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Music List for wally-brewing Last Update: Jun 7, 2009 |
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| Bob Dylan & the Grateful Dead --- Approximate Hours: 7.5 | ||||||
| Show Date | Venue | Media Count | Source Notes | Source | Locn. | |
| 06/??/87 | Club Front | 6 | d32 | |||
| Bob Weir & Friends --- Approximate Hours: 1.25 | ||||||
| Show Date | Venue | Media Count | Source Notes | Source | Locn. | |
| 12/21/02 | Asheville Civic Center | 1 | box | |||
| Bob Weir & Rob Wasserman --- Approximate Hours: 3.75 | ||||||
| Show Date | Venue | Media Count | Source Notes | Source | Locn. | |
| 09/06/89 | Nassau Veterans Memorial Coliseum | 1 | box | |||
| 07/13/91 | Lakeside Amphitheatre | 2 | box | |||
| Bobby & the Midnites --- Approximate Hours: 2.5 | ||||||
| Show Date | Venue | Media Count | Source Notes | Source | Locn. | |
| 11/13/82 | Euphoria Tavern | 2 | SBD > Cm > Cass > Lunatec V3 > Audiophile 2496 > Cool Edit Pro > Audacity > CD Wave Editor > TLH > Flac | Source Detail | dvd 287 | |
| The Dead --- Approximate Hours: 102.5 | ||||||
| Show Date | Venue | Media Count | Source Notes | Source | Locn. | |
| 02/14/03 | Warfield Theatre | 3 | AKG c1ooos (hypercardiod caps)->samson mixpad 4->vxpocket v2-> cooledit 2k (2352-byte boundary alignment, minor clip fixes at end of show "climax" peak, two drops patched as detailed below) ->shn via shn2k, verified w/ shntool | Source Detail | box | |
| 06/15/03 | Bonnaroo Music Festival | 3 | Remaster by Tim Wiley of the Jason@rift.com Source Source: ~25' FOB, DPA4023 (ORTF) > Lunatec V3 > D8 - Transfer: DA20mkii > TB Fiji > SF5 > CDWave > mkwACT (see notes for details) |
Source Detail | box | |
| 07/04/03 | Two River Canyon Amphitheatre | 3 | Please Note: This is Tim Wiley's Remaster of the Dan Stephens phase corrected seed. Source: XM Radio Satellite Feed > Sony XM Digital Audio Receiver DRN-XM01MK2 >Sony PCM-R500 @ 44.1 kHz (Super Bit Mapping)>DAT > WAV > SHN: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 6.0 build 132 >CDWav v1.71 > MKW Audio Compression Tool v0.96f (no DAE)>SHN>WAV>ADWS>Shntool(check)>SHN(seekable) Via Dan Stephens ; Remastered By Tim Wiley |
Source Detail | box | |
| 08/02/03 | Route 66 Raceway | 3 | Source: 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3 (super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp | Source Detail | box audio | |
| 02/09/04 | Warfield Theatre | 1 | OB Box not for trade | |||
| 06/12/04 | Bonnaroo Music Festival | 3 | OB Box not for trade | |||
| 06/15/04 | Red Rocks Ampitheatre | 3 | OB Box not for trade | |||
| 06/16/04 | Red Rocks Ampitheatre | 3 | OB Box not for trade | |||
| 06/18/04 | Red Rocks Ampitheatre | 3 | OB Box not for trade | |||
| 06/19/04 | Red Rocks Ampitheatre | 3 | OB Box not for trade | |||
| 06/20/04 | Red Rocks Ampitheatre | 3 | OB Box not for trade | |||
| 06/22/04 | Cricket Pavillion | 3 | OB Box not for trade | |||
| 06/23/04 | Coors Amphitheatre | 3 | OB Box not for trade | |||
| 06/24/04 | Verizon Wireless Amphitheater | 3 | OB Box not for trade | |||
| 06/24/04 | Verizon Wireless Amphitheater | 3 | OB Box not for trade | |||
| 06/27/04 | Sleep Train Amphitheater | 3 | OB Box not for trade | |||
| 07/02/04 | Columbia Meadows | 3 | OB Box not for trade | |||
| 07/23/04 | UMB Bank Amphitheater(Riverport) | 3 | OB Box not for trade | |||
| 07/24/04 | Alpine Valley Music Theatre | 3 | OB Box not for trade | |||
| 07/27/04 | DTE Energy Music Theater | 3 | OB Box not for trade | |||
| 07/28/04 | Blossom Music Center | 3 | OB Box not for trade | |||
| 07/31/04 | Tweeter Center | 3 | OB Box not for trade | |||
| 08/01/04 | Saratoga Performing Arts Center | 3 | OB Box not for trade | |||
| 08/03/04 | Meadows Music Center | 3 | OB Box not for trade | |||
| 08/04/04 | Ford Pavilion @ Montage Mountain | 3 | OB Box not for trade | |||
| 08/06/04 | Darien Lake Performing Arts Centre | 3 | OB Box not for trade | |||
| 10/13/08 | Bryce Jordan Center | 3 | 2 x Neumann KM184 >> Grace Design Lunatec V2 >> Korg MR-1000 >> Korg AudioGate >> WAV [24/96] Taped By: Derek McCabe Transfer By: Derek McCabe Mastering By: Derek McCabe | Source Detail | disc 313 | |
| 10/13/08 | Bryce Jordan Center | 3 | 2 x Neumann KM184 >> Grace Design Lunatec V2 >> Korg MR-1000 >> Korg AudioGate >> WAV [24/96] Taped By: Derek McCabe Transfer By: Derek McCabe Mastering By: Derek McCabe | Source Detail | d 312 | |
Garcia
--- Approximate Hours: 560
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| Show Date | Venue | Media Count | Source Notes | Source | Locn. | |
| 07/??/61 | Boar's Head Coffeehouse | 1 | Garcia, Leicester & Hunter: MA? (Probably MAR taped by Rodney Albin, mics onstage) > ? > CD > EAC (secure) > Cool Edit > CDWAV > mkwact > SHN(seekable), EAC>SHN by Matt Vernon. | Source Detail | pd1 | |
| 06/11/62 | Jewish Community Center | 1 | Sleepy Hollow Hog Stompers: Master Audience (?) Reel (Scotch 150) > playback on Technics RS 1520 @ 7-1/2 ips no dolby > first gen reel (Scotch 207 recorded via Otari MX5050 @ 7-1/2 ips no dolby) > playback on Technics RS1506 > Tascam DA-40 DAT > Tascam CD-RW700 master CD > CDs > HP 9350i extraction using EAC > .shn encoding using mkwACT. | Source Detail | box | |
| 03/06/64 | Top of the Tangent | 1 | Black Mountain Boys: SBD->Cassette->CDR->TAE->SHN via David Backus and Wagner | Source Detail | pd1 | |
| ??/??/64 | Unknown | 1 | Wildwood Boys: MA? (Stage Mic?) > C > CDR > PCM > SHN. Note filenames are not per etree convention. | Source Detail | pd2 | |
| 05/21/68 | Carousel Ballroom (Tuesday Night Jam) | 1 | Tuesday Night Jam: MSR > DAT > CD > EAC > WAV > SHN. | Source Detail | dvd 193 | |
| 05/21/68 | Carousel Ballroom (Tuesday Night Jam) | 2 | "Tuesday Night Jam": Recording Info: SBD -> Master Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v.20 -> SHN (2 Discs Audio / 1 Disc SHN) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net, 2/17/04. | Source Detail | new seed d13 | |
| 12/16/68 | The Matrix | 2 | SBD> Rm> Reel> CD (May Be SBD> Rm> Reel> Reel> CD); DAE/shnv3/ftp via neo_levo, from Charlie Miller seed | Source Detail | pd9 | |
| 12/24/68 | The Matrix | 1 | 30 minute jam; See info file for details; SBD>MR>??>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon | Source Detail | pd10 | |
| ??/??/68 | The Matrix | 1 | Hartbeats "Mystery Fragments", via Michael Parrish. | Source Detail | new seed d14 | |
| 02/19/69 | Matrix | 1 | Jerry Garcia (banjo), David Nelson, and Frank Wakefield: SBD > ? > PCM > WAV > CDR; transfer Sony PCM-601ESD (electrical) > SEK'D ProdifPro96 > Samplitude > Wav; some edits, see info file for details. | Source Detail | box | |
| 02/19/69 | Matrix | 1 | High Country w/ Garcia & Nelson: MSR > ? > DAT > CD. | Source Detail | d13 | |
| 11/21/70 | WBCN-FM Studios | 1 | Garcia, Weir & Allman: FM MASTER REEL > 2ND GEN (?) REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC, via Dave Tamarkin. | Source Detail | dvd 307 | |
| 12/15/70 | The Matrix | 1 | audio | |||
| 01/02/71 | Wally Heider's Studio | 2 | PERRO Sessions: MSR> Dat > CD > EAC > mkw > Shn. Recorded by Stephen Barncard 1970-1971. Transferred at A&M Tape Copy 1/23/91 | Source Detail | new seed d23 | |
| 01/15/72 | Keystone Korner | 2 | MAR > 2C > D > CDx1 > EAC > SHN | Source Detail | d1 | |
| 01/19/72 | Lion's Share | 1 | Garcia & Saunders, set I only: MSR > C > D > CD > EAC > SHN > WAV > sector boundary fix using shntool > SHN. This set fixes sector boundary errors on the previous shn set. | Source Detail | d1 | |
| 01/20/72 | Lion's Share | 2 | Garcia & Saunders: 10" master SBD reels @ 7.5 ips > 1 cassette generation (Maxell XLIIS 100 Nakamichi CR-7A playback) > Lucid AD9624 24 bit A/D converter (44.1kHz) > Sony R500 DATx0 > DATs > CD > EAC > SHN. | Source Detail | d2 | |
| 01/26/72 | Symphony Hall | 2 | Howard Wales & Friends featuring Jerry Garcia: FMSBD>RR>CD>EAC>SHN | Source Detail | d1 | |
| 02/06/72 | Pacific High Recording Studio | 2 | Garcia & Saunders: Kahn, Kreutzmann, Vitt; FM Broadcast, KSAN | Source Detail | box | |
| 02/06/72 | Pacific High Recording Studio | 2 | Garcia & Saunders: Source: FM > ? > dat > da-20 playback > rme 96/8 pst > cd wave > mkw (shn). Transfer by Tim Rossi. Source information updated 11/5/2004, had been listed as pre-FM. | Source Detail | d1 | |
| 06/30/72 | Keystone Korner | 2 | Garcia & Saunders: MSR? > ? > mono reel > TEAC X-2000R playback > possible Nakamichi NR-200 Dolby Decoding (if the reel was a Dolby B reel) > Tascam DA-40 DAT > Tascam CDRW-700 CD > Tascam CD-D4000mkII CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). | Source Detail | d2 | |
| 11/23/72 | Armadillo World Headquarters | 3 | Garcia, Lesh, Kreutzmann, Leon Russell, Mary Egan, Doug Sahm, and others: MSC > 1 cassette > DAT > CD | Source Detail | box audio | |
| 11/23/72 | Armadillo World Headquarters | 2 | Garcia, Lesh, Kreutzmann, Leon Russell, Mary Egan, Doug Sahm, and others: MSC > 1 cassette > DAT > CD | Source Detail | d1 | |
| 12/20/72 | Keystone | 3 | Garcia & Saunders: MSR>D>1C>D. The correct date of this performance is 12/28/72. | Source Detail | d2 | |
| 01/15/73 | Inn Of The Beginning | 2 | Garcia & Saunders: MSR>PCM>DAT>CD. Find A Rainbow has a substantial cut.Go Climb A Mountain has a 12 second splice presumably due to reel flips. The sound is greatly distorted for first 2 songs and partly distorted for songs 3 and 4 due to problems on the reels. This is one of the shows discovered in the Betty Cantor auction. | Source Detail | d1 | |
| 01/15/73 | Inn Of The Beginning | 1 | Garcia & Saunders: MSR > PCM > DAT > CD > EAC > SHN. This set has an edited disc one from the existing .shn set, intended to improve upon the grievous problems (from the master reels) of this material. Disc two is identical. See info file for details. | Source Detail | d1 | |
| 01/24/73 | Boarding House | 2 | Garcia & Saunders: Early Show: MSR > P > D > Digi001 > SHN; d2 filler: Expressway from late show; via R. Shriver and D. Metz | Source Detail | d1 | |
| 01/24/73 | Boarding House | 1 | Garcia & Saunders, Late Show: MSR > PCM > DAT > CD > EAC > SHN | Source Detail | d1 | |
| 01/24/73 | Boarding House | 2 | Garcia & Saunders: Early Show: MSR > P > D > Digi001 > SHN; d2 filler: Expressway from late show; via R. Shriver and D. Metz | Source Detail | d6 | |
| 01/25/73 | Boarding House | 3 | JGMS; early & late Shows: MSR>C>D>CD. Slightly re-tracked using WavMerge and CDWave, .shn encoding using mkwACT, and proper sector boundaries verified using shntool. | Source Detail | d6 | |
| 03/02/73 | The Record Plant | 1 | Old & In The Way: Probable MFR > R > D > CD > SHN. | Source Detail | d8 | |
| 03/02/73 | The Record Plant | 1 | Old & In the Way: FM MSR>R>D>CD; appears to be identical to /shninfo_detail.php?shnid=11886 seed but with different md5s; obtained from tol. | Source Detail | d8 | |
| 03/02/73 | The Record Plant | 1 | Old & In The Way: Probable MFR > R > D > CD > SHN. | Source Detail | d3 | |
| 03/02/73 | The Record Plant | 1 | Old & In the Way: FM MSR>R>D>CD; appears to be identical to /shninfo_detail.php?shnid=11886 seed but with different md5s; obtained from tol. | Source Detail | d3 | |
| 03/07/73 | Keystone | 1 | Garcia & Saunders, partial set II: MSR > DAT3x > Delta Dio 2496 > Soundforge > WAV > FLAC. | Source Detail | dvd 180 | |
| 04/16/73 | Boarding House | 1 | Old & In The Way, set I: Unknown source FM-SBD (WBAI Morning Dew show) > ? > CD > EAC > SHN. | Source Detail | d8 | |
| 04/21/73 | The Record Plant | 1 | Old & In The Way: Possible MFR > D > CD > EAC > SHN. | Source Detail | d3 | |
| 05/04/73 | Homer's Warehouse | 2 | Garcia & Saunders: MSR > DAT3x > Delta DIO 2496 > Soundforge > wav > flac. | Source Detail | d6 | |
| 05/05/73 | Homer's Warehouse | 2 | Garcia & Saunders: MSR > DAT3x > Delta Dio 2496 soundcard > Soundforge > Flac. | Source Detail | dvd 190 | |
| 05/23/73 | Ash Grove | 1 | JGMS, Late Show: MAR (The Night Crew's Sony ECM-22Ps > Sony 770) > 2R > CD > EAC > SHN. | Source Detail | d2 | |
| 06/05/73 | Orpheum Theater | 2 | Old & In The Way: MA? > ? > D > CD > SHN. | Source Detail | d3 | |
| 06/06/73 | Capitol Theater | 2 | Old & In the Way: SBD master reel > 3rd gen cassette; playback on Nak CR7E; via Hanno Bunjes & Uli Teute | Source Detail | d4 | |
| 06/08/73 | Lake Whippoorwill | 1 | Old & In The Way: MAC (Taped by Jerry Moore, Sony 126 w/ built-in mic, right in front of stage) > ? > digital cleanup > CD. NB this originally circulated as "unknown aud" but has been confirmed to be from the Moore master. | Source Detail | d4 | |
| 07/08/73 | Record Plant | 2 | Source: KSAN FM > MR > DAT > CD | Source Detail | d2 | |
| 07/08/73 | Record Plant | 2 | Garcia & Saunders: Probable MSR (pre-FM) > 1C > D > CDs > EAC > SHN | Source Detail | d2 | |
| 07/10/73 | Keystone | 2 | JGMS: MSC > PCM > HHB CDR 800 master CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0). | Source Detail | d2 | |
| 07/10/73 | Keystone | 1 | JGMS, partial: MSR > 2P > 3D > 1CD > EAC > SHN. | Source Detail | d2 | |
| 07/10/73 | Keystone | 1 | JGMS, partial: MSR > 2P > 3D > 1CD > EAC > SHN. | Source Detail | d7 | |
| 07/10/73 | Keystone | 2 | JGMS: MSC > PCM > HHB CDR 800 master CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0). | Source Detail | d7 | |
| 07/11/73 | Keystone | 1 | Garcia & Saunders: MSR > 2P > 3D > 1CD > EAC > SHN. | Source Detail | d7 | |
| 07/19/73 | Great American Music Hall | 0 | Saunders & Garcia (w/Martin Fierro). Source: MSR > PCM > C > C > DAT > WAV >SHN. Partial recording of second set. | Source Detail | d7 | |
| 07/21/73 | Lion's Share | 1 | Old & In the Way: Pitch-corrected version of previous .shn set. AUD C/? > CoolEdit (hiss reduction) > CDR > EAC > 4% tape pitch correction > SHN. Pitch correction and EAC > SHN by Hanno Bunjes. | Source Detail | d4 | |
| 07/21/73 | Lion's Share | 1 | Old & in the Way: SBD (unknown lineage) From Bluegrassbox ftp. | Source Detail | d4 | |
| 07/21/73 | Lion's Share | 1 | Old & in the Way: This was a rehearsal session in a back room at The Lion Share. SBD> ???> Cass> cdr | Source Detail | d4 | |
| 07/21/73 | Lion's Share | 1 | Old & in the Way, rehearsal: SBD (unknown lineage). Unclear how this might relate to other circulating .shn sets for this date. | Source Detail | d4 | |
| 07/23/73 | Boarding House | 2 | Old & In The Way: Possible MSR > ? > D > CD > SHN. | Source Detail | d4 | |
| 07/23/73 | Boarding House | 2 | Old and in the Way; MSR>D>CD; Wicked Path Of Sin, Blue Mule and Hobo Song are all cut and appear to be cut on the Master SBD Reel; Filler: O&ITW "Reunion" - AUD ??/??/9?; via T. MacLachlan | Source Detail | d4 | |
| 07/24/73 | Homer's Warehouse | 1 | Old & In The Way: Possible MSR > D > CD > EAC > SHN. | Source Detail | d4 | |
| 09/06/73 | Capitol Theater | 3 | Garcia & Saunders: MAC (Jerry Moore, AKG D1000Es > Sony TC-110) > D > CD. | Source Detail | d8 | |
| 09/06/73 | Capitol Theater | 3 | Garcia & Saunders: MAC (Taped by Jerry Moore, single AKG D-1000E [hand-held from left mezzanine, Row N, Seat 10A for first song, then on ledge from first row of mezzanine] > Sony TC-110 [TDK C-120SD]) > Tascam 112MK-II playback > Sony R500 {SBM} > Delta Dio 24/96 > wav > .shn (mkwACT) > wav (mkwACT) > tracking (CD Wave v1.6) > miniscule editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn (mkwACT). | Source Detail | d8 | |
| 09/06/73 | Capitol Theater | 3 | Garcia & Saunders: MAC (Jerry Moore, AKG D1000Es > Sony TC-110) > D > CD. | Source Detail | d3 | |
| 09/06/73 | Capitol Theater | 3 | Garcia & Saunders: MAC (Taped by Jerry Moore, single AKG D-1000E [hand-held from left mezzanine, Row N, Seat 10A for first song, then on ledge from first row of mezzanine] > Sony TC-110 [TDK C-120SD]) > Tascam 112MK-II playback > Sony R500 {SBM} > Delta Dio 24/96 > wav > .shn (mkwACT) > wav (mkwACT) > tracking (CD Wave v1.6) > miniscule editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn (mkwACT). | Source Detail | d3 | |
| 09/30/73 | Community Center | 2 | Old & In The Way: Possible FOB MAR > D > CD > EAC > SHN. | Source Detail | d5 | |
| 10/??/73 | Unknown | 2 | Old & In The Way: MSR > 2R > DAT > CD [> SHN] | Source Detail | d5 | |
| 11/04/73 | California State College Sonoma | 2 | Old & In The Way: MSR > ? > D > CD. | Source Detail | d5 | |
| ??/??/73 | The Record Plant | 2 | Old And In The Way; Two discs containing two seperate rehearsal sessions on two unknown dates in 1973; Session One (disk 1) SBD M?>?>D>CD; Session Two (disk 2) M?>?>D>CD | Source Detail | d5 | |
| ??/??/73 | Unknown-Rehearsal Session | 1 | Old & in the Way. Rehearsal Session, date unknow. This source is the seek tables appended version of shnid 21855. The date as "197x" but is listed as 01/01/1973 to facilitate listing the .shns. Information from other sources suggest that the actual date is sometime later in 1973. | Source Detail | d5 | |
| 02/09/74 | Rheem Theater | 1 | Garcia & Saunders: Source: MSR > D @ 48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > Downsampled to 44.1/Normalized to 98% > SHN (no extraction) | Source Detail | box | |
| 04/20/75 | Capitol City Theater | 3 | Legion of Mary: MSR > DAT > CDR > CDWAVE > Flac, seeded to Dimeadozen. | Source Detail | dvd 180 | |
| 10/17/75 | Concord Pavillion | 1 | Jerry Garcia Band: Sbd>Mreel>PCM>Dat | Source Detail | box | |
| 10/23/75 | Palace Theater | 2 | JGB: FOB MAC (taped by Jimmy Warburton, ca. 23rd row center, Sony ECM-99 stereo mic on a cane > Sony TC 152SD master cassette [Dolby B]) > playback on Sony TC152SD > Teac A2300SD 1st gen reel [Dolby B off] > playback on Akai GX-4000D > Teac AN-80 Dolby B decoding > A/D using an ART DI/O into an Egosys Waverterminal 2496 digital sound card > master CD > HP 9350i extraction using EAC > .shn encoding using mkwACT. | Source Detail | box | |
| 10/24/75 | Orpheum Theatre | 3 | JGB, early and late shows: Steve Rolfe's MAC (Sony ECM-99 Stereo mic > Sony TC-152 [Maxell UDs]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches. | Source Detail | dvd 216 | |
| 11/08/75 | Keystone | 2 | Jerry Garcia Band, set II only: MA? > ? > CD > EAC > SHN. Note added 4/2005: Had been listed as a sbd, but is almost certainly an excellent audience recording. | Source Detail | box | |
| 11/17/75 | Keystone | 2 | JGB; flac1644: 2 x Sony ECM-270 > Sony TC-152 >> MAC >> Nakamichi CR7a > Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 > Korg AudioGate >> WAV [24/96] >> MOTB.0078. Taped By: Reinhart Hohlwein. Transfer By: Bob Menke. Mastering By: Jamie Waddell. |
Source Detail | dvd 307 MOTB | |
| 02/22/76 | La Paloma Theater | 1 | Jerry Garcia Band: Early Show: MAC > 2C > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > cleaning using Sound Forge Studio 6.0 > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). CD > SHN by Joe Jupille. | Source Detail | box | |
| 02/22/76 | La Paloma Theater | 2 | Jerry Garcia Band: Late Show: MAC > 2C > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > cleaning using Sound Forge Studio 6.0 > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). CD > SHN by Joe Jupille. | Source Detail | box | |
| 03/06/76 | Moore's Egyptian Theater | 3 | Jerry Garcia Band: AUD > MAC > DAT > CD unknown taper and rig | Source Detail | box | |
| 05/20/76 | Keystone | 2 | Jerry Garcia Band: MAC (Taped by Bob Menke and Louis Falanga, Sony ECM-250 + Sony ECM-270 mics > Sony TC-152) > DAT > 2 or 3 CD gens > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > minor editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). | Source Detail | box | |
| 11/12/76 | Freeborn Hall (U.C. Davis) | 1 | Jerry Garcia Band, partial show: MSR > D > CD > EAC > SHN | Source Detail | box | |
| 01/29/77 | Keystone | 2 | Jerry Garcia Band: MAC > R/1 > CD > EAC > SHN, via Hanno Bunjes | Source Detail | d1 | |
| 02/05/77 | Campbell Hall | 3 | Jerry Garcia Band, Early and Late Shows: MSR > ? > Cx > CDR > WAV > SHN. | Source Detail | d1 | |
| 02/05/77 | Campbell Hall | 3 | Jerry Garcia Band, Early & Late Shows: SBD > cassette? > CD > EAC > SHN v3. See info file for setlist notes and questions. | Source Detail | d1 | |
| 04/09/77 | Keystone Palo Alto | 2 | Jerry Garcia Band: MAC (unknown taper, equipment, location) > reel > playback on Uher reel-to-reel machine > Marantz standalone CD recorder master CD > Plextor CD extraction using EAC (high, secure, offset-corrected) > .shn encoding using mkwACT. | Source Detail | d1 | |
| 06/23/77 | Santa Rosa High School | 1 | JGB; shnf; set II only; Sony ECM -> Sony TC-152 MAC -> D -> CD (Ryan at thejerrysite.com indicates the taper was Bob Menke). | Source Detail | d1 | |
| 07/02/77 | Keystone Palo Alto | 2 | Jerry Garcia Band: MAC > Reel > CD [> SHN], via Hanno Bunjes. | Source Detail | d2 | |
| 07/03/77 | Keystone Palo Alto | 1 | JGB, set II: SBD > CM > 1 Cassette > DAT > Sony D8(modified) > DAT(Clone)@48K > WAVELAB5.0 > WAV@44K > FLAC 16; Transfer, conversion and edits by Ben Dover 08/27/2006. | Source Detail | d2 | |
| 07/03/77 | Keystone Palo Alto | 1 | Jerry Garcia Band, set II only: MSC > 1C > DAT > CD > EAC > SHN | Source Detail | d2 | |
| 07/08/77 | Calderone Concert Hall | 2 | Jerry Garcia Band, Late Show: MAC (Taped by Jerry Moore, spaced AKG D-200Es [from the orchestra, hand held, fairly close] > Sony TC-153 [Maxell XLII]) > Nakamichi Dragon playback > ART DI/O A-D converter > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). | Source Detail | d2 | |
| 07/08/77 | Calderone Concert Hall | 2 | Jerry Garcia Band: Late Show: MAC (Probably taped by Jerry Moore from the front of the balcony, spaced AKG D-200E's > Sony TC-153 [Maxell XLII]) > DAT > CD > HP 9350i extraction using EAC > tracking using CD Wave > .shn encoding using mkwACT. | Source Detail | d2 | |
| 07/09/77 | Convention Hall | 2 | JGB, early and late shows: Mark Mattson's MAC > CD > SHN. Transfer by Mark Mattson, shn encoding by Teddy Goodbear. | Source Detail | d3 | |
| 07/09/77 | Convention Hall | 3 | Jerry Garcia Band, Early & Late shows: MAC (unknown equipment, taped by Mark Mattson) > DATx1 > CDx1 > EAC > SHN | Source Detail | d3 | |
| 07/23/77 | Keystone Palo Alto | 2 | Jerry Garcia Band: "Bertha" remaster of Charlie Miller seed #30662. | Source Detail | d3 | |
| 07/23/77 | Keystone Palo Alto | 2 | Jerry Garcia Band: SBD -> Cassette Master -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC (2 Discs Audio / 2 Disc FLAC). Transferred and Edited By Charlie Miller. | Source Detail | d3 | |
| 07/29/77 | Theatre 1839 | 3 | Jerry Garcia Band: MAC (Taped by Bob Menke, setup not yet established at this time) > CDs > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > minor editing (Sound Forge Studio 6.0) > sector boundary fixing (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). | Source Detail | d3 | |
| 07/30/77 | Theatre 1839 | 2 | Jerry Garcia Band: MAC (Taped by Bob Menke, setup not yet established at this time) > CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > minor editing (Sound Forge Studio 6.0) > sector boundary fixing (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). | Source Detail | d4 | |
| 08/06/77 | Keystone | 1 | Jerry Garcia Band:set 2 partial; MSC -> DAT -> Digi001 -> SHN; via Ryan Shriver, Dan Metz | Source Detail | d4 | |
| 08/07/77 | Keystone | 1 | Jerry Garcia Band: Master Cassette SB > DAT > CD | Source Detail | d4 | |
| 10/02/77 | Paramount Theater | 1 | Jerry Garcia Interview: Unknown source. See info file for some details. | Source Detail | d1 | |
| 11/21/77 | The Playhouse (Hofstra University) | 2 | Jerry Garcia Band, Late Show: MAC (Taped by Mark Mattson, unknown equipment) > 1 DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). | Source Detail | d4 | |
| 11/21/77 | The Playhouse (Hofstra University) | 2 | JGB, early & late shows: Mark Mattson's MAC > CD > SHN. Transfer by Mark Mattson, shn encoding by Teddy Goodbear. | Source Detail | d4 | |
| 11/23/77 | The Palace Theater | 2 | Jerry Garcia Band: MAC (Taped by Jerry Moore, Sony ECM-33Ps [ledge of the opera box, right side facing stage] > Sony TC-158) > Tascam 122MKIII playback > Tascam DA-40 master DAT > Tascam DA-30 playback > HD > Cool Edit 2000 > .shn. A > D by Mark Cohen, D > SHN by David Minches. | Source Detail | d4 | |
| 11/23/77 | The Palace Theater | 1 | Jerry Garcia Band: AUD--CASS--TASCAM Portastudio 424Mk II--DAT--CD, via vamarty. | Source Detail | d4 | |
| 11/25/77 | The Tower Theatre | 1 | Jerry Garcia Band, Early Show: Unknown AUD > Cassette? > CD > EAC > SHN v3. | Source Detail | box | |
| 11/25/77 | The Tower Theatre | 1 | Jerry Garcia Band, Early Show: Unknown AUD > Cassette? > CD > EAC > SHN v3. | Source Detail | d4 | |
| 11/26/77 | Capitol Theater | 2 | JGB, early & late shows: MAC > CASS > DAT > CDR > EAC > SHN (seekable) Taper and equipment unknown. | Source Detail | d5 | |
| 11/27/77 | The Palladium | 3 | Jerry Garcia Band:Early & Late Show: AUD (DAT: MAC>D>CDR>EAC>SHN) | Source Detail | d5 | |
| 11/27/77 | The Palladium | 2 | Jerry Garcia Band, Early Show: MAC (Taped by Barry Glassberg, Sony ECM 270s [1st row loge, 30' separation] > Sony TC-153SD [Maxell UDXLII, Dolby]) > Tascam 122 MK III playback > Tascam DA-40 master DAT (44.1) > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT). | Source Detail | d5 | |
| 11/27/77 | The Palladium | 2 | Jerry Garcia Band, Late Show: MAC (Taped by Barry Glassberg, Sony ECM 270s [1st row loge, 30' separation] > Sony TC-153SD [Maxell UDXLII, Dolby]) > Tascam 122 MK III playback > Tascam DA-40 master DAT (44.1) > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT). | Source Detail | d5 | |
| 11/30/77 | Gymnasium, Buffalo State College SUNY | 2 | Jerry Garcia Band: MAC > Reel > DAT > CDx1 > EAC > SHN. Taper, equipment, and location currently uncertain, but probably recorded by Steve Spitalny, Sony ECM-99A > Nak 550. | Source Detail | d5 | |
| 12/02/77 | Orpheum Theater | 2 | Jerry Garcia Band: Early & Late. Sony ECM 99a> Sony152> MAC> D >EAC >MKWact >SHN | Source Detail | d6 | |
| 12/02/77 | Orpheum Theater | 4 | JGB, early and late shows: Steve Rolfe's MAC (Sony ECM-99 Stereo mic> Sony TC-152 [Maxell UDs]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches. | Source Detail | d6 | |
| 12/02/77 | Orpheum Theater | 4 | JGB, Early & Late Shows: Steve Hopkins MAC (Sony ECM-99a > Sony TC-158SD; Maxell UD-XLI; some patches from Steve Rolfe MAC, Sony ECM-99a > Sony TC-158SD) > Nakamichi Dragon playback > ART DI/O (96Mhz/24 bit)> Digital Audio Labs Card Deluxe soundcard > HD Editing performed in Adobe Audition; Dithered and downsampled to 44.1 MHz / 16 bit; Flac Encoded. Transfer by David Minches. | Source Detail | d6 | |
| 12/04/77 | The Barn (Rutgers U.) | 1 | Jerry Garcia Band: Set I + one song from set II: MSC > DAT > CD > EAC > SHN. | Source Detail | d6 | |
| 12/06/77 | The Dome, C.W. Post College | 2 | JGB: Mark Mattson's MAC > CD > SHN. Transfer by Mark Mattson, shn encoding by Teddy Goodbear. | Source Detail | d6 | |
| 12/06/77 | The Dome, C.W. Post College | 3 | Jerry Garcia Band: MSR > C > D > CD > EAC > shntool > SHNv3. This seed corrects sector boundary errors on the original .shn set. | Source Detail | d7 | |
| 12/08/77 | Palace Theatre | 3 | Jerry Garcia Band: Unknown AUD > Cassette? > CD > EAC > SHN v3 | Source Detail | d7 | |
| 12/08/77 | Palace Theatre | 3 | Jerry Garcia Band: SBD -> Cm -> Apogee AD1000 -> Dat (Panasonic SV3800); transferred by Charlie Miller | Source Detail | d7 | |
| 12/09/77 | Gym, S.U.N.Y. | 2 | JGB, set II only: Unknown AUD > ? > CD > EAC > SHN v3. This is an apparently redundant re-shn of < A HREF="/shninfo_detail.php?shnid=4444">shnid 4444. | Source Detail | d7 | |
| 12/09/77 | Gym, S.U.N.Y. | 1 | JGB; shnf; s2; FOB Nakamichi CM-300 Mics; MAC -> DAT -> Digi001 -> SHN; via Ryan Shriver, Dan Metz | Source Detail | d7 | |
| 12/09/77 | Gym, S.U.N.Y. | 1 | JGB, set II: pitch-corrected version of shnid 4444 (Nak 300s MAC > DAT > CD). | Source Detail | d7 | |
| 12/10/77 | Warner Theater, Late show | 2 | Jerry Garcia Band Unknown Aud> Mreel> Dat> Cdr. Seeded by Mike Lai | Source Detail | d8 | |
| 12/10/77 | Warner Theater, Early show | 3 | Jerry Garcia Band: (FOB) Electra Voice Omni Mics > Cass/0 > DAT > CDR > EAC > WAV > Wavelab (Mastering) > FLAC | Source Detail | d8 | |
| 12/11/77 | Rec Hall, Penn State U | 3 | Jerry Garcia Band: MSR > C > P > D > CD > EAC > shntool > SHNv3. This set, via Chris Ladner, fixes sector boundary errors on the original .shn set. | Source Detail | box | |
| 12/11/77 | Rec Hall, Penn State U | 3 | JGB: MSR > C > PCM > DAT > CD, remaster of shnid6622 via sirmick. | Source Detail | dvd 266 | |
| 12/11/77 | Rec Hall, Penn State U | 3 | Jerry Garcia Band: MSR > C > P > D > CD > EAC > shntool > SHNv3. This set, via Chris Ladner, fixes sector boundary errors on the original .shn set. | Source Detail | d8 | |
| 12/11/77 | Rec Hall, Penn State U | 3 | Jerry Garcia Band: MSR > PCM > unknown analog gens > DAT > CD > SSSB processing. | Source Detail | d9 | |
| 12/23/77 | Keystone Palo Alto | 1 | Jerry Garcia Band: FM > ?? > R > CD > EAC > SHN, via Hanno Bunjes | Source Detail | d9 | |
| 02/18/78 | Marin County Veterans Auditorium | 2 | Jerry Garcia Band: MSC > ? > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave) > patching (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). | Source Detail | dvd 182 | |
| 02/19/78 | Santa Cruz Civic Auditorium | 2 | Jerry Garcia Band: Currently optimal composite from multiple audience sources. Composite and SHN encoding by Jack Warner. | Source Detail | dvd 182 | |
| 03/09/78 | Cleveland Music Hall | 2 | Jerry Garcia Band: MSC > ? > DAT > CD > EAC > SHN. The ? probably represents a cassette gen. | Source Detail | dvd 186 | |
| 03/11/78 | Leroy Theater | 2 | Jerry Garcia Band: MAC (Taped by Tom Dalti, Sony ECM-99a mics > Technics 646ds cassette deck > DAT > CDR > EAC (v0.9 beta 4, offset corrected, high/secure) > editing Soundforge 5) > tracking (CD Wave) > boundary check (shntool) > SHN (shorten 3.4) > FTP via C. Ladner/ candyman FTP. | Source Detail | box | |
| 03/12/78 | Suffolk Forum | 2 | FOB Shure Audience > CassMaster> Dat> Cdr Transfer Da-P1> Zafiro ZA-2> NT4.0/Soundforge xp 4.0 > Cdrwin **May Contain Additional Analog Generations | Source Detail | dvd 186 | |
| 03/14/78 | Music Hall | 2 | Jerry Garcia Band: MAC (Taped by Tom Dalti [NOT Steve Rolfe as previously listed], Sony ECM-99a mics > Technics 646ds cassette deck) DAT > CDR > EAC (version 0.9 beta 4, offset corrected, high/secure) > editing (soundforge 5) > tracking (cdwav) > boundary check (shntool) > SHN (shorten 3.4) > FTP via C.Ladner/candyman FTP. | Source Detail | dvd 186 | |
| 03/16/78 | Spectrum Theatre | 2 | Jerry Garcia Band. Source: Unknown mics/taper>Cx>DAT>CDR>WAV>FLAC. | Source Detail | dvd 182 | |
| 03/17/78 | Capitol Theater | 2 | Jerry Garcia Band: Early Show: Barry Glassberg's master FM reel > TEAC X2000R playback > Nakamichi NR200 Dolby Unit > Tascam DA-40 (master DAT) > Tascam CDRW700 master CD > 1 CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by Mark Cohen, EAC > SHN by Joe Jupille. | Source Detail | box | |
| 03/18/78 | Warner Theater | 2 | Jerry Garcia Band: Lineage: SBD > PRE-FM RTR > CASS (Dolby B encoded) > SSSB (Dolby B decoded) serifin station seed | Source Detail | dvd 182 | |
| 03/18/78 | Warner Theater | 2 | Jerry Garcia Band, Late Show: July 2003 Oade seed (shnid 18733) patched with FMSBD > 2C >(C?) > CDR by gcsadoti. See info file for extensive editing notes. | Source Detail | dvd 182 | |
| 03/19/78 | Stanley Theater | 2 | Jerry Garcia Band: Sndbd->Cassette->Cassette->DAT->CDR->Audio Grabber->TC Native Spectralizer->TC Native Multiband Compressor->SoundForge->TC Native Loudness Maximizer->CDR . | Source Detail | dvd 183 | |
| 03/22/78 | Veteran's Hall | 2 | Source: SBD > CM(x) > CDR > WAV > SHN. | Source Detail | dvd 186 | |
| 06/11/78 | Keystone | 2 | Jerry Garcia Band, missing last two songs: MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). | Source Detail | dvd 186 | |
| 06/18/78 | Keystone Palo Alto | 2 | Jerry Garcia Band: MAC > CD > EAC > SHN. Taped by John Angus and Scott Hart, Sony ECM99 (first tier, center) > Sony TC-158 (Maxell UD-XLIIs) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > HP 9350i extraction using EAC > speed correction (pitch shifted up by 40 cents) using Sound Forge XP version 5 > tracking using CD Wave > .shn encoding using mkwACT. Proper sector boundaries verified using shntool. | Source Detail | dvd 183 | |
| 08/12/78 | Keystone | 2 | Jerry Garcia Band. Source: MAC(mics unknown, possibly Sony) > HD > CD>WAV>SHN. Taper: Mike Riley | Source Detail | dvd 187 | |
| 10/03/78 | Shady Grove | 1 | Merl Saunders Band, with special guest Jerry Garcia. Master audience tape (unknown mics, unknown deck, taped by A. Tsukada) > unknown analog generations > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) | Source Detail | dvd 192 | |
| 10/07/78 | Keystone Palo Alto | 2 | Jerry Garcia Band: MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). | Source Detail | dvd 187 | |
| 10/08/78 | Keystone Palo Alto | 2 | Source: MAC(Sony mics?)>D>CD>WAV>SHN Taper: Mike Riley | Source Detail | dvd 183 | |
| 10/10/78 | Keystone | 1 | Jerry Garcia Band: MSC > DAT > CDR > EAC > WAV > SHN. Almost certainly has another cassette generation. | Source Detail | dvd 187 | |
| 10/10/78 | Keystone | 2 | Jerry Garcia Band: MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). | Source Detail | box | |
| 10/24/78 | Keystone | 2 | Jerry Garcia Band: MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > very slight editing (Sound Forge Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). | Source Detail | dvd 187 | |
| 10/26/78 | Paramount Theatre | 1 | Jerry Garcia Band: Partial set II only: MSC > Cassette > DAT > CD > EAC > SHN. | Source Detail | dvd 187 | |
| 10/26/78 | Paramount Theatre | 2 | Jerry Garcia Band: MAC > CD > EAC > WAV > CE2k (retracking, glitch removal) > SHN. | Source Detail | dvd 187 | |
| 10/27/78 | Pavillion East (Eastern Washington University) | 1 | Jerry Garcia Band, I/IIp: MA? > ? > CD > EAC > SHN | Source Detail | dvd 187 | |
| 10/28/78 | Paramount Northwest Theater | 2 | Jerry Garcia Band: MAC (Taped by Mike McCaw, Nak 700s > Sony TC-158) > 1 reel > DATs > CDs > EAC > SHN | Source Detail | dvd 187 | |
| 11/03/78 | Keystone Palo Alto | 2 | Jerry Garcia Band: complete show, aud + sbd composite. MAC (Mike Riley, unknown gear) > R > CDx2 > EAC > SHN (I & IIp) + MC > 2C > CD > EAC > SHN (end of set II). | Source Detail | dvd 191 | |
| 01/30/79 | Keystone | 2 | Reconstruction: MAC > CD > EAC > SHN. Recorded by Steve Spitalny and John Angus, Sony ECM-990 (balcony rail, stage left) > Nak 550 > patched out to Sony TC-158 master cassette (UD XLII) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > HP 9350i extraction using EAC > speed correction (pitch shifted down by 40 cents) using Sound Forge XP version 5 > tracking using CD Wave > .shn encoding using mkwACT. | Source Detail | d1 | |
| 02/27/79 | Keystone | 2 | Reconstruction: MAC > DAT > CD > EAC > SHN. Recorded by Eldon Porray, Nakamichi CM-700 mics (front row balcony, left of soundboard) > Sony TC-D5 cassette master (Maxell XL-II no Dolby) > playback on Nak CR-3A > Lucid AD9624 (24-bit A/D Converter) > Sony R500 (master DAT) > DATs > CDs > EAC > SHN. | Source Detail | d1 | |
| 03/08/79 | Cabaret Cotati | 2 | MSR > PCM (VHS) > Sony 501? PCM (Beta) > Sony 501? playback > Panasonic 3800 master DAT > backup DAT > Sony R500 playback > Sony CDR-W33 master CD > HP 9350i extraction and normalization (98%) using EAC > tracking using CD Wave > sector boundary verification using shntool > .shn encoding using mkwACT. Note that this is the actual show played on this date, and not a mislable of the 3/9/79 as is the existing .shn set. | Source Detail | d1 | |
| 03/09/79 | Cabaret Cotati | 2 | Reconstruction: MSR > DAT > CD. DAT > CD by David Hollister, seeded by Justin Walther. | Source Detail | d1 | |
| 03/30/79 | The Catalyst | 2 | Reconstruction: MAC > DAT > CD > EAC > SHN. Recorded by Eldon Porray, FOB Nakamichi CM-700 mics > Sony TC-D5 cassette master (Maxell XL-II no Dolby) > playback on Nak CR-3A > Lucid AD9624 (24-bit A/D Converter) > Sony R500 (master DAT) > DATs > CDs > EAC > SHN | Source Detail | d1 | |
| 04/08/79 | Cabaret Cotati | 2 | Reconstruction: MSR > PCM > DAT > CD > EAC > SHN. | Source Detail | d2 | |
| 04/11/79 | Rainbow Music Hall | 2 | Reconstruction: Early & Late Shows: MAC > CD > EAC > SHN. Likely misdated performance from April 12 Rough quality, probably lossy sourced, for completists only. |
Source Detail | d2 | |
| 04/23/79 | Old Waldorf | 2 | Reconstruction: Early & Late shows: MAC (Taped by Eldon Porray, Nak CM-700s > Sony TC-D5) > DATs > CDs > EAC > SHN. | Source Detail | d2 | |
| 04/28/79 | Keystone Palo Alto | 1 | Reconstruction, set I only: MAC > DAT > CD > EAC > SHN. Recording details unknown. Master cassette played back on Nak CR-3A > Lucid AD9624 (24-bit A/D Converter) > Sony R500 (master DAT) > Sony CDR-W33 (master CD) > EAC > tracking (CD Wave) > .shn (mkwACT). | Source Detail | d2 | |
| 05/18/79 | Old Waldorf | 2 | Reconstruction: Master audience cassette > ? > cassette > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0) | Source Detail | d2 | |
| 05/19/79 | Old Waldorf | 1 | MA? > unknown cassette generations > NAK MR-1 w/ balanced lines > MOT4 828 286/48k > Cassette to CD via Cakewalk Sonar > normalization & downsampling via Cooledit 2000K > tracking via CDWAV > CD clone > EAC using plextor 241040A secure mode with c2> SHN via mkwWACT. Extraction & encoding by Ron Sinko. | Source Detail | d2 | |
| 06/08/79 | Rio Theater | 2 | MSR > PCM > 2C > DAT > WAV > SHN, via Jim Powell and Chris Ladner. | Source Detail | d2 | |
| 06/16/79 | Keystone Palo Alto | 2 | Reconstruction: MSR -> PCM -> DATs -> Digi001 -> SHN DAT@48 -> Optical S/PDIF -> HD (24 bit @48) -> ProTools LE 5.0.1 (tracking, 16 bit/44.1) -> WAVE -> SHN | Source Detail | d3 | |
| 06/17/79 | Keystone Palo Alto | 2 | Reconstruction: MSC > C > WAV > CE2k (11db NR, tracking) > SHN | Source Detail | d3 | |
| 06/17/79 | Keystone Palo Alto | 2 | Reconstruction: Master soundboard reel > PCM > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0) | Source Detail | d3 | |
| 06/22/79 | Keystone Palo Alto | 2 | Reconstruction: SBD> Master Reel> PCM> DAT> ZA2> Soundforge 4.0> CDWAV> SHNv3 (no DAE); via J. Lutch | Source Detail | d3 | |
| 07/06/79 | Keystone | 2 | Reconstruction: MAC > DAT > CD > EAC > SHN. Recorded by Eldon Porray, Nakamichi CM-700 mics (front row balcony, left of soundboard) > Sony TC-D5 cassette master (Maxell XL-II no Dolby) > playback on Nak CR-3A > Lucid AD9624 (24-bit A/D Converter) > Sony R500 Master DAT) > DATs > CDs > EAC > SHN | Source Detail | d3 | |
| 07/07/79 | Keystone Palo Alto | 2 | Reconstruction: MAC > D > CD > EAC > SHN. Taped by Eldon Porray (patched out of Bob Menke's deck), Nakamichi CM-700 mics > Sony TC-D5 > Maxell XL-II cassette master > Nakamichi CR-3A playback (no Dolby) > Lucid AD9624 24-bit A/D converter @ 44.1 kHz > Sony R500 (master DAT) > Sony CDR-W33 (master CD) > EAC > tracking (CD Wave) > .shn (mkwACT) | Source Detail | d3 | |
| 07/08/79 | Keystone Palo Alto | 2 | Reconstruction: Master Soundboard Reels (7" @ 7.5ips) > 2 PCM > DAT > CD; from the Jerry Site's "Release One"; via imgoinmad@home.com | Source Detail | d4 | |
| 07/22/79 | Civic Auditorium | 1 | Reconstruction: hodgepodge of 6/16 and 6/22 material; MS?> ? > CD > EAC > SHN | Source Detail | d4 | |
| 08/10/79 | Temple Beautiful | 2 | Reconstruction: MAC (Taped by Phil Jarret, JVC stereo mic > TEAC PC 10) > 3CD > HP 9350i extraction using EAC > tracking using CD Wave > .shn encoding using mkwACT. | Source Detail | d4 | |
| 09/15/79 | Keystone Palo Alto | 2 | Reconstruction. Source: MAC(Nakamichi CM-700 mics > Sony TC-D5)>CDR>WAV>SHN. Taper: Bob Menke. | Source Detail | d4 | |
| 09/22/79 | Keystone | 2 | Reconstruction: MAC > D > CD > EAC > SHN. Taped by Eldon Porray (front row balcony, left of soundboard), Nakamichi CM-700 mics > Sony TC-D5 > Maxell XL-II cassette master > Nakamichi CR-3A playback (no Dolby) > Lucid AD9624 24-bit A/D converter @ 44.1 kHz > Sony R500 (master DAT) > Sony CDR-W33 (master CD) > EAC > tracking (CD Wave) > .shn (mkwACT) | Source Detail | d5 | |
| 10/07/79 | Keystone | 2 | JGB: MAC (Taped by John Angus & Scott Hart, Sony mics > Technics deck) > Sony TCD5 playback > Roland UA-30 interface > Mac Powerbook via Peak 4.1 > CD (Toast v5.2) > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (FLAC Frontend v.1.7.1 etree edition). Analog > CD transfer by slip, EAC > FLAC by jjoops. | Source Detail | d4 | |
| 10/21/79 | Keystone | 2 | Jerry Garcia Band: MAC (recorded by Steve Spitalny, unknown mics > Sony D-5M) > 1 cassette > DAT > CD > HP 9350i extraction using EAC > re-tracking using CD Wave > .shn encoding using mkwACT. | Source Detail | d4 | |
| 11/16/79 | Keystone Palo Alto | 2 | Jerry Garcia Band: AUD (SONY ECM99's) > Sony TCD5 > Master Cassette > Roland UA-30 USB A/D > MAC G3 Powerbook > WAV > CDR > WAV > SHNv3. Taper: John Angus. | Source Detail | box | |
| 11/16/79 | Keystone Palo Alto | 2 | Jerry Garcia Band: AUD (SONY ECM99's) > Sony TCD5 > Master Cassette > Roland UA-30 USB A/D > MAC G3 Powerbook > WAV > CDR > WAV > SHNv3. Taper: John Angus. | Source Detail | d5 | |
| 11/18/79 | Keystone | 2 | Jerry Garcia Band: AUD(SONY ECM 99) > SONY TCD5 > DAT > CDR > WAV > SHNv3, taped by John Angus and Scott Hart. | Source Detail | d5 | |
| 12/20/79 | Keystone Palo Alto | 1 | Jerry Garcia Band. Source: SBD>?>C>D>WAV>SHN. Cassette>DAT transfer by J.Powell. DAT>WAV editing>SHN encoding by C.Ladner. | Source Detail | d5 | |
| 12/21/79 | Keystone Palo Alto | 2 | Jerry Garcia Band: SBD:MR> DAT> CD | Source Detail | d5 | |
| 12/21/79 | Keystone Palo Alto | 2 | Jerry Garcia Band: SBD>>MR>>DAT>>CDA>>DAW(Bertha)>>CDA/SHN | Source Detail | d5 | |
| 01/20/80 | Keystone Palo Alto | 2 | Jerry Garcia Band: MSC > 1C > DAT > CDR > WAV > SHN. | Source Detail | dvd 181 | |
| 02/12/80 | Lisner Auditorium (George Washington University) | 3 | Jerry Garcia Band: Early and Late Shows: MAC > D > CD > SHN. Taped by Scott Jones, FOB Shure mics > Sony TC-158 > master cassettes > DAT. DAT > CD by Andy L, EAC > wav > shn by Don Chase. | Source Detail | box | |
| 03/26/80 | Keystone | 2 | Jerry Garcia Band: AUD (SONY ECM99's) > Sony TCD5 > Cassette Master > Roland UA-30 USB A/D > MAC G3 Powerbook > CDR > WAV > SHNv3. Taper: John Angus. | Source Detail | dvd 181 | |
| 02/10/81 | Bushnell Auditorium | 2 | JGB: Jim Wise Master Audience Cassette; Senn MD-421s> Sony D-5 at SB; Maxell UDXLII; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. | Source Detail | dvd 207 | |
| 04/18/81 | Phoenix Theater | 2 | JGB: Phil Jaret's JVC M-201 Electret condenser stereo microphone (center floor) > Sony TC-D5 (TDK-SA 90 Dolby B on record and playback); Playback on a Sony TC-K615S cassette deck directly to HHB CDR-800 burner. Note that the initial seed was flawed, with a cut in TUIB. This was quickly fixed, but not before numerous completed downloads. Hence we have listed both FLAWED and FIXED fingerprints under this shnid. | Source Detail | dvd 307 | |
| 04/25/81 | The Stone | 1 | Sing Out For Sight Benefit; Garcia, Weir, Kruetzman, Hart, JKahn; Acoustic; AUD>MC>??>DAT>CDR; via Paul B; Seeded to etree by Willy | Source Detail | d8 | |
| 06/25/81 | Civic Auditorium | 2 | Jerry Garcia Band, with Phil Lesh on bass: aud(unknown mics) > ? > cdr > eac(secure) > mkwact(seekable). | Source Detail | box | |
| 11/13/81 | Orpheum Theater | 2 | Jerry Garcia Band: Early & Late Shows: Nak 700s > Sony D5 > MAC > D > CD> EAC > MKWact > SHN | Source Detail | box | |
| 02/27/82 | Keystone Palo Alto | 2 | Jerry Garcia Band: MSC > DAT > CDR; via M.Perini; seeded to etree by eD | Source Detail | box | |
| 04/10/82 | Capitol Theatre (Late Show) | 1 | Jerry Garcia Solo Acoustic: Late Show: SBD > ? > DAT > CD > WAV > SHN, with various fixing by Patrick Murphy. | Source Detail | box | |
| 04/10/82 | Capitol Theatre (Early Show) | 1 | Jerry Garcia Solo Acoustic: Early Show: SBD > ? > DAT > CDR > WAV > SHNv3, with patching, smoothing, pitch shift, & other fixing by Patrick Murphy. | Source Detail | box | |
| 05/05/82 | Oregon State Prison | 1 | Garcia & Kahn: some overload distortion | Source Detail | shelf | |
| 11/11/82 | Felt Forum (Madison Square Garden) | 3 | JGB, Early & Late Shows: Jim Wise MAC (Early Show: Beyer M160s w/ Senn 421 blend at SB [Maxell XLIIS] > Uher cassette deck; Late Show: Senn 421s at SB > Uher cassette deck [Maxell XLIIS]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC, transfer by David Minches. | Source Detail | dvd 207 | |
| 03/05/83 | Civic Auditorium | 2 | Jerry Garcia Band: MSC > DAT > CDR; seeded by eD | Source Detail | box | |
| 05/31/83 | Roseland Ballroom | 2 | JGB: Sennheiser 441's > ?? >DAT; Transfer: DA-P1 > Zafiro ZA-2 > NT 4.0/SoundForge XP 4.0 > CDRWIN. | Source Detail | dvd 181 | |
| 11/25/83 | Cleveland Music Hall | 2 | Jerry Garcia Band: Probable MSC > DAT > CD > EAC > slight modifications > SHN. This is a retracked and slightly processed upgrade, via Jake Mercatoris, of the previously circulating .shn set. | Source Detail | dvd 181 | |
| 11/26/83 | Forum Theater | 2 | Jerry Garcia Band: Early Show. Sbd> Mcas> ??> Dat> Cdr. Seeded by Mike Lai | Source Detail | dvd 181 | |
| 11/27/83 | Constitution Hall | 2 | Jerry Garcia Band: MSC > DAT > CDR > WAV > SHN. DAT transfer to CDR via D.Minches. SHN encoding/initial FTP transmission via C.Ladner/candyman FTP. | Source Detail | box | |
| 11/29/83 | Veterans Memorial Auditorium | 2 | Jerry Garcia Band: MSC > DAT > CDR > WAV > SHNv3. | Source Detail | box | |
| 12/02/83 | Tower Theater | 2 | Jerry Garcia Band: MSC -> DAT -> Digi001 -> SHN. This set, via Chris Ladner, fixes sector boundary errors on the existing .shn set. | Source Detail | dvd 181 | |
| 05/18/84 | Irvine Meadows Ampitheater | 2 | Jerry Garcia Band: FM-SBD > MC > Cx > CD > EAC > WAV > FLAC (level 5). | Source Detail | dvd 190 | |
| 08/10/84 | Rocky Glen Amusement Park | 2 | Jerry Garcia Band: Taper: Bill Reutelhuber; Recording Info: (FOB) Nakamichi CM300/CP4 -> Cassette Master (Sony D5/Maxell Metal Tape) Transfer Info: Cassette Master (Nakamichi Deck/Azimuth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k). Process Info: Processed through Nuendo using Waves Q10 and Waves L2 and rendered down to a 16 bit wave file. Recorded and Transfered BY Bill Reutelhuber Tracked and SHN'd By Charlie Miller. | Source Detail | dvd 206 | |
| 08/11/84 | Caldwell College | 2 | Source: Most probably re-eac of FOB Stealth Mics (see notes) | Source Detail | dvd 206 | |
| 08/13/84 | Club Casino Ballroom | 1 | JGB, set II only: Taper: Bill Reutelhuber; Lineage:(FOB) Nakamichi 300/CP4 -> Cm -> Nuendo -> SHN; Recording Info: (FOB/7 Feet High/18 Inch Spread) Nakamichi CM300/CP4 -> Cm (Sony TCD5M/Dolby B). | Source Detail | dvd 206 | |
| 08/04/85 | The Stone | 1 | Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage in the first row of tables, dead center] > Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) > SHNv3 (MKW ACT). Analog and Digital Mastering by Charlie Connor. | Source Detail | box | |
| 08/05/85 | The Stone | 2 | Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage in the first row of tables, dead center] > Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) > SHNv3 (MKW ACT). Analog and Digital Mastering by Charlie Connor. | Source Detail | box | |
| 08/09/85 | The Stone | 2 | Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage in the first row of tables, dead center] > Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) > SHNv3 (MKW ACT). Analog and Digital Mastering by Charlie Connor. | Source Detail | box | |
| 08/10/85 | Keystone Palo Alto | 1 | Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage in the first row of tables, dead center] > Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) > SHNv3 (MKW ACT). Analog and Digital Mastering by Charlie Connor. | Source Detail | box | |
| 05/30/86 | The Stone | 2 | Jerry Garcia Band:FOB Master - NAK 300's>Sony D5>Cool Edit>CD Wave>SHN | Source Detail | box audio | |
| 05/31/86 | The Stone | 2 | Jerry Garcia Band: FOB Master - NAK 300's>Sony D5>Cool Edit>CD-Wave>SHN | Source Detail | box audio | |
| 10/25/87 | Lunt-Fontanne Theatre | 1 | JGAB: MISLABEL OF 10/28/87 matinee acoustic set (sbd), should not be further propagated. | Source Detail | box | |
| 10/31/88 | Henry J. Kaiser Convention Center | 2 | Jerry Garcia Band: Recording Info: (FOB/Hat) Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx 221e type II Encoder -> Cassette Master (Sony TCD5m/Maxell XLIIS); Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> dbx 224x Decoder -> Mytek Digital ADC8X96 -> Nuendo (24bit/44.1k) -> SHN (2 Discs Audio / 1 Disc SHN); Process Info: 1) Processed to a 16 bit file with waves Q10 and L2 2) Tracked and Normailized with Samplitude v7.02 Professional; Recorded, Transfered and Process #1 By Bill Reutelhuber; Process #2 By Charlie Miller 1/6/04 | Source Detail | box audio | |
| 11/26/88 | Wiltern Theater | 2 | Jerry Garcia Band: MSC > DAT > CDR > WAV > SHNv3. | Source Detail | box | |
| 11/26/88 | Wiltern Theater | 2 | Jerry Garcia Band: MSC > DAT > CDR > WAV > SHNv3. | Source Detail | dvd 272 | |
| 12/04/88 | Oakland-Alameda County Coliseum Arena | 1 | Garcia, Weir & Wasserman; Acoustic Bridge School Benefit; SBD>??>DAT>CDR; via Paul B; Seeded to etree by Willy | Source Detail | box | |
| 03/03/89 | Orpheum Theatre | 2 | Jerry Garcia Band: Recording Info: (FOB/Hat/Row L) Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx type II Encoder -> Cassette Master (Sony TCD5m); Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> dbx 224x Decoder -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) -> SHN (2 Discs Audio / 2 Discs SHN); Process Info: 1) Processed to a 16 bit file with waves Q10, C4 and L2; 2)Tracked and Normailized with Samplitude v7.02 Professional; Recorded, Transfered and Process #1 By Bill Reutelhuber; Process #2 By Charlie Miller 12/5/03. | Source Detail | dvd 206 | |
| 03/04/89 | Orpheum Theatre | 2 | Jerry Garcia Band: Recording Info: (FOB/Hat/Row L)Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx type II Encoder -> Cassette Master (Sony TCD5m; Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> dbx 224x Decoder -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) -> SHN (2 Discs Audio / 2 Discs SHN); Process Info: 1) Processed to a 16 bit file with waves Q10, C4 and L2; 2) Tracked and Normailized with Samplitude v7.02 Professional; Recorded, Transfered and Process #1 By Bill Reutelhuber; Process #2 By Charlie Miller 12/5/03 | Source Detail | dvd 206 | |
| 08/26/89 | Greek Theatre, U. Of California | 2 | Jerry Garcia Band: Recording Info: (FOB/Split/Hat) Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx 221e type II Encoder -> Cassette Master (Sony TCD5m); Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> dbx 224x Decoder -> Mytek Digital ADC8X96 -> Nuendo (24bit/44.1k) -> SHN (2 Discs Audio / 1 Disc SHN) | Source Detail | dvd 206 | |
| 09/09/89 | Great Woods Center for the Performing Arts | 2 | JGB: MAD > DAT > CD > EAC > SHN. Stealth upfront Nakamichi 700 (cardiods) customized (run without the bodies), powered by a Reutelhuber pre/ps > Panasonic SV250 > DAT/0 > DAT(clone) > Sony R300 @ 48k > ZA-2 @ 44.1k > Soundforge 4.0c > CD Architect > CD/0 > EAC > MkWToolkit > SHN. D>CD>SHN by Frank Venezia. | Source Detail | box audio | |
| 04/15/90 | The Warfield | 1 | JGB, set I: Rob Darroch & Sara Paul's MAC (Neumann KM140s [FOB, handheld] > Sony D5 w/ Dolby C) > PCM 601 Beta/0 > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC Frontend decode to wav > minor editing (Sony Sound Forge Audio Studio 7.0) > sector boundary fix (shntool v2.0.3) > flac re-encoding (FLAC Frontend etree edition v1.7.1). | Source Detail | dvd 198 | |
| 04/29/90 | South Of Market Cultural Center | 1 | Jerry Garcia, Nick Gravenites, Pete Sears and Animal Mind, Complete Show: SBD > DAT > CD > WAV >SHN. | Source Detail | box | |
| 08/07/90 | The Warfield | 2 | Jerry Garcia Band: MAD (Rob Darroch and Sara Paul, Neumann KM140s handheld @ 110 ORTF ['The Spot', Rail-1st, 2nd row] > Panasonic SV-255) > unknown playback > Sony PCM 601 > SL 360 master Beta > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. PCM > FLAC by David Minches. | Source Detail | dvd 198 | |
| 09/01/90 | Shoreline Amphitheatre | 2 | Jerry Garcia Band: Recording Info: (FOB) Nakamichi 700/CP701 -> Dat; Transfer Info: Dat (Sony D8) -> CD (Tascam CDRW700) -> EAC -> SHN(2 Discs Audio / 2 Discs SHN); Recorded By Bill Reutelhuber; All Transfers By Charlie Miller July 2001 | Source Detail | dvd 305 | |
| 12/22/90 | San Francisco Civic Auditorium | 3 | JGB: FOB (Nak700s) > DAT > CDR > WAV > SHNv3 | Source Detail | box | |
| 02/03/91 | Warfield Theater | 2 | Garcia & Grisman, two sources: Set One: SBD -> Dat -> Cassette Master -> ? -> Cass -> Dat -> Samplitude -> SHN; Set Two: SBD -> Dat -> Cassette Master -> Dat -> SHN; (2 Discs Audio / 2 Discs SHN); Transfered By Charlie Miller. | Source Detail | dvd 207 | |
| 08/10/91 | French's Camp On The Eel River | 2 | Jerry Garcia Band: Source: AUD(mic's unknown)>DAT>CDR>WAV>SHN. Taper: unknown at this time. Thanks to H. Angus for the CDR seeds. DAE(EAC 0.9 beta 4, offset corrected, high/secure) > editing (soundforge 5) > boundary check (shntool) > SHN (shorten 3.4) > FTP via C.Ladner/candyman FTP. | Source Detail | dvd 183 | |
| 08/24/91 | Goldcoast Concert Bowl | 2 | Jerry Garcia Band: DSBD>CDR; flaws: short do at 6:02 in d1t02 (also on the master). | Source Detail | box | |
| 12/08/91 | Warfield Theater | 2 | Garcia & Grisman: sbd > dat > cdr > eac > shn. Seeded by Chris Ladner | Source Detail | box | |
| 12/09/91 | Warfield Theatre | 2 | Garcia & Grisman. MAD (Vintage 1950s Neumann KM54s>DAT)>DAT>WAV>SHNv3. Tapers: J.& C. Vasseur. DAT material provided by J.Powell. DAT > WAV > SHN by C.Ladner: Sony PCM-R500 > coaxial S/PDIF > M Audio Audiophile 2496 > WAV recording/editing (Soundforge 6) > tracking (cdwav editor) > sector boundaries confirmed (shntool) > SHN (mkwact). | Source Detail | dvd 191 | |
| 02/07/92 | Henry J. Kaiser Convention Center | 2 | Jerry Garcia Band:FOB Shoeps CMC54's->Panasonic 255 (DAT)->CD->EAC->CDWave->SHN conversion and seed by AJ - a2k@pacbell.net | Source Detail | dvd 183 | |
| 01/28/93 | Warfield Theater | 2 | JGB: AUD (Neumann KM54 > TeacDAP20) > DAT > CDR > WAV > SHNv3, seeded by Chris L. | Source Detail | box | |
| 04/27/94 | Warfield Theater | 2 | Jerry Garcia Band: Lineage given as DSBD > DAT > CDR > EAC > shn, but Charlie Miller says the correct lineage is SBD>Dat>Cass Master (Dolby C)>Dat>CD. | Source Detail | dvd 182 | |
| 09/02/94 | Warfield Theater | 2 | Jerry Garcia Band: AUD (Neumann54s)>DAT>CDR>WAV>SHNv3, seeded by Chris L. | Source Detail | box | |
| 11/11/94 | Henry J. Kaiser Convention Center | 2 | Jerry Garcia Band: FOB (Neumann KM440) > DAT > CDR > WAV > SHN. Taper: pending at this time. DAE (EAC 0.9 beta 4, offset corrected, secure mode) > editing (d1t01 only, soundforge 5) > tracking (cdwave) > SHN (shorten 3.4) > FTP via C.Ladner/candyman FTP. | Source Detail | box | |
| 11/11/94 | Henry J. Kaiser Convention Center | 2 | Jerry Garcia Band: FOB (Neumann KM440) > DAT > CDR > WAV > SHN. Taper: pending at this time. DAE (EAC 0.9 beta 4, offset corrected, secure mode) > editing (d1t01 only, soundforge 5) > tracking (cdwave) > SHN (shorten 3.4) > FTP via C.Ladner/candyman FTP. | Source Detail | d13 | |
| 01/14/95 | Warfield Theater | 2 | Jerry Garcia Band: MAD (mics unknown) > CDR > WAV > SHNv3, via Chris Ladner. | Source Detail | d13 | |
| 03/04/95 | Warfield Theater | 2 | Jerry Garcia Band: Vasseurs' MAD (Neumann KM54) > DAT > CDR > WAV > SHN. | Source Detail | d13 | |
| 04/14/95 | Warfield Theater | 2 | Jerry Garcia Band: MAD (Taped by the Vasseurs, Neumann Km54s > unidentified deck) > D > CDR > WAV > SHNv3; source information updated 1/15/2003. | Source Detail | d13 | |
| 04/22/95 | Warfield Theater | 2 | Jerry Garcia Band: FOB Neumann KM 150's >??p/s> Teac Da-p20> Cdr; | Source Detail | d13 | |
| 04/23/95 | Warfield Theater | 2 | Jerry Garcia Band: AUD (mics and taper unknown) > DAT > CDR > WAV > SHN. Last JGB show. Several minor technical flaws - see info file for details. | Source Detail | d13 | |
Grateful Dead
--- Approximate Hours: 13257.5
|
||||||
| Show Date | Venue | Media Count | Source Notes | Source | Locn. | |
| 11/03/65 | Golden State Studios | 1 | Autumn Records Demo, The Warlocks; SBD> MR> ??> DAT> CDR; via Raoul Duke; Seeded to etree by Matt Vernon | Source Detail | pd1 | |
| 02/25/66 | Ivar Theater | 1 | MR> DATx> CD; reportedly this date, plus other '66; may also be listed as '??/??/66'- another shn set of t1-8 material circulates as such | Source Detail | pd1 | |
| 03/19/66 | Carthay Studios | 1 | flac16; SBD > Rm > Reel > Dat > CD > EAC > CDWav > Flac EAC and Tracking by Ihor Slabicky Seed provided by Paul Scotton |
Source Detail | new seed d30 | |
| 03/25/66 | Trouper's Hall | 1 | with 7/3/66; see notes in info file; to abgd, later to etree; listener Daniel Kessler reports several digispots | Source Detail | pd1 | |
| 05/19/66 | Avalon Ballroom | 1 | mr> dat> fm broadcast> cdr> shn; via lestatkatt; Cream Puff War filler | Source Detail | pd1 | |
| 05/19/66 | Avalon Ballroom | 2 | flac16; SBD > Reel > DAT > Sonic Solutions > DAT > DAT > CDR > EAC > CD Wave > FLAC | Source Detail | new seed d30 | |
| 05/19/66 | Avalon Ballroom | 1 | flac16; SBD > Reel > DAT > Sonic Solutions > DAT > DAT > CDR > EAC > CD Wave > FLAC | Source Detail | new seed 68 | |
| 06/??/66 | Scorpio Studio Outtakes | 1 | Scorpio studio outtakes; SBD> MR> DAT> CDR; Conversion: CDR > EAC (secure) > CDWav (retracking) > mkwact (seekable) by Matt Vernon, with thanks to Raoul Duke; via The Music Never Stopped Project | Source Detail | pd1 | |
| 07/03/66 | Fillmore Auditorium | 1 | with 3/25/66; see notes in info file; to abgd, later to etree | Source Detail | pd3 | |
| 07/16/66 | Fillmore Auditorium | 1 | SBD > RTR > PCM > SSSB; via Jay Serafin to gdlive | Source Detail | pd1 | |
| 07/17/66 | Fillmore Auditorium | 1 | SBD > RTR @ 15 I.p.s. > PCM > D > SSSB; via Jay Serafin to gdlive | Source Detail | pd2 | |
| 07/29/66 | P.N.E. Garden Auditorium | 1 | SBD> MR> ??> CDR; Some confusion over date, see info file; via Raoul Duke; Seeded to etree by Matt Vernon | Source Detail | pd2 | |
| 07/30/66 | P.N.E. Garden Auditorium | 1 | SBD> MR> ??> CDR; Some confusion over date, see info file; via Raoul Duke; Seeded to etree by Matt Vernon | Source Detail | pd2 | |
| 09/16/66 | Avalon Ballroom | 1 | SBD> MR> ??> CDR; via Raoul Duke; Seeded to etree by Matt Vernon; Note- There are two shn sets listed for this show, one 'original' and one 'de-popped'. ONLY 'de-popped' versions circulate for the last two tracks. | Source Detail | pd2 | |
| 10/07/66 | Winterland Arena | 1 | sbd 3 songs originally part of the SF Nights compilation noted here separately | Source Detail | pd2 | |
| 11/19/66 | Fillmore Auditorium | 1 | SBD; liberated bootleg source; extraction/SHN by Jon Seff | Source Detail | pd2 | |
| 11/19/66 | Fillmore Auditorium | 1 | It Crawled Out of the Vaults of KSAN; Dead material is d1 of 6-disc misc 1966-68 SF band compilation (see info); other md5s are included here for reference | Source Detail | new seed 68 just the dead on disc | |
| 11/29/66 | The Matrix | 1 | SBD from bootleg CD> EAC> SHN; via thecore; reportedly distant, thin sound | Source Detail | pd2 | |
| 12/01/66 | The Matrix | 2 | SBD> Rm> Reel> Dat> CD> wav> shnv3; DAE(EAC)> boundary check (SHNTOOL)> SHN (MKWACT)> FTP via neo_levo; with thanks to Charlie Miller | Source Detail | pd2 | |
| 12/01/66 | The Matrix | 3 | Source: SBD>MR>RR>C>DAT Transfer: Tascam DA-20 mkII>SB Audigy>SF 6.0>CD Wave>mkwACT>.shn | Source Detail | new seed 68 | |
| ??/??/66 | Compilation | 1 | SBD; 1st Gen FM GDH 557; FM>CD transfer: STB Systems, Inc. PCI DesktopTV Tuner Card, Model number DTV3F > Turtle Beach Montego A3D 64 Voice PCI Sound Card > WAV > CD; note this material is tentatively labeled 2/25/66 in a separate shn set | Source Detail | pd2 | |
| ??/??/66 | Acid Tests | 4 | Acid Test compilation; via Alan Bershaw, Thomas Wulf; includes 1/8/66, 1/29/66, 3/12/66, 10/2/66, 10/31/66, ??/??/65, 7/23/67, ??/??/67; supplements to this set also circulate | Source Detail | pd3 | |
| ??/??/66 | Various | 1 | flac16; SMRs>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>CD Wave Editor>FLAC | Source Detail | new seed d30 | |
| 01/14/67 | Polo Field, Golden Gate Park | 1 | SBD>MR >?>CDR; The great human be-in; via Raoul Duke; Seeded to etree by Matt Vernon | Source Detail | pd3 | |
| 02/12/67 | Fillmore Auditorium | 1 | 2 songs most likely from studio (see notes) | Source Detail | pd3 | |
| 03/18/67 | Winterland Arena | 2 | SBD > MR > ? > CD; Seeded to etree by A.J. Fink | Source Detail | pd3 | |
| 03/18/67 | Winterland Arena | 2 | MSR> R> DATs> CDRs> EAC> SHN; via Darrin Sacks; upgrade now in circulation | Source Detail | pd3 | |
| 04/08/67 | KPIX-TV Studios | 1 | TV > C/? >CDR; various artists including Dead performance; via Hanno Bunjes, Uli Teute | Source Detail | pd3 | |
| 04/??/67 | KMPX Radio Show | 2 | Pre-FM-MR> R> DAT> CDR; Conversion: CDR > EAC(secure) > Cool Edit(remove gaps) > CDWav (retrack) > mkwact(seekable) by Matt Vernon | Source Detail | pd4 | |
| 05/05/67 | Fillmore Auditorium | 1 | SBD> unknown analog gens> D; via Ben Yerys | Source Detail | pd4 | |
| 06/18/67 | Monterey County Fairgrounds | 1 | SBD: MR> Cass> DAT> ZA2> CD; exception: Alligator -> Caution has no cassette gen, and may not even be from same show; CD seed via D. Hollister; original to abgd, to etree 6/00; upgrade now in circulation | Source Detail | pd4 | |
| 07/23/67 | Straight Theater | 4 | Neal Cassady rap with Dead; part of Acid Test compilation; via Alan Bershaw, Thomas Wulf; md5s and txt shown are for material performed on this date | Source Detail | pd1 | |
| 08/04/67 | O'Keefe Center | 1 | SBD MR>?>2R>C>CD; slight upgrade; via Hanno Bunjes and Uli Teute | Source Detail | pd4 | |
| 08/04/67 | O'Keefe Center | 1 | SBD> MR> R> DAT> CDR; via Raoul Duke; Seeded to etree by Matt Vernon; upgrade now in circulation | Source Detail | pd4 | |
| 08/05/67 | O'Keefe Center | 1 | SBD MR>?>2R>C>CD; more complete and slightly better-sounding version; via Hanno Bunjes and Uli Teute | Source Detail | pd4 | |
| 08/05/67 | O'Keefe Center | 1 | SBD>MR>R>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon; upgrade now in circulation | Source Detail | pd4 | |
| 09/03/67 | Dance Hall | 1 | RM > C > DAT > CD > EAC > SHN; see flaw notes in info file; seed via Jim Wise; via Tim O'Connell shn vine to BUDD, later to etree (via Jon Miller?); note Midnight Hour from this run is on Phil Zone CD- go buy it; upgrade now in circulation | Source Detail | pd4 | |
| 09/15/67 | Hollywood Bowl | 1 | AUD>MC>R>R>NR>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon | Source Detail | pd4 | |
| 10/22/67 | Winterland Arena | 1 | SBDmR> Cass> DAT> Sonic Solutions via D. Gans> CDR; via Ben Yerys; upgrade now in circulation | Source Detail | pd4 | |
| 10/22/67 | Winterland Arena | 1 | SBD -> Rm -> Cass -> Dat via Charlie Miller | Source Detail | pd4 | |
| 11/10/67 | Shrine Exposition Hall | 2 | MR> R> R> DAT> CD> EAC > SHN; via Kirby (Chalupa) Bell, Darrin Sacks; with 7/23/67 Cassady rap filler; note source updated with extra reel gen, based on info from Rob Bertrando | Source Detail | pd5 | |
| 11/11/67 | Shrine Exhibition Hall | 2 | MSR> R> R> DAT> CDR> EAC > SHN; via Kirby (Chalupa) Bell, Darrin Sacks; note source updated with extra reel gen, based on info from Rob Bertrando | Source Detail | pd5 | |
| 11/14/67 | American Studios | 1 | MSR>C(1)>DAT>WAV>SHN. The circulating versions of these songs are different from the versions on the single and on "What a Long Strange trip It's Been" (which are the same) and therefore are listed separately. The md5's differ from the previous shn set listed. | Source Detail | pd5 | |
| 01/17/68 | Carousel Ballroom | 2 | SBD>MR>C>D>CD; via Raoul Duke; Seeded to etree by Matt Vernon & J. Cotsman | Source Detail | pd5 | |
| 01/20/68 | The Eureka Municipal Auditorium | 1 | via Julian (Jools) Elliott | Source Detail | pd5 | |
| 01/22/68 | Eagles Auditorium | 1 | SBDMR > DAT > Sonic Solutions > CD > EAC > Soundforge > SHN; plus patches- see notes in info file; patching and cleanup by Noah Weiner; to abgd via Charlie Connor | Source Detail | pd5 | |
| 01/23/68 | Eagles Auditorium | 1 | Soundboard > MC > R > DAT > CDR; via David Finney, stemming from Merry Prankster tree; 9/20/68 filler | Source Detail | pd5 | |
| 01/23/68 | Eagles Auditorium | 1 | Uploaded 2003/ 02/ 15 by Julian (Jools) Elliott | Source Detail | pd5 | |
| 01/26/68 | Eagles Auditorium | 1 | ||||
| 01/27/68 | Eagles Auditorium | 1 | 1 track (all that circ); SBD:MR> DAT> PCM> DAT> CD; EAC > SHN from audio CD by David Hollister; upload by Julian (Jools) Elliott | Source Detail | pd6 | |
| 02/02/68 | Crystal Ballroom | 1 | No source info; Seeded to etree by Jools; | Source Detail | pd6 | |
| 02/03/68 | The Crystal Ballroom | 1 | SBD:MR>DAT>Sonic Solutions>CD ? shntool fixed and seekable version of set uploaded to tol.etree.org Feb.1/03 | Source Detail | pd6 | |
| 02/14/68 | Carousel Ballroom | 3 | Source: SBD>MR>DAT>CD>EAC>SHN + Midnight Hour patched with: FM>Reel>Reel>DAT>CDR |
Source Detail | pd6 | |
| 02/14/68 | Carousel Ballroom | 2 | MR> DAT> DAT> CD> EAC> SHN, with portions from another source, probably FM; via Garrett Van Cleef, from Jim Douglas seed; includes supplemental hiss-reduced material (see info files); hosted by gdlive.com | Source Detail | pd6 | |
| 02/14/68 | Carousel Ballroom | 2 | flac16; Recording Info: SBD -> (8 Track) Master Reel -> Dat -> CD -> FLAC Transfer Info: FLAC -> Samplitude Professional v10.02 -> FLAC Transferred and Remastered By Charlie Miller (note: this source contains officially released, copyrighted material) | Source Detail | new seed 68 | |
| 03/03/68 | Haight Street | 1 | Unknown Audience Recording; Extracted with EAC and cut with CD Wav by Julian (Jools) Elliott | Source Detail | pd6 | |
| 03/03/68 | Haight Street | 1 | Deadhead Hour pre-FM; via David Finney | Source Detail | pd6 | |
| 03/16/68 | Carousel Ballroom | 2 | SBD>MR>C>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon | Source Detail | pd6 | |
| 03/26/68 | Melodyland Theater | 1 | AUD> MR> D> PCM> D> CD> EAC> SHN; circulates as filler for 5/7/69; via J. Cotsman to vine | Source Detail | pd6 | |
| 03/29/68 | Carousel Ballroom | 1 | AUD > ?? > CDR; via Raoul Duke; seeded to etree by Matt Vernon | Source Detail | pd6 | |
| 03/30/68 | Carousel Ballroom | 2 | AUD>MR>D>PCM>D>CD>EAC>SHN; the most complete form of this show in circulation; Thanks to Andy Lemieux, edits/encoding JCotsman | Source Detail | pd6 | |
| 03/31/68 | Carousel Ballroom | 1 | AUD>MR>D>PCM>D>CD>EAC>SHN; excerpt (all that circulates); Thanks to Andy Lemieux; edits/encoding JCotsman | Source Detail | pd6 | |
| 05/18/68 | Santa Clara County Fairgrounds | 1 | Audience Master > ? > SHN | Source Detail | pd7 | |
| 06/14/68 | Fillmore East (Late Show) | 1 | aud> mics?> master cassette> reel> reel> PCM> CDR; via Mike Lai; note info file lists as early show, but Deadlists and elsewhere list as late show | Source Detail | pd7 | |
| 06/19/68 | Carousel Ballroom | 2 | SBD> MC> D> CD; start of Lovelight clipped, ragged sound improves later; via thecore@core.com | Source Detail | pd7 | |
| 08/21/68 | Fillmore West | 2 | sdb> reel master> cassette> dat> cdr; via Mike Lai | Source Detail | pd7 | |
| 08/21/68 | Fillmore West | 2 | MSR> DAT> DAT> WAV> SHN; DAT> SHN conversion by Cousinit; see notes in info file | Source Detail | pd7 | |
| 08/22/68 | Fillmore West | 2 | SBD>MR>C>D>CD>EAC>SHN; (two cassette sources, one in mono, one in stereo); see info file regarding confusion over this date; Thanks to David(s) Litfin, Sorochty, Gans, et al; edits/encoding JCotsman | Source Detail | pd7 | |
| 08/22/68 | Fillmore West | 1 | SBD portion via Jools, see info file for possible lineage. | Source Detail | pd7 | |
| 08/23/68 | Shrine Exposition Hall | 2 | updated lineage: 8 track multitrack Reels> "Sonic Wizardry"> DAT> Cassette> DATs> CDRs> EAC> SHN;? via Darrin Sacks, who reports: "Not a note of this material appears on Two From The Vault.?It turns out that TFTV is composed exclusively of 8.24.68" (go buy that); with unknown (8/29/68?) filler | Source Detail | pd8 | |
| 08/28/68 | Avalon Ballroom | 1 | SBD:?>Latvala's reel>PCM>CDR; via Steve Martin; Seeded to etree by Matt Vernon | Source Detail | pd8 | |
| 09/02/68 | Betty Nelson's Organic Raspberry Farm | 1 | SBD> Reel> DAT> WAV via ZA2> CD> EAC> SHN; via Pat Volkerding | Source Detail | pd8 | |
| 09/20/68 | Berkeley Community Theater | 1 | flac16; SBD > Master Reel > Cassette > Dat > CD > Adobe Audition v1.5 > CD Wave > FLAC; Transfer and Mastering by Charlie Miller | Source Detail | new seed d9 | |
| 10/08/68 | The Matrix | 3 | Hartbeats; SBD MR->Reel (x2?)->CDR; EAC> SHN by Evan Bellaff, with thanks to Glenn Gillis | Source Detail | pd8 | |
| 10/10/68 | The Matrix | 3 | Hartbeats; note date corrected from previous 10/9/68 listing- see Deadlists; ?> DAT> ZA2> wav> (sound forge for cutting to track size)> shn; DAT> ZA2> wav? by David Hollister; SF by Konstantin; recut on sector boundaries by Jeff Hoelter; jam in set 2 is complete; set 1 sounds different than set 2; some NR applied (see info file for details) | Source Detail | pd8 | |
| 10/12/68 | Avalon Ballroom | 1 | SB> MR> DAT> Sonic Solutions> EAC> CoolEdit> CD; via David Gans; de-glitched at the Frisco Refinery, see info file for details; Seeded to etree by eD(efojr) | Source Detail | pd8 | |
| 10/12/68 | Avalon Ballroom | 1 | flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed 68 | |
| 10/13/68 | Avalon Ballroom | 1 | SB> MR> DAT> Sonic Solutions> EAC> CoolEdit> CD; via David Gans; de-glitched at the Frisco Refinery, see info file for details; Seeded to etree by eD(efojr) | Source Detail | pd8 | |
| 10/13/68 | Avalon Ballroom | 1 | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed 68 | |
| 10/20/68 | Greek Theatre, U. Of California | 1 | Complete; SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD; via Charlie Miller | Source Detail | pd9 | |
| 10/20/68 | Greek Theatre, U. Of California | 1 | SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD Charlie Miller charliemiller87@earthlink.net shntool fix -o shn *shn run by tol 03-02-24, and a new md5-file generated. | Source Detail | new seed 68 | |
| 10/30/68 | The Matrix | 3 | Hartbeats; most complete version; documented 1st gen reel on revox A-77 r2r deck> digitized @ 96khz/24 bits> downsampled to 44.1k/16bits for CD> EAC> SHN; transfer by Jim Wise; eac/shn by Darrin Sacks; note minor addition of tuning to d3 track list | Source Detail | pd9 | |
| 11/01/68 | Armory Building, Silver Dollar Fairgrounds | 1 | 2nd Set; SBD>MSR>C>DAT>CDR; via Raoul Duke and Mike Axelrod; Seeded to etree by Matt Vernon | Source Detail | pd9 | |
| 11/01/68 | Armory Building, Silver Dollar Fairgrounds | 1 | MSR > R > D > CD by Jim Powell EAC > SHN by J.Barnes (heyitsmejess@aol.com) Track 5a edited by Seth Kaplan (alligator69@optonline.net) Uploaded to tol 06/21/2003 by Seth Kaplan | Source Detail | pd9 | |
| 11/22/68 | Columbus Veterans Hall | 2 | AUD>MR>C>C>C>CD; 'Edited' version (speed correction, normalization, etc) of original Goodbear seed; See info file for details; Seeded to etree by J Cotsman | Source Detail | pd9 | |
| 12/07/68 | Bellarmine College | 2 | SBD>CM>C1>DAT>CDR>CDR via Mike Lai | Source Detail | pd9 | |
| 12/07/68 | Bellarmine College | 2 | flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed 68 | |
| 12/20/68 | Shrine Exhibition Hall | 1 | SBD cassette master > cassette > DAT/0 > CDR/0 > CDR/1 > iMac > SHN; DAT > CDR conversion via HHb 850; editing, normalization and 5% pitch correction by Jeff Tiedrich via Sound Studio for Macintosh; workup> SHN by Jeff Tiedrich; via G.S. Hamilton to BUDD offer; passes shntool check | Source Detail | pd9 | |
| 12/20/68 | Shrine Exhibition Hall | 1 | flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed 68 | |
| 12/21/68 | Shrine Exhibition Hall | 1 | SBD cassette master > cassette > DAT/0 > CDR/0 > CDR/1 > iMac > SHN; DAT > CDR conversion via HHb 850; editing, normalization and 5% pitch correction by Jeff Tiedrich via Sound Studio for Macintosh; workup> SHN by Jeff Tiedrich; via G.S. Hamilton to BUDD offer; passes shntool check | Source Detail | dvd 135 | |
| 12/21/68 | Shrine Exhibition Hall | 2 | flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed 69 | |
| 12/29/68 | Gulfstream Park Racetrack | 1 | SBD> MC> D> CD> EAC> SHN; via J. Cotsman to mail distribution; | Source Detail | pd10 | |
| 12/29/68 | Gulfstream Park Racetrack | 1 | flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d30 | |
| ??/??/68 | Unknown or Various | 4 | 7 undated '68 fragments circulating together; 5 Vault reels> 4 CDs- see info file for available details; via Music Never Stopped shn project | Source Detail | pd10 | |
| 01/17/69 | Robertson Gym, U.C.S.B. | 2 | Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston | Source Detail | pd10 | |
| 01/17/69 | Robertson Gym, U.C.S.B. | 2 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed 69 | |
| 01/24/69 | Avalon Ballroom | 2 | Complete; SBD> MSR> C> DAT> CD> SHN; via Seth Kaplan | Source Detail | pd10 | |
| 01/25/69 | Avalon Ballroom | 2 | Complete; SBD> MSR> C> DAT> CD> SHN; via Seth Kaplan | Source Detail | pd10 | |
| 01/26/69 | Avalon Ballroom | 1 | MSR> C> DAT> CD; via Seth Kaplan, Darrin Sacks; with fixed track boundaries; tracked for 1x80; see flaw notes in info file; note material from this date also appeared on Live Dead- go buy it | Source Detail | pd10 | |
| 01/??/69 | Aoxomoxoa Outtakes | 1 | Aoxomoxoa Studio Sessions Outtakes 1969; Tracks 1-11: Sandy Troy's TC366 3.75ips Reel> DAT2> CDR; Tracks 12-13: Alan Bershaw's A1040SL 7.5ips Reel> DAT> CDR; Discs kindly provided by Stu Hanson; Cd > eac > cool edit pro > shntool > cdwav > shnv3 by Ernie Dodd | Source Detail | pd20 | |
| 02/02/69 | Labor Temple | 2 | SBD>MR>?>D>CD; via David Litfin; Seeded to etree by J. Cotsman | Source Detail | pd11 | |
| 02/04/69 | The Music Box | 2 | SBD> CM> C> D> CD; EAC> SHN (seekable) transfer by Steve Barbella | Source Detail | pd11 | |
| 02/05/69 | Soldiers & Sailors Memorial Auditorium | 1 | SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Chuck Gannon | Source Detail | pd11 | |
| 02/06/69 | Kiel Auditorium | 2 | SBD> MC> D> CD> EAC> SHN; Soundforge used for pitch correction and pop removal; edited, encoded, vined by J. Cotsman; with thanks to Paul Hartman | Source Detail | pd11 | |
| 02/07/69 | Stanley Theater (Early, Late) | 1 | Early Show; SBD> MC (Bear Owsley)> DAT (Rob Eaton)> (Jim Wise) HHb> CDR ; Seeded to Etree by T. Wiley | Source Detail | pd11 | |
| 02/07/69 | Stanley Theater (Early, Late) | 1 | Late Show ; SBD> MC(Bear Owsley)> DAT (Rob Eaton)> (Jim Wise) HHb>CDR ; Seeded to Etree by T. Wiley | Source Detail | pd11 | |
| 02/12/69 | Fillmore East (Late Show) | 1 | SBD> Cassette Master> DAT> CD; More complete version of original Kaplan seed, see info file for details; Seeded to etree by Seth Kaplan | Source Detail | pd11 | |
| 02/14/69 | Electric Factory | 2 | SBD> MC> C> C(?)> D> CD> SHN; edited (see notes in info), shned, vined by J. Cotsman; with thanks to Jim Hale | Source Detail | pd11 | |
| 02/15/69 | Electric Factory | 3 | MSR (7" @ 7.5 ips 1/2 track) > Tascam 122mkIII 1st gen. cassette > Nak Dragon playback > Sony PCM R-700 DAT > ZA2 > wav (Sound Forge) > CD (CD Architect) > unknown CD gens > EAC (test & copy, secure mode, offset corrected) > sector boundary verification (shntool) > seekable .shn (mkwact). DAT conversion and CD mastering by aoxoa, CD > SHN by D. Winters. | Source Detail | pd11 | |
| 02/21/69 | Dream Bowl | 2 | Speed corrected SBD >MR> ?> DAT> CDR; via The Owen Brothers Vault; See info file for details | Source Detail | pd12 | |
| 02/22/69 | Dream Bowl | 2 | SBD > MR > R > R > DAT > CDR; EAC> Cool Edit (see info)> SHN (seeking) by Matt Vernon, from Paul B. seed discs; see flaw notes in info file | Source Detail | pd12 | |
| 02/27/69 | Fillmore West | 2 | SBD 16-Track Master Reel > Rough Mix DAT > DATx3 > Digital Sound Card > WAV > SHN > WAV > Cool Edit > CDWAV > SHN; via Aoxoa, R. Keshavan, Seth Kaplan; see info file for notes on patches and edits; d2 tracked for 80 min; note material from this date also appeared on Live Dead- go buy it | Source Detail | pd12 | |
| 02/28/69 | Fillmore West | 3 | 16-Track Master Reel> DAT> CD> EAC> SHN, with various patches (see info file); via Charlie Miller, Aoxoa, Seth Kaplan; upload by Darrin Sacks | Source Detail | pd12 | |
| 03/01/69 | Fillmore West | 2 | SBD> 16-Track Master Reel > DAT > DAT > CD > EAC > SHN > MKW .WAV file conversion > Cool Edit 2000 > MKW .shn file conversion > shntool > MKW .WAV file conversion > CD; via Aoxoa, Rango Keshavan, Seth Kaplan; d2 tracked for 80 min; see various notes in info file, including about patches for banter and tuning | Source Detail | pd12 | |
| 03/01/69 | Fillmore West | 2 | Jay Ashley (Bertha) remaster of previous multi-track source; SBD>>MTMR>>DAT>>CDA>>DAW(Bertha)>>CDA | Source Detail | pd12 | |
| 03/02/69 | Fillmore West | 3 | Jay Ashley (Bertha) remaster of previous multi-reel source; SBD>>MTMR>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A Show A | Source Detail | pd13 | |
| 03/15/69 | Hilton Hotel | 1 | SBD> ?> boot CD> retrack> SHN; significant hiss, splice in Eleven; via thecore@core.com | Source Detail | pd13 | |
| 03/22/69 | Rose Palace | 1 | SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Andrew Clarke | Source Detail | pd13 | |
| 03/28/69 | Student Center, Modesto Jr. College | 2 | MSR> C> D> CD; via Frank Bove | Source Detail | pd13 | |
| 03/28/69 | Student Center, Modesto Jr. College | 2 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d30 | |
| 03/29/69 | Ice Palace | 1 | SBD> ?> BOOT CD> CDR; EAC> WAV> SHN by Dan Vinson, seed via Greg Mohr; End of Lovelight is cut on the boot cd; fits on 1x80 | Source Detail | pd13 | |
| 04/04/69 | Avalon Ballroom | 2 | MSR> C> DATs> CDRs> EAC> SHN; EAC/SHN by Darrin Sacks, from Rango Keshavan seed; see info file for setlist/tracklist commentary | Source Detail | pd13 | |
| 04/05/69 | Avalon Ballroom | 2 | SBD > REEL > REEL > DAT > SP/DIF > HD > SHN; via S. Leonard; see pub comments for flaw notes | Source Detail | pd14 | |
| 04/06/69 | Avalon Ballroom | 2 | SBD : FM > MR > C1 > DAT > CD; via Keith Hunter; seeded to etree by Alan J. Fink | Source Detail | pd14 | |
| 04/11/69 | University Auditorium, U. of Az. | 1 | Master Soundboard Cassette > cass > dat > cd; via Steve Barbella; With thanks and praise to Peter Braverman | Source Detail | pd14 | |
| 04/12/69 | Student Union Ballroom, University of Utah | 2 | SBD>MC>C>D>CD>EAC>SHN; pitch corrected & normalized; edits/encoding by JCotsman | Source Detail | pd14 | |
| 04/13/69 | Ballroom, U. of Co. | 2 | SBD> MR> C> D> CD> EAC> SHN; edited, shned, vined by J. Cotsman; with thanks to Dan Zymanski; see flaw notes in info file | Source Detail | pd14 | |
| 04/13/69 | Ballroom, U. of Co. | 2 | flac16; SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed 69 | |
| 04/15/69 | The Music Box | 1 | Partial; Owsley's Master Sounboard Cassette > cass > DAT > CD; Seeded to etree by Kevin Gills | Source Detail | pd14 | |
| 04/18/69 | Memorial Union Ballroom, Purdue U. | 2 | SBD>MC>C>DAT>CD; Tony Gardner EAC of previous source; | Source Detail | pd14 | |
| 04/18/69 | Memorial Union Ballroom, Purdue U. | 2 | flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed 69 | |
| 04/20/69 | Clark University | 2 | complete; Cassette Master (Ampex C-90, no Dolby)> DAT(M)@ 44.1K via Panasonic SV3700> DAT(1)> DAT(2)> WAV via Sony SDT9000 DDS drive using VDAT0.6f> Soundforge 4.0 (see edits in info file); Source DAT from Rob Eaton, DAT> SHN by Jamie Lutch | Source Detail | pd14 | |
| 04/21/69 | The Ark | 3 | Updated possible gen: MSR> DAT > CDR (had been marked MSR > Cassette > DAT > CDR); intro from alternate SBD; d1t6, d3t2 have cuts from reel; 1/20/68 filler; via Scott Clugston, Lee Revell | Source Detail | pd15 | |
| 04/21/69 | The Ark | 3 | flac16; SBD -> Master Reel -> Dat -> CD All Transfers and Mastering By Charlie Miller | Source Detail | new seed 69 | |
| 04/22/69 | The Ark | 2 | Updated possible gen: SMC>R>D (had been marked MSR > Cassette > DAT x2 > CDR); d1t1,8 have cuts from master;? via Scott Clugston, Lee Revell | Source Detail | pd15 | |
| 04/22/69 | The Ark | 2 | flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | new seed 69 | |
| 04/23/69 | The Ark | 3 | MSR> Cassette> DATs> CDRs> EAC >SHN; via Jim Wise, Rob Bertrando, Darrin Sacks; note this reportedly may be an upgrade compared to previously etreed version; same cuts and splices as in previous version; note d1 tracked for 80 min | Source Detail | pd15 | |
| 04/23/69 | The Ark | 3 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed 70 | |
| 04/25/69 | Electric Theater | 1 | Source: mR> D> Sonic Solutions> CDR | Source Detail | pd15 | |
| 04/27/69 | Labor Temple | 2 | SBD> MR> D> CD> SHN; EAC/shn encoding/minor Sound Forge edits by J. Cotsman, with thanks to Jeff Krakowka | Source Detail | pd15 | |
| 05/03/69 | Winterland Arena | 1 | all that circulates; Reel> PCM> Dat> Tascam DA20> Audio Magic Presto> Prodif Plus> Soundforge> cdwav> shn; fits on 1 .shn disc with 5/23/69; via Phunk1; reel splice at beginning of Rag; disc may not have accompanying .md5s; md5s shown here were created by A. Fox- note you may have to modify filenames to match | Source Detail | pd15 | |
| 05/07/69 | Polo Field, Golden Gate Park | 2 | retracking and edit of previous shn set, by J. Cotsman: SBD> MR> C> D> CD> EAC> SHN; with 3/26/68 filler; via J. Cotsman to vine | Source Detail | pd15 | |
| 05/10/69 | Rose Palace | 2 | mC> C> DAT> Sonic Solutions> CDR; via Ben Yerys; stemming from Tzuriel Kastel tree; d1 contains misc pre-filler | Source Detail | pd16 | |
| 05/11/69 | Aztec Bowl, San Diego State U. | 1 | FM SBD> ?> CDR; edited, shned, vined by J. Cotsman; with thanks to Paul Hartman; see notes in info file | Source Detail | pd16 | |
| 05/16/69 | Campolindo High School | 1 | Master Soundboard Cassette > Cassette > DAT (speed corrected) > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston | Source Detail | pd16 | |
| 05/23/69 | Seminole Indian Village | 2 | complete show from compilation of reel master and what is believed to be the cassette master; Source 1: SBD> MR> PCM> D> CD> EAC> SHN ; Source 2: SBD> MC> R> C> D> CD> EAC> SHN (?); See info file for details; via Jim Hale; Seeded to etree by Seth Kaplan & JCotsman | Source Detail | pd16 | |
| 05/24/69 | Seminole Indian Village | 2 | Cass>DAT> DAT> SONIC SOLUTIONS> CD> CD> EAC[secure] >SHN from 2003 KPFA Dead Marathon | Source Detail | pd16 | |
| 05/29/69 | Robertson Gym, U.C.S.B. | 1 | Source: reported to be SBD>MR>PCM>DAT>CD(>EAC>WAV>SHN) | Source Detail | pd16 | |
| 05/30/69 | Springer's Inn | 2 | flac16; SBD -> Cassette Master (Ampex C-90) -> Dat (48k) All Transfers and Mastering By Charlie Miller | Source Detail | new seed 69 | |
| 05/31/69 | McArthur Court, University of Oregon | 2 | SBD> ?> CDR> EAC> SHN; via J. Oleynick, M. Ferguson; encore shuffled to fit on 2 discs, but songs can be moved to proper order for 3 discs; see info file for flaw notes | Source Detail | pd16 | |
| 06/05/69 | Fillmore West | 2 | complete; MSC> LATVALA C> DAT> CD> EAC> SHN; with Cryptical patch; EAC>SHN by Steve Barbella; d1 tracked for 80 min | Source Detail | pd17 | |
| 06/06/69 | Fillmore West | 1 | SBD>MC>C>D>CD; via Joe Jupille; Seeded to etree by J. Cotsman | Source Detail | pd17 | |
| 06/07/69 | Fillmore West | 2 | MR > DAT > CD > EAC > Cool Edit 96 (Resampled to correct pitch) > SHN > CD > SHN; via A.J. Fink; Seeded to etree by Seth Kaplan | Source Detail | pd17 | |
| 06/08/69 | Fillmore West | 2 | SBD> MR or MC> C> D> CD> SHN, possible; see info file for flaw notes; via thecore@core.com | Source Detail | pd17 | |
| 06/13/69 | Fresno Convention Center | 2 | Master Soundboard Cassette > Cass > DAT > ZA2 > SF > CD; via Steve Barbella | Source Detail | pd17 | |
| 06/14/69 | Monterey Performing Arts Center | 2 | SBD: MCass> Cass> DAT> ZA2> SF> CD; normalized and pitch-shifted; seeded by Jeff Tiedrich, transfer and mastering by David Hollister, SHN by Jim Skinner | Source Detail | pd17 | |
| 06/21/69 | Fillmore East (Early) | 1 | early show; AUD> MR> C> R> R> R> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Jeff Cook | Source Detail | pd17 | |
| 06/27/69 | Veterans Auditorium | 2 | SBD> MR> Cassette> DAT> DAT; DAT> ZA2> Soundforge> wav> mkw> SHN; DAT seed provided by Michael P. Weitzman; Transfer and SHN by Joe Samaritano | Source Detail | pd18 | |
| 06/28/69 | Veterans Auditorium | 1 | complete; sbd> mr> cass> dat> cd; Conversion: Kenwood TrueX> EAC> shn V3 (seekable); Seed: Brian Cole | Source Detail | pd18 | |
| 06/??/69 | Home Recordings | 1 | misc "Home recordings"; AUD> cheap mic> portable recorder; via Tzuriel to abgd | Source Detail | pd18 | |
| 07/04/69 | Electric Theater | 2 | SBD> MC> D>CD> Soundforge pitch correction> SHN; see info file for flaw notes; via thecore@core.com | Source Detail | pd18 | |
| 07/04/69 | Electric Theater | 2 | sbd > mc > d >cd > shn > wav > shn; SHN by SirMick | Source Detail | GDP d1 OB box | |
| 07/07/69 | Piedmont Park | 2 | Master Soundboard Cassette > Cassette > DAT > CDR; EAc'ed / SHN'ed by Scott Clugston | Source Detail | pd18 | |
| 07/11/69 | NY State Pavilion, Flushing Meadows Park | 2 | SBD MC>C>D>CD + patch (Alligator > Drums) from AUD master > low-gen reel > cassette > CD, by Hanno Bunjes; to BUDD offer; Hanno's notes | Source Detail | pd18 | |
| 07/12/69 | NY State Pavilion, Flushing Meadows Park | 2 | d1: low-gen AUD; d2: SBD MC> C> D> CD; via Hanno Bunjes to BUDD offer; Hanno's notes | Source Detail | pd18 | |
| 08/03/69 | Family Dog at the Great Highway | 2 | flac16; Recording Info: SBD -> Cassette Master -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC Transferred and Edited By Charlie Miller | Source Detail | dvd 180 | |
| 08/16/69 | Max Yasgur's Farm | 2 | SBD>MR>D>CD>EAC>SHN; 8trk Master Reels @ 15ips; Thanks to David Litfin; edits/encoding by JCotsman | Source Detail | pd19 | |
| 08/21/69 | Aqua Theater | 1 | partial; Soundboard -> Bear's Cassette master -> Cassette -> DAT -> CD; CD>EAC>SHN by Glenn Tremblay; via Frank Bove; cuts into China Cat | Source Detail | pd19 | |
| 08/23/69 | Pelletier Farm | 2 | SBDMC(Bear's) > Dick's C > DAT > CDR; via Frank Bove, stemming from MerryPrankster tree | Source Detail | pd19 | |
| 08/28/69 | Family Dog at the Great Highway | 2 | SBD > CM > Cass > DAT > CDR > WAV; via EAC/Trade from Morgan Evans > CDR > EAC > CDWAV > seekable SHN; via Rick Lepley | Source Detail | pd19 | |
| 08/29/69 | Family Dog at the Great Highway | 2 | SBD> MR> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Jeff Cook | Source Detail | pd19 | |
| 08/30/69 | Family Dog at the Great Highway | 2 | Master Soundboard Reel > Cass > DAT > CD; via Seth Kaplan; Seeded to etree by Steve Barbella | Source Detail | pd19 | |
| 09/01/69 | Baton Rouge International Speedway | 2 | SBD>MC>DAT>CDR>EAC>SHN; via Tony Gardner, Steve Goodrich; first bar of Casey is clipped | Source Detail | pd19 | |
| 09/06/69 | Family Dog at the Great Highway | 1 | Ampex C-90 Master Cassette Soundboard (No Dolby)->DAT->CD; CD->EAC->SHN By Joe Samaritano. Includes Airplane Set. | Source Detail | pd19 | |
| 09/07/69 | Family Dog at the Great Highway | 1 | SBD, Deadhead Hour pre-FM (some lineage details in info file); via David Finney | Source Detail | pd19 | |
| 09/11/69 | The Family Dog at the Great Highway (?) | 1 | Partial, one song; See info file for details; AUD>?>CD; via Dave Litfin; Seeded to etree by JCotsman | Source Detail | pd19 | |
| 09/26/69 | Fillmore East | 1 | AUD>?>R>CD; show cuts in and fades out; via JJoops & Jack Warner; Seeded to etree by J. Cotsman | Source Detail | pd20 | |
| 10/24/69 | Winterland Arena | 1 | Low generation audience > CD via Jools | Source Detail | pd20 | |
| 10/31/69 | San Jose State University | 2 | SBD: MC> C1> DAT> CDR; see info file for flaw notes; via Mike Lai | Source Detail | pd20 | |
| 11/15/69 | Lanai Theater | 2 | SBD cassette master > PCM > CDR > iMac > SHN; shntool-fixed version of previous shn set, fixed as a whole; alternate fix (by disc) also circulates with slight difference | Source Detail | shn | |
| 12/05/69 | Fillmore West | 2 | Harry Ely Sony F995 > Sony TC-124 > Master Cassette > PCM > DAT > CD; Seeded to etree by Seth Kaplan | Source Detail | pd20 | |
| 12/07/69 | Fillmore West | 2 | SBD> MC> DAT> CDR> EAC> DCart Millennium> CDR; CD's From Julian Elliott; CD Editing and mastering by The Wizard - Owenbrothersvault; see editing notes in info file | Source Detail | pd20 | |
| 12/11/69 | Thelma Theater | 2 | flac16; MOTB Release: 0063 16/44.1 Analog Audience Source: FOB Master Cassette (MAC) Medium Stock Brands: MAC = Maxell C-90 Analog Lineage: 1 x Sony Microphone => Sony Portable Cassette Recorder [Monophonic] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rion Brady Transfer By: Aadm Egert Mastering By: Derek McCabe | Source Detail | dvd 290 | |
| 12/13/69 | Swing Auditorium | 2 | 7" Master Soundboard Reels > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston | Source Detail | audio | |
| 12/19/69 | Fillmore Auditorium | 2 | previous Clugston seed, with AUD patches added by Hanno Bunjes, with thanks to Uli Teute (see info) | Source Detail | audio | |
| 12/26/69 | McFarlin Auditorium, Southern Methodist Univ. | 2 | MSR> C> DAT> CD-R; via Bob Murphy | Source Detail | pd20 | |
| 12/26/69 | McFarlin Auditorium, Southern Methodist Univ. | 2 | flac16; Source: Soundboard ; Lineage: MSR> CASS> DAT> CDR> EAC> FLAC; Patched & remastered by Jack Warner; DAE and FLAC encoding by Marc Evans | Source Detail | new seed 70 | |
| 12/28/69 | International Speedway | 2 | mixed source SBD> (MC or MR>C)> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to David Litfin & Jay von Lehe; note d1t1-7 same, later tracks differ from previous Cotsman seed | Source Detail | audio | |
| 01/02/70 | Fillmore East early show | 1 | likely early show, had been marked late show; SBD plus AUD patches; via Hanno Bunjes, Uli Teute | Source Detail | d1 | |
| 01/02/70 | Fillmore East early show | 1 | likely early show, had been marked late show; SBD plus AUD patches; via Hanno Bunjes, Uli Teute | Source Detail | d1 | |
| 01/02/70 | Fillmore East - late show | 1 | late show, partial; SBD-> MR-> DAT (x)-> CDR (x)-> EAC; via S. Windsor abgd; via D. Sacks to etree 12/15; cut in end of Dark Star/ beginning St. Stephen from reel change | Source Detail | d1 | |
| 01/03/70 | Fillmore East (Late Show) | 3 | early and late; SBD > MR > DAT > C > DAT > CDR; via Mike Lai, with thanks to Wayne Gucwa; info file by Jeff Hannan | Source Detail | d1 | |
| 01/03/70 | Fillmore East (Late Show) | 3 | early and late; SBD > MR > DAT > C > DAT > CDR; via Mike Lai, with thanks to Wayne Gucwa; info file by Jeff Hannan | Source Detail | d1 | |
| 01/10/70 | Golden Hall | 2 | Master Soundboard Reel > Reel to Reel > DAT> CDR; CD Mastering by Scott Clugston; to abgd | Source Detail | d1 | |
| 01/10/70 | Golden Hall | 2 | flac16; Recording Info: SBD -> Master Reel -> Reel-> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.0.1 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed 70 | |
| 01/10/70 | Golden Hall | 2 | flac16; source: MR > R1 >RX (purported 2nd gen) transfer: RX (purported 2nd gen) > Technics RS-1506 > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > wav [24/96] | Source Detail | new seed 70 | |
| 01/16/70 | Springer's Inn Portland | 3 | sbd> ??> cdr> eac> shn; a few cuts (see tracklist); eac>shn by popi n. feeldz, with thanks to Moss Willow | Source Detail | d2 | |
| 01/17/70 | Gill Coliseum, Oregon State University | 2 | Master Soundboard Reel > DAT > CDR; via Scott Clugston | Source Detail | d2 | |
| 01/23/70 | Honolulu Civic Auditorium | 2 | updated lineage: SBD > MASTER REEL > CASS > DAT > CD > SHN; via Teddy Goodbear to abgd, later to etree | Source Detail | d2 | |
| 01/24/70 | Honolulu Civic Auditorium | 1 | SBD: Master Reel > cassette > DAT > CD > SHN; T06 (Black Peter): subsecond dropout/splice @ 7:44; T07 (Good Lovin'): cuts right before last verse; via Seth Kaplan, upload by G.S. Hamilton | Source Detail | d2 | |
| 01/30/70 | The Warehouse | 2 | SBD>MR>C>DAT>CDR; via Raoul Duke; seeded to etree by Matt Vernon | Source Detail | d2 | |
| 01/31/70 | The Warehouse | 2 | SBD> MR> C> D> CD> EAC> SHN; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman | Source Detail | d2 | |
| 02/01/70 | The Warehouse | 2 | SBD>MSR>C>DAT>CD; Seeded to etree by Seth Kaplan | Source Detail | d3 | |
| 02/01/70 | The Warehouse | 1 | Partial, Source: SBD>Bill Gadsen Reels>C>DAT>WAV>SHN C>SHN Conversion by Cousinit | Source Detail | d3 | |
| 02/02/70 | The Fabulous Fox Theatre | 1 | SBD> MR> R> R> PCM> D> CD> EAC> SHN; pitch corrected; edits/encoding by JCotsman | Source Detail | d3 | |
| 02/02/70 | The Fabulous Fox Theatre | 1 | Partial, Source: SBD>Bill Gadsen Reels>C>DAT>WAV>SHN C>SHN Conversion by Cousinit | Source Detail | d3 | |
| 02/02/70 | The Fabulous Fox Theatre | 1 | SBD>MR>R>R>PCM>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon | Source Detail | d3 | |
| 02/04/70 | Family Dog at the Great Highway | 1 | Lineage: MSR>C>D>CD Tracks 2-7 ** - Two added tracks sourced from PBS TV broadcast via Seth Kaplan | Source Detail | d3 | |
| 02/05/70 | Fillmore West | 1 | SBD MR> C> D> CD + AUD low-gen; more material than previous versions, >80 min including bonus track; pitch correction, EQ, CD mastering by Hanno Bunjes, with thanks to Uli Teute | Source Detail | d3 | |
| 02/06/70 | Fillmore West | 2 | SBD> MR> C> D> CD; via Don Bean | Source Detail | d3 | |
| 02/07/70 | Fillmore West | 2 | SBD MR>C>D>CD + AUD MC>4C>CD patches; via Uli Teute; Seeded to etree by Hanno Bunjes; Note- This is an eac of the 'same' source discs as the previous Hanno seed; See info file for Hanno's comment | Source Detail | d3 | |
| 02/08/70 | Fillmore West | 2 | AUD Source: MAC>R>C>DAT>WAV>SHN SBDa Source: MSR>R>Cassettes>DAT>WAV>SHN SBDb Source: MSR>R>C>DAT>WAV>SHN C>SHN Conversions By Cousinit | Source Detail | d3 | |
| 02/08/70 | Fillmore West | 2 | MAC> R> PCM> DAT> CD; MSR> C> DAT> CD; MSR> ?> C> DAT> CD (end of Lovelight); Source discs supplied by Andy Lemieux, CD> EAC> WAV> SHN by Sean Cribbs | Source Detail | d4 | |
| 02/11/70 | Fillmore East (late show) | 2 | early and late shows; MSR> DATs> CDRs> EAC> shn; see info file for flaws and notes; shn and u/l by Darrin Sacks; also, Ben Yerys reports UJB encore pops (not sure if from CD or DAT source): 3.23?; 4.35, 5.26??, 5.27??; note d2alt.md5 also shown for a version noted at gdlive 7/01+, having a different d2t3 md5- reason unknown | Source Detail | d4 | |
| 02/13/70 | Fillmore East | 1 | early show; Sbd > Master reel >DAT >Sonic Solutions workstation >CDR >EAC >shn; Seeded by David Gans; posted to abgd | Source Detail | d4 | |
| 02/13/70 | Fillmore East (Late Show) | 1 | flac16; Early Show Source: SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D >SSSB > EAC (High, secure) > WAV > SHNv3 by Patrick Murphy > ? > .flac | Source Detail | d4 | |
| 02/14/70 | Fillmore East | 3 | complete early/late shows from: SBD> MR> D> CD> EAC> SHN & SBD> MR> PCM> D> CD> EAC> SHN; TMNSP release, encoding by JCotsman | Source Detail | d4 | |
| 02/23/70 | The Auditorium | 1 | SBD>MR>C>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon | Source Detail | d4 | |
| 02/27/70 | Family Dog at the Great Highway | 2 | flac16; Recording Info: SBD -> Master Reel (7.5ips 1/2trk) -> Dat/0 (48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC. Transferred and Edited By Charlie Miller | Source Detail | dvd 207 | |
| 02/27/70 | Family Dog at the Great Highway | 2 | Master Soundboard Reel > Cassette > DAT > CDR; via Scott Clugston to abgd and etree; note includes Casey and Cumberland | Source Detail | d5 | |
| 02/28/70 | Family Dog at the Great Highway | 2 | SBD>MR>C>D>CD; Missing Casey Jones and Uncle John's Band | Source Detail | d5 | |
| 03/01/70 | Family Dog at the Great Highway | 2 | SBD MR>C>D>CD; patch of circulating SBD with AUD by Hanno Bunjes: 3rd gen cassette > CD > SoundForge (5% speed correction/amplify) > CD; to BUDD offer; Hanno's notes | Source Detail | d5 | |
| 03/07/70 | Civic Auditorium | 1 | low-gen AUD; shn'ed by Hanno Bunjes, with thanks to Uli Teute for the AUD source; Hanno's notes | Source Detail | d5 | |
| 03/08/70 | Star Theatre | 2 | SBD MR>C>D>CD; Unknown seeder | Source Detail | d5 | |
| 03/20/70 | Capitol Theater | 2 | S:mR> ?> DAT> CDR; EAC/SHN by Ben Yerys, from Jared Minkoff seed; see info file for misc flaw notes | Source Detail | d5 | |
| 03/21/70 | Capitol Theater (Early) | 1 | early electric; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes- (although these may not even be true- see user comment); Usher tree shn branch | Source Detail | d5 | |
| 03/21/70 | Capitol Theater (Late) | 2 | late acoustic, electric-2; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes; Usher tree shn branch | Source Detail | d6 | |
| 03/24/70 | Pirates World | 2 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC | Source Detail | d6 | |
| 04/03/70 | Field House, U. of Cincinnati | 2 | SBD > ?> bootleg CD> pitch correction and retracking > SHN; see info file for notes; via thecore@core.com | Source Detail | d6 | |
| 04/09/70 | Fillmore West | 2 | complete; SBD MR> C> D> CD + AUD MC> 4C> D> CD; AUD taper Harry Ely; sources assembled by Hanno Bunjes, with thanks to Julian for the SBD and Uli for the AUD; Hanno's notes | Source Detail | d6 | |
| 04/11/70 | Fillmore West | 1 | Partial; 30 min Lovelight and ~2 mins NFA; See info file for details; SBD>MR>C>D>CD; via Chuck Gannon; Seeded to etree by JCotsman | Source Detail | d6 | |
| 04/12/70 | Fillmore West | 2 | combination (SBD Reel master > Sonic Solutions > DAT ) plus (Aud cassette master > PCM > DAT > Sonic Solutions) > CD > EAC > SHN; see info file for notes; seed via Seth Kaplan | Source Detail | d6 | |
| 04/15/70 | Winterland Arena | 2 | MSR>DAT>CD>EAC>SHN (mkwACT) via Seth Kaplan includes 5 additional songs from a prior seed | Source Detail | d6 | |
| 04/24/70 | Mammoth Gardens | 2 | MAR> Reel> DAT> Cool Edit Pro> CDR (From Gergard S' first gen reels) via Glen Gillis | Source Detail | d7 | |
| 04/24/70 | Mammoth Gardens | 2 | AUD>MC>C>D>CD; via Chuck Gannon; Seeded to etree by J. Cotsman; Note- Original d2 was 'messed up' and scrapped early. Likely it does not circulate. | Source Detail | d7 | |
| 05/01/70 | Alfred College | 2 | Master Soundboard Reel > (reel to reel, for part)> DAT > Sonic Solutions > CDR; EAC'ed / SHN'ed by Scott Clugston | Source Detail | d7 | |
| 05/01/70 | Alfred College | 2 | flac16; SBD > Rm > Dat > Sonic Solutions > CD > Samplitude > Flac Seeds provided by David Gans, Remastered by Charlie Miller |
Source Detail | new seed 70 | |
| 05/03/70 | Field House, Wesleyan University | 1 | AUD>MC>?>C>D>CD; via Jeff Cook; Seeded to etree by J Cotsman | Source Detail | d7 | |
| 05/06/70 | Kresge Plaza, M.I.T. | 2 | MSR (MIT WMBR Reels) 10", 2-sided, 1/2 Track Mono (no extra reel gen)-> Otari MX 55 2 track (playback) -> TC 2000 Studio Effects Processor (using only the A->D converter, no effects) -> Sonic Solutions (at 20 bits resolution) -> mastered to CD using Sony SBM 2 (No DAT generations) -> CD (from Gans) > EAC > SHN; (note updated source details); via E. Polonsky, D. Gans, R. Keshavan, D. Sacks; note reel splice at China/Rider transition (track boundary at splice) | Source Detail | d7 | |
| 05/07/70 | Dupont Gymnasium, MIT | 4 | main source: AudMC > ? > 7" R > DAT > HD > SHN Taper, mics, and deck unknown A > D transfer by Noah Weiner - noahbw@home.com This is a remaster of shnid 5439. See text file for full details | Source Detail | d7 | |
| 05/07/70 | Dupont Gymnasium, MIT | 4 | AudMC > ? > 7" R > DAT > HD > SHN; Taper, mics, and deck unknown; A > D transfer by Noah Weiner; almalgam of different sources; pitch corrected; see info file for mastering and flaw notes; via Audience Devotional Tree | Source Detail | d8 | |
| 05/08/70 | Farrell Hall | 1 | flac16; Recording Info: (Stage) Unknown Mic -> Cassettte Master Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | d8 | |
| 05/09/70 | Worcester Polytechnic Institute | 1 | Acoustic; SBD>MR>?>D>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman | Source Detail | d8 | |
| 05/14/70 | Meramec Community College | 2 | SBD>MR>?>D>CD>EAC>SHN (acoustic set); SBD>MR>D>CD>EAC>SHN (electric set); complete show except for Dire Wolf and Cold Jordan, which are probably not on the masters; Thanks to Dan Capshaw and Walter Schnell; edits/encoding by JCotsman | Source Detail | d8 | |
| 05/15/70 | Fillmore East (Late Show) | 6 | acoustic and electric, early and late, includes NRPS; MR > DAT > ZA2 > CDR, except the NRPS sets which have 2 cass gens; this is apparently the best possible available copy- one fewer cass gen than first etreed version, complete NRPS 2nd set, less hifreq hiss; more details in info file; via D. Hollister, J. Tiedrich, D. Finney. L. Orf; note L. Orf did very minor editing, mostly putting tasteful fades where there were cuts in the original- no NR | Source Detail | d9 | |
| 05/15/70 | Fillmore East (Late Show) | 7 | New Master Reel transfer: SBD:10" 1/2 track Master Reels @ 7.5 ips>Revox A700 playback deck>Alesis Masterlink ML 9600>CD. No PCM generation in GD/NRPS sets. No analog gens in NRPS sets. Upgrade from previously circulating source. Seeded to etree 5/31/2005 by Chuck Reynolds and Seth Kaplan. | Source Detail | new seed d7 | |
| 05/16/70 | Temple University | 1 | AUD>MC>?>C>CD>EAC>SHN; see info file for details; seeded to etree via D Litfin; This shn set is derived from the Noah Weiner seed, and following Noah's edits, has been pitch corrected using Sound Forge; edits/encoding by JCotsman | Source Detail | d9 | |
| 05/16/70 | Temple University | 1 | AUDMC > ? > C > CD/0 > EAC > WAV > SHN via Noah Weiner | Source Detail | d9 | |
| 05/24/70 | Newcastle-Under-Lyme | 2 | SBD MR> C> D> CD + AUD MR> C> D> CD patches; mastered by Hanno Bunjes, with thanks to Uli for the AUD source; Hanno's notes | Source Detail | d9 | |
| 06/04/70 | Fillmore West | 1 | Partial; Last three songs; See info file for details; SBD->Rm->Cass->?>Dat>CD; Seeded to etree by Charlie Miller | Source Detail | d9 | |
| 06/05/70 | Fillmore West | 2 | SBD MR>C>D>CD + AUD patch from low-gen cassette courtesy Uli Teute (see info); via Hanno Bunjes; Hanno's notes | Source Detail | d9 | |
| 06/06/70 | Fillmore West | 2 | electric set; SBD Reel master > cassette > DAT > CD > SHN; Seeded by Jay Ashley; see info file for listening notes | Source Detail | d10 | |
| 06/06/70 | Fillmore West | 2 | flac16; Electric Set Only: Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC. All Transfers and Mastering By Charlie Miller. | Source Detail | new seed 70 | |
| 06/07/70 | Fillmore West | 3 | acoustic and electric; S:MR> Cass> DAT> ZA2> SoundForge> CD Architect> CD> EAC> shn; splices in Casey, Man's World, Cumberland; CD seeded by D. Hollister, see his editing notes in info file; via A. Cohen to BUDD tree; etreed by R. Nayfield | Source Detail | d10 | |
| 06/13/70 | Red Vest | 2 | Complete; SBD MR> R> D> CD + AUD low-gen; patched by Hanno Bunjes, with thanks to Paul B. and Uli | Source Detail | d10 | |
| 06/21/70 | Pauley Ballroom, U. of California | 1 | AUD C/3 > CD; extracted/ shortened by Hanno Buunjes, with thanks to Uli for the AUD tape; Hanno's notes | Source Detail | d10 | |
| 06/24/70 | Capitol Theater (Late) | 1 | Late Show--Electric Set; center lodge, mics mounted on rails->120-min. Sony cassette audience master-> analog cassette XL II, no dolby->Sony TC D5M DAT->playback on Sony PCM R-700-> HDD via za2->CDR master via CD Architect->EAC->Sound Forge->SHN; via Crazy Jimi; Seeded to etree by Harlan | Source Detail | d10 | |
| 06/24/70 | Capitol Theater (Late) | 3 | late show, plus 7/10/70 mislabled as 6/24 early; reportedly AUD; via Mike Lai to etree and furthur; with thanks to Wayne Gucwa | Source Detail | d10 | |
| 07/01/70 | Winnipeg Fairgrounds | 1 | SBD>?>VHS>CD; assumed to be a portion taken from the raw video footage shot during the Trans Continental Pop Festival Tour across Canada by train; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman | Source Detail | d11 | |
| 07/10/70 | Fillmore East | 2 | AUD>MR>CD>EAC>SHN recorded by Marty Weinberg on an Uher 5 inch open reel deck encoding/edits by Jeff Cotsman | Source Detail | d11 | |
| 07/11/70 | Fillmore East | 3 | AUD>MC>C>C>D>CD; via Andrew Clarke; Seeded to etree by J. Cotsman | Source Detail | d11 | |
| 07/11/70 | Fillmore East | 3 | AUD>MC>C>C>D>CD; via Andrew Clarke; Seeded to etree by J. Cotsman | Source Detail | d11 | |
| 07/14/70 | Euphoria Ballroom | 2 | both sets; SBD> MR> C> D> CD> EAC> SHN; aud patch for Don't Ease; edits/encoding by JCotsman | Source Detail | d11 | |
| 07/16/70 | Euphoria Ballroom | 1 | partial; Master Soundboard Reel > Cassette > Cassette > CDR; CD Mastering by Scott Clugston; to abgd | Source Detail | d12 | |
| 07/16/70 | Euphoria Ballroom | 1 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Cassette Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller | Source Detail | d12 | |
| 07/16/70 | Euphoria Ballroom | 1 | Set 2; SBD>MR>?>C>CD>SHN | Source Detail | d12 | |
| 07/16/70 | Euphoria Ballroom | 1 | partial; Master Soundboard Reel > Cassette > Cassette > CDR; CD Mastering by Scott Clugston; to abgd | Source Detail | d12 | |
| 07/16/70 | Euphoria Ballroom | 1 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Cassette Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller | Source Detail | new seed d1 | |
| 07/30/70 | Lion's Share | 1 | SBD>??>CD>EAC>SHN via Chuck Gannon edits/encoding by Jeff Cotsman | Source Detail | d12 | |
| 08/05/70 | Golden Hall Community Concourse | 1 | MSR > Reel > PCM > DAT > CDR > EAC > SHN via Andy Lemieux, encoding Joe Jupile | Source Detail | d12 | |
| 08/17/70 | Fillmore West | 1 | Partial; 2+ songs & date is 'uncertain'; See info file for details; AUD>MC>D>CD; via Chuck Gannon; Seeded to etree by JCotsman | Source Detail | d12 | |
| 08/18/70 | Fillmore West | 2 | AUD mC> Rx2> DAT> CDR; EAC and SHN'd by Ben Yerys from Jared Minkoff's seed; DAT>CD transfer by Miles Garret | Source Detail | d12 | |
| 08/19/70 | Fillmore West | 2 | AUD>MC>R>PCM>D>CD; Missing several songs; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon & JCotsman | Source Detail | d12 | |
| 08/19/70 | Fillmore West | 2 | flac16; Recording by Gene Taback: Master Audience Cassette; Sony TC-124 with Sony Stereo Mic Acoustic Set: Master Electric Set: 1st generation cassette Transfer and FLAC encoding by David Minches: Master/1st generation cassettes played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard (96Mhz/24 bit)> HD Editing performed in Adobe Audition; Dithered and downsampled to 44.1 MHz / 16 bit; Flac Encoded | Source Detail | new seed d30 | |
| 08/30/70 | KQED Studios | 1 | Master FM Reel (Taped by Michael Parrish, Sony TC-366 Reel to Reel using "Concert" polyester tape) > 3 CD > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > .shn encoding using mkwACT. Proper sector boundaries verified using .shntool. EAC > SHN by Joe Jupille, with thanks to Andy Lemieux for the source CDs. | Source Detail | d12 | |
| 09/17/70 | Fillmore East | 2 | mixed sources: MAC> R> C> CD recorded by Jack Toner, with a Sony TC-110 with built-in microphone; plus MAC> ?> C> R> CD and MAC> ?> C> R> R> CD, Unknown tapers/equipment; Source tapes from Dwight Holmes, Transfer to digital by David Minches, Patches and SHN encoding by Jack Warner | Source Detail | d12 | |
| 09/18/70 | Fillmore East | 1 | updated source info: ?> bootleg CD> CD; previously marked SBDMR > DAT > CD; partial; filler 2/2/70 Dark Star; brief reel glitch in Dancin' at 5:06; original seed via Morgan Evans (1997)- see his notes; etreed via G. Hamilton | Source Detail | d13 | |
| 09/18/70 | Fillmore East | 3 | Soundboard (via Andy Lemieux) and Jack Toner audience tape (via Jack Warner) composite edited and encoded by Jeff Cotsman. Include NRPS, Dead Acoustic and Electric sets | Source Detail | d13 | |
| 09/19/70 | Fillmore East | 1 | MSR > DAT > CD or SBD> Rm> Reel> Dat> Sonic Solutions> CD; EAC> SHN by Seth Kaplan; more complete than previously etreed versions | Source Detail | d13 | |
| 09/20/70 | Fillmore East | 3 | mixed sources (see info file for details, plus additional details in pub comments); seed assembled and distributed by Jim Wise; CD> EAC> SHN by Darrin Sacks; Darrin comments: "Has a fair amount of hiss and analog tape wear, but is the best we're probably ever going to hear, as this show isn't in the Vault." | Source Detail | d13 | |
| 09/20/70 | Fillmore East | 1 | flac16; AUD MR>CD Marty Weinberg master 5" Uher open-reel. via Jack Warner, Hanno Bunjes | Source Detail | new seed d30 | |
| 10/04/70 | Winterland Arena | 1 | SBD FM> MR> R> ?> CD> SHN; via thecore; see info file for flaw notes | Source Detail | d13 | |
| 10/10/70 | Colden Auditorium - Queens College | 2 | AUD, from low (< 5th) generation tape; via Hanno Bunjes, with thanks to Ulie Teute; Hanno's notes | Source Detail | d13 | |
| 10/11/70 | Marion Shea Aud., Paterson State Col. | 2 | AUD>MC>?>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman | Source Detail | d13 | |
| 10/23/70 | McDonough Arena, Georgetown U. | 2 | Source: AUD-MCass>DAT>DAT>CDR DAT speed-corrected by David Gans. Various glitches edited out by CW posted to abgd 11/2002. SBE's on all tracks except d2t03 | Source Detail | d14 | |
| 10/24/70 | Kiel Opera House | 2 | S:MReel> Reelx2> DATx2> ZA2> DartPro32 NR (weight .03/ V.L. smoothing/ Normal frame size /Large freq. carving /V.L. overlay)> CD; cut at beginning of NFA (reel flip?); via D. Hollister, J. Ayers; w/ 12/31/70 filler; 12/31/70 filler | Source Detail | d14 | |
| 10/30/70 | Gym, SUNY (Early Show) | 1 | Early Show: MSR>C>DAT>WAV>SHN via Cousinit (Cassette Source recorded directly from Master Reels) | Source Detail | d14 | |
| 10/30/70 | Gym, SUNY (Early Show) | 1 | early show; SDB> MR> PCM> CD; via Mike Lai to etree and furthur; with thanks to Wayne Gucwa | Source Detail | d14 | |
| 10/31/70 | Gym, S.U.N.Y. (Early) | 1 | early electric; SBD > Reel > DAT; Transfer: D7 > Coresound > Prodif Plus > Samplitude 5.5 > CDwav > SHN, by Mike Fischer | Source Detail | d14 | |
| 10/31/70 | Gym, S.U.N.Y. (Early) | 1 | early electric; SBD > Reel > DAT; Transfer: D7 > Coresound > Prodif Plus > Samplitude 5.5 > CDwav > SHN, by Mike Fischer | Source Detail | d14 | |
| 10/31/70 | Gym, S.U.N.Y. (Late) | 2 | Late Show, includes NRPS set; MSR> C> DAT> WAV> SHN; Cassette Source recorded directly from Master Reels; C>SHN Conversion by Cousinit; note parens in filenames | Source Detail | d14 | |
| 10/31/70 | Gym, S.U.N.Y. (Late) | 3 | SOURCE INFO: Rating: AR-2, Source: A-SBD, SCMS: 00, Gen: M, DOW: Sat, Time: 180 min., Lineage: SBD > RTR > PCM > D, if necessary, any and all NR and/or EQ processes were performed, using between 95% and 100% analog realm outboard equipment, at Serafin Station Studio A or B; released between 03/94 and 12/96 TRANSFER INFO: Sony PCM-R300 > Audiophile 2496 > Cool Edit Pro2 > .WAV > .FLAC Note: Appeared on bt.etree.org ~ 4/1/2006 | Source Detail | new seed 71 | |
| 11/05/70 | Capitol Theater | 2 | Mastered and encoded by Jack Warner. Recorded by Ken Leigh with a Sony TC-110 with built-in microphone, from center loge. D1T1 through D2T2: MAC>C>D>CD>EAC>SHN. D2T3 through D2T5: MAC>?>C>D>CD>EAC>SHN | Source Detail | d14 | |
| 11/06/70 | Capitol Theater | 4 | Complete with NRPS sets mastered and encoded by Jack Warner. Acoustic set through 1:50 of El Paso, entire electric set is MAC>C>D>CD>EAC>SHN, from Ken Leigh's master, recorded from the center loge with a Sony TC-110 cassette deck with built-in microphone. *Uncle John's Band and NRPS set is MAC>C>R>D>CD>EAC>SHN, from Ken Leigh's master. *From 1:50 of El Paso through 0:03 of Uncle John's Band is MAC>R>D>CD>EAC>SHN, from Dave Tamarkin's master, recorded from the floor with a Sony Dictaphone | Source Detail | d15 | |
| 11/07/70 | Capitol Theater | 3 | Mixed audience sources; See info file for details; Including NRPS set; via Ken Leigh, Jack Toner, Marty Weinberg; Seeded to etree by Jack Warner | Source Detail | d15 | |
| 11/08/70 | Capitol Theater | 4 | Multiple audience sources mastered by Jack Warner (see info file for details) including MAR>C>D>CD>EAC>SHN, from Marty Weinberg's master, recorded from the floor, AKG 190E mic > Uher 4000 Report-L 5" reel machine; MAC>C>D>CD>EAC>SHN, MAC>C>R>D>CD>EAC>SHN and MAC>C2>D>CD>EAC>SHN from Ken Leigh's master, recorded from the center loge with a Sony TC-110 cassette deck with built-in mic; and an unknown third master. | Source Detail | d15 | |
| 11/09/70 | Action House | 1 | AUD low gen; via Hanno Bunjes, with thanks to Uli Teute; pitch corrected up 3%; Hanno's notes | Source Detail | d15 | |
| 11/10/70 | Action House | 1 | AUD>MR>?>CD>EAC>SHN (most of NFA from Weinberg source). AUD>?>C>CD>EAC>SHN (two other aud sources that provide the patch in NFA and all of The Other One); see info file for details; seeded to etree via D Litfin; edits/encoding by JCotsman | Source Detail | d15 | |
| 11/16/70 | Fillmore East | 2 | SBD:MR>Revox deck (model unknown): 10" ? track Reel @ 7.5ips > Revox B77 playback deck > Alesis Masterlink ML9600 > CD > EAC > Cool Edit 2000 > SHN. A>D by Bill Gadsden. encoding Dave Winters. (Note: Other shn sets assign this music to 11/23/70). | Source Detail | d16 | |
| 11/20/70 | The Palestra, U. of Rochester | 3 | AUD (Marty Wienberg)> MR> PCM> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Jeff Cook | Source Detail | d16 | |
| 11/21/70 | Sargent Gym, Boston University | 1 | SBD>?>C>CD>EAC>SHN; see info file for details; seeded to etree via D Litfin; edits/encoding by JCotsman | Source Detail | d16 | |
| 11/21/70 | Sargent Gym, Boston University | 1 | Partial; SBD C/?; See info file for detail; From Uli Teute & Hanno Bunjes | Source Detail | d16 | |
| 11/29/70 | Club Agora | 2 | AUD low gen; a few cuts; via Hanno Bunjes with thanks to Uli Teute; pitch corrected; Hanno's notes | Source Detail | d16 | |
| 12/12/70 | Santa Rosa Fairgrounds | 2 | Master Soundboard Reel > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; see info file for deadlist.com notes | Source Detail | d16 | |
| 12/23/70 | Winterland Arena | 1 | flac16; Source: SBD > Master Reel? > Master Cassette > Cassette > CoolEdit > Flac | Source Detail | d16 | |
| 12/23/70 | Winterland Arena | 1 | Partial; SBD>MR>R>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon | Source Detail | d16 | |
| 12/26/70 | Legion Stadium | 2 | sdb> R> pcm> cd; via Mike Lai to etree and furthur; with thanks to Wayne Gucwa | Source Detail | d16 | |
| 12/27/70 | Legion Stadium | 2 | MSR> C> D> CD; via Steve Barbella with thanks to Seth Kaplan | Source Detail | d17 | |
| 12/28/70 | Legion Stadium | 2 | AUD : MR > DAT > CD via Alan Fink | Source Detail | d17 | |
| 12/28/70 | Legion Stadium | 2 | SBD> MR> C> DAT> CD> EAC> SHN> WAV (for edits)> SHN; with patches from AUD Sony ECM-22> Rm> Dat> CD> Sound Forge> CD> EAC> .wav; by Steve Barbella, from Seth Kaplan SBD seed; d2 tracked for 80 min | Source Detail | d17 | |
| 12/31/70 | Winterland Arena (aftershow) | 1 | "aftershow" and promos; sbd> ?reel?> dat> cd> EAC > CDWav (split)> shn V3; EAC>SHN by Brian Cole, from Jim Oade seed | Source Detail | d16 | |
| 12/31/70 | Winterland Arena | 2 | Complete; Mixed Sources; FMS (KSAN)> ??> Cass> DAT> CDR; SBD MR> Cass> DAT> CDR (Pre-FM GDH) | Source Detail | d17 | |
| ??/??/70 | Pacific High Recording Studio | 1 | studio MR> ?> C> SF> CDR; includes repeat of some material with EQ, Dolby A | Source Detail | d4 | |
| 01/22/71 | Lane Community College | 1 | SBD> (unknown analog gens)> C> CD> EAC> SHN; Walter Schnell analog-> CD conversion; shn encoding Jeff Cotsman | Source Detail | d1 | |
| 01/24/71 | Seattle Center Arena | 2 | SBD> MR> C> DAT> CDR; Truckin? is missing the opening notes, Good Lovin? reprise cuts at 0:24; via Mike Lai with thanks to Paul B. | Source Detail | d1 | |
| 02/18/71 | Capitol Theater | 3 | SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct) | Source Detail | d1 | |
| 02/18/71 | Capitol Theater | 3 | direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson | Source Detail | d1 | |
| 02/18/71 | Capitol Theater | 2 | flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. | Source Detail | new seed 71 | |
| 02/19/71 | Capitol Theatre | 3 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; slight whine reduced with notch filter (see info file for details and other flaw notes); via WBOTB tree (site includes covers) | Source Detail | d1 | |
| 02/20/71 | Capitol Theater | 3 | 7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs | Source Detail | d1 | |
| 02/20/71 | Capitol Theater | 2 | flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. | Source Detail | new seed 71 | |
| 02/21/71 | Capitol Theater | 3 | SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; apparently sourced from previously-circulating Leigh Orf seed, with possible additions by Jason Lunz; note d2,3 have same md5s as previous copy, but d1 md5s are different | Source Detail | d2 | |
| 02/21/71 | Capitol Theater | 3 | flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner. | Source Detail | new seed 71 | |
| 02/23/71 | Capitol Theater | 3 | SBD> MR> DAT> SFNR>C D-R; via Leigh Orf; WBOTB source> distortion removed digitally (see notes) | Source Detail | d2 | |
| 02/23/71 | Capitol Theater | 3 | SBD> MR> DAT> SFNR>C D-R; via Leigh Orf; WBOTB source> distortion removed digitally (see notes) | Source Detail | d3 | |
| 02/23/71 | Capitol Theater | 3 | flac16; Source Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 and Ozone. Dithered L2 type 1 ultra by Jamie Waddell | Source Detail | new seed d30 | |
| 02/24/71 | Capitol Theater | 3 | via Leigh Orf; WBOTB source > distortion removed digitally (see notes) | Source Detail | d2 | |
| 02/24/71 | Capitol Theater | 3 | via Leigh Orf; WBOTB source > distortion removed digitally (see notes) | Source Detail | d3 | |
| 02/24/71 | Capitol Theater | 3 | flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris Ladner. | Source Detail | new seed 71 | |
| 03/03/71 | Fillmore West | 2 | SBD> MR> (cass gen?)> DAT> CDR, plus possible patch; see info file for flaw notes; via Mike Lai, with thanks to Paul B. | Source Detail | d2 | |
| 03/14/71 | Camp Randall Field House, University of Wisconsin | 2 | Sbd> MR> Dat> CD; EAC >CDWav (split)> shn V3 by Brian Cole; parent seed courtesy Jim Oade; some editing in d1t6, d2t1 | Source Detail | d3 | |
| 03/18/71 | Fox Theatre | 3 | SBD (7") MR> Cass> DAT> CD; via Ben Yerys, M. Wienke | Source Detail | d4 | |
| 03/20/71 | University of Iowa | 2 | SBD > MR > cass > dat > CD > SHN (seekable); DAT>CD transfer by Mandrake; EAC> shn by Steve Barbella | Source Detail | d4 | |
| 03/21/71 | Exposition Center | 1 | AUD>MC>LP>R>CD; Missing Truckin'; See info file for details; via Chuck Kiefe; Seeded to etree by JCotsman | Source Detail | d4 | |
| 03/24/71 | Winterland Arena | 2 | Recording Info: SBD -> Master Reel (7.5ips 1/4 Track) -> Master Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transfered and Edited By Charlie Miller | Source Detail | d4 | |
| 03/24/71 | Winterland Arena | 2 | flac16; Recording Info: SBD -> Master Reel (7.5ips 1/4 Track) -> Master Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Patch Info: Sony Stereo Mic -> Cassette Master (Sony TC-124) supplies: The Other One (6:59 - 7:23) and Beat It On Down The Line (0:00 - 0:32)All Transfers and Mastering By Charlie Miller | Source Detail | new seed 72 | |
| 04/04/71 | Manhattan Center | 2 | AUD>?>C>Sound Forge>SHN; via Walter Schnell; Seeded to etree by J. Cotsman | Source Detail | d4 | |
| 04/04/71 | Manhattan Center | 2 | flac16; MSR>C>DAT3x>Delta DiO 2496>SoundForge 7.0>cdwav>Flac | Source Detail | new seed d14 | |
| 04/05/71 | Manhattan Center | 3 | shntool fix of Orf seed (?- note doesn't jibe with what is know of prev seed), by Chris Ladner | Source Detail | d4 failed md5 | |
| 04/05/71 | Manhattan Center | 3 | 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens | Source Detail | dvd 136 | |
| 04/06/71 | Manhattan Center | 2 | 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens | Source Detail | dvd 136 | |
| 04/07/71 | Music Hall | 2 | Betty Board, details as outlined in Compendium; via Leigh Orf; corrupt d2t7 replaced 3/17; note Phil low/absent in mix | Source Detail | dvd 136 | |
| 04/08/71 | Music Hall | 3 | SBD; via Mike Lai; updated info file with tracklist and notes provided by Cosmic Chuck | Source Detail | dvd 135 | |
| 04/10/71 | East Hall, Franklin & Marshall College | 2 | SBD>MR>C>DAT>CD; via Mark Pfortmiller; Seeded to etree by Willy | Source Detail | dvd 136 | |
