Etree - Michael Hughey - 2891 shows
Last Update: Thursday Apr 29, 2010

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All shows listed are complete datasets in lossless (shn or flac) formats with verifiable lineage. Where a db.etree source id ("db link") is indicated (e.g., all Garcia and Grateful Dead), sources' MD5/ffp are verified as matching db.etree.

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Garcia  
  Date Venue - City, State ref Media  
1. 07/??/61 Boar's Head Coffeehouse - San Carlos, CA 613 Garcia, Leicester & Hunter: MA? (Probably MAR taped by Rodney Albin, mics onstage) > ? > CD > EAC (secure) > Cool Edit > CDWAV > mkwact > SHN(seekable), EAC>SHN by Matt Vernon. Source Detail notes
2. 06/11/62 Jewish Community Center - San Carlos, CA   Sleepy Hollow Hog Stompers: Master Audience (?) Reel (Scotch 150) > playback on Technics RS 1520 @ 7-1/2 ips no dolby > first gen reel (Scotch 207 recorded via Otari MX5050 @ 7-1/2 ips no dolby) > playback on Technics RS1506 > Tascam DA-40 DAT > Tascam CD-RW700 master CD > CDs > HP 9350i extraction using EAC > .shn encoding using mkwACT. Source Detail notes
3. 02/23/63 Top of the Tangent - Palo Alto, CA   Wildwood Boys: Garcia, David Nelson, Robert Hunter and Norm Van Mastricht. Aud (unknown Source) Master Reel > Reel > FM > Cass > Dat > CD > EAC > SHN. DAT > CD and EAC > SHN by Scott Mogol. Source Detail notes
4. 05/04/63 Top of the Tangent - Palo Alto, CA   Jerry & Sara Garcia: Possibly MAR > R > FM > Cass > DAT > CDR. Source Detail notes
5. 05/04/63 Top of the Tangent - Palo Alto, CA 613 Jerry & Sara Garcia: Possibly MAR > R > FM > Cass > DAT > CDR. Source Detail notes
6. 03/06/64 Top of the Tangent - Palo Alto, CA 613 Black Mountain Boys: SBD->Cassette->CDR->TAE->SHN via David Backus and Wagner Source Detail notes
7. 03/07/64 Top of the Tangent - Palo Alto, CA 613 Black Mountain Boys, partial set: SBD-> Cassette -> CDR -> TAE -> SHN. Source Detail notes
8. 03/07/64 Top of the Tangent - Palo Alto, CA 897 Black Mountain Boys: fix/flac of shnid 20752 by Bob Loy. Source Detail notes
9. 03/07/64 Top of the Tangent - Palo Alto, CA 917 Black Mountain Boys: fix/flac of shnid 20752 by Bob Loy. Source Detail notes
10. 07/??/64 Top of the Tangent - Palo Alto, CA 897,903 Mother McCree's Uptown Jug Champions: Master Tape > Rosoft Audio Tools > CD > EAC > WAV > SHN. Source Detail notes
11. ??/??/64 Boar's Head - Palo Alto, CA 613 Black Mountain Boys: SBD->Cassette->CDR->TAE->SHN (partial) Source Detail notes
12. ??/??/64 Unknown - Palo Alto, CA 897 Wildwood Boys: MA? (Stage Mic?) > C > CDR > PCM > SHN. Note filenames are not per etree convention. Source Detail notes
13. 05/21/68 Carousel Ballroom (Tuesday Night Jam) - San Francisco, CA   "Tuesday Night Jam": Recording Info: SBD -> Master Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v.20 -> SHN (2 Discs Audio / 1 Disc SHN) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net, 2/17/04. Source Detail notes
14. 05/21/68 Carousel Ballroom (Tuesday Night Jam) - San Francisco, CA 613 Tuesday Night Jam: MSR > DAT > CD > EAC > WAV > SHN. Source Detail notes
15. 07/28/68 Rancho Olompali - Marin County, CA 148-05 Garcia, Casady & Hart: MS?>?>CD>EAC>FLAC, via David Gans. Source Detail notes
16. 12/24/68 The Matrix - San Francisco, CA 613 Garcia, Harvey Mandel & Elvin Bishop: MSR > PCM > SHN. Uncertain how, if at all, this relates to existing .shn sets listed under Garcia (#15051) and Grateful Dead (#9475). Source Detail notes
17. 02/19/69 Matrix - San Francisco, CA   Jerry Garcia (banjo), David Nelson, and Frank Wakefield: SBD > ? > PCM > WAV > CDR; transfer Sony PCM-601ESD (electrical) > SEK'D ProdifPro96 > Samplitude > Wav; some edits, see info file for details. Source Detail notes
18. 02/19/69 Matrix - San Francisco, CA 901 High Country w/ Garcia & Nelson: MSR > ? > DAT > CD. Source Detail notes
19. 02/19/69 Matrix - San Francisco, CA 904 High Country w/ Garcia & Nelson: MSR > ? > DAT > CD. Source Detail notes
20. 10/28/69 2400 Fulton Street - Jefferson Airplane House - San Francisco, CA 613 Source: SBD > MR > Cass > DAT > CDR > WAV > CDR; via EAC/trade from Morgan Evans > EAC > CDWAV > SHN; via Rick Lepley Notes: Great disc! The sound quality is exceptional IMO, it almost sounds like it was recorded in a studio setup. The lineup is reportedly the following: Jerry Garcia - Guitar Jorma Kaukonen - Guitar Jack Cassady - Bass Mickey Hart - Percussion Spencer Dryden - Percussion Known Flaws: A high pitched tone which was present on my CDR copy at roughly 0:12 - 0:23 of track 01 was edited out using EAC's wave editing function. A 1-second pause at about 14:19-14:20 on the master dt06 was edited out also using EAC. Much thanks to Morgan Evans for putting this gem into my hands! Uploaded and distributed by Andy Lepley These shn files are seekable in your shnamp. Please forward any information/corrections to lepleyr@hotmail.com - Thanks! Source Detail notes
21. 10/21/70 Matrix - San Francisco, CA   Garcia & others: Supposed MSR > DAT > CD. This material travels under many different names, including "Hot Dead Messenger Service", though the info file's identification of this as a "Matrix Tuesday Night Jam Session" seems implausible, since 10/21/70 was a Wednesday. Source Detail notes
22. 10/21/70 Matrix - San Francisco, CA 856 Matrix Jam Session (Garcia and others): 1st generation reel to reel > revox > amplifiers > tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac. Source Detail notes
23. 11/20/70 WBCN-FM Studios - Boston, MA 897 Garcia, Weir & Duane Allman: MFR > 2nd gen (?) reel > M-Audio Transit > Cool Edit > CD Wave Editor > FLAC, via Dave Tamarkin. Source Detail notes
24. 11/20/70 WBCN-FM Studios - Boston, MA 904 Garcia, Weir & Duane Allman: MFR > 2nd gen (?) reel > M-Audio Transit > Cool Edit > CD Wave Editor > FLAC, via Dave Tamarkin. Source Detail notes
25. 12/15/70 The Matrix - San Francisco, CA   David & the Dorks: sbd > mr > ? > dat > xa2 > cdr > shn > wav > flac, fixing and seeding by Sir Mick; see info file for more details. Source Detail notes
26. 12/27/70 KPPC Studios - Pasadena, CA 836 "Sunday Quartet" (Garcia, Weir, Nelson, Dawson): pre-FM master reels > cassette > digital. See info text for extensive notes. Source Detail notes
27. 01/02/71 Wally Heider's Studio - San Francisco, CA 917 PERRO Sessions: MSR> Dat > CD > EAC > mkw > Shn. Recorded by Stephen Barncard 1970-1971. Transferred at A&M Tape Copy 1/23/91 Source Detail notes
28. 05/11/71 The Matrix - San Francisco, CA   Garcia & Saunders: Unknown source > reel > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (FLAC Frontend v1.7.1 Etree edition). Source Detail notes
29. 09/24/71 Lion's Share - San Anselmo, CA   Garcia & Saunders: early and late shows; MSR > 1C > D > Digi001 > SHN; d2 filler: 12/20/72 Keystone Berkeley; via R. Shriver and D. Metz. With Tom Fogerty Source Detail notes
30. 12/09/71 Scotty's Music - St. Louis, MO   Garcia, Cage, and others : 7" mono open reel > 24 bit transfer > resample > CD-R > SHN. Note that this often circulates with other dates/venues, including 5/14/70 Scotty's Music Store in St. Louis, MO. Source Detail notes
31. 01/15/72 Keystone Korner - San Francisco, CA   MAR > 2C > D > CDx1 > EAC > SHN Source Detail notes
32. 01/19/72 Lion's Share - San Anselmo, CA   Garcia & Saunders: sdb> reel master> cassette> dat> cdr; seeded by mike lai, tracked by dan metz; [md5] Source Detail notes
33. 01/20/72 Lion's Share - San Anselmo, CA   Garcia & Saunders: 10" master SBD reels @ 7.5 ips > 1 cassette generation (Maxell XLIIS 100 Nakamichi CR-7A playback) > Lucid AD9624 24 bit A/D converter (44.1kHz) > Sony R500 DATx0 > DATs > CD > EAC > SHN. Source Detail notes
34. 01/26/72 Symphony Hall - Boston, MA   Howard Wales & Friends featuring Jerry Garcia: FMSBD>RR>CD>EAC>SHN Source Detail notes
35. 02/06/72 Pacific High Recording Studio - San Francisco, CA   Garcia & Saunders: Source: FM > ? > dat > da-20 playback > rme 96/8 pst > cd wave > mkw (shn). Transfer by Tim Rossi. Source information updated 11/5/2004, had been listed as pre-FM. Source Detail notes
36. 06/30/72 Keystone Korner - San Francisco, CA   Garcia & Saunders: MSR? > ? > mono reel > TEAC X-2000R playback > possible Nakamichi NR-200 Dolby Decoding (if the reel was a Dolby B reel) > Tascam DA-40 DAT > Tascam CDRW-700 CD > Tascam CD-D4000mkII CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
37. 11/23/72 Armadillo World Headquarters - Austin, TX   Garcia, Lesh, Kreutzmann, Leon Russell, Mary Egan, Doug Sahm, and others: MSC > 1 cassette > DAT > CD Source Detail notes
38. 12/20/72 Keystone - Berkeley, CA   Garcia & Saunders: MSR>D>1C>D. The correct date of this performance is 12/28/72. Source Detail notes
39. 12/28/72 Lion's Share - San Anselmo, CA 562 Garcia & Saunders, incomplete: gives only standard Jerry Site lineage of 166FM [WBAI] SBD. DAT (MSR > DAT > 1c > DAT) > CDR > SHN. Source Detail notes
40. 01/15/73 Inn Of The Beginning - Cotati, CA 435, 562 Garcia & Saunders: MSR > PCM > DAT > CD > EAC > SHN. This set has an edited disc one from the existing .shn set, intended to improve upon the grievous problems (from the master reels) of this material. Disc two is identical. See info file for details. Source Detail notes
41. 01/16/73 The Boarding House - San Francisco, CA 435-02 Mislabel of 1/24/73, confirmed by a user. Do not circulate.Was said to be Jerry Garcia & Merl Saunders: Early Show - FM > reel > cassette (?) > PCM > flac Source Detail notes
42. 01/24/73 Boarding House - San Francisco, CA 435-03 Garcia & Saunders: Early Show: MSR > P > D > Digi001 > SHN; d2 filler: Expressway from late show; via R. Shriver and D. Metz Source Detail notes
43. 01/24/73 Boarding House - San Francisco, CA 435-04 Garcia & Saunders, Late Show: MSR > PCM > DAT > CD > EAC > SHN Source Detail notes
44. 01/25/73 Boarding House - San Francisco, CA 435-05 JGMS; early & late Shows: MSR>C>D>CD. Slightly re-tracked using WavMerge and CDWave, .shn encoding using mkwACT, and proper sector boundaries verified using shntool. Source Detail notes
45. 03/02/73 The Record Plant - Sausalito, CA   Old & In The Way: Probable MFR > R > D > CD > SHN. Source Detail notes
46. 03/02/73 The Record Plant - Sausalito, CA 293 Old & In The Way: Probable MFR > R > D > CD > SHN. Source Detail notes
47. 03/07/73 Keystone - Berkeley, CA 435-06 Garcia & Saunders, partial set II: MSR > DAT3x > Delta Dio 2496 > Soundforge > WAV > FLAC. Source Detail notes
48. 04/16/73 Boarding House - San Francisco, CA 293 Old & In The Way, set I: Unknown source FM-SBD (WBAI Morning Dew show) > ? > CD > EAC > SHN. Source Detail notes
49. 04/16/73 Boarding House - San Francisco, CA 293 Old & In The Way, set I: Unknown source FM-SBD (WBAI Morning Dew show) > ? > CD > EAC > SHN. Source Detail notes
50. 04/21/73 The Record Plant - Sausalito, CA   Old & In The Way: Possible MFR > D > CD > EAC > SHN. Source Detail notes
51. 05/04/73 Homer's Warehouse - Palo Alto, CA 436-01 Garcia & Saunders: MSR > DAT3x > Delta DIO 2496 > Soundforge > wav > flac. Source Detail notes
52. 05/05/73 Homer's Warehouse - Palo Alto, CA 436-02 Garcia & Saunders: MSR > DAT3x > Delta Dio 2496 soundcard > Soundforge > Flac. Source Detail notes
53. 05/23/73 Ash Grove - Los Angeles, CA 436-03 JGMS, Late Show: MAR (The Night Crew's Sony ECM-22Ps > Sony 770) > 2R > CD > EAC > SHN. Source Detail notes
54. 06/05/73 Orpheum Theater - Boston, MA   Old & In The Way: MA? > ? > D > CD > SHN. Source Detail notes
55. 07/08/73 Record Plant - Sausalito, CA 436-04 Source: KSAN FM > MR > DAT > CD Source Detail notes
56. 07/08/73 Record Plant - Sausalito, CA 562 Source: KSAN FM > MR > DAT > CD Source Detail notes
57. 07/10/73 Keystone - Berkeley, CA 436-05 JGMS: MSC > PCM > HHB CDR 800 master CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0). Source Detail notes
58. 07/19/73 Great American Music Hall - San Francisco, CA 436, 562 Saunders & Garcia (w/Martin Fierro). Source: MSR > PCM > C > C > DAT > WAV >SHN. Partial recording of second set. Source Detail notes
59. 07/21/73 Lion's Share - San Anselmo, CA 293 Old & in the Way, rehearsal: SBD (unknown lineage). Unclear how this might relate to other circulating .shn sets for this date. Source Detail notes
60. 07/23/73 Boarding House - San Francisco, CA 293 Old & In The Way: Possible MSR > ? > D > CD > SHN. Source Detail notes
61. 07/24/73 Homer's Warehouse - Palo Alto, CA 293 Old & In The Way: Possible MSR > D > CD > EAC > SHN. Source Detail notes
62. 09/06/73 Capitol Theater - Passaic, NJ 436-07 Garcia & Saunders: MAC (Taped by Jerry Moore, single AKG D-1000E [hand-held from left mezzanine, Row N, Seat 10A for first song, then on ledge from first row of mezzanine] > Sony TC-110 [TDK C-120SD]) > Tascam 112MK-II playback > Sony R500 {SBM} > Delta Dio 24/96 > wav > .shn (mkwACT) > wav (mkwACT) > tracking (CD Wave v1.6) > miniscule editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn (mkwACT). Source Detail notes
63. 09/30/73 Community Center - Stinson Beach, CA 293 Old & In The Way: Possible FOB MAR > D > CD > EAC > SHN. Source Detail notes
64. 10/02/73 Winterland Arena - San Francisco, CA 857 JGMS: MSR > DAT4x > Delta DIO 2496 > Soundforge > WAV > CD Wave Editor > FLAC. Source Detail notes
65. 11/04/73 California State College Sonoma - Cotati, CA 293 Old & In The Way: MSR > ? > D > CD. Source Detail notes
66. ??/??/73 The Record Plant - Sausalito, CA   Demos for 2nd Garcia LP, sourced from Bootleg CD "Unsurpassed Vol. 7". Source Detail notes
67. 01/17/74 Keystone - Berkeley, CA   Garcia & Saunders; SBD=>MR =>DAT (44.1KHz) =>CDR Source Detail notes
68. 01/17/74 Keystone - Berkeley, CA 709 Garcia & Saunders; Compilation of speed corrected SBD=>MR =>DAT (44.1KHz) =>CDR (shnid = 20678) and disk 1 of Dick's Gift (MSR>DATs>CDRs>EAC>SHN) (unknown shnid) with beginning of Harder They Come patched in; fix of 76398 Source Detail notes
69. 01/18/74 Keystone - Berkeley, CA   Garcia & Saunders: MAC > D > CD > EAC > SHN. Recorded by Louis Falanga, Sony ECM 250 > Sony TC-110. Source Detail notes
70. 01/18/74 Keystone - Berkeley, CA 563 Garcia & Saunders: patched version: MAC > D > CD > EAC > SHN, Recorded by Louis Falanga, Sony ECM 250 > Sony TC-110 + MSR > D > CD patches from sbd portion that usually circulates as part of "Dick's Gift." Patching by Sean Cribbs. Subsequent extraction using EAC, retracking using CD Wave, sector boundary verification using shntool, .shn encoding using mkwACT, and seeding by Joe Jupille. Source Detail notes
71. 01/19/74 Pauley Ballroom, U. of California - Berkeley, CA   Garcia & Saunders: MSR > P > D > CD > EAC > SHN. Source Detail notes
72. 02/05/74 Great American Music Hall - San Francisco, CA   Garcia & Saunders: Probable MSR > ?R > DATs > CDs > EAC > SHN Source Detail notes
73. 02/05/74 Great American Music Hall - San Francisco, CA seg400ide Garcia & Saunders: MSR (Sony TC-377, 7" reels @ 7.5ips by Ed Perlstein)> PCM > DAT > DAT (plyback on Sony PCM-R500) > S/PIDF coaxial > Audiophile 2496/P4 2 GHz > recorded as 24 bit/48 KHz WAV with Wavelab 5 > Waves L3 Multimaximizer using hi res CD rendering settings > 16 bit/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 5). Source Detail notes
74. 02/09/74 Rheem Theater - Moraga, CA 149-01 Garcia & Saunders: SB Reel 15 IPS (baked & transfered to DAT about '93) / 48khz low-gen clone - Sony PCM-1 / 7 pin - Nightengale PCI / Optical (reverse format) - Ce Pro 2000 Record 48k - Ce Pro 2000 Downsample to 44k / highest quality, pre-post filter - CDWav / ShnTool / FLAC - seeded by kung@steve-behan.com 10/03 Source Detail notes
75. 02/09/74 Rheem Theater - Moraga, CA   Garcia & Saunders: Master soundboard reels (7" 1/4 track @ 7.5ips recorded with Sony TC-377) > Teac X-300R playback > HHB Burn-It master CD-RW > Easy CD-DA Extractor > Dell Inspiron 4100 laptop > possible volume adjustment (Cool Edit 2000) > tracking (CD Wave) > CDR using EZ-CD Creator > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). More complete than the previously circulating version. Source Detail notes
76. 02/16/74 Keystone - Berkeley, CA   Garcia & Saunders: MAC (Louis Falanga's FOB Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN. Source Detail notes
77. 03/08/74 Unknown - Stinson Beach, CA 562 Grisman, Greene, Garcia, Thompson, Wolfe: partial rehearsal, M(?)SC > Sonic > CD > EAC > FLAC, via David Gans (2006 KPFA GD Marathon). Source Detail notes
78. 03/09/74 Keystone - Berkeley, CA 212 Garcia & Saunders: MSR > DAT3x > Delta DIO 2496 > Soundforge > WAV > CD Wave Editor > FLAC. Source Detail notes
79. 04/27/74 Golden State College - San Rafael, CA   incorrect dating and lineage"Old & In The Way: AUD - MA? > ? > D >CD". See admin note. Source Detail notes
80. 06/04/74 Lion's Share - San Anselmo, CA   Garcia & Saunders: MSR > PCM > DAT > CDR [> SHN] Source Detail notes
81. 06/05/74 Lion's Share - San Anselmo, CA   Garcia & Saunders: MSR? > ? > CD, set II only. Source Detail notes
82. 06/06/74 Keystone - Berkeley, CA   Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN Source Detail notes
83. 06/12/74 Keystone - Berkeley, CA   Great American String Band: S:R>C>D>CDx1>EAC>SHN Source Detail notes
84. 06/13/74 Keystone - Berkeley, CA   Great American String Band: MS? > ? > CD > EAC > SHN. Source Detail notes
85. 07/02/74 Bottom Line - New York, NY   Garcia & Saunders: MAC (Taped by Jerry Moore, two AKG D1000Es [from table a few feet from stage, mics on an overturned ashtray and canted upward toward the PA] > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
86. 07/03/74 Bottom Line - New York, NY   Garcia & Saunders: MAC (Taped by Jerry Moore, two AKG D1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > minor re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
87. 07/12/74 Keystone - Berkeley, CA   Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN. Source Detail notes
88. 07/22/74 Keystone - Berkeley, CA   Garcia & Saunders: MSR > C > DAT > CDRs > EAC > SHN Source Detail notes
89. 07/22/74 Keystone - Berkeley, CA seg400ide Garcia & Saunders: MSR > PCM > DAT Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with L3 Multimaximizer > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by B. Koucky. Source Detail notes
90. 08/09/74 Keystone - Berkeley, CA   Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN Source Detail notes
91. 08/11/74 Keystone - Berkeley, CA   Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN, plus missing songs from Lou Tamboukas's MAR > R > DAT > CD; via Jack Warner. Source Detail notes
92. 08/15/74 Great American Music Hall - San Francisco, CA   JGMS; shnf; Menke MAC [had been listed as Louis Falanga's upfront Sony ECM-250 > Sony TC-110] > DATx1 > CD > EAC > CD > EAC > SHN. **Note that this originally circulated as 8/14/74, but is now believed to be 8/15/74** Source Detail notes
93. 08/23/74 Berkeley Community Theater - Berkeley, CA   Garcia & Saunders: MAC > C > R > D > CD > EAC > SHN. Source Detail notes
94. 08/24/74 Great American Music Hall - San Francisco, CA   Garcia & Saunders: 10" MSR > C > DAT > CD > EAC > SHN. Source Detail notes
95. 08/30/74 Freeborn Hall (University of California Davis) - Davis, Ca 149-02 Garcia & Saunders: MSR > C > DAT > CDRs > EAC > SHN Source Detail notes
96. 08/31/74 Keystone - Berkeley, CA   MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN; via Jack Warner. Source Detail notes
97. 09/02/74 Marx Meadow (Golden Gate Park) - San Francisco, CA 562 Garcia & Saunders, complete: MSR > PCM > DAT > CDR > eac (secure mode/align on sector boundaries checked/no extraction errors) > flac frontend(level 6). Source Detail notes
98. 10/04/74 Keystone - Berkeley, CA   MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > SHN. Source Detail notes
99. 10/05/74 Keystone - Berkeley, CA   Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN Source Detail notes
100. 10/05/74 Keystone - Berkeley, CA   Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN Source Detail notes
101. 10/06/74 Great American Music Hall - San Francisco, CA   partial 1st set: MSR > ? > D > CD > EAC > SHN Source Detail notes
102. 10/27/74 Golden Bear - Huntington Beach, CA   Garcia and Saunders. Late show. Source: MAC>C>C>DAT>WAV>SHN. Taper and mics unknown. Source Detail notes
103. 10/31/74 Memorial Gymnasium (University of San Francisco) - San Francisco, CA   Garcia & Saunders: MSR > R > C > DAT > WAV > SHN, C > SHN Conversion by Cousinit. Source Detail notes
104. 11/05/74 Bottom Line - New York, NY   Garcia & Saunders, Early Show: MAC (Taped by Jerry Moore, AKG D1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
105. 11/06/74 Bottom Line - New York, NY   Garcia & Saunders, Early Show: MAC (Taped by Jerry Moore, AKG D1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
106. 11/07/74 Bottom Line - New York, NY   Garcia & Saunders: Early Show: MAC (Taped by Jerry Moore [front of the third tier of tables, dead center], AKG 1000Es > Sony TC-152) > Tascam 122MKIII cassette deck (MC playback) > Tascam DA40 DAT deck (record) > Fostex D5 DAT deck (playback) > Turtle Beach Montego II Digital I/O > Soundforge (wav editing and track IDs) > SHNTOOL (SBE fix) > master CD > HP 9350i extraction (EAC v0.9 beta 4) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
107. 11/08/74 The Dome - C.W. Post College - Brookville, NY   Garcia & Saunders: MAC (Taped by Jerry Moore, AKG D1000Es [front of orchestra about ten feet in front of PA, right side of stage] > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam CD-RW700 master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
108. 11/09/74 Capitol Theater - Passaic, NJ   Garcia & Saunders, Late Show: MAC (Ihor Slabicky, AKG d190e mics > Sony TC-152sd deck onto Ampex 90min High Frequency Master Cassette) > played on a Nak CR-3A > Lucid AD9624 24-bit A/D converter (44.1kHz) > DAT (Sony R500) > CD Source Detail notes
109. 11/10/74 Palace Theatre - Albany, NY   Garcia & Saunders/Legion of Mary: MSR > DAT 48k > PCM > CDR > PCM > SHN. Source Detail notes
110. 11/13/74 Paul's Mall - Boston, MA   Garcia & Saunders: Early Show: Uher hand-held mic > Uher 4000 5" master reel > playback on a Teac 2300 reel to reel > MacIntosh pre-amp > Teac 2300 7" reel > CD > EAC > SHN. No DAT stage, 7" reel run directly to CDR in sound studio. EAC'ed and Shortened by Paul Lucente w/ Ultraplex 40max. "Picks From 1066" Volume 3. Personal vault release series, thanks to Jeff Siniawsky and Neil Merin. Show mastered by Jeff and Neil. Source Detail notes
111. 11/14/74 Paul's Mall - Boston, MA   Garcia & Saunders: Early Show: MAC (Taped by Jimmy Warburton, single Sony ECM-99 stereo mic [on a table, 8' from stage, left-of-center] > Sony TC-152SD [Dolby B]) > Sony TC-152SD playback > Teac A2300SD 1st gen reel [Dolby B off] > Pioneer RT-701 playback > Teac AN-180 Dolby decoder > Fostex D5 DAT (A>D only) > Turtle Beach Montego II Digital I/O > shn (mkwACT) > wav (mkwACT) > tracking (CD Wave) > .shn (mkwACT). Source Detail notes
112. 11/14/74 Paul's Mall - Boston, MA   Garcia & Saunders: Late Show: Uher hand-held mic-->Uher 4000 5" master reel--> playback on a Teac 2300 reel to reel-->MacIntosh pre-amp-->Teac 2300 7" reel-->CDR-->EAC-->SHN No DAT stage, 7" reel run directly to CDR in sound studio EAC'ed and Shortened by Paul Lucente w/ Ultraplex 40max Source Detail notes
113. 11/15/74 Worcester Polytechnic Institute - Worcester, MA   Garcia & Saunders: Late Show: MSC > 1C > 2D > CD (Sony PCM R500 > HHB 800) > EAC > SHN via Ryan Shriver and Andy Lemieux. This version is a slight quality upgrade of the previously circulating copy, is more complete, and has a documented lineage. Source Detail notes
114. 11/16/74 Tower Theatre - Upper Darby, PA   Garcia & Saunders, Early Show: MAC (Taped by Jerry Moore, AKG D1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
115. 11/16/74 Tower Theatre - Upper Darby, PA   Garcia & Saunders, Late Show: MAC (Taped by Jerry Moore, AKG D1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
116. 11/28/74 Great American Music Hall - San Francisco, CA   Garcia & Saunders: MSR>PCM>DAT Source Detail notes
117. 11/28/74 Great American Music Hall - San Francisco, CA seg400ide Source: MSR > PCM > DAT Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by B. Koucky and Seeded by Green Mountain Bros. June 2007 Source Detail notes
118. 12/15/74 EMU Ballroom (University of Oregon) - Eugene, OR   JGMS: MSR>P>D>CD>EAC>SHN Source Detail notes
119. 12/28/74 Golden Bear - Huntington Beach, CA   Garcia & Saunders. Source: MA (mics/taper unknown) > ? > C > DAT > WAV > SHN. Source Detail notes
120. 12/29/74 Golden Bear - Huntington Beach, CA   Garcia & Saunders: Late Show: MAR (Charlie Disalvo, spaced Shure Unidyne IVs [one in front of Garcia, one in front of Fierro an unknown distance away] > Uher 4400 @ 3.75ips) > D > CD > EAC > SHN. Source Detail notes
121. 02/14/75 The Generosity - San Francisco, CA 149-04 Rob Castelli's MAC > 1/4" Sony TC-377 7" reel > Teac X-300R playback > HHB Burn-It master CD-RW > Easy CD-DA Extractor > Dell Inspiron 4100 laptop > possible volume adjustment (Cool Edit 2000) > tracking (CD Wave) > CDR using EZ-CD Creator > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
122. 02/14/75 The Generosity - San Francisco, CA 149-03 Rob Castelli's MAC > 1/4" Sony TC-377 7" reel > Teac X-300R playback > HHB Burn-It master CD-RW > Easy CD-DA Extractor > Dell Inspiron 4100 laptop > possible volume adjustment (Cool Edit 2000) > tracking (CD Wave) > CDR using EZ-CD Creator > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
123. 02/28/75 Great American Music Hall - San Francisco, CA   LOM: unknown source. Source Detail notes
124. 03/08/75 Pitchell Players Cabaret - Los Angeles, CA   Legion of Mary. Complete show. Source: Early show: SBD>?>C>D>WAV>SHN. Late show: AUD(unknown mic/taper)>?>C>D>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by Jim Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) via Chris Ladner. Source Detail notes
125. 03/08/75 Pitchell Players Cabaret - Los Angeles, CA   Legion of Mary. Complete show. Source: Early show: SBD>?>C>D>WAV>SHN. Late show: AUD(unknown mic/taper)>?>C>D>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by Jim Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) via Chris Ladner. Source Detail notes
126. 03/15/75 Keystone - Berkeley, CA   Legion of Mary: AUD + SBD compilation, see text file for details. Set includes alternatve versions of disc two, one pure aud, the other primarly sbd w/ aud patches. Source Detail notes
127. 03/16/75 Macky Auditorium, CU - Boulder, CO   Legion Of Mary; Early Show; Source: AUD > ? > CDR > WAV > SHN; Taper unknown Source Detail notes
128. 04/05/75 Capitol Theater - Passaic, NJ   Legion of Mary: partial early show: MSC > played back on Nak Dragon > Apogee A/D 1000 > Panasonic sv3800 (master DAT) > played back on Sony R500 > Sony CDR-W33 (master CD) > HP 9350i extraction using EAC > .shn encoding using mkwACT. EAC>SHN by Joe Jupille. Source Detail notes
129. 04/06/75 Orpheum Theater - Boston, MA   Legion of Mary: Master Soundboard Cassette> DAT> CDR Source Detail notes
130. 04/08/75 Bottom Line - New York, NY   Legion of Mary: Early Show: MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille. Source Detail notes
131. 04/09/75 Bottom Line - New York, NY 149-05 Legion of Mary: Betty-Board [reels] > DAT > FLAC file (as reported by D. Oade) > Flac Frontend > CD Wave Editor(tracks) > Flac Frontend > FLAC16. Seeded to bt.etree.org by David Barfield on 9/13/2005. Source Detail notes
132. 04/09/75 Bottom Line - New York, NY   Legion Of Mary early show; SBD/AUD matrix of 2 previously circulating sources: SBD - (shnid=30942) and AUD - (shnid=14606); edited, mixed and converted by Chris Chappell (Sick Bits vol. 19) Source Detail notes
133. 04/09/75 Bottom Line - New York, NY 946 Legion of Mary: early and late shows; SBD (DAT: MSR>1R>P>D>???>CD>SHN); this copy missing reels 3,5 of the Betty Boards; via T. Livingston Source Detail notes
134. 04/10/75 Bottom Line - New York, NY   Legion of Mary: Early Show: MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille. Source Detail notes
135. 04/10/75 Bottom Line - New York, NY   Legion of Mary, Late Show: MAC (Taped by Ihor Slabicky, Sony ECM-99As > Sony TC-152) > Nak Dragon playback > ART DI/O > WAV > Cool Edit 2000 > sector boundary verification (shntool) > .shn encoding (mkwACT). Transfer by David Minches, documentation by Joe Jupille. Note: db links this .shn entry to the early show. Source Detail notes
136. 04/11/75 The Tower Theatre - Upper Darby, PA   Legion of Mary: Early Show: MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille. Source Detail notes
137. 04/11/75 The Tower Theatre - Upper Darby, PA   Legion of Mary: Late Show: MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille. Source Detail notes
138. 04/12/75 Masonic Temple - Scranton, PA 149-06 Legion of Mary: late show; SBD (DAT: MSR> 1R> P> D> ZA/2> SHN); d1t2, splice at 11:52; d2 has 1 track- could burn with 4/19/75 orphan; via T. Langston, T. Livingston; covers Source Detail notes
139. 04/13/75 Kennedy Center - Washington, DC   Legion of Mary: late show partial; MSR -> 1R -> P -> DATs -> Digi001 -> SHN; via Ryan Shriver, Dan Metz Source Detail notes
140. 04/18/75 Arie Crown Theater - Chicago, IL   Legion of Mary: Mreel> Reel> Pcm> Dat> Cd> Eac> Shn.Very Brief PCM pop before the begining of Mississippi Moon; [txt/md5s] Source Detail notes
141. 04/19/75 Oriental Theater - Milwaukee, WI   Legion of Mary: betty board > dat > one track flac (many thanks to doug oade) > flac frontend > cdwav (tracks) > flac. Source Detail notes
142. 04/19/75 Oriental Theater - Milwaukee, WI   Legion of Mary: MSR>1R>P>D>ZA/2>SHN; transfer by tsl; d1 t4 cut on master reel; note d2 has 1 track- could burn with 4/12/75 orphan; via langston, tsl Source Detail notes
143. 04/20/75 Capitol City Theater - Madison, WI   Legion of Mary: MSR > DAT > CDR > CDWAVE > Flac, seeded to Dimeadozen. Source Detail notes
144. 04/20/75 Capitol City Theater - Madison, WI 927 Legion of Mary: MSC > played back on Nak Dragon > Apogee A/D 1000 > Panasonic sv3800 (master DAT) > played back on Sony R500 > Sony CDR-W33 (master CD) > HP 9350i extraction using EAC > .shn encoding using mkwACT. EAC>SHN by Joe Jupille. Source Detail notes
145. 05/15/75 Great American Music Hall - San Francisco, CA 150-02 Legion of Mary: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [upfront but not onstage] > Sony TC-152) > DATx1 > CDx1 > EAC > CDx1 > EAC > SHN Source Detail notes
146. 05/21/75 Keystone - Berkeley, CA 148-07 Legion of Mary: SBD>15 ips reel>15ips reel> DAT> Sony R500> Genesis Digital Lens> Fostex CR200> CD> WAV(EAC)> SHN; How Sweet It Is cut on master reel; via Tom Livingston; different mastering from other shn set Source Detail notes
147. 05/22/75 Keystone - Berkeley, CA 968 LOM, Ip/IIp: MSR (Betty Cantor, 7" reels @ 15ips) > PCM > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > normalization & slight editing (Sound Forge Studio 6.0) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
148. 06/03/75 Keystone - Berkeley, CA   JGMS: Menke / Falanga Sony ECM-270 + sony ECM-250 (onstage) > Sony TC-152> Mcas> Dat> Cdr. It Take a lot to laugh cuts in. Major cut at 2:28 level fluctations at 2:56. 1st few notes of Dynamite may be missing [txt/md5s] Source Detail notes
149. 06/06/75 Dominican College - San Rafael, CA 823 Garcia, Hart, Lesh & Lagin: MS? > DAT > CDR > EAC > WAV > SHN. Source Detail notes
150. 06/08/75 El Camino Park - Palo Alto, CA   Legion of Mary: MAC > DAT > CD > EAC > SHN. Recorded by David Gans, Sony ECM-? > Sony TC-152. Source Detail notes
151. 06/18/75 Great American Music Hall - San Francisco, CA 974 LOM, partial: Gene Taback's MAC (Sony TC-124 w/ built-in mic [model number 46-99S]) > Nakamichi Dragon playback > Digital Audio Labs CardDeluxe (24/96) > Edited, dithered and downsampled to 16/44.1 in Adobe Audition 2.0) > Shntool > Flac. Transfer by David Minches. Source Detail notes
152. 06/21/75 Keystone - Berkeley, CA   Legion of Mary: Sony ECM-270 + sony ECM-250 (on Stage) > Sony TC-152> MReel> Dat> Cdr.; [txt/md5s] Source Detail notes
153. 06/22/75 Keystone - Berkeley, CA   Legion of Mary: MAC (Bob Menke and Louis Falanga's onstage Sony ECM-270 + Sony ECM-250 > Sony TC-152) > DATx1 > CD/0 > EAC > CD/1 > EAC > SHN Source Detail notes
154. 06/22/75 Keystone - Berkeley, CA 974 LOM, partial: MSR (Betty Cantor, 7" reels @ 15ips) > PCM > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > normalization & slight editing (Sound Forge Studio 6.0) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
155. 07/04/75 Great American Music Hall - San Francisco, CA 150-04 Legion of Mary: SBD > Vault Reel > 1C?(*see note below) > DAT > CD-R > EAC *** This version includes the missing 2 songs not include with the previously circulating copy Source Detail notes
156. 08/20/75 Great American Music Hall - San Francisco, CA 346 Keith & Donna Band, probably set I only: MSC>1 Reel > DAT > CDR > WAV > SHN; Shn converted with Mkw by Robert Goetz. Source Detail notes
157. 08/20/75 Great American Music Hall - San Francisco, CA   Keith & Donna Band, probably set I only: MSC>1 Reel > DAT > CDR > WAV > SHN; Shn converted with Mkw by Robert Goetz. Source Detail notes
158. 09/18/75 Sophie's - Palo Alto, CA 927 Jerry Garcia Band: MAC > 2 Reel > DAT > CDR > EAC (secure) > SHN Source Detail notes
159. 09/20/75 River City - Fairfax, CA   Source: MA>C3>DAT>WAV>SHN. Mics and taper unknown. Cassette > DAT by Jim Powell. DAT > WAV recording/editing > SHN by Chris Ladner. Source Detail notes
160. 10/11/75 Keystone - Berkeley, CA   Jerry Garcia Band: MSR @ 15 ips > 1 reel @ 7.5 ips > Sony PCM 501 > unknown PCM/Beta gens > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Shntool > FLAC. Source Detail notes
161. 10/12/75 Keystone - Berkeley, CA   JGB; shnf; MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 >CD > EAC > CD > EAC > SHN via Jack Warner Source Detail notes
162. 10/17/75 Concord Pavillion - Concord, CA   Jerry Garcia Band: Sbd>Mreel>PCM>Dat Source Detail notes
163. 10/24/75 Orpheum Theatre - Boston, MA   Jerry Garcia Band: Early & Late shows: FOB MAC (taped by Jimmy Warburton, Sony ECM-99 stereo mic > Sony TC 152SD master cassette [Dolby B]) > playback on Sony TC152SD > Teac A2300SD 1st gen reel [Dolby B off] > playback on Akai GX-4000D > Teac AN-80 Dolby B decoding > A/D using an ART DI/O into an Egosys Waverterminal 2496 digital sound card > master CD > HP 9350i extraction using EAC > .shn encoding using mkwACT. A>D by David Minches, EAC > SHN by Joe Jupille. Source Detail notes
164. 10/24/75 Orpheum Theatre - Boston, MA   JGB, early and late shows: Steve Rolfe's MAC (Sony ECM-99 Stereo mic > Sony TC-152 [Maxell UDs]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches. Source Detail notes
165. 10/24/75 Orpheum Theatre - Boston, MA 563 JGB, early show: probable MSC (TDK SD90) > 20-bit transfer via TC2000 > SBM2 CD dump > CD clone > extraction (EAC v0.95 beta 4) > FLAC encoding (FLAC Frontend v1.7.1 etree addition) > decode > tracking (CD Wave) > pitching and patching (see notes) > shn > decode (TLH v1.0.0 Beta-1 Build 72) > sector boundary alignment (shntool v2.0.3) > level 8 FLAC encoding (TLH v1.0.0 Beta-1 Build 72). Source CDs from David Gans, editing by BCP. Source Detail notes
166. 10/27/75 Bailey Hall, Cornell University - Ithaca, NY 824 JGB: MAC (Unknown Taper and Equipment) > 2C; Transfer and FLAC encoding by David Minches: 2nd Generation Cassette played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac. Source Detail notes
167. 10/28/75 Beacon Theater - New York, NY 582 Jerry Garcia Band: Late Show: MAC (Recorded by Jerry Moore, AKG 1000e's (floor center section, halfway back) > Sony TC-152 master cassette > DAT > CD > EAC > SHN. Source Detail notes
168. 10/31/75 The Tower Theatre - Upper Darby, PA   Source: AUD > cassette(x) > CDR > WAV > SHN. CDR source via H.Angus. SHN encoding via C.Ladner. Source Detail notes
169. 10/31/75 The Tower Theatre - Upper Darby, PA   Jerry Garcia Band: Late Show: MAR > R?> DAT > CD > EAC > SHN. Recorded by Charlie Disalvo (about 20th row, center section, left side), Shure Unidyne 4s (above head-level on a spreader bar) > Uher 4400 (5", 1800' BASF reels @ 7.5 ips). There may be an additional reel after the master reel. Source Detail notes
170. 11/08/75 Keystone - Berkeley, CA   Jerry Garcia Band, set II only: MA? > ? > CD > EAC > SHN. Note added 4/2005: Had been listed as a sbd, but is almost certainly an excellent audience recording. Source Detail notes
171. 11/18/75 Keystone - Berkeley, CA   Jerry Garcia Band: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN Source Detail notes
172. 11/23/75 Macky Auditorium, CU - Boulder, CO   JGB: MAC > ? > CDR > EAC > SHN (unknown lineage) sounds like at least 1 cass gen. some loud audience chatter. Source Detail notes
173. 11/29/75 Keystone - Berkeley, CA   JGB: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN Source Detail notes
174. 12/17/75 Keystone - Berkeley, CA 927 Jerry Garcia Band: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN Source Detail notes
175. 12/19/75 Winterland Arena - San Francisco, CA   Jerry Garcia Band: MSR > Reel > PCM > DAT > CD [> SHN]. Source Detail notes
176. 12/19/75 Winterland Arena - San Francisco, CA   Jerry Garcia Band: SBD >> MR >> REEL >> PCM >>> DAT >> CDA >> Wav(EAC) >> FLAC. Source Detail notes
177. 12/19/75 Winterland Arena - San Francisco, CA 927 Jerry Garcia Band: AUDMC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [mic placement unknown] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN Source Detail notes
178. 12/19/75 Winterland Arena - San Francisco, CA sg300 JGB: MSR (Nagra 1/2 track @ 7 1/2ips) > 1st gen reel reel (Otari 1/2 Trac @ 7 1/2ips) > cassette (Nakamichi BX300 ‘no dolby’, MaxellXLIIS90) > Nakamichi CR3A ‘no dolby’ > Hp Computer > Sound Forge > CD Wave > Flac8, via John Moses. Source Detail notes
179. 12/20/75 Winterland Arena - San Francisco, CA   Keith & Donna Band: MAC > ? > CD > EAC > SHN. Source Detail notes
180. 12/20/75 Winterland Arena - San Francisco, CA   Jerry Garcia Band: Baked soundboard reels "last run" transfer 44.k (about 1993) > DAT x 2 > M-1 > 7-pin > Co2 > SB Live > CDWav > FLAC. Source Detail notes
181. 12/20/75 Winterland Arena - San Francisco, CA 946 Jerry Garcia Band: MSR > 1R > PCM > DAT > CD [ > SHN]. Source Detail notes
182. 12/20/75 Winterland Arena - San Francisco, CA SCSI0_VOL1 JGB: MSR (Nagra 1/2 track @ 7 1/2ips) > 1st gen reel reel (Otari 1/2 Trac @ 7 1/2ips) > cassette (Nakamichi BX300 ‘no dolby’, MaxellXLIIS90) > Nakamichi CR3A ‘no dolby’ > Hp Computer > Sound Forge > CD Wave > Flac, via John Moses. Source Detail notes
183. 12/31/75 Keystone - Berkeley, CA 927 Jerry Garcia Band: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN Source Detail notes
184. 01/07/76 Club Front - San Rafael, CA 348-02 Jerry Garcia Band: Rehearsals: SBD> Cass> ???> Dat> Cdr: This is different rehesals from what is listed at the jerry site for this date. Both tapes most likely taken from the same rehersals. Source Detail notes
185. 01/07/76 Club Front - San Rafael, CA 348-01 JGB w/ James Booker Rehearsals: ?>CD>EAC>FLAC Source Detail notes
186. 01/09/76 Sophie's - Palo Alto, CA 348-03 Jerry Garcia Band, with James Booker: MSR > ? > 1C > 1D > 1CD > EAC > SHN. This version, via Ryan Shriver, is more complete than the previously circulating version. Source Detail notes
187. 01/10/76 Sophie's - Palo Alto, CA 348-04 A:C>?>CD. May have been recorded by David Cook with unknown mics into a Sony TC-110 deck. Source Detail notes
188. 01/25/76 Club Front - San Rafael, CA 348-05 Jerry Garcia Band: Studio Rehearsal: MSC > DATs > Sony PCM R500 > HHB 800 CD/0 > HHB 800 CD/1 > HP 9350i extraction using EAC > .shn encoding using mkwACT. The last two songs are MSR > 1R > 1C > DATs > Sony PCM R500 > HHB 800 master CD > HHB 800 first gen CD > HP 9350i extraction using EAC > .shn encoding using mkwACT. Source Detail notes
189. 01/27/76 Keystone - Berkeley, CA 348-06 Jerry Garcia Band: MSR (2 track 7" reels @ 15ips) > cassette (TDK SA-X100) > NAK-CR-7a playback > Lucid AD9624 24-bit A/D > Fostex D5 master DAT > Sony CDR-W33 master CD > EAC > SHN (non-seekable) > patching using Sound Forge Studio 6.0 > sector boundary verification using shntool > .shn encoding (seekable) using mkwACT. Source Detail notes
190. 01/28/76 Keystone - Berkeley, CA 349-01 Jerry Garcia Band: MAC (Taped by Bob Menke and Louis Falanga, Sony ECM 250+270 [onstage] > Sony TC-152) > DAT > CD > Plextor Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
191. 01/28/76 Keystone - Berkeley, CA 522 Jerry Garcia Band: MAC (Taped by Bob Menke and Louis Falanga, Sony ECM 250+270 [onstage] > Sony TC-152) > DAT > CD > Plextor Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
192. 02/14/76 Keystone - Berkeley, CA 349-03 Jerry Garcia Band: Bertha Remaster of the Master Reel > Cassette source (SBD > MR > CASS > DAT > CDA > WAV(EAC) > SHN > FLAC > DAW(Bertha) > CDA/SHN). Source Detail notes
193. 02/14/76 Keystone - Berkeley, CA 349-02 Jerry Garcia Band: SBD> MSReel> cass> DAT> CD> (EAC)WAV Source Detail notes
194. 02/15/76 Sophie's - Palo Alto, CA 349-04 Jerry Garcia Band, set I only: MAC (Taped by Bob Menke and Louis Falanga, Sony ECM-250 + Sony ECM-270 mics > Sony TC-152) > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) Source Detail notes
195. 02/21/76 La Paloma Theater - Encinitas, CA 349-06 Jerry Garcia Band: early show; mSR> cass> DAT> CD Source Detail notes
196. 02/21/76 La Paloma Theater - Encinitas, CA 349-05 JGB, Early Show; Source: SBD > MR > C > DAT > WAV > FLAC Transfer: Sony PCM-R500 > Audiophile 2496 > Wavelab 5.0 (recorded as 24/48 KHz WAV) Mastering: Wavelab (X-Noise and L3 Multimaximizer rendered to 16/44.1 using hi-res CD settings) > CDWAV 1.9 (tracking and FLAC'ing, level 5) Transfer, mastering and encoding by C.Ladner, 2/2006 Source Detail notes
197. 02/21/76 La Paloma Theater - Encinitas, CA   Jerry Garcia Band: Via JGB Mega Vine #5 Early & Late Shows. SBD: MR > C > DAT > CD Source Detail notes
198. 02/22/76 La Paloma Theater - Encinitas, CA 349-10 Jerry Garcia Band: Early Show: MAC > 2C > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > cleaning using Sound Forge Studio 6.0 > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). CD > SHN by Joe Jupille. Source Detail notes
199. 02/22/76 La Paloma Theater - Encinitas, CA   Jerry Garcia Band: Late Show: MAC > 2C > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > cleaning using Sound Forge Studio 6.0 > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). CD > SHN by Joe Jupille. Source Detail notes
200. 02/24/76 Keystone - Berkeley, CA   Jerry Garcia Band: MAC (Taped by Bob Menke and Louis Falanga, Sony ECM-250 + Sony ECM-270 mics > Sony TC-152) > DAT > 2 or 3 CD gens > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > normalization (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
201. 02/26/76 Del Mar Theater - Santa Cruz, CA   Jerry Garcia Band: Early Show: MAC (Taped by Michael Parrish, condensor mic > Sony mono cassette deck) > reel > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). CD > SHN by Joe Jupille. Source Detail notes
202. 02/28/76 Crabshaw Corner - Sacramento, CA   Jerry Garcia Band: MAC (unknown mics, unknown deck) > Reel > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) Source Detail notes
203. 03/03/76 Lane County Fairgrounds - Eugene, OR   Jerry Garcia Band, set II only: MAC > R > D > CD > EAC > SHN. Recorded by Don Wolfe, Sony ECN-18Ns > Sony TC-152. Source Detail notes
204. 03/06/76 Moore's Egyptian Theater - Seattle, WA   Jerry Garcia Band: MAC (Taped by Pat Lee, Sony ECM 18N mics > Sony TC-152 [Maxell UD C120s] from 4th or 5th row) > master CD > EAC > SHN. A > D by Pat Lee, CD > SHN and seeding to Furthur by David Hollister. Source Detail notes
205. 03/12/76 Cahn Auditorium (Northwestern University) - Evanston, IL   Jerry Garcia Band, partial early & late shows: AUDMC > C > DAT > WAV > SHN Recorded 2nd row, center left; with unknown deck with built in mics. 1st gen source tape from Eric Coplen. Cass > DAT by Ryan Shriver. DAT > SHN by Noah Weiner. Added to etree by Noah Weiner Source Detail notes
206. 03/20/76 Armadillo World Headquarters - Austin, TX   Jerry Garcia Band, set II only: Unknown source > CD > EAC > FLAC. Source Detail notes
207. 03/26/76 Music Hall - Kansas City, MO   Jerry Garcia Band: MAC > 1C > 2D > CDx3 > EAC > SHN Source Detail notes
208. 04/01/76 The Palace Theater - Waterbury, CT   Jerry Garcia Band: MAC (Taped by Jerry Moore, Sony ECM-33p mics > Sony TC-153 [Maxell XL cassettes]) > Tascam 122MKIII playback > Tascam DA-40 master DAT > Tascam CDRW 700 master CD > maybe 1 CD > EAC > SHN. Source Detail notes
209. 04/01/76 The Palace Theater - Waterbury, CT   JGB: Steve Rolfe's MAC (2 Sony ECM 99s> Sony TC-152 [Maxell UD]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches. Source Detail notes
210. 04/03/76 Lisner Auditorium (George Washington University) - Washington, DC   Jerry Garcia Band, Late Show: MAC (Taped by Scott Jones, Shure mics > Sony TC-158) > DAT > 3CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
211. 05/20/76 Keystone - Berkeley, CA   Jerry Garcia Band: MAC (Taped by Bob Menke and Louis Falanga, Sony ECM-250 + Sony ECM-270 mics > Sony TC-152) > DAT > 2 or 3 CD gens > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > minor editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
212. 07/08/76 Keystone - Berkeley, CA   Jerry Garcia Band. ource: MSC>Cx>DAT>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J. Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) by C. Ladner. Source Detail notes
213. 07/08/76 Keystone - Berkeley, CA   Jerry Garcia Band: MS? > ? > DAT > WAV (via analog cables) > SHN Source Detail notes
214. 07/09/76 Keystone - Berkeley, CA   Jerry Garcia Band: set II only: MSR > 1R > P > DAT > CDR > wav > shn3. Source Detail notes
215. 07/20/76 Keystone - Berkeley, CA   Jerry Garcia Band: SBD > Master Reel > PCM > DAT (44.1khz) > Conner CTD8000H/R-S DDS > Wavelab 4.0 > mkwACT by JJ Clifton. Source Detail notes
216. 08/16/76 Keystone - Berkeley, CA   Jerry Garcia Band: SBD R/? > CDR > SHN, via Hanno Bunjes. Source Detail notes
217. 08/22/76 Keystone - Berkeley, CA   Jerry Garcia Band: MSR (2 track 7" reels @ 7.5ips) > 1C > DAT > CD > EAC > SHN. Source Detail notes
218. 09/10/76 Keystone - Berkeley, CA   Jerry Garcia Band: MSR (2 track 7" reels @ 7.5ips) > 1C > DAT > CD > EAC > SHN + patched with MA? > 1R > DAT > CD > EAC > SHN. Source Detail notes
219. 09/11/76 Keystone - Berkeley, CA   Jerry Garcia Band: MSR (2 track 7" reels @ 7.5ips) > 1 cassette > 2 DAT > Sony R500 playback > Sony CDR-W33 (master CD) > HP 9350i extraction ((EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). D>CD by Ryan Shriver, CD > SHN by Joe Jupille. Source Detail notes
220. 09/12/76 Keystone - Berkeley, CA   Jerry Garcia Band: MSR (2 track 7" reels @ 7.5ips) -> Cass (TDK SA-X100 played back on Nakamichi CR-7A cassette deck Dolby off) -> Lucid 9624 A-D converter @ 44.1kHz -> Dat (Fostex D5 by Ryan Shriver 2/10/00) -> Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN. Source Detail notes
221. 09/12/76 Keystone - Berkeley, CA   Jerry Garcia Band: MSR (2 track 7" reels @ 7.5ips) > 1C (TDK SA-X100) > played back on Nakamichi CR-7A cassette deck (Dolby off) > Lucid 9624 A-D converter @ 44.1kHz > Fostex D5 master DAT > unknown DAT and CD gens > EAC > SHN. A>D by Ryan Shriver, EAC>SHN by Joe Jupille. Source Detail notes
222. 09/16/76 The Dome (C.W. Post College) - Greenvale, NY   Jerry Garcia Band: MAC (Recorded by Barry Glassberg, Sony ECM99 stereo single point mic > Sony TC-153D) > DAT > CDs > EAC > SHN. Source Detail notes
223. 09/18/76 Ben Light Gymnasium, Ithaca College - Ithaca, NY   Jerry Garcia Band: FOB > Sony stereo mics > unknown deck* > D > CDX2 > eac > shn. * deck was originally given as 'D5?', but the D5 wasn't yet available at this point, as far as the admin knows. Source Detail notes
224. 09/20/76 Astor Theater - Reading, PA   Jerry Garcia Band, Early and Late Shows: MAC (Shure mics, unknown model, unknown deck) > C > Unknown DAT gens > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) Source Detail notes
225. 11/12/76 Freeborn Hall (U.C. Davis) - Davis, CA   Jerry Garcia Band, partial show: MSR > D > CD > EAC > SHN Source Detail notes
226. 11/13/76 Humbolt State College - Arcata, CA   Jerry Garcia Band, incomplete late show: MSR > DAT > CD > EAC > SHN. Source Detail notes
227. 11/15/76 Keystone - Berkeley, CA   Jerry Garcia Band, set I only: MSR > DAT > CD > SHN. Uploaded by Steve Barbella, discs provided by CozChuck. Source Detail notes
228. 11/16/76 Sophie's - Palo Alto, CA   JGB: Michael Parrish's MAC > reel > plaback on Uher reel-to-reel machine > Marantz standalone CD recorder > Plextor CDR extraction using EAC (high, secure, offset-corrected) > .shn encoding using mkwACT. Reel > CD by Thomas Donhauser. EAC>SHN and etree seeding by Hanno. Source Detail notes
229. 11/19/76 Pismo Theater - Pismo Beach, CA   Jerry Garcia Band. Source: MSC>C3>DAT>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J.Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV(Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) by C.Ladner. Source Detail notes
230. 11/19/76 Pismo Theater - Pismo Beach, CA 501,561 Jerry Garcia Band. Source: MSC>C3>DAT>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J.Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV(Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) by C.Ladner. Source Detail notes
231. 11/20/76 Pismo Theater - Pismo Beach, CA   Jerry Garcia Band. Source: MSC>C3>DAT>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J. Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) by C. Ladner. Source Detail notes
232. 12/21/76 Keystone - Berkeley, CA   Jerry Garcia Band: MAC > R/1 > CD > EAC > SHN, via Hanno Bunjes Source Detail notes
233. 12/22/76 Keystone - Berkeley, CA   Jerry Garcia Band: MSR > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Extraction and .shn encoding by Joe Jupille. Source Detail notes
234. 01/29/77 Keystone - Berkeley, CA 589 Jerry Garcia Band: MAC > R/1 > CD > EAC > SHN, via Hanno Bunjes Source Detail notes
235. 02/05/77 Campbell Hall - Goleta, CA 589 Jerry Garcia Band, Early and Late Shows: MSR > ? > Cx > CDR > WAV > SHN. Source Detail notes
236. 02/05/77 Campbell Hall - Goleta, CA 589 Jerry Garcia Band, Early & Late Shows: SBD > cassette? > CD > EAC > SHN v3. See info file for setlist notes and questions. Source Detail notes
237. 04/09/77 Keystone Palo Alto - Palo Alto, CA 589 Jerry Garcia Band: MAC (unknown taper, equipment, location) > reel > playback on Uher reel-to-reel machine > Marantz standalone CD recorder master CD > Plextor CD extraction using EAC (high, secure, offset-corrected) > .shn encoding using mkwACT. Source Detail notes
238. 06/23/77 Santa Rosa High School - Santa Rosa, CA 564 JGB; shnf; set II only; Sony ECM -> Sony TC-152 MAC -> D -> CD (Ryan at thejerrysite.com indicates the taper was Bob Menke). Source Detail notes
239. 07/02/77 Keystone Palo Alto - Palo Alto, CA 590 Jerry Garcia Band: MAC > Reel > CD [> SHN], via Hanno Bunjes. Source Detail notes
240. 07/03/77 Keystone Palo Alto - Palo Alto, CA 590 Jerry Garcia Band, set II only: MSC > 1C > DAT > CD > EAC > SHN Source Detail notes
241. 07/03/77 Keystone Palo Alto - Palo Alto, CA 590 JGB, set II: SBD > CM > 1 Cassette > DAT > Sony D8(modified) > DAT(Clone)@48K > WAVELAB5.0 > WAV@44K > FLAC 16; Transfer, conversion and edits by Ben Dover 08/27/2006. Source Detail notes
242. 07/08/77 Calderone Concert Hall - Hempstead, NY 590 Jerry Garcia Band, Early Show: MAC (Taped by Jerry Moore, spaced AKG D-200Es [front of the balcony] > Sony TC-153 [Maxell XLII]) > Nakamichi Dragon playback > ART DI/O A-D converter > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
243. 07/08/77 Calderone Concert Hall - Hempstead, NY 590 Jerry Garcia Band, Late Show: MAC (Taped by Jerry Moore, spaced AKG D-200Es [from the orchestra, hand held, fairly close] > Sony TC-153 [Maxell XLII]) > Nakamichi Dragon playback > ART DI/O A-D converter > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
244. 07/08/77 Calderone Concert Hall - Hempstead, NY 590 Early Show Source: A:C:CD Recorded by Jerry Moore; Sony ECM-33Ps> Sony TC-152 Master played backed on a Nak Dragon> ART DI/O> Waveterminal 2496> Hard Drive Tracking in Cool Edit 2000; Burned with Feurio Error checked with SHNTOOL; .wav>SHN with mkwACT A>D>SHN by David Minches Source Detail notes
245. 07/08/77 Calderone Concert Hall - Hempstead, NY 590 Jerry Garcia Band: Late Show: MAC (Probably taped by Jerry Moore from the front of the balcony, spaced AKG D-200E's > Sony TC-153 [Maxell XLII]) > DAT > CD > HP 9350i extraction using EAC > tracking using CD Wave > .shn encoding using mkwACT. Source Detail notes
246. 07/09/77 Convention Hall - Asbury Park, NJ 591 Jerry Garcia Band, Early & Late shows: MAC (unknown equipment, taped by Mark Mattson) > DATx1 > CDx1 > EAC > SHN Source Detail notes
247. 07/09/77 Convention Hall - Asbury Park, NJ 591 JGB, early and late shows: Mark Mattson's MAC > CD > SHN. Transfer by Mark Mattson, shn encoding by Teddy Goodbear. Source Detail notes
248. 07/23/77 Keystone Palo Alto - Palo Alto, CA 592 Jerry Garcia Band: "Bertha" remaster of Charlie Miller seed #30662. Source Detail notes
249. 07/23/77 Keystone Palo Alto - Palo Alto, CA 592 Jerry Garcia Band: SBD -> Cassette Master -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC (2 Discs Audio / 2 Disc FLAC). Transferred and Edited By Charlie Miller. Source Detail notes
250. 07/23/77 Keystone Palo Alto - Palo Alto, CA 592 Jerry Garcia Band: "Bertha" remaster of Charlie Miller seed #30662. Source Detail notes
251. 07/29/77 Theatre 1839 - San Francisco, CA 564 Jerry Garcia Band: MAC (Taped by Bob Menke, setup not yet established at this time) > CDs > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > minor editing (Sound Forge Studio 6.0) > sector boundary fixing (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
252. 08/06/77 Keystone - Berkeley, CA 592 Jerry Garcia Band:set 2 partial; MSC -> DAT -> Digi001 -> SHN; via Ryan Shriver, Dan Metz Source Detail notes
253. 08/07/77 Keystone - Berkeley, CA 592 Jerry Garcia Band: Master Cassette SB > DAT > CD Source Detail notes
254. 10/02/77 Paramount Theater - Portland, OR 589 Jerry Garcia Interview: Unknown source. See info file for some details. Source Detail notes
255. 10/02/77 Paramount Theater - Portland, OR 589 Jerry Garcia Interview: Unknown source, recorded backstage prior to the Grateful Dead's performance on this date. Possible re-.shn of earlier seed. Source Detail notes
256. 11/21/77 The Playhouse (Hofstra University) - West Hempstead, NY 592 JGB, early & late shows: Mark Mattson's MAC > CD > SHN. Transfer by Mark Mattson, shn encoding by Teddy Goodbear. Source Detail notes
257. 11/21/77 The Playhouse (Hofstra University) - West Hempstead, NY 592 Jerry Garcia Band, Late Show: MAC (Taped by Mark Mattson, unknown equipment) > 1 DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
258. 11/23/77 The Palace Theater - Waterbury, CT 593 Jerry Garcia Band: MAC (Taped by Jerry Moore, Sony ECM-33Ps [ledge of the opera box, right side facing stage] > Sony TC-158) > Tascam 122MKIII playback > Tascam DA-40 master DAT > Tascam DA-30 playback > HD > Cool Edit 2000 > .shn. A > D by Mark Cohen, D > SHN by David Minches. Source Detail notes
259. 11/23/77 The Palace Theater - Waterbury, CT 593 Jerry Garcia Band: AUD--CASS--TASCAM Portastudio 424Mk II--DAT--CD, via vamarty. Source Detail notes
260. 11/25/77 The Tower Theatre - Upper Darby, PA 593 Jerry Garcia Band, Early Show: Unknown AUD > Cassette? > CD > EAC > SHN v3. Source Detail notes
261. 11/26/77 Capitol Theater - Passaic, NJ 593 JGB, early & late shows: MAC > CASS > DAT > CDR > EAC > SHN (seekable) Taper and equipment unknown. Source Detail notes
262. 11/27/77 The Palladium - New York, NY 593 Jerry Garcia Band, Early Show: MAC (Taped by Barry Glassberg, Sony ECM 270s [1st row loge, 30' separation] > Sony TC-153SD [Maxell UDXLII, Dolby]) > Tascam 122 MK III playback > Tascam DA-40 master DAT (44.1) > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT). Source Detail notes
263. 11/27/77 The Palladium - New York, NY 594 Jerry Garcia Band, Late Show: MAC (Taped by Barry Glassberg, Sony ECM 270s [1st row loge, 30' separation] > Sony TC-153SD [Maxell UDXLII, Dolby]) > Tascam 122 MK III playback > Tascam DA-40 master DAT (44.1) > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT). Source Detail notes
264. 11/27/77 The Palladium - New York, NY 593 Jerry Garcia Band:Early & Late Show: AUD (DAT: MAC>D>CDR>EAC>SHN) Source Detail notes
265. 11/30/77 Gymnasium, Buffalo State College SUNY - Buffalo, NY 594 Jerry Garcia Band: MAC > Reel > DAT > CDx1 > EAC > SHN. Taper, equipment, and location currently uncertain, but probably recorded by Steve Spitalny, Sony ECM-99A > Nak 550. Source Detail notes
266. 12/02/77 Orpheum Theater - Boston, MA 594 Jerry Garcia Band: Early & Late. Sony ECM 99a> Sony152> MAC> D >EAC >MKWact >SHN Source Detail notes
267. 12/02/77 Orpheum Theater - Boston, MA 594 JGB, early and late shows: Steve Rolfe's MAC (Sony ECM-99 Stereo mic> Sony TC-152 [Maxell UDs]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches. Source Detail notes
268. 12/04/77 The Barn (Rutgers U.) - New Brunswick, NJ 594 Jerry Garcia Band: Set I + one song from set II: MSC > DAT > CD > EAC > SHN. Source Detail notes
269. 12/06/77 The Dome, C.W. Post College - Greenvale, NY 595 Jerry Garcia Band: MSR > Cass > Dat > Cdr. Seeded by Mike Lai. Source Detail notes
270. 12/06/77 The Dome, C.W. Post College - Greenvale, NY 595 JGB: Mark Mattson's MAC > CD > SHN. Transfer by Mark Mattson, shn encoding by Teddy Goodbear. Source Detail notes
271. 12/08/77 Palace Theatre - Albany, NY 595 Jerry Garcia Band: SBD -> Cm -> Apogee AD1000 -> Dat (Panasonic SV3800); transferred by Charlie Miller Source Detail notes
272. 12/08/77 Palace Theatre - Albany, NY 595 Jerry Garcia Band: Unknown AUD > Cassette? > CD > EAC > SHN v3 Source Detail notes
273. 12/09/77 Gym, S.U.N.Y. - Stony Brook, NY 595 JGB; shnf; s2; FOB Nakamichi CM-300 Mics; MAC -> DAT -> Digi001 -> SHN; via Ryan Shriver, Dan Metz Source Detail notes
274. 12/09/77 Gym, S.U.N.Y. - Stony Brook, NY 596 JGB, set II only: Unknown AUD > ? > CD > EAC > SHN v3. This is an apparently redundant re-shn of < A HREF="/shninfo_detail.php?shnid=4444">shnid 4444. Source Detail notes
275. 12/10/77 Warner Theater, Early show - Washington, DC 596 Jerry Garcia Band: (FOB) Electra Voice Omni Mics > Cass/0 > DAT > CDR > EAC > WAV > Wavelab (Mastering) > FLAC Source Detail notes
276. 12/11/77 Rec Hall, Penn State U - State College, PA 596 Jerry Garcia Band:sdb>>master reel>>cassette>>pcm>>dat>>cdr There is a brief "Close Encounters of the Third Kind" tease in Lonesome And A Long Way From Home . The SBD tape contains splices in Sitting In Limbo, Mission In The Rain and Lonesome And A Long Way From Home. Source Detail notes
277. 12/11/77 Rec Hall, Penn State U - State College, PA   Jerry Garcia Band: MSR > PCM > unknown analog gens > DAT > CD > SSSB processing. Source Detail notes
278. 12/11/77 Rec Hall, Penn State U - State College, PA 597 Jerry Garcia Band: MSR > PCM > unknown analog gens > DAT > CD > SSSB processing. Source Detail notes
279. 12/23/77 Keystone Palo Alto - Palo Alto, CA 597 Jerry Garcia Band: FM > ?? > R > CD > EAC > SHN, via Hanno Bunjes Source Detail notes
280. 02/18/78 Marin County Veterans Auditorium - San Rafael, CA 431, 575,858 Jerry Garcia Band: MSC > ? > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave) > patching (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
281. 02/19/78 Santa Cruz Civic Auditorium - Santa Cruz, CA   Jerry Garcia Band: Currently optimal composite from multiple audience sources. Composite and SHN encoding by Jack Warner. Source Detail notes
282. 03/09/78 Cleveland Music Hall - Cleveland, OH   Jerry Garcia Band: MSC > ? > DAT > CD > EAC > SHN. The ? probably represents a cassette gen. Source Detail notes
283. 03/09/78 Cleveland Music Hall - Cleveland, OH   Jerry Garcia Band: MSC > ? > DAT > CD > EAC > SHN. The ? probably represents a cassette gen. Source Detail notes
284. 03/10/78 Auditorium Theater - Rochester, NY 709,858 JGB, incomplete: Unknown Taper and Equipment, Unknown Lineage cassette > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac, transfer by David Minches. Source Detail notes
285. 03/11/78 Leroy Theater - Pawtucket, RI 401-01 Jerry Garcia Band: MAC (Taped by Tom Dalti, Sony ECM-99a mics > Technics 646ds cassette deck > DAT > CDR > EAC (v0.9 beta 4, offset corrected, high/secure) > editing Soundforge 5) > tracking (CD Wave) > boundary check (shntool) > SHN (shorten 3.4) > FTP via C. Ladner/ candyman FTP. Source Detail notes
286. 03/12/78 Suffolk Forum - Commack, NY   FOB Shure Audience > CassMaster> Dat> Cdr Transfer Da-P1> Zafiro ZA-2> NT4.0/Soundforge xp 4.0 > Cdrwin **May Contain Additional Analog Generations Source Detail notes
287. 03/16/78 Spectrum Theatre - Philadelphia, PA 401-02 Jerry Garcia Band. Source: Unknown mics/taper>Cx>DAT>CDR>WAV>FLAC. Source Detail notes
288. 03/17/78 Capitol Theater - Passaic, NJ 401-03 Jerry Garcia Band: Early Show: Barry Glassberg's master FM reel > TEAC X2000R playback > Nakamichi NR200 Dolby Unit > Tascam DA-40 (master DAT) > Tascam CDRW700 master CD > 1 CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by Mark Cohen, EAC > SHN by Joe Jupille. Source Detail notes
289. 03/18/78 Warner Theater - Washington, DC   Jerry Gracia Band: Early Show. Master Audience Cassette (Nak CM700s>cassette deck)>DAT>CDRs>EAC>SHN (seekable). Thanks to Andy for the source disks. EAC>Shn by darrin (dnsacks@usa.net) 3/2002 Source Detail notes
290. 03/18/78 Warner Theater - Washington, DC   Jerry Garcia Band, Late Show: July 2003 Oade seed (shnid 18733) patched with FMSBD > 2C >(C?) > CDR by gcsadoti. See info file for extensive editing notes. Source Detail notes
291. 03/18/78 Warner Theater - Washington, DC 561 Jerry Garcia Band: Lineage: SBD > PRE-FM RTR > CASS (Dolby B encoded) > SSSB (Dolby B decoded) serifin station seed Source Detail notes
292. 03/19/78 Stanley Theater - Pittsburgh, PA   Jerry Garcia Band: Sndbd->Cassette->Cassette->DAT->CDR->Audio Grabber->TC Native Spectralizer->TC Native Multiband Compressor->SoundForge->TC Native Loudness Maximizer->CDR . Source Detail notes
293. 03/22/78 Veteran's Hall - Sebastopol, CA   Source: SBD > CM(x) > CDR > WAV > SHN. Source Detail notes
294. 03/22/78 Veteran's Hall - Sebastopol, CA 401-04 Source: SBD > CM(x) > CDR > WAV > SHN. Source Detail notes
295. 06/18/78 Keystone Palo Alto - Palo Alto, CA   Jerry Garcia Band: MAC > CD > EAC > SHN. Taped by John Angus and Scott Hart, Sony ECM99 (first tier, center) > Sony TC-158 (Maxell UD-XLIIs) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > HP 9350i extraction using EAC > speed correction (pitch shifted up by 40 cents) using Sound Forge XP version 5 > tracking using CD Wave > .shn encoding using mkwACT. Proper sector boundaries verified using shntool. Source Detail notes
296. 08/12/78 Keystone - Berkeley, CA 401-05 Jerry Garcia Band. Source: MAC(mics unknown, possibly Sony) > HD > CD>WAV>SHN. Taper: Mike Riley Source Detail notes
297. 10/03/78 Shady Grove - San Francisco, CA   Merl Saunders Band, with special guest Jerry Garcia. Master audience tape (unknown mics, unknown deck, taped by A. Tsukada) > unknown analog generations > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) Source Detail notes
298. 10/07/78 Keystone Palo Alto - Palo Alto, CA   Jerry Garcia Band: MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
299. 10/07/78 Keystone Palo Alto - Palo Alto, CA   Jerry Garcia Band: MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
300. 10/08/78 Keystone Palo Alto - Palo Alto, CA 582 Source: MAC(Sony mics?)>D>CD>WAV>SHN Taper: Mike Riley Source Detail notes
301. 10/10/78 Keystone - Berkeley, CA   Jerry Garcia Band: MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
302. 10/24/78 Keystone - Berkeley, CA   Jerry Garcia Band: MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > very slight editing (Sound Forge Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
303. 10/24/78 Keystone - Berkeley, CA   Jerry Garcia Band: MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > very slight editing (Sound Forge Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
304. 10/24/78 Keystone - Berkeley, CA 401-06 Jerry Garcia Band: MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > very slight editing (Sound Forge Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
305. 10/27/78 Pavillion East (Eastern Washington University) - Cheney, WA 451-06 Jerry Garcia Band, I/IIp: MA? > ? > CD > EAC > SHN Source Detail notes
306. 10/28/78 Paramount Northwest Theater - Seattle, WA 465,561 Jerry Garcia Band: MAC (Taped by Mike McCaw, Nak 700s > Sony TC-158) > 1 reel > DATs > CDs > EAC > SHN Source Detail notes
307. 11/03/78 Keystone Palo Alto - Palo Alto, CA   Jerry Garcia Band: complete show, aud + sbd composite. MAC (Mike Riley, unknown gear) > R > CDx2 > EAC > SHN (I & IIp) + MC > 2C > CD > EAC > SHN (end of set II). Source Detail notes
308. 01/30/79 Keystone - Berkeley, CA 330-01 Reconstruction: MAC > CD > EAC > SHN. Recorded by Steve Spitalny and John Angus, Sony ECM-990 (balcony rail, stage left) > Nak 550 > patched out to Sony TC-158 master cassette (UD XLII) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > HP 9350i extraction using EAC > speed correction (pitch shifted down by 40 cents) using Sound Forge XP version 5 > tracking using CD Wave > .shn encoding using mkwACT. Source Detail notes
309. 02/27/79 Keystone - Berkeley, CA 442-01 Reconstruction: MAC > DAT > CD > EAC > SHN. Recorded by Eldon Porray, Nakamichi CM-700 mics (front row balcony, left of soundboard) > Sony TC-D5 cassette master (Maxell XL-II no Dolby) > playback on Nak CR-3A > Lucid AD9624 (24-bit A/D Converter) > Sony R500 (master DAT) > DATs > CDs > EAC > SHN. Source Detail notes
310. 03/07/79 Rancho Nicasio - San Rafael, CA 330-02 Reconstruction: MSR -> PCM -> DAT -> Digi001 -> SHN Source Detail notes
311. 03/08/79 Cabaret Cotati - Cotati, CA 164-02 mislabel of 3/9/79; SBD > master reel > DAT(s), with some lineage uncertainty. Tascam DA-20 @ 48.0 kHz > ZA-2 resample to 44.1kHz on the fly > HD using Cool Edit > CDWave > track waves > CD-R master using CDRWin. Extraction: CD-R master > EAC > HD > MKW shorten > .shn, via Uncle John. Source Detail notes
312. 03/09/79 Cabaret Cotati - Cotati, CA 164-03, 330-03 Reconstruction: MSR > DAT > CD. DAT > CD by David Hollister, seeded by Justin Walther. Source Detail notes
313. 03/30/79 The Catalyst - Santa Cruz, CA 330-04 Reconstruction: MAC > DAT > CD > EAC > SHN. Recorded by Eldon Porray, FOB Nakamichi CM-700 mics > Sony TC-D5 cassette master (Maxell XL-II no Dolby) > playback on Nak CR-3A > Lucid AD9624 (24-bit A/D Converter) > Sony R500 (master DAT) > DATs > CDs > EAC > SHN Source Detail notes
314. 04/08/79 Cabaret Cotati - Cotati, CA 442-02 Reconstruction: MSR > PCM > DAT > CD > EAC > SHN. Source Detail notes
315. 04/11/79 Rainbow Music Hall - Denver, CO 442-03 Reconstruction: Early & Late Shows: MAC > CD > EAC > SHN.
Likely misdated performance from April 12
Rough quality, probably lossy sourced, for completists only.
