Sweetwater Saloon - Mill Valley, CA Neumann skm 140s->sound devices 722 (@ 24/192) via rosemary.dyndns.org  
183. 09/23/07 Greek Theatre - Berkeley, CA Source: Neumann USM69i(hypercards-X/Y)>Sound Device 744T(line 1,2)+Neumann M147Tube>Presonus TubePre>SD 744T(line 3)+Neumann U89i(hypercard)>Presonus TubePre>SD 744T(line 4)Recorded 24/96 Lineage: SD744T>Audacity>Soundforge 8.0(fades,tracked,normalized,resampled 96>44.1khz,bit depth converter 24>16bit)>Flac Frontend Recorded, Mastered & Transferred by: Steve Schneider  
184. 09/28/07 Fillmore Auditorium - Denver, CO Source: Schoeps MK-41 @90* 3.5" 1/2 ORTF > KCY Active Cable > Schoeps VMS 5u > Kind Kables Belden Quad Star > Grace V-3 @ 24/48 > Kind Kables 75ohm > Tascam HD-P2. 30' center 6' 4" on the human stand. Transfer info: HD-P2 > Windows XP > Wavelab 5.0 ( bit depth & sample rate change) > CD wave > Flac This is a Deaheaded, C.B. Taper, Travitz recording.  
185. 09/29/07 Red Rocks Amphitheatre - Morrison, CO Sources: #Set 1: Milab VM44 Link>V2>Korg MR1000(analog out)>722 Set 2, 3: AKG CK1x caps>JWmod AKG 460's>722@24/96 Location: OTS, DFC Stand at 7 feet* Transfer: 722>Adobe Aud>16bit>CDwav>flac16 Taper: Tony Suraci  
186. 10/12/07 Tweeter Center at the Waterfront - Camden, NJ MAC; (FOB) 2 Sennheiser e835s > Hosa cables > Sony D5 > 3 Maxell XLII's Taper: Old School Mark McCue Transfer: Master Audience Cassettes > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 2496 > Izotope Ozone 3 > Waves L3 UltraMaximizer > .wav @ 16/44.1> CD Wave Editor > TLH > FLAC ( 8 ). Transfer, edits and upload by Alex Ford October 2007.  
187. 10/20/07 Glens Falls Civic Center - Glens Falls, NY source: Neumann km184> v2> SBM-1 (48 kHz)> optical 7-pin> iRiver h120 [DIN 90* Tapers section front and center ] transfer: h120> USB> Soundforge 6.0 (resample, fades)> cdWave> FLAC Frontend taped/transfered by Rob Clarke  
188. 10/31/07 Nokia Theater - New York, NY FREE SOUNDBOARD  
189. 11/02/07 Nokia Theater - New York, NY FREE SOUNDBOARD  
190. 11/03/07 Nokia Theatre - New York, NY FREE SOUNDBOARD  
191. 11/08/07 Nokia Theater - New York, NY FREE SOUNDBOARD  
192. 11/09/07 Nokia Theatre - New York, NY FREE SOUNDBOARD  
193. 11/11/07 Nokia Theatre - New York, NY Milab VM-44 Link -> Lunatec V2 -> Korg MR-1000 (1bit/2.8MHz DSD); Korg MR-1000 -> AudioGate (16/44) -> CD Wave -> FLAC  
194. 11/27/07 Warfield Theater - San Francisco, CA Source: Schoeps mk4v > Lunatec V3 > Sound Devices 744T Transfer: 744T > Adobe Audition 1.5 > 24/48 to 16/44 > CDWave FLAC Recorded by Pete Gilmore, Monkey Tunes Transferred by Dawne Gilmore  
195. 02/04/08 Warfield Theatre - San Francisco, CA Taped & Seeded by: Ian Stone Source: Schoeps mk41>kc5>cmc6>lunatec v2>sound devices 722 @24/48 at taper's section, right of center.  
196. 05/16/08 Warfield Theater - San Francisco, CA Source: Milab VM-44 Link -> Lunatec V2 -> Korg MR-1000 (1bit/2.8MHz DSD) Transfer: Korg MR-1000 - > AudioGate (16/44) -> CD Wave -> FLAC  
197. 05/17/08 The Warfield - San Francisco, CA Source: Milab VM-44 Link -> Lunatec V2 -> Korg MR-1000 (1bit/2.8MHz DSD). Transfer: Korg MR-1000 -> AudioGate (16/44) -> CD Wave -> FLAC  
198. 05/18/08 Warfield Theater - San Francisco, CA Source: Schoeps mk4v/cmc6 (ortf) > V3 (analog out) > Benchmark AD2K+ > Sound Devices 744 T > .wav (24 bit 48Hz) - Plus - Neumann U89i (ortf) > V3 (analog out) > SD 744T > .wav (24 bit 48 Hz). Placement: Taped from the section - far left side - closest to center - aprox 7 feet high both pairs of mics were on the same stand. Lineage: Mixed with Samplitude, low bass rolloff, bit-depth and resampled > CD Wave (tracking) > flac frontend > .flac. Tthanks to James Welborn for his analog feed from his Neumann U89is > V3 !! recorded and mastered by Larry Narachi  
199. 06/15/08 Bonnaroo Music Festival - Manchester, TN taped and transfered by zanos source: 2 fostex mc10st Mics -> Edirol R-01 -> 16bit wave. storage and editing: Edirol R-01 usb link -> Dell Inspiron 2200 -> Adobe Audition 1.5 -> Maxter 320gig HD  
200. 06/22/08 Meadowbrook U.S. Cellular Pavilion - Gilford, NH Source: Sennheiser K6-ME66 > Vintage-mod Busman R-4 (24/48) Setup: PAS, OTS Transfer: R4 > audacity > ssrc (to 16/44) > shntool split > flac Taped/transferred/seeded by: SmokinJoe  
201. 07/05/08 Grandview Park - Sioux City, IA Source: AKG 451EB/ck8's -> Lunatec V3 -> Tascam HD-P2 @ 24/48 Location: PAS | FOB | DFC | 7 ft DSP: HD-P2 -> HDD -> Amadeus Pro (tracking/fades/FLAC8) - 24/48 -> 16/44.1 via WaveLab -> .flac16 (6) by Dustin Hassenstab Recorded and DSP'd by Mike Darby Compiled and uploaded by Dustin Hassenstab  
202. 07/06/08 Double J Ranch - Rothbury, MI Source: Schoeps CCM4V'S(din)>Lunatec V2>Sound Devices 722 (24/48) location: FOB/DFC/KFC/ZFC/AARP 100' From Stage, 7' High DSP: Sound Devices 722>Sound Forge 7.0>CD Wave>flac(16) Recorded By: The Z-Man Seeded By: The Z-Man  
203. 07/13/08 Jones Beach Theater - Wantagh, NY Taper : Steve T ''AKA'' You Have A Diet Coke Editing : Joe D'Amico ''AKA''Joebeacon Source: Nak 700 Mic's > Battery Box > Sony Sbm1 > Sony D-8. Transfer: Tascam Dap1 > Creative Extigy Soundcard > Cool Edit Pro > Flac Frontend  
204. 08/02/08 Gathering of the Vibes Seaside Park - Bridgeport, CT AKG 391 (section LOB, x~y @ 90* @ ~ 12 ft) > Custom Canare SQ mic cables > V3 @ 24/48.1 > Belkin PureAVSilver Series Optical > PCM-D50. 8/2Transfer: Sony PCM-D50 > USB 2.0 >PC Sound Forge 9.0>flac. Processing: dithered to 16 bit, resampled to 44.1khz & select db+ and fades in Sound Forge 9.0. Conversion: To flac @ level 8, align boundries and ffp generated in Traders Little Helper. Recorded and processed by Crupi  
205. 09/30/08 Merriweather Post Pavilion - Columbia, MD Source: Schoeps CCM4V'S(din)>Lunatec V2>Sound Devices 722 (24/48) location: FOB/DFC/KFC/ZFC/AARP Row K, Between Seats 113 and 114, 6' High DSP: Sound Devices 722>Sound Forge 7.0>CD Wave>flac(16) Recorded By: The Z-Man Seeded By: The Z-Man  
206. 10/31/08 Nokia Theatre - New York, NY Flac16
Neumann Km 184 Mics > Lunatec V2 > Korg Mr-1000
Korg Mr-1000 > Usb > Audio Gate > Cool Edit Pro > Master Files > Adobe Audition > Ozone > Traders Little Helper
Taper, Editing : Joe D'Amico ''AKA'' Joebeacon 		 
207. 11/01/08 Nokia Theatre - New York, NY flac16/44 Remastered Taper : Joe D'Amico ''AKA'' Joebeacon Eciting : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Lunatec V2 >Korg Mr-1000 Korg Mr-1000 > Usb > Audio Gate > Cool Edit Pro > Master Files > Adobe Audition > Ozone > Traders Little Helper  
208. 11/02/08 Nokia Theatre - New York, NY Flac16
Taper : Joe D'Amico ''AKA'' Joebeacon, Editing : Joe D'Amico ''AKA'' Joebeacon
Neumann Km 184 Mics > Lunatec V2 > Korg Mr-1000
Korg Mr-1000 > Usb > Audio Gate > Cool Edit Pro > Master Files > Adobe Audition > Ozone > Traders Little Helper
Remaster of shnid 95621 		 
209. 11/03/08 Nokia Theatre - New York, NY Neumann TLM-170 (hypercardoid, split 30' in balcony) -> Sound Devices 722 (24/96) -> Soundforge Audio Studio 9.0c (Peak Level Normalize to 0db; resample to 44.1 w/interpolation accuracy 4, anti-alias filter; 24->16 bit highpass triangular dither w/high pass contour noise shaping). Taped and transferred by Scott Bernstein  
210. 11/03/08 Nokia Theatre - New York, NY Flac16
Neumann Km 184 Mics > Lunatec V2 > Korg Mr-1000
Korg Mr-1000 > Usb > Audio Gate > Cool Edit Pro > Master Files > Adobe Audition > Ozone > Traders Little Helper
Taped, edited, re-mastered 95623 by : Joe D'Amico ''AKA'' Joebeacon 		 
211. 11/06/08 Nokia Theatre - New York, NY Phil Lesh & Friends, Nokia Theater, New York, NY 2008-11-06 Taper : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Lunatec V2 > Korg Mr-1000 Korg Mr-1000 > Usb > Audio Gate > Cool Edit Pro > Flac Frontend  
212. 11/08/08 Nokia Theatre - New York, NY Taper:M.Laurentus Taper Section-AT897's-AT8202's -10db- Marantz PMD660-Card-CD Wave-FLAC  
213. 11/09/08 Nokia Theatre - New York, NY neumannKM184.remastered.joebeacon.flac16  
214. 11/11/08 Nokia Theatre - New York, NY Flac16
Neumann Km 184 Mics > Lunatec V2 > Korg Mr-1000
Korg Mr-1000 > Usb > Audio Gate > Cool Edit Pro > Master Files > Adobe Audition > Ozone > Traders Little Helper
original Taper and REMASTER of 95760 : Joe D'Amico 		 
215. 11/14/08 Nokia Theatre - New York, NY Flac16
Neumann Km 184 Mics > Lunatec V2 > Korg Mr-1000
Korg Mr-1000 > Usb > Audio Gate > Cool Edit Pro > Master Files > Adobe Audition > Ozone > Traders Little Help
Remaster of 95811 by the Taper : Joe D'Amico ''AKA'' Joebeacon 		 
216. 11/15/08 Nokia Theatre - New York, NY Flac16
Neumann Km 184 Mics > Lunatec V2 > Korg Mr-1000
Korg Mr-1000 > Usb > Audio Gate > Cool Edit Pro > Master Files > Adobe Audition > Ozone > Traders Little Help
Recorded and remaster of shnid 95829 by Joe D'Amico ''AKA'' Joebeacon 		 
217. 11/16/08 Nokia Theatre - New York, NY Flac16
Neumann Km 184 Mics > Lunatec V2 > Korg Mr-1000
Korg Mr-1000 > Usb > Audio Gate > Cool Edit Pro > Master Files > Adobe Audition > Ozone > Traders Little Help
Taped and remaster of shnid 95867 by Joe D'Amico ''AKA'' Joebeacon 		 
218. 11/18/08 Nokia Theatre - New York, NY Remastered Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Lunatec V2 > Korg Mr-1000 Korg Mr-1000 > Usb > Audio Gate > Cool Edit Pro > Master Files > Adobe Audition > Ozone > Traders Little Help  
219. 12/30/08 Bill Graham Civic Center - San Francisco, CA Neumann KMF4i > Denecke PS2 > Modified D8 (10 ft stand, right of board) > Tascam DA-20mkII > Prodif Gold > Soundforge 6.0 (fades & Normalization) > CD wave (tracks) > Flac(8), Recorded & mastered (seamless) by Andy Schneider  
220. 12/31/08 Bill Graham Civic Center - San Francisco, CA Neuman KM140's (Center Balcony DFC, 8') > U5A > Sony M1 Dat) > Optical Cable > Soundforge (Levels, Fades, EQ) > CDWave > dB PowerAmp (Flacs), Taped and transferred by PeterT  
221. 12/20/09 Tenderloin Community School - San Francisco, CA Edirol r09 > Internal Mics > Raw Wav > CDWave(tracking and resampling) > TLH(8) taper: richie greenbaum(fup420@gmail.com) transfer & tracking: terrapin joe esq(owner@terrapinstation.org) this is 16 bit CDDA downsampled from the 24 archive  
222. 12/09/11 Orange Peel - Asheville, NC Source: Schoeps 4V'S(din)>Sound Devices 722 (24/48)
DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16)
Recorded and Seeded By: Manofz 		 
223. 12/10/11 Asheville Civic Center - Asheville, NC Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K>Sound Devices 722 (24/48)
DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16)
Recorded and Seeded By: Z-Man 		 
224. 02/14/12 Grate Room at Terrapin Crossroads - San Rafael, CA webcast.goodbear.flac1644  
225. 02/15/12 KBCO Studio C - Boulder, CO Source: Mcintosh MR-77 Tuner -> RME 24/96 sound card -> Samplitude.  
226. 02/16/12 1st Bank Center - Broomfield, CO Source: Busman Audio BSC1/K31 (din) > Lunatec V3 > Busman HD-P2 (24/48) Location: OTS/DFC 10ft up Transfer: SDC > WaveLab 6 (Normalize, Fades, Convert to 16bit, Resample to 44.1 with Apogee UV22HR Dither) > CDWave (Tracking) > Traders Little Helper (FLAC6) Tagging: FLACs Tagged With Mp3tag v2.46b Recorded by Ryan Stearns  
227. 02/17/12 1st Bank Center - Broomfield, CO 2 Source Matrix: DPA 4022's | DPA 4027's Source 1: DPA 4022 (ORFT) w/V3 Preamp -> Tascam DR680 Souce 2: DPA 4027 (DINa) Naiant Mid box -> Tascam DR680 Location: DFC, OTS, 80 from monitors. Transfer: Tascam DR680 (24/96) wav -> USB cable -> PC Editing: Wavelab plugins -> Flac(16) MD5's and SBE checked and verified. 02/18/2012 Recorded by Patrick H.  
228. 02/18/12 1st Bank Center - Broomfield, CO  
229. 02/27/12 Terrapin Crossroads - San Rafael, CA Tascam iM2 > iPhone > WAV (44.1kHz, 16 bits) > Peak 6.20 > TRack 3 > FLAC (xACT 2.15)  
230. 04/29/12 Grate Room at Terrapin Crossroads - San Rafael, CA Source: Neumann KMF 4i > Naint Little Box > Tascam DR-07 (24/48) Transfer: Sound Forge 6.0 (16/44)> CD Wave (tracks) > TLH flac 8.0 Seamless mastering for longer media  
231. 05/12/12 Terrapin Crossroads - San Rafael, CA Tascam iM2 > iPhone > WAV (44.1kHz, 16 bits) > Peak 6.20 > TRack 3 > FLAC (xACT 2.15)  
232. 05/17/12 Terrapin Crossroads - San Rafael, CA Tascam iM2 > iPhone > WAV (44.1kHz, 16 bits) > Peak 6.20 > TRack 3 > FLAC (XLD, Tagged)  
233. 05/19/12 Terrapin Crossroads - San Rafael, CA Tascam iM2 > iPhone > WAV (44.1kHz, 16 bits) > Peak 6.20 > TRack 3 > FLAC (XLD, Tagged)  
234. 05/25/12 Terrapin Crossroads - San Rafael, CA Sonic Studios > Sony D-100 > (48kHz, 16 bits) > 44.1khz > Peak 6.20 > TRack 3 > FLAC (XLD, Tagged)  
235. 06/15/12 Grate Room,Terrapin Crossroads - San Rafael, CA Sonic Studios > Sony D-100 > (48kHz, 16 bits) > Peak 6.20 > 44.1khz > FLAC (XLD, Tagged)  
236. 06/17/12 Terrapin Crossroads - San Rafael, CA Source: Tascam iM2 > iPhone > WAV (44.1kHz, 16 bits) > Peak 6.20 > TRack 3 > FLAC (XLD, Tagged)  
237. 07/19/12 All Good Music Festival - Thornville, OH Source Info: 2xNeumann U-89i's(Set to Cardiod)-Grace V3-Digital out-Dr-680 1x Scheops/Strasser CM 060 (70's Solid State Mic-Cardiod setting low end roll off) Mic's ran FOB 60ft back of stage 2ft of DFC. 3 mic done in post with Wavelab using Waves S-1 Imager plug in to widen the stero pair and narrow the scheops to provide more seperation. Recorded, Mastered and Posted by Pat Myers AKA DATPAT www.mobiltracks.net  
238. 07/20/12 GOTV Seaside Park - Bridgeport, CT AKG ck1x(DIN,OTS) > Naiant Tiny Box > Sony PCM M-10 (24/44.1) Wave > Sound Fprge Pro 10.0(Fade,Track,Resample 16bit) > TLH > Flac Taped, Transfered & Seeded by Ted Gakidis  
239. 07/26/12 Terrapin Crossroads - San Rafael, CA Source: Tascam iM2 > iPhone > WAV (44.1kHz, 16 bits) > Peak 6.20 > TRack 3 > FLAC (XLD, Tagged)  
240. 07/29/12 Terrapin Crossroads - San Rafael, CA Source: Tascam iM2 > iPhone > WAV (44.1kHz, 16 bits) > Peak 6.20 > TRack 3 > FLAC (XLD, Tagged)  
241. 08/01/12 Terrapin Crossroads - San Rafael, CA Source: Tascam iM2 > iPhone > WAV (44.1kHz, 16 bits) > Peak 6.20 > TRack 3 > FLAC (XLD, Tagged)  
242. 08/11/12 Terrapin Crossroads - San Rafael, CA Source: Tascam iM2 > iPhone > WAV (44.1kHz, 16 bits) > Peak 6.20 > TRack 3 > FLAC (XLD, Tagged)  
243. 08/16/12 Terrapin Crossroads - San Rafael, CA Source: Schoeps CCM4V'S(din)>Sound Devices 722 (24/48) FOB/DFC/KFC/ZFC/AARP 5' From Stage, 6' High DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16) Recorded By: Z-Man Seeded By: Z-Man  
244. 09/07/12 Terrapin Crossroads - San Rafael, CA AT822 > Tascam Dr-2d @(24/96k) > Soundforge (eq, levels, fades and edits, resampling and bitsizing) & Adobe Audition (eq remixing) > CDWave (tracking, flacs) > TLH (checksums) Recorded DFC, about six rows back...  
245. 09/16/12 Town Park - Telluride, CO Recording Info: Schoeps MK-41, DPA Football windscreens, 17 cm @ 90* 90' Center 8' on Stand > Schoeps KCy Active > Schoeps VMS 2 1b > Kind Kables Chameleon Cables > Korg Mr-1000 @ 1 bit 2.8Mhz. Transfer Info: Korg Mr-1000 Usb > Windows XP > Audio Gate, Bit depth & Sample rate conversion, > CD wave > Flac.  
246. 10/20/12 Terrapin Crossroads - San Rafael, CA Source: Tascam iM2 > iPhone > WAV (44.1kHz, 16 bits) > Peak 6.20 > TRack 3 > FLAC (XLD, Tagged)  
247. 11/07/12 The Wellmont Theatre - Montclair, NJ flac16; Microtech Gefel 210>Aeta PSP3>Marantz PMD 620 BOB DFC
Transfer:Marantz PMD 620>PC>CD Wave>Traders Little Helper>Flac (Level 8)
Taper: Freddie G
Transferred by: Freddie G 		 
248. 11/08/12 The Wellmont Theater - Montclair, NJ Source: Microtech Gefel 210>Oade M248>SD722>Sony D8>Marantz PMD 620 BOB DFC Transfer:Marantz PMD 620>PC>CD Wave>Traders Little Helper>Flac (Level 8) Taper: Jon P. & Freddie G (Jon didnt pack his mics SO my mics into his pre) Transfered: Freddie G  
249. 11/09/12 The Wellmont Theater - Montclair, NJ Source: Microtech Gefel 210>Aeta PSP3>Marantz PMD 620 BOB DFC Transfer:Marantz PMD 620>PC>CD Wave>Traders Little Helper>Flac (Level 8) Taper: Freddie G Transfered: Freddie G  
250. 11/11/12 Roseland Ballroom - New York, NY Source: Microtech Gefel 210>Aeta PSP3>Marantz PMD 620 BOB Transfer:Marantz PMD 620>PC>CD Wave>Traders Little Helper>Flac (Level 8) Taper: Freddie G  
251. 11/12/12 Roseland Ballroom - New York, NY Source: Microtech Gefel 210>Aeta PSP3>Marantz PMD 620 BOB Transfer:Marantz PMD 620>PC>CD Wave>Traders Little Helper>Flac (Level 8) Taper: Freddie G Transfered: Freddie  
252. 11/13/12 Roseland Ballroom - New York, NY Source: Microtech Gefel 200>Aeta PSP3>Marantz PMD 620 BOB Transfer:Marantz PMD 620>PC>CD Wave>Traders Little Helper>Flac (Level 8) Taper: Freddie G Transfered: Freddie  
253. 11/15/12 Capitol Theatre - Port Chester, NY Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48) BOB/OTS/DFC/KFC/ZFC/AARP 50' From Stage, 6' High DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16) Recorded By: Z-Man  
254. 11/16/12 Capitol Theatre - Port Chester, NY Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48) BOB/OTS/DFC/KFC/ZFC/AARP 50' From Stage, 6' High DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16)  
255. 11/17/12 Capitol Theatre - Port Chester, NY Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48) BOB/OTS/DFC/KFC/ZFC/AARP 50' From Stage, 6' High DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16) Recorded By: Z-Man Seeded By: Z-Man  
256. 11/18/12 Capitol Theatre - Port Chester, NY Sound Devices 722 (24/48) BOB/OTS/DFC/KFC/ZFC/AARP 50' From Stage, 6' High DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16) Recorded By: Z-Man Seeded By: Z-Man  
257. 01/10/13 Terrapin Crossroads - San Rafael, CA Sonics>Sony PCM-M1 DAT Left Side , 10 Feet Away JVC XD-X505>Sony PCM-M10>Sound Forge 9>CDWave>TLH A Samntuck Production  
258. 01/11/13 Terrapin Crossroads - San Rafael, CA Sonics>Sony PCM-M1 DAT 20 Feet Away, Dead Center JVC XD-X505>Sony PCM-M10>Sound Forge 9>CDWave>TLH A Samntuck Production  
259. 02/07/13 Terrapin Crossroads - San Rafael, CA Source: Tascam iM2 > iPhone > WAV (44.1kHz, 16 bits) > Peak 6.20 > TRack 3 > FLAC (XLD, Tagged)  
260. 02/09/13 Terrapin Crossroads - San Rafael, CA Source: Tascam iM2 > iPhone > WAV (44.1kHz, 16 bits) > Peak 6.20 > TRack 3 > FLAC (XLD, Tagged)  
261. 02/10/13 Terrapin Crossroads - San Rafael, CA Tascam iM2 > iPhone > WAV (44.1kHz, 16 bits) > Peak 6.20 > TRack 3 > FLAC (XLD, Tagged)  
262. 03/08/13 Terrapin Crossroads - San Rafael, CA Source: Schoeps MK4> Tinybox> Edirol R-05 (16bit/44.1 Khz) Lineage: SD/USB > Soundforge 4.5 for slight editing > CD wave 1.93 split > Traders Little Helper 2.4.1 > flac Taped by: Rail Taper Dude Transferred by: ridemyllama  
263. 03/09/13 Terrapin Crossroads - San Rafael, CA Source: ((( <3 ))) Taped by: PUGDOG Transferred by: PUGDOG  
264. 03/14/13 Terrapin Crossroads - San Rafael, CA Source: Schoeps MK4> Tinybox> Edirol R-05 (16bit/44.1 Khz) Transfer: SD/USB > Soundforge 4.5 for slight editing > CD wave 1.93 split > Traders Little Helper 2.4.1 > flac Location: On The Rail Recorded By: rail taper dude Transferred by ridemyllama  
265. 03/17/13 Terrapin Crossroads - San Rafael, CA Source: ((( <3 ))) Taped by: PUGDOG Transferred by: PUGDOG  
266. 05/10/13 Terrapin Crossroads - San Rafael, CA Source: Schoeps MK4> Tinybox> Edirol R-05 (16bit/44.1 Khz) Transfer: SD/USB > Soundforge 4.5 for slight editing > CD wave 1.93 split > Traders Little Helper 2.4.1 > flac Location: On The Rail Recorded By: rail taper dude Transferred by ridemyllama  
267. 06/04/13 Sullivan Hall - New York, NY Flac16. Source: AT943cards> SP-SPSB-10> MM-AT-1> H2n(24/48). Transfer: wavelab> r8b> cdwav> TLH(8)> flac. Recorded by: Seaweed1010. notes
268. 06/07/13 Infinity Yacht, Pier 40 - New York, NY Source: Schoeps CCM4V'S(din)>Sound Devices 722 (24/48) FOB/DRFC/KFC/ZFC/AARP 12' From Stage, 6' High DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16) Recorded By: Z-Man Seeded By: Z-Man  
269. 06/09/13 9th Annual Hunter Mountain Jam - Hunter, NY Nakamichi CM300/CP4 Shotguns > 2' Custom Microphone Bar > 10' Monster Cables > Korg MR-1000 @ 1Bit/5.6MHz Microphones Dead Center Approximately 100 Feet Behind Soundboard Tent's Barricades Right Corner, 9' High Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper Metadata Tagging With Tag&Rename  
270. 06/15/13 Terrapin Crossroads - San Rafael, CA Unknown audience recording  
271. 07/23/13 Capitol Theater - Port Chester, NY Microtech Gefell M210's>Oade M248>SD-722, SD-722>Tascam CDRW2000>CD by Jon Pasternak, from the Official Taper Section Extraction: CD>xACT 2.23 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick  
272. 07/24/13 Penn's Peak - Jim Thorpe, PA flac16; MAC; (FOB) Sennheiser e 835 > Sony D5 > Maxel XLII 90x2/Maxell XLII 100x1
Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3(@24/88.2)>
Lynx AES16e> WaveLab 7.2.1> .wav @24/88.1> Apogee UV22HR> .wav @16/44.1> xAct> flac16.
Taper: Mark McCue
Transfer, editing and mastering: Alex Ford 		 
273. 07/26/13 Seaside Park- GOTV - Bridgeport, CT Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48) SOB/OTS/DRFC/KFC/ZFC/AARP 12 1/2' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) Recorded By: Z-Man Seeded By: Z-Man  
274. 07/27/13 GOTV - Seaside Park - Bridgeport, CT Source: Microtech Gefel 210>Aeta PSP3>Marantz PMD 620 (right side of SBD) Transfer:Marantz PMD 620>PC>CD Wave>Traders Little Helper>Flac (Level 8) Taper: Freddie G Transfered: Freddie G  
275. 08/28/13 Sullivan Hall - New York, NY Recorded by: Seaweed Source: AT943cards>SP-SPSB-10>MM-AT-1>H2n(24/48) Transfer: wavelab>r8b>cdwav>TLH(8)>flac Location: riser area above crowd, ~ 7-8ft from left hanging speaker  
276. 08/31/13 Infinity Yacht - New York, NY Recorded by: Seaweed Source: AT943cards>SP-SPSB-10>MM-AT-1>H2n(24/48) Transfer: wavelab>r8b>cdwav>TLH(8)>flac Location: 5 feet in front of right speakers, mics attached to support pole ~ 7 feet  
277. 10/31/13 Capitol Theatre - Port Chester, NY  
278. 11/01/13 Capitol Theatre - Port Chester, NY  
279. 11/02/13 Capitol Theatre - Port Chester, NY Source:Audio Technica AT897's>AT8202(-10DB)>Tascam DR100MKII Transfer:SD Card>PC>CD Wave>FLAC Taped and Transfered by M.Laurentus Sr., M.Laurentus Jr. Official Taper Section Behind Soundboard  