| 04/13/71 | Catholic Youth Center | 1 | set 2 partial; Master Soundboard Reel > DAT> CDR | Source Detail | dvd 136 | |
| 04/14/71 | Davis Gymnasium | 3 | SBD> MR> DAT> CDR; several spots of irreparable reel static; via Mike Lai with thanks to Paul B.; note 4 tracks in d2 had been misnumbered, corrections shown in fixed md5s: 1> 3, 2>4, 3>1, 4>2 | Source Detail | d5 | |
| 04/15/71 | Allegheny College | 2 | SBD>MR>DAT>CD; missing 5 songs; See info file for details; via Bill O; Seeded to etree by eD(efojr) | Source Detail | d5 | |
| 04/17/71 | Dillon Gym, Princeton University | 2 | set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip; via R. Nayfield | Source Detail | d5 | |
| 04/17/71 | Dillon Gym, Princeton University | 2 | flac16; source: soundboard lineage: MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav | Source Detail | new seed 72 | |
| 04/18/71 | Lusk Field House, S.U.C.N.Y | 2 | SBD : MR > RR > DAT > CD; Extraction, editing and .shn encoding by Alan J. Fink, from John Valter seed; patch in UJB; see info file for additional notes | Source Detail | d5 | |
| 04/21/71 | Rhode Island Auditorium | 2 | MSR> R> D> CD> DAE> SHN; sector boundary fix of previous shn set, by Seth Kaplan | Source Detail | d5 | |
| 04/22/71 | Bangor Municipal Auditorium | 2 | Master Soundboard Reel > DAT > CDR; shn encoded/uploaded by Scott Clugston; to abgd, 11/00 to etree | Source Detail | dvd 188 | |
| 04/24/71 | Wallace Wade Stadium, Duke University | 2 | sdb> MR> PCM> CD; via Mike Lai; 3/10, Michael Weise provided modified tracking (alt md5s, same checksums) and updated info file | Source Detail | d6 | |
| 04/25/71 | Fillmore East | 1 | Partial set 2; sbd>RM>?>DAT>CD; via Charlie Miller; Seeded to etree by Grote | Source Detail | d6 | |
| 04/26/71 | Fillmore East | 3 | GD: MR> CDR> SHN; NRPS material: MR> C> CDRx?> SHN, note NRPS is newly seeded, date-accurate; via Bill Gadsden, Jim Wise, John Oleynick et al; see info file for additional source and flaw details; to BUDD tree, nycheads; d1,3 tracked for 80 min; Tzuriel's covers | Source Detail | d6 | |
| 04/27/71 | Fillmore East | 3 | MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; d1,3 are tracked for 80 min; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead | Source Detail | d6 | |
| 04/28/71 | Fillmore East | 3 | Complete; Previous splices patched with 'official release' material; See info file for details; Truckin'through Bird Song 02:07.38: MSR>Reel>Alesis Masterlink>CDR; Bird Song 02:08.70 through end of show: MSR 7 inch (7.5 ips) Revox A 77> Alesis Masterlink> CDR (previous splices patched via multi- track sources as noted below); Seeded to etree by Seth D Kaplan and Alan J Fink | Source Detail | d7 | |
| 04/29/71 | Fillmore East | 3 | Lineage: (mostly) SB> MR> CD; Refined by Chris Frisco, 20 glitches painstakingly removed without deleting any of the wav; Bird Song patched; See info file for further details; Circ's w/ NRPS opening set | Source Detail | d7 | |
| 05/29/71 | Winterland Arena | 2 | source 1: AUD>M?>C>CD>EAC>SHN; source 2: AUD>M?>C>D>SHN; see caveat for sound quality; Thanks to Jim Powell and others | Source Detail | d8 | |
| 06/21/71 | Chateau D'Herouville | 2 | SBD MR> ?> D> CD patched with AM MR> R> C> CD, 5% speed correction, by Hanno Bunjes; see info file for notes; to BUDD offer, later to etree | Source Detail | d8 | |
| 07/02/71 | Fillmore West | 3 | sdb (suspected FM); via Mike Lai; Sector boundaries fixed, files renamed correctly and txt file cleaned up by Dave Backus | Source Detail | d8 | |
| 07/31/71 | Yale Bowl, Yale University | 3 | AKG 190E mic > Uher 4000 Report-L 5" Reel deck, Taper: Marty Weinberg; mixed genealogy: I: AudMR > CD > EAC > WAV > SHN, II: AudMR > C > DAT > CD > EAC > WAV >SHN; final digital version assembled by: Noah Weiner; see info file for details and flaw notes; via Audience Devotional Tree | Source Detail | d8 | |
| 08/05/71 | Hollywood Palladium | 2 | AUD>MR>R>D>CD; via Jeff Krakowka & Jim Hale; Seeded to etree by J. Cotsman | Source Detail | d8 | |
| 08/06/71 | Hollywood Palladium | 2 | updated source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando et al; (info file had given AKG 330 etc); D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro; via Ben Kasper, Ben Yerys | Source Detail | d9 | |
| 08/06/71 | Hollywood Palladium | 2 | flac16; fix of the flaws in shn id 30224 source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Harv Kaslow D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) notes: I've been aware for some time that when I originally did the pitch corrction, I didn't get it right on the first 4 tracks. They have now been corrected | Source Detail | new seed d14 | |
| 08/14/71 | Berkeley Community Theater | 2 | Source: SBD:MR->1 cassette gen.->DAT->SHN->CDR originally via M. Woyczynski. Original SHNs were nonseekable and were not named according to etree convention. I renamed the files, cleaned up the splice in d1t06, performed a shntool fix to get rid of the resulting sbe, and re-encoded to seekable SHN. - C.Ladner Another installment of TMNSP, 12/03. | Source Detail | d9 | |
| 08/15/71 | Berkeley Community Theater | 2 | Source: SBD:MR->1 cassette gen.->DAT->SHN->CDR originally via M. Woyczynski. edits by C.Ladner | Source Detail | d9 | |
| 08/21/71 | Mickey's Barn | 2 | AUDMC(Sony TC-24 with supplied Sony stereo mic) > Nakamichi Dragon (no Dolby) > Sony D7 DAT > optical digital cable (DTC-700 was the playback unit) through a Zefiro ZA2 soundcard tracked and normalized in Sound Forge. Known as "Mickey's Barn Jam" | Source Detail | d9 | |
| 08/21/71 | Mickey's Barn | 2 | flac16; listed as SBD from John Cipollina's reels > 1st generation reel to reel > revox > amplifiers > tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac (this is actually an audience recording) | Source Detail | new seed d31 | |
| 08/23/71 | Auditorium Theatre | 2 | AUD>MR>C>R>D>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman | Source Detail | d9 | |
| 08/26/71 | Gaelic Park | 3 | SDBMR> DAT> WAV> SHN; via Dopey; faded in on reel cut into d2t3; apparently level differences between sets 1 and 2 | Source Detail | d10 | |
| 08/26/71 | Gaelic Park | 3 | flac16; SBD -> Master Reel (7in @ 7.5ips 1/2 Track) -> Cassette (Tascam 122mkII) -> Dat (48k) Transferred and Edited By Charlie Miller | Source Detail | new seed d1 | |
| 08/26/71 | Gaelic Park | 3 | Fixed version of previous file set. Source info same as 32303, but with fix for static in one channel during the last second of d1t12. | Source Detail | new seed d14 | |
| 09/29/71 | Studio Rehearsals with Keith Godchaux | 1 | MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt | Source Detail | d10 | |
| 09/30/71 | Studio Rehearsals with Keith Godchaux | 1 | Studio rehersal with Keith Godchaux MSR>C>DAT>WAV>SHN via Cousinit | Source Detail | d10 | |
| 09/??/71 | Keith rehearsals | 1 | Studio Rehearsals w/ Keith Godchaux: Compilation of 09/29 & 09/30, and 10/01/71; boot cd (unsurpassed vol 5) -> eac-> wav-> shn; Unknown seeder; note this shn set used to be listed on 10/1/71 but would be better moved here- use this date instead for the comp | Source Detail | d10 | |
| 10/01/71 | Studio | 1 | MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt. [An alternate shn set was seeded by Cousinit since original shns were not archived]. | Source Detail | d10 | |
| 10/19/71 | Northrop Auditorium, U. of Minn. | 3 | PreFM Soundboard Reels > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston | Source Detail | d10 | |
| 10/21/71 | Auditorium Theatre | 2 | SBD> MR> C> D> CD> EAC>S HN; EAC/ shn encoding/ edits by J. Cotsman, with thanks to Jeff Cook; see listening notes in info file | Source Detail | d10 | |
| 10/22/71 | Auditorium Theatre | 1 | flac16; Set 2 only, Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed 72 | |
| 10/23/71 | Eastown Theater | 3 | SBD>FM>?>CASS>CD>EAC>DC5>CD Thanks to the Wizard; seedeD | Source Detail | d11 | |
| 10/23/71 | Eastown Theater | 3 | FM C/3; via Uli Teute and Hanno Bunjes | Source Detail | d11 | |
| 10/24/71 | Eastown Theater | 2 | Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston | Source Detail | d11 | |
| 10/26/71 | The Palestra, U. of Rochester | 3 | Source 1: (all material on discs 1 & 2) SBD>MR>R>C>D>CD(pre FM) Source 2: (all material on disc 3) SBD>MR>?>D>CD; via Matt Vernon, Raoul Duke, and Jeff Cook; Seeded to etree by J. Cotsman | Source Detail | d11 | |
| 10/27/71 | Onondaga County War Memorial | 2 | Missing 3 2nd set tracks, see info file for details; SBD>FM>MR>?>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman | Source Detail | d11 | |
| 10/27/71 | Onondaga County War Memorial | 2 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | new seed d9 | |
| 10/29/71 | Allen Theatre | 2 | Recording Info: SBD (7inch Master Reels@7.5ips 1/2trk) -> Cass (Tascam 122mkIII) -> Dat (3800/48k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sharp MV10 -> Samplitude v7.02 Professional -> SHN Transfered and Edited By Charlie Miller | Source Detail | d12 | |
| 10/30/71 | Taft Auditorium | 3 | FM> Pioneer RT-707 (7" reel @ 19 ips)> CD; Conversion: Kenwood TrueX > EAC > shn v3 (seekable); via Brian Cole | Source Detail | d12 | |
| 10/31/71 | Ohio Theatre | 1 | partial SBD pre-fm GDH Dick Pick's leftovers | Source Detail | d12 | |
| 11/06/71 | Harding Theater | 3 | SBD> MR> C> DAT> CDR; note PA problems with the piano throughout show; via Mike Lai, with thanks to Paul B. | Source Detail | d12 | |
| 11/07/71 | Harding Theater | 4 | SBD : Pre-FM Reel > DAT > CD; via Seth Kaplan | Source Detail | d12 | |
| 11/11/71 | Atlanta Municipal Auditorium | 2 | Sbd>MR>?>Dat>cd; via Yubah, Ernie Dodd | Source Detail | d13 | |
| 11/12/71 | San Antonio Civic Auditorium | 2 | Master Soundboard Reel > Cassette > DAT > CDR | Source Detail | d13 | |
| 11/14/71 | Texas Christian University | 2 | SBD -> Master Reel (10 inch) -> CD -> Sonic Solutions -> CD -> EAC -> SHN; Converted By Charlie Miller | Source Detail | d13 | |
| 11/14/71 | Texas Christian University | 3 | Charles Weir fix of original SBD source; including a written txt file | Source Detail | d13 | |
| 11/15/71 | Austin Municipal Auditorium | 2 | SBD>MR>C>D>CD>EAC>SHN (patched with slightly degraded SBD, also listed with one cassette generation in the lineage); complete show; Thanks to Michael Dixon & Chuck Kiefe; edits/encoding by JCotsman | Source Detail | d13 | |
| 11/17/71 | Albuquerque Civic Auditorium | 2 | SBD>FM>MC>C>D>CD; Patched with SBD>FM>MC>?>C>Sound Forge>SHN (higher gen than primary source); See info file for details; via Jeff Cook & Walter Schnell; Seeded to etree by J. Cotsman | Source Detail | d14 | |
| 11/20/71 | Pauley Pavilion, UCLA | 3 | SBD>FM>R>DAT>CDR; via Rick Martin; Seeded to etree by Willy | Source Detail | d14 | |
| 12/01/71 | Music Hall | 2 | set 2; sbd; via Mike Lai | Source Detail | d14 | |
| 12/02/71 | Music Hall | 3 | SBD> MR> R> DAT> CDR; see info file for flaw notes; via Mike Lai, with thanks to Paul B. (SBE fixed version via SIRMick, January, 2006.) | Source Detail | d14 | |
| 12/04/71 | Felt Forum, Madison Square Garden | 2 | SBD> MR> DAT> C> DAT> CDR; missing JB Goode, Cumberland fades in; via Mike Lai, with thanks to Paul B.; note d2t2,3 had been misnumbered (reversed) intially- md5s for correctly named tracks are now shown here | Source Detail | d14 | |
| 12/05/71 | Felt Forum, Madison Square Garden | 3 | Updated lineage: FM > MR > DAT > CD; (had been marked pre-FM) stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; notes: no encore, complete Muddy Water, small cut in Casey Jones, chatter edited; see pub comments for md5 notes | Source Detail | d15 | |
| 12/06/71 | Felt Forum, Madison Square Garden | 3 | MSR> DAT> CD; via Seth Kaplan | Source Detail | d15 | |
| 12/07/71 | Felt Forum, Madison Square Garden | 2 | SBD> MR @ 10.5 IPS> DAT> CD; stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; note large cut in Casey Jones | Source Detail | d15 | |
| 12/09/71 | Fox Theatre | 2 | MSR> LATVALA C> DAT> CDR; EAC> SHN by Seth Kaplan; upload by Darrin Sacks | Source Detail | d15 | |
| 12/10/71 | Fox Theatre | 3 | MR> DAT> Latvala's Cassette> D> CDR (slightly updated lineage); EAC/SHN, Ben Yerys; seed via Seth Kaplan, Jared Minkoff | Source Detail | d16 | |
| 12/10/71 | Fox Theatre | 3 | Source: MSR>C>DAT>CD; with FM patch | Source Detail | new seed 72 | |
| 12/14/71 | Hill Auditorium | 2 | 7" BBD reel> PCM501ES(beta)> PCM501ES analog out> Fostex D5 @ optical out 48KHz> HD; DAT-1 > Soundforge 4.5 > WAV/SHN mastering by Tim Deibert; includes Tuning between songs | Source Detail | d16 | |
| 12/15/71 | Hill Auditorium | 1 | set 1; MR> ?> C> CD, from Hank Harrison cass, presumed lower-gen than previous versions (see notes); via Uli Teute, Hanno Bunjes & Carsten Baumann | Source Detail | d15 | |
| 12/15/71 | Hill Auditorium | 2 | both sets, 2 different SBD sources (see notes); via Walter Schnell; encoding and mastering by Jeff Cotsman | Source Detail | d16 | |
| 12/31/71 | Winterland Arena | 3 | FM > Reel > Dat > CDR; via G. Lanum | Source Detail | d16 | |
| 01/02/72 | Winterland Arena | 2 | updated lineage: SBD> Reel Master> Reel> CD> Sonic Solutions Workstation> CD; via Charlie Miller; Seeded to etree by eD | Source Detail | d1 | |
| 03/05/72 | Winterland Arena | 2 | AUD -> ? -> Reel (Mono) -> DAT -> WAV -> SHN Taper, mic, and deck unkown. Analog > DAT by Neil Sturtevant. DAT > SHN & final edits by Charlie Miller. Added to etree by Noah Weiner | Source Detail | d1 | |
| 03/05/72 | Winterland Arena | 2 | SBD -> ?m -> Cass -> Cass -> Cass -> Cass -> Dat -> SHN Patched w/AUD -> ? -> Reel (Mono) -> Dat -> Samplitude -> SHN via Charlie Miller; upgrade now in circulation | Source Detail | d1 | |
| 03/21/72 | Academy Of Music | 2 | Set 2; SBD>MR>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon | Source Detail | d1 | |
| 03/21/72 | Academy Of Music | 1 | Master Soundboard Reel (2 track)->Dat->Dat-> Sonic Solutions->CD->EAC->SHN CD->EAC->SHN Done By Joe Samaritano; samaritano@adelphia.net, 2/5/03 | Source Detail | d1 | |
| 03/21/72 | Academy Of Music | 2 | flac16; Master Soundboard Reel (2 track)->Dat->Dat-> Sonic Solutions->CD EAC, Re-track, and FLAC by Joe Samaritano | Source Detail | new seed d1 | |
| 03/22/72 | Academy of Music | 1 | Partial Audience Recording via David Hollister. Lineage: A:?>Cass>Reel>CD>EAC>SHN | Source Detail | d1 | |
| 03/23/72 | Academy of Music | 1 | set II; Gans Betty; Source: ?>Jim Wise BBD (Betty Board)> Gans CD> Goodbear's Gans CD clone> SHN; via Teddy Goodbear to abgd, ~10/16; etreed ~10/29; more info; note slight buzz & a touch of hiss | Source Detail | d1 | |
| 03/25/72 | Academy of Music | 2 | AUD composite- see notes in info file; via Hanno Bunjes, with thanks to Uli Teute | Source Detail | d2 | |
| 03/26/72 | Academy of Music | 1 | AUD C/3 > SoundForge > CDR, seeded by Uli Teute and Hanno Bunjes | Source Detail | d2 | |
| 03/27/72 | Academy of Music | 3 | AUD C/? > SoundForge > CDR, seeded by Uli Teute and Hanno Bunjes | Source Detail | d2 | |
| 03/28/72 | Academy of Music | 3 | AUD C/5 > SoundForge > CDR, seeded by Uli Teute and Hanno Bunjes | Source Detail | d2 | |
| 03/28/72 | Academy of Music | 3 | source: aud C/5 > soundforge > cdr > shn > wav > shn You might wonder why I would bother to remaster this show since the sound on it is so bad. Well firstly, I like a challenge, secondly I had the time but most of all, it's a great show. This recording had serious deficiencies as can be seen from the original notes below. It is now listenable for most of the show but problems remain. Purists will probably not like the way that I have re-mastered this but needs must! | Source Detail | d2 | |
| 04/07/72 | Wembley Empire Pool | 3 | 2 AUD sources: MR> C> CDR + M?> low-gen reel> CDR (see info file); mastered by Hanno Bunjes from compilation tape by Uli Teute; Hanno's notes | Source Detail | d3 | |
| 04/07/72 | Wembley Empire Pool | 3 | flac16; source: mac (2 sources) > c > cdr + M? > low-gen reel > cdr > ??? > wav > shn > wav > flac; remaster of shnid 6161 by SIRMick | Source Detail | d3 | |
| 04/08/72 | Wembley Empire Pool | 3 | SBD> MR (16 track)> DAT> [Disc 3 only: SS]> Sound Forge 4.5>CDR; remastering by Bill Giles, with disc 3 work by David Gans; EAC> SHN by Jeff M.; see detailed notes in info file | Source Detail | d3 | |
| 04/08/72 | Wembley Empire Pool | 3 | flac16; Recording Info: SBD -> (16 Track) Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d31 | |
| 04/11/72 | Newcastle City Hall | 3 | remastered by Bill Giles - source is SBD MC>D>CD>SoundForge>CD See info file for flaws & Bill's mastering notes | Source Detail | d3 | |
| 04/14/72 | Tivoli Theater | 4 | Aud (unknown mics), Unknown via Dave Minor encoded by Matt Vernon | Source Detail | d4 | |
| 04/14/72 | Tivoli Theater | 4 | SBD>mR>C>D>CD; See info file for various patches; via Jack Warner; Jim Powell; seeded to etree by Greg Hurwitt | Source Detail | d4 | |
| 04/16/72 | Stakladen, Aarhus University | 3 | Set 1: SBD>Rm>?>Cass>Sound Forge>SHN Set 2: SBD>Rm>Dat>Sonic Solutions>CD>EAC>Samplitude>SHN Set 2 Conversion and Editing By Charlie Miller | Source Detail | d4 | |
| 04/16/72 | Stakladen, Aarhus University | 1 | set 1 from a slightly better sounding cassette source; via Uli Teute and Hanno Bunjes | Source Detail | d4 | |
| 04/17/72 | Tivoli Concert Hall | 2 | SBD>??>French TV Broadcast>C>DAT>CDR; Several missing tracks, see info file for details; via Raoul Duke; Seeded to etree by Matt Vernon | Source Detail | d4 | |
| 04/21/72 | Beat Club | 1 | SBD>FM>MR>PCM>DAT>CDR; Including soundcheck, missing 3 songs, see info file for details; via Raoul Duke; Seeded to etree by Matt Vernon | Source Detail | d5 | |
| 04/24/72 | Rheinhalle | 3 | source 1: AUD>MR>C>D>CD>EAC>SHN source 2: SBD>??>D>CD>EAC>SHN via Jeff Cook & Chuck Kiefe edits/encoding by JCotsman | Source Detail | d5 | |
| 04/26/72 | Jahrhundert Halle | 2 | Source : SBD > ? > CE2K (minor cleanup) > mkwact > SHN(seekable) This is an upgrade to the previous shn set via Matt Vernon | Source Detail | d5 | |
| 04/29/72 | Musikhalle | 3 | AUD MR (poss. Uher Reel Machine at 4.75 cm/sec)> 2 reels> cass> SB Live!> .wav> .shn> CD-R; EAC > SHN (seekable) by Matt Vernon from eurodead.net seed disks | Source Detail | d5 | |
| 04/29/72 | Musikhalle | 1 | SBD/AUD Matrix of the Set 2 Jam via Matt Vernon from etree aud and sbd sources | Source Detail | d5 | |
| 04/29/72 | Musikhalle | 3 | SBD>MR>??>DAT>CDR via Raoul Duke. Pitched and patched with etree audience source and shn encoded by Matt Vernon. | Source Detail | d5 | |
| 05/03/72 | Olympia Theater | 4 | Soundboard> Master Reel (multi-track)> DAT x 5. DAT> ZA2> .wav> mkw> SHN. DAT seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano; note: channel problems fixed by Joe in reseed- get that version instead | Source Detail | d6 | |
| 05/03/72 | Olympia Theater | 4 | flac16; fixed fly away channel problem on SHNid=21923. Soundboard->Master Reel (multi-track)->DAT x 5. DAT->Audiophile 2496->Samplitude v7.02 Professional->FLAC. Transfer and FLAC by Joe Samaritano | Source Detail | d6 | |
| 05/04/72 | Olympia Theater | 4 | SBD > reel > DAT > CDR; via J. Serafin, C. Gannon; extraction, .shn by G.S. Hamilton; note d1t12 1:33-1:43 digi-noise; Casey Jones beginning cut (on master?) | Source Detail | d6 | |
| 05/04/72 | Olympia Theater | 1 | *Set 1 Only* Soundboard->Master Reel->PCM->DAT x ?; DAT->ZA2->Soundforge->.wav->mkw->SHN. Includes in between song tuning and banter that other sources have edited out. DAT seed, transfer, and SHN by Joe Samaritano. | Source Detail | d6 | |
| 05/04/72 | Olympia Theater | 4 | flac16; SBD -> (16 Track) Master Reel -> Dat All Transfers and Mastering By Charlie Miller | Source Detail | new seed d14 | |
| 05/07/72 | Bickershaw Festival | 4 | Discs 1 & 2 are a compilation of multiple Audience sources; Discs 3 & 4 are supplied from a Master Soundboard Reel > DAT source; There is a 5th disc which contains the NRPS set; Seeded by Scott Clugston | Source Detail | d7 | |
| 05/10/72 | Concertgebouw | 4 | S:MR > Cassette > DAT > CDR > SHN; Extraction and SHN encoding by Seth Kaplan; upload by Greg Hamilton; known flaw: Bertha fades in | Source Detail | d7 | |
| 05/11/72 | Rotterdam Civic Hall | 3 | Jay Ashley (Bertha) remaster of Master Reel source; SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>SHN | Source Detail | d7 | |
| 05/11/72 | Rotterdam Civic Hall | 4 | 10" MR@7.5ips->DAT>CDR; Note This seed does not have the splice in IKYR and it includes OMSN. Shn'ed & uploaded to fungus by Joe Samaritano 12/29/01; Seeded to abgd via Charlie Connor 01/02. | Source Detail | d8 | |
| 05/13/72 | Lille Fairgrounds | 1 | SBD -> Rm -> Dat -> CD -> EAC -> SHN (1 Disc Audio / 1 Disc SHN); Converted To SHN BY Charlie Miller | Source Detail | d8 | |
| 05/13/72 | Lille Fairgrounds | 3 | sbd > mr > cass > dat > cda > eac > shn v3; via Chris Ladner to vine and etree; encore missing | Source Detail | d8 | |
| 05/16/72 | Theatre Hall | 2 | Shntool fix of previous sbd/reel source; SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN | Source Detail | d8 | |
| 05/18/72 | Kongressaal Deutsches Museum | 3 | MSR> ?> dat> cdr; Repaired version of previous shn set; See info file for details; via Mike (Unicorn) to abgd; Note- md5's/txt from shn set hosted on tol.etree.org added 4-27-03 | Source Detail | d8 | |
| 05/23/72 | Lyceum Ballroom | 4 | MSR>C>DAT>CD>EAC>WAV>SHN via Andy Lemieux encoded by Sean Cribbs | Source Detail | d9 | |
| 05/23/72 | Lyceum Ballroom | 4 | Lineage (most likely):10" 2-track RM > C > D > C speed corrected, complete 4 disk version via Unicorn | Source Detail | d9 | |
| 05/24/72 | Lyceum Ballroom | 2 | AUD: mono crappy Pye cassette recorder with hand-held mike > Ampex R2R > CD-R > EAC > CEP > CDWAV > .shn & CD-R; Original recording by Chris Jones. Transferred (untracked) to CDR by Graham Harper; EAC> all subsequent modification by Alasdair Macdonald; see extensive notes in info file; d1 tracked for 80 min | Source Detail | d9 | |
| 05/25/72 | Lyceum Ballroom | 1 | set 2 partial; MSBDR > 2 casstte gens > DAT > CDR > EAC > SHN; Dick cass leak; u/l via G. Hamilton; note fits on 1 shn disc w/ 6/24/73 disc; update: redundant material in Dark Star, patch of d1t3 circulates | Source Detail | d9 | |
| 05/25/72 | Lyceum Ballroom | 3 | flac16; Recording Info: SBD -> Master Reel 10 inch reels recorded at 7.5 ips (1/2 track) -> Apogee AD500 -> Dat/0 (48k) Transfer Info: Dat/0 (Sony 500) -> Samplitude Professional 9.11 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed 72 | |
| 05/26/72 | Lyceum Ballroom | 4 | S:MR> DATx5> CD, including patches (see info file for specifics; transfer by David Hollister; reported "superior to all circulating copies" | Source Detail | d10 | |
| 05/26/72 | Lyceum Ballroom | 4 | flac16; SBD Reel > DAT > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 All editing and mastering by Jamie Waddell on the GEMS Edit Station. Trac'ed Cdwave,Flac'ed TLH level 8 | Source Detail | new seed 73 | |
| 06/17/72 | Hollywood Bowl | 2 | set 1,2p; AUD C/?; pitch corrected; via Hanno Bunjes, Uli Teute and Carsten Baumann | Source Detail | d10 | |
| 07/16/72 | Dillon Stadium | 4 | source 1: SBD>MR>C>D>CD>EAC>SHN source 2: AUD>?>SHN the audience recording supplies: --all of disc 1, --on disc 2, the final portion of Me & My Uncle through to the end of Sing Me Back Home; See info file for details; via Glenn Gillis and Paul B; Seeded to etree by Tim O'Connel & J. Cotsman | Source Detail | d10 | |
| 07/18/72 | Roosevelt Stadium | 3 | AUD MC> ?> R> D> SHN> CDR, with change to A:MC> ?> C> D source toward end; A > D transfer by Noah Weiner; via Audience Devotional Tree | Source Detail | d10 | |
| 07/18/72 | Roosevelt Stadium | 4 | SBD with Aud Patches (missing OMSN), see info file for details; via David Hollister; Seeded to etree by Sean Cribbs | Source Detail | d11 | |
| 07/18/72 | Roosevelt Stadium | 4 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | new seed d9 | |
| 07/21/72 | Paramount Northwest Theater | 3 | SBD> MR> CX3(?)> D> CD> EAC> SHN; edits (pitch corrected, normalized), encoding, vined by J. Cotsman, with thanks to Mark Sweeney | Source Detail | d11 | |
| 07/22/72 | Paramount Northwest Theater | 2 | SBD MR>PCM>D>CD via Hanno | Source Detail | d11 | |
| 07/22/72 | Paramount Northwest Theater | 2 | flac16; Sound Board Master Reel>DAT 16/48 > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav | Source Detail | new seed 73 | |
| 07/25/72 | Paramount Theater | 4 | SBD> MR> C> D> CD> EAC> SHN; encoding, vined by J. Cotsman; with thanks to Mark Sweeney | Source Detail | d11 | |
| 07/26/72 | Paramount Theater | 4 | nearly complete; updated info: Master Soundboard Reel > PCM> DAT > ZA2 > CDR x2; DAT seed via Jeff Tiedrich, original DAT>CD transfer by David Hollister; subsequent CD remastering and SHN by Scott Clugston; see info file and pub comments for notes | Source Detail | d12 | |
| 07/26/72 | Paramount Theater | 4 | flac16; Lineage: (from DAT J-Card) MR -> DAT (the DAT is 16-bit; 44.1kHz which could indicate MR->PCM->DAT) DAT from collection of Todd Evans - todd@bluedakota.com DAT > TASCAM DA-20 (spdif out) > Apogee Wide Eye Spdif Digital Cable > Lynx Two Soundcard (spdif in) > Wavelab 6.0 - Transferred January 18, 2007 Mastering By Jamie Waddell on the GEMS Edit Station. Trac'ed cdwave,Flac'ed TLH level 8 | Source Detail | new seed 73 | |
| 08/12/72 | Sacramento Memorial Auditorium | 3 | SBD Reel master > DAT > CDR > EAC > SHN; seed via Seth Kaplan; Retracked (Cool Edit/CDWav) by G.S. Hamilton; see info file for listening notes | Source Detail | d12 | |
| 08/20/72 | San Jose Civic Auditorium | 2 | SBD>MC>R>C>C>C>D>CD>EAC>SHN (?) see notes on lineage via Chuck Kiefe edits/encoding by Jeff Cotsman | Source Detail | d12 | |
| 08/20/72 | San Jose Civic Auditorium | 3 | flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d31 | |
| 08/20/72 | San Jose Civic Auditorium | 3 | flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d9 | |
| 08/21/72 | Berkeley Community Theater | 3 | S:MR > PCM > DAT > CD > EAC > SHN; via D. Hollister, G. Hamilton; see info file for list of minor flaws | Source Detail | d12 | |
| 08/22/72 | Berkeley Community Theater | 3 | SBD>MR>?>CD>EAC>SHN: (low gen); (set 1) SBD>MR>PCM>D>CD>EAC>SHN: (set 2); Missing first 3 1/2 songs; See info file for details; via Mike Dolgushkin & Seth Kaplan; Seeded to etree by J. Cotsman | Source Detail | d12 | |
| 08/22/72 | Berkeley Community Theater | 3 | mixed sources: Set 1: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> Apogee AD500> Master Dat (Panasonic SV3800/48k); Set 2: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> PCM> Dat> CD; Transferred and Edited (see cleanup notes) by Charlie Miller | Source Detail | d13 | |
| 08/24/72 | Berkeley Community Theater | 3 | SBD>Rm>Dat(48k) with missing songs patched from SBD>Rm>Cass>Cass>Cass>Dat>Samplitude>SHN via Charlie Miller | Source Detail | d13 | |
| 08/25/72 | Berkeley Community Theater | 1 | Partial Set 1: SBD> MR> PCM> DAT; Partial Set 2: FMSBD> ??? | Source Detail | d13 | |
| 08/25/72 | Berkeley Community Theater | 1 | set 1 partial; 7" Betty Board Reel > PCM501ES analog out > Fostex D5 optical S/PDIF out (Jace's tape) > disk (Tim Deibert); some Soundforge editing (see notes) | Source Detail | d13 | |
| 08/27/72 | Old Renaissance Faire Grounds | 3 | Bertha Remaster of the Braverman/Dank 16 track source. SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A (Between songs from the two-track master reels) | Source Detail | d13 | |
| 08/27/72 | Old Renaissance Faire Grounds | 3 | SBD> 16 Track Master Reels> DAT@44.1K> DAT> DAT> WAV> SHN; Banter between songs from the two-track master reels: S:MR> DAT> SS> CD> EAC> SHN; dankseed | Source Detail | d14 | |
| 08/27/72 | Old Renaissance Faire Grounds | 3 | SBD-> two-track MR-> DAT-> Sonic Solutions-> CDR-> EAC-> Sound Forge Edit (analog pop removal using pencil tool)-> Sound Forge Pitch Shift (antialias filter followed by pitch shift of +19 cents); stemming from David Gans seed, via Adam Jerugim to Leigh Orf, who fixed up (see details in info file); d3 trackd for 80 min; note previous shn sets have been Betty Board sourced- this is not | Source Detail | d14 | |
| 09/03/72 | Folsom Field, U of Colorado | 4 | Composite aud/sbd - entire show speed corrected, static removed; includes encore. via Carsten Baumann and Hanno Bunjes | Source Detail | d14 | |
| 09/09/72 | Hollywood Palladium | 3 | flac16; AUD MR> Cassette (unknown gen) > WAV > FLAC speed-corrected of prior seed ; by Zeb | Source Detail | d15 | |
| 09/09/72 | Hollywood Palladium | 3 | flac16; AUD MR> Cassette (unknown gen) > WAV > FLAC speed-corrected of prior seed ; by Zeb | Source Detail | d15 | |
| 09/09/72 | Hollywood Palladium | 3 | Sbd: MR>DAT>CDR>SHN Audio discs provided by Dyer O' Connor eac>mkw>shn by popi n. feeldz | Source Detail | d15 | |
| 09/10/72 | Hollywood Palladium | 3 | MSR>C>CD patched with MSR>C>D>C>D; Patches & remaster by Dave Greenberg. | Source Detail | d16 | |
| 09/10/72 | Hollywood Palladium | 3 | SBD> MR> Cassette> DAT> CD> EAC> CoolEdit2000> SHN; EAC, CoolEdit 2000, CDWave, MKW, & shntool by D.Winters; reportedly has flaws fixed realtive to previous versions. | Source Detail | d16 | |
| 09/15/72 | Music Hall | 3 | flac16; this is a remaster by SirMick of shnid 7924. Source 1: MAC > Reel > Cassette > DAT > CD Recorded by Bill Degen from balcony front row. Source 2: MAC > ? > DAT (supplied by Dave Minor) > CD provides additional patch and missing material | Source Detail | d16 | |
| 09/15/72 | Music Hall | 3 | MAC > Reel > Cassette > DAT > CD; Lower quality aud provides many patches, see info file for details; via Noah Weiner; Jack Warner; Seeded to etree by Matt Vernon | Source Detail | d16 | |
| 09/15/72 | Music Hall | 1 | partial set 2; SBD: MR > cassette > DAT > CD > SHN; SHNed by Seth Kaplan; via G.S. Hamilton to BUDD | Source Detail | d17 | |
| 09/16/72 | Music Hall | 3 | AUDMC > C > DAT > CD > SHN recorded by Bill Degen from orchestra seats mic and deck unknown. A > D & shn conversion by Noah Weiner | Source Detail | d17 | |
| 09/16/72 | Music Hall | 3 | mixed source (AUD>MC>) and (SBD>MR>) C> D> CD> EAC> SHN; edits (see info), encoding, vined by J. Cotsman, with thanks to Mark Sweeney and unIDed patcher | Source Detail | d17 | |
| 09/17/72 | Baltimore Civic Center | 3 | Audience Recording (taper Cary Wolfson) > Cassette > DAT > SHN; Extraction and SHN encoding by David Minches | Source Detail | d17 | |
| 09/17/72 | Baltimore Civic Center | 3 | SBDMR > Cass > DAT > SonicSolutions > CD > EAC > SHN; Extraction and SHN encoding by G.S. Hamilton, from D. Hollister seed; known flaws: Missing Saturday Night; small digi-snit during UJB; update: show is now DP23- go buy it | Source Detail | d18 | |
| 09/19/72 | Roosevelt Stadium | 2 | AUD>MC>?>D>CD; Many songs are clipped due to taper conservation, though almost all such cuts are minor; See info file for details; via Paul Hartman; Seeded to etree by JCotsman | Source Detail | d18 | |
| 09/21/72 | The Spectrum | 4 | SBD > reel > DAT > CDR > EAC > shn; via Mike Masse; see flaw notes in info file; a clean-up of d1t11 also circulates; see public comments for details | Source Detail | d18 | |
| 09/23/72 | Palace Theater | 3 | SBD> MR> Cass> DAT> CDR> EAC> SHN; via Jeff M.; see listening notes in revised info file | Source Detail | d18 | |
| 09/24/72 | Palace Theater | 3 | Source:SBD Lineage: Reel master > ? > cassette > DAT > CDR > EAC > SHN Edits by Sean Cribbs - see info file for details | Source Detail | d19 | |
| 09/24/72 | Palace Theater | 3 | SBD> MR> CASS> DAT> CDR> EAC> SHN; via Jeff M.; see info file for flaw notes | Source Detail | d19 | |
| 09/26/72 | Stanley Theatre | 3 | Cleaned up disc 3 of previous SBD by Charles Wier; d1 & d2 are unchanged. See text file for details. | Source Detail | d19 | |
| 09/27/72 | Stanley Theatre | 3 | SBD Reel>Reel>PCM>DAT from "People's Choice tree" via Jeff Blaney, encoded by Matt Vernon | Source Detail | d19 | |
| 09/28/72 | Stanley Theatre | 3 | SBD> MR> DAT> CDA> WAV> SHN> FLAC> DAW (Bertha)> SHN/CDA patched with UNK.AUD> CASS> ???> DAT> WAV> FLAC; Bertha Remaster of shn ID 26933 | Source Detail | d20 | |
| 09/28/72 | Stanley Theatre | 3 | SBD (probably sbd>mr>dat>cdr) Seeded by Bill from Monterey to clone.etree.org 9/02 any setlist help send to nick@burgis.org | Source Detail | d20 | |
| 09/28/72 | Stanley Theatre | 3 | flac16; Primary Source: SBD> MR> DAT> CDR> WAV> SHN; patches and missing track from Unknown audience > C > ? > DAT >WAV > FLAC (level 8); AUD material courtesy Uli Teute via Jim Powell; via Chris Ladner? | Source Detail | d20 | |
| 09/30/72 | American University | 3 | SB> MR> Cassette> DAT> CD; except OMSN SB> MR>cass(2)> DAT> CD; CD> cleanup> SHN; see info file for fixes and flaw notes; via Matt Vernon | Source Detail | d21 | |
| 10/02/72 | Springfield Civic Center | 3 | master reel sdb> cass> dat> cdr; via M. Lai; listeners report hiss level sounds closer to 2 cass gens | Source Detail | d21 | |
| 10/09/72 | Winterland Arena | 3 | SBD > MR > C > DAT > CDR; EAC > Cool Edit (remove some pops, see info file) > SHN (seekable); SHN Conversion by Matt Vernon from Paul B. seed discs | Source Detail | d21 | |
| 10/17/72 | Fox Theatre | 3 | MSR> C> DATs> CDRs> EAC> SHN; via Darrin Sacks, from Jack Warner's seed; previously uncirculated | Source Detail | d22 | |
| 10/18/72 | Fox Theatre | 3 | SBD > MR > Cass > DAT > CDR; see flaw notes in info file; Note- d2 fix now circulates via Charles Weir; See info file for details | Source Detail | d22 | |
| 10/19/72 | Fox Theatre | 3 | SBD > MR > Cass > DAT > CDR; via DES; cuts into Promised | Source Detail | d22 | |
| 10/23/72 | Milwaukee Performing Arts Center | 3 | AUD>MR>?>D>CD; See info file for 'warning'; via Paul Hartman; seeded to etree by J. Cotsman | Source Detail | d22 | |
| 10/24/72 | Milwaukee Performing Arts Center | 1 | Set 2, Truckin' through Johnny B. Goode; MR > 1 cass. > DAT > CDR 2x; DAE/.shn conversion by G. Hamilton | Source Detail | d23 | |
| 10/26/72 | Cincinnati Music Hall | 2 | SBD -> Rm -> Cass -> Cass -> Dat -> Samplitude -> SHN (1 Disc SHN / 2 Discs Audio); Seeded to etree by Charlie Miller | Source Detail | d23 | |
| 10/26/72 | Cincinnati Music Hall | 3 | flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d9 | |
| 10/27/72 | Veterans' Memorial Hall | 2 | Sources: SBD(a) Source: MSR>R>C>DAT>WAV>SHN SBD(b) Source: MSR>Many Gens??>C>DAT>WAV>SHN AUD Source: MAR>C>D>CD>EAC>SHN SBD conversions by Cousinit AUD portion from previously circulating shn set from Paul Hartman edited/encoded by J. Cotsman | Source Detail | d23 | |
| 10/27/72 | Veterans' Memorial Hall | 1 | SBD C/? upgrade of first set; via Hanno Bunjes and Uli Teute | Source Detail | d23 | |
| 10/28/72 | Cleveland Public Hall | 3 | Bertha Remaster of the Master Cassette source SBD>>MC>>DAT>>CDA>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B Ampex C-90 cassette master | Source Detail | d23 | |
| 10/28/72 | Cleveland Public Hall | 3 | Complete SBD>MC>D>CD>EAC>SHN Ampex C-90 cassette master via King Bee and Andy Lemieux, encoding etc. by Cotsman | Source Detail | d23 | |
| 10/30/72 | Ford Auditorium | 3 | AUD>MR>C>C>C>D>CD; via John Steinhaus; Seeded to etree by J. Cotsman | Source Detail | d24 | |
| 11/12/72 | Soldiers' and Sailors' Memorial Hall | 3 | SBD>MC>C>D>CD; This recording has 'mix problems'; See info file for details; via Mark Sweeney; Seeded to etree by J. Cotsman | Source Detail | d24 | |
| 11/13/72 | Soldiers and Sailors Memorial Hall | 3 | master #1: AUD MR>C>D>CD recorded by Bear (//Playing through Casey Jones// is all that circulates from this source) master #2: low generation AUD (supplies the rest of the show); via Uli and Julian; Seeded to etree by Hanno B | Source Detail | d24 | |
| 11/13/72 | Soldiers and Sailors Memorial Hall | 3 | AUD(unknown mics) > C(x3) > Nak > Fostex D5 A/D @ 44.1 > CD by Kevin Weil, encoded by Matt Vernon. Note this aud will appeal chiefly to completists and audience tape collectors. It is almost complete except for tape flips and includes more between song banter/crowd than the other sources already circulating. | Source Detail | d24 | |
| 11/14/72 | Civic Center Music Hall | 3 | Recording Info: Source One: SBD -> Master Reel -> Cassette x 3 -> Dat (d1t01 -> d2t09) Source Two: SBD -> Master Reel -> Cassette -> Dat (d2t10 -> d3t07) Transfer Info: Dat (Sony R500) -> M-Audio Dio 2448 -> Samplitude v6.0 -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) All Transfers By Charlie Miller charliemiller87@earthlink.net 1/30/04 Notes: --I forgot to make shn's off of my Dats which is why I had to use EAC. --This is a new conversion since the last one was missing GSET. | Source Detail | d25 | |
| 11/15/72 | Civic Center Music Hall | 1 | Partial; SBD>MR>C>C>C>D>CD; Pitch corrected; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon & J. Cotsman | Source Detail | d25 | |
| 11/15/72 | Civic Center Music Hall | 2 | flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Dat (48k) Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed 70 | |
| 11/17/72 | Century II Convention Hall | 3 | Master Soundboard Reel > Cassette > DAT > CR > EAC > WAV > SHN; with patches Master Audience Cassette > ? > Cassette > CD; Upgrade to existing SHN copy | Source Detail | d25 | |
| 11/18/72 | Hofheinz Pavilion | 2 | 2nd set only; SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to John Steinhaus | Source Detail | d25 | |
| 11/19/72 | Hofheinz Pavilion | 3 | Source: SBD>MR>Reel>Reel>DAT>CD>EAC>WAV>CoolEdit2000>SHN (Note that there is speculation that this source may contain only one reel generation.) Cool Edit 200 was used to correct various flaws from previously circulating versions. | Source Detail | d25 | |
| 11/22/72 | Austin Municipal Auditorium | 3 | sdb> master reel> dat> cdr; via Mike Lai from Bruce Fried DAT; missing Promised; d2 tracked for 80 min | Source Detail | d26 | |
| 11/24/72 | Dallas Memorial Auditorium | 2 | SBD> MR> DAT> CDR> EAC> SHN; tracked for 2x80; splice in China Cat; seeded by Tony Gardner, from Paul B. discs | Source Detail | d26 | |
| 11/26/72 | San Antonio Civic Auditorium | 3 | SBD> MR> (set 1 ?; set 2 C)> D> CD> EAC>SHN; edits (see info), encoding, vined by J. Cotsman, with thanks to Paul B. | Source Detail | d26 | |
| 12/10/72 | Winterland Arena | 3 | MSR > Cass x 3 > DAT > CDR > EAC > SHN; EAC, SHN extraction and etree seeding done by G. Gorinsky; with thanks to Justin Cucci, Mark Perini | Source Detail | d26 | |
| 12/11/72 | Winterland Arena | 3 | SBD > MR > ?? > CDR; EAC > Cool Edit (remove some pops, see info file) > CD Wave (split tracks) > SHN (seekable) by Matt Vernon, from Paul B. seed discs; missing some songs; see info file for other flaw notes | Source Detail | d27 | |
| 12/12/72 | Winterland Arena | 2 | partial; mixed source SBD, AUD: MR > ? > DAT > CDR > EAC > SHN; Aud: Mcass > DAT > ZA2 > CDR > EAC > SHN; EAC, SHN extraction and etree seeding done by G. Gorinsky; with thanks to Mark Wienke, Mark Perini; to CDead vine | Source Detail | d27 | |
| 12/12/72 | Winterland Arena | 3 | SBD (7 inch Master Reel @ 7.5ips 1/2trk) -> Dat Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> FLAC Transfered and Edited By Charlie Miller | Source Detail | d27 | |
| 12/15/72 | Long Beach Arena | 3 | Lineage: S:MR>Cass>DAT>PCM>DAT>CD, w/ patches from S:MR>R>R>DAT copy. Remastered, transferred to CD, and encoded to SHN by David Hollister | Source Detail | d27 | |
| 12/31/72 | Winterland Arena | 4 | Main Source: Vault pre-FM reels > DAT Patch Source: pre-FM KSAN reel (/shninfo_detail.php?shnid=6340) DAT > WAV : Sony PCM-R300 > RMEdigi96/8PAD > Soundforge 6.0 by Marc Pujol WAV > SHN editing, encoding & patching by Matt Vernon | Source Detail | d28 | |
| 02/09/73 | Roscoe Maples Pavilion, Stanford University | 3 | SBD> MR> R> DAT> CD; Show SHNed by Bob Allred; md5 / shn renaming and txt file by Patrick Hitt, who notes that "slightly different edit times indicate a different dat source or editor" than previous shn set | Source Detail | d1 | |
| 02/09/73 | Roscoe Maples Pavilion, Stanford University | 3 | Jay Ashley (Bertha) remaster of previous MR source; SBD>>MR>>REEL>>DAT>>SS>>CDR>>DAW(Bertha)>>CDA | Source Detail | d1 | |
| 02/09/73 | Roscoe Maples Pavilion, Stanford University | 3 | S : MR > R > DAT > SS > CDR > DAW (Bertha) > CDA > SHN > COOL EDIT PRO > SHN; See info file for 'additional edit' notes from seeder Alan Fink. | Source Detail | d1 | |
| 02/09/73 | Roscoe Maples Pavilion, Stanford University | 3 | MR 2 Track Reel > 7.5 IPS 1/4 tack dolby B reel > DAT > Sonic Solutions > CDR; via D Finney; Seeded to etree by Popi; Note- This is another eac of the same original Finney seed discs according to Popi | Source Detail | new seed 73 | |
| 02/15/73 | Dane County Coliseum | 3 | MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD; upgrade relative to previous shn copies; includes soundcheck and most of encores; via Mike Hall; tracked for 2x74 + 1x80 (with alternate tracking suggestion) | Source Detail | d2 | |
| 02/17/73 | St. Paul Auditorium | 3 | flac16; SBD -> Master Reel -> PCM -> Dat -> CD All Transfers and Mastering By Charlie Miller | Source Detail | d2 | |
| 02/17/73 | St. Paul Auditorium | 3 | flac16; SBD -> Master Reel -> PCM -> Dat -> CD All Transfers and Mastering By Charlie Miller | Source Detail | new seed d6 | |
| 02/19/73 | International Amphitheatre | 2 | SBD : MC > C > DAT > SS > CDR > EAC > SHN Extraction, Retracking and SHN encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. Thanks to Paul B. for the seeds. Seeded to etree on 3/2/03 | Source Detail | d2 | |
| 02/19/73 | International Amphitheatre | 2 | flac16; Set 2 Recording Info: SBD -> Cassette Master (Ampex C-90) -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d31 | |
| 02/21/73 | Assembly Hall, Univ. Of Illinois Urbana-Champaign | 4 | complete; MR > DAT > 1 cass > DAT > CDR 3x; via G. Hamilton; see info file for misc flaws, esp d1; 4-disc set with 2/22 | Source Detail | d2 | |
| 02/22/73 | Assembly Hall, Univ. Of Illinois Urbana-Champaign | 2 | reworking of previous shn set, by Randy Carman (see notes in info file) | Source Detail | d2 | |
| 02/24/73 | Field House, University Of Iowa | 1 | Partial Set I - Last four songs SBD> MR> DAT> CDR by Sly_Wow Thanks to Raoul Duke | Source Detail | d2 | |
| 02/24/73 | Field House, University Of Iowa | 1 | Single track jam segment; see info file for details; SBD>?>GDH CD; seeded to etree by Jools | Source Detail | d2 | |
| 02/24/73 | Field House, University Of Iowa | 1 | Single track jam segment; see info file for details; SBD>?>GDH CD; seeded to etree by Jools | Source Detail | dvd 216 | |
| 02/26/73 | Pershing Municipal Auditorium | 3 | S:MR > cassette > DAT > CDR > EAC > SHN; EAC/SHN by Seth Kaplan; upload by Greg Hamilton; note D3t02 (Eyes): splice @ 3:25 | Source Detail | d3 | |
| 02/28/73 | Salt Palace | 2 | Multiple sources SBMR via Noah Weiner and David Gans encoded by Noah Weiner (see info file for details). Upgrade to previous copies with complete EOTW & AWBYGN. | Source Detail | d3 | |
| 03/15/73 | Nassau Veterans Memorial Coliseum | 3 | Source (~complete): Unknown AUD > ? cdr via JackeySack, converted by Matt Vernon | Source Detail | d3 | |
| 03/15/73 | Nassau Veterans Memorial Coliseum | 3 | composite source 1: AUD>??>CD>EAC>SHN source 2: SBD>MR>C>D>CD>EAC>SHN via JackeySack, Matt Vernon, and Paul Hartman edits/encoding by JCotsman | Source Detail | d3 | |
| 03/16/73 | Nassau Veterans Memorial Coliseum | 3 | Fixed composite sbd version (based on shnid = 167) by Sean Cribbs. See info file for details. | Source Detail | d4 | |
| 03/19/73 | Nassau Veterans Memorial Coliseum | 2 | Playin', plus most of set 2; SBD:MR>Cas>Cas>DAT>CD; Seeded to etree by Jools | Source Detail | d4 | |
| 03/21/73 | Utica Memorial Auditorium | 4 | SBD> MR> ?> D> CD> SHN; shn EAC/ shn encoding/ edits by J. Cotsman, with thanks to Jeff Krakowka; see listening notes in info file | Source Detail | d4 | |
| 03/21/73 | Utica Memorial Auditorium | 3 | Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Sony D8) -> M-Audio DIO 2448 -> Cool Edit Pro v1.2 -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller Notes:I originally transferred my Dat back in 2000. At that time, I only made Audio discs. Someone asked me to circulate this source since the circulating source has NR applied to it. My source DOES NOT have any NR applied to it. I made these FLAC's off of my Master Audio Discs. Enjoy...cm | Source Detail | d4 | |
| 03/22/73 | Utica Memorial Auditorium | 3 | MSR> DATs> CDRx1> EAC> SHN; via Darrin Sacks | Source Detail | d5 | |
| 03/24/73 | The Spectrum | 3 | SBD>>MR>>CASS>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN | Source Detail | d5 | |
| 03/24/73 | The Spectrum | 3 | S:MR > cassette > DAT > CDR; note updated source info- actually only 1 cass gen, not 2; via Mike Bryan, Greg Hamilton; see info file for listening notes | Source Detail | d5 | |
| 03/24/73 | The Spectrum | 2 | flac16; 10" Betty Board Reel > PCM501ES > Fostex D5 (Jace's tape) optical S/PDIF out > disk Transferred by Tim Deibert 5-18-02 | Source Detail | new seed d31 | |
| 03/26/73 | Civic Center | 4 | SBD> MR> DAT> CDA> CDA> EAC> SHN; via Charlie Miller, Jay Ashley; note info file updated 9/13; see pub comments for flaw notes | Source Detail | d6 | |
| 03/26/73 | Civic Center | 4 | flac16; Recording: SBD > Master Reel > Dat (44.1k) Transfer: Dat (Sony R500) > SEK'D Prodif Plus > Samplitude Profesional v8.01 > FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | new seed d15 | |
| 03/28/73 | Springfield Civic Center | 3 | AudMC > R > DAT > WAV > SHN; taper: Andy Nourse - equipment unknown; via Noah Weiner; see background in txt | Source Detail | d6 | |
| 03/28/73 | Springfield Civic Center | 3 | Discs 1&2; AUD>MC>R>D>CD; Disc 3; SBD>MR>D>CD; Seeded to etree by J Cotsman | Source Detail | d6 | |
| 03/28/73 | Springfield Civic Center | 2 | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d15 | |
| 03/30/73 | Rochester Community War Memorial | 3 | AUD>MR>?>CD (disc 1); SBD>MR>C>D>CD (remainder); See info file for details; via Paul Hartman & Michael Dixon; Seeded to etree by J. Cotsman | Source Detail | d7 | |
| 03/31/73 | Buffalo Memorial Auditorium | 3 | flac16; SBD > MC > CASS > DAT > CDA > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered to from 24-16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 | Source Detail | d7 | |
| 03/31/73 | Buffalo Memorial Auditorium | 3 | Master Soundboard Reel > Cassette > DAT > CD-R; via Morgan Evans, Ben Yerys; see info file for listening notes; note some offbeat tracking | Source Detail | d7 | |
| 04/02/73 | Boston Garden | 3 | Bertha remaster of the Master Reel Soundboard source. SBD>>MR>>DAT>>SS>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+ | Source Detail | d7 | |
| 04/02/73 | Boston Garden | 3 | SBD -> Rm (7.5 ips/2 Track) -> Dat -> Dat. Transfer Info: Dat -> Sonic Solutions -> CD (David Gans' Master Discs) -> EAC (Secure) -> SHN. CD -> SHN Conversion Done By Charlie Miller. Purports to avoid the drop outs present on the previous shn set for this source. | Source Detail | d8 | |
| 05/13/73 | Iowa State Fairgrounds | 5 | Complete; d1,2,3,5-SBD : MR > R > DAT > CDR via Paul B.; d4-SBD : MR > ? > DAT > CD > EAC > Cool Edit 96 (Resampled to correct pitch) > SHN via David Minches | Source Detail | d8 | |
| 05/13/73 | Iowa State Fairgrounds | 4 | Source: MSR>R>?>C>DAT>WAV>SHN except for 4th disc/end of second set which is from previously circulated SHN set (see below). | Source Detail | d8 | |
| 05/20/73 | Campus Stadium, UCSB | 3 | flac16; SBD > Master Reel (7 inch reels @ 7.5ips 1/2trk) > Dat > CD > EAC > Samplitude Professional v9.11 > FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed 74 | |
| 05/20/73 | Campus Stadium, UCSB | 4 | AUD (Sony Condenser): MC> R> C> DAT> HD> SHN> CD; see notes in info file; via Audience Devotional Tree | Source Detail | d9 | |
| 05/20/73 | Campus Stadium, UCSB | 4 | Patched Eyes with AUD source. Replaced AUD patch in Eyes with SBD source. | Source Detail | d9 | |
| 05/20/73 | Campus Stadium, UCSB | 4 | 7" Master Reels at 7.5ips half-track > Panasonic SV-3700 DAT > Panasonic SV-3800 DAT > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) | Source Detail | d9 | |
| 05/20/73 | Campus Stadium, UCSB | 1 | Set 3 only; SBD> MR> C> DAT >CDR ; by Sly_Wow, with thanks to Raoul Duke | Source Detail | d9 | |
| 05/20/73 | Campus Stadium, UCSB | 1 | Set 3 only; MSR> C> DAT> CD; edits, Aud patch from prior shn set; edits by Sean Cribbs | Source Detail | d10 | |
| 05/26/73 | Kezar Stadium | 4 | MSR>DAT>CD>EAC>WAV>SHN CD>EAC>WAV>SHN by Sean Cribbs 4/19/2003 | Source Detail | d10 | |
| 05/26/73 | Kezar Stadium | 4 | flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d32 | |
| 06/09/73 | Robert F. Kennedy Stadium | 1 | AUDMR > DAT > SHN - Recorded by Adam Grow with an Electro-Voice RE-15 super cardioid dynamic microphone > Nagra III Reel to Reel deck at 7.5 ips. Added to etree by Noah Weiner | Source Detail | d10 | |
| 06/09/73 | Robert F. Kennedy Stadium | 4 | SBD MR > cassette> DAT > CD > EAC > SHN, except Promised Land, Half Step, and Sugar Mag are S:MR > PCM > cassette > DAT > CD > EAC > SHN, and Patch in Box of Rain (very small) from 2nd source; via D. Hollister, G. Hamilton; 8/16 note formerly error in info file at this site, and possibly distributed with show- cass gen in main portion of show had been omitted, (although info file at Hamiltons' CDR list has apparently always been correct)- sorry! | Source Detail | d10 | |
| 06/10/73 | Robert F. Kennedy Stadium | 4 | SBD MR (10'' reels)> DAT > CD > EAC > SHN; via David Hollister, G.S. Hamilton; known flaws: d2t01 (Bird Song: very brief tape waver @ 2:44, 2t03 (Eyes) transient sound system glitch @ 5:06; subsecond dropout @ 6:54, d4t06 (GDTRFB): reel flip/splice @ 6:42; not noted on original info file: sounds like loose cord to board: d1t09 (The Race Is On) 1:33, 1:34, 1:36, 1:44; d1t2 BIODTL begining cut; reportedly "best version available" | Source Detail | d11 | |
| 06/10/73 | Robert F. Kennedy Stadium | 4 | flac16; Original SBD (shnid = 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC patched and speed corrected | Source Detail | new seed 75 | |
| 06/10/73 | Robert F. Kennedy Stadium | 4 | flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller. This is a fixed version of shn id 89640 | Source Detail | new seed 74 | |
| 06/22/73 | P.N.E. Coliseum | 3 | AUDMC > Reel > Reel > CD > DAT > WAV > SHN recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-126 master cassette > Amick's Reel recorded at 7-1/2ips > Matt Williams' Reel at 3-3/4ips w/ Dolby(Teac AN-60). A > D by Matt Williams and Noah Weiner, encoded by Noah Weiner | Source Detail | d11 | |
| 06/22/73 | P.N.E. Coliseum | 5 | composite: MSR> PCM> DAT> CD> EAC> WAV> SHN for Bertha> Other One//; MAC> R> R> CD> DAT> WAV> SHN for patches, JGB (see notes); MSR> C> DAT> CD> EAC> WAV> SHN for //Other One> end of set 2; EAC> CEP2K edits> encoding by Sean Cribbs | Source Detail | d11 | |
| 06/22/73 | P.N.E. Coliseum | 5 | flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed 75 | |
| 06/22/73 | P.N.E. Coliseum | 5 | flac16; Main source MSR>PCM>DAT>CD>EAC>WAV; re-patched and re-tracked version of shn id 17270. See info file for details | Source Detail | new seed 74 | |
| 06/24/73 | Memorial Coliseum | 2 | partials of both sets; set 1: SBD> ?>C> CD> EAC> SHN (unknown analog generations); set 2: SBD> MR> C> D> CD> EAC> SHN, edited from previous shn set; the first set is a degraded SBD; Thanks to S. Milewski, G. Hamilton; edits/encoding by JCotsman | Source Detail | d12 | |
| 06/26/73 | Seattle Center Arena | 3 | AUDMC > Reel > Reel > DAT > WAV > SHN. Recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-152 master cassette > Amick's Reel recorded at 7-1/2ips > Reel(w/ Dolby). A > D and shn encoding by Noah Weiner | Source Detail | d12 | |
| 06/26/73 | Seattle Center Arena | 3 | Complete; SBD>MR>C>D>CD patched with: AUD>MR>C>D>CD; Slight pitch correction; See info file for details; Seeded to etree by Mark Sweeney & Chuck Gannon | Source Detail | d12 | |
| 06/29/73 | Universal Amphitheatre | 2 | Partial; SBD>MR>R>D>CD; Missing first 11 songs and Around and Casey Jones; via Mark Sweeney; Seeded to etree by JCotsman | Source Detail | d12 | |
| 06/30/73 | Universal Amphitheatre | 3 | AudMR > R > DAT > WAV > SHN; A > D transfer by Noah Weiner; d1 tracked for 80 min; see info file for notes; via Audience Devotional Tree | Source Detail | d13 | |
| 06/30/73 | Universal Amphitheatre | 3 | flac16; Sick Bits Vol. 9 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 177, and AUD - SHN ID# 6019); edited and transfered by Chris Chappell | Source Detail | d13 | |
| 06/30/73 | Universal Amphitheatre | 3 | SBD> ?> DAT> CD> EAC> SHN; (note Tiedrich's site lists a circulating? SBD> reel master> 1 reel gen> DAT> 1 cass gen> DAT> circulation); Known Flaws: Some digi-noise beginning d1t1, Reel flip middle d1t6,? Reel flip beginnning d3t2; via A. Jerugim; note "E2 USB" is not listed in databases as an encore- may be filler? (has 2 drummers?)- thanks to J. Grimes for alert | Source Detail | d13 | |
| 07/01/73 | Universal Amphitheatre | 2 | daud> Sony ec M22P mics >Sony 770 MR> R1> DAT> CDR; via M. Lai; note info file lists as 2 CDs but shn set is tracked for 3 CDs | Source Detail | d13 | |
| 07/01/73 | Universal Amphitheatre | 1 | flac16 Source: SBD > ? > Ye Olde Cassette Tape Patches: AUD, Sony ECM-22P mics > Sony 700 MR > R1 > DAT > CDR > LAMA | Source Detail | d13 | |
| 07/01/73 | Universal Amphitheatre | 3 | flac16 MOTB Release: 0055 16/44.1 Source: FOB Audience Recording Media: MAR = Unknown, R1 = Maxell UD 35-90 Lineage: Sony ECM-22P > Sony TC-770 > MAR > ?? [Dolby Encode] > R1 Transfer: R1 > Technics RS-1506 > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] Taped by: Harv Kaslow and Craig Todd MAR > R1 Copy by: Rob Bertrando R1 Provided by: Barry Glassberg Transfer by: A. Egert Mastering by: J. Waddell | Source Detail | dvd 290 | |
| 07/27/73 | Grand Prix Racecourse | 2 | flac16; SBD> Master Reel (but see note)> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller | Source Detail | d14 | |
| 07/27/73 | Grand Prix Racecourse | 2 | no regular info file (covers only); see 2 "history" posts; reported flaws: d2t3 (jam > wharf rat) has pops at 4:37, 9:22, 23:42; see pub comments for other flaw notes; circulated with 7/28/73 | Source Detail | d14 | |
| 07/27/73 | Grand Prix Racecourse | 2 | AudMC stereo> ? > C > DAT > WAV > SHN, unknown taper; A>D by Noah Weiner: Cassette playback on Nakamichi MR-1 > Fostex D5 DAT (A>D only)> Turtle Beach Montego II Digital I/O > Sound Forge(wav edits and track IDs)> SHNTOOL (SBE fix) > MKWAct (shn) | Source Detail | d14 | |
| 07/28/73 | Grand Prix Racecourse | 4 | Soundboard Master Reel>DAT>CD>SHN, with FM, AUD, and other-source SBD patches. Fits to two .shn discs by placing d1 & d4 .shns on one 80 min. disc, d2 & d3 .shns on another. | Source Detail | d14 | |
| 07/28/73 | Grand Prix Racecourse | 3 | Uher mic > Uher 4000 Report L 5" reels > MacIntosh pre-amp > TEAC 1230 7" reel; via Jeffrey Siniawsky and Joel Smith; Seeded to etree by Noah Weiner. [Note: Circulates with 7/27 Soundcheck which has a separate entry] | Source Detail | d14 | |
| 07/31/73 | Roosevelt Stadium | 3 | AudMC > DAT > CD > EAC > SHN Recorded by Jerry Moore with AKG 1000 mic > Sony 110 deck. TDK C-120SD master cassettes EAC & SHN transfer by Noah Weiner | Source Detail | d15 | |
| 07/31/73 | Roosevelt Stadium | 3 | FOB>CM>C>DAT>CDR; via Greg Weister; seeded to etree by Willy | Source Detail | d15 | |
| 08/01/73 | Roosevelt Stadium | 3 | complete show from most up to date SBD sources with AUD patches; compiled from S. Kaplan and N. Weiner seeds; source 1: SBD>MR>R>R>D>CD>EAC>SHN; source 2: SBD>MR>C>D>CD>EAC>SHN; source 3: AUD>MR>C>C>C>CD>EAC>SHN; See info file for details; Seeded to etree by JCotsman; With thanks to Alan Schlissel & Jeff Cook | Source Detail | d16 | |
| 08/01/73 | Roosevelt Stadium | 3 | AudMR > C > C > C > CD; Reported upgrade to previous Weiner seed, see info file for details; Seeded to etree by Noah Weiner | Source Detail | d15 | |
| 08/??/73 | Record Plant | 1 | Wake of Flood outtakes; Betty Cantor reels > PCM > DAT > DIO 2448 > SHN; date(s) (including month) uncertain, this is best guess; via Dave F. | Source Detail | d16 | |
| 09/07/73 | Nassau Veterans Memorial Coliseum | 3 | Sbd, Reel M->Cass 1->Dat 0 -> DAT 1(?) -> CD; 7inch Master Reel: 7.5ips 1/2trk->Tascam 122mkIII 1st Gen Cass->DAT 1(?); via Teddy GoodBear to abgd; later to etree; see flaw notes in pub comments | Source Detail | d17 | |
| 09/07/73 | Nassau Veterans Memorial Coliseum | 3 | AUDMC > DAT > CD > EAC > SHN: Recorded by Jerry Moore, AKG 1000 mic > Sony 110 deck. TASCAM 112MKII cassette deck (MC playback) > Sony PCM-500 DAT deck > HHB800 stand alone burner (CD) > EAC (secure) > mkwact (SHN). Added to etree by Noah Weiner. | Source Detail | d16 | |
| 09/07/73 | Nassau Veterans Memorial Coliseum | 3 | SBD>MR>C>D>CD>EAC>SHN; patched with AUD>MC>D>CD>EAC>SHN; sourced from previous seeds | Source Detail | d16 | |
| 09/08/73 | Nassau Veterans Memorial Coliseum | 3 | SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wulf: Tascam DA20> coax> rme digi96 PCI card> centered the waves and edited and smoothed the track boundaries. Only? minor corrections were applied; no crossfading, no hiss or noise reduction; from Honey Vine #14 via T. Wulf, to etree via M. Bolen (who made .md5s) | Source Detail | d17 | |
| 09/11/73 | College Of William & Mary Hall | 3 | MSR> one cassette gen> DAT> CDR> shn); via George Lanum; see info file and pub comments for flaw notes | Source Detail | d17 | |
| 09/12/73 | College Of William & Mary Hall | 2 | SBD>MR>C>DAT>CDR most of show (minus Here comes sunshine) by Sly_Wow | Source Detail | d17 | |
| 09/15/73 | Providence Civic Center | 3 | set 1: AUD> M?> C> C> D> SHN; set 2: SBD> MR> D> CD> EAC> SHN; Thanks to Jim Powell, Marc Pujol, and Evan Levy; final edits/encoding by JCotsman | Source Detail | d18 | |
| 09/20/73 | The Spectrum | 2 | Complete; Mixed Aud/SBD sources; See info file for details; via Michael Dixon and Scott Clugston; Seeded to etree by JCotsman | Source Detail | d18 | |
| 09/21/73 | The Spectrum | 3 | SBD -> Rm -> Reel -> PCM -> Dat Transfer Info: Dat (Sony R500) -> Samplitude v6.0 -> Cool Edit Pro v1.2 -> CD -> EAC -> SHN via Charlie Miller | Source Detail | d18 | |
| 09/24/73 | Civic Arena | 3 | Mixed AUD/SBD sources; See info file for details; via Michael Dixon, Alan Fink, & Dan Stephens; Seeded to etree by JCotsman | Source Detail | d18 | |
| 09/26/73 | Community War Memorial Auditorium | 3 | SBD: Rm > DAT > CD / Patched with unknown AUD > WAV > SHN; DAE(EAC0.9 beta 4)> tracking(cdwav)> SHN (MKWAct.96f)> FTP by Tripp; with thanks to Darryl Hinko, Tommy Brame | Source Detail | d19 | |
| 09/26/73 | Community War Memorial Auditorium | 3 | flac16; Unknown Audience Lineage provided by Chuck Diliberto transfered by SirMick speed corrected and patched by Kevin Tobin | Source Detail | new seed d32 | |
| 09/26/73 | Community War Memorial Auditorium | 3 | DTS Audio 5.1; Mix of SBD: SBD -> Master Reel -> Dat (48k) and AUD:Unknown lineage transferred by SIRMick; mixed by kevtobin | Source Detail | new seed d32 | |
| 09/26/73 | Community War Memorial Auditorium | 3 | flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller. This is a re-patch of the original source (it's a more complete version). On 11/23/2006 a version of this source was circulated without the patches in d1t14 and d2t01. | Source Detail | new seed d33 | |
| 10/19/73 | Oklahoma City Fairgrounds Arena | 3 | mR> DAT> CDR; complete; E2 is tracked for d2, but could fit on 80min d3; via JW Norris, R. Nayfield; update 10/23/00: this date is now released as Dick's Picks 19- go buy that | Source Detail | d19 | |
| 10/21/73 | Omaha Civic Auditorium | 3 | SBD -> Rm -> ? -> Dat -> Sound Forge -> CD -> EAC -> SHN Converted By Charlie Miller | Source Detail | d19 | |
| 10/23/73 | Metropolitan Sports Center | 1 | partial of set 1 and set 2; source:MR>Dat>cdr using EAC v0.9 prebeta 11 in secure mode to extract, and mkw ver 0.97 beta1 to create shn's conversion to .shn done by Todd Norman norma023@tc.umn.edu | Source Detail | d19 | |
| 10/23/73 | Metropolitan Sports Center | 1 | MSR>D>CD via M. Goetz encoded by Morgan Evans. Note: Has additional OMSN (see info file for discussion) compared to previous etree shn sets. | Source Detail | d19 | |
| 10/25/73 | Dane County Coliseum | 3 | SBD Master Reel > ? > DAT > CD-R > EAC (secure) > Cool Edit(minor cleanup) > CDWAV > mkwact(seekable) via wi-jams, cleanup and encoding by Matt Vernon. | Source Detail | d20 | |
| 10/27/73 | Indianapolis State Fair Coliseum | 3 | Source: MSR > R > C > D > CD patched with MAC > ? > D Conversion: CDR > EAC > CDWave > CoolEditPro > shntool > mkwACT > SHN (seekable) by Charles Wier From the Deadlists vine | Source Detail | d20 | |
| 10/29/73 | Kiel Auditorium | 3 | flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC | Source Detail | new seed d1 | |
| 10/30/73 | Kiel Auditorium | 4 | flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC | Source Detail | d20 | |
| 11/01/73 | McGaw Memorial Hall, Northwestern University | 2 | 2nd set only; SBDMR> Cass> DAT> CDR> EAC> Soundforge> DePopper> SHN; via Howling Bob; Seeded to etree by Mike Parrillo | Source Detail | d21 | |
| 11/09/73 | Winterland Arena | 3 | SBD> MR> C> DAT> CDR; EAC> SHN by Seth Kaplan; Correct sector boundaries verified using .shntool; First few seconds of Here Comes Sunshine are clipped; Small splice at the start of Eyes of the World, some channel dropouts and a little static on a few tunes | Source Detail | d21 | |
| 11/10/73 | Winterland Arena | 3 | MSR> reel > PCM > DAT > CD; see info file for listening notes | Source Detail | d21 | |
| 11/11/73 | Winterland Arena | 3 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> Cool Edit Pro v2.01 -> FLAC (Pitch correction of shn id 83318) All Transfers and Mastering By Charlie Miller | Source Detail | new seed 75 | |
| 11/11/73 | Winterland Arena | 3 | Pitch correction applied by Alan Schlissel to patch in Eyes in previous shn set (which itself was a fix of another previous one). | Source Detail | d21 | |
| 11/11/73 | Winterland Arena | 4 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d33 | |
| 11/14/73 | San Diego Sports Arena | 4 | Updated lineage: SBD > MR > cass > DAT > CD > EAC (secure) > SHN (seekable); EAC> SHN by Matt Vernon, from Eurodead Vine source discs; see tracking suggestions in info file | Source Detail | d22 | |
| 11/17/73 | Pauley Pavilion, UCLA | 3 | SBD> MR> C> DAT> CDR> EAC> SHN; via Tony Gardner from Paul B.'s discs; Splice between ROR and Playin' (no music affected) | Source Detail | d22 | |
| 11/17/73 | Pauley Pavilion, UCLA | 3 | flac16; source: unknown sbd > ??? > shn > wav > flac | Source Detail | new seed 76 | |
| 11/20/73 | Denver Coliseum | 3 | S:MR > DAT > CD > EAC > SHN; via David Hollister, G. S. Hamilton; note UJB may be from different source?; note portions of set 2 on these discs are in "SBD order" vs. "true" order- see public comments for details | Source Detail | d22 | |
| 11/20/73 | Denver Coliseum | 3 | flac16; main source: S:MR > DAT > CD > EAC > SHN (shnid 1234) patch source: MAC (Taped by Cary Wolfson, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) (shnid 22879) | Source Detail | new seed d15 | |
| 11/21/73 | Denver Coliseum | 3 | via D. Barrick (hurtsme2); B. Yerys reports digiprobs at d1t1 ~0:42, d1t4 ~1:10, d2t2 ~10:38 | Source Detail | d22 | |
| 11/21/73 | Denver Coliseum | 3 | MSR > DAT > CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > CDWave v1.71 (tracking) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) Patches: MAC (Taped Taped by Glen Finley, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) | Source Detail | d23 | |
| 11/21/73 | Denver Coliseum | 3 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation | Source Detail | new seed 76 | |
| 11/23/73 | County Coliseum | 4 | SBD > Reel > Cassette > Datx2 > CDR; via L. Orf; reel flips in d1t1, d1t7 (smoothed), d3t2; superior version relative to version circulated 3/8 | Source Detail | d23 | |
| 11/25/73 | Feyline Field | 3 | MSR> Cass.> DATs> CDRs> EAC> SHN; via Darrin Sacks; see info file for known flaws; note md5s for d2t8-10 filler tracks (12/4/71) added here 1/24/01 | Source Detail | d23 | |
| 11/30/73 | Music Hall | 3 | unknown audience recording via David Minor encoded by Matt Vernon and Marc Pujol | Source Detail | d24 | |
| 11/30/73 | Music Hall | 3 | sbd > ? > CDR; Some songs from this date are featured on Dick's Picks 14; go buy it | Source Detail | d24 | |
| 11/30/73 | Music Hall | 2 | sbd > ? > CDR; Some songs from this date are featured on Dick's Picks 14; go buy it | Source Detail | d24 | |
| 12/01/73 | Music Hall | 3 | AUDMC(unknown mics) > ? > C > DAT via David Minor, encoded by Marc Pujol and Matt Vernon | Source Detail | d25 | |
| 12/01/73 | Music Hall | 4 | Master Soundboard Reels > PCM > DAT> CDR; CD Mastering by Scott Clugston | Source Detail | d25 | |
| 12/01/73 | Music Hall | 2 | same info file as previous shn set, but md5s differ; poss reDAE/reshn by unIDed person? | Source Detail | d25 | |
| 12/02/73 | Music Hall | 3 | unknown audience tape via David Minor encoded by Matt Vernon and Marc Pujol | Source Detail | d25 | |
| 12/02/73 | Music Hall | 3 | Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston;a few seconds of overlap between d2,3; to abgd | Source Detail | d26 | |
| 12/04/73 | Cincinnati Gardens | 1 | flac16; SET ONE ONLY SBD -> Master Reel -> Dat Transferred and Edited By Charlie Miller | Source Detail | d26 | |
| 12/04/73 | Cincinnati Gardens | 3 | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller (note: this source includes the encore missing from shn id 86839). | Source Detail | new seed 76 | |
| 12/06/73 | Public Hall | 3 | SBD MR > 1 cass gen > DAT > (AUD patching)> CD > EAC > SHN> slight retrack for d2t3, d3t1, d3t4> shnv2 on those tracks; d3 tracked for 80 min; see notes in info file; seed via David Gans, Jim Powell, Dave Greenberg; shns via Seth Kaplan, Alan Fink, G.S. Hamilton | Source Detail | d26 | |
| 12/08/73 | Cameron Indoor Stadium, Duke University | 4 | SBD:MR> C> DAT> CD> EAC> SHN; via Kirby (Chalupa) Bell, Andy Gustin; note Beginning of Bertha is clipped, JBG is from an AUD source | Source Detail | d26 | |
| 12/10/73 | Charlotte Coliseum | 1 | Partial; Half of last song and encore; See info file for details; master soundboard cassette > reel > pcm > dat > cdr; Seeded to etree by Jools | Source Detail | d26 | |
| 12/12/73 | The Omni | 4 | nearly complete, with soundcheck; MR > C > DAT > CDR; via Trei Hobbs | Source Detail | d27 | |
| 12/18/73 | Curtis Hixon Convention Hall | 3 | SBD Reel master > cassette > DAT > CDR (unknown gens) > EAC > CDWav retracking> SHN; Extraction, retracking, shortening by G.S. Hamilton (for real). Please use md5s to ID copies in circulation. Note d2 has 9 tracks; alternate shn set in circulation has 7 d2 tracks and is not really via Greg, but is apparently from another CD set. (This has same reel change in Wharf Rat (d3t04) @ 6:36.); note noise reduction notes in pub comments apparently pertain to alternate shn set only, no NR on this entry | Source Detail | d27 | |
| 12/19/73 | Curtis Hixon Convention Hall | 3 | Audience; MAC>PCM>Cassette>CD; Seeded to etree by Scott Clugston; Note- Parts of this show appear on DP1; go buy it | Source Detail | d27 | |
| 12/19/73 | Curtis Hixon Convention Hall | 1 | "DP 1 Leftovers"; via Gans, D. Finney; rest is on Dick's Picks 1- go buy it | Source Detail | d27 | |
| 02/22/74 | Winterland Arena | 1 | soundcheck, reportedly this date although mislabeled as 2/24/74 on shn set; SBD > RTR @ 7.5 i.p.s. > D > SSSB; no PCM- see info file; via Jay Serafin to gdlive | Source Detail | d1 | |
| 02/22/74 | Winterland Arena | 3 | mixed SBD sources: Vault MR> DAT 48k, plus MR> Cassette> DAT 44.1k, with small patches from MR> Cassette> DAT> CD; Transfer: DAT> Audiophile 2496> Samplitude v7.02 Professional> SHN; Transfer, editing, and SHN by Joe Samaritano, with thanks to Michael P. Weitzman, David Gans, Charlie Miller | Source Detail | d1 | |
| 02/22/74 | Winterland Arena | 3 | Sources: 1 - sbd > ? > shn > wav > shn 2 - sbd > cass? > cdr > wav > shn via SIRMick (thedarkstar@btinternet.com) | Source Detail | d1 | |
| 02/23/74 | Winterland Arena | 3 | Bertha Remaster of the Master Reel source; SBD> MR> DAT> CDA> SHN> DAW (Bertha)> CDA/SHN, by Jay Ashley | Source Detail | d1 | |
| 02/23/74 | Winterland Arena | 3 | complete; Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; d3 tracked for 80 min | Source Detail | d2 | |
| 02/24/74 | Winterland Arena | 0 | SBD> Master Reel> PCM> DAT> Fostex D5 DAT> Marantz Professional? PMD-320 CD Master> Ricoh MP-6200 series CD-R> HP 8200i CDRW Drive (EAC)> SHNCD; via Jay Serafin, Stephen Windsor; note d4 is 73:52, not 74:06 as stated in accompanying info file, and thus does not require overburning (possibly was EZCD artifact?); no flaws noticed | Source Detail | d2 | |
| 03/23/74 | Cow Palace | 3 | Master Soundboard Reel > DAT > CDR, with patches from Master Soundboard Reel > Cassette > DAT source, and Audience source; d2 is 80 min; via Scott Clugston; note upgrade relative to previously circulating shn set; reported sector boundary probs on d2t4, d2t6- see pub comments; update: portions of show are now DP24- go buy it | Source Detail | d2 | |
| 03/23/74 | Cow Palace | 3 | Sources: AUD MC>(PCM?)>DAT>DA-20>M-Audio 192 (Shnid=78599) Editing and mastering by The Wizard | Source Detail | new seed d33 | |
| 03/??/74 | Mars Hotel Outtakes | 2 | Mars Hotel Outtakes; SBD>?>CDR | Source Detail | d19 | |
| 05/12/74 | University Of Nevada | 3 | MSR> C> DAT> CDRs> EAC> SHN; via Darrin Sacks; previously uncirculated; see notes in info file | Source Detail | d3 | |
| 05/12/74 | University Of Nevada | 1 | MSR>C>DAT>CD w/ pitch corrected aud patches for disk 3 only of SBD seed via Sean Cribbs | Source Detail | d3 | |
| 05/12/74 | University Of Nevada | 1 | Partial 2nd Set; AUD>?>CD; via Jack Warner; Seeded to etree by Matt Vernon | Source Detail | d8 | |
| 05/14/74 | Adams Field House, University Of Montana | 3 | MSR> cassette> DAT> CD-R> TAE> shn; via Bob Murphy | Source Detail | d3 | |
| 05/17/74 | P.N.E. Coliseum | 2 | flac16; set 1,2p; hand-held external stereo mic> portable Sony cassette deck> BASF LH C120 MC> [1 cass gen for Promised only] > HD> CDWave > flac frontend > flac; Taped by: Mike Kent, transferred by Pantagruel | Source Detail | d3 | |
| 05/17/74 | P.N.E. Coliseum | 3 | updated source: Andy Gustin and Jay Ashley report this could be the SBD cass master>1 cass> DAT> 1 cass gen> DAT version noted on Tiedrich's site (had been marked mSR> DAT> CDR> Toast Audio Extraction> SHN); via Andy Gustin; 9/11/73 filler | Source Detail | d3 | |
| 05/17/74 | P.N.E. Coliseum | 3 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed 76 | |
| 05/19/74 | Portland Memorial Coliseum | 3 | complete; Master Soundboard Reel > PCM > DAT> CDR; EAC'ed / SHN'ed by Scott Clugston | Source Detail | d4 | |
| 05/21/74 | Edmundson Pavilion, University Of Washington | 3 | AudMC > WAV > SHN Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony; via David Minches; Seeded to etree by Noah Weiner | Source Detail | d4 | |
| 05/21/74 | Edmundson Pavilion, University Of Washington | 3 | MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496 (shn id 2597) patched with AudMC > WAV > SHN (10150) via Charles Wier | Source Detail | d4 | |
| 05/25/74 | Campus Stadium, UCSB | 3 | MSR > Dick Latvala's cass > DAT > mastered to CD-R on an HHB CDR-850> .shn DAE/reSHN of shn id 205 shn set, via Doug Moog. David Hollister reports problems on USB track | Source Detail | d4 | |
| 06/08/74 | Oakland-Alameda County Coliseum | 3 | Master Audience Reel > Reel to Reel > PCM > DAT, plus Master Soundboard Reel > DAT (Playin' > Wharf Rat> Playin', plus Eyes); mastered and seeded by Scott Clugston with thanks to Skankweed; d3 tracked for 80 min; Ship cut on master | Source Detail | d5 | |
| 06/16/74 | Des Moines State Fair Grandstand | 4 | mixed SBD sources: Set 1: MSR> C> DAT> CD Set 2 & 3: MSC> DAT> CD (except for patch in Wharf Rat which is MSR> ?> DAT> CD), lineage reported by Andy Lemieux; assembled/fixed by Sean Cribbs from Alan Fink's, Steve Windsor's and Andy's source material (see notes in txt) | Source Detail | d5 | |
| 06/16/74 | Des Moines State Fair Grandstand | 4 | S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details; Note- This shn set was submitted by Alan Fink himself | Source Detail | d5 | |
| 06/16/74 | Des Moines State Fair Grandstand | 4 | SBD (could be MR> C> D); complete version via M. Bryan, G. Hamilton; Bertha- splice @ 4:04- serious mix problems prior to this; Sugaree- MR flip @ 3:59; Playin'- d/o @0:01, d/o @3:16; T.Jed- <1 sec. digi-noise @0:02; W.Rat- MR flip @2:50 | Source Detail | d6 | |
| 06/18/74 | Freedom Hall | 3 | Bertha Remaster of the digitized Master Reel source. SBD>>MR>>DAT>>ZA2>>SHN>>DAW(Bertha) - Sound A | Source Detail | d6 | |
| 06/18/74 | Freedom Hall | 3 | SBD> MR>1 cass> DAT> ZA2> SHN; newly circulating crisp version); via D. Sacks, D. Hollister; note d3t2 was bad 11/5, fixed 11/8 | Source Detail | d6 | |
| 06/18/74 | Freedom Hall | 3 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> SHN -> Cool Edit Pro -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed 77 | |
| 06/20/74 | The Omni | 2 | Master 7", 2 track Soundboard Reel > Cassette > DAT > CDR; uploaded by Scott Clugston; via "the usual"; to abgd, later to etree; note d1 tracked for 80 min | Source Detail | d6 | |
| 06/22/74 | Jai-Alai Fronton | 3 | Source: AUD>CASS>DAT>WAV>SHN>DC5>WAV>SHN ; THE OWEN BROTHERS VAULT ; mastering of SHNid=14193; Editing and Mastering by The Wizard | Source Detail | d7 | |
| 06/22/74 | Jai-Alai Fronton | 3 | AudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT transfer by Mark Cohen, December 2002 DAT > SHN/CD by Noah Weiner (noahbw@attbi.com) December, 2002 Tascam 122MKIII cassette deck (MC playback) > Tascam DA40 DAT deck (record) > Fostex D5 DAT deck (playback) > Turtle Beach Montego II Digital I/O > Soundforge (wav editing and track ids) > SHNTOOL (SBE fix) > MKW (shn) | Source Detail | d7 | |
| 06/22/74 | Jai-Alai Fronton | 3 | MR> C> DAT2> CDR3> EAC> SHN; via Darrin Sacks | Source Detail | d7 | |
| 06/22/74 | Jai-Alai Fronton | 3 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed 77 | |
| 06/23/74 | Jai-Alai Fronton | 3 | AudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. | Source Detail | d7 | |
| 06/23/74 | Jai-Alai Fronton | 3 | MSR>DAT>CD w/ MAC>DAT patches | Source Detail | d8 | |
| 06/23/74 | Jai-Alai Fronton | 4 | Remaster of sbd w/ aud patches by Owens Brothers | Source Detail | d8 | |
| 06/26/74 | Providence Civic Center | 4 | AudMC > WAV > CD > EAC > SHN recorded by Jerry Moore near the rear of the floor, close to center axis with Sony ECM-99 Stereo mic (on metal pole) > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. A > D by David Minches, encoding by Noah Weiner, gdADT Round 17. Complete with Seastones. | Source Detail | d8 | |
| 06/26/74 | Providence Civic Center | 3 | MSR > Reel > 4xDAT > CDR (HHB CDR-850) > SHN (EACx2); seeded by J. Oleynick; note original d1 contains some static blemishes from 'River through Row Jimmy; fixed d1 provided by S. Agan, 2/28, with different source info: SBD> MR> C> DAT> CDR; note most of set II is available as Dick's 12- go buy it | Source Detail | d9 | |
| 06/28/74 | Boston Garden | 3 | complete; AudMC > WAV > CD > EAC > SHN recorded by Jerry Moore near the rear of the floor, close to center axis with Sony ECM-99 Stereo mic (on metal pole) > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. A > D by David Minches, encoded by Noah Weiner gdADT Round 18 | Source Detail | d9 | |
| 06/28/74 | Boston Garden | 1 | set 1; SBD> MR> DAT> Sonic Solutions> CD> ?> EAC> SHN; EAC'ed / SHN'ed by Tom Snider, Jr., with thanks to Jeff Cook; other material from show is featured on Dick's Picks 12 itself, go buy it | Source Detail | d9 | |
| 06/30/74 | Springfield Civic Center | 4 | AudMC > DAT > WAV > SHN Recorded by Jerry Moore, 1st level off floor, audience right, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT by Mark Cohen encoding Noah Weiner gdADT Round #16 | Source Detail | d9 | |
| 06/30/74 | Springfield Civic Center | 3 | SBDMR > DATx2 > CD > SHN > WAV > SHN; Soundboard: DAT > CD > SHN transfer by Dan Lynch; Final editing and AUD patching by Noah Weiner | Source Detail | d10 | |
| 06/30/74 | Springfield Civic Center | 2 | flac16; Set II matrix sources: sbd: mr > datx2 > cd > shn > wav > shn (shnid 17814) and aud: mc > dat > wav > shn (shnid 15537) | Source Detail | new seed d33 | |
| 07/19/74 | Selland Arena | 3 | MSR > D > CD patched with MAC > C > C > D Mastering and patches by Dave Greenberg. SHN conversion by Jay Gerland (EAC/mkwACT). Project instigated and organized by Jim Powell. Additional patching by Tim Symons 7-29-02; Note- This is the previous shn set with the 'additional patching'. (Upgrade now in circulation.) | Source Detail | d10 | |
| 07/19/74 | Selland Arena | 3 | flac16; Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic SV3800/44.1k) Transfer Info: Dat -> Sound Forge 4.0 -> SHN (Jamie Lutch June 2001) Mastering Info: SHN -> Samplitude Professional v7.02 -> FLAC Mastering By Charlie Miller Patch Info: AUD>Cm>Cass>Cass>Dat>CD supplies patches in Row Jimmy and Playing In The Band. It also supplies all of Seastones and One More Saturday Night -- This copy does not have the NR that other patched copies have -- Thanks to Rob Eaton for supplying the source Dat | Source Detail | new seed d6 | |
| 07/21/74 | Hollywood Bowl | 3 | Rob Bertrando's Sony ECM-22P mics > Sony TC-152 Cassette Master; AudMC >Reel > DAT > CD; Seeded to etree by Noah Weiner | Source Detail | d10 | |
| 07/21/74 | Hollywood Bowl | 3 | flac16; (FOB) Sony ECM-22P -> Cassette Master (Sony TC-152) -> Reel -> Dat All transfers and Remastering By Charlie Miller | Source Detail | d10 | |
| 07/25/74 | International Amphitheater | 3 | SBD MR > CASS > DAT > CD; original seed via Jim Wise; via Jon Miller, Alan J. Fink, Greg Hamilton; see info file and addendum for notes | Source Detail | d11 | |
| 07/25/74 | International Amphitheater | 2 | SBD -> Rm -> Dat -> Sonic Solutions -> CD seeded by Charlie Miller | Source Detail | d11 | |
| 07/27/74 | Roanoke Civic Center | 2 | SBD> MR> C> DAT> CDR; via Seth Kaplan | Source Detail | d11 | |
| 07/29/74 | Capital Centre | 3 | AudMC > DAT > WAV > SHN. Recorded by Jerry Moore(see notes), 1st level off floor, audience left, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON, Analog > DAT transfer by Mark Cohen, DAT > SHN/CD by Noah Weiner | Source Detail | d11 | |
| 07/29/74 | Capital Centre | 3 | SBD:MR> C1> DAT @ 48kHZ > Sony DAT deck PCM-R300 > coaxial s/pdif > pentium II 350 mHz via Turtle Beach "Fiji" soundcard > CoolEdit Pro > convert to 44.1kHz in CoolEdit Pro > Smart & Friendly CDR SCSI drive > CD; some diginoise was fixed, some smaller diginoise was not; tracked for 2x80 plus encore for filler elsewhere, but can fit on 3x74; via Teddy Good Bear, Doug Johnson to abgd | Source Detail | d11 | |
| 07/29/74 | Capital Centre | 3 | flac16; Sick Bits Vol. 8 - SBD/AUD Matrix of 2 previously circulating sources: (SBD - SHN ID# 2277, and AUD - SHN ID# 17968); edited and transfered by Chris Chappell | Source Detail | d12 | |
| 07/31/74 | Dillon Stadium | 3 | AudMC > 7" Reel > DAT > WAV > SHN; via Bill Degen; Noah Weiner | Source Detail | d12 | |
| 07/31/74 | Dillon Stadium | 4 | SBDMR> DATx> CD> DAT> CD> EAC> SHN; via Ziggy, Jack Warner, Kirby "Chalupa" Bell, Darrin Sacks; see info file for minor anomalies | Source Detail | d12 | |
| 07/31/74 | Dillon Stadium | 3 | flac16; Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC | Source Detail | new seed d2 | |
| 08/04/74 | Philadelphia Civic Arena | 3 | AUDMC > DAT > WAV > SHN Recorded by Jerry Moore w/ 2 AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT transfer by Mark Cohen DAT > SHN/CD by Noah Weiner | Source Detail | d13 | |
| 08/04/74 | Philadelphia Civic Arena | 3 | MSR> DATs> CDRs> EAC> SHN; small aud patches in PITB (14:28-14:41) and LIG (16:20-16:35) and the first few seconds of Sugar Magnolia; via Bob Fishman, Darrin Sacks | Source Detail | d13 | |
| 08/05/74 | Philadelphia Civic Arena | 3 | AUDMC > DAT > WAV > SHN - Recorded by Jerry Moore w/ 2 AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Added to etree by Noah Weiner. | Source Detail | d13 | |
| 08/05/74 | Philadelphia Civic Arena | 3 | MSR> C> C> DATs> CDRs> EAC, with AUD patches from Jerry's Moore's MC>D>CD (AKG D1000s>Sony TC-152); via Darrin Sacks | Source Detail | d14 | |
| 08/06/74 | Roosevelt Stadium | 3 | AUD (unknown mic) MR> R> DAT> HD> Soundforge> SHN> CD, recorded by Neil Merin; plus patches from Ihor Slabicky's AUD (see info file); A>D by Noah Weiner; via Audience Devotional Tree | Source Detail | d14 | |
| 08/06/74 | Roosevelt Stadium | 4 | fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy" | Source Detail | d14 | |
| 09/09/74 | Alexandra Palace | 2 | SBD>MR>DAT(X2)>CDR; Note- Missing 6 of last 8 songs; Seeded to etree by Sly_Wow | Source Detail | d15 | |
| 09/10/74 | Alexandra Palace | 3 | Vault Soundboard Reels->Cassette->DAT->PCM->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN DAT seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano | Source Detail | d15 | |
| 09/11/74 | Alexandra Palace | 3 | Jay Ashley (Bertha) remaster of Master Reel source; SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A | Source Detail | d15 | |
| 09/11/74 | Alexandra Palace | 4 | Candelario Matrix MSR D CD except first 15:22 of Seastones (on Disc #2): AUD end of Sunshine Daydream and encore: AUD See info file for details; Mastering by Dave Greenberg; via Jed Distler; Seeded to etree by Jim Powell and Jay Gerland; See note in 'public comment' area regarding d3fix md5's | Source Detail | ||
| 09/14/74 | Olympiahalle | 3 | AUD MR> D> CD; via Hanno Bunjes; Sugar Magnolia has dropout (seems to be on all copies); Hanno's notes | Source Detail | d16 | |
| 09/14/74 | Olympiahalle | 3 | flac16; Recording Info: SBD -> Master Reel -> Dat Transferred and Edited By Charlie Miller | Source Detail | d16 | |
| 09/14/74 | Olympiahalle | 2 | flac16; Set 2, plus Phil/Ned; SBD> Master Reel (7in @ 7.5ips 1/2tr)> Dat (3700/44.1k)> Dat (3800/44.1k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller | Source Detail | d16 | |
| 09/18/74 | Parc Des Expositions | 3 | Bertha Remaster of the master reel source. SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B+ | Source Detail | d16 | |
| 09/18/74 | Parc Des Expositions | 3 | Lineage: SBD -> Rm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN via Charlie Miller ((/shn/20675) with one track modified to remove a pop (see notes) by Matt Vernon | Source Detail | d17 | |
| 09/18/74 | Parc Des Expositions | 1 | flac16: **SOUNDCHECK ONLY** Lineage: SBD -> Master Reel -> Dat Transfer Info: Dat -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC Transferred and Mastered By Charlie Miller | Source Detail | d17 | |
| 09/20/74 | Palais Des Sports | 3 | SBD > master reel > reel to reel > DAT > CD > SoundForge > CD; stemming from Marcello Gasperini?s and Julian's source material; see info file for various fixes and flaws; to a tree?, runs a bit slow? (see notes in info for companion 9/21/74 shns) | Source Detail | d17 | |
| 09/21/74 | Palais Des Sports | 3 | flac16; SBD -> Master Reel -> Reel -> Dat Transferred and Edited By Charlie Miller | Source Detail | dvd 180 | |
| 10/16/74 | Winterland Arena | 4 | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed 78 | |
| 10/16/74 | Winterland Arena | 4 | Source: Reel Master>Cassette>DAT>EAC 0.93b>MKWACT via JR Fishman | Source Detail | d17 | |
| 10/16/74 | Winterland Arena | 4 | SBD: MR> R> C> D> CD> EAC> SHN, with Aud patches: Aud master> Rx2> C> D> CD; via A. Kowalski to BUDD and GDH-Trading; 10/22/67 filler; PITB split into 2 tracks at d/o removal (md5 version d2b); d2a.md5 likely reflects pre-split PITB and may not circulate | Source Detail | d18 | |
| 10/16/74 | Winterland Arena | 4 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed 77 | |
| 10/16/74 | Winterland Arena | 4 | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed 78 | |
| 10/17/74 | Winterland Arena | 3 | MultiTrack Master Reel > DAT > Sonic Solutions > CD; see info file for notes; via Steve Barbella, Rich Danyko, Matt Vernon | Source Detail | d18 | |
| 10/18/74 | Winterland Arena | 3 | Bertha Remaster of the Master Reel and multi-gen Reel source; SBD>>MR>>MDAT(44.1k)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B to A+ | Source Detail | d18 | |
| 10/18/74 | Winterland Arena | 3 | Set I : SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN Set II and III : SBD -> Reel Master -> Dat Master (44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN Transfered and Edited By Charlie Miller | Source Detail | d19 | |
| 10/19/74 | Winterland Arena | 3 | Recording Info: SBD -> Reel Master -> Dat Master (Panasonic SV-255/48k) Transfer Info: Dat Master (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) Patch Info: SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat -> Samplitude -> CD -> EAC -> SHN Transfered and Edited By Charlie Miller charliemiller87@earthlink.net 1/14/04 | Source Detail | d19 | |
| 10/20/74 | Winterland Arena | 4 | mixed sources (see info file, and for flaws); via D. Finney, stemming from Frank's Picks tree- more info; note some material from show appears on album Steal Your Face- go buy it; see public comments for quality note | Source Detail | d19 | |
| 03/17/75 | Ace's | 3 | SBD>MR>DAT>CDR; David Crosby and the Dead from weir's Studio; via Raoul Duke; seeded to etree by Matt Vernon | Source Detail | d1 | |
| 03/21/75 | Ace's studio | 1 | SNACK rehearsals, poss compilation of dates; ??> cass> cooledit> mkw> shn; Tracking/ re-shn (v3) from original single shn file, by terrapinstation | Source Detail | d1 | |
| 03/23/75 | Kezar Stadium | 1 | SBD>FM>?>DAT>CDR Only flaw listed: One small d/o in the 1st Blues for Allah (Track 2) @ 4:36 | Source Detail | d1a | |
| 03/26/75 | Ace's Studio | 1 | rehearsals; sbd> ?> PCM> SEK'D Prodif96Pro> wav> SHN; 1-disc portion of 6 discs seeded to abgd, with seeking reshn on t1,2 by terrapinstation | Source Detail | d1 | |
| 03/26/75 | Ace's Studio | 1 | rehearsals; sbd> ?> PCM> SEK'D Prodif96Pro> wav> SHN; 1-disc portion of 6 discs seeded to abgd, with seeking reshn on t1,2 by terrapinstation | Source Detail | d1a | |
| 03/??/75 | Studio (Blues for Allah Outtakes) | 1 | liberated bootleg CD-> EAC-> WAV-> SHN; via Dave Backus | Source Detail | d1 | |
| 04/02/75 | Ace's Studio | 1 | rehearsals; 1st Gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; There's some question as to the accuracy of this date; via terrapinstation to etree | Source Detail | d1a | |
| 04/17/75 | Ace's Studio | 1 | rehearsals; sbd> ? gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; SBEs fixed with shntool, renamed to fit Etree standards and re-shn'ed by terrapinstation | Source Detail | d1 | |
| 06/05/75 | Club Front | 1 | rehearsals; SBD: 2nd gen cass> PCM>SEK'D Prodif96Pro> wav> SHN; SBEs fixed (with shntool), files renamed, re-shn'ed, text file created by terrapinstation | Source Detail | d1 | |
| 06/05/75 | Club Front | 2 | rehearsal sessions from June 3, 4 & 5, 1975 from low-generation cassette. via Hanno Bunjes, Uli Teute | Source Detail | d1 | |
| 06/17/75 | Winterland Arena | 2 | AUD CM>DAT>CD> EAC> SHN; Recorded by Rob Bertrando: Sony ECM-280 mics > Sony TC-152 SD cassette > playback on Nak Dragon > DAT; audience from Winterland floor, about 30-35' back, just to the? left of dead center; via Alan Fink, Mark Ferguson | Source Detail | d2 | |
| 06/17/75 | Winterland Arena | 1 | sbd>? gen cass>PCM>SEK'D Prodif96Pro>wav>SHN via David Backus | Source Detail | d2 | |
| 06/17/75 | Winterland Arena | 1 | flac16; AUD/SBD Matrix of 2 previously circulating sources: AUD - (shn ID #233) and SBD - (shn ID #20084). Edited and converted by Chris Chappell. | Source Detail | d2 | |
| 06/17/75 | Winterland Arena | 2 | AUD CM>DAT>CD> EAC> SHN; Recorded by Rob Bertrando: Sony ECM-280 mics > Sony TC-152 SD cassette > playback on Nak Dragon > DAT; audience from Winterland floor, about 30-35' back, just to the? left of dead center; via Alan Fink, Mark Ferguson | Source Detail | d2a | |
| 07/07/75 | Ace's Studio | 1 | sbd>? gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; via terrapinstation to etree | Source Detail | d2 | |
| 07/07/75 | Ace's Studio | 1 | sbd>? gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; via terrapinstation to etree | Source Detail | d2a | |
| 08/13/75 | Great American Music Hall | 2 | Pitch corrected version of FM broadcast originally seeded by CousinIt by Matt Vernon | Source Detail | d2 | |
| 09/28/75 | Lindley Meadows, Golden Gate Park | 2 | Bertha Remaster of the master reel source; SBD>>MR>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A | Source Detail | d2 | |
| 09/28/75 | Lindley Meadows, Golden Gate Park | 2 | SBD : MR > DAT > CDR (HHb850); DAT > CDR transfer by Dan Sisler; Seeded to etree by Alan J. Fink | Source Detail | d2 | |
| 09/28/75 | Lindley Meadows, Golden Gate Park | 2 | SBD : MR > DAT > CDR (HHb850); DAT > CDR transfer by Dan Sisler; Seeded to etree by Alan J. Fink | Source Detail | d2a | |
| 05/28/76 | Orpheum Theatre | 2 | Studio Rehersal Tapes; SBD>?>CD; Actually a compilation of material recorded on 5-28,29,30-76; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon | Source Detail | d1 | |
| 06/03/76 | Paramount Theatre | 3 | AUDMC > DAT > WAV > SHN Recorded by Pat Lee, 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on | Source Detail | d1 | |
| 06/03/76 | Paramount Theatre | 3 | Complete; unknown aud > ? > DAT >; via Dale Shepherd; Matt Vernon. [Dolby decoded version added 7/2003] | Source Detail | d1 | |
| 06/03/76 | Paramount Theatre | 3 | SBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; last 2 songs missing; see info file for additional flaw notes; reseed with encores also circulates; upgrade in circulation | Source Detail | d1 | |
| 06/04/76 | Paramount Theatre | 3 | unknown aud > ? > DAT; via Dale Shepherd; Seeded to etree by Matt Vernon | Source Detail | d2 | |
| 06/04/76 | Paramount Theatre | 3 | SBD>MR>?>D>CD; With aud patches for several songs; See info file for details; via Jeff Cook, Jon Miller, Matt Vernon, & Raoul Duke; Seeded to etree by J. Cotsman | Source Detail | d2 | |
| 06/09/76 | Boston Music Hall | 3 | FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes. | Source Detail | d2 | |
| 06/09/76 | Boston Music Hall | 1 | set 1 SBD>MR>R>D>CD>EAC>SHN with patches from AUD>MC>D>CD>EAC>SHN by J. Cotsman | Source Detail | d2 | |
| 06/09/76 | Boston Music Hall | 2 | set 2; SBD> MR> DAT> SS> CDR> EAC> SHN; via Tony Gardner, from Paul B. seed discs | Source Detail | d2 | |
| 06/10/76 | Boston Music Hall | 3 | FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d1 tracked for 80 min. | Source Detail | d3 | |
| 06/10/76 | Boston Music Hall | 3 | Recorded by Jerry Moore; AKG 200Es> Sony TC-153, close to stage in orchestra mics hand held. AUDMC > DAT by Mark Cohen. DAT > SHN by David Minches. | Source Detail | d3 | |
| 06/10/76 | Boston Music Hall | 3 | SBD -> Rm -> PCM -> Dat -> Prodif Plus -> Samplitude v6.0 -> SHN via Charlie Miller | Source Detail | d3 | |
| 06/10/76 | Boston Music Hall | 3 | Recorded by Jimmy Warburton AKG 1000Es> Sony TC-152. Reel -> DAT conversion by Mark Cohen. DAT -> SHN conversion by David Minches. | Source Detail | d9 | |
| 06/10/76 | Boston Music Hall | 3 | flac16; Source Info: SBD Master Reel -> PCM -> Dat (44.1k) Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 and Ozone. Dithered L2 Type-1 Ultra by Jamie Waddell | Source Detail | new seed d34 | |
| 06/10/76 | Boston Music Hall | 3 | flac16; Source Info: SBD Master Reel -> PCM -> Dat (44.1k) Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 and Ozone. Dithered L2 Type-1 Ultra by Jamie Waddell | Source Detail | new seed 78 | |
| 06/11/76 | Boston Music Hall | 3 | FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades/sbd splice with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d1 tracked for 80 min. | Source Detail | d4 | |
| 06/11/76 | Boston Music Hall | 3 | Recorded by Jerry Moore; AKG 200Es> Sony TC-153, mics split along front of loge. AUDMC > DAT conversion by Mark Cohen, DAT > SHN conversion by David Minches | Source Detail | d4 | |
| 06/11/76 | Boston Music Hall | 3 | MR>DAT>DAT Clone @ 44.1 kHz (Tascam DA20)>SBLive Platinum SPDIF In>WAV Edit (Sound Forge)>SHN (mkw audio compression tool)>CDR (HP 8200); via GDLive [Note: An sbe-fixed-by-set version also circulates] | Source Detail | d4 | |
| 06/12/76 | Boston Music Hall | 3 | SBD> FM(WBCN)> MR(7.5ips); Conversion: Akai 4000DS MKII > Turtle Beach Tropez > CoolEdit96 > CD Wave > SHN; Taped by Peter Wrenn, Seeded by Stephen Wrenn; to etree via Doug Moog; Wheel from unknown AUD; see notes in info file | Source Detail | d4 | |
| 06/12/76 | Boston Music Hall | 3 | FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d3 tracked for 80 min. | Source Detail | d5 | |
| 06/14/76 | Beacon Theatre | 3 | S:MR>PCM>DAT>CD>EAC>SHN Note: This shn set was modified by replacing the incomplete encore at end of disk 3 with the complete encore (previously on end of disk 2) and removing it from end disk 2 | Source Detail | d5 | |
| 06/14/76 | Beacon Theatre | 3 | Sony TC 153 Sony SCM 99A Mikes > Cassette x 2; See info file for transfer notes; via Dave Minor and Dale Shepherd; Seeded to etree by Matt Vernon | Source Detail | d5 | |
| 06/14/76 | Beacon Theatre | 3 | flac16; Betty Board > PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 by Jamie Waddell | Source Detail | new seed 78 | |
| 06/15/76 | Beacon Theatre | 3 | Jay Ashley (Bertha) remaster of original reel source; SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CD | Source Detail | d5 | |
| 06/15/76 | Beacon Theatre | 3 | SBD > Master Reel > PCM > DAT; Transfer:? DAT > WAV (via TB Fiji S/PDIF) > SHN; via Andy Gustin, Jeff Kempka; see info file and pub comments for flaw notes | Source Detail | d6 | |
| 06/15/76 | Beacon Theatre | 3 | Sony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; See info file for transfer details; via Dale Shepherd, Dave Minor; Seeded to etree by Matt Vernon | Source Detail | d6 | |
| 06/17/76 | Capitol Theater | 3 | Sony TC 153 Sony ECM 99A Mikes Master Cassette > Reel > DAT; via Dave Minor, Raoul Duke; Transfer by Dale Shepherd; Seeded to etree by Matt Vernon | Source Detail | d6 | |
| 06/17/76 | Capitol Theater | 3 | flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d34 | |
| 06/18/76 | Capitol Theater | 3 | Sony ECM 99's > Sony TC-152 MC > Teac 2300 @ 3.75 ips Reel > Reel played back on Akai GX-4000D > Teac AN-80 Dolby B Noise Reduction Unit > ART DI/O A/D Convertor > Hard Drive > CD. Taper: Jimmy Warburton,30-35 rows right center. A/D Transfer, editing and tracking by David Minches, shn encoding Matt Vernon | Source Detail | d6 | |
| 06/19/76 | Capitol Theater | 3 | PRE-FM; SBD master reel > DAT > CD (x2); Unknown seeder | Source Detail | d7 | |
| 06/21/76 | The Tower Theatre | 3 | Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson | Source Detail | d7 | |
| 06/22/76 | The Tower Theatre | 3 | Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson | Source Detail | d7 | |
| 06/23/76 | The Tower Theatre | 3 | AudMC > HD > WAV > SHN Recorded by Jerry Moore from 1st row loge, w/ a pretty good spread on mikes with 2 hand held Sony ECM-33Ps > Sony TC-152 deck with Dolby B ON. Analog > Digital transfer David Minches, encoded by Matt Vernon | Source Detail | d8 | |
| 06/24/76 | The Tower Theatre | 2 | Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson; d1 tracked for 80 min | Source Detail | d8 | |
| 06/24/76 | The Tower Theatre | 2 | WMMR FM Broadcast > RTR > DAT > CD-R; via Jonathan Miller; Seeded to etree by Dave Backus | Source Detail | d8 | |
| 06/24/76 | The Tower Theatre | 1 | Set 2 only ; SBD>MR>DAT>CDR ; Via PT. ; Seeded to etree by T. Wiley | Source Detail | d8 | |
| 06/26/76 | Auditorium Theatre | 3 | Aud > ??? > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); via Matt Vernon | Source Detail | d8 | |
| 06/27/76 | Auditorium Theatre | 2 | aud > ?? > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); via Matt Vernon | Source Detail | d9 | |
| 06/28/76 | Auditorium Theatre | 3 | Recorded with Shure 545s> Nak 550 via Bob Wagner. Lineage: AUDMC > Reel > WAV > SHN conversion by David Minches. | Source Detail | d9 | |
| 06/29/76 | Auditorium Theatre | 3 | 7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > DAT > ZA2 > CDR > EAC > SHN; via Jeff Tiedrich, David Hollister, Mike (Dank Star) Parrillo, Andy Gustin; with interleaved reel splices for completeness | Source Detail | d9 | |
| 07/12/76 | Orpheum Theatre | 3 | Recorded by Bob Menke; Sony ECM-270s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN. DAT > SHN conversion by David Minches. | Source Detail | d9 | |
| 07/12/76 | Orpheum Theatre | 4 | Soundcheck - SBD-> Master VHS-> DAT-> CD; Set One - SBD-> RM-> Reel-> Reel-> Reel-> DAT-> CD; Set Two - SBD-> RM-> DAT-> Sonic Solutions-> CD; Tennessee Jed from Set One patched from Bob Menke's Aud Recording AUD->RM->DAT->CDCD->EAC (in secure mode)-> SHN conversion by AJ; with thanks to Charlie Miller, David Gans; shn branch of KPFA tree | Source Detail | d10 | |
| 07/13/76 | Orpheum Theatre | 2 | Recorded by Bob Menke; Sony ECM-270s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN. DAT > SHN conversion by David Minches. | Source Detail | d10 | |
| 07/13/76 | Orpheum Theatre | 2 | Jay Ashley (Bertha) Remaster of Multi-Gen Reel source; SBD>>MR>>Reel>>Reel>>Reel>>Dat>>CDA>>DAW(Bertha)>>CDA | Source Detail | d10 | |
| 07/13/76 | Orpheum Theatre | 2 | MSR>?(1st or 2nd gen.Cass.)> CDR with AUD Patch source: MAC w/ Sony ECM 270s>Reel>DAT>CDR via Andy Lemieux, encoded by Matt Vernon | Source Detail | d10 | |
| 07/14/76 | Orpheum Theatre | 3 | MAR > Reels > DAT > CD recorded by Bob Menke with Sony ECM-280 mics into a Sony TC-152. Patch Source: SBD>MR>C>DAT>CDR. Thanks to David Minches for the disks and Jeff Cotsman for the pitch corrections. Encoding and patching by Matt Vernon. | Source Detail | d11 | |
| 07/14/76 | Orpheum Theatre | 3 | SBD>MR>C>DAT>CDR patched with the Bob Menke audience recording via Raoul Duke encoding/patching by Matt Vernon | Source Detail | d11 | |
| 07/16/76 | Orpheum Theatre | 2 | Set 2 DTS-Audio-CD 5.1 Mix via Dan | Source Detail | dvd 197 | |
| 07/16/76 | Orpheum Theatre | 3 | Recorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony; MAC > DAT > CD, except U.S. Blues encore, which is MAC > R > DAT > CD (Menke could not locate his master recording of the encore when this new transfer was done). EAC> WAV> SHN by Sean Cribbs | Source Detail | d11 | |
| 07/17/76 | Orpheum Theatre | 3 | SBD: Master Reel > DAT > CD (possible "new leak"?); Eyes has a 45-second AUD splice, and 2 sec repeat at 3:30 (is that the splice point?); via J. Fricker | Source Detail | dvd 197 | |
| 07/17/76 | Orpheum Theatre | 3 | Recorded by Bob Menke; Sony ECM-280s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN via David Minches | Source Detail | d11 | |
| 07/18/76 | Orpheum Theatre | 3 | SBD > ??? > CDR > CDR > SHN (via EAC and mkwACT); via M. Ferguson; no digiflaws, some amplifier hum, "dead air" spaces cut | Source Detail | d12 | |
| 08/02/76 | Colt Park | 3 | K. Gatto's AUD (Sony tc-152 cassette> DAT> CD); seed via J. Wise, T. OConnell et al; EAC, shn, upload by A. Jerugim | Source Detail | d12 | |
| 08/02/76 | Colt Park | 3 | flac16; Source: Audience FOB Recording Media: Maxell UD-XL1 C90 Master Tapes Lineage: MAC? (we can't for sure indicate that this is a master cassette, this might be a 1st gen copy) > Nak DR-1 > Apogee Rosetta 200 > Firewire > Apple G5 > Bias Peak 24/96 wav > FLAC > WAV > See Editing notes Taped by: E. Singer Transfer by: Derek McCabe Mastered by: SIRMick | Source Detail | new seed d25 | |
| 08/04/76 | Roosevelt Stadium | 3 | Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon | Source Detail | d12 | |
| 08/04/76 | Roosevelt Stadium | 3 | SBD> MR> C> D> CD> EAC> SHN; with patches from AUD> MC> D> CD> EAC> SHN; see info file for details; Thanks to Chuck Gannon, Matt Vernon, and David Backus; edits/encoding by JCotsman | Source Detail | d13 | |
| 09/23/76 | Cameron Indoor Stadium, Duke University | 3 | Primary source - SBD: Cm-> C-> Cx2-> DAT-> CDR->EAC->SHN Aud patch sources: AUD: Cm->?-> C-> DAT-> CDR. DAE and shn encoding done by D.Backus | Source Detail | d13 | |
| 09/24/76 | College Of William & Mary Hall | 3 | AUD Reel > 48kDATs > midiman delta dio 2496 > cooledit2000 > wav >shn | Source Detail | d13 | |
| 09/25/76 | Capital Centre | 3 | SBDMR> CASS/1> DAT> CD> EAC> SHN; via A. Jerugim; known flaws: 1 sec distortion d3t3 6:22; Sunshine Daydream cuts @0:27; 4/26 update- error in d1- reseeded ~4/27; this date later released as part of Dick's Picks 20 | Source Detail | d13 | |
| 09/27/76 | Community War Memorial Auditorium | 3 | Sony ECM-33Ps> Sony TC-152 (Cass. master)> DAT> CDR> EAC> Sound Forge (no sound processing)> SHN; via Mike "dankstar" Parrillo; to etree and abgd; update- not taped by Jerry Moore | Source Detail | d14 | |
| 09/27/76 | Community War Memorial Auditorium | 3 | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed 79 | |
| 09/28/76 | Onongada County War Memorial | 2 | Source: Unknown aud (FOB) via Dave Minor patched with SBD. DAT > SHN transfer by Dale Shepherd, shn encoding, pitch correction and patching by Matt vernon | Source Detail | d14 | |
| 09/28/76 | Onongada County War Memorial | 1 | Dick's Picks 20 leftovers: 9/25/76 Its All Over Now, plus 9/28/76 Bertha; SBD > MR > ? > CDR> EAC (secure) > Cool Edit (minor fixes) > CDWav(retracking) > mkwact(seekable); via Matt Vernon with thanks to Raoul Duke | Source Detail | d14 | |
| 09/28/76 | Onongada County War Memorial | 2 | Source: SBD > ? > SHN > Cool Edit(see notes) > CDWAV > mkwact(seekable). shn encoding and patching (unkown FOB aud)by Matt Vernon | Source Detail | d14 | |
| 09/30/76 | Mershon Auditorium, Ohio State University | 3 | FOB - AUD master cass > Cass > DAT > CD; Scarlet from: SBD master reel > PCM > cass > CD; See info file for details; via Jonathan Miller; Seeded to etree by Dave Backus | Source Detail | d14 | |
| 09/30/76 | Mershon Auditorium, Ohio State University | 1 | Partial Set 1,2 SBD>Rm>Dat>Sonic Solutions>CD>EAC>SHN via Charlie Miller | Source Detail | d15 | |
| 10/01/76 | Market Square Arena | 3 | AudMC > DAT > WAV > SHN -- Recorded by Jerry Moore about 20 rows from the stage on center axis with 2 hand held Sony ECM-33Ps > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON. | Source Detail | d15 | |
| 10/02/76 | Riverfront Coliseum | 3 | AudMC > DAT > WAV > SHN taped by Jerry Moore with 2 hand held Sony ECM-33Ps > Sony TC-153 deck, Maxell UD-120 cassettes, with Dolby B ON. A>D and shn encoding by Noah Weiner. | Source Detail | d15 | |
| 10/03/76 | Cobo Arena | 3 | complete; 1st set: AUD> ?> CD> EAC> SHN; 2nd set: SBD> MR> D> CD> EAC> SHN; with patches in second set from the audience recording as well as an FM SBD; Thanks to Jeff Cook, Doug Moog; edits/encoding by JCotsman | Source Detail | d15 | |
| 10/09/76 | Oakland-Alameda County Coliseum | 2 | Unknown aud > ? > DAT; via Dave Minor; Transfer by Marc Pujol; Seeded to etree by Matt Vernon | Source Detail | d15 | |
| 10/09/76 | Oakland-Alameda County Coliseum | 2 | partial; S:GDH PreFM DAT> ZA2> DartPro32 de-hiss w/ 2.7 gain> CD> EAC> SHN; No noise reduction on disc 2; via D. Hollister, J. Ayers; w/ 5/1/70 filler; etreed 3/24/00; 5/1/70 filler | Source Detail | d15 | |
| 10/09/76 | Oakland-Alameda County Coliseum | 1 | Set 2; SBD>Rm>Dat>Sonic Solutions>CD; Seeded to etree by Charlie Miller | Source Detail | d16 | |
| 10/10/76 | Oakland-Alameda County Coliseum | 3 | Reinhardt Hollwein Sony ECM-220 + Sony ECM-280>Sony TC-15; via JackySack; Seeded to etree by Matt Vernon | Source Detail | d16 | |
| 10/10/76 | Oakland-Alameda County Coliseum | 2 | Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; tracked for 2x80 | Source Detail | d16 | |
| 10/14/76 | Shrine Auditorium | 3 | Source: MAC>R>D > ? > D, Recorded by Rob Bertrando, Sony ECM-280s>Sony TC-152; via Dave Minor; Dat transfer by Marc Pujol; Seeded to etree by Matt Vernon | Source Detail | d16 | |
| 10/14/76 | Shrine Auditorium | 2 | composite and patched: AUD> MC> R> D> ?> D> CD> EAC> SHN (Bertrando recording) plus SBD> MR> D> CD> EAC> SHN; see notes; via Jeff Cotsman | Source Detail | d16 | |
| 10/15/76 | Shrine Auditorium | 3 | Source: Recorded by Rob Bertrando, Sony ECM-280s>Sony TC-152 Lineage: MAC>D>CD; via JackySack; Seeded to etree by Matt Vernon | Source Detail | d17 | |
| 10/15/76 | Shrine Auditorium | 3 | MSR> DATs> CDRs> EAC> SHN; via D. Sacks; Flaws: Slight digi-static at beginning of Might as well; Mama Tried Cut at beginning; reel flip at @ 2:18 in Lazy Lightning; Splice @ 2:00 in Samson | Source Detail | d17 | |
| 10/15/76 | Shrine Auditorium | 3 | flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d34 | |
| 12/31/76 | Cow Palace | 3 | PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) 2nd encores from MAR (unknown equipment) > Reel > Beta HiFi > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) [Note: A de-popped version created by Dave Winters for disk 3 also circulates. Check the .md5 for d3t03 to determine which version you have.] |
Source Detail | d17 | |
| 02/20/77 | Sound City | 1 | Terrapin Station Outtakes; sbd>?>cdr; Seeded to etree by Paul Moreno | Source Detail | d1 | |
| 02/26/77 | Swing Auditorium | 3 | SBD > Master Reel > PCM > DAT > CD-R; via DaveTree; Seeded to etree by AlphaDog | Source Detail | d1 | |
| 02/26/77 | Swing Auditorium | 3 | flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk (Tim Deibert) WBOTB | Source Detail | d22 | |
| 02/26/77 | Swing Auditorium | 3 | SBD>MR>DAT>CD; Editing and mastering by The Wizard | Source Detail | d22 | |
| 02/26/77 | Swing Auditorium | 3 | From the Owen Brothers Vault. Main source: SBD>MR>DATs>CDR>EAC>CDR>EAC>CDWAV>SHN. With AUD patches from: Sony ECM-280>Sony TC-153SD>MC>RR>DAT>CDR and between song tuning patches from: SBD>MR>C>C>CD. | Source Detail | d22 | |
| 02/27/77 | Robertson Gym, U.C.S.B. | 2 | Sony ECM-280> Sony TC-153SD ACM> R>DAT> CDR taped by Dr. Rob Bertrando; via Raoul Duke; Seeded to etree by Matt Vernon; Note- d2t06 does not exist, this was merely a naming error and the show is complete as is. | Source Detail | d22 | |
| 03/18/77 | Winterland Arena | 1 | Source info: SBD 1: SBDMR @ 7.5 ips>DAT>CD>EAC>SHN (track 2 and 3) SBD 2: SBD>(unknown analog/digital gens)>CD>EAC>SHN (track 1) AUD: Master (R. Bertrando Sony ECM-270/TC-152SD) Cassette>DAT>CD>EAC>SHN (patch in track 3) | Source Detail | d23 | |
| 03/18/77 | Winterland Arena | 3 | SBDMR @ 7.5 ips> DAT> CD> EAC> SHN, with AUD patches; AUD portions: Master (R. Bertrando Sony ECM-270/TC-152SD) Cassette> DAT> CD> EAC> SHN; note skip or maybe reel flip d2t2 5:38; d3t3>4 track marker off by ~1:45; d3t5, 'NFA', has an undocumented AUD splice from 14:20 to 15:06 | Source Detail | d23 | |
| 03/19/77 | Winterland Arena | 3 | SBD>MR>DAT>DAT>Sonic Solutions>CDR; original tree and covers; note circ at one site 10/99 w/ problem in d3t5?; note Terrapin has fluttery flaws from master reel | Source Detail | d1 | |
| 03/20/77 | Winterland Arena | 2 | SBD > Reel(1) > ?? > DAT > WAV > SHN; Transfer via TB Fiji (S/PDIF) by J. Kempka; DAT seeded by T. Buller; no Terrapin encore on this source; some hiss. [Note: A version circulates with the sbe's fixed on set 1]; upgrade in circulation | Source Detail | d1 | |
| 03/20/77 | Winterland Arena | 2 | Recording Info: SBD -> Master Reel -> Dat x 2 -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Tracked and SHN'd By Charlie Miller | Source Detail | d23 | |
| 04/22/77 | The Spectrum | 2 | Multiple sources; AUD>MC>D>CD; SBD>MR>D>CD; SBD>MR>?>CD; See info file for details; via Matt Vernon, Raoul Duke, & Jools; Seeded to etree by J. Cotsman | Source Detail | d1 | |
| 04/22/77 | The Spectrum | 2 | FOB Sony ECM99A mics > Sony TC152 > Cass > DAT > CDR; Samson is missing due to a tape flip; Seeded to etree by Dave Luzenske | Source Detail | d2 | |
| 04/22/77 | The Spectrum | 3 | flac16; SBD (7 inch Master Reels @ 7.5ips 1/2trk)> Dat> Dat (44.1k), plus patches from FOB Sony ECM99A> Cassette; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller | Source Detail | d23 | |
| 04/23/77 | Springfield Civic Center | 2 | SBD> MR> DAT> CD, with AUD patch on reel splice (FOB Sony ECM99A mics> Sony TC152> DAT> CD via Darrin Sacks); via Adam Jerugim; upgrade in circulation | Source Detail | box | |
| 04/23/77 | Springfield Civic Center | 3 | AUDMC(Sony ECM99A > Sony152TC) > DAT > CD taped by Steve Hopkins via David Minor encoded by Matt Vernon; upgrade in circulation | Source Detail | d2 | |
| 04/23/77 | Springfield Civic Center | 3 | Recorded by Jerry Moore; Sony ECM-33Ps> Sony 153 pole mounted from floor back of center line. AUDMC > SHN by David Minches. | Source Detail | d2 | |
| 04/23/77 | Springfield Civic Center | 3 | SBD> MR> DAT> CD, with AUD patch on reel splice (FOB Sony ECM99A mics> Sony TC152> DAT> CD via Darrin Sacks); via Adam Jerugim; upgrade in circulation | Source Detail | d2 | |
| 04/23/77 | Springfield Civic Center | 3 | flac16; SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed 79 | |
| 04/23/77 | Springfield Civic Center | 3 | flac16; Recorded by Steve Hopkins Master Audience Cassette; Sony ECM-99a > Sony TC-152sd with dolby b encoding (see info file for details) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe soundcard> Adobe Audition > Downsample/Dither> flac encoding > FLAC * Patch source; Recorded by Jerry Moore; Sony ECM-33Ps> Sony TC-152 | Source Detail | d24 | |
| 04/25/77 | Capitol Theater | 3 | SBD:MR>?>DAT>CDR; Pitch corrected and de-clicked by Tim Symons; See info file for details | Source Detail | d3 | |
| 04/25/77 | Capitol Theater | 2 | AUD, via Teddy Good Bear's tree #1; note reported "unlistenable" | Source Detail | d24 | |
| 04/26/77 | Capitol Theater | 2 | AUD, via Teddy Good Bear's tree #1; note quality reported on a par with 4/25 from same source | Source Detail | d23 | |
| 04/27/77 | Capitol Theater | 2 | sbd(fm)>mr>dat>cd; via Ray Hansen; Peter Braverman ; upgrade in circulation | Source Detail | d3 | |
| 04/27/77 | Capitol Theater | 2 | flac16; Lineage: FM Cast WNEW FM ->Reel Tapes -> Many Years of Playback ->Sound Forge 6.0-> +4.0DB/2.5 octave bell spread centered at 5Khz-> FLAC via Flac Frontend, level 6, sectors aligned and verified | Source Detail | d24 | |
| 04/27/77 | Capitol Theater | 3 | Pre-FM Master Reel Soundboard->DAT x ?. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Dan Lynch. DAT patch provided by Joe Samaritano. Transfer and SHN by Joe Samaritano | Source Detail | d24 | |
| 04/29/77 | The Palladium | 3 | AUD MC> D> CDR> SHN; Jerry Moore recording Sony ECM-33P/Sony TC-158; via CDead | Source Detail | d3 | |
| 04/30/77 | The Palladium | 3 | Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge. A>D by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon | Source Detail | d4 | |
| 05/01/77 | The Palladium | 3 | Aud Cass master > Reel > PCM > DAT > CD-R > EAC > .SHN: (Loge 1st row AUD center>Cm>Blake Reel (maxell ??? @ 3.75ips) > PCM R500 w/SBM > DAT @ 48 kHz > computer > DAT @ 44.1 kHz or CDRs. Originally taped by Barry Glassberg w/sony ecm 99p's > tc 152 sd deck.); Ending of Samson, 25:47 filler on CD2 & 20:10 filler on CD3 supplied by "Good Bear Source": Panasonic AM/FM Stereo 'boom box like' w/condenser mics) -> cass master -> computer -> CD > EAC > .SHN; See info file for extensive 'mastering' notes; Note- This shn set may circ with the abgd sbd of set 2; via Teddy "Good Bear", Jonathan Miller; Seeded to etree by Dave Backus | Source Detail | d4 | |
| 05/01/77 | The Palladium | 3 | Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge. A>D conversion by David Minches, EAC by Rango Keeshevan, shn encoding Matt Vernon | Source Detail | d4 | |
| 05/01/77 | The Palladium | 1 | Set 2; MSR> DAT> CDR> EAC> SHN; via PJ to abgd | Source Detail | d4 | |
| 05/01/77 | The Palladium | 1 | flac16; Set 2 Only, Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d25 | |
| 05/03/77 | The Palladium | 3 | Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge or orchestra row 6 or 8. A>D by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon | Source Detail | d5 | |
| 05/03/77 | The Palladium | 3 | AUD> MR> DAT> CDR > EAC (secure mode, test and copy) > SHN; EAC, SHN extraction and etree seeding done by G.Gorinsky, with thanks to Ron Speer; d1 tracked for 80 min | Source Detail | d25 | |
| 05/03/77 | The Palladium | 1 | SBD -> Cm -> ? -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Edited And SHN'd By Charlie Miller | Source Detail | d25 | |
| 05/04/77 | The Palladium | 3 | Sony ECM-33Ps> Sony TC-152 taped by Jerry Moore from orchestra row 6 or 8. A>D conversion by David Minches, EAC by Rango Keeshevan, final shn encoding by Matt Vernon | Source Detail | d5 | |
| 05/04/77 | The Palladium | 2 | d1: SBD> CASSM?R?> DAT, except for BEW which is SBD> ?> CDR; d2: MASTER REEL> DAT> DAT> CD; via Joe McCarthy to vines; tracked for 2x80; assembled with help from various seeders; see info file for misc flaws and credits. [Note: An sbe-fixed-by-set version also circulates]; upgrade in circulation | Source Detail | d5 | |
| 05/04/77 | The Palladium | 2 | Set 1 SBD S: MC > C > CDR patched with Jerry Moore audience tape. A>D Conversion and aud patches by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon | Source Detail | d5 | |
| 05/04/77 | The Palladium | 3 | flac16; Recording Info:Set 1: SBD -> Master Cassette -> Cassette -> ART DIO -> Cool Edit 2000 -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: FLAC -> Sampltiude Professional v9.02 -> FLAC Set 2: CD -> EAC -> FLAC. All Transfers and Mastering By Charlie Miller | Source Detail | dvd 305 | |
| 05/04/77 | The Palladium | 2 | flac16; Set 2, Matrix About 55% SBD/45% AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) | Source Detail | d24 | |
| 05/04/77 | The Palladium | 3 | flac16; Recording Info:Set 1: SBD -> Master Cassette -> Cassette -> ART DIO -> Cool Edit 2000 -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: FLAC -> Sampltiude Professional v9.02 -> FLAC Set 2: CD -> EAC -> FLAC. All Transfers and Mastering By Charlie Miller | Source Detail | d25 | |
| 05/04/77 | The Palladium | 2 | flac16; Set 2, Matrix About 55% SBD/45% AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) | Source Detail | d25 | |
| 05/05/77 | Veterans Memorial Coliseum | 3 | Betty Board reel source transferred to DAT by Rob Eaton, then transferred to CD by Dan Stephens; see info file for details | Source Detail | dvd 188 | |
| 05/05/77 | Veterans Memorial Coliseum | 3 | Betty Board reel source transferred to DAT by Rob Eaton, then transferred to CD by Dan Stephens; see info file for details | Source Detail | d6 | |
| 05/07/77 | Boston Garden | 3 | Sony ECM 33P mic > TC-152 deck, Taper: Steve Rolfe; AudMC > DAT > Soundforge > CDWAV > SHN; A > D transfer by Noah Weiner: AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only); Soundforge was used for normalizing and editing | Source Detail | d6 | |
| 05/07/77 | Boston Garden | 3 | SBD> Betty Reels> PCM> DAT> Digitally read in on SGI> SHN; USB missing, Around has a couple of uncorrectable blems; (note missing USB- one might infer this stemmed from the WBOTB source distribution- their USB was intended to become filler on a 4/78 show which did not end up getting around) | Source Detail | d6 | |
| 05/07/77 | Boston Garden | 3 | flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed 79 | |
| 05/07/77 | Boston Garden | 3 | Sony ECM 33P mic > TC-152 deck, Taper: Steve Rolfe; AudMC > DAT > Soundforge > CDWAV > SHN; A > D transfer by Noah Weiner: AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only); Soundforge was used for normalizing and editing | Source Detail | d25 | |
| 05/07/77 | Boston Garden | 3 | Bertha Remaster of the Rob Eaton/The Wizard soundboard source: SBD> MR> DAT> editing> SHN> DAW(Bertha)> CDA/SHN, by Jay Ashley; see pub comments for extended notes | Source Detail | d26 | |
| 05/08/77 | Barton Hall, Cornell University | 3 | flac16; Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC Recording And Transfer:Jeff Stevenson | Source Detail | d7 | |
| 05/08/77 | Barton Hall, Cornell University | 3 | MAC> R> CD; recorded by Jerry Moore: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B ; Transfer by Rob Berger: Sony TC 850> Teac AN-180> Sony SBM1 super bit mapper> Tascam CD-Rw4U (see additional source notes in txt); EAC> WAV> SHN by Sean Cribbs | Source Detail | d6 | |
| 05/08/77 | Barton Hall, Cornell University | 3 | Lineage: -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive by Karen Hicks | Source Detail | d7 | |
| 05/08/77 | Barton Hall, Cornell University | 1 | Matrix based on these sources: Source Info SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN | Source Detail | d7 | |
| 05/08/77 | Barton Hall, Cornell University | 3 | freshly remastered Betty Board with AUD splices, by Rob Eaton; see info file for extensive notes and credits; etreed by Darrin | Source Detail | d7 | |
| 05/08/77 | Barton Hall, Cornell University | 1 | DTS Audio 5.1: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version | Source Detail | d8 | |
| 05/08/77 | Barton Hall, Cornell University | 1 | flac16; Set 1 only; partial SBD (1st part of Set 1 Only) Lineage unknown, possibly RR > CD (unknown transfer) > EAC > SHN Originally posted as shn files to abgd-hs by ArtCube 2007-09-26 (The patch in Minglewood is from material performed on 5-7 and Lazy Lightning from 5-25.) Converted to flac by terrapinstation | Source Detail | dvd 267 | |
| 05/08/77 | Barton Hall, Cornell University | 3 | flac16, DTS; complete show; combination of SBD with 2 AUD sources (see notes in txt) | Source Detail | d26 | |
| 05/09/77 | Buffalo Memorial Auditorium | 3 | Sony ECM-33Ps > Nak 550>MAC>R>D>CD; Taped by Steve Maizner; via Jack Warner; Seeded to etree by Matt Vernon | Source Detail | d8 | |
| 05/09/77 | Buffalo Memorial Auditorium | 3 | Sources: Soundboard Source:Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out> Dat @ 48 kHz>Soundforge>Shn: Audience Source:Master Audience Cassette> Sony ecm-33pmics>nak550>reel to reel>cd The audience source supplies patches for the master reel splices at D2T2,TMNS 6:50 - 7:18 and D3T4, NFA 1:43 - 2:10 Seeded via Fungus and abgd by Charlie Connor 3/21/02, with thanks to Joe Samaritano and Scott Clugston | Source Detail | d8 | |
| 05/09/77 | Buffalo Memorial Auditorium | 3 | S:bReel>P>D>CD; tunings and splice (in Music) edited; via Trick and Jason; note Music d1t10 is missing from one circulating version of the shn set (md5s listed here as d1p); complete md5 with d1t10 is listed here as d1tot; thanks to Patrick Murphy for assistance; upgrade in circulation | Source Detail | d26 | |
| 05/11/77 | St. Paul Civic Center | 3 | SBD> Rm> Dat> Sonic Solutions> CD, Patched w/SBD> Rm> Dat> Cass> Dat> CD; via Charlie Miller; Seeded to etree by Steve Barbella; upgrade in circulation | Source Detail | d8 | |
| 05/11/77 | St. Paul Civic Center | 3 | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC Transferred and Edited By Charlie Miller | Source Detail | new seed d35 | |
| 05/12/77 | Auditorium Theatre | 2 | Updated lineage: Master Audience Cassette > unknown mics/deck> DAT > CDR; fresh transcription of a previously circulating copy (see notes in txt); Re-Mastering by Scott Clugston; missing Cassidy, splice in NFA; d1 tracked for 80 min | Source Detail | d9 | |
| 05/13/77 | Auditorium Theatre | 3 | SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD; (Post Drums - Fp -> Dat -> CD); Seeded to etree by Charlie Miller | Source Detail | d9 | |
| 05/13/77 | Auditorium Theatre | 3 | Bertha Remaster of the Master Reel source. SBD>>MR>>Dat>>CDA>>SS>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A+ Post Drums(Disc 3): PreFM>>???>>Dat>>CDA - Sound B- | Source Detail | d9 | |
| 05/13/77 | Auditorium Theatre | 3 | Bertha Remaster of the Master Reel source. SBD>>MR>>Dat>>CDA>>SS>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A+ Post Drums(Disc 3): PreFM>>???>>Dat>>CDA - Sound B- | Source Detail | d26 | |
| 05/15/77 | The Arena | 3 | Sbd MR > ? > CDR > EAC (calibrated, secure mode, test and copy) > SHN; EAC, SHN extraction and etree seeding done by G. Gorinsky; with thanks to Kevin Gills; Lazy lightning beginning cut; upgrade in circulation | Source Detail | d9 | |
| 05/15/77 | The Arena | 3 | flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller charliemiller87@earthlink.net | Source Detail | d10 | |