Source Detail
notes
316. 04/23/79 Old Waldorf - San Francisco, CA 442-04 Reconstruction: Early & Late shows: MAC (Taped by Eldon Porray, Nak CM-700s > Sony TC-D5) > DATs > CDs > EAC > SHN. Source Detail notes
317. 04/28/79 Keystone Palo Alto - Palo Alto, CA 330-05 Reconstruction, set I only: MAC > DAT > CD > EAC > SHN. Recording details unknown. Master cassette played back on Nak CR-3A > Lucid AD9624 (24-bit A/D Converter) > Sony R500 (master DAT) > Sony CDR-W33 (master CD) > EAC > tracking (CD Wave) > .shn (mkwACT). Source Detail notes
318. 05/18/79 Old Waldorf - San Francisco, CA 330-06 Reconstruction: Master audience cassette > ? > cassette > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0) Source Detail notes
319. 05/19/79 Old Waldorf - San Francisco, CA 442-05 MA? > unknown cassette generations > NAK MR-1 w/ balanced lines > MOT4 828 286/48k > Cassette to CD via Cakewalk Sonar > normalization & downsampling via Cooledit 2000K > tracking via CDWAV > CD clone > EAC using plextor 241040A secure mode with c2> SHN via mkwWACT. Extraction & encoding by Ron Sinko. Source Detail notes
320. 06/08/79 Rio Theater - Rodeo, CA   MSR > PCM > 2C > DAT > WAV > SHN, via Jim Powell and Chris Ladner. Source Detail notes
321. 06/16/79 Keystone Palo Alto - Palo Alto, CA   Reconstruction: MSR -> PCM -> DATs -> Digi001 -> SHN DAT@48 -> Optical S/PDIF -> HD (24 bit @48) -> ProTools LE 5.0.1 (tracking, 16 bit/44.1) -> WAVE -> SHN Source Detail notes
322. 06/17/79 Keystone Palo Alto - Palo Alto, CA   Reconstruction: MSC > C > WAV > CE2k (11db NR, tracking) > SHN Source Detail notes
323. 06/17/79 Keystone Palo Alto - Palo Alto, CA   Reconstruction: Master soundboard reel > PCM > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0) Source Detail notes
324. 06/22/79 Keystone Palo Alto - Palo Alto, CA   Reconstruction: SBD> Master Reel> PCM> DAT> ZA2> Soundforge 4.0> CDWAV> SHNv3 (no DAE); via J. Lutch Source Detail notes
325. 07/06/79 Keystone - Berkeley, CA   Reconstruction: MAC > DAT > CD > EAC > SHN. Recorded by Eldon Porray, Nakamichi CM-700 mics (front row balcony, left of soundboard) > Sony TC-D5 cassette master (Maxell XL-II no Dolby) > playback on Nak CR-3A > Lucid AD9624 (24-bit A/D Converter) > Sony R500 Master DAT) > DATs > CDs > EAC > SHN Source Detail notes
326. 07/07/79 Keystone Palo Alto - Palo Alto, CA 164-04 Reconstruction: MAC > D > CD > EAC > SHN. Taped by Eldon Porray (patched out of Bob Menke's deck), Nakamichi CM-700 mics > Sony TC-D5 > Maxell XL-II cassette master > Nakamichi CR-3A playback (no Dolby) > Lucid AD9624 24-bit A/D converter @ 44.1 kHz > Sony R500 (master DAT) > Sony CDR-W33 (master CD) > EAC > tracking (CD Wave) > .shn (mkwACT) Source Detail notes
327. 07/08/79 Keystone Palo Alto - Palo Alto, CA 164-05 Reconstruction: Master Soundboard Reels (7" @ 7.5ips) > 2 PCM > DAT > CD; from the Jerry Site's "Release One"; via imgoinmad@home.com Source Detail notes
328. 07/22/79 Civic Auditorium - Santa Monica, CA 164-06 Reconstruction: hodgepodge of 6/16 and 6/22 material; MS?> ? > CD > EAC > SHN Source Detail notes
329. 08/10/79 Temple Beautiful - San Francisco, CA   Reconstruction: MAC (Taped by Phil Jarret, JVC stereo mic > TEAC PC 10) > 3CD > HP 9350i extraction using EAC > tracking using CD Wave > .shn encoding using mkwACT. Source Detail notes
330. 09/22/79 Keystone - Berkeley, CA 442-06 Reconstruction: MAC > D > CD > EAC > SHN. Taped by Eldon Porray (front row balcony, left of soundboard), Nakamichi CM-700 mics > Sony TC-D5 > Maxell XL-II cassette master > Nakamichi CR-3A playback (no Dolby) > Lucid AD9624 24-bit A/D converter @ 44.1 kHz > Sony R500 (master DAT) > Sony CDR-W33 (master CD) > EAC > tracking (CD Wave) > .shn (mkwACT) Source Detail notes
331. 11/18/79 Keystone - Berkeley, CA 431, 575 Jerry Garcia Band: AUD(SONY ECM 99) > SONY TCD5 > DAT > CDR > WAV > SHNv3, taped by John Angus and Scott Hart. Source Detail notes
332. 12/20/79 Keystone Palo Alto - Palo Alto, CA 164-07 Jerry Garcia Band. Source: SBD>?>C>D>WAV>SHN. Cassette>DAT transfer by J.Powell. DAT>WAV editing>SHN encoding by C.Ladner. Source Detail notes
333. 12/21/79 Keystone Palo Alto - Palo Alto, CA   Jerry Garcia Band: SBD>>MR>>DAT>>CDA>>DAW(Bertha)>>CDA/SHN Source Detail notes
334. 12/21/79 Keystone Palo Alto - Palo Alto, CA 575 Jerry Garcia Band: SBD:MR> DAT> CD Source Detail notes
335. 01/20/80 Keystone Palo Alto - Palo Alto, CA 424-01, jgb1980-01 Jerry Garcia Band: MSC > 1C > DAT > CDR > WAV > SHN. Source Detail notes
336. 01/24/80 Rio Theater - Rodeo, CA 424-02, jgb1980-01 Jerry Garcia Band: MSC -> DAT -> Digi001 -> SHN; via Ryan Shriver, Dan Metz; Filler is Club Front Rehearsal 9/18/81, MSR>P> D Source Detail notes
337. 02/01/80 The Stone - San Francisco, CA 424-03, jgb1980-01 Jerry Garcia Band: MAC > CD > EAC > SHN. Recorded by John and Harry Angus, mics uncertain (on the rail, directly in front of Jerry) > Sony TC-D5 (Maxell UD-XLIIs) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > EAC > tracking using CD Wave > mkwACT > shn Source Detail notes
338. 02/02/80 The Stone - San Francisco, CA 424-05, jgb1980-01 Jerry Garcai Band: Unknown Aud, re-tracked complete show SHN'ed with seeling enabled. Source Detail notes
339. 02/02/80 The Stone - San Francisco, CA 424-04, jgb1980-01 Jerry Garcia Band:Unknown AUD; via Dan M. Source Detail notes
340. 02/02/80 The Stone - San Francisco, CA 933 JGB, IIp: SBD > ? > Maxell XL2S > Nak CR3A > HP Computer > Sound Forge (Vol@5.6DB) > CD Wave > Flac. Source Detail notes
341. 02/07/80 The Catalyst - Santa Cruz, CA 424-06, jgb1980-01 Jerry Garcia Band. Source: MSC>DAT>CDR>WAV>SHN, all of first set except very beggining of Sugaree and the first two songs of the second set. Remainder of the source is from MAC (Taped by Lee Bittner, Audio Technica 801 mics > Sony TC-D5) > DAT > CD > WAV > SHN. Source Detail notes
342. 02/07/80 The Catalyst - Santa Cruz, CA 933 Jerry Garcia Band: MAC (Taped by Lee Bittner, Audio Technica 801 mics > Sony TC-D5) > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). CD > SHN by Joe Jupille. Source Detail notes
343. 02/12/80 Lisner Auditorium (George Washington University) - Washington, DC 425-01, jgb1980-02 Jerry Garcia Band: Early and Late Shows: MAC > D > CD > SHN. Taped by Scott Jones, FOB Shure mics > Sony TC-158 > master cassettes > DAT. DAT > CD by Andy L, EAC > wav > shn by Don Chase. Source Detail notes
344. 02/12/80 Lisner Auditorium (George Washington University) - Washington, DC 933 Jerry Garcia Band, apparent mislabel, see comments below. Early show. Source: MSC > C > CDR > WAV > SHN except for encore from previously circulated FOB Shure recording. Source Detail notes
345. 02/15/80 Orpheum Theater - Boston, MA 425-03, jgb1980-02 Jerry Garcia Band, Early Show: MAC > DAT > WAV > FLAC16. Mics/taper most likely Nak 700s w/ D-5 Recorder by Steve Rolfe. Source Detail notes
346. 02/15/80 Orpheum Theater - Boston, MA 425-02, jgb1980-02 Jerry Garcia Band: Early and Late. Aud (unkown Source) Mcass> Dat> Cdr. Late show Missing Harder They come and They Love Each Other Source Detail notes
347. 02/15/80 Orpheum Theater - Boston, MA 425-04, jgb1980-02 JGB, Early & Late: Steve Rolfe's MAC (2 Nak 700s> Sony TC-D5 [Maxell UD-XLIIs]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC. Transfer by David Minches. Source Detail notes
348. 02/16/80 Gymnasium (University of New Haven) - West Haven, CT 426-01, jgb1980-03 Jerry Garcia Band: MAC > ? > DAT > CD > SHN (seeking enabled). Taper and taping equipment unknown. DAE > CDWav > shntools > SHN via cbass. Source Detail notes
349. 02/16/80 Gymnasium (University of New Haven) - West Haven, CT 425-05, jgb1980-02 Jerry Garcia Band: MAC (Taped by Scott Vid, FOB Akai mic > Superscope deck) > Tascam 122 mkII playback > Lucid ADA 1000 A-D converter > Tascam DA30 mkII master DAT > Tascam 700 CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (Sound Forge Audio Studio 7.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition). Cassette transfer by John Hance. Source Detail notes
350. 02/17/80 Laker Hall (SUNY) - Oswego, NY 426-02, jgb1980-03 Jerry Garcia Band: MAC(taped by Keith Gatto Nak 300s>Sony TC-D5)>DAT>CD>WAV>SHN. Updated source info. Source Detail notes
351. 02/19/80 Landmark Theater - Syracuse, NY 426-03, jgb1980-03 JGB: MAC (Taped by Lee Cohen & Doug Mow, unknown condenser mics [on spreader bar pointed at stacks, balcony, midway back] > Sony 158 > JVC cassette deck > Maxell II 90) > Sony TC-D5M playback > UA-5 Oade Custom Mod > IBM R40 > WinXP Pro > Sound Forge 5.0 > CDR > EAC (no errors) > WinXP Pro > Flac Frontend > FLAC16. Transfer by Doug Mow, FLAC encoding by Alex Ford. Source Detail notes
352. 02/19/80 Landmark Theater - Syracuse, NY 933 Source: Binaural headphone mics > Nakamichi cassette deck > CDR > WAV > SHN. Taper and transfer to CDR by B.Raskin. WAV editing and SHN encoding by C.Ladner Source Detail notes
353. 02/20/80 Fine Arts Center, University of Massachusetts - Amherst, MA 426-04, jgb1980-03 JGB; early and late shows: early: MAC > Cx > standalone CDR > WAV > FLAC; late: MAC (2x Sony ECM 23f > Nakamichi 550) > C1 (Maxell type I), playback on Sony TC-KE400S (no NR) > audiophile 2496 analog in > Soundforge 7 (recorded as 24 bit / 48 KHz WAV) > Wavelab (processing & 16 bit rendering - see below) > CDWave 1.9 (tracking) > FLAC. Taper: unknown [see notes] Source Detail notes
354. 02/22/80 The Barn, Rutgers University - New Brunswick, NJ 426-05, jgb1980-03 Jerry Garcia Band:Nak 700's > Sony TC-158 > Cassette Master. Playback on Nak Dragon, signal passed through Sony PCM R-700 directly to hard disc via ZA-2 > CDR > EAC > SHN. Transfer by Jime Wise. This recording is usually attributed to Mark Cohen ("Mark C."), but it is not his. Source Detail notes
355. 02/22/80 The Barn, Rutgers University - New Brunswick, NJ 953 Jerry Garcia Band: MAC (Taped by Barry Glassberg, FOB Nak CM-700s > Sony TC-D5) > Tascam 112 MKII playback > Sony PCM-R500A > HHB 800 master CD > 2 CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
356. 02/23/80 The Tower Theatre - Upper Darby, PA 427-01, jgb1980-04 JGB, Late Show: Charlie Connor's FOB Sony-ECM990 (Stereo Mic) > JVC 1636-MKII (TDK SA-C90) MAC; Transfer: Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1 > CDWav beta1.57 (tracking only) > flac16. Transferred by Charlie Connor. Source Detail notes
357. 02/23/80 The Tower Theatre - Upper Darby, PA 409-01, 427-02, Jerry Garcia Band: Early & Late Shows: MAC > DAT > CD, taper and rig unknown Source Detail notes
358. 02/24/80 Gym (SUNY) - Stony Brook, NY 427-03, jgb1980-04 Jerry Garcia Band: MAC (Taped by Mark Cohen, 3 Nakamichi CM-700 shotguns [in front of and slightly left of sbd] > Nakamichi 550) > Tascam 122mkIII playback > Tascame DA-40 DAT > Tascam CDRW-700 master CD > Tascam CD-D4000mkII CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). May be the same source material as other seeds, but has certified lineage. Source Detail notes
359. 02/24/80 Gym (SUNY) - Stony Brook, NY 427-04, jgb1980-04 JGB: Charlie Connor's FOB MAC (Sony-ECM990 [Stereo Mic] > JVC 1636-MKII [Maxell UDXLII])> Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1 > CDWav beta 1.57 (tracking only) > flac16. Taped and transferred by Charlie Connor. Source Detail notes
360. 02/24/80 Gym (SUNY) - Stony Brook, NY 953 Jerry Gracia Band: AUD : MC > DAT > CDR Unknow taper or rig Source Detail notes
361. 02/26/80 Ocean State Theater - Providence, RI 427-06, jgb1980-04 JGB; shnf; Steve Rolfe's Nak 700s (Front Row, Balcony) > SonyTC-D5 (XLII-s Cassette Master)> DAT > (Jim Wise Transfer) Sony PCM R-700 > ZA-2 > SoundForge > CDR [ > ... shn] Source Detail notes
362. 02/26/80 Ocean State Theater - Providence, RI 428-01, jgb1980-05 JGB; shnf; SBD > CMx > CDR > WAV > SHN. CDR source via H.Angus. Extraction, edits (see info file), and SHN encoding via C.Ladner. Source Detail notes
363. 02/26/80 Ocean State Theater - Providence, RI 427-05, jgb1980-04 JGB; flac1644; Steve Rolfe's MAC 2 Nak 700s> Sony TC-D5 [Maxell UD-XLIIs]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches. Source Detail notes
364. 02/28/80 Wilkins Theatre (Kean College) - Union, NJ 428-01, jgb1980-05 Jerry Garcia Band: Early & Late Shows: MAC > DAT > CDR, Recorded by Eddie Claridge w/ Sony ECM-280s > Sony TC-D5 Source Detail notes
365. 02/29/80 Calderone Theatre - Hempstead, NY 429-02, jgb1980-06 Jerry Garcia Band: Late Show: pre-FM sdb>>cassette master>>cdr Source Detail notes
366. 02/29/80 Calderone Theatre - Hempstead, NY 429-01, jgb1980-06 Jerry Garcia Band, Late Show: Bertha Remaster of the PreFM soundboard; SBD(PreFM) >> MC >> CDA >> DAW (Bertha) >> CDA/SHN. Source Detail notes
367. 02/29/80 Calderone Theatre - Hempstead, NY 429-04, jgb1980-04 Jerry Garcia Band, Early Show: MAC (Taped by John Jay Hance, AKG 222s [spread, 1st row balcony] > Technics 686 [Dolby B]) > Tascam 122 mkII playback > Lucid ADA 1000 A-D converter > Tascam DA30 mkII master DAT > Tascam 700 CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition). Source Detail notes
368. 02/29/80 Calderone Theatre - Hempstead, NY 428-07, jgb1980-05 Jerry Garcia Band: FMSBD; late show; JGB w/Robert Hunter Source Detail notes
369. 02/29/80 Calderone Theatre - Hempstead, NY 428-05, jgb1980-05 JGB, Early Show: Charlie Connor's FOB (Ctr Orch,Row R, Seat 101) Sony-ECM990 (Stereo Mic) > JVC 1636-MKII MAC (Maxell UDXLII); Transfer: Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1 > CDWav beta1.57 (tracking only) > flac. Transferred by Charlie Connor. Source Detail notes
370. 02/29/80 Calderone Theatre - Hempstead, NY 428-05, jgb1980-05 JGB, Late Show: Charlie Connor's FOB Sony-ECM990 (Stereo Mic) > JVC 1636-MKII MAC (Maxell UDXLII)> Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1 > CDWav beta1.57 (tracking only) > flac. Transferred by Charlie Connor. Source Detail notes
371. 03/01/80 Capitol Theater - Passaic, NJ 429-04, jgb1980-06 Jerry Garcia Band, Early Show: MFR (Taped by Barry Glassberg from WNEW-FM, New York) > TEAC X-2000R playback @ 7.5 ips (no Dolby) > Tascam DA-40 DAT > Tascam CDRW-700 master CD > Tascam CD-D4000mkII CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
372. 03/01/80 Capitol Theater - Passaic, NJ 429-03, jgb1980-06 Jerry Garcia Band, Late Show: MAC > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Extraction and .shn encoding by Joe Jupille. Source Detail notes
373. 03/01/80 Capitol Theater - Passaic, NJ 429-05, jgb1980-06 Jerry Garcia Band, Early Show: MSC > DAT > CDRs; early show; 1-2 sec. clipping due to fade ins on both Sugaree and How Sweet It Is Slight 2-3 sec. flutter during beginning of Sugaree; via Dan Metz, Mike Lai. Source Detail notes
374. 03/07/80 The Stone - San Francisco, CA 429-06, jgb1980-06 Jerry Garcia Band: MAC (Taped by John Angus and Scott Hart, Sony ECM 99 [right at Jerry's feet] > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > HP 9350i extraction (EAC v0.9 beta 4) > slight editing (Sound Forge Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by Harry Angus, CD > SHN by Joe Jupille. Source Detail notes
375. 03/08/80 The Stone - San Francisco, CA 429-07, jgb1980-06 Jerry Garcia Band: Possibly a SBD-AUD matrix mix, but uncertain (could be FOB). AUD (DAT: MAC>D). De-noised in CoolEdit 96 > CDWav. Some digi-noise in d2t1; mastered by Evan Levy from Mike Lai seed Source Detail notes
376. 03/08/80 The Stone - San Francisco, CA 933 JGB: Unknown Mics > ? > CD > EAC > Shn. Source Detail notes
377. 03/26/80 Keystone - Berkeley, CA 430-01, jgb1980-07 Jerry Garcia Band: AUD (SONY ECM99's) > Sony TCD5 > Cassette Master > Roland UA-30 USB A/D > MAC G3 Powerbook > CDR > WAV > SHNv3. Taper: John Angus. Source Detail notes
378. 07/24/80 Bushnell Auditorium - Hartford, CT 430-02, jgb1980-07 JGB, shnf; Jim Wise's MAC (Sony ECM280 > D5, 10th row center) > DAT > CDR > EAC > SHN (sector boundary errors fixed) Source Detail notes
379. 07/24/80 Bushnell Auditorium - Hartford, CT 930 JGB, shnf: unlineaged copy of Jim Wise's MAC (Sony ECM280 > D5, 10th row center) Source Detail notes
380. 07/25/80 Orpheum Theater - Boston, MA 430-04, jgb1980-07 Jerry Garcia Band, Early Show: MAC > DAT? > CD > EAC > SHNv3 Source Detail notes
381. 07/25/80 Orpheum Theater - Boston, MA 430-06, jgb1980-07 Jerry Garcia Band, Late Show: MAC > ? > CD > EAC > SHNv3 Source Detail notes
382. 07/25/80 Orpheum Theater - Boston, MA 430-03, jgb1980-07 Jerry Garcia Band, Early Show: MAC (Taped by Bob Wagner, 2 Nak 700s/bass eq [center balcony ledge] > Sony TC-D5M) > Nakamichi Dragon playback > Art DI/O > Egosys Waveterminal 2496 > Cool Edit 2000 > Shntool > .shn encoding (non-seekable) > wav > .shn encoding (seekable). Source Detail notes
383. 07/25/80 Orpheum Theater - Boston, MA 430-05, jgb1980-07 Jerry Garcia Band, Late Show: MAC (Taped by Bob Wagner, 2 Nak 700s/bass eq [center balcony ledge] > Sony TC-D5M) > Nakamichi Dragon playback > Art DI/O > Egosys Waveterminal 2496 > Cool Edit 2000 > Shntool > .shn encoding (non-seekable) > wav > FLAC (seekable). Transfer by David Minches, FLAC encoding and info by Joe Jupille. Source Detail notes
384. 07/26/80 Convention Hall - Asbury Park, NJ 430-07, jgb1980-07 Jerry Garcia Band, Early Show: MAC (Taped by Peter Jaeger, Nak 300s [rear of floor, center] > Sony D5) > Tascam 122 mkIII playback > Lucid ADA 1000 A-D converter > Tascam DA30 mkII master DAT > Tascam 700 CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > editing (Sound Forge Studio 6.0) > sector boundary verification (shntool v1.01) > FLAC encoding (Flac Frontend v.1.7.1 etree edition, level 6). Source Detail notes
385. 07/26/80 Convention Hall - Asbury Park, NJ 431, jg80-08, 575 Jerry Garcia Band, Late Show: MAC (Taped by Fredo Johnson, Nak 300s > Sony D5) > Nak Dragon playback > Egosys Waveterminal 2496 > CD Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) Source Detail notes
386. 07/27/80 Palace Theatre - Albany, NY 431, jg80-08, 575 MAC > DAT > CDR > WAV > SHNv3. SHN encoding/FTP via C.Ladner / Candyman FTP. Source update: this is from Mark Cohen's master. A better transfer is found at shnid 109247. Source Detail notes
387. 08/09/80 Keystone Palo Alto - Palo Alto, CA 431, jg80-08, 575 Jerry Garcia Band, partial show: MSC > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > slight editing (Sound Forge Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition). Source Detail notes
388. 11/16/80 Warfield Theater - San Francisco, CA 933 Bob Dylan with Jerry Garcia; SBD>?>Bootleg CD>CDR>SHN Source Detail notes
389. 01/27/81 Old Waldorf - San Francisco, CA   Jerry Garcia Band, incomplete: MAC? > ? > cassette > CD > EAC > CD Wave > FLAC. Source Detail notes
390. 01/29/81 The Catalyst - Santa Cruz, CA   Jerry Garcia Band: MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5 cassette deck [Maxell XLII]) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > unknown CD gens > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
391. 01/31/81 Keystone - Berkeley, CA   Source: SBD > Cassette(x) > CDR >WAV >SHN. A>D transfer via Harry A. DAE + SHN encoding via neo_levo. Source Detail notes
392. 01/31/81 Keystone - Berkeley, CA   Jerry Garcia Band, set II only: MSC > DAT(x) 48khz; Transfer: DAT 60ES > M-Audio Audiophile USB > WAV > Flac; transfer by jbraveman@hotmail.com. Source Detail notes
393. 02/04/81 Warner Theater - Washington, DC   Jerry Garcia Band: Dave Redman's Nak 300s > Sony TC-D5M cassette master > DAT > CD > EAC > FLAC. Source Detail notes
394. 02/05/81 Stabler Arena (Lehigh University) - Bethlehem, PA   Jerry Garcia Band: MAC > CDRx1 > EAC > SHN. Recorded by Ted Eng (Nak 300s > Sony D5M, just behind SBD). A>D transfer by Jim Wise, Nakamichi Dragon > HHB 800 CDRx0 > CDx? > EAC > SHN. Source Detail notes
395. 02/05/81 Stabler Arena (Lehigh University) - Bethlehem, PA 857 JGB: Jim Vita's Nakamichi DM-500s (BOB, on a riser at the rear end of hall, straight back center) > Sony TC-D5M master cassette (Maxell UDXLII-S) > Nakamichi Dragon playback > Art DI/O > Egosys Waveterminal 2496 > Cool Edit 2000 > Shntool > FLAC encoding. Transfer by David Minches. Source Detail notes
396. 02/06/81 The Tower Theatre - Upper Darby, PA   Jerry Garcia Band: Jim Vita's MAC w/ Nak DM-500's > Sony TC-D5M > CDR > DAT > CDR; Missing Heaven's Door; via Andy Lemieux. Seeded to etree by Willy. Source Detail notes
397. 02/07/81 Orpheum Theater - Boston, MA   Early & Late: Steve Rolfe's 2x Nakamichi 700s (Front Row Balcony) > Sony TC-D5); Nakamichi BX-300 playback > Sony PCM-R500 master DAT; Sony PCM-R500 > HHB-800-81 CD; ? > shn. Source Detail notes
398. 02/07/81 Orpheum Theater - Boston, MA 953 JGB, early & late shows: John Levene's Nak 300 > Marantz CD330 (center balcony row 1 "DFC") > Maxell XLII C-90 MAC; Transfer: Yamaha K-1020 > Sony SBM-1 > Nomad JB3 > Creative Play Center (copying) > Soundforge v6e (prep) > CDWav (tracking, level 8 compression). Source Detail notes
399. 02/09/81 Ocean State Theater - Providence, RI   Jerry Garcia Band: MAC (Taped by Steve Rolfe, Nakamichi CM-700 mics [front row of balcony] > Sony TC-D5M) > Nakamichi BX300 playback > Sony PCM-R500 DAT > CD > EAC > SHN (seekable). A>D by Glenn Gardner and Walter Keenan, EAC and conversion to SHN by cbass. Source Detail notes
400. 02/10/81 Bushnell Auditorium - Hartford, CT   Source: MAC(Senn 421's>Sony D-5 >D>CDR>WAV>SHN. Taper: Jim Wise. SHN encoding and FTP via C.Ladner/candyman FTP. Source Detail notes
401. 02/11/81 The Palladium - New York, NY   JGB; shnf; Jim Wise's MAC (Beyer M 160's, center loge on stand > D5) > D > CDR > WAV > SHN. SHN encoding and FTP via C.Ladner/candyman FTP. Source Detail notes
402. 02/11/81 The Palladium - New York, NY 359-01 JGB: flac1644; Jim Wise Master Audience Cassette; Beyer M160s> Sony D-5; 1st Balcony; direct center; Maxell UDXLII; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Source Detail notes
403. 02/11/81 The Palladium - New York, NY 510 JGB; flac1644; Jim Vita's MAC (2 Nakamichi 500s > Sony D5) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe > Cool Edit > Flac. Transfer by David Minches. Source Detail notes
404. 02/13/81 Capitol Theater - Passaic, NJ 280-01 Jerry Garcia Band: Early & Late Shows: MAC (Taped by Ohr Weinberg, two Sony ECM-23Fs with Nak DM-500 blend > Nak 550) > Nak Dragon playback > HHb CDR-800 master CD > TAE (overlap) > shn. A>D by Jim Wise, CD>SHN by Andy Gustin. Source Detail notes
405. 02/14/81 Calderone Theatre - Hempstead, NY 280-02 Jerry Garcai Band: Recorded Sony D5 Sennheiser 421 mikes from balconey front row Source Detail notes
406. 02/14/81 Calderone Theatre - Hempstead, NY 1063 Jerry Garcia Band: MAC (Taped by Ohr Weinberg, two Sony ECM-23Fs with Nak DM- 500 blend [first two songs were Nak CM-300 blend] > Nak 550). Nak Dragon playback > HHb CDR-800 master CD > CDs > EAC > SHN. Source Detail notes
407. 02/22/81 The Stone - San Francisco, CA   Jerry Garcia Band: MAC (Taped by John Angus and Scott Hart, Technics stereo mic > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
408. 04/21/81 The Catalyst - Santa Cruz, CA 280-03 Source: MAC(Nakamichi CM-700 mics > Sony TC-D5)>CDR>WAV>SHN. Taper: Steven Martin Source Detail notes
409. 04/23/81 Keystone - Berkeley, CA 1069 JGB: Steven Martin's modified Nakamichi CM-700 mics > Sony TC-D5) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). shn > flac in shntool, using shntool conv -o flac *.shn. Source Detail notes
410. 04/23/81 Keystone - Berkeley, CA 1070 JGB: Steven Martin's modified Nakamichi CM-700 mics > Sony TC-D5) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). shn > flac in shntool, using shntool conv -o flac *.shn. Source Detail notes
411. 04/24/81 Keystone Palo Alto - Palo Alto, CA   Jerry Garcia Band: MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
412. 05/22/81 Warfield Theater - San Francisco, CA 564,640 Jerry Garcia & Friends: MAC (Taped by John Angus & Scott Hart, unknown mics > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > patching (SF Studio 6.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition). Source Detail notes
413. 05/28/81 Keystone Palo Alto - Palo Alto, CA 280-04 Jerry Garcia Band, partial show: MSC > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition). Source Detail notes
414. 05/30/81 Phoenix Theater - Petaluma, CA 280-05 Jerry Garcia Band, IIp: MSC > ? > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (Sound Forge Studio 6.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition). Source Detail notes
415. 06/25/81 Civic Auditorium - Santa Cruz, CA   Jerry Garcia Band, with Phil Lesh on bass: aud(unknown mics) > ? > cdr > eac(secure) > mkwact(seekable). Source Detail notes
416. 06/26/81 Warfield Theater - San Francisco, CA 280-06 JGB (Phil Lesh on bass): MS? > ? > CDs > EAC (secure) > Cool Edit (cleanup/pitch correction) > CDWAV > mkwact(seekable) > shn. EAC > SHN by Matt Vernon. Source Detail notes
417. 08/20/81 Keystone - Berkeley, CA 510 JGB: Jim Vita's MAC (2 Nak 300s) > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Flac, transfer by David Minches. Source Detail notes
418. 08/21/81 Keystone - Berkeley, CA   JGB, I/IIp: Jim Vita's MAC (2 Nak 300s > Sony D5 [Maxell UD-XLIIS]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Flac, transfer by David Minches. Source Detail notes
419. 08/22/81 Fairfax Pavilion - Fairfax, CA   Jerry Garcia Band, w/ Phil Lesh on bass: MAC > CD > DAT > CD > EAC > SHN. Taped by Jim Vita at the soundboard, Nak CM-300s w/ CP-4 caps > Sony TC-D5m master cassette > HHb 800 CDRx0 > CDx? > EAC > re-tracking using CD Wave > SHN using mkwACT. Source Detail notes
420. 08/22/81 Fairfax Pavilion - Fairfax, CA 510 Jim Vita's MAC (2 Nak 300s > Sony D5) > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Flac, transfer by David Minches. Show with Phil Lesh. Source Detail notes
421. 08/23/81 Keystone Palo Alto - Palo Alto, CA 588 JGB: Jim Vita's MAC (2 Nakamichi 300s > Sony D-5 [Maxell UD-XLII-S]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches. Source Detail notes
422. 08/23/81 Keystone Palo Alto - Palo Alto, CA 588 JGB: Jim Vita's MAC (2 Nakamichi 300s > Sony D-5 [Maxell UD-XLII-S]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches. Source Detail notes
423. 09/18/81 Keystone - Berkeley, CA   Jerry Garcia Band: MAC > DAT > CD > EAC > SHN. Taped by Jim Wise. Recorded upstairs, stereo mic > Sony TC-D5 set on floor. Source Detail notes
424. 09/18/81 Keystone - Berkeley, CA   JGB rehearsals, shnf; MSR -> P -> D [presumably > ? > SHN]. Source Detail notes
425. 09/18/81 Keystone - Berkeley, CA 359-02 JGB: Jim Wise Master Audience Cassette; Recorded upstairs, stereo mic > Sony D5 (Maxell UDXLI-S); Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Source Detail notes
426. 11/03/81 Painter's Mill - Owings Mills, MD 288 JGB, set II: MSC > 2C > Aiwa F810 playback > Tascam DA30-mkII > Zoltrix Nightengale 6.0 @ 44.1 > SF 6.0 > CD Wave > .shn. Source Detail notes
427. 11/04/81 Palace Theater - Albany, NY 288 Jerry Garcia Band. Source: MAC(Nak 300s> Sony TC-D5M)>CDR>WAV>SHN. Taper: Jim Vita. Simple Twist of fate is missing. Source Detail notes
428. 11/04/81 Palace Theater - Albany, NY   JGB: Jim Vita's MAC (Unknown mics> Sony D5 [UD-XLIIs]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, xfer by David Minches. Source Detail notes
429. 11/06/81 Capitol Theater - Passaic, NJ 288 Jerry Garcia Band, early show: MAC (Recorded by Ohr Weinberg, Sony ECM 23f's [front floor] > Sony TC-D5M Dolby B) > Nakamichi Dragon playback > HHB CDR830plus > EAC > Sound Forge 5.0 > CD Wave Editor > SHNv3 (seek tables embedded). A>CD by Anne Cohen, EAC>SHN by cbass. Source Detail notes
430. 11/06/81 Capitol Theater - Passaic, NJ 974 JGB, partial Late Show: Nakamichi CM-300's > Sony TC-D5, recorded FOB, by unknown taper. Lineage: Unknown MAC > CDR transfer. CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC Source Detail notes
431. 11/07/81 McDonough Arena (Georgetown U.) - Washington, DC 288 Jerry Garcia Band: MA? > 1 cassette > Tascam 322 > Marantz CD500 > EAC > SHN Source Detail notes
432. 11/08/81 Alumni Gymnasium - Lawrenceville, NJ   Jerry Garcia Band: MAC (recorded by John Hance, Beyer M160s > Sony TCD-5M) > Nak Dragon playback > HHb 800 master CD > CDs > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). A > D by Jim Wise, CD > SHN by Joe Jupille. Source Detail notes
433. 11/10/81 The Palladium - New York, NY 148-02 Jerry Garcia Band, Early Show: MAC (Taped by Ohr Weinberg, Sony ECM-23f mics > Sony TC-D5M) > Nakamichi Dragon playback > HHb CDR-800 CD > EAC > SHN v3. Source Detail notes
434. 11/10/81 The Palladium - New York, NY 148-03 Jerry Garcia Band: Late Show: MAC > CD, two Beyer M160s (1 st Row Loge Center) > Sony TCD5M > Cassette Master Tape> Sound Forge 5 to break into tracks > Sound Stream to normalize > MKW to convert to SHN. Source Detail notes
435. 11/10/81 The Palladium - New York, NY 621 JGB, Late Show: MAC (Nakamichi CM-300s > Sony TC-D5M) > 1C > Sony TC-D5M (Dolby On) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums, and FLAC compression) > FLAC, by Andrew F (September 2006). Source Detail notes
436. 11/13/81 Orpheum Theater - Boston, MA 288 Jerry Garcia Band: Early & Late Shows: Nak 700s > Sony D5 > MAC > D > CD> EAC > MKWact > SHN Source Detail notes
437. 11/14/81 Patrick Gymnasium, UVM - Burlington, VT   Jerry Garcia Band: Two audience tapes of unknown source and lineage. Source "A" provides Set One and Roadrunner. Source "B" provides I'll Take A Melody thru Tangled Up In Blue. See info file for additional information. Source Detail notes
438. 11/19/81 Rainbow Music Hall - Denver, CO   Jerry Garcia Band: Unknown Audience Recording Source Detail notes
439. 12/18/81 The Stone - San Francisco, CA   Jerry Garcia Band: MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5 cassette deck [Maxell XLII]) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > patching (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
440. 12/19/81 Keystone - Berkeley, CA   Jerry Garcia Band: MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5 cassette deck [Maxell XLII]) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
441. 01/11/82 Old Waldorf - San Francisco, CA 857 JGB: MSC > DAT > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Source Detail notes
442. 02/02/82 The Catalyst - Santa Cruz, CA   MAC* > CDR > WAV > SHN. * admin noted 12/20/2010: the taper and gear were originally listed as unknown, then attributed to Steven Martin, but the tape was actually mastered by N Hoey, 2x Nakamichi CM 300s > Sony TC-D5m (Dolby B); Nakamichi Dragon (Dolby B decoded) > Panasonic 3700 DAT (tracking) > HHB CD. Source Detail notes
443. 02/03/82 The Catalyst - Santa Cruz, CA 897,903 MAC* > CDR > WAV > SHN. * admin note added 12/20/2010: this was recorded by N Hoey. It was listed as unknown, and then attributed to Steven Martin, but Hoey confirms that it is his master. 2x Nakamichi CM 300s > Sony TC-D5m (Dolby B); Nakamichi Dragon (Dolby B decoded) > Panasonic 3700 DAT (tracking) > HHB CD. Source Detail notes
444. 02/04/82 Keystone Palo Alto - Palo Alto, CA   Jerry Garcia Band :mSC> DAT> CDR> TAE> WAV> SHN; via Dan Metz, Mike Lai Source Detail notes
445. 02/27/82 Keystone Palo Alto - Palo Alto, CA   Jerry Garcia Band: MSC > DAT > CDR; via M.Perini; seeded to etree by eD Source Detail notes
446. 02/27/82 Keystone Palo Alto - Palo Alto, CA 857 JGB: MSC > DAT > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and Seeded by Green Mountain Bros. April 2007. Source Detail notes
447. 02/28/82 The Stone - San Francisco, CA   JGB; shnf; MSC > Dat> Cdr> Protools> shn. Missing How sweet it is which does circulate. Missing begining of They love each other and Sugaree Source Detail notes
448. 03/07/82 The Saddlerack - San Jose, CA   Jerry Garcia Band, complete: MFC > Tascam 322 playback > Marantz CDR500 > CDR [> SHN]. Source Detail notes
449. 03/18/82 Mojo's - Arcata, CA   Jerry Garcia Band: MAC (Taped by Tim Vallee) > cassette > NAD 6050C playback > SBM > PCM-R500 @44.1k (A/D only - no DAT) > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by Dan Gale. Source Detail notes
450. 03/19/82 Mojo's - Arcata, CA   Jerry Garcia Band: MAC (Taped by Tim Vallee) > cassette > NAD 6050C playback > SBM > PCM-R500 @44.1k (A/D only - no DAT) > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by Dan Gale. Source Detail notes
451. 03/20/82 Fireman's Hall - Garberville, CA   Jerry Garcia Band: SB > FM > C > ? > WAV > SHN. Source Detail notes
452. 04/10/82 Capitol Theatre (Early Show) - Passaic, NJ   Jerry Garcia Solo:SBD > ? > DAT > CDR > WAV > SHNv3. Posted to abgd 11/01 Source Detail notes
453. 04/10/82 Capitol Theatre (Early Show) - Passaic, NJ   Jerry Garcia Solo Acoustic: Late Show: SBD > ? > DAT > CD > WAV > SHN, with various fixing by Patrick Murphy. Source Detail notes
454. 04/10/82 Capitol Theatre (Early Show) - Passaic, NJ   Jerry Garcia Solo Acoustic: Early Show: SBD > ? > DAT > CDR > WAV > SHNv3, with patching, smoothing, pitch shift, & other fixing by Patrick Murphy. Source Detail notes
455. 04/21/82 Beacon Theatre - New York, NY 968 JGJK, late show: Sennheiser MD421s FOB (within the first 8 rows) Taper: Tom G; Generation: 2nd Gen off his Masters Transfer: Sony TCW-21(analog out)>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3@44.1khz>WAV>Poulderbits Sound Editor for (fades/cuts)>Media Join(join tape flips)>FlacFrontend (level-8)>flac-16 Source Detail notes
456. 04/21/82 Beacon Theatre - New York, NY   Garcia & Kahn, Late Show: MSC > PCM > DAT > CDs > HP 9350i extraction (EAC v0.9 beta 4) > patching (Sound Forge Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). EAC > SHN by Joe Jupille. Source Detail notes
457. 04/21/82 Beacon Theatre - New York, NY 937 JGJK, late show: Sennheiser MD421s FOB (within the first 8 rows) Taper: Tom G; Generation: 2nd Gen off his Masters Transfer: Sony TCW-21(analog out)>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3@44.1khz>WAV>Poulderbits Sound Editor for (fades/cuts)>Media Join(join tape flips)>FlacFrontend (level-8)>flac-16 Source Detail notes
458. 05/01/82 Keystone - Berkeley, CA   Jerry Garcia Band. Source: MSC > Cx > D > CDR > WAV > SHN. Missing Tangled Up In Blue. Source Detail notes
459. 05/05/82 Oregon State Prison - Salem, OR   Garcia & Kahn: "SBD> dat> cd> wav> shn", too early for a master DAT. Supposedly lacks the overload distortion characteristic of most circulating copies of this show. Source Detail notes
460. 06/04/82 Neighbors Of Woodcraft - Portland, OR   Source: SBD>CM>DAT>CDR>WAV>SHNv3. Minor flaws - see info file. Source Detail notes
461. 06/16/82 Music Mountain - South Fallsburg, NY 359-03 JGB: Jim Wise Master Audience Cassette; 2 Senn 421s/PZM Blend> Nak 550> Sony D-5 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Source Detail notes
462. 06/16/82 Music Mountain - South Fallsburg, NY 968 JGB, flac16 MOTB Release: 0057 16/44.1; John Steinthal's FOB MAC (2 x Nakamichi CM-300 > Sony TC-D5M > Sony TC-D5M (??) playback > TEAC AN-300 [Dolby Encode] > Technics RS-1506US [3.75 IPS] 1st gen reel > Technics RS-1506 playback > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg MR-1000 > Korg AudioGate > WAV [24/96]. Edited, mastered and downsampled to 16/44.1 on the GEMS Edit Station. Source Detail notes
463. 06/17/82 Veterans Memorial Coliseum - New Haven, CT 359-04 JGB: Jim Wise Master Audience Cassette; Senn MD-421s> Sony D-5 (10th Row; Maxell UDXLII) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac. Source Detail notes
464. 06/18/82 Cape Cod Coliseum - South Yarmouth, MA   Jerry Garcia Band: MSC > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > joined wavs (WavMerge v2.1) > normalization and minor editing (SF Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
465. 06/20/82 Cumberland County Civic Center - Portland, ME   Jerry Garcia Band: Steve Rolfe's FOB MAC w/ Nak 700's>Sony TC-D5m>DAT>CDR>WAV>SHNv3. With Bob Weir and Bobby Cochran on the encore. Source Detail notes
466. 06/24/82 Capitol Theater - Passaic, NJ 359-05 JGB, early and late shows. Early show: Jim Wise Master Audience Cassette; Senn MD-421s> Sony D-5 (10th Row; Maxell UDXLII); Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Late Show: Jim Wise Master Audience Cassette; Senn MD-421s> Sony D-5 (Row Q Center; Maxell UDXLII) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac. Source Detail notes
467. 06/25/82 Palladium - New York, NY 359-06 Garcia & Kahn: Jim Wise Master Audience Cassette; Senn 421s (Center, 1st Loge) > Sony D5 master cassette (Maxell UDXLII) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac. Source Detail notes
468. 06/28/82 Opera House - Boston, MA   Garcia & Kahn: MAC (Nak 700s > Sony TC-D5M, taped FOB by Steve Rolfe) > CD > EAC > SHN Source Detail notes
469. 08/23/82 Kabuki Theater - San Francisco, CA 897,903 Garcia & Kahn, early and late shows: Source: FOB (25' from stage DFC) > Nak 700's > Sony D5M (Dolby B, Maxell metal cassette), recorded by Bob Menke; transfer: cassette master > Echo Event Gina A/D > Sound Forge 4.5 > CDR > EAC (secure mode) > CDWave (retracked on sb's) > SHN (MKWACT). A>D by Bob Menke, EAC/Shn'ed by Charlie Connor. Source Detail notes
470. 10/13/82 The Catalyst - Santa Cruz, CA   Jerry Garcia Band: MAC (Taped by N Hoey*) > CD > WAV > SHN. * admin note 12/20/2010: this recording used to be attributed to Steven Martin, but Hoey confirms that it is his master. Source Detail notes
471. 10/30/82 Mesa Ampitheater - Mesa, AZ   JGB: AUD (unknown lineage) > CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH (checksums, SBE-fix, FLAC compression) Source Detail notes
472. 11/03/82 Riverboat President - New Orleans, LA   Jerry Garcia Band, S:C>C>D>CD>EAC>SHN Source Detail notes
473. 11/07/82 The Tower Theatre - Upper Darby, PA   JGB, early & late shows: Brent Z.'s MAC (hand-held stereo recorder, likely an early Walkman) > 1st gen cassettes > Sony TC-D5M playback > Soundblaster > Soundforge > CD-Wave > TLH (for SBE-OK, checksums, and lossless compression) > FLAC > bt.etree, by Andrew F. Source Detail notes
474. 11/09/82 E.M. Loew Center for the Performing Arts - Worcester, MA 857 JGB, early and late shows: SBD(x) > unknown gen TDKSA90 cassette Played on a Nak CR3A > hp computer > Sound Forge (vol@5.5db) > CD wave > Flac. Source Detail notes
475. 11/10/82 Livingston Gym (Livingston College - Rutgers U.) - Piscataway, NJ 897,903 JGB: Steve Adelman's MAC (Nak100s > D5) > 1st gen cassette > playback on cleaned/demagged Nakamichi DR-2 tape deck > Presonus Firebox (pre-amp and A-D conversion) > firewire/PC/XP > Wavelab 5, recorded as 24 bit/96 KHz WAV > digital subtraction NR using Waves XNoise, mastering with L3 Multimaxmizer and rendered to 16 bit/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). 1st gen cassette provided by Bill Koucky. Source Detail notes
476. 11/11/82 Felt Forum (Madison Square Garden) - New York, NY   Jerry Garcia Band: Early & Late Shows: MAC > ? > CD > SHN. Taped by Jim Wise, extracted, .shn'd, and posted to abgd by weatherbee. Source Detail notes
477. 11/11/82 Felt Forum (Madison Square Garden) - New York, NY   JGB; late show: Mark Cohen's FOB 2x Nakamichi 700 > Sony TC-D5 > Nak Dragon playback > ART DI/O > HD > WAV (Cool Edit 2000) > SHN (mkwACT) > wav (mkwACT) > minor patching (SF 6.0) > shn (mkwACT). Cassette > SHN by David Minches, patch by Joe Jupille. Source Detail notes
478. 11/11/82 Felt Forum (Madison Square Garden) - New York, NY 876,953 JGB, Early & Late Shows: Jim Wise MAC (Early Show: Beyer M160s w/ Senn 421 blend at SB [Maxell XLIIS] > Uher cassette deck; Late Show: Senn 421s at SB > Uher cassette deck [Maxell XLIIS]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC, transfer by David Minches. Source Detail notes
479. 11/11/82 Felt Forum (Madison Square Garden) - New York, NY 897,903 Jerry Garcia Band, Early Show: MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > Nak Dragon playback > ART DI/O > HD > WAV (Cool Edit 2000) > shntool > SHN (mkwACT). Cassette > SHN by David Minches. Source Detail notes
480. 11/13/82 Bushnell Auditorium - Hartford, CT   JGB: Jim Wise Master Audience Cassette; Senn 421s (7th row center, hand-held) > Sony D5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac. Source Detail notes
481. 11/15/82 Wilkins Theatre (Kean College) - Union, NJ 635 JGB, late show: Jim Vita's MAC (2 Sennheiser 421s [16th row center] > Sony D5) > Nakamichi Dragon playbac > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches. Source Detail notes
482. 01/13/83 Keystone - Berkeley, CA 980,981 Jerry Garcia Band: MSC > ? > DAT > Marantz 631 w/ 110 ohm AES cord(resampled 48 > 44.1 & tracked) > CD > EAC > MKW > SHN Source Detail notes
483. 01/23/83 Keystone - Berkeley, CA 582 Source: SBD>MC>PCM>DAT>WAV>SHN, set 1 only. Source Detail notes
484. 01/24/83 Keystone - Berkeley, CA 582 Source: SBD>MC>PCM>DAT>WAV>SHN. Source Detail notes
485. 02/27/83 Keystone Palo Alto - Palo Alto, CA 980,981 Source: SBD>MC>DAT>CDR>WAV>SHN. Partial -missing the middle of the second set. See info file. Source Detail notes
486. 03/02/83 San Francisco Civic Auditorium - San Francisco, CA 974 Garcia & Weir: Walter Keenan's master FM cassette > Nakamichi Dragon playback > Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe soundcard> HD; Editing and downsampling performed in Adobe Audition; Flac Encoded. Transfer by David Minches. Source Detail notes
487. 03/05/83 Civic Auditorium - Santa Cruz, CA 565,582 Jerry Garcia Band: MSC > DAT > CDR; seeded by eD Source Detail notes
488. 03/05/83 Civic Auditorium - Santa Cruz, CA 582 Jerry Garcia Band: MSC > DAT > CDR; seeded by eD Source Detail notes
489. 03/11/83 Arlington Theater - Santa Barbara, CA   Source: SBD>MC>?>CDR>WAV>SHN. Missing tracks - see info file for details. Source Detail notes
490. 03/12/83 Beverly Theatre - Beverly Hills, CA   Jerry Garcia Band. Complete Early show. MAC>?>CDR>WAV>SHN. Source Detail notes
491. 03/12/83 Beverly Theatre - Beverly Hills, CA   Jerry Garcia Band, Late Show: MAC ("Tapers from Hell", Nakamichi CM-300 mics (hand-held in X-Y pattern, 15th row left of center] > Sony D5 [Dolby B, Maxell XLIIS "chrome"]) > Sony TC-D5M playback > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz master DAT > Tascam DA-20mkII DAT playback > Marigo Audio Lab Apparition Reference Coaxial / RCA cable > Tascam 700 CDRW master CD > Marantz CDR 550 Dual Well Recorder CD clone (DAO, 1x) > CD clone (no details) > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
492. 05/20/83 Rainbow Theater - Denver, CO   Jerry Garcia Band: MAC (Sennheiser K-403 > D5) > CDR > SHN. Taper: unknown. (Admin note: David White taped this show with these mics, but whether this is from his master remains TBD.) Source Detail notes
493. 05/28/83 Cape Cod Coliseum - South Yarmouth, MA   Jerry Garcia Band. Source: MAC(Jim Vita FOB Sennheiser 421 > Sony TC-D5M cassette deck)>D>CDR>WAV>SHN. Source Detail notes
494. 05/28/83 Cape Cod Coliseum - South Yarmouth, MA 582 JGB: Jim Vita's MAC (2 Sennheiser 421s with Beyer mic blend, recorded on right-hand side in front of the SB > unknown deck [Maxell XLIIS]); Transfer and FLAC encoding by David Minches: Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac. Source Detail notes
495. 05/29/83 Bushnell Auditorium - Hartford, CT 588 JGB: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, transfer by David Minches. Source Detail notes
496. 05/29/83 Bushnell Auditorium - Hartford, CT 921 Jerry Garcia Band: MAC (Taped by Jim Vita, Sennheiser 421s [at the board] > Sony TCD-5M) > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
497. 05/30/83 Bushnell Auditorium - Hartford, CT 635 JGB: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, transfer by David Minches. Source Detail notes
498. 05/30/83 Bushnell Auditorium - Hartford, CT 930 Jerry Garcia Band: MAC (Taped by Andrew Faintych using a Marantz 340 cassette deck and AKG mics resting on the rail of the balcony) > CD > EAC > SHN v3. EAC and SHN by cbass@usa.net. Source Detail notes
499. 05/31/83 Roseland Ballroom - New York, NY   Jerry Garcia Band: MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > master played back on Nak Dragon > ART DI/O > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille. Source Detail notes
500. 05/31/83 Roseland Ballroom - New York, NY   JGB: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII)]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, xfer by David Minches. Source Detail notes
501. 06/01/83 Roseland Ballroom - New York, NY 981 Jerry Garcia Band: MAC > DAT > SHN. Recorded by Chris Beach, 3 Nak 701s > Mx-100 pre-amp (modified) > Sony D-5 cassette master > D10 > SHN Source Detail notes
502. 06/03/83 Capitol Theater - Passaic, NJ 647B JGB, early and late shows: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, transfer by David Minches. Source Detail notes
503. 06/04/83 The Chance - Poughkeepsie, NY 647B,858 JGB, late show: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > FLAC, transfer by David Minches. Source Detail notes
504. 06/05/83 The Tower Theatre - Upper Darby, PA 588 JGB, early & late shows: 2 Nakamichi 300s > Sony D-5 MAC > 1 cassette > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches. Source Detail notes
505. 07/24/83 Nevada County Fairgrounds - Grass Valley, CA   Source: Nak700s>MAC > C > CD>WAV>SHN. Taper: Bob Menke Source Detail notes
506. 09/30/83 The Country Club - Reseda, CA 997 Jerry Garcia Band: MAC (unknown details) > 1 cassette > VHS HiFi > Sony SLV626 playback > Harman Kardon CDR2 master CD > 1 CD > EAC > FLAC. VHS > CD transfer by vertiklman. Source Detail notes
507. 10/01/83 Beverly Theatre - Beverly Hills, CA   Jerry Garcia Band: Taped by Joe Pinedo, Sony 939 > Sony D6 > 1st Gen Cassette (Maxell XLII 90 with Dolby B) > Nakamichi BX300 > Macintosh > Peak Bias > JAM > cdr > eac > mkw > shntools. Transfer & CD mastering/shn conversion by Brian Mandel. Source Detail notes
508. 10/01/83 Beverly Theatre - Beverly Hills, CA 921 Jerry Garcia Band, set I: MAC (unknown details) > 1 cassette > VHS HiFi > Sony SLV626 playback > Harman Kardon CDR2 master CD > 1 CD > EAC > FLAC. VHS > CD transfer by vertiklman. Source Detail notes
509. 11/12/83 Keystone Palo Alto - Palo Alto, CA   Source: MSC>C4>DAT>WAV>SHN, except for d1t01 and brief splice in d2t01 which are from John Corley's Nakamichi source. Cassette > DAT via J.Powell. DAT>WAV>SHN via C.Ladner. Source Detail notes
510. 11/12/83 Keystone Palo Alto - Palo Alto, CA   Jerry Garcia Band: SBD > CM > DAT Transfer: DAT (60ES) > Waveterminal U2A (48 > 44.1) > CDWAV > Goldwave used to normalize to 100% > CDWAV used for tracking and conversion to Flac. Source Detail notes
511. 11/14/83 The Stone - San Francisco, CA   MSC>DAT>CDR>WAV>SHN. The beginning/first notes of several tracks are clipped by in-between song tape pauses including: d1t01, d1t02, d2t01. Source Detail notes
512. 11/15/83 Keystone - Berkeley, CA   Jerry Garcia Band: MAC (Taped by John Corley, gear not certain at this time) > DAT? > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
513. 11/23/83 Arie Crown Theater - Chicago, IL   Jerry Garcia Band, early and late shows: Dave Cohen's Senn 421s > Sony D5 > unknown playback deck to Panasonic 3700 > Tascam DA-30 playback > Digial Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches. Source Detail notes
514. 11/23/83 Arie Crown Theater - Chicago, IL 980,982 JGB: Nakamichi 300 w/ CP4 & WMD5, recorded from 1st row balcony. Source Detail notes
515. 11/25/83 Cleveland Music Hall - Cleveland, OH   Jerry Garcia Band: Probable MSC > DAT > CD > EAC > slight modifications > SHN. This is a retracked and slightly processed upgrade, via Jake Mercatoris, of the previously circulating .shn set. Source Detail notes
516. 11/25/83 Cleveland Music Hall - Cleveland, OH   Jerry Garcia Band: MAC (FOB, unknown taper & gear) > 2 cassette gens > Sony TC-WE475 playback > Sony R500 (Pass Through) > SEK'D Prodif Plus > Samplitude Professional v8.01 -> FLAC/16. Transferred and edited by Charlie Miller. Source Detail notes
517. 11/25/83 Cleveland Music Hall - Cleveland, OH   JGB: Matrix (SBD/AUD mix). See info file for details. Source Detail notes
518. 11/25/83 Cleveland Music Hall - Cleveland, OH 565 Jerry Garcia Band:Sbd> Mcass> ??> Dat>Cdr. Seeded by Mike Lai Source Detail notes
519. 11/25/83 Cleveland Music Hall - Cleveland, OH 921 Jerry Garcia Band: Probable MSC > DAT > CD > EAC > slight modifications > SHN. This is a retracked and slightly processed upgrade, via Jake Mercatoris, of the previously circulating .shn set. Source Detail notes
520. 11/26/83 Forum Theater - Binghamton, NY   Source: SBD>MC>DAT>CDR>WAV>SHNv3. Complete show. Source Detail notes
521. 11/26/83 Forum Theater - Binghamton, NY 565 Jerry Garcia Band: Early Show. Sbd> Mcas> ??> Dat> Cdr. Seeded by Mike Lai Source Detail notes
522. 11/27/83 Constitution Hall - Washington, DC   Jerry Garcia Band: MSC > DAT > CDR > WAV > SHN. DAT transfer to CDR via D.Minches. SHN encoding/initial FTP transmission via C.Ladner/candyman FTP. Source Detail notes
523. 11/29/83 Veterans Memorial Auditorium - Providence, RI   Jerry Garcia Band: MSC > DAT > CDR > WAV > SHNv3. Source Detail notes
524. 11/30/83 Hartford Agora - Hartford, CT   Jerry Garcia Band: MAC (Taped by Michael Laurentus, Stereo Aiwa mics [hidden in wrist splint @ cheek level] > unknown deck) > DAT > WAV > SHN. Source Detail notes
525. 12/02/83 Tower Theater - Upper Darby, PA 565 Jerry Garcia Band: MSC -> DAT -> Digi001 -> SHN. This set, via Chris Ladner, fixes sector boundary errors on the existing .shn set. Source Detail notes
526. 12/02/83 Tower Theater - Upper Darby, PA   JGB: MAC (2 Sennheiser 441s > Sony D-5) > 1st gen cassette > Nakamichi Dragon playyback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, xfer by David Minches. Source Detail notes
527. 12/02/83 Tower Theater - Upper Darby, PA 997 Jerry Garcia Band:Mcas> Dat> Digi001> Shn. Missing very begining of How sweet it is and Gomorrah. Cuts are very minor; [txt/md5s] Source Detail notes
528. 12/03/83 Orpheum Theater - Boston, MA   Jerry Garcia Band: early and late; Master Soundboard Cassette > DAT > CDR, Seeded by Scott Clugston Source Detail notes
529. 12/03/83 Orpheum Theater - Boston, MA 588 JGB, early and late shows: MAC (2 Sennheiser 421s > Sony D-5 [Maxell MX-90s]) > 1 cassette > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, transfer by David Minches. Source Detail notes
530. 12/04/83 Gymnasium (SUNY) - Stony Brook, NY   Jerry Garcia Band: MAC (Sennheiser MD-421 mics > D-5 > D-5 [patch] > Nakamichi DR-3 (playback) > Sony Super Bit Mapping > EGOSYS 2496 (soundcard) > SF 4.5 > CD Wave > MKWACT (original .shn set) > sector boundary error fix using .shntool > re-.shn (seekable). Taped, transferred, and originally .shn'd by Dean, fixed and re-.shn'd by Chris L. Source Detail notes
531. 12/06/83 Flynn Theater, Early Show - Burlington, VT   Source: AUD* > CM > DAT > CDR > WAV > SHN *Microphone and taper unknown. Thanks to David Minches for CDR source; CDR > SHN via C.Ladner Source Detail notes
532. 12/06/83 Flynn Theater, Early Show - Burlington, VT   Source: AUD* > CM > DAT > CDR > WAV > SHN *Microphone and taper unknown. Thanks to David Minches for CDR source; CDR > SHN via C.Ladner Source Detail notes
533. 12/07/83 Calvin Coolidge Cage, Amherst College - Amherst, MA   Jerry Garcia Band: MAC > PCM > DAT > CD > WAV > SHN. This is the complete show. Source Detail notes
534. 12/07/83 Calvin Coolidge Cage, Amherst College - Amherst, MA 953 Jerry Garcia Band: Set I only: MAC (Taped by Mark Horvath, 3 Audio Technica ATM 11s > Sony TCM D-5) > Sony TC-we 435 playback > analog Coax Cables > analog inputs > Philips CDR 870 > master CD > EAC 3x > .wavs compared by MD5s and EAC's .wav compare tool > Cool Edit (rejoin tracks and fades)# > CD-WAV (Re-Tracking) > MKW ACT 0.96 > SHN > SHN conversion by Jan Welch. Source Detail notes
535. 12/09/83 Beacon Theater - New York, NY   Jerry Garcia Band: Early Show: MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > Tascam 122MKIII playback > Tascam DA-40 master DAT > Tascam DA-30 playback > WAV > .shn > sector boundary fix (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by Mark Cohen, D > CD by David Minches, CD > SHN by Joe Jupille. Source Detail notes
536. 12/09/83 Beacon Theater - New York, NY   Jerry Garcia Band: Late Show: MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > Tascam 122MKIII playback > Tascam DA-40 master DAT > Tascam DA-30 playback > WAV > .shn > sector boundary fix (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by Mark Cohen, D > CD by David Minches, CD > SHN by Joe Jupille. Source Detail notes
537. 12/10/83 Capitol Theatre - Passaic, NJ   Jerry Garcia Band, Early and Late Shows: Senn 421s @ the sbd > Sony D5 (unknown taper) > DAT(x) > Tascam DA-30 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches. Source Detail notes
538. 12/11/83 Laker Hall- SUNY - Oswego, NY   Jerry Garcia Band: Taped by Ray Ackerman, handheld Shure mics (10th row center) > Sony TC-D6 > unknown transfer details > CD > EAC > FLAC. Transfer by Ray Ackerman. Source Detail notes
539. 12/13/83 Kean College - Union, NJ   Jerry Garcia Band, early and late shows: MAC (unknown taper & gear) > Nakamichia CR7A playback > Panasonic 3700 DAT > Tascam DA-30 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool > FLAC. Source Detail notes
540. 12/13/83 Kean College - Union, NJ 921 JGB, early and late: John Newberger's MAC (Nak 300s > Sony D6) > GoodBear Cassettes > GoodBear Computer (perhaps minor editing) > GoodBear CD's > EAC > FLAC. Source Detail notes
541. 01/13/84 Paramount Northwest Theater - Seattle, WA   Jerry Garcia Band: MAC (Taped by Pat Lee, Sony ECM 270s > Sony D5M) > Nakamichi Dragon playback > Egosys Waveterminal 2496 > Cool Edit 2000 > shntool > .shn (mkwACT) > wav (mkwACT v0.97 beta 1) > slight editing (Sony SoundForge Audio Studio 7.0) > shntool > level 8 flac encoding (FLAC Frontend). Source Detail notes
542. 01/14/84 Civic Auditorium - Portland, OR   Jerry Garcia Band: AUD>?>CDR>EAC>CoolEdit 2000 (Tracking, Equalization)>WAV>SHN (seekable) Source Detail notes
543. 01/14/84 Civic Auditorium - Portland, OR 388 Jerry Garcia Band: Taped by Andrew F., Sony ECM-99A stereo mic (resting on the balcony rail just to stage-left of center, in "Center Box 9") > Marantz PMD-340 (Maxell XL-II 90s) > Sony TC-D5M playback > Soundblaster > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (SBE-OK, Flac compression, checksums), transfer by Andrew F. Source Detail notes
544. 01/14/84 Civic Auditorium - Portland, OR 904 Jerry Garcia Band: MAC (Taped by Otto Rice, Senn 441s > Sony D5M) > Marantz PMD 510 playback > HHB 850 CDR/0 > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (Sound Forge Studio 6.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (FLAC Frontend v1.7.1 Etree edition). Source Detail notes
545. 01/14/84 Civic Auditorium - Portland, OR 1059 Jerry Garcia Band: Taped by Andrew F., Sony ECM-99A stereo mic (resting on the balcony rail just to stage-left of center, in "Center Box 9") > Marantz PMD-340 (Maxell XL-II 90s) > Sony TC-D5M playback > Soundblaster > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (SBE-OK, Flac compression, checksums), transfer by Andrew F. Source Detail notes
546. 01/16/84 Silva Hall, Hult Center - Eugene, OR   Jerry Garcia Band: MC > C > CD > WAV > SHN* Sennheiser MD441's > Sony TC-D5(M?)no Dolby center orchestra, taper unknown. Sony TC-D5M > Marantz PMD340, no Dolby Maxell UDXLII90 (XLII90 Tangled & Midnight Moonlight)1st gen by Andrew Faintych 1/84. *[Cats Under The Stars separate source, shn txt provides: "AUD>?>CD>EAC>WAV>Cool Edit 2000(eq, reduce overall volume, boost bass)>SHN. Thanks Chuck Gannon for the discs, EAC/SHN by jim@juddcreek.com 4/03"] A-D transfer: 1st gen cassette > Nakamichi Dragon > HHB CDR830plus > WAV (EAC) > Sound Forge 5.0 > CD Wave Audio Editor 1.71 > WAV > SHN. Cats SHN > (mkwACT)WAV > Sound Forge 5.0 > CD Wave 1.71 > SHN Transfer 9/04, editing, tracking > CD > SHN(seekable)10/04 by Anne Cohen (taper@optonline.net) Source Detail notes
547. 01/16/84 Silva Hall, Hult Center - Eugene, OR 287 Jerry Garcia Band, IIp: Sbd > Analog Master > 4th Gen Cassette (Sony UX-PRO 90) Transfer: 4th Gen Cassette (NAD 6050C) > SBM > PCM R500 (pass through for A/D only @44.1kHz) > VXPocket v2 > Sound Forge (v. 6.0) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC Source Detail notes
548. 01/16/84 Silva Hall, Hult Center - Eugene, OR 565 Jerry Garcia Band: AUD>?>CD>EAC>WAV>CE2k (tracking, equalization)>SHN Source Detail notes
549. 01/16/84 Silva Hall, Hult Center - Eugene, OR 915 Jerry Garcia Band: AUD>?>CD>EAC>WAV>CE2k (tracking, equalization)>SHN Source Detail notes
550. 01/16/84 Silva Hall, Hult Center - Eugene, OR 1059 Jerry Garcia Band, IIp: Sbd > Analog Master > 4th Gen Cassette (Sony UX-PRO 90) Transfer: 4th Gen Cassette (NAD 6050C) > SBM > PCM R500 (pass through for A/D only @44.1kHz) > VXPocket v2 > Sound Forge (v. 6.0) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC Source Detail notes
551. 03/02/84 Keystone Palo Alto - Palo Alto, CA   Jerry Garcia Band:Source:SB Master Reel > Cassette > DAT > CD Transfer: DA-P1 > Zafiro ZA-2 > NT 4.0/SoundForge XP 4.0 > CDRWIN Source Detail notes
552. 03/02/84 Keystone Palo Alto - Palo Alto, CA 904 JGB: SBD > Cm > Dat > Panasonic SV-3700 > Audiophile 2496 > WaveLab > iZotope Ozone > CDWav > Flac. Source Detail notes
553. 03/02/84 Keystone Palo Alto - Palo Alto, CA 1059 JGB: SBD > Cm > Dat > Panasonic SV-3700 > Audiophile 2496 > WaveLab > iZotope Ozone > CDWav > Flac. Source Detail notes
554. 03/04/84 The Stone - San Francisco, CA   Jerry Garcia Band: MSC > DAT > CDR > WAV > SHN. Source Detail notes
555. 03/04/84 The Stone - San Francisco, CA 904 JGB: SBD > Cm > Dat > Panasonic SV-3700 > Audiophile 2496 > WaveLab > iZotope Ozone > CDWav > Flac Source Detail notes
556. 03/04/84 The Stone - San Francisco, CA 1059 JGB: SBD > Cm > Dat > Panasonic SV-3700 > Audiophile 2496 > WaveLab > iZotope Ozone > CDWav > Flac Source Detail notes
557. 03/09/84 Keystone Palo Alto - Palo Alto, CA   Jerry Garcia Band: MAC (Taped by Dan Gale, Sony ECM939LT [from tables just behind dance floor] > Sony TCS-350) > NAD 6050C playback > SBM > DAT @44.1k (PCM-R500) > VXPocket v2 > Sound Forge (v.4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN, transfer by Dan Gale. Source Detail notes
558. 03/09/84 Keystone Palo Alto - Palo Alto, CA   Jerry Garcia Band: MAC (Taped by John Corley, Nak 700s > Sony TC-D5M) > D > CD > WAV > SHN. Source Detail notes
559. 03/10/84 Keystone - Berkeley, CA   Jerry Garcia Band: MAC (Taped by Dan Gale, Sony ECM939LT [front of balcony] > Sony TCS-350) > NAD 6050C playback > SBM > DAT @ 44.1k (PCM-R500) > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by Dan Gale. Source Detail notes
560. 03/10/84 Keystone - Berkeley, CA   Jerry Garcia Band: MSC > DAT > CDR > WAV > SHN Source Detail notes
561. 03/21/84 Keystone - Berkeley, CA   Jerry Garcia Band: MSC > DAT > CDR > WAV > SHNv3. Source Detail notes
562. 03/22/84 Keystone - Berkeley, CA   Jerry Garcia Band: MAC (Taped by John Corley, Nak700) > D > CD > WAV >SHN. Source Detail notes
563. 05/12/84 The Stone - San Francisco, CA   Jerry Garcia Band: Realistic 'Pzm' mics > D-6 > Eq > Cas > Jb3 > Goldwave > Cdwav > Flac Transferred And Flac Encoded By Jason Flair. See comments for end of set II patch from John Corley's master. Source Detail notes
564. 05/12/84 The Stone - San Francisco, CA wdmain JGB: Don Dearth's MAC (Sony D6C w/Sony Stereo Microphone [TDKSA90]) > Nakamichi CR3A (No Dolby) > HP computer > Sound Forge (Vol@5.6db) > CD Wave > Flac. Source Detail notes
565. 05/18/84 Irvine Meadows Ampitheater - Irvine, CA   Jerry Garcia Band: Senn md421's 90* just past xy (early n.c. pattern) hand held 9th row dfc > Sony TC-D5 udxlII 90min cass. "B"n.r; Transfer: Master cass. playback via sony tc-d5m "B"n.r. (not master deck)> Tas DA-20mkII 48k, > Tascam cdrw700 for cdr master; Marantz cdr 500 dual well -> CD-r (copy of master CDR); Up to this point all taping and transfer was done by Mike French; Additional transfer: CDR-> EAC -> FLAC Frontend (16/44.1); (Transfer done by Brian Costigan -BCostigan@taperssection.com). A .shn version of this master also circulates. Source Detail notes
566. 05/18/84 Irvine Meadows Ampitheater - Irvine, CA 287 Jerry Garcia Band: FM-SBD > MC > Cx > CD > EAC > WAV > FLAC (level 5). Source Detail notes
567. 05/18/84 Irvine Meadows Ampitheater - Irvine, CA 858 JGB: Mike French's Sennheiser MD-421's (modified XY90, hand-held @ 6', 9th row center orchestra) > Sony TC-D5 no n.r., Maxell UD-XLII 90 master cassette; unknown transfer > CD, via Mike French. NB: Robert Hunter set also included. Source Detail notes
568. 05/18/84 Irvine Meadows Ampitheater - Irvine, CA 1059 JGB: Mike French's Sennheiser MD-421's (modified XY90, hand-held @ 6', 9th row center orchestra) > Sony TC-D5 no n.r., Maxell UD-XLII 90 master cassette; unknown transfer > CD, via Mike French. NB: Robert Hunter set also included. Source Detail notes
569. 05/20/84 The Country Club - Reseda, CA 921 JGB: 2 Nak CM 300s w/CP-1 caps (no guns) > Sony D-5 > DAT > HHB 830 CD Recorder (Stand Alone) > ? > FLAC. Source Detail notes
570. 05/20/84 The Country Club - Reseda, CA 930 JGB: 2 Nak CM 300s w/CP-1 caps (no guns) > Sony D-5 > DAT > HHB 830 CD Recorder (Stand Alone) > ? > FLAC. Source Detail notes
571. 06/03/84 Kabuki Theater - San Francisco, CA   Garcia&Kahn: SBD : MC > DAT > CDR Source Detail notes
572. 06/03/84 Kabuki Theater - San Francisco, CA   Garcia&Kahn: SBD : MC > DAT > CDR Source Detail notes
573. 07/28/84 Keystone Palo Alto - Palo Alto, CA 565 Jerry Garcia Band: MSC > PCM > Cass > DAT > ZA2 > CDR > WAV > SHNv3. CDR seeds via JR Wolk, SHN/FTP via C.Ladner/candyman FTP. Source Detail notes
574. 07/29/84 Keystone Palo Alto - Palo Alto, CA   Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] >Sony TCD5M > CDR > EAC > CDWave (retracked) > Shn. A>D transfer by Dan Ward, EAC'ed / retracked / Shn'ed by Charlie Connor. Source Detail notes
575. 07/31/84 The Stone - San Francisco, CA 877 Jerry Garcia Band: MSC > PCM > Cass > DAT > ZA2 > CDR > WAV > SHNv3, seeded via neo_levo/candyman FTP. Source Detail notes
576. 08/01/84 The Stone - San Francisco, CA 287 Jerry Garcia Band: MAC > DAT > CD > EAC > SHN. Taped by Craig and Kenny [Mance] at the "lip of the stage," AKG CE-1 > Uher CR-240. A>D by aoxoa, Uher CR-240 > Sony PCM R-500. Source Detail notes
577. 08/07/84 Mann Music Center - Philadelphia, PA   Jerry Garcia Band: FOB 10th row center, 2 Beyer Dynamic 160s > Sony TCD5M > Sony CDR-W66 > EAC > CDWave > SHN. Taped and Transferred by John Ficca. Source Detail notes
578. 08/08/84 D.A.R. Constitution Hall - Washington, DC 291 Jerry Garcia Band: Senn441's on stand FOB -> Cassette Master (Sony TCD5M/UDXL-II) -> 1st gen UDXLII -> Yamaha KX800u cassette deck -> Apogee AD500e rev02 -> SonyR500 DAT -> HHB850 CDR -> EAC Secure Mode -> FLAC7. Source Detail notes
579. 08/10/84 Rocky Glen Amusement Park - Moosic, PA 287 Jerry Garcia Band: Taper: Bill Reutelhuber; Recording Info: (FOB) Nakamichi CM300/CP4 -> Cassette Master (Sony D5/Maxell Metal Tape) Transfer Info: Cassette Master (Nakamichi Deck/Azimuth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k). Process Info: Processed through Nuendo using Waves Q10 and Waves L2 and rendered down to a 16 bit wave file. Recorded and Transfered BY Bill Reutelhuber Tracked and SHN'd By Charlie Miller. Source Detail notes
580. 08/10/84 Rocky Glen Amusement Park - Moosic, PA 287 Jerry Garcia Band: MAC (Nak CM-300s > Sony D5 [Dolby]) > Cool EditPro > CD > WAV > SHN Source Detail notes
581. 08/10/84 Rocky Glen Amusement Park - Moosic, PA 635 JGB: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > FLAC, transfer by David Minches. Source Detail notes
582. 08/11/84 Caldwell College - Caldwell, NJ 287 Source: Most probably re-eac of FOB Stealth Mics (see notes) Source Detail notes
583. 08/11/84 Caldwell College - Caldwell, NJ 635,824 JGB: Jim Vita mac (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC, transfer by David Minches. Source Detail notes
584. 08/12/84 Club Casino Ballroom - Hampton Beach, NH 288 JGB: shnf; Jeff Silberman MAC (Senn 441s > unknown deck) > DAT > CD > EAC > SHN. Source Detail notes
585. 08/12/84 Club Casino Ballroom - Hampton Beach, NH 288 JGB; shnf; S. Ziemba MAC (Nakamichi 300 > Sony D5) > ?? > cdr > EAC > SHN, via Mike Lai. Source Detail notes
586. 08/13/84 Club Casino Ballroom - Hampton Beach, NH 288 JGB; Lineage: AUD > ??? > DATc (@48kHz); Transfer: Panasonic SV-3700 > S/PDIF > M-Audio 410 > FireWire400 > PowerMac G5 > Soundtrack Pro v1.0.1 (tracking & 48k > 44.1k resample) > WAV > xACT > flac 8 Source Detail notes
587. 08/15/84 Orange County Community College - Middletown, NY 288 Jerry Garcia Band: MAC (Luke R.'s Senn MD-441's > Sony TC-D5M, no Dolby) > Sony TC-D5M playback > Marantz PMD-340 (no Dolby) first gen cassette > Nakamichi Dragon playback > HHB CDR830plus > EAC > Sound Forge 6.0 > CDWave 1.94.5 > wav > shn. First gen cassettes from Andrew F., transfer by Anne Cohen. Source Detail notes
588. 08/15/84 Orange County Community College - Middletown, NY 288 Jerry Garcia Band: MAC (Luke R.'s Senn MD-441's > Sony TC-D5M, no Dolby) > Sony TC-D5M playback > Marantz PMD-340 (no Dolby) first gen cassette > Nakamichi Dragon playback > HHB CDR830plus > EAC > Sound Forge 6.0 > CDWave 1.94.5 > wav > shn. First gen cassettes from Andrew F., transfer by Anne Cohen. Source Detail notes
589. 08/15/84 Orange County Community College - Middletown, NY 288 Jerry Garcia Band: Rick Pauline & Rob Berger, Senn 421s (20 feet in front of the board) > Sony D5 master cassette > Nakamichi Dragon playback > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > shntool > flac encoding > wav > slight modifications (see notes) > flac encoding. Source Detail notes
590. 08/16/84 Port Haven/Good Skates - East Setauket, NY 565,290 Jerry Garcia Band: MAC (Taped by Joe D'Amico, Nakamichi CM-300 mics > Sony D5) > Ultracurve Pro-Digital 24 bit DSP mainframe > HHb master CD > CDs > HP 9350i extraction (EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
591. 08/18/84 UIC Pavilion - Chicago, IL 290 Jerry Garcia Band: Sennheiser 421 > D5 > DAT; Transfer: D8 > MAudio DiO 2448 > Soundforge 5.0 > CDWave 1.62 >cdr>eac>shn Source Detail notes
592. 08/18/84 UIC Pavilion - Chicago, IL 958 Jerry Garcia Band: AUDMC (Taped by Brian O'Connell: 10th row center, Nak 100's w/ shotgun caps > D5) > DAT > CDR > EAC > SHN Source Detail notes
593. 08/26/84 Keystone Palo Alto - Palo Alto, CA 290 Jerry Garcia Band. Source: MAC(Nak 700s > Sony TC-D5M) > D > CD > WAV > FLAC(level 8). Taper: John Corley. DAE and FLAC encoding via C.Ladner. Source Detail notes
594. 08/26/84 Keystone Palo Alto - Palo Alto, CA 946 JGB: Don Dearth's Sony stereo mic > Sony D6C MAC > Nakamichi CR3A playback > Hp Computer (no dolby) > Sound Forge Vol@ 5.5DB and normalized > Flac7, transferred by John Moses. Source Detail notes
595. 08/27/84 Keystone Palo Alto - Palo Alto, CA 946 Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M) > CDR > EAC > CDWave (retracked) > SHN. EAC'ed / retracked / Shn'ed by Charlie Connor, via Bob Menke. Source Detail notes
596. 08/28/84 Wolfgang's - San Francisco, CA 290 JGJK: aud > dat > wav > flac > wav > flac. Source Detail notes
597. 09/15/84 The Stone - San Francisco, CA 290 Jerry Garcia Band: Master soundboard cassette > cassette x 2 > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0) Source Detail notes
598. 11/16/84 Eisenhower Auditorium (Penn. State U.) - University Park, PA 915 Garcia & Kahn: AUD (unknown mics and taper) > ? > CDR > WAV >SHN. Source Detail notes
599. 11/17/84 Orpheum Theatre - Boston, MA   Garcia & Kahn: speed correction of shnid 30874. Source Detail notes
600. 11/17/84 Orpheum Theatre - Boston, MA 946 Garcia & Kahn: MAC (Taper = Mark ___; unknown mics, dfc 1st row); Transfer 1: MC > C(1) (Scotch XSM-90 Metal tape via G. Reynolds (mako21)); Transfer 2: C(1) > Aiwa AD-F180 > THC cables > Edirol UA-5 > PC (USB) > Wavelab 5.01 @ 24/96. Mastering: Wavelab 5.01a (X-noise to reduce hiss; L3 Multimaximizer to increase gain & dither to 16 bits) > resample to 44.1 khZ > FLAC. Source Detail notes
601. 11/18/84 Avery Fisher Hall - New York, NY 290 Garcia & Kahn: MAC > DAT > CDx1 > EAC > SHN Taped by Kenny Mance: 4th row center, AKG CE-1 mics > Uher Cr-240 onto TDK SA-X 90 cassettes (no Dolby). A>D conversion by Jim Wise: Playback on Uher Cr-240 > Sony PCM p-700 DAT @ 44.1k > HHB CDR-800 > CD. shn conversion by Todd Norman norma023@tc.umn.edu. Proper sector boundaries verified using shntool. Source Detail notes
602. 11/18/84 Avery Fisher Hall - New York, NY 1059 Garcia & Kahn: 2 Beyer M160 FOB > Sony TCD5M Master Cassette > FLAC. Source Detail notes
603. 11/20/84 Constitution Hall - Washington, DC 291 Garcia & Kahn: Taped by One Drop Productions; FOB (up front) Audio Technica (pin point stereo mic) > D6 > MC; Transfer by ggjskl@yahoo.com 9/20/05: 1st gen cass > Sony TC-WE305 > Rotel 1090 > Raine ME60 analog processor > Tascam CD-RW 750 > CD > Eac (secure) > cdwav > CE pro 2.1(fades) > flac 16(level 8). Source Detail notes
604. 11/21/84 The Tower Theatre - Upper Darby, PA 291 Garcia & Kahn: MAC (Unknown taper, Nakamichi CM100 shotguns > unknown deck) > 1st gen cassette (Eric) > Sony TCD5 playback > Roland UA-30 interface via Peak > Mac G3 > tracking (Pro Tools) > CD (Toast) > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > slight editing (Sound Forge Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (FLAC Frontend v1.7.1 Etree edition). Source Detail notes
605. 11/23/84 Chrysler Hall - Norfolk, VA 291 Garcia & Kahn. Source: MAC (mics and taper unknown)>CDR>WAV>SHN. Source Detail notes
606. 11/24/84 Capitol Theater - Passaic, NJ 291 Garcia & Kahn. MAC(Stealth Handheld Audio Technica 835 mics recorded right paracentral 10th row > Sony TC-D6 cassette deck with Dolby B noise reduction)>CD>WAV>SHN. Taper: Ray Ackerman. DAE/Encoding by C.Ladner. Source Detail notes
607. 11/26/84 Bushnell Aud., Bushnell U. - Hartford, CT   Garcia & Kahn: MAC (FOB Nak 300 cardioids > Sony D5) > Sound Forge 4.5 > Dell Dim 4100 > EZCD > CD EAC > Sound Forge XP > SHN. A > D transfer by Bryan Tartus, EAC > SHN by TimOC. Source Detail notes
608. 11/26/84 Bushnell Aud., Bushnell U. - Hartford, CT 291 Garcia & Kahn: MSC > C > DAT > WAV > SHN Source Detail notes
609. 11/27/84 Auditorium Theater - Rochester, NY   Garcia & Kahn: MAC (mics and taper unknown) > DAT > CD > WAV > SHN Source Detail notes
610. 12/02/84 The Stone - San Francisco, CA 566,290 Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M) > CDR > EAC > Shn. A>D Transfer via Dan Ward, EAC'ed / Shn'ed by Charlie Connor. Source Detail notes
611. 12/05/84 Silva Concert Hall - Eugene, OR 968 JGB, Set II: AUD > ? > C > Sony TC-D5M > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC. Source Detail notes
612. 12/06/84 Starry Night - Portland, OR 290 Jerry Garcia Band: SBD > CMx > CDR > WAV > SHN. Tangled Up in Blue missing. Midnight Moonlight is truncated. Source Detail notes
613. 12/07/84 Starry Night - Portland, OR 79566 JGB: AUD > ? > C > Sony TC-D5M > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC, October 2006 by Andrew F. Source Detail notes
614. 12/07/84 Starry Night - Portland, OR 946 Jerry Garcia Band: Nak CM 100's shotguns > CM > CDR > WAV > SHN. Taper: unknown. Ending of Midnight Moonlight clipped. Source Detail notes
615. 12/08/84 Paramount Theater - Seattle, WA 946 Jerry Garcia Band: SBD > MC > C > CDR > WAV > SHN. Source Detail notes
616. ??/??/84 Unknown Radio Station - Portland, OR 968 Jerry Garcia Radio Interview. FM -> Cass. (x?) -> Denon DRW840 -> SoundBlaster -> CD Wav -> SHN. CD Wav'd, SHN'd and seeded by Jim Bennett. Source Detail notes
617. ??/??/84 Unknown Radio Station - Portland, OR wdmain Jerry Garcia Radio Interview. FM -> Cass. (x?) -> Denon DRW840 -> SoundBlaster -> CD Wav -> SHN. CD Wav'd, SHN'd and seeded by Jim Bennett. Source Detail notes
618. 03/02/85 The Stone - San Francisco, CA 702 JGB, shn: MAC(Nak 700's>Sony TC-D5M)>D>CD>WAV>SHN. Taper: John Corley. Source Detail notes
619. 03/03/85 The Stone - San Francisco, CA 709 Jerry Garcia Band: MAC (Nakamichi 700?s) > Sony TC-D5m > CDR > EAC > SHNv3. Source Detail notes
620. 05/31/85 Beverly Theatre - Beverly Hills, CA   early show; Joe Pinedo's MAC (Sony 939 > Sony D5) > 1st gen cassette (Maxell XLII 90, Dolby B) > Nakamichi BX300 playback > Macintosh > Peak Bias > JAM > cdr > eac > mkw > shntool. Source Detail notes
621. 06/01/85 The Stone - San Francisco, CA 576 Source: MAC(Nak 700's>Sony TC-D5M)>D>CD>WAV>SHN. Taper: John Corley Source Detail notes
622. 06/03/85 Keystone Palo Alto - Palo Alto, CA   Source: MAC(Nak700s>Sony TCD5M)>CDR>WAV>SHNv3. Taper: John Corley. Source Detail notes
623. 08/04/85 The Stone - San Francisco, CA 576 Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage in the first row of tables, dead center] > Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) > SHNv3 (MKW ACT). Analog and Digital Mastering by Charlie Connor. Source Detail notes
624. 08/05/85 The Stone - San Francisco, CA 576 Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage in the first row of tables, dead center] > Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) > SHNv3 (MKW ACT). Analog and Digital Mastering by Charlie Connor. Source Detail notes
625. 08/09/85 The Stone - San Francisco, CA 576 Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage in the first row of tables, dead center] > Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) > SHNv3 (MKW ACT). Analog and Digital Mastering by Charlie Connor. Source Detail notes
626. 08/10/85 Keystone Palo Alto - Palo Alto, CA 576 Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage in the first row of tables, dead center] > Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) > SHNv3 (MKW ACT). Analog and Digital Mastering by Charlie Connor. Source Detail notes
627. 08/17/85 River Theater - Guerneville, CA   Source: MAC (Nak 700s >Sony TC-D5M>CD>WAV>SHN. Taper: John Corley. Source Detail notes
628. 08/18/85 Dunsmuir House And Gardens - Oakland, CA   Garcia & Kahn: Taped by Bob Menke, Nak 700s (15' from stage slightly off-center > Sony D5M master cassette (Dolby B, Maxell Metal) > Echo Event Gina A/D > Sound Forge 4.5 > CDR > EAC (secure mode) > SHN (MKWACT). A>D by Bob Menke, EAC>SHN by Charlie Connor. Source Detail notes
629. 08/18/85 Dunsmuir House And Gardens - Oakland, CA 904 JGJK 16/44.1: Recorded by Greg Holtz using 2 Nakamichi CM100 mics with CP-4 Shotgun capsules > Sony D-5 cassette tape deck. All transfers and mastering by Jamie Waddell on the GEMS Edit Station Source Detail notes
630. 09/27/85 The Stone - San Francisco, CA 876 JGJK: Don Dearth's MAC (Sony D6C w/Sony Stereo Mic [MaxellXL2S90]) > Nakamichi CR3A playback (no Dolby) > HP Computer > Sound Forge Vol@ 5.5DB and normalized > CD Wave to make tracks->Flac7. Transferred by John Moses. Source Detail notes
631. 10/11/85 River Theater - Guerneville, CA 876 Garcia & Kahn, set I: MSC(?) > ? > cassette > CD > EAC > FLAC. Cassette transfer by slip, EAC > FLAC by jjoops. Source Detail notes
632. 10/11/85 River Theater - Guerneville, CA 825 JGJK: Source: 1st Gen Soundboard Cassette TDK MA-X 90 Transfer: Playback on azimuth adjusted Nakamichi CR-7A > Lynx RCA-XLR cables > Lunatec V3 (96KHz) > AES/EBU digital out > LynxTwo Soundcard, Pro-mode Sync > recorded to hard drive with Wavelab 5 as 24 bit/96 KHz PCM WAV > Waves X-Noise and Ozone 3 > MBIT+ > 16/44.1 > CDWAV 1.9 > FLAC (level 8), via Green Mountain Brothers. Source Detail notes
633. 10/13/85 The Stone - San Francisco, CA 937 Source: MAC(Nak700s>Sony TCD5M)>CDR>WAV>SHNv3. Taper: John Corley. Source Detail notes
634. 10/16/85 The Catalyst - Santa Cruz, CA   Garcia & Kahn: SBD > DAT > Cas > CD > EAC > SHN Source Detail notes
635. 10/16/85 The Catalyst - Santa Cruz, CA   Garcia & Kahn: early and late shows?; Source Detail notes
636. 10/16/85 The Catalyst - Santa Cruz, CA   Garcia & Kahn: MSC > Dat > CDWav > Flac Source Detail notes
637. 10/16/85 The Catalyst - Santa Cruz, CA 876 Garcia & Kahn, early and late shows: Digital mix from 4 channel cassette master - Soundboard plus Microphones over stage. See info file for details. Source Detail notes
638. 10/16/85 The Catalyst - Santa Cruz, CA 876 Garcia & Kahn: MSC > DAT > CDR > SHN Source Detail notes
639. 12/21/85 Keystone Palo Alto - Palo Alto, CA   Jerry Garcia Band: MAC (Taped by Dan Gale, Sony ECM-939LT [center of the dance floor] > Sony TC-D6C) > NAD 6050C playback > SBM > PCM-R500 @ 44.1k > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by Dan Gale. Source Detail notes
640. 12/22/85 Keystone Palo Alto - Palo Alto, CA   JGB: MAC (Taped by Dan Gale, Sony ECM-939LT [center of the dance floor] > Sony TC-D6C) > NAD 6050C playback > SBM > PCM-R500 @ 44.1k > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by Dan Gale. Source Detail notes
641. 01/25/86 The Tower Theatre - Upper Darby, PA 858 Garcia & Kahn: MAC > CD > EAC > SHN. Taped by Ray Ackerman, 2 rows BOB (Orchestra Row E, Sec. L/C, Seat 108), Audio Technica 835b w/ low roll off + AKG D12e on mic stand @ 6' > Sony TC-D5 master cassette (Maxell metal tape, dolby off) > SBM 2600 processor (Rega Planet-Canare LV61S/Neutric RCA's) > Marantz CDR630 CDRx0 > CDx? > EAC > retracking (WavMerge & CD Wave) > SHN (mkwACT). Source Detail notes
642. 01/27/86 The Ritz - New York, NY wd300ext Garcia & Kahn: Master Soundboard > Soundcraftsman 16x4 > Sony D5 > Cool Edit > CD Wave > SHN Source Detail notes
643. 01/27/86 The Ritz - New York, NY   Garcia & Kahn: Master Soundboard > Soundcraftsman 16x4 > Sony D5 > Cool Edit > CD Wave > SHN Source Detail notes
644. 01/28/86 The Ritz - New York, NY 564 Garcia & Kahn: Master Soundboard Soundcraftsman 16x4>Sony D5>Cool Edit>CD Wave>SHN Source Detail notes
645. 01/30/86 Bushnell Auditorium - Hartford, CT   Garcia & Kahn: Dave H.'s Nak 100's w/shotguns > Sony D5 MAC > Oleo86's first gen cassette > JVC TD-V1050 playback > Apogee Mini Me A/D (24-bit, 44.1kHz) > Wavelab 6.0 (Ozone and L2 for dither) > FLAC. Cassette transfer by Todd Evans, final editing by Jamie Waddell. Source Detail notes
646. 01/31/86 Capitol Theater - Passaic, NJ 575 Garcia & Kahn: MAC (Taped by Fredo Johnson, Nak 300s > Sony D5) > Nak Dragon playback > Egosys Waveterminal 2496 > Cool Edit 2000 > shntool > .shn (mkwACT). Transfer and .shn by David Minches. Source Detail notes
647. 01/31/86 Capitol Theater - Passaic, NJ   Garcia & Kahn: MAC (Taped by Fredo Johnson, Nak 300s > Sony D5) > Nak Dragon playback > Egosys Waveterminal 2496 > Cool Edit 2000 > shntool > .shn (mkwACT). Transfer and .shn by David Minches. Source Detail notes
648. 02/01/86 Orpheum Theater - Boston, MA 696 Garcia & Kahn: B. Koucky's MAc (Orchestra Sennheiser 441 > Sony D5 Maxell [MX-S 90] out of Steve Adleman’s mics & D-5) > Nakamichi DR2 playback > Presonus Firebox > firewire / PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8). Transfer/mastering by C.Ladner. Source Detail notes
649. 02/01/86 Orpheum Theater - Boston, MA 897,903 Garcia & Kahn: MAC > DATs > CDs > EAC > SHN Recorded by J. Pasternak, Sony ECM 939s > Sony WM-D6. EAC > SHN by Joe Jupille. Source Detail notes
650. 02/02/86 Orpheum Theater - Boston, MA   Garcia & Kahn: AUD (unknown mics) > CM > DAT > CDR > WAV > SHN Source Detail notes
651. 02/02/86 Orpheum Theater - Boston, MA 696 Garcia & Kahn: B. Koucky's MAC (Orchestra Sennheiser 441 > Sony D5 [Maxell MX-S] out of Steve Adleman’s mics & D-5) > Nakamichi DR2 playback > Presonus Firebox > firewire/PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8) Transfer/mastering by C.Ladner. Source Detail notes
652. 02/21/86 The Stone - San Francisco, CA 903 Jerry Garcia Band. Source: MAC(Nak700s)>CDR>WAV>SHNv3. Taper: John Corley. Source Detail notes
653. 02/28/86 Marin County Veterans Auditorium - San Rafael, CA 897,903 Garcia & Kahn: Master: Sony ECM-939LT > Cassette Master (Sony TC-D6C); Transfer: Cassette Master (NAD 6050C) > SBM > DAT @ 44.1k (PCM-R500) > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Recorded and Transferred by Dan Gale. Source Detail notes
654. 03/09/86 Keystone Palo Alto - Palo Alto, CA   Source: MAC(FOB Nak 700's, Stealth in Hat>Sony TC-D5M) > CD > WAV > SHN. Taper: John Corley. SHN encoding via C.Ladner. Source Detail notes
655. 03/10/86 The Stone - San Francisco, CA   Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M > CDR > EAC > CDWave > Shn Source Detail notes
656. 05/30/86 The Stone - San Francisco, CA   Jerry Garcia Band:FOB Master - NAK 300's>Sony D5>Cool Edit>CD Wave>SHN Source Detail notes
657. 05/31/86 The Stone - San Francisco, CA   Jerry Garcia Band: FOB Master - NAK 300's>Sony D5>Cool Edit>CD-Wave>SHN Source Detail notes
658. 10/04/86 The Stone - San Francisco, CA   Jerry Garcia Band: MAC (Taped by John Corley, Nak 700s ["Silly Hat", FOB] > Sony TC-D5M) > CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
659. 10/05/86 The Stone - San Francisco, CA 897,903 Source: MAC(Nak700s>Sony TCD5M)>CDR>WAV>SHNv3. Taper: John Corley. First 2 tracks of the second set are omitted from the recording. Source Detail notes
660. 10/18/86 The Stone - San Francisco, CA   Source: MAC(Nak700s>Sony TCD5M)>CDR>WAV>SHNv3. Taper: John Corley. Source Detail notes
661. 10/31/86 Henry J. Kaiser Convention Center - Oakland, CA 564 Jerry Garcia Band: Recording Info: (FOB) Beyer M88 -> Cassette Master (Sony TCD5M); Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> Mytek Digital ADC8X96 -> Nuendo (24bit/44.1k) -> Samplitude v7.02 Professional -> SHN (1 Disc Audio / 1 Disc SHN); Recorded and Transferred By Bill Reutelhuber; Tracked and Edited By Charlie Miller 2/19/04 Source Detail notes
662. 10/31/86 Henry J. Kaiser Convention Center - Oakland, CA   Jerry Garcia Band: AUD/FOB Schoeps MK4 44k DAT > Midiman Deltadio 2496 > Cool Edit 2000 > WAV > SHN. Source Detail notes
663. 11/10/86 The Stone - San Francisco, CA   Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M) > CDR > EAC > CDWave (retracked) > Shn Source Detail notes
664. 11/11/86 The Stone - San Francisco, CA 566,561 Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M) > CDR > EAC > CDWave (retracked) > Shn; EAC'ed / retracked / Shn'ed by Charlie Connor with thanks to Bob Menke. Source Detail notes
665. 11/14/86 Marin County Veterans Auditorium - San Rafael, CA   Garcia & Kahn: Soundboard PCM > DAT Transfer: Transfer: Panasonic SV-3700 > M-Audio 24/96 > Wavelab 5.0 (L3 multimaximizer) > CDWAVE > FLAC Transfers, Remastering and Seeded to bt.etree.org February 7, 2007 by Bill Koucky Source Detail notes
666. 11/30/86 The Stone - San Francisco, CA   Source: MAC(FOB Nak 700's, Stealth in Hat>Sony TC-D5M) > CD > WAV > SHN. Taper: John Corley. Source Detail notes
667. 12/08/86 The Stone - San Francisco, CA   Source: FOB MAC w/ Nak 700s>SonyTC-D5M>CDR>WAV>SHN. Taper: John Corley. Source Detail notes
668. 12/21/86 The Stone - San Francisco, CA 566 Jerry Garcia Band: MAC (Taped by John Corley, Nak 700s ["Silly Hat", FOB] > Sony TC-D5M) > CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
669. 12/21/86 The Stone - San Francisco, CA 566,561 Jerry Garcia Band: MAC (Taped by John Corley, Nak 700s ["Silly Hat", FOB] > Sony TC-D5M) > CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
670. 12/21/86 The Stone - San Francisco, CA   Jerry Garcia Band: MAC (Taped by John Corley, Nak 700s ["Silly Hat", FOB] > Sony TC-D5M) > CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