280. 11/03/13 Capitol Theatre - Port Chester, NY Set 1 Flac1644, Set 2 1648
Source: Rode NTG1's -> Naint littlebox -> Fostex FR2-LE 24bit@ 48 kHz Tracked & Flac'd with Audacity 2.05 Taped, transferred, and seeded by BIGT aka IAMHAMMERED 		 
281. 11/05/13 Best Buy Theatre - New York, NY Flac 1648
source: Rode NT4 -> Apogee MiniMe(24/48) -> SPDIF out -> M-Audio MicroTrack II Tracked & Flac'd with Audacity 2.05 Taped, transferred, and seeded by BIGT aka IAMHAMMERED 		 
282. 11/06/13 Best Buy Theater - New York, NY Flac 16
source: Rode NT4 -> Apogee MiniMe(24/48) -> SPDIF out -> M-Audio MicroTrack II Tracked & Flac'd with Audacity 2.05 Taped, transferred, and seeded by BIGT aka IAMHAMMERED 		 
283. 11/07/13 Best Buy Theatre - New York, NY Set 1 Flac1648, Set 2 1644
source: Rode NT4 -> Fostex FR-2 LE @24-bit/48kHz Tracked & Flac'd with Audacity 2.05 Taped, transferred, and seeded by BIGT aka IAMHAMMERED 		 
284. 11/08/13 Best Buy Theater - New York, NY source: Rode NTG1s -> Apogee MiniMe(24/48) -> SPDIF out -> M-Audio MicroTrack II
Taped, transferred, and seeded by BIGT aka IAMHAMMERED 		 
285. 11/09/13 Central Park - New York, NY Recorded by: Seaweed Source: AT943cards>SP-SPSB-10>MM-AT-1>H2n(24/48) Transfer: wavelab>r8b>cdwav>TLH(8)>flac Location: 5ft in front of Phil, mics hand held on makeshift t-bar ~ 7ft. One mic pointed at Phil's speaker, other pointed at Eric's speaker  
286. 11/09/13 Best Buy Theatre - New York, NY Phil Lesh & Friends | 2013-11-09 | Best Buy Theatre - New York, NY | DPA 4023 - FOB *corrected*  
287. 11/11/13 Tower Theatre - Upper Darby, PA flac16; schoeps mk-4 > actives > nbox+ > sony pcm-m10 > 24/96 wav >
adobe audition > ozone 5 > korg aqua > xACT 2.23 > flac 16
taper : edtyre
location : center loge 2nd row 		 
288. 11/12/13 Tower Theatre - Upper Darby, PA source : schoeps mk-4 > actives > nbox+ > sony pcm-m10 > 24/96 wav > adobe audition > ozone 5 > korg aqua > xACT 2.23 > flac 16
taper : edtyre
location : center loge 2nd row 		 
289. 11/13/13 Tower Theatre - Upper Darby, PA source : schoeps mk-4 (din) > actives > nbox+ > sony pcm-m10 > 24/96 wav > adobe audition > ozone 5 > korg aqua > xACT 2.23 > flac 16
taper : edtyre
location : clamped to center loge rail dfc 		 
290. 12/06/13 Terrapin Crossroads Grate Room - San Rafael, CA Source: dpa 4060s > M-Audio MicroTrack II 44.1 wav Lineage: 44.1 wav file > PC > Cool Edit Pro (normalize not equal L and R) > CD WAV editor Taped by: Bob Jacobson;NYLifer;Jake Transferred by: Bob Jacobson;NYLifer;Jake  
291. 12/07/13 Terrapin Crossroads Grate Room - San Rafael, CA Source: dpa 4060s > M-Audio MicroTrack II 44.1 wav Lineage: 44.1 wav file > PC > Cool Edit Pro (normalize not equal L and R) > CD WAV editor Taped by: Bob Jacobson;NYLifer;Jake Transferred by: Bob Jacobson;NYLifer;Jake  
292. 12/13/13 Asheville Civic Center - Asheville, NC Source: Schoeps CCM4V\'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48) FOB/DFC/KFC/ZFC/AARP 35\' From Stage, 6\' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) Recorded By: Z-Man Seeded By: Z-Man  
293. 04/02/14 The Capitol Theatre - Port Chester, NY Microtech Gefell m21>NBOB>V3>DR680@2444; wavs> PC> wav editor> cdwav> TLH> flac16  
294. 04/03/14 The Capitol Theatre - Port Chester, NY Microtech Gefell m21>NBOB>V3>DR680@2444 wavs> PC> wav editor> cdwav> TLH> flac16 taped,transferred,edited by johnD oleo86@gmail.com  
295. 04/04/14 Capitol Theatre - Port Chester, NY Source: Neumann SKM 140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Sound Devices 722 @24bit/48kHz Transfer,editing,mastering & conversion: Sound Devices 722 master file @24bit/48kHz>firewire>Sound Forge Pro 11.0>44.1/16-CD Wave v1.98(tracking)>FLAC16 via TLH v2.7.0(level 8), tag w/Tag Scanner5.1, ffp & md5-TLH  
296. 04/05/14 Capitol Theatre - Port Chester, NY Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48)
SOB/DLFC/KFC/ZFC/AARP 45' From Stage, 7 1/2' High
DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16)
ID3 Tagged In Foobar 2000
Recorded By: Z-Man
Seeded By: Z-Man 		 
297. 04/09/14 Capitol Theatre - Port Chester, NY Microtech Gefell m21>NBOB>V3>DR680@2444; wavs> PC> wav editor> cdwav> TLH> flac16  
298. 04/10/14 The Capitol Theatre - Port Chester, NY Microtech Gefell m21>NBOB>V3>R44@2444, wavs> PC> wav editor> cdwav> TLH> flac16  
299. 04/15/14 BAM - Howard Gilman Opera House - Brooklyn, NY Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48) FOB/DFC/KFC/ZFC/AARP Mezzanine Center, Row A, Clamped To The Balcony Rail DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man  
300. 04/18/14 Brooklyn Bowl - Las Vegas, NV Source: Shure m81>Tascam DR-100mkII(24/96) Conversion: Tascam DR-100mkII(24/96)>Audacity(16/44)>TLH(8)  
301. 04/19/14 Brooklyn Bowl - Las Vegas, NV Source:Nak CM-300 CP-1 > DaSilva Path cables > Sony PCM M-10 16/44 Transfer:Sony PCM M-10 16/44 > Adobe Audition  
302. 05/28/14 Rumsey Playfield - Central Park, NY Recorded by: Seaweed Source: AT943cards>SP-SPSB-10>MM-AT-1>H2n(24/48 ) Transfer: wavelab>r8b>cdwav>TLH(8 )>flac Location: Set I: 2nd row directly in front of left stack Set II: On the railing directly in front of left stack ~ 10 ft away  
303. 05/29/14 Capitol Theater - Port Chester, NY Microtech Gefell M-210s > Oade M-248 > Sound Devices 722 > WAV 2448. Mics on 7-foot stand in OTS next to SBD, recording by Jon Pasternak. WAV 2448 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.  
304. 05/30/14 Capitol Theater - Port Chester, NY flac16Location: front row of OTC, left of mixer, 45 ft from stage lip, 10ft left of ctr, just under balcony overhang Mic config: DINa Kwonbar, Schoeps A20S shock, Large Manfrotto air-cushioned stand @ 9 ft, small screens Source: Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/96>AES/EBU>Sound Devices 722 @24bit/96kHz Transfer, editing, mastering & conversion: Sound Devices 722 master file @24bit/96kHz>firewire>Sound Forge Pro 11.0>44.1/16-CD Wave v1.98(tracking)>FLAC16 via TLH v2.7.0(level 8), tag w/Tag Scanner5.1, ffp & md5-TLH  
305. 05/31/14 Rumsey Playfield - Central Park, NY Recorded by: Seaweed Source: AT943cards>SP-SPSB-10>MM-AT-1>H2n(24/48) Transfer: wavelab>r8b>cdwav>TLH(8)>flac Location: Set Ip: up to Blue Sky 3rd-4th row directly in front of right stack Set Ip and II: 2nd row directly in front of right stack  
306. 07/26/14 Field Of Heaven - FujiRock Festival - Niigata, Japan Source : Two AUD Matrix DPA4023 > Roland R-26 / DPA4061 > DPA MMA6000 > Roland R-26 (48/24wav) Lineage: MBP 2.2GHz ci7 Studio One / mix and premastering (48/24wav) > (44.1/16FLAC) Taped and Transferred by: Gaku Taniguchi(trailights record)  
307. 07/29/14 Brooklyn Bowl - London, England Source: Audience recording > Audio Reality binaurals (taped to specs) > Sony PCM-M10 > wav 24/96 Lineage: wav 24/96 > Adobe Audition 3 > iZotope Ozone 5 Advanced > iZotope RX3 Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16 Recorded from DFC about 50 feet from stage front.  
308. 07/30/14 Brooklyn Bowl - London, England Rode NT4 -> Niant Little Box -> Sony PCM-M10 @ 24/96 (7/30) Tracked & Flac'd with Audacity 2.05 Taped, transferred, and seeded by BIGT aka IAMHAMMERED  
309. 09/05/14 Lockn' Festival - Arrington, VA flac16; Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48) FOB/DFC/KFC/ZFC/AARP Approximately 55' From Stage, 7' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man  
310. 09/06/14 Oak Ridge Farm - Arrington, VA flac16; Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48) FOB/DFC/KFC/ZFC/AARP Approximately 55' From Stage, 7' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man  
311. 09/21/14 Forest Hills Tennis Stadium - Forest Hills, NY Taped/Transfered By: Cam Keough Source: 4 Track Matrix Source 1: Busman BSC-1(Omni, 3ft Split)-> Naiant Littlebox(OT)-> Tascam DR-680 Source 2: AKG 463-> Naiant Littlebox(OT)-> DR-680 Lineage: DR-680-> HD-> Sony Vegas-> Soundforge-> CD Wav-> NCH Switch-> THL  
312. 10/17/14 Brooklyn Bowl - Las Vegas, NV Dpa 4021->Sound Devices 702 Recorded in the "Sweet Spot" Recorded and transfered By Richie Stankiewicz  
313. 10/18/14 Brooklyn Bowl - Las Vegas, NV 16/44.1 downsample(**see below) DPA4021->Sound Devices 702 Recorded in the "Sweet Spot" Recorded and transfered By Richie stankiewicz  
314. 10/19/14 Brooklyn Bowl - Las Vegas, NV 16 bit AT 853's w/ cardiod caps 4.7k mod>SP9vBB>Sony PCM M-10@24/44.1 30 feet away , Dead Center  
315. 10/31/14 Capitol Theatre - Port Chester, NY Taped/Transfered By: Cam Keough Source: 4 Track Matrix Source 1: Busman BSC-1(Hypers)-> Naiant Littlebox(OT)-> Tascam Dr-680 Source 2: AKG 460/CK61-> Naiant Littlebox(OT)-> Tascam Dr-680 Lineage: DR-680-> Vegas-> CD WAV-> NCH Switch-> THL  
316. 11/01/14 Capitol Theatre - Port Chester, NY DPA-4021's > Sound Devices 702 > WAV 2496. Mics on 7-foot stand, OTS stage left of SBD. Recording by Richie Stankiewicz.  
317. 11/07/14 Capitol Theatre - Port Chester, NY Schoeps MK41V's(immediately in front of right corner of soundboard)>KCY 250/05i>VST62iu>Sound Devices 788t (recorded @ 24Bit/96khz) SD788t>Sound Forge Pro 11 (Fades,iZotope 64 Bit SRC/iZotope MBIT+ Bit depth conversion to 16 Bit/44.1khz)>CDWAV(Tracking)>Trader's Little Helper Recorded By Keith Litzenberger  
318. 11/08/14 Capitol Theatre - Port Chester, NY Source: Microtech Gefel 210>Aeta PSP3>Marantz PMD 620 (right front corner of SBD) Transfer:Marantz PMD 620>PC>CD Wave>Traders Little Helper>Flac (Level 8) Taped & Transfered: Freddie G  
319. 11/14/14 Capitol Theatre - Port Chester, NY Taper : Steve T ''AKA'' The Little Yellow Bus Editing : Joe D'Amico ''AKA'' Joebeacon Nak 700 Mics > Sony M-10 Sound Card > Adobe Audition CS6 > Ozone 5 > Traders Little Helper  
320. 11/15/14 The Capitol Theatre - Port Chester, NY Taper : Steve T ''AKA'' The Little Yellow Bus Editing : Joe D'Amico ''AKA'' Joebeacon Nak 700 Mics > Sony M-10 Sound Card > Adobe Audition CS6 > Ozone 5 > Traders Little Helper  
321. 11/21/14 The Capitol Theatre - Port Chester, NY 16/44.1 downsampled Tagged Take II 24/96 Richie S. flac > foobar2000 v1.3.5 > 16 bit(no dither, ultra mode at 44.1) > 16b PCM wave > Traders Little Helper v2.7.0 > fixed & flac 8 > tagged with foobar/live show tagger addon > TLH to hash checksums & otherwise noted > you  
322. 11/22/14 The Capitol Theatre - Port Chester, NY Source:Audio Technica AT897's>AT8202(-10DB)>JIB/Y Splitter- Tascam DR44-WL( Set 1)/Tascam DR100MKII( Set 2)-
Transfer:SD Card>PC>CD Wave>FLAC
Taped and Transfered by M.Laurentus Sr., M.Laurentus Jr.
Official Taper Section Right of Soundboard
Caveat ~ This fileset is a mess, the bitrate for every track is different, set 1 at least cannot be burned to cd or have sector boundary errors fixed. 		 
323. 11/28/14 Capitol Theatre - Port Chester, NY Source: Schoeps mk21/mk8 (Mid/Side) -> kc-5 -> cmc6 -> Sonosax SX-M2 -> Sound Devices 744T -> WAV (@24/96); Transfer: WAVs -> Vegas 13.0/Voxengo MSED (M/S Decode) -> SoundForge Pro 11.0 (normalize, fades, 96->44.1 iZotope 64-Bit SRC w/anti-alias filter; 24->16 bit iZotope MBIT+ Dither w/ Ultra/High settings) -> CDWav -> FLAC Recorded, transferred and encoded by Eric McRoberts 11/29/2014 - Mics at right front corner of FOH booth just in front of balcony overhang  
324. 11/29/14 Capitol Theatre - Port Chester, NY Source: Schoeps cmc55 (Cardioid, DIN) -> Sonosax SX-M2 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96); Transfer: WAVs -> SoundForge Pro 11.0 (normalize, fades, 96->44.1 iZotope 64-Bit SRC w/anti-alias filter; 24->16 bit iZotope MBIT+ Dither w/ Ultra/High settings) -> CDWav -> FLAC Recorded, transferred and encoded by Eric McRoberts 11/30/2014 - Thanks to Mike Buzzeo for the clamp space - Mics at right front corner of FOH booth just in front of balcony overhang  
325. 12/29/14 Capitol Theatre - Port Chester, NY 16 bit Source: Schoeps mk5 (Cardioid, DIN) -> kc-5 -> cmc6 -> Sonosax SX-M2 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96); Transfer: WAVs -> SoundForge Pro 11.0 (normalize, fades, 96->44.1 iZotope 64-Bit SRC w/anti-alias filter; 24->16 bit iZotope MBIT+ Dither w/ Ultra/High settings) -> CDWav -> FLAC Recorded, transferred and encoded by Eric McRoberts 12/30/2014 - Mics at right front corner of FOH booth just in front of balcony overhang 12' high  
326. 12/30/14 Capitol Theatre - Port Chester, NY - 16 bit- Source: Schoeps mk5 (Cardioid, DIN) -> kc-5 -> cmc6 -> Sonosax SX-M2 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96); Transfer: WAVs -> SoundForge Pro 11.0 (normalize, fades, 96->44.1 iZotope 64-Bit SRC w/anti-alias filter; 24->16 bit iZotope MBIT+ Dither w/ Ultra/High settings) -> CDWav -> FLAC Recorded, transferred and encoded by Eric McRoberts 12/31/2014 - Mics at right front corner of FOH booth just in front of balcony overhang 12' high  
327. 12/31/14 Capitol Theatre - Port Chester, NY - 16 bit - Source: Schoeps mk5 (Cardioid, DIN) -> kc-5 -> cmc6 -> Sonosax SX-M2 -> Sound Devices 744T -> WAV (@24/96); Transfer: WAVs -> SoundForge Pro 11.0 (normalize, fades, 96->44.1 iZotope 64-Bit SRC w/anti-alias filter; 24->16 bit iZotope MBIT+ Dither w/ Ultra/High settings) -> CDWav -> FLAC Recorded, transferred and encoded by Eric McRoberts  
328. 03/15/15 Capitol Theatre - Port Chester, NY **16bit** Location: front row OTC, right of mixer, 45 ft from stage lip, 10ft right of ctr, in front of balcony overhang Mic config: DINa Kwonbar, Schoeps A20S shock, Large Manfrotto air-cushioned stand @ 10ft, small screens Source: Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz Transfer, editing, mastering & conversion: Sound Devices 722 master file @24bit/48kHz>firewire>Sound Forge Pro 11.0>44.1/16-CD Wave v1.98(tracking)>FLAC16 via TLH v2.7.0(level 8), tag w/Tag Scanner5.1, ffp & md5-TLH  
329. 03/18/15 Capitol Theatre - Port Chester, NY **16 bit** Source: Aud > Nakamichi CM300\'s W CP1\'s > Tascam HDP2 Lineage: CF 24/48 > Soundforge Pro - Editing > Traders Little Helper - Convert to Flac Uploaded BY : jt/ny  
330. 09/11/15 Lockn' Festival - Arrington, VA Source: Schoeps CCM4V's>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/44) FOB/DFC/KFC/ZFC/AARP 91' From Stage, 7 1/2' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man  
331. 09/12/15 Oak Ridge Farm - Arrington, VA Source: DPA 4023 (NOS) > Tascam DR-70D (24/48) Transfer: DR-70D > iMac. Tracked and dithered via Sound Studio, FLAC via xACT Recorded by Alex Leary (vwmule at gmail)  
332. 09/16/15 Rumsey Playfield Central Park SummerStage - New York, NY Location: FOB/DFC/~7' Lineage: Schoeps mk22 (mounted on Schoeps STC 22g Bar)> Vark KCY> Naiant PFA> Tascam Dr70d @ 24bit / 48kHz Transfer> SDHC Card> Sound Studio (Fades, Tracking, and Normilization)> iZotope (Sample conversion & Dither)> xact Recorded and transferred by Noah Bickart  
333. 10/30/15 Capitol Theatre - Port Chester, NY Phil Lesh & Friends - 10/30/15 Capitol Theatre, Port Chester, NY (DPA 2011C's - MK4's Mix) flac16  
334. 10/31/15 Capitol Theatre - Port Chester, NY flac16 Schoeps mk41v>KC5>CMC6>Sonosax SX-R4 (24bit/96khz) WAV>USB>Macbook Pro>Wave Editor(tracking,fades,resample(izotope)/dither(mbit+)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe) Recorded and transferred by Andy Murray  
335. 11/05/15 Capitol Theatre - Port Chester, NY flac16 Source Aud>Senn441>H4N
Lineage SDHC>Audacity>WAV
Taped by nico11104 		 
336. 11/06/15 Capitol Theatre - Port Chester, NY flac16 Source: Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz Steven Weld  
337. 11/07/15 Capitol Theater - Port Chester, NY flac16 Source Aud>Senn441>H4N Lineage SDHC>Audacity>WAV Taped by nico11104  
338. 02/26/16 Brooklyn Bowl - Las Vegas, NV flac16 4-mic mix: DPA-4021's > Lunatec V2 > SD-422. DPA-4061's > SD-422. SD-422 > SD-722 > WAV 2496. Mics on stand in the FOB sweet spot, 7-foot Set One, 8-foot Set Two. Concert recording by Richie Stankiewicz.  
339. 02/27/16 Brooklyn Bowl - Las Vegas, NV flac16 4-mic mix: DPA-4021's > Lunatec V2 > SD-422. DPA-4061's > SD-422. SD-422 > SD-722 > WAV 2496. Mics on 8-foot stand in the FOB sweet spot. Concert recording by Richie Stankiewicz.  
340. 03/15/16 Capitol Theater - Port Chester, NY flac16 Source: Aud 4 Mic Mix > Nakamichi CM700's W CP701's and Nak 300's w. CP1's > Rolls MX4 > Tascam HDP2 @ 24/48 Lineage: CF 24/48 > Soundforge Pro - Tracking & Editing > Traders Little Helper - Convert to Flac  
341. 03/17/16 Capitol Theater - Port Chester, NY flac16 Source: Schoeps CCM4V's>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/44) FOB/DRFC/KFC/ZFC/AARP 45' From Stage, 9 1/2' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man  
342. 03/18/16 Capitol Theater - Port Chester, NY flac16 Source: Schoeps CCM4V's>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/44) FOB/DRFC/KFC/ZFC/AARP 45' From Stage, 9 1/2' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man  
343. 05/27/16 Capital Theater - Port Chester, NY flac16: Schoeps MK41v's (Front right corner of Soundboard cage)>Schoeps KCY 250/05i>Schoeps VST62iu>Grace Design Lunatec V3>AES Out>Sound Devices 744t SD744t>Sound Forge Pro 11(Fades,iZotope 64Bit SRC,iZotope MBIT+ Bit depth conversion to 16 Bit/44.1khz)>CDWAV(Tracking)>Trader's Little Helper (FLAC) Recorded By Keith Litzenberger  
344. 05/28/16 Capitol Theatre - Port Chestre, NY flac16: Schoeps MK41v's (Front right corner of Soundboard cage)>Schoeps KCY 250/05i>Schoeps VST62iu>Grace Design Lunatec V3>AES Out>Sound Devices 744t (recorded at 24 Bit/96khz) SD744t>Sound Forge Pro 11(Fades,iZotope 64Bit SRC,iZotope MBIT+ Bit depth conversion to 16 Bit/44.1khz)>CDWAV(Tracking)>Trader's Little Helper (FLAC) Recorded By Keith Litzenberger  
345. 07/12/16 Terrapin Crossroads, Backyard - San Rafael, Ca Neumann KMF 4i > Naint Little Box > Tascam DR-07 (24-48) Left side, facing speaker Sound Forge 6 (16/44) > CD Wave (tracks) > THL (8)  
346. 07/12/16 Terrapin Crossroads, Backyard - San Rafael, Ca Source: Schoeps CCM4V's>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/44) FOB/DFC/KFC/ZFC/AARP 10' From Stage, 5 1/2' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man  
347. 07/17/16 Terrapin Crossroads, Backyard - San Rafael, Ca Source: Schoeps CCM4V's>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/44) FOB/DRFC/KFC/ZFC/AARP 8' From Stage, 5 1/2' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man  
348. 08/10/16 Terrapin Crossroads Backyard - San Rafael, CA Neumann KMF 4i > Naint Little Box > Tascam DR-07 (24-48) Location: 6 ft stand, 6 ft from left speaker Sound Forge 6 (16/44) > CD Wave (tracks) > THL (8)  
349. 08/13/16 Terrapin Crossroads - Backyard - San Rafael, CA flac16 Source: Schoeps MK5's (c) > active cables > Nbox > Edirol R-05 @ 24/48. Recorded FOB/DFC. Transfer: Sandisk 16GB SDHC card > HP Pavilion > 24bit WAV > Sony Sound Forge 9.0e > CDWave Editor > Trader's Little Helper > FLAC16. Recorded and transferred by perks.  
350. 08/27/16 Lockn Music Festival - Arrington, VA Source: DPA 4023 > Tascam DR-70D (24/48) Transfer: DR-70D > iMac. Tracked and resampled via Sound Studio, FLAC via xACT Recorded by Alex Leary  
351. 08/28/16 Lockn' Festival, Oak Ridge Farm - Arrington, VA Beyer MC740(Vintage Large Diaphram Studio Microphone) Mic's Set to Hyper Cardiod Recorded FOB Center approximately 60Ft back from the stage. Low Frequency Roll off done in post. Mastered in Wavelab using Apogge uv22hr for Dither. Recorded, Mastered and posted by Pat Myers AKA Datpat  
352. 09/14/16 Ford Amphitheater at Coney Island Boardwalk - Brooklyn, NY Source: Schoeps CCM4V's>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/44) FOB/DFC/KFC/ZFC/AARP Section 101, Row J, Between Seats 114 & 115 DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man  
353. 09/15/16 Ford Amphitheater at Coney Island Boardwalk - Brooklyn, NY Source: Schoeps CCM4V's>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/44) FOB/DFC/KFC/ZFC/AARP Section 101, Row K, Between Seats 114 & 115, 8 1/2' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man  
354. 10/28/16 The Capitol Theatre - Port Chester, NY  
355. 10/29/16 Capitol Theatre - Port Chester, NY flac16 Source:Audio Technica AT897's>AT8202(-10DB)Tracks 1-2 Nakamichi CM300's CP1 Cardoid Tracks 3-4 >Roland R26 Transfer:SD Card>PC>Audacity 50%/50% Split>CD Wave>Trader's Little Helper>FLAC Taped and Transfered by M.Laurentus  
356. 12/29/16 Castle Theater at the MACC - Kahului, Maui, HI AT933H (4.7k) > Battery box > Sony PCM-M10 (24/48) > Audition 3.0 (audio boost/edit/resample 16/44.1) > TLH > flac- align on sector boundaries  
357. 01/10/17 Terrapin Crossroads Bar - San Rafael, CA flac16 Neumann KMF 4i >Tascam DR-40 (96-24) Right side, 2nd row DR-40 > USB > Sound Forge 6 (16/44) > CD Wave (tracks) > THL (8)  
358. 03/15/17 Capitol Theatre - Port Chester, NY flac16 Source: Schoeps CCM4V's>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/44) FOB/DRFC/KFC/ZFC/AARP 35' From Stage, 8 1/2' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) Recorded By: Z-Man  
359. 03/16/17 Capitol Theatre - Port Chester, NY flac16 Source: Schoeps CCM4V's>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/44) FOB/DRFC/KFC/ZFC/AARP 35' From Stage, 8 1/2' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) Recorded By: Z-Man Seeded By: Z-Man  
360. 03/17/17 Capitol Theatre - Port Chester, NY flac16 Source: Schoeps CCM4V's>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/44) FOB/DRFC/KFC/ZFC/AARP 35' From Stage, 8 1/2' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man  
361. 04/01/17 Terrapin Crossroads - San Rafael, CA flac16 Neumann KMF 4i > Naint Little Box > Tascam DR-40 (24-96) 8 feet from right speaker Sound Forge 6 (16/44) > CD Wave (tracks) > THL (8)  
362. 05/03/17 Terrapin Crossroads Backyard - San Rafael, CA flac16 44.1khz Neumann KMF 4i > Naint Little Box > Tascam DR-40 (24-96) 8 feet from right speaker Sound Forge 6 (16/44) > CD Wave (tracks) > THL (8)  
363. 05/27/17 Capitol Theater - Port Chester, NY flac16 Aud 4 Mic Mix > Nakamichi CM700's W CP701's & Nakamichi CM 300's with CP 1's > Gak Cables > Tascam HDP2 @ 24/96 Lineage: CF 24/96 > Soundforge Pro - Tracking & Editing > Traders Little Helper - Convert to Flac Uploaded By: JT/NY  