| 05/15/77 | The Arena | 3 | flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller charliemiller87@earthlink.net | Source Detail | d27 | |
| 05/15/77 | The Arena | 3 | flac16; Matrix, Sources: 1) Bertha Remaster of the Master Reel source sbd > mr > dat > wav > flac > daw(Bertha) > wav (24/48) > audio dvd > dvd audio ripper > wav > adobe audtion > flac, and 2) Master audience cassette> cassette Recording by Steve Maizner: Sony mic> Sony TC-153; Master played back on Sony TC-153> Awia 760? Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding Matrixed by SIRMick May 2008 | Source Detail | d27 | |
| 05/15/77 | The Arena | 3 | flac16; Master audience cassette> cassette Recording by Steve Maizner: Sony mic> Sony TC-153; Master played back on Sony TC-153> Awia 760? Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding | Source Detail | d27 | |
| 05/17/77 | Memorial Coliseum, University Of Alabama | 3 | SBDMR > DAT > CD > EAC > SHN note: Sugar Magnolia encore supplied by AUD source. Added to etree by Noah Weiner | Source Detail | d10 | |
| 05/17/77 | Memorial Coliseum, University Of Alabama | 3 | flac16; Recording by Steve Maizner: Sony ECM-990s>Sony TC153 Transfer of 1st Generation Cassette Transfer and FLAC encoding by David Minches: 1st Generation Cassette played back on Nakamichi Dragon > Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe soundcard> HD Editing and downsampling performed in Adobe Audition; Flac Encoded | Source Detail | d27 | |
| 05/17/77 | Memorial Coliseum, University Of Alabama | 3 | SBD>MR 7" (Baked)> DAT> Cass> DAT> CD; via Chuck Kiefe, Andy Singer, Brian Leonard; note tuning pauses have been shortened in some cases, very slight hiss, encore missing; upgrade in circulation | Source Detail | d28 | |
| 05/18/77 | Fox Theatre | 3 | SBD > MR > DAT > CDR > WAV > SHNv3; DAE: EAC (high n' secure, offset corrected) > shntool (boundaries confirmed) > mkwact > ftp via neo_levo from bear g.'s seed; upgrade in circulation | Source Detail | dvd 188 | |
| 05/18/77 | Fox Theatre | 3 | SBD > DAT > CDRs > EAC > WAV > SHNv3; EAC and SHNv3 encoding by Patrick Murphy, from Alan Topal seed discs; see info file for flaw notes; upgrade in circulation | Source Detail | d10 | |
| 05/18/77 | Fox Theatre | 3 | flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude v7.02 Professional -> FLAC | Source Detail | d28 | |
| 05/19/77 | Fox Theatre | 3 | Master Reel (7-inch @ 7.5 ips) > CD > EAC > SHN; seed supplied by Jim Wise, DAE and re-tracking by DireWolf | Source Detail | d10 | |
| 05/19/77 | Fox Theatre | 3 | Jay Ashley (Bertha) Remaster of the Jim Wise Master Reel Source. SBD>>MR>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA | Source Detail | d11 | |
| 05/21/77 | Lakeland Civic Center | 3 | SBD>reel>DAT>CD-R; TFBT Tree #5; via D. Boyles; (reportedly there may be 2 different .shn versions of this in circulation, 12/99? | Source Detail | d11 | |
| 05/22/77 | The Sportatorium | 1 | SBD>MR>C>D>CD>Toast>SHN | Source Detail | d28 | |
| 05/25/77 | The Mosque | 3 | Source: SBD Genealogy: MR > DAT > CDR > SHN > CDR > SHN ; upgrade in circulation George Shannon added 0.80 seconds of material to disk 2 track 3 at 0:05 to fill the gap in the version downloaded from etree. The material used was received in trade and was from the same show but a different source. The tracks were also re-sequenced so they now appear in original show order with the encore at the end. EAC and Soundforge were the tools used. | Source Detail | d11 | |
| 05/25/77 | The Mosque | 3 | flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade in circulation | Source Detail | new seed 79 | |
| 05/25/77 | The Mosque | 3 | flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed dropout in d3t02 Wharf Rat of source ID 87539 | Source Detail | new seed 80 | |
| 05/25/77 | The Mosque | 3 | SBD MR > DAT > CDR > SHN; via Seth Kaplan, Greg Hamilton; upgrade compared to previously etreed version; note two-beat elision at d2t5-6 track break (see George Shannon's pub comment); upgrade in circulation | Source Detail | d28 | |
| 05/25/77 | The Mosque | 3 | flac16; Genealogy: MR > DAT > CDR > SHN > CDR > SHN > shntool > FLAC; SBE fix of shn id 13399; upgrade in circulation | Source Detail | d28 | |
| 05/26/77 | Baltimore Civic Center | 3 | AUD>MC>DAT>CDR via Raoul Duke encoded by Matt Vernon | Source Detail | d11 | |
| 05/26/77 | Baltimore Civic Center | 3 | Soundboard > 7 inch Master Reels @7.5ips 1/2 track -> DAT(s) -> ZA2 -> CDR (x1)-> EAC -> SHN; with AUD patches (and other fixes) by Scott Clugston, using Master Audience Cassette: Sony ECM-33p mics > Sony TC-158 > D source, taped by Jerry Moore; to etree via Darrin Sacks; see info file for details, other comments and credits | Source Detail | d12 | |
| 05/26/77 | Baltimore Civic Center | 3 | AUD>MC>DAT>CDR>EAC>WAV>DC6>WAV Unknown microphones Patch Source: SBD>MSR>DAT>SS>CD>EAC>WAV>DC6>SHN | Source Detail | d29 | |
| 05/26/77 | Baltimore Civic Center | 3 | SBD>>MR>>DAT>>SHN>>DAW(Bertha)>>CDA/SHN; Bertha remaster of shn id 11614 | Source Detail | d29 | |
| 05/26/77 | Baltimore Civic Center | 3 | SBD>MSR>DAT>SS>CD>EAC>WAV>DC6>SHN Source: Bettyboard 7 inch master reel @ 7 ? ips > DAT>SS>CD Patch Source: AUD>MC>DAT>CDR (contrary to popular belief, Jerry Moore did not record this show) Editing and Mastering by The Wizard |
Source Detail | d29 | |
| 05/26/77 | Baltimore Civic Center | 3 | SBD > 7" RTR half-track recording @ 7.5 i.p.s. 1/2 track > Marin County Mixdown ADAT > SSSB; Seeded to etree by Jay Serafin | Source Detail | d29 | |
| 05/28/77 | Hartford Civic Center | 4 | Recorded by Jerry Moore; Sony ECM-33Ps>Sony TC-153 mounted on pole 1st tier of seats off floor. AUDMC > SHN by David Minches. | Source Detail | d12 | |
| 05/28/77 | Hartford Civic Center | 3 | Bettyboard 7 inch master reel @ 7 ? ips > DAT (zero gen)> CDR (zero gen) (via sony pcm r-700 dat playback > hhb cdr-800) > CDR (first gen) > EAC > .Shn; with AUD patches from Steve Rolfe's FOB; see info file for details; via Seth Kaplan, Jack Warner, Darrin Sacks, Bob Fishman; d3 tracked for 80 min, can shift encore for 74 | Source Detail | d12 | |
| 05/28/77 | Hartford Civic Center | 3 | SBD> DAT> CDA> WAV> DAW (Bertha)> CDA; Seeded by Jay Ashley; despite notes in info file, this is apparently not directly from Seth's shn set- Jay comments, "I extracted the wavs from CDs I received from Charlie Miller, and reassembled them prior to processing." (A flac version of this source was also distributed via bt.etree on 10/18/05 with the following lineage: SBD>MSR>DAT>CD>>SHN>>DAW(Bertha)>>CDA > SHN(non-seekable) > WAV(mkwACT v0.97 beta 1) > FLAC(frontend v1.7.1 at Level 8 with Align on sector boundaries enabled). flac done by Thomas Festa | Source Detail | d12 | |
| 05/28/77 | Hartford Civic Center | 3 | SBD>MSR>DAT>CD>EAC>SHN>DC6>SHN | Source Detail | d30 | |
| 05/28/77 | Hartford Civic Center | 3 | flac16; For all of Set 1 & from "NFA" to the end of Set 2: Jim Wise used: 2 Sony 54P mics w/ Sennheiser 441 blend mic > Nakamichi 550 cassette deck FOB > reel @ 3 3/4 ips > DAT @ 48kHz > my computer > DAT @ 44.1kHz or CD. For Set 2, "Samson" through "Drums": (Panasonic AM/FM Stereo 'boom box like' w/condenser mics) -> CM (Cassette Masters) -> my computer* -> CD or DAT @ 44.1kHz 1) Sony 3-head cassette deck (TC-K615S) > 10 band equalizer > My computer using "CoolEdit96" see info file for details (note: The originally seeded shn files were seeded c. 1999; those checksums added to this listing June, 2007.) | Source Detail | d30 | |
| 06/04/77 | The Forum | 3 | Rob Bertrando - FOB akg D224Es > Sony TC-153 cassette > CDR? > Rich Plumb DAT > Teddy GoodBear Computer (no edit) > SHN; to abgd; note track names with punctuated song titles may cause probs for some | Source Detail | d13 | |
| 06/07/77 | Winterland Arena | 3 | Soundboard -> Vault Reels ->DAT -> David Gans' Sonic Solutions Digital Editing -> CDR -> EAC -> CDR -> EAC -> SHN> unknown steps > shn; note the txt file lists Darrin Sacks as seeder, but md5s do not match his already-circulating shn set; the provenance of this set is therefore unconfirmed- info file and lineage shown here may or may not be correct; upgrade in circulation | Source Detail | d13 | |
| 06/07/77 | Winterland Arena | 3 | flac16; AUD, Likely: MAR > Reel > DAT > CDs (See note below) | Source Detail | d30 | |
| 06/07/77 | Winterland Arena | 3 | SBD> MR> DAT, plus AUD patches (AKG D220 mics> Tandberg 10X MR taped by Bob Menke and Reinhardt Hollwein> Rob Bertrando's first-gen reel> DAT); DAT> CD transfer, patching by David Hollister; EAC> volume editing> SHN by Keith Bode | Source Detail | d30 | |
| 06/08/77 | Winterland Arena | 3 | Master Soundboard Reel > Reel to Reel > PCM> DAT > CDR; Master Audience Cassette > Reel to Reel source supplies various patches see info file for details; Patching/CD Mastering and shn'ed by Scott Clugston; to abgd via Charlie Connor; upgrade in circulation | Source Detail | d13 | |
| 06/08/77 | Winterland Arena | 2 | Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Profesional -> SHN Transferred and Edited By Charlie Miller | Source Detail | dvd 132 | |
| 06/09/77 | Winterland Arena | 3 | SBD hybrid source, including encore: retracking of previous shn set with encore patched in from another previous shn set; Patching, retracking, and SHNv3 conversion by Patrick Murphy; see info file for details and flaw notes; upgrade in circulation | Source Detail | d13 | |
| 06/09/77 | Winterland Arena | 3 | flac16; Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Profesional v8.0 -> FLAC Transferred and Edited By Charlie Miller Patch Info: AKG D224 -> Master Reel (Tandberg 10XD) -> Reel -> Dat -> CD | Source Detail | d14 | |
| 09/03/77 | Raceway Park | 3 | Two-track Pre-FM reel > DAT > CD-R, except for encore, which is unknown AUD; note d1t1,2 (intro and Promised) are apparently really from 4/27/77!; this show is now released as Dick's Picks 15- go buy it [Note: An sbe-fixed version circulates.] | Source Detail | d14 | |
| 09/03/77 | Raceway Park | 3 | flac16; AUD: Unknown mics > JVC KD-1636 portable cassette deck > Maxell UD-90's. Recording Location: "I was right in front of a delay stack in center field." Transfer: MAC > unknown playback > Soundforge > CD-Wave > CDR. Concert recording and transfer to CDR by Tim "Sounddawg" Stiegler. CDR > EAC > TLH > FLAC by Andrew F. | Source Detail | d31 | |
| 09/03/77 | Raceway Park | 3 | flac16; Recording by Bob Wagner: 2 Sony ECM 270s> Sony TC-158 Transfer and FLAC encoding by David Minches: Master audience cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding Patch source used: SHNID 91230 AUD: Unknown mics > JVC KD-1636 portable cassette deck > Maxell UD-90's | Source Detail | d31 | |
| 09/28/77 | Paramount Theatre | 2 | Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out>Dat @ 48 kHz>Tascam DA-20MKII (playback only)>RME Digi96/8>Steinberg's Wavelab 3.0 (resampling & editing)>CDWav beta1.6(tracking only)>SHNv3 (MKW ACT) Source DAT via Joe Samaritano DAT>Shn conversion, ditital editing via Charlie Connor;Seeded to fungus and abgd by Charlie Connor | Source Detail | d14 | |
| 09/29/77 | Paramount Theatre | 3 | SBD> MR> PCM> PCM> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Chuck Gannon. [Note: an alternate md5 file for d3 circulates.] | Source Detail | d14 | |
| 10/01/77 | Paramount Theatre | 2 | Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised Land cut on either end; TLEO cuts in; Estimated has some mic distortion for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE. That is not the problem here; note txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set; upgrade in circulation | Source Detail | d15 | |
| 10/01/77 | Paramount Theatre | 2 | SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA; Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com | Source Detail | d15 | |
| 10/01/77 | Paramount Theatre | 2 | flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0 | Source Detail | d31 | |
| 10/02/77 | Paramount Theatre | 3 | WBOTB tree; Complete show-- source tape: MR>P2>D1); 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz; PCM501ES analog out > DBX-1 decoder > analog in PCM501ES; PCM501ES analog out > Fostex D5 @ 48 kHz; Casey Jones, brief low-level crackle, poss bad mic; Wharf Rat ~30 sec section of analog tape damage leading to a cut during the song. There is an illegal bootleg available that apparently has no cut in Wharf Rat, but the cut has been edited out and the song is about 30 sec shorter than on the Betty reel. No EQ has been performed. You hear what is on the Betty reels.; note md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 7/99 shn set; upgrade in circulation | Source Detail | d15 | |
| 10/02/77 | Paramount Theatre | 3 | flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz X2 > WBOTB Master DAT (DAT-2). | Source Detail | d31 | |
| 10/06/77 | Activity Center, Arizona State University | 3 | SBD> MR> C> C> DAT> CDR> EAC> SHN; EAC, SHN extraction and etree seeding done by G.Gorinsky; from Ron Speer seed; upgrade in circulation | Source Detail | d15 | |
| 10/06/77 | Activity Center, Arizona State University | 1 | flac16; FM > C(x2) > Marantz CDR-510 (rec at -0db) > CDR > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, checksums, and FLAC compression) > FLAC | Source Detail | d31 | |
| 10/07/77 | University Arena, University Of New Mexico | 1 | partial set 2 (all that circ); SBD-> Master Reels-> DAT-> DAT-> Sonic Solutions-> CD-> CD-> SHN; CD seed via David Gans; via Chuck Kiefe and Chuck Fiske to GDH-T offer; hosted at gdlive.com [Note: A sbe-fixed version also circulates]; upgrade in circulation | Source Detail | d15 | |
| 10/07/77 | University Arena, University Of New Mexico | 2 | flac16; Set 2 only, Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d35 | |
| 10/09/77 | McNichols Sports Arena | 3 | Master Soundboard Reel > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; see flaw notes in info file; upgrade in circulation | Source Detail | d16 | |
| 10/09/77 | McNichols Sports Arena | 3 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | d32 | |
| 10/11/77 | Lloyd Noble Center, University Of Oklahoma | 3 | SBD; poss genealogy: Betty MR> D> C1> D> CD> SHN; some hiss or static, poss partly from MR (though note MR>D copies do circ); Dat > wav > shn> orig upload by S. Anderson; post-processing (minor cuts/fades) by L. Orf ; diginoise in NFA; upgrade in circulation | Source Detail | d16 | |
| 10/11/77 | Lloyd Noble Center, University Of Oklahoma | 3 | Soundboard Betty MR> D> C> D> CD> SHN DAE[EAC secure mode], SHN encoding[mkw], and upload by Brian Heath; upgrade in circulation | Source Detail | d16 | |
| 10/11/77 | Lloyd Noble Center, University Of Oklahoma | 3 | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | dvd 267 | |
| 10/12/77 | Manor Downs | 2 | no source listed; "Compendium Crew release"; d2 tracked for 80 min; via Teddy Goodbear to abgd, 5/01 to etree; upgrade in circulation | Source Detail | d16 | |
| 10/12/77 | Manor Downs | 2 | SBD>MR>C>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN via J. Cotsman; Thanks to S. Milewski for aud patches | Source Detail | d32 | |
| 10/14/77 | Hofheinz Pavilion | 3 | SBD>MC>R>DAT>CDR > EAC (secure mode, test and copy) > SHN; EAC, SHN extraction and etree seeding done by G.Gorinsky; woth thanks to Bill Golden | Source Detail | d17 | |
| 10/14/77 | Hofheinz Pavilion | 3 | Fix of shnid 6693 (sbd) by Bill Tetzeli - see info file for details | Source Detail | d32 | |
| 10/15/77 | Moody Coliseum, S.M.U | 2 | SBD : MC > R > DAT > CD; via Steve Tobani, Alan J. Fink; upgrade in circulation | Source Detail | d17 | |
| 10/15/77 | Moody Coliseum, S.M.U | 2 | SBD>MC>R>D>CD>EAC>SHN; declicked and pitch corrected | Source Detail | d32 | |
| 10/16/77 | Assembly Center, Lousiana State University | 3 | sdb> MR> C> D> CD; via Mike Lai | Source Detail | d17 | |
| 10/16/77 | Assembly Center, Lousiana State University | 1 | flac16; partial Set 1: Sony CR-O2 C-90 Cassette tape MASTER > JVC TD-W209 cassette playback deck >JVC XL-R5010 stand-alone>cdr (0)>your cdr | Source Detail | d32 | |
| 10/28/77 | Soldiers & Sailors Memorial Hall | 3 | Betty Board>MR>?>CD; via Jens Tilsner; Seeded to etree by Willy | Source Detail | d17 | |
| 10/29/77 | Evans Field House, Northern Illinois University | 3 | Sony ECM-990s>Sony TC-158>MAC>R>D>CD; Taped by Steve Maizner; via Jack Warner; Seeded to etree by Matt Vernon | Source Detail | d18 | |
| 10/29/77 | Evans Field House, Northern Illinois University | 3 | SBD > Reel > DAT > WAV (via TB Fiji S/PDIF) > SHN; via Jeff Kempka | Source Detail | d18 | |
| 10/29/77 | Evans Field House, Northern Illinois University | 3 | flac16; MSR>PCM>DAT>CDx?>EAC>WAV>FLAC; patch source: shnid=8035; EAC extraction, editing, and FLAC encoding by Sean Cribbs 3/11/05 | Source Detail | d33 | |
| 10/29/77 | Evans Field House, Northern Illinois University | 3 | flac16 Recording Info:SBD -> Master Reel -> PCM -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | d33 | |
| 10/30/77 | Assembly Hall | 2 | Source: SBD > MR > PCM > DAT > CDR > EAC > mkwACT EAC'd/SHN'd by Doug Nawrocki | Source Detail | d18 | |
| 11/01/77 | Cobo Arena | 2 | SBD> Master (Betty Board) Reels> PCM> DAT> CDR> EAC> SHN; EAC> SHN by Jeff M.; includes US Blues encore; d1t05 cuts into friend of the devil (about 1st 20 seconds missing); upgrade in circulation | Source Detail | d19 | |
| 11/01/77 | Cobo Arena | 2 | flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed 80 | |
| 11/02/77 | Field House, Seneca College | 2 | Soundboard Reel> CD> TC2000 EQ> Sonic Solutions (David Gans)> CD> EAC> SHN TC2000; Equalizer Used To Brighten Up The Rather Dull Sound; CD> EAC> SHN By Joe Samaritano; also to abgd via Charlie Connor; note upgrade to previous copy | Source Detail | d19 | |
| 11/02/77 | Field House, Seneca College | 3 | flac16; Recorded by Alan Zimmerman Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC | Source Detail | d34 | |
| 11/02/77 | Field House, Seneca College | 3 | flac 16; Sick Bits Vol. 23 - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=14743) + AUD (shnid=81012). Matrixed by Chris Chappell. | Source Detail | d33 | |
| 11/02/77 | Field House, Seneca College | 3 | flac16; SBD/AUD Matrix by SIRMick; Soundboard Reel> CD> TC2000 EQ> Sonic Solutions (David Gans)> CD> EAC> SHN (shn id 14743) and Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Recorded by Alan Zimmerman (shn id 81012) | Source Detail | d33 | |
| 11/04/77 | Cotterell Gym, Colgate University | 2 | MAC (Taped by Jerry Moore, Sony ECM 33Ps* [directly behind the soundboard] > Sony TC-158** [Dolby B, Maxell UDXLIIC90s]) > Tascam 112 MK-II playback > HHB 800 master CD > HP 9350i extraction (EAC v0.9 beta 4) > editing using Sound Forge Studio 6.0 > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by John Steinthal, CD > SHN by Joe Jupille and Noah Weiner. | Source Detail | d19 | |
| 11/04/77 | Cotterell Gym, Colgate University | 3 | flac 16; SBD/AUD Matrix of 2 previously circulated seeds (SBD - shn ID #2595 & AUD - shn ID #15208); prepared by Chris Chappell | Source Detail | d19 | |
| 11/04/77 | Cotterell Gym, Colgate University | 3 | SBD:MR > DAT > CD-R; noted at gdlive (also to abgd?); upgrade in circulation | Source Detail | d20 | |
| 11/04/77 | Cotterell Gym, Colgate University | 3 | flac16; Recorded by Alan Zimmerman Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC | Source Detail | d34 | |
| 11/04/77 | Cotterell Gym, Colgate University | 3 | SBD:MR > DAT > CD-R; material from previous shn set, plus patched intro from AUD (see notes in info file); seeded by Peter Braverman | Source Detail | d34 | |
| 11/05/77 | Community War Memorial Auditorium | 3 | Master Audience Cassette > possible analog gen> DAT > CDR; Mastered to disc> EAC> SHN by Scott Clugston. [Note: An alternate shn set differeing only in disks 2 and 3 also circulates. This might have an additional EAC generation.] | Source Detail | d20 | |
| 11/05/77 | Community War Memorial Auditorium | 3 | A:C:D:Cool Edit:CD recorded by Jerry Moore; Sony ECM-33Ps> Sony 158 via David Minches encoded by Sean Cribbs | Source Detail | d20 | |
| 11/05/77 | Community War Memorial Auditorium | 3 | Master Soundboard Cassette > 1 Reel to Reel gen > DAT, with AUD patches (see info file); Patching, CD Mastering, EAC'ed, SHN'ed by Scott Clugston; to abgd | Source Detail | d20 | |
| 11/05/77 | Community War Memorial Auditorium | 3 | flac16; Recorded by Alan Zimmerman Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC | Source Detail | new seed d35 | |
| 11/06/77 | Broome County Arena | 3 | A:C:D:Cool Edit:CD recorded by Jerry Moore; Sony ECM-33Ps> Sony 158 via David Minches encoded by Sean Cribbs | Source Detail | d21 | |
| 11/06/77 | Broome County Arena | 3 | Reel -> DAT -> CDR; Transfer: EAC -> SHN by D. Nawrocki | Source Detail | d21 | |
| 11/06/77 | Broome County Arena | 3 | flac16; MATRIX MIX: SBD/AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) June 13, 2008 | Source Detail | d35 | |
| 12/27/77 | Winterland Arena | 3 | Master Reel > DAT > Sonic Solutions remastering > Gans CD-R; via redbeard to abgd; possibly different extraction relative to previous circulation?; "F*cker" in Wharf Rat was muted out during remastering; sonic glitch in Around is present on the master reel; missing Samson; upgrade in circulation | Source Detail | d21 | |
| 12/27/77 | Winterland Arena | 2 | Bertha Remaster of the Master Reel source. SBD>>MR>>SS>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN | Source Detail | d35 | |
| 12/27/77 | Winterland Arena | 3 | SBD>MR>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN (multigen); originally circulated by David Gans w/ thanks to S. Milewski for the patches | Source Detail | d35 | |
| 12/29/77 | Winterland Arena | 1 | Dick's Picks 10 outtakes SBD>?>SHN via Terrapin Station | Source Detail | d21 | |
| 12/30/77 | Winterland Arena | 2 | partial; SBD> MR> DAT> CD; via Candyman | Source Detail | d34 | |
| 12/31/77 | Winterland Arena | 3 | SBD> MR> DAT> standalone burner> CDR> EAC> SHN; EAC> SHN by B. Purvis; via offer to PCP; etreed 5/9/00 via A. Jerugim | Source Detail | d21 | |
| 12/31/77 | Winterland Arena | 3 | Seamless fix of shn id 286 - SBD > Master Reel > DAT > CDR > EAC > SHN | Source Detail | d34 | |
| 12/31/77 | Winterland Arena | 3 | Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy (dkonrad99@hotmail.com) | Source Detail | d33 | |
| 01/06/78 | Swing Auditorium | 2 | SBD: MC>RR>DAT>CD>EAC>DC5>CD Discs From Jools Elliott AUD patches from Noah Weiner AUD: MC>RR>DAT>CD Taper=Bob Menke - Sony ECM280s>Sony TC-158 CD Editing and Mastering by The Wizard - Owenbrothersvault@hotmail.com. | Source Detail | d1 | |
| 01/06/78 | Swing Auditorium | 2 | Master Soundboard Cassette > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; d2 tracked for 80 min; upgrade in circulation | Source Detail | d1 | |
| 01/07/78 | Golden Hall, Community Concourse | 3 | SBD> MC> R> D> CD> EAC> SHN from previous Scot Clugston seed, patched with AUD> ??> CD> EAC> SHN; final edits/encoding by JCotsman | Source Detail | d1 | |
| 01/08/78 | Golden Hall, Community Concourse | 2 | SBDMR > R > PCM > DAT > CD > EAC > SHN note: Jerry had laryngitis on this night and therefore he did not sing. d1t7 - cut in SBD cross faded with AUD/3 from 03:29 to 03:54 d2t5 - cut in SBD cross faded with AUD/3 from 01:00 to 07:12 EAC, SHN and cross fades by Noah Weiner - November, 2002 | Source Detail | d2 | |
| 01/08/78 | Golden Hall, Community Concourse | 2 | Aud>C>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Digitally Mastered by Charlie Connor; with Thanks to Lawrence Peryer | Source Detail | d1 | |
| 01/10/78 | Shrine Auditorium | 3 | SBD>MC>?>CD>EAC>SHN; (see lineage info); Thanks to Raoul Duke & Hanno Bunjes; edits/encoding by JCotsman | Source Detail | d2 | |
| 01/11/78 | Shrine Auditorium | 2 | SBD>MC>R>PCM>D>CD>EAC>SHN (??); see comments on lineage; Thanks to Raoul Duke edits/encoding by Matt Vernon & JCotsman | Source Detail | d2 | |
| 01/13/78 | Arlington Theater | 3 | Master Soundboard Cassette> Cassette> DAT> CDR> EAC> SHN | Source Detail | d2 | |
| 01/14/78 | Bakersfield Memorial Auditorium | 2 | SBD> [MR>C ?] >DAT>CDR via Raoul Duke encoded by Matt Vernon | Source Detail | d3 | |
| 01/15/78 | Selland Arena | 1 | flac16; AUD>MC>C>D>CD>EAC>SHN>?>FLAC; These are from the same source as the audience portion of shn id 13252. This completes what circulates from that aud. | Source Detail | new seed d35 | |
| 01/15/78 | Selland Arena | 1 | flac16; AUD>MC>C>D>CD>EAC>SHN>?>FLAC; These are from the same source as the audience portion of shn id 13252. This completes what circulates from that aud. | Source Detail | d3 | |
| 01/15/78 | Selland Arena | 2 | mixed source: set 1: SBD> ?> C> SHN (low number of analog gens); set 2: AUD> MC> C> D> CD> EAC> SHN; Thanks to Hanno Bunjes, Chuck Kiefe; final edits/encoding by JCotsman. Additional material from the audience recording used for this source can be found here. | Source Detail | d3 | |
| 01/17/78 | Sacramento Memorial Auditorium | 3 | SBD>MR>C>D>CD>SHN; missing Around & US Blues; Thanks to Raoul Duke; edits/encoding by Matt Vernon & JCotsman | Source Detail | d3 | |
| 01/18/78 | Stockton Civic Auditorium | 1 | Set Two AUD>MC>??>DAT>CDR via Raoul Duke encoded by Matt Vernon | Source Detail | d3 | |
| 01/18/78 | Stockton Civic Auditorium | 3 | SBD> MR> ?> D> CD> EAC> SHN; patched with AUD> MC> C> D> CD> EAC> SHN; technical problems with SBD (see caveat); Thanks to Mike Tausig and Jack Warner; edits/encoding by JCotsman | Source Detail | d3 | |
| 01/22/78 | McArthur Court, University Of Oregon | 3 | flac 16; Please note Info file and md5 changed. SBD/AUD Matrix of 2 previously circulated seeds (SBD - ID #4974 & AUD - ID #2014); prepared by Chris Chappell | Source Detail | dvd 216 | |
| 01/22/78 | McArthur Court, University Of Oregon | 3 | flac 16; Please note Info file and md5 changed. SBD/AUD Matrix of 2 previously circulated seeds (SBD - ID #4974 & AUD - ID #2014); prepared by Chris Chappell | Source Detail | d4 | |
| 01/22/78 | McArthur Court, University Of Oregon | 3 | d1,d3: sbd> ??> cd> eac> shn, d2 from previous shn set (see notes in info file); to gdlive, via popi | Source Detail | d4 | |
| 01/22/78 | McArthur Court, University Of Oregon | 3 | Source: Audience FOB Sony TC-640 reel to reel > TCD-D8 Transfer: TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3 see additional notes in info file via John D'Auria | Source Detail | d4 | |
| 01/30/78 | Uptown Theatre | 2 | Tim Powell recording (Sony ECM-99/Sony TC-152) AUD>MC>R>DAT>CDR via Raoul Duke. | Source Detail | d4 | |
| 01/30/78 | Uptown Theatre | 3 | flac16; SBD -> Master Reel -> Dat -> CD -> FLAC Audio discs provided by Jim Wise Converted to FLAC By Charlie Miller | Source Detail | d5 | |
| 01/31/78 | Uptown Theater | 3 | AUD> MC> R> CD> EAC> SHN; patched with SBD> MR> C> D> CD> EAC> SHN; Thanks to Jack Warner; edits/encoding by Matt Vernon & JCotsman; note d1t1-7 md5s same as in previous seed, others differ | Source Detail | d5 | |
| 01/31/78 | Uptown Theater | 3 | set 1 mostly AUD>MC>R>CD>EAC>SHN, set 2 SBD>MR>C>D>CD>EAC>SHN with aud patches via Jack Warner and Mike Parrillo encoded/edits by Jeff Cotsman and Matt Vernon; upgrade in circulation | Source Detail | d5 | |
| 01/31/78 | Uptown Theater | 3 | flac16; SBD -> Master Reel -> Dat -> CD -> FLAC Audio discs provided by Jim Wise Converted to FLAC By Charlie Miller | Source Detail | d5 | |
| 02/01/78 | Uptown Theater | 2 | MSR> C> DATs> CDRs> EAC> SHN; EAC/SHN by Mike (Dank Star) Parrillo; u/l via Darrin Sacks | Source Detail | d5 | |
| 02/03/78 | Dane County Coliseum | 2 | Master audience cassette (unknown equipment) > PCM > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) | Source Detail | d6 | |
| 02/03/78 | Dane County Coliseum | 1 | Set 2 Only: Soundboard->Master Reel->DAT->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano. | Source Detail | d4 | |
| 02/04/78 | Milwaukee Auditorium | 3 | AUD> MC> R> C> DAT> CDR> EAC> CD; Re-mastered via the Owens?s Brothers Vault. ; via Raoul Duke; Seeded to etree by Matt Vernon | Source Detail | d6 | |
| 02/05/78 | Uni Dome, University Of Northern Iowa | 2 | Set Two only Master audience cassette (unknown equipment) > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) | Source Detail | d6 | |
| 02/05/78 | Uni Dome, University Of Northern Iowa | 2 | Set 2 Only: Soundboard->Master Reel->DAT->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. Dat seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano. | Source Detail | d6 | |
| 04/06/78 | Curtis Hixon Convention Hall | 3 | flac16; Recorded by Bob Wagner; Sony 54Ps> Sony TC-158. AUDMC > SHN conversion by David Minches; patches and speed correction by Kevin Tobin | Source Detail | new seed d23 | |
| 04/06/78 | Curtis Hixon Convention Hall | 3 | flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d25 | |
| 04/06/78 | Curtis Hixon Convention Hall | 3 | flac16; Recorded by Bob Wagner; Sony 54Ps> Sony TC-158. AUDMC > SHN conversion by David Minches; patches and speed correction by Kevin Tobin | Source Detail | new seed d35 | |
| 04/06/78 | Curtis Hixon Convention Hall | 3 | flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d35 | |
| 04/06/78 | Curtis Hixon Convention Hall | 3 | flac16; Recorded by Bob Wagner; Sony 54Ps> Sony TC-158. AUDMC > SHN conversion by David Minches; patches and speed correction by Kevin Tobin | Source Detail | d7 | |
| 04/06/78 | Curtis Hixon Convention Hall | 3 | flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | d7 | |
| 04/06/78 | Curtis Hixon Convention Hall | 3 | mSR -> PCM -> DAT 48k -> Turtle Beach Fiji Digi I/O -> AFResamp -> wav2cdr -> CDR; upgrade in circulation | Source Detail | d7 | |
| 04/06/78 | Curtis Hixon Convention Hall | 3 | Recorded by Bob Wagner; Sony 54Ps> Sony TC-158. AUDMC > SHN conversion by David Minches; upgrade in circulation | Source Detail | d7 | |
| 04/07/78 | The Sportatorium | 3 | flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d36 | |
| 04/07/78 | The Sportatorium | 3 | 7" Two Track Reel@ 7 1/2 ips>PCM501ES @44.055kHz>PCM analog out>DAT@48kHZ>Tascam DA-20MKII(playback only)>RME Digi96/8> Steinberg's Wavelab 3.0 (resampling & editing)>CDWav beta1.6(tracking only)>SHNv3 (MKW ACT; Source DAT via Joe Samaritano; upgrade in circulation DAT>Shn conversion, ditital editing via Charlie Connor;Seeded to fungus and abgd by Charlie Connor | Source Detail | d8 | |
| 04/07/78 | The Sportatorium | 3 | flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | D8 | |
| 04/07/78 | The Sportatorium | 3 | flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | d8 | |
| 04/08/78 | Veterans Memorial Coliseum | 3 | flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d36 | |
| 04/08/78 | Veterans Memorial Coliseum | 2 | SBD; transferred and seeded by Mike Lai, from Bruce Fried DAT; upgrade in circulation | Source Detail | d8 | |
| 04/08/78 | Veterans Memorial Coliseum | 3 | flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | d8 | |
| 04/10/78 | Fox Theater | 3 | SBD -> Rm -> PCM -> Dat via Charlie Miller | Source Detail | d9 | |
| 04/11/78 | Fox Theater | 3 | SBD -> Rm -> PCM -> Dat via Charlie Miller; upgrade in circulation | Source Detail | d9 | |
| 04/12/78 | Cameron Indoor Stadium, Duke University | 3 | Bertha Remaster of Master Reel source. SBD>>MR>>PCM>>DAT>>CDA(Toast)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+ | Source Detail | d9 | |
| 04/12/78 | Cameron Indoor Stadium, Duke University | 3 | SBD>MR>PCM>D>CD; via Jeff Cotsman; Seeded to etree by J. Henry | Source Detail | d9 | |
| 04/14/78 | Cassell Coliseum, Virginia Polytechnic | 3 | flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d36 | |
| 04/14/78 | Cassell Coliseum, Virginia Polytechnic | 3 | Betty's 7 inch, 2 track, Master Soundboard Reels> PCM x2> DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; drop out followed by a short digi-snit in JBG ~ 0:28 | Source Detail | d10 | |
| 04/14/78 | Cassell Coliseum, Virginia Polytechnic | 3 | flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | d10 | |
| 04/15/78 | William & Mary Hall | 2 | Recorded by Bob Wagner; Sony 54Ps> Sony TC-158, transferred and encoded by David Minches | Source Detail | d8 | |
| 04/15/78 | William & Mary Hall | 2 | flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) -> Samplitude Professional v7.02 -> FLAC | Source Detail | d11 | |
| 04/15/78 | William & Mary Hall | 2 | flac16; SBD > MR > PCM > DAT > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a ReSampler (High Quality) > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 33683 | Source Detail | d10 | |
| 04/15/78 | William & Mary Hall | 2 | SBD> MR> PCM> D> CD> EAC> SHN; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman; missing encore, splice in NFA; upgrade in circulation | Source Detail | d10 | |
| 04/16/78 | Huntington Civic Center | 2 | flac16; Source: Betty Soundboard Media: master reels Lineage: SBD > Nagra IV (7.5ips) > R1 Nagra IVs > SR1 > Phillips SuperCD 24/28 > Presonus DigiMax 96 > SB Audigy II Pro > HD WAV > Adobe Audition 1.5 > Izotope Ozone 1.5 > Izotope Ozone 3.5 > WAV16 > flac Taped by: Betty Cantor Transfer by: Jim Goldman Mastered by: Jim Goldman | Source Detail | new seed d23 | |
| 04/16/78 | Huntington Civic Center | 3 | flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC by Charlie Miller | Source Detail | d12 | |
| 04/16/78 | Huntington Civic Center | 2 | flac16; Source: Betty Soundboard Media: master reels Lineage: SBD > Nagra IV (7.5ips) > R1 Nagra IVs > SR1 > Phillips SuperCD 24/28 > Presonus DigiMax 96 > SB Audigy II Pro > HD WAV > Adobe Audition 1.5 > Izotope Ozone 1.5 > Izotope Ozone 3.5 > WAV16 > flac Taped by: Betty Cantor Transfer by: Jim Goldman Mastered by: Jim Goldman | Source Detail | d11 | |
| 04/16/78 | Huntington Civic Center | 2 | SBD> Reel > PCM> DAT> CDR> SHN; via Mike Lai, Chris Vinci to etree, via breaker to abgd.hs; note copy a seeded to etree 2/00, copy b seeded to abgd 2/01- these differ by only 1 checksum, d1t12; static for a few seconds at the beginning of Sunshine Daydream; upgrade in circulation | Source Detail | d11 | |
| 04/18/78 | Civic Arena | 3 | SBD>MC(?)>?>C>CD>EAC>SHN (several analog generations) patched with aud via Joey Browning, Matt Vernon, & Raoul Duke mastered by Jeff Cotsman | Source Detail | d12 | |
| 04/18/78 | Civic Arena | 2 | Source: Shure SM57s>Sony TC-158 > MAC > DAT > CDR via Rauol Duke. shn encoding Matt Vernon | Source Detail | d12 | |
| 04/19/78 | Veterans Memorial Hall | 3 | SBD > Master Reel > CD > Sonic Solutions > CD mastered by David Gans; Source shns from Bob Murphy; partial retrack by Darrin Sacks | Source Detail | d12 | |
| 04/21/78 | Rupp Arena, University Of Kentucky | 3 | SBD>MR>C>D>CD; Patched with AUD>MC>R>D>CD; Missing US Blues & most of Dire Wolf; See info file for details; via Jim Ballinger & Jeff Cook; Seeded to etree by J. Cotsman | Source Detail | d13 | |
| 04/22/78 | Nashville Municipal Auditorium | 3 | Source: Sony 54P's>Nak 550--10th Row; FOB MAC>Cass>DAT>CDR. via Willy shn encoding Matt Vernon | Source Detail | d13 | |
| 04/24/78 | Horton Field House, Illinois State University | 3 | flac16; SBD > Cassette Master > Dat > Cassette > Dat > CD > Samplitude Professional v7.02 > FLAC; Transfer and Mastering by Charlie Miller | Source Detail | new seed d10 | |
| 04/24/78 | Horton Field House, Illinois State University | 3 | flac16; SBD > Cassette Master > Dat > Cassette > Dat > CD > Samplitude Professional v7.02 > FLAC; Transfer and Mastering by Charlie Miller | Source Detail | d14 | |
| 04/24/78 | Horton Field House, Illinois State University | 3 | SBD Master Cass>DAT>Cass>DAT>CD>EAC>SHN. Remastered by Mattman from source discs supplied by David Hollister. ; upgrade in circulation | Source Detail | d13 | |
| 04/24/78 | Horton Field House, Illinois State University | 3 | MR> ?> R> D> Digi96> Soundforge> CDWAV> SHN; Mike McCaw; see info file for lineage notes; upgrade in circulation | Source Detail | d13 | |
| 05/05/78 | Thompson Arena, Dartmouth College | 3 | flac16; Source: FOB Audience Recording (30 Rows Back) Media: Maxell UD-XLII C90 min / C60 min Lineage: Nakamichi CM300's > Sony 1535D (Dolby B on) > MAC Transfer: MAC > Nakamichi DR-1 (Dolby B off) > Benchmark ADC-1 > AES > Sound Devices 722 (24/96 WAV) Taper: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe | Source Detail | new seed d37 | |
| 05/05/78 | Thompson Arena, Dartmouth College | 3 | flac16; Source: FOB Audience Recording (30 Rows Back) Media: Maxell UD-XLII C90 min / C60 min Lineage: Nakamichi CM300's > Sony 1535D (Dolby B on) > MAC Transfer: MAC > Nakamichi DR-1 (Dolby B off) > Benchmark ADC-1 > AES > Sound Devices 722 (24/96 WAV) Taper: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe | Source Detail | d14 | |
| 05/05/78 | Thompson Arena, Dartmouth College | 3 | Source: Recorded NAK CM700, Sony 158SD by Barry Glassberg Lineage: AUDMC> TASCAM 112MKII > Sony PCM-500 > HHB800 by John Steinthal SHN Encoding: EAC(secure) > mkwact > SHN(seekable) by Matt Vernon via Mark Cohen; upgrade in circulation | Source Detail | d14 | |
| 05/05/78 | Thompson Arena, Dartmouth College | 3 | Sony ECM-99A's>Sony TC-152 > Master Audience Cass > DAT's; Taper: Steve Rolfe; dat> sek'd prodif+ card> hard drive> cdwav > shntool (pad zeros @ end of sets to have complete sectors) >mkw (seekable); dat>shn transfer by dale shepherd, from Matt Vernon DAT; see info file for flaw notes | Source Detail | d14 | |
| 05/06/78 | Patrick Gymnasium, University Of Vermont | 3 | flac16; Source: FOB Audience Recording (25th Row DFC) Media: Maxell UD-XLII C90 min / C60 min Lineage: Nakamichi CM300's > Sony 1535D (Dolby B on) > MAC Transfer: MAC > Nakamichi DR-1 (Dolby B off) > Benchmark ADC-1 > AES > Sound Devices 722 (24/96 WAV) Taper: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe | Source Detail | new seed d37 | |
| 05/06/78 | Patrick Gymnasium, University Of Vermont | 3 | flac16; Source: FOB Audience Recording (25th Row DFC) Media: Maxell UD-XLII C90 min / C60 min Lineage: Nakamichi CM300's > Sony 1535D (Dolby B on) > MAC Transfer: MAC > Nakamichi DR-1 (Dolby B off) > Benchmark ADC-1 > AES > Sound Devices 722 (24/96 WAV) Taper: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe | Source Detail | d15 | |
| 05/06/78 | Patrick Gymnasium, University Of Vermont | 3 | Source: Recorded NAK CM700, Sony 158SD by Barry Glassberg Lineage: AUDMC> TASCAM 112MKII > Sony PCM-500 > HHB800 by John Steinthal SHN Encoding: EAC(secure) > mkwact > SHN(seekable) by Matt Vernon via Mark Cohen; upgrade in circulation | Source Detail | d15 | |
| 05/06/78 | Patrick Gymnasium, University Of Vermont | 3 | Sony ECM-99A's> Sony TC-152 > Master Audience Cass > DAT's; Dat Tascam DA-P1 > Sek'd Prodif+ card > Sek'd Red Roaster (edits, fades- see txt) > Cdwav (splits) > mkw; Boundaries verified with Shntool; No dae, no eq, no signal processing; Recorded by Steve Rolfe; Dat > shn transfer by Dale Shepherd; Source Dats from Matt Vernon | Source Detail | d15 | |
| 05/06/78 | Patrick Gymnasium, University Of Vermont | 2 | 1st set: SBD>MC>?>CD>EAC>SHN; 2nd set: AUD>MC>D>SHN; probably not more than one analog gen for the sbd portion; Thanks to Alex MacDonald, Dale Shepherd, and Matt Vernon; edits/encoding by JCotsman | Source Detail | d15 | |
| 05/07/78 | Field House, Rensselaer Polytechnic Institute | 3 | flac16; Source: Audience FOB Recording Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe | Source Detail | new seed d37 | |
| 05/07/78 | Field House, Rensselaer Polytechnic Institute | 3 | MAC(1 Sony ECM-33P + 1 AKG D1000e>Teac PC-10)>DAT; with SBD patches; via Dale Shepherd; seeded to etree by Matt Vernon | Source Detail | d17 | |
| 05/07/78 | Field House, Rensselaer Polytechnic Institute | 3 | flac16; Source: Audience FOB Recording Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe | Source Detail | d16 | |
| 05/07/78 | Field House, Rensselaer Polytechnic Institute | 3 | Recorded NAK CM700, Sony 158SD by Barry Glassberg Lineage: AUDMC> TASCAM 112MKII > Sony PCM-500 > HHB800 by John Steinthal via Mark Cohen SHN Encoding: EAC(secure) > mkwact > SHN(seekable) by Matt Vernon; upgrade in circulation | Source Detail | d16 | |
| 05/07/78 | Field House, Rensselaer Polytechnic Institute | 3 | SBDMC>PCM>DAT>CD w/Aud MC>DAT>CD; via Jeff Cook; Seeded to etree by Matt Vernon | Source Detail | d16 | |
| 05/09/78 | Onongada County War Memorial | 3 | AUD (Sony 54P's) > MC > DAT > CDR or AUD (Sony 54P's) > MC > C > DAT > CDR; via Raoul Duke; Seeded to etree by Matt Vernon | Source Detail | d16 | |
| 05/10/78 | Veterans Memorial Coliseum | 3 | Aud, Set 1: Sony 54-Ps>Sony TCD158>CM>C>D>CD>EAC .093B>WAV>SHN Set 2: Sony 54-Ps>Sony TCD158>CM>D>CD>EAC .093B>WAV>SHN Via JR Fishman | Source Detail | d17 | |
| 05/10/78 | Veterans Memorial Coliseum | 3 | SBD; via Mike Lai | Source Detail | d17 | |
| 05/11/78 | Springfield Civic Center | 3 | SBD -> Rm -> Cass -> Dat -> CD -> Sonic Solutions -> CD via Charlie Miller | Source Detail | d17 | |
| 05/11/78 | Springfield Civic Center | 3 | FOB Nak mics > sony d5 > master audience cass > dat's; patches added (see info); dat@48> sek'd prodif+ card (resampled to 44.1)> cd wave> mkw; d1 tracked for 80 min; dat>shn transfer by Dale Shepherd, from Matt Vernon source DATs | Source Detail | d18 | |
| 05/11/78 | Springfield Civic Center | 3 | Recorded by Moore, Maisner, and Spitalny; Nak 700s> Nak 550> Sony TC-152 from the floor just to the right of the center Lineage: AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496> Cool Edit 2000> Feurio/mkwACT by David Minches | Source Detail | d18 | |
| 05/13/78 | The Spectrum | 3 | AudMC > DAT > WAV > SHN. Recorded by Steve Rolfe with two Sony ECM-33P's > Teac PC-10 deck left of center, about the 20th row. A > D and encoding by Noah Weiner. | Source Detail | d19 | |
| 05/14/78 | Providence Civic Center | 3 | Sony ECM33P7 + AKGD1000e> Teac PC-10 > Master Audience Cass > DAT's; Tascam DA-P1 dat @48 > Sek'd Prodif+ Card (resampled to 44.1) > Sek'd Red Roaster (edits*) > Cdwav; via Matt Vernon; Dale Shepherd | Source Detail | d19 | |
| 05/16/78 | Uptown Theater | 3 | AKG D202E mics > Sony TC-152; AUDMC > R > DAT > CDWAV; via Noah Weiner | Source Detail | d19 | |
| 05/17/78 | Uptown Theater | 3 | AKG D202E mics > Sony TC-152; AUDMC > R > DAT > CDWAV; via Noah Weiner | Source Detail | d19 | |
| 06/04/78 | Campus Stadium, UC Santa Barbara | 2 | SBD>MC>C>D>CD; patched with AUD>MC>R>D>CD; See info file for details; via Raoul Duke and Mike Tausig; Seeded to etree by Matt Vernon & J. Cotsman | Source Detail | d20 | |
| 06/25/78 | Autzen Stadium, University Of Oregon | 2 | SBD> MC> ?> D> CD> EAC> SHN; ; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman; see notes in info file; d2 tracked for 80 min | Source Detail | d20 | |
| 07/01/78 | Arrowhead Stadium | 2 | Robert Wagner Recording: Sony 54p's>Sony TC-158, Aud>MC>Da>Cdr | Source Detail | d11 | |
| 07/03/78 | St. Paul Civic Center | 2 | Robert Wagner Recording: Sony 54p's>Sony TC-158, Aud>MC>Da>Cdr | Source Detail | d20 | |
| 07/05/78 | Omaha Civic Auditorium | 3 | AUD(Sony 54P?s>Sony TC-158)>MC>C>DAT>CD; via Paul B; Seeded to Etree by T. Wiley | Source Detail | d20 | |
| 07/07/78 | Red Rocks Amphitheatre | 3 | SBD> MR> PCM> DAT, from Betty Board; DAT> CD> EAC> SHN conversion & upload by Adam Jerugim; known flaw: d3t02 d/o @ 10:14; note summary of Jason Palmer's and AJ's reports: This is not in stereo: the same channel is spread over both using a splitter technique. The channel that should contain Keith, half of Jerry, Billy, and possibly some of Phil, is missing; Keith is minimally audible. This the only SBD source available. If you have a superior source, please contact AJ. [Note: A shntool-fixed-by-set version also circulates]. ; upgrade in circulation | Source Detail | d21 | |
| 07/07/78 | Red Rocks Amphitheatre | 2 | Source: FOB-MAR>C>C>DAT>WAV>SHN SBD Patch MSR>R>C>C>DAT>WAV>SHN Source C>SHN Conversion By Cousinit SBD Patch C>SHN Conversion By Cousinit | Source Detail | d20 | |
| 07/08/78 | Red Rocks Amphitheatre | 3 | SBD> [?]> DAT> CDR; via Jeff Hoelter; see pub comments for additional notes. [Note: A shntool-fixed-be-sets version of this source is available]; upgrade in circulation | Source Detail | d21 | |
| 08/18/78 | Club Front | 1 | SBD> MR> ??> DAT> CDR> EAC (secure)> CD WAV> SHN (seekable); EAC> etree by Tim Wiley; with thanks to Paul B. for source discs | Source Detail | d22 | |
| 08/18/78 | Club Front | 1 | Shakedown Street sessions with Lowell George (Sbd>??>Cdr); Seeded to etree by Tzuriel | Source Detail | d21 | |
| 08/30/78 | Red Rocks Amphitheatre | 2 | set 2; SBD> MC> DAT> CDR; via Charlie Miller; Cozmcchuck; Steve Barbella | Source Detail | d10 | |
| 08/30/78 | Red Rocks Amphitheatre | 3 | AUD>MC>DAT>CD; Seeded to Etree by T. Wiley | Source Detail | d21 | |
| 08/31/78 | Red Rocks Amphitheatre | 2 | Lineage: Source 1: AUD>Cm>Dat>CD>EAC>Samplitude v7.02>SHN Source 2: SBD>Rm>PCM>Dat>Samplitude v7.02>SHN All edits and conversions done by Charlie Miller charliemiller87@earthlink.net 11/12/03 | Source Detail | d22 | |
| 08/31/78 | Red Rocks Amphitheatre | 3 | AUD>MC>DAT>CD; via Paul B; Seeded to Etree by T. Wiley | Source Detail | d21 | |
| 08/31/78 | Red Rocks Amphitheatre | 1 | Partial 2nd set; See info file for details; SBD>MR>DAT>CDR; Seeded to Etree by T. Wiley ; upgrade in circulation | Source Detail | d21 | |
| 09/02/78 | Giants Stadium | 3 | AUDMC > DAT > WAV > SHN recorded by Steve Rolfe with two Sony EMC-33P mics > Sony TC-152 deck 50-60 feet left center from the stage, converted and encoded by Noah Weiner | Source Detail | ||
| 09/02/78 | Giants Stadium | 3 | 1st Set unknown gen reel>CD with some aud patches, see info file for details; 2nd Set SBD:MC>Cas>DAT>CD; via Yubah with thanks to Jools | Source Detail | d22 | |
| 09/13/78 | Gizah Sound and Light Theater | 1 | soundcheck; Aud Cassette Master -> ?? -> CD; via Jim Bennett | Source Detail | d22 | |
| 09/13/78 | Gizah Sound and Light Theater | 1 | Soundcheck from night before the shows; SBD>MR>??>CDR; Seeded to Etree by T. Wiley | Source Detail | d22 | |
| 09/14/78 | Gizah Sound and Light Theater | 3 | Recording Info: SBD -> Master Reel (2 track) -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN)Transfered By Charlie Miller; upgrade in circulation | Source Detail | dvd 208 | |
| 09/14/78 | Gizah Sound and Light Theater | 3 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC Transfered By Charlie Miller | Source Detail | new seed 80 | |
| 09/14/78 | Gizah Sound and Light Theater | 3 | Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder > Sony TC-640 reel to reel; Transfer: TC-640 > Apogee AD1000 > Soundforge 4.5 @48Khz > resampled to 44.1> CDWAV > SHNv3 via John D'Auria; note upgrade now in circulation | Source Detail | d23 | |
| 09/14/78 | Gizah Sound and Light Theater | 3 | Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; via John D'Auria; note one less reel gen than previous version | Source Detail | d23 | |
| 09/14/78 | Gizah Sound and Light Theater | 3 | Recording Info: SBD -> Master Reel (2 track) -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN)Transfered By Charlie Miller; upgrade in circulation | Source Detail | d23 | |
| 09/15/78 | Gizah Sound and Light Theater | 3 | flac16; Recording Info: Set One: SBD -> Master Reel -> Cassette -> Dat (48k) Set Two: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed 77 | |
| 09/15/78 | Gizah Sound and Light Theater | 2 | Recording Info: Set One: SBD -> Reel Master (2 track) -> Cass -> Dat -> CD -> EAC -> SHN Set Two: SBD -> Reel Master (10" @ 15 I.P.S. 1/2-track) -> Dat -> CD -> EAC -> SHN Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN All transfers By Charlie Miller; upgrade in circulation | Source Detail | d24 | |
| 09/15/78 | Gizah Sound and Light Theater | 2 | set 2; SBD > 10" RTR @ 15 I.P.S. 2-track > Sony 601 PCM > Panasonic 3700 DAT > Neve "Capricorn" digital console > DB3000s sample-rate converter & noise shaper > Panasonic 4100 DAT > Panasonic 3700 DAT > SSSB; EAC (High, Secure) > WAV > SHNv3 by Patrick Murphy, from Jay Serafin seed; upgrade in circulation | Source Detail | d24 | |
| 09/15/78 | Gizah Sound and Light Theater | 2 | Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; Transferred and seeded by John D'Auria; d2 tracked for 80 min;see info file for flaw notes | Source Detail | d23 | |
| 09/16/78 | Gizah Sound and Light Theater | 3 | flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed 80 | |
| 09/16/78 | Gizah Sound and Light Theater | 3 | SBD Reel > DAT > Montego II Plus > CDRWAV > CD-R > SHN; no Sunrise; via Leigh Orf- reextraction from CDR copy; upgrade in circulation | Source Detail | d24 | |
| 10/17/78 | Winterland Arena | 2 | flac16; Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d81 | |
| 10/17/78 | Winterland Arena | 3 | SBD: Master Reel> PCM> DAT> CD> (EAC) WAV> SHN; EAC, tracking, shn and upload by Evan Levy; notes: one splice in Eyes, U.S. Blues cuts off missing ~45 seconds; see pub comments for additional notes; upgrade in circulation | Source Detail | d24 | |
| 10/17/78 | Winterland Arena | 2 | SBD>Master Reel>Cassette>DAT>WAV>FLAC>WAV>SHN; upgrade in circulation | Source Detail | d25 | |
| 10/18/78 | Winterland Arena | 3 | flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d81 | |
| 10/18/78 | Winterland Arena | 3 | SBD > Master Reel > PCM-1 > DAT > CD> EAC > SHN; via shakedown@canada.com; known flaws (from MR): Sugaree, Miracle cut; PITB, WR spliced; upgrade in circulation | Source Detail | d25 | |
| 10/20/78 | Winterland Arena | 3 | SBD; transferred and seeded to etree by Mike Lai, from Bruce Fried DAT | Source Detail | d25 | |
| 10/21/78 | Winterland Arena | 3 | flac16; Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d81 | |
| 10/21/78 | Winterland Arena | 3 | sbd> mr> dats> wav> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT seed; see info file for flaw and patch notes; upgrade in circulation | Source Detail | d25 | |
| 10/22/78 | Winterland Arena | 3 | Sbd: Reel: PCM: Dat; D> CD: Tascam DA30MKII> Opcode Datport> HD (Cool Edit 2000)> Cdwav> SHN; Notes: SRC done by CE2K, and normalization also done by CE2K; via N. "NateDawg" Hifko, tracked for 3 discs by Yubah; etreed 5/10; Jeff K. hosted 5/15 with alternate tracking (q.v.) for d2,3 | Source Detail | d26 | |
| 11/13/78 | Music Hall | 2 | AUD>MC>DAT>CDR; Seeded to Etree by T. Wiley | Source Detail | d26 | |
| 11/14/78 | Music Hall | 2 | AUD(Sony ECM-280?s)>MC>DAT>CDR; Seeded to etree by T. Wiley | Source Detail | d26 | |
| 11/16/78 | Uptown Theater | 1 | Partial; See info file for details; SBD>MC>C>DAT>CDR; Seeded to etree by T. Wiley | Source Detail | d24 | |
| 11/16/78 | Uptown Theater | 3 | AUD(Nak CM-300's>Sony TC-158)>MC>R>CoolEdit>CDR; Seeded to etree by T. Wiley | Source Detail | d26 | |
| 11/17/78 | Rambler Room, Loyola College | 1 | Lineage: Soundboard->Master Cassette->DAT->Sonic Solutions->CD Transfer: CD->EAC->FLAC EAC, Re-track, and FLAC by Joe Samaritano | Source Detail | new seed d9 | |
| 11/17/78 | Rambler Room, Loyola College | 1 | Lineage: Soundboard->Master Cassette->DAT->Sonic Solutions->CD Transfer: CD->EAC->FLAC EAC, Re-track, and FLAC by Joe Samaritano | Source Detail | d22 | |
| 11/17/78 | Uptown Theater | 2 | 2nd set plus Shakedown opener; See info file for details; AUD>MC>??>DAT>CDR; Seeded to etree by T. Wiley | Source Detail | d26 | |
| 11/18/78 | Uptown Theater | 3 | flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d25 | |
| 11/18/78 | Uptown Theater | 3 | SBD>MC>C>D>CD>EAC>SHN patched with AUD>MC>R>CD>EAC>SHN; Normalized and pitch corrected; See info file for details; via Mike Tausig and Tim Wiley; Seeded to etree by JCotsman; upgrade in circulation | Source Detail | new seed d81 | |
| 11/18/78 | Uptown Theater | 3 | AUD(Sony ECM-900's>Nak 550)>MC>R>Cool Edit>CDR; Seeded to etree by T. Wiley | Source Detail | d27 | |
| 11/18/78 | Uptown Theater | 3 | SBD>MC>C>D>CD>EAC>SHN patched with AUD>MC>R>CD>EAC>SHN; Normalized and pitch corrected; See info file for details; via Mike Tausig and Tim Wiley; Seeded to etree by JCotsman; upgrade in circulation | Source Detail | d27 | |
| 11/18/78 | Uptown Theater | 3 | flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | d27 | |
| 11/20/78 | Cleveland Music Hall | 1 | flac 16; Sick Bits Vol. 16a - matrix: SBD/AUD mix from 2 previously circulating sources; SBD: (shnid=12947)+ AUD: (shnid=302); edited, mixed and transfered by Chris Chappell | Source Detail | d27 | |
| 11/20/78 | Cleveland Music Hall | 3 | Complete show. Set1: SBD> ??> CAS> CD> EAC> WAV; Set2: MSR> CAS> LYNXONE 24 Bit A/D Converter> CD> SHN> WAV; Set2 patches: MSC> CAS> DAT> CD-R> EAC> SHN> WAV; and MAC> R1> R2> (possibly R3>) DATs> CDRs> EAC> SHN> WAV. Set 2 derives from all three previous seeds. See info file for edits and flaws. | Source Detail | d27 | |
| 11/20/78 | Cleveland Music Hall | 1 | partial sets 1,2; revised source: MR> Cass Master> Lynxone 24 bit A/D converter> CD; seed via M. Mcleod; abupt cut in the end of Peggy-o; via P. Lucente to BUDD offer; upgrade in circulation | Source Detail | d27 | |
| 11/20/78 | Cleveland Music Hall | 1 | complete set 2; Master SBD Cassette > Cassette > DAT > CD-R > EAC > SHN, with plenty of AUD patches; via Art Cohen?; upgrade in circulation | Source Detail | d28 | |
| 11/20/78 | Cleveland Music Hall | 1 | flac 16; Sick Bits Vol. 16a - matrix: SBD/AUD mix from 2 previously circulating sources; SBD: (shnid=12947)+ AUD: (shnid=302); edited, mixed and transfered by Chris Chappell | Source Detail | d28 | |
| 11/20/78 | Cleveland Music Hall | 1 | complete set 2; AUD, precise source is unknown? (but thought to be Nak 300s), lineage? MAC> Reel> Reel (>Possible 3rd Reel Generation>) DATs> CDRs> EAC> SHN; via Rob Bertrando, Darrin Sacks | Source Detail | d29 | |
| 11/21/78 | Community War Memorial Auditorium | 3 | flac16; Lineage: SBD > ? > Cassettes Transfer: Maxell XL-II's > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC | Source Detail | new seed d82 | |
| 11/21/78 | Community War Memorial Auditorium | 3 | AUD>MC>DAT>CDR; Seeded to Etree by T. Wiley | Source Detail | d28 | |
| 11/21/78 | Community War Memorial Auditorium | 2 | flac16; Partial SBD > ? > Cassette Transfer: Cassette > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC. Soundforge for fades & edits, CD-Wave for tracking, Trader's Little Helper for SBE-OK and checksums, FLAC Frontend for lossless compression.; upgrade in circulation | Source Detail | d28 | |
| 11/23/78 | Capital Centre | 3 | AUD>MC>DAT>CDR; Seeded to Etree by T. Wiley | Source Detail | d28 | |
| 11/23/78 | Capital Centre | 3 | SBD>MR>R>C>D>CD>EAC>SHN; patched with: AUD>MC>D>CD>EAC>SHN; composite compiled from previous SBD & AUD sources | Source Detail | d28 | |
| 11/23/78 | Capital Centre | 2 | Master Soundboard Reel > Reel to Reel > Cassette > DAT> CDR; Aud patch for 4 songs; Missing 4 songs; See info file for details; Seeded to etree by Jools; upgrade in circulation | Source Detail | d29 | |
| 11/24/78 | Capitol Theatre | 3 | FM> Reel> CD; via Fred Dalrymple; Seeded to etree by Peter Braverman. [Note: A shntool-fixed-by-set version circulates.]; upgrade in circulation | Source Detail | d1 | |
| 11/24/78 | Capitol Theatre | 3 | flac16; Recording Info: WBCN Pre-FM -> Studer Console -> Master Reel -> Dat/0 (Sony ES/48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d82 | |
| 11/24/78 | Capitol Theatre | 3 | Pre-FM MR > DAT > CD > EAC > WAV > SHN ; upgrade in circulation | Source Detail | d30 | |
| 11/24/78 | Capitol Theatre | 3 | FM> Reel> CD; via Fred Dalrymple; Seeded to etree by Peter Braverman. [Note: A shntool-fixed-by-set version circulates.]; upgrade in circulation | Source Detail | d29 | |
| 11/24/78 | Capitol Theatre | 3 | flac16; SBD(PreFM) > MR>DAT > CDA > Wav(EAC) > SHN > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 13948 | Source Detail | d29 | |
| 12/12/78 | Jai-Alai Fronton | 2 | SBD>MR>C>D>CD>EAC>SHN; patched with AUD>MC>SHN; pitch corrected | Source Detail | d30 | |
| 12/12/78 | Jai-Alai Fronton | 2 | Master Soundboard Reel> Cassette> DAT> CDR> EAC> SHN; d1 tracked for 80 min; Mastered, EAC'ed / SHN'ed by Scott Clugston; to abgd ; upgrade in circulation | Source Detail | d30 | |
| 12/12/78 | Jai-Alai Fronton | 2 | Recorded by Bob Wagner; Sony 54Ps> Sony TC-158. AUDMC > SHN conversion by David Minches | Source Detail | d30 | |
| 12/13/78 | Curtis Hixon Convention Hall | 2 | SBD > MC > C > Reel > DAT > CD > EAC > SHN; Patched with: AUD>MC>DAT>CDR; Hiss Reduction applied; EAC/SHN by Darryl Hinko; upgrade in circulation | Source Detail | d31 | |
| 12/13/78 | Curtis Hixon Convention Hall | 3 | Source: SBD -> Cassette Master > Cassette > Reel > Dat > CD -> EAC -> WAV Transfer Info:WAV -> Samplitude v7.02 Professional -> SHN Transfered and Edited By Charlie Miller | Source Detail | d31 | |
| 12/13/78 | Curtis Hixon Convention Hall | 3 | AUD>MC>DAT>CDR; Seeded to Etree by T. Wiley | Source Detail | d30 | |
| 12/16/78 | Nashville Municipal Auditorium | 3 | flac16; Recording Info: (FOB) Sony ECM250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: Dolby was used in the transfer of this source) | Source Detail | new seed d38 | |
| 12/16/78 | Nashville Municipal Auditorium | 3 | flac16; Recording Info: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: no Dolby was used in the transfer of this source) | Source Detail | new seed d38 | |
| 12/16/78 | Nashville Municipal Auditorium | 3 | flac16; Recording Info: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: no Dolby was used in the transfer of this source) | Source Detail | d32 | |
| 12/16/78 | Nashville Municipal Auditorium | 3 | Robert Wagner Nak 300?s>Sony TC-158>MC>DAT>CDR; Seeded to Etree by Tim W | Source Detail | d32 | |
| 12/16/78 | Nashville Municipal Auditorium | 3 | flac16; Recording Info: (FOB) Sony ECM250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: Dolby was used in the transfer of this source) | Source Detail | d31 | |
| 12/16/78 | Nashville Municipal Auditorium | 3 | flac16; Recording Info: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: no Dolby was used in the transfer of this source) | Source Detail | d31 | |
| 12/17/78 | Fox Theater | 3 | SBD>MR>R>C>D>CD>EAC>SHN; patched with AUD>MC>D>CD>EAC>SHN; the SBD is slightly degraded; Thanks to Mike Tausig & Chuck Kiefe; edits/encoding by JCotsman | Source Detail | d32 | |
| 12/17/78 | Fox Theater | 3 | ACM(Sony 54P's)>DAT>CDR; Seeded to etree by Tim W | Source Detail | d32 | |
| 12/19/78 | Memorial Coliseum, Mississippi State Fairgrounds | 3 | FOB AUD Sony 540> Sony TC158> DAT> SoundForge> CD-R> EAC> SHN; via D. Barrick | Source Detail | d33 | |
| 12/19/78 | Memorial Coliseum, Mississippi State Fairgrounds | 3 | flac16; Sony 54-P/Sony TC-158; Master AUD Cass> DAT> CD> DAE> FLAC; taped by Bob Wagner; reported retransfer of the same original source as previous seed, with different flaws- see pub comments | Source Detail | d33 | |
| 12/21/78 | The Summit | 2 | AUD>MC>?>D>CD>EAC>SHN; pitch corrected, normalized; Thanks to Chuck Kiefe; edits/encoding by JCotsman | Source Detail | d33 | |
| 12/22/78 | Dallas County Convention Center Arena | 2 | AUD>MC>?>D>CD>EAC>SHN most set 1 & 2 via Chuck Kiefe, encoding Jeff Cotsman | Source Detail | d32 | |
| 12/27/78 | Golden Hall, Community Concourse | 3 | MAR (Taped by Greg Schug, 2 Neumann SM69 mics > Nagra 45 half track, on Maxell UD at 7.5 ips) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) | Source Detail | d34 | |
| 12/27/78 | Golden Hall, Community Concourse | 2 | Mixed sources; SBD>MR>??>DAT>CDR; AUD(Unknown)>?>CDR; Post Drums missing; See info file for details; Seeded to etree by Tim W | Source Detail | d34 | |
| 12/28/78 | Golden Hall, Community Concourse | 3 | Master Soundboard Reel > Cassette > CDR; via Dave Cohen; Scott Clugston | Source Detail | d34 | |
| 12/28/78 | Golden Hall, Community Concourse | 3 | MAR (Taped by Greg Schug, 2 Neumann SM69 mics > Nagra 45 half track, on Maxell UD at 7.5 ips) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) | Source Detail | d34 | |
| 12/30/78 | Pauley Pavilion, UCLA | 3 | MAR (Taped by Greg Schug, 2 Neumann KM84 mics > Nagra 45 half track, on Maxell UD at 7.5 ips) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) | Source Detail | d35 | |
| 12/30/78 | Pauley Pavilion, UCLA | 3 | SBD>Rm>Reel>Cass>Dat with aud patches via Charlie Miller | Source Detail | d35 | |
| 12/31/78 | Winterland Arena | 4 | via Jay Ashley; third and final EAC/SHN (this one 4x-verified bit-identical) of same seed CDs as other 2 previous shn sets | Source Detail | d36 | |
| 12/31/78 | Winterland Arena | 4 | SBD> MR> PCM> DAT> CDA, except first 3 tracks plus patches FMMR (Tandberg TD20ASE)> Sony (SBM-1)> CDA (Tascam CDRW700); via Jay Ashley; upgrade in circulation | Source Detail | d35 | |
| 01/05/79 | The Spectrum | 3 | Taper Unknown: Nakamichi 300/CP1 -> Cm -> Cass -> Dat(48k)Dat (Sony R500) -> Prodif plus -> Samplitude v6.0 -> SHN ; SHN>WAV>Shntool(join)>ADWS>CD WAV>Shntool(Check/fix)>SHN(seekable)-NO DAE ; Via Charlie Miller ; remastered and seeded by T. Wiley | Source Detail | d1 | |
| 01/05/79 | The Spectrum | 3 | Taper Unknown: Nakamichi 300/CP1 -> Cm -> Cass -> Dat(48k)Dat (Sony R500) -> Prodif plus -> Samplitude v6.0 -> SHN ; SHN>WAV>Shntool(join)>ADWS>CD WAV>Shntool(Check/fix)>SHN(seekable)-NO DAE ; Via Charlie Miller ; remastered and seeded by T. Wiley | Source Detail | d4 | |
| 01/05/79 | The Spectrum | 3 | Taper Unknown: Nakamichi 300/CP1 -> Cm -> Cass -> Dat(48k)Dat (Sony R500) -> Prodif plus -> Samplitude v6.0 -> SHN ; SHN>WAV>Shntool(join)>ADWS>CD WAV>Shntool(Check/fix)>SHN(seekable)-NO DAE ; Via Charlie Miller ; remastered and seeded by T. Wiley | Source Detail | d36 | |
| 01/07/79 | Madison Square Garden | 3 | AUD> MC> DAT> CDR; via Raoul Duke, encoded by Matt Vernon | Source Detail | d1 | |
| 01/07/79 | Madison Square Garden | 3 | AUD> MC> DAT> CDR; via Raoul Duke, encoded by Matt Vernon | Source Detail | d4 | |
| 01/07/79 | Madison Square Garden | 3 | AUD> MC> DAT> CDR; via Raoul Duke, encoded by Matt Vernon | Source Detail | d36 | |
| 01/08/79 | Madison Square Garden | 3 | Recording by Keith Gatto: Nak 300's>MC>DAT>CD; via Paul; Seeded to etree by Glyde (updated lineage; had been marked Shure SM57's) | Source Detail | d1 | |
| 01/08/79 | Madison Square Garden | 3 | Recording by Keith Gatto: Nak 300's>MC>DAT>CD; via Paul; Seeded to etree by Glyde (updated lineage; had been marked Shure SM57's) | Source Detail | d4 | |
| 01/08/79 | Madison Square Garden | 3 | Recording by Keith Gatto: Nak 300's>MC>DAT>CD; via Paul; Seeded to etree by Glyde (updated lineage; had been marked Shure SM57's) | Source Detail | d37 | |
| 01/10/79 | Nassau Veterans Memorial Coliseum | 3 | Recording by Keith Gatto: FOB made with Nak 300's and Sony TC-158 > DAT > Soundforge > CDR > Cdparanoia > SHN; Master Cassette was played back on a Nak Dragon > Sony PCM R-700 for the A > D; via R. Donnelly, J. Kempka. | Source Detail | d1 | |
| 01/10/79 | Nassau Veterans Memorial Coliseum | 3 | Recording by Keith Gatto: FOB made with Nak 300's and Sony TC-158 > DAT > Soundforge > CDR > Cdparanoia > SHN; Master Cassette was played back on a Nak Dragon > Sony PCM R-700 for the A > D; via R. Donnelly, J. Kempka. | Source Detail | d4 | |
| 01/10/79 | Nassau Veterans Memorial Coliseum | 3 | Recording by Keith Gatto: FOB made with Nak 300's and Sony TC-158 > DAT > Soundforge > CDR > Cdparanoia > SHN; Master Cassette was played back on a Nak Dragon > Sony PCM R-700 for the A > D; via R. Donnelly, J. Kempka. | Source Detail | d37 | |
| 01/11/79 | Nassau Veterans Memorial Coliseum | 3 | Recording by Keith Gatto: FOB (Nak 300's > Sony TC-158 )Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; ; Master Cassette was played back on a Nak Dragon > Sony PCM R-700 for the A > D; via R. Donnelly for, J. Kempka | Source Detail | d2 | |
| 01/11/79 | Nassau Veterans Memorial Coliseum | 3 | Recording by Keith Gatto: FOB (Nak 300's > Sony TC-158 )Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; ; Master Cassette was played back on a Nak Dragon > Sony PCM R-700 for the A > D; via R. Donnelly for, J. Kempka | Source Detail | d37 | |
| 01/12/79 | The Spectrum | 3 | Recording by E. Claridge: Split 30' on the balcony with Sony ECM-280 mics > Sony TC158: Transfer: FOB Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; ; Digital Remaster by J. Wise; via R. Donnelly, J. Kempka | Source Detail | d2 | |
| 01/12/79 | The Spectrum | 3 | Recording by E. Claridge: Split 30' on the balcony with Sony ECM-280 mics > Sony TC158: Transfer: FOB Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; ; Digital Remaster by J. Wise; via R. Donnelly, J. Kempka | Source Detail | d37 | |
| 01/14/79 | Utica Memorial Coliseum | 3 | Taper unknown: (FOB) Nakamichi 300/CP1 -> Cm -> Cass -> Cass -> Cass -> Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN > WAV>Shntool(join)>ADWS>CD WAV>Shntool(check)>SHN(seekable) ; Via Charlie Miller ; Remastered by T. Wiley 07/16/2003. | Source Detail | d2 | |
| 01/14/79 | Utica Memorial Coliseum | 3 | Taper unknown: (FOB) Nakamichi 300/CP1 -> Cm -> Cass -> Cass -> Cass -> Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN > WAV>Shntool(join)>ADWS>CD WAV>Shntool(check)>SHN(seekable) ; Via Charlie Miller ; Remastered by T. Wiley 07/16/2003. | Source Detail | d38 | |
| 01/15/79 | Springfield Civic Center | 3 | Recording by Steve Rolfe: Nakamichi 300's w/Cardoid Capsules (one mic was pointed at the PA (left or right) and the other at the drums)> Master Audience Cassette > Sony TC158 > DAT > (J. Wise's 10dB noise reduction, bass boost @ 125Hz)> Tascam DA302 > HHB 850> Soundforge > CDR> 1 CD> Mac Plextor/ Toast> SHN; via A. Cohen; ; upgrade now in circulation. | Source Detail | d2 | |
| 01/15/79 | Springfield Civic Center | 3 | Recording by Steve Rolfe: Nakamichi 300's w/Cardoid Capsules (one mic was pointed at the PA (left or right) and the other at the drums)> Master Audience Cassette > Sony TC158 > DAT > (J. Wise's 10dB noise reduction, bass boost @ 125Hz)> Tascam DA302 > HHB 850> Soundforge > CDR> 1 CD> Mac Plextor/ Toast> SHN; via A. Cohen; ; upgrade now in circulation. | Source Detail | d38 | |
| 01/17/79 | Veterans Memorial Coliseum | 3 | flac16; Recording by Barry Glassberg: Source: Audience FOB Recording, Sec 9f Seat 4 Orchestra - 9ft pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/spdif > Tascam HD-P2 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick | Source Detail | new seed d38 | |
| 01/17/79 | Veterans Memorial Coliseum | 3 | flac16; Recording by Barry Glassberg: Source: Audience FOB Recording, Sec 9f Seat 4 Orchestra - 9ft pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/spdif > Tascam HD-P2 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick | Source Detail | d38 | |
| 01/17/79 | Veterans Memorial Coliseum | 3 | Updated lineage: Recording by Steve Rolfe:TEAC PC-10 with nak 300 mic's pole-mounted fob; via Dave Minor; seeded to etree by Marc Pujol & Matt Vernon (had been marked as Nak 700 mics); upgrade now in circulation. | Source Detail | d3 | |
| 01/17/79 | Veterans Memorial Coliseum | 3 | Updated lineage: Recording by Steve Rolfe:TEAC PC-10 with nak 300 mic's pole-mounted fob; via Dave Minor; seeded to etree by Marc Pujol & Matt Vernon (had been marked as Nak 700 mics); upgrade now in circulation. | Source Detail | d39 | |
| 01/18/79 | Providence Civic Center | 3 | Updated lineage: Recording by Steve Rolfe: TEAC PC-10 with nak 300 mic's fob encoded by Matt Vernon (had been marked nak 700 mics) | Source Detail | d3 | |
| 01/18/79 | Providence Civic Center | 3 | Source: FOB AUD Master Cassette > DAT >CD-R > SHN. Mikes are allegedly Sennheiser 441's via Fishman | Source Detail | d3 | |
| 01/18/79 | Providence Civic Center | 3 | Source: FOB AUD Master Cassette > DAT >CD-R > SHN. Mikes are allegedly Sennheiser 441's via Fishman | Source Detail | d7 | |
| 01/18/79 | Providence Civic Center | 3 | Updated lineage: Recording by Steve Rolfe: TEAC PC-10 with nak 300 mic's fob encoded by Matt Vernon (had been marked nak 700 mics) | Source Detail | d39 | |
| 01/18/79 | Providence Civic Center | 3 | Source: FOB AUD Master Cassette > DAT >CD-R > SHN. Mikes are allegedly Sennheiser 441's via Fishman | Source Detail | d39 | |
| 01/20/79 | Shea's Buffalo Theater | 3 | updated source info: AUDMC > DAT > CD Recorded by Jerry Moore, NAK 700's > Sony TC-D5M from the 6th row center, mics very high up on pole>PCM>Dat>Samplitude>Cool Edit Pro>CD Transfer Info: Sony R500>Prodif Plus>Samplitude 2496 v6.0>Cool Edit Pro v2.0>SHN via Charlie Miller : upgrade now in circulation . | Source Detail | d3 | |
| 01/20/79 | Shea's Buffalo Theater | 3 | AUDMC > DAT > CD Recorded by Jerry Moore, NAK 700's > Sony TC-D5M from the 6th row center, mics very high up on pole. A > D by Mark Cohen - EAC > SHN by Noah Weiner. A previous digitization of this show was found to have digital errors (clicks and ticks), thus the redo;; upgrade now in circulation. | Source Detail | d6 | |
| 01/20/79 | Shea's Buffalo Theater | 3 | updated source info: AUDMC > DAT > CD Recorded by Jerry Moore, NAK 700's > Sony TC-D5M from the 6th row center, mics very high up on pole>PCM>Dat>Samplitude>Cool Edit Pro>CD Transfer Info: Sony R500>Prodif Plus>Samplitude 2496 v6.0>Cool Edit Pro v2.0>SHN via Charlie Miller : upgrade now in circulation . | Source Detail | d7 | |
| 01/20/79 | Shea's Buffalo Theater | 3 | updated source info: AUDMC > DAT > CD Recorded by Jerry Moore, NAK 700's > Sony TC-D5M from the 6th row center, mics very high up on pole>PCM>Dat>Samplitude>Cool Edit Pro>CD Transfer Info: Sony R500>Prodif Plus>Samplitude 2496 v6.0>Cool Edit Pro v2.0>SHN via Charlie Miller : upgrade now in circulation . | Source Detail | d39 | |
| 01/20/79 | Shea's Buffalo Theater | 3 | AUDMC > DAT > CD Recorded by Jerry Moore, NAK 700's > Sony TC-D5M from the 6th row center, mics very high up on pole. A > D by Mark Cohen - EAC > SHN by Noah Weiner. A previous digitization of this show was found to have digital errors (clicks and ticks), thus the redo;; upgrade now in circulation. | Source Detail | d38 | |
| 01/21/79 | Masonic Temple | 2 | Source: Unknown AUD>?>SHN. Editing: SHN>WAV>CE2K>CDWAVE>shntool>mkwACT. Edited & seeded to etree by MattMan. | Source Detail | d7 | |
| 01/21/79 | Masonic Temple | 2 | Source: Unknown AUD>?>SHN. Editing: SHN>WAV>CE2K>CDWAVE>shntool>mkwACT. Edited & seeded to etree by MattMan. | Source Detail | d40 | |
| 02/03/79 | Market Square Arena | 1 | Set One only MAC (Unknown equipment) > Unknown analog generations > Cassette > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) | Source Detail | d7 | |
| 02/03/79 | Market Square Arena | 2 | set 2; Master FOB Audience Cassette; Nakamichi CM700 mics > Nakamichi 550 cassette deck> DAT > CDR; CD Mastering, EAC\'ed / SHN\'ed by Scott Clugston | Source Detail | d7 | |
| 02/03/79 | Market Square Arena | 1 | Set One only MAC (Unknown equipment) > Unknown analog generations > Cassette > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) | Source Detail | d40 | |
| 02/03/79 | Market Square Arena | 2 | set 2; Master FOB Audience Cassette; Nakamichi CM700 mics > Nakamichi 550 cassette deck> DAT > CDR; CD Mastering, EAC\'ed / SHN\'ed by Scott Clugston | Source Detail | d40 | |
| 02/04/79 | Dane County Coliseum | 2 | Set 2 Nak 700's>MC>DAT>CDR>EAC>SHN | Source Detail | d8 | |
| 02/04/79 | Dane County Coliseum | 1 | flac16; Set 1 only: Recording Info: (FOB) Nakamichi 700 -> Cassette Master -> 4th Gen Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC | Source Detail | d8 | |
| 02/04/79 | Dane County Coliseum | 2 | Set 2 Nak 700's>MC>DAT>CDR>EAC>SHN | Source Detail | d40 | |
| 02/04/79 | Dane County Coliseum | 1 | flac16; Set 1 only: Recording Info: (FOB) Nakamichi 700 -> Cassette Master -> 4th Gen Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC | Source Detail | d40 | |
| 02/07/79 | SIU Arena, Southern Illinois University | 1 | SBD>??>C>CD>EAC>SHN (low gen); incomplete; portions of both sets; Thanks to Joey Browning; edits/encoding by JCotsman | Source Detail | d8 | |
| 02/07/79 | SIU Arena, Southern Illinois University | 1 | SBD>??>C>CD>EAC>SHN (low gen); incomplete; portions of both sets; Thanks to Joey Browning; edits/encoding by JCotsman | Source Detail | d40 | |
| 02/09/79 | Soldiers & Sailors Memorial Hall | 3 | 3 Nak CM-300's>Nak 550>MC>R>CDR>EAC>SHN; Seeded to etree by Glyde | Source Detail | d8 | |
| 02/09/79 | Soldiers & Sailors Memorial Hall | 3 | 3 Nak CM-300's>Nak 550>MC>R>CDR>EAC>SHN; Seeded to etree by Glyde | Source Detail | d40 | |
| 02/10/79 | Soldiers & Sailors Memorial Hall | 3 | flac16; Recording by Joani Walker: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: Dolby was used in the transfer of this source) | Source Detail | new seed d38 | |
| 02/10/79 | Soldiers & Sailors Memorial Hall | 3 | flac16; Recording by Joani Walker: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: no Dolby was used in the transfer of this source) | Source Detail | new seed d39 | |
| 02/10/79 | Soldiers & Sailors Memorial Hall | 3 | AUD>MC>DAT>CDR>EAC>SHN; Seeded to etree by Glyde | Source Detail | d8 | |
| 02/10/79 | Soldiers & Sailors Memorial Hall | 3 | flac16; Recording by Joani Walker: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: Dolby was used in the transfer of this source) | Source Detail | d8 | |
| 02/10/79 | Soldiers & Sailors Memorial Hall | 3 | flac16; Recording by Joani Walker: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: no Dolby was used in the transfer of this source) | Source Detail | d9 | |
| 02/10/79 | Soldiers & Sailors Memorial Hall | 3 | AUD>MC>DAT>CDR>EAC>SHN; Seeded to etree by Glyde | Source Detail | d41 | |
| 02/10/79 | Soldiers & Sailors Memorial Hall | 3 | flac16; Recording by Joani Walker: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: Dolby was used in the transfer of this source) | Source Detail | d41 | |
| 02/10/79 | Soldiers & Sailors Memorial Hall | 3 | flac16; Recording by Joani Walker: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: no Dolby was used in the transfer of this source) | Source Detail | d41 | |
| 02/11/79 | Kiel Auditorium | 2 | AUD (3 Nak CM-300?s >Nak 550) > MC > R > CDR; via Raoul Duke, encoded by Matt Vernon | Source Detail | d9 | |
| 02/11/79 | Kiel Auditorium | 2 | AUD (3 Nak CM-300?s >Nak 550) > MC > R > CDR; via Raoul Duke, encoded by Matt Vernon | Source Detail | d41 | |
| 02/17/79 | Oakland-Alameda County Coliseum | 3 | flac16; Recording Info: SBD -> Master Reel -> ? -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d82 | |
| 02/17/79 | Oakland-Alameda County Coliseum | 3 | SBD > Reel > DAT > TB Fiji (S/PDIF) > WAV > SHN; Source DAT via T. Buller from Family Tree Batch #6; transfer by J. Kempka; some splices from source DAT cleaned up : upgrade now in circulation. | Source Detail | d9 | |
| 04/16/79 | Studio Rehersal, Club Front | 3 | Master Soundboard Cassette > ?Cassette? > DAT > CDR; see info file for source speculation and listening notes; cuts smoothed; CD Mastering, EAC> SHN by Scott Clugston | Source Detail | d9 | |
| 04/16/79 | Studio Rehersal, Club Front | 3 | sbd> mr> dat> cd; DAE (EAC) by Chris Ladner, from Bear Greider seed; hosted by tol | Source Detail | d10 | |
| 04/22/79 | Spartan Stadium, San Jose State University | 3 | Complete; Mixed sbd sources; Set 1 Source: SBD>?>C>C>WAV>SHN Set 2 Source: SBD MC>C>DAT>CDR>WAV>SHN; See info file for details; via Dave Morris, Jeffrey Smith; Seeded to etree by Jim Bennett | Source Detail | d10 | |
| 04/22/79 | Spartan Stadium, San Jose State University | 1 | Partial Set 2; WBOTB-CD Source: master reel > PCM-1 > DAT-1 > SHN; See info file for further details; Seeded to etree by Tim Deibert | Source Detail | d10 | |
| 05/03/79 | Charlotte Coliseum | 3 | flac16; Recording by Barry Glassberg: MOTB 0024:Source: Audience FOB Recording, 60 Feet back, DFC, 9 foot pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM700's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Mastering: WaveLab 5.0 iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Koucky | Source Detail | d10 | |
| 05/03/79 | Charlotte Coliseum | 3 | Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon; upgrade now in circulation. | Source Detail | d11 | |
| 05/04/79 | Hampton Coliseum | 3 | flac16; Recording by Barry Glassberg: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > Tascam HD-P2 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick | Source Detail | d11 | |
| 05/04/79 | Hampton Coliseum | 3 | Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon; upgrade now in circulation. | Source Detail | d11 | |
| 05/04/79 | Hampton Coliseum | 3 | flac16; Recording by Barry Glassberg: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > Tascam HD-P2 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick | Source Detail | d11 | |
| 05/05/79 | Baltimore Civic Center | 3 | Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon | Source Detail | d12 | |
| 05/05/79 | Baltimore Civic Center | 1 | presumed to be:SBD:MC>Cas>DAT>CD via Jools from GANS GDH Disc : upgrade now in circulation. | Source Detail | d12 | |
| 05/05/79 | Baltimore Civic Center | 3 | flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC: upgrade now in circulation. | Source Detail | d12 | |
| 05/07/79 | Allan Kirby Field House, Lafayette College | 3 | Recording by Barry Glassberg: Nak CM700, Sony 158SD . A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon | Source Detail | d12 | |
| 05/08/79 | Recreation Hall, Penn State University | 3 | Recording by Barry Glassberg: Nak CM700, Sony 158SD . A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon: upgrade now in circulation. | Source Detail | d13 | |
| 05/09/79 | Broome County Arena | 2 | Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon: upgrade now in circulation. | Source Detail | d12 | |
| 05/09/79 | Broome County Arena | 3 | flac16; Recording by Barry Glassberg: Source: Audience FOB Recording, 50ft. DFC, Hand-Held Nak CM700's Media: Maxell UD-XLII 90 min. Lineage 1: Nakamichi CM700's > Sony 158SD > MAC > Sony 158SD > C1 Lineage 2: Nakamichi CM700's > Sony 158SD > MAC Transfer 1: C1 > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Transfer 2: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Mastering: WaveLab 5.0 iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Koucky | Source Detail | d13 | |
| 05/09/79 | Broome County Arena | 3 | FOB Naks > Teac PC-10 (cassette master) > DAT x2; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (tracking, downsampling [Set II only]) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff; flips after Minglewood and Drums [Note: A sbe fixed version also circulates] | Source Detail | d14 | |
| 05/11/79 | Billerica Forum | 3 | FOB Sony ECM 280's > cassette master > 48k DAT; Transfer: DA20 mkII > Audiowerk2 > Waveburner > Peak > Jam > Plex 8/2/20 (on-the-fly card resampling); via A. Gustin | Source Detail | d13 | |
| 05/11/79 | Billerica Forum | 3 | Recording by Keith Gatto via Mark Cohen encoded by Matt Vernon | Source Detail | d14 | |
| 05/12/79 | Alumni Stadium, University Of Massachusetts | 3 | flac16; Recording by Barry Glassberg: MOTB 0034: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM300's > Sony 158SD > MAC 50ft. DFC Hand-Held Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick | Source Detail | d14 | |
| 05/12/79 | Alumni Stadium, University Of Massachusetts | 3 | Recording by Barry Glassberg: Nak CM700, Sony 158SD . A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon: upgrade now in circulation. | Source Detail | d14 | |
| 05/13/79 | Cumberland County Civic Center | 3 | Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon : upgrade now in circulation. | Source Detail | d15 | |
| 06/28/79 | Sacramento Memorial Auditorium | 3 | Recording by Reinhardt Hollwein: Sony ECM>Sony-158>Cass>Reel>CD; 'Minor' static/distortion in spots; All Over Now, Fire, Samson, Ship, NFA, Peter; via David Minches & Paul B; Seeded to etree by Willy | Source Detail | d15 | |
| 06/28/79 | Sacramento Memorial Auditorium | 2 | Set 2; SBD:MR> Cassettes x?> Pioneer 509 >CD; via Jools | Source Detail | d15 | |
| 06/30/79 | Portland International Speedway | 2 | Senn. 441's>MC>DAT>CD; via Paul B; Seeded to etree by Willy | Source Detail | d15 | |
| 07/01/79 | Seattle Center Coliseum | 3 | no source info; via D. Barrick; d3 now tracked out; update 7/00: listener Joe Doss reports that this sounds like a SBD, and Rob Bertrando points out that a SMC> VHS HiFi> R> D version circulates- one might infer that this is that version; see flaw notes in public comment section;; upgrade now in circulation | Source Detail | d16 | |
| 08/04/79 | Oakland Auditorium Arena | 3 | Fix of soundboard shn id 9578 (sbd) by Bill Tetzeli - see info file for details | Source Detail | d16 | |
| 08/04/79 | Oakland Auditorium Arena | 3 | SBD>MC>C>DAT>CDR; Missing Jack Straw; via Paul B; Seeded to etree by Willy;; upgrade now in circulation | Source Detail | d16 | |
| 08/05/79 | Oakland Auditorium Arena | 3 | SBD>MC>C>DAT>CDR; Some cuts, see info file for details; via Paul B; Seeded to etree by Willy; Note- Fixed versions of d1t09 & d1t10 now circ, courtesy of PainoMan. The 'splice' in Althea was found to be a skip and was fixed, and shntool fixed the resulting sbe for the remaining tracks on d1; 'original' and 'fixed' md5's are listed here | Source Detail | d16 | |
| 08/12/79 | Red Rocks Ampitheatre | 3 | Master Soundboard Cassette > Reel to Reel > PCM > CDR; CD Mastering, Eac'ed & Shn'ed by Scott Clugston; to fungus & abgd via Charlie Connor;; upgrade now in circulation | Source Detail | d17 | |
| 08/13/79 | McNichols Sports Arena | 1 | flac16; Set 1 only: SBD -> Cassette Master -> Dat/0 (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d82 | |
| 08/13/79 | McNichols Sports Arena | 3 | Master Audience Cassette; Nakamichi CM700 mics > Sony TC-158 cassette deck > Revox Reel to Reel (DBX encoded) > DBX decoded > DAT > CDR > Flac (unknown taper at this time); "Phil's Big Night!"; converted 01 April 2006 by winterland121072@yahoo.com | Source Detail | d17 | |
| 08/13/79 | McNichols Sports Arena | 2 | Sources: Primary: Master Soundboard Cassette > Reel to Reel > PCM > CDR; Sedondary Source: Master Audience Cassette; Nakamichi CM700 mics > 1 Reel to Reel gen > DAT > CDR Aud source supplies portions of "Friend of the Devil", "MInglewood Blues" , "Tuning / Announcements" , and "I Need A Miracle" ;Patching / CD Re-Mastering, EAC'ed / SHN'ed by Scott Clugston; to fungus and abgd via Charlie Connor | Source Detail | d17 | |
| 08/14/79 | McNichols Sports Arena | 1 | flac16; SBD -> Cassette Master -> Cassette Transferred and Edited By Charlie Miller | Source Detail | new seed d1 | |
| 08/14/79 | McNichols Sports Arena | 3 | FOB-AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy | Source Detail | d17 | |
| 08/14/79 | McNichols Sports Arena | 1 | flac16; SBD -> Cassette Master -> Cassette Transferred and Edited By Charlie Miller | Source Detail | d17 | |
| 08/31/79 | Glens Falls Civic Center | 3 | AUD(Nak 300's)>MC>DAT>CDR; via Paul; Seeded to etree by Glyde | Source Detail | d18 | |
| 09/01/79 | Holleder Memorial Stadium | 2 | AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy | Source Detail | d18 | |
| 09/01/79 | Holleder Memorial Stadium | 3 | master SBD cassette (Dolby B) > cassette (Dolby C) > TC 2000 @ 24 bits > HHb 830 Patched wtih AUD>MC>DAT>CDR. Encoding and patching Ernie Dodd. SBD source from David Gans via Zeb Weber. | Source Detail | d18 | |
| 09/02/79 | Augusta Civic Center | 3 | Recording by Steve Rolfe: Nak700's > D5: MC>DAT>CDR; via Paul B; Seeded to etree by Willy | Source Detail | d18 | |
| 09/04/79 | Madison Square Garden | 3 | Recording by Barry Glassberg: FOB (14th row center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR; Hosted by Candyman.etree.org | Source Detail | d19 | |
| 09/04/79 | Madison Square Garden | 3 | Sources: Primary Source: Master Soundboard Cassette > Reel to Reel > PCM > CDR: Secondary Source: Barry Glassberg's Master Audience Cassette; Nakamichi CM700 mics; Secondary source supplies portions of "Jack Straw", "Minglewood Blues", "China Cat Sunflower", "Looks Like Rain" in its entirety, as well as a patch in "Wharf Rat" ; Patching / CD Mastering by Scott Clugston; also to abgd via Charlie Connor : upgrade now in circulation. | Source Detail | d19 | |
| 09/05/79 | Madison Square Garden | 3 | Recording by Barry Glassberg: FOB (14th row center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR; Hosted by Candyman.etree.org | Source Detail | d19 | |
| 09/05/79 | Madison Square Garden | 3 | Sources: Primary Source;Master Soundboard Cassette > Reel to Reel > PCM > CDR; Secondary source: Barry Glassberg's Master Audience Cassette; Nakamichi CM700's; Secondary source supplies "Loser", "Promised Land", patches in "Scarlet Begonias", "Estimated Prophet", "Eyes of theWorld", "Black Peter", "Bertha". Both the Soundboard and Audience sources are missing the begining of "Mississippi Half-step"; Patching/CD Mastering by Scott Clugston; also to abgd via Charlie Connor : upgrade now in circulation. | Source Detail | d19 | |
| 09/06/79 | Madison Square Garden | 3 | Recording by Barry Glassberg: FOB (14th row center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR; Hosted by Candyman.etree.org | Source Detail | d20 | |
| 09/06/79 | Madison Square Garden | 3 | Sources: Primary Source; Master Soundboard Cassette > Reel to Reel > PCM > CDR; Secondary Source: Barry Glassberg's Master Audience Cassette; Nakamichi CM700's; Secondary source supplies a patch in "Easy to Love You" (d2t03) from 1:14 thru 1:41; Patching/CD Mastering by Scott Clugston; Also to abgd via Charlie Connor : upgrade now in circulation. | Source Detail | d20 | |
| 10/24/79 | Springfield Civic Center | 3 | Recording by Steve Rolfe: Sony D5 w/ nak 700's Lineage: AUDMC > DAT > WAV(48K) > SHN AUDMC > DAT by David Minor. DAT > WAV transfer by Marc Pujol. SHN encoding by Matt Vernon | Source Detail | d20 | |
| 10/24/79 | Springfield Civic Center | 3 | AUD(Senn 421's>Nak 350)>MC>DAT>CD; via Craig Reimer; seeded to etree by Willy | Source Detail | d20 | |
| 10/25/79 | Veterans Memorial Coliseum | 3 | Aud:M?>?>CD (It may be either Aud:MC>Cas>DAT>CD or Aud:MC>DAT>CD) via Jools | Source Detail | d21 | |
| 10/25/79 | Veterans Memorial Coliseum | 3 | Upgrade to previous shn set by Charlie Miller - "Steve Rolfe sent me CDs of the show which sounded better than what I originally used, so on 2/20/04, I re-patched the sbd" | Source Detail | d21 | |
| 10/27/79 | Cape Cod Coliseum | 3 | Recording by Steve Rolfe: MAC(Nakamichi CM-700 mics > Sony TC-158) > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) | Source Detail | d21 | |
| 10/27/79 | Cape Cod Coliseum | 3 | flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller ( upgrade now in circulation). | Source Detail | d22 | |
| 10/28/79 | Cape Cod Coliseum | 3 | Recording by Steve Rolfe: Sony D5 w/ nak 700's Lineage: AUDMC > DAT > WAV(48K) > SHN AUDMC > DAT by David Minor. DAT > WAV transfer by Marc Pujol. SHN encoding by Matt Vernon | Source Detail | d21 | |
| 10/28/79 | Cape Cod Coliseum | 2 | flac16; SBD -> Master Cassette -> Reel -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation | Source Detail | d22 | |
| 10/31/79 | Nassau Veterans Memorial Coliseum | 3 | flac16; Set 1: SBD -> Cassette Master -> Reel -> Dat -> CD Set 2: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller | Source Detail | d22 | |
| 10/31/79 | Nassau Veterans Memorial Coliseum | 3 | flac16; Recording by Barry Glassberg: MOTB 0039: Source: Audience At SBD Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TCD5 > MAC 50ft. DFC Hand-Held Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick | Source Detail | d22 | |
| 10/31/79 | Nassau Veterans Memorial Coliseum | 3 | Set1: SBD>>MC>>REEL>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A- Set2: SBD>>MC>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A- Last 20 minutes of show: MAC(Nak 700's)>>SonyTC-158>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B | Source Detail | d23 | |
| 11/01/79 | Nassau Veterans Memorial Coliseum | 3 | SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transfer Info:Master Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN; Transferred and Edited By charliemiller87@earthlink.net Charlie Miller; Note: had originally circulated only as set 2; upgrade now in circulation | Source Detail | d23 | |
| 11/02/79 | Nassau Veterans Memorial Coliseum | 2 | AUD> MC> DAT> CDR; via Paul B, Alan Schlissel | Source Detail | d23 | |
| 11/02/79 | Nassau Veterans Memorial Coliseum | 3 | SBD> MR> Dick's cassette> DAT> CD; via Alasdair Macdonald | Source Detail | d23 | |
| 11/04/79 | Providence Civic Center | 3 | flac16; Unknown Taper: Master recorded with 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Master played back on unknown deck to unknown deck to record 1st Generation Cassette 1st Generation Cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding Transfer and FLAC encoding by David Minches | Source Detail | new seed d39 | |
| 11/04/79 | Providence Civic Center | 3 | flac16; Unknown Taper: Master recorded with 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Master played back on unknown deck to unknown deck to record 1st Generation Cassette 1st Generation Cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding Transfer and FLAC encoding by David Minches | Source Detail | d24 | |
| 11/04/79 | Providence Civic Center | 3 | SB>MR>Dick Latvala's cass>DAT>CD>EAC>minor editing>.shn & CD-R; Reported upgrade to previous shn set; see info file for details; Timings are the same; via Alasdair Macdonald | Source Detail | d24 | |
| 11/05/79 | The Spectrum | 3 | Third in the series :O); This is the previous shn set with a shntool fix and silence removed from d2 (by Charles Weir); See info file for details; Master Soundboard Cassette > Cassette > DAT > CDR. : upgrade now in circulation | Source Detail | d24 | |
| 11/05/79 | The Spectrum | 2 | Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transfer Info: Master Dat (Sony R700) -> CD (HHB CDR800) Dat > CD Transfer By Jim Wise Patched By Charlie Miller charliemiller87@earthlink.net Patch Info: Estimated Prophet has a tape flip which I pacthed with SBD>Cm>Cass>Dat>CD. End of Lost Sailor through the end of the show patched with Nakamichi 300 -> Cassette Master > C2 > CD | Source Detail | d24 | |
| 11/06/79 | The Spectrum | 2 | flac16; SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat/0 (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller | Source Detail | d25 | |
| 11/08/79 | Capital Centre | 1 | flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC | Source Detail | d24 | |
| 11/09/79 | Community War Memorial Auditorium | 3 | Updated source: SBD> Cm> Cass> Dat> Sound Forge> CD; 6ote d1t1 is JBG from 11/8/79 encore; to abgd previously; via A. Stern; note variable right-channel static throughout. : upgrade now in circulation | Source Detail | d25 | |
| 11/10/79 | Crisler Arena | 3 | Master Soundboard Cassette > Reel to Reel > DAT> CDR, with AUD patches (see notes); via Scott Clugston; to abgd | Source Detail | d25 | |
| 11/23/79 | Golden Hall, Community Concourse | 3 | SBD:MC>Cas>DAT>CD, patches from 3rd generation reel source | Source Detail | d25 | |
| 11/24/79 | Golden Hall, Community Concourse | 2 | Sources:Primary Source:MSC>??>DAT>CDR>EAC>Shn;Alternate Soundboard Source MSC>C>CDR supplies patches in Lost Sailor, Sugar Mag, OMSN,. 2nd Alt Source; Master Aud Cassette>NakCM700>Sony TC-158>Reel>DAT>CDR source supplies patches in China Cat Sunflower , Playin, and Sugar Mag. This source is missing the material needed to patch "Althea" (d1t08). Primary Source Shs via Eric Salmassy; Cd remastered; patched and reshn'ed by Scott Clugston; to Fungus and abgd via Charlie Connor (Note: A sbe-fixed version is circulating as of 4/2008.) | Source Detail | d26 | |
| 11/25/79 | Pauley Pavilion, UCLA | 3 | flac16; Recording Info: SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Patch Info: Nakamichi 700 -> Master Cassette -> Reel -> CD (Possibly One More Reel Gen); repatched version of shn id 25609 (this has a new patch in Bertha) | Source Detail | new seed 83 | |
| 11/25/79 | Pauley Pavilion, UCLA | 3 | Recording Info: SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info: Nakamichi 700 -> Master Cassette -> Reel -> CD (Possibly One More Reel Gen) via Charlie Miller : upgrade now in circulation | Source Detail | d26 | |
| 11/29/79 | Cleveland Public Hall | 3 | flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller; upgrade now in circulation | Source Detail | d26 | |
| 11/30/79 | Stanley Theatre | 3 | flac16; SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller; Note: since no one had the previous seed I am just updating this source. | Source Detail | d26 | |
| 12/01/79 | Stanley Theatre | 3 | flac16; AUD (unknown equipment and lineage, speculated to have been taped by Scott Jones with Shure > Sony TC-158) via Andrew F | Source Detail | d27 | |
| 12/01/79 | Stanley Theatre | 3 | flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller; upgrade now in circulation | Source Detail | d27 | |
| 12/01/79 | Stanley Theatre | 3 | flac16; Source: DTS-Audio-CD 5.1 Mix of SBD: shn id 29429 and AUD: shn id 31330 Multichannel Mix by Dan dan@am-dig.com | Source Detail | d32 | |
| 12/03/79 | Uptown Theater | 3 | flac16; Set 1: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Set 2: SBD -> Cassette Master -> Cassette -> Dat -> CD Transferred and Edited By Charlie Miller | Source Detail | d27 | |
| 12/04/79 | Uptown Theatre | 3 | Master Soundboard Cassette -> Cassette -> DAT; DAT -> CD -> EAC -> SHN conversion by Scott Clugston; to etree via Adam Jerugim; static from MR in d1t3,6 : seamless version upgrade now in circulation | Source Detail | d27 | |
| 12/05/79 | Uptown Theater | 3 | MAC (Unknown equipment) > Unknown analog generations > Nakamichi RX-505 cassette > 20-bit conversion with Burr-Brown ADC, dithered to 16-bit for output > HHB CDR8930 > EAC > CoolEdit > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) | Source Detail | d28 | |
| 12/05/79 | Uptown Theater | 2 | flac16; SBD (set 2 only) -> Cassette Master -> Dat (44.1k) Transferred and Remastered By Charlie Miller | Source Detail | d28 | |
| 12/07/79 | Indiana Convention Center | 3 | MAC (3 Nak CM-300s-> Sony TC-158)>R>D>CD); via Jack Warner; Don Chase; Seeded to etree by Matt Vernon;upgrade now in circulation | Source Detail | d28 | |
| 12/07/79 | Indiana Convention Center | 2 | Updated source info: SBD ->Cass Master > Reel > Dat (48k) Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Dat Supplied By Rob Eaton; Transferred By Charlie Miller (had been marked: BD -> Master Cassette -> Cassette -> Dat (48k)) | Source Detail | d28 | |
| 12/09/79 | Kiel Auditorium | 3 | MAC(Nak CM-700s-> Sony TC-158)>R>D>CD; via Jack Warner; Don Chase | Source Detail | d29 | |
| 12/09/79 | Kiel Auditorium | 3 | flac16; SBD> Cassette Master> Reel (Technics)> Dat (3800/48k), plus patch from Nak 700> Cass> Reel source; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; transferred and edited by Charlie Miller | Source Detail | d29 | |
| 12/10/79 | Soldiers & Sailors Memorial Hall | 3 | SBD> Cm> (set 1 = Reel, set 2 = ?)> Dat> CD> EAC> SHN; with AUD patch; see info file for notes; via Steve;upgrade now in circulation | Source Detail | d29 | |
| 12/11/79 | Soldiers & Sailors Memorial Hall | 3 | flac16; Recording Info: SBD -> Cassette Master (Nak 550) -> Cassette (Sony D5) Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed 83 | |
| 12/11/79 | Soldiers & Sailors Memorial Hall | 3 | Nak CM-700s-> Sony TC-D5; MAC>R>D>CD; via Jack Warner; Seeded to etree by Don Chase | Source Detail | d28 | |
| 12/11/79 | Soldiers & Sailors Memorial Hall | 3 | flac16; SBD -> Cassette Master -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif plus -> Samplitude v7.02 Professional -> FLAC. Transferred and Edited By Charlie Miller : upgrade now in circulation | Source Detail | d29 | |
| 12/26/79 | Oakland Auditorium Arena | 1 | AUD>Cm>?>Cass>MiniDisc>Samplitude>SHN Soundcheck via Charlie Miller : upgrade now in circulation | Source Detail | d29 | |
| 12/26/79 | Oakland Auditorium Arena | 3 | flac16; Lineage: SBD Transfer: SBD -> ? -> DAT; DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing:- All editing and mastering by Jamie Waddell Wavelab 6.0- BBE, L3(type 1 dither)>16/44.1 SBE FREE | Source Detail | d30 | |
| 12/26/79 | Oakland Auditorium Arena | 3 | Recording by Steve Rolfe: Nak 700's > d5 > DAT > cdr via Dave Minor encoded by Matt Vernon with Soundcheck. | Source Detail | d30 | |
| 12/27/79 | Oakland Auditorium Arena | 1 | flac16; 1st Set Only, Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d25 | |
| 12/27/79 | Oakland Auditorium Arena | 2 | Recording by Steve Rolfe: nak 700's > d5 > DAT > cdr via Dave Minor, encoding Matt Vernon | Source Detail | d30 | |
| 12/27/79 | Oakland Auditorium Arena | 1 | flac16; 1st Set Only, Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | d30 | |
| 12/28/79 | Oakland Auditorium Arena | 2 | flac16; SBD > MR > PCM > DAT > WAV > FLAC. Seeded by the Green Mountain Bros. | Source Detail | new seed 83 | |
| 12/28/79 | Oakland Auditorium Arena | 2 | Recording by Steve Rolfe: nak 700's > d5 > DAT > cdr taped via Dave Minor encoded by Matt Vernon | Source Detail | d30 | |
| 12/28/79 | Oakland Auditorium Arena | 2 | SBD; transferred and seeded by Mike Lai, from Bruce Fried DAT; 7/26/01 update: d2t1 md5 had been missing here, complete md5s now shown : upgrade now in circulation | Source Detail | d31 | |
| 12/30/79 | Oakland Auditorium Arena | 2 | Recording by Steve Rolfe: Nak 700's > d5 > DAT > cdr via Dave Minor, encoding Matt Vernon | Source Detail | d31 | |
| 12/30/79 | Oakland Auditorium Arena | 3 | SBD> MC> DAT> CD (except for Truckin' which is from an unknown AUD source); seeds via Charlie Miller; DAE and hosting by neo_levo;upgrade now in circulation | Source Detail | d31 | |
| 12/31/79 | Oakland Auditorium Arena | 4 | Recording by Steve Rolfe: Nak 700's > d5 > DAT > cdr via Dave Minor encoded and patched by Matt Vernon | Source Detail | d31 | |
| 12/31/79 | Oakland Auditorium Arena | 4 | SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko | Source Detail | d32 | |
| 01/13/80 | Oakland-Alameda County Coliseum | 2 | sbd> mr> dats> wav> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT | Source Detail | d1 | |
| 03/30/80 | Capitol Theater | 3 | Recording by Barry Glassberg: nak 700 > sony tc d5m fob tascam 112 > sony pcm r-500 > hhb cdr-850, taper Barry G.; nonseeking shns via Steve Barbella to CDead | Source Detail | d1 | |
| 03/30/80 | Capitol Theater | 2 | flac16; SBD> Cassette Master> Dat, plus patch from FOB Nak 700> Cass; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller | Source Detail | d1 | |
| 03/31/80 | Capitol Theater | 2 | Recording by Rob Eaton: sennnheiser 421 > nak 550 fob analog mastering AND analog to digital by rob eaton; dat > cd was sony pcm r-700 > hhb cdr-800; nonseeking shns via Steve Barbella to CDead; some cuts and missing songs (see info file) | Source Detail | d1 | |
| 04/01/80 | Capitol Theater | 3 | Recording by Barry Glassberg: nak 700 > sony tc d5m fob tascam 112 > sony pcm r-500 > hhb cdr-850, taper Barry G.; nonseeking shns via Steve Barbella to CDead | Source Detail | d2 | |
| 04/01/80 | Capitol Theater | 2 | mixed sources: SBD> Rm> Dat> Sonic Solutions> CD> EAC> SHN, SBD> Rm> Cass> Dat> CD> Cool Edit Pro> CD> EAC> SHN, and AUD> Cm> Dat> CD> EAC> SHN; edited, converted, seeded by Charlie Miller | Source Detail | d2 | |
| 04/01/80 | Capitol Theater | 3 | Bertha remaster of Charlie Miller's previous seed, by Jay Ashley | Source Detail | d1 | |
| 04/28/80 | Boutwell Auditorium | 2 | Recording by Barry Glassberg: non-dank version, with differing md5s; FOB (Nakamichi 700)> Master Cassette(Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)> Sony R500 @44.1; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII CD>SHN: EAC (see info file)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch> additional step(s) (reDAE, reSHN?) by unIDed person; to abgd and etree; upgrade in circulation | Source Detail | d2 | |
| 04/28/80 | Boutwell Auditorium | 2 | Recording by Barry Glassberg: QC courtesy dankseeds, of Jamie's shns as listed in info file; FOB (Nakamichi 700)> Master Cassette(Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)> Sony R500 @44.1; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII CD>SHN: EAC (see info file)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; non-dank version may also circulate, but with different md5s; upgrade in circulation | Source Detail | d2 | |
| 04/29/80 | Fox Theater | 3 | Recording by Barry Glassberg: QC courtesy dankseeds, of Jamie's original version, note d1 md5s: FOB (Nakamichi 700)> Master Cassette(Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1>; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII; CD>SHN: EAC (see info)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; alternate version may also be in circ; note dankseeds certified as of 1/8/02 ; upgrade in circulation | Source Detail | d3 | |
| 05/01/80 | Greensboro Coliseum | 2 | Recording by Barry Glassberg; FOB (Nakamichi 700)> Master Cassette (Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1>; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII; CD>SHN: EAC (see info)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; d2 tracked for 80 min; QC courtesy dankseeds; see info file for listening notes etc | Source Detail | d3 | |
| 05/02/80 | Hampton Coliseum | 2 | Recordings by John Hance and Jim Wise: Mixed Source AUD: FOB (NAK 700 (set 1, John Hance) & AKG 1000E (set 2, Jim Wise))> Master Cassette (Sony TC-D5); Master Cassette (Nakamichi Dragon)> A/D Conversion via Sony R700> COAX to ZA2> Soundforge> MASTER CDR> EAC in Secure Mode> Soundforge> CD WAV> SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD> SHN by Jamie Lutch; via Tim L. to etrade offer; QC courtesy dankseeds; see info file for listening notes etc | Source Detail | d3 | |
| 05/04/80 | Baltimore Civic Center | 3 | Nak 300's>MC>DAT>CD; via Paul B; Seeded to etree by Willy | Source Detail | d3 | |
| 05/06/80 | Recreation Hall, Pennsylvania State University | 3 | Unknown Audience Recording: ??> cassette> wav> shn; playback: Sony es> soundblasterlive platinum> cooledit> cdwave editor> MKWact; A>D conversion, shn, seeded By Popi n. Feeldz; missing encore | Source Detail | d4 | |
| 05/06/80 | Recreation Hall, Pennsylvania State University | 3 | Recording by Rob Eaton: Sennnheiser 421 > Nak 550 fob analog; mastering and analog to digital by Rob Eaton; dat > cd: sony pcm r-700 > hhb cdr-800; via Seth Kaplan, Steve Barbella | Source Detail | d4 | |
| 05/07/80 | Barton Hall, Cornell University | 3 | Master Audience Cassette; Nakamichi CM700 + Nakamichi CM300 blend> Sony TC-D5M > DAT > CDR; CD Mastering> EAC> SHN by Scott Clugston | Source Detail | d4 | |
| 05/07/80 | Barton Hall, Cornell University | 3 | SBD> Cassette Master> Reel> Dat> CD> EAC> SHN; Converted By Charlie Miller | Source Detail | d4 | |
| 05/08/80 | Glens Falls Civic Center | 2 | Updated lineage: Recording by Jim Wise: 3 nak 700's with cpu capsules at the sbd >Nak 550 taped by Jim Wise via Raoul Duke and the Miami SHN Machine | Source Detail | d5 | |
| 05/08/80 | Glens Falls Civic Center | 2 | Master Soundboard Cassette > Cassette > DAT> CDR (Primary Source) patched with the Jim Wise audience source: Recorded by Jim Wise (via Jeff Hellman), 2 Nak 700s + Nak 300 blend>Sony TC-D5: AUD>MC>DAT>CDR>EAC>mkwACT>SHN; Patched by R.Carman | Source Detail | d5 | |
| 05/10/80 | Hartford Civic Center | 3 | Recording by Steve Rolfe: Nak 700's > Sony D5 Master Cassette recorded by Steve Rolfe from "right beside the soundboard on the left side" AUDMC > DAT > wav(48K) > Cool Edit > CDWAV > mkwact > SHN(seekable) via Dave Minor, converted and shn'd by Marc Pujol and Matt Vernon | Source Detail | d5 | |
| 05/10/80 | Hartford Civic Center | 3 | Recording by Steve Rolfe: Nak 700's (was listed as Nak 300's) > Sony D5; Seeded to etree by Willy; upgrade in circulation | Source Detail | d5 | |
| 05/11/80 | Cumberland County Civic Center | 3 | Original SBD> C (Dick's master)> C (Dick copied for Patrick)> DAT> CDR with patches from the etree Nak 300's> Sony D5>master cassette>DAT(3) source; see info file for details; patching done by Doug Nawrocki; upgrade in circulation | Source Detail | d6 | |
| 05/11/80 | Cumberland County Civic Center | 3 | Recording by Steve Rolfe: Nak 700's > Sony D5 recorded by Steve Rolfe from FOB left center about 40 feet from stage via David Minor, conversion and encoding by Marc Pujol and Matt Vernon | Source Detail | d6 | |
| 05/11/80 | Cumberland County Civic Center | 3 | SBD> C (Dick's master)> C (Dick copied for Patrick)> DAT> CDR> EAC> SHN V.3 - Patched version of the earlier soundboard version by Bill Tetzeli (upgrade in circulation). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details | Source Detail | d6 | |
| 05/11/80 | Cumberland County Civic Center | 2 | Nak 300's>Sony D5>master cassette>DAT(3); Transfer by Frank Venezia; via JD Foltz; Seeded to etree by Willy; Note- d2t09 does not exist, this was a mistake in naming the files, the show is complete as is. | Source Detail | d6 | |
| 05/11/80 | Cumberland County Civic Center | 3 | flac16; SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller. This is a repatch and remaster of shn id 13087 | Source Detail | new seed 83 | |
| 05/12/80 | Boston Garden | 2 | Recording by Steve Rolfe: Nak 700's > Sony TC158 Master Cassette, recorded by Steve Rolfe, front row balcony; A>D by Noah Weiner: AudMC > DAT > Soundforge normalizing and editing > CDWAV > SHN; via Audience Devotional Tree; tracked for 2x80 | Source Detail | d7 | |
| 05/14/80 | Nassau Veterans Memorial Coliseum | 3 | Master Soundboard Cassette > Reel to Reel > DAT > CDR; CD Mastering> EAC> SHN by Scott Clugston | Source Detail | d7 | |
| 05/15/80 | Nassau Veterans Memorial Coliseum | 2 | AUD> MC> DAT> CDR; via Alan Schlissel, with thanks to Paul B | Source Detail | d7 | |
| 05/16/80 | Nassau Veterans Memorial Coliseum | 3 | Master Soundboard Cassette > Cassette > DAT> CDR; via Scott Clugston | Source Detail | d7 | |
| 05/29/80 | Des Moines Civic Center | 3 | Source: A:C:C:D > CDR via David Minches, shn encoding Matt Vernon | Source Detail | d8 | |
| 05/30/80 | Milwaukee Auditorium | 2 | Source: A:C:C:D > CDR via David Minches shn encoding Matt Vernon | Source Detail | d8 | |
| 05/31/80 | Metropolitan Sports Center | 2 | AUD>MC>DAT>CD; via Paul B; Seeded to etree by Willy | Source Detail | d8 | |
| 06/05/80 | Compton Terrace Amphitheatre | 2 | FOB (Sennheiser 421's)> Master Cassette> DAT> CDR> EAC> SHN; Processed with DCArt Millenium software; DAE (EAC) and SHN Encoding by Jeff M.; tracked for 2x80; missing encore | Source Detail | d8 | |
| 06/07/80 | Folsom Field, University Of Colorado | 2 | flac16; mac > 1st gen cass > cdr > eac > flac; tapes provided by Jeff "Mr Tapes" Maas (1980); transfer by Paul "ESPN" Epstein (2005); via SIRMick | Source Detail | d8 | |
| 06/07/80 | Folsom Field, University Of Colorado | 2 | Aud>?>CD; Distortion throughout post drums segment; via Tom G; Seeded to etree by Willy | Source Detail | d9 | |
| 06/08/80 | Folsom Field, University Of Colorado | 3 | Recording by Rob Eaton: FOB Senn 421's> Nak 550 Cm> DAT> CD> EAC> Soundforge4> SHN; Recorded By Rob Eaton; includes alternate AUD patches (see info for notes and flaws); stemming from DNC tree Round 9 (1/01); via Tome | Source Detail | d9 | |
| 06/12/80 | Portland Memorial Coliseum | 3 | AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy | Source Detail | d9 | |
| 06/12/80 | Portland Memorial Coliseum | 2 | set 2; Master Audience Cassette; AKG SE-5 mics w/CE-1 cardioid capsules> Sony TC-D5> DAT> CDR; Shn'ed by Scott Clugston | Source Detail | d9 | |
| 06/13/80 | Seattle Center Arena | 3 | Master Audience Cassette; AKG SE-5 mics w/CE-1 cardioid capsules> Sony TC-D5> DAT> CDR; CD Mastering, Shn'ed by Scott Clugston | Source Detail | d9 | |
| 06/14/80 | Spokane Coliseum | 3 | Master Audience Cassette; AKG SE-5 mics w/CE-1 cardioid capsules> Sony TC-D5> DAT> CDR; CD Mastering, Shn'ed by Scott Clugston | Source Detail | d10 | |
| 06/19/80 | West High Auditorium | 2 | SBD>MC>??>DAT>CDR; via paul B; Seeded to etree by Willy; upgrade in circulation | Source Detail | d10 | |
| 06/19/80 | West High Auditorium | 2 | flac 16; Source: SBD -> Cassette Master; Transfer Info: Cassette Master -> Sonic Solutions -> SBM2 -> CD; Mastering Info: CD -> Samplitude Professional v8.01 -> FLAC; Cassette Masters supplied by Richard Hale; Transferred By David Gans; Patch Source Recorded By Mark Severson; Additional Mastering By Charlie Miller | Source Detail | new seed d39 | |
| 06/19/80 | West High Auditorium | 2 | flac16; Recording Info: SBD -> Cassette Master Transfer Info: Cassette Master -> Sonic Solutions -> SBM2 -> CD Mastering Info: CD -> Samplitude Professional v8.01 -> FLAC; upgrade in circulation | Source Detail | new seed d39 | |
| 06/20/80 | West High Auditorium | 3 | Recording Info: SBD -> Cassette Master -> Sonic Solutions (20bit) -> SBM2 (Dithered To 16bit) -> CD (Master Production Discs) -> EAC -> SHN (3 Discs Audio / 2 Discs SHN)Patch Info: Patches in Let It Grow and Drums supplied By AKG 414 -> Cm -> Dat -> CD -> EAC -> SHN via Charlie Miller | Source Detail | d11 | |
| 06/20/80 | West High Auditorium | 3 | SBE-fixed version of previous source: Source: SBD>MC>1C>CD-R CONVERSION: SBLIVE>COOLEDIT2000>mkwACT>SHN Mastered, edited, and shn'd from first gen cassette by Brian Donohue, Kodiak, Alaska. ; upgrade in circulation | Source Detail | d11 | |
| 06/20/80 | West High Auditorium | 3 | Recording by Eddie Claridge at the soundboard patched from Dan Healy. AKG 414 stereo mic -> Sony TC-158 deck via John Gaetzi encoded by Matt Vernon | Source Detail | d10 | |
| 06/20/80 | West High Auditorium | 3 | SBD>>MC>>SS>SBM2>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN via Jay Ashley | Source Detail | d10 | |
| 06/21/80 | West High Auditorium | 2 | flac24; DVD-A 24/44 SBD+AUD Matrix Mix - 24 bit version of other Matrix source by Dan. | Source Detail | d12 | |
| 06/21/80 | West High Auditorium | 3 | Bertha Remaster of Master Soundboard Cassette Source | Source Detail | d13 | |
| 06/21/80 | West High Auditorium | 3 | Source: Recorded by Eddie Claridge at the soundboard patched from Dan Healy. AKG 414 stereo mic -> Sony TC-158 deck Lineage: MAC > [DAT?] > CDR (no intermediate cassette generations) Encoding: EAC(secure) > Cool Edit Pro > CDWAV > shntool > mkwact > SHN(seekable) by Matt Vernon via John Gaetzi | Source Detail | d11 | |
| 06/21/80 | West High Auditorium | 3 | flac16; SBD/AUD Matrix Mix (60%-SBD/40%-AUD) SBD source: Soundboard > Cassette Master > Sonic Solutions (20bit) > Sony SBM2 > Master CD > EAC > FLAC (shn id 27448); AUD source: Source: AKG 414 stereo mic -> Sony TC-158 deck, Taper: Eddie Claridge (shn id 23531). SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the SBD & AUD. This is a 60% SBD, 40% AUD mix. Mixed by dan@am-dig.com. note: info file now reflects tracking for 80 minutes CDs | Source Detail | d11 | |
| 06/21/80 | West High Auditorium | 3 | flac16; DTS-Audio-CD 5.1 Mix of SBD Cassette Master> Sonic Solutions (20bit) (shn id 27448) and AUD AKG 414 stereo mic -> Sony TC-158 deck (shn id 23531) note: info file now reflects tracking for 80 minutes CDs | Source Detail | d12 | |
| 06/29/80 | Pauley Pavilion, UCLA | 1 | 2nd set; SBD>MC>??>DAT>CDR; Missing Sunshine Daydream & US Blues; via Paul B; Seeded to etree by Willy | Source Detail | d14 | |
| 07/01/80 | San Diego Sports Arena | 3 | sbd>?>dat; there are splices from an unknown source at Althea and also for the encore; Seeded to etree by Brian Cole | Source Detail | d14 | |
| 08/16/80 | Southern Illinois University | 3 | Recording by Joani Walker: FOB MAC w/ Sony ECM-250s>Sony TC-158>CDR via Paul Scotton, tracking & tweaking by Scott Clugston, SHN encoding by Andy Lemieux ; upgrade in circulation | Source Detail | d14 | |
| 08/16/80 | Southern Illinois University | 3 | Source: MAC>DAT>CDR & MAC>Cass. x ?>DAT>CDR via Andy Lemieux shn encoding by Matt Vernon | Source Detail | d14 | |
| 08/17/80 | Kansas City Municipal Auditorium | 2 | AUD>?>CD; via Paul B; Seeded to etree by Willy | Source Detail | d14 | |
| 08/19/80 | Uptown Theater | 3 | Recording by Dougal Donaldson: FOBalcony Nak 700's w/shotgun caps>Sony TC-158 MC>DAT>CD; via Mark Lindenbaum; Seeded to etree by Willy | Source Detail | d15 | |
| 08/19/80 | Uptown Theater | 3 | flac16; Recording Info: Set 1: SBD -> Cassette Master -> ? -> Cassette Set 2: SBD -> Cassette Master -> ? -> Dat (48k) Transfer Info: Set 1: Cassette -> Apogee MiniMe -> Samplitude Professional v9.11 -> FLAC Set 2: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed 84 | |
| 08/20/80 | Uptown Theater | 3 | Recording by Dougal Donaldson: FOBalcony Nak 700's w/shotgun caps>Sony TC-158 MC>DAT>CD; via Mark Lindenbaum; Seeded to etree by Willy | Source Detail | d15 | |
| 08/21/80 | Uptown Theater | 2 | SBD>MC>C>DAT>CD; via Scott Shindell; Seeded to etree by Willy | Source Detail | d15 | |
| 08/23/80 | Alpine Valley Music Theatre | 2 | Unknown audience equipment>Cass>CDR; Seeded to etree by Glenn Gillis | Source Detail | d15 | |
| 08/24/80 | Grand Center | 3 | Recording by Rob Eaton: FOB Nakamichi 300> Sony TC-D5> DAT> CDs(3X?); via Dr. Sketchy; Seeded to etree by jim@juddcreek | Source Detail | d16 | |
| 08/26/80 | Cleveland Public Hall | 2 | SBD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy | Source Detail | d16 | |
| 08/26/80 | Cleveland Public Hall | 2 | sbd-> cassette-> unknown digital xfer(s)-> Sonic-> CD-> CD-> EAC-> SHN Note: Beginning gap in Don't Ease Me In patched by David Gans using a piece of the chorus in. This is not a "new" source | Source Detail | d16 | |
| 08/27/80 | Pine Knob Music Theater | 3 | AUD>MC>??>DAT>CDR; Multiple analog gens suspected; via Paul B; Seeded to etree by Willy | Source Detail | d16 | |
| 08/29/80 | The Spectrum | 3 | 1st Set; Senn 421's>MC>DAT>CDR 2nd Set; SBD>MC>C>DAT>CDR, with ~1 min of aud patches during Other One & Drums, see info file for details; via Paul B; Seeded to etree by Willy | Source Detail | d16 | |
| 08/29/80 | The Spectrum | 3 | flac16; Recording Info: SBD -> Master Cassette -> Cassete -> Dat (48k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | new seed 84 | |
| 08/30/80 | The Spectrum | 3 | Recording by Jim Wise: complete; AUD @ Soundboard w/Senn 421's mounted on a pole> Sony TC-D5> CM > Nak Dragon > Sony PCM R-700 > D > HD > SndFge > CDR via Mike McCarthy, encoded by Matt Vernon | Source Detail | d17 | |
| 08/30/80 | The Spectrum | 2 | 2nd set only; SBD>MC>DAT>DAT Clone>CDR; via Rich Graboyes; Seeded to etree by Willy (update source info) | Source Detail | d17 | |
| 08/30/80 | The Spectrum | 1 | 1st Set Only; SBD>?>CD; Entire set pitch corrected; via Joey Browning; Seeded to etree by Willy | Source Detail | d17 | |
| 08/31/80 | Capital Centre | 3 | flac16; Recording by Mark Cohen: Master cassette audience>DAT>CD ; Nak 700s> Sony TC-D5 | Source Detail | d17 | |
| 08/31/80 | Capital Centre | 3 | Recording by Jim Wise: Master Audience Cassette > DAT > Hard disk (Sound Forge) > CD; , at the soundboard with Sennheiser 421's; via Popi | Source Detail | d17 | |
| 09/04/80 | Providence Civic Center | 2 | Set 2 Soundboard Cassette Master > Reel > Dat > CDR via Andy Lemieux and Kingbee Patch Source: AUD>MC>DAT>SF>CD; encoding by Matt Vernon | Source Detail | d19 | |
| 09/04/80 | Providence Civic Center | 2 | Recording by Jim Wise: FOB Sony ECM-280s mounted on a stand > Sony TC-D5 > MAC > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV > CD (untracked) > EAC > WAV > CD Wave tracking > SHN or CD. Original recording, transfer and CD mastering by Jim Wise. Subsequent tracking and SHN encoding by Sean Cribbs. | Source Detail | d19 | |
| 09/04/80 | Providence Civic Center | 1 | Set 1 SBD>?>DAT>CDR>EAC>WAVE LAB>CD WAVE>MKW>SHN(Seekable) | Source Detail | d19 | |
| 09/06/80 | State Fairgrounds | 3 | Nak Dragon > Sony PCM r-500 DAT > CDR | Source Detail | d20 | |
| 09/06/80 | State Fairgrounds | 2 | *Set 1 Only* Soundboard->Unknown->Cassette. Cassette->Fostex D5 (pass-through only)-> ZA2->Samplitude v7.02 Professional-> .wav->mkw->SHN. Cassette seed provided by Joey Browning. Transfer, editing, and SHN by Joe Samaritano | Source Detail | d20 | |
| 09/06/80 | State Fairgrounds | 3 | Recording Info (Source 1): SBD -> Master Cassette -> ? -> Cass -> Fostex D5 (pass-through only) -> ZA2 -> Samplitude v7.02 Professional -> SHN Supplies d1t01 through d2t03 (Provided By Joe Samaritano) Recording Info (Source 2): (FOB) Nakamichi 700 -> Master Cassette (Sony D5) -> Dat -> CD Supplies patch at end of d1t06 and also provides d2t04 through of the show. (Taped By Jim Wise). Remastering by Charlie Miller | Source Detail | d20 | |
| 09/06/80 | State Fairgrounds | 3 | Recording by Jim Wise: FOB Nak 700s > Sony TC-D5 (Steve Rolfe?s) > Sony TC-D5 (Jim Wise?s) > MAC (Maxell XII; Dolby B encoded) > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV > CD (untracked) > EAC > WAV > CD Wave tracking > SHN or CD. Original recording, transfer and CD mastering by Jim Wise. Subsequent tracking and SHN encoding by Sean Cribbs. | Source Detail | d19 | |
| 09/06/80 | State Fairgrounds | 3 | MAC > ? > CD > EAC > SHNv3; EAC (secure mode) and encoded to shnv3 (seek enabled) by Charles Bass; missing encores | Source Detail | d19 | |
| 09/25/80 | Warfield Theater | 3 | Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5; via Douglas Ferguson, Matt Vernon | Source Detail | d21 | |
| 09/25/80 | Warfield Theater | 1 | Acoustic Set only; SBD > MR > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko | Source Detail | d20 | |
| 09/26/80 | Warfield Theater | 3 | Recording (attributed to ) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5; via Douglas Ferguson, Matt Vernon | Source Detail | d21 | |
| 09/26/80 | Warfield Theater | 1 | Acoustic Set only; SBD > MR > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko | Source Detail | d21 | |
| 09/27/80 | Warfield Theater | 3 | Acoustic set: Master Soundboard Reel > PCM > DAT > CDR;Electric Sets: Master Audience Cassette:(3) Nakamichi CM700 mics> Mixer>Sony D5>1 cassette gen> DAT> CDR;The Audience source supplies "The Race Is On" (d1t01), the first 1:15 of "Jackaroe"(d1t02), from 0:04 - 0:42 and from 5:09 - 6:42 of "Bird Song" (d1t06), as well as from 2:58 thru the end of "Ripple" (d1t09). The Audience source was missing the beginning of "The Race Is On";The multiple patches in "Bird Song" were necessary due to problems on the Master Reels; Acoustic SBD DAT source from Joe Samaritano; Patching/CD Re-Mastering & Shn'ed by Scott Clugston; Uploaded to fungus and posted to abgd via Charlie Connor; note wavs have pre-emphasis, so files should ideally be burned to audio with PRE flag set (see user comments) | Source Detail | d22 | |
| 09/27/80 | Warfield Theater | 4 | acoustic and electric; AUD> NAK CM700 mics X 3> Mixer>Sony D5> Master Cassette> Cassette; Playback: JVC TD-W309 (Pitch Correction)> Tascam DA-20mkII (A/D)> Tascam CD-RW700> CD; seeded by Jeff M. | Source Detail | d22 | |
| 09/27/80 | Warfield Theater | 3 | Recording (attributed to Bob Menke): Nakamichi CM700 Mics (3)>Mixer>Sony D-5; via Douglas Ferguson, Matt Vernon | Source Detail | d21 | |
| 09/29/80 | Warfield Theater | 4 | SBD > MC > C > DAT > CD > EAC > SHN; To Lay Me Down patched with current AUD source; EAC/SHN by Darryl Hinko | Source Detail | d23 | |
| 09/29/80 | Warfield Theater | 3 | Source: Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 from center balcony Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 by Douglas Ferguson SHN Conversion: CDR > EAC (secure) > Cool Edit (minor clean up) > cdwav (retracking) > mkwact > shn (seekable) by Matt Vernon | Source Detail | d22 | |
| 09/30/80 | Warfield Theater | 3 | Source: Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 from balcony center taped by Bob Menke Remaster by Douglas Ferguson: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 SHN Conversion by Matt Vernon: CDR > EAC (secure) > Cool Edit (minor clean up) > cdwav (retracking) > mkwact > shn (seekable) | Source Detail | d23 | |
| 10/02/80 | Warfield Theater | 2 | set 3; SBD-> Master Cassette-> DAT-> Sonic Solutions-> CD; CD-> EAC-> SHN conversion and upload by Adam Jerugim; seed via David Gans, Chris Meyer, Charlie Miller | Source Detail | d23 | |
| 10/02/80 | Warfield Theater | 3 | acoustic and electric sets; Nak300 > Sony TC-152; via Charles Gannon, encoded by Matt Vernon | Source Detail | d23 | |
| 10/02/80 | Warfield Theater | 1 | Acoustic set; SBD> MR> CASSETTE> DAT> CDR; via Paul B.; Tim Wiley | Source Detail | d23 | |
| 10/03/80 | Warfield Theater | 1 | acoustic; SBD-> Master Cassette-> DAT-> Sonic Solutions-> CD; CD-> EAC-> SHN conversion and upload by Adam Jerugim; seed via David Gans, Chris Meyer, Charlie Miller | Source Detail | d23 | |