671. 01/25/87 The Stone - San Francisco, CA 986 Jerry Garcia Band: MAC (Taped by John Corley, Nak700s ) > CDR > WAV > SHNv3. CDR source via J.Powell. SHN encoding/FTP via C.Ladner/candyman FTP. Source Detail notes
672. 02/10/87 The Stone - San Francisco, CA 986 Source: MAC(Nak700s)>CDR>WAV>SHNv3. Taper: John Corley. Source Detail notes
673. 02/20/87 Marin County Veterans Auditorium - San Rafael, CA 981 Jerry Garcia Band: MAC (Taped by Dan Gale, Sony ECM-939LT > Sony TC-D6C) > NAD 6050C playback > SBM > PCM-R500 @ 44.1k (A/D only - no DAT) > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by Dan Gale. Source Detail notes
674. 02/21/87 Lawlor Events Center (Univ. of Nevada) - Reno, NV 981 Jerry Garcia Band: MAC (Taped by Dan Gale, Sony ECM-939LT > Sony TC-D6C) > NAD 6050C playback > SBM > PCM-R500 @ 44.1k (A/D only - no DAT) > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by Dan Gale. Source Detail notes
675. 02/24/87 Civic Auditorium - Santa Cruz, CA 986 JGB: Tom Pinney MAC (Beyer M88 [FOB Center, 20' from stage, XY 90 degrees] > Sony D5) > 1st gen cassette > JVC TD-V1050 cassette deck > Lynx Two A/D (24-bit, 44.1kHz) > Wavelab 6.0. Source Detail notes
676. 03/06/87 USS Carl Vinson (Alameda Naval Air Station) - Alameda, CA 986 unknown aud > ? > CD > EAC > FLAC. Source Detail notes
677. 03/06/87 USS Carl Vinson (Alameda Naval Air Station) - Alameda, CA 986 aud > ??? > cdr > ??? > cdr > eac > flac > wav > shn. Remaster of shnid 26179. Source Detail notes
678. 03/08/87 The Stone - San Francisco, CA 403,986 Jerry Garcia Band: MAC (Disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M > CDR > EAC > CDWav (Retracking) > Shn. Taped by John Corley, A>D transfer by Dan Ward, EAC'ed / retracked / shn'd by Charlie Connor. Source Detail notes
679. 03/09/87 The Stone - San Francisco, CA 403,986 Jerry Garcia Band: MAC (Disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M > CDR > EAC > CDWav (Retracking) > Shn. Taped by John Corley, A>D transfer by Dan Ward, EAC'ed / retracked / shn'd by Charlie Connor. Source Detail notes
680. 03/13/87 Wiltern Theater - Los Angeles, CA   Jerry Garcia Band: MAC (Joe Pinedo, Sony 939 > Sony D5) > one cassette > NaNakamichi BX300 playback > Macintosh > Peak Bias > JAM > cd > eac > mkw > shntool. Transfer & CD mastering/shn conversion by Brian Mandel. Source Detail notes
681. 03/14/87 Wiltern Theater - Los Angeles, CA   Jerry Garcia Band: Sony 939 > Sony D5 > ? > 2nd gen cassettes > Nakamichi BX300 playback > Macintosh > Peak Bias > JAM > cdr > eac > mkw > shntool. Source Detail notes
682. 03/18/87 Fillmore Auditorium - San Francisco, CA 857 JGAB; shnf; source: AUD (mics and taper unknown) > ? > C > DAT > WAV > SHN. Source Detail notes
683. 08/29/87 French's Camp on the Eel River - Piercy, CA   JGAB & JGB: Source: Sean Webber Small, FOB Schoeps CMC44s > Sony PCM F1; Transfer: Unknown gen Beta > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P (for sample rate conversion and anti-jitter) > Digital Audio Labs Card Deluxe soundcard; CD mastering & encoding: hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches. Source Detail notes
684. 08/29/87 French's Camp on the Eel River - Piercy, CA   JGB & JGAB: SBD + AUD Matrix Mix (60%-SBD/40%-AUD) Source Detail notes
685. 08/30/87 Greek Theater - Berkeley, CA 988 Jerry Garcia Band: FOB Audience PCM Master PCM 601 > SV-3700 > Edirol UA-1D > SoundForge 5.0 > CD Wave Editor > shn (mkw). Source Detail notes
686. 08/30/87 Greek Theater - Berkeley, CA   Jerry Garcia Band: Source: Fob > Schoeps Cmc4/mk41's > Pcm > Dat @ 48k > Clone
Transfer: Fostex D5 > Vx Pocket 440 > Toshiba 3480ct > Wavelab 4.0 > Fades & Resampled to 44.1 > Cd Wave > FLAC
Source Detail
notes
687. 10/15/87 Lunt-Fontanne Theatre - New York, NY 987 JGB, Set II: Karl from NJ's MAC (Nakamichi CM-100s [handheld, 10th row orchestra, just left of center] > Sony WM-D6) > Dolby B 1st gen cassette > Sony TC-D5M (w/Dolby-B) playback > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums, and FLAC compression) > FLAC, December 2006 by Andrew F. Source Detail notes
688. 10/20/87 Lunt-Fontanne Theatre - New York, NY 696 JGB, set II: Karl from NJ's MAC (1 Nakamichi CM-100 > Sony WM-D6 [mono]) > Maxell XLII-S 1st gen cassette (Dolby On) > Sony TC-D5M > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC, November 2006 by Andrew F. Source Detail notes
689. 10/21/87 Lunt-Fontanne Theatre - New York, NY 696 JGB, Late Show, Electric Set: Nakamichi CM-300's > Sony WM-D6; Second generation cassette w/Dolby B used for transfer (MAC > C > C) Transfer: 2nd-Gen tape (Maxell XL-II) > Sony TC-D5M (Dolby On) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC, November 2006 by Andrew F. Source Detail notes
690. 10/24/87 Lunt-Fontanne Theatre - New York, NY 702,987 JGB-JGAB: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner Source Detail notes
691. 10/25/87 Lunt-Fontanne Theatre - New York, NY 702,987 JGB & JGAB, Early Show: Sony ECM-939LT stereo mic (center orchestra, ca. 15th row) > Sony WM-D6C Pro-Walkman Onto Maxell MX-90 cassette tape, Dolby Off for recording and playback; Transfer playback on Nakamichi MR-2 > Tascam CDRW-700 > EAC > SHN. Source Detail notes
692. 10/25/87 Lunt-Fontanne Theatre - New York, NY 709,988 JGB-JGAB, late show: Acoustic set: SBD > DAT > CDR > EAC > WAV > Wavelab/Waves L3 > WAV > FLAC (level 8). Electric set: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Acoustic recording remastered version of previously circulating shnid=15616. Electric band analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner. Source Detail notes
693. 10/25/87 Lunt-Fontanne Theatre - New York, NY 403,987 JGAB: MISLABEL OF 10/28/87 matinee acoustic set (sbd), should not be further propagated. Source Detail notes
694. 10/25/87 Lunt-Fontanne Theatre - New York, NY 987 JGB, Early Show: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner. Source Detail notes
695. 10/28/87 Lunt-Fontanne Theatre - New York, NY   Jerry Garcia Acoustic Band: Early Show: MS? > DAT > CDR > EAC > SHN. DAT > CD by Jeremy Davis, extraction and compression by mlindsey. Source Detail notes
696. 10/28/87 Lunt-Fontanne Theatre - New York, NY 696,988 Jerry Garcia Band, Early Show: Recording: Sony ECM-939LT Stereo Mic (third row orchestra, just off center and directly in front of Jerry) > Sony WM-D6C Pro-Walkman Onto Maxell MX-90 cassette, Dolby Off during recording and playback; Transfer playback on Nakamichi MR2 > Tascam CDRW-700 > EAC > SHN. Tracked with CDWave, no EQ or sound editing was used. Source Detail notes
697. 10/28/87 Lunt-Fontanne Theatre - New York, NY 696,988 JGB & JGAB, Late Show: Orchestra Nakamichi 300s > D5 (MAC) > D5 (C1) > C1 playback on Nakamichi DR2 > Presonus Firebox > firewire/PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8). Recording via B.Koucky. Transfer/mastering by C.Ladner. Source Detail notes
698. 10/28/87 Lunt-Fontanne Theatre - New York, NY 988 JGB, early show, electric set: B. Koucky's MAC (Orchestra Nakamichi 300s > D5) > D5 (C1) > C1 playback on Nakamichi DR2 > Presonus Firebox > firewire/PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8). Transfer/mastering by C.Ladner. Source Detail notes
699. 10/28/87 Lunt-Fontanne Theatre - New York, NY 987 JGAB, Early Show: Digital Soundboard -> DAT 16/48 Transfer By Todd Evans Editing by Jamie Waddell in Wavelab6.0 SBE FREE 16/44.1 L2 Type2Ultra Noise Shape Source Detail notes
700. 10/30/87 Lunt-Fontanne Theatre - New York, NY 709,988 JGB: MAC (Nak 300s [orchestra] > D5) > 2 cassette gens > C2 (Maxell XLII-90) Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8), via B. Koucky and C. Ladner. Source Detail notes
701. 10/31/87 Lunt-Fontanne Theatre - New York, NY 709,988 JGB, early show: MAC (Nak 300s [orchestra] > Sony D5) > 2 cassette gens > C2 (Maxell XLII-90) Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8), via B. Koucky and C. Ladner. Source Detail notes
702. 11/27/87 Warfield Theatre - San Francisco, CA 702,988 JGAB & JGB: Sennheiser MKE-2002 mics > Sony TC-D5 > 2 cassette gens > Sony TC-D5M (Dolby on) playback > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, plus material from shnid 22298 (see notes), November 2006 by Andrew F. Source Detail notes
703. 11/28/87 Warfield Theatre - San Francisco, CA 989 Jerry Garcia Acoustic Band performance (first set). Source: AUD(unknown mics and taper)>?>C>DAT>WAV>SHN. Cassette>DAT via J.Powell. DAT>SHN via C.Ladner. Source Detail notes
704. 11/29/87 Warfield Theatre - San Francisco, CA 989 Jerry Garcia Acoustic Band. Source: AUD(unknown mics and taper)>?>C>DAT>WAV>SHN. Cassette>DAT via J.Powell. DAT>SHN via C.Ladner. Source Detail notes
705. 12/03/87 Wiltern Theater - Los Angeles, CA 576 Jerry Garcia Acoustic Band & Jerry Garcia Band: MAC (Taped by Mike French, floor right of center, Senn MKE2002 [HRTF] > Sony WM-D6C [Dolby B]) > playback on master Sony WM-D6C "B" nr > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz master DAT > playback on Tascam DA-20mkII DAT > Marigo Audio Lab Apparition Reference Coaxial/ RCA cable > Tascam 700 CDRW master CD > Marantz CDR 550 Dual Well Recorder CD clone (DAO,1x) > CD > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). A > D by Mike French, EAC > SHN by Joe Jupille. Source Detail notes
706. 12/03/87 Wiltern Theater - Los Angeles, CA 996 JGAB & JGB (24 bit/48kHz): Mike French's Sennheiser MKE2002 mics HRTF (Row H, Orchestra [floor], seat 108) > Sony WM-D6C (Dolby B) Maxell MX-90 Metal Cassettes > Sony WM-D6C master deck w/ Dolby "B" n.r azimuth adjusted playback > Belden 1804a spc > Sound Devices 722 @ 24.48. Transferred on 2007-03-09 by Mike French. Source Detail notes
707. 12/04/87 Wiltern Theater - Los Angeles, CA 561,989 JGAB & JGB: SBD > PCM > DAT > WAV > SLOTH DAW > FLAC16 Source Detail notes
708. 12/04/87 Wiltern Theater - Los Angeles, CA 403,989 Jerry Garcia Acoustic Band & Jerry Garcia Band: MAC (Taped by Mike French, center of the floor, Senn MKE2002 [HRTF] > Sony WM-D6C [Dolby B]) > playback on master Sony WM-D6C "B" nr > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz master DAT > playback on Tascam DA-20mkII DAT > Marigo Audio Lab Apparition Reference Coaxial/ RCA cable > Tascam 700 CDRW master CD > Marantz CDR 550 Dual Well Recorder CD clone (DAO,1x) > CD > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). A > D by Mike French, EAC > SHN by Joe Jupille. Source Detail notes
709. 12/04/87 Wiltern Theater - Los Angeles, CA 996 JGAB & JGB (24 bit/48kHz): tdarian's Sennheiser MKE2002 HRTF (floor 4th Row DD, near center, Jerry side) > Sony WM-D6C mic-in "B" n.r. > Sony WM-D6C w/ Dolby "B" n.r azimuth adjusted playback > Belden 1804a spc > Sound Devices 722 @ 24.48 Transferred by Mike French. Source Detail notes
710. 12/04/87 Wiltern Theater - Los Angeles, CA 996 JGAB & JGB (24 bit/48kHz): Mike French's Sennheiser MKE2002 HRTF (From the floor, near center Orchestra Row B seat 118) > Sony WM-D6C "B" n.r. > Sony WM-D6C master deck w/ Dolby "B" n.r azimuth adjusted playback > Belden 1804a spc > Sound Devices 722 @ 24.48 Transferred by Mike French. Source Detail notes
711. 12/05/87 Wiltern Theater - Los Angeles, CA 403,989 Jerry Garcia Acoustic Band & Jerry Garcia Band: MAC (Senn MKE2002 [HRTF] from the orchestra pit > Sony WM-D6C [Dolby B]) > playback on master Sony WM-D6C "B" nr > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz master DAT > playback on Tascam DA-20mkII DAT > Marigo Audio Lab Apparition Reference Coaxial/ RCA cable > Tascam 700 CDRW master CD > Marantz CDR 550 Dual Well Recorder CD clone (DAO,1x) > CD > HP 9350i extraction using EAC (v0.9 beta 4) > minor editing using Sound Forge Studio 6.0 > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). JGAB taped by Mike French, JGB taped by Tom D. A > D by Mike French, EAC > SHN by Joe Jupille. Source Detail notes
712. 01/23/88 Henry J. Kaiser Convention Center - Oakland, CA 597 "Blues for Salvador": Unknown audience master > ? > CD > eac > shntool > shnv3 by Ernie Dodd. Source Detail notes
713. 01/23/88 Henry J. Kaiser Convention Center - Oakland, CA 930 Entire performance. Jerry Garcia plays on several tracks. Primary source: MAC(Nakamichi 700s FOB split 30' either side of center>Sony-D5)>D>D>WAV>SHN. Source Detail notes
714. 02/06/88 The Warfield - San Francisco, CA   Jerry Garcia Band: MAC (Taped by Danny Lucian, unknown gear from the lower balcony) > 1 cassette > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Source Detail notes
715. 03/05/88 Warfield Theater - San Francisco, CA 968 Jerry Garcia Band: MSC > DAT > CDR > WAV > SHN. Missing last 3 tracks of the second set. CDR source via D.Minches. SHN encoding/initial FTP propagation via C.Ladner/candyman FTP. Source Detail notes
716. 04/26/88 Marin Veterans' Memorial Auditorium - San Rafael, CA 968 Garcia, Kahh, Nelson, & Rothman: MAC (Taped by Dan Cole, FOB Sony ECM-77B > Sony D5) > Cool Edit > CD Wave > SHN. Source Detail notes
717. 04/26/88 Marin Veterans' Memorial Auditorium - San Rafael, CA 968 JGAB: MAC (Taped by Dan Cole, FOB Sony ECM-77B > Sony D5) > Cool Edit > CD Wave > SHN > CD > EAC > SHN. Proper sector boundaries verified using shntool. This is an accidental re-DAE of the earlier .shn set, albeit one that is slightly re-tracked. Source Detail notes
718. 05/06/88 Old Fillmore - San Francisco, CA 497 Jerry Garcia Band: FOB Schoeps CMC3 + MK4 > DAT > CD > EAC > SHN Source Detail notes
719. 05/07/88 Orpheum Theatre - San Francisco, CA 510 Jerry Garcia Band: Taper: Bill Reutelhuber; Recording Info: (FOB/Hat) Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx type II Encoder -> Cm (Sony TCD5m). Transfer Info: Cm (Nakamichi Deck/Azmituth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) -> SHN. Process Info: 1) Slight eq on the computer with waves linear eq plugin followed by waves L2 plugin and rendered down to 16 bit 44.1kHz file. 2) Tracked and Normalized with Samplitude v7.02 Professional. Recorded, Transfered and Process #1 By Bill Reutelhuber. Process #2 By Charlie Miller. Source Detail notes
720. 05/07/88 Orpheum Theatre - San Francisco, CA   Jerry Garcia Band: MAC (Taped by Dan Cole, row AA in the middle, Sony ECM 77-B > Sony D5) > Cool Edit > CD Wave > SHN. Source Detail notes
721. 07/07/88 Cotati Cabaret - Cotati, CA   Jerry Garcia Acoustic Band: Early Show: Recorded at Front Row Table, Audio-Technica AT 831R mics > Marantz PMD-430 > Tascam CD-RW700 (recorded and mastered by Dan Ward); Late Show: Recorded in front of left PA stack, Radio Shack behind the ear mics > Sony TC-D6 (recorded and mastered by CNM). Source Detail notes
722. 07/07/88 Cotati Cabaret - Cotati, CA 857 Jerry Garcia Acoustic Band: Early Show: Recorded at Front Row Table, Audio-Technica AT 831R mics > Marantz PMD-430 > Tascam CD-RW700 (recorded and mastered by Dan Ward); Late Show: Recorded in front of left PA stack, Radio Shack behind the ear mics > Sony TC-D6 (recorded and mastered by CNM). Source Detail notes
723. 07/09/88 Frost Ampitheater (Stanford University) - Palo Alto, CA 858 JGAB: John Corley's FOB Nakamichi 700s > Cassette Master (Sony TCD5m) Dat > CD > EAC> Flac Source Detail notes
724. 07/10/88 Greek Theater - Berkeley, CA   Jerry Garcia Band: MAC (Taped by John Corley, Nak 700s > Sony TC-D5M) > CD > EAC > SHN Source Detail notes
725. 07/10/88 Greek Theater - Berkeley, CA 510 Jerry Garcia Band: MAC (Taped by Bill Reutelhuber, FOB Nakamichi 700/CP701 -> Reutelhuber P/S -> Sony TCD5m) > playback (Nakamichi Deck/Azmituth aligned) -> Mytek Digital ADC8X96 -> Nuendo (24bit/44.1k) -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN). Recorded and Transfered By Bill Reutelhuber. Tracked and SHN'd Charlie Miller Source Detail notes
726. 07/10/88 Greek Theater - Berkeley, CA 930 Jerry Garcia Band: set II only: MAC (Taped by Dan Cole, FOB AKG 460's > Sony D5) > Cool Edit > CD Wave > SHN. Source Detail notes
727. 10/31/88 Henry J. Kaiser Convention Center - Oakland, CA   Jerry Garcia Band: Recording Info: (FOB/Hat) Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx 221e type II Encoder -> Cassette Master (Sony TCD5m/Maxell XLIIS); Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> dbx 224x Decoder -> Mytek Digital ADC8X96 -> Nuendo (24bit/44.1k) -> SHN (2 Discs Audio / 1 Disc SHN); Process Info: 1) Processed to a 16 bit file with waves Q10 and L2 2) Tracked and Normailized with Samplitude v7.02 Professional; Recorded, Transfered and Process #1 By Bill Reutelhuber; Process #2 By Charlie Miller 1/6/04 Source Detail notes
728. 10/31/88 Henry J. Kaiser Convention Center - Oakland, CA 958 Jerry Garcia Band: MAC (Nak CM700/CP701 Cards > Custom Preamp > DBX Box > Sony TCD5M) > Sound Forge (slight NR used) > DBX Type II Decoder NR Unit > HD > CD Source Detail notes
729. 11/25/88 Wiltern Theater - Los Angeles, CA   Jerry Garcia Band: MSD > 1C > DAT > CDR > WAV > SHN Source Detail notes
730. 11/25/88 Wiltern Theater - Los Angeles, CA 958 JGB: tdarian and John Corso (Tapers From Hell), Sennheiser MKE2002 (mfrench mics) as AB omni's on bill of cap > Sony TC-D5M "B" n.r.; Row B - center of floor (apprx. 10th row center); Sony TC-D5M (with Dolby B) playback > Tascam DA-20mkII DAT deck at 48k; Then DAT marked with programs that were transferred as track marks on the fly, by the Tas. CDRW700, with dither to 44.1, on-the-fly, by the tas.700. Source Detail notes
731. 11/26/88 Wiltern Theater - Los Angeles, CA   Jerry Garcia Band: MSC > DAT > CDR > WAV > SHNv3. Source Detail notes
732. 11/26/88 Wiltern Theater - Los Angeles, CA 859 JGB: Tapers From Hell's MAC, unknown recording & transfer details > CD > EAC > FLAC. Source Detail notes
733. 11/26/88 Wiltern Theater - Los Angeles, CA 958 JGB: tdarian and John Corso (Tapers From Hell), Sennheiser MKE2002 (mfrench mics) as AB omni's on bill of cap > Sony WM-D6C (From the Floor - Row A - Jerry Side) (tape notes say center - maybe Jerry side of center section??); Sony TC-D5M (with Dolby B) playback > Tascam DA-20mkII DAT deck at 48k > Tascam CDRW700, with dither to 44.1, on-the-fly, by the tas.700. Source Detail notes
734. 11/27/88 Wiltern Theater - Los Angeles, CA 859 Jerry Garcia Band: MAC ("Tapers from Hell", Senn MKE2002 [HRTF, balcony 3rd row center] > Sony WM-D6C [Dolby B]) > playback on master Sony WM-D6C "B" nr > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz master DAT > playback on Tascam DA-20mkII DAT > Marigo Audio Lab Apparition Reference Coaxial/ RCA cable > Tascam 700 CDRW master CD > Marantz CDR 500 Dual Well Recorder CD clone (DAO,1x) > CD > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). Source Detail notes
735. 11/27/88 Wiltern Theater - Los Angeles, CA 958 JGB: tdarian and John Corso (Tapers From Hell), Sennheiser MKE2002 (mfrench mics) as AB omni's on bill of cap > Sony WM-D6C (3rd row center - balcony) > Sony TC-D5M (with Dolby B) playback > Tascam DA-20mkII 48k DAT > Tascam CDRW700, with dither to 44.1, on-the-fly, by the tas.700. Source Detail notes
736. 12/02/88 Orpheum Theatre - San Francisco, CA 510 JGB; shnf; Bill Reutelhuber's (FOB/Hat) Nakamichi 700/CP701 -> Reutelhuber P/S -> Cm (Sony TCD5m); Transfer Info: Cm (Nakamichi Deck/Azmituth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) -> SHN; Process Info: Processed through Nuendo using Waves Q10 and Waves C4 and rendered down to a 16 bit wave file. Transferred by Bill Reutelhuber. Tracked and SHN'd By Charlie Miller. Source Detail notes
737. 12/02/88 Orpheum Theatre - San Francisco, CA 859 JGB; shnf; MAP (Schoeps CMC44> Sony F1) > PCM > CDR > WAV > SHN. Source CDR via J.Powell. Extraction and SHN encoding via C.Ladner. Source Detail notes
738. 12/03/88 Orpheum Theatre - San Francisco, CA 563 JGB; Bill Reutelhuber's (FOB/Hat) Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx type II Encoder -> Cm (Sony TCD5m); Transfer Info: Cm (Nakamichi Deck/Azmituth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) -> SHN; Process Info: Processed through Nuendo using Waves Q10 and Waves C4 and rendered down to a 16 bit wave file. Recorded and Transferred by Bill Reutelhuber; Tracked and SHN'd By Charlie Miller. Source Detail notes
739. 12/03/88 Orpheum Theatre - San Francisco, CA 859 JGB; MAP(Schoeps CMC44> Sony F1)>PCM>CDR>WAV>SHN. Source CDRs via J.Powell. Extraction and SHN encoding via C.Ladner. Source Detail notes
740. 12/04/88 Oakland-Alameda County Coliseum Arena - Oakland, CA 859 Garcia, Weir & Wasserman; Acoustic Bridge School Benefit; SBD>??>DAT>CDR; via Paul B; Seeded to etree by Willy Source Detail notes
741. 01/27/89 Orpheum Theatre - San Francisco, CA   Jerry Garcia Band: MAC (Taped by Dan Cole, FOB [2nd row] Sony ECM-77B > Sony D5) > Cool Edit > CD Wave > SHN. This is identical to the previous .shn set except for fixed sector boundary errors (last track of each disc/set). Source Detail notes
742. 01/27/89 Orpheum Theatre - San Francisco, CA 859 JGB: SBD > 2nd or 3rd gen cassette (dolby B) > eq out >hp computer > Sound Forge (vol@5.5db) > CD wave > Flac. Source Detail notes
743. 01/27/89 Orpheum Theatre - San Francisco, CA 981 Jerry Garcia Band: MAC (Taped by Dan Cole, FOB [2nd row] Sony ECM-77B > Sony D5) > Cool Edit > CD Wave > SHN Source Detail notes
744. 01/28/89 Orpheum Theatre - San Francisco, CA   Jerry Garcia Band: Soundboard > ?? > wav > shn Source Detail notes
745. 01/28/89 Orpheum Theatre - San Francisco, CA seg300 Jerry Garcia Band:set 2 only; MSC > 1V (Hi-Fi) > DATs > Digi001 > SHN; via Ryan Shriver and D. Metz Source Detail notes
746. 03/03/89 Orpheum Theatre - San Francisco, CA   Jerry Garcia Band: Recording Info: (FOB/Hat/Row L) Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx type II Encoder -> Cassette Master (Sony TCD5m); Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> dbx 224x Decoder -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) -> SHN (2 Discs Audio / 2 Discs SHN); Process Info: 1) Processed to a 16 bit file with waves Q10, C4 and L2; 2)Tracked and Normailized with Samplitude v7.02 Professional; Recorded, Transfered and Process #1 By Bill Reutelhuber; Process #2 By Charlie Miller 12/5/03. Source Detail notes
747. 03/03/89 Orpheum Theatre - San Francisco, CA 1063 JGB: DAUD FOB Schoeps CMC34 > Panasonic SV-250 DAT (?); Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by B. Koucky and Seeded by Green Mountain Bros. July 8, 2007. Source Detail notes
748. 03/03/89 Orpheum Theatre - San Francisco, CA 1063 Jerry Garcia Band: FOB (Schoeps CMC34s) > DAT (Panasonic SV-250) > CDR > WAV > SHN Source Detail notes
749. 03/04/89 Orpheum Theatre - San Francisco, CA   Jerry Garcia Band: Recording Info: (FOB/Hat/Row L)Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx type II Encoder -> Cassette Master (Sony TCD5m; Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> dbx 224x Decoder -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) -> SHN (2 Discs Audio / 2 Discs SHN); Process Info: 1) Processed to a 16 bit file with waves Q10, C4 and L2; 2) Tracked and Normailized with Samplitude v7.02 Professional; Recorded, Transfered and Process #1 By Bill Reutelhuber; Process #2 By Charlie Miller 12/5/03 Source Detail notes
750. 04/24/89 Sweetwater - Mill Valley, CA 1063 Elvis Costello, Garcia & Others: SBD? > Dat > Goodbear's computer (minor edit) > Wav > CD (minor edit) > EAC > FLAC, via Teddy Goodbear. Source Detail notes
751. 05/19/89 Irvine Meadows Ampitheater - Irvine, CA 1063 Jerry Garcia Band: FOB (DFC, Section 2 Orchestra -CenterSenn MKE2002 ORTF) > Sony TC-D10 > CDR > WAV > SHN. "Tapers from Hell" Group Effort - (Tom D., John H., Mike F., John C.). SHN encoding/FTP via Nick Georges. Source Detail notes
752. 05/19/89 Irvine Meadows Ampitheater - Irvine, CA 1063 Jerry Garcia Band: Senn MKE2002 HRTF stealth fob/dfc > Sony TCD-D10 1/4" mic in Ambient master by "Tapers From Hell", a large dedicated group effort. John H. on DAT knobs. DAT Clone #1 used for CDR master; Transfer: DAT #1 via Tas DA20mkII > Tas cdrw700 for cdr master -> Marantz 500 dual well-> CDR. Above taping and transfer done by Mike French + "Tapers from Hell" Additional Transfer: CDR-> EAC -> FLAC Frontend (16/44.1) by Brian Costigan (BCostigan@taperssection.com) Source Detail notes
753. 05/20/89 Open Air Theater (San Diego State) - San Diego, CA   Jerry Garcia Band: SBD -> Dat -> Cm -> SBM2 -> Sonic Solutions -> CD -> EAC -> SHN Last 3 Songs Patched w/ Nakamichi 300/CP1 -> Cm -> CD -> Samplitude v7.02 Pro -> SHN (2 Discs Audio / 1 Disc SHN) Source Detail notes
754. 05/22/89 Universal Amphitheatre - Universal City, CA   JGB; shnf; s1s2p; sbd > mdat > cass > sonic solutions > cdr > mkw > shn Source Detail notes
755. 05/27/89 Oakland-Alameda County Stadium - Oakland, CA 613 John Fogerty, Jerry Garcia, Bob Weir, & Others: MSC > Nak DR-3 > RME 96/8 PST > CDR [> EAC]. Note: filenames not per etree standard. Source Detail notes
756. 05/27/89 Oakland-Alameda County Stadium - Oakland, CA 1064 Fogerty, Garcia, Weir, et al: DSBD* > DAT > Sony DTC2000ES playback > M-Audio Delta 410 via SPDIF > Soundforge (WAV) > FLAC, transfered by Rich Gastwirt. Source Detail notes
757. 06/10/89 French's Camp on the Eel River - Piercy, CA 566 Jerry Garcia Band: MAD (Schoeps CMC3-MK4) > playback on Panasonic SV-3800 > HHb CDR-850 > CDR > WAV > SHN Source Detail notes
758. 06/10/89 French's Camp on the Eel River - Piercy, CA 566 Jerry Garcia Band: MAD (Schoeps CMC3-MK4) > playback on Panasonic SV-3800 > HHb CDR-850 > CDR > WAV > SHN Source Detail notes
759. 07/02/89 Sullivan Stadium Parking Lot - Foxboro, MA 1064 Jerry Garcia, Bob Weir, & Los Lobos: Unknown source (probable pro-shot video) > ? > CD > EAC > SHN Source Detail notes
760. 08/26/89 Greek Theatre, U. Of California - Berkeley, CA   Jerry Garcia Band: MAD (recorded by Marcus Buick and Sean Webber-Small, B&K 4011's @ 110 ORTF [BuStand-1st Set, SeanStand-2nd Set] > Monster M1000 > Neumann 48VPS > MonsterM1000 > Panasonic SV250 [CLB FOB DFC- 2nd tier]), Panasonic SV250 playback > Sony PCM601 > Sony SL360, Sony SL360 plabyack > Sony PCM701 > Digidesign 442 / Quadra 650, edited w/ ProTools3.1, mastered with Masterlist1.2 > Sony920s 2x master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). D > CD by Marcus Buick, CD > SHN by Joe Jupille. Source Detail notes
761. 08/26/89 Greek Theatre, U. Of California - Berkeley, CA 1064 Jerry Garcia Band: Recording Info: (FOB/Split/Hat) Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx 221e type II Encoder -> Cassette Master (Sony TCD5m); Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> dbx 224x Decoder -> Mytek Digital ADC8X96 -> Nuendo (24bit/44.1k) -> SHN (2 Discs Audio / 1 Disc SHN) Source Detail notes
762. 09/01/89 Merriweather Post Pavilion - Columbia, MD   Jerry Garcia Band: MAD (FOB Schoeps CMC 34s)> CDR > WAV > SHN. SHN encoding and FTP'ing via C.Ladner/candyman FTP. Source Detail notes
763. 09/02/89 Merriweather Post Pavilion - Columbia, MD 1064 Jerry Garcia Band:FOB Schoeps CMC44 > Oade pre-amp > Sony PCM-F1 digital processor > Sony SL 2000 recorder (Beta); PCM master > DAT > CDR; Taper: Jim Oade; from the Jerry Site's "Release One"; via imgoinmad@home.com Source Detail notes
764. 09/02/89 Merriweather Post Pavilion - Columbia, MD 1064 Jerry Garcia Band: Schoeps CMC-44 (FOB) > Oade pre-amp > Sony PCM-F1 > Sony SL 2000 (Beta). Possible re-DAE and re-.shn of existing .shn set. Source Detail notes
765. 09/03/89 The Spectrum - Philadelphia, PA   Jerry Garcia Band: MAC (Taped by Todd W. of Lancaster, PA and others, FOB Sennheiser 421's [approximate Y-configuration, hand-held > Sony D6) > Sony D6 playback > 1st gen cassette (modified Sony D6) > Denon DRW-840 playback > Sony DTC-59ES (48K A/D conversion) > optical > Sound Blaster MP3 (SPDIF Optical to USB conversion) > Creative Wave Studio (recording to .wav, 48K to 44.1K sample rate converison and tracking) > mkwATC (.wav to .shn conversion and .md5 creation). Source Detail notes
766. 09/03/89 The Spectrum - Philadelphia, PA   Jerry Garcia Band: 48k FLAC of Travitz master: Schoeps CMC34 (hand held FOB,ORTF) > Oade M118 pre > Panasonic SV-250 @48kHz by Jeff Travitz. Transfer: DAT clone; Sony PCM-2600 > Audioquest coax > Turtlebeach Fiji > Soundforge 4.5 > CDWave 1.71 > FLAC 1.1.0 by Craig Hillwig. Source Detail notes
767. 09/03/89 The Spectrum - Philadelphia, PA 1064 Jerry Garcia Band: MAD (Taped by Jeff Travitz, FOB hand-held Schoeps CMC34 [ORTF] > Oade power supply > SV250) > ? > SHN. Source Detail notes
768. 09/05/89 Hartford Civic Center - Hartford, CT   Jerry Garcia Band:SBD MCass > Cassette > DAT > CDR, Dont let go is complete but the sbd cuts after the first few notes of Lonesome and a longway from home. Seeded by Scott Clugston; [md5s] Source Detail notes
769. 09/05/89 Hartford Civic Center - Hartford, CT   JGB: sbd-aud combination of shnid 4374 (sbd) and shnid 24221 (Senn 2000s aud). See info file for details. Source Detail notes
770. 09/05/89 Hartford Civic Center - Hartford, CT 1064 Jerry Garcia Band: Taped by John Bulger, Sennheiser Audio 2000 Mic setup (FOB) > Dolby C cassette master > 1 cassette > >Nak DR-10 (Playback)> Midiman Flying Cow A/D>RME Digi96/8> Steinberg's Wavelab 3.0>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT; Digital Conversion/shn'ed by Charlie Connor with Thanks to Rob R. Source Detail notes
771. 09/06/89 Nassau Coliseum - Uniondale, NY 1069 Jerry Garcia Band: audience-unknown> dat> cd> soundforge> shn by tim rossi tape errors: tape fades into How Sweet It Is, and tape also cuts at end of tangled. Source Detail notes
772. 09/06/89 Nassau Coliseum - Uniondale, NY 1069 Jerry Garcia Band: Taper: John Bulger; FOB Aud > Sennheiser Audio 2000 Mic setup > CM W/ Dolby C > Cass > Nak DR-10 (Playback)> Midiman Flying Cow A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 > CDWav v1.6 (tracking only) > SHNv3 (MKW ACT; Digital Conversion/shn'ed by Charlie Connor With thanks to Rob R. Source Detail notes
773. 09/06/89 Nassau Coliseum - Uniondale, NY 1069 JGB, Set II, 48k: Tim Alexander's MAC (FOB AKG 414s > Sony D5 [Dolby B on]) > Nakamichi DR-1 playback (Dolby B off) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC. Source Detail notes
774. 09/06/89 Nassau Coliseum - Uniondale, NY 1069 JGB, Set II: Tim Alexander's MAC (FOB AKG 414s > Sony D5 [Dolby B on]) > Nakamichi DR-1 playback (Dolby B off) > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC. Source Detail notes
775. 09/07/89 Meadowlands Arena - East Rutherford, NJ   Jerry Garcia Band: AUD (Unknown taper, Schoeps CMC34) > DAT > CDR > WAV > SHNv3. Source Detail notes
776. 09/07/89 Meadowlands Arena - East Rutherford, NJ 1070 JGB, Set II, 48k: Tim Alexander's MAC (FOB AKG 414s > Sony D5 [Dolby B on]) > Nakamichi DR-1 plaback (Dolby B on) > Edirol R-09 (24bit/48khz) > Nomad Jukebox 3 > WAV > FLAC (24 bit/48kHz). Source Detail notes
777. 09/07/89 Meadowlands Arena - East Rutherford, NJ 1070 JGB, Set II: Tim Alexander's MAC (FOB AKG 414s > Sony D5 [Dolby B on]) > Nakamichi DR-1 plaback (Dolby B on) > Edirol R-09 (analog pass-through) > Nomad Jukebox 3 > WAV > FLAC. Source Detail notes
778. 09/07/89 Meadowlands Arena - East Rutherford, NJ 1070 JGB: Unknown taper, Sennheiser 2002's (FOB, left of center) > Sony D5 (3rd deck in chain) > master cassette > 1st gen cassette > Nakamichi Cassette Deck 2 playback > RCA > UA-5 > USB > WinXP Pro > CEP 2.0 > CD Wave Editor > Flac Frontend > FLAC16. Source Detail notes
779. 09/09/89 Great Woods Center for the Performing Arts - Mansfield, MA 642 JGB: MAD > DAT > CD > EAC > SHN. Stealth upfront Nakamichi 700 (cardiods) customized (run without the bodies), powered by a Reutelhuber pre/ps > Panasonic SV250 > DAT/0 > DAT(clone) > Sony R300 @ 48k > ZA-2 @ 44.1k > Soundforge 4.0c > CD Architect > CD/0 > EAC > MkWToolkit > SHN. D>CD>SHN by Frank Venezia. Source Detail notes
780. 09/10/89 Great Woods Center for the Performing Arts - Mansfield, MA   Jerry Garcia Band: MSC > Cx > WAV > FLAC. Transfer: Cassette > FLAC (playback on Sony TC-KE400S, dolby disabled > Sony PCM-R500 with Super Bit Mapping enabled > coaxial S/PIDF output > M Audio Audiophile 2496 > recording with Soundforge 6.0) > tracking (cdwav) > sector boundaries confirmed (shntool) > SHN by C.Ladner, 10/04. Source Detail notes
781. 09/10/89 Great Woods Center for the Performing Arts - Mansfield, MA 566 Jerry Garcia Band: FOB (Unknown taper, Schoeps CMC34) > DAT > CDR > WAV > SHNv3. Source Detail notes
782. 09/10/89 Great Woods Center for the Performing Arts - Mansfield, MA 824 JGB: matrix of SBD (shnid 27358) and AUD (shnid 14311) by dan at amdig dot com. Source Detail notes
783. 09/10/89 Great Woods Center for the Performing Arts - Mansfield, MA 904 JGB: Ted Carpenter's Nakamichi CM-300's w/CP-1 cardioid capsules > Sony TC-D5M > Maxell XL-II 90's, w/no Dolby. Mics crossed X-Y pattern, on a 6-foot stand, middle of shed near SBD. Transfer: MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Source Detail notes
784. 09/10/89 Great Woods Center for the Performing Arts - Mansfield, MA 1070 Jerry Garcia Band: MSC > Cx > WAV > FLAC. Transfer: Cassette > FLAC (playback on Sony TC-KE400S, dolby disabled > Sony PCM-R500 with Super Bit Mapping enabled > coaxial S/PIDF output > M Audio Audiophile 2496 > recording with Soundforge 6.0) > tracking (cdwav) > sector boundaries confirmed (shntool) > SHN by C.Ladner, 10/04. Source Detail notes
785. 09/11/89 The Centrum - Worcester, MA   Jerry Garcia Band. Source: MSD > C3 > D > WAV > SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J. Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) by C. Ladner. Source Detail notes
786. 09/13/89 Seashore Performing Arts Center - Old Orchard Beach, ME 564, 635 Jerry Garcia Band: MAC (Taped by Glenn Gardner, Sennheiser ME80s > Sony D-5) > DAT > CDR > WAV > SHN. CDR and SHN encoding via A.Lemieux and C.Ladner. Source Detail notes
787. 09/15/89 Alpine Valley Music Theatre - East Troy, WI   MAC > DAT > CDR > EAC > SHN Source Detail notes
788. 09/16/89 Poplar Creek Music Theatre - Hoffman Estates, IL   Jerry Garcia Band: Entire show with Clerence Clemons. Source:soundboard->analog->pioneer PDR-509->CDRW->audio catalyst 2.1-> wav->cool edit 2000->mkw audio compression tool->shn Source Detail notes
789. 10/31/89 Concord Pavilion - Concord, CA 566 Jerry Garcia Band: MAD (taped by Sean Webber-Small, Marcus Buick, and others, B&K 4011's @ 110 ORTF [handheld, Section FF, Row F, Seat 104]) > Monster M1000 > TAO Research (Oade designed supply) > Monster M1000 > Panasonic SV250, Panasonic SV250 > Sony PCM601 > Sony SL360, Sony SL360 > Sony PCM701 > Digidesign 442/Quadra650, edited w/ProTools 3.1, mastered with Masterlist 1.2 > Sony920s 2x CD mastering burner master CD > HP 9350i extraction using EAC (v0.9 beta 4) > sector boundary alignment using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). Source Detail notes
790. 12/01/89 Warfield Theatre - San Francisco, CA   110' B&K 4011 @ Drink Rail -> SV255
Submitted to db.etree w/o a text file. The following text file circulates with filesets marked as SHNID # 6348 but may not be correct
Source Detail
notes
791. 12/02/89 Warfield Theater - San Francisco, Ca   JGB: MSC>Cx>DAT>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J. Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) by C. Ladner. Source Detail notes
792. 12/02/89 Warfield Theater - San Francisco, Ca 859 JGB; flac1644; Marcus Buick's MAD (B&K 4011s [handheld in balcony seats 107-109 Row D,E] > Aerco PS @ 29.3dB > Panasonic SV-250); master DAT > Sony PCM 601 > Sony SL-360 beta/0 > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David "The Machine" Minches. Source Detail notes
793. 12/02/89 Warfield Theater - San Francisco, Ca 981 JGB: Sbd> ???> Dat> Cdr Source Detail notes
794. 12/11/89 Westwood One Studios - San Francisco, CA   Garcia & Weir Interview: FM Broadcast ("Rockline") cassette master > Sound Forge 6.0 > wav > shn. Source Detail notes
795. 02/03/90 Warfield Theater - San Francisco, CA 456 Jerry Garcia Band: set I only: SBD > CASS > ? > CDR > WAV > SHNv3. Source Detail notes
796. 02/03/90 Warfield Theater - San Francisco, CA 824 JGB, set I: Katzeff, Hughes and Buick's MAD (Josephson KD200/C-603 @ 110 ORTF [upper balcony, row M] > Aerco PS > uncertain deck [probably Panasonic SV 250]) > Tascam DA-30 playback > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches. Source Detail notes
797. 04/13/90 Warfield Theatre - San Francisco, CA 456 Jerryy Garcia Band: FOB > Nakamichi 700 > DAT > CD > WAV. Thanks to C.Miller for the CDR seeds. DAE (EAC), boundary checking (shntool), shn (mkwact) via neo_levo/candyman FTP. Source Detail notes
798. 04/14/90 Warfield Theater - San Francisco, CA   JGB: Bill Reutelheuber's MAD (Nak 700s > Panasonic SV-250) > DAT > CDR > WAV > SHNv3. thanks to C.Miller for Dat>CDR transfers and seeding this show. DAE/FTP via neo_levo/candyman FTP. 12/2003: Info file updated to reflect taper and gear information provided by Bill Reutelheuber. Source Detail notes
799. 04/29/90 South Of Market Cultural Center - San Francisco, CA   Jerry Garcia, Nick Gravenites, Pete Sears and Animal Mind, Complete Show: SBD > DAT > CD > WAV >SHN. Source Detail notes
800. 05/12/90 Waikiki Shell - Honolulu, HI 982 JGB: Recorded by Trip: FOB 2 Neumann km 86 mics (no mic preamp used) > DAT Panasonic sv255; Transfer: Panasonic SV-3700 > Coax S/PDIF > M-Audio 410 (2 v1 dr1.8.2 2006-2 > FireWire400 > PowerMac G5 > Soundtrack Pro v1.0.3 (transfer by Thrak). Edited and Mastered By Jamie Waddell on the GEMS Edit Station. Source Detail notes
801. 05/19/90 Hotel Room - Kona, HI 985 Garcia Interview: microphone in the middle of a hotel room > Cassette received in trade > Cool Edit Pro (convert to .wav) > flac Source Detail notes
802. 05/20/90 Auditorium - Hilo, HI 876 JGB: FOB 2 Neumann km 86 mics (no mic preamp used) > Panasonic sv255 DAT master; Transfer: Panasonic SV-3700 > Coax S/PDIF > M-Audio 410 (2 v1 dr1.8.2 2006-2 > FireWire400 > PowerMac G5 > Soundtrack Pro v1.0.3. Edited and Mastered By Jamie Waddell on the GEMS Edit Station Tracked: Cdwave Flac'd Level 8 TLH. Source Detail notes
803. 06/13/90 Warfield Theater - San Francisco, CA 982 Jerry Garcia Band: MAD (Taper, equipment, and location unknown) > DATs > Tascam DA-30 playback > HHB-800 master CD > HHB-800 CD/1 > HP 9350i extraction using EAC > tracking using CD Wave > .shn encoding using mkwACT. Source Detail notes
804. 08/05/90 Greek Theatre @ University of California - Berkeley, CA 564, 635 Jerry Garcia Band:FOB -> Nakamichi 700 -> Dat -> CD -> Cool Edit Pro -> CD Dat -> CD Transfer and editing done by Charlie Miller Source Detail notes
805. 08/07/90 The Warfield - San Francisco, CA   Jerry Garcia Band: MAD (Rob Darroch and Sara Paul, Neumann KM140s handheld @ 110 ORTF ['The Spot', Rail-1st, 2nd row] > Panasonic SV-255) > unknown playback > Sony PCM 601 > SL 360 master Beta > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. PCM > FLAC by David Minches. Source Detail notes
806. 08/08/90 The Warfield - San Francisco, CA   Jerry Garcia Band: MAD (Rob Darroch and Sara Paul, Neumann KM140s handheld @ 110 ORTF ['The Spot', Rail-1st, 2nd row] > Panasonic SV-255) > unknown playback > Sony PCM 601 > SL 360 master Beta > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. PCM > FLAC by David Minches. Source Detail notes
807. 08/08/90 The Warfield - San Francisco, CA 824 Jerry Garcia Band. Source: MAC(unknown mics/taper) > C > C > DAT > WAV > SHN. Digital transfer via C.Ladner & J.Powell. Source Detail notes
808. 08/09/90 Warfield Theater - San Francisco, CA 456 Jerry Garcia Band. Source: MAC(unknown mics/taper) > C > C > DAT > WAV > SHN. Digital transfer via C.Ladner & J.Powell. Source Detail notes
809. 11/13/90 Wiltern Theatre - Los Angeles, CA   Jerry Garcia Band: Source: Audmc(ff n2 orch)/Toa DM1200d>D-6>Jb3>Goldwave>Cdwav>Flac. The second set has an additional analog genereation. Taped by John DeTally. Transferred and FLAC encoding by Jason Flair. Source Detail notes
810. 11/15/90 Wiltern Theatre - Los Angeles, CA   Jerry Garcia Band: Source: MAC(Toa DM1200d>D-6>Jb3>Goldwave>Cdwav>Flac. Taped by John DeTally. Transferred and FLAC encoding by Jason Flair. Source Detail notes
811. 11/20/90 Warfield Theater - San Francisco, CA 456 Source: AUD > ? > CDR > WAV > SHNv3 Microphones and taper unknown @ this time. CDR source via C.Davis. SHN encoding/FTP via C.Ladner/candyman FTP. Source Detail notes
812. 11/21/90 Warfield Theater - San Francisco, CA 456 Jerry Garcia Band: Recording Info: (FOB) Nakamichi 700/CP701 -> Dat; Transfer Info: Dat (Sony D8) -> CD (Tascam CDRW700) -> EAC -> SHN; (2 Discs Audio / 1 Disc SHN); Recorded By Bill Reutelhuber; All Transfers By Charlie Miller July 2001 Source Detail notes
813. 11/24/90 Henry J. Kaiser Convention Center - Oakland, CA 567 Jerry Garcia Band: MAC (Taped by Charlie Miller, front row balcony 40' spaced AKG C1000S [cardioids] > Sony D5 master cassette) > DAT > CD > .shn encoding by TomE. Source Detail notes
814. 12/17/90 The Sweetwater - Mill Valley, CA   JGDG; shnf; AUD:D > DAT > CD. Source Detail notes
815. 12/22/90 San Francisco Civic Auditorium - San Francisco, CA 567 JGB: FOB (Nak700s) > DAT > CDR > WAV > SHNv3 Source Detail notes
816. 01/29/91 Warfield Theater - San Francisco, CA 576 Jerry Garcia Band, mixed sources: Set I: Schoeps CMC3-MK4>D>D>WAV>FLAC, taper unknown at this time; Set II: Taped by Jeff Geer, Nak700 > CM > D > WAV > FLAC. Source Detail notes
817. 02/02/91 Warfield Theater - San Francisco, CA   Garcia & Grisman, complete show: DSBD > DATs > CDs > EAC > SHN. Source Detail notes
818. 02/03/91 Warfield Theater - San Francisco, CA   Garcia & Grisman: second set only; DSBD> cass.> DAT> CDR Source Detail notes
819. 02/28/91 Warfield Theater - San Francisco, CA   JGB: Schoeps MK4 > DAT > CDR > WAV > FLAC16. Source Detail notes
820. 03/01/91 Warfield Theater - San Francisco, CA   Jerry Garcia Band: FOB->B+K 4011->Neumann PS->Dat->CD >EAC>SHN Dat->CD Done by Charlie Miller. Source Detail notes
821. 04/21/91 Warfield Theatre - San Francisco, CA   Jerry Garcia Band: Dank Certified: FOB Schoeps CMC34> Oade Power Supply > Panasonic SV-255 Tranfer: DAT clone (Sony DTC-A6) > Dio 2448 > Soundforge 4.5 > CD WAV > Shn by Bill Gardner, bgardner@telocity.com Source Detail notes
822. 05/23/91 Warfield Theater - San Francisco, CA 702 Jerry Garcia Band: (FOB) Schoeps mk4>Dat>CDR>WAV>SHNv3. Thanks to C. Miller for the DAT > CDR conversion and seeding this show. DAE (EAC) > boundary check (SHNTOOL) > shn (MKWACT) via neo_levo. hosted on candyman server, 2/2002. Source Detail notes
823. 08/10/91 French's Camp On The Eel River - Piercy, CA 597 Jerry Garcia Band: Source: AUD(mic's unknown)>DAT>CDR>WAV>SHN. Taper: unknown at this time. Thanks to H. Angus for the CDR seeds. DAE(EAC 0.9 beta 4, offset corrected, high/secure) > editing (soundforge 5) > boundary check (shntool) > SHN (shorten 3.4) > FTP via C.Ladner/candyman FTP. Source Detail notes
824. 08/10/91 French's Camp On The Eel River - Piercy, CA 409-03 JGB: Schoeps CCM4 Cardiods ORTF>Panasonic SV255 Dat>Pansonic 3700 DAT>Card Deluxe Digital I/O Card>Soundforge 6.0>Flac. Source Detail notes
825. 08/10/91 French's Camp On The Eel River - Piercy, CA 982 Jerry Garcia Band: Marcus Buick, Rick Katzeff and Tom Hughes, Schoeps CMC32s, spaced omnis ca. 6-6.5' center/right > TAO/Oade PS > Panasonic SV-255; Transfer: Tascam DA-30 > Digital Domain VSP-P (for sample rate conversion and anti-jitter) > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool > FLAC. Source Detail notes
826. 08/24/91 Goldcoast Concert Bowl - Squaw Valley, CA   Jerry Garcia Band: Bill Reutelhuber DAUD/DSBD matrix > FLAC. See text file for details. Source Detail notes
827. 08/24/91 Goldcoast Concert Bowl - Squaw Valley, CA 597 Garcia & Grisman: soundboard->Dat->cd-r Source Detail notes
828. 08/25/91 Goldcoast Concert Bowl - Squaw Valley, CA   Garcia & Grisman: DSBD> DAT> CDR> EAC> SHN; via Eric Walker Source Detail notes
829. 08/25/91 Goldcoast Concert Bowl - Squaw Valley, CA 982 Garcia & Grisman: SBD-AUD matrix: DSBD > 2D > WAV; MAD (Taped by Bill Reutelhuber, Schoeps MK2 omnis [FOB Center] > Panasonic SV-255). See info file for additional details. Source Detail notes
830. 08/25/91 Goldcoast Concert Bowl - Squaw Valley, CA 1068 JGDG: SBD DAT > TASCAM DA-20 MKII > Tascam CD-RW5000 > CDR > Extracted Sony Sound Forge 7.0 > CDWAV > Flac. Source Detail notes
831. 11/06/91 Capital Centre - Landover, MD   Jerry Garcia Band: FOB (Schoeps 34 > Oade) > DAT > CDR > WAV > SHN. Taper: unknown. CDR source via H.Angus. DAE,SHN encoding, FTP hosting via C.Ladner/candyman FTP. Source Detail notes
832. 11/07/91 Capital Centre - Landover, MD 567 Jerry Garcia Band: AUD (Schoeps CMC34) > Oade > SV-255 > DAT > CDR > WAV > SHNv3, taper unknown. Source Detail notes
833. 11/13/91 The Centrum - Worcester, MA   Jerry Garcia Band: FOB (Schoeps CMC3 + MK4) > DAT CDR > WAV >SHN. Taper: unknown at this time. Source Detail notes
834. 11/17/91 Hartford Civic Center - Hartford, CT   Jerry Garcia Band: FOB SCHOEPS> TASCAM DAT> CDR> WAV> SHNv3(seekable) Source Detail notes
835. 11/19/91 Providence Civic Center - Providence, RI 904 Jerry Garcia Band: Fixed sector boundaries and slight editing of previous seed: Schoeps CMC54 (hand held 4th row)--> Peter Grace power supply 12V--> DAT--> ZA2 (48/44.1)--> CEP--> SHN. Master recording by Captain Joe LeClair. DAT transfer and shn mastering by Tony Masiello. Source Detail notes
836. 11/20/91 Rochester Community War Memorial - Rochester, NY   Jerry Garcia Band: Schoeps FOB > DAT> CD> EAC/Plextor > SHN; via R. Vacchetto. Source Detail notes
837. 11/20/91 Rochester Community War Memorial - Rochester, NY 877 JGB: Anne Cohen's Schoeps CMC5’s (FOB, handheld) > Panasonic SV255 > Sony TCD-D3 (48k DAT); Sony PCM500 > Zefiro Acoustics ZA2 > Tracked using Sound Forge 4.5 and CD Architect. Source Detail notes
838. 11/22/91 Rosemont Horizon - Chicago, IL 647B Jerry Garcia Band: FOB Schoeps> PCM> DAT> CDR> WAV> SHNv3(seekable). Source Detail notes
839. 11/23/91 Bradley Center - Milwaukee, WI   Jerry Garcia Band: FOB AUD Nak CM300 > Dat > CD Source Detail notes
840. 11/23/91 Bradley Center - Milwaukee, WI 647B Jerry Garcia Band: DAUD > D8> USB Mobile Pre > hdd (via Sony Soundforge7) > FLAC Source Detail notes
841. 11/24/91 Target Center - Minneapolis, MN 647B Jerry Garcia Band: FOB Schoeps > PCM > DAT > CDR > WAV > SHNv3(seekable). Source Detail notes
842. 12/07/91 Warfield Theater - San Francisco, CA   MAD (Vintage 1950s Neumann KM54s)>Denon DAT deck (model unknown)) > DAT > WAV > SHNv3. Tapers: J.& C. Vasseur. DAT material provided by J.Powell. DAT > SHN by C.Ladner: Sony PCM-R500 > coaxial S/PDIF > M Audio Audiophile 2496 > WAV recording/editing (Soundforge 6) > tracking (cdwav editor) > sector boundaries confirmed (shntool) > SHN (mkwact). Complete source. Clipping and distortion early on. Source Detail notes
843. 12/08/91 Warfield Theater - San Francisco, CA   Garcia & Grisman: sbd > dat > cdr > eac > shn. Seeded by Chris Ladner Source Detail notes
844. 12/09/91 Warfield Theatre - San Francisco, CA   Garcia & Grisman. MAD (Vintage 1950s Neumann KM54s>DAT)>DAT>WAV>SHNv3. Tapers: J.& C. Vasseur. DAT material provided by J.Powell. DAT > WAV > SHN by C.Ladner: Sony PCM-R500 > coaxial S/PDIF > M Audio Audiophile 2496 > WAV recording/editing (Soundforge 6) > tracking (cdwav editor) > sector boundaries confirmed (shntool) > SHN (mkwact). Source Detail notes
845. 12/09/91 Warfield Theatre - San Francisco, CA   Garcia & Grisman: MAD (rig, location, and taper uncertain) > DATs > Sony PCM-2600 > Egosys 2496 Waveterminal to HD > initial editing/tracking using Cool Edit 2000 > CDx1 > EAC > re-tracking using CD Wave > SHN using mkwACT. Source Detail notes
846. 02/07/92 Henry J. Kaiser Convention Center - Oakland, CA   Jerry Garcia Band:FOB Shoeps CMC54's->Panasonic 255 (DAT)->CD->EAC->CDWave->SHN conversion and seed by AJ - a2k@pacbell.net Source Detail notes
847. 04/30/92 Warfield Theater - San Francisco, CA   Jerry Garcia Band: DANK CERTIFIED: FOB Schoeps CMC34 > Oade Custom Power Supply > Panasonic SV-255 DAT @48KTranfer: DAT Clone (Sony DTC-A6) > Dio 2448 > Soundforge 4.5 (resample, addfades) > CD WAV > SHN via MKW .97 (no DAE) by Bill Gardner, bgardner@telocity.com Source Detail notes
848. 05/02/92 Warfield Theater - San Francisco, CA   Jerry Garcia Band: Neumann KM150 > MAD > DATs (taper unknown); Transfer: DAT 60ES > M-Audio Audiophile USB > WAV > Flac, by jbraveman@hotmail.com August 2005. Source Detail notes
849. 05/02/92 Warfield Theater - San Francisco, CA 709 Jerry Garcia Band: Neumann KM150 > MAD > DATs (taper unknown); Transfer: DAT 60ES > M-Audio Audiophile USB > WAV > Flac, by jbraveman@hotmail.com August 2005. Source Detail notes
850. 05/10/92 Warfield Theater - San Francisco, CA 597 Garcia & Grisman: MAD (unknown taper, location, gear) > unknown DAT gens > unknown CD gens > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). Source Detail notes
851. 07/24/92 Cal Expo Amphitheater - Sacramento, CA 860 Jerry Garcia Band: AUD (mics and taper unknown) > DAT > CDR > WAV > SHN. CDR source provided by J.Steinhaus. DAE (EAC 0.9 beta 4, offset corrected, secure mode) > tracking (CDWAVE) > SHN (Shorten 3.4) > FTP via C.Ladner/candyman FTP. Source Detail notes
852. 07/29/92 Universal Amphitheater - Universal City, CA   Jerry Garcia Band:DAUD (Beyer 201s, 90 degrees, up front, DFC) Conversion: DAT-> CD Master-> EAC(in Secure Mode)-> CDWave-> SHN Source Detail notes
853. 07/31/92 Ventura County Fairgrounds - Ventura, CA 860 Jerry Garcia Band: Set 1 - FOB (AKG480) > DAT > CDR> WAV > SHN; Set 2 - FOB (Senn 421) > DAT > CDR > WAV > SHN, via Chris Ladner. Source Detail notes
854. 10/31/92 Oakland-Alameda County Coliseum Arena - Oakland, CA   Jerry Garcia Band: SBD > CM? > DAT > ? > DAT > CDR (see comments), bears uncertain relationship to existing sbd-sourced .shn set from this show. Source Detail notes
855. 12/19/92 Warfield Theater - San Francisco, CA 860 Jerry Garcia Band: AUD (SCHOEPS CMC32) > DAT > CDR > WAV > SHNv3. Source Detail notes
856. 12/21/92 Warfield Theater - San Francisco, CA 567 Jerry Garcia Band: FOB (Schoeps) DAUD > CDR ; fixed shn of already circulated shn copy, by T. Wiley. Source Detail notes
857. 04/12/93 Candlestick Park - San Francisco, CA   Jerry Garcia, Bob Weir & Vince Welnick: TV broadcast > cassette > wav > .shn. Source Detail notes
858. 09/17/93 NPR Studios - New York, NY 561 Garica & Grisman: SBD: DAT (pre-FM) -> DAT -> CDR -> EAC -> SHN (seekable). Source Detail notes
859. 11/04/93 Rochester War Memorial - Rochester, NY 862 JGB (16bit/48kHz)): Clay Brennecke IFOB (Floor Section 42, Row 23, Sets 13 & 15) ~ Schoeps MK4's > Custome Oade Pre Amp > Panasonic SV-255 Transfered: John E. Herrold Transfer Linage: Master SV-255 DAT > Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV Source Detail notes
860. 11/05/93 Buffalo Memorial Auditorium - Buffalo, NY 825 JGB: Todd Evans's Schoeps CMC34 > Panasonic sv255 DAT Master > TASCAM DA-20 playback > M-Audio FireWire solo > Soundforge 8.0 wav, transferred by Todd Evans. Source Detail notes
861. 11/05/93 Buffalo Memorial Auditorium - Buffalo, NY 862 JGB: Todd Evans IFOB (Floor Section Row L, Sets 7 & 8) ~ Schoeps MK4's > Custom Oade Pre Amp > Panasonic SV-255; Transferred by John E. Herrold, Master SV-255 DAT > Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV. Admin note (6/14/2009): this had been listed as a Clay Brennecke master, but Todd Evans claims that he made this tape. Source Detail notes
862. 11/12/93 Madison Square Garden - New York, NY 968 JGB: Schoeps MK4s > Schoeps KC5 Active Cables > Schoeps CMC3 > Oade Mic Preamp > Panasonic SV-255. Recorded by Clay Brennecke and Keith Litzenberger FOB in Section 2 Row U. DAT>TASCAM DA-30MKII>M-Audio Audiophile 192>Wavelab 5.0 (Fades & Sample rate conversion)>CDWAV>FLAC. Source Detail notes
863. 02/04/94 Warfield Theater - San Francisco, CA   Jerry Garcia Band: MAC (Taped by Chuck & Janet Vasseur, Neumann mics [vintage 1957, tube electronics]) > CDR > EAC (Secure mode) > shn (MKWACT). EAC>SHN by Charlie Connor. Source Detail notes
864. 02/05/94 Warfield Theater - San Francisco, CA 495 Jerry Garcia Band: SBD>>MR>>DAT>>(*)CASS>>DAT>>CDA>>WAV(EAC)>> DAW(Bertha)>>CDA/SHN Source Detail notes
865. 02/06/94 Warfield Theater - San Francisco, CA 567 Jerry Garcia Band: mixed sources: Set 1 - SBD > Dat > Cm > Dat > CD; Set 2 - (FOB) Neumann KM104 > Panasonic SV-255 > Dat > CD. Seeded to etree by Todd Sanders. Source Detail notes
866. 02/06/94 Warfield Theater - San Francisco, CA 825 Jerry Garcia Band: MAC (Taped by Chuck & Janet Vasseur, Neumann mics [vintage 1957, tube electronics]) > CDR > EAC (Secure mode) > shn (MKWACT). EAC'ed/SHN'ed and seeded to fungus and abgd by Charlie Connor. Source Detail notes
867. 03/09/94 Warfield Theater - San Francisco, CA 825 Jerry Garcia Band: FOB (Neumann KM 54's) > DAT > CDR > WAV > SHNv3. Tapers: Chuck and Linda Vasseur. Source Detail notes
868. 04/20/94 Warfield Theater - San Francisco, CA 825 Jerry Garcia Band: MAD("vintage neumann"/KM54s?)>DAT>CDR>WAV>SHN. Taper: Chuck and Janet Vasseur. Source Detail notes
869. 04/25/94 Warfield Theater - San Francisco, CA 825 Jerry Garcia Band: set II only: SBD > Dat > Cm > Dat > CD > EAC > .shn using mkwACT. Seeded by Todd Sanders. Source Detail notes
870. 04/27/94 Warfield Theater - San Francisco, CA   Jerry Garcia Band: Lineage given as DSBD > DAT > CDR > EAC > shn, but Charlie Miller says the correct lineage is SBD>Dat>Cass Master (Dolby C)>Dat>CD. Source Detail notes
871. 05/18/94 Starlight Bowl - San Diego, CA   Jerry Garcia Band: MAD (AT831b > D7 FOB) > D > CDR > EAC > WAV > FLAC. Taper: unnamed. Note: this originally circulated as Neumann KM140s > Panasonic SV 255, but the AT setup has apparently been confirmed by the taper. Source Detail notes
872. 08/13/94 Warfield Theater - San Francisco, CA 588 Jerry Garcia Band: FOB (Neumann KM54) > DAT > CDR > WAV > SHNv3. Taper unknown. CDR seeds via S.Aserkoff. SHN encoding and FTP hosting via C.Ladner/candyman FTP. Source Detail notes
873. 08/14/94 Warfield Theater - San Francisco, CA   Jerry Garcia Band: DSBD> Dat> Cass> Cdr; Source Detail notes
874. 08/14/94 Warfield Theater - San Francisco, CA   Jerry Garcia Band: DSBD > D > CM > CD > EAC > slight alterations (see info file) > SHN. This is a slightly modified upgrade, via Jake Mercatoris, of the existing .shn set. Source Detail notes
875. 09/01/94 Warfield Theatre - San Francisco, CA   Jerry Garcia Band: FOB Neumann KM-140 > SV255 > DAT > Tascam CDRW 700 > CD > EAC > SHN. Source Detail notes
876. 01/13/95 Warfield Theater - San Francisco, CA   Jerry Garcia Band: Chuck & Janet Vasseur's MAD ("vintage Neumann"/KM54s > unknown deck) > DAT > CDR > WAV > SHN. SHN encoding via C.Ladner. Source Detail notes
877. 01/14/95 Warfield Theater - San Francisco, CA   Jerry Garcia Band: MAD(vintage Neumann/KM54>DAT)>DAT>CDR>WAV>SHN. Taper: Chuck and Janet Vasseur. This is an upgrade over the other circulating unlineaged source for this date. Source Detail notes
878. 01/14/95 Warfield Theater - San Francisco, CA 642 Jerry Garcia Band: MAD (mics unknown) > CDR > WAV > SHNv3, via Chris Ladner. Source Detail notes
879. 01/15/95 Warfield Theater - San Francisco, CA   Jerry Garcia Band: MAD(vintage Neumann/KM54>DAT)>DAT>CDR>WAV>SHN. Taper: Chuck and Janet Vasseur. SHN encoding via C.Ladner. Source Detail notes
880. 03/04/95 Warfield Theater - San Francisco, CA 642 Jerry Garcia Band: Vasseurs' MAD (Neumann KM54) > DAT > CDR > WAV > SHN. Source Detail notes
881. 04/14/95 Warfield Theater - San Francisco, CA 642 Jerry Garcia Band: MAD (Taped by the Vasseurs, Neumann Km54s > unidentified deck) > D > CDR > WAV > SHNv3; source information updated 1/15/2003. Source Detail notes
882. 04/22/95 Warfield Theater - San Francisco, CA   Jerry Garcia Band: FOB Neumann KM 150's >??p/s> Teac Da-p20> Cdr; Source Detail notes
883. 04/23/95 Warfield Theater - San Francisco, CA 588 Jerry Garcia Band: AUD (mics and taper unknown) > DAT > CDR > WAV > SHN. Last JGB show. Several minor technical flaws - see info file for details. Source Detail notes

Garcia & Kahn  
  Date Venue - City, State ref Media  
1. 07/01/82 Auditorium Theater - Chicago, IL 958 JGJK: Sony Walkman (condenser mic) > cass >dat > cdr > shn > wav > flac; sirmick remaster of shnid 13424. Source Detail notes

Garcia & Saunders  
  Date Venue - City, State ref Media  
1. 06/04/74 The Lion's Share - San Anselmo, CA 1070 JGMS: MSR > PCM > DAT; Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.01a; Mastering with: iZotope Ozone 3 > CD Wave > TLH > FLAC; Transfer and Mastered by Bill Koucky; Green Mountain Bros. February 13, 2008. Source Detail notes
2. 06/04/74 The Lion's Share - San Anselmo, CA 1070 JGMS: MSR > PCM > DAT; Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.01a; Mastering with: iZotope Ozone 3 > CD Wave > TLH > FLAC; Transfer and Mastered by Bill Koucky; Green Mountain Bros. February 13, 2008. Source Detail notes

Grateful Dead http://www.dead.net
  Date Venue - City, State ref Media  
1. 11/03/65 Golden State Studios - San Francisco, CA 242-01, gd65.01 Autumn Records Demo, The Warlocks; SBD> MR> ??> DAT> CDR; via Raoul Duke; Seeded to etree by Matt Vernon Source Detail notes
2. 02/25/66 Ivar Theater - Los Angeles, CA gd66.01 MR> DATx> CD; reportedly this date, plus other '66; may also be listed as '??/??/66'- another shn set of t1-8 material circulates as such Source Detail notes
3. 03/12/66 Danish Center - Los Angeles, CA 371-01, gd66.01 ??> CD> EAC> CDWave> SHN; EAC (secure mode, offset corrected), track spliting, and shorten encoding (MKW) by D.Winters, with Thanks to T.Doherty for the seed disc Source Detail notes
4. 03/25/66 Trouper's Hall - Los Angeles, CA gd66.01 with 7/3/66; see notes in info file; to abgd, later to etree; listener Daniel Kessler reports several digispots Source Detail notes
5. 05/19/66 Avalon Ballroom - San Francisco, CA gd66.01 mr> dat> fm broadcast> cdr> shn; via lestatkatt; Cream Puff War filler Source Detail notes
6. 06/??/66 Scorpio Studio Outtakes - San Francisco, CA gd66.01 Scorpio studio outtakes; SBD> MR> DAT> CDR; Conversion: CDR > EAC (secure) > CDWav (retracking) > mkwact (seekable) by Matt Vernon, with thanks to Raoul Duke; via The Music Never Stopped Project Source Detail notes
7. 07/01/66 Unknown (perhaps Fillmore Auditorium) - San Francisco, CA gd66.01 Source: MSR>DAT>CDR via Andy Lemieux and Kingbee encoded by Matt Vernon Source Detail notes
8. 07/03/66 Fillmore Auditorium - San Francisco, CA 210-01, gd66.01 with 3/25/66; see notes in info file; to abgd, later to etree Source Detail notes
9. 07/16/66 Fillmore Auditorium - San Francisco, CA 201-01, gd66.01 SBD > RTR > PCM > SSSB; via Jay Serafin to gdlive Source Detail notes
10. 07/16/66 Fillmore Auditorium - San Francisco, CA 220, gd66.01 SBD -> Reel Master (10 Inch Reels @ 15ips 1/2trk) -> Dat -> Sonic Solutions -> CD -> EAC -> SHN; Converted To SHN By Charlie Miller. Upgrade now in circulation. Source Detail notes
11. 07/17/66 Fillmore Auditorium - San Francisco, CA 191, gd66.01 SBD > RTR @ 15 I.p.s. > PCM > D > SSSB; via Jay Serafin to gdlive Source Detail notes
12. 07/17/66 Fillmore Auditorium - San Francisco, CA 210, gd66-01 SBD -> Reel Master (10 Inch Reels @ 15ips 1/2trk) -> Dat -> Sonic Solutions -> CD -> EAc -> SHN; Converted To SHN By Charlie Miller Source Detail notes
13. 07/29/66 P.N.E. Garden Auditorium - Vancouver, BC gd66.01 SBD> MR> ??> CDR; Some confusion over date, see info file; via Raoul Duke; Seeded to etree by Matt Vernon Source Detail notes
14. 07/30/66 P.N.E. Garden Auditorium - Vancouver, BC 219, gd66.01 SBD> MR> ??> CDR; Some confusion over date, see info file; via Raoul Duke; Seeded to etree by Matt Vernon Source Detail notes
15. 09/16/66 Avalon Ballroom - San Francisco, CA 190, gd66.02 SBD> MR> ??> CDR; via Raoul Duke; Seeded to etree by Matt Vernon; Note- There are two shn sets listed for this show, one 'original' and one 'de-popped'. ONLY 'de-popped' versions circulate for the last two tracks. Source Detail notes
16. 10/07/66 Winterland Arena - San Francisco, CA 171, gd66.02 sbd 3 songs originally part of the SF Nights compilation noted here separately Source Detail notes
17. 11/19/66 Fillmore Auditorium - San Francisco, CA 201, gd66.02 SBD; liberated bootleg source; extraction/SHN by Jon Seff Source Detail notes
18. 11/19/66 Fillmore Auditorium - San Francisco, CA gd66.02 It Crawled Out of the Vaults of KSAN; Dead material is d1 of 6-disc misc 1966-68 SF band compilation (see info); other md5s are included here for reference Source Detail notes
19. 11/29/66 The Matrix - San Francisco, CA gd66.02 SBD of unknown lineage. This is the previous seed (shnid=4940) with the missing tracks added. Source Detail notes
20. 12/01/66 The Matrix - San Francisco, CA 210, gd66.02 SBD> Rm> Reel> Dat> CD> wav> shnv3; DAE(EAC)> boundary check (SHNTOOL)> SHN (MKWACT)> FTP via neo_levo; with thanks to Charlie Miller Source Detail notes
21. 12/01/66 The Matrix - San Francisco, CA gd66.02 remastered (NR, cleanup) version of previous shn set, by SIRMick; Noise reduction was done with Waves X-Noise plugin using WaveLab as the host Source Detail notes
22. 12/05/66 Studio: 1st album outtakes - San Francisco, CA 171, gd66.02 Source: sbd>mc>cass>cd>eac>shn by Teri Kimbro. This is an sbefix of shnid 21295. Source Detail notes
23. ??/??/66 Acid Tests - Various, CA 390, gd66.01 Acid Test material, labelled with numbers 5,6 in supplement to previous 4 disc set; additional or alternate material from 2/12/66, 3/12/66, 10/2/66 Source Detail notes
24. ??/??/66 Compilation - Compilation, CA 390, gd66.01 SBD:MR> ?> CD; via Jools; venue unknown Source Detail notes
25. ??/??/66 Acid Tests - Various, CA 1965-01, gd66.01 Acid Test compilation; via Alan Bershaw, Thomas Wulf; includes 1/8/66, 1/29/66, 3/12/66, 10/2/66, 10/31/66, ??/??/65, 7/23/67, ??/??/67; supplements to this set also circulate Source Detail notes
26. ??/??/66 Acid Tests - Various, CA gd65.01 Acid Test compilation; via Alan Bershaw, Thomas Wulf; includes 1/8/66, 1/29/66, 3/12/66, 10/2/66, 10/31/66, ??/??/65, 7/23/67, ??/??/67; supplements to this set also circulate Source Detail notes
27. ??/??/66 Viola Lee Blues Rehearsals - Unknown, CA gd66.01 January 1966 (?) - Viola Lee rehearsals; 47 minutes from unknown generation cassette played back on Nak CR7E; via Uli Teute and Hanno Bunjes Source Detail notes
28. 01/14/67 Polo Field, Golden Gate Park - San Francisco, CA gd67.01 SBD>MR >?>CDR; The great human be-in; via Raoul Duke; Seeded to etree by Matt Vernon Source Detail notes
29. 01/27/67 Avalon Ballroom - San Francisco, CA gd67.01 AUD C/? cleaned up & patched, 67:40 total time, via Hanno Bunjes & Uli Teute Source Detail notes
30. 02/12/67 Fillmore Auditorium - San Francisco, CA gd67.01 2 songs most likely from studio (see notes) Source Detail notes
31. 03/18/67 Winterland Arena - San Francisco, CA gd67.01 SBD > MR > ? > CD; Seeded to etree by A.J. Fink Source Detail notes
32. 04/08/67 KPIX-TV Studios - San Francisco, CA gd67.01 TV > C/? >CDR; various artists including Dead performance; via Hanno Bunjes, Uli Teute Source Detail notes
33. 04/??/67 KMPX Radio Show - San Francisco, CA gd67.01 Pre-FM-MR> R> DAT> CDR; Conversion: CDR > EAC(secure) > Cool Edit(remove gaps) > CDWav (retrack) > mkwact(seekable) by Matt Vernon Source Detail notes
34. 05/05/67 Fillmore Auditorium - San Francisco, CA gd67.01 SBD> unknown analog gens> D; via Ben Yerys Source Detail notes
35. 06/18/67 Monterey County Fairgrounds - Monterey, CA gd67.01 SBD: MR> Cass> DAT> ZA2> CD; exception: Alligator -> Caution has no cassette gen, and may not even be from same show; CD seed via D. Hollister; original to abgd, to etree 6/00; upgrade now in circulation Source Detail notes
36. 06/18/67 Monterey County Fairgrounds - Monterey, CA gd67.01 SBD> MR> ? > DAT x 2> Sonic Solutions> cd Note: There seems to be no cassette generation between the MR and DAT, which is present on the previously circulated version of this show. Remastered by ?Mandrake? Source Detail notes
37. 08/04/67 O'Keefe Center - Toronto, ON 210, gd67.01 SBD MR>?>2R>C>CD; slight upgrade; via Hanno Bunjes and Uli Teute Source Detail notes
38. 08/05/67 O'Keefe Center - Toronto, ON 210, gd67.01 SBD MR>?>2R>C>CD; more complete and slightly better-sounding version; via Hanno Bunjes and Uli Teute Source Detail notes
39. 09/03/67 Dance Hall - Rio Nido, CA gd67.01 previous shn set with "original mix Midnight Hour" via Terrapin Station Source Detail notes
40. 09/04/67 Dance Hall - Rio Nido, CA gd67.01 SBD:MR> Cass> DAT> CD; via Jools Source Detail notes
41. 10/22/67 Winterland Arena - San Francisco, CA gd67.01 SBD -> Rm -> Cass -> Dat via Charlie Miller Source Detail notes
42. 10/31/67 Winterland Arena - San Francisco, CA 371-02 flac16; SBD?->unkown tape generation->HHB CDR830->NEC DVD_RW ND-3520A->EAC->CDWAV-FLAC fake version of this show comprised of material from November 10th and 11th, 1967 Source Detail notes
43. 11/10/67 Shrine Exposition Hall - Los Angeles, CA gd67.02 MR> R> R> DAT> CD> EAC > SHN; via Kirby (Chalupa) Bell, Darrin Sacks; with 7/23/67 Cassady rap filler; note source updated with extra reel gen, based on info from Rob Bertrando Source Detail notes
44. 11/11/67 Shrine Exhibition Hall - Los Angeles, CA 189B-01, gd67.02 MSR> R> R> DAT> CDR> EAC > SHN; via Kirby (Chalupa) Bell, Darrin Sacks; note source updated with extra reel gen, based on info from Rob Bertrando Source Detail notes
45. 11/14/67 American Studios - North Hollywood, CA gd67.02 MSR>C(1)>DAT>WAV>SHN. The circulating versions of these songs are different from the versions on the single and on "What a Long Strange trip It's Been" (which are the same) and therefore are listed separately. The md5's differ from the previous shn set listed. Source Detail notes
46. 01/17/68 Carousel Ballroom - San Francisco, CA 220 SBD>MR>C>D>CD; via Raoul Duke; Seeded to etree by Matt Vernon & J. Cotsman Source Detail notes
47. 01/20/68 The Eureka Municipal Auditorium - Eureka, CA   via Julian (Jools) Elliott Source Detail notes
48. 01/22/68 Eagles Auditorium - Seattle, WA 220 SBDMR > DAT > Sonic Solutions > CD > EAC > Soundforge > SHN; plus patches- see notes in info file; patching and cleanup by Noah Weiner; to abgd via Charlie Connor Source Detail notes
49. 01/27/68 Eagles Auditorium - Seattle, WA 220 1 track (all that circ); SBD:MR> DAT> PCM> DAT> CD; EAC > SHN from audio CD by David Hollister; upload by Julian (Jools) Elliott Source Detail notes
50. 02/02/68 Crystal Ballroom - Portland, OR 220 No source info; Seeded to etree by Jools; Source Detail notes
51. 02/03/68 The Crystal Ballroom - Portland, OR 220 SBD:MR>DAT>Sonic Solutions>CD ? shntool fixed and seekable version of set uploaded to tol.etree.org Feb.1/03 Source Detail notes
52. 02/14/68 Carousel Ballroom - San Francisco, CA 1050 flac16; Recording Info: SBD -> (8 Track) Master Reel -> Dat -> CD -> FLAC Transfer Info: FLAC -> Samplitude Professional v10.02 -> FLAC Transferred and Remastered By Charlie Miller (note: this source contains officially released, copyrighted material) Source Detail notes
53. 02/14/68 Carousel Ballroom - San Francisco, CA 243-01 MR> DAT> DAT> CD> EAC> SHN, with portions from another source, probably FM; via Garrett Van Cleef, from Jim Douglas seed; includes supplemental hiss-reduced material (see info files); hosted by gdlive.com Source Detail notes
54. 03/16/68 Carousel Ballroom - San Francisco, CA   SBD>MR>C>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon Source Detail notes
55. 03/29/68 Carousel Ballroom - San Francisco, CA 190-03 AUD > ?? > CDR; via Raoul Duke; seeded to etree by Matt Vernon Source Detail notes
56. 08/21/68 Fillmore West - San Francisco, CA 220 SDB>MR>C>D>CD>EAC>SHN; see info file for details; seeded to etree via D Litfin; edits/encoding by D Litfin Source Detail notes
57. 08/22/68 Fillmore West - San Francisco, CA 177-01 SBD portion via Jools, see info file for possible lineage. Source Detail notes
58. 08/22/68 Fillmore West - San Francisco, CA 220 SBD>MR>C>D>CD>EAC>SHN; (two cassette sources, one in mono, one in stereo); see info file regarding confusion over this date; Thanks to David(s) Litfin, Sorochty, Gans, et al; edits/encoding JCotsman Source Detail notes
59. 09/02/68 Betty Nelson's Organic Raspberry Farm - Sultan, WA 191 Recording Info: SBD -> Master Reel (Three half-inch four track reels, recorded on Ampex 440) -> Dat (Tascam DA30/44.1k); Transfer Info: Master Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (1 Disc Audio / 1 Disc SHN); Transfered and Edited By Charlie Miller 2/5/04 Source Detail notes
60. 10/10/68 The Matrix - San Francisco, CA 177 SBD> Rm> Reel> CD (May Be SBD> Rm> Reel> Reel> CD); thanks to c.miller for seeds; DAE/shnv3 by neo_levo Source Detail notes
61. 10/12/68 Avalon Ballroom - San Francisco, CA 177 SB> MR> DAT> Sonic Solutions> EAC> CoolEdit> CD; via David Gans; de-glitched at the Frisco Refinery, see info file for details; Seeded to etree by eD(efojr) Source Detail notes
62. 10/12/68 Avalon Ballroom - San Francisco, CA 819 flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
63. 10/13/68 Avalon Ballroom - San Francisco, CA 178, 220 SB> MR> DAT> Sonic Solutions> EAC> CoolEdit> CD; via David Gans; de-glitched at the Frisco Refinery, see info file for details; Seeded to etree by eD(efojr) Source Detail notes
64. 10/13/68 Avalon Ballroom - San Francisco, CA 819 flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
65. 10/20/68 Greek Theatre, U. Of California - Berkeley, CA 177-04 Complete; SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD; via Charlie Miller Source Detail notes
66. 10/30/68 The Matrix - San Francisco, CA   Hartbeats; most complete version; documented 1st gen reel on revox A-77 r2r deck> digitized @ 96khz/24 bits> downsampled to 44.1k/16bits for CD> EAC> SHN; transfer by Jim Wise; eac/shn by Darrin Sacks; note minor addition of tuning to d3 track list Source Detail notes
67. 11/01/68 Armory Building, Silver Dollar Fairgrounds - Chico, CA 220 SBD>MR>C>D>CD>EAC>SHN; patched with "barely listenable portion"; Thanks to J. Powell, S. Martin, D. Litfin; edits/encoding by JCotsman Source Detail notes
68. 12/29/68 Gulfstream Park Racetrack - Hallandale, FL 190-01 MSC> D> CD> EAC> SHN; Dropouts d2 7:22, d3 7:17; via Steve Barbella with thanks to Seth Kaplan Source Detail notes
69. 01/17/69 Robertson Gym, U.C.S.B. - Santa Barbara, CA 1044 flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
70. 01/17/69 Robertson Gym, U.C.S.B. - Santa Barbara, CA 219 Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston Source Detail notes
71. 01/24/69 Avalon Ballroom - San Francisco, CA 219 Complete; SBD> MSR> C> DAT> CD> SHN; via Seth Kaplan Source Detail notes
72. 01/25/69 Avalon Ballroom - San Francisco, CA 219 Complete; SBD> MSR> C> DAT> CD> SHN; via Seth Kaplan Source Detail notes
73. 01/26/69 Avalon Ballroom - San Francisco, CA 219 MSR> C> DAT> CD; via Seth Kaplan, Darrin Sacks; with fixed track boundaries; tracked for 1x80; see flaw notes in info file; note material from this date also appeared on Live Dead- go buy it Source Detail notes
74. 02/02/69 Labor Temple - Minneapolis, MN 219 SBD>MR>?>D>CD; via David Litfin; Seeded to etree by J. Cotsman Source Detail notes
75. 02/04/69 The Music Box - Omaha, NE 219 SBD> CM> C> D> CD; EAC> SHN (seekable) transfer by Steve Barbella Source Detail notes
76. 02/05/69 Soldiers & Sailors Memorial Auditorium - Kansas City, KS 219 SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Chuck Gannon Source Detail notes
77. 02/06/69 Kiel Auditorium - St. Louis, MO 219 SBD> MC> D> CD> EAC> SHN; Soundforge used for pitch correction and pop removal; edited, encoded, vined by J. Cotsman; with thanks to Paul Hartman Source Detail notes
78. 02/07/69 Stanley Theater (Early, Late) - Pittsburgh, PA 243-02 Early Show; SBD> MC (Bear Owsley)> DAT (Rob Eaton)> (Jim Wise) HHb> CDR ; Seeded to Etree by T. Wiley Source Detail notes
79. 02/07/69 Stanley Theater (Early, Late) - Pittsburgh, PA 243-03 Late Show ; SBD> MC(Bear Owsley)> DAT (Rob Eaton)> (Jim Wise) HHb>CDR ; Seeded to Etree by T. Wiley Source Detail notes
80. 02/12/69 Fillmore East (Late Show) - New York, NY 568 SBD> Cassette Master> DAT> CD; More complete version of original Kaplan seed, see info file for details; Seeded to etree by Seth Kaplan Source Detail notes
81. 02/14/69 Electric Factory - Philadelphia, PA 568 SBD> MC> C> C(?)> D> CD> SHN; edited (see notes in info), shned, vined by J. Cotsman; with thanks to Jim Hale Source Detail notes
82. 02/15/69 Electric Factory - Philadelphia, PA 568 MSR (7" @ 7.5 ips 1/2 track) > Tascam 122mkIII 1st gen. cassette > Nak Dragon playback > Sony PCM R-700 DAT > ZA2 > wav (Sound Forge) > CD (CD Architect) > unknown CD gens > EAC (test & copy, secure mode, offset corrected) > sector boundary verification (shntool) > seekable .shn (mkwact). DAT conversion and CD mastering by aoxoa, CD > SHN by D. Winters. Source Detail notes
83. 02/21/69 Dream Bowl - Vallejo, CA 243-04 Speed corrected SBD >MR> ?> DAT> CDR; via The Owen Brothers Vault; See info file for details Source Detail notes
84. 02/22/69 Dream Bowl - Vallejo, CA 210-06 SBD>MR>DAT>CDR; Mastering by The Owen Brothers Vault; see info file for details Source Detail notes
85. 02/27/69 Fillmore West - San Francisco, CA   SBD 16-Track Master Reel > Rough Mix DAT > DATx3 > Digital Sound Card > WAV > SHN > WAV > Cool Edit > CDWAV > SHN; via Aoxoa, R. Keshavan, Seth Kaplan; see info file for notes on patches and edits; d2 tracked for 80 min; note material from this date also appeared on Live Dead- go buy it Source Detail notes
86. 02/28/69 Fillmore West - San Francisco, CA   16-Track Master Reel> DAT> CD> EAC> SHN, with various patches (see info file); via Charlie Miller, Aoxoa, Seth Kaplan; upload by Darrin Sacks Source Detail notes
87. 03/01/69 Fillmore West - San Francisco, CA   SBD > DUAL RTR DECKS AT 15 I.P.S. > LESH DIGITAL MIXDOWN IN 1998 > MCS D > SSSB (Jay Serafin remaster) Source Detail notes
88. 03/01/69 Fillmore West - San Francisco, CA 177-05 SBD> 16-Track Master Reel > DAT > DAT > CD > EAC > SHN > MKW .WAV file conversion > Cool Edit 2000 > MKW .shn file conversion > shntool > MKW .WAV file conversion > CD; via Aoxoa, Rango Keshavan, Seth Kaplan; d2 tracked for 80 min; see various notes in info file, including about patches for banter and tuning Source Detail notes
89. 03/02/69 Fillmore West - San Francisco, CA   Multi-track reel master > DAT > CD > EAC > SHN; via Seth Kapln, Darrin Sacks; see info file for relation to previous seeds Source Detail notes
90. 03/15/69 Hilton Hotel - San Francisco, CA 157-01 MSC> C> D> CD; This tape is sourced from Bear's cassette master; Pitch correction was performed via Cool Edit 2000; WAV's >.shn by Seth Kaplan Source Detail notes
91. 03/22/69 Rose Palace - Pasadena, CA 568 SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Andrew Clarke Source Detail notes
92. 03/28/69 Student Center, Modesto Jr. College - Modesto, CA 568 MSR> C> D> CD; via Frank Bove Source Detail notes
93. 03/29/69 Ice Palace - Las Vegas, NV 568 SBD> ?> BOOT CD> CDR; EAC> WAV> SHN by Dan Vinson, seed via Greg Mohr; End of Lovelight is cut on the boot cd; fits on 1x80 Source Detail notes
94. 04/04/69 Avalon Ballroom - San Francisco, CA 568 MSR> C> DATs> CDRs> EAC> SHN; EAC/SHN by Darrin Sacks, from Rango Keshavan seed; see info file for setlist/tracklist commentary Source Detail notes
95. 04/05/69 Avalon Ballroom - San Francisco, CA 177-06 Recording Info: SBD -> Rm (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat Transfer Info: Dat -> Sonic Solutions -> CD -> EAC -> Samplitude -> SHN Conversion By Charlie Miller Source Detail notes
96. 04/05/69 Avalon Ballroom - San Francisco, CA 276-01 SBD > REEL > REEL > DAT > SP/DIF > HD > SHN; via S. Leonard; see pub comments for flaw notes Source Detail notes
97. 04/06/69 Avalon Ballroom - San Francisco, CA 191-06 SBD>FM>MR>C>D>CD; via Joe Jupille; Seeded to etree by J. Cotsman Source Detail notes
98. 04/11/69 University Auditorium, U. of Az. - Tucson, AZ 191-07 SBD>MC>C>D>CD>EAC>SHN pitch corrected and normalized by J. Cotsman Source Detail notes
99. 04/12/69 Student Union Ballroom, University of Utah - Salt Lake City, UT 569 SBD>MC>C>D>CD>EAC>SHN; pitch corrected & normalized; edits/encoding by JCotsman Source Detail notes
100. 04/13/69 Ballroom, U. of Co. - Boulder, CO 915 flac16; SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
101. 04/15/69 The Music Box - Omaha, NE 178-02 flac16; Aiwa hand-held microphone -> Master Reel (Aiwa 5" reel-to-reel) -> Alesis Masterlink 9600 -> Hard Drive -> CD. Recorded by Leon Komar; Remastered by Charlie Miller Source Detail notes
102. 04/15/69 The Music Box - Omaha, NE 569 SBD> Bear's MC> ?> CD> EAC> SHN; partial, all that circulates; vined by J. Cotsman Source Detail notes
103. 04/18/69 Memorial Union Ballroom, Purdue U. - Lafayette, IN 931 flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
104. 04/18/69 Memorial Union Ballroom, Purdue U. - Lafayette, IN 569 SBD>MC>C>DAT>CD; Tony Gardner EAC of previous source; Source Detail notes
105. 04/20/69 Clark University - Worcester, MA 569 complete; Cassette Master (Ampex C-90, no Dolby)> DAT(M)@ 44.1K via Panasonic SV3700> DAT(1)> DAT(2)> WAV via Sony SDT9000 DDS drive using VDAT0.6f> Soundforge 4.0 (see edits in info file); Source DAT from Rob Eaton, DAT> SHN by Jamie Lutch Source Detail notes
106. 04/21/69 The Ark - Boston, MA 177-07 Updated possible gen: MSR> DAT > CDR (had been marked MSR > Cassette > DAT > CDR); intro from alternate SBD; d1t6, d3t2 have cuts from reel; 1/20/68 filler; via Scott Clugston, Lee Revell Source Detail notes
107. 04/21/69 The Ark - Boston, MA   Bertha Remaster of the Master Reel source; SBD>>MR>>DAT>>CDA>>DAW(Bertha)>>CDA/SHN Source Detail notes
108. 04/21/69 The Ark - Boston, MA 919 flac16; SBD -> Master Reel -> Dat -> CD All Transfers and Mastering By Charlie Miller Source Detail notes
109. 04/22/69 The Ark - Boston, MA 919 flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller Source Detail notes
110. 04/23/69 The Ark - Boston, MA 919 flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
111. 04/26/69 Electric Theater - Chicago, IL 243-05 updated source: cassette master> 1 cassette generation> DAT> CDR (see pub comment); via Ben Yerys; (not T. Wulf's "de-noised" version?) Source Detail notes
112. 05/03/69 Winterland Arena - San Francisco, CA   all that circulates; Reel> PCM> Dat> Tascam DA20> Audio Magic Presto> Prodif Plus> Soundforge> cdwav> shn; fits on 1 .shn disc with 5/23/69; via Phunk1; reel splice at beginning of Rag; disc may not have accompanying  .md5s; md5s shown here were created by A. Fox- note you may have to modify filenames to match Source Detail notes
113. 05/07/69 Polo Field, Golden Gate Park - San Francisco, CA 569 retracking and edit of previous shn set, by J. Cotsman: SBD> MR> C> D> CD> EAC> SHN; with 3/26/68 filler; via J. Cotsman to vine Source Detail notes
114. 05/10/69 Rose Palace - Pasadena, CA 569 mC> C> DAT> Sonic Solutions> CDR; via Ben Yerys; stemming from Tzuriel Kastel tree; d1 contains misc pre-filler Source Detail notes
115. 05/11/69 Aztec Bowl, San Diego State U. - San Diego, CA 569 FM SBD> ?> CDR; edited, shned, vined by J. Cotsman; with thanks to Paul Hartman; see notes in info file Source Detail notes
116. 05/16/69 Campolindo High School - Moraga, CA 190-04 Master Soundboard Cassette > Cassette > DAT (speed corrected) > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston Source Detail notes
117. 05/16/69 Campolindo High School - Moraga, CA   SBD> MC> C> D> CD> EAC> SHN; edited, shned, vined by J. Cotsman (see info file); with thanks to Paul Hartman Source Detail notes
118. 05/16/69 Campolindo High School - Moraga, CA 569 SBD> MC> C> D> CD> EAC> SHN; edited, shned, vined by J. Cotsman (see info file); with thanks to Paul Hartman Source Detail notes
119. 05/23/69 Seminole Indian Village - Hollywood, FL 191-08 complete show from compilation of reel master and what is believed to be the cassette master; Source 1: SBD> MR> PCM> D> CD> EAC> SHN ; Source 2: SBD> MC> R> C> D> CD> EAC> SHN (?); See info file for details; via Jim Hale; Seeded to etree by Seth Kaplan & JCotsman Source Detail notes
120. 05/24/69 Seminole Indian Village - Hollywood, FL 191-09 Cass>DAT> DAT> SONIC SOLUTIONS> CD> CD> EAC[secure] >SHN from 2003 KPFA Dead Marathon Source Detail notes
121. 05/29/69 Robertson Gym, U.C.S.B. - Santa Barbara, CA 277-01 Source: reported to be SBD>MR>PCM>DAT>CD(>EAC>WAV>SHN) Source Detail notes
122. 05/31/69 McArthur Court, University of Oregon - Eugene, OR 570 SBD> ?> CDR> EAC> SHN; via J. Oleynick, M. Ferguson; encore shuffled to fit on 2 discs, but songs can be moved to proper order for 3 discs; see info file for flaw notes Source Detail notes
123. 06/05/69 Fillmore West - San Francisco, CA   complete; MSC> LATVALA C> DAT> CD> EAC> SHN; with Cryptical patch; EAC>SHN by Steve Barbella; d1 tracked for 80 min Source Detail notes
124. 06/06/69 Fillmore West - San Francisco, CA 191-10 SBD>MC>C>D>CD; via Joe Jupille; Seeded to etree by J. Cotsman Source Detail notes
125. 06/07/69 Fillmore West - San Francisco, CA 570 MR > DAT > CD > EAC > Cool Edit 96 (Resampled to correct pitch) > SHN > CD > SHN; via A.J. Fink; Seeded to etree by Seth Kaplan Source Detail notes
126. 06/08/69 Fillmore West - San Francisco, CA 192B1 set 1: SBD> MR> C> D> CD> EAC> SHN; set 2: SBD> MC> C> D> CD> EAC> SHN, pitch corrected via J. Cotsman Source Detail notes
127. 06/08/69 Fillmore West - San Francisco, CA   SBD> MR or MC> C> D> CD> SHN, possible; see info file for flaw notes; via thecore@core.com Source Detail notes
128. 06/13/69 Fresno Convention Center - Fresno, CA 570 Master Soundboard Cassette > Cass > DAT > ZA2 > SF > CD; via Steve Barbella Source Detail notes
129. 06/14/69 Monterey Performing Arts Center - Monterey, CA 570 SBD: MCass> Cass> DAT> ZA2> SF> CD; normalized and pitch-shifted; seeded by Jeff Tiedrich, transfer and mastering by David Hollister, SHN by Jim Skinner Source Detail notes
130. 06/21/69 Fillmore East (Late) - New York, NY 570 early and late; Early Show: AUD> MR> C> R> R> R> D> CD> EAC> SHN; Late Show: SBD> MC> C> D> CD> EAC> SHN; via Jeff Cook, encoded by Jeff Cotsman Source Detail notes
131. 06/22/69 Central Park - New York, NY 282-01 AUD low gen (complete show), plus alternate SBD MC> C> D> CD (only 20 minutes circulate); via Hanno Bunjes (see notes in info file); with thanks to Julian and Uli Source Detail notes
132. 06/27/69 Veterans Auditorium - Santa Rosa, CA 570 SBD Reel > ? > cassette (Latvala) > CDR, transfer by David Finney; see info file for flaw notes Source Detail notes
133. 06/27/69 Veterans Auditorium - Santa Rosa, CA 570 SBD> MR> Cassette> DAT> DAT; DAT> ZA2> Soundforge> wav> mkw> SHN; DAT seed provided by Michael P. Weitzman; Transfer and SHN by Joe Samaritano Source Detail notes
134. 06/28/69 Veterans Auditorium - Santa Rosa, CA 283-01 SBD> MR> Cassette> DAT> DAT; DAT> ZA2> Soundforge> wav> mkw> SHN; DAT seed provided by Michael P. Weitzman; Transfer and SHN by Joe Samaritano Source Detail notes
135. 06/28/69 Veterans Auditorium - Santa Rosa, CA 571 complete; sbd> mr> cass> dat> cd; Conversion: Kenwood TrueX> EAC> shn V3 (seekable); Seed: Brian Cole Source Detail notes
136. 06/??/69 Home Recordings - San Francisco, CA 283-02 misc "Home recordings"; AUD> cheap mic> portable recorder; via Tzuriel to abgd Source Detail notes
137. 06/??/69 Home Recordings - San Francisco, CA   misc "Home recordings"; AUD> cheap mic> portable recorder; via Tzuriel to abgd Source Detail notes
138. 07/04/69 Electric Theater - Chicago, IL 282-02 SBD> MC> D>CD> Soundforge pitch correction> SHN; see info file for flaw notes; via thecore@core.com Source Detail notes