364. 06/23/17 Fox Theatre - Boulder, CO flac16 44.1khz Source: AUD> Studio Projects C4 (ORTF)> Oade Concert Mod Marantz PMD661 (24bit/96kHz)> SDHC card Transfer: SDHC card> USB> Sound Forge Audio Studio 10> CD Wave (24 bit flac)> dBpoweramp (16bit wav convert)> flac Recorded, mastered and transferred by gerry gladu  
365. 08/25/17 Blue Ridge Bowl at Infinity Downs Farm - Arlington, VA flac16 44.1khz Source: Soundfield SPS200 > Sound Devices 788t (24/48) Location: FOB, DFC, 7 ft high. DSP: Sound Devices 788t > Wave Agent > Nuendo 3.2 using SPS200 Surround Zone VST > Wavelab 6 (fades, tracks, dither w/UV22, resample) > FLAC v1.2.1 (L8) as build in TLH v2.6.0.(Build 168). Recorded by: Daniel Kopp. Taped & Transferred by Daniel Kopp  
366. 08/25/17 Blue Ridge Bowl at Infinity Downs Farm - Arrington, VA flac16 44.1khz Source: Soundfield SPS200 > Sound Devices 788t (24/48) Location: FOB, DFC, 7 ft high. DSP: Sound Devices 788t > Wave Agent > Nuendo 3.2 using SPS200 Surround Zone VST > Wavelab 6 (fades, tracks, dither w/UV22, resample) > FLAC v1.2.1 (L8) as build in TLH v2.6.0.(Build 168). Recorded by: Daniel Kopp. Taped & Transferred by Daniel Kopp  
367. 08/27/17 Blue Ridge Bowl at Infinity Downs Farm - Arlington, VA flac16 44.1khz Source: Soundfield SPS200 > Sound Devices 788t (24/48) Location: FOB, ROC, 8 ft high. DSP: Sound Devices 788t > Wave Agent > Nuendo 3.2 using SPS200 Surround Zone VST > Wavelab 6 (fades, tracks, dither w/UV22, resample) > FLAC v1.2.1 (L8) as build in TLH v2.6.0.(Build 168). Recorded by: Daniel Kopp. Taped & Transferred by Daniel Kopp  
368. 08/30/17 Central Park Summerstage - New York, NY flac16 48khz Source: Schoeps mk22 (30cm @ 60°)> nbob kcy> Naiant PFA> Sound Devices mixpre6 (mic in) @ 24bit 48kHz. Location: FOB/DFC. Transfer: Sound Devices mixpre6> Macbook pro (via usb-c)> Reaper (DSP)> Sound Studio (Tracking and Fades)> xact (flaccing). Recorded and Transferred by Phishrabbi  
369. 09/08/17 Terrapin Crossroads - San Rafael, CA flac16 44.1khz Neumann KMF 4i > Naint Little Box > Tascam DR-40 (24-96) 6 feet from left speaker  
370. 09/09/17 Mount Tamalpais State Park - Mil Valley, CA flac16 44.1khz Source: DPA 4023 > Sound Devices MixPre-6 (24/48) Transfer: MP6 > iMac. Tracked via Sound Studio, FLAC via xACT. Recorded by Alex Leary  
371. 09/13/17 Terrapin Crossroads - Backyard - San Rafael, CA Phil Lesh & Friends - Terrapin Crossroads Backyard - 2017-09-13 KMF 4i  
372. 10/17/17 Terrapin Crossroads Bar - San Rafael, CA flac16 44.1khz Neumann KMF 4i > Naint Little Box > Tascam DR-40 (24-96) 4th row, dead center DR-40 > Soundforge 10 > CD Wave (tracks) > TLH (8)  
373. 10/25/17 The Anthem - Washington, DC flac16 44.1khz Source: DPA 4023 > Sound Devices MixPre-6 (24/48) Transfer: MP6 > iMac. Tracked and resampled to 16-bit via Sound Studio, FLAC via xACT. Recorded by Alex Leary  
374. 10/31/17 Capitol Theater - Port Chester, NY flac16 Source: Aud 4 Mic Mix > Nakamichi CM700's W CP701's and Nak 300's w. CP1's > Rolls MX410 > Tascam HDP2 @ 24/96 Lineage: CF 24/96 > Soundforge Pro - Tracking & Editing > Traders Little Helper - Convert to Flac Uploaded By: JT/NY  
375. 11/15/17 Riviera Theatre - Chicago, IL flac16 44.1khz Recorded and seeded by Jeff Frank jsfrank@sbcglobal.net AKG 481 > V3 > Marantz PMD661 (16/44.1)  
376. 11/16/17 Riviera Theatre - Chicago, IL flac16 44.1khz DPA 4021 (Cardioid)> Sound Devices Mix Pre 6, 1-2 (24Bit/48kHz). Format: 16-bit, 44.1 kHz, Soundforge (dither, resample) 128gb sdxc Flash>Soundforge>WAV. Recorded and transferred by Cliff Morse.  
377. 11/22/17 Mobile Civic Center Theater - Mobile, AL Source: Schoeps MK22s(NOS)> KCY 250/5 Ig> PFA> Sound Devices MixPre-6 (24/48) Location: FOB/DFC, row 22, 8.5’ high DSP: MP6> MBP> Audacity(normalize/amplify/resample/track/fades)> Wave(16)> XLD> FLAC> xACT(fixSBE/tags) Recorded/Transferred: nolamule  
378. 12/28/17 Castle Theater at the Maui Arts & Cultural Center - Kahului, Maui, Hawaii flac16 44.1khz Lineage: AT933H (4.7k) > Battery box > Sony PCM-M10 (24/48) > Audition 3.0 (audio boost/post/resample 16/44.1) > TLH > flac- align on sector boundaries. Taped & transferred by nassau73.  
379. 12/29/17 Castle Theater at the Maui Arts & Cultural Center - Kahului, Maui, HI flac16 44.1khz Lineage: AT933Hypers (4.7k) > Battery box > Sony PCM-M10 (24/48) > Audition 3.0 (audio boost/post/resample 16/44.1) > TLH > flac- align on sector boundaries. Taped and transferred by nassau73.  
380. 12/31/17 Hawai'i Theatre - Chinatown, Honolulu, HI Source: Sennheiser MKH 8070 > Sound Devices 722. Transfer: SD 722 > SF Audio Studio 10 > FLAC. Recorded by Jay H. Taylor for Zann Taylor . Transferred for 'MAKU' (Music Archive Kaua'i Unlimited)  
381. 01/10/18 Barroom - Terrapin Crossroads - San Rafael, CA flac16 44.1 Neumann KMF 4i > Naint Little Box > Tascam DR-40 (96-24) 4 rows back, just right of center. DR-40 > USB > Sound Forge 10 (16/44) > CD Wave (tracks) > THL (8). Seamless mastering for longer media  
382. 01/25/18 The Grate Room, Terrapin Crossroads - San Rafael, CA flac16/44.1khz Neumann KMF 4i > Naint Little Box > Tascam DR-40 (96-24) 3 rows back from left stack DR-40 > Sound Forge 10 (16/44) > CD Wave (tracks) > THL (8)  
383. 02/23/18 The Grate Room, Terrapin Crossroads - San Rafael, CA flac16 44.1khz Neumann KMF 4i > Naint Little Box > Tascam DR-40 DR-40 > Sound Forge 10 (16/44) > CD Wave (tracks) > THL (8)  
384. 03/14/18 Capitol Theater - Port Chester, NY flac16 44.1khz Source: Schoeps CCM4V's>Lunatec V2>Sound Devices 722 (24/44) FOB/DFC/KFC/ZFC/AARP 45' From Stage, 7' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man  
385. 03/15/18 Capitol Theater - Port Chester, NY flac16 44.1khz Schoeps MK41v's (OTS, Left Front of Soundboard, 7.5ft)>Schoeps KCY 250/05i>Schoeps VST62iu>Sound Devices MixPre-6 (24/96) Processing: WAV>Sound Forge Pro 11(Fades,iZotope 64Bit SRC,iZotope MBIT+ Bit depth conversion to 16 Bit/44.1khz)>CDWAV(Tracking)>Trader's Little Helper (FLAC)>Foobar2000(Track Tagging) Recorded & Processed By Keith Litzenberger  
386. 03/16/18 Capitol Theatre - Port Chester, NY flac16 44.1khz Source: Microtech Gefell M20>nBob actives>Naiant PFA>Sound Devices Mix Pre 6 Location; Right side of SBD, Stand at 8 feet Transfer: SD Card>AA 3.0>CDwav>Flac16 Taper: Tony Suraci  
387. 03/17/18 Pot 'O Gold Festival - Chandler, AZ flac16 44.1khz Recorded by Phil Rousculp, right in front of the soundboard, dead center. Nakamichi CM300 CP1 Cardioid Caps 10' ht> DaSilva Path cables > Sony PCM M10 at 16/44. Adobe Audition for levels and tracking  
388. 04/20/18 Wanee Festival - Live Oak, FL flac16 44.1khz Source: Schoeps CCM4V's>Lunatec V2>Sound Devices 722 (24/44) FOB/DFC/KFC/ZFC/AARP 55' From Stage, 7 1/2' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man  
389. 04/21/18 Wanee Festival - Live Oak, FL flac16 44.1kkhz Source: Schoeps CCM4V's>Lunatec V2>Sound Devices 722 (24/44) FOB/DFC/KFC/ZFC/AARP 55' From Stage, 7 1/2' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man  
390. 05/05/18 Red Rocks Ampitheater - Morrison, CO falc16 44.1khz Source: Line Audio CM3s (NOS), Zoom F8 (24/48 wav) Location: Directly behind sbd, slightly stage left of center, ~6' high Post: EQ (TDR Nova plugin: .7 Q, 6 kHz, 2 dB gain), amplify, fades, track splits, and conversion to flac using Audacity; File tagging using Mp3tag; ffp created using Trader's Little Helper Recorded by Lucas Lorenz  
391. 05/27/18 Summer Camp Music Festival Sunshine Stage - Chillicothe, IL flac16 44.1khz Source: Rode M5's & Behringer C-2's > Tascam DR-680 (44.10kHz/16 bit, Stereo Mix) Location: 13' high, (FOB, 3' right of center) Transfer: Tascam DR-680 > Audacity (fades, amplify) > Trader's Little Helper (wav > flac, level 8, align on sector boundaries) Taped by ikepgh  
392. 07/20/18 Peach Music Festival Peach Stage Montage Mountain - Scranton, PA flac16 44.1khz Source: Schoeps CCM4V's>Lunatec V2>Sound Devices 722 (24/44) FOB/DFC/KFC/ZFC/AARP Section 102, Row T, Between Seats 6 & 7, 7' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man  
393. 09/05/18 Central Park Summer Stage - New York, NY Source: Schoeps CCM4V's>Lunatec V2>Sound Devices 722 (24/44) FOB/DFC/KFC/ZFC/AARP 45' From Stage, 9' High
DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16)
ID3 Tagged In Foobar 2000
Recorded By: Z-Man 		 
394. 09/06/18 Capitol Theatre - Port Chester, NY flac16/44.1khz Source: Schoeps CCM4V's>Lunatec V2>Sound Devices 722 (24/44) FOB/DFC/KFC/ZFC/AARP 45' From Stage, 7' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man  
395. 09/09/18 The Fillmore - Philadelphia, PA flac16/44.1khz Source: Schoeps CCM4V's>Lunatec V2>Sound Devices 722 (24/44) FOB/DRFC/KFC/ZFC/AARP 73' From Stage, 8 1/2' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man  
396. 10/31/18 Capital Theater - Port Chester, NY flac16/44.1khz Source:DPA 4017's > SD 722 Location:SBD right side-Stand at 9' Edited and seeded by Michael Buzzeo Recorded by Keith Simmons  
397. 03/14/19 Capitol Theater - Port Chester, NY Source:Schoeps CCM41's > Beachtek DXA-SLR Ultra > Sony M10
Location:SBD right side-Stand at 7.5'
Recorded, edited and seeded by Michael Buzzeo 		 
398. 03/15/19 Capitol Theatre - Port Chester, NY Neumann KM 184>Zoom F8>Soundforge>xAct
Taped and transfer by wheresjerry 		 
399. 03/16/19 Capitol Theatre - Port Chester, NY Source:Schoeps CCM41's > Beachtek DXA-SLR Ultra > Sony M10
Location:SBD right side-Stand at 7.5'
Recorded, edited and seeded by Michael Buzzeo 		 
400. 05/04/19 The Joint - Hard Rock Casino and Hotel - Las Vegas, NV flac16/44.1khz Schoeps MK41(dina)>KC5>CMC6>Oade Warm Mod Marantz PMD 661 @ 24/48 slightly ROC-just FOB 8.5 ft up Processing- SDHC Card > PC> Cool Edit Pro>CD Editor (tracking)TLH (FLAC 8) Recorded and Processed by Richard Skaggs  
401. 05/29/19 Red Rocks Amphitheatre - Morrison, CO flac16/44.1khz SOURCE: Telefunken M60 omnis (65cm split)>SD MixPre 6 (48/24) LINEAGE: SDHC>Reaper (normalize, fades, EQ, resample & dither)>CD Wave (track and flac)>Mp3Tag>TLH  
402. 06/11/19 Capitol Theater - Port Chester, NY flac16/44.1khz
Schoeps CCM41's > Beachtek DXA-SLR Ultra > Sony M10 Location:SBD front right side-Stand at 7.5' Recorded, edited and seeded by Michael Buzzeo 		 
403. 06/12/19 Capitol Theatre - Port Chester, NY flac16/44.1khz Source:Schoeps CCM41's > Beachtek DXA-SLR Ultra > Sony M10 Location:SBD front right side-Stand at 7.5' Recorded, edited and seeded by Michael Buzzeo  
404. 06/15/19 Mountain Jam - Bethel, NY beyerCK930.suraci.flac16  
405. 07/28/19 Peach Music Festival - Scranton, PA Neumann KM150's(VIP Box 49 Row 1 Seat 1)>Sound Devices MixPre-6(recorded at 24 Bit/96 khz) Wav>SoundForge Pro 11 (Fades,iZotope 64Bit SRC,iZotope MBIT+ Bit depth conversion to 16 Bit/44.1khz)>CDWAV(Tracking)>Trader's Little Helper (FLAC) Recorded/Processed By Keith Litzenberger  
406. 02/11/20 Terrapin crossroads - San Rafael, CA Recording info: Schoeps MK4 (FOB) > NBox Platinum > Tascam DR-2d > WAV (48kHz/16 bit) Master Digital Audience Recording by Ted Mattes Edited & Mastered in Adobe Audition by Joe Noel February 13, 2020  
407. 02/17/20 Grate room, Terrapin Crossroads - San Rafael, CA recorded by vortexzephyr ca-14 mics attached to lossless legs notehead cap> about 7 rows back, left of center with a direct line of sight to pa stack> zoom q2n @ 24/96> audacity to split tracks, tlh for flac and ffp dithered to 16/44.1 with r8brain  
408. 10/23/20 Backyard Stage in Beach Park at Terrapin Crossroad - San Rafael, CA This is a 16 bit 48 khz file set Recorded by Jean Lerond Note: Social distancing in effect for this concert Source DPA 4011C cardioids > Sound Devices MixPre-3ii Audio Recorder  
409. 11/09/20 Backyard Stage in Beach Park at Terrapin Crossroad - San Rafael, CA This is a 16bit 48khz file set Recorded by Jean Lerond Source DPA 4011C cardioids > Sound Devices MixPre-3ii Audio Recorder Note: Social distancing in effect for this concert  
410. 11/16/20 Backyard Stage in Beach Park at Terrapin Crossroad - San Rafael, CA This is a 16bit 48khz file set Recorded by Jean Lerond Source DPA 4011C cardioids > Sound Devices MixPre-3ii Audio Recorder Note: Social distancing in effect for this concert  
411. 11/20/20 Backyard Stage in Beach Park at Terrapin Crossroad - San Rafael, CA This is a 16bit 48khz file set Recorded by Jean Lerond Source DPA 4011C cardioids > Sound Devices MixPre-3ii Audio Recorder Note: Social distancing in effect for this concert  
412. 11/24/20 Backyard Stage in Beach Park at Terrapin Crossroad - San Rafael, CA This is a 16bit 48khz file set Recorded by Jean Lerond Source DPA 4011C cardioids > Sound Devices MixPre-3ii Audio Recorder Note: Social distancing in effect for this concert  
413. 04/14/21 Backyard Stage in Beach Park at Terrapin Crossroad - San Rafael, CA This is a 16 bit 48 khz file set Recorded by Jean Lerond Note: Social distancing in effect for this concert Source DPA 4011C cardioids > Sound Devices MixPre-3ii Audio Recorder  
414. 04/19/21 Backyard Stage in Beach Park at Terrapin Crossroad - San Rafael, CA flac16/48 Source DPA 4011C cardioid microphones > Sound Devices MixPre-3 II Audio Recorder (record @ 24-bits, 48 kHz) Transfer Cockos REAPER, iZotope RX, & iZotope Ozone (multiple edit/repair/EQ/spit-polish passes) > foobar2000 (tagging) > Trader's Little Helper (write FLAC fingerprint file, calculate & write md5 checksums for the newly tagged files) > share 16-bit/48 kHz FLAC fileset.  
415. 07/30/21 Brooklyn Bowl - Nashville, TN Flac1644
Schoeps CCM4V'S>Lunatec V2>Sound Devices 722 (24/44.1)
ATB/DLFC/KFC/ZFC/AARP Clamped The The Balcony Rail Above The Soundboard
DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16)
ID3 Tagged In Foobar 2000
Recorded and seeded By: Z-Man 		 
416. 09/16/21 Dillon Amphitheater - Dillon, CO Flac16
DPA 4006a(30cm APE spheres/70cm split/roughly center at left side of SBD enclosure/8’)—>V2->SD744(24bit/96kHz)->MBit(16bit/44.1kHz)->FLAC
Recorded and transferred by Scott Schneider 		 
417. 10/11/21 Capitol Theatre - Port Chester, NY Flac16
Schoeps MK41v's>Schoeps KCY250/5i>Schoeps VST62iu>Sound Devices MixPre-10 II (Recorded @ 32 BIT Float/48Khz).
Right front corner of soundboard
Sound Forge Pro 15 (Fades,POW-r Bit depth conversion to 16 BIT/Sample Rate Conversion to 44.1khz)>CDWAV(Tracking)>Trader's Little Helper(FLAC)Foobar2000 (Track Tagging)
Recorded By Keith Litzenberger 		 
418. 10/12/21 Capitol Theatre - Port Chester, NY Flac16
Schoeps MK41v's>Schoeps KCY250/5i>Schoeps VST62iu>Sound Devices MixPre-10 II (Recorded @ 32 BIT Float/48Khz).
Right front corner of soundboard
Sound Forge Pro 15 (Fades,POW-r Bit depth conversion to 16 BIT/Sample Rate Conversion to 44.1khz)>CDWAV(Tracking)>Trader's Little Helper(FLAC)Foobar2000 (Track Tagging)
Recorded By Keith Litzenberger 		 
419. 10/13/21 Capitol Theatre - Port Chester, NY Flac16
Schoeps MK41v's>Schoeps KCY250/5i>Schoeps VST62iu>Sound Devices MixPre-10 II (Recorded @ 32 BIT Float/48Khz).
Right front corner of soundboard
Sound Forge Pro 15 (Fades,POW-r Bit depth conversion to 16 BIT/Sample Rate Conversion to 44.1khz)>CDWAV(Tracking)>Trader's Little Helper(FLAC)Foobar2000 (Track Tagging)
Recorded By Keith Litzenberger 		 
420. 10/18/21 The Capitol Theatre - Port Chester, NY Flac16
Schoeps CCM4V'S>Lunatec V2>Sound Devices 722 (24/44.1)
FOB/OTS/DRFC/KFC/ZFC/AARP 35' From Stage, 7 1/2' High
DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16)
ID3 Tagged In Foobar 2000
Recorded and Seeded By: Z-Man 		 
421. 10/19/21 Capitol Theatre - Port Chester, NY Flac16
Schoeps CCM4V'S>Lunatec V2>Sound Devices 722 (24/44.1)
FOB/OTS/DRFC/KFC/ZFC/AARP 35' From Stage, 7 1/2' High
DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000
Recorded and Seeded By: Z-Man 		 
422. 10/20/21 Capitol Theatre - Port Chester, NY flac16/44 Source: Schoeps CCM4V'S>Lunatec V2>Sound Devices 722 (24/44.1) FOB/OTS/DRFC/KFC/ZFC/AARP 35' From Stage, 7 1/2' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man A Team Dirty South Recording  
423. 10/29/21 Capitol Theatre - Port Chester, NY Flac16
Nak 700's with 701's > GakCables > Lunatec V3 > GakCables > Sound Devices 722 @ 24/96
Lineage: CF 2 24/96 > Sound Forge Pro 13.0 - Tracking & Editing > TLH > Flac
Location: Right of Board / Taper Section
Recorded and Uploaded By: JT/NY 569johnt@gmail.com 		 
424. 10/30/21 Capitol Theatre - Port Chester, NY flac16/44
Neumann 150’s > V-3 > Sound Devices 744 24/96 >
Sound Forge Pro 11 > Sound Studio > xACT
Recorded and Seeded by David Dyche 		 
425. 10/31/21 Capitol Theatre - Port Chester, NY Flac16
Neumann 150 > V-3 > Sound Devices 744 24/96 >
Sound Forge Pro 11 > Sound Studio > xACT
Recorded and Seeded by David Dyche 		 
426. 06/04/22 Frost Amphitheatre - Stanford, CA Flac1648
Source (FOB) Schoeps MK4 cardioids > N Box Platinum > Tascam Dr-2d (WAV16/48)
Taped by Ted Mattes
Transferred by Joe Noel
Please note that the LMA link is for the Un-corrected version of this fileset uploaded by "Teddy Ballgame". 		 
427. 06/17/22 Kettle House Amphitheatre - Missoula, MT Flac16
ccm4>702 @24/48
ssf9 @16/44>cd wave>tlh
Taped and Transferred by Mark Smith 		 
428. 06/19/22 Town Park - Telluride, CO Flac16. Mtx
Source one: Schoeps MK2S(A-B split 20 inches)>KC5>CMC6>
Source two: Schoeps MK41's(dina)>KC5>CMC6>Sound Devices Mixpre 6
Recorded in 24/48, dithered to 16/44.1
SD Card> PC>Audacity> Cool Edit Pro>CD Editor (tracking)TLH (FLAC 8)
Taped and Transferred by Richard Skaggs 		 
429. 07/01/22 Hartford HealthCare Amphitheater - Bridgeport, CT Flac16
Sennheiser MKH8060 short shotguns PAS + Schoeps MK4-MK8 M/S > Zoom F8
Location: Left of SBD in line wth left hang @ 9’ high.
Studio One Pro - tracks/fades, Mix = 90% MKH8060, 10% MK4-MK8.
Taper: Ted C. 		 
430. 07/04/22 Stone Pony Summer Stage - Asbury Park, NJ Flac16
DPA 4011's > Zoom H5
DFC just in front of the soundboard
Recorded, edited and seeded by Michael Buzzeo 		 
431. 08/14/22 Stern Grove - San Francisco, CA Flac16
Schoeps MK4 NBox Platinum Tascam DR-2D 24 Bit 48K
Processed using Soundforge 13, resample, to 16bit 44.1K, TLH to convert to Flac
Recorded by Daspyknows, Back of pit dead center. Master 2022.094 		 
432. 08/20/22 Bethel Woods Center for the Arts - Bethel, NY Flac16
Schoeps MK41v's(first row behind soundboard, Section 100 Row G Seat 22)Schoeps KCY 250/5i>Schoeps VST62iu>Sound Devices MixPre-10 II (Recorded at 32 BIT Float/48Khz)
Sound Forge Pro 16 (Fades,resampled to 44.1Khz, POW-r Bit depth conversion to 16 BIT)>CDWAV(Tracking)>Trader's Little Helper(FLAC)Foobar2000 (Track Tagging)
Recorded By Keith Litzenberger 		 
433. 10/14/22 The Capitol Theatre - Port Chester, NY Flac16
Schoeps CCM4V's>Lunatec V2>Sound Devices 722 (24/44.1)
FOB/DRFC/KFC/ZFC/AARP 35' From Stage, 6 1/2' High
DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16)
ID3 Tagged In Foobar 2000
Recorded and Seeded By: Z-Man 		 
434. 10/15/22 The Capitol Theatre - Port Chester, NY Flac16
Schoeps CCM4V's>Lunatec V2>Sound Devices 722 (24/44.1)
FOB/DRFC/KFC/ZFC/AARP 35' From Stage, 6 1/2' High
DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000
Recorded and Seeded By: Z-Man 		 
435. 10/16/22 The Capitol Theatre - Port Chester, NY Flac16
Schoeps CCM4V's>Lunatec V2>Sound Devices 722 (24/44.1)
FOB/DRFC/KFC/ZFC/AARP 35' From Stage, 6 1/2' High
DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000
Recorded and Seeded By: Z-Man 		 
436. 10/21/22 The Capitol Theatre - Port Chester, NY Flac16
Neumann KM150's(AK50's/LC3's/KM100's)>HQRP xlr>Lunatec V3>AES/EBU>Sound Devices 722 @24bit/48kHz
SD722 master file @24bit/48kHz>firewire>Sound Forge Pro 12.1>CD Wave v1.98(tracking)>FLAC16 via TLH v2.7.0(level 8), tag w/Tag Scanner6.1.12, ffp & md5-TLH
Recording, transfer, editing, mastering & conversion by Steven Weld 		 
437. 10/22/22 The Capitol Theatre - Port Chester, NY Flac1648
Schoeps CCM41 (PAS 60 degrees, 25cm) > Zoom f6 32-bit float > Audacity > WAV
Taped and Transferred by Marc B 		 
438. 10/23/22 The Capitol Theatre - Port Chester, NY Flac16 8 channel Mixed Mic
OMT8 AUD MTX (24/44.1)
SDHC> WAV> Audacity (TDR Nova (eq); Slate Digital Virtual Tape Machines; Slate Digital FG-X Mastering Processor)-> CDWave (tracking)-> Weiss Saracon (24/44.1->16/44.1)-> Flac16> mp3tag (tagging)
Recorded by David Perez 		 
439. 10/28/22 The Capitol Theatre - Port Chester, NY Flac1644
Neumann 150’s > Nick Active Cables > Naiant PFA’s > Sound Devices 744t 24/96
> Sound Forge Pro > Sound Studio > xACT
Recorded & Seeded By David Dyche 		 
440. 10/29/22 The Capitol Theatre - Port Chester, NY Flac16
Neumann 150’s > Nick Active Cables > Naiant PFA’s > Sound Devices 744t 24/96
Sound Forge Pro > Sound Studio > xACT
Recorded & Seeded By David Dyche 		 
441. 10/31/22 The Capitol Theatre - Port Chester, NY Flac16
Schoeps MK41v's>Schoeps KCY 250/5i>Schoeps VST2iu>Sound Devices MixPre-10 II (Recorded at 32 BIT Float/48Khz) from front right corner of Soundboard
Wav>Sound Forge Pro 16 (Fades,Sample Rate Conversion to 44.1Khz,BIT Rate Conversion to 16 BIT)>CDWAV>Trader's Little Helper(FLAC)>Foobar2000(Track Tagging)
Recorded By Keith Litzenberger 		 
442. 12/10/22 Harrahs' Cherokee Center - Asheville, NC Flac16
Schoeps CCM4V'S>Lunatec V2>Sound Devices 722 (24/44.1)
FOB/DFC/KFC/ZFC/AARP 39' From Stage, 6' High
DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000
Recorded and Seeded By: Z-Man, A Team Dirty South Recording 		 
443. 12/10/22 Harrahs' Cherokee Center - Asheville, NC Flac16
Schoeps CCM4V'S>Lunatec V2>Sound Devices 722 (24/44.1)
FOB/DFC/KFC/ZFC/AARP 39' From Stage, 6' High
DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000
Recorded and Seeded By: Z-Man, A Team Dirty South Recording 		 
444. 12/27/22 The Warfield - San Francisco, CA Flac16
Schoeps MK4 > Babynbox > PCM-A10 > WAV > Audacity > FLAC
Taped and Transferred by thomascirca
The version uploaded to LMA should be taken as the baseline for this source. 		 
445. 12/28/22 The Warfield - San Francisco, CA Flac16
Schoeps MK4 > Babynbox > PCM-A10 > WAV > Audacity > FLAC
Taped and Transferred by thomascirca
 		 