| 10/03/80 | Warfield Theater | 3 | Nak300 > Sony TC-152 > AMC > CoolEdit Pro > CD; via Charles Gannon; encoded by Matt Vernon | Source Detail | d24 | |
| 10/04/80 | Warfield Theater | 1 | SBD>>MR>>PCM>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN | Source Detail | d24 | |
| 10/04/80 | Warfield Theater | 3 | complete SBD>?>CDR>EAC>Cool Edit(minor cleanup, normalization)>CDWAV(tracking)>mkwact(seekable) via Joey Browning, Steve Blanchard | Source Detail | d24 | |
| 10/06/80 | Warfield Theater | 3 | Source: Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 tfrom Balcony, Center. Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 by Douglas Ferguson. shn conversion by Matt Vernon via Raoul Duke | Source Detail | d24 | |
| 10/06/80 | Warfield Theater | 1 | Acoustic set only; SBD>?>CDR; See info file for flaws; via Bart Hutchinson; seeded to etree by Willy | Source Detail | d24 | |
| 10/07/80 | Warfield Theater | 2 | Source: Acoustic and partial set 1 electric: MSR>C>DAT>WAV>SHN C>SHN Encoding by Cousinit Seeded to abgd | Source Detail | d25 | |
| 10/07/80 | Warfield Theater | 3 | Recording (attributed to) Bob Menke: Balcony, Center Nakamichi CM700 Mics (3)>Mixer>Sony D-5. Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 by Douglas Ferguson shn encoding by Matt Vernon via Raoul Duke | Source Detail | d25 | |
| 10/09/80 | Warfield Theater | 1 | Source: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > 3 DAT Generations DAT > WAV > SHN: Dan Stephens (dms@well.com) Tascam DA-20mkII > Delta DiO 2448 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV > MKW Audio Compression Tool v0.97b1 (no DAE) | Source Detail | d25 | |
| 10/10/80 | Warfield Theater | 3 | flac16; SBD/AUD Matrix of 3 previously circulated seeds; prepared by Chris Chappell | Source Detail | d26 | |
| 10/10/80 | Warfield Theater | 3 | MSR>C>C>DAT>WAV>SHN; C>DAT Conversion by Cousinit Patch Source: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 | Source Detail | d26 | |
| 10/10/80 | Warfield Theater | 3 | Source: Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 from Balcony, Center Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 by Douglas Ferguson, via Roual Duke, SHN Conversion by Matt Vernon | Source Detail | d25 | |
| 10/10/80 | Warfield Theater | 1 | Acoustic set only; SBD>MR>PCM>DAT>CDR>EAC>SHN This new seed does not have the problems in Dark Hollow like the previous seed. | Source Detail | d25 | |
| 10/11/80 | Warfield Theater | 1 | acoustic set; SBD> Reel> PCM> DAT> CDR> Plexwriter CD-R (EAC)> HP 8200i CDRW Drive (EAC); via Andy "Bear" Greider, Stephen Windsor, Darrin Sacks | Source Detail | d26 | |
| 10/11/80 | Warfield Theater | 2 | SBD:MC >? >CDR >EAC >cool edit 2000 (minor clean up,normalization) >CDWAV (tracking) >mkwact(seekable) w/expanded drums this becomes a 3 disc show. | Source Detail | d26 | |
| 10/13/80 | Warfield Theater | 1 | Acoustic set only; SBD>MR>PCM>DAT>CDR; via Paul B; Seeded to etree by Willy | Source Detail | d26 | |
| 10/13/80 | Warfield Theater | 2 | Recording Info: Set 1: SBD -> Master Reel -> PCM -> Dat -> CD -> EAC -> SHN Set 3: SBD -> 3rd Gen Pro Shot Video Transfer Info: 3rd Gen Pro Shot Video -> Dat (Sony R500/48k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller | Source Detail | d26 | |
| 10/14/80 | Warfield Theater | 4 | Set 1 and encores: unknown audience> ?> CDR> EAC> SHN; Sets 2,3: SBD> MR> DAT> CDR> EAC> SHN; via Tony Gardner, with thanks to Paul B., Mario Mancilla; update to Tony's previous shn set, his comments: "I found another source for the acoustic set and called it disc 0. encores are added on disc 3. I cut about two minutes of silence from the end of disc 1 and 2, no other changes"; see info file for more comments | Source Detail | d27 | |
| 10/18/80 | Saenger Performing Arts Center | 3 | FOB Neumann km84> Cm> Dat> CD via Mike McCarthy and Raoul Duke, encoding subcontracted to Matt Vernon by The Miami SHN Machine | Source Detail | d27 | |
| 10/19/80 | Saenger Performing Arts Center | 3 | unknown FOB aud source electric sets 2-3 via Raoul Duke and Mike McCarthy, encoding by Matt Vernon | Source Detail | d27 | |
| 10/19/80 | Saenger Performing Arts Center | 1 | AUDMC(unknown mics) > C > C > WAV; set 1 acoustic only (other sets already circulate); via Hanno Bunjes, encoded by Matt Vernon | Source Detail | d27 | |
| 10/22/80 | Radio City Music Hall | 3 | AUD(Sony ECM-280's)>MC>DAT>CDR; Seeded to etree by Tim Wiley | Source Detail | d28 | |
| 10/23/80 | Radio City Music Hall | 3 | AUD(Sony ECM-280's)>MC>DAT>CDR; Seeded to etree by Tim Wiley | Source Detail | d28 | |
| 10/23/80 | Radio City Music Hall | 3 | Recording by Mark Cohen: AUD from orchestra seats with Nak 700s > Sony D5; Lineage: AUDMC > Cass > DAT > CDR via Jay Jurina, conversion Matt Vernon | Source Detail | d28 | |
| 10/25/80 | Radio City Music Hall | 3 | AUD>MC>DAT>CDR; Seeded to etree by Tim W | Source Detail | d29 | |
| 10/26/80 | Radio City Music Hall | 3 | Updated lineage: Recording by Jim Wise: Nak 700s>Sony D-5>MC>PCM>ZA2>CDR; Seeded to etree by Tim W | Source Detail | d30 | |
| 10/26/80 | Radio City Music Hall | 3 | Updated Source; SBD > MR > C (no dolby) > DAT > CD > EAC > SHN; was marked: SBD > MR > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko | Source Detail | d29 | |
| 10/26/80 | Radio City Music Hall | 3 | Source: CAUD >D>CD>EAC>WAV>SHN Location: 1st row, Lowest Balcony, Center Seats Source Recording: Sony ECM 270 Condensors > Cassette With 10/18/88 (Matrix) filler; See info file for details; Seeded to etree by JR Fishman | Source Detail | d29 | |
| 10/27/80 | Radio City Music Hall | 3 | Recording by Jim Wise: Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd | Source Detail | d30 | |
| 10/27/80 | Radio City Music Hall | 3 | Recording by Jim Wise: senn. 441 > d-5 center lower balcony several rows back; playback on nak dragon & ran the signal right through sony pcm r-700 directly to hard disc via za2; no other processing apart form minor editing and normalization; recording, transfer by J. Wise; EAC> SHN by R. Donnelly> CD > SHN by M. Lai; known flaw: some sporadic wow & flutter (mainly on elec#1); Donnelly's 4/00 original shns may not have gotten mirrored from stellablue before a loss- 5/00 reextraction (md5s shown) by M. Lai | Source Detail | d30 | |
| 10/29/80 | Radio City Music Hall | 4 | Recording by Jim Wise: Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd | Source Detail | d31 | |
| 10/29/80 | Radio City Music Hall | 2 | flac16; **Partial SBD** Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation | Source Detail | new seed d2 | |
| 10/30/80 | Radio City Music Hall | 3 | Recording by Jim Wise. Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd | Source Detail | d31 | |
| 10/31/80 | Radio City Music Hall | 3 | Recording by Jim Wise: Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd | Source Detail | d32 | |
| 10/31/80 | Radio City Music Hall | 3 | Source: Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN Electric: MSR>R>C>DAT>WAV>SHN C>SHN Conversion by Cousinit Seeded to abgd 10/03 | Source Detail | d31 | |
| 11/26/80 | The Sportatorium | 3 | Master Soundboard Cassette > Cassette > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; 6/01 note: new d2.md5 from abgd submitted here with unspecified fixes on d2t3,4- not given how, or by whom | Source Detail | d32 | |
| 11/26/80 | The Sportatorium | 3 | Recording by Jim Wise: Beyer M-160?s>Sony TC-D5>MC>DAT>CDR; via Paul B; Seeded to etree by Willy | Source Detail | d32 | |
| 11/28/80 | Lakeland Civic Center | 2 | Source: Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Patch Source: Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR via Scott Clugston Encoding/patching by Matt Vernon | Source Detail | d33 | |
| 11/28/80 | Lakeland Civic Center | 3 | Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR; via Scott Clugston | Source Detail | d32 | |
| 11/29/80 | Alligator Alley Gymnasium, University Of Florida | 3 | Recording by Jim Wise: FOB - Beyer M-160's> Sony TC-D5> CDR via Alesis Masterlink; Mics were on a 15'? pole at the SBD; Taped by Jim Wise; via Darrin Sacks, Rango Keshavan and Dankstar; note upgrade relative to previous shn set | Source Detail | d33 | |
| 11/30/80 | Fox Theater | 3 | complete; MSC> Reel> DATs> CDRs> EAC> SHN (set I and Scarlet>Fire from Set II); remainder Jim Wise's Sony ECM280s> D5> DATs> CDRs> EAC> SHN, also with patches from other AUDs (see info file); via Scott Clugston, Dankstar, Darrin Sacks; upgrade relative to previous shn set; note copy a noted at shakedown- has fixed track boundaries, copy b noted at gdlive does not (d3 is same for both)- see pub comments | Source Detail | d33 | |
| 12/06/80 | Mill Valley Recreation Center | 1 | Betty Cantor-Jackson's Master Audience Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston | Source Detail | d33 | |
| 12/12/80 | Swing Auditorium | 1 | set 1; aud (unknown mics); via Brad Kelsey; encoded by Matt Vernon. | Source Detail | d34 | |
| 12/12/80 | Swing Auditorium | 2 | 2nd set only; AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy | Source Detail | d34 | |
| 12/12/80 | Swing Auditorium | 3 | flac16; Recording Info: SBD -> Cassette Master -> ? -> Cassette Transfer Info: Cassette (Nak CR7A) -> Dat (Sony R500/SBM On) Transferred By Neil Sturtevant Dat (Sony D8) -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC; Transferred and Remastered Charlie Miller | Source Detail | d34 | |
| 12/13/80 | Long Beach Arena | 2 | set 2; Master Audience Cassette; Sony ECM-280 mics > Sony D5> DAT > CDR; via Scott Clugston, Lee Revell | Source Detail | d34 | |
| 12/13/80 | Long Beach Arena | 2 | Complete; (FOB) Nak 700 -> Cm -> Reel -> Dat shn encoding Charlie Miller | Source Detail | d34 | |
| 12/14/80 | Long Beach Arena | 3 | AUD(Nak 700?s)>MC>DAT>CDR; via Paul B; Seeded to etree by Willy; upgrade in circulation | Source Detail | d35 | |
| 12/26/80 | Oakland Auditorium Arena | 3 | MSR>C>DAT>WAV>SHN w/ Aud Patch - NAK 700's FOB>MAC>C>DAT>WAV>SHN. C>SHN Conversion by Cousinit | Source Detail | d35 | |
| 12/26/80 | Oakland Auditorium Arena | 3 | Recording by Joani Walker: Nak 300's > D5 > ACM recorded by Joani Walker(1), ACM > CDR by Paul Scotton, encoding Matt Vernon ; upgrade in circulation | Source Detail | d35 | |
| 12/27/80 | Oakland Auditorium Arena | 3 | MSR>C>DAT>WAV>SHN; Conversion by Cousinit | Source Detail | d35 | |
| 12/27/80 | Oakland Auditorium Arena | 3 | SBD; via Stewart McCloskey (his transfer setup: PCM R500> AES/EBU monstercable> ZA2> Cooledit)? to ShortSnail/ shntraders list; d2 reportedly needs breaking up as desired (see addendum); info and md5s here courtesy Bill Borsodi, John Primozic | Source Detail | d36 | |
| 12/28/80 | Oakland Auditorium Arena | 3 | SB:>?>DAT>Tascam DA-20>EgoSys WaveTermanial 2496>CD-Wave > SHN; via Peter Gallagher; Seeded to etree by Willy | Source Detail | d37 | |
| 12/28/80 | Oakland Auditorium Arena | 3 | flac16; MSR>C>DAT>WAV>SHN; Patches from AUD (Nak 300's)>MC>DAT>CD; (Fix) SHN>WAV>Sound Forge>CDWAVE>SHNTOOL>FLAC; Patched, re-tracked and encoded by aolong. | Source Detail | d36 | |
| 12/28/80 | Oakland Auditorium Arena | 3 | AUD (Nak 300's)>MC>DAT>CD; via Paul B; Seeded to etree by Willy | Source Detail | d36 | |
| 12/28/80 | Oakland Auditorium Arena | 2 | MSR>C>DAT>WAV>SHN via Cousin-It | Source Detail | d36 | |
| 12/30/80 | Oakland Auditorium Arena | 3 | Recording by Steve Rolfe: AUD (nak 300's)>MC>DAT>CD; via Paul B; Seeded to etree by Willy | Source Detail | d37 | |
| 12/31/80 | Oakland Auditorium Arena | 4 | SBD > Rm > Cass > Dat > Samplitude > CDR > EAC> SHN; plus AUD patches (see info file for notes and flaws); EAC, SHN, etreed by G.Gorinsky; with thanks to Bill Golden | Source Detail | d37 | |
| 12/31/80 | Oakland Auditorium Arena | 4 | Recording by Steve Rolfe: Nak 300 Shotguns > D5 > MAC > DAT > CDR; taped by Steve Rolfe via Dave Minor; encoded by Matt Vernon | Source Detail | d37 | |
| 02/26/81 | Uptown Theater | 3 | Taped by Barry Glassberg: Nak700>Sony TCD5M, Maxell UDXLII, Dolby B. Lineage: AUDMC> Tascam 112MKII > Sony R500 SBM (pass through) > Delta Dio 2496 > HD > sound forge & CD wave by John Steinthal via Mark Cohen. Encoded by Matt Vernon | Source Detail | d1 | |
| 02/26/81 | Uptown Theater | 3 | SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes | Source Detail | d1 | |
| 02/26/81 | Uptown Theater | 3 | flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell | Source Detail | dvd 141 | |
| 02/27/81 | Uptown Theater | 3 | Taped by Barry Glassberg: Nak700>Sony TCD5M, Maxell UDXLII, Dolby B. Lineage: AUDMC> Tascam 112MKII > Sony R500 SBM (pass through) > Delta Dio 2496 > HD > sound forge & CD wave by John Steinthal via Mark Cohen. Encoded by Matt Vernon | Source Detail | d1 | |
| 02/27/81 | Uptown Theater | 3 | flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell | Source Detail | d1 | |
| 02/27/81 | Uptown Theater | 3 | SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes; note encore missing | Source Detail | d2 | |
| 02/28/81 | Uptown Theater | 3 | flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell | Source Detail | d2 | |
| 02/28/81 | Uptown Theater | 3 | SBD > Cassette Master > DAT(0) (Reel> DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > CDR Master (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes; d1 tracked for 80 min | Source Detail | d2 | |
| 03/02/81 | Cleveland Music Hall | 3 | Recording by Bob Wagner: Nak 700's> TC-D5> MC> DAT> CDR; via Paul B; Seeded to etree by Willy; upgrade in circulation | Source Detail | d2 | |
| 03/03/81 | Cleveland Music Hall | 3 | Recording by Mark Horvath: fob> Sennheiser 421s> master cassette> cdr; via Mark Horvath; Seeded to etree by Sean Cheadle; Note- New d2t05 now circ's; See 'user comments' for details | Source Detail | d3 | |
| 03/03/81 | Cleveland Music Hall | 3 | Recording by Bob Wagner; Nak 700s>Sony TC-D5. AUDMC > SHN conversion by David Minches | Source Detail | d3 | |
| 03/05/81 | Stanley Theater | 2 | Set 2 soundboard, minus encore, last song cut; See info file for details; S : MC > C > D > CD > EAC > SHN Extraction, tracking and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. | Source Detail | d3 | |
| 03/05/81 | Stanley Theater | 3 | Audience recording by Jim Wise (Sennheiser 421>D5) set up loge center; Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam cd-d4000mkII > EAC in secure mode(see below) > Soundforge > CD WAV > SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD>SHN by Jamie Lutch; QC courtesy dankseeds | Source Detail | d3 | |
| 03/05/81 | Stanley Theater | 3 | flac16; Recording by Mason Taylor and Mark Radnor: : NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Location: 1st Row of lower balcony Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer by: Adam Gross - Cassette Master > HHB Porta-a-DAT DAT Transfer by: Todd Evans DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 (note: this was originally seeded with the files named incorrectly. The info file below reflects the corrected file names and a renamed md5 file has been included.) | Source Detail | new seed d40 | |
| 03/06/81 | Stanley Theater | 2 | Set 2 soundboard, minus encore; S : MC > C > D > CDR > EAC > SHN Extraction, tracking and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. | Source Detail | d3 | |
| 03/07/81 | Cole Field House, University Of Maryland | 2 | Recording by Jim Wise: Senn 421 mics, > SonyD5> MC> CD> ?> EAC> SHN | Source Detail | d4 | |
| 03/07/81 | Cole Field House, University Of Maryland | 3 | flac16; Recording by Barry Glassberg; MOTB-0008 Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner | Source Detail | new seed d40 | |
| 03/09/81 | Madison Square Garden | 3 | Recording by Barry Glassberg: Improved 'transfer' of original fob source; via Barry glassberg; Jim Wise; upgrade in circulation | Source Detail | d4 | |
| 03/09/81 | Madison Square Garden | 3 | Sources: Master Soundboard Cassette > Cassette > DAT > CDR; Jim Wise's Master Audience Cassette; Nakamichi CM700 mics >Sony TC-D5 supplies the tuning and first few notes of "Deep Elem Blues" (d1t06), approximately 0:38. ; upgrade in circulation | Source Detail | d4 | |
| 03/09/81 | Madison Square Garden | 3 | flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seeds d13 | |
| 03/10/81 | Madison Square Garden | 3 | Recording by Barry Glassberg: Improved 'transfer' of original fob source; via Barry glassberg; Jim Wise; ; upgrade in circulation | Source Detail | d5 | |
| 03/10/81 | Madison Square Garden | 3 | flac16; Recording by Barry Glassberg: MOTB-0010 Source: Audience FOB Recording, 12th row center Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner | Source Detail | new seed d27 | |
| 03/12/81 | Boston Garden | 3 | Recording by Steve Rolfe: Nak 700's > Sony D5 Master Cassette; 16th Row ; A>D by Noah Weiner; d1 tracked for 80 min; passes shntool check | Source Detail | d5 | |
| 03/13/81 | Utica Memorial Auditorium | 3 | Recording by Jim Wise: Sennheiser 421>D5 , set up at SBD; Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam CD-D4000mkII > EAC> Soundforge > CD WAV > SHNv3 w/seek; A>D>CD Conversion by Jim Wise; CD>SHN by Jamie Lutch, 5/2001; QC courtesy dankseeds; see info file for flaws etc | Source Detail | d6 | |
| 03/14/81 | Hartford Civic Center | 3 | Aud (?)-> CD-> EAC-> SHN; via Andy Hayum;Admin note:This is the Glassberg recording as noted in comments by C. Ladner. upgrade now in circulation. | Source Detail | d5 | |
| 03/20/81 | Rainbow Theatre | 3 | MAC > C > C > D > CD; via Jack Warner; seeded to etree by Matt Vernon | Source Detail | d6 | |
| 03/21/81 | Rainbow Theatre | 2 | Master Soundboard Cassette > Cassette > CDR, with AUD Senn 421 patches (see info file); CD Mastering, Patching, EAC, SHN by Scott Clugston; tracked for 2x80; to abgd | Source Detail | d6 | |
| 03/21/81 | Rainbow Theatre | 3 | Senn 421's> Sony TC-D5 positioned at SBD> MC> DAT> CDR> EAC> CDWAV (retrack)> SHN (W/seek tables appended); Frank Streeter recording; A>D by Rich Gastwirt; D>CD Sony R-700> HHB CDR 800 by Jim Wise; EAC/SHN by Charles Hogan; d2 tracked for 80 min | Source Detail | d6 | |
| 03/23/81 | Rainbow Theatre | 3 | AUD> MC> DAT> CD | Source Detail | d7 | |
| 03/24/81 | Rainbow Theatre | 3 | AUD > MC > C > SB!Live > CD > EAC > WaveLab > shn MC: Sony TC D5M, dolby B, metal-cassettes, Sennheiser 406T C/1: Maxell XL II C90, dolby B, Nakamishi DR1; Seeded to etree by Bernd Weiskircher | Source Detail | d7 | |
| 03/24/81 | Rainbow Theatre | 3 | Recording by Frank Streeter: Senn 421's> TC-D5> MC> DAT> CDR; via Paul B; Seeded to etree by Alan Schlissel | Source Detail | d7 | |
| 03/28/81 | Grugahalle | 1 | partial set 2 (post Drums); Master time-coded pre-broadcast tapes> first-gen Hi-Fi VHS> WAV> SHN; via Sean Cribbs | Source Detail | d7 | |
| 03/28/81 | Grugahalle | 3 | stereo FM -> reel master -> DAT -> CDWAV -> SoundForge -> CDR, with other FM patches; via Hanno Bunjes et al; see info file for detailed notes; Hanno's notes | Source Detail | d8 | |
| 04/30/81 | Greensboro Coliseum | 3 | Recording by Jim Wise: mixed-source AUD: set 1, Beyer M160's > Sony D5 @ SBD; set 2: NAK 700's > Sony D5 12th row center; Master cass> DAT> CD> EAC> (Tracked in)CoolWave> SHN> CD; EAC> tracking> shn by Seth Kaplan; etreed by Steve Bertoni; see info file for flaw notes | Source Detail | d8 | |
| 04/30/81 | Greensboro Coliseum | 3 | flac16; Recording Info:SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info:Dat -> Pro Tools -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | new seed 84 | |
| 05/01/81 | Hampton Coliseum | 3 | flac16; SBD > MC > C > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko | Source Detail | d8 | |
| 05/01/81 | Hampton Coliseum | 3 | Recording by Jim Wise: Master FOB Audience Cassette > Sennheiser 421 mics> Sony D5 cassette deck > DAT > CDR; via Scott Clugston; upgrade in circulation | Source Detail | d9 | |
| 05/02/81 | The Spectrum | 3 | flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape. (Jeff Silberman's guns on Howard Shame's bodies); Sony D5 > UA5 > IBM R40/Win XP Pro/Sound Forge 5.0/CDR > EAC > WinXP Pro > FLAC Frontend > FLAC16; Transferred: CD> FLAC by Alex Ford | Source Detail | d9 | |
| 05/02/81 | The Spectrum | 3 | flac16; SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat Transferred By Joe Samaritano Patched and Edited By Charlie Miller | Source Detail | d9 | |
| 05/02/81 | The Spectrum | 3 | Main Lineage: Soundboard -> Cassette Master -> 1/2 track 7.5 Reel -> DAT. DAT -> ZA2 -> SoundForge -> .wav -> mkw -> SHN. Patch Lineage: (Jim Wise FOB) Sennheiser 421 -> Cassette Master (Sony TCD5M) -> Dat -> CD -> EAC -> SHN. Patch and patchwork provided by Charlie Miller. Soundboard seed and transfer by Joe Samaritano |
Source Detail | d9 | |
| 05/02/81 | The Spectrum | 3 | AUD : MC (FOB Senn 421s > Sony TC-D5M by Jim Wise) > DAT > CD > EAC > SHN Extraction, Retracking and SHN encoding by Alan J Fink (aj.fink@verizon.net); Thanks to Charlie Miller for the seeds | Source Detail | d10 | |
| 05/04/81 | The Spectrum | 3 | Master Soundboard Cassette > Cassette > DAT > CDR, with patches from AUD Nakamichi CM300 mics > Sony D5 source; via Scott Clugston; see info file for notes | Source Detail | d10 | |
| 05/05/81 | Glens Falls Civic Center | 3 | flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape (Jeff Silberman's guns on Howard Shame's bodies); Mic Config: "primitive DIN" pointing the mics directly at the stacks forming a "Y"; Mic Location: first row behind the soundboard cage; Sony D5 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; taped and transferred by Doug Mow; CDR> flac by Alex Ford | Source Detail | d10 | |
| 05/05/81 | Glens Falls Civic Center | 3 | Recording by Jim Wise. Master Audience Cassette: Sennheiser 421 mics > Sony TC-D5 > DAT> CDR; Seeded to etree by Scott Clugston | Source Detail | d10 | |
| 05/06/81 | Nassau Veterans Memorial Coliseum | 3 | NAK-700's > SONY TC-D5M Dolby On taped by Barry Glassberg FOB via Mark Cohen, John Steinthal encoded by Matt Vernon; Note- - this version supercedes a previous shn set from this same source | Source Detail | d11 | |
| 05/08/81 | Nassau Veterans Memorial Coliseum | 3 | Recording by Barry Glassberg. FOB NAK-700's > SONY TC-D5M Dolby On via Mark Cohen, John Steinthal encoded by Matt Vernon | Source Detail | d11 | |
| 05/08/81 | Nassau Veterans Memorial Coliseum | 3 | SBD> Master Cassette> Dat (44.1k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; plus patches from Barry Glassberg's FOB Nakamichi 700 source; Transferred and Patched By Charlie Miller | Source Detail | d11 | |
| 05/08/81 | Nassau Veterans Memorial Coliseum | 3 | SBD> Master Cassette> Dat (44.1k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; plus patches from Barry Glassberg's FOB Nakamichi 700 source; Transferred and Patched By Charlie Miller | Source Detail | d12 | |
| 05/08/81 | Nassau Veterans Memorial Coliseum | 3 | Recording by Jim Wise: FOB Senn 421's> Sony D5> MC> DAT> CDR; via Mark Linden; Seeded to etree by Willy | Source Detail | d12 | |
| 05/09/81 | Nassau Veterans Memorial Coliseum | 3 | Recording by Jim Wise. AUD> MC> DAT> CD; Missing encore; via Paul B; Seeded to etree by Willy | Source Detail | d12 | |
| 05/09/81 | Nassau Veterans Memorial Coliseum | 3 | flac16;Recording By Rob Eaton. Recording Info: (FOB) Sennheiser 421 + PZM -> Cassette Master (Nak 500) -> Dat (48k). Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC. All Transfers and Mastering By Charlie Miller | Source Detail | d12 | |
| 05/09/81 | Nassau Veterans Memorial Coliseum | 3 | flac16;Recording By Rob Eaton. Recording Info: (FOB) Sennheiser 421 + PZM -> Cassette Master (Nak 500) -> Dat (48k). Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC. All Transfers and Mastering By Charlie Miller | Source Detail | new seed d10 | |
| 05/11/81 | Veterans Memorial Coliseum | 3 | FOB Healy authorized master audience cassette > 48k dats > delta dio 2496 > cooledit2000 > wav > shn; circulating via trades?; note d1 tracked for 80 min | Source Detail | d13 | |
| 05/11/81 | Veterans Memorial Coliseum | 3 | flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape (Jeff Silberman's guns on Howard Shame's bodies); Sony D5 > UA5 > IBM R40/Win XP Pro/Sound Forge 5.0/CDR > EAC > WinXP Pro > FLAC Frontend > FLAC16; Taped and transferred by Doug Mow; CDR> FLAC by Alex Ford | Source Detail | d13 | |
| 05/11/81 | Veterans Memorial Coliseum | 3 | flac16; SBD -> Master Cassette -> Reel -> Dat; Transferred and Edited By Charlie Miller (A version with a SBD version of To Lay Me Down (d2t04) sourced from .mp3 circulates.) | Source Detail | d13 | |
| 05/12/81 | Veterans Memorial Coliseum | 3 | SBD> Master Cassette> Cassette > DAT> CDR; via Jeff M. | Source Detail | d13 | |
| 05/13/81 | Providence Civic Center | 2 | Nak 300's>MC>DAT>CDR; Missing Mama Tried>Mexicali; via Paul B; Seeded to etree by Willy | Source Detail | d14 | |
| 05/13/81 | Providence Civic Center | 3 | flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed 84 | |
| 05/15/81 | Athletic Center, Rutgers University | 3 | flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d85 | |
| 05/15/81 | Athletic Center, Rutgers University | 3 | (FOB) Senn 421> Cm> Dat> CD; via Charlie Miller; Seeded to etree by Willy | Source Detail | d14 | |
| 05/16/81 | Barton Hall, Cornell University | 3 | flac16; Set 1: SBD -> Master Cassette -> Reel -> Dat Set 2: SBD -> Master Cassette -> Dat Transferred and Edited By Charlie Miller | Source Detail | dvd 180 | |
| 05/16/81 | Barton Hall, Cornell University | 3 | flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape; Transferred Nak ZX7> CDR by Doug Mow; CDR> FLAC16, minor editing by Alex Ford | Source Detail | d14 | |
| 05/16/81 | Barton Hall, Cornell University | 3 | flac16; Set 1: SBD -> Master Cassette -> Reel -> Dat Set 2: SBD -> Master Cassette -> Dat Transferred and Edited By Charlie Miller | Source Detail | d14 | |
| 05/16/81 | Barton Hall, Cornell University | 3 | Recording by Jim Wise. Main Source:FOB> 3 Sennheiser 421 mics > Nakamichi 550 > directly to disc via HHb 800 burner (via Jim Wise).(Previous SHN release); Patch Source: Eddie Claridge's 421 mics(set up on the SBD)>(Eddie's)D-5>(Jim Wise's)D-5>D-5>D-5>CDR ; Please see text file for further details on sources ; Via Torbjorn & Tommy Dunscuk ; Seeded to Etree by T. Wiley | Source Detail | d15 | |
| 05/17/81 | Onondaga County War Memorial | 3 | Possible Jim Wise Recording: AUD>MC>SF>CDR; via Paul B; Seeded to etree by Willy | Source Detail | d15 | |
| 05/22/81 | Warfield Theater | 1 | AUD>MC>DAT>CDR; Nuclear Disarmament Benefit; Garcia, Weir, Hart, Kreutzman, Mydland, Kahn; Acoustic; Note- There are numerous spots with digi-static, from 'minor' to 'annoying'; See info file for details; via Paul B; Seeded to etree by Willy | Source Detail | d15 | |
| 07/02/81 | The Summit | 3 | Senn 421's>MC>DAT>CD; Missing US Blues Encore; via Paul B; Seeded to etree by Willy | Source Detail | d15 | |
| 07/04/81 | Manor Downs | 3 | Master FOB Audience Cassette: Nakamichi CM700 mics > Sony D5 > DAT > CDR; via Scott Clugston | Source Detail | d16 | |
| 07/04/81 | Manor Downs | 3 | flac16; SBD -> Cassette Master -> Dat (48k) Transferred By Joe Samaritano Patched and Edited By Charlie Miller | Source Detail | d16 | |
| 07/04/81 | Manor Downs | 3 | Recording Info:SBD -> Cassette Master -> Dat -> ZA2 -> SHN (Transfered By Joe Samaritano). Patch Notes: (FOB) Nakamichi 700 -> Cassette Master -> Cassette -> Dat (Sony D8) -> CD (Tascam CDRW700) -> EAC -> SHN (Transfered By Charlie Miller). Patched and Edited By Charlie Miller ; upgrade in circulation | Source Detail | d16 | |
| 07/05/81 | Zoo Amphitheater | 3 | Nak CM700?s> Sony D-5> MC> DAT> CD; via Paul B; Seeded to etree by Willy | Source Detail | d16 | |
| 07/05/81 | Zoo Amphitheater | 3 | flac16; SBD -> Master Cassette -> Reel -> Dat Transferred and Edited By Charlie Miller | Source Detail | d17 | |
| 07/07/81 | Kansas City Municipal Auditorium Arena | 3 | flac16; SBD -> Master Cassette -> Reel -> Dat Transferred and Edited By Charlie Miller | Source Detail | dvd 208 | |
| 07/07/81 | Kansas City Municipal Auditorium Arena | 3 | Complete; Aud (Neumann KMi84's)>MC>DAT>CD; via Tommy Danscuk; Seeded to etree by Willy | Source Detail | d17 | |
| 07/07/81 | Kansas City Municipal Auditorium Arena | 1 | 1st Set Only; SBD> Cm> Reel> Dat> CD via Charlie Miller; Seeded to etree by Willy ; upgrade in circulation | Source Detail | d17 | |
| 07/08/81 | Kiel Auditorium | 3 | (FOB) Neumann KM84>Cm>Dat>Cool Edit Pro>CD; via Charlie Miller; Seeded to etree by Willy | Source Detail | d18 | |
| 07/10/81 | St. Paul Civic Center | 3 | flac16; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony D5) -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | d19 | |
| 07/10/81 | St. Paul Civic Center | 3 | Originally mislabeled as "Behind (Stage) Nak 300/cp1>Cm>Cass>Dat>CD; via Charlie Miller; Seeded to etree by Willy", actually (FOB) Sennheiser 421; upgrade in circulation | Source Detail | d18 | |
| 07/10/81 | St. Paul Civic Center | 3 | flac16; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony D5) -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d10 | |
| 07/11/81 | Alpine Valley Music Theatre | 2 | Set 2; S : MC > C > D > CDR > EAC > SHN Extraction, tracking and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. | Source Detail | d19 | |
| 07/11/81 | Alpine Valley Music Theatre | 3 | Senn 421>CM>DAT>CD; via Rick Martin; Seeded to etree by Willy | Source Detail | d19 | |
| 07/13/81 | McNichols Sports Arena | 3 | SBD; via Mike Lai | Source Detail | d19 | |
| 07/14/81 | McNichols Sports Arena | 3 | AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy | Source Detail | d20 | |
| 08/12/81 | Salt Palace | 3 | SBD>MC>R>DAT>CDR (with unknown aud patches); See info file for details; via paul B; Seeded to etree by Willy | Source Detail | d20 | |
| 08/14/81 | Seattle Center Coliseum | 3 | NAK 700's>Sony TC-D5M>MC>R>DAT>CDR; Seeded to etree by Tony Gardner | Source Detail | d20 | |
| 08/15/81 | Portland Memorial Coliseum | 3 | Recording by Mark Severson. 3 Nak 700s>Sony D5M>MC>Reel>CDR; Distortion throughout first three songs; See info file for details; via David Minches & Paul B; Seeded to etree by Willy | Source Detail | d20 | |
| 08/16/81 | McArthur Court, University Of Oregon | 2 | Recording by Jim Vita. Nakamichi CM300 mics with shotgun capsules >Sony TC-D5m cassette > HHb 800 master CD > SV-3800 DAT > CD (originally noted as Nak 300's>MC>DAT>CDR) | Source Detail | d21 | |
| 08/27/81 | Long Beach Arena | 3 | FOB (unknown mics)> Master Cassette> DAT> CDR; processed with DC ART Millenium software; DAE(EAC) and SHN Encoding by Jeff M. | Source Detail | d21 | |
| 08/28/81 | Long Beach Arena | 3 | SBD>?>CD>EAC 0.9b3 (Secure Mode)>Sound Forge 4.5>CDWave 1.7>MKWact 0.97b1 (Seeking SHN); Seeded to etree by PainoMan ; upgrade in circulation | Source Detail | d21 | |
| 08/30/81 | Compton Terrace Amphitheatre | 3 | FOB Senn 441's>SonyTC-150>CM>DAT>CD; via Mike Rogers; Seeded to etree by Willy | Source Detail | d21 | |
| 08/31/81 | Aladdin Theater | 3 | AUD>MC>DAT>CDR; Certified Owens Brothers Vault Release, processed with DC Art Millenium Software on a Dell Optiplex GX300 Workstation; via Paul B; Seeded to etree by Willy | Source Detail | d22 | |
| 09/11/81 | Greek Theatre, University Of California | 3 | Recording by Jim Wise. Sennheiser 421 mics > Sony TC D-5,(see Jim Wise notes in info file); d3 tracked for 80 min; via Nic Brokenleg, Kevin Gills; EAC/SHN by Willy | Source Detail | d22 | |
| 09/12/81 | Greek Theatre, University Of California | 3 | Recording by Jim Wise. FOB Senn 421s > Sony TC-D5 > MAC (Maxell XL II 90, Dolby B encoded) > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV (no processing!) > CD > EAC > WAV > SHN. Transfer and CD mastering by Jim Wise. Subsequent tracking and SHN encoding by Sean Cribbs | Source Detail | d22 | |
| 09/12/81 | Greek Theatre, University Of California | 3 | This is the same as shnid 7091 with Good Lovin' added (from an alternate aud source) so that the show is now complete via SIRMick(thedarkstar@btinternet.com) | Source Detail | d22 | |
| 09/13/81 | Greek Theatre, University Of California | 3 | flac16; Set 1: SBD -> Cassette Master -> ? -> Cassette -> Sound Forge -> CD Set 2: SBD -> Cassette Master -> Cassette All Transfers and Mastering By Charlie Miller | Source Detail | d23 | |
| 09/13/81 | Greek Theatre, University Of California | 3 | Recording by Jim Wise. Sennheiser 421 mics > Sony TC D-5, (see Jim Wise's notes in info file); via Nic Brokenleg, Kevin Gills; EAC/SHN by Willy | Source Detail | d23 | |
| 09/13/81 | Greek Theatre, University Of California | 3 | flac16; Set 1: SBD -> Cassette Master -> ? -> Cassette -> Sound Forge -> CD Set 2: SBD -> Cassette Master -> Cassette All Transfers and Mastering By Charlie Miller | Source Detail | new seed d6 | |
| 09/25/81 | Stabler Arena, Lehigh University | 3 | flac16; Recording Info: SBD -> Cassette Master -> Cassette -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d85 | |
| 09/25/81 | Stabler Arena, Lehigh University | 3 | Source: MAC>DAT>CDR (x2)>EAC>CoolEdit 2000>WAV>SHN (seekable); Note- TMNSP may be from another (unknown) source; See info file for detail | Source Detail | d23 | |
| 09/25/81 | Stabler Arena, Lehigh University | 3 | Master Soundboard Cassette > Cassette > CDR, with AUD patches from Sennheiser 441 and Nakamichi CM300's + CP4's; via Scott Clugston; see extensive notes in info file ; upgrade in circulation | Source Detail | d24 | |
| 09/25/81 | Stabler Arena, Lehigh University | 3 | Recording by Steve Rolfe. AUDMC > DAT > WAV > SHN from 1st row off the floor, center stage with two Nak 700 mics into a Sony D-5 deck. Added to etree by Noah Weiner | Source Detail | d24 | |
| 09/26/81 | Community War Memorial Auditorium | 2 | AUD>MC>?>CD; via Scott Shindell; Seeded to etree by Willy | Source Detail | d23 | |
| 09/26/81 | Community War Memorial Auditorium | 3 | Recording by Dan Healy. Set 1: Nak 100's w/cardioid capsules>Uher CR-240>DAT>CDR Set 2: AKG 414's>Revox cassette deck (Cass. Master)>DAT>CDR (Recorded by Dan Healy at the sbd); Thanks to John Tallmadge for the discs; eac>shn popi n. feeldz | Source Detail | d24 | |
| 09/26/81 | Community War Memorial Auditorium | 2 | flac16; Sick Bits Vol. 10 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 18110, and AUD - SHN ID# 12554); edited and transfered by Chris Chappell | Source Detail | d24 | |
| 09/26/81 | Community War Memorial Auditorium | 2 | SBD>Cm>Cass>Dat>CD with aud patches via Charlie Miller | Source Detail | d25 | |
| 09/27/81 | Capital Centre | 3 | SBD>Cm>PCM>Dat>CD; via Charlie Miller; Seeded to etree by Willy; Upgrade in circulation | Source Detail | d25 | |
| 09/30/81 | Playhouse Theatre | 3 | SBD> ?> C > C> WAV> noise reduction applied in Cool Edit Pro> SHN; EAC/SHN by jim; see info file for flaw notes ; upgrade in circulation | Source Detail | d25 | |
| 10/02/81 | Rainbow Theatre | 3 | sbd> reel> ?> dats> wave> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT; missing Mama Tried, Mexicali | Source Detail | d25 | |
| 10/02/81 | Rainbow Theatre | 3 | flac16; source: aud > low gen cass > Wavelab > wav > flac transfer: Sony TC-FX2 > Creative Extigy > wav via Simon Phillips and SirMick | Source Detail | new seed d40 | |
| 10/03/81 | Rainbow Theatre | 3 | complete; SBD> MC> DAT> CDR; EAC> SHN by Jeff M. | Source Detail | d26 | |
| 10/04/81 | Rainbow Theatre | 3 | Source 1: SBD>?>C>C>WAV>SHN; Source 2: SBD>?>C>C>WAV>SHN; See info file for detail; Seeded to etree by jim@juddcreek | Source Detail | d26 | |
| 10/06/81 | Rainbow Theatre | 3 | Master Soundboard Cassette > Cassette > CDR ; EAC > SHN by Brian Polgar; to abgd; cuts are master tape flips or ends. The first few words of Sunshine Daydream are also clipped | Source Detail | d26 | |
| 10/08/81 | Forum Theater | 3 | SBD: CM > CASS > DAT > Pro CDR; via Neil Sturvetant; John Martin; Alasdair Macdonald; Seeded to etree by Matt Vernon | Source Detail | d26 | |
| 10/10/81 | Stadthalle | 3 | SBD>?>C>C>WAV>SHN; Seeded to etree by jim@juddcreek | Source Detail | d27 | |
| 10/11/81 | Club Melk Weg | 1 | AUD, unknown mics: CM > 1C > DAT > WAV > SHN; via Dan Stephens; 4/2003- files renamed slightly- note & in originals | Source Detail | box | |
| 10/11/81 | Club Melk Weg | 1 | AUD, unknown mics: CM > 1C > DAT > WAV > SHN; via Dan Stephens; 4/2003- files renamed slightly- note & in originals | Source Detail | d27 | |
| 10/12/81 | Olympia Halle | 3 | SBD: MC > CASS > DAT > CDR; via Jens Tilsner; Alasdair Macdonald; Seeded to etree by Matt Vernon | Source Detail | d27 | |
| 10/13/81 | Walter Koebel Halle | 3 | SBD> ?> C> C> WAV> SHN; via Jim; caution- d1 does not fit on 80 min, see pub comments | Source Detail | d27 | |
| 10/15/81 | Club Melk Weg | 2 | AUD (FOB by unknown Belgian taper with unknown equipment)> CM> C> DAT> CDRx1> EAC> SHN; via Stephen Agan to abgd | Source Detail | d27 | |
| 10/15/81 | Club Melk Weg | 2 | Source:Senheiser-pro-direction.>New Marantz cass.rec.(looking like SonyTC-D5>TDK-SA-C90(master tape) Master cass.>SonyTC-D5M>CDwave>Mkw>Shn; upgrade in circulation | Source Detail | d28 | |
| 10/16/81 | Club Melk Weg | 2 | SBD:MCASS> CASS> DAT> CDR, with aud patches: FOB:MCASS> CASS> DAT> CDR; EAC> SHN by Dan Vinson; patched in Playin' and Sugar Mag- see info file for notes | Source Detail | d28 | |
| 10/17/81 | The Hippodrome | 3 | SBD: MC > DAT > CDR; via Neil Sturvetant; John Martin; Alasdair Macdonald; Seeded to etree by Matt Vernon | Source Detail | d28 | |
| 10/19/81 | Sports Palace | 3 | SBD: CM > CASS > DAT > Pro CDR; via Neil Sturvetant; John Martin; Alasdair Macdonald; Seeded to etree by Matt Vernon | Source Detail | d28 | |
| 11/29/81 | Civic Arena | 3 | Senn 421's>MC>DAT>CDR; via Paul B; seeded to etree by Willy | Source Detail | d28 | |
| 11/30/81 | Hara Arena | 3 | Nak 300?s>Sony D-5>MC>DAT>CD; via Paul B; Seeded to etree by Willy | Source Detail | d29 | |
| 12/02/81 | Assembly Hall, University Of Illinois | 3 | (FOB) Senn 421>Cm>Dat>CD; Missing Drums & Don't Ease encore; via Charlie Miller; Seeded to etree by Willy | Source Detail | d29 | |
| 12/03/81 | Dane County Coliseum | 3 | Nak 300's > Sony D5; via Peter Gallagher, Willy | Source Detail | d29 | |
| 12/03/81 | Dane County Coliseum | 3 | flac16; Recording by Doug Mow. 2 Nak 700 shotguns > Sony TC-D5M > Maxell XLIIS tape. A true gem. Seeded to bt.etree.org on 04/08/05 by Alex Ford. | Source Detail | d29 | |
| 12/05/81 | Market Square Arena | 3 | Master Soundboard Cassette > Reel to Reel > DAT > CDR, with Audience source for Ramble on Rose d1t7; CD Re-mastering, EAC'ed / SHN'ed by Scott Clugston | Source Detail | d30 | |
| 12/05/81 | Market Square Arena | 3 | flac16; Recording Info: Unknown Audience Recording From Jim Wise -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d40 | |
| 12/06/81 | Rosemont Horizon | 3 | Unknown Aud>DAT>CDR; via Glenn Gillis; Seeded to etree by Peter Braverman | Source Detail | d30 | |
| 12/07/81 | Des Moines Civic Center | 3 | Unknown Audience Source; via Scot Mellor; Seeded to etree by Willy; upgrade in circulation | Source Detail | d30 | |
| 12/07/81 | Des Moines Civic Center | 2 | 2nd set only; SBD> MC> C> DAT> CD; seeded by Charlie Miller | Source Detail | d31 | |
| 12/09/81 | Events Center, University Of Colorado | 3 | flac16; SBD -> Master Reel (7 inch Reel @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d85 | |
| 12/09/81 | Events Center, University Of Colorado | 3 | Master Soundboard Cassette > Reel to Reel > DAT> CDR Sennheiser 421 Audience source supplies "Mama Tried" (d1t06), the first 1:38 of "Mexicali Blues" (d1t07), as well as from 4:54 of "Space" (d3t01) thru 4:13 of "The Other One" (d3t02) Patching / CD Mastering by Scott Clugston EAC'ed / Shn'ed by Scott Clugston 10/02/02 ; upgrade in circulation | Source Detail | d31 | |
| 12/12/81 | Fiesta Hall, San Mateo County Fairgrounds | 2 | MAC w/ Nak 300's>Sony TC-D5M (w/ Dolby B)>DAT>CDR via Andy Lemieux encoded by Matt Vernon | Source Detail | d31 | |
| 12/12/81 | Fiesta Hall, San Mateo County Fairgrounds | 1 | flac16; Recording Details: Soundboard -> Master Reel -> DAT(4); Transfer Details: DAT(4) > Panasonic sv-3700 (spdif out)->Lynx L22 AES/EBU (spdif in)-> Soundforge 8.0 16bit/48kHz wav | Source Detail | new seed d41 | |
| 12/26/81 | Oakland Auditorium Arena | 3 | Recording by Bob Menke. AUD> MC> R> DAT> CDR> EAC> SHN; Senn 421s>Sony TC-D5; via Paul; Seeded to etree by Glyde | Source Detail | d31 | |
| 12/26/81 | Oakland Auditorium Arena | 3 | flac16; Recording by Steven Martin. Master audience cassette (2 modified Nakamichi CM-700 mics with boost + 1 Shure mic without boost > Sony TC-D5M on Maxell metal tape, about 20' in front of the soundboard) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding | Source Detail | d32 | |
| 12/26/81 | Oakland Auditorium Arena | 3 | flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette -> LynxOne -> CD Set 2: SBD -> Cassette Master (Maxell UDXLII-90) Set 1 Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC Set 2 Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; note: this version has the 2 drop outs in shn id 83996 d3t02 fixed | Source Detail | new seed d41 | |
| 12/27/81 | Oakland Auditorium Arena | 2 | Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; To abgd via Charlie Connor. ; upgrade in circulation | Source Detail | d32 | |
| 12/27/81 | Oakland Auditorium Arena | 2 | flac16; Recording Info: SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Dolby B) -> Sonic 24bit -> SBM2 -> CD -> EAC -> FLAC Transferred and Mastered By David Gans Converted To FLAC By Charlie Miller Thanks to Joani Walker and Paul Scotton for the tapes | Source Detail | d32 | |
| 12/28/81 | Oakland Auditorium Arena | 2 | AUD (Senn. 421?s)> MC> DAT> CD; via Paul; Seeded to etree by Glyde | Source Detail | d32 | |
| 12/28/81 | Oakland Auditorium Arena | 3 | SBD > MC > C > DAT > CD > EAC > SHN; Hiss reduction applied; EAC/SHN by Darryl Hinko | Source Detail | d33 | |
| 12/30/81 | Oakland Auditorium Arena | 3 | flac16; SBD>MC>DAT>CD>SHN>TLH>FLAC patched with: D2T01 Unknown Aud>MC>?>C>Sony TC-KE500S>TheCard>CoolEdit>TLH>FLAC and D2T02-3 SBD>Cm>C>C>C>C>Sony TC-KE500S>TheCard>CoolEdit>TLH>FLAC | Source Detail | new seed d85 | |
| 12/30/81 | Oakland Auditorium Arena | 2 | 1st Set SBD> MC> DAT> CD; 2nd Set Pre Drums SBD> Cm> PCM> Dat> CD>Cool Edit Pro> CD; 2nd Set Post Drums SBD> Cm> Reel> Cass> CD; via Charlie Miller; Seeded to etree by Willy | Source Detail | d33 | |
| 12/31/81 | Oakland Auditorium Arena | 1 | Acoustic set only (w/ Joan Baez); SBD > MR > CASS > DAT > CDR > EAC > SHN via Chris Warren; upgrade in circulation | Source Detail | d33 | |
| 12/31/81 | Oakland Auditorium Arena | 3 | Jay Ashley (Bertha) remaster of Jay Serafin's 4 TRACK RTR source; SBD> MR> PCM> DAT> CDR> SHN> DAW(Bertha)> CDA; Note- Joan Baez set missing | Source Detail | d33 | |
| 12/31/81 | Oakland Auditorium Arena | 4 | flac16; SBD> Cassette Master (Dolby B)> Sonic 24bit> SBM2> CD> EAC> FLAC; Transferred and Mastered By David Gans; FLAC By Charlie Miller | Source Detail | d34 | |
| 04/09/82 | Community War Memorial Auditorium | 2 | flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation | Source Detail | new seed d10 | |
| 04/12/82 | Nassau Coliseum | 3 | flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC | Source Detail | new seed d7 | |
| 05/22/82 | Greek Theatre, University Of California | 2 | flac16; Set 2 only - SBD -> MSC -> PCM -> DAT(x2) Transfer: Panasonic SV-3800 -> Optical out -> FW 410. Recorded in Samplitude v.8.01 (24/48) Re-Mastered: Wavelab v.5. -> CD Wave -> FlacFrontend Level 8 -> check sums via. TLH via M.Townshend/GEMS | Source Detail | new seed 79 | |
| 07/27/82 | Red Rocks Amphitheatre | 2 | flac16; Source: SBD>Cass/1>DAT>HD-P2>Soundforge 6.0>Flac Frontend>FLAC Tranfer by: Jake Clemens | Source Detail | new seed d86 | |
| 09/17/82 | Cumberland County Civic Center | 3 | DTS Audio 5.1; 4 Source Mix: SBD Set 1. Recording: SBD > Dolby B metal cassette master, SBD Set 2. Recording: SBD > ? (likely cassette master), AUD1 FOB: Nak 700s > Sony D5 Cassette master recorded by Mark Cohen, AUD2 Master FOB Audience Cassette > Nak CM300 mics > Sony D5, and AUD3 Unknown AUD | Source Detail | new seed d41 | |
| 09/20/82 | Madison Square Garden | 3 | flac16; Recording Info: SBD -> Cassette Master -> Cassette -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> Cool Edit Pro v.20 -> FLAC All Transfers and Mastering By Charlie Miller (Pitch correction of shn id 77482.) | Source Detail | new seed d86 | |
| 10/10/82 | Frost Amphitheatre | 3 | flac16; Patched fix of shnid 338 - MC>DAT>ZA2>CD>EAC>SHN (shn id 338) patched with Sony ECM-220T Mics>Sony TC-D5 MAC>DAT>CDR>EAC>FLAC (shn id 29315) | Source Detail | new seed d86 | |
| 12/26/82 | Oakland Auditorium | 2 | flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d26 | |
| 12/27/82 | Oakland Auditorium | 1 | flac16; Set 2 only, Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 | Source Detail | new seed d25 | |
| 03/26/83 | Aladdin Theater | 3 | flac16; Recording Info: (FOB) Neumann KM54 -> Cassette Master -> Dat Transfer Info: Dat -> CD (Tascam CDRW700) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d42 | |
| 04/09/83 | Hampton Coliseum | 2 | SBD> Master Cassette> Reel> Dat (48k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; plus patches from Rob Eaton's FOB Senn 441 source; Transferred, Edited and Patched By Charlie Miller | Source Detail | dvd 135 | |
| 04/15/83 | Community War Memorial Auditorium | 3 | Recording Info: Set 1: SBD -> Cassette Master -> Reel -> Dat (48k) Set 2: SBD -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | new seed d11 | |
| 04/16/83 | Meadowlands Arena | 3 | flac16; mixed sources: SBD> Cassette Master> Reel> Dat> CD> EAC> WAV> FLAC; Set 2: SBD> PCM> Dat> Cool Edit Pro> WAV; WAV> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller | Source Detail | dvd 141 | |
| 04/23/83 | Veterans' Memorial Coliseum | 2 | flac16; SBD -> Cassette Master -> Reel -> Dat -> CD Transferred and Edited By Charlie Miller; Scarlet -> Fire patched from Charlie Miller's Aud: (FOB) Senn 421 -> Cassette Master -> Sound Forge -> CD | Source Detail | dvd 208 | |
| 06/22/83 | City Island | 2 | flac16; Recordist: Kyle Holbrook Location : ~10' Left Of Center, ~100' from stage lip Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > TDK MA-R90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: TDK MA-R90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 | Source Detail | new seed d23 | |
| 07/31/83 | Ventura County Fairgrounds | 3 | flac16; SBD -> Cassette Master -> Cass -> Dat -> CD All Transfers and Mastering By Charlie Miller | Source Detail | new seed d86 | |
| 09/13/83 | Manor Downs | 3 | flac16; Recording Info: (FOB) Sennheiser 441 -> PCM -> Dat Transfer Info: Dat -> CD (Tascam CDRW700) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d42 | |
| 12/27/83 | San Francisco Civic Auditorium | 3 | flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller | Source Detail | new seed d2 | |
| 12/28/83 | San Francisco Civic Auditorium | 2 | flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller | Source Detail | new seed d2 | |
| 12/30/83 | San Francisco Civic Auditorium | 2 | flac16; SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transferred and Edited By Charlie Miller | Source Detail | new seed d2 | |
| 12/31/83 | San Francisco Civic Auditorium | 3 | flac16; SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transferred and Edited By Charlie Miller | Source Detail | new seed d3 | |
| 03/28/84 | Marin County Veterans Auditorium | 2 | (FOB/20th Row) Sony ECM 939LT> Cassette Master (Marantz PMD430); Transfer Info: Cassette Master (Nak Dragon/Dolby B)> CD (HHb CDr 830Plus)> EAC> Sound Forge 5.0> SHN; Recorded By Andrew Faintych; Transferred By Anne Cohen; Converted By Charlie Miller; Drums Are Cut | Source Detail | d1 | |
| 03/28/84 | Marin County Veterans Auditorium | 2 | 2 Sony ECM 939LT stereo microphones > Marantz PMD 340, TDK AD-X90 cassettes with Dolby B, 8' stand 2nd set, 6.5' 1st set, ~20th row center just behind soundboard, Recorded by AndrewF; A-D transfer: master cassette > Nakamichi Dragon (Dolby B) > HHB CDR 830plus > EAC > Sound Forge 5.0 > CD Wave Editor 1.71 > WAV > SHN by Anne Cohen; drums are cut | Source Detail | d1 | |
| 03/28/84 | Marin County Veterans Auditorium | 1 | unknown aud > cass > cd Discs kindly provided by Mark Horvath Eac > cool edit pro > shntool > cdwav > shnv3 by Ernie Dodd Partial 2nd set Only | Source Detail | d1 | |
| 03/29/84 | Marin County Veterans Auditorium | 2 | Rex Foundation Benefit; Soundboard > ??? > CDR; Jerry's guitar is low in the mix at times; Seeded to etree by David Angelini; upgrade in circulation | Source Detail | d1 | |
| 03/29/84 | Marin County Veterans Auditorium | 2 | flac16; SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transferred and Edited By Charlie Miller | Source Detail | d1 | |
| 03/29/84 | Marin County Veterans Auditorium | 3 | flac16; Recording: Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck Taped onto TDK AD-X normal bias tape, with Dolby on Set up two rows behind soundboard, and eight seats to the right Mics raised aprx seven and a half feet on a tent pole Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > FLAC Soundforge used for fades and some minor repairs (see notes) CD-Wave for Track ID's, and FLAC Frontend for lossless compression Verified and repaired SBE's with Traders Little Helper program | Source Detail | d2 | |
| 03/31/84 | Marin County Veterans Auditorium | 2 | flac16; Source: *Nakamichi CM301's>Sony D5M>Sony D5M Location: FOB/Stand at 6 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G | Source Detail | d2 | |
| 03/31/84 | Marin County Veterans Auditorium | 3 | SBD; via Mike Lai; upgrade in circulation | Source Detail | d2 | |
| 03/31/84 | Marin County Veterans Auditorium | 3 | flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation | Source Detail | d2 | |
| 03/31/84 | Marin County Veterans Auditorium | 3 | flac16; Recording: Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck Taped onto TDK AD-X normal bias tape, with Dolby on Set up in center seat directly behind the soundboard Mics raised aprx seven and a half feet on a tent pole Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC Soundforge used for fades, edits and patches over the tape-flip areas CD-Wave for Track ID's, and FLAC Frontend for lossless compression Verified SBE's and checksums with Trader's Little Helper program Cross-faded patches taken from LAMA's source: SBD > MC > DAT > CDR > EAC > Cool Edit Pro 2.0 > CD-Wave > mkwACT | Source Detail | d2 | |
| 03/31/84 | Marin County Veterans Auditorium | 3 | flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation | Source Detail | new seed d3 | |
| 04/01/84 | Marin County Veterans Auditorium | 3 | flac16; FOB: 2 Beyer M160s + 1 Senn. 421>D5>MC>CDR>EAC>FLAC Taper: Jim Quirk | Source Detail | d3 | |
| 04/01/84 | Marin County Veterans Auditorium | 3 | flac16; Source: *Nakamichi CM304's>Sony D5M>Sony D5M Location: ^At SBD/Stand at 7 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G | Source Detail | d3 | |
| 04/01/84 | Marin County Veterans Auditorium | 3 | flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation | Source Detail | d3 | |
| 04/01/84 | Marin County Veterans Auditorium | 3 | Master Soundboard Casette>PCM>DAT>DAT>Serafin Studios>CDR>EAC>SHN; upgrade in circulation | Source Detail | d3 | |
| 04/01/84 | Marin County Veterans Auditorium | 3 | flac16; Recording: Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck Taped onto TDK AD-X normal bias tape, with Dolby on Set up in center seat, two rows behind the soundboard Mics raised aprx seven and a half feet on a tent pole Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC Soundforge used as noted below. CD-Wave for Track-ID's, Trader's Little Helper to verify SBE-OK and make checksums, and Flac Frontend for lossless compression. | Source Detail | d4 | |
| 04/01/84 | Marin County Veterans Auditorium | 3 | flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation | Source Detail | new seed d3 | |
| 04/06/84 | Aladdin Theater | 3 | flac16; Source: Nakamichi CM300*(with CP1 Card caps)>Sony TCD-5M Location: FOB/Right Center Orch. Sec. 1 Row M/Stand at 6-7 Feet Transfer: Sony D5M>Sound Device 722@24/96>Adobe Aud. 2.0> 16 bit>Cdwav>flac16. Tapers: Tony Suraci and Eugene D'alessandro | Source Detail | d4 | |
| 04/06/84 | Aladdin Theater | 2 | SBD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy | Source Detail | d4 | |
| 04/07/84 | Irvine Meadows | 3 | sbd>MC>Dat>cd Eac >cool edit > shntool > cdwav >shnv3 Eac >shn (secure with proper offsets) by Ernie Dodd | Source Detail | d4 | |
| 04/13/84 | Hampton Coliseum | 3 | Rob Eaton FOB Center (Neumann U89)>Sony TC-D5>DAT>CDR>EAC>SHN | Source Detail | d5 | |
| 04/13/84 | Hampton Coliseum | 3 | Neumann U-87 mics > Sony D6 cass > Dat > CDR; via PJ to abgd; includes alternate tracking suggestion for 2 discs | Source Detail | d4 | |
| 04/13/84 | Hampton Coliseum | 3 | flac16; SBD> Cassette Master> Cassette> Dat (Panasonic SV3800/48k), plus patches from Eaton FOB Neumann U87> Cass source; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller | Source Detail | d5 | |
| 04/13/84 | Hampton Coliseum | 3 | Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Location: FOB and to the left to avoid blocking view MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Audacity Normalization > WAV > CDWave > WAVs > mkwAC > SHNs | Source Detail | d5 | |
| 04/14/84 | Hampton Coliseum | 2 | flac16; (FOB) MAC: Sennheiser 421s (shoulder level) > Sony D5 > Sony D5 > Maxell XLII 90s Location: FOB. 15-20 feet from stage, DFC Tapers: unknown & Mark McCue Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > CDWAV > Trader's Little Helper > FLAC16. Master audience cassettes supplied by Mark McCue. Transfer, edits & upload to bt.etree.org by Alex Ford 11/01/2006. | Source Detail | d5 | |
| 04/14/84 | Hampton Coliseum | 2 | flac16; Source: FOB Sennheiser 441s > Sony D5 > Maxell MX90 Master Cassettes. Taped by B.Koucky. Transfer: MAC playback on cleaned/demagged Nakamich DR-2 > Presonus Firebox preamp/A-D > firewire > 2 GHz P4 PC - XP Pro > Wavelab 5, recorded as 24 bit/96 KHz WAV > rendered to 16 bit/44.1 KHz WAV using Waves L3 Multimaximizer, hi res CD settings > CDWAV 1.9 (tracking) > FLAC (level 8). Transfer and editing by C.Ladner | Source Detail | d6 | |
| 04/14/84 | Hampton Coliseum | 3 | 3 Nak 701s > MX-100(modified) > D5 > D10 > SHN (track names originally in the form of "d1t1.shn" - original md5 was not consistent with this file naming. with consistent file naming, all SHNs do verify) | Source Detail | d6 | |
| 04/14/84 | Hampton Coliseum | 2 | Neumann U-87 mics > Sony D-6 > DAT > CDR; d2 is 80 min; via PJ to abgd; (thanks to Trip Bates for txt/md5 here) | Source Detail | d6 | |
| 04/14/84 | Hampton Coliseum | 2 | flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation | Source Detail | d6 | |
| 04/14/84 | Hampton Coliseum | 3 | Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Location: behind SBD and to the left. Taped and transfered to shn by Charles Bandrofcheck. MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Audacity Normaliation > WAV > CDWave > WAVs > mkwAC > SHN | Source Detail | d7 | |
| 04/14/84 | Hampton Coliseum | 2 | flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation | Source Detail | new seed d4 | |
| 04/16/84 | Community War Memorial Auditorium | 2 | flac16; Pitch corrected and patched version of shn id 32884 - FOB Sennheiser 441s > Sony D5 > DAT > CD > EAC > FLAC by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details | Source Detail | d7 | |
| 04/16/84 | Community War Memorial Auditorium | 2 | Neumann U-87 > Sony d-6 >dat >cdr; d2 tracked for 80 min; posted to abgd | Source Detail | d7 | |
| 04/16/84 | Community War Memorial Auditorium | 2 | flac16; Source: FOB Sennheiser 441s > Sony D5. Patched out of Steve Adleman's D5>D5 at the show. Transfer: MAC playback on Nakamichi BX-100 > Panasonic SV3700 DAT > Tascam CD-RW > MCDs extracted with EAC to WAV > FLAC. Originally recorded to analog MAC and transferred to digital realm by B.Koucky. Editing/remastering: All editing with Wavelab 5 (Level fluctuations adjusted using gain function > Tape pauses between tracks during the first set & tape flips smoothed with crossfades > Waves L3 Multimaximizer at -1.1 dB threshold, ceiling -0.1 dB with hi res CD rendering > CDWAV 1.9 > FLAC (level 5) > bt.etree.org by C.Ladner. | Source Detail | d7 | |
| 04/17/84 | Niagara Falls Convention Center | 3 | flac16; (FOB) MAC: 3 Beyer mics > Sony D5 > Teac mdx 90s: Location: FOB, 20-30 feet from stage; Taper: Mark McCue ;Master audience cassettes provided by Mark McCue. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford | Source Detail | d8 | |
| 04/17/84 | Niagara Falls Convention Center | 3 | flac16; Recorded by Gordon Sharpless Master Audience Cassette; 2 Neumann U-87s> Nakamichi 550> Sony D5 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Grace Lunatec V3> Digital Audio Labs Card Deluxe soundcard > Adobe Audition > flac encoding > FLAC | Source Detail | d8 | |
| 04/17/84 | Niagara Falls Convention Center | 3 | 2 Beyer M160 > Sony TCD5M Master Cassette FOB > SHN | Source Detail | d8 | |
| 04/17/84 | Niagara Falls Convention Center | 3 | flac16; 1 Audio Technica + 2 Nakamichi 300s/cp4s > Sony D5 > DAT > CDR Location: FOB Taper: unknown Transfer: EAC (no errors) > CDWAV > TLH > FLAC16. Source CD-Rs provided by Mark McCue. Transfer from CDR through FLAC16 by Alex Ford. This source may be derived from the same master as shn id 8460 | Source Detail | d8 | |
| 04/17/84 | Niagara Falls Convention Center | 3 | flac16; Source: FOB Sennheiser 441 > Sony D5. Transfer: MAC playback on Nakamichi BX-100 > Panasonic SV3700 DAT > Tascam CD-RW > MCDs > (EAC)WAV > FLAC. Recorded at the show on analog master cassette and transferred to digital realm by B.Koucky. Editing/FLACing: Pauses between tracks during the first set and tape flips were smoothed with crossfades using Wavelab > Waves L3 Multimaximizer applied at hi res CD rendering settings, threshold of -1.1 dB and ceiling of -0.1 dB > CDWAV 1.9 (tracking/flac'ing). Edits/mastering and flac encoding via C.Ladner. | Source Detail | d9 | |
| 04/17/84 | Niagara Falls Convention Center | 3 | FOB Nak 300>?>CDR; Seeded to etree by JT James | Source Detail | d9 | |
| 04/19/84 | Philadelphia Civic Center | 3 | AUD>MC>CD; via Paul B; Seeded to etree by Willy | Source Detail | d9 | |
| 04/19/84 | Philadelphia Civic Center | 3 | Sbd > Cassette Master > Cassette > Dat x 2 > CDR > SHN; Seeded to FurthurNET; upgrade in circulation | Source Detail | d9 | |
| 04/19/84 | Philadelphia Civic Center | 3 | flac16; SBD> Cassette Master> Reel> Dat (SV3800/48k)> Samplitude v7.02 Professional> FLAC; Converted and Edited By Charlie Miller | Source Detail | d10 | |
| 04/19/84 | Philadelphia Civic Center | 3 | Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Transfer: MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > SoundForge 5.0 normalization > WAV > CDWave > WAVs > mkwAC > SHNs Location: front of tapers section Transfer and seed by Charles Bandrofcheck | Source Detail | d10 | |
| 04/20/84 | Philadelphia Civic Center | 2 | Master Soundboard Cassette > Cassette > CDR; CD Mastering, Shn'ed and Seeded by Scott Clugston; also to abgd via Charlie Connor; upgrade in circulation | Source Detail | d10 | |
| 04/20/84 | Philadelphia Civic Center | 2 | flac16; SBD> Cassette Master> Reel> Dat (SV3800/48k)> Samplitude v7.02 Professional> FLAC; Converted and Edited By Charlie Miller (note: a fixed fileset was circulated to correct a flaw in d2t02; additionally this source originally circulated tracked for 2 discs. The info below reflects the best available version of this source.) | Source Detail | d10 | |
| 04/20/84 | Philadelphia Civic Center | 3 | DAUD(FOB/Senn 441s by Jim Wise)>PCM>DAT>CDA>SHN | Source Detail | d11 | |
| 04/20/84 | Philadelphia Civic Center | 3 | Source Senn 441 > PCM Digital Audience (up-front) > DAT (SV3700) > DAT (Fostex D10) > CDR (Single WAV) > CDR-WAV (wav splits) > SHN (via MKWACT); via JR Fishman | Source Detail | d11 | |
| 04/21/84 | Philadelphia Civic Center | 3 | Patched Eaton/Silberman FOB (17th Row Split 30 feet) Neumann U87's via Doug Nawrocki | Source Detail | d11 | |
| 04/21/84 | Philadelphia Civic Center | 3 | Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Transfer: MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > SoundForge 5.0 normalization > WAV > CDWave > WAVs > mkwAC > SHNs to end of Throwing stones. Very End of Throwing Stones, Not Fade Away & Brokedown place from LMA Source: Neumann U87's (cardioid) > Sony Pro Mixer > Technics SV100 PCM > DAT > CDR Transfer and seed by Charles Bandrofcheck | Source Detail | d11 | |
| 04/23/84 | Veterans' Memorial Coliseum | 3 | Mark Horvath FOB ATM2?s>Sony TC-D5>MC>CDR; Muddy recording; 2nd set more so than the 1st; via Paul B; Seeded to etree by Willy | Source Detail | d12 | |
| 04/23/84 | Veterans' Memorial Coliseum | 3 | flac16; SBD -> Master Cassette -> Reel -> Dat -> CD Transferred and Edited by Charlie Miller; upgrade in circulation | Source Detail | d12 | |
| 04/23/84 | Veterans' Memorial Coliseum | 3 | flac16; Recording Info: SBD -> Cassette Master -> Cassette (TDK SA-X90 / Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller Thanks to Paul Scotton and Joani Walker for the Cassettes -- This is an upgrade to all previous circulating sbd's | Source Detail | d12 | |
| 04/23/84 | Veterans' Memorial Coliseum | 2 | 2nd set only; SBD -> Cm -> Reel -> Dat -> CD; Seeded to etree by Charlie Miller; upgrade in circulation | Source Detail | d12 | |
| 04/23/84 | Veterans' Memorial Coliseum | 3 | flac16; Recording Info: SBD -> Cassette Master -> Cassette (TDK SA-X90 / Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller Thanks to Paul Scotton and Joani Walker for the Cassettes -- This is an upgrade to all previous circulating sbd's | Source Detail | new seed d4 | |
| 04/24/84 | Veterans' Memorial Coliseum | 2 | Set 1; AUD (Nak300's)>MC>DAT>CDR Set 2; Mark Horvath FOB ATM2?s> Sony TC-D5>MC>CDR; Set 2 is 'muddy'; via Paul B; Seeded to etree by Willy | Source Detail | d12 | |
| 04/24/84 | Veterans' Memorial Coliseum | 2 | flac16; Recording Info: Set 1: SBD -> Cassette Master -> ? -> Cassette Set 2: SBD -> Cassette Master -> Cassette (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller Thanks to Paul Scotton, Joani Walker and Jacob Feinberg for the tapes | Source Detail | d13 | |
| 04/24/84 | Veterans' Memorial Coliseum | 1 | flac16; Set 2 Recording Info: SBD -> Cassette Master -> Cassette (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller Thanks to Paul Scotton and Joani Walker for the Cassettes; upgrade in circulation | Source Detail | d13 | |
| 04/24/84 | Veterans' Memorial Coliseum | 1 | flac16; Set 2 Recording Info: SBD -> Cassette Master -> Cassette (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller Thanks to Paul Scotton and Joani Walker for the Cassettes; upgrade in circulation | Source Detail | new seed d3 | |
| 04/24/84 | Veterans' Memorial Coliseum | 2 | flac16; Recording Info: Set 1: SBD -> Cassette Master -> ? -> Cassette Set 2: SBD -> Cassette Master -> Cassette (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller Thanks to Paul Scotton, Joani Walker and Jacob Feinberg for the tapes | Source Detail | new seed d6 | |
| 04/26/84 | Providence Civic Center | 3 | flac16; Set I - 1st Gen; Sennheiser MKE 2002 (binaural, head worn) > Sony D5 > Sony D5 > Maxell XLII-S (no Dolby) Set II - MAC; Beyer M201s (hyper cards, X-Y) > Sony TC D5M > TDK MA90 (no Dolby) Tapers: Sennheiser MKE 2002s - Chris K./ Beyer M201s - Kyle H. Transfer: Nakamichi CD2 [azimuth adjusted]>Kind Kables rca>xlr>Lunatec V3>coax>Audiophile 24960> CEP 2.0 (normalized_100%)>CD Wave Editor>Traders Little Helper>FLAC16. Transfer, all edits, conversion & upload to bt.etree.org by Alex Ford 10/5/2006. | Source Detail | d13 | |
| 04/26/84 | Providence Civic Center | 3 | Master Soundboard Cassette > Cassette > DAT > CDR | Source Detail | d13 | |
| 04/26/84 | Providence Civic Center | 3 | flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | new seed d87 | |
| 04/27/84 | Providence Civic Center | 3 | mixed source: 1st set - Neumann > D6 > DAT > CDR > EAC > WAV > SHN, 2nd set - MSbd> Cass > DAT > CDR > EAC > WAV > SHN; to abgd.hs by PJ | Source Detail | d14 | |
| 04/27/84 | Providence Civic Center | 2 | flac16; Source: FOB 15th Row Ctr Sennheiser 441 > Sony D5. Transfer: MAC playback on Nakamichi BX-100 > Panasonic SV3700 DAT > Tascam CD-RW > MCDs extracted with EAC to WAV > FLAC. Originally recorded and transferred to digital realm by B.Koucky. Mastering: FLAC > WAV > Wavelab 5.0 (crossfaded tape flips, level adjustents and L3 Multimaximizer) > CDWAV 1.9 (tracking) > FLAC (level5) > torrenting by C.Ladner. | Source Detail | d14 | |
| 04/29/84 | Nassau Coliseum | 3 | (FOB/14th Row) 3 Beyer M160's -> Cm -> Sound Forge -> CD -> EAC -> SHN; Converted to SHN By Charlie Miller | Source Detail | d14 | |
| 04/30/84 | Nassau Coliseum | 2 | aud> senn 441> cassette master> cdr; via Mike Lai with thanks to Alan Powell | Source Detail | d14 | |
| 04/30/84 | Nassau Coliseum | 2 | flac16; Source: FOB/Row 11 Sennheiser 441s > Sony D5 > Maxell MX90 Type IV Cassettes (Master Audience Cassette). Taped by Bill "whynotus" Koucky. Transfer/Mastering: MAC playback on Nakamichi DR-2 cassette deck > gold RCAs > Audiophile 24/96-Pentium IV PC > recorded as 24 bit/96 KHz WAV using Wavelab 5 > mastered using Waves XNoise (learn mode) and L3 Multimaximizer, rendered to 16 bit/44.1 KHz WAV using hi-res CD settings > CDWAV 1.9 (tracking) > FLAC (level 8) | Source Detail | d15 | |
| 05/06/84 | Silva Hall, Hult Center | 3 | SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko; upgrade in circulation | Source Detail | d15 | |
| 05/06/84 | Silva Hall, Hult Center | 2 | flac16; Recording Info: SBD -> Cassette Master -> Cassette (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | new seed d15 | |
| 05/07/84 | Silva Hall, Hult Center | 2 | flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | d15 | |
| 05/07/84 | Silva Hall, Hult Center | 2 | flac16; source: sbd >dat x 2 > wav > shnn > wav > flac; upgrade in circulation | Source Detail | new seed d87 | |
| 05/08/84 | Silva Hall, Hult Center | 3 | SBD> MR> C> DAT> CDR; transfer by Mike Lai from Bruce Fried seed; upgrade in circulation | Source Detail | d15 | |
| 05/08/84 | Silva Hall, Hult Center | 3 | flac16; Source: Sony ECM-939LT stereo mic > Marantz PMD-340 cassette deck. Sony UCX-S 90 cassettes, with Dolby B On. Taped by Andrew F. Mic on 7-foot tent pole, center seat of 30th row (rear orchestra). Transfer: MAC > Sony TC-D5M > Marantz CDR-500 > EAC > Soundforge > CD-Wave > FLAC Soundforge used for fades and to smooth out a few rough spots. There were too many yells and hand-claps to deal with, so I left those as-is. CD-Wave used for track-ID?s, and FLAC Frontend for lossless compression. | Source Detail | d16 | |
| 05/08/84 | Silva Hall, Hult Center | 3 | flac16; Recording Info: SBD -> Cassette Master -> Cassette (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | new seed d16 | |
| 06/09/84 | Cal Expo | 2 | AUD (Nak 700?s)>MC>DAT>CD; Missing encore; via Paul B; Seeded to etree by Willy | Source Detail | d16 | |
| 06/09/84 | Cal Expo | 2 | flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | d16 | |
| 06/09/84 | Cal Expo | 1 | 1st set only; Lineage: SBD -> Cm -> Dat -> MiniDisc -> Samplitude -> CD Recording Info: SBD -> Cm -> Dat; Note- Deal is patched from an aud source; See info file for details; upgrade in circulation | Source Detail | d16 | |
| 06/09/84 | Cal Expo | 2 | flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | new seed d16 | |
| 06/10/84 | Cal Expo | 2 | FOB: 2Beyer M160s>D5>MC>CDR>EAC>FLAC | Source Detail | d17 | |
| 06/12/84 | Red Rocks Ampitheatre | 3 | flac16; Source: *Nak CM304's>Sony D5M>Sony D5M(XLIIS) Location: At SBD#, Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16. Tapers: *Mike G. and Tony Suraci. Transfer and upload by Tony Suraci | Source Detail | d17 | |
| 06/13/84 | Red Rocks Ampitheatre | 3 | flac16; Source: *Nak CM304's>Sony D5M>Sony D5M(XLIIS) Location: At SBD#, Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16. Tapers: *Mike G. and Tony S | Source Detail | d17 | |
| 06/13/84 | Red Rocks Ampitheatre | 2 | SBD>PCM>DAT>CDR; via Rick M; Seeded to etree by Chris L | Source Detail | d17 | |
| 06/14/84 | Red Rocks Ampitheatre | 2 | AUD/1>CD (poss Sennheiser>D5); via Teddy GoodBear to abgd; extensive notes | Source Detail | d18 | |
| 06/14/84 | Red Rocks Ampitheatre | 2 | flac16; Source: *Nak CM304's>Sony D5M>Sony D5M(XLIIS) Location: At SBD#, Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16. Tapers: *Mike G. and Tony S. | Source Detail | d18 | |
| 06/14/84 | Red Rocks Ampitheatre | 3 | SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko | Source Detail | d18 | |
| 06/21/84 | Kingswood Music Theater | 3 | FM>MC>PCM>DAT>Cool Edit Pro>CDR>SHN; Via Andy L; EAC'ed and SHN'ed by tbrame | Source Detail | d18 | |
| 06/21/84 | Kingswood Music Theater | 3 | flac16; AUD Source: Two Nakamichi CM-300's with CP-4 shotguns capsules, plus one Nakamichi CM-300 with CP-1 cardioid capsule blend mic > Nakamichi MX-100 mixer > passed thru Sony TC-D5M > Sony TC-D6. Set up behind the soundboard. Taped by Ray Ackerman. | Source Detail | d18 | |
| 06/23/84 | City Island | 2 | Nak 700> D-5 taped by Mark Cohen, A:D transfer by Mark Cohen, final mastering and encoding by David Minches | Source Detail | d19 | |
| 06/23/84 | City Island | 2 | AUD (Nak 100's)>MC>DAT>CDR; via Paul B; Seeded to etree by Willy | Source Detail | d19 | |
| 06/23/84 | City Island | 2 | Recording Info: (FOB) Senn 441 -> PCM -> Dat; Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC (Plextor 24/10/40A) -> Cool Edit Pro v1.2 -> SHN (2 Discs SHN / 2 Discs Audio); Seeded to etree by Charlie Miller | Source Detail | d19 | |
| 06/23/84 | City Island | 2 | flac16; Recordist: Kyle Holbrook Location: Centered, ~120' from stage lip, ~9' high Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 | Source Detail | new seed d23 | |
| 06/24/84 | Saratoga Performing Arts Center | 2 | flac16; Recordist: Kyle Holbrook Location: Set One: ~5' ROC, ~175' from stage lip, head height | Set Two: Centered, ~150' from stage lip, head height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 | Source Detail | d20 | |
| 06/24/84 | Saratoga Performing Arts Center | 3 | Aud> Nak300> CM> CDR> EAC(Secure Mode)> CDWave(Retracking Only)> Shnv3(MKW ACT) | Source Detail | d20 | |
| 06/24/84 | Saratoga Performing Arts Center | 3 | flac16: SBD> Cassette Master> Dat; patches from Nakamichi 300/CP1> Cassette Master> Dat; Transfer: Dat> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> FLAC; All Transfers and Editing By Charlie Miller | Source Detail | d20 | |
| 06/24/84 | Saratoga Performing Arts Center | 3 | flac16; Recordist: Kyle Holbrook Location: Set One: ~5' ROC, ~175' from stage lip, head height | Set Two: Centered, ~150' from stage lip, head height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 | Source Detail | new seed d24 | |
| 06/26/84 | Merriweather Post Pavilion | 2 | flac16; Recordist: Kyle Holbrook Location: ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 | Source Detail | d20 | |
| 06/26/84 | Merriweather Post Pavilion | 2 | Source: SBD>PCM>DAT>CD>SHN. Tennessee Jed and Day Job are patched from an audience recording via Ray Hansen, encoded by Peter Braverman; upgrade in circulation | Source Detail | d21 | |
| 06/26/84 | Merriweather Post Pavilion | 3 | flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation | Source Detail | d21 | |
| 06/26/84 | Merriweather Post Pavilion | 3 | Source Info:Sennheiser421's>Sony D5:CD Transfer: Denon DN-790r>Audiophile 2496>Cool Edit 200>wav>shn: Taped and Transferred by Phil Unger; originally posted to abgd July 2002; sbe's fixed with shntool 9/16/2006 | Source Detail | d21 | |
| 06/26/84 | Merriweather Post Pavilion | 3 | flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck | Source Detail | d21 | |
| 06/26/84 | Merriweather Post Pavilion | 3 | AUD SENN 421's>TCD5-M, Recorded by R. Pauline; MC transferred to CD by Lou B.; cdr > eac (secure) > mkwact > shn (seekable) by Matt Vernon | Source Detail | d22 | |
| 06/26/84 | Merriweather Post Pavilion | 3 | flac16; Recordist: Kyle Holbrook Location: ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 | Source Detail | new seed d24 | |
| 06/26/84 | Merriweather Post Pavilion | 3 | flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation | Source Detail | new seed d87 | |
| 06/26/84 | Merriweather Post Pavilion | 3 | flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller (patch upgrade of shn id 87511) | Source Detail | new seed d87 | |
| 06/27/84 | Merriweather Post Pavilion | 2 | flac16; Recordist: Kyle Holbrook Location: Centered, ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Steinberg WaveLab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 | Source Detail | d22 | |
| 06/27/84 | Merriweather Post Pavilion | 3 | Aud> Nak300> D5> CM> Cdr> EAC> CDWave (Retracking Only)> Shnv3 (MKW ACT); recorded by Steve Ziemba; transferred by Mike Lai; EAC. SHN by Charlie Connor; thanks to Mike Lai and Jon Rianhard; flip in Throwing Stones | Source Detail | d22 | |
| 06/27/84 | Merriweather Post Pavilion | 3 | flac16; SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation | Source Detail | d22 | |
| 06/27/84 | Merriweather Post Pavilion | 3 | SBD> MC> C> DAT> CDRx1> EAC> SHN; Mastered, ripped, encoded and posted by Skankweed to abgd; upgrade in circulation | Source Detail | d23 | |
| 06/27/84 | Merriweather Post Pavilion | 3 | SBD>Cassette Master>Cassette>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN (updated source info); upgrade in circulation | Source Detail | d23 | |
| 06/27/84 | Merriweather Post Pavilion | 3 | flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck | Source Detail | d23 | |
| 06/27/84 | Merriweather Post Pavilion | 3 | flac16; Recordist: Kyle Holbrook Location: Centered, ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Steinberg WaveLab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 | Source Detail | new seed d28 | |
| 06/27/84 | Merriweather Post Pavilion | 3 | flac16; SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation | Source Detail | new seed d88 | |
| 06/29/84 | Blossom Music Center | 3 | Jim Wise Senn 421?s>Sony TC-D5M>MC>DAT>CD; Second set pitch corrected; via Paul B; Seeded to etree by Willy | Source Detail | d23 | |
| 06/29/84 | Blossom Music Center | 2 | **SET 2 SOUNDBOARD** Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | d24 | |
| 06/29/84 | Blossom Music Center | 2 | **SET 2 SOUNDBOARD** Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | new seed d11 | |
| 06/30/84 | Indianapolis Sports and Music Center | 1 | FOB MAC (Sennheiser 2 ME-80's & 2 441's 12th row center>sony d-5>WAV>SHN>SHNTOOL>mkwACT. Recorded by Tommy McKeown. sbe fix/seeding by MattMan. | Source Detail | d24 | |
| 06/30/84 | Indianapolis Sports and Music Center | 3 | flac16; AUD: FOB, Sennheiser MD-421's > DBX NX-40 > Sony TC-D5 Taper: Unknown MAC > CD Transfer: Unknown CDR > EAC > WAV > WavMerge > CD-Wave > Soundforge > TLH > FLAC Frontend by Andrew F, Oct 2005. Some of the ID's were missing or in the wrong spot, so I merged the files and re-split them. I used Soundforge to make some small fades for the start and end of discs. I used TLH to verify SBE-OK and to make checksums, and Flac Frontend for lossless compression | Source Detail | d24 | |
| 06/30/84 | Indianapolis Sports and Music Center | 2 | set 2, plus set 1 partial; SBD> MC> DAT> CDR; from Merry Pranksters Tree round 5, SHN branch; possibly via David Finney to etree? | Source Detail | d24 | |
| 06/30/84 | Indianapolis Sports and Music Center | 2 | set 2, plus set 1 partial; SBD> MC> DAT> CDR; from Merry Pranksters Tree round 5, SHN branch; possibly via David Finney to etree? | Source Detail | d24 | |
| 07/01/84 | Pine Knob Music Theater | 2 | AUD>MC>??>DAT>CDR; via Paul B; Seeded to etree by Willy | Source Detail | d24 | |
| 07/01/84 | Pine Knob Music Theater | 2 | Recorded by Bill Reutelhuber with Nak CM100 shotgun mics into a Sony TCD5M (lead deck) with Dolby B noise reduction on (Maxell MX 90 Metal tape) from the 20th row center FOB | Source Detail | d25 | |
| 07/01/84 | Pine Knob Music Theater | 1 | flac16; Set 2 only - AUD Source: FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M cassette deck, onto Maxell UD-XLII tape, no Dolby. Taped by Ted Carpenter. MAC > CD transfer by Jim Wise (2002), likely done with Nakamichi Dragon > HHB Burner. Transfer Info: CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, by Andrew F | Source Detail | d25 | |
| 07/03/84 | Starlight Theater | 2 | flac16; FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII tape, with no Dolby | Source Detail | d25 | |
| 07/03/84 | Starlight Theater | 2 | AUD>MC>??>DAT>CDR; via Paul B; seeded to etree by Willy | Source Detail | d25 | |
| 07/03/84 | Starlight Theater | 3 | Nak CM100 shotgun mics into a Sony TCD5M (lead deck) with Dolby B noise reduction on (Maxell MX 90 Metal tape) from the 20th row behind the sbd with microphones separated left/right by 10', and 14' high; recorded by Bill Reutelhuber | Source Detail | d25 | |
| 07/03/84 | Starlight Theater | 3 | flac16; Source: *Nakamichi CM300's(with CP1 Caps/pointed)>Sony D5M(XLIIS)Location: FOB/DFC Stand at 7 Feet/Pointed at Stacks Transfer: #Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud. 2.0 dither and resample/16Bit>Cdwav>flac16 Tapers: Tony Suraci and Eugene D'alessandro:Transfer and upload by Tony Suraci./Nak700 | Source Detail | d26 | |
| 07/04/84 | Five Seasons Center | 3 | flac16; AUD: Sennheiser MD-421's > patched thru one deck (D5?) > Sony TC-D5M > Maxell XL-II's, with no Dolby. Mics on stand set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. | Source Detail | d26 | |
| 07/04/84 | Five Seasons Center | 3 | flac16; Source: *Nakamichi CM304's>Sony D5M(XLIIS) Location: ^FOB at SBD, Stand at 9 feet. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Tapers: Eugene D. and Tony S | Source Detail | d26 | |
| 07/04/84 | Five Seasons Center | 3 | SBD> Master Cassette> Cassette> Dat, plus patches from FOB Sennheiser 421> Cass; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> Adobe Audition> SHN; Transferred and Patched By Charlie Miller; Speed corrected by +2.37% to match the speed of the FOB, by Jay Ashley | Source Detail | d26 | |
| 07/04/84 | Five Seasons Center | 3 | noise reduction> Bertha Remaster of Master Cassette> Cassette source, by Jay Ashley | Source Detail | d27 | |
| 07/04/84 | Five Seasons Center | 3 | AUD: MC (Sennheiser 421)> DAT> CD> SHN; Seeded by Peter Braverman | Source Detail | d27 | |
| 07/06/84 | Alpine Valley Music Theatre | 3 | flac16; AUD: Nakamichi CM-300's w/CP-4 shotgun capsules > Sony TC-D5M > Maxell XL-II's, with no Dolby. Mics on stand set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. | Source Detail | d27 | |
| 07/06/84 | Alpine Valley Music Theatre | 3 | Fob: Sennheiser 441's > MC > Dat > Cd Eac >cool edit > shntool > cdwav >shnv3 Eac >shn (secure with proper offsets) by Ernie Dodd | Source Detail | d27 | |
| 07/07/84 | Alpine Valley Music Theatre | 2 | SBDMC(R?) > DAT > WAV > SHN w/ AUD(Senn 441s > D5 > DAT > CD) patches | Source Detail | d28 | |
| 07/07/84 | Alpine Valley Music Theatre | 3 | Aud>Nak300>D5>CM>CDR>EAC(Secure Mode)>CDWave(Retracking Only)>shnv3(MKW ACT) | Source Detail | d28 | |
| 07/13/84 | Greek Theatre, U. Of California | 3 | flac16; Source: FOB: 2Beyer M160s>D5>MC>CDR>EAC>FLAC | Source Detail | d28 | |
| 07/13/84 | Greek Theatre, U. Of California | 3 | SBD > ? > CDR> DAE (cdparanoia)> SHN; via Mark Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an analog generation" | Source Detail | d28 | |
| 07/14/84 | Greek Theatre, U. Of California | 3 | flac16; FOB: 2 Beyer M160s>D5>MC>CDR>EAC>FLAC Taper: Jim Quirk | Source Detail | d28 | |
| 07/14/84 | Greek Theatre, U. Of California | 3 | SBD > ? > CDR> DAE (cdparanoia)> SHN; via M. Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an anlog generation"; Jack Straw beginning cut; upgrade in circulation | Source Detail | d29 | |
| 07/14/84 | Greek Theatre, U. Of California | 2 | Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller; upgrade in circulation | Source Detail | d29 | |
| 07/14/84 | Greek Theatre, U. Of California | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D6/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | d29 | |
| 07/14/84 | Greek Theatre, U. Of California | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D6/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | new seed d16 | |
| 07/15/84 | Greek Theatre, U. Of California | 3 | flac16; FOB: 2 Beyer M160s>D5>MC>CDR>EAC>FLAC Taper: Jim Quirk EAC and FLAC Conversion by David Perez Jan. 26, 2006 | Source Detail | d29 | |
| 07/15/84 | Greek Theatre, U. Of California | 3 | flac16; Set 1: SBD -> PCM Master -> Dat/0 -> Samplitude Professional v8.0 -> FLAC Set 2: SBD -> PCM Master -> Dat/0 -> Sonic Solutions -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller | Source Detail | d30 | |
| 07/15/84 | Greek Theatre, U. Of California | 3 | SBD > ? > CDR> DAE (cdparanoia)> SHN; via M. Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an anlog generation"; a few track markers misplaced; upgrade in circulation | Source Detail | d30 | |
| 07/21/84 | Ventura County Fairgrounds | 2 | Cool Edit fix of previous shn set SBD Master Reel-> DAT->ZA2- >CD, by Matthew Cole; upgrade in circulation | Source Detail | d30 | |
| 07/21/84 | Ventura County Fairgrounds | 2 | Master Reel-> DAT-> ZA2-> CD; via Mike Lai from Bruce Fried DAT seed; upgrade in circulation | Source Detail | d30 | |
| 07/21/84 | Ventura County Fairgrounds | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | d30 | |
| 07/21/84 | Ventura County Fairgrounds | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | new seed d17 | |
| 07/22/84 | Ventura County Fairgrounds | 3 | flac16; Master: Sony ECM-939LT (dead center, halfway between sbd and the stage) > Cassette Master (Sony TC-D6C) Transfer: Cassette Master (Nakamichi RX-202) > SBM > Sony PCM R500 (pass-through only @ 48kHz) > VXPocket v2 > Dell Inspiron 9300 > Sound Forge (v. 6.0) (editing, 48>44.1kHz resample) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC | Source Detail | d31 | |
| 07/22/84 | Ventura County Fairgrounds | 3 | flac16; SBD -> PCM -> Dat Transferred and Edited By Charlie Miller | Source Detail | d31 | |
| 07/22/84 | Ventura County Fairgrounds | 3 | SBD> PCM> Dat> CD> EAC> SHN (mkwACT); via Keith Bode; upgrade in circulation | Source Detail | d31 | |
| 10/05/84 | Charlotte Coliseum | 3 | flac16; Source: *Beyer M88's>Sony D5M(XLIIS) Location: DFC/FOB Stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac Taped, transfered and uploaded by Tony S./nak700 | Source Detail | d31 | |
| 10/05/84 | Charlotte Coliseum | 3 | flac16; Source: Nakamichi CM-100 w/ CP-4 Shotgun Capsules -> Sony D6 (Maxell XLII-S 90 x 2) Location: Mics on stand 10" apart and about 10' high in front and to the left of soundboard Tansfer/re-master: Nak MR-1 -> Presonus Tube Pre-Amp -> BBE 882i -> Behringer Ultrafex Pro Behringer -> Behringer MDX4600 Pro-XL Composer -> DBX 231 EQ -> FW-410 -> wavelab @24/96 (tracking, minor edits and bit rate reduction 16bit/44.1khz) -> flacfrontend L8 Taper: Greg Holtz (garageboy) Transfer/mastering: mtownshend@adelphia.net; this file set fixes errors in shn id 83161 | Source Detail | d32 | |
| 10/05/84 | Charlotte Coliseum | 3 | FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT | Source Detail | d32 | |
| 10/05/84 | Charlotte Coliseum | 3 | updated source: SBDMC> [no Cass?]> DATs> CDRs> SHN, with FOB Nak 300 patches by Scott Clugston; edited by Darrin Sacks from Blacula's seed; no Sunshine Daydream | Source Detail | d32 | |
| 10/05/84 | Charlotte Coliseum | 3 | flac16; Source: Nakamichi CM-100 w/ CP-4 Shotgun Capsules -> Sony D6 (Maxell XLII-S 90 x 2) Location: Mics on stand 10" apart and about 10' high in front and to the left of soundboard Tansfer/re-master: Nak MR-1 -> Presonus Tube Pre-Amp -> BBE 882i -> Behringer Ultrafex Pro Behringer -> Behringer MDX4600 Pro-XL Composer -> DBX 231 EQ -> FW-410 -> wavelab @24/96 (tracking, minor edits and bit rate reduction 16bit/44.1khz) -> flacfrontend L8 Taper: Greg Holtz (garageboy) Transfer/mastering: mtownshend@adelphia.net; this file set fixes errors in shn id 83161 | Source Detail | new seed d43 | |
| 10/06/84 | Richmond Coliseum | 3 | AUD?; no other info available | Source Detail | d32 | |
| 10/06/84 | Richmond Coliseum | 3 | flac16; Source: *Beyer M88's>Sony D5M(XLIIS) Location: FOB/DFC Stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac Taped, transfered and uploaded by Tony S./nak700 | Source Detail | d33 | |
| 10/06/84 | Richmond Coliseum | 3 | FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT | Source Detail | d33 | |
| 10/06/84 | Richmond Coliseum | 3 | Unknown shotgun mics > Sony D6 > MC > Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwACT > SHN; upgrade in circulation | Source Detail | d33 | |
| 10/08/84 | The Centrum | 3 | SBD>MC>DAT>CDR ; AUDMC>Nakamichi DR-1>HHB 850 CDR ; SBD with Audience Patches seed text info ; Via Andy L. ; Seeded to Etree by T. Wiley | Source Detail | dvd 189 | |
| 10/08/84 | The Centrum | 3 | flac16; Source: Beyer M88's>Sony D5M(XLIIS) Location: FOB/DFC Section 2, Row M Stand at 7 feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96. Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S./nak700 | Source Detail | d33 | |
| 10/08/84 | The Centrum | 3 | Mike Rice's MC; Nak CM 100 mics w/ shotgun capsules > Sony D5 cassette deck; via JD Foltz; Seeded to etree by Willy | Source Detail | d34 | |
| 10/08/84 | The Centrum | 3 | SBD>MC>DAT>CDR ; AUDMC>Nakamichi DR-1>HHB 850 CDR ; SBD with Audience Patches seed text info ; Via Andy L. ; Seeded to Etree by T. Wiley | Source Detail | d34 | |
| 10/09/84 | The Centrum | 3 | SBD>MC>DAT>CDR ; Patch Aud Source: MAC>>Sony D-5>CDR>SHN (previous upgraded SHN release) ; Via Andy L. ; Seeded to Etree by T. Wiley | Source Detail | dvd 189 | |
| 10/09/84 | The Centrum | 3 | flac16; Source: *Beyer M88's>Sony D5M; Location: #FOB/DFC Sec. 5, Row G, Stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony Suraci/nak700 | Source Detail | d34 | |
| 10/09/84 | The Centrum | 2 | Mike Rice's MC; Nak CM 100 mics w/ shotgun capsules > Sony D5 cassette deck; via JD Foltz; Seeded to etree by Willy | Source Detail | d34 | |
| 10/09/84 | The Centrum | 3 | flac16; AUD Source: FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII's, no Dolby. Taped by Ted Carpenter. Transfer: MAC > CD by Jim Wise (2002), likely Nakamichi Dragon > HHB Burner. CDR > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, FLAC compression and checksums) > FLAC, Jan 2007 by Andrew F | Source Detail | d35 | |
| 10/09/84 | The Centrum | 3 | SBD>MC>DAT>CDR ; Patch Aud Source: MAC>>Sony D-5>CDR>SHN (previous upgraded SHN release) ; Via Andy L. ; Seeded to Etree by T. Wiley | Source Detail | d35 | |
| 10/11/84 | Augusta Civic Center | 2 | AUD, unknown mic (reportedly possible Schoeps or Sennheiser); via Nick Scarano? | Source Detail | d35 | |
| 10/11/84 | Augusta Civic Center | 3 | flac16; Source: Beyer M88's>Sony D5M Location: FOB/Right side, Stand at 8 feet. Transfer: Sony D5ProII>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16 Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S./nak700 | Source Detail | d35 | |
| 10/11/84 | Augusta Civic Center | 2 | Source: FOB Beyer M160s > Sony TCD5M > Master Audience Cassette (Maxell MX90 Type IV Cassettes). Transfer: MAC playback on Nakamich DR-2 > Audiophile 2496 > recorded as 24bit /96 KHz WAV > Wavelab/Waves L3 (see notes) > rendered to 16/44.1 WAV > CDWAV 1.9 > FLAC (level 8). | Source Detail | d35 | |
| 10/11/84 | Augusta Civic Center | 3 | Retracked and sector boundary errors fixed version of previous Oade Schoeps source; Source: FOB Schoeps MK41/CMC4 > Oade M118 > Sony TC D-5 Cassette Master > PCM > DAT @44.1khz; seeded by Sacks via Clifton | Source Detail | d36 | |
| 10/11/84 | Augusta Civic Center | 3 | Source: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable)Seeded to etree by Darrin Sacks; also to abgd via Charlie Connor; upgrade in circulation | Source Detail | d36 | |
| 10/12/84 | Augusta Civic Center | 2 | flac16; Source Update: Note that the seeder Mtownshend indicates that this recording most likely is from an audience source. See the public comments regarding the source of this recording. (Had been marked:SBD/AUD Healy Matrix) | Source Detail | d36 | |
| 10/12/84 | Augusta Civic Center | 2 | Master Tapes by Ficca Source: FOB Center Sony TCD5M with 2 Beyer Dynamic 160's > Sony CDR-W66 > EAC > CDWave > CDA encoded by Ficca | Source Detail | d36 | |
| 10/12/84 | Augusta Civic Center | 3 | flac16; *Beyer M88's>Sony D5M, FOB/left of center, stand at 8 feet. Taped, transfered and uploaded by Tony S. | Source Detail | d36 | |
| 10/12/84 | Augusta Civic Center | 3 | flac 16; Recording by Mtownshend:FOB -> Sony TC D5 -> PCM -> DAT (@44.1k) Transfer/mastering: Panasonic (optical out) -> E-MU 1010 (analog out) -> analog rack (ADAT out) -> E-MU 1010 -> Wavelab Tracking and Compression: CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper | Source Detail | d37 | |
| 10/12/84 | Augusta Civic Center | 3 | MAC > CDR > CDR > CDR > SHN; Mike Rice's Master Audience Cassette; Nakamichi CM100 mics w/ shotgun capsules > Sony D5 cassette deck: Master cassette played back via a Nakamichi DR-1 cassette deck> HHb 850 CDR; EAC>?CEP editing > CDWav? > CDRWin > Matsushita 7582 4x CDR; via Gregg Nixon, Scott Clugston, John Oleynick; see info file for flaw notes | Source Detail | d37 | |
| 10/12/84 | Augusta Civic Center | 2 | Master Soundboard Cassette > Reel to Reel > DAT> CDR; with patches from Mike Rice's Master Audience Cassette: Nakamichi CM100 mics + CP4's> Sony D5; CDR ReMastering, Patching, EAC'ed, SHN'ed by Scott Clugston; see info file for details | Source Detail | d37 | |
| 10/12/84 | Augusta Civic Center | 2 | flac16; Source Update: Note that the seeder Mtownshend indicates that this recording most likely is from an audience source. See the public comments regarding the source of this recording. (Had been marked:SBD/AUD Healy Matrix) | Source Detail | d37 | |
| 10/12/84 | Augusta Civic Center | 2 | Source: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable);Seeded by Darrin Sacks; also to abgd via Charlie Connor; upgrade in circulation | Source Detail | d38 | |
| 10/12/84 | Augusta Civic Center | 3 | Source: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable) ***7.16.03*** Beginning of CR&S patched with alternate FOB Schoeps source, lineage is below. Patched with Cool Edit Pro 2.0 in multitrack view > mkwACT by Doug Nawrocki. d2t01 is the only md5 that differs from the original. Patch source lineage: MAC(FOB 2 Schoeps MK41/CMC4 > Sony TCD-5M) > WAV > SHN digital transfer: Kenwood KX1030 cassette deck > EMI 6|2m (16 bit @ 44.1khz) > Peak 3.21 > WAV > Shorten 1.1a4 > SHN | Source Detail | d38 | |
| 10/12/84 | Augusta Civic Center | 2 | Oade Schoeps retracked for 2 disks and free of sector boundary errors via Clifton; Source: FOB Schoeps MK41/CMC4 > Oade M118 > Sony TC D-5 Cassette Master > PCM > DAT @44.1khz; upgrade in circulation | Source Detail | d38 | |
| 10/14/84 | Hartford Civic Center | 3 | fob-aud (Lineage Unknown) Seeded to abgd by Seth Jackson | Source Detail | d38 | |
| 10/14/84 | Hartford Civic Center | 3 | flac16; 1st Gen; Sennhieser ME80s > Sony D5 > TDK MA90s Taper: Lucian Zaleski Transfer: Nakamichi CD2 [azimuth adjusted]>Kind Kables rca/xlr>Lunatec V3>coax>Audiophile 2496>CEP 2.0>CD Wave Editor>Flac Frontend>FLAC16. 1st Gen cassettes provided by Mark McCue. Transfer, edits, conversion and upload to bt.etree.org Alex Ford 10/09/2006. | Source Detail | d38 | |
| 10/14/84 | Hartford Civic Center | 3 | flac16; Source: *Beyer M88's>Sony D5M Location: FOB/DFC Sec. 2 Row M Stand at 7 Feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S./nak700 | Source Detail | d39 | |
| 10/14/84 | Hartford Civic Center | 3 | FOB> Nakamichi 300's> CP4Cassette Master> DAT> CDR> Eac> SHN; DAE(EAC) + SHN Encoding by Jeff M.; see info file for notes | Source Detail | d39 | |
| 10/15/84 | Hartford Civic Center | 3 | flac16; Source: Source update: Master Audience Cassette; (FOB) Sennheiser 421s > Sony D5 > D5 > D6 > 2 TDK MA90s Mic Config: pointed at the stacks, upper chest level Location: FOB, 15th or 17th row, slightly LOC Tapers: long forgotten taper, Adam, & Mark McCue Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > Kind Kables rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > CD Wave Editor > TLH > FLAC16 | Source Detail | d39 | |
| 10/15/84 | Hartford Civic Center | 2 | Recording Info: (FOB) Senn 421 -> Cassette Master -> Dat -> CD Transfer Info: EAC -> Samplitude v7.02 Professional -> SHN - Transfered and Edited By Charlie Miller | Source Detail | d39 | |
| 10/15/84 | Hartford Civic Center | 3 | Aud>? (lineage Unknown); Seeded to abgd by Seth Jackson | Source Detail | d40 | |
| 10/17/84 | Meadowlands Arena | 3 | flac16; Source: Beyer M88's>Sony D5M(XLIIS/Set 1, MX/Set 2) Location: FOB/DFC Sec. 8, Row G(7 rows from stage)Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony Suraci/aka Nak700 | Source Detail | d40 | |
| 10/17/84 | Meadowlands Arena | 3 | flac16; 3 Nak CM700 (DIN; Row S, DFC) > Sony TC-D5M > Maxell MX tape; Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; Taped, transferred by Doug Mow; CDR> FLAC16 and minor editing by Alex Ford | Source Detail | d40 | |
| 10/17/84 | Meadowlands Arena | 3 | AUD(Nak 300?s)>MC>DAT>CD via Paul B encoded by Willy | Source Detail | d40 | |
| 10/17/84 | Meadowlands Arena | 3 | flac16; Recording Info: Set 1: SBD -> Master Cassette -> ? -> Cassette (Dolby C) Set 2: SBD -> Master Cassette -> Dat -> CD -> EAC -> SHN Transfer Info: Set 1: Cassette (Sony TC-WE475/Dolby C) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Set 2: SHN -> WAV -> FLAC | Source Detail | d41 | |
| 10/17/84 | Meadowlands Arena | 2 | Source: SBD > MC>DAT via J.Powell encoded by C.Ladner.; upgrade in circulation | Source Detail | d41 | |
| 10/18/84 | Meadowlands Arena | 2 | flac16; Source: *Beyer M88's>SonyD5M(XLIIS/set 1, MX/Set 2) Location: FOB/Right Sec. 7, Row M, stand at 8 feet Transfer: Sony D5ProII>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac16 Taped and Transferred by Tony Suraci | Source Detail | d41 | |
| 10/18/84 | Meadowlands Arena | 3 | 3 Nak 701s > D5 > MX-100 > D10 > SHN | Source Detail | d41 | |
| 10/18/84 | Meadowlands Arena | 2 | (FOB) Nakamichi CM300/CP1 -> Cm (Sony D5) -> Dat (48k) > Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN. All transfers and remastering done by Charlie Miller | Source Detail | d41 | |
| 10/20/84 | Carrier Dome, Syracuse U | 3 | flac16; FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M, onto Maxell UD-XLII tape, with no Dolby. Taped by Ted Carpenter | Source Detail | d42 | |
| 10/20/84 | Carrier Dome, Syracuse U | 3 | nak300> cassette master> cd wav> cool edit pro> shn> cdr; transfer by Mike Lai from Bruce Fried seed; upgrade in circulation | Source Detail | d42 | |
| 10/20/84 | Carrier Dome, Syracuse U | 3 | SBD> CM> DAT> computer processing> CDR> EAC> SHNTOOL> MKWACT; Editing by MattMan, from Alan Matta source discs; Upgrade in circulation | Source Detail | d42 | |
| 10/27/84 | Berkeley Community Theater | 2 | Senn 441?s>Sony D-5. AUD>MC>DAT>CDR via Raoul Duke encoded by Willy and Matt Vernon | Source Detail | d42 | |
| 10/28/84 | Berkeley Community Theater | 2 | flac16; AudMC > DAT > CD > EAC > FLAC Recoreded by Michael Parrish from taper section with 2 Nak mini-700s (with pressure zones) and 2 Senn 441s > battery powered DBX 224X > Sony D-6 (master cassette) - CD>FLAC by Noah Weiner, April 2005. | Source Detail | d42 | |
| 10/28/84 | Berkeley Community Theater | 3 | Source: SBD>MC>DAT>CDR>WAV>SHN - entire first set except for aud splice during LLR. First three tracks of second set are SBD with the remainder from an unlineaged FOB audience recording. | Source Detail | d43 | |
| 10/28/84 | Berkeley Community Theater | 3 | Source: Senn 441?s>Sony D-5. Lineage: AUD>MC>DAT>CDR. Encoding by Willy Munder and Matt Vernon | Source Detail | d43 | |
| 10/30/84 | Berkeley Community Theater | 2 | Source: Set 1: SBD>MC>DAT>CDR>WAV>SHN. Set 2: SBD>MC>DAT>CDR>WAV>SHN (first 3 tracks) AUD(Senn 441?s>Sony D-5)>MC>DAT>CDR>WAV>SHN (remainder of second set + encore) | Source Detail | d43 | |
| 10/30/84 | Berkeley Community Theater | 2 | Senn 441?s>Sony D-5. Lineage: AUD>MC>DAT>CDR via Raoul Duke encoded by Willy Munder and Matt Vernon | Source Detail | d43 | |
| 10/31/84 | Berkeley Community Theater | 2 | Source: AUD (Sennheiser 441) > CM > CDR > WAV > SHN. Thanks to Dr. B.Fried for the cassette masters. Original SHN conversion by Mike Lai. Note- This is a re-seed of previous seed by C Ladner; See info file for details | Source Detail | d44 | |
| 11/02/84 | Berkeley Community Theater | 3 | Tony G shntool fix of original Braverman SBD seed; ; upgrade in circulation | Source Detail | d44 | |
| 11/02/84 | Berkeley Community Theater | 3 | flac16; Sennheiser 421s? > PCM > DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5 > shntool > FLAC (lvl8) | Source Detail | d44 | |
| 11/02/84 | Berkeley Community Theater | 3 | Set 1: SBD>Master Cassette> Cassette> DAT> CD> SHN:Set 2: SBD>PCM>DAT@44.1>Tascam DA-20MKII(playback only)>RME Digi96/8> Steinberg's Wavelab 3.0 >CDWav beta1.6(tracking only)> SHNv3 (MKW ACT) Set 1 source via Trip Bates shntool fixed version of Braverman SBD seed; Set 2 source: DAT via Joe Samaritano. Seeded to Fungus and abgd by Charlie Connor | Source Detail | d44 | |
| 11/03/84 | Berkeley Community Theater | 2 | AUD>MC>DAT>CDR via Raoul Duke, encoded by Willy and Matt Vernon | Source Detail | d44 | |
| 11/03/84 | Berkeley Community Theater | 3 | SBD> MC> DAT> CD; Seeded to etree by Peter Braverman | Source Detail | d45 | |
| 11/03/84 | Berkeley Community Theater | 3 | MSP > D > CD patched with MAC > C > C > D EAC & SHN conversion by John Mollman from Jim Powell's seed | Source Detail | d45 | |
| 11/03/84 | Berkeley Community Theater | 2 | flac16; Sennheiser 421s > PCM > DAT > Sony DTC-2000ES > M-Audio Delta 410 > Soundforge 8.0 wav > Adobe Audition 1.5 > Shntool > FLAC lvl8 | Source Detail | d45 | |
| 12/28/84 | San Francisco Civic Auditorium | 2 | flac16; Source: MAC: Sennheiser 421s > Sony D5 > Sony D5 > Maxell MX 90s Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Location: 1st row balcony lip, DEAD Center Taper: Adam Transfer: MAC: Nakamichi CD2(played back on type IV setting, azimuth adjusted) > rca/xlr > Luntec V3 > coax > Audiophile 2496 > CEP 2.0 > Trader's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, conversion and upload to bt.etree.org by Alex Ford. | Source Detail | d45 | |
| 12/28/84 | San Francisco Civic Auditorium | 3 | Audience cassette > ? > DAT > CDR > SHN | Source Detail | d46 | |
| 12/29/84 | San Francisco Civic Auditorium | 3 | AUD>?>CDR>EAC>SHN>WAV(re-tracked)>SHN; via Brian Bontempo; Seeded to etree by jim@juddcreek | Source Detail | d46 | |
| 12/29/84 | San Francisco Civic Auditorium | 3 | flac16; MAC; 2 Sennheiser 421s > Sony D5 > Sony D5 > Maxell MX 90s Location: Front row of balcony, Dead Center Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Taper: Mark McCue Lineage: MAC > Nakamichi Cassette Deck 2(azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(A/D at 24bit/96kHz) > coax > Audiophile 2496 > WaveLab 5 > editing > Waves L3 UltraMaximizer > 16 bit 44.1 kHz > CDWave Editor > TLH > FLAC16 | Source Detail | d46 | |
| 12/29/84 | San Francisco Civic Auditorium | 2 | Oade Recording (FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN | Source Detail | d46 | |
| 12/29/84 | San Francisco Civic Auditorium | 3 | Source Update: Unknown Audience Source (Had been marked:MSC > C > DAT > WAV > SHN with patches from Oade Recording (FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN) | Source Detail | new seed d88 | |
| 12/31/84 | San Francisco Civic Auditorium | 3 | flac16; MAC; 2 Sennheiser 421s > Sony D5 > TDK MA-R 90 (Set I & II) & Maxell MX 90 (Set III) Location: 1st row of balcony, Dead Center Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3 (24bit/96kHz) > coax > Audiophile 2496 > WaveLab 5.0 > 24bit/96kHz .wav files (1 per tape side) > Waves L3 UltraMaximizer(dither) > 16bit/44.1kHz > CD Wave Editor > TLH > FLAC16. | Source Detail | d47 | |
| 12/31/84 | San Francisco Civic Auditorium | 3 | flac16; Recording Info: FM -> Master Reel (1/4 Track 7.5ips Dolby B Tandberg Deck) -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC | Source Detail | d47 | |
| 12/31/84 | San Francisco Civic Auditorium | 3 | SB > MR > ?? [apparently FM] > DAT > CDR > EAC> SHN; EAC, SHN, etreed by G.Gorinsky; with thanks to Bill Golden | Source Detail | d47 | |
| ??/??/84 | 1984 Studio Material | 1 | demos and rehearsals; Master Cassette Soundboard-> DAT-> Sonic Solutions-> CD-> EAC-> SHN; CD-> EAC-> SHN Done by Joe Samaritano from Gans seed; part of the KPFA Marathon broadcast on 2/22/2003 by David Gans | Source Detail | d46 | |
| 02/18/85 | Henry J. Kaiser Convention Center | 2 | flac16; MAC; Sennheiser 421s > Sony TC-MD5 > Maxell MX90s Location: behind SBD Taper: Mark McCue Transfer: MAC > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@2496) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Wave L3 UltraMaximizer (dither to 16 bit 44.1kHz) > CD Wave Editor > Trader's Little Helper > FLAC16. Transfer, dither and conversion by Alex Ford 02/23/2007. | Source Detail | d1 | |
| 02/18/85 | Henry J. Kaiser Convention Center | 3 | SBD>CM>DAT>SoundForge>CD; Source DAT from Charlie Miller; see info file for more detailed lineage; via John Spaventa; Seeded to etree by Willy | Source Detail | d1 | |
| 02/19/85 | Henry J. Kaiser Convention Center | 2 | flac16; MAC; (FOB) Sennheiser 421s > Sony D5 > Maxell MX 90s Taper: Mark McCue Transfer: MAC > Nakamich Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@2496) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Waves L3 UltraMaximizer > 16 bit WAV > CD Wave Editor > TLH > FLAC16. Master Audience cassettes provided by Mark McCue Transfer, editing and conversion by Alex Ford | Source Detail | d1 | |
| 02/19/85 | Henry J. Kaiser Convention Center | 2 | SBD>MC>C>DAT>C>C>ZA2>CDR Lineage may be incorrect based on Nice Sound Quality It just sounds too good to be 4 analogs; via raul; Seeded to etree by steve barbella | Source Detail | d1 | |
| 02/20/85 | Henry J. Kaiser Convention Center | 2 | SBD ->Cassette Master -> Cassette -> Dat -> Cassette -> CD -> EAC -> SHN | Source Detail | d2 | |
| 02/20/85 | Henry J. Kaiser Convention Center | 2 | aud> senn 441> cassette master> cdr; via Mike Lai with thanks to Alan Powell | Source Detail | d2 | |
| 02/20/85 | Henry J. Kaiser Convention Center | 2 | flac16; MAC; (FOB) Sennheiser 421s > Sony D5 > Maxell MX90s Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@2496) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Waves L3 UltraMaximizer > 16 bit WAV > CD Wave Editor > Trader's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue Transfer, editing and conversion by Alex Ford 03/06/2007. | Source Detail | d1 | |
| 03/09/85 | Berkeley Community Theater | 2 | Unknown aud via Jim Decker, pitch correction Jeff Cotsman, shn encoding Matt Vernon | Source Detail | d2 | |
| 03/09/85 | Berkeley Community Theater | 2 | Realistic PZM mics, taper section > Sony TC-D5M cassette deck > Maxell MX-90 cassettes; Transfer: SF> CD Wave> MKW-ACT SHN; via seabass? | Source Detail | d2 | |
| 03/09/85 | Berkeley Community Theater | 2 | flac16; MAC; Sennheiser 421s > Sony D5 > TDK MA90s Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3(@2496) > coax > Audiophile 2496 > WaveLab 5.0 > Waves L2 Ultramaximizer (dither) > WAV @ 16/44.1 > TLH > FLAC16. Transfer, all edits, conversion & seeding by Alex Ford. | Source Detail | d2 | |
| 03/10/85 | Berkeley Community Theater | 2 | FOB Senn421's > Master Cassette > DAT > CD; via Raul Duke; Seeded to etree by Steve Barbella | Source Detail | d3 | |
| 03/10/85 | Berkeley Community Theater | 3 | flac16; LINEAGE: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC | Source Detail | d3 | |
| 03/10/85 | Berkeley Community Theater | 2 | flac16; Sennheiser 421s > Sony D5 > 2 TDK MA90s Location: directly behind SBD Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3(@ 24/96) > coax > Audiophile 2496 > WaveLab 5 > WAV @2496 > Waves L2 (dither) > WAV @16/44.1 > CD Wave Editor > TLH > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion & seeding by Alex Ford | Source Detail | new seed d44 | |
| 03/12/85 | Berkeley Community Theater | 2 | FOB Senn421's > Master Cassette > DAT > CD; via Raoul Duke; Seeded to etree by Steve Barbella | Source Detail | d4 | |
| 03/12/85 | Berkeley Community Theater | 2 | flac16; MAC; Sennheiser 421's > Sony TC-D5M > TDK MA90 Cassettes Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @24/96 > Waves L2 (dither) > WAV @16/44.1 > CD Wave Editor > TLH > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion and seeding by Alex Ford. | Source Detail | d4 | |
| 03/12/85 | Berkeley Community Theater | 2 | Sennheiser MD-421's > Sony TC-D5M > Maxell MX-90 cassettes, Set up in the taper's section; CD Wave tracking> Mkw-ACT shn; Transferred by AndrewF | Source Detail | d3 | |
| 03/12/85 | Berkeley Community Theater | 2 | flac16; Lineage: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX Transfer: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC | Source Detail | d3 | |
| 03/13/85 | Berkeley Community Theater | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90/Dolby B) Transfer Info: Cassette Master (Sony TC-WE475/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | new seed d17 | |
| 03/13/85 | Berkeley Community Theater | 2 | flac16; MAC; Sennheiser 421s > Sony D5 > TDK MA90 cassettes Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@24/96) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @24/96 > Waves L2 > WAV @16/44.1 > CD Wave Editor > TLH > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion and seeding by Alex Ford 4/24/2007. | Source Detail | d5 | |
| 03/13/85 | Berkeley Community Theater | 3 | flac16; Nakamichi CM-300's w/CP-4 shotguns > Sony TC-D5M, taper's section. Taped onto Maxell MX-90, with Dolby off for recording and playback Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > Trader's Little Helper > FLAC Frontend | Source Detail | d4 | |
| 03/13/85 | Berkeley Community Theater | 2 | Master Soundboard Cassette > DAT > CDR; via raul; Seeded to etree by steve barbella; upgrade in circulation | Source Detail | d4 | |
| 03/13/85 | Berkeley Community Theater | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90/Dolby B) Transfer Info: Cassette Master (Sony TC-WE475/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | d4 | |
| 03/21/85 | Hampton Coliseum | 2 | FOB-AUD>MC>CDR Mark Horvath recording, Senn. 421?s>Sony TC-D5; via Paul B; Seeded to etree by Brad Ingle | Source Detail | d5 | |
| 03/21/85 | Hampton Coliseum | 2 | flac16; taper : Joe D'Amico nak 300 mics > sony d5 nak dragon deck > creative extigy souncard>cool edit pro >flac frontend |
Source Detail | d5 | |
| 03/21/85 | Hampton Coliseum | 2 | flac16; Unknown SBD source > Cass(x) > WAV > CD > WAV > FLAC | Source Detail | d5 | |
| 03/22/85 | Hampton Coliseum | 3 | Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwAC > SHNs Recorded, transfered and seeded by Charles Bandrofcheck | Source Detail | d7 | |
| 03/22/85 | Hampton Coliseum | 2 | 2nd set only; AUD>PCM>DAT>CDR; Seeded to etree by Brad Ingle | Source Detail | d6 | |
| 03/22/85 | Hampton Coliseum | 2 | Taper:Mark Gibbs Nak 300's > Sony D5 > Master CASS > SoundMAX Digital Audio > CD Wav > SHN Transferred by John Hudson | Source Detail | d6 | |
| 03/22/85 | Hampton Coliseum | 2 | flac16; Taper Joe D'Amico Nak 300 Mics > Sony D5 Nak Dragon Tape Deck > Creative Extigy Soundcard > Cooledit Pro > Flac Frontend | Source Detail | d6 | |
| 03/22/85 | Hampton Coliseum | 3 | Oade Brothers Recording: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac | Source Detail | d6 | |
| 03/22/85 | Hampton Coliseum | 3 | MAC (FOB) 2 Sennheiser 421's > Sony TC-D5 > 2 TDK MA90's; Tapers: Mark McCue, Adam, Monica & John; Transfer, encoding and seeding to bt.etree.org by Alex Ford | Source Detail | d5 | |
| 03/24/85 | Springfield Civic Center | 2 | flac16; audio tech mics > sony d-6 nak dragon tape deck > creative extigy soundcard> cool edit pro > flac frontend taper Joe D'Amico | Source Detail | d7 | |
| 03/24/85 | Springfield Civic Center | 2 | flac16; Source: *Beyer M88's>Sony D5M Location: *At SBD, stand at 9 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16 bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S | Source Detail | d7 | |
| 03/24/85 | Springfield Civic Center | 2 | Oade's Master Audience PCM>Schoeps CMC-441 mics>Oade M118>Sony PCM-F1>DAT>CDR>EAC>Shn EAC'ed/Shn'ed and seeded to fungus and abgd by Charlie Connor 3/26/02 with thanks To Scott Clugston and to Doug Oade. | Source Detail | d7 | |
| 03/24/85 | Springfield Civic Center | 1 | 2nd set only; SBD>?>CD; via Tommy Danscuk; Seeded to etree by Willy | Source Detail | d7 | |
| 03/24/85 | Springfield Civic Center | 2 | flac16; MAC: (FOB) 2 Sennheiser 421's > Sony TC-D5 > TDK MA90's Tapers: Mark McCue, Adam, Monica & John Transfer, minor editing, encoding and seeding to bt.etree.org by Alex Ford 05/08/2006. | Source Detail | d6 | |
| 03/25/85 | Springfield Civic Center | 3 | MSC>Cass.>DAT>CDR>SHN; Audio Discs from Andy L; EAC'ed & SHN'ed by tbrame; upgrade in circulation | Source Detail | d9 | |
| 03/25/85 | Springfield Civic Center | 3 | flac16; Original SRC: MSC>Cass.>DAT>CDR>SHN Edit: SHN > WAV > repitch and patch in Cool Edit Pro > FLAC. Patched with Oade Schoeps PCM; Pitch corrected and patched version of shnid shn id 15403 by Bill Tetzeli | Source Detail | d9 | |
| 03/25/85 | Springfield Civic Center | 3 | flac16; MAC: (FOB) 2 Sennheiser 421s > Sony TC-D5 > 2 TDK MA90s Master Cassettes supplied by Mark McCue. Transfer, minor edits, conversion and seeding to bt.etree.org by Alex Ford. | Source Detail | d8 | |
| 03/25/85 | Springfield Civic Center | 3 | flac16; Source: *Beyer M88's>Sony D5M Location: *At SBD, stand at 9 feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16bit>Cdwav>flac16 Taped, Transfered and uploaded by Tony S | Source Detail | d8 | |
| 03/25/85 | Springfield Civic Center | 3 | Pitch corrected AUD Lineage: Nak 300 mics, Phil's side, next to board, -> Sony D5, -> HHb 850 -> SHN -> Schlisseltronics -> SHN | Source Detail | d8 | |
| 03/25/85 | Springfield Civic Center | 3 | Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Recorded by the Oade Brothers Transferred by Doug Oade, traced by Darrin Sacks (dsacks@pcisys.net) | Source Detail | d8 | |
| 03/27/85 | Nassau Veterans Memorial Coliseum | 2 | SBD> MC> C> DAT> CDR> WAV> SHN; DAE, FTP via neo_levo | Source Detail | d10 | |
| 03/27/85 | Nassau Veterans Memorial Coliseum | 2 | Nakamichi 300 Shotguns CP4's & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel | Source Detail | d10 | |
| 03/27/85 | Nassau Veterans Memorial Coliseum | 2 | Recorded by the Oade Brothers;Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Transferred by Doug Oade, traced by Darrin Sacks (dsacks@pcisys.net) | Source Detail | d10 | |
| 03/27/85 | Nassau Veterans Memorial Coliseum | 2 | flac16; MAC: (FOB) 2 Sennheiser 421's > Sony D5 > TDK MA90's Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade. Transfer, editing, conversion and seeding by Alex Ford. Master Cassettes provided by Mark McCue. | Source Detail | d9 | |
| 03/27/85 | Nassau Veterans Memorial Coliseum | 2 | updated source: PCM AUD (unknown taper/mics)> PCM> DAT> CDR(1)> SHN, big thanks to David Minches for the seed (had been marked unknown aud); via Scott Zarnegar; Matt Vernon | Source Detail | d9 | |
| 03/27/85 | Nassau Veterans Memorial Coliseum | 2 | flac16; taper Joe D'Amico audio tech mics > sony d5 > ? > flac | Source Detail | d9 | |
| 03/28/85 | Nassau Veterans Memorial Coliseum | 3 | Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Transferred by Doug Oade, traced by Darrin Sacks (dsacks@pcisys.net) | Source Detail | d12 | |
| 03/28/85 | Nassau Veterans Memorial Coliseum | 2 | SBD> MC> DAT> CDR; via Randy Griesman; dropouts at d1t7 0:10, d2t1 0:32 | Source Detail | d12 | |
| 03/28/85 | Nassau Veterans Memorial Coliseum | 1 | set 1; SBD PCM > DAT > Sonic Solutions > CD; via Alan Fink, Mark Ferguson ; upgrade in circulation | Source Detail | d12 | |
| 03/28/85 | Nassau Veterans Memorial Coliseum | 3 | DTS Audio 5.1; by Randy Griesman Sources used: AUD: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac and SBD: SBD > MC > DAT > CDR > FLAC | Source Detail | d11 | |
| 03/28/85 | Nassau Veterans Memorial Coliseum | 3 | flac16;MTX by PLS SBD > MC > DAT > CDR > FLAC EAC'd and converted on 9/17/2001 by Randy Griesman and AUD Recorded by the Oade Brothers Transferred by Doug Oade, traced by Darrin Sacks Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac ; upgrade in circulation | Source Detail | d11 | |
| 03/28/85 | Nassau Veterans Memorial Coliseum | 3 | flac16; Matrix of SBD: SBD > MC > DAT > CDR > FLAC EAC'd and converted by Randy Griesman and Oade AUD: Recorded by the Oade Brothers Transferred by Doug Oade, traced by Darrin Sacks Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac This seed fixes d1t04 of shn id 77465, on which the sbd and aud were badly out of sync | Source Detail | d11 | |
| 03/28/85 | Nassau Veterans Memorial Coliseum | 3 | Nakamichi 300 Shotguns CP4's & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel | Source Detail | d11 | |
| 03/28/85 | Nassau Veterans Memorial Coliseum | 3 | flac16; MAC: (FOB) 2 Nakamichi 700s [modified w/ plexiglass shock mounts@] > Sony D5 > TDK MA 90s. Tapers: Mark McCue, Adam, Monica, Johnny Kelly & Davey the beeker meade. Transfer, edits, conversion & seeding to bt.etree.org by Alex Ford 5/31/2006. Master cassettes provided by Mark McCue. | Source Detail | d10 | |
| 03/28/85 | Nassau Veterans Memorial Coliseum | 3 | flac16; taper : Joe D'Amico nak 300 mics > sony d-5 > ? > flac | Source Detail | d10 | |
| 03/29/85 | Nassau Veterans Memorial Coliseum | 3 | flac16; Source: *Beyer M88's>Sony D5M(Sony UCX-S) Location: FOB, Sand at 7 feet. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S | Source Detail | d13 | |
| 03/29/85 | Nassau Veterans Memorial Coliseum | 2 | flac16; taper : Joe D'Amico nak 300 mics > sony d5 nak dragon tape deck > creative extigy soundcard> cool edit pro > flac frontend | Source Detail | d13 | |
| 03/29/85 | Nassau Veterans Memorial Coliseum | 3 | Nakamichi 300 Shotguns CP4's & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel | Source Detail | d13 | |
| 03/29/85 | Nassau Veterans Memorial Coliseum | 2 | Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 recorded by the Oade Brothers and tracked/flac'd by Darrin Sacks | Source Detail | d13 | |
| 03/29/85 | Nassau Veterans Memorial Coliseum | 2 | AUD>MC>DAT>CDR; via raul; Seeded to etree by steve barbella | Source Detail | d12 | |
| 03/29/85 | Nassau Veterans Memorial Coliseum | 2 | flac16; MAC: (FOB) 2 Sennheiser 421's > Sony TC-D5 > TDK MA90's Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade. Transfer, minor editing, and encoding by Alex Ford on 5/10/2006. | Source Detail | d12 | |
| 03/31/85 | Cumberland County Civic Center | 2 | flac16; Source: *Beyer M88's>Sony D5M Location: FOB, stand at 7 feet; Transfer: Sony D5Pro>Lunatec V3>722 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Taped, transfered and uploaded by Tony Suraci./nak700 | Source Detail | d14 | |
| 03/31/85 | Cumberland County Civic Center | 2 | flac16; taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d14 | |
| 03/31/85 | Cumberland County Civic Center | 2 | flac16; Nak CM100's > D5 at the soundboard taped by Dave Minor encoded by Matt Vernon | Source Detail | d14 | |
| 03/31/85 | Cumberland County Civic Center | 2 | Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac | Source Detail | d14 | |
| 03/31/85 | Cumberland County Civic Center | 1 | SBD: MC> DAT> CD> SHN via Peter Braverman set 2 only | Source Detail | d14 | |
| 03/31/85 | Cumberland County Civic Center | 3 | flac16; MAC: (FOB) Sennheiser 421s > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum shell] (Set II) Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade. Master cassettes provided by Mark McCue. Transfer, edits, conversion, and seeding to bt.etree.org by Alex Ford. | Source Detail | d13 | |
| 04/01/85 | Cumberland County Civic Center | 3 | flac16; Source: *Beyer M88's >Sony D5M Location: FOB, stand at 7 feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud>16bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S./nak700 | Source Detail | d15 | |
| 04/01/85 | Cumberland County Civic Center | 3 | flac16; taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon deck > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d15 | |
| 04/01/85 | Cumberland County Civic Center | 2 | flac16; Nak CM100's > D5 at the soundboard taped by Dave Minor encoded by Matt Vernon | Source Detail | d15 | |
| 04/01/85 | Cumberland County Civic Center | 3 | Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 | Source Detail | d15 | |
| 04/01/85 | Cumberland County Civic Center | 3 | Aud> Nak300> D5> CM> CDR> EAC(Secure Mode)> CDWave (Retracking Only)> shnv3 (MKW ACT); Cassette master recorded by Steven Ziemba; Transferred to cd by Michael Lai; EAC/Retracked/Shn'ed by Charlie Connor; to abgd | Source Detail | d15 | |
| 04/01/85 | Cumberland County Civic Center | 3 | flac16; Source: MAC: (FOB) Sennheiser 421s > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum shell] (Set II) Mic Config: mics on T-Bar, pointed at the stacks, chest high Location: FOB, 20-25 feet from the stage, DFC Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade Transfer: MAC > Nakamichi CD 2 (azimuth adjusted) > rca > xlr > Lunatec V3(@16 bit/44.1 Hz) > coax > Audiophile 2496 > CEP 2.0 > CD Wave Editor > Trader's Little Helper > FLAC16 | Source Detail | d14 | |
| 04/03/85 | Providence Civic Center | 3 | flac16; taper Joe D'Amico nak 300 mics > sony d-6 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d16 | |
| 04/03/85 | Providence Civic Center | 3 | Recorded by the Oade Brothers Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac | Source Detail | d16 | |
| 04/03/85 | Providence Civic Center | 3 | Sources: Master Soundboard Cassette > C > CDR, Master Audience Cassette: (2) Sennheiser ME-80's + (2) Sennheiser 441's source supplies patches,CD Mastering / Patching by Scott Clugston; EAC'ed / SHN'ed by Scott Clugston with thanks to Tommy McKeown & Charlie Connor; posted to abgd via Trip Bates | Source Detail | d16 | |
| 04/03/85 | Providence Civic Center | 3 | flac16; Source: MAC: Sennheiser 421s > Sony D5 > 2 TDK MA90s Location: Tapers Section Mic Config: Mics on T bar pointed at the stacks, chest high. Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade Transfer: MAC>Nakamichi CD2>Lunatec V3(16/44.1)>Audiophile 2496>CEP 2.0>CD Wave Editor>Traders Little Helper>FLAC16 conversion and seeding to bt.etree.org by Alex Ford | Source Detail | d16 | |
| 04/04/85 | Providence Civic Center | 3 | flac16; MAC; 2 Sennheiser 421s > Sony D5 > 2 TDK MA90s. Location: TS - first row, DFC, mics @ 15 feet Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beaker meade. Transfer: Master Audience Cassettes>Nakamichi CD2(azimuth adjusted)> rca>xlr>Lunatec V3> coax>Audiophille 2496>CEP 2.0>Trader's Little Helper>FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer,edits, patches, conversion and upload to bt.etree by Alex Ford. | Source Detail | d17 | |
| 04/04/85 | Providence Civic Center | 2 | flac16; taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d17 | |
| 04/04/85 | Providence Civic Center | 3 | Recorded by the Oade Brothers Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac | Source Detail | d17 | |
| 04/04/85 | Providence Civic Center | 2 | SBD>HiFi Video (Lighting crew)>MC>CDR; Missing Space (tape flip); via Tommy Danscuk; Seeded to etree by Willy | Source Detail | d17 | |
| 04/06/85 | The Spectrum | 2 | SBD>Cm>Cass>Dat>CD>EAC>SHN; Converted to SHN by Charlie Miller | Source Detail | d19 | |
| 04/06/85 | The Spectrum | 2 | Sennheiser 421's > Sony D-5 > TDK 90 Taper: Mark McCue Lineage: Sony D-5 > Tascam CD4U stand alone burner > CDR > EAC > Win XP Pro > FLAC Frontend > FLAC16. transfer from Sony D5 through CDR by Mark McCue. transfer from CDR through FLAC16 by Alex Ford on 03/10/05. | Source Detail | d18 | |