139. 07/05/69 Electric Theater - Chicago, IL 282-03 SBD>MC>D>CD; see listening notes in info file; via thecore@core.com Source Detail notes
140. 07/07/69 Piedmont Park - Atlanta, GA 571 Master Soundboard Cassette > Cassette > DAT > CDR; EAc'ed / SHN'ed by Scott Clugston Source Detail notes
141. 07/12/69 NY State Pavilion, Flushing Meadows Park - Queens, NY   d1: low-gen AUD; d2: SBD MC> C> D> CD; via Hanno Bunjes to BUDD offer; Hanno's notes Source Detail notes
142. 07/12/69 NY State Pavilion, Flushing Meadows Park - Queens, NY 571 d1: low-gen AUD; d2: SBD MC> C> D> CD; via Hanno Bunjes to BUDD offer; Hanno's notes Source Detail notes
143. 08/02/69 Family Dog at the Great Highway - San Francisco, CA   flac16; SBD -> Cassette Master -> Dat Transferred and Edited By Charlie Miller Source Detail notes
144. 08/03/69 Family Dog at the Great Highway - San Francisco, CA 157-02 flac16; Recording Info: SBD -> Cassette Master -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC Transferred and Edited By Charlie Miller Source Detail notes
145. 08/16/69 Max Yasgur's Farm - Bethel, NY 282-04 SBD>MR>D>CD>EAC>SHN; 8trk Master Reels @ 15ips; Thanks to David Litfin; edits/encoding by JCotsman Source Detail notes
146. 08/21/69 Aqua Theater - Seattle, WA 571 SBD>MC>C>D>CD>EAC>SHN; complete show; edits/encoding by JCotsman Source Detail notes
147. 08/23/69 Pelletier Farm - St. Helens, OR 271-01, 277-02 sdb> Master Cassette> Cassette> Dat> CD; via Mike Lai with thanks to Wayne Gucwa; d2 tracked for 80 min Source Detail notes
148. 08/28/69 Family Dog at the Great Highway - San Francisco, CA 282-05 SBD > CM > Cass > DAT > CDR > WAV; via EAC/Trade from Morgan Evans > CDR > EAC > CDWAV > seekable SHN; via Rick Lepley Source Detail notes
149. 08/29/69 Family Dog at the Great Highway - San Francisco, CA 282-06 SBD> MR> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Jeff Cook Source Detail notes
150. 08/30/69 Family Dog at the Great Highway - San Francisco, CA 282-07 Master Soundboard Reel > Cass > DAT > CD; via Seth Kaplan; Seeded to etree by Steve Barbella Source Detail notes
151. 09/01/69 Baton Rouge International Speedway - Prairieville, LA 571 SBD> Cm> Dat> CD; EAC> SHN by Seth Kaplan; Tape warble on a few spots in Morning Dew. Lovelight cuts @ 9:06 Source Detail notes
152. 09/01/69 Baton Rouge International Speedway - Prairieville, LA 571 Source: MSC (Ampex C-90 cassette) > DAT > CD-R via Andy Lemieux and Kingbee encoded by Matt Vernon Source Detail notes
153. 09/06/69 Family Dog at the Great Highway - San Francisco, CA 283-04 Ampex C-90 Master Cassette Soundboard (No Dolby)->DAT->CD; CD->EAC->SHN By Joe Samaritano. Includes Airplane Set. Source Detail notes
154. 09/07/69 Family Dog at the Great Highway - San Francisco, CA 148-06, 283-06 SBD, Deadhead Hour pre-FM (some lineage details in info file); via David Finney Source Detail notes
155. 09/26/69 Fillmore East - New York, NY 571 AUD C/?, early show, minor upgrade compared to the previous version, from Uli Teute & Hanno Bunjes Source Detail notes
156. 09/27/69 Fillmore East (early) - New York, NY 571 AUD C/?, early show, upgrade compared to the previous version, from Uli Teute & Hanno Bunjes Source Detail notes
157. 09/29/69 Cafe au Go-Go - New York, NY 571 early show; AUD> ?> Reel> Cass (Maxell UD w/dolby B, playback on Sony TCK-909ES) > DAT (SV-3700 w/Oade +15dB input gain mod) > ZA2 > DiamondCut Noise Reduction > CD; upload by R. Nayfield, stemming from tree run by J. Miller, seeded by D. Hollister; covers Source Detail notes
158. 09/30/69 Cafe au Go-Go - New York, NY 572 early show; AUD> ? > Cass X 2 > XLR into SV-3700 > ZA2 > SoundForge Noise Reduction > CD; upload by R. Nayfield, stemming from tree run by J. Miller, seeded by D. Hollister; covers Source Detail notes
159. 10/25/69 Winterland Arena - San Francisco, CA 283-07 SBD> MR> DAT> Sonic Solutions> CDR; reel flip after William Tell , edited by David Gans; via R. Jagla Source Detail notes
160. 10/26/69 Winterland Arena - San Francisco, CA 283-07 SBD : MR > C1 > DAT > CD; via Douglas Ferguson; Seeded to etree by Alan Fink Source Detail notes
161. 10/31/69 San Jose State University - San Jose, CA 283-08 SBD: MC> C1> DAT> CDR; see info file for flaw notes; via Mike Lai Source Detail notes
162. 11/01/69 Family Dog at the Great Highway - San Francisco, CA 283-09 SBD>MC>C>D>CD>EAC>SHN; edited, shned, vined by J. Cotsman (see info file); vith thanks to Paul Hartman Source Detail notes
163. 11/02/69 Family Dog at the Great Highway - San Francisco, CA   flac16; Recording Info: Disc 1: SBD -> Master Reel -> Cassette -> Dat (44.1k) Disc 2: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC Source Detail notes
164. 11/02/69 Family Dog at the Great Highway - San Francisco, CA 323 flac16; Recording Info: Disc 1: SBD -> Master Reel -> Cassette -> Dat (44.1k) Disc 2: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC Source Detail notes
165. 11/07/69 Fillmore Auditorium - San Francisco, CA 268-01 Stated lineage: MR > DAT > CD > EAC > CDWAV > Cool Edit Pro Noise Filter > SHN > CDR; (Except for * which is MR > DAT > CD) (Deadlists lists a probable cassette generation); via Seth Kaplan Source Detail notes
166. 11/07/69 Fillmore Auditorium - San Francisco, CA   SBD> MR> C> D> CD> EAC> SHN; edited, shned, vined by J. Cotsman; vith thanks to Paul Hartman; see listening notes in info file Source Detail notes
167. 11/07/69 Fillmore Auditorium - San Francisco, CA 599 Stated lineage: MR > DAT > CD > EAC > CDWAV > Cool Edit Pro Noise Filter > SHN > CDR; (Except for * which is MR > DAT > CD) (Deadlists lists a probable cassette generation); via Seth Kaplan Source Detail notes
168. 11/08/69 Fillmore Auditorium - San Francisco, CA 178-03 This is the same source as the previous one with the "c" md5s. Filenames have been changed to reflect the correct tracking per etree convention. Note complete show is released as Dick's Picks 16- go buy it Source Detail notes
169. 11/15/69 Lanai Theater - Crockett, CA   SBD cassette master > PCM > CDR > iMac > SHN; shntool-fixed version of previous shn set via Nathan Scott, fixed separately by disc; alternate fix (as whole set) also circulates with slight difference Source Detail notes
170. 11/21/69 Cal Expo, Building A - Sacramento, CA   mixed source: SBD> MR> (C in set 1, not set 2)> D> CD> EAC> SHN; vined by J. Cotsman Source Detail notes
171. 12/04/69 Fillmore West - San Francisco, CA 243-06 Owlsley's Cassette (SBD: MC>DAT>DAT>CD>EAC>DC5>CD) ; Owen Brother Vault. The Wizard 05/08/04 Source Detail notes
172. 12/04/69 Fillmore West - San Francisco, CA 285-01 SBD>MC>?>CD; via Joe Jupille; Seeded to etree by J. Cotsman Source Detail notes
173. 12/04/69 Fillmore West - San Francisco, CA 833 Owlsley's Cassette (SBD: MC>DAT>DAT>CD>EAC>DC5>CD) ; Owen Brother Vault. The Wizard 05/08/04 Source Detail notes
174. 12/05/69 Fillmore West - San Francisco, CA 285-02 Harry Ely Sony F995 > Sony TC-124 > Master Cassette > PCM > DAT > CD; Seeded to etree by Seth Kaplan Source Detail notes
175. 12/07/69 Fillmore West - San Francisco, CA 243-07 SBD> MC> DAT> CDR> EAC> DCart Millennium> CDR; CD's From Julian Elliott; CD Editing and mastering by The Wizard - Owenbrothersvault; see editing notes in info file Source Detail notes
176. 12/10/69 Thelma Theater - Los Angeles, CA 192-01, 195 MSR > D > CD, plus MSR > ? > D > CD; via Deadlists Poject, circulated with 12/11,12/69- see notes and credits in info file Source Detail notes
177. 12/10/69 Thelma Theater - Los Angeles, CA 572 (set 1: SBD> MR), (set 2: AUD> MR> R) > D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Andrew Clarke & Jack Warner Source Detail notes
178. 12/11/69 Thelma Theater - Los Angeles, CA 285-04 MSR > R > PCM > CD, plus MSR > ? > Beta PCM > D > CD, plus MSR > R > C > D > CD; via Deadlists Poject, circulated with 12/10,12/69- see notes and credits in info file Source Detail notes
179. 12/11/69 Thelma Theater - Los Angeles, CA   mixed AUD/SBD (see notes); edits (see notes), encoding, vined by J. Cotsman; with thanks to Paul B. & Jack Warner Source Detail notes
180. 12/12/69 Thelma Theater - Los Angeles, CA   MSR > R > D > CD, plus MSR > R > C > D; via Deadlists Poject, circulated with 12/10,11/69- see notes and credits in info file Source Detail notes
181. 12/13/69 Swing Auditorium - San Bernardino, CA 572 7" Master Soundboard Reels > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston Source Detail notes
182. 12/19/69 Fillmore Auditorium - San Francisco, CA 285-05 previous Clugston seed, with AUD patches added by Hanno Bunjes, with thanks to Uli Teute (see info) Source Detail notes
183. 12/20/69 Fillmore Auditorium - San Francisco, CA 572 SBD> MR> ?> FM> ?> CD> EAC> SHN; edited, shned, vined by J. Cotsman; with thanks to Paul Hartman; partial- see info file Source Detail notes
184. 12/21/69 Fillmore Auditorium - San Francisco, CA 572 Source: MR > C > D > CDR(s) via Raoul Duke. Shn conversion Matt Vernon. partial show Source Detail notes
185. 12/26/69 McFarlin Auditorium, Southern Methodist Univ. - Dallas, TX   MSR> C> DAT> CD-R; via Bob Murphy Source Detail notes
186. 12/28/69 International Speedway - Hollywood, FL 572 mixed source SBD> (MC or MR>C)> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to David Litfin & Jay von Lehe; note d1t1-7 same, later tracks differ from previous Cotsman seed Source Detail notes
187. 12/29/69 Boston Tea Party - Boston, MA 196-01 SBD MR (7" reel @7.5 ips)>DAT>DAT>CDR Source Detail notes
188. 12/30/69 Boston Tea Party - Boston, MA 205-01 Recording Info: SBD -> Cass Master (Ampex C-90 Master Cass/no dolby) -> Cass (Tascam 122mkIII Cass 1st Gen) -> Dat (Technics 3800/44.1k) Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN Source Detail notes
189. 12/30/69 Boston Tea Party - Boston, MA   SBD> MC> C> D> CD> EAC> SHN via T.S. Cotsman; edits/encoding JCotsman; pitch corrected (see notes) Source Detail notes
190. 12/31/69 Boston Tea Party - Boston, MA 178-04 EAC of original shn set; via TOL; sbd> reel master> 2 cassette generations> dat> cdr> shn Source Detail notes
191. 01/02/70 Fillmore East early show - New York, NY   late show, partial; SBD-> MR-> DAT (x)-> CDR (x)-> EAC; via S. Windsor abgd; via D. Sacks to etree 12/15; cut in end of Dark Star/ beginning St. Stephen from reel change Source Detail notes
192. 01/02/70 Fillmore East early show - New York, NY   complete early/late shows; SBD> MR> C> D> CD> EAC> SHN with aud patch; Thanks to A. Lemiex, Uli & Hanno Source Detail notes
193. 01/02/70 Fillmore East early show - New York, NY   likely early show, had been marked late show; SBD plus AUD patches; via Hanno Bunjes, Uli Teute Source Detail notes
194. 01/02/70 Fillmore East - late show - New York, NY   late show, partial; SBD-> MR-> DAT (x)-> CDR (x)-> EAC; via S. Windsor abgd; via D. Sacks to etree 12/15; cut in end of Dark Star/ beginning St. Stephen from reel change Source Detail notes
195. 01/03/70 Fillmore East (Late Show) - New York, NY 159-01 improvements on previous seed: Sound improved on d1t02, by Bill Giles; SBE's corrected; seeded by RET Source Detail notes
196. 01/10/70 Golden Hall - San Diego, CA   Master Soundboard Reel > Reel to Reel > DAT> CDR; CD Mastering by Scott Clugston; to abgd Source Detail notes
197. 01/10/70 Golden Hall - San Diego, CA   Lineage: S:MR>DAT>CD ; pitch shifted down 48.4 centones using SoundForge 4.5 and reburned by David Hollister. Source Detail notes
198. 01/10/70 Golden Hall - San Diego, CA 997 flac16; Recording Info: SBD -> Master Reel -> Reel-> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.0.1 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
199. 01/16/70 Springer's Inn Portland - Portland, OR   sbd> ??> cdr> eac> shn; a few cuts (see tracklist); eac>shn by popi n. feeldz, with thanks to Moss Willow Source Detail notes
200. 01/17/70 Gill Coliseum, Oregon State University - Corvallis, OR   SBD>MR>D>CD>EAC>SHN; pitch corrected via J. Cotsman Source Detail notes
201. 01/23/70 Honolulu Civic Auditorium - Honolulu, HI   Updated lineage: SBD > MASTER REEL > CASS > DAT > CD; Originally posted to abgd via Teddy Goodbear; seeded to fungus and tol with minor editing by Charlie Connor Source Detail notes
202. 01/24/70 Honolulu Civic Auditorium - Honolulu, HI 197-01 SBD: Master Reel > cassette > DAT > CD > SHN; T06 (Black Peter): subsecond dropout/splice @ 7:44; T07 (Good Lovin'): cuts right before last verse; via Seth Kaplan, upload by G.S. Hamilton Source Detail notes
203. 01/30/70 The Warehouse - New Orleans, LA   SBD>MR>C>DAT>CDR; via Raoul Duke; seeded to etree by Matt Vernon Source Detail notes
204. 01/31/70 The Warehouse - New Orleans, LA   SBD> MR> C> D> CD> EAC> SHN; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman Source Detail notes
205. 02/06/70 Fillmore West - San Francisco, CA   SBD> MR> C> D> CD; via Don Bean Source Detail notes
206. 02/06/70 Fillmore West - San Francisco, CA   SBD> MR> C> D> CD; via Don Bean Source Detail notes
207. 02/11/70 Fillmore East (late show) - New York, NY   early and late shows; MSR> DATs> CDRs> EAC> shn; see info file for flaws and notes; shn and u/l by Darrin Sacks; also, Ben Yerys reports UJB encore pops (not sure if from CD or DAT source): 3.23?; 4.35, 5.26??, 5.27??; note d2alt.md5 also shown for a version noted at gdlive 7/01+, having a different d2t3 md5- reason unknown Source Detail notes
208. 02/12/70 Ungano's Night Club - New York, NY 819 notes
209. 02/13/70 Fillmore East (Late Show) - New York, NY   reportedly early show, though the shns have been circulated as reported 2/12/70 (see alternate entry); SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D > SSSB , via Jay Serafin, Patrick Murphy Source Detail notes
210. 02/13/70 Fillmore East - New York, NY   early show; Sbd > Master reel >DAT >Sonic Solutions workstation >CDR >EAC >shn; Seeded by David Gans; posted to abgd Source Detail notes
211. 02/14/70 Fillmore East - New York, NY 210 complete early/late shows from: SBD> MR> D> CD> EAC> SHN & SBD> MR> PCM> D> CD> EAC> SHN; TMNSP release, encoding by JCotsman Source Detail notes
212. 02/23/70 The Auditorium - Austin, TX   SBD>MR>C>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon Source Detail notes
213. 02/27/70 Family Dog at the Great Highway - San Francisco, CA   flac16; Recording Info: SBD -> Master Reel (7.5ips 1/2trk) -> Dat/0 (48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC. Transferred and Edited By Charlie Miller Source Detail notes
214. 02/28/70 Family Dog at the Great Highway - San Francisco, CA 244-01 SBD>MR>C>D>CD; Missing Casey Jones and Uncle John's Band Source Detail notes
215. 03/24/70 Pirates World - Dania, FL 278-01 flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC Source Detail notes
216. 04/03/70 Field House, U. of Cincinnati - Cincinnati, OH 548 SBD; Monitor Noise throughout show; noted at gdlive 5/01; via Aaron Farnsworth Source Detail notes
217. 04/11/70 Fillmore West - San Francisco, CA   Partial; 30 min Lovelight and ~2 mins NFA; See info file for details; SBD>MR>C>D>CD; via Chuck Gannon; Seeded to etree by JCotsman Source Detail notes
218. 04/15/70 Winterland Arena - San Francisco, CA 178-05 MSR>DAT>CD>EAC>SHN (mkwACT) via Seth Kaplan includes 5 additional songs from a prior seed Source Detail notes
219. 05/06/70 Kresge Plaza, M.I.T. - Cambridge, MA 201-03 MSR (MIT WMBR Reels) 10", 2-sided, 1/2 Track Mono (no extra reel gen)-> Otari MX 55 2 track (playback) ->  TC 2000 Studio Effects Processor (using only the A->D converter, no effects) ->  Sonic Solutions (at 20 bits resolution) -> mastered to CD using Sony SBM 2  (No DAT generations) -> CD (from Gans) > EAC > SHN; (note updated source details); via E. Polonsky, D. Gans,  R. Keshavan, D. Sacks; note reel splice at China/Rider transition (track boundary at splice) Source Detail notes
220. 05/14/70 Meramec Community College - Kirkwood, MO 268-02 flac16; Source: Soundboard Lineage: MSR> DAT> CDR> EAC> FLAC except * = MSR> DAT> CASS> ?> CASS> DAT> CDR> EAC> FLAC Source Detail notes
221. 05/15/70 Fillmore East (Late Show) - New York, NY   New Master Reel transfer: SBD:10" 1/2 track Master Reels @ 7.5 ips>Revox A700 playback deck>Alesis Masterlink ML 9600>CD. No PCM generation in GD/NRPS sets. No analog gens in NRPS sets. Upgrade from previously circulating source. Seeded to etree 5/31/2005 by Chuck Reynolds and Seth Kaplan. Source Detail notes
222. 06/06/70 Fillmore West - San Francisco, CA 548 electric set; SBD Reel master > cassette > DAT > CD > SHN; Seeded by Jay Ashley; see info file for listening notes Source Detail notes
223. 06/06/70 Fillmore West - San Francisco, CA 819 flac16; Electric Set Only: Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC. All Transfers and Mastering By Charlie Miller. Source Detail notes
224. 06/07/70 Fillmore West - San Francisco, CA 548 acoustic and electric; S:MR> Cass> DAT> ZA2> SoundForge> CD Architect> CD> EAC> shn; splices in Casey, Man's World, Cumberland; CD seeded by D. Hollister, see his editing notes in info file; via A. Cohen to BUDD tree; etreed by R. Nayfield Source Detail notes
225. 07/16/70 Euphoria Ballroom - San Rafael, CA 178-06 partial; Master Soundboard Reel > Cassette > Cassette > CDR; CD Mastering by Scott Clugston; to abgd Source Detail notes
226. 07/16/70 Euphoria Ballroom - San Rafael, CA   flac16; Recording Info: SBD -> Master Reel -> Cassette -> Cassette Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller Source Detail notes
227. 09/17/70 Fillmore East - New York, NY 611 AKG190E>Uher 400L>Master Audience Reel>Reel>DAT>CDR>EAC(Secure Mode)>WAV>Soundforge (Speed Corrected)>FLAC Taped by Marty Weinberg A GEMS production -+-+- www.shnflac.net -+-+- March 2006 Source Detail notes
228. 09/19/70 Fillmore East - New York, NY 178-07 MSR > DAT > CD or SBD> Rm> Reel> Dat> Sonic Solutions> CD; EAC> SHN by Seth Kaplan; more complete than previously etreed versions Source Detail notes
229. 09/19/70 Fillmore East - New York, NY   flac16; (disc 3 only) Sick Bits 14; matrix: SBD/AUD mix of 2 previously circulating sources (SBD: shnid=5217 & AUDs (composite): shnid=25473) edited, mixed and converted by Chris Chappell Source Detail notes
230. 11/08/70 Capitol Theater - Port Chester, NY   The Port Chester Resurrection Project #7 Taped by Ken and Judy Lee. See txt file for details. Source Detail notes
231. 12/26/70 Legion Stadium - El Monte, CA   flac16; SBD > MR > CASS > DAT > CDA > WAV(EAC) > SHN > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); remaster of shn id 22369 Source Detail notes
232. 02/18/71 Capitol Theater - Port Chester, NY 190-05 SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct) Source Detail notes
233. 02/19/71 Capitol Theatre - Port Chester, NY 159-02, 179-01 flac 16; Sick Bits Vol. 13 - SBD/AUD matrix of two previosly circulated sources (SBD - shnid=1029 + AUD - shnid=30230), edited and encoded by Chris Chappell. Source Detail notes
234. 02/20/71 Capitol Theater - Port Chester, NY   7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs Source Detail notes
235. 02/21/71 Capitol Theater - Port Chester, NY 848 flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner. Source Detail notes
236. 02/23/71 Capitol Theater - Port Chester, NY   SBD> MR> DAT> SFNR>C D-R; via Leigh Orf; WBOTB source> distortion removed digitally (see notes) Source Detail notes
237. 02/24/71 Capitol Theater - Port Chester, NY 278-02 via Leigh Orf; WBOTB source > distortion removed digitally (see notes) Source Detail notes
238. 02/24/71 Capitol Theater - Port Chester, NY 848 flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris Ladner. Source Detail notes
239. 02/24/71 Capitol Theater - Port Chester, NY 994 flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris Ladner. Source Detail notes
240. 03/03/71 Fillmore West - San Francisco, CA 434-01 SBD> MR> (cass gen?)> DAT> CDR, plus possible patch; see info file for flaw notes; via Mike Lai, with thanks to Paul B. Source Detail notes
241. 03/14/71 Camp Randall Field House, University of Wisconsin - Madison, WI 434-02 Sbd> MR> Dat> CD; EAC >CDWav (split)> shn V3 by Brian Cole; parent seed courtesy Jim Oade; some editing in d1t6, d2t1 Source Detail notes
242. 03/18/71 Fox Theatre - St. Louis, MO 433-01 SBD (7") MR> Cass> DAT> CD; via Ben Yerys, M. Wienke Source Detail notes
243. 03/20/71 University of Iowa - Iowa City, IA   SBD > MR > cass > dat > CD > SHN (seekable); DAT>CD transfer by Mandrake; EAC> shn by Steve Barbella Source Detail notes
244. 03/24/71 Winterland Arena - San Francisco, CA 432-01 Partial; SBD>MR>D>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman Source Detail notes
245. 04/04/71 Manhattan Center - New York, NY   flac16; MSR>C>DAT3x>Delta DiO 2496>SoundForge 7.0>cdwav>Flac Source Detail notes
246. 04/05/71 Manhattan Center - New York, NY 159-03 shntool fix of Orf seed (?- note doesn't jibe with what is know of prev seed), by Chris Ladner Source Detail notes
247. 04/05/71 Manhattan Center - New York, NY 233-01 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens Source Detail notes
248. 04/06/71 Manhattan Center - New York, NY 259-01 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens Source Detail notes
249. 04/07/71 Music Hall - Boston, MA 433-02 Betty Board, details as outlined in Compendium; via Leigh Orf; corrupt d2t7 replaced 3/17; note Phil low/absent in mix Source Detail notes
250. 04/07/71 Music Hall - Boston, MA 848 flac16; 7" BBD Reel > PCM501ES > Fostex D5 > Fostex D5 optical S/PDIF out (Jace's tape) > disk Transferred by Tim Deibert 1-12-02 WBOTB Project Source Detail notes
251. 04/08/71 Music Hall - Boston, MA 433-03 SBD; via Mike Lai; updated info file with tracklist and notes provided by Cosmic Chuck Source Detail notes
252. 04/08/71 Music Hall - Boston, MA 848 flac16; 7" Betty Board Reel > PCM501ES analog out > Dolby A Decoder > Analog in PCMF1 PCM501ES analog out > Fostex D5 optical S/PDIF out > disk Transferred by Tim Deibert 9-16-02 WBOTB Source Detail notes
253. 04/10/71 East Hall, Franklin & Marshall College - Lancaster, PA 432-02 SBD>MR>C>DAT>CD; via Mark Pfortmiller; Seeded to etree by Willy Source Detail notes
254. 04/12/71 Civic Arena - Pittsburgh, PA 233-02 flac16; SBD -> Reel Master -> Dat -> Sound Forge -> CD Transferred By Charlie Miller Source Detail notes
255. 04/12/71 Civic Arena - Pittsburgh, PA   flac16; SBD -> Reel Master -> Dat -> Sound Forge -> CD Transferred By Charlie Miller Source Detail notes
256. 04/13/71 Catholic Youth Center - Scranton, PA 259-02 flac16; MSR>DAT3x>Delta Dio 2496 soundcard>Soundforge>Flac16 Source Detail notes
257. 04/13/71 Catholic Youth Center - Scranton, PA 432-03 set 2 partial; Master Soundboard Reel > DAT> CDR Source Detail notes
258. 04/14/71 Davis Gymnasium - Lewisburg, PA 432-04 SBD> MR> DAT> CDR; several spots of irreparable reel static; via Mike Lai with thanks to Paul B.; note 4 tracks in d2 had been misnumbered, corrections shown in fixed md5s: 1> 3, 2>4, 3>1, 4>2 Source Detail notes
259. 04/15/71 Allegheny College - Meadville, PA 432-05 SBD>MR>DAT>CD; missing 5 songs; See info file for details; via Bill O; Seeded to etree by eD(efojr) Source Detail notes
260. 04/17/71 Dillon Gym, Princeton University - Princeton, NJ 193-01 set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip; via R. Nayfield Source Detail notes
261. 04/17/71 Dillon Gym, Princeton University - Princeton, NJ 193-01 set1; SBD> Reel> ?> DAT> ZA2 (48>44.1)> CD; via R. Nayfield Source Detail notes
262. 04/18/71 Lusk Field House, S.U.C.N.Y - Cortland, NY 432-06 SBD : MR > RR > DAT > CD; Extraction, editing and .shn encoding by Alan J. Fink, from John Valter seed; patch in UJB; see info file for additional notes Source Detail notes
263. 04/21/71 Rhode Island Auditorium - Providence, RI 433-04 MSR> R> D> CD> DAE> SHN; sector boundary fix of previous shn set, by Seth Kaplan Source Detail notes
264. 04/25/71 Fillmore East - New York, NY 433-05 Partial set 2; sbd>RM>?>DAT>CD; via Charlie Miller; Seeded to etree by Grote Source Detail notes
265. 04/26/71 Fillmore East - New York, NY 548 MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; includes (wrong) NRPS; note 4 CD best-of-run is available from the Dead Source Detail notes
266. 04/27/71 Fillmore East - New York, NY 268-03 MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; d1,3 are tracked for 80 min; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead Source Detail notes
267. 04/28/71 Fillmore East - New York, NY   MSR > (Reel post-Bird Song) >Alesis Masterlink> CD-R; via Bob Murphy; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead Source Detail notes
268. 04/28/71 Fillmore East - New York, NY   MR>R>CDR and MR>CDR with alt. SBD patches; Refined, patched, re-tracked and SHN'ed by Chris Frisco. Source Detail notes
269. 04/29/71 Fillmore East - New York, NY   Lineage: (mostly) SB> MR> CD; Refined by Chris Frisco, 20 glitches painstakingly removed without deleting any of the wav; Bird Song patched; See info file for further details; Circ's w/ NRPS opening set Source Detail notes
270. 06/21/71 Chateau D'Herouville - Herouville, France 433-06 SBD MR> ?> D> CD patched with AM MR> R> C> CD, 5% speed correction, by Hanno Bunjes; see info file for notes; to BUDD offer, later to etree Source Detail notes
271. 08/06/71 Hollywood Palladium - Hollywood, CA   updated source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando et al; (info file had given AKG 330 etc); D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro; via Ben Kasper, Ben Yerys Source Detail notes
272. 08/06/71 Hollywood Palladium - Hollywood, CA 159-04 source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) Remaster of SHNid=129 by Sir Mick Source Detail notes
273. 08/06/71 Hollywood Palladium - Hollywood, CA 631 flac16; fix of the flaws in shn id 30224 source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Harv Kaslow D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) notes: I've been aware for some time that when I originally did the pitch corrction, I didn't get it right on the first 4 tracks. They have now been corrected Source Detail notes
274. 08/14/71 Berkeley Community Theater - Berkeley, CA 201-05 Source: SBD:MR->1 cassette gen.->DAT->SHN->CDR originally via M. Woyczynski. Original SHNs were nonseekable and were not named according to etree convention. I renamed the files, cleaned up the splice in d1t06, performed a shntool fix to get rid of the resulting sbe, and re-encoded to seekable SHN. - C.Ladner Another installment of TMNSP, 12/03. Source Detail notes
275. 08/15/71 Berkeley Community Theater - Berkeley, CA   Source: SBD:MR->1 cassette gen.->DAT->SHN->CDR originally via M. Woyczynski. edits by C.Ladner Source Detail notes
276. 08/26/71 Gaelic Park - Bronx, NY 516 SDBMR> DAT> WAV> SHN; via Dopey; faded in on reel cut into d2t3; apparently level differences between sets 1 and 2 Source Detail notes
277. 10/19/71 Northrop Auditorium, U. of Minn. - Minneapolis, MN   PreFM Soundboard Reels > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston Source Detail notes
278. 10/21/71 Auditorium Theatre - Chicago, IL 161-01 Jay Ashley (Bertha) remaster of original MR source; SBD>>MR>>Cass>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA Source Detail notes
279. 10/21/71 Auditorium Theatre - Chicago, IL 271-02 SBD> MR> C> D> CD> EAC>S HN; EAC/ shn encoding/ edits by J. Cotsman, with thanks to Jeff Cook; see listening notes in info file Source Detail notes
280. 10/21/71 Auditorium Theatre - Chicago, IL   Jay Ashley (Bertha) remaster of original MR source; SBD>>MR>>Cass>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA Source Detail notes
281. 10/22/71 Auditorium Theatre - Chicago, IL 819 flac16; Set 2 only, Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
282. 10/23/71 Eastown Theater - Detroit, MI 259-03 SBD>FM>?>CASS>CD>EAC>DC5>CD Thanks to the Wizard; seedeD Source Detail notes
283. 10/27/71 Onondaga County War Memorial - Syracuse, NY 357-01 flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Source Detail notes
284. 10/27/71 Onondaga County War Memorial - Syracuse, NY   flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Source Detail notes
285. 10/29/71 Allen Theatre - Cleveland, OH   Recording Info: SBD (7inch Master Reels@7.5ips 1/2trk) -> Cass (Tascam 122mkIII) -> Dat (3800/48k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sharp MV10 -> Samplitude v7.02 Professional -> SHN Transfered and Edited By Charlie Miller Source Detail notes
286. 10/29/71 Allen Theatre - Cleveland, OH 196-02 set 2; SBD> MR> DAT> CDR> EAC> SHN; via Tony Gardner from Paul B. CD Source Detail notes
287. 10/30/71 Taft Auditorium - Cincinnati, OH 201-06 mixed sources; primary: Pre-FM MR (1/2 track, 7.5 ips), Transfer: Revox PR99-MKIII > Panasonic SV3800 (48)/Sony 60ES > M-Audio Audiophile USB > CDWave > Goldwave (resample to 44.1 and edits) > CDwave > mkwACT, Primary source supplied by Josh Braveman; Secondary: FM > Pioneer RT-707 (7" reel @ 19 ips) > CD, Conversion: Kenwood TrueX > EAC > shn v3 (seekable); edited (patching, pitch correction, d/o repair) by Doug Nawrocki et al (see notes) Source Detail notes
288. 11/06/71 Harding Theater - San Francisco, CA 212 SBD> MR> C> DAT> CDR; note PA problems with the piano throughout show; via Mike Lai, with thanks to Paul B. Source Detail notes
289. 11/07/71 Harding Theater - San Francisco, CA   SBD : Pre-FM Reel > DAT > CD; via Seth Kaplan Source Detail notes
290. 11/14/71 Texas Christian University - Fort Worth, TX 201-07 SBD -> Master Reel (10 inch) -> CD -> Sonic Solutions -> CD -> EAC -> SHN; Converted By Charlie Miller Source Detail notes
291. 11/15/71 Austin Municipal Auditorium - Austin, TX 193-02 flac16; MSR>C>DAT2x>Delta Dio 2496>Soundforge>WAV>FLAC This is from a new single source (seeded 11/15/05) Source Detail notes
292. 12/01/71 Music Hall - Boston, MA 604 flac16; Set 2 Only; Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC; All Mastering done By Charlie Miller (This source fixes a flaw in the Big Boss Man on the previous source.) Source Detail notes
293. 12/02/71 Music Hall - Boston, MA 244-02 SBD> MR> R> DAT> CDR; see info file for flaw notes; via Mike Lai, with thanks to Paul B. (SBE fixed version via SIRMick, January, 2006.) Source Detail notes
294. 12/04/71 Felt Forum, Madison Square Garden - New York, NY 548 SBD> MR> DAT> C> DAT> CDR; missing JB Goode, Cumberland fades in; via Mike Lai, with thanks to Paul B.; note d2t2,3 had been misnumbered (reversed) intially- md5s for correctly named tracks are now shown here Source Detail notes
295. 12/05/71 Felt Forum, Madison Square Garden - New York, NY 233-03 Updated lineage: FM > MR > DAT > CD; (had been marked pre-FM) stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; notes: no encore, complete Muddy Water, small cut in Casey Jones, chatter edited; see pub comments for md5 notes Source Detail notes
296. 12/06/71 Felt Forum, Madison Square Garden - New York, NY 233-04 MSR> DAT> CD; via Seth Kaplan Source Detail notes
297. 12/07/71 Felt Forum, Madison Square Garden - New York, NY   SBD> MR @ 10.5 IPS> DAT> CD; stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; note large cut in Casey Jones Source Detail notes
298. 12/10/71 Fox Theatre - St. Louis, MO 168-01 MR> DAT> Latvala's Cassette> D> CDR (slightly updated lineage); EAC/SHN, Ben Yerys; seed via Seth Kaplan, Jared Minkoff Source Detail notes
299. 12/14/71 Hill Auditorium - Ann Arbor, MI 179-02 7" BBD reel> PCM501ES(beta)> PCM501ES analog out> Fostex D5 @ optical out 48KHz> HD; DAT-1 > Soundforge 4.5 > WAV/SHN mastering by Tim Deibert; includes Tuning between songs Source Detail notes
300. 12/15/71 Hill Auditorium - Ann Arbor, MI 259-05 both sets, 2 different SBD sources (see notes); via Walter Schnell; encoding and mastering by Jeff Cotsman Source Detail notes
301. 12/15/71 Hill Auditorium - Ann Arbor, MI 259-04 set 1; MR> ?> C> CD, from Hank Harrison cass, presumed lower-gen than previous versions (see notes); via Uli Teute, Hanno Bunjes & Carsten Baumann Source Detail notes
302. 12/31/71 Winterland Arena - San Francisco, CA   FM > Reel > Dat > CDR; via G. Lanum Source Detail notes
303. 01/02/72 Winterland Arena - San Francisco, CA 277-03 updated lineage: SBD> Reel Master> Reel> CD> Sonic Solutions Workstation> CD; via Charlie Miller; Seeded to etree by eD Source Detail notes
304. 03/05/72 Winterland Arena - San Francisco, CA 400-02 AUD -> ? -> Reel (Mono) -> DAT -> WAV -> SHN Taper, mic, and deck unkown. Analog > DAT by Neil Sturtevant. DAT > SHN & final edits by Charlie Miller. Added to etree by Noah Weiner Source Detail notes
305. 03/05/72 Winterland Arena - San Francisco, CA 400-03 Partial 1st set and complete 2nd set; See info file for details and 'cuts'; sbd>cass>cass>cass>dat>cd; Seeded to etree by Jools Source Detail notes
306. 03/05/72 Winterland Arena - San Francisco, CA 400-04 SBD -> ?m -> Cass -> Cass -> Cass -> Cass -> Dat -> SHN Patched w/AUD -> ? -> Reel (Mono) -> Dat -> Samplitude -> SHN via Charlie Miller; upgrade now in circulation Source Detail notes
307. 03/21/72 Academy Of Music - New York, NY 400-05 Set 2; SBD>MR>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon Source Detail notes
308. 03/21/72 Academy Of Music - New York, NY 400-07 Master Soundboard Reel (2 track)->Dat->Dat-> Sonic Solutions->CD->EAC->SHN CD->EAC->SHN Done By Joe Samaritano; samaritano@adelphia.net, 2/5/03 Source Detail notes
309. 03/22/72 Academy of Music - New York, NY 400-06 Partial Audience Recording via David Hollister. Lineage: A:?>Cass>Reel>CD>EAC>SHN Source Detail notes
310. 03/23/72 Academy of Music - New York, NY 408-02, 212 set II; Gans Betty; Source: ?>Jim Wise BBD (Betty Board)> Gans CD> Goodbear's Gans CD clone> SHN; via Teddy Goodbear to abgd, ~10/16; etreed ~10/29; more info; note slight buzz & a touch of hiss Source Detail notes
311. 03/25/72 Academy of Music - New York, NY 408-03 AUD composite- see notes in info file; via Hanno Bunjes, with thanks to Uli Teute Source Detail notes
312. 03/26/72 Academy of Music - New York, NY 408-04 AUD C/3 > SoundForge > CDR, seeded by Uli Teute and Hanno Bunjes Source Detail notes
313. 03/27/72 Academy of Music - New York, NY 408-05 AUD C/? > SoundForge > CDR, seeded by Uli Teute and Hanno Bunjes Source Detail notes
314. 03/28/72 Academy of Music - New York, NY 408-06 AUD C/5 > SoundForge > CDR, seeded by Uli Teute and Hanno Bunjes Source Detail notes
315. 03/28/72 Academy of Music - New York, NY 412-01 source: aud C/5 > soundforge > cdr > shn > wav > shn You might wonder why I would bother to remaster this show since the sound on it is so bad. Well firstly, I like a challenge, secondly I had the time but most of all, it's a great show. This recording had serious deficiencies as can be seen from the original notes below. It is now listenable for most of the show but problems remain. Purists will probably not like the way that I have re-mastered this but needs must! Source Detail notes
316. 04/07/72 Wembley Empire Pool - London, England 412-02 2 AUD sources: MR> C> CDR + M?> low-gen reel> CDR (see info file); mastered by Hanno Bunjes from compilation tape by Uli Teute; Hanno's notes Source Detail notes
317. 04/08/72 Wembley Empire Pool - London, England 412-03 SBD> MR (16 track)> DAT> [Disc 3 only: SS]> Sound Forge 4.5>CDR; remastering by Bill Giles, with disc 3 work by David Gans; EAC> SHN by Jeff M.; see detailed notes in info file Source Detail notes
318. 04/08/72 Wembley Empire Pool - London, England   SBD; Discs 1 and 2: MR > DAT > CD > EAC > SHN; Disc 3: MR > DAT > Sonic Solutions > CD > EAC > SHN; Extraction, retracking of discs 1 and 2, and SHN encoding by G.S. Hamilton, from Seth Kaplan's copy; d3 is identical to previously circulated shn; note 1/01: cleaned version of this now in shn Source Detail notes
319. 04/08/72 Wembley Empire Pool - London, England 516 SBD> MR (16 track)> DAT> [Disc 3 only: SS]> Sound Forge 4.5>CDR; remastering by Bill Giles, with disc 3 work by David Gans; EAC> SHN by Jeff M.; see detailed notes in info file Source Detail notes
320. 04/11/72 Newcastle City Hall - Newcastle, England 193-03, 412-04 remastered by Bill Giles - source is SBD MC>D>CD>SoundForge>CD See info file for flaws & Bill's mastering notes Source Detail notes
321. 04/14/72 Tivoli Theater - Copenhagen, Denmark 168-02 MSR> Cass> DATs> CDRs (not the previously circulating FM version); via D. Sacks; note silence track is presumably to mark set break midway through d2; note info file here updated to reflect reel splice d1t8-9; see flaw notes in public comments Source Detail notes
322. 04/14/72 Tivoli Theater - Copenhagen, Denmark 244-03, 413-02 SBD>mR>C>D>CD; See info file for various patches; via Jack Warner; Jim Powell; seeded to etree by Greg Hurwitt Source Detail notes
323. 04/14/72 Tivoli Theater - Copenhagen, Denmark   flac16; SBD -> (16 Track) Master Reel -> Dat (44.1k); Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC; Transfers and Mastering By Charlie Miller Source Detail notes
324. 04/14/72 Tivoli Theater - Copenhagen, Denmark 381-01, 416-01 flac16; SBD > MR (16 Track) > Dat > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a ReSampler (High Quality) > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 34552 Source Detail notes
325. 04/14/72 Tivoli Theater - Copenhagen, Denmark 413-01 Aud (unknown mics), Unknown via Dave Minor encoded by Matt Vernon Source Detail notes
326. 04/16/72 Stakladen, Aarhus University - Aarhus, Denmark 413-03 Partial set 1 & 2; Mixed SBD sources; SBD>MR>?>C>Sound Forge>SHN; SBD>MR>D>CD>EAC>SHN; See info file for 'caveat'; via Walter Schnell, Mark Sweeney; Seeded to etree by J. Cotsman Source Detail notes
327. 04/16/72 Stakladen, Aarhus University - Aarhus, Denmark 413-04 Set 1: SBD>Rm>?>Cass>Sound Forge>SHN Set 2: SBD>Rm>Dat>Sonic Solutions>CD>EAC>Samplitude>SHN Set 2 Conversion and Editing By Charlie Miller Source Detail notes
328. 04/16/72 Stakladen, Aarhus University - Aarhus, Denmark 413-06 set 1 from a slightly better sounding cassette source; via Uli Teute and Hanno Bunjes Source Detail notes
329. 04/17/72 Tivoli Concert Hall - Copenhagen, Denmark   flac16; SBD > MR (16Track) > DAT > WAV > CDA > Wav > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); remaster of shn id 33802 Source Detail notes
330. 04/17/72 Tivoli Concert Hall - Copenhagen, Denmark   flac16; source: sbd > 16 track 2" MR>DAT4x > Delta Dio 2496 > Soundforge > wav > Cd Wave Editor > flac > wav > flac This is a further clean up of shn id 33802, which incorporates those already made on shn id 34302 Source Detail notes
331. 04/17/72 Tivoli Concert Hall - Copenhagen, Denmark 414-01 SBD>??>French TV Broadcast>C>DAT>CDR; Several missing tracks, see info file for details; via Raoul Duke; Seeded to etree by Matt Vernon Source Detail notes
332. 04/17/72 Tivoli Concert Hall - Copenhagen, Denmark 611 flac16; SBD>16 track 2" MR>DAT4x>Delta Dio 2496>Soundforge>WAV>Cd Wave Editor>Flac Source Detail notes
333. 04/21/72 Beat Club - Bremen, Germany 414-02 SBD>FM>MR>PCM>DAT>CDR; Including soundcheck, missing 3 songs, see info file for details; via Raoul Duke; Seeded to etree by Matt Vernon Source Detail notes
334. 04/24/72 Rheinhalle - Düsseldorf, Germany 414-03 source 1: AUD>MR>C>D>CD>EAC>SHN source 2: SBD>??>D>CD>EAC>SHN via Jeff Cook & Chuck Kiefe edits/encoding by JCotsman Source Detail notes
335. 04/26/72 Jahrhundert Halle - Frankfurt, Germany 414-04 Source : SBD > ? > CE2K (minor cleanup) > mkwact > SHN(seekable) This is an upgrade to the previous shn set via Matt Vernon Source Detail notes
336. 04/26/72 Jahrhundert Halle - Frankfurt, Germany 414-05 100 Year Hall Outtakes; SBD>MR>DAT>SS>CDR; via Raoul Duke; Seeded to etree by Matt Vernon Source Detail notes
337. 04/29/72 Musikhalle - Hamburg, Germany 416-02 SBD/AUD Matrix of the Set 2 Jam via Matt Vernon from etree aud and sbd sources Source Detail notes
338. 04/29/72 Musikhalle - Hamburg, Germany 414-06 AUD MR (poss. Uher Reel Machine at 4.75 cm/sec)> 2 reels> cass> SB Live!> .wav> .shn> CD-R; EAC > SHN (seekable) by Matt Vernon from eurodead.net seed disks Source Detail notes
339. 04/29/72 Musikhalle - Hamburg, Germany 446-02 SBD Source: MSR*>R>R>C>DAT>WAV>SHN (* Possibly Monitor Board See Notes Below); AUD Patch Source: MR*>cass>SB Live!>.wav>.shn>CD-R. (* Believed to be Uher Reel Machine at 4.75 cm/sec); AUD seed disks provided by eurodead.net; SBD seed by Cousinit; SBD C>SHN Conversion by Cousinit; AUD SHN Conversion by mvernon54@home.com Source Detail notes
340. 04/29/72 Musikhalle - Hamburg, Germany 446-03 This is a remaster of shnid 17026 by Sir Mick Source Detail notes
341. 05/03/72 Olympia Theater - Paris, France 444 flac16; fixed fly away channel problem on SHNid=21923. Soundboard->Master Reel (multi-track)->DAT x 5. DAT->Audiophile 2496->Samplitude v7.02 Professional->FLAC. Transfer and FLAC by Joe Samaritano Source Detail notes
342. 05/03/72 Olympia Theater - Paris, France 44401 possible reDAE/reshn by unIDed person of previous shn set- md5s do not match; same info file with added note; noted at gdlive Source Detail notes
343. 05/03/72 Olympia Theater - Paris, France 444 Soundboard> Master Reel (multi-track)> DAT x 5. DAT> ZA2> .wav> mkw> SHN. DAT seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano; note: channel problems fixed by Joe in reseed- get that version instead Source Detail notes
344. 05/03/72 Olympia Theater - Paris, France 446-04 SBD > multitrack 2" MR > rough mix by J. Norman/D. Latvala> DAT > CDR > EAC > shn;?? Extraction, shortening, and uploading by Mike Masse; note "honeymoon theft" source: China-Rider, Jed spliced in from E72 album (they were snipped from master reel) Source Detail notes
345. 05/04/72 Olympia Theater - Paris, France 444-04 SBD > reel > DAT > CDR; via J. Serafin, C. Gannon; extraction, .shn by G.S. Hamilton; note d1t12 1:33-1:43 digi-noise; Casey Jones beginning cut (on master?) Source Detail notes
346. 05/04/72 Olympia Theater - Paris, France 611 flac16; SBD -> (16 Track) Master Reel -> Dat All Transfers and Mastering By Charlie Miller Source Detail notes
347. 05/07/72 Bickershaw Festival - Wigan, England 447-05 Discs 1 & 2 are a compilation of multiple Audience sources; Discs 3 & 4 are supplied from a Master Soundboard Reel > DAT source; There is a 5th disc which contains the NRPS set; Seeded by Scott Clugston Source Detail notes
348. 05/10/72 Concertgebouw - Amsterdam, Netherlands   S:MR > Cassette > DAT > CDR > SHN; Extraction and SHN encoding by Seth Kaplan; upload by Greg Hamilton; known flaw: Bertha fades in Source Detail notes
349. 05/11/72 Rotterdam Civic Hall - Rotterdam, Netherlands 193-04 10" MR@7.5ips->DAT>CDR; Note This seed does not have the splice in IKYR and it includes OMSN. Shn'ed & uploaded to fungus by Joe Samaritano 12/29/01; Seeded to abgd via Charlie Connor 01/02. Source Detail notes
350. 05/11/72 Rotterdam Civic Hall - Rotterdam, Netherlands 447-02 Jay Ashley (Bertha) remaster of Master Reel source; SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>SHN Source Detail notes
351. 05/13/72 Lille Fairgrounds - Lille, France   SBD -> Rm -> Dat -> CD -> EAC -> SHN (1 Disc Audio / 1 Disc SHN); Converted To SHN BY Charlie Miller Source Detail notes
352. 05/13/72 Lille Fairgrounds - Lille, France 447-03 sbd > mr > cass > dat > cda > eac > shn v3; via Chris Ladner to vine and etree; encore missing Source Detail notes
353. 05/16/72 Theatre Hall - Luxembourg, Luxembourg 202-01 SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN; Initial DAT Transfer via Panasonic 3700 DAT-> Tascam 122mkII (MX-S Cassette)-> Fostex D5-> Sony 59ES DAT-> DAT-Heads Tree Summer '96-> Sony D7-> Audiophile 2496 Soundcard@48kHz. Editing via Cool Edit: Normalized to 99; 44.1kHzSample rate conversion @ 350 quality; pitch correction: 102 ratio stretch. Tracks inserted via CDWave and SHN conversion via mkwACT; d1 tracked for 80 min Source Detail notes
354. 05/18/72 Kongressaal Deutsches Museum - München, Germany 202-02 MSR> ?> dat> cdr; via Mike Lai; see public comments for flaw notes Source Detail notes
355. 05/18/72 Kongressaal Deutsches Museum - München, Germany 448-01 MSR> ?> dat> cdr; Repaired version of previous shn set; See info file for details; via Mike (Unicorn) to abgd; Note- md5's/txt from shn set hosted on tol.etree.org added 4-27-03 Source Detail notes
356. 05/23/72 Lyceum Ballroom - London, England 160-01 Lineage (most likely):10" 2-track RM > C > D > C speed corrected, complete 4 disk version via Unicorn Source Detail notes
357. 05/23/72 Lyceum Ballroom - London, England 371-03 flac16; Set 2 partial; MSR>C>DAT>CD; EAC>WAV>FLAC by Sean Cribbs, from Lemieux source Source Detail notes
358. 05/23/72 Lyceum Ballroom - London, England 448-02 MSR>C>DAT>CD>EAC>WAV>SHN via Andy Lemieux encoded by Sean Cribbs Source Detail notes
359. 05/25/72 Lyceum Ballroom - London, England 263-01 set 2 partial; MSBDR > 2 casstte gens > DAT > CDR > EAC > SHN; Dick cass leak; u/l via G. Hamilton; note fits on 1 shn disc w/ 6/24/73 disc; update: redundant material in Dark Star, patch of d1t3 circulates Source Detail notes
360. 05/26/72 Lyceum Ballroom - London, England 160-02 S:MR> DATx5> CD, including patches (see info file for specifics; transfer by David Hollister; reported "superior to all circulating copies" Source Detail notes
361. 07/16/72 Dillon Stadium - Hartford, CT 448-03 source 1: SBD>MR>C>D>CD>EAC>SHN source 2: AUD>?>SHN the audience recording supplies: --all of disc 1, --on disc 2, the final portion of Me & My Uncle through to the end of Sing Me Back Home; See info file for details; via Glenn Gillis and Paul B; Seeded to etree by Tim O'Connel & J. Cotsman Source Detail notes
362. 07/18/72 Roosevelt Stadium - Jersey City, NJ   flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller Source Detail notes
363. 07/18/72 Roosevelt Stadium - Jersey City, NJ 449 SBD with Aud Patches (missing OMSN), see info file for details; via David Hollister; Seeded to etree by Sean Cribbs Source Detail notes
364. 07/21/72 Paramount Northwest Theater - Seattle, WA 448-04 SBD> MR> CX3(?)> D> CD> EAC> SHN; edits (pitch corrected, normalized), encoding, vined by J. Cotsman, with thanks to Mark Sweeney Source Detail notes
365. 07/22/72 Paramount Northwest Theater - Seattle, WA 449 SBD MR>PCM>D>CD via Hanno Source Detail notes
366. 07/25/72 Paramount Theater - Portland, OR 449 SBD> MR> C> D> CD> EAC> SHN; encoding, vined by J. Cotsman; with thanks to Mark Sweeney Source Detail notes
367. 07/26/72 Paramount Theater - Portland, OR   flac16; MR > PCM > DAT > CD > EAC > SHN with patches from MSR > DAT > ZA2 > CDR x2; Fix of shn id 8957 by Andrew Long Source Detail notes
368. 08/12/72 Sacramento Memorial Auditorium - Sacramento, CA 450-01 SBD Reel master > DAT > CDR > EAC > SHN; seed via Seth Kaplan; Retracked (Cool Edit/CDWav) by G.S. Hamilton; see info file for listening notes Source Detail notes
369. 08/20/72 San Jose Civic Auditorium - San Jose, CA   flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
370. 08/20/72 San Jose Civic Auditorium - San Jose, CA 450-02 SBD>MC>R>C>C>C>D>CD>EAC>SHN (?) see notes on lineage via Chuck Kiefe edits/encoding by Jeff Cotsman Source Detail notes
371. 08/21/72 Berkeley Community Theater - Berkeley, CA 450-03 S:MR > PCM > DAT > CD > EAC > SHN; via D. Hollister, G. Hamilton; see info file for list of minor flaws Source Detail notes
372. 08/22/72 Berkeley Community Theater - Berkeley, CA 157-01, 450-05 mixed sources: Set 1: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> Apogee AD500> Master Dat (Panasonic SV3800/48k); Set 2: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> PCM> Dat> CD; Transferred and Edited (see cleanup notes) by Charlie Miller Source Detail notes
373. 08/22/72 Berkeley Community Theater - Berkeley, CA 450-04 SBD>MR>?>CD>EAC>SHN: (low gen); (set 1) SBD>MR>PCM>D>CD>EAC>SHN: (set 2); Missing first 3 1/2 songs; See info file for details; via Mike Dolgushkin & Seth Kaplan; Seeded to etree by J. Cotsman Source Detail notes
374. 08/24/72 Berkeley Community Theater - Berkeley, CA 451-02 SBD>Rm>Dat(48k) with missing songs patched from SBD>Rm>Cass>Cass>Cass>Dat>Samplitude>SHN via Charlie Miller Source Detail notes
375. 08/24/72 Berkeley Community Theater - Berkeley, CA 451-01 SBD> ?> DAT> CDR> SHN; d3t5,6 duplic fixed 5/24; note d1t1 only 4 sec Source Detail notes
376. 08/25/72 Berkeley Community Theater - Berkeley, CA 451-03 Partial Set 1: SBD> MR> PCM> DAT; Partial Set 2: FMSBD> ??? Source Detail notes
377. 08/25/72 Berkeley Community Theater - Berkeley, CA 451-04 set 1 partial; 7" Betty Board Reel > PCM501ES analog out > Fostex D5 optical S/PDIF out (Jace's tape) > disk (Tim Deibert); some Soundforge editing (see notes) Source Detail notes
378. 08/27/72 Old Renaissance Faire Grounds - Veneta, OR 543 Bertha Remaster of the Braverman/Dank 16 track source. SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A (Between songs from the two-track master reels) Source Detail notes
379. 08/27/72 Old Renaissance Faire Grounds - Veneta, OR 543 SBD-> two-track MR-> DAT-> Sonic Solutions-> CDR-> EAC-> Sound Forge Edit (analog pop removal using pencil tool)-> Sound Forge Pitch Shift (antialias filter followed by pitch shift of +19 cents); stemming from David Gans seed, via Adam Jerugim to Leigh Orf, who fixed up (see details in info file); d3 trackd for 80 min; note previous shn sets have been Betty Board sourced- this is not Source Detail notes
380. 08/27/72 Old Renaissance Faire Grounds - Veneta, OR 543 SBD> 16 Track Master Reels> DAT@44.1K> DAT> DAT> WAV> SHN; Banter between songs from the two-track master reels: S:MR> DAT> SS> CD> EAC> SHN; dankseed Source Detail notes
381. 09/03/72 Folsom Field, U of Colorado - Boulder, CO 192-02, 195 Composite aud/sbd - entire show speed corrected, static removed; includes encore. via Carsten Baumann and Hanno Bunjes Source Detail notes
382. 09/03/72 Folsom Field, U of Colorado - Boulder, CO 543 primary source: SBD>MR>C>D>CD>EAC>SHN (provides most of sets 2 and 3); secondary source: AUD>?>C>CD>EAC>SHN (provides all of set 1 plus patches in sets 2 and 3); aud source is pretty weak (see caveat); Thanks to John Steinhaus, Uli Teute, and Hanno Bunjes Source Detail notes
383. 09/09/72 Hollywood Palladium - Hollywood, CA 157-02 flac16; Lineage: AUD MR> Cassette (unknown gen) > WAV > FLAC Transfer: NAK DR3 > AUDACITY > CDWAV Source Detail notes
384. 09/16/72 Music Hall - Boston, MA 622 flac 16; Sick Bits Vol. 20 - SBD/AUD Matrix: SBD (shnid=6683) + AUD (shnid=12932); edited, mixed and converted by Chris Chappell Source Detail notes
385. 09/21/72 The Spectrum - Philadelphia, PA 160-03 SBD > reel > DAT > CDR > EAC > shn; via Mike Masse; see flaw notes in info file; a clean-up of d1t11 also circulates; see public comments for details Source Detail notes
386. 09/23/72 Palace Theater - Waterbury, CT 192-03, 195 SBD> MR> Cass> DAT> CDR> EAC> SHN; via Jeff M.; see listening notes in revised info file Source Detail notes
387. 09/24/72 Palace Theater - Waterbury, CT 212 SBD> MR> CASS> DAT> CDR> EAC> SHN; via Jeff M.; see info file for flaw notes Source Detail notes
388. 09/26/72 Stanley Theatre - Jersey City, NJ 553 Cleaned up disc 3 of previous SBD by Charles Wier; d1 & d2 are unchanged. See text file for details. Source Detail notes
389. 09/26/72 Stanley Theatre - Jersey City, NJ 553 SBD > MR > DAT(48kHz) > za2 > CD; See user comments for flaw notes Source Detail notes
390. 09/26/72 Stanley Theatre - Jersey City, NJ 553 SBD Reel> unknown dat gens> digital noise reduction> 3dat gens> za/2 48-41; for flaws see revised info file; note next night 9/27/72 is available as Dick's Picks 11- go buy it Source Detail notes
391. 09/27/72 Stanley Theatre - Jersey City, NJ 553 SBD Reel>Reel>PCM>DAT from "People's Choice tree" via Jeff Blaney, encoded by Matt Vernon Source Detail notes
392. 09/28/72 Stanley Theatre - Jersey City, NJ 157-03 SBD> MR> DAT> CDA> WAV> SHN> FLAC> DAW (Bertha)> SHN/CDA patched with UNK.AUD> CASS> ???> DAT> WAV> FLAC; Bertha Remaster of shn ID 26933 Source Detail notes
393. 10/17/72 Fox Theatre - St. Louis, MO 234-01 MSR> C> DATs> CDRs> EAC> SHN; via Darrin Sacks, from Jack Warner's seed; previously uncirculated Source Detail notes
394. 10/18/72 Fox Theatre - St. Louis, MO 234-02 SBD > MR > Cass > DAT > CDR; see flaw notes in info file; Note- d2 fix now circulates via Charles Weir; See info file for details Source Detail notes
395. 10/19/72 Fox Theatre - St. Louis, MO 234-03 SBD > MR > Cass > DAT > CDR; via DES; cuts into Promised Source Detail notes
396. 10/26/72 Cincinnati Music Hall - Cincinnati, OH 317 flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
397. 10/27/72 Veterans' Memorial Hall - Columbus, OH 572 SBD C/? upgrade of first set; via Hanno Bunjes and Uli Teute Source Detail notes
398. 10/28/72 Cleveland Public Hall - Cleveland, OH 168-03 Complete SBD>MC>D>CD>EAC>SHN Ampex C-90 cassette master via King Bee and Andy Lemieux, encoding etc. by Cotsman Source Detail notes
399. 10/28/72 Cleveland Public Hall - Cleveland, OH 574 Partial; 2 songs; See info file for details; SBD>MR>D>Sonic Solutions>CD Source Detail notes
400. 10/28/72 Cleveland Public Hall - Cleveland, OH 572 Bertha Remaster of the Master Cassette source SBD>>MC>>DAT>>CDA>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B Ampex C-90 cassette master Source Detail notes
401. 10/30/72 Ford Auditorium - Detroit, MI 574 AUD>MR>C>C>C>D>CD; via John Steinhaus; Seeded to etree by J. Cotsman Source Detail notes
402. 11/12/72 Soldiers' and Sailors' Memorial Hall - Kansas City, KS 573 SBD>MC>C>D>CD; This recording has 'mix problems'; See info file for details; via Mark Sweeney; Seeded to etree by J. Cotsman Source Detail notes
403. 11/13/72 Soldiers and Sailors Memorial Hall - Kansas City, KS 573, 622 master #1: AUD MR>C>D>CD recorded by Bear (//Playing through Casey Jones// is all that circulates from this source) master #2: low generation AUD (supplies the rest of the show); via Uli and Julian; Seeded to etree by Hanno B Source Detail notes
404. 11/13/72 Soldiers and Sailors Memorial Hall - Kansas City, KS 573 AUD(unknown mics) > C(x3) > Nak > Fostex D5 A/D @ 44.1 > CD by Kevin Weil, encoded by Matt Vernon. Note this aud will appeal chiefly to completists and audience tape collectors. It is almost complete except for tape flips and includes more between song banter/crowd than the other sources already circulating. Source Detail notes
405. 11/14/72 Civic Center Music Hall - Oklahoma City, OK 622 Recording Info: Source One: SBD -> Master Reel -> Cassette x 3 -> Dat (d1t01 -> d2t09) Source Two: SBD -> Master Reel -> Cassette -> Dat (d2t10 -> d3t07) Transfer Info: Dat (Sony R500) -> M-Audio Dio 2448 -> Samplitude v6.0 -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) All Transfers By Charlie Miller charliemiller87@earthlink.net 1/30/04 Notes: --I forgot to make shn's off of my Dats which is why I had to use EAC. --This is a new conversion since the last one was missing GSET. Source Detail notes
406. 11/15/72 Civic Center Music Hall - Oklahoma City, OK 574 Partial; SBD>MR>C>C>C>D>CD; Pitch corrected; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon & J. Cotsman Source Detail notes
407. 11/17/72 Century II Convention Hall - Wichita, KS   sdb> reel master> cassette> dat> cdr; via Mike Lai; note Jeff Tiedrich reports this is more likely MR> C> C> DAT Source Detail notes
408. 11/17/72 Century II Convention Hall - Wichita, KS 622 Master Soundboard Reel > Cassette > DAT > CR > EAC > WAV > SHN; with patches Master Audience Cassette > ? > Cassette > CD; Upgrade to existing SHN copy Source Detail notes
409. 11/18/72 Hofheinz Pavilion - Houston, TX 574 2nd set only; SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to John Steinhaus Source Detail notes
410. 11/19/72 Hofheinz Pavilion - Houston, TX 234-04 Source: SBD>MR>Reel>Reel>DAT>CD>EAC>WAV>CoolEdit2000>SHN (Note that there is speculation that this source may contain only one reel generation.) Cool Edit 200 was used to correct various flaws from previously circulating versions. Source Detail notes
411. 11/22/72 Austin Municipal Auditorium - Austin, TX 4081 sdb> master reel> dat> cdr; via Mike Lai from Bruce Fried DAT; missing Promised; d2 tracked for 80 min Source Detail notes
412. 11/24/72 Dallas Memorial Auditorium - Dallas, TX 212, 629 SBD> MR> DAT> CDR> EAC> SHN; tracked for 2x80; splice in China Cat; seeded by Tony Gardner, from Paul B. discs Source Detail notes
413. 11/26/72 San Antonio Civic Auditorium - San Antonio, TX 622 SBD> MR> (set 1 ?; set 2 C)> D> CD> EAC>SHN; edits (see info), encoding, vined by J. Cotsman, with thanks to Paul B. Source Detail notes
414. 12/10/72 Winterland Arena - San Francisco, CA 236-01 MSR > Cass x 3 > DAT > CDR > EAC > SHN; EAC, SHN extraction and etree seeding done by G. Gorinsky; with thanks to Justin Cucci, Mark Perini Source Detail notes
415. 12/11/72 Winterland Arena - San Francisco, CA 236-02 SBD > MR > ?? > CDR; EAC > Cool Edit (remove some pops, see info file) > CD Wave (split tracks) > SHN (seekable) by Matt Vernon, from Paul B. seed discs; missing some songs; see info file for other flaw notes Source Detail notes
416. 12/12/72 Winterland Arena - San Francisco, CA 236-03 partial; mixed source SBD, AUD: MR > ? > DAT > CDR > EAC > SHN; Aud: Mcass > DAT > ZA2 > CDR > EAC > SHN; EAC, SHN extraction and etree seeding done by G. Gorinsky; with thanks to Mark Wienke, Mark Perini; to CDead vine Source Detail notes
417. 12/12/72 Winterland Arena - San Francisco, CA   SBD (7 inch Master Reel @ 7.5ips 1/2trk) -> Dat Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> FLAC Transfered and Edited By Charlie Miller Source Detail notes
418. 12/15/72 Long Beach Arena - Long Beach, CA 236-04 Lineage: S:MR>Cass>DAT>PCM>DAT>CD, w/ patches from S:MR>R>R>DAT copy. Remastered, transferred to CD, and encoded to SHN by David Hollister Source Detail notes
419. 12/15/72 Long Beach Arena - Long Beach, CA 629 SBDmR> C> D> CDR; via Ben Yerys, M. Weinke; reportedly stemming from David Gans; includes possibly extraneous Box of Rain, JGB repeats in d3? Source Detail notes
420. 12/31/72 Winterland Arena - San Francisco, CA   Main Source: Vault pre-FM reels > DAT Patch Source: pre-FM KSAN reel (/shninfo_detail.php?shnid=6340) DAT > WAV : Sony PCM-R300 > RMEdigi96/8PAD > Soundforge 6.0 by Marc Pujol WAV > SHN editing, encoding & patching by Matt Vernon Source Detail notes
421. 12/31/72 Winterland Arena - San Francisco, CA 629 Bertha Remaster of the patched PreFM source, by Jay Ashley Source Detail notes
422. 02/09/73 Roscoe Maples Pavilion, Stanford University - Palo Alto, CA   SBD> MR> R> DAT> CD; Show SHNed by Bob Allred; md5 / shn renaming and txt file by Patrick Hitt, who notes that "slightly different edit times indicate a different dat source or editor" than previous shn set Source Detail notes
423. 02/09/73 Roscoe Maples Pavilion, Stanford University - Palo Alto, CA 196-03 Jay Ashley (Bertha) remaster of previous MR source; SBD>>MR>>REEL>>DAT>>SS>>CDR>>DAW(Bertha)>>CDA Source Detail notes
424. 02/15/73 Dane County Coliseum - Madison, WI 167-01, 168-04 MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD; upgrade relative to previous shn copies; includes soundcheck and most of encores; via Mike Hall; tracked for 2x74 + 1x80 (with alternate tracking suggestion) Source Detail notes
425. 02/17/73 St. Paul Auditorium - St. Paul, MN 341 flac16; SBD > MR > PCM > DAT > CDA > WAV > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 32580 Source Detail notes
426. 02/17/73 St. Paul Auditorium - St. Paul, MN 577 flac16; SBD -> Master Reel -> PCM -> Dat -> CD All Transfers and Mastering By Charlie Miller Source Detail notes
427. 02/19/73 International Amphitheatre - Chicago, IL 579 SBD : MC > C > DAT > SS > CDR > EAC > SHN Extraction, Retracking and SHN encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. Thanks to Paul B. for the seeds. Seeded to etree on 3/2/03 Source Detail notes
428. 02/19/73 International Amphitheatre - Chicago, IL 831 flac16; Set 2 Recording Info: SBD -> Cassette Master (Ampex C-90) -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
429. 02/21/73 Assembly Hall, Univ. Of Illinois Urbana-Champaign - Urbana, IL 577 complete; MR > DAT > 1 cass > DAT > CDR 3x; via G. Hamilton; see info file for misc flaws, esp d1; 4-disc set with 2/22 Source Detail notes
430. 02/22/73 Assembly Hall, Univ. Of Illinois Urbana-Champaign - Urbana, IL 577 reworking of previous shn set, by Randy Carman (see notes in info file) Source Detail notes
431. 02/26/73 Pershing Municipal Auditorium - Lincoln, NE 182-01 S:MR > cassette > DAT > CDR > EAC > SHN; EAC/SHN by Seth Kaplan; upload by Greg Hamilton; note D3t02 (Eyes): splice @ 3:25 Source Detail notes
432. 02/28/73 Salt Palace - Salt Lake City, UT   Multiple sources SBMR via Noah Weiner and David Gans encoded by Noah Weiner (see info file for details). Upgrade to previous copies with complete EOTW & AWBYGN. Source Detail notes
433. 03/15/73 Nassau Veterans Memorial Coliseum - Uniondale, NY 577 Source (~complete): Unknown AUD > ? cdr via JackeySack, converted by Matt Vernon Source Detail notes
434. 03/15/73 Nassau Veterans Memorial Coliseum - Uniondale, NY 578 composite source 1: AUD>??>CD>EAC>SHN source 2: SBD>MR>C>D>CD>EAC>SHN via JackeySack, Matt Vernon, and Paul Hartman edits/encoding by JCotsman Source Detail notes
435. 03/15/73 Nassau Veterans Memorial Coliseum - Uniondale, NY 653 composite source 1: AUD>??>CD>EAC>SHN source 2: SBD>MR>C>D>CD>EAC>SHN via JackeySack, Matt Vernon, and Paul Hartman edits/encoding by JCotsman Source Detail notes
436. 03/16/73 Nassau Veterans Memorial Coliseum - Uniondale, NY   fixup by Seth Jackson of 5 tracks from the previous shn set Source Detail notes
437. 03/16/73 Nassau Veterans Memorial Coliseum - Uniondale, NY   SBD, complete; Set 1: Betty MSR > PCM > DAT > CDR > EAC > SHN; Set 2: MSR > Reel > DAT > CD > EAC > SHN; see info file for misc flaws; via G.S. Hamilton Source Detail notes
438. 03/16/73 Nassau Veterans Memorial Coliseum - Uniondale, NY 578 fixup by Seth Jackson of 5 tracks from the previous shn set Source Detail notes
439. 03/16/73 Nassau Veterans Memorial Coliseum - Uniondale, NY 578 SBD, complete; Set 1: Betty MSR > PCM > DAT > CDR > EAC > SHN; Set 2: MSR > Reel > DAT > CD > EAC > SHN; see info file for misc flaws; via G.S. Hamilton Source Detail notes
440. 03/16/73 Nassau Veterans Memorial Coliseum - Uniondale, NY 653 Source: Audience Lineage: ? > C > CDR > EAC > CE Pro > CDWAV > FLAV (level 8) Thanks to Dave Minor for the source. EAC etc by Matt Vernon Source Detail notes
441. 03/19/73 Nassau Veterans Memorial Coliseum - Uniondale, NY   Playin', plus most of set 2; SBD:MR>Cas>Cas>DAT>CD; Seeded to etree by Jools Source Detail notes
442. 03/21/73 Utica Memorial Auditorium - Utica, NY   Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Sony D8) -> M-Audio DIO 2448 -> Cool Edit Pro v1.2 -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller Notes:I originally transferred my Dat back in 2000. At that time, I only made Audio discs. Someone asked me to circulate this source since the circulating source has NR applied to it. My source DOES NOT have any NR applied to it. I made these FLAC's off of my Master Audio Discs. Enjoy...cm Source Detail notes
443. 03/21/73 Utica Memorial Auditorium - Utica, NY 652 SBD> MR> ?> D> CD> SHN; shn EAC/ shn encoding/ edits by J. Cotsman, with thanks to Jeff Krakowka; see listening notes in info file Source Detail notes
444. 03/22/73 Utica Memorial Auditorium - Utica, NY 182-02 MSR> DATs> CDRx1> EAC> SHN; via Darrin Sacks Source Detail notes
445. 03/22/73 Utica Memorial Auditorium - Utica, NY 848 flac 16; Source: 10" Betty Board Reel > PCM501ES analog out > Fostex D5 optical S/PDIF out (Jace's Tape) > disk; Transferred by Tim Deibert 6-10-2002 Source Detail notes
446. 03/24/73 The Spectrum - Philadelphia, PA 578 S:MR > cassette > DAT > CDR; note updated source info- actually only 1 cass gen, not 2; via Mike Bryan, Greg Hamilton; see info file for listening notes Source Detail notes
447. 03/24/73 The Spectrum - Philadelphia, PA 848 flac16; 10" Betty Board Reel > PCM501ES > Fostex D5 (Jace's tape) optical S/PDIF out > disk Transferred by Tim Deibert 5-18-02 Source Detail notes
448. 03/26/73 Civic Center - Baltimore, MD 192-04, 195 SBD> MR> DAT> CDA> CDA> EAC> SHN; via Charlie Miller, Jay Ashley; note info file updated 9/13; see pub comments for flaw notes Source Detail notes
449. 03/26/73 Civic Center - Baltimore, MD 416-03 flac16; Recording: SBD > Master Reel > Dat (44.1k) Transfer: Dat (Sony R500) > SEK'D Prodif Plus > Samplitude Profesional v8.01 > FLAC; All Transfers and Mastering By Charlie Miller Source Detail notes
450. 03/28/73 Springfield Civic Center - Springfield, MA 416-05 flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
451. 03/28/73 Springfield Civic Center - Springfield, MA 487 flac24; Recording Info: Beyer Mics -> Cassette Master Transfer Info: Cassette Master -> Apogee MiniMe -> Samplitude Professional 8.01 -> FLAC/24 All Transfers and Mastering By Charlie Miller Source Detail notes
452. 03/31/73 Buffalo Memorial Auditorium - Buffalo, NY 197-02 flac16; SBD > MC > CASS > DAT > CDA > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered to from 24-16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 Source Detail notes
453. 04/02/73 Boston Garden - Boston, MA   Bertha remaster of the Master Reel Soundboard source. SBD>>MR>>DAT>>SS>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+ Source Detail notes
454. 04/02/73 Boston Garden - Boston, MA 279-01 SBD -> Rm (7.5 ips/2 Track) -> Dat -> Dat. Transfer Info: Dat -> Sonic Solutions -> CD (David Gans' Master Discs) -> EAC (Secure) -> SHN. CD -> SHN Conversion Done By Charlie Miller. Purports to avoid the drop outs present on the previous shn set for this source. Source Detail notes
455. 05/13/73 Iowa State Fairgrounds - Des Moines, IA 652 Complete; d1,2,3,5-SBD : MR > R > DAT > CDR via Paul B.; d4-SBD : MR > ? > DAT > CD > EAC > Cool Edit 96 (Resampled to correct pitch) > SHN via David Minches Source Detail notes
456. 05/20/73 Campus Stadium, UCSB - Santa Barbara, CA 579 AUD (Sony Condenser): MC> R> C> DAT> HD> SHN> CD; see notes in info file; via Audience Devotional Tree Source Detail notes
457. 05/20/73 Campus Stadium, UCSB - Santa Barbara, CA 579 7" Master Reels at 7.5ips half-track > Panasonic SV-3700 DAT > Panasonic SV-3800 DAT > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) Source Detail notes
458. 05/26/73 Kezar Stadium - San Francisco, CA 179-03 MSR>DAT>CD>EAC>WAV>SHN CD>EAC>WAV>SHN by Sean Cribbs 4/19/2003 Source Detail notes
459. 06/09/73 Robert F. Kennedy Stadium - Washington, DC 213 SBD MR > cassette> DAT > CD > EAC > SHN, except Promised Land, Half Step, and Sugar Mag are S:MR > PCM > cassette > DAT > CD > EAC > SHN, and Patch in Box of Rain (very small) from 2nd source; via D. Hollister, G. Hamilton; 8/16 note formerly error in info file at this site, and possibly distributed with show- cass gen in main portion of show had been omitted, (although info file at Hamiltons' CDR list has apparently always been correct)- sorry! Source Detail notes
460. 06/10/73 Robert F. Kennedy Stadium - Washington, DC 213 SBD MR (10'' reels)> DAT > CD > EAC > SHN; via David Hollister, G.S. Hamilton; known flaws: d2t01 (Bird Song: very brief tape waver @ 2:44, 2t03 (Eyes) transient sound system glitch @ 5:06; subsecond dropout @ 6:54, d4t06 (GDTRFB): reel flip/splice @ 6:42; not noted on original info file: sounds like loose cord to board: d1t09 (The Race Is On) 1:33, 1:34, 1:36, 1:44; d1t2 BIODTL begining cut; reportedly "best version available" Source Detail notes
461. 06/22/73 P.N.E. Coliseum - Vancouver, BC 299 composite: MSR> PCM> DAT> CD> EAC> WAV> SHN for Bertha> Other One//; MAC> R> R> CD> DAT> WAV> SHN for patches, JGB (see notes); MSR> C> DAT> CD> EAC> WAV> SHN for //Other One> end of set 2; EAC> CEP2K edits> encoding by Sean Cribbs Source Detail notes
462. 06/22/73 P.N.E. Coliseum - Vancouver, BC 919 flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
463. 06/24/73 Memorial Coliseum - Portland, OR 580 partials of both sets; set 1: SBD> ?>C> CD> EAC> SHN (unknown analog generations); set 2: SBD> MR> C> D> CD> EAC> SHN, edited from previous shn set; the first set is a degraded SBD; Thanks to S. Milewski, G. Hamilton; edits/encoding by JCotsman Source Detail notes
464. 06/26/73 Seattle Center Arena - Seattle, WA 579 Complete; SBD>MR>C>D>CD patched with: AUD>MR>C>D>CD; Slight pitch correction; See info file for details; Seeded to etree by Mark Sweeney & Chuck Gannon Source Detail notes
465. 06/29/73 Universal Amphitheatre - Universal City, CA 580 Partial; SBD>MR>R>D>CD; Missing first 11 songs and Around and Casey Jones; via Mark Sweeney; Seeded to etree by JCotsman Source Detail notes
466. 06/30/73 Universal Amphitheatre - Universal City, CA   flac16; Sick Bits Vol. 9 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 177, and AUD - SHN ID# 6019); edited and transfered by Chris Chappell Source Detail notes
467. 07/01/73 Universal Amphitheatre - Universal City, CA 580 daud> Sony ec M22P mics >Sony 770 MR> R1> DAT> CDR; via M. Lai; note info file lists as 2 CDs but shn set is tracked for 3 CDs Source Detail notes
468. 07/27/73 Grand Prix Racecourse - Watkins Glen, NY   flac16; SBD> Master Reel (but see note)> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller Source Detail notes
469. 07/27/73 Grand Prix Racecourse - Watkins Glen, NY 580 Soundcheck: Recording by Jeffrey Siniawsky and Joel Smith front row, 15' from stage, mic attached to top of lean-to tent via Noah Weiner Audience Devotional Tree Round 11 - Note: Soundcheck separated from 7/28/73 Source Detail notes
470. 07/28/73 Grand Prix Racecourse - Watkins Glen, NY 580 Uher mic > Uher 4000 Report L 5" reels > MacIntosh pre-amp > TEAC 1230 7" reel; via Jeffrey Siniawsky and Joel Smith; Seeded to etree by Noah Weiner. [Note: Circulates with 7/27 Soundcheck which has a separate entry] Source Detail notes
471. 07/28/73 Grand Prix Racecourse - Watkins Glen, NY 581 Soundboard Master Reel>DAT>CD>SHN, with FM, AUD, and other-source SBD patches. Fits to two .shn discs by placing d1 & d4 .shns on one 80 min. disc, d2 & d3 .shns on another. Source Detail notes
472. 07/31/73 Roosevelt Stadium - Jersey City, NJ 581 AudMC > DAT > CD > EAC > SHN Recorded by Jerry Moore with AKG 1000 mic > Sony 110 deck. TDK C-120SD master cassettes EAC & SHN transfer by Noah Weiner Source Detail notes
473. 08/01/73 Roosevelt Stadium - Jersey City, NJ 299 complete show from most up to date SBD sources with AUD patches; compiled from S. Kaplan and N. Weiner seeds; source 1: SBD>MR>R>R>D>CD>EAC>SHN; source 2: SBD>MR>C>D>CD>EAC>SHN; source 3: AUD>MR>C>C>C>CD>EAC>SHN; See info file for details; Seeded to etree by JCotsman; With thanks to Alan Schlissel & Jeff Cook Source Detail notes
474. 08/??/73 Record Plant - Sausalito, CA 580 Wake of Flood outtakes; Betty Cantor reels > PCM > DAT > DIO 2448 > SHN; date(s) (including month) uncertain, this is best guess; via Dave F. Source Detail notes
475. 09/07/73 Nassau Veterans Memorial Coliseum - Uniondale, NY   SBD>MR>C>D>CD>EAC>SHN; patched with AUD>MC>D>CD>EAC>SHN; sourced from previous seeds Source Detail notes
476. 09/07/73 Nassau Veterans Memorial Coliseum - Uniondale, NY 581 AUDMC > DAT > CD > EAC > SHN: Recorded by Jerry Moore, AKG 1000 mic > Sony 110 deck. TASCAM 112MKII cassette deck (MC playback) > Sony PCM-500 DAT deck > HHB800 stand alone burner (CD) > EAC (secure) > mkwact (SHN). Added to etree by Noah Weiner. Source Detail notes
477. 09/08/73 Nassau Veterans Memorial Coliseum - Uniondale, NY 652 SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wulf: Tascam DA20> coax> rme digi96 PCI card> centered the waves and edited and smoothed the track boundaries. Only? minor corrections were applied; no crossfading, no hiss or noise reduction; from Honey Vine #14 via T. Wulf, to etree via M. Bolen (who made .md5s) Source Detail notes
478. 09/11/73 College Of William & Mary Hall - Williamsburg, VA 179-04 MSR> one cassette gen> DAT> CDR> shn); via George Lanum; see info file and pub comments for flaw notes Source Detail notes
479. 09/12/73 College Of William & Mary Hall - Williamsburg, VA   SBD>MR>C>DAT>CDR most of show (minus Here comes sunshine) by Sly_Wow Source Detail notes
480. 09/15/73 Providence Civic Center - Providence, RI 598 set 1: AUD> M?> C> C> D> SHN; set 2: SBD> MR> D> CD> EAC> SHN; Thanks to Jim Powell, Marc Pujol, and Evan Levy; final edits/encoding by JCotsman Source Detail notes
481. 09/17/73 Onondaga County War Memorial - Syracuse, NY 598 SBD>MR>D>CD>EAC>SHN (all but tracks d1t01-->d1t09)); SBD>MR>C>C>D>CD>EAC>SHN (tracks d1t01-->d1t09); Thanks to Peter Braverman; edits/encoding by JCotsman; Note- Fixed d3 now circulates, see public comments for details Source Detail notes
482. 09/20/73 The Spectrum - Philadelphia, PA 598 Complete; Mixed Aud/SBD sources; See info file for details; via Michael Dixon and Scott Clugston; Seeded to etree by JCotsman Source Detail notes
483. 09/21/73 The Spectrum - Philadelphia, PA 598 SBD -> Rm -> Reel -> PCM -> Dat Transfer Info: Dat (Sony R500) -> Samplitude v6.0 -> Cool Edit Pro v1.2 -> CD -> EAC -> SHN via Charlie Miller Source Detail notes
484. 09/24/73 Civic Arena - Pittsburgh, PA 599 Mixed AUD/SBD sources; See info file for details; via Michael Dixon, Alan Fink, & Dan Stephens; Seeded to etree by JCotsman Source Detail notes
485. 09/26/73 Community War Memorial Auditorium - Buffalo, NY 599 SBD: Rm > DAT > CD / Patched with unknown AUD > WAV > SHN; DAE(EAC0.9 beta 4)> tracking(cdwav)> SHN (MKWAct.96f)> FTP by Tripp; with thanks to Darryl Hinko, Tommy Brame Source Detail notes
486. 10/19/73 Oklahoma City Fairgrounds Arena - Oklahoma City, OK 599 mR> DAT> CDR; complete; E2 is tracked for d2, but could fit on 80min d3; via JW Norris, R. Nayfield; update 10/23/00: this date is now released as Dick's Picks 19- go buy that Source Detail notes
487. 10/21/73 Omaha Civic Auditorium - Omaha, NE   SBD -> Rm -> ? -> Dat -> Sound Forge -> CD -> EAC -> SHN Converted By Charlie Miller Source Detail notes
488. 10/23/73 Metropolitan Sports Center - Bloomington, MN 599 MSR>D>CD via M. Goetz encoded by Morgan Evans. Note: Has additional OMSN (see info file for discussion) compared to previous etree shn sets. Source Detail notes
489. 10/25/73 Dane County Coliseum - Madison, WI   SBD Master Reel > ? > DAT > CD-R > EAC (secure) > Cool Edit(minor cleanup) > CDWAV > mkwact(seekable) via wi-jams, cleanup and encoding by Matt Vernon. Source Detail notes
490. 10/25/73 Dane County Coliseum - Madison, WI 375-01 flac16; Original source: /shninfo_detail.php?shnid=188 MSR>D>CD Disc One patched and re-tracked by Sean Cribbs 7/2003; present source added crossfades at reel splices between Let It Grow and GDTRFB and between OMSN and UJB; removed two spots of static at end of Let It Grow; (note: this source is actually a composite of 2 different shows: material from 10/25/73 patched with material from 11/20/73) Source Detail notes
491. 10/27/73 Indianapolis State Fair Coliseum - Indianapolis, IN   Source: MSR > R > C > D > CD patched with MAC > ? > D Conversion: CDR > EAC > CDWave > CoolEditPro > shntool > mkwACT > SHN (seekable) by Charles Wier From the Deadlists vine Source Detail notes
492. 10/29/73 Kiel Auditorium - St. Louis, MO 277-04 MSR> C> DAT> Circulation> EAC> SHN; no El Paso, otherwise complete show; Source disks from Bob Murphy, eac/shn by Darrin Sacks; Analog anomalies between CRS and BIODTL and between Eyes and China Doll digitally removed with Soundforge. Track boundary error between Bertha and GSET automatically corrected by Exact Audio Copy; Bob Murphy reports seed sounds cleaner than corresponding 10/30/73 Source Detail notes
493. 10/29/73 Kiel Auditorium - St. Louis, MO   flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC Source Detail notes
494. 10/29/73 Kiel Auditorium - St. Louis, MO 920 Source: MSR > C > D > CD patched with AUD Conversion: CD > EAC > WAV > retracking (shntool) > SHN Complete show in SBD w/ AUD patches (including AUD El Paso) via Dave Greenberg and Jim Powell. Retracked from CDA seed of this source circulated 3/2003 (incorporated brief separate crowd tracks into song tracks). Sector boundaries verified w/ shntool. Source Detail notes
495. 10/30/73 Kiel Auditorium - St. Louis, MO   flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC Source Detail notes
496. 10/30/73 Kiel Auditorium - St. Louis, MO 600 Reel master > 1 cassette gen > DAT > CD > EAC > SHN; seed via J. Merdler, DAE>SHN by G.S. Hamilton, retracking of d2 by A. J. Fink; some editing between songs; known flaws: d1t1 split-second cut into beginning, d1t6 cuts at 1:21, d2t1 volume change at 3:39, d3t3 cut/splice at 6:27 Source Detail notes
497. 10/30/73 Kiel Auditorium - St. Louis, MO 600 Source: MSR > D > PCM > D > CD patched with AUD
Conversion: CD > EAC > WAV > retracking (shntool) > SHN
Complete show with AUD patches via Dave Greenberg and Jim Powell. Retrack of CDA seed circulated 3/2003 to incorporate separate crowd tracks into song tracks. Different lineage from
previous seed. Cut to start Me & My Uncle patched w/ AUD, no cut in Mexicali. Does have anomolies in China Cat & Eyes noted in that seed. Source Detail
notes
498. 11/01/73 McGaw Memorial Hall, Northwestern University - Evanston, IL 196-04 Source: Set 2 MR > C1 > DAT > CD > Toast Audio Extractor (overlap) > WAV > SHN SHNed and seeded by Jon Seff (jon@seff.net) Source Detail notes
499. 11/09/73 Winterland Arena - San Francisco, CA 373-01 SBD> MR> C> DAT> CDR; EAC> SHN by Seth Kaplan; Correct sector boundaries verified using .shntool; First few seconds of Here Comes Sunshine are clipped; Small splice at the start of Eyes of the World, some channel dropouts and a little static on a few tunes Source Detail notes
500. 11/10/73 Winterland Arena - San Francisco, CA 190-06 MSR> reel > PCM > DAT > CD; see info file for listening notes Source Detail notes
501. 11/11/73 Winterland Arena - San Francisco, CA   Pitch correction applied by Alan Schlissel to patch in Eyes in previous shn set (which itself was a fix of another previous one). Source Detail notes
502. 11/14/73 San Diego Sports Arena - San Diego, CA   Updated lineage: SBD > MR > cass > DAT > CD > EAC (secure) > SHN (seekable); EAC> SHN by Matt Vernon, from Eurodead Vine source discs; see tracking suggestions in info file Source Detail notes
503. 11/17/73 Pauley Pavilion, UCLA - Los Angeles, CA   SBD> MR> C> DAT> CDR> EAC> SHN; via Tony Gardner from Paul B.'s discs; Splice between ROR and Playin' (no music affected) Source Detail notes
504. 11/20/73 Denver Coliseum - Denver, CO 197-03 S:MR > DAT > CD > EAC > SHN; via David Hollister, G. S. Hamilton; note UJB may be from different source?; note portions of set 2 on these discs are in "SBD order" vs. "true" order- see public comments for details Source Detail notes
505. 11/21/73 Denver Coliseum - Denver, CO 182-03 MSR > DAT > CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > CDWave v1.71 (tracking) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) Patches: MAC (Taped Taped by Glen Finley, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) Source Detail notes
506. 11/21/73 Denver Coliseum - Denver, CO 197-04 via D. Barrick (hurtsme2); B. Yerys reports digiprobs at d1t1 ~0:42, d1t4 ~1:10, d2t2 ~10:38 Source Detail notes
507. 11/21/73 Denver Coliseum - Denver, CO 928 flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation Source Detail notes
508. 11/23/73 County Coliseum - El Paso, TX   SBD > Reel > Cassette > Datx2 > CDR; via L. Orf; reel flips in d1t1, d1t7 (smoothed), d3t2; superior version relative to version circulated 3/8 Source Detail notes
509. 11/25/73 Feyline Field - Tempe, AZ 202-03 MSR> Cass.> DATs> CDRs> EAC> SHN; via Darrin Sacks; see info file for known flaws; note md5s for d2t8-10 filler tracks (12/4/71) added here 1/24/01 Source Detail notes
510. 11/30/73 Music Hall - Boston, MA 374-01 sbd > ? > CDR; Some songs from this date are featured on Dick's Picks 14; go buy it Source Detail notes
511. 11/30/73 Music Hall - Boston, MA 373-03 unknown audience recording via David Minor encoded by Matt Vernon and Marc Pujol Source Detail notes
512. 12/01/73 Music Hall - Boston, MA 213 Master Soundboard Reels > PCM > DAT> CDR; CD Mastering by Scott Clugston Source Detail notes
513. 12/01/73 Music Hall - Boston, MA 374-02 AUDMC(unknown mics) > ? > C > DAT via David Minor, encoded by Marc Pujol and Matt Vernon Source Detail notes
514. 12/02/73 Music Hall - Boston, MA 371-04 Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston;a few seconds of overlap between d2,3; to abgd Source Detail notes
515. 12/02/73 Music Hall - Boston, MA 374-03 unknown audience tape via David Minor encoded by Matt Vernon and Marc Pujol Source Detail notes
516. 12/04/73 Cincinnati Gardens - Cincinnati, OH 157-04, 182-04 flac16; SET ONE ONLY SBD -> Master Reel -> Dat Transferred and Edited By Charlie Miller Source Detail notes
517. 12/04/73 Cincinnati Gardens - Cincinnati, OH 915 flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller (note: this source includes the encore missing from shn id 86839). Source Detail notes
518. 12/04/73 Cincinnati Gardens - Cincinnati, OH 962 flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller (note: this source includes the encore missing from shn id 86839). Source Detail notes
519. 12/06/73 Public Hall - Cleveland, OH   SBD MR > 1 cass gen > DAT > (AUD patching)> CD > EAC > SHN> slight retrack for d2t3, d3t1, d3t4> shnv2 on those tracks; d3 tracked for 80 min; see notes in info file; seed via David Gans, Jim Powell, Dave Greenberg; shns via Seth Kaplan, Alan Fink, G.S. Hamilton Source Detail notes
520. 12/08/73 Cameron Indoor Stadium, Duke University - Durham, NC 375-02 SBD:MR> C> DAT> CD> EAC> SHN; via Kirby (Chalupa) Bell, Andy Gustin; note Beginning of Bertha is clipped, JBG is from an AUD source Source Detail notes
521. 12/12/73 The Omni - Atlanta, GA   nearly complete, with soundcheck; MR > C > DAT > CDR; via Trei Hobbs Source Detail notes
522. 12/18/73 Curtis Hixon Convention Hall - Tampa, FL 637 SBD Reel master > cassette > DAT > CDR (unknown gens) > EAC > CDWav retracking> SHN; Extraction, retracking, shortening by G.S. Hamilton (for real). Please use md5s to ID copies in circulation. Note d2 has 9 tracks; alternate shn set in circulation has 7 d2 tracks and is not really via Greg, but is apparently from another CD set. (This has same reel change in Wharf Rat (d3t04) @ 6:36.); note noise reduction notes in pub comments apparently pertain to alternate shn set only, no NR on this entry Source Detail notes
523. 12/19/73 Curtis Hixon Convention Hall - Tampa, FL 375, 637 Audience; MAC>PCM>Cassette>CD; Seeded to etree by Scott Clugston; Note- Parts of this show appear on DP1; go buy it Source Detail notes
524. 12/19/73 Curtis Hixon Convention Hall - Tampa, FL 375, 637 "DP 1 Leftovers"; via Gans, D. Finney; rest is on Dick's Picks 1- go buy it Source Detail notes
525. 02/22/74 Winterland Arena - San Francisco, CA   mixed SBD sources: Vault MR> DAT 48k, plus MR> Cassette> DAT 44.1k, with small patches from MR> Cassette> DAT> CD; Transfer: DAT> Audiophile 2496> Samplitude v7.02 Professional> SHN; Transfer, editing, and SHN by Joe Samaritano, with thanks to Michael P. Weitzman, David Gans, Charlie Miller Source Detail notes
526. 02/22/74 Winterland Arena - San Francisco, CA 366-01 Sources: 1 - sbd > ? > shn > wav > shn 2 - sbd > cass? > cdr > wav > shn via SIRMick (thedarkstar@btinternet.com) Source Detail notes