446. 03/11/23 The Salt Shed - Chicago, IL Flac16
Schoeps CCM4V's>Lunatec V2>Sound Devices 722 (24/44.1)
FOB/DRFC/KFC/ZFC/AARP 89' From Stage, 8' High
Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16)
ID3 Tagged In Foobar 2000
Recorded and Seeded By : Z-Man A Team Dirty South Recording 		 
447. 03/12/23 The Salt Shed - Chicago, IL Flac16
Schoeps CCM4V's>Lunatec V2>Sound Devices 722 (24/44.1)
FOB/DRFC/KFC/ZFC/AARP 89' From Stage, 8' High
Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16)
ID3 Tagged In Foobar 2000
Recorded and Seeded By: Z-Man : A Team Dirty South Recording 		 
448. 03/15/23 Capitol Theatre - Port Chester, NY Flac16
Schoeps CCM4V'S>Lunatec V2>Sound Devices 722 (24/44.1)
FOB/DRFC/KFC/ZFC/AARP 35' From Stage, 7' High
Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16), ID3 Tagged In Foobar 2000
Recorded and Seeded By: Z-Man
A Team Dirty South Recording 		 
449. 03/17/23 Capitol Theatre - Port Chester, NY Flac16
Schoeps CCM4V'S>Lunatec V2>Sound Devices 722 (24/44.1)
FOB/DRFC/KFC/ZFC/AARP 35' From Stage, 7' High
DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000
Recorded and Seeded By: Z-Man. A Team Dirty South Recording 		 
450. 03/18/23 Capitol Theatre - Port Chester, NY Flac16
Schoeps CCM4V'S>Lunatec V2>Sound Devices 722 (24/44.1)
FOB/DRFC/KFC/ZFC/AARP 35' From Stage, 7' High
Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16), ID3 Tagged In Foobar 2000
Recorded and Seeded By: Z-Man, A Team Dirty South Recording 		 
451. 03/19/23 Capitol Theatre - Port Chester, NY Flac16
Schoeps CCM4V'S>Lunatec V2>Sound Devices 722 (24/44.1)
FOB/DRFC/KFC/ZFC/AARP 35' From Stage, 7' High
DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000
Recorded and Seeded By: Z-Man, A Team Dirty South Recording 		 
452. 07/21/23 Leader Bank Pavilion - Boston, MA Flac16
AKG 451's > Zoom H5
Location:Center-Inside the SDB area stand at 12'
Recorded by Mike Buzzeo 		 
453. 07/22/23 Shorefront Park - Patchogue, NY Flac24 4 Track Matrix
Source 1: Busman BSC-1 (omni, 3' Split) > Naiant Littlebox (OT) > Zoom F8N Pro(32/48)
Source 2: AKG 480/CK63 > Naiant Littlebox > Zoom F8N Pro(32/48)
Lineage: Adobe Audition > CD WAVE > TLH
Location: Slighly offcenter to the left at soundboard area 11ft high
Recorded and Transferred by: Cam Keough 		 
454. 07/23/23 Westville Music Bowl - New Haven, CT Flac16
AKG 451's > Zoom H5
Location: Just to the right of the SBD stand at 12'
Recorded by Mike Buzzeo, mike246 		 
455. 12/17/23 The Fillmore - San Francisco, CA Flac16
Neumann KM 184's > GaKables > Sound Devices 722 @ 24/96 : FOB 10' High
CF 24/96 > Sound Forge Pro 16.0 - Tracking & Editing > Traders Little Helper - Convert to Flac
Recorded By: Keith Simmons
Uploaded By: JT/NY 569johnt@gmail.com 		 
456. 03/04/24 Capitol Theatre - Port Chester, NY Flac1644
Neumann U89i's (HyperCardioid)>Sound Devices Mixpre-10II (Recorded at 32 IT Float/96Khz)
Wav>Steinberg Nuendo 4.3(Mix)>Magix Sound Forge Pro 16 (Fades, POW-r Bit depth conversion to 16 BIT)>CDWAV(Tracking)>Trader's Little Helper(FLAC)Foobar2000 (Track Tagging)
Recorded, Mixed & Uploaded By Keith Litzenberger 		 
457. 03/06/24 Capitol Theatre - Port Chester, NY Flac16
AKG 451's > Zoom H5
Location: Taper's section
Recorded, edited and seeded by Michael Buzzeo 		 
458. 03/13/24 Capitol Theatre - Port Chester, NY Flac16
Neumann KM 150’s > Nick Active Cables > Naiant PFA’s > Sound Devices 744T 24/96 > Logic Pro > Sound Studio > xACT
Recorded and Seeded by David Dyche 		 
459. 03/15/24 Capitol Theatre - Port Chester, NY Flac16
Schoeps CCM 41V's and Schoeps CCM 41's > Lemo cables > MixPre 6 II line out > Sony M10
Tapers section Stand at 7'
Recorded by JT and Michael Buzzeo
Edited and seeded by Michael Buzzeo 		 
460. 03/16/24 Capitol Theatre - Port Chester, NY Flac16
Neumann KM150's(AK50's/LC3's/KM100's)>HQRP xlr>Lunatec V3(Oade Mod)>AES/EBU>Sound Devices 722 @24bit/48kHz
Transfer, editing, mastering & conversion: SD722 master file @24bit/48kHz>firewire>Sound Forge Pro 16.1.14>CD Wave v1.98(tracking)>FLAC16 via TLH v2.8.4(level 8), tag w/Tag Scanner6.1.15 ffp & md5-TLH
Recording, transfer, editing, mastering & conversion by Steve Weld 		 