| 04/06/85 | The Spectrum | 3 | flac16; Source: *Beyer M88's>Sony D5M Location: FOB, stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S | Source Detail | d18 | |
| 04/06/85 | The Spectrum | 3 | flac16; nak 300 mics > sony d-6 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d18 | |
| 04/06/85 | The Spectrum | 3 | Nakamichi 300 Shotguns CP4's & Sony TCD5M; Transfer: Nakamichi BX300 Master cass-> Macintosh ->Peak Bias-> JAM-> cdr-> EAC-> MKW-> shn Sector boundaries verrified via shn tools; Taped & Transfered by Brian Mandel | Source Detail | d18 | |
| 04/06/85 | The Spectrum | 3 | Recorded by the Oade Brothers; transferred by Doug Oade, tracked by Darrin Sacks Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac | Source Detail | d18 | |
| 04/06/85 | The Spectrum | 2 | Master Audience Cassette>DAT>CDR; Missing OMSN encore; via Raoul; Seeded to etree by Steve Barbella | Source Detail | d17 | |
| 04/07/85 | The Spectrum | 2 | Seeded by Todd Campbell EAC & SHN by Jim Keith Lineage SBD>?>CD (WILL UPDATE) | Source Detail | d19 | |
| 04/07/85 | The Spectrum | 2 | Csbd> DAT> CDR> EAC> SHN; via Scott Z., Darrin Sacks | Source Detail | d19 | |
| 04/07/85 | The Spectrum | 2 | Sennheiser 421's FOB & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel | Source Detail | d19 | |
| 04/08/85 | The Spectrum | 3 | Sennheiser 421's FOB & Sony TCD5M Transfered: Master Casssette; Taped & Transfered by Brian Mandel; Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tool | Source Detail | d21 | |
| 04/08/85 | The Spectrum | 3 | Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwAC > SHN taped and transferred by Charles Bandrofcheck | Source Detail | d21 | |
| 04/08/85 | The Spectrum | 2 | flac16; taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon tape deck > creative extigy soundcard > cool edit pro >flac frontend | Source Detail | d20 | |
| 04/08/85 | The Spectrum | 3 | Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac | Source Detail | d20 | |
| 04/08/85 | The Spectrum | 2 | SB> MC> DAT> CD via Kevin Gills | Source Detail | d20 | |
| 04/08/85 | The Spectrum | 3 | (Healy Mix)SBD>MC>PCM>BETA>DAT>CDR; Seeded to etree by Tim W | Source Detail | d20 | |
| 04/08/85 | The Spectrum | 3 | possible reDAE/reSHN of previous shn set; via redbeard to abgd | Source Detail | d20 | |
| 04/13/85 | Irvine Meadows | 2 | flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Upgrade in circulation | Source Detail | new seed d17 | |
| 04/13/85 | Irvine Meadows | 2 | sbd> mc> reel> dats> wav> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT | Source Detail | d22 | |
| 04/13/85 | Irvine Meadows | 2 | flac16; MAC: (FOB) Sennheiser 421's* > Sony D5 > Maxell XLII-S 90(Set I) & Maxell MX 90(Set II); Tapers: Adam, Justin & Monica; Mark McCue Masters; Transfer, minor editing and conversion by Alex Ford | Source Detail | d21 | |
| 04/13/85 | Irvine Meadows | 2 | flac16; SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC > patches with Cool Edit > FLAC, patched version of shn id 77348 by Bill Tetzeli; Upgrade in circulation | Source Detail | d21 | |
| 04/13/85 | Irvine Meadows | 2 | flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Upgrade in circulation | Source Detail | d21 | |
| 04/14/85 | Irvine Meadows | 2 | MAC: (FOB) Sennheiser 421's > Sony D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II) Tapers: Adam, Justin & Monica Mark McCue Masters Transfer, minor editing and conversion by Alex Ford 03/08/2006. | Source Detail | d22 | |
| 04/14/85 | Irvine Meadows | 2 | SBD> Master Cassette> DAT> CDR> EAC> SHN; DAE (EAC) + SHN Encoding by Jeff M. | Source Detail | d22 | |
| 04/27/85 | Frost Amphitheatre | 3 | flac16; SBD + AUD Matrix 3 Source Mix (65%-SBD/20%-AUD1/15%-AUD2)Mix consisting of SBD - shn id 25467, AUD - shn id 32648 and AUD - shn id 76584 | Source Detail | d23 | |
| 04/27/85 | Frost Amphitheatre | 3 | flac16; Source: MAC: (FOB) Nak700s > Sony D5 > TDK MA 90s. Recorded by B.Koucky. Transfer: MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9 | Source Detail | d23 | |
| 04/27/85 | Frost Amphitheatre | 3 | SBDMC> DAT> CDR; CDR> EAC> SHN; conversion & upload, A. Jerugim; no known flaws | Source Detail | d23 | |
| 04/27/85 | Frost Amphitheatre | 3 | Recording Info: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN via Charlie Miller | Source Detail | d23 | |
| 04/27/85 | Frost Amphitheatre | 3 | flac16; MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)] Tapers: Adam, Justin & Monica Mark McCue Masters Transfer, minor editing and conversion by Alex Ford 3/10 & 11/2006. | Source Detail | d22 | |
| 04/27/85 | Frost Amphitheatre | 2 | Source: SBD > MC > DAT > CDR > EAC > mkwACT Doesn't have missed lyric in The Other One. Seems like it may be still missing some music but, if it is, the d/o is much less drastic. | Source Detail | d22 | |
| 04/28/85 | Frost Amphitheatre | 2 | flac16; source: Soundboard > DAT > DAT > CD > wav > shn > wav > flac patch source : SBD -> Cassette Master -> Cassette -> CD (Tascam CDRW5000) see text file for details | Source Detail | d24 | |
| 04/28/85 | Frost Amphitheatre | 2 | flac16; SBD> Cassette Master> Dat (48k)?; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller | Source Detail | d24 | |
| 04/28/85 | Frost Amphitheatre | 2 | flac16 **NEW UPGRADE** Source Updated CD Burner changed Recording Info: SBD -> Cassette Master -> Cassette -> CD (Marantz CDR 500 Pro) Transfer Info: CD -> EAC -> Samplitude Professional v8.0 -> FLAC Transferred and Edited By Charlie Miller | Source Detail | d24 | |
| 04/28/85 | Frost Amphitheatre | 3 | Master Soundboard Reel > DAT > CD; Seeded to etree by Steve Barbella | Source Detail | d23 | |
| 06/14/85 | Greek Theatre, U. Of California | 2 | flac16; Sick Bits Vol. 22a - SBD/AUD matrix of 3 previously circulating sources: SBD (shnid=13747) + Oade AUD (shnid=24451). Another AUD (shnid=32867) was used to patch crowd and tunings. Matrixed by Chris Chappell. | Source Detail | d24 | |
| 06/14/85 | Greek Theatre, U. Of California | 2 | Sennheiser 441's > Sony D5 > Sony D5 > Cassettes Tapers: Adam,Justin & Monica Mark McCue Master 1st deck out Conversion, minor editing, and seeding to bt.etree.org by Alex Ford. | Source Detail | d24 | |
| 06/14/85 | Greek Theatre, U. Of California | 2 | Updated Source: SBD > Cassette DAT > CDR/? Conversion: CDR > EAC (read offset correct) > CDWave > CoolEditPro > mkwACT > SHN (seekable) by Randy Carman rcarman@cogeco.ca | Source Detail | d25 | |
| 06/14/85 | Greek Theatre, U. Of California | 3 | Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc42S (spread around 8') > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac | Source Detail | d25 | |
| 06/15/85 | Greek Theatre, U. Of California | 3 | Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac | Source Detail | d25 | |
| 06/15/85 | Greek Theatre, U. Of California | 3 | flac16; Sick Bits Vol. 22b - SBD/AUD matrix of 3 previously circulating sources: set 1 SBD (shnid=5682) and set 2 SBD (shnid=28449) + Oade AUD (shnid=24586). Matrixed by Chris Chappell. | Source Detail | d25 | |
| 06/15/85 | Greek Theatre, U. Of California | 3 | flac16; Sennheiser 441's > Sony D5 > Sony D5 > Master Cassettes; Tapers: Adam,Justin & Monica Mark McCue Master 1st deck out; Transfer by Mark McCue; Conversion, edits, retracking, seeding to bt.etree.org by Alex Ford | Source Detail | d25 | |
| 06/15/85 | Greek Theatre, U. Of California | 3 | SBD> ?> CD-R> EAC> CDWAV retrack> SHN; via Randy Griesman | Source Detail | d26 | |
| 06/15/85 | Greek Theatre, U. Of California | 3 | Oade PCM-AUD -- Schoeps MK41 (90 deg -- Tapers' Section) -> CMC4 -> Oade M118 prototype "b" -> Oade Modified PCM-F1 -> DAT; Recorded by Doug Oade; Transfer: (Set I: 48K DAT; Set II: 44.1k DAT, from Doug Oade) Sony PCM-M1 -> Sonic Sense Modified Sony 7 Pin Coax -> Zoltrix Nightingale (coax Mod) -> Cooledit 2k (sample rate conversion) -> CDWAV -> SHN; DAT>SHN conversion and seeding by Darrin Sacks | Source Detail | d26 | |
| 06/15/85 | Greek Theatre, U. Of California | 2 | flac16; *Set 2 Only* Soundboard->Vault PCM->PCM Clone->Sonic Solutions->Master CD. Master CD->EAC->FLAC. EAC, Re-track, and FLAC by Joe Samaritano | Source Detail | d26 | |
| 06/16/85 | Greek Theater, U. of California | 3 | flac16; Sick Bits Vol. 22c - SBD/AUD matrix of 2 previously circulating sources: SBD (shnid=79021) + Oade AUD (shnid=24611). Matrixed by Chris Chappell. | Source Detail | d27 | |
| 06/16/85 | Greek Theater, U. of California | 3 | flac16; Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1, Recorded by Oade Brothers; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac, Transferred by Doug Oade, freshly tracked by Darrin Sacks | Source Detail | d27 | |
| 06/16/85 | Greek Theater, U. of California | 2 | SBD> MVHS> DAT> CD-R; via Dave Barrick?; note there is an alternate 3 CD version | Source Detail | d27 | |
| 06/16/85 | Greek Theater, U. of California | 3 | SBD > Reel Master [?- see pub comments] > DATs; Transfer, by jbraveman: DAT 60ES > M-Audio Audiophile USB > CDWAV > Goldwave (normalization and minor edits) > CDWAV > mkwACT | Source Detail | d27 | |
| 06/16/85 | Greek Theater, U. of California | 3 | flac16; Recording Info: SBD -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC | Source Detail | d28 | |
| 06/16/85 | Greek Theater, U. of California | 2 | (FOB) 2 Sennheiser 441's > Sony D5 > Master Cassettes Tapers: Adam, Justin and Monica Mark McCue Master Transferred by Mark McCue, conversion and seeding to bt.etree.org by Alex Ford | Source Detail | d26 | |
| 06/21/85 | Alpine Valley Music Theatre | 2 | flac16; MAC; 2 Nakamichi 100s > Sony D5 > 2 Maxell MX 90s Taped by Greg Holtz Transfer: MAC > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496 > Waves L3 UltraMaximizer > WAV @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC16. Master Audience Cassettes provided by Greg Holtz. Transfer, edits, conversion and seeding by Alex Ford July 2007. | Source Detail | d28 | |
| 06/21/85 | Alpine Valley Music Theatre | 2 | Master Soundboard Cassette > DAT > CDR; via Jack Straw; Seeded to etree by steve barbella | Source Detail | d28 | |
| 06/21/85 | Alpine Valley Music Theatre | 2 | Master Soundboard Cassette > DAT > CDR; via Jack Straw; Seeded to etree by steve barbella | Source Detail | d28 | |
| 06/22/85 | Alpine Valley Music Theatre | 3 | flac16; (MAC) 4 Nakamichi 100s (2 for each channel) > Sony D5 > 2 Maxell MX90s Taper: Greg Holtz Transfer: MAC > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3(@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496 > Waves L3 UltraMaximizer > WAV @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC16. Transfer, edits, conversion & seeding by Alex Ford August 2007. | Source Detail | d28 | |
| 06/22/85 | Alpine Valley Music Theatre | 2 | SBD > (poss cass gen)? > PCM > DAT @ 44.1 (pre-emphasis on); Transfer: DAT clone; Sony PCM-2600 > Audioquest coax > Turtle Beach Fiji > Soundforge 4.5 > pre-emphasis removed (see notes) > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig; via Bill Gardner, Ghost to etree | Source Detail | d28 | |
| 06/24/85 | River Bend Music Center | 2 | Set II Only; Recorded by Jim Oade Transferred by Doug Oade, tracked by Darrin Sacks; Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac | Source Detail | d26 | |
| 06/24/85 | River Bend Music Center | 3 | SBD/AUD Matrix by Timothy Pytlik | Source Detail | d29 | |
| 06/24/85 | River Bend Music Center | 3 | Nak 300 > D5 > CM > CDR; via Chris Vinci, Mike Lai; Some left channel dropouts at beginning of USB | Source Detail | d29 | |
| 06/24/85 | River Bend Music Center | 3 | SBD > Cassette Master > PCM > DAT > CD; Transfer: CD > EAC > Cool Edit Pro v2.0 > Samplitude v7.02 Professional > SHN; Transferred and Edited By Charlie Miller; note flaw fix in d3t4 reflected in fixed md5 (see pub comments) | Source Detail | d29 | |
| 06/24/85 | River Bend Music Center | 3 | fixed version of previous shn set, to boost Samson>He's Gone; via Patrick Murphy; hosted at gdlive.com | Source Detail | d29 | |
| 06/25/85 | Blossom Music Center | 2 | SBD> Master Cassette> DAT> CDR> EAC> SHN; EAC> SHN by Jeff M.; Known Flaws: d2t01 two minor clicks during first :02 of Gimme Some Lovin' | Source Detail | d30 | |
| 06/25/85 | Blossom Music Center | 2 | SBD -> Cm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN (2 Discs Audio / 2 Discs SHN) Converted By Charlie Miller | Source Detail | d30 | |
| 06/27/85 | Saratoga Performing Arts Center | 3 | FOB AUD> CM (unknown mics)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3 (MKW ACT); Digital Mastering by Charlie Connor, from Painoman's Master Analog Cassettes | Source Detail | d30 | |
| 06/27/85 | Saratoga Performing Arts Center | 3 | flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *Lawn, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 | Source Detail | d30 | |
| 06/27/85 | Saratoga Performing Arts Center | 3 | Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac. Recorded by Jim Oade; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) | Source Detail | d31 | |
| 06/27/85 | Saratoga Performing Arts Center | 3 | Amy's Soundboard VHS > Cassette > DAT> CDR; CD Re-Mastering, EAC'ed / SHN'ed by Scott Clugston | Source Detail | d31 | |
| 06/27/85 | Saratoga Performing Arts Center | 3 | flac16; Source: SBD > MC > DAT(48KHz).Transfer: DAT playback on Sony PCM-R500 > unbalanced XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > rendered to 16/44.1 using Waves IDR (type I dither/ultra shaping) > tracked with CDWAV 1.9 > FLAC. DAT via M.Townshend. Transfer, mastering and lossless encoding by C.Ladner | Source Detail | d31 | |
| 06/27/85 | Saratoga Performing Arts Center | 3 | flac16; SBD> Master Cassette> PCM> Dat (unconfirmed- could be SBD> VHS> Cass> Dat> CD); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller | Source Detail | d31 | |
| 06/28/85 | Hershey Park Stadium | 2 | flac16; (FOB) 2 Sennheiser 441's > Sony D5 > Master Cassettes; Taped transferred by Mark McCue; Retracking, conversion and seeding to bt.etree.org by Alex Ford | Source Detail | d32 | |
| 06/28/85 | Hershey Park Stadium | 3 | FOB Sony D-5M Sennheiser 441's Recorded by Steve (the Lizzard) /shninfo_detail.php?shnid=22517 sbe's were repaired with shntool | Source Detail | d32 | |
| 06/28/85 | Hershey Park Stadium | 3 | flac16; Source: Nakamichi CM304's>Sony D5M Location: *At SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 | Source Detail | d32 | |
| 06/28/85 | Hershey Park Stadium | 2 | Source: SBD > CM > DAT > DAT > DAT Transfer: DAT 60ES > M-Audio Audiophile USB > CDWAV (48) > Goldwave (normalization 100%, patch, and resample 44.1) > CDWAV tracking > mkwACT SHN; transfer by Joshua Braveman | Source Detail | d32 | |
| 06/28/85 | Hershey Park Stadium | 2 | SBD? liberated bootleg; via lemon2 | Source Detail | d32 | |
| 06/28/85 | Hershey Park Stadium | 2 | Set 1 Source: SBD (pitch corrected shnid = 5822). Set 2 Source: SBD>Reel>PCM>DAT. Remastering by MattMan: SHN>WAV>ADOBE AUDITION>CDWAV>SHNTOOL>mkwACT. | Source Detail | d33 | |
| 06/28/85 | Hershey Park Stadium | 2 | flac16; source: Soundboard > ??? (cass or pcm) > DAT > DAT > WAV > SHN > WAV > FLAC see text file for full details | Source Detail | d33 | |
| 06/28/85 | Hershey Park Stadium | 3 | Sennheiser 4xx's > Marantz PMDxxx > MC Playback on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen) 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwACT > SHN Recorded by Jeff Hubbard | Source Detail | d33 | |
| 06/30/85 | Merriweather Post Pavilion | 3 | flac16; Recordist: Kyle Holbrook Location: Lawn, ~275' from stage lip Mic Config: XY, 90 degrees Source: AKG C422 (Cardioid) > AKG S42 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Steinberg WaveLab 5.01b (resample, dither) Dither: MegaBitMax, iZotope Ozone 3 (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 All transfers and DSP performed by Tim Burke | Source Detail | new seed d44 | |
| 06/30/85 | Merriweather Post Pavilion | 1 | set 1; Recorded by Tommy McKeown; Master AUD Sony D5 Sennheiser ME 80 & 441's > Wav > SHN; 5 sec. dropout on left channel during BEW | Source Detail | d30 | |
| 06/30/85 | Merriweather Post Pavilion | 3 | flac16; Recordist: Kyle Holbrook Location: Lawn, ~275' from stage lip Mic Config: XY, 90 degrees Source: AKG C422 (Cardioid) > AKG S42 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Steinberg WaveLab 5.01b (resample, dither) Dither: MegaBitMax, iZotope Ozone 3 (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 All transfers and DSP performed by Tim Burke | Source Detail | d33 | |
| 06/30/85 | Merriweather Post Pavilion | 2 | set 2; Daud -- Oade recording: Schoeps CMC441 (@ 90 degrees) > Oade M118 > Oade Modified PCM-F1 > DATs > CDRs > EAC > SHN (Seekable); via Darrin Sacks | Source Detail | d33 | |
| 06/30/85 | Merriweather Post Pavilion | 3 | Unknown shotgun mics > Sony D6 > Maxell MX 90s (MC)> SBLive! > Audacity > WAV > CDWave > WAVs > mkwAC > SHNs; Recorded, transferred by Charles Bandrofcheck | Source Detail | d34 2nd retransfer also on dvd | |
| 06/30/85 | Merriweather Post Pavilion | 3 | flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS at SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci | Source Detail | d34 | |
| 06/30/85 | Merriweather Post Pavilion | 3 | Source: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac (via Darrin Sacks) |
Source Detail | d34 | |
| 06/30/85 | Merriweather Post Pavilion | 3 | SBDmc>DAT>CD; fixed disc 3 SHNid=366 by Darryl Hinko and Tommy Brame | Source Detail | d35 | |
| 06/30/85 | Merriweather Post Pavilion | 3 | SBDmc> DAT> CD; via Nick Georges; reported lots of hiss, and inferior "digital manipulation"; additional notes in public comments Note- This show also circ's with 'corrected' track names via ccryder@westerncom.net | Source Detail | d35 | |
| 06/30/85 | Merriweather Post Pavilion | 3 | flac16; SBD -> Cassette Master -> Dat -> CD -> EAC -> FLAC Converted By Charlie Miller | Source Detail | d35 | |
| 06/30/85 | Merriweather Post Pavilion | 2 | flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d88 | |
| 07/01/85 | Merriweather Post Pavilion | 3 | Hybrid soundboard - Original Paino seed w/ D3 Cribbs Patch and Charlie Miller "Day Job" via Torbjorn | Source Detail | d36 | |
| 07/01/85 | Merriweather Post Pavilion | 3 | Unknown shotgun type mics > Sony D6 > Maxell XLII 90's 12" stand Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN by Charles Bandrofcheck. This is the 2nd re-transfer by Charles of his source. | Source Detail | d36 | |
| 07/01/85 | Merriweather Post Pavilion | 3 | flac16; Source: FOB-Nakamichi 700s > Sony D5 > Maxell MX90 type IV cassettes. Taped by B.Koucky, patched out of B. Glassberg. Transfer: MAC playback, Nakamichi CR-7A, azimuth adjusted > 1 ft Lynx RCA-XLR audio cables > Lunatec V3 > AES digital out > LynxTwo in a E6400-based DuoCore 2 PC > Wavelab 5, recorded as 24/96 KHz WAV > mastering with Ozone 3 > dithered to 16/44.1 KHz using Izotope MBIT+ > CDWAV1.9 > FLAC (level 8). Analog>Digital transfer and mastering by C.Ladner | Source Detail | d36 | |
| 07/01/85 | Merriweather Post Pavilion | 3 | flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS at SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci | Source Detail | d36 | |
| 07/01/85 | Merriweather Post Pavilion | 3 | Source: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 (Oade brothers, via Darrin Sacks) Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > soundforge 6 where necessary for patching > Flac (sector boundaries aligned via flac frontend) |
Source Detail | d37 | |
| 07/01/85 | Merriweather Post Pavilion | 3 | Fix of previous sbd shn set; See info file for details; Disc 1 & 2: SBDmc>?>DAT>CD>EAC>SHN>CD>EAC Disc 3: SBDmc>?>DAT>CD>EAC Seeded to etree by Paino Man | Source Detail | d37 | |
| 07/01/85 | Merriweather Post Pavilion | 3 | Unknown shotgun mics audience recording by Charles Bandrofcheck. This is a re-record of shnid=32596. Changes are the azimuth adustment on the SD 4050 and the use of Audacity for noise reduction and normalization | Source Detail | d37 | |
| 07/01/85 | Merriweather Post Pavilion | 3 | flac16; Recordist: Kyle Holbrook Location: Location: Reserved Section, ~20' behind SBD, ~10' Left Of Center, ~120' from stage lip, ~7' high Mic Config: 0 cm, 90º (XY) Source: beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Steinberg WaveLab v5.01b (resample, dither) AddaWav v1.3 (join the two separate "Drums" tracks) Dither: MegaBitMax, iZotope Ozone 3 (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.1.4, FLAC Frontend, Level 8 All transfers and DSP performed by Tim Burke | Source Detail | d35 | |
| 07/02/85 | Civic Arena | 3 | Source: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac |
Source Detail | d37 | |
| 07/02/85 | Civic Arena | 2 | Source:SBD>MC>D> -Tape flip after RXR cuts in Promised -cut in brokedown uploaded from furthur via Sbd seeded to etree by bubba420 | Source Detail | d38 | |
| 07/02/85 | Civic Arena | 2 | FOB Senn. 421's > Sony TC-D5 > DAT > CD; via Storyteller & Mark Horvath; Seeded to etree by Steve Barbella | Source Detail | d38 | |
| 07/13/85 | Ventura County Fairgrounds | 3 | flac16; Source: FOB>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's) Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped & Transferred by Charlie Connor | Source Detail | d38 | |
| 07/13/85 | Ventura County Fairgrounds | 3 | flac16; Source: Nakamichi CM301's(split)>Sony D5M Location: Directly behind SBD, one stand at each corner at 10 ft. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16 Bit>Cdwav>flac Taped, transfered and uploaded by Tony S./nak700 | Source Detail | d38 | |
| 07/13/85 | Ventura County Fairgrounds | 2 | SBDmc> DAT> CD> eac> cool edit> shn; hiss cleaned up with Cooledit (non-cleaned version may be available from Nick too); crackling sound on both discs here and there apparently due to Phil's equip; via N. Georges | Source Detail | d38 | |
| 07/13/85 | Ventura County Fairgrounds | 2 | flac16; 2 x Sennheiser 441 > Sony D5 > Sony D5 > 2 x Maxell MX 90. Mic Config: waist high (covered with a black shawl), PAS. Location: FOB, 15-20 feet from the stage, DFC. Taper: Adam. Master Audience Cassettes provided by Mark McCue. 24 bit transfer, editing and conversion by Alex Ford December 2007. | Source Detail | d39 | |
| 07/14/85 | Ventura County Fairgrounds | 3 | flac16; Source: Nakamichi CM301's(split)>Sony D5M Location: Directly behind SBD, one stand at each corner at 10 ft. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16 Bit>Cdwav>flac Taped, transfered and uploaded by Tony S | Source Detail | d39 | |
| 07/14/85 | Ventura County Fairgrounds | 3 | Master Soundboard Cassette > CDR,CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston, posted to abgd via Charlie Connor | Source Detail | d39 | |
| 08/24/85 | Boreal Ridge Ski Resort | 2 | flac16; Source:AKG's > Sony TCD5M > Sony TCDM > (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta 1.57(tracking only)>flac 16: Taped and transferred by Charlie Connor | Source Detail | d39 | |
| 08/24/85 | Boreal Ridge Ski Resort | 2 | Source: MSC > cdr via Paul Scotton encoded by Matt Vernon | Source Detail | d39 | |
| 08/30/85 | Southern Star Amphitheater | 2 | Source:Charlie Connor's Master Audience Cassettes Lineage:AUD>Nak 300's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav(tracking only)>SHNv3 (MKW ACT)Note: This is a new transcription of my prior seed. This one doesn't have the EAC layer and of course the A>D is done with different equipment.Digital mastering and seeded via fungus and abgd by Charlie Connor | Source Detail | d40 | |
| 08/30/85 | Southern Star Amphitheater | 2 | flac16; Recording Info: SBD > (CM?) > DAT > DAT Transfer Info: Sony PCM-R300 > SB X-Fi EP > COOL EDIT PRO2 > .WAV > .FLAC (1.7.1) | Source Detail | d40 | |
| 08/30/85 | Southern Star Amphitheater | 2 | SBD > ? > CD-R obtained by Slick Willie > EAC > correction of tracking > SHN by sunspot; Some diginoise was eliminated, some remains; seeded to etree by bubba420 | Source Detail | d40 | |
| 08/30/85 | Southern Star Amphitheater | 3 | Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac via Darrin Sacks | Source Detail | d40 | |
| 08/31/85 | Manor Downs | 3 | flac16; Taper: Mark McCue Source: (FOB) 2 Sennheiser 441s > Sony TC-D5M > Maxell MX 90s Location: FOB, 10-15 rows back, DFC Lineage: Transfer: Master AUD Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@24/96)* > coax > M-Audio Audiophile 2496 > WaveLab 5.0 > WAV > Traders Little Helper > FLAC24 *V3 recording levels set equally at 25 + 3 trim, by Alex Ford Mastering: SIRMick | Source Detail | new seed d44 | |
| 08/31/85 | Manor Downs | 3 | flac16; Source:FOB>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's)Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57(tracking only)>flac16: Taped & Transferred by Charlie Connor Seeded 9/04/2006 | Source Detail | d40 | |
| 08/31/85 | Manor Downs | 3 | flac16; Taper: Mark McCue Source: (FOB) 2 Sennheiser 441s > Sony TC-D5M > Maxell MX 90s Location: FOB, 10-15 rows back, DFC Lineage: Transfer: Master AUD Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@24/96)* > coax > M-Audio Audiophile 2496 > WaveLab 5.0 > WAV > Traders Little Helper > FLAC24 *V3 recording levels set equally at 25 + 3 trim, by Alex Ford Mastering: SIRMick | Source Detail | d41 | |
| 08/31/85 | Manor Downs | 3 | updated lineage: 90 X-Y Schoeps CMC441 & 8ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1> DAT> CDR> EAC> Shn; taped by Doug Oade; EAC'ed/Shn'ed, and Seeded via Fungus and abgd by Charlie Connor with thanks to Scott Clugston and Doug Oade | Source Detail | d41 | |
| 08/31/85 | Manor Downs | 3 | flac16; updated lineage: 90 X-Y Schoeps CMC441 & 8ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac; Oade Brothers Recording, Transferred by Doug Oade, tracked by Darrin Sacks | Source Detail | d41 | |
| 09/02/85 | Zoo Amphitheater | 3 | SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko | Source Detail | d42 | |
| 09/02/85 | Zoo Amphitheater | 3 | flac16; updated lineage: 90 X-Y Schoeps CMC441 & 8ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac; Oade Brothers Recording, Transferred by Doug Oade, tracked by Darrin Sacks | Source Detail | d42 | |
| 09/02/85 | Zoo Amphitheater | 3 | flac16; updated lineage: 90 X-Y Schoeps CMC441 & 8ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac; Oade Brothers Recording, Transferred by Doug Oade, tracked by Darrin Sacks | Source Detail | d42 | |
| 09/02/85 | Zoo Amphitheater | 3 | flac16; MAC; (FOB) Sennheiser 441s > Sony D5 > Sony D5 > 2 Maxell MX90s Tapers: Adam, Justin & Monica Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496 > Waves L2 > WAV @ 1644 > CD Wave Editor > TLH > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, patches/edits, conversion, and seeding by Alex Ford - June 2007. | Source Detail | d42 | |
| 09/02/85 | Zoo Amphitheater | 3 | Schoeps CMC34> PCM> DAT> CD-R> ?> SHN> MKW> WAVE LAB> MKW> SHN (Seekable); slight cleanup of some other shn set; seeded by Steven Leeds, with thanks to Jason Eckert | Source Detail | d41 | |
| 09/03/85 | Starlight Theater | 2 | flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d17 | |
| 09/03/85 | Starlight Theater | 2 | flac16; Primary Source: FOB (Section 2A Row D Seat 8)>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M(Charlie Connor's CM - TDK MA90's) Secondary Source:Oade Master -Schoeps CMC441 The Secondary source supplies Patches as follows:d1t07 3:48 - 3:50 (two seconds of crowd noise d2t02 Last seven seconds;d2t07 First 47 secondsTransfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped & Transferred by Charlie Connor | Source Detail | d42 | |
| 09/03/85 | Starlight Theater | 2 | AUD> Beyer 160> D5 (CM)> Nak MR2 (Playback)> Panasonic 3700 (ADC only, no DAT stage)> ZA2> Sound Forge (crossfading over tape flips only)> CDRx1> EAC> SHN; A>D Conversion by Stephen Agan; seeded to abgd by Charlie Connor | Source Detail | d41 | |
| 09/03/85 | Starlight Theater | 3 | flac16 Oade Master -- 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac; Oade Brothers Recording Transferred by Doug Oade, tracked by Darrin Sacks; possible difference re normalization compared to a similar previous fileset (see txt note) | Source Detail | d43 | |
| 09/03/85 | Starlight Theater | 2 | Oade Master -- 9-3-85 was 90 degree X-Y CMC441 + CMC42s (spaced 10') -> Oade mixer->Oade mod PCM-F1 first row behind board > ? (no digital processing performed) > Audio CDR from Doug Oade; via Darrin Sacks | Source Detail | d43 | |
| 09/03/85 | Starlight Theater | 2 | SBD; Seeded by Todd Campbell; EAC> Shn by Jim Keith; Slight DigiNoise(?) before Feels Like A Stranger; Tape flip plays the begining of Music Never Stops twice (very short) | Source Detail | d43 | |
| 09/03/85 | Starlight Theater | 2 | flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | d43 | |
| 09/03/85 | Starlight Theater | 2 | flac16/48; FOB Schoeps CMC42Omni and CMC34Cardiod Passive Mix > F1 > DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5* > shntool > flac (8) | Source Detail | d43 | |
| 09/03/85 | Starlight Theater | 2 | flac16; FOB Schoeps CMC42Omni and CMC34Cardiod Passive Mix > F1 > DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5 44.1kHz* > shntool > flac (8) | Source Detail | d43 | |
| 09/05/85 | Red Rocks Amphitheatre | 3 | Master Audience Cassette > DAT > CDR; via Jack Straw; Seeded to etree by steve barbella | Source Detail | d44 | |
| 09/05/85 | Red Rocks Amphitheatre | 2 | flac16; MAC: Sennheiser 441s (7-9 feet high) > Sony D5 > Maxell MX 90s; Tapers: Justin, Adam & Monica Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 >Trade's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford 11/08/2006. | Source Detail | d44 | |
| 09/05/85 | Red Rocks Amphitheatre | 2 | SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Dan Michael | Source Detail | d44 | |
| 09/05/85 | Red Rocks Amphitheatre | 3 | flac16 Oade Master, 90 X-Y Schoeps CMC441 + 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac; Transferred by Doug Oade, tracked by Darrin Sacks | Source Detail | d44 | |
| 09/06/85 | Red Rocks Amphitheatre | 2 | flac16; Sennheiser 441s > Sony D5 > Maxell MX 90s Tapers: Justin, Adam & Monica Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > Trader's Little Helper > FLAC16 Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford November 2006. | Source Detail | d44 | |
| 09/06/85 | Red Rocks Amphitheatre | 2 | SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Chad Magdanz | Source Detail | d45 | |
| 09/06/85 | Red Rocks Amphitheatre | 3 | flac16; Oade Master: 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM> DAW (via SEKD Prodif)> Wav> cdwav> flac; Transferred by Doug Oade, tracked by Darrin Sacks | Source Detail | d45 | |
| 09/07/85 | Red Rocks Amphitheatre | 3 | flac16; MAC: Sennheiser 441s > Sony D5 > Maxell MX 90s Tapers: Justin, Adam and Monica Transfer: MAC>Nakamichi CD2(azimuth adjusted)>rca/xlr>Lunatec V3>coax>Audiophile 2496>CEP 2.0>CDWav Editor>TLH>FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, conversion and upload to bt.etree bt Alex Ford. SBE's fixed with Trader's Little Helper. Files encoded @ level 6. | Source Detail | d45 | |
| 09/07/85 | Red Rocks Amphitheatre | 3 | Source: Schoeps CMC42S > Oade power supply +90deg x-y Schoeps CMC441 > Oade power supply. Then both into custom Oade mixer into Oade modified PCM-F1 and digitally remastered by Doug Oade > DAT > TB Fiji digi I/O > yarec > wav2cdr > wav (CD) > EAC > SHN Note: This version hosted by Nicks Picks. It is unclear what may be different from the previous schoeps source. | Source Detail | d45 | |
| 09/07/85 | Red Rocks Amphitheatre | 3 | SBD>Cm>Dat>CD>EAC>SHN via Charlie Miller | Source Detail | d45 | |
| 09/07/85 | Red Rocks Amphitheatre | 3 | flac16; Recording Info: SBD -> PCM Master -> Dat/0 (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> Cool Edit Pro v2.0 -> FLAC; Transfers and Mastering By Charlie Miller | Source Detail | d46 | |
| 09/07/85 | Red Rocks Amphitheatre | 3 | flac16; Oade Brothers Recording Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) Oade Master -- 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac | Source Detail | d46 | |
| 09/07/85 | Red Rocks Amphitheatre | 3 | Schoeps CMC42S> Oade power supply +90deg x-y Schoeps CMC441> Oade power supply. Then both into custom Oade mixer into Oade modified PCM-F1 and digitally remastered by Doug Oade> DAT > TB Fiji digi I/O > yarec > wav2cdr > wav; note wavs have pre-emphasis, so files should ideally be burned to audio with PRE flag set (see user comments) | Source Detail | d46 | |
| 09/10/85 | Henry J. Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> amplitude Professional v8.01 -> FLAC | Source Detail | new seed d17 | |
| 09/10/85 | Henry J. Kaiser Convention Center | 2 | SBD> Reel>DAT; Conversion: Tascam DA-20 MK II (via RCA analog out for pre-emphasis removal) > Tascam DA-20 > Delta Dio 2496 > Soundforge XP 4.5 (volume change and channel swap) > CD Wave > (CD> EAC d1t1-7)> SHN; Taped by ?, Converted by Rob (Odeo) Harrison | Source Detail | d46 | |
| 09/10/85 | Henry J. Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> amplitude Professional v8.01 -> FLAC | Source Detail | d46 | |
| 09/10/85 | Henry J. Kaiser Convention Center | 1 | flac16; SET ONE ONLY - Source:TS>AKG CE5's>Uher>Sony TCD5M (Charlie Connor's CM - TDK MA90's) Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16: Taped & Transferred by Charlie Connor | Source Detail | d46 | |
| 09/11/85 | Henry J. Kaiser Convention Center | 3 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | new seed d18 | |
| 09/11/85 | Henry J. Kaiser Convention Center | 2 | flac16; Source:TS>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M>Sony TCD5M (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57(tracking only)>flac16: Taped and Transferred by Charlie Connor | Source Detail | d47 | |
| 09/11/85 | Henry J. Kaiser Convention Center | 2 | Master Soundboard Cassette > Cass > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella | Source Detail | d47 | |
| 09/11/85 | Henry J. Kaiser Convention Center | 3 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | d47 | |
| 09/12/85 | Henry J. Kaiser Convention Center | 3 | flac16; Source:TS>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped and Transferred by Charlie Connor | Source Detail | d47 | |
| 09/12/85 | Henry J. Kaiser Convention Center | 2 | Master Soundboard Cassette > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella | Source Detail | d47 | |
| 09/15/85 | Devore Field, Southwestern U | 2 | flac16; Recording Info: SBD -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d18 | |
| 09/15/85 | Devore Field, Southwestern U | 3 | Unknown Mics (parabolic reflectors, 40" apart)>Unknown deck> CM> C> Sony R500 w/ SBM (a/d)>WAV>CD-R. | Source Detail | d48 | |
| 09/15/85 | Devore Field, Southwestern U | 3 | flac16; Source:Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57(tracking only)>flac16 Taped and transferred by Charlie Connor | Source Detail | d48 | |
| 09/15/85 | Devore Field, Southwestern U | 3 | flac16; Source:Sennheiser-MD421's>Sony D5 Location: FOB-DFC-20 foot off stage@ 7 ft high on stand Taper: Rick "Coyotte" Colyard 2 TDK-SA90-Cassette MASTERS Transfer:MAC> Sony TCW-21(Analog out)>Edirol Digi-Mod UA5@44.1khz>Digital-Optical out>>Nomad JB3@44.1khz>WAV>Poulderbits Sound Editor for (fades/cuts)>FlacFrontend (level-8)>flac-16 Transfered and Edited by MULETAPER- 11/25/07 | Source Detail | d48 | |
| 09/15/85 | Devore Field, Southwestern U | 1 | set 1; SBD -> ? -> DAT -> CD -> EAC -> SHN conversion by AJ | Source Detail | d48 | |
| 09/15/85 | Devore Field, Southwestern U | 2 | flac16; Recording Info: SBD -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | d48 | |
| 09/15/85 | Devore Field, Southwestern U | 1 | set 2 only; cut in Drums/Space; reportedly SBD>CM>DAT>CDR; extraction> shn> upload by E. Walker; note a SBD> PCM> DAT version of set 2, plus encore and two set 1 songs is known to circulate- might this be a 1-disc (length ~74:15) condensation from same source? | Source Detail | d48 | |
| 10/25/85 | The Sportatorium | 3 | (2) Beyers 160/(2) Nakamichi 300+CPI (Front of Board)> Master Cassette> DAT> CDR; Taped by Mark Horvath; CDR> EAC> MKW> SHN by Jan Welch | Source Detail | d49 | |
| 10/25/85 | The Sportatorium | 3 | flac16; Source: FOB Nak 100s > Sony D6 > Master Audience Cassette (TDK MA90s), recorded by Bill Koucky. Transfer/edits/mastering: MAC playback on Nakamichi DR-2 tape deck > Presonus Firebox > firewire out > P4 2.0 GHz PC, recorded as 24 bit/96 KHz WAV on PC utilizing Wavelab 5, mastering with Waves X-Noise (learn mode) and L3 Multimaximizer > rendered to 16 bit/44.1 KHz WAV using hi res CD settings > CDWAV 1.9 (tracking) > FLAC (level 8) by C. Ladner | Source Detail | d49 | |
| 10/25/85 | The Sportatorium | 2 | flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | d49 | |
| 10/26/85 | Sun Dome | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | d50 | |
| 10/26/85 | Sun Dome | 1 | Set 2 Only; S:MC>D>CDR; Uploaded To Furthur Via DigiB; Seeded To Etree 05-16-03 By Bubba420 | Source Detail | d50 | |
| 10/26/85 | Sun Dome | 3 | FOB Audio Technica ATM 11s / 2 Nakamichi 300s > Sony TCM D-5 > Master Cassette; Conversion: MC > Sony TC-we 435 > Sony DTC 700 > DAT > Sony DTC 700 > digital ouput > Philips CDR 870 > CD-R (see note in info file); taped, Cass > CD-R conversion by Mark Horvath; CD-R > SHN: CD-R* > EAC 3x > .wavs compared by MD5s and EAC's .wav compare tool > Cool Edit (rejoin tracks and fades) > CD-WAV (Re-Tracking) > MKW ACT 0.96 > SHN, by Jan Welch | Source Detail | d49 | |
| 10/26/85 | Sun Dome | 2 | Ken Mance's Audience Cassette Masters recorded on Uher CR-240/AKG CE-1 Microphones. A:D by Mark Cohen, D>SHN by David Minches | Source Detail | d49 | |
| 10/28/85 | Fox Theater | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | new seed d18 | |
| 10/28/85 | Fox Theater | 1 | SET 1 and Encore ONLY; S:CM>D>CDR; Uploaded To Furthur Via DigiB; Seeded To Etree 05-16-03 By Bubba420 | Source Detail | d48 | |
| 10/28/85 | Fox Theater | 3 | flac16; LINEAGE: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC | Source Detail | d50 | |
| 10/28/85 | Fox Theater | 3 | flac16; LINEAGE: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC | Source Detail | d50 | |
| 10/28/85 | Fox Theater | 3 | Nak 300->Sony D-5>MC>Sony KA1ES->HHb 850>CD>EAC>Cool Edit 2000>CDwav>Shnv3; via Tommy Danscuk; Seeded to etree by Ernie Dodd | Source Detail | d50 | |
| 10/28/85 | Fox Theater | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | d50 | |
| 10/28/85 | Fox Theater | 2 | Source: FOB Schoeps CMC3's/MK4's > PCM > DAT > CDR > EAC > CDWave > mkwACT Beginning of Sugaree and Scarlet Begonias patched with following source: Nak 300's > D5/Sony KA1ES > HHB 850 > EAC Eac'd/Patched/SHN'd by Doug Nawrocki | Source Detail | d51 | |
| 10/28/85 | Fox Theater | 3 | flac16; Source: Master Audience Recording Media: MAC Maxell MX 90 type IV cassettes Lineage: 2 x Sennheiser 421 > Sony TC D5M > Sony TC D5M [Tapers Section] Transfer: MAC playback, Nakamichi CR-7A, azimuth adjusted > 1 ft Lynx RCA-XLR audio cables > Lunatec V3 > AES digital out > LynxTwo in a E6400-based DuoCore 2 PC > Wavelab 5 [24/96] Mastering Software: WaveLab, iZotope Ozone 3 and Waves Q4 EQ, > converted to [44.1/16] with r8brain > CDWAV1.9 >TLH > Flac Level 8 Taped by B.Koucky Transfer by C.Ladner. Mastered By B. Koucky | Source Detail | d51 | |
| 10/28/85 | Fox Theater | 1 | Set 2 S:MC>D>CDR>Toast 1.1>SHN uploaded to furthur via Sbd seeded to etree by bubba420 | Source Detail | d51 | |
| 10/28/85 | Fox Theater | 2 | flac16; Set 2 only. source: 2 Sony ECM-33P's > Sony TC-D5M (Dolby B)Maxell MX90 cassette. recorded by Jerry Moore, 8th row orchestra. transfer: master cassette (maxell MX90)> Nakamichi Dragon (Dolby B) > HHBCDR830plus > EAC > SoundForge 6.O (fades and tape flip)> CD Wave > flac. Transfer and flac encoding by Anne Cohen, May 2007. | Source Detail | d51 | |
| 10/29/85 | Fox Theater | 3 | flac16; SBD> Cassette Master (Sony D5/Maxell MX90); Transfer: Cassette Master (Sony TC-WE475)> Sony R500 (Pass Through)> SEK'D Prodif Plus> Samplitude Professional v8.01> FLAC; Transfers and Mastering By Charlie Miller; Upgrade in circulation | Source Detail | new seed d18 | |
| 10/29/85 | Fox Theater | 3 | Pitch Corrected/Fixed/Retracked version of follwing source (*Cool Edit Pro notes at bottom): Nak 300 > Sony D-5; Sony KA1ES > HHb 850 > CD > EAC > Cool Edit 2000 > CDwav > Shnv3 Master Cass. > Cdr by Tommy Danscuk; Man with the plan: Willy Eac > cool edit > CDwav > shnv3 Ernie Dodd shntool verified | Source Detail | d51 | |
| 10/29/85 | Fox Theater | 3 | Complete; Nak 300-> Sony D-5 > MC > Sony KA1ES -> HHb 850 > CD; via Tommy Danscuk; Seeded to etree by Ernie Dodd | Source Detail | d51 | |
| 10/29/85 | Fox Theater | 3 | flac16; SBD> Cassette Master (Sony D5/Maxell MX90); Transfer: Cassette Master (Sony TC-WE475)> Sony R500 (Pass Through)> SEK'D Prodif Plus> Samplitude Professional v8.01> FLAC; Transfers and Mastering By Charlie Miller; Upgrade in circulation | Source Detail | d52 | |
| 10/29/85 | Fox Theater | 3 | SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko | Source Detail | d52 | |
| 10/29/85 | Fox Theater | 3 | flac16; SBD> Cassette Master (Sony D5/Maxell MX90); Transfer: Cassette Master (Sony TC-WE475)> Sony R500 (Pass Through)> SEK'D Prodif Plus> Samplitude Professional v8.01> FLAC; Transfers and Mastering By Charlie Miller; Upgrade in circulation | Source Detail | d52 | |
| 10/29/85 | Fox Theater | 3 | flac16; LINEAGE: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC. The microphone location was 'dead center' and approximately 50 to 60 feet from the stage, which was about 50 feet or so in front of the Official Taper's Section. | Source Detail | d52 | |
| 10/31/85 | Carolina Coliseum, University Of South Carolina | 2 | FOB PCM AUD -- ??? Mics -> PCM -> DATs -> CDR (x1) -> EAC -> SHN; via Darrin Sacks, from Scott Z's seed | Source Detail | d52 | |
| 10/31/85 | Carolina Coliseum, University Of South Carolina | 2 | Field: Schoeps CMC441 (from TS, 17cm @ 90deg) > Oade M118 > Oade modSony PCM-F1 Transfer: master PCM > DAW (via SEKD card) > DSP* > CD (mkw) > HD > mkwACT0.97b (SHN) | Source Detail | d53 | |
| 10/31/85 | Carolina Coliseum, University Of South Carolina | 2 | Unknown shotgun mikes > Sony D6 > Maxell MX 90s (MC); MC > Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN; Location: First row of taping section seats. Well above the crowd in the gym via Charles Bandrofcheck | Source Detail | d53 | |
| 10/31/85 | Carolina Coliseum, University Of South Carolina | 2 | flac16; blend of CM*SBD(shnid=23590) and Oade AUD (id=20282) | Source Detail | d53 | |
| 10/31/85 | Carolina Coliseum, University Of South Carolina | 2 | SBD -> Master Cassette -> Reel -> Dat (48k)Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Patch Info: d1t08 (Tennessee Jed) - Patched from 7:04-7:26 Schoeps CMC4/MK41 > Oade M118 > Oade Modified Sony PCM-F1 > CD; Transferred and Patched By Charlie Miller | Source Detail | d53 | |
| 11/01/85 | Richmond Coliseum | 3 | Schoeps CMC441s (90deg, 17cm) with single Omni center channel mic (CMC42 offset ~ 8' - mixed into main pair of CMC 441s) > custom mixer made by Doug Oade (M118 circuit in a 3 channel package) > Oade mod SONY PCM-F1 [recorded by the Oade Brothers] | Source Detail | d53 | |
| 11/01/85 | Richmond Coliseum | 3 | Source: Can't remember shotgun mics > Sony D6 > Maxel MX 90s Location: As close as they'd let you get to the left of SBD. Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN | Source Detail | d54 | |
| 11/01/85 | Richmond Coliseum | 3 | DTS Audio 5.1 DTS-Audio-CD 5.1 SBD/AUD Mix by dan@am-dig.com | Source Detail | d54 | |
| 11/01/85 | Richmond Coliseum | 3 | Sources: Primary Source:Oade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k) DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable: Secondary Source:Charlie Connor's Cassette Master: FOB>Beyer M88's>Sony TCM D5>Wav:The Secondary Source Supplies patch on d1t02 3:28-3:34: Seeded to etree by Darrin Sacks with thanks to JJ; also to abgd via Charlie Connor; 3/01 update: this date is now released as Dick's Picks 21- go buy that | Source Detail | d54 | |
| 11/01/85 | Richmond Coliseum | 2 | Soundboard> ?> DAT> CDr; R500> AES/EBU> ZA2> Cooleditpro> SHN; via Stewart McCloskey to shntraders list; not etreed; d2 tracked for 80 min; 3/01 update: this show is now Dick's Picks 21- go buy it | Source Detail | d54 | |
| 11/02/85 | Richmond Coliseum | 2 | Schoeps CMC441s (90deg, 17cm) with single Omni center channel mic (CMC42 offset ~ 8' - mixed into main pair of CMC 441s) > custom mixer made by Doug Oade (M118 circuit in a 3 channel package) > Oade mod SONY PCM-F1 [recorded by the Oade Brothers] | Source Detail | d55 | |
| 11/02/85 | Richmond Coliseum | 3 | (FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT): Analog and digital mastering by Charlie Connor; seeded to abgd | Source Detail | d55 | |
| 11/02/85 | Richmond Coliseum | 3 | Source: Can't remember shotgun mics > Sony D6 > Maxel MX 90s Location: As close as they'd let you get Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN via Charles Bandrofcheck | Source Detail | d55 | |
| 11/02/85 | Richmond Coliseum | 2 | flac16; Matrix from 3 sources: SBD> ?> DAT> CD> EAC> WAV> SHN; AUD - Connor (FOB) Mics: Beyer Dynamic M88's; AUD - Oade (Tapers? Section) Mics: Schoeps (2 x CMC441, 1 x CMC42)> Sony PCM-F1; Matrixed by Chris Chappell | Source Detail | d55 | |
| 11/02/85 | Richmond Coliseum | 2 | SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN | Source Detail | d55 | |
| 11/02/85 | Richmond Coliseum | 3 | flac16; SRC: MAC (2 Senn 421s + 2 Nak 300 shotguns) > Yamaha mixer > Sony D-5 (Dolby B in)) taped by Tim Alexander; Transfer: MAC playback on Nak DR-1 (Dolby B out) > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC | Source Detail | d56 | |
| 11/02/85 | Richmond Coliseum | 3 | flac24; SRC: MAC (2 Senn 421s + 2 Nak 300 shotguns) > Yamaha mixer > Sony D-5 (Dolby B)) taped by Tim Alexander Transfer: MAC playback on Nak DR-1 > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC | Source Detail | d56 | |
| 11/04/85 | The Centrum | 1 | flac16; 2nd Set Only: Beyer Dynamic M88's>Sony TCD5M (CM - Maxell Mx90)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped and transferred by Charlie Connor | Source Detail | d50 | |
| 11/04/85 | The Centrum | 3 | Taper: phil Unger;Nakamici #100 Shotguns> SonyD5; CD Transfer Info: Denon D-790R > Audiophile 2496 > Cool Edit 2000 > Wav > SHN; Tracked with CD Wave: Seeded to ABGD | Source Detail | d56 | |
| 11/04/85 | The Centrum | 3 | flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS at SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci | Source Detail | d56 | |
| 11/04/85 | The Centrum | 2 | SBD:MC> DAT> C> DAT> CD; via Skip Jenkins; Peter Braverman | Source Detail | d57 | |
| 11/04/85 | The Centrum | 3 | flac16; SRC: MAC (Senn 421's + Nak 300s > Yamaha mixer > Sony D-5); Transfer: Playback on Nak DR-1 > HD-P2 > WAV > FLAC | Source Detail | d57 | |
| 11/04/85 | The Centrum | 3 | flac24; SRC: MAC (2 Senn 421s + 2 Nak 300 shotguns) > Yamaha mixer > Sony D-5 (Dolby B)) taped by Tim Alexander Transfer: MAC playback on Nak DR-1 > Tascam HD-P2 (24 bit/48 khz) > WAV > FLACTransferred by Bill Tetzeli | Source Detail | d57 | |
| 11/05/85 | The Centrum | 2 | flac16; 2nd Set Only: Beyer Dynamic M88's>Sony TCD5M (CM - Maxell Mx90)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57(tracking only)>flac16 Taped and transferred by Charlie Connor | Source Detail | d57 | |
| 11/05/85 | The Centrum | 3 | Source: Audience (Tapers? Section) ? Digital Master Mics: Schoeps (2 x CMC441) Processor: Sony PCM-F1 (Oade Modified) Tape Deck: Sony Portable BetaMax Taper: Oades Tracked: Conrad | Source Detail | d58 | |
| 11/05/85 | The Centrum | 3 | flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS behind SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci | Source Detail | d58 | |
| 11/05/85 | The Centrum | 2 | flac16; taper ; Joe D'Amico nak 300 mics > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d58 | |
| 11/05/85 | The Centrum | 2 | sdb> reel master> cassette> dat> cdr; via Mike Lai | Source Detail | d58 | |
| 11/07/85 | Community War Memorial Auditorium | 2 | flac16; Recording Info: FOB AUD>Beyer Dynamic M88's>Sony TCD5M(CM Maxell Mx 90) Transfer INfo: Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>Flac Front End; Recorded and digitally mastered by Charlie Connor | Source Detail | d59 | |
| 11/07/85 | Community War Memorial Auditorium | 2 | flac16; taper : Joe D'Amico ''aka'' Joebeacon nak 300 mics > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d59 | |
| 11/07/85 | Community War Memorial Auditorium | 3 | flac16; Source: Nakamichi CM300's(with CP4 shotgun caps/pointed)>Sony D5M Location: Front left corner of board, stand at 10 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16bit>Cdwav>flac Taped, transfered and uploaded by Tony S./nak700 | Source Detail | d59 | |
| 11/07/85 | Community War Memorial Auditorium | 3 | Taped & Transfered by Brian Mandel Nakamichi 300 Shotguns CP4's & Sony TCD5M Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn. Sector boundaries verrified via shn tools. | Source Detail | d59 | |
| 11/07/85 | Community War Memorial Auditorium | 3 | SBD (MSC> Reel> DAT> CDR> TAE> CDR> EAC> Shnv3) with AUD patches (FOB AUD> Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3); assembled by Charlie Connor, from Dave Shepard's SBD seed and Cahrlie's AUD; alternative d1 AUD tracks also included | Source Detail | d59 | |
| 11/07/85 | Community War Memorial Auditorium | 2 | flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.12 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation | Source Detail | d60 | |
| 11/07/85 | Community War Memorial Auditorium | 2 | flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.12 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller (This is a repatch of shn id 88727.) | Source Detail | d60 | |
| 11/07/85 | Community War Memorial Auditorium | 2 | Tapers: Oade Bros Field: Schoeps CMC441 (TS, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1 Transfer: Master PCM > DAW (via SEKD card) > DSP* > CD data > HD > CDWave 1.7 > Wavelab 4 > mkwACT0.97b (SHN) Seeded via Bit Torrent February 23, 2004 by macdaddy. | Source Detail | d60 | |
| 11/08/85 | Community War Memorial Auditorium | 2 | flac16; AUD Source: AKG CK1's > Uher CR-240 > Sony TC-D5M (first deck out). Taped onto Maxell MX-90's with no Dolby. Mics on stand (aprx 7 feet) set up just to the left (stage right) of the soundboard. Transfer by Jim Wise (2002), MAC > Nakamichi Dragon (no Dolby) > HHB CDR-800 > CDR. EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC | Source Detail | d60 | |
| 11/08/85 | Community War Memorial Auditorium | 2 | Tapers: Oade Bros Field: Schoeps CMC441 (TS, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1 Transfer: Master PCM > DAW (via SEKD card) > DSP* > CD data > HD > CDWave 1.7 > Wavelab 4 > mkwACT0.97b (SHN) Tracking, fades and verification done by dwonk. First hosted via Bit Torrent February 5, 2004 by macdaddy | Source Detail | d60 | |
| 11/08/85 | Community War Memorial Auditorium | 2 | AUD FOB> Beyer Dynamic M88's> Sony TCD5M (CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3 (MKW ACT); d2 tracked for 80 min; taped, transferred and seeded to abgd by Charlie Connor | Source Detail | d61 | |
| 11/08/85 | Community War Memorial Auditorium | 2 | flac16; taper : Joe D'Amico nak 300 mics > sony d-5 infront of the soundboard nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d61 | |
| 11/08/85 | Community War Memorial Auditorium | 2 | Taped & Transfered by Brian Mandel Nakamichi 300 Shotguns CP4's & Sony TCD5M Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn. Sector boundaries verrified via shn tools. | Source Detail | d61 | |
| 11/08/85 | Community War Memorial Auditorium | 2 | flac16; Source: Nakamichi CM300's(with CP4 shotgun caps/pointed)>Sony D5M Location: Front left corner of board, stand at 10 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16bit>Cdwav>flac Taped, transfered and uploaded by Tony S. | Source Detail | d61 | |
| 11/08/85 | Community War Memorial Auditorium | 2 | Master Soundboard Cassette > Reel to Reel > DAT > CDR, with patches from Charlie Connor's Master Audience Cassette (Beyer M88 mics> Sony TC-D5M in d1t7,8; CD Mastering, EAC> SHN by Scott Clugston; d2 tracked for 80 min | Source Detail | d61 | |
| 11/10/85 | Meadowlands Arena | 2 | Schoeps CMC441 (FOB, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1; Transfer: PCM > DAT > DAW > DSP (see notes) > DataCD (mkw) > HD > SFXP4.5 > CDWave v1.6 > mkwACT0.97b (SHN); taping, transfer by Doug Oade, fileset prep by dwonk, seeded via BT by macdaddy; note no DAE and possible remaster compared to previous shn set | Source Detail | d62 | |
| 11/10/85 | Meadowlands Arena | 2 | AUD> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3 (MKW ACT); d2 tracked for 80 min; Taped and Transferred by Charlie Connor | Source Detail | d62 | |
| 11/10/85 | Meadowlands Arena | 2 | shotgun mics > Sony D6 > Maxell MX 90's. First right hand seat of taper section 12" stand. Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN via Charlie | Source Detail | d62 | |
| 11/10/85 | Meadowlands Arena | 2 | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cooledit pro > flac frontend | Source Detail | d62 | |
| 11/10/85 | Meadowlands Arena | 2 | Nakamichi 300 Shotguns CP4's & Sony TCD5M Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools via Brian Mandel | Source Detail | d62 | |
| 11/10/85 | Meadowlands Arena | 2 | flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS Floor Section 5, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci | Source Detail | d63 | |
| 11/10/85 | Meadowlands Arena | 2 | Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR EAC'ed/Shn'ed by Charlie Connor 3/2/02, with thanks to Scott Clugston and Doug Oade; to abgd. | Source Detail | d63 | |
| 11/10/85 | Meadowlands Arena | 2 | Master Soundboard Cassette > DAT > Sonic Solutions > CD seeded by Steve Barbella | Source Detail | d63 | |
| 11/11/85 | Meadowlands Arena | 3 | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d65 | |
| 11/11/85 | Meadowlands Arena | 3 | MAC > CDR > WAV > SHN. Audience analog cassette master 2 Nakamichi cm-700's > Sony tc-d5M(dolby b) recorded by Mark Cohen. a-d transfer > SHN by Anne Cohen. | Source Detail | d65 | |
| 11/11/85 | Meadowlands Arena | 2 | Schoeps CMC441 (FOB, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1; Transfer: PCM > DAT > DAW > DSP (see notes) > DataCD (mkw) > HD > SFXP4.5 > CDWave v1.6 > mkwACT0.97b (SHN); taped and transferred by Doug Oade; Fades, track cuts, WAV > SHN conversion & verification done by dwonk; seeded by macdaddy via BT | Source Detail | d63 | |
| 11/11/85 | Meadowlands Arena | 2 | unknown shotguns > Sony D6 > Maxell MX 90's. First right hand seat of taper section 12" stand. Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN via Charlie Bandrofcheck | Source Detail | d63 | |
| 11/11/85 | Meadowlands Arena | 3 | flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS Floor Section 5, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci | Source Detail | d64 | |
| 11/11/85 | Meadowlands Arena | 3 | Nakamichi 300 Shotguns CP4's & Sony TCD5M Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn | Source Detail | d64 | |
| 11/11/85 | Meadowlands Arena | 3 | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d64 | |
| 11/11/85 | Meadowlands Arena | 3 | MAC > CDR > WAV > SHN. Audience analog cassette master 2 Nakamichi cm-700's > Sony tc-d5M(dolby b) recorded by Mark Cohen. a-d transfer > SHN by Anne Cohen. | Source Detail | d64 | |
| 11/11/85 | Meadowlands Arena | 2 | Lineage:SBD>CM>DAT>DAT>CD>EAC>SHN>WAV>CE2K>shntool>mkwACT(seekable)Editing: SHN>WAV>CE2K> shntool>mkwACT Transfer by Ken Doughty. Editing by Matt Cole. Seeded by JBGoode4 | Source Detail | d64 | |
| 11/11/85 | Meadowlands Arena | 3 | flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS Floor Section 5, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci | Source Detail | d65 | |
| 11/11/85 | Meadowlands Arena | 3 | Nakamichi 300 Shotguns CP4's & Sony TCD5M Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn | Source Detail | d65 | |
| 11/11/85 | Meadowlands Arena | 2 | Lineage:SBD>CM>DAT>DAT>CD>EAC>SHN>WAV>CE2K>shntool>mkwACT(seekable)Editing: SHN>WAV>CE2K> shntool>mkwACT Transfer by Ken Doughty. Editing by Matt Cole. Seeded by JBGoode4 | Source Detail | d65 | |
| 11/11/85 | Meadowlands Arena | 1 | 2nd set only; Schoeps CMC 341's> Master Cassette > DAT > CDR; via Storyteller; Seeded to etree by Steve Barbella | Source Detail | d66 | |
| 11/16/85 | Long Beach Arena | 2 | Lineage: SBD>CM>C>DAT>DAT>CD>EAC>SHN>WAV>CE2K>CDWAVE>SHNTOOL>mkwACT(seekable); Patched with shnid=12263 (Schoeps MK41?s>PCM>DAT>CDR). Source files prepared and provided by JBGoode1; Editing by MattMan. | Source Detail | d66 | |
| 11/16/85 | Long Beach Arena | 2 | Schoeps MK41?s > PCM > DAT > CDR seeded by Steve Barbella | Source Detail | d66 | |
| 11/17/85 | Long Beach Arena | 2 | Master Soundboard Cassette > DAT > CD uploaded by Steve Barbella | Source Detail | d66 | |
| 11/17/85 | Long Beach Arena | 2 | Schoeps MK41?s > PCM > DAT > CDR uploaded by Steve Barbella | Source Detail | d66 | |
| 11/20/85 | Henry J. Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Cassette Master (Nak 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | new seed d18 | |
| 11/20/85 | Henry J. Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Cassette Master (Nak 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | d67 | |
| 11/20/85 | Henry J. Kaiser Convention Center | 2 | Master Soundboard Cassette > Cassette > DAT > CDR via Andy Lemieux encoded by Matt Vernon | Source Detail | d67 | |
| 11/21/85 | Henry J. Kaiser Convention Center | 2 | dsbd> pcm> dat> cdr; no filler; d1 same as previous shns, d2 md5s differ; via Mike Lai | Source Detail | d67 | |
| 11/22/85 | Henry J. Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Cassette Master (Nak 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | new seed d19 | |
| 11/22/85 | Henry J. Kaiser Convention Center | 2 | Master Soundboard Cassette > ? > Dat > CDR; Seeded to etree by Steve Barbella | Source Detail | d67 | |
| 11/22/85 | Henry J. Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Cassette Master (Nak 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | d67 | |
| 12/30/85 | Oakland-Alameda County Coliseum | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | new seed d19 | |
| 12/30/85 | Oakland-Alameda County Coliseum | 2 | flac16; (FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM Maxell MX90)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>flac; Recorded and digitally mastered by Charlie Connor 7/30/2005 | Source Detail | d68 | |
| 12/30/85 | Oakland-Alameda County Coliseum | 2 | SBDmc> DAT> CD> EAC; ripped & seeded by Nick Georges; d2 tracked for 80 min (see additional tracking notes in pub comments); final update 8/23- because a couple of online setlist dbs show incorrect setlist order for set 1, d1 was thought to be misarranged. However, Nick's first seeding of the show was correct: My Brother Esau> Stagger Lee>. -tuning- > Little Red Rooster | Source Detail | d68 | |
| 12/30/85 | Oakland-Alameda County Coliseum | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | d68 | |
| 12/30/85 | Oakland-Alameda County Coliseum | 3 | flac16; Source: Digital FOB Audience Tape - Taper Unknown Recording Info: Schoeps Hypercardiods > PCM > DAT; DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Transfered September 2006 Editing Info: Editing and Mastering by Jamie Waddell Wavelab 6.0- Waves Tools(DC offset correction and EQ), BBE, L2(dither-type2,ultra)-16/44.1 Traders Lil Helper Flac Level 8 | Source Detail | d68 | |
| 12/31/85 | Oakland-Alameda County Coliseum | 3 | AUD>?>DAT>CDR; encore supplied by Peter Braverman's seed of Nak 300 cass master source; See info file for details; via PBx2; Seeded to etree by Steve Barbella | Source Detail | d68 | |
| 12/31/85 | Oakland-Alameda County Coliseum | 3 | Primary Source: Recording Info: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's) Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End Secondary Source: Steve Barbella's seed from shn id 12086 AUD>?>DAT>CDR; See txt file for details on Patches. Recorded, patched and digitally transferred by Charlie Connor August 28,2005 | Source Detail | d69 | |
| 12/31/85 | Oakland-Alameda County Coliseum | 3 | Charles Wier shntool fix of original Braverman Nak source | Source Detail | d69 | |
| 12/31/85 | Oakland-Alameda County Coliseum | 2 | SBD (PreFM)> CASS> DAT> CD> Emphasis correction> remastering using custom DAW (Bertha)> CD> SHN; by Jay Ashley, from Lisa Biasi source | Source Detail | d69 | |
| 12/31/85 | Oakland-Alameda County Coliseum | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | d69 | |
| 02/08/86 | Henry J. Kaiser Convention Center | 2 | flac16; Taped by "PA Deli Mike" 2x Sennheiser 441's OTS with 30 foot spread > Sony TCD5-M > Maxell MX TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC by Mr. Chips | Source Detail | d1 | |
| 02/08/86 | Henry J. Kaiser Convention Center | 2 | AUD> Beyer Dynamic M88's> Sony TCD5M (CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); Both Analog & Digital Mastering by Charlie Connor: seeded to abgd.hs | Source Detail | d1 | |
| 02/08/86 | Henry J. Kaiser Convention Center | 2 | Source: SBD>MC>PCM>CDR>WAV>SHNv3 via neo_levo/candyman FTP | Source Detail | d1 | |
| 02/08/86 | Henry J. Kaiser Convention Center | 2 | flac16; SBD -> Cassette Master (TDK MA-R90) Transferred and Edited By Charlie Miller | Source Detail | d1 | |
| 02/09/86 | Henry J. Kaiser Convention Center | 2 | Master Soundboard Cassette > CDR, disc 2 runs 74:25, CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston, posted to abgd via Charlie Connor | Source Detail | d1 | |
| 02/09/86 | Henry J. Kaiser Convention Center | 2 | flac16; Schoeps CMC 441 (hypercardioids) > PCM F1 > Sony PCM 601 > Sony DTC 2000ES > DAT > M-Audio Delta 410 > SoundForge 44.1kHz wav > Adobe Audition 1.5 > shntool > flac (8) | Source Detail | d2 | |
| 02/11/86 | Henry J. Kaiser Convention Center | 2 | flac16; Schoeps CMC 441 (hypercardioids) > PCM F1 > Sony PCM 601 > DAT > M-Audio Delta 410 > SoundForge 44.1kHz wav > Adobe Audition 1.5 > shntool > flac (lvl8) | Source Detail | d2 | |
| 02/11/86 | Henry J. Kaiser Convention Center | 2 | Updated Source Info: SBD> Cassette Master DAT> CD; Seeded to etree by Willy; note see user comments re pre-emphasis (or not) | Source Detail | d2 | |
| 02/12/86 | Henry J. Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 | Source Detail | new seed d26 | |
| 02/12/86 | Henry J. Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 | Source Detail | new seed d43 | |
| 02/12/86 | Henry J. Kaiser Convention Center | 3 | AUD> Beyer Dynamic M88's> Sony TCD5M (CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav v1.6 (tracking only)> SHNv3 (MKW ACT); taped, transferred and seeded to abgd by Charlie Connor; includes Nevilles set as d1; d3 tracked for 80 min | Source Detail | d2 | |
| 02/12/86 | Henry J. Kaiser Convention Center | 2 | Bertha Remaster of the soundboard source. SBD>>(?)>>Wav(EAC)>>DAW(Bertha)>>CDA/SHN - Sound A | Source Detail | d2 | |
| 02/12/86 | Henry J. Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 | Source Detail | d3 | |
| 02/14/86 | Henry J. Kaiser Convention Center | 2 | Primary Source:Recording Info: FOB(DFC)>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's); Secondary Source: SBD>PCM>Dat>Samplitude>Cool Edit Pro>CD (shn id 11625); The secondary source covers patches in the last 17 seconds of dt05(drums); the first 4:13 of d2t06 (space), and the first 6 seconds of d2t10 (Brokedown Palace: Recorded, Transferred, Patched and Tracked by Charlie Connor | Source Detail | d3 | |
| 02/14/86 | Henry J. Kaiser Convention Center | 2 | SBD>PCM>Dat>Samplitude>Cool Edit Pro>CD; via David Gans; RE-Seeded to etree by Charlie Miller with 'simple bass lift'; See info file for details | Source Detail | d3 | |
| 03/19/86 | Hampton Coliseum | 2 | aud> sony mics> cassette master> cdr; via Mike Lai | Source Detail | d3 | |
| 03/19/86 | Hampton Coliseum | 2 | flac16; Sennheiser 421s > Sony D-5 (Dolby B in) > MAC taped by Tim Alexander Transfer: Playback on Nakamich DR-1 (Dolby B out) > Tascam HD-P2 (16bit/44.1khz) > WAV > FLAC Patch source: Mike Lai archive.org seed (Sony mikes > C > CD) - shnid 3905 | Source Detail | d3 | |
| 03/20/86 | Hampton Coliseum | 2 | flac16; Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. | Source Detail | d4 | |
| 03/20/86 | Hampton Coliseum | 2 | Updated Source info: Unknown Audience Recording (Had been marked: Matrix SBD>MC>C>CD) Some minor digi-noise noted; See txt for details; via Jim Skinner; Seeded to etree by Willy | Source Detail | d4 | |
| 03/20/86 | Hampton Coliseum | 2 | aud> sony mics> cassette master> cdr; via Mike Lai; reportedly may circulate with or without Comes a Time, possibly from 3/31/86, as filler (d1t10) | Source Detail | d4 | |
| 03/21/86 | Hampton Coliseum | 1 | 1st set only; Updated lineage: Unknown Audience recording (Had been marked: Matrix SBD>MC>C>CD); via Jim Skinner; Seeded to etree by Willy | Source Detail | d1 | |
| 03/21/86 | Hampton Coliseum | 2 | Nakamichi 300 with Shotguns, Marantz PMD-430; Transfer: Nakamichi BR3 -> Cool Edit 2000 -> Shn; see info file for flaw notes; via Willy | Source Detail | d4 | |
| 03/21/86 | Hampton Coliseum | 2 | flac16; Source: Unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. | Source Detail | d4 | |
| 03/23/86 | The Spectrum | 3 | Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools. Taped & Transfered by Brian Mandel | Source Detail | d5 | |
| 03/23/86 | The Spectrum | 2 | flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci | Source Detail | d5 | |
| 03/23/86 | The Spectrum | 3 | MAC (Sony TCD5M 2Sennheiser ME-80 & 2 Sennheiser 441's) > wav > shn | Source Detail | d5 | |
| 03/24/86 | The Spectrum | 2 | AUD> Sony microphones> Nakamichi BX-300 deck> Maxell metal cassette, Recorded by Tony Cirella; Playback: Nakamichi DR?10> Monster analog cables> Tascam CD-RW700 CD burner> CD, transfer by Paul B.; EAC>SHN Greg Kerbel; tape flip in Space | Source Detail | d5 | |
| 03/24/86 | The Spectrum | 2 | Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools | Source Detail | d5 | |
| 03/24/86 | The Spectrum | 2 | AUD> Sony microphones> Nakamichi BX-300 deck> Maxell metal cassette, Recorded by Tony Cirella; Playback: Nakamichi DR?10> Monster analog cables> Tascam CD-RW700 CD burner> CD, transfer by Paul B.; EAC>SHN Greg Kerbel; tape flip in Space | Source Detail | d6 | |
| 03/24/86 | The Spectrum | 2 | Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN This is a new seed, with sector boundary errors fixed but otherwise no changes, April 2003. (Peter Braverman) | Source Detail | d6 | |
| 03/24/86 | The Spectrum | 2 | Source Info: SBD -> Cassette Master -> ? -> Cassette -> CD -> EAC -> SHN -> Samplitude v7.02 Professional -> SHN Patch Info: Schoeps CMC4/MK4 -> Cassette Master (Sony D5) -> Dat -> Cool Edit Pro -> SHN Patched and Edited By Charlie Miller | Source Detail | d6 | |
| 03/24/86 | The Spectrum | 2 | Source: Schoeps CMC 4's/MK 4's > Sony D5 > DA-P1 > CDR > EAC > Cool Edit Pro 2.0 > CDWave > mkwACT The between track crowd noise in the first set was edited out on the source discs. I used crossfades to make this as fluid as possible. Thanks to Mark McCue for the source discs. EAC'd/Seeded by Doug Nawrocki | Source Detail | d6 | |
| 03/25/86 | The Spectrum | 2 | AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor; flip in Don't Ease, no other flaws noted; d2 tracked for 80 min | Source Detail | d6 | |
| 03/25/86 | The Spectrum | 2 | Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel | Source Detail | d7 | |
| 03/25/86 | The Spectrum | 2 | flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci | Source Detail | d7 | |
| 03/25/86 | The Spectrum | 2 | Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start | Source Detail | d7 | |
| 03/27/86 | Cumberland County Civic Center | 2 | flac16; Source: FOB Nakamichi 700s > Sony D6 > Maxell MX90 metal master audience cassettes. Taped by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox (preamp and A/D) > firewire/P4/XP Pro > recorded as 24 bit/96 KHz WAV (Wavelab 5) > rendered to 16 bit/44.1 KHz WAV (Waves L3 Multimaximizer, hi res CD settings) > tracking (CDWAV 1.9) > FLAC, level 8 encoding | Source Detail | d7 | |
| 03/27/86 | Cumberland County Civic Center | 2 | Source: FOB(CENTER)>AUD>MC>CDR Neumann U87's>Uher CR240>Maxell XLII 90 Cass. Master>Marantz Pro CDR 500 Paul Hogan recording. Note: Original seed (shnid#5003) was TAO. Someone fixed it and uploaded it to TOL in 3/03. | Source Detail | d7 | |
| 03/27/86 | Cumberland County Civic Center | 2 | SBD> Cassette Master> Reel> Dat> ?> Dat> CD -> EAC> SHN; plus AUD patch from (FOB) Neumann U87> Cassette Master> CD, using Samplitude v7.02 Professional; SHN Conversion and Patch By Charlie Miller; Upgrade in circulation | Source Detail | d8 | |
| 03/27/86 | Cumberland County Civic Center | 3 | flac16; MAC (Sennheiser 421s + Nakamichi 300 shotguns > Yamaha mixer > Sony D5 (Dolby B)) taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B) > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC | Source Detail | d8 | |
| 03/28/86 | Cumberland County Civic Center | 3 | flac16; Source: FOB Sennheiser ME88 > D5 > Maxell Metal Cassette master. Transfer: Playbackon Nakamichi BX-100 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > FLAC. Original recording, transfer, and FLAC'ing by Bill K. Mastering: Wavelab 5 (crossfades to smooth flips, minimal Waves L3 (-1 dB threshold)) > CDWAV 1.9 > FLAC by Chris L. | Source Detail | d8 | |
| 03/28/86 | Cumberland County Civic Center | 2 | FOB (Center)> AUD> MC> CDR Neumann U87's> Uher CR240> Maxell XLII 90 Cass. Master> Marantz Pro CDR 500; Paul Hogan Recording; EAC/SHN by Charles Hogan | Source Detail | d8 | |
| 03/28/86 | Cumberland County Civic Center | 3 | flac16; Sennheiser 421s + Nakamichi 300s > Yamaha mixer > Sony D5 (Dolby B) > MAC taped by Tim Alexander Transfer: MAC playback on Nakamichi DR-1 > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC | Source Detail | d8 | |
| 03/30/86 | Providence Civic Center | 2 | Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller | Source Detail | d9 | |
| 03/30/86 | Providence Civic Center | 2 | Nak 300/Sony D5> Nakamichi BX-300> CD; via Stephen B. Porter; Seeded to etree by Peter Braverman | Source Detail | d9 | |
| 03/31/86 | Providence Civic Center | 2 | flac16; Source: Audience FOB Recording Media: TDK HX-90 Cassette Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Taped by: D. Thompson Transfer by: A. Egert Mastering by: SIRMick | Source Detail | new seed d45 | |
| 03/31/86 | Providence Civic Center | 2 | AUD>MC>CDR; via Mr.Benson; seedeD | Source Detail | d9 | |
| 03/31/86 | Providence Civic Center | 2 | flac16; Source: Audience FOB Recording Media: TDK HX-90 Cassette Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Taped by: D. Thompson Transfer by: A. Egert Mastering by: SIRMick | Source Detail | d9 | |
| 03/31/86 | Providence Civic Center | 2 | Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info:Nakamichi 300/CP4 -> Master Cassette (Marantz PMD430) -> CD (Tascam CDRW5000) -> EAC -> Cool Edit Pro v1.2 -> SHN (Taped By Jon Pasternak) via Charlie Miller; the origianal seed for this source had a flaw in d2t06; Upgrade in circulation | Source Detail | d10 | |
| 03/31/86 | Providence Civic Center | 3 | flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: *OTS Floor Sec 7 Row C, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci | Source Detail | d10 | |
| 04/01/86 | Providence Civic Center | 2 | Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info: Nakamichi 300/CP4 -> Master Cassette (Sony D5) -> CD via Charlie Miller | Source Detail | d10 | |
| 04/01/86 | Providence Civic Center | 2 | Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN; via Stephen B. Porter; Peter Braverman. [Note: Original shn set had sbe's on all tracks - a sbe-fixed-by set- version also circulates] | Source Detail | d10 | |
| 04/01/86 | Providence Civic Center | 2 | flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: *OTS Floor Sec 7 Row F, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci | Source Detail | d10 | |
| 04/01/86 | Providence Civic Center | 2 | Unknown Sony Mics> Sony TC-D5> Maxell Metal Cassette; Transfer: Nakamichi DR-10> Monster Analog cables> Tascam CD-RW700 Burner; Edit: EAC (IOMEGA CDRW9602EXT-B, Secure with C2, accurate stream, NO disable cache, Read offset correction = -147)> CE2K> SHNTOOL> mkwACT; via mattman | Source Detail | d11 | |
| 04/03/86 | Hartford Civic Center | 2 | flac16; FOB/TS - Schoeps CMC 44 Cardioids > Sony PCM F1, FOB > Sony PCM 601 > Sony /2000ES DAT > PC > Adobe Audition 1.5 > Shntool > flac lvl 8 | Source Detail | new seed d19 | |
| 04/03/86 | Hartford Civic Center | 3 | Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Location: 10Flor Sec 8 Row N Seat 3 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Taped & Transfered by Brian Mandel | Source Detail | d11 | |
| 04/03/86 | Hartford Civic Center | 3 | flac16; Source: Nakamichi CM304's(pointed)>Sony D5M(Maxell MX) Location: OTS Stand at 10 feet. Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>cdwav>flac16 Taped, Transfered and uploaded by Tony Suraci | Source Detail | d11 | |
| 04/03/86 | Hartford Civic Center | 3 | Vault PCM Master->10 inch reels at 15 ips->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Michael P. Weitzman Transfer and SHN by Joe Samaritano | Source Detail | d11 | |
| 04/03/86 | Hartford Civic Center | 2 | flac16; FOB/TS - Schoeps CMC 44 Cardioids > Sony PCM F1, FOB > Sony PCM 601 > Sony /2000ES DAT > PC > Adobe Audition 1.5 > Shntool > flac lvl 8 | Source Detail | d12 | |
| 04/04/86 | Hartford Civic Center | 2 | flac16; Schoeps CMC 44 Cardioids > Sony PCM F1, FOB/TS > Sony PCM 601 > Sony /2000ES DAT > PC > Adobe Audition 1.5 > Shntool > flac lvl8 | Source Detail | new seed d19 | |
| 04/04/86 | Hartford Civic Center | 2 | AUD>MC>CDR; via Mr.Benson; seedeD | Source Detail | d11 | |
| 04/04/86 | Hartford Civic Center | 3 | Recording Info: Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA-R60 1st set; MA-R90 2nd set)Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Recorded, Transferred, Patched and Tracked by Charlie Connor | Source Detail | d12 | |
| 04/04/86 | Hartford Civic Center | 3 | Source: Nakamichi 300 Shotguns CP4's & Sony TCD5M. Location: 10Flor Sec 8 Row M Seat 4 Transfered:Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn. Taped and transfered by Brian Mandel | Source Detail | d12 | |
| 04/04/86 | Hartford Civic Center | 3 | flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: *OTS Floor Sec 8 Row F, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci | Source Detail | d12 | |
| 04/04/86 | Hartford Civic Center | 2 | flac16; Schoeps CMC 44 Cardioids > Sony PCM F1, FOB/TS > Sony PCM 601 > Sony /2000ES DAT > PC > Adobe Audition 1.5 > Shntool > flac lvl8 | Source Detail | d12 | |
| 04/12/86 | Irvine Meadows | 2 | flac16; (FOB) Sennheiser 441s > Sony D5 > MAC > 1st Gen Cassettes. Tapers: Adam & Justin. 1st Gen Cassettes provided by Mark McCue. Transfer, edits, conversion & seeding by Alex Ford May 2007. | Source Detail | d13 | |
| 04/12/86 | Irvine Meadows | 2 | AUD>MC>DAT>CDR; Schoeps CMC44?s; via Joe Brown; seedeD | Source Detail | d13 | |
| 04/13/86 | Irvine Meadows | 2 | flac16; SBD -> Cassette Master -> Cassette -> Cassette; All Transfers and Mastering By Charlie Miller | Source Detail | d26 | |
| 04/13/86 | Irvine Meadows | 2 | flac 16; Source: (FOB) Sennheiser 441s > Sony D5 > MAC > 1st Gen Cassettes Tapers: Adam and Justin; 1st Gen Cassettes provided by Mark McCue;24 bit transfer, edits, conversion & seeding by Alex Ford | Source Detail | d13 | |
| 04/13/86 | Irvine Meadows | 2 | flac16; SBD -> Cassette Master -> Cassette -> Cassette; All Transfers and Mastering By Charlie Miller | Source Detail | d13 | |
| 04/13/86 | Irvine Meadows | 2 | AUD>MC>DAT>CDR; Schoeps CMC34?s; via Annie Beauneu; seedeD | Source Detail | d13 | |
| 04/18/86 | Berkeley Community Theater | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d19 | |
| 04/18/86 | Berkeley Community Theater | 2 | flac16; Don Crandel's PCM, Schoeps, FOB > ? > CDR > EAC to transfer the CDR's to WAV > Trader's Little Helper v.1.0.0.72 for SBE-OK, checksums, and lossless compression to FLAC | Source Detail | d14 | |
| 04/18/86 | Berkeley Community Theater | 2 | flac16; Recording Info: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC All Transfers and Mastering By David Gans Converted To FLAC By Charlie Miller | Source Detail | d14 | |
| 04/18/86 | Berkeley Community Theater | 2 | unknown SBD; upgrade in circulation | Source Detail | d14 | |
| 04/18/86 | Berkeley Community Theater | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | d14 | |
| 04/19/86 | Berkeley Community Theater | 2 | flac16; Recording Info: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC All Transfers and Mastering By David Gans | Source Detail | new seed d20 | |
| 04/19/86 | Berkeley Community Theater | 1 | flac16; Patched tracks of the SBD -> PCM source (shn id 34764) | Source Detail | d8 | |
| 04/19/86 | Berkeley Community Theater | 2 | flac16; Recording Info: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC All Transfers and Mastering By David Gans | Source Detail | d15 | |
| 04/19/86 | Berkeley Community Theater | 2 | SBD> MC> DAT> CDR> WAV> SHN; DAE (EAC)> d/o repair (sound forge 5)> tracking (cdwav> boundary check (shntool)> SHN (mkwact)> FTP via neo_levo | Source Detail | d15 | |
| 04/19/86 | Berkeley Community Theater | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | d15 | |
| 04/21/86 | Berkeley Community Theater | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d20 | |
| 04/21/86 | Berkeley Community Theater | 2 | flac16; Recording Info: Set 1: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: SBD -> PCM -> Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By David Gans and Charlie Miller | Source Detail | new seed d20 | |
| 04/21/86 | Berkeley Community Theater | 2 | flac16; Recording Info: Set 1: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: SBD -> PCM -> Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By David Gans and Charlie Miller | Source Detail | d15 | |
| 04/21/86 | Berkeley Community Theater | 2 | SBD> Master Cassette> DAT> CDR> EAC> SHN; via Jeff M. | Source Detail | d15 | |
| 04/21/86 | Berkeley Community Theater | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | d15 | |
| 04/22/86 | Berkeley Community Theater | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d20 | |
| 04/22/86 | Berkeley Community Theater | 2 | flac16; Recording Info: Set 1: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: SBD -> PCM -> Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By David Gans and Charlie Miller | Source Detail | new seed d20 | |
| 04/22/86 | Berkeley Community Theater | 2 | AUD>PCM>DAT>CDR; via Johanna; seedeD | Source Detail | d16 | |
| 04/22/86 | Berkeley Community Theater | 2 | flac16; Recording Info: Set 1: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: SBD -> PCM -> Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By David Gans and Charlie Miller | Source Detail | d16 | |
| 04/22/86 | Berkeley Community Theater | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | d16 | |
| 05/03/86 | Cal Expo Amphitheatre | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 | Source Detail | new seed d26 | |
| 05/03/86 | Cal Expo Amphitheatre | 2 | Beyer M88s>PCM>metal cass>CDR; via Drew Berry; Seeded to etree by jimmy cronk | Source Detail | d16 | |
| 05/03/86 | Cal Expo Amphitheatre | 2 | SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko | Source Detail | d16 | |
| 05/03/86 | Cal Expo Amphitheatre | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 | Source Detail | d17 | |
| 05/04/86 | Cal Expo Amphitheatre | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d26 | |
| 05/04/86 | Cal Expo Amphitheatre | 2 | SBD -> PCM -> ? -> Cass (DBX) -> Dat; Seeded to etree by Charlie Miller | Source Detail | d17 | |
| 05/04/86 | Cal Expo Amphitheatre | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d17 | |
| 05/04/86 | Cal Expo Amphitheatre | 2 | AUD>PCM>DAT>CDR; Schoeps CMC-441's>Sony PCM-F1; Thanks to Billie Jean; seedeD | Source Detail | d17 | |
| 05/10/86 | Frost Amphitheatre | 3 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d29 | |
| 05/10/86 | Frost Amphitheatre | 3 | AUD>MC*>DAT>CDR; via Abraham & Isaac; seedeD | Source Detail | d17 | |
| 05/10/86 | Frost Amphitheatre | 3 | SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko | Source Detail | d18 | |
| 05/10/86 | Frost Amphitheatre | 3 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d18 | |
| 05/11/86 | Frost Amphitheatre | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d46 | |
| 05/11/86 | Frost Amphitheatre | 2 | AUD> Beyer Dynamic M88's> D5 (CM)> Nak MR2 (Playback)> Panasonic 3700 (ADC only, no DAT stage)> ZA2> Sound Forge (crossfading over tape flips only)> CDRx1> EAC> SHN; taped by Charlie Connor; A>D conversion by Stephen Agan; via Charlie Connor to abgd; see alternate tracking suggestions in info file | Source Detail | d18 | |
| 05/11/86 | Frost Amphitheatre | 3 | SBD>MC>DAT>CDR (Additional Cass generations?); via Tony Gardner | Source Detail | d18 | |
| 05/11/86 | Frost Amphitheatre | 3 | flac16; SBD > MC > C > DAT > CD > EAC > FLAC; inlcuding AUD patches from previous Beyer source; EAC/FLAC by Darryl Hinko, from David Feldstein's source discs | Source Detail | d18 | |
| 05/11/86 | Frost Amphitheatre | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d19 | |
| 06/20/86 | Greek Theatre, University Of California | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d29 | |
| 06/20/86 | Greek Theatre, University Of California | 2 | Sean Webber-Small Recording -- Spaced (8') Schoeps CMC42s->m118>MOD PCM-1 Transfer: Sony PCM-601ESD > Terratec EWX2496 card > DAW > DSP by Doug Oade tracked (cdwave) and re-flac'ed by Darrin Sacks | Source Detail | d19 | |
| 06/20/86 | Greek Theatre, University Of California | 3 | AUD>MC>DAT>CDR; Senn 441>Sony TC-D5; Thanks to the Plowman; seedeD | Source Detail | d19 | |
| 06/20/86 | Greek Theatre, University Of California | 2 | SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko | Source Detail | d19 | |
| 06/20/86 | Greek Theatre, University Of California | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d19 | |
| 06/21/86 | Greek Theatre, University Of California | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 | Source Detail | new seed d46 | |
| 06/21/86 | Greek Theatre, University Of California | 3 | flac16; matrix sources: set 1: sbd > pcm > dat > sonic solutions > cd > eac > flac transferred and mastered by David Gans set 2: sbd > cassette master (sony d5/maxell mx-90) transferred and mastered by Laurie Partridge aud: Jim Oade recording -120 degree schoeps cmc44 > mod pcm-1 | Source Detail | new seed d21 | |
| 06/21/86 | Greek Theatre, University Of California | 3 | flac16; matrix sources: set 1: sbd > pcm > dat > sonic solutions > cd > eac > flac transferred and mastered by David Gans set 2: sbd > cassette master (sony d5/maxell mx-90) transferred and mastered by Laurie Partridge aud: Jim Oade recording -120 degree schoeps cmc44 > mod pcm-1 | Source Detail | d20 | |
| 06/21/86 | Greek Theatre, University Of California | 3 | Jim Oade Recording -- 120 degree Schoeps CMC44 ->MOD PCM-1 Transfer: Master PCM>DAW (via Sekd card)> DSP by Doug Oade using Audacity (Linux) -- Downloaded, tracked (cdwave) and re-flac'ed by Darrin (dsacks@pcisys.net) | Source Detail | d20 | |
| 06/21/86 | Greek Theatre, University Of California | 2 | MSC>DAT>CDR>SHN; Discs from Andy L. DAE and SHN (Seekable) by tbrame | Source Detail | d20 | |
| 06/21/86 | Greek Theatre, University Of California | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 | Source Detail | d20 | |
| 06/21/86 | Greek Theatre, University Of California | 3 | AUD>MC>DAT>CDR; Senn 441?s>Sony TC-D5; via the Poor Boy; seedeD | Source Detail | d20 | |
| 06/21/86 | Greek Theatre, University Of California | 1 | flac16; Set 1 only: Recording Info: SBD -> PCM -> Dat -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> FLAC Converted By Charlie Miller | Source Detail | d21 | |
| 06/22/86 | Greek Theatre, University Of California | 3 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d46 | |
| 06/22/86 | Greek Theatre, University Of California | 3 | Primary Source: Recording Info: FOB(DFC)>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's) Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Secondary Source: Neumann kmi-84->neumann bs48i-2>pcmf1,(at sbd)PCM->DAT shn id 7281 The secondary source covers patches in the last 26 seconds of d2t05(drums); the first 12 seconds of d3to1 (space) Recorded, digitally mastered and patched by Charlie Connor | Source Detail | d21 | |
| 06/22/86 | Greek Theatre, University Of California | 3 | Neumann kmi-84-> Neumann bs48i-2> pcmf1, at sbd; ; Taper Randy Fleck; PCM-> DAT: Sony pcm-601esd-> panasonic 3500; DAT->CD: fostex d5->marantz cdr615-> eac-> cdwav-> mkwact | Source Detail | d21 | |
| 06/22/86 | Greek Theatre, University Of California | 3 | DSDB> DAT> CDr; via Mike Lai | Source Detail | d21 | |
| 06/22/86 | Greek Theatre, University Of California | 3 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d21 | |
| 06/26/86 | Hubert H. Humphrey Metrodome | 2 | Recording Info: Sony ECM-939 -> Cassette Master -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Transfered and Edited By Charlie Miller | Source Detail | d22 | |
| 06/28/86 | Alpine Valley Music Theatre | 2 | AUD>MC>??>DAT>CDR; via Mary Shelly; seedeD | Source Detail | d22 | |
| 06/28/86 | Alpine Valley Music Theatre | 2 | flac16; Source: FOB(21st Row)>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's);Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16: Taped by Jim Vita; Transferred by Charlie Connor | Source Detail | d22 | |
| 06/28/86 | Alpine Valley Music Theatre | 2 | Recording Info: SBD -> Cassette Master -> ? -> Dat -> CD Editing Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Patch Info: Looks Like Rain -> Don't Ease Me In Patched From AUD -> Cassette Master -> ? -> Dat -> CD Editing and Patch Done By Charlie Miller | Source Detail | d22 | |
| 06/29/86 | Alpine Valley Music Theatre | 2 | AUD> MC> ??> DAT> CDR; via Tom Thumb; seeded by eD | Source Detail | d22 | |
| 06/29/86 | Alpine Valley Music Theatre | 2 | flac16; Source: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's) Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped and transferred by Charlie Connor | Source Detail | d23 | |
| 06/30/86 | Riverbend Music Center | 2 | Schoeps CMC4/MK4 -> Oade M118 -> PCM -> Dat -> CD; via the Captain; seedeD (updated source info) | Source Detail | d23 | |
| 06/30/86 | Riverbend Music Center | 2 | flac16; Source: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped and transferred by Charlie Connor | Source Detail | d23 | |
| 06/30/86 | Riverbend Music Center | 2 | flac16; Schoeps CMC4/MK4 -> Oade M118 -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation | Source Detail | d23 | |
| 07/02/86 | Rubber Bowl, University of Akron | 2 | 2 Beyer M160 FOB> Sony TCD5M Master Cassette>shn | Source Detail | d22 | |
| 07/02/86 | Rubber Bowl, University of Akron | 2 | AUD>DAT>CDR; via the Doodah Man; seedeD | Source Detail | d23 | |
| 07/02/86 | Rubber Bowl, University of Akron | 2 | flac16; Source: Audience FOB Recording, Media: Denon HD8 90 min High Bias Tape Lineage: AKG C460b preÃs with Ck61uls capsules > Uher CR260AV > MAC Transfer: Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak > WAV Taped by: D. Thompson Transfer by: A. Egert Mastering by: M. Hughey | Source Detail | d24 | |
| 07/04/86 | Rich Stadium | 2 | CDR source: AUD > Sennheiser 441 > D5 > ? > HHB stand-alone burner > CDR Video source: AUD > Farm-Aid satellite feed > Hi-Fi VHS x ? ; includes uncut drums>space | Source Detail | d24 | |
| 07/04/86 | Rich Stadium | 2 | FOB-AUD>MC>DAT>CDR; Senn 421?s>Sony TC-D5; via Uncle Sam; seeded by eD | Source Detail | d24 | |
| 07/04/86 | Rich Stadium | 2 | flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d88 | |
| 07/06/86 | Robert F. Kennedy Stadium | 2 | FOB-AUD>MC>DAT>CDR; Senn 421?s>Sony TC-D5; via Frankenstein; seeded by eD | Source Detail | d24 | |
| 07/06/86 | Robert F. Kennedy Stadium | 2 | flac16; Source: FOB Sennheiser 441s > Sony D5 > MAC (TDK MA90s). Taped by B.Koucky, patched from S.Adelman. Transfer: MAC playback on Nakamich CR-7A, azimuth adjusted > Lunatec V3 > LynxTwo > PC (Wavelab 5) > HD @ 24 bit/96 KHz) > Ozone 3 > 16/44.1 FLAC by Chris L. | Source Detail | d24 | |
| 07/07/86 | Robert F. Kennedy Stadium | 1 | flac16; "Partial" SBD >multi gen cass> Sony TC-WE305 > Rotel 1090 > Rane ME60 analog processor > Tascam CD-RW 750 > CD > Eac (secure) > cdwav > CE pro 2.1 > flac16 (level 8) | Source Detail | d14 | |
| 07/07/86 | Robert F. Kennedy Stadium | 2 | flac16; Master: In-house FM > Portable FM Receiver > Cassette Master (Sony TC-D6C) Transfer: Cassette Master (NAD 6050C) > SBM > DAT @48kHz (Sony PCM R500) > VXPocket v2 > Dell Inspiron 9300 > Sound Forge (v. 6.0) (editing, 48>44.1kHz resample) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC Mastered (on my 22nd birthday) and transfered by Dan Gale (dgale@loslobos.org) | Source Detail | d24 | |
| 07/07/86 | Robert F. Kennedy Stadium | 2 | FOB Aud> Schoeps cmc3mk4> PCM> DAT> CD> EAC (Secure mode)> CDWave (Retracking only)> shnv3 (MKW ACT); with patches from second AUD (see info file); EAC/ Patched/ Retracked/ Shn'd by Charlie Connor; with thanks to Mike Lai and Jon Rianhard; Seeded to abgd by Trip Bates | Source Detail | d25 | |
| 07/07/86 | Robert F. Kennedy Stadium | 2 | flac16; In-House FM -> FM Receiver -> Cassette Master (Sony TC-D6C/Denon HD-M90) All Transfers and Mastering By Charlie Miller | Source Detail | new seed d88 | |
| 12/15/86 | Oakland-Alameda County Coliseum | 3 | Field: Nakamichi CM-101 > Nakamichi 550 > Sony WM-D6C (Master) Tapers: Adam Smith & Andy Liu (dwonk) Location: DFC of Taper Section (actually FOB by about 30 feet), 10' spread between mics (AB Stereo, two channel) Transfer: Nakamichi DR-3 (Master) > Oade adc24mod SONY SBM-1 > M-Audio AP2496 > Sound Forge XP4.5 > CDwave1.6 > FLAC |
Source Detail | d25 | |
| 12/15/86 | Oakland-Alameda County Coliseum | 3 | flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci/nak700 | Source Detail | d25 | |
| 12/15/86 | Oakland-Alameda County Coliseum | 3 | Source: SBD Lineage: Master Cassette> DAT> CD> SHN via Peter Braverman | Source Detail | d25 | |
| 12/15/86 | Oakland-Alameda County Coliseum | 3 | Master Dolby B Cass>Sonic Solutions via TC2000 @ 24 bits>SBM2 CD>CD > EAC[secure] > SHN. [Note - this is apparently another version of the KPFA sbd source.] | Source Detail | d26 | |
| 12/16/86 | Oakland-Alameda County Coliseum | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | new seed d21 | |
| 12/16/86 | Oakland-Alameda County Coliseum | 3 | flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci/nak700 | Source Detail | d26 | |
| 12/16/86 | Oakland-Alameda County Coliseum | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | d26 | |
| 12/16/86 | Oakland-Alameda County Coliseum | 2 | Src: SBD > ?? > cassette > .wav > CDR > EACed to .wav > .shn; Seeded to abgd by Bill Tetzeli | Source Detail | d26 | |
| 12/17/86 | Oakland-Alameda County Coliseum | 3 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | new seed d21 | |
| 12/17/86 | Oakland-Alameda County Coliseum | 3 | AUD>DAT>CDR; Nak 300's; via Melinda; seedeD | Source Detail | d27 | |
| 12/17/86 | Oakland-Alameda County Coliseum | 3 | flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham | Source Detail | d27 | |
| 12/17/86 | Oakland-Alameda County Coliseum | 3 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | d27 | |
| 12/27/86 | Henry J. Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | new seed d21 | |
| 12/27/86 | Henry J. Kaiser Convention Center | 2 | Set 1: SBD > MC > ? > DAT > CDR> WAV > SHN Set 2: SBD > MC > DAT > CDR > WAV > SHN; Seeded to etree by Chris L | Source Detail | d25 | |
| 12/27/86 | Henry J. Kaiser Convention Center | 3 | flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci | Source Detail | d27 | |
| 12/27/86 | Henry J. Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | d28 | |
| 12/28/86 | Henry J. Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | new seed d21 | |
| 12/28/86 | Henry J. Kaiser Convention Center | 3 | flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci | Source Detail | d28 | |
| 12/28/86 | Henry J. Kaiser Convention Center | 2 | Ultramatrix (SBD/AUD mix)> Master cassette> DAT> CD> SHN; via Charlie Miller; Seeded to etree by Peter Braverman | Source Detail | d28 | |
| 12/28/86 | Henry J. Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | d28 | |
| 12/30/86 | Henry J. Kaiser Convention Center | 3 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | new seed d22 | |
| 12/30/86 | Henry J. Kaiser Convention Center | 3 | flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci | Source Detail | d29 | |
| 12/30/86 | Henry J. Kaiser Convention Center | 3 | SBD> Cm> DAT> CD> EAC> CDWAV editing > SHN (seekable); via Steve Barbella | Source Detail | d29 | |
| 12/30/86 | Henry J. Kaiser Convention Center | 3 | flac16; shn id 77446: MSC -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC patched with shn id 6025: Barbella source - SBD> Cm> DAT> CD> EAC> CDWAV editing > SHN (seekable) and multigen cassette purporting to be from an FM post-dated broadcast (no shnid). | Source Detail | d29 | |
| 12/30/86 | Henry J. Kaiser Convention Center | 3 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | d29 | |
| 12/31/86 | Henry J. Kaiser Convention Center | 3 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | new seed d22 | |
| 12/31/86 | Henry J. Kaiser Convention Center | 3 | flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci | Source Detail | d26 | |
| 12/31/86 | Henry J. Kaiser Convention Center | 3 | Pre-FM SBD > PCM > CDR > WAV > SHNv3; DAE (EAC> shntools> ftp) by neo_levo | Source Detail | d30 | |
| 12/31/86 | Henry J. Kaiser Convention Center | 3 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | d30 | |
| 01/28/87 | San Francisco Civic Auditorium | 3 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d47 | |
| 01/28/87 | San Francisco Civic Auditorium | 3 | flac16; Source: Nakamichi 100s, taper's section > Sony D5 > Maxell MX90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3, rendered to 16/44.1 using Waves IDR hi res CD dither settings > CDWAV 1.9 > FLAC (level 8 encoding). Digital transfer, rendering and FLAC encoding by C.Ladner. | Source Detail | d1 | |
| 01/28/87 | San Francisco Civic Auditorium | 2 | Source: SBDcm(Healy Mix)>DAT>CDR>EAC>WAVE LAB>CD WAVE>MKW>SHN; Seeded to etree by Steven Leeds | Source Detail | d1 | |
| 01/28/87 | San Francisco Civic Auditorium | 3 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d1 | |
| 01/29/87 | San Francisco Civic Auditorium | 2 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d47 | |
| 01/29/87 | San Francisco Civic Auditorium | 2 | flac16; Source: Nakamichi 100s, taper's section > Sony D5 > Maxell MX90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3, rendered to 16/44.1 using Waves IDR hi res CD dither settings > CDWAV 1.9 > FLAC (level 8 encoding). Digital transfer, rendering and FLAC encoding by C.Ladner. | Source Detail | d1 | |
| 01/29/87 | San Francisco Civic Auditorium | 2 | Healey ultramix: PCM -> Cassette Master > wav > mkw > shn; Seeded to etree by drgseeds via Bob H | Source Detail | d2 | |
| 01/29/87 | San Francisco Civic Auditorium | 2 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d2 | |
| 01/30/87 | San Francisco Civic Auditorium | 3 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d47 | |
| 01/30/87 | San Francisco Civic Auditorium | 3 | AUD>DAT>CDR; via Easy Jim; Seeded to etree by eD | Source Detail | d2 | |
| 01/30/87 | San Francisco Civic Auditorium | 2 | flac16; Source: Nakamichi 100s, taper's section > Sony D5 > Maxell MX90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3, rendered to 16/44.1 using Waves IDR hi res CD dither settings > CDWAV 1.9 > FLAC (level 8 encoding). Digital transfer, rendering and FLAC encoding by C.Ladner. | Source Detail | d2 | |
| 01/30/87 | San Francisco Civic Auditorium | 3 | SBD > MC > C > DAT > CD > EAC > SHN; EAC?SHN by Darryl Hinko | Source Detail | d3 | |
| 01/30/87 | San Francisco Civic Auditorium | 3 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d3 | |
| 03/01/87 | Henry J. Kaiser Convention Center | 3 | flac16; Recording Info: SBD -> Cassette Master (Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d47 | |
| 03/01/87 | Henry J. Kaiser Convention Center | 3 | SBD>MC>DAT>SF>CDR; via Tom Banjo; Seeded to etree by eD | Source Detail | d3 | |
| 03/01/87 | Henry J. Kaiser Convention Center | 3 | SBD > DAT > CDR > EAC > SHN via Fishman | Source Detail | d3 | |
| 03/01/87 | Henry J. Kaiser Convention Center | 3 | Soundboard->Master Cassettes->Sonic 20-bit->Sony SBM2->CD. CD->EAC->SHN. Transfer, edits, and SHN by Joe Samaritano | Source Detail | d4 | |
| 03/01/87 | Henry J. Kaiser Convention Center | 3 | flac16; Recording Info: SBD -> Cassette Master (Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d4 | |
| 03/02/87 | Henry J Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 This is a Matrix SBD, the straight SBD also circulates | Source Detail | d5 | |
| 03/02/87 | Henry J Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 | Source Detail | new seed d48 | |
| 03/02/87 | Henry J Kaiser Convention Center | 2 | SBD; conversion by Mike Lai, from Bruce Fried's seed | Source Detail | d4 | |
| 03/02/87 | Henry J Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 | Source Detail | d4 | |
| 03/03/87 | Henry J Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 | Source Detail | new seed d48 | |
| 03/03/87 | Henry J Kaiser Convention Center | 2 | SBD > MC > DAT > CDR; via neo_levo/candyman FTP | Source Detail | d5 | |
| 03/03/87 | Henry J Kaiser Convention Center | 2 | flac16; Recording info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 This is a Matrix SBD, the straight SBD also circulates | Source Detail | d5 | |
| 03/03/87 | Henry J Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 | Source Detail | d5 | |
| 03/22/87 | Hampton Coliseum | 2 | flac16; Nakamichi CM-100 mics with CP-4 shotgun capsules. Floor, right side (Jerry's side) of SBD. All transfers and Mastering done by Jamie Waddell on the GEMS Edit Station Trac'ed Cdwave Flac'ed level 8 TLH | Source Detail | d5 | |
| 03/22/87 | Hampton Coliseum | 2 | flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d6 | |
| 03/22/87 | Hampton Coliseum | 2 | Master Soundboard Cassette (Ultra-Matrix) > Reel to Reel > PCM > CDR; CD Mastering, SHN'ed by Scott Clugston; To abgd via Charlie Connor | Source Detail | d6 | |
| 03/22/87 | Hampton Coliseum | 2 | Recording Info:Set 1: SBD -> Master Cassette -> Reel -> PCM -> CD Set 2: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller | Source Detail | d6 | |
| 03/22/87 | Hampton Coliseum | 3 | FOB Schoeps CMC441 > Oade P.S. > Sony PCMF1; Sony PCMF1> DAT by Sean Weber-Small; Tranfer: DAT (master, direct copy from PCM @ 44.1) Sony DTC-A6 > DIO 2448 > CDWAV > SHN by Bill Gardner; QC by dankseeds | Source Detail | d6 | |
| 03/22/87 | Hampton Coliseum | 2 | flac16; Source: Sennheiser shotguns (ME-88) > Sony D6 > TDKMA90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res dither settings) > CDWAV 1.9 > FLAC (level 8 encoding). Transfer and FLAC encoding by C.Ladner. | Source Detail | d6 | |
| 03/23/87 | Hampton Coliseum | 3 | flac16; taper : Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d7 | |
| 03/23/87 | Hampton Coliseum | 2 | flac16; Nakamichi CM-100's with CP-4 shotgun capsules>>Sony D-5 cassette recorder located just at the right front lip of the soundboard. Recorded by Greg Holtz & Mike Rice master cass> tascam112mkII>presonus firestudio>firewire>wavelab6.0 a GEMS transfer at 32bf/96kHz, crystal resampler to 16/44.1 in wavelab 6.0 by Jamie Waddell | Source Detail | d7 | |
| 03/23/87 | Hampton Coliseum | 3 | FOB Schoeps CMC44 > Oade P.S. > Sony PCMF1; Sony PCMF1> DAT by Sean Weber-Small; CD Transfer: DAT (master, direct copy from PCM @ 44.1) Sony DTC-A6 > DIO 2448 > CDWAV > SHN by Bill Gardner; QC by dankseeds | Source Detail | d7 | |
| 03/23/87 | Hampton Coliseum | 2 | flac16; Source: Sennheiser ME88 shotguns > Sony D6 > TDKMA90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res dither settings) > CDWAV 1.9 > FLAC (level 8 encoding). Transfer and FLAC encoding by C.Ladner | Source Detail | d7 | |
| 03/24/87 | Hampton Coliseum | 1 | Set 2 Only - Recording Info: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller | Source Detail | d2 | |
| 03/24/87 | Hampton Coliseum | 2 | flac16; Nakamichi CM-100's with CP-4 shotgun capsules>>Sony D-5 cassette recorder located just at the right front lip of the soundboard. Recorded by Greg Holtz & Mike Rice master cassette> tascam112mkII>presonus firestudio>firewire>Wavelab 6.0 transfer at 32bf/96kHz mastering and crystal resampler to 16/44.1 in Wavelab 6.0 by Jamie Waddell on the GEMS Edit Station. Trac'ed cdwave,Flac'ed Flac Frontend level 8 | Source Detail | d7 | |
| 03/24/87 | Hampton Coliseum | 2 | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1> creative extigy soundcard> cool edit pro> flac frontend | Source Detail | d8 | |
| 03/24/87 | Hampton Coliseum | 2 | FOB Schoeps CMC44 > Oade P.S. > Sony PCMF1 Sony PCMF1> DAT; via Sean Weber-Small, Bill Gardner; Shntool fix by Darrin Sacks | Source Detail | d8 | |
| 03/24/87 | Hampton Coliseum | 2 | flac16; Source: Sennheiser ME88 shotguns > Sony D6 > TDKMA90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res CD dither settings) > CDWAV 1.9 (tracking and encoding) > FLAC (level 8 encoding). Transfer, mastering and encoding by C.Ladner | Source Detail | d8 | |
| 03/26/87 | Hartford Civic Center | 2 | flac16; taper : Joe D'Amico nak300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d8 | |
| 03/26/87 | Hartford Civic Center | 3 | flac16; Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci | Source Detail | d8 | |
| 03/26/87 | Hartford Civic Center | 2 | Set I info Source: SBD Lineage: Master Cassette > DAT > CD > SHN; Set II info Source: Ultramatrix (SBD/AUD mix) Lineage: Master Cassette > DAT > CD > SHN; via Douglas Tunstall, Nick Scarano and Jeff Hawkins; seeded to etree by Peter Braverman | Source Detail | d9 | |
| 03/27/87 | Hartford Civic Center | 2 | flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend | Source Detail | d9 | |
| 03/27/87 | Hartford Civic Center | 2 | Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN; via Stephen B. Porter; Peter Braverman | Source Detail | d9 | |
| 03/29/87 | The Spectrum | 3 | flac16; Source: AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Set up next to the soundboard, on the left side (stage right). Mics on stand aprx 7-1/2 feet high, pointed at the stacks. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC Taped and transfered by Andrew F | Source Detail | d9 | |
| 03/29/87 | The Spectrum | 2 | flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm-1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d9 | |
| 03/29/87 | The Spectrum | 2 | Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN; via Stephen B. Porter; Peter Braverman | Source Detail | d10 | |
| 03/29/87 | The Spectrum | 3 | flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci | Source Detail | d10 | |
| 03/30/87 | The Spectrum | 3 | Master Soundboard Cassette (Ultr-Matrix Mix) > Reel to Reel > PCM > CDR | Source Detail | d11 | |
| 03/30/87 | The Spectrum | 3 | Seamless fix of shn id 18255 - MSC (Ultr-Matrix Mix) > Reel to Reel > PCM > CDR | Source Detail | d11 | |
| 03/30/87 | The Spectrum | 3 | AUD> Sony microphones> Nakamichi BX-300 deck> Maxell metal cassette, Recorded by Tony Cirella; Playback: Nakamichi DR-10> Monster analog cables> Tascam CD-RW700 CD burner> CD, transfer by Paul B.; EAC>SHN by Greg Kerbel | Source Detail | d11 | |
| 03/30/87 | The Spectrum | 3 | flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d10 | |
| 03/30/87 | The Spectrum | 2 | Source: Audience Master Cassette (Nak 300/Sony D5) Lineage: Nakamichi BX-300> CD> SHN; via Stephen B. Porter; Seeded to etree by Peter Braverman | Source Detail | d10 | |
| 03/31/87 | The Spectrum | 2 | FM Broadcast (93.3 WMMR, Philadelphia) > Hi-Fi VHS Master> CDR; Seeded to etree by Scott Clugston | Source Detail | d11 | |
| 03/31/87 | The Spectrum | 2 | Recording Info: FM -> Cassette Master -> Dat Transfer Info: Dat -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) -> EAC -> SHN All Transfers Done By Charlie Miller charliemiller87@earthlink.net SHN'd On 12/8/03 | Source Detail | d12 | |
| 03/31/87 | The Spectrum | 2 | flac16; taper: Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d12 | |
| 03/31/87 | The Spectrum | 2 | flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci aka nak700 | Source Detail | d12 | |
| 04/02/87 | The Centrum | 2 | flac16; Recording Info: SBD -> Cassette Master -> Cassette Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d49 | |
| 04/02/87 | The Centrum | 2 | AUD>PCM>DAT>CDR; via Charlie Phogg; Seeded to etree by eD | Source Detail | d13 | |
| 04/02/87 | The Centrum | 2 | flac16; nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d13 | |
| 04/02/87 | The Centrum | 2 | flac16; Recording Info: SBD -> Cassette Master -> Cassette Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | d13 | |
| 04/03/87 | The Centrum | 1 | 2nd set only; FOB-AUD>MC>CDR; Senn 421?s>Sony TC-D5; via August West; Seeded to etree by eD(efojr) | Source Detail | d3 | |
| 04/03/87 | The Centrum | 3 | flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d13 | |
| 04/03/87 | The Centrum | 2 | Recording Info: Sennheiser ME80 -> Master Cassette -> Dat(44.1k) -> ZA2 -> SHN | Source Detail | d14 | |
| 04/04/87 | The Centrum | 2 | flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d13 | |
| 04/04/87 | The Centrum | 2 | flac16; Source: AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC | Source Detail | d14 | |
| 04/04/87 | The Centrum | 2 | FOB Schoeps > PCM > DAT > CDR; via Rick M; neo_levo/candman FTP, 4/2002 | Source Detail | d14 | |
| 04/06/87 | Meadowlands Arena | 2 | flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d14 | |
| 04/06/87 | Meadowlands Arena | 2 | flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci aka nak700 | Source Detail | d14 | |
| 04/06/87 | Meadowlands Arena | 2 | Healy Matrix TDK MA-90 cassette > Dick's Reel (Technics 1506) > PCM > CD (HHB CDR 800) > EAC > SHN; EAC/SHN by Darryl Hinko; a set of patches circulates | Source Detail | d15 | |
| 04/06/87 | Meadowlands Arena | 2 | Patch for previous Matrix shn set, wherein d1t01 audience patch is from previous AUD shn set and SBEs fixed for d1t09, d2t01, and d2t11 [note: on 01/24/2007/ Charlie Miller distributed a flac version of this fileset.] | Source Detail | d15 | |
| 04/06/87 | Meadowlands Arena | 2 | AUD>MC>DAT>CDR Schoeps CMC-441?s>Sony D-5; via Paul; Seeded to etree by eD(efojr) | Source Detail | d15 | |
| 04/07/87 | Meadowlands Arena | 3 | Source: FM-SBD(WNEW)>C>CDR>WAV>SHN. Transfer to CDR via jabuzz420. SHN encoding via neo_levo. | Source Detail | d15 | |
| 04/07/87 | Meadowlands Arena | 2 | flac16; Source: WNEW-FM > unknown receiver > Onkyo TA-2048 > TDK SA-90's, with Dolby C on. Taped by Jon Pasternak. Transfer: MFC > Nakamichi DR-8 (Dolby C) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. | Source Detail | d16 | |
| 04/07/87 | Meadowlands Arena | 2 | flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d16 | |
| 04/07/87 | Meadowlands Arena | 3 | flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci aka nak700 | Source Detail | d16 | |
| 04/07/87 | Meadowlands Arena | 2 | AUD>MC>DAT>CDR; Schoeps CMC-441?s>Sony D-5; via Mojo Hand; Seeded to etree by eD(efojr) | Source Detail | d16 | |
| 04/09/87 | UIC Pavilion | 2 | flac16; Recording Info: SBD -> Cassette Master -> Cassette (Sony D6/Maxell XLII-S90/Dolby C) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d12 | |
| 04/09/87 | UIC Pavilion | 2 | flac16; Recording Info: SBD -> Cassette Master -> Cassette (Sony D6/Maxell XLII-S90/Dolby C) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d16 | |
| 04/09/87 | UIC Pavilion | 2 | Shntool fix of original Braverman; Source: Audience cassette (Nakamichi 300/Sony D5) Lineage: Nakamichi BX-300 > CD > SHN | Source Detail | d17 | |
| 04/09/87 | UIC Pavilion | 2 | FOB-AUD>MC>DAT>CDR; Schoeps CMC 441?s w/hyper Cartoid; via Billy Sunday; Seeded to etree by eD(efojr) | Source Detail | d17 | |
| 04/10/87 | UIC Pavilion | 2 | Source: Audience Cassette (Nakamichi 300/Sony D5) Lineage: Nakamichi BX-300> CD> SHN; via Stephen B. Porter; Seeded to etree by Peter Braverman | Source Detail | d17 | |
| 04/11/87 | UIC Pavilion | 2 | SOURCE: Pre-FM > Master Reel > Dat > Sonic Solutions > CD | Source Detail | d17 | |
| 04/11/87 | UIC Pavilion | 2 | SOURCE: Pre-FM > Master Reel > Dat > Sonic Solutions > CD | Source Detail | d17 | |
| 04/11/87 | UIC Pavilion | 2 | SBD > ? > .shn; via David Finney; see listening notes in pub comments | Source Detail | d18 | |
| 04/17/87 | Irvine Meadows | 2 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d49 | |
| 04/17/87 | Irvine Meadows | 2 | Master Soundboard Casette > PCM> DAT> CDR EAC'ed/SHN'ed & seeded to etree by Scott Clugston; also to abgd via Charlie Connor | Source Detail | d18 | |
| 04/17/87 | Irvine Meadows | 2 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d18 | |
| 04/17/87 | Irvine Meadows | 2 | AUD>PCM>DAT>CDR; Schoeps CMC 34?s w/Cartoid & Full Wind Screens; Missing CR&S, Rooster; via Shotgun Ragtime Band; Seeded to etree by eD(efojr) | Source Detail | d18 | |
| 04/17/87 | Irvine Meadows | 2 | flac16; MAC; Sennheiser 441s > D5 > D5 > gold plated Monster Cables > D5 > Maxell XLII-S 90 (set I) TDK MA-R90 (set II). Taper: Johnny Corso. Transfer: Master Audience Cassettes > Nakamichi Dragon > RCA/XLR > Lunatec V3 @ 2496 > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496. Transferred by Alex Ford - August 2007. | Source Detail | d18 | |
| 04/18/87 | Irvine Meadows | 2 | Master Soundboard Casette > PCM> DAT> CDR EAC'ed/SHN'ed & Seeded to Etree by Scott Clugston; also to abgd via Charlie Connor | Source Detail | d19 | |
| 04/18/87 | Irvine Meadows | 2 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d49 | |
| 04/18/87 | Irvine Meadows | 2 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d19 | |
| 04/18/87 | Irvine Meadows | 2 | AUD>DAT>CDR; Schoeps CMC 44?s; via Bad Man Brown; Seeded to etree by eD(efojr) | Source Detail | d19 | |
| 04/18/87 | Irvine Meadows | 2 | flac16; MAC; Sennheiser 441s > D5 > D5 > gold plated Monster Cables > D5 > Maxell XLII-S 90 (set I) TDK MA-R90 (set II) Taper: John Corso Transfer: Master Audience Cassettes > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 24/96 > iZotope Ozone 3 > Waves L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC( 8 ) Master Audience Cassettes provided by Mark McCue. Transfer, editing, conversion and seeding by Alex Ford October 2007. | Source Detail | d19 | |
| 04/19/87 | Irvine Meadows | 3 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d50 | |
| 04/19/87 | Irvine Meadows | 3 | flac16; source: Beyer Dynamic M88's>Sony TCD5M(CM) Transfer: Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.57 (tracking only)>flac16; Taped and transferred by Charlie Connor | Source Detail | d19 | |
| 04/19/87 | Irvine Meadows | 3 | Master Soundboard Casette > PCM> DAT> CDR EAC'ed,SHN'ed and Seeded to Etree by Scott Clugston; also to abgd via Charlie Connor | Source Detail | d20 | |
| 04/19/87 | Irvine Meadows | 3 | SBD > Cass Master > PCM > Dat > Behringer UltraMatch 2000 > CD > EAC > SHNv3; via c.m. (updated lineage; had been marked SBD (Matrix) > PCM > DAT...) | Source Detail | d20 | |
| 04/19/87 | Irvine Meadows | 3 | Healy Ultramix SBD/AUD> CM> DAT; via lemon2 | Source Detail | d20 | |
| 04/19/87 | Irvine Meadows | 3 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d20 | |
| 05/02/87 | Frost Amphitheatre | 2 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d50 | |
| 05/02/87 | Frost Amphitheatre | 2 | SBD > MC > DAT > EAC > SHN; EAC/SHN by Darryl Hinko | Source Detail | d21 | |
| 05/02/87 | Frost Amphitheatre | 2 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d21 | |
| 05/03/87 | Frost Amphitheatre | 2 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d50 | |
| 05/03/87 | Frost Amphitheatre | 3 | Unknown SBD patched with circulating Matrix; via Darryl Hinko | Source Detail | d21 | |
| 05/03/87 | Frost Amphitheatre | 3 | SBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko | Source Detail | d21 | |
| 05/03/87 | Frost Amphitheatre | 2 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d22 | |
| 05/03/87 | Frost Amphitheatre | 3 | DSBD/DAUD MIX: 65% DSBD PRE-FM SBD --> PCM --> DAT --> CDR, 35% FOB Schoeps CMC32S --> Grace P.S. --> Sony PCM601 ES --> DAT --> CDR; mixed by Sean Weber, converted to shn by Bill Gardner; note drums and space spread across multiple tracks; see pub comments for additional/updated source notes | Source Detail | d22 | |
| 05/03/87 | Frost Amphitheatre | 3 | flac16; Seamless fix of shn id 1193 - 65% DSBD PRE-FM SBD/35% FOB Schoeps CMC32S. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details | Source Detail | d22 | |
| 05/09/87 | Laguna Seca Recreation Area | 2 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d50 | |
| 05/09/87 | Laguna Seca Recreation Area | 2 | SBD (matrix)> PCM> Dat; Conversion: Sony M1> Oade Cable> Zoltrx Pro6> Soundforge(wav)> CDWav(split)> Shn V3 (no DAE); Conversion & Seed: Brian Cole | Source Detail | d22 | |
| 05/09/87 | Laguna Seca Recreation Area | 2 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d23 | |
| 05/10/87 | Laguna Seca Recreation Area | 2 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d50 | |
| 05/10/87 | Laguna Seca Recreation Area | 3 | DSBD> PCM> DAT> zefiro2> soundforge> CDR> EAC> SHN; via Karl Schneiderman, John Zei | Source Detail | d22 | |
| 05/10/87 | Laguna Seca Recreation Area | 2 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d23 | |
| 06/12/87 | Ventura County Fairgrounds | 3 | flac16; Source: Audience FOB Recording Media: AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette Lineage: AKG C460b pre’s with Ck61uls capsules > Uher CR240 (about 10th row DFC) > Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak > WAV24/96 > Wavelab 6.0 (WavesTools(C4,RBass,Q10)), BBE, L3(type1 dither dither, no noise shaping )> Flac Taped by: Danny Thomson Transfer by: Derek McCabe Mastered by: Jamie Waddell | Source Detail | new seed d24 | |
| 06/12/87 | Ventura County Fairgrounds | 3 | flac16; Source: Audience FOB Recording Media: AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette Lineage: AKG C460b pre’s with Ck61uls capsules > Uher CR240 (about 10th row DFC) > Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak > WAV24/96 > Wavelab 6.0 (WavesTools(C4,RBass,Q10)), BBE, L3(type1 dither dither, no noise shaping )> Flac Taped by: Danny Thomson Transfer by: Derek McCabe Mastered by: Jamie Waddell | Source Detail | d23 | |
| 06/12/87 | Ventura County Fairgrounds | 3 | FOB-AUD>MC>CDR; Beyer 160?s>Sony TC-D5; via Paul; Seeded to etree by eD(efojr) | Source Detail | d23 | |
| 06/12/87 | Ventura County Fairgrounds | 2 | Master Soundboard Cassette > PCM > DAT> CDR; EAC'ed, SHN'ed and Seeded to Etree by Scott Clugston; also to abgd via Charlie Connor | Source Detail | d23 | |
| 06/12/87 | Ventura County Fairgrounds | 2 | Bertha Remaster of the original MSC source . SBD>>MC>>PCM>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A | Source Detail | d24 | |
| 06/12/87 | Ventura County Fairgrounds | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d24 | |
| 06/12/87 | Ventura County Fairgrounds | 3 | flac16; Source: Audience FOB Recording Media: AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette Lineage: AKG C460b pre’s with Ck61uls capsules > Uher CR240 (about 10th row DFC) > Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak > WAV24/96 > Wavelab 6.0 (WavesTools(C4,RBass,Q10)), BBE, L3(type1 dither dither, no noise shaping )> Flac Taped by: Danny Thomson Transfer by: Derek McCabe Mastered by: Jamie Waddell | Source Detail | d11 | |
| 06/13/87 | Ventura County Fairgrounds | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d50 | |
| 06/13/87 | Ventura County Fairgrounds | 3 | flac16; Source: Audience FOB Recording, Center Media: AKY Recording Supply Custom Wound BASF 100% CrO2 90 min. Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Mastering: Wavelab 6.0 Ozone EQ, BBE and L2 for Dither; Resampled using Crystal Sample Rate Converter. Taped by: D. Thompson Transfer by: A. Egert Mastering by: J. Waddell | Source Detail | d24 | |
| 06/13/87 | Ventura County Fairgrounds | 3 | Master Soundboard Cassette > PCM > DAT> CDR EAC'ed, SHN'ed and Seeded to Etree by Scott Clugston; Also to abgd via Charlie Connor | Source Detail | d24 | |
| 06/13/87 | Ventura County Fairgrounds | 3 | flac16; Main Source: Master Soundboard Cassette > PCM > DAT> CDR Patch source: MAC (2 Senn. 421s + 2 Nakamichi 300 shotguns > Yamaha Mixer > Sony D5 (Dolby B)) taped by Tim Alexander; MAC (Nakamichi DR-1 (Dolby B decode)) > Edirol R-09 (24bit/48khz) > Nomad Jukebox 3 > WAV > FLAC | Source Detail | d25 | |
| 06/13/87 | Ventura County Fairgrounds | 3 | Matrix SBD>CASS>DAT>CD; via Israel Regardie; Seeded to etree by PainoMan | Source Detail | d25 | |
| 06/13/87 | Ventura County Fairgrounds | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d25 | |
| 06/13/87 | Ventura County Fairgrounds | 3 | flac16; MAC (2 Senn. 421s + 2 Nakamichi 300 shotguns > Yamaha Mixer > Sony D5 (Dolby B)) taped by Tim Alexander Transfer: MAC (Nakamichi DR-1 (Dolby B decode)) > Edirol R-09 (24bit/48khz) > Nomad Jukebox 3 > WAV > FLAC | Source Detail | d25 | |
| 06/14/87 | Ventura County Fairgrounds | 3 | flac16; Source: Audience FOB Recording, DFC Media: TDK SA-X Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > AES > Sound Devices 722 > WAV Mastering: WaveLab 5.0 iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) Taped by: D. Thompson Transfer by: A. Egert Mastering by: B. Koucky | Source Detail | new seed d50 | |
| 06/14/87 | Ventura County Fairgrounds | 3 | flac16; Source: Audience FOB Recording, DFC Media: TDK SA-X Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > AES > Sound Devices 722 > WAV Mastering: WaveLab 5.0 iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) Taped by: D. Thompson Transfer by: A. Egert Mastering by: B. Koucky | Source Detail | d26 | |
| 06/14/87 | Ventura County Fairgrounds | 3 | Master Soundboard Cassette > PCM > DAT> CDR; CD Re-Mastering by Scott Clugston; EAC'ed, SHN'ed and Seeded to Etree by Scott Clugston; Also to abgd via Charlie Connor | Source Detail | d26 | |
| 06/14/87 | Ventura County Fairgrounds | 3 | flac16; Seamless fix of shn id 11896 - Master Soundboard Cassette > PCM > DAT > CD > WAV > SHN > WAV > FLAC | Source Detail | d26 | |
| 06/14/87 | Ventura County Fairgrounds | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d26 | |
| 06/14/87 | Ventura County Fairgrounds | 3 | flac16; SRC: MAC (2 Senn. 421s + 2 Nakamichi 300 shotguns > Yamaha Mixer > Sony D5 (Dolby B)) taped by Tim Alexander Transfer: Playback on Nak DR-1 (Dolby B decode)> Tascam HD-P2 (pass through) > Waveterminal U2A > Inspiron 8000 > WAV > FLAC | Source Detail | d27 | |
| 06/19/87 | Greek Theatre, University Of California | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d51 | |
| 06/19/87 | Greek Theatre, University Of California | 3 | flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci | Source Detail | d27 | |
| 06/19/87 | Greek Theatre, University Of California | 3 | Master Soundboard Cassette> DAT> CDR; EAC'ed/SHN'ed & Seeded to Etree by Scott Clugston; also to abgd via Charlie Connor | Source Detail | d27 | |
| 06/19/87 | Greek Theatre, University Of California | 2 | SBD>Cm>PCM>Dat>CD; Missing Drums/Space; via C. Miller; Seeded to etree by C. Ladner | Source Detail | d27 | |
| 06/19/87 | Greek Theatre, University Of California | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d27 | |
| 06/20/87 | Greek Theatre, University Of California | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d51 | |