527. 02/23/74 Winterland Arena - San Francisco, CA   Bertha Remaster of the Master Reel source; SBD> MR> DAT> CDA> SHN> DAW (Bertha)> CDA/SHN, by Jay Ashley Source Detail notes
528. 02/23/74 Winterland Arena - San Francisco, CA 366-03 complete; Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; d3 tracked for 80 min Source Detail notes
529. 02/24/74 Winterland Arena - San Francisco, CA 167-02, 180-01 SBD> Master Reel> PCM> DAT> Fostex D5 DAT> Marantz Professional? PMD-320 CD Master> Ricoh MP-6200 series CD-R> HP 8200i CDRW Drive (EAC)> SHNCD; via Jay Serafin, Stephen Windsor; note d4 is 73:52, not 74:06 as stated in accompanying info file, and thus does not require overburning (possibly was EZCD artifact?); no flaws noticed Source Detail notes
530. 03/23/74 Cow Palace - Daly City, CA 286, 311 Master Soundboard Reel > DAT > CDR, with patches from Master Soundboard Reel > Cassette > DAT source, and Audience source; d2 is 80 min; via Scott Clugston; note upgrade relative to previously circulating shn set; reported sector boundary probs on d2t4, d2t6- see pub comments; update: portions of show are now DP24- go buy it Source Detail notes
531. 03/23/74 Cow Palace - Daly City, CA 78599 flac16; Master Audience Cassette > Dat (or PCM?) Edits & Tracking in Wavelab 6.0 by **__** : BBE processing, Crystal Sample Rate converter, L3 multimaximizer>dithered44.1k/16>FLACfrontend SBE FREE Patches by Michael Hughey in Adobe Audition Source Detail notes
532. 05/12/74 University Of Nevada - Reno, NV 366-04 MSR> C> DAT> CDRs> EAC> SHN; via Darrin Sacks; previously uncirculated; see notes in info file Source Detail notes
533. 05/12/74 University Of Nevada - Reno, NV 366-05 Partial 2nd Set; AUD>?>CD; via Jack Warner; Seeded to etree by Matt Vernon Source Detail notes
534. 05/12/74 University Of Nevada - Reno, NV 366-06 MSR>C>DAT>CD w/ pitch corrected aud patches for disk 3 only of SBD seed via Sean Cribbs Source Detail notes
535. 05/14/74 Adams Field House, University Of Montana - Missoula, MT 252-04 MSR> cassette> DAT> CD-R> TAE> shn; via Bob Murphy Source Detail notes
536. 05/17/74 P.N.E. Coliseum - Vancouver, BC 358-01 updated source: Andy Gustin and Jay Ashley report this could be the SBD cass master>1 cass> DAT> 1 cass gen> DAT version noted on Tiedrich's site (had been marked mSR> DAT> CDR> Toast Audio Extraction> SHN); via Andy Gustin; 9/11/73 filler Source Detail notes
537. 05/17/74 P.N.E. Coliseum - Vancouver, BC 1062 flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
538. 05/19/74 Portland Memorial Coliseum - Portland, OR   complete; Master Soundboard Reel > PCM > DAT> CDR; EAC'ed / SHN'ed by Scott Clugston Source Detail notes
539. 05/21/74 Edmundson Pavilion, University Of Washington - Seattle, WA 277-05 MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496 (shn id 2597) patched with AudMC > WAV > SHN (10150) via Charles Wier Source Detail notes
540. 05/21/74 Edmundson Pavilion, University Of Washington - Seattle, WA 367-01 AudMC > WAV > SHN Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony; via David Minches; Seeded to etree by Noah Weiner Source Detail notes
541. 05/25/74 Campus Stadium, UCSB - Santa Barbara, CA 197-05 MSR > Dick Latvala's cass > DAT > mastered to CD-R on an HHB CDR-850> .shn DAE/reSHN of shn id 205 shn set, via Doug Moog. David Hollister reports problems on USB track Source Detail notes
542. 06/16/74 Des Moines State Fair Grandstand - Des Moines, IA 202-04 S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details; Note- This shn set was submitted by Alan Fink himself Source Detail notes
543. 06/18/74 Freedom Hall - Louisville, KY   SBD> MR>1 cass> DAT> ZA2> SHN; newly circulating crisp version); via D. Sacks, D. Hollister; note d3t2 was bad 11/5, fixed 11/8 Source Detail notes
544. 06/18/74 Freedom Hall - Louisville, KY 276-02 Bertha Remaster of the digitized Master Reel source. SBD>>MR>>DAT>>ZA2>>SHN>>DAW(Bertha) - Sound A Source Detail notes
545. 06/18/74 Freedom Hall - Louisville, KY 1059 flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> SHN -> Cool Edit Pro -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
546. 06/20/74 The Omni - Atlanta, GA 358-02 Master 7", 2 track Soundboard Reel > Cassette > DAT > CDR; uploaded by Scott Clugston; via "the usual"; to abgd, later to etree; note d1 tracked for 80 min Source Detail notes
547. 06/22/74 Jai-Alai Fronton - Miami, FL 157-03 SBDMR> CASS> DAT> CD> EAC> SHN> DC6> CD; THE OWEN BROTHERS VAULT; Editing and Mastering by The Wizard Source Detail notes
548. 06/22/74 Jai-Alai Fronton - Miami, FL 367-02 AudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT transfer by Mark Cohen, December 2002 DAT > SHN/CD by Noah Weiner (noahbw@attbi.com) December, 2002 Tascam 122MKIII cassette deck (MC playback) > Tascam DA40 DAT deck (record) > Fostex D5 DAT deck (playback) > Turtle Beach Montego II Digital I/O > Soundforge (wav editing and track ids) > SHNTOOL (SBE fix) > MKW (shn) Source Detail notes
549. 06/22/74 Jai-Alai Fronton - Miami, FL 367-03 MR> C> DAT2> CDR3> EAC> SHN; via Darrin Sacks Source Detail notes
550. 06/22/74 Jai-Alai Fronton - Miami, FL 1084 flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
551. 06/23/74 Jai-Alai Fronton - Miami, FL   Remaster of sbd w/ aud patches by Owens Brothers Source Detail notes
552. 06/23/74 Jai-Alai Fronton - Miami, FL 367-04 AudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Source Detail notes
553. 06/26/74 Providence Civic Center - Providence, RI 180-02 MSR > Reel > 4xDAT > CDR (HHB CDR-850) > SHN (EACx2); seeded by J. Oleynick; note original d1 contains some static blemishes from 'River through Row Jimmy; fixed d1 provided by S. Agan, 2/28, with different source info: SBD> MR> C> DAT> CDR; note most of set II is available as Dick's 12- go buy it Source Detail notes
554. 06/28/74 Boston Garden - Boston, MA 376-01 complete; AudMC > WAV > CD > EAC > SHN recorded by Jerry Moore near the rear of the floor, close to center axis with Sony ECM-99 Stereo mic (on metal pole) > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. A > D by David Minches, encoded by Noah Weiner gdADT Round 18 Source Detail notes
555. 06/28/74 Boston Garden - Boston, MA 376-02 set 1; SBD> MR> DAT> Sonic Solutions> CD> ?> EAC> SHN; EAC'ed / SHN'ed by Tom Snider, Jr., with thanks to Jeff Cook; other material from show is featured on Dick's Picks 12 itself, go buy it Source Detail notes
556. 06/30/74 Springfield Civic Center - Springfield, MA 376-03 AudMC > DAT > WAV > SHN Recorded by Jerry Moore, 1st level off floor, audience right, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT by Mark Cohen encoding Noah Weiner gdADT Round #16 Source Detail notes
557. 06/30/74 Springfield Civic Center - Springfield, MA 376-04 SBDMR > DATx2 > CD > SHN > WAV > SHN; Soundboard: DAT > CD > SHN transfer by Dan Lynch; Final editing and AUD patching by Noah Weiner Source Detail notes
558. 07/19/74 Selland Arena - Fresno, CA   MSR > D > CD patched with MAC > C > C > D Mastering and patches by Dave Greenberg. SHN conversion by Jay Gerland (EAC/mkwACT). Project instigated and organized by Jim Powell. Additional patching by Tim Symons 7-29-02; Note- This is the previous shn set with the 'additional patching'. (Upgrade now in circulation.) Source Detail notes
559. 07/19/74 Selland Arena - Fresno, CA   flac16; Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic SV3800/44.1k) Transfer Info: Dat -> Sound Forge 4.0 -> SHN (Jamie Lutch June 2001) Mastering Info: SHN -> Samplitude Professional v7.02 -> FLAC Mastering By Charlie Miller Patch Info: AUD>Cm>Cass>Cass>Dat>CD supplies patches in Row Jimmy and Playing In The Band. It also supplies all of Seastones and One More Saturday Night -- This copy does not have the NR that other patched copies have -- Thanks to Rob Eaton for supplying the source Dat Source Detail notes
560. 07/19/74 Selland Arena - Fresno, CA   flac16; Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic SV3800/44.1k) Transfer Info: Dat -> Sound Forge 4.0 -> SHN (Jamie Lutch June 2001) Mastering Info: SHN -> Samplitude Professional v7.02 -> FLAC Mastering By Charlie Miller Patch Info: AUD>Cm>Cass>Cass>Dat>CD supplies patches in Row Jimmy and Playing In The Band. It also supplies all of Seastones and One More Saturday Night -- This copy does not have the NR that other patched copies have -- Thanks to Rob Eaton for supplying the source Dat Source Detail notes
561. 07/21/74 Hollywood Bowl - Los Angeles, CA 180-03 flac16; (FOB) Sony ECM-22P -> Cassette Master (Sony TC-152) -> Reel -> Dat All transfers and Remastering By Charlie Miller Source Detail notes
562. 07/21/74 Hollywood Bowl - Los Angeles, CA 989 flac16; MOTB Release: 0056 16/44.1 Analog Audience Source: FOB Cassette (MAC) Analog Copy Instances: Reel 1 (R1) Medium Stock Brands: MAC = Sony C90 [CrO2], R1 = Maxell UD 35-90 Analog Lineage: 2 x Sony ECM-22P => Sony TC-152SD >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [3.75 IPS] >> R1 Analog Medium Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rob Bertrando R1 Supplied By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe Source Detail notes
563. 07/29/74 Capital Centre - Landover, MD   flac16; Sick Bits Vol. 8 - SBD/AUD Matrix of 2 previously circulating sources: (SBD - SHN ID# 2277, and AUD - SHN ID# 17968); edited and transfered by Chris Chappell Source Detail notes
564. 08/06/74 Roosevelt Stadium - Jersey City, NJ 175-01, 245-01 fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy" Source Detail notes
565. 09/11/74 Alexandra Palace - London, England   Candelario Matrix MSR D CD except first 15:22 of Seastones (on Disc #2): AUD end of Sunshine Daydream and encore: AUD See info file for details; Mastering by Dave Greenberg; via Jed Distler; Seeded to etree by Jim Powell and Jay Gerland; See note in 'public comment' area regarding d3fix md5's Source Detail notes
566. 09/11/74 Alexandra Palace - London, England 637 Jay Ashley (Bertha) remaster of Master Reel source; SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A Source Detail notes
567. 09/14/74 Olympiahalle - Munich, Germany   flac16; Recording Info: SBD -> Master Reel -> Dat Transferred and Edited By Charlie Miller Source Detail notes
568. 09/18/74 Parc Des Expositions - Dijon, France 276-03 Bertha Remaster of the master reel source. SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B+ Source Detail notes
569. 09/21/74 Palais Des Sports - Paris, France 190-07 flac16; SBD -> Master Reel -> Reel -> Dat Transferred and Edited By Charlie Miller Source Detail notes
570. 10/16/74 Winterland Arena - San Francisco, CA 196-05 SBD: MR> R> C> D> CD> EAC> SHN, with Aud patches: Aud master> Rx2> C> D> CD; via A. Kowalski to BUDD and GDH-Trading; 10/22/67 filler; PITB split into 2 tracks at d/o removal (md5 version d2b); d2a.md5 likely reflects pre-split PITB and may not circulate Source Detail notes
571. 10/16/74 Winterland Arena - San Francisco, CA 917 flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
572. 10/16/74 Winterland Arena - San Francisco, CA 1084 flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
573. 10/18/74 Winterland Arena - San Francisco, CA 180-04 Bertha Remaster of the Master Reel and multi-gen Reel source; SBD>>MR>>MDAT(44.1k)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B to A+ Source Detail notes
574. 10/19/74 Winterland Arena - San Francisco, CA 276-04 Recording Info: SBD -> Reel Master -> Dat Master (Panasonic SV-255/48k) Transfer Info: Dat Master (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) Patch Info: SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat -> Samplitude -> CD -> EAC -> SHN Transfered and Edited By Charlie Miller charliemiller87@earthlink.net 1/14/04 Source Detail notes
575. 03/17/75 Ace's - Mill Valley, CA 358-03 SBD>MR>DAT>CDR; David Crosby and the Dead from weir's Studio; via Raoul Duke; seeded to etree by Matt Vernon Source Detail notes
576. 03/21/75 Ace's studio - Mill Valley, CA 358-05 SNACK rehearsals, poss compilation of dates; ??> cass> cooledit> mkw> shn; Tracking/ re-shn (v3) from original single shn file, by terrapinstation Source Detail notes
577. 03/23/75 Kezar Stadium - San Francisco, CA 358-06 SBD>FM>?>DAT>CDR Only flaw listed: One small d/o in the 1st Blues for Allah (Track 2) @ 4:36 Source Detail notes
578. 03/26/75 Ace's Studio - Mill Valley, CA 358-06 rehearsals; sbd> ?> PCM> SEK'D Prodif96Pro> wav> SHN; 1-disc portion of 6 discs seeded to abgd, with seeking reshn on t1,2 by terrapinstation Source Detail notes
579. 03/??/75 Studio (Blues for Allah Outtakes) - Unknown, CA 358-07 liberated bootleg CD-> EAC-> WAV-> SHN; via Dave Backus Source Detail notes
580. 04/02/75 Ace's Studio - Mill Valley, CA 357-02 rehearsals; 1st Gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; There's some question as to the accuracy of this date; via terrapinstation to etree Source Detail notes
581. 04/17/75 Ace's Studio - Mill Valley, CA 157-03 rehearsals; sbd> ? gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; SBEs fixed with shntool, renamed to fit Etree standards and re-shn'ed by terrapinstation Source Detail notes
582. 06/05/75 Club Front - San Rafael, CA 357-04 rehearsals; SBD: 2nd gen cass> PCM>SEK'D Prodif96Pro> wav> SHN; SBEs fixed (with shntool), files renamed, re-shn'ed, text file created by terrapinstation Source Detail notes
583. 06/05/75 Club Front - San Rafael, CA 357-05 rehearsal sessions from June 3, 4 & 5, 1975 from low-generation cassette. via Hanno Bunjes, Uli Teute Source Detail notes
584. 06/17/75 Winterland Arena - San Francisco, CA   flac16; AUD/SBD Matrix of 2 previously circulating sources: AUD - (shn ID #233) and SBD - (shn ID #20084). Edited and converted by Chris Chappell. Source Detail notes
585. 06/17/75 Winterland Arena - San Francisco, CA 357-06 AUD CM>DAT>CD> EAC> SHN; Recorded by Rob Bertrando: Sony ECM-280 mics > Sony TC-152 SD cassette > playback on Nak Dragon > DAT; audience from Winterland floor, about 30-35' back, just to the? left of dead center; via Alan Fink, Mark Ferguson Source Detail notes
586. 06/17/75 Winterland Arena - San Francisco, CA 357-07 sbd>? gen cass>PCM>SEK'D Prodif96Pro>wav>SHN via David Backus Source Detail notes
587. 06/17/75 Winterland Arena - San Francisco, CA 637 flac16; AUD/SBD Matrix of 2 previously circulating sources: AUD - (shn ID #233) and SBD - (shn ID #20084). Edited and converted by Chris Chappell. Source Detail notes
588. 07/07/75 Ace's Studio - Mill Valley, CA 357-08 sbd>? gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; via terrapinstation to etree Source Detail notes
589. 08/13/75 Great American Music Hall - San Francisco, CA 182-05 Pitch corrected version of FM broadcast originally seeded by CousinIt by Matt Vernon Source Detail notes
590. 09/28/75 Lindley Meadows, Golden Gate Park - San Francisco, CA   Bertha Remaster of the master reel source; SBD>>MR>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A Source Detail notes
591. 09/28/75 Lindley Meadows, Golden Gate Park - San Francisco, CA 357-09 SBD : MR > DAT > CDR (HHb850); DAT > CDR transfer by Dan Sisler; Seeded to etree by Alan J. Fink Source Detail notes
592. 05/28/76 Orpheum Theatre - San Francisco, CA 245-02 Studio Rehersal Tapes; SBD>?>CD; Actually a compilation of material recorded on 5-28,29,30-76; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon Source Detail notes
593. 06/03/76 Paramount Theatre - Portland, OR   SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN (*)Encores included. Source Detail notes
594. 06/03/76 Paramount Theatre - Portland, OR 600 SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN (*)Encores included. Source Detail notes
595. 06/04/76 Paramount Theatre - Portland, OR 245-03 SBD>MR>?>D>CD; With aud patches for several songs; See info file for details; via Jeff Cook, Jon Miller, Matt Vernon, & Raoul Duke; Seeded to etree by J. Cotsman Source Detail notes
596. 06/09/76 Boston Music Hall - Boston, MA   flac16; SBD/AUD Matrix of 3 previously circulated seeds (SBD I - SHN ID# 12382, SBD II - SHN ID# 5426, AUD - SHN ID #5982); prepared by Chris Chappell Source Detail notes
597. 06/10/76 Boston Music Hall - Boston, MA   Bertha Remaster of the Master Reel source. SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>WAV/SHN Source Detail notes
598. 06/10/76 Boston Music Hall - Boston, MA 650 Recorded by Jerry Moore; AKG 200Es> Sony TC-153, close to stage in orchestra mics hand held. AUDMC > DAT by Mark Cohen. DAT > SHN by David Minches. Source Detail notes
599. 06/10/76 Boston Music Hall - Boston, MA 860 flac16; Matrix 2 Source Mix - SBD (shnid 82891) + AUD (shnid 18425) by Kevin Tobin Source Detail notes
600. 06/11/76 Boston Music Hall - Boston, MA 245-04 MR>DAT>DAT Clone @ 44.1 kHz (Tascam DA20)>SBLive Platinum SPDIF In>WAV Edit (Sound Forge)>SHN (mkw audio compression tool)>CDR (HP 8200); via GDLive [Note: An sbe-fixed-by-set version also circulates] Source Detail notes
601. 06/11/76 Boston Music Hall - Boston, MA 650 FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades/sbd splice with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d1 tracked for 80 min. Source Detail notes
602. 06/11/76 Boston Music Hall - Boston, MA 650 Recorded by Jerry Moore; AKG 200Es> Sony TC-153, mics split along front of loge. AUDMC > DAT conversion by Mark Cohen, DAT > SHN conversion by David Minches Source Detail notes
603. 06/12/76 Boston Music Hall - Boston, MA 100-01 SBD> FM(WBCN)> MR(7.5ips); Conversion: Akai 4000DS MKII > Turtle Beach Tropez > CoolEdit96 > CD Wave > SHN; Taped by Peter Wrenn, Seeded by Stephen Wrenn; to etree via Doug Moog; Wheel from unknown AUD; see notes in info file Source Detail notes
604. 06/12/76 Boston Music Hall - Boston, MA   SBD> FM(WBCN)> MR(7.5ips); Conversion: Akai 4000DS MKII > Turtle Beach Tropez > CoolEdit96 > CD Wave > SHN; Taped by Peter Wrenn, Seeded by Stephen Wrenn; to etree via Doug Moog; Wheel from unknown AUD; see notes in info file Source Detail notes
605. 06/14/76 Beacon Theatre - New York, NY   S:MR>PCM>DAT>CD>EAC>SHN Note: This shn set was modified by replacing the incomplete encore at end of disk 3 with the complete encore (previously on end of disk 2) and removing it from end disk 2 Source Detail notes
606. 06/15/76 Beacon Theatre - New York, NY 100-02, 214 SBD > Master Reel > PCM > DAT; Transfer:? DAT > WAV (via TB Fiji S/PDIF) > SHN; via Andy Gustin, Jeff Kempka; see info file and pub comments for flaw notes Source Detail notes
607. 06/15/76 Beacon Theatre - New York, NY 651 Jay Ashley (Bertha) remaster of original reel source; SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CD Source Detail notes
608. 06/17/76 Capitol Theater - Passaic, NJ 651 Sony TC 153 Sony ECM 99A Mikes Master Cassette > Reel > DAT; via Dave Minor, Raoul Duke; Transfer by Dale Shepherd; Seeded to etree by Matt Vernon Source Detail notes
609. 06/18/76 Capitol Theater - Passaic, NJ 651 Sony ECM 99's > Sony TC-152 MC > Teac 2300 @ 3.75 ips Reel > Reel played back on Akai GX-4000D > Teac AN-80 Dolby B Noise Reduction Unit > ART DI/O A/D Convertor > Hard Drive > CD. Taper: Jimmy Warburton,30-35 rows right center. A/D Transfer, editing and tracking by David Minches, shn encoding Matt Vernon Source Detail notes
610. 06/19/76 Capitol Theater - Passaic, NJ 651 PRE-FM; SBD master reel > DAT > CD (x2); Unknown seeder Source Detail notes
611. 06/29/76 Auditorium Theatre - Chicago, IL   7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > DAT > ZA2 > CDR > EAC > SHN; via Jeff Tiedrich, David Hollister, Mike (Dank Star) Parrillo, Andy Gustin; with interleaved reel splices for completeness Source Detail notes
612. 06/29/76 Auditorium Theatre - Chicago, IL 317 7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > DAT > ZA2 > CDR > EAC > SHN; via Jeff Tiedrich, David Hollister, Mike (Dank Star) Parrillo, Andy Gustin; with interleaved reel splices for completeness Source Detail notes
613. 07/17/76 Orpheum Theatre - San Francisco, CA 100-03 SBD: Master Reel > DAT > CD (possible "new leak"?); Eyes has a 45-second AUD splice, and 2 sec repeat at 3:30 (is that the splice point?); via J. Fricker Source Detail notes
614. 07/18/76 Orpheum Theatre - San Francisco, CA 100-04 S : PreFM > MR > PCM > DAT > CDA > DAW (Bertha) > CDA - d1t01 and d3 S : FM > R > DAT > CDA > DAW (Bertha) > CDA - d1t02-d2t07 Bertha Remaster by jashley@deadacated.com Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. Source Detail notes
615. 08/02/76 Colt Park - Hartford, CT 827 flac16; Source: Audience FOB Recording Media: Maxell UD-XL1 C90 Master Tapes Lineage: MAC? (we can't for sure indicate that this is a master cassette, this might be a 1st gen copy) > Nak DR-1 > Apogee Rosetta 200 > Firewire > Apple G5 > Bias Peak 24/96 wav > FLAC > WAV > See Editing notes Taped by: E. Singer Transfer by: Derek McCabe Mastered by: SIRMick Source Detail notes
616. 09/30/76 Mershon Auditorium, Ohio State University - Columbus, OH   SBD>MR>DAT>CD; Disc 1&3; Disc 2 = SHNid=18107 Source Detail notes
617. 10/09/76 Oakland-Alameda County Coliseum - Oakland, CA   Set 2; SBD>Rm>Dat>Sonic Solutions>CD; Seeded to etree by Charlie Miller Source Detail notes
618. 10/10/76 Oakland-Alameda County Coliseum - Oakland, CA 183-01 Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; tracked for 2x80 Source Detail notes
619. 10/15/76 Shrine Auditorium - Los Angeles, CA 272-01 MSR> DATs> CDRs> EAC> SHN; via D. Sacks; Flaws: Slight digi-static at beginning of Might as well; Mama Tried Cut at beginning; reel flip at @ 2:18 in Lazy Lightning; Splice @ 2:00 in Samson Source Detail notes
620. 12/31/76 Cow Palace - Daly City, CA 272-02, 269-01 PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
2nd encores from MAR (unknown equipment) > Reel > Beta HiFi > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
[Note: A de-popped version created by Dave Winters for
disk 3 also circulates. Check the .md5 for d3t03 to determine which version you have.] Source Detail
notes
621. 12/31/76 Cow Palace - Daly City, CA   FM-SB (KSAN-FM)> ? > CDA; 2 encores missing; via Aaron Farnsworth; noted at gdlive 5/01 Source Detail notes
622. 02/20/77 Sound City - Van Nuys, CA 805 Terrapin Station Outtakes; sbd>?>cdr; Seeded to etree by Paul Moreno Source Detail notes
623. 02/26/77 Swing Auditorium - San Bernardino, CA 805 From the Owen Brothers Vault. Main source: SBD>MR>DATs>CDR>EAC>CDR>EAC>CDWAV>SHN. With AUD patches from: Sony ECM-280>Sony TC-153SD>MC>RR>DAT>CDR and between song tuning patches from: SBD>MR>C>C>CD. Source Detail notes
624. 02/26/77 Swing Auditorium - San Bernardino, CA 805 SBD > Master Reel > PCM > DAT > CD-R; via DaveTree; Seeded to etree by AlphaDog Source Detail notes
625. 03/18/77 Winterland Arena - San Francisco, CA   SBDMR @ 7.5 ips> DAT> CD> EAC> SHN, with AUD patches; AUD portions: Master (R. Bertrando Sony ECM-270/TC-152SD) Cassette> DAT> CD> EAC> SHN; note skip or maybe reel flip d2t2 5:38; d3t3>4 track marker off by ~1:45; d3t5, 'NFA', has an undocumented AUD splice from 14:20 to 15:06 Source Detail notes
626. 03/19/77 Winterland Arena - San Francisco, CA 214 SBD>MR>DAT>DAT>Sonic Solutions>CDR; original tree and covers; note circ at one site 10/99 w/ problem in d3t5?; note Terrapin has fluttery flaws from master reel Source Detail notes
627. 03/20/77 Winterland Arena - San Francisco, CA 183-02 Recording Info: SBD -> Master Reel -> Dat x 2 -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Tracked and SHN'd By Charlie Miller Source Detail notes
628. 04/22/77 The Spectrum - Philadelphia, PA 806 Multiple sources; AUD>MC>D>CD; SBD>MR>D>CD; SBD>MR>?>CD; See info file for details; via Matt Vernon, Raoul Duke, & Jools; Seeded to etree by J. Cotsman Source Detail notes
629. 04/22/77 The Spectrum - Philadelphia, PA   flac16; SBD (7 inch Master Reels @ 7.5ips 1/2trk)> Dat> Dat (44.1k), plus patches from FOB Sony ECM99A> Cassette; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller Source Detail notes
630. 04/23/77 Springfield Civic Center - Springfield, MA 189B-02 SBD> MR> DAT> CD, with AUD patch on reel splice (FOB Sony ECM99A mics> Sony TC152> DAT> CD via Darrin Sacks); via Adam Jerugim; upgrade in circulation Source Detail notes
631. 04/27/77 Capitol Theater - Passaic, NJ 600 Pre-FM Master Reel Soundboard->DAT x ?. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Dan Lynch. DAT patch provided by Joe Samaritano. Transfer and SHN by Joe Samaritano Source Detail notes
632. 05/04/77 The Palladium - New York, NY 805 Sony ECM-33Ps> Sony TC-152 taped by Jerry Moore from orchestra row 6 or 8. A>D conversion by David Minches, EAC by Rango Keeshevan, final shn encoding by Matt Vernon Source Detail notes
633. 05/04/77 The Palladium - New York, NY 805 Set 1 SBD S: MC > C > CDR patched with Jerry Moore audience tape. A>D Conversion and aud patches by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon Source Detail notes
634. 05/04/77 The Palladium - New York, NY 806 d1: SBD> CASSM?R?> DAT, except for BEW which is SBD> ?> CDR; d2: MASTER REEL> DAT> DAT> CD; via Joe McCarthy to vines; tracked for 2x80; assembled with help from various seeders; see info file for misc flaws and credits. [Note: An sbe-fixed-by-set version also circulates]; upgrade in circulation Source Detail notes
635. 05/04/77 The Palladium - New York, NY 639 Set 1 SBD S: MC > C > CDR patched with Jerry Moore audience tape. A>D Conversion and aud patches by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon Source Detail notes
636. 05/04/77 The Palladium - New York, NY 805 Sony ECM-33Ps> Sony TC-152 taped by Jerry Moore from orchestra row 6 or 8. A>D conversion by David Minches, EAC by Rango Keeshevan, final shn encoding by Matt Vernon Source Detail notes
637. 05/04/77 The Palladium - New York, NY 805 Set 1 SBD S: MC > C > CDR patched with Jerry Moore audience tape. A>D Conversion and aud patches by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon Source Detail notes
638. 05/05/77 Veterans Memorial Coliseum - New Haven, CT 189B-03 Betty Board master reels > dat tascam dap1 > zefiro za2 > soundforge >cdwave > shn; via Troy Wallwork; upgrade in circulation Source Detail notes
639. 05/07/77 Boston Garden - Boston, MA   Bertha Remaster of the Rob Eaton/The Wizard soundboard source: SBD> MR> DAT> editing> SHN> DAW(Bertha)> CDA/SHN, by Jay Ashley; see pub comments for extended notes Source Detail notes
640. 05/07/77 Boston Garden - Boston, MA 272-03, 269-02,806 SBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding by Rob Eaton; CD editing and mastering by The Wizard. Source Detail notes
641. 05/07/77 Boston Garden - Boston, MA 928 flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
642. 05/08/77 Barton Hall, Cornell University - Ithaca, NY 806 MAC> R> CD; recorded by Jerry Moore: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B ; Transfer by Rob Berger: Sony TC 850> Teac AN-180> Sony SBM1 super bit mapper> Tascam CD-Rw4U (see additional source notes in txt); EAC> WAV> SHN by Sean Cribbs Source Detail notes
643. 05/08/77 Barton Hall, Cornell University - Ithaca, NY   Source Info: "3 Source Matrix Mix, SBD + AUD1 + AUD2" Source Detail notes
644. 05/08/77 Barton Hall, Cornell University - Ithaca, NY   w/AUD splices? to patch reel flips: Betty Board Soundboard sections (all but 47 seconds of the show): 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz.; Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES;? PCM501ES analog out > Fostex D5 @ 48 kHz >ZA2>CD; Audience Splices -- Panasonic AM/FM Stereo 'boom box' (w/condenser mics) >? CM (Cassette Masters) > various equalizers & editors > CD (teddy goodbear); EAC extracted and encoded by Darrin Sacks; note number of tracks on discs: 10-7-8; note SBD portion is clear, AUD portion is muddy; reportedly digital error-free; 5/01 note: fixed shn set now in circulation; upgrade in circulation Source Detail notes
645. 05/09/77 Buffalo Memorial Auditorium - Buffalo, NY   Sources: Soundboard Source:Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out> Dat @ 48 kHz>Soundforge>Shn: Audience Source:Master Audience Cassette> Sony ecm-33pmics>nak550>reel to reel>cd The audience source supplies patches for the master reel splices at D2T2,TMNS 6:50 - 7:18 and D3T4, NFA 1:43 - 2:10 Seeded via Fungus and abgd by Charlie Connor 3/21/02, with thanks to Joe Samaritano and Scott Clugston Source Detail notes
646. 05/11/77 St. Paul Civic Center - St. Paul, MN   SBD> Rm> Dat> Sonic Solutions> CD, Patched w/SBD> Rm> Dat> Cass> Dat> CD; via Charlie Miller; Seeded to etree by Steve Barbella; upgrade in circulation Source Detail notes
647. 05/11/77 St. Paul Civic Center - St. Paul, MN 323 flac16; SBD -> Master Reel -> Dat (44.1k) Transferred and Edited By Charlie Miller; upgrade in circulation Source Detail notes
648. 05/13/77 Auditorium Theatre - Chicago, IL 161-02 SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD; (Post Drums - Fp -> Dat -> CD); Seeded to etree by Charlie Miller Source Detail notes
649. 05/15/77 The Arena - St. Louis, MO   flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller charliemiller87@earthlink.net Source Detail notes
650. 05/17/77 Memorial Coliseum, University Of Alabama - Tuscaloosa, AL   SBDMR > DAT > CD > EAC > SHN note: Sugar Magnolia encore supplied by AUD source. Added to etree by Noah Weiner Source Detail notes
651. 05/18/77 Fox Theatre - Atlanta, GA   SBD > DAT > CDRs > EAC > WAV > SHNv3; EAC and SHNv3 encoding by Patrick Murphy, from Alan Topal seed discs; see info file for flaw notes; upgrade in circulation Source Detail notes
652. 05/19/77 Fox Theatre - Atlanta, GA   Jay Ashley (Bertha) Remaster of the Jim Wise Master Reel Source. SBD>>MR>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA Source Detail notes
653. 05/19/77 Fox Theatre - Atlanta, GA   Master Reel (7-inch @ 7.5 ips) > CD > EAC > SHN; seed supplied by Jim Wise, DAE and re-tracking by DireWolf Source Detail notes
654. 05/19/77 Fox Theatre - Atlanta, GA 860 Master Soundboard Reel > Reel to Reel > DAT > CDR; includes patches from 2 alternate SBD sources (see info file for details); mastered by Scott Clugston; to abgd; note info file here is the updated copy; upgrade relative to previous shn set Source Detail notes
655. 05/21/77 Lakeland Civic Center - Lakeland, FL   SBD>reel>DAT>CD-R; TFBT Tree #5; via D. Boyles; (reportedly there may be 2 different .shn versions of this in circulation, 12/99? Source Detail notes
656. 05/22/77 The Sportatorium - Pembroke Pines, FL 235-01, 258-01 WBAI 99.5fm > Akai Pro Glass Head Cassette Deck(no dolby nr) > CDR Via Rosoft Audio Tools/Track Spliter at 44,100/16 Bit Stereo Source Detail notes
657. 05/25/77 The Mosque - Richmond, VA 183-03 Source: SBD Genealogy: MR > DAT > CDR > SHN > CDR > SHN ; upgrade in circulation George Shannon added 0.80 seconds of material to disk 2 track 3 at 0:05 to fill the gap in the version downloaded from etree. The material used was received in trade and was from the same show but a different source. The tracks were also re-sequenced so they now appear in original show order with the encore at the end. EAC and Soundforge were the tools used. Source Detail notes
658. 05/26/77 Baltimore Civic Center - Baltimore, MD   SBD>>MR>>DAT>>SHN>>DAW(Bertha)>>CDA/SHN; Bertha remaster of shn id 11614 Source Detail notes
659. 05/26/77 Baltimore Civic Center - Baltimore, MD   Soundboard > 7 inch Master Reels @7.5ips 1/2 track -> DAT(s) -> ZA2 -> CDR (x1)-> EAC -> SHN; with AUD patches (and other fixes) by Scott Clugston, using Master Audience Cassette: Sony ECM-33p mics > Sony TC-158 > D source, taped by Jerry Moore; to etree via Darrin Sacks; see info file for details, other comments and credits Source Detail notes
660. 05/26/77 Baltimore Civic Center - Baltimore, MD   AUD>MC>DAT>CDR>EAC>WAV>DC6>WAV Unknown microphones Patch Source: SBD>MSR>DAT>SS>CD>EAC>WAV>DC6>SHN Source Detail notes
661. 05/26/77 Baltimore Civic Center - Baltimore, MD   SBD > 7" RTR half-track recording @ 7.5 i.p.s. 1/2 track > Marin County Mixdown ADAT > SSSB; Seeded to etree by Jay Serafin Source Detail notes
662. 05/28/77 Hartford Civic Center - Hartford, CT 162,819 Bettyboard 7 inch master reel @ 7 ? ips > DAT (zero gen)> CDR (zero gen) (via sony pcm r-700 dat playback > hhb cdr-800) > CDR (first gen) > EAC > .Shn; with AUD patches from Steve Rolfe's FOB; see info file for details; via Seth Kaplan, Jack Warner, Darrin Sacks, Bob Fishman; d3 tracked for 80 min, can shift encore for 74 Source Detail notes
663. 05/28/77 Hartford Civic Center - Hartford, CT   SBD> DAT> CDA> WAV> DAW (Bertha)> CDA; Seeded by Jay Ashley; despite notes in info file, this is apparently not directly from Seth's shn set- Jay comments, "I extracted the wavs from CDs I received from Charlie Miller, and reassembled them prior to processing." (A flac version of this source was also distributed via bt.etree on 10/18/05 with the following lineage: SBD>MSR>DAT>CD>>SHN>>DAW(Bertha)>>CDA > SHN(non-seekable) > WAV(mkwACT v0.97 beta 1) > FLAC(frontend v1.7.1 at Level 8 with Align on sector boundaries enabled). flac done by Thomas Festa Source Detail notes
664. 05/28/77 Hartford Civic Center - Hartford, CT 258-03 SBD>MSR>DAT>CD>EAC>SHN>DC6>SHN Source Detail notes
665. 06/07/77 Winterland Arena - San Francisco, CA 189B-04 Soundboard -> Vault Reels ->DAT -> David Gans' Sonic Solutions Digital Editing -> CDR -> EAC -> CDR -> EAC -> SHN> unknown steps > shn; note the txt file lists Darrin Sacks as seeder, but md5s do not match his already-circulating shn set; the provenance of this set is therefore unconfirmed- info file and lineage shown here may or may not be correct; upgrade in circulation Source Detail notes
666. 06/07/77 Winterland Arena - San Francisco, CA 235-02, 258-04 flac16; AUD, Likely: MAR > Reel > DAT > CDs (See note below) Source Detail notes
667. 06/07/77 Winterland Arena - San Francisco, CA   SBD> MR> DAT, plus AUD patches (AKG D220 mics> Tandberg 10X MR taped by Bob Menke and Reinhardt Hollwein> Rob Bertrando's first-gen reel> DAT); DAT> CD transfer, patching by David Hollister; EAC> volume editing> SHN by Keith Bode Source Detail notes
668. 06/08/77 Winterland Arena - San Francisco, CA   Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Profesional -> SHN Transferred and Edited By Charlie Miller Source Detail notes
669. 06/09/77 Winterland Arena - San Francisco, CA   flac16; Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Profesional v8.0 -> FLAC Transferred and Edited By Charlie Miller Patch Info: AKG D224 -> Master Reel (Tandberg 10XD) -> Reel -> Dat -> CD Source Detail notes
670. 09/29/77 Paramount Theatre - Seattle, WA   SBD> MR> PCM> PCM> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Chuck Gannon. [Note: an alternate md5 file for d3 circulates.] Source Detail notes
671. 10/01/77 Paramount Theatre - Portland, OR 214 Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised Land cut on either end; TLEO cuts in; Estimated has some mic distortion for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE. That is not the problem here; note txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set; upgrade in circulation Source Detail notes
672. 10/01/77 Paramount Theatre - Portland, OR   SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA; Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com Source Detail notes
673. 10/02/77 Paramount Theatre - Portland, OR 272-04, 269-03, 261 WBOTB tree; Complete show-- source tape: MR>P2>D1); 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz; PCM501ES analog out > DBX-1 decoder > analog in PCM501ES; PCM501ES analog out > Fostex D5 @ 48 kHz; Casey Jones, brief low-level crackle, poss bad mic; Wharf Rat ~30 sec section of analog tape damage leading to a cut during the song. There is an illegal bootleg available that apparently has no cut in Wharf Rat, but the cut has been edited out and the song is about 30 sec shorter than on the Betty reel. No EQ has been performed. You hear what is on the Betty reels.; note md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 7/99 shn set; upgrade in circulation Source Detail notes
674. 10/02/77 Paramount Theatre - Portland, OR 820 flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz X2 > WBOTB Master DAT (DAT-2). Source Detail notes
675. 10/02/77 Paramount Theatre - Portland, OR 820 flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz X2 > WBOTB Master DAT (DAT-2). Source Detail notes
676. 10/06/77 Activity Center, Arizona State University - Tempe, AZ   SBD> MR> C> C> DAT> CDR> EAC> SHN; EAC, SHN extraction and etree seeding done by G.Gorinsky; from Ron Speer seed; upgrade in circulation Source Detail notes
677. 10/07/77 University Arena, University Of New Mexico - Albuquerque, NM 830 partial set 2 (all that circ); SBD-> Master Reels-> DAT-> DAT-> Sonic Solutions-> CD-> CD-> SHN; CD seed via David Gans; via Chuck Kiefe and Chuck Fiske to GDH-T offer; hosted at gdlive.com [Note: A sbe-fixed version also circulates]; upgrade in circulation Source Detail notes
678. 10/09/77 McNichols Sports Arena - Denver, CO   Master Soundboard Reel > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; see flaw notes in info file; upgrade in circulation Source Detail notes
679. 10/09/77 McNichols Sports Arena - Denver, CO 962 flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
680. 10/09/77 McNichols Sports Arena - Denver, CO 979 flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
681. 10/11/77 Lloyd Noble Center, University Of Oklahoma - Norman, OK   SBD>MR>D>C>D>CD>EAC>SHN; with aud patches; via J. Cotsman see info file for flaw notes; Thanks to S. Milewski for updated aud patch; upgrade in circulation Source Detail notes
682. 10/12/77 Manor Downs - Austin, TX   SBD>MR>C>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN via J. Cotsman; Thanks to S. Milewski for aud patches Source Detail notes
683. 10/14/77 Hofheinz Pavilion - Houston, TX   SBD>MC>R>DAT>CDR > EAC (secure mode, test and copy) > SHN; EAC, SHN extraction and etree seeding done by G.Gorinsky; woth thanks to Bill Golden Source Detail notes
684. 10/15/77 Moody Coliseum, S.M.U - Dallas, TX   SBD>MC>R>D>CD>EAC>SHN; declicked and pitch corrected Source Detail notes
685. 10/16/77 Assembly Center, Lousiana State University - Baton Rouge, LA 257-01 sdb> MR> C> D> CD; via Mike Lai Source Detail notes
686. 10/28/77 Soldiers & Sailors Memorial Hall - Kansas City, KS 235-03, 257-02 Betty Board>MR>?>CD; via Jens Tilsner; Seeded to etree by Willy Source Detail notes
687. 10/29/77 Evans Field House, Northern Illinois University - DeKalb, IL   SBD > Reel > DAT > WAV (via TB Fiji S/PDIF) > SHN; via Jeff Kempka Source Detail notes
688. 10/29/77 Evans Field House, Northern Illinois University - DeKalb, IL 820 flac16; MSR>PCM>DAT>CDx?>EAC>WAV>FLAC; patch source: shnid=8035; EAC extraction, editing, and FLAC encoding by Sean Cribbs 3/11/05 Source Detail notes
689. 10/30/77 Assembly Hall - Bloomington, IN 235-04, 257-03 Source: SBD > MR > PCM > DAT > CDR > EAC > mkwACT EAC'd/SHN'd by Doug Nawrocki Source Detail notes
690. 11/01/77 Cobo Arena - Detroit, MI 214 SBD> Master (Betty Board) Reels> PCM> DAT> CDR> EAC> SHN; EAC> SHN by Jeff M.; includes US Blues encore; d1t05 cuts into friend of the devil (about 1st 20 seconds missing); upgrade in circulation Source Detail notes
691. 11/02/77 Field House, Seneca College - Toronto, ON 167-03, 183-04 Soundboard Reel> CD> TC2000 EQ> Sonic Solutions (David Gans)> CD> EAC> SHN TC2000; Equalizer Used To Brighten Up The Rather Dull Sound; CD> EAC> SHN By Joe Samaritano; also to abgd via Charlie Connor; note upgrade to previous copy Source Detail notes
692. 11/04/77 Cotterell Gym, Colgate University - Hamilton, NY   flac 16; SBD/AUD Matrix of 2 previously circulated seeds (SBD - shn ID #2595 & AUD - shn ID #15208); prepared by Chris Chappell Source Detail notes
693. 11/04/77 Cotterell Gym, Colgate University - Hamilton, NY   SBD:MR > DAT > CD-R; noted at gdlive (also to abgd?); upgrade in circulation Source Detail notes
694. 11/05/77 Community War Memorial Auditorium - Rochester, NY 163-05 Master Soundboard Cassette > 1 Reel to Reel gen > DAT, with AUD patches (see info file); Patching, CD Mastering, EAC'ed, SHN'ed by Scott Clugston; to abgd Source Detail notes
695. 11/06/77 Broome County Arena - Binghamton, NY   Reel -> DAT -> CDR; Transfer: EAC -> SHN by D. Nawrocki Source Detail notes
696. 12/27/77 Winterland Arena - San Francisco, CA 257-04 SBD>MR>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN (multigen); originally circulated by David Gans w/ thanks to S. Milewski for the patches Source Detail notes
697. 12/27/77 Winterland Arena - San Francisco, CA   Bertha Remaster of the Master Reel source. SBD>>MR>>SS>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN Source Detail notes
698. 12/29/77 Winterland Arena - San Francisco, CA   Set I & Encore MSR>R>R>R>C>DAT>WAV>SHN Set II MSR>R>C>DAT>WAV>SHN C>SHN Conversions by Cousinit Source Detail notes
699. 12/29/77 Winterland Arena - San Francisco, CA   Dick's Picks 10 outtakes SBD>?>SHN via Terrapin Station Source Detail notes
700. 12/29/77 Winterland Arena - San Francisco, CA   Set I & Encore MSR>R>R>R>C>DAT>WAV>SHN Set II MSR>R>C>DAT>WAV>SHN C>SHN Conversions by Cousinit Source Detail notes
701. 12/30/77 Winterland Arena - San Francisco, CA 170-06 partial; SBD> MR> DAT> CD; via Candyman Source Detail notes
702. 12/31/77 Winterland Arena - San Francisco, CA   SBD> MR> DAT> standalone burner> CDR> EAC> SHN; EAC> SHN by B. Purvis; via offer to PCP; etreed 5/9/00 via A. Jerugim Source Detail notes
703. 01/06/78 Swing Auditorium - San Bernardino, CA 365-01 Master Soundboard Cassette > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; d2 tracked for 80 min; upgrade in circulation Source Detail notes
704. 01/06/78 Swing Auditorium - San Bernardino, CA 512 SBD: MC>RR>DAT>CD>EAC>DC5>CD Discs From Jools Elliott AUD patches from Noah Weiner AUD: MC>RR>DAT>CD Taper=Bob Menke - Sony ECM280s>Sony TC-158 CD Editing and Mastering by The Wizard - Owenbrothersvault@hotmail.com. Source Detail notes
705. 01/07/78 Golden Hall, Community Concourse - San Diego, CA 365-02 SBD> MC> R> D> CD> EAC> SHN from previous Scot Clugston seed, patched with AUD> ??> CD> EAC> SHN; final edits/encoding by JCotsman Source Detail notes
706. 01/08/78 Golden Hall, Community Concourse - San Diego, CA 14670 SBDMR > R > PCM > DAT > CD > EAC > SHN note: Jerry had laryngitis on this night and therefore he did not sing. d1t7 - cut in SBD cross faded with AUD/3 from 03:29 to 03:54 d2t5 - cut in SBD cross faded with AUD/3 from 01:00 to 07:12 EAC, SHN and cross fades by Noah Weiner - November, 2002 Source Detail notes
707. 01/08/78 Golden Hall, Community Concourse - San Diego, CA 381-05, 416-06 Aud>C>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Digitally Mastered by Charlie Connor; with Thanks to Lawrence Peryer Source Detail notes
708. 01/10/78 Shrine Auditorium - Los Angeles, CA 365-04 SBD>MC>?>CD>EAC>SHN; (see lineage info); Thanks to Raoul Duke & Hanno Bunjes; edits/encoding by JCotsman Source Detail notes
709. 01/17/78 Sacramento Memorial Auditorium - Sacramento, CA 374-04 SBD>MR>C>D>CD>SHN; missing Around & US Blues; Thanks to Raoul Duke; edits/encoding by Matt Vernon & JCotsman Source Detail notes
710. 01/22/78 McArthur Court, University Of Oregon - Eugene, OR   flac 16; Please note Info file and md5 changed. SBD/AUD Matrix of 2 previously circulated seeds (SBD - ID #4974 & AUD - ID #2014); prepared by Chris Chappell Source Detail notes
711. 01/30/78 Uptown Theatre - Chicago, IL 323,820 flac16; SBD -> Master Reel -> Dat -> CD -> FLAC Audio discs provided by Jim Wise Converted to FLAC By Charlie Miller Source Detail notes
712. 01/31/78 Uptown Theater - Chicago, IL 323,820 flac16; SBD -> Master Reel -> Dat -> CD -> FLAC Audio discs provided by Jim Wise Converted to FLAC By Charlie Miller Source Detail notes
713. 04/08/78 Veterans Memorial Coliseum - Jacksonville, FL 820 flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
714. 04/11/78 Fox Theater - Atlanta, GA 260-01 SBD -> Rm -> PCM -> Dat via Charlie Miller; upgrade in circulation Source Detail notes
715. 04/12/78 Cameron Indoor Stadium, Duke University - Durham, NC 184-01 Bertha Remaster of Master Reel source. SBD>>MR>>PCM>>DAT>>CDA(Toast)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+ Source Detail notes
716. 04/12/78 Cameron Indoor Stadium, Duke University - Durham, NC 260-02, 214 SBD>MR>PCM>D>CD; via Jeff Cotsman; Seeded to etree by J. Henry Source Detail notes
717. 04/12/78 Cameron Indoor Stadium, Duke University - Durham, NC   SBD>MR>PCM>D>CD; via Jeff Cotsman; Seeded to etree by J. Henry Source Detail notes
718. 04/15/78 William & Mary Hall - Williamsburg, VA 377-05, 381-05 flac16; SBD > MR > PCM > DAT > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a ReSampler (High Quality) > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 33683 Source Detail notes
719. 04/16/78 Huntington Civic Center - Huntington, WV 827 flac16; Source: Betty Soundboard Media: master reels Lineage: SBD > Nagra IV (7.5ips) > R1 Nagra IVs > SR1 > Phillips SuperCD 24/28 > Presonus DigiMax 96 > SB Audigy II Pro > HD WAV > Adobe Audition 1.5 > Izotope Ozone 1.5 > Izotope Ozone 3.5 > WAV16 > flac Taped by: Betty Cantor Transfer by: Jim Goldman Mastered by: Jim Goldman Source Detail notes
720. 07/07/78 Red Rocks Amphitheatre - Morrison, CO   SBD> MR> PCM> DAT, from Betty Board; DAT> CD> EAC> SHN conversion & upload by Adam Jerugim; known flaw: d3t02 d/o @ 10:14; note summary of Jason Palmer's and AJ's reports: This is not in stereo: the same channel is spread over both using a splitter technique. The channel that should contain Keith, half of Jerry, Billy, and possibly some of Phil, is missing; Keith is minimally audible. This the only SBD source available. If you have a superior source, please contact AJ. [Note: A shntool-fixed-by-set version also circulates]. ; upgrade in circulation Source Detail notes
721. 07/07/78 Red Rocks Amphitheatre - Morrison, CO 162-02 SBD> MR> PCM> DAT, from Betty Board; DAT> CD> EAC> SHN conversion & upload by Adam Jerugim; known flaw: d3t02 d/o @ 10:14; note summary of Jason Palmer's and AJ's reports: This is not in stereo: the same channel is spread over both using a splitter technique. The channel that should contain Keith, half of Jerry, Billy, and possibly some of Phil, is missing; Keith is minimally audible. This the only SBD source available. If you have a superior source, please contact AJ. [Note: A shntool-fixed-by-set version also circulates]. ; upgrade in circulation Source Detail notes
722. 07/08/78 Red Rocks Amphitheatre - Morrison, CO   SBD> [?]> DAT> CDR; via Jeff Hoelter; see pub comments for additional notes. [Note: A shntool-fixed-be-sets version of this source is available]; upgrade in circulation Source Detail notes
723. 07/08/78 Red Rocks Amphitheatre - Morrison, CO 487 SBD> [?]> DAT> CDR; via Jeff Hoelter; see pub comments for additional notes. [Note: A shntool-fixed-be-sets version of this source is available]; upgrade in circulation Source Detail notes
724. 08/31/78 Red Rocks Amphitheatre - Morrison, CO   Lineage: Source 1: AUD>Cm>Dat>CD>EAC>Samplitude v7.02>SHN Source 2: SBD>Rm>PCM>Dat>Samplitude v7.02>SHN All edits and conversions done by Charlie Miller charliemiller87@earthlink.net 11/12/03 Source Detail notes
725. 09/15/78 Gizah Sound and Light Theater - Cairo, Egypt 609 Recording Info: Set One: SBD -> Reel Master (2 track) -> Cass -> Dat -> CD -> EAC -> SHN Set Two: SBD -> Reel Master (10" @ 15 I.P.S. 1/2-track) -> Dat -> CD -> EAC -> SHN Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN All transfers By Charlie Miller; upgrade in circulation Source Detail notes
726. 09/15/78 Gizah Sound and Light Theater - Cairo, Egypt 917 flac16; Recording Info: Set One: SBD -> Master Reel -> Cassette -> Dat (48k) Set Two: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
727. 09/16/78 Gizah Sound and Light Theater - Cairo, Egypt   SBD Reel > DAT > Montego II Plus > CDRWAV > CD-R > SHN; no Sunrise; via Leigh Orf- reextraction from CDR copy; upgrade in circulation Source Detail notes
728. 09/16/78 Gizah Sound and Light Theater - Cairo, Egypt 928 flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
729. 10/17/78 Winterland Arena - San Francisco, CA 994 flac16; Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
730. 10/18/78 Winterland Arena - San Francisco, CA 260-03 SBD > Master Reel > PCM-1 > DAT > CD> EAC > SHN; via shakedown@canada.com; known flaws (from MR): Sugaree, Miracle cut; PITB, WR spliced; upgrade in circulation Source Detail notes
731. 10/18/78 Winterland Arena - San Francisco, CA 254-01 SBD > Master Reel > PCM-1 > DAT > CD> EAC > SHN; via shakedown@canada.com; known flaws (from MR): Sugaree, Miracle cut; PITB, WR spliced; upgrade in circulation Source Detail notes
732. 10/20/78 Winterland Arena - San Francisco, CA 254-02, 260-04 SBD; transferred and seeded to etree by Mike Lai, from Bruce Fried DAT Source Detail notes
733. 10/22/78 Winterland Arena - San Francisco, CA 254-03 Sbd: Reel: PCM: Dat; D> CD: Tascam DA30MKII> Opcode Datport> HD (Cool Edit 2000)> Cdwav> SHN; Notes: SRC done by CE2K, and normalization also done by CE2K; via N. "NateDawg" Hifko, tracked for 3 discs by Yubah; etreed 5/10; Jeff K. hosted 5/15 with alternate tracking (q.v.) for d2,3 Source Detail notes
734. 11/20/78 Cleveland Music Hall - Cleveland, OH   flac 16; Sick Bits Vol. 16a - matrix: SBD/AUD mix from 2 previously circulating sources; SBD: (shnid=12947)+ AUD: (shnid=302); edited, mixed and transfered by Chris Chappell Source Detail notes
735. 11/24/78 Capitol Theatre - Passaic, NJ 623 flac16; Source: PreFM SBD MR > DAT (48Khz) > DAT > WAV > FLAC. DAT > WAV transfer: Playback on Sony PCM-R500 > Neutrik input on Presonus Firebox preamp/A:D > firewire/XP Pro PC > Wavelab 5, recorded as 24 bit/96 KHz WAV > Waves L3 Multimaximizer (mastered to 16 bit/44.1 KHz WAV using hi res CD dither settings) > CDWAV 1.9 (tracking and FLAC encoding) > FLAC (level 8). Source Detail notes
736. 11/24/78 Capitol Theatre - Passaic, NJ 877 flac16; Recording Info: WBCN Pre-FM -> Studer Console -> Master Reel -> Dat/0 (Sony ES/48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
737. 12/28/78 Golden Hall, Community Concourse - San Diego, CA 184-02 Master Soundboard Reel > Cassette > CDR; via Dave Cohen; Scott Clugston Source Detail notes
738. 12/30/78 Pauley Pavilion, UCLA - Los Angeles, CA 261-02 SBD>Rm>Reel>Cass>Dat with aud patches via Charlie Miller Source Detail notes
739. 12/31/78 Winterland Arena - San Francisco, CA 184-03 via Jay Ashley; third and final EAC/SHN (this one 4x-verified bit-identical) of same seed CDs as other 2 previous shn sets Source Detail notes
740. 01/17/79 Veterans Memorial Coliseum - New Haven, CT 804 flac16; Recording by Barry Glassberg: Source: Audience FOB Recording, Sec 9f Seat 4 Orchestra - 9ft pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/spdif > Tascam HD-P2 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick Source Detail notes
741. 01/17/79 Veterans Memorial Coliseum - New Haven, CT 604 flac16; SBD: MC > EQ > CDR > EAC > SHN > > FLAC patched w/ shn id 1220;; upgrade now in circulation. Source Detail notes
742. 02/03/79 Market Square Arena - Indianapolis, IN 185-01 set 2; Master FOB Audience Cassette; Nakamichi CM700 mics > Nakamichi 550 cassette deck> DAT > CDR; CD Mastering, EAC\'ed / SHN\'ed by Scott Clugston Source Detail notes
743. 02/17/79 Oakland-Alameda County Coliseum - Oakland, CA 518 SBD > Reel > DAT > TB Fiji (S/PDIF) > WAV > SHN; Source DAT via T. Buller from Family Tree Batch #6; transfer by J. Kempka; some splices from source DAT cleaned up : upgrade now in circulation. Source Detail notes
744. 05/04/79 Hampton Coliseum - Hampton, VA 1050 flac16; Recording by Joani Walker: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
745. 05/05/79 Baltimore Civic Center - Baltimore, MD 1050 flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
746. 05/05/79 Baltimore Civic Center - Baltimore, MD 364-01 flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC: upgrade now in circulation. Source Detail notes
747. 06/28/79 Sacramento Memorial Auditorium - Sacramento, CA 601 Set 2; SBD:MR> Cassettes x?> Pioneer 509 >CD; via Jools Source Detail notes
748. 07/01/79 Seattle Center Coliseum - Seattle, WA 601 no source info; via D. Barrick; d3 now tracked out; update 7/00: listener Joe Doss reports that this sounds like a SBD, and Rob Bertrando points out that a SMC> VHS HiFi> R> D version circulates- one might infer that this is that version; see flaw notes in public comment section;; upgrade now in circulation Source Detail notes
749. 08/04/79 Oakland Auditorium Arena - Oakland, CA 601 SBD>MC>C>DAT>CDR; Missing Jack Straw; via Paul B; Seeded to etree by Willy;; upgrade now in circulation Source Detail notes
750. 08/05/79 Oakland Auditorium Arena - Oakland, CA 601 SBD>MC>C>DAT>CDR; Some cuts, see info file for details; via Paul B; Seeded to etree by Willy; Note- Fixed versions of d1t09 & d1t10 now circ, courtesy of PainoMan. The 'splice' in Althea was found to be a skip and was fixed, and shntool fixed the resulting sbe for the remaining tracks on d1; 'original' and 'fixed' md5's are listed here Source Detail notes
751. 08/12/79 Red Rocks Ampitheatre - Morrison, CO 601 Master Soundboard Cassette > Reel to Reel > PCM > CDR; CD Mastering, Eac'ed & Shn'ed by Scott Clugston; to fungus & abgd via Charlie Connor;; upgrade now in circulation Source Detail notes
752. 08/13/79 McNichols Sports Arena - Denver, CO 604 Sources: Primary: Master Soundboard Cassette > Reel to Reel > PCM > CDR; Sedondary Source: Master Audience Cassette; Nakamichi CM700 mics > 1 Reel to Reel gen > DAT > CDR Aud source supplies portions of "Friend of the Devil", "MInglewood Blues" , "Tuning / Announcements" , and "I Need A Miracle" ;Patching / CD Re-Mastering, EAC'ed / SHN'ed by Scott Clugston; to fungus and abgd via Charlie Connor Source Detail notes
753. 08/14/79 McNichols Sports Arena - Denver, CO   flac16; SBD -> Cassette Master -> Cassette Transferred and Edited By Charlie Miller Source Detail notes
754. 09/04/79 Madison Square Garden - New York, NY 261-03 Sources: Primary Source: Master Soundboard Cassette > Reel to Reel > PCM > CDR: Secondary Source: Barry Glassberg's Master Audience Cassette; Nakamichi CM700 mics; Secondary source supplies portions of "Jack Straw", "Minglewood Blues", "China Cat Sunflower", "Looks Like Rain" in its entirety, as well as a patch in "Wharf Rat" ; Patching / CD Mastering by Scott Clugston; also to abgd via Charlie Connor : upgrade now in circulation. Source Detail notes
755. 10/25/79 Veterans Memorial Coliseum - New Haven, CT 162-03, 281-01 Upgrade to previous shn set by Charlie Miller - "Steve Rolfe sent me CDs of the show which sounded better than what I originally used, so on 2/20/04, I re-patched the sbd" Source Detail notes
756. 10/25/79 Veterans Memorial Coliseum - New Haven, CT   Upgrade to previous shn set by Charlie Miller - "Steve Rolfe sent me CDs of the show which sounded better than what I originally used, so on 2/20/04, I re-patched the sbd" Source Detail notes
757. 10/27/79 Cape Cod Coliseum - South Yarmouth, MA   flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller ( upgrade now in circulation). Source Detail notes
758. 10/28/79 Cape Cod Coliseum - South Yarmouth, MA 157-05 flac16; SBD -> Master Cassette -> Reel -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation Source Detail notes
759. 10/31/79 Nassau Veterans Memorial Coliseum - Uniondale, NY   flac16; Set 1: SBD -> Cassette Master -> Reel -> Dat -> CD Set 2: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller Source Detail notes
760. 10/31/79 Nassau Veterans Memorial Coliseum - Uniondale, NY 915 Set1: SBD>>MC>>REEL>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A- Set2: SBD>>MC>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A- Last 20 minutes of show: MAC(Nak 700's)>>SonyTC-158>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B Source Detail notes
761. 11/01/79 Nassau Veterans Memorial Coliseum - Uniondale, NY 189B-05 SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transfer Info:Master Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN; Transferred and Edited By charliemiller87@earthlink.net Charlie Miller; Note: had originally circulated only as set 2; upgrade now in circulation Source Detail notes
762. 11/01/79 Nassau Veterans Memorial Coliseum - Uniondale, NY 621 flac16; Recording Info: SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transfer Info: Master Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller -- This is a repatch of shn id 23445: upgrade now in circulation Source Detail notes
763. 11/01/79 Nassau Veterans Memorial Coliseum - Uniondale, NY 643 flac16; Recording Info: SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transfer Info: Master Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC; This is a repatch of shn id 23445 & shn id 77363 Source Detail notes
764. 11/05/79 The Spectrum - Philadelphia, PA   Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transfer Info: Master Dat (Sony R700) -> CD (HHB CDR800) Dat > CD Transfer By Jim Wise Patched By Charlie Miller charliemiller87@earthlink.net Patch Info: Estimated Prophet has a tape flip which I pacthed with SBD>Cm>Cass>Dat>CD. End of Lost Sailor through the end of the show patched with Nakamichi 300 -> Cassette Master > C2 > CD Source Detail notes
765. 11/06/79 The Spectrum - Philadelphia, PA   Master Soundboard Cassette > Cassette > DAT > CDR; mastered by Scott Clugston: upgrade now in circulation Source Detail notes
766. 11/06/79 The Spectrum - Philadelphia, PA   flac16; SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat/0 (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller Source Detail notes
767. 11/06/79 The Spectrum - Philadelphia, PA 619 flac16; SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat/0 (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller Source Detail notes
768. 11/08/79 Capital Centre - Landover, MD 162-04 flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC Source Detail notes
769. 11/09/79 Community War Memorial Auditorium - Buffalo, NY 254-04, 261-04 Updated source: SBD> Cm> Cass> Dat> Sound Forge> CD; 6ote d1t1 is JBG from 11/8/79 encore; to abgd previously; via A. Stern; note variable right-channel static throughout. : upgrade now in circulation Source Detail notes
770. 11/24/79 Golden Hall, Community Concourse - San Diego, CA   Sources:Primary Source:MSC>??>DAT>CDR>EAC>Shn;Alternate Soundboard Source MSC>C>CDR supplies patches in Lost Sailor, Sugar Mag, OMSN,. 2nd Alt Source; Master Aud Cassette>NakCM700>Sony TC-158>Reel>DAT>CDR source supplies patches in China Cat Sunflower , Playin, and Sugar Mag. This source is missing the material needed to patch "Althea" (d1t08). Primary Source Shs via Eric Salmassy; Cd remastered; patched and reshn'ed by Scott Clugston; to Fungus and abgd via Charlie Connor (Note: A sbe-fixed version is circulating as of 4/2008.) Source Detail notes
771. 11/24/79 Golden Hall, Community Concourse - San Diego, CA 619 Sources:Primary Source:MSC>??>DAT>CDR>EAC>Shn;Alternate Soundboard Source MSC>C>CDR supplies patches in Lost Sailor, Sugar Mag, OMSN,. 2nd Alt Source; Master Aud Cassette>NakCM700>Sony TC-158>Reel>DAT>CDR source supplies patches in China Cat Sunflower , Playin, and Sugar Mag. This source is missing the material needed to patch "Althea" (d1t08). Primary Source Shs via Eric Salmassy; Cd remastered; patched and reshn'ed by Scott Clugston; to Fungus and abgd via Charlie Connor (Note: A sbe-fixed version is circulating as of 4/2008.) Source Detail notes
772. 11/25/79 Pauley Pavilion, UCLA - Los Angeles, CA   Recording Info: SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info: Nakamichi 700 -> Master Cassette -> Reel -> CD (Possibly One More Reel Gen) via Charlie Miller : upgrade now in circulation Source Detail notes
773. 11/29/79 Cleveland Public Hall - Cleveland, OH 102-02 flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller; upgrade now in circulation Source Detail notes
774. 11/30/79 Stanley Theatre - Pittsburgh, PA 102-03 flac16; SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller; Note: since no one had the previous seed I am just updating this source. Source Detail notes
775. 12/01/79 Stanley Theatre - Pittsburgh, PA 102-04 flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller; upgrade now in circulation Source Detail notes
776. 12/01/79 Stanley Theatre - Pittsburgh, PA 185-02 flac16; AUD (unknown equipment and lineage, speculated to have been taped by Scott Jones with Shure > Sony TC-158) via Andrew F Source Detail notes
777. 12/01/79 Stanley Theatre - Pittsburgh, PA 267-02 flac16; Sick Bits Vol. 15: SBD/AUD Matrix[SBD: (shnid=29429) AUD: (shnid=31330)] via Chris Chappell Source Detail notes
778. 12/03/79 Uptown Theater - Chicago, IL   flac16; Set 1: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Set 2: SBD -> Cassette Master -> Cassette -> Dat -> CD Transferred and Edited By Charlie Miller Source Detail notes
779. 12/07/79 Indiana Convention Center - Indianapolis, IN 238-01 Updated source info: SBD ->Cass Master > Reel > Dat (48k) Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Dat Supplied By Rob Eaton; Transferred By Charlie Miller (had been marked: BD -> Master Cassette -> Cassette -> Dat (48k)) Source Detail notes
780. 12/09/79 Kiel Auditorium - St. Louis, MO   flac16; SBD> Cassette Master> Reel (Technics)> Dat (3800/48k), plus patch from Nak 700> Cass> Reel source; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; transferred and edited by Charlie Miller Source Detail notes
781. 12/11/79 Soldiers & Sailors Memorial Hall - Kansas City, KS   flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (44.1k). Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif plus -> Samplitude v7.02 Professional -> FLAC. Transferred and Edited By Charlie Miller charliemiller87@earthlink.net : upgrade now in circulation Source Detail notes
782. 12/11/79 Soldiers & Sailors Memorial Hall - Kansas City, KS   flac16; SBD -> Cassette Master -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif plus -> Samplitude v7.02 Professional -> FLAC. Transferred and Edited By Charlie Miller : upgrade now in circulation Source Detail notes
783. 12/26/79 Oakland Auditorium Arena - Oakland, CA 1050 flac16; Recording by Joani Walker (Soundcheck by David Gans): Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
784. 12/28/79 Oakland Auditorium Arena - Oakland, CA 238-02 SBD; transferred and seeded by Mike Lai, from Bruce Fried DAT; 7/26/01 update: d2t1 md5 had been missing here, complete md5s now shown : upgrade now in circulation Source Detail notes
785. 12/31/79 Oakland Auditorium Arena - Oakland, CA 1044 Recording by Steve Rolfe: Nak 700's > d5 > DAT > cdr via Dave Minor encoded and patched by Matt Vernon Source Detail notes
786. 12/31/79 Oakland Auditorium Arena - Oakland, CA 1044 SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko Source Detail notes
787. 12/31/79 Oakland Auditorium Arena - Oakland, CA 1044 flac16;Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 Source Detail notes
788. 12/31/79 Oakland Auditorium Arena - Oakland, CA   Recording by Steve Rolfe: Master Audience Cassette: Nakamichi CM700 mics > Sony TC-158 cassette deck > DAT > CDR; CD Remastering, EAC'ed / SHN'ed by Scott Clugston; d3 tracked for 80 min : upgrade now in circulation Source Detail notes
789. 03/30/80 Capitol Theater - Passaic, NJ   flac16; SBD> Cassette Master> Dat, plus patch from FOB Nak 700> Cass; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller Source Detail notes
790. 04/01/80 Capitol Theater - Passaic, NJ 605 Recording by Barry Glassberg: nak 700 > sony tc d5m fob tascam 112 > sony pcm r-500 > hhb cdr-850, taper Barry G.; nonseeking shns via Steve Barbella to CDead Source Detail notes
791. 04/01/80 Capitol Theater - Passaic, NJ 605 Bertha remaster of Charlie Miller's previous seed, by Jay Ashley Source Detail notes
792. 04/01/80 Capitol Theater - Passaic, NJ 605 mixed sources: SBD> Rm> Dat> Sonic Solutions> CD> EAC> SHN, SBD> Rm> Cass> Dat> CD> Cool Edit Pro> CD> EAC> SHN, and AUD> Cm> Dat> CD> EAC> SHN; edited, converted, seeded by Charlie Miller Source Detail notes
793. 04/28/80 Boutwell Auditorium - Birmingham, AL 931 flac16 Recording by Barry Glassberg: MOTB Release: 0040 16/44.1 Source: Master Audience Recording [1st Row Loge, DFC] Media: MAC = Maxell UD XL II C90 Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV [24/96] Taped by: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe Source Detail notes
794. 05/07/80 Barton Hall, Cornell University - Ithaca, NY   SBD> Cassette Master> Reel> Dat> CD> EAC> SHN; Converted By Charlie Miller Source Detail notes
795. 05/08/80 Glens Falls Civic Center - Glens Falls, NY 377B Master Soundboard Cassette > Cassette > DAT> CDR (Primary Source) patched with the Jim Wise audience source: Recorded by Jim Wise (via Jeff Hellman), 2 Nak 700s + Nak 300 blend>Sony TC-D5: AUD>MC>DAT>CDR>EAC>mkwACT>SHN; Patched by R.Carman Source Detail notes
796. 05/10/80 Hartford Civic Center - Hartford, CT 185-03 Recording by Steve Rolfe: Nak 700's > Sony D5 Master Cassette recorded by Steve Rolfe from "right beside the soundboard on the left side" AUDMC > DAT > wav(48K) > Cool Edit > CDWAV > mkwact > SHN(seekable) via Dave Minor, converted and shn'd by Marc Pujol and Matt Vernon Source Detail notes
797. 05/11/80 Cumberland County Civic Center - Portland, ME   SBD> C (Dick's master)> C (Dick copied for Patrick)> DAT> CDR> EAC> SHN V.3 except for Brokedown, which is from an unknown AUD source; EAC and SHN'ed by terrapinstation ; patched upgrade in circulation Source Detail notes
798. 05/16/80 Nassau Veterans Memorial Coliseum - Uniondale, NY 653 Master Soundboard Cassette > Cassette > DAT> CDR; via Scott Clugston Source Detail notes
799. 06/07/80 Folsom Field, University Of Colorado - Boulder, CO 255-01 flac16; mac > 1st gen cass > cdr > eac > flac; tapes provided by Jeff "Mr Tapes" Maas (1980); transfer by Paul "ESPN" Epstein (2005); via SIRMick Source Detail notes
800. 06/14/80 Spokane Coliseum - Spokane, WA 271-03, 255-02 Master Audience Cassette; AKG SE-5 mics w/CE-1 cardioid capsules> Sony TC-D5> DAT> CDR; CD Mastering, Shn'ed by Scott Clugston Source Detail notes
801. 06/19/80 West High Auditorium - Anchorage, AK 262-01 SBD>MC>??>DAT>CDR; via paul B; Seeded to etree by Willy; upgrade in circulation Source Detail notes
802. 06/20/80 West High Auditorium - Anchorage, AK 255-03 Recording Info: SBD -> Cassette Master -> Sonic Solutions (20bit) -> SBM2 (Dithered To 16bit) -> CD (Master Production Discs) -> EAC -> SHN (3 Discs Audio / 2 Discs SHN)Patch Info: Patches in Let It Grow and Drums supplied By AKG 414 -> Cm -> Dat -> CD -> EAC -> SHN via Charlie Miller Source Detail notes
803. 06/21/80 West High Auditorium - Anchorage, AK   flac16; SBD/AUD Matrix Mix (60%-SBD/40%-AUD) SBD source: Soundboard > Cassette Master > Sonic Solutions (20bit) > Sony SBM2 > Master CD > EAC > FLAC (shn id 27448); AUD source: Source: AKG 414 stereo mic -> Sony TC-158 deck, Taper: Eddie Claridge (shn id 23531). SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the SBD & AUD. This is a 60% SBD, 40% AUD mix. Mixed by dan@am-dig.com. note: info file now reflects tracking for 80 minutes CDs Source Detail notes
804. 06/21/80 West High Auditorium - Anchorage, AK 366-02 Sources:Primary Source:Master Soundboard Cassette > Reel To Reel > DAT> CDR; Secondary Source:Master Audience Cassette; AKG 414 mics source supplies the "Announcements/Intro", portions of "Sugaree", "Loser", "Big Railroad Blues" "Drums". Patching/CD Mastering & shn'ed by Scott Clugston; To fungus and abgd via Charlie Connor ; upgrade in circulation Source Detail notes
805. 07/01/80 San Diego Sports Arena - San Diego, CA 255-04 sbd>?>dat; there are splices from an unknown source at Althea and also for the encore; Seeded to etree by Brian Cole Source Detail notes
806. 08/16/80 Southern Illinois University - Edwardsville, IL 623 Recording by Joani Walker: FOB MAC w/ Sony ECM-250s>Sony TC-158>CDR via Paul Scotton, tracking & tweaking by Scott Clugston, SHN encoding by Andy Lemieux ; upgrade in circulation Source Detail notes
807. 08/16/80 Southern Illinois University - Edwardsville, IL 962 flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
808. 08/24/80 Grand Center - Grand Rapids, MI   Recording by Rob Eaton: FOB Nakamichi 300> Sony TC-D5> DAT> CDs(3X?); via Dr. Sketchy; Seeded to etree by jim@juddcreek Source Detail notes
809. 08/30/80 The Spectrum - Philadelphia, PA 377B 1st Set Only; SBD>?>CD; Entire set pitch corrected; via Joey Browning; Seeded to etree by Willy Source Detail notes
810. 08/30/80 The Spectrum - Philadelphia, PA 377B 2nd set only; SBD>MC>DAT>DAT Clone>CDR; via Rich Graboyes; Seeded to etree by Willy (update source info) Source Detail notes
811. 09/02/80 Community War Memorial Auditorium - Rochester, NY 377B, 620 flac16; mixed sources: d1,2: SBD> Cassette Master> (~4 cass gens?)> Cool Edit Pro> FLAC; d3: SBD> Cassette Master> Dat> Sonic Solutions> CD; Encore: FOB Nakamichi 300/CP1> Cassette Master> Dat> CD; Transferred and Edited By Charlie Miller Source Detail notes
812. 09/06/80 State Fairgrounds - Lewiston, ME 200-01, Recording by Jim Wise: FOB Nak 700s > Sony TC-D5 (Steve Rolfe?s) > Sony TC-D5 (Jim Wise?s) > MAC (Maxell XII; Dolby B encoded) > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV > CD (untracked) > EAC > WAV > CD Wave tracking > SHN or CD. Original recording, transfer and CD mastering by Jim Wise. Subsequent tracking and SHN encoding by Sean Cribbs. Source Detail notes
813. 09/06/80 State Fairgrounds - Lewiston, ME 377B Recording Info (Source 1): SBD -> Master Cassette -> ? -> Cass -> Fostex D5 (pass-through only) -> ZA2 -> Samplitude v7.02 Professional -> SHN Supplies d1t01 through d2t03 (Provided By Joe Samaritano) Recording Info (Source 2): (FOB) Nakamichi 700 -> Master Cassette (Sony D5) -> Dat -> CD Supplies patch at end of d1t06 and also provides d2t04 through of the show. (Taped By Jim Wise). Remastering by Charlie Miller Source Detail notes
814. 09/29/80 Warfield Theater - San Francisco, CA 980 flac16; Recording by Ron Elner: Source: Master Cassette >Teac Reel > CD Nakamichi 700’s > Sony TC D-5 Location: FOB either on the floor or 1st row balcony Recorded and archived by Ron Elner, the master cassettes were stolen. CD Extraction with EAC > TLH > FLAC level 8 CD Extraction and seeded by B. Koucky Green Mountain Bros. December 2007 Source Detail notes
815. 09/29/80 Warfield Theater - San Francisco, CA 994 flac16; Recording by Ron Elner: Source: Master Cassette >Teac Reel > CD Nakamichi 700’s > Sony TC D-5 Location: FOB either on the floor or 1st row balcony Recorded and archived by Ron Elner, the master cassettes were stolen. CD Extraction with EAC > TLH > FLAC level 8 CD Extraction and seeded by B. Koucky Green Mountain Bros. December 2007 Source Detail notes
816. 10/03/80 Warfield Theater - San Francisco, CA 237-01 acoustic; SBD-> Master Cassette-> DAT-> Sonic Solutions-> CD; CD-> EAC-> SHN conversion and upload by Adam Jerugim; seed via David Gans, Chris Meyer, Charlie Miller Source Detail notes
817. 10/06/80 Warfield Theater - San Francisco, CA 255-05 Acoustic set only; SBD>?>CDR; See info file for flaws; via Bart Hutchinson; seeded to etree by Willy Source Detail notes
818. 10/09/80 Warfield Theater - San Francisco, CA   Source: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > 3 DAT Generations DAT > WAV > SHN: Dan Stephens (dms@well.com) Tascam DA-20mkII > Delta DiO 2448 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV > MKW Audio Compression Tool v0.97b1 (no DAE) Source Detail notes
819. 10/10/80 Warfield Theater - San Francisco, CA   flac16; SBD/AUD Matrix of 3 previously circulated seeds; prepared by Chris Chappell Source Detail notes
820. 10/11/80 Warfield Theater - San Francisco, CA 237-02 acoustic set; SBD> Reel> PCM> DAT> CDR> Plexwriter CD-R (EAC)> HP 8200i CDRW Drive (EAC); via Andy "Bear" Greider, Stephen Windsor, Darrin Sacks Source Detail notes
821. 10/26/80 Radio City Music Hall - New York, NY 200 Updated Source; SBD > MR > C (no dolby) > DAT > CD > EAC > SHN; was marked: SBD > MR > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko Source Detail notes
822. 10/29/80 Radio City Music Hall - New York, NY   flac16; **Partial SBD** Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation Source Detail notes
823. 11/28/80 Lakeland Civic Center - Lakeland, FL 1072 flac16; Matrix 2 Source Mix - SBD (shn id 20049) Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Encoding/patching by Matt Vernon + AUD (shn id 89932) Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky - matrix mixing by Kevin Tobin Source Detail notes
824. 11/28/80 Lakeland Civic Center - Lakeland, FL 1072 flac16; Source: (original shnid 20049) Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Patch Source: Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR via Scott Clugston Encoding/patching by Matt Vernon - speed correction and additional patching by Kevin Tobin Source Detail notes
825. 11/30/80 Fox Theater - Atlanta, GA 200 complete; MSC> Reel> DATs> CDRs> EAC> SHN (set I and Scarlet>Fire from Set II); remainder Jim Wise's Sony ECM280s> D5> DATs> CDRs> EAC> SHN, also with patches from other AUDs (see info file); via Scott Clugston, Dankstar, Darrin Sacks; upgrade relative to previous shn set; note copy a noted at shakedown- has fixed track boundaries, copy b noted at gdlive does not (d3 is same for both)- see pub comments Source Detail notes
826. 12/12/80 Swing Auditorium - San Bernardino, CA 237-03, 200 flac16; Recording Info: SBD -> Cassette Master -> ? -> Cassette Transfer Info: Cassette (Nak CR7A) -> Dat (Sony R500/SBM On) Transferred By Neil Sturtevant Dat (Sony D8) -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC; Transferred and Remastered Charlie Miller Source Detail notes
827. 12/26/80 Oakland Auditorium Arena - Oakland, CA 460-03 Recording by Joani Walker: Nak 300's > D5 > ACM recorded by Joani Walker(1), ACM > CDR by Paul Scotton, encoding Matt Vernon ; upgrade in circulation Source Detail notes
828. 12/31/80 Oakland Auditorium Arena - Oakland, CA 237-04 Recording by Steve Rolfe: Nak 300 Shotguns > D5 > MAC > DAT > CDR; taped by Steve Rolfe via Dave Minor; encoded by Matt Vernon Source Detail notes
829. 12/31/80 Oakland Auditorium Arena - Oakland, CA 466-01 SBD > Rm > Cass > Dat > Samplitude > CDR > EAC> SHN; plus AUD patches (see info file for notes and flaws); EAC, SHN, etreed by G.Gorinsky; with thanks to Bill Golden Source Detail notes
830. 02/26/81 Uptown Theater - Chicago, IL 238-03 SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes Source Detail notes
831. 02/26/81 Uptown Theater - Chicago, IL 466-02 Taped by Barry Glassberg: Nak700>Sony TCD5M, Maxell UDXLII, Dolby B. Lineage: AUDMC> Tascam 112MKII > Sony R500 SBM (pass through) > Delta Dio 2496 > HD > sound forge & CD wave by John Steinthal via Mark Cohen. Encoded by Matt Vernon Source Detail notes
832. 02/27/81 Uptown Theater - Chicago, IL   flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell Source Detail notes
833. 02/27/81 Uptown Theater - Chicago, IL 466-03 Taped by Barry Glassberg: Nak700>Sony TCD5M, Maxell UDXLII, Dolby B. Lineage: AUDMC> Tascam 112MKII > Sony R500 SBM (pass through) > Delta Dio 2496 > HD > sound forge & CD wave by John Steinthal via Mark Cohen. Encoded by Matt Vernon Source Detail notes
834. 02/27/81 Uptown Theater - Chicago, IL 466-04 SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes; note encore missing Source Detail notes
835. 02/28/81 Uptown Theater - Chicago, IL   flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell Source Detail notes
836. 02/28/81 Uptown Theater - Chicago, IL 467-01 Taped by Barry Glassberg: Nak700>Sony TCD5M, Maxell UDXLII, Dolby B. Lineage: AUDMC> Tascam 112MKII > Sony R500 SBM (pass through) > Delta Dio 2496 > HD > sound forge & CD wave by John Steinthal via Mark Cohen. Encoded by Matt Vernon Source Detail notes
837. 02/28/81 Uptown Theater - Chicago, IL 467-02 SBD > Cassette Master > DAT(0) (Reel> DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > CDR Master (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes; d1 tracked for 80 min Source Detail notes
838. 03/02/81 Cleveland Music Hall - Cleveland, OH 467-03 Recording by Bob Wagner: Nak 700's> TC-D5> MC> DAT> CDR; via Paul B; Seeded to etree by Willy; upgrade in circulation Source Detail notes
839. 03/02/81 Cleveland Music Hall - Cleveland, OH 1084 flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
840. 03/03/81 Cleveland Music Hall - Cleveland, OH 467-04 Recording by Bob Wagner; Nak 700s>Sony TC-D5. AUDMC > SHN conversion by David Minches Source Detail notes
841. 03/05/81 Stanley Theater - Pittsburgh, PA 467-05 Set 2 soundboard, minus encore, last song cut; See info file for details; S : MC > C > D > CD > EAC > SHN Extraction, tracking and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. Source Detail notes
842. 03/05/81 Stanley Theater - Pittsburgh, PA 468-01 Audience recording by Jim Wise (Sennheiser 421>D5) set up loge center; Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam cd-d4000mkII > EAC in secure mode(see below) > Soundforge > CD WAV > SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD>SHN by Jamie Lutch; QC courtesy dankseeds Source Detail notes
843. 03/06/81 Stanley Theater - Pittsburgh, PA 468-02 Set 2 soundboard, minus encore; S : MC > C > D > CDR > EAC > SHN Extraction, tracking and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. Source Detail notes
844. 03/06/81 Stanley Theater - Pittsburgh, PA 468-03 Audience recording by Jim Wise (Sennheiser 421>D5) set up loge center; Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam cd-d4000mkII > EAC in secure mode(see below) > Soundforge > CD WAV > SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD>SHN by Jamie Lutch; QC courtesy dankseeds Source Detail notes
845. 03/07/81 Cole Field House, University Of Maryland - College Park, MD 468-04 FOB> Nak 700 mics> Sony TCD5M> MC> Sony D8> DAT@48k> ZA2> @44.1khz> SF & CD Architect4.5> CD; EAC/SHN by Willy, from Scott Shindell seed discs; missing Passenger, cut in LLR; tracked for 2x80 Source Detail notes
846. 03/07/81 Cole Field House, University Of Maryland - College Park, MD 469-01 Recording by Jim Wise: Senn 421 mics, > SonyD5> MC> CD> ?> EAC> SHN Source Detail notes
847. 03/07/81 Cole Field House, University Of Maryland - College Park, MD 828 flac24/96; Recording by Barry Glassberg: MOTB-0008: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner Source Detail notes
848. 03/09/81 Madison Square Garden - New York, NY 931 flac16; Recording by Barry Glassberg: MOTB-0009 Source: Audience FOB Recording, 12th row center Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner Source Detail notes
849. 03/09/81 Madison Square Garden - New York, NY 451-05 flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
850. 03/09/81 Madison Square Garden - New York, NY 469-02 Recording by Barry Glassberg: Improved 'transfer' of original fob source; via Barry glassberg; Jim Wise; upgrade in circulation Source Detail notes
851. 03/09/81 Madison Square Garden - New York, NY 469-03 Sources: Master Soundboard Cassette > Cassette > DAT > CDR; Jim Wise's Master Audience Cassette; Nakamichi CM700 mics >Sony TC-D5 supplies the tuning and first few notes of "Deep Elem Blues" (d1t06), approximately 0:38. ; upgrade in circulation Source Detail notes
852. 03/10/81 Madison Square Garden - New York, NY 470-01 Recording by Barry Glassberg: Improved 'transfer' of original fob source; via Barry glassberg; Jim Wise; ; upgrade in circulation Source Detail notes
853. 03/12/81 Boston Garden - Boston, MA 470-02 Recording by Steve Rolfe: Nak 700's > Sony D5 Master Cassette; 16th Row ; A>D by Noah Weiner; d1 tracked for 80 min; passes shntool check Source Detail notes
854. 03/13/81 Utica Memorial Auditorium - Utica, NY 470-03 Recording by Jim Wise: Sennheiser 421>D5 , set up at SBD; Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam CD-D4000mkII > EAC> Soundforge > CD WAV > SHNv3 w/seek; A>D>CD Conversion by Jim Wise; CD>SHN by Jamie Lutch, 5/2001; QC courtesy dankseeds; see info file for flaws etc Source Detail notes
855. 03/14/81 Hartford Civic Center - Hartford, CT 471-01 Aud (?)-> CD-> EAC-> SHN; via Andy Hayum;Admin note:This is the Glassberg recording as noted in comments by C. Ladner. upgrade now in circulation. Source Detail notes
856. 03/20/81 Rainbow Theatre - London, England 471-02 MAC > C > C > D > CD; via Jack Warner; seeded to etree by Matt Vernon Source Detail notes
857. 03/21/81 Rainbow Theatre - London, England 471-03 Master Soundboard Cassette > Cassette > CDR, with AUD Senn 421 patches (see info file); CD Mastering, Patching, EAC, SHN by Scott Clugston; tracked for 2x80; to abgd Source Detail notes
858. 03/21/81 Rainbow Theatre - London, England 471-04 Senn 421's> Sony TC-D5 positioned at SBD> MC> DAT> CDR> EAC> CDWAV (retrack)> SHN (W/seek tables appended); Frank Streeter recording; A>D by Rich Gastwirt; D>CD Sony R-700> HHB CDR 800 by Jim Wise; EAC/SHN by Charles Hogan; d2 tracked for 80 min Source Detail notes
859. 03/23/81 Rainbow Theatre - London, England 472-01 AUD> MC> DAT> CD Source Detail notes
860. 03/24/81 Rainbow Theatre - London, England 472-02 Recording by Frank Streeter: Senn 421's> TC-D5> MC> DAT> CDR; via Paul B; Seeded to etree by Alan Schlissel Source Detail notes
861. 03/28/81 Grugahalle - Essen, Germany 153-01 stereo FM -> reel master -> DAT -> CDWAV -> SoundForge -> CDR, with other FM patches; via Hanno Bunjes et al; see info file for detailed notes; Hanno's notes Source Detail notes
862. 03/28/81 Grugahalle - Essen, Germany 472-03 partial set 2 (post Drums); Master time-coded pre-broadcast tapes> first-gen Hi-Fi VHS> WAV> SHN; via Sean Cribbs Source Detail notes
863. 04/25/81 Berkeley Community Theater - Berkeley, CA 472-04 Sing Out For Sight Benefit; Garcia, Weir, Kruetzman, Hart, JKahn; Acoustic; AUD>MC>??>DAT>CDR; via Paul B; Seeded to etree by Willy Source Detail notes
864. 04/30/81 Greensboro Coliseum - Greensboro, NC 472-05 Recording by Jim Wise: mixed-source AUD: set 1, Beyer M160's > Sony D5 @ SBD; set 2: NAK 700's > Sony D5 12th row center; Master cass> DAT> CD> EAC> (Tracked in)CoolWave> SHN> CD; EAC> tracking> shn by Seth Kaplan; etreed by Steve Bertoni; see info file for flaw notes Source Detail notes
865. 05/01/81 Hampton Coliseum - Hampton, VA   flac16; SBD > MC > C > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko Source Detail notes
866. 05/01/81 Hampton Coliseum - Hampton, VA 473-01 Recording by Jim Wise: Master FOB Audience Cassette > Sennheiser 421 mics> Sony D5 cassette deck > DAT > CDR; via Scott Clugston; upgrade in circulation Source Detail notes
867. 05/02/81 The Spectrum - Philadelphia, PA   flac16; SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat Transferred By Joe Samaritano Patched and Edited By Charlie Miller Source Detail notes
868. 05/02/81 The Spectrum - Philadelphia, PA 473-02 flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape. (Jeff Silberman's guns on Howard Shame's bodies); Sony D5 > UA5 > IBM R40/Win XP Pro/Sound Forge 5.0/CDR > EAC > WinXP Pro > FLAC Frontend > FLAC16; Transferred: CD> FLAC by Alex Ford Source Detail notes
869. 05/02/81 The Spectrum - Philadelphia, PA 473-03 Main Lineage: Soundboard -> Cassette Master -> 1/2 track 7.5 Reel -> DAT. DAT -> ZA2 -> SoundForge -> .wav -> mkw -> SHN.