Phil Lesh, Bob Weir, Jay Lane  
  Date Venue - City, State Media  
1. 12/30/08 Bill Graham Civic Center - San Fran, CA sbd.instantlive.flac16  

Philharmonia  
  Date Venue - City, State Media  
1. 12/07/97 Hilton Hotel - Continental Ballroom - San Francisco, CA mtx.sbd.aud.jeffm.bruno.flac16  

Pigpen (Ron McKernan)  
  Date Venue - City, State Media  
1. ??/??/66 Apartment Demos - San Francisco, CA sbdmaster.shn Checksum matches shn ID #82597  
2. ??/??/66 Apartment Demos - San Francisco, CA sbd.moore.berger.flac16 Checksums match shn ID #125545  

Planet Earth Rock & Roll Orchestra  
  Date Venue - City, State Media  
1. 01/02/71 Wally Heider's Studio - San Francisco, CA sbd.barncard.jcannon.flac16  

Ratdog www.rat-dog.com
  Date Venue - City, State Media  
1. 08/05/95 Fort Adams State Park - Newport, RI Source:Sonic studio mic's > Sony D7
Location:about 40' back stage left mic's at 4'
Recorded,edited and seeded by Michael Buzzeo 		 
2. 08/06/95 Performing Arts Center - Saratoga Springs, NY Source: Sonic Studios DSM-6P -> Sony WM-D3
Transfer: Sony TC-W530 -> M-Audio AP2496 -> Soundforge 6.0 -> CD Wave -> FLAC 1.2.1 		 
3. 08/08/95 Central Park Summer Stage - New York, NY Recording Info:(FOB) Schoeps MK4 -> Reutlehuber Preamp -> Denon DTR 80P -> Dat Master (Sony D7/48k); Transfer Info: Dat Master (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller; Recorded By Dan Sisler  
4. 08/09/95 Casino Ballroom - Hampton Beach, NH Soundboard -> dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). Recorded by: Dave Flaschner. transferred/patched: Chris Davis (5/5/08)  
5. 08/20/95 Shea's Buffalo Theater - Buffalo, NY Flac1644
Source: Sonic Studios DSM>Sony TCD-D7 (48 khz)
Transfer: Master DAT Sony PCM-2600(AES)>Sound Devices 722 (24/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track, bit depth conversation)>Wave Editor(iZotope Resampler)>xACT 2.13(align on sector boundaries, encode, tag, fingerprint)>flac16
Location: FOB/DFC 4th row center
Taped by: Marcus Thunich
Transferred, processed and seeded by: Lenny Stubbe 		 
6. 09/02/95 Warfield Theatre - San Francisco, CA flac16; SBD > DAT > CD  
7. 11/30/95 Ogden Theatre - Denver, CO Flac1644
SBD > Dat Master (44.1k), Dat Master (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC
(2 Discs Audio / 1 Disc FLAC), Transfers and Mastering By Charlie Miller 		 
8. 12/01/95 Cottonwood High School Auditorium - Salt Lake City, UT Recording Info: SBD > DAT Master (44.1k)
Transfer Info: DAT Master (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X5 Suite > FLAC/16 		 
9. 12/03/95 Mesa Ampitheatre - Tempe, AZ Source: (FOB) Shure Beta Green 4.0 Condenser mics> Sony D7; Transfer: Master DAT> Sony A7> Audacity 1.3> TLH8; Taped/converted/seeded: Gary H.  
10. 12/06/95 The Palladium - Las Vegas, NV Flac 1644
SBD > DAT Master (Panasonic SV-3700/44.1k)
DAT Master (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X6 Suite > FLAC/16
All Transfers and Mastering by charliemiller87@earthlink.net 2023-11-17 		 
11. 06/20/96 Lakewood Amphitheater - Atlanta, GA Source: AT 822 > D8
Transfer: D8 > Behringer UCA202 > Audacity > WAV > FLAC 		 
12. 06/22/96 Blockbuster Pavilion - Charlotte, NC schoeps.unknown.dolphinsmile.flac1648 notes
13. 06/23/96 Walnut Creek Amphitheatre - Raleigh, NC Source: Microtech Gefell M300's > Oade M148 > D8 > CD
Transfer: CD > EAC > Audacity > WAV > FLAC
Taper Unknown; Extraction/Seed: Bill Graves 		 
14. 06/25/96 Virginia Beach Amphitheater - Virginia Beach, VA Source: Nak 300's > D7 Transfer: D8 > Behringher UCA202 > Audacity > FLAC > WAV  
15. 07/03/96 Pine Knob Music Theater - Clarkston, MI Source: Audience recording > Nak 300's (with cp4 caps) > Sony TC-D5 > mac > ?? > cdr Recorded by Bob Stephen
Lineage: cdr > Sony D-192CK > Edirol R-09HR > wav 24/48 > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 5 Advanced) > iZotope RX 2 Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16 		 
16. 07/04/96 Darien Lake Performing Arts Center - Darien, NY Master Audience Recorded By Fitzy, Transfer By Keo Nakamichi CM100/CP4 Shotguns>Sony TC-D5M, Tape TDK MA-110 Transfer Information:Nakamichi MR-1>Korg MR-1000 @ 1Bit/5.6MHz Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper Metadata Tagging With Tag&Rename  
17. 07/06/96 Saratoga Perfoming Arts Center - Sartagoa Springs, NY Source: Unknown AUD Transfer: CD > EAC > Audacity > WAV > FLAC  
18. 07/07/96 Music Meadows Theater - Hartford, CT flac 16; source: (fob / 11th Row) Neumann TLM 184; recorded by: Felix Deguisimo dat provided by: Dave Flaschner; transfer: dat (clone) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6); transfer: Chris Davis  
19. 07/08/96 Old Orchard Beach - Orchard Beach, ME source: Sennheiser 421, recorded by: AJ & Steve [dat provided by Dave Flaschner]; transfer: dat [m] -> DA-20mkII -> R-44 -> CD Wave 1.98 -> Wavelab 5.01a [Resampler192/fades] -> FLAC [8], transfer: Chris Davis [01/31/10]  
20. 07/12/96 Furthur Festival - Camden, NJ Source: Unknown AUD > DAT Lineage: D8 > Behringer UCA202 > Audacity (@48Hz) > WAV > FLAC Taped by: Cosmic Charlie Transferred by: Bill Graves  
21. 07/14/96 Star Lake Amphitheatre - Burgettstown, PA Source: Unknown AUD Lineage: CD > EAC > Audacity > WAV > FLAC Taped by: Unknown Transferred by: Bill Graves  
22. 07/15/96 Polaris Ampitheater - Columbus, OH Source: Unknown AUD
Transfer: CD > EAC > Audacity > WAV > FLAC
Taper Unknown; Transferred From CD by Bill Graves 		 
23. 07/17/96 Riverport Amphitheatre - Maryland Heights, MO Source: Shure BG 4.0 > Sony WM-D6 > CD Transfer: CD > EAC > Audacity > WAV > FLAC  
24. 07/20/96 Fiddler's Green - Edgewood, CO Master Audience Recorded By Mr. Darby; AKGc451EB/CK1's (DINDFC/6 Feet Back From Edge Of Lawn/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 A 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> Hdd>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper  
25. 07/29/96 Cal Expo Amphitheatre - Sacramento, CA Source: Unknown AUD > CASS Transfer: CASS > Audacity > WAV > FLAC Taper Unknown Transferred & Seeded by Bill Graves  
26. 07/30/96 Shoreline Amphitheatre - Mountain View, CA aud.medeiros.flac  
27. 08/01/96 Ventura County Fairgrounds - Ventura, CA Source: (FOB) Nyquist omnis > Sony D7
Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC 		 
28. 12/10/96 Roseland Theater - Portland, OR flac16; Senn 441's > Sony D6 > MAC Transfer: MAC > Sony D6 > Sony PCM R300 > NJB3 > Audacity > CD Wave > TLH > Flac Recorded by Kirk Davis Transferred by Lobster  
29. 01/19/97 Harmony Tent - Washington, DC Source: SBD > DAT; DAT > WAV > SHN: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 7.0 (Build 214) (48-44.1, highest accuracy with anti-alias filter) > CDWav 1.93 > FLAC Frontend (no DAE ; 48k FLAC archived and available by request)  
30. 06/20/97 Coral Sky Amphitheater - West Palm Beach, FL Source: AT 822 > D8
Transfer: D8 > Behringer UCA202 > Audacity > WAV > FLAC
Taped by Steve Washick; Transferred by Bill Graves 		 
31. 06/22/97 Lakewood Amphitheatre - Atlanta, GA flac16 48kHz SBD; DAT(c) @ 48kHz > Sony PCM R-500 > Korg MR-2000S > Canare Coax > Samplitude Pro X3 Suite (Build 35) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; DAT provided by Dave Flaschner; Transfer & edits by Jeff Mitchell  
32. 06/23/97 Blockbuster Pavillion - Charlotte, NC Source: Shure BG 4.0 > D8 > CD Transfer: CD > EAC > Audacity > WAV > FLAC  
33. 06/26/97 Virginia Beach Amphitheater - Virginia Beach, VA Source: Unknown AUD > DAT Transfer: D8 > Behringer UCA202 > Audacity (@ 48Hz) > WAV > FLAC Taper Unknown Transferred from DAT by Bill Graves  
34. 06/27/97 Nissan Pavilion - Bristow, VA Source: Unknown AUD > DAT Transfer: D8 > Behringer UCA202 > Audacity (@ 48Hz) > WAV > FLAC Taper Unknown Transferred from DAT by Bill Graves  
35. 06/28/97 Sony-Blockbuster Entertainment Center - Camden, NJ Source: Unknown AUD > DAT Transfer: D8 > Behringer UCA202 (@48Hz) > Audacity > WAV > FLAC Taped by Cosmic Charlie Transferred by Bill Graves  
36. 06/28/97 Sony-Blockbuster Entertainment Center - Camden, NJ Source: Unknown AUD > DAT Transfer: D8 > Behringer UCA202 (@48Hz) > Audacity > WAV > FLAC Taped by Cosmic Charlie Transferred by Bill Graves  
37. 07/03/97 Forest Hills Tennis Center - Queens, New York, NY Source: B & K 4021
Transfer: DAT > Sony PCM-R300 > M-Audio Fast Track Pro 16/48 > Apple MacBook Pro > WAV
Taper Unknown
Transferred by Michael Scotellaro
Seeded by Bill Graves 		 
38. 07/06/97 Saratoga Performing Arts Center - Saratoga Springs, NY Thrust Jam
Source: Sennheiser 421's > D6 Transfer: CASS > Audacity > WAV > FLAC Taped by Everett Smith Transferred From Cassette Masters by Bill Graves 		 
39. 07/06/97 Saratoga Performing Arts Center - Saratoga Springs, NY Source: Sennheiser 421's > D6 Transfer: CASS > Audacity > WAV > FLAC Taped by Everett Smith Transferred From Cassette Masters by Bill Graves  
40. 07/12/97 Polaris Amphitheatre - Columbus, OH Source: DSBD Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader's Little Helper > FLAC Taped by Mark Lynn Transferred & Seeded by Bill Graves  
41. 07/13/97 Pine Knob Music Theater - Clarkston, MI Source: Unknown mics (Nak 300s? or PZMs?) > DAT (48k)
Transfer: DAT/m in Tascam DA30-MKII > Sound Devices 722 (AES/EBU) > Spark XL (flip phase on right channel) > Audiogate (fades, tracking, re-sample to 44.1) > xACT (flac 8 w/ SBA & tags) 		 
42. 07/18/97 Alpine Valley Music Theatre - East Troy, WI Flac1648
Unknown AUD; Transfer: D8 > Behringer UCA202 > Audacity > WAV > FLAC
Taped by Jeff Frank
Transferred by Bill Graves 		 
43. 07/19/97 New World Music Center - Chicago, IL Source: Unknown AUD; Transfer: D8 > Behringer UCA202 > Audacity > WAV > FLAC; Taped by Jeff Frank; Transferred by Bill Graves  
44. 07/20/97 Riverport Amphitheatre - Maryland Heights, MO flac1644;Master Audience Recorded By Mr. Darby AKGC451EB/CK1's (DIN/DFC/Front Row Of Lawn/8 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Fostaex D-5>Tascam HD-P2> HDD>Audacity (Tracking/Fades)>xACT (FLAC6) Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo SBE's Checked/Fixed With Trader's Little Helpe  
45. 07/22/97 Deer Creek Music Center - Noblesville, IN Source: Unknown AUD > CD Transfer: CD > EAC > Audacity > WAV > FLAC Taper Unknown Transferred & Seeded by Bill Graves  
46. 07/27/97 Fiddler's Green - Denver, CO flac1644;AKGC451EB/CK1's (DIN/DFC/Front Row Of Lawn/8 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Master Audience Recorded By Mr. Darby; Transfer Information:Fostex D-5>Tascam HD-P2> HDD>Audacity (Tracking/Fades)>xACT (FLAC6) Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo SBE's Checked/Fixed With Trader's Little Helper  
47. 07/31/97 Portland Meadows - Portland, OR (FOB) DFC w/Sonics Studios DSM 5 Omnis->Casio DA 7
Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader's Little Helper > FLAC
Taped by Mark Lynn
Transferred & Seeded by Bill Graves 		 
48. 08/02/97 Shoreline Amphitheatre - Mountain View, CA Source: Nak CM 300s + CP 4 > Casio DA7
Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader's Little Helper > FLAC
Taped by Mark Lynn
Transferred & Seeded by Bill Graves 		 
49. 10/18/97 Classic Amphitheatre - Richmond, VA Nakamichi CM701's > Sony TCD-D7 Master Dat Recorded FOB Row 17 Left Center Transfer Information:Fostex D5 DAT > Phillips CD-R880 > EAC > Flac 16/44  
50. 10/22/97 Palace Theatre - New Haven, CT DAT>PCM. no mic info. recorded by sideshowbob.
lineage: dat 16/44>rca cables>PCM 501 > beta tape.
transfer: super beta >PCM 601esd>ayre QA-9>usb>audacity 16/44>wav>tlh. transfer taperchuck3. nov 2016 		 
51. 11/01/97 Main Street Armory - Rochester, NY  
52. 12/02/97 The Filmore - San Francisco, CA Beyerdynamic TGX180's> Zefiro A/D> Sony D7@1648 Dat> Tascam DA-20> Tascam SS-R05> Adobe Audition 3.0> r8brain> cdwav> TLH> FLAC16  
53. 02/24/98 Fillmore - San Francisco, CA Beyerdynamic TGX180's> Zefiro A/D> Sony D7; Dat> Tascam DA-20> Tascam SS-R05> Adobe Audition 3.0> cdwav> TLH> FLAC16; Taped By Dan Sisler  
54. 03/14/98 Aerial Theater - Houston, TX Nak CM300 > Dat > PCM-R300 > Coax > M-Audio Delta 1010Lt > WaveLab > Izotope Ozone > TLH > Flac  
55. 03/28/98 Recreation And Convocation Center - Albany, NY source: (fob/dfc) AKG 460b/ck61 -> DA-P1; transfer: dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). recorded by: Dave Flaschner, transfer: Chris Davis (5/14/08)  
56. 03/30/98 Landmark Theatre - Syracuse, NY nak300.cp4.boeditaper.flac8  
57. 03/31/98 Scranton Cultural Center - Scranton, PA Source: aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell XL II 90; Taped by John Bleich from the balcony, near centre and around 30-40 yards from the stage; Transfer: mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav (24/96)  
58. 04/01/98 O'Neill Center - Danbury, CT akg391.unknown.flaschner.mitchell.flac1644  
59. 09/06/98 Black Oak Ranch - Laytonville, CA flac16;Source: DSBD>DAT>cDR>WAV>EAC (Secure Mode)>Flac16; Seeded to Etree's BT by Charlie Connor  
60. 11/03/98 Riverside Theater - Milwaukee, WI Microtek Gefell UMT70s mics Blumlein (2 figure 8s at 90 degrees X-Y) on 8 foot stand Row S Orchestra right on the aisle>Beyer MV100 preamp>SBM1>Teac DAP20 Recorded and transfered by Dave Cohen  
61. 11/04/98 Riviera Theatre - Chicago, IL schoepsMK4.larson.shn  
62. 11/11/98 Sideshow Music Hall - Lackawanna, NY aud.unknown.heywood.flac16  
63. 11/15/98 Mid Hudson Civic Center - Poughkeepsie, NY Flac16
Sonic Studios DSM-6P-> Sony TCD-D8
Sony PCM-R300 -> Soundforge 6.0 -> CD Wave -> FLAC 1.2.1
Recorded and Transferred by joaquin-p 		 
64. 11/25/98 The Ballroom - Washington, DC Source: (2) Nakamichi CM 300 mics with CP-4 capsules > Nakamichi 550 Transfer: Nakamichi DR-2 > Event Echo A/D > Event Gina soundcard > CDR Wav > CDR > Exact Audio Copy (CD 2: shntool join to combine 2 portions of Corinna into single track > retrack using CDR Wav) > FLAC (level 8)  
65. 12/31/98 Henry J. Kaiser Convention Center - Oakland, CA Source: Nakamichi CM 300's/CP 4 > SBM-1 > M1 - Transfer: D8 > Dio 2448 > Soundforge 5.0 (48k > 44.1k) > CDWav > FLAC Frontend > .flac; Transferred By: Ryan Burns (mstrpce420@aol.com)  
66. 06/18/99 The Fillmore - San Francisco, CA Source: Beyer Dynamics TGX 180’s > Zefiro A/D > D7 by Dan Sisler
Transfer: MDAT > Fostex D-15 > Tascam DA-3000 > WAV @
Master: Wavelab 10 (tracking, levels, EQ, remove DC offset) > FLAC 16/44 		 
67. 11/01/99 Paramount Theatre - Denver, CO aud.unknown.digby.flac16  
68. 11/03/99 Paramount Theatre - Cedar Rapids, IA flac16;Source: FOB AKG C460B/CK8 Shotguns > D8 @ 44.1k; ~ 10th Row Center; Transfer: D8 > Dio 2448 > Soundforge 5.0 > CDWav > FLAC Frontend > .flac; Taped By: Bobby Hanson; Patched & Transferred By: Ryan Burns  
69. 12/01/99 Jannus Landing - St. Petersburg, FL daud.unknown.digby.flac16  
70. 12/31/99 Warfield Theatre - San Francisco, CA flac16;Recording Info:Pre-FM -> Master Dat (44.1k); Transfer Info:Master Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
71. 05/26/00 Buckeye Lake Music Center - Hebron, OH 24channelstudiomix.simons.huber.flac16 notes
72. 06/16/00 MAMA Fest - Timonium, MD Unknown audience
Audio CD's > EAC > Wav > Flac 		 
73. 06/20/00 Bottle and Cork - Dewey Beach, DE flac16; Master Audience recording; akg 480's>sbmi>d8>cd>EAC>flac  
74. 06/24/00 Seaside Park - Bridgeport, CT sbd.vallo.flac16 notes
75. 07/01/00 Grandview Park - Sioux City, IA akg461.burns.flac16 notes
76. 10/22/00 The Fillmore - San Francisco, CA flac16;Recording Info:SBD -> Master Dat (44.1k); Transfer Info:Master Dat -> Samplitude Professional v11.1 -> FLAC; Recorded, Transferred and Mastered By Charlie Miller  
77. 11/03/00 Liberty Hall - Lawrence, KS flac1644;Master Audience Recorded By Mr. Darby AKG451EB/CK1's (FOB/DFC/DIN/9 Feet High)> Tascam DA-P1 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades)>xACT (FLAC6) Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo SBE's Checked/Fixed With Trader's Little Helper Metadata Tagging With AudioGate Software  
78. 11/18/00 Hammerstein Ballroom - New York, NY aud.unknown.digby.flac16  
79. 11/24/00 Convention Hall - Asbury Park, NJ akg460.unknown.stephens.flac1644 notes
80. 11/27/00 9:30 Club - Washington, DC akg480.unknown.shn  
81. 04/12/01 Palace Theatre - Louisville, KY Source: AKG460 ck61 () ~> Lunatec V2 ~> DA-P1 (16/48k) ~> DR-100 mkII Lineage: Audacity (normalized, 16/44.1) -> CDWave (tracked) ~> TLH ~> FLAC(8) Recorded and Transfered by jimmiec  
82. 07/21/01 Meadow's Music Centre - Hartford, CT Source: Earthworks 30X> MP2> D8 Transfer: D8 > Behringer UCA202> Audacity> WAV> FLAC  
83. 08/12/01 Post Gazette Pavillion - Burgettstown, PA Unknown AUD* EAC>WAV>TLH>FLAC and FFP and MD5 Generated by Digby On 08/11/2014  
84. 08/15/01 Jones Beach Theater - Wantagh, NY Unknown AUD* EAC>WAV>TLH>FLAC  
85. 08/19/01 Essex Fair Grounds - Essex, VT aud.unknown.digby.flac16  
86. 08/24/01 Alpine Valley Music Theatre - East Troy, WI Source: Schoeps MK4V > KC5 > CMC6 > Apogee AD1000 > Sony D8 FOB 26th Row DFC, 7' high on stand Transfer: DA-20mkII > RME DIGI96/8 PST > Samplitude > CDWAV > SHN  
87. 09/03/01 Sandy Point Beach @ Lucky Peak Dam - Boise, ID sbd.burns.flac16 notes
88. 09/22/01 Audubon Park - New Orleans, LA AKG 481 -> Oade m248 -> mod SBM1 recorded by Stuart Carter EAC>WAV>TLH>FLAC and FFP and MD5 Generated by Digby On 08/28/2014  
89. 09/27/01 The NorVa - Norfolk, VA aud.unknown.digby.flac16  
90. 10/07/01 Palace Theatre - Canton, OH Unknown AUD* shns (not in db) >TLH level 8>flac16. FFP, MD5 and St5 Created and verified By Digby on 10/30/2014  
91. 12/26/01 House of Blues - Las Vegas, NV flac16; SBD > DAT > CD  
92. 12/30/01 Henry J Kaiser Auditorium - Oakland, CA Source: Neumann KM140's (ORTF) > V2 > SBM-1 > D8 Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader's Little Helper > FLAC Taped by Matt Lazor Transferred by Bill Graves  
93. 12/31/01 Henry J Kaiser Auditorium - Oakland, CA flac16; SBD > DAT > CD  
94. 02/25/02 Madison Theatre - Peoria, IL Source: Neumann AK40 (ORTF) > LC3KA (actives) > KM100 > Apogee AD1K (44.1kHz) > Sony D8; DFC, next to SBD, ~50ft back; mic stand 8ft high Conversion: Sony D8 > RME Digi 96/8 PST > Samplitude 2496 > CDWav (Tracks) > SoundForge 4.0 (Fades) > mkwACT > SHN Recorded and Converted by Jonathan Rabhan, Rabhan.com; Tracked by Dave Rosenberg, Ratdog.org  
95. 03/01/02 Royal Oak Theatre - Royal Oak, MI Source: FOB 50ft DFC mics on 10ft stand run 90? at stacks > Neumann AK40 > LC3KA > KM100 > AD1000 > D8 Transfer: D8 > Delta DiO 2496 > Samplitude 2496 > CDWAVE > SHNv3 Taped, transferred, and seeded by Team FOB John D'Auria and David Thibault; sativa@etree.org http://sativa.etree.org  
96. 03/07/02 Orpheum Theatre - Boston, MA nakCM300.robr.flac16 notes
97. 03/08/02 Electric Factory - Philadelphia, PA flac16;sbd> dat(D8)> master discs> CD; CD> EAC> Adobe Audition 3.0> TLH> FLAC16  
98. 03/09/02 Hammerstein Ballroom - New York, NY flac1648;Source: AKG 393>Aerco>SBM1>Tascam DAP1>DAT 1st Row Mezz DFC
Transfer:DAT>Sony R300>Audiophile 24/96>PC>CD Wave>Traders Little Helper>Flac
Taper: Freddie G 		 
99. 03/17/02 Ryman Auditorium - Nashville, TN Source: Neumann AK40 (ORTF) > LC3KA (actives) > KM100 > Apogee AD1K (44.1kHz) > Sony D8; ROC; back of balcony next to light board; mic stand 8ft high Conversion: Sony D8 > RME Digi 96/8 PST > Samplitude 2496 > CDWav (Tracks) > SoundForge 4.0 (Fades) > mkwACT > SHN Recorded and Converted by Jonathan Rabhan, Rabhan.com; Tracked by Dave Rosenberg, Ratdog.org  
100. 03/23/02 Val Air Ballroom - West Des Moines, IA flac16;SBD> Dat> CD; CD> EAC> Adobe Audition 3.0> TLH> FLAC16  
101. 03/24/02 Ranch Bowl - Omaha, NE AKG C451EB/ck1s (DIN/FOB/3ft LOC/9ft High) > Tascam DA-P1 @16/48 Sony R500 > Tascam HD-P2 @16/48 > HDD > Amadeus Pro (tracking, fades, resample to 16/44) > xACT (FLAC8)  
102. 03/29/02 Big Easy - Boise, ID SBD> Dat> CD; CD> EAC> Adobe Audition 3.0> TLH> FLAC16  
103. 04/30/02 La Zona Rosa - Austin, TX flac16; Source AKG391 (x/y)> Rolls p/s> AD20> D8 @ 16/44.1 Lineage DAT master> Tascam DA20> DR-680> PC> Adobe Audition (eq, balance, fades)> CD Wav> TLH flac8 Taped by Drew Falconieri  
104. 05/04/02 Howling Wolfe - New Orleans, LA Unknown aud shn. Flac conversion on May 4, 2017 by Digby, Shn to flac with TLH Level 8.  
105. 05/05/02 Fair Grounds Race Course - New Orleans, LA SBD>???>CDR>EAC>WAV>FLAC  
106. 05/25/02 Jam on the River - Philadelphia, PA aud.unknown.flac16  
107. 05/26/02 9:30 Club - Washington, DC Source: Neumann AK40 (ORTF) > LC3KA (actives) > KM100 > Apogee AD1K (44.1kHz) > Sony D8; LOC, mic stand 8ft high, front corner of section by SBD; Transfer: Sony D8 > RME Digi 96/8 PST > Samplitude 2496 > CDWav (Tracks) > SoundForge 4.0 (Fades) > mkwACT > SHN; Recorded and Transfered by Jonathan Rabhan - Rabhan.com  
108. 06/29/02 Fife Ice Arena - Kirkcaldy, Scotland aud.unknown.flac  
109. 07/03/02 Astoria - London, England aud.unknown.flac  
110. 07/18/02 Burg Herzberg Festival - Alsfeld, Germany Source: OKM-II>TCD 100>?>shn  
111. 07/27/02 HiFi Buys Amphitheatre - Atlanta, GA Source: Josephson C-603/KA-500>Denecke PS1A>Zefiro Inbox>M-1 (FOB,DFC, approx. 20 rows from stage) - Transfer: DA-P1>S/PDIF>Montego II+>Cool Edit Pro>CDWave>mkwACT; Taped by Darrin; Transferred by Sloan Simpson  
112. 08/04/02 Alpine Valley Music Theatre - East Troy, WI flac1648;Source: AKG 481>Sound Device MP2>DAT>Sony D8>DAT OTS (Lawn)
Transfer:DAT>Sony R300>Audiophile 24/96>PC>CD Wave>Traders Little Helper>Flac
Taper: ? Patcher: Freddie G
Transfered: Freddie G
 		 