| 06/20/87 | Greek Theatre, University Of California | 2 | flac16; Taped by Robert Bryant w/ AKG 414 B/TL mics, cardioid pattern with windscreens, ORTF-> Oade PS-> Sony PCM F1. Transfer: PCM 601-> Sony DTC2000ES DAT-> M-Audio Delta 410-> Soundforge -> Samplitude Professional V8.01 -> waves X Crackle -> ffe l6 Transfered by Rich Gastwirt. edited by Bob Loy. | Source Detail | d28 | |
| 06/20/87 | Greek Theatre, University Of California | 3 | flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci | Source Detail | d28 | |
| 06/20/87 | Greek Theatre, University Of California | 2 | Master Soundboard Cassette> DAT> CDR; EAC'ed/SHN'ed & Seeded to Etree by Scott Clugston; also to abgd via Charlie Connor | Source Detail | d28 | |
| 06/20/87 | Greek Theatre, University Of California | 2 | SBD/Matrix>Cm>PCM>DAT>CD; via cm; Seeded to etree by neo_levo | Source Detail | d28 | |
| 06/20/87 | Greek Theatre, University Of California | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d28 | |
| 06/21/87 | Greek Theatre, University Of California | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d51 | |
| 06/21/87 | Greek Theatre, University Of California | 2 | flac16; AKG 414 B/TL mics, cardioid pattern, with windscreens, ORTF -> Oade PS -> Sony PCM F1. Transfer: PCM 601 -> Sony DTC2000ES DAT -> M-Audio Delta 410 -> Soundforge. Transfered by Rich Gastwirt.(set1 Wavelabs 3 - Isotope Ozone raised level 3db to -.1) -> Tracking w/ Audacity -> FFE L6 sbe's verified w/ shntool. Editing track and flac by Bob Loy. | Source Detail | d29 | |
| 06/21/87 | Greek Theatre, University Of California | 3 | flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci | Source Detail | d29 | |
| 06/21/87 | Greek Theatre, University Of California | 3 | 1st Set and Encore: Nak CM300 Audience source 2nd Set: Master Soundboard Cassette> ?? > DAT> CDR | Source Detail | d29 | |
| 06/21/87 | Greek Theatre, University Of California | 2 | Missing China Doll & Drums; SBD>Cm>PCM>Dat>CD; via C Miller; Seeded to etree by Chris L | Source Detail | d29 | |
| 06/21/87 | Greek Theatre, University Of California | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d29 | |
| 06/26/87 | Alpine Valley Music Theatre | 3 | AUD> Nakamichi 300 microphones> Sony D5 deck> master cassette; Playback/CD Transfer: Master cassette played on Denon DRM740 and fed to Tascam CDRW700; Recorded, transferred by Scott Bille; Eac(secure)> Shn by Greg Kerbel; Seeded through the 80's Audience Perma-Tree, BUDD, Philzone; see flaw notes in info file | Source Detail | d30 | |
| 06/27/87 | Alpine Valley Music Theatre | 2 | AUD> Nakamichi 300 microphones> Sony D5 deck> master cassette; Playback/CD Transfer: Master cassette played on Denon DRM740 and fed to Tascam CDRW700; Recorded, transferred by Scott Bille; Eac(secure)> Shn by Greg Kerbel; Seeded through the 80\'s Audience Perma-Tree, BUDD, Philzone; see flaw notes in info file | Source Detail | d30 | |
| 06/27/87 | Alpine Valley Music Theatre | 2 | flac16; taper : Joe D'Amico nak 300 mics > sony d-5 front of board nak dragon tape deck > sony sbm1 > creative extigy sooundcard > cool edit pro > flac frontend | Source Detail | d30 | |
| 06/28/87 | Alpine Valley Music Theatre | 2 | flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend | Source Detail | d31 | |
| 06/28/87 | Alpine Valley Music Theatre | 2 | AUD> Nakamichi 300 microphones> Sony D5 deck> master cassette; Playback/CD Transfer: Master cassette played on Denon DRM740 and fed to Tascam CDRW700; Recorded, transferred by Scott Bille; Eac(secure)> Shn by Greg Kerbel; Seeded through the 80s Audience Perma-Tree, BUDD, Philzone; see flaw notes in info file | Source Detail | d30 | |
| 06/30/87 | Kingswood Music Theater | 3 | Primary Source: Ultra Matrix MSC>DAT>CDR>EAC>SHN (Seekable) Patch Source: AUD (mic. unk) > DAT > CDR > SHN | Source Detail | d31 | |
| 06/30/87 | Kingswood Music Theater | 3 | Seamless fix of shn id 13443 - Ultra Matrix MSC>DAT>CDR>EAC>SHN (Seekable)w/AUD patches | Source Detail | d31 | |
| 06/30/87 | Kingswood Music Theater | 3 | AUD (mic. unk) > DAT > CDR > SHN; DAE (EAC)> SHN (MKWACT)> FTP via C. Ladner; with thanks to Paul B. for the seeds | Source Detail | d31 | |
| 07/02/87 | Silver Stadium | 3 | Primary Source: Charlie Connor's Cassette Master Secondary Source: Healy Ultramix Previously seeded by Doug Nawrocki; The Secondary Source supplies all of the first set and Patches at 0:04-0:24 and 01:35-01:45 of D3t01 (Space). In my most definitely biased opinion the Aud is a slightly better mix. posted to abgd and tol via Charlie Connor | Source Detail | d33 | |
| 07/02/87 | Silver Stadium | 3 | flac16; Seamless fix of shn id 22057 - First Set:Healy Ultramix > C > DAT > CDR > *EAC > CDWave > SHN > (WAV > FLAC) Second Set: Beyer M88's>Sony TCD5M>CM (Note: The original .flac file set had replay gain applied; it should not be circulated.) Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details | Source Detail | d33 | |
| 07/02/87 | Silver Stadium | 3 | flac16; Seamless fix of shn id 22057 - First Set:Healy Ultramix > C > DAT > CDR > *EAC > CDWave > SHN > (WAV > FLAC) Second Set: Beyer M88's>Sony TCD5M>CM (Note: The original .flac file set had replay gain applied; it should not be circulated.) Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details | Source Detail | d33 | |
| 07/02/87 | Silver Stadium | 3 | update: Healy Ultramix > cass> DAT > CDR > EAC > addawav> CDWave > mkwACT; EAC> Seeded by Doug Nawrocki | Source Detail | d33 | |
| 07/04/87 | Sullivan Stadium | 3 | flac16; AUD Source: First gen cassettes (MAC > C) from unknown equipment Transfer: TDK SA-90's > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. | Source Detail | d34 | |
| 07/04/87 | Sullivan Stadium | 3 | FOB> aud> senn me80> cassette master> cdr; This apprears to be shn id 3858 with undocumented changes to d3t01 and d3t03 via archive.org | Source Detail | d34 | |
| 07/06/87 | Civic Arena | 2 | AUD> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, and posted to abgd by Charlie Connor | Source Detail | d34 | |
| 07/06/87 | Civic Arena | 2 | unknown AUD> ?> CDR> EAC> cdwav> shn; via Tony Gardner with thanks to Willy Keats | Source Detail | d35 | |
| 07/06/87 | Civic Arena | 2 | flac16; Source: 2 Sennheiser 421s > Sony D5 > Sony D5 > TDK; Transfer: Master Cassettes > Nakamichi Dragon > Kind Kables > Lunatec V3 > coax > Audiophile 2496 > WaveLab 5 > WAV @24/96 > TLH > FLAC24; Editing : FLAC24 > Wavelab 5.0 using Ozone and L3 for dither > FLAC16 | Source Detail | d35 | |
| 07/07/87 | Roanoke Civic Center | 2 | AUD> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred and posted to abgd by Charlie Connor | Source Detail | d34 | |
| 07/07/87 | Roanoke Civic Center | 3 | flac16; Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. | Source Detail | d35 | |
| 07/07/87 | Roanoke Civic Center | 2 | flac16; Source: Nakamichi 300s > Sony D5 > Maxell MX90 Master Cassettes. Taped by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox (stereo preamp and 24 bit/96 A/D) > firewire/2 GHz PC/WinXP > recorded as 24 bit/96 KHz WAV & pauses/flips were smoothed with crossfades, Wavelab 5 > rendered to 16 bit/44.1 KHz WAV, Waves L3 Multimaximizer > CDWAV 1.9 (tracking) > FLAC (level 8). Transfer/mastering/encoding/initial torrenting at bt.etree.org via C.Ladner, June 2006. | Source Detail | d35 | |
| 07/07/87 | Roanoke Civic Center | 3 | Schoeps > PCM > DAT > CD > EAC > SHN; [no info file?]; via Steve Wigley, Randy to offers | Source Detail | d36 | |
| 07/08/87 | Roanoke Civic Center | 3 | flac16; Recording Info: SBD -> Cassette Master -> Dat -> FLAC Transfer Info: FLAC -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | d12 | |
| 07/08/87 | Roanoke Civic Center | 2 | AUD (taper's section)> Beyer Dynamic M88's> D5 (CM)> Nak MR2 (Playback)> Panasonic 3700 (ADC only, no DAT stage)> ZA2> Sound Forge (crossfading over tape flips only)> CDRx1> EAC> SHN; taped by Charlie Connor; A>D conversion by Stephen Agan; via Charlie Connor to abgd | Source Detail | d36 | |
| 07/08/87 | Roanoke Civic Center | 2 | flac16; Source: Taper's section at the SBD, Nakamichi 300s > Sony D5 > Maxell MX90 Master Cassettes. Taped by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox (stereo preamp and 24 bit/96 A/D) > firewire/2 GHz PC/WinXP > recorded as 24 bit/96 KHz WAV & pauses/flips were smoothed with crossfades, Wavelab 5 > rendered to 16 bit/44.1 KHz WAV, Waves L3 Multimaximizer > CDWAV 1.9 (tracking) > FLAC (level 8) Transfer/mastering/encoding/initial torrenting at bt.etree.org via C.Ladner | Source Detail | d36 | |
| 07/08/87 | Roanoke Civic Center | 3 | flac16; Recording Info: SBD -> Cassette Master -> Dat -> FLAC Transfer Info: FLAC -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | d36 | |
| 07/08/87 | Roanoke Civic Center | 3 | FOB Schoeps > PCM > DAT @ 44.1 khz; DAT > CD Conversion: Don Becker; Equipment: PCM-M1 > Oade Active Cable > Sek'd Prodif Plus > Samplitude v5.5 > CDWAV | Source Detail | d37 | |
| 07/10/87 | John F Kennedy Stadium | 3 | flac16; AUD: Nakamichi CM-700's > patched from one Sony D5 > Sony TC-D5M > Maxell MX-90's (no Dolby), set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. | Source Detail | d37 | |
| 07/10/87 | John F Kennedy Stadium | 3 | FOB> aud> senn me80> cassette master> cdr; conversion by Mike Lai from Bruce Fried DAT | Source Detail | d37 | |
| 07/12/87 | Giants Stadium | 3 | flac16; Recording Info: Sets 1 & 2: SBD -> PCM -> Dat -> CD Set 3: (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d52 | |
| 07/12/87 | Giants Stadium | 2 | AUD FOB CM> C> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz; A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); via Charlie Connor, Paino Man to abgd; d2 tracked for 80 min | Source Detail | d37 | |
| 07/12/87 | Giants Stadium | 3 | SBD; via Stephen Agan, Mike Lai; Note- This is an aud recording except (apparently) for a few of the 'w/Dylan' tracks; See the 'user comments' for details | Source Detail | d38 | |
| 07/12/87 | Giants Stadium | 3 | flac16; Pitch adjusted version of Source A (Entire GD set, last 3 tracks): likely AUD FOB CM> C> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz; A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); Source B (first 3 songs of Dylan set): Unknown AUD Source C (d2t13-d3t08): Unknown SBD Edit: SHNs > WAV > time/pitch stretching in CE Pro (see below) > FLAC by Bill Tetzeli | Source Detail | d38 | |
| 07/12/87 | Giants Stadium | 3 | flac16; Recording Info: Sets 1 & 2: SBD -> PCM -> Dat -> CD Set 3: (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | d38 | |
| 07/19/87 | Autzen Stadium, University Of Oregon | 2 | Source: Matrix DSBD>D>CD-R>EAC (0.93) >SHN (MKWACT 97) via JR Fishman | Source Detail | d43 | |
| 08/11/87 | Red Rocks Amphitheatre | 2 | flac16; AUD Source: Nakamichi CM-100's with CP-4 shotgun capsules > Marantz 420 cassette deck, with Dolby On. Set up in 15th row, stage left side of the soundboard. Taped by Jon Pasternak. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums and FLAC compression) > FLAC | Source Detail | d39 | |
| 08/11/87 | Red Rocks Amphitheatre | 3 | flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: *Don Beckham and Tony Suraci Transfer and upload by Tony Suraci aka nak700 | Source Detail | d39 | |
| 08/11/87 | Red Rocks Amphitheatre | 1 | set 1; SBD> PCM> ??> Dat> CD (Healy Matrix); Conversion: Kenwood TrueX> EAC> shn V3 (seekable); via Brian Cole, from Paul B.'s seed' see info file for notes | Source Detail | d39 | |
| 08/11/87 | Red Rocks Amphitheatre | 2 | set 2; SBD> PCM> Dat> Cass> Dat; Conversion: Sony M1> Oade Cable> Zoltrx Pro6> Soundforge(wav)> CDWav(split)> Shn V3 (no EAC); Conversion & Seed: Brian Cole; show stemming from John Craft and Jay Serafin; see info file for notes | Source Detail | d39 | |
| 08/11/87 | Red Rocks Amphitheatre | 2 | SBD -> PCM -> CD -> EAC -> SHN (Grateful Dead Hour Pre-FM Discs) via Charlie Miller | Source Detail | d39 | |
| 08/12/87 | Red Rocks Amphitheatre | 2 | flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS) Transfer Info: Cassette (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d52 | |
| 08/12/87 | Red Rocks Amphitheatre | 3 | flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: *Don Beckham and Tony Suraci | Source Detail | d30 | |
| 08/12/87 | Red Rocks Amphitheatre | 2 | AUD Source: Nakamichi CM-100's with CP-4 shotgun capsules > Marantz 420 cassette deck, with Dolby On. Set up in front row of taper's section. Taped by Jon Pasternak. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums and\ FLAC compression) > FLAC, January 2007. | Source Detail | d39 | |
| 08/12/87 | Red Rocks Amphitheatre | 2 | Nak CM 100>MC>DAT>CD; via Paul B; Seeded to etree by Willy | Source Detail | d40 | |
| 08/12/87 | Red Rocks Amphitheatre | 2 | flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS) Transfer Info: Cassette (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d40 | |
| 08/12/87 | Red Rocks Amphitheatre | 2 | flac16; Schoeps CMC 44 cardiods, ORTF > Sony PCM F1, FOB > DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5 > shntool > FLAC (lvl8) | Source Detail | d40 | |
| 08/13/87 | Red Rocks Amphitheatre | 2 | flac16; AUD Source: Nakamichi CM-100's with CP-4 shotgun capsules > Marantz 420 cassette deck, with Dolby On. Set up in front row of taper's section. Taped by Jon Pasternak. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums and FLAC compression) > FLAC | Source Detail | d40 | |
| 08/13/87 | Red Rocks Amphitheatre | 2 | flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: *Don Beckham and Tony Suraci Transfer and upload by Tony Suraci | Source Detail | d40 | |
| 08/13/87 | Red Rocks Amphitheatre | 2 | S:?>D>CD via Chris Larson | Source Detail | d41 | |
| 08/13/87 | Red Rocks Amphitheatre | 2 | sbd > mc > dat X3 > wav > shn NR applied using CEP; via Bob Harrell | Source Detail | d41 | |
| 08/15/87 | Town Park | 2 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d52 | |
| 08/15/87 | Town Park | 3 | FOB > PCM > DAT > CD; seeded to etree 5/2001 - neo_levo | Source Detail | d41 | |
| 08/15/87 | Town Park | 2 | flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: *Don Beckham and Tony Suraci Transfer and upload by Tony Suraci | Source Detail | d41 | |
| 08/15/87 | Town Park | 3 | PreFM SBD(Healy Mix)>MC>DAT>CDR>EAC>WAVE LAB>CD WAVE>MKW>SHN (Seekable) | Source Detail | d41 | |
| 08/15/87 | Town Park | 3 | flac16; Patch fix of shn id 17010 - Source: PreFM SBD(Healy Mix)>MC>DAT>CDR | Source Detail | d42 | |
| 08/15/87 | Town Park | 2 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d42 | |
| 08/16/87 | Town Park | 2 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d29 | |
| 08/16/87 | Town Park | 2 | flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: *Don Beckham and Tony Suraci Transfer and upload by Tony Suraci | Source Detail | d42 | |
| 08/16/87 | Town Park | 2 | PreFM > Rm > DAT > CDR > EAC > SHN; via C. Ladner; known flaws: d2t6:digipop@7:19, d2t7: song cuts @ 6:56 | Source Detail | d42 | |
| 08/16/87 | Town Park | 2 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d42 | |
| 08/18/87 | Compton Terrace Amphitheatre | 2 | Schoeps CMC 32s > DAT > CD; via Sephira Yesod; Seeded to etree by PainoMan | Source Detail | d43 | |
| 08/20/87 | Park West Ski Resort | 3 | unk. mic's > DAT > CDR; Seeded to etree by Chris Ladner | Source Detail | d43 | |
| 08/22/87 | Calaveras County Fairgrounds | 2 | updated source: SBD> Master PCM> DAT> CDR> EAC> first shn by Tony Gardner> misc flaw fixes by Steve Barbella (see info file)> reshn (nonseeking) | Source Detail | d43 | |
| 08/23/87 | Calaveras County Fairgrounds | 3 | SBD> MC> DAT> CDR> EAC> shn; via Tony Gardner; includes filler from 9/9/87 (see pub comments) | Source Detail | d43 | |
| 08/23/87 | Calaveras County Fairgrounds | 3 | SBD>MC>DAT>CDR>EAC>shn - Seamless fix of shn id 4233 | Source Detail | d44 | |
| 09/07/87 | Providence Civic Center | 2 | flac16; Source: AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Set up in taper's section, mics on stand aprx 7-1/2 feet high. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC | Source Detail | d44 | |
| 09/07/87 | Providence Civic Center | 2 | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d44 | |
| 09/07/87 | Providence Civic Center | 3 | flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci Transfer and upload by Tony Suraci | Source Detail | d44 | |
| 09/07/87 | Providence Civic Center | 2 | Sony ECM220T mics from taper's section; via DNC vine | Source Detail | d45 | |
| 09/08/87 | Providence Civic Center | 2 | flac16; Source: AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Set up in taper's section, mics on stand aprx 7-1/2 feet high Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC | Source Detail | d44 | |
| 09/08/87 | Providence Civic Center | 2 | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d45 | |
| 09/08/87 | Providence Civic Center | 2 | flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci Transfer and upload by Tony Suraci | Source Detail | d45 | |
| 09/08/87 | Providence Civic Center | 2 | SBD -> PCM -> Dat -> CD -> EAC -> SHN Converted To SHN by Charlie Miller | Source Detail | d45 | |
| 09/08/87 | Providence Civic Center | 2 | Unknown Soundboard Slight hiss, otherwise good sound; via Andrew Pitner | Source Detail | d45 | |
| 09/08/87 | Providence Civic Center | 2 | Sony ECM220T mics from taper's section; via DNC vine | Source Detail | d46 | |
| 09/09/87 | Providence Civic Center | 3 | flac16; AUD, Nakamichi CM-300\'s with CP-4 shotgun capsules >Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Set up in taper\'s section, mics on stand aprx 7-1/2 feet higH: Taped and Transferred by Andrew F. | Source Detail | d46 | |
| 09/09/87 | Providence Civic Center | 2 | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d46 | |
| 09/09/87 | Providence Civic Center | 2 | Nak 300's > Sony D5 Casette Master > Sound Forge (wav) > Shorten; via valis_under | Source Detail | d46 | |
| 09/09/87 | Providence Civic Center | 2 | Recording Info: SBD -> Cassette Master -> Dat Transfer Info #1: Dat (Tascam DA-20mkII) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) Transfer Info #2: CD (Plextor 48/24/48A) -> EAC (v0.9 beta 4)-> Samplitude v7.02 Professional -> SHN All transfers and edits by Charlie Miller | Source Detail | d46 | |
| 09/09/87 | Providence Civic Center | 2 | Sony ECM220T mics from taper's section; via DNC vine | Source Detail | d47 | |
| 09/11/87 | Capital Centre | 3 | flac16; Source: Unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. | Source Detail | d47 | |
| 09/11/87 | Capital Centre | 2 | flac16; taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d47 | |
| 09/11/87 | Capital Centre | 3 | FOB Schoeps> PCM> D> CDR> shn; via Chris Dipietro | Source Detail | d47 | |
| 09/12/87 | Capital Centre | 2 | Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner. | Source Detail | d48 | |
| 09/12/87 | Capital Centre | 2 | CSBD?> DAT?; via chill and unIDed seeder; skipping in Black Muddy | Source Detail | d48 | |
| 09/12/87 | Capital Centre | 3 | FOB Schoeps> pcm> dat> cdr> shn; via Chris Dipietro | Source Detail | d48 | |
| 09/13/87 | Capital Centre | 2 | FOB Schoeps> PCM> D> CDR> mkw> shn; missing encore; via Chris Dipietro | Source Detail | d49 | |
| 09/13/87 | Capital Centre | 2 | flac16; taper : Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative soundcard extigy > cool edit pro > flac frontend | Source Detail | d47 | |
| 09/13/87 | Capital Centre | 2 | flac16; Source: Unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs | Source Detail | d48 | |
| 09/15/87 | Madison Square Garden | 2 | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro> flac frontend | Source Detail | d49 | |
| 09/15/87 | Madison Square Garden | 2 | SBD -> Cassette Master -> Dat (48k) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN - Transfered and Edited By Charlie Miller | Source Detail | d49 | |
| 09/15/87 | Madison Square Garden | 2 | AUD (Schoeps CMC 44's)>MC*>DAT>CD via Raoul Duke encoded by Willy | Source Detail | d50 | |
| 09/15/87 | Madison Square Garden | 3 | flac16; Recording Info: SBD -> Cassette Master (Sony D6/TDK MA-R90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee MiniMe -> Samplitude v7.02 Professional -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller | Source Detail | new seed d22 | |
| 09/15/87 | Madison Square Garden | 3 | flac16; Recording Info: SBD -> Cassette Master (Sony D6/TDK MA-R90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee MiniMe -> Samplitude v7.02 Professional -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller | Source Detail | d49 | |
| 09/15/87 | Madison Square Garden | 2 | SBD:CM>DATs>CDRs | Source Detail | d49 | |
| 09/16/87 | Madison Square Garden | 4 | flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend | Source Detail | d50 | |
| 09/16/87 | Madison Square Garden | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d50 | |
| 09/16/87 | Madison Square Garden | 3 | flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci Transfer and upload by Tony Suraci | Source Detail | d50 | |
| 09/16/87 | Madison Square Garden | 1 | Partial 2nd Set; SBD>MC>DAT>SS>CDR; See info file for details; via Paul B; Seeded to etree by Willy | Source Detail | d51 | |
| 09/16/87 | Madison Square Garden | 3 | SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko | Source Detail | d51 | |
| 09/16/87 | Madison Square Garden | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d51 | |
| 09/16/87 | Madison Square Garden | 3 | AUD (Schoeps CMC 34's)>MC*>DAT>CD EAC/SHN by Willy | Source Detail | d51 | |
| 09/18/87 | Madison Square Garden | 3 | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend | Source Detail | d51 | |
| 09/18/87 | Madison Square Garden | 3 | flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci Transfer and upload by Tony Suraci | Source Detail | d52 | |
| 09/18/87 | Madison Square Garden | 2 | MattMan remaster of shnid=10536; SBD PCM> DATx3> WAV> SHN, with alterrnate-source SBD patches (see notes) | Source Detail | d52 | |
| 09/18/87 | Madison Square Garden | 2 | SBD; via David Finney; see public comments for filler notes | Source Detail | d52 | |
| 09/18/87 | Madison Square Garden | 2 | flac16/48; Master Soundboard PCM->Cassette->DAT @ 48kHz x 4. Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC. Conversion by Mark Lynn | Source Detail | d52 | |
| 09/18/87 | Madison Square Garden | 2 | Most likely lineage: SBD>PCM>DAT>CD; Original SHN files provided by dfinney & Joe Internet; Patch material (D2T01 & D2T05) provided by Kiss The Stone | Source Detail | d53 | |
| 09/18/87 | Madison Square Garden | 3 | Vault PCM Master->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano. | Source Detail | d53 | |
| 09/18/87 | Madison Square Garden | 3 | Soundboard (Healy Ultra Box)->Cassette Master. Cassette Master->HHb CDR-850 (pass-through only)->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano | Source Detail | d53 | |
| 09/19/87 | Madison Square Garden | 3 | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d52 | |
| 09/19/87 | Madison Square Garden | 2 | flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci Transfer and upload by Tony Suraci | Source Detail | d53 | |
| 09/19/87 | Madison Square Garden | 3 | SBD; via Bill Frank, Alan McCarthy | Source Detail | d53 | |
| 09/19/87 | Madison Square Garden | 2 | flac16; Most likely SBD>PCM>DAT>CD>EAC>FLAC; Original CDs provided by Jay Serafin in 2000 | Source Detail | d54 | |
| 09/20/87 | Madison Square Garden | 3 | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro> flac frontend | Source Detail | d54 | |
| 09/20/87 | Madison Square Garden | 2 | flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci Transfer and upload by Tony Suraci | Source Detail | d54 | |
| 09/20/87 | Madison Square Garden | 3 | Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN; resliceD | Source Detail | d54 | |
| 09/20/87 | Madison Square Garden | 3 | Seamless fix of shn id 16128 - Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN | Source Detail | d54 | |
| 09/20/87 | Madison Square Garden | 3 | AUD (Schoeps CMC 34's)>MC*>DAT>CD; via Paul B; Seeded to etree by Willy | Source Detail | d55 | |
| 09/22/87 | The Spectrum | 3 | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend | Source Detail | d55 | |
| 09/22/87 | The Spectrum | 2 | Cleanup by Chris Frisco of previous seed; SBD>C>DAT>CDR; See info file for details | Source Detail | d55 | |
| 09/22/87 | The Spectrum | 2 | SBD>C>DAT>CDR>EAC>MKW>SHN (1)- w/ Spencer Davis known flaws: d1t01 - digi noise at 1:48 uploaded 3/09/02 by spoogles | Source Detail | d55 | |
| 09/23/87 | The Spectrum | 2 | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d56 | |
| 09/23/87 | The Spectrum | 2 | flac16; Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes. Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. | Source Detail | d56 | |
| 09/23/87 | The Spectrum | 2 | SBD>MC>DAT>CD; Terrible static first 1:12 Stranger; See info file for details; EAC/SHN by Willy | Source Detail | d56 | |
| 09/24/87 | The Spectrum | 2 | flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Marantz 420 cassette deck, with Dolby On. Set up in the taper's section. Taped and transferred thru CDR by Jon Pasternak. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums and FLAC compression) > FLAC | Source Detail | d57 | |
| 09/24/87 | The Spectrum | 2 | Pre FM> HiFi VHS> CDr; via Mike Lai | Source Detail | d57 | |
| 09/24/87 | The Spectrum | 2 | SBD>DAT>Standalone CD Burner (hhB800)> EAC>WAV>ADDAWAV>CDWAV(retracking)>MKWACT>SHN Transcribed on 12/25/03 by JR Fishman fishmanj_98ATyahooDOTcom | Source Detail | d57 | |
| 09/24/87 | The Spectrum | 2 | flac16; taper ; Joe D'Amico nak 300 mics > sony d-5 infront of the soundboard | Source Detail | d56 | |
| 10/02/87 | Shoreline Amphitheatre | 2 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation | Source Detail | new seed d53 | |
| 10/02/87 | Shoreline Amphitheatre | 2 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation | Source Detail | d58 | |
| 10/02/87 | Shoreline Amphitheatre | 2 | Jay Ashley (Bertha) remaster of master cassette source (that had been transferred by Keith Bode); SBD> MC> DAT> WAV> CDR> SHN> DAW(Bertha)> CDA/SHN | Source Detail | d57 | |
| 10/02/87 | Shoreline Amphitheatre | 2 | SBD> CM> DAT> WAV> CD> EAC> SHN (mkwACT); DAT>CD Transfer By David Hollister; see notes in info file; this version circulated by Keith Bode, but is distinct from previous Hollister/Bode seeds of this date | Source Detail | d57 | |
| 10/03/87 | Shoreline Amphitheatre | 2 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation | Source Detail | new seed d53 | |
| 10/03/87 | Shoreline Amphitheatre | 2 | flac16; Source: Healy Matrix SBD > PCM > DAT (48KHz)> DAT. Transfer: DAT playback on Sony PCM-R500 > XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded as 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > rendered to 16/44.1 using Waves IDR (type I dither/ultra shaping) > tracking (CDWAV 1.9) > FLAC (level 8) | Source Detail | d58 | |
| 10/03/87 | Shoreline Amphitheatre | 2 | SBD> CM> DAT> CD> EAC> SHN (mkwACT); DAT>CD Transfer By David Hollister; see notes in info file; this version circulated by Keith Bode, but is distinct from previous Hollister/Bode seeds of this date; d2 tracked for 80 min | Source Detail | d58 | |
| 10/03/87 | Shoreline Amphitheatre | 2 | Jay Ashley remaster of master cassette source; SBD> MC> DAT> WAV> CDR> SHN> DAW(Bertha)> CDA/SHN | Source Detail | d58 | |
| 10/03/87 | Shoreline Amphitheatre | 2 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation | Source Detail | d58 | |
| 10/04/87 | Shoreline Amphitheatre | 2 | Jay Ashley (Bertha) Remaster of Master Cassette Source; SBD> MC> DAT> CDA> WAV> SHN> DAW (Bertha)> CDA | Source Detail | dvd 142 | |
| 10/04/87 | Shoreline Amphitheatre | 2 | flac16; Source: Healy Matrix SBD > PCM > DAT (48KHz)> DAT. Transfer: DAT playback on Sony PCM-R500 > XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded as 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > rendered to 16/44.1 using Waves IDR (type I dither/ultra shaping) > tracking (CDWAV 1.9) > FLAC (level 8) | Source Detail | d59 | |
| 10/04/87 | Shoreline Amphitheatre | 2 | SBD> CM> DAT> CD> EAC> SHN (mkwACT); DAT>CD Transfer By David Hollister; see notes in info file; this version circulated by Keith Bode, but is distinct from previous Hollister/Bode seeds of this date | Source Detail | d59 | |
| 10/04/87 | Shoreline Amphitheatre | 2 | Jay Ashley (Bertha) Remaster of Master Cassette Source; SBD> MC> DAT> CDA> WAV> SHN> DAW (Bertha)> CDA | Source Detail | d59 | |
| 10/04/87 | Shoreline Amphitheatre | 2 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation | Source Detail | d59 | |
| 10/04/87 | Shoreline Amphitheatre | 2 | Master> DAT> CDr; via Mike Lai | Source Detail | d59 | |
| 11/06/87 | Henry J Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation | Source Detail | new seed d53 | |
| 11/06/87 | Henry J Kaiser Convention Center | 2 | SBD>Cm>Dat>Samplitude>Cool Edit Pro>CD; Seeded to etree by Charlie Miller | Source Detail | d60 | |
| 11/06/87 | Henry J Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation | Source Detail | d60 | |
| 11/07/87 | Henry J Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation | Source Detail | new seed d53 | |
| 11/07/87 | Henry J Kaiser Convention Center | 2 | SBD > PCM > CDR; Transfer: PCM SBD -> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5 (editing- see notes)/CD Architect > CDR by Sean Weber-small; CDR > EAC > SHN by Bill Gardner | Source Detail | d60 | |
| 11/07/87 | Henry J Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation | Source Detail | d60 | |
| 11/08/87 | Henry J. Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation | Source Detail | d61 | |
| 11/08/87 | Henry J. Kaiser Convention Center | 3 | FOB, Schoeps CMC44 (110' ORTF) on stand --> Oade Power Supply --> Sony PCM-F1; Transfer: PCM Master, Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR; Recording and Transfer: Sean Weber-small; EAC and minor edits by Bill Gardner; ; QC by dankseeds | Source Detail | d61 | |
| 11/13/87 | Long Beach Arena | 2 | SBD -> Cm -> Cass -> Sony SBM1(Modified) -> VX Pocket -> Samplitude -> Cool Edit Pro -> SHN; Upgrade in circulation | Source Detail | d61 | |
| 11/14/87 | Long Beach Arena | 2 | AUD>MC>DAT>CD; via Paul B; Seeded to etree by Willy | Source Detail | d61 | |
| 11/14/87 | Long Beach Arena | 2 | Source 1 = SBD -> Cm -> Cass -> Sony SBM1(Modified) -> VX Pocket -> Samplitude -> Cool Edit Pro -> SHN Charlie Miller Seed. Source 2 = FOB Nak?s>cassette master > DAT > CDR > EAC > SHN via Todd Norman Source 3 = SBD>Cm>?>SHN via Todd Norman | Source Detail | d62 | |
| 11/14/87 | Long Beach Arena | 1 | Partial, 4 songs; SBD -> Cm -> Cass -> Sony SBM1(Modified) -> VX Pocket -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller (this may circulate as filler on 11/13/87) | Source Detail | d62 | |
| 11/14/87 | Long Beach Arena | 3 | flac16; Recording Info: SBD -> Cassette Master -> Cassette Transfer Info: Cassette (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation | Source Detail | d62 | |
| 11/15/87 | Long Beach Arena | 2 | flac16; edited version of previous fileset, to remove fade in and fade out between Drumz & Space, correct SBEs and DC Offset; fixup by uh_clem | Source Detail | d60 | |
| 11/15/87 | Long Beach Arena | 2 | SBD > MC > Sonic Solutions > Pre-FM Dat @44.1; Transfer: DA-P1 > Delta Audiophile 2496 > Sound Forge 5 > CDWave > mkwACT, by Doug Nawrocki | Source Detail | d61 | |
| 11/15/87 | Long Beach Arena | 2 | Digital Ambient recording by M. French 20th row near center (Phil's side) Sennheiser MKE 2002 (HRTF, worn in/on hat) > WM-D6C (dolby C)analog>CD via hardware transfer, CD master (EAC) | Source Detail | d62 | |
| 11/15/87 | Long Beach Arena | 2 | Sennheiser441>tcd5m>cas(1st Gen Copy Made On Matching Calibrated Dragons metal master,metal copy Transfer: JVC tdw-154>Nomad Creative Jukebox 3@44.1>goldwave>cdwav>flac | Source Detail | d62 | |
| 12/27/87 | Oakland-Alameda County Coliseum | 2 | SBD -> Cm -> Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN via Charlie Miller | Source Detail | d63 | |
| 12/27/87 | Oakland-Alameda County Coliseum | 3 | Soundboard-> Cassette Master (Gans) played back on NAK CR-7A->Panasonic 3700 DAT. Fostex D5 DAT->ZA2->Soundforge->.wav->mKw->SHN (Joe Samaritano). | Source Detail | d63 | |
| 12/27/87 | Oakland-Alameda County Coliseum | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d63 | |
| 12/28/87 | Oakland-Alameda County Coliseum | 3 | Ultramatrix (soundboard/audience mix) Master Cassette> DAT> CD> SHN patched with FOB Schoeps; via Raoul Duke, encoded & patched by Peter Braverman | Source Detail | d63 | |
| 12/28/87 | Oakland-Alameda County Coliseum | 2 | Master Cassette Soundboard (Gans)->DAT->ZA2->SoundForge->SHN. *No* audience patch. Low generation lineage guaranteed. See info file for details. SHN'd and seeded to etree by Joe Samaritano. | Source Detail | d64 | |
| 12/28/87 | Oakland-Alameda County Coliseum | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d64 | |
| 12/28/87 | Oakland-Alameda County Coliseum | 3 | Schoeps FOB->PCM->DAT->CD->CD->WAV->SHN via "M.D." encoded by Curtis Ewing | Source Detail | d64 | |
| 12/30/87 | Oakland-Alameda County Coliseum | 3 | SBD>MC>DAT>CDR; via PB; neo_levo/candyman FTP 4/2002 | Source Detail | d64 | |
| 12/30/87 | Oakland-Alameda County Coliseum | 3 | Soundboard->Cassette Master (Gans) played back on NAK CR-7A->Panasonic 3700 DAT (sgrmag). Fostex D5 DAT->ZA2->Soundforge->.wav->mKw->SHN (Joe Samaritano). | Source Detail | d65 | |
| 12/30/87 | Oakland-Alameda County Coliseum | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d65 | |
| 12/30/87 | Oakland-Alameda County Coliseum | 3 | flac16; Schoeps FOB > PCM > DAT > CD > CD> EAC > WAV > FLAC | Source Detail | d66 | |
| 12/31/87 | Oakland-Alameda County Coliseum | 3 | SBD> FM> REEL (TandbergTD20ASE)> WAV> SHN; recording: MacIntosh 2500 System (JBL 18" Sub-Woffers) with a Yamaha Reference Analog Tuner; Digitized to WAV with modified SBLive; recodring and seed by J. Ashley; No NR or digital alteration;? Mix was heavy on Bass | Source Detail | d65 | |
| 12/31/87 | Oakland-Alameda County Coliseum | 3 | Primary source: bootleg disc of unknown source (pre-FM?) -- Sound: A+ Secondary source: Jay Ashley's FM reel -- SBD>>FM>>REEL(TandbergTD20ASE)>>WAV>>SHN -- Sound A- see /shninfo_detail.php?shnid=402 (see txt file for details)Compiled and edited by peet, 1/2004. | Source Detail | d65 | |
| 12/31/87 | Oakland-Alameda County Coliseum | 3 | Primary source: bootleg disc of unknown source (pre-FM?) -- Sound: A+ Secondary source: Jay Ashley's FM reel -- SBD>>FM>>REEL(TandbergTD20ASE)>>WAV>>SHN -- Sound A- see /shninfo_detail.php?shnid=402 (see txt file for details)Compiled and edited by peet, 1/2004. | Source Detail | d66 | |
| 12/31/87 | Oakland-Alameda County Coliseum | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d66 | |
| 12/31/87 | Oakland-Alameda County Coliseum | 3 | Schoeps FOB> PCM> DAT> CD> CD> WAV> SHN; via Curtis Ewing, with thanks to Michelle Duffy | Source Detail | d66 | |
| ??/??/87 | Justin Kreutzmann video outtakes | 1 | Grateful Dead "Talk To Themselves" c. ARISTA 1987 21:19 Promotional Copy. Not For Sale. Dennis McNally, Producer Jeff Briss, Co-Producer Dick Latvala, Engineer Jan Simmons, Transcription | Source Detail | d1 | |
| 02/13/88 | Henry J. Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation | Source Detail | d1 | |
| 02/13/88 | Henry J. Kaiser Convention Center | 2 | Schoeps CMC3/MK41>Dat>CDR ; Via Charlie Miller, Re Seeded by T. Wiley ; NOTE: This is a fix copy of Charlie Miller's seed. | Source Detail | d6 | |
| 02/13/88 | Henry J. Kaiser Convention Center | 2 | SBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko | Source Detail | d6 | |
| 02/13/88 | Henry J. Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation | Source Detail | d6 | |
| 02/14/88 | Henry J. Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d1 | |
| 02/14/88 | Henry J. Kaiser Convention Center | 3 | Schoeps CMC3/MK41>DAT>CDR ; Via Charlie Miller ; Re Seeded by T. Wiley ; Please Note this is a fixed copy of Charlie Miller's seed. | Source Detail | d6 | |
| 02/14/88 | Henry J. Kaiser Convention Center | 2 | Source 1 (Seeded by Charlie Miller): Schoeps CMC3/MK41>Dat>CD>Cool Edit Pro>SHN. Source 2 (Seeded by Joe Samaritano): Soundboard->DAT Master->DAT. DAT->ZA2->.wav->mkw->SHN. |
Source Detail | d7 | |
| 02/14/88 | Henry J. Kaiser Convention Center | 2 | Source 1: SBD>Master Cassette>CD>EAC>Samplitude>SHN Source 2: SBD>Dat>ZA2>Sound Forge>SHN (Terrapin, Miracle to End Of Show) Patches: Schoeps CMC3/MK41>Dat>Sound Forge>CD>EAC>SHN (Start Of China Cat) | Source Detail | d7 | |
| 02/14/88 | Henry J. Kaiser Convention Center | 2 | SBD > MC > DAT > CD > EAC > SHN; except for Mighty Quinn, this is from the DSBD source; No cut at beginning of China Cat; EAC/SHN by Darryl Hinko | Source Detail | d7 | |
| 02/14/88 | Henry J. Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d7 | |
| 02/16/88 | Henry J. Kaiser Convention Center | 2 | flac16; SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d1 | |
| 02/16/88 | Henry J. Kaiser Convention Center | 2 | Schoeps CMC3/MK41>DAT>CDR ; Via Charlie Miller ; Re Seeded by T. Wiley ; Please Note this is a fixed copy of Charlie Miller's seed. | Source Detail | d7 | |
| 02/16/88 | Henry J. Kaiser Convention Center | 2 | SBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko | Source Detail | d8 | |
| 02/16/88 | Henry J. Kaiser Convention Center | 2 | flac16; SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d8 | |
| 02/17/88 | Henry J. Kaiser Convention Center | 2 | flac16; SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d1 | |
| 02/17/88 | Henry J. Kaiser Convention Center | 2 | Schoeps CMC3/MK41>DAT>CDR ; Via Charlie Miller ; Re Seeded by T. Wiley ; Please Note this is a fixed copy of Charlie Miller's seed. | Source Detail | d8 | |
| 02/17/88 | Henry J. Kaiser Convention Center | 2 | SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko | Source Detail | d8 | |
| 02/17/88 | Henry J. Kaiser Convention Center | 2 | SBD > MC > DAT > CD >EAC > SHN; EAC/SHN by Darryl Hinko | Source Detail | d8 | |
| 02/17/88 | Henry J. Kaiser Convention Center | 2 | flac16; SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d9 | |
| 03/16/88 | Henry J. Kaiser Convention Center | 2 | SB>DAT>CDR>EAC>CDR; via Peter Gallagher; Seeded to etree by Willy | Source Detail | d9 | |
| 03/17/88 | Henry J. Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | d1 | |
| 03/17/88 | Henry J. Kaiser Convention Center | 2 | Master (SBD) DAT>DATS>CDR>EAC>SHN; Seeded to etree by robertwstephens | Source Detail | d9 | |
| 03/17/88 | Henry J. Kaiser Convention Center | 2 | Soundboard->DAT Master->DAT. DAT->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano | Source Detail | d9 | |
| 03/17/88 | Henry J. Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | d9 | |
| 03/18/88 | Henry J. Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | d2 | |
| 03/18/88 | Henry J. Kaiser Convention Center | 2 | SBD>DAT>CD; via Kevin Gills; Seeded to etree by Willy | Source Detail | d10 | |
| 03/18/88 | Henry J. Kaiser Convention Center | 2 | Soundboard->DAT Master->DAT. DAT->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano | Source Detail | d10 | |
| 03/18/88 | Henry J. Kaiser Convention Center | 2 | flac16; Recording Info: SBD -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | d10 | |
| 03/24/88 | The Omni | 2 | flac16; Set 1 Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD -> Samplitude -> FLAC; Set 2 Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d2 | |
| 03/24/88 | The Omni | 3 | AUD> ?? > Cass x2 > WAV > SHN; via Grant Wood | Source Detail | d10 | |
| 03/24/88 | The Omni | 2 | SBD>MC>DAT>CDR (Healy Matrix) Eac(secure with proper offsets) >cool edit pro > shntool >cdwav> shn by Ernie Dodd & Willy | Source Detail | d11 | |
| 03/24/88 | The Omni | 2 | flac16; Set 1 Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD -> Samplitude -> FLAC; Set 2 Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d11 | |
| 03/26/88 | Hampton Coliseum | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d2 | |
| 03/26/88 | Hampton Coliseum | 3 | Matrix Analog Cass Master-> DAT-> CDR, via Peter Braverman | Source Detail | d11 | |
| 03/26/88 | Hampton Coliseum | 2 | flac16; Source: Sennheiser ME-80's (taper section) > Sony TCD5M > Sony D-6 TDK MAX Master Cassette Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 Recorded and transferred by Dean Grabski | Source Detail | d11 | |
| 03/26/88 | Hampton Coliseum | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d12 | |
| 03/27/88 | Hampton Coliseum | 3 | SBD (Matrix)> DAT> CD> EAC> [retracking of d1 w/ SF, no other alteration]> SHN; known flaws: end of Let it Grow is missing - the last minute, but the jam does not get cut; via Adam Jerugim; listener reports additional skip or splice in Scarlet Begonias d2t3; note patched version now in circulation | Source Detail | d12 | |
| 03/27/88 | Hampton Coliseum | 3 | SBD (Matrix)> DAT> CD> EAC> [retracking of d1 w/ SF, no other alteration]> SHN; known flaws: end of Let it Grow is missing - the last minute, but the jam does not get cut; via Adam Jerugim; listener reports additional skip or splice in Scarlet Begonias d2t3; note patched version now in circulation | Source Detail | d12 | |
| 03/27/88 | Hampton Coliseum | 3 | Updated Source info: In-House FM > Ultramatrix (SBD/AUD mix). Lineage: DAT (Panasonic 3800)> CD (HHBCDR800)> EAC> SHN via Peter Braverman | Source Detail | d12 | |
| 03/27/88 | Hampton Coliseum | 2 | flac16; Source: in house FM > unknown 'boom box' > Sony TCD5M > Sony WM-D6C TDK MA-X master cassettes Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 recorded and transferred by Dean Grabski | Source Detail | d12 | |
| 03/27/88 | Hampton Coliseum | 3 | flac16; Source: FOB > Schoeps Cmc3 + omni #3 > Dat @ 44.1k Transfer: Fostex D5 > Vx Pocket 440 > Toshiba 3480ct > Wavelab 5.0 > Cd Wave > FLAC | Source Detail | d13 | |
| 03/28/88 | Hampton Coliseum | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d2 | |
| 03/28/88 | Hampton Coliseum | 3 | IN House FM>Sony D-5>MC>DAT>CDR; via Paul B; Seeded to etree by Brad Ingle | Source Detail | d13 | |
| 03/28/88 | Hampton Coliseum | 2 | flac16; Source: in house FM > unknown receiver > Sony TCD5M > Sony WM-D6C TDK MA-X master cassettes Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 recorded and transferred by Dean Grabski | Source Detail | d13 | |
| 03/28/88 | Hampton Coliseum | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d13 | |
| 03/30/88 | Meadowlands Arena | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d3 | |
| 03/30/88 | Meadowlands Arena | 2 | Beyer Dynamic M88's>Sony TCD5M (CM - 1st Maxell MX90; 2nd Sony Metal ES 90) Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Recorded and digitally mastered by Charlie Connor | Source Detail | d10 | |
| 03/30/88 | Meadowlands Arena | 3 | SBD; via Mike Lai; note had circulated without set 1 (aka d1) at first | Source Detail | d14 | |
| 03/30/88 | Meadowlands Arena | 2 | flac16; Source: Internal FM broadcast > Unknown portable receiver > Sony TC-D5M > Sony WM-D6C Transfer: Master cassette > Nakamichi CR-2A > Apogee Mini-Me (24/48)> EGO-SYS WT2496 > Sound Forge 8.0 > CDWAVE 1.95.1 > FLAC frontend 1.7.1 Transferred by Dean Grabski 3-31-07 | Source Detail | d14 | |
| 03/30/88 | Meadowlands Arena | 2 | flac16; AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. February 2008. | Source Detail | d14 | |
| 03/30/88 | Meadowlands Arena | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d14 | |
| 03/31/88 | Meadowlands Arena | 2 | SBD; see flaw notes in info file; via unknown seeder to furthurnet | Source Detail | d14 | |
| 03/31/88 | Meadowlands Arena | 2 | Recording Info: In House FM -> Cassette Master -> Dat -> CD -> Samplitude v7.02 Professional -> SHN via Charlie Miller | Source Detail | d15 | |
| 03/31/88 | Meadowlands Arena | 2 | Recording Info: Taper's Section 110 row 9, seat 9> Beyer Dynamic M88's> Sony TCD5M (CM - 1 st set Maxell MX90;2nd set Sony Metal ES90) Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Recorded and digitally transferred by Charlie Connor | Source Detail | d15 | |
| 03/31/88 | Meadowlands Arena | 2 | flac16; AUD: Nakamichi CM300/CP4's > patched thru one deck > Marantz PMD-420 > Maxell MX-90's w/Dolby B, set up front row of OTS. Taped by Jon Pasternak. Transfer: MAC > Nakamichi DR-8 (Dolby B) > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. March 2008. | Source Detail | d15 | |
| 04/01/88 | Meadowlands Arena | 2 | flac16; Source: SBD > In-house FM-mix > Sony SRF-4 FM receiver > Sony TC-D5M > Maxell MX-90's, w/no Dolby. Recorded inside the show, from OTS area. Transfer: MFC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. | Source Detail | d16 | |
| 04/01/88 | Meadowlands Arena | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller | Source Detail | d3 | |
| 04/01/88 | Meadowlands Arena | 2 | SBD>DAT>?>CD (Possible Healy-FM); via Master Therion; Seeded to etree by PainoMan | Source Detail | d15 | |
| 04/01/88 | Meadowlands Arena | 2 | Source: Ultramatrix (SBD/AUD mix) Lineage: DAT> ?> CD> SHN; via Raul; Seeded to etree by Peter Braverman | Source Detail | d15 | |
| 04/01/88 | Meadowlands Arena | 1 | *Set 1 Only* Soundboard (Healy Ultra Box)->DAT Master->DAT. DAT->ZA2->Soundforge(recording)->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano. De-popping by Charlie Miller |
Source Detail | d16 | |
| 04/01/88 | Meadowlands Arena | 2 | flac16; AUD Set One: Nakamichi CM300/CP4's > patched thru two decks > Marantz PMD-420, front row of OTS. AUD Set Two: Nakamichi CM100/CP4's > patched thru two decks > Marantz PMD-420, set up inside the fenced soundboard area. Taped onto Maxell MX-90's, with Dolby B. Taped by Jon Pasternak. Transfer: MAC > Nakamichi DR-8 (Dolby B) > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. March 2008 | Source Detail | d16 | |
| 04/01/88 | Meadowlands Arena | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller | Source Detail | d16 | |
| 04/01/88 | Meadowlands Arena | 3 | flac16; Source: (OTS) Senn. ME-80 (pointed at stacks)-> Marantz PMD 430 (Dolby B)-> Sony UX-Pro90 x 2 Transfer: MAC-> Nakamichi MR-1-> Korg MR-1000 (DFF 1Bit/5.6MHz)-> Korg AudioGate-> Wav 24/96-> Soundforge 9.0->16/44->flac Taper: WKLITZ Transferred and seeded on 4/10/08 by: M.Watson | Source Detail | d16 | |
| 04/03/88 | Hartford Civic Center | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller | Source Detail | d3 | |
| 04/03/88 | Hartford Civic Center | 2 | SBD>?>CD (Possible Matrix); via Ankh-af-na-khonsu; Seeded to etree by PainoMan | Source Detail | d17 | |
| 04/03/88 | Hartford Civic Center | 2 | flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008 | Source Detail | d17 | |
| 04/03/88 | Hartford Civic Center | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller | Source Detail | d17 | |
| 04/04/88 | Hartford Civic Center | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller | Source Detail | d3 | |
| 04/04/88 | Hartford Civic Center | 2 | SBD>Cassette Master>DAT>CD (Possible Matrix); with two d/o's patched from a SBD>MC source; See info file for details; via Ankh-af-na-khonsu; Seeded to etree by PainoMan (updated lineage; had been labeled SBD>DAT>CD) | Source Detail | d17 | |
| 04/04/88 | Hartford Civic Center | 2 | flac16; Source: Tapers section, Sennheiser ME88s > Sony D5. Master Analog Cassettes Maxell MX90 Type IV cassettes. Taped by B.Koucky. Transfer: MAC playback on azimuth adjusted Nakamich CR-7A > Lynx RCA-XLR cables > Lunatec V3 (96KHz) > AES/EBU digital out > LynxTwo Soundcard, Pro-mode Sync > recorded to harddrive with Wavelab 5 as 24 bit/96 KHz PCM WAV > Waves Z-Noise and Ozone 3 > MBIT+ > 16/44.1 > CDWAV 1.9 > FLAC (level 8). Transfer and mastering by Chris L. | Source Detail | d17 | |
| 04/04/88 | Hartford Civic Center | 2 | flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008. | Source Detail | d18 | |
| 04/04/88 | Hartford Civic Center | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller | Source Detail | d18 | |
| 04/05/88 | Hartford Civic Center | 3 | flac16; Set 1: AUD -> Unknown Mics -> PCM -> Dat -> CD (shnid=10073) and Set 2: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d4 | |
| 04/05/88 | Hartford Civic Center | 2 | AUD>PCM>CD (Possible Matrix, Healy-FM or one damn good audience recording!); via Ankh-af-na-khonsu; Seeded to etree by PainoMan | Source Detail | d18 | |
| 04/05/88 | Hartford Civic Center | 2 | flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008. | Source Detail | d18 | |
| 04/05/88 | Hartford Civic Center | 3 | flac16; Set 1: AUD -> Unknown Mics -> PCM -> Dat -> CD (shnid=10073) and Set 2: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d18 | |
| 04/07/88 | The Centrum | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller | Source Detail | d3 | |
| 04/07/88 | The Centrum | 3 | Pre-FM > MR > VHS > DAT > CD > EAC > SHN (seekable) Via Darryl Hinko | Source Detail | d19 | |
| 04/07/88 | The Centrum | 2 | flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008. | Source Detail | d19 | |
| 04/07/88 | The Centrum | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller | Source Detail | d19 | |
| 04/08/88 | The Centrum | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d4 | |
| 04/08/88 | The Centrum | 2 | In-House FM>PCM>Dat>CD via Mike Murray; encoded by Willy | Source Detail | d19 | |
| 04/08/88 | The Centrum | 2 | flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and Mike E Transfer and upload by Tony Suraci | Source Detail | d19 | |
| 04/08/88 | The Centrum | 2 | flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008. | Source Detail | d20 | |
| 04/08/88 | The Centrum | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d20 | |
| 04/09/88 | The Centrum | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d4 | |
| 04/09/88 | The Centrum | 3 | pre-FM Master Reel> VHS (PCM)> DAT> CD> SHN via Skip Jenkins, encoded by Peter Braverman | Source Detail | d20 | |
| 04/09/88 | The Centrum | 3 | flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and Mike E. Transfer and upload by Tony Suraci | Source Detail | d20 | |
| 04/09/88 | The Centrum | 2 | flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008. | Source Detail | d20 | |
| 04/09/88 | The Centrum | 2 | flac16; SBD + AUD Matrix 3 Source Mix: Audio Source Information SBD1 (shnid=91241) Recording Info: SBD -> Cassette Master (TDK SA-X90), SBD2 (shnid=15098) - only used for patches Source: Pre-FM broadcast Lineage: Master Reel> VHS (PCM)> DAT> CD> SHN, and AUD (shnid=90487) (Set 1 Right channel and all of set 2 both channels) Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter | Source Detail | d21 | |
| 04/09/88 | The Centrum | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d21 | |
| 04/09/88 | The Centrum | 2 | DTS-Audio-CD 5.1 Mix; Audio Source Information SBD1 (shnid=91241) Recording Info: SBD -> Cassette Master (TDK SA-X90), SBD2 (shnid=15098) - only used for patches Source: Pre-FM broadcast Lineage: Master Reel> VHS (PCM)> DAT> CD> SHN, and AUD (shnid=90487) (Set 1 Right channel and all of set 2 both channels) Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter - dts mixed by Kevin Tobin | Source Detail | d21 | |
| 04/11/88 | Joe Louis Arena | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d22 | |
| 04/11/88 | Joe Louis Arena | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d4 | |
| 04/11/88 | Joe Louis Arena | 2 | reEAC, reshn of previous shn set (see info), via Jim Bennett; SBD > In house FM broadcast > MC > CDR > EAC > CDWave > MKWAct > CDR (> EAC > CDWave > MKWAct) | Source Detail | d21 | |
| 04/13/88 | Rosemont Horizon | 2 | Source: Ultramatrix (SBD/AUD mix) Lineage: Master Cassette> ?> DAT> CD> SHN (?) Listener reports multiple analog generations. | Source Detail | d22 | |
| 04/13/88 | Rosemont Horizon | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller | Source Detail | d22 | |
| 04/13/88 | Rosemont Horizon | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller | Source Detail | d4 | |
| 04/14/88 | Rosemont Horizon | 2 | AUD>MC*>DAT>CD; *The MC is 'probable' but unconfirmed; Entire show pitch corrected; The mix is a bit 'hot' at times, most noticeably in Jerry's vocals and in the first set; via Paul B; Seeded to etree by Willy | Source Detail | d22 | |
| 04/14/88 | Rosemont Horizon | 3 | SBD (Matrix) > MC > C > DAT > CD > EAC > SHN; includes patch from AUD source; EAC/SHN (nonseeking) by Darryl Hinko | Source Detail | d22 | |
| 04/14/88 | Rosemont Horizon | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d5 | |
| 04/14/88 | Rosemont Horizon | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d23 | |
| 04/15/88 | Rosemont Horizon | 2 | SBD> Cass master?-> pre-FM cdr-> EAC-> Gans voiceover removed> shn; via John Zei; see John's comments in info file; Drums cuts into Space | Source Detail | d23 | |
| 04/22/88 | Irvine Meadows | 3 | AUD(unknown mics/deck)> PCM> DAT> CDR; Via Paul G.; Seeded to Etree by T. Wiley | Source Detail | d23 | |
| 04/22/88 | Irvine Meadows | 3 | flac16; SBD (Matrix) > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko | Source Detail | d23 | |
| 04/23/88 | Irvine Meadows | 1 | Set 2 Ultramatrix (SBD/AUD mix) Lineage: Master cassette> DAT> CD> EAC> SHN> CD> SHN via Peter Braverman | Source Detail | d21 | |
| 04/23/88 | Irvine Meadows | 3 | FOB-AUD> PCM> DAT> CDR> EAC> WAVE LAB> CD WAVE> MKW> SHN (Seekable); Converted and seeded to etree by Steven Leeds, with thanks to Paul B. | Source Detail | d23 | |
| 04/23/88 | Irvine Meadows | 3 | flac16; SBD (Matrix) > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko | Source Detail | d24 | |
| 04/24/88 | Irvine Meadows | 3 | FOB-AUD> PCM> DAT> CDR; EAC> WAVE LAB> CD WAVE> MKW> SHN (Seekable); Converted and seeded to etree by Steven Leeds, with thanks to Paul B. | Source Detail | d24 | |
| 04/24/88 | Irvine Meadows | 3 | flac16; SBD (Matrix) > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko | Source Detail | d24 | |
| 04/30/88 | Frost Amphitheatre | 3 | Pre-FM> Reel> Cassette> cdr; via Biff Blond, Mike Lai | Source Detail | d24 | |
| 04/30/88 | Frost Amphitheatre | 3 | Healy Ultramatrix; via lemon2 with thanks to childo | Source Detail | d24 | |
| 05/01/88 | Frost Amphitheatre | 3 | DSBD->DAT Master->DAT Clone; DAT-> CD-> EAC-> CDWave-> SHN conversion and seeded by Adam Jerugim | Source Detail | d25 | |
| 06/17/88 | Metropolitan Sports Center | 2 | AUD(likely sennheiser)>?>CDR>WAV>SHN. SHN encoding via C.Ladner. | Source Detail | d2 | |
| 06/19/88 | Alpine Valley Music Theatre | 3 | Source: AUD(Senn 441's)>CM (Marantz PMD 430)>DAT>CDR>WAV>SHN. Taper: Craig Camus. CDR source via Todd Norman. SHN encoding/FTP transmission via Chris Ladner/candyman FTP. | Source Detail | d25 | |
| 06/19/88 | Alpine Valley Music Theatre | 3 | Source: AUD(Senn 441's)>CM (Marantz PMD 430)>DAT>CDR>WAV>SHN. Taper: Craig Camus. CDR source via Todd Norman. SHN encoding/FTP transmission via Chris Ladner/candyman FTP. | Source Detail | d25 | |
| 06/20/88 | Alpine Valley Music Theatre | 2 | Source: AUD(Senn 441's)>CM (Marantz PMD 430)>DAT>CDR>WAV>SHN. Taper: Craig Camus. CDR source via Todd Norman. SHN encoding/FTP transmission via Chris Ladner/candyman FTP. | Source Detail | d25 | |
| 06/22/88 | Alpine Valley Music Theatre | 2 | flac16; Source: AKG414 > Sony PCM > Tascam Porta 5 w/ Dolby DBX Transfer: Cassette Master > CD > LibParanoia > AIFF > FLAC Taped by: Jim O'Malley | Source Detail | d26 | |
| 06/22/88 | Alpine Valley Music Theatre | 2 | AUD(Senn 441's, Row 16, DFC)>CM (Marantz PMD 430)>DAT>CDR>WAV>SHN taped by Craig Camus via Todd Norman encoded by Chris Ladner | Source Detail | d26 | |
| 06/23/88 | Alpine Valley Music Theatre | 2 | flac16; Source: AKG414 > PCM > Stereo Line Out > Tascam Port 5 Analog Tape Deck w/ DBX Dolby Transfer: Cassette Master > DAT > CD > LibParanoia > Flac16 Taped by O'Malley | Source Detail | d26 | |
| 06/23/88 | Alpine Valley Music Theatre | 2 | AUD(Senn 441's, Row 16, DFC)>CM (Marantz PMD430)>DAT>CDR>WAV>SHN. Recorded and transferred (CM > DAT > CDR) by Craig Camus. Encoding/edits by Chris Ladner. | Source Detail | d26 | |
| 06/23/88 | Alpine Valley Music Theatre | 2 | yet another DAE/re-SHN of the exisitng DSBD?; posted to abgd by terrapin flyer | Source Detail | d26 | |
| 06/25/88 | Buckeye Lake Music Center | 3 | Schoeps MK2s fob; Unknown seeder | Source Detail | d27 | |
| 06/26/88 | Civic Arena | 2 | SBD/Matrix > Dat > CDR > Sonic Solutions > CDR > EAC > CDWave > mkwACT; extracted/seeded by Doug Nawrocki | Source Detail | d27 | |
| 06/28/88 | Saratoga Performing Arts Center | 3 | FM (matrix): DAT > CD > TrackThief > AIFF > Peak > WAV > SHN > shntool (corrected S.B.problems); Seeded to etree by Peter Braverman with thanks to Doug Nawrocki | Source Detail | d27 | |
| 06/28/88 | Saratoga Performing Arts Center | 3 | (Pre FM) SBD> MC> DAT> CDR> Shn, Digital editing, retracking and posted to abgd by Charlie Connor with thanks to Skankweed | Source Detail | d27 | |
| 06/28/88 | Saratoga Performing Arts Center | 3 | FM (matrix): DAT> CD> TrackThief> AIFF> Peak> WAV> SHN via Braverman (upgrade of prior seeds from this source) | Source Detail | d28 | |
| 06/30/88 | Silver Stadium | 2 | flac16; Set 2 only: MAC > C1 (Maxell XLII 90) > Nakamichi 480, azimuth aligned > Tascam DA-40 (A/D only) > M-Audio Audiophile 192 > Adobe Audition > CDWave > FLAC Frontend | Source Detail | d28 | |
| 06/30/88 | Silver Stadium | 2 | Set 2 SBD > DAT [vault] > DAT [vault clone] > CDR. Discs kindly provided by Zeb Weber via David Gans. cd > eac > shnv3 by Ernie Dodd. [Note: This is a more complete and uncensored version of this source (/shninfo_detail.php?shnid=6670).] | Source Detail | d28 | |
| 06/30/88 | Silver Stadium | 2 | set 2; SBD> DAT> Sonic Solutions> CDR from David Gans; via Skankweed, David Finney | Source Detail | d28 | |
| 06/30/88 | Silver Stadium | 3 | FOB split Schoeps CMC5/mk21's > PCM > DAT; Conversion: DAT->Montego II->HD via Soundforge->CDWav->MKW .shn; via A. Gustin | Source Detail | d28 | |
| 06/30/88 | Silver Stadium | 3 | flac16; AUD Source: AKG 460's with CK3 hypercardioid capsules > Sony TC-D5M. Set up FOB, even with the front of the board. Taped by Ray Ackerman. Transfer: MAC > CD by Ray Ackerman (equipment unknown). CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, January 2007 by Andrew F | Source Detail | d29 | |
| 07/01/88 | The Inn By The Sea Tape | 1 | "The Inn By The Sea" tape; This tape was left in a room occupied by The Grateful Dead at "The Inn By The Sea," Cape Elizabeth, Maine when they were doing the July 2 and 3, 1988 at Oxford Plains, Maine; Recorded at Club Front?; SBD>DAT>CT>CD>EAC>SHN; shn(1)>cda(1) | Source Detail | d25 | |
| 07/02/88 | Oxford Plains Speedway | 3 | SBD> Master Cassette> DAT> CDR> EAC> SHN; via Jeff M. | Source Detail | d29 | |
| 07/02/88 | Oxford Plains Speedway | 3 | Source: SBD + AUD '5.1 DTS'; FOB Schoeps CMC42s (8ft. spaced omni) > PCM F1/SL2000, then PCM 601ES > DAT > CDR; SBD > Dat > Sonic Solutions > CDR | Source Detail | d29 | |
| 07/02/88 | Oxford Plains Speedway | 3 | Source: SBD + AUD 'Matrix Mix' Source 1) FOB Schoeps CMC42s (8ft. spaced omni) > PCM F1/SL2000, then PCM 601ES > DAT > CDR Source 2) SBD > Dat > Sonic Solutions > CDR Both sources were extracted using EAC and time aligned/mixed/shn'ed by dan@am-dig.com using Cool Edit 2k (see additional notes in text file) | Source Detail | d29 | |
| 07/02/88 | Oxford Plains Speedway | 3 | flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | d5 | |
| 07/02/88 | Oxford Plains Speedway | 3 | Nakamichi 100's > Marantz 430-PDM [Maxell metals w/ dbx] Sony 59 ES > wavelab > cd wave > flac | Source Detail | d30 | |
| 07/02/88 | Oxford Plains Speedway | 3 | flac16 Fix of shn id 2328 - SBD>Master Cassette>DAT>CDR>EAC>SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details | Source Detail | d30 | |
| 07/02/88 | Oxford Plains Speedway | 3 | flac16; Source: Nakamichi CM304's>BeyerM101>Sony Mixer>Sony D5M Location: At SBD*, Stand at 8 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci | Source Detail | d30 | |
| 07/02/88 | Oxford Plains Speedway | 3 | flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | d30 | |
| 07/03/88 | Oxford Plains Speedway | 2 | SBD> DAT> Sonic Solutions> CDR> EAC> CD> EAC> SHN; via Saint Stephen, with thanks to Richard Danyko | Source Detail | d31 | |
| 07/03/88 | Oxford Plains Speedway | 3 | flac16; Source: Nakamichi CM304's>BeyerM101>Sony Mixer>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci | Source Detail | d31 | |
| 07/15/88 | Greek Theatre, U. Of California | 3 | Sources: Primary Source: Prev Braverman Matrix Seed Seconday Source: Prev Gardner Seed of Sean Weber-Small's Aud PCM Master The secondary source supplies a patch in Estimated Prophet(d2t05) from 3:03 thru 3:07; Patched by Scott Clugston. Vined and posted to abgd via Charlie Connor | Source Detail | d32 | |
| 07/15/88 | Greek Theatre, U. Of California | 3 | flac16; Seamless fix of shn id 10343 - Ultramatrix>DAT>?>CD>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details | Source Detail | d32 | |
| 07/15/88 | Greek Theatre, U. Of California | 3 | 2nd Row Behind Healy (see notes): Schoeps CMC42S (Spaced Omni 14' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters; Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR; Recording and Transfer: Sean Weber-small; EAC> Shn via MKW .97 by Bill Gardner | Source Detail | d31 | |
| 07/15/88 | Greek Theatre, U. Of California | 3 | Ultramatrix (SBD/AUD mix)> DAT> ?> CD ("?" may not be a generation, or it may be. I dunno.); via Steve Aserkoff; Seeded to etree by Peter Braverman | Source Detail | d31 | |
| 07/16/88 | Greek Theatre, U. Of California | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d5 | |
| 07/16/88 | Greek Theatre, U. Of California | 3 | Ultramatrix (SBD/AUD mix)> DAT> ?> CD ("?" may not be a generation, or it may be. I dunno.); via Steve Aserkoff; Seeded to etree by Peter Braverman | Source Detail | d32 | |
| 07/16/88 | Greek Theatre, U. Of California | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d32 | |
| 07/17/88 | Greek Theatre, U. Of California | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d5 | |
| 07/17/88 | Greek Theatre, U. Of California | 3 | SBD> DAT Master> CDR> EAC> WAV> SHN; known flaws: d2t05 - d/o's 4:34, 5:06; via Jeff M.; Note- This may be an FM source; See user comments | Source Detail | d33 | |
| 07/17/88 | Greek Theatre, U. Of California | 3 | 2nd Row Behind Healy (see notes). Schoeps CMC42S (Spaced Omni 10' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters. Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR; Recording and Transfer: Sean Weber-small; EAC> Shn via MKW .97 by Bill Gardner | Source Detail | d33 | |
| 07/17/88 | Greek Theatre, U. Of California | 3 | Ultramatrix (SBD/AUD mix)> DAT> ?> CD ("?" may not be a generation, or it may be. I dunno.); via Steve Aserkoff; Seeded to etree by Peter Braverman.; Note- This may be an FM source; See user comments | Source Detail | d33 | |
| 07/17/88 | Greek Theatre, U. Of California | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d33 | |
| 07/29/88 | Laguna Seca Recreation Area | 3 | Soundboard (was originally labeled as Aud CM-> DAT-> CDR-> EAC w/correct offsets using Secure Mode w/C2 (Plextor UW)-> SHN (MKW)); encore is different AUD source; see notes in info file; via Andy Hayum with thanks to Ken Doughty, Karen Lutz Benbrook | Source Detail | d34 | |
| 07/29/88 | Laguna Seca Recreation Area | 3 | flac16; Source: Schoeps cmc 4/mk2-> Sony pcm-f1->Beta->Dat->Sony pcm R-500(playback)->vx pocket v2->SF6 Taper: unknown | Source Detail | d34 | |
| 07/30/88 | Laguna Seca Recreation Area | 3 | flac 16:Primary Source: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's) Secondary Source: Bill Reutelhuber's Nakamichi CM700/CP701>dbx type II encoder>Cassette Master (Sony TC-D5M) (shn id 21092)Transfer:Nakamichi DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16 Level 8: Taped and transferred by Charlie Connor | Source Detail | new seed d54 | |
| 07/30/88 | Laguna Seca Recreation Area | 3 | mixed sources: set1: sbd matrix> unknown cassette generations> ?dat?> cdr> wav> shn; set 2: aud (unknown taper)> unknown cassette generations> ?dat?> cdr> wav> shn; EAC> SHN by Robert Goetz from Mike Rider's source disc | Source Detail | d34 | |
| 07/30/88 | Laguna Seca Recreation Area | 3 | Recording Info:(FOB/Split 10 to 20 Feet)Nakamichi CM700/CP701 -> dbx type II encoder -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi Cassette Deck 1) -> dbx 224x -> Mytek 8X96ADC -> Nuendo (24bit) -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN); Process Info: Very slight eq with waves Q10 and rendered to a 16 bit file with waves L2; Editing Info: Normalized and Tracked with Samplitude v7.02 Professional; Recorded and Transfered BY Bill Reutelhuber; Edited By Charlie Miller 12/15/03 | Source Detail | d34 | |
| 07/30/88 | Laguna Seca Recreation Area | 3 | flac 16:Primary Source: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's) Secondary Source: Bill Reutelhuber's Nakamichi CM700/CP701>dbx type II encoder>Cassette Master (Sony TC-D5M) (shn id 21092)Transfer:Nakamichi DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16 Level 8: Taped and transferred by Charlie Connor | Source Detail | d35 | |
| 07/31/88 | Laguna Seca Recreation Area | 2 | SBD > MR > DAT @48Khz; Transfer: TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHN3 (seekable); via John D'Auria; d2 tracked for 80 min; small glitch in Bucket, no other flaws | Source Detail | d35 | |
| 07/31/88 | Laguna Seca Recreation Area | 2 | flac16; Source: Audience FOB Recording, DFC Media: TDK-SA-X Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > AES > Sound Devices 722 > WAV | Source Detail | d35 | |
| 08/26/88 | Tacoma Dome | 3 | FOB Schoeps CMC34 --> Sony PCM-601ES --> DAT; Seeded to etree by Bill Gardner | Source Detail | d35 | |
| 08/28/88 | Autzen Stadium, University Of Oregon | 2 | flac16; Source: Healy SBD Ultramix Patch > Sony D5 > MSC(TDK MA-XG90 Type IV Cassettes). Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. Transfer and encoding by C. Ladner. | Source Detail | d36 | |
| 08/28/88 | Autzen Stadium, University Of Oregon | 3 | SBD>MC>DAT>CDR; via Paul G; Seeded by T. Wiley | Source Detail | d35 | |
| 09/02/88 | Capital Centre | 2 | flac16; Sennheiser 4xx's > Marantz PMDxxx > MC Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck | Source Detail | d37 | |
| 09/02/88 | Capital Centre | 2 | flac16; NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac | Source Detail | d37 | |
| 09/02/88 | Capital Centre | 3 | NAK 300's + CP4(XY)-> Sony D5-> Lucid AD9624-> DAT@48KHZ-> Tascam CDRW 700; Cassette Playback on Nakamichi CR 7.AES/EBU out of AD into Fostex D5; Conversion: EAC>CD WAV> COOL EDIT PRO >MKW >SHN (Seekable); Converted and seeded to etree by Steven Leeds; Thanks to Mark Lynn and Mike B for the source discs, to Willy for the patch source | Source Detail | d36 | |
| 09/02/88 | Capital Centre | 2 | flac16; SBD> Cassette Master> Dat (SV3800/48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller | Source Detail | d36 | |
| 09/02/88 | Capital Centre | 2 | flac16; Recording Info: Set 1: SBD -> Cassette Master -> Dat (SV3800/48k) Set 2: SBD -> Dat -> Sonic Solutions -> CD Transfer Info: Set 1: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> FLAC Set 2: CD -> EAC -> Samplitude Professional v8.0 -> FLAC | Source Detail | d36 | |
| 09/03/88 | Capital Centre | 3 | flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck | Source Detail | new seed d54 | |
| 09/03/88 | Capital Centre | 3 | flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck | Source Detail | d38 | |
| 09/03/88 | Capital Centre | 2 | flac16; NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac | Source Detail | d38 | |
| 09/03/88 | Capital Centre | 2 | flac16; Source: *AKG mics>DAT>Sony D5M Location: #OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Rig owner name unknown, Sony D5 - Tony Suraci Transfer and upload by Tony Suraci | Source Detail | d38 | |
| 09/03/88 | Capital Centre | 2 | Updated source: Unknown Mics> Cm> Sound Forge> Dat> CD> Cool Edit Pro> CD (Patched w/(FOB) Senn ME80>Cm), by Charlie Miller; EAC > MKW > SHNv3 by DES; level adjustments during d1t1,2; d2 tracked for 80 min | Source Detail | d37 | |
| 09/03/88 | Capital Centre | 2 | flac16; verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller. (Note: The encore tracks circulate from the vault digital DAT separately here | Source Detail | d37 | |
| 09/03/88 | Capital Centre | 1 | flac16; Vault dat SBD via Charlie Miller | Source Detail | d37 | |
| 09/05/88 | Capital Centre | 1 | flac16; Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d22 | |
| 09/05/88 | Capital Centre | 1 | flac16; Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d54 | |
| 09/05/88 | Capital Centre | 2 | flac16; NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac | Source Detail | d39 | |
| 09/05/88 | Capital Centre | 2 | NAK 300's+CP4(XY)-> Sony D5-> Lucid AD9624-> DAT@48KHZ-> Tascam CDRW 700; Cassette Playback on Nakamichi CR 7; AES/EBU out of AD into Fostex D5; Conversion: EAC> CD WAV> COOL EDIT PRO >MKW >SHN (Seekable); via Steven Leeds, with thanks to Mark Lynn and Mike B for discs | Source Detail | d38 | |
| 09/06/88 | Capital Centre | 2 | flac16; NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks. Transfer by Dave Hanscom Track-splitting, burning, etc.: EAC to extract to hard drive, CD Wave for splitting resulting .wav files, mkw to encode to shn. This is done by Bzl > flac | Source Detail | new seed d54 | |
| 09/06/88 | Capital Centre | 3 | AUD>PCM>DAT>CDR (Schoeps CMC-34?s); via Paul Raoul; Seeded to etree by Brad Ingle | Source Detail | d39 | |
| 09/06/88 | Capital Centre | 2 | flac16; SBD> Cassette Master> Dat (SV3800/48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller | Source Detail | d39 | |
| 09/06/88 | Capital Centre | 2 | flac16; NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks. Transfer by Dave Hanscom Track-splitting, burning, etc.: EAC to extract to hard drive, CD Wave for splitting resulting .wav files, mkw to encode to shn. This is done by Bzl > flac | Source Detail | d39 | |
| 09/08/88 | The Spectrum | 2 | SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files> abgd by John A.; stemming from Uncirculated ?88 SBD Tree (A re-tracked version circulates as of April, 2009. The audio data is identical. The "fixed info file is below.) | Source Detail | d40 | |
| 09/09/88 | The Spectrum | 2 | SBD > Cass Master > DAT > CDR > CDR > EAC > SHN | Source Detail | d40 | |
| 09/09/88 | The Spectrum | 2 | flac16; AKG 414's> SonyD5> MC> CDR> EAC> WAV> FLAC | Source Detail | d38 | |
| 09/11/88 | The Spectrum | 1 | flac16; 1st set only: SBD (Healy Mix) > MC > CD (via Lisa Biasi) speed correction and patching by Kevin Tobin | Source Detail | new seed d54 | |
| 09/11/88 | The Spectrum | 2 | Matrix DSBD>D>CD>EAC>WAV>Cool Edit Processing (drop out cross-fades)>SHN (seekable, via MKWACT) via Fishman | Source Detail | d27 | |
| 09/11/88 | The Spectrum | 1 | flac16; 1st set only: SBD (Healy Mix) > MC > CD (via Lisa Biasi) speed correction and patching by Kevin Tobin | Source Detail | d25 | |
| 09/11/88 | The Spectrum | 3 | flac16; Source: Nak CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci | Source Detail | d41 | |
| 09/11/88 | The Spectrum | 2 | (Healy Mix) SBD> DAT> Cassette> DAT> CDR> EAC (secure)> Cool Edit Pro> CD WAV>SHN(seekable); Seeded to etree by Tim Wiley | Source Detail | d40 | |
| 09/11/88 | The Spectrum | 3 | Bertha Remaster of the Soundboard/Cassette source. SBD(Healy Mix)>>DAT>>(*)CASS>>DAT>>>CDR>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN - Sound A- Note- Changes were made to d2t02 and d2t03 immediately before distribution. It is believed that the pre-change shns do not circulate. | Source Detail | d40 | |
| 09/12/88 | The Spectrum | 2 | (Healy Mix) SBD>DAT>CDR; Seeded to etree by Tim Wiley | Source Detail | d41 | |
| 09/12/88 | The Spectrum | 3 | SBD/Matrix > MC > DAT > CDR; via Dan Szymanski; Seeded to etree by Doug Nawrocki | Source Detail | d41 | |
| 09/14/88 | Madison Square Garden | 2 | flac16; AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. | Source Detail | d42 | |
| 09/14/88 | Madison Square Garden | 2 | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d42 | |
| 09/14/88 | Madison Square Garden | 2 | Jay Ashley (Bertha) remaster of original shn set; SBD> CM> DAT> CDA> DAW (Bertha)> CDA | Source Detail | d41 | |
| 09/14/88 | Madison Square Garden | 2 | SBD> MC> DAT> CDR> EAC> WAV> SHN; via Nick Scarano; Nick's initial shn set was missing encore- encore track added from previous shn set thanks to DES and Willy- both versions (+/- encore) may circulate | Source Detail | d36 | |
| 09/15/88 | Madison Square Garden | 2 | SBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min | Source Detail | d42 | |
| 09/15/88 | Madison Square Garden | 2 | flac16; AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. | Source Detail | d42 | |
| 09/15/88 | Madison Square Garden | 2 | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d42 | |
| 09/16/88 | Madison Square Garden | 3 | Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia | Source Detail | d43 | |
| 09/16/88 | Madison Square Garden | 2 | Jay Ashley (Bertha) Remaster of the Jim Wise release. SBD>>MC>>DAT>>(*)>>CDA>>DAW(Bertha)>>CDA - Sound A | Source Detail | d43 | |
| 09/16/88 | Madison Square Garden | 2 | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d43 | |
| 09/18/88 | Madison Square Garden | 3 | SBD>MC>C?>DAT>CDR; via Jools; Seeded to etree by eD | Source Detail | d43 | |
| 09/18/88 | Madison Square Garden | 2 | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend | Source Detail | d43 | |
| 09/18/88 | Madison Square Garden | 3 | SBD>MC>C?>DAT>CDR; via Jools; Seeded to etree by eD | Source Detail | d41 | |
| 09/19/88 | Madison Square Garden | 2 | SBD>MC>DAT>CDR ; Via Paul G ; Seeded by T. Wiley | Source Detail | d44 | |
| 09/19/88 | Madison Square Garden | 2 | flac16; AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. | Source Detail | d44 | |
| 09/19/88 | Madison Square Garden | 2 | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d44 | |
| 09/20/88 | Madison Square Garden | 2 | flac16; AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand, set up next to the lighting board, just in front of the OTS area. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. | Source Detail | d45 | |
| 09/20/88 | Madison Square Garden | 2 | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d45 | |
| 09/20/88 | Madison Square Garden | 1 | flac16; *Set 1 Only* Soundboard->DAT Master(48k)->DAT Clone->Sonic Solutions->CD->CD. CD->EAC->FLAC. EAC, Track, and FLAC by Joe Samaritano | Source Detail | d33 | |
| 09/20/88 | Madison Square Garden | 2 | SBD> DAT> Casette Master> DAT> Montego II> CDR> EAC> SHN; via Jeff M.; includes encore, has small cut d1t7; upgrade relative to previous shn set | Source Detail | d44 | |
| 09/20/88 | Madison Square Garden | 2 | flac16; AKG 224E > Sony D5 > Maxell MX Master Taper: Doug Mow Transfer: Cassette Master > Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/Windows XP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Flac Frontend > FLAC16. | Source Detail | d44 | |
| 09/22/88 | Madison Square Garden | 2 | Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia; see info file for flaw notes | Source Detail | d45 | |
| 09/22/88 | Madison Square Garden | 2 | flac16; AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. | Source Detail | d45 | |
| 09/23/88 | Madison Square Garden | 2 | Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia | Source Detail | d45 | |
| 09/23/88 | Madison Square Garden | 1 | flac16; Soundcheck - Recording Info: SBD -> Cassette Master (Sony D6/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | d46 | |
| 09/23/88 | Madison Square Garden | 2 | flac16; AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > TDK MA-XG 90's, no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. | Source Detail | d46 | |
| 09/23/88 | Madison Square Garden | 2 | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm 1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | d46 | |
| 09/24/88 | Madison Square Garden | 3 | flac16; Recorded by David Minches FM>Sony PCM-601>NEC DX-5000 (Maxell XL-Pro)>Digital Domain VSP-P>Tascam DA-30>Egosys Waveterminal 2496>Cool Edit 2000>CDR Transfer and FLAC encoding by David Minches | Source Detail | new seed d55 | |
| 09/24/88 | Madison Square Garden | 3 | flac16; Recorded by David Minches FM>Sony PCM-601>NEC DX-5000 (Maxell XL-Pro)>Digital Domain VSP-P>Tascam DA-30>Egosys Waveterminal 2496>Cool Edit 2000>CDR Transfer and FLAC encoding by David Minches | Source Detail | d46 | |
| 09/24/88 | Madison Square Garden | 3 | flac16; AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > TDK MA 90's, no Dolby. Mics on stand on floor near sbd. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. | Source Detail | d46 | |
| 09/30/88 | Shoreline Amphitheatre | 1 | 2nd set only; Soundboard Cassette >DAT> CDR> EAC> seekable SHN; via Darrin Sacks | Source Detail | d40 | |
| 09/30/88 | Shoreline Amphitheatre | 3 | Set One Recording Info:(FOB/Section 102 Nakamichi CM700/CP701 -> dbx II -> Cassette Master (Sony TC-D5M); Set One Transfer Info: Cassette Master (Nakamichi Cassette Deck 1) -> dbx 224x -> Mytek 8X96ADC -> Nuendo (24bit) -> Samplitude v7.02 -> SHN (2 Discs Audio / 2 Discs SHN); Set Two Recording Info: SBD -> Cassette Master -> Dat -> CD > EAC -> SHN; Process Info: --slight eq with waves Q10 and slight dynamic expansion with waves C4 and rendered down to a 16 bit file with waves L2; Editing Info: --Tracked and Normalized with Samplitude v7.02 Professional; Recorded and Transfered BY Bill Reutelhuber; Edited and SHN'd By Charlie Miller 12/15/03 | Source Detail | d47 | |
| 10/01/88 | Shoreline Amphitheatre | 2 | SBD> Cass> DAT> CDR> EAC> SHN (seekable); via Darrin Sacks to abgd, etree | Source Detail | d47 | |
| 10/02/88 | Shoreline Amphitheatre | 3 | SBD> Cass> DAT> CDR> EAC>SHN (seekable); via Darrin Sacks to abgd, etree | Source Detail | d47 | |
| 10/02/88 | Shoreline Amphitheatre | 3 | flac16; Seamless fix of shn id 7637 - Cassette Soundboard>DAT>CDR>EAC>SHN(seekable)>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details | Source Detail | d47 | |
| 10/14/88 | Miami Arena | 2 | Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN Transferred By Charlie Miller | Source Detail | d47 | |
| 10/14/88 | Miami Arena | 2 | REPITCHED VERSION (2/22/04) using Charlie Miller's original SHN's; done by JR Fishman. See info file for additional edits | Source Detail | d48 | |
| 10/14/88 | Miami Arena | 3 | flac16; Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz | Source Detail | d48 | |
| 10/15/88 | Bayfront Center Arena | 1 | flac16; Recording Info: SBD -> Dat Master (48k) -> Dat (Cloned From Vault Master) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller (Set 2 partial) | Source Detail | dvd 208 | |
| 10/15/88 | Bayfront Center Arena | 1 | flac16; Recording Info: SBD -> Dat Master (48k) -> Dat (Cloned From Vault Master) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller (Set 2 partial) | Source Detail | d37 | |
| 10/15/88 | Bayfront Center Arena | 2 | UNKNOWN AUD>?>?>SHN Conversion: MKW>WAVE LAB>CD WAVE>MKW>SHN (Seekable) by Steven Leeds | Source Detail | d48 | |
| 10/15/88 | Bayfront Center Arena | 2 | flac16; Source: Nak100's -> Sony D-6 (Marantz PMD43x was lead deck) Location: Tapers Section - Jerry's side behind board up 12": mics 10' up and 10" apart Transferred by mtownshend@adelphia.net | Source Detail | d48 | |
| 10/16/88 | Bayfront Center | 2 | flac16; Remaster of shnid=10058, including secondary AUD patches from AUD> 2nd gen VHS, EQ and pitch correction; AUD> MC> DAT> CDR> SHN> WAV> ADOBE AUDITION> CDWAV> SHNTOOL> FLAC, by MattMan | Source Detail | d34 | |
| 10/16/88 | Bayfront Center | 3 | AUD>MC>DAT>CDR; via Paul Raoul; Seeded to etree by Brad Ingle | Source Detail | d49 | |
| 10/16/88 | Bayfront Center | 3 | flac16; UPDATED source info: 2 Sennheiser ME80 shotguns > Sony D-5 > Maxell MX 90 (first set), TDK MA-XG90 (2nd set). Taper: Mark McCue Lineage: Sony D5 > Tascam CDR4U stand alone burner > CDR > EAC (no errors) > Win XP Pro > FLAC Frontend > FLAC 16. transfer from Sony D5 through CDR by Mark McCue. transfer from CDR through FLAC16 by Alex Ford on 03/08/05. | Source Detail | d49 | |
| 10/16/88 | Bayfront Center | 2 | flac16; Source: Master Analog Cassettes Nakamichi 300’s > Sony D5. Tapers section Maxell MX90 Type IV cassettes. Taped by B.Koucky. Transfer: MAC playback on azimuth adjusted Nakamich CR-7A > Lynx RCA-XLR cables > Lunatec V3 (96KHz) > AES/EBU digital out > LynxTwo Soundcard, Pro-mode Sync > recorded to harddrive with Wavelab 5 as 24 bit/96 KHz PCM WAV > Waves Z-Noise and Ozone 3 > MBIT+ > 16/44.1 > CDWAV 1.9 > FLAC (level 8). Transfer and mastering by Chris L. | Source Detail | d49 | |
| 10/18/88 | Keifer Lakefront Arena | 3 | SBD(Healy Mix)>MC>HiFi VHS>DAT>CDR>CD WAVE>WAVE LAB>MKW>SHN (Seekable); See info file for notes; Seeded to etree 05/07/03 by Steven Leeds | Source Detail | d49 | |
| 10/20/88 | The Summit | 1 | flac16; Set 2 Only, Taper: Unknown AKGC422 > Sony D5 8ft high 30 ft center (or D5 tuned up and Nak300) JVC TD-V1050 cassette deck -> Lynx Two A/D (24-bit, 48kHz) -> Wavelab 6.0 Edited and Remastered: Wavelab 6.0 with Waves Plugins and Ozone by Jamie Waddell | Source Detail | d49 | |
| 10/21/88 | Reunion Arena | 2 | MSC>?>DAT>CDR Eac > cool edit > shntool > cdwav > shnv3 Dat> Cdr by Andy Lemieux Eac > shnv3(secure with proper offsets) by Ernie Dodd | Source Detail | d50 | |
| 10/21/88 | Reunion Arena | 3 | Recording Info: SBD -> Dat; Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC); Transferred and Edited By Charlie Miller charliemiller87@earthlink.net | Source Detail | d50 | |
| 10/21/88 | Reunion Arena | 3 | Unknown Nakamichi mics > ? > Sony D-5 > Master Cassette > 1st Generation Cassette (2 Maxell XLII's) Taper: Unknown Lineage: 2 Maxell XLII's > Nakamichi Cassette Deck 2 > UA-5 @ 16 bit/44.1 kHz (analog in) > USB > WinXP Pro > Cool Edit Pro 2.0 > CDWave Editor > TLH (sbe fix) > Flac Frontend > FLAC16. Transfer and seeding to bt.etree.org by Alex Ford 10/06/2005 A very special thanks goes out to Barry B. for supplying (and trusting) me with his 1st Gen Cassettes. | Source Detail | d50 | |
| 12/09/88 | Long Beach Arena | 2 | Set 2; Master Soundboard Cassette >DAT >CD; via Mark Lynn and Mike B, encoded by Steven Leeds | Source Detail | d13 | |
| 12/09/88 | Long Beach Arena | 3 | AUD>DAT>CD; via Paul B; Seeded to etree by Willy | Source Detail | d50 | |
| 12/10/88 | Long Beach Arena | 2 | AUD>DAT>CD; via Paul B; Seeded to etree by Willy | Source Detail | d50 | |
| 12/11/88 | Long Beach Arena | 2 | AUD>DAT>CD; via Paul B; Seeded to etree by Willy | Source Detail | d48 | |
| 12/28/88 | Oakland-Alameda County Coliseum | 3 | Healy Mix (SBD+AKG C 424b mic)> PCM> DAT> EventGina> WAV> CD> EAC> SHN; to abgd as well as etree? | Source Detail | d51 | |
| 12/28/88 | Oakland-Alameda County Coliseum | 3 | flac16; Seamless fix of shn id 3914 - SBD: Healy Mix>PCM>DAT>EventGina>WAV>CD>EAC>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details | Source Detail | d51 | |
| 12/29/88 | Oakland-Alameda County Coliseum | 3 | sbd> dats> wav> shn; dat> wav> shn by popi n. feeldz, from Michael Grossman DAT seed | Source Detail | d51 | |
| 12/29/88 | Oakland-Alameda County Coliseum | 3 | Ultra-Matrix DSBD>DAT>CDR>EAC>HD>SHN; via Glenn Gillis; Tony Gardner | Source Detail | d51 | |
| 12/31/88 | Oakland-Alameda County Coliseum | 3 | flac16; SBD -> Cassette Master (Sony D5/TDK MAX-G90) All Transfers and Mastering By Charlie Miller | Source Detail | d6 | |
| 12/31/88 | Oakland-Alameda County Coliseum | 3 | Healy Mix (SBD+AKG C 424b mic)> PCM> DAT> DALCardDeluxe> WAV> CD> EAC> SHN; via Stagger? to abgd, thence to etree; some balloon pops edited down or out | Source Detail | d52 | |
| 12/31/88 | Oakland-Alameda County Coliseum | 3 | Jay Ashley (Bertha) Remaster of Healy SBD Mix; SBD(Healy Mix>>PCM>>DAT>>DALCardDeluxe>>WAV>>CDA>SHN>>DAW(Bertha)>>CDA | Source Detail | d52 | |
| 12/31/88 | Oakland-Alameda County Coliseum | 3 | flac16; SBD -> Cassette Master (Sony D5/TDK MAX-G90) All Transfers and Mastering By Charlie Miller | Source Detail | d52 | |
| 02/05/89 | Henry J Kaiser Convention Center | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation | Source Detail | d1 | |
| 02/05/89 | Henry J Kaiser Convention Center | 2 | Mark Horvath FOB Senn. 421?s> Sony TC-D5> MC> CDR; Seeded to etree by Tim W | Source Detail | d1 | |
| 02/05/89 | Henry J Kaiser Convention Center | 3 | Source: Ultramatrix (SBD/AUD mix) Lineage: Master Cassette> ?> DAT> CD> SHN. Thanks to Johnny Venus for the disks. Normalized and seeded by Peter Braverman | Source Detail | d1 | |
| 02/06/89 | Henry J Kaiser Convention Center | 2 | flac16; SBD> Master Cassette> CD (Marantz CDR 500 Pro); Transfer Info: CD (Sony CDP-XE500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> Cool Edit Pro v2.0> FLAC; Transferred and Edited By Charlie Miller, with thanks to Paul Scotton and Joani Walker | Source Detail | d1 | |
| 02/06/89 | Henry J Kaiser Convention Center | 3 | Mark Horvath FOB Senn. 421?s> Sony TC-D5> MC> CDR; Seeded to Etree by Tim W | Source Detail | d1 | |
| 02/07/89 | Henry J Kaiser Convention Center | 3 | flac16; SBD -> Cassette Master (TDK MA-X90) Transferred and Edited By Charlie Miller | Source Detail | d2 | |
| 02/10/89 | Great Western LA Forum | 3 | Source: Master Cassette SBD>DAT(Fostex D-10 playback)>CD-R (hhb800 standalone)>EAC 0.9>SHN (via MKWACT) | Source Detail | d2 | |
| 02/11/89 | Great Western LA Forum | 3 | DAUD[master] > CDR > EAC > AddaWav > CDWAV > SHN; EAC > SHN by harlan; CDR from D. Loebig. | Source Detail | d2 | |
| 02/11/89 | Great Western LA Forum | 3 | SBD>MC>DAT>CDR; Seeded to etree by Tim W | Source Detail | d2 | |
| 02/11/89 | Great Western LA Forum | 2 | flac24/96; Set one: Sennheiser MKE2002 HRTF headband -> Sony TC-D5M @ 6'5" by Mike French Set two: ~ Schoeps cmc?? cards (caps on bodies, cardioids) ORTF @ 6'4" covered by the Mike Stand (MF) at eye level ~ Oade pre (m118 ?) -> Sony PCM processor->beta, line out (Sean Weber Small rig) -> Sony TC-D5M master by Mike French Transfer to 24/96: Sony TC-D5M master deck w/ master, no n.r. -> Tascam DVRA1000 DSD recorder in high-res pcm mode, 24/96 by Mike French then to flac: DVRA1000 Project Disc 24/96 imported to Mac OS-X Tiger, conversion by xACT | Source Detail | d3 | |
| 02/11/89 | Great Western LA Forum | 3 | flac16; From the Impact Zone, fob/dfc Set one: Sennheiser MKE2002 HRTF headband -> Sony TC-D5M @ 6'5" by Mike French Set two; ~ Schoeps cmc?? cards (caps on bodies, cardioids) ORTF @ 6'4" covered by the Mike Stand (MF) at eye level. ~ Oade pre (m118 ?) -> Sony PCM processor->beta, line out (Sean Weber Small rig) -> Sony TC-D5M master by Mike French Transfer to 24/96; Sony TC-D5M master deck w/ master, no n.r. -> Tascam DVRA1000 DSD recorder in high-res pcm mode, 24/96 by Mike French then to flac; DVRA1000 Project Disc 24/96 imported to Mac OS-X Tiger, conversion by xACT, by MF - downsampled to 16/44.1 using Adobe Audition 1.5, dithered with iZotope Ozone. New flacs, etc created | Source Detail | d3 | |
| 02/12/89 | Great Western LA Forum | 2 | SBD; via Mike Lai | Source Detail | d4 | |
| 02/12/89 | Great Western LA Forum | 2 | flac24; Sean Weber Small rig, Schoeps cmc?? (cardioid caps on mic bodies) ORTF -> Oade pre (m118?) -> Sony F1/Beta rig, line out -> Sony TC-D5M analog cassette master by MF. From FOB/DFC. Mics at 6'5", at eye level to MF, covering the mics. The other mics were Neumann km84's, ortf-> Neu. p48v -> Sony TC-D5M @ 6'4" to 24/96 digital: Sony TC-D5M master deck w/ master tape, no n.r. -> Tascam DVRA1000 DSD in PCM mode 24/96 to flac: Tascam DVRA1000 DSD USB2.0 mode -> Mac Tiger 10.4 import, xACT conversion. | Source Detail | d4 | |
| 02/12/89 | Great Western LA Forum | 2 | SBD> MC> DAT> CD> SHN | Source Detail | d5 | |
| 02/12/89 | Great Western LA Forum | 2 | flac16; Sean Weber Small rig, Schoeps cmc?? (cardioid caps on mic bodies) ORTF -> Oade pre (m118?) -> Sony F1/Beta rig, line out -> Sony TC-D5M analog cassette master by MF. From FOB/DFC. Mics at 6'5", at eye level to MF, covering the mics. The other mics were Neumann km84's, ortf-> Neu. p48v -> Sony TC-D5M @ 6'4" to 24/96 digital: Sony TC-D5M master deck w/ master tape, no n.r. -> Tascam DVRA1000 DSD in PCM mode 24/96 to flac: Tascam DVRA1000 DSD USB2.0 mode -> Mac Tiger 10.4 import, xACT conversion - downsampled to 16/44.1 using Adobe Audition 1.5, dithered with iZotope Ozone. - retracked, new flacs, etc created, files have been renamed to Etree conventions | Source Detail | d5 | |
| 02/12/89 | Great Western LA Forum | 2 | flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.0.1 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d89 | |
| 03/27/89 | The Omni | 3 | AUD(Schoeps CMC-441's)>DAT>CDR; Seeded to etree by Tim W | Source Detail | d5 | |
| 03/28/89 | The Omni | 3 | AUD>DAT>CDR; Seeded to etree by Tim W | Source Detail | d5 | |
| 03/30/89 | Greensboro Coliseum | 2 | Mark Horvath FOB Senn. 421?s>Sony TC-D5>MC>CDR; via Paul "Raoul" B; Seeded to etree by Brad Ingle | Source Detail | d6 | |
| 03/31/89 | Greensboro Coliseum | 2 | sbd>cass>dat>cd>eac>wav>shn>wav>shn; via Ray Hansen; seedeD | Source Detail | d6 | |
| 03/31/89 | Greensboro Coliseum | 2 | flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Set 1: Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: Dat -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | d6 | |
| 03/31/89 | Greensboro Coliseum | 3 | schoeps cmc?/mk21> DAT fob; via Childo and unIDed seeder; note offbeat track breaks; includes unIDed filler | Source Detail | d6 | |
| 04/02/89 | Civic Arena | 2 | AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Note this is the original shn seed for shn id9206 This source was made from my master cassettes and doesn't have the digital flaws noted on d2t01 (bad EAC) of shn id 9206. Digital Mastering by Charlie Connor Seeded to abgd 3/29/01; seeded to etree bt 6/21/05 | Source Detail | d7 | |
| 04/02/89 | Civic Arena | 2 | AUD(Beyer M-88?s>Sony TC-D5)>MC>DAT>CDR; Seeded to etree by Tim W | Source Detail | d7 | |
| 04/02/89 | Civic Arena | 2 | Matrix>DAT>CDR>EAC>SHN>WAV>CE2K>SHNTOOL>MKWACT. Editing/Seeding: MattMan | Source Detail | d7 | |
| 04/03/89 | Civic Arena | 3 | FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor | Source Detail | d7 | |
| 04/03/89 | Civic Arena | 3 | SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell | Source Detail | d8 | |
| 04/05/89 | Crisler Arena | 3 | Healy Ultra Mix - sbd+aud> cm> dat> cd; via Aaron Kowalski to loop | Source Detail | d8 | |
| 04/05/89 | Crisler Arena | 3 | Healy Ultra Mix Cassette Master-> DAT-> CDR | Source Detail | d8 | |
| 04/06/89 | Crisler Arena | 3 | complete; Soundboard Cassette Master-> DAT-> CDR except encore which is from B&K 4011 source | Source Detail | d8 | |
| 04/06/89 | Crisler Arena | 3 | Healy Ultra Mix - sbd+aud> cm> dat> cd; via Aaron Kowalski to loop; missing encore; note most md5s and/or tracks of d3 were accidentally labelled as d2tn; renamed version (md5s shown here) may circulate >8/15/01 thanks to Aaron | Source Detail | d9 | |
| 04/08/89 | Riverfront Arena | 3 | Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor | Source Detail | d9 | |
| 04/08/89 | Riverfront Arena | 2 | SBD> Cassette Master> Dat> CD> EAC> SHN; Converted to SHN By Charlie Miller | Source Detail | d9 | |
| 04/09/89 | Freedom Hall | 3 | Digital Audience - Jill & Rob R 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. | Source Detail | d9 | |
| 04/09/89 | Freedom Hall | 2 | SBD> CM> DAT> CD> EAC> SHN; via Charlie Miller, Patrick White | Source Detail | d10 | |
| 04/09/89 | Freedom Hall | 3 | flac16; SBD> CM> DAT> CD> EAC> SHN; speed corrected version of shn id 13207 (via Charlie Miller, Patrick White); fix by Kevin Tobin | Source Detail | d10 | |
| 04/11/89 | Rosemont Horizon | 3 | SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller | Source Detail | d10 | |
| 04/12/89 | Rosemont Horizon | 3 | Shntool fix by-disc by Willy of previous Braverman seed; Ultramatrix (SBD/AUD mix)> Master Cassette> DAT> CD | Source Detail | d10 | |
| 04/13/89 | Rosemont Horizon | 2 | SBD > MC > Dat > CDR > EAC > CDWave > mkwACT; Extraction/Seeding by Doug Nawrocki, from Kevin Gills source discs | Source Detail | d11 | |
| 04/15/89 | The Mecca | 2 | Matrix DSBD (Panasonic 3800)> CD (HHB CDR800)> EAC> SHN; Known Flaws - 1 sec. d/o @1:52 & 5 sec. d/o @2:46-2:51 during Space (d2t6) - some clipping on the left channel due to drums and bass being too high in the SBD mix. The master has this flaw as well;Â via A. Jerugim | Source Detail | d11 | |
| 04/16/89 | The Mecca | 2 | Shntool fix by Willy of previous Braverman seed; SBD> DAT> C> DAT> CD | Source Detail | d11 | |
| 04/17/89 | Metropolitan Sports Center | 3 | AUD>DAT>CDR; Seeded to etree by Tim W | Source Detail | d11 | |
| 04/17/89 | Metropolitan Sports Center | 3 | Source - 1st set MAC>C>C>D>cdwav>SHN; 2nd set MAC>C>D>cdwav>SHN; No deck or mic info; Seeded to tol.etree.org by John Stairs 4/04/04 | Source Detail | d11 | |
| 04/28/89 | Irvine Meadows | 3 | AUD>PCM>DAT>CDR; Seeded to etree by Tim W | Source Detail | d12 | |
| 04/28/89 | Irvine Meadows | 3 | flac24; Ambient Master by Tapers From Hell: A Journey to the Impact Zone Analog master by Mike French and John C. Sennheiser MKE2002 omni's(x2) HRTF @ 6'4" -> Sony TC-D5M "B"n.r. on the master. From Row WW, section 2, at the right front corner of the sbd, a few feet RoC. | Source Detail | d12 | |
| 04/28/89 | Irvine Meadows | 3 | Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd via Charlie Connor | Source Detail | d13 | |
| 04/28/89 | Irvine Meadows | 3 | flac16; SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d89 | |
| 04/29/89 | Irvine Meadows | 2 | flac24; Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master. From the first row center of section 6 (loge, first row center). This is the first row directly behind the sbd., and likely 10' above the sbd., due to the incline of the ampitheatre. The mics were clamped to the safety handrail at the front of this audience section, directly above the lighting board. The OTS for this concert was likely 75 rows further back (+?), and to the hard right of the ampitheatre. At the rear of the collonade section, hard right, as far back as possible in the seated area. to the digital realm @ 24-96: Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96. SD722 firewire import to Mac G4 104 Tiger Sound Devices 2.2.4 for fades, edits, and splits xACT by Scott Brown as FLAC front end. | Source Detail | d14 | |
| 04/29/89 | Irvine Meadows | 3 | AUD>PCM>DAT>CDR; Seeded to etree by Tim W | Source Detail | d13 | |
| 04/29/89 | Irvine Meadows | 3 | flac16; 16/44.1 conversion of shn id 76495 Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master to the digital realm @ 24-96: Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain analog -> Sound Devices 722 at unity, at 24/96. SD722 firewire import to Mac G4 104 Tiger Sound Devices 2.2.4 for fades, edits, and splits xACT by Scott Brown. Patched and edited by Bob Loy -> 16/44 conversion Samplitude Professional V8.01: remove dc offset, remove clipping, convert sample rate ultra high 1 -> 44100hz, dither POW-r#3 Noise shaping -> 16 bit output -> ffe L6 sector boundaries aligned -> id3 tag | Source Detail | d13 | |
| 04/29/89 | Irvine Meadows | 3 | Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd via Charlie Connor | Source Detail | d13 | |
| 04/29/89 | Irvine Meadows | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d89 | |
| 04/30/89 | Irvine Meadows | 3 | Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; To abgd via Charlie Connor | Source Detail | d15 | |
| 04/30/89 | Irvine Meadows | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d89 | |
| 05/06/89 | Frost Amphitheatre | 3 | DSBD, with some editing (see notes in info file); via Jay Serafin to gdlive | Source Detail | d15 | |
| 05/06/89 | Frost Amphitheatre | 3 | shntool fixed shns of Jay Serafin dsbd seed | Source Detail | d15 | |
| 05/07/89 | Frost Amphitheatre | 2 | DSBD > DAT; DAT > WAV > SHN: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > CDWAV v1.71 > MKW, by Dan Stephens; tracked for 2x80 | Source Detail | d15 | |
| 05/07/89 | Frost Amphitheatre | 2 | flac16; Seamless fix of shn id 3329 - SBD>DAT>DALCardDeluxe>WAV>CD>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details | Source Detail | d16 | |
| 05/07/89 | Frost Amphitheatre | 3 | SBD > DAT> DALCard Deluxe> WAV> CD> SHN; CD Mastering by Michael Owen: DAT at 48kHz-Wave file resampled to 44.1 with Audio Magic Ring Software, File normalized (low levels) with DC-Art Millennium (Peak Normalization), Seven assorted pops and gliches corrected; From DooDah Tree #43, later to cdead; to etree via Tony Gardner | Source Detail | d16 | |
| 05/27/89 | Oakland-Alameda County Stadium | 2 | Dan Healy's Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd | Source Detail | d16 | |
| 05/27/89 | Oakland-Alameda County Stadium | 3 | flac16; SBD -> Cassette Master (Sony D5/Maxell MX90) All Transfers and Mastering By Charlie Miller | Source Detail | new seed d90 | |
| 06/18/89 | Shoreline Amphitheatre | 3 | SBD>??>DAT>CDR; Seeded to etree by Tim W | Source Detail | d16 | |
| 06/19/89 | Shoreline Amphitheatre | 3 | SBD>Cassette Master>DAT>CDR; via Tony Gardner (updated lineage; had been labeled SBD>DAT>CD) | Source Detail | d17 | |
| 06/21/89 | Shoreline Amphitheatre | 3 | Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB using Sound Forge 5.0) > .SHN (w/ seek tables appended); via Vern White; with patch/crossfade Brokedown Palace from Jack Schlottman's FM > MC > CDR source by Doug Nawrocki | Source Detail | d17 | |
| 06/21/89 | Shoreline Amphitheatre | 3 | Digital PPV feed> Master VHS> Dan Sisler's 1st-gen professionally dubbed VHS> DAT transfer by Sisler (Sony PCM R-500 via SBM)> CDR transfer by Kevin Gills on Alesis Masterlink> CDR> CDR> EAC (Secure Mode, Test and Copy)> SHN; EAC> SHN> etree by Gerald Gorinsky; includes E: Brokedown // from listed source + complete E: Brokedown from Jack Schlottman?s 1st-gen FM simulcast> CDR source) | Source Detail | d17 | |
| 07/02/89 | Sullivan Stadium | 3 | Digital Audience - Jill & Rob R 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern | Source Detail | d17 | |
| 07/02/89 | Sullivan Stadium | 3 | FOB Schoeps CMC42s spaced omnis > Sony SL-2000PCM; Taped by: Rich Gastwirt; via NateDawg to offer, 2/01 to abgd | Source Detail | d18 | |
| 07/02/89 | Sullivan Stadium | 3 | flac16; FOB Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC | Source Detail | d18 | |
| 07/02/89 | Sullivan Stadium | 3 | flac16; Source: Audience FOB Recording Media: AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette Lineage: FOB AKG C460b pre's with ck61uls heads > Uher 240 > Nak DR-1 >Apogee 200 Rosetta >Firewire >Apple G5 >Bias Peak(24/96WAV) > Wavelab 5 > Waves L3 Multimaximizer (threshold -3.0 dB/ceiling -0.1 dB) > rendered to 16 bit/44.1 KHz WAV using UV22-HR>CDWAV 1.9 >FLAC(level 8) Taper: Danny Thomson Transfer: Derek McCabe Mastering: Chris Ladner | Source Detail | new seed d24 | |
| 07/04/89 | Rich Stadium | 3 | AUD>MC>DAT>CDR; Seeded to etree by Tim W | Source Detail | d18 | |
| 07/04/89 | Rich Stadium | 3 | SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko | Source Detail | d18 | |
| 07/07/89 | John F. Kennedy Stadium | 3 | AKG 414TL's FOB; via Dave of ratdog.org | Source Detail | d19 | |
| 07/07/89 | John F. Kennedy Stadium | 3 | Audience DAT mastered with unknown mics/deck; via Chaz Connor; Seeded to etree by Scott Clugston | Source Detail | d19 | |
| 07/07/89 | John F. Kennedy Stadium | 3 | Audience (was labeled as (Healy Mix) SBD>MC>DAT>CDR_; via Paul B.; Tim wiley | Source Detail | d19 | |
| 07/09/89 | Giants Stadium | 3 | AKG 414TL's fob; via lemon2, with thanks to wellaw; note appears similar to other shn set, but md5s differ; also note files are all mislabeled as "9/7/89", except inside info file (md5 tracks have been renamed at this site) | Source Detail | d20 | |
| 07/09/89 | Giants Stadium | 3 | AUD (FOB/ AKG414TL)>> ???>> SHN>> Dual DAW (Bertha)>> CDA; remastering by Jay Ashley (apparently of a previously shned source); to CDead | Source Detail | d20 | |
| 07/10/89 | Giants Stadium | 3 | flac16; AUD: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UDXL-IIS 90's, with Dolby off. Mics on stand aprx eight feet high, with foam windscreens on mics, and umbrella secured aprx six inches above the mics. Set up even with the front of the soundboard, to the left (stage right) on Phil's side. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transfered by Andrew F. | Source Detail | d20 | |
| 07/10/89 | Giants Stadium | 3 | Unknown SBD (Matrix); EAC/SHN by Darryl Hinko | Source Detail | d21 | |
| 07/10/89 | Giants Stadium | 1 | 2nd set only; unknown audience source (possibly Schoeps FOB)> DAT> Cassette> HD> CDWAVE> CDR; via Patrick White, with thanks to Tom Goshaw | Source Detail | d21 | |
| 07/12/89 | Robert F. Kennedy Stadium | 3 | FOB Schoeps CMC34 > DAT @ 44.1 KHZ; Transfer: DAT Clone > DIO 2448 > CD WAV > SHN, by Bill Gardner | Source Detail | d21 | |
| 07/12/89 | Robert F. Kennedy Stadium | 3 | MC>CDR>EAC>CD Wave>shn; NAK-100s > Sony D-5, using Dolby B. Two Maxell MX- 90s recorded by Boyd McHugh from tapers' section(bfmch@aol.com) Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks. Transfer by Dave Hanscom (dehanscom@hotmail.com) Track-splitting, burning, etc.: EAC to extract to hard drive, CD Wave for splitting resulting .wav files, mkw to encode to shn. This is done by Bzl (bzlrbi@aol.com) | Source Detail | d21 | |
| 07/13/89 | Robert F. Kennedy Stadium | 3 | flac16; NAK-100s > Sony D-5, using Dolby B.> cass, recorded by Boyd McHugh; MC > standalone TDK DA-5800 by Dave Hanscom; CDR> EAC> SHN (not seekable) Bzl; SHN> FLAC by Gary F. | Source Detail | d22 | |
| 07/13/89 | Robert F. Kennedy Stadium | 3 | (Schoeps)AUD>PCM>DAT>CDR; Seeded to etree by Tim W | Source Detail | d22 | |
| 07/15/89 | Deer Creek Music Center | 3 | SBD > MR > DAT > C > DAT > CDR; Seeded to etree by Doug Nawrocki | Source Detail | d22 | |
| 07/17/89 | Alpine Valley Music Theatre | 3 | Source: SBD > DAT > CDR > EAC > *Cool Edit Pro > mkwACT *Beginning of LTGTR, We Bid You Goodnight and Johnny B. Goode patched with Matrix > MC > CDR source. | Source Detail | d22 | |
| 07/18/89 | Alpine Valley Music Theatre | 3 | Source: DSBD Transfer: D8 > Waveterminal 2496 (@44.1) > Samplitude 2496 > CDWav > mkwACT Transfer and Seed by Jason Brantley (jason@spreadwidepanic.com) 3/27/2003 -sector boundary error in d1t02 of shn id 9854; disc fixed with shntool -SBE in d1t02 fixed by William at TuneTree |
Source Detail | d23 | |
| 07/18/89 | Alpine Valley Music Theatre | 3 | DSBD; Transfer: D8 > Waveterminal 2496 (@44.1) > Samplitude 2496 > CDWav > mkwACT (seeking); Transfer and Seed by Jason Brantley; see inof file for flaw notes | Source Detail | d23 | |
| 07/19/89 | Alpine Valley Music Theatre | 3 | DSBD> DAT> CD> eac> SHN; via N. Georges | Source Detail | d23 | |
| 08/04/89 | Cal Expo | 3 | SBD > MC > DAT > CDR; Seeded to etree by Doug Nawrocki | Source Detail | d23 | |
| 08/04/89 | Cal Expo | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d90 | |
| 08/05/89 | Cal Expo | 3 | SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko | Source Detail | d24 | |
| 08/05/89 | Cal Expo | 2 | FOB Schoeps MK2 (spread) > dat > cdr; Transfer: EAC (range extraction at 100%) > CDWAV > mkwACT; d2 tracked for 80 min; encore missing | Source Detail | d24 | |
| 08/05/89 | Cal Expo | 2 | set 2; SBD> CM> DAT> CD> EAC> SHN; via Charlie Miller, Patrick White | Source Detail | d24 | |
| 08/05/89 | Cal Expo | 2 | flac16; Seamless fix of shn id 13206 - Set 2 only; SBD>CM>DAT>CD>EAC>SHN w/AUD patch. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details | Source Detail | d24 | |
| 08/05/89 | Cal Expo | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d90 | |
| 08/06/89 | Cal Expo | 3 | Set 1 Source: FOB Spaced 50 ft. Neumann km150's > MC > CDR > EAC > Sound Forge 4.5 > mkwACT Set 2 Source: FOB Spaced Nak 700's > MC > DAT Transfer: DA-P1 > Montego II (hardware resample 48 > 44.1) > Sound Forge 4.5 > mkwACT EAC/Transfer/Seed by Doug Nawrocki | Source Detail | d24 | |
| 08/06/89 | Cal Expo | 3 | Ultramatrix (SBD/AUD mix); Lineage: Master Cassette> DAT> CD> SHN> Peak> WAV> SHN via Scott Kolber and Diesel. Retracked, normalized, seeded by Peter Braverman; fixup of previous shn set | Source Detail | d25 | |
| 08/06/89 | Cal Expo | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d90 | |
| 08/17/89 | The Greek Theatre - University of California | 3 | Soundboard->Dat->Cassette->Dat(44.1) x ? Dat->Audiophile 2496->Samplitude v7.02 Professional->.wav->mkw->SHN. Transfer, editing, and SHN by Joe Samaritano | Source Detail | d25 | |
| 08/18/89 | The Greek Theatre - University of California | 3 | Healy Matrix Digital SBD > DAT > CDR > WAV > SHNv3; DAT > CDR transfer via D-10 > HHb800 by fishman; DAE by neo_levo: EAC (high, secure, offset corrected, with repeated extractions yielding matching wav md5's), tracked using CDWAVE (boundaries confirmed w/ shntool) > mkwact > SHNv3 | Source Detail | d25 | |
| 08/18/89 | The Greek Theatre - University of California | 3 | Jay Ashley (Bertha) remaster of Healy SBD mix; SBD>>DAT>>CDR>>WAV>>SHNv3>>WAV>>DAW(Bertha)>>CDA | Source Detail | d25 | |
| 08/18/89 | The Greek Theatre - University of California | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed 60 | |
| 08/19/89 | The Greek Theatre - University Of California | 3 | SBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko | Source Detail | d26 | |
| 08/19/89 | The Greek Theatre - University Of California | 3 | Schoeps cmc42s ->M118 -> Oade Mod PCM-F1, Taper Jim Oade; Transfer: Tascam DA-20 (DAT)-> Tascam CDRW4U -> EAC (secure) -> CDWave (tracking) -> CDR -> SHN (MKWact), from Oade DATs, by Matt Shapiro; EAC'd and SHN'd by jim | Source Detail | d26 | |
| 08/19/89 | The Greek Theatre - University Of California | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed 60 | |
| 09/29/89 | Shoreline Amphitheatre | 2 | This is an updated text and md5 file for the previousshn set via Charlie Miller; Flaws in d2t08 and d2t09 fixed on 10/10/02 | Source Detail | d26 | |
| 09/29/89 | Shoreline Amphitheatre | 3 | Ultramatrix: Master Cassette> DAT> CD> SHN> Peak> WAV> SHN; poss cass gen (see notes); Retracking and normalizing by Peter Braverman; with thanks to Skot G | Source Detail | d26 | |
| 09/29/89 | Shoreline Amphitheatre | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed 60 | |
| 09/30/89 | Shoreline Amphitheatre | 2 | SBD>MC>DAT>CDR; Seeded to etree by Tim W | Source Detail | d26 | |
| 09/30/89 | Shoreline Amphitheatre | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed 60 | |
| 10/01/89 | Shoreline Amphitheatre | 3 | AUD>MC>C>CDR; Seeded to etree by Tim W | Source Detail | d27 | |
| 10/01/89 | Shoreline Amphitheatre | 1 | flac16; Unknown SBD source > ? > CDR; Transfer: CDR > EAC > hard drive > CD Wave Editor (tracking) > FLAC (v. 1.7.1) compression level 8; Extraction and minor edit and FLACtion by Gary Field, with thanks to Joey Browning for the CDR | Source Detail | d27 | |
| 10/01/89 | Shoreline Amphitheatre | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed 61 | |
| 10/08/89 | Hampton Coliseum | 3 | FOBÂ Schoeps CMC34's -> Panasonic SV-250; Transfer: D8 -> Montego II digi I/O -> CDWAV by D. Nawrocki; seed via P. Delgado | Source Detail | d27 | |
| 10/08/89 | Hampton Coliseum | 3 | SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN | Source Detail | d27 | |
| 10/08/89 | Hampton Coliseum | 3 | flac16; SBD > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko | Source Detail | d27 | |
| 10/08/89 | Hampton Coliseum | 2 | SBD> Master Cass>DAT>CD; via CDead vine; Unknown seeder | Source Detail | d28 | |
| 10/08/89 | Hampton Coliseum | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed 61 | |
| 10/08/89 | Hampton Coliseum | 3 | flac16; SBD > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko | Source Detail | new seed d4 | |
| 10/09/89 | Hampton Coliseum | 3 | flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | d28 | |
| 10/09/89 | Hampton Coliseum | 3 | DTS-Audio-CD 5.1 Mix; SBD: PCM (analog out) > DAT x 4 > CDR AUD; FOB: Schoeps CMC641 > DAT; mixed by dan@am-dig.com; related matrix also circulates | Source Detail | d28 | |
| 10/09/89 | Hampton Coliseum | 3 | SBD + AUD Matrix Mix (60%-SBD/40%-AUD); SBD: PCM (analog out) > DAT x 4 > CDR; AUD FOB: Schoeps CMC641 > DAT; Mixed by dan@am-dig.com; related 5.1 mix also circulates | Source Detail | d29 | |
| 10/09/89 | Hampton Coliseum | 3 | Recording by: Rob R 3 Nak CM300 - 2 CP4's and 1 CP3 arrianged X/Y direct to dat > ? > .shn SBEs on Set 2 repaired using shntool v.2.0.3 (10/11/2005) | Source Detail | d29 | |
| 10/09/89 | Hampton Coliseum | 3 | SBD> CASS(x)> DAT> CDR> EAC> SHN; via PainoMan to gdlive.com | Source Detail | d29 | |
| 10/09/89 | Hampton Coliseum | 3 | FOB Schoeps CMC421> DAT> HHB standalone CD> EAC> ADDAWAV> CDWav retracking> WAV> SHN; conversions done by JR Fishman | Source Detail | d29 | |
| 10/09/89 | Hampton Coliseum | 3 | Lineage: SBD > PCM (analog output) > D > D > D > D; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes | Source Detail | d30 | |
| 10/09/89 | Hampton Coliseum | 3 | Schoeps CMC421 (note change from previous mic info)> DAT > SEK'D Prodif 32 > SoundForge 4.5 (Level Increase & Resample - <48to44.1>) > CDWav> WAV > SHN; via T. Howland; note set 1 will fit all on d1 if you overburn 26 sec; listener M. Burgess reports, "first set sounds ok, maybe a little muddy, but the second sounds thin and trebley, totally different from the first set"; note Mark Ferguson renamed md5s and shns with his 8/3/00 rehosting- see his public comments, and md5s marked "ren" (for "rename") | Source Detail | d30 | |
| 10/11/89 | Meadowlands Arena | 2 | Master Soundboard DAT > Cassette > DAT> CDR, with numerous ticks fixed (see notes); CD Re-mastering, SHN'ed by Scott Clugston; tracked for 2x80; to abgd | Source Detail | d30 | |
| 10/11/89 | Meadowlands Arena | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed 61 | |
| 10/12/89 | Meadowlands Arena | 3 | Sbd> Cas(m)> Dat> ZA2/PC> SF> CD Architect> CDR?s; via Dave Koehler | Source Detail | d30 | |
| 10/12/89 | Meadowlands Arena | 2 | Lineage: SBD -> Cm -> Dat -> Samplitude -> CD -> EAC -> SHN Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> Dio 2448 -> Samplitude 2496 v6.0 Dat -> CD -> EAC -> SHN all performed by Charlie Miller | Source Detail | d31 | |
| 10/12/89 | Meadowlands Arena | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed 61 | |
| 10/14/89 | Meadowlands Arena | 2 | Recording Info: SBD -> Master Cassette -> Dat -> ZA2 -> Sound Forge -> CD -> EAC -> SHN Patch Info: AUD -> Dat (48k) -> Sound Forge -> SHN Editing Info: SHN -> Samplitude v7.02 Professional -> SHN All Editing Done By Charlie Miller | Source Detail | d31 | |
| 10/14/89 | Meadowlands Arena | 2 | Sbd> Cas(m)> Dat> ZA2/PC> SF> CD Architect> CDR?s; via Dave Koehler | Source Detail | d31 | |
| 10/14/89 | Meadowlands Arena | 2 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed 62 | |
| 10/15/89 | Meadowlands Arena | 2 | SBD> C> DAT> CDR; seeded by Chaser | Source Detail | d31 | |
| 10/15/89 | Meadowlands Arena | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed 62 | |
| 10/16/89 | Meadowlands Arena | 3 | unknown audience recording CD > EAC > FLAC | Source Detail | d31 | |
| 10/16/89 | Meadowlands Arena | 3 | source update: DSBD> DAT> WAV> CD-R; via Dave Barrick; 5/00- there may be another version around, possibly reextraction of this- at least 1 track matches the md5 shown here, another track doesn't; listener Jeff Davis reports errors: "some dropouts during the beginning of D1T1, and a dropout around 3:40 of "Space" on Disc 3"; see pub comments for tracking; Update: whole show now released as Nightfall of Diamonds- go buy it | Source Detail | d32 | |
| 10/16/89 | Meadowlands Arena | 1 | flac16; Set 2 Only - FOB Schoeps CMC34 Cardiod>Panasonic SV250(?)>DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav @48K/16b (WinXP) > 44.1K/16b Audacity 1.2.3 (FC3)> Tracks cut with shntool 2.0.3 > Flac 1.1.2 compression level 8 on FC3 Linux | Source Detail | d32 | |
| 10/18/89 | The Spectrum | 3 | Digital Audience - Jill & Rob R,3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section. Posted to abgd via ArtCube | Source Detail | d32 | |
| 10/18/89 | The Spectrum | 3 | Healy Ultramix > MC > DAT > CDR; Beginning of Shakedown, Drumz and Space patched with following source-Digital Audience - Jill & Rob R 3 Nak CM 300's; See info file for details; Seeded to etree by Doug Nawrocki | Source Detail | d32 | |
| 10/18/89 | The Spectrum | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed 62 | |
| 10/19/89 | The Spectrum | 2 | DSBD>C?>DAT>CDR; via eD O'Connor | Source Detail | d32 | |
| 10/19/89 | The Spectrum | 3 | Digital Audience - Jill & Rob R, 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section. Seeded to abgd via ArtCube | Source Detail | d33 | |
| 10/19/89 | The Spectrum | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed 62 | |
| 10/20/89 | The Spectrum | 3 | DSBD>C?>DAT>CDR; via eD O'Connor | Source Detail | d33 | |
| 10/20/89 | The Spectrum | 3 | Ultra-Matrix Soundboard DAT > Cassette > DAT > CDR; Audience source supplies first 0:48 of "Hey Pocky Way" (d2t01); Alternate Sbd source supplies balance of "Hey Pocky Way" (d2t01) as well as the first 4:46 of "Scarlet Begonias" (d2t02);Patching / CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston; to abgd via terrapin flyer | Source Detail | d33 | |
| 10/20/89 | The Spectrum | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed 63 | |
| 10/22/89 | Charlotte Coliseum | 3 | SBD> ?> CD> EAC> SHN (EAC); DAE & SHN Encoding by Tommy Brame | Source Detail | d33 | |
| 10/22/89 | Charlotte Coliseum | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed 63 | |
| 10/23/89 | Charlotte Coliseum | 3 | SBD>Cassette Master> Sonic Solutions> CD> FM> DAT> CDR> EAC> SHN; via Jeff M. | Source Detail | d34 | |
| 10/23/89 | Charlotte Coliseum | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed 63 | |
| 10/25/89 | Miami Arena | 3 | Cassette SBD> DATs> CDRs> EAC> SHN; via Peter L., Sean Cribbs, Darrin Sacks | Source Detail | d34 | |
| 10/25/89 | Miami Arena | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed 63 | |
| 10/26/89 | Miami Arena | 3 | Complete show Set 1 from shn id 20614 and seamlessly fixed Set 2 from shn id 18664 | Source Detail | d34 | |
| 10/26/89 | Miami Arena | 1 | Set 1 only. SBD -> Cm -> Dat -> CD -> EAC -> Samplitude v7.02 -> SHN by Charlie Miller | Source Detail | d34 | |
| 10/26/89 | Miami Arena | 2 | SBD -> Dat -> Sonic Solutions -> CD -> EAC -> SHN Set 2 only. Converted By Charlie Miller | Source Detail | d34 | |
| 10/26/89 | Miami Arena | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed 64 | |
| 12/06/89 | Oakland-Alameda County Coliseum | 3 | SBD -> Dat (Encore is SBD>Cm>Dat with AUD Patch starting at 4:16) Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN (2 Discs SHN / 3 Discs Audio Transfered and Edited By Charlie Miller | Source Detail | d35 | |
| 12/06/89 | Oakland-Alameda County Coliseum | 3 | Seamless fix of shn id 14917 - SBD -> DAT -> Prodif Plus -> Samplitude v6.0 -> SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details | Source Detail | d35 | |
| 12/08/89 | Great Western LA Forum | 3 | AUD>DAT>CDR; Seeded to etree by Tim W | Source Detail | d35 | |
| 12/08/89 | Great Western LA Forum | 2 | flac24; Ambient recording master by Mike French / Tapers From Hell From the Impact Zone, fob/dfc (same spot as entire 02-89 run, and entire 12-89 run) Sennheiser MKE2002 omni's HRTF stealth stereo -> Sony TC-D5M to 24/96 pcm: Sony TC-D5M and cassette master, no n.r. -> Tascam DVRA1000 in pcm mode @24/96 to flac: Tascam DVRA1000 in usb 2.0 mode, master disc file import -> Mac G4 OS-X Tiger. Flac compression (6/8) by xACT by Scott Brown NOTE: this is not the "exact" .flac fileset seeded my Mike French, reencoded to flac level 8 added id3 tags by Bob Loy | Source Detail | d36 | |
| 12/08/89 | Great Western LA Forum | 3 | Source: Set 1 SBD>CM>CM?>DAT>CDR>WAV>SHNv3 Set 2 SBD>CM>DAT>CDR>WAV>SHNv3 (w/ aud splices). See info file for splice details. Source discs via M.Rider. SHN encoding/initial propagation via neo_levo/candyman FTP. | Source Detail | d37 | |
| 12/08/89 | Great Western LA Forum | 3 | flac16; Ambient recording master by Mike French - Tapers From Hell From the Impact Zone, fob,dfc (same spot as entire 02-89 run, and entire 12-89 run) Sennheiser MKE2002 omni's HRTF stealth stereo -> Sony TC-D5M to 24/96 pcm: Sony TC-D5M and cassette master, no n.r. -> Tascam DVRA1000 in pcm mode @24/96 to flac: Tascam DVRA1000 in usb2.0 mode, master disc file import -> Mac G4 OS-X Tiger. Flac compression (6/8) by xACT by Scott Brown -> 16/44 conversion - shntool join -> Wavelabs 5: converted to 44100hz -> Isotope Ozone - dither: type mbit+, noise shaping high, bit depth 16, dither amount normal -> Wavelab - processed to 16bit -> Audacity: tracking only -> ffe l6 sector boundaries aligned>id3 tag <-Seamless transition between Discs 2 and 3-> | Source Detail | d35 | |
| 12/08/89 | Great Western LA Forum | 3 | flac16; SBD -> Dat -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d91 | |
| 12/09/89 | Great Western LA Forum | 2 | flac24; Ambient master by Tapers From Hell: A Journey to the Impact Zone Analog Masters by Mike French "Moke" Sennheiser MKE2002 omni's HRTF (baffled omni's) -> Sony TC-D5M, FOB/DFC in the center of a giant quiet zone of tapers and friends. Mics at 6'5". I was also covering the fob mic tree for this entire 12/89 run. A Tapers From Hell gathering. to 24/96 digital: Sony TC-D5M master deck, master cassette, no n.r. -> Tascam DVRA1000 DSD recorder in pcm mode, 24/96 to flac: track marks originally applied via the DVRA1000 to the dvd+rw master. Then,.. master disc imported via Mac 10.4 Tiger, and flac compression by xACT by Scott Brown, level 6 NOTE: this is not the "exact" .flac fileset seeded my Mike French, it has added id3 tags by Bob Loy | Source Detail | d37 | |
| 12/09/89 | Great Western LA Forum | 2 | flac16; Ambient recording master by Mike French - Tapers From Hell From the Impact Zone, fob,dfc (same spot as entire 02-89 run, and entire 12-89 run) Sennheiser MKE2002 omni's HRTF stealth stereo -> Sony TC-D5M to 24/96 pcm: Sony TC-D5M and cassette master, no n.r. -> Tascam DVRA1000 in pcm mode @24/96 All x'fers up to flac / master disc burn, by Mike French to flac: Tascam DVRA1000 in usb2.0 mode, master disc file import -> Mac G4 OS-X Tiger. Flac compression (6/8) by xACT by Scott Brown -> 16/44 conversion by Bob Loy -> shntool join -> Wavelabs 5: converted to 44100hz -> Isotope Ozone - dither: type mbit+, noise shaping high, bit depth 16, dither amount normal -> Wavelab - processed to 16bit -> Audacity: tracking only -> ffe l6 sector boundaries aligned -> id3 tag <-Seamless transition between Discs 1 and 2-> | Source Detail | d38 | |
| 12/09/89 | Great Western LA Forum | 2 | Source: SBD > DAT > CDR > WAV > SHNv3. This is shn id 5450 with undocumented changes to d2t01 via LMA. | Source Detail | d38 | |
| 12/10/89 | Great Western LA Forum | 3 | SBD > DAT > CDR > WAV > SHNv3; DAE via C. Ladner (EAC > CDWave > SHNTOOL > MKWACT), from Charlie Miller seed | Source Detail | d38 | |
| 12/27/89 | Oakland-Alameda County Coliseum | 3 | AUD>DAT>CDR; Seeded to etree by Tim W | Source Detail | d38 | |
| 12/27/89 | Oakland-Alameda County Coliseum | 3 | Dan Healy's Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd | Source Detail | d38 | |
| 12/27/89 | Oakland-Alameda County Coliseum | 3 | FOB>Shoeps CMC3/mk-4 > DAT > CDR > WAV > SHNv3; Taper unknown @ this time. | Source Detail | d39 | |
| 12/27/89 | Oakland-Alameda County Coliseum | 3 | flac16; SBD -> Dat -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d91 | |
| 12/28/89 | Oakland-Alameda County Coliseum | 3 | 2 Beyer M160 FOB > Sony TCD5M Cassette Master > SHN; Unknown seeder | Source Detail | d39 | |
| 12/28/89 | Oakland-Alameda County Coliseum | 2 | flac16; SBD -> Master Cassette Transferred By David Gans Converted to FLAC By Charlie Miller | Source Detail | d39 | |
| 12/30/89 | Oakland-Alameda County Coliseum | 3 | Tony G shntool fix of original Braverman seed; Ultramatrix (SBD/AUD mix); Lineage: DAT> CD> SHN | Source Detail | d39 | |
| 12/30/89 | Oakland-Alameda County Coliseum | 3 | mixed source: Set 1- DSBD> ?> D> CDR; Set 2- Schoeps CMC3/mk-4 FOB | Source Detail | d39 | |
| 12/31/89 | Oakland-Alameda County Coliseum | 3 | Pre-FM -> Dat -> Samplitude -> CD -> EAC -> SHN; Transfer By Charlie Miller | Source Detail | d40 | |