Patch Lineage: (Jim Wise FOB) Sennheiser 421 -> Cassette Master (Sony TCD5M) -> Dat -> CD -> EAC -> SHN. Patch and patchwork provided by Charlie Miller. Soundboard seed and transfer by Joe Samaritano
Source Detail
notes
870. 05/02/81 The Spectrum - Philadelphia, PA 473-04 AUD : MC (FOB Senn 421s > Sony TC-D5M by Jim Wise) > DAT > CD > EAC > SHN Extraction, Retracking and SHN encoding by Alan J Fink (aj.fink@verizon.net); Thanks to Charlie Miller for the seeds Source Detail notes
871. 05/02/81 The Spectrum - Philadelphia, PA 473-04 AUD : MC (FOB Senn 421s > Sony TC-D5M by Jim Wise) > DAT > CD > EAC > SHN Extraction, Retracking and SHN encoding by Alan J Fink (aj.fink@verizon.net); Thanks to Charlie Miller for the seeds Source Detail notes
872. 05/04/81 The Spectrum - Philadelphia, PA 474-01 Master Soundboard Cassette > Cassette > DAT > CDR, with patches from AUD Nakamichi CM300 mics > Sony D5 source; via Scott Clugston; see info file for notes Source Detail notes
873. 05/05/81 Glens Falls Civic Center - Glens Falls, NY 153-02 flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape (Jeff Silberman's guns on Howard Shame's bodies); Mic Config: "primitive DIN" pointing the mics directly at the stacks forming a "Y"; Mic Location: first row behind the soundboard cage; Sony D5 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; taped and transferred by Doug Mow; CDR> flac by Alex Ford Source Detail notes
874. 05/05/81 Glens Falls Civic Center - Glens Falls, NY 474-02 Recording by Jim Wise. Master Audience Cassette: Sennheiser 421 mics > Sony TC-D5 > DAT> CDR; Seeded to etree by Scott Clugston Source Detail notes
875. 05/06/81 Nassau Veterans Memorial Coliseum - Uniondale, NY 474-03 NAK-700's > SONY TC-D5M Dolby On taped by Barry Glassberg FOB via Mark Cohen, John Steinthal encoded by Matt Vernon; Note- - this version supercedes a previous shn set from this same source Source Detail notes
876. 05/08/81 Nassau Veterans Memorial Coliseum - Uniondale, NY   SBD> Master Cassette> Dat (44.1k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; plus patches from Barry Glassberg's FOB Nakamichi 700 source; Transferred and Patched By Charlie Miller Source Detail notes
877. 05/08/81 Nassau Veterans Memorial Coliseum - Uniondale, NY 474-04 Recording by Barry Glassberg. FOB NAK-700's > SONY TC-D5M Dolby On via Mark Cohen, John Steinthal encoded by Matt Vernon Source Detail notes
878. 05/08/81 Nassau Veterans Memorial Coliseum - Uniondale, NY 475-02 Recording by Jim Wise: FOB Senn 421's> Sony D5> MC> DAT> CDR; via Mark Linden; Seeded to etree by Willy Source Detail notes
879. 05/09/81 Nassau Veterans Memorial Coliseum - Uniondale, NY 356-01 flac16; SBD -> Cassette Master -> Dat All Transfers and Mastering By Charlie Miller Source Detail notes
880. 05/09/81 Nassau Veterans Memorial Coliseum - Uniondale, NY 475-03 Recording by Jim Wise. AUD> MC> DAT> CD; Missing encore; via Paul B; Seeded to etree by Willy Source Detail notes
881. 05/09/81 Nassau Veterans Memorial Coliseum - Uniondale, NY 475-04 Recording by Barry Glassberg. FOB NAK-700's > SONY TC-D5M Dolby On via Mark Cohen, John Steinthal encoded by Matt Vernon Source Detail notes
882. 05/09/81 Nassau Veterans Memorial Coliseum - Uniondale, NY 483 flac16; SBD -> Cassette Master -> Dat All Transfers and Mastering By Charlie Miller Source Detail notes
883. 05/11/81 Veterans Memorial Coliseum - New Haven, CT   flac16; SBD -> Master Cassette -> Reel -> Dat; Transferred and Edited By Charlie Miller (A version with a SBD version of To Lay Me Down (d2t04) sourced from .mp3 circulates.) Source Detail notes
884. 05/11/81 Veterans Memorial Coliseum - New Haven, CT 262-02, 256-01 FOB Healy authorized master audience cassette > 48k dats > delta dio 2496 > cooledit2000 > wav > shn; circulating via trades?; note d1 tracked for 80 min Source Detail notes
885. 05/12/81 Veterans Memorial Coliseum - New Haven, CT 476-01 SBD> Master Cassette> Cassette > DAT> CDR; via Jeff M. Source Detail notes
886. 05/13/81 Providence Civic Center - Providence, RI 476-02 Nak 300's>MC>DAT>CDR; Missing Mama Tried>Mexicali; via Paul B; Seeded to etree by Willy Source Detail notes
887. 05/13/81 Providence Civic Center - Providence, RI 830 flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
888. 05/15/81 Athletic Center, Rutgers University - Piscataway, NJ 185-04 MAC>DAT>CD. Recording by Kenny Mance. AKG CE-1 microphones > Uher CR-240 cassette deck, no dolby, TDK SA C90 cassettes. audience cassette master recorded by Kenny Mance. Transfer: MAC > Uher CR-240 > Sony PCM-M1(2/05). Sony PCM-R500 > HHB CDR830plus > EAC > Sound Forge 5.0 > CD Wave 1.71 > cd. *1/2 step patch source: (downloaded 4/2005 from tol- gd1981-05-15.senn.munder.9008) fob Senn 421>Cm>Dat>CD (0 to 6:48). a-d transfer 2/05, editing, tracking and shn conversion by Anne Cohen 4/05. Source Detail notes
889. 05/15/81 Athletic Center, Rutgers University - Piscataway, NJ 476-03 (FOB) Senn 421> Cm> Dat> CD; via Charlie Miller; Seeded to etree by Willy Source Detail notes
890. 05/15/81 Athletic Center, Rutgers University - Piscataway, NJ 830 flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
891. 05/16/81 Barton Hall, Cornell University - Ithaca, NY 153-03 flac16; Set 1: SBD -> Master Cassette -> Reel -> Dat Set 2: SBD -> Master Cassette -> Dat Transferred and Edited By Charlie Miller Source Detail notes
892. 05/16/81 Barton Hall, Cornell University - Ithaca, NY 476-04 flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape; Transferred Nak ZX7> CDR by Doug Mow; CDR> FLAC16, minor editing by Alex Ford Source Detail notes
893. 05/16/81 Barton Hall, Cornell University - Ithaca, NY 477-01 flac16; Set 1: SBD -> Master Cassette -> Reel -> Dat Set 2: SBD -> Master Cassette -> Dat Transferred and Edited By Charlie Miller Source Detail notes
894. 05/16/81 Barton Hall, Cornell University - Ithaca, NY 477-02 Recording by Jim Wise. Main Source:FOB> 3 Sennheiser 421 mics > Nakamichi 550 > directly to disc via HHb 800 burner (via Jim Wise).(Previous SHN release); Patch Source: Eddie Claridge's 421 mics(set up on the SBD)>(Eddie's)D-5>(Jim Wise's)D-5>D-5>D-5>CDR ; Please see text file for further details on sources ; Via Torbjorn & Tommy Dunscuk ; Seeded to Etree by T. Wiley Source Detail notes
895. 05/17/81 Onondaga County War Memorial - Syracuse, NY 477-03 Possible Jim Wise Recording: AUD>MC>SF>CDR; via Paul B; Seeded to etree by Willy Source Detail notes
896. 07/02/81 The Summit - Houston, TX 477-04 Senn 421's>MC>DAT>CD; Missing US Blues Encore; via Paul B; Seeded to etree by Willy Source Detail notes
897. 07/04/81 Manor Downs - Austin, TX   flac16; SBD -> Cassette Master -> Dat (48k) Transferred By Joe Samaritano Patched and Edited By Charlie Miller Source Detail notes
898. 07/04/81 Manor Downs - Austin, TX 478-01 Master FOB Audience Cassette: Nakamichi CM700 mics > Sony D5 > DAT > CDR; via Scott Clugston Source Detail notes
899. 07/04/81 Manor Downs - Austin, TX 478-02 Recording Info:SBD -> Cassette Master -> Dat -> ZA2 -> SHN (Transfered By Joe Samaritano). Patch Notes: (FOB) Nakamichi 700 -> Cassette Master -> Cassette -> Dat (Sony D8) -> CD (Tascam CDRW700) -> EAC -> SHN (Transfered By Charlie Miller). Patched and Edited By Charlie Miller ; upgrade in circulation Source Detail notes
900. 07/05/81 Zoo Amphitheater - Oklahoma City, OK   flac16; SBD -> Master Cassette -> Reel -> Dat Transferred and Edited By Charlie Miller Source Detail notes
901. 07/05/81 Zoo Amphitheater - Oklahoma City, OK 478-03 Nak CM700?s> Sony D-5> MC> DAT> CD; via Paul B; Seeded to etree by Willy Source Detail notes
902. 07/07/81 Kansas City Municipal Auditorium Arena - Kansas City, MO 153-04, 479-01 flac16; SBD -> Master Cassette -> Reel -> Dat Transferred and Edited By Charlie Miller Source Detail notes
903. 07/07/81 Kansas City Municipal Auditorium Arena - Kansas City, MO 478-04 Complete; Aud (Neumann KMi84's)>MC>DAT>CD; via Tommy Danscuk; Seeded to etree by Willy Source Detail notes
904. 07/07/81 Kansas City Municipal Auditorium Arena - Kansas City, MO 479-01 flac16; SBD -> Master Cassette -> Reel -> Dat Transferred and Edited By Charlie Miller Source Detail notes
905. 07/07/81 Kansas City Municipal Auditorium Arena - Kansas City, MO 479-02 1st Set Only; SBD> Cm> Reel> Dat> CD via Charlie Miller; Seeded to etree by Willy ; upgrade in circulation Source Detail notes
906. 07/08/81 Kiel Auditorium - St. Louis, MO 479-03 (FOB) Neumann KM84>Cm>Dat>Cool Edit Pro>CD; via Charlie Miller; Seeded to etree by Willy Source Detail notes
907. 07/10/81 St. Paul Civic Center - St. Paul, MN 479-04 Originally mislabeled as "Behind (Stage) Nak 300/cp1>Cm>Cass>Dat>CD; via Charlie Miller; Seeded to etree by Willy", actually (FOB) Sennheiser 421; upgrade in circulation Source Detail notes
908. 07/11/81 Alpine Valley Music Theatre - East Troy, WI 480-01 Senn 421>CM>DAT>CD; via Rick Martin; Seeded to etree by Willy Source Detail notes
909. 07/11/81 Alpine Valley Music Theatre - East Troy, WI 480-02 Set 2; S : MC > C > D > CDR > EAC > SHN Extraction, tracking and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. Source Detail notes
910. 07/13/81 McNichols Sports Arena - Denver, CO 480-03 SBD; via Mike Lai Source Detail notes
911. 07/14/81 McNichols Sports Arena - Denver, CO 480-04 AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy Source Detail notes
912. 08/12/81 Salt Palace - Salt Lake City, UT 481-01 SBD>MC>R>DAT>CDR (with unknown aud patches); See info file for details; via paul B; Seeded to etree by Willy Source Detail notes
913. 08/14/81 Seattle Center Coliseum - Seattle, WA 481-02 NAK 700's>Sony TC-D5M>MC>R>DAT>CDR; Seeded to etree by Tony Gardner Source Detail notes
914. 08/15/81 Portland Memorial Coliseum - Portland, OR 481-03 Recording by Mark Severson. 3 Nak 700s>Sony D5M>MC>Reel>CDR; Distortion throughout first three songs; See info file for details; via David Minches & Paul B; Seeded to etree by Willy Source Detail notes
915. 08/16/81 McArthur Court, University Of Oregon - Eugene, OR 481-04 Recording by Jim Vita. Nakamichi CM300 mics with shotgun capsules >Sony TC-D5m cassette > HHb 800 master CD > SV-3800 DAT > CD (originally noted as Nak 300's>MC>DAT>CDR) Source Detail notes
916. 08/27/81 Long Beach Arena - Long Beach, CA 482 FOB (unknown mics)> Master Cassette> DAT> CDR; processed with DC ART Millenium software; DAE(EAC) and SHN Encoding by Jeff M. Source Detail notes
917. 08/28/81 Long Beach Arena - Long Beach, CA 482 SBD>?>CD>EAC 0.9b3 (Secure Mode)>Sound Forge 4.5>CDWave 1.7>MKWact 0.97b1 (Seeking SHN); Seeded to etree by PainoMan ; upgrade in circulation Source Detail notes
918. 08/30/81 Compton Terrace Amphitheatre - Tempe, AZ 161-03 flac16; SBD -> Cassette Master -> Cassette -> Cassette -> Dat -> CD Transferred and Edited By Charlie Miller Source Detail notes
919. 08/30/81 Compton Terrace Amphitheatre - Tempe, AZ 482 FOB Senn 441's>SonyTC-150>CM>DAT>CD; via Mike Rogers; Seeded to etree by Willy Source Detail notes
920. 08/31/81 Aladdin Theater - Las Vegas, NV 161-04 flac16; Recording Info: SBD -> Cassette Master -> ? -> Cassette -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller Patch Info: The beginning of Stranger and the middle Of Dew through the end of the show are patched with AUD>Cm>DAT>CD (shnid=9619). Source Detail notes
921. 08/31/81 Aladdin Theater - Las Vegas, NV 482 AUD>MC>DAT>CDR; Certified Owens Brothers Vault Release, processed with DC Art Millenium Software on a Dell Optiplex GX300 Workstation; via Paul B; Seeded to etree by Willy Source Detail notes
922. 09/11/81 Greek Theatre, University Of California - Berkeley, CA   flac16; 2 nak 300 mics>Sony TC-5m(Dolby B)>Nak Dragon(dolby decoded)>Panasonic 3800 DAT (A-D)>Soundforge-CD Architect>cdr>roxio toast>Apple G4(Xact); Recorded by Ned Hoey Source Detail notes
923. 09/11/81 Greek Theatre, University Of California - Berkeley, CA   flac16; 2 nak 300 mics>Sony TC-5m(Dolby B)>Nak Dragon(dolby decoded)>Panasonic 3800 DAT (A-D)>Soundforge-CD Architect>cdr>roxio toast>Apple G4(Xact); Recorded by Ned Hoey Source Detail notes
924. 09/11/81 Greek Theatre, University Of California - Berkeley, CA 483 Recording by Jim Wise. Sennheiser 421 mics > Sony TC D-5,(see Jim Wise notes in info file); d3 tracked for 80 min; via Nic Brokenleg, Kevin Gills; EAC/SHN by Willy Source Detail notes
925. 09/12/81 Greek Theatre, University Of California - Berkeley, CA   Recording by Jim Wise. Sennheiser 421 mics > Sony TC D-5, (see Jim Wise's notes in info file); d3 tracked for 80 min; via Nic Brokenleg, Kevin Gills; EAC/SHN by Willy Source Detail notes
926. 09/12/81 Greek Theatre, University Of California - Berkeley, CA 356-02 Recording by Jim Wise. FOB Senn 421s > Sony TC-D5 > MAC (Maxell XL II 90, Dolby B encoded) > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV (no processing!) > CD > EAC > WAV > SHN. Transfer and CD mastering by Jim Wise. Subsequent tracking and SHN encoding by Sean Cribbs Source Detail notes
927. 09/12/81 Greek Theatre, University Of California - Berkeley, CA   This is the same as shnid 7091 with Good Lovin' added (from an alternate aud source) so that the show is now complete via SIRMick(thedarkstar@btinternet.com) Source Detail notes
928. 09/12/81 Greek Theatre, University Of California - Berkeley, CA 483 Recording by Jim Wise. FOB Senn 421s > Sony TC-D5 > MAC (Maxell XL II 90, Dolby B encoded) > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV (no processing!) > CD > EAC > WAV > SHN. Transfer and CD mastering by Jim Wise. Subsequent tracking and SHN encoding by Sean Cribbs Source Detail notes
929. 09/12/81 Greek Theatre, University Of California - Berkeley, CA 483 This is the same as shnid 7091 with Good Lovin' added (from an alternate aud source) so that the show is now complete via SIRMick(thedarkstar@btinternet.com) Source Detail notes
930. 09/12/81 Greek Theatre, University Of California - Berkeley, CA 484 Recording by Jim Wise. Sennheiser 421 mics > Sony TC D-5, (see Jim Wise's notes in info file); d3 tracked for 80 min; via Nic Brokenleg, Kevin Gills; EAC/SHN by Willy Source Detail notes
931. 09/13/81 Greek Theatre, University Of California - Berkeley, CA   Set 1 Soundboard of unknown lineage. Transfer: Cassette > Sony TC-D5M > Soundblaster > WAV > Soundforge > CD-Wave > TLH (SBE-OK, FLAC compression, checksums) > bt.etree 01/06. ; upgrade in circulation Source Detail notes
932. 09/13/81 Greek Theatre, University Of California - Berkeley, CA 317 flac16; Set 1: SBD -> Cassette Master -> ? -> Cassette -> Sound Forge -> CD Set 2: SBD -> Cassette Master -> Cassette All Transfers and Mastering By Charlie Miller Source Detail notes
933. 09/13/81 Greek Theatre, University Of California - Berkeley, CA 484 Recording by Jim Wise. Sennheiser 421 mics > Sony TC D-5, (see Jim Wise's notes in info file); via Nic Brokenleg, Kevin Gills; EAC/SHN by Willy Source Detail notes
934. 09/25/81 Stabler Arena, Lehigh University - Bethlehem, PA 484 Source: MAC>DAT>CDR (x2)>EAC>CoolEdit 2000>WAV>SHN (seekable); Note- TMNSP may be from another (unknown) source; See info file for detail Source Detail notes
935. 09/25/81 Stabler Arena, Lehigh University - Bethlehem, PA 484 Master Soundboard Cassette > Cassette > CDR, with AUD patches from Sennheiser 441 and Nakamichi CM300's + CP4's; via Scott Clugston; see extensive notes in info file ; upgrade in circulation Source Detail notes
936. 09/26/81 Community War Memorial Auditorium - Buffalo, NY   flac16; Sick Bits Vol. 10 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 18110, and AUD - SHN ID# 12554); edited and transfered by Chris Chappell Source Detail notes
937. 09/26/81 Community War Memorial Auditorium - Buffalo, NY 485 AUD>MC>?>CD; via Scott Shindell; Seeded to etree by Willy Source Detail notes
938. 09/26/81 Community War Memorial Auditorium - Buffalo, NY 485 Recording by Dan Healy. Set 1: Nak 100's w/cardioid capsules>Uher CR-240>DAT>CDR Set 2: AKG 414's>Revox cassette deck (Cass. Master)>DAT>CDR (Recorded by Dan Healy at the sbd); Thanks to John Tallmadge for the discs; eac>shn popi n. feeldz Source Detail notes
939. 09/26/81 Community War Memorial Auditorium - Buffalo, NY 485 flac16; Sick Bits Vol. 10 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 18110, and AUD - SHN ID# 12554); edited and transfered by Chris Chappell Source Detail notes
940. 09/26/81 Community War Memorial Auditorium - Buffalo, NY 485 SBD>Cm>Cass>Dat>CD with aud patches via Charlie Miller Source Detail notes
941. 09/27/81 Capital Centre - Landover, MD 486 SBD>Cm>PCM>Dat>CD; via Charlie Miller; Seeded to etree by Willy; Upgrade in circulation Source Detail notes
942. 09/30/81 Playhouse Theatre - Edinburgh, Scotland 486 SBD> ?> C > C> WAV> noise reduction applied in Cool Edit Pro> SHN; EAC/SHN by jim; see info file for flaw notes ; upgrade in circulation Source Detail notes
943. 10/02/81 Rainbow Theatre - London, England 491 sbd> reel> ?> dats> wave> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT; missing Mama Tried, Mexicali Source Detail notes
944. 10/03/81 Rainbow Theatre - London, England 491 complete; SBD> MC> DAT> CDR; EAC> SHN by Jeff M. Source Detail notes
945. 10/04/81 Rainbow Theatre - London, England 491 Source 1: SBD>?>C>C>WAV>SHN; Source 2: SBD>?>C>C>WAV>SHN; See info file for detail; Seeded to etree by jim@juddcreek Source Detail notes
946. 10/06/81 Rainbow Theatre - London, England 491 Master Soundboard Cassette > Cassette > CDR ; EAC > SHN by Brian Polgar; to abgd; cuts are master tape flips or ends. The first few words of Sunshine Daydream are also clipped Source Detail notes
947. 10/08/81 Forum Theater - Copenhagen, Denmark 7918 SBD: CM > CASS > DAT > Pro CDR; via Neil Sturvetant; John Martin; Alasdair Macdonald; Seeded to etree by Matt Vernon Source Detail notes
948. 10/10/81 Stadthalle - Bremen, Germany   SBD>?>C>C>WAV>SHN; Seeded to etree by jim@juddcreek Source Detail notes
949. 10/12/81 Olympia Halle - Munich, Germany 492 SBD: MC > CASS > DAT > CDR; via Jens Tilsner; Alasdair Macdonald; Seeded to etree by Matt Vernon Source Detail notes
950. 10/13/81 Walter Koebel Halle - Russelsheim, Germany 492 SBD> ?> C> C> WAV> SHN; via Jim; caution- d1 does not fit on 80 min, see pub comments Source Detail notes
951. 10/15/81 Club Melk Weg - Amsterdam, Netherlands   AUD (FOB by unknown Belgian taper with unknown equipment)> CM> C> DAT> CDRx1> EAC> SHN; via Stephen Agan to abgd Source Detail notes
952. 10/16/81 Club Melk Weg - Amsterdam, Netherlands 492 SBD:MCASS> CASS> DAT> CDR, with aud patches: FOB:MCASS> CASS> DAT> CDR; EAC> SHN by Dan Vinson; patched in Playin' and Sugar Mag- see info file for notes Source Detail notes
953. 10/16/81 Club Melk Weg - Amsterdam, Netherlands 512 Source:Senheiser-pro-direction.>New Marantz cass.rec.(looking like SonyTC-D5>TDK-SA-C90(master tape) Master cass.>SonyTC-D5M>CDwave>Mkw>Shn. ; upgrade in circulation Source Detail notes
954. 10/17/81 The Hippodrome - Paris, France 493 SBD: MC > DAT > CDR; via Neil Sturvetant; John Martin; Alasdair Macdonald; Seeded to etree by Matt Vernon Source Detail notes
955. 10/19/81 Sports Palace - Barcelona, Spain 493 SBD: CM > CASS > DAT > Pro CDR; via Neil Sturvetant; John Martin; Alasdair Macdonald; Seeded to etree by Matt Vernon Source Detail notes
956. 11/29/81 Civic Arena - Pittsburgh, PA 493 Senn 421's>MC>DAT>CDR; via Paul B; seeded to etree by Willy Source Detail notes
957. 12/02/81 Assembly Hall, University Of Illinois - Champaign, IL 493 (FOB) Senn 421>Cm>Dat>CD; Missing Drums & Don't Ease encore; via Charlie Miller; Seeded to etree by Willy Source Detail notes
958. 12/03/81 Dane County Coliseum - Madison, WI   flac16; Recording by Doug Mow. 2 Nak 700 shotguns > Sony TC-D5M > Maxell XLIIS tape. A true gem. Seeded to bt.etree.org on 04/08/05 by Alex Ford. Source Detail notes
959. 12/03/81 Dane County Coliseum - Madison, WI 494 Nak 300's > Sony D5; via Peter Gallagher, Willy Source Detail notes
960. 12/05/81 Market Square Arena - Indianapolis, IN 494 Master Soundboard Cassette > Reel to Reel > DAT > CDR, with Audience source for Ramble on Rose d1t7; CD Re-mastering, EAC'ed / SHN'ed by Scott Clugston Source Detail notes
961. 12/06/81 Rosemont Horizon - Rosemont, IL 494 Unknown Aud>DAT>CDR; via Glenn Gillis; Seeded to etree by Peter Braverman Source Detail notes
962. 12/06/81 Rosemont Horizon - Rosemont, IL 644 flac16; AUD Master Cass>DAT>HD-P2>Soundforge 6.0>CD Wave>FLAC Frontend>.flac Source Detail notes
963. 12/07/81 Des Moines Civic Center - Des Moines, IA 494 Unknown Audience Source; via Scot Mellor; Seeded to etree by Willy; upgrade in circulation Source Detail notes
964. 12/07/81 Des Moines Civic Center - Des Moines, IA 495 2nd set only; SBD> MC> C> DAT> CD; seeded by Charlie Miller Source Detail notes
965. 12/09/81 Events Center, University Of Colorado - Boulder, CO 238-04 Master Soundboard Cassette > Reel to Reel > DAT> CDR Sennheiser 421 Audience source supplies "Mama Tried" (d1t06), the first 1:38 of "Mexicali Blues" (d1t07), as well as from 4:54 of "Space" (d3t01) thru 4:13 of "The Other One" (d3t02) Patching / CD Mastering by Scott Clugston EAC'ed / Shn'ed by Scott Clugston 10/02/02 ; upgrade in circulation Source Detail notes
966. 12/09/81 Events Center, University Of Colorado - Boulder, CO 371-05 Master Soundboard Cassette > Reel to Reel > DAT> CDR Sennheiser 421 Audience source supplies "Mama Tried" (d1t06), the first 1:38 of "Mexicali Blues" (d1t07), as well as from 4:54 of "Space" (d3t01) thru 4:13 of "The Other One" (d3t02) Patching / CD Mastering by Scott Clugston EAC'ed / Shn'ed by Scott Clugston 10/02/02 ; upgrade in circulation Source Detail notes
967. 12/09/81 Events Center, University Of Colorado - Boulder, CO 495 Master Soundboard Cassette > Reel to Reel > DAT> CDR Sennheiser 421 Audience source supplies "Mama Tried" (d1t06), the first 1:38 of "Mexicali Blues" (d1t07), as well as from 4:54 of "Space" (d3t01) thru 4:13 of "The Other One" (d3t02) Patching / CD Mastering by Scott Clugston EAC'ed / Shn'ed by Scott Clugston 10/02/02 ; upgrade in circulation Source Detail notes
968. 12/09/81 Events Center, University Of Colorado - Boulder, CO 830 flac16; SBD -> Master Reel (7 inch Reel @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
969. 12/12/81 Fiesta Hall, San Mateo County Fairgrounds - San Mateo, CA 495 MAC w/ Nak 300's>Sony TC-D5M (w/ Dolby B)>DAT>CDR via Andy Lemieux encoded by Matt Vernon Source Detail notes
970. 12/26/81 Oakland Auditorium Arena - Oakland, CA 495 Recording by Bob Menke. AUD> MC> R> DAT> CDR> EAC> SHN; Senn 421s>Sony TC-D5; via Paul; Seeded to etree by Glyde Source Detail notes
971. 12/26/81 Oakland Auditorium Arena - Oakland, CA 496 flac16; Recording by Steven Martin. Master audience cassette (2 modified Nakamichi CM-700 mics with boost + 1 Shure mic without boost > Sony TC-D5M on Maxell metal tape, about 20' in front of the soundboard) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding Source Detail notes
972. 12/27/81 Oakland Auditorium Arena - Oakland, CA 356-03 flac16; Recording Info: SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Dolby B) -> Sonic 24bit -> SBM2 -> CD -> EAC -> FLAC Transferred and Mastered By David Gans Converted To FLAC By Charlie Miller Thanks to Joani Walker and Paul Scotton for the tapes Source Detail notes
973. 12/27/81 Oakland Auditorium Arena - Oakland, CA 496 Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; To abgd via Charlie Connor. ; upgrade in circulation Source Detail notes
974. 12/28/81 Oakland Auditorium Arena - Oakland, CA 496 AUD (Senn. 421?s)> MC> DAT> CD; via Paul; Seeded to etree by Glyde Source Detail notes
975. 12/28/81 Oakland Auditorium Arena - Oakland, CA 496 SBD > MC > C > DAT > CD > EAC > SHN; Hiss reduction applied; EAC/SHN by Darryl Hinko Source Detail notes
976. 12/30/81 Oakland Auditorium Arena - Oakland, CA 497 1st Set SBD> MC> DAT> CD; 2nd Set Pre Drums SBD> Cm> PCM> Dat> CD>Cool Edit Pro> CD; 2nd Set Post Drums SBD> Cm> Reel> Cass> CD; via Charlie Miller; Seeded to etree by Willy Source Detail notes
977. 12/31/81 Oakland Auditorium Arena - Oakland, CA   Jay Ashley (Bertha) remaster of Jay Serafin's 4 TRACK RTR source; SBD> MR> PCM> DAT> CDR> SHN> DAW(Bertha)> CDA; Note- Joan Baez set missing Source Detail notes
978. 12/31/81 Oakland Auditorium Arena - Oakland, CA   Acoustic set only (w/ Joan Baez); SBD > MR > CASS > DAT > CDR > EAC > SHN via Chris Warren; upgrade in circulation Source Detail notes
979. 12/31/81 Oakland Auditorium Arena - Oakland, CA 198-01 electric sets; Monitor Mixer SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB; via Jay Serafin to gdlive; see extensive notes in txt files Source Detail notes
980. 12/31/81 Oakland Auditorium Arena - Oakland, CA 356-04 flac16; SBD> Cassette Master (Dolby B)> Sonic 24bit> SBM2> CD> EAC> FLAC; Transferred and Mastered By David Gans; FLAC By Charlie Miller Source Detail notes
981. 01/01/82 Mickey's ranch studio - Novato, CA 452-01 studio recording by Mickey Hart, Barry Melton, Bill Graham and others - 'The Bugs' - unreleased radio play. from 3rd gen cassette via Hanno Bunjes, Uli Teute Source Detail notes
982. 02/17/82 Warfield Theater - San Francisco, CA 452-02 Source: SBD Lineage: Master Cassette> DAT> CD> SHN; Seeded by Peter Braverman Source Detail notes
983. 02/17/82 Warfield Theater - San Francisco, CA 452-03 Main source: MSC>DAT>CD (/shn_downloadtxt.php?shnid=15033) Patch source: Steven Martin's MAC>DAT>CD (/shninfo_detail.php?shnid=21916) via Sean Cribbs Source Detail notes
984. 02/21/82 Pauley Pavilion, UCLA - Los Angeles, CA 452-04 Sbd> cassette > dat> cdr> Eac > cool edit pro > shntool > cdwav > shnv3; eac > shnv3 (secure with proper offsets) by Ernie Dodd; Discs kindly provided by Mark Horvath Source Detail notes
985. 03/14/82 Recreation Hall, UC Davis - Davis, CA 452-05 Master Soundboard Cassette > Reel to Reel > DAT > CDR; CD Mastering, SHN'ed by Scott Clugston; d1 tracked for 80 min Source Detail notes
986. 04/02/82 Cameron Indoor Stadium, Duke University - Durham, NC 453-01 Master Soundboard Cassette > Cassette > DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; upgrade in circulation Source Detail notes
987. 04/03/82 The Scope - Norfolk, VA   Up Front Audience, Sennheiser 441 Microphones > Cassette Master > DAT (via Fostex D-10 Playback) > CD-R (hhb 800 Standalone) > EAC 0.9 > WAV > CDRWAV (for track recutting)>SHN (via MKWACT) via Fishman Source Detail notes
988. 04/06/82 The Spectrum - Philadelphia, PA 453-02 Main Source: SBD(unknown lineage)>SHN(Mike Lai Seed) ; Patch Source: AUD/FOB>CM>DAT>CDR>EAC>SHN ; Remastering/Seeded by T. Wiley 4/23/03 Source Detail notes
989. 04/12/82 Nassau Coliseum - Uniondale, NY 605 flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC Source Detail notes
990. 04/14/82 Glens Falls Civic Center - Glens Falls, NY   flac16; Matrix of Soundboard and audience recording by Ohr Weinberg via PLS. Source Detail notes
991. 04/17/82 Hartford Civic Center - Hartford, CT   Bertha Remaster of unknown Soundboard source (*)SBD>>???>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN Source Detail notes
992. 04/17/82 Hartford Civic Center - Hartford, CT 488 flac16; AUD: Unknown mics (possibly Shure) > Nakamichi 550 (likely) tape deck > Maxell UDXL-II 90's, with Dolby off. Set up in Section 114, Row R, Seat 9 (Brent's side). Taped by Dennis C. (See note below.) Transfer: MAC > Sony TC-D5M (Dolby off) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-Fix, Checksums, FLAC compression) > FLAC by Andrew F. Source Detail notes
993. 04/17/82 Hartford Civic Center - Hartford, CT 644 flac16; Recording by Barry Glassberg:FOB-Nak 700's > Sony D5 Transfer:Aud > mastercassette > DAT > CDR > EAC > Flac-level 8 Source Detail notes
994. 04/18/82 Hartford Civic Center - Hartford, CT 453-03 SBD -> Cm -> PCM -> Dat(48k) via Charlie Miller Source Detail notes
995. 04/19/82 Baltimore Civic Center - Baltimore, MD 453-04 Master Soundboard Cassette > Cassette > DAT > CDR; EAC'ed/SHN'ed by Scott Clugston; via David Warren to abgd Source Detail notes
996. 04/19/82 Baltimore Civic Center - Baltimore, MD 997 flac16; Matrix 2 Source Mix - SBD (shn id 89313) MAC > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV + AUD (shn id 19420) MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD - matrix mixing by Kevin Tobin Source Detail notes
997. 04/19/82 Baltimore Civic Center - Baltimore, MD 997 flac16;SBD Master Cassette > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV Source Detail notes
998. 05/21/82 Greek Theatre, University Of California - Berkeley, CA 454-01 sbd master cassette > DAT > CDR > EAC > SHN; via Gerald Gorinsky with thanks to Kevin Gills, Mark Perini; see info file for flaw notes Source Detail notes
999. 05/22/82 Greek Theatre, University Of California - Berkeley, CA 454-02 soundboard -> master cassette > DAT > CDR > CDR > EAC > SHN; EAC, SHN, etreed by Gerald Gorinsky, with thanks to Kevin Gills and Mark Perini Source Detail notes
1000. 05/23/82 Greek Theatre, University Of California - Berkeley, CA 454-03 sbd -> Master cassette > DAT > CDR> CDR > EAC (secure mode) > SHN; EAC, SHN , upload by Gerald Gorinsky, with thanks to Kevin Gills, Mark Perini Source Detail notes
1001. 05/28/82 Moscone Convention Center - San Francisco, CA 459-01 SBD:Unknown Gen Cassette>CD; Benefit for Vietnam Veterans with guests; See info file for details; Seeded to etree by Jim Skinner Source Detail notes
1002. 07/18/82 Ventura County Fairgrounds - Ventura, CA 609 Recording by Ohr Weinberg, FOB w/ two Sennheiser MD-441's (8 1/2' Stand) > Sony TC-D5M (Maxell MX-90 Cassettes w/ Dolby B). A->D (Ohr): Master Cassette > Nakamichi Dragon > HHB CDR 830 Plus > EAC -> CD Wave > Drums Tape Flip Spliced w/ Soundforge 5.0 > MKW ACT > SHN Source Detail notes
1003. 07/25/82 Compton Terrace Amphitheatre - Tempe, AZ 609 Lineage: AUD>?>DAT>CD>EAC>SHN>WAV>CE2K>CDWAVE>SHNTOOL>mkwACT. Source possibly Jim Wise FOB. Editing/Tracking/Seeding by JBGoode & MattMan. Source Detail notes
1004. 07/27/82 Red Rocks Amphitheatre - Morrison, CO 644 flac16; Source: SBD>Cass/1>DAT>HD-P2>Soundforge 6.0>Flac Frontend>FLAC Tranfer by: Jake Clemens Source Detail notes
1005. 07/27/82 Red Rocks Amphitheatre - Morrison, CO 608 Recording by Jim Wise FOB - Senn 421's> Sony TC-D5 (at "mouth" of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR (Jim Wise transfer/master); Extraction, Editing, Shorten Compression and Upload by Mike "dankstar" Parrillo; note crossfade applied on Drumz tape flip Source Detail notes
1006. 07/28/82 Red Rocks Amphitheatre - Morrison, CO 608 FOB - Senn 421's> Sony TC-D5 (at "mouth" of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR (Jim Wise transfer/master); Extraction, Editing, Shorten Compression & Upload by Mike "dankstar" Parrillo; note another version circulates with some different md5s Source Detail notes
1007. 07/28/82 Red Rocks Amphitheatre - Morrison, CO 606 flac16; Source: Soundboard of unknown lineage > ? > Cassette. Transfer: Cassettes > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-Fix, Checksums, and FLAC Compression) > FLAC Source Detail notes
1008. 07/29/82 Red Rocks Amphitheatre - Morrison, CO 608 FOB - Senn 421's> Sony TC-D5 (at "mouth" of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR (Jim Wise transfer/master); Extraction, Editing, Shorten Compression & Upload by Mike "dankstar" Parrillo; ; note another version circulates with some different md5s Source Detail notes
1009. 07/31/82 Manor Downs - Austin, TX   flac16; SBD/AUD matrix - Sick Bits Vol. 11 (edited/mixed from 2 previously circulating sources: SBD - shnID=3415, AUD - shnID=19017) - prepared by Chris Chappell Source Detail notes
1010. 07/31/82 Manor Downs - Austin, TX 459-02 Lineage: Soundboard>Master Cassette>Cassette>Dat>CDR>EAC>SHN; Cleanup of previous Jeff M seed (by Chris Perkins); See info file for details; upgrade in circulation Source Detail notes
1011. 08/01/82 Zoo Amphitheater - Oklahoma City, OK 459-03 SBD>MC>DAT>CD; Missing JBG & US Blues; via Steve Wigley; Seeded to etree by Willy Source Detail notes
1012. 08/03/82 Starlight Theater - Kansas City, MO   flac16; Sick Bits Vol. 12, SBD/AUD matrix of two previously circulating sources; SBD: shnid=19228, AUD: shnid=5984; edited and mixed by Chris Chappell. Source Detail notes
1013. 08/03/82 Starlight Theater - Kansas City, MO 459-04 Lineage:SBD>MC>PCM>DAT>CDR Missippi Half-Step cuts in at 12 seconds, Cassidy has several cuts throughout , Let It Grow cuts at tailend as they play out to drums * Aud patch assumed from widely circulated audience source ; upgrade in circulation Source Detail notes
1014. 08/04/82 Kiel Auditorium - St. Louis, MO 460-01 SBD>MasterCass>DAT>CD; via Scott Whitford; Seeded to etree by Willy Source Detail notes
1015. 08/06/82 St. Paul Civic Center - St. Paul, MN 460-02 S : MC > C1 > DAT > CDR > SHN Steve Apria's soundboard master cassette->Mark Cohen's cassette->DAT->CDR->.WAV->SHN (Steve Apria lost the master cassette years ago); Thanks to John Horzepa for seeding this!; Seeded to Etree by Alan J Fink; upgrade in circulation Source Detail notes
1016. 08/07/82 Alpine Valley Music Theatre - East Troy, WI 207-01, SBD : MC > MR > DAT > CDR Transfer done by Jim Wise Source Detail notes
1017. 08/08/82 Alpine Valley Music Theatre - East Troy, WI 207-02 SBD : MC > MR > DAT > CDR Transfer done by Jim Wise Source Detail notes
1018. 08/10/82 University Of Iowa Fieldhouse - Iowa City, IA 460-04 SBD -> Cm -> Dat -> Samplitude 2496 v6.0 -> CD -> EAC -> SHN; via Charlie Miller Source Detail notes
1019. 08/28/82 Oregon Country Fair - Veneta, OR 461-01 sdb> cassette master> cassette> cdr; transfer by Mike Lai from Bruce Fried's seed; reportedly stemming from Rock Scully Source Detail notes
1020. 08/29/82 Seattle Center Coliseum - Seattle, WA 461-02 (FOB) Nak 300/CP4 > Cm > Dat > Sound Forge > CD > EAC > SHN encoded by Charlie Miller Source Detail notes
1021. 09/05/82 US Festival, Glen Helen Regional Park - Devore, CA 461-03 SBD: MC > DAT > CDR; From Jack Warner; with AUD patches in d1t1,2 by Alan J. Fink; cuts in d1t7 and between d1t5>6 Source Detail notes
1022. 09/09/82 Saenger Performing Arts Center - New Orleans, LA 461-04 SBD> MC> PCM> DAT> CD; With aud patches; See info file for details; Missing both encores; via Kevin Gills; Seeded to etree by Willy; note wavs have pre-emphasis, so files should ideally be burned to audio with PRE flag set (see user comments) Source Detail notes
1023. 09/11/82 West Palm Beach Civic Center - West Palm Beach, FL 262-03, 256-03 Master Soundboard Cassette > Reel to Reel > DAT> CDR; with patches from FOB Nak CM300 (see info file); via Scott Clugston to abgd and etree Source Detail notes
1024. 09/12/82 Lakeland Civic Center - Lakeland, FL 461-05 SBD>Cm>Reel>Dat>CD. via Paul B.; Chris Ladner; Upgrade in circulation Source Detail notes
1025. 09/14/82 University Hall, University Of Virginia - Charlottesville, VA 259-06 Recording Info: 1st Set: Beyer M160 -> Cassette Master (Sony D5) -> Dat -> CD -> EAC -> SHN 2nd Set: SBD -> Cassette Master -> Reel -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller Source Detail notes
1026. 09/15/82 Capital Centre - Landover, MD   Master Sondboard Cassette > PCM > CDR; With Audience Patches; Patching/CD Mastering by Scott Clugston; SHN'ed and Seeded to fungus by Scott Clugston; also to abgd via Charlie Connor Source Detail notes
1027. 09/17/82 Cumberland County Civic Center - Portland, ME 207-03 Master FOB Audience Cassette > Nak CM300 mics > Sony D5: master cassette played back via a Nakamichi DR-1 > HHB 850 > EAC for DAE to Harddrive > CEP > CDWave > CDRWin > Yamaha CR8424 CDR; via S. Clugston, L. Revell Source Detail notes
1028. 09/17/82 Cumberland County Civic Center - Portland, ME 463-01 Recording by Mark Cohen Nak 700s> Sony D5, A:D by Mark Cohen, D>SHN by David Minches Source Detail notes
1029. 09/18/82 Boston Garden - Boston, MA 434,849 SBD> CAS/1 (Dolby)> CD; via Michael K. Weise; reported upgrade relative to previously circulating shn set Source Detail notes
1030. 09/20/82 Madison Square Garden - New York, NY 931 flac16; Recording Info: SBD -> Cassette Master -> Cassette -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> Cool Edit Pro v.20 -> FLAC All Transfers and Mastering By Charlie Miller (Pitch correction of shn id 77482.) Source Detail notes
1031. 09/20/82 Madison Square Garden - New York, NY 463-02 Recording by Mark Cohen Nak 700s> Sony D5 , A>D by Mark Coehn, D>SHN by David Minches Source Detail notes
1032. 09/20/82 Madison Square Garden - New York, NY 463-03 1st set only; SBD>Cm>Cass>CD; Seeded to etree by charlie miller and neil sturtevant; upgrade in circulation Source Detail notes
1033. 09/20/82 Madison Square Garden - New York, NY 463-04 Set 2 SBD>Cm>Cass>CD via Charlie Miller; upgrade in circulation Source Detail notes
1034. 09/20/82 Madison Square Garden - New York, NY 621,849 flac16; Recording Info: SBD -> Cassette Master -> Cassette -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC ; upgrade in circulation Source Detail notes
1035. 09/21/82 Madison Square Garden - New York, NY 463-05 csbd>dat>cd (unconfirmed); Seeded to etree by C. Perkins ; upgrade in circulation Source Detail notes
1036. 09/21/82 Madison Square Garden - New York, NY 608 flac16; SBD -> Cassette Master -> Dat All Transfers and Mastering By Charlie Miller Source Detail notes
1037. 09/23/82 New Haven Veterans Memorial Coliseum - New Haven, CT 464-01 (FOB) Senn 421>Cm>Dat>CD; Seeded to etree by Charlie Miller Source Detail notes
1038. 09/24/82 Carrier Dome, Syracuse University - Syracuse, NY 464-02 SBD> Master Cassette> 1 Reel> DAT> DAT> WAV> Soundforge 4.0> CDWAV 1.53> MKW 0.97b> SHN w/ seek tables appended; DAT> WAV via Sony SDT-9000 DDS drive using VDAT 0.6f, wavs compared for errors using EAC; DAT seed from Rob Eaton, DAT> SHN by Jamie Lutch; QC courtesy dankseeds; see info file for flaws etc Source Detail notes
1039. 10/09/82 Frost Amphitheatre - Palo Alto, CA 464-03 Soundboard->Cassette Master(MA-R90/Dolby B)-> 1st Generation Cassette(XLII-S90/Dolby C). 1st Generation Cassette->Fostex D5 (pass-through only)->ZA2->Samplitude v7.02 Professional->.wav->mkw->SHN. Transfer, editing, and SHN by Joe Samaritano Source Detail notes
1040. 10/10/82 Frost Amphitheatre - Palo Alto, CA 207-04 SBD:MCass>(?)DAT>CD>EAC>SHN; transfer by David Hollister; via Josh Ayers; known flaws: small cut in Crazy Fingers, momentary "blip" during Saint, cut in Drums (tape flip), momentary dropout during The Wheel, the very end of Sunshine Daydream is cut; note problem with d3 on etree, fixed version up by 12/3 via Darrin Sacks (old md5s shown here?); upgrade in circulation Source Detail notes
1041. 10/10/82 Frost Amphitheatre - Palo Alto, CA 849 flac16; AUD>>CASS>>DAT>>CDA>>WAV(EAC)>>FLAC>>DAW(Bertha)>>FLAC; Bertha remaster of shn id 29315 Source Detail notes
1042. 10/10/82 Frost Amphitheatre - Palo Alto, CA 653 flac16; AUD>>CASS>>DAT>>CDA>>WAV(EAC)>>FLAC>>DAW(Bertha)>>FLAC; Bertha remaster of shn id 29315 Source Detail notes
1043. 10/17/82 Santa Fe Downs - Santa Fe, NM 464-04 (FOB) Neumann KM84 > Sony TC-D5M Dolby B Cassette Master > Reel > My Dat (Supplied by Neil Sturtevant); Transfer Info: Dat>CD>EAC>SHN (Tascam DA20>Tascam CDRW700); All transfers done by Charlie Miller Source Detail notes
1044. 11/25/82 Bob Marley Performing Arts Center - Montego Bay, Jamaica 465-01 lineage: MSC(Sony TCD-5M) > WAV > SHN recording: MSC - master soundboard cassette w/ Dolby B by Frank Streeter digital transfer: Nakamichi CD 2 cassette deck > HHB 850 Pro stand-alone CD burner (16 bit @ 44.1khz) by Frank Streeter and Henry Fisher tracking and editing: AIF (Toast 5.2) > WAV (Peak 3.21) > SHN (shntool 1.2.2) WAV sector boundaries verified with shntool by Ted Erhard Source Detail notes
1045. 12/26/82 Oakland Auditorium - Oakland, CA 465-02 Master Soundboard Cassette > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; d2 tracked for 80 min; to abgd; upgrade in circulation Source Detail notes
1046. 12/28/82 Oakland Auditorium - Oakland, CA 262-04, 256-04 flac16; SBD -> Master PCM -> Dat/0 Transferred and Edited By Charlie Miller Source Detail notes
1047. 12/28/82 Oakland Auditorium - Oakland, CA   flac16; Sick Bits Vol. 18b - SBD/AUD Matrix of 1 previously circulated SBD source (shnid=31967) and 1 uncirculated AUD source. Edited, mixed and encoded by Chris Chappell. Source Detail notes
1048. 12/28/82 Oakland Auditorium - Oakland, CA 465-03 SBD > MC > DAT > CD > EAC > SHN; upgrade in circulation Source Detail notes
1049. 12/30/82 Oakland Auditorium - Oakland, CA 434-04 SBD>MC>PCM>DAT>CDR (likely cass gen); Seeded to etree by Tony G; upgrade in circulation Source Detail notes
1050. 12/30/82 Oakland Auditorium - Oakland, CA 614 flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation Source Detail notes
1051. 12/31/82 Oakland Auditorium - Oakland, CA 198-02 SBD> MR> DAT> CD> EAC> SHN; Show and lineage information from Charlie Miller; DAE, SHN conversion, by Keith Bode; upgrade in circulation Source Detail notes
1052. 12/31/82 Oakland Auditorium - Oakland, CA 614 flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation Source Detail notes
1053. 01/24/83 Stone House Studio - Novato, CA 607 Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03 Source Detail notes
1054. 01/31/83 Stone House Studio - Novato, CA 607 Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03 Source Detail notes
1055. 02/01/83 Stone House Studio - Novato, CA 607 Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03 Source Detail notes
1056. 02/06/83 Stone House Studio - Novato, CA 607 Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03 Source Detail notes
1057. 03/14/83 Club Front - Rehearsals - San Rafael, CA 607 Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03 Source Detail notes
1058. 03/25/83 Compton Terrace Amphitheatre - Tempe, AZ 607 SBD -> Cassette Master -> Reel -> Cass -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN;Patched with 3 Sennheiser 421's -> Cassette Master -> Dat -> CD -> EAC -> SHN; Patched and Edited By Charlie Miller Source Detail notes
1059. 03/30/83 Warfield Theater - San Francisco, CA 621,849 flac16; SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller Source Detail notes
1060. 03/31/83 Warfield Theater - San Francisco, CA 621, 606 flac16; SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
1061. 04/09/83 Hampton Coliseum - Hampton, VA 310 SBD> Master Cassette> Reel> Dat (48k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; plus patches from Rob Eaton's FOB Senn 441 source; Transferred, Edited and Patched By Charlie Miller Source Detail notes
1062. 04/10/83 West Virginia University Coliseum - Morgantown, WV 242-02 Set 1 SBD > PCM > Dat x 2 > CDR > SHN; Set 2 SBD > Cassette Master > Dat x 2 > CDR > SHN; via Bob Harrell; drgseeds Source Detail notes
1063. 04/12/83 Broome County Arena - Binghamton, NY 157-06, 242-03 flac16; Recording Info: SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.0 -> FLAC Source Detail notes
1064. 04/13/83 Patrick Gymnasium, U of Vermont - Burlington, VT   MSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN; via Jim Wise, Darrin Sacks Source Detail notes
1065. 04/15/83 Community War Memorial Auditorium - Rochester, NY 924 flac16; Source:2-Sennheiser MD421's>Sony D5 Location: FOB-11th row DFC @6 ft high on stand(head high) Taper: Rick "Coyotte" Colyard 2 maxell UD-XL2-S-Cassette MASTERS Transfer: Cassette Masters> Sony TC-W21>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3>WAV>Poulderbits Sound Editor for (fades/cuts)>FlacFrontend (level-8)>flac-16 Tapeflips joined with Media Join 2.0 Transfered and edited and seeded freely by Muletaper 11-18-2007 Source Detail notes
1066. 04/15/83 Community War Memorial Auditorium - Rochester, NY 607 Recording Info: Set 1: SBD -> Cassette Master -> Reel -> Dat (48k) Set 2: SBD -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Source Detail notes
1067. 04/16/83 Meadowlands Arena - East Rutherford, NJ   flac16; mixed sources: SBD> Cassette Master> Reel> Dat> CD> EAC> WAV> FLAC; Set 2: SBD> PCM> Dat> Cool Edit Pro> WAV; WAV> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller Source Detail notes
1068. 04/17/83 Meadowlands Arena - East Rutherford, NJ 198-04 SBD : MC > C > DAT > CDR Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper sector boundaries verified via shntool. Seeded to Etree by Alan J Fink 02/02/2003. Thanks to Jeff Williams for the disks! Source Detail notes
1069. 04/22/83 Veterans' Memorial Coliseum - New Haven, CT 924 flac16; Source:2-Sennheiser MD421's>Sony D5 Location: FOB-14th row DFC @6 ft high on stand Taper: Rick "Coyotte" Colyard 2 maxell xl2's-cassette MASTERS Transfer: Sony ES-950>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3>WAV>Poulderbits Sound Editor for (fades/cuts)> FlacFrontend (level-8)>flac-16 Transfered and edited by muletaper 10/07 Source Detail notes
1070. 04/23/83 Veterans' Memorial Coliseum - New Haven, CT   flac16; SBD -> Cassette Master -> Reel -> Dat -> CD Transferred and Edited By Charlie Miller; Scarlet -> Fire patched from Charlie Miller's Aud: (FOB) Senn 421 -> Cassette Master -> Sound Forge -> CD Source Detail notes
1071. 04/25/83 The Spectrum - Philadelphia, PA 905 flac16; Source:2-Nak 700's>Sony D5 Location: FOB-7th row DFC @6 ft high on stand(head high) Taper: Rick "Coyotte" Colyard 2 maxell UDXL2-Cassette MASTERS Transfer: Sony TCW-21(analog out)>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3@44.1khz>WAV>Poulderbits Sound Editor for (fades/cuts)>Media Join(join tape flips)>FlacFrontend (level-8)>flac-16 Source Detail notes
1072. 06/18/83 Saratoga Performing Arts Center - Saratoga Springs, NY 609 (Front Row Balcony) Sennheiser 441 -> PCM -> CD -> Dat Source Detail notes
1073. 06/18/83 Saratoga Performing Arts Center - Saratoga Springs, NY 607 Source: Senn 421's > Sony D-5 > CDR taped by Jim Wise *these are not the originally seeded shns (well mostly) see below for details * I rejoined the Morning Dew and Crowd tracks that were separated with a disc break and a fade out from the Dew into one track with Cool Edit Pro. The original md5's are the same except for the Morning Dew and the track names have changed on Space and all the tunes after that. - Doug Nawrocki Source Detail notes
1074. 09/02/83 Boise State University Pavillion - Boise, ID 267-03 SBD> cassette master> (cass?)> DAT> CDR; via anonymous benefactor; upgrade in circulation Source Detail notes
1075. 09/06/83 Red Rocks Amphitheatre - Morrison, CO 242-05 Master Soundboard Cassette > Cassette > DAT > CDR, with AUD patches from 2 Master Audience Cassettes: Sennheiser 421 mics > Sony D5, Sennheiser 441 mics > Sony D6 (see info file); Patching / CD Mastering, EAC'ed / SHN'ed by Scott Clugston Source Detail notes
1076. 09/10/83 Santa Fe Downs - Santa Fe, NM 804 flac16; Recording Info: (FOB) Sennheiser 441 -> PCM (Technics SV100) -> Dat Transfer Info: Dat (Sony R500) -> VX Pocket v2 -> Samplitude Professional v9.02 -> FLAC; All Transfers and Mastering By Charlie Miller Source Detail notes
1077. 09/10/83 Santa Fe Downs - Santa Fe, NM 1061 flac16; Recording Info: (FOB) Sennheiser 441 -> PCM (Technics SV100) -> Dat Transfer Info: Dat (Sony R500) -> VX Pocket v2 -> Samplitude Professional v9.02 -> FLAC; All Transfers and Mastering By Charlie Miller Source Detail notes
1078. 09/11/83 Santa Fe Downs - Santa Fe, NM 343 SBD> Master Cassette> 1 Reel> DAT> DAT> WAV> Soundforge 4.0> CDWAV 1.53> MKW 0.97b> SHN; DAT> WAV via Sony SDT-9000 DDS drive using VDAT 0.6f; see info file for details and flaw notes; QC courtesy dankseeds Source Detail notes
1079. 09/11/83 Santa Fe Downs - Santa Fe, NM   Source: Jeff Silberman's Master Audience PCM; Sennheiser 441 mics > Technics SV100 PCM > DAT > CDR *Additional Editing by The Mighty Terrapin(Had The Remaining tracks from d1t06-10) Source Detail notes
1080. 10/11/83 Madison Square Garden - New York, NY 310 Recording Info: Beyer M160 -> Cassette Master (Sony D5) -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.01 -> FLAC Recorded By Jim Wise Transferred and Edited By Charlie Miler Source Detail notes
1081. 10/11/83 Madison Square Garden - New York, NY 310 noise-reduced and Bertha Remaster of a Master Cassette source, probably this previous version, or possibly this one (not specified); an alternate NR version also circulates; via Jay Ashley Source Detail notes
1082. 10/11/83 Madison Square Garden - New York, NY 610 Peter Braverman 'fix' of the sub second audience patch in d2t01 of the original sbd version; SBD > Cassette Master > Dat x 2 > CDR > SHN Source Detail notes
1083. 10/11/83 Madison Square Garden - New York, NY 610 Sbd > Cassette Master > Dat x 2 > CDR > SHN; plus AUD patches from Jeff Silberman Senn source (see info file); to etree via Bob Harrell ; upgrade in circulation Source Detail notes
1084. 10/12/83 Madison Square Garden - New York, NY   flac16; Source: FOB > 1 Neumann U87 + 2 Sennheiser 421's > Nak 550 (Master Cassette) > Dat Transfer: Fostex D5 > Vx Pocket 440 > Toshiba 3480ct > Wavelab 4.0 > Fades + Resampled to 44.1 > Cd Wave > Flac Transferred/Seeded By: Greg Lance Source Detail notes
1085. 10/12/83 Madison Square Garden - New York, NY 610 SBD > Cassette Master > Dat x 2 > CDR; via Bob Harrell Source Detail notes
1086. 10/14/83 Hartford Civic Center - Hartford, CT   Ficca FOB Sony TCD5M with 2 Beyer Dynamic 160's->Sony CDR-W66>EAC>CDWave>CD via Ficca Source Detail notes
1087. 10/14/83 Hartford Civic Center - Hartford, CT 628 2 Nak 700's>Sony TC-D5M>Maxell MX90 (1st set), TDK MA90 (2nd set) Taped and transferred by Doug Mow Conversion and seeding to bt.etree.org by Alex Ford 02/12/06 Source Detail notes
1088. 10/15/83 Hartford Civic Center - Hartford, CT   Sbd > Cassette Master > Dat x 2 > CDR > SHN; plus AUD patches from Jeff Silberman Senn source (see info file); to etree via Bob Harrell Source Detail notes
1089. 10/15/83 Hartford Civic Center - Hartford, CT 631 flac16; 2 Nak 700's pointed to stacks (FOB) > Maxell MX 90 > Sony TC-D5M Taped and transferred by Doug Mow. Conversion and Seeding to bt.etree.org by Alex Ford Source Detail notes
1090. 10/15/83 Hartford Civic Center - Hartford, CT 924 flac16; Source:2-Sennheiser MD421's>Sony D5 Location: FOB-4th row DFC @6 ft high Taper: Rick "coyotte"Colyard Team Old Skool FOB Released 10/28/07 2 maxell xl2's-cassette MASTERS Transfer: Sony ES-950>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3>WAV>Poulderbits Sound Editor for (fades/cuts)> FlacFrontend (level-8)>flac-16 Transfered by muletaper 10/07 Source Detail notes
1091. 10/15/83 Hartford Civic Center - Hartford, CT 920 flac16; Source:2-Sennheiser MD421's>Sony D5 Location: FOB-4th row DFC @6 ft high Taper: Rick "coyotte"Colyard Team Old Skool FOB Released 10/28/07 2 maxell xl2's-cassette MASTERS Transfer: Sony ES-950>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3>WAV>Poulderbits Sound Editor for (fades/cuts)> FlacFrontend (level-8)>flac-16 Transfered by muletaper 10/07 Source Detail notes
1092. 10/15/83 Hartford Civic Center - Hartford, CT 905 flac16; Source:2-Sennheiser MD421's>Sony D5 Location: FOB-4th row DFC @6 ft high Taper: Rick "coyotte"Colyard Team Old Skool FOB Released 10/28/07 2 maxell xl2's-cassette MASTERS Transfer: Sony ES-950>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3>WAV>Poulderbits Sound Editor for (fades/cuts)> FlacFrontend (level-8)>flac-16 Transfered by muletaper 10/07 Source Detail notes
1093. 10/17/83 Olympic Center - Lake Placid, NY 507 flac16; mixed SBD sources, plus AUD patches: Set 1: SBD> Master Cassette> Dat> Sonic Solutions> CD> EAC> FLAC; Set 2: SBD> Master Cassette> Reel> Dat> CD> EAC> Samplitude v7.02 Professional> FLAC; Patch Info: (FOB/12th Row) Sennheiser 421> Master Cassette (Sony D5)> Dat> CD; Edited By Charlie Miller Source Detail notes
1094. 10/17/83 Olympic Center - Lake Placid, NY 962 flac16; Source: DAT Copy of Master Cassette Sennheiser MD 441 U > Sony TCD-5M FOB 10th Row Recorded and Copied to DAT by Chuck Jackson Transfer:Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 48 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/48 KHz WAV > Ozone 3.0 > MBIT+ and > CDWAV 1.9 Converted to 16/44.1 KHz WAV with r8brain > FLAC (level 8). with TLH Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. Transferred by C. Ladner Mastering by B. Koucky Source Detail notes
1095. 10/21/83 The Centrum - Worcester, MA   SBD>>PCM>>Dat>>CDR>>SHN>>DAW(Bertha)>>CDA/SHN There is another Bertha Remaster of 10/21/83. That version was done with the source that had a cassette gen in the lineage. This version has no cassette gen. Source Detail notes
1096. 10/22/83 Carrier Dome, Syracuse University - Syracuse, NY 924 flac16; Source:Sennheiser-MD421's>Sony D5 Location: FOB-6th Row DFC @8 ft high on stand Taper: Rick "Coyotte" Colyard 2 Maxell SA-X90-Cassette MASTERS Transfer:MAC> Sony TCW-21(Analog out)>Edirol Digi-Mod UA5@44.1khz>Digital-Optical out>>Nomad JB3@44.1khz>WAV>Poulderbits Sound Editor for (fades/cuts)>FlacFrontend (level-8)>flac-16 Transfered and Edited by MULETAPER- 11/23/07 Source Detail notes
1097. 10/31/83 Marin County Veterans Auditorium - San Rafael, CA   Source: FOB(Nak 700)>MC>DAT>CDR>WAV>SHN. Taper: Mark Horvath. SHN encoding via C.Ladner. Source Detail notes
1098. 10/31/83 Marin County Veterans Auditorium - San Rafael, CA 317 SBD> MC> DAT> CDR> EAC> CDWAV> SHN; via Tony Gardner with thanks to Paul B.; upgrade in circulation Source Detail notes
1099. 12/27/83 San Francisco Civic Auditorium - San Francisco, CA 310 flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller Source Detail notes
1100. 12/28/83 San Francisco Civic Auditorium - San Francisco, CA 311 flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller Source Detail notes
1101. 12/30/83 San Francisco Civic Auditorium - San Francisco, CA 311 flac16; SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transferred and Edited By Charlie Miller Source Detail notes
1102. 12/30/83 San Francisco Civic Auditorium - San Francisco, CA 619 flac16; Nakamichi CM304's(pointed at stacks)>Sony D5M(Maxell UDXLII's) Location: FOB/Right of Center/Stand at 8 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G Source Detail notes
1103. 12/31/83 San Francisco Civic Auditorium - San Francisco, CA 198-03 SBD -> Rm -> Dat -> M-Audio 2448 -> Samplitude 2496 v6.0 -> CD (SHN) Brokedown Palace patched from Pre-FM>Cm>Cass>Dat>CD Dat -> SHN Transfer Done By Charlie Miller charliemiller87@earthlink.net 8/27/02; upgrade in circulation Source Detail notes
1104. 12/31/83 San Francisco Civic Auditorium - San Francisco, CA 311 flac16; SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transferred and Edited By Charlie Miller Source Detail notes
1105. 12/31/83 San Francisco Civic Auditorium - San Francisco, CA   flac16; FOB Sennheiser 421s > Sony D5 > TDK MA90 MACs. Recorded by R.Lipton using B.Koucky's deck/blanks. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox (stereo preamp and 24 bit/96 A/D) > firewire/2 GHz PC/WinXP > recorded as 24 bit/96 KHz WAV & pauses/flips were smoothed with crossfades, Wavelab 5 > rendered to 16 bit/44.1 KHz WAV, Waves L3 Multimaximizer > CDWAV 1.9 (tracking) > FLAC (level 8). Transfer/mastering/encoding/initial torrenting at bt.etree.org via C.Ladner Source Detail notes
1106. 03/28/84 Marin County Veterans Auditorium - San Rafael, CA 505 (FOB/20th Row) Sony ECM 939LT> Cassette Master (Marantz PMD430); Transfer Info: Cassette Master (Nak Dragon/Dolby B)> CD (HHb CDr 830Plus)> EAC> Sound Forge 5.0> SHN; Recorded By Andrew Faintych; Transferred By Anne Cohen; Converted By Charlie Miller; Drums Are Cut Source Detail notes
1107. 03/28/84 Marin County Veterans Auditorium - San Rafael, CA 505 unknown aud > cass > cd Discs kindly provided by Mark Horvath Eac > cool edit pro > shntool > cdwav > shnv3 by Ernie Dodd Partial 2nd set Only Source Detail notes
1108. 03/29/84 Marin County Veterans Auditorium - San Rafael, CA 486 flac16; SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transferred and Edited By Charlie Miller Source Detail notes
1109. 03/29/84 Marin County Veterans Auditorium - San Rafael, CA 505 Rex Foundation Benefit; Soundboard > ??? > CDR; Jerry's guitar is low in the mix at times; Seeded to etree by David Angelini; upgrade in circulation Source Detail notes
1110. 03/29/84 Marin County Veterans Auditorium - San Rafael, CA 505 flac16; SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transferred and Edited By Charlie Miller Source Detail notes
1111. 03/29/84 Marin County Veterans Auditorium - San Rafael, CA 505 flac16; Recording: Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck Taped onto TDK AD-X normal bias tape, with Dolby on Set up two rows behind soundboard, and eight seats to the right Mics raised aprx seven and a half feet on a tent pole Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > FLAC Soundforge used for fades and some minor repairs (see notes) CD-Wave for Track ID's, and FLAC Frontend for lossless compression Verified and repaired SBE's with Traders Little Helper program Source Detail notes
1112. 03/31/84 Marin County Veterans Auditorium - San Rafael, CA 486, 312 flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation Source Detail notes
1113. 03/31/84 Marin County Veterans Auditorium - San Rafael, CA 506 SBD; via Mike Lai; upgrade in circulation Source Detail notes
1114. 03/31/84 Marin County Veterans Auditorium - San Rafael, CA 506 flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation Source Detail notes
1115. 04/01/84 Marin County Veterans Auditorium - San Rafael, CA   flac16; Recording: Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck Taped onto TDK AD-X normal bias tape, with Dolby on Set up in center seat, two rows behind the soundboard Mics raised aprx seven and a half feet on a tent pole Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC Soundforge used as noted below. CD-Wave for Track-ID's, Trader's Little Helper to verify SBE-OK and make checksums, and Flac Frontend for lossless compression. Source Detail notes
1116. 04/01/84 Marin County Veterans Auditorium - San Rafael, CA 506 flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation Source Detail notes
1117. 04/01/84 Marin County Veterans Auditorium - San Rafael, CA 506 Master Soundboard Casette>PCM>DAT>DAT>Serafin Studios>CDR>EAC>SHN; upgrade in circulation Source Detail notes
1118. 04/06/84 Aladdin Theater - Las Vegas, NV 506 SBD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy Source Detail notes
1119. 04/07/84 Irvine Meadows - Irvine, CA 507 sbd>MC>Dat>cd Eac >cool edit > shntool > cdwav >shnv3 Eac >shn (secure with proper offsets) by Ernie Dodd Source Detail notes
1120. 04/13/84 Hampton Coliseum - Hampton, VA   Rob Eaton FOB Center (Neumann U89)>Sony TC-D5>DAT>CDR>EAC>SHN Source Detail notes
1121. 04/13/84 Hampton Coliseum - Hampton, VA   flac16; SBD> Cassette Master> Cassette> Dat (Panasonic SV3800/48k), plus patches from Eaton FOB Neumann U87> Cass source; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller Source Detail notes
1122. 04/13/84 Hampton Coliseum - Hampton, VA 507 Neumann U-87 mics > Sony D6 cass > Dat > CDR; via PJ to abgd; includes alternate tracking suggestion for 2 discs Source Detail notes
1123. 04/14/84 Hampton Coliseum - Hampton, VA 312 flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation Source Detail notes
1124. 04/14/84 Hampton Coliseum - Hampton, VA   flac16; Source: FOB Sennheiser 441s > Sony D5 > Maxell MX90 Master Cassettes. Taped by B.Koucky. Transfer: MAC playback on cleaned/demagged Nakamich DR-2 > Presonus Firebox preamp/A-D > firewire > 2 GHz P4 PC - XP Pro > Wavelab 5, recorded as 24 bit/96 KHz WAV > rendered to 16 bit/44.1 KHz WAV using Waves L3 Multimaximizer, hi res CD settings > CDWAV 1.9 (tracking) > FLAC (level 8). Transfer and editing by C.Ladner Source Detail notes
1125. 04/16/84 Community War Memorial Auditorium - Rochester, NY 203-02 Neumann U-87 > Sony d-6 >dat >cdr; d2 tracked for 80 min; posted to abgd Source Detail notes
1126. 04/16/84 Community War Memorial Auditorium - Rochester, NY 372-01 flac16; Source: FOB Sennheiser 441s > Sony D5. Patched out of Steve Adleman's D5>D5 at the show. Transfer: MAC playback on Nakamichi BX-100 > Panasonic SV3700 DAT > Tascam CD-RW > MCDs extracted with EAC to WAV > FLAC. Originally recorded to analog MAC and transferred to digital realm by B.Koucky. Editing/remastering: All editing with Wavelab 5 (Level fluctuations adjusted using gain function > Tape pauses between tracks during the first set & tape flips smoothed with crossfades > Waves L3 Multimaximizer at -1.1 dB threshold, ceiling -0.1 dB with hi res CD rendering > CDWAV 1.9 > FLAC (level 5) > bt.etree.org by C.Ladner. Source Detail notes
1127. 04/16/84 Community War Memorial Auditorium - Rochester, NY 415-01 flac16; Pitch corrected and patched version of shn id 32884 - FOB Sennheiser 441s > Sony D5 > DAT > CD > EAC > FLAC by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details Source Detail notes
1128. 04/17/84 Niagara Falls Convention Center - Niagara Falls, NY 508 FOB Nak 300>?>CDR; Seeded to etree by JT James Source Detail notes
1129. 04/17/84 Niagara Falls Convention Center - Niagara Falls, NY 830 flac16; Recorded by Gordon Sharpless Master Audience Cassette; 2 Neumann U-87s> Nakamichi 550> Sony D5 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Grace Lunatec V3> Digital Audio Labs Card Deluxe soundcard > Adobe Audition > flac encoding > FLAC Source Detail notes
1130. 04/19/84 Philadelphia Civic Center - Philadelphia, PA 203-03, 612 flac16; SBD> Cassette Master> Reel> Dat (SV3800/48k)> Samplitude v7.02 Professional> FLAC; Converted and Edited By Charlie Miller Source Detail notes
1131. 04/19/84 Philadelphia Civic Center - Philadelphia, PA   Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Transfer: MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > SoundForge 5.0 normalization > WAV > CDWave > WAVs > mkwAC > SHNs Location: front of tapers section Transfer and seed by Charles Bandrofcheck Source Detail notes
1132. 04/20/84 Philadelphia Civic Center - Philadelphia, PA 612 flac16; SBD> Cassette Master> Reel> Dat (SV3800/48k)> Samplitude v7.02 Professional> FLAC; Converted and Edited By Charlie Miller (note: a fixed fileset was circulated to correct a flaw in d2t02; additionally this source originally circulated tracked for 2 discs. The info below reflects the best available version of this source.) Source Detail notes
1133. 04/20/84 Philadelphia Civic Center - Philadelphia, PA 508 Master Soundboard Cassette > Cassette > CDR; CD Mastering, Shn'ed and Seeded by Scott Clugston; also to abgd via Charlie Connor; upgrade in circulation Source Detail notes
1134. 04/20/84 Philadelphia Civic Center - Philadelphia, PA 612 Source Senn 441 > PCM Digital Audience (up-front) > DAT (SV3700) > DAT (Fostex D10) > CDR (Single WAV) > CDR-WAV (wav splits) > SHN (via MKWACT); via JR Fishman Source Detail notes
1135. 04/21/84 Philadelphia Civic Center - Philadelphia, PA 203-04 Patched Eaton/Silberman FOB (17th Row Split 30 feet) Neumann U87's via Doug Nawrocki Source Detail notes
1136. 04/21/84 Philadelphia Civic Center - Philadelphia, PA   Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Transfer: MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > SoundForge 5.0 normalization > WAV > CDWave > WAVs > mkwAC > SHNs to end of Throwing stones. Very End of Throwing Stones, Not Fade Away & Brokedown place from LMA Source: Neumann U87's (cardioid) > Sony Pro Mixer > Technics SV100 PCM > DAT > CDR Transfer and seed by Charles Bandrofcheck Source Detail notes
1137. 04/23/84 Veterans' Memorial Coliseum - New Haven, CT 311 flac16; Recording Info: SBD -> Cassette Master -> Cassette (TDK SA-X90 / Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller Thanks to Paul Scotton and Joani Walker for the Cassettes -- This is an upgrade to all previous circulating sbd's Source Detail notes
1138. 04/23/84 Veterans' Memorial Coliseum - New Haven, CT 508 2nd set only; SBD -> Cm -> Reel -> Dat -> CD; Seeded to etree by Charlie Miller; upgrade in circulation Source Detail notes
1139. 04/24/84 Veterans' Memorial Coliseum - New Haven, CT 508 Set 1; AUD (Nak300's)>MC>DAT>CDR Set 2; Mark Horvath FOB ATM2?s> Sony TC-D5>MC>CDR; Set 2 is 'muddy'; via Paul B; Seeded to etree by Willy Source Detail notes
1140. 04/26/84 Providence Civic Center - Providence, RI 509 Master Soundboard Cassette > Cassette > DAT > CDR Source Detail notes
1141. 04/26/84 Providence Civic Center - Providence, RI 644 flac16; Set I - 1st Gen; Sennheiser MKE 2002 (binaural, head worn) > Sony D5 > Sony D5 > Maxell XLII-S (no Dolby) Set II - MAC; Beyer M201s (hyper cards, X-Y) > Sony TC D5M > TDK MA90 (no Dolby) Tapers: Sennheiser MKE 2002s - Chris K./ Beyer M201s - Kyle H. Transfer: Nakamichi CD2 [azimuth adjusted]>Kind Kables rca>xlr>Lunatec V3>coax>Audiophile 24960> CEP 2.0 (normalized_100%)>CD Wave Editor>Traders Little Helper>FLAC16. Transfer, all edits, conversion & upload to bt.etree.org by Alex Ford 10/5/2006. Source Detail notes
1142. 04/27/84 Providence Civic Center - Providence, RI 509 mixed source: 1st set - Neumann > D6 > DAT > CDR > EAC > WAV > SHN, 2nd set - MSbd> Cass > DAT > CDR > EAC > WAV > SHN; to abgd.hs by PJ Source Detail notes
1143. 04/29/84 Nassau Coliseum - Uniondale, NY 509 (FOB/14th Row) 3 Beyer M160's -> Cm -> Sound Forge -> CD -> EAC -> SHN; Converted to SHN By Charlie Miller Source Detail notes
1144. 04/30/84 Nassau Coliseum - Uniondale, NY 509 aud> senn 441> cassette master> cdr; via Mike Lai with thanks to Alan Powell Source Detail notes
1145. 05/06/84 Silva Hall, Hult Center - Eugene, OR 511 SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko; upgrade in circulation Source Detail notes
1146. 05/06/84 Silva Hall, Hult Center - Eugene, OR 614 flac16; Recording Info: SBD -> Cassette Master -> Cassette (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Source Detail notes
1147. 05/07/84 Silva Hall, Hult Center - Eugene, OR 241-01 SBD> Cass> DAT> cdr; via Chris Vinci, Mike Lai; upgrade in circulation Source Detail notes
1148. 05/07/84 Silva Hall, Hult Center - Eugene, OR 614 flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Source Detail notes
1149. 05/08/84 Silva Hall, Hult Center - Eugene, OR 511 SBD> MR> C> DAT> CDR; transfer by Mike Lai from Bruce Fried seed; upgrade in circulation Source Detail notes
1150. 05/08/84 Silva Hall, Hult Center - Eugene, OR 511 flac16; Source: Sony ECM-939LT stereo mic > Marantz PMD-340 cassette deck. Sony UCX-S 90 cassettes, with Dolby B On. Taped by Andrew F. Mic on 7-foot tent pole, center seat of 30th row (rear orchestra). Transfer: MAC > Sony TC-D5M > Marantz CDR-500 > EAC > Soundforge > CD-Wave > FLAC Soundforge used for fades and to smooth out a few rough spots. There were too many yells and hand-claps to deal with, so I left those as-is. CD-Wave used for track-ID?s, and FLAC Frontend for lossless compression. Source Detail notes
1151. 05/08/84 Silva Hall, Hult Center - Eugene, OR 615 flac16; Recording Info: SBD -> Cassette Master -> Cassette (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Source Detail notes
1152. 06/09/84 Cal Expo - Sacramento, CA 511 AUD (Nak 700?s)>MC>DAT>CD; Missing encore; via Paul B; Seeded to etree by Willy Source Detail notes
1153. 06/09/84 Cal Expo - Sacramento, CA 514 1st set only; Lineage: SBD -> Cm -> Dat -> MiniDisc -> Samplitude -> CD Recording Info: SBD -> Cm -> Dat; Note- Deal is patched from an aud source; See info file for details; upgrade in circulation Source Detail notes
1154. 06/09/84 Cal Expo - Sacramento, CA 615 flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Source Detail notes
1155. 06/10/84 Cal Expo - Sacramento, CA 241-02 SBD>MC>C>DAT>CDR; Stranger & Brokedown cut in, see info file for details; via Paul B; seeded to etree by Willy; upgrade in circulation Source Detail notes
1156. 06/10/84 Cal Expo - Sacramento, CA 615 flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Source Detail notes
1157. 06/12/84 Red Rocks Ampitheatre - Morrison, CO 634 flac16; Source: *Nak CM304's>Sony D5M>Sony D5M(XLIIS) Location: At SBD#, Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16. Tapers: *Mike G. and Tony Suraci. Transfer and upload by Tony Suraci Source Detail notes
1158. 06/13/84 Red Rocks Ampitheatre - Morrison, CO 511 SBD>PCM>DAT>CDR; via Rick M; Seeded to etree by Chris L Source Detail notes
1159. 06/13/84 Red Rocks Ampitheatre - Morrison, CO 634 flac16; Source: *Nak CM304's>Sony D5M>Sony D5M(XLIIS) Location: At SBD#, Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16. Tapers: *Mike G. and Tony S Source Detail notes
1160. 06/14/84 Red Rocks Ampitheatre - Morrison, CO 514 AUD/1>CD (poss Sennheiser>D5); via Teddy GoodBear to abgd; extensive notes Source Detail notes
1161. 06/14/84 Red Rocks Ampitheatre - Morrison, CO 514 SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko Source Detail notes
1162. 06/14/84 Red Rocks Ampitheatre - Morrison, CO 638 flac16; Source: *Nak CM304's>Sony D5M>Sony D5M(XLIIS) Location: At SBD#, Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16. Tapers: *Mike G. and Tony S. Source Detail notes
1163. 06/21/84 Kingswood Music Theater - Maple, ON 514 FM>MC>PCM>DAT>Cool Edit Pro>CDR>SHN; Via Andy L; EAC'ed and SHN'ed by tbrame Source Detail notes
1164. 06/21/84 Kingswood Music Theater - Maple, ON 623 flac16; AUD Source: Two Nakamichi CM-300's with CP-4 shotguns capsules, plus one Nakamichi CM-300 with CP-1 cardioid capsule blend mic > Nakamichi MX-100 mixer > passed thru Sony TC-D5M > Sony TC-D6. Set up behind the soundboard. Taped by Ray Ackerman. Source Detail notes
1165. 06/23/84 City Island - Harrisburg, PA 514 Nak 700> D-5 taped by Mark Cohen, A:D transfer by Mark Cohen, final mastering and encoding by David Minches Source Detail notes
1166. 06/23/84 City Island - Harrisburg, PA 14951 Recording Info: (FOB) Senn 441 -> PCM -> Dat; Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC (Plextor 24/10/40A) -> Cool Edit Pro v1.2 -> SHN (2 Discs SHN / 2 Discs Audio); Seeded to etree by Charlie Miller Source Detail notes
1167. 06/24/84 Saratoga Performing Arts Center - Saratoga Springs, NY 515 Aud> Nak300> CM> CDR> EAC(Secure Mode)> CDWave(Retracking Only)> Shnv3(MKW ACT) Source Detail notes
1168. 06/26/84 Merriweather Post Pavilion - Columbia, MD 577 Source: SBD>PCM>DAT>CD>SHN. Tennessee Jed and Day Job are patched from an audience recording via Ray Hansen, encoded by Peter Braverman; upgrade in circulation Source Detail notes
1169. 06/27/84 Merriweather Post Pavilion - Columbia, MD 577 SBD>Cassette Master>Cassette>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN (updated source info); upgrade in circulation Source Detail notes
1170. 06/27/84 Merriweather Post Pavilion - Columbia, MD 515 SBD> MC> C> DAT> CDRx1> EAC> SHN; Mastered, ripped, encoded and posted by Skankweed to abgd; upgrade in circulation Source Detail notes
1171. 06/27/84 Merriweather Post Pavilion - Columbia, MD 515 SBD>Cassette Master>Cassette>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN (updated source info); upgrade in circulation Source Detail notes
1172. 06/29/84 Blossom Music Center - Cuyahoga Falls, OH 516 Jim Wise Senn 421?s>Sony TC-D5M>MC>DAT>CD; Second set pitch corrected; via Paul B; Seeded to etree by Willy Source Detail notes
1173. 06/30/84 Indianapolis Sports and Music Center - Indianapolis, IN   set 2, plus set 1 partial; SBD> MC> DAT> CDR; from Merry Pranksters Tree round 5, SHN branch; possibly via David Finney to etree? Source Detail notes
1174. 06/30/84 Indianapolis Sports and Music Center - Indianapolis, IN 204-01 FOB MAC (Sennheiser 2 ME-80's & 2 441's 12th row center>sony d-5>WAV>SHN>SHNTOOL>mkwACT. Recorded by Tommy McKeown. sbe fix/seeding by MattMan. Source Detail notes
1175. 07/01/84 Pine Knob Music Theater - Clarkston, MI 516 AUD>MC>??>DAT>CDR; via Paul B; Seeded to etree by Willy Source Detail notes
1176. 07/01/84 Pine Knob Music Theater - Clarkston, MI 561 flac16; Set 2 only - AUD Source: FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M cassette deck, onto Maxell UD-XLII tape, no Dolby. Taped by Ted Carpenter. MAC > CD transfer by Jim Wise (2002), likely done with Nakamichi Dragon > HHB Burner. Transfer Info: CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, by Andrew F Source Detail notes
1177. 07/03/84 Starlight Theater - Kansas City, MO 516 AUD>MC>??>DAT>CDR; via Paul B; seeded to etree by Willy Source Detail notes
1178. 07/03/84 Starlight Theater - Kansas City, MO 619 flac16; Source: *Nakamichi CM300's(with CP1 Caps/pointed)>Sony D5M(XLIIS)Location: FOB/DFC Stand at 7 Feet/Pointed at Stacks Transfer: #Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud. 2.0 dither and resample/16Bit>Cdwav>flac16 Tapers: Tony Suraci and Eugene D'alessandro:Transfer and upload by Tony Suraci./Nak700 Source Detail notes
1179. 07/03/84 Starlight Theater - Kansas City, MO 77440 flac16; Source: *Nakamichi CM300's(with CP1 Caps/pointed)>Sony D5M(XLIIS)Location: FOB/DFC Stand at 7 Feet/Pointed at Stacks Transfer: #Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud. 2.0 dither and resample/16Bit>Cdwav>flac16 Tapers: Tony Suraci and Eugene D'alessandro:Transfer and upload by Tony Suraci./Nak700 Source Detail notes
1180. 07/04/84 Five Seasons Center - Cedar Rapids, IA 517 SBD> Master Cassette> Cassette> Dat, plus patches from FOB Sennheiser 421> Cass; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> Adobe Audition> SHN; Transferred and Patched By Charlie Miller; Speed corrected by +2.37% to match the speed of the FOB, by Jay Ashley Source Detail notes
1181. 07/04/84 Five Seasons Center - Cedar Rapids, IA 517 AUD: MC (Sennheiser 421)> DAT> CD> SHN; Seeded by Peter Braverman Source Detail notes
1182. 07/04/84 Five Seasons Center - Cedar Rapids, IA 646 flac16; Source: *Nakamichi CM304's>Sony D5M(XLIIS) Location: ^FOB at SBD, Stand at 9 feet. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Tapers: Eugene D. and Tony S Source Detail notes
1183. 07/06/84 Alpine Valley Music Theatre - East Troy, WI 517 Fob: Sennheiser 441's > MC > Dat > Cd Eac >cool edit > shntool > cdwav >shnv3 Eac >shn (secure with proper offsets) by Ernie Dodd Source Detail notes
1184. 07/07/84 Alpine Valley Music Theatre - East Troy, WI 517 SBDMC(R?) > DAT > WAV > SHN w/ AUD(Senn 441s > D5 > DAT > CD) patches Source Detail notes
1185. 07/07/84 Alpine Valley Music Theatre - East Troy, WI 518 Aud>Nak300>D5>CM>CDR>EAC(Secure Mode)>CDWave(Retracking Only)>shnv3(MKW ACT) Source Detail notes
1186. 07/07/84 Alpine Valley Music Theatre - East Troy, WI 518 Aud>Nak300>D5>CM>CDR>EAC(Secure Mode)>CDWave(Retracking Only)>shnv3(MKW ACT) Source Detail notes
1187. 07/13/84 Greek Theatre, U. Of California - Berkeley, CA   SBD > ? > CDR> DAE (cdparanoia)> SHN; via Mark Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an analog generation" Source Detail notes
1188. 07/13/84 Greek Theatre, U. Of California - Berkeley, CA 518 SBD > ? > CDR> DAE (cdparanoia)> SHN; via Mark Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an analog generation" Source Detail notes
1189. 07/14/84 Greek Theatre, U. Of California - Berkeley, CA   Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller; upgrade in circulation Source Detail notes
1190. 07/14/84 Greek Theatre, U. Of California - Berkeley, CA 518 SBD > ? > CDR> DAE (cdparanoia)> SHN; via M. Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an anlog generation"; Jack Straw beginning cut; upgrade in circulation Source Detail notes
1191. 07/14/84 Greek Theatre, U. Of California - Berkeley, CA 518 Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller; upgrade in circulation Source Detail notes
1192. 07/14/84 Greek Theatre, U. Of California - Berkeley, CA 615 flac16; Recording Info: SBD -> Cassette Master (Sony D6/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Source Detail notes
1193. 07/15/84 Greek Theatre, U. Of California - Berkeley, CA   SBD > ? > CDR> DAE (cdparanoia)> SHN; via M. Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an anlog generation"; a few track markers misplaced; upgrade in circulation Source Detail notes
1194. 07/15/84 Greek Theatre, U. Of California - Berkeley, CA 204-02 flac16; Set 1: SBD -> PCM Master -> Dat/0 -> Samplitude Professional v8.0 -> FLAC Set 2: SBD -> PCM Master -> Dat/0 -> Sonic Solutions -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller Source Detail notes
1195. 07/15/84 Greek Theatre, U. Of California - Berkeley, CA 519 flac16; Set 1: SBD -> PCM Master -> Dat/0 -> Samplitude Professional v8.0 -> FLAC Set 2: SBD -> PCM Master -> Dat/0 -> Sonic Solutions -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller Source Detail notes
1196. 07/15/84 Greek Theatre, U. Of California - Berkeley, CA 519 SBD > ? > CDR> DAE (cdparanoia)> SHN; via M. Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an anlog generation"; a few track markers misplaced; upgrade in circulation Source Detail notes
1197. 07/21/84 Ventura County Fairgrounds - Ventura, CA 519 Cool Edit fix of previous shn set SBD Master Reel-> DAT->ZA2- >CD, by Matthew Cole; upgrade in circulation Source Detail notes
1198. 07/21/84 Ventura County Fairgrounds - Ventura, CA 519 Master Reel-> DAT-> ZA2-> CD; via Mike Lai from Bruce Fried DAT seed; upgrade in circulation Source Detail notes
1199. 07/21/84 Ventura County Fairgrounds - Ventura, CA 615 flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Source Detail notes
1200. 07/22/84 Ventura County Fairgrounds - Ventura, CA 312 flac16; SBD -> PCM -> Dat Transferred and Edited By Charlie Miller Source Detail notes
1201. 07/22/84 Ventura County Fairgrounds - Ventura, CA 519 sbd> mr> dats> wav> shn w/seek; dat> wav> shn by popi n. feeldz with thanks to michael grossman for the dat; upgrade in circulation Source Detail notes
1202. 07/22/84 Ventura County Fairgrounds - Ventura, CA 520 flac16; SBD -> PCM -> Dat Transferred and Edited By Charlie Miller Source Detail notes
1203. 10/05/84 Charlotte Coliseum - Charlotte, NC 520 FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT Source Detail notes
1204. 10/05/84 Charlotte Coliseum - Charlotte, NC 520 updated source: SBDMC> [no Cass?]> DATs> CDRs> SHN, with FOB Nak 300 patches by Scott Clugston; edited by Darrin Sacks from Blacula's seed; no Sunshine Daydream Source Detail notes
1205. 10/06/84 Richmond Coliseum - Richmond, VA   FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT Source Detail notes
1206. 10/06/84 Richmond Coliseum - Richmond, VA 204-03 AUD?; no other info available Source Detail notes
1207. 10/06/84 Richmond Coliseum - Richmond, VA 372-02 Unknown shotgun mics > Sony D6 > MC > Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwACT > SHN; upgrade in circulation Source Detail notes
1208. 10/06/84 Richmond Coliseum - Richmond, VA 627 flac16; Source: *Beyer M88's>Sony D5M(XLIIS) Location: FOB/DFC Stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac Taped, transfered and uploaded by Tony S./nak700 Source Detail notes
1209. 10/08/84 The Centrum - Worcester, MA 204-04 SBD>MC>DAT>CDR ; AUDMC>Nakamichi DR-1>HHB 850 CDR ; SBD with Audience Patches seed text info ; Via Andy L. ; Seeded to Etree by T. Wiley Source Detail notes
1210. 10/09/84 The Centrum - Worcester, MA 520 SBD>MC>DAT>CDR ; Patch Aud Source: MAC>>Sony D-5>CDR>SHN (previous upgraded SHN release) ; Via Andy L. ; Seeded to Etree by T. Wiley Source Detail notes
1211. 10/09/84 The Centrum - Worcester, MA 627 flac16; Source: *Beyer M88's>Sony D5M; Location: #FOB/DFC Sec. 5, Row G, Stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony Suraci/nak700 Source Detail notes
1212. 10/11/84 Augusta Civic Center - Augusta, ME 521 Retracked and sector boundary errors fixed version of previous Oade Schoeps source; Source: FOB Schoeps MK41/CMC4 > Oade M118 > Sony TC D-5 Cassette Master > PCM > DAT @44.1khz; seeded by Sacks via Clifton Source Detail notes
1213. 10/11/84 Augusta Civic Center - Augusta, ME 631 flac16; Source: Beyer M88's>Sony D5M Location: FOB/Right side, Stand at 8 feet. Transfer: Sony D5ProII>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16 Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S./nak700 Source Detail notes
1214. 10/12/84 Augusta Civic Center - Augusta, ME   flac16; Source Update: Note that the seeder Mtownshend indicates that this recording most likely is from an audience source. See the public comments regarding the source of this recording. (Had been marked:SBD/AUD Healy Matrix) Source Detail notes
1215. 10/12/84 Augusta Civic Center - Augusta, ME 521 Master Tapes by Ficca Source: FOB Center Sony TCD5M with 2 Beyer Dynamic 160's > Sony CDR-W66 > EAC > CDWave > CDA encoded by Ficca Source Detail notes
1216. 10/12/84 Augusta Civic Center - Augusta, ME 522 Master Soundboard Cassette > Reel to Reel > DAT> CDR; with patches from Mike Rice's Master Audience Cassette: Nakamichi CM100 mics + CP4's> Sony D5; CDR ReMastering, Patching, EAC'ed, SHN'ed by Scott Clugston; see info file for details Source Detail notes
1217. 10/12/84 Augusta Civic Center - Augusta, ME 522 Source: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable);Seeded by Darrin Sacks; also to abgd via Charlie Connor; upgrade in circulation Source Detail notes
1218. 10/12/84 Augusta Civic Center - Augusta, ME 631 flac16; *Beyer M88's>Sony D5M, FOB/left of center, stand at 8 feet. Taped, transfered and uploaded by Tony S. Source Detail notes
1219. 10/14/84 Hartford Civic Center - Hartford, CT 631 flac16; Source: *Beyer M88's>Sony D5M Location: FOB/DFC Sec. 2 Row M Stand at 7 Feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S./nak700 Source Detail notes
1220. 10/14/84 Hartford Civic Center - Hartford, CT 646 flac16; 1st Gen; Sennhieser ME80s > Sony D5 > TDK MA90s Taper: Lucian Zaleski Transfer: Nakamichi CD2 [azimuth adjusted]>Kind Kables rca/xlr>Lunatec V3>coax>Audiophile 2496>CEP 2.0>CD Wave Editor>Flac Frontend>FLAC16. 1st Gen cassettes provided by Mark McCue. Transfer, edits, conversion and upload to bt.etree.org Alex Ford 10/09/2006. Source Detail notes