113. 09/13/02 Skin Pool Lounge @ The Palms - Las Vegas, NV SBD>Dat>CD; Uploaded By Charlie Miller charliemiller87@earthlink.net  
114. 09/16/02 Mishawaka Amphitheatre - Bellvue, CO Source: Taper's Section Schoeps MK4 (ORTF) > KC5 > CMC6 > mod. Oade M-118 > Apogee AD500 @48k; DFC, T.S. - Transfer: PCM-M1 > coax > Audiophile 2496 > Samplitude Master (48k > 44.1k "ultra high quality setting") > CDWav (tracking) > MKWACT (seekable); Taped by: Chris Evans/Darrin Sacks; Transferred by: Darrin (dsacks@pcisys.net); Note, this is the same source spread by ryan burns, but via a different transfer/sample rate conversion.  
115. 09/20/02 Riviera Theatre - Chicago, IL Source: Main Floor just slightly right of center under balcony > Neumann SKM 184's @ 90 degrees > Lunatec V2 > ADC-20 > DA-P1
Transfer: Sony R300 > VX Pocket > PC > Red Roaster 24/96 > CD > EAC > Flac 		 
116. 09/21/02 Frontier Ranch Music Center - Kirkersville, OH sbd.nawrocki.flac1644  
117. 10/01/02 Landmark Theatre - Syracuse, NY AKG568ebs>TascamDAP1 DAT>MarantzPMD671>WAVE>FLAC; Taped By Bill Goldberg  
118. 10/02/02 Roseland Ballroom - New York, NY SOURCE: Neumann SKM-140s (Neumann Ak40s "Pointed" > LC3KA > KM100) > Apogee AD1000 > Sony D8 (44.1 khz) OTS, mic stand was just over 8.5ft; TRANSFER: Sony D8 > Sony POC-DA12P > RME Digi96/8 PST > Samplitude 2496 > CDWav {tracks} > Soundforge 4.0 {fades} > SHN; Recorded and transfered by Jonathan Rabhan - Rabhan.com  
119. 10/05/02 Beacon Theatre - New York, NY beyerM201.suraci.flac16  
120. 10/08/02 9:30 Club - Washington, DC Oktava MC012-FMSP**(cards)ORTF > Graham Patten Dmic 20 > PCM-M1 DAT; Tascam DA-30mkII > zoltrix nightengale 6.0 > soundforge 6.0 > resample to 44.1(highest quality) > cdwav > shn; recording and transfer by spoogles oktavaMC012.dipietro.flac16  
121. 10/14/02 Auditorium Theater - Rochester, NY Aud>Sony d-7>Schoeps MK41 > wavcds>feurio(fixed tao)>mkw>shn notes
122. 10/17/02 Royal Oak Music Theater - Royal Oak, MI SBD> Dat> CD; CD> EAC> Adobe Audition 3.0> TLH> FLAC16  
123. 10/18/02 Orpheum Theater - Madison, WI Source: SBD > DAT > CDR > EAC > Cool Edit Pro 2.0 > mkwACT  
124. 02/07/03 Rialto Theatre - Tucson, AZ Nak300/CP4 > Sony D-8 [ w/Oade mods ] Transferred on a Tascam DA 30 MKII Recorded by Phil Rousculp  
125. 02/08/03 4th & B - San Diego, CA Source: SBD > DAT > CDR > WAV > SHN This is the same SHN set as the previous SBD version. The txt file has been modified, but the md5s are the same. notes
126. 02/09/03 House Of Blues - Anaheim, CA SBD > DAT > CDR > WAV > SHN.  
127. 03/04/03 The Fillmore - San Francisco, CA SBD > DAT > CDR > WAV > SHN.  
128. 04/17/03 Jannus Landing - St.Petersburg, FL SBD > DAT > CDR > WAV > SHN.  
129. 04/23/03 The Orange Peel - Asheville, NC Source: Neumann KM140's > Lunatec V3 > Sony M1 @ 48k; just in front of the SBD - Transfer: Panasonic SV-3800 > HHB CDR850 > EAC > CDWav > FLAC Frontend > .flac; Taped & Transferred By: Dave Howard; EAC > FLAC: Ryan Burns (mstrpce420@aol.com)  
130. 04/26/03 CityFest Live - Charlotte, NC at4010A.unknown.flac notes
131. 04/30/03 Ziggy's - Winston-Salem, NC SBD/AUD Matrix (SBD;28808 + AUD;17068)  
132. 05/08/03 Cain's Ballroom - Tulsa, OK Source: Neumann SKM-140s(Neumann Ak40s "90degrees" > LC3KA > KM100) > Lunatec V3(44.1 khz) > Sony D8; DFC, FOB, Mics were about 9ft High, ~35ft from stage - Transfer: Sony D8 > Sony POC-DA12P(Optical 7pin) > RME Digi96/8 PST > Samplitude 2496 > CDWav(tracks) > Soundforge 4.0(fades) > FLAC; Recorded and transfered by Jonathan Rabhan - Rabhan.com  
133. 05/17/03 Wiltern Theatre - Los Angeles, CA SBD>>???>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B+  
134. 07/25/03 Naeba Ski Resort - Nigata, Japan sennME64.take.seller.flac notes
135. 08/23/03 The Robin 2 - Bilston, England sbd.berthremaster.flac16 notes
136. 09/06/03 Lagoon Park - San Rafael, CA sbd.connor.flac16 notes
137. 10/16/03 Electric Factory - Philadelphia, PA Source: Neumann tlm170 (hypers,din)> Lunatec V3 (24/48)> VxPocket> Fujitsu Lifebook S6110 (WinXP,nTrack) Conversion: Sound Forge 5.0 (24/48> 16/44.1), CDWave (tracks) Recorded & converted by Craig Taraszki  
138. 10/24/03 Beacon Theater - New York, NY nakCM1000.suraci.flac  
139. 10/31/03 Odeon Concert Club - Cleveland, OH Souce: AKGc451b's (sterio pair) left side of soundboard, 12' high > MP2 > ADC-20 > PCM-M1 @ 48 KHz > spdif > Sound Blaster Live Platinum > cool edit pro > tracks > resampled to 44.1 KHz at highest setting > shn > shntool  
140. 11/15/03 The Pageant - St. Louis, MO neumannSKM140.gris.flac8  
141. 02/24/04 Jubilee Theatre - Las Vegas, NV sbd.ratdoglive.flac16  
142. 03/16/04 Boulder Theatre - Boulder, CO Source: fob/dfc, second drink rail: Neumann km150> Lunatec V3> DC2> Nomad JB3 (44.1k wav) - Transfer: JB3> firewire> pc> Cooledit> CDWav> mkwACT; Taped and transferred by Todd Ramsden  
143. 03/19/04 Auditorium Theatre - Rochester, NY AKG568ebs>TascamDAP1>MasterDAT>MarantzPMD671>WAVE>FLAC; Taped By Bill Goldberg  
144. 03/21/04 Palace Theatre - Albany, NY mbhoKA200N.guidry.flac1644  
145. 03/23/04 Memorial Auditorium - Burlington, VT flac16;Source: Neumann KM184s > V3 > D8; Transfer: D8 > Behringer UCA202 > Audacity > WAV > FLAC; Taped & transferred by Bill Graves  
146. 03/24/04 The State Theatre - Portland, ME AKG568ebs>DAT>MarantzPMD671>WAVE>FLAC  
147. 03/26/04 Electric Factory - Philadelphia, PA AKG568ebs>DAT>MarantzPMD671>WAVE>FLAC  
148. 03/27/04 Penn's Peak - Jim Thorpe, PA flac 16; Source:Nakamichi CM1000's>V3>D7@48K; Location: FOB/DFC 2nd row of seats, ~25 feet from stage; Transfer: Sony PCM 2600>(digi out to digi in)Sound Device 722; Editing: 722>Adobe Aud. 2.0(down sampling and peak normalization)>Cdwav>flac16 Taped, Tranferred and Uploaded by Tony Suraci/nak700  
149. 03/31/04 9:30 Club - Washington, DC Source: [Set I]: Sennheiser MKH-800s @ ~ 12\' (hypers/Nutter) > Lunatec V3 > Benchmark AD2402-96 @ 24/96 > RME Multiface > Sony VAIO PCG-SRX87 > Wavelab 4.01 - Conversion: Goldwave 5.06 > CDWAV 1.93 > Wavelab 4.01 > shntool 1.2.3 > md5sum; [Set II]: Source: Sennheiser MKH-800s @ ~ 12\' (hypers/Nutter > Lunatec V3 @ 16/48 > Sony PCM-M1 - Conversion: Sony PCM-R300 > Audiophile 2496 > Compaq Presario 7120US > Goldwave 5.06 > CDWAV 1.93 > shntool 1.2.3 > md5sum; Taper: Ian White ; Location: Taper\'s section (~ 30\' from PA)  
150. 09/15/04 Cain's Ballroom - Tulsa, OK Source: ADK A-51sLE (matched stereo pair) > AD-20 > PCM - M1 - Transfer: M1 > Audio Hijack Pro 2.0 > Sound Studio 2.1.1b3 > xACT > SHN; Recording and Transfer: Patric Shurden < pkshurden@yahoo.com >  
151. 09/29/04 KPFA Studios - Berkeley, CA Pre-FM SBD -> Master Dat -> Sonic Solutions -> Master CD -> EAC -> SHN; Transfered By Charlie Miller charliemiller87@earthlink.net  
152. 04/01/05 The Vic Theater - Chicago, IL Source: AKG C1000S (1st Row Balcony, DFC) > Denecke AD-20 > Sony PCM-M1 Master DAT. Transfer: Sony PCM-M1 Master DAT > HHb 830 CDR > Plextor 48x24x48 > EAC > CDwave > CDR  
153. 04/07/05 Turning Stone Casino - Vernon, NY flac 16; Source: AKG CK91|SE300B * > patchbay > Oade T+ mod UA5 > Nomad ; Transfer: Jukebox 3 > IBM ThinkPad> CD Wave (Tracking)> FLAC Frontend, Level 6: Recorded and seeded by Tim Burke  
154. 04/09/05 Fox Theatre - Mashantucket, CT Source: AKG 393 (DIN 90deg, 17cm) > Edirol UA-5 > DA-P1 > Hosa 276 > optical > JB3; Mic Config: (DIN 90deg, 17cm), Stand height: approx 6ft; Location: Section F, Row M, Seat 238; Lineage: JB3 > USB > WinXP Home (Toshiba Laptop) CD Wave Editor > Frontend FLAC > FLAC > CDR > WinXP Pro; Tapers: Sean Madigan & Alex Ford  
155. 04/12/05 Starland Ballroom - Sayreville, NJ Flac16
Neumann KM184> Oade w-mod UA-5 (44.1 kHz)> optical> JB3 [DIN 90* FOB DFC]
JB3> firewire> Sound Forge 6.0> cdWave> FLAC Frontend
taped/transfered by Rob Clarke RobClarke.km184@gmail.com 		 
156. 04/15/05 Beacon Theatre - New York, NY Behringer B-5 > Marantz Pro CDR300 > CDR > Wav > Shn ORCH Left Row X Seat 31
Taped and transferred by ld92287 		 
157. 04/16/05 The Beacon Theatre - New York, NY akg460.suraci.flac  
158. 04/19/05 Calvin Theatre - Northampton, MA source: Digital Audience: Recorded by Rob R 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3 (super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp.  
159. 04/22/05 Casino Ballroom - Hampton Beach, NH source: Digital Audience: Recorded by Rob R 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3 (super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp.  
160. 04/30/05 Electric Factory - Philadelphia, PA sennME66.mimma.flac8 notes
161. 06/08/05 Madison Theater - Covington, KY Source: AKG 393s(FOB, ORTF)->UA-5@48 kHz->Nomad JB3 - Transfer: JB3->PC->Cool Edit Pro (48 kHz->44.1 kHz)->CDWAV->FLAC; Recorded by Bob Mouk & Chad Hobbs moukrc@fuse.net  
162. 06/12/05 Bonnaroo, What Stage - Manchester, TN Source: AKG 463 > MP2 > oade modSBM1 > DIY 7pin Optical > JB3; Location: DINa @ 8' FOB, ~DFC - Transfer: JB3 > Creative Play Center > Wavelab 5 > flac; Taped, Transfered and Seeded by Mike Taylor (fozzy@x25.net)  
163. 08/06/05 Sunshine Daydream - Terra Alta, WV Src: Neumann KM184>V3>Sony D8>Harmon Cardin CDR26 > flac frontend > flac  
164. 08/30/05 The Mann Center - Philadelphia, PA flac16;Source: Studio Projects LSD2 (cards, x/y 90, 5 rows behind sbd, dfc)> Lunatec V3 (16/44.1,ansr)> D100; Wave Lab 5 (fades), CDWave (tracks); Recorded by Craig Taraszki (ctaraszki@hotmail.com)  
165. 09/01/05 Central Park Summerstage - Rumsey Playfield - New York, NY flac 16; Source: JWmod AKG 461's>V3>JB3; Location: DFC/FOB 30 Ft. from stage, Std at 7 ft.; Transfer: JB3>CDwave>Flac; Taped, Transferred and Uploaded by Tony Suraci aka nak700  
166. 09/02/05 Meadowbrook Musical Arts Center - Gilford, NH Neumann DINa ak40>lc3>km100>Oade advance concert mod Marantz PMD66016/44.1 master.wavs > CD-WAV  
167. 09/04/05 House of Blues - Atlantic City, NJ gefell200.freddieg.flac8  
168. 09/05/05 Pepsi Arena - Albany, NY Source: Microtech Gefell M200 (DINa) > MiAGi-II Silver Clad Cables > EAA PSP-2 > Oade T-Mod+ UA-5 > JB3; Lineage: JB3 > CDWave > FLAC Location: DFC, directly behind the SBD, ~10\' high; Taped & Transferred by Tim Burke  
169. 09/24/05 Greek Theatre - Berkeley, CA flac16
Source: AKG391 (x-y @~10'/ROC lower lawn) > V3 > Sony PCM-M1 (16/44.1)
Transfer (2005): Sony PCM-M1 (analog attenuator) > V3 (optical) > SB Extigy > Gold Wave 5.0 (track & fades) > CD
Transfer (2013): CD/Sound Forge 9.0 (rip, edit fades & normalize) > TLH (flac@8 and ffp)
Taped, transferred and seeded by Bob Crupi
axomxa@comcast.net 		 
170. 11/04/05 The Palace Theatre - Greensburg, PA flac 16; Source: AKG ck63/480* >>> MiAGi II Silver XLR\'s >>> Lunatec V3@44.1k >>> Nomad JB3;70 degree Angle/PAS/FOB/6 Seats ROC/Row V-Seat 10: Transfer: Nomad JB3 > Firewire > PC > CD Wave > WAV > FLAC Frontend-Level 6 > FLAC; Taped and transferred by Bean (diskobean@taperssection.com)  
171. 11/14/05 The Orange Peel Social Aid & Pleasure Club - Asheville, NC akg480.cole.flac1644 notes
172. 11/15/05 Variety Playhouse - Atlanta, GA Source: ADK SC-1 > Audio Technica AT8202 (@ -20dB) > Denecke PS-2 > Denecke AD-20 > optical S/PDIF > Creative Jukebox 3 - Lineage: Firewire > CEP > CoolFLAC > FLAC (level 8 with tags) - Location: Stand mounted, 9 feet high, DFC/FOB, 9th row - Recorded and converted by Ian McKay (imckay@hotmail.com)  
173. 11/16/05 Variety Playhouse - Atlanta, GA ADK SC-1 > Audio Technica AT8202 (@ -20dB) > Denecke PS-2 > Denecke AD-20 > optical S/PDIF > Creative Jukebox 3 - Lineage: Firewire > CEP > CoolFLAC > FLAC (level 8 with tags) - Location: Stand mounted, 9 feet high, DFC/FOB, 6th row - Recorded and converted by Ian McKay (imckay@hotmail.com)  
174. 12/17/05 The Showbox - Seattle, WA Source: AKG 481's > Audio Magic X-Streamz > UA-5 (Oade Warm mod) > M-Audio MicroTrack 24/96 (v1.2.0) @ 24/48; Location: Just in front of the sbd which was about 15' left of center @ 10' (XY) - Transfer: Wavelab 5.01 (gain applied, fades, resample, and dither - UV22HR) > CD Wave 1.94.2 > Flac16 (6); Taped and transfered by Chris Larson (ExplOregon@gmail.com)  
175. 03/01/06 KPFA Studios - Berkeley, CA Console>Dat>Sonic>Eac>Flac16(dsbd)  
176. 03/17/06 House of Blues - Myrtle Beach, SC flac 16; Source: (fob) AKG 480/ck61 -> V3 -> AD2K-> DA-P1; Transfer: DA-P1 -> Standalone Burner -> CD's -> EAC (secure) -> wav -> WavMerge 2.1 -> CD Wave Editor -> FLAC (Level 6); Taped by Kenny Watts  
177. 03/24/06 Electric Factory - Philadelphia, PA Neumann SKM 184's {DIN 90* (17cm)} > Lunatec V3 (44.1) Optical Mod > JB3 (16/44.1) - Lineage: JB3 > Creative Play Center > CD Wave Editor > CDR > EAC(no errors) > WinXP Pro > Flac Frontend > FLAC16; Taped, transferred and tracked by Larry-FLDEADHEAD EAC, conversion and seeding to bt.etree.org by Alex Ford  
178. 03/27/06 The Warner Theater - Washington, DC Source: Microtech Gefell 210> V3> AD2K+> JB3; Location: Center Orchestra Row T, 10ft. ROC - Transfer: JB3>creative file manager>cdwave>flac ; Taped and Transferred by Derek Davis (ddavis1976@yahoo.com)  
179. 03/30/06 Landmark Theatre - Syracuse, NY schoepsCCM4.oldham.dolphinsmile.flac8  
180. 04/06/06 Beacon Theatre - New York, NY Source: Neumann SKM 184's (Din90*/17cm) > Lunatec V3(44.1) Optical Mod > JB3 (16/44.1); Location: @ SBD - DFC row N - seat 106 / 11 FEET HIGH; Lineage: JB3 > USB > CreativePlaycenter > CD Wave Editor > CDR > EAC(no errors)>WinXP Pro > Traders Little Helper>FLAC16; Recorded, Transferred & Tracked by Larry - FLDEADHEAD Sector boundaries verified w/ TLH. Files encoded @ level 6. An EAC log is included with this fileset. EAC>FLAC16 and seeding to bt.etree.org by Alex Ford  
181. 04/07/06 Beacon Theater - New York, NY Source : Audience Recording by Freddie G. Microtech Gefel M200 (cardiod) > EAA PSP 3 > SBM1 > Sony D8 > DAT > HHB 850 > CDR > EAC > .wav > flac frontend level 8 > .flac  
182. 06/09/06 Sonoma County Fairgrounds - Santa Rosa, CA Recording Info: SBD -> Alesis HD24 -> WAV (24bit/48k) Mastering Info: WAV (24bit/48k) -> Samplitude Professional v11.1.1 -> FLAC/16 (2 Discs Audio / 1 DVD FLAC) Recorded and Mastered By Charlie Miller  
183. 07/14/06 Radio City Music Hall - New York, NY flac 16; Source: Neumann SKM 184s (din 90*/20cm) > Lunatec V3 (44.1) Optical Mod > JB3 (16/44.1); Lineage: JB3 > USB > Creative PlayCenter > CD Wave Editor > CDR > EAC* > WinXP Pro > Trader's Little Helper > FLAC16. ;Recorded, transferred and tracked by Larry - FLDEADHEAD ; Sector boundaries verified with TLH, files encoded @ level 6 *EAC(no errors) through FLAC16 by Alex Ford  
184. 08/19/06 Indian Lookout Country Club - Mariaville, NY flac16; Source: Neumann km184> v2> SBM-1 (44.1 kHz)> optical 7-pin> JB3 ; Transfer: JB3> Firewire> Sound Forge 6.0> cdWave> FLAC Frontend  
185. 10/22/06 Fitzgerald Theater - St. Paul, MN flac 16; Source: Sennheiser 421>Sony M1 Recorded in box seat above the left side of Stage; Tranfered with Foxtex D5 >Soundforge>CDR; Recorded By Mike Mahoney  
186. 11/09/06 Mohegan Sun Arena - Uncasville, CT flac 16; Source: Elation KM201's>Lunatec V2>Graham-Patten ADC-20>Sony TCD-D8; Transfer: Tascam DA-20>Egosys U2A>Sound Studio 2.1.1b3>AIFF>xACT 1.58: Taped and transferred by Dave Mallick  
187. 11/10/06 Lowell Memorial Auditorium - Lowell, MA flac 16; Source: Neumann ak40(ORTF)>lc3>ka100 > hydra silver ICs > Apogee miniMP > hydra IC > iRiver120 @ 16/44.1; Location: Center balcony rail  
188. 11/13/06 The Tabernacle - Atlanta, GA flac 16; Source: ADK A51-TL Hypers (DINa) > Hydra Silver Clad XLRs > Oade ACM Mod Marantz PMD660 (-20dB pad) @ 16bits/44.1KHz. Recorded, Transferred, Tracked, Encoded by R Graham. Seeded to etree by R Graham (born_cross_eyed)  
189. 11/17/06 Jannus Landing - St. Petersburg, FL flac 16; Source: Schoeps mk4 -> SOund Devices 722 -> Dell Lattitude C840 -> CDWav -> flac frontend -> Wavelab 4.0; Recorded by Steve Bazley  
190. 02/11/07 House of Blues - Las Vegas, NV flac 16: Source: Schoeps mk41(DINa)>kc5>cmc6>Neve Portico with silk>744t ; Location: Right Side of SBD~approx 20 ft. ROC - Transfer: 744T>CD Wave>Wavelab 5>Flac; Taped and Transferred by Derek Davis  
191. 02/13/07 The Grove - Anaheim, CA flac 16; Source: (FOB) JW mod AKG 460/ck61 (DIN 100) > EAA PSP-2 > 722;Transfer: 722 > Firewire > SoundForge 8.0 > CD Wave 1.95.1; Lineage: 24bit/48kHz > 16bit/44.1kHz > FLAC (Level 6); Taped and Edited by Mikey Jones  
192. 02/14/07 Fillmore - San Francisco, CA Source: Digital Audience: Recorded by Rob R; 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3 (super Omni);direct to dat using a Tascam Porta 1 mixing board / mic preamp > wav> shn  