| 12/31/89 | Oakland-Alameda County Coliseum | 2 | SBD>>PreFM>>DAT>>CDA>>WAV(EAC)>> SHN>>DAW(Bertha)>>CDA/SHN | Source Detail | d40 | |
| 12/31/89 | Oakland-Alameda County Coliseum | 3 | Recording Info: Pre-FM -> Dat -> Samplitude -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) All Transfers By Charlie Miller charliemiller87@earthlink.net; Cleaned and Patched by Darryl Hinko 3/21/05; Patch in Dear Mr Fantasy with unknown AUD | Source Detail | d40 | |
| 12/31/89 | Oakland-Alameda County Coliseum | 3 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d91 | |
| 02/25/90 | Oakland-Alameda County Coliseum | 2 | Set 2; SBD with patches from Schoeps AUD; Lineage: SBD> DAT> CASS> DAT> CDR; via Patrick White | Source Detail | d2 | |
| 02/25/90 | Oakland-Alameda County Coliseum | 3 | AUD(Schoeps CMC 44?s)>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley | Source Detail | d2 | |
| 02/25/90 | Oakland-Alameda County Coliseum | 3 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d2 | |
| 02/25/90 | Oakland-Alameda County Coliseum | 3 | flac16; SBD > DAT > C > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko | Source Detail | D1 | |
| 02/25/90 | Oakland-Alameda County Coliseum | 3 | flac16; FOB AUD: AKG C-568's > patched thru Panasonic SV-255 > Sony TC-D5M > TDK MA (1st Set) & TDK MA-XG (2nd Set), with no Dolby. Mics on stand, thirty feet from the stage, in the center. Taped by B and D. Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. | Source Detail | d1 | |
| 02/25/90 | Oakland-Alameda County Coliseum | 3 | flac16; Matrix 2 Source Mix - SBD (shnid 29345) + AUD (shnid 11805) mixed by Kevin Tobin | Source Detail | D1 | |
| 02/25/90 | Oakland-Alameda County Coliseum | 3 | DTS-Audio 5.1; Mix of SBD:SBD > DAT > C > DAT > CD > EAC > FLAC; and AUD:CMC 44’s)>DAT>CDR; mixed by ktobin | Source Detail | D1 | |
| 02/25/90 | Oakland-Alameda County Coliseum | 3 | flac16; Matrix 2 Source Mix - SBD (shnid 29345) + AUD (shnid 11805) mixed by Kevin Tobin | Source Detail | new seed 64 | |
| 02/25/90 | Oakland-Alameda County Coliseum | 3 | DTS-Audio 5.1; Mix of SBD:SBD > DAT > C > DAT > CD > EAC > FLAC; and AUD:CMC 44’s)>DAT>CDR; mixed by ktobin | Source Detail | new seed d12 | |
| 02/25/90 | Oakland-Alameda County Coliseum | 3 | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d91 | |
| 02/26/90 | Oakland-Alameda County Coliseum | 3 | SBD > CM> DAT; Conversion: D100 > Montego II > CD > HD via EAC > SHN; via shakedown@canada.com; note revision in txt file for d1t8 | Source Detail | d2 | |
| 02/26/90 | Oakland-Alameda County Coliseum | 2 | flac16; FOB AUD: Sennheiser MD-421's > Sony TC-D5M > TDK MA 90's with no Dolby. Mics on six-foot stand, at 90-degree spread, thirty feet from the stage, in the center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. | Source Detail | d2 | |
| 02/27/90 | Oakland-Alameda County Coliseum | 3 | SBD > DAT > CDR > WAV > SHNv3; DAE (EAC)> tracking/ boundary (CDWAV/SHNTOOL)> SHN(MKWACT) > FTP via neo_levo | Source Detail | d3 | |
| 02/27/90 | Oakland-Alameda County Coliseum | 3 | flac16; FOB AUD: Sennheiser MD-421's > Sony TC-D5M > TDK MA (1st Set), TDK MA-XG (2nd Set), with no Dolby. Mics on six-foot stand, at 90-degree spread, thirty feet from the stage, in the center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. | Source Detail | d3 | |
| 03/14/90 | Capital Centre | 2 | flac16; Matrix 2 Source Mix - SBD (shn id 8466) sbd> mc> dats> Soundforge 4.5>CD; via Tom E; + AUD (shn id 89689) MAV (Taped by LazyCow camera crew)JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Brokedown House -> Adobe Audition 3.0 - matrix mixing by Kevin Tobin | Source Detail | d3 | |
| 03/14/90 | Capital Centre | 2 | DTS Audio 5.1; SBD (shn id 8466) sbd> mc> dats> Soundforge 4.5>CD; via Tom E; + AUD (shn id 89689) MAV (Taped by LazyCow camera crew)JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Brokedown House -> Adobe Audition 3.0 - mixing by Kevin Tobin | Source Detail | d3 | |
| 03/14/90 | Capital Centre | 3 | flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck | Source Detail | d4 | |
| 03/14/90 | Capital Centre | 2 | sbd>mc>dats>Soundforge 4.5>CD; via Tom E; Hosted by candyman.etree.org | Source Detail | d4 | |
| 03/14/90 | Capital Centre | 2 | flac16; MAV (Taped by LazyCow camera crew)JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Brokedown House -> Adobe Audition 3.0 | Source Detail | d4 | |
| 03/15/90 | Capital Centre | 3 | Nak 300's > Sony D-5 (w/dolby B)> Maxell MX cass, Taper's section recorded by Boyd McHugh; Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks, Transfer by Dave Hanscom; CDWav> EAC> shn by Bzl | Source Detail | d4 | |
| 03/16/90 | Capital Centre | 3 | flac16; Unknown Microphones > Unknown Deck > Marantz PMD 430 Tapers Section Floor section 128, row GG, seat 15 Master Cassettes > SB Audigy > Adobe Audition @24bit/44.1Khz Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator, 16bit. CDwave: tracking Trader's little Helper: md5, ffp, flacs Recorded by Chris LaPorte | Source Detail | d5 | |
| 03/16/90 | Capital Centre | 3 | flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.1.1 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | d5 | |
| 03/16/90 | Capital Centre | 3 | flac16; Seamless and patched edit of shn id 5227 - sbd > ? > cdr > eac > shn > wav > flac | Source Detail | d5 | |
| 03/16/90 | Capital Centre | 3 | flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.1.1 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d92 | |
| 03/16/90 | Capital Centre | 3 | sbd > ? > cdr > eac > shn; 2 cuts in each BTW, Blow Away; Estimated declicked by unIDed person (md5s shown for pre and post-edited- see info file); via Willy from Andrew Wigdahl seed discs; filler on d3 | Source Detail | d5 | |
| 03/18/90 | Hartford Civic Center | 3 | flac16; AUD: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Mics on stand 7-feet high, set up near the back of the floor, aprx five rows behind the soundboard area. (Note: There was no taping area at this show.) Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 burner > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72. (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transferred by Andrew F. | Source Detail | d6 | |
| 03/18/90 | Hartford Civic Center | 3 | Hartford Civic Center SBD feed to HCN studios via ISDN > HCN Master Reel > DAT(Sony ES)recorded/(Tascam DA20mkII) playback>Pioneer PDR 555>CDR; Some aud splices, see info file for details; via David Huck, Matt Fuggi, & Michael Dixon (splicing and tracking) | Source Detail | d6 | |
| 03/18/90 | Hartford Civic Center | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d6 | |
| 03/18/90 | Hartford Civic Center | 3 | flac16; Sennheiser ME-80's>Technics SV-MD1 (1st row OTS) 1st set recorded on Maxell R-90 DAT, 2nd Set Maxell R-120 DAT DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Recorded & Transferred By Keith Litzenberger | Source Detail | d6 | |
| 03/18/90 | Hartford Civic Center | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d92 | |
| 03/19/90 | Hartford Civic Center | 3 | flac16; Sennheiser ME-80's>Technics SV-MD1 (2nd row Taper's Section) DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger | Source Detail | d7 | |
| 03/19/90 | Hartford Civic Center | 3 | updated source: Pre-FM Soundboard Master Reel (at 15 inches per second) -> DAT -> CDRs -> EAC -> SHN; source CDs from Kirby (Chalupa) Bell/Bob Fishman, eac>shn by Darrin Sacks; see info file for flaw notes | Source Detail | d7 | |
| 03/19/90 | Hartford Civic Center | 3 | flac16; AUD: Nakamichi CM-300's w/CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand 7-feet high, set up just behind the soundboard area: Sec 8, Row D.Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. | Source Detail | d7 | |
| 03/21/90 | Copps Coliseum | 3 | FOB Schoeps CMC44's > DAT > CD; Transfer: DVD > Optical cable > Phillips CDR870(CDDA) > EAC > CE2k > CDWAV > Shorten32 (see info file for notes); seeded by Doug Nawrocki | Source Detail | d8 | |
| 03/21/90 | Copps Coliseum | 3 | SBD Master Cassette > DAT > CD> EAC> SHN; via Brian Heath | Source Detail | d7 | |
| 03/22/90 | Copps Coliseum | 3 | Bertha Remaster of the Master Cassette source; SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN | Source Detail | d8 | |
| 03/22/90 | Copps Coliseum | 3 | SBD + AUD Matrix Mix (60%-SBD/40%-AUD); Mixed & Shn conversion by Dan | Source Detail | d8 | |
| 03/22/90 | Copps Coliseum | 3 | DTS Audio 5.1; Mix of AUD Dave Brotman FOB > Schoeps CMC54 (ORTF) > Aerco PS > DAT & SBD > MC > DAT | Source Detail | d8 | |
| 03/22/90 | Copps Coliseum | 3 | SBD + AUD Matrix Mix (60%-SBD/40%-AUD); Mixed & Shn conversion by Dan | Source Detail | new seed d4 | |
| 03/22/90 | Copps Coliseum | 3 | SBD (Matrix)> DAT> CD> EAC> [retracking of d2 w/ SF, no other alteration]> SHN; via Adam Jerugim; known flaws: 1 sec d/o d2t7 @0:17 | Source Detail | d9 | |
| 03/22/90 | Copps Coliseum | 3 | Schoeps CMC54 (ORTF, 19th row) > Aerco PS > DAT @ 48kHz; via Dankseeds | Source Detail | d9 | |
| 03/24/90 | Knickerbocker Arena | 3 | SBD > Dat x 3 > CDR > SHN; via drgseeds with thanks to Bob Harrell | Source Detail | d10 | |
| 03/24/90 | Knickerbocker Arena | 3 | SBD > Dat x 3 > CDR > SHN; via drgseeds with thanks to Bob Harrell | Source Detail | d10 | |
| 03/24/90 | Knickerbocker Arena | 3 | AUD(Schoeps CMC 421?s)>DAT>CDR; See info file for flaw notes; via Paul B; Seeded to Etree by T. Wiley | Source Detail | d10 | |
| 03/24/90 | Knickerbocker Arena | 2 | flac16/48; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger | Source Detail | d10 | |
| 03/24/90 | Knickerbocker Arena | 3 | flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger | Source Detail | d10 | |
| 03/24/90 | Knickerbocker Arena | 3 | FOB Schoeps CMC5/MK21> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer Info: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Ted Mattes; Transferred By Charlie Miller | Source Detail | d9 | |
| 03/24/90 | Knickerbocker Arena | 3 | SBD + AUD Matrix Mix (60%-SBD/40%-AUD) | Source Detail | d9 | |
| 03/25/90 | Knickerbocker Arena | 3 | flac16; SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16; All Transfers And Mastering By Charlie Miller; Upgrade in circulation | Source Detail | new seed d92 | |
| 03/25/90 | Knickerbocker Arena | 3 | flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab>CDWAV>FLAC Recorded By Keith Litzenberger | Source Detail | d12 | |
| 03/25/90 | Knickerbocker Arena | 3 | flac16; AUD: Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F. | Source Detail | d11 | |
| 03/25/90 | Knickerbocker Arena | 3 | FOB Schoeps CMC4/MK21> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer Info: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Ted Mattes; Transferred By Charlie Miller; Fixed version now in circulation | Source Detail | d11 | |
| 03/25/90 | Knickerbocker Arena | 3 | 24 track SBD MR> Healy 2 track Mixdown> C> DAT> CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky | Source Detail | d11 | |
| 03/25/90 | Knickerbocker Arena | 3 | flac16; SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16; All Transfers And Mastering By Charlie Miller; Upgrade in circulation | Source Detail | d11 | |
| 03/26/90 | Knickerbocker Arena | 2 | flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger | Source Detail | d7 | |
| 03/26/90 | Knickerbocker Arena | 2 | flac16; SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16; All Transfers And Mastering By Charlie Miller; Pitch corrected version in circulation | Source Detail | new seed d92 | |
| 03/26/90 | Knickerbocker Arena | 2 | flac16; AUD: Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F. | Source Detail | d12 | |
| 03/26/90 | Knickerbocker Arena | 2 | 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky; Note- portions of the show appear on Dozin' at the Knick- go buy it | Source Detail | d12 | |
| 03/26/90 | Knickerbocker Arena | 2 | flac16; SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16; All Transfers And Mastering By Charlie Miller; Pitch corrected version in circulation | Source Detail | d12 | |
| 03/28/90 | Nassau Coliseum | 3 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller | Source Detail | new seed d93 | |
| 03/28/90 | Nassau Coliseum | 3 | Nakamichi 300 Shotguns CP4's & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools. Taped & Transfered by Brian Mandel | Source Detail | d13 | |
| 03/28/90 | Nassau Coliseum | 2 | 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky | Source Detail | d13 | |
| 03/28/90 | Nassau Coliseum | 3 | Seamless fix of shn id 8510 - 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR>SHN | Source Detail | d13 | |
| 03/28/90 | Nassau Coliseum | 3 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller | Source Detail | d13 | |
| 03/28/90 | Nassau Coliseum | 3 | flac16; Sennheiser ME-80's>Technics SV-MD1 DAT (OTS) 1st set recorded on Maxell R-90 DAT, 2nd Set Maxell R-120 DAT DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Recorded & Transferred By Keith Litzenberger | Source Detail | d13 | |
| 03/28/90 | Nassau Coliseum | 3 | Updated Includes d1t08 Cassidy; FOB Schoeps CMC4/MK4 (ORTF)> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Ted Mattes; Transferred By Charlie Miller | Source Detail | d12 | |
| 03/28/90 | Nassau Coliseum | 3 | flac16; AUD (Changed mics between sets). Set One: Nakamichi CM-300's with CP-4 shotguns. Set Two: Sennheiser MD-441's. Mics > Sony TC-D5M > Maxell MX 90/100 tape, with no Dolby. Mics on 7-foot stands, in front row of OTS. Transfer: MAC > Sony TC-D5M (Dolby off) > Marantz CDR-500 > EAC > Wav > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. | Source Detail | d11 | |
| 03/29/90 | Nassau Coliseum | 0 | flac16; AUD Source: Nakamichi CM300's with CP4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with Dolby off. Mics on stand aprx 7-feet high, pointed at stacks, set up in taper's area second row center. Transfer: MAC > Sony TC-D5M (Dolby off) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 > FLAC; Taped and transferred by Andrew F | Source Detail | d14 | |
| 03/29/90 | Nassau Coliseum | 3 | Source: Unknown Mics > DAT > HiFi VHS (TDK HDXpro) Transfer: HiFi VHS > SBM-1 > Audiophile 2496 > Adobe Audition > FLAC Audio VHS provided by David Neaman. Transfer by Doug Nawrocki. | Source Detail | d14 | |
| 03/29/90 | Nassau Coliseum | 3 | flac16; AUD Source: Nakamichi CM300's with CP4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with Dolby off. Mics on stand aprx 7-feet high, pointed at stacks, set up in taper's area second row center. Transfer: MAC > Sony TC-D5M (Dolby off) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 > FLAC; Taped and transferred by Andrew F | Source Detail | d14 | |
| 03/29/90 | Nassau Coliseum | 3 | SBD>DAT>CDR; fixed copy of SHNid=3389; encoded by Darryl Hinko | Source Detail | d14 | |
| 03/29/90 | Nassau Coliseum | 3 | Fix of shnid 26341 - SBD> DAT> CD> EAC> SHN> WAV> FLAC patched with shnid 1317 (FOB>DAT>?>CD). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details | Source Detail | d15 | |
| 03/29/90 | Nassau Coliseum | 3 | SBD> Dat> CD; SHN Conversion By Charlie Miller | Source Detail | d15 | |
| 03/29/90 | Nassau Coliseum | 3 | SBD> DAT> CDR; via Andy Bear Greider, Doug Nawrocki; note reshn version also in circ | Source Detail | d15 | |
| 03/29/90 | Nassau Coliseum | 3 | SBD> DAT> CDR> SHN by Doug Nawrocki> wav> reshn by Jan Welch; note reshn of previous shn set (see info file)- checksums differ | Source Detail | d15 | |
| 03/29/90 | Nassau Coliseum | 3 | flac16; Sennheiser ME-80's>Technics SV-MD1 DAT (OTS) 1st set recorded on Maxell R-90 DAT, 2nd Set Maxell R-120 DAT DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Recorded & Transferred By Keith Litzenberger | Source Detail | d15 | |
| 03/29/90 | Nassau Coliseum | 2 | set 2; FOB> DAT> ?> CDR, mics and taper unknown; reportedly SBD-like; posted by Stephen Agan to abgd, later by Darrin Sacks to etree | Source Detail | d16 | |
| 03/30/90 | Nassau Coliseum | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d93 | |
| 03/30/90 | Nassau Coliseum | 3 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d93 | |
| 03/30/90 | Nassau Coliseum | 3 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d16 | |
| 03/30/90 | Nassau Coliseum | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d16 | |
| 03/30/90 | Nassau Coliseum | 3 | 24 track SBD MR>John Cutler 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky | Source Detail | d16 | |
| 03/30/90 | Nassau Coliseum | 3 | Seamless fix of shn id 8511 - 24 track SBD MR> John Cutler 2 track Mixdown> C> DAT> CDR> SHN | Source Detail | d16 | |
| 04/01/90 | The Omni | 3 | SBD>24 Track Mixdown>DAT>C>PCM>FC/DD2496>CD; via David Hollister; Brian Voelz | Source Detail | d18 | |
| 04/01/90 | The Omni | 2 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller; Upgrade in circulation | Source Detail | d18 | |
| 04/01/90 | The Omni | 2 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller; Upgrade in circulation | Source Detail | new seed d93 | |
| 04/01/90 | The Omni | 3 | aud MC> DAT> CD-R; Nak 300/CP4's > PMD 420; Alan Wallace, tapers section; via Tony Gardner; note some clipping | Source Detail | d17 | |
| 04/01/90 | The Omni | 3 | flac16; matrix sources: sbd : 24 Track Mixdown > DAT > C > PCM > FC/DD2496 > CD aud: FOB Nak 300/CP4's (Pair) + Sennheiser 441's (Pair) > Sony Mixer > Sony D10 Pro > RME46/8 > SoundForge > CD | Source Detail | d17 | |
| 04/01/90 | The Omni | 3 | FOB Nak 300/CP4's (Pair) + Sennheiser 441's (Pair) > Sony Mixer > Sony D10 Pro> RME46/8> SoundForge> CD> EAC> SHN | Source Detail | d17 | |
| 04/01/90 | The Omni | 3 | Seamless fix of shn id 8512 - 24 track SBD MR> John Cutler 2 track Mixdown> C> DAT> CDR>SHN | Source Detail | d17 | |
| 04/02/90 | The Omni | 3 | MSC> DAT> Cdr > Eac > cool edit pro > cdwav > shntool > shnv3; Discs kindly provided by Andy Lemieux; Eac > shn by Ernie Dodd; reportedly upgrade relative to previous shn set | Source Detail | d19 | |
| 04/02/90 | The Omni | 3 | Nak 300's/cp 4's > *Marantz PMD420 (mc) > dat > cdr >eac (range extracted at 100% for retracking) > cdwave > mkwact; Taped by Alan Wallace; Discs provided by Kevin Gills, shn by Doug Nawrocki | Source Detail | d18 | |
| 04/02/90 | The Omni | 3 | FOB Nak 300/CP4's (Pair) + Sennheiser 441's (Pair) > Sony Mixer > Sony D10 Pro > RME46/8 > SoundForge > CD> EAC> SHN | Source Detail | d18 | |
| 04/03/90 | The Omni | 3 | Nak 300/CP4's > PMD 420 by Alan Wallace, tapers section; MC> DAT> CD-R; note first few seconds of Promised Land missing; via Kevin Gills, Tony Gardner | Source Detail | d19 | |
| 04/03/90 | The Omni | 3 | FOB Nak 300/CP4's (Pair) + Sennheiser 441's (Pair) > Sony Mixer > Sony D10 Pro; EAC'd and Shned by Estim8ted | Source Detail | d19 | |
| 04/03/90 | The Omni | 3 | Soundboard Master Cassette > Sonic Solutions @ 24 bits > CD (Sony Super Bit Mapping 2) > EAC > SHN (seekable); via Darryl Hinko with thanks to Dave Sanders; Drums patched and tuning returned to first set from AUD source | Source Detail | d19 | |
| 05/05/90 | Cal State Dominguez Hills | 2 | DSBD>DAT>CDR; Encore from FM source; via Paul B; Seeded to Etree by T. Wiley | Source Detail | d20 | |
| 05/06/90 | Cal State Dominguez Hills | 3 | flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed 64 | |
| 05/06/90 | Cal State Dominguez Hills | 3 | flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | d20 | |
| 05/06/90 | Cal State Dominguez Hills | 3 | SBD>MC>DAT>CD; via Paul B; Seeded to Etree by T. Wiley | Source Detail | d20 | |
| 05/06/90 | Cal State Dominguez Hills | 3 | FOB Schoeps CMC44> master audience DAT> DAT> CD> EAC> SHN | Source Detail | d20 | |
| 06/08/90 | Cal Expo | 2 | flac16; FOB AUD: 2x Sennheiser MD421's plus 1x Nakamichi CM300 with CP1 cardioid capsule blend mic > Nakamichi 550 > Maxell XL-IIS 90's with no Dolby. Set up 30 feet from the stage, FOB center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC. Transfer by Andrew F. | Source Detail | d21 | |
| 06/08/90 | Cal Expo | 3 | FOB Matrix SBD > DAT > CDR > WAV > SHN. End of Sugar Magnolia and encore: Schoeps CMC 441's > PCM > SL2000 > DAT > Cass > SHN (Kutick/Adelman); Thanks to C. Miller for the SBD seeds. DAE (EAC) > tracking (cdwave) > boundary checking (shntool) > shn (mkwact) via neo_levo; see flaw notes in info file | Source Detail | d21 | |
| 06/08/90 | Cal Expo | 3 | Source: Schoeps CMC 441's > Sony PCM F-1 > SL-2000 > DAT master > cassette > SHN; Taper: Michael Kutick; DAT > cassette > SHN transfer, splicing & tracking: Ken Adelman; Also to abgd via David Warren | Source Detail | d21 | |
| 06/08/90 | Cal Expo | 3 | fob "at the impact zone" 6' stands 6' spaced schoeps omis > Oade pre (presumably m118) > SV250 analog line out>D10 recording by Sean Weber and west coast "tapers fro hell" crew | Source Detail | d21 | |
| 06/08/90 | Cal Expo | 3 | flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded By Gerry Gordon & Keith Litzenberger Transferred & Uploaded By Keith Litzenberger | Source Detail | d21 | |
| 06/09/90 | Cal Expo | 3 | Source: Schoeps CMC 441's > Sony PCM F-1 > SL-2000 > DAT master > cassette > SHN; Taper: Michael Kutik; DAT > cassette > SHN transfer, splicing & tracking: Ken Adelman; Also to abgd via David Warren | Source Detail | d23 | |
| 06/09/90 | Cal Expo | 3 | flac16; Source (AUD): Josephson C-640 w/ KA-20 (cardioid) capsules > 5532 differential pre-amp (+21db) > Sony WMD-6C (Dolby C) Microphone configuration: Microphones split approx 30 feet (left and right side of the SBD), 7' up (on stands) Master format: Maxell MX 100 cassettes Transfer: Sony WMD-6C > Lunatec V3 (44.1 kHz, 16 bit, ANSR on) > m-Audio Delta 2496 (SPDIF) > WaveLab Digital editing: Steinberg CuBase (pre and post set fades, blend between d1t07 and d1t08) Tracking & processing for CD: CD Wave Editor 1.95.1 > FLAC Frontend 1.7.1/ FLAC 1.1.2 Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC) Recorded, processed and distributed by Chuck Miller | Source Detail | d22 | |
| 06/09/90 | Cal Expo | 3 | B&K 4011 110degrees ORTF on the "Mike Stand" 6'4" Neumann p48 phantom supply > Sony TCD-D10 pro II (48k) > DAT master > TAscam DA-20 MKII > Marigo Audio Lab Coax S/PDIF cable > Tascam CDRW700 > CD-R master > Marantz CDR500 dual well cd burner at 1x > 1st gen CD-R copy > EAC in secure mode > FLAC | Source Detail | d22 | |
| 06/09/90 | Cal Expo | 2 | flac16; FOB AUD: 2x Sennheiser MD421's plus 1x Nakamichi CM300 with CP1 cardioid capsule blend mic > Nakamichi 550 > Maxell XL-IIS 90's with no Dolby. Set up 30 feet from the stage, FOB center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC. Transfer by Andrew F. | Source Detail | d22 | |
| 06/09/90 | Cal Expo | 3 | SBD (Matrix) > DAT > CDR > WAV > SHN; with AUD patch at end of encore: Schoeps CMC441s > Sony PCM F1> SL-2000> DAT> Cass> SHN (Ken Adelman). DAE (EAC) > tracking (CDWAV) > boundary checking (SHNTOOL) > SHN (MKWACT) via neo_levo; SBD seed via Charlie Miller | Source Detail | d22 | |
| 06/10/90 | Cal Expo | 2 | flac16; FOB AUD: 2x Sennheiser MD421's plus 1x Nakamichi CM300 with CP1 cardioid capsule blend mic > Nakamichi 550 > Maxell XL-IIS 90's with no Dolby. Set up 30 feet from the stage, FOB center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC. Transfer by Andrew F. | Source Detail | d23 | |
| 06/10/90 | Cal Expo | 3 | daud> schoeps mk4> D> CD; d3 filler not IDed?; etreed via M. Ferguson? | Source Detail | d24 | |
| 06/10/90 | Cal Expo | 3 | SBD + AUD Matrix Mix (50%-SBD/50%-AUD); Mixed by dan@am-dig.com; Note: This is a remix and upgrade to shn ID 30361 See txt file for additional comments | Source Detail | d23 | |
| 06/10/90 | Cal Expo | 3 | SBD/Matrix > DAT > CDR > WAV > SHN; plus patch from Mike Lai AUD source (see info) EAC, SHNTOOL, and minor repair work (cdwave) via neo_levo; SBD seed via Charlie Miller | Source Detail | d23 | |
| 06/15/90 | Shoreline Amphitheatre | 3 | 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; via abgd; vined by Chris Ladner | Source Detail | d24 | |
| 06/15/90 | Shoreline Amphitheatre | 3 | SBD > DAT > CDR > WAV > SHN; plus AUD patch; DAE(EAC) > boundary/ splice/ tracking(SHNTOOL, SF5) > SHN (MKWACT) via neo_levo | Source Detail | d24 | |
| 06/16/90 | Shoreline Amphitheatre | 3 | SBD > DAT > CDR > WAV > SHN; plus AUD patch; DAE(EAC)> boundary/ splice (SHNTOOL)> SHN(MKWACT) > FTP via neo_levo | Source Detail | d24 | |
| 06/16/90 | Shoreline Amphitheatre | 3 | 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; via abgd; vined by Chris Ladner | Source Detail | d22 | |
| 06/17/90 | Shoreline Amphitheatre | 3 | 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; via abgd; vined by Chris Ladner | Source Detail | d25 | |
| 06/17/90 | Shoreline Amphitheatre | 3 | SBD>DAT>CDR; via Paul B; Seeded to etree by neo_levo | Source Detail | d25 | |
| 06/23/90 | Autzen Stadium - University of Oregon | 3 | Audience (was labeled as SBD>Cm>Dat>Samplitude>CD). Seeded by Charlie Miller via Neo_Levo to candyman and abgd. | Source Detail | d26 | |
| 06/23/90 | Autzen Stadium - University of Oregon | 3 | flac16; Sennheiser ME-80's>Technics SVM-D1 (Front Of Taper's Section) Dat Master>Sony TCD-D0PROII>Edirol R-4>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded by G. Gordon using Keith Litzenberger's gear Transfer & Uploaded to Etree by Keith Litzenberger | Source Detail | d26 | |
| 06/23/90 | Autzen Stadium - University of Oregon | 3 | Source: SBD-matrix>CM>DAT>CDR>WAV>SHN; this is shn id 20695 with undocumented changes to d3t3 via Tol and LMA. | Source Detail | d25 | |
| 06/23/90 | Autzen Stadium - University of Oregon | 3 | Source: SBD-matrix>CM>DAT>CDR>WAV>SHN; this is shn id 20695 with undocumented changes to d3t3 via Tol and LMA. | Source Detail | d25 | |
| 06/23/90 | Autzen Stadium - University of Oregon | 3 | Digital Audience - Jill & Rob R. 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section | Source Detail | d23 | |
| 06/24/90 | Autzen Stadium, U. of Oregon | 3 | flac16; Sennheiser ME-80's>Technics SVM-D1 (Front Of Taper's Section) Dat Master>Sony TCD-D0PROII>Edirol R-4>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded by Gerry Gordon using Keith Litzenberger's gear Transferred & Uploaded by Keith Litzenberger | Source Detail | d27 | |
| 06/24/90 | Autzen Stadium, U. of Oregon | 3 | Digital Audience - Jill & Rob R: 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section | Source Detail | d26 | |
| 06/24/90 | Autzen Stadium, U. of Oregon | 3 | sbd>mc>dat>cdr; Unkown seeder | Source Detail | d26 | |
| 07/04/90 | Sandstone Ampitheatre | 3 | flac16; patched version of shn id 26351: SBD -> Dat -> Cassette Master -> ART DIO (24bit/96k) -> Sound Forge 7 -> CD -> EAC -> SHN; all SHNs converted to FLAC | Source Detail | new seed d94 | |
| 07/04/90 | Sandstone Ampitheatre | 3 | AUD (AKG 414?s) > DAT (Sony D-3) > CDR > WAV > SHNv3; DAE(EAC)>tracking (CDWAV)> boundary check (SHNTOOL)> SHN(MKWACT)> FTP via neo_levo | Source Detail | d27 | |
| 07/04/90 | Sandstone Ampitheatre | 3 | SBD> Dat> Cassette Master; Transfer: Cassette Master> ART DIO (24bit/96k)> Sound Forge 7> CD> EAC> SHN; SHN Conversion By Charlie Miller | Source Detail | d27 | |
| 07/04/90 | Sandstone Ampitheatre | 3 | flac16; patched version of shn id 26351: SBD -> Dat -> Cassette Master -> ART DIO (24bit/96k) -> Sound Forge 7 -> CD -> EAC -> SHN; all SHNs converted to FLAC | Source Detail | d27 | |
| 07/06/90 | Cardinal Stadium | 3 | SBD> Dat> Sonic Solutions> CD; EAC'd and SHN'd By Charlie Miller | Source Detail | d28 | |
| 07/06/90 | Cardinal Stadium | 2 | flac16; Set 2 only, Taper: unknown Location: ots Mic Config: unknown Source: schoeps cmc52>??>dat Record Format: 16-bit, 44.1 kHz Conversion: tascam da20mkII>spdif>edirol ua25>usb>audacity (2007-02-26) Edit: none Final Format: 16-bit, 44.1 kHz Track: CD-Wave | Source Detail | d28 | |
| 07/08/90 | Three Rivers Stadium | 2 | SBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore | Source Detail | d28 | |
| 07/10/90 | Carter-Finley Stadium | 3 | SBD > MC > DAT > EAC > SHN; Unknown seeder | Source Detail | d28 | |
| 07/10/90 | Carter-Finley Stadium | 3 | flac16; FOB DFC Schoeps MK4s ORTF On Stand->Oade m118->Panasonic SV255@48 kHz Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record/resample) -> CDWAV (track) ->FLAC | Source Detail | d28 | |
| 07/12/90 | Robert F. Kennedy Stadium | 3 | Recording Info: Set One: SBD -> Dat Set Two: SBD -> Cassette Master (TDK SA-X 100) Transfer Info: Set One: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Set Two: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16bit /44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN) All Transfers and Edits Done By Charlie Miller charliemiller87@earthlink.net 1/27/04 | Source Detail | d29 | |
| 07/12/90 | Robert F. Kennedy Stadium | 3 | source, lineage unspecified; Posted to a.b.gd.hs | Source Detail | d29 | |
| 07/14/90 | Foxboro Stadium | 3 | flac16/48; source: Schoeps CMC 44 cardioids ORTF FOB 6' stand-> Oade PS-> modified Panasonic SV-255 Taped and transferred by Rich Gastwirt | Source Detail | d29 | |
| 07/14/90 | Foxboro Stadium | 3 | 2Beyerm160 > SonyTCD5M Master Cassette> SHN; seeded to abgd by Walstib | Source Detail | d29 | |
| 07/14/90 | Foxboro Stadium | 3 | flac16; Source: OTS Audience Recording - set up at the right front lip of the sbd Lineage: Nakamichi CM-300's with CP-4 Shotgun Caps > Sony D-5 > MAC > NAK D3 > Emu 1212M > 24/96 wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > cd wave > flac lvl8 (tlh) | Source Detail | d30 | |
| 07/14/90 | Foxboro Stadium | 3 | SBD(?) ("could be DSBD, likely SBDm")> ? ("could also have a cassette gen between the source and DAT, not sure")> DAT> CD> EAC; via Nick Georges; see pub comments for flaw notes | Source Detail | d30 | |
| 07/16/90 | Rich Stadium | 3 | SBD> DAT> CD's> EAC> SHN; SHN/upload by Randall Ward, seed via Matt Knapp | Source Detail | d30 | |
| 07/16/90 | Rich Stadium | 3 | flac16; 1st Set:Soundboard->DAT@48 kHz->DAT.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record/resample->CDWAV (track) ->FLAC. 2nd Set:Soundboard->DAT@44.1 kHz->DAT.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC. Conversion by Mark Lynn | Source Detail | d30 | |
| 07/18/90 | Deer Creek Music Center | 3 | unknown aud>?>cdr>eac>shn; via Paul B.; Tony Gardner | Source Detail | d31 | |
| 07/18/90 | Deer Creek Music Center | 3 | Set1 SBD>>DAT>>MC>>SHN>>DAW(Bertha)>>CDA/SHN + Set2 SBD>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+ | Source Detail | d31 | |
| 07/18/90 | Deer Creek Music Center | 3 | SBD, mixed source: Set 1: SBD> Dat> Cassette Master; Set 2: SBD> Dat> CD; Set 1 Transfer: Cassette Master> ART DIO (24bit/96k)> Sound Forge 7> CD> EAC> SHN; SHN Conversion By Charlie Miller; see pub comments for additional lineage notes | Source Detail | d31 | |
| 07/18/90 | Deer Creek Music Center | 3 | whole show, SBD> 5th Gen analog cassette> Sound Forge> CD> EAC> SHN, with AUD splice in Drums tape flip; via Jeff Wilson | Source Detail | d31 | |
| 07/19/90 | Deer Creek Music Center | 3 | DSBRD> DAT> CD-R> EAC> SHN; via Garcia420 to abgd | Source Detail | d32 | |
| 07/19/90 | Deer Creek Music Center | 3 | flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | d32 | |
| 07/21/90 | World Music Theater | 3 | Master Soundboard DAT > CDR,EAC'ed / SHN'ed by Scott Clugston; to abgd via Charlie Connor | Source Detail | d32 | |
| 07/22/90 | World Music Theater | 3 | Jay Ashley (Bertha) remaster of Master DAT source; SBD>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA | Source Detail | d32 | |
| 07/22/90 | World Music Theater | 3 | Master Soundboard DAT > CDR,EAC'ed / SHN'ed by Scott Clugston, to abgd via Charlie Connor | Source Detail | d33 | |
| 07/23/90 | World Music Theater | 3 | flac16; Bertha Remaster of shn id 7835: Master SBD DAT > CDR >DAW(Bertha) > SHN > WAV > FLAC (note: the original shn file set has not been distributed) | Source Detail | new seed d24 | |
| 07/23/90 | World Music Theater | 3 | flac16; Bertha Remaster of shn id 7835: Master SBD DAT > CDR >DAW(Bertha) > SHN > WAV > FLAC (note: the original shn file set has not been distributed) | Source Detail | new seed 64 | |
| 07/23/90 | World Music Theater | 3 | flac16; Bertha Remaster of shn id 7835: Master SBD DAT > CDR >DAW(Bertha) > SHN > WAV > FLAC (note: the original shn file set has not been distributed) | Source Detail | d33 | |
| 07/23/90 | World Music Theater | 3 | Master Soundboard DAT > CDR, EAC'ed / SHN'ed by Scott Clugston, to abgd via Charlie Connor | Source Detail | d33 | |
| 07/23/90 | World Music Theater | 3 | sbd>dat>cd>shn; via Ed O'Connor | Source Detail | d33 | |
| 09/07/90 | Richfield Coliseum | 3 | flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d34 | |
| 09/07/90 | Richfield Coliseum | 3 | SBD> Cassette; Conversion: Tascam DA-20 MK II > (via RCA analog for Emphasis removal) Tascam DA-20 >Delta Dio 2496 > Soundforge XP 4.5 > CDRWIN > EAC > SHN, by Rob (Odeo) Harrison | Source Detail | d34 | |
| 09/08/90 | Richfield Coliseum | 2 | Set 2 only SBD>CM>DAT>CDR>EAC>SHN All transcription and conversion from DAT done by JR Fishman NY, NY fishmanj_98@yahoo.com | Source Detail | d4 | |
| 09/08/90 | Richfield Coliseum | 3 | AUD>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley | Source Detail | d34 | |
| 09/08/90 | Richfield Coliseum | 3 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d34 | |
| 09/10/90 | The Spectrum | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed 65 | |
| 09/10/90 | The Spectrum | 3 | AUD(Nak. 300's>D-5)>CM>??>CDR; See info file for edit notes; via Dan Faust; Seeded to Etree by T. Wiley | Source Detail | d35 | |
| 09/10/90 | The Spectrum | 3 | AUD>DAT>CDR; Seeded to etree by Tim Wiley | Source Detail | d35 | |
| 09/10/90 | The Spectrum | 3 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d35 | |
| 09/11/90 | The Spectrum | 3 | FOB(Nak. 300's>D-5)>CM>??>CDR; See info file for edit notes; via Dan Faust; Seeded to Etree by T. Wiley | Source Detail | d36 | |
| 09/11/90 | The Spectrum | 3 | (Healy Mix)SBD>DAT>C>DAT>CDR; with FOB(Nak. 300's>D-5)>CM>??>CDR patches; See info file for details; via Paul B and Dan Faust; Seeded to Etree by T. Wiley | Source Detail | d36 | |
| 09/12/90 | The Spectrum | 3 | flac16; SBD > Dat > Cassette Master (TDK SA100) > Dat (44.1k) > Sony D8 > VX Pocket 440 > Sony Vaio C1VP > Samplitude Professional v7.02 > FLAC; Transfers and Mastering By Charlie Miller | Source Detail | new seed d12 | |
| 09/12/90 | The Spectrum | 1 | First set only; (Healy Mix) SBD> Cassette Master> ??> CDR; Seeded to etree by Tim W | Source Detail | d27 | |
| 09/12/90 | The Spectrum | 3 | flac16; SBD > Dat > Cassette Master (TDK SA100) > Dat (44.1k) > Sony D8 > VX Pocket 440 > Sony Vaio C1VP > Samplitude Professional v7.02 > FLAC; Transfers and Mastering By Charlie Miller | Source Detail | d36 | |
| 09/12/90 | The Spectrum | 3 | Schoeps MK4V> DAT> CD-R> EAC> ADDAWAV (for retracking set 1)> CDRWAV> MKWACT> SHN; via JR Fishman | Source Detail | d36 | |
| 09/14/90 | Madison Square Garden | 3 | flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d12 | |
| 09/14/90 | Madison Square Garden | 3 | Dave Brotman FOB (15th row, center) AUD(Schoeps)> DAT> CDR; via Paul B; Seeded to Etree by T. Wiley | Source Detail | ||
| 09/14/90 | Madison Square Garden | 3 | Recorded by Dave Brotman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects). | Source Detail | d38 | |
| 09/14/90 | Madison Square Garden | 3 | flac16; Ambient Recording by Sean Weber & Rick Katseff B&K 4011's ORTF -> Grace pre -> Panasonic SV250 line-in transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +6dB digital gain added in the transfer from DAT to CDR master | Source Detail | d37 | |
| 09/14/90 | Madison Square Garden | 3 | flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | d37 | |
| 09/14/90 | Madison Square Garden | 3 | flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony TC-D5M > Sony TC-D5M > Maxell MX90/100, with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Taped and transferred by Andrew F. | Source Detail | d37 | |
| 09/14/90 | Madison Square Garden | 3 | analog sbd> dat> cd> eac> cd; via Jeff Fishman; Steve Barbella | Source Detail | d37 | |
| 09/15/90 | Madison Square Garden | 3 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d94 | |
| 09/15/90 | Madison Square Garden | 3 | flac16; Sennheiser ME-80's>Techinics SV-MD1 from Taper's Section Dat Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded by Keith Litzenberger | Source Detail | d35 | |
| 09/15/90 | Madison Square Garden | 3 | flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony TC-D5M > Sony TC-D5M > Maxell MX90/100, with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Taped and transferred by Andrew F. | Source Detail | d38 | |
| 09/15/90 | Madison Square Garden | 3 | flac16; Ambient Recording by tdarian - John Corso B&K 4011's ORTF -> Grace Pre -> Panasonic SV250 line-in FOB 17th Row seat 3 near center transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +6dB digital gain added in the transfer from DAT to CDR master | Source Detail | d38 | |
| 09/15/90 | Madison Square Garden | 3 | Recorded by Dave Brotman: FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects). | Source Detail | d39 | |
| 09/15/90 | Madison Square Garden | 3 | flac16; source: dsbd > dat > dat > dat@44k transfer: Sony D8(modified) > dat@44K > wavelab5.0 > wav > flac16 see text file for details | Source Detail | d39 | |
| 09/15/90 | Madison Square Garden | 3 | DSBD> Sony SDT-9000> VDAT> WAV> CDWAV; via Martman | Source Detail | d39 | |
| 09/15/90 | Madison Square Garden | 3 | analog sbd>dat>cd>eac>cd; via Jeff Fishman; Steve Barbella | Source Detail | d39 | |
| 09/15/90 | Madison Square Garden | 3 | flac16; SBD -> Dat -> Cassette Master -> Dat Transferred By bendover@theotherones.org Mastered By Charlie Miller | Source Detail | d40 | |
| 09/15/90 | Madison Square Garden | 3 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d40 | |
| 09/15/90 | Madison Square Garden | 3 | Recorded by Dave Brotman: FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects). | Source Detail | d40 | |
| 09/16/90 | Madison Square Garden | 3 | flac16; Ambient Recording by tdarian B&K 4011's ORTF -> ProLink cables -> Neumann p48v -> Sony TCD-D10 DAT line-in Section 1 row 18 center - on center aisle Seat A FOB near center. transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 CDR master transfer by Mike French | Source Detail | d41 | |
| 09/16/90 | Madison Square Garden | 3 | Recorded by Dave Brotman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects); Seeded to etree by Darrin Sacks; also to abgd via Charlie Connor | Source Detail | d41 | |
| 09/16/90 | Madison Square Garden | 3 | Recorded by Dave Brotman, FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects); via Paul B; Seeded to Etree by T. Wiley | Source Detail | d41 | |
| 09/16/90 | Madison Square Garden | 3 | flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony TC-D5M > Sony TC-D5M > Maxell MX90/100, with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Taped and transferred by Andrew F. | Source Detail | d40 | |
| 09/18/90 | Madison Square Garden | 3 | flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC. All Transfers and Mastering By Charlie Miller. (Fixes a dropout in shn id 79022; see info file for details) | Source Detail | new seed d94 | |
| 09/18/90 | Madison Square Garden | 3 | flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC | Source Detail | d42 | |
| 09/18/90 | Madison Square Garden | 3 | flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC. All Transfers and Mastering By Charlie Miller. (Fixes a dropout in shn id 79022; see info file for details) | Source Detail | d42 | |
| 09/18/90 | Madison Square Garden | 3 | Lineage: SBD->Cm->Dat->CD->Cool Edit Pro->CD via Charlie Miller | Source Detail | d42 | |
| 09/18/90 | Madison Square Garden | 3 | DFOB MAD>D>CD Recorded by Dave Bratman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects). 4, 1 second d/o's were patched w/ an FOB source; See info file for details; Seeded to etree by Darrin Sacks | Source Detail | d42 | |
| 09/18/90 | Madison Square Garden | 3 | flac16; Ambient Recording by tdarian B&K 4011's ORTF -> ProLnk Cables -> Neumann p48v -> Sony TCD-D10 line-in wide-open From Section A Row 19, seat 2 FOB - near center transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +2dB digital gain added in the transfer from DAT to CDR master | Source Detail | d41 | |
| 09/19/90 | Madison Square Garden | 3 | flac16; Recording Info: Set 1: SBD -> Cassette Master -> Sonic Solutions -> CD Set 2: SBD -> Dat Master -> Sonic Solutions -> CD Transfer Info: CD -> Samplitude Professional v9.1.1 -> FLAC Original Transfer and Mastering By David Gans Additional Editing and Tracking By Charlie Miller | Source Detail | new seed d95 | |
| 09/19/90 | Madison Square Garden | 3 | MAD>D>CD; FOB B&K 4011's; Seeded to etree by Darrin Sacks | Source Detail | d43 | |
| 09/19/90 | Madison Square Garden | 3 | flac16; Ambient recording by tdarian B&K 4011's ORTF -> ProLink cables -> Neumann p48v -> Sony TCD-D10 DAT 48khz line-in wide-open Mics at 6'3" Section A - Row 18 - Seat 2 - FOB near center transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 | Source Detail | d43 | |
| 09/19/90 | Madison Square Garden | 3 | Jay Ashley remaster of previous sbd source. SBD>>DAT>>CASS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN | Source Detail | d43 | |
| 09/19/90 | Madison Square Garden | 3 | Updated lineage: SBD> CM> DAT> CDR> EAC> SHN; via Jeff M. | Source Detail | d43 | |
| 09/19/90 | Madison Square Garden | 3 | amalgam of 2 previous seeds A and B, remastered by Tim Wiley; see info file for details | Source Detail | d44 | |
| 09/19/90 | Madison Square Garden | 3 | flac16; Recording Info: Set 1: SBD -> Cassette Master -> Sonic Solutions -> CD Set 2: SBD -> Dat Master -> Sonic Solutions -> CD Transfer Info: CD -> Samplitude Professional v9.1.1 -> FLAC Original Transfer and Mastering By David Gans Additional Editing and Tracking By Charlie Miller | Source Detail | d44 | |
| 09/19/90 | Madison Square Garden | 3 | Dave Brotman FOB(15th row, Center)-AUD(Scheops)>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley | Source Detail | d44 | |
| 09/20/90 | Madison Square Garden | 2 | set II,E; Ultramix SBD > DAT > CD-R; CD Mastering by C.J. Eichinger; Tape from T. Buller; see pub comments for flaw note | Source Detail | d10 | |
| 09/20/90 | Madison Square Garden | 3 | SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN. There was a flaw in the original transfer (d3t05 - Throwing Stones) that has been fixed. Flaws in d1t02 and d3t01 were also fixed | Source Detail | d45 | |
| 09/20/90 | Madison Square Garden | 3 | SBD + AUD Matrix Mix (50%-SBD/50%-AUD) using SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN, shn id 12111 and AUD Source: FOB > Scheops > DAT > CDR Location: Row 15, Center shn id 11633 | Source Detail | d45 | |
| 09/20/90 | Madison Square Garden | 3 | Bertha Remaster of the original DSBD Source. SBD>>Dat>>(*)>>SHN>>DAW(Bertha)>>CDA - Sound A+ | Source Detail | d45 | |
| 09/20/90 | Madison Square Garden | 3 | SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN; Seeded to etree by Charlie Miller | Source Detail | d45 | |
| 09/20/90 | Madison Square Garden | 3 | flac16; Ambient Recording by tdarian B&K 4011's ORTF -> ProLink cable -> Neumann p48v -> Sony TCD-D10 DAT 48khz line-in wide open Mics on stand at 6'+ transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 | Source Detail | d44 | |
| 09/20/90 | Madison Square Garden | 3 | DTS-Audio 5.1; mix of SBD > DAT > Samplitude > Cool Edit Pro > SHN & Dave Brotman FOB > Scheops > DAT > CDR | Source Detail | d46 | |
| 09/20/90 | Madison Square Garden | 3 | SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN. There was a flaw in the original transfer (d3t05 - Throwing Stones) that has been fixed. Flaws in d1t02 and d3t01 were also fixed | Source Detail | d46 | |
| 09/20/90 | Madison Square Garden | 3 | FOB AUD Schoeps (Row 15,Center)> DAT> CDR> EAC> CEP editing> SHN; taped by Dave Brotman; Seeded by Tim Wiley from Paul B. source discs | Source Detail | d46 | |
| 09/20/90 | Madison Square Garden | 2 | Recorded by Dave Brotman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects); With SBD patches in Truckin', see info file for details; Seeded to etree by Darrin Sacks | Source Detail | d47 | |
| 09/28/90 | Front Street | 1 | Unknown SBD> ? (possible cassette gen)> CDR> EAC> SHN; via Jeff M | Source Detail | d46 | |
| 10/13/90 | Ice Stadium | 3 | DSBD > CD > EAC > SHN; EAC/SHN by Darryl Hinko | Source Detail | d47 | |
| 10/13/90 | Ice Stadium | 3 | flac16; Source: Audience Master Cassette Nakamichi 300’s > Marantz PMD-430 Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 2nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 16, 2008 | Source Detail | d47 | |
| 10/13/90 | Ice Stadium | 3 | flac16; Audience Recording Lineage: Unknown Mics > Sony D-5 > MAC > NAK D3 > Emu 1212M > 24/96 wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > cd wave > flac lvl8 (tlh) | Source Detail | d47 | |
| 10/17/90 | GrugaHalle | 2 | flac16; Source: Audience Recording Lineage: Unknown Mics > Sony D-5 > MAC > NAK DR-3 > Emu 1212M > 24/96 wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > cd wave > flac lvl8 (tlh) | Source Detail | d48 | |
| 10/17/90 | GrugaHalle | 2 | DSBD>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley | Source Detail | d48 | |
| 10/17/90 | GrugaHalle | 2 | flac16; Audience Master Cassette Nakamichi 300’s > Marantz PMD-430 Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 2nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 12, 2008 | Source Detail | d48 | |
| 10/19/90 | Internationales Congress Centrum | 3 | flac16; Source: Audience Recording Lineage: Unknown Mics > Sony D-5 > MAC > NAK DR-3 > Emu 1212M > 24/96 wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > cd wave > flac lvl8 (tlh) | Source Detail | d48 | |
| 10/19/90 | Internationales Congress Centrum | 3 | DSBD: Healy mix>MD>D>CD; seeded to abgd by dieter | Source Detail | d49 | |
| 10/19/90 | Internationales Congress Centrum | 3 | flac16; Audience Master Cassette Nakamichi 300’s Cardioids > Marantz PMD-430 > Sony Walkman Pro D-6 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media Maxell MX-90, MX-100 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 20, 2008 | Source Detail | d49 | |
| 10/20/90 | Internationales Congress Centrum | 3 | flac16; Source: Audience Master Cassette Nakamichi 300’s Cardioids > Marantz PMD-430 > Sony Walkman Pro D-6 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 MX-100 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 6, 2008 | Source Detail | d33 | |
| 10/20/90 | Internationales Congress Centrum | 3 | DSBD: Healy mix>MD>D>CD | Source Detail | d49 | |
| 10/22/90 | Festhalle | 3 | 2 Beyer M160> Sony TCD5M Front Of Board Master Cassette> CDR via unknown seeder | Source Detail | d49 | |
| 10/22/90 | Festhalle | 3 | DSBD > CD > EAC > SHN; No cut in Bird Song; EAC/SHN by Darryl Hinko | Source Detail | d49 | |
| 10/22/90 | Festhalle | 3 | flac16; Source: Audience Master Cassette Nakamichi 300’s Cardioids > Marantz PMD-430 > Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 2nd Set: TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 11, 2008 | Source Detail | d50 | |
| 10/22/90 | Festhalle | 3 | SBD>DAT>C>DAT>CDR; Seeded to etree by Tony Gardner | Source Detail | d50 | |
| 10/24/90 | Sportsahalle | 2 | flac16; SBD->DAT->CDR->EAC->WAV->FLAC | Source Detail | new seed d95 | |
| 10/24/90 | Sportsahalle | 3 | SBD>DAT>C>DAT>CDR> Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable); via Paul B; Seeded to Etree by T. Wiley | Source Detail | d50 | |
| 10/24/90 | Sportsahalle | 3 | flac16; Source: Audience Master Cassette Nakamichi 300’s Cardioids > Marantz PMD-430 > Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 MX-100 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 12, 2008 | Source Detail | d50 | |
| 10/24/90 | Sportsahalle | 2 | flac16; SBD->DAT->CDR->EAC->WAV->FLAC | Source Detail | d50 | |
| 10/27/90 | The Zenith | 3 | sbe-fixed version of the SBD>DAT>CD source | Source Detail | d51 | |
| 10/27/90 | The Zenith | 3 | flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Set up in the balcony taper section, a few rows from the edge. Mics on stand aprx 5-feet high, aimed at stacks and angled down slightly. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, April 2007. Taped and transferred by Andrew F. | Source Detail | d51 | |
| 10/27/90 | The Zenith | 3 | flac16; Source: Audience Master Cassette Nakamichi 300’s Shotguns > Marantz PMD-430 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-902nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 14, 2008 | Source Detail | d51 | |
| 10/27/90 | The Zenith | 3 | SBD>DAT>CD; via Tommy Danscuk; Seeded to etree by Peter Braverman | Source Detail | d51 | |
| 10/28/90 | The Zenith | 3 | flac16; Source: Audience Master Cassette Nakamichi 300’s Shotguns > Marantz PMD-430 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-902nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 15, 2008 | Source Detail | d16 | |
| 10/28/90 | The Zenith | 3 | SBD> DATx3; Conversion: Sony M-1 > Midiman Optical > SPDIF SB Platinum > CoolEdit WAV > CDWav WAV > SHN (mkw); Shns Produced by JamPhan | Source Detail | d52 | |
| 10/28/90 | The Zenith | 3 | flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Set up in the balcony taper section, a few rows from the edge. Mics on stand aprx 5-feet high, aimed at stacks and angled down slightly. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, March 2007. Taped and transferred by Andrew F | Source Detail | d52 | |
| 10/30/90 | Wembley Arena | 2 | flac16; Set 2 only Source: Audience Master Cassette Nakamichi 300’s Shotguns > Marantz PMD-430 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-902nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 16, 2008 | Source Detail | d51 | |
| 10/30/90 | Wembley Arena | 3 | dsbd> dat> cd> shn; via Steve Barbella | Source Detail | d52 | |
| 10/30/90 | Wembley Arena | 3 | flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, January 2007. Taped and transferred by Andrew F | Source Detail | d53 | |
| 10/31/90 | Wembley Arena | 3 | SBD > DAT > CDR > WAV > SHNv3; seed discs via Tim Symons, DAE(EAC) > SHNTOOL > MKWACT via neo_levo; reportedly with Werewolves splice, but fewer pops than previous shn sets | Source Detail | d53 | |
| 10/31/90 | Wembley Arena | 3 | flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX tapes, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks. Transfer: MAC > Sony TC-D5M (no Dolby) > Audiophile 2496 analog RCA-In > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, June 2007. Taped and transferred by Andrew F. | Source Detail | d53 | |
| 10/31/90 | Wembley Arena | 3 | flac16; Source: Audience Master Cassette Nakamichi 300’s Shotguns > Marantz PMD-430 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 2nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 16, 2008 | Source Detail | d53 | |
| 11/01/90 | Wembley Arena | 3 | SBD > DAT > CDR > WAV > SHN - Seamless fix of shn id 8068 | Source Detail | d54 | |
| 11/01/90 | Wembley Arena | 2 | flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, February 2007. Taped and transferred by Andrew F | Source Detail | d54 | |
| 11/01/90 | Wembley Arena | 3 | flac16; Source: DAUD Schoeps CMC54 > vms 5u > Sony D-10 2 Pro DAT x 1 Recorded by unknown German Taper, Dats provided by David Flaschner Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 > CD Wave > TLH > FLAC Transfer and Mastered by Bill Koucky March 25, 2008 | Source Detail | d54 | |
| 11/01/90 | Wembley Arena | 3 | SBD > DAT > CDR > WAV > SHNv3; via Tim S., neo_levo | Source Detail | d54 | |
| 12/03/90 | Oakland-Alameda County Coliseum | 3 | flac16; Recording Info: SBD -> Cassette Master (Maxell Metal Capsule/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed 65 | |
| 12/03/90 | Oakland-Alameda County Coliseum | 3 | flac16; Recording Info: SBD -> Cassette Master (Maxell Metal Capsule/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | d55 | |
| 12/03/90 | Oakland-Alameda County Coliseum | 3 | AUD(Nak mics + CP4)>DAT>CDR; via Paul B; Seeded to etree by Tim Wiley | Source Detail | d55 | |
| 12/04/90 | Oakland-Alameda County Coliseum | 3 | SBD>DAT>CDR; Uncle>Big River are from either an Excellent Aud source, or they have a different, Matrix like mix; via neo_levo/candyman ftp - 4/2002 | Source Detail | d55 | |
| 12/08/90 | Compton Terrace Amphitheatre | 2 | flac16; AT Shotguns > unknown decks x2 > PMD430 Tapers section on lawn behind SBD PMD430 > SB Audigy Line IN > Adobe Audition @24bit/48khz Adobe Audition: Noise Reduction of hiss, fade ins/outs, pop/click eliminator, dithered and resampled to 16bit/44khz. CDwave: tracking Trader's little Helper: flacs | Source Detail | d55 | |
| 12/09/90 | Compton Terrace | 3 | flac16; source: SBD > DAT(x?) DAT from collection of Todd Evans - todd@bluedakota.com DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav tracked in CDWav/44.1 output | Source Detail | new seed d95 | |
| 12/09/90 | Compton Terrace | 3 | flac16; source: SBD > DAT(x?) DAT from collection of Todd Evans - todd@bluedakota.com DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav tracked in CDWav/44.1 output | Source Detail | d56 | |
| 12/09/90 | Compton Terrace | 3 | flac16; Nak 300's > Unknown Deck > Marantz pmd430 Taper section on lawn behind SBD PMD430 > SB Audigy Line IN> Adobe Audition @ 24bit/48khz Adobe Audition: Noise Reduction of hiss, fade ins/outs, pop/click eliminator, dithered and resampled to 16bit/44khz. CDwave: tracking Trader's little Helper: flacs | Source Detail | d56 | |
| 12/09/90 | Compton Terrace | 3 | SBD > DAT > CDR > WAV > SHNv3; DAT > CDR transfer - via C. Miller; DAE (EAC > shntool > mkwact) by C. Ladner | Source Detail | d56 | |
| 12/12/90 | McNichols Sports Arena | 2 | flac16; Set 2 only, SBD > Healy DAT > PCM > DAT Transfer by: Todd Evans DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 > ? > FLAC | Source Detail | new seed d82 | |
| 12/12/90 | McNichols Sports Arena | 1 | flac16; Set 1 only, Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d95 | |
| 12/12/90 | McNichols Sports Arena | 1 | flac16; Set 1 only, Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | d56 | |
| 12/12/90 | McNichols Sports Arena | 2 | flac16; Set 2 only, SBD > Healy DAT > PCM > DAT Transfer by: Todd Evans DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 > ? > FLAC | Source Detail | d57 | |
| 12/12/90 | McNichols Sports Arena | 3 | flac16; Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 >CDWAVE >FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski | Source Detail | d56 | |
| 12/12/90 | McNichols Sports Arena | 3 | flac16; AUD : Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master by Dean Grabski - patched and speed correction of shn id 32020 by Kevin Tobin | Source Detail | d57 | |
| 12/12/90 | McNichols Sports Arena | 3 | DTS Audio 5.1; SBD1 (shn id 87461) (1st set only) SBD -> Dat (48k) + SBD2 (shn id 87372) (2nd set only) Healy DAT > PCM > DAT + AUD (shn id 32020) Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master - dts mixing by Kevin Tobin | Source Detail | d57 | |
| 12/12/90 | McNichols Sports Arena | 3 | flac16; Matrix 3 Source Mix - SBD1 (shn id 87461) (1st set only) SBD -> Dat (48k) + SBD2 (shn id 87372) (2nd set only) Healy DAT > PCM > DAT + AUD (shn id 32020) Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master - matrix mixing by Kevin Tobin | Source Detail | d58 | |
| 12/12/90 | McNichols Sports Arena | 3 | SBD> D-> CDR-> EAC> SHN; Ripped by John Zei | Source Detail | d58 | |
| 12/13/90 | McNichols Sports Arena | 3 | Source: Soundboard Matrix:D-> DAT; Transfer: DAT-> Sony PCM R-300 > RME digi 96/8PAD > Soundforge 6.0 @48k by Marc Pujol; Encoding: 48k -> 44.1k via Cool Edit Pro High Accuracy Setting > Cool Edit (diginoise patches) > CDWAV > mkwact (seekable) by Matt Vernon | Source Detail | dvd 189 | |
| 12/13/90 | McNichols Sports Arena | 3 | flac16; Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 > CDWAVE > FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski | Source Detail | d57 | |
| 12/13/90 | McNichols Sports Arena | 3 | Source: Soundboard Matrix:D-> DAT; Transfer: DAT-> Sony PCM R-300 > RME digi 96/8PAD > Soundforge 6.0 @48k by Marc Pujol; Encoding: 48k -> 44.1k via Cool Edit Pro High Accuracy Setting > Cool Edit (diginoise patches) > CDWAV > mkwact (seekable) by Matt Vernon | Source Detail | d58 | |
| 12/13/90 | McNichols Sports Arena | 3 | SBD> D> CDR> EAC> SHN; Ripped by John Zei | Source Detail | d58 | |
| 12/14/90 | McNichols Sports Arena | 3 | DSBD> DAT> Cass> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz. A/D> RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3 (MKW ACT). Digital Conversion by Charlie Connor via Hugh McCrystal. | Source Detail | dvd 189 | |
| 12/14/90 | McNichols Sports Arena | 3 | flac16; Corrected Source Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 | Source Detail | new seed d96 | |
| 12/14/90 | McNichols Sports Arena | 3 | flac16; Corrected Source Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 | Source Detail | d59 | |
| 12/14/90 | McNichols Sports Arena | 3 | flac16; Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 > CDWAVE > FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski | Source Detail | d59 | |
| 12/14/90 | McNichols Sports Arena | 3 | DSBD> DAT> Cass> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz. A/D> RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3 (MKW ACT). Digital Conversion by Charlie Connor via Hugh McCrystal. | Source Detail | d59 | |
| 12/27/90 | Oakland-Alameda County Coliseum | 2 | set2; FOB AKG 460/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN ; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller | Source Detail | dvd 189 | |
| 12/27/90 | Oakland-Alameda County Coliseum | 3 | flac16; Set One: AKG 460/CK8X (Front Row Taper's Section) -> Dat (Sony D3) -> PCM -> Dat (Sony R500) -> Samplitude v7.02 Professional -> SHN; Set Two: SBD -> Dat -> SHN; Seamless edit of shn id 21928 | Source Detail | d59 | |
| 12/27/90 | Oakland-Alameda County Coliseum | 2 | set2; FOB AKG 460/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN ; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller | Source Detail | d60 | |
| 12/27/90 | Oakland-Alameda County Coliseum | 3 | Set One: AKG 460/CK8X (Front Row Taper's Section) -> Dat (Sony D3) -> PCM -> Dat (Sony R500) -> Samplitude v7.02 Professional -> SHN Set Two: SBD -> Dat -> SHN Recorded By Paul Tumolo Transfered By Charlie Miller and Neil Sturtevant | Source Detail | d60 | |
| 12/28/90 | Oakland-Alameda County Coliseum | 3 | (Healy Mix)SBD>??>DAT>CDR; Seeded to etree by T. Wiley | Source Detail | dvd 190 | |
| 12/28/90 | Oakland-Alameda County Coliseum | 3 | (Healy Mix)SBD>??>DAT>CDR; Seeded to etree by T. Wiley | Source Detail | d60 | |
| 12/30/90 | Oakland-Alameda County Coliseum | 2 | Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Tascam DA20) -> Behringer UltraMatch SRC 2000 -> CD (Tascam CDRW700) -> EAC -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) - All Transfers and Editing By Charlie Miller | Source Detail | dvd 190 | |
| 12/30/90 | Oakland-Alameda County Coliseum | 2 | Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Tascam DA20) -> Behringer UltraMatch SRC 2000 -> CD (Tascam CDRW700) -> EAC -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) - All Transfers and Editing By Charlie Miller | Source Detail | d60 | |
| 12/30/90 | Oakland-Alameda County Coliseum | 3 | SBD>??>DAT>CDR; Seeded to Etree by T. Wiley | Source Detail | d61 | |
| 12/31/90 | Oakland-Alameda County Coliseum | 3 | flac16; Pre-FM > DAT > CD > EAC > CD > EAC > FLAC; Both EAC steps were done twice with correct setting to ensure accurate rips. Final EAC and FLAC conversion done by Bob Abrams, 2/21/08. | Source Detail | new seed d96 | |
| 12/31/90 | Oakland-Alameda County Coliseum | 3 | flac16; Pre-FM > DAT > CD > EAC > CD > EAC > FLAC; Both EAC steps were done twice with correct setting to ensure accurate rips. Final EAC and FLAC conversion done by Bob Abrams, 2/21/08. | Source Detail | d61 | |
| 12/31/90 | Oakland-Alameda County Coliseum | 3 | Satellite Feed > 1/2" reel @ 15 ips > DAT >CDR; Montego II > CDWave > Sound Forge XP 4.5; via Mike Hall | Source Detail | d61 | |
| 02/19/91 | Oakland-Alameda County Coliseum | 3 | SBD > DAT > Soundforge> CDR > WAV > SHN; DAE(EAC)> SHN (MKWACT), via neo_levo with thanks to Charlie Miller | Source Detail | d1 | |
| 02/20/91 | Oakland-Alameda County Coliseum | 3 | Updated source: 2 Nak 100/CP4 + 2 AKG C1000, Front Row Tapers Section> Boss BX4 Mixer> Cassette Master (Sony D6/Dolby B), taped by Charlie Miller; Cass> DAT transfer by Dan Sisler; Dat (Sony R500/SBM On)> CD (Tascam CDRW700) transfer by Charlie Miller; EAC> CDWAV> SHN by eD(efojr), from Paul's seed discs | Source Detail | d1 | |
| 02/20/91 | Oakland-Alameda County Coliseum | 3 | flac16; SBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko | Source Detail | d1 | |
| 02/21/91 | Oakland-Alameda County Coliseum | 3 | Recording Info: SBD -> Dat Transfer Info: Dat (Sony D8) -> Delta DiO 2496 -> Samplitude 2496 -> SHN 3 Discs Audio / 2 Discs SHN Re-tracked and Normalized with Samplitude v7.02 Professional By Charlie Miller charliemiller87@earthlink.net 2/11/04 | Source Detail | d1 | |
| 03/17/91 | Capital Centre | 3 | FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Jeff Metchik (sp?); Transferred By Charlie Miller | Source Detail | d2 | |
| 03/17/91 | Capital Centre | 3 | flac16; SBD> Master Dat> Master Cassette (Tascam 122mkIII)> Dat (SV3800/48k); Transfer: Dat> Cool Edit Pro> Samplitude v7.02 Professional> FLAC; Patch Info: Nakamichi 300/CP4 + Neumann KM84> Cassette Master (Sony D5/Maxell MX-S90); Patched and Edited By Charlie Miller | Source Detail | d2 | |
| 03/18/91 | Capital Centre | 3 | DTS-Audio-CD 5.1 Mix; SBD:SBD > MC > DAT > CD;AUD:AUD (unknown mics) >DAT>Cass (X1)>CDR; mixed by ktobin | Source Detail | dvd 208 | |
| 03/18/91 | Capital Centre | 3 | AUD (unknown mics) >DAT>Cass (X1)>CDR via D.Duquette. DAE/SHN encoding neo_levo/candyman | Source Detail | d2 | |
| 03/18/91 | Capital Centre | 3 | flac16; SBD > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko | Source Detail | d2 | |
| 03/18/91 | Capital Centre | 3 | DTS-Audio-CD 5.1 Mix; SBD:SBD > MC > DAT > CD;AUD:AUD (unknown mics) >DAT>Cass (X1)>CDR; mixed by ktobin | Source Detail | d3 | |
| 03/18/91 | Capital Centre | 3 | flac16; SBD > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko | Source Detail | dvd 140 | |
| 03/20/91 | Capital Centre | 3 | SBD>DAT>CDR; See info file for 'anomalies'; via Paul; Seeded to etree by eD(efojr) | Source Detail | d3 | |
| 03/20/91 | Capital Centre | 2 | flac16; Set 2 only - MAC>CDR Nak 100s > Sony D-5, using dolby B, onto Maxell cassettes. Taper's section. recorded by Boyd McHugh Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks. Track-splitting, burning, etc.: EAC to extract to hard drive, CD Wave for splitting resulting .wav files (updated mic info) | Source Detail | d3 | |
| 03/20/91 | Capital Centre | 1 | flac16; **SOUNDCHECK** Recording Info:Unknown Mics -> ? -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net -- Thanks to Gary Field for the cassette -- Thanks to macdaddy for the Nak Cassette Deck | Source Detail | d3 | |
| 03/21/91 | Capital Centre | 2 | SBD> DAT> ZA2> SHN; slight cut d2t7 ~5:44; via G. King | Source Detail | d3 | |
| 03/21/91 | Capital Centre | 3 | flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d96 | |
| 03/23/91 | Knickerbocker Arena | 3 | AUD: Schoeps CMC 34?s>DAT; via Paul; Seeded to etree by eD(efojr) | Source Detail | d4 | |
| 03/23/91 | Knickerbocker Arena | 3 | flac16; AUD: Nackamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 Dat. Taped onto Maxell DM-120 tape, set up in second row of taper's section, center seat. Mics on stand aprx 7-1/2 feet high, pointing at stacks and kept level (not angled up). Transfer: MAD > Sony DTC-690 > Optical cable > Marantz CDR-500 burner > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, FLAC compression, and checksums) > FLAC > bt.etree. Taped and transferred by Andrew F. | Source Detail | d4 | |
| 03/23/91 | Knickerbocker Arena | 2 | flac16; Recorded by B.Koucky, patched out of B.Glassberg. Source: FOB Nak 700s > Sony D5 > Type IV cassette (Maxell MX100s), no Dolby during recording. Transfer and mastering: MAC playback on Nakamichi CR-7A with manually adjusted azmimuth > Presonus Firebox Neutrik inputs > Firewire/XP Pro > Wavelab 5, recorded as 24 bit 96 KHz PCM WAV > Waves L3 Multimaximizer (-1.7 dB/-0.1 ceiling > rendered to 16 bit/44.1 KHz WAV using UV22 HR, normal/no autoblack > CDWAV 1.9 > FLAC (level 8) by C.Ladner | Source Detail | new seed 65 | |
| 03/23/91 | Knickerbocker Arena | 2 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d96 | |
| 03/24/91 | Knickerbocker Arena | 3 | SBD > MC > DAT > CD > EAC > SHN; Patched with AUD> DAT> CDR; Schoeps CMC-421?s>Oade>Panasonic SV-255; EAC/SHN by Darryl Hinko | Source Detail | d4 | |
| 03/24/91 | Knickerbocker Arena | 3 | FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller | Source Detail | d4 | |
| 03/24/91 | Knickerbocker Arena | 3 | AUD> DAT> CDR; Schoeps CMC-421?s>Oade>Panasonic SV-255; via WIlliam-O; Seeded to etree by eD | Source Detail | d5 | |
| 03/25/91 | Knickerbocker Arena | 3 | sbd>cass-master>dat>shn | Source Detail | d5 | |
| 03/25/91 | Knickerbocker Arena | 3 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d96 | |
| 03/27/91 | Nassau Veterans Memorial Coliseum | 3 | AUD>DAT>CDR; Seeded to etree by eD | Source Detail | d5 | |
| 03/27/91 | Nassau Veterans Memorial Coliseum | 3 | Recording Info: SBD -> Cm (Sony D5) -> Dat; Transfer Info: Dat (Sony R500) -> Sound Devices USB Pre -> Sony Vaio C1VP -> Samplitude 6.0 -> Cool Edit Pro v2.0 -> SHN; Transfered and Remastered By Charlie Miller; Upgrade in circulation | Source Detail | d5 | |
| 03/27/91 | Nassau Veterans Memorial Coliseum | 2 | set2; FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer Info: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney. Dan O'Neill Transferred By Charlie Miller | Source Detail | d6 | |
| 03/28/91 | Nassau Coliseum | 2 | FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller | Source Detail | d6 | |
| 03/28/91 | Nassau Coliseum | 2 | SBD> DAT> CDR> EAC> SHN (seekable) via Steve Barbella | Source Detail | d6 | |
| 03/28/91 | Nassau Coliseum | 2 | flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d97 | |
| 03/29/91 | Nassau Coliseum | 3 | SBD> DAT> Cassette> DAT> Tascam DA-20 MKII> Delta Dio 2496> Cool Edit> CDR; via Rob Harrison; Seeded to etree by Tim Wiley | Source Detail | d6 | |
| 03/31/91 | Greensboro Coliseum | 3 | SBD > ?? > EAC > Multiquence > Shn; Seeded by C Perkins with thanks to Chris Luper; see text file for noted flaws.Samson and Eyes appear on Dick's Picks 17, Please support the artist and their commercial releases go buy it | Source Detail | d6 | |
| 04/01/91 | Greensboro Coliseum | 2 | flac16; SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> CD Transferred and Edited By Charlie Miller | Source Detail | d7 | |
| 04/03/91 | The Omni | 3 | sbd> dat> cass(2)> dat> spdif> cdr> eac> shn; via Tony Gardner; Pitch corrected upgrade in circulation | Source Detail | d7 | |
| 04/04/91 | The Omni | 3 | patched shnID 15548, FOB> AKGc1000s>Sony Cassette D3 > cdr >Eac > cool edit > shntool > cdwav >shnv3 with patch of promised land with cassette master by cdipietro; source of patch: AT835's> D5ProII> master cassette crossfaded with soundforge 7.0 via Tol | Source Detail | d7 | |
| 04/05/91 | The Omni | 3 | sbd> ?> cdr> eac> shn; shn by Jay James, hosted by Tony Gardner | Source Detail | d7 | |
| 04/07/91 | Orlando Arena | 3 | SBD > ? > SHN; via M. Ferguson, neo_levo | Source Detail | d8 | |
| 04/08/91 | Orlando Arena | 3 | SBD>DAT>C>DAT>CDR; via Paul "Raoul B." Duke; seeded to etree by Brad Ingle | Source Detail | d8 | |
| 04/09/91 | Orlando Arena | 3 | Recording Info: SBD -> Master Dat (Panasonic 3700) -> Master Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Master Cassette (Nakamichi CR-7A) -> Dat (Sony R500/48k/SBM On) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller | Source Detail | d8 | |
| 04/27/91 | Sam Boyd Silver Bowl | 3 | flac16; 3 source combo: 1: SBD> Dat> Cassette Master> Dat (48k); 2: SBD> Dat> Sonic Solutions> CD; 3: (FOB) Schoeps CMC3/MK2> Dat (48k); Transfer: Dat or CD> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transfers and Editing By Charlie Miller | Source Detail | d8 | |
| 04/28/91 | Sam Boyd Silver Bowl, U.N.L.V. | 2 | Source: FOB MAC (2 beyerm 160 & 1 Sennheiser 421>Sony TCD5M)>?>SHN. Mastering: SHN>WAV>CE2K>SHNTOOL>mkwACT. Mastered & seeded by MattMan. | Source Detail | d9 | |
| 04/28/91 | Sam Boyd Silver Bowl, U.N.L.V. | 3 | FOB Neumann U87's > ? > CDR; via Marcus Thunich; Seeded to etree by Matt Vernon | Source Detail | d9 | |
| 04/28/91 | Sam Boyd Silver Bowl, U.N.L.V. | 3 | Purported: SBD> Phil Lesh's cassette master> DAT> CDR; CDR > EAC > mkw > SHN by Matt Vernon, from Tim Wheaton seed discs; see info file for flaw notes | Source Detail | d9 | |
| 05/03/91 | Cal Expo | 3 | Source: SBD > DAT > C > DAT > CDR > WAV > SHN | Source Detail | d9 | |
| 05/04/91 | Cal Expo | 3 | SBD > DAT > C > DAT > CDR; via R. Martin; Seeded to etree by C. Ladner | Source Detail | d10 | |
| 05/05/91 | Cal Expo | 3 | DSBD > CD > EAC > SHN; EAC/SHN by Darryl Hinko | Source Detail | d10 | |
| 05/10/91 | Shoreline Amphitheatre | 3 | SBD > DAT > CDR > WAV > SHNv3; DAE (EAC) > boundary checking (shntool) > compression (mkwact) via neo_levo, with thanks to C. Miller | Source Detail | d10 | |
| 05/11/91 | Shoreline Amphitheatre | 2 | SBD : DAT > C (Latvala) > DAT > CDR; via Tom Angello; d2 tracked for 80 min | Source Detail | d10 | |
| 05/12/91 | Shoreline Amphitheatre | 3 | flac16; SBD -> Dat Transferred and Edited By Charlie Miller | Source Detail | d11 | |
| 05/12/91 | Shoreline Amphitheatre | 3 | FOB-AUD:Schoeps MK4V>DAT>CDR; via Paul; Seeded to etree by eD(efojr) | Source Detail | d11 | |
| 06/01/91 | Los Angeles Coliseum | 3 | DSBD> Dat> c> Dat> CD> EAC> SHN; via Steve Barbella, with thanks to John Valter, Paul B. | Source Detail | d11 | |
| 06/06/91 | Deer Creek Music Center | 3 | Nakamichi 300 shotguns, back tapers lawn > Sony D-6 (Denon Hd8-100 masters output from same deck) > Sony ES-59 DAT; Seeded to etree by JamPhan | Source Detail | d11 | |
| 06/06/91 | Deer Creek Music Center | 3 | Recording Info: SBD -> Dat -> Cm -> Dat Transfer Info: Dat -> Behringer UltraMatch SRC2000 -> Dio 2448 -> Samplitude v.60 -> Cool Edit Pro v1.2 -> CD -> EAC (Secure Mode) -> SHN (3 Discs Audio / 2 Discs SHN) All transfers done by Charlie Miller | Source Detail | d12 | |
| 06/07/91 | Deer Creek Music Center | 2 | Recording Info: SBD -> Dat -> Cm -> Dat Transfer Info: Dat -> Behringer UltraMatch SRC2000 -> Dio 2448 -> Samplitude v.60 -> Cool Edit Pro v1.2 ->CD -> EAC (Secure Mode) -> SHN All transfers done by Charlie Miller | Source Detail | d12 | |
| 06/09/91 | Buckeye Lake Music Center | 3 | SBD> DAT> CD> SHN; provenance unknown, submitted by user kberry | Source Detail | d12 | |
| 06/11/91 | Charlotte Coliseum | 3 | source unknown (likely SBD> CM> DAT> CDR); DAE: CDR> EAC> SHN; Extraction and shorten conversion by JT James; reported upgrade relative to previous shn set | Source Detail | d12 | |
| 06/12/91 | Charlotte Coliseum | 2 | SBD> DAT> CDR (previous shn set) + AUD patch for encore | Source Detail | d13 | |
| 06/14/91 | Robert F. Kennedy Stadium | 3 | SBD > DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN via Peter Braverman (possible cassette gen but NOT VFTV) | Source Detail | d13 | |
| 06/16/91 | Giants Stadium | 3 | Source: DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF | Source Detail | d13 | |
| 06/17/91 | Giants Stadium | 3 | SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller; [Note: This is the only circulating source without an analog gen in it.] | Source Detail | d13 | |
| 06/17/91 | Giants Stadium | 3 | DTS-Audio-CD 5.1 Mix | Source Detail | d14 | |
| 06/17/91 | Giants Stadium | 3 | flac16; SBD + AUD Matrix Mix | Source Detail | d14 | |
| 06/19/91 | Pine Knob Music Theater | 3 | Source: AUD (unknown mics) >DAT>CDR>WAV>SHN. SHN encoding via C.Ladner. | Source Detail | d14 | |
| 06/19/91 | Pine Knob Music Theater | 3 | FOB AKG C460B/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); Transfer : Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller | Source Detail | d14 | |
| 06/19/91 | Pine Knob Music Theater | 3 | SBD > DAT > Cass > DAT > CD > EAC > CDWav (retrack) > CD; Retracking done by Ivan Kotch; to etree via Adam Jerugim; known flaws: splice during Promised, noise during FOTM (A patched version of d1t08 also circulates as of June, 2010.) | Source Detail | d15 | |
| 06/20/91 | Pine Knob Music Theater | 3 | unknown mics > DAT > CDR > EAC x 2 > WAV > SHN3.0; via Chris Ladner, from Marc Laurent's discs; see info file for listening notes | Source Detail | d15 | |
| 06/20/91 | Pine Knob Music Theater | 3 | FOB AKG C460B/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); Transfer Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller | Source Detail | d15 | |
| 06/20/91 | Pine Knob Music Theater | 3 | SBD > DAT > Cass > DAT > CD > EAC, with Audience patch: Unknown DAUD > CD > EAC; All editing done with EAC, CDWave and SoundForge 4.5, by Ivan Kotch; to etree via Adam Jerugim; see info file for notes | Source Detail | d16 | |
| 06/24/91 | Sandstone Ampitheatre | 3 | FOB AKG C460B/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); plus patch from Schoeps hypercards> custom supply> SV255 section tape; Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill, with patch source by Ed Boardman; Transferred By Charlie Miller | Source Detail | d16 | |
| 06/24/91 | Sandstone Ampitheatre | 3 | FOB AKG 460 cardioid > DAT > CD DAT > CD: Panasonic sv3700 > Cool Edit Pro > CD Wave > mkw | Source Detail | d16 | |
| 06/24/91 | Sandstone Ampitheatre | 3 | DSBD> DAT> CDR; EAC> SHN by Jeff M. | Source Detail | d16 | |
| 06/25/91 | Sandstone Ampitheatre | 3 | SBD> Vault Dat> Dat> Dat (44.1k); Transfer: Dat (Tascam DA20)> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> Cool Edit Pro v2.0> SHN; All Transfers and Editing By Charlie Miller; note upgrade compared to prev sources in circ (NOT from liberated bootleg) | Source Detail | d17 | |
| 06/28/91 | Mile High Stadium | 3 | SBD> Dat> Samplitude> CD, Seed Supplied By David Gans; Transfer Info: Sony R500> Behringer SRC2000> M-Audio Dio 2448> Compaq 5452, Transfer done by Charlie Miller; Recorded with Samplitude v6.0, Fades done with Cool Edit Pro v1.2, Tracked with CDWave v1.71, SHN'd with MKW v0.97 Beta1 | Source Detail | d17 | |
| 08/12/91 | Cal Expo | 3 | flac16; SBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko | Source Detail | d17 | |
| 08/13/91 | Cal Expo | 3 | SBD>CM>DAT>CDR; via Paul; seeded to etree by eD(efojr) | Source Detail | d17 | |
| 08/14/91 | Cal Expo | 3 | flac16; SBD > DAT > C > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko | Source Detail | d17 | |
| 08/16/91 | Shoreline Amphitheatre | 3 | Source: SB DAT 48khz low-gen clone Conversion: Sony PCM-1 (7-pin optical) > Zoltrix C-Media CMI8738/C3DX PCI (optical) > Ce2k pro record (48) > Ce2k pro convert sample (44.1, highest quality, pre-post filter) > CDWav > FLAC |
Source Detail | d18 | |
| 08/16/91 | Shoreline Amphitheatre | 2 | flac16/48; Soundboard->DAT @ 48 kHz->DAT x 4.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC | Source Detail | d18 | |
| 08/16/91 | Shoreline Amphitheatre | 2 | flac16/48; Soundboard->DAT @ 48 kHz->DAT x 4.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC | Source Detail | new seed 65 | |
| 08/16/91 | Shoreline Amphitheatre | 3 | Source: SB DAT 48khz low-gen clone Conversion: Sony PCM-1 (7-pin optical) > Zoltrix C-Media CMI8738/C3DX PCI (optical) > Ce2k pro record (48) > Ce2k pro convert sample (44.1, highest quality, pre-post filter) > CDWav > FLAC |
Source Detail | new seed d97 | |
| 08/17/91 | Shoreline Amphitheatre | 2 | flac16/48; Soundboard->DAT @ 48 kHz->DAT x 4.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC | Source Detail | d18 | |
| 08/18/91 | Shoreline Amphitheatre | 2 | flac16/48; Soundboard->DAT @ 48 kHz->DAT x 4.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC | Source Detail | d18 | |
| 08/18/91 | Shoreline Amphitheatre | 3 | Source:SB DAT 48khz low-gen clone via kung@steve-behan.com Patch Source: SBD > DAT > ZA2 > CDR > EAC Patched, retracked, shn'd... by Doug Nawrocki | Source Detail | d18 | |
| 08/18/91 | Shoreline Amphitheatre | 2 | flac16/48; Soundboard->DAT @ 48 kHz->DAT x 4.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC | Source Detail | new seed d66 | |
| 09/04/91 | Richfield Coliseum | 3 | Schoeps CMC4/MK4 (FOB/Row Q, ORTF)> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Dan O'Neill; Transferred By Charlie Miller | Source Detail | d19 | |
| 09/04/91 | Richfield Coliseum | 3 | sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs | Source Detail | d19 | |
| 09/05/91 | Richfield Coliseum | 3 | sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs | Source Detail | d19 | |
| 09/06/91 | Richfield Coliseum | 3 | sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs | Source Detail | d19 | |
| 09/08/91 | Madison Square Garden | 3 | DSBD > CDA > DAT; Cleaned up copy of SHNid=1069; Clean up by Darryl Hinko | Source Detail | d20 | |
| 09/09/91 | Madison Square Garden | 3 | DSBD > DAT > CDA; Clean up copy of SHNid=508; Clean up by Darryl Hinko | Source Detail | d20 | |
| 09/10/91 | Madison Square Garden | 3 | flac16; SBD DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect ->Lynx Two Soundcard (spdif in) -> Wavelab 6.0 | Source Detail | new seed d97 | |
| 09/12/91 | Madison Square Garden | 3 | SBD > DAT > CDR > .shn; .via Jon, Adam Roux; (note may have been in abgd before this perhaps?) | Source Detail | d20 | |
| 09/14/91 | Madison Square Garden | 3 | SBD -> Dat -> CD; Clean up of SHNid=32904 by Darryl Hinko | Source Detail | d21 | |
| 09/14/91 | Madison Square Garden | 3 | flac16; SBD -> Dat -> CD All Transfers and Mastering By Charlie Miller | Source Detail | new seed d11 | |
| 09/16/91 | Madison Square Garden | 3 | FOB B&K 4011 (hand-held, sets recorded from different positions) -> Canari cables -> Neumann Phantom Power ->Sony TCD D10 Pro 2 Modified-> DAT @48k; Transfer: Clone from Master played back through Sony PCM-M1 -> 7pin Coax Out -> Zoltrix Nightingale -> Cooledit 2k (48k->44.1k conversion) -> cdwav (track splitting) -> shorten; recorded by Clay Brennecke and James Young | Source Detail | d21 | |
| 09/16/91 | Madison Square Garden | 3 | sbd> dat> cd> eac> shn; via A. Kowalski to GDH-Trading loop, not yet etreed | Source Detail | d21 | |
| 09/17/91 | Madison Square Garden | 3 | SBD: DAT> CD> EAC> SHN | Source Detail | d21 | |
| 09/18/91 | Madison Square Garden | 3 | DSBD -> DAT -> CD -> EAC -> SHN; via Adam Jerugim | Source Detail | d22 | |
| 09/20/91 | Boston Garden | 3 | Recorded with nakamichi 300 plus cp4 (shotguns) from the taping section by Mark Horvath | Source Detail | d22 | |
| 09/21/91 | Boston Garden | 3 | sbd> DAT> CD-R> EAC> SHN (no cass in gen); seed via A. McCall, via A. Eaglestone to BUDD et al offer; 11/00 at gdlive.com | Source Detail | d22 | |
| 09/22/91 | Boston Garden | 3 | DSBD>DAT>CD-R>EAC>WAV>ADDAWAV>CDRWAV>SHN (via MKWACT) via J. Fishman | Source Detail | d22 | |
| 09/22/91 | Boston Garden | 3 | flac 16; Source: Soundboard -> DAT @ 48kHz. Transfer: Sony PCM-R500 -> Nuendo Multiset -> WaveLab 4.0g Resampled with WaveLab 4.0g, tracked with CDWav 1.91 and converted to FLAC. | Source Detail | new seed d66 | |
| 09/24/91 | Boston Garden | 3 | SBD> Dat x 3; Transfer: Dat (Tascam DA20)> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> SHN; All Transfers and Editing by Charlie Miller; reported upgrade to previous circulating copies | Source Detail | d22 | |
| 09/25/91 | Boston Garden | 3 | Nakamichi CM300 + CP4REAR > d-5>cm >cdr Taped and discs kindly provided by Mark Horvath Eac > cool edit pro > shntool > cdwav > shnv3 By Ernie Dodd | Source Detail | d23 | |
| 09/26/91 | Boston Garden | 2 | flac16; Set 2 only - DAUD FOB B&K 4011 B&Ks on mic stand from Sec. BB Row 18 Seat 15 recorded by Clay Brennecke > Modified Sony D10 Pro > DAT (1) > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5* 44kHz > flac (8) | Source Detail | d23 | |
| 09/26/91 | Boston Garden | 2 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA100) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee MiniMe -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | d23 | |
| 09/26/91 | Boston Garden | 2 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA100) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee MiniMe -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d22 | |
| 10/27/91 | Oakland-Alameda County Coliseum | 3 | SBD> DAT> ZA2> Soundforge 4> CD Architect> CDR> EAC> shn; via Eric, Jeff | Source Detail | d23 | |
| 10/27/91 | Oakland-Alameda County Coliseum | 3 | flac16; Source: SBD > DAT(48KHz) > DAT playback on Sony PCM-R500 > XLR analog outputs > Mogami Gold cables > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV withWavelab 5 > mastered with Waves L3 Multimaximizer (threshold of -2.9 dB, ceiling -0.1 dB)> rendered to 16 bit /44.1 KHz WAV using UV22-HR dithering (normal/no autoblack) > tracked with CDWAV 1.9 > FLAC | Source Detail | new seed d66 | |
| 10/28/91 | Oakland-Alameda County Coliseum | 2 | SBD> DAT (n clones)> PCM> DAT; Conversion: Tascam DA-20 MK II > Delta Dio 2496 > Soundforge XP 4.5 > CDWave > SHN by Rob (Odeo) Harrison; tracked for 2x80 | Source Detail | d23 | |
| 10/30/91 | Oakland-Alameda County Coliseum | 3 | DSBD > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko | Source Detail | d24 | |
| 10/30/91 | Oakland-Alameda County Coliseum | 3 | Senn 421's>DAT>CDR; via Paul; Seeded to etree by eD(efojr) | Source Detail | d24 | |
| 10/31/91 | Oakland-Alameda County Coliseum | 3 | flac16; DSBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko | Source Detail | d24 | |
| 10/31/91 | Oakland-Alameda County Coliseum | 2 | Matrix by RJ Hythloday of sbd > (?) > shn(id=2897)& FOB recorded by Marcus Buick Transferred By Charlie Miller | Source Detail | d24 | |
| 10/31/91 | Oakland-Alameda County Coliseum | 2 | Recording Info: (FOB) Schoeps CMC3/MK4 -> 'Tao Research" Oade -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Recorded By Marcus Buick (mics in a giant costume hat) Transferred By Charlie Miller | Source Detail | d24 | |
| 11/03/91 | Polo Field, Golden Gate Park | 2 | flac16; Source: FM > VHS HiFi (Maxell XL120) Transfer: Panasonic AG-5210 > Soundforge 8 - 44.1KHz/24bit > highpass triangular dither-> 16bit > CD Wave > FLAC16 | Source Detail | d25 | |
| 11/03/91 | Polo Field, Golden Gate Park | 2 | Source: Liberated Bootleg CD>EAC>SHN | Source Detail | d25 | |
| 12/27/91 | Oakland-Alameda County Coliseum | 3 | DSBD > DAT > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko, with patches added from previous AUD source | Source Detail | d25 | |
| 12/27/91 | Oakland-Alameda County Coliseum | 3 | AUD> DAT> CDR; Schoeps MK4's; via Billy DeLyon; Seeded to etree by eD | Source Detail | d25 | |
| 12/28/91 | Oakland-Alameda County Coliseum | 3 | FOB/DFC B&K 4011 ORTF > Canari ?(Canare cables?) > Neumann (phantom?) > Sony TDC D10 Pro 2 (w/Oade modification) | Source Detail | d25 | |
| 12/28/91 | Oakland-Alameda County Coliseum | 3 | Set 1: SBD -> Dat -> Sonic Solutions -> CD -> EAC -> SHN Set 2: SBD -> Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN | Source Detail | d26 | |
| 12/30/91 | Oakland-Alameda County Coliseum | 3 | FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act. | Source Detail | d26 | |
| 12/30/91 | Oakland-Alameda County Coliseum | 3 | flac16; SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller | Source Detail | d26 | |
| 12/30/91 | Oakland-Alameda County Coliseum | 3 | flac16; SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller | Source Detail | new seed d8 | |
| 12/31/91 | Oakland-Alameda County Coliseum | 3 | SBD > Satellite Feed > DAT> CDR > WAV > SHNv3; DAE (EAC) > tracking (cdwave) > boundary checking (shntool) > SHNv3 (mkwact) via C.Ladner, from C.Larson for seed discs | Source Detail | d26 | |
| 02/13/92 | Club Front | 1 | DSBD->CD->EAC->SHN by Joe Samaritano Studio Rehearsal of So Many Roads | Source Detail | d1 | |
| 02/21/92 | Club Front Studio | 1 | Seeded to abgd by Doo Dah Man; Note original files contained an SFV integrity file. Md5 was created from the original shns and provided to the etree db here. | Source Detail | d1 | |
| 02/22/92 | Oakland-Alameda County Coliseum | 3 | flac16; FOB Digital Audience Set 1: B&K 4011 (ORTF) Hand Held -> Canare Cable -> Neumann Supply -> Modified Sony D10 Pro Jamie Young Rig) Set 2: Schoeps CMC34 -> Panasonic sv250 (Marcus Rig) | Source Detail | d1 | |
| 02/22/92 | Oakland-Alameda County Coliseum | 3 | SBD>MC>C>DAT>CDR; via Paul; Seeded to etree bt Tony G | Source Detail | d1 | |
| 02/23/92 | Oakland-Alameda County Coliseum | 3 | AUD>DAT>CDR (Schoeps CMC 34?s); via Paul; Seeded to etree by Tony G | Source Detail | d1 | |
| 02/24/92 | Oakland-Alameda County Coliseum | 3 | B&K 4011> Neumann PS> Sony D10ProII, FOB, Stand D> CD: Tascam DA-P20> HHb-850> EAC> CDWAV> SHN via Roy Earl Pettus | Source Detail | d1 | |
| 02/24/92 | Oakland-Alameda County Coliseum | 2 | 2nd Set; SBD>MC>C>DAT>CDR; Missing encore, last song cuts; via Paul; Seeded to etree by Tony G | Source Detail | d2 | |
| 03/01/92 | The Omni | 3 | Schoeps CMC3/MK4> Oade M118> Panasonic SV-250 FOB; via Tony Gardner | Source Detail | d2 | |
| 03/02/92 | The Omni | 3 | Schoeps CMC3/MK4> Oade M118> Panasonic SV-250 FOB; via Tony Gardner | Source Detail | d2 | |
| 03/03/92 | The Omni | 2 | AUD>DAT>CDR (Schoeps CMC 34?s); via Paul; Seeded to etree by Tony G | Source Detail | d2 | |
| 03/05/92 | Hampton Coliseum | 3 | B&K4011's ORTF FOB On Stand (6 - 7 feet high) >Neumann BS48i-2 Supply> Modified Sony D10 Pro (Modified by Bob Katz) Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410>Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC | Source Detail | d2 | |
| 03/05/92 | Hampton Coliseum | 3 | SBD > DAT > C > DAT > CD > EAC > FLAC; includes patching from B&K4011's ORTF FOB; EAC/FLAC by Darryl Hinko | Source Detail | d3 | |
| 03/05/92 | Hampton Coliseum | 3 | SBD> DAT> ?> CD> EAC> SHN; EAC> SHN by Ben Luton; small dropout d3t4 5:56 ; upgrade in circulation | Source Detail | d3 | |
| 03/06/92 | Hampton Coliseum | 3 | AUD>DAT>CDR (Nak 700?s>Sony D-3); via Paul; seeded to etree by Tony G | Source Detail | d3 | |
| 03/08/92 | Capital Centre | 3 | S : MC > D > CDR; see info file for edit notes; via Paul B; Tony G; Alan Fink | Source Detail | d3 | |
| 03/09/92 | Capital Centre | 2 | Soundboard -> DAT -> Cassette -> PCM -> DAT; upgrade in circulation | Source Detail | d3 | |
| 03/09/92 | Capital Centre | 2 | SBD> DAT> C> PCM> DAT> CD; via Rob Harrison; Seeded to etree by Peter Braverman; Shntool fix by Tony G | Source Detail | d4 | |
| 03/11/92 | Nassau Coliseum | 3 | SBD>DAT>CDR (probable cassette gen); Seeded to etree by Tony G | Source Detail | d4 | |
| 03/12/92 | Nassau Coliseum | 3 | ACM>DAT>CDR (Schoeps CMC4); via Paul; Seeded to etree by Tony G | Source Detail | d4 | |
| 03/13/92 | Nassau Coliseum | 2 | ACM>DAT>CDR (Nak 700?s>Sony D-3); via Paul; Seeded to etree by Tony G | Source Detail | d4 | |
| 03/16/92 | The Spectrum | 3 | SBD->DAT->?->Cas->CD->EAC->SHN via Dan | Source Detail | d4 | |
| 03/17/92 | The Spectrum | 2 | Nak 300 > Sony d-5 > cass master > cdr; Eac > cool edit pro > shntool > cdwav > shnv3; Taped and discs kindly provided by Mark Horvath; eac > shn (secure with proper offsets) by Ernie Dodd | Source Detail | d5 | |
| 03/18/92 | The Spectrum | 3 | AUD>DAT>CDR (AKG460b/CK8's); via Paul; Seeded to etree by Tony G | Source Detail | d5 | |
| 03/20/92 | Copps Coliseum | 3 | flac16; FOB Digital Audience - 13th Row Center Schoeps CMC34 Cardiod (110 degrees ORTF) -> Oade Supply -> Panasonic 2v255; DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav; Edited Adobe Audition 1.5 Dithered 48/44.1 w/gaussian noise and aslight noise-shaping in r8brain v1.9 Tracked in CDWav Flac Level8 in TLH | Source Detail | d5 | |
| 03/20/92 | Copps Coliseum | 2 | SBD>DAT>CDR; Missing Brown Eyed Women; via Paul; Seeded to etree by Tony G | Source Detail | d5 | |
| 03/21/92 | Copps Coliseum | 2 | flac16; FOB Digital Audience - 13th Row Center Schoeps CMC34 Cardiod (110 degrees ORTF) -> Oade Supply -> Panasonic 2v255; DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav; tracked in CDWav/48k output *Re-Sampled to 44.1k via r8brain @ Highest Quality settings.* Flac Level 8 in TLH | Source Detail | d5 | |
| 03/21/92 | Copps Coliseum | 2 | SBD DAT master > cass (suspected) > DAT > CD (mine) > EAC > SHN via Peter Braverman | Source Detail | d6 | |
| 03/21/92 | Copps Coliseum | 2 | Schoeps CMC 34's > PCM > DAT > CDR; via Dave DiMartino; Seeded to etree by Doug Nawrocki | Source Detail | d6 | |
| 03/23/92 | The Palace | 2 | SBD> D->CDR-> EAC> SHN; Ripped by John Zei | Source Detail | d6 | |
| 03/24/92 | The Palace | 2 | SBD>DAT>CASS>DAT>CD. dat > cd via stand alone CD-R; CDs (first gen) > EAC > SHN Note: These are a second EAC from the same source disks by Nick George but the md5's are different from his first shn set circulated. | Source Detail | d6 | |
| 05/19/92 | Cal Expo | 2 | Source A:SBD>DAT>CDR>EAC>Cool Edit>SHN Source B:SBD>CM>CDR>EAC>Cool Edit>SHN shntool fix of Wiley seed with patched encore | Source Detail | d6 | |
| 05/20/92 | Cal Expo | 2 | Please NOTE this is a fixed copy of the original SHN set ; SBD>DAT>C>DAT>CDR ; See info file for details; Seeded By T. Wiley | Source Detail | d7 | |
| 05/20/92 | Cal Expo | 2 | 2nd Set; AUD (Schoeps MK4's)> DAT> CDR; via Tim Wiley | Source Detail | d7 | |
| 05/21/92 | Cal Expo | 3 | Pre-FM DSBD> DAT (48kHz)> DAT> ZA2 (S/PDIF)> Samplitude 2496> CDR; via Tom and Roger; Seeded to etree by Chris Larson | Source Detail | d7 | |
| 05/23/92 | Shoreline Amphitheatre | 2 | AKG 460/CK8X -> Dat (Sony D3) -> PCM -> Dat (Sony R500/44.1k) recorded by Paul Tumolo, shn conversion Charlie Miller | Source Detail | d7 | |
| 05/24/92 | Shoreline Amphitheatre | 2 | SBD> MC> DAT> ZA2 (S/PDIF)> Wavelab3.03> SHN; via Roger and Tom; Seeded to etree by Chris Larson | Source Detail | d7 | |
| 05/25/92 | Shoreline Amphitheatre | 2 | SBD> DAT> C> DAT> CDR; via Tim Wiley; improvements over prior seed- see notes (pitch and amplitude correction, but no NR) | Source Detail | d8 | |
| 05/29/92 | Sam Boyd Silver Bowl, U.N.L.V. | 3 | AKG 460/ck8x > DAT > CDR; via Charlie Miller; Seeded to etree by neo_levo | Source Detail | d8 | |
| 05/29/92 | Sam Boyd Silver Bowl, U.N.L.V. | 3 | SBD*>DAT>CDR>WAV>SHN; Cleaned up copy of SHNid=21320; Clean up and SHN by Darryl Hinko | Source Detail | d8 | |
| 05/30/92 | Sam Boyd Silver Bowl, U.N.L.V. | 3 | DTS Audio 5.1; Mix SBD:SBD > DAT > Lucid PCI24 > Gina 2496 > CEP > CDR; AUD:(FOB) Schoeps MK4 > DAT > CDR > WAV > SHN; mixed by ktobin | Source Detail | d8 | |
| 05/30/92 | Sam Boyd Silver Bowl, U.N.L.V. | 3 | flac16; Matrix 2 Source Mix - SBD (shnid 75698) + AUD (shnid 10063) mixed by Kevin Tobin | Source Detail | d9 | |
| 05/30/92 | Sam Boyd Silver Bowl, U.N.L.V. | 3 | whole show; SBD > DAT > Lucid PCI24 > Gina 2496 > CEP > CDR; CDR> EAC> WAV> MKW> SHN by Charlie Kidder; upgrade in circulation | Source Detail | d9 | |
| 05/30/92 | Sam Boyd Silver Bowl, U.N.L.V. | 3 | flac16; SBD > DAT > Lucid PCI24 > Gina 2496 > CEP > CDR > EAC > SHN; speed corrected version of shn id 8255 (via Charlie Kidder); fix by Kevin Tobin ; upgrade in circulation | Source Detail | d9 | |
| 05/30/92 | Sam Boyd Silver Bowl, U.N.L.V. | 3 | (FOB) Schoeps MK4 > DAT > CDR; via C. M.; Seeded to etree by neo_levo | Source Detail | d9 | |
| 05/31/92 | Sam Boyd Silver Bowl, U.N.L.V | 3 | SBD > DAT > SONY D8 (S/PDIF) > HD > SHN; via Mike Lai; listeners John Florek et al report diginoise d1t8 ~1:50-2:00; upgrade in circulation | Source Detail | d10 | |
| 05/31/92 | Sam Boyd Silver Bowl, U.N.L.V | 3 | flac16; SBD -> Dat -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony D8) -> Behringer Ultramatch Pro SRC2496 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | new seed d97 | |
| 06/06/92 | Rich Stadium | 3 | AUD > CM > DAT > CDR > WAV > SHN;(unk. mic); Unknown seeder | Source Detail | d10 | |
| 06/06/92 | Rich Stadium | 2 | set 2 SBD DAT>WAV>CE>CDWAV>CDR & SHN via Steve Herman (previous source but with sbe's fixed and made seekable) encoded by Chris Ladner | Source Detail | d10 | |
| 06/06/92 | Rich Stadium | 3 | flac16; MAD Recording - FOB DFC Audience: 1st Two Songs of Set 1 - B&K4011's Balance of Show: Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48 | Source Detail | new seed d67 | |
| 06/08/92 | Richfield Coliseum | 3 | flac16; MAD FOB DFC Digital Audience Recording Taped by Todd Evans, Section 2, Row S, Seats 8 and 9 Recording Info: Schoeps CMC34 (cardiod) > Oade Mic Preamp > Panasonic sv255 DAT Recorder > DAT Master Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> M-Audio Firewire Solo Interface -> Soundforge 8.0 | Source Detail | d11 | |
| 06/08/92 | Richfield Coliseum | 2 | flac16 format; DSBD > DAT > 1C > DAT; Transfer: DAT > WAV > FLAC: Dan Stephens, Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 4.5 (normalize, 48-44.1, highest accuracy with anti-alias filter) > CDWav v1.71 > FLAC Frontend; (no DAE ; 48k, unmodified FLAC archived and available upon request); upgrade in circulation | Source Detail | d10 | |
| 06/08/92 | Richfield Coliseum | 3 | flac16; Senn 441’s>Sony D-5>Sony D6 > ? > flac Recorded by Mike Mahoney | Source Detail | d11 | |
| 06/08/92 | Richfield Coliseum | 3 | flac16; MAD FOB DFC Digital Audience Recording Taped by Todd Evans, Section 2, Row S, Seats 8 and 9 Recording Info: Schoeps CMC34 (cardiod) > Oade Mic Preamp > Panasonic sv255 DAT Recorder > DAT Master Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> M-Audio Firewire Solo Interface -> Soundforge 8.0 | Source Detail | new seed d67 | |
| 06/08/92 | Richfield Coliseum | 2 | flac16 format; DSBD > DAT > 1C > DAT; Transfer: DAT > WAV > FLAC: Dan Stephens, Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 4.5 (normalize, 48-44.1, highest accuracy with anti-alias filter) > CDWav v1.71 > FLAC Frontend; (no DAE ; 48k, unmodified FLAC archived and available upon request); upgrade in circulation | Source Detail | new seed d98 | |
| 06/08/92 | Richfield Coliseum | 3 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d97 | |
| 06/09/92 | Richfield Coliseum | 2 | flac16 format; Set I: AUD, FOB Schoeps CMC32's > DAT > PCM > DAT, Set II: AUD, OTS AKG 568's > DAT > PCM > DAT; Transfer: DAT > WAV > FLAC: Dan Stephens: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > CDWav v1.71 > FLAC Frontend (no DAE) | Source Detail | d11 | |
| 06/09/92 | Richfield Coliseum | 3 | flac16; Senn 441’s>Sony D-5>Sony D6 > ? > flac Recorded by Mike Mahoney | Source Detail | d11 | |
| 06/09/92 | Richfield Coliseum | 2 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d98 | |
| 06/11/92 | Knickerbocker Arena | 3 | AUD(unknown mics)> DAT > CDR via Raoul Duke encoded by Matt Vernon | Source Detail | d11 | |
| 06/11/92 | Knickerbocker Arena | 3 | sbd> dat> cass> dat> cdr> wav> shnv3; via cozmic chuck, neo_levo; upgrade in circulation | Source Detail | d12 | |
| 06/11/92 | Knickerbocker Arena | 3 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d98 | |
| 06/12/92 | Knickerbocker Arena | 3 | (FOB)B+K 4011 > DAT > CDR/? > EAC > CDR > EAC > SHNv3; via Scott Agne | Source Detail | d12 | |
| 06/12/92 | Knickerbocker Arena | 2 | SBD > Master cassette> cassette> DAT> CoolEdit> CD> Peak edits> SHN via Johnny Venus encoded by Peter Braverman; upgrade in circulation | Source Detail | d12 | |
| 06/12/92 | Knickerbocker Arena | 3 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d98 | |
| 06/14/92 | Giants Stadium | 2 | "analog sbd", no further info available; 2-3 spots of diginoise; via Aaron Kowalski to BUDD offer; circ as 3-disc shn set with 7/10/89; txt/md5s here courtesy DES, 6/23/01; upgrade in circulation | Source Detail | d12 | |
| 06/14/92 | Giants Stadium | 2 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | new seed d98 | |
| 06/15/92 | Giants Stadium | 2 | flac16; SBD -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller | Source Detail | new seeds d4 | |
| 06/15/92 | Giants Stadium | 2 | flac16; SBD -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller | Source Detail | d12 | |
| 06/15/92 | Giants Stadium | 3 | FOB>DAT>CDR; Schoeps CMC3/MK4> Oade M118> Panasonic SV-250; via John Valter; Seeded to etree by eD(efojr) | Source Detail | d13 | |
| 06/17/92 | Charlotte Coliseum | 2 | flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller | Source Detail | d13 | |
| 06/17/92 | Charlotte Coliseum | 3 | AUD (CMC-31)> DAT> CDR> EAC> CDWAVE (excess silences removed)> SHN (MKW); DAE (EAC V0.9pb9) and SHN conversion (mkwACT 0.97 beta 1) by Charles Wier, from Paul Bottiglio's CDs | Source Detail | d13 | |
| 06/17/92 | Charlotte Coliseum | 2 | flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller | Source Detail | new seed d5 | |
| 06/18/92 | Charlotte Coliseum | 2 | flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller | Source Detail | d13 | |
| 06/18/92 | Charlotte Coliseum | 3 | AUD (CMC-31)> DAT> CDR> EAC> SHN (MKW); DAE (EAC V0.9pb9) and SHN conversion (mkwACT 0.97 beta 1) by Charles Wier, from Paul Bottiglio's CDs; Known flaws: 25 ms analog dropout at 2:50 of He's Gone | Source Detail | d13 | |
| 06/18/92 | Charlotte Coliseum | 2 | flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller | Source Detail | new seed d5 | |
| 06/20/92 | Robert F. Kennedy Stadium | 3 | flac16/48; FOB DFC Digital Audience Recording Schoeps CMC34 -> Oade Power Supply -> Panasonic sv255 - 7' Stand DAT Master - Recorded by Todd Evans | Source Detail | d14 | |
| 06/20/92 | Robert F. Kennedy Stadium | 3 | DSBD, no other info available; has same change in level in Corinna as mentioned on the other shn set in circulation; via Tony Gardner; upgrade in circulation | Source Detail | d14 | |
| 06/20/92 | Robert F. Kennedy Stadium | 2 | flac16/48; Master Soundboard DAT @ 48KHZ->DAT x 4; Conversion: Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC, by Mark Lynn | Source Detail | d14 | |
| 06/20/92 | Robert F. Kennedy Stadium | 3 | flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller | Source Detail | d14 | |
| 06/20/92 | Robert F. Kennedy Stadium | 3 | flac16; FOB DFC Digital Audience Recording Schoeps CMC34 -> Oade Power Supply -> Panasonic sv255 - 7' Stand DAT Master - Recorded by Todd Evans | Source Detail | d14 | |
| 06/20/92 | Robert F. Kennedy Stadium | 3 | flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller | Source Detail | new seed d5 | |
| 06/22/92 | Star Lake Amphitheatre | 3 | DAUD (master) > CDR > EAC > CDWAV > SHN >wav > shn w/seeking, plus encore: SBD > DAT > Cassette > DAT > Delta Dio 2496 > CDR > EAC> .shn; via brothercrow, harlan from D. Loebig, Rob Harrison seeds | Source Detail | d15 | |
| 06/22/92 | Star Lake Amphitheatre | 3 | flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller | Source Detail | d15 | |
| 06/22/92 | Star Lake Amphitheatre | 2 | Second Set Only SBD ?>DAT>WAV>CE>CDWAV>CDR & SHN [probable cassette generation]; upgrade in circulation | Source Detail | d15 | |
| 06/22/92 | Star Lake Amphitheatre | 3 | flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller | Source Detail | new seed d5 | |
| 06/23/92 | Star Lake Amphitheatre | 3 | DAUD (master) > CDR; via D. Loebig; Seeded to etree by Harlan | Source Detail | d15 | |
| 06/23/92 | Star Lake Amphitheatre | 3 | flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller | Source Detail | d15 | |
| 06/23/92 | Star Lake Amphitheatre | 2 | SBD> Dat> c> Dat> Cool Edit> cd> EAC> SHN (seekable);EAC>SHN Steve Barbella, from John Valter seed discs; upgrade in circulation | Source Detail | d16 | |
| 06/23/92 | Star Lake Amphitheatre | 3 | flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller | Source Detail | new seed d5 | |
| 06/25/92 | Soldier Field | 3 | flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller | Source Detail | d16 | |
| 06/25/92 | Soldier Field | 3 | SBD > RF Digital Earpiece Monitor Mix Buss (mix was fed to Kreutzman/Hart) > Vault Archive ADAT > 24-bit/96 kHz 2-track Mixdown DAT (Marin County Source) > SSSB; Seeded to etree by Jay Serafin | Source Detail | d16 | |
| 06/25/92 | Soldier Field | 3 | Source: Soundboard (was originally labeled as Shure Beta 57's > Tascam Porta 5 DBX Analog Deck > Cass Master > DAT > CDR) Transfer: EAC > CDR > FLAC Taper: Jim O'Malley Location: "...down on the field close to the stage..." | Source Detail | d16 | |
| 06/25/92 | Soldier Field | 3 | flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller | Source Detail | new seed d8 | |
| 06/26/92 | Soldier Field | 3 | DAUD[master] > CDR; via D. Loebig; Seeded to etree by harlan | Source Detail | d16 | |
| 06/26/92 | Soldier Field | 3 | flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller | Source Detail | d17 | |
| 06/28/92 | Deer Creek Music Center | 3 | FOB (hand held) B&K 4011's -> D10 Pro, P. Delgado; Transfer: D8 -> Montego II -> CDWAV -> Shorten32, D. Nawrocki | Source Detail | d17 | |
| 06/28/92 | Deer Creek Music Center | 2 | SBD; Lineage; Master Cassette> DAT> CD; 1st set via Charlie Miller; Seeded to etree by Peter Braverman; upgrade in circulation | Source Detail | d17 | |
| 06/28/92 | Deer Creek Music Center | 2 | flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller | Source Detail | new seed d8 | |
| 06/29/92 | Deer Creek Music Center | 2 | Nak300 (CP-4 shotgun caps) -> Sony D5M-Pro (used as mic preamp) -> Yamaha MT1X cassette deck using DBX type II encoding; A/D Playback: Cassette Master in Yamaha MT120S using DBX type II decoding ->Tascam DA20 -> Zefiro ZA2 -> CoolEdit editing -> CDR; slight bit of the beginning of Desolation is missing, as well as the first couple notes of Deal; tape flip in Drums/Space spliced together with Cool Edit; Recording by Pat Volkerding and Eddie Wahba; A>D>CDR transfer by by Pat Volkerding; upload by Chris Ladner; see info file for burning notes | Source Detail | d17 | |
| 06/29/92 | Deer Creek Music Center | 2 | SBD>DAT>C>DAT>CDR; Seeded to etree by Tony G | Source Detail | d18 | |
| 07/01/92 | Buckeye Lake Music Center | 2 | preFM SBD > CM > DAT > CDR > WAV > SHNv3; d1 tracked for 80 min; some clipping; via Chris L. | Source Detail | d18 | |
| 07/01/92 | Buckeye Lake Music Center | 2 | flac16; Schoeps CMC32's (8 foot spaced omnis on 6 foot stands) -> Monster M1000 Cable -> Oade Mic Preamp -> Monster M1000 Jumper Cables -> Panasonic sv255 DAT Deck; DAT > TASCAM DA-20 > M-Audio FireWire Solo > Soundforge 8.0 wav | Source Detail | d18 | |
| 12/02/92 | McNichols Sports Arena | 2 | (Unknown Audience) Digital Master> DAT> DMXFire> CDWav> mkw> shn; shn info submitted by user ststephen | Source Detail | d18 | |
| 12/02/92 | McNichols Sports Arena | 2 | flac16; MAD FOB Digital Audience Recording - 13th Row Schoeps Mk4v Cardiod Capsule (ORTF) -> Schopes Kc5 Active Cable -> Schoeps CMC3 Mic Body -> Oade Mic Pre -> Monster M1000 Jumper Cable (12" -> Panasonic sv255 DAT Master Recorded by Todd Evans - (DFC was the aisle, this recording 1 seat from aisle) Transfer- MAD DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 | Source Detail | d18 | |
| 12/02/92 | McNichols Sports Arena | 2 | 2nd Set; AUD(Neumann KM 140's)>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon | Source Detail | d19 | |
| 12/03/92 | McNichols Sports Arena | 3 | flac16; Recording Info: (FOB/ORTF) B&K 4011 -> Modified Neumann Power supply -> Dat (Modified Sony D10 Pro) -> Dat Clone Transfer Info: Dat Clone (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC | Source Detail | d19 | |
| 12/03/92 | McNichols Sports Arena | 3 | Neumann KM 140's > DAT > CDR; via Raoul Duke; Seeded to etree by Matt Vernon | Source Detail | d19 | |
| 12/03/92 | McNichols Sports Arena | 2 | flac16; MAD FOB Digital Audience Recording - 14th Row Schoeps Mk4v Cardiod Capslue (ORTF) -> Schopes Kc5 Active Cable -> Schoeps CMC3 Mic Body -> Oade Mic Pre -> Monster M1000 Jumper Cable (12" -> Panasonic sv255 DAT Master Recorded by Todd Evans - (DFC was the aisle, this recording 1 seat from aisle) Transfer: MAD DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 | Source Detail | d19 | |
| 12/05/92 | Compton Terrace Amphitheatre | 3 | AUD(AKG-460's)>DAT>CDR; Seeded to etree by Tim W | Source Detail | d19 | |
| 12/05/92 | Compton Terrace Amphitheatre | 3 | Digital Audience Recording Taped by Todd Evans Schoeps CMC32 Split Omnis -> Monster M1000 Jumpers -> Oade Pre -> MonsterM1000 Cable -> 7ft Stand -> Panasonic sv255 DAT Master from Todd Evans MASTER DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav Soundforge 8.0 for 48/44.1>tracked in shntool-2.0.3> FLAC Frontend Level8 | Source Detail | d20 | |
| 12/06/92 | Compton Terrace Amphitheatre | 3 | Unknown aud > ? > CDR; via Raoul Duke and Ziggy; Seeded to etree by Matt Vernon | Source Detail | d20 | |
| 12/06/92 | Compton Terrace Amphitheatre | 3 | SBD>D> Delta Dio 2496 > Cool Edit >CDR; Seeded to etree by Tim Wiley | Source Detail | d20 | |
| 12/06/92 | Compton Terrace Amphitheatre | 3 | flac16; Schoeps CMC32 Split Omnis -> Monster M1000 Jumpers -> Oade Pre -> MonsterM1000 Cable -> 7ft Stand -> Panasonic sv255 soundforge 8.0 48kHz/44.1kHz conversion> tracked in CDWav>FLAC; Taped by Todd Evans; patched with shnid 8706, a GEMS production | Source Detail | d20 | |
| 12/11/92 | Oakland-Alameda County Coliseum | 3 | AUD (AKG-460's) >DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon | Source Detail | d20 | |
| 12/11/92 | Oakland-Alameda County Coliseum | 3 | flac16; Recording - Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer - DAT Clone from Dat Master from collection of Todd Evans DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Editing Info - Wavelab 6.0 - 48/16 wav> BBE, Crystal SRC(ultra)> 44.1/16> FLAC Level8 flacfrontend SBE FREE | Source Detail | d21 | |
| 12/11/92 | Oakland-Alameda County Coliseum | 3 | SBD DAT master > DAT/1 > CDR > iMac > SHN; note shntool-fixed version of previous shn set, via Nathan Scott; seekable | Source Detail | d21 | |
| 12/12/92 | Oakland-Alameda County Coliseum | 2 | AUD (AKG-460's)>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon | Source Detail | d21 | |
| 12/12/92 | Oakland-Alameda County Coliseum | 3 | Source: fob 30' center(from stage) hand held cmc 4,41 ortf>canare star quad cables>koch power supply > canare star quad cables>koch modified panasonic sv-255 panasonic sv-3700>hhb 830>CD-r>EAC (secure mode)>.wav>Flac Taped and transfered (DAT to Cd-r) Ed Boardman & CD-r>EAC>.wav>Flac by C Evans | Source Detail | d21 | |
| 12/12/92 | Oakland-Alameda County Coliseum | 2 | Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear; d2 tracked for 80 min | Source Detail | d21 | |
| 12/12/92 | Oakland-Alameda County Coliseum | 3 | flac16; Recording info-Digital FOB Audience Schoeps CMC54 taper: unknown Transfer info-DAT Clone from Dat Master DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Editing Info-Edited and Mastered By Blingfreein Adobe Audition 1.5; -48/44.1 SRC(Crystal Ultra), L3 type 1 dither in Wavelab 6.0 by Jamie Waddell - Flac Level 8 in FLACFrontend SBE FREE | Source Detail | d22 | |
| 12/12/92 | Oakland-Alameda County Coliseum | 2 | Set 2 only; Recording Info: (FOB) Soundfield AMS ST250 (Blumlein) -> Nagra D Digital Reel To Reel (20 bit) -> Dat -> Dat Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Recorded By Jeff Silberman Dat Supplied By JC Mahoney Transferred By Charlie Miller | Source Detail | d22 | |
| 12/13/92 | Oakland-Alameda County Coliseum | 3 | flac16; Recording - Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer - DAT Clone from Dat Master DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav May 2006 Editing Info - All editing and mastering by Jamie Waddell Wavelab 6.0 - 48/16 wav> BBE, L3(w type 1 dither), Crystal SRC(ultra)> 44.1/16> FLAC Level8 flacfrontend SBE FREE | Source Detail | d22 | |
| 12/13/92 | Oakland-Alameda County Coliseum | 2 | Steve Barbella retrack of of original Healy Master seed; Dan Healy 2 track pa sbd dat master > Healy cassette; via Tommy Banjo & MerryPranksterTree; Seeded to etree by StoneBear | Source Detail | d22 | |
| 12/16/92 | Oakland-Alameda County Coliseum | 3 | AUD>??>CDR; via Raoul Duke; Seeded to etree by Matt Vernon | Source Detail | d22 | |
| 12/16/92 | Oakland-Alameda County Coliseum | 3 | FOB Schoeps MK4V> Sony D3> D> CD> EAC> WAV> SHN encoded by JR Fishman | Source Detail | d23 | |
| 12/16/92 | Oakland-Alameda County Coliseum | 3 | flac16; Recording- Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer- DAT Clone from Dat Master DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 - 48/16 wav> BBE, L3 type1 dither, Crystal SRC(ultra)> 44.1/16> FLAC Level8 flacfrontend SBE FREE | Source Detail | d23 | |
| 12/16/92 | Oakland-Alameda County Coliseum | 3 | Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear | Source Detail | d23 | |
| 12/16/92 | Oakland-Alameda County Coliseum | 3 | flac16; FOB center (30' from stage) hand held CMC 4,41 ORTF> Canare star quad cables> Koch power supply > Canare star quad cables> Koch modified Panasonic sv-255 >hhb 830> CD-r> EAC >.wav> Flac; taped, transferred by Ed Boardman; DAE> flac by Chris Evans | Source Detail | d23 | |
| 12/16/92 | Oakland-Alameda County Coliseum | 2 | flac16; Matrix mix of Set 2 SBD (shnid=5551) plus FOB (shnid=25812) by MattMan; SHN/FLAC> WAV> Adobe Audition> CDWAV> shntool> FLAC Frontend | Source Detail | d24 | |
| 12/17/92 | Oakland-Alameda County Coliseum | 3 | Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear | Source Detail | d24 | |
| 12/17/92 | Oakland-Alameda County Coliseum | 3 | Source: Set 1- A(FOB):Schoeps CMC5 MK4's>DAT(48kHz) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz Transfer: DAT>ZA2(S/PDIF)>Samplitude2496>CD-r Transfer by Chris Larson | Source Detail | d24 | |
| 12/17/92 | Oakland-Alameda County Coliseum | 3 | Source: Set 1- A(FOB):Schoeps CMC5 MK4's>DAT(48kHz) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz Transfer: DAT>ZA2(S/PDIF)>Samplitude2496>CD-r Transfer by Chris Larson | Source Detail | d24 | |
| 01/24/93 | Oakland-Alameda County Coliseum | 3 | SBD > DAT > C > DAT > CDR > TAE (overlap) > WAV > SHN; Ripped, SHNed, and seeded by Jon Seff; see info file for lineage notes | Source Detail | d1 | |
| 01/25/93 | Oakland-Alameda County Coliseum | 3 | SBD>CM>DAT>CDR; via Rick M; neo_levo/candyman FTP | Source Detail | d1 | |
| 01/26/93 | Oakland-Alameda County Coliseum | 3 | Source: AUD > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff (jon@seff.net); d2t2, d2t3 fixed from /shninfo_detail.php?shnid=4083 | Source Detail | d1 | |
| 01/26/93 | Oakland-Alameda County Coliseum | 3 | AUD > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff | Source Detail | d1 | |
| 01/26/93 | Oakland-Alameda County Coliseum | 3 | SBD> Dat> Cassette Master> Dat> CD> EAC> SHN; Converted To SHN By Charlie Miller | Source Detail | d2 | |
| 02/13/93 | Club Front | 1 | Club Front Studio Rehearsal; DSBD->CD->EAC->SHN; CD->EAC->SHN by Joe Samaritano | Source Detail | d2 | |
| 02/21/93 | Oakland-Alameda County Coliseum | 2 | FOB (mics unknown) > DAT @ 48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > downsampled to 44.1k/normalized to 98% > SHN (no extraction); Transferred, SHNed, and seeded by: Jon Seff; note tracked for 1x80, 1x74 | Source Detail | d2 | |
| 02/22/93 | Oakland-Alameda County Coliseum | 3 | DSBD: DAT > DAT > CD encoded by Matt Vernon | Source Detail | d2 | |
| 02/23/93 | Oakland-Alameda County Coliseum | 3 | SBD> DAT> Sonic Solutions (for phase correction)> CD; via Mike Hall | Source Detail | d2 | |
| 02/23/93 | Oakland-Alameda County Coliseum | 3 | SBD>DAT(S)>CDR with Brokedown from unspecified audience source | Source Detail | d2 | |
| 03/09/93 | Rosemont Horizon | 2 | AUD>DAT>CDR (AKG 460's); via Paul; Seeded to etree by Tony G | Source Detail | dvd 190 | |
| 03/10/93 | Rosemont Horizon | 3 | Sbd > DAT master > analog > DAT > CDR > EAC > SHN; via Doug Nawrocki, Chris Ladner; "no known flaws" reported by seeder | Source Detail | d3 | |
| 03/11/93 | Rosemont Horizon | 3 | AUD>DAT>CDR (AKG 460's); via Paul; Seeded to etree by Tony G | Source Detail | d3 | |
| 03/11/93 | Rosemont Horizon | 3 | SBD>CAS>DAT>CD; Seeded to etree by wharf_ratt | Source Detail | d3 | |
| 03/14/93 | Richfield Coliseum | 3 | AKG468 shotguns > DAT; Conversion: DAT (Panasonic SV-3800) > CD (HHB CDR-850) > EAC (Plextor PX-40TS, secure mode) > SHN; seed by Robert Brown to abgd | Source Detail | d3 | |
| 03/14/93 | Richfield Coliseum | 2 | Source: Set I: AUD, OTS, Sennheiser ME80's > Teac DA-P20 ; Set II: SBD, DSBD > ?C > DAT ; seeded to etree by Dan Stephens (dms@well.com) | Source Detail | d4 | |
| 03/14/93 | Richfield Coliseum | 3 | Source: Sennheiser ME80's (taper section)>Teac DA-P20 Transfer: Panasonic SV-3700>HHb CDR-800>EAC>Shn | Source Detail | d4 | |
| 03/16/93 | Capital Centre | 3 | flac16; record: akg 451's>b18's>D5proII ots transfer: Cassette Master>Aiwa F810>MAudio audiophile 24/96 @44.1>Wavelab 5>cdwav>flac record& transfer by cdipietro | Source Detail | d4 | |
| 03/16/93 | Capital Centre | 3 | Source: Af: AKG 414's>D Transfer: D(48kHz)>Panasonic sv3700>ZA2(S/PDIF)>Wavelab 3.03.CDWav>.wav or .shn | Source Detail | d4 | |
| 03/16/93 | Capital Centre | 3 | sbd> dat> c> dat> cdr; via Tony Gardner, from Paul B. seed discs | Source Detail | d4 | |
| 03/17/93 | Capital Centre | 3 | flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC | Source Detail | d5 | |
| 03/17/93 | Capital Centre | 2 | SBD > MC > DAT > CDR > WAV > SHN; see info file for notes; upload C. Ladner, from cm's seed | Source Detail | d5 | |
| 03/17/93 | Capital Centre | 1 | flac16; **SOUNDCHECK** Recording Info: Unknown Mics -> ? -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | d5 | |
| 03/18/93 | Capital Centre | 3 | flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC | Source Detail | d5 | |
| 03/18/93 | Capital Centre | 3 | Source: Af: Schoeps cmc5&mk21's>D 11th row, center Transfer: D(48kHz)>Panasonic sv3700>ZA2(S/PDIF)>Wavelab 3.03>CDWav>.wav>CD or .shn | Source Detail | d5 | |
| 03/18/93 | Capital Centre | 3 | FOB (SoundField ST250)>DAT(playback on Panasonic SV-3800)>HHb CDR-850>CDR>WAV>SHN. CDR source via D.Duquette. SHN encoding/initial FTP propagation via C.Ladner/candyman FTP. | Source Detail | d6 | |
| 03/20/93 | The Omni | 3 | AKG 568 (shotguns)-> Sony D3; transferred the master DATs to CDR with a Panasonic SV3800 -> HHb CDR-850 via optical; CDR-> EAC-> SHN; via Tony Gardner | Source Detail | d6 | |
| 03/20/93 | The Omni | 3 | flac16; SBD> Dat> Cassette Master> Dat> CD> EAC> SHN> WAV> Samplitude Professional v8.0> FLAC; plus patch from FOB Soundfield AMS ST250 source; Edited By Charlie Miller | Source Detail | d6 | |
| 03/21/93 | The Omni | 3 | AKG 568 (shotguns)-> Sony D3; transferred the master DATs to CDR with a Panasonic SV3800 -> HHb CDR-850 via optical; CDR-> EAC-> SHN; via Tony Gardner | Source Detail | d6 | |
| 03/21/93 | The Omni | 3 | flac16; SBD> Dat> Cassette Master> Dat> CD> EAC> SHN> WAV> Samplitude Professional v8.0> FLAC; Edited By Charlie Miller | Source Detail | d7 | |
| 03/21/93 | The Omni | 3 | FOB/DFC Soundfield ST-250 > Sony D10 Pro-II (48k) Master DAT Mastered live by James Young / Ron kaiser; via nick@nickspicks.com | Source Detail | d7 | |
| 03/22/93 | The Omni | 3 | AKG 568 (shotguns)-> Sony D3; transferred the master DATs to CDR with a Panasonic SV3800 -> HHb CDR-850 via optical; CDR-> EAC with proper offset-> SHN; known flaw: glitch at 2:00 on d3t03; via Tony Gardner; note gaps from previous version are fixed in this copy | Source Detail | d7 | |
| 03/22/93 | The Omni | 1 | flac16; set1; SBD> Dat> Cassette Master> Dat> CD> EAC> SHN> WAV> Samplitude Professional v8.0> FLAC; Edited By Charlie Miller | Source Detail | d7 | |
| 03/24/93 | Dean Smith Center | 3 | Source: Master SBD>DAT via Modified Sony D10 Pro II. Recorded By Ron Keyser (This is from the lead deck from the daisey chain feed to the taper section) Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC | Source Detail | d7 | |
| 03/24/93 | Dean Smith Center | 2 | Set 2 Only: AMS ST250 FOB DFC> AMS Control Box (Blumlein Technique)> Modified Sony D10 Pro Cloned to another Mod. Sony D10 PRO (This clone was used for this transfer) Master recorded By James Young Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC | Source Detail | d7 | |
| 03/24/93 | Dean Smith Center | 3 | SBD > D10 proII transfered and encoded by Doug Nawrocki | Source Detail | d8 | |
| 03/24/93 | Dean Smith Center | 2 | SBD > DAT > CDR > EAC > SHN; DAE and shn conversion by Jason Parmer | Source Detail | d8 | |
| 03/25/93 | Dean Smith Center | 3 | Nak 300's at 8'> sony d3; transfer: Dat> sblive> cdwave> mkw audio tools> SHN; Taped By Wally Stine, locn TS | Source Detail | d8 | |
| 03/25/93 | Dean Smith Center | 3 | flac16; SBD> Panasonic SV255 (Master DAT)> Modified Sony D10 Pro (Master DAT) Recorded By Ron Keyser. Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC Aud. Patch: AMS ST250 FOB DFC> AMS Control Box (Blumlein Technique)> Modified Sony D10 Pro Cloned to another Mod. Sony D10 PRO (This clone was used for this transfer) Master recorded By James Young | Source Detail | d8 | |
| 03/25/93 | Dean Smith Center | 1 | set 1 only; flac16; AMS ST250 FOB DFC> AMS Control Box (Blumlein Technique)> Modified Sony D10 Pro Cloned to another Mod. Sony D10 PRO; recorded By James Young; Transfer: Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF> Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC, by Ron Keyser | Source Detail | d8 | |
| 03/25/93 | Dean Smith Center | 3 | SBD>DAT>CD (This lineage is probable but not confirmed.); via Donnie Loeffler; Seeded to etree by Peter Braverman | Source Detail | d9 | |
| 03/25/93 | Dean Smith Center | 3 | SBD > D10proII; Transfer: DA-P1 > Montego II > CE2000 > CDWave > shn > CEP 2.0 (Slightly smoothed audience patch and boosted levels 3db on entire show) > shn; presumably an edit of previous shn set, by unIDed person | Source Detail | d9 | |
| 03/27/93 | Knickerbocker Arena | 3 | FOB section 5, Row N, Seat 8/9 Handheld Soundfield ST-250 (in blumlein mode) > Sony D10 pro II (modified) Taped by James Young DAT clone from master > Sony PCM-M1 > Oade 7pin active cable > Edirol UA-5 (s/pdif in, hardware resample from 48 > 44.1k, USB out > SF 5.0 > CDWave (tracking) > MKW-Act (SHN, seekable) DAT transfer/encoding by nick@nickspicks.com | Source Detail | d9 | |
| 03/27/93 | Knickerbocker Arena | 3 | Source: SBD > DAT Transfer: D8 > 7 pin/digi coax > Montego II > CDWave > SHN by Doug Nawrocki with patched d2t03 | Source Detail | d9 | |
| 03/27/93 | Knickerbocker Arena | 0 | SBD> DAT; via D. DiProsa; Transfer: D8> 7 pin/digi coax> Montego II digi I/O> CDWAV by D. Nawrocki | Source Detail | d10 | |
| 03/27/93 | Knickerbocker Arena | 3 | Source: SBD > DAT Transfer: D8 > 7 pin/digi coax > Montego II > CDWave > SHN by Doug Nawrocki with patched d2t03 | Source Detail | new seed d99 | |
| 03/28/93 | Knickerbocker Arena | 3 | SBD>DAT>C>DAT>CDR encoded by Dan Carr [note: a fix of a d/o on d1t05 also circulates] | Source Detail | d10 | |
| 03/28/93 | Knickerbocker Arena | 3 | FOB section 5, Row N, Seat 8/9 Handheld Soundfield ST-250 (in blumlein mode) > Sony D10 pro II (modified) Taped by Jamies Young DAT clone from master > Sony PCM-M1 > Oade 7pin active cable > CO2 s/pdif format converter > Zoltrix Nightengale > CE2K (record, resample) > CDWAV (tracking > SHN (seekable) DAT transfer/encoding by nick@nickspicks.com | Source Detail | d10 | |
| 03/29/93 | Knickerbocker Arena | 3 | SBD>DAT>Cass>DAT; via Chris Larson ; Seeded to etree by T. Wiley | Source Detail | d10 | |
| 03/29/93 | Knickerbocker Arena | 3 | DAUD/OTS Schoeps mk4(ORTF); taped by Eliot Byron; transfer>upload by Jim Raras; QC courtesy Dankseeds | Source Detail | d11 | |
| 03/31/93 | Nassau Coliseum | 2 | Recording Info: SBD -> Dat -> Cm -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> CD -> EAC -> SHN All transfers done by Charlie Miller | Source Detail | d11 | |
| 03/31/93 | Nassau Coliseum | 2 | AUD(Schoeps CMC 541's)>DAT>CDR; Unknown Seeder | Source Detail | d11 | |
| 03/31/93 | Nassau Coliseum | 1 | Soundcheck ; *Note* this is a fixed copy of Ken K's original flac seed. Source: Unknown Generation cassette (a montior feed or an "AUD" tape made inside the venue?) ; Transfer & Encoding by Ken K. ; track renaming and sector error fix by one of the folks @ tmnsp.net | Source Detail | d11 | |