1221. 10/15/84 Hartford Civic Center - Hartford, CT 522 Recording Info: (FOB) Senn 421 -> Cassette Master -> Dat -> CD Transfer Info: EAC -> Samplitude v7.02 Professional -> SHN - Transfered and Edited By Charlie Miller Source Detail notes
1222. 10/17/84 Meadowlands Arena - East Rutherford, NJ 804 flac16; 3 Nak CM700 (DIN; Row S, DFC) > Sony TC-D5M > Maxell MX tape; Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; Taped, transferred by Doug Mow; CDR> FLAC16 and minor editing by Alex Ford Source Detail notes
1223. 10/17/84 Meadowlands Arena - East Rutherford, NJ 278-03 flac16; Recording Info: Set 1: SBD -> Master Cassette -> ? -> Cassette (Dolby C) Set 2: SBD -> Master Cassette -> Dat -> CD -> EAC -> SHN Transfer Info: Set 1: Cassette (Sony TC-WE475/Dolby C) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Set 2: SHN -> WAV -> FLAC Source Detail notes
1224. 10/17/84 Meadowlands Arena - East Rutherford, NJ 521 Source: SBD > MC>DAT via J.Powell encoded by C.Ladner.; upgrade in circulation Source Detail notes
1225. 10/17/84 Meadowlands Arena - East Rutherford, NJ 522 AUD(Nak 300?s)>MC>DAT>CD via Paul B encoded by Willy Source Detail notes
1226. 10/17/84 Meadowlands Arena - East Rutherford, NJ 617 flac16; Recording Info: Set 1: SBD -> Master Cassette -> ? -> Cassette (Dolby C) Set 2: SBD -> Master Cassette -> Dat -> CD -> EAC -> SHN Transfer Info: Set 1: Cassette (Sony TC-WE475/Dolby C) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Set 2: SHN -> WAV -> FLAC Source Detail notes
1227. 10/17/84 Meadowlands Arena - East Rutherford, NJ 634 flac16; Source: Beyer M88's>Sony D5M(XLIIS/Set 1, MX/Set 2) Location: FOB/DFC Sec. 8, Row G(7 rows from stage)Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony Suraci/aka Nak700 Source Detail notes
1228. 10/18/84 Meadowlands Arena - East Rutherford, NJ 521 (FOB) Nakamichi CM300/CP1 -> Cm (Sony D5) -> Dat (48k) > Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN. All transfers and remastering done by Charlie Miller Source Detail notes
1229. 10/18/84 Meadowlands Arena - East Rutherford, NJ 521 3 Nak 701s > D5 > MX-100 > D10 > SHN Source Detail notes
1230. 10/18/84 Meadowlands Arena - East Rutherford, NJ 634 flac16; Source: *Beyer M88's>SonyD5M(XLIIS/set 1, MX/Set 2) Location: FOB/Right Sec. 7, Row M, stand at 8 feet Transfer: Sony D5ProII>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac16 Taped and Transferred by Tony Suraci Source Detail notes
1231. 10/20/84 Carrier Dome, Syracuse U - Syracuse, NY 523 SBD> CM> DAT> computer processing> CDR> EAC> SHNTOOL> MKWACT; Editing by MattMan, from Alan Matta source discs; Upgrade in circulation Source Detail notes
1232. 10/20/84 Carrier Dome, Syracuse U - Syracuse, NY 634 flac16; FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M, onto Maxell UD-XLII tape, with no Dolby. Taped by Ted Carpenter Source Detail notes
1233. 10/27/84 Berkeley Community Theater - Berkeley, CA 523 Senn 441?s>Sony D-5. AUD>MC>DAT>CDR via Raoul Duke encoded by Willy and Matt Vernon Source Detail notes
1234. 10/28/84 Berkeley Community Theater - Berkeley, CA 523 Source: SBD>MC>DAT>CDR>WAV>SHN - entire first set except for aud splice during LLR. First three tracks of second set are SBD with the remainder from an unlineaged FOB audience recording. Source Detail notes
1235. 10/28/84 Berkeley Community Theater - Berkeley, CA 523 Source: Senn 441?s>Sony D-5. Lineage: AUD>MC>DAT>CDR. Encoding by Willy Munder and Matt Vernon Source Detail notes
1236. 10/28/84 Berkeley Community Theater - Berkeley, CA 937 flac16; Taped by Jay Abrams (jra-sm) and Keith Prior Digitized and edited by Jay Abrams Location: Section CTR - Row GG - Seat 23 Source: Quad Nakimichi's - (Nakimichi 700's and Nakimichi 100's) - mixed down to two channels at show Sony WM-D6C > Maxell Metal - Dolby C > Wav > CD Wav > xAct encoding to Flac Source Detail notes
1237. 10/30/84 Berkeley Community Theater - Berkeley, CA 524 Source: Set 1: SBD>MC>DAT>CDR>WAV>SHN. Set 2: SBD>MC>DAT>CDR>WAV>SHN (first 3 tracks) AUD(Senn 441?s>Sony D-5)>MC>DAT>CDR>WAV>SHN (remainder of second set + encore) Source Detail notes
1238. 10/30/84 Berkeley Community Theater - Berkeley, CA 524 Senn 441?s>Sony D-5. Lineage: AUD>MC>DAT>CDR via Raoul Duke encoded by Willy Munder and Matt Vernon Source Detail notes
1239. 10/31/84 Berkeley Community Theater - Berkeley, CA 524 Source: AUD (Sennheiser 441) > CM > CDR > WAV > SHN. Thanks to Dr. B.Fried for the cassette masters. Original SHN conversion by Mike Lai. Note- This is a re-seed of previous seed by C Ladner; See info file for details Source Detail notes
1240. 11/02/84 Berkeley Community Theater - Berkeley, CA 524 Tony G shntool fix of original Braverman SBD seed; ; upgrade in circulation Source Detail notes
1241. 11/02/84 Berkeley Community Theater - Berkeley, CA 525 Set 1: SBD>Master Cassette> Cassette> DAT> CD> SHN:Set 2: SBD>PCM>DAT@44.1>Tascam DA-20MKII(playback only)>RME Digi96/8> Steinberg's Wavelab 3.0 >CDWav beta1.6(tracking only)> SHNv3 (MKW ACT) Set 1 source via Trip Bates shntool fixed version of Braverman SBD seed; Set 2 source: DAT via Joe Samaritano. Seeded to Fungus and abgd by Charlie Connor Source Detail notes
1242. 11/02/84 Berkeley Community Theater - Berkeley, CA 627 flac16; Sennheiser 421s? > PCM > DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5 > shntool > FLAC (lvl8) Source Detail notes
1243. 11/03/84 Berkeley Community Theater - Berkeley, CA 525 AUD>MC>DAT>CDR via Raoul Duke, encoded by Willy and Matt Vernon Source Detail notes
1244. 11/03/84 Berkeley Community Theater - Berkeley, CA 525 SBD> MC> DAT> CD; Seeded to etree by Peter Braverman Source Detail notes
1245. 11/03/84 Berkeley Community Theater - Berkeley, CA 643 flac16; Sennheiser 421s > PCM > DAT > Sony DTC-2000ES > M-Audio Delta 410 > Soundforge 8.0 wav > Adobe Audition 1.5 > Shntool > FLAC lvl8 Source Detail notes
1246. 12/28/84 San Francisco Civic Auditorium - San Francisco, CA 525 Audience cassette > ? > DAT > CDR > SHN Source Detail notes
1247. 12/29/84 San Francisco Civic Auditorium - San Francisco, CA 526 AUD>?>CDR>EAC>SHN>WAV(re-tracked)>SHN; via Brian Bontempo; Seeded to etree by jim@juddcreek Source Detail notes
1248. 12/29/84 San Francisco Civic Auditorium - San Francisco, CA 526 Oade Recording (FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN Source Detail notes
1249. 12/31/84 San Francisco Civic Auditorium - San Francisco, CA 323 flac16; Recording Info: FM -> Master Reel (1/4 Track 7.5ips Dolby B Tandberg Deck) -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC Source Detail notes
1250. 12/31/84 San Francisco Civic Auditorium - San Francisco, CA 526 SB > MR > ?? [apparently FM] > DAT > CDR > EAC> SHN; EAC, SHN, etreed by G.Gorinsky; with thanks to Bill Golden Source Detail notes
1251. ??/??/84 1984 Studio Material - San Rafael?, CA 526, 639 demos and rehearsals; Master Cassette Soundboard-> DAT-> Sonic Solutions-> CD-> EAC-> SHN; CD-> EAC-> SHN Done by Joe Samaritano from Gans seed; part of the KPFA Marathon broadcast on 2/22/2003 by David Gans Source Detail notes
1252. 02/18/85 Henry J. Kaiser Convention Center - Oakland, CA 522 SBD>CM>DAT>SoundForge>CD; Source DAT from Charlie Miller; see info file for more detailed lineage; via John Spaventa; Seeded to etree by Willy Source Detail notes
1253. 02/19/85 Henry J. Kaiser Convention Center - Oakland, CA 522 SBD>MC>C>DAT>C>C>ZA2>CDR Lineage may be incorrect based on Nice Sound Quality It just sounds too good to be 4 analogs; via raul; Seeded to etree by steve barbella Source Detail notes
1254. 02/20/85 Henry J. Kaiser Convention Center - Oakland, CA 523 SBD ->Cassette Master -> Cassette -> Dat -> Cassette -> CD -> EAC -> SHN Source Detail notes
1255. 02/20/85 Henry J. Kaiser Convention Center - Oakland, CA 523 aud> senn 441> cassette master> cdr; via Mike Lai with thanks to Alan Powell Source Detail notes
1256. 03/09/85 Berkeley Community Theater - Berkeley, CA 523 Unknown aud via Jim Decker, pitch correction Jeff Cotsman, shn encoding Matt Vernon Source Detail notes
1257. 03/10/85 Berkeley Community Theater - Berkeley, CA 523 FOB Senn421's > Master Cassette > DAT > CD; via Raul Duke; Seeded to etree by Steve Barbella Source Detail notes
1258. 03/12/85 Berkeley Community Theater - Berkeley, CA 524 FOB Senn421's > Master Cassette > DAT > CD; via Raoul Duke; Seeded to etree by Steve Barbella Source Detail notes
1259. 03/13/85 Berkeley Community Theater - Berkeley, CA 804 flac16; MAC; Sennheiser 421s > Sony D5 > TDK MA90 cassettes Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@24/96) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @24/96 > Waves L2 > WAV @16/44.1 > CD Wave Editor > TLH > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion and seeding by Alex Ford 4/24/2007. Source Detail notes
1260. 03/13/85 Berkeley Community Theater - Berkeley, CA 267-04 flac16; Nakamichi CM-300's w/CP-4 shotguns > Sony TC-D5M, taper's section. Taped onto Maxell MX-90, with Dolby off for recording and playback Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > Trader's Little Helper > FLAC Frontend Source Detail notes
1261. 03/13/85 Berkeley Community Theater - Berkeley, CA 524 Master Soundboard Cassette > DAT > CDR; via raul; Seeded to etree by steve barbella; upgrade in circulation Source Detail notes
1262. 03/13/85 Berkeley Community Theater - Berkeley, CA 616 flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90/Dolby B) Transfer Info: Cassette Master (Sony TC-WE475/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Source Detail notes
1263. 03/21/85 Hampton Coliseum - Hampton, VA 524 FOB-AUD>MC>CDR Mark Horvath recording, Senn. 421?s>Sony TC-D5; via Paul B; Seeded to etree by Brad Ingle Source Detail notes
1264. 03/22/85 Hampton Coliseum - Hampton, VA   MAC (FOB) 2 Sennheiser 421's > Sony TC-D5 > 2 TDK MA90's; Tapers: Mark McCue, Adam, Monica & John; Transfer, encoding and seeding to bt.etree.org by Alex Ford Source Detail notes
1265. 03/22/85 Hampton Coliseum - Hampton, VA 524 2nd set only; AUD>PCM>DAT>CDR; Seeded to etree by Brad Ingle Source Detail notes
1266. 03/22/85 Hampton Coliseum - Hampton, VA 524 Taper:Mark Gibbs Nak 300's > Sony D5 > Master CASS > SoundMAX Digital Audio > CD Wav > SHN Transferred by John Hudson Source Detail notes
1267. 03/22/85 Hampton Coliseum - Hampton, VA 525 Oade Brothers Recording: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Source Detail notes
1268. 03/24/85 Springfield Civic Center - Springfield, MA 525 Oade's Master Audience PCM>Schoeps CMC-441 mics>Oade M118>Sony PCM-F1>DAT>CDR>EAC>Shn EAC'ed/Shn'ed and seeded to fungus and abgd by Charlie Connor 3/26/02 with thanks To Scott Clugston and to Doug Oade. Source Detail notes
1269. 03/24/85 Springfield Civic Center - Springfield, MA 525 2nd set only; SBD>?>CD; via Tommy Danscuk; Seeded to etree by Willy Source Detail notes
1270. 03/24/85 Springfield Civic Center - Springfield, MA 643 flac16; Source: *Beyer M88's>Sony D5M Location: *At SBD, stand at 9 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16 bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S Source Detail notes
1271. 03/25/85 Springfield Civic Center - Springfield, MA   flac16; MAC: (FOB) 2 Sennheiser 421s > Sony TC-D5 > 2 TDK MA90s Master Cassettes supplied by Mark McCue. Transfer, minor edits, conversion and seeding to bt.etree.org by Alex Ford. Source Detail notes
1272. 03/25/85 Springfield Civic Center - Springfield, MA 525 Pitch corrected AUD Lineage: Nak 300 mics, Phil's side, next to board, -> Sony D5, -> HHb 850 -> SHN -> Schlisseltronics -> SHN Source Detail notes
1273. 03/25/85 Springfield Civic Center - Springfield, MA 525 Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Recorded by the Oade Brothers Transferred by Doug Oade, traced by Darrin Sacks (dsacks@pcisys.net) Source Detail notes
1274. 03/25/85 Springfield Civic Center - Springfield, MA 526B MSC>Cass.>DAT>CDR>SHN; Audio Discs from Andy L; EAC'ed & SHN'ed by tbrame; upgrade in circulation Source Detail notes
1275. 03/25/85 Springfield Civic Center - Springfield, MA 646 flac16; Source: *Beyer M88's>Sony D5M Location: *At SBD, stand at 9 feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16bit>Cdwav>flac16 Taped, Transfered and uploaded by Tony S Source Detail notes
1276. 03/27/85 Nassau Veterans Memorial Coliseum - Uniondale, NY 526B updated source: PCM AUD (unknown taper/mics)> PCM> DAT> CDR(1)> SHN, big thanks to David Minches for the seed (had been marked unknown aud); via Scott Zarnegar; Matt Vernon Source Detail notes
1277. 03/27/85 Nassau Veterans Memorial Coliseum - Uniondale, NY 526B Recorded by the Oade Brothers;Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Transferred by Doug Oade, traced by Darrin Sacks (dsacks@pcisys.net) Source Detail notes
1278. 03/27/85 Nassau Veterans Memorial Coliseum - Uniondale, NY 526B SBD> MC> C> DAT> CDR> WAV> SHN; DAE, FTP via neo_levo Source Detail notes
1279. 03/27/85 Nassau Veterans Memorial Coliseum - Uniondale, NY 638 Nakamichi 300 Shotguns CP4's & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel Source Detail notes
1280. 03/28/85 Nassau Veterans Memorial Coliseum - Uniondale, NY 364-02 flac16; MAC: (FOB) 2 Nakamichi 700s [modified w/ plexiglass shock mounts@] > Sony D5 > TDK MA 90s. Tapers: Mark McCue, Adam, Monica, Johnny Kelly & Davey the beeker meade. Transfer, edits, conversion & seeding to bt.etree.org by Alex Ford 5/31/2006. Master cassettes provided by Mark McCue. Source Detail notes
1281. 03/28/85 Nassau Veterans Memorial Coliseum - Uniondale, NY 526B Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Transferred by Doug Oade, traced by Darrin Sacks (dsacks@pcisys.net) Source Detail notes
1282. 03/28/85 Nassau Veterans Memorial Coliseum - Uniondale, NY 527 SBD> MC> DAT> CDR; via Randy Griesman; dropouts at d1t7 0:10, d2t1 0:32 Source Detail notes
1283. 03/28/85 Nassau Veterans Memorial Coliseum - Uniondale, NY 527 set 1; SBD PCM > DAT > Sonic Solutions > CD; via Alan Fink, Mark Ferguson ; upgrade in circulation Source Detail notes
1284. 03/28/85 Nassau Veterans Memorial Coliseum - Uniondale, NY 638 Nakamichi 300 Shotguns CP4's & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel Source Detail notes
1285. 03/29/85 Nassau Veterans Memorial Coliseum - Uniondale, NY 527 AUD>MC>DAT>CDR; via raul; Seeded to etree by steve barbella Source Detail notes
1286. 03/29/85 Nassau Veterans Memorial Coliseum - Uniondale, NY 527 Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 recorded by the Oade Brothers and tracked/flac'd by Darrin Sacks Source Detail notes
1287. 03/29/85 Nassau Veterans Memorial Coliseum - Uniondale, NY 638 flac16; Source: *Beyer M88's>Sony D5M(Sony UCX-S) Location: FOB, Sand at 7 feet. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S Source Detail notes
1288. 03/31/85 Cumberland County Civic Center - Portland, ME 527 Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Source Detail notes
1289. 04/01/85 Cumberland County Civic Center - Portland, ME 522 flac16; Source: MAC: (FOB) Sennheiser 421s > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum shell] (Set II) Mic Config: mics on T-Bar, pointed at the stacks, chest high Location: FOB, 20-25 feet from the stage, DFC Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade Transfer: MAC > Nakamichi CD 2 (azimuth adjusted) > rca > xlr > Lunatec V3(@16 bit/44.1 Hz) > coax > Audiophile 2496 > CEP 2.0 > CD Wave Editor > Trader's Little Helper > FLAC16 Source Detail notes
1290. 04/01/85 Cumberland County Civic Center - Portland, ME 527 Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Source Detail notes
1291. 04/01/85 Cumberland County Civic Center - Portland, ME 638 flac16; Source: *Beyer M88's >Sony D5M Location: FOB, stand at 7 feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud>16bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S./nak700 Source Detail notes
1292. 04/03/85 Providence Civic Center - Providence, RI 528 Recorded by the Oade Brothers Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Source Detail notes
1293. 04/03/85 Providence Civic Center - Providence, RI 528 Sources: Master Soundboard Cassette > C > CDR, Master Audience Cassette: (2) Sennheiser ME-80's + (2) Sennheiser 441's source supplies patches,CD Mastering / Patching by Scott Clugston; EAC'ed / SHN'ed by Scott Clugston with thanks to Tommy McKeown & Charlie Connor; posted to abgd via Trip Bates Source Detail notes
1294. 04/04/85 Providence Civic Center - Providence, RI 372-03 Fix of shn id 11704 (space patched in from Oade source) - SBD > MVHS HiFi Video > MC > CDR Source Detail notes
1295. 04/04/85 Providence Civic Center - Providence, RI 528 Recorded by the Oade Brothers Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Source Detail notes
1296. 04/04/85 Providence Civic Center - Providence, RI 529 SBD>HiFi Video (Lighting crew)>MC>CDR; Missing Space (tape flip); via Tommy Danscuk; Seeded to etree by Willy Source Detail notes
1297. 04/06/85 The Spectrum - Philadelphia, PA 241-03 SBD>Cm>Cass>Dat>CD>EAC>SHN; Converted to SHN by Charlie Miller Source Detail notes
1298. 04/06/85 The Spectrum - Philadelphia, PA 529 Master Audience Cassette>DAT>CDR; Missing OMSN encore; via Raoul; Seeded to etree by Steve Barbella Source Detail notes
1299. 04/06/85 The Spectrum - Philadelphia, PA 529 SBD>Cm>Cass>Dat>CD>EAC>SHN; Converted to SHN by Charlie Miller Source Detail notes
1300. 04/06/85 The Spectrum - Philadelphia, PA 529 Recorded by the Oade Brothers; transferred by Doug Oade, tracked by Darrin Sacks Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Source Detail notes
1301. 04/06/85 The Spectrum - Philadelphia, PA 624 Sennheiser 421's > Sony D-5 > TDK 90 Taper: Mark McCue Lineage: Sony D-5 > Tascam CD4U stand alone burner > CDR > EAC > Win XP Pro > FLAC Frontend > FLAC16. transfer from Sony D5 through CDR by Mark McCue. transfer from CDR through FLAC16 by Alex Ford on 03/10/05. Source Detail notes
1302. 04/06/85 The Spectrum - Philadelphia, PA 646 flac16; Source: *Beyer M88's>Sony D5M Location: FOB, stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S Source Detail notes
1303. 04/07/85 The Spectrum - Philadelphia, PA 529 Seeded by Todd Campbell EAC & SHN by Jim Keith Lineage SBD>?>CD (WILL UPDATE) Source Detail notes
1304. 04/07/85 The Spectrum - Philadelphia, PA 530 Csbd> DAT> CDR> EAC> SHN; via Scott Z., Darrin Sacks Source Detail notes
1305. 04/07/85 The Spectrum - Philadelphia, PA 628 flac16; Sennheiser 421's > Sony D5 > Tascam CRD4U > EAC > CDR Taper: M. McCue Lineage: Sony D-5 > Tascam CDR4U stand alone burner > CDR > EAC > Win XP Pro > FLAC Frontend > FLAC16. Transfer from Sony D5 through CDR by Mark McCue Transfer from CDR through FLAC16 by Alex Ford on 03/07/05. Source Detail notes
1306. 04/08/85 The Spectrum - Philadelphia, PA 530 Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Source Detail notes
1307. 04/08/85 The Spectrum - Philadelphia, PA 530 SB> MC> DAT> CD via Kevin Gills Source Detail notes
1308. 04/08/85 The Spectrum - Philadelphia, PA 530 possible reDAE/reSHN of previous shn set; via redbeard to abgd Source Detail notes
1309. 04/13/85 Irvine Meadows - Irvine, CA 530 sbd> mc> reel> dats> wav> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT Source Detail notes
1310. 04/13/85 Irvine Meadows - Irvine, CA 616 flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Upgrade in circulation Source Detail notes
1311. 04/14/85 Irvine Meadows - Irvine, CA 531 SBD> Master Cassette> DAT> CDR> EAC> SHN; DAE (EAC) + SHN Encoding by Jeff M. Source Detail notes
1312. 04/27/85 Frost Amphitheatre - Palo Alto, CA 239, 531 SBDMC> DAT> CDR; CDR> EAC> SHN; conversion & upload, A. Jerugim; no known flaws Source Detail notes
1313. 04/27/85 Frost Amphitheatre - Palo Alto, CA 372-04 flac16; MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)] Tapers: Adam, Justin & Monica Mark McCue Masters Transfer, minor editing and conversion by Alex Ford 3/10 & 11/2006. Source Detail notes
1314. 04/27/85 Frost Amphitheatre - Palo Alto, CA 531 Pitch-corrected version of shnid=17265. Source Detail notes
1315. 04/27/85 Frost Amphitheatre - Palo Alto, CA 531 Recording Info: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN via Charlie Miller Source Detail notes
1316. 04/27/85 Frost Amphitheatre - Palo Alto, CA 531 Source: SBD > MC > DAT > CDR > EAC > mkwACT Doesn't have missed lyric in The Other One. Seems like it may be still missing some music but, if it is, the d/o is much less drastic. Source Detail notes
1317. 04/27/85 Frost Amphitheatre - Palo Alto, CA 639 flac16; SBD + AUD Matrix 3 Source Mix (65%-SBD/20%-AUD1/15%-AUD2)Mix consisting of SBD - shn id 25467, AUD - shn id 32648 and AUD - shn id 76584 Source Detail notes
1318. 04/28/85 Frost Amphitheatre - Palo Alto, CA   flac16 **NEW UPGRADE** Source Updated CD Burner changed Recording Info: SBD -> Cassette Master -> Cassette -> CD (Marantz CDR 500 Pro) Transfer Info: CD -> EAC -> Samplitude Professional v8.0 -> FLAC Transferred and Edited By Charlie Miller Source Detail notes
1319. 06/14/85 Greek Theatre, U. Of California - Berkeley, CA 241-04 Updated Source: SBD > Cassette DAT > CDR/? Conversion: CDR > EAC (read offset correct) > CDWave > CoolEditPro > mkwACT > SHN (seekable) by Randy Carman rcarman@cogeco.ca Source Detail notes
1320. 06/15/85 Greek Theatre, U. Of California - Berkeley, CA 241-05 SBD> ?> CD-R> EAC> CDWAV retrack> SHN; via Randy Griesman Source Detail notes
1321. 06/16/85 Greek Theater, U. of California - Berkeley, CA 251-01 SBD> MVHS> DAT> CD-R; via Dave Barrick?; note there is an alternate 3 CD version Source Detail notes
1322. 06/22/85 Alpine Valley Music Theatre - East Troy, WI 239-03 SBD > (poss cass gen)? > PCM > DAT @ 44.1 (pre-emphasis on); Transfer: DAT clone; Sony PCM-2600 > Audioquest coax > Turtle Beach Fiji > Soundforge 4.5 > pre-emphasis removed (see notes) > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig; via Bill Gardner, Ghost to etree Source Detail notes
1323. 06/24/85 River Bend Music Center - Cincinnati, OH   SBD > Cassette Master > PCM > DAT > CD; Transfer: CD > EAC > Cool Edit Pro v2.0 > Samplitude v7.02 Professional > SHN; Transferred and Edited By Charlie Miller; note flaw fix in d3t4 reflected in fixed md5 (see pub comments) Source Detail notes
1324. 06/24/85 River Bend Music Center - Cincinnati, OH 242-04 SBD > Cassette Master > PCM > DAT > CD; Transfer: CD > EAC > Cool Edit Pro v2.0 > Samplitude v7.02 Professional > SHN; Transferred and Edited By Charlie Miller; note flaw fix in d3t4 reflected in fixed md5 (see pub comments) Source Detail notes
1325. 06/24/85 River Bend Music Center - Cincinnati, OH 242-04 SBD > Cassette Master > PCM > DAT > CD; Transfer: CD > EAC > Cool Edit Pro v2.0 > Samplitude v7.02 Professional > SHN; Transferred and Edited By Charlie Miller; note flaw fix in d3t4 reflected in fixed md5 (see pub comments) Source Detail notes
1326. 06/24/85 River Bend Music Center - Cincinnati, OH   SBD/AUD Matrix by Timothy Pytlik Source Detail notes
1327. 06/28/85 Hershey Park Stadium - Hershey, PA 488 Sennheiser 4xx's > Marantz PMDxxx > MC Playback on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen) 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwACT > SHN Recorded by Jeff Hubbard Source Detail notes
1328. 06/30/85 Merriweather Post Pavilion - Columbia, MD 239-04 flac16; SBD -> Cassette Master -> Dat -> CD -> EAC -> FLAC Converted By Charlie Miller Source Detail notes
1329. 06/30/85 Merriweather Post Pavilion - Columbia, MD 363-01 Source: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1
Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac (via Darrin Sacks)
Source Detail
notes
1330. 06/30/85 Merriweather Post Pavilion - Columbia, MD 363-02, 578 SBDmc>DAT>CD; fixed disc 3 SHNid=366 by Darryl Hinko and Tommy Brame Source Detail notes
1331. 06/30/85 Merriweather Post Pavilion - Columbia, MD 512 Unknown shotgun mics > Sony D6 > Maxell MX 90s (MC)> SBLive! > Audacity > WAV > CDWave > WAVs > mkwAC > SHNs; Recorded, transferred by Charles Bandrofcheck Source Detail notes
1332. 06/30/85 Merriweather Post Pavilion - Columbia, MD 974 flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
1333. 07/01/85 Merriweather Post Pavilion - Columbia, MD 240-01, 578 Hybrid soundboard - Original Paino seed w/ D3 Cribbs Patch and Charlie Miller "Day Job" via Torbjorn Source Detail notes
1334. 07/01/85 Merriweather Post Pavilion - Columbia, MD 363-03 Source: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 (Oade brothers, via Darrin Sacks)
Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > soundforge 6 where necessary for patching > Flac (sector boundaries aligned via flac frontend)
Source Detail
notes
1335. 07/01/85 Merriweather Post Pavilion - Columbia, MD 363-04 Fix of previous sbd shn set; See info file for details; Disc 1 & 2: SBDmc>?>DAT>CD>EAC>SHN>CD>EAC Disc 3: SBDmc>?>DAT>CD>EAC Seeded to etree by Paino Man Source Detail notes
1336. 07/02/85 Civic Arena - Pittsburgh, PA 364-03 Source: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1
Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
Source Detail
notes
1337. 07/02/85 Civic Arena - Pittsburgh, PA 364-04 Source:SBD>MC>D> -Tape flip after RXR cuts in Promised -cut in brokedown uploaded from furthur via Sbd seeded to etree by bubba420 Source Detail notes
1338. 07/13/85 Ventura County Fairgrounds - Ventura, CA 627 flac16; Source: Nakamichi CM301's(split)>Sony D5M Location: Directly behind SBD, one stand at each corner at 10 ft. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16 Bit>Cdwav>flac Taped, transfered and uploaded by Tony S./nak700 Source Detail notes
1339. 08/31/85 Manor Downs - Austin, TX 827 flac16; Taper: Mark McCue Source: (FOB) 2 Sennheiser 441s > Sony TC-D5M > Maxell MX 90s Location: FOB, 10-15 rows back, DFC Lineage: Transfer: Master AUD Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@24/96)* > coax > M-Audio Audiophile 2496 > WaveLab 5.0 > WAV > Traders Little Helper > FLAC24 *V3 recording levels set equally at 25 + 3 trim, by Alex Ford Mastering: SIRMick Source Detail notes
1340. 09/03/85 Starlight Theater - Kansas City, MO   flac16/48; FOB Schoeps CMC42Omni and CMC34Cardiod Passive Mix > F1 > DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5* > shntool > flac (8) Source Detail notes
1341. 09/03/85 Starlight Theater - Kansas City, MO   flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
1342. 09/06/85 Red Rocks Amphitheatre - Morrison, CO 419-02 flac16; Oade Master: 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM> DAW (via SEKD Prodif)> Wav> cdwav> flac; Transferred by Doug Oade, tracked by Darrin Sacks Source Detail notes
1343. 09/06/85 Red Rocks Amphitheatre - Morrison, CO 920 flac16; Sennheiser 441s > Sony D5 > Maxell MX 90s Tapers: Justin, Adam & Monica Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > Trader's Little Helper > FLAC16 Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford November 2006. Source Detail notes
1344. 09/06/85 Red Rocks Amphitheatre - Morrison, CO 928 SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Chad Magdanz Source Detail notes
1345. 09/07/85 Red Rocks Amphitheatre - Morrison, CO 205-02 SBD>Cm>Dat>CD>EAC>SHN via Charlie Miller Source Detail notes
1346. 09/07/85 Red Rocks Amphitheatre - Morrison, CO 526 flac16; Recording Info: SBD -> PCM Master -> Dat/0 (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> Cool Edit Pro v2.0 -> FLAC; Transfers and Mastering By Charlie Miller Source Detail notes
1347. 09/10/85 Henry J. Kaiser Convention Center - Oakland, CA 616 flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> amplitude Professional v8.01 -> FLAC Source Detail notes
1348. 09/11/85 Henry J. Kaiser Convention Center - Oakland, CA 616 flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Source Detail notes
1349. 09/15/85 Devore Field, Southwestern U - Chula Vista, CA 527 set 1; SBD -> ? -> DAT -> CD -> EAC -> SHN conversion by AJ Source Detail notes
1350. 09/15/85 Devore Field, Southwestern U - Chula Vista, CA 937 flac16; Source:Sennheiser-MD421's>Sony D5 Location: FOB-DFC-20 foot off stage@ 7 ft high on stand Taper: Rick "Coyotte" Colyard 2 TDK-SA90-Cassette MASTERS Transfer:MAC> Sony TCW-21(Analog out)>Edirol Digi-Mod UA5@44.1khz>Digital-Optical out>>Nomad JB3@44.1khz>WAV>Poulderbits Sound Editor for (fades/cuts)>FlacFrontend (level-8)>flac-16 Transfered and Edited by MULETAPER- 11/25/07 Source Detail notes
1351. 10/25/85 The Sportatorium - Pembroke Pines, FL   flac16; Source: FOB Nak 100s > Sony D6 > Master Audience Cassette (TDK MA90s), recorded by Bill Koucky. Transfer/edits/mastering: MAC playback on Nakamichi DR-2 tape deck > Presonus Firebox > firewire out > P4 2.0 GHz PC, recorded as 24 bit/96 KHz WAV on PC utilizing Wavelab 5, mastering with Waves X-Noise (learn mode) and L3 Multimaximizer > rendered to 16 bit/44.1 KHz WAV using hi res CD settings > CDWAV 1.9 (tracking) > FLAC (level 8) by C. Ladner Source Detail notes
1352. 10/26/85 Sun Dome - Tampa, FL 527 flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Source Detail notes
1353. 10/28/85 Fox Theater - Atlanta, GA 931 flac16; Source: Master Audience Recording Media: MAC Maxell MX 90 type IV cassettes Lineage: 2 x Sennheiser 421 > Sony TC D5M > Sony TC D5M [Tapers Section] Transfer: MAC playback, Nakamichi CR-7A, azimuth adjusted > 1 ft Lynx RCA-XLR audio cables > Lunatec V3 > AES digital out > LynxTwo in a E6400-based DuoCore 2 PC > Wavelab 5 [24/96] Mastering Software: WaveLab, iZotope Ozone 3 and Waves Q4 EQ, > converted to [44.1/16] with r8brain > CDWAV1.9 >TLH > Flac Level 8 Taped by B.Koucky Transfer by C.Ladner. Mastered By B. Koucky Source Detail notes
1354. 10/28/85 Fox Theater - Atlanta, GA 163-01 Set 2 S:MC>D>CDR>Toast 1.1>SHN uploaded to furthur via Sbd seeded to etree by bubba420 Source Detail notes
1355. 10/28/85 Fox Theater - Atlanta, GA 617 flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Source Detail notes
1356. 10/28/85 Fox Theater - Atlanta, GA 919 flac16; Set 2 only. source: 2 Sony ECM-33P's > Sony TC-D5M (Dolby B)Maxell MX90 cassette. recorded by Jerry Moore, 8th row orchestra. transfer: master cassette (maxell MX90)> Nakamichi Dragon (Dolby B) > HHBCDR830plus > EAC > SoundForge 6.O (fades and tape flip)> CD Wave > flac. Transfer and flac encoding by Anne Cohen, May 2007. Source Detail notes
1357. 10/28/85 Fox Theater - Atlanta, GA 937 flac16; Set 2 only. source: 2 Sony ECM-33P's > Sony TC-D5M (Dolby B)Maxell MX90 cassette. recorded by Jerry Moore, 8th row orchestra. transfer: master cassette (maxell MX90)> Nakamichi Dragon (Dolby B) > HHBCDR830plus > EAC > SoundForge 6.O (fades and tape flip)> CD Wave > flac. Transfer and flac encoding by Anne Cohen, May 2007. Source Detail notes
1358. 10/29/85 Fox Theater - Atlanta, GA 240-02 SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko Source Detail notes
1359. 10/29/85 Fox Theater - Atlanta, GA 527 flac16; SBD> Cassette Master (Sony D5/Maxell MX90); Transfer: Cassette Master (Sony TC-WE475)> Sony R500 (Pass Through)> SEK'D Prodif Plus> Samplitude Professional v8.01> FLAC; Transfers and Mastering By Charlie Miller; Upgrade in circulation Source Detail notes
1360. 10/31/85 Carolina Coliseum, University Of South Carolina - Columbia, SC 205-03 Oade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k) DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)> Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN(Seekable) Seeded by Darrin Sacks; Also to abgd via Charlie Connor Source Detail notes
1361. 10/31/85 Carolina Coliseum, University Of South Carolina - Columbia, SC 639 Unknown shotgun mikes > Sony D6 > Maxell MX 90s (MC); MC > Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN; Location: First row of taping section seats. Well above the crowd in the gym via Charles Bandrofcheck Source Detail notes
1362. 11/01/85 Richmond Coliseum - Richmond, VA 205-04 Sources: Primary Source:Oade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k) DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable: Secondary Source:Charlie Connor's Cassette Master: FOB>Beyer M88's>Sony TCM D5>Wav:The Secondary Source Supplies patch on d1t02 3:28-3:34: Seeded to etree by Darrin Sacks with thanks to JJ; also to abgd via Charlie Connor; 3/01 update: this date is now released as Dick's Picks 21- go buy that Source Detail notes
1363. 11/01/85 Richmond Coliseum - Richmond, VA 611 DTS Audio 5.1 DTS-Audio-CD 5.1 SBD/AUD Mix by dan@am-dig.com Source Detail notes
1364. 11/01/85 Richmond Coliseum - Richmond, VA 647 Source: Can't remember shotgun mics > Sony D6 > Maxel MX 90s Location: As close as they'd let you get to the left of SBD. Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN Source Detail notes
1365. 11/02/85 Richmond Coliseum - Richmond, VA 240-03 flac16; Matrix from 3 sources: SBD> ?> DAT> CD> EAC> WAV> SHN; AUD - Connor (FOB) Mics: Beyer Dynamic M88's; AUD - Oade (Tapers? Section) Mics: Schoeps (2 x CMC441, 1 x CMC42)> Sony PCM-F1; Matrixed by Chris Chappell Source Detail notes
1366. 11/02/85 Richmond Coliseum - Richmond, VA 624 flac16; SRC: MAC (2 Senn 421s + 2 Nak 300 shotguns) > Yamaha mixer > Sony D-5 (Dolby B in)) taped by Tim Alexander; Transfer: MAC playback on Nak DR-1 (Dolby B out) > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC Source Detail notes
1367. 11/04/85 The Centrum - Worcester, MA 630 flac24; SRC: MAC (2 Senn 421s + 2 Nak 300 shotguns) > Yamaha mixer > Sony D-5 (Dolby B)) taped by Tim Alexander Transfer: MAC playback on Nak DR-1 > Tascam HD-P2 (24 bit/48 khz) > WAV > FLACTransferred by Bill Tetzeli Source Detail notes
1368. 11/04/85 The Centrum - Worcester, MA 630 flac24; SRC: MAC (2 Senn 421s + 2 Nak 300 shotguns) > Yamaha mixer > Sony D-5 (Dolby B)) taped by Tim Alexander Transfer: MAC playback on Nak DR-1 > Tascam HD-P2 (24 bit/48 khz) > WAV > FLACTransferred by Bill Tetzeli Source Detail notes
1369. 11/04/85 The Centrum - Worcester, MA 624 flac16; SRC: MAC (Senn 421's + Nak 300s > Yamaha mixer > Sony D-5); Transfer: Playback on Nak DR-1 > HD-P2 > WAV > FLAC Source Detail notes
1370. 11/07/85 Community War Memorial Auditorium - Rochester, NY 240-04 flac16; Recording Info: FOB AUD>Beyer Dynamic M88's>Sony TCD5M(CM Maxell Mx 90) Transfer INfo: Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>Flac Front End; Recorded and digitally mastered by Charlie Connor Source Detail notes
1371. 11/07/85 Community War Memorial Auditorium - Rochester, NY 627 flac16; Source: Nakamichi CM300's(with CP4 shotgun caps/pointed)>Sony D5M Location: Front left corner of board, stand at 10 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16bit>Cdwav>flac Taped, transfered and uploaded by Tony S./nak700 Source Detail notes
1372. 11/10/85 Meadowlands Arena - East Rutherford, NJ 205 Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR EAC'ed/Shn'ed by Charlie Connor 3/2/02, with thanks to Scott Clugston and Doug Oade; to abgd. Source Detail notes
1373. 11/10/85 Meadowlands Arena - East Rutherford, NJ 644 shotgun mics > Sony D6 > Maxell MX 90's. First right hand seat of taper section 12" stand. Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN via Charlie Source Detail notes
1374. 11/20/85 Henry J. Kaiser Convention Center - Oakland, CA 617 flac16; Recording Info: SBD -> Cassette Master (Nak 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Source Detail notes
1375. 11/22/85 Henry J. Kaiser Convention Center - Oakland, CA 617 flac16; Recording Info: SBD -> Cassette Master (Nak 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Source Detail notes
1376. 12/30/85 Oakland-Alameda County Coliseum - Oakland, CA 617 flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Source Detail notes
1377. 12/30/85 Oakland-Alameda County Coliseum - Oakland, CA 618 flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Source Detail notes
1378. 12/31/85 Oakland-Alameda County Coliseum - Oakland, CA   Primary Source: Recording Info: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's) Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End Secondary Source: Steve Barbella's seed from shn id 12086 AUD>?>DAT>CDR; See txt file for details on Patches. Recorded, patched and digitally transferred by Charlie Connor August 28,2005 Source Detail notes
1379. 12/31/85 Oakland-Alameda County Coliseum - Oakland, CA 842 flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Source Detail notes
1380. 02/08/86 Henry J. Kaiser Convention Center - Oakland, CA gd8601 AUD> Beyer Dynamic M88's> Sony TCD5M (CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); Both Analog & Digital Mastering by Charlie Connor: seeded to abgd.hs Source Detail notes
1381. 02/08/86 Henry J. Kaiser Convention Center - Oakland, CA gd8601 Source: SBD>MC>PCM>CDR>WAV>SHNv3 via neo_levo/candyman FTP Source Detail notes
1382. 02/09/86 Henry J. Kaiser Convention Center - Oakland, CA 415-02 flac16; Schoeps CMC 441 (hypercardioids) > PCM F1 > Sony PCM 601 > Sony DTC 2000ES > DAT > M-Audio Delta 410 > SoundForge 44.1kHz wav > Adobe Audition 1.5 > shntool > flac (8) Source Detail notes
1383. 02/09/86 Henry J. Kaiser Convention Center - Oakland, CA gd8601 Master Soundboard Cassette > CDR, disc 2 runs 74:25, CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston, posted to abgd via Charlie Connor Source Detail notes
1384. 02/11/86 Henry J. Kaiser Convention Center - Oakland, CA 434-05 flac16; Schoeps CMC 441 (hypercardioids) > PCM F1 > Sony PCM 601 > DAT > M-Audio Delta 410 > SoundForge 44.1kHz wav > Adobe Audition 1.5 > shntool > flac (lvl8) Source Detail notes
1385. 02/11/86 Henry J. Kaiser Convention Center - Oakland, CA gd8601 Updated Source Info: SBD> Cassette Master DAT> CD; Seeded to etree by Willy; note see user comments re pre-emphasis (or not) Source Detail notes
1386. 02/12/86 Henry J. Kaiser Convention Center - Oakland, CA gd8601 AUD> Beyer Dynamic M88's> Sony TCD5M (CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav v1.6 (tracking only)> SHNv3 (MKW ACT); taped, transferred and seeded to abgd by Charlie Connor; includes Nevilles set as d1; d3 tracked for 80 min Source Detail notes
1387. 02/12/86 Henry J. Kaiser Convention Center - Oakland, CA gd8602 Bertha Remaster of the soundboard source. SBD>>(?)>>Wav(EAC)>>DAW(Bertha)>>CDA/SHN - Sound A Source Detail notes
1388. 02/14/86 Henry J. Kaiser Convention Center - Oakland, CA gd8602 Primary Source:Recording Info: FOB(DFC)>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's); Secondary Source: SBD>PCM>Dat>Samplitude>Cool Edit Pro>CD (shn id 11625); The secondary source covers patches in the last 17 seconds of dt05(drums); the first 4:13 of d2t06 (space), and the first 6 seconds of d2t10 (Brokedown Palace: Recorded, Transferred, Patched and Tracked by Charlie Connor Source Detail notes
1389. 02/14/86 Henry J. Kaiser Convention Center - Oakland, CA gd8602 SBD>PCM>Dat>Samplitude>Cool Edit Pro>CD; via David Gans; RE-Seeded to etree by Charlie Miller with 'simple bass lift'; See info file for details Source Detail notes
1390. 03/19/86 Hampton Coliseum - Hampton, VA 632, 633 flac24; SRC: Sennheiser 421s > Sony D-5 (Dolby B in) > MAC taped by Tim Alexander Transfer: Playback on Nakamich DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC Patch source: Mike Lai archive.org seed (Sony mikes > C > CD) - shnid 3905 Source Detail notes
1391. 03/19/86 Hampton Coliseum - Hampton, VA gd8602 aud> sony mics> cassette master> cdr; via Mike Lai Source Detail notes
1392. 03/20/86 Hampton Coliseum - Hampton, VA gd8603 aud> sony mics> cassette master> cdr; via Mike Lai; reportedly may circulate with or without Comes a Time, possibly from 3/31/86, as filler (d1t10) Source Detail notes
1393. 03/21/86 Hampton Coliseum - Hampton, VA gd8603 Nakamichi 300 with Shotguns, Marantz PMD-430; Transfer: Nakamichi BR3 -> Cool Edit 2000 -> Shn; see info file for flaw notes; via Willy Source Detail notes
1394. 03/21/86 Hampton Coliseum - Hampton, VA gd8603 1st set only; Updated lineage: Unknown Audience recording (Had been marked: Matrix SBD>MC>C>CD); via Jim Skinner; Seeded to etree by Willy Source Detail notes
1395. 03/23/86 The Spectrum - Philadelphia, PA gd8603 MAC (Sony TCD5M 2Sennheiser ME-80 & 2 Sennheiser 441's) > wav > shn Source Detail notes
1396. 03/24/86 The Spectrum - Philadelphia, PA gd8603 AUD> Sony microphones> Nakamichi BX-300 deck> Maxell metal cassette, Recorded by Tony Cirella; Playback: Nakamichi DR?10> Monster analog cables> Tascam CD-RW700 CD burner> CD, transfer by Paul B.; EAC>SHN Greg Kerbel; tape flip in Space Source Detail notes
1397. 03/24/86 The Spectrum - Philadelphia, PA gd8604 Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN This is a new seed, with sector boundary errors fixed but otherwise no changes, April 2003. (Peter Braverman) Source Detail notes
1398. 03/24/86 The Spectrum - Philadelphia, PA gd8604 Source Info: SBD -> Cassette Master -> ? -> Cassette -> CD -> EAC -> SHN -> Samplitude v7.02 Professional -> SHN Patch Info: Schoeps CMC4/MK4 -> Cassette Master (Sony D5) -> Dat -> Cool Edit Pro -> SHN Patched and Edited By Charlie Miller Source Detail notes
1399. 03/24/86 The Spectrum - Philadelphia, PA gd8604 Source: Schoeps CMC 4's/MK 4's > Sony D5 > DA-P1 > CDR > EAC > Cool Edit Pro 2.0 > CDWave > mkwACT The between track crowd noise in the first set was edited out on the source discs. I used crossfades to make this as fluid as possible. Thanks to Mark McCue for the source discs. EAC'd/Seeded by Doug Nawrocki Source Detail notes
1400. 03/25/86 The Spectrum - Philadelphia, PA gd8604 AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor; flip in Don't Ease, no other flaws noted; d2 tracked for 80 min Source Detail notes
1401. 03/25/86 The Spectrum - Philadelphia, PA gd8604 Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start Source Detail notes
1402. 03/25/86 The Spectrum - Philadelphia, PA 696 Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel Source Detail notes
1403. 03/27/86 Cumberland County Civic Center - Portland, ME gd8605 Source: FOB(CENTER)>AUD>MC>CDR Neumann U87's>Uher CR240>Maxell XLII 90 Cass. Master>Marantz Pro CDR 500 Paul Hogan recording. Note: Original seed (shnid#5003) was TAO. Someone fixed it and uploaded it to TOL in 3/03. Source Detail notes
1404. 03/27/86 Cumberland County Civic Center - Portland, ME gd8605 Source: FOB(CENTER)>AUD>MC>CDR Neumann U87's>Uher CR240>Maxell XLII 90 Cass. Master>Marantz Pro CDR 500 Paul Hogan recording. Note: Original seed (shnid#5003) was TAO. Someone fixed it and uploaded it to TOL in 3/03. Source Detail notes
1405. 03/27/86 Cumberland County Civic Center - Portland, ME 415-03 flac16; Source: FOB Nakamichi 700s > Sony D6 > Maxell MX90 metal master audience cassettes. Taped by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox (preamp and A/D) > firewire/P4/XP Pro > recorded as 24 bit/96 KHz WAV (Wavelab 5) > rendered to 16 bit/44.1 KHz WAV (Waves L3 Multimaximizer, hi res CD settings) > tracking (CDWAV 1.9) > FLAC, level 8 encoding Source Detail notes
1406. 03/27/86 Cumberland County Civic Center - Portland, ME gd8605 SBD> Cassette Master> Reel> Dat> ?> Dat> CD -> EAC> SHN; plus AUD patch from (FOB) Neumann U87> Cassette Master> CD, using Samplitude v7.02 Professional; SHN Conversion and Patch By Charlie Miller; Upgrade in circulation Source Detail notes
1407. 03/28/86 Cumberland County Civic Center - Portland, ME 372-05 flac16; Source: FOB Sennheiser ME88 > D5 > Maxell Metal Cassette master. Transfer: Playbackon Nakamichi BX-100 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > FLAC. Original recording, transfer, and FLAC'ing by Bill K. Mastering: Wavelab 5 (crossfades to smooth flips, minimal Waves L3 (-1 dB threshold)) > CDWAV 1.9 > FLAC by Chris L. Source Detail notes
1408. 03/28/86 Cumberland County Civic Center - Portland, ME gd8605 FOB (Center)> AUD> MC> CDR Neumann U87's> Uher CR240> Maxell XLII 90 Cass. Master> Marantz Pro CDR 500; Paul Hogan Recording; EAC/SHN by Charles Hogan Source Detail notes
1409. 03/30/86 Providence Civic Center - Providence, RI gd8605 Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller Source Detail notes
1410. 03/30/86 Providence Civic Center - Providence, RI gd8605 Nak 300/Sony D5> Nakamichi BX-300> CD; via Stephen B. Porter; Seeded to etree by Peter Braverman Source Detail notes
1411. 03/31/86 Providence Civic Center - Providence, RI gd8606 AUD>MC>CDR; via Mr.Benson; seedeD Source Detail notes
1412. 03/31/86 Providence Civic Center - Providence, RI gd8606 Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info:Nakamichi 300/CP4 -> Master Cassette (Marantz PMD430) -> CD (Tascam CDRW5000) -> EAC -> Cool Edit Pro v1.2 -> SHN (Taped By Jon Pasternak) via Charlie Miller; the origianal seed for this source had a flaw in d2t06; Upgrade in circulation Source Detail notes
1413. 04/01/86 Providence Civic Center - Providence, RI gd8606 Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info: Nakamichi 300/CP4 -> Master Cassette (Sony D5) -> CD via Charlie Miller Source Detail notes
1414. 04/01/86 Providence Civic Center - Providence, RI gd8606 Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN; via Stephen B. Porter; Peter Braverman. [Note: Original shn set had sbe's on all tracks - a sbe-fixed-by set- version also circulates] Source Detail notes
1415. 04/01/86 Providence Civic Center - Providence, RI gd8607 Unknown Sony Mics> Sony TC-D5> Maxell Metal Cassette; Transfer: Nakamichi DR-10> Monster Analog cables> Tascam CD-RW700 Burner; Edit: EAC (IOMEGA CDRW9602EXT-B, Secure with C2, accurate stream, NO disable cache, Read offset correction = -147)> CE2K> SHNTOOL> mkwACT; via mattman Source Detail notes
1416. 04/03/86 Hartford Civic Center - Hartford, CT gd8607 Vault PCM Master->10 inch reels at 15 ips->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Michael P. Weitzman Transfer and SHN by Joe Samaritano Source Detail notes
1417. 04/03/86 Hartford Civic Center - Hartford, CT 512 flac16; FOB/TS - Schoeps CMC 44 Cardioids > Sony PCM F1, FOB > Sony PCM 601 > Sony /2000ES DAT > PC > Adobe Audition 1.5 > Shntool > flac lvl 8 Source Detail notes
1418. 04/04/86 Hartford Civic Center - Hartford, CT 512 flac16; Schoeps CMC 44 Cardioids > Sony PCM F1, FOB/TS > Sony PCM 601 > Sony /2000ES DAT > PC > Adobe Audition 1.5 > Shntool > flac lvl8 Source Detail notes
1419. 04/04/86 Hartford Civic Center - Hartford, CT gd8607 AUD>MC>CDR; via Mr.Benson; seedeD Source Detail notes
1420. 04/04/86 Hartford Civic Center - Hartford, CT gd8607 Recording Info: Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA-R60 1st set; MA-R90 2nd set)Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Recorded, Transferred, Patched and Tracked by Charlie Connor Source Detail notes
1421. 04/04/86 Hartford Civic Center - Hartford, CT 905 flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend Source Detail notes
1422. 04/12/86 Irvine Meadows - Irvine, CA gd8607 AUD>MC>DAT>CDR; Schoeps CMC44?s; via Joe Brown; seedeD Source Detail notes
1423. 04/13/86 Irvine Meadows - Irvine, CA gd86-08 AUD>MC>DAT>CDR; Schoeps CMC34?s; via Annie Beauneu; seedeD Source Detail notes
1424. 04/18/86 Berkeley Community Theater - Berkeley, CA gd8608 unknown SBD; upgrade in circulation Source Detail notes
1425. 04/19/86 Berkeley Community Theater - Berkeley, CA 278-04,gd8608 SBD> MC> DAT> CDR> WAV> SHN; DAE (EAC)> d/o repair (sound forge 5)> tracking (cdwav> boundary check (shntool)> SHN (mkwact)> FTP via neo_levo Source Detail notes
1426. 04/19/86 Berkeley Community Theater - Berkeley, CA 527 flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Source Detail notes
1427. 04/21/86 Berkeley Community Theater - Berkeley, CA 417-01 flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
1428. 04/21/86 Berkeley Community Theater - Berkeley, CA gd8608 SBD> Master Cassette> DAT> CDR> EAC> SHN; via Jeff M. Source Detail notes
1429. 04/22/86 Berkeley Community Theater - Berkeley, CA   flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
1430. 04/22/86 Berkeley Community Theater - Berkeley, CA 417-02 flac16; Recording Info: Set 1: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: SBD -> PCM -> Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By David Gans and Charlie Miller Source Detail notes
1431. 04/22/86 Berkeley Community Theater - Berkeley, CA gd8608 AUD>PCM>DAT>CDR; via Johanna; seedeD Source Detail notes
1432. 05/03/86 Cal Expo Amphitheatre - Sacramento, CA gd8609 Beyer M88s>PCM>metal cass>CDR; via Drew Berry; Seeded to etree by jimmy cronk Source Detail notes
1433. 05/03/86 Cal Expo Amphitheatre - Sacramento, CA gd8609 SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko Source Detail notes
1434. 05/04/86 Cal Expo Amphitheatre - Sacramento, CA gd8609 SBD -> PCM -> ? -> Cass (DBX) -> Dat; Seeded to etree by Charlie Miller Source Detail notes
1435. 05/04/86 Cal Expo Amphitheatre - Sacramento, CA gd8609 AUD>PCM>DAT>CDR; Schoeps CMC-441's>Sony PCM-F1; Thanks to Billie Jean; seedeD Source Detail notes
1436. 05/10/86 Frost Amphitheatre - Palo Alto, CA gd8609 AUD>MC*>DAT>CDR; via Abraham & Isaac; seedeD Source Detail notes
1437. 05/10/86 Frost Amphitheatre - Palo Alto, CA gd8610 SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko Source Detail notes
1438. 05/10/86 Frost Amphitheatre - Palo Alto, CA 834 flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1439. 05/11/86 Frost Amphitheatre - Palo Alto, CA gd8610 AUD> Beyer Dynamic M88's> D5 (CM)> Nak MR2 (Playback)> Panasonic 3700 (ADC only, no DAT stage)> ZA2> Sound Forge (crossfading over tape flips only)> CDRx1> EAC> SHN; taped by Charlie Connor; A>D conversion by Stephen Agan; via Charlie Connor to abgd; see alternate tracking suggestions in info file Source Detail notes
1440. 05/11/86 Frost Amphitheatre - Palo Alto, CA gd8610 SBD>MC>DAT>CDR (Additional Cass generations?); via Tony Gardner Source Detail notes
1441. 05/11/86 Frost Amphitheatre - Palo Alto, CA gd8610 flac16; SBD > MC > C > DAT > CD > EAC > FLAC; inlcuding AUD patches from previous Beyer source; EAC/FLAC by Darryl Hinko, from David Feldstein's source discs Source Detail notes
1442. 05/11/86 Frost Amphitheatre - Palo Alto, CA 834 flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1443. 06/20/86 Greek Theatre, University Of California - Berkeley, CA gd8610 AUD>MC>DAT>CDR; Senn 441>Sony TC-D5; Thanks to the Plowman; seedeD Source Detail notes
1444. 06/20/86 Greek Theatre, University Of California - Berkeley, CA gd8611 Sean Webber-Small Recording -- Spaced (8') Schoeps CMC42s->m118>MOD PCM-1 Transfer: Sony PCM-601ESD > Terratec EWX2496 card > DAW > DSP by Doug Oade tracked (cdwave) and re-flac'ed by Darrin Sacks Source Detail notes
1445. 06/20/86 Greek Theatre, University Of California - Berkeley, CA gd8611 SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko Source Detail notes
1446. 06/20/86 Greek Theatre, University Of California - Berkeley, CA 917 SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko Source Detail notes
1447. 06/21/86 Greek Theatre, University Of California - Berkeley, CA gd8611 Jim Oade Recording -- 120 degree Schoeps CMC44 ->MOD PCM-1 Transfer: Master PCM>DAW (via Sekd card)> DSP by Doug Oade using Audacity (Linux) -- Downloaded, tracked (cdwave) and re-flac'ed by Darrin (dsacks@pcisys.net) Source Detail notes
1448. 06/21/86 Greek Theatre, University Of California - Berkeley, CA gd8611 MSC>DAT>CDR>SHN; Discs from Andy L. DAE and SHN (Seekable) by tbrame Source Detail notes
1449. 06/21/86 Greek Theatre, University Of California - Berkeley, CA gd8611 AUD>MC>DAT>CDR; Senn 441?s>Sony TC-D5; via the Poor Boy; seedeD Source Detail notes
1450. 06/22/86 Greek Theatre, University Of California - Berkeley, CA gd8612 Primary Source: Recording Info: FOB(DFC)>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's) Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Secondary Source: Neumann kmi-84->neumann bs48i-2>pcmf1,(at sbd)PCM->DAT shn id 7281 The secondary source covers patches in the last 26 seconds of d2t05(drums); the first 12 seconds of d3to1 (space) Recorded, digitally mastered and patched by Charlie Connor Source Detail notes
1451. 06/22/86 Greek Theatre, University Of California - Berkeley, CA gd8612 Neumann kmi-84-> Neumann bs48i-2> pcmf1, at sbd; ; Taper Randy Fleck; PCM-> DAT: Sony pcm-601esd-> panasonic 3500; DAT->CD: fostex d5->marantz cdr615-> eac-> cdwav-> mkwact Source Detail notes
1452. 06/22/86 Greek Theatre, University Of California - Berkeley, CA gd8612 DSDB> DAT> CDr; via Mike Lai Source Detail notes
1453. 06/26/86 Hubert H. Humphrey Metrodome - Minneapolis, MN gd8612 Recording Info: Sony ECM-939 -> Cassette Master -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Transfered and Edited By Charlie Miller Source Detail notes
1454. 06/28/86 Alpine Valley Music Theatre - East Troy, WI gd8612 AUD>MC>??>DAT>CDR; via Mary Shelly; seedeD Source Detail notes
1455. 06/28/86 Alpine Valley Music Theatre - East Troy, WI gd8613 Recording Info: SBD -> Cassette Master -> ? -> Dat -> CD Editing Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Patch Info: Looks Like Rain -> Don't Ease Me In Patched From AUD -> Cassette Master -> ? -> Dat -> CD Editing and Patch Done By Charlie Miller Source Detail notes
1456. 06/29/86 Alpine Valley Music Theatre - East Troy, WI gd8613 AUD> MC> ??> DAT> CDR; via Tom Thumb; seeded by eD Source Detail notes
1457. 06/30/86 Riverbend Music Center - Cincinnati, OH   flac16; Source: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped and transferred by Charlie Connor Source Detail notes
1458. 06/30/86 Riverbend Music Center - Cincinnati, OH gd8613 Schoeps CMC4/MK4 -> Oade M118 -> PCM -> Dat -> CD; via the Captain; seedeD (updated source info) Source Detail notes
1459. 07/02/86 Rubber Bowl, University of Akron - Akron, OH gd8613 AUD>DAT>CDR; via the Doodah Man; seedeD Source Detail notes
1460. 07/02/86 Rubber Bowl, University of Akron - Akron, OH gd8613 2 Beyer M160 FOB> Sony TCD5M Master Cassette>shn Source Detail notes
1461. 07/04/86 Rich Stadium - Buffalo, NY gd8614 FOB-AUD>MC>DAT>CDR; Senn 421?s>Sony TC-D5; via Uncle Sam; seeded by eD Source Detail notes
1462. 07/04/86 Rich Stadium - Buffalo, NY gd8614 CDR source: AUD > Sennheiser 441 > D5 > ? > HHB stand-alone burner > CDR Video source: AUD > Farm-Aid satellite feed > Hi-Fi VHS x ? ; includes uncut drums>space Source Detail notes
1463. 07/04/86 Rich Stadium - Buffalo, NY 1068 flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
1464. 07/06/86 Robert F. Kennedy Stadium - Washington, DC gd8614 FOB-AUD>MC>DAT>CDR; Senn 421?s>Sony TC-D5; via Frankenstein; seeded by eD Source Detail notes
1465. 07/07/86 Robert F. Kennedy Stadium - Washington, DC   flac16; Master: In-house FM > Portable FM Receiver > Cassette Master (Sony TC-D6C) Transfer: Cassette Master (NAD 6050C) > SBM > DAT @48kHz (Sony PCM R500) > VXPocket v2 > Dell Inspiron 9300 > Sound Forge (v. 6.0) (editing, 48>44.1kHz resample) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC Mastered (on my 22nd birthday) and transfered by Dan Gale (dgale@loslobos.org) Source Detail notes
1466. 07/07/86 Robert F. Kennedy Stadium - Washington, DC gd8614 flac16; "Partial" SBD >multi gen cass> Sony TC-WE305 > Rotel 1090 > Rane ME60 analog processor > Tascam CD-RW 750 > CD > Eac (secure) > cdwav > CE pro 2.1 > flac16 (level 8) Source Detail notes
1467. 07/07/86 Robert F. Kennedy Stadium - Washington, DC gd8614 FOB Aud> Schoeps cmc3mk4> PCM> DAT> CD> EAC (Secure mode)> CDWave (Retracking only)> shnv3 (MKW ACT); with patches from second AUD (see info file); EAC/ Patched/ Retracked/ Shn'd by Charlie Connor; with thanks to Mike Lai and Jon Rianhard; Seeded to abgd by Trip Bates Source Detail notes
1468. 12/15/86 Oakland-Alameda County Coliseum - Oakland, CA gd8614 Field: Nakamichi CM-101 > Nakamichi 550 > Sony WM-D6C (Master) Tapers: Adam Smith & Andy Liu (dwonk)
Location: DFC of Taper Section (actually FOB by about 30 feet), 10' spread between mics (AB Stereo, two channel)
Transfer: Nakamichi DR-3 (Master) > Oade adc24mod SONY SBM-1 > M-Audio AP2496 > Sound Forge XP4.5 > CDwave1.6 > FLAC
Source Detail
notes
1469. 12/15/86 Oakland-Alameda County Coliseum - Oakland, CA gd8615 Source: SBD Lineage: Master Cassette> DAT> CD> SHN via Peter Braverman Source Detail notes
1470. 12/15/86 Oakland-Alameda County Coliseum - Oakland, CA gd8615 Master Dolby B Cass>Sonic Solutions via TC2000 @ 24 bits>SBM2 CD>CD > EAC[secure] > SHN. [Note - this is apparently another version of the KPFA sbd source.] Source Detail notes
1471. 12/16/86 Oakland-Alameda County Coliseum - Oakland, CA 618 flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Source Detail notes
1472. 12/16/86 Oakland-Alameda County Coliseum - Oakland, CA gd8615 Src: SBD > ?? > cassette > .wav > CDR > EACed to .wav > .shn; Seeded to abgd by Bill Tetzeli Source Detail notes
1473. 12/16/86 Oakland-Alameda County Coliseum - Oakland, CA gd8615 2nd Set; FOB Nak 300s>AUD>MC>CDR; via Michael Sewall; Seeded to etree by Todd Norman Source Detail notes
1474. 12/17/86 Oakland-Alameda County Coliseum - Oakland, CA 618 flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Source Detail notes
1475. 12/17/86 Oakland-Alameda County Coliseum - Oakland, CA gd8616 AUD>DAT>CDR; Nak 300's; via Melinda; seedeD Source Detail notes
1476. 12/27/86 Henry J. Kaiser Convention Center - Oakland, CA 618 flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Source Detail notes
1477. 12/27/86 Henry J. Kaiser Convention Center - Oakland, CA gd8616 Set 1: SBD > MC > ? > DAT > CDR> WAV > SHN Set 2: SBD > MC > DAT > CDR > WAV > SHN; Seeded to etree by Chris L Source Detail notes
1478. 12/28/86 Henry J. Kaiser Convention Center - Oakland, CA 618 flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Source Detail notes
1479. 12/28/86 Henry J. Kaiser Convention Center - Oakland, CA gd8616 Ultramatrix (SBD/AUD mix)> Master cassette> DAT> CD> SHN; via Charlie Miller; Seeded to etree by Peter Braverman Source Detail notes
1480. 12/30/86 Henry J. Kaiser Convention Center - Oakland, CA 620 flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Source Detail notes
1481. 12/30/86 Henry J. Kaiser Convention Center - Oakland, CA gd8617 SBD> Cm> DAT> CD> EAC> CDWAV editing > SHN (seekable); via Steve Barbella Source Detail notes
1482. 12/31/86 Henry J. Kaiser Convention Center - Oakland, CA 620 flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Source Detail notes
1483. 12/31/86 Henry J. Kaiser Convention Center - Oakland, CA gd8617 Pre-FM SBD > PCM > CDR > WAV > SHNv3; DAE (EAC> shntools> ftp) by neo_levo Source Detail notes
1484. 01/28/87 San Francisco Civic Auditorium - San Francisco, CA 192-B2 Source: SBDcm(Healy Mix)>DAT>CDR>EAC>WAVE LAB>CD WAVE>MKW>SHN; Seeded to etree by Steven Leeds Source Detail notes
1485. 01/28/87 San Francisco Civic Auditorium - San Francisco, CA 833 flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1486. 01/29/87 San Francisco Civic Auditorium - San Francisco, CA 192-B3 Healey ultramix: PCM -> Cassette Master > wav > mkw > shn; Seeded to etree by drgseeds via Bob H Source Detail notes
1487. 01/29/87 San Francisco Civic Auditorium - San Francisco, CA 833 flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1488. 01/30/87 San Francisco Civic Auditorium - San Francisco, CA 833 flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1489. 03/03/87 Henry J Kaiser Convention Center - Oakland, CA 192-B4 SBD > MC > DAT > CDR; via neo_levo/candyman FTP Source Detail notes
1490. 03/03/87 Henry J Kaiser Convention Center - Oakland, CA 833 flac16; Recording info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 This is a Matrix SBD, the straight SBD also circulates Source Detail notes
1491. 03/22/87 Hampton Coliseum - Hampton, VA 417-03 Recording Info:Set 1: SBD -> Master Cassette -> Reel -> PCM -> CD Set 2: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller Source Detail notes
1492. 03/22/87 Hampton Coliseum - Hampton, VA 606 flac16; Source: Sennheiser shotguns (ME-88) > Sony D6 > TDKMA90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res dither settings) > CDWAV 1.9 > FLAC (level 8 encoding). Transfer and FLAC encoding by C.Ladner. Source Detail notes
1493. 03/23/87 Hampton Coliseum - Hampton, VA 623 flac16; Source: Sennheiser ME88 shotguns > Sony D6 > TDKMA90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res dither settings) > CDWAV 1.9 > FLAC (level 8 encoding). Transfer and FLAC encoding by C.Ladner Source Detail notes
1494. 03/26/87 Hartford Civic Center - Hartford, CT 206-01 Set I info Source: SBD Lineage: Master Cassette > DAT > CD > SHN; Set II info Source: Ultramatrix (SBD/AUD mix) Lineage: Master Cassette > DAT > CD > SHN; via Douglas Tunstall, Nick Scarano and Jeff Hawkins; seeded to etree by Peter Braverman Source Detail notes
1495. 03/27/87 Hartford Civic Center - Hartford, CT 206-02 Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN; via Stephen B. Porter; Peter Braverman Source Detail notes
1496. 03/29/87 The Spectrum - Philadelphia, PA 633 flac16; Source: AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Set up next to the soundboard, on the left side (stage right). Mics on stand aprx 7-1/2 feet high, pointed at the stacks. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC Taped and transfered by Andrew F Source Detail notes
1497. 03/31/87 The Spectrum - Philadelphia, PA 443-01 Recording Info: FM -> Cassette Master -> Dat Transfer Info: Dat -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) -> EAC -> SHN All Transfers Done By Charlie Miller charliemiller87@earthlink.net SHN'd On 12/8/03 Source Detail notes
1498. 04/04/87 The Centrum - Worcester, MA 633 flac16; Source: AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC Source Detail notes
1499. 04/06/87 Meadowlands Arena - East Rutherford, NJ   Healy Matrix TDK MA-90 cassette > Dick's Reel (Technics 1506) > PCM > CD (HHB CDR 800) > EAC > SHN; EAC/SHN by Darryl Hinko; a set of patches circulates Source Detail notes
1500. 04/06/87 Meadowlands Arena - East Rutherford, NJ   Healy Matrix TDK MA-90 cassette > Dick's Reel (Technics 1506) > PCM > CD (HHB CDR 800) > EAC > SHN; EAC/SHN by Darryl Hinko; a set of patches circulates Source Detail notes
1501. 04/06/87 Meadowlands Arena - East Rutherford, NJ 441-01 Healy Matrix TDK MA-90 cassette > Dick's Reel (Technics 1506) > PCM > CD (HHB CDR 800) > EAC > SHN; EAC/SHN by Darryl Hinko; a set of patches circulates Source Detail notes
1502. 04/06/87 Meadowlands Arena - East Rutherford, NJ 835 Patch for previous Matrix shn set, wherein d1t01 audience patch is from previous AUD shn set and SBEs fixed for d1t09, d2t01, and d2t11 [note: on 01/24/2007/ Charlie Miller distributed a flac version of this fileset.] Source Detail notes
1503. 04/11/87 UIC Pavilion - Chicago, IL 441-02 SOURCE: Pre-FM > Master Reel > Dat > Sonic Solutions > CD Source Detail notes
1504. 04/17/87 Irvine Meadows - Irvine, CA 443-02 Master Soundboard Casette > PCM> DAT> CDR EAC'ed/SHN'ed & seeded to etree by Scott Clugston; also to abgd via Charlie Connor Source Detail notes
1505. 04/17/87 Irvine Meadows - Irvine, CA 831 flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1506. 04/17/87 Irvine Meadows - Irvine, CA 979 flac16; MAC; Sennheiser 441s > D5 > D5 > gold plated Monster Cables > D5 > Maxell XLII-S 90 (set I) TDK MA-R90 (set II). Taper: Johnny Corso. Transfer: Master Audience Cassettes > Nakamichi Dragon > RCA/XLR > Lunatec V3 @ 2496 > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496. Transferred by Alex Ford - August 2007. Source Detail notes
1507. 04/18/87 Irvine Meadows - Irvine, CA 443-03 Master Soundboard Casette > PCM> DAT> CDR EAC'ed/SHN'ed & Seeded to Etree by Scott Clugston; also to abgd via Charlie Connor Source Detail notes
1508. 04/18/87 Irvine Meadows - Irvine, CA 831 flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1509. 04/19/87 Irvine Meadows - Irvine, CA   flac16; source: Beyer Dynamic M88's>Sony TCD5M(CM) Transfer: Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.57 (tracking only)>flac16; Taped and transferred by Charlie Connor Source Detail notes
1510. 04/19/87 Irvine Meadows - Irvine, CA 831 flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1511. 05/02/87 Frost Amphitheatre - Palo Alto, CA 206-03 SBD > MC > DAT > EAC > SHN; EAC/SHN by Darryl Hinko Source Detail notes
1512. 05/02/87 Frost Amphitheatre - Palo Alto, CA 831 flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1513. 05/03/87 Frost Amphitheatre - Palo Alto, CA 832 flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1514. 05/09/87 Laguna Seca Recreation Area - Monterey, CA 832 flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1515. 05/10/87 Laguna Seca Recreation Area - Monterey, CA 832 flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1516. 06/12/87 Ventura County Fairgrounds - Ventura, CA 827 flac16; Source: Audience FOB Recording Media: AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette Lineage: AKG C460b pre’s with Ck61uls capsules > Uher CR240 (about 10th row DFC) > Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak > WAV24/96 > Wavelab 6.0 (WavesTools(C4,RBass,Q10)), BBE, L3(type1 dither dither, no noise shaping )> Flac Taped by: Danny Thomson Transfer by: Derek McCabe Mastered by: Jamie Waddell Source Detail notes
1517. 06/12/87 Ventura County Fairgrounds - Ventura, CA 832 flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1518. 06/13/87 Ventura County Fairgrounds - Ventura, CA 606 flac16; MAC (2 Senn. 421s + 2 Nakamichi 300 shotguns > Yamaha Mixer > Sony D5 (Dolby B)) taped by Tim Alexander Transfer: MAC (Nakamichi DR-1 (Dolby B decode)) > Edirol R-09 (24bit/48khz) > Nomad Jukebox 3 > WAV > FLAC Source Detail notes
1519. 06/13/87 Ventura County Fairgrounds - Ventura, CA 834 flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1520. 06/13/87 Ventura County Fairgrounds - Ventura, CA 920 flac16; Main Source: Master Soundboard Cassette > PCM > DAT> CDR Patch source: MAC (2 Senn. 421s + 2 Nakamichi 300 shotguns > Yamaha Mixer > Sony D5 (Dolby B)) taped by Tim Alexander; MAC (Nakamichi DR-1 (Dolby B decode)) > Edirol R-09 (24bit/48khz) > Nomad Jukebox 3 > WAV > FLAC Source Detail notes
1521. 06/14/87 Ventura County Fairgrounds - Ventura, CA 834 flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1522. 06/20/87 Greek Theatre, University Of California - Berkeley, CA 633 flac16; Taped by Robert Bryant w/ AKG 414 B/TL mics, cardioid pattern with windscreens, ORTF-> Oade PS-> Sony PCM F1. Transfer: PCM 601-> Sony DTC2000ES DAT-> M-Audio Delta 410-> Soundforge -> Samplitude Professional V8.01 -> waves X Crackle -> ffe l6 Transfered by Rich Gastwirt. edited by Bob Loy. Source Detail notes
1523. 06/20/87 Greek Theatre, University Of California - Berkeley, CA 835 flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1524. 07/08/87 Roanoke Civic Center - Roanoke, VA 415-04 flac16; Source: Taper's section at the SBD, Nakamichi 300s > Sony D5 > Maxell MX90 Master Cassettes. Taped by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox (stereo preamp and 24 bit/96 A/D) > firewire/2 GHz PC/WinXP > recorded as 24 bit/96 KHz WAV & pauses/flips were smoothed with crossfades, Wavelab 5 > rendered to 16 bit/44.1 KHz WAV, Waves L3 Multimaximizer > CDWAV 1.9 (tracking) > FLAC (level 8) Transfer/mastering/encoding/initial torrenting at bt.etree.org via C.Ladner Source Detail notes
1525. 07/08/87 Roanoke Civic Center - Roanoke, VA 1084 flac16; Recording Info: SBD -> Cassette Master -> Dat -> FLAC Transfer Info: FLAC -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
1526. 07/19/87 Autzen Stadium, University Of Oregon - Eugene, OR 443-04 Source: Matrix DSBD>D>CD-R>EAC (0.93) >SHN (MKWACT 97) via JR Fishman Source Detail notes
1527. 08/11/87 Red Rocks Amphitheatre - Morrison, CO 443-05 set 1; SBD> PCM> ??> Dat> CD (Healy Matrix); Conversion: Kenwood TrueX> EAC> shn V3 (seekable); via Brian Cole, from Paul B.'s seed' see info file for notes Source Detail notes
1528. 08/11/87 Red Rocks Amphitheatre - Morrison, CO 443-06 set 2; SBD> PCM> Dat> Cass> Dat; Conversion: Sony M1> Oade Cable> Zoltrx Pro6> Soundforge(wav)> CDWav(split)> Shn V3 (no EAC); Conversion & Seed: Brian Cole; show stemming from John Craft and Jay Serafin; see info file for notes Source Detail notes
1529. 08/12/87 Red Rocks Amphitheatre - Morrison, CO 616 flac16; Schoeps CMC 44 cardiods, ORTF > Sony PCM F1, FOB > DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5 > shntool > FLAC (lvl8) Source Detail notes
1530. 08/12/87 Red Rocks Amphitheatre - Morrison, CO 835 flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS) Transfer Info: Cassette (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1531. 08/13/87 Red Rocks Amphitheatre - Morrison, CO 444-01 S:?>D>CD via Chris Larson Source Detail notes
1532. 08/15/87 Town Park - Telluride, CO 444-02 PreFM SBD(Healy Mix)>MC>DAT>CDR>EAC>WAVE LAB>CD WAVE>MKW>SHN (Seekable) Source Detail notes
1533. 08/16/87 Town Park - Telluride, CO 444-03 PreFM > Rm > DAT > CDR > EAC > SHN; via C. Ladner; known flaws: d2t6:digipop@7:19, d2t7: song cuts @ 6:56 Source Detail notes
1534. 08/16/87 Town Park - Telluride, CO 835 flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1535. 08/22/87 Calaveras County Fairgrounds - Angels Camp, CA 444-04 updated source: SBD> Master PCM> DAT> CDR> EAC> first shn by Tony Gardner> misc flaw fixes by Steve Barbella (see info file)> reshn (nonseeking) Source Detail notes
1536. 08/23/87 Calaveras County Fairgrounds - Angels Camp, CA 444-05 SBD> MC> DAT> CDR> EAC> shn; via Tony Gardner; includes filler from 9/9/87 (see pub comments) Source Detail notes
1537. 09/07/87 Providence Civic Center - Providence, RI 415-05 flac16; Source: AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Set up in taper's section, mics on stand aprx 7-1/2 feet high. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC Source Detail notes
1538. 09/12/87 Capital Centre - Landover, MD   Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner. Source Detail notes
1539. 09/13/87 Capital Centre - Landover, MD gd8602 FOB Schoeps> PCM> D> CDR> mkw> shn; missing encore; via Chris Dipietro Source Detail notes
1540. 09/15/87 Madison Square Garden - New York, NY 454-04 SBD -> Cassette Master -> Dat (48k) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN - Transfered and Edited By Charlie Miller Source Detail notes
1541. 09/15/87 Madison Square Garden - New York, NY 842 flac16; Recording Info: SBD -> Cassette Master (Sony D6/TDK MA-R90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee MiniMe -> Samplitude v7.02 Professional -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller Source Detail notes
1542. 09/16/87 Madison Square Garden - New York, NY 465-04 SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko Source Detail notes
1543. 09/16/87 Madison Square Garden - New York, NY 977 flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1544. 09/18/87 Madison Square Garden - New York, NY 175-02 Vault PCM Master->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano. Source Detail notes
1545. 09/18/87 Madison Square Garden - New York, NY 835 Soundboard (Healy Ultra Box)->Cassette Master. Cassette Master->HHb CDR-850 (pass-through only)->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano Source Detail notes
1546. 09/19/87 Madison Square Garden - New York, NY 192B-5 SBD; via Bill Frank, Alan McCarthy Source Detail notes
1547. 09/20/87 Madison Square Garden - New York, NY 842 Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN; resliceD Source Detail notes
1548. 09/22/87 The Spectrum - Philadelphia, PA 842 Cleanup by Chris Frisco of previous seed; SBD>C>DAT>CDR; See info file for details Source Detail notes
1549. 09/23/87 The Spectrum - Philadelphia, PA   flac16; Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes. Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. Source Detail notes
1550. 09/24/87 The Spectrum - Philadelphia, PA 842 SBD>DAT>Standalone CD Burner (hhB800)> EAC>WAV>ADDAWAV>CDWAV(retracking)>MKWACT>SHN Transcribed on 12/25/03 by JR Fishman fishmanj_98ATyahooDOTcom Source Detail notes
1551. 10/02/87 Shoreline Amphitheatre - Mountain View, CA 843 Jay Ashley (Bertha) remaster of master cassette source (that had been transferred by Keith Bode); SBD> MC> DAT> WAV> CDR> SHN> DAW(Bertha)> CDA/SHN Source Detail notes
1552. 10/03/87 Shoreline Amphitheatre - Mountain View, CA 843 Jay Ashley remaster of master cassette source; SBD> MC> DAT> WAV> CDR> SHN> DAW(Bertha)> CDA/SHN Source Detail notes
1553. 10/04/87 Shoreline Amphitheatre - Mountain View, CA 843 Jay Ashley (Bertha) Remaster of Master Cassette Source; SBD> MC> DAT> CDA> WAV> SHN> DAW (Bertha)> CDA Source Detail notes
1554. 11/08/87 Henry J. Kaiser Convention Center - Oakland, CA 396-01 FOB, Schoeps CMC44 (110' ORTF) on stand --> Oade Power Supply --> Sony PCM-F1; Transfer: PCM Master, Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR; Recording and Transfer: Sean Weber-small; EAC and minor edits by Bill Gardner; ; QC by dankseeds Source Detail notes
1555. 11/13/87 Long Beach Arena - Long Beach, CA 395-01 SBD -> Cm -> Cass -> Sony SBM1(Modified) -> VX Pocket -> Samplitude -> Cool Edit Pro -> SHN; Upgrade in circulation Source Detail notes
1556. 11/13/87 Long Beach Arena - Long Beach, CA 395-01 SBD -> Cm -> Cass -> Sony SBM1(Modified) -> VX Pocket -> Samplitude -> Cool Edit Pro -> SHN; Upgrade in circulation Source Detail notes
1557. 11/14/87 Long Beach Arena - Long Beach, CA 395-02 AUD>MC>DAT>CD; via Paul B; Seeded to etree by Willy Source Detail notes
1558. 11/15/87 Long Beach Arena - Long Beach, CA 395-04 SBD > MC > Sonic Solutions > Pre-FM Dat @44.1; Transfer: DA-P1 > Delta Audiophile 2496 > Sound Forge 5 > CDWave > mkwACT, by Doug Nawrocki Source Detail notes
1559. 11/15/87 Long Beach Arena - Long Beach, CA 395-05 Digital Ambient recording by M. French 20th row near center (Phil's side) Sennheiser MKE 2002 (HRTF, worn in/on hat) > WM-D6C (dolby C)analog>CD via hardware transfer, CD master (EAC) Source Detail notes
1560. 12/27/87 Oakland-Alameda County Coliseum - Oakland, CA 396-02 SBD -> Cm -> Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN via Charlie Miller Source Detail notes
1561. 12/28/87 Oakland-Alameda County Coliseum - Oakland, CA 396-03 Ultramatrix (soundboard/audience mix) Master Cassette> DAT> CD> SHN patched with FOB Schoeps; via Raoul Duke, encoded & patched by Peter Braverman Source Detail notes
1562. 02/13/88 Henry J. Kaiser Convention Center - Oakland, CA 499 Schoeps CMC3/MK41>Dat>CDR ; Via Charlie Miller, Re Seeded by T. Wiley ; NOTE: This is a fix copy of Charlie Miller's seed. Source Detail notes
1563. 02/13/88 Henry J. Kaiser Convention Center - Oakland, CA 499 SBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko Source Detail notes
1564. 02/14/88 Henry J. Kaiser Convention Center - Oakland, CA 499 Schoeps CMC3/MK41>DAT>CDR ; Via Charlie Miller ; Re Seeded by T. Wiley ; Please Note this is a fixed copy of Charlie Miller's seed. Source Detail notes
1565. 02/14/88 Henry J. Kaiser Convention Center - Oakland, CA 499 SBD > MC > DAT > CD > EAC > SHN; except for Mighty Quinn, this is from the DSBD source; No cut at beginning of China Cat; EAC/SHN by Darryl Hinko Source Detail notes
1566. 02/14/88 Henry J. Kaiser Convention Center - Oakland, CA 508 Schoeps CMC3/MK41>Dat>CD; Seeded to etree by Charlie Miller Source Detail notes
1567. 02/16/88 Henry J. Kaiser Convention Center - Oakland, CA 500 SBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko Source Detail notes
1568. 02/16/88 Henry J. Kaiser Convention Center - Oakland, CA 499 Schoeps CMC3/MK41>DAT>CDR ; Via Charlie Miller ; Re Seeded by T. Wiley ; Please Note this is a fixed copy of Charlie Miller's seed. Source Detail notes
1569. 02/17/88 Henry J. Kaiser Convention Center - Oakland, CA 500 Schoeps CMC3/MK41>DAT>CDR ; Via Charlie Miller ; Re Seeded by T. Wiley ; Please Note this is a fixed copy of Charlie Miller's seed. Source Detail notes
1570. 02/17/88 Henry J. Kaiser Convention Center - Oakland, CA 500 SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko Source Detail notes
1571. 03/16/88 Henry J. Kaiser Convention Center - Oakland, CA 500 SB>DAT>CDR>EAC>CDR; via Peter Gallagher; Seeded to etree by Willy Source Detail notes
1572. 03/17/88 Henry J. Kaiser Convention Center - Oakland, CA 500 Soundboard->DAT Master->DAT. DAT->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano Source Detail notes
1573. 03/18/88 Henry J. Kaiser Convention Center - Oakland, CA 502 Soundboard->DAT Master->DAT. DAT->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano Source Detail notes
1574. 03/24/88 The Omni - Atlanta, GA 502 AUD> ?? > Cass x2 > WAV > SHN; via Grant Wood Source Detail notes
1575. 03/24/88 The Omni - Atlanta, GA 502 SBD>MC>DAT>CDR (Healy Matrix) Eac(secure with proper offsets) >cool edit pro > shntool >cdwav> shn by Ernie Dodd & Willy Source Detail notes
1576. 03/26/88 Hampton Coliseum - Hampton, VA 158-01 Matrix Analog Cass Master-> DAT-> CDR, via Peter Braverman Source Detail notes
1577. 03/27/88 Hampton Coliseum - Hampton, VA 158-02 SBD (Matrix)> DAT> CD> EAC> [retracking of d1 w/ SF, no other alteration]> SHN; known flaws: end of Let it Grow is missing - the last minute, but the jam does not get cut; via Adam Jerugim; listener reports additional skip or splice in Scarlet Begonias d2t3; note patched version now in circulation Source Detail notes
1578. 03/28/88 Hampton Coliseum - Hampton, VA 158-03 IN House FM>Sony D-5>MC>DAT>CDR; via Paul B; Seeded to etree by Brad Ingle Source Detail notes
1579. 03/30/88 Meadowlands Arena - East Rutherford, NJ   Beyer Dynamic M88's>Sony TCD5M (CM - 1st Maxell MX90; 2nd Sony Metal ES 90) Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Recorded and digitally mastered by Charlie Connor Source Detail notes
1580. 03/30/88 Meadowlands Arena - East Rutherford, NJ 502 SBD; via Mike Lai; note had circulated without set 1 (aka d1) at first Source Detail notes
1581. 03/31/88 Meadowlands Arena - East Rutherford, NJ   Recording Info: Taper's Section 110 row 9, seat 9> Beyer Dynamic M88's> Sony TCD5M (CM - 1 st set Maxell MX90;2nd set Sony Metal ES90) Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Recorded and digitally transferred by Charlie Connor Source Detail notes
1582. 03/31/88 Meadowlands Arena - East Rutherford, NJ 503 Recording Info: In House FM -> Cassette Master -> Dat -> CD -> Samplitude v7.02 Professional -> SHN via Charlie Miller Source Detail notes
1583. 03/31/88 Meadowlands Arena - East Rutherford, NJ 503 SBD; see flaw notes in info file; via unknown seeder to furthurnet Source Detail notes
1584. 04/01/88 Meadowlands Arena - East Rutherford, NJ 503 Source: Ultramatrix (SBD/AUD mix) Lineage: DAT> ?> CD> SHN; via Raul; Seeded to etree by Peter Braverman Source Detail notes
1585. 04/01/88 Meadowlands Arena - East Rutherford, NJ 503 *Set 1 Only*
Soundboard (Healy Ultra Box)->DAT Master->DAT. DAT->ZA2->Soundforge(recording)->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano. De-popping by Charlie Miller
Source Detail
notes
1586. 04/03/88 Hartford Civic Center - Hartford, CT 503 SBD>?>CD (Possible Matrix); via Ankh-af-na-khonsu; Seeded to etree by PainoMan Source Detail notes
1587. 04/04/88 Hartford Civic Center - Hartford, CT 504 SBD>Cassette Master>DAT>CD (Possible Matrix); with two d/o's patched from a SBD>MC source; See info file for details; via Ankh-af-na-khonsu; Seeded to etree by PainoMan (updated lineage; had been labeled SBD>DAT>CD) Source Detail notes
1588. 04/05/88 Hartford Civic Center - Hartford, CT 504 AUD>PCM>CD (Possible Matrix, Healy-FM or one damn good audience recording!); via Ankh-af-na-khonsu; Seeded to etree by PainoMan Source Detail notes
1589. 04/07/88 The Centrum - Worcester, MA 504 Pre-FM > MR > VHS > DAT > CD > EAC > SHN (seekable) Via Darryl Hinko Source Detail notes
1590. 04/08/88 The Centrum - Worcester, MA 504 In-House FM>PCM>Dat>CD via Mike Murray; encoded by Willy Source Detail notes
1591. 04/09/88 The Centrum - Worcester, MA 504 pre-FM Master Reel> VHS (PCM)> DAT> CD> SHN via Skip Jenkins, encoded by Peter Braverman Source Detail notes
1592. 04/11/88 Joe Louis Arena - Detroit, MI 251-02 reEAC, reshn of previous shn set (see info), via Jim Bennett; SBD > In house FM broadcast > MC > CDR > EAC > CDWave > MKWAct > CDR (> EAC > CDWave > MKWAct) Source Detail notes
1593. 04/11/88 Joe Louis Arena - Detroit, MI 505 reEAC, reshn of previous shn set (see info), via Jim Bennett; SBD > In house FM broadcast > MC > CDR > EAC > CDWave > MKWAct > CDR (> EAC > CDWave > MKWAct) Source Detail notes
1594. 04/23/88 Irvine Meadows - Irvine, CA   flac16; SBD (Matrix) > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko Source Detail notes
1595. 04/24/88 Irvine Meadows - Irvine, CA 251-03 flac16; SBD (Matrix) > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko Source Detail notes
1596. 06/30/88 Silver Stadium - Rochester, NY 206 Set 2 SBD > DAT [vault] > DAT [vault clone] > CDR. Discs kindly provided by Zeb Weber via David Gans. cd > eac > shnv3 by Ernie Dodd. [Note: This is a more complete and uncensored version of this source (/shninfo_detail.php?shnid=6670).] Source Detail notes
1597. 07/02/88 Oxford Plains Speedway - Oxford, ME   SBD> Master Cassette> DAT> CDR> EAC> SHN; via Jeff M. Source Detail notes
1598. 07/02/88 Oxford Plains Speedway - Oxford, ME   Source: SBD + AUD 'Matrix Mix' Source 1) FOB Schoeps CMC42s (8ft. spaced omni) > PCM F1/SL2000, then PCM 601ES > DAT > CDR Source 2) SBD > Dat > Sonic Solutions > CDR Both sources were extracted using EAC and time aligned/mixed/shn'ed by dan@am-dig.com using Cool Edit 2k (see additional notes in text file) Source Detail notes
1599. 07/02/88 Oxford Plains Speedway - Oxford, ME 942 flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
1600. 08/28/88 Autzen Stadium, University Of Oregon - Eugene, OR 206 flac16; Source: Healy SBD Ultramix Patch > Sony D5 > MSC(TDK MA-XG90 Type IV Cassettes). Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. Transfer and encoding by C. Ladner. Source Detail notes