193. 02/17/07 Moore Theater - Seattle, WA Source: ADK TL's (Hypers) > HYDRA stereo XLR cables > UA-5 (Oade Warm mod) > Wavelab 5.01 (@24/48). Clamped to upper balcony rail, LOC - Transfer: Wavelab 5.01 (gain applied, fades, resample, and dither - UV22HR) > CD Wave 1.94.2 > Flac16 (6); Recorded and transferred by Chris Larson (gdvault@gmail.com)  
194. 03/06/07 Paramount Center for the Arts - Peekskill, NY flac 16; Source: Microtech Gefell M210's > Oade M248 > Sony SBM-1 > Sony TC-D8 Dat.; Location: Set up in Row G center orchestra (FOB), mics on stand aprx 7-feet high.; Transfer: MAD > Tascam DA20 > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC.; Taped and transferred thru CDR by Jon Pasternak. EAC thru FLAC by Andrew F.  
195. 03/08/07 Beacon Theater - New York, NY B&K 4021 > EAA PSP3 > PMD660 > CD > EAC > Flac  
196. 03/10/07 Beacon Theatre - New York, NY flac 16; Source: Nakamichi CP701's(modded 700's)>722@24/96; Location: FOB Row F Center, Stand at 7~8 Feet; Transfer: 722>Adobe Aud.>16 bit>CDwav>flac16 Taped, Transfer and upload: Tony Suraci/nak 700  
197. 03/16/07 Penn's Peak - Jim Thorpe, PA ;Source: AKG 393s > Segue Dogstar XLRs > Oade digi-mod UA-5 > optical > JB3 (16 bit, 44.1 kHz); Transfer: JB3 > 2.0 USB > Audacity v1.2.4 > CD Wave v1.94.7 b > Trader's Little Helper v1.0.0.0 > Flac (level 6)  
198. 03/17/07 Penn's Peak - Jim Thorpe, PA flac 16; Source: Schoeps cmc6/mk4v’s (xy @ 110) > Lunatec V-2 > D-7 > DAT Transfer: DAT > D-7 > Soundforge 8.0 > cdWave > flac16; Location: FOB/5' right of ctr directly in front of board/8' high; Taped & Transferred by: T. Jones; *Kevin Slivka graciously supplied the line off his V-2*  
199. 03/19/07 Rams Head Live - Baltimore, MD flac 16; Source: ADK A51 TL's XY 90 > V3 > SD 744t 24/48 Transfer: 744t > HD>Wavelab 5.01 (gain applied, fades, resample, and dither - UV22HR) > CD Wave 1.94.2 > Flac16 (6) Location: 2nd floor balcony above board, DFC stand taped to rail, 7'  
200. 03/22/07 Classic Center Grand Hall - Athens, GA flac 16;Source: AKG JW Modded 461's > Segue Dogstar XLRs > Lunatec V3(Opti Mod) @16/44.1 > JB3; Transfer: JB3 > Firewire > Creative Playcenter > CD Wave Editor > CDR > EAC (no errors) > TLH > FLAC16 Taped, Transferred & Tracked by Larry - FLDEADHEAD; EAC, conversion and seeding by Alex Ford  
201. 04/22/07 Golden Gate Park - Speedway Meadow - San Francisco, CA (FOB) Unknown Mics > ? > Flac
Recorded by ArtCube 		 
202. 04/27/07 McDowell Mountain Music Festival - Scottsdale, AZ flac 16: Source: AK20/40 > LC 3 KA > KM 100 > 744t @ 24/48 mid/side ADK A51 TL's split omni > V3 > 744t @ 24/48 Location: FOB SROC ~100ft from the stage 10ft high Transfer: 744t > HD > Audacity 1.3.2b (normalize, 4ch to 2ch mixdown, fades) > Wave Editor 1.2.10 (resample w/ iZotope, dither w/ MBIT+) > Sound Studio 3.5 (splits) > FLAC (6) Taped and transferred by Mark Zaiser  
203. 06/14/07 Canal Room - New York, NY flac 16; Source: AKG CK1x caps>JWmod AKG 460's>722@24/96 Location: FOB DFC, Stand at 7~8 Feet; Transfer: 722>Adobe Aud.>16 bit>CDwav>flac16 Taped, Transferred and Uploaded by: Tony Suraci  
204. 06/17/07 Great Stage Park - Manchester, TN flac 16; Source: AKG481> oade m148 > 722T (24/96); Location: FOB / DFC / 8ft. Transfer: 722 > HDD > Wavelab 5.01a (Re-Sample/UV22HR Dither/Fades) > CDWave > FLAC; Taped and Tracked by Brian Weeks (hatfield@taperssection.com)  
205. 07/05/07 Summerfest - Milwaukee, WI Flac16
Source: AKG 391 > Denecke AD20 > M1
Transfer: DAT > Standalone Burner > CD > Disc Image (Toast) > Flac(6)
Taped and Transferred by Jim O'Malley
uploaded to LMA by Chris Larson
Track 1 is common to both this source and 155960 		 
206. 07/07/07 Chastain Park Amphitheatre - Atlanta, GA Audix m1290 Cards DIN > Tascam HD-P2 (24/48); Nexto CF OTG > PC > Wavelab 5 > CD Wave (tracks) > Flac Frontend (level 6) > WinAmp (tags)  
207. 07/09/07 Central Park (Summerstage) - New York, NY flac 16; Source; Left of FOB (Facing Stage): SP C4 > HYDRA stereo XLR cables > Lunatec V3 > Core Sound S/PDIF 75-Ohm Coaxial Cable > Marantz PMD 671 [24/48]; Downsampled to 16 bit/44.1 using Adobe Audition [NO GAPS]; Taped and Transferred by Pmonk  
208. 07/10/07 Bank of America Pavilion - Boston, MA flac 16; Source: AKG C480b\ck61s->Bumblebee MiaGi IIs->Apogee MiniMe (24/48)->VxPocketV2->WaveLab4>CDWave>Flac; Resampled and dithered to 16/44.1 via Wavelab4 and UV22HR.; Taped from section 2, Row T, Seat 17 FOB, DFC  
209. 07/11/07 Twin River Event Center - Lincoln, RI flac 16; Source: FOB Oktava Mk012s (Cards, ORTF) -> Warm Mod Edirol Ua5 -> Monster Optical -> Nomad JB3 (WAV 44.1k); Transfer: Nomad JB3 -> Firewire -> PC - Sound Forge 7 -> WAV -> FLAC; Taped By: Mike Nichols  
210. 07/13/07 Marvin's Mountaintop - Masontown, WV flac 16: Source: AKG ck63/480(DINa/DFC/OTS) >>> MiAGi II Silver XLR's >>> Sound Devices 722@24/48; Lineage: 722 INHDD > Wavelab 5.01b(Gain Added/48>44.1k/UV22HR Dither) > CD Wave 1.95.1 > FLAC Frontend 1.1.4b(Verify/Align On Sector Boundaries/Level 6); Taped/Transferred/Uploaded by Bean  
211. 07/14/07 Charlottesville Pavilion - Charlottesville, VA flac 16; Source: B&K4022(ortf)>Sonosax>744T: Location: fob, row 18, slight roc Transfer: 744T>soundforge 7.0 (fades/resampling/dithering)>cd wave>flac: Taped & transferred by Craig Davis  
212. 07/17/07 LC Pavilion - Columbus, OH flac16;Source:OTS/front of lawn > AKG 391 > SBM-1 @ 44.1 kHz > Sony TCD-D8; Transfer: Maxell HS4/60s dds master > Panasonic SV-3800 > s/pdif > E-MU E-DSP Audio Processor > Maxtor 6L200P0 > Sound Forge XP 4.5 > Fades and Normalized to -0.01 dB > .wav > Trader's Little Helper > Flac  
213. 07/20/07 Harrah's Stir Cove - Council Bluffs, IA flac 16; Source: Milab VM44 Link -> V2 -> Korg MR-1000 (1bit/5.6MHz DSD); Location: front right corner of soundboard, 9ft stand; Transfer: Korg MR-1000 -> AudioGate (16/44) -> CD Wave -> FLAC  
214. 07/21/07 10,000 Lakes Festival - Detroit Lakes, MN flac 16; Source: Microtech Gefell mv692/m94 > Vovox silver S5002 > sd722 @ 24/48; Location: DIN: 90 degrees 20 cm - fob taper's section - 8' stand; Transfer: CF > USB 2.0 > PC; Fades & Resample to 44.1Hz Soundforge 9.0 Dither to 16 bits Izotope Ozone 3 MBIT+ Tracks Split with CD Wave Editor > FLAC Frontend ; taped & transferred by David Lawrence  
215. 07/24/07 Red Rocks Amphitheatre - Morrison, CO flac16;SchoepsCCM4 (ortf) >>Sonosax SM-X2 Preamp >> Sony D-8 16bit 48 kHz; Edited and mastered on the **GEMS** Edit Station by Jamie Waddell; Wavelab 6 Weiss Saracon for SRC and Pow-r3 Dither  
216. 07/27/07 Humphrey's Concerts by the Bay - San Diego, CA Recorded by Rob R 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3 (super Omni)  
217. 08/11/07 Seaside Park - Bridgeport, CT flac 16; Source: Neumann km184 > v2> SBM-1. optical> iRiver h120 [DIN 90* tapers section right side of soundboard]; Transfer: h120> USB> Soundforge 6.0> cdWave> FLAC; Taped/transfered by Rob Clarke  
218. 08/12/07 Boarding House Park - Lowell, MA flac 16; Source: AKG c460 (jim williams modified) > ck61 (XY) > Apogee MMP > Korg MR1 @ 1bit / 2.8mHz WSD korg audio gate software used for direct WSD>PCM conversion CD-WAV for tracking; mastered by nick@nickspicks.com  
219. 08/15/07 Post-Gazette Pavillion - Burgettstown, PA flac 16; Source: ADK A-51TLs (FOB, LOC, ~7'high, cardioids AB split ~ 1' pointed at left stack) > Silverpath BumbleBee XLRs > Edirol UA-5 (Oade Warm mod) > iRiver H120 (@ 16 bit/44.1kHz); Transfer: iRiver H120 > USB > Cakewalk Sonar 4.0 > CD Wave Editor (exported as FLAC); Taped and transfered by Alex Herd  
220. 08/17/07 Tweeter Center - Camden, NJ flac 16; Source: Schoeps MK4V's>Schoeps VMS02IB>Edirol R-4 (@24/96) Edirol R-4>Wavelab 5(Fades & UV22HR Dither to 16/44.1)>CDWAV>FLAC; Recorded by Keith Litzenberger from Section 102 Row M  
221. 08/18/07 Mountain Laurel Center - Bushkill, PA flac 16; Source: AKG C414B-XLS\'s(Hyper-Cardioid)>Apogee Mini-MP>Edirol R-4 (@24/96) Edirol R-4>Wavelab 5(Fades & UV22HR Dither to 16/44.1)>CDWAV>FLAC; Recorded by Keith Litzenberger from Section 103 Row K  
222. 08/21/07 Nikon Amphitheater at Jones Beach - Wantagh, NY flac 16; Source: JWmod AKG 460's>CK1x>MK46 cables>SD722@24/96 Location: OTS, Stand at 9 Feet; Transfer: SD722>Adobe Aud.>16 Bit>Cdwav>flac 16; Taper: Tony Suraci  
223. 08/22/07 PNC Arts Center - Homdel, NJ gefellM210.pasternak.flac16 notes
224. 10/27/07 Hampton Beach Casino - Hampton, NH flac 16; Source: Nak CM300 > Hydra > AD-20 > H120: Transfer: H120 > audacity (fades) > flac: Setup: NOSx110, Right side of SBD, 12': Taped/xfer/seeded by: SmokinJoe  
225. 10/30/07 North Fork Theater - Westbury, NY Source: 3 Mic Mix NOS 30cm Stand @ 10 Feet 3 Nakamichi 300's 2CP1's ->1 CP-3 Super Omni Center->Nakamichi MX-100 ->JB3; Location :Taper Section; Transfered: JB3 >Firewire>Dell >CD Wave->MKW->shn; Sector boundaries verrified via shn tools.; Taped and Transfered by: Brian Mandel  
226. 10/31/07 North Fork Theater - Westbury, NY Source: 3 Mic Mix NOS 30cm Stand @ 10 Feet; 3 Nakamichi 300's 2CP1's ->1 CP-3 Super Omni Center->Nakamichi MX-100 ->JB3; Location :Taper Section; Transfered:JB3 >Firewire>Dell >CD Wave->MKW->shn; Sector boundaries verrified via shn tools; Taped and Transfered by: Brian Mandel  
227. 11/07/07 Norva Thether - Norfolk, VA flac 16; Source: 2-Sennheiser-MD421's(u5-2's) >Digi-Mod Edirol UA5>optical out>(44.1khz)>Nomad-JB3>(44.1khz); Transfer: JB3>Nomad Explorer>PoulderbitS(fades/cuts)Flacfontend(level 8)>FLAC 16; Recorded from OTS DFC at soundboard; Mics @12 foot; Recorded,edited, and uploaded by MULETAPER  
228. 04/03/08 Beacon Theater - New York, NY dpa4023.suraci.flac16  
229. 06/01/08 Hunter Mountain Ski Resort - Hunter, NY Source 1: Senn ME-66 PAS > Busman T-mod R4 (24/48); Source 2: CA STC-11 split omnis 14" > ST9100 > Vintage R4; Setup: Left side of Soundboard, 12' high; Xfer: R4 > Audacity (50/50 mix) > ssrc > shntool > flac; Taped/xfer/seeded by: SmokinJoe  
230. 06/21/08 WaMu Theater - Seattle, WA Flac1644
Nakamichi CM700 (worn in hat) > Roland R-09 @ 16/44.1 > SD Card
Tracks split using CD Wave.
Location: FOB Floor 40FT from center stage.
Recorded by Bob Lofgren 		 
231. 06/29/08 Greek Theatre - Los Angeles, CA Flac16
ADK tl51mp(hyper)>UA5oade t+>mt2496II: no transfer info
Uploaded to LMA by Mr.TamborineMan 		 
232. 07/10/08 Center for Performing Arts - San Jose, CA sbd.livedownload.flac  
233. 08/12/08 Bethel Woods Center For The Arts - Bethel, NY flac16;Schoeps MK41's>Schoeps KCY 250/05 Active Cable>Schoeps VST62ui>Sound Devices 744t; SD744t>Soundforge 9(Fades, Bit Rate/Sample Rate Conversion)>CDWAV>FLAC; Recorded, Processed & Uploaded By Keith Litzenberger  
234. 08/13/08 Nikon at Jones Beach Theater - Wantagh, NY flac16; (FOB) DPA 4022's > "Moke" Din Bar> Lunatec V3(Optical Mod)> JB3 (@ 16/44.1); Lineage: JB3>Firewire>Creative PlayCenter>CD Wave Editor>CDR>EAC(secure/no errors)> WaveLab 5.0>CD Wave Editor>Trader's Little Helper>FLAC16.Recorded and Transferred by Larry -FLDEADHEAD; Mastering by Alex Ford.  
235. 08/16/08 Comcast Center for the Performing Arts - Mansfield, MA flac16
LOC/AKG 391 (x~y @ 90* ~ 10 ft) > V3 (optical) > PCM-D50 (24/48)
Sony ProDuo Card > Sound Forge 9.0 (track, fade adn normalize) > TLH flac@8/ffp)
Recorded, transferred and seeded by Bob Crupi (axomxa@comcast.net) 		 
236. 08/23/08 Susquehanna Bank Center - Camden, NJ Flac16
Schoeps MK4's>Nbox+>Edirol R-09 (@24/48)
Recorded By Nicky C From Section 102 Row G
Edirol R-09>Soundforge 9(Fades, Bit Rate/ Sample Rate Conversion)>CDWAV>FLAC
LMA d1t05 md5 does not match the original md5 here.
LMA appears to be the only distribution of this fileset. 		notes
237. 08/25/08 Star Pavillion - Hershey, PA Source: Audience recording > ECM-MS957s > WM-D6 > mac Transfer: mac > Marantz PMD 430 > Edirol > wav 24/48 > Adobe Audition 1.5 > Wavelab (with iZotope Ozone 5 Advanced) > iZotope RX 2 Advanced > wav 16/44.1 > CD Wave > TLH > flac16 Taped and transferred by John Bleich  
238. 11/11/08 FM Kirby Center - Wilkes Barre, PA ;Schoeps MK41's(DIN, extended 4ft forward off Mezz Center Row A)>Schoeps KCY 250/05I Active Cable>Schoeps VST62ui>Lunatec V3(Digital Out)>Sound Devices 744t(@24/96); 744t>Soundforge 9 (Fades, Bit Rate/Sample Rate Conversion)>CDWAV>FLAC; Recorded & Processed By Keith Litzenberger  
239. 11/22/08 Mizner Park Amphitheatre - Boca Raton, FL akg451B.erniev.flac  
240. 07/17/09 Masquerade Music Park - Atlanta, GA flac16;fob @ sbd/dfc/stand @ 8'; Peluso cemc6/ck21 [ortf] -> BMp2+ UA-5 + Peluso P-Stereo [cards/75deg-> R-44 [24/48] -> -> Wavelab 5.0 [mtx/fades] -> CD Wave 1.98 -> Wavelab 5.01a [UV22HR/Resampler 192] -> FLAC [6] by Chris Davis. Team Dirty South Recording.  
241. 07/18/09 Masquerade Music Park - Atlanta, GA flac16;Source: Microtech Gefell M210 Hypers (DINa) > Hydra Silver Clad XLRs > SD722 @ 24bits/96KHz; Location: Front of Boards @ ~10'; Lineage: SD722 > Cool Edit Pro 2 - Gain, Fades, Resample/Dither to 16/44.1 > CD Wave > Traders Little Helper (Level 6) > FLAC16; Recorded, Transferred, Tracked, Encoded by D Bishop, R Graham  
242. 07/21/09 Greenfield Lake Amphitheatre - Wilmington, NC flac16;Source: Neumann ak43(nos)>lc3>km100>V3>722>@24/48; Location: fob>dfc; Transfer: 722>cd wave>wavelab(fades/resample)>trader's little helper>flac; Taped & transferred by Jamie Scott  
243. 07/25/09 Seaside Park - Bridgeport, CT flac16;Neumann KM184> v2> mini-me> R44 (24bit/48 kHz); transfer: HCSD> USB> Samplitutde Pro 7.0> cdWave> FLAC; taped/transfered by Rob Clarke  
244. 09/05/09 Greek Theatre - Los Angeles, CA  
245. 01/26/12 Sweetwater Music Hall - Mill Valley, CA  
246. 03/03/13 Sweetwater Music Hall - Mill Valley, CA neumannKMF4i.unknown.flac8 notes
247. 03/03/13 Sweetwater Music Hall - Mill Valley, CA neumannKMF4i.unknown.flac8 notes
248. 08/16/13 Peach Festival - Montage Mountain - Scranton, PA flac16;Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48) FOB/DFC/KFC/ZFC/AARP Section 102, Row Z, Between Seats 15 & 16, 9' High DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16) Recorded By: Z-Man  
249. 08/17/13 Peach Festival - Montage Mountain - Scranton, PA flac16;Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48) FOB/DFC/KFC/ZFC/AARP Section 102, Row Z, Between Seats 15 & 16, 9' High DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16)  
250. 02/14/14 Tower Theatre - Upper Darby, PA source : schoeps mk-4 (dina) > actives > tinybox > sony pcm-m10 > 24/96 wav > adobe audition > ozone 5 > korg aqua > xACT 2.24 > flac 16  
251. 02/15/14 Tower Theatre - Upper Darby, PA cmxy4v.krall.flac16  
252. 02/18/14 The Lincoln Theatre - Washington, DC akgC535BE.captclipperson.cabinboypinky.flac16  
253. 03/01/14 Capitol Theatre - Port Chester, NY Source: AKG CK61>Naiant Actives>Lunatec V2>Sound Devices 702@24/48 Location: OTS, Left side of board, Stand at 10 feet Transfer: SD702>AA 3.0>Cdwav>flac16 Taped, transfered and uploaded by Tony Suraci  
254. 03/02/14 Capitol Theatre - Port Chester, NY Microtech Gefell M210s > Oade M248 > SD-722 > Tascam > CDR > EAC > TLH > FLAC 1644 tagged. Concert recording & transfer by Jon Pasternak.  
255. 03/04/14 Shea's PAC - Buffalo, NY Source: DPA 4023>EAA PSP-2>Sound Devices 722 (24/96)
Config/Location: DIN/SFOB/SLOC 7' stand 7 rows in front of the soundboard under the balcony two seats just left of center 		 
256. 03/07/14 Chicago Theatre - Chicago, IL shureM81.otterman.flac16  
257. 03/08/14 The Riverside - Milwaukee, WI shureM81.otterman.flac16  
258. 03/10/14 The Pageant - St. Louis, MO shureM81.otterman.flac notes
259. 03/11/14 Old National Center - Indianapolis, IN Source:CA-11 on hat > CA-9100 > DR-40 @ 24/96 Transfer:DR-40 > Audacity > TLH Taped,transferred,shared by indydarkstar  
260. 06/06/14 Hunter Mountain Ski Area - Hunter, NY neumannKM184.clarke.flac16  
261. 06/13/14 Northrop Auditorium - Minneapolis, MN sennE614.mahoney.flac16  
262. 06/14/14 Midland Theatre - Kansas City, MO ca14.darrow.flac16  
263. 07/02/14 Greek Theater - Los Angeles, CA BSC1-K31(hypers) XY > UA-5 > H4n @ 28/48 Location: Sec B, Row C seat 26 / 10 feet high Transfer: Zoom > USB > Laptop > Adobe Audition CS6 > TLH Recorded by: wharfratjoe Transferred and Mastered by: wharfratjoe Tagged using Live Show Tagger  
264. 07/05/14 Pearl Theater - Las Vegas, NV Recorded from Sbd pit 10 ft off center 50 ft. from stage. Thanks to Hospitality from Pearl Video Production Guy.
Beyer MC 740 LDC Microphone's Set to Cardiod.- Zaxcom Maxx 		 