| 04/01/93 | Nassau Coliseum | 3 | B&K 4011 w/balls > HDS1@stacks front center of ts > CD; Conversion: CD > EAC > Cool Edit 2000 > CDWav > mkwACT 0.97 > shn by Steve Blanchard | Source Detail | d11 | |
| 04/01/93 | Nassau Coliseum | 3 | DSBD > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko | Source Detail | d12 | |
| 04/02/93 | Nassau Coliseum | 2 | SBD>DAT>C>DAT>CDR>EAC>WAV>MKW>SHNv3 | Source Detail | d12 | |
| 04/02/93 | Nassau Coliseum | 2 | AUD(Schoeps CMC-541?s) > DAT > CDR via Raoul Duke encoded by Matt Vernon | Source Detail | d12 | |
| 04/04/93 | Nassau Coliseum | 3 | Source: Nak 300/CP4>CM>CDR>WAV>SHN. CDR source via O.Clark. SHN encoding/FTP via C.Ladner/candyman FTP. | Source Detail | d12 | |
| 04/04/93 | Nassau Coliseum | 3 | flac16; SBD > DAT > C > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko | Source Detail | d13 | |
| 04/04/93 | Nassau Coliseum | 2 | AUD(Schoeps CMC-541?s) > DAT > CDR via Raoul Duke encoded by Matt Vernon | Source Detail | d13 | |
| 04/05/93 | Nassau Coliseum | 1 | 1st set only; DAUD/FOB Schoeps mk21(ORTF); via Dankseeds | Source Detail | d13 | |
| 04/05/93 | Nassau Coliseum | 2 | SBD>MC>DAT>CDR; via Raoul Duke; Seeded to etree by Tony G | Source Detail | d13 | |
| 05/14/93 | Sam Boyd Silver Bowl, U.N.L.V. | 2 | A : ? > DAT > CDR > EAC > SHN; CDR > EAC > CDWAV > SHN by Alan J Fink, with thanks to Paul B. | Source Detail | d13 | |
| 05/15/93 | Sam Boyd Silver Bowl, U.N.L.V. | 3 | flac16; Recording Info: FOBH 30' center Schoeps Mk-41 3.5" @ 90* ( 1/2 O.R.T.F ) > Schoeps KC5 Actives > CMC 4 > Canare Star Quad > Kock Power Supply > Canare Star Quad > Koch Modified Panasonic SV-255. Transfer Info: DAT x 3 48k > Hosa ODL-276 > Nomad Jukebox 3 > USB > Dell Home Computer > R8t Brain 48K to 44.1k > CD Wave > Flac Frontend. | Source Detail | d13 | |
| 05/16/93 | Sam Boyd Silver Bowl, U.N.L.V. | 3 | Internal FM> DAT (48kHz); Transfer: DAT> ZA2 (S/PDIF)> Samplitude2496> shn; Conversion by Chris Larson, from Tom and Roger's tapes | Source Detail | d14 | |
| 05/21/93 | Shoreline Amphitheatre | 3 | AUD(Schoeps CMC 521?s)>DAT>CDR; Seeded to etree by Tony G | Source Detail | d14 | |
| 05/21/93 | Shoreline Amphitheatre | 2 | flac16; Set 2 SBD -> Master Dat -> Sonic Solutions -> CD. Converted By Charlie Miller. | Source Detail | d14 | |
| 05/21/93 | Shoreline Amphitheatre | 2 | flac16; Set 2 SBD -> Master Dat -> Sonic Solutions -> CD. Converted By Charlie Miller. | Source Detail | new seed d8 | |
| 05/22/93 | Shoreline Amphitheatre | 2 | SBD>DAT>??>DAT>CDR; Seeded to etree by Tony G | Source Detail | d15 | |
| 05/22/93 | Shoreline Amphitheatre | 2 | SBD -> Dat -> Sonic Solutions -> CD; Seeded to etree by Charlie Miller | Source Detail | d15 | |
| 05/23/93 | Shoreline Amphitheatre | 3 | DSBD>DAT>CDR; Seeded to etree by Tim Wiley | Source Detail | d15 | |
| 05/25/93 | Cal Expo | 3 | DSBD: DAT > DAT > Sonic Solutions > CD > CD encoded by Matt Vernon | Source Detail | d15 | |
| 05/25/93 | Cal Expo | 3 | flac16; FOB Schoeps Mk2 Omni Capsule 7' spaced omnis in hat -> Schoeps Active Cables -> Schoeps CMC 5 Mic Body -> Monster M1000 Jumper -> Neumann Supply -> Canare Cable -> Panasonic sv255 Transfer: Transfer by Todd Evans May 2006 - todd@bluedakota.com DAT Clone > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav | Source Detail | d15 | |
| 05/25/93 | Cal Expo | 3 | Schoeps > DAT > CDR via Tom Bellanca encoded by Matt Vernon | Source Detail | d16 | |
| 05/26/93 | Cal Expo | 3 | DSBD>CASS>DAT>CDx2 > EAC in secure mode > SHN | Source Detail | d16 | |
| 05/26/93 | Cal Expo | 3 | M:C> D> CD> EAC> SHN; via Nick Georges; CD insert available at www.nickspicks.com | Source Detail | d16 | |
| 05/26/93 | Cal Expo | 3 | flac16; SBD> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller | Source Detail | d16 | |
| 05/26/93 | Cal Expo | 3 | flac16; FOB Schoeps CMC3, 2-> OADE/PS-SV255; DAT>CD conversion, unknown; My audio discs > EAC (secure) > FLAC; ripped/FLAC'd/edits done by Nick Georges | Source Detail | d17 | |
| 05/27/93 | Cal Expo | 3 | M:C> D> transfer via dap1>zoltrix nightengale> SHN; no noise reduction; via Nick Georges; may or may not have extra cass gen- see Nick's listening notes in info file | Source Detail | d17 | |
| 05/27/93 | Cal Expo | 3 | flac16; SBD> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller | Source Detail | d17 | |
| 06/05/93 | Giants Stadium | 3 | AUD>DAT>CDR; via Paul B.; Tim Wiley | Source Detail | d17 | |
| 06/05/93 | Giants Stadium | 3 | DSDB master> DAT Clone> ?> CDR; Seeded to etree by Tim Wiley | Source Detail | d18 | |
| 06/06/93 | Giants Stadium | 3 | DSBD master> Dat Clone> ?> CDR; Seeded to etree by Tim Wiley | Source Detail | d18 | |
| 06/08/93 | The Palace | 2 | DSBD > DAT (possibly DSBD > 1C > DAT); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > Delta DiO 2448 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV > MKW Audio Compression Tool v0.97b1 (no DAE); upload by Scott Thompson | Source Detail | d18 | |
| 06/09/93 | The Palace | 2 | SBD>Dat>Cm>Dat>Samplitude>CD; Seeded to etree by Charlie Miller | Source Detail | d18 | |
| 06/09/93 | The Palace | 2 | DSBD > 1C > DAT; DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > Delta DiO 2448 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV > MKW Audio Compression Tool v0.97b1 (no DAE); upload by Scott Thompson | Source Detail | d18 | |
| 06/11/93 | Buckeye Lake Music Center | 3 | AKG 451 hypercardioid (90 deg XY)> TCD-D3> Dio2448> CE2k (48>44.1)> WAV> SHN; via Doug Nawrocki. [Note added 8/27/2003: An sbe-fixed shn set also circulates] | Source Detail | d19 | |
| 06/11/93 | Buckeye Lake Music Center | 3 | Soundboard->DAT Master->Sonic Solutions->CD->EAC->SHN. CD seed provided by DG. EAC and SHN by Joe Samaritano. | Source Detail | d19 | |
| 06/11/93 | Buckeye Lake Music Center | 3 | flac16; FOB DFC Digital Audience Recording Schoeps CMC32 (8' Split Omni's) -> Oade Power Supply -> Panasonic sv255 - 7' Stand DAT Master > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav Tracked w CDWav ->verified SBEOK shntool-2.0.3 -> Soundforge 8.0 48/44.1 conversion -> FlacFrontend(level8) | Source Detail | d19 | |
| 06/13/93 | Rich Stadium | 3 | FOB-AUD (Schoeps CMC-32?s)> DAT> CDR> WAV> SHN; DAE (EAC)> Boundary Check (SHNTOOL)> SHNv3 (MKWACT)> FTP via neo_levo | Source Detail | d19 | |
| 06/15/93 | Freedom Hall | 2 | FOB/DFC Soundfield ST-250 (blumlein mode) > Sony D10-Pro II (48k); hand held for first set; on stand (6') for second set; upgrade in circulation | Source Detail | d19 | |
| 06/15/93 | Freedom Hall | 3 | SBD>DAT>C>DAT>CDR; via Paul; Seeded to etree by Tony G | Source Detail | d20 | |
| 06/16/93 | Freedom Hall | 2 | Nak 300's>sonyD3 at soundboard. DAt>sblive>cdwave; Seeded to etree by Wally Stine | Source Detail | d20 | |
| 06/16/93 | Freedom Hall | 2 | Taper Section Neumann TLM 170's (cardioid) > Teac DA-20; via Doug Nawrocki | Source Detail | d20 | |
| 06/16/93 | Freedom Hall | 3 | SBD>DAT>C>DAT>Samplitude>CD>EAC>SHN seeded by Tom Eliason | Source Detail | d20 | |
| 06/16/93 | Freedom Hall | 2 | Nak 300's>sonyD3 at soundboard. DAt>sblive>cdwave; Seeded to etree by Wally Stine | Source Detail | d20 | |
| 06/16/93 | Freedom Hall | 2 | Taper Section Neumann TLM 170's (cardioid) > Teac DA-20; via Doug Nawrocki | Source Detail | d20 | |
| 06/16/93 | Freedom Hall | 3 | SBD>DAT>C>DAT>Samplitude>CD>EAC>SHN seeded by Tom Eliason | Source Detail | d20 | |
| 06/18/93 | Soldier Field | 2 | SBD>Dat>Samplitude>Cool Edit Pro>CD; Box Of Rain and Liberty patched from unknown Digital Audience source. | Source Detail | d21 | |
| 06/18/93 | Soldier Field | 2 | flac16; Fob Digital Audience Recording Schoeps CMC321 (Sub Cardiods) -> Oade Power Supply -> Panasonic sv255 - 7' Stand DAT Master - Recorded by Todd Evans, Adam Gross and Bill Pobega DAT Master from Todd Evans DAT Master > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav 48K >> 44.1 resampling (audacity 1.2.3), tracking (shntool 2.0.3) and flac16 encoding (flac 1.1.2) running on FC3 linux by triportweek. | Source Detail | d21 | |
| 06/19/93 | Soldier Field | 2 | flac16; SBD> Dat> CD> EAC> Sampltiude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller; Dat supplied by David Gans, original mastering by Donnie Loeffler, Thanks to Bob Kidder for the vine disc | Source Detail | d21 | |
| 06/19/93 | Soldier Field | 3 | schoeps CMC44's>Panasonic SV-255>??>CDR>EAC>SHN | Source Detail | d21 | |
| 06/21/93 | Deer Creek Music Center | 3 | flac16; Source: Realistic PZMs DFC/Lawn > Sony D5 > D7@48 Transfer: Aiwa HD-S1 > Behringer Ultramatch 2496 > JB3 > SF8 (edits/SRC) | Source Detail | d21 | |
| 06/21/93 | Deer Creek Music Center | 3 | SBD: DAT> CD> SHN; Seeded by Peter Braverman, with thanks to Raoul; see notes in info file | Source Detail | d22 | |
| 06/21/93 | Deer Creek Music Center | 3 | Source:AMS ST-250 -> Modified D10 pro By Pete Delgado. Transfer:D8 -> Montego II -> CDWAV -> Shorten3; Note- This is a re-eac (as noted in the txt) however all efforts were made to find the original shn's and no one seems to have archived them. | Source Detail | d22 | |
| 06/22/93 | Deer Creek Music Center | 3 | flac16; Digital FOB Audience Soundfield AMS Mic -> Sony D10 Pro Modified Taped by Jamie Young Set 1 Hand Held - Set 2 Stand DAT > TASCAM DA-20 > M-Audio 192 > Soundforge 8.0 wav by Todd Evans Edits/downsampling (Adobe Audition 1.5), Tracking (CDWave), FLAC (1.1.2) by Mike Hughey | Source Detail | d22 | |
| 06/22/93 | Deer Creek Music Center | 3 | flac16/48; Digital FOB Audience Soundfield AMS Mic -> Sony D10 Pro Modified Taped by Jamie Young Set 1 Hand Held - Set 2 Stand DAT > TASCAM DA-20 > M-Audio 192 > Soundforge 8.0 wav by Todd Evans Edits(Adobe Audition 1.5), Tracking (CDWave), FLAC (1.1.2) by Mike Hughey | Source Detail | d22 | |
| 06/22/93 | Deer Creek Music Center | 3 | SBD: DAT> CD> SHN; Seeded by Peter Braverman, with thanks to Raoul; see notes in info file | Source Detail | d23 | |
| 06/23/93 | Deer Creek Music Center | 3 | flac16/48; Recording Detail: Taped by Jamie Young and Clay Brennecke - Row N Seat 13 AMS ST-250 microphone in the Blumlein Pattern on a Cool-Lux MD5500 Collapsible Light Stand both Sets 6"0' in air > AMS Microphone Preamp > Modified Sony TCD D-10 Professional DAT machine Transfer Detail: DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav DAT(1) | Source Detail | d23 | |
| 06/23/93 | Deer Creek Music Center | 3 | FOB AMS ST-250(cardioid) -> Modified D-10 Pro, by Pete Delgado; Transfer: D8 -> Montego II -> CDWAV -> Shorten32,? by Doug Nawrocki | Source Detail | d23 | |
| 06/23/93 | Deer Creek Music Center | 3 | SBD: DAT> CD> SHN; Seeded by Peter Braverman, with thanks to Raoul; see notes in info file | Source Detail | d23 | |
| 06/25/93 | Robert F. Kennedy Stadium | 3 | flac16/48; Soundfield AMS ST250 Microphone Cardiod -> Modified Sony D10 Pro DAT Recorded by Jamie Young edited by mtownshend DAT(1) from Todd Evans DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 waV > sf7.0 bit depth conversion w/ dither from 96kHz to 48kHz > FLACFrontend conversion to FLAC & ffp | Source Detail | d24 | |
| 06/25/93 | Robert F. Kennedy Stadium | 3 | flac16; Audience: Master DATS - Recorded by James Young & Ron Keyser AMS ST250 FOB DFC > AMS Control Box with the pattern on control box was set as close to ORTF(cardioids at 110 degrees) as possible > Modified Sony D10 Pro> Sony D10 Pro via Sony AES/EBU digital cable. (Both decks Modified By Bob Katz) Transfer By Ron Keyser Master DATS played back in a Sony D8 > M-Audio Auiophile USB > Sony PCV-RS410 Soundforge v 7.0 for resampling and fades. (Disc 2 & 3 are seamless) CD Wave Editor for tracking Flac Frontend. | Source Detail | d24 | |
| 06/25/93 | Robert F. Kennedy Stadium | 3 | Source: Primary Source: SBD/Monitor Mix > Beta > VHS > SB Audigy Platinum > CDWave > MKWact Patch Source: FOB AMS ST-250 (Blumlein) > Modified D10 Pro II FOB Source provides patch in Crowd/Tuning d2t01 and from 01:00 of Corinna to end of show SBD source provided by Matt Ziegler. Patched/SHN'd by Doug Nawrocki | Source Detail | d24 | |
| 06/25/93 | Robert F. Kennedy Stadium | 3 | AMS ST-250 run blumlein config > Sony D-10 Pro II FOB; via Nick Georges | Source Detail | d24 | |
| 06/25/93 | Robert F. Kennedy Stadium | 1 | flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves x-Noise in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky | Source Detail | new seed 76 | |
| 06/26/93 | Robert F. Kennedy Stadium | 3 | flac16; Aud AMS ST250 FOB DFC > AMS Control Box with the pattern on control box was set as close to ORTF (cardioids at 110 degrees) as possible > Modified Sony D10 Pro> Modified Sony D10 Pro via Sony AES/EBU digital cable; (Both decks Modified By Bob Katz); Recorded by James Young & Ron Keyser; Transfer By Ron Keyser: Master DATS played back in a Sony D8 > M-Audio Auiophile USB > Sony PCV-RS410 Soundforge v 7.0 for resampling and fades> CD Wave Editor for tracking> Flac Frontend | Source Detail | d25 | |
| 06/26/93 | Robert F. Kennedy Stadium | 3 | sbd > dat > cass > dat > cd; via Brent Peich | Source Detail | d25 | |
| 08/21/93 | Autzen Stadium, University of Oregon | 2 | Source: SBD > DAT > CDR > EAC > Cool Edit Pro 2.0 > CDWave > mkwACT First few minutes of Here Comes Sunshine patched by Pat Volkerding with FM > DAT source Various patching/crossfades by Doug Nawrocki with Jay Serafin liberated bootleg source EAC'd/SHN'd by Doug Nawrocki | Source Detail | d25 | |
| 08/22/93 | Autzen Stadium, University Of Oregon | 3 | flac16; Digital FOB DFC Audience FOB Schoeps Mk2 Omni Capsule spaced omnis (10 ft spread) in hat -> Schoeps Active Cables -> Schoeps CMC 3 Mic Body -> Monster M1000 Jumper -> Oade Supply -> Canare Cable -> Panasonic sv255 DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav (16bit, 48kHz) Minor editing done by Garret Leutbecher (Audition 1.5) & Michael Townshend (Wavelab) | Source Detail | d25 | |
| 08/22/93 | Autzen Stadium, University Of Oregon | 3 | SBD> DAT> CD> EAC> Cool Edit '96 (removed digipops prior to music in beginning of d2t1 & d3t1)> CDWAV> Shorten32; via Doug Nawrocki | Source Detail | d26 | |
| 08/25/93 | Shoreline Amphitheatre | 3 | SBD>??>DAT>CDR; See info file for edit notes and suggestion of a possible MC in the lineage; via Randy Perkins; Seeded to Etree by T. Wiley | Source Detail | d26 | |
| 08/26/93 | Shoreline Amphitheatre | 2 | SBD>DAT>CM>DAT>DAT Clone @48k>WAV>SHN; Seeded to etree by Marc Pujol and Tim W | Source Detail | d26 | |
| 08/27/93 | Shoreline Amphitheatre | 2 | SBD>CM>CDR; Seeded to Etree by T. Wiley | Source Detail | d26 | |
| 09/08/93 | Richfield Coliseum | 2 | FOB(AKG491) > DAT > CDR> WAV > SHN via Chris Ladner | Source Detail | d27 | |
| 09/08/93 | Richfield Coliseum | 3 | flac16; Recording Info: SBD -> Master Dat -> Dat Clone (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller | Source Detail | d27 | |
| 09/09/93 | Richfield Coliseum | 3 | AUD:AKG 568/Sony D3> CD> SHN; vis Tony Gardner | Source Detail | d27 | |
| 09/09/93 | Richfield Coliseum | 3 | flac16; Recording Info: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller | Source Detail | d27 | |
| 09/10/93 | Richfield Coliseum | 3 | AUD:AKG 568/Sony D3> CD> SHN; via Tony Gardner | Source Detail | d27 | |
| 09/10/93 | Richfield Coliseum | 2 | flac16; Recording Info: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller | Source Detail | d28 | |
| 09/12/93 | The Spectrum | 3 | nak 100's w/ ck 4 >d6>cM (patched out of dhind's rig)mc>aiwa f-810>tascam da30mkIIq@44.1>zoltrix nightengale6.0 >sf6.0>cdwav>SHN>WAV>Shntool(join)>ADWS>CD Wav>Shntool(check)>SHN(seekable) ; Via cdipietro ; Remaster by T. Wiley 07/25/2003. | Source Detail | d28 | |
| 09/12/93 | The Spectrum | 3 | flac16; Recording Info: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller | Source Detail | d28 | |
| 09/12/93 | The Spectrum | 3 | AUD(Sony C-38B?s) > DAT > CDR via Raoul Duke encoded by Matt Vernon | Source Detail | d28 | |
| 09/13/93 | The Spectrum | 3 | flac16; SBD -> Master Dat (48k) All Transfers and Mastering By Charlie Miller | Source Detail | d29 | |
| 09/13/93 | The Spectrum | 2 | SB> DAT> CM> DAT> CD; via Charlie Miller; Chris Frisco; Steve Barbella | Source Detail | d29 | |
| 09/13/93 | The Spectrum | 3 | SBD> DAT> CM> DAT> CDR; Seeded to Etree by T. Wiley | Source Detail | d29 | |
| 09/14/93 | The Spectrum | 2 | flac16; Recording Info: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller | Source Detail | d29 | |
| 09/14/93 | The Spectrum | 3 | DAUD(Schoeps CMC-341's)>Tascam DAP1>CDR | Source Detail | d29 | |
| 09/16/93 | Madison Square Garden | 3 | SBD DAT> C> DAT> WAV> CE> CDWAV> SHN, with FOB aud patches (see info file); via Steve Herman | Source Detail | d30 | |
| 09/16/93 | Madison Square Garden | 3 | DAUD/FOB Schoeps mk21(ORTF); via Eliot Byron; Seeded by Jim Raras to Dankseeds | Source Detail | d30 | |
| 09/16/93 | Madison Square Garden | 3 | FOB/DFC Sec. 2 - Row R - Seats 1 & 2 AMS St-250 run Blumlein on stand both sets > Apogee AD 500 > D-10 Pro mod (48k) recorded by Clay Brennecke and Jamie Young DAT > SHN via: Clone of master DAT played through Sony PCM-M1 > active 7 pin cable > Zoltrix Nightingale > recorded/downsampled on PC with Cool Edit 2000 tracked with CDWAV SHN encoding with MKW-ACT (seeking) | Source Detail | d30 | |
| 09/17/93 | Madison Square Garden | 3 | FOB/DFC Sec. 2 - Row R - Seats 1 & 2 AMS St-250 run Blumlein on stand both sets > Apogee AD 500 > D-10 Pro mod (48k) recorded by Clay Brennecke and Jamie Young DAT > SHN via: Clone of master DAT played through Sony PCM-M1 > active 7 pin cable > Zoltrix Nightingale > recorded/downsampled on PC with Cool Edit 2000 tracked with CDWAV SHN encoding with MKW-ACT (seeking); NOTE- User Matt Vernon submitted 'alternate' md5s with these notes... the md5's below differ for d1t1,6,7 d2t3,5 and d3t4,5 from the listed shn set but had the same info file i listened to this show and they are clean including set 2 continuity at the disk 2->3 transition. | Source Detail | d30 | |
| 09/17/93 | Madison Square Garden | 2 | Set 2 only : SBD>DAT>CDR ; SHN>WAV>Shntool(join)>ADWS>CD WAV>Shntool(check)>SHN(seekable) ; Via Chris Larson ; Remastered by T. Wiley 07/13/2003. | Source Detail | d31 | |
| 09/18/93 | Madison Square Garden | 3 | SBD DAT> C> DAT> WAV> CE> CDWAV> SHN w/ aud patches (see info file); via Steve Herman | Source Detail | d31 | |
| 09/18/93 | Madison Square Garden | 3 | FOB/DFC Sec. 2 - Row R - Seats 1 & 2 2 AMS St-250s on stand both sets > Apogee AD 500 > Nagra digital Reel to Reel > DAT clone > SHN recorded by Clay Brennecke, Jamie Young and Jeff Silberman | Source Detail | d31 | |
| 09/20/93 | Madison Square Garden | 2 | FOB/DFC, Sec. 2, Row S - Seat 5; Schoeps S4 at 90 degrees > Canari Cables > Sonosax SX-M2 > Apogee AD 500 > Sony D-7; taper Jeff Zimmer- see pub comments | Source Detail | d31 | |
| 09/20/93 | Madison Square Garden | 2 | flac16; Soundboard->Master DAT->Sonic Solutions->Master CD. Master CD->EAC->FLAC. EAC, Re-track, and FLAC by Joe Samaritano | Source Detail | d31 | |
| 09/21/93 | Madison Square Garden | 2 | flac16; Recording Info: SBD -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC charliemiller87@earthlink.net | Source Detail | d32 | |
| 09/21/93 | Madison Square Garden | 3 | DAUD/FOB Schoeps mk21(ORTF) > KC5 actives > CMC5 > Sonosax SX-M2 > Apogee AD-500e > Sony D10 @48kH; via Dankseeds | Source Detail | d32 | |
| 09/21/93 | Madison Square Garden | 2 | FOB/DFC Sec. 2 - Row M - Seat 1 AMS St-250 run Blumlein on stand both sets > Apogee AD 500 > D-10 Pro mod recorded by Clay Brennecke and James Young | Source Detail | d32 | |
| 09/22/93 | Madison Square Garden | 3 | DSBD> DAT> CDR> EAC> WAV> SHN; Seeded by an anonymous source with DATs provided by D. Murray, who sat in; EAC/SHN, u/l by Rich (yubah); stemming from Winter Oak tree; see pub comments for flaw note | Source Detail | d32 | |
| 09/22/93 | Madison Square Garden | 3 | DAUD/FOB Schoeps mk21(ORTF); **No DAE at all**; via Eliot Byron; Seeded to etree by Jim Raras; Dankseed certified | Source Detail | d32 | |
| 09/22/93 | Madison Square Garden | 3 | Recorded FOB/DFC by James Young & Clay Brennecke using: Sec. 2 - Row M - Seat 1 AMS ST-250 run Blumlein on stand both sets at 6"3' > Panasonic SV 255 | Source Detail | d33 | |
| 09/24/93 | Boston Garden | 3 | Source: Schoeps (unknown model/ps) > D7 @48k via Dave Minor. DAT > shn encoding Marc Pujol | Source Detail | d33 | |
| 09/24/93 | Boston Garden | 3 | Recording Info: SBD -> Master Dat (48k) Transfer Info: Master Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN - Transferred By Charlie Miller | Source Detail | dvd 238 | |
| 09/25/93 | Boston Garden | 3 | flac16; Recording Info: Set 1: SBD -> Master Dat -> Dat Clone (48k) set 2: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller | Source Detail | d33 | |
| 09/25/93 | Boston Garden | 3 | Set 1 Schoeps (unknown model/ps) via David Minor. Set 2 Schoeps CMC-521?s via Raoul Duke. Transfer and encoding Marc Pujol, Alan Fink and Matt Vernon | Source Detail | d34 | |
| 09/26/93 | Boston Garden | 2 | flac16; Recording Info: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller | Source Detail | d34 | |
| 09/26/93 | Boston Garden | 3 | AUD(Nak 300?s + CP4)>DAT>CD; via p'bo; Seeded to etree by neo_levo | Source Detail | d34 | |
| 09/26/93 | Boston Garden | 2 | Source: Schoeps (unknown model/ps) > D7 @48k via Dave Minor, DAT > SHN by Marc Pujol | Source Detail | d34 | |
| 09/28/93 | Boston Garden | 2 | Lineage: Set 1: Schoeps>Dat>Sound Forge>CD (previous aud shn seed via Marc Pujol et. al.) Set 2: SBD>Dat>Cm>Dat>Samplitiude>CD Dat>CD Transfer for sbd portion done by Charlie Miller | Source Detail | d34 | |
| 09/28/93 | Boston Garden | 3 | flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC | Source Detail | d35 | |
| 09/28/93 | Boston Garden | 3 | Source: A: NeumannShotguns>DAT Transfer: DAT>ZA2 (S/PIDF)>Samplitude 2496>CD-r (or shn) Transfer by Chris Larson | Source Detail | d35 | |
| 09/28/93 | Boston Garden | 3 | Source: Schoeps (unknown model/ps) > D7 @48k Transfer: 48k DAT clone> Sony PCM-R300 > Monster SPDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, 48>44 with anti-alias filter) > CDWav (splits)> mkw > shn (seekable) SHNtool used verify track boundaries prior to wav>shn Transfered by Marc Pujol 9/25/2002 | Source Detail | d35 | |
| 09/29/93 | Boston Garden | 3 | flac16; Recording Info: Set 1: SBD -> Master Dat -> Dat Clone (48k) Set 2: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller | Source Detail | d35 | |
| 09/29/93 | Boston Garden | 3 | Schoeps (unknown model/ps) > D7 @48k via Dave Minor. Transfer Marc Pujol | Source Detail | d36 | |
| 09/30/93 | Boston Garden | 3 | flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC | Source Detail | d36 | |
| 09/30/93 | Boston Garden | 3 | SBD>DAT>C>DAT>CDR; via Paul; Seeded to etree by neo_levo | Source Detail | d36 | |
| 09/30/93 | Boston Garden | 3 | Schoeps (unknown model/ps) > D7 @48k via Dave Minor. shn encoding Marc Pujol | Source Detail | d36 | |
| 12/08/93 | Sports Arena | 3 | SBD > DAT > CDR; via C. Larson; Seeded to etree by C. Ladner | Source Detail | d38 | |
| 12/09/93 | Sports Arena | 3 | SBD > ? > DAT > CDR > EAC(secure) > Cool Edit > mkwact > shn; via Ryan Varnum; Matt Vernon | Source Detail | d37 | |
| 12/10/93 | Sports Arena | 3 | DSBD; via Nick Georges; note info file here reflects correct setlist | Source Detail | d37 | |
| 12/12/93 | San Diego Sports Arena | 2 | Source: Set 2 SBD > DAT > CDR > EAC > CDWave > mkwACT EAC'd/SHN'd by Doug Nawrocki | Source Detail | d37 | |
| 12/12/93 | San Diego Sports Arena | 3 | MK4 FOB aud > DAT(s) > CDR; via Ryan Varum; Matt Vernon | Source Detail | d37 | |
| 12/13/93 | San Diego Sports Arena | 3 | MK4 FOB aud > DAT(s) > CDR; via Ryan Varum; Matt Vernon | Source Detail | d37 | |
| 12/13/93 | San Diego Sports Arena | 3 | Set 1: FOB(Schoeps MK4) > DAT(s) > EAC(secure) > mkwact(seekable) > shn. Set 2: SBD > DAT > CDR > WAV > SHNv3; via Ryan>Matt>Willy, Paul B; Seeded to etree by neo_levo | Source Detail | d38 | |
| 12/17/93 | Oakland-Alameda County Coliseum | 3 | KM140's FOB aud > DAT(s) > CDR; via Ryan Varum; Matt Vernon | Source Detail | d38 | |
| 12/17/93 | Oakland-Alameda County Coliseum | 3 | Primary Source: SBD>DAT>C>DAT>CDR (via Chris Laughlin). Patch Source: shnid=7348. Mastered & seeded by MattMan. | Source Detail | d38 | |
| 12/18/93 | Oakland-Alameda County Coliseum | 3 | Unknown FOB aud (likely Neumann KM-140, see user comments)> DAT(s) > CDR via Ryan Varum; Matt Vernon | Source Detail | d39 | |
| 12/18/93 | Oakland-Alameda County Coliseum | 3 | SBD>DAT>Cass.>DAT>CDR>WAV>SHN via Jim Powell encoded by Chris Ladner | Source Detail | d39 | |
| 12/19/93 | Oakland-Alameda County Coliseum | 2 | Set 2; Source: A(FOB): Neuman KM 140's>DAT(48kHz) Tansfer: DAT>ZA2(S/PDIF)>Samplitude2496>CD-r (or shn); Transfer by Chris Larson | Source Detail | d38 | |
| 12/19/93 | Oakland-Alameda County Coliseum | 3 | Unknown FOB aud > DAT(s) > CDR; via Ryan Varum; Matt Vernon | Source Detail | d39 | |
| 12/19/93 | Oakland-Alameda County Coliseum | 3 | Set 1: SBD>DAT> Cassette> DAT> CD> SHN Set 2: SBD>MC>DAT>ZA2>CDR>WAV>SHN; via Charlie Miller, Peter Braverman, neo_levo | Source Detail | d39 | |
| 02/25/94 | Oakland-Alameda County Coliseum | 2 | Source: FOB (unknown mics) > DAT > Tascam DA-20 > Harmon Kardon stand alone burner >Tascam CDRW700 > Toast Audio Extractor (overlap) > SHN. THIS IS NOT A RE-EXTRACTION - the original SHNs had sector boundary errors on the last track of each disc, were not seekable (also minor), and the d2>d3 transition was not seamless (minor again). These issues have been resolved and the show tracked on 2 discs instead of 3 (minus the previously included "filler"). | Source Detail | d1 | |
| 02/26/94 | Oakland-Alameda County Coliseum | 3 | Neumann KM84 -> Dat(48k) via Charlie Miller | Source Detail | d1 | |
| 02/27/94 | Oakland-Alameda County Coliseum | 3 | AUD (mics unknown)>DAT>CDR; via H. Wankleswurth; Seeded to etree by candyman | Source Detail | d1 | |
| 02/27/94 | Oakland-Alameda County Coliseum | 3 | flac16; SBD -> Dat (44.1k) All Transfers and Mastering By Charlie Miller | Source Detail | d1 | |
| 02/27/94 | Oakland-Alameda County Coliseum | 3 | DSBD> CM(?)> DAT; Tascam DA-20mkII > SBLive! > CDWAV > MKW; DAT > WAV > SHN: Dan Stephens; upload by Scott Thompson; see notes in info file | Source Detail | d2 | |
| 03/04/94 | Desert Sky Pavilion | 2 | flac16; SBD> ?> CDR> EAC> FLAC; via sailor_saint | Source Detail | d2 | |
| 03/04/94 | Desert Sky Pavilion | 2 | DSBD --> DAT --> CDR; via Charlie Kidder | Source Detail | d2 | |
| 03/04/94 | Desert Sky Pavilion | 2 | flac16; SBD> ?> CDR> EAC> FLAC; via sailor_saint | Source Detail | new seed d99 | |
| 03/05/94 | Desert Sky Pavilion | 2 | SBD > ? > CDR (see info file) | Source Detail | d2 | |
| 03/05/94 | Desert Sky Pavilion | 2 | DSBD --> DAT --> CDR; via Charlie Kidder | Source Detail | d2 | |
| 03/05/94 | Desert Sky Pavilion | 2 | SBD > ? > CDR (see info file) | Source Detail | new seed d99 | |
| 03/06/94 | Desert Sky Pavilion | 2 | flac16; SBD> ?> CD (see info file for notes); via sailor_saint | Source Detail | d3 | |
| 03/06/94 | Desert Sky Pavilion | 2 | DSBD --> DAT --> CDR; via Charlie Kidder | Source Detail | d3 | |
| 03/06/94 | Desert Sky Pavilion | 2 | flac16; SBD> ?> CD (see info file for notes); via sailor_saint | Source Detail | new seed d99 | |
| 03/16/94 | Rosemont Horizon | 2 | SBD> Dat> Sonic Solutions> CDR> WAV> SHNv3; This is an upgrade from the previously seeded SHN of this show w/o the digistatic in Scarlet>Fire and also a SBD of the encore. seeded by C. Ladner via candyman with thanks to C. Miller; also to abgd via Charlie Connor; tracked for 2x80 | Source Detail | d3 | |
| 03/17/94 | Rosemont Horizon | 3 | SBD > DAT > CDR > EAC > SHNv3; DAE (EAC)> boundary checking (SHNTOOL)> SHN (MKWACT) via neo_levo. seeded via candyman, also to abgd via Charlie Connor | Source Detail | d3 | |
| 03/18/94 | Rosemont Horizon | 3 | Source: Audience (presumably DAT) Lineage: ?> Cassette> CD> SHN; Overall, a rather poor recording, though its the only available source after extensive searching. | Source Detail | d3 | |
| 03/20/94 | Richfield Coliseum | 3 | AUD(Nak 300s)>DAT>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo | Source Detail | d4 | |
| 03/20/94 | Richfield Coliseum | 3 | Source: AUD (SchoepsCMC34>Oade>SV255) > DAT > CDR > WAV > SHN; via M.Ratliff; Seeded to etree by neo_levo | Source Detail | d4 | |
| 03/21/94 | Richfield Coliseum | 3 | SBD > DAT > CDR > SHNv3; via johnathan miller, candyman | Source Detail | d4 | |
| 03/23/94 | Nassau Coliseum | 2 | Source: Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3. Transfer discs provided by JA BUZZ, DAE and SHN via Chris L./candyman FTP. | Source Detail | d4 | |
| 03/23/94 | Nassau Coliseum | 3 | Set 1: SBD DAT>WAV>CE>CDWAV>SHN Set 2: AUD DAT ( Nakamichi CM300's w/Cp4 shotguns>Denon DTR- 80P)>WAV>CE>CDWAV>SHN submitted by M.Walker via Steve Herman | Source Detail | d5 | |
| 03/23/94 | Nassau Coliseum | 3 | AUD fob (in hat) Schoeps mk4> Reutelhuber p/s> Sony tc-d10 proII (modified), Recorded by Ace Cubby; Transfer: Panasonic SV 3700 > ZA2 (s/pdif) > Wavelab 3.03 > CDWav > SHN > WAV > CDR; transferred by Chris Larson | Source Detail | d5 | |
| 03/24/94 | Nassau Coliseum | 3 | Source: Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3. Transfer discs provided by JA BUZZ, DAE and SHN via Chris L./candyman FTP. | Source Detail | d5 | |
| 03/25/94 | Nassau Coliseum | 2 | Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3 via JABUZZ420 encoding by Candyman | Source Detail | d5 | |
| 03/27/94 | Nassau Coliseum | 3 | Recording Info: SBD -> Dat (Vault Master) -> Sonic Solutions -> CD -> Eac -> SHN; Patched and SHN'd By Charlie Miller | Source Detail | d6 | |
| 03/27/94 | Nassau Coliseum | 3 | Source: Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3. Transfer discs provided by JA BUZZ, DAE and SHN via Chris L./candyman FTP. | Source Detail | d6 | |
| 03/28/94 | Nassau Coliseum | 2 | Shntool fixed version of Set 1 unknown DAUD source, Set 2 DSBD, d2t04 (drums) FM>DAT. | Source Detail | d6 | |
| 03/28/94 | Nassau Coliseum | 3 | from 7th row tapers secion B&K 4010 w/balls > DAT master > DAT clone > SHN DAT transfer via PCM-M1 > Oade active cable > Edirol UA-5 (hardware resample) > USB > HP Omnibook 500 running CoolEdit2000 > CDWAV > MKW-Act non seekable SHNs due to winXP and Act issues transfer/encoding by nick@nickspicks.com | Source Detail | d6 | |
| 03/28/94 | Nassau Coliseum | 2 | Source: Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3. Transfer discs provided by JA BUZZ, DAE and SHN via Chris L./candyman FTP. | Source Detail | d7 | |
| 03/28/94 | Nassau Coliseum | 3 | AUD fob(in hat) Schoeps mk4> Reutelhuber p/s> Sony tc-d10 proII (modified), Recorded by Ace Cubby; Transfer: Panasonic SV 3700 > ZA2 (s/pdif) > Wavelab 3.03 > CDWav > SHN > WAV > CDR; transferred by Chris Larson | Source Detail | d7 | |
| 03/28/94 | Nassau Coliseum | 3 | flac16; Digital Master Audience Recording - Dan Lynch Master Series Vol 10 Recorded from 1st Row Taper's Section Sennheiser 441's > Sony D-7 > DAT Master DAT Master > Panasonic SV-3800 > digital coaxial > Audigy 2 ZS Platinum > CD Wave > 16 bit 44.1 wav > Soundforge (set fades, level boost) > CD Wave (tracking) > Flac Frontend (level 7, align sector boundaries) > flac Thanks to Danny Hupert for the patch! | Source Detail | d7 | |
| 03/30/94 | The Omni | 3 | Recording Info: SBD -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN Transfered By Charlie Miller. | Source Detail | d7 | |
| 03/31/94 | The Omni | 2 | Recording Info: SBD -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN Encore Is Missing (I Fought The Law) Transfered By Charlie Miller. | Source Detail | d8 | |
| 04/01/94 | The Omni | 3 | Recording Info: SBD -> Dat Transfer Info: Dat (Sony R500) ->Prodif Plus ->Samplitude v6.0 ->SHN Transfered By Charlie Miller encore from FOB source. | Source Detail | d8 | |
| 04/04/94 | Sports Arena | 3 | SBD>DAT>Cassette>DAT>CDRx2; New eac of original seed discs; See info file for details; via Mick McGinnis; Seeded to etree by chris L | Source Detail | d8 | |
| 04/06/94 | Miami Arena | 3 | FOB-AUD(Schoeps MK4>SV250)>DAT>CDR; via Paul; Seeded to etree by Chris L | Source Detail | d8 | |
| 04/06/94 | Miami Arena | 3 | flac16; mixed sources, incl soundcheck: Set 1: (FOB) Schoeps MK4> Dat> CD, Set 2: SBD> Dat> CD, Encore: (FOB) Schoeps MK4> Dat> CD, Soundcheck: SBD> Dat> MiniDisc> Cool Edit Pro> CD; Transfer: WAV> Samplitude Professional v8.0> FLAC; Transferred and Edited By Charlie Miller | Source Detail | d9 | |
| 04/06/94 | Miami Arena | 1 | Soundcheck; SBD>Dat>MiniDisc>Behringer UltraMatch SRC2000>Dio2448>Cool Edit Pro>SHN; Seeded to etree by Charlie Miller | Source Detail | d9 | |
| 04/07/94 | Miami Arena | 3 | DSBD > CD > EAC > SHN; Liberty supplied by the FOB-AUD(Schoeps MK4>SV250)>DAT>CDR source; EAC/SHN by Darryl Hinko | Source Detail | d9 | |
| 04/07/94 | Miami Arena | 3 | FOB-AUD(Schoeps MK4>SV250)>DAT>CDR; via Paul; Seeded to etree by Chris L | Source Detail | d9 | |
| 04/08/94 | Miami Arena | 3 | AUD(Schoeps CMC521?s)>DAT>CDR; via Paul; Seeded to etree by Chris L | Source Detail | d9 | |
| 06/08/94 | Cal Expo | 3 | AUD (KM 140?s)>DAT>CDR; via PB; Seeded to etree by neo_levo | Source Detail | d10 | |
| 06/09/94 | Cal Expo | 3 | Schoeps CMC 54's >DAT>CDR; via Paul B; Seeded to etree by neo_levo | Source Detail | d10 | |
| 06/10/94 | Cal Expo | 2 | AUD(KM 140?s)>DAT>CDR; via Paul B; Seeded to etree by neo_levo | Source Detail | d10 | |
| 06/13/94 | Memorial Stadium | 3 | Schoeps CMC441s FOB > DAT > PC > WAV > SHN; Seeded to etree by Marc Pujol | Source Detail | d10 | |
| 06/14/94 | Memorial Stadium | 3 | SBD>DAT>CD; Seeded to etree by Chris Larson | Source Detail | d10 | |
| 06/17/94 | Autzen Stadium, U. of Oregon | 3 | AUD (Nak700's)>DAT>CDR; via Paul B; Seeded to etree by neo_levo/candyman | Source Detail | d11 | |
| 06/17/94 | Autzen Stadium, U. of Oregon | 3 | Source: A:Nuemann mics (model number unknown)>DAT Transfer: DAT>ZA2>Samplitude 2496>CD-r (or SHN) Transfer by Chris Larson | Source Detail | d11 | |
| 06/18/94 | Autzen Stadium, U. Of Oregon | 3 | SBD>?>DAT>CDR; via Paul; Seeded to etree by C. Ladner | Source Detail | d11 | |
| 06/19/94 | Autzen Stadium, U. of Oregon | 3 | FOB / Nak 100/CP1 cardioids > DAT > PC > WAV > SHN; Seeded to etree by Marc Pujol | Source Detail | d11 | |
| 06/19/94 | Autzen Stadium, U. of Oregon | 3 | Source: S:DAT>CDR Transfer: Panasonic sv3700>ZA2>Wavelab 3.03>CDWav>shn; Seeded to etree by Chris Larson | Source Detail | d12 | |
| 06/24/94 | Sam Boyd Silver Bowl, U.N.L.V. | 3 | Audience recording by Neil Sturtevant Senn K3U mics w/ ME80 capsules > Master DAT (deck model unknown). DAT > CD transfer by Neil Sturtevant (untracked). Subsequent Extraction (EAC), tracking (CD Wave) and SHN conversion (mkwACT) by Sean Cribbs | Source Detail | d12 | |
| 06/25/94 | Sam Boyd Silver Bowl, U.N.L.V. | 3 | complete; SBD> DAT> CDR> EAC> WAV> CE> CDWAV> SHN; with Shoe Fits from previous seed; See info file for details | Source Detail | d12 | |
| 06/26/94 | Sam Boyd Silver Bowl, U.N.L.V. | 3 | Source: SBD > CASSETTE > DAT @48k Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction) Transferred, SHNed and seeded by Jon Seff (jon@seff.net). This represents the SHNTOOL FIXED and STRIPPED version of the previous seed which had sector boundary errors on all tracks and noncanonical headers on the first disc. Distributed via candyman FTP. | Source Detail | d12 | |
| 07/01/94 | Shoreline Amphitheatre | 3 | SBD>DAT>CDR; via p'bo; neo_levo/candyman FTP | Source Detail | d13 | |
| 07/02/94 | Shoreline Amphitheatre | 3 | DSBD > DAT; DAT > WAV > SHN: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV v1.71 > MKW, by Dan Stephens (dms@well.com) | Source Detail | d13 | |
| 07/03/94 | Shoreline Amphitheatre | 3 | DSBD > DAT; DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV v1.71 > MKW Audio Compression Tool v0.96f | Source Detail | d13 | |
| 07/13/94 | Franklin County Airport | 3 | flac16; Source: Neumann km-82i Shotguns > Teac DAT behind sbd 20 ft in front of speaker stack 20 ft high Transfer: Panasonic SV-3700 DAT > Audiophile 2496 > WaveLab 5.01 @ 24 bit/44.1 > converted to 16 bit> CD Wave Editor > EAC > Flac Recorded by and transfers by Bill Koucky | Source Detail | d13 | |
| 07/13/94 | Franklin County Airport | 3 | M:D>SHN digital transfer via: Da-p1 > zoltrix Nightengale 48 > 44.1 via CoolEdit2k > tracked with CDWAV via Nick Georges. Note, this version has different md5s than the original but its directly from Nick's server... | Source Detail | d14 | |
| 07/13/94 | Franklin County Airport | 3 | Source: Schoeps CMC 44 cardioids (ORTF) > Oade power supply > modified Panasonic SV-255 > Sony D3 DAT Master (spdif input) Location: taped up front on a 6 foot stand Transfer: DAT Master 60ES > M-Audio Microtrack 2496 (spdif) > WAV > Flac taper & transfer: jbraveman@hotmail.com | Source Detail | d14 | |
| 07/13/94 | Franklin County Airport | 3 | AKG-460-CKIX>Sony D-7>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo | Source Detail | d14 | |
| 07/16/94 | Robert F. Kennedy Stadium | 3 | flac16; Recorded By Ron Keyser using his AMS ST250 on a Stand FOB, DFC> Modified Sony D10 Pro II. | Source Detail | d14 | |
| 07/16/94 | Robert F. Kennedy Stadium | 3 | FOB AMS ST250 (ambisonic) >Modified Sony D10 pro2 > DAT > Tascam CDR 700; via Tim Wiley | Source Detail | d15 | |
| 07/17/94 | Robert F. Kennedy Stadium | 3 | AMS-S250?s(ambisonic)>Sony D-10 pro 2>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo | Source Detail | d15 | |
| 07/19/94 | Deer Creek Music Center | 3 | AudioTechnica 815A Shotguns> Panasonic SV250(48kHz); Transfer: DAT> ZA2(S/PDIF)> samplitude2496> CD-r; Transfer by Chris Larson, with thanks to Tom, Roger | Source Detail | d15 | |
| 07/19/94 | Deer Creek Music Center | 3 | DSBd>?>CDR; Seeded to etree by Dan Carr | Source Detail | d15 | |
| 07/20/94 | Deer Creek Music Center | 3 | Source: A: Audio Technica 815a Shotguns>Panasonic sv250 (48kHz) Transfer: DAT>ZA2(S/PDIF)>Wavelab3.03>CD-r Transfer by Chris Larson | Source Detail | d16 | |
| 07/20/94 | Deer Creek Music Center | 2 | SBD> DAT> WAV> CDR> WAV> SHN; via darkstar13311 | Source Detail | d16 | |
| 07/21/94 | Deer Creek Music Center | 3 | AUD (mic unk) >DAT>CD; via Paul; Seeded to etree by candyman | Source Detail | d16 | |
| 07/21/94 | Deer Creek Music Center | 3 | Source: A:D(48kHz) no mic info Transfer: D>ZA2>Samplitude2496>CD-r Transfer by Chris Larson | Source Detail | d16 | |
| 07/21/94 | Deer Creek Music Center | 3 | Source: FOB Shure BG 4.0's > D7 > CDR > EAC > Cool Edit Pro 2.0 > CDWave > mkwACT EAC'd... By Doug Nawrocki | Source Detail | d16 | |
| 07/21/94 | Deer Creek Music Center | 3 | Shntool fix (by Chris Ladner) of previous Braverman seed; See info file for details; SBD>?>DAT>CD | Source Detail | d17 | |
| 07/23/94 | Soldier Field | 3 | flac16; SBD Monitor Mix > DAT @ 48k - Transfer: D8 > Dio 2448 > Soundforge 5.0 (48k > 44.1k) > CDWav > FLAC Frontend > .flac; missing Encore patched from FOB [15th Row] Schoeps (Unknown Model) > DAT; Transferred by: Ryan Burns | Source Detail | d17 | |
| 07/23/94 | Soldier Field | 3 | DSBD>D>CD>SHN Transcription from DAT and Encoding by JR Fishman | Source Detail | d17 | |
| 07/23/94 | Soldier Field | 3 | FOB (15th Row) Schoeps (Unknown Model) > DAT; via Tim Buller | Source Detail | d17 | |
| 07/24/94 | Soldier Field | 3 | AUD (mic unk.)>DAT>CDR; via Paul B; Seeded to etree by neo_levo | Source Detail | d17 | |
| 07/26/94 | Riverport Amphitheatre | 3 | Chase Smith recording, Shure BG-40?s>Sony D-7>DAT>CDR; via Paul; seeded to etree by neo_levo | Source Detail | d18 | |
| 07/26/94 | Riverport Amphitheatre | 1 | flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: Waves X-Noise, iZotope Ozone 3 EQ and Nomad LM-662 in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky | Source Detail | new seed 76 | |
| 07/27/94 | Riverport Amphitheatre | 3 | Shure BG-40/Sony D-7 recorded by Chase Smith > ? > CDR; via Mike Rodriguez; Seeded to etree by Matt Vernon | Source Detail | d18 | |
| 07/29/94 | Buckeye Lake Music Center | 3 | Recording Info: (FOB) Beyer M101 (Omni) -> Dat (Casio DA-7) -> CD -> EAC -> SHN via Charlie Miller | Source Detail | d18 | |
| 07/29/94 | Buckeye Lake Music Center | 3 | Schoeps mk4 (12' spread FOB) > DAT; DAT3@44.1> Tascam DA-30mkII> SBL spdif> SoundForge 4.5> wav> MKW> shn; unknown taper- uploaded by C.DiPietro; note both regular and fixed d1 md5s were submitted to db but no further details were provided | Source Detail | d18 | |
| 07/31/94 | The Palace | 3 | DSBD> CDR> EAC> SHN; via Chase Runyon to sativa; not seekable? | Source Detail | d19 | |
| 07/31/94 | The Palace | 3 | DSBD> CDR> EAC> SHN; seeded by Chase Runyon, reshn for seeking by Carl Johnson | Source Detail | d19 | |
| 08/01/94 | The Palace | 3 | Neumann TLM 170i's (cardioid) > Modified D10 pro II. Transfer: DA-P1 > Audiophile 2496 > Sound Forge 6 (48 > 44.1 on 4 w/anti alias) > CDWave > mkwACT by Doug Nawrocki | Source Detail | d19 | |
| 08/01/94 | The Palace | 2 | set 2; DSBD> CD> EAC; via Nick Georges; md5s listed as d2,d3; shns dated as "94-01-08" | Source Detail | d19 | |
| 08/03/94 | Giants Stadium | 2 | AUD>DAT>CDR; Unknown seeder | Source Detail | d20 | |
| 08/03/94 | Giants Stadium | 3 | Taper: Dan Sisler Source: FOB 25th row/center > Schoeps cmc5/mk4 > Sonosax > Sony d10 > digi out > Sony d7 @44.1 Clone: Master DAT/Master D7 > Sony PCM-R500 by Dan Sisler DAT to SHN: Dan's 1x clone > Sony PCM-R300 > RMEdigi96/8PAD > Soundforge 6.0 > CDwave > SHN (seekable) by Marc Pujol | Source Detail | d20 | |
| 08/04/94 | Giants Stadium | 3 | DAUD (AKG 460's) >DAT> CDR> EAC (secure)> Cool Edit Pro> CD; Seeded to etree by Tim W | Source Detail | d20 | |
| 09/16/94 | Shoreline Amphitheatre | 3 | AKG C61 Tube mics > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); via Jon Seff | Source Detail | d20 | |
| 09/17/94 | Shoreline Amphitheatre | 2 | SBD>DAT>C>DAT>CDR; via Paul B; Seeded to etree by neo_levo | Source Detail | d21 | |
| 09/18/94 | Shoreline Amphitheatre | 2 | AUD (Nak 300?s)>Aiwa DAT>CDR; via Paul B; Seeded to etree by neo_levo | Source Detail | d21 | |
| 09/27/94 | Boston Garden | 3 | DAUD Nakamichi 300(2) + cp 4> D-7> DAT> CDR; Seeded to etree by Tim Wiley; seekable | Source Detail | d21 | |
| 09/27/94 | Boston Garden | 3 | PNB Microphones FOB via Dave Minor, shn conversion Marc Pujol | Source Detail | d22 | |
| 09/27/94 | Boston Garden | 3 | PNB Microphones FOB via Dave Minor, shn conversion Marc Pujol | Source Detail | d23 | |
| 09/28/94 | Boston Garden | 3 | unknown DAUD source; Seeded to etree by Nick Georges | Source Detail | d22 | |
| 09/28/94 | Boston Garden | 3 | PMB Microphones FOB via Dave Minor> D7> R300> RMEdigi96/8pad> SF6.0> CDWav> mkw> shn conversion by Marc Pujol | Source Detail | d22 | |
| 09/28/94 | Boston Garden | 3 | unknown DAUD source; Seeded to etree by Nick Georges | Source Detail | d23 | |
| 09/28/94 | Boston Garden | 3 | PMB Microphones FOB via Dave Minor> D7> R300> RMEdigi96/8pad> SF6.0> CDWav> mkw> shn conversion by Marc Pujol | Source Detail | d23 | |
| 09/29/94 | Boston Garden | 3 | unknown DAUD source; Seeded to etree by Nick Georges | Source Detail | d22 | |
| 09/29/94 | Boston Garden | 3 | PMB Microphones (German)(1) > Sony D7 @48k taped by Dave Minor, encoded by Marc Pujol | Source Detail | d24 | |
| 09/29/94 | Boston Garden | 3 | Dsbd>D>C>D>CD; Seeded to etree by Chris Larson | Source Detail | d24 | |
| 10/01/94 | Boston Garden | 3 | PMB Microphones (German)(1) FOB> Sony D7 @48k taped by Dave Minor, encoding by Marc Pujol | Source Detail | d24 | |
| 10/01/94 | Boston Garden | 3 | Bertha Remaster of Master DAT source SBD>DAT>CDA>SHN>DAW(Bertha)>CDA>SHN, via Jay Ashley, seeded to Etree by Hub Spencer | Source Detail | d24 | |
| 10/01/94 | Boston Garden | 3 | SBD> Dat> CDR (Pre-Fm GDH Discs) > CDR > EAC (Secure Mode, Test and Copy) > SHN; EAC, SHN extraction and etree seeding done by Gerald Gorinsky; with thanks to Charlie Miller and Lee Umstead | Source Detail | d25 | |
| 10/02/94 | Boston Garden | 3 | PMB Microphones FOB> Sony D7 @48k via Dave Minor, encoding Marc Pujol | Source Detail | d25 | |
| 10/02/94 | Boston Garden | 3 | Unknown Schoeps audience recording > DAT > CD; Seeded to etree by Nick Georges | Source Detail | d25 | |
| 10/03/94 | Boston Garden | 3 | PMB Microphones FOB> Sony D7 @48k via Dave Minor, encoding Marc Pujol | Source Detail | d25 | |
| 10/03/94 | Boston Garden | 3 | FOB Schoeps mk4>Rutthueber>DAT; Unknown seeder | Source Detail | d26 | |
| 10/05/94 | The Spectrum | 2 | SBD> DAT> CDR> Sonic Solutions> CDR | Source Detail | d26 | |
| 10/05/94 | The Spectrum | 2 | SBD > DAT > CDR; via Tim Wiley | Source Detail | d26 | |
| 10/05/94 | The Spectrum | 2 | flac16; source: aud > WMD-6 with Nak 300 shotguns > mac > wav > flac taped by John Bleich (taper section row 1 seat 19 Section 107) transfer by SIRMick: Sony TC-FX2 > Wavelab > wav 24/48 | Source Detail | d26 | |
| 10/06/94 | The Spectrum | 3 | Nakamichi 300> ?> D7; Transfer: Tascam DAP1> Egosys U2A Waveterminal USB> Soundforge4.5xp> CDWave; via mark & julie lonski; ericB | Source Detail | d26 | |
| 10/07/94 | The Spectrum | 3 | DAUD/FOB> Unknown Mics (AKG?) /Deck> DAT@48k> DAT > SF 4.5a> SHN (seekable); Via Aldo Torre; Marc P; Tim W | Source Detail | d27 | |
| 10/09/94 | USAir Arena | 3 | AKG 460's w/ck61's (cards) > Teac DA-P20 > D10pro > Panasonic SV3700; Transfer: D8 > Montego II > CDWAVE, by Doug Nawrocki; Source via Pete Delgado | Source Detail | d27 | |
| 10/09/94 | USAir Arena | 3 | SBD ?> C4> CD> SHN via Billy Schools encoded by Peter Braverman | Source Detail | d27 | |
| 10/09/94 | USAir Arena | 3 | flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> ? -> 3rd Gen Cassette Transfer Info: 3rd Gen Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | d27 | |
| 10/10/94 | USAir Arena | 3 | Source: AKG 568's > DAT > CDR > EAC* > CDWave > mkwACT *Test and Copy and used Add-A-Wave to rejoin tracks for retracking EAC'd/Seeded by Doug Nawrocki Source discs kindly provided by Dave DiMartino Thanks for the dedication to the tunes bro! Updated seed. I patched the d/o in Desolation Row 2:32 - 2:35 with circ'ing sbd source. That's the only md5 signature that changed. | Source Detail | d28 | |
| 10/10/94 | USAir Arena | 3 | flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> ? -> 3rd Gen Cassette Transfer Info: 3rd Gen Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | d28 | |
| 10/10/94 | USAir Arena | 3 | SBD>DATx2>C>HiFi VHS>?>DAT>Delta Dio2496>SHN(seekable) NO DAE ; Patched Source: Schoeps MK4,AUD>DAT>CDR ; Via Rob Harrison ; Seeded to etree by T. Wiley | Source Detail | d28 | |
| 10/10/94 | USAir Arena | 3 | Schoeps MK4; AUD> DAT> CDR; via Paul B., Tim Wiley | Source Detail | d28 | |
| 10/11/94 | USAir Arena | 3 | AKG 460's w/ck61's (cards) > Teac DA-P20 > D10pro > Panasonic SV3700; Transfer: D8 > Montego II > CDWAVE, by Doug Nawrocki; Source via Pete Delgado | Source Detail | d29 | |
| 10/11/94 | USAir Arena | 3 | flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> ? -> 3rd Gen Cassette Transfer Info: 3rd Gen Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | d29 | |
| 10/11/94 | USAir Arena | 2 | Set 2 only; SBD > ?> C4> CD> SHN via Billy Schools encoded by Peter Braverman | Source Detail | d29 | |
| 10/13/94 | Madison Square Garden | 3 | flac16; SBD -> Dat -> Cassette Master -> Dat -> CD -> EAC -> FLAC Patched By Charlie Miller | Source Detail | d29 | |
| 10/14/94 | Madison Square Garden | 3 | Sbd>C>Dat>CDR>EAC>CDR>EAC>Shn; Seeded to abgd by Chris Perkins with Thanks to JP Bruynes | Source Detail | d30 | |
| 10/15/94 | Madison Square Garden | 2 | Nak 300 Shotguns> Awia DAT> CDR; via Paul B.; Tim Wiley | Source Detail | d30 | |
| 10/15/94 | Madison Square Garden | 2 | SBD -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC; Cleaned up copy of SHNid=27249; Clean up by Darryl Hinko | Source Detail | d30 | |
| 10/15/94 | Madison Square Garden | 2 | flac16; SBD> Dat> Sonic Solutions> CD> EAC> FLAC; Converted By Charlie Miller, with thanks to David Gans for the discs | Source Detail | d30 | |
| 10/15/94 | Madison Square Garden | 1 | set 1; SBD (FM GDH)> DAT> CD; EAC (secure)> WavLab 4.0> CD WAV> Shntool> SHN (seekable); via Yellow Fin | Source Detail | d30 | |
| 10/17/94 | Madison Square Garden | 3 | DSBD>DAT>CDR shn encoding by Dan Carr | Source Detail | d31 | |
| 10/18/94 | Madison Square Garden | 3 | SBD> DAT> C*> CDR; Seeded to etree by Tim Wiley | Source Detail | d31 | |
| 10/18/94 | Madison Square Garden | 3 | AUD(Schoeps CMC 521?s)>DAT>CDR; via Paul; Seeded to etree by neo_levo | Source Detail | d31 | |
| 10/19/94 | Madison Square Garden | 3 | B&K 4011?s; AUD> DAT> CDR; via Paul B.; Tim Wiley | Source Detail | d31 | |
| 11/29/94 | McNichols Sports Arena | 3 | AUD(Schoeps MK4)>DAT>CD; via Paul B; Seeded to etree by neo_levo | Source Detail | d32 | |
| 11/30/94 | McNichols Sports Arena | 3 | AUD(Schoeps MK4)>DAT>CD; via Paul B; Seeded to etree by neo_levo | Source Detail | d32 | |
| 12/01/94 | McNichols Sports Arena | 3 | AUD(mic. and location unk., FOB?)>DAT>CDR; via Paul B; Seeded to etree by neo_levo | Source Detail | d32 | |
| 12/08/94 | Oakland-Alameda County Coliseum | 2 | KM-140s > DAT; Transfer: DAT Master > Tascam CD-RW700 > CD > TAE (overlap) > WAV > SHN; Ripped, SHNed, and seeded by Jon Seff; tracked for 2x80 | Source Detail | d32 | |
| 12/09/94 | Oakland-Alameda County Coliseum | 3 | SBD -> Dat -> CD; Seeded by Charlie Miller | Source Detail | d32 | |
| 12/11/94 | Oakland-Alameda County Coliseum | 3 | SBD>?>DAT>CD; Unknown seeder | Source Detail | d33 | |
| 12/12/94 | Oakland-Alameda County Coliseum | 3 | AUD(Schoeps MK4?s)>DAT>CD; via Raul Duke; Seeded to etree by neo_levo | Source Detail | d33 | |
| 12/15/94 | Sports Arena | 3 | shntool fix of Jon Seff's AKG seed | Source Detail | d33 | |
| 12/16/94 | Sports Arena | 3 | AUD(Nak 300 Shotguns)>Aiwa DAT>CD; via Henry Wankleswurth; Seeded to etree by neo_levo | Source Detail | d33 | |
| 12/16/94 | Sports Arena | 2 | flac16; Set 2 DSBD > DAT > [?] > CDR > EAC > CEPro > CDWAV > FLAC (level 8) via Andy Lemieux. Encoded by Matt Vernon | Source Detail | d34 | |
| 12/18/94 | Sports Arena | 3 | Shntool fix (by Chris L) of original AKG seed; See info file for details; AKG 460B + CK8 > D3 @48kTransfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction) Transferred, SHNed and seeded by Jon Seff (jon@seff.net) | Source Detail | d34 | |
| 12/19/94 | Sports Arena | 3 | DATSBD>Cass.>DAT>Cass.>CDR via Andy Lemieux Encoding, patching [Schoeps MK-4 (/shn/2521)] , pitching by Matt Vernon | Source Detail | d34 | |
| 12/19/94 | Sports Arena | 3 | Schoeps MK-4 > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); Transferred, SHNed and seeded by Jon Seff; Jon's comment: Levels are a little low throughout, but quite hot during drums, so I couldn't normalize and there may be a bit of clipping at the highest points. | Source Detail | d34 | |
| 02/19/95 | Delta Center | 2 | AUD(Schoeps MK4s)>DAT>CDR; via P.B.; Seeded to etree by Chris L. | Source Detail | d1 | |
| 02/20/95 | Delta Center | 3 | SBD > D > CD-R > EAC >SHN (note no cass gen); "buzzing" in the audio was a problem with the venue's/band's sound equipment; via Brian Walker; mastered by Jay Serafin; note the "if any editing" clause in info file is part of Jay's boilerplate for seeds | Source Detail | d1 | |
| 02/21/95 | Delta Center | 2 | DSBD > 1C > DAT; Seeded to etree by Dan Stephens | Source Detail | d1 | |
| 02/24/95 | Oakland-Alameda County Coliseum | 3 | shntool-fixed version (by Jeff Kempka?) of previous shn set: AT 4071 > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/ normalizing) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff | Source Detail | d1 | |
| 02/25/95 | Oakland-Alameda County Coliseum | 3 | shntool-fixed version (by Jeff Kempka?) of previous shn set: Unknown Mics > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/ normalizing) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff | Source Detail | d1 | |
| 02/26/95 | Oakland-Alameda County Coliseum | 3 | shntool-fixed version (by Jeff Kempka?) of previous shn set: Unknown Mics > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff; see flaw and tracking notes in info file | Source Detail | d2 | |
| 03/17/95 | The Spectrum | 3 | Sources: Primary - DSBD >?>Bootleg CD>EAC>SHN. Secondary audience source (Schoeps MK4) used for drums > space. This source represents a composite of the two previously circulated sources. An audience source for drums and space has been (relatively) seamlessly spliced in. A droupout in Loose Lucy in the SBD source was removed using soundforge 5. | Source Detail | d2 | |
| 03/17/95 | The Spectrum | 3 | AUD (Schoeps MK4)>DAT>CDR>WAV>SHNv3 via Paul B and Candyman | Source Detail | d2 | |
| 03/17/95 | The Spectrum (soundcheck) | 1 | Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol | Source Detail | d2 | |
| 03/18/95 | The Spectrum | 2 | "liberated" bootleg sbd cd > EAC > wav > shn; via Chris Ladner; known errors: d1t5 digipop @ 5:25, d1t10: soft digipops | Source Detail | d2 | |
| 03/18/95 | The Spectrum | 2 | flac16; remastered shn id 1362. SHN > WAV > Addawav > Wavelab 5.0 (see below) > CDWAV 1.9 > FLAC (level 5) see details in the text file. | Source Detail | d3 | |
| 03/19/95 | The Spectrum | 2 | FOB Schoeps MK41 > DAT @ 48KHz > ZA2 (48244) > SHN | Source Detail | d3 | |
| 03/19/95 | The Spectrum | 2 | SchoepsMK4> ReutelheuberBox> DenonDTR80p> SonyD7 Taping Section; DAT> CDr; via Dan Sisler; Seeded to etree by Tim Wiley | Source Detail | d3 | |
| 03/22/95 | Charlotte Coliseum | 3 | AKG C460B bodies with CK-8X short shotgun/hypercardiod capsules / Denon DTR-80P / Taper's Section 7.5' hig adjacent to SB on Phil's side DTR-80P -> (analog) Panasonic SV-250 -> (analog) Panasonic SV-3700 -> Sony DTC-690 | Source Detail | d3 | |
| 03/22/95 | Charlotte Coliseum | 3 | AUD(Schoeps MK4s)>DAT>CD; via Henry Wankleswurth; Seeded to etree by neo_levo | Source Detail | d3 | |
| 03/23/95 | Charlotte Coliseum | 3 | Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat (44.1k) Set 2: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC) | Source Detail | d4 | |
| 03/24/95 | Charlotte Coliseum | 3 | AKG 460s > Technics 260 > DAT > CD > EAC > SHN; via jtjames | Source Detail | d4 | |
| 03/26/95 | The Omni | 3 | Fix of shn id 3909 - SBD > MC > DAT > CDR > EAC > SHN | Source Detail | d4 | |
| 03/26/95 | The Omni | 3 | SBD > MC > DAT > CDR; seed via cm., DAE (EAC + SHNv3) by c. ladner | Source Detail | d5 | |
| 03/26/95 | The Omni | 3 | Fix of shn id 3909 - SBD > MC > DAT > CDR > EAC > SHN | Source Detail | dvd 266 | |
| 03/27/95 | The Omni | 2 | SBD> DAT> CDR> EAC> SHN; Seeded by: Jon Zilles, DAT conversion by fellow etreer; d2 tracked for 80 min; track timings courtesy Charles Weir | Source Detail | d5 | |
| 03/29/95 | The Omni | 2 | set 2; NAK300's> Teac DAP 20; transfer via DAP-1> Zoltrix> CoolEdit> CDWAV> MKW audio tools; seekable SBE-fixed version of SHNid=3917 | Source Detail | d5 | |
| 03/29/95 | The Omni | 1 | 2nd set partial - from Phil's ear monitor via Marc Pujol | Source Detail | d5 | |
| 03/30/95 | The Omni | 3 | dsbd (pre-fm)> ?> cdr> eac> shn; via Tony Gardner, with thanks to Chris Larson | Source Detail | d6 | |
| 04/01/95 | Pyramid Arena | 2 | SBD-> DAT-> CDR-> SHN; via J. Zei | Source Detail | d6 | |
| 04/01/95 | Pyramid Arena | 3 | Source: A(tapers section):NAK CM300 Cardioids CP1 Caps>Sony TCD-D10 Transfer: D(48kHz)>ZA2(S/PDIF)>Samplitude2496>CD-r | Source Detail | d6 | |
| 04/01/95 | Pyramid Arena | 2 | Monitor Mix SBD -> DAT -> CDR-> EAC -> SHN; via Rus K. | Source Detail | d6 | |
| 04/02/95 | Pyramid Arena | 3 | Source: A(tapers section):NAK CM300 Cardioid CP1 Caps>Sony TCD-D10 Transfer: D(48kHz)>ZA2(S/PDIF)>Samplitude2496>CD-r | Source Detail | d7 | |
| 04/02/95 | Pyramid Arena | 3 | SBD>DAT>CD; Seeded to etree by Chris Larson | Source Detail | d7 | |
| 04/04/95 | Jefferson Civic Center Coliseum | 3 | AUD(Schoeps MK4s)>DAT>CDR; via Paul B; Seeded to etree by Chris L | Source Detail | d7 | |
| 04/05/95 | Jefferson Civic Center Coliseum | 3 | SBD > ? > Cassette > CDr with AUD patches via Darryl Hinko | Source Detail | d7 | |
| 04/05/95 | Jefferson Civic Center Coliseum | 3 | AUD(Schoeps MK4's)>DAT>CDR; via Paul B; Seeded to etree by Chris L | Source Detail | d8 | |
| 04/07/95 | Tampa Stadium | 3 | Source unknown - suspect SBD> ?> CDR> EAC> SHN; ? Likely mCass; via JT James | Source Detail | d8 | |
| 04/07/95 | Tampa Stadium | 3 | flac16; Source: SBD>Cass>DAT>ZA2>Samlitude2496(WAV)>SHN via Chris Larson. Note: Promised Land is NOT cut on this source. | Source Detail | d8 | |
| 05/19/95 | Sam Boyd Silver Bowl, U.N.L.V. | 2 | Unknown Mics > DAT > CDR; Seeded to etree by Alan Croft | Source Detail | d8 | |
| 05/19/95 | Sam Boyd Silver Bowl, U.N.L.V. | 3 | AUD>DAT>CDR [AT-835A?s & Nak 300?s]; Seeded to etree by Tony Gardner | Source Detail | d9 | |
| 05/19/95 | Sam Boyd Silver Bowl, U.N.L.V. | 3 | Show recorded by Dan Sisler Tapes provided by Kevin Hoffman Transfer by Chris Larson - nswboogy@easystreet.com. there are end of disc SBE's. | Source Detail | d9 | |
| 05/20/95 | Sam Boyd Silver Bowl, U.N.L.V. | 3 | Source: Set 1: Tapers section- A:AKG 460's>DAT Set 2: Audience(FOB directly in front of soundboard):Schoeps MK-4's>Schoeps Pre-amp>Denon80-P>DAT(48kHz) Transfer: DAT>ZA2>Samplitude>CD-r (or shn). Recorded by Dan Sisler, DATs via Kevin Hoffman, Transfer Chris Larson. Note - there is a sector boundary error on the last track of the first disc. | Source Detail | d9 | |
| 05/20/95 | Sam Boyd Silver Bowl, U.N.L.V. | 2 | Unknown Mics > DAT > CDR; Seeded to etree by Alan Croft | Source Detail | d9 | |
| 05/20/95 | Sam Boyd Silver Bowl, U.N.L.V. | 2 | AUD(AT-835A?s & Nak 300?s)>DAT>CD; via Henry W; Seeded to etree by neo_levo | Source Detail | d9 | |
| 05/21/95 | Sam Boyd Silver Bowl, U.N.L.V. | 3 | Unknown Mics > DAT > CDR; Seeded to etree by Alan Croft | Source Detail | d9 | |
| 05/21/95 | Sam Boyd Silver Bowl, U.N.L.V. | 3 | AUD(AT-835A?s & Nak 300?s)>DAT>CD; via Henry Wankleswurth; Seeded to etree by neo_levo | Source Detail | d10 | |
| 05/21/95 | Sam Boyd Silver Bowl, U.N.L.V. | 3 | Primary source: SBD: Dat > Cass > Dat > Cass2 > Dat > CDR > SHN (/shninfo_detail.php?shnid=15077). Secondary source: SBD>DAT>DAT>CDR>WAV>SHN from partial second set recording. NOTE: Primary source was slightly fast, suspected on listening initially and confirmed easily by comparing to a DSBD partial source. The pitch issue as well as a few other technical shortcomings are taken care of as well as the upgrade for most of the second set (see info file). | Source Detail | d10 | |
| 05/21/95 | Sam Boyd Silver Bowl, U.N.L.V. | 3 | Source: A:FOB-Schoeps MK4's>Schoeps Pre-amp>Denon80-P@48kHz Transfer: DAT>ZA2>Samplitude2496>CD-r (or shn). Taped by Dan Sisler. DATs via Kevin Hoffman. Transfer to SHN via Chris Larson. | Source Detail | d10 | |
| 05/24/95 | Memorial Stadium | 1 | flac16; Partial Set 2 unknown sbd > dat* Transfer: panasonic sv3700 > vxpocket 440 (s/pdif) > Wavelab 5.01b > CDWav > flac 16 Conversion by Chris Larson | Source Detail | d4 | |
| 05/24/95 | Memorial Stadium | 3 | flac16; Source: Af:Nueman KM140>DAT(48kHz) Transfer: DAT>ZA2(S/PDIF)>Samplitude 2496>WAV Tapes provided by Ross M. Transfer by Chris Larson | Source Detail | d10 | |
| 05/24/95 | Memorial Stadium | 3 | Source: Af:Neumann KM140>DAT(48kHz) Transfer: DAT>ZA2(S/PDIF)>Samplitude 2496>WAV>SHN. Tapes provided by Ross M. Transfer by Chris Larson . | Source Detail | d10 | |
| 05/25/95 | Memorial Stadium | 3 | flac16; Source: Af:Nueman KM140>DAT(48kHz) Transfer: DAT>ZA2(S/PDIF)>Samplitude 2496>CD-r Transfer by Chris Larson | Source Detail | d11 | |
| 05/25/95 | Memorial Stadium | 3 | Source: Af:Neumann KM140>DAT(48kHz) Transfer: DAT>ZA2(S/PDIF)>Samplitude 2496>WAV>SHN. Transfer by Chris Larson. | Source Detail | d11 | |
| 05/26/95 | Memorial Stadium | 3 | SBD > DAT > Cass/1 > DAT > Montego II S/PDIF > CDWav > SHNv3; d1 tracked for 80 min; DAT Provided by: Paul Gibian; Ripped, Tracked & Encoded By: Evan Saxton | Source Detail | d11 | |
| 05/26/95 | Memorial Stadium | 3 | flac16; Source: S:D>C>D>ZA2>Wavelab 3.01>FLAC16 Transfer by Chris Larson with tapes from Paul Gibian | Source Detail | d11 | |
| 05/26/95 | Memorial Stadium | 2 | sbd>??>cdr; via Moss Willow; Seeded to etree by popi n. feeldz | Source Detail | d12 | |
| 05/26/95 | Memorial Stadium | 3 | flac16; Source: Af:D4 Schoeps CMC + MK21>DAT(48kHz) Conversion: DAT(48kHz)>ZA2(S/PIDF)>Wavelab3.03>CD-r by Chris Larson | Source Detail | d12 | |
| 05/28/95 | Portland Meadows | 3 | flac16; Source: Af:D4 Schoeps CMC + MK21>DAT(48kHz) Conversion: AT(48kHz)>ZA2(S/PIDF)>Wavelab3.03>CD-r> Notes: - This is the same source that this show circulates in currently, however, the show in db.etree is not from the original flacs. I traded this show out which was then burnt on a standalone, then traded away which ended up getting eac'd and added to the db. Conversion by Chris Larson and Reseeded to http://tmnsp.net 3/19/2006 | Source Detail | d12 | |
| 05/28/95 | Portland Meadows | 2 | Source: Sbd > C (x?) > CD > EAC > SHN | Source Detail | d12 | |
| 06/02/95 | Shoreline Amphitheatre | 2 | flac16; Taper: Unknown Location: OTS Source: AKG C61 tube mics (circa 1943) spaced omnis->DAT @ 48kHz Transfer: DA-20 MKII>Waveterminal 2496>Wavelab 5 (recording and 48>44.1 resampling)>CD Wave>FLAC Frontend | Source Detail | d13 | |
| 06/02/95 | Shoreline Amphitheatre | 2 | SBD > DAT > CD > extracted on a Mac using Toast Audio Extractor (overlap)> SHN (note corrected info); liberated bootleg; via Jon Seff | Source Detail | d13 | |
| 06/03/95 | Shoreline Amphitheatre | 3 | AUD(Nak 300 Shotguns)>Aiwa DAT>CDR; via Paul; Seeded to etree by neo_levo | Source Detail | d13 | |
| 06/04/95 | Shoreline Amphitheatre | 3 | AKG522 > DAT; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV > SHN (no extraction); Transferred, SHNed, and seeded by: Jon Seff; may have different source spliced in from NFA on | Source Detail | d13 | |
| 06/04/95 | Shoreline Amphitheatre | 3 | Source: Nak 300's > Awia dat > cd-r Transfer: Panasonic sv3700>ZA2(via S/PDIF)>Wavelab 3.03>CDWav>.wav>cdr or shn. shn with mkw .97 Transfer by Chris Larson | Source Detail | d14 | |
| 06/04/95 | Shoreline Amphitheatre | 3 | Source: Sbd>C(x?)>CD via Chris Larson | Source Detail | d14 | |
| 06/15/95 | Franklin County Airport | 2 | flac16; Source S: ?> CDR. Wav> FLAC transfer by Hiroki Shibata using xACT. Note: There are fade-out/fade-in gaps between tracks. | Source Detail | d14 | |
| 06/15/95 | Franklin County Airport | 3 | FOB - Schoeps MK4V's -> Sonosax mic preamp -> DA - P1 -> DAT (Master) -> DAT -> HHb Cdr-800; via Matt Bertollo; Tim Wiley | Source Detail | d14 | |
| 06/18/95 | Giants Stadium | 3 | DAUD (Unknown Mics )> DAT> CDR; via Jeff M. | Source Detail | d14 | |
| 06/18/95 | Giants Stadium | 2 | flac16; Location: FOB 30th row - Dead Center Mic info: Nak 300's Hand Held (Arm still sore) Deck and linegae: Sony D7 > Dat > Sblive > CDwave > mkw Audio tools > Shn > FLAC 16 Note: This is a slightly modified update of the prior source (see notes for details) | Source Detail | d15 | |
| 06/19/95 | Giants Stadium | 3 | DAUD > Unknown Mics /Deck> DAT@48k>DAT CLONE> SOUND FORGE 4.5a> SHN(seekable); Via Aldo Torre; Marc P; Tim W | Source Detail | d15 | |
| 06/19/95 | Giants Stadium | 3 | FOB 25th Row, Dead fuckin center, Nak 300's (hand held, still sore) into my sony D7. Dat > sblive > Cd; Seeded to etree by Wally Stine | Source Detail | d15 | |
| 06/21/95 | Knickerbocker Arena | 3 | flac16; Source: A:D (no mic info) Transfer: DAT(48kHz)>ZA2(S/PDIF)>Samplitude 2496>CD-r or shn Tapes provided by Tom and Roger, conversion by Chris Larson | Source Detail | d15 | |
| 06/21/95 | Knickerbocker Arena | 3 | Nakamichi 300's w/CP-4 caps -> Oade modified Sony TCD-D7; Tascam DA-20mkII > SBLive! (48-44.1) > CDWAV > MKW; DAT > WAV > SHN by Dan Stephens; upload by Scott Thompson | Source Detail | d15 | |
| 06/22/95 | Knickerbocker Arena | 3 | DAUD(no mic info)>DAT>ZA2>SHN>CD; Seeded to etree by Tim W | Source Detail | d16 | |
| 06/22/95 | Knickerbocker Arena | 3 | Source: NAK 300s > DAT > CD > CD(?) > EAC > SHNv3. Seeded by: Scott Agne. | Source Detail | d16 | |
| 06/24/95 | Robert F. Kennedy Stadium | 3 | FOB/DAUD>Scoeps MK4's>CMC6 Oade p/s>Panasonic SV-255>DAT>CDR; Seeded to etree by Tim W | Source Detail | d16 | |
| 06/24/95 | Robert F. Kennedy Stadium | 3 | AUD(Schoeps CMC 64's)>DAT>CDR; Seeded to etree by Tim W | Source Detail | d16 | |
| 06/24/95 | Robert F. Kennedy Stadium | 3 | FOB/DAUD>Scoeps MK4's>CMC6 Oade p/s>Panasonic SV-255>DAT>CDR; Seeded to etree by Tim W | Source Detail | d17 | |
| 06/24/95 | Robert F. Kennedy Stadium | 3 | FOB Nak 300's at 6 feet, then up to 8 feet. 40 feet from stage, DFC. Into a sony D-7. Dat > Sblive > cdwave > mkw audio tools >SHN | Source Detail | d17 | |
| 06/25/95 | Robert F. Kennedy Stadium | 3 | flac16; FOB Schoeps mk-4 >kcy >vms021b >d-10pro2 > DATs; Transfer: DAT 60ES > M-Audio Audiophile USB > CDWAVE > Goldwave (patching, and resampling) > CDWAVE (tracking) > Flac Frontend; Tapers: Tom Cooper and Dave Howard; Transfer: jbraveman | Source Detail | d17 | |
| 06/25/95 | Robert F. Kennedy Stadium | 2 | FOB Nak 300's: at 6ft, then up to 8ft- 40ft from stage, Dead center> Sony D-7; Dat> Sblive> cd; recorded, Seeded to etree by Wally Stine | Source Detail | d17 | |
| 06/25/95 | Robert F. Kennedy Stadium | 3 | DSBD> DAT> CDR> EAC> shn; EAC>SHN by Bill Bina; etreed by Tony Gardner | Source Detail | d18 | |
| 06/27/95 | The Palace | 3 | flac16; Source: FOB>SchoepsMK-4V>D3 Conversion: DAT>Panasonic SV 3700>S/PDIF Apogee Digicable>Paris MEC>WAV>HD(SCSI)>CDWAV Tape provided by Jeff, conversion by Chris Larson | Source Detail | d18 | |
| 06/27/95 | The Palace | 3 | AUD(Schoeps CMC4)>DAT>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo | Source Detail | d18 | |
| 06/28/95 | The Palace | 3 | AUD, Schoeps CMC4>DAT>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo | Source Detail | d18 | |
| 06/30/95 | Three Rivers Stadium | 3 | FOB (~26th row) Schoeps CMC6/MK4s> DAT; Transfer: Sony PCM-R500> Tascam CD-RW700> EAC> SHN; Transferred, SHNed, and seeded by: Ryan Burns; hosted by Mike Lai | Source Detail | d19 | |
| 07/02/95 | Deer Creek Music Center | 3 | via B. Ball; fixed 12/8; defective version etreed 12/6 (fixed md5s are listed) | Source Detail | d19 | |
| 07/02/95 | Deer Creek Music Center | 3 | Source: Schoeps MK4v's > Reutelheuber Box > Sony D10 pro > CDR > EAC > mkwACT EAC'd/SHN'd by Doug Nawrocki | Source Detail | d19 | |
| 07/02/95 | Deer Creek Music Center | 2 | Bootleg CD>WAV>SHN | Source Detail | d19 | |
| 07/02/95 | Deer Creek Music Center | 2 | flac16; Monitor mix > unknown cassette gens > ? > WAV > FLAC - contains band chatter about the riot, Jerry's death threat. | Source Detail | d19 | |
| 07/02/95 | Deer Creek Music Center | 2 | flac16; Monitor mix > unknown cassette gens > ? > WAV > FLAC - contains band chatter about the riot, Jerry's death threat. | Source Detail | new seed d22 | |
| 07/02/95 | Deer Creek Music Center | 1 | flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves X-Noise in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky | Source Detail | new seed 72 | |
| 07/05/95 | Riverport Amphitheatre | 3 | Nak 300+cp4> D7; Conversion: D7> 7 pin digi coax> CDR880 (Master)> EAC > AddaWave > Sound Forge 3.0 (Fadeouts)> CDWave> SHN; Dat Seed from Chase Smith; Conversion by Chuck Rothofsky | Source Detail | d20 | |
| 07/05/95 | Riverport Amphitheatre | 2 | SBD>DAT>C>DAT; via neo_levo/candyman FTP | Source Detail | d20 | |
| 07/05/95 | Riverport Amphitheatre | 2 | flac16; Source: S:C>D>FLAC16 Transfer by Chris Larson (encore missing) | Source Detail | d20 | |
| 07/06/95 | Riverport Amphitheatre | 2 | SBD>DAT>C>DAT>CDR; Seeded to etree by Chris L w/ thanks to Braverman | Source Detail | d20 | |
| 07/06/95 | Riverport Amphitheatre | 2 | Remastered SBD>DAT>C>DAT>CDR>DAT>SHN by Ben Clem | Source Detail | d21 | |
| 07/06/95 | Riverport Amphitheatre | 2 | flac16; Source: S:C>D>CDR Conversion by Chris Larson. This version does not have the DAE step. | Source Detail | d21 | |
| 07/06/95 | Riverport Amphitheatre | 3 | Audience (Schoeps MK-4V/ Sony D-10) Master DAT> CDR> MKW> SHN; via Troy Richey from Chuck's seed discs | Source Detail | d21 | |
| 07/08/95 | Soldier Field | 3 | FOB B&K 4006 omni's (in hat, 36th row left of center) > Lunatec 316> Panasonic SV-250 by Marc Nutter; Transfer: Sony DTC-A6 > Dio 2448 > SF 4.5 @ 48K, Resample, add fades> CDWAV> SHN by Bill Gardner | Source Detail | d21 | |
| 07/08/95 | Soldier Field | 2 | SBD>DAT>C>?>DAT>CDR; d1t07 (Eternity) from AUD source; See info file for details; via Paul B; seeded to etree by neo_levo | Source Detail | d22 | |
| 07/08/95 | Soldier Field | 2 | flac16; Source: S: C> D> CDR Conversion: Chirs Larson. Note: This version does not have a DAE step | Source Detail | d22 | |
| 07/09/95 | Soldier Field | 3 | flac16; unknown AUD> ?> Bootleg CD (marked AAD)> EAC> Flac (8); via Chris Larson | Source Detail | d22 | |
| 07/09/95 | Soldier Field | 2 | DSBD (pre FM) (@48kHz); Conversion: D8 > Waveterminal 2496 (@44.1kHz - Real Time Resample) > Soundforge 5.0 > CD Wave > mkwACT (saeeking); see info file for version comparison and editing notes; tracked for 2x80; via Jason Brantley | Source Detail | d22 | |
|
Jerry Garcia Band
--- Approximate Hours: 23.75
|
||||||
| Show Date | Venue | Media Count | Source Notes | Source | Locn. | |
| 07/23/77 | Keystone | 1 | d9 dvd audio | |||
| 10/02/77 | Paramount Theatre - Backstage | 1 | Jerry Garcia Interview: Unknown source. See info file for some details. | Source Detail | box audio | |
| 03/19/78 | Stanley Theatre | 2 | Jerry Garcia Band: Sndbd->Cassette->Cassette->DAT->CDR->Audio Grabber->TC Native Spectralizer->TC Native Multiband Compressor->SoundForge->TC Native Loudness Maximizer->CDR . | Source Detail | box audio | |
| 09/01/90 | Shoreline Amphitheatre | 2 | not for trade | |||
| 02/25/93 | Warfield Theater | 2 | Jerry Garcia Band: MAC (Taped by Chuck, Neumann mics [vintage 1957, tube electronics]) > CDR > EAC (Secure mode) > shn(MKWACT). | Source Detail | box | |
| 02/26/93 | Warfield Theater | 2 | Taper: Chuck; Source Neumann mics (vintage 1957, tube electronics) > MAC > CDR > EAC (Secure mode) > shn (MKWACT).Eac'ed/shn'ed and seeded to fungus, etree and abgd by Charlie Connor With Thanks to Bob Menke | Source Detail | box | |
| 02/26/93 | Warfield Theater | 1 | JGB, set I: DTS-Audio-CD 5.1 Mix, via amdig. | Source Detail | dvd 304 | |
| 02/26/93 | Warfield Theater | 1 | JGB, set I: SBD + AUD Matrix Mix (50%-SBD / 50%-AUD), via amdig. | Source Detail | dvd 305 | |
| 02/27/93 | Warfield Theater | 2 | Taper: Chuck; Source Neumann mics (vintage 1957, tube electronics) > MAC > CDR > EAC (Secure mode) > shn (MKWACT). Eac'ed/shn'ed and seeded to fungus, etree and abgd by Charlie Connor, with thanks to Bob Menke | Source Detail | box | |
| 04/18/93 | San Diego Sports Arena | 2 | Jerry Garcia Band: DAUD (no mic or deck info) > CDR [> SHN], encoded by Tim Wiley. | Source Detail | dvd 183 | |
| 11/12/93 | Madison Square Garden | 3 | Jerry Garcia Band:unknown AUD source->DAT->CD-R; no known flaws; entire show except the Maker: with David Murray on sax; via B. Wilk | Source Detail | box | |
| KPFA Marathon --- Approximate Hours: 3.75 | ||||||
| Show Date | Venue | Media Count | Source Notes | Source | Locn. | |
| 02/22/03 | KPFA Studio | 3 | box | |||
| Marin County Bluegrass Festival --- Approximate Hours: 5 | ||||||
| Show Date | Venue | Media Count | Source Notes | Source | Locn. | |
| 04/27/74 | Golden State College | 4 | box | |||
New Riders of the Purple Sage
--- Approximate Hours: 10
|
||||||
| Show Date | Venue | Media Count | Source Notes | Source | Locn. | |
| 02/18/71 | Capitol Theater | 1 | Sony hand held recorder with a built in condenser mic | Source Detail | dvd 137 | |
| 04/28/71 | Fillmore East | 2 | SBDMR > Reel > Alesis Masterlink > CDR > EAC > SHN. This is the same audio set that circulates with this version the Grateful Dead show of the same date (etree shnid=2248). The files have been renamed ("nrps") and a fade out/in between "The Weight" and "Last Lonely Eagle" was cross fade repaired in putting this version together. Beyond the file renames, the MD5s are the same as shnid=2248 through d2t04. Added to etree by Noah Weiner. | Source Detail | d7 | |
| 04/29/71 | Fillmore East | 2 | d7 | |||
| 10/07/06 | Beachland Ballroom | 3 | Source: Peluso CEMC6/CK-4 (cards, DIN, center, 25' back, 8' high) > Kind Kables > Edirol R-4 (24/48) + SBD > Kind Kables > Edirol R-4 (24/48) Conversion: R-4 > USB > Sound Studio 3 > AIFF > xACT > FLAC (level 8) |
Source Detail | dvd 285 | |
The Other Ones
--- Approximate Hours: 36.25
|
||||||
| Show Date | Venue | Media Count | Source Notes | Source | Locn. | |
| 06/??/02 | Club Front Studios | 1 | box audio | |||
| 08/03/02 | Alpine Valley Music Theatre | 3 | Source: FM>Sony mini disc (used only to convert to A/D)>Optical Cable>SBLive>Wavelab>CD>WAV>SHNv3 | Source Detail | box audio | |
| 08/04/02 | Alpine Valley Music Theatre | 3 | Source: FOB Schoeps MK4V>KC5>CMC6 > Apogee Mini-Me > Sony D8 (48khz);Mics run ORTF @ 6' High from the 28th row center - Transfer: DA-20mkII > RME DIGI96/8 PST > Samplitude > CDWAV > SHN | Source Detail | box | |
| 10/27/02 | Shoreline Amphitheatre | 1 | box | |||
| 10/27/02 | Shoreline Amphitheatre | 1 | Source: MBHO 603a/KA200 > MP2 > M1 - Transfer: DAT > Tascam CD-RW700 > EAC > CDWave > mkwACT > SHN; Recording by Ross; Transfer by RIPJJG | Source Detail | dvd 138 | |
| 10/27/02 | Shoreline Amphitheatre | 1 | Source: MBHO 603a/KA200 > MP2 > M1 - Transfer: DAT > Tascam CD-RW700 > EAC > CDWave > mkwACT > SHN; Recording by Ross; Transfer by RIPJJG | Source Detail | dvd 285 | |
| 11/16/02 | Pepsi Arena | 3 | box | |||
| 11/22/02 | Hartford Civic Center | 3 | box | |||
| 11/30/02 | The Palace of Auburn Hills | 3 | Source: Neumann AK40 > LC3 actives > Neumann KM100 > Sound Devices MP2 > Apogee MiniMe > USB > Fujitsu Lifebook 2110 > Wavelab 4.00c @ 24bit/48K ; Taper: Scott McPherrin - Transfer: Wavelab 4.00c (48 > 44.1) > Dither via UV22HR with Default settings > CDWAV > MKWact > SHN; (brianvoelz@wi.rr.com) | Source Detail | box | |
| 12/01/02 | Conseco Fieldhouse | 3 | Source: Neumann KM140's > Lunatec V3 > AD2K > DA-P1 > D8 - Transfer: D8 > CDR > EAC > *Cool Edit Pro 2.0 > CDWave > mkwACT *Used CEP to patch the Samson and Let It Grow which is where a disc break was originally placed; EAC'd/CEP'd/Retracked/SHN'd by Doug Nawrocki. Thanks to Dave Jackson for the source discs. | Source Detail | box | |
| 12/02/02 | Allstate Arena | 3 | Source: Neumann AK40 > LC3 actives > Neumann KM100 > Sound Devices MP2 > Apogee MiniMe > D8@48k; Taper: Scott McPherrin - Transfer: Tascam DA20MKII > Delta Dio 2496 > Samplitude Master 6.0 > CDWAV > MKWact > SHN; brianvoelz@wi.rr.com | Source Detail | box | |
| 12/31/02 | Oakland-Alameda County Coliseum | 4 | Source: 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3 (super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp; Recorded by Rob R. aka "Art Cube" | Source Detail | box | |
Phil Lesh & Friends
--- Approximate Hours: 705
|
||||||
| Show Date | Venue | Media Count | Source Notes | Source | Locn. | |
| 04/05/59 | San Mateo College | 1 | San Mateo College Jazz Band (with Phil Lesh) Source: AUD(?) > ? > CDR via Patrick Hayes encoded by Matt Vernon | Source Detail | pd1 | |
| 10/01/76 | Keystone Berkeley | 1 | soundboard of unspecified lineage via Joe D'amico | Source Detail | dvd 292 | |
| 09/24/94 | Berkeley Community Theater | 1 | Matrix: sbd > dat(s) > cdr + scheops cmc4 > dat > za2 > wav > shn | Source Detail | gd disc 1994 d33 | |
| 09/24/94 | Berkeley Community Theater | 1 | SBD > DAT(s) > CDR via Michael Zelner encoding Matt Vernon | Source Detail | d216 | |
| 01/31/98 | Fillmore Auditorium | 3 | box | |||
| 02/27/98 | Fillmore Auditorium | 3 | Recorded with 3 CM 300 Naks X-Y, 2 CP4's (Guns) 1 CP3 (Omni)>DAT>CD by Jill & Rob Rightmyer Email: ArtCube@Hotmail.com | Source Detail | box | |
| 08/07/98 | Fillmore Auditorium | 3 | Neumann KM184 > lunatec preamp > 20bit A>D > Tascam Dap1 > digi patch bay > D7 > CD | Source Detail | box | |
| 08/08/98 | Fillmore Auditorium | 3 | No source info was given to me for this show. | Source Detail | box | |
| 08/08/98 | Fillmore Auditorium | 1 | partial soundboard | Source Detail | ||
| 04/27/99 | Luther Burbank Center | 2 | Source: DAT > CDR > Toast Audio Extractor > SHN Extracted and SHNed by Jon Seff (jon@seff.net) | Source Detail | box | |
| 06/04/99 | Warfield Theater | 3 | Source: SBD > DAT > RMEdigi96/8pro > WAV > SHN. Transfer: DAT clone > Sony PCM R300 > RMEdigi96/8pro > Soundforge 4.5a (recording and normalizing)> CDWAV (splits) > WAV > mkwAct seekable > SHN | Source Detail | dvd 139 | |
| 06/05/99 | Warfield Theater | 3 | Neumann 254, stealth, center behind drink rail-->DAT-->CDR-->EAC-->digital edit*-->CDR *spliced Half-Step-->Franklin's back together, retracked entire show ********WARNING: Disc 1 requires an 80 minute CD******** | Source Detail | box | |
| 07/02/99 | Warfield Theater | 3 | Source:SBD>DAT>spdif>Delta 66>Sound Forge WAV's>CDWAV>SHN's | Source Detail | box | |
| 07/03/99 | Warfield Theater | 3 | Source:SBD>DAT>spdif>Delta 66>Sound Forge WAV's>CDWAV>SHN's | Source Detail | box | |
| 08/12/99 | The Fillmore Auditorum | 2 | Source: FOB Schoeps MK4>VMS>SBM-1>DA-P1>CDR>EAC>SHN>CDR | Source Detail | box | |
| 08/14/99 | Red Rocks Amphitheatre | 2 | FOB B&K 4021s taped by Vandercar encoded by Sacks [Alternate md5's bit-torrented by Charles Wier] | Source Detail | box | |
| 08/17/99 | Cuthbert Ampitheater | 2 | Master Dat>cdr | Source Detail | box | |
| 08/21/99 | Greek Theatre | 2 | Unknown audience source, circulated on philzone.com circa 2000 via Craig Carty | Source Detail | box | |
| 10/21/99 | The Fillmore Auditorum | 3 | Source: "AKG 4801"(AKG C480+CK61 cardiod capsules)-> Lunatec V-2-> Graham-Patten ADC-20-> D8 Transfer: D8-> CDRs-> EAC (x2 with wav compare) -> SHN. Source CDRs courtesy of Rus K, SHN by Darrin Sacks Note: Alternate md5 set / same info file as an earlier db.etree.org entry | Source Detail | box | |
| 10/22/99 | The Fillmore Auditorum | 3 | Source: B&K 4011 > Lunatec V2 > AD1000 Note: Same info file but alternate md5 as a prior circulating source | Source Detail | box | |
| 10/23/99 | The Fillmore Auditorum | 3 | Source: FOB Schoeps CMC6 > MK4 > V2 > DA-P1 | Source Detail | box | |
| 10/29/99 | Miami University | 2 | Neumann KM-184s-> Denecke PS-1s-> SBM-1-> M1 FOB Row 7 Ctr | Source Detail | box | |
| 11/02/99 | Breslin Center (Michigan State University) | 2 | DFOB Schoeps MK-4V-7 > DAT(clone) > CDR > EAC(secure) > mkwact(seekable) | Source Detail | box | |
| 11/05/99 | Pittsburgh Civic Arena | 2 | FOB, Sony ECM-DS70P > Sony MD > CD > SHN via Brad Hamilton | Source Detail | box | |
| 11/11/99 | Augusta Civic Center | 2 | Source : FOB AKG 391 -> Aerco PreAmp -> DAT -> CD. Conversion: CD > EAC > Cool Edit (remerge into one set, add fades) > CD Wave > mkwact(seekable) > shns by mvernon54@attbi.com. Thanks to Jody Bugabear for the disks! | Source Detail | box | |
| 11/17/99 | Wittemore Center | 2 | Unknown mics > minidisk > ? > CDR > EAC > mkwact > shn(seekable) | Source Detail | box | |
| 11/30/99 | Fillmore Auditorium | 2 | Unknown sbd source for Sing Out For SEVA Benefit CD Release Party | Source Detail | box | |
| 02/26/00 | Phoenix Theatre | 1 | Phil Lesh joins Vinyl for one set. Unknown audience source EAC>SHN by David Landsberger | Source Detail | box | |
| 04/06/00 | Oakdale Theater | 3 | Recorded by JohnM - Scheops transfered to cd and shn by PeterG contact achilles888@hotmail.com with questions (subject:p&f00-04-06) | Source Detail | box | |
| 04/08/00 | Orpheum Theatre | 3 | Schoeps mk41>kc-5>cmc6>sonosax sx-m2>apogee ad-1000 @44.1 DA20mkII>Audio Magic Presto II>ZA2>Soundforge 4.5>CDWav>.shn Dave?s Rig. Transfer and encoding by Eric McRoberts from DA-P1 patch master | Source Detail | box | |
| 04/14/00 | The Tower Theatre | 3 | btk 4011's>lunatech>apogee>dat. Conversion: dat > sek'd prodif plus card (48>44.1 )>sek'd red roaster(edit, fades) > cd wave (splits) > mkw> sector boundaries verified with shntool no dae, no eq, no signal processing. dat>shn transfer by dale shepherd | Source Detail | box | |
| 04/23/00 | Beacon Theater | 3 | schoeps cm 64's>lunatec v2>apogee ad converter>tascam da-p1>sony d8 converted by dale shepherd using sek'd prodif plus card (48>44.1 )> sek'd red roaster(edit, fades) > cd wave (splits) > mkw. no dae, no eq, no signal processing | Source Detail | box | |
| 06/12/00 | Fantasy Studios | 1 | Comment: This was a private show recorded for KFOG to be rebroadcast at a later date. | Source Detail | box | |
| 06/16/00 | Portland Meadows | 2 | unknown aud > [?] > cdr > eac (secure) > mkwact > shn(seekable) | Source Detail | box | |
| 06/17/00 | The Gorge Ampitheatre | 2 | Source: Neumann (model unknown) > DAT > SP/DIF > SoundForge > WAV > CD | Source Detail | box | |
| 06/18/00 | The Gorge Ampitheatre | 2 | Neumann (model unknown) > DAT > SP/DIF > SoundForge > WAV > CD. Recorded, encoded and seeded by: Evan Saxton (bunsonh@home.com) | Source Detail | box | |
| 06/20/00 | Jackson County Fairgrounds Arena | 2 | unknown source and transfer | Source Detail | box | |
| 06/21/00 | Sacramento Valley Amphitheatre | 2 | Source: unknown audience Conversion:D8>HHB-850>WAV>EAC>shnV3 | Source Detail | box | |
| 06/29/00 | Irvine Meadows | 2 | Unknown aud source. Conversion:D8>HHB-850>WAV>EAC>shnV3 by Stacey Grubb (derfburg@swbell.net) from Dave Minor DAT's | Source Detail | box | |
| 06/30/00 | Ventura County Fairgrounds | 2 | source: taped by:fieldse@wwu.edu MD>WAV>SHN skomp@skomp.net | Source Detail | box | |
| 07/03/00 | Mesa Del Sol | 2 | Unknown audience source lineage unknown except for the CDR > EAC > SHN | Source Detail | box | |
| 07/06/00 | Zoo Amphitheatre | 0 | Source: AKG481>Dmic-20>D8>HHB-850>MKW>SHN. | Source Detail | box | |
| 07/07/00 | Sandstone Amphitheatre | 2 | AKG 481 >Dmic-20 > D8 > HHB-850 > WAV > EAC > MKW. Recorded, encoded and seeded by: Stacey Grubb (derfburg@swbell.net) | Source Detail | box | |
| 07/09/00 | Deer Creek Music Center | 2 | NAK 300's/cp4's>d8>pcm-r500>cdr Transfer: EAC(range extracted at 100%>cdwav>mkwACT EAC'd and shn'd by Doug Nawrocki | Source Detail | box | |
| 07/12/00 | Mark Of The Quad Cities | 2 | AKG 480 > SDM-P2 > DAT @48k > digi > SHN > CDR Philzone Tree Rd. 9 | Source Detail | box | |
| 07/15/00 | Alpine Valley Music Theatre | 2 | no mic source>MD>OPTICAL>CDR skomp@skomp.net/rec by:scott@wwu.edu www.skomp.net digital audio | Source Detail | box | |
| 07/18/00 | Molson Ampitheatre | 2 | Source: at812a>dp fob Conversion by Stacey Grubb:D8>HHB-850>WAV>EAC>shnV3 | Source Detail | box | |
| 07/19/00 | Finger Lakes Performing Arts Center | 2 | Source: AKG 568eb's>Sony PCM1>CDR Recorded by Bill Goldberg CDR > SHN (EAC secure w/ offsets, seekable) mvernon54@home.com | Source Detail | box | |
| 07/21/00 | Meadows Music Theatre | 2 | sony 939 lt>sony d100 8th row right MASTER Conversion by Stacey Grubbs D8>HHB-850>WAV>EAC>shnV3 | Source Detail | box | |
| 07/22/00 | Tweeter Center for the Performing Arts | 2 | unknown mics > minidisk > ? > cdr > EAC > mkwact > shn(seekable) see info file for noted flaws | Source Detail | box | |
| 07/23/00 | Saratoga Performing Arts Center | 1 | first row tapers-neuman > dat > wav > cool edit | Source Detail | box | |
| 07/25/00 | Montage Mountain | 2 | AKG1000's>MS702MD>CD-R > EAC(secure) > mkwact (seekable) | Source Detail | box | |
| 07/26/00 | Jones Beach Music Theater | 2 | Source: Nak 300's > DAT > RMEdigi96/8pro > WAV > SHN Transfer: DAT clone > Sony PCM R300 > RMEdigi96/8pro > Soundforge 4.5a (recording and normalizing) CDWAV (splits) > WAV > mkwAct seekable > SHN | Source Detail | box | |
| 07/28/00 | E Centre | 2 | NEUMANN KM140>DMIC 20>DAT>CDR>EAC>SHN (thanks to Charlie Miller for this recording!) | Source Detail | box | |
| 07/29/00 | Merriweather Post Pavilion | 2 | unknown aud source and transfer | Source Detail | box | |
| 07/30/00 | Waterloo Village | 2 | unknown source | Source Detail | box | |
| 09/21/00 | Roseland Ballroom | 1 | Source: AKG481's > Oade148 > Sony D10proII Sony R500 > Marantz CD burner > CD-R Taped and mastered by Jake Sadowsky and Bob Dworetz CD-R > EAC > SHN by Dave Rapetti | Source Detail | box | |
| 10/05/00 | Orpheum Theater | 3 | Source: Neuman184>sonosax m2> dap1>d8>plexor cdr> tascam cdrw5000
Conversion: MasterCDR > EAC > SHN
Taped by Unknown, Seeded by Rat |
Source Detail | box | |
| 10/05/00 | Orpheum Theater | 3 | (fob/dfc 8th row) Schoeps mk4(ortf in hat)->kc-y->br box->m1 @48kHz; Sony 59ES->Audio magic Presto II->ZA2(48->44.1)->Soundforge 4.5->CDWav->.shn Recorded, transfered and encoded by Eric McRoberts | Source Detail | box | |
| 10/06/00 | Orpheum Theatre | 3 | Official Phillesh.net DSBD release Mix by John Cutler | Source Detail | box | |
| 10/06/00 | Orpheum Theatre | 3 | I:(fob/dfc 10th row) Schoeps mk4(110 degrees in hat)->br box->m1 @44.1kHz; Recorded by Eric McRoberts II:(Balcony, dfc) Neumann KM 184->Sonosax SX-M2->DA-P1 @44.1kHz; Recorded by Dave Keller Sony 59ES->Audio Magic Presto II->ZA2->Soundforge 4.5->CDWav->.shn Transfer and encoding by Eric McRoberts | Source Detail | box | |
| 10/07/00 | Orpheum Theater | 3 | Front Row Mezzanine - Seat 205 Schoeps CMB-1 > MK-41 > Sony PCM R500 > HHB 800 CDR | Source Detail | box | |
| 10/13/00 | Beacon Theater | 3 | Neumann tlm170 > Lunatec v2> Apogee AD1000 > DAT (48k) conversion and seeding to etree by Marc Pujol | Source Detail | box | |
| 10/18/00 | Riviera Theatre | 3 | Source: FOB in a hat, 25'ft DFC, Schoeps MK4V > KC5 > CMC6 > Lunatec V2 > Apogee AD1000 > Zefiro ZA2 >CDWav Tapes thanks to John Hubert/Toth/Chris - thanks! Conversion and Seed by Alan Schwartz. They SMOKE! | Source Detail | box | |
| 10/19/00 | Riviera Theatre | 3 | Source: Schoeps MK4V > KC5 > CMC6 > Lunatec V2 > Apogee AD1000 FOB in a hat, 25'DFC Tascam DA-302 > Opcode SonicPort > CDWav > Cool Edit Pro (resample) > CD | Source Detail | box | |
| 10/20/00 | Riviera Theatre | 4 | Taper: Scott McPherrin hippies@frontiernet.net Neumann KM 184s-> SDs MP-2-> SBM-1-> M1 (Star Quad cables) Mid-Right TS/ 10' stand DAT-> CDR/ SHN: Scott McPherrin hippies@frontiernet.net M1-> SEK'D Prodif Plus-> Samplitude-> CDWAV-> MKWact | Source Detail | box | |
| 10/25/00 | The Fillmore Auditorum | 3 | Mic were run in hat ORTF (exactly 17cm x 110degrees) FOB about 1/2 way between sbd and stage, dead center. MBHO 603a (ka200 card caps via active cable) > Zefiro Inbox > Da-p1 Transfer: DA-P1 > Zoltrix Nightengale > Cooledit>CDWAV>SHN | Source Detail | box | |
| 10/29/00 | Wiltern Theatre | 3 | Schoeps 4th row left center | Source Detail | box | |
| 12/15/00 | 7th Note Showclub | 2 | Phil plays with Long at Last at a Benefit for Terence McKenna. SBD > SBM-1 > Master Dat (Sony D8) > CD > Toast Audio Extractor (overlap) > WAV > SHN.SHNed and seeded by Jon Seff (jon@seff.net) with thanks to Charlie Miller for spreading this around. Included in the "Phil Lesh and Friends" shn list to track shns. | Source Detail | box | |
| 12/31/00 | Henry J. Kaiser Auditorium | 5 | Source: Nak 300's w/CP-4's & Coresound Stealth Cards > D7
Conversion: Unknown at this point
CD > WAV > SHN: Mike Woellert |
Source Detail | box | |
| 02/09/01 | The Fillmore Auditorum | 3 | FOB Blumlein config 20' off stage, dead center MBHO 603a KA800 capsules > Zefiro Inbox > D7 > CD >SHN DAT master > CD via direct S/PDIF | Source Detail | box | |
| 02/10/01 | The Fillmore Auditorum | 3 | FOB Blumlein config MBHO 603a KA800 capsules > Zefiro Inbox > D7 > DAT master > CD via direct S/PDIF > SHN | Source Detail | box | |
| 02/12/01 | Roseland Theatre | 4 | From the balcony, first row, 1' right of dead center Neumann km184's>Lunatech V2> Apogee AD1000>Tascam DA-P1 Harmonic Tech cables Recorded by Chris Shepherd cd & shn transfer by Dale Shepherd | Source Detail | box | |
| 02/15/01 | Maritime Hall | 3 | Mic info: 3 nak 300/CP1's>boss BX4>SBM1>Dat>CD recorded 2 rows behind the soundboard | Source Detail | box | |
| 02/16/01 | Maritime Hall | 3 | Source: Nak 300/CP1 + AKG C1000S > BX4 > SBM-1 > D8 @48k Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction) Transferred, SHNed, and seeded by Jon Seff (jon@seff.net) | Source Detail | box | |
| 02/17/01 | Maritime Hall | 3 | Source: Nak 300/CP1 + AKG C1000S > BX4 > SBM-1 > D8 Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction) Transferred, SHNed, and seeded by Jon Seff (jon@seff.net) | Source Detail | box | |
| 02/18/01 | Maritime Hall | 4 | Digital Soundboard Recording Downloaded for free at www. phillesh.net. Copyright 2001 - Cygnus Productions, LLC. jsalino@home.com | Source Detail | box | |
| 04/13/01 | Sunrise Musical Theater | 3 | SOURCE:FOB(DFC)>Schoeps MK21/MK8>KC5(active cables)>CMC6> Apogee AD1000>D8>AEA MK38MSI(midside mixer)>TascamDA20> COAX>WAV>POST SHOW MIX>CDR CDR>SHN TRANSFER:EAC>WAV>CDWAV>SHN: Via MKW.These SHN files are seekable in your SHnamp. I have include both WAV and SHN md5s *I have SHNed this CD show for the following reasons: 1)Look at the source,I can't get that on dat! 2)My CDs are burned straight from the post show channel mix wav files.The only EAC gen. is mine. You may notice a couple of slight issues,nothing major at all. Linda Webster http://db.etree org/linda95 | Source Detail | box | |
| 04/14/01 | Sunrise Musical Theater | 3 | Source - 10th Row Center (FOB) Schoeps CMC6 MK21/MK8>KC5(actives)>Apogee AD1000. Matrixed thru AEA's MK38M/SII>DAT Transfer: DA-20mkII > RME DIGI96/8 PST > CDWAV > SHN | Source Detail | box | |
| 04/18/01 | Atlanta Civic Center | 3 | Schoeps CMC6/MK4 > M148 > SBM-1 (modified) (13th Row fob dfc)Transfer: Panasonic 3700 > ZA2 > CDWAV > SHN | Source Detail | box | |
| 04/23/01 | Richmond Landmark Theater | 3 | Source: Neumann 184's > Audio Magic Cables > DMIC-20 > DA-P1 by Walt Ferguson. Conversion: PCM-M1 > Oade Digital Active cable> ZA2 > CDWAV@48kHz > SF 4.5 (#4 setting w/anti-alias filter on) Resample to 44.1kHz > CDWAV (for tracking) > Goldwave (for crowd fades) > SHNv3 by Tom Watkins. | Source Detail | box | |
| 04/25/01 | A.J. Palumbo Center | 3 | Source: Neumann KM184's> V2> ADC20> DA-P1 Taper: LEVI HUNT AC_DC_BAG@HOTMAIL.COM Conversion: Prodif Plus> Samplitude> CDwav> MKW> SHN % .5 second drop in Little Light/present on master DAT | Source Detail | box | |
| 04/27/01 | Electric Factory | 3 | Source:AGK300b/ck91>sonicMP2>DAP1 (dead center behind the board 13 ft up) Transfer: Sony60-es DAT > hhb 850(coax)>Disc (Taped , and transfered by "Mule") shn: Disc>EAC(w/correct off-set)SHNTOOL (shift-b)>MKW>.shn(w/seeking) (EAC & .shn by "brothercrow") ( brothercrow@theHEADoffice.com ) | Source Detail | box | |
| 06/10/01 | Sweetwater Saloon | 3 | FOB B&K 4011s > Lunatec V2 > Sonic AD2K > Tascam DA-P1 digitally patched Sony D8 DAT(master)DAT > standalone CDR burner > CDRs > EAC V0.9prebeta seeded by ericv with didginoise fixed on d2t5 | Source Detail | box | |
| 06/12/01 | Ex'pression Center For Media/ KFOG-Live Archives | 1 | Phil Lesh & Friends 6.12.01 Ex'pression Center For New Media Emeryville, CA KFOG-Live from the Archives FM>HDD>SoundForge 4.5>CD Wave>SHN | Source Detail | box | |
| 06/27/01 | The Greek Theatre | 3 | Recorded by Neil Sturtevant (FOB): Sennheiser ME40's > M1(48kHz) Mastered & Tracked by Mike Boden: Tascam DA-P1 > Apogee PSX-100 DA convertor > Behringer PEQ 2200 EQ> dbx 166XL Compressor > Apogee PSX-100 AD convertor > PC w/ Celeron II 600 MHz overclocked to 900MHz > Samplitude V.5.55.0.0 > Converted to SHNs w/ MkwACT 1.0.0.1 Notes: Mics were mounted on the front of a ball cap, and Neil was standing dead center. | Source Detail | box | |
| 06/27/01 | The Greek Theatre | 3 | Recorded by Neil Sturtevant (FOB): Sennheiser ME40's > M1(48kHz) Mastered & Tracked by Mike Boden: Tascam DA-P1 > Apogee PSX-100 DA convertor > Behringer PEQ 2200 EQ> dbx 166XL Compressor > Apogee PSX-100 AD convertor > PC w/ Celeron II 600 MHz overclocked to 900MHz > Samplitude V.5.55.0.0 > Converted to SHNs w/ MkwACT 1.0.0.1 Notes: Mics were mounted on the front of a ball cap, and Neil was standing dead center. | Source Detail | box | |
| 07/03/01 | Cuthbert Amphitheatre | 3 | Source: 1st row behind Soundboard Sonic Studios DSM-300's > Sony D8 > DAT > Tascam CDRW 700 > CDR > SHN crackling in 1st set compliments of p.a. system. | Source Detail | box | |
| 07/04/01 | Snoqualmie Amphitheater | 3 | From the tapers section, center, 10' stand neumann km184's>lunatec v2@35db> apogee ad1000@44.1khz>tascam da-p1 harmonic tech cables this was a very windy day da-p1>sek'd prodif plus card> sek'd red roaster (tracks & fades only)> plextor cd>eac>mkw Recorded, transferred, & seeded by Dale S | Source Detail | box | |
| 07/07/01 | Red Rocks Ampitheatre | 3 | Official www.phillesh.net digital soundboard release. | Source Detail | box audio | |
| 07/10/01 | Riverport Amphitheatre | 3 | Source: ?FOB(I'll have to doulbe check) akg 522c-s>Lunatec V2>Sony SBM-1>Tascam DA-P1 DAT>CD via standalone Taped and Transfered by Jason Loomis CD>EAC>SHN(mkwACT) Conversion done by Adam Heckelsmiller | Source Detail | box | |
| 07/11/01 | Sandstone Amphitheatre | 3 | Source: AKG 481(xy@90,15th row)> Lunatec V2> G.P.ADC20> DAP1 (48k) Conversion: DAT> Zoltrix Nightingale> SoundForge 4.5 (rec,48>44,fades)> CDWav (splits)> .shn Taped by Chad Basnett Converted by inshnerator@hotmail.com 8/21/01 | Source Detail | box | |
| 07/12/01 | River's Edge Amphitheater | 3 | Source: FOB/DFC Schoeps MK4V > KC5 > CMC6 > AD1000 > D8 Transfer: DA-20mkII > RME DIGI96/8 PST > Samplitude > CDWAV > SHN Taped and Transfered by Jeff Kempka | Source Detail | box | |
| 07/14/01 | Alpine Valley Music Theatre | 3 | Source: Schoeps MK4V > KC5 > CMC6 > AD1000 > D8 FOB 30th Row DFC Transfer: DA-20mkII > RME DIGI96/8 PST > Samplitude > CDWAV > SHN Taped and Transfered by Jeff Kempka | Source Detail | box | |
| 07/24/01 | Finger Lakes Performing Arts Center | 3 | Location:5th Row Source: FOB>Schoeps ccm4>mp2>Dat>CD Conversion by mvernon54@home.com EAC (secure with correct offsets) > SHN (mwkact with seektables appended) | Source Detail | box | |
| 07/26/01 | Jones Beach Theater | 3 | Nak's > D8 > CDR > EAC (secure w/ offsets) > SHN (seekable mkwact) converion by mvernon54@home.com | Source Detail | box | |
| 07/28/01 | Tweeter Center | 3 | Source: Neumann tlm170(ortf, 10th row, 7'stand)> Lunatec v2> Apogee ad1000> DAP1 (44.1k) Conversion: DAT> Zoltrix Nightingale> SoundForge 4.5 (rec,fades)> CDWav (splits)> .shn | Source Detail | box | |
| 07/29/01 | Star Pavilion | 3 | Taper: Ben Ehrsam Location: Taper section Source: MBHO 603a/KA200 > MP-2 > Tascam DAP1 > DAT > DIGI > HHB 830 Conversion: EAC > Cool Edit 2000 (remove track boundary pops) > CDwave > SHN (mwkact with seektables appended) mvernon54@home.com | Source Detail | box | |
| 08/03/01 | Alltel Pavillion | 2 | Taper: Tapecat (www.tapecat.com) Source: MBHO603a 200n> MP-2> ADC-20>Sony D-7> PioneerPDR-509 > CDR Location: 16th Row Dead Center Lawn encoding by Matt Vernon | Source Detail | box | |
| 08/04/01 | Verizon Wireless Amphitheater | 2 | Source: Neumann ak43(ortf,row V,7'stand,dfc)> lc3ka> km100> Oade m248> Oade Mod.SBM1> DAT (48k) Conversion: DAT> Zoltrix Nightingale> SoundForge 4.5 (rec,48>44,fades)> CDWav (splits)> .shn Taped by J.Madry Converted by inshnerator@hotmail.com 8/18/01 | Source Detail | box | |
| 11/10/01 | Palace Theater | 3 | Neumann KM140 -> Sonosax SX-M2 -> Panasonic SV-255 recorded by Dirk Cota. Sony PCM-R300 -> Zefiro ZA2 -> Cool Edit Pro -> CDWav -> CDRWin transferred by David Ward | Source Detail | box | |
| 11/12/01 | PromoWest Pavilion | 3 | MBHO 603's/ka200's > Lunatec V2 > DA-P1 DA-P1 > Audiophile 2496 > Samplitude(48>44.1) > CDWave > mkwACT Taped and transferred by Doug Nawrocki | Source Detail | box | |
| 11/13/01 | Shea's Performing Arts Center | 3 | Schoeps M4's>Denecke PS2 power unit>Denecke AD-20 A/D converter>digi-inSony D-8 (Taped by David Habbel taper section) | Source Detail | box | |
| 11/16/01 | Memorial Auditorium | 3 | Earthworks SR78>MP2>D8 > DAT > CDR taped by Bill Graves, in the OTS section to the right of the board. mics were pretty much as close to the center as they could possibly be. Conversion by mvernon54@attbi.com EAC > SHN (mwkact with seektables appended) | Source Detail | box | |
| 11/17/01 | Stabler Arena | 3 | MBHO 603a/Ka200> MP-2>DA-P1 > DAT > DIGI > HHB 830 > CDR > EAC > SHN(seekable) Taped by Ben Ehrsam (Left of the soundboard) shn conversion by mvernon54@attbi.com | Source Detail | box | |
| 11/18/01 | Central Maine Civic Center | 3 | FOB/DFC (at least 100' ahead of tapers section)Hat mounted ORTF Oktava MC-012 fmsp (cardioid caps) > Neumann 48i > PCM-M1 M1 settings: mic in (0db), 48k recorded & shnd by nickspicks patched with Schoeps CMC6/MK4V > V2 > AD2K+ > DAP-1 > SHN John Cotter source from tapers section | Source Detail | box | |
| 11/20/01 | Oakdale Theatre | 3 | Taped by Ben Ehrsam at back of tapers section dead center using MBHO 603a/KA200 > MP-2 > Tascam DAP1 > DAT > DIGI > HHB 830 > CDR > EAC > SHN (seekable) by mvernon54@attbi.com | Source Detail | box | |
| 11/21/01 | Orpheum Theater | 3 | unknown FOB aud > ? > CDR(s) > EAC(secure) > Cool Edit > CDwav > mkwact(seekable) | Source Detail | box | |
| 11/23/01 | Orpheum Theater | 3 | SBD > FM (WZLX) > ? > CDR > EAC(secure) > mkwact(seekable) | Source Detail | box | |
| 11/24/01 | Orpheum Theater | 3 | Scheops CMC6 MK41> PSP2> DAP1. Transfer: Sony R500> Za2> Sound Forge> Shorten for Windows. (Note this set used shntool to place tracks on sector boundaries by sets, original shn's were not sector aligned.) | Source Detail | box | |
| 11/26/01 | Beacon Theater | 3 | FOB Scheops Transfer Sony R500> ZA2> Sound Forge PeterG. Note: An sbe-fixed version of this source is available.; upgrade in circulation | Source Detail | box | |
| 12/03/01 | Beacon Theatre | 3 | Source: AKG 393's > Aerco Pre-Amp > Sony SBM-1 > Digital Line of Decks > Sony D8 master @ 44.1kHz (FOB - orchestra center, row L, seat 112 - second row in front of the SBD, a few seats to the right of dead center). The stand was kept at ~6'. (Taped by Freddie & Frankie - running a bunch of patched decks as well...thanks). Conversion: Tascam DA-20 MKII > Ego Sys Waveterminal 2496 > cdwav > .wav's > fades with Soundforge 4.0 > .shn's **No DAE or re-sampling at all** (Transferred by Ari Jaffess - questions to arijaffess@hotmail.com) | Source Detail | box | |
| 12/30/01 | Henry J. Kaiser Auditorium | 3 | FOB-DFC Neumann KM140(ORTF >LunatecV2>Sbm1>D8. Transfer info: DAT(M) to DAT(1) R300>Coax>R300. DAT(1) to CD R300>Coax>HHB830>CDR Masters all by Matt Lazor. SHN conversion via EAC with normalization by Marc Pujol | Source Detail | box | |
| 12/31/01 | Henry J Kaiser Convention Center | 3 | Taped by Mike (Bodenzord) Boden with Neumann KM150's (aimed at the stacks, front and center in taper's section and about eight feet high. F) > Tascam DA-P1(48kHz) > Waves L2 > Sontec 250C > Manley Variable-MU > Apogee PSX-100 AD convertor > PC w/ Celeron II 600 MHz overclocked to 900MHz > Samplitude V.5.50.0.0 > Yamaha 8x4x24 CDRW external SCSI | Source Detail | box | |
| 03/29/02 | Warfield Theater | 3 | (FOB) Neumann KM150 -> Lunatec V2 ->Sony SBM1 ->Dat ->Samplitude v5.9 ->CD Recorded By Charlie Miller and Mike Boden | Source Detail | box audio | |
| 03/29/02 | Warfield Theater | 3 | AUD(FOB)>>LunatecV2>>DAT>>Samplitude(Transfer)>>CEP(Normalize)>>WAV>>SHN>>DAW(Bertha)>>CDA (Jay Ahsley remaster of Miller/Boden source) | Source Detail | box audio | |
| 03/30/02 | Warfield Theater | 2 | (FOB) Neumann KM150 -> Lunatec V2 ->Sony SBM1 ->Dat ->Samplitude v5.9 ->CD. Recorded By Charlie Miller and Mike Boden | Source Detail | box audio | |
| 04/02/02 | Brick Breeden Field House, Montana State | 3 | Source: Schoeps MK4V (FOB/DFC/ORTF) | Source Detail | box | |
| 04/03/02 | KBCO FM Studio C | 1 | FM - webcast >wav>cdwav>shn (seekable) | Source Detail | box | |
| 04/03/02 | KBCO FM Studio C | 1 | Source: FM Broadcast > DAT @ 48k SHN conversion by Marc Pujol | Source Detail | box | |
| 04/04/02 | The Fillmore Auditorum | 3 | DFOB/DFC ~ 35' from stage -- MBHO ka200 (DIN 6' stand) > Active Cables > 603a bodies > 10 db pads > Oade M118 (mod) > Apogee AD500 (44.1k, soft limit off)>dat DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable). Recorded with Chris Evans' rig by Darrin, Chad & Scott | Source Detail | box audio | |
| 04/05/02 | The Fillmore Auditorum | 3 | AKG483 > Lunatec V2 > Graham Patten ADC-20 > Tascam DAP1 @48k shn conversion and seeded to etree by Marc Pujol | Source Detail | box | |
| 04/06/02 | Dobson Arena | 3 | AKG483 > Lunatec V2 > Graham Patten ADC-20 > Tascam DAP1 conversion and seeded to etree by Marc Pujol | Source Detail | box | |
| 04/07/02 | Dobson Arena | 3 | AKG483 > Lunatec V2 > Graham Patten ADC-20 > Tascam DAP1 @ 48k Transfer by Marc Pujol | Source Detail | box | |
| 05/04/02 | Morris FX Auditorium | 2 | Taper: Mark Lynn Source: DPA (B&K) 4011s > Luminous Monarch XLRs > Lunatec V2 > Sonic AD2k+ > M1 DAT taped by Mark Lynn. SHN conversion by Scott Brown: Tascam DA20mkii > Audiowerk2 > PowerMac G4/733 > Coaster 1.1.3 > SoundEdit16 2.07 > Shntool 1.01 | Source Detail | box audio | |
| 05/05/02 | Fair Grounds Race Course | 2 | schoeps mk4v's>kcy>vms021b>d8>@48K.(master)fob 10th row on stand ortf@ 7.0 feet. Tapers: Mikey.k(levels-placement etc.) Jim.c (blocker/gear) Sean.Y(blocking-crowd control) | Source Detail | box audio | |
| 05/21/02 | Irving Plaza- Late Show | 2 | Master/Conversion: Microtech Gefell M210's>Oade M248>SBM-1>D8, D8>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.66 (cdparanoia)>WAV>FLAC by Dave Mallick | Source Detail | boc | |
| 05/23/02 | Dodge Theater | 3 | Source: DPA 4022(ORTF>EAA>ADK>M-1 Location: FOB/DFC/30 feet out Taper: Marc Natelsky | Source Detail | box | |
| 05/26/02 | The Joint @ The Hard Rock Hotel | 3 | box audio | |||
| 05/28/02 | Hult Center | 3 | Neumann TLM-103's > Lunatec V-2 > Tascam DAP-1 > M-1 shn encoding: M-1 > EGOSYS 2496 Soundcard > SF 4.5 > CDWAVE > Mkwact | Source Detail | box audio | |
| 05/29/02 | Roseland Ballroom | 3 | schoeps MK4->KC5->CMC6-> Schoeps VMS5U-> Apogee AD1000-> Sony M-1 @48khz. ORTF Clamped to Balcony Rail. Transfer: M-1 > Ego-Sys WT 2496 Soundcard>Soundforge 4.5>CD Wave>MKW | Source Detail | box audio | |
| 05/31/02 | Greek Theater | 3 | Neumann KM150's (aimed at the stacks) > Lunatec V2 > Tascam DA-P1(48kHz) from the tapers section at the front of the grass area. Mastering setup: Panasonic SV-3800 > Waves L2(D/A conversion only) > Apogee PSX-100 A/D convertor > PC w/ Celeron II 600 MHz > Samplitude V6.01 taped and mastered by Mike Boden | Source Detail | box | |
| 06/01/02 | Greek Theater | 3 | Neumann KM150's (aimed at the stacks) > Lunatec V2 > Tascam DA-P1(48kHz) from the taper's section, which was at the front of the grass area, dead center. Mastering setup: Panasonic SV-3800 > Waves L2(D/A conversion only) > Apogee PSX-100 A/D convertor > PC w/ Celeron II 600 MHz > Samplitude V6.01. Taped and mastered by Mike Boden | Source Detail | box | |
| 06/03/02 | Slim's | 2 | Core Sounds Cardioids (20' from stage, DFC) -> Tascam DA-P1 -> DAT -> Mac -> SHN; | Source Detail | box | |
| 06/23/02 | Great Stage Park | 2 | FOB, on stand, ~50' from stage. Schoeps mk4v (on ORTF bar backwards) > KC5> CMC6 > Sonosax SX-M2> Apogee AD1000 @ 44.1 > S/PDIF > VX Pocket V2 (no DAT gen) >Vegas Audio 2.0 > .wav >Soundforge 5.0 (fades at beg. and end of set only) > mkw 0.97b> .shn w/ seek tables appended. Recording by Sean Yockus Patch and .wav>.shn by Jamie Lutch | Source Detail | box audio | |
| 06/29/02 | Deer Creek Music Center | 2 | Source: FOB/ORTF Schoeps MK4V > KC5 > CMC6 > Apogee AD1000 > Sony D8 | Source Detail | box | |
| 06/30/02 | DTE Energy Music Theater | 2 | Source: AKG c1000s>Zeifro Inbox>D8 @44.1 kHz (DIN, 90 degrees 17 cm) Location: Front Center on Lawn Transfer: D8>Hercules GT-XP>Cool Edit Pro>CDWave>mkwACT v.97>.shn v3 (NO DAE or Re-sampling) Taped, Transferred and Seeded by: Rob Robar dattaper_2000@yahoo.com | Source Detail | box | |
| 07/02/02 | Blossom Music Center | 2 | Source: Schoeps MK-41-> KC5-> CMC6-> Lunatec V2-> AD2K+ (16NS3) at FOH DFC. Transfer: Sony D8-> VXPocket-> Soundforge 5.0 (resampled to 44.1)-> CDWave for splits-> mkwACT for shnning Taped and Transferred By: Jim Pollock | Source Detail | box | |
| 07/05/02 | GOTV | 3 | Source: SBD>DAT>CDR. Converted and Seeded by Skankweed. (Note: SBD origin might be incorrect) | Source Detail | audio box | |
| 07/05/02 | GOTV | 3 | Source: SBD>DAT>CDR. Converted and Seeded by Skankweed. (Note: SBD origin might be incorrect) | Source Detail | box | |
| 07/06/02 | GOTV | 3 | SBD>SBM1>Ego Systems UA2>PEAK (Powerbook G3)>Toast Titanium 5>CDR | Source Detail | box | |
| 07/08/02 | Ampitheater At Station Square | 3 | Source: Neumann KM140's (at 12',behind SBD, slightly right of center) > Lunatec V2 > Sonic AD2K+ (+22db, 16NS3, 44.1k) > Tascam DA-P1 (@44.1k) Conversion: Tascam DA-P1 > Onkyo SE-U55 Digital Audio Processor > SoundForge 5.0 > CD Wave > mkwSHN Taped & Converted by Jef Fugh | Source Detail | box | |
| 07/09/02 | Molson Amphitheatre | 3 | Source: DPA4023 > Lunatec V2 > AD2KT > Tascam DA-P1, FOB (front row 202, center), taped by Pete Lane. DAT > SHN: Tascam DA-P1 > CDRW700 > EAC > mkw | Source Detail | box | |
| 07/10/02 | Darien Lake PAC | 3 | Source: DAUD/FOB>Section 101 Row 6 Seat 8>Stand approx. 5'8"> AKG 480 w/ck61>Lunatec V2 (35db)>Da-p1 @44.1. Transfer:Master dat>Sony DTC-690>Audioquest Optilink 1>SEK'D Prodif Plus> SamplitudeV5.5> cdwav1.6> mkwact0.97. Taped & Transferred by: Chris "sparki" Ace (sparki@iwon.com) | Source Detail | box | |
| 07/10/02 | Darien Lake PAC | 3 | Source: DAUD/FOB>Section 101 Row 6 Seat 8>Stand approx. 5'8"> AKG 480 w/ck61>Lunatec V2 (35db)>Da-p1 @44.1. Transfer:Master dat>Sony DTC-690>Audioquest Optilink 1>SEK'D Prodif Plus> SamplitudeV5.5> cdwav1.6> mkwact0.97. Taped & Transferred by: Chris "sparki" Ace (sparki@iwon.com) | Source Detail | box audio | |
| 07/12/02 | PNC Bank Arts Center | 3 | Source:AKG 481s>GP Dmic20>Sony PCM-M1 taped by Ken Doughty from the taper section dead center. Transfer:Fostex D5>HHB 830>PLextor PX-W012A>EAC>SHN. Seeded by JBGoode2 | Source Detail | box | |
| 07/13/02 | Tweeter Center | 3 | source:Schoeps Mk4>kc5>cmc6>V2>AD2K(NS3)>DA-P1(@44.1)>D8. location:sect2/row r/seats 22-23/dfc/fob (thanks to Scott Gordon for the patch). transfer: DA-P1>Hosa coax>Egosys 2496>cd wav>mkw>shn (seeded and transferred by John Lynch space.wrangler@verizon.net) | Source Detail | box audio | |
| 07/14/02 | Jones Beach Amphitheater | 3 | Schoepps CCM4>BillBox*>PCM-M1>Panasonic SV-4100>DAT>CDR. Recorded by Phil Dinhofer | Source Detail | box audio | |
| 07/14/02 | Jones Beach Amphitheater | 3 | Schoepps CCM4>BillBox*>PCM-M1>Panasonic SV-4100>DAT>CDR. Recorded by Phil Dinhofer | Source Detail | box and video | |
| 07/18/02 | The Meadows Music Theater | 3 | Source:AKG C1000s(XY 90*)>AD-20>PCM-M1(44.1 kHz) taped by Rob Clarke from the Lawn TS DFC Lineage:DAT>CDR>CDR>EAC>SHN | Source Detail | box | |
| 07/19/02 | Star Pavillion | 3 | Neumann KM140's> V2> AD2K+> DA-P1, from DFC OTS by Jeff Fugh. Patched and SHN Conversion: DA-P1> Prodif Plus> Samplitude 2496> CDWAV> MKW by LEVI HUNT | Source Detail | box | |
| 07/20/02 | Tweeter Center | 3 | Oktava mc012's(cardiod ortf) fob (sec 102 row f seat13)> Graham Patten Dmic 20> Sony PCM-M1 dat. Conversion Tascam DA MK30II>coax>Zoltrix Nightengale 6.0>SoundForge 4.5>resample to 44.1k>CDwav(track split)>shn. recorded transfered by spoogles | Source Detail | box | |
| 07/21/02 | Merriweather Post Pavillion | 3 | FOB(center Row P seat 115) Neumann tlm 170's>Apogee AD-1000>DAT. Transfer:Tascam DA MK30II>coax>Zoltrix Nightengale 6.0>SoundForge 4.5>CDwav(track split)>shn patched out of J Bartol's Rig(chun@etree.org) and transfered by Chris "spoogles" DiPietro | Source Detail | box | |
| 07/23/02 | nTelos Pavillion @ Harbor Center | 3 | Oktava MC012 (matched pr) -> Graham Patten DMIC-20 -> DA-P1 capsules: 1st set - hyper-cardiod, 2nd set - cardiod FOB center | Source Detail | box | |
| 07/25/02 | Alltel Pavilion @ Walnut Creek | 3 | Source: Neumann KM-184's(matched pair, from lawn DFC)-> Shrue FP24->Sony D8 Transfer: Sony D8-> Hercules GT-XP->CD Wave-> SHN(MKW.97beta1)(NO DAE) Taped & Transfered By:Chris Healy | Source Detail | box | |
| 07/26/02 | Verizon Wireless Amp | 3 | Josephson c603/ka500 hyper > denecke ps-1a>zefiro>pcm>da-p1 taped by Jim Olis. Transfer: da-p1>Event Gina Track Splits and Fix: SHN > mkwACT > WAV > CDWave (new splits) > shntool (fixed sector boundaries and stripped) > shorten32v3 > SHN by Bill Burton | Source Detail | box | |
| 07/27/02 | HiFi Buys Amp | 3 | Source: Josephson C-603/KA-500>Denecke PS1A>Zefiro Inbox>M-1 (FOB,DFC, approx. 20 rows from stage) Transfer: DA-P1>S/PDIF>Montego II+>Cool Edit Pro>CDWave>mkwACT Taped by Darrin; Transferred by Sloan Simpson | Source Detail | box | |
| 07/28/02 | Mars Amphitheatre | 2 | Source: Audio Technica AT835b shotguns@ 8 feet lawn front center w/ Whirldwind Cables > DXA 4s Preamp > TCD D8 DAT w/ preamp inside recorded @ 44.1 Khz on DGP90P dars tape Digital recorded to Philips 765 cdr. Taped by James Summerlin. | Source Detail | box | |
| 07/30/02 | The Backyard | 3 | AKG 460b/ck12 (shotgun tips) > Lunatec V2 > Graham Patton ADC20 > HHB > D8 > D8. Conversion Sony PCM-R300 > Tascam CD-RW2000 > EAC(secure) > CDWAV > shorten32 | Source Detail | box | |
| 08/01/02 | The Fabulous Fox Theatre | 3 | Schoeps MK4->KCY->VMS 5U -> mod. SBM-1->D8 Location: FOB, ORTF, 14th Row Center. shn'd by m.rodriguez | Source Detail | box | |
| 08/03/02 | Alpine Valley Music Theatre | 2 | Source: FOB/DFC Schoeps MK4>KC5>CMC6>V2>Apogee AD-500E>Sony D7 (48khz) Mics run ORTF @ 6' High from Section 202 row AA Seat 125 Transfer: D8>Prodif Plus>Samplitude 5.5>CDwav>MKWact>SHN(v3) Taped/Transferred by: Mike Fischer (Phishsdank@aol.com) Tracking & SHNv3 by medlhuber@hotmail.com | Source Detail | box | |
| 08/31/02 | Red Rocks Ampitheatre | 3 | FOB/DFC source: "The Pickel"AKG 522MS sterio mic>V2(MSMode)>SBM2> CDR>EAC>CD Wave(tracked)>SHN(mkw) transfer: D100>HHB850 taped and transfered by Jason Loomis EAC/CD Wave/SHN by jimmy cronk | Source Detail | box | |
| 08/31/02 | Red Rocks Ampitheatre | 3 | FOB/DFC source: "The Pickel"AKG 522MS sterio mic>V2(MSMode)>SBM2> CDR>EAC>CD Wave(tracked)>SHN(mkw) transfer: D100>HHB850 taped and transfered by Jason Loomis EAC/CD Wave/SHN by jimmy cronk | Source Detail | box audio | |
| 09/01/02 | Red Rocks Ampitheatre | 3 | Source: Nakamichi CM-1000 mics (spaced 12" @ approx. 45 degrees) > Edirol UA-5 > M1 @ 48kHz. Transfer: M1 > Delta Dio 2496 > Samplitude 2496 (48k > 44.1k) > cdwav > SHN. Taped/Transferred by Nic Brokenleg | Source Detail | box | |
| 09/25/03 | Warfield Theater | 3 | Bertha Remaster of the Official Phillesh.net Soundboard release. SBD>>DAT>>SHN>>DAW(Bertha)>>CDA/SHN via Jay Ashley | Source Detail | box | |
| 09/25/03 | Warfield Theater | 3 | Bertha Remaster of the Official Phillesh.net Soundboard release. SBD>>DAT>>SHN>>DAW(Bertha)>>CDA/SHN via Jay Ashley | Source Detail | box | |
| 09/26/03 | Warfield Theater | 3 | Bertha Remaster of the official soundboard release. SBD>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A | Source Detail | box | |
| 09/27/03 | Warfield Theatre | 3 | Bertha Remaster of the official soundboard release. SBD>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A | Source Detail | box | |
| 11/20/03 | Riviera Theater | 3 | Source: (FOB) Schoeps MK4V > KC5 > CMC6 (DFC/ORTF) > Lunatec V3 > Sony D8 Transfer: D8 > Oade 7-pin > Delta Dio 24/96 > Samplitude > CDWav > MKW Taped and Transferred by Mike Murphy | Source Detail | box audio | |
| 11/23/03 | Orpheum Theater | 3 | Neumann AK40 cardioid capsules > lc3 active cables > KM100 bodies > V3 @ 16/44.1 > CO2 > JB3 front row Mezzanie (DFC)mics run XY @ 100 degrees mastered by nick@nickspicks.com [with alternate disk 1 tracking] | Source Detail | box | |
| 12/19/04 | Warfield Theater | 3 | Source: DSBD - Official Release from www.phillesh.net (CDs mastered by Wizard) | Source Detail | dvd 135 | |
| 02/12/05 | Bill Graham Civic Center | 2 | Source: (Balcony, Row 1, DFC) Nakamichi 701?s> Nakamichi MX100> Apogee MiniMe(16/44.1)> Sony M1 Transfer: Fostex D5> HHB 830> EAC> FLAC | Source Detail | dvd 139 | |
| 02/12/05 | Bill Graham Civic Center | 3 | Source: Digital Audience: Recorded by Rob R 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3 (super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp. | Source Detail | dvd 139 | |
| 02/12/05 | Bill Graham Civic Center | 4 | Source: Mbho603aHypers->V3->Neundo 24/96 Audiolink Multiset->Sony PCG-C1VPK->Wavelab 4.0 24bit 96kHz Dithering: Wavelab 4.0->Apogee dithering algorithm 24bit 96kHz to 16bit 44.1kHz Taped By: Marty S (JackRussel) Transfered By: Marty S (Jack Russel) | Source Detail | dvd 144 | |
| 02/12/05 | Bill Graham Civic Center | 4 | Source: DSBD - Official Release from www.phillesh.net (CDs mastered by Wizard) | Source Detail | dvd 144 | |
| 02/12/05 | Bill Graham Civic Center | 3 | Source: Digital Audience: Recorded by Rob R 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3 (super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp. | Source Detail | dvd 144 | |
| 11/22/05 | New Jersey Performing Arts Center | 3 | Source: DSBD - Official Release from www.phillesh.net (CDs mastered by Wizard) | Source Detail | dvd 185 | |
| 11/22/05 | New Jersey Performing Arts Center | 3 | Source: DSBD - Official Release from www.phillesh.net (CDs mastered by Wizard) | Source Detail | dvd 193 | |
| 11/23/05 | New Jersey Performing Arts Center | 3 | Source: DSBD - Official Release from www.phillesh.net (CDs mastered by Wizard) | Source Detail | dvd 193 | |
| 11/25/05 | Chicago Theatre | 3 | Source: Schoeps MK4V's -> Schoeps VMS5U -> Edriol R1 (Front row Balcony dead center) Taped and transferred by Jeff Travitz | Source Detail | dvd 185 | |
| 11/25/05 | Chicago Theatre | 3 | Source: AKG 483(fob) > V3 (HPF2) > MT2496 (16/44.1) > CD Wav MNFL4L Row F Seat 409 Taped and transferred by Jeff Frank | Source Detail | dvd 185 | |
| 11/26/05 | Chicago Theater | 3 | Source: DSBD - Official Release from www.phillesh.net (CDs mastered by Wizard) | Source Detail | dvd 193 | |
| 11/26/05 | Chicago Theater | 3 | Source: Schoeps MK4V's into Schoeps VMS5U into Edriol R1 (12th row Center) Taped and Transfered by Jeff Travitz | Source Detail | dvd 185 | |
| 12/01/05 | Agganis Arena, Boston University | 3 | Source: 8th row DFC - Neumann ak40 (XY@110deg)>lc3>ka100 > Oade M248 preamp > Maranatz PMD671 @ 24bit / 48kHz master 24bit .wav files resampled and dithered (apogee uv22hr) with wavlab for redbook version | Source Detail | dvd 184 | |
| 12/03/05 | Shea's Performing Arts Center | 3 | Source: DSBD - Official Release from www.phillesh.net (CDs mastered by Wizard) | Source Detail | dvd 192 | |
| 12/04/05 | Washington St. Armory | 3 | Source: DSBD - Official Release from www.phillesh.net (CDs mastered by Wizard) | Source Detail | dvd 192 | |
| 12/10/05 | House Of Blues | 3 | Source: DSBD - Official Release from www.phillesh.net (CDs mastered by Wizard) | Source Detail | dvd 192 | |
| 02/12/06 | Beacon Theatre | 3 | Source: DSBD - Official Release from www.phillesh.net (Mixed and mastered by Derek Featherstone) | Source Detail | dvd 207 | |
| 06/18/06 | Bonnaroo Music Festival | 3 | Source: Peluso cemc6/ck4's(DIN,7'FOB,DFC,50'from stage)>w+mod ua-5>jb3(44.1) Transfer: jb3>creative playcenter>cdwave>flac Recorded and transferred by Jon Buffington (stirinthesauce@hotmail.com) | Source Detail | dvd 218 | |
| 06/18/06 | Bonnaroo Music Festival | 3 | dvd 298 not for trade | |||
| 07/09/06 | Bethel Woods Center for the Arts | 3 | THIS SOUNDBOARD IS **FREE** THANKS TO PHIL & FRIENDS (WWW.PHILLESH.NET) Mixed and mastered by Wiz CD covers can be found at www.phillesh.net Big thanks to all the mirror sites! | Source Detail | dvd 227 231 | |
| 06/03/07 | Hunter Mountain | 3 | Source: Neumann km184> v2> sbm-1> optical 7pin> h120 Transfer: h120> USB> Sound Forge 6.0> cdWave> FLAC Frontend Taped/Transfered by Rob Clarke | Source Detail | dvd 257 | |
| 06/03/07 | Hunter Mountain | 3 | Source: JWmod AKG 461's>Lunatec V3>722 @24/96 Location: OTS, left side of SBD Transfer: 722>Adobe Aud.>16 bit>CDwav>flac16 Taped, transfered and uploaded by Tony Suraci | Source Detail | dvd 257 | |
| 10/31/07 | Nokia Theater | 3 | FREE SOUNDBOARD | Source Detail | dvd 289 | |
| 11/01/07 | Nokia Theater | 3 | FREE SOUNDBOARD | Source Detail | dvd 289 | |
| 11/02/07 | Nokia Theater | 3 | FREE SOUNDBOARD | Source Detail | dvd 289 | |
| 11/03/07 | Nokia Theatre | 3 | FREE SOUNDBOARD | Source Detail | dvd 289 | |
| 11/06/07 | Nokia Theater | 3 | FREE SOUNDBOARD | Source Detail | dvd 289 | |
| 11/08/07 | Nokia Theater | 3 | FREE SOUNDBOARD | Source Detail | dvd 289 | |
| 11/09/07 | Nokia Theatre | 3 | FREE SOUNDBOARD | Source Detail | dvd 290 | |
| 05/13/08 | Warfield Theatre | 3 | Neumann skm 140s->Sound Devices 722->Resample-1.8+(24/192->16/44.1khz); minor glitch fixes w/ cooledit via http://rosemary.dyndns.org | Source Detail | dvd 295 | |
| 05/14/08 | Warfield Theatre | 3 | Sound path: Neumann skm 140s->Sound Devices 722->Resample-1.8+(24/192->16/44.1khz); minor glitch fixes w/ cooledit, taped by Cali Phil | Source Detail | dvd 295 | |
| 05/16/08 | Warfield Theater | 3 | Sound path: Neumann skm 140s->Sound Devices 722->Resample-1.8+(24/192->16/44.1khz); minor glitch fixes w/ cooledit. | Source Detail | dvd 295 | |
| 05/17/08 | The Warfield | 3 | Neumann skm 140s->Sound Devices 722->Resample-1.8+(24/192->16/44.1khz); minor glitch fixes, fades, etc. w/ cooledit via P.Hopely at http://rosemary.dyndns.org | Source Detail | dvd 295 | |
| 06/13/08 | Charter One Pavilion | 3 | Source: AKG CK1x Cardioid Capsules (DIN, 10' ROC, 8' High) > MK46 Active Cables > AKG C460B Mic Bodies > Sound Devices 744t (recorded at 24-Bit/48khz, dithered to 16-Bit/44.1khz) Conversion: Compactflash Card > Sandisk Card Reader > Adobe Audition > CD Wave Editor > FLAC Frontend > Trader's Little Helper | Source Detail | d299 | |
| 06/15/08 | Bonnaroo Music Festival | 2 | Source: Milab VM-44 Link -> Lunatec V2 -> Korg MR-1000 (1bit/2.8MHz DSD). Location: fob, dfc, 6’ stand. Transfer: Korg MR-1000 -> AudioGate (16/44) -> CD Wave -> FLAC | Source Detail | d299 | |
| 06/15/08 | Bonnaroo Music Festival | 2 | Source: Milab VM-44 Link -> Lunatec V2 -> Korg MR-1000 (1bit/2.8MHz DSD). Location: fob, dfc, 6’ stand. Transfer: Korg MR-1000 -> AudioGate (16/44) -> CD Wave -> FLAC | Source Detail | dvd 304 | |
| 06/21/08 | Bank Of America Pavilion | 3 | Source: Schoeps MK4>KC5>CMC6>Sonosax SX-M2>Apogee Mini-me(@24 Bit 96khz aes out)>COAX>Edirol R-4 Lineage: Edirol R-4(@ 24 bit/96 khz WAV)>USB>Soundforge 8.0(tracking,resample/dithering 44.1 khz/16 bit)>Flac Taped by: Andy Murray | Source Detail | dvd 304 | |
| 06/22/08 | Meadowbrook U.S. Cellular Pavilion | 3 | AKG c460b/ck61(din,fob,60'fs,9'high) > uA-5 BM2P+ > Optical > H120(16/44.1)Wave > Soundforge 7.0(fade,tracking) > Flac. Taped, Transfered & Seeded by Ted Gakidis tgakidis@gmail.com | Source Detail | dvd 304 | |
| 07/13/08 | Jones Beach Theater | 3 | Taper : Steve T ''AKA'' You Have A Diet Coke Editing : Joe D'Amico ''AKA''Joebeacon Source: Nak 700 Mic's > Battery Box > Sony Sbm1 > Sony D-8. Transfer: Tascam Dap1 > Creative Extigy Soundcard > Cool Edit Pro > Flac Frontend | Source Detail | dvd 304 | |
| 10/31/08 | Nokia Theatre | 3 | d313 | |||
| Ratdog --- Approximate Hours: 15 | ||||||
| Show Date | Venue | Media Count | Source Notes | Source | Locn. | |
| 02/24/02 | Vic Theatre | 3 | Source: SBD > D8 > CDR > *EAC > mkwACT - *Test and Copy; EAC'd/Seeded by Doug Nawrocki; Huge thanks to Dave Jackson for the source discs | Source Detail | box audio | |
| 09/13/02 | Skin Pool Lounge @ The Palms | 3 | SBD>Dat>CD; Uploaded By Charlie Miller charliemiller87@earthlink.net | Source Detail | box | |
| 08/22/03 | London Astoria | 3 | Sennheiser 421s > Nomad J3 > .wav > CDWAV > MKW 0.97b > .shn with seek tables appended. | Source Detail | box | |
| 12/02/05 | KBCO 97.3 FM Studio C | 1 | dvd 180 | |||
| 08/16/08 | Comcast Center for the Performing Arts | 2 | flac16; SP C-4>Oade BCM Marantz PMD 671>wav; wav> cd wav>TLH> flac; tape/transfer wheresjerry | Source Detail | dvd 308 | |
| Seastones --- Approximate Hours: 5 | ||||||
| Show Date | Venue | Media Count | Source Notes | Source | Locn. | |
| 11/28/73 | Palace of Fine Arts | 4 | Seastones collection: 4 disc set includes 3 separate sessions labelled as 11/28/73, plus 6/6/75; misc. filler bits; via D. Finney | Source Detail | d24 | |
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For administrative requests email contact@etreedb.org
This website written by Tom H Anderson and maintained by the etreedb.org community.
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