1601. 09/02/88 Capital Centre - Landover, MD 419-01 flac16; SBD> Cassette Master> Dat (SV3800/48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller Source Detail notes
1602. 09/03/88 Capital Centre - Landover, MD 942 flac16; NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac Source Detail notes
1603. 09/06/88 Capital Centre - Landover, MD 253-01 flac16; SBD> Cassette Master> Dat (SV3800/48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller Source Detail notes
1604. 09/08/88 The Spectrum - Philadelphia, PA 419-03 SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files> abgd by John A.; stemming from Uncirculated ?88 SBD Tree (A re-tracked version circulates as of April, 2009. The audio data is identical. The "fixed info file is below.) Source Detail notes
1605. 09/09/88 The Spectrum - Philadelphia, PA 419-04 SBD > Cass Master > DAT > CDR > CDR > EAC > SHN Source Detail notes
1606. 09/11/88 The Spectrum - Philadelphia, PA   Bertha Remaster of the Soundboard/Cassette source. SBD(Healy Mix)>>DAT>>(*)CASS>>DAT>>>CDR>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN - Sound A- Note- Changes were made to d2t02 and d2t03 immediately before distribution. It is believed that the pre-change shns do not circulate. Source Detail notes
1607. 09/11/88 The Spectrum - Philadelphia, PA 420-01 Matrix DSBD>D>CD>EAC>WAV>Cool Edit Processing (drop out cross-fades)>SHN (seekable, via MKWACT) via Fishman Source Detail notes
1608. 09/12/88 The Spectrum - Philadelphia, PA 419-05 SBD/Matrix > MC > DAT > CDR; via Dan Szymanski; Seeded to etree by Doug Nawrocki Source Detail notes
1609. 09/14/88 Madison Square Garden - New York, NY 420-02 Jay Ashley (Bertha) remaster of original shn set; SBD> CM> DAT> CDA> DAW (Bertha)> CDA Source Detail notes
1610. 09/15/88 Madison Square Garden - New York, NY 420-03 SBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min Source Detail notes
1611. 09/16/88 Madison Square Garden - New York, NY 263-02 flac16; AKG D224E (XY) > Sony TC D5M > Maxell MX Taper: Doug Mow Transfer: Cassette Master > Sony D5 > Edirol UA5 custom Oade mod > USB > IBM R40 > Soundforge > WAV > CDR > EAC > WinXP Pro > Flac Frontend > FLAC16. Source Detail notes
1612. 09/16/88 Madison Square Garden - New York, NY 420-04 Jay Ashley (Bertha) Remaster of the Jim Wise release. SBD>>MC>>DAT>>(*)>>CDA>>DAW(Bertha)>>CDA - Sound A Source Detail notes
1613. 09/16/88 Madison Square Garden - New York, NY 420-05 Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia Source Detail notes
1614. 09/18/88 Madison Square Garden - New York, NY 421-01 SBD>MC>C?>DAT>CDR; via Jools; Seeded to etree by eD Source Detail notes
1615. 09/19/88 Madison Square Garden - New York, NY 421-02 SBD>MC>DAT>CDR ; Via Paul G ; Seeded by T. Wiley Source Detail notes
1616. 09/20/88 Madison Square Garden - New York, NY   flac16; AKG 224E > Sony D5 > Maxell MX Master Taper: Doug Mow Transfer: Cassette Master > Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/Windows XP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Flac Frontend > FLAC16. Source Detail notes
1617. 09/20/88 Madison Square Garden - New York, NY gd91-01 flac16; *Set 1 Only* Soundboard->DAT Master(48k)->DAT Clone->Sonic Solutions->CD->CD. CD->EAC->FLAC. EAC, Track, and FLAC by Joe Samaritano Source Detail notes
1618. 09/22/88 Madison Square Garden - New York, NY 421-04 Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia; see info file for flaw notes Source Detail notes
1619. 09/23/88 Madison Square Garden - New York, NY 421-05 Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia Source Detail notes
1620. 09/24/88 Madison Square Garden - New York, NY 843 encores missing; no source info; benefit with misc guests; via Rich (yubah); Keith Bode reports he traded around a bootleg CD of this show that matches setlist here- maybe this is his "very high quality bootleg" Source Detail notes
1621. 10/01/88 Shoreline Amphitheatre - Mountain View, CA 844 SBD> Cass> DAT> CDR> EAC> SHN (seekable); via Darrin Sacks to abgd, etree Source Detail notes
1622. 10/02/88 Shoreline Amphitheatre - Mountain View, CA 844 SBD> Cass> DAT> CDR> EAC>SHN (seekable); via Darrin Sacks to abgd, etree Source Detail notes
1623. 10/14/88 Miami Arena - Miami, FL 844 REPITCHED VERSION (2/22/04) using Charlie Miller's original SHN's; done by JR Fishman. See info file for additional edits Source Detail notes
1624. 10/16/88 Bayfront Center - St. Petersburg, FL 639 flac16; UPDATED source info: 2 Sennheiser ME80 shotguns > Sony D-5 > Maxell MX 90 (first set), TDK MA-XG90 (2nd set). Taper: Mark McCue Lineage: Sony D5 > Tascam CDR4U stand alone burner > CDR > EAC (no errors) > Win XP Pro > FLAC Frontend > FLAC 16. transfer from Sony D5 through CDR by Mark McCue. transfer from CDR through FLAC16 by Alex Ford on 03/08/05. Source Detail notes
1625. 10/21/88 Reunion Arena - Dallas, TX   MSC>?>DAT>CDR Eac > cool edit > shntool > cdwav > shnv3 Dat> Cdr by Andy Lemieux Eac > shnv3(secure with proper offsets) by Ernie Dodd Source Detail notes
1626. 10/21/88 Reunion Arena - Dallas, TX   Recording Info: SBD -> Dat; Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC); Transferred and Edited By Charlie Miller charliemiller87@earthlink.net Source Detail notes
1627. 12/09/88 Long Beach Arena - Long Beach, CA 421-06 Set 2; Master Soundboard Cassette >DAT >CD; via Mark Lynn and Mike B, encoded by Steven Leeds Source Detail notes
1628. 02/10/89 Great Western LA Forum - Inglewood, CA   Source: Master Cassette SBD>DAT(Fostex D-10 playback)>CD-R (hhb800 standalone)>EAC 0.9>SHN (via MKWACT) Source Detail notes
1629. 02/12/89 Great Western LA Forum - Inglewood, CA 604 flac16; Sean Weber Small rig, Schoeps cmc?? (cardioid caps on mic bodies) ORTF -> Oade pre (m118?) -> Sony F1/Beta rig, line out -> Sony TC-D5M analog cassette master by MF. From FOB/DFC. Mics at 6'5", at eye level to MF, covering the mics. The other mics were Neumann km84's, ortf-> Neu. p48v -> Sony TC-D5M @ 6'4" to 24/96 digital: Sony TC-D5M master deck w/ master tape, no n.r. -> Tascam DVRA1000 DSD in PCM mode 24/96 to flac: Tascam DVRA1000 DSD USB2.0 mode -> Mac Tiger 10.4 import, xACT conversion - downsampled to 16/44.1 using Adobe Audition 1.5, dithered with iZotope Ozone. - retracked, new flacs, etc created, files have been renamed to Etree conventions Source Detail notes
1630. 02/12/89 Great Western LA Forum - Inglewood, CA 977 flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.0.1 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
1631. 03/27/89 The Omni - Atlanta, GA 189-01, 194-01 AUD(Schoeps CMC-441's)>DAT>CDR; Seeded to etree by Tim W Source Detail notes
1632. 03/27/89 The Omni - Atlanta, GA 836 flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 Source Detail notes
1633. 03/28/89 The Omni - Atlanta, GA 189-02, 194-02 AUD>DAT>CDR; Seeded to etree by Tim W Source Detail notes
1634. 03/28/89 The Omni - Atlanta, GA 836 flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 Source Detail notes
1635. 03/30/89 Greensboro Coliseum - Greensboro, NC 836 flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90)
Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
All Transfers and Mastering By Charlie Miller
Source Detail
notes
1636. 03/31/89 Greensboro Coliseum - Greensboro, NC   flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Set 1: Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: Dat -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Source Detail notes
1637. 03/31/89 Greensboro Coliseum - Greensboro, NC   flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Set 1: Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: Dat -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Source Detail notes
1638. 04/02/89 Civic Arena - Pittsburgh, PA 497 Matrix>DAT>CDR>EAC>SHN>WAV>CE2K>SHNTOOL>MKWACT. Editing/Seeding: MattMan Source Detail notes
1639. 04/03/89 Civic Arena - Pittsburgh, PA 189-03, 194-03 SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell Source Detail notes
1640. 04/08/89 Riverfront Arena - Cincinnati, OH   SBD> Cassette Master> Dat> CD> EAC> SHN; Converted to SHN By Charlie Miller Source Detail notes
1641. 04/09/89 Freedom Hall - Louisville, KY 417-04 flac16; SBD> CM> DAT> CD> EAC> SHN; speed corrected version of shn id 13207 (via Charlie Miller, Patrick White); fix by Kevin Tobin Source Detail notes
1642. 04/12/89 Rosemont Horizon - Rosemont, IL 497 Shntool fix by-disc by Willy of previous Braverman seed; Ultramatrix (SBD/AUD mix)> Master Cassette> DAT> CD Source Detail notes
1643. 04/13/89 Rosemont Horizon - Rosemont, IL   SBD > MC > Dat > CDR > EAC > CDWave > mkwACT; Extraction/Seeding by Doug Nawrocki, from Kevin Gills source discs Source Detail notes
1644. 04/15/89 The Mecca - Milwaukee, WI 247-01 Matrix DSBD (Panasonic 3800)> CD (HHB CDR800)> EAC> SHN; Known Flaws - 1 sec. d/o @1:52 & 5 sec. d/o @2:46-2:51 during Space (d2t6) - some clipping on the left channel due to drums and bass being too high in the SBD mix. The master has this flaw as well;  via A. Jerugim Source Detail notes
1645. 04/28/89 Irvine Meadows - Irvine, CA 917 flac16; SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1646. 04/29/89 Irvine Meadows - Irvine, CA 624 flac16; 16/44.1 conversion of shn id 76495 Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master to the digital realm @ 24-96: Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain analog -> Sound Devices 722 at unity, at 24/96. SD722 firewire import to Mac G4 104 Tiger Sound Devices 2.2.4 for fades, edits, and splits xACT by Scott Brown. Patched and edited by Bob Loy -> 16/44 conversion Samplitude Professional V8.01: remove dc offset, remove clipping, convert sample rate ultra high 1 -> 44100hz, dither POW-r#3 Noise shaping -> 16 bit output -> ffe L6 sector boundaries aligned -> id3 tag Source Detail notes
1647. 05/06/89 Frost Amphitheatre - Palo Alto, CA 189,194,650 shntool fixed shns of Jay Serafin dsbd seed Source Detail notes
1648. 05/07/89 Frost Amphitheatre - Palo Alto, CA 497 DSBD > DAT; DAT > WAV > SHN: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > CDWAV v1.71 > MKW, by Dan Stephens; tracked for 2x80 Source Detail notes
1649. 05/27/89 Oakland-Alameda County Stadium - Oakland, CA 247-02 Dan Healy's Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd Source Detail notes
1650. 06/18/89 Shoreline Amphitheatre - Mountain View, CA 836 flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> FLAC Transfers and Mastering By Charlie Miller Source Detail notes
1651. 06/18/89 Shoreline Amphitheatre - Mountain View, CA 844 flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1652. 07/02/89 Sullivan Stadium - Foxboro, MA 211-01 flac16; FOB Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC Source Detail notes
1653. 07/02/89 Sullivan Stadium - Foxboro, MA 630 flac24; SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC Source Detail notes
1654. 07/02/89 Sullivan Stadium - Foxboro, MA 630 flac24; SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC Source Detail notes
1655. 07/02/89 Sullivan Stadium - Foxboro, MA 630 flac24; SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC Source Detail notes
1656. 07/02/89 Sullivan Stadium - Foxboro, MA 630 flac24; SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC Source Detail notes
1657. 07/02/89 Sullivan Stadium - Foxboro, MA 624 flac16; SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (16bit/44.1khz) > WAV > FLAC Source Detail notes
1658. 07/02/89 Sullivan Stadium - Foxboro, MA 826 flac24/96; Taper: Danny Thomson Source: FOB Nak700's > Uher 240 > Master Cassette Maxell XLII 90min. Transfer: Playback on Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak (24 bit/96 KHz WAV) by D.McCabe. Mastering: Wavelab 5 > Waves L3 Multimaximizer (threshold -2.3 dB/ceiling -0.1 dB) > CDWAV 1.9 > FLAC (level 8), by C.Ladner. Source Detail notes
1659. 07/02/89 Sullivan Stadium - Foxboro, MA 826 flac16; Source: Audience FOB Recording Media: AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette Lineage: FOB AKG C460b pre's with ck61uls heads > Uher 240 > Nak DR-1 >Apogee 200 Rosetta >Firewire >Apple G5 >Bias Peak(24/96WAV) > Wavelab 5 > Waves L3 Multimaximizer (threshold -3.0 dB/ceiling -0.1 dB) > rendered to 16 bit/44.1 KHz WAV using UV22-HR>CDWAV 1.9 >FLAC(level 8) Taper: Danny Thomson Transfer: Derek McCabe Mastering: Chris Ladner Source Detail notes
1660. 07/04/89 Rich Stadium - Orchard Park, NY   SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko Source Detail notes
1661. 07/04/89 Rich Stadium - Orchard Park, NY 263-03 SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko Source Detail notes
1662. 07/04/89 Rich Stadium - Orchard Park, NY 645 flac16; SRC: FOB (AKG 414s) > Sony D-5 (Dolby B) taped by Tim Alexander Transfer: Playback on Nak DR-1 (Dolby decode) > Tascam HD-P2 (16bit/44.1khz) > WAV > FLAC Transferred and seeded by Bill Tetzeli Source Detail notes
1663. 07/07/89 John F. Kennedy Stadium - Philadelphia, PA 211-02 Audience (was labeled as (Healy Mix) SBD>MC>DAT>CDR_; via Paul B.; Tim wiley Source Detail notes
1664. 07/13/89 Robert F. Kennedy Stadium - Washington, DC 523 flac16; NAK-100s > Sony D-5, using Dolby B.> cass, recorded by Boyd McHugh; MC > standalone TDK DA-5800 by Dave Hanscom; CDR> EAC> SHN (not seekable) Bzl; SHN> FLAC by Gary F. Source Detail notes
1665. 07/15/89 Deer Creek Music Center - Noblesville, IN   SBD > MR > DAT > C > DAT > CDR; Seeded to etree by Doug Nawrocki Source Detail notes
1666. 07/15/89 Deer Creek Music Center - Noblesville, IN 253-02, 211 SBD > MR > DAT > C > DAT > CDR; Seeded to etree by Doug Nawrocki Source Detail notes
1667. 07/17/89 Alpine Valley Music Theatre - East Troy, WI   Source: SBD > DAT > CDR > EAC > *Cool Edit Pro > mkwACT *Beginning of LTGTR, We Bid You Goodnight and Johnny B. Goode patched with Matrix > MC > CDR source. Source Detail notes
1668. 07/18/89 Alpine Valley Music Theatre - East Troy, WI   DSBD> DAT> CD; via Nick Georges; reported diginoise at the beginning of Touch and in a few other places, like just before Jack-A-Roe starts, and in Sugar Mag :22-:28; weirdness note: info file gives 7-5-7 tracking, md5s shown here have 9-5-7 tracking; further, listener B. de Vos reports d1t5 FOTD is not on info file, and neither is d1t9 TMNS- the latter was not even played at the show (must be filler) Source Detail notes
1669. 07/19/89 Alpine Valley Music Theatre - East Troy, WI   DSBD> DAT> CD> eac> SHN; via N. Georges Source Detail notes
1670. 08/04/89 Cal Expo - Sacramento, CA 647 flac16; AUD Source: Nakamichi CM-300's with CP-1 (cardioid) capsules > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 6-feet high. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC Source Detail notes
1671. 08/05/89 Cal Expo - Sacramento, CA   set 2; SBD> CM> DAT> CD> EAC> SHN; via Charlie Miller, Patrick White Source Detail notes
1672. 08/06/89 Cal Expo - Sacramento, CA 645 flac16; AUD Source: Neumann KM-150's > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 5-feet high. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC Source Detail notes
1673. 08/06/89 Cal Expo - Sacramento, CA 1062 flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1674. 08/18/89 The Greek Theatre - University of California - Berkeley, CA 253-03 Healy Matrix Digital SBD > DAT > CDR > WAV > SHNv3; DAT > CDR transfer via D-10 > HHb800 by fishman; DAE by neo_levo: EAC (high, secure, offset corrected, with repeated extractions yielding matching wav md5's), tracked using CDWAVE (boundaries confirmed w/ shntool) > mkwact > SHNv3 Source Detail notes
1675. 08/19/89 The Greek Theatre - University Of California - Berkeley, CA 253-04 SBD Cassette Master > DAT > .WAV > .SHN; d2 tracked for 80 min; via Jon Miller to tree; see info file for flaw notes Source Detail notes
1676. 08/19/89 The Greek Theatre - University Of California - Berkeley, CA 845 flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1677. 09/30/89 Shoreline Amphitheatre - Mountain View, CA 263-04 SBD>MC>DAT>CDR; Seeded to etree by Tim W Source Detail notes
1678. 10/08/89 Hampton Coliseum - Hampton, VA   SBD> Master Cass>DAT>CD; via CDead vine; Unknown seeder Source Detail notes
1679. 10/08/89 Hampton Coliseum - Hampton, VA   SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN Source Detail notes
1680. 10/09/89 Hampton Coliseum - Hampton, VA   Lineage: SBD > PCM (analog output) > D > D > D > D; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes Source Detail notes
1681. 10/09/89 Hampton Coliseum - Hampton, VA 251-04 SBD + AUD Matrix Mix (60%-SBD/40%-AUD); SBD: PCM (analog out) > DAT x 4 > CDR; AUD FOB: Schoeps CMC641 > DAT; Mixed by dan@am-dig.com; related 5.1 mix also circulates Source Detail notes
1682. 10/09/89 Hampton Coliseum - Hampton, VA 522 flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Source Detail notes
1683. 10/12/89 Meadowlands Arena - East Rutherford, NJ   Lineage: SBD -> Cm -> Dat -> Samplitude -> CD -> EAC -> SHN Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> Dio 2448 -> Samplitude 2496 v6.0 Dat -> CD -> EAC -> SHN all performed by Charlie Miller Source Detail notes
1684. 10/12/89 Meadowlands Arena - East Rutherford, NJ 232-01 Sbd> Cas(m)> Dat> ZA2/PC> SF> CD Architect> CDR?s; via Dave Koehler Source Detail notes
1685. 10/16/89 Meadowlands Arena - East Rutherford, NJ   unknown audience recording CD > EAC > FLAC Source Detail notes
1686. 10/16/89 Meadowlands Arena - East Rutherford, NJ   flac16; Set 2 Only - FOB Schoeps CMC34 Cardiod>Panasonic SV250(?)>DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav @48K/16b (WinXP) > 44.1K/16b Audacity 1.2.3 (FC3)> Tracks cut with shntool 2.0.3 > Flac 1.1.2 compression level 8 on FC3 Linux Source Detail notes
1687. 10/18/89 The Spectrum - Philadelphia, PA 232-02 Healy Ultramix > MC > DAT > CDR; Beginning of Shakedown, Drumz and Space patched with following source-Digital Audience - Jill & Rob R 3 Nak CM 300's; See info file for details; Seeded to etree by Doug Nawrocki Source Detail notes
1688. 10/19/89 The Spectrum - Philadelphia, PA 232-03 DSBD>C?>DAT>CDR; via eD O'Connor Source Detail notes
1689. 10/19/89 The Spectrum - Philadelphia, PA 394-05 DSBD>C?>DAT>CDR; via eD O'Connor Source Detail notes
1690. 10/19/89 The Spectrum - Philadelphia, PA 845 flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1691. 10/20/89 The Spectrum - Philadelphia, PA 232-04 Ultra-Matrix Soundboard DAT > Cassette > DAT > CDR; Audience source supplies first 0:48 of "Hey Pocky Way" (d2t01); Alternate Sbd source supplies balance of "Hey Pocky Way" (d2t01) as well as the first 4:46 of "Scarlet Begonias" (d2t02);Patching / CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston; to abgd via terrapin flyer Source Detail notes
1692. 10/20/89 The Spectrum - Philadelphia, PA 845 flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1693. 10/22/89 Charlotte Coliseum - Charlotte, NC 845 flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1694. 10/23/89 Charlotte Coliseum - Charlotte, NC 263-05 SBD>Cassette Master> Sonic Solutions> CD> FM> DAT> CDR> EAC> SHN; via Jeff M. Source Detail notes
1695. 10/23/89 Charlotte Coliseum - Charlotte, NC 846 flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1696. 10/25/89 Miami Arena - Miami, FL 396-04 Cassette SBD> DATs> CDRs> EAC> SHN; via Peter L., Sean Cribbs, Darrin Sacks Source Detail notes
1697. 10/26/89 Miami Arena - Miami, FL 251-05 SBD -> Dat -> Sonic Solutions -> CD -> EAC -> SHN Set 2 only. Converted By Charlie Miller Source Detail notes
1698. 10/26/89 Miami Arena - Miami, FL   Set 1 only. SBD -> Cm -> Dat -> CD -> EAC -> Samplitude v7.02 -> SHN by Charlie Miller Source Detail notes
1699. 12/08/89 Great Western LA Forum - Inglewood, CA 610 flac16; Ambient recording master by Mike French - Tapers From Hell From the Impact Zone, fob,dfc (same spot as entire 02-89 run, and entire 12-89 run) Sennheiser MKE2002 omni's HRTF stealth stereo -> Sony TC-D5M to 24/96 pcm: Sony TC-D5M and cassette master, no n.r. -> Tascam DVRA1000 in pcm mode @24/96 to flac: Tascam DVRA1000 in usb2.0 mode, master disc file import -> Mac G4 OS-X Tiger. Flac compression (6/8) by xACT by Scott Brown -> 16/44 conversion - shntool join -> Wavelabs 5: converted to 44100hz -> Isotope Ozone - dither: type mbit+, noise shaping high, bit depth 16, dither amount normal -> Wavelab - processed to 16bit -> Audacity: tracking only -> ffe l6 sector boundaries aligned>id3 tag <-Seamless transition between Discs 2 and 3-> Source Detail notes
1700. 12/09/89 Great Western LA Forum - Inglewood, CA 247-03 SBD > DAT > CDR > WAV > SHNv3; DAT > CDR transfer - via C. Miller. DAE, tracking (EAC > cdwave > shntool > mkwact) and FTP/ABGD via C. Ladner; see info file for listening notes Source Detail notes
1701. 12/10/89 Great Western LA Forum - Inglewood, CA 498 SBD > DAT > CDR > WAV > SHNv3; DAE via C. Ladner (EAC > CDWave > SHNTOOL > MKWACT), from Charlie Miller seed Source Detail notes
1702. 12/10/89 Great Western LA Forum - Inglewood, CA 498 Source: SBD > DAT > CDR > WAV > SHNv3. DAE via C. Ladner (EAC > CDWave > SHNTOOL > MKWACT). Source Detail notes
1703. 12/27/89 Oakland-Alameda County Coliseum - Oakland, CA 498 AUD>DAT>CDR; Seeded to etree by Tim W Source Detail notes
1704. 12/27/89 Oakland-Alameda County Coliseum - Oakland, CA 498 Dan Healy's Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd Source Detail notes
1705. 12/27/89 Oakland-Alameda County Coliseum - Oakland, CA 498 FOB>Shoeps CMC3/mk-4 > DAT > CDR > WAV > SHNv3; Taper unknown @ this time. Source Detail notes
1706. 12/28/89 Oakland-Alameda County Coliseum - Oakland, CA 501 2 Beyer M160 FOB > Sony TCD5M Cassette Master > SHN; Unknown seeder Source Detail notes
1707. 12/28/89 Oakland-Alameda County Coliseum - Oakland, CA 501 flac16; SBD -> Master Cassette Transferred By David Gans Converted to FLAC By Charlie Miller Source Detail notes
1708. 12/30/89 Oakland-Alameda County Coliseum - Oakland, CA 247-04 Tony G shntool fix of original Braverman seed; Ultramatrix (SBD/AUD mix); Lineage: DAT> CD> SHN Source Detail notes
1709. 12/30/89 Oakland-Alameda County Coliseum - Oakland, CA 501 Source: Ultramatrix (SBD/AUD mix); Lineage: DAT> CD> SHN; via Rob Harrison; Seeded to etree by Peter Braverman Source Detail notes
1710. 12/30/89 Oakland-Alameda County Coliseum - Oakland, CA 501 Tony G shntool fix of original Braverman seed; Ultramatrix (SBD/AUD mix); Lineage: DAT> CD> SHN Source Detail notes
1711. 12/31/89 Oakland-Alameda County Coliseum - Oakland, CA   Recording Info: Pre-FM -> Dat -> Samplitude -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) All Transfers By Charlie Miller charliemiller87@earthlink.net; Cleaned and Patched by Darryl Hinko 3/21/05; Patch in Dear Mr Fantasy with unknown AUD Source Detail notes
1712. 12/31/89 Oakland-Alameda County Coliseum - Oakland, CA 247-05 SBD>>PreFM>>DAT>>CDA>>WAV(EAC)>> SHN>>DAW(Bertha)>>CDA/SHN Source Detail notes
1713. 02/25/90 Oakland-Alameda County Coliseum - Oakland, CA 1072 flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1714. 02/27/90 Oakland-Alameda County Coliseum - Oakland, CA 217 SBD > DAT > CDR > WAV > SHNv3; DAE (EAC)> tracking/ boundary (CDWAV/SHNTOOL)> SHN(MKWACT) > FTP via neo_levo Source Detail notes
1715. 03/14/90 Capital Centre - Landover, MD 218 sbd>mc>dats>Soundforge 4.5>CD; via Tom E; Hosted by candyman.etree.org Source Detail notes
1716. 03/16/90 Capital Centre - Landover, MD 277b-01 sbd > ? > cdr > eac > shn; 2 cuts in each BTW, Blow Away; Estimated declicked by unIDed person (md5s shown for pre and post-edited- see info file); via Willy from Andrew Wigdahl seed discs; filler on d3 Source Detail notes
1717. 03/16/90 Capital Centre - Landover, MD 862 flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.1.1 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
1718. 03/18/90 Hartford Civic Center - Hartford, CT 534 flac16; AUD: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Mics on stand 7-feet high, set up near the back of the floor, aprx five rows behind the soundboard area. (Note: There was no taping area at this show.) Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 burner > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72. (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transferred by Andrew F. Source Detail notes
1719. 03/19/90 Hartford Civic Center - Hartford, CT 186-01, 215 updated source: Pre-FM Soundboard Master Reel (at 15 inches per second) -> DAT -> CDRs -> EAC -> SHN; source CDs from Kirby (Chalupa) Bell/Bob Fishman, eac>shn by Darrin Sacks; see info file for flaw notes Source Detail notes
1720. 03/21/90 Copps Coliseum - Hamilton, ON 215 SBD Master Cassette > DAT > CD> EAC> SHN; via Brian Heath Source Detail notes
1721. 03/22/90 Copps Coliseum - Hamilton, ON 175-03 SBD (Matrix)> DAT> CD> EAC> [retracking of d2 w/ SF, no other alteration]> SHN; via Adam Jerugim; known flaws: 1 sec d/o d2t7 @0:17 Source Detail notes
1722. 03/22/90 Copps Coliseum - Hamilton, ON 284-01 Bertha Remaster of the Master Cassette source; SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN Source Detail notes
1723. 03/24/90 Knickerbocker Arena - Albany, NY   SBD > Dat x 3 > CDR > SHN; via drgseeds with thanks to Bob Harrell Source Detail notes
1724. 03/24/90 Knickerbocker Arena - Albany, NY 278-05 SBD + AUD Matrix Mix (60%-SBD/40%-AUD) Source Detail notes
1725. 03/24/90 Knickerbocker Arena - Albany, NY 279-02 DTS-Audio-CD 5.1; Mix of SBD - SBD: DAT x 3 > CDR > SHN and AUD - FOB: Schoeps CMC 421 > DAT > CDR Source Detail notes
1726. 03/25/90 Knickerbocker Arena - Albany, NY 942 flac16; SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16; All Transfers And Mastering By Charlie Miller; Upgrade in circulation Source Detail notes
1727. 03/28/90 Nassau Coliseum - Uniondale, NY 163-02 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky Source Detail notes
1728. 03/28/90 Nassau Coliseum - Uniondale, NY 877 flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller Source Detail notes
1729. 03/28/90 Nassau Coliseum - Uniondale, NY 846 flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller Source Detail notes
1730. 03/29/90 Nassau Coliseum - Uniondale, NY   SBD>DAT>CDR; fixed copy of SHNid=3389; encoded by Darryl Hinko Source Detail notes
1731. 03/29/90 Nassau Coliseum - Uniondale, NY 215 SBD> Dat> CD; SHN Conversion By Charlie Miller Source Detail notes
1732. 03/30/90 Nassau Coliseum - Uniondale, NY   24 track SBD MR>John Cutler 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky Source Detail notes
1733. 03/30/90 Nassau Coliseum - Uniondale, NY 877 flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1734. 03/30/90 Nassau Coliseum - Uniondale, NY 979 flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1735. 04/01/90 The Omni - Atlanta, GA 158-04 24 track SBD MR>John Cutler 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky Source Detail notes
1736. 04/01/90 The Omni - Atlanta, GA 488 flac16; matrix sources: sbd : 24 Track Mixdown > DAT > C > PCM > FC/DD2496 > CD aud: FOB Nak 300/CP4's (Pair) + Sennheiser 441's (Pair) > Sony Mixer > Sony D10 Pro > RME46/8 > SoundForge > CD Source Detail notes
1737. 04/01/90 The Omni - Atlanta, GA 1072 flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller; Upgrade in circulation Source Detail notes
1738. 04/02/90 The Omni - Atlanta, GA 163-03 MSC> DAT> Cdr > Eac > cool edit pro > cdwav > shntool > shnv3; Discs kindly provided by Andy Lemieux; Eac > shn by Ernie Dodd; reportedly upgrade relative to previous shn set Source Detail notes
1739. 04/03/90 The Omni - Atlanta, GA 163-04 Soundboard Master Cassette > Sonic Solutions @ 24 bits > CD (Sony Super Bit Mapping 2) > EAC > SHN (seekable); via Darryl Hinko with thanks to Dave Sanders; Drums patched and tuning returned to first set from AUD source Source Detail notes
1740. 05/05/90 Cal State Dominguez Hills - Carson, CA 438-01 DSBD>DAT>CDR; Encore from FM source; via Paul B; Seeded to Etree by T. Wiley Source Detail notes
1741. 05/06/90 Cal State Dominguez Hills - Carson, CA 438-02 SBD>MC>DAT>CD; via Paul B; Seeded to Etree by T. Wiley Source Detail notes
1742. 05/06/90 Cal State Dominguez Hills - Carson, CA 438-03 FOB Schoeps CMC44> master audience DAT> DAT> CD> EAC> SHN Source Detail notes
1743. 06/08/90 Cal Expo - Sacramento, CA 215 fob "at the impact zone" 6' stands 6' spaced schoeps omis > Oade pre (presumably m118) > SV250 analog line out>D10 recording by Sean Weber and west coast "tapers fro hell" crew Source Detail notes
1744. 06/08/90 Cal Expo - Sacramento, CA 438-04 FOB Matrix SBD > DAT > CDR > WAV > SHN. End of Sugar Magnolia and encore: Schoeps CMC 441's > PCM > SL2000 > DAT > Cass > SHN (Kutick/Adelman); Thanks to C. Miller for the SBD seeds. DAE (EAC) > tracking (cdwave) > boundary checking (shntool) > shn (mkwact) via neo_levo; see flaw notes in info file Source Detail notes
1745. 06/09/90 Cal Expo - Sacramento, CA 439-01 B&K 4011 110degrees ORTF on the "Mike Stand" 6'4" Neumann p48 phantom supply > Sony TCD-D10 pro II (48k) > DAT master > TAscam DA-20 MKII > Marigo Audio Lab Coax S/PDIF cable > Tascam CDRW700 > CD-R master > Marantz CDR500 dual well cd burner at 1x > 1st gen CD-R copy > EAC in secure mode > FLAC Source Detail notes
1746. 06/09/90 Cal Expo - Sacramento, CA 439-02 SBD (Matrix) > DAT > CDR > WAV > SHN; with AUD patch at end of encore: Schoeps CMC441s > Sony PCM F1> SL-2000> DAT> Cass> SHN (Ken Adelman). DAE (EAC) > tracking (CDWAV) > boundary checking (SHNTOOL) > SHN (MKWACT) via neo_levo; SBD seed via Charlie Miller Source Detail notes
1747. 06/10/90 Cal Expo - Sacramento, CA   SBD/Matrix > DAT > CDR > WAV > SHN; plus patch from Mike Lai AUD source (see info) EAC, SHNTOOL, and minor repair work (cdwave) via neo_levo; SBD seed via Charlie Miller Source Detail notes
1748. 06/15/90 Shoreline Amphitheatre - Mountain View, CA 439-03 SBD > DAT > CDR > WAV > SHN; plus AUD patch; DAE(EAC) > boundary/ splice/ tracking(SHNTOOL, SF5) > SHN (MKWACT) via neo_levo Source Detail notes
1749. 06/16/90 Shoreline Amphitheatre - Mountain View, CA 439-04 SBD > DAT > CDR > WAV > SHN; plus AUD patch; DAE(EAC)> boundary/ splice (SHNTOOL)> SHN(MKWACT) > FTP via neo_levo Source Detail notes
1750. 06/17/90 Shoreline Amphitheatre - Mountain View, CA 217 SBD>DAT>CDR; via Paul B; Seeded to etree by neo_levo Source Detail notes
1751. 06/23/90 Autzen Stadium - University of Oregon - Eugene, OR   Source: SBD-matrix>CM>DAT>CDR>WAV>SHN; this is shn id 20695 with undocumented changes to d3t3 via Tol and LMA. Source Detail notes
1752. 06/23/90 Autzen Stadium - University of Oregon - Eugene, OR 440-01 Source: SBD-matrix>CM>DAT>CDR>WAV>SHN; this is shn id 20695 with undocumented changes to d3t3 via Tol and LMA. Source Detail notes
1753. 06/24/90 Autzen Stadium, U. of Oregon - Eugene, OR 440-02 sbd>mc>dat>cdr; Unkown seeder Source Detail notes
1754. 07/04/90 Sandstone Ampitheatre - Bonner Springs, KS 440-03 SBD> Dat> Cassette Master; Transfer: Cassette Master> ART DIO (24bit/96k)> Sound Forge 7> CD> EAC> SHN; SHN Conversion By Charlie Miller Source Detail notes
1755. 07/06/90 Cardinal Stadium - Louisville, KY 217 SBD> Dat> Sonic Solutions> CD; EAC'd and SHN'd By Charlie Miller Source Detail notes
1756. 07/10/90 Carter-Finley Stadium - Raleigh, NC 208-01 flac16; FOB DFC Schoeps MK4s ORTF On Stand->Oade m118->Panasonic SV255@48 kHz Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record/resample) -> CDWAV (track) ->FLAC Source Detail notes
1757. 07/14/90 Foxboro Stadium - Foxboro, MA 248-01 SBD > ? > CD > EAC >SHN Source Detail notes
1758. 07/14/90 Foxboro Stadium - Foxboro, MA   SBD(?) ("could be DSBD, likely SBDm")> ? ("could also have a cassette gen between the source and DAT, not sure")> DAT> CD> EAC; via Nick Georges; see pub comments for flaw notes Source Detail notes
1759. 07/16/90 Rich Stadium - Orchard Park, NY 217 SBD> DAT> CD's> EAC> SHN; SHN/upload by Randall Ward, seed via Matt Knapp Source Detail notes
1760. 07/16/90 Rich Stadium - Orchard Park, NY 266-01 flac16; 1st Set:Soundboard->DAT@48 kHz->DAT.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record/resample->CDWAV (track) ->FLAC. 2nd Set:Soundboard->DAT@44.1 kHz->DAT.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC. Conversion by Mark Lynn Source Detail notes
1761. 07/18/90 Deer Creek Music Center - Noblesville, IN   SBD, mixed source: Set 1: SBD> Dat> Cassette Master; Set 2: SBD> Dat> CD; Set 1 Transfer: Cassette Master> ART DIO (24bit/96k)> Sound Forge 7> CD> EAC> SHN; SHN Conversion By Charlie Miller; see pub comments for additional lineage notes Source Detail notes
1762. 07/18/90 Deer Creek Music Center - Noblesville, IN 440-04 Set1 SBD>>DAT>>MC>>SHN>>DAW(Bertha)>>CDA/SHN + Set2 SBD>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+ Source Detail notes
1763. 07/19/90 Deer Creek Music Center - Noblesville, IN   DSBRD> DAT> CD-R> EAC> SHN; via Garcia420 to abgd Source Detail notes
1764. 07/21/90 World Music Theater - Tinley Park, IL 248-02 Master Soundboard DAT > CDR,EAC'ed / SHN'ed by Scott Clugston; to abgd via Charlie Connor Source Detail notes
1765. 07/22/90 World Music Theater - Tinley Park, IL   Jay Ashley (Bertha) remaster of Master DAT source; SBD>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA Source Detail notes
1766. 07/23/90 World Music Theater - Tinley Park, IL   Master Soundboard DAT > CDR, EAC'ed / SHN'ed by Scott Clugston, to abgd via Charlie Connor Source Detail notes
1767. 07/23/90 World Music Theater - Tinley Park, IL 843 flac16; Bertha Remaster of shn id 7835: Master SBD DAT > CDR >DAW(Bertha) > SHN > WAV > FLAC (note: the original shn file set has not been distributed) Source Detail notes
1768. 09/10/90 The Spectrum - Philadelphia, PA 846 flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1769. 09/11/90 The Spectrum - Philadelphia, PA 846 (Healy Mix)SBD>DAT>C>DAT>CDR; with FOB(Nak. 300's>D-5)>CM>??>CDR patches; See info file for details; via Paul B and Dan Faust; Seeded to Etree by T. Wiley Source Detail notes
1770. 09/12/90 The Spectrum - Philadelphia, PA 417-05 flac16; SBD > Dat > Cassette Master (TDK SA100) > Dat (44.1k) > Sony D8 > VX Pocket 440 > Sony Vaio C1VP > Samplitude Professional v7.02 > FLAC; Transfers and Mastering By Charlie Miller Source Detail notes
1771. 09/14/90 Madison Square Garden - New York, NY 444 flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
1772. 09/14/90 Madison Square Garden - New York, NY 847 analog sbd> dat> cd> eac> cd; via Jeff Fishman; Steve Barbella Source Detail notes
1773. 09/15/90 Madison Square Garden - New York, NY 620 flac16; SBD -> Dat -> Cassette Master -> Dat Transferred By bendover@theotherones.org Mastered By Charlie Miller Source Detail notes
1774. 09/18/90 Madison Square Garden - New York, NY 877 flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC. All Transfers and Mastering By Charlie Miller. (Fixes a dropout in shn id 79022; see info file for details) Source Detail notes
1775. 09/18/90 Madison Square Garden - New York, NY 847 Lineage: SBD->Cm->Dat->CD->Cool Edit Pro->CD via Charlie Miller Source Detail notes
1776. 09/19/90 Madison Square Garden - New York, NY 847 Jay Ashley remaster of previous sbd source. SBD>>DAT>>CASS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN Source Detail notes
1777. 09/19/90 Madison Square Garden - New York, NY 862 flac16; Recording Info: Set 1: SBD -> Cassette Master -> Sonic Solutions -> CD Set 2: SBD -> Dat Master -> Sonic Solutions -> CD Transfer Info: CD -> Samplitude Professional v9.1.1 -> FLAC Original Transfer and Mastering By David Gans Additional Editing and Tracking By Charlie Miller Source Detail notes
1778. 09/20/90 Madison Square Garden - New York, NY   SBD + AUD Matrix Mix (50%-SBD/50%-AUD) using SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN, shn id 12111 and AUD Source: FOB > Scheops > DAT > CDR Location: Row 15, Center shn id 11633 Source Detail notes
1779. 09/20/90 Madison Square Garden - New York, NY 847 Bertha Remaster of the original DSBD Source. SBD>>Dat>>(*)>>SHN>>DAW(Bertha)>>CDA - Sound A+ Source Detail notes
1780. 10/17/90 GrugaHalle - Essen, Germany 277b-02 DSBD>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley Source Detail notes
1781. 10/17/90 GrugaHalle - Essen, Germany 1068 flac16; Audience Master Cassette Nakamichi 300’s > Marantz PMD-430 Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 2nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 12, 2008 Source Detail notes
1782. 10/19/90 Internationales Congress Centrum - Berlin, Germany 281, 284, 218 DSBD: Healy mix>MD>D>CD; seeded to abgd by dieter Source Detail notes
1783. 10/20/90 Internationales Congress Centrum - Berlin, Germany 218 DSBD: Healy mix>MD>D>CD Source Detail notes
1784. 10/22/90 Festhalle - Frankfurt, Germany 441-03 SBD>DAT>C>DAT>CDR; Seeded to etree by Tony Gardner Source Detail notes
1785. 10/24/90 Sportsahalle - Hamburg, Germany 271-04, 277b-03 SBD>DAT>C>DAT>CDR> Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable); via Paul B; Seeded to Etree by T. Wiley Source Detail notes
1786. 10/27/90 The Zenith - Paris, France 277b-04 SBD>DAT>CD; via Tommy Danscuk; Seeded to etree by Peter Braverman Source Detail notes
1787. 10/28/90 The Zenith - Paris, France   SBD> DATx3; Conversion: Sony M-1 > Midiman Optical > SPDIF SB Platinum > CoolEdit WAV > CDWav WAV > SHN (mkw); Shns Produced by JamPhan Source Detail notes
1788. 10/30/90 Wembley Arena - London, England 441-04 SBD> DAT> CDR; EAC'ed / SHN'ed by Dieter; to abgd Source Detail notes
1789. 10/31/90 Wembley Arena - London, England 441-05, 578 SBD > DAT > CDR > WAV > SHNv3; seed discs via Tim Symons, DAE(EAC) > SHNTOOL > MKWACT via neo_levo; reportedly with Werewolves splice, but fewer pops than previous shn sets Source Detail notes
1790. 12/04/90 Oakland-Alameda County Coliseum - Oakland, CA 437-01 SBD>DAT>CDR; Uncle>Big River are from either an Excellent Aud source, or they have a different, Matrix like mix; via neo_levo/candyman ftp - 4/2002 Source Detail notes
1791. 12/08/90 Compton Terrace Amphitheatre - Chandler, AZ 437-02 S:PCM> DAT> ZA2> CD; no encore; unfortunate diginoise during Victim (on all DATs); seeded by D. Hollister; via Skank, and/or J. Sachs to abgd?; via A. Stern to etree; note d2t3 gives an error when burning with CDRWin- to fix, Adam suggests opening this track in a wav editor (like CEP) and saving before burning Source Detail notes
1792. 12/09/90 Compton Terrace - Chandler, AZ 437-03 SBD > DAT > CDR > WAV > SHNv3; DAT > CDR transfer - via C. Miller; DAE (EAC > shntool > mkwact) by C. Ladner Source Detail notes
1793. 12/12/90 McNichols Sports Arena - Denver, CO 266-02 flac16; Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 >CDWAVE >FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski Source Detail notes
1794. 12/12/90 McNichols Sports Arena - Denver, CO 437-04 SBD> D-> CDR-> EAC> SHN; Ripped by John Zei Source Detail notes
1795. 12/12/90 McNichols Sports Arena - Denver, CO 942 flac16; Set 1 only, Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller Source Detail notes
1796. 12/14/90 McNichols Sports Arena - Denver, CO 266-03 flac16; Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 > CDWAVE > FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski Source Detail notes
1797. 12/14/90 McNichols Sports Arena - Denver, CO 994 flac16; Corrected Source Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 Source Detail notes
1798. 12/31/90 Oakland-Alameda County Coliseum - Oakland, CA 281-03 Satellite Feed > 1/2" reel @ 15 ips > DAT >CDR; Montego II > CDWave > Sound Forge XP 4.5; via Mike Hall Source Detail notes
1799. 02/19/91 Oakland-Alameda County Coliseum - Oakland, CA gd91-01 SBD > DAT > Soundforge> CDR > WAV > SHN; DAE(EAC)> SHN (MKWACT), via neo_levo with thanks to Charlie Miller Source Detail notes
1800. 02/20/91 Oakland-Alameda County Coliseum - Oakland, CA gd91-01 Updated source: 2 Nak 100/CP4 + 2 AKG C1000, Front Row Tapers Section> Boss BX4 Mixer> Cassette Master (Sony D6/Dolby B), taped by Charlie Miller; Cass> DAT transfer by Dan Sisler; Dat (Sony R500/SBM On)> CD (Tascam CDRW700) transfer by Charlie Miller; EAC> CDWAV> SHN by eD(efojr), from Paul's seed discs Source Detail notes
1801. 02/20/91 Oakland-Alameda County Coliseum - Oakland, CA gd91--01 flac16; SBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko Source Detail notes
1802. 02/21/91 Oakland-Alameda County Coliseum - Oakland, CA gd91-01 SBD > DAT x2; Transfer TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHN; transfer and hosted by John D'Auria Source Detail notes
1803. 02/21/91 Oakland-Alameda County Coliseum - Oakland, CA gd91-02 Recording Info: SBD -> Dat Transfer Info: Dat (Sony D8) -> Delta DiO 2496 -> Samplitude 2496 -> SHN 3 Discs Audio / 2 Discs SHN Re-tracked and Normalized with Samplitude v7.02 Professional By Charlie Miller charliemiller87@earthlink.net 2/11/04 Source Detail notes
1804. 03/17/91 Capital Centre - Landover, MD gd91-02 flac16; SBD> Master Dat> Master Cassette (Tascam 122mkIII)> Dat (SV3800/48k); Transfer: Dat> Cool Edit Pro> Samplitude v7.02 Professional> FLAC; Patch Info: Nakamichi 300/CP4 + Neumann KM84> Cassette Master (Sony D5/Maxell MX-S90); Patched and Edited By Charlie Miller Source Detail notes
1805. 03/17/91 Capital Centre - Landover, MD gd91-02 FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Jeff Metchik (sp?); Transferred By Charlie Miller Source Detail notes
1806. 03/17/91 Capital Centre - Landover, MD gd91-03 SBD>MC>DAT>CDR; via Tom Eliason; Seeded to etree by Willy Source Detail notes
1807. 03/17/91 Capital Centre - Landover, MD gd91-15 FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Jeff Metchik (sp?); Transferred By Charlie Miller Source Detail notes
1808. 03/18/91 Capital Centre - Landover, MD gd91-03 AUD (unknown mics) >DAT>Cass (X1)>CDR via D.Duquette. DAE/SHN encoding neo_levo/candyman Source Detail notes
1809. 03/18/91 Capital Centre - Landover, MD gd91-03 flac16; SBD > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko Source Detail notes
1810. 03/18/91 Capital Centre - Landover, MD gd91-04 2nd Set; SBD>MC>DAT>CD; via Paul; Seeded to etree by eD(efojr) Source Detail notes
1811. 03/20/91 Capital Centre - Landover, MD gd91-04 SBD>DAT>CDR; See info file for 'anomalies'; via Paul; Seeded to etree by eD(efojr) Source Detail notes
1812. 03/21/91 Capital Centre - Landover, MD gd91-04 SBD> DAT> ZA2> SHN; slight cut d2t7 ~5:44; via G. King Source Detail notes
1813. 03/21/91 Capital Centre - Landover, MD 942 flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1814. 03/23/91 Knickerbocker Arena - Albany, NY gd91-04 AUD: Schoeps CMC 34?s>DAT; via Paul; Seeded to etree by eD(efojr) Source Detail notes
1815. 03/24/91 Knickerbocker Arena - Albany, NY gd91-05 FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller Source Detail notes
1816. 03/24/91 Knickerbocker Arena - Albany, NY gd91-05 SBD > MC > DAT > CD > EAC > SHN; Patched with AUD> DAT> CDR; Schoeps CMC-421?s>Oade>Panasonic SV-255; EAC/SHN by Darryl Hinko Source Detail notes
1817. 03/24/91 Knickerbocker Arena - Albany, NY gd91-05 Source: SBD>CM>DAT>Cx>CDR>WAV>SHN Transfer via Ja.Buzz420 (playback on Denon DRM-540 > HHB 830 CDR). SHN and encoding and hosting via neo_levo/candyman FTP Source Detail notes
1818. 03/24/91 Knickerbocker Arena - Albany, NY gd91-06 AUD> DAT> CDR; Schoeps CMC-421?s>Oade>Panasonic SV-255; via WIlliam-O; Seeded to etree by eD Source Detail notes
1819. 03/25/91 Knickerbocker Arena - Albany, NY gd91-06 sbd>cass-master>dat>shn Source Detail notes
1820. 03/27/91 Nassau Veterans Memorial Coliseum - Uniondale, NY gd91-06 AUD>DAT>CDR; Seeded to etree by eD Source Detail notes
1821. 03/27/91 Nassau Veterans Memorial Coliseum - Uniondale, NY gd91-06 Recording Info: SBD -> Cm (Sony D5) -> Dat; Transfer Info: Dat (Sony R500) -> Sound Devices USB Pre -> Sony Vaio C1VP -> Samplitude 6.0 -> Cool Edit Pro v2.0 -> SHN; Transfered and Remastered By Charlie Miller; Upgrade in circulation Source Detail notes
1822. 03/27/91 Nassau Veterans Memorial Coliseum - Uniondale, NY gd91-07 set2; FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer Info: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney. Dan O'Neill Transferred By Charlie Miller Source Detail notes
1823. 03/28/91 Nassau Coliseum - Uniondale, NY gd91-07 FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller Source Detail notes
1824. 03/28/91 Nassau Coliseum - Uniondale, NY gd91-07 SBD> DAT> CDR> EAC> SHN (seekable) via Steve Barbella Source Detail notes
1825. 03/29/91 Nassau Coliseum - Uniondale, NY gd91-07 SBD> DAT> Cassette> DAT> Tascam DA-20 MKII> Delta Dio 2496> Cool Edit> CDR; via Rob Harrison; Seeded to etree by Tim Wiley Source Detail notes
1826. 03/31/91 Greensboro Coliseum - Greensboro, NC 246-02 SBD dat master > dat > cd (eac, secure) > SHN Source Detail notes
1827. 03/31/91 Greensboro Coliseum - Greensboro, NC gd91-07 SBD > ?? > EAC > Multiquence > Shn; Seeded by C Perkins with thanks to Chris Luper; see text file for noted flaws.Samson and Eyes appear on Dick's Picks 17, Please support the artist and their commercial releases go buy it Source Detail notes
1828. 04/01/91 Greensboro Coliseum - Greensboro, NC   set 2 plus partial set 1; SBD > D > A > D > SSSB; via Jay Serafin to gdlive Source Detail notes
1829. 04/01/91 Greensboro Coliseum - Greensboro, NC 266-04 flac16; SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> CD Transferred and Edited By Charlie Miller Source Detail notes
1830. 04/01/91 Greensboro Coliseum - Greensboro, NC gd91-08 Sources: Primary Source; Jay Serafin's seed SBD>D>A>D>SSSB: Secondary Source:SBD>DAT>CDR (Musicfan's seed to abgd; Secondary Source provides d1t01-t04; the last 5 seconds of d1t07;the last 2:01 of d1t09; CD Remastering by Charlie Connor; Seeded to Fun_Gus and abgd by Charlie Connor Source Detail notes
1831. 04/01/91 Greensboro Coliseum - Greensboro, NC gd91-08 SBD> D-> cdr-> EAC-> shn; Ripped by John Zei Source Detail notes
1832. 04/03/91 The Omni - Atlanta, GA 186-02, 199,gd91-08 sbd> dat> cass(2)> dat> spdif> cdr> eac> shn; via Tony Gardner; Pitch corrected upgrade in circulation Source Detail notes
1833. 04/04/91 The Omni - Atlanta, GA 186-03, 199,gd91-08 FOB> AKGc1000s>Sony Cassette D3 > cdr Eac > cool edit > shntool > cdwav >shnv3 Taped by Thomas Larson Discs provided by Chris Adams Eac >shn (secure with proper offsets) by Ernie Dodd Source Detail notes
1834. 04/04/91 The Omni - Atlanta, GA 246-03 flac16; record: Audio Technica 835a's>b18's>D5proII ots transfer: Cassette Master>Aiwa F810>M Audio Audiophile 24/96 @44.1>Wavelab 5>cdwav>flac record & transfer by cdipietro Source Detail notes
1835. 04/05/91 The Omni - Atlanta, GA 186, 99,gd91-09 sbd> ?> cdr> eac> shn; shn by Jay James, hosted by Tony Gardner Source Detail notes
1836. 04/07/91 Orlando Arena - Orlando, FL 246-05 SBD > ? > SHN; via M. Ferguson, neo_levo Source Detail notes
1837. 04/08/91 Orlando Arena - Orlando, FL gd91-09 SBD>DAT>C>DAT>CDR; via Paul "Raoul B." Duke; seeded to etree by Brad Ingle Source Detail notes
1838. 04/09/91 Orlando Arena - Orlando, FL gd91-09 SBD>??>DAT>??>CDR (Liberated Bootleg); Missing Masterpiece, NFA & Brokedown; Some distortion throughout; See info file for details; via PBR Duke; Seeded to etree by Brad Ingle Source Detail notes
1839. 04/09/91 Orlando Arena - Orlando, FL gd91-10 Recording Info: SBD -> Master Dat (Panasonic 3700) -> Master Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Master Cassette (Nakamichi CR-7A) -> Dat (Sony R500/48k/SBM On) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller Source Detail notes
1840. 04/27/91 Sam Boyd Silver Bowl - Las Vegas, NV gd91-10 flac16; 3 source combo: 1: SBD> Dat> Cassette Master> Dat (48k); 2: SBD> Dat> Sonic Solutions> CD; 3: (FOB) Schoeps CMC3/MK2> Dat (48k); Transfer: Dat or CD> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transfers and Editing By Charlie Miller Source Detail notes
1841. 04/27/91 Sam Boyd Silver Bowl - Las Vegas, NV gd91-10 SBD material from previous shn set with AUD patches added by Alan J. Fink from eD's first-gen source cass Source Detail notes
1842. 04/28/91 Sam Boyd Silver Bowl, U.N.L.V. - Las Vegas, NV gd91-10 Source: FOB MAC (2 beyerm 160 & 1 Sennheiser 421>Sony TCD5M)>?>SHN. Mastering: SHN>WAV>CE2K>SHNTOOL>mkwACT. Mastered & seeded by MattMan. Source Detail notes
1843. 04/28/91 Sam Boyd Silver Bowl, U.N.L.V. - Las Vegas, NV gd91-11 FOB Neumann U87's > ? > CDR; via Marcus Thunich; Seeded to etree by Matt Vernon Source Detail notes
1844. 04/28/91 Sam Boyd Silver Bowl, U.N.L.V. - Las Vegas, NV gd91-11 Purported: SBD> Phil Lesh's cassette master> DAT> CDR; CDR > EAC > mkw > SHN by Matt Vernon, from Tim Wheaton seed discs; see info file for flaw notes Source Detail notes
1845. 05/03/91 Cal Expo - Sacramento, CA 281-04 Source: SBD > DAT > C > DAT > CDR > WAV > SHN Source Detail notes
1846. 05/04/91 Cal Expo - Sacramento, CA gd91-11 SBD > DAT > C > DAT > CDR; via R. Martin; Seeded to etree by C. Ladner Source Detail notes
1847. 05/05/91 Cal Expo - Sacramento, CA 265-02 DSBD > CD > EAC > SHN; EAC/SHN by Darryl Hinko Source Detail notes
1848. 05/10/91 Shoreline Amphitheatre - Mountain View, CA 265-03 SBD > DAT > CDR > WAV > SHNv3; DAE (EAC) > boundary checking (shntool) > compression (mkwact) via neo_levo, with thanks to C. Miller Source Detail notes
1849. 05/11/91 Shoreline Amphitheatre - Mountain View, CA gd91-12 SBD : DAT > C (Latvala) > DAT > CDR; via Tom Angello; d2 tracked for 80 min Source Detail notes
1850. 05/12/91 Shoreline Amphitheatre - Mountain View, CA 248-03 flac16; SBD -> Dat Transferred and Edited By Charlie Miller Source Detail notes
1851. 05/12/91 Shoreline Amphitheatre - Mountain View, CA gd91-12 Master Soundboard Cassette > CDR; via Scott Clugston Source Detail notes
1852. 05/12/91 Shoreline Amphitheatre - Mountain View, CA gd91-12 FOB-AUD:Schoeps MK4V>DAT>CDR; via Paul; Seeded to etree by eD(efojr) Source Detail notes
1853. 06/01/91 Los Angeles Coliseum - Los Angeles, CA gd91-13 DSBD> Dat> c> Dat> CD> EAC> SHN; via Steve Barbella, with thanks to John Valter, Paul B. Source Detail notes
1854. 06/06/91 Deer Creek Music Center - Noblesville, IN gd91-13 DSBD -> 48 KHz DAT Read in by Other1: DigiI/O via SGI DAT drive -> shn file -> internet to chastewk -> unshned -> sample rate conversion and normalization with Cooledit 96 -> tracked w/ CD-WAV > SHN Source Detail notes
1855. 06/06/91 Deer Creek Music Center - Noblesville, IN gd91-13 Nakamichi 300 shotguns, back tapers lawn > Sony D-6 (Denon Hd8-100 masters output from same deck) > Sony ES-59 DAT; Seeded to etree by JamPhan Source Detail notes
1856. 06/06/91 Deer Creek Music Center - Noblesville, IN gd91-14 Recording Info: SBD -> Dat -> Cm -> Dat Transfer Info: Dat -> Behringer UltraMatch SRC2000 -> Dio 2448 -> Samplitude v.60 -> Cool Edit Pro v1.2 -> CD -> EAC (Secure Mode) -> SHN (3 Discs Audio / 2 Discs SHN) All transfers done by Charlie Miller Source Detail notes
1857. 06/07/91 Deer Creek Music Center - Noblesville, IN gd91-14 via Other1 and Chas; note d2t4 bad- to be replaced >9/12 Source Detail notes
1858. 06/07/91 Deer Creek Music Center - Noblesville, IN gd91-14 Recording Info: SBD -> Dat -> Cm -> Dat Transfer Info: Dat -> Behringer UltraMatch SRC2000 -> Dio 2448 -> Samplitude v.60 -> Cool Edit Pro v1.2 ->CD -> EAC (Secure Mode) -> SHN All transfers done by Charlie Miller Source Detail notes
1859. 06/09/91 Buckeye Lake Music Center - Hebron, OH gd91-14 SBD> DAT> CD> SHN; provenance unknown, submitted by user kberry Source Detail notes
1860. 06/11/91 Charlotte Coliseum - Charlotte, NC gd91-15 source unknown (likely SBD> CM> DAT> CDR); DAE: CDR> EAC> SHN; Extraction and shorten conversion by JT James; reported upgrade relative to previous shn set Source Detail notes
1861. 06/12/91 Charlotte Coliseum - Charlotte, NC gd91-15 SBD> DAT> CDR (previous shn set) + AUD patch for encore Source Detail notes
1862. 06/14/91 Robert F. Kennedy Stadium - Washington, DC gd91-15 SBD > DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN via Peter Braverman (possible cassette gen but NOT VFTV) Source Detail notes
1863. 06/16/91 Giants Stadium - East Rutherford, NJ gd91-15 Source: DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF Source Detail notes
1864. 06/17/91 Giants Stadium - East Rutherford, NJ   flac16; SBD + AUD Matrix Mix Source Detail notes
1865. 06/17/91 Giants Stadium - East Rutherford, NJ gd91-16 SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller; [Note: This is the only circulating source without an analog gen in it.] Source Detail notes
1866. 06/17/91 Giants Stadium - East Rutherford, NJ gd91-15 sbd> ?> cdr> eac> shn; via Tony Gardner, with thanks to Peter Braverman Source Detail notes
1867. 06/19/91 Pine Knob Music Theater - Clarkston, MI gd91-15 Source: AUD (unknown mics) >DAT>CDR>WAV>SHN. SHN encoding via C.Ladner. Source Detail notes
1868. 06/19/91 Pine Knob Music Theater - Clarkston, MI gd91-17 FOB AKG C460B/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); Transfer : Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller Source Detail notes
1869. 06/19/91 Pine Knob Music Theater - Clarkston, MI gd91-17 SBD > DAT > Cass > DAT > CD > EAC > CDWav (retrack) > CD; Retracking done by Ivan Kotch; to etree via Adam Jerugim; known flaws: splice during Promised, noise during FOTM (A patched version of d1t08 also circulates as of June, 2010.) Source Detail notes
1870. 06/20/91 Pine Knob Music Theater - Clarkston, MI 488 SBD > DAT > Cass > DAT > CD > EAC, with Audience patch: Unknown DAUD > CD > EAC; All editing done with EAC, CDWave and SoundForge 4.5, by Ivan Kotch; to etree via Adam Jerugim; see info file for notes Source Detail notes
1871. 06/20/91 Pine Knob Music Theater - Clarkston, MI gd91-17 unknown mics > DAT > CDR > EAC x 2 > WAV > SHN3.0; via Chris Ladner, from Marc Laurent's discs; see info file for listening notes Source Detail notes
1872. 06/20/91 Pine Knob Music Theater - Clarkston, MI gd91-18 FOB AKG C460B/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); Transfer Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller Source Detail notes
1873. 08/12/91 Cal Expo - Sacramento, CA   flac16; SBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko Source Detail notes
1874. 09/10/91 Madison Square Garden - New York, NY 199-04 complete; DSBD> DATs> CDRs> EAC> SHN; via Darrin Sacks Source Detail notes
1875. 09/10/91 Madison Square Garden - New York, NY 982 flac16; SBD DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect ->Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Source Detail notes
1876. 09/13/91 Madison Square Garden - New York, NY 175-04, 270-01 flac16; DSBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko; No cut in Masterpiece Source Detail notes
1877. 09/20/91 Boston Garden - Boston, MA   Unknown SBD source. Hosted by tol.etree.org; seeded via bittorrent by Tony G. Source Detail notes
1878. 10/27/91 Oakland-Alameda County Coliseum - Oakland, CA 270-02 SBD> DAT> ZA2> Soundforge 4> CD Architect> CDR> EAC> shn; via Eric, Jeff Source Detail notes
1879. 10/31/91 Oakland-Alameda County Coliseum - Oakland, CA 270-03 Matrix by RJ Hythloday of sbd > (?) > shn(id=2897)& FOB recorded by Marcus Buick Transferred By Charlie Miller Source Detail notes
1880. 12/27/91 Oakland-Alameda County Coliseum - Oakland, CA 208-02 AUD> DAT> CDR; Schoeps MK4's; via Billy DeLyon; Seeded to etree by eD Source Detail notes
1881. 02/22/92 Oakland-Alameda County Coliseum - Oakland, CA 639 flac16; FOB Digital Audience Set 1: B&K 4011 (ORTF) Hand Held -> Canare Cable -> Neumann Supply -> Modified Sony D10 Pro Jamie Young Rig) Set 2: Schoeps CMC34 -> Panasonic sv250 (Marcus Rig) Source Detail notes
1882. 03/01/92 The Omni - Atlanta, GA 181-02 Schoeps CMC3/MK4> Oade M118> Panasonic SV-250 FOB; via Tony Gardner Source Detail notes
1883. 03/02/92 The Omni - Atlanta, GA 181-03 Schoeps CMC3/MK4> Oade M118> Panasonic SV-250 FOB; via Tony Gardner Source Detail notes
1884. 03/03/92 The Omni - Atlanta, GA 181-04 AUD>DAT>CDR (Schoeps CMC 34?s); via Paul; Seeded to etree by Tony G Source Detail notes
1885. 05/30/92 Sam Boyd Silver Bowl, U.N.L.V. - Las Vegas, NV 265-04 whole show; SBD > DAT > Lucid PCI24 > Gina 2496 > CEP > CDR; CDR> EAC> WAV> MKW> SHN by Charlie Kidder; upgrade in circulation Source Detail notes
1886. 06/08/92 Richfield Coliseum - Richfield, OH 1068 flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1887. 06/09/92 Richfield Coliseum - Richfield, OH 1068 flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller Source Detail notes
1888. 06/12/92 Knickerbocker Arena - Albany, NY 216 SBD > Master cassette> cassette> DAT> CoolEdit> CD> Peak edits> SHN via Johnny Venus encoded by Peter Braverman; upgrade in circulation Source Detail notes
1889. 06/15/92 Giants Stadium - East Rutherford, NJ 309 flac16; SBD -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller Source Detail notes
1890. 06/17/92 Charlotte Coliseum - Charlotte, NC 309 flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller Source Detail notes
1891. 06/20/92 Robert F. Kennedy Stadium - Washington, DC 309 flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller Source Detail notes
1892. 06/20/92 Robert F. Kennedy Stadium - Washington, DC 392 flac16/48; Master Soundboard DAT @ 48KHZ->DAT x 4; Conversion: Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC, by Mark Lynn Source Detail notes
1893. 06/22/92 Star Lake Amphitheatre - Burgettstown, PA 309 flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller Source Detail notes
1894. 06/23/92 Star Lake Amphitheatre - Burgettstown, PA 309 flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller Source Detail notes
1895. 06/25/92 Soldier Field - Chicago, IL   flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller Source Detail notes
1896. 06/26/92 Soldier Field - Chicago, IL   flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller Source Detail notes
1897. 06/28/92 Deer Creek Music Center - Noblesville, IN 216 flac16; SBD> Dat> CD> CD> Sonic Solutions> CD> CD> EAC> FLAC; via Charlie Miller; upgrade in circulation Source Detail notes
1898. 12/11/92 Oakland-Alameda County Coliseum - Oakland, CA 371-06 AUD (AKG-460's) >DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon Source Detail notes
1899. 12/12/92 Oakland-Alameda County Coliseum - Oakland, CA 270-04 Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear; d2 tracked for 80 min Source Detail notes
1900. 03/17/93 Capital Centre - Landover, MD 628 flac16; NAK-300s > Sony D-5, using Dolby B. Two Maxwell MXS tapes recorded by Boyd McHugh from tapers' section Transfer: MC > standalone Philips 880 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks > EAC to extract to hard drive, CD Wave for splitting resulting .wav files, flac Fromtend to encode to flac. This is done by Bzl Source Detail notes
1901. 03/20/93 The Omni - Atlanta, GA 229 flac16; SBD> Dat> Cassette Master> Dat> CD> EAC> SHN> WAV> Samplitude Professional v8.0> FLAC; plus patch from FOB Soundfield AMS ST250 source; Edited By Charlie Miller Source Detail notes
1902. 03/21/93 The Omni - Atlanta, GA 181-05 flac16; SBD> Dat> Cassette Master> Dat> CD> EAC> SHN> WAV> Samplitude Professional v8.0> FLAC; Edited By Charlie Miller Source Detail notes
1903. 03/22/93 The Omni - Atlanta, GA 231-01 flac16; set1; SBD> Dat> Cassette Master> Dat> CD> EAC> SHN> WAV> Samplitude Professional v8.0> FLAC; Edited By Charlie Miller Source Detail notes
1904. 03/24/93 Dean Smith Center - Chapel Hill, NC   Source: Master SBD>DAT via Modified Sony D10 Pro II. Recorded By Ron Keyser (This is from the lead deck from the daisey chain feed to the taper section) Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC Source Detail notes
1905. 03/27/93 Knickerbocker Arena - Albany, NY 216 SBD> DAT; via D. DiProsa; Transfer: D8> 7 pin/digi coax> Montego II digi I/O> CDWAV by D. Nawrocki Source Detail notes
1906. 05/26/93 Cal Expo - Sacramento, CA 231-02 flac16; SBD> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller Source Detail notes
1907. 05/27/93 Cal Expo - Sacramento, CA 231-03 flac16; SBD> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller Source Detail notes
1908. 06/11/93 Buckeye Lake Music Center - Hebron, OH 208-03 Soundboard->DAT Master->Sonic Solutions->CD->EAC->SHN. CD seed provided by DG. EAC and SHN by Joe Samaritano. Source Detail notes
1909. 06/19/93 Soldier Field - Chicago, IL 231-04 flac16; SBD> Dat> CD> EAC> Sampltiude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller; Dat supplied by David Gans, original mastering by Donnie Loeffler, Thanks to Bob Kidder for the vine disc Source Detail notes
1910. 06/22/93 Deer Creek Music Center - Noblesville, IN 487 SBD: DAT> CD> SHN; Seeded by Peter Braverman, with thanks to Raoul; see notes in info file Source Detail notes
1911. 06/23/93 Deer Creek Music Center - Noblesville, IN   flac16/48; Recording Detail: Taped by Jamie Young and Clay Brennecke - Row N Seat 13 AMS ST-250 microphone in the Blumlein Pattern on a Cool-Lux MD5500 Collapsible Light Stand both Sets 6"0' in air > AMS Microphone Preamp > Modified Sony TCD D-10 Professional DAT machine Transfer Detail: DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav DAT(1) Source Detail notes
1912. 06/26/93 Robert F. Kennedy Stadium - Washington, DC 264-01 sbd > dat > cass > dat > cd; via Brent Peich Source Detail notes
1913. 09/08/93 Richfield Coliseum - Richfield, OH 230 flac16; Recording Info: SBD -> Master Dat -> Dat Clone (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller Source Detail notes
1914. 09/09/93 Richfield Coliseum - Richfield, OH 230 flac16; Recording Info: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller Source Detail notes
1915. 09/10/93 Richfield Coliseum - Richfield, OH 230 flac16; Recording Info: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller Source Detail notes
1916. 09/20/93 Madison Square Garden - New York, NY 216 flac16; Soundboard->Master DAT->Sonic Solutions->Master CD. Master CD->EAC->FLAC. EAC, Re-track, and FLAC by Joe Samaritano Source Detail notes
1917. 09/21/93 Madison Square Garden - New York, NY 216 DAUD/FOB Schoeps mk21(ORTF) > KC5 actives > CMC5 > Sonosax SX-M2 > Apogee AD-500e > Sony D10 @48kH; via Dankseeds Source Detail notes
1918. 09/25/93 Boston Garden - Boston, MA 230 flac16; Recording Info: Set 1: SBD -> Master Dat -> Dat Clone (48k) set 2: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller Source Detail notes
1919. 09/26/93 Boston Garden - Boston, MA 230 flac16; Recording Info: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller Source Detail notes
1920. 12/10/93 Sports Arena - Los Angeles, CA 208-04 DSBD; via Nick Georges; note info file here reflects correct setlist Source Detail notes
1921. 03/04/94 Desert Sky Pavilion - Phoenix, AZ 392 flac16; SBD> ?> CDR> EAC> FLAC; via sailor_saint Source Detail notes
1922. 03/27/94 Nassau Coliseum - Uniondale, NY 264-02 Recording Info: SBD -> Dat (Vault Master) -> Sonic Solutions -> CD -> Eac -> SHN; Patched and SHN'd By Charlie Miller Source Detail notes
1923. 03/30/94 The Omni - Atlanta, GA 229 Recording Info: SBD -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN Transfered By Charlie Miller. Source Detail notes
1924. 03/31/94 The Omni - Atlanta, GA 229 Recording Info: SBD -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN Encore Is Missing (I Fought The Law) Transfered By Charlie Miller. Source Detail notes
1925. 06/26/94 Sam Boyd Silver Bowl, U.N.L.V. - Las Vegas, NV 292 notes
1926. 07/13/94 Franklin County Airport - Highgate, VT 208-05 M:D>SHN digital transfer via: Da-p1 > zoltrix Nightengale 48 > 44.1 via CoolEdit2k > tracked with CDWAV via Nick Georges. Note, this version has different md5s than the original but its directly from Nick's server... Source Detail notes
1927. 08/01/94 The Palace - Auburn Hills, MI 229 set 2; DSBD> CD> EAC; via Nick Georges; md5s listed as d2,d3; shns dated as "94-01-08" Source Detail notes
1928. 10/01/94 Boston Garden - Boston, MA 264-03 Txt-file is exactly the same as for shnid=4671 - but MD5s doesn't match that one, or anything else in the db. Source Detail notes
1929. 10/15/94 Madison Square Garden - New York, NY 231-05 flac16; SBD> Dat> Sonic Solutions> CD> EAC> FLAC; Converted By Charlie Miller, with thanks to David Gans for the discs Source Detail notes
1930. 10/15/94 Madison Square Garden - New York, NY 628 SBD -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC; Cleaned up copy of SHNid=27249; Clean up by Darryl Hinko Source Detail notes
1931. 10/15/94 Madison Square Garden - New York, NY 647 SBD -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC; Cleaned up copy of SHNid=27249; Clean up by Darryl Hinko Source Detail notes
1932. 02/21/95 Delta Center - Salt Lake City, UT   DSBD > 1C > DAT; Seeded to etree by Dan Stephens Source Detail notes
1933. 03/18/95 The Spectrum - Philadelphia, PA 271-05 flac16; remastered shn id 1362. SHN > WAV > Addawav > Wavelab 5.0 (see below) > CDWAV 1.9 > FLAC (level 5) see details in the text file. Source Detail notes
1934. 03/28/95 The Omni - Atlanta, GA 696 flac16; FM SBD Monitor -> MC -> Cass (Maxell XLII 90) Transfer: Cassettte playback on Nakamichi MR-1 (no NR) -> gold-plated RCA Apogee cable -> RCA RX-D302B Receiver -> Optical out w/ Apogee Cable -> M-Audio CO2 Coax/Optical Converter -> S/PDIF -> M-Audio 1010-LT -> Recorded in Sound Forge8 (24/48 KHz WAV) Edits: Wavelab > Waves XHum (60Hz tone removed)/DeNoiser /L3 Multimaximizer/IDR (hi res CD settings) -> 16 bit WAV -> CD Wave Editor 1.95 -> FLAC Frontend -> FLAC level 8 Source Detail notes
1935. 03/29/95 The Omni - Atlanta, GA   2nd set partial - from Phil's ear monitor via Marc Pujol Source Detail notes
1936. 06/02/95 Shoreline Amphitheatre - Mountain View, CA 270-05 flac16; Taper: Unknown Location: OTS Source: AKG C61 tube mics (circa 1943) spaced omnis->DAT @ 48kHz Transfer: DA-20 MKII>Waveterminal 2496>Wavelab 5 (recording and 48>44.1 resampling)>CD Wave>FLAC Frontend Source Detail notes
1937. 06/21/95 Knickerbocker Arena - Albany, NY 574 flac16; Source: FOB 15th row, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (48-44.1, highest accuracy with anti-alias filter; normalize) > CDWav 1.93 > FLAC Frontend 1.7.1 (no DAE) Source Detail notes
1938. 06/21/95 Knickerbocker Arena - Albany, NY 574 flac16/48; Source: FOB 15th row, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (record only) > CDWav 1.93 > FLAC Frontend 1.7.1 (48kHz) Source Detail notes

Jerry Garcia Acoustic Band  
  Date Venue - City, State ref Media  
1. 11/27/87 Warfield Theater - San Francisco, CA 988 Source: AUD(mic's and taper unknown)>?>C>DAT>WAV>SHN. Source Detail notes

Jerry Garcia Band  
  Date Venue - City, State ref Media  
1. 12/31/75 Keystone - Berkeley, CA SCSI0_VOL1 JGB: MSR (Nagra 1/2track @ 7 1/2ips) > 1st gen reel (Otari 1/2track @ 7 1/2ips) > 1 cassette gen (Nak BX300, no Dolby, MaxellXLIIS90) > Nak CR3A playback (no Dolby) > HP Computer > Sound Forge > CD Wave> Flac8, via John Moses. Source Detail notes
2. 06/16/82 Music Mountain - South Fallsburg, NY 968 JGB, set I: SBD > ? > Dat > ? > Flac. Source Detail notes
3. 01/13/84 Paramount Northwest Theater - Seattle, WA 974 JGB: Mark Severson's 2 Nak mini 700s cardoids on railing of center balcony> Sony TC-D5M (2 Maxell MX-90s); 1st Set Mic Pattern: / \; 2nd Set Mic Pattern: \ /. Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding. Source Detail notes
4. 12/07/84 Starry Night - Portland, OR 974 JGB: Mark Severson's 2 Nakamichi mini 700s cardoids> Sony TC-D5M (2 Maxell MX-90s) Mics in 5" tube, 8' apart on railing of front row center balcony; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding. Source Detail notes
5. 03/03/85 The Stone - San Francisco, CA 876 JGB: Greg Holtz's MAC (Unknown Model Shure Microphones > Sony D-5), recorded AT the stage, right in front of Jerry. All transfers and mastering done by Jamie Waddell on the GEMS Edit Station. Source Detail notes
6. 11/09/91 Hampton Coliseum - Hampton, VA   Jerry Garcia Band: Schoeps FOB Schoeps CMC3/mk4 (ortf handheld in "sweet spot")>Oade Mic Pre> Sony D7 > Master DAT> CD(no intermediate DAE)> EAC> SHN; entire show with Bruce Hornsby; via Darrin Sacks Source Detail notes
7. 01/28/93 Warfield Theater - San Francisco, CA 331-01 JGB: AUD (Neumann KM54 > TeacDAP20) > DAT > CDR > WAV > SHNv3, seeded by Chris L. Source Detail notes
8. 01/29/93 Warfield Theater - San Francisco, CA 331-02 JGB: Chuck and Janet Vasseur MAD( "vintage Neumann", KM54s) > DAT > CDR > WAV > SHN. Source Detail notes
9. 01/30/93 Warfield Theater - San Francisco, CA 331-03 JGB: Chuck and Janet Vasseur's MAD ("vintage Neumann" KM54s) > DAT > CDR > WAV > SHN. Source Detail notes
10. 02/25/93 Warfield Theater - San Francisco, CA 331-04 Jerry Garcia Band: MAC (Taped by Chuck, Neumann mics [vintage 1957, tube electronics]) > CDR > EAC (Secure mode) > shn(MKWACT). Source Detail notes
11. 02/26/93 Warfield Theater - San Francisco, CA 331-05 Taper: Chuck; Source Neumann mics (vintage 1957, tube electronics) > MAC > CDR > EAC (Secure mode) > shn (MKWACT).Eac'ed/shn'ed and seeded to fungus, etree and abgd by Charlie Connor With Thanks to Bob Menke Source Detail notes
12. 02/26/93 Warfield Theater - San Francisco, CA 563 JGB, set I: DTS-Audio-CD 5.1 Mix, via amdig. Source Detail notes
13. 02/26/93 Warfield Theater - San Francisco, CA 563 JGB, set I: SBD + AUD Matrix Mix (50%-SBD / 50%-AUD), via amdig. Source Detail notes
14. 02/27/93 Warfield Theater - San Francisco, CA 332-01 Taper: Chuck; Source Neumann mics (vintage 1957, tube electronics) > MAC > CDR > EAC (Secure mode) > shn (MKWACT). Eac'ed/shn'ed and seeded to fungus, etree and abgd by Charlie Connor, with thanks to Bob Menke Source Detail notes
15. 02/27/93 Warfield Theater - San Francisco, CA 332-02 Jerry Garcia Band: FOB > Neumann Km 54's > Dat @ 48k > Clone; Transfer: (Fresh Transfer On 5.20.05) Fostex D5 @ 48k > Vx pocket 440 > Toshiba 3480ct > Wavelab 4.0 > Resampled to 44.1 > Cd Wave > FLAC. New transfer by Greg Lance. Source Detail notes
16. 04/16/93 Pauley Pavilion, UCLA - Los Angeles, CA 332-03 JGB: Taped by Chip, Neumann KM-140 110 deg ORTF In Hat (4th row center) > Active Cables > Neumann Supply > Panasonic sv250; Todd Evans's DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition > FLAC frontend. Source Detail notes
17. 04/16/93 Pauley Pavilion, UCLA - Los Angeles, CA 332-05 Source: AUD:MAD>DAT>WAV>SHN. Taper unknown. DAT>SHN conversion via D.Minches. Seeded to etree via C.Ladner/candyman FTP. Source Detail notes
18. 04/17/93 Pauley Pavilion, UCLA - Los Angeles, CA 333-02 JGB: FOB Neumann KM-140 110 deg ORTF In Hat > DAT > WAV > FLAC Source Detail notes
19. 04/17/93 Pauley Pavilion, UCLA - Los Angeles, CA 333-01 Source: AUD>DAT>CDR>WAV>SHN. Mic's and taper unknown. CDR source via D.Minches, SHN encoding/FTP via C.Ladner. Source Detail notes
20. 04/17/93 Pauley Pavilion, UCLA - Los Angeles, CA 333-02 JGB: FOB Neumann KM-140 110 deg ORTF In Hat > DAT > WAV > FLAC Source Detail notes
21. 04/18/93 San Diego Sports Arena - San Diego, CA 333-06 Source: MAD("vintage Neumann", KM54s?)>DAT>CDR>WAV>SHN. Tapers: Chuck and Janet Vasseur. Source Detail notes
22. 04/18/93 San Diego Sports Arena - San Diego, CA 333-05 JGB: FOB Neumann KM-140 110 deg ORTF In Hat -> DAT > WAV > FLAC Source Detail notes
23. 04/18/93 San Diego Sports Arena - San Diego, CA 333-04 JGB: FOB Neumann KM-140 110 deg ORTF In Hat -> DAT > WAV > FLAC Source Detail notes
24. 04/18/93 San Diego Sports Arena - San Diego, CA 409-02 Jerry Garcia Band: DAUD (no mic or deck info) > CDR [> SHN], encoded by Tim Wiley. Source Detail notes
25. 04/23/93 Warfield Theater - San Francisco, CA 334-01 Jerry Garcia Band: FOB (Neumann KM54) > DAT > CDR > WAV > SHN. Source Detail notes
26. 04/24/93 Warfield Theater - San Francisco, CA 334-02 Jerry Garcia Band. First set only. Source: MAD("vintage Neumann"/KM54s>DAT)>DAT>CDR>WAV>SHN. Taper: C. & J. Vasseur Source Detail notes
27. 04/25/93 Warfield Theater - San Francisco, CA 334-03 Jerry Garcia Band: FOB (Neumann KM54) > DAT > CDR > WAV > SHN Source Detail notes
28. 08/07/93 Memorial Stadium - Seattle, WA 337-01 Jerry Garcia Band: Schoeps MK4's > Billbox > Denon Dat Deck @48KHZ > Bob Katz VSP digital Domain Processor conversion to 44KHZ > Sound Card Deluxe Digital I/O card > Soundforge 6.0 > Flac Source Detail notes
29. 08/07/93 Memorial Stadium - Seattle, WA 334-04 Jerry Garcia Band: MAD (Neumans > Tascam D5 DAT master) > DAT > optical > SB Live Platinum > WAV>cdwav > MKW > SHN. Show taped by Bill Shaw. Dat > shn and seeded by by Popi N. Feeldz. Source Detail notes
30. 08/08/93 Portland Meadows - Portland, OR 334-05 JGB: Bearpalm's MAD (FOB Schoeps MK4 Cardiods [110 degrees ORTF in hat] > Denon deck) > DATx > Todd Evans DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Edits, tracking, downsampling in Adobe Audition 1.5 by Mike Hughey. Source Detail notes
31. 08/14/93 Shoreline Amphitheatre - Mountain View, CA 334-06 Jerry Garcia Band: AUD (Nak 700) > DAT (Sony D3) > CDR > WAV > SHNv3, taped by Larry Gindoff. Source Detail notes
32. 10/06/93 Warfield Theater - San Francisco, CA 335-01 Jerry Garcia Band: AUD(Neumann KM54 > TeacDAP20)> DAT > CDR > WAV > SHNv3, seeded by Chris L. Source Detail notes
33. 10/07/93 Warfield Theater - San Francisco, CA 335-03 Jerry Garcia Band: Source: FOB > Neumann Km 54's > Dat @ 48k > Clone Transfer: (Fresh Transfer On 5.23.05) Fostex D5 @ 48k > Vx pocket 440 > Toshiba 3480ct > Wavelab 4.0 > Resampled to 44.1 > Cd Wave > FLAC Source Detail notes
34. 10/07/93 Warfield Theater - San Francisco, CA 335-02 Jerry Garcia Band: AUD (NeumannKM54 > TeacDAP20) > DAT > CDR > WAV > SHNv3, seeded by Chris L. Source Detail notes
35. 10/31/93 Brendan Byrne Arena - East Rutherford, NJ 337-03 Jerry Garcia Band: AUD: DAT > CD > (EAC >) SHN; encore is on d3 for continuity purposes only; to save space, it can be tacked onto the end of d1 Source Detail notes
36. 10/31/93 Brendan Byrne Arena - East Rutherford, NJ 337-02 Jerry Garcia Band: AUD (Nak700) > DAT (Sony D3)> CDR > WAV > SHNv3. Taper: Larry Gindoff. It is unclear at the time of seeding whether the .shn sets seeded in 1999 and 2001 are from the same source, but the lineage on this seed is well-documented. Source Detail notes
37. 11/01/93 Nassau Coliseum - Uniondale, NY 335-04 Jerry Garcia Band: AUD (Nak 700) > DAT (Sony D3) > CDR > WAV > SHNv3, taped by Larry Gindoff. Source Detail notes
38. 11/03/93 Knickerbocker Arena - Albany, NY 335-05 Jerry Garcia Band: AUD (Nak 700) > DAT (Sony D3) > CDR > WAV > SHNv3, taped by Larry Gindoff. Source Detail notes
39. 11/03/93 Knickerbocker Arena - Albany, NY 862 JGB (16 bit/48kHz): Clay Brennecke IFOB (Floor Section 2, Row 13, Sets 8 & 10) ~ Schoeps MK4's > Custome Oade Pre Amp > Panasonic SV-255 Transfered: John E. Herrold Transfer Linage: Master SV-255 DAT > Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV. Source Detail notes
40. 11/04/93 Rochester War Memorial - Rochester, NY 336-01 Jerry Garcia Band: AUD (Nak 700) > DAT (Sony D3) > CDR > WAV > SHNv3, taped by Larry Gindoff. Source Detail notes
41. 11/05/93 Buffalo Memorial Auditorium - Buffalo, NY 336-02 Jerry Garcia Band: Source: FOB; 16th row center > AKG 460b ck63 > Custom Preamp > Teac Dap-20 @ 48kHz; Transfer: Clone of Master Dat > Sony DTC-690 > Audioquest Optilink 1 > SEK'D Prodif Plus > Samplitude v5.5 > Soundforge xp 4.5 (resample @ 4/4 with anti alias filter) > Cdwav 1.6 > Mkw act 0.97b1 > shn v3; via Chris "sparki" Ace and dankseeds. Source Detail notes
42. 11/05/93 Buffalo Memorial Auditorium - Buffalo, NY 336-03 Jerry Garcia Band: AUD (Nak 700) > DAT (Sony D3) > CDR > WAV > SHNv3, taped by Larry Gindoff. Source Detail notes
43. 11/07/93 USAir Arena - Landover, MD 336-05 Jerry Garcia Band: AUD (Schoeps MK4) > DAT > CDR > WAV > SHNv3. SHN encoding/FTP via neo_levo/candyman FTP. Source Detail notes
44. 11/08/93 Hartford Civic Center - Hartford, CT 337-05 Jerry Garcia Band. Source: FOB(DFC Schoeps MK4 at 110 degrees handheld both Sets > Active Cables >Oade Microphone Preamp > Panasonic SV-255 DAT)>D>CDR>WAV>SHN. Tapers: Clay C. Brennecke and Roger Jones. DAE and SHN encoding by C.Ladner. Source Detail notes
45. 11/09/93 Cumberland County Civic Center - Portland, ME 337-06 Jerry Garcia Band: FOB Schoeps MK4 > Oade custom pre-amp > Sony D10 @48K Source Detail notes
46. 11/11/93 Providence Civic Center - Providence, RI 338-01 Jerry Garcia Band: Source: AUD (Nak 700) > DAT (Sony D3) > CDR > WAV > SHNv3. Taper: Larry Gindoff Source Detail notes
47. 11/11/93 Providence Civic Center - Providence, RI 642 JGB: Schoeps CMC 44 blue dot with 90 degree capsule offsets -> Monster M1000 cables-> Oade custom PS-> Monster M1000 cables ->Oade modified Panasonic SV255, FOB. Taped and transfered by Rich Gastwirt. Master DAT played back in Sony DTC2000ES-> M-Audio Delta 410 via SPDIF-> Soundforge. Source Detail notes
48. 11/12/93 Madison Square Garden - New York, NY 338-02 Jerry Garcia Band:unknown AUD source->DAT->CD-R; no known flaws; entire show except the Maker: with David Murray on sax; via B. Wilk Source Detail notes
49. 11/12/93 Madison Square Garden - New York, NY 338-04 Jerry Garcia Band: Source: DFOB (Sec. 2, Row U) -- Schoeps MK-4 -> Active Cables -> CMC? -> Oade Mic Pre -> Panasonic SV-255 -- recorded by Clay Brennecke and Keith Litzenburger. Master DAT -> SHN conversion: d7 -> coax -> zoltrix nightingale (mod) -> cooledit 2000 sample rate conversion -> cdwav -> shn by Darrin Sacks. Source Detail notes
50. 11/14/93 Onondaga County War Memorial - Syracuse, NY 338-05 Jerry Garcia Band. Source: MAD(FOB DFC from Section 1, Row LL, Seat 11 & 12; Schoeps MK4 at 110 degrees handheld both Sets > Active Cables > Oade Microphone Preamp > Panasonic SV-255 )>D>CDR>WAV>SHNv3. Tapers: Clay Brennecke & Roger Jones. DAE and SHN encoding vy C.Ladner. Source Detail notes
51. 11/14/93 Onondaga County War Memorial - Syracuse, NY 338-05 Jerry Garcia Band. Source: MAD(FOB DFC from Section 1, Row LL, Seat 11 & 12; Schoeps MK4 at 110 degrees handheld both Sets > Active Cables > Oade Microphone Preamp > Panasonic SV-255 )>D>CDR>WAV>SHNv3. Tapers: Clay Brennecke & Roger Jones. DAE and SHN encoding vy C.Ladner. Source Detail notes
52. 11/15/93 The Centrum - Worcester, MA 339, 456 Jerry Garcia Band: Taped by Clay Brennecke and Roger Jones, FOB/DFC Schoeps mk4 (handheld at110 degrees) > Active Cables > Oade Microphone Preamp > Panasonic SV-255 Transfer: Panasonic SV 3700 > ZA2 (s/pdif) > Wavelab 3.03 > CDWav > SHN > WAV > CDR; transferred by Chris Larson. Source Detail notes
53. 11/16/93 Spectrum - Philadelphia, PA 339-02 Source A: FOB(DAUD) > DAT > ? > CDR > EAC (secure) > Cool Edit Pro > CD WAV > SHN (seekable);
Source B: Mastered Live by Clay Brennecke/Roger Jones, FOB/DFC, section 102, Row 13, seat 9, Schoeps MK4 at 110 degrees handheld
both Sets > Active Cables > Oade Microphone Preamp > Panasonic SV-255 > (DAT master played through) > PCM-M1 > Oade active cable > Edirol UA-5 (hardware resampled) USB out > USB in (HP Omnibook 500) > CE2K > CDWAV > SHN > WAV > Cool Edit Pro > CD WAV > SHN (seekable).
Source Detail
notes
54. 11/18/93 Richmond Coliseum - Richmond, VA 339-03 Jerry Garcia Band. Source: MAD(FOB; Schoeps MK4 at 110 degrees handheld both Sets>Active Cables>Oade Microphone Preamp > Panasonic SV-255 deck)>D>CDR>WAV>SHNv3. Taper: Clay C. Brennecke. DAE&SHN encoding by neo_levo. Source Detail notes
55. 11/19/93 Hampton Coliseum - Hampton, VA 339-04 Jerry Garcia Band: FOB AKG 460 > ? > DAT Conversion PCM-M1>Oade Cable>ZA2(48>44.1)>CDWAV>SHNv3 by: Tom Watkins Source Detail notes
56. 11/19/93 Hampton Coliseum - Hampton, VA 642 JGB: (FOB) Schoeps MK4 > Dat > Samplitude > Flac. Transfer & Mastering by Charlie Miller. Source Detail notes

Legion of Mary  
  Date Venue - City, State ref Media  
1. 05/21/75 Keystone - Berkeley, CA 823 flac24: MOTB Release: 0043 24bit/96Khz. Sony ECM-270 and ECM-250 Blended [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO Model B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Jamie Waddell. Source Detail notes
2. 05/21/75 Keystone - Berkeley, CA 824 LOM: flac16: MOTB Release: 0043 16bit/44.1Khz; Sony ECM-270 and ECM-250 Blended [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO Model B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga Transfer: Bob Menke; Mastering: Jamie Waddell. Source Detail notes
3. 05/22/75 Keystone - Berkeley, CA 822 LOM: flac16: MOTB Release: 0044 16bit/44.1Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO Model B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Jamie Waddell. Source Detail notes
4. 05/22/75 Keystone - Berkeley, CA 822 flac24: MOTB Release: 0044 24bit/96Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO Model B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke Mastering: Jamie Waddell. Source Detail notes
5. 06/03/75 Keystone - Berkeley, CA 818 LOM: MOTB Release: 0045 16bit/44.1Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Derek McCabe. Source Detail notes
6. 06/03/75 Keystone - Berkeley, CA 818 LOM flac24: MOTB Release: 0045 24bit/96Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Derek McCabe. Source Detail notes
7. 06/21/75 Keystone - Berkeley, CA 821 LOM:flac16 MOTB Release: 0047 16/44.1; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Jamie Waddell. Source Detail notes
8. 06/21/75 Keystone - Berkeley, CA 821 LOM: flac24 MOTB Release: 0047 24/96; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Jamie Waddell. Source Detail notes
9. 06/22/75 Keystone - Berkeley, CA 877 LOM: flac16 MOTB Release: 0048 16/44.1; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Derek McCabe. Source Detail notes

Seastones  
  Date Venue - City, State ref Media  
1. 11/28/73 Palace of Fine Arts - San Francisco, CA 373-02 Seastones collection: 4 disc set includes 3 separate sessions labelled as 11/28/73, plus 6/6/75; misc. filler bits; via D. Finney Source Detail notes

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