RD3  
  Date Venue - City, State Media  
1. 06/01/07 Ferry Building - San Francisco, CA  

Reconstruction  
  Date Venue - City, State Media  
1. 03/08/79 Cabaret Cotati - Cotati, CA MSR > PCM (VHS) > Sony 501? PCM (Beta) > Sony 501? playback > Panasonic 3800 master DAT > backup DAT > Sony R500 playback > Sony CDR-W33 master CD > HP 9350i extraction and normalization (98%) using EAC > tracking using CD Wave > sector boundary verification using shntool > .shn encoding using mkwACT. Note that this is the actual show played on this date, and not a mislable of the 3/9/79 as is the existing .shn set.  
2. 04/17/79 Rancho Nicasio - San Rafael, CA flac1644; Recorded by Phil Jaret; JVC M-201 Stereo Microphone> Teac PC-10, Center floor location. Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 3.0> Ozone 4.0> FLAC encoding.Pitch Correction by Joe B. Jones.  

Rob Wasserman & Friends  
  Date Venue - City, State Media  
1. 03/26/94 Beacon Theater - New York, NY source: Schoeps MK21 > DAT's
taper: unknown
transfer: DAT 60es > M-Audio Audiophile USB > wav > flac
transfer: Joshua Braveman
tracking: FLAC > wav > CD Wave Editor > FLAC (level 6)
tracking: Chris Davis 		 

Robert Hunter http://www.hunterarchive.com/
  Date Venue - City, State Media  
1. ??/??/77 Unreleased Studio Tracks - Unknown, Unknown flac16: sbd > ? > Rich Petlock's cassette > cassette, no nr, nak dragon > hd-p2 24/96 compact flash > pc > cd wave > adobe audition 2.0 > flac  
2. 06/23/78 HUB Ballroom, U of Washington - Seattle, WA flac 1648: Master Pre-FM reel @ 7.5 ips > DAT @ 16 bit 48 Khz > FLAC  

Ship of Fools Allstar Midnight Jamband  
  Date Venue - City, State Media  
1. 12/31/98 Kaiser Auditorium - Oakland, CA soundfieldAMS-ST250.unknown.miller.flac1644  

String Cheese Incident http://www.stringcheeseincident.com
  Date Venue - City, State Media  
1. 09/24/05 Greek Theater - Berkeley, CA flac16
Source: AKG391 (x-y @~10'/ROC lower lawn) > V3 > Sony PCM-M1 (16/44.1)
Transfer (2005): Sony PCM-M1 (analog attenuator) > V3 (optical) > SB Extigy > Gold Wave 5.0 (track & fades) > CD
Transfer (2013): CD/Sound Forge 9.0 (rip, edit fades & normalize) > TLH (flac@8 and ffp)
Taped, transferred and seeded by Bob Crupi
axomxa@comcast.net 		 

Terrapin Family Band https://www.facebook.com/TerrapinFamilyBand
  Date Venue - City, State Media  
1. 09/07/13 Lockn' Festival - Arrington, VA akg460.crossthreaded.flac5  
2. 07/26/14 Naeba Ski Resort - Niigata, Japan  
3. 07/29/14 Brooklyn Bowl - London, England  

Vince Welnick & Gent Treadly  
  Date Venue - City, State Media  
1. 05/26/03 New Cheers Pub - Binghamton, NY sbd.boeditaper.flac8  

The Waybacks  
  Date Venue - City, State Media  
1. 04/29/06 Wilkes Community College - Wilkesboro, NC Source: WSIF 94.7 FM > M-Audio 2496 Soundcard > WaveLab @ 24 bit 44.1 khz mastered with iZotope Ozone 3 > 16 bit > CDWAV1.9 > FLAC (level 8)  
2. 10/03/06 Sierra Nevada Brewing Company - Chico, CA sbd.unknown.flac16  